1 00:00:00,560 --> 00:00:03,920 Speaker 1: Live from the Mercedes Benz Interview Lounge, and we. 2 00:00:04,000 --> 00:00:07,800 Speaker 2: Welcome to Sebastian Menescalo, our favorite, our favorite comedian. All right, 3 00:00:07,840 --> 00:00:09,600 Speaker 2: you're already walking into the new studio and you've got 4 00:00:09,600 --> 00:00:10,039 Speaker 2: a problem. 5 00:00:10,039 --> 00:00:12,320 Speaker 3: What's your problem to have a problem. The last time 6 00:00:12,360 --> 00:00:14,360 Speaker 3: I was on your show, we were at the old 7 00:00:14,360 --> 00:00:19,400 Speaker 3: building right downtown. Yeah, it looked condemned. Yes, I don't 8 00:00:19,400 --> 00:00:22,880 Speaker 3: even think you had air conditioning pumping. I'm surprised you 9 00:00:22,880 --> 00:00:24,000 Speaker 3: had electricity. 10 00:00:25,800 --> 00:00:29,400 Speaker 4: Now I walk in here and I gotta tell you, guys, 11 00:00:29,960 --> 00:00:30,800 Speaker 4: I feel at home. 12 00:00:33,520 --> 00:00:34,320 Speaker 1: Finally we did it. 13 00:00:34,360 --> 00:00:35,400 Speaker 4: I like it. 14 00:00:35,440 --> 00:00:37,240 Speaker 2: What makes you feel like you're at home in this place? 15 00:00:38,000 --> 00:00:38,680 Speaker 4: It's new. 16 00:00:41,560 --> 00:00:42,640 Speaker 2: I missed the old place. 17 00:00:42,920 --> 00:00:45,160 Speaker 4: Did you always have a gold microphone? 18 00:00:45,520 --> 00:00:47,559 Speaker 3: I've had it for a while. You know it boosts 19 00:00:47,560 --> 00:00:50,080 Speaker 3: my ego, you know what. It pops more in this room. 20 00:00:51,920 --> 00:00:53,400 Speaker 2: I'm gotta tell your story before I forget it. You 21 00:00:53,440 --> 00:00:55,720 Speaker 2: were you were doing Atlantic City several weeks ago. A 22 00:00:55,720 --> 00:00:57,880 Speaker 2: friend of mine was at your show, said it was unbelievable. 23 00:00:57,880 --> 00:01:00,400 Speaker 2: But in the middle of the show, off to your 24 00:01:00,480 --> 00:01:05,160 Speaker 2: left and some section got sick and actually vomited. And 25 00:01:05,200 --> 00:01:08,479 Speaker 2: then when they vomited, other people chain reaction around them 26 00:01:08,480 --> 00:01:11,759 Speaker 2: started vomiting to like, the entire section was vomiting at 27 00:01:11,800 --> 00:01:13,320 Speaker 2: your show? Did you know this was going on? 28 00:01:14,040 --> 00:01:15,280 Speaker 4: I knew something was going on. 29 00:01:16,040 --> 00:01:18,040 Speaker 3: I thought it was a fight at first, and then 30 00:01:18,080 --> 00:01:21,000 Speaker 3: there was a commotion a lot of ushers, and then 31 00:01:21,200 --> 00:01:24,040 Speaker 3: this section started, and then the section over there started, 32 00:01:24,080 --> 00:01:25,959 Speaker 3: So the whole place was vomiting. Whole place was But 33 00:01:26,000 --> 00:01:28,000 Speaker 3: I didn't know this. I just thought there was fights 34 00:01:28,040 --> 00:01:32,720 Speaker 3: breaking out. And then I asked because someone said, oh, 35 00:01:32,720 --> 00:01:35,120 Speaker 3: it's a medical issue, and I go, oh, is there 36 00:01:35,120 --> 00:01:39,960 Speaker 3: anybody a doctor in the house. Now, my audience, generally speaking, 37 00:01:40,600 --> 00:01:47,520 Speaker 3: doesn't have medical professionals available. If a pipe burst, maybe 38 00:01:47,600 --> 00:01:50,920 Speaker 3: someone in the audience, okay, fix it. We got a 39 00:01:50,920 --> 00:01:55,800 Speaker 3: lot of carpenters and tradesmen in my audience, brick layers. 40 00:01:55,880 --> 00:01:58,360 Speaker 4: Yeah. 41 00:01:59,320 --> 00:02:03,360 Speaker 3: So I excuse myself from the stage and I said, guys, 42 00:02:03,440 --> 00:02:06,240 Speaker 3: I'm gonna let this settle down and to go back. 43 00:02:06,720 --> 00:02:08,520 Speaker 3: So I go back, stags and what's going on there? 