1 00:00:00,400 --> 00:00:05,320 Speaker 1: Today versus. Hey, welcome to the weekend, and of course 2 00:00:05,360 --> 00:00:07,840 Speaker 1: this podcast exclusive that you can only get right here 3 00:00:07,960 --> 00:00:09,480 Speaker 1: on the Brook and Jeffrey Podcast. 4 00:00:09,520 --> 00:00:11,160 Speaker 2: Yeah, and don't let me tell you it's free. You 5 00:00:11,160 --> 00:00:15,000 Speaker 2: can bend moment five. I mean it's optional. 6 00:00:15,720 --> 00:00:18,120 Speaker 1: I love, I love. We've had a couple of listeners, 7 00:00:18,160 --> 00:00:21,079 Speaker 1: I love you all that have been complaining about commercials. 8 00:00:21,280 --> 00:00:23,599 Speaker 1: Come on, guys, listen, we need to do that. You 9 00:00:23,640 --> 00:00:26,439 Speaker 1: don't pay for this content. It is free ninety nine. 10 00:00:27,000 --> 00:00:29,880 Speaker 1: We do have mortgages. 11 00:00:29,880 --> 00:00:32,760 Speaker 3: Every podcast has commercials. 12 00:00:32,760 --> 00:00:34,920 Speaker 2: Hey, you know what, it's just because we're so freaking funny. 13 00:00:34,920 --> 00:00:36,360 Speaker 2: They're like, oh my god, let's get this over with 14 00:00:36,440 --> 00:00:38,839 Speaker 2: and get to the people. We're here. 15 00:00:39,240 --> 00:00:42,120 Speaker 1: We're here, We're here. And if you missed our summer Dare, 16 00:00:42,240 --> 00:00:47,800 Speaker 1: you wouldn't Dare Summertime Olympic Challenge. I know. Yeah, but 17 00:00:47,920 --> 00:00:50,839 Speaker 1: we've got some really fun videos right now on our YouTube. 18 00:00:50,840 --> 00:00:53,400 Speaker 1: You can just go to YouTube slash Brook and Jeffrey. 19 00:00:53,520 --> 00:00:55,400 Speaker 1: So yeah, all right, let's get to the game where 20 00:00:55,400 --> 00:00:59,640 Speaker 1: we put the generations against each other. This week, alexis 21 00:00:59,640 --> 00:01:01,960 Speaker 1: represent I mean, gen Z will be answering some questions 22 00:01:01,960 --> 00:01:04,760 Speaker 1: about the eighties and nineties all things that happened before 23 00:01:04,840 --> 00:01:08,000 Speaker 1: she was born. And I can't believe I'm saying this. 24 00:01:08,120 --> 00:01:10,440 Speaker 1: And I think this may free Cose out too, because 25 00:01:10,480 --> 00:01:14,319 Speaker 1: I know your sister was a big fan. But thirty 26 00:01:14,440 --> 00:01:20,679 Speaker 1: years ago, thirty years ago, TLC released their album Crazy Sexy, 27 00:01:20,720 --> 00:01:24,680 Speaker 1: Cool Wow. It included the song Creep God. I love 28 00:01:24,720 --> 00:01:31,479 Speaker 1: this song. Yeah, water Balls, I mean if skyrocketed them. 29 00:01:31,560 --> 00:01:35,000 Speaker 1: They got multiple Grammys. And I just want to know 30 00:01:35,360 --> 00:01:40,440 Speaker 1: how well Alexis knows the iconic nineties group. Well, we'll 31 00:01:40,440 --> 00:01:42,959 Speaker 1: find out, a guess. Yeah. So I'm gonna give you 32 00:01:43,000 --> 00:01:45,280 Speaker 1: three facts about TLC, and you just tell me which 33 00:01:45,319 --> 00:01:47,840 Speaker 1: one is not true. All right, all right, right, So 34 00:01:48,160 --> 00:01:54,400 Speaker 1: here are your facts. A. TLC stands for Tender Loving Care, Okay. 35 00:01:55,200 --> 00:01:59,360 Speaker 1: B TLC recorded the theme song for Nickelodeon kids shows. 36 00:01:59,520 --> 00:02:03,480 Speaker 1: Oh or see, Chili was not one of the original 37 00:02:03,520 --> 00:02:07,200 Speaker 1: band members. It was actually t Bo's left eye and Crystal. 