WEBVTT - S4/E10 | Visitation

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<v Speaker 1>Thirteen Days of Halloween Penance, a co production of iHeart

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<v Speaker 1>three D Audio Blumhouse Television and Grim and Mild from

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<v Speaker 1>Aaron Mankey Headphones recommended. Listener Discretion advised.

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<v Speaker 2>What's the problem with the loose key? Finding what lock

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<v Speaker 2>it goes to? Not the cell door? I guess that

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<v Speaker 2>would have been too easy, And I suppose I would

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<v Speaker 2>have needed two of them, TV room, art room, weight room,

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<v Speaker 2>library and.

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<v Speaker 3>What's behind door number three? Nothing for me?

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<v Speaker 2>How about here?

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<v Speaker 4>Nope?

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<v Speaker 2>Here, nope, this one, this one, nope, nope, nope, damn it.

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<v Speaker 3>Ifire to try it?

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<v Speaker 2>And here this seems hopeless? Wait, which one of these was?

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<v Speaker 2>Frips uh lounge? Hey buddy, Sorry, I haven't seen the

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<v Speaker 2>old timers here in a while. We all have a

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<v Speaker 2>fallen out.

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<v Speaker 5>They're around, you know.

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<v Speaker 3>I started working up in the machine shop.

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<v Speaker 5>Was that before or f the explosion?

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<v Speaker 2>M hmm, listen, frim When Cavalt collected all those keys,

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<v Speaker 2>did he ever find one that looked like this?

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<v Speaker 5>It's under your hand.

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<v Speaker 2>I don't want them to confiscate it. Can I pass

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<v Speaker 2>it to you?

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<v Speaker 5>No? I saw it put it away. Did you recognize

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<v Speaker 5>the shape looks more like a Swiss army knife?

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<v Speaker 2>Any idea where it would go?

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<v Speaker 5>Where'd you find it?

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<v Speaker 2>I made it?

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<v Speaker 5>Then I guess it wouldn't unlock anything.

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<v Speaker 1>You know.

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<v Speaker 2>I don't get you.

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<v Speaker 3>One minute it seems like you want to help me,

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<v Speaker 3>the next you totally blow me off.

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<v Speaker 2>What is your angle?

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<v Speaker 5>No angle except except what I don't want to see

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<v Speaker 5>you get hurt?

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<v Speaker 3>Why would I be hurt.

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<v Speaker 5>By getting your hopes up?

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<v Speaker 2>Stupid worthless hunk chuck?

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<v Speaker 6>That's initial?

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<v Speaker 2>Yeah, I heard it too, Resident.

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<v Speaker 3>Rodriguez, my name, Sorry, I was sleeping. Come on, let's

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<v Speaker 3>go go? Why m hmm? Because I said so?

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<v Speaker 2>Where are you taking me this time?

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<v Speaker 6>Spitzists?

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<v Speaker 2>Why do you always think I'm gonna understand you?

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<v Speaker 4>No, not of them?

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<v Speaker 5>Look about robots?

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<v Speaker 2>Okay once more?

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<v Speaker 3>Where are would you shut up and walk? We're gonna

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<v Speaker 3>be late?

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<v Speaker 6>Like for what?

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<v Speaker 4>Whoa?

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<v Speaker 2>Who are they all talking to? Huh?

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<v Speaker 5>Visitors?

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<v Speaker 2>People in the band get visitors? How does that even

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<v Speaker 2>make any I sure you not? Twenty?

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<v Speaker 7>Is that?

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<v Speaker 6>When you put there?

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<v Speaker 2>I need you to do something for Galina. I don't

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<v Speaker 2>know how y'all found me, but but you know shaky pete.

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<v Speaker 4>Okay, fine, you on unless I'm out you understand, get

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<v Speaker 4>me out. You need to call the government you haven't ready, darling.

