WEBVTT - Conversations On Why Drake Isn't Hip Hop

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealer's podcast with your hosts now fuck That with your

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<v Speaker 1>loaw glasses Malone So most death. Oh yes, right, So

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<v Speaker 1>I had this conversation probably like I don't know two

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<v Speaker 1>three years ago, but it resurfaced on the Breakfast Club

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<v Speaker 1>last year. Yes, me and Charlottagne and Mby was talking

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<v Speaker 1>about it, and it was the same thing about why

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<v Speaker 1>Drake isn't hip hop?

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<v Speaker 2>Yeah, and.

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<v Speaker 1>I see what happened, bro, It's been like so much

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<v Speaker 1>shit about It's been so much shit people confuse rap

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<v Speaker 1>and hip hop. So you have people screaming like, oh

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<v Speaker 1>Drake can rap, and I'm like, rap is the mainstream

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<v Speaker 1>delivery system, you know, of music entertainment at this point,

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<v Speaker 1>Like Madonna can't see medium.

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<v Speaker 2>Hip hop is the content so to speak.

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<v Speaker 1>Yeah, right, Madonna can't sing, but the way you made

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<v Speaker 1>music at that time, you you singing, right, So she

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<v Speaker 1>might have kind of interpreted funk in her own way, right,

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<v Speaker 1>she might interpreted funk in her own way, or you know,

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<v Speaker 1>R and B in her own way, but that don't

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<v Speaker 1>mean Madonna is an R and B artist. Yeah, So

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<v Speaker 1>I'm starting to understand the problem people hear Drake rap,

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<v Speaker 1>so they're like, oh, anybody who rap is hip hop?

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<v Speaker 1>If you rap, your hip hop, And it's like, so

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<v Speaker 1>you're behind on the A ball because you're not looking

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<v Speaker 1>at rap as you know, the delivery system that has

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<v Speaker 1>went pop to the fact that like Mighty Cyrus has

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<v Speaker 1>a fucking album.

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<v Speaker 3>It's like saying fred Durst back of that what was

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<v Speaker 3>that rock group he had like in the turn of

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<v Speaker 3>the millennium, Like he was hip hop because he rapped

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<v Speaker 3>the verses.

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<v Speaker 2>On the metal band.

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<v Speaker 1>Yeah, great point, and or like saying or like saying, uh,

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<v Speaker 1>Debbie Harry from Blondie is a hip hop artist because

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<v Speaker 1>she rapped on raptor.

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<v Speaker 4>True.

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<v Speaker 1>So it's this weird space that's happening. And I think

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<v Speaker 1>because anytime they hear some fucking body rap, rap is

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<v Speaker 1>the new way to say nigga. Straight up. Rap is

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<v Speaker 1>the new way to say nigga. He's a rapper. Now,

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<v Speaker 1>Drake is a rapper. Drake does make rap songs. But

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<v Speaker 1>if you go to the the beginning of hip hop,

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<v Speaker 1>bro hip hop is culture. Hip hop is the like

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<v Speaker 1>one of the earliest genres to lead with culture before music.

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<v Speaker 3>I got one for you, Okay, Drake is in hip

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<v Speaker 3>hop the equivalent to an atheist gospel singer.

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<v Speaker 1>Atheist gospel singer. Oh man, that's funny, but no, hokuh so,

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<v Speaker 1>I get it. You're a sick nigga, bro, You're for sure.

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<v Speaker 1>You said hold up, hold up? Uh Ali? Send me

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<v Speaker 1>your ali, uh uh ali? What's your email? I'm gonna

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<v Speaker 1>send you a link for But the long story short,

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<v Speaker 1>hip hop is culturally. It's a presentation of culture, sure,

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<v Speaker 1>through rapping, through graffiti, through djaying, through you know, the

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<v Speaker 1>elements that niggas keep thinking hip.

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<v Speaker 2>Hop, break breakdance into seawalking dancing.

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<v Speaker 1>Right, it's a presentation of culture through these arts. Sure,

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<v Speaker 1>you don't learn how to break dance. Breakdance has some structure,

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<v Speaker 1>but it's really a natural thing based off of where

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<v Speaker 1>you grew up. The way people break in the Bronx

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<v Speaker 1>is different than the way people break in La.

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<v Speaker 2>Yeah.

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<v Speaker 1>What how you wrap in New York is different than

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<v Speaker 1>how you rap in Los Angeles or how you wrap

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<v Speaker 1>in Saint Louis. And what makes Drake a pop artist

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<v Speaker 1>is literally he just raps, like whichever of these cultures

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<v Speaker 1>he emulating, Yeah, whichever these cultures he's emulating that's what

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<v Speaker 1>he does. Sure, Sure, hip hop is street urban culture

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<v Speaker 1>presented through the arts, the arts that hip hop created

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<v Speaker 1>the aspects of how they express New York. Shout out

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<v Speaker 1>to the Bronx niggas for how they created the way

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<v Speaker 1>it is delivered through the arts. But it's street urban culture. Sure.

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<v Speaker 1>And it's like why people don't get it.

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<v Speaker 3>I think a lot of you know, I would argue

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<v Speaker 3>for right or for wrong, and I'll probably catch them

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<v Speaker 3>flag for it.

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<v Speaker 2>And it's not because I'm white.

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<v Speaker 3>It's just coincidental for the conversation that like Paul wall

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<v Speaker 3>is maybe a little bit more hip hop than actually

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<v Speaker 3>is Drake.

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<v Speaker 1>Sure, Sure that, like Eminem right, because it is street

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<v Speaker 1>urban culture. It is street urban culture. And like I've

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<v Speaker 1>had this conversation a million times, people fighting, oh man, god, this,

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<v Speaker 1>that and the third. It doesn't mean Drake is not tight.

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<v Speaker 1>It doesn't mean Drake is not a rapper. That's not

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<v Speaker 1>what it means. It doesn't mean Drake doesn't have dope raps.

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<v Speaker 1>It doesn't mean Drake doesn't have dope sixteens. It doesn't

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<v Speaker 1>mean Drake doesn't respect really great hip hop artists. But

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<v Speaker 1>he himself is not a hip hop artist. He is

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<v Speaker 1>not a presentation of culture. And what makes him a

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<v Speaker 1>pop artist is he's an emulation of culture.

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<v Speaker 2>Yeah, yeah, like he'll.

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<v Speaker 3>It's it's like in you know, a couple of these

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<v Speaker 3>books that have read, they define information as surprised. You know,

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<v Speaker 3>like I've said to you if you if I tell

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<v Speaker 3>you something you already know, you're not getting any information.

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<v Speaker 3>Sure and kind of in that sense, Drake can only

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<v Speaker 3>as you were saying, like he can own you. Drake

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<v Speaker 3>will never bring new culture to the game. It will

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<v Speaker 3>never happen. There are a lot of other rappers and

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<v Speaker 3>hip hop that have and can do that. Drake will

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<v Speaker 3>never unveil a new element of urban culture through one

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<v Speaker 3>of his songs as him being the absolute like patient zero,

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<v Speaker 3>you know what I mean.

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<v Speaker 1>Nor does he even represent other cultural occurrences based off

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<v Speaker 1>Toronto Street urban culture. Not even based off Toronto Street

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<v Speaker 1>urban culture, like the Toronto Street niggas I know, bro,

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<v Speaker 1>are not like Drake. They don't talk like Drake, they

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<v Speaker 1>don't act like Drake. The one thing that makes hip

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<v Speaker 1>hop fantastic, Bro, and this is really a hardcore twelve

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<v Speaker 1>years thirteen, fourteen years of studying this shit, not like oh,

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<v Speaker 1>I listened to the songs or or you know, I

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<v Speaker 1>got the albums, I read the credits. Those is all

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<v Speaker 1>cuzed like natural fanatic things to do because I went

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<v Speaker 1>and talked to these niggas. I went and touched the

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<v Speaker 1>soil where these niggas was at. I didn't just fuck around.

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<v Speaker 1>I went to really get it, to understand what my

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<v Speaker 1>job was as a hip hop artist. Like this shit

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<v Speaker 1>is serious. I'm not When I made two Park months,

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<v Speaker 1>that's not me emulating shit. That's me delivering what you

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<v Speaker 1>should expect from a Los Angeles hip hop artist. The

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<v Speaker 1>cultural aspect of morality presented through something that the whole

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<v Speaker 1>world knew about. And then I gave you morality from

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<v Speaker 1>La street urban life how we see things.

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<v Speaker 4>Sure, how.

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<v Speaker 3>Is there an argument maybe that could be made that

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<v Speaker 3>perhaps Drake is reflective of Disney Corporation street urban culture.

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<v Speaker 1>That's my point. It would have to be like and

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<v Speaker 1>then I was having an Okay, no ceilings, no ceilings,

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<v Speaker 1>so we're trying some I'm dow on no ceilings. So

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<v Speaker 1>if you're on ig live, this is on YouTube. If

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<v Speaker 1>you go to my YouTube, it's on YouTube as well.

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<v Speaker 1>It's on ig live. So we're trying something new just

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<v Speaker 1>to I'm starting to feel around because we're going into

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<v Speaker 1>the fourth season of No Ceilings, so I'm starting to

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<v Speaker 1>look for really creative ways to bring y'all a culture.

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<v Speaker 1>The conversation, the barbershop conversation. You feel me. And so

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<v Speaker 1>if you if you're on my IG live, go to

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<v Speaker 1>my YouTube. You can go to my YouTube comment fuck

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<v Speaker 1>with niggas. You come to my ig live, fuck with it.

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<v Speaker 1>Pete in the house. You can see Pete if you

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<v Speaker 1>on YouTube. Either way, It's all love. Now, what'd you

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<v Speaker 1>say again to me? The Disney Corporation. I was talking

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<v Speaker 1>to this kid and I was explaining to him, like, right,

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<v Speaker 1>if you just look up the word culture, right, it's

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<v Speaker 1>it's culture for the most part is poor people Like

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<v Speaker 1>pizza is poor Italian culture. Me wrong. Everybody in Italy

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<v Speaker 1>at this point probably likes the Eve pizza, but it's

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<v Speaker 1>poor Italian culture, just like tacos are poor Mexican culture,

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<v Speaker 1>just like Chitling's is poor slave American culture. Right, and

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<v Speaker 1>then everybody adopts it, and then everybody claims the fame,

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<v Speaker 1>and then shit becomes black culture or Italian culture or everybody. Right,

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<v Speaker 1>But this is really the conversation or the object of

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<v Speaker 1>the poor. Poor people create culture because wealthy people, Bro

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<v Speaker 1>don't need to, they're not. Culture is like a kind

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<v Speaker 1>of a forced evolution of get down, Like slang comes

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<v Speaker 1>from bad education, bad schooling, you know what I mean,

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<v Speaker 1>like not schooling. That's not teaching a great lesson. I mean,

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<v Speaker 1>it's not birthed in the suburbs. You mean, because there

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<v Speaker 1>will be no need fashion. The ability to take dickies,

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<v Speaker 1>which is some poor worker clothes every day laborer closed

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<v Speaker 1>and make them a fashion statement could only happen in

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<v Speaker 1>the poorest places of Los Angeles. Sure to push your

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<v Speaker 1>grandfather's car cubs out the yard, his old fifty eight

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<v Speaker 1>beat up Impala and push it out the yard and

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<v Speaker 1>fix it up and put hydraulics on it and all

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<v Speaker 1>of that. Those are statements of poor people trying to

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<v Speaker 1>figure out how to enjoy their life. Remember even the

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<v Speaker 1>breaks themselves, right, the breaks is niggas who didn't know

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<v Speaker 1>how to play music finding a break. They if they

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<v Speaker 1>had drummers, they could just play the goddamn break. They

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<v Speaker 1>knew how to drum and had expensive as drum sets,

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<v Speaker 1>cause they could just play the breaks. Bro they wouldn't

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<v Speaker 1>need to have fucking two turntables to play the fucking breaks.

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<v Speaker 1>You just fucking play the break and guess what, it

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<v Speaker 1>probably wouldn't fucking be a break because at that point

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<v Speaker 1>it be fucking drums.

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<v Speaker 4>Sure.

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<v Speaker 1>Look, one thing poor people do really well. Shout out

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<v Speaker 1>to the ghetto niggas, the Spades and all the niggas

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<v Speaker 1>that created hip hop. Poor people know how to make

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<v Speaker 1>being poor look fucking cool. Poor people, hip hop. Hip

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<v Speaker 1>hop created poor people looking cool because before that it

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<v Speaker 1>was not cool to be poor. Hip Hop created that shit.

