1 00:00:00,280 --> 00:00:04,600 Speaker 1: It's nine O gene one Engine with Jenny Garth and 2 00:00:04,720 --> 00:00:05,920 Speaker 1: Tory spelling. 3 00:00:10,360 --> 00:00:13,560 Speaker 2: You guys. This episode it's a touchy one. 4 00:00:13,760 --> 00:00:17,400 Speaker 1: It was a sensitive episode, by the way, welcome to 5 00:00:17,079 --> 00:00:19,360 Speaker 1: do it and mean everyone. 6 00:00:19,079 --> 00:00:20,759 Speaker 2: Hi, I don't even know how to be light in 7 00:00:20,800 --> 00:00:23,799 Speaker 2: fun about it. It's just like just dive in or 8 00:00:24,040 --> 00:00:24,560 Speaker 2: just deep. 9 00:00:25,320 --> 00:00:28,640 Speaker 1: Yes, this week's was a it was a tear jerker 10 00:00:28,760 --> 00:00:29,200 Speaker 1: kind of. 11 00:00:29,600 --> 00:00:32,640 Speaker 3: It was handled well. I think. I mean, he's really good. 12 00:00:33,240 --> 00:00:38,280 Speaker 1: He's so talented, like so vulnerable. His acting is so vulnerable. 13 00:00:38,920 --> 00:00:42,000 Speaker 1: That is good to see. Like, I don't know these 14 00:00:42,040 --> 00:00:44,199 Speaker 1: two characters together, like we talked about it before. I 15 00:00:44,240 --> 00:00:46,479 Speaker 1: think they do really well together. And I just remember 16 00:00:46,560 --> 00:00:49,559 Speaker 1: taking that finish that end picture with. 17 00:00:49,640 --> 00:00:52,440 Speaker 3: Him m hm oh in the bed when he's in 18 00:00:52,479 --> 00:00:52,800 Speaker 3: the bed. 19 00:00:54,400 --> 00:00:58,360 Speaker 1: Yeah, and it was just oh no, very special moment. 20 00:00:58,720 --> 00:00:59,880 Speaker 3: There's another episode with that. 21 00:01:00,440 --> 00:01:03,160 Speaker 2: He comes back. I know that. 22 00:01:03,440 --> 00:01:05,560 Speaker 3: Yeah, next week, he's back next week. Okay, good. 23 00:01:06,040 --> 00:01:08,960 Speaker 1: I just feel like sometimes the lines get blurred when 24 00:01:09,000 --> 00:01:11,360 Speaker 1: you're playing a character and you're talking to another actor 25 00:01:11,400 --> 00:01:15,640 Speaker 1: who's playing a character. Sometimes that other actor is the 26 00:01:15,720 --> 00:01:18,240 Speaker 1: character to you in I'm not sure if I'm explaining 27 00:01:18,280 --> 00:01:21,360 Speaker 1: it right, yeah, but for me, he was Jimmy. 28 00:01:21,600 --> 00:01:24,600 Speaker 3: I get that he really really became him because I 29 00:01:24,640 --> 00:01:28,319 Speaker 3: even knew him from Blossom, and I'm completely forgetting about Blossom, Like. 30 00:01:28,280 --> 00:01:30,760 Speaker 1: How did he win this role? Because it was a 31 00:01:30,800 --> 00:01:31,360 Speaker 1: meaty one. 32 00:01:31,880 --> 00:01:33,720 Speaker 2: I mean he was definitely offered it, right, Don't you 33 00:01:33,720 --> 00:01:34,679 Speaker 2: think he was a big guy? 34 00:01:34,760 --> 00:01:36,960 Speaker 3: I would think so after Blossom, I mean he I 35 00:01:37,000 --> 00:01:41,000 Speaker 3: would think he's huge. Yeah. So what's interesting is so 36 00:01:41,440 --> 00:01:43,600 Speaker 3: because we sort of talked about this off air a 37 00:01:43,640 --> 00:01:45,959 Speaker 3: little bit on air, right, trying to sort of understand 38 00:01:45,959 --> 00:01:50,120 Speaker 3: the timeline of what was going on with the AIDS 39 00:01:50,320 --> 00:01:55,320 Speaker 3: HIV crisis at this time. So I, not realizing Tori 40 00:01:55,440 --> 00:01:57,840 Speaker 3: that your dad made this movie, thought oh, I'm going 41 00:01:57,920 --> 00:02:02,520 Speaker 3: to rewatch and the band played on to refresh my memory, 42 00:02:03,000 --> 00:02:06,000 Speaker 3: so I, you know, start streaming it and I literally 43 00:02:06,040 --> 00:02:07,960 Speaker 3: was shocked. And I know we've talked about it before, 44 00:02:08,080 --> 00:02:11,520 Speaker 3: but that your dad produced and the band played on, 45 00:02:12,320 --> 00:02:14,639 Speaker 3: which is obviously one of the reasons he wrote this, 46 00:02:14,800 --> 00:02:17,280 Speaker 3: you know, or wanted them to have this storyline online 47 00:02:17,320 --> 00:02:19,920 Speaker 3: on two and zero such an important right thing. 48 00:02:20,000 --> 00:02:22,120 Speaker 2: It was a very important topic to him. 49 00:02:22,200 --> 00:02:25,240 Speaker 3: So what made it so important to him? Do you remember? 50 00:02:25,760 --> 00:02:29,520 Speaker 2: I don't remember that part? I know that he loved 51 00:02:30,639 --> 00:02:34,200 Speaker 2: tackling topics that people were scared to tackle at the 52 00:02:34,200 --> 00:02:37,600 Speaker 2: time and doing it. And I just know this was 53 00:02:37,720 --> 00:02:39,840 Speaker 2: something that was so big. I mean he implemented in 54 00:02:39,880 --> 00:02:42,520 Speaker 2: Melrose Place. Yeah, and the band played on. I mean 55 00:02:42,560 --> 00:02:44,000 Speaker 2: you and I talked about it a little bit, but 56 00:02:44,040 --> 00:02:47,440 Speaker 2: that was such an important project him because he wanted 57 00:02:47,440 --> 00:02:49,480 Speaker 2: to do it as a mainstream project, and it was 58 00:02:49,520 --> 00:02:53,520 Speaker 2: originally set up an NBC and NBC I think because 59 00:02:53,560 --> 00:02:56,120 Speaker 2: there had just been the Rock Hudson story. Yeah, I 60 00:02:56,200 --> 00:03:01,000 Speaker 2: think it was on ABC. They were scared to do 61 00:03:01,560 --> 00:03:04,920 Speaker 2: a mini series on AIDS, so they pulled out of 62 00:03:04,919 --> 00:03:07,600 Speaker 2: it last minute. And that's when my dad took it 63 00:03:07,639 --> 00:03:10,720 Speaker 2: to HBO, which at the time HBO wasn't doing like 64 00:03:10,800 --> 00:03:13,880 Speaker 2: movies and stuff. I think they had dream on that series. 65 00:03:13,919 --> 00:03:16,720 Speaker 2: You remember that, you guys, Yeah, yeah, yeah, yeah, and 66 00:03:16,800 --> 00:03:19,200 Speaker 2: so this was new for them, but he knew that 67 00:03:19,400 --> 00:03:21,920 Speaker 2: probably the only place to get it made would be Cable. 68 00:03:22,320 --> 00:03:24,680 Speaker 3: Well, I love the story that you told me because 69 00:03:25,280 --> 00:03:27,880 Speaker 3: I started texting Tory when I was watching it because 70 00:03:27,919 --> 00:03:30,600 Speaker 3: I don't know how, I just didn't realize it was 71 00:03:30,639 --> 00:03:33,040 Speaker 3: your dad was that he sort of didn't love boat. 72 00:03:33,520 --> 00:03:36,360 Speaker 3: He took what he learned from Love Boat, which was 73 00:03:36,480 --> 00:03:38,440 Speaker 3: you tell it, you tell it right. 74 00:03:38,560 --> 00:03:40,800 Speaker 2: So his theory, you know, with love Boat always having 75 00:03:41,000 --> 00:03:44,160 Speaker 2: big star cameos and how it worked so well, and 76 00:03:44,480 --> 00:03:46,960 Speaker 2: he wanted to do that on the big screens. So 77 00:03:47,480 --> 00:03:49,600 Speaker 2: in this movie, I forget how many there's like two 78 00:03:49,680 --> 00:03:54,360 Speaker 2: hundred and something cameo. Yeah, And that's another thing. 79 00:03:54,400 --> 00:03:56,760 Speaker 3: It was like the biggest budget movie. 