WEBVTT - Making TV Magic

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<v Speaker 1>It's nine O gene one Engine with Jenny Garth and

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<v Speaker 1>Tory spelling.

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<v Speaker 2>You guys. This episode it's a touchy one.

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<v Speaker 1>It was a sensitive episode, by the way, welcome to

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<v Speaker 1>do it and mean everyone.

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<v Speaker 2>Hi, I don't even know how to be light in

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<v Speaker 2>fun about it. It's just like just dive in or

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<v Speaker 2>just deep.

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<v Speaker 1>Yes, this week's was a it was a tear jerker

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<v Speaker 1>kind of.

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<v Speaker 3>It was handled well. I think. I mean, he's really good.

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<v Speaker 1>He's so talented, like so vulnerable. His acting is so vulnerable.

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<v Speaker 1>That is good to see. Like, I don't know these

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<v Speaker 1>two characters together, like we talked about it before. I

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<v Speaker 1>think they do really well together. And I just remember

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<v Speaker 1>taking that finish that end picture with.

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<v Speaker 3>Him m hm oh in the bed when he's in

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<v Speaker 3>the bed.

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<v Speaker 1>Yeah, and it was just oh no, very special moment.

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<v Speaker 3>There's another episode with that.

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<v Speaker 2>He comes back. I know that.

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<v Speaker 3>Yeah, next week, he's back next week. Okay, good.

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<v Speaker 1>I just feel like sometimes the lines get blurred when

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<v Speaker 1>you're playing a character and you're talking to another actor

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<v Speaker 1>who's playing a character. Sometimes that other actor is the

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<v Speaker 1>character to you in I'm not sure if I'm explaining

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<v Speaker 1>it right, yeah, but for me, he was Jimmy.

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<v Speaker 3>I get that he really really became him because I

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<v Speaker 3>even knew him from Blossom, and I'm completely forgetting about Blossom, Like.

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<v Speaker 1>How did he win this role? Because it was a

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<v Speaker 1>meaty one.

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<v Speaker 2>I mean he was definitely offered it, right, Don't you

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<v Speaker 2>think he was a big guy?

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<v Speaker 3>I would think so after Blossom, I mean he I

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<v Speaker 3>would think he's huge. Yeah. So what's interesting is so

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<v Speaker 3>because we sort of talked about this off air a

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<v Speaker 3>little bit on air, right, trying to sort of understand

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<v Speaker 3>the timeline of what was going on with the AIDS

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<v Speaker 3>HIV crisis at this time. So I, not realizing Tori

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<v Speaker 3>that your dad made this movie, thought oh, I'm going

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<v Speaker 3>to rewatch and the band played on to refresh my memory,

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<v Speaker 3>so I, you know, start streaming it and I literally

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<v Speaker 3>was shocked. And I know we've talked about it before,

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<v Speaker 3>but that your dad produced and the band played on,

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<v Speaker 3>which is obviously one of the reasons he wrote this,

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<v Speaker 3>you know, or wanted them to have this storyline online

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<v Speaker 3>on two and zero such an important right thing.

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<v Speaker 2>It was a very important topic to him.

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<v Speaker 3>So what made it so important to him? Do you remember?

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<v Speaker 2>I don't remember that part? I know that he loved

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<v Speaker 2>tackling topics that people were scared to tackle at the

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<v Speaker 2>time and doing it. And I just know this was

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<v Speaker 2>something that was so big. I mean he implemented in

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<v Speaker 2>Melrose Place. Yeah, and the band played on. I mean

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<v Speaker 2>you and I talked about it a little bit, but

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<v Speaker 2>that was such an important project him because he wanted

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<v Speaker 2>to do it as a mainstream project, and it was

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<v Speaker 2>originally set up an NBC and NBC I think because

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<v Speaker 2>there had just been the Rock Hudson story. Yeah, I

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<v Speaker 2>think it was on ABC. They were scared to do

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<v Speaker 2>a mini series on AIDS, so they pulled out of

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<v Speaker 2>it last minute. And that's when my dad took it

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<v Speaker 2>to HBO, which at the time HBO wasn't doing like

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<v Speaker 2>movies and stuff. I think they had dream on that series.

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<v Speaker 2>You remember that, you guys, Yeah, yeah, yeah, yeah, and

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<v Speaker 2>so this was new for them, but he knew that

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<v Speaker 2>probably the only place to get it made would be Cable.

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<v Speaker 3>Well, I love the story that you told me because

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<v Speaker 3>I started texting Tory when I was watching it because

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<v Speaker 3>I don't know how, I just didn't realize it was

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<v Speaker 3>your dad was that he sort of didn't love boat.

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<v Speaker 3>He took what he learned from Love Boat, which was

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<v Speaker 3>you tell it, you tell it right.

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<v Speaker 2>So his theory, you know, with love Boat always having

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<v Speaker 2>big star cameos and how it worked so well, and

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<v Speaker 2>he wanted to do that on the big screens. So

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<v Speaker 2>in this movie, I forget how many there's like two

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<v Speaker 2>hundred and something cameo. Yeah, And that's another thing.

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<v Speaker 3>It was like the biggest budget movie.

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<v Speaker 2>And they were like, no one's going to make this,

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<v Speaker 2>and he felt so strong about it that he said, well,

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<v Speaker 2>I'll pay for it. This is an important movie. I

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<v Speaker 2>want this out there, and then of course to HBO

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<v Speaker 2>did end up paying for it. But I think it

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<v Speaker 2>had more cameos than the movie. The player even, Oh

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<v Speaker 2>my gosh, I have to go back and watch this.

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<v Speaker 3>You have to be really good.

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<v Speaker 2>It's a movie I think everyone will love.

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<v Speaker 3>It's still really, really, really good today because you really

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<v Speaker 3>learn what was going on. I mean, I think there's

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<v Speaker 3>probably some things that we know now we didn't know then.

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<v Speaker 3>I think there's a couple things that I took away

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<v Speaker 3>that were really fascinating. I did some research, and I

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<v Speaker 3>think when Richard Gear joined the cast, it was a

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<v Speaker 3>game changer because all these other big name actors were

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<v Speaker 3>willing to do it because Richard Gear did it. But

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<v Speaker 3>the thing that really gutted me was at the very

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<v Speaker 3>end of the credits, they show sort of recognizable people

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<v Speaker 3>that had been diagnosed with HIV AIDS. Not famous celebrities

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<v Speaker 3>only yes, lots of famous people, but recognize people Ryan White,

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<v Speaker 3>Arthur Ash, all these people. And then when I was

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<v Speaker 3>doing my research, every single one of those people except

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<v Speaker 3>for Magic Johnson died. It was like, oh, you just realized,

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<v Speaker 3>like at the time when it first happened, and they

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<v Speaker 3>say this in the movie, it's one hundred percent of

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<v Speaker 3>that people died, everybody. But the movie is fascinating and

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<v Speaker 3>really then helps you understand the storyline in nine o

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<v Speaker 3>two one zero.

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<v Speaker 2>Right, because otherwise not knowing that it's kind of very

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<v Speaker 2>out of place, this storyline. I mean, we tackle tough subjects,

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<v Speaker 2>but this one goes even deeper, I think. And Jen

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<v Speaker 2>I was telling Amy that because my dad wasn't known

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<v Speaker 2>for doing stuff like this, and he was just noticed

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<v Speaker 2>like Jiggle TV, you know, things like dat teen dramas

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<v Speaker 2>like whatever. He was nominated and when the movie was nominated,

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<v Speaker 2>he made himself so sick and he was in bed

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<v Speaker 2>and he was like, no, no, no, I'm really too sick

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<v Speaker 2>to go. I can't go. Plus I'm never gonna win,

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<v Speaker 2>like I never win anything. And they won. Oh and

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<v Speaker 2>he didn't get to yeah.

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<v Speaker 1>You can go.