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<v Speaker 1>Hip hop had wealthy people wearing fucking penaltents. Hip hop

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<v Speaker 1>has wealthy people buying cheap shit. And guess what happened

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<v Speaker 1>to the cheap shit. The cheap shit become expensive shit,

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<v Speaker 1>and they fucking core task now is two hundred dollars

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<v Speaker 1>because some poor people said this is cool. That's what

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<v Speaker 1>hip hop did. That's what hip hop is. Poor motherfuckers

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<v Speaker 1>making their life look cool and then they present it

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<v Speaker 1>to you and you're like, man, look at them motherfuckers.

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<v Speaker 1>They having fun.

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<v Speaker 2>Still sure, yeah, I don't disagree with that that.

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<v Speaker 1>Them motherfuckers is having fun. That's how the world look

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<v Speaker 1>hip hop is the first. I'm talking about all over

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<v Speaker 1>the world. I'm talking to fuck China, Japan, cuz, fucking Russia, Europe,

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<v Speaker 1>any fucking where nobody made poor look cool. Hip hop

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<v Speaker 1>made poor look cool. So I get it. You get

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<v Speaker 1>the middle class kids, the upper class kids who want

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<v Speaker 1>to come in and they like man and they they

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<v Speaker 1>look cool, so they want to sit at the cool table.

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<v Speaker 1>I know what Drake did. Drake saw that shit. I

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<v Speaker 1>watched Chris Brown. Chris Brown's a fucking millionaire. Chris Brown's

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<v Speaker 1>a millionaire or multi millionaire, a fucking genius, and he

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<v Speaker 1>wanted to He wanted to associate and assimilate with the

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<v Speaker 1>poor people. That's what hip hop did. Hip Hop took

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<v Speaker 1>these poor things cause that we got trapped with and

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<v Speaker 1>made them look cool. That's what hip hop is Cuz

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<v Speaker 1>hip hop ain't nothing but the poor people making their

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<v Speaker 1>everyday artistic expressions look brilliant. And everybody won't in. Oh,

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<v Speaker 1>everybody won't in now, everybody won't in. Everybody won't d

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<v Speaker 1>So Drake saw. So Drake starts his career off. He's like,

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<v Speaker 1>you know what this guy Jay Dill, I've been hearing

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<v Speaker 1>about him. You can look at old interviews, Cause with

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<v Speaker 1>Drake on YouTube talking shit about slang, I don't use

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<v Speaker 1>that term. I don't even talk like that. This is Drake.

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<v Speaker 1>Drake is a fucking middle class kid who grew up

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<v Speaker 1>in a George community. Yes, Cus Pops is a brother

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<v Speaker 1>from Memphis, but if you listen to Cuz he didn't

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<v Speaker 1>spend a lot of time with his pops said his

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<v Speaker 1>pops wasn't around.

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<v Speaker 3>Sure, I'm not saying nothing much about Drake says I

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<v Speaker 3>was really really raised in Memphis.

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<v Speaker 1>No, nothing about Cub says that. Right, But that's the point.

0:15:22.400 --> 0:15:25.520
<v Speaker 1>So people like when if you're just black, hold on,

0:15:27.520 --> 0:15:32.880
<v Speaker 1>Black people can be culture vultures too, And that's the

0:15:32.960 --> 0:15:35.280
<v Speaker 1>hardest part for niggas to accept. See, black people can't

0:15:35.320 --> 0:15:38.560
<v Speaker 1>be racism based off of how they redefined racism. Right,

0:15:38.640 --> 0:15:43.120
<v Speaker 1>This systemic oppression of the power the economics to truly

0:15:43.120 --> 0:15:45.880
<v Speaker 1>o press the class is what the new definition of

0:15:45.960 --> 0:15:48.680
<v Speaker 1>racism mean. It's no longer supremacy just based off race,

0:15:48.760 --> 0:15:52.040
<v Speaker 1>or feeling of supremacy or inferiority based off race. We

0:15:52.120 --> 0:15:56.520
<v Speaker 1>passed that. Now it's like the actual you carrying it out.

0:15:56.800 --> 0:16:00.320
<v Speaker 1>Do you have the power and the money to carry

0:16:00.400 --> 0:16:05.120
<v Speaker 1>out the complet. So that's how they define racism. I'm

0:16:05.120 --> 0:16:08.200
<v Speaker 1>cool with that. Whatever. Cool, same motherfucking thing. What were

0:16:08.200 --> 0:16:12.840
<v Speaker 1>we talking about right now? Same shit? So I've been

0:16:12.880 --> 0:16:16.280
<v Speaker 1>asking everybody, say, Man, I'm gonna ask you, Pete. We

0:16:16.320 --> 0:16:22.400
<v Speaker 1>don't fucking know Shillings, right, I'm gonna ask you. What

0:16:22.520 --> 0:16:26.240
<v Speaker 1>kind of cars do Miami street urban guys drive?

0:16:28.160 --> 0:16:34.080
<v Speaker 3>Well, everybody knows that box and what's the slang word

0:16:34.080 --> 0:16:34.360
<v Speaker 3>for him?

0:16:36.400 --> 0:16:37.600
<v Speaker 2>It's not dunks.

0:16:38.320 --> 0:16:43.400
<v Speaker 1>It's called dunks, right, that's cool dumps? Right? What kind

0:16:43.480 --> 0:16:47.120
<v Speaker 1>of shoes boots do guys from New York wear? The

0:16:47.240 --> 0:16:49.840
<v Speaker 1>street urban guys from New York, what's the brand of

0:16:49.960 --> 0:16:51.280
<v Speaker 1>boots they wear?

0:16:52.160 --> 0:16:54.320
<v Speaker 3>Having never been there, I'm only going off a rumor,

0:16:54.360 --> 0:16:56.240
<v Speaker 3>but from what I gather, it's Timberlands.

0:16:57.040 --> 0:17:00.720
<v Speaker 1>It's Timberlands, right, Okay? Yes, have you had any idea

0:17:01.080 --> 0:17:04.720
<v Speaker 1>what kind of pants niggas from New Orleans were? Street

0:17:04.840 --> 0:17:06.800
<v Speaker 1>urban guys from New Orleans coach.

0:17:06.680 --> 0:17:08.320
<v Speaker 2>Like jeebos or something like that.

0:17:08.440 --> 0:17:13.480
<v Speaker 1>Or whoa right? Okay, got right? Okay? Jabo's okay? What

0:17:13.600 --> 0:17:19.360
<v Speaker 1>kind of wheels do niggas street urban people from Houston

0:17:19.720 --> 0:17:20.960
<v Speaker 1>put on their cars?

0:17:22.520 --> 0:17:29.200
<v Speaker 2>Eighty four'st baby swinging, right, poking out. Yeah, yeah, pokes Okay.

0:17:29.000 --> 0:17:33.800
<v Speaker 1>Right, Los Angeles, we wear a jacket. That's not a jacket,

0:17:33.840 --> 0:17:36.520
<v Speaker 1>it's more of a flannel. What's the name of that flannel?

0:17:36.560 --> 0:17:37.880
<v Speaker 1>What brand makes that flannel?

0:17:39.560 --> 0:17:41.800
<v Speaker 2>Sh what the Dickies flannel?

0:17:43.359 --> 0:17:47.199
<v Speaker 1>The Pendleton flannel, Right, that's what we call flannels. So

0:17:47.240 --> 0:17:50.240
<v Speaker 1>what's funny is we've been calling flannels pendletons so long

0:17:50.280 --> 0:17:54.200
<v Speaker 1>that we didn't even realize Pendleton makes a brand of flannels.

0:17:54.359 --> 0:17:57.080
<v Speaker 1>It's not actually the name of the flannel, right, But

0:17:57.160 --> 0:17:59.800
<v Speaker 1>this is how long we've been calling them Pendletons because Pendleton,

0:18:00.000 --> 0:18:04.000
<v Speaker 1>it's the fucking flannel. What kind of shoes? LA guys,

0:18:04.200 --> 0:18:05.720
<v Speaker 1>If you see an LA guy, you want to know

0:18:05.720 --> 0:18:07.160
<v Speaker 1>he's gonna wear what kind of shoes?

0:18:08.320 --> 0:18:11.920
<v Speaker 2>Well, historically it would be Converse All Stars.

0:18:11.800 --> 0:18:13.720
<v Speaker 1>Right there, you go. Right, you're a white guy from

0:18:13.720 --> 0:18:17.720
<v Speaker 1>Orange County. Okay, I'm gonna go even deeper because I'm

0:18:17.720 --> 0:18:21.560
<v Speaker 1>gonna go deeper. Sure, this might be a challenge for you.

0:18:22.160 --> 0:18:24.840
<v Speaker 1>It is because this real hip hop knowledge, because true

0:18:24.880 --> 0:18:28.280
<v Speaker 1>hip hop not what kind of glasses do street urban

0:18:28.320 --> 0:18:35.320
<v Speaker 1>guys from Detroit wear? Oh man, this is gonna be

0:18:35.359 --> 0:18:37.880
<v Speaker 1>tough because you gotta be deep into it.

0:18:39.320 --> 0:18:40.919
<v Speaker 3>Yeah, and just that's just one of those things I

0:18:41.000 --> 0:18:44.119
<v Speaker 3>just never gave a second thought about. Was like glasses

0:18:44.160 --> 0:18:51.160
<v Speaker 3>because I don't wear I don't even wear sunglasses.

0:18:50.880 --> 0:18:55.040
<v Speaker 1>Right, so they weare. They're called buffs Cardier, the Cardier glasses.

0:18:55.160 --> 0:18:59.320
<v Speaker 1>They call them buffs after Detroit cultural street urban thing.

0:19:01.040 --> 0:19:05.880
<v Speaker 1>That's what it is. It's cultural buffs, right, and and

0:19:05.920 --> 0:19:08.880
<v Speaker 1>that's what hip hop presented us to. All of those

0:19:08.880 --> 0:19:12.719
<v Speaker 1>things are fashions transportation. If I say give me a

0:19:12.760 --> 0:19:19.160
<v Speaker 1>New Orleans street urban slang word, you can say wody.

0:19:19.560 --> 0:19:19.800
<v Speaker 2>Yeah.

0:19:20.680 --> 0:19:23.439
<v Speaker 1>If I ask the same thing, you know what Saint Louis,

0:19:23.600 --> 0:19:27.120
<v Speaker 1>Let's go to Saint Louis. How do Saint Louis.

0:19:28.480 --> 0:19:28.680
<v Speaker 4>Right?

0:19:28.920 --> 0:19:35.040
<v Speaker 1>How does a Saint Louis? Niggas say there vern right

0:19:35.080 --> 0:19:36.000
<v Speaker 1>with a fucking you.

0:19:37.560 --> 0:19:37.760
<v Speaker 4>Right?

0:19:38.040 --> 0:19:43.200
<v Speaker 1>She does? Saint Lunatics Click introduced us to fucking Saint

0:19:43.240 --> 0:19:45.560
<v Speaker 1>Louis cultures. Why you know.

0:19:45.560 --> 0:19:50.040
<v Speaker 2>That sexy red If you didn't know it, wanted her

0:19:50.160 --> 0:19:52.399
<v Speaker 2>saw she said, she says such and such and such.

0:19:52.240 --> 0:19:54.960
<v Speaker 3>An and my tongue got a person but like like

0:19:55.000 --> 0:19:58.879
<v Speaker 3>a piercing but it sounds like person exactly.

0:19:59.600 --> 0:20:01.960
<v Speaker 1>That's why I argue niggas down, Like, bro, you can't

0:20:02.000 --> 0:20:04.479
<v Speaker 1>tell me Sexy Red ain't fucking Saint Louis culture. This

0:20:04.520 --> 0:20:06.359
<v Speaker 1>little bit street urban culture.

0:20:06.280 --> 0:20:09.280
<v Speaker 2>She's she named streets.

0:20:12.240 --> 0:20:17.560
<v Speaker 1>That ship is pure hip hop. That's like per That

0:20:17.720 --> 0:20:22.879
<v Speaker 1>is the culture nigga with a different like nigga. That

0:20:23.040 --> 0:20:25.600
<v Speaker 1>is so much culture, nigga, you probably need to dilute it.

