1 00:00:04,000 --> 00:00:08,240 Speaker 1: Thirteen Days of Halloween Penance, a co production of iHeart 2 00:00:08,280 --> 00:00:11,840 Speaker 1: three D Audio Blumhouse Television and Grim and Mild from 3 00:00:11,880 --> 00:00:16,160 Speaker 1: Aaron Mankey Headphones recommended. Listener Discretion advised. 4 00:00:27,240 --> 00:00:32,720 Speaker 2: What's the problem with the loose key? Finding what lock 5 00:00:33,000 --> 00:00:52,400 Speaker 2: it goes to? Not the cell door? I guess that 6 00:00:52,400 --> 00:00:56,240 Speaker 2: would have been too easy, And I suppose I would 7 00:00:56,240 --> 00:01:06,119 Speaker 2: have needed two of them, TV room, art room, weight room, 8 00:01:06,240 --> 00:01:14,080 Speaker 2: library and what's behind door number three? Nothing for me? 9 00:01:15,280 --> 00:01:16,040 Speaker 2: How about here? 10 00:01:16,840 --> 00:01:17,160 Speaker 3: Nope? 11 00:01:18,120 --> 00:01:27,000 Speaker 2: Here, nope? This one, this one, nope, nope, nope, damn it. 12 00:01:27,120 --> 00:01:35,399 Speaker 2: I fire to try it. And here this seems hopeless. Wait, 13 00:01:35,440 --> 00:01:46,640 Speaker 2: which one of these was? Frips uh lounge? Hey buddy, Sorry, 14 00:01:47,560 --> 00:01:49,800 Speaker 2: I haven't seen the old timers here in a while. 15 00:01:50,120 --> 00:01:51,480 Speaker 2: We all have a fallen out. 16 00:01:52,000 --> 00:01:54,480 Speaker 4: They're around, you know. 17 00:01:54,600 --> 00:01:57,240 Speaker 2: I started working up in the machine shop. 18 00:01:57,800 --> 00:02:00,880 Speaker 4: Was that before or f the explosion? 19 00:02:02,880 --> 00:02:07,640 Speaker 2: M hmm, listen, Frip. When Cavalt collected all those keys, 20 00:02:08,040 --> 00:02:09,480 Speaker 2: did he ever find one that looked like this? 21 00:02:11,320 --> 00:02:12,799 Speaker 4: It's under your hand. 22 00:02:13,200 --> 00:02:14,960 Speaker 2: I don't want them to confiscate it. Can I pass 23 00:02:14,960 --> 00:02:15,600 Speaker 2: it to you? 24 00:02:15,639 --> 00:02:18,560 Speaker 4: No? I saw it put it away. 25 00:02:19,360 --> 00:02:20,880 Speaker 2: Did you recognize the shape. 26 00:02:21,400 --> 00:02:23,520 Speaker 4: It looks more like a Swiss army knife. 27 00:02:24,160 --> 00:02:25,280 Speaker 2: Any idea where it would go? 28 00:02:25,760 --> 00:02:26,760 Speaker 4: Where'd you find it? 29 00:02:27,240 --> 00:02:27,959 Speaker 2: I made it? 30 00:02:28,600 --> 00:02:30,959 Speaker 4: Then I guess it wouldn't unlock anything. 31 00:02:34,639 --> 00:02:34,840 Speaker 5: You know. 32 00:02:35,480 --> 00:02:38,200 Speaker 2: I don't get you. One minute it seems like you 33 00:02:38,200 --> 00:02:40,920 Speaker 2: want to help me, the next you totally blow me off. 34 00:02:41,240 --> 00:02:42,040 Speaker 2: What is your angle? 35 00:02:44,400 --> 00:02:50,280 Speaker 4: No angle except except what I don't want to see 36 00:02:50,320 --> 00:02:50,920 Speaker 4: you get hurt? 37 00:02:51,680 --> 00:02:52,919 Speaker 2: Why would I be hurt. 38 00:02:53,480 --> 00:02:54,640 Speaker 4: By getting your hopes up? 39 00:02:58,800 --> 00:03:00,440 Speaker 2: Stupid worthless hunk chuck? 40 00:03:01,720 --> 00:03:02,240 Speaker 6: That's initial? 41 00:03:02,880 --> 00:03:08,519 Speaker 2: Yeah, I heard it too, Resident. 42 00:03:09,639 --> 00:03:17,000 Speaker 5: Rodriguez, my name, Sorry, I was sleeping. Come on, let's 43 00:03:17,040 --> 00:03:21,040 Speaker 5: go go? Why m hmm, because I said so? 44 00:03:24,240 --> 00:03:25,560 Speaker 2: Where are you taking me this time? 45 00:03:27,520 --> 00:03:27,880 Speaker 6: Spitz? 