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<v Speaker 2>It reminded me of you. Oh peepes, we will start

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<v Speaker 2>a club. Cally leads count together one billion, one one

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<v Speaker 2>billion in two.

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<v Speaker 4>Sit.

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<v Speaker 2>Okay now what wait? Okay, it's a visitor, isn't it.

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<v Speaker 2>I'm waiting for a visitor?

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<v Speaker 3>Well who is it?

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<v Speaker 2>Is it my mom and dad, the governor with a

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<v Speaker 2>pardon or is it the whole most of this horrible fucking.

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<v Speaker 3>Prank Show'm on one Alexander Talbot?

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<v Speaker 4>Who who would be coming to visit me?

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<v Speaker 2>Or maybe they're here for Rodriguez?

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<v Speaker 4>Also?

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<v Speaker 2>Is that bowl of fruit real? Looks like an apple?

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<v Speaker 2>Smells like an apple? How about this wall to wall

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<v Speaker 2>snow white mirror? Mirror my dead ass face in four

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<v Speaker 2>K and more baggage and lax gotta brush my teeth

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<v Speaker 2>the more no cameras. Wait a minute, have I ever

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<v Speaker 2>seen a camera here?

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<v Speaker 5>Oh?

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<v Speaker 2>My god, that's fucking calicious. That's not just a mirror.

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<v Speaker 8>Is it?

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<v Speaker 5>Yes?

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<v Speaker 6>This will do just fine, Thank you, Lieutenant Cristalio of

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<v Speaker 6>Lieutenant sychs And hello, my dear siary, have you been

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<v Speaker 6>holding up?

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<v Speaker 2>Step away?

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<v Speaker 6>Not to worry lieutenants. I'll be fine with her. We

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<v Speaker 6>have history.

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<v Speaker 3>Uh, keep your distance.

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<v Speaker 6>You know, I'm not versed in the Heimlich, But if

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<v Speaker 6>you's all that as American as.

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<v Speaker 2>That, what more could you possibly want from me?

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<v Speaker 3>Why would you even show up after what you did?

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<v Speaker 6>I hardly did it alone. We all take our orders

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<v Speaker 6>from something.

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<v Speaker 4>You have anything siary.

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<v Speaker 6>I'm surprised. Why the last time we talked, or.

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<v Speaker 2>Was that before or after you drugged me? Well after

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<v Speaker 2>when you threw me in a van, dragged me to

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<v Speaker 2>this healthscape and threw away the key.

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<v Speaker 6>I meant the last time when we had such a

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<v Speaker 6>pleasant conversation about puzzles from ancient texts.

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<v Speaker 4>No, we did it.

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<v Speaker 6>Don't tell me you've forgotten, miss Rowequez.

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<v Speaker 2>Oh oh, I know it's it's coming back to me now.

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<v Speaker 6>Good. Shall we pick up when we left off last time?

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<v Speaker 3>Well, I you know, maybe.

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<v Speaker 6>We could actually Why didn't I take it from the beginning?

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<v Speaker 2>Yeah, yeah, it's been it's been kind of hectic lately,

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<v Speaker 2>so I could use a refresher.

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<v Speaker 6>And, by the looks of it, some refreshment. Why don't

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<v Speaker 6>you go ahead and finish your apple?

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<v Speaker 2>Are you sure?

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<v Speaker 6>Always? Just don't choke?

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<v Speaker 5>Wonderful. Now shall we?

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<v Speaker 6>Let's yep, last time I told you about my friend Miguel, Monguel,

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<v Speaker 6>Miguel de la Croufe.

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<v Speaker 2>Ah, yeah, Moguel de la de la Cruz.

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<v Speaker 6>Of course, Miguel just loves riddles, and I think I

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<v Speaker 6>almost had you stumped with the last one.

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<v Speaker 2>Yeah, almost, what was it?

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<v Speaker 6>Ah? Yes, I have seas without water, coasts without sand,

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<v Speaker 6>towns without people, and mountains without land. What am I?