38 00:02:07,880 --> 00:02:11,880 Speaker 3: Okay, walk us through what you know about Oh, I 39 00:02:11,919 --> 00:02:14,320 Speaker 3: know the left eye name because we've talked about it. 40 00:02:14,440 --> 00:02:17,560 Speaker 1: Yeah, that's all I know about her. Lisa left like 41 00:02:17,600 --> 00:02:20,079 Speaker 1: a black all I know. 42 00:02:20,120 --> 00:02:21,639 Speaker 3: I couldn't tell you another name in the group. The 43 00:02:21,720 --> 00:02:24,720 Speaker 3: name one totally up for whatever for me. I know 44 00:02:24,800 --> 00:02:27,080 Speaker 3: TLC does stand for tenor lovel care. I don't know 45 00:02:27,080 --> 00:02:30,200 Speaker 3: if they're named after that, but they don't seem very tender. 46 00:02:30,400 --> 00:02:33,079 Speaker 3: I mean, I really really know their song no scrubs 47 00:02:33,680 --> 00:02:34,440 Speaker 3: for Nickelodeon. 48 00:02:34,480 --> 00:02:35,840 Speaker 1: With that, I don't know. 49 00:02:35,880 --> 00:02:37,960 Speaker 3: I feel like they didn't do songs for Nickelodeon. 50 00:02:38,200 --> 00:02:41,440 Speaker 1: I don't know. Nope, I'm wrong your head, Yeah, okay, 51 00:02:41,720 --> 00:02:44,919 Speaker 1: I love answers, and then says I don't know. Yeah, wait, 52 00:02:44,960 --> 00:02:49,720 Speaker 1: I'm always confused. Is that your answer? And it makes 53 00:02:49,720 --> 00:02:53,840 Speaker 1: sense now. No, they actually recorded the theme song for 54 00:02:53,919 --> 00:02:59,520 Speaker 1: Nickelodeon's nineties sketch show All That the one that was 55 00:02:59,560 --> 00:03:02,440 Speaker 1: fake that TLC does not stand for Tender Loving Hair. 56 00:03:02,600 --> 00:03:07,440 Speaker 1: It's the name of it's the first letter of their names. Well, 57 00:03:07,480 --> 00:03:12,359 Speaker 1: originally it was Crystal Jones. No, yes, yes, And she's 58 00:03:12,400 --> 00:03:14,280 Speaker 1: the one that put out an ad to start a 59 00:03:14,320 --> 00:03:16,880 Speaker 1: girl group and then she got booted because she got 60 00:03:17,720 --> 00:03:19,440 Speaker 1: well she could. They got into a big fight with 61 00:03:19,560 --> 00:03:21,720 Speaker 1: management and she didn't want to sign this contract, which 62 00:03:21,760 --> 00:03:24,040 Speaker 1: actually turned out to be a good idea because anyway 63 00:03:24,080 --> 00:03:28,440 Speaker 1: it goes on and on bankrupt. But yes, TLC was not. 64 00:03:29,080 --> 00:03:30,560 Speaker 3: Do they have to find someone with a name that 65 00:03:30,600 --> 00:03:31,800 Speaker 3: started to see them to replace. 66 00:03:32,200 --> 00:03:34,960 Speaker 1: Well, her name wasn't see it's like Rizonda, like they 67 00:03:35,040 --> 00:03:38,840 Speaker 1: just made her chili. Yeah, they made her conformed to 68 00:03:38,880 --> 00:03:45,760 Speaker 1: the scene. Got it all right? Next question, you don't 69 00:03:45,760 --> 00:03:47,600 Speaker 1: have any points on the board, yes, my friend, but 70 00:03:47,640 --> 00:03:50,000 Speaker 1: maybe you will yes. Okay. So one of my favorite 71 00:03:50,000 --> 00:03:58,480 Speaker 1: movies from the nineties was Set It Off. Yes, soundtrack, 72 00:03:59,800 --> 00:04:03,200 Speaker 1: it's so good. And that song, of course, is from 73 00:04:03,200 --> 00:04:06,600 Speaker 1: the soundtrack, and it started Jada Pinquette okay, Queen Latifa, 74 00:04:07,200 --> 00:04:12,040 Speaker 1: Vivica A Fox, and Kimberly Elise okay, right, huge stars, 75 00:04:12,440 --> 00:04:15,400 Speaker 1: and the entire plot is seted around the crime the 76 00:04:15,440 --> 00:04:20,120 Speaker 1: four of them commit. Alexis, can you figure out what 77 00:04:20,240 --> 00:04:24,479 Speaker 1: crime they committed? Okay, it's called. 