46 00:03:29,800 --> 00:03:33,360 Speaker 2: Why do you always think I'm gonna understand you? 47 00:03:33,360 --> 00:03:33,480 Speaker 6: No? 48 00:03:33,720 --> 00:03:34,240 Speaker 2: Not in them? 49 00:03:34,280 --> 00:03:35,280 Speaker 6: Look about robots? 50 00:03:35,840 --> 00:03:39,000 Speaker 2: Okay, once more? Where are would you shut up and walk? 51 00:03:39,240 --> 00:03:41,320 Speaker 2: We're gonna be late? Like for what? 52 00:03:44,600 --> 00:03:45,280 Speaker 3: Whoa? 53 00:03:47,120 --> 00:03:51,040 Speaker 2: Who are they all talking to? Huh? 54 00:03:51,840 --> 00:03:52,680 Speaker 6: Visitors? 55 00:03:53,840 --> 00:03:56,360 Speaker 2: People in the band get visitors? How does that even 56 00:03:56,360 --> 00:04:02,920 Speaker 2: make any I sure you not? Twenty? Is that when 57 00:04:02,920 --> 00:04:06,480 Speaker 2: you put there? I need you to do something for Galina. 58 00:04:08,960 --> 00:04:11,640 Speaker 3: I don't know how y'all from me, but but but 59 00:04:11,760 --> 00:04:15,360 Speaker 3: you know shaky pete. Okay, fine, you on unless I'm 60 00:04:16,240 --> 00:04:20,200 Speaker 3: I'm out. You understand, get me out. 61 00:04:21,200 --> 00:04:25,120 Speaker 2: You need to call the government you haven't ready, Darling. 62 00:04:25,200 --> 00:04:28,200 Speaker 2: It reminded me of you. Oh peepes, we will start 63 00:04:28,200 --> 00:04:28,680 Speaker 2: a club. 64 00:04:28,880 --> 00:04:34,360 Speaker 5: Kelly leads count together one billion, one one billion in two. 65 00:04:36,040 --> 00:04:36,240 Speaker 6: Sit. 66 00:04:37,839 --> 00:04:51,359 Speaker 2: Okay now what wait? Okay, it's a visitor, isn't it. 67 00:04:51,400 --> 00:04:55,800 Speaker 2: I'm waiting for a visitor? Well who is it? Is 68 00:04:55,839 --> 00:04:58,640 Speaker 2: it my mom and dad, the governor with a pardon 69 00:04:59,160 --> 00:05:01,440 Speaker 2: or is it the whole most of this horrible fucking 70 00:05:01,520 --> 00:05:01,960 Speaker 2: prank show. 71 00:05:02,000 --> 00:05:02,360 Speaker 6: I'm on. 72 00:05:03,960 --> 00:05:15,320 Speaker 2: One, Alexander Talbot? Who who would be coming to visit me? 73 00:05:16,880 --> 00:05:21,400 Speaker 2: Or maybe they're here for Rodriguez? Also? Is that bowl 74 00:05:21,440 --> 00:05:29,600 Speaker 2: of fruit real? Looks like an apple? Smells like an apple? 75 00:05:33,440 --> 00:05:36,160 Speaker 2: How about this wall to wall snow white mirror? Mirror 76 00:05:36,960 --> 00:05:40,520 Speaker 2: my dead ass face in four K and more baggage 77 00:05:40,560 --> 00:05:48,760 Speaker 2: and lax, gotta brush my teeth the more no cameras. 78 00:05:50,080 --> 00:05:52,680 Speaker 2: Wait a minute, have I ever seen a camera here? 79 00:06:01,040 --> 00:06:12,160 Speaker 2: Oh my god, that's fucking delicious. That's not just a mirror. 80 00:06:11,880 --> 00:06:12,120 Speaker 5: Is it? 81 00:06:15,880 --> 00:06:16,120 Speaker 4: Yes? 82 00:06:16,200 --> 00:06:18,560 Speaker 6: This will do just fine, Thank you, Lieutenant Cristalio of 83 00:06:18,600 --> 00:06:23,640 Speaker 6: Lieutenant Sechs And hello, my dear siary, have you been 84 00:06:23,640 --> 00:06:30,560 Speaker 6: holding up step away? Not to worry, lieutenants, I'll be 85 00:06:30,640 --> 00:06:38,080 Speaker 6: fine with her. We have history. Uh, keep your distance, 86 00:06:43,720 --> 00:06:46,159 Speaker 6: you know, I'm not versed in the Heimlich, but if 87 00:06:46,200 --> 00:06:49,600 Speaker 6: you do, it's all that as American as that. 88 00:06:49,800 --> 00:06:52,800 Speaker 2: What more could you possibly want from me? Why would 89 00:06:52,839 --> 00:06:54,800 Speaker 2: you even show up after what you did? 90 00:06:55,560 --> 00:06:58,760 Speaker 6: I hardly did it alone. We all take our orders 91 00:06:58,800 --> 00:06:59,239 Speaker 6: from something. 