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Speaker 1: Welcome back to alchemy. This is was Kevin Pollock? What's that? Yes?

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Speaker 1: That Kevin? No. I believe when you die you start

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Speaker 1: over and try to do it better. How else could

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Speaker 1: you explain how obvious it is to me when someone

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Speaker 1: is on their very first lifetime, right like Joey Grig

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Speaker 1: But I digressed them figuring alchemists in no particular order.

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Speaker 1: Please say hello to Craig Katkowski. If you were the

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Speaker 1: new James Bond, what would your signature greeting be as Bond? Uh?

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Speaker 1: I'm Kikowski, Craig, but your a c K O W

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Speaker 1: S K I. So, as James Bond, your first order

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Speaker 1: of business is to change your It's a great secret identity.

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Speaker 1: We know that James Bond is not a guy, right,

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Speaker 1: it's an agent at in my six it's a guy.

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Speaker 1: Here's that name interchangeably, right? But the agent's name is

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Speaker 1: double A Sudden. That's right, Break it up. I've never

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Speaker 1: seen one of those movies. Sorry for the extra long quiz.

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Speaker 1: Open your Heart is Vanessa raglan Venie. Do you prefer

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Speaker 1: savory or sweet savory? Yeah? All the way? Do you

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Speaker 1: have faves in the savory department? Right now? You said it.

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Speaker 1: I'm thinking of a mix of savory and sweet, but

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Speaker 1: peanut butter flavored non dairy ice cream salt on top

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Speaker 1: to please. I'm ready stop what you're doing. It's Joey Greer, Joey,

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Speaker 1: not the fat one. Uh. What's your favorite number and why? Nine? Why?

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Speaker 1: Because it's divisible by three and the trinity is um

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Speaker 1: the trinity is three three take large and then if

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Speaker 1: you if you can put three three were on top

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Speaker 1: of that? Six six six. Okay, thank you for that

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Speaker 1: appreciated last. But may you sleep like a baby, as

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Speaker 1: in up every two hours with poopy drivers diapers if

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Speaker 1: you think you please dripers. It's James Heeney, Jimmy Hafaheney.

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Speaker 1: What's your favorite card on the deck and why? I

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Speaker 1: like the Joker And I don't think I really need

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Speaker 1: to explain. I'm sure everybody here likes the Joker the best.

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Speaker 1: It's the funniest card and most interesting. Yeah, I think

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Speaker 1: you're prominent. Don't speak for us. I mean, come on,

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Speaker 1: you don't like the Joker the best? Like the Seven

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Speaker 1: of SPADs that's weird, that's a cute one. But that's

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Speaker 1: you have a favorite card. I think it would be

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Speaker 1: one of the queens, you know. Yeah, I gotta support

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Speaker 1: nine of hearts different when I jack Suicide King. Oh yeah,

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Speaker 1: it's actually pretty good. Yeah, those are a good good ones.

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Speaker 1: I mean, it's more than one favorite card, but I

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Speaker 1: think everyone wishes you would. I need to take suicide

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Speaker 1: and when I checked this, I can't have the scene

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Speaker 1: faure to club the worst I love as well as

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Speaker 1: the lowest possible card club mathematically speaking in the deck, Um,

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Speaker 1: I do love how James is either holy original or

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Speaker 1: I'll just do what that guy's doing. All right, our

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Speaker 1: first scene today. Remember all of our scenes are gathered

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Speaker 1: from our listeners emails. If you'd like to submit yours,

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Speaker 1: please write to us uh at your name here at

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Speaker 1: alchemy this dot com. That's your name here at alchemy

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Speaker 1: this dot com. Our first scene comes from Elena, who wrote,

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Speaker 1: Hey Alchemist. First off, I want to say that I

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Speaker 1: have survived my first job as an intern doing data

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Speaker 1: entry solely because of your podcast. Thank you for the

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Speaker 1: last as a scene suggestion. Yeah, welcome. I am meeting

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Speaker 1: my boyfriend's family for the first time tonight and I

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Speaker 1: am terrified. However, I think it would be hilarious if

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Speaker 1: you created that scene much love, Elena Hayne. It's what

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Speaker 1: time are you? And the boy is supposed to be

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Speaker 1: uh sitting down for dinner? Um, well we were going

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Speaker 1: to actually go out for dinner. I don't know that

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Speaker 1: we're ready to have him come here and now, well

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Speaker 1: fund is my honerwear I just I just don't feel

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Speaker 1: like I want him to do. Does he have you

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Speaker 1: told him pocket balls? Just hanging out? Where's have you

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Speaker 1: told him about your brother? I told him I'm an

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Speaker 1: only child, and I really like, yeah, Danny, Danny, I'm

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Speaker 1: talking to your Danny, Danny, Danny. I think he's playing Fortnite.

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Speaker 1: I just want to say I can't meditate, Joe and

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Speaker 1: I I asked you to help everything be smooth for

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Speaker 1: one hour. Dad. Dad is pressuring me to have my

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Speaker 1: boyfriend over for that's him over for dinner. Listen to

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Speaker 1: your mother? Are you really going to make me do this?

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Speaker 1: I'd love to meet this mystery man that's swept you

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Speaker 1: off your feet and gotten you to stop wearing your hair.

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Speaker 1: And are you calling him that because his name is Aladdin?

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Speaker 1: I wasn't okay because that seems a little racist. I wasn't.

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Speaker 1: I was calling him that because we've never met him. Okay,

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Speaker 1: and how is that racist? It's magical and mysterious because

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Speaker 1: his name is Aladdin, it's a popular Disney movie. There's

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Speaker 1: nothing more mainstream. You just prefer if you called him L.

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Speaker 1: I mean, we don't usually call him by his didn't

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Speaker 1: you ask about his magic carpet wife? I don't know

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Speaker 1: what you're trying to start right now, but you are

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Speaker 1: starting it. Okay, take it too, and see what you

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Speaker 1: can do with your son. I don't want to see

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Speaker 1: my son's cocking balls right now. Let's make that to listen.

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Speaker 1: When he gets here, I'm just probably going to go

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Speaker 1: out with L. You having him over for dinner, Mom,

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Speaker 1: don't make me, please. I have a salmon plate ready

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Speaker 1: to go, an extra salmon. I inherited him from the

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Speaker 1: luncheon today because he's near an ocean. You thought you'd

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Speaker 1: you are You are psychotic. What you're trying to do.

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Speaker 1: The way you're trying to spin this is crazy. The

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Speaker 1: Mediterranean is right there. Nothing is happening that he's saying

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Speaker 1: is happening. Unbelievable. We'll have him over for a peanut

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Speaker 1: butter and jelly good. That's gonna be weird. I'll put

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Speaker 1: the salmon out. We'll see who takes what. Yeah, why

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Speaker 1: don't you just say we're not you? I think he's

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Speaker 1: pulling up. Guys, just let me go out with I'm

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Speaker 1: staying here. We're not divorcing a kid. Look, I want

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Speaker 1: you to have a good time on this. Rate me

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Speaker 1: five stars. All right, you're gonna meet her, You're gonna

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Speaker 1: have a good time. The parents are gonna be great.

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Speaker 1: You're gonna do goody. Thanks man, I appreciate it. You welcome.

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Speaker 1: Just give me five stars. I always do. I hope

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Speaker 1: to get five stars. Better. Let me see you do it.

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Speaker 1: I mean, I will you know the rides over, you know,

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Speaker 1: let me see that open now you know, I'll pull over. Okay.

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Speaker 1: I think we got it in the ride. First ride, okay,

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Speaker 1: all right, yeah, and then I'm doing it so yeah, great,

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Speaker 1: I can take you so kind of ended up. Okay,

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Speaker 1: I think I gotta call you again then, right, I

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Speaker 1: gotta asked for a ride. Okay, let me pull over,

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Speaker 1: all right, okay, Oh I got it. It's a different ride.

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Speaker 1: Now somebody else is in the pick him up. Let

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Speaker 1: me pick him up. Oh I didn't want to pull

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Speaker 1: I don't want to pull either. No, no, no, no no,

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Speaker 1: just it's just you. I gotta drop him off. But

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Speaker 1: you're good. But why is someone else in the car.

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Speaker 1: Don't worry about it. He's just kidnapping. Oh that's not

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Speaker 1: a kidnapp thing. No, he's just dropping me off about

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Speaker 1: half a mile away from my destiny. I have to

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Speaker 1: go with. But I'm not getting a discount. Calm down,

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Speaker 1: I'm not freaking out. This is the first time I've

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Speaker 1: got to pull an asked for a pol don't at

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Speaker 1: the pool rate. Yeah, my name is Dana. I already

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Speaker 1: know I can come in. All right, Do you want

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Speaker 1: the writ or not? Because if you want to cancel it,

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Speaker 1: you gotta do it on your in. But doesn't that

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Speaker 1: affect my rating? I think it affects my passengers. Just

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Speaker 1: you might have to pay to cancel. You just come on.

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Speaker 1: It says it's too late to cancel. I have to

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Speaker 1: accept a feed. Come on, you want to come anywhere?

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Speaker 1: This is racketeering. I think it's not racketeering. Which way

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Speaker 1: are you going north? That's opposite direction. Yeah, we're going

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Speaker 1: about half a mile south and he's gonna drop me off.

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Speaker 1: This is this is a Laddin and so come on

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Speaker 1: and I'll take it. Okay, Fine, So he's gonna he's

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Speaker 1: gonna go on a date see his girlfriend's parents for

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Speaker 1: the first time. You've never seen them. How do you

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Speaker 1: know that? We were just talking about that, We were

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Speaker 1: just dawn about it. I said, I was gonna pick

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Speaker 1: up my girlfriend. You're gonna pick her up in this

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Speaker 1: uber and then you picked me. It doesn't matter what's

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Speaker 1: gonna happen. Oh my god, I think he's in the

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Speaker 1: car with somebody else. I'm supposed to be going out there.

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Speaker 1: There's a girl in that car. There's a woman in

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Speaker 1: that Carman, you bring him in here, you go out

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Speaker 1: to the car, you say, please come in a lad.

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Speaker 1: I'm incredibly embarrassed. I don't know what he's doing with another.

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Speaker 1: That girl is so gorgeous. I'm so sorry. Okay, I'm

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Speaker 1: gonna go. So sorry he brought a date. I don't think.

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Speaker 1: I don't think you understood the dynamic of the relationship.

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Speaker 1: Tell you, can you honk again? She's not coming out. Look,

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Speaker 1: I don't hunk A couple of times, many times. Lip glass.

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Speaker 1: You've got to put on lip glass. You have some

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Speaker 1: Absolutely I do. I'm a cosmetics rep here. Yeah, pretty lips.