0:20:26.119 --> 0:20:29.120
<v Speaker 1>That's why niggas is mad right now, because Sexy Red

0:20:29.400 --> 0:20:33.960
<v Speaker 1>is culture undiluted. That ship pure colt like you need

0:20:34.000 --> 0:20:35.960
<v Speaker 1>to cut that. You need to add some pro caine

0:20:35.960 --> 0:20:38.399
<v Speaker 1>to that. Some baker so that turned that into rocks.

0:20:38.520 --> 0:20:41.240
<v Speaker 1>So niggas because these niggas can't handle that Peruvian flake.

0:20:41.359 --> 0:20:45.479
<v Speaker 1>That little bit is Peruvian flake, nigga. That bitch is pure.

0:20:46.119 --> 0:20:48.399
<v Speaker 1>I mean looking at the old Yeah, this little this

0:20:48.440 --> 0:20:50.199
<v Speaker 1>little bitch is really a hood little bit. I like

0:20:50.240 --> 0:20:50.760
<v Speaker 1>this little bit.

0:20:51.720 --> 0:20:53.479
<v Speaker 2>Why I was such a fan when shit came out.

0:20:53.560 --> 0:20:55.160
<v Speaker 2>I was like, I want to wholesale this ship.

0:20:55.480 --> 0:20:58.560
<v Speaker 1>You take this ship, you supposed to wholesale all that

0:20:58.640 --> 0:21:01.720
<v Speaker 1>out to the market, and I get it. You don't

0:21:01.720 --> 0:21:05.520
<v Speaker 1>have to like it pure. Guess what niggas didn't like NWA,

0:21:07.560 --> 0:21:09.760
<v Speaker 1>Like the people don't get this. When n w A

0:21:09.960 --> 0:21:13.240
<v Speaker 1>fucking came out the way most Black people, especially the

0:21:13.359 --> 0:21:17.040
<v Speaker 1>niggas who feel they are sophisticated. They hated n w A.

0:21:18.000 --> 0:21:21.400
<v Speaker 1>The Black churches was the greatest opposition to the song

0:21:21.520 --> 0:21:26.080
<v Speaker 1>Fuck the Police, Black people. Black churches was the greatest

0:21:26.160 --> 0:21:30.680
<v Speaker 1>opposition to NWA. The Black Church hated on Snoop Dogg

0:21:30.840 --> 0:21:36.240
<v Speaker 1>the fucking most. The Black church hated on Snoop Dogg

0:21:36.400 --> 0:21:41.439
<v Speaker 1>the most, not the white church, the Black church.

0:21:42.000 --> 0:21:45.359
<v Speaker 2>But they liked Kanye.

0:21:46.600 --> 0:21:47.200
<v Speaker 1>That's the truth.

0:21:48.040 --> 0:21:52.280
<v Speaker 2>And I know because we've made of mister West before.

0:21:53.320 --> 0:21:58.440
<v Speaker 1>Boy see, and that's what happened. They think they gonna

0:21:58.480 --> 0:22:00.920
<v Speaker 1>get these motherfucking see they got Kanye. See, they thought

0:22:00.920 --> 0:22:02.879
<v Speaker 1>snooping and was bad. They was like, these niggas just

0:22:02.920 --> 0:22:06.520
<v Speaker 1>bly bib. These niggas is cool niggas. Dog is just

0:22:06.520 --> 0:22:08.880
<v Speaker 1>a nigga from a poor family, nigga trying to get

0:22:08.880 --> 0:22:14.040
<v Speaker 1>some coin. Nigga and representing Kanye is like, motherfucking listen,

0:22:15.040 --> 0:22:18.400
<v Speaker 1>you can't control Kanye with no fucking money. You can't

0:22:18.440 --> 0:22:22.479
<v Speaker 1>even get cuzz to ease up with no money. He

0:22:22.680 --> 0:22:26.000
<v Speaker 1>is the worst type of black person for white people.

0:22:27.160 --> 0:22:33.080
<v Speaker 1>He is a fucking savage who don't know clubs with

0:22:33.280 --> 0:22:36.480
<v Speaker 1>opportunity and money, and they thought they got one in there.

0:22:36.560 --> 0:22:38.520
<v Speaker 1>They tried to sneak cousin there. I thought they had

0:22:38.560 --> 0:22:40.959
<v Speaker 1>a cool one that they was gonna swing the pendulum

0:22:41.280 --> 0:22:43.800
<v Speaker 1>over to where they could do the same thing Cuz

0:22:43.840 --> 0:22:46.080
<v Speaker 1>they deal with rock, they can do the same thing

0:22:46.119 --> 0:22:48.000
<v Speaker 1>in hip hop, because that's really what the goal is.

0:22:49.320 --> 0:22:51.800
<v Speaker 1>The goal is do the same thing with hip hop

0:22:51.840 --> 0:22:55.480
<v Speaker 1>that you did with rock music. The Dosley Brothers were

0:22:55.480 --> 0:23:00.680
<v Speaker 1>a rock grew. Funkadelic was a rock grew. They were

0:23:00.840 --> 0:23:07.520
<v Speaker 1>rock groups, rock groups. Somebody realized firsthand that the labels

0:23:07.560 --> 0:23:10.400
<v Speaker 1>wasn't spending no more money on black rock. So guess

0:23:10.440 --> 0:23:12.639
<v Speaker 1>what they did, because they flipped the R and B

0:23:12.920 --> 0:23:17.200
<v Speaker 1>and funk. Because at the end of the day, people

0:23:17.240 --> 0:23:19.840
<v Speaker 1>still gotta make a living. It's fucking all the Iy Brothers,

0:23:19.840 --> 0:23:22.760
<v Speaker 1>five of these motherfuckers, a family of these motherfuckers. You

0:23:22.760 --> 0:23:27.280
<v Speaker 1>gotta make money, so we're not. The Isley Brothers first

0:23:27.359 --> 0:23:28.680
<v Speaker 1>hit record is a rock song.

0:23:31.040 --> 0:23:35.440
<v Speaker 3>Yeah, didn't they get this. They jump started Elton John's career.

0:23:35.680 --> 0:23:39.080
<v Speaker 1>Twist and Shout is a rock song. Somebody can to

0:23:39.119 --> 0:23:42.280
<v Speaker 1>them niggas and said, hey, they're not going to keep

0:23:42.320 --> 0:23:48.960
<v Speaker 1>putting money into black rock, you better change it better

0:23:49.160 --> 0:23:51.240
<v Speaker 1>and them niggas, dum them niggas went to R and B.

0:23:52.000 --> 0:23:54.399
<v Speaker 1>Same thing with Funkadelic, with funka Delic was all them

0:23:54.440 --> 0:23:57.160
<v Speaker 1>rock songs and shit early on. If you better changing shit,

0:23:57.280 --> 0:24:02.040
<v Speaker 1>they not putting dollars into black rock. So now you

0:24:02.160 --> 0:24:06.280
<v Speaker 1>look up right, Pete, fifty fucking years later, there's not

0:24:06.440 --> 0:24:14.919
<v Speaker 1>a nigga in sight of rock. There's not a nigga

0:24:14.960 --> 0:24:20.720
<v Speaker 1>inside of rock. Yeah, ain't no black jazz person gonna

0:24:20.720 --> 0:24:25.840
<v Speaker 1>get no fucking budget. And the same thing is gonna

0:24:25.880 --> 0:24:29.200
<v Speaker 1>happen to hip hop if you don't set a parameter

0:24:29.720 --> 0:24:33.280
<v Speaker 1>of what's going on, because those same dollars will get

0:24:33.320 --> 0:24:39.680
<v Speaker 1>moved to other shit. If you truly believe in systemic racism,

0:24:39.800 --> 0:24:42.720
<v Speaker 1>if you truly believe in systemic oppression, bro, if you

0:24:42.920 --> 0:24:46.200
<v Speaker 1>truly believe in that shit, then you know, goddamn well,

0:24:46.480 --> 0:24:50.359
<v Speaker 1>they is not trying to give no motherfucking body money,

0:24:50.680 --> 0:24:53.720
<v Speaker 1>not no person they oppressing. Do you either believe in

0:24:53.760 --> 0:24:55.880
<v Speaker 1>it or you don't. If you're a black person, If

0:24:55.880 --> 0:24:58.600
<v Speaker 1>you believe in it, you know goddamn well, they're not

0:24:58.640 --> 0:25:00.919
<v Speaker 1>trying to give a nigga no money. So they're trying

0:25:00.960 --> 0:25:03.840
<v Speaker 1>to figure out how to move the dollars away from

0:25:03.880 --> 0:25:10.679
<v Speaker 1>the ghetto. Why would you empower who you are oppressing?

0:25:11.040 --> 0:25:14.440
<v Speaker 1>Why would you give economics to somebody you oppressing? If

0:25:14.520 --> 0:25:16.959
<v Speaker 1>you believe in oppression. Now, if we don't, we can

0:25:17.000 --> 0:25:19.200
<v Speaker 1>have this conversation. We can shake it off, and then

0:25:19.240 --> 0:25:27.080
<v Speaker 1>it's cool. If Drake is hip hop, then it's cool.

0:25:27.160 --> 0:25:30.480
<v Speaker 1>If Drake is hip hop. But if you trying, if

0:25:30.800 --> 0:25:35.000
<v Speaker 1>you truly believe hip hop was the ghetto giving giving

0:25:35.080 --> 0:25:37.719
<v Speaker 1>voice to the ghetto, because that's what hip hop is.

0:25:38.440 --> 0:25:40.440
<v Speaker 1>Right now, I ask you all these crazy questions, right,

0:25:40.680 --> 0:25:43.200
<v Speaker 1>I ask you some shit all. If I say, give

0:25:43.200 --> 0:25:45.200
<v Speaker 1>me a slang word from New York, how do they

0:25:45.240 --> 0:25:46.960
<v Speaker 1>reference each other when they talking to each other?

0:25:48.480 --> 0:25:50.000
<v Speaker 2>Or like son shit son?

0:25:50.160 --> 0:25:50.320
<v Speaker 4>Right?

0:25:50.720 --> 0:25:53.800
<v Speaker 1>How do La Street urban guys reference each other when

0:25:53.800 --> 0:25:54.680
<v Speaker 1>they talking to each other?

0:25:55.400 --> 0:25:56.720
<v Speaker 2>That's on what side they're from?

0:25:56.960 --> 0:25:58.639
<v Speaker 4>Right? Right? Trus blood?

0:25:58.720 --> 0:25:58.800
<v Speaker 3>Right?

0:25:58.840 --> 0:26:02.520
<v Speaker 1>Okay? How the Bay Area niggas? What kind of cars?

0:26:02.800 --> 0:26:06.280
<v Speaker 1>What's the reference of cars that Bay Area niggas ride?

0:26:07.080 --> 0:26:10.200
<v Speaker 2>Damn it, I forgot that. That's have to live there, said,

0:26:10.720 --> 0:26:12.280
<v Speaker 2>what do that call us? Goddamn things?

0:26:12.600 --> 0:26:16.400
<v Speaker 1>It's a scraper? Oh yeah, that's right, a fucking scraper.

0:26:17.200 --> 0:26:17.640
<v Speaker 4>That's right.

0:26:17.960 --> 0:26:20.680
<v Speaker 2>And and and and up there everyone. They say blood to.

0:26:20.640 --> 0:26:25.719
<v Speaker 1>Everyone in the same sentence. I haven't heard because we

0:26:25.840 --> 0:26:29.800
<v Speaker 1>know this because hip hop gave us all of these things.

0:26:30.560 --> 0:26:33.280
<v Speaker 1>Hip hop gave us all of these things. I wouldn't

0:26:33.280 --> 0:26:35.879
<v Speaker 1>know ship about Saint Louis if not for the Saint Loan.

0:26:35.960 --> 0:26:38.800
<v Speaker 1>It takes if Nellie and all them niggas and and

0:26:38.920 --> 0:26:41.719
<v Speaker 1>I Lead and and and Chingy and all these niggas

0:26:41.720 --> 0:26:43.560
<v Speaker 1>and teach me about, how the fuck would I know

0:26:43.640 --> 0:26:45.520
<v Speaker 1>unless I was selling dope over there on my summer

0:26:45.600 --> 0:26:47.840
<v Speaker 1>vacation like ice Cue, how the fuck would I know?

0:26:48.720 --> 0:26:51.600
<v Speaker 1>I fucking wouldn't know. The reason I know how Saint

0:26:51.640 --> 0:26:54.760
<v Speaker 1>Louis niggas talk, what kind of cars, they whatever kind

0:26:54.760 --> 0:26:57.120
<v Speaker 1>of shit they did, is because of some fucking hip hop.

