1 00:00:04,000 --> 00:00:08,240 Speaker 1: Thirteen Days of Halloween Penance, a co production of iHeart 2 00:00:08,280 --> 00:00:11,840 Speaker 1: three D Audio Blumhouse Television and Grim and Mild from 3 00:00:11,880 --> 00:00:16,160 Speaker 1: Aaron Mankey Headphones recommended. Listener Discretion advised. 4 00:00:27,240 --> 00:00:32,680 Speaker 2: What's the problem with the loose key? Finding what lock 5 00:00:33,000 --> 00:00:52,400 Speaker 2: it goes to? Not the cell door? I guess that 6 00:00:52,400 --> 00:00:56,240 Speaker 2: would have been too easy, And I suppose I would 7 00:00:56,240 --> 00:01:06,119 Speaker 2: have needed two of them, TV room, art room, weight room, 8 00:01:06,240 --> 00:01:09,440 Speaker 2: library and. 9 00:01:09,560 --> 00:01:14,080 Speaker 3: What's behind door number three? Nothing for me? 10 00:01:15,280 --> 00:01:16,040 Speaker 2: How about here? 11 00:01:16,840 --> 00:01:17,160 Speaker 4: Nope? 12 00:01:18,120 --> 00:01:27,160 Speaker 2: Here, nope, this one, this one, nope, nope, nope, damn it. 13 00:01:27,160 --> 00:01:28,000 Speaker 3: Ifire to try it? 14 00:01:29,160 --> 00:01:36,520 Speaker 2: And here this seems hopeless? Wait, which one of these was? 15 00:01:36,600 --> 00:01:48,280 Speaker 2: Frips uh lounge? Hey buddy, Sorry, I haven't seen the 16 00:01:48,320 --> 00:01:50,600 Speaker 2: old timers here in a while. We all have a 17 00:01:50,680 --> 00:01:51,480 Speaker 2: fallen out. 18 00:01:52,000 --> 00:01:54,480 Speaker 5: They're around, you know. 19 00:01:54,600 --> 00:01:57,240 Speaker 3: I started working up in the machine shop. 20 00:01:57,800 --> 00:02:00,880 Speaker 5: Was that before or f the explosion? 21 00:02:02,880 --> 00:02:07,640 Speaker 2: M hmm, listen, frim When Cavalt collected all those keys, 22 00:02:08,040 --> 00:02:09,480 Speaker 2: did he ever find one that looked like this? 23 00:02:11,320 --> 00:02:12,799 Speaker 5: It's under your hand. 24 00:02:13,200 --> 00:02:14,960 Speaker 2: I don't want them to confiscate it. Can I pass 25 00:02:14,960 --> 00:02:15,600 Speaker 2: it to you? 26 00:02:15,639 --> 00:02:20,240 Speaker 5: No? I saw it put it away. Did you recognize 27 00:02:20,240 --> 00:02:23,520 Speaker 5: the shape looks more like a Swiss army knife? 28 00:02:24,160 --> 00:02:25,280 Speaker 2: Any idea where it would go? 29 00:02:25,760 --> 00:02:26,760 Speaker 5: Where'd you find it? 30 00:02:27,240 --> 00:02:27,959 Speaker 2: I made it? 31 00:02:28,600 --> 00:02:30,959 Speaker 5: Then I guess it wouldn't unlock anything. 32 00:02:34,639 --> 00:02:34,840 Speaker 1: You know. 33 00:02:35,480 --> 00:02:36,200 Speaker 2: I don't get you. 34 00:02:37,160 --> 00:02:38,800 Speaker 3: One minute it seems like you want to help me, 35 00:02:39,120 --> 00:02:40,920 Speaker 3: the next you totally blow me off. 36 00:02:41,240 --> 00:02:42,040 Speaker 2: What is your angle? 37 00:02:44,400 --> 00:02:50,280 Speaker 5: No angle except except what I don't want to see 38 00:02:50,320 --> 00:02:50,920 Speaker 5: you get hurt? 39 00:02:51,680 --> 00:02:52,919 Speaker 3: Why would I be hurt. 40 00:02:53,480 --> 00:02:54,640 Speaker 5: By getting your hopes up? 41 00:02:58,800 --> 00:03:00,440 Speaker 2: Stupid worthless hunk chuck? 42 00:03:01,720 --> 00:03:02,240 Speaker 6: That's initial? 43 00:03:02,880 --> 00:03:08,519 Speaker 2: Yeah, I heard it too, Resident. 44 00:03:09,639 --> 00:03:17,000 Speaker 3: Rodriguez, my name, Sorry, I was sleeping. Come on, let's 45 00:03:17,040 --> 00:03:21,040 Speaker 3: go go? Why m hmm? Because I said so? 46 00:03:24,240 --> 00:03:25,560 Speaker 2: Where are you taking me this time? 47 00:03:27,520 --> 00:03:29,120 Speaker 6: Spitzists? 