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<v Speaker 3>That stinks, Jenny. Do you remember and I can't remember

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<v Speaker 3>if I asked you this last week, did they come

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<v Speaker 3>to you about this storyline or was it just it

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<v Speaker 3>showed up on the page and you were like, all right.

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<v Speaker 1>Well, at this point there were definitely pre conversations to storylines,

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<v Speaker 1>especially big ones like this and ones that had this

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<v Speaker 1>kind of weight. So while I cannot remember it specifically,

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<v Speaker 1>I'm one hundred percent sure that it a conversation took

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<v Speaker 1>place before.

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<v Speaker 3>Yeah. The thing I really thought was interesting about the

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<v Speaker 3>way it was handled it even though I understood you're

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<v Speaker 3>freaking out because you get the blood on you, right,

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<v Speaker 3>the show was pretty good about multiple people saying you

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<v Speaker 3>can't catch it that way, like, even though I also

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<v Speaker 3>thought they depicted your fear of it very well. The

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<v Speaker 3>nightmare and the scrubbing of the hands and the scrubbing

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<v Speaker 3>of the hands and sort of the panic all very

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<v Speaker 3>sort of reminiscent of the time. But I thought the

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<v Speaker 3>thing that really was well done was that they addressed

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<v Speaker 3>your unprotected sex with multiple people, and then that was

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<v Speaker 3>where you know, they really felt you should be tested.

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<v Speaker 3>And then you go through that that was very well

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<v Speaker 3>done that they didn't just like only make it about

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<v Speaker 3>Michael's character Jimmy, that they took it to another place

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<v Speaker 3>that actually was concerning, and they addressed that you had

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<v Speaker 3>been sleeping with someone who was a drug user and

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<v Speaker 3>like maybe we didn't see him, do you know, intravenous drugs,

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<v Speaker 3>but like that guy was a drug addict, We don't know.

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<v Speaker 3>I just thought, Wow, they really went everywhere with this.

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<v Speaker 1>Yeah, they did such a responsible thing by talking about

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<v Speaker 1>you know, like you said about unsafe sex in that

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<v Speaker 1>day and age. That means there were a few like

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<v Speaker 1>tough conversations in this episode.

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<v Speaker 3>Yeah, that's one of them, and it was very of

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<v Speaker 3>the time. I mean I remember that era being in

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<v Speaker 3>college and have you been tested? Was like a big thing,

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<v Speaker 3>like getting tested before you had a new partner. Seems

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<v Speaker 3>like we might need to bring some of that back

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<v Speaker 3>because I mean, I like kids are much too lucy,

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<v Speaker 3>not not necessarily because of HIV AIDS only, but also

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<v Speaker 3>because of all these other sexually transmitted diseases.

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<v Speaker 1>And yeah, well, getting back to the episode, Steve, he

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<v Speaker 1>didn't want to go and support Jimmy at the magic show.

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<v Speaker 3>Poor Steve. Yeah, they just really write him to be

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<v Speaker 3>the big du her.

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<v Speaker 2>If I would have been like, I don't want my

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<v Speaker 2>character to go that far, yeah, I was like we

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<v Speaker 2>felt about yeah right.

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<v Speaker 3>They always make his character just never forgets it right,

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<v Speaker 3>life forgets it right. This ringe, yeah, cringey cringe.

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<v Speaker 1>What about after the cut? What the blood? She got

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<v Speaker 1>a lot of blood on our hands. First of all,

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<v Speaker 1>he must have really cut his hand. Yeah.

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<v Speaker 3>I thought it was well done. The nightmare and the

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<v Speaker 3>hand washing and the hand see that. I was almost

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<v Speaker 3>I almost thought the nightmare was real. I did too.

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<v Speaker 1>Yeah, when I saw the first arm, I still thought

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<v Speaker 1>it was real. And then she seen to look at

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<v Speaker 1>the other arm, and I was like, okay, this is.

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<v Speaker 2>Wait. You guys, we have not told everyone what they're.

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<v Speaker 3>Because this episode is like, it's very I remember it well.

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<v Speaker 3>People caught up.

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<v Speaker 1>Season seven, Episode four, Disappearing Act September eleventh, nineteen ninety six.

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<v Speaker 2>Synopsis. The hand is quicker than the eye when it

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<v Speaker 2>comes to Jimmy Gold's magic tricks. Kelly gets a safe

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<v Speaker 2>sex wake up call after an HIV scare. Valerie is

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<v Speaker 2>acting more controlling with Kenny. Meanwhile, Brandon and Mark hire

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<v Speaker 2>a news anchor with no experience, and David blames Donna

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<v Speaker 2>for telling his dad he is a CEU dropout.

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<v Speaker 1>Directed by David Semel, written by John Eisendrath. Okay, let's

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<v Speaker 1>just start at the beginning. Why is David still being

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<v Speaker 1>a douche?

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<v Speaker 3>I thought we were past this.

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<v Speaker 2>Do you guys know how much he eats in this episode? No?

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<v Speaker 3>I just saw him drinking margarita alone.

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<v Speaker 2>Oh my god, the peach bit Dad gets me. Oh

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<v Speaker 2>my god, Nat had the baby.

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<v Speaker 1>Sorry, Yeah, you can tell because he's showing a picture

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<v Speaker 1>of it.

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<v Speaker 3>Yeah everywhere.

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<v Speaker 1>Now is there ever any presence of the actual baby.

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<v Speaker 2>Like in the future. Yeah, I don't know.

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<v Speaker 3>Hey may so funny because I can't fully remember. Yeah,

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<v Speaker 3>I don't remember seeing the wife nearly as much as

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<v Speaker 3>you would think you would, right, I do remember the

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<v Speaker 3>news anchor stuff.

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<v Speaker 1>Oh hi, c Brandon's new love interest, He says, Oh, man,

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<v Speaker 1>now we just need somebody to read it.

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<v Speaker 3>Dunt dun dum, here she come, Yill Novac. Her real

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<v Speaker 3>name is Jill Novaks. Yeah, she's good and I like her.

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<v Speaker 3>She's just very susan ish.

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<v Speaker 2>Well, I just feel like, God, Brandon, aside from Kelly,

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<v Speaker 2>really has a.

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<v Speaker 1>Type, right, I don't fit into Stipe at all.

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<v Speaker 2>No, not at all, but like, oh my god, it

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<v Speaker 2>seems like they're interchangeable.

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<v Speaker 1>Because they do have a romance, right, Yeah, and it

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<v Speaker 1>lasts for twenty three episodes.

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<v Speaker 3>What it's like the same thing we did with Susan.

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<v Speaker 3>It's literally the same wh why met her at the paper?

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<v Speaker 3>Now we met her at the TV station.

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<v Speaker 2>You're not ready for him yet, so we got to

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<v Speaker 2>go shock that throw one more in.

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<v Speaker 1>That she's there for twenty three episodes.

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<v Speaker 3>I never thought that it was that long. Wow, I'm sorry,

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<v Speaker 3>but if you are that drunk reading the news, how

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<v Speaker 3>are you going to read the news? Also? Would they

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<v Speaker 3>really take her out to get a drink before?

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<v Speaker 2>Not?

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<v Speaker 3>Let get let her get like no wasted. She's really

0:12:20.520 --> 0:12:23.320
<v Speaker 3>cute when she's drunk though. I gotta tell you, Yes,

0:12:23.520 --> 0:12:26.840
<v Speaker 3>she's a cool girl. I like her. I like it.

0:12:27.640 --> 0:12:29.640
<v Speaker 3>There's something I like about her, but it just feels

0:12:29.679 --> 0:12:33.199
<v Speaker 3>super redundant. Yeah, there's it's nothing about her.

0:12:33.600 --> 0:12:36.120
<v Speaker 2>Right, Well, let's see where it's going. Maybe something special

0:12:36.200 --> 0:12:37.760
<v Speaker 2>is going to happen with this relationship.