0:26:57.240 --> 0:27:00.639
<v Speaker 1>Because them niggas brought the culture to Watts and it

0:27:00.720 --> 0:27:06.520
<v Speaker 1>took over Watts. Saint Louis Culch, it took over Watts,

0:27:07.480 --> 0:27:11.160
<v Speaker 1>but we got it through hip hop, right, So we

0:27:11.280 --> 0:27:14.119
<v Speaker 1>had this commisation. Give me one motherfucking thing you know

0:27:14.160 --> 0:27:17.760
<v Speaker 1>about Toronto. Drake got thirteen albums, seven hundred and sixty

0:27:17.800 --> 0:27:21.399
<v Speaker 1>six songs, fucking a million videos. You can't tell me

0:27:21.480 --> 0:27:24.840
<v Speaker 1>one of these things you know about fucking Toronto. They

0:27:24.880 --> 0:27:27.919
<v Speaker 1>do not say whoa Quinn Miller wrote that that's fucking

0:27:27.920 --> 0:27:30.199
<v Speaker 1>New Orleans. Tell me what kind of cars do Toronto

0:27:30.280 --> 0:27:31.960
<v Speaker 1>niggas drive? What's they called?

0:27:31.960 --> 0:27:34.480
<v Speaker 2>Thought they use? I thought they used public transportation up there.

0:27:35.280 --> 0:27:37.480
<v Speaker 1>Yes, it sounds cool. Tell me the car. Give me

0:27:37.520 --> 0:27:40.119
<v Speaker 1>a car. Give me a car, Toronto nigga drive. You

0:27:40.320 --> 0:27:43.080
<v Speaker 1>just said, you just said to Miami niggas, Chevy Vault.

0:27:45.840 --> 0:27:50.960
<v Speaker 1>Fucking you just you just said, right, you just said

0:27:51.000 --> 0:27:57.240
<v Speaker 1>New Orleans niggas, right, they drive dumps. Yeah, you just

0:27:57.280 --> 0:28:00.200
<v Speaker 1>said the bearry nigga drive scrapers, La niggas. What the

0:28:00.240 --> 0:28:03.119
<v Speaker 1>car do l A niggas drive? Street urban niggas in

0:28:03.320 --> 0:28:04.640
<v Speaker 1>La rider?

0:28:05.240 --> 0:28:05.359
<v Speaker 4>Right?

0:28:05.400 --> 0:28:08.399
<v Speaker 1>Okay, right, you got that right to win. Tell me

0:28:08.440 --> 0:28:11.040
<v Speaker 1>the car Toronto niggas drive. Give me the car.

0:28:11.080 --> 0:28:17.960
<v Speaker 3>Did it's the Chevy Vault, the street electric cars or

0:28:18.080 --> 0:28:20.840
<v Speaker 3>the Honda Leaf. I think they drive the Honda Leaf

0:28:20.840 --> 0:28:22.040
<v Speaker 3>because that whole maple leaf.

0:28:21.880 --> 0:28:23.560
<v Speaker 1>Thing, the Honda.

0:28:24.640 --> 0:28:28.320
<v Speaker 3>I had an idea real quick for a great opportunity

0:28:28.600 --> 0:28:30.439
<v Speaker 3>for Drake. I've been thinking this for years. This is

0:28:30.600 --> 0:28:35.000
<v Speaker 3>years old observation that if he really wanted to make

0:28:35.040 --> 0:28:40.680
<v Speaker 3>a great Canadian song, he could do the juvenile huh

0:28:41.120 --> 0:28:45.560
<v Speaker 3>and instead and every sentence in a like Canadians.

0:28:46.920 --> 0:28:49.520
<v Speaker 1>So please wrap that for me.

0:28:50.680 --> 0:28:51.960
<v Speaker 3>I don't know, I don't have I don't have the

0:28:52.000 --> 0:28:54.200
<v Speaker 3>bars on me. I just know that, you know what

0:28:55.640 --> 0:29:02.720
<v Speaker 3>like like juveniles a Canadians.

0:29:04.040 --> 0:29:06.240
<v Speaker 1>Sometimes I forget you a comic because because you smart.

0:29:06.280 --> 0:29:08.960
<v Speaker 1>But did you fuck this dude? Okay? So my point

0:29:09.040 --> 0:29:13.720
<v Speaker 1>is right, So you don't know, right, Okay, So you

0:29:13.760 --> 0:29:16.440
<v Speaker 1>can't tell me. You could tell me that the La

0:29:16.560 --> 0:29:20.160
<v Speaker 1>Niggas drive Lo Los. You can tell me that the

0:29:21.280 --> 0:29:26.280
<v Speaker 1>Miami Niggas street urban guys, right, donks tell me the

0:29:26.320 --> 0:29:29.640
<v Speaker 1>Bay Area radscrapers. But you can't tell me.

0:29:30.040 --> 0:29:35.040
<v Speaker 3>The only singular observation that I have for Drake having

0:29:35.120 --> 0:29:42.960
<v Speaker 3>any proximal association with Toronto is his business relationship with

0:29:43.080 --> 0:29:46.120
<v Speaker 3>like Popcorn and some of the Jamaican artists. Because of

0:29:46.160 --> 0:29:48.760
<v Speaker 3>the Caribbean presence in Toronto. That's it.

0:29:48.960 --> 0:29:52.320
<v Speaker 2>But there that might and that might be serendipitous anyway.

0:29:52.280 --> 0:29:55.040
<v Speaker 1>But the but the Caribbean presence is also in New York.

0:29:55.040 --> 0:29:59.200
<v Speaker 1>But there is a street urban culture in Toronto. Toronto

0:29:59.360 --> 0:30:02.160
<v Speaker 1>is not this hell a nice place that everybody's doing

0:30:02.200 --> 0:30:08.320
<v Speaker 1>well and every last person has money. Toronto. Nigga got ghettos.

0:30:09.640 --> 0:30:12.640
<v Speaker 1>And the reason you have no fucking idea is because

0:30:12.680 --> 0:30:15.800
<v Speaker 1>this nigga is not from the ghetto. He's not close

0:30:15.880 --> 0:30:18.640
<v Speaker 1>to the ghetto. He don't he barely know niggas from

0:30:18.640 --> 0:30:22.880
<v Speaker 1>the ghetto. This is a middle class kid who grew

0:30:22.960 --> 0:30:25.120
<v Speaker 1>up in a Jewish community. On television.

0:30:28.960 --> 0:30:31.920
<v Speaker 2>Yes, from what I gather, so.

0:30:31.960 --> 0:30:34.000
<v Speaker 1>I can ask you a thousand things. You don't know

0:30:34.040 --> 0:30:37.760
<v Speaker 1>what kind of cars they drive. Give me lingo, give

0:30:37.800 --> 0:30:39.160
<v Speaker 1>me Toronto lingo.

0:30:39.520 --> 0:30:46.440
<v Speaker 2>Six tried with a If that fails, I got nothing.

0:30:46.520 --> 0:30:51.560
<v Speaker 1>You've been making music professionally for fifteen, sixteen years sixteen.

0:30:52.520 --> 0:30:55.960
<v Speaker 3>His music sounds like to me, it's sound because he's

0:30:56.000 --> 0:31:00.560
<v Speaker 3>a good, you know, writer of rhyming lines. I feel

0:31:00.600 --> 0:31:08.120
<v Speaker 3>like he just goes on Twitter and aggregates, like whatever phrases.

0:31:11.200 --> 0:31:13.360
<v Speaker 1>He looks at what's going on on Black Twitter, and

0:31:13.400 --> 0:31:17.480
<v Speaker 1>he makes a song about it. Yeah, whenever things get hot,

0:31:17.480 --> 0:31:20.480
<v Speaker 1>he'd be like, Okay, that's that. Madonna does the same thing.

0:31:21.080 --> 0:31:24.960
<v Speaker 1>That's what pop artists do. They take the very top

0:31:24.960 --> 0:31:26.920
<v Speaker 1>of the urban culture that's coming through the underground and

0:31:26.920 --> 0:31:31.200
<v Speaker 1>they take it and then they represent it. Yeah, Drake

0:31:31.280 --> 0:31:37.000
<v Speaker 1>had a song with Dirt talking about he spun blocks.

0:31:38.600 --> 0:31:41.760
<v Speaker 2>Can I make a really off color joke?

0:31:42.000 --> 0:31:42.520
<v Speaker 1>Please?

0:31:42.600 --> 0:31:43.320
<v Speaker 4>Please please?

0:31:45.080 --> 0:31:46.400
<v Speaker 2>Was that not a Dradle reference?

0:31:47.440 --> 0:31:51.239
<v Speaker 1>Wow? No, that's not what it was, Pete's not what

0:31:51.320 --> 0:31:53.240
<v Speaker 1>it was.

0:31:54.000 --> 0:31:54.840
<v Speaker 2>I'm trying to learn.

0:31:54.880 --> 0:31:59.560
<v Speaker 3>My building is extremely Orthodox Jewish, so I'm learning little

0:31:59.640 --> 0:32:02.520
<v Speaker 3>nuanced is like those little scrolls by the doorway and stuff.

0:32:02.520 --> 0:32:05.680
<v Speaker 3>Everyone down my hallway and that, and they don't use

0:32:05.720 --> 0:32:07.880
<v Speaker 3>the elevators like on the weekends and stuff like that.

0:32:07.920 --> 0:32:10.560
<v Speaker 3>They all take the stairs I'm picking up. There's there's

0:32:10.560 --> 0:32:13.480
<v Speaker 3>not a cultural footprint like the one that I'm in

0:32:13.920 --> 0:32:15.160
<v Speaker 3>back in California like that.

0:32:18.160 --> 0:32:21.600
<v Speaker 1>Well, this is the weird part, right, this is the

0:32:21.640 --> 0:32:24.400
<v Speaker 1>weird part. I'm Joey here steal his stell man. Make

0:32:24.440 --> 0:32:26.120
<v Speaker 1>sure it's still still still.

0:32:26.360 --> 0:32:28.320
<v Speaker 2>I heard her rumor that steels coming on. That must

0:32:28.360 --> 0:32:29.000
<v Speaker 2>have been a lie.

0:32:29.160 --> 0:32:32.520
<v Speaker 1>Yeah, still is crazy. Okay. So this is the point, right,

0:32:32.560 --> 0:32:35.000
<v Speaker 1>And this is another thing that's abused. Right when people

0:32:35.000 --> 0:32:37.320
<v Speaker 1>hear elements, and they hear the five fucking elements. And

0:32:37.360 --> 0:32:39.560
<v Speaker 1>I hate talking to niggas about this because they think

0:32:39.600 --> 0:32:43.000
<v Speaker 1>they get what it means, but they fucking get it. Listen,

0:32:44.000 --> 0:32:52.360
<v Speaker 1>m seeing existed before hip hop dancing existed before hip hop.

0:32:53.800 --> 0:33:00.600
<v Speaker 1>DJing existed before hip hop. Graffiti existed before hip hop.

0:33:01.920 --> 0:33:06.040
<v Speaker 1>Hip Hop didn't create any of these things, and these

0:33:06.080 --> 0:33:10.440
<v Speaker 1>things are not mutually exclusive to hip hop, like rapping

0:33:10.600 --> 0:33:15.840
<v Speaker 1>or him singing is not exclusively only to hip hop.

0:33:16.160 --> 0:33:22.880
<v Speaker 1>Singing is not exclusively only to R and B. So

0:33:23.040 --> 0:33:27.600
<v Speaker 1>people like, well he raps, he's an MC. That's gonna

0:33:27.640 --> 0:33:30.960
<v Speaker 1>be often. You're gonna hear that so fucking much right

0:33:31.000 --> 0:33:35.000
<v Speaker 1>now because hip hop popularized him singing rapping to another

0:33:35.080 --> 0:33:39.440
<v Speaker 1>level that everybody from different genres can take it and

0:33:39.520 --> 0:33:42.320
<v Speaker 1>adapt it and use it for their own fucking music.

0:33:43.520 --> 0:33:47.880
<v Speaker 1>The elements are ways you express the culture. It's not

0:33:48.160 --> 0:33:53.840
<v Speaker 1>the act itself, it's expressing the culture through those ways. Artistically,

0:33:56.200 --> 0:34:02.160
<v Speaker 1>DJ's been around, bro, niggas been at DJs, niggas been

0:34:02.280 --> 0:34:06.280
<v Speaker 1>had DJs. Bro, djn ain't nothing new. They jan old

0:34:06.280 --> 0:34:09.520
<v Speaker 1>as fuck. You thought DJ started.