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Speaker 1: Nice shame, thank you? Oh my god, what are you

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Speaker 1: doing with your fingers on my boyfriend's lips? Oh my gosh,

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Speaker 1: I've heard so much about you. I was sorry, Dina.

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Speaker 1: There's not enough salmon plates or peanut butter and jellies

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Speaker 1: for you, so you gotta ghost the more else. I

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Speaker 1: have to go a mile and a half north. Hey,

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Speaker 1: what's all this out here? Hi? I'm her father, you

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Speaker 1: must be allowed. I'm al Baba al h Hi, I'm

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Speaker 1: Gregory and I'm da. I don't know. We're just sharing

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Speaker 1: a ride. They're just sharing a ride. It's something weird.

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Speaker 1: Are you the driver? That's why you're behind the wheel. Okay,

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Speaker 1: they weren't kissing or anything. But do you want to

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Speaker 1: come in? When you say Mr bo like we were,

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Speaker 1: but we weren't, Mr Bobba, call me Mr Bobba? Just

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Speaker 1: al is Okay? How would you come into the house

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Speaker 1: and say hello? I know my wife would love to

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Speaker 1: meet just for a minute for dinner. Give me five stars,

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Speaker 1: all right? I will? I told you that just doing it? Okay,

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Speaker 1: we just get it in the ride, which I think

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Speaker 1: we'll also bump you off the road. I also see

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Speaker 1: this is what happened when I was picked up you did?

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Speaker 1: Is this the second time you've raided it? Yeah? So

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Speaker 1: just do you two want to come in for dinner? Also? No, no,

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Speaker 1: I gotta go salmon, salmon for Dana to come along. Dad,

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Speaker 1: she's mean. Okay, Well, how your girlfriend is me? Good luck? Good?

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Speaker 1: All right? Thanks? Man? Did you read me? Or no? Yes,

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Speaker 1: I did? Hold on, it's not come up on my phone.

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Speaker 1: Can we go and sign? Yeah? Okay, okay, bye? Out.

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Speaker 1: Do you work out? You know you're a pretty great change. Oh? Thanks, Yeah,

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Speaker 1: yeah I do. I work out, you know, part of

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Speaker 1: a gym. Joint gym. Welcome my wife, Rachel. Oh, Aladdin,

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Speaker 1: it's a pleasure to meet you. Just call him a

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Speaker 1: humble babe. This is what unexpected pleasure. Wasn't expecting to

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Speaker 1: meet you? Well tonight, Well, I happened into a salmon

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Speaker 1: plate and we've been dying to hear about this. Um

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Speaker 1: Eastern Middle Eastern mad mystery. Oh you did this to me?

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Speaker 1: You planted the seeds. What I'm doing? You needed my

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Speaker 1: health to be a racist? No, I'm not al Aladdin,

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Speaker 1: I am not a racist. Okay, I just drop it. Mom,

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Speaker 1: you're making it weird. I would love to offer you

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Speaker 1: some salmon for no reason. Salmon sounds great. Where the

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Speaker 1: salmon come from, Honey, I don't know the ocean. Don't

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Speaker 1: push me into this. Don't push Mediterranean to come from

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Speaker 1: the Mediterranean. It might have. I've got a lot of

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Speaker 1: tales to tell. Aladdin it's a weird name. We're all

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Speaker 1: going to move through. Not really, it's not where I

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Speaker 1: come from. There's a lot of Aladdin's in my family.

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Speaker 1: Actually where in the family. Well, we're delighted to have you.

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Speaker 1: I love the Disney I love the New Disney movie.

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Speaker 1: I love the Old Disney movie. And I love this guy.

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Speaker 1: It's baba that we say baba, I mean we say baba.

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Speaker 1: You threw me off. How do you spell that b a?

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Speaker 1: The traditional? Yeah? Alright, let's just all sit at the

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Speaker 1: table with drink. What do you have? What do you have? Like,

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Speaker 1: just gonna have justice tea, Justice tea. He can't drink.

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Speaker 1: He's not old enough to drink. He's not there. I'm two.

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Speaker 1: It sounds like, oh, mamam, alert is going I am eighteen.

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Speaker 1: It is not as big a gap between you and

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Speaker 1: down is our favorite drinking and that's working out so well,

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Speaker 1: isn't it. Where you come from, where I come from?

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Speaker 1: Huh um, where you come from? I wish you, wish

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Speaker 1: you can. Really, we're having a bit of a day.

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Speaker 1: How when I have plans later, So let's just have

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Speaker 1: this dinner and we're gonna do this and we're gonna

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Speaker 1: play games. So we haven't dinner. What. Oh, who's this? Nobody?

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Speaker 1: This is nobody to introduce your brother by saying nobody, brother,

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Speaker 1: I like to you said you're an only child. I

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Speaker 1: wish I was an only child. Why would you say that?

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Speaker 1: Because I know why you would say that. I don't

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Speaker 1: want them to meet specifically. We often say we only

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Speaker 1: have one up, thank you. I'm not the only one.

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Speaker 1: I'll come on. I want to say my toy collection,

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Speaker 1: your collection collection, Daniel, Is now the time for this? Yeah?

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Speaker 1: I think it is. Oh, you don't have to go, Oh,

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Speaker 1: you don't have to go. Enjoy the salmon. Would you

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Speaker 1: like a little sweet wine, a little dessert wine. That

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Speaker 1: sounds great, Okay, start with dessert wine. Yeah, that's what

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Speaker 1: you know. Why don't you bring a couple of your

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Speaker 1: toys to the table. That way doesn't have to go

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Speaker 1: to your bedroom. Why don't you not try to just

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Speaker 1: micromanage him, don't macro that's not helping Rachel. Yes, can

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Speaker 1: we not do this time? Why not do it? All? Right?

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Speaker 1: Let's do it in fact, al mr Baba, we'd like

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Speaker 1: you to be the judge and jury as Rachel and

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Speaker 1: I have a little debate about what it means to

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Speaker 1: raise I think that puts him in a very awkward position.

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Speaker 1: Comfortable about that? Yeah, Aladdin, you don't have to You

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Speaker 1: don't have to be the judge and jury for this.

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Speaker 1: Why don't I just see the toy collection? And I

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Speaker 1: think that's a great idea. Yeah, sure I would. I

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Speaker 1: would take that choice as well. You can go to

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Speaker 1: Stewart can I for the first time in your life?

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Speaker 1: I don't want that just got uninvited around. We are

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Speaker 1: still going out later, babe, right? I thank God? Like

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Speaker 1: the faster the better because this is embarrassing. Well why

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Speaker 1: is it embarrassing? Because you guys are arguing like you

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Speaker 1: should have been divorced to know. I would like to

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Speaker 1: take a moment to say what a luxury it is

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Speaker 1: that you feel like you're able to say this is embarrassing?

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Speaker 1: When I was your age. If I had tried to

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Speaker 1: tell my mother that something was embarrassing you, imagine what

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Speaker 1: she would have done to me. So this is this

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Speaker 1: is my flesh light and hold it. Okay, Um, so

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Speaker 1: that I know what a fleshlight is. So you you

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Speaker 1: have sex with this? M okay? So these are all

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Speaker 1: sex toys that that we're talking about. Then how how

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Speaker 1: old are you, Daniel? Okay, so it's kind of a

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Speaker 1: big gap between you and Michelle m twenty years. She's

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Speaker 1: kind of a mistake. Huh, I don't know. Okay, this one,

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Speaker 1: this is another flashlight. And these are all flashlights, different sizes.

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Speaker 1: M hm. Does some of them feel better than others? No,

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Speaker 1: part of world, wife, Why would you have more than

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Speaker 1: one fleshlight? This is a lego? Oh? Okay, so this

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Speaker 1: is a legitimate toy. This? Oh god? So if like

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Speaker 1: you've replaced your back up with a with a tiny

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Speaker 1: lego flesh light flight, but it's still a functional fleshlight.

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Speaker 1: What what do you do for a living? I make toys?

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Speaker 1: Oh so this, well, these aren't really legos? Are they

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Speaker 1: just like a knockoff brand you made yourself? She goes,

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Speaker 1: She goes, yeah, okay, so you like my sister. Huh yeah,

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Speaker 1: you're gonna get a pregnant mirror, get a pregnant then

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Speaker 1: marry her. Well I go not. I mean, I don't know.

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Speaker 1: This is a new relationship. You know, we're like a

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Speaker 1: month into this. I've always looking for a brother. Uh huh.

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Speaker 1: So if you're gonna be my brother, then we gotta

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Speaker 1: make some ground rules about what does that mean? Okay,

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Speaker 1: I'm really mind if I crashed the boys club. It

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Speaker 1: is too it's two heated down there, Stewart. And I'm

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Speaker 1: sorry to talk about your father in front of you,

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Speaker 1: but he is the worst. Oh what are what are

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Speaker 1: all those? These are my toys? You never seen this?

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Speaker 1: Actually I've never seen that one. Now those are not Aladdin's.

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Speaker 1: He didn't bring those. Does anyone want any of this dessert?

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Speaker 1: Right one? I would like a glass please, I don't

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Speaker 1: have a glass. Oh that's nuts. You brought all these

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Speaker 1: toys in here? What's going on here? Stewart? Get out

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Speaker 1: of here? Four long four flush leg Well now I'm

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Speaker 1: out of dessert wine. Fine, finally, thank goodness. Hey, let

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Speaker 1: me get in on that fleshlight which get in on it?

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Speaker 1: What's happening? Where's where's Rachel. I didn't know there's such

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Speaker 1: a collection was available room? Oh my god, what are

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Speaker 1: all of you doing in here? Are doing different things?

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Speaker 1: Bring the salmon in. We're not eating in his bedroom. Hisroom.

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Speaker 1: He's always making disgusting noises. I want to just leave. Baby.

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Speaker 1: Let's get in my carpet and get out of here. Okay,

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Speaker 1: let's wait. Did he say, did you make a carpet joke?

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Speaker 1: It's not a joke. It's not a joke. I have

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Speaker 1: a flying carpet. Okay, show what show them and they'll

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Speaker 1: be world looks like a regular rug. It does look

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Speaker 1: like a regular rug. But you just threw it out

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Speaker 1: the window. But the drink goodbye, goodbye, goodbye. Why couldn't

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Speaker 1: they have taken you? Scene too comes from Saba, who

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Speaker 1: wrote high Alchamiss, I've got an idea for a scene

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Speaker 1: A day in the life of Doug Baine and Raphael Prito.