48 00:03:29,800 --> 00:03:33,320 Speaker 2: Why do you always think I'm gonna understand you? 49 00:03:33,360 --> 00:03:34,240 Speaker 4: No, not of them? 50 00:03:34,280 --> 00:03:35,280 Speaker 5: Look about robots? 51 00:03:35,840 --> 00:03:36,960 Speaker 2: Okay once more? 52 00:03:37,240 --> 00:03:39,680 Speaker 3: Where are would you shut up and walk? We're gonna 53 00:03:39,680 --> 00:03:40,000 Speaker 3: be late? 54 00:03:40,720 --> 00:03:41,320 Speaker 6: Like for what? 55 00:03:44,600 --> 00:03:45,280 Speaker 4: Whoa? 56 00:03:47,120 --> 00:03:51,040 Speaker 2: Who are they all talking to? Huh? 57 00:03:51,840 --> 00:03:52,480 Speaker 5: Visitors? 58 00:03:53,840 --> 00:03:56,360 Speaker 2: People in the band get visitors? How does that even 59 00:03:56,360 --> 00:04:01,840 Speaker 2: make any I sure you not? Twenty? 60 00:04:02,360 --> 00:04:02,720 Speaker 7: Is that? 61 00:04:02,720 --> 00:04:03,560 Speaker 6: When you put there? 62 00:04:03,760 --> 00:04:09,320 Speaker 2: I need you to do something for Galina. I don't 63 00:04:09,360 --> 00:04:12,880 Speaker 2: know how y'all found me, but but you know shaky pete. 64 00:04:12,920 --> 00:04:19,800 Speaker 4: Okay, fine, you on unless I'm out you understand, get 65 00:04:19,839 --> 00:04:25,120 Speaker 4: me out. You need to call the government you haven't ready, darling. 66 00:04:25,200 --> 00:04:28,200 Speaker 2: It reminded me of you. Oh peepes, we will start 67 00:04:28,200 --> 00:04:33,440 Speaker 2: a club. Cally leads count together one billion, one one 68 00:04:33,480 --> 00:04:34,360 Speaker 2: billion in two. 69 00:04:36,040 --> 00:04:36,240 Speaker 4: Sit. 70 00:04:37,839 --> 00:04:51,359 Speaker 2: Okay now what wait? Okay, it's a visitor, isn't it. 71 00:04:51,400 --> 00:04:52,480 Speaker 2: I'm waiting for a visitor? 72 00:04:54,640 --> 00:04:55,679 Speaker 3: Well who is it? 73 00:04:55,720 --> 00:04:58,200 Speaker 2: Is it my mom and dad, the governor with a 74 00:04:58,240 --> 00:05:01,760 Speaker 2: pardon or is it the whole most of this horrible fucking. 75 00:05:01,520 --> 00:05:06,360 Speaker 3: Prank Show'm on one Alexander Talbot? 76 00:05:07,120 --> 00:05:15,320 Speaker 4: Who who would be coming to visit me? 77 00:05:16,880 --> 00:05:18,479 Speaker 2: Or maybe they're here for Rodriguez? 78 00:05:20,200 --> 00:05:20,520 Speaker 4: Also? 79 00:05:20,680 --> 00:05:26,599 Speaker 2: Is that bowl of fruit real? Looks like an apple? 80 00:05:28,600 --> 00:05:34,760 Speaker 2: Smells like an apple? How about this wall to wall 81 00:05:34,880 --> 00:05:38,279 Speaker 2: snow white mirror? Mirror my dead ass face in four 82 00:05:38,400 --> 00:05:44,800 Speaker 2: K and more baggage and lax gotta brush my teeth 83 00:05:44,839 --> 00:05:51,800 Speaker 2: the more no cameras. Wait a minute, have I ever 84 00:05:51,839 --> 00:05:52,680 Speaker 2: seen a camera here? 85 00:06:01,040 --> 00:06:01,240 Speaker 5: Oh? 86 00:06:01,279 --> 00:06:12,160 Speaker 2: My god, that's fucking calicious. That's not just a mirror. 87 00:06:11,880 --> 00:06:12,120 Speaker 8: Is it? 88 00:06:15,880 --> 00:06:16,120 Speaker 5: Yes? 89 00:06:16,200 --> 00:06:18,560 Speaker 6: This will do just fine, Thank you, Lieutenant Cristalio of 90 00:06:18,600 --> 00:06:23,640 Speaker 6: Lieutenant sychs And hello, my dear siary, have you been 91 00:06:23,640 --> 00:06:24,039 Speaker 6: holding up? 92 00:06:27,080 --> 00:06:27,920 Speaker 2: Step away? 93 00:06:28,720 --> 00:06:32,440 Speaker 6: Not to worry lieutenants. I'll be fine with her. We 94 00:06:32,839 --> 00:06:33,960 Speaker 6: have history. 95 00:06:35,960 --> 00:06:38,080 Speaker 3: Uh, keep your distance. 