0:12:37.960 --> 0:12:41.880
<v Speaker 3>What's up is this episode where where David talks to

0:12:42.000 --> 0:12:42.439
<v Speaker 3>his dad?

0:12:42.880 --> 0:12:46.600
<v Speaker 1>Yes, and then you're like, uh, why Okay? I love

0:12:47.120 --> 0:12:49.320
<v Speaker 1>Mel Silver with all my heart?

0:12:49.679 --> 0:12:52.040
<v Speaker 2>Is there a buck coming? Yes? Okay.

0:12:53.080 --> 0:12:56.240
<v Speaker 1>I feel like when he comes on the screen in

0:12:56.280 --> 0:12:59.959
<v Speaker 1>this episode, he's so like, wah wah, wah wah wah,

0:13:00.600 --> 0:13:03.120
<v Speaker 1>Like he's so such a downer dad, and.

0:13:03.120 --> 0:13:06.120
<v Speaker 3>Well, I feel like David's kind of a mess. Can

0:13:06.160 --> 0:13:09.160
<v Speaker 3>we acknowledge the fact that though David doesn't have money

0:13:09.160 --> 0:13:13.439
<v Speaker 3>for rent but drives a hundred thousand dollars car well

0:13:13.440 --> 0:13:16.840
<v Speaker 3>because daddy bought it for him. Hello? Right, he literally

0:13:16.960 --> 0:13:19.080
<v Speaker 3>drives that Defender. I don't know if it was one

0:13:19.120 --> 0:13:23.600
<v Speaker 3>hundred thousand at the time, but like, dude, what Yeah?

0:13:23.640 --> 0:13:26.120
<v Speaker 1>But uh it sounds like Mel's cutting him off?

0:13:27.000 --> 0:13:27.440
<v Speaker 2>Yeah?

0:13:27.600 --> 0:13:30.120
<v Speaker 3>If he drops out of school right by the end,

0:13:30.200 --> 0:13:33.440
<v Speaker 3>isn't he back in school? Yes? It's like this was

0:13:33.480 --> 0:13:37.920
<v Speaker 3>really title. Why would you leave? He's got a year left?

0:13:37.960 --> 0:13:39.439
<v Speaker 3>He just he wants to be famous.

0:13:39.480 --> 0:13:41.880
<v Speaker 1>He wants to be a famous filmmaker.

0:13:41.440 --> 0:13:43.160
<v Speaker 3>So obsessed with this direct thing.

0:13:43.360 --> 0:13:44.640
<v Speaker 2>But he's just so angry.

0:13:46.080 --> 0:13:49.880
<v Speaker 1>Yeah, and not fun to watch or be around. I

0:13:50.040 --> 0:13:53.800
<v Speaker 1>just personally feel like I have emotional whiplash with watching

0:13:53.880 --> 0:13:56.840
<v Speaker 1>him go back and forth and not understanding why he's

0:13:57.320 --> 0:14:01.000
<v Speaker 1>not the way David was. Like, I don't remember this

0:14:01.160 --> 0:14:02.600
<v Speaker 1>phase of the David character.

0:14:03.440 --> 0:14:06.200
<v Speaker 3>It's not totally out of left field because they tried

0:14:06.240 --> 0:14:09.480
<v Speaker 3>hard to sort of make this. Oh, Don and David

0:14:09.520 --> 0:14:11.959
<v Speaker 3>are directing music videos and it's such a big deal,

0:14:12.000 --> 0:14:14.840
<v Speaker 3>and then it's kind of like swiped out from under him.

0:14:15.200 --> 0:14:19.240
<v Speaker 3>It just feels a little bit like they're trying too

0:14:19.240 --> 0:14:20.760
<v Speaker 3>hard to make that a storyline.

0:14:21.360 --> 0:14:24.600
<v Speaker 1>I mean, David, David, Brian's a good actor, so he

0:14:24.680 --> 0:14:28.600
<v Speaker 1>can do anything. It's just like, why are they writing

0:14:28.680 --> 0:14:29.320
<v Speaker 1>him this way?

0:14:29.960 --> 0:14:33.640
<v Speaker 3>It definitely continues, It definitely continues throughout this season.

0:14:35.000 --> 0:14:38.640
<v Speaker 2>Yeah, well, oh, because he's living at the Hollywood Hills House.

0:14:38.760 --> 0:14:41.000
<v Speaker 2>And did you guys see what I was saying? That's

0:14:41.040 --> 0:14:43.880
<v Speaker 2>a full on set the Hollywood Hills House. I does

0:14:44.000 --> 0:14:44.640
<v Speaker 2>not see that.

0:14:44.840 --> 0:14:47.840
<v Speaker 1>I see I see it as a set, like a house,

0:14:47.920 --> 0:14:48.800
<v Speaker 1>an actual house.

0:14:49.200 --> 0:14:52.880
<v Speaker 2>It's not no, that was a because they planned on

0:14:52.960 --> 0:14:56.080
<v Speaker 2>this house. Being like wait, wait, I spid a new

0:14:56.080 --> 0:15:00.520
<v Speaker 2>beach apartment. Where was it was trying to think so

0:15:00.560 --> 0:15:03.560
<v Speaker 2>our main set or addressing room flore Yeah, not where

0:15:03.640 --> 0:15:05.120
<v Speaker 2>the peach pit is on this side the.

0:15:05.200 --> 0:15:07.880
<v Speaker 3>Other way, but never saw one. Wow, I never saw it,

0:15:07.920 --> 0:15:08.280
<v Speaker 3>not once.

0:15:09.120 --> 0:15:12.800
<v Speaker 2>Yeah, isn't that crazy? But I don't know if Kelly's

0:15:12.840 --> 0:15:14.800
<v Speaker 2>ever there. Well, I guess Kelly is going to be there.

0:15:14.840 --> 0:15:16.800
<v Speaker 3>Do you feel like it's a mid century modern with

0:15:16.840 --> 0:15:20.240
<v Speaker 3>that step down? I feel like it's like Hollwood Hills

0:15:20.400 --> 0:15:22.800
<v Speaker 3>House sunk in living room. Yeah. Oh, I love a

0:15:22.840 --> 0:15:26.280
<v Speaker 3>sunken living room. Why don't they do those anymore? Because

0:15:26.280 --> 0:15:28.280
<v Speaker 3>they're a pain in the ass. Everybody's trying to raise

0:15:28.320 --> 0:15:30.760
<v Speaker 3>their sunken living rooms, everybody with a step down to

0:15:31.240 --> 0:15:35.680
<v Speaker 3>Why do I have this step down? It's so seventies.

0:15:35.760 --> 0:15:38.440
<v Speaker 3>I feel like it should have like a like a

0:15:38.480 --> 0:15:41.280
<v Speaker 3>Burt Reynolds on a rug. Doesn't that feel like a

0:15:41.560 --> 0:15:46.160
<v Speaker 3>sunken living room? Like Burt Reynolds with his shirt? Oh? Yeah,

0:15:46.200 --> 0:15:47.160
<v Speaker 3>that was quite a photo.

0:15:47.320 --> 0:15:49.280
<v Speaker 2>So who lives at this house? Mark?

0:15:49.440 --> 0:15:53.200
<v Speaker 3>Mark and David and David and isnone else?

0:15:53.680 --> 0:15:54.720
<v Speaker 2>Someone else is coming?

0:15:55.080 --> 0:15:57.680
<v Speaker 3>I feel like we don't know them yet. If there's

0:15:57.680 --> 0:15:58.960
<v Speaker 3>someone else, we haven't met them.

0:15:59.520 --> 0:16:01.600
<v Speaker 2>Oh, there's like a Month's type character.

0:16:03.480 --> 0:16:08.280
<v Speaker 1>Month's okay, So go into we're really jumping around. We're

0:16:08.400 --> 0:16:12.560
<v Speaker 1>criss crossing all the storylines right now. But going, uh

0:16:13.200 --> 0:16:15.480
<v Speaker 1>back to Mark.