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Speaker 1: I gotta say the show is solid gold. He did

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Speaker 1: write Doug Baine as in Bain the Batman. Yeah. Uh,

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Speaker 1: who's dr Injurer all basos bassos? Uh Saba Jadi from

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Speaker 1: New Mexico. Okay, Uh, Daniel he kisses? Is that kisses

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Speaker 1: bass be so could be the billionaire yet all right,

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Speaker 1: we're not checking to a day in life the baman Raffaelbrito, Hey, Rafael,

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Speaker 1: can I see in my office please? Yeah? Yeah, so listen.

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Speaker 1: I don't need a lot. I just need you to

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Speaker 1: mix the sound design into the podcast on a fairly

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Speaker 1: regular basis. I'm just here to make sure this doesn't

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Speaker 1: get out of hand. Thank you. I have a family, right,

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Speaker 1: uh you know I I have your so gung ho

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Speaker 1: in the beginning, so enthusiastic. I'd love to be a

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Speaker 1: part of this still am I still love it? Okay,

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Speaker 1: I just write just a couple episodes a week. It's

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Speaker 1: I understand. It doesn't seem like it's not just that

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Speaker 1: it's everyone screaming. Everyone Everyone's screaming. The levels are off constantly. Um,

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Speaker 1: well you mean the cast. Yeah, there's a very little

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Speaker 1: consistency in the sound of their voices. Yeah, okay, I

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Speaker 1: don't need you to worry about that. I just need

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Speaker 1: high playing the blame game. I do too. Let's stop

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Speaker 1: her playing the blame game, pointing fingers. I recorded, I

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Speaker 1: recorded all the time, and I don't think it sounds

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Speaker 1: stay in your office, does he seem like a little stroking. No,

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Speaker 1: you can't say that. You can't. You can't take it back. Okay,

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Speaker 1: it's offensive to take it back. I'm taking it back.

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Speaker 1: I met you look like you've had a mini stroke.

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Speaker 1: You don't elaborate. I have to be here. You are

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Speaker 1: a mine field. Gloria from HR sure to save the day.

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Speaker 1: I apologize to a more bad about the alchemy this time.

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Speaker 1: Oh he's drowning in his own hit. It sounds like

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Speaker 1: he's tying. Take that back, Raphael, take it back, it back,

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Speaker 1: I take it back. I've got a representative from my

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Speaker 1: Heart Media here. Well, yeah, that's the company you work

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Speaker 1: for it. I don't know if he works for it

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Speaker 1: so much? Do you take back a lot of taking back?

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Speaker 1: You can do TakeBack? Okay, then there's no more offense. Correct.

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Speaker 1: That's good to know. Within a time frame. Then right away?

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Speaker 1: Is there is it? Can I go or I have

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Speaker 1: a family? Raphael? Can I ask about the sound of horses?

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Speaker 1: Where are you getting it from? Right now? And then

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Speaker 1: you drop in clippity clop, And I want to know

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Speaker 1: what the hell. The reason these things take so long

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Speaker 1: is because I actually go out into the field and

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Speaker 1: record these sounds. What what are you doing there? Oh,

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Speaker 1: I'm sorry. I thought this was an open field. I'm

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Speaker 1: just trying to record these horses. Uh, I'm doing scare

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Speaker 1: my horses with that big mikey. Sorry, Mike looks like

363
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Speaker 1: a flesh light. It's not a flesh light, all right. Yeah,

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Speaker 1: I'm like to interest you in a flesh light. No, no, no,

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00:22:53,960 --> 00:22:58,840
Speaker 1: I don't want to family. Um. So yeah, I'm sorry,

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Speaker 1: I just came over. I'm doing it a comedy podcast.

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Speaker 1: Comedy podcast. It's it's Can I ask what it's called? Yeah,

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Speaker 1: it's called alchemy. That never never heard sis, never heard

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Speaker 1: of alchemy. That alchemy. No, that's not what it's called

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Speaker 1: called alchemy, alchemy, alchemy, alchemy this. Yeah, I'm there's Doug.

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Speaker 1: Oh god, that's sounding. So you guys are a team

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Speaker 1: kind of her but kind of. Actually, he brings his

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Speaker 1: own recording studio with him. Member. He goes, anyway, I'm

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Speaker 1: started just try the horses. Hi. My name is Raphael Brido.

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Speaker 1: I'm I'm I'm a I'm a sound guy. Did you

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Speaker 1: get that? What are they doing here? Well, they were

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Speaker 1: cording the horses. Mother. Why are they recording the horses? Well,

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Speaker 1: apparently I guess there's no public domain sounds of horses

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Speaker 1: available on the internet, so these horses are public domain.

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Speaker 1: He's a rod domain. I know, my that was on me.

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Speaker 1: I thought it was a public right. I hate wave

382
00:24:00,280 --> 00:24:03,160
Speaker 1: a shotgun that a man who's clearly been hit by

383
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Speaker 1: a stroke. I'm fighting you take it back. You take

384
00:24:07,720 --> 00:24:11,119
Speaker 1: it back. I'm not taking nothing back. Hr thing. You

385
00:24:11,200 --> 00:24:15,960
Speaker 1: kind of have to take it back. Okay, Okay, we're

386
00:24:15,960 --> 00:24:19,880
Speaker 1: not with your company. Okay, a flashlight, Yeah, we sell

387
00:24:19,960 --> 00:24:23,439
Speaker 1: flashlights and we're all working farm. Okay. I'm surprising that

388
00:24:23,440 --> 00:24:25,560
Speaker 1: I Heart Radio hasn't taken you over yet. Okay, because

389
00:24:26,200 --> 00:24:28,720
Speaker 1: they're they're they're pretty big. If you haven't heard about it,

390
00:24:28,920 --> 00:24:31,080
Speaker 1: are they pretty big? Why they take us over? Well,

391
00:24:31,080 --> 00:24:34,080
Speaker 1: they would just you know, they would absorb you. They

392
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Speaker 1: absorb you, and then I don't want us to get son.

393
00:24:37,840 --> 00:24:41,600
Speaker 1: I don't want us to get him. These fellows doing

394
00:24:41,640 --> 00:24:44,879
Speaker 1: on the property, Daddy, Daddy, I'm talking to him. I'm

395
00:24:44,920 --> 00:24:47,600
Speaker 1: bare looking out here. A lot of noires come down

396
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Speaker 1: right now, You've woken up my father, who's much older

397
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Speaker 1: than I am. I gotta don't understand when you feel

398
00:24:52,480 --> 00:24:57,560
Speaker 1: don't crack, are you recording us. I am, but I

399
00:24:57,840 --> 00:25:01,280
Speaker 1: only you are a fancy shild big that, uh well

400
00:25:01,359 --> 00:25:03,760
Speaker 1: kind of. I do sound effects. I do sound design.

401
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Speaker 1: Your family? Who's clown boil? Were you this dark? Dark brief?

402
00:25:11,119 --> 00:25:14,600
Speaker 1: Why is he dripping? Why do you keep saying what

403
00:25:14,920 --> 00:25:16,720
Speaker 1: he's like? He's like a pokemon in that way. He

404
00:25:16,840 --> 00:25:20,000
Speaker 1: just can't help it. This is a typical day for

405
00:25:20,040 --> 00:25:24,600
Speaker 1: the two of you. Yeah, yeah, it actually is. It's

406
00:25:24,840 --> 00:25:26,639
Speaker 1: what are doing on the property day. We were just

407
00:25:26,640 --> 00:25:28,680
Speaker 1: trying to get horse sounds. Sorry about that, Well, well

408
00:25:28,680 --> 00:25:32,080
Speaker 1: we'll just horse sound for what for this podcast? Alchemy? This?

409
00:25:32,359 --> 00:25:35,440
Speaker 1: What does that mean? Oh? I've heard of that alchemy

410
00:25:35,480 --> 00:25:41,679
Speaker 1: that I know. I know that alchemy actually Craig at Cash, Yeah,

411
00:25:43,560 --> 00:25:51,520
Speaker 1: Jamie Jamie, Yeah, who's that, James James Jamie jan Yeah. Yeah.

412
00:25:51,640 --> 00:25:54,120
Speaker 1: We send in suggestions every week, but they haven't used

413
00:25:54,160 --> 00:25:56,600
Speaker 1: any of us to what's the last one you came

414
00:25:56,680 --> 00:25:58,520
Speaker 1: up with? The last one I came in with is

415
00:25:58,560 --> 00:26:01,840
Speaker 1: somebody who's trying to record a bunch of horses. Wait

416
00:26:01,840 --> 00:26:09,120
Speaker 1: a minute, we're living that right now. All right, Well,

417
00:26:09,280 --> 00:26:11,520
Speaker 1: I appreciate that, but we should we should did that

418
00:26:11,640 --> 00:26:16,040
Speaker 1: land with you? That my son's suggestion is being lived

419
00:26:16,040 --> 00:26:19,120
Speaker 1: out right. Now you understand what happened in there. Run

420
00:26:19,640 --> 00:26:21,920
Speaker 1: that happened to all the time. This is a very

421
00:26:21,960 --> 00:26:26,960
Speaker 1: typical day, honestly. Yeah, I give me some water. I

422
00:26:27,000 --> 00:26:29,439
Speaker 1: think you should put a headband around your job to

423
00:26:29,560 --> 00:26:35,399
Speaker 1: keep it up. Okay, hell, I really just wanted the

424
00:26:35,400 --> 00:26:38,040
Speaker 1: comedians to riff with it on the podcast. I didn't

425
00:26:38,080 --> 00:26:40,520
Speaker 1: expect you'd come to my home, you know, and re

426
00:26:40,640 --> 00:26:43,680
Speaker 1: enacted in real life. Here you go. Sometimes, why didn't

427
00:26:43,720 --> 00:26:46,840
Speaker 1: the comedians come? Where are the comedians? I don't know.

428
00:26:47,040 --> 00:26:49,160
Speaker 1: I don't know. You can't be one of the funny ones.