96 00:06:43,720 --> 00:06:46,159 Speaker 6: You know, I'm not versed in the Heimlich, But if 97 00:06:46,200 --> 00:06:49,760 Speaker 6: you's all that as American as. 98 00:06:49,560 --> 00:06:51,960 Speaker 2: That, what more could you possibly want from me? 99 00:06:52,360 --> 00:06:54,800 Speaker 3: Why would you even show up after what you did? 100 00:06:55,560 --> 00:06:58,800 Speaker 6: I hardly did it alone. We all take our orders 101 00:06:58,800 --> 00:06:59,239 Speaker 6: from something. 102 00:07:00,160 --> 00:07:02,760 Speaker 4: You have anything siary. 103 00:07:02,960 --> 00:07:06,200 Speaker 6: I'm surprised. Why the last time we talked, or. 104 00:07:06,279 --> 00:07:10,040 Speaker 2: Was that before or after you drugged me? Well after 105 00:07:10,280 --> 00:07:12,280 Speaker 2: when you threw me in a van, dragged me to 106 00:07:12,320 --> 00:07:13,920 Speaker 2: this healthscape and threw away the key. 107 00:07:14,200 --> 00:07:18,320 Speaker 6: I meant the last time when we had such a 108 00:07:18,360 --> 00:07:21,480 Speaker 6: pleasant conversation about puzzles from ancient texts. 109 00:07:21,680 --> 00:07:22,400 Speaker 4: No, we did it. 110 00:07:22,840 --> 00:07:25,400 Speaker 6: Don't tell me you've forgotten, miss Rowequez. 111 00:07:26,440 --> 00:07:33,000 Speaker 2: Oh oh, I know it's it's coming back to me now. 112 00:07:33,280 --> 00:07:35,920 Speaker 6: Good. Shall we pick up when we left off last time? 113 00:07:37,200 --> 00:07:39,640 Speaker 3: Well, I you know, maybe. 114 00:07:39,400 --> 00:07:42,080 Speaker 6: We could actually Why didn't I take it from the beginning? 115 00:07:42,640 --> 00:07:45,480 Speaker 2: Yeah, yeah, it's been it's been kind of hectic lately, 116 00:07:45,560 --> 00:07:49,080 Speaker 2: so I could use a refresher. 117 00:07:48,920 --> 00:07:55,280 Speaker 6: And, by the looks of it, some refreshment. Why don't 118 00:07:55,280 --> 00:07:56,520 Speaker 6: you go ahead and finish your apple? 119 00:07:57,320 --> 00:07:58,040 Speaker 2: Are you sure? 120 00:07:58,560 --> 00:08:00,360 Speaker 6: Always? Just don't choke? 121 00:08:04,080 --> 00:08:06,120 Speaker 5: Wonderful. Now shall we? 122 00:08:06,240 --> 00:08:13,240 Speaker 6: Let's yep, last time I told you about my friend Miguel, Monguel, 123 00:08:13,840 --> 00:08:15,080 Speaker 6: Miguel de la Croufe. 124 00:08:15,640 --> 00:08:19,080 Speaker 2: Ah, yeah, Moguel de la de la Cruz. 125 00:08:19,480 --> 00:08:23,560 Speaker 6: Of course, Miguel just loves riddles, and I think I 126 00:08:23,680 --> 00:08:25,320 Speaker 6: almost had you stumped with the last one. 127 00:08:26,400 --> 00:08:28,520 Speaker 2: Yeah, almost, what was it? 128 00:08:28,560 --> 00:08:32,640 Speaker 6: Ah? Yes, I have seas without water, coasts without sand, 129 00:08:32,920 --> 00:08:38,800 Speaker 6: towns without people, and mountains without land. What am I? 130 00:08:38,800 --> 00:08:41,840 Speaker 2: I am? Can Europe? 131 00:08:41,960 --> 00:08:46,000 Speaker 6: You have seas without water, coasts without sand, towns without people, 132 00:08:46,040 --> 00:08:48,360 Speaker 6: and mountains without land. 133 00:08:49,559 --> 00:08:54,360 Speaker 5: What am I? You do? Remember? Yes? 134 00:08:54,679 --> 00:08:58,920 Speaker 2: Of course, it's just it's been a while and other 135 00:08:59,000 --> 00:09:00,760 Speaker 2: things have come into. 136 00:08:59,840 --> 00:09:01,679 Speaker 5: The of course. 137 00:09:01,800 --> 00:09:05,240 Speaker 6: Of course, your caseworker seems rather pleased with your progress. 