0:16:15.800 --> 0:16:16.720
<v Speaker 3>You mentioned Mark.

0:16:17.120 --> 0:16:20.720
<v Speaker 1>Yeah, we see him in the first episode and they're

0:16:20.760 --> 0:16:24.240
<v Speaker 1>talking about how they need somebody to uh read the news,

0:16:24.800 --> 0:16:28.640
<v Speaker 1>and he says, if you want to reach the boobs,

0:16:28.640 --> 0:16:30.000
<v Speaker 1>you've got to get on the tube.

0:16:30.320 --> 0:16:32.560
<v Speaker 3>Oh my god, I know. And how about when the

0:16:32.600 --> 0:16:33.560
<v Speaker 3>camera person.

0:16:35.120 --> 0:16:38.360
<v Speaker 1>I hold that line though, because my mom always used

0:16:38.400 --> 0:16:42.240
<v Speaker 1>to say, get out of in front of the boob tube.

0:16:42.520 --> 0:16:44.280
<v Speaker 1>So I've watching the boob tube and I always be like,

0:16:44.760 --> 0:16:46.080
<v Speaker 1>there's no boobs on the TV.

0:16:46.160 --> 0:16:49.200
<v Speaker 3>I don't understand what that means. Well, why did they

0:16:49.240 --> 0:16:49.800
<v Speaker 3>call it that.

0:16:50.120 --> 0:16:52.080
<v Speaker 1>I guess you turn into a boob if you sit

0:16:52.120 --> 0:16:53.400
<v Speaker 1>in front of the tube too long.

0:16:53.800 --> 0:16:56.760
<v Speaker 2>We are you being serious? It's not like a correlation

0:16:56.960 --> 0:16:59.280
<v Speaker 2>to like women's breasts.

0:16:58.880 --> 0:16:59.880
<v Speaker 3>No, no, I don't think so.

0:17:00.040 --> 0:17:03.520
<v Speaker 1>Yeah, it's like makes you a boob a dummy if

0:17:03.560 --> 0:17:04.920
<v Speaker 1>you want, if you just sit in front of the TV.

0:17:05.080 --> 0:17:09.400
<v Speaker 2>I thought Mark was making some inappropriate comment about women's boobs,

0:17:09.600 --> 0:17:10.760
<v Speaker 2>and I'm like, God, I.

0:17:10.720 --> 0:17:14.040
<v Speaker 1>Don't like approate when they close up the legs.

0:17:15.160 --> 0:17:17.560
<v Speaker 2>I don't like his character, like the way he talks.

0:17:17.560 --> 0:17:18.200
<v Speaker 2>I don't like it.

0:17:18.760 --> 0:17:21.439
<v Speaker 3>Do I remember another they give those.

0:17:21.359 --> 0:17:25.440
<v Speaker 2>Steven Brandon like Mark and Brandon like.

0:17:26.240 --> 0:17:27.720
<v Speaker 3>Ugh, it don't.

0:17:27.760 --> 0:17:31.760
<v Speaker 1>Brandon always acts so natural at everything, like he's just

0:17:31.800 --> 0:17:37.440
<v Speaker 1>stepping into being a news uh producer, never stunt run

0:17:37.480 --> 0:17:40.959
<v Speaker 1>a camera room with switches and buttons and all the things,

0:17:41.040 --> 0:17:44.879
<v Speaker 1>and all of a sudden he's like, you know, boss.

0:17:44.520 --> 0:17:47.200
<v Speaker 2>Man, that's called main character energy.

0:17:47.280 --> 0:17:49.919
<v Speaker 1>It is main character energy. There's nothing he cannot do,

0:17:50.040 --> 0:17:54.000
<v Speaker 1>Brandon Walsh. It's crazy and he does it with such confidence.

0:17:54.880 --> 0:17:58.600
<v Speaker 3>Sorry, I'm going back to Tracy. I think that they

0:17:58.600 --> 0:18:01.840
<v Speaker 3>should have solved her panic attack with breathing exercises and

0:18:01.920 --> 0:18:02.840
<v Speaker 3>not alcohol.

0:18:03.560 --> 0:18:08.159
<v Speaker 1>Yeah, maybe that would have been a better approach, but

0:18:09.240 --> 0:18:10.359
<v Speaker 1>they left the boys in charge.

0:18:10.400 --> 0:18:15.720
<v Speaker 3>So there you go. So what do we Okay, wait,

0:18:15.840 --> 0:18:18.000
<v Speaker 3>I don't want to jump around to the valerie stuff

0:18:18.080 --> 0:18:18.760
<v Speaker 3>until you guys.

0:18:18.560 --> 0:18:20.480
<v Speaker 1>Are we haven't even gotten to the valery stuff. But yeah,

0:18:20.560 --> 0:18:23.560
<v Speaker 1>let's save that until we're good and done with this.

0:18:23.840 --> 0:18:26.680
<v Speaker 3>Yeah. Should we go back to Jimmy a bit more

0:18:26.920 --> 0:18:30.480
<v Speaker 3>and the magic? He's a pretty good magician.

0:18:31.000 --> 0:18:31.200
<v Speaker 2>Yeah.

0:18:31.680 --> 0:18:35.760
<v Speaker 3>Yeah. And also what I couldn't figure out is, Okay,

0:18:35.800 --> 0:18:39.080
<v Speaker 3>I'm assuming that when he's coughing, coughing, and it's not real,

0:18:39.680 --> 0:18:42.359
<v Speaker 3>and then you jump up there that it was part

0:18:42.400 --> 0:18:44.720
<v Speaker 3>of it? But or did you just jump up there like?

0:18:44.760 --> 0:18:47.399
<v Speaker 3>I was like, was this? Did she know? Or was

0:18:47.440 --> 0:18:50.359
<v Speaker 3>she panic it? Do you know what I'm talking about?

0:18:50.400 --> 0:18:52.120
<v Speaker 3>It's like a really good trick. That was a real

0:18:52.160 --> 0:18:55.120
<v Speaker 3>bait and switch because he's like and then we thought

0:18:55.200 --> 0:18:58.080
<v Speaker 3>he was sick. I thought he was sick too, But

0:18:58.119 --> 0:19:01.000
<v Speaker 3>then yet you were like up there and he's like,

0:19:01.119 --> 0:19:04.720
<v Speaker 3>my beautiful assistant. I was like, she like, Kelly, was

0:19:04.760 --> 0:19:12.080
<v Speaker 3>she in on it? His mouth again? A frog? A frog? Yeah,

0:19:12.119 --> 0:19:13.240
<v Speaker 3>he's a good magician.

0:19:13.920 --> 0:19:16.200
<v Speaker 1>Do you think he had that frog in his mouth?

0:19:16.359 --> 0:19:20.480
<v Speaker 3>Was it real? I don't know. Can you do any

0:19:20.480 --> 0:19:23.240
<v Speaker 3>magic tricks? Can you guys do any magic tricks?

0:19:23.359 --> 0:19:25.800
<v Speaker 2>I want to be a terrible at magic?

0:19:26.760 --> 0:19:28.240
<v Speaker 3>Can I Can you do a magic trick?

0:19:28.320 --> 0:19:30.240
<v Speaker 1>I think I could if I put my mind to it,

0:19:30.240 --> 0:19:31.200
<v Speaker 1>I could do a card.

0:19:31.000 --> 0:19:33.880
<v Speaker 3>Trick, pull a corner out of someone's ear.

0:19:34.800 --> 0:19:37.080
<v Speaker 2>I've always wanted to be cut in half like the

0:19:37.080 --> 0:19:38.760
<v Speaker 2>girl in the bock practice.