44 00:02:09,560 --> 00:02:12,280 Speaker 3: What's going on? Twenty five minutes go by. They said, 45 00:02:12,280 --> 00:02:15,960 Speaker 3: all right, we cleaned it up, get back out there. 46 00:02:16,000 --> 00:02:19,080 Speaker 3: So I finished my set and later found out that 47 00:02:19,440 --> 00:02:21,760 Speaker 3: there was a seventy year old man who threw up 48 00:02:21,760 --> 00:02:25,520 Speaker 3: on his lap and no he was tanked. 49 00:02:25,720 --> 00:02:28,679 Speaker 1: Oh yeah, okay, take him back to take him back away. 50 00:02:30,600 --> 00:02:31,880 Speaker 4: Drinking since noon. 51 00:02:35,960 --> 00:02:38,480 Speaker 3: And then started a training train reaction of other people 52 00:02:38,480 --> 00:02:40,680 Speaker 3: throwing up and they had to bring a hashmat team 53 00:02:40,680 --> 00:02:41,760 Speaker 3: in there to clean up. 54 00:02:41,760 --> 00:02:42,240 Speaker 4: To throw up. 55 00:02:43,440 --> 00:02:44,280 Speaker 2: Danielle is one of. 56 00:02:44,200 --> 00:02:46,960 Speaker 1: Those yeah that I cannot it cannot happen around me. 57 00:02:47,320 --> 00:02:50,400 Speaker 1: I will be They just said no, please, don't do it. 58 00:02:50,400 --> 00:02:54,480 Speaker 2: Don't okay, watch it, don't do it. So she is 59 00:02:55,720 --> 00:02:58,760 Speaker 2: definitely ill, just thinking about mayonnaise. Here it goes. 60 00:03:03,520 --> 00:03:05,119 Speaker 5: No, this is real. She'll actually pew. 61 00:03:05,480 --> 00:03:11,720 Speaker 2: Okay, okay, okay, stay by something else, discuss. 62 00:03:13,200 --> 00:03:15,880 Speaker 1: They're so mean, you crap to me all the time, 63 00:03:15,919 --> 00:03:18,000 Speaker 1: and I'll go over there and throw open the garbage case. 64 00:03:19,520 --> 00:03:21,200 Speaker 1: I smell it as soon as they talk about it. 65 00:03:21,280 --> 00:03:21,480 Speaker 4: I have. 66 00:03:21,760 --> 00:03:23,200 Speaker 1: I just smell it and I feel it. 67 00:03:23,200 --> 00:03:26,440 Speaker 2: It's okay, you're safe now. I don't want to see it. 68 00:03:28,919 --> 00:03:29,720 Speaker 4: Do you want to move your. 69 00:03:32,160 --> 00:03:36,400 Speaker 2: Rect look faces. I don't know what to do. 70 00:03:36,920 --> 00:03:38,640 Speaker 4: Well. I didn't know if that was like a put 71 00:03:38,680 --> 00:03:41,600 Speaker 4: on or what that was. She's fully recovered. 72 00:03:42,200 --> 00:03:43,480 Speaker 5: We can get her back, we can get her back 73 00:03:43,480 --> 00:03:43,760 Speaker 5: there again. 74 00:03:45,000 --> 00:03:51,200 Speaker 2: Don't let's move on we'll move on. You played your 75 00:03:51,280 --> 00:03:54,640 Speaker 2: last special was from Vegas. You come out on stage 76 00:03:54,640 --> 00:03:57,200 Speaker 2: in a tuxedo. But you know, you look at the audience. 77 00:03:57,840 --> 00:04:00,520 Speaker 2: You actually obviously requested people dress up for the because 78 00:04:00,520 --> 00:04:02,240 Speaker 2: that wasn't a typical Las Vegas crowd. 79 00:04:02,520 --> 00:04:03,040 Speaker 4: No, I asked. 80 00:04:03,120 --> 00:04:05,600 Speaker 3: I asked people to dress up, and I don't know, 81 00:04:05,760 --> 00:04:09,440 Speaker 3: maybe ten percent, and we took the people that dressed 82 00:04:09,520 --> 00:04:11,440 Speaker 3: up and we moved them to the front row to 83 00:04:11,480 --> 00:04:14,400 Speaker 3: make it look like people dress For the most part, 84 00:04:14,480 --> 00:04:18,520 Speaker 3: people came in, you know, swimsuits, they. 85 00:04:18,440 --> 00:04:20,040 Speaker 5: Recorded people who followed the rules. 