1 00:00:05,320 --> 00:00:09,040 Speaker 1: This is an emergency. This is an emergency. This is 2 00:00:09,080 --> 00:00:14,040 Speaker 1: not a test. This is an emergency. I am Rappaport 3 00:00:14,280 --> 00:00:19,320 Speaker 1: Stereo Podcast. You hear the fucking sirens, so you know 4 00:00:19,440 --> 00:00:24,360 Speaker 1: it's an emergency. I woke up this morning thinking the 5 00:00:24,440 --> 00:00:29,000 Speaker 1: best thing about today was going to be the fairy 6 00:00:29,400 --> 00:00:35,519 Speaker 1: Tail tennis at US Open, the third round matchup between 7 00:00:35,600 --> 00:00:38,840 Speaker 1: Venus and Serena Williams. I was pumped for that. I said, 8 00:00:38,880 --> 00:00:41,440 Speaker 1: that is going to be my day. Gonna go get 9 00:00:41,479 --> 00:00:44,920 Speaker 1: my little work out in. I'm finally back in Los Angeles, 10 00:00:45,360 --> 00:00:48,519 Speaker 1: out of the do the right thing heat of New 11 00:00:48,640 --> 00:00:52,800 Speaker 1: York City. It's gonna take care of all my ship 12 00:00:53,000 --> 00:00:56,080 Speaker 1: and then sit down in front of the television and 13 00:00:56,160 --> 00:01:01,520 Speaker 1: watch Venus and Serena slug it out at the US 14 00:01:01,640 --> 00:01:06,319 Speaker 1: Open below And behold. I woke up with a jolt 15 00:01:07,040 --> 00:01:11,119 Speaker 1: because I found out via Twitter. Because you know, Twitter 16 00:01:11,160 --> 00:01:12,880 Speaker 1: is on top of everything. He can't take a ship, 17 00:01:13,000 --> 00:01:16,800 Speaker 1: you can't take a piss. I can't do anything without 18 00:01:16,840 --> 00:01:22,480 Speaker 1: Twitter letting you know. Eminem dropped a record that I 19 00:01:22,560 --> 00:01:25,440 Speaker 1: was told is produced by Dr Dre. I have no idea. 20 00:01:25,520 --> 00:01:28,640 Speaker 1: This is an emergency. I am Rappaport Stereo Podcast. We 21 00:01:28,720 --> 00:01:33,240 Speaker 1: don't fact check regular podcast. I didn't bother to fact 22 00:01:33,319 --> 00:01:36,640 Speaker 1: check or credit check who the fuck produced the new 23 00:01:36,680 --> 00:01:39,440 Speaker 1: Eminem record? And before I get into this record and 24 00:01:39,480 --> 00:01:42,840 Speaker 1: why I love it, and you could look me up. 25 00:01:44,000 --> 00:01:48,640 Speaker 1: When I do my top ten or obligatory top five 26 00:01:49,280 --> 00:01:53,960 Speaker 1: m C list, Eminem is usually not on Not that 27 00:01:54,040 --> 00:01:56,400 Speaker 1: I don't think he's one of the best to ever 28 00:01:56,480 --> 00:01:58,840 Speaker 1: do it, but that is my preference, my taste. If 29 00:01:58,880 --> 00:02:05,400 Speaker 1: you go about skill tenacity, wordplay, I put Eminem in there. 30 00:02:05,440 --> 00:02:08,639 Speaker 1: But my top five usually reads like this, Cars One, 31 00:02:08,720 --> 00:02:13,359 Speaker 1: Big Daddy, Kane, Rock Him, Nas and jay Z. That's 32 00:02:13,440 --> 00:02:17,440 Speaker 1: usually my top five list. When I want to go, uh, 33 00:02:17,480 --> 00:02:19,040 Speaker 1: you know, to the left though, to the right a 34 00:02:19,080 --> 00:02:22,200 Speaker 1: little bit, I'll go ice Cube, I'll go Chuck d 35 00:02:23,600 --> 00:02:30,480 Speaker 1: Biggie Smalls. I don't know, uh, Andre three thousand most 36 00:02:30,560 --> 00:02:35,200 Speaker 1: deft to live quality, Eminem is not in there. Look 37 00:02:35,280 --> 00:02:38,200 Speaker 1: me up, fact check me fact check my list of 38 00:02:38,360 --> 00:02:41,679 Speaker 1: top five top ten mcs, Eminem is usually not in it. 39 00:02:41,800 --> 00:02:44,200 Speaker 1: That doesn't mean I don't respect him. That's just my taste. 