138 00:09:05,800 --> 00:09:09,400 Speaker 7: You spoke to aiden affirmative and he helped clear this 139 00:09:10,280 --> 00:09:14,640 Speaker 7: additional meeting because he thinks you're progressing, progressing, But what 140 00:09:14,800 --> 00:09:18,120 Speaker 7: is progress really but having the tools to succeed and 141 00:09:18,160 --> 00:09:19,439 Speaker 7: to move forward in the. 142 00:09:21,640 --> 00:09:21,920 Speaker 5: Hmm. 143 00:09:22,920 --> 00:09:24,760 Speaker 6: I'm not sure how much time we've left in our session, 144 00:09:24,760 --> 00:09:28,840 Speaker 6: so perhaps we can circle back to Miguel de la couf. Okay, 145 00:09:29,960 --> 00:09:32,240 Speaker 6: remember how I told you about Saint Monica. 146 00:09:33,480 --> 00:09:33,800 Speaker 2: St. 147 00:09:33,960 --> 00:09:36,880 Speaker 6: Monica, the very namesake of that beach oasis on the 148 00:09:36,880 --> 00:09:42,439 Speaker 6: coast of Los Angeles. Santa Monica, have you heard of it? 149 00:09:42,920 --> 00:09:45,920 Speaker 2: Yes, of course I know Santa Monica, the Peer, the 150 00:09:45,920 --> 00:09:49,480 Speaker 2: Ferris Wheel, muscle freakin beach. Come on, do I know 151 00:09:49,559 --> 00:09:50,280 Speaker 2: Santa Monica? 152 00:09:50,960 --> 00:09:56,400 Speaker 6: Hm? Yes, Well Monica, the patron Saint of Mothers, had 153 00:09:56,440 --> 00:10:01,320 Speaker 6: a son, obviously, Saint Augustine, though neither or he were saints. 154 00:10:01,320 --> 00:10:04,400 Speaker 6: When he was growing up, he was a capricious lad, 155 00:10:04,679 --> 00:10:06,800 Speaker 6: perhaps owing to the fact that his father was an 156 00:10:06,800 --> 00:10:10,080 Speaker 6: infamous adulterer and not the best role model. So Oggie 157 00:10:10,120 --> 00:10:14,280 Speaker 6: clashed with his mum rather frequently, rather frequently. 158 00:10:15,800 --> 00:10:17,600 Speaker 2: I'm sorry, I'm trying to. 159 00:10:17,640 --> 00:10:21,280 Speaker 6: Keep We need to focus, Miss Rodriguez. 160 00:10:20,679 --> 00:10:20,760 Speaker 8: My. 161 00:10:22,440 --> 00:10:22,800 Speaker 2: Mistake. 162 00:10:23,040 --> 00:10:24,719 Speaker 4: Please continue gratefully. 163 00:10:25,200 --> 00:10:29,360 Speaker 6: So one day Monica and Oggie have a massive fight. 164 00:10:29,760 --> 00:10:32,840 Speaker 6: Things are said, probably not unlike kids rebelling today, But 165 00:10:33,280 --> 00:10:36,200 Speaker 6: instead of you're grounded and no telly for the rest 166 00:10:36,200 --> 00:10:38,800 Speaker 6: of the week, it was more, how could you convert 167 00:10:38,840 --> 00:10:41,520 Speaker 6: to Manicheism? You're a traitor to our family, You're no 168 00:10:41,559 --> 00:10:42,839 Speaker 6: longer welcome in our home. 169 00:10:43,480 --> 00:10:45,360 Speaker 3: What's Manicheism? 170 00:10:45,520 --> 00:10:47,920 Speaker 6: A dead religion founded in the third century by the 171 00:10:48,000 --> 00:10:50,920 Speaker 6: Parthenian prophet what today we would call a branch of 172 00:10:50,960 --> 00:10:55,160 Speaker 6: gnosticism based in duality. It offered salvation through special knowledge 173 00:10:55,160 --> 00:10:58,439 Speaker 6: of radical truths, with the subtext of this world is 174 00:10:58,480 --> 00:10:59,880 Speaker 6: evil and we're all gonna die. 175 00:11:00,600 --> 00:11:01,880 Speaker 2: What happened to them. 176 00:11:01,920 --> 00:11:05,120 Speaker 6: Went the way of Besimax or beaper pages beat out 177 00:11:05,120 --> 00:11:08,600 Speaker 6: in the zeitgeist of newer, shinier, more gilded roby houses 178 00:11:08,640 --> 00:11:13,160 Speaker 6: of worship. But that's not important right now. What's important 179 00:11:13,920 --> 00:11:18,839 Speaker 6: is that Monica expelled Oggie, and afterwards things looked bleak 180 00:11:18,920 --> 00:11:20,800 Speaker 6: for a minute until. 