0:34:09.160 --> 0:34:14.719
<v Speaker 2>In the fucking seventies, never gave it any thought.

0:34:14.719 --> 0:34:17.920
<v Speaker 1>Actually, DJ and didn't start in the seventies. There was

0:34:17.960 --> 0:34:21.480
<v Speaker 1>fucking disco DJs the fucking DJ's way before that, bro.

0:34:21.719 --> 0:34:24.760
<v Speaker 2>But that was the sixties. The seventies. Disco was the seventies.

0:34:26.520 --> 0:34:31.920
<v Speaker 1>Dj I'm saying before it listen, even before it was

0:34:31.960 --> 0:34:38.960
<v Speaker 1>before hip hop, Joe Text was rapping niggas being graffiti.

0:34:39.400 --> 0:34:39.480
<v Speaker 4>Like.

0:34:39.920 --> 0:34:43.600
<v Speaker 1>People keep thinking hip hop created the elements, No, they didn't.

0:34:44.040 --> 0:34:47.759
<v Speaker 1>They popularized the elements. But hip hop is when you

0:34:47.840 --> 0:34:52.400
<v Speaker 1>express the arts through these elements. That's what they're referencing

0:34:52.600 --> 0:34:56.640
<v Speaker 1>as hip hop. Now that can be involved in right filmmaking.

0:34:56.840 --> 0:34:59.120
<v Speaker 1>There's going to be a filmmaking style of hip hop

0:34:59.160 --> 0:35:03.560
<v Speaker 1>coming that would be growth. That would be an evolution,

0:35:05.680 --> 0:35:11.040
<v Speaker 1>That would be an evolution. That and only that would

0:35:11.120 --> 0:35:14.000
<v Speaker 1>be an evolution. It's not an evolution because you allowing

0:35:14.040 --> 0:35:16.920
<v Speaker 1>white fucking people to do fucking music. That's not what

0:35:17.000 --> 0:35:23.120
<v Speaker 1>an evolution is. It's notop bro. And so I can

0:35:23.160 --> 0:35:25.880
<v Speaker 1>go down a list of things that you cannot tell

0:35:25.920 --> 0:35:29.920
<v Speaker 1>me about Toronto street urban lifestyle, because even though you

0:35:30.000 --> 0:35:38.040
<v Speaker 1>heard Drake fourteen albums, fourteen albums, endless videos, interviews, sixteen

0:35:38.080 --> 0:35:40.640
<v Speaker 1>years of presence, you will not be able to tell

0:35:40.640 --> 0:35:44.360
<v Speaker 1>me one thing about street urban lifestyle in Toronto because

0:35:44.440 --> 0:35:48.919
<v Speaker 1>Drake hasn't ever told you any of it. But yet

0:35:48.960 --> 0:35:52.120
<v Speaker 1>you knew. Yet you knew the first fucking time you

0:35:52.160 --> 0:35:56.239
<v Speaker 1>heard Snoop Dogg. The first time you saw Doctor Drake,

0:35:57.040 --> 0:36:00.359
<v Speaker 1>you knew what kind of cars. The first album Doctor

0:36:00.400 --> 0:36:03.600
<v Speaker 1>Dre put out The Chronic, the first album. You knew

0:36:03.640 --> 0:36:06.759
<v Speaker 1>what kind of cars. La guys drive, LA Street Urban

0:36:06.800 --> 0:36:09.759
<v Speaker 1>guys j were. The first Doctor Dre video, the first one,

0:36:09.920 --> 0:36:15.040
<v Speaker 1>Not fucking Drake. Cubs got forty video, fifty sixty videos.

0:36:15.239 --> 0:36:20.480
<v Speaker 1>You still have no fucking idea. The first Doctor Dre video,

0:36:22.040 --> 0:36:27.439
<v Speaker 1>You knew what type of cars Los Angeles Street Urban

0:36:27.480 --> 0:36:36.919
<v Speaker 1>lifestyle guys drive. The first song, the first song bro,

0:36:37.160 --> 0:36:40.480
<v Speaker 1>The first juvenile video you ever saw in your life. Hi,

0:36:41.160 --> 0:36:44.920
<v Speaker 1>you knew what kind of pants New Orleans Street urban

0:36:44.960 --> 0:36:45.600
<v Speaker 1>guys wore.

0:36:46.880 --> 0:36:48.880
<v Speaker 2>And we knew they wore rebox down there.

0:36:48.840 --> 0:36:51.799
<v Speaker 1>Right there the first day, the first video you saw

0:36:51.840 --> 0:36:56.719
<v Speaker 1>from juvenile on a mainstream level. You knew culturally what

0:36:56.840 --> 0:37:00.960
<v Speaker 1>New Orleans street fashion was about. You knew how they talked.

0:37:01.480 --> 0:37:04.640
<v Speaker 1>You heard certain words like whoa dad? You like, what

0:37:04.680 --> 0:37:09.160
<v Speaker 1>the fuck is that? That was New Orleans slang and

0:37:09.200 --> 0:37:12.480
<v Speaker 1>reference how they communicate with each other. You learned that

0:37:12.600 --> 0:37:19.800
<v Speaker 1>the first juvenile video Drake is seventy videos in CAUZ

0:37:19.880 --> 0:37:25.359
<v Speaker 1>And you still don't know none of this shit, None

0:37:25.440 --> 0:37:27.920
<v Speaker 1>of this shit. You don't know, and there's not no

0:37:27.960 --> 0:37:30.479
<v Speaker 1>other reason besides the fact he is not hip hop.

0:37:30.680 --> 0:37:34.040
<v Speaker 1>He's had a lowrider in his video. He did the

0:37:34.080 --> 0:37:42.279
<v Speaker 1>motto and put a lowrider under the Bay Bridge. He

0:37:43.000 --> 0:37:47.440
<v Speaker 1>put a lowrider under the Bay Bridge.

0:37:47.800 --> 0:37:50.120
<v Speaker 2>He does make some women's hair references though, from time

0:37:50.160 --> 0:37:50.560
<v Speaker 2>to time.

0:37:56.760 --> 0:38:00.759
<v Speaker 1>He put a lowrider under the Bay Bridge.

0:38:01.800 --> 0:38:06.319
<v Speaker 3>Yeah, somebody asked me disrespected by that?

0:38:07.600 --> 0:38:09.359
<v Speaker 1>Yes, we felt disrespected by that.

0:38:10.560 --> 0:38:11.960
<v Speaker 2>I would too. I would too.

0:38:12.400 --> 0:38:14.520
<v Speaker 1>Why the fuck would you put a lowrider under the

0:38:14.560 --> 0:38:18.600
<v Speaker 1>Bay Bridge? Because guess what, when you're from outside of

0:38:18.600 --> 0:38:22.520
<v Speaker 1>the culture, you see it as just West Coast culture.

0:38:23.160 --> 0:38:25.600
<v Speaker 1>It's the Bay Area Bridge and lowriders. They go together,

0:38:25.680 --> 0:38:34.719
<v Speaker 1>It's California because you're not fucking from the culture. So

0:38:35.000 --> 0:38:37.120
<v Speaker 1>you saw all this shit, you heard all these other

0:38:37.200 --> 0:38:40.880
<v Speaker 1>niggas lingos in his song Spun the Block Woes blah

0:38:40.880 --> 0:38:44.160
<v Speaker 1>blah blah. Right, but sixth war Brid conversation that he

0:38:44.239 --> 0:38:46.239
<v Speaker 1>turned six into Toronto, even though I mean six ward

0:38:46.239 --> 0:38:48.520
<v Speaker 1>to last, all this dose shit that you hear, but

0:38:48.640 --> 0:38:53.759
<v Speaker 1>you still don't know one mother fucking thing about mother

0:38:53.960 --> 0:38:58.520
<v Speaker 1>fucking Toronto because guess why, I don't know where fucking

0:38:58.560 --> 0:39:02.040
<v Speaker 1>Madonna's from either. And I don't know shit about where

0:39:02.080 --> 0:39:04.680
<v Speaker 1>people from where Madonna is from, because I don't know

0:39:04.760 --> 0:39:06.839
<v Speaker 1>nothing about him, because you don't know shit about pop

0:39:06.960 --> 0:39:10.839
<v Speaker 1>artists because pop artists don't sell no motherfucking cultures.

0:39:13.280 --> 0:39:16.880
<v Speaker 3>Similarly, and this might be a little unpopular, I learned

0:39:17.000 --> 0:39:19.560
<v Speaker 3>very little about Gary Indiana from Michael Jackson.

0:39:21.600 --> 0:39:26.200
<v Speaker 1>And this is why I don't compare Michael Jackson and

0:39:26.760 --> 0:39:29.239
<v Speaker 1>Drake Like. Somebody said it to me, well, why would

0:39:29.239 --> 0:39:31.640
<v Speaker 1>you reference him like Madonna? And I explained to him,

0:39:31.680 --> 0:39:33.920
<v Speaker 1>I said, Madonna used to do the same thing with

0:39:34.120 --> 0:39:38.160
<v Speaker 1>urban music. She would take urban music, the highlights of it,

0:39:38.600 --> 0:39:43.000
<v Speaker 1>and turn it into pop songs. Right now, shit was dope.

0:39:43.960 --> 0:39:47.440
<v Speaker 1>The hood niggas love Madonna, but we all knew she was.

0:39:48.239 --> 0:39:51.480
<v Speaker 3>How much of that was her, like like on the

0:39:51.560 --> 0:39:55.319
<v Speaker 3>production sort of side, how much of Madonna that we

0:39:55.520 --> 0:39:59.440
<v Speaker 3>saw and result was actually the fruit of Madonna versus

0:39:59.600 --> 0:40:04.560
<v Speaker 3>just an apparatus that said, here's this woman that we

0:40:04.600 --> 0:40:05.880
<v Speaker 3>could sure.

0:40:05.680 --> 0:40:06.720
<v Speaker 1>Because she's not a prep.

0:40:08.400 --> 0:40:11.040
<v Speaker 2>Yeah, you know what I think if it happened, because

0:40:11.040 --> 0:40:13.480
<v Speaker 2>that's similar maybe with Michael to a.

0:40:13.480 --> 0:40:16.400
<v Speaker 1>Degree, he had a right I'm gonna tell you why

0:40:16.440 --> 0:40:19.080
<v Speaker 1>it's different, Right, I think it has to be Madonna's

0:40:19.160 --> 0:40:22.760
<v Speaker 1>mind because it was so consistent. Eventually, like so, maybe

0:40:22.800 --> 0:40:25.239
<v Speaker 1>it doesn't start that way. Maybe you know, she has

0:40:25.239 --> 0:40:27.440
<v Speaker 1>her own max more than like like like, that's.

0:40:27.239 --> 0:40:28.279
<v Speaker 2>Why I would think it isn't.

0:40:28.920 --> 0:40:31.840
<v Speaker 1>But but I'm gonna tell you why. Eventually, because artists

0:40:31.840 --> 0:40:35.839
<v Speaker 1>grow powerful and they start to carry out their own visions. Yeah,

0:40:35.960 --> 0:40:40.400
<v Speaker 1>her really, yes, So I genuinely believe somewhere along the

0:40:40.440 --> 0:40:42.080
<v Speaker 1>line it has something to do with her. But this

0:40:42.160 --> 0:40:44.880
<v Speaker 1>is why I don't compare. This is why I reference

0:40:45.000 --> 0:40:49.280
<v Speaker 1>Kanye as closer to Michael Jackson than a Drake. Michael

0:40:49.360 --> 0:40:55.360
<v Speaker 1>Jackson is brought up in R and B. Sure, Michael

0:40:55.440 --> 0:41:00.320
<v Speaker 1>Jackson was brought up in R and B. Michael Jackson's

0:41:00.360 --> 0:41:03.440
<v Speaker 1>kids and Gary and Diana grew up in Gary, Indiana,

0:41:03.480 --> 0:41:05.600
<v Speaker 1>move to LA and it was brought up in R

0:41:05.600 --> 0:41:10.560
<v Speaker 1>and B through the Motown system. Michael Jackson five is

0:41:10.600 --> 0:41:17.360
<v Speaker 1>an R and B group, right who had pop success.