86 00:04:20,080 --> 00:04:20,560 Speaker 2: Look at that. 87 00:04:20,640 --> 00:04:21,400 Speaker 3: Yeah that's good. 88 00:04:21,640 --> 00:04:24,719 Speaker 2: Oh stop, look at that. And you know, if you 89 00:04:24,760 --> 00:04:27,919 Speaker 2: go to a Sebastian Manos Coco show, you have people 90 00:04:28,040 --> 00:04:32,240 Speaker 2: in tracksuits, you have people in tuxedos. Everyone loves your 91 00:04:32,240 --> 00:04:35,039 Speaker 2: storytelling and that's what that's what we've always loved about you. 92 00:04:35,040 --> 00:04:37,960 Speaker 2: You don't tell jokes. No, I mean the science of 93 00:04:38,160 --> 00:04:42,760 Speaker 2: the Sebastian manosc Coat show is storytelling, storytelling, delivery, timing. 94 00:04:43,000 --> 00:04:43,200 Speaker 4: Yeah. 95 00:04:43,200 --> 00:04:44,920 Speaker 3: I don't sit and write jokes. I just kind of 96 00:04:44,960 --> 00:04:48,200 Speaker 3: regurgitate stories and experiences that I go through. 97 00:04:48,760 --> 00:04:49,800 Speaker 4: Uh, you know, whether it. 98 00:04:49,760 --> 00:04:56,400 Speaker 3: Be child wearing school and taking my kid to recitals. 99 00:04:56,720 --> 00:04:59,240 Speaker 4: Right, my little daughter. 100 00:04:59,400 --> 00:05:03,440 Speaker 3: I missed her first recital this past week because I'm 101 00:05:03,680 --> 00:05:08,040 Speaker 3: you know, doing press, and she was bawling and right, 102 00:05:08,400 --> 00:05:10,200 Speaker 3: and I hear that I was gonna call my agent 103 00:05:10,279 --> 00:05:10,680 Speaker 3: and go. 104 00:05:11,320 --> 00:05:16,400 Speaker 4: I'm retiring. I can't go through this anymore. So yeah, yeah, so, 105 00:05:16,680 --> 00:05:20,640 Speaker 4: uh yeah, I like that. I don't. I've never been 106 00:05:20,680 --> 00:05:22,440 Speaker 4: a joke writer. It's just not my style. 107 00:05:22,880 --> 00:05:24,840 Speaker 2: A lot of a lot of comedians are all about 108 00:05:24,920 --> 00:05:25,840 Speaker 2: joke after joke after joke. 109 00:05:25,920 --> 00:05:27,280 Speaker 1: What are you saying when things happen in your life? 110 00:05:27,320 --> 00:05:27,480 Speaker 3: Though? 111 00:05:27,480 --> 00:05:29,440 Speaker 1: Does it ever get to a point where, like someone 112 00:05:29,480 --> 00:05:32,839 Speaker 1: in your family will say, listen, this doesn't go to 113 00:05:32,880 --> 00:05:33,680 Speaker 1: the stage. 114 00:05:34,200 --> 00:05:37,720 Speaker 3: That's more my side, My mom and dad off the 115 00:05:37,760 --> 00:05:41,680 Speaker 3: record paper, Yeah, they're like, they don't one joke that 116 00:05:41,720 --> 00:05:44,720 Speaker 3: I do. My mother said, do that when I die? 117 00:05:46,160 --> 00:05:46,960 Speaker 4: What joke was that? 118 00:05:47,120 --> 00:05:52,320 Speaker 2: I can't tell you? Okay, okay, sorry now, yeah, we 119 00:05:52,320 --> 00:05:56,680 Speaker 2: don't want to rush things, slow that down. 120 00:05:57,000 --> 00:05:57,360 Speaker 4: Yeah. 121 00:05:57,480 --> 00:06:00,600 Speaker 2: So, I mean it's true. You go to see another comedian, 122 00:06:00,880 --> 00:06:03,200 Speaker 2: it is you can tell it's a very well structured 123 00:06:03,279 --> 00:06:05,440 Speaker 2: set of jokes. I mean, do you do you ever 124 00:06:05,520 --> 00:06:07,240 Speaker 2: go watch other comics do their thing? 125 00:06:07,760 --> 00:06:07,960 Speaker 4: You know? 126 00:06:08,040 --> 00:06:12,159 Speaker 3: I typically don't like to because not that I don't 127 00:06:12,200 --> 00:06:14,760 Speaker 3: want to laugh. It's just like something I saw Jim 128 00:06:14,800 --> 00:06:19,280 Speaker 3: gaff again right online. He does a joke that I 129 00:06:19,520 --> 00:06:24,600 Speaker 3: was going to start to develop about fitting into clothes, and. 130 00:06:24,839 --> 00:06:27,000 Speaker 4: I got so upset. I'm like, oh he did he 131 00:06:27,120 --> 00:06:28,640 Speaker 4: did it already, right right. 