0:19:39.080 --> 0:19:43.040
<v Speaker 3>Yeah, I'll try it. Oh my god. I have a

0:19:43.119 --> 0:19:45.800
<v Speaker 3>couple of funny magician stories, but one I just went

0:19:45.840 --> 0:19:49.040
<v Speaker 3>to a kid's magician just the other day, and he

0:19:49.240 --> 0:19:51.879
<v Speaker 3>was pretty good, Like somehow a kid had a dollar

0:19:52.320 --> 0:19:54.400
<v Speaker 3>and then the dollar came out of a lemon, like

0:19:54.760 --> 0:19:58.080
<v Speaker 3>they rode on the dollar. And then it was crazy

0:19:58.640 --> 0:20:00.960
<v Speaker 3>how they do it? I get that, it's all like

0:20:01.040 --> 0:20:03.600
<v Speaker 3>sleight of hand. I don't know how rick how do

0:20:03.680 --> 0:20:05.960
<v Speaker 3>they do it? My niece had to pick a card

0:20:06.520 --> 0:20:09.480
<v Speaker 3>and then suddenly that card was on a painting like

0:20:09.520 --> 0:20:13.239
<v Speaker 3>it was just nuts. I wish I could remember that

0:20:13.320 --> 0:20:16.800
<v Speaker 3>magician's name. Allegedly he's the greatest kid's magician in the

0:20:16.840 --> 0:20:23.840
<v Speaker 3>Bay is something. It was like the great Oh, I go,

0:20:24.119 --> 0:20:27.200
<v Speaker 3>you know, when's the last Has anyone been to David

0:20:27.200 --> 0:20:34.160
<v Speaker 3>Copperfield No no, Chris Angel no, David.

0:20:33.840 --> 0:20:37.080
<v Speaker 2>Blaine no no, I'm not big into magic and in

0:20:37.240 --> 0:20:40.920
<v Speaker 2>Teller No no, I'm then to the Magic Castle? Is

0:20:40.960 --> 0:20:41.399
<v Speaker 2>that count?

0:20:42.080 --> 0:20:44.879
<v Speaker 3>Yeah? That was the guy the chopped up watermelons. Was

0:20:44.920 --> 0:20:49.359
<v Speaker 3>he a magician Carrot Top? Yeah? I think he was.

0:20:50.280 --> 0:20:52.600
<v Speaker 3>I don't know. I've been to Carrot Top. I've been

0:20:52.640 --> 0:20:54.440
<v Speaker 3>to Carrot Top, but he's not a magician at all.

0:20:55.359 --> 0:21:00.320
<v Speaker 3>He just pulls weird crap out of a suitcase. It's weird.

0:21:00.400 --> 0:21:01.160
<v Speaker 3>Magic is weird.

0:21:01.280 --> 0:21:06.119
<v Speaker 1>If you are a magician listening right now? Please tell secrets.

0:21:07.920 --> 0:21:10.600
<v Speaker 3>It's on tricks, because I think if they cut you

0:21:10.640 --> 0:21:13.080
<v Speaker 3>in half, like really, you're just like in a ball

0:21:13.119 --> 0:21:14.720
<v Speaker 3>on the one half, do you know what I mean?

0:21:14.800 --> 0:21:16.479
<v Speaker 3>Like the lady that could cut you have to be

0:21:16.520 --> 0:21:19.680
<v Speaker 3>like a limber in there, or like if you disappear,

0:21:20.160 --> 0:21:23.119
<v Speaker 3>there's like a trapdoor or something that's in santour We

0:21:23.119 --> 0:21:26.760
<v Speaker 3>could do it. Yeah, yeah, I'm sure they'd be happy

0:21:26.800 --> 0:21:33.800
<v Speaker 3>to have you in Vegas like you guys would be

0:21:33.920 --> 0:21:35.879
<v Speaker 3>so good about that. Can you imagine if it was like,

0:21:36.119 --> 0:21:38.800
<v Speaker 3>you know how like celebrities do Chippendale's. What if it

0:21:38.840 --> 0:21:42.320
<v Speaker 3>was like Toury and Jenny with David Copperfield, Like I

0:21:42.320 --> 0:21:44.359
<v Speaker 3>would totally go see that.

0:21:44.520 --> 0:21:49.320
<v Speaker 2>You had some reality show that was like Celebrities, but

0:21:49.359 --> 0:21:51.920
<v Speaker 2>a competition show where celebrities were.

0:21:51.720 --> 0:21:56.399
<v Speaker 3>On it learning magic tricks, get correct? No way, what

0:21:56.560 --> 0:22:02.359
<v Speaker 3>was that? That seems easier than going being on Special Forces.

0:22:02.600 --> 0:22:03.240
<v Speaker 3>I would take this.

0:22:03.480 --> 0:22:05.960
<v Speaker 2>Yeah, it was like that, but magic.

0:22:05.720 --> 0:22:08.480
<v Speaker 3>Take the learning to be the magician rather than have

0:22:08.560 --> 0:22:11.680
<v Speaker 3>to like jump from a thing on a helicopter.

0:22:12.680 --> 0:22:15.440
<v Speaker 1>You probably get paid more to do the magician thing.

0:22:15.800 --> 0:22:17.199
<v Speaker 3>Have they asked you either of you to be on

0:22:17.280 --> 0:22:21.480
<v Speaker 3>Special Forces. Here's the thing. I would want you guys

0:22:21.520 --> 0:22:23.840
<v Speaker 3>to do it, but I feel like you can't do it.

0:22:23.920 --> 0:22:26.240
<v Speaker 3>I couldn't do it. I couldn't do one thing. I

0:22:26.240 --> 0:22:28.439
<v Speaker 3>don't think I could. The younger me would have been

0:22:28.480 --> 0:22:31.320
<v Speaker 3>all over that. But I couldn't sleep in the bed

0:22:31.440 --> 0:22:33.600
<v Speaker 3>they sleep in, or use the toilet they use. I

0:22:33.640 --> 0:22:36.920
<v Speaker 3>was like, I'm out quick. Yeah the bathrooms sketch, Yeah,

0:22:37.200 --> 0:22:41.640
<v Speaker 3>no thanks. It's literally like a like worse than the

0:22:42.040 --> 0:22:45.520
<v Speaker 3>toilet camping toilet. It's like just a board. You just

0:22:45.560 --> 0:22:46.320
<v Speaker 3>see their heads.

0:22:47.480 --> 0:22:51.240
<v Speaker 1>I was like, I'm out with that bed dangent.

0:22:51.560 --> 0:22:59.359
<v Speaker 3>Okay, sorry, let's talk Celebra cadabras. Good title, good title.

0:23:00.119 --> 0:23:03.639
<v Speaker 3>Did it go on the air, Yeah, I would have

0:23:03.680 --> 0:23:06.400
<v Speaker 3>immediately taken that paycheck. Pull a rabbit eye would.

0:23:06.160 --> 0:23:06.640
<v Speaker 2>Have done that.

0:23:19.240 --> 0:23:24.600
<v Speaker 3>Should we talk about val Yes. I don't know if

0:23:24.640 --> 0:23:25.680
<v Speaker 3>I'm into it or cringing.

0:23:25.880 --> 0:23:28.600
<v Speaker 2>I'm not into this storyline, you guys, I can't. I'm

0:23:28.680 --> 0:23:29.600
<v Speaker 2>very upset with it.

0:23:29.800 --> 0:23:32.320
<v Speaker 1>All I know is Kenny is a head kisser, Like

0:23:32.600 --> 0:23:34.439
<v Speaker 1>over and over, he just kisses the top of.

0:23:34.440 --> 0:23:36.520
<v Speaker 3>Her head, like no, on her hair.

0:23:36.920 --> 0:23:41.280
<v Speaker 2>I can't watch him. I can't watch her hair in it.

0:23:41.480 --> 0:23:42.280
<v Speaker 2>I can't. I can't.