0:41:18.000 --> 0:41:21.880
<v Speaker 1>That's why I always call Kanye West Michael Jackson. Kanye

0:41:22.000 --> 0:41:30.320
<v Speaker 1>West is Michael Jackson. Drake is Madonna likek at that

0:41:31.600 --> 0:41:35.399
<v Speaker 1>Kanye came up like Michael Jackson. His mom brought him

0:41:35.440 --> 0:41:37.879
<v Speaker 1>up in the black experience of being black. He may.

0:41:37.960 --> 0:41:40.359
<v Speaker 1>I'm not sure where him in poverty sits at. Maybe

0:41:40.360 --> 0:41:43.080
<v Speaker 1>as far you know, this is a whole other conversation,

0:41:43.120 --> 0:41:45.120
<v Speaker 1>but you know, maybe it's not as far. I know,

0:41:45.160 --> 0:41:47.600
<v Speaker 1>he wasn't raised in the ghetto, you know what I mean.

0:41:48.040 --> 0:41:52.840
<v Speaker 1>And again, there are some exceptions to the rule in

0:41:52.880 --> 0:41:56.399
<v Speaker 1>the conversation hip hop hip hop being ghetto, right, there

0:41:56.400 --> 0:42:00.360
<v Speaker 1>are some exceptions to the rules. But the fucking exception

0:42:00.600 --> 0:42:01.960
<v Speaker 1>is not the fucking rule.

0:42:04.000 --> 0:42:07.080
<v Speaker 2>Of course, the exception is not Bro.

0:42:08.320 --> 0:42:14.839
<v Speaker 1>The exception is not the mother fucking rule. This is

0:42:14.920 --> 0:42:18.279
<v Speaker 1>not an assassination on Drake. This is not like the

0:42:18.360 --> 0:42:21.960
<v Speaker 1>attempt to to demote Drake, like Bro. Drake is fucking

0:42:22.040 --> 0:42:23.040
<v Speaker 1>fantastic as a.

0:42:23.080 --> 0:42:28.480
<v Speaker 3>Drake is gonna be fine because he's he's over talented.

0:42:28.880 --> 0:42:31.160
<v Speaker 1>His ear for the game is dope. Forty's ear for

0:42:31.200 --> 0:42:34.439
<v Speaker 1>the game is dope. These niggas are scientists at this ship,

0:42:34.800 --> 0:42:36.880
<v Speaker 1>and Drake is not shabby with that. P in the

0:42:36.960 --> 0:42:40.200
<v Speaker 1>nigga game is nice. The nigga's a talented mc or.

0:42:40.280 --> 0:42:42.839
<v Speaker 1>He can hold a note well enough to be a

0:42:42.880 --> 0:42:47.600
<v Speaker 1>really decent singer, so he's fantastic. He studies the game.

0:42:47.920 --> 0:42:51.439
<v Speaker 1>He studies the game, so that's going to always work.

0:42:51.440 --> 0:42:53.520
<v Speaker 1>He will be just fine, you know what I mean,

0:42:53.560 --> 0:42:56.359
<v Speaker 1>if he's not declared. I had to think about this.

0:42:56.440 --> 0:42:59.000
<v Speaker 1>If he's not declared a hip hop artist, does it

0:42:59.120 --> 0:42:59.839
<v Speaker 1>really hurt him?

0:43:00.080 --> 0:43:00.120
<v Speaker 4>Know?

0:43:00.600 --> 0:43:03.960
<v Speaker 1>But if you make him a hip hop artist, it

0:43:04.080 --> 0:43:08.919
<v Speaker 1>hurts the ghetto because guess why the motherfucking suits are

0:43:08.960 --> 0:43:14.240
<v Speaker 1>not stupid. Business is simple. If I can get somebody

0:43:14.239 --> 0:43:17.440
<v Speaker 1>that looks like me to take over where something is

0:43:17.480 --> 0:43:21.040
<v Speaker 1>successful and this is the mass population, they're going to

0:43:21.080 --> 0:43:27.560
<v Speaker 1>sell more naturally, that's simple marketing. This that could be me.

0:43:28.560 --> 0:43:31.600
<v Speaker 1>Eminem is an outstanding MC, I know right now. That's

0:43:31.600 --> 0:43:34.280
<v Speaker 1>the thing. Hate on Eminem and whatever reason, these niggas

0:43:34.320 --> 0:43:36.440
<v Speaker 1>got this thing going on where they hate on Eminem.

0:43:36.600 --> 0:43:38.439
<v Speaker 1>Look and real, what are you talking about with that?

0:43:38.600 --> 0:43:42.319
<v Speaker 3>I'm not an Eminem fan? Like, well, I'm music a

0:43:42.360 --> 0:43:43.959
<v Speaker 3>bundantly talented I mean, like for.

0:43:43.880 --> 0:43:46.040
<v Speaker 1>Sure, like I like what I genuinely think it started

0:43:46.880 --> 0:43:50.319
<v Speaker 1>follow I started being I think it started with Xeno

0:43:50.320 --> 0:43:52.440
<v Speaker 1>on them. When Zeno on Them started that b for M.

0:43:52.680 --> 0:43:55.000
<v Speaker 1>You start seeing all these other narratives and now these

0:43:55.080 --> 0:43:57.560
<v Speaker 1>narratives have legs and they've grown to be eight feet tall.

0:43:58.560 --> 0:43:59.520
<v Speaker 2>What are they like?

0:43:59.560 --> 0:44:02.160
<v Speaker 1>I'm like narrative is that he's not this or I

0:44:02.160 --> 0:44:04.239
<v Speaker 1>don't relate to his life, or he's not tight. The

0:44:04.320 --> 0:44:06.760
<v Speaker 1>main one is he's not good. That shit is crazy,

0:44:07.960 --> 0:44:10.600
<v Speaker 1>is ridiculous. And this is coming from a rapper because

0:44:10.760 --> 0:44:15.600
<v Speaker 1>the rappers rapper bro, songwriter, songwriter, songwriter, songwriter, rappers rapper

0:44:15.800 --> 0:44:18.040
<v Speaker 1>bro that nigga is nice, bro that nigga is nice

0:44:18.040 --> 0:44:20.719
<v Speaker 1>on every level. He's a street urban kid, grew up

0:44:20.760 --> 0:44:23.080
<v Speaker 1>in the same type of poverty. That's the idea, right boom,

0:44:23.400 --> 0:44:25.840
<v Speaker 1>That's all it ever been. But the thing now is

0:44:25.880 --> 0:44:30.240
<v Speaker 1>to hate on cuz that's the tream because to hate

0:44:30.280 --> 0:44:32.879
<v Speaker 1>on this dude. So now you know what I mean,

0:44:33.040 --> 0:44:35.279
<v Speaker 1>I get it. And you look at Eminem for even

0:44:35.320 --> 0:44:37.960
<v Speaker 1>as fantastic as he is, you know what I mean.

0:44:38.040 --> 0:44:40.319
<v Speaker 1>I do think there's other rappers that's great, Like jay

0:44:40.400 --> 0:44:43.360
<v Speaker 1>Z is probably as great as Eminem. Buster Rhymes is

0:44:43.400 --> 0:44:46.040
<v Speaker 1>probably his greatest Eminem, Lil Wayne is probably his greatest

0:44:46.080 --> 0:44:49.719
<v Speaker 1>Eminem Snoop daughter, you know what I mean. All these

0:44:49.760 --> 0:44:52.439
<v Speaker 1>niggas are as great as Eminem in their own respective rights.

0:44:52.440 --> 0:44:54.480
<v Speaker 1>They do all the same things and they're just as great.

0:44:54.600 --> 0:44:58.520
<v Speaker 1>But it's the reason why this motherfucker got two diamond albums.

0:45:00.120 --> 0:45:01.839
<v Speaker 2>Yeah, I mean, it's a short list of people. That's

0:45:01.920 --> 0:45:03.040
<v Speaker 2>the reason what he does.

0:45:03.520 --> 0:45:06.360
<v Speaker 1>It's a reason why Little Wayne don't got one diamond album.

0:45:06.440 --> 0:45:10.520
<v Speaker 1>It's the reason why Snoop Dog don't have one diamond album.

0:45:10.600 --> 0:45:13.120
<v Speaker 1>It's the reason why Eminem has two diamond albums. This

0:45:13.160 --> 0:45:14.719
<v Speaker 1>is not a shot of Eminem. Eminem is a white

0:45:14.760 --> 0:45:18.399
<v Speaker 1>man that's unbelievably talented in this culture thing we called

0:45:18.480 --> 0:45:21.719
<v Speaker 1>hip hop, how we expressed all these problems. He is fantastic,

0:45:21.880 --> 0:45:24.000
<v Speaker 1>But goddamn it, you can't tell me white folk don't

0:45:24.000 --> 0:45:26.359
<v Speaker 1>see cuz and think like that could be me. It's

0:45:26.360 --> 0:45:30.880
<v Speaker 1>the reason he died that hair blonde. This ain't buy

0:45:30.960 --> 0:45:33.200
<v Speaker 1>no motherfucking mistake. This is not a shot to him.

0:45:33.200 --> 0:45:35.319
<v Speaker 1>I'm not in that pool of guys talking shit about

0:45:35.440 --> 0:45:39.080
<v Speaker 1>mm is desert. He is fantastic. Stand is one of

0:45:39.080 --> 0:45:41.399
<v Speaker 1>the greatest stories in the history of hip hop. Top five.

0:45:42.320 --> 0:45:45.200
<v Speaker 1>It's a cultural phenomena. You word we reference to niggas

0:45:45.200 --> 0:45:47.239
<v Speaker 1>like that to this day. This nigga is an outstanding

0:45:47.280 --> 0:45:50.680
<v Speaker 1>songwriter in MC. He's fucking fantastic. But goddamn, this nigga

0:45:50.680 --> 0:45:54.399
<v Speaker 1>got two diamond albums. Man, So these people know, if

0:45:54.440 --> 0:45:56.360
<v Speaker 1>they can get hip hop in the hands of people

0:45:56.360 --> 0:45:58.759
<v Speaker 1>that look like the mass of the population, it's going

0:45:58.800 --> 0:46:04.360
<v Speaker 1>to be easier to sell. So if I am not

0:46:04.880 --> 0:46:08.080
<v Speaker 1>saying Drake is not hip hop because he doesn't carry

0:46:08.120 --> 0:46:15.680
<v Speaker 1>the burden of culture, then you get Jack Harlowe. Yeah,

0:46:15.719 --> 0:46:19.319
<v Speaker 1>and guess what Jack is, dope. Jack happened to be

0:46:19.400 --> 0:46:22.600
<v Speaker 1>one of those kids who grew up liking niggas, fucking

0:46:22.680 --> 0:46:26.000
<v Speaker 1>with the fucking with fucking with niggas. Jack is one

0:46:26.040 --> 0:46:27.960
<v Speaker 1>of those kids who grew up that happened to be

0:46:28.360 --> 0:46:31.200
<v Speaker 1>a decent motherfucking white man out of Kentucky that fuck

0:46:31.239 --> 0:46:37.400
<v Speaker 1>with niggas. But the next one not, the next one not,

0:46:38.760 --> 0:46:40.719
<v Speaker 1>and next thing you look up is rock and roll.

0:46:40.960 --> 0:46:43.919
<v Speaker 1>It won't be a fucking dollar for black fucking hip hop.

0:46:45.080 --> 0:46:47.759
<v Speaker 1>That's my point. Now, I'm not on the crusade to

0:46:47.840 --> 0:46:50.160
<v Speaker 1>declare Drake out of hip hop, but I'm not gonna

0:46:50.200 --> 0:46:52.320
<v Speaker 1>lie no different than most death because I'm not finna

0:46:52.360 --> 0:46:55.080
<v Speaker 1>get on these stages and not give my thoughts or

0:46:55.080 --> 0:46:57.480
<v Speaker 1>my studies. I'm not with that, I'm not down for that.

0:46:57.640 --> 0:47:00.160
<v Speaker 1>I'm gonna say it because it don't matter. This nigga's

0:47:00.160 --> 0:47:02.800
<v Speaker 1>a pop icon He's not gonna lose one dollar based

0:47:02.840 --> 0:47:05.080
<v Speaker 1>off of him not being hip hop. He would always

0:47:05.160 --> 0:47:08.120
<v Speaker 1>be a pop success. He took rap went pop with it.

0:47:08.280 --> 0:47:11.560
<v Speaker 1>Post Malone took rap hip hop and went pop with it.