132 00:06:28,839 --> 00:06:31,640 Speaker 3: I'm glad I saw it because the premise was exactly 133 00:06:31,720 --> 00:06:34,200 Speaker 3: the same as my premise. So obviously you don't want 134 00:06:34,240 --> 00:06:36,680 Speaker 3: to do the same jokes other people are doing. But 135 00:06:36,760 --> 00:06:40,200 Speaker 3: I try not to watch other comedians just because sometimes 136 00:06:41,360 --> 00:06:42,120 Speaker 3: just for that reason. 137 00:06:42,200 --> 00:06:44,239 Speaker 2: Okay, yeah, wait, what was the joke? Do you remember 138 00:06:44,240 --> 00:06:45,080 Speaker 2: what he told? What he said? 139 00:06:45,120 --> 00:06:49,200 Speaker 3: The joke was, when you pack to go somewhere, Okay, 140 00:06:49,320 --> 00:06:51,600 Speaker 3: you're like putting the clothes and I'm not going to 141 00:06:51,640 --> 00:06:53,720 Speaker 3: do it justice Like You're like, I'll fit into that 142 00:06:54,240 --> 00:06:56,200 Speaker 3: you know, I'll fit into that shirt. 143 00:06:56,360 --> 00:06:58,160 Speaker 4: And then when you get to the destination you put 144 00:06:58,200 --> 00:07:00,200 Speaker 4: it on. It's like, you know, you. 145 00:07:00,440 --> 00:07:03,839 Speaker 3: Weren't going to lose you know, twenty pounds between the 146 00:07:03,880 --> 00:07:04,440 Speaker 3: time you. 147 00:07:04,360 --> 00:07:06,880 Speaker 2: Packed it and the time you put it on. Right, 148 00:07:09,080 --> 00:07:10,800 Speaker 2: that's Nate. Look at the shirt he's wearing right now. 149 00:07:12,720 --> 00:07:14,480 Speaker 2: So he thought the same thing and he told the 150 00:07:14,520 --> 00:07:15,000 Speaker 2: same joke. 151 00:07:15,080 --> 00:07:16,960 Speaker 3: Yeah, well, because I'm going I've been the way for 152 00:07:17,440 --> 00:07:19,160 Speaker 3: three and a half weeks. So I packed three and 153 00:07:19,200 --> 00:07:23,000 Speaker 3: a half weeks ago. Between then and now, I don't 154 00:07:23,000 --> 00:07:25,960 Speaker 3: fit into the clothes because I had Thanksgiving right and 155 00:07:26,000 --> 00:07:29,000 Speaker 3: now I barely could fit into this jacket. 156 00:07:30,800 --> 00:07:35,000 Speaker 4: So and he did it so well, and he's definitely 157 00:07:35,080 --> 00:07:35,840 Speaker 4: one of my favorites. 158 00:07:36,320 --> 00:07:40,240 Speaker 2: You know, we got to talk about Bookie. So Bookie 159 00:07:40,280 --> 00:07:45,560 Speaker 2: is on HBO Max. It's out working with Chuck Laurie 160 00:07:45,680 --> 00:07:48,600 Speaker 2: for instance. I mean, he's the god of one of 161 00:07:48,600 --> 00:07:53,200 Speaker 2: the gods of TV and things. And now you get 162 00:07:53,200 --> 00:07:54,800 Speaker 2: a call one day or you call them and it 163 00:07:55,120 --> 00:07:57,600 Speaker 2: comes together. What does that feel like? You're like, where 164 00:07:57,640 --> 00:07:59,680 Speaker 2: the hell did I come from? Now I'm doing a 165 00:07:59,720 --> 00:08:01,080 Speaker 2: show like this with a guy like that. 166 00:08:01,400 --> 00:08:06,920 Speaker 3: Yeah, So I pitched him a show about my life 167 00:08:07,080 --> 00:08:10,160 Speaker 3: and then he said, we have an idea about a 168 00:08:10,200 --> 00:08:14,520 Speaker 3: Bookie in Los Angeles, and I said, I like your 169 00:08:14,600 --> 00:08:21,240 Speaker 3: idea better. And he's navigating his personal life as well 170 00:08:21,280 --> 00:08:24,840 Speaker 3: as his professional life, and I'm