40 00:02:44,200 --> 00:02:48,840 Speaker 1: That's my preference. Off the dome piece. Okay, so I'm 41 00:02:48,840 --> 00:02:52,480 Speaker 1: not an Eminem dick rider. I'm not a high Hey, 42 00:02:52,520 --> 00:02:55,400 Speaker 1: my name is my name. I'm not one of those guys, 43 00:02:55,800 --> 00:02:58,520 Speaker 1: but I funk with him. I think that song that 44 00:02:58,560 --> 00:03:02,440 Speaker 1: he put out with Busta Rhymes about two or three 45 00:03:02,520 --> 00:03:04,600 Speaker 1: years ago. I've mentioned it a few times on the 46 00:03:04,600 --> 00:03:07,359 Speaker 1: Iron Rap Reports Stereo podcast. I think it's called hold On. 47 00:03:08,200 --> 00:03:13,120 Speaker 1: It uses the jump around beat. They freak it. To me, 48 00:03:13,200 --> 00:03:17,639 Speaker 1: that's one of the best songs in hip hop ever made. Obviously, 49 00:03:17,639 --> 00:03:20,720 Speaker 1: I recognize the skill set. The reason why I'm pointing 50 00:03:20,720 --> 00:03:25,920 Speaker 1: this out is because I am not an Eminem Dick writer. Okay, 51 00:03:26,320 --> 00:03:28,840 Speaker 1: but when I saw that Eminem, my friend Chris Kurramata, 52 00:03:29,320 --> 00:03:33,280 Speaker 1: my main man, hit me up. He said, Eminem dropped 53 00:03:33,320 --> 00:03:36,680 Speaker 1: the record and Dr dre produced it. I said, fantastic. 54 00:03:36,760 --> 00:03:40,760 Speaker 1: I am going to enjoy my running Canyon hike. I'm 55 00:03:40,800 --> 00:03:43,120 Speaker 1: gonna listen to this record and hopefully it's gonna be good. 56 00:03:44,360 --> 00:03:46,800 Speaker 1: Because I said on the Iron Rap Or Stereo podcast, 57 00:03:46,840 --> 00:03:50,560 Speaker 1: I hate to quote myself, uh, that his last record 58 00:03:50,640 --> 00:03:55,640 Speaker 1: was not good. I didn't like it. Well, Slim Shady 59 00:03:56,640 --> 00:04:01,800 Speaker 1: came back and is shifting on everyone in his path. 60 00:04:01,880 --> 00:04:04,280 Speaker 1: And it's not just the shitting, it's the way he's 61 00:04:04,320 --> 00:04:09,680 Speaker 1: doing the shipping. Okay, it's the way he squatted down 62 00:04:10,080 --> 00:04:19,360 Speaker 1: and shipped on everybody in his path. The skill, the artistry, 63 00:04:19,640 --> 00:04:26,720 Speaker 1: the craftsmanship. That is this new eminem record called Kama Kaze, 64 00:04:28,080 --> 00:04:32,919 Speaker 1: which flips the Beastie Boys, Paul's Paul Revere, you know 65 00:04:32,960 --> 00:04:38,159 Speaker 1: it's record. It flips the cover, art, the craftsmanship, the 66 00:04:38,279 --> 00:04:46,000 Speaker 1: word play, the speed is on full display, talking all 67 00:04:46,400 --> 00:04:53,719 Speaker 1: kinds of shit about every and anybody. Now, of