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<v Speaker 2>I am? Can Europe?

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<v Speaker 6>You have seas without water, coasts without sand, towns without people,

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<v Speaker 6>and mountains without land.

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<v Speaker 5>What am I? You do? Remember? Yes?

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<v Speaker 2>Of course, it's just it's been a while and other

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<v Speaker 2>things have come into.

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<v Speaker 5>The of course.

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<v Speaker 6>Of course, your caseworker seems rather pleased with your progress.

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<v Speaker 7>You spoke to aiden affirmative and he helped clear this

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<v Speaker 7>additional meeting because he thinks you're progressing, progressing, But what

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<v Speaker 7>is progress really but having the tools to succeed and

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<v Speaker 7>to move forward in the.

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<v Speaker 5>Hmm.

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<v Speaker 6>I'm not sure how much time we've left in our session,

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<v Speaker 6>so perhaps we can circle back to Miguel de la couf. Okay,

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<v Speaker 6>remember how I told you about Saint Monica.

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<v Speaker 2>St.

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<v Speaker 6>Monica, the very namesake of that beach oasis on the

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<v Speaker 6>coast of Los Angeles. Santa Monica, have you heard of it?

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<v Speaker 2>Yes, of course I know Santa Monica, the Peer, the

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<v Speaker 2>Ferris Wheel, muscle freakin beach. Come on, do I know

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<v Speaker 2>Santa Monica?

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<v Speaker 6>Hm? Yes, Well Monica, the patron Saint of Mothers, had

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<v Speaker 6>a son, obviously, Saint Augustine, though neither or he were saints.

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<v Speaker 6>When he was growing up, he was a capricious lad,

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<v Speaker 6>perhaps owing to the fact that his father was an

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<v Speaker 6>infamous adulterer and not the best role model. So Oggie

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<v Speaker 6>clashed with his mum rather frequently, rather frequently.

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<v Speaker 2>I'm sorry, I'm trying to.

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<v Speaker 6>Keep We need to focus, Miss Rodriguez.

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<v Speaker 8>My.

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<v Speaker 2>Mistake.

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<v Speaker 4>Please continue gratefully.

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<v Speaker 6>So one day Monica and Oggie have a massive fight.

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<v Speaker 6>Things are said, probably not unlike kids rebelling today, But

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<v Speaker 6>instead of you're grounded and no telly for the rest

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<v Speaker 6>of the week, it was more, how could you convert

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<v Speaker 6>to Manicheism? You're a traitor to our family, You're no

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<v Speaker 6>longer welcome in our home.

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<v Speaker 3>What's Manicheism?

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<v Speaker 6>A dead religion founded in the third century by the

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<v Speaker 6>Parthenian prophet what today we would call a branch of

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<v Speaker 6>gnosticism based in duality. It offered salvation through special knowledge

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<v Speaker 6>of radical truths, with the subtext of this world is

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<v Speaker 6>evil and we're all gonna die.

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<v Speaker 2>What happened to them.

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<v Speaker 6>Went the way of Besimax or beaper pages beat out

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<v Speaker 6>in the zeitgeist of newer, shinier, more gilded roby houses

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<v Speaker 6>of worship. But that's not important right now. What's important

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<v Speaker 6>is that Monica expelled Oggie, and afterwards things looked bleak

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<v Speaker 6>for a minute until.

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<v Speaker 4>Until what.

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<v Speaker 6>Until one day Monica had this epiphany, this vision, this

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<v Speaker 6>revelation of what. Some say God visited her. Others say

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<v Speaker 6>a priest convinced her to change her ways. Others say

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<v Speaker 6>that all the explanations are just ways to make it

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<v Speaker 6>seem like a man came in and showed her the way.

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<v Speaker 2>Of course they do.

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<v Speaker 6>But I think there's nothing more powerful than the love

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<v Speaker 6>a mother has for her child. Something you agreed with

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<v Speaker 6>last time, if I remember correctly.