like, ah, that sounds 171 00:08:24,880 --> 00:08:27,680 Speaker 3: like a really really great place to have a lot 172 00:08:27,720 --> 00:08:31,680 Speaker 3: of different comedy situations and working with him. You know, 173 00:08:31,840 --> 00:08:35,160 Speaker 3: this guy's got a thousand episodes of TV under his belt, 174 00:08:35,600 --> 00:08:39,800 Speaker 3: I have zero. So what better guy to pair with 175 00:08:39,920 --> 00:08:43,760 Speaker 3: than Chuck and Nick Backuy, who was kind of the 176 00:08:43,840 --> 00:08:47,040 Speaker 3: source of all the Bookie information because he likes to 177 00:08:48,080 --> 00:08:48,960 Speaker 3: he likes to gamble. 178 00:08:50,120 --> 00:08:52,520 Speaker 2: None of us have ever done a TV show or 179 00:08:52,559 --> 00:08:54,920 Speaker 2: a series. Is that the kind of world that you 180 00:08:54,920 --> 00:08:57,320 Speaker 2: would like to explore more of? Do you like that? 181 00:08:57,480 --> 00:08:58,920 Speaker 2: Or was it like never again? 182 00:08:59,600 --> 00:08:59,680 Speaker 4: No? 183 00:08:59,760 --> 00:09:03,760 Speaker 3: I'm hoping, okay that this gets renewed. Okay, all right, 184 00:09:03,800 --> 00:09:05,280 Speaker 3: that's why I'm here. 185 00:09:07,720 --> 00:09:08,439 Speaker 4: Do you take that? 186 00:09:08,880 --> 00:09:10,200 Speaker 2: Okay? Well, all right? 187 00:09:10,320 --> 00:09:11,239 Speaker 5: Acting lessons? 188 00:09:11,920 --> 00:09:18,160 Speaker 2: Yeah, I thought you like that. You'd be at your 189 00:09:18,240 --> 00:09:21,880 Speaker 2: daughter's recital right now if you didn't want a second season, 190 00:09:22,080 --> 00:09:22,760 Speaker 2: is what you're saying. 191 00:09:23,160 --> 00:09:25,719 Speaker 3: Yeah, I would love to do this again. Okay, I 192 00:09:25,760 --> 00:09:27,360 Speaker 3: would absolutely love it. I would I would do this. 193 00:09:27,360 --> 00:09:28,800 Speaker 1: Would you take any acting lessons? 194 00:09:28,920 --> 00:09:32,640 Speaker 3: I've taken acting lessons since nineteen ninety eight, oh wow, 195 00:09:32,679 --> 00:09:36,040 Speaker 3: periodically preparing myself. 196 00:09:35,720 --> 00:09:36,240 Speaker 4: For that day. 197 00:09:36,480 --> 00:09:39,240 Speaker 2: But this moment there you go. You know what, but 198 00:09:39,520 --> 00:09:41,000 Speaker 2: bat look at where you are now, look at what 199 00:09:41,000 --> 00:09:44,160 Speaker 2: you're doing and concerning where you're going, and they look 200 00:09:44,240 --> 00:09:47,240 Speaker 2: back before your past twenty five years ago, where you 201 00:09:47,240 --> 00:09:51,160 Speaker 2: were at the four seasons, right, people were returning food 202 00:09:51,480 --> 00:09:54,480 Speaker 2: to the kitchen, you know, and you had to go, Hey, yes, sir, 203 00:09:55,600 --> 00:09:57,280 Speaker 2: Do you miss that at all? Do you miss a 204 00:09:57,360 --> 00:10:01,120 Speaker 2: life of being anonymous and just being you a restaurant? 205 00:10:01,520 --> 00:10:04,840 Speaker 4: I wish I was a better waiter that I was. 206 00:10:05,080 --> 00:10:05,800 Speaker 2: What did you do wrong? 207 00:10:05,920 --> 00:10:06,079 Speaker 4: Mac? 208 00:10:06,320 --> 00:10:10,560 Speaker 3: I was angry that I was there, Okay, serving people, 209 00:10:10,679 --> 00:10:13,880 Speaker 3: I mean, And if I wasn't a comedian, I'd be 210 00:10:14,000 --> 00:10:19,120 Speaker 3: running a small boutique hotel in the Bahamas. 211 00:10:19,440 --> 00:10:20,960 Speaker 4: Okay, that's my vibe. 212 00:10:21,440 --> 00:10:24,080 Speaker 2: You can still do that. 213 00:10:23,880 --> 00:10:27,920 Speaker 4: It's not if the show don't get picked up, come 214 00:10:27,960 --> 00:10:28,680 Speaker 4: stay at my hotel. 