0:47:11.640 --> 0:47:14.080
<v Speaker 1>They took this shit and walked another doors. Look at

0:47:14.200 --> 0:47:17.600
<v Speaker 1>Machine Gun Kelly. Machine Gun Kelly from Cleveland was trying

0:47:17.600 --> 0:47:19.360
<v Speaker 1>to convince us he was the most damn nigga in

0:47:19.360 --> 0:47:20.600
<v Speaker 1>the world. Look at this shit now.

0:47:23.800 --> 0:47:26.720
<v Speaker 3>I think I saw him on TV at the gym

0:47:26.800 --> 0:47:28.880
<v Speaker 3>a couple of days ago on a rerun of Ellen.

0:47:29.120 --> 0:47:30.200
<v Speaker 2>Is that correct?

0:47:32.160 --> 0:47:37.120
<v Speaker 1>He get to be white again. Good for him, feel me,

0:47:37.920 --> 0:47:40.840
<v Speaker 1>my boy get to be white? My boy, Like I

0:47:40.920 --> 0:47:43.480
<v Speaker 1>remember seeing Machine Gun Kelly in this East Side till

0:47:43.480 --> 0:47:45.960
<v Speaker 1>Our Dog. I was like, man, this nigga hard. And

0:47:46.000 --> 0:47:48.319
<v Speaker 1>then I was like, well and it was like all

0:47:48.360 --> 0:47:51.960
<v Speaker 1>the niggas behind you. I was like, man, this shit hard.

0:47:51.960 --> 0:47:53.520
<v Speaker 1>But then I thought of it. I was like, I

0:47:53.520 --> 0:47:55.560
<v Speaker 1>don't know, man, let me let this shit now. Look

0:47:55.600 --> 0:47:57.319
<v Speaker 1>at this nigga. This nigga don't look like he knew

0:47:57.320 --> 0:48:00.960
<v Speaker 1>a nigga now. Again, that's not that I'm not.

0:48:02.840 --> 0:48:05.360
<v Speaker 3>I feel a little bit of that same similar vibe,

0:48:05.960 --> 0:48:08.000
<v Speaker 3>kind of with the Vanilla Ice when I see him now,

0:48:08.040 --> 0:48:10.759
<v Speaker 3>I think he's like some dude from Norco or.

0:48:10.760 --> 0:48:13.879
<v Speaker 2>Something like that when he turned in to a white man.

0:48:14.719 --> 0:48:17.640
<v Speaker 3>Yeah, and it didn't seem like it came up that way,

0:48:17.960 --> 0:48:20.880
<v Speaker 3>at least from his little bios.

0:48:19.520 --> 0:48:25.560
<v Speaker 1>So my point is, if you don't declare Drake in

0:48:25.640 --> 0:48:31.879
<v Speaker 1>the pop category, what you do is you guaranteed, you're gallteed.

0:48:34.000 --> 0:48:39.600
<v Speaker 1>You're guaranteed Bro to move dollars away from black hip hop.

0:48:44.880 --> 0:48:47.600
<v Speaker 1>You guarantee to move black dollars out of hip hop.

0:48:47.880 --> 0:48:51.960
<v Speaker 1>That's why it's important we keep the fucking point again.

0:48:52.040 --> 0:48:55.480
<v Speaker 1>This is not a charade against Drake Bro. Like niggas

0:48:55.520 --> 0:48:58.040
<v Speaker 1>love Drake Bro. Drake is like Lebron James. You can't

0:48:58.080 --> 0:49:01.640
<v Speaker 1>dislike or like Lebron James. You just dislike fans, Like

0:49:01.719 --> 0:49:04.800
<v Speaker 1>nobody dislikes Lebron James. Bro, you just dislike Lebron fans.

0:49:05.200 --> 0:49:07.719
<v Speaker 1>His fans think he died on the Cross because got

0:49:07.800 --> 0:49:09.400
<v Speaker 1>hung up on the cross and died for their sins.

0:49:10.120 --> 0:49:12.759
<v Speaker 1>Lebron James don't really ever say something that's too far

0:49:12.840 --> 0:49:15.320
<v Speaker 1>for you to like him or dislike him. Lebron James

0:49:15.320 --> 0:49:19.560
<v Speaker 1>is like Hick Hima Bro. He don't have flavor he's

0:49:19.600 --> 0:49:21.719
<v Speaker 1>always reading the first page of the book. You can't

0:49:21.760 --> 0:49:23.520
<v Speaker 1>even judge if he read the fucking book.

0:49:25.560 --> 0:49:32.839
<v Speaker 5>True small things politically to where you could be like, yep,

0:49:33.120 --> 0:49:36.840
<v Speaker 5>you know what, that was the right thing to say.

0:49:37.040 --> 0:49:43.120
<v Speaker 1>That's Drake. They don't have enough flavor for you to

0:49:43.200 --> 0:49:45.480
<v Speaker 1>tell if you like Howard taste or not. You just

0:49:45.600 --> 0:49:50.200
<v Speaker 1>respect the fact that everybody sells this food product, and

0:49:50.239 --> 0:49:53.920
<v Speaker 1>this food product, you know it has is digestible. That's it.

0:49:55.080 --> 0:49:59.400
<v Speaker 1>Drake Got Jams NonStop is my favorite Drake song. It's

0:49:59.440 --> 0:50:02.880
<v Speaker 1>against the song and I enjoy it. I enjoy it

0:50:02.920 --> 0:50:08.279
<v Speaker 1>like I enjoy Backstreets back everybody that's a hard fump song.

0:50:08.320 --> 0:50:13.239
<v Speaker 1>Bomb boom bomb Drake is like that, isn't there who

0:50:15.040 --> 0:50:16.759
<v Speaker 1>spinning the block? Or you're gonna get a hit put

0:50:16.760 --> 0:50:19.080
<v Speaker 1>out on a nigga? No, And that's fine. I don't

0:50:19.080 --> 0:50:22.000
<v Speaker 1>gotta believe you. But I also understand when somebody outside

0:50:22.040 --> 0:50:25.319
<v Speaker 1>of the culture is using the conversation to make a

0:50:25.360 --> 0:50:33.879
<v Speaker 1>really good song, sure, sure to make a really great song.

0:50:34.000 --> 0:50:37.240
<v Speaker 1>And that's what he does. He will take the hottest

0:50:37.239 --> 0:50:40.480
<v Speaker 1>ship in urban culture, whatever is happened the street or

0:50:40.560 --> 0:50:42.399
<v Speaker 1>the culture, hottest ship and be like, I'm a fuck

0:50:42.480 --> 0:50:45.240
<v Speaker 1>with that. He went to Atlanta and he heard Vasace.

0:50:45.400 --> 0:50:55.080
<v Speaker 1>He was like, Basachi Vasachi, Vassachi, Pasachi, Vasachi, Vasaci Fasachi.

0:50:56.200 --> 0:51:01.359
<v Speaker 2>Yeah, I mean he's he's he's like a aggregator of.

0:51:03.840 --> 0:51:05.759
<v Speaker 3>What was the name of that old website that they

0:51:05.840 --> 0:51:08.440
<v Speaker 3>used to always have, like urban gos like Bossip or

0:51:08.480 --> 0:51:11.320
<v Speaker 3>something like that or one of them.

0:51:11.400 --> 0:51:15.520
<v Speaker 1>Yeah, he heard that in a Landa. He was like

0:51:15.680 --> 0:51:18.920
<v Speaker 1>that right there, them little niggas got them one. I'm

0:51:18.920 --> 0:51:21.799
<v Speaker 1>gonna jump on that. He heard Draco. Draco was like

0:51:21.840 --> 0:51:24.680
<v Speaker 1>a phenomenon out of Los Angeles, a cultural phenomenon. He

0:51:24.760 --> 0:51:27.080
<v Speaker 1>was like, Lena, get on that Draco stuff down there.

0:51:29.719 --> 0:51:32.759
<v Speaker 1>It's no crime. I think that's dope. I love you

0:51:32.880 --> 0:51:36.279
<v Speaker 1>trying to empower the culture. Still we at the very

0:51:36.360 --> 0:51:41.040
<v Speaker 1>end of this motherfucker, I be still motherfucker. But I

0:51:41.120 --> 0:51:43.560
<v Speaker 1>Lee didn't know, like I think it's an Instagram. I'm like, nah,

0:51:43.560 --> 0:51:44.840
<v Speaker 1>I lead, like you got it. I would have to

0:51:44.880 --> 0:51:48.320
<v Speaker 1>send you the link from you know, YouTube from stream

0:51:48.400 --> 0:51:52.840
<v Speaker 1>yard from stream yard. But still, this was a revolutionary

0:51:52.880 --> 0:51:54.200
<v Speaker 1>conversation that I just had with.

0:51:54.239 --> 0:51:56.680
<v Speaker 4>Pete bout Drake.

0:51:57.560 --> 0:51:58.600
<v Speaker 1>What's not about Drake?

0:51:58.680 --> 0:51:58.799
<v Speaker 4>Bro?

0:51:59.600 --> 0:52:02.759
<v Speaker 1>Like break is awesome? Bro, like he's a great guy.

0:52:02.840 --> 0:52:08.800
<v Speaker 1>Like there's nothing for real, Bro, I'm gonna tell him unbelievable.

0:52:09.160 --> 0:52:14.200
<v Speaker 1>Forty is even more phenomenal. The producer forty that nigga is.

0:52:14.800 --> 0:52:20.279
<v Speaker 1>Noah is incredible. Them niggas is incredible. Them niggas are

0:52:20.600 --> 0:52:23.160
<v Speaker 1>like Max fucking martin Is. I don't make Max more

0:52:23.200 --> 0:52:26.799
<v Speaker 1>than a fucking funk producer. I don't give a fuck

0:52:26.880 --> 0:52:30.200
<v Speaker 1>how much Max Morton take funk and make these fucking

0:52:30.200 --> 0:52:33.120
<v Speaker 1>Backstreet songs in six songs, a Brittish Spears song, whatever,

0:52:33.160 --> 0:52:38.560
<v Speaker 1>fucking songs. That don't mean he fucking Rit James. That's it.

0:52:38.680 --> 0:52:42.759
<v Speaker 1>That's all I'm saying. He still ain't Rick James.

0:52:43.640 --> 0:52:47.520
<v Speaker 4>Well, we talked about it earlier, right. Hip hop is

0:52:47.560 --> 0:52:50.560
<v Speaker 4>one of those genres that has a very easy barrier

0:52:50.600 --> 0:52:55.120
<v Speaker 4>to entry. You don't instruments, you don't have to, you don't,

0:52:55.239 --> 0:52:58.239
<v Speaker 4>you don't. You don't necessarily even have to be a

0:52:58.320 --> 0:53:00.960
<v Speaker 4>skilled songwriter because they can give you the beat with

0:53:01.040 --> 0:53:01.680
<v Speaker 4>the hook on there.

0:53:01.719 --> 0:53:04.880
<v Speaker 1>All right, Yes, And that's the problem with the ship

0:53:05.040 --> 0:53:08.680
<v Speaker 1>that we create, poor people create. It has the least

0:53:08.719 --> 0:53:13.200
<v Speaker 1>barriers of entry. Tacos now, the even nigga putting shrimp

0:53:13.200 --> 0:53:16.400
<v Speaker 1>in it. Niggas act like that came oxtails in the taco.

0:53:16.520 --> 0:53:20.840
<v Speaker 3>Broacos are a little oxy mouronic.

0:53:20.840 --> 0:53:24.560
<v Speaker 1>Drake exactly. That's what I'm saying, Pete. It's a fucking

0:53:24.640 --> 0:53:29.040
<v Speaker 1>nice oxy mouronic. How the fuck this is a taco

0:53:29.200 --> 0:53:31.160
<v Speaker 1>is because you didn't have a lot of money and

0:53:31.200 --> 0:53:33.360
<v Speaker 1>you took the last of the meats with the facts

0:53:33.400 --> 0:53:36.120
<v Speaker 1>in it the ship and you put it. You wanted

0:53:36.120 --> 0:53:38.200
<v Speaker 1>to feed your kids. You didn't have enough shit, so

0:53:38.239 --> 0:53:40.640
<v Speaker 1>you took some flour. You made this tort ten, and

0:53:40.719 --> 0:53:42.640
<v Speaker 1>you got the worst of the meats, and you seizon

0:53:42.719 --> 0:53:44.359
<v Speaker 1>up a little bit. You put it in there, and

0:53:44.400 --> 0:53:46.560
<v Speaker 1>you you made that white because you knew that little

0:53:46.600 --> 0:53:49.360
<v Speaker 1>taco was gonna feed your fucking family. You knew that

0:53:49.400 --> 0:53:52.680
<v Speaker 1>was gonna make everybody huh.

0:53:52.840 --> 0:53:55.320
<v Speaker 4>You see the same thing with podcasts. You know everybody

0:53:55.400 --> 0:53:56.920
<v Speaker 4>has a podcast.

0:53:57.440 --> 0:54:01.520
<v Speaker 1>I don't even I'm just saying tacos. Man. Now, these

0:54:01.600 --> 0:54:04.520
<v Speaker 1>niggas is putting expensive meats in the fucking tacos. You

0:54:04.680 --> 0:54:08.640
<v Speaker 1>fucking a taco up, bro, I don't want no motherfucking

0:54:08.640 --> 0:54:10.840
<v Speaker 1>flaming your taco. I don't even fucking go together.

0:54:11.080 --> 0:54:14.799
<v Speaker 3>Why taco out of guy's mouth?

0:54:15.160 --> 0:54:18.160
<v Speaker 1>Why would you take a fucking quality piece of steak

0:54:18.280 --> 0:54:22.680
<v Speaker 1>and cover it up with cheap flouring tortilla, or why

0:54:22.760 --> 0:54:23.759
<v Speaker 1>the fuck would you do that?

0:54:25.400 --> 0:54:27.960
<v Speaker 4>I don't know if there's nothing wrong with making Actually

0:54:27.960 --> 0:54:29.480
<v Speaker 4>that sounds pretty interesting to the.

0:54:29.480 --> 0:54:31.520
<v Speaker 1>Past, and I hate you niggas. That's what happened to

0:54:31.600 --> 0:54:33.640
<v Speaker 1>rot Yo. You know what, the white people playing the sound,

0:54:33.640 --> 0:54:37.239
<v Speaker 1>they're pretty interesting. Let Jerry Lee Lewis play man. Just

0:54:37.280 --> 0:54:41.000
<v Speaker 1>let him no, stop putting flaming on in the fucking tacos.

0:54:41.080 --> 0:54:43.520
<v Speaker 1>Stop putting ice telling the fucking tacos man.

0:54:43.800 --> 0:54:46.120
<v Speaker 4>Well, gee, I know I got on late. My apologies,

0:54:46.239 --> 0:54:47.920
<v Speaker 4>long story. I'll tell you about it when we get off,

0:54:48.000 --> 0:54:50.760
<v Speaker 4>but I'm gonna tell you what's going on with hip hop.

0:54:50.840 --> 0:54:54.040
<v Speaker 4>Since hip hop has the easiest barrier to entry, you

0:54:54.160 --> 0:54:56.800
<v Speaker 4>have a lot of people who aren't really invested in

0:54:56.520 --> 0:54:59.120
<v Speaker 4>the into the culture that may want to be a singer.

0:55:00.040 --> 0:55:03.200
<v Speaker 1>They want everybody or to come in to do something else.

0:55:03.320 --> 0:55:06.120
<v Speaker 1>They just you post Malone came up in this motherfucker

0:55:06.160 --> 0:55:09.000
<v Speaker 1>like he was Alan Iverson. I'm white Iverson, bitch, you

0:55:09.200 --> 0:55:11.640
<v Speaker 1>not nothing, You're.

0:55:11.520 --> 0:55:16.120
<v Speaker 4>A white He probably wanted to be a country Western

0:55:16.200 --> 0:55:19.080
<v Speaker 4>singer but didn't have the best vocals, and they wasn't.

0:55:18.840 --> 0:55:22.160
<v Speaker 1>Going from the autotune and the Shiites. What you walk

0:55:22.200 --> 0:55:25.360
<v Speaker 1>in the door through hiproblem because him, because poor people.

0:55:25.400 --> 0:55:27.920
<v Speaker 1>We just want to fuck with niggas and you might

0:55:28.000 --> 0:55:29.960
<v Speaker 1>got some money. We want to change our life, so

0:55:30.000 --> 0:55:32.880
<v Speaker 1>we're gonna let you in our door. I can't be

0:55:32.960 --> 0:55:35.600
<v Speaker 1>mad at us, bro we poor. I can't be mad

0:55:35.600 --> 0:55:37.600
<v Speaker 1>at the culture. We poor man. We just want to

0:55:37.640 --> 0:55:40.320
<v Speaker 1>live a good life. And we think money is the problem.

0:55:40.400 --> 0:55:42.800
<v Speaker 1>It ain't hit us shit that drugs is our problem.

0:55:42.880 --> 0:55:45.120
<v Speaker 1>My call is our problem. Fucking bitch is not being

0:55:45.120 --> 0:55:47.280
<v Speaker 1>with our kids. All problemly ain't hit us all the problems.

0:55:47.280 --> 0:55:49.360
<v Speaker 1>That's the real problems white people created for us. We

0:55:49.560 --> 0:55:52.840
<v Speaker 1>think the one problem in the community is money. Well,

0:55:52.840 --> 0:55:54.480
<v Speaker 1>if I get some money, it's gonna fix everything. And

0:55:54.480 --> 0:55:57.000
<v Speaker 1>it don't fix shit. So you let him fucking post

0:55:57.080 --> 0:55:59.719
<v Speaker 1>malone up in this motherfucker and cousins wearing an Alan

0:55:59.760 --> 0:56:03.160
<v Speaker 1>and Iverson jersey they got this Allen Iverson fucking jersey On,

0:56:04.000 --> 0:56:06.319
<v Speaker 1>got this fucking Allen Iverson jersey on. And you're like,

0:56:06.360 --> 0:56:08.640
<v Speaker 1>he's the white Iverson and he's doing donuts and a

0:56:08.680 --> 0:56:11.680
<v Speaker 1>fucking phantom. Yeah, niggas is gonna fuck with it. He said,

0:56:11.719 --> 0:56:14.279
<v Speaker 1>our favorite fucking guy got the fucking NBA and he

0:56:14.320 --> 0:56:18.120
<v Speaker 1>got a fucking uh of Rose Royce doing donuts. Yes,

0:56:18.400 --> 0:56:21.160
<v Speaker 1>we're fucking with it. And then he gets in the

0:56:21.200 --> 0:56:23.480
<v Speaker 1>motherfucking door that we open for his whole ass, and

0:56:23.480 --> 0:56:25.359
<v Speaker 1>then he's like, man, fuck y'all niggas, I'm not one

0:56:25.400 --> 0:56:29.320
<v Speaker 1>of y'all. Bitch you just saying you was Iverson. Iverson

0:56:29.480 --> 0:56:33.400
<v Speaker 1>is one of us. They all use hip hop to

0:56:33.440 --> 0:56:35.680
<v Speaker 1>get in the fucking door and then they leave it

0:56:35.760 --> 0:56:39.839
<v Speaker 1>for shit. And I'm tired of niggas acting like this,

0:56:39.840 --> 0:56:41.960
<v Speaker 1>saying what's happening, because this is what.

0:56:42.080 --> 0:56:44.319
<v Speaker 4>Happens, and it's been happening for a while.

0:56:44.360 --> 0:56:47.440
<v Speaker 1>And I respect all the letting him in. I respect

0:56:47.480 --> 0:56:49.399
<v Speaker 1>all the brothers who letting him in because they want

0:56:49.400 --> 0:56:52.280
<v Speaker 1>to change their lives. Shout out to my nigga drama.

0:56:52.320 --> 0:56:53.839
<v Speaker 1>Shout out to all the niggas who want to change

0:56:53.880 --> 0:56:55.719
<v Speaker 1>theiry life and came from these backgrounds and be like,

0:56:55.760 --> 0:56:57.840
<v Speaker 1>you know what, I just want to win. I just

0:56:57.880 --> 0:56:59.640
<v Speaker 1>want to make a living. But god damn it, we

0:56:59.680 --> 0:57:01.399
<v Speaker 1>got the We can't act like we don't know what's

0:57:01.440 --> 0:57:03.880
<v Speaker 1>going on. And You can't be mad at me, cousin,

0:57:03.880 --> 0:57:06.400
<v Speaker 1>because I'm saying the truth. I'm not saying something you

0:57:06.400 --> 0:57:08.759
<v Speaker 1>don't know. And if you didn't know, cause you need

0:57:08.800 --> 0:57:12.400
<v Speaker 1>to listen and get school and get this work because

0:57:12.440 --> 0:57:15.520
<v Speaker 1>it's important. The same thing happened to Rock, Bro, the

0:57:15.600 --> 0:57:19.240
<v Speaker 1>same fucking thing happened to Rock, and you look up

0:57:19.280 --> 0:57:22.080
<v Speaker 1>and now you can't get a black dollar into rock.

0:57:22.480 --> 0:57:24.280
<v Speaker 1>And you know, niggas ain't finna do nothing, ain't gonna

0:57:24.280 --> 0:57:26.480
<v Speaker 1>make him no money because they gotta change their life.

0:57:27.680 --> 0:57:31.479
<v Speaker 1>They gotta change their fucking life, Bro, they gotta change

0:57:31.480 --> 0:57:35.120
<v Speaker 1>their life. This is no shade to Drake, and I'm

0:57:35.120 --> 0:57:37.439
<v Speaker 1>tired of niggas make it life. What I'm saying makes

0:57:37.520 --> 0:57:39.720
<v Speaker 1>Drake not talented or makes Drake not though, and I

0:57:39.720 --> 0:57:42.120
<v Speaker 1>don't gonna fucking Drake the mad glasses. Hey, nigga, I'm

0:57:42.120 --> 0:57:45.160
<v Speaker 1>not hating on you, cuz I don't get a fuck

0:57:45.280 --> 0:57:47.720
<v Speaker 1>not hating on you. Nigga. I'm happy for you. I'm

0:57:47.720 --> 0:57:50.160
<v Speaker 1>glad you want, I'm glad you at the cool table.

0:57:51.120 --> 0:57:53.800
<v Speaker 1>I'm glad you made it. But don't motherfucking forget it's

0:57:53.840 --> 0:57:55.920
<v Speaker 1>a bunch of other ghetto niggas that you're not sign it.

0:57:57.880 --> 0:57:59.880
<v Speaker 1>That's what this shit was made for, ghetto niggas to

0:57:59.880 --> 0:58:04.200
<v Speaker 1>make take away out. You're not signing ghetto niggas, you

0:58:04.320 --> 0:58:07.520
<v Speaker 1>sign it. Fucking what's the little dude? The fucking tools

0:58:07.560 --> 0:58:11.160
<v Speaker 1>namt Maconaan, you're not signing ghetto niggas.

0:58:13.040 --> 0:58:14.479
<v Speaker 4>Well. Macona might be good.

0:58:15.040 --> 0:58:19.840
<v Speaker 1>No, he not. I'm not mad at that dog. It's

0:58:19.880 --> 0:58:23.080
<v Speaker 1>not his responsibility. But you know what, it's our responsibility.

0:58:23.400 --> 0:58:26.640
<v Speaker 1>And that's the thing about being black. Being black is

0:58:26.680 --> 0:58:29.160
<v Speaker 1>not about how people treat you, because at that point

0:58:29.200 --> 0:58:32.720
<v Speaker 1>everybody will feel black. Latino people will feel black, everybody

0:58:32.760 --> 0:58:34.840
<v Speaker 1>will feel black if it's based off how white people

0:58:34.880 --> 0:58:37.919
<v Speaker 1>treat you. Being black is how we treat each other.

0:58:38.240 --> 0:58:41.920
<v Speaker 1>Being street urban especially is about us taking care of

0:58:42.000 --> 0:58:45.160
<v Speaker 1>each other. That's what hip hop still is.

0:58:46.640 --> 0:58:50.120
<v Speaker 4>The man the man is response before it all.

0:58:50.200 --> 0:58:57.840
<v Speaker 1>Peter good looking out for tuning into The note Seller's podcast.

0:58:58.080 --> 0:59:01.440
<v Speaker 1>Please do us a favorite, subscribe, rate, commentist share. This

0:59:01.520 --> 0:59:03.760
<v Speaker 1>episode was recorded right here on the West Coast of

0:59:03.800 --> 0:59:07.120
<v Speaker 1>the USA and produced by My Homeboy A King for

0:59:07.160 --> 0:59:10.760
<v Speaker 1>the Black Effect Podcast Network and No Heart Radio. Year