181 00:11:22,400 --> 00:11:22,920 Speaker 4: Until what. 182 00:11:24,520 --> 00:11:27,280 Speaker 6: Until one day Monica had this epiphany, this vision, this 183 00:11:27,880 --> 00:11:33,920 Speaker 6: revelation of what. Some say God visited her. Others say 184 00:11:33,920 --> 00:11:37,080 Speaker 6: a priest convinced her to change her ways. Others say 185 00:11:37,120 --> 00:11:39,480 Speaker 6: that all the explanations are just ways to make it 186 00:11:39,520 --> 00:11:43,120 Speaker 6: seem like a man came in and showed her the way. 187 00:11:43,679 --> 00:11:44,640 Speaker 2: Of course they do. 188 00:11:45,200 --> 00:11:47,480 Speaker 6: But I think there's nothing more powerful than the love 189 00:11:47,640 --> 00:11:50,960 Speaker 6: a mother has for her child. Something you agreed with 190 00:11:51,040 --> 00:11:53,560 Speaker 6: last time, if I remember correctly. 191 00:11:54,200 --> 00:11:56,640 Speaker 2: Sure, I mean it's up there. 192 00:11:57,480 --> 00:12:02,040 Speaker 6: So Monica searched for to make amends and to dedicate 193 00:12:02,120 --> 00:12:04,239 Speaker 6: her life to him, hence her being. 194 00:12:04,080 --> 00:12:05,920 Speaker 2: The mother of all saints of mothers. 195 00:12:06,520 --> 00:12:13,040 Speaker 6: Indeed, you're remembering so she tracks him from Algeria into Italy, 196 00:12:13,600 --> 00:12:20,240 Speaker 6: finally finding him in Mila a mother and child reunion indeed, 197 00:12:20,760 --> 00:12:22,920 Speaker 6: to celebrate. They plan a trip to Rome, but before 198 00:12:22,960 --> 00:12:26,520 Speaker 6: they leave, they meet with Saint Ambrose, also not yet 199 00:12:26,559 --> 00:12:28,719 Speaker 6: a saint, but well on his way since he was 200 00:12:28,760 --> 00:12:31,440 Speaker 6: the Bishop of Milan, and probably in miracles to spare 201 00:12:31,480 --> 00:12:33,320 Speaker 6: at that point. But I digress. How's the apple? 202 00:12:34,400 --> 00:12:35,839 Speaker 4: It's fine, good, good. 203 00:12:36,880 --> 00:12:41,920 Speaker 6: Speaking of apples and hunger more generally, Oggie and Monica 204 00:12:42,000 --> 00:12:44,600 Speaker 6: meet with Saint Ambrose because apparently their trip is going 205 00:12:44,600 --> 00:12:49,800 Speaker 6: to land them in Rome on a Saturday. Okay, as 206 00:12:49,840 --> 00:12:52,760 Speaker 6: it turns out, back then, Saturday was a day of 207 00:12:52,880 --> 00:12:53,360 Speaker 6: fast in. 208 00:12:53,480 --> 00:12:59,400 Speaker 3: Rome every Saturday, every Saturday, like a Shabbath, yes. 209 00:13:00,080 --> 00:13:05,440 Speaker 6: But with even more restrictions and punishable by death. Darn 210 00:13:06,200 --> 00:13:09,960 Speaker 6: darn indeed, whereas in Milan they not only dressed to 211 00:13:10,000 --> 00:13:12,480 Speaker 6: the nines, but they ate their heart outs on the weekend. 212 00:13:12,679 --> 00:13:15,320 Speaker 6: Abetha style, sorry, Vegas style. 213 00:13:15,559 --> 00:13:18,080 Speaker 3: I know what Abiza is, of course you do. 214 00:13:20,200 --> 00:13:22,760 Speaker 2: So what did Ambrose say? 215 00:13:23,040 --> 00:13:26,240 Speaker 6: I thought you'd never ask. He offered them some simple 216 00:13:26,320 --> 00:13:29,200 Speaker 6: words that have lasted over eighteen hundred years. 217 00:13:30,120 --> 00:13:32,320 Speaker 2: Fuck it eat whenever one wishes. 218 00:13:33,600 --> 00:13:36,040 Speaker 6: But the answer was about as diplomatic and non divisive 219 00:13:36,040 --> 00:13:38,640 Speaker 6: as someone in his position could provide. He said to them, 220 00:13:39,720 --> 00:13:42,480 Speaker 6: when I am here in Milan, I do not fast. 221 00:13:42,800 --> 00:13:47,720 Speaker 6: But when I'm in Rome, I do fast on Saturday, okay, 222 00:13:50,000 --> 00:13:51,200 Speaker 6: not ringing any bells. 