215 00:10:30,679 --> 00:10:33,840 Speaker 2: What was your feeling about when the world famous Carolines 216 00:10:34,040 --> 00:10:36,080 Speaker 2: on Broadway here in New York City closed down? Was 217 00:10:36,080 --> 00:10:38,520 Speaker 2: it in your world? I mean in our world of 218 00:10:38,600 --> 00:10:40,880 Speaker 2: being New Yorkers and knowing Carolina in the family there, 219 00:10:41,360 --> 00:10:43,680 Speaker 2: it was kind of like a little little stab in 220 00:10:43,679 --> 00:10:45,360 Speaker 2: the chest of what is it like when you're a 221 00:10:45,400 --> 00:10:48,480 Speaker 2: comedian and an institution like that folds? 222 00:10:48,600 --> 00:10:51,240 Speaker 3: I only played it once, all right, but it's been, 223 00:10:51,559 --> 00:10:54,320 Speaker 3: you know, a pillar of the comedy clubs here in 224 00:10:54,360 --> 00:10:56,680 Speaker 3: the city. And I just found out, and I'm sure 225 00:10:56,720 --> 00:11:00,760 Speaker 3: you're aware of this, that it's now a ping pong haul. 226 00:11:01,000 --> 00:11:02,920 Speaker 4: Yeah, yeah, My question to. 227 00:11:02,920 --> 00:11:09,640 Speaker 3: You is is ping pong that popular? Like have you 228 00:11:09,720 --> 00:11:12,760 Speaker 3: ever got up and go I'm dying to play ping pong? 229 00:11:14,240 --> 00:11:15,880 Speaker 2: Where can we go that person? 230 00:11:18,040 --> 00:11:20,120 Speaker 5: Any of people and Chinese people, Man, we love our 231 00:11:20,160 --> 00:11:22,840 Speaker 5: ping pong. You can't take it away from us. Oh yeah, 232 00:11:22,880 --> 00:11:24,720 Speaker 5: for sure. If I know there's a ping pong table 233 00:11:24,720 --> 00:11:26,200 Speaker 5: at a place, I'm like, I'm there, We're gonna play. 234 00:11:26,280 --> 00:11:28,960 Speaker 2: But this is like Times Square, New York did the 235 00:11:29,000 --> 00:11:32,120 Speaker 2: real estate value of that place is kill They're. 236 00:11:31,960 --> 00:11:34,320 Speaker 1: Making the money for the rent that they're paying, because 237 00:11:34,480 --> 00:11:35,200 Speaker 1: that's a lot of rent. 238 00:11:35,240 --> 00:11:37,400 Speaker 2: It's doing better than a comedy a club. I think, 239 00:11:37,600 --> 00:11:37,920 Speaker 2: I don't know. 240 00:11:38,080 --> 00:11:39,960 Speaker 3: I don't I don't know. And I like the fact 241 00:11:39,960 --> 00:11:43,200 Speaker 3: that you play ping pong. I love ping pong. I 242 00:11:43,240 --> 00:11:45,800 Speaker 3: had a ping pong table in my basement growing up. 243 00:11:46,160 --> 00:11:52,520 Speaker 3: Now I have what I call a Sicilian slice. You 244 00:11:52,600 --> 00:11:56,320 Speaker 3: can't return it. Really, the ball goes all over. Really, 245 00:11:56,400 --> 00:11:59,040 Speaker 3: there's a spin to it, this spin on this thing 246 00:11:59,080 --> 00:12:02,880 Speaker 3: I like to call it in Okay, it skips off 247 00:12:02,920 --> 00:12:03,319 Speaker 3: the table. 248 00:12:03,360 --> 00:12:04,680 Speaker 4: You don't even know what happened. 249 00:12:06,920 --> 00:12:10,320 Speaker 3: And from the room that you have out here, all right, 250 00:12:10,600 --> 00:12:13,800 Speaker 3: and I'm requesting here today. The next time I come back. 251 00:12:14,679 --> 00:12:15,840 Speaker 3: I want a ping pong tea. 252 00:12:17,559 --> 00:12:18,040 Speaker 4: I could do that. 253 00:12:18,440 --> 00:12:19,000 Speaker 1: I could bring it. 254 00:12:19,040 --> 00:12:27,480 Speaker 2: I can bring it in cash, I can fold up 255 00:12:27,520 --> 00:12:29,880 Speaker 2: and I've bring with that request. We need someone to 256 00:12:29,920 --> 00:12:32,720 Speaker 2: play you and you can play ping pong? My god, Yeah, 257 00:12:32,960 --> 00:12:36,440 Speaker 2: are Indian house pain. That's all you Indian people do, 258 00:12:36,480 --> 00:12:37,360 Speaker 2: sit around play ping pong. 259 00:12:37,480 --> 00:12:40,480 Speaker 5: Then we're not not great at a ton of other athletics. Uh, 260 00:12:40,480 --> 00:12:43,680 Speaker 5: but ping pong is great, and cricket and my dad horrible. 