92 00:07:00,160 --> 00:07:02,760 Speaker 3: You have anything, siary. 93 00:07:02,960 --> 00:07:05,640 Speaker 6: I'm surprised. Why the last time we. 94 00:07:05,760 --> 00:07:08,159 Speaker 2: Talked, or was that before or after you drugged me? 95 00:07:09,000 --> 00:07:11,040 Speaker 3: Well after when you threw. 96 00:07:10,880 --> 00:07:13,120 Speaker 2: Me in a van, dragged me to this healthscape and 97 00:07:13,120 --> 00:07:13,920 Speaker 2: threw away the key. 98 00:07:14,200 --> 00:07:18,320 Speaker 6: I meant the last time when we had such a 99 00:07:18,360 --> 00:07:21,480 Speaker 6: pleasant conversation about puzzles from ancient texts. 100 00:07:21,680 --> 00:07:22,400 Speaker 3: No, we did it. 101 00:07:22,840 --> 00:07:25,480 Speaker 6: Don't tell me you've forgotten, miss Rotriquez. 102 00:07:26,440 --> 00:07:33,000 Speaker 2: Oh oh, I know, it's it's coming back to me now. 103 00:07:33,280 --> 00:07:37,560 Speaker 6: Good. Shall we pick up when we left off last time? Well, 104 00:07:38,400 --> 00:07:41,120 Speaker 6: I you know, maybe we could actually Why didn't I 105 00:07:41,120 --> 00:07:42,080 Speaker 6: take it from the beginning? 106 00:07:42,640 --> 00:07:45,480 Speaker 2: Yeah, yeah, it's been it's been kind of hectic lately, 107 00:07:45,560 --> 00:07:49,080 Speaker 2: so I could use a refresher. 108 00:07:48,920 --> 00:07:55,280 Speaker 6: And, by the looks of it, some refreshment. Why don't 109 00:07:55,280 --> 00:07:56,520 Speaker 6: you go ahead and finish your apple? 110 00:07:57,320 --> 00:07:58,040 Speaker 3: Are you sure? 111 00:07:58,560 --> 00:08:07,880 Speaker 6: Always just don't choke. Wonderful now shall we? Let's yep, 112 00:08:08,560 --> 00:08:13,240 Speaker 6: last time I told you about my friend Miguel, Monguel, 113 00:08:13,840 --> 00:08:14,880 Speaker 6: Miguel de la Crouze. 114 00:08:15,640 --> 00:08:19,040 Speaker 2: Ah, yeah, Moguel de la de la Cruz. 115 00:08:19,480 --> 00:08:23,560 Speaker 6: Of course, Miguel just loves riddles, and I think I 116 00:08:23,680 --> 00:08:25,320 Speaker 6: almost had you stumped with the last one. 117 00:08:26,400 --> 00:08:28,680 Speaker 2: Yeah, almost, What was it? Ah? 118 00:08:28,800 --> 00:08:33,280 Speaker 6: Yes, I have seas without water, coasts without sand, towns 119 00:08:33,320 --> 00:08:38,800 Speaker 6: without people, and mountains without land. What am I? 120 00:08:38,800 --> 00:08:41,000 Speaker 2: I am? 121 00:08:41,320 --> 00:08:41,840 Speaker 3: Can Europe? 122 00:08:41,960 --> 00:08:46,000 Speaker 6: I have seas without water, coasts without sand, towns without people, 123 00:08:46,040 --> 00:08:48,360 Speaker 6: and mountains without land. 124 00:08:49,559 --> 00:08:52,920 Speaker 4: What am I? You do? 125 00:08:53,040 --> 00:08:53,480 Speaker 6: Remember? 126 00:08:54,040 --> 00:08:54,360 Speaker 4: Yes? 127 00:08:54,679 --> 00:08:58,920 Speaker 2: Of course, it's just it's been a while and other 128 00:08:59,000 --> 00:09:00,760 Speaker 2: things have come into. 129 00:08:59,840 --> 00:09:04,520 Speaker 6: The of course. Of course, your caseworker seems rather pleased 130 00:09:04,520 --> 00:09:05,240 Speaker 6: with your progress. 