course Twitter, 68 00:04:55,600 --> 00:04:58,680 Speaker 1: Twitter does everything through on top of everything, the hipster 69 00:04:58,800 --> 00:05:03,760 Speaker 1: elite that knows nothing about true blue hip hop. They 70 00:05:03,800 --> 00:05:06,200 Speaker 1: came up with a list of all the people that 71 00:05:06,279 --> 00:05:09,599 Speaker 1: got name dropped on this record, and the list reads 72 00:05:10,000 --> 00:05:16,200 Speaker 1: like this, By the way, if it sounds like I 73 00:05:16,240 --> 00:05:19,560 Speaker 1: am doing this emergency, I Am Rapp reports stereo podcast 74 00:05:19,600 --> 00:05:25,000 Speaker 1: episode from My Car A k A the Room. To them, 75 00:05:25,000 --> 00:05:28,240 Speaker 1: it's because I am. It's because I am. That's the 76 00:05:28,279 --> 00:05:31,839 Speaker 1: beauty of an emergency. I Am Rapp, reports stereo podcast. 77 00:05:31,920 --> 00:05:38,320 Speaker 1: The room tomb is back my Roving Reporter Studio, which 78 00:05:38,400 --> 00:05:40,520 Speaker 1: is filthy. My car is filthy, by the way, But 79 00:05:40,600 --> 00:05:47,040 Speaker 1: the list reads like this, in no particular order. Fuck 80 00:05:47,120 --> 00:05:49,320 Speaker 1: you guys, feel like you cut me off. I cut 81 00:05:49,360 --> 00:05:51,840 Speaker 1: you off. Fuck you. I'm in the room to him 82 00:05:52,520 --> 00:05:59,000 Speaker 1: little Pump, Little Yahdi, Little Zan machine Gun, Kelly Tyler 83 00:05:59,120 --> 00:06:03,880 Speaker 1: the Creator guy it real good, real proper. He basically said, 84 00:06:03,920 --> 00:06:08,440 Speaker 1: your name is Tyler the Creator, create some ship, ship 85 00:06:08,560 --> 00:06:12,800 Speaker 1: it all over, Tyler of the Creator, Drake Charlemagne, the God. 86 00:06:12,839 --> 00:06:17,560 Speaker 1: I think got named checked twice. Academics, DJ academics and 87 00:06:17,640 --> 00:06:23,159 Speaker 1: DJ academics. Can you DJ? Are you actually a fucking DJ? Like? 88 00:06:23,240 --> 00:06:26,599 Speaker 1: Can you? Can you beat juggle? Can you transform? Can 89 00:06:26,640 --> 00:06:30,520 Speaker 1: you cut? Can you scratch? DJ academics? My man Joe Button. 90 00:06:30,560 --> 00:06:32,760 Speaker 1: I didn't know they had beef. I thought Joe Button 91 00:06:32,800 --> 00:06:36,400 Speaker 1: was on Eminem's record label. Shout out to Joe Button. 92 00:06:38,400 --> 00:06:41,360 Speaker 1: Funk with Joe Button. I believe today's his birthday. I 93 00:06:41,440 --> 00:06:43,239 Speaker 1: funk with Joe Button. I didn't know him and Eminem 94 00:06:43,279 --> 00:06:50,839 Speaker 1: had beef. Donald Trump, Mike Pence, the Grammy Awards, Earl sweatshirt, 95 00:06:50,920 --> 00:06:52,920 Speaker 1: Remember when he was like the next big thing earl 96 00:06:53,000 --> 00:06:58,200 Speaker 1: sweatshirt from the golf Wing Tyler the Creator crew, Remember 97 00:06:58,240 --> 00:06:59,920 Speaker 1: when he he was the greatest thing that hip hop 98 00:07:00,160 --> 00:07:03,120 Speaker 1: uh had had put out Earl sweatshirt havn't heard from 99 00:07:03,120 --> 00:07:05,880 Speaker 1: since And the one that I have a conflict of 100 00:07:05,920 --> 00:07:08,599 Speaker 1: interest