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<v Speaker 2>Sure, I mean it's up there.

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<v Speaker 6>So Monica searched for to make amends and to dedicate

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<v Speaker 6>her life to him, hence her being.

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<v Speaker 2>The mother of all saints of mothers.

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<v Speaker 6>Indeed, you're remembering so she tracks him from Algeria into Italy,

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<v Speaker 6>finally finding him in Mila a mother and child reunion indeed,

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<v Speaker 6>to celebrate. They plan a trip to Rome, but before

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<v Speaker 6>they leave, they meet with Saint Ambrose, also not yet

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<v Speaker 6>a saint, but well on his way since he was

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<v Speaker 6>the Bishop of Milan, and probably in miracles to spare

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<v Speaker 6>at that point. But I digress. How's the apple?

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<v Speaker 4>It's fine, good, good.

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<v Speaker 6>Speaking of apples and hunger more generally, Oggie and Monica

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<v Speaker 6>meet with Saint Ambrose because apparently their trip is going

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<v Speaker 6>to land them in Rome on a Saturday. Okay, as

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<v Speaker 6>it turns out, back then, Saturday was a day of

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<v Speaker 6>fast in.

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<v Speaker 3>Rome every Saturday, every Saturday, like a Shabbath, yes.

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<v Speaker 6>But with even more restrictions and punishable by death. Darn

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<v Speaker 6>darn indeed, whereas in Milan they not only dressed to

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<v Speaker 6>the nines, but they ate their heart outs on the weekend.

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<v Speaker 6>Abetha style, sorry, Vegas style.

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<v Speaker 3>I know what Abiza is, of course you do.

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<v Speaker 2>So what did Ambrose say?

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<v Speaker 6>I thought you'd never ask. He offered them some simple

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<v Speaker 6>words that have lasted over eighteen hundred years.

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<v Speaker 2>Fuck it eat whenever one wishes.

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<v Speaker 6>But the answer was about as diplomatic and non divisive

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<v Speaker 6>as someone in his position could provide. He said to them,

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<v Speaker 6>when I am here in Milan, I do not fast.

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<v Speaker 6>But when I'm in Rome, I do fast on Saturday, okay,

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<v Speaker 6>not ringing any bells.

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<v Speaker 2>When in Rome, do as the Romans.

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<v Speaker 6>Do precisely, you do, remember, kudos to ever punched the

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<v Speaker 6>line made it immortal.

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<v Speaker 2>Wow, that's actually pretty interesting.

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<v Speaker 3>But how does that apply to my current situation?

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<v Speaker 6>It applies, Miss Rodriguez, because I too think you're progressing

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<v Speaker 6>well here. There is a lot of attention, a lot

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<v Speaker 6>of eyes on your case. But it's time to take

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<v Speaker 6>things to the next level.

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<v Speaker 2>What's the next level?

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<v Speaker 4>Have you had a chance to think on the riddle

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<v Speaker 4>from earlier?

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<v Speaker 6>Do you remember it?

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<v Speaker 3>I have seas without water, coasts without.

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<v Speaker 6>Sand, towns without people, oh.

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<v Speaker 2>And mountains without land.

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<v Speaker 6>Correct?

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<v Speaker 5>What am I?

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<v Speaker 2>Seas? Coasts, towns, mountains, You're a map.

0:14:51.520 --> 0:14:56.680
<v Speaker 6>It's almost time time listen to me, Siary. One more

0:14:56.720 --> 0:15:01.120
<v Speaker 6>riddle before I'm gone gone. Just look at me and remember,

0:15:01.200 --> 0:15:04.920
<v Speaker 6>my friend, what's hidden initially will come clear in the end.

0:15:05.240 --> 0:15:07.880
<v Speaker 4>What will I get cut? But I never bleed?

0:15:07.920 --> 0:15:08.800
<v Speaker 6>What I have teeth?