131 00:09:05,800 --> 00:09:09,400 Speaker 7: You spoke to aiden affirmative and he helped clear this 132 00:09:10,280 --> 00:09:14,640 Speaker 7: additional meeting because he thinks you're progressing, progressing, But what 133 00:09:14,800 --> 00:09:18,120 Speaker 7: is progress really but having the tools to succeed and 134 00:09:18,160 --> 00:09:19,439 Speaker 7: to move forward in the. 135 00:09:21,640 --> 00:09:24,280 Speaker 6: Hmm. I'm not sure how much time we've left in 136 00:09:24,280 --> 00:09:26,400 Speaker 6: our session, so perhaps we can circle back to Miguel 137 00:09:26,400 --> 00:09:31,200 Speaker 6: de la cuf Okay, remember how I told you about 138 00:09:31,440 --> 00:09:32,240 Speaker 6: Saint Monica. 139 00:09:33,480 --> 00:09:33,800 Speaker 2: St. 140 00:09:33,960 --> 00:09:36,880 Speaker 6: Monica, The very namesake of that beach oasis on the 141 00:09:36,880 --> 00:09:42,439 Speaker 6: coast of Los Angeles, Santa Monica. Have you heard of it? 142 00:09:42,920 --> 00:09:45,920 Speaker 2: Yes, of course I know Santa Monica, the peer, the 143 00:09:45,920 --> 00:09:49,480 Speaker 2: Ferris Wheel, muscle freakin Beach. Come on, do I know 144 00:09:49,559 --> 00:09:50,280 Speaker 2: Santa Monica? 145 00:09:50,960 --> 00:09:52,040 Speaker 4: Hm? 146 00:09:52,120 --> 00:09:57,640 Speaker 6: Yes, Well, Monica, the patron Saint of Mothers, had a son, obviously, 147 00:09:57,800 --> 00:10:01,600 Speaker 6: Saint Augustine, though neither or he were saints. When he 148 00:10:01,640 --> 00:10:05,280 Speaker 6: was growing up, he was a capricious lad, perhaps owing 149 00:10:05,280 --> 00:10:07,839 Speaker 6: to the fact that his father was an infamous adulterer 150 00:10:08,000 --> 00:10:10,600 Speaker 6: and not the best role model. So Oggie clashed with 151 00:10:10,679 --> 00:10:14,280 Speaker 6: his mum rather frequently, rather frequently. 152 00:10:15,800 --> 00:10:18,040 Speaker 2: I'm sorry, I'm trying to keep. 153 00:10:18,000 --> 00:10:20,760 Speaker 6: We need to focus, Miss Rodriguez, my. 154 00:10:22,440 --> 00:10:22,800 Speaker 2: Mistake. 155 00:10:23,040 --> 00:10:24,719 Speaker 3: Please continue gratefully. 156 00:10:25,200 --> 00:10:29,360 Speaker 6: So one day Monica and Oggie have a massive fight. 157 00:10:29,760 --> 00:10:32,840 Speaker 6: Things are said, probably not unlike kids rebelling today, But 158 00:10:33,280 --> 00:10:36,200 Speaker 6: instead of you're grounded and no Telly for the rest 159 00:10:36,200 --> 00:10:38,800 Speaker 6: of the week, it was more, how could you convert 160 00:10:38,840 --> 00:10:41,520 Speaker 6: to Manicheism? You're a traitor to our family, You're no 161 00:10:41,559 --> 00:10:42,839 Speaker 6: longer welcome in our home. 162 00:10:43,480 --> 00:10:45,360 Speaker 2: What's Manicheism? 163 00:10:45,520 --> 00:10:47,920 Speaker 6: A dead religion founded in the third century by the 164 00:10:48,000 --> 00:10:50,920 Speaker 6: Parthenian prophet What today we would call a branch of 165 00:10:50,960 --> 00:10:55,160 Speaker 6: gnosticism based in duality. It offered salvation through special knowledge 166 00:10:55,160 --> 00:10:58,439 Speaker 6: of radical truths, with the subtext of this world is 167 00:10:58,480 --> 00:10:59,880 Speaker 6: evil and we're all gonna die. 168 00:11:00,600 --> 00:11:01,880 Speaker 2: What happened to them. 169 00:11:01,920 --> 00:11:05,120 Speaker 6: Went the way of Besimax or beaper pages beat out 170 00:11:05,120 --> 00:11:08,600 Speaker 6: in the zeitgeist of newer, shinier, more gilded roby houses 171 00:11:08,640 --> 00:11:13,160 Speaker 6: of worship. But that's not important right now. What's important 172 00:11:13,920 --> 00:11:18,839 Speaker 6: is that Monica expelled Oggie, and afterwards things looked bleak 173 00:11:18,920 --> 00:11:20,800 Speaker 6: for a minute until. 