over, but I think it's a long overdue. Lord 101 00:07:08,680 --> 00:07:13,720 Speaker 1: Jamar from the Brand Nubians, Lord Jamar from the Brand Newbians, 102 00:07:14,080 --> 00:07:17,000 Speaker 1: got it real nice because Lord Jamaar has been shipping 103 00:07:17,000 --> 00:07:22,000 Speaker 1: on Eminem, doesn't really acknowledge him as a talent. And 104 00:07:22,040 --> 00:07:25,360 Speaker 1: I have to say, Lord Jamar, uh, it's time to 105 00:07:26,160 --> 00:07:31,000 Speaker 1: put something on wax. We haven't heard you rhyme in years. 106 00:07:31,080 --> 00:07:37,200 Speaker 1: Lord Jamar, you can't just go on vlad TV and talk. 107 00:07:37,520 --> 00:07:41,920 Speaker 1: Now it's time to put something on wax. And I 108 00:07:42,040 --> 00:07:47,080 Speaker 1: say that with all due respect because Slim Shady, who 109 00:07:47,120 --> 00:07:52,920 Speaker 1: you've been dissing? Dj vladd interview after dj vladd interview 110 00:07:52,960 --> 00:07:57,400 Speaker 1: after dj vladd interviewed, tweet after tweet after tweet, Slim Shady, 111 00:07:57,440 --> 00:08:02,840 Speaker 1: Eminem pissed all over you. So, if hip hop is 112 00:08:02,920 --> 00:08:08,840 Speaker 1: not dead, if hip hop is still alive and its 113 00:08:08,920 --> 00:08:15,800 Speaker 1: truest artistic form in any shape or size, I demand 114 00:08:17,640 --> 00:08:22,000 Speaker 1: at least three of the people that got name checked 115 00:08:22,040 --> 00:08:26,360 Speaker 1: on Eminem's Kama Kaze record to come out before Monday. 116 00:08:27,320 --> 00:08:31,800 Speaker 1: Sixteen bars, sixteen fucking bars is all a tick. You're 117 00:08:31,800 --> 00:08:34,880 Speaker 1: not gonna do a full song. Nobody that he name 118 00:08:35,000 --> 00:08:37,360 Speaker 1: checked is going to do a full song because no 119 00:08:37,400 --> 00:08:39,559 Speaker 1: one wants that smoke with Eminem when it comes to 120 00:08:39,640 --> 00:08:44,800 Speaker 1: that battle rap. Let's not forget that Eminem started with 121 00:08:44,880 --> 00:08:48,640 Speaker 1: that battle rap. Let's not forget that. Listen. I've been 122 00:08:48,640 --> 00:08:52,360 Speaker 1: shy to talk shit about Eminem because when he spits, 123 00:08:53,800 --> 00:08:56,200 Speaker 1: he spits. I mean, when we're talking about one of 124 00:08:56,200 --> 00:08:59,040 Speaker 1: the great trash talkers, one of the great ship talkers 125 00:08:59,200 --> 00:09:05,199 Speaker 1: of all time. Eminem is that dude. I demand, if 126 00:09:05,280 --> 00:09:10,120 Speaker 1: hip hop is not dead, Tyler the creator, before you 127 00:09:10,160 --> 00:09:14,240 Speaker 1: put out some shorts and some flower colored socks. You 128 00:09:14,440 --> 00:09:20,040 Speaker 1: come back and you say something to your idol. I 129 00:09:20,120 --> 00:09:25,280 Speaker 1: demand Earl sweats Earl sweatshirt. You say something on wax 130 00:09:25,360 --> 00:09:29,680 Speaker 1: to your idol. Little Pump. I like the little pump. 131 00:09:30,679 --> 00:09:34,240 Speaker 1: I have no problem with him. Somebody say something. Collectively, 132 00:09:34,240 --> 00:09:39,040 Speaker 1: all the little little YACHTI a little pump, little