223 00:13:53,120 --> 00:13:55,400 Speaker 2: When in Rome, do as the Romans. 224 00:13:54,960 --> 00:13:59,719 Speaker 6: Do precisely, you do, remember, kudos to ever punched the 225 00:13:59,760 --> 00:14:00,920 Speaker 6: line made it immortal. 226 00:14:01,840 --> 00:14:04,120 Speaker 2: Wow, that's actually pretty interesting. 227 00:14:04,160 --> 00:14:07,120 Speaker 3: But how does that apply to my current situation? 228 00:14:07,800 --> 00:14:11,920 Speaker 6: It applies, Miss Rodriguez, because I too think you're progressing 229 00:14:11,960 --> 00:14:14,920 Speaker 6: well here. There is a lot of attention, a lot 230 00:14:14,960 --> 00:14:17,800 Speaker 6: of eyes on your case. But it's time to take 231 00:14:17,880 --> 00:14:19,920 Speaker 6: things to the next level. 232 00:14:21,080 --> 00:14:23,040 Speaker 2: What's the next level? 233 00:14:24,200 --> 00:14:25,880 Speaker 4: Have you had a chance to think on the riddle 234 00:14:26,840 --> 00:14:27,520 Speaker 4: from earlier? 235 00:14:27,880 --> 00:14:28,760 Speaker 6: Do you remember it? 236 00:14:31,120 --> 00:14:34,400 Speaker 3: I have seas without water, coasts without. 237 00:14:34,120 --> 00:14:37,560 Speaker 6: Sand, towns without people, oh. 238 00:14:37,280 --> 00:14:38,920 Speaker 2: And mountains without land. 239 00:14:39,360 --> 00:14:39,840 Speaker 6: Correct? 240 00:14:39,920 --> 00:14:40,480 Speaker 5: What am I? 241 00:14:41,840 --> 00:14:47,680 Speaker 2: Seas? Coasts, towns, mountains, You're a map. 242 00:14:51,520 --> 00:14:56,680 Speaker 6: It's almost time time listen to me, Siary. One more 243 00:14:56,720 --> 00:15:01,120 Speaker 6: riddle before I'm gone gone. Just look at me and remember, 244 00:15:01,200 --> 00:15:04,920 Speaker 6: my friend, what's hidden initially will come clear in the end. 245 00:15:05,240 --> 00:15:07,880 Speaker 4: What will I get cut? But I never bleed? 246 00:15:07,920 --> 00:15:08,800 Speaker 6: What I have teeth? 247 00:15:08,840 --> 00:15:09,520 Speaker 5: But I do bite. 248 00:15:09,680 --> 00:15:11,880 Speaker 2: Oh I know, no, don't what? 249 00:15:12,080 --> 00:15:12,440 Speaker 3: Why not? 250 00:15:13,680 --> 00:15:14,360 Speaker 4: What are you doing? 251 00:15:14,680 --> 00:15:20,280 Speaker 6: It's okay, sir, Please take a step back. 252 00:15:20,520 --> 00:15:24,240 Speaker 3: Remember my friend hands out of your coat. 253 00:15:24,400 --> 00:15:25,600 Speaker 6: I'm just going to give him my cart. 254 00:15:25,720 --> 00:15:28,800 Speaker 4: What what's going on, sir? 255 00:15:29,400 --> 00:15:32,400 Speaker 3: Hand jesus a gun, I said, step. 256 00:15:32,160 --> 00:15:47,040 Speaker 8: Away style alexandyke care sary, No, get. 257 00:15:46,960 --> 00:15:48,080 Speaker 6: Him off me, get awa me. 258 00:15:50,200 --> 00:15:51,240 Speaker 4: Why did you do that? 259 00:15:51,360 --> 00:15:52,120 Speaker 3: What did he give you? 260 00:15:52,320 --> 00:15:52,360 Speaker 6: What? 261 00:15:53,640 --> 00:15:54,200 Speaker 8: I don't know? 262 00:15:55,160 --> 00:15:57,200 Speaker 3: Style he walked over, he handed you something? 263 00:15:57,280 --> 00:16:01,480 Speaker 9: No, no, what open your goddamn hands. 264 00:16:03,720 --> 00:16:12,520 Speaker 6: Get me anything, not just the. 265 00:16:14,800 --> 00:16:17,160 Speaker 3: You know, take my keith, throw it back in a room. 266 00:16:17,200 --> 00:16:18,560 Speaker 2: I'll get somebody to clean this mess up. 267 00:16:23,640 --> 00:16:24,200 Speaker 4: Mm hmm. 268 00:16:25,640 --> 00:16:30,360 Speaker 5: One will minish huh dull. 269 00:16:30,440 --> 00:16:33,040 Speaker 3: But wait, I don't understand. 