174 00:11:22,400 --> 00:11:22,920 Speaker 3: Until what. 175 00:11:24,520 --> 00:11:27,280 Speaker 6: Until one day Monica had this epiphany, this vision, this 176 00:11:27,880 --> 00:11:33,920 Speaker 6: revelation of what. Some say God visited her. Others say 177 00:11:33,920 --> 00:11:37,080 Speaker 6: a priest convinced her to change her ways. Others say 178 00:11:37,120 --> 00:11:39,480 Speaker 6: that all the explanations are just ways to make it 179 00:11:39,520 --> 00:11:43,120 Speaker 6: seem like a man came in and showed her the way. 180 00:11:43,679 --> 00:11:44,640 Speaker 2: Of course they do. 181 00:11:45,200 --> 00:11:47,480 Speaker 6: But I think there's nothing more powerful than the love 182 00:11:47,640 --> 00:11:50,960 Speaker 6: a mother has for her child. Something you agreed with 183 00:11:51,040 --> 00:11:53,560 Speaker 6: last time, if I remember correctly. 184 00:11:54,200 --> 00:11:56,640 Speaker 2: Sure, I mean it's up there. 185 00:11:57,480 --> 00:12:02,040 Speaker 6: So Monica searched for to make amends and to dedicate 186 00:12:02,120 --> 00:12:04,239 Speaker 6: her life to him, hence her being. 187 00:12:04,080 --> 00:12:05,880 Speaker 2: The mother of all saints, of mothers. 188 00:12:06,520 --> 00:12:13,040 Speaker 6: Indeed, you're remembering, so she tracks him from Algeria into Italy, 189 00:12:13,600 --> 00:12:20,240 Speaker 6: finally finding him in Mila a mother and child reunion indeed, 190 00:12:20,760 --> 00:12:22,920 Speaker 6: to celebrate. They plan a trip to Rome, but before 191 00:12:22,960 --> 00:12:26,520 Speaker 6: they leave, they meet with Saint Ambrose, also not yet 192 00:12:26,559 --> 00:12:28,719 Speaker 6: a saint, but well on his way since he was 193 00:12:28,760 --> 00:12:31,440 Speaker 6: the Bishop of Milan, and probably in miracles to spare 194 00:12:31,480 --> 00:12:33,320 Speaker 6: at that point. But I digress. How's the apple? 195 00:12:34,400 --> 00:12:35,839 Speaker 3: It's fine, good, good. 196 00:12:36,880 --> 00:12:41,920 Speaker 6: Speaking of apples and hunger more generally, Oggie and Monica 197 00:12:42,000 --> 00:12:44,600 Speaker 6: meet with Saint Ambrose because apparently their trip is going 198 00:12:44,600 --> 00:12:49,800 Speaker 6: to land them in Rome on a Saturday. Okay, as 199 00:12:49,840 --> 00:12:52,760 Speaker 6: it turns out, back then, Saturday was a day of 200 00:12:52,880 --> 00:12:53,360 Speaker 6: fast in. 201 00:12:53,480 --> 00:12:59,400 Speaker 2: Rome every Saturday, every Saturday, like a Shabbath, yes. 202 00:13:00,080 --> 00:13:05,440 Speaker 6: But with even more restrictions and punishable by death. Darn 203 00:13:06,200 --> 00:13:09,960 Speaker 6: darn indeed, whereas in Milan they're not only dressed to 204 00:13:10,000 --> 00:13:12,480 Speaker 6: the nines, but they ate their heart outs on the weekend. 205 00:13:12,679 --> 00:13:15,320 Speaker 6: Abetha style, sorry, Vegas style. 206 00:13:15,559 --> 00:13:20,280 Speaker 2: I know what Abiza is, of course you do. So 207 00:13:21,480 --> 00:13:22,760 Speaker 2: what did Ambrose say? 208 00:13:23,040 --> 00:13:26,240 Speaker 6: I thought you'd never ask. He offered them some simple 209 00:13:26,320 --> 00:13:29,200 Speaker 6: words that have lasted over eighteen hundred years. 210 00:13:30,120 --> 00:13:31,480 Speaker 2: Fuck it eat whenever. 211 00:13:31,520 --> 00:13:35,400 Speaker 6: One wishes, but the answer was about as diplomatic and 212 00:13:35,440 --> 00:13:38,000 Speaker 6: non divisive as someone in his position could provide. He 213 00:13:38,080 --> 00:13:41,560 Speaker 6: said to them, when I am here in Milan, I 214 00:13:41,640 --> 00:13:44,480 Speaker 6: do not fast. But when I'm in Rome, I do 215 00:13:44,720 --> 00:13:51,200 Speaker 6: fast on Saturday, okay, not ringing any bells. 