zan Collectively, 133 00:09:39,080 --> 00:09:42,120 Speaker 1: you motherfucker's could come out with at least sixteen bars. 134 00:09:43,480 --> 00:09:45,400 Speaker 1: Put it on a group text. You guys could figure 135 00:09:45,400 --> 00:09:51,199 Speaker 1: it out. Sixteen fucking bars from three people. I'm no mathematician, 136 00:09:51,840 --> 00:09:54,560 Speaker 1: but that's like four bars each. Come on, you, Fox, 137 00:09:55,360 --> 00:09:57,840 Speaker 1: if hip hop is still alive, you're making so much 138 00:09:57,920 --> 00:10:00,760 Speaker 1: money off it, just try it. You're fans aren't gonna 139 00:10:00,800 --> 00:10:03,480 Speaker 1: mind anyway. It's been proven in hip hop you can 140 00:10:03,480 --> 00:10:07,600 Speaker 1: get destroyed pistol by an MC. Look at fucking Drake. 141 00:10:07,679 --> 00:10:12,080 Speaker 1: He sold more records since getting dragged, body slammed, and 142 00:10:12,160 --> 00:10:17,839 Speaker 1: thrown off the top rope since Push a T annihilated him. 143 00:10:17,840 --> 00:10:20,679 Speaker 1: It doesn't matter. Just do it for the sport. Just 144 00:10:20,720 --> 00:10:23,800 Speaker 1: try something new, what you're gonna do. Try something new, 145 00:10:24,000 --> 00:10:28,160 Speaker 1: what you're gonna do. See, I did it. I demand 146 00:10:28,200 --> 00:10:30,400 Speaker 1: that some of you guys, at least three of you, 147 00:10:30,520 --> 00:10:34,719 Speaker 1: before you put out a new sweatshirt collaboration with Supreme 148 00:10:35,559 --> 00:10:39,839 Speaker 1: or a new Man purse collection, you come back at 149 00:10:39,920 --> 00:10:45,959 Speaker 1: slim Shady. See if you're sword is sharp. You're making 150 00:10:46,080 --> 00:10:50,840 Speaker 1: so much money off hip hop. Dude, the damn thing. Now, 151 00:10:50,880 --> 00:10:53,880 Speaker 1: I'm gonna walk you through my favorite zones. You don't 152 00:10:53,880 --> 00:10:56,080 Speaker 1: hear me calling this record a classic. I don't do that. 153 00:10:56,840 --> 00:10:58,920 Speaker 1: I may or may not be listening to this fucking 154 00:10:58,960 --> 00:11:01,160 Speaker 1: record a week from now, like this morning. I listened 155 00:11:01,160 --> 00:11:04,480 Speaker 1: to it three times and I like it. I really 156 00:11:04,520 --> 00:11:08,640 Speaker 1: like it. It's good. It's real good. The songs that 157 00:11:08,760 --> 00:11:13,200 Speaker 1: stuck out to me are in collective order. This song 158 00:11:13,320 --> 00:11:19,760 Speaker 1: called Fall is a banger. It's true blue disruptive rap 159 00:11:20,360 --> 00:11:25,000 Speaker 1: shitting over so many people. That's the song that I 160 00:11:25,040 --> 00:11:27,880 Speaker 1: think Lord Jamare got it in. That's the song that 161 00:11:27,960 --> 00:11:31,600 Speaker 1: Tyler the creator got it in. The second song, Ringer 162 00:11:32,320 --> 00:11:36,600 Speaker 1: Greatest and Lucky You. The first three songs of the record, Ringer, 163 00:11:36,800 --> 00:11:41,200 Speaker 1: Greatest and Lucky You are there. He could have stopped there. 