261 00:12:43,720 --> 00:12:45,720 Speaker 5: I feel like you might appreciate this with Italian parents. 262 00:12:46,160 --> 00:12:47,719 Speaker 5: I had a bird and I really wanted to get 263 00:12:47,720 --> 00:12:49,400 Speaker 5: it at a bird palace. And my dad always wanted 264 00:12:49,400 --> 00:12:51,000 Speaker 5: to play ping pong, but no one will play with him. 265 00:12:51,000 --> 00:12:52,560 Speaker 5: So he'd try to get me to play, and he'd say, 266 00:12:52,679 --> 00:12:54,920 Speaker 5: we're gonna play till eleven. I'm gonna spot you ten. 267 00:12:55,320 --> 00:12:57,880 Speaker 5: If you beat me, chummy gets his bird palace. And 268 00:12:57,920 --> 00:12:59,960 Speaker 5: he kicked my ass every single time. 269 00:13:00,360 --> 00:13:02,400 Speaker 2: So show me never got a bird got the bird 270 00:13:02,400 --> 00:13:05,800 Speaker 2: palace ever. Okay, So of course we're talking about Bookie 271 00:13:05,880 --> 00:13:06,680 Speaker 2: on HBO Max. 272 00:13:06,800 --> 00:13:07,200 Speaker 4: What else? 273 00:13:07,240 --> 00:13:09,480 Speaker 2: I mean, where are you going to be selling out 274 00:13:09,480 --> 00:13:10,760 Speaker 2: more arenas anytime soon? 275 00:13:10,880 --> 00:13:13,240 Speaker 4: Yeah? So we just put a tour on sale. Uh 276 00:13:13,760 --> 00:13:15,880 Speaker 4: what was it yesterday? Artists pre sale right? 277 00:13:16,880 --> 00:13:21,120 Speaker 3: Actually tickets are in sale today for the general public, 278 00:13:21,440 --> 00:13:24,960 Speaker 3: and it's called it ain't right, It ain't right tour 279 00:13:25,360 --> 00:13:28,360 Speaker 3: right because a lot of things in the world right 280 00:13:28,360 --> 00:13:29,480 Speaker 3: now ain't right. 281 00:13:29,600 --> 00:13:31,520 Speaker 2: For example, I don't have I don't have any clue 282 00:13:31,559 --> 00:13:34,320 Speaker 2: of that. Give me some examples I need to learn. 283 00:13:35,120 --> 00:13:38,480 Speaker 3: It ain't right that when I get out of bed 284 00:13:38,520 --> 00:13:41,800 Speaker 3: in the morning, the amount of sounds that are coming 285 00:13:41,840 --> 00:13:45,360 Speaker 3: from my body in a ray. 286 00:13:45,880 --> 00:13:46,200 Speaker 4: Amen. 287 00:13:47,080 --> 00:13:47,680 Speaker 2: What's your question? 288 00:13:47,760 --> 00:13:49,280 Speaker 4: Scary with with comedians? 289 00:13:49,280 --> 00:13:52,200 Speaker 2: I know it's always onward upward, it's always new material, 290 00:13:52,400 --> 00:13:54,400 Speaker 2: But how do you feel when people, you know, get 291 00:13:54,440 --> 00:13:57,040 Speaker 2: reminiscent and they're like they want to request something they 292 00:13:57,040 --> 00:13:59,080 Speaker 2: saw like on you one of your you know, showtime 293 00:13:59,200 --> 00:14:01,400 Speaker 2: or old YouTube clips and things like that. How do 294 00:14:01,440 --> 00:14:03,280 Speaker 2: you scream about intimends? The intimates? 