80 00:03:56,480 --> 00:03:58,600 Speaker 2: And they were like, no one's going to make this, 81 00:03:58,720 --> 00:04:00,880 Speaker 2: and he felt so strong about it that he said, well, 82 00:04:00,920 --> 00:04:03,480 Speaker 2: I'll pay for it. This is an important movie. I 83 00:04:03,520 --> 00:04:05,920 Speaker 2: want this out there, and then of course to HBO 84 00:04:06,000 --> 00:04:08,960 Speaker 2: did end up paying for it. But I think it 85 00:04:09,000 --> 00:04:12,720 Speaker 2: had more cameos than the movie. The player even, Oh 86 00:04:12,760 --> 00:04:14,520 Speaker 2: my gosh, I have to go back and watch this. 87 00:04:14,920 --> 00:04:16,440 Speaker 3: You have to be really good. 88 00:04:16,600 --> 00:04:18,600 Speaker 2: It's a movie I think everyone will love. 89 00:04:18,760 --> 00:04:23,640 Speaker 3: It's still really, really, really good today because you really 90 00:04:23,720 --> 00:04:26,640 Speaker 3: learn what was going on. I mean, I think there's 91 00:04:26,680 --> 00:04:30,039 Speaker 3: probably some things that we know now we didn't know then. 92 00:04:30,600 --> 00:04:32,159 Speaker 3: I think there's a couple things that I took away 93 00:04:32,160 --> 00:04:35,440 Speaker 3: that were really fascinating. I did some research, and I 94 00:04:35,440 --> 00:04:38,200 Speaker 3: think when Richard Gear joined the cast, it was a 95 00:04:38,240 --> 00:04:41,080 Speaker 3: game changer because all these other big name actors were 96 00:04:41,120 --> 00:04:43,839 Speaker 3: willing to do it because Richard Gear did it. But 97 00:04:44,000 --> 00:04:47,240 Speaker 3: the thing that really gutted me was at the very 98 00:04:47,320 --> 00:04:50,760 Speaker 3: end of the credits, they show sort of recognizable people 99 00:04:51,760 --> 00:04:57,360 Speaker 3: that had been diagnosed with HIV AIDS. Not famous celebrities 100 00:04:57,400 --> 00:05:01,240 Speaker 3: only yes, lots of famous people, but recognize people Ryan White, 101 00:05:02,240 --> 00:05:05,240 Speaker 3: Arthur Ash, all these people. And then when I was 102 00:05:05,279 --> 00:05:09,160 Speaker 3: doing my research, every single one of those people except 103 00:05:09,200 --> 00:05:15,000 Speaker 3: for Magic Johnson died. It was like, oh, you just realized, 104 00:05:15,000 --> 00:05:18,360 Speaker 3: like at the time when it first happened, and they 105 00:05:18,360 --> 00:05:20,440 Speaker 3: say this in the movie, it's one hundred percent of 106 00:05:20,480 --> 00:05:25,520 Speaker 3: that people died, everybody. But the movie is fascinating and 107 00:05:25,680 --> 00:05:29,200 Speaker 3: really then helps you understand the storyline in nine o 108 00:05:29,279 --> 00:05:29,880 Speaker 3: two one zero. 109 00:05:30,360 --> 00:05:33,800 Speaker 2: Right, because otherwise not knowing that it's kind of very 110 00:05:33,839 --> 00:05:37,880 Speaker 2: out of place, this storyline. I mean, we tackle tough subjects, 111 00:05:37,920 --> 00:05:41,360 Speaker 2: but this one goes even deeper, I think. And Jen 112 00:05:41,440 --> 00:05:43,920 Speaker 2: I was telling Amy that because my dad wasn't known 113 00:05:43,920 --> 00:05:46,840 Speaker 2: for doing stuff like this, and he was just noticed 114 00:05:46,839 --> 00:05:50,120 Speaker 2: like Jiggle TV, you know, things like dat teen dramas 115 00:05:50,160 --> 00:05:56,240 Speaker 2: like whatever. He was nominated and when the movie was nominated, 116 00:05:56,279 --> 00:05:58,760 Speaker 2: he made himself so sick and he was in bed 117 00:05:58,800 --> 00:06:00,479 Speaker 2: and he was like, no, no, no, I'm really too sick 118 00:06:00,560 --> 00:06:02,720 Speaker 2: to go. I can't go. Plus I'm never gonna win, 119 00:06:02,920 --> 00:06:06,360 Speaker 2: like I never win anything. And they won. Oh and 120 00:06:06,440 --> 00:06:08,200 Speaker 2: he didn't get to yeah. 121 00:06:08,200 --> 00:06:08,800 Speaker 1: You can go. 122 00:06:10,640 --> 00:06:13,560 Speaker 3: That stinks, Jenny. Do you remember and I can't remember 123 00:06:13,560 --> 00:06:15,520 Speaker 3: if I asked you this last week, did they come 124 00:06:15,600 --> 00:06:19,839 Speaker 3: to you about this storyline or was it just it 125 00:06:19,880 --> 00:06:22,080 Speaker 3: showed up on the page and you were like, all right. 126 00:06:22,640 --> 00:06:26,640 Speaker 1: Well, at this point there were definitely pre conversations to storylines, 127 00:06:26,720 --> 00:06:29,520 Speaker 1: especially big ones like this and ones that had this 128 00:06:29,600 --> 00:06:34,280 Speaker 1: kind of weight. So while I cannot remember it specifically, 129 00:06:34,400 --> 00:06:37,640 Speaker 1: I'm one hundred percent sure that it a conversation took 130 00:06:37,680 --> 00:06:38,200 Speaker 1: place before. 131 00:06:38,279 --> 00:06:41,159 Speaker 3: Yeah. The thing I really thought was interesting about the 132 00:06:41,160 --> 00:06:44,320 Speaker 3: way it was handled it even though I understood you're 133 00:06:44,360 --> 00:06:46,799 Speaker 3: freaking out because you get the blood on you, right, 134 00:06:47,800 --> 00:06:51,719 Speaker 3: the show was pretty good about multiple people saying you 135 00:06:51,760 --> 00:06:55,240 Speaker 3: can't catch it that way, like, even though I also 136 00:06:55,279 --> 00:06:57,600 Speaker 3: thought they depicted your fear of it very well. The 137 00:06:57,720 --> 00:06:59,760 Speaker 3: nightmare and the scrubbing of the hands and the scrubbing 138 00:06:59,760 --> 00:07:02,520 Speaker 3: of the hands and sort of the panic all very 139 00:07:02,600 --> 00:07:05,359 Speaker 3: sort of reminiscent of the time. But I thought the 140 00:07:05,400 --> 00:07:11,240 Speaker 3: thing that really was well done was that they addressed 141 00:07:11,440 --> 00:07:15,840 Speaker 3: your unprotected sex with multiple people, and then that was 142 00:07:17,040 --> 00:07:20,400 Speaker 3: where you know, they really felt you should be tested. 143 00:07:21,040 --> 00:07:24,320 Speaker 3: And then you go through that that was very well 144 00:07:24,360 --> 00:07:27,680 Speaker 3: done that they didn't just like only make it about 145 00:07:28,360 --> 00:07:33,160 Speaker 3: Michael's character Jimmy, that they took it to another place 146 00:07:33,200 --> 00:07:36,240 Speaker 3: that actually was concerning, and they addressed that you had 147 00:07:36,280 --> 00:07:39,680 Speaker 3: been sleeping with someone who was a drug user and 148 00:07:39,800 --> 00:07:45,440 Speaker 3: like maybe we didn't see him, do you know, intravenous drugs, 149 00:07:45,440 --> 00:07:48,120 Speaker 3: but like that guy was a drug addict, We don't know. 150 00:07:48,600 --> 00:07:51,520 Speaker 3: I just thought, Wow, they really went everywhere with this. 151 00:07:52,000 --> 00:07:56,000 Speaker 1: Yeah, they did such a responsible thing by talking about 152 00:07:56,520 --> 00:08:00,920 Speaker 1: you know, like you said about unsafe sex in that 153 00:08:01,160 --> 00:08:04,280 Speaker 1: day and age. That means there were a few like 154 00:08:04,360 --> 00:08:06,880 Speaker 1: tough conversations in this episode. 155 00:08:07,120 --> 00:08:09,360 Speaker 3: Yeah, that's one of them, and it was very of 156 00:08:09,480 --> 00:08:12,920 Speaker 3: the time. I mean I remember that era being in 157 00:08:13,000 --> 00:08:16,560 Speaker 3: college and have you been tested? Was like a big thing, 158 00:08:16,840 --> 00:08:21,560 Speaker 3: like getting tested before you had a new partner. Seems 159 00:08:21,560 --> 00:08:23,520 Speaker 3: like we might need to bring some of that back 160 00:08:23,600 --> 00:08:26,119 Speaker 3: because I mean, I like kids are much too lucy, 161 00:08:26,280 --> 00:08:30,480 Speaker 3: not not necessarily because of HIV AIDS only, but also 162 00:08:30,520 --> 00:08:32,920 Speaker 3: because of all these other sexually transmitted diseases. 163 00:08:33,000 --> 00:08:36,520 Speaker 1: And yeah, well, getting back to the episode, Steve, he 164 00:08:36,559 --> 00:08:40,400 Speaker 1: didn't want to go and support Jimmy at the magic show. 165 00:08:40,960 --> 00:08:44,480 Speaker 3: Poor Steve. Yeah, they just really write him to be 166 00:08:44,600 --> 00:08:46,000 Speaker 3: the big du her. 167 00:08:47,240 --> 00:08:51,000 Speaker 2: If I would have been like, I don't want my 168 00:08:51,080 --> 00:08:54,480 Speaker 2: character to go that far, yeah, I was like we 169 00:08:54,640 --> 00:08:57,240 Speaker 2: felt about yeah right. 170 00:08:57,760 --> 00:09:00,880 Speaker 3: They always make his character just never forgets it right, 171 00:09:01,360 --> 00:09:08,520 Speaker 3: life forgets it right. This ringe, yeah, cringey cringe. 172 00:09:08,600 --> 00:09:13,280 Speaker 1: What about after the cut? What the blood? She got 173 00:09:13,280 --> 00:09:14,880 Speaker 1: a lot of blood on our hands. First of all, 174 00:09:15,400 --> 00:09:18,320 Speaker 1: he must have really cut his hand. Yeah. 175 00:09:18,440 --> 00:09:20,320 Speaker 3: I thought it was well done. The nightmare and the 176 00:09:20,320 --> 00:09:22,960 Speaker 3: hand washing and the hand see that. I was almost 177 00:09:23,080 --> 00:09:25,640 Speaker 3: I almost thought the nightmare was real. I did too. 178 00:09:26,559 --> 00:09:28,960 Speaker 1: Yeah, when I saw the first arm, I still thought 179 00:09:28,960 --> 00:09:30,600 Speaker 1: it was real. And then she seen to look at 180 00:09:30,640 --> 00:09:32,160 Speaker 1: the other arm, and I was like, okay, this is. 181 00:09:45,520 --> 00:09:48,280 Speaker 2: Wait. You guys, we have not told everyone what they're. 182 00:09:50,640 --> 00:09:54,560 Speaker 3: Because this episode is like, it's very I remember it well. 183 00:09:56,080 --> 00:09:56,920 Speaker 3: People caught up. 184 00:09:57,480 --> 00:10:02,680 Speaker 1: Season seven, Episode four, Disappearing Act September eleventh, nineteen ninety six. 185 00:10:03,320 --> 00:10:05,520 Speaker 2: Synopsis. The hand is quicker than the eye when it 186 00:10:05,520 --> 00:10:09,040 Speaker 2: comes to Jimmy Gold's magic tricks. Kelly gets a safe 187 00:10:09,040 --> 00:10:12,120 Speaker 2: sex wake up call after an HIV scare. Valerie is 188 00:10:12,160 --> 00:10:15,720 Speaker 2: acting more controlling with Kenny. Meanwhile, Brandon and Mark hire 189 00:10:15,760 --> 00:10:18,679 Speaker 2: a news anchor with no experience, and David blames Donna 190 00:10:18,720 --> 00:10:21,240 Speaker 2: for telling his dad he is a CEU dropout. 191 00:10:21,360 --> 00:10:25,880 Speaker 1: Directed by David Semel, written by John Eisendrath. Okay, let's 192 00:10:25,920 --> 00:10:29,560 Speaker 1: just start at the beginning. Why is David still being 193 00:10:29,600 --> 00:10:30,160 Speaker 1: a douche? 194 00:10:30,720 --> 00:10:31,640 Speaker 3: I thought we were past this. 195 00:10:32,240 --> 00:10:35,439 Speaker 2: Do you guys know how much he eats in this episode? No? 196 00:10:35,720 --> 00:10:38,079 Speaker 3: I just saw him drinking margarita alone. 197 00:10:38,240 --> 00:10:42,560 Speaker 2: Oh my god, the peach bit Dad gets me. Oh 198 00:10:42,600 --> 00:10:44,360 Speaker 2: my god, Nat had the baby. 199 00:10:44,840 --> 00:10:47,400 Speaker 1: Sorry, Yeah, you can tell because he's showing a picture 200 00:10:47,400 --> 00:10:47,640 Speaker 1: of it. 201 00:10:48,200 --> 00:10:49,120 Speaker 3: Yeah everywhere. 202 00:10:49,200 --> 00:10:52,440 Speaker 1: Now is there ever any presence of the actual baby. 203 00:10:52,960 --> 00:10:55,120 Speaker 2: Like in the future. Yeah, I don't know. 204 00:10:56,280 --> 00:10:59,880 Speaker 3: Hey may so funny because I can't fully remember. Yeah, 205 00:11:00,080 --> 00:11:02,880 Speaker 3: I don't remember seeing the wife nearly as much as 206 00:11:02,880 --> 00:11:06,240 Speaker 3: you would think you would, right, I do remember the 207 00:11:06,400 --> 00:11:07,559 Speaker 3: news anchor stuff. 208 00:11:08,040 --> 00:11:13,840 Speaker 1: Oh hi, c Brandon's new love interest, He says, Oh, man, 209 00:11:14,040 --> 00:11:15,719 Speaker 1: now we just need somebody to read it. 210 00:11:16,559 --> 00:11:22,400 Speaker 3: Dunt dun dum, here she come, Yill Novac. Her real 211 00:11:22,480 --> 00:11:24,880 Speaker 3: name is Jill Novaks. Yeah, she's good and I like her. 212 00:11:24,920 --> 00:11:26,680 Speaker 3: She's just very susan ish. 213 00:11:26,760 --> 00:11:30,120 Speaker 2: Well, I just feel like, God, Brandon, aside from Kelly, 214 00:11:30,280 --> 00:11:30,880 Speaker 2: really has a. 215 00:11:30,880 --> 00:11:34,839 Speaker 1: Type, right, I don't fit into Stipe at all. 216 00:11:34,920 --> 00:11:37,600 Speaker 2: No, not at all, but like, oh my god, it 217 00:11:37,679 --> 00:11:39,840 Speaker 2: seems like they're interchangeable. 218 00:11:39,400 --> 00:11:43,120 Speaker 1: Because they do have a romance, right, Yeah, and it 219 00:11:43,240 --> 00:11:45,600 Speaker 1: lasts for twenty three episodes. 220 00:11:45,679 --> 00:11:48,520 Speaker 3: What it's like the same thing we did with Susan. 221 00:11:48,600 --> 00:11:52,679 Speaker 3: It's literally the same wh why met her at the paper? 222 00:11:52,840 --> 00:11:54,480 Speaker 3: Now we met her at the TV station. 223 00:11:54,880 --> 00:11:56,560 Speaker 2: You're not ready for him yet, so we got to 224 00:11:56,559 --> 00:11:58,360 Speaker 2: go shock that throw one more in. 225 00:11:59,240 --> 00:12:00,880 Speaker 1: That she's there for twenty three episodes. 226 00:12:01,640 --> 00:12:05,439 Speaker 3: I never thought that it was that long. Wow, I'm sorry, 227 00:12:05,480 --> 00:12:08,920 Speaker 3: but if you are that drunk reading the news, how 228 00:12:08,960 --> 00:12:11,079 Speaker 3: are you going to read the news? Also? Would they 229 00:12:11,120 --> 00:12:14,199 Speaker 3: really take her out to get a drink before? 230 00:12:16,160 --> 00:12:16,199 Speaker 2: Not? 231 00:12:16,320 --> 00:12:20,520 Speaker 3: Let get let her get like no wasted. She's really 232 00:12:20,520 --> 00:12:23,320 Speaker 3: cute when she's drunk though. I gotta tell you, Yes, 233 00:12:23,520 --> 00:12:26,840 Speaker 3: she's a cool girl. I like her. I like it. 234 00:12:27,640 --> 00:12:29,640 Speaker 3: There's something I like about her, but it just feels 235 00:12:29,679 --> 00:12:33,199 Speaker 3: super redundant. Yeah, there's it's nothing about her. 236 00:12:33,600 --> 00:12:36,120 Speaker 2: Right, Well, let's see where it's going. Maybe something special 237 00:12:36,200 --> 00:12:37,760 Speaker 2: is going to happen with this relationship. 238 00:12:37,960 --> 00:12:41,880 Speaker 3: What's up is this episode where where David talks to 239 00:12:42,000 --> 00:12:42,439 Speaker 3: his dad? 240 00:12:42,880 --> 00:12:46,600 Speaker 1: Yes, and then you're like, uh, why Okay? I love 241 00:12:47,120 --> 00:12:49,320 Speaker 1: Mel Silver with all my heart? 242 00:12:49,679 --> 00:12:52,040 Speaker 2: Is there a buck coming? Yes? Okay. 243 00:12:53,080 --> 00:12:56,240 Speaker 1: I feel like when he comes on the screen in 244 00:12:56,280 --> 00:12:59,959 Speaker 1: this episode, he's so like, wah wah, wah wah wah, 245 00:13:00,600 --> 00:13:03,120 Speaker 1: Like he's so such a downer dad, and. 246 00:13:03,120 --> 00:13:06,120 Speaker 3: Well, I feel like David's kind of a mess. Can 247 00:13:06,160 --> 00:13:09,160 Speaker 3: we acknowledge the fact that though David doesn't have money 248 00:13:09,160 --> 00:13:13,439 Speaker 3: for rent but drives a hundred thousand dollars car well 249 00:13:13,440 --> 00:13:16,840 Speaker 3: because daddy bought it for him. Hello? Right, he literally 250 00:13:16,960 --> 00:13:19,080 Speaker 3: drives that Defender. I don't know if it was one 251 00:13:19,120 --> 00:13:23,600 Speaker 3: hundred thousand at the time, but like, dude, what Yeah? 252 00:13:23,640 --> 00:13:26,120 Speaker 1: But uh it sounds like Mel's cutting him off? 253 00:13:27,000 --> 00:13:27,440 Speaker 2: Yeah? 254 00:13:27,600 --> 00:13:30,120 Speaker 3: If he drops out of school right by the end, 255 00:13:30,200 --> 00:13:33,440 Speaker 3: isn't he back in school? Yes? It's like this was 256 00:13:33,480 --> 00:13:37,920 Speaker 3: really title. Why would you leave? He's got a year left? 257 00:13:37,960 --> 00:13:39,439 Speaker 3: He just he wants to be famous. 258 00:13:39,480 --> 00:13:41,880 Speaker 1: He wants to be a famous filmmaker. 259 00:13:41,440 --> 00:13:43,160 Speaker 3: So obsessed with this direct thing. 260 00:13:43,360 --> 00:13:44,640 Speaker 2: But he's just so angry. 261 00:13:46,080 --> 00:13:49,880 Speaker 1: Yeah, and not fun to watch or be around. I 262 00:13:50,040 --> 00:13:53,800 Speaker 1: just personally feel like I have emotional whiplash with watching 263 00:13:53,880 --> 00:13:56,840 Speaker 1: him go back and forth and not understanding why he's 264 00:13:57,320 --> 00:14:01,000 Speaker 1: not the way David was. Like, I don't remember this 265 00:14:01,160 --> 00:14:02,600 Speaker 1: phase of the David character. 266 00:14:03,440 --> 00:14:06,200 Speaker 3: It's not totally out of left field because they tried 267 00:14:06,240 --> 00:14:09,480 Speaker 3: hard to sort of make this. Oh, Don and David 268 00:14:09,520 --> 00:14:11,959 Speaker 3: are directing music videos and it's such a big deal, 269 00:14:12,000 --> 00:14:14,840 Speaker 3: and then it's kind of like swiped out from under him. 270 00:14:15,200 --> 00:14:19,240 Speaker 3: It just feels a little bit like they're trying too 271 00:14:19,240 --> 00:14:20,760 Speaker 3: hard to make that a storyline. 272 00:14:21,360 --> 00:14:24,600 Speaker 1: I mean, David, David, Brian's a good actor, so he 273 00:14:24,680 --> 00:14:28,600 Speaker 1: can do anything. It's just like, why are they writing 274 00:14:28,680 --> 00:14:29,320 Speaker 1: him this way? 275 00:14:29,960 --> 00:14:33,640 Speaker 3: It definitely continues, It definitely continues throughout this season. 276 00:14:35,000 --> 00:14:38,640 Speaker 2: Yeah, well, oh, because he's living at the Hollywood Hills House. 277 00:14:38,760 --> 00:14:41,000 Speaker 2: And did you guys see what I was saying? That's 278 00:14:41,040 --> 00:14:43,880 Speaker 2: a full on set the Hollywood Hills House. I does 279 00:14:44,000 --> 00:14:44,640 Speaker 2: not see that. 280 00:14:44,840 --> 00:14:47,840 Speaker 1: I see I see it as a set, like a house, 281 00:14:47,920 --> 00:14:48,800 Speaker 1: an actual house. 282 00:14:49,200 --> 00:14:52,880 Speaker 2: It's not no, that was a because they planned on 283 00:14:52,960 --> 00:14:56,080 Speaker 2: this house. Being like wait, wait, I spid a new 284 00:14:56,080 --> 00:15:00,520 Speaker 2: beach apartment. Where was it was trying to think so 285 00:15:00,560 --> 00:15:03,560 Speaker 2: our main set or addressing room flore Yeah, not where 286 00:15:03,640 --> 00:15:05,120 Speaker 2: the peach pit is on this side the. 287 00:15:05,200 --> 00:15:07,880 Speaker 3: Other way, but never saw one. Wow, I never saw it, 288 00:15:07,920 --> 00:15:08,280 Speaker 3: not once. 289 00:15:09,120 --> 00:15:12,800 Speaker 2: Yeah, isn't that crazy? But I don't know if Kelly's 290 00:15:12,840 --> 00:15:14,800 Speaker 2: ever there. Well, I guess Kelly is going to be there. 291 00:15:14,840 --> 00:15:16,800 Speaker 3: Do you feel like it's a mid century modern with 292 00:15:16,840 --> 00:15:20,240 Speaker 3: that step down? I feel like it's like Hollwood Hills 293 00:15:20,400 --> 00:15:22,800 Speaker 3: House sunk in living room. Yeah. Oh, I love a 294 00:15:22,840 --> 00:15:26,280 Speaker 3: sunken living room. Why don't they do those anymore? Because 295 00:15:26,280 --> 00:15:28,280 Speaker 3: they're a pain in the ass. Everybody's trying to raise 296 00:15:28,320 --> 00:15:30,760 Speaker 3: their sunken living rooms, everybody with a step down to 297 00:15:31,240 --> 00:15:35,680 Speaker 3: Why do I have this step down? It's so seventies. 298 00:15:35,760 --> 00:15:38,440 Speaker 3: I feel like it should have like a like a 299 00:15:38,480 --> 00:15:41,280 Speaker 3: Burt Reynolds on a rug. Doesn't that feel like a 300 00:15:41,560 --> 00:15:46,160 Speaker 3: sunken living room? Like Burt Reynolds with his shirt? Oh? Yeah, 301 00:15:46,200 --> 00:15:47,160 Speaker 3: that was quite a photo. 302 00:15:47,320 --> 00:15:49,280 Speaker 2: So who lives at this house? Mark? 303 00:15:49,440 --> 00:15:53,200 Speaker 3: Mark and David and David and isnone else? 304 00:15:53,680 --> 00:15:54,720 Speaker 2: Someone else is coming? 305 00:15:55,080 --> 00:15:57,680 Speaker 3: I feel like we don't know them yet. If there's 306 00:15:57,680 --> 00:15:58,960 Speaker 3: someone else, we haven't met them. 307 00:15:59,520 --> 00:16:01,600 Speaker 2: Oh, there's like a Month's type character. 308 00:16:03,480 --> 00:16:08,280 Speaker 1: Month's okay, So go into we're really jumping around. We're 309 00:16:08,400 --> 00:16:12,560 Speaker 1: criss crossing all the storylines right now. But going, uh 310 00:16:13,200 --> 00:16:15,480 Speaker 1: back to Mark. 311 00:16:15,800 --> 00:16:16,720 Speaker 3: You mentioned Mark. 312 00:16:17,120 --> 00:16:20,720 Speaker 1: Yeah, we see him in the first episode and they're 313 00:16:20,760 --> 00:16:24,240 Speaker 1: talking about how they need somebody to uh read the news, 314 00:16:24,800 --> 00:16:28,640 Speaker 1: and he says, if you want to reach the boobs, 315 00:16:28,640 --> 00:16:30,000 Speaker 1: you've got to get on the tube. 316 00:16:30,320 --> 00:16:32,560 Speaker 3: Oh my god, I know. And how about when the 317 00:16:32,600 --> 00:16:33,560 Speaker 3: camera person. 318 00:16:35,120 --> 00:16:38,360 Speaker 1: I hold that line though, because my mom always used 319 00:16:38,400 --> 00:16:42,240 Speaker 1: to say, get out of in front of the boob tube. 320 00:16:42,520 --> 00:16:44,280 Speaker 1: So I've watching the boob tube and I always be like, 321 00:16:44,760 --> 00:16:46,080 Speaker 1: there's no boobs on the TV. 322 00:16:46,160 --> 00:16:49,200 Speaker 3: I don't understand what that means. Well, why did they 323 00:16:49,240 --> 00:16:49,800 Speaker 3: call it that. 324 00:16:50,120 --> 00:16:52,080 Speaker 1: I guess you turn into a boob if you sit 325 00:16:52,120 --> 00:16:53,400 Speaker 1: in front of the tube too long. 326 00:16:53,800 --> 00:16:56,760 Speaker 2: We are you being serious? It's not like a correlation 327 00:16:56,960 --> 00:16:59,280 Speaker 2: to like women's breasts. 328 00:16:58,880 --> 00:16:59,880 Speaker 3: No, no, I don't think so. 329 00:17:00,040 --> 00:17:03,520 Speaker 1: Yeah, it's like makes you a boob a dummy if 330 00:17:03,560 --> 00:17:04,920 Speaker 1: you want, if you just sit in front of the TV. 331 00:17:05,080 --> 00:17:09,400 Speaker 2: I thought Mark was making some inappropriate comment about women's boobs, 332 00:17:09,600 --> 00:17:10,760 Speaker 2: and I'm like, God, I. 333 00:17:10,720 --> 00:17:14,040 Speaker 1: Don't like approate when they close up the legs. 334 00:17:15,160 --> 00:17:17,560 Speaker 2: I don't like his character, like the way he talks. 335 00:17:17,560 --> 00:17:18,200 Speaker 2: I don't like it. 336 00:17:18,760 --> 00:17:21,439 Speaker 3: Do I remember another they give those. 337 00:17:21,359 --> 00:17:25,440 Speaker 2: Steven Brandon like Mark and Brandon like. 338 00:17:26,240 --> 00:17:27,720 Speaker 3: Ugh, it don't. 339 00:17:27,760 --> 00:17:31,760 Speaker 1: Brandon always acts so natural at everything, like he's just 340 00:17:31,800 --> 00:17:37,440 Speaker 1: stepping into being a news uh producer, never stunt run 341 00:17:37,480 --> 00:17:40,959 Speaker 1: a camera room with switches and buttons and all the things, 342 00:17:41,040 --> 00:17:44,879 Speaker 1: and all of a sudden he's like, you know, boss. 343 00:17:44,520 --> 00:17:47,200 Speaker 2: Man, that's called main character energy. 344 00:17:47,280 --> 00:17:49,919 Speaker 1: It is main character energy. There's nothing he cannot do, 345 00:17:50,040 --> 00:17:54,000 Speaker 1: Brandon Walsh. It's crazy and he does it with such confidence. 346 00:17:54,880 --> 00:17:58,600 Speaker 3: Sorry, I'm going back to Tracy. I think that they 347 00:17:58,600 --> 00:18:01,840 Speaker 3: should have solved her panic attack with breathing exercises and 348 00:18:01,920 --> 00:18:02,840 Speaker 3: not alcohol. 349 00:18:03,560 --> 00:18:08,159 Speaker 1: Yeah, maybe that would have been a better approach, but 350 00:18:09,240 --> 00:18:10,359 Speaker 1: they left the boys in charge. 351 00:18:10,400 --> 00:18:15,720 Speaker 3: So there you go. So what do we Okay, wait, 352 00:18:15,840 --> 00:18:18,000 Speaker 3: I don't want to jump around to the valerie stuff 353 00:18:18,080 --> 00:18:18,760 Speaker 3: until you guys. 354 00:18:18,560 --> 00:18:20,480 Speaker 1: Are we haven't even gotten to the valery stuff. But yeah, 355 00:18:20,560 --> 00:18:23,560 Speaker 1: let's save that until we're good and done with this. 356 00:18:23,840 --> 00:18:26,680 Speaker 3: Yeah. Should we go back to Jimmy a bit more 357 00:18:26,920 --> 00:18:30,480 Speaker 3: and the magic? He's a pretty good magician. 358 00:18:31,000 --> 00:18:31,200 Speaker 2: Yeah. 359 00:18:31,680 --> 00:18:35,760 Speaker 3: Yeah. And also what I couldn't figure out is, Okay, 360 00:18:35,800 --> 00:18:39,080 Speaker 3: I'm assuming that when he's coughing, coughing, and it's not real, 361 00:18:39,680 --> 00:18:42,359 Speaker 3: and then you jump up there that it was part 362 00:18:42,400 --> 00:18:44,720 Speaker 3: of it? But or did you just jump up there like? 363 00:18:44,760 --> 00:18:47,399 Speaker 3: I was like, was this? Did she know? Or was 364 00:18:47,440 --> 00:18:50,359 Speaker 3: she panic it? Do you know what I'm talking about? 365 00:18:50,400 --> 00:18:52,120 Speaker 3: It's like a really good trick. That was a real 366 00:18:52,160 --> 00:18:55,120 Speaker 3: bait and switch because he's like and then we thought 367 00:18:55,200 --> 00:18:58,080 Speaker 3: he was sick. I thought he was sick too, But 368 00:18:58,119 --> 00:19:01,000 Speaker 3: then yet you were like up there and he's like, 369 00:19:01,119 --> 00:19:04,720 Speaker 3: my beautiful assistant. I was like, she like, Kelly, was 370 00:19:04,760 --> 00:19:12,080 Speaker 3: she in on it? His mouth again? A frog? A frog? Yeah, 371 00:19:12,119 --> 00:19:13,240 Speaker 3: he's a good magician. 372 00:19:13,920 --> 00:19:16,200 Speaker 1: Do you think he had that frog in his mouth? 373 00:19:16,359 --> 00:19:20,480 Speaker 3: Was it real? I don't know. Can you do any 374 00:19:20,480 --> 00:19:23,240 Speaker 3: magic tricks? Can you guys do any magic tricks? 375 00:19:23,359 --> 00:19:25,800 Speaker 2: I want to be a terrible at magic? 376 00:19:26,760 --> 00:19:28,240 Speaker 3: Can I Can you do a magic trick? 377 00:19:28,320 --> 00:19:30,240 Speaker 1: I think I could if I put my mind to it, 378 00:19:30,240 --> 00:19:31,200 Speaker 1: I could do a card. 379 00:19:31,000 --> 00:19:33,880 Speaker 3: Trick, pull a corner out of someone's ear. 380 00:19:34,800 --> 00:19:37,080 Speaker 2: I've always wanted to be cut in half like the 381 00:19:37,080 --> 00:19:38,760 Speaker 2: girl in the bock practice. 382 00:19:39,080 --> 00:19:43,040 Speaker 3: Yeah, I'll try it. Oh my god. I have a 383 00:19:43,119 --> 00:19:45,800 Speaker 3: couple of funny magician stories, but one I just went 384 00:19:45,840 --> 00:19:49,040 Speaker 3: to a kid's magician just the other day, and he 385 00:19:49,240 --> 00:19:51,879 Speaker 3: was pretty good, Like somehow a kid had a dollar 386 00:19:52,320 --> 00:19:54,400 Speaker 3: and then the dollar came out of a lemon, like 387 00:19:54,760 --> 00:19:58,080 Speaker 3: they rode on the dollar. And then it was crazy 388 00:19:58,640 --> 00:20:00,960 Speaker 3: how they do it? I get that, it's all like 389 00:20:01,040 --> 00:20:03,600 Speaker 3: sleight of hand. I don't know how rick how do 390 00:20:03,680 --> 00:20:05,960 Speaker 3: they do it? My niece had to pick a card 391 00:20:06,520 --> 00:20:09,480 Speaker 3: and then suddenly that card was on a painting like 392 00:20:09,520 --> 00:20:13,239 Speaker 3: it was just nuts. I wish I could remember that 393 00:20:13,320 --> 00:20:16,800 Speaker 3: magician's name. Allegedly he's the greatest kid's magician in the 394 00:20:16,840 --> 00:20:23,840 Speaker 3: Bay is something. It was like the great Oh, I go, 395 00:20:24,119 --> 00:20:27,200 Speaker 3: you know, when's the last Has anyone been to David 396 00:20:27,200 --> 00:20:34,160 Speaker 3: Copperfield No no, Chris Angel no, David. 397 00:20:33,840 --> 00:20:37,080 Speaker 2: Blaine no no, I'm not big into magic and in 398 00:20:37,240 --> 00:20:40,920 Speaker 2: Teller No no, I'm then to the Magic Castle? Is 399 00:20:40,960 --> 00:20:41,399 Speaker 2: that count? 400 00:20:42,080 --> 00:20:44,879 Speaker 3: Yeah? That was the guy the chopped up watermelons. Was 401 00:20:44,920 --> 00:20:49,359 Speaker 3: he a magician Carrot Top? Yeah? I think he was. 402 00:20:50,280 --> 00:20:52,600 Speaker 3: I don't know. I've been to Carrot Top. I've been 403 00:20:52,640 --> 00:20:54,440 Speaker 3: to Carrot Top, but he's not a magician at all. 404 00:20:55,359 --> 00:21:00,320 Speaker 3: He just pulls weird crap out of a suitcase. It's weird. 405 00:21:00,400 --> 00:21:01,160 Speaker 3: Magic is weird. 406 00:21:01,280 --> 00:21:06,119 Speaker 1: If you are a magician listening right now? Please tell secrets. 407 00:21:07,920 --> 00:21:10,600 Speaker 3: It's on tricks, because I think if they cut you 408 00:21:10,640 --> 00:21:13,080 Speaker 3: in half, like really, you're just like in a ball 409 00:21:13,119 --> 00:21:14,720 Speaker 3: on the one half, do you know what I mean? 410 00:21:14,800 --> 00:21:16,479 Speaker 3: Like the lady that could cut you have to be 411 00:21:16,520 --> 00:21:19,680 Speaker 3: like a limber in there, or like if you disappear, 412 00:21:20,160 --> 00:21:23,119 Speaker 3: there's like a trapdoor or something that's in santour We 413 00:21:23,119 --> 00:21:26,760 Speaker 3: could do it. Yeah, yeah, I'm sure they'd be happy 414 00:21:26,800 --> 00:21:33,800 Speaker 3: to have you in Vegas like you guys would be 415 00:21:33,920 --> 00:21:35,879 Speaker 3: so good about that. Can you imagine if it was like, 416 00:21:36,119 --> 00:21:38,800 Speaker 3: you know how like celebrities do Chippendale's. What if it 417 00:21:38,840 --> 00:21:42,320 Speaker 3: was like Toury and Jenny with David Copperfield, Like I 418 00:21:42,320 --> 00:21:44,359 Speaker 3: would totally go see that. 419 00:21:44,520 --> 00:21:49,320 Speaker 2: You had some reality show that was like Celebrities, but 420 00:21:49,359 --> 00:21:51,920 Speaker 2: a competition show where celebrities were. 421 00:21:51,720 --> 00:21:56,399 Speaker 3: On it learning magic tricks, get correct? No way, what 422 00:21:56,560 --> 00:22:02,359 Speaker 3: was that? That seems easier than going being on Special Forces. 