429
00:26:49,520 --> 00:26:52,240
Speaker 1: I'm not. I'm just wanting to do sound engineering. You

430
00:26:52,320 --> 00:26:54,680
Speaker 1: have a family, I help you have a family? I

431
00:26:54,800 --> 00:27:00,159
Speaker 1: make this what kind of family? The people family? What

432
00:27:00,280 --> 00:27:03,040
Speaker 1: kind of sounds that they might actually have a recording

433
00:27:03,080 --> 00:27:13,640
Speaker 1: of it? Just now and here me? That's it? So

434
00:27:13,680 --> 00:27:18,280
Speaker 1: that's like that's some Yeah, that sounded like goats, like

435
00:27:18,320 --> 00:27:27,360
Speaker 1: our goats trumping around recording. I got if it might

436
00:27:27,400 --> 00:27:30,200
Speaker 1: have been, it might have don't have a family, family,

437
00:27:30,320 --> 00:27:36,320
Speaker 1: I have a family. I don't think I got the gun. No, okay,

438
00:27:36,520 --> 00:27:39,879
Speaker 1: I got the gun. Honey, good over here. I'll just

439
00:27:39,920 --> 00:27:45,640
Speaker 1: get there, Doug. You just Doug baby Ruffhael Brito, Yes,

440
00:27:45,800 --> 00:27:48,320
Speaker 1: I can't be poshable. Somehow I didn't put that together

441
00:27:50,119 --> 00:27:53,440
Speaker 1: their names. Do you know us? Honey, you've done fan

442
00:27:53,480 --> 00:27:55,119
Speaker 1: out of these two fellers. Why don't you show up?

443
00:27:55,560 --> 00:27:57,879
Speaker 1: I've done fan out of you. Come with me to

444
00:27:58,000 --> 00:28:02,560
Speaker 1: the manure cave. Okay, follow me. It's a good track,

445
00:28:03,480 --> 00:28:06,159
Speaker 1: al right. Why why don't we just five hours later?

446
00:28:08,560 --> 00:28:12,159
Speaker 1: Here we are, take a whiff before we go in.

447
00:28:12,800 --> 00:28:17,560
Speaker 1: Oh girl, it's most bad. Now what we're gonna do

448
00:28:17,600 --> 00:28:21,040
Speaker 1: when we get in there? I've fashioned you out of manure.

449
00:28:21,920 --> 00:28:28,200
Speaker 1: I'm gonna take your word. This rifle says you stay boys,

450
00:28:28,480 --> 00:28:33,560
Speaker 1: Doug Bam, you're the taller one of the manure. When

451
00:28:33,600 --> 00:28:38,680
Speaker 1: I light it on fire, float it does a boom

452
00:28:39,880 --> 00:28:51,880
Speaker 1: boom to It's God, you're better without your eyebrows. Thank you.

453
00:28:52,160 --> 00:28:56,880
Speaker 1: Let's head back to the mainland. I'm sorry, but Raphael

454
00:28:57,080 --> 00:28:59,880
Speaker 1: thug a pest um. So we're not gonna be able

455
00:28:59,920 --> 00:29:03,560
Speaker 1: to to u alchemy this anymore. You were sent here

456
00:29:03,600 --> 00:29:07,200
Speaker 1: from my heart media, Yeah, is this a joke? You're

457
00:29:07,240 --> 00:29:09,200
Speaker 1: the representative what happened to the other guy from my

458
00:29:09,240 --> 00:29:10,760
Speaker 1: heart and you think this is funny? Did he get

459
00:29:10,760 --> 00:29:13,400
Speaker 1: fired to us. Yeah there was, and oh he probably

460
00:29:13,440 --> 00:29:17,080
Speaker 1: did get fired because of pranks Like this, dog and

461
00:29:17,520 --> 00:29:20,360
Speaker 1: Rafael are gone, we can still do the show. Yeah,

462
00:29:20,400 --> 00:29:23,160
Speaker 1: we'll just get another engineer another Yeah, that's not how

463
00:29:23,200 --> 00:29:28,080
Speaker 1: it works. It's not now a word. We're more replaceable

464
00:29:28,120 --> 00:29:30,880
Speaker 1: than those two. Yeah, so how about that scenario what

465
00:29:31,000 --> 00:29:33,920
Speaker 1: I relaxed, relaxed, I thought, just black, Paul, I'm sorry,

466
00:29:34,040 --> 00:29:38,480
Speaker 1: just come down. You are right. It's like James Bond. Yes,

467
00:29:39,760 --> 00:29:41,760
Speaker 1: I'm sorry, but we're gonna have everyone here is at

468
00:29:41,800 --> 00:29:43,880
Speaker 1: it's gonna have to actually wait, we're out of a job.

469
00:29:44,120 --> 00:29:49,680
Speaker 1: This is bought me my mansion. I'm sorry, we make

470
00:29:49,800 --> 00:29:52,600
Speaker 1: mansion money. If I have to default on mansion payments,

471
00:29:52,640 --> 00:29:54,200
Speaker 1: I don't know what I'm going to tell my staff. Well,

472
00:29:54,200 --> 00:29:55,520
Speaker 1: you're gonna have to tell him they got to go

473
00:29:55,520 --> 00:29:57,280
Speaker 1: home because you gotta leave the city. You signed my

474
00:29:57,360 --> 00:29:59,760
Speaker 1: fault that Rafael went to a fucking horse farm to

475
00:29:59,800 --> 00:30:02,680
Speaker 1: we're hord horse noise to do that rather than just

476
00:30:02,840 --> 00:30:07,920
Speaker 1: lifting horse, got a place called the manure cave. Don't

477
00:30:08,000 --> 00:30:11,040
Speaker 1: talk to Doug and know that he shouldn't be traveling.

478
00:30:11,240 --> 00:30:14,280
Speaker 1: Yeah right, let the guys appears, Okay, and that's just

479
00:30:14,360 --> 00:30:16,680
Speaker 1: how it is. So, so, what do you got for us?

480
00:30:16,680 --> 00:30:21,160
Speaker 1: You got replacements for this? Yeah? This is getting canceled, alright,

481
00:30:22,280 --> 00:30:25,360
Speaker 1: alright canceled. I'm canceling this thing, and I'm stripping it

482
00:30:25,480 --> 00:30:27,080
Speaker 1: for all the pieces that I need for something else.

483
00:30:27,120 --> 00:30:28,880
Speaker 1: All Right. We're actually gonna be using James for a

484
00:30:28,880 --> 00:30:32,440
Speaker 1: couple of the projects. God, thank you, James. One of

485
00:30:32,520 --> 00:30:35,000
Speaker 1: the other projects, he's going to be doing ad read

486
00:30:35,080 --> 00:30:37,720
Speaker 1: for flash lights. That's it. I don't know if that's

487
00:30:37,760 --> 00:30:45,479
Speaker 1: with my brand. Okay, James, let's try the first Dads

488
00:30:46,000 --> 00:30:48,480
Speaker 1: flashlight too, if you wouldn't mind. The copies are in

489
00:30:48,560 --> 00:30:50,400
Speaker 1: front of you. I just don't know. I feel like

490
00:30:50,440 --> 00:30:52,840
Speaker 1: this is every time you share these on Facebook. My mom,

491
00:30:52,960 --> 00:30:56,520
Speaker 1: my grandma are cry facing it? Okay, Well, how about

492
00:30:56,800 --> 00:30:58,720
Speaker 1: ask them not to do let me to do the

493
00:30:58,800 --> 00:31:01,400
Speaker 1: organ gasm noise is on his tack, or just find

494
00:31:01,440 --> 00:31:03,360
Speaker 1: him now? Well you know what, Let's try behind him

495
00:31:03,400 --> 00:31:07,600
Speaker 1: now when you're ready, James, Okay, counting down three to one.

496
00:31:08,000 --> 00:31:10,400
Speaker 1: Just when you thought there wasn't a thing to put

497
00:31:10,400 --> 00:31:18,400
Speaker 1: your penis in a fresh light. I'm sorry. I caught

498
00:31:18,440 --> 00:31:21,240
Speaker 1: it myself. I caught it myself. I was doing good work.

499
00:31:21,320 --> 00:31:24,880
Speaker 1: He said fresh Light. Yeah, I'm sorry if you wouldn't

500
00:31:25,440 --> 00:31:29,000
Speaker 1: do great, thank you. Yeah, that was spot on perfectly.

501
00:31:30,120 --> 00:31:33,720
Speaker 1: I'll get that. Are you sure? I mean maybe maybe

502
00:31:33,760 --> 00:31:37,280
Speaker 1: maybe we should Okay, whenever you count me down, I'm

503
00:31:37,280 --> 00:31:40,280
Speaker 1: not free to them. Just when you thought there wasn't

504
00:31:40,280 --> 00:31:45,960
Speaker 1: a place to put your penis, flesh Light, you put up.

505
00:31:46,120 --> 00:31:49,680
Speaker 1: I heard fresh Light. That's not true. And James, maybe

506
00:31:49,720 --> 00:31:51,400
Speaker 1: not so much. I got text when you're when you're

507
00:31:51,400 --> 00:31:53,680
Speaker 1: reading this and just just read the Can you look

508
00:31:53,680 --> 00:31:55,640
Speaker 1: at the copy instead of us? I guess, But I

509
00:31:55,800 --> 00:31:57,480
Speaker 1: really feel like I need to connect to somebody, and

510
00:31:57,520 --> 00:31:59,800
Speaker 1: this is just connect to me. I'm right here. Why

511
00:31:59,880 --> 00:32:02,440
Speaker 1: you think you're having a conversation about the flesh line, Well,

512
00:32:02,480 --> 00:32:07,440
Speaker 1: that's I've always approached advertisement is a conversation with the viewer. Start.

513
00:32:08,760 --> 00:32:11,480
Speaker 1: Oh my god, I know he's now he's got you.

514
00:32:11,480 --> 00:32:13,600
Speaker 1: You're going through the roof with these flesh like commercials.

515
00:32:13,600 --> 00:32:15,240
Speaker 1: People who love up. We wanted to bring you a tour.

516
00:32:15,440 --> 00:32:17,800
Speaker 1: We want to bring you to a squirt con. Alright,

517
00:32:17,960 --> 00:32:20,080
Speaker 1: I just don't know if I really that's not what

518
00:32:20,160 --> 00:32:23,080
Speaker 1: I was dreaming of, Like I really wanted to brand. Right,

519
00:32:23,520 --> 00:32:26,680
Speaker 1: you know, you're making how much money, now, thousands of

520
00:32:26,680 --> 00:32:28,640
Speaker 1: dollars a month, and we can bump that up to

521
00:32:28,720 --> 00:32:32,240
Speaker 1: maybe you know whatever. So look, how much like a

522
00:32:32,320 --> 00:32:35,600
Speaker 1: hundred more, a hundred thousands or thousand, one hundred dollars

523
00:32:35,760 --> 00:32:38,080
Speaker 1: a hundred dollars more. All right, now, look, we're gonna

524
00:32:38,080 --> 00:32:39,880
Speaker 1: bring you a squirkun We're gonna said Joe good, we

525
00:32:39,960 --> 00:32:44,120
Speaker 1: got a booth gunner, squirt, Squirt, let's sen it up. Okay,

526
00:32:44,160 --> 00:32:47,440
Speaker 1: I'm sorry, it's good. Happen soon in the next couple

527
00:32:47,480 --> 00:32:51,760
Speaker 1: of minutes. Squirt, Mr Heeney, I can't. I'm actually meeting you. Mean,

528
00:32:51,800 --> 00:32:53,440
Speaker 1: my brother and I barely got in a squirt conn

529
00:32:53,480 --> 00:32:55,560
Speaker 1: and I just wanted to say, one of your biggest fans,

530
00:32:55,840 --> 00:32:58,360
Speaker 1: can you sign this for me? Please? Oh that's dirty.