0:15:08.840 --> 0:15:09.520
<v Speaker 5>But I do bite.

0:15:09.680 --> 0:15:11.880
<v Speaker 2>Oh I know, no, don't what?

0:15:12.080 --> 0:15:12.440
<v Speaker 3>Why not?

0:15:13.680 --> 0:15:14.360
<v Speaker 4>What are you doing?

0:15:14.680 --> 0:15:20.280
<v Speaker 6>It's okay, sir, Please take a step back.

0:15:20.520 --> 0:15:24.240
<v Speaker 3>Remember my friend hands out of your coat.

0:15:24.400 --> 0:15:25.600
<v Speaker 6>I'm just going to give him my cart.

0:15:25.720 --> 0:15:28.800
<v Speaker 4>What what's going on, sir?

0:15:29.400 --> 0:15:32.400
<v Speaker 3>Hand jesus a gun, I said, step.

0:15:32.160 --> 0:15:47.040
<v Speaker 8>Away style alexandyke care sary, No, get.

0:15:46.960 --> 0:15:48.080
<v Speaker 6>Him off me, get awa me.

0:15:50.200 --> 0:15:51.240
<v Speaker 4>Why did you do that?

0:15:51.360 --> 0:15:52.120
<v Speaker 3>What did he give you?

0:15:52.320 --> 0:15:52.360
<v Speaker 6>What?

0:15:53.640 --> 0:15:54.200
<v Speaker 8>I don't know?

0:15:55.160 --> 0:15:57.200
<v Speaker 3>Style he walked over, he handed you something?

0:15:57.280 --> 0:16:01.480
<v Speaker 9>No, no, what open your goddamn hands.

0:16:03.720 --> 0:16:12.520
<v Speaker 6>Get me anything, not just the.

0:16:14.800 --> 0:16:17.160
<v Speaker 3>You know, take my keith, throw it back in a room.

0:16:17.200 --> 0:16:18.560
<v Speaker 2>I'll get somebody to clean this mess up.

0:16:23.640 --> 0:16:24.200
<v Speaker 4>Mm hmm.

0:16:25.640 --> 0:16:30.360
<v Speaker 5>One will minish huh dull.

0:16:30.440 --> 0:16:33.040
<v Speaker 3>But wait, I don't understand.

0:16:35.080 --> 0:16:38.200
<v Speaker 2>Fuck me, dude, got captain. Order to tell me a

0:16:38.400 --> 0:16:40.400
<v Speaker 2>riddle that makes no sense.

0:16:41.520 --> 0:16:52.720
<v Speaker 9>There has to be more to it. Okay, First riddle, map,

0:16:53.520 --> 0:16:54.120
<v Speaker 9>what's a map?

0:16:54.680 --> 0:16:55.000
<v Speaker 4>This?

0:16:55.000 --> 0:16:55.320
<v Speaker 6>This all?

0:16:55.440 --> 0:16:57.240
<v Speaker 4>This is a map? Okay.

0:16:57.760 --> 0:17:01.520
<v Speaker 2>Last riddle, I get cut, but I don't bleed teeth.

0:17:01.600 --> 0:17:06.240
<v Speaker 2>But don't bite easy, busy A key the key to

0:17:06.359 --> 0:17:09.920
<v Speaker 2>the map. Yeah, I've got a key, but I don't

0:17:09.920 --> 0:17:14.359
<v Speaker 2>know where it goes. Uh okay, okay. Middle riddle Santa

0:17:14.400 --> 0:17:20.800
<v Speaker 2>Monica milan man a key ism. How do I even

0:17:20.840 --> 0:17:24.240
<v Speaker 2>spell that? Uh?

0:17:24.280 --> 0:17:24.600
<v Speaker 4>Oh?

0:17:24.640 --> 0:17:26.880
<v Speaker 3>He said, so much weird shit. I wish I could

0:17:26.920 --> 0:17:27.600
<v Speaker 3>just forget it.