164 00:11:42,040 --> 00:11:46,840 Speaker 1: That was like Tommy Hearns versus Morvin Hagler and eminem 165 00:11:46,920 --> 00:11:50,520 Speaker 1: Is taking on the entire hip hop community. Those three 166 00:11:50,559 --> 00:12:00,320 Speaker 1: songs shut it down. Those three songs truly show a 167 00:12:00,400 --> 00:12:06,800 Speaker 1: man's commitment to all things hip hop. You can't just 168 00:12:06,880 --> 00:12:12,320 Speaker 1: babaa baba to bababa. This is an art form. You 169 00:12:12,400 --> 00:12:15,200 Speaker 1: can't just pick up a guitar and say, oh, I'm 170 00:12:15,200 --> 00:12:18,080 Speaker 1: a guitarist. You can't just pick up a flute and 171 00:12:18,200 --> 00:12:21,439 Speaker 1: say you're a flutist. You can't just put on tap 172 00:12:21,480 --> 00:12:25,520 Speaker 1: shoes and say oh I'm a tap shore or dancer 173 00:12:25,920 --> 00:12:30,280 Speaker 1: tap dancer. This is an art form. This is a music, 174 00:12:30,480 --> 00:12:38,640 Speaker 1: a musical artistic form. Okay, I don't understand why with 175 00:12:38,800 --> 00:12:41,640 Speaker 1: rap anyone thinks they could do it because of their 176 00:12:41,679 --> 00:12:47,200 Speaker 1: look fuck that w w E interesting personality? Rap. I 177 00:12:47,360 --> 00:12:52,880 Speaker 1: demand I demand at least three of you motherfucker's that. 178 00:12:52,960 --> 00:12:57,520 Speaker 1: We're talking ship about Eminem's record. That got laid out 179 00:12:58,000 --> 00:13:01,200 Speaker 1: very clearly. The words. You can understand every single word. 180 00:13:01,240 --> 00:13:03,960 Speaker 1: The motherfucker's going fast, he's going slow. There's some dude 181 00:13:03,960 --> 00:13:08,080 Speaker 1: on this record named Joiner Lucas, so I've never fucking 182 00:13:08,080 --> 00:13:13,760 Speaker 1: heard of. He's better than every wrapper out This kid, 183 00:13:13,880 --> 00:13:16,800 Speaker 1: Joiner Lucas, whoever the funk you are, he ships with 184 00:13:16,960 --> 00:13:22,240 Speaker 1: him and him. I like the record. I did an 185 00:13:22,240 --> 00:13:24,959 Speaker 1: emergency I am wrapped ports stereo podcast from my car. 186 00:13:25,000 --> 00:13:26,880 Speaker 1: I'm at a red light right now. There's a woman 187 00:13:27,080 --> 00:13:30,560 Speaker 1: walking in front of me with a dog. Okay. I 188 00:13:30,600 --> 00:13:34,280 Speaker 1: am on Sunset Boulevard in Los Angeles looking at Tower 189 00:13:34,360 --> 00:13:41,760 Speaker 1: Records right now. Okay, I've been pontificating, freestyling for the 190 00:13:41,840 --> 00:13:46,079 Speaker 1: last ten to twelve minutes, non fact checking, emergency podcasting. 191 00:13:46,120 --> 00:13:50,240 Speaker 1: I even like the skits on this with Eminem's longtime 192 00:13:50,280 --> 00:13:55,160 Speaker 1: manager Paul Rosenberg telling him what are you doing, and 193 00:13:55,200 --> 00:13:58,720 Speaker 1: then Eminem calling back and saying, fuck you, Paul Rosenberg. 194 00:13:59,800 --> 00:14:02,560 Speaker 1: The this is what hip hop needs, okay, and it 195 00:14:02,600 --> 00:14:06,000 Speaker 1: ain't hip hop if you don't respond. Eminem doesn't. Eminem 196 00:14:06,080 --> 00:14:08,880 Speaker 1: is not doing this to sell records. He's a multimillionaire. 197 00:14:10,640 --> 00:14:13,880 Speaker 1: It's clear that Eminem knows that his best, biggest days 198 00:14:13,960 --> 00:14:19,560 Speaker 1: are behind him. He's never gonna have that quadruple platinum 199 00:14:19,760 --> 00:14:24,720 Speaker 1: worldwide success. Hip hip hop is a young man's game. Okay, 200 00:14:24,760 --> 00:14:28,560 Speaker 1: there's exceptions to the rules. Kanye West, I mean, I 201 00:14:28,600 --> 00:14:32,000 Speaker 1: don't even if he's He's still listen. He's still popular 202 00:14:32,560 --> 00:14:35,960 Speaker 1: jay Z of course, But in general, hip hop is 203 00:14:36,000 --> 00:14:40,920 Speaker 1: a young man's game. Eminem knows that his biggest success 204 00:14:41,040 --> 00:14:43,200 Speaker 1: days are behind him. He put this record out for 205 00:14:43,240 --> 00:14:45,920 Speaker 1: the love of the sport, for the love of the 206 00:14:46,000 --> 00:14:49,000 Speaker 1: word play, for the love of the ship talk, for 207 00:14:49,080 --> 00:14:53,240 Speaker 1: the genre of hip hop music. I have to say, 208 00:14:53,320 --> 00:14:56,360 Speaker 1: Lord Jamaar, I love brand Nubians. I funk with you. 209 00:14:58,040 --> 00:15:01,120 Speaker 1: But the question gets raised, did you write any of 210 00:15:01,160 --> 00:15:05,800 Speaker 1: your rhymes? You can't just go on flat TV and 211 00:15:05,880 --> 00:15:08,560 Speaker 1: shoot all over Eminem. Now it's time to put something 212 00:15:08,600 --> 00:15:12,440 Speaker 1: on wax. Peace to the God. I say that with respect. 213 00:15:13,720 --> 00:15:17,440 Speaker 1: You can't just talk. Now it's time to spit all 214 00:15:17,480 --> 00:15:23,840 Speaker 1: that goofball, cornball, high shorts, Fairfax bullshit. It's time to 215 00:15:23,960 --> 00:15:29,040 Speaker 1: spit y'all. Say you love Eminem Tyler the creator. He's 216 00:15:29,080 --> 00:15:33,480 Speaker 1: influenced you so much, he's your favorite rapper of all time. Well, 217 00:15:33,560 --> 00:15:36,880 Speaker 1: let's see that influence on display. Take down your idol, 218 00:15:37,160 --> 00:15:41,720 Speaker 1: take a shot, Take a shot at the title. Okay, 219 00:15:42,240 --> 00:15:45,520 Speaker 1: I love the record. I love it for hip hop, 220 00:15:45,520 --> 00:15:48,360 Speaker 1: I love it for the genre. You can't never practice 221 00:15:48,400 --> 00:15:52,040 Speaker 1: the piano and call yourself a pianist. Is it a pianist? 222 00:15:52,240 --> 00:15:56,480 Speaker 1: I don't know. The point has been made. Okay. Venus 223 00:15:56,520 --> 00:16:02,120 Speaker 1: and Serena play at four pm Pacific time seven pm 224 00:16:02,120 --> 00:16:09,680 Speaker 1: Eastern US open. Check out Eminem's new record, Kama Kaze, This, This, This, 225 00:16:10,760 --> 00:16:13,920 Speaker 1: Do you hear that? I'm in the streets. This has 226 00:16:13,960 --> 00:16:20,200 Speaker 1: been an emergency. I am rappaport Eminem Kama Kaze, Slim 227 00:16:20,200 --> 00:16:25,600 Speaker 1: Shady Emergency Podcast, I'm Out, Miles Jordan. Take us out 228 00:16:25,600 --> 00:16:27,600 Speaker 1: of here with something nice. Take us out of here 229 00:16:27,640 --> 00:16:29,520 Speaker 1: with a beat that these rappers can maybe feed on.