531
00:32:58,640 --> 00:33:04,800
Speaker 1: Well it's a funk. I'm sorry, Hold on one second, um,

532
00:33:05,000 --> 00:33:06,960
Speaker 1: can you just sign it? Alright? Alright, I'll sign it.

533
00:33:07,440 --> 00:33:11,800
Speaker 1: I can't believe you brought him here. The red I'm

534
00:33:11,800 --> 00:33:15,600
Speaker 1: gonna triump it. It's just me ring. This is really gross.

535
00:33:16,240 --> 00:33:19,600
Speaker 1: I'm sorry. Let me wipe it on. Thank you, I'm

536
00:33:19,640 --> 00:33:24,160
Speaker 1: moving on, moving on, moving on. Sorry, do you think

537
00:33:24,200 --> 00:33:26,280
Speaker 1: we could get some of the alchemy? This guy's back

538
00:33:26,360 --> 00:33:29,200
Speaker 1: to maybe help me with this. Um, yeah, what do

539
00:33:29,200 --> 00:33:31,160
Speaker 1: you mean? I don't know. I just feel like it's

540
00:33:31,200 --> 00:33:34,080
Speaker 1: a lot to have one guy signing all these flashlights.

541
00:33:34,720 --> 00:33:38,400
Speaker 1: So you want to split that thousand dollars that there's

542
00:33:38,440 --> 00:33:40,960
Speaker 1: the extra hundred. I'll see what I canna do. It's

543
00:33:40,960 --> 00:33:42,440
Speaker 1: gonna take a second there. It's gonna be some kind

544
00:33:42,440 --> 00:33:45,000
Speaker 1: of mont Pelage moment of getting the crew back together.

545
00:33:45,520 --> 00:33:48,800
Speaker 1: Thank you? Hey, what what do you? What are you

546
00:33:48,800 --> 00:33:51,080
Speaker 1: ahead of this weekend? Kevin, I was wondering if you

547
00:33:51,080 --> 00:33:53,120
Speaker 1: wanted to take a trip to Vegas. Sorry, but I

548
00:33:53,160 --> 00:33:56,800
Speaker 1: love Vegas. I thought so. I figured, so go you

549
00:33:56,880 --> 00:33:59,600
Speaker 1: got like a jet or something. No, we're gonna be

550
00:33:59,680 --> 00:34:04,200
Speaker 1: dry thing. Oh that's right, that's what you need to ride. Yeah,

551
00:34:04,240 --> 00:34:06,680
Speaker 1: oh you're asking could drive if you don't mind, it's

552
00:34:06,680 --> 00:34:09,359
Speaker 1: not I don't because you love Vegas, right I do.

553
00:34:09,600 --> 00:34:11,479
Speaker 1: And one of the nights we have this awesome show

554
00:34:11,520 --> 00:34:14,799
Speaker 1: to go to me. No, I work on motorcycles, map,

555
00:34:14,920 --> 00:34:19,200
Speaker 1: but the whole life behind me. There's a lot of money.

556
00:34:19,320 --> 00:34:21,279
Speaker 1: Nothing you can do to convince me and telling me

557
00:34:21,320 --> 00:34:24,080
Speaker 1: it's it's my old life. This is me now. These

558
00:34:24,120 --> 00:34:27,840
Speaker 1: motorcycles are nice, but they're just electric gas powered bicycles.

559
00:34:27,880 --> 00:34:30,920
Speaker 1: When you really look at exactly, don't you feel like

560
00:34:31,200 --> 00:34:35,000
Speaker 1: should you say something about money? I did? I think

561
00:34:35,040 --> 00:34:38,000
Speaker 1: you should get the game back? Taylor, Taylor, come on, buddy,

562
00:34:38,040 --> 00:34:46,920
Speaker 1: running the first Joey James, what's upright? Five? Okay, y kids? Change,

563
00:34:48,360 --> 00:34:51,800
Speaker 1: how you've really changed? Yeah? Yeah? I um, I found

564
00:34:51,800 --> 00:34:55,080
Speaker 1: the Trinity and everything just been kind of a you

565
00:34:55,080 --> 00:34:57,600
Speaker 1: know it? Wow? Um? So I got this new gig

566
00:34:57,640 --> 00:35:00,799
Speaker 1: going on with you know I heart radio. Oh yeah,

567
00:35:00,840 --> 00:35:03,160
Speaker 1: I don't know if I'll go back to that again. Man,

568
00:35:03,160 --> 00:35:06,320
Speaker 1: Old Joey Eats has come. Yeah, those days are gone.

569
00:35:06,320 --> 00:35:11,280
Speaker 1: Mary normal food. Now I'm working Hawking flashlights, Joey plush lights.

570
00:35:12,160 --> 00:35:14,320
Speaker 1: I already got Kevin in Vanessa in there coming to

571
00:35:14,480 --> 00:35:19,880
Speaker 1: the cons work. Con Can I get a dry Martini? Shakings?

572
00:35:20,239 --> 00:35:24,360
Speaker 1: You have to pay? I'm Craig accows King. Yeah, oh

573
00:35:24,560 --> 00:35:27,000
Speaker 1: Mr Kcowns. Give me have your table, Thank you very much.

574
00:35:30,040 --> 00:35:33,000
Speaker 1: No phones in the dining I'm okay. You's been avoiding

575
00:35:33,000 --> 00:35:36,200
Speaker 1: my are you? I'm James Keeney. We used to do

576
00:35:36,239 --> 00:35:40,759
Speaker 1: a show together, Alchemy. This ms to Kukawski. It's so

577
00:35:40,800 --> 00:35:47,279
Speaker 1: good to see again. It's been since Berlin. Yes, the

578
00:35:47,400 --> 00:35:50,759
Speaker 1: lady swim. I'm sorry for interrupting whatever is happening here.

579
00:35:50,800 --> 00:35:54,320
Speaker 1: That's a lot tax thank you very much, very orange,

580
00:35:54,880 --> 00:35:57,560
Speaker 1: It is very orange. My time is precious. Je I'm sorry.

581
00:35:57,640 --> 00:35:59,520
Speaker 1: Let me cut right to the chase hard if you interrupting,

582
00:35:59,600 --> 00:36:06,840
Speaker 1: genuine Mr Kakowski. The lamb sleeps by the river. Oh

583
00:36:07,120 --> 00:36:10,680
Speaker 1: well that you need to wake him up. What is

584
00:36:10,719 --> 00:36:16,319
Speaker 1: your listen? I'm sorry, Mr Hooney. I'm sure it's an

585
00:36:16,360 --> 00:36:18,799
Speaker 1: important time for you as well. But this agent and

586
00:36:18,840 --> 00:36:23,200
Speaker 1: I need to communicate. It's a matter of national security. Yes,

587
00:36:23,360 --> 00:36:28,799
Speaker 1: I need a agent. Whatever this is about, it's about

588
00:36:28,840 --> 00:36:36,080
Speaker 1: flesh of national security. Okay. So what is Craig coming

589
00:36:36,160 --> 00:36:38,279
Speaker 1: or not? I think he's going to be here. I

590
00:36:38,360 --> 00:36:41,120
Speaker 1: like my shop for this. I mean, it wouldn't be

591
00:36:41,160 --> 00:36:43,279
Speaker 1: the same without Craig. So why is Craig not in

592
00:36:43,280 --> 00:36:46,239
Speaker 1: the car? We're halfway there. Well, I guess is he's

593
00:36:46,280 --> 00:36:49,640
Speaker 1: probably trying to talk Chris Elvarado into come and picking

594
00:36:49,680 --> 00:36:53,680
Speaker 1: them up somewhere. It's a long drive to Vegas. I

595
00:36:53,800 --> 00:36:57,800
Speaker 1: just assumed that you get Hey, guy can speak Chris Alvarado.

596
00:37:00,040 --> 00:37:02,960
Speaker 1: What's up? Okay? I came back for Doug Babes's funeral,

597
00:37:03,040 --> 00:37:07,399
Speaker 1: and uh, just you're sticking around. Yeah, yeah, that's nice,

598
00:37:07,800 --> 00:37:12,560
Speaker 1: come to squirt, come with us. I thought it was

599
00:37:13,000 --> 00:37:18,000
Speaker 1: comic book convention, Yeah, James, I'm sorry, Kevin. This is

600
00:37:18,040 --> 00:37:21,960
Speaker 1: a convention to flashlights, you know, the masterbathing tool. Oh, yes,

601
00:37:22,080 --> 00:37:25,160
Speaker 1: of course. And I'm sure Chris is in right. Absolutely.

602
00:37:25,280 --> 00:37:29,120
Speaker 1: What's the con part convention? Convention? Okay, you're all saying

603
00:37:29,160 --> 00:37:31,200
Speaker 1: convention a lot. I still don't understand how I'm being

604
00:37:31,239 --> 00:37:35,080
Speaker 1: con Oh that's it's different. Convention is where a group

605
00:37:35,160 --> 00:37:40,800
Speaker 1: of people with a similar um what would you say group?

606
00:37:41,040 --> 00:37:43,640
Speaker 1: It's a group of people who have a similar interest

607
00:37:43,680 --> 00:37:46,640
Speaker 1: in objects such as like comic books, movies. So a

608
00:37:46,680 --> 00:37:49,600
Speaker 1: lot of views, flash lights, a lot of people like you.

609
00:37:50,360 --> 00:37:52,839
Speaker 1: What do you mean? I mean you'll feel comfortable there?

610
00:37:52,840 --> 00:37:55,759
Speaker 1: And this took us down once. Why we're all going

611
00:37:55,880 --> 00:37:59,480
Speaker 1: with you? Um, well, it's just would be a lot easier.