0:23:42.720 --> 0:23:45.960
<v Speaker 3>He's real creepy and it only gets worse and it

0:23:45.960 --> 0:23:48.840
<v Speaker 3>gets very melrose placy. It does, you guys, admit it

0:23:48.880 --> 0:23:53.240
<v Speaker 3>gets real melrose placy, fake baby like the whole thing.

0:23:53.560 --> 0:23:54.639
<v Speaker 3>I don't you stop.

0:23:54.800 --> 0:23:59.199
<v Speaker 1>I haven't watched that or but I think it's just

0:24:00.080 --> 0:24:03.600
<v Speaker 1>makes me feel icky whatever's happening.

0:24:04.000 --> 0:24:05.920
<v Speaker 3>I'm also trying to keep track of his wedding ring.

0:24:06.000 --> 0:24:08.200
<v Speaker 3>I feel like it's on, it's off, it's on, it's off.

0:24:08.240 --> 0:24:10.399
<v Speaker 3>I need to, like somebody needs to go back and

0:24:10.440 --> 0:24:12.440
<v Speaker 3>do like a deep dive of like is this guy

0:24:12.480 --> 0:24:14.439
<v Speaker 3>wearing a wedding ring or not? Because I've seen it

0:24:14.480 --> 0:24:17.960
<v Speaker 3>and I haven't seen it, Like, what's up with this guy?

0:24:18.880 --> 0:24:19.200
<v Speaker 2>I don't know.

0:24:19.440 --> 0:24:22.560
<v Speaker 1>I just promises that he's getting a divorce. He's promises.

0:24:22.960 --> 0:24:23.520
<v Speaker 3>He's just not.

0:24:24.320 --> 0:24:26.400
<v Speaker 2>Maybe it's because I don't find him attractive that I'm

0:24:26.520 --> 0:24:29.600
<v Speaker 2>just like not into watching her with him.

0:24:30.280 --> 0:24:31.960
<v Speaker 3>There's something about him that's playing.

0:24:32.000 --> 0:24:33.600
<v Speaker 2>I mean, he's a good looking guy. It's not that,

0:24:33.760 --> 0:24:37.239
<v Speaker 2>but there's something that I'm just like, he's very.

0:24:36.920 --> 0:24:39.200
<v Speaker 1>Like good looking on a soap opera.

0:24:38.920 --> 0:24:41.760
<v Speaker 3>Guy, hot married guy, kind of a vibe, yeah, like

0:24:41.960 --> 0:24:44.560
<v Speaker 3>hot daytime and why do I want to watch her

0:24:44.600 --> 0:24:44.960
<v Speaker 3>with him?

0:24:45.000 --> 0:24:47.640
<v Speaker 2>Like I don't not even there, Like it's not even

0:24:47.680 --> 0:24:49.359
<v Speaker 2>like a kissing scene, Like I just don't want to

0:24:49.400 --> 0:24:50.840
<v Speaker 2>watch the two of them talk.

0:24:51.560 --> 0:24:54.320
<v Speaker 3>She just cannot make it. She just doesn't make good choices.

0:24:54.400 --> 0:24:57.960
<v Speaker 3>Let's talk about that. Balerie doesn't make good choices.

0:24:59.480 --> 0:25:03.280
<v Speaker 1>For such a smart young woman. She really makes some

0:25:03.359 --> 0:25:04.879
<v Speaker 1>stupid decisions.

0:25:04.320 --> 0:25:07.280
<v Speaker 3>For pickers off as they say, Yeah, like why is

0:25:07.320 --> 0:25:11.199
<v Speaker 3>she doing this? They're always unavailable? Yeah, why is she

0:25:11.280 --> 0:25:11.639
<v Speaker 3>doing this?

0:25:12.200 --> 0:25:14.880
<v Speaker 1>Well, people, there are women that go for unavailable men.

0:25:15.600 --> 0:25:19.000
<v Speaker 3>They need therapy. They need therapy and they can figure

0:25:19.040 --> 0:25:20.320
<v Speaker 3>out why and then they can change it.

0:25:20.600 --> 0:25:22.440
<v Speaker 1>Most likely their dad wasn't there for them.

0:25:22.480 --> 0:25:23.920
<v Speaker 3>Okay, just gonna.

0:25:23.600 --> 0:25:27.760
<v Speaker 1>Move on because that's a lot to talk about. But

0:25:28.320 --> 0:25:33.080
<v Speaker 1>they do have a very special evening planned at a hotel.

0:25:34.080 --> 0:25:38.040
<v Speaker 3>Oh my gosh, and she's like, come on in, I've

0:25:38.040 --> 0:25:41.320
<v Speaker 3>got a dinner. Hair. It's so gross. She's also way

0:25:41.359 --> 0:25:45.960
<v Speaker 3>too like she plays Valerie too old, do you know

0:25:45.960 --> 0:25:48.200
<v Speaker 3>what I'm saying? Like Valerie is the same age as

0:25:48.320 --> 0:25:48.920
<v Speaker 3>David Silver.

0:25:49.600 --> 0:25:52.240
<v Speaker 2>Maybe it's that the two of them are just feel

0:25:52.240 --> 0:25:53.639
<v Speaker 2>like I'm watching two old people.

0:25:53.880 --> 0:25:57.920
<v Speaker 3>Oh she just old. But you know what, I mean, wait,

0:25:58.200 --> 0:26:00.800
<v Speaker 3>what she's got that I'm twenty one going on thirty

0:26:00.880 --> 0:26:07.240
<v Speaker 3>five normal, She's so cute, she could go to college

0:26:07.240 --> 0:26:09.160
<v Speaker 3>and get any cool she's.

0:26:09.000 --> 0:26:12.040
<v Speaker 2>Playing like because maybe she's trying to fit in to

0:26:12.119 --> 0:26:16.200
<v Speaker 2>be his older wife like Matres instead of the young

0:26:17.160 --> 0:26:20.760
<v Speaker 2>smoke show she is. I don't know. I hate this storyline.

0:26:20.800 --> 0:26:22.480
<v Speaker 2>I want it to end soon. I just want it

0:26:22.600 --> 0:26:23.240
<v Speaker 2>gets worse.

0:26:23.359 --> 0:26:24.560
<v Speaker 3>You guys, it just gets worse.

0:26:24.600 --> 0:26:27.560
<v Speaker 2>It can't get worse. It does makes me want to

0:26:27.640 --> 0:26:28.400
<v Speaker 2>peep in my mouth.

0:26:28.480 --> 0:26:31.560
<v Speaker 3>It can beyond worse. And then we learn more creepy

0:26:31.560 --> 0:26:33.879
<v Speaker 3>things about him. He is creepy to the core. But

0:26:34.359 --> 0:26:38.560
<v Speaker 3>I really want Val the fine love, like good love.

0:26:38.840 --> 0:26:41.240
<v Speaker 2>Who's next for her? So I want something to look

0:26:41.280 --> 0:26:42.040
<v Speaker 2>forward to for her?

0:26:42.440 --> 0:26:43.639
<v Speaker 3>I mean, I don't know. We got to go a

0:26:43.680 --> 0:26:44.560
<v Speaker 3>couple more with this.

0:26:44.560 --> 0:26:48.119
<v Speaker 2>Mess, and then but who is valmind up with? I

0:26:48.160 --> 0:26:48.840
<v Speaker 2>don't remember.

0:26:49.600 --> 0:26:52.040
<v Speaker 3>I must acknowledge that everyone wants me to remember every

0:26:52.040 --> 0:26:57.160
<v Speaker 3>single thing, and it's like I don't remember, Like, look

0:26:57.280 --> 0:26:58.800
<v Speaker 3>a meeting I have tomorrow.

0:26:59.600 --> 0:27:03.119
<v Speaker 1>Yeah, but you're as close as we have to a

0:27:03.160 --> 0:27:04.760
<v Speaker 1>SAX fan, thank you.

0:27:05.080 --> 0:27:09.399
<v Speaker 3>Yeah, but also you're expert. It's more holistic too, like

0:27:10.400 --> 0:27:13.520
<v Speaker 3>the whole show in general. Sometimes I do mess up

0:27:14.119 --> 0:27:16.520
<v Speaker 3>certain things in the timeline.

0:27:17.400 --> 0:27:20.040
<v Speaker 2>That's okay, You're not perfect, but you are a resident

0:27:20.160 --> 0:27:21.800
<v Speaker 2>expert here at OMG.

0:27:22.320 --> 0:27:23.439
<v Speaker 3>You can just fire me.

0:27:24.119 --> 0:27:27.160
<v Speaker 1>Yeah no, I'm going to have a call with you

0:27:27.240 --> 0:27:31.920
<v Speaker 1>about firing you can we get that on the calendar.

0:27:35.000 --> 0:27:35.960
<v Speaker 2>Put in the group text.

0:27:36.000 --> 0:27:39.239
<v Speaker 3>Going season seven though, Like I have to say, I

0:27:39.280 --> 0:27:41.200
<v Speaker 3>am it's not the shine.

0:27:41.320 --> 0:27:42.119
<v Speaker 2>You're loving this?

0:27:42.640 --> 0:27:49.439
<v Speaker 3>Oh you're you're irritated. I kind of, well, yeah, I

0:27:49.480 --> 0:27:51.119
<v Speaker 3>can see why you would be, like, well, and you

0:27:51.119 --> 0:27:53.359
<v Speaker 3>were barely even in this episode. They didn't give you

0:27:53.400 --> 0:27:54.120
<v Speaker 3>anything to do.

0:27:54.600 --> 0:27:57.639
<v Speaker 2>I don't even care about watching myself, Like it's it's like,

0:27:57.960 --> 0:28:01.480
<v Speaker 2>I just want to see fun stuff. I don't know.

0:28:01.920 --> 0:28:05.560
<v Speaker 2>The Kelly Jimmy storyline I loved, so I'm going to

0:28:05.640 --> 0:28:08.639
<v Speaker 2>give this episode a break because of that. I was riveted, like,

0:28:08.680 --> 0:28:12.240
<v Speaker 2>and they handle it really well, great acting. But all

0:28:12.280 --> 0:28:15.760
<v Speaker 2>the other storylines I didn't care about. I don't care

0:28:15.760 --> 0:28:19.440
<v Speaker 2>about Valerie and the creeper. I don't care about David

0:28:19.720 --> 0:28:24.080
<v Speaker 2>swigging lemonade and eating with his mouth open. It's so gross,

0:28:24.119 --> 0:28:25.359
<v Speaker 2>like he's not being David.

0:28:25.920 --> 0:28:28.520
<v Speaker 3>No, he's not you. What do you give it?

0:28:28.560 --> 0:28:30.920
<v Speaker 1>You said, you're going to give it grace, but what

0:28:31.240 --> 0:28:31.879
<v Speaker 1>is the number?

0:28:32.280 --> 0:28:33.760
<v Speaker 2>I feel like I have to give it a high

0:28:33.840 --> 0:28:36.000
<v Speaker 2>number because of the matter ceiling.

0:28:35.840 --> 0:28:38.880
<v Speaker 3>With Well, you could give that a number, and I'll give.

0:28:39.200 --> 0:28:42.560
<v Speaker 2>Okay, I'm going to give that storyline a nine, and

0:28:42.680 --> 0:28:44.520
<v Speaker 2>the rest I'm going to give a six.

0:28:48.360 --> 0:28:52.240
<v Speaker 3>I am in agreement with you. I hate watching Valerie

0:28:52.280 --> 0:28:54.840
<v Speaker 3>and the Guy but loving it. So do you know

0:28:54.840 --> 0:28:58.280
<v Speaker 3>what I'm saying? Like he cringey, but I'm like, I'm

0:28:58.320 --> 0:29:00.720
<v Speaker 3>so in on this because it's so oh, this is

0:29:00.760 --> 0:29:06.880
<v Speaker 3>so redict and I love it. I'm always good for there.

0:29:07.720 --> 0:29:11.360
<v Speaker 3>You know, the dad's dating the young girl and cheating

0:29:11.400 --> 0:29:14.239
<v Speaker 3>on the wife. Like, it's very lifetime movie for me.

0:29:14.320 --> 0:29:15.600
<v Speaker 3>So I'm like, all right, I'm been.

0:29:15.920 --> 0:29:19.080
<v Speaker 2>You know what it is you guys, aside from Kelly

0:29:19.440 --> 0:29:22.360
<v Speaker 2>that storyline, all of our regulars on the show are

0:29:22.400 --> 0:29:25.520
<v Speaker 2>not acting like themselves. They're not like the characters we know.

0:29:25.680 --> 0:29:28.760
<v Speaker 3>In this episode, where was Brandon. Oh, I'm that's right,

0:29:28.800 --> 0:29:30.880
<v Speaker 3>he was at the newsroom. I literally forgot for a

0:29:30.920 --> 0:29:33.000
<v Speaker 3>second Forgrettable.

0:29:33.480 --> 0:29:36.360
<v Speaker 2>It's almost like it's a different, different characters written in

0:29:36.360 --> 0:29:37.000
<v Speaker 2>this episode.

0:29:38.320 --> 0:29:41.920
<v Speaker 1>Well, let's pray that the next episode just turns things

0:29:41.920 --> 0:29:42.800
<v Speaker 1>around for everyone.

0:29:42.840 --> 0:29:45.120
<v Speaker 3>Well, it's you and Jimmy again. He did three and

0:29:45.200 --> 0:29:47.360
<v Speaker 3>the third one I can't remember the details.

0:29:47.400 --> 0:29:50.680
<v Speaker 1>The third one is next week, season seven, episode five,

0:29:50.880 --> 0:29:51.960
<v Speaker 1>Pledging My Love.

0:29:52.640 --> 0:29:54.520
<v Speaker 3>So is there like a whole new team of people

0:29:54.560 --> 0:29:55.440
<v Speaker 3>on season seven?

0:29:56.160 --> 0:29:57.840
<v Speaker 2>A little bit? A little bit? Yeah?

0:29:57.960 --> 0:30:01.920
<v Speaker 1>Yeah, new showrunner if I'm not mistaken correct.

0:30:02.680 --> 0:30:06.080
<v Speaker 3>You know, sometimes I notice these shows they kind of

0:30:06.080 --> 0:30:09.440
<v Speaker 3>meander off and come back. Not to change the subject,

0:30:09.440 --> 0:30:11.760
<v Speaker 3>but did anyone watch nine to one one this week?

0:30:11.800 --> 0:30:14.800
<v Speaker 3>Because it was an outstanding episode and I felt like

0:30:14.840 --> 0:30:17.920
<v Speaker 3>it lost its way for a little bit. Was amazing.

0:30:18.360 --> 0:30:21.320
<v Speaker 3>We're talking about it. I'm just letting these guys know

0:30:21.440 --> 0:30:25.640
<v Speaker 3>that sometimes shows lose their way for a minute and

0:30:25.680 --> 0:30:28.240
<v Speaker 3>then they find their way back. That's true, And that

0:30:29.000 --> 0:30:35.080
<v Speaker 3>they find their way back, I know, you know that

0:30:35.120 --> 0:30:40.120
<v Speaker 3>the episode isn't great when I'm more interested in Celebritabra.

0:30:39.400 --> 0:30:40.200
<v Speaker 2>Or whatever.

0:30:41.480 --> 0:30:45.240
<v Speaker 3>Cele like. I literally want to talk about celebritab way more.

0:30:45.400 --> 0:30:47.720
<v Speaker 3>I want us to just stop talking at this point.