270 00:16:35,080 --> 00:16:38,200 Speaker 2: Fuck me, dude, got captain. Order to tell me a 271 00:16:38,400 --> 00:16:40,400 Speaker 2: riddle that makes no sense. 272 00:16:41,520 --> 00:16:52,720 Speaker 9: There has to be more to it. Okay, First riddle, map, 273 00:16:53,520 --> 00:16:54,120 Speaker 9: what's a map? 274 00:16:54,680 --> 00:16:55,000 Speaker 4: This? 275 00:16:55,000 --> 00:16:55,320 Speaker 6: This all? 276 00:16:55,440 --> 00:16:57,240 Speaker 4: This is a map? Okay. 277 00:16:57,760 --> 00:17:01,520 Speaker 2: Last riddle, I get cut, but I don't bleed teeth. 278 00:17:01,600 --> 00:17:06,240 Speaker 2: But don't bite easy, busy A key the key to 279 00:17:06,359 --> 00:17:09,920 Speaker 2: the map. Yeah, I've got a key, but I don't 280 00:17:09,920 --> 00:17:14,359 Speaker 2: know where it goes. Uh okay, okay. Middle riddle Santa 281 00:17:14,400 --> 00:17:20,800 Speaker 2: Monica milan man a key ism. How do I even 282 00:17:20,840 --> 00:17:24,240 Speaker 2: spell that? Uh? 283 00:17:24,280 --> 00:17:24,600 Speaker 4: Oh? 284 00:17:24,640 --> 00:17:26,880 Speaker 3: He said, so much weird shit. I wish I could 285 00:17:26,920 --> 00:17:27,600 Speaker 3: just forget it. 286 00:17:28,920 --> 00:17:35,679 Speaker 2: Okay, just look at me and remember my friend. His 287 00:17:35,840 --> 00:17:44,080 Speaker 2: friend was his friend's name again? Um something something with 288 00:17:44,160 --> 00:17:49,240 Speaker 2: an m oh, he said, it's so many damn times. Okay, mmmm. 289 00:17:52,160 --> 00:17:55,640 Speaker 3: Me me, me, me gout make out. Miguel de la Cruz. 290 00:17:57,040 --> 00:18:04,400 Speaker 2: Should have snagged another apple, Hey, went in rom yes room. 291 00:18:04,720 --> 00:18:10,320 Speaker 2: What's hidden initially will come clear in the end. Roman numerals, 292 00:18:10,840 --> 00:18:13,359 Speaker 2: Miguel's la Cruz isn't a name, It's a number. Okay, 293 00:18:13,920 --> 00:18:24,320 Speaker 2: md LCM is what one hundred a thousand and d is? Up? 294 00:18:24,760 --> 00:18:26,679 Speaker 5: It's twelve thirty? 295 00:18:26,720 --> 00:18:27,439 Speaker 6: How did you I mean? 296 00:18:27,480 --> 00:18:34,959 Speaker 5: It's after midnight? Shut up? And M d LC isn't 297 00:18:35,119 --> 00:18:36,320 Speaker 5: a Roman numeral. 298 00:18:37,040 --> 00:18:43,640 Speaker 3: It isn't not INDIANC de la cruise cruise. 299 00:18:43,680 --> 00:18:48,600 Speaker 2: It's across across. What in Spanish cruise is across and 300 00:18:48,640 --> 00:18:50,159 Speaker 2: across is an X. 301 00:18:52,000 --> 00:18:53,920 Speaker 4: M D l X. 302 00:18:54,440 --> 00:18:56,000 Speaker 2: FORRIP, please translate to Roman. 303 00:18:58,080 --> 00:19:00,879 Speaker 5: One thousand, five hundred and. 304 00:19:00,600 --> 00:19:03,800 Speaker 2: Fifty ten and what you just add the. 305 00:19:04,359 --> 00:19:07,440 Speaker 5: Fifteen sixty side whatever it is? 306 00:19:08,200 --> 00:19:15,040 Speaker 2: Fifteen sixty do you want to know? Okay? Thanks? Rip sorry, 307 00:19:15,080 --> 00:19:24,160 Speaker 2: I woke you up. Good night. Fifteen sixty fifteen sixty 308 00:19:24,720 --> 00:19:32,119 Speaker 2: the year that. Could it be a door code to 309 00:19:32,200 --> 00:19:34,440 Speaker 2: way James Bond? Have you ever seen a pin pad 310 00:19:34,480 --> 00:19:38,720 Speaker 2: in this whole fucking medieval palace? I bet it's just 311 00:19:39,040 --> 00:19:43,520 Speaker 2: part of another fucking riddle. I'll have to ask Talbot 312 00:19:44,160 --> 00:19:51,239 Speaker 2: when I see him in Hell another gay older And 313 00:19:51,280 --> 00:19:53,919 Speaker 2: what have you got to show for it? A meaningless 314 00:19:53,960 --> 00:19:56,720 Speaker 2: code and a useless key. 315 00:19:57,640 --> 00:19:59,239 Speaker 3: Well, if you're not going to get me out, then 316 00:19:59,240 --> 00:20:03,000 Speaker 3: why not make it a thank you for the blank 317 00:20:03,040 --> 00:20:03,879 Speaker 3: canvas coble. 318 00:20:04,040 --> 00:20:09,880 Speaker 2: At least you loved me something Si was. 319 00:20:11,520 --> 00:20:11,760 Speaker 4: Here? 320 00:20:14,240 --> 00:20:15,200 Speaker 3: Hello? 321 00:20:16,240 --> 00:20:21,040 Speaker 2: Given my aluckt these days it's entirely improbable. But could 322 00:20:21,240 --> 00:20:31,520 Speaker 2: there be something behind this brick? Easy? Now a little harder? 323 00:20:33,640 --> 00:20:33,840 Speaker 6: Oh? 324 00:20:33,960 --> 00:20:41,520 Speaker 2: Why don't I build a crow bar? Yilty one of 325 00:20:41,600 --> 00:20:45,920 Speaker 2: Caval's secret compartments. Definitely not big enough to climb through, 326 00:20:45,960 --> 00:20:57,679 Speaker 2: but tied contraband, and of course it's empty. Wait what's this? 327 00:21:07,800 --> 00:21:08,320 Speaker 5: Jack Bob? 328 00:21:18,880 --> 00:21:33,520 Speaker 2: Oh yea yai si yai Si. 329 00:21:35,080 --> 00:21:41,440 Speaker 1: Thirteen Days of Halloween Pennance starring Natalie Morales, Episode ten Visitation, 330 00:21:41,920 --> 00:21:46,040 Speaker 1: written by Carlos Foglia and Alexander Williams editing and sound 331 00:21:46,119 --> 00:21:50,320 Speaker 1: design by Casby Bias, featuring the voices of Wilbur Fitzgerald, 332 00:21:50,600 --> 00:21:56,359 Speaker 1: Raphael Corkil, Rachel Rosenbloom, Laura Shine, and Joseph Wibb. Directed 333 00:21:56,440 --> 00:22:01,760 Speaker 1: by Alexander Williams. Executive producers Aaron Mankey, Noah Feinberg, Chris Dicky, 334 00:22:01,960 --> 00:22:06,720 Speaker 1: Matt Frederick and Alexander Williams. Supervising producers Trevor Young and 335 00:22:06,880 --> 00:22:12,040 Speaker 1: Josh Thain. Producers Jesse funk Rima Ilkali, Noami Griffin, Chandler 336 00:22:12,080 --> 00:22:16,520 Speaker 1: Mays and Casby Bias. Script editing by Lauren Vogelbaum, Story 337 00:22:16,560 --> 00:22:20,520 Speaker 1: consultants Ben Bolan and Matthew Riddle. Casting by Sunday Bowling 338 00:22:20,600 --> 00:22:26,160 Speaker 1: CSA and Meg Mormon CSA. Production coordinator Wayna Calderon, Production 339 00:22:26,240 --> 00:22:30,560 Speaker 1: assistants Jenna Johnson and Winona Lowe. Theme music by Rose 340 00:22:30,640 --> 00:22:34,679 Speaker 1: Azerti with vocals by Anna Hummler, recorded at This Is 341 00:22:34,760 --> 00:22:39,679 Speaker 1: Sound Design Studios in Burbank, California. Engineered by Ross aeronaut 342 00:22:40,000 --> 00:22:44,479 Speaker 1: special thanks to Romelia Osorio, Nathan Rule, Glenn Nishida, and 343 00:22:44,560 --> 00:22:48,240 Speaker 1: Rob Mosca. Thirteen Days of Halloween was created by Matt 344 00:22:48,240 --> 00:22:52,480 Speaker 1: Frederick and Alexander Williams and is a production of iHeart Podcasts, 345 00:22:52,560 --> 00:22:56,440 Speaker 1: Blumhouse Television, and Grimm and Mild from Aaron Makey. Learn 346 00:22:56,480 --> 00:22:59,879 Speaker 1: more about the show at Grimandmild dot com. Slash thirteen 347 00:23:00,240 --> 00:23:03,480 Speaker 1: days and find more podcasts from iHeartRadio by visiting the 348 00:23:03,520 --> 00:23:07,080 Speaker 1: iHeartRadio app, Apple Podcasts, or wherever you listen to your 349 00:23:07,119 --> 00:23:09,359 Speaker 1: favorite shows. Happy Halloween,