612
00:37:59,520 --> 00:38:02,479
Speaker 1: I signed a lot of if you're aware though, don't

613
00:38:02,560 --> 00:38:19,280
Speaker 1: raise your hand. Wait, and we lost them that day,

614
00:38:22,200 --> 00:38:25,040
Speaker 1: believe it or not. We've come to our last scene

615
00:38:25,080 --> 00:38:29,360
Speaker 1: of today's show. This one is from Haven h A V. E. N. Haven,

616
00:38:29,400 --> 00:38:33,920
Speaker 1: who wrote how do Alchemists? Thanks? For Thanks to everyone

617
00:38:33,960 --> 00:38:37,440
Speaker 1: for putting together such a hilarious podcast. Admittedly I first

618
00:38:37,560 --> 00:38:40,480
Speaker 1: thought the show was going to suck and stayed away,

619
00:38:40,640 --> 00:38:43,480
Speaker 1: but after consistently hearing Kevin's ads on various other I

620
00:38:43,560 --> 00:38:46,240
Speaker 1: Heart radio podcast I figured I would give it a shot.

621
00:38:46,680 --> 00:38:49,279
Speaker 1: Now Here I am months later, Alchemy, this is one

622
00:38:49,320 --> 00:38:51,600
Speaker 1: of my favorite podcasts, and I'm writing an email to

623
00:38:51,680 --> 00:38:55,080
Speaker 1: kiss your asses and ask for forgiveness. My yeah, right,

624
00:38:55,480 --> 00:38:58,880
Speaker 1: let's see, let's go around real quick. Forgiveness everyone forgiven, forgive,

625
00:38:59,160 --> 00:39:01,160
Speaker 1: forgiven for the thing I didn't know about until ten

626
00:39:01,239 --> 00:39:04,440
Speaker 1: seconds There was a review, because you can be a favorite,

627
00:39:04,480 --> 00:39:07,640
Speaker 1: like if you review it, then you're forgiving. I think

628
00:39:07,719 --> 00:39:10,640
Speaker 1: that's a good point. Haven go into however, you get

629
00:39:10,640 --> 00:39:13,319
Speaker 1: your podcasts and go to the review section and make

630
00:39:13,320 --> 00:39:15,040
Speaker 1: sure you give us a good one. Please. That will

631
00:39:15,040 --> 00:39:17,240
Speaker 1: be the askis portion of the show. And then forgiveness

632
00:39:17,280 --> 00:39:20,200
Speaker 1: is yours, not back to your letter. My idea for

633
00:39:20,239 --> 00:39:22,480
Speaker 1: a scene is as follows. A new hire is shadowing

634
00:39:22,560 --> 00:39:25,239
Speaker 1: a veteran employee at a local sex shop. Well, that

635
00:39:25,320 --> 00:39:31,279
Speaker 1: combines all done and who knew that any of the

636
00:39:31,400 --> 00:39:34,680
Speaker 1: previous uh internews would get us into all these areas?

637
00:39:35,080 --> 00:39:38,840
Speaker 1: Best regards, Haven from Toronto. Ps. The Dynasty tirewriters really

638
00:39:38,880 --> 00:39:41,359
Speaker 1: fucking far from my house. So if you guys should

639
00:39:41,400 --> 00:39:43,960
Speaker 1: do a show up here in Ontario, please bring the

640
00:39:44,000 --> 00:39:46,040
Speaker 1: popcorn machine so I can see what all the fuss

641
00:39:46,080 --> 00:39:49,600
Speaker 1: is about. I love you. You got it this corn?

642
00:39:49,760 --> 00:39:57,680
Speaker 1: He did your way Haven, Haven from Toronto. Hey new guy? Uh,

643
00:39:57,719 --> 00:40:00,319
Speaker 1: it says on the resume here you you did some

644
00:40:00,360 --> 00:40:04,239
Speaker 1: spots for flush lights? Is that right? I did? I've

645
00:40:04,320 --> 00:40:09,719
Speaker 1: been trying to It went down really bad? How so well?

646
00:40:10,040 --> 00:40:13,880
Speaker 1: I used to be a podcast star with Rent Control

647
00:40:13,880 --> 00:40:16,319
Speaker 1: in l A Wow, so you were the one, and

648
00:40:16,400 --> 00:40:21,240
Speaker 1: then I took a solo gigs selling flush lights. Sounds

649
00:40:21,280 --> 00:40:23,400
Speaker 1: like a dream job, but half the time you're wiping.

650
00:40:23,480 --> 00:40:25,600
Speaker 1: Come off and try and get your signature to stand

651
00:40:25,640 --> 00:40:30,840
Speaker 1: on some silicone. So I'm trained for this job, right, Well, listen,

652
00:40:30,960 --> 00:40:34,440
Speaker 1: we uh we're all out of flashlights. We got outfits,

653
00:40:34,800 --> 00:40:39,759
Speaker 1: we got paraphernalia. Is anyone helping you? Yeah? Can I

654
00:40:39,800 --> 00:40:42,000
Speaker 1: tell you what? Why don't you take the first customer?

655
00:40:42,040 --> 00:40:43,759
Speaker 1: I don't even know what we have here. See how

656
00:40:43,800 --> 00:40:47,799
Speaker 1: it goes. I'm sorry, I'm having a hins night from

657
00:40:47,800 --> 00:40:59,160
Speaker 1: my friends hands night, Hins not oh Okay, that makes sense. Okay,

658
00:40:59,320 --> 00:41:03,040
Speaker 1: in star, I need some fun stuff. Mostly I'll suppose

659
00:41:03,239 --> 00:41:08,120
Speaker 1: shape back penises. Um great, open to suggestions, obviously, when

660
00:41:08,160 --> 00:41:11,920
Speaker 1: you keep it classy, class it's a bachelorette night, it's

661
00:41:11,920 --> 00:41:16,439
Speaker 1: hands to night, it's hands night, the same as bachelorette. Yeah, okay, cool.

662
00:41:16,920 --> 00:41:19,920
Speaker 1: Well let's let's let's work on the similarity between the

663
00:41:19,920 --> 00:41:22,120
Speaker 1: word hands and hands and we'll make it a handsy

664
00:41:22,160 --> 00:41:27,319
Speaker 1: hands night. No are you? Are you sure? Because there's

665
00:41:27,360 --> 00:41:29,799
Speaker 1: a lot I haven't looked at the inventory, but my

666
00:41:29,880 --> 00:41:32,279
Speaker 1: guess is there's a lot of hands and tools here

667
00:41:32,480 --> 00:41:35,799
Speaker 1: that would hear what you hear. And I don't want

668
00:41:35,800 --> 00:41:38,680
Speaker 1: to do a weird thing about the way you're hearing.

669
00:41:38,760 --> 00:41:41,000
Speaker 1: Might I've always been the new theme to this party?

670
00:41:41,440 --> 00:41:44,640
Speaker 1: Or not? Sorry? I think it could be anybody's voice

671
00:41:44,640 --> 00:41:47,040
Speaker 1: to think hands and hands sounds similar. It's not. I'm

672
00:41:47,080 --> 00:41:49,680
Speaker 1: not making fun of your accent. I'm sorry, miss Can

673
00:41:49,680 --> 00:41:51,719
Speaker 1: you excuse me? M this moment? I think I may

674
00:41:51,760 --> 00:41:55,600
Speaker 1: have what you need for your hands night. Let me

675
00:41:55,680 --> 00:42:00,440
Speaker 1: just have a word real quick. James, Sorry, James, Yeah, James,

676
00:42:00,480 --> 00:42:03,840
Speaker 1: I why don't you have a birthday party that's you? James?

677
00:42:03,960 --> 00:42:07,760
Speaker 1: And and also a great Dane. Because it sounds so similar,

678
00:42:08,080 --> 00:42:11,200
Speaker 1: everyone will love it. Not even in your language. Is

679
00:42:11,200 --> 00:42:15,600
Speaker 1: that similar that come across bad James. It's it's it's

680
00:42:15,600 --> 00:42:17,759
Speaker 1: not surprising to me that you haven't been able to

681
00:42:17,880 --> 00:42:20,840
Speaker 1: keep any of these positions, be to podcast or someone

682
00:42:21,000 --> 00:42:25,320
Speaker 1: selling their wares at a con, based on your attitude

683
00:42:25,320 --> 00:42:28,280
Speaker 1: and the way you interact with coming off a little

684
00:42:28,760 --> 00:42:33,080
Speaker 1: dismissive mental, Let's try it with this. Let's see if

685
00:42:33,160 --> 00:42:39,520
Speaker 1: things go a little better. I'll follow me this way

686
00:42:39,640 --> 00:42:43,240
Speaker 1: and I'll help me. I should be able to help you. Yeah,

687
00:42:43,280 --> 00:42:46,840
Speaker 1: I want to sell these DVDs. Oh, we don't actually

688
00:42:47,520 --> 00:42:50,120
Speaker 1: buy back any DVDs. No, there's I didn't buy the

689
00:42:50,239 --> 00:42:52,960
Speaker 1: vi These are of me, These are a you. Yeah,

690
00:42:52,960 --> 00:42:55,560
Speaker 1: these are home movies I made. Let me pop one

691
00:42:55,600 --> 00:43:01,399
Speaker 1: into the disc tray. Who wants a little mandaise sandwich?

692
00:43:02,360 --> 00:43:05,480
Speaker 1: Little mannaise sandwich. Oh, I'm gonna make a sale. It's

693
00:43:05,520 --> 00:43:08,600
Speaker 1: just out of maonnaise? All right, I think I've seen enough.

694
00:43:09,239 --> 00:43:12,719
Speaker 1: Are all of these just solo videos? Or is there

695
00:43:12,840 --> 00:43:17,600
Speaker 1: some character work, relationship stuff? Well, I think if you watched,

696
00:43:17,840 --> 00:43:19,560
Speaker 1: I mean they're good. You just watched a little bit.

697
00:43:19,560 --> 00:43:21,560
Speaker 1: You don't even know what it's about. Well, I get it.

698
00:43:21,560 --> 00:43:26,640
Speaker 1: It's just you doing a one man show. Yeah you know, yeah,

699
00:43:26,840 --> 00:43:29,200
Speaker 1: but do you want Well, I'll tell you what. I'm

700
00:43:29,200 --> 00:43:32,480
Speaker 1: not in charge of buying and selling here, but I

701
00:43:32,760 --> 00:43:35,520
Speaker 1: charge of the registers. It isn't I'll tell you what.

702
00:43:35,800 --> 00:43:39,960
Speaker 1: How much do you think this is worth about? Well,

703
00:43:40,000 --> 00:43:42,800
Speaker 1: you're not getting that. Sorry, done, deal, you're not getting

704
00:43:42,800 --> 00:43:45,640
Speaker 1: any of that. Ill tell you what negotiated? All right.

705
00:43:45,680 --> 00:43:48,880
Speaker 1: I'll give you twenty bucks for one of these tvts

706
00:43:49,200 --> 00:43:51,759
Speaker 1: deal all right? Great? And then what about the other four?