0:17:28.920 --> 0:17:35.679
<v Speaker 2>Okay, just look at me and remember my friend. His

0:17:35.840 --> 0:17:44.080
<v Speaker 2>friend was his friend's name again? Um something something with

0:17:44.160 --> 0:17:49.240
<v Speaker 2>an m oh, he said, it's so many damn times. Okay, mmmm.

0:17:52.160 --> 0:17:55.640
<v Speaker 3>Me me, me, me gout make out. Miguel de la Cruz.

0:17:57.040 --> 0:18:04.400
<v Speaker 2>Should have snagged another apple, Hey, went in rom yes room.

0:18:04.720 --> 0:18:10.320
<v Speaker 2>What's hidden initially will come clear in the end. Roman numerals,

0:18:10.840 --> 0:18:13.359
<v Speaker 2>Miguel's la Cruz isn't a name, It's a number. Okay,

0:18:13.920 --> 0:18:24.320
<v Speaker 2>md LCM is what one hundred a thousand and d is? Up?

0:18:24.760 --> 0:18:26.679
<v Speaker 5>It's twelve thirty?

0:18:26.720 --> 0:18:27.439
<v Speaker 6>How did you I mean?

0:18:27.480 --> 0:18:34.959
<v Speaker 5>It's after midnight? Shut up? And M d LC isn't

0:18:35.119 --> 0:18:36.320
<v Speaker 5>a Roman numeral.

0:18:37.040 --> 0:18:43.640
<v Speaker 3>It isn't not INDIANC de la cruise cruise.

0:18:43.680 --> 0:18:48.600
<v Speaker 2>It's across across. What in Spanish cruise is across and

0:18:48.640 --> 0:18:50.159
<v Speaker 2>across is an X.

0:18:52.000 --> 0:18:53.920
<v Speaker 4>M D l X.

0:18:54.440 --> 0:18:56.000
<v Speaker 2>FORRIP, please translate to Roman.

0:18:58.080 --> 0:19:00.879
<v Speaker 5>One thousand, five hundred and.

0:19:00.600 --> 0:19:03.800
<v Speaker 2>Fifty ten and what you just add the.

0:19:04.359 --> 0:19:07.440
<v Speaker 5>Fifteen sixty side whatever it is?

0:19:08.200 --> 0:19:15.040
<v Speaker 2>Fifteen sixty do you want to know? Okay? Thanks? Rip sorry,

0:19:15.080 --> 0:19:24.160
<v Speaker 2>I woke you up. Good night. Fifteen sixty fifteen sixty

0:19:24.720 --> 0:19:32.119
<v Speaker 2>the year that. Could it be a door code to

0:19:32.200 --> 0:19:34.440
<v Speaker 2>way James Bond? Have you ever seen a pin pad

0:19:34.480 --> 0:19:38.720
<v Speaker 2>in this whole fucking medieval palace? I bet it's just

0:19:39.040 --> 0:19:43.520
<v Speaker 2>part of another fucking riddle. I'll have to ask Talbot

0:19:44.160 --> 0:19:51.239
<v Speaker 2>when I see him in Hell another gay older And

0:19:51.280 --> 0:19:53.919
<v Speaker 2>what have you got to show for it? A meaningless

0:19:53.960 --> 0:19:56.720
<v Speaker 2>code and a useless key.

0:19:57.640 --> 0:19:59.239
<v Speaker 3>Well, if you're not going to get me out, then

0:19:59.240 --> 0:20:03.000
<v Speaker 3>why not make it a thank you for the blank

0:20:03.040 --> 0:20:03.879
<v Speaker 3>canvas coble.

0:20:04.040 --> 0:20:09.880
<v Speaker 2>At least you loved me something Si was.

0:20:11.520 --> 0:20:11.760
<v Speaker 4>Here?

0:20:14.240 --> 0:20:15.200
<v Speaker 3>Hello?

0:20:16.240 --> 0:20:21.040
<v Speaker 2>Given my aluckt these days it's entirely improbable. But could

0:20:21.240 --> 0:20:31.520
<v Speaker 2>there be something behind this brick? Easy? Now a little harder?

0:20:33.640 --> 0:20:33.840
<v Speaker 6>Oh?

0:20:33.960 --> 0:20:41.520
<v Speaker 2>Why don't I build a crow bar? Yilty one of

0:20:41.600 --> 0:20:45.920
<v Speaker 2>Caval's secret compartments. Definitely not big enough to climb through,

0:20:45.960 --> 0:20:57.679
<v Speaker 2>but tied contraband, and of course it's empty. Wait what's this?

0:21:07.800 --> 0:21:08.320
<v Speaker 5>Jack Bob?

0:21:18.880 --> 0:21:33.520
<v Speaker 2>Oh yea yai si yai Si.

0:21:35.080 --> 0:21:41.440
<v Speaker 1>Thirteen Days of Halloween Pennance starring Natalie Morales, Episode ten Visitation,

0:21:41.920 --> 0:21:46.040
<v Speaker 1>written by Carlos Foglia and Alexander Williams editing and sound

0:21:46.119 --> 0:21:50.320
<v Speaker 1>design by Casby Bias, featuring the voices of Wilbur Fitzgerald,

0:21:50.600 --> 0:21:56.359
<v Speaker 1>Raphael Corkil, Rachel Rosenbloom, Laura Shine, and Joseph Wibb. Directed

0:21:56.440 --> 0:22:01.760
<v Speaker 1>by Alexander Williams. Executive producers Aaron Mankey, Noah Feinberg, Chris Dicky,

0:22:01.960 --> 0:22:06.720
<v Speaker 1>Matt Frederick and Alexander Williams. Supervising producers Trevor Young and

0:22:06.880 --> 0:22:12.040
<v Speaker 1>Josh Thain. Producers Jesse funk Rima Ilkali, Noami Griffin, Chandler

0:22:12.080 --> 0:22:16.520
<v Speaker 1>Mays and Casby Bias. Script editing by Lauren Vogelbaum, Story

0:22:16.560 --> 0:22:20.520
<v Speaker 1>consultants Ben Bolan and Matthew Riddle. Casting by Sunday Bowling

0:22:20.600 --> 0:22:26.160
<v Speaker 1>CSA and Meg Mormon CSA. Production coordinator Wayna Calderon, Production

0:22:26.240 --> 0:22:30.560
<v Speaker 1>assistants Jenna Johnson and Winona Lowe. Theme music by Rose

0:22:30.640 --> 0:22:34.679
<v Speaker 1>Azerti with vocals by Anna Hummler, recorded at This Is

0:22:34.760 --> 0:22:39.679
<v Speaker 1>Sound Design Studios in Burbank, California. Engineered by Ross aeronaut

0:22:40.000 --> 0:22:44.479
<v Speaker 1>special thanks to Romelia Osorio, Nathan Rule, Glenn Nishida, and

0:22:44.560 --> 0:22:48.240
<v Speaker 1>Rob Mosca. Thirteen Days of Halloween was created by Matt

0:22:48.240 --> 0:22:52.480
<v Speaker 1>Frederick and Alexander Williams and is a production of iHeart Podcasts,

0:22:52.560 --> 0:22:56.440
<v Speaker 1>Blumhouse Television, and Grimm and Mild from Aaron Makey. Learn

0:22:56.480 --> 0:22:59.879
<v Speaker 1>more about the show at Grimandmild dot com. Slash thirteen

0:23:00.240 --> 0:23:03.480
<v Speaker 1>days and find more podcasts from iHeartRadio by visiting the

0:23:03.520 --> 0:23:07.080
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

0:23:07.119 --> 0:23:09.359
<v Speaker 1>favorite shows. Happy Halloween,