216 00:13:53,120 --> 00:13:55,400 Speaker 2: When in Rome do as the Romans. 217 00:13:54,960 --> 00:13:59,719 Speaker 6: Do precisely, you do, remember, kudos to ever punched the 218 00:13:59,760 --> 00:14:00,920 Speaker 6: line made it immortal. 219 00:14:01,840 --> 00:14:06,040 Speaker 2: Wow, that's actually pretty interesting. But how does that apply 220 00:14:06,120 --> 00:14:07,120 Speaker 2: to my current situation? 221 00:14:07,800 --> 00:14:11,920 Speaker 6: It applies, Miss Rodriguez, because I too think you're progressing 222 00:14:11,960 --> 00:14:14,920 Speaker 6: well here. There is a lot of attention, a lot 223 00:14:14,960 --> 00:14:17,760 Speaker 6: of eyes on your case. But it's time to take 224 00:14:17,880 --> 00:14:19,920 Speaker 6: things to the next level. 225 00:14:21,080 --> 00:14:23,040 Speaker 2: What's the next level? 226 00:14:24,200 --> 00:14:25,880 Speaker 3: Have you had a chance to think on the riddle 227 00:14:26,840 --> 00:14:27,520 Speaker 3: from earlier? 228 00:14:27,880 --> 00:14:28,760 Speaker 6: Do you remember it? 229 00:14:31,120 --> 00:14:34,400 Speaker 2: I have seas without water, coasts without. 230 00:14:34,120 --> 00:14:37,560 Speaker 6: Sand, towns without people, oh. 231 00:14:37,280 --> 00:14:38,920 Speaker 2: And mountains without land? 232 00:14:39,360 --> 00:14:40,480 Speaker 6: Correct? What am I? 233 00:14:41,840 --> 00:14:47,680 Speaker 2: Seas? Coasts, towns, mountains, You're a map? 234 00:14:51,520 --> 00:14:56,680 Speaker 6: It's almost time time listen to me, Siary, one more 235 00:14:56,720 --> 00:15:01,120 Speaker 6: riddle before I'm gone gone. Just look at me and remember, 236 00:15:01,200 --> 00:15:04,920 Speaker 6: my friend, what's hidden initially will come clear in the end. 237 00:15:05,240 --> 00:15:06,920 Speaker 3: What will I get cut? 238 00:15:07,040 --> 00:15:09,040 Speaker 6: But I never bleed? What I have teeth, but I 239 00:15:09,040 --> 00:15:09,560 Speaker 6: do bite? 240 00:15:09,680 --> 00:15:11,880 Speaker 3: Oh I know, no, don't what? 241 00:15:12,080 --> 00:15:12,440 Speaker 2: Why not? 242 00:15:13,680 --> 00:15:14,360 Speaker 3: What are you doing? 243 00:15:14,680 --> 00:15:20,280 Speaker 5: It's okay, sir, please take a step back. 244 00:15:20,520 --> 00:15:24,680 Speaker 6: Remember my friend hands out of your coat. I'm just 245 00:15:24,720 --> 00:15:25,600 Speaker 6: going to give him my cart. 246 00:15:25,720 --> 00:15:28,800 Speaker 2: What what's going on, sir? 247 00:15:29,400 --> 00:15:32,400 Speaker 6: Hand jesus a gun, I said, step. 248 00:15:32,160 --> 00:15:47,360 Speaker 8: Away style Alexander care Siary, No, get him off me? 249 00:15:47,480 --> 00:15:47,880 Speaker 6: Get awa? 250 00:15:50,200 --> 00:15:52,120 Speaker 2: Why did you do that? What did he give you? 251 00:15:52,320 --> 00:15:52,360 Speaker 5: What? 252 00:15:53,640 --> 00:15:55,560 Speaker 3: I don't know style? 253 00:15:55,720 --> 00:15:57,200 Speaker 2: He walked over, he handed you something? 