707
00:43:51,960 --> 00:43:54,160
Speaker 1: I would say, you go back home, you get somebody

708
00:43:54,160 --> 00:43:56,120
Speaker 1: to do some scenes with you, and bring something with

709
00:43:56,160 --> 00:44:00,360
Speaker 1: grownded relationships back and will. I'm getting notes from the

710
00:44:00,400 --> 00:44:02,799
Speaker 1: guy who's working at the freak shop. It's not a

711
00:44:02,840 --> 00:44:05,919
Speaker 1: freak shop. This is an adult it's a freak shop.

712
00:44:06,040 --> 00:44:09,239
Speaker 1: These are basically medical devices. Sick. You're sick, all right,

713
00:44:09,400 --> 00:44:14,319
Speaker 1: Donna Bell please? Uh, Tommy, Yeah, I need uh, I

714
00:44:14,400 --> 00:44:17,279
Speaker 1: need some sort of emotion from your character. You keep

715
00:44:17,320 --> 00:44:20,080
Speaker 1: saying that and I keep giving you. Okay, maybe we

716
00:44:20,120 --> 00:44:24,120
Speaker 1: should re uh discuss what what I'm looking for in

717
00:44:24,280 --> 00:44:27,160
Speaker 1: terms of what that emotion should be. Okay, your dog

718
00:44:27,200 --> 00:44:30,160
Speaker 1: has just passed away. Right, you're trying to make a

719
00:44:30,160 --> 00:44:36,520
Speaker 1: mannaise sandwich. I know what your action is, yeah, but

720
00:44:36,600 --> 00:44:38,560
Speaker 1: I need you to feel some sort of emotions for

721
00:44:38,600 --> 00:44:41,880
Speaker 1: the fact that your dog just died. Wow. Making the

722
00:44:41,920 --> 00:44:44,840
Speaker 1: mannaise give from television city, right, yes, okay, so you

723
00:44:44,880 --> 00:44:46,680
Speaker 1: know how this works, right? I do. Okay, great, So

724
00:44:46,680 --> 00:44:48,560
Speaker 1: then why don't you do your side and I'll make

725
00:44:48,560 --> 00:44:50,640
Speaker 1: the man sandwich. Al right, So I'm not seeing anything

726
00:44:50,680 --> 00:44:54,160
Speaker 1: in your eyes, swich, I keep them closed. I close

727
00:44:54,239 --> 00:44:57,040
Speaker 1: my eye, it's right, and I need him open filled

728
00:44:57,040 --> 00:44:59,560
Speaker 1: with some story you're telling. Right, all right, we'll try

729
00:44:59,560 --> 00:45:04,879
Speaker 1: something straight another to take roll slap. Okay, when you're

730
00:45:04,920 --> 00:45:11,080
Speaker 1: ready to take your own action. I want a manaise sandwich.

731
00:45:11,239 --> 00:45:14,240
Speaker 1: I gotta make this bandaise sandwich. I want of his mayonnaise.

732
00:45:14,239 --> 00:45:16,000
Speaker 1: I'm gonna put all this mayonnaise of this bread. Read

733
00:45:16,040 --> 00:45:18,600
Speaker 1: here go, my god, this is so much bread. There's

734
00:45:18,600 --> 00:45:20,680
Speaker 1: too much bread out of this bandaise sandwich. I mean

735
00:45:20,719 --> 00:45:22,360
Speaker 1: if it takes up his bread off and put you

736
00:45:22,400 --> 00:45:25,759
Speaker 1: the more mayonnaise on there, my dog died. Uh my

737
00:45:25,800 --> 00:45:28,120
Speaker 1: best man said, which you good? Tastes so good. I'm

738
00:45:28,160 --> 00:45:30,080
Speaker 1: gonna eat the old thing. Up, and then I'm gonna

739
00:45:30,080 --> 00:45:31,480
Speaker 1: after what I've done eating the man they say, which

740
00:45:31,440 --> 00:45:34,200
Speaker 1: is I'm hungry and never eat another Mandai's sandwich, and

741
00:45:34,200 --> 00:45:36,440
Speaker 1: then I'll push the more. Yeah. I really liked what

742
00:45:36,480 --> 00:45:38,320
Speaker 1: you did with this one. I feel like the character

743
00:45:38,640 --> 00:45:41,360
Speaker 1: is coming through, but what I don't see his relationship.

744
00:45:41,480 --> 00:45:46,160
Speaker 1: I need somebody else serious, I'm serious. I already got

745
00:45:46,160 --> 00:45:48,200
Speaker 1: in trouble for giving twenty dollars out of the register

746
00:45:48,360 --> 00:45:51,359
Speaker 1: once but not Did you make back of the DVD? Well,

747
00:45:51,440 --> 00:45:54,399
Speaker 1: I've still got it. I've kept it for me. Pat

748
00:45:54,440 --> 00:45:56,160
Speaker 1: Man hated it up. Do you have any more? Too many?

749
00:45:56,280 --> 00:46:04,120
Speaker 1: Sandwich guy? Hello? Hello? Believe it? This guy? Who? This

750
00:46:04,160 --> 00:46:06,799
Speaker 1: is hopcord Man? Please tell me came to bring some

751
00:46:06,840 --> 00:46:11,759
Speaker 1: more movies? I would I would rend as many as

752
00:46:11,760 --> 00:46:14,520
Speaker 1: you go. You're a fan, right, That's why I'm here,

753
00:46:15,120 --> 00:46:16,560
Speaker 1: and you want things to be as good as they

754
00:46:16,560 --> 00:46:18,360
Speaker 1: can get. Right. I need your autograph. I don't know

755
00:46:18,400 --> 00:46:21,720
Speaker 1: what you're talking about. Can you sign something for me? Uh?

756
00:46:21,760 --> 00:46:26,680
Speaker 1: This Man Sandwich DVD? Yeah? I bought it and I

757
00:46:26,760 --> 00:46:28,480
Speaker 1: was gonna hope to trade it in, but now I'll

758
00:46:28,520 --> 00:46:30,200
Speaker 1: keep it. Can I get another one from me? A

759
00:46:30,200 --> 00:46:32,000
Speaker 1: couple more? You have more. I mean, I haven't even

760
00:46:32,080 --> 00:46:34,960
Speaker 1: reproduced this tv D yet, so i'd be selling my

761
00:46:35,000 --> 00:46:40,879
Speaker 1: only copy. Oh but here you have been making anymore soon? Yeah?

762
00:46:40,960 --> 00:46:42,560
Speaker 1: Maybe I could come to the set where you're working.

763
00:46:42,600 --> 00:46:44,279
Speaker 1: It would be great. I do anything to see you work,

764
00:46:44,320 --> 00:46:46,680
Speaker 1: That would be great, Mr Mannaise Man. So I'll just

765
00:46:46,680 --> 00:46:49,520
Speaker 1: show him around and just give him the whole tourment,

766
00:46:49,560 --> 00:46:52,120
Speaker 1: all right, I can't believe him here. Okay, well this

767
00:46:52,200 --> 00:46:55,600
Speaker 1: is where we shoot, this is where's the body keep

768
00:46:55,640 --> 00:46:58,200
Speaker 1: the mannaise. Well, we can't show you that right away.

769
00:47:00,080 --> 00:47:03,040
Speaker 1: About the bread because he's always talking about badly, but

770
00:47:03,360 --> 00:47:06,759
Speaker 1: a finite amount of bread and man, you know, he

771
00:47:06,840 --> 00:47:09,279
Speaker 1: goes through it pretty quick. Yeah, I bet he does.

772
00:47:09,719 --> 00:47:11,919
Speaker 1: I would bet he does. So you're a big fan

773
00:47:12,000 --> 00:47:15,040
Speaker 1: hunt Oh yeah, yeah, me and all my friends at school. Yeah,

774
00:47:15,160 --> 00:47:17,839
Speaker 1: I gotta turned everybody onto the man. He's really yeah. Yeah.

775
00:47:17,840 --> 00:47:23,600
Speaker 1: Because it's such a specific fetish, the odds that you know,

776
00:47:23,719 --> 00:47:26,080
Speaker 1: you and your entire group of friends would all be

777
00:47:26,120 --> 00:47:28,600
Speaker 1: into it. Oh we're into it, all right. That's great,

778
00:47:28,640 --> 00:47:31,760
Speaker 1: and I don't judge. You're not wrong. It's very unique

779
00:47:31,760 --> 00:47:33,080
Speaker 1: and I think that's what we'd get out of it,

780
00:47:33,120 --> 00:47:36,239
Speaker 1: you know, have seen nothing like it before. Where do

781
00:47:36,239 --> 00:47:39,480
Speaker 1: you want me to put this dog corpse? Um? I

782
00:47:39,480 --> 00:47:41,000
Speaker 1: think right over there in the corner is but the

783
00:47:41,000 --> 00:47:45,040
Speaker 1: other one, yes, well, the dog corps that should be together.

784
00:47:45,840 --> 00:47:49,000
Speaker 1: What's that? She like a set this? Uh? Yeah, she's

785
00:47:49,000 --> 00:47:51,640
Speaker 1: since in charge of props props props right right right,

786
00:47:51,680 --> 00:47:53,399
Speaker 1: so she would know where the bread is. I could

787
00:47:53,440 --> 00:47:56,160
Speaker 1: ask her, we're not going to show you the bread, kid,

788
00:47:56,480 --> 00:47:59,040
Speaker 1: you know, okay, fella can wish like if I had

789
00:47:59,040 --> 00:48:01,120
Speaker 1: a dollar for every kid who visited the set and

790
00:48:01,120 --> 00:48:04,800
Speaker 1: wanted to fund the bread, how many dollars you have

791
00:48:05,640 --> 00:48:09,120
Speaker 1: a lot of dogs. I just hate to be this person,

792
00:48:09,239 --> 00:48:11,520
Speaker 1: but these corpses aren't going to keep. We got to

793
00:48:12,320 --> 00:48:14,359
Speaker 1: two dog corpses on set. We need to get our

794
00:48:14,400 --> 00:48:16,600
Speaker 1: guy in here. We need to get that bread ready,

795
00:48:16,600 --> 00:48:18,719
Speaker 1: and we need to roll. Look, man, I'm sorry, I

796
00:48:18,719 --> 00:48:20,320
Speaker 1: don't how many more dog corpses you need? But I

797
00:48:20,320 --> 00:48:23,319
Speaker 1: don't get that many? All right? I need another one? Well,

798
00:48:23,360 --> 00:48:25,600
Speaker 1: I mean, look, it needs to look like it was

799
00:48:25,680 --> 00:48:28,560
Speaker 1: loved recently. You're showing me all these main gas dog corpses.