78 00:04:24,320 --> 00:04:27,520 Speaker 3: Set them up, set it off off, start with the 79 00:04:27,560 --> 00:04:30,080 Speaker 3: right name. Yeah, set it off. You set off a 80 00:04:30,160 --> 00:04:34,560 Speaker 3: fire alarm, you set off any alarm actually anywhere, So 81 00:04:34,560 --> 00:04:36,360 Speaker 3: that doesn't really limit any crime. 82 00:04:37,800 --> 00:04:38,560 Speaker 1: That route. 83 00:04:38,880 --> 00:04:41,840 Speaker 3: Okay, four girls, what are you doing? Could be the 84 00:04:41,880 --> 00:04:44,560 Speaker 3: original Oceans You're stealing something from. 85 00:04:44,680 --> 00:04:46,840 Speaker 2: That's what I was thinking, like a museum or a 86 00:04:46,839 --> 00:04:48,159 Speaker 2: casino or a bank. 87 00:04:48,400 --> 00:04:51,800 Speaker 3: Yeah, like og Oceans eight, but it was like Ocean's 88 00:04:51,800 --> 00:04:53,880 Speaker 3: four of them. 89 00:04:54,000 --> 00:04:55,599 Speaker 2: I never saw this, so I really have no idea. 90 00:04:55,640 --> 00:04:57,479 Speaker 3: I feel like it's got to involve a man, like 91 00:04:57,600 --> 00:05:00,719 Speaker 3: either they're, you know, stealing some thing from him, or 92 00:05:01,080 --> 00:05:02,120 Speaker 3: it's a crime they're committing. 93 00:05:02,240 --> 00:05:04,960 Speaker 1: Yeah, what crime do they commit? They could be breaking 94 00:05:05,839 --> 00:05:06,919 Speaker 1: I could see the making. 95 00:05:06,920 --> 00:05:09,560 Speaker 3: Of them breaking into a guy's house, like maybe not 96 00:05:09,600 --> 00:05:10,200 Speaker 3: even an ex. 97 00:05:10,279 --> 00:05:11,360 Speaker 1: Maybe it's just like. 98 00:05:12,720 --> 00:05:13,880 Speaker 2: Right now, we're gonna go break it. 99 00:05:14,400 --> 00:05:16,040 Speaker 3: I think it's someone with a nice pool, like I 100 00:05:16,160 --> 00:05:22,080 Speaker 3: think came just a nice I'm gonna say Burglary. 101 00:05:22,160 --> 00:05:26,040 Speaker 1: Yeah, I'm sorry that it's not correct. Play the audio. 102 00:05:26,560 --> 00:05:29,120 Speaker 1: Do you know the Rinsen have got away with twenty grand? 103 00:05:29,960 --> 00:05:30,960 Speaker 1: Guess what we need to do? 104 00:05:31,640 --> 00:05:32,280 Speaker 2: Problem Bank? 105 00:05:35,480 --> 00:05:39,080 Speaker 1: This is the nineties, Alexis. This isn't about men. Okay, 106 00:05:39,800 --> 00:05:43,240 Speaker 1: women taking charge and doing their own thing. You guys. Honestly, 107 00:05:43,480 --> 00:05:45,880 Speaker 1: if you have not seen Set Out Off, I really haven't. 108 00:05:45,960 --> 00:05:48,920 Speaker 1: Ten out of ten it brooks fair show. It's not 109 00:05:48,960 --> 00:05:51,520 Speaker 1: gonna be about that lame leg. 110 00:05:53,040 --> 00:05:55,040 Speaker 2: Is it at all? Or is it just really good 111 00:05:55,160 --> 00:05:56,360 Speaker 2: dramatics like it's a. 112 00:05:56,320 --> 00:06:00,240 Speaker 1: Good it's a heist movie. Highly critically acclaimed. Okay, they 113 00:06:00,800 --> 00:06:03,480 Speaker 1: this movie cost them nine million dollars to make and 114 00:06:03,520 --> 00:06:09,679 Speaker 1: it made forty one million at the box office. Okay, 115 00:06:09,760 --> 00:06:11,839 Speaker 1: we haven't gotten a point yet, Alexis, but I have 116 00:06:11,960 --> 00:06:15,200 Speaker 1: not given up hope. Okay, this one, this one's a 117 00:06:15,279 --> 00:06:18,480 Speaker 1: little bit of a strange question, all right. Okay, So 118 00:06:18,600 --> 00:06:21,680 Speaker 1: if you lived in the eighties and nineties, you knew 119 00:06:21,680 --> 00:06:24,160 Speaker 1: that every night, at an appointed hour it depended on 120 00:06:24,200 --> 00:06:27,160 Speaker 1: where you lived in the country, But at somewhere between 121 00:06:27,200 --> 00:06:31,200 Speaker 1: like midnight and one am, usually TV stations all around 122 00:06:31,200 --> 00:06:34,440 Speaker 1: the country would play the national anthem and then after 123 00:06:34,520 --> 00:06:36,560 Speaker 1: that the screen would fill with static and then this 124 00:06:36,640 --> 00:06:44,479 Speaker 1: sound would come on. Yep, okay, Alexis, can you tell 125 00:06:44,520 --> 00:06:48,040 Speaker 1: me why all the TV stations would do this? They 126 00:06:48,080 --> 00:06:50,680 Speaker 1: all did it for the same reason. What in the 127 00:06:50,720 --> 00:06:54,039 Speaker 1: middle of the night? Yeah, midnight, one am, sometimes two am. 128 00:06:54,240 --> 00:06:56,640 Speaker 2: I remember at two am on TV was the fuzzy boobs, 129 00:06:56,800 --> 00:06:59,080 Speaker 2: Like there was fuzzy channels and you'd maybe see a 130 00:06:59,080 --> 00:07:01,680 Speaker 2: boob on HBO and that was it. I don't remember 131 00:07:01,680 --> 00:07:02,640 Speaker 2: anything else at two am. 132 00:07:02,800 --> 00:07:04,839 Speaker 1: You probably never witnessed this, Jose, because like in the 133 00:07:04,880 --> 00:07:07,880 Speaker 1: bigger cities, this probably only lasted to the mid eighties. 134 00:07:08,640 --> 00:07:10,520 Speaker 1: So I was too young. Yeah, but like where I 135 00:07:10,560 --> 00:07:12,760 Speaker 1: grew up, it lasted until the early nineties because you're 136 00:07:12,760 --> 00:07:14,720 Speaker 1: from Yeah, rural. 137 00:07:16,040 --> 00:07:18,160 Speaker 3: Happened in rural places longer. I was thinking that though, 138 00:07:18,200 --> 00:07:19,600 Speaker 3: Jose I was like, it's time for the kids to 139 00:07:19,600 --> 00:07:21,400 Speaker 3: clear out. 140 00:07:21,560 --> 00:07:24,600 Speaker 1: Kids, go hold on, listen to her. 141 00:07:24,640 --> 00:07:26,400 Speaker 2: I want to try to help. If it's a small 142 00:07:26,440 --> 00:07:28,040 Speaker 2: town would be the last ones to get it, then 143 00:07:28,040 --> 00:07:29,840 Speaker 2: it's probably big cities with more tech. 144 00:07:30,160 --> 00:07:32,080 Speaker 3: I don't know what you want to invest your antenna 145 00:07:32,200 --> 00:07:32,480 Speaker 3: or something. 146 00:07:32,520 --> 00:07:35,600 Speaker 1: Did you have antennas back then? Yeah, you're working. Maybe 147 00:07:35,680 --> 00:07:39,720 Speaker 1: those kids stop working in the I don't know. Oh 148 00:07:39,800 --> 00:07:41,800 Speaker 1: my god. Our TV when I was growing up in 149 00:07:41,800 --> 00:07:44,760 Speaker 1: the eighties, when I was little, had the dial had broken, 150 00:07:44,840 --> 00:07:46,960 Speaker 1: So you had a player of pliers and so you 151 00:07:47,360 --> 00:07:49,560 Speaker 1: in order to change the channel, you'd have to use 152 00:07:49,600 --> 00:07:52,200 Speaker 1: a pair of pliers to reach in to get the 153 00:07:52,200 --> 00:07:53,080 Speaker 1: dial and turn it. 154 00:07:53,160 --> 00:07:55,120 Speaker 3: Ohy am, I thinking of like, I think it's like 155 00:07:55,200 --> 00:07:57,480 Speaker 3: radio jocks working at night. You know, imagine someone behind 156 00:07:57,480 --> 00:07:59,440 Speaker 3: the scenes of TV at night and they're like, snack break, Yeah, 157 00:07:59,440 --> 00:08:00,000 Speaker 3: we're gonna. 158 00:08:02,800 --> 00:08:05,320 Speaker 1: Do something, switching something out. Those are the guys in 159 00:08:05,400 --> 00:08:06,080 Speaker 1: master control. 160 00:08:07,440 --> 00:08:11,119 Speaker 3: I'm gonna say, I think that they needed a little 161 00:08:11,320 --> 00:08:12,320 Speaker 3: something had to reset. 162 00:08:12,480 --> 00:08:15,080 Speaker 1: Can I just be general a tech thing? The tech 163 00:08:15,080 --> 00:08:19,000 Speaker 1: guys needed to like, Okay, I'm gonna go. No, you're okay, 164 00:08:19,280 --> 00:08:22,560 Speaker 1: you're not far off. I think the TV stations were 165 00:08:22,560 --> 00:08:25,480 Speaker 1: literally signing off like there was it ended, there was 166 00:08:25,560 --> 00:08:28,880 Speaker 1: no more TV, Like, you couldn't watch shows, nothing, there 167 00:08:28,920 --> 00:08:31,040 Speaker 1: was nothing. And sometimes and they would all do the 168 00:08:31,080 --> 00:08:33,719 Speaker 1: national anthem. So sometimes they the news station that was 169 00:08:33,760 --> 00:08:36,200 Speaker 1: there would play like, hey, don't miss the morning news 170 00:08:36,240 --> 00:08:38,800 Speaker 1: starting at five am or wherever whenever they would turn 171 00:08:38,920 --> 00:08:41,720 Speaker 1: back on. But yeah, but like if you went to 172 00:08:41,760 --> 00:08:45,360 Speaker 1: the television at three in the morning, there would be nothing. 173 00:08:46,160 --> 00:08:48,720 Speaker 1: It would be the bars, the colored bars. The reason 174 00:08:48,720 --> 00:08:51,360 Speaker 1: why they didn't do it in cities sooner than rural 175 00:08:51,360 --> 00:08:54,880 Speaker 1: areas is that cable came to cities before cable came 176 00:08:54,960 --> 00:09:00,240 Speaker 1: out to where I land. You know, remember CNN was 177 00:09:00,240 --> 00:09:02,760 Speaker 1: the first twenty four hour news station, like the first 178 00:09:02,800 --> 00:09:04,840 Speaker 1: station that was doing twenty four hour anything. 179 00:09:05,480 --> 00:09:07,640 Speaker 3: So not even turning to the fuzzy boots, just nothing, 180 00:09:07,840 --> 00:09:09,280 Speaker 3: just nothing up. 181 00:09:09,640 --> 00:09:13,080 Speaker 1: That was a fun Yeah. I meant you sucked, but 182 00:09:13,200 --> 00:09:16,560 Speaker 1: it's okay, it's okay. Expect much else. You know, there's 183 00:09:16,600 --> 00:09:18,800 Speaker 1: always next week. Hey, thanks for being here on the 184 00:09:18,800 --> 00:09:20,599 Speaker 1: weekends with us. We've got a brand new show a 185 00:09:20,640 --> 00:09:23,760 Speaker 1: great loser line Monday morning for you and if you 186 00:09:23,880 --> 00:09:27,840 Speaker 1: can subscribe or like, follow whatever your little device says 187 00:09:27,840 --> 00:09:28,719 Speaker 1: for you to do, you have to. 188 00:09:28,800 --> 00:09:30,800 Speaker 2: Hey, just take your finger, push all the buttons around, 189 00:09:30,840 --> 00:09:32,920 Speaker 2: push on the button everything you see and thanks for 190 00:09:32,920 --> 00:09:33,360 Speaker 2: being with us. 191 00:09:33,360 --> 00:09:38,040 Speaker 1: It's been Jeffrey in the morning. Hold on, we're off. 192 00:09:38,080 --> 00:09:40,000 Speaker 1: We're off now, no more, no more radio.