254 00:15:57,280 --> 00:16:05,000 Speaker 5: No, no, what open your god damn hands, get. 255 00:16:04,400 --> 00:16:12,520 Speaker 6: Me anything not just the. 256 00:16:14,800 --> 00:16:17,160 Speaker 2: You know, take my keith, throw it back in a room. 257 00:16:17,200 --> 00:16:18,560 Speaker 2: I'll get somebody to clean this mess up. 258 00:16:23,640 --> 00:16:24,200 Speaker 3: Mm hmm. 259 00:16:25,640 --> 00:16:29,080 Speaker 6: One will rush. 260 00:16:28,800 --> 00:16:36,760 Speaker 2: Huh dull But wait, I don't understand. Fuck me, dude, 261 00:16:36,760 --> 00:16:39,880 Speaker 2: got captain. Order to tell me a riddle that makes 262 00:16:39,880 --> 00:16:42,760 Speaker 2: no sense. There has to be more to it. 263 00:16:50,720 --> 00:16:51,080 Speaker 6: Okay. 264 00:16:51,400 --> 00:16:54,120 Speaker 2: First riddle, map, what's a map? 265 00:16:54,680 --> 00:16:55,000 Speaker 3: This? 266 00:16:55,000 --> 00:16:55,320 Speaker 5: This all? 267 00:16:55,440 --> 00:16:56,080 Speaker 3: This is a map? 268 00:16:56,880 --> 00:17:01,520 Speaker 2: Okay. Last riddle, I get cut but I don't bleed teeth, 269 00:17:01,600 --> 00:17:06,240 Speaker 2: but don't bite, easy, busy A key the key to 270 00:17:06,359 --> 00:17:09,920 Speaker 2: the map. Yeah, I've got a key, but I don't 271 00:17:09,920 --> 00:17:14,359 Speaker 2: know where it goes. Uh okay, okay. Middle riddle, Santa 272 00:17:14,400 --> 00:17:20,800 Speaker 2: Monica milan man a key ism. How do I even 273 00:17:20,840 --> 00:17:24,240 Speaker 2: spell that? Uh? 274 00:17:24,280 --> 00:17:24,600 Speaker 3: Oh? 275 00:17:24,640 --> 00:17:26,880 Speaker 2: He said, so much weird shit. I wish I could 276 00:17:26,920 --> 00:17:32,680 Speaker 2: just forget it. Okay, just look at me and remember 277 00:17:32,920 --> 00:17:41,639 Speaker 2: my friend. His friend is his friend's name again? Um 278 00:17:41,800 --> 00:17:46,879 Speaker 2: something something with an m oh, he said, it's so 279 00:17:46,920 --> 00:17:53,960 Speaker 2: many damn times. Okay, mmmm me me, me, me gout, 280 00:17:54,040 --> 00:17:59,440 Speaker 2: make out. Miguel de la Cruz should have snagged another apple, Hey, 281 00:17:59,520 --> 00:18:07,560 Speaker 2: went in rom yes room. What's hidden initially will come 282 00:18:07,600 --> 00:18:11,880 Speaker 2: clear in the end. Roman numerals, Miguel's la Cruz isn't 283 00:18:11,920 --> 00:18:15,879 Speaker 2: a name, It's a number. Okay, md LCM is what 284 00:18:16,160 --> 00:18:24,320 Speaker 2: one hundred a thousand and d is? Up? 285 00:18:24,760 --> 00:18:26,679 Speaker 4: It's twelve thirty? 286 00:18:26,720 --> 00:18:27,439 Speaker 6: How did you I mean? 287 00:18:27,480 --> 00:18:35,199 Speaker 4: It's after midnight? Shut up? And md LC isn't a 288 00:18:35,400 --> 00:18:39,840 Speaker 4: Roman numeral. It isn't not indianc. 289 00:18:41,160 --> 00:18:46,920 Speaker 2: De la cruise cruise. It's across across. What in Spanish 290 00:18:47,000 --> 00:18:52,399 Speaker 2: cruise is across and across is an X M D 291 00:18:53,119 --> 00:18:56,000 Speaker 2: l X forrip. Please translate to Roman. 292 00:18:58,080 --> 00:19:00,879 Speaker 4: One thousand, five hundred and. 293 00:19:00,600 --> 00:19:03,800 Speaker 2: Fifty ten and what you just add the. 294 00:19:04,359 --> 00:19:07,440 Speaker 4: Fifteen sixty side whatever it is? 295 00:19:08,200 --> 00:19:11,960 Speaker 2: Fifteen sixty do you want to know? 296 00:19:13,000 --> 00:19:13,359 Speaker 3: Okay? 297 00:19:13,920 --> 00:19:20,520 Speaker 2: Thanks, rip, Sorry, I woke you up. Good night? Fifteen 298 00:19:20,720 --> 00:19:29,800 Speaker 2: sixty fifteen sixty the year that. Could it be a 299 00:19:29,840 --> 00:19:33,840 Speaker 2: door code to way James Bond? Have you ever seen 300 00:19:33,880 --> 00:19:38,040 Speaker 2: a pin pad in this whole fucking medieval palace? I 301 00:19:38,080 --> 00:19:42,639 Speaker 2: bet it's just part of another fucking riddle. I'll have 302 00:19:42,680 --> 00:19:50,520 Speaker 2: to ask Talbot when I see him in Hell? Another 303 