295 00:14:05,360 --> 00:14:08,959 Speaker 3: You know what I've often thought about because a lot 296 00:14:09,000 --> 00:14:12,920 Speaker 3: of people haven't seen these bits that I have online, 297 00:14:13,000 --> 00:14:15,600 Speaker 3: they haven't seen them live. So I was wondering at 298 00:14:15,640 --> 00:14:18,720 Speaker 3: the end of my show on this particular tour, and 299 00:14:18,760 --> 00:14:22,240 Speaker 3: I haven't decided this yet, would the audience like for 300 00:14:22,360 --> 00:14:26,200 Speaker 3: the last fifteen minutes of the set? Do you know 301 00:14:26,600 --> 00:14:31,400 Speaker 3: Chip Poulte or company or subway or are some of 302 00:14:31,400 --> 00:14:35,520 Speaker 3: these bits that people really enjoy. So problem comedians run 303 00:14:35,560 --> 00:14:39,320 Speaker 3: into is if they do that, sometimes the audience goes, 304 00:14:39,600 --> 00:14:41,000 Speaker 3: we we saw it. 305 00:14:41,040 --> 00:14:43,440 Speaker 2: But if you showcase it, it's something you've done. 306 00:14:43,520 --> 00:14:47,120 Speaker 1: The fifteen minutes, rewind the rewind the throw. 307 00:14:48,400 --> 00:14:50,600 Speaker 2: Yeah, don't don't poopo it. I think it's an idea. 308 00:14:51,280 --> 00:14:54,880 Speaker 2: There you go, Danielle once again ping pong and old material. 309 00:14:55,640 --> 00:14:55,960 Speaker 5: Love it. 310 00:14:56,040 --> 00:14:58,920 Speaker 2: We've really put you on a great course. I'll be 311 00:14:58,960 --> 00:15:05,880 Speaker 2: your consultant. So the tour of course on sale today today. Right, Uh, 312 00:15:05,920 --> 00:15:06,680 Speaker 2: it ain't right. 313 00:15:06,760 --> 00:15:08,080 Speaker 4: Coming to Madison Square Garden. 314 00:15:08,280 --> 00:15:11,640 Speaker 2: Of course, you got to go to Sebastian Live dot 315 00:15:11,640 --> 00:15:14,080 Speaker 2: com to find out where he's gonna be near you. 316 00:15:14,120 --> 00:15:17,560 Speaker 2: And he gets those tickets. That's Sebastian Live dot Com. Also, 317 00:15:18,000 --> 00:15:21,200 Speaker 2: the series Bookie is out now. It's all about Sebastian 318 00:15:21,200 --> 00:15:24,360 Speaker 2: Madis Gaalco. Of course, he's got the Pete Sebastian Show 319 00:15:24,640 --> 00:15:27,160 Speaker 2: on the podcast level. You got everything going on. 320 00:15:27,440 --> 00:15:29,480 Speaker 4: And try and I'm trying to feed my family. 321 00:15:29,640 --> 00:15:31,520 Speaker 1: I think you should have a good jacket line because 322 00:15:31,560 --> 00:15:33,200 Speaker 1: you always wear the coolest jackets. 323 00:15:33,360 --> 00:15:35,360 Speaker 2: Add jackets to our percentage we're gonna make from you. 324 00:15:35,400 --> 00:15:37,120 Speaker 4: All right, get this thing up and right. You want 325 00:15:37,160 --> 00:15:37,800 Speaker 4: to come work for me? 326 00:15:38,240 --> 00:15:43,560 Speaker 2: Yeah, Paulga Jackets, We're gonna hohore you out and we're 327 00:15:43,560 --> 00:15:47,960 Speaker 2: gonna become so wealthy. Sebastian metascalco, Hey, thanks for having me. 328 00:15:48,240 --> 00:15:49,760 Speaker 2: I've wondered what we look like. 329 00:15:50,360 --> 00:15:52,160 Speaker 4: Do you think I look in bread? I do? 330 00:15:52,640 --> 00:15:56,560 Speaker 1: Follow us on Instagram at Elvis Durant Show Elvis duran 331 00:15:56,640 --> 00:15:57,440 Speaker 1: In the Morning show. 332 00:15:57,720 --> 00:16:00,600 Speaker 4: During Miami Art Week, chasefire A Reserve Card members like 333 00:16:00,640 --> 00:16:03,480 Speaker 4: me have access into the exclusive Sapphire Lounge that lows 334 00:16:03,520 --> 00:16:06,680 Speaker 4: Miami Beach Hotel, featuring art exhibits, curated food, premium cocktails, 335 00:16:06,680 --> 00:16:09,600 Speaker 4: a list artists, and more. Visit Chase dot com Slash 336 00:16:09,680 --> 00:16:10,720 Speaker 4: Sapphire Experiences. 337 00:16:10,720 --> 00:16:12,640 Speaker 2: Cards issued by JP Morgan, Chase Bank, and a member 338 00:16:12,640 --> 00:16:14,640 Speaker 2: of FDIC, subject to credit approval terms apply