423 00:22:02,600 --> 00:22:03,240 Speaker 3: I would take this. 424 00:22:03,480 --> 00:22:05,960 Speaker 2: Yeah, it was like that, but magic. 425 00:22:05,720 --> 00:22:08,480 Speaker 3: Take the learning to be the magician rather than have 426 00:22:08,560 --> 00:22:11,680 Speaker 3: to like jump from a thing on a helicopter. 427 00:22:12,680 --> 00:22:15,440 Speaker 1: You probably get paid more to do the magician thing. 428 00:22:15,800 --> 00:22:17,199 Speaker 3: Have they asked you either of you to be on 429 00:22:17,280 --> 00:22:21,480 Speaker 3: Special Forces. Here's the thing. I would want you guys 430 00:22:21,520 --> 00:22:23,840 Speaker 3: to do it, but I feel like you can't do it. 431 00:22:23,920 --> 00:22:26,240 Speaker 3: I couldn't do it. I couldn't do one thing. I 432 00:22:26,240 --> 00:22:28,439 Speaker 3: don't think I could. The younger me would have been 433 00:22:28,480 --> 00:22:31,320 Speaker 3: all over that. But I couldn't sleep in the bed 434 00:22:31,440 --> 00:22:33,600 Speaker 3: they sleep in, or use the toilet they use. I 435 00:22:33,640 --> 00:22:36,920 Speaker 3: was like, I'm out quick. Yeah the bathrooms sketch, Yeah, 436 00:22:37,200 --> 00:22:41,640 Speaker 3: no thanks. It's literally like a like worse than the 437 00:22:42,040 --> 00:22:45,520 Speaker 3: toilet camping toilet. It's like just a board. You just 438 00:22:45,560 --> 00:22:46,320 Speaker 3: see their heads. 439 00:22:47,480 --> 00:22:51,240 Speaker 1: I was like, I'm out with that bed dangent. 440 00:22:51,560 --> 00:22:59,359 Speaker 3: Okay, sorry, let's talk Celebra cadabras. Good title, good title. 441 00:23:00,119 --> 00:23:03,639 Speaker 3: Did it go on the air, Yeah, I would have 442 00:23:03,680 --> 00:23:06,400 Speaker 3: immediately taken that paycheck. Pull a rabbit eye would. 443 00:23:06,160 --> 00:23:06,640 Speaker 2: Have done that. 444 00:23:19,240 --> 00:23:24,600 Speaker 3: Should we talk about val Yes. I don't know if 445 00:23:24,640 --> 00:23:25,680 Speaker 3: I'm into it or cringing. 446 00:23:25,880 --> 00:23:28,600 Speaker 2: I'm not into this storyline, you guys, I can't. I'm 447 00:23:28,680 --> 00:23:29,600 Speaker 2: very upset with it. 448 00:23:29,800 --> 00:23:32,320 Speaker 1: All I know is Kenny is a head kisser, Like 449 00:23:32,600 --> 00:23:34,439 Speaker 1: over and over, he just kisses the top of. 450 00:23:34,440 --> 00:23:36,520 Speaker 3: Her head, like no, on her hair. 451 00:23:36,920 --> 00:23:41,280 Speaker 2: I can't watch him. I can't watch her hair in it. 452 00:23:41,480 --> 00:23:42,280 Speaker 2: I can't. I can't. 453 00:23:42,720 --> 00:23:45,960 Speaker 3: He's real creepy and it only gets worse and it 454 00:23:45,960 --> 00:23:48,840 Speaker 3: gets very melrose placy. It does, you guys, admit it 455 00:23:48,880 --> 00:23:53,240 Speaker 3: gets real melrose placy, fake baby like the whole thing. 456 00:23:53,560 --> 00:23:54,639 Speaker 3: I don't you stop. 457 00:23:54,800 --> 00:23:59,199 Speaker 1: I haven't watched that or but I think it's just 458 00:24:00,080 --> 00:24:03,600 Speaker 1: makes me feel icky whatever's happening. 459 00:24:04,000 --> 00:24:05,920 Speaker 3: I'm also trying to keep track of his wedding ring. 460 00:24:06,000 --> 00:24:08,200 Speaker 3: I feel like it's on, it's off, it's on, it's off. 461 00:24:08,240 --> 00:24:10,399 Speaker 3: I need to, like somebody needs to go back and 462 00:24:10,440 --> 00:24:12,440 Speaker 3: do like a deep dive of like is this guy 463 00:24:12,480 --> 00:24:14,439 Speaker 3: wearing a wedding ring or not? Because I've seen it 464 00:24:14,480 --> 00:24:17,960 Speaker 3: and I haven't seen it, Like, what's up with this guy? 465 00:24:18,880 --> 00:24:19,200 Speaker 2: I don't know. 466 00:24:19,440 --> 00:24:22,560 Speaker 1: I just promises that he's getting a divorce. He's promises. 467 00:24:22,960 --> 00:24:23,520 Speaker 3: He's just not. 468 00:24:24,320 --> 00:24:26,400 Speaker 2: Maybe it's because I don't find him attractive that I'm 469 00:24:26,520 --> 00:24:29,600 Speaker 2: just like not into watching her with him. 470 00:24:30,280 --> 00:24:31,960 Speaker 3: There's something about him that's playing. 471 00:24:32,000 --> 00:24:33,600 Speaker 2: I mean, he's a good looking guy. It's not that, 472 00:24:33,760 --> 00:24:37,239 Speaker 2: but there's something that I'm just like, he's very. 473 00:24:36,920 --> 00:24:39,200 Speaker 1: Like good looking on a soap opera. 474 00:24:38,920 --> 00:24:41,760 Speaker 3: Guy, hot married guy, kind of a vibe, yeah, like 475 00:24:41,960 --> 00:24:44,560 Speaker 3: hot daytime and why do I want to watch her 476 00:24:44,600 --> 00:24:44,960 Speaker 3: with him? 477 00:24:45,000 --> 00:24:47,640 Speaker 2: Like I don't not even there, Like it's not even 478 00:24:47,680 --> 00:24:49,359 Speaker 2: like a kissing scene, Like I just don't want to 479 00:24:49,400 --> 00:24:50,840 Speaker 2: watch the two of them talk. 480 00:24:51,560 --> 00:24:54,320 Speaker 3: She just cannot make it. She just doesn't make good choices. 481 00:24:54,400 --> 00:24:57,960 Speaker 3: Let's talk about that. Balerie doesn't make good choices. 482 00:24:59,480 --> 00:25:03,280 Speaker 1: For such a smart young woman. She really makes some 483 00:25:03,359 --> 00:25:04,879 Speaker 1: stupid decisions. 484 00:25:04,320 --> 00:25:07,280 Speaker 3: For pickers off as they say, Yeah, like why is 485 00:25:07,320 --> 00:25:11,199 Speaker 3: she doing this? They're always unavailable? Yeah, why is she 486 00:25:11,280 --> 00:25:11,639 Speaker 3: doing this? 487 00:25:12,200 --> 00:25:14,880 Speaker 1: Well, people, there are women that go for unavailable men. 488 00:25:15,600 --> 00:25:19,000 Speaker 3: They need therapy. They need therapy and they can figure 489 00:25:19,040 --> 00:25:20,320 Speaker 3: out why and then they can change it. 490 00:25:20,600 --> 00:25:22,440 Speaker 1: Most likely their dad wasn't there for them. 491 00:25:22,480 --> 00:25:23,920 Speaker 3: Okay, just gonna. 492 00:25:23,600 --> 00:25:27,760 Speaker 1: Move on because that's a lot to talk about. But 493 00:25:28,320 --> 00:25:33,080 Speaker 1: they do have a very special evening planned at a hotel. 494 00:25:34,080 --> 00:25:38,040 Speaker 3: Oh my gosh, and she's like, come on in, I've 495 00:25:38,040 --> 00:25:41,320 Speaker 3: got a dinner. Hair. It's so gross. She's also way 496 00:25:41,359 --> 00:25:45,960 Speaker 3: too like she plays Valerie too old, do you know 497 00:25:45,960 --> 00:25:48,200 Speaker 3: what I'm saying? Like Valerie is the same age as 498 00:25:48,320 --> 00:25:48,920 Speaker 3: David Silver. 499 00:25:49,600 --> 00:25:52,240 Speaker 2: Maybe it's that the two of them are just feel 500 00:25:52,240 --> 00:25:53,639 Speaker 2: like I'm watching two old people. 501 00:25:53,880 --> 00:25:57,920 Speaker 3: Oh she just old. But you know what, I mean, wait, 502 00:25:58,200 --> 00:26:00,800 Speaker 3: what she's got that I'm twenty one going on thirty 503 00:26:00,880 --> 00:26:07,240 Speaker 3: five normal, She's so cute, she could go to college 504 00:26:07,240 --> 00:26:09,160 Speaker 3: and get any cool she's. 505 00:26:09,000 --> 00:26:12,040 Speaker 2: Playing like because maybe she's trying to fit in to 506 00:26:12,119 --> 00:26:16,200 Speaker 2: be his older wife like Matres instead of the young 507 00:26:17,160 --> 00:26:20,760 Speaker 2: smoke show she is. I don't know. I hate this storyline. 508 00:26:20,800 --> 00:26:22,480 Speaker 2: I want it to end soon. I just want it 509 00:26:22,600 --> 00:26:23,240 Speaker 2: gets worse. 510 00:26:23,359 --> 00:26:24,560 Speaker 3: You guys, it just gets worse. 511 00:26:24,600 --> 00:26:27,560 Speaker 2: It can't get worse. It does makes me want to 512 00:26:27,640 --> 00:26:28,400 Speaker 2: peep in my mouth. 513 00:26:28,480 --> 00:26:31,560 Speaker 3: It can beyond worse. And then we learn more creepy 514 00:26:31,560 --> 00:26:33,879 Speaker 3: things about him. He is creepy to the core. But 515 00:26:34,359 --> 00:26:38,560 Speaker 3: I really want Val the fine love, like good love. 516 00:26:38,840 --> 00:26:41,240 Speaker 2: Who's next for her? So I want something to look 517 00:26:41,280 --> 00:26:42,040 Speaker 2: forward to for her? 518 00:26:42,440 --> 00:26:43,639 Speaker 3: I mean, I don't know. We got to go a 519 00:26:43,680 --> 00:26:44,560 Speaker 3: couple more with this. 520 00:26:44,560 --> 00:26:48,119 Speaker 2: Mess, and then but who is valmind up with? I 521 00:26:48,160 --> 00:26:48,840 Speaker 2: don't remember. 522 00:26:49,600 --> 00:26:52,040 Speaker 3: I must acknowledge that everyone wants me to remember every 523 00:26:52,040 --> 00:26:57,160 Speaker 3: single thing, and it's like I don't remember, Like, look 524 00:26:57,280 --> 00:26:58,800 Speaker 3: a meeting I have tomorrow. 525 00:26:59,600 --> 00:27:03,119 Speaker 1: Yeah, but you're as close as we have to a 526 00:27:03,160 --> 00:27:04,760 Speaker 1: SAX fan, thank you. 527 00:27:05,080 --> 00:27:09,399 Speaker 3: Yeah, but also you're expert. It's more holistic too, like 528 00:27:10,400 --> 00:27:13,520 Speaker 3: the whole show in general. Sometimes I do mess up 529 00:27:14,119 --> 00:27:16,520 Speaker 3: certain things in the timeline. 530 00:27:17,400 --> 00:27:20,040 Speaker 2: That's okay, You're not perfect, but you are a resident 531 00:27:20,160 --> 00:27:21,800 Speaker 2: expert here at OMG. 532 00:27:22,320 --> 00:27:23,439 Speaker 3: You can just fire me. 533 00:27:24,119 --> 00:27:27,160 Speaker 1: Yeah no, I'm going to have a call with you 534 00:27:27,240 --> 00:27:31,920 Speaker 1: about firing you can we get that on the calendar. 535 00:27:35,000 --> 00:27:35,960 Speaker 2: Put in the group text. 536 00:27:36,000 --> 00:27:39,239 Speaker 3: Going season seven though, Like I have to say, I 537 00:27:39,280 --> 00:27:41,200 Speaker 3: am it's not the shine. 538 00:27:41,320 --> 00:27:42,119 Speaker 2: You're loving this? 539 00:27:42,640 --> 00:27:49,439 Speaker 3: Oh you're you're irritated. I kind of, well, yeah, I 540 00:27:49,480 --> 00:27:51,119 Speaker 3: can see why you would be, like, well, and you 541 00:27:51,119 --> 00:27:53,359 Speaker 3: were barely even in this episode. They didn't give you 542 00:27:53,400 --> 00:27:54,120 Speaker 3: anything to do. 543 00:27:54,600 --> 00:27:57,639 Speaker 2: I don't even care about watching myself, Like it's it's like, 544 00:27:57,960 --> 00:28:01,480 Speaker 2: I just want to see fun stuff. I don't know. 545 00:28:01,920 --> 00:28:05,560 Speaker 2: The Kelly Jimmy storyline I loved, so I'm going to 546 00:28:05,640 --> 00:28:08,639 Speaker 2: give this episode a break because of that. I was riveted, like, 547 00:28:08,680 --> 00:28:12,240 Speaker 2: and they handle it really well, great acting. But all 548 00:28:12,280 --> 00:28:15,760 Speaker 2: the other storylines I didn't care about. I don't care 549 00:28:15,760 --> 00:28:19,440 Speaker 2: about Valerie and the creeper. I don't care about David 550 00:28:19,720 --> 00:28:24,080 Speaker 2: swigging lemonade and eating with his mouth open. It's so gross, 551 00:28:24,119 --> 00:28:25,359 Speaker 2: like he's not being David. 552 00:28:25,920 --> 00:28:28,520 Speaker 3: No, he's not you. What do you give it? 553 00:28:28,560 --> 00:28:30,920 Speaker 1: You said, you're going to give it grace, but what 554 00:28:31,240 --> 00:28:31,879 Speaker 1: is the number? 555 00:28:32,280 --> 00:28:33,760 Speaker 2: I feel like I have to give it a high 556 00:28:33,840 --> 00:28:36,000 Speaker 2: number because of the matter ceiling. 557 00:28:35,840 --> 00:28:38,880 Speaker 3: With Well, you could give that a number, and I'll give. 558 00:28:39,200 --> 00:28:42,560 Speaker 2: Okay, I'm going to give that storyline a nine, and 559 00:28:42,680 --> 00:28:44,520 Speaker 2: the rest I'm going to give a six. 560 00:28:48,360 --> 00:28:52,240 Speaker 3: I am in agreement with you. I hate watching Valerie 561 00:28:52,280 --> 00:28:54,840 Speaker 3: and the Guy but loving it. So do you know 562 00:28:54,840 --> 00:28:58,280 Speaker 3: what I'm saying? Like he cringey, but I'm like, I'm 563 00:28:58,320 --> 00:29:00,720 Speaker 3: so in on this because it's so oh, this is 564 00:29:00,760 --> 00:29:06,880 Speaker 3: so redict and I love it. I'm always good for there. 565 00:29:07,720 --> 00:29:11,360 Speaker 3: You know, the dad's dating the young girl and cheating 566 00:29:11,400 --> 00:29:14,239 Speaker 3: on the wife. Like, it's very lifetime movie for me. 567 00:29:14,320 --> 00:29:15,600 Speaker 3: So I'm like, all right, I'm been. 568 00:29:15,920 --> 00:29:19,080 Speaker 2: You know what it is you guys, aside from Kelly 569 00:29:19,440 --> 00:29:22,360 Speaker 2: that storyline, all of our regulars on the show are 570 00:29:22,400 --> 00:29:25,520 Speaker 2: not acting like themselves. They're not like the characters we know. 571 00:29:25,680 --> 00:29:28,760 Speaker 3: In this episode, where was Brandon. Oh, I'm that's right, 572 00:29:28,800 --> 00:29:30,880 Speaker 3: he was at the newsroom. I literally forgot for a 573 00:29:30,920 --> 00:29:33,000 Speaker 3: second Forgrettable. 574 00:29:33,480 --> 00:29:36,360 Speaker 2: It's almost like it's a different, different characters written in 575 00:29:36,360 --> 00:29:37,000 Speaker 2: this episode. 576 00:29:38,320 --> 00:29:41,920 Speaker 1: Well, let's pray that the next episode just turns things 577 00:29:41,920 --> 00:29:42,800 Speaker 1: around for everyone. 578 00:29:42,840 --> 00:29:45,120 Speaker 3: Well, it's you and Jimmy again. He did three and 579 00:29:45,200 --> 00:29:47,360 Speaker 3: the third one I can't remember the details. 580 00:29:47,400 --> 00:29:50,680 Speaker 1: The third one is next week, season seven, episode five, 581 00:29:50,880 --> 00:29:51,960 Speaker 1: Pledging My Love. 582 00:29:52,640 --> 00:29:54,520 Speaker 3: So is there like a whole new team of people 583 00:29:54,560 --> 00:29:55,440 Speaker 3: on season seven? 584 00:29:56,160 --> 00:29:57,840 Speaker 2: A little bit? A little bit? Yeah? 585 00:29:57,960 --> 00:30:01,920 Speaker 1: Yeah, new showrunner if I'm not mistaken correct. 586 00:30:02,680 --> 00:30:06,080 Speaker 3: You know, sometimes I notice these shows they kind of 587 00:30:06,080 --> 00:30:09,440 Speaker 3: meander off and come back. Not to change the subject, 588 00:30:09,440 --> 00:30:11,760 Speaker 3: but did anyone watch nine to one one this week? 589 00:30:11,800 --> 00:30:14,800 Speaker 3: Because it was an outstanding episode and I felt like 590 00:30:14,840 --> 00:30:17,920 Speaker 3: it lost its way for a little bit. Was amazing. 591 00:30:18,360 --> 00:30:21,320 Speaker 3: We're talking about it. I'm just letting these guys know 592 00:30:21,440 --> 00:30:25,640 Speaker 3: that sometimes shows lose their way for a minute and 593 00:30:25,680 --> 00:30:28,240 Speaker 3: then they find their way back. That's true, And that 594 00:30:29,000 --> 00:30:35,080 Speaker 3: they find their way back, I know, you know that 595 00:30:35,120 --> 00:30:40,120 Speaker 3: the episode isn't great when I'm more interested in Celebritabra. 596 00:30:39,400 --> 00:30:40,200 Speaker 2: Or whatever. 597 00:30:41,480 --> 00:30:45,240 Speaker 3: Cele like. I literally want to talk about celebritab way more. 598 00:30:45,400 --> 00:30:47,720 Speaker 3: I want us to just stop talking at this point. 599 00:30:47,880 --> 00:30:50,360 Speaker 3: I don't. I want to know the other shows before 600 00:30:50,440 --> 00:30:51,880 Speaker 3: we go. I want to know the other shows you 601 00:30:51,880 --> 00:30:54,560 Speaker 3: guys have been asked to do, Like obviously Special Forces, 602 00:30:54,680 --> 00:30:57,280 Speaker 3: where either of you asked to go on that mission 603 00:30:57,320 --> 00:31:00,320 Speaker 3: to Mars whatever it was, Stars on Mars would have 604 00:31:00,280 --> 00:31:02,680 Speaker 3: been That would have been great. That would have been 605 00:31:02,680 --> 00:31:06,280 Speaker 3: great dancing with the stars obviously. What about Amazing Race? 606 00:31:06,520 --> 00:31:08,240 Speaker 3: Could you guys do an amazing race together? That's a 607 00:31:08,480 --> 00:31:13,600 Speaker 3: celebrity driven Sometimes there's like, yeah, celebrities, what. 608 00:31:13,600 --> 00:31:16,040 Speaker 1: About that where you go and you're naked and you're afraid? 609 00:31:16,160 --> 00:31:17,560 Speaker 1: What's that one do they do? 610 00:31:19,960 --> 00:31:21,360 Speaker 3: I don't think that's celebrities. 611 00:31:23,760 --> 00:31:27,880 Speaker 1: A celebrity edition, you know, I would we asked to 612 00:31:27,920 --> 00:31:29,280 Speaker 1: do the celebrity Big Brother. 613 00:31:30,440 --> 00:31:33,600 Speaker 3: Yeah, what about I'm a celebrity, get me out of here? 614 00:31:35,760 --> 00:31:40,920 Speaker 3: What about Massinger? Yes, yeah, tour you did it? Yeah, Jenny, 615 00:31:40,920 --> 00:31:42,840 Speaker 3: you've been asked. I did not do it. No, you 616 00:31:42,880 --> 00:31:44,040 Speaker 3: can't here, I can't. 617 00:31:44,240 --> 00:31:46,000 Speaker 2: She can't sing, but she is fine. 618 00:31:46,400 --> 00:31:50,080 Speaker 3: It's fine for me to just say. What about Surreal Life? 619 00:31:50,920 --> 00:31:54,880 Speaker 2: Yeah? Oh no, oh no, that came back right? Yeah? 620 00:31:54,880 --> 00:31:56,080 Speaker 3: I think so for that one. 621 00:31:56,520 --> 00:31:58,360 Speaker 2: I think we're like back in the day agen like 622 00:31:58,440 --> 00:32:02,520 Speaker 2: it was like early two thousan, right, the first incarnation 623 00:32:02,600 --> 00:32:03,840 Speaker 2: of it. 624 00:32:04,160 --> 00:32:07,520 Speaker 3: Juicy gosh. There's some good ones. I think Special Forces 625 00:32:07,560 --> 00:32:10,240 Speaker 3: is probably my favorite. I feel like Tory should try 626 00:32:10,280 --> 00:32:13,360 Speaker 3: special horses. I did, you might lose. 627 00:32:13,160 --> 00:32:16,400 Speaker 2: Right away, but I think I was even in their 628 00:32:16,400 --> 00:32:18,320 Speaker 2: wheelhouse of thinking, I. 629 00:32:19,000 --> 00:32:21,360 Speaker 1: Personally don't want you to do that because I don't 630 00:32:21,360 --> 00:32:22,040 Speaker 1: think it would be. 631 00:32:22,000 --> 00:32:26,800 Speaker 3: Good for you. Yes, and you literally have to jump 632 00:32:26,800 --> 00:32:31,160 Speaker 3: from like a platform to a helicopter and then hold 633 00:32:31,200 --> 00:32:36,200 Speaker 3: the helicopter like your I would be riveted. Do you 634 00:32:36,200 --> 00:32:39,880 Speaker 3: watch it? And it's flying? Please? So crazy? I cannot 635 00:32:39,960 --> 00:32:43,320 Speaker 3: figure out how they even let these celebrities do it. 636 00:32:43,400 --> 00:32:46,600 Speaker 3: They're just swinging from a helicopter and then they like 637 00:32:46,880 --> 00:32:48,800 Speaker 3: jump into the water. The whole thing's crazy. 638 00:32:49,120 --> 00:32:52,120 Speaker 1: First of all, just the water temperature alone, that's a 639 00:32:52,160 --> 00:32:53,000 Speaker 1: hard pass for me. 640 00:32:53,240 --> 00:32:54,959 Speaker 2: No, Brian did it good. 641 00:32:55,280 --> 00:32:57,000 Speaker 1: Yeah, Brian was on it, but he didn't make it 642 00:32:57,120 --> 00:33:01,479 Speaker 1: very far and the exit was not very explained, Like 643 00:33:01,800 --> 00:33:03,600 Speaker 1: I just felt like, all of a sudden, he just 644 00:33:03,720 --> 00:33:06,040 Speaker 1: wasn't there. Same with Melby, all of a sudden she 645 00:33:06,160 --> 00:33:06,880 Speaker 1: was not there. 646 00:33:06,920 --> 00:33:08,720 Speaker 2: Oh my god, are you a crazy fan of this show? 647 00:33:08,840 --> 00:33:09,160 Speaker 3: I am. 648 00:33:09,320 --> 00:33:13,680 Speaker 1: I believes this no, because I secretly want to do it, 649 00:33:14,000 --> 00:33:17,360 Speaker 1: but I would not ever, ever, never say yes. 650 00:33:17,720 --> 00:33:20,520 Speaker 3: Yeah, I could never do it. I'd panic immediately from 651 00:33:20,560 --> 00:33:23,800 Speaker 3: the moment it began too And then they torture you 652 00:33:23,840 --> 00:33:25,760 Speaker 3: at the end, like they play all these mind games 653 00:33:25,840 --> 00:33:28,680 Speaker 3: on you and like you're freezing your head. They put 654 00:33:28,680 --> 00:33:30,560 Speaker 3: a thing. I would be out on the thing over 655 00:33:30,600 --> 00:33:34,040 Speaker 3: my head. I'd be like, I can't participate. It'd be fun. 656 00:33:34,160 --> 00:33:36,680 Speaker 3: I'd be into it. But you and Brody Jenner was 657 00:33:36,720 --> 00:33:39,240 Speaker 3: going to win. By the way, I'm so obvious like 658 00:33:39,360 --> 00:33:42,920 Speaker 3: that guy. Obviously. It's like a great athlete. He can serve, 659 00:33:43,080 --> 00:33:45,560 Speaker 3: he can swim. I was like, this guy's totally gonna win. 660 00:33:45,960 --> 00:33:49,120 Speaker 1: He's got it in, he's got a great attitude. Yeah, 661 00:33:49,200 --> 00:33:51,480 Speaker 1: it's official. We are ending this episode right now. 662 00:33:51,480 --> 00:33:54,920 Speaker 3: Okay, everybody, come back next to We didn't give a score. 663 00:33:55,280 --> 00:34:00,600 Speaker 3: My score is nine because I love to dislike it 664 00:34:00,640 --> 00:34:02,680 Speaker 3: and I love to love it. So like, even though 665 00:34:02,680 --> 00:34:06,320 Speaker 3: I'm like Valerie, come on, I'm into it. Okay. And 666 00:34:06,360 --> 00:34:09,520 Speaker 3: there's something I like about that creepy guy because I 667 00:34:09,560 --> 00:34:11,680 Speaker 3: have a little of that in me. Oh you're creepy. 668 00:34:11,880 --> 00:34:14,840 Speaker 3: I think I don't like you. You like the creepers. 669 00:34:14,960 --> 00:34:20,759 Speaker 1: Okay, all right, everybody, thanks for listening, and we love you. 670 00:34:20,800 --> 00:34:21,439 Speaker 1: Have a great week.