00:19:50,560 --> 00:19:53,000 Speaker 2: gay older And what have you got to show for it? 304 00:19:53,119 --> 00:19:58,160 Speaker 2: A meaningless code and a useless key. Well, if you're 305 00:19:58,200 --> 00:19:59,760 Speaker 2: not going to get me out, then why not make 306 00:19:59,760 --> 00:20:04,119 Speaker 2: it a thank you for the blank canvas coble. At 307 00:20:04,200 --> 00:20:16,520 Speaker 2: least you loved me something Si was here? Hello? Given 308 00:20:16,560 --> 00:20:21,480 Speaker 2: my luckt these days, it's entirely improbable. But could there 309 00:20:21,800 --> 00:20:33,840 Speaker 2: be something behind this brick? Easy? Now a little harder? Oh? 310 00:20:33,960 --> 00:20:35,240 Speaker 2: Why didn't I build a crow bar? 311 00:20:37,960 --> 00:20:40,440 Speaker 6: Yilty? 312 00:20:41,200 --> 00:20:45,320 Speaker 2: One of Cavell's secret compartments. Definitely not big enough to 313 00:20:45,320 --> 00:20:54,840 Speaker 2: climb through, but tied contraband, and of course it's empty. 314 00:20:55,720 --> 00:20:57,679 Speaker 2: Wait what's this? 315 00:21:07,800 --> 00:21:08,320 Speaker 4: Jack Bob? 316 00:21:18,880 --> 00:21:19,120 Speaker 1: Oh? 317 00:21:19,280 --> 00:21:29,840 Speaker 3: Yea yea Si. 318 00:21:32,440 --> 00:21:33,520 Speaker 2: Yai Si. 319 00:21:35,119 --> 00:21:41,440 Speaker 1: Thirteen Days of Halloween Pennance starring Natalie Morales, Episode ten Visitation, 320 00:21:41,920 --> 00:21:46,040 Speaker 1: written by Carlos Foglia and Alexander Williams editing and sound 321 00:21:46,119 --> 00:21:50,320 Speaker 1: design by Casby Bias, featuring the voices of Wilbur Fitzgerald, 322 00:21:50,600 --> 00:21:55,200 Speaker 1: Raphae l Corkil, Rachel Rosenbloom, Laura Shine, and Joseph Wibb. 323 00:21:55,840 --> 00:22:01,000 Speaker 1: Directed by Alexander Williams. Executive producers Aaron Mankey, Noah Feinberg, 324 00:22:01,119 --> 00:22:06,199 Speaker 1: Chris Dickey, Matt Frederick and Alexander Williams. Supervising producers Trevor 325 00:22:06,240 --> 00:22:11,400 Speaker 1: Young and Josh Thain. Producers Jesse funk Rima Ilkali, Noami Griffin, 326 00:22:11,640 --> 00:22:16,000 Speaker 1: Chandler Mays, and Casby Bias. Script editing by Lauren Vogelbaum, 327 00:22:16,119 --> 00:22:20,159 Speaker 1: Story consultants Ben Bolan and Matthew Riddle. Casting by Sunday 328 00:22:20,160 --> 00:22:25,440 Speaker 1: Bowling CSA and Meg Mormon CSA. Production coordinator Wayna Calderon, 329 00:22:25,760 --> 00:22:30,200 Speaker 1: Production assistants Jenna Johnson and Winona Lowe. Theme music by 330 00:22:30,280 --> 00:22:34,439 Speaker 1: Rose Azerti with vocals by Anna Hummler, recorded at This 331 00:22:34,600 --> 00:22:39,119 Speaker 1: Is Sound Design Studios in Burbank, California. Engineered by Ross 332 00:22:39,119 --> 00:22:44,080 Speaker 1: Aerono Special thanks to Romelia Osorio, Nathan Rule, Glenn Nishida, 333 00:22:44,359 --> 00:22:48,000 Speaker 1: and Rob Mosca. Thirteen Days of Halloween was created by 334 00:22:48,000 --> 00:22:51,399 Speaker 1: Matt Frederick and Alexander Williams and is a production of 335 00:22:51,440 --> 00:22:55,760 Speaker 1: iHeart Podcasts Blumhouse Television and Grimm and Mild from Aaron Makey. 336 00:22:56,240 --> 00:22:59,560 Speaker 1: Learn more about the show at Grimandmild dot com. Slash 337 00:22:59,600 --> 00:23:03,359 Speaker 1: thirteen days and find more podcasts from iHeartRadio by visiting 338 00:23:03,400 --> 00:23:06,919 Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you listen to 339 00:23:06,960 --> 00:23:09,359 Speaker 1: your favorite shows. Happy Halloween,