0:30:47.880 --> 0:30:50.360
<v Speaker 3>I don't. I want to know the other shows before

0:30:50.440 --> 0:30:51.880
<v Speaker 3>we go. I want to know the other shows you

0:30:51.880 --> 0:30:54.560
<v Speaker 3>guys have been asked to do, Like obviously Special Forces,

0:30:54.680 --> 0:30:57.280
<v Speaker 3>where either of you asked to go on that mission

0:30:57.320 --> 0:31:00.320
<v Speaker 3>to Mars whatever it was, Stars on Mars would have

0:31:00.280 --> 0:31:02.680
<v Speaker 3>been That would have been great. That would have been

0:31:02.680 --> 0:31:06.280
<v Speaker 3>great dancing with the stars obviously. What about Amazing Race?

0:31:06.520 --> 0:31:08.240
<v Speaker 3>Could you guys do an amazing race together? That's a

0:31:08.480 --> 0:31:13.600
<v Speaker 3>celebrity driven Sometimes there's like, yeah, celebrities, what.

0:31:13.600 --> 0:31:16.040
<v Speaker 1>About that where you go and you're naked and you're afraid?

0:31:16.160 --> 0:31:17.560
<v Speaker 1>What's that one do they do?

0:31:19.960 --> 0:31:21.360
<v Speaker 3>I don't think that's celebrities.

0:31:23.760 --> 0:31:27.880
<v Speaker 1>A celebrity edition, you know, I would we asked to

0:31:27.920 --> 0:31:29.280
<v Speaker 1>do the celebrity Big Brother.

0:31:30.440 --> 0:31:33.600
<v Speaker 3>Yeah, what about I'm a celebrity, get me out of here?

0:31:35.760 --> 0:31:40.920
<v Speaker 3>What about Massinger? Yes, yeah, tour you did it? Yeah, Jenny,

0:31:40.920 --> 0:31:42.840
<v Speaker 3>you've been asked. I did not do it. No, you

0:31:42.880 --> 0:31:44.040
<v Speaker 3>can't here, I can't.

0:31:44.240 --> 0:31:46.000
<v Speaker 2>She can't sing, but she is fine.

0:31:46.400 --> 0:31:50.080
<v Speaker 3>It's fine for me to just say. What about Surreal Life?

0:31:50.920 --> 0:31:54.880
<v Speaker 2>Yeah? Oh no, oh no, that came back right? Yeah?

0:31:54.880 --> 0:31:56.080
<v Speaker 3>I think so for that one.

0:31:56.520 --> 0:31:58.360
<v Speaker 2>I think we're like back in the day agen like

0:31:58.440 --> 0:32:02.520
<v Speaker 2>it was like early two thousan, right, the first incarnation

0:32:02.600 --> 0:32:03.840
<v Speaker 2>of it.

0:32:04.160 --> 0:32:07.520
<v Speaker 3>Juicy gosh. There's some good ones. I think Special Forces

0:32:07.560 --> 0:32:10.240
<v Speaker 3>is probably my favorite. I feel like Tory should try

0:32:10.280 --> 0:32:13.360
<v Speaker 3>special horses. I did, you might lose.

0:32:13.160 --> 0:32:16.400
<v Speaker 2>Right away, but I think I was even in their

0:32:16.400 --> 0:32:18.320
<v Speaker 2>wheelhouse of thinking, I.

0:32:19.000 --> 0:32:21.360
<v Speaker 1>Personally don't want you to do that because I don't

0:32:21.360 --> 0:32:22.040
<v Speaker 1>think it would be.

0:32:22.000 --> 0:32:26.800
<v Speaker 3>Good for you. Yes, and you literally have to jump

0:32:26.800 --> 0:32:31.160
<v Speaker 3>from like a platform to a helicopter and then hold

0:32:31.200 --> 0:32:36.200
<v Speaker 3>the helicopter like your I would be riveted. Do you

0:32:36.200 --> 0:32:39.880
<v Speaker 3>watch it? And it's flying? Please? So crazy? I cannot

0:32:39.960 --> 0:32:43.320
<v Speaker 3>figure out how they even let these celebrities do it.

0:32:43.400 --> 0:32:46.600
<v Speaker 3>They're just swinging from a helicopter and then they like

0:32:46.880 --> 0:32:48.800
<v Speaker 3>jump into the water. The whole thing's crazy.

0:32:49.120 --> 0:32:52.120
<v Speaker 1>First of all, just the water temperature alone, that's a

0:32:52.160 --> 0:32:53.000
<v Speaker 1>hard pass for me.

0:32:53.240 --> 0:32:54.959
<v Speaker 2>No, Brian did it good.

0:32:55.280 --> 0:32:57.000
<v Speaker 1>Yeah, Brian was on it, but he didn't make it

0:32:57.120 --> 0:33:01.479
<v Speaker 1>very far and the exit was not very explained, Like

0:33:01.800 --> 0:33:03.600
<v Speaker 1>I just felt like, all of a sudden, he just

0:33:03.720 --> 0:33:06.040
<v Speaker 1>wasn't there. Same with Melby, all of a sudden she

0:33:06.160 --> 0:33:06.880
<v Speaker 1>was not there.

0:33:06.920 --> 0:33:08.720
<v Speaker 2>Oh my god, are you a crazy fan of this show?

0:33:08.840 --> 0:33:09.160
<v Speaker 3>I am.

0:33:09.320 --> 0:33:13.680
<v Speaker 1>I believes this no, because I secretly want to do it,

0:33:14.000 --> 0:33:17.360
<v Speaker 1>but I would not ever, ever, never say yes.

0:33:17.720 --> 0:33:20.520
<v Speaker 3>Yeah, I could never do it. I'd panic immediately from

0:33:20.560 --> 0:33:23.800
<v Speaker 3>the moment it began too And then they torture you

0:33:23.840 --> 0:33:25.760
<v Speaker 3>at the end, like they play all these mind games

0:33:25.840 --> 0:33:28.680
<v Speaker 3>on you and like you're freezing your head. They put

0:33:28.680 --> 0:33:30.560
<v Speaker 3>a thing. I would be out on the thing over

0:33:30.600 --> 0:33:34.040
<v Speaker 3>my head. I'd be like, I can't participate. It'd be fun.

0:33:34.160 --> 0:33:36.680
<v Speaker 3>I'd be into it. But you and Brody Jenner was

0:33:36.720 --> 0:33:39.240
<v Speaker 3>going to win. By the way, I'm so obvious like

0:33:39.360 --> 0:33:42.920
<v Speaker 3>that guy. Obviously. It's like a great athlete. He can serve,

0:33:43.080 --> 0:33:45.560
<v Speaker 3>he can swim. I was like, this guy's totally gonna win.

0:33:45.960 --> 0:33:49.120
<v Speaker 1>He's got it in, he's got a great attitude. Yeah,

0:33:49.200 --> 0:33:51.480
<v Speaker 1>it's official. We are ending this episode right now.

0:33:51.480 --> 0:33:54.920
<v Speaker 3>Okay, everybody, come back next to We didn't give a score.

0:33:55.280 --> 0:34:00.600
<v Speaker 3>My score is nine because I love to dislike it

0:34:00.640 --> 0:34:02.680
<v Speaker 3>and I love to love it. So like, even though

0:34:02.680 --> 0:34:06.320
<v Speaker 3>I'm like Valerie, come on, I'm into it. Okay. And

0:34:06.360 --> 0:34:09.520
<v Speaker 3>there's something I like about that creepy guy because I

0:34:09.560 --> 0:34:11.680
<v Speaker 3>have a little of that in me. Oh you're creepy.

0:34:11.880 --> 0:34:14.840
<v Speaker 3>I think I don't like you. You like the creepers.

0:34:14.960 --> 0:34:20.759
<v Speaker 1>Okay, all right, everybody, thanks for listening, and we love you.

0:34:20.800 --> 0:34:21.439
<v Speaker 1>Have a great week.