800
00:48:28,719 --> 00:48:31,279
Speaker 1: We need one that looks like a loved pet. Then

801
00:48:31,680 --> 00:48:33,600
Speaker 1: you know you gotta pay more I have to weep

802
00:48:34,640 --> 00:48:38,719
Speaker 1: over this dog. You gotta pay more? How much more?

803
00:48:39,719 --> 00:48:42,520
Speaker 1: I mean hundreds of dollars more, hundreds of dollars more

804
00:48:42,520 --> 00:48:46,080
Speaker 1: for a dead dog. You need to do some personal reflection.

805
00:48:46,320 --> 00:48:48,640
Speaker 1: You've got a truck full of dead dogs. Yeah, and

806
00:48:48,680 --> 00:48:50,960
Speaker 1: I can dump this anywhere I want, Yeah, dump them

807
00:48:51,080 --> 00:48:55,359
Speaker 1: on my lot. You gotta I have to pay for

808
00:48:55,400 --> 00:48:59,279
Speaker 1: these corpses. What's wrong with you? What? What's wrong with you?

809
00:48:59,400 --> 00:49:04,200
Speaker 1: What's wrong with you? Got beautiful eyes? Thank you, thank you?

810
00:49:04,239 --> 00:49:06,680
Speaker 1: Look at it. I don't don't care how much how

811
00:49:06,719 --> 00:49:09,560
Speaker 1: tough it was to acquire these dog corpses. Okay, that's

812
00:49:09,560 --> 00:49:12,160
Speaker 1: a collie you're looking at. I know I can see

813
00:49:12,200 --> 00:49:15,320
Speaker 1: it looks like lassie. It's exactly like a male dog.

814
00:49:15,360 --> 00:49:19,520
Speaker 1: By the way, I know everyone knows that story looks

815
00:49:19,560 --> 00:49:21,480
Speaker 1: like some people saying, you know, cilantro doesn't taste good

816
00:49:21,480 --> 00:49:27,120
Speaker 1: to everyone. Okay, Okay, you saw the call sheet right

817
00:49:27,160 --> 00:49:30,880
Speaker 1: The morning is all manase sandwich and the afternoon is

818
00:49:30,960 --> 00:49:33,200
Speaker 1: dog corpse. So well, then I'm gonna have to take

819
00:49:33,200 --> 00:49:35,719
Speaker 1: the mayonnaise out of the fridge, the real mannaise, and

820
00:49:35,760 --> 00:49:41,280
Speaker 1: put the dogs in. Look whatever, Okay, open the fridge,

821
00:49:41,320 --> 00:49:43,440
Speaker 1: because if he opens that fridge, thinking there's mayonnaise and

822
00:49:44,719 --> 00:49:51,440
Speaker 1: the order of the shots at stop, shoot anything. You know,

823
00:49:51,760 --> 00:49:53,960
Speaker 1: our star is probably in his dressing room getting ready.

824
00:49:54,120 --> 00:49:57,400
Speaker 1: I can get the dogs shoved in there in two minutes. Okay,

825
00:49:57,520 --> 00:50:00,080
Speaker 1: why she's doing the dogs? Can we go meet the

826
00:50:00,080 --> 00:50:06,279
Speaker 1: mayonnaise man? Sure you met him, man, but I mean

827
00:50:06,400 --> 00:50:09,719
Speaker 1: see him. I'm so nervous. Okay, yeah, alright, I haven't

828
00:50:09,719 --> 00:50:17,160
Speaker 1: seen him at knock knock. Hello, Hey, I got I

829
00:50:17,200 --> 00:50:22,200
Speaker 1: got somebody here. I got it's Timmy, Mr Manai's who's there?

830
00:50:23,000 --> 00:50:25,400
Speaker 1: It's that Chuck I got. I got a kid named Timmy.

831
00:50:25,960 --> 00:50:29,640
Speaker 1: Come on? Who Mr mannis? Man? Hello? Oh wow? This

832
00:50:29,680 --> 00:50:34,200
Speaker 1: is your trailer. What do they call this like a

833
00:50:34,320 --> 00:50:37,960
Speaker 1: single because it's kind of small? Yeah, I expected a

834
00:50:38,000 --> 00:50:40,759
Speaker 1: little bit bigger. Yeah we can do you know. Yeah?

835
00:50:40,800 --> 00:50:43,440
Speaker 1: I got some mermonnaise. Yeah, we got jugs around there.

836
00:50:43,480 --> 00:50:45,239
Speaker 1: If you want to dip your hands, don't let him

837
00:50:45,280 --> 00:50:48,840
Speaker 1: dip in. We gotta use those us. I saw the set.

838
00:50:49,239 --> 00:50:51,520
Speaker 1: I saw the set in this Lady brunon Doug Corpses.

839
00:50:52,160 --> 00:50:54,799
Speaker 1: What's the scene about? Well, my dog died, right, and

840
00:50:54,840 --> 00:50:56,640
Speaker 1: then I gotta cry about it, and then I gotta

841
00:50:56,640 --> 00:50:59,640
Speaker 1: eat this manise sandwich. Okay, so you make the mayonnaise

842
00:50:59,719 --> 00:51:02,560
Speaker 1: stand right there in the spot, right and then you

843
00:51:02,600 --> 00:51:06,200
Speaker 1: eat it. You eat your own man. He said, So

844
00:51:06,320 --> 00:51:11,520
Speaker 1: that man is looking at what we're gonna We're gonna

845
00:51:11,600 --> 00:51:14,360
Speaker 1: roll in about ten so you know whatever, you know,

846
00:51:14,600 --> 00:51:19,720
Speaker 1: we're gonna start rolling. We're just start rolling in ten minutes. Okay.

847
00:51:19,800 --> 00:51:21,799
Speaker 1: So I think he was right. I think we're gonna

848
00:51:21,840 --> 00:51:27,560
Speaker 1: get out of here. Oh the manes man. I thought

849
00:51:27,560 --> 00:51:30,359
Speaker 1: since Marvin mq have, I hoped the character would come

850
00:51:30,360 --> 00:51:35,520
Speaker 1: back manas man. I never knew what was a double

851
00:51:35,560 --> 00:51:41,040
Speaker 1: on tongue. Yeah, in my mind, it was a man.

852
00:51:41,960 --> 00:51:45,000
Speaker 1: It was the cleanest, dirtiest, filthiest thing that ever happened.

853
00:51:45,840 --> 00:51:48,200
Speaker 1: That's our should. Let's thank all of our alchemists. But

854
00:51:48,320 --> 00:51:52,720
Speaker 1: that's a raggling so excited uh to uh to welcome

855
00:51:52,760 --> 00:51:54,840
Speaker 1: you back each and every damn time. But you have

856
00:51:54,960 --> 00:51:58,520
Speaker 1: this whole theater light that's going on night to go

857
00:51:58,560 --> 00:52:00,719
Speaker 1: to the downashy type of our theater for the calendar

858
00:52:00,800 --> 00:52:04,279
Speaker 1: the upcoming events. It's such an exciting place, perfect in

859
00:52:04,320 --> 00:52:06,840
Speaker 1: Los Angeles. Check it out Dannasy typewriter dot com or

860
00:52:06,840 --> 00:52:09,000
Speaker 1: on Instagram Dannasy typewriter. We got a lot of fun

861
00:52:09,000 --> 00:52:11,319
Speaker 1: shows are about to be announcing, and I'd love you

862
00:52:11,400 --> 00:52:13,080
Speaker 1: to come. And now we have dark chocolate chips you

863
00:52:13,080 --> 00:52:16,160
Speaker 1: can put on top of your Yeah, we've had candy,

864
00:52:16,200 --> 00:52:18,839
Speaker 1: but we just added the dark chocos. She has in

865
00:52:18,840 --> 00:52:23,480
Speaker 1: fact sweeten sweetened the pod. K Kakowski. Yeah, at Kakowski

866
00:52:23,520 --> 00:52:26,920
Speaker 1: on Twitter and keep watching Drunk History. Season six is

867
00:52:26,960 --> 00:52:29,840
Speaker 1: area right now on Comedy Central. Great show, great season,

868
00:52:30,239 --> 00:52:35,879
Speaker 1: and thank you for it. Yeah, Joey Gray July one, Yes,

869
00:52:44,239 --> 00:52:47,000
Speaker 1: throw that at me. Okay, you can't see that. That

870
00:52:47,040 --> 00:52:52,720
Speaker 1: was an attack. That was like he became and apparently

871
00:52:52,760 --> 00:52:56,200
Speaker 1: I just hold that birth for about seven minutes one

872
00:52:56,960 --> 00:52:59,319
Speaker 1: seven pm at Westside Comedy Theater. I'll pemy this a

873
00:52:59,360 --> 00:53:04,040
Speaker 1: live love you, James Heeney, will you be there the one?

874
00:53:04,880 --> 00:53:07,200
Speaker 1: And I'm also there every second and fourth Wednesday doing

875
00:53:07,200 --> 00:53:11,440
Speaker 1: the show for with Bear Supply, wonderful Bear Supply and

876
00:53:11,520 --> 00:53:16,279
Speaker 1: let's thank our engineer to the stars, dog Bam here

877
00:53:16,360 --> 00:53:20,040
Speaker 1: part of the show was it yesterday or today? It

878
00:53:20,040 --> 00:53:22,120
Speaker 1: seems like a week ago. But man, oh man, you

879
00:53:22,120 --> 00:53:25,759
Speaker 1: you what did how far did you dig deep to

880
00:53:26,280 --> 00:53:28,319
Speaker 1: come up with your version of what Doug bam would

881
00:53:28,320 --> 00:53:31,680
Speaker 1: sound well, I just happened to have the opportunity. I

882
00:53:31,680 --> 00:53:34,440
Speaker 1: had already been practicing doing dog beams right because the

883
00:53:34,480 --> 00:53:36,920
Speaker 1: audience listening probably has no idea what he actually sounds like.

884
00:53:36,960 --> 00:53:39,880
Speaker 1: And now they think they do because of what you

885
00:53:39,880 --> 00:53:44,720
Speaker 1: know they do, because yeah, and what are we creation?

886
00:53:44,800 --> 00:53:50,880
Speaker 1: It was Raphael Brito, our sound design broducer, So happy

887
00:53:51,200 --> 00:53:57,640
Speaker 1: Soman our producer. Where was Sophie today? With ms Her

888
00:53:58,000 --> 00:54:00,560
Speaker 1: and h Anderson Cooper the Wonderful Dog and last, of

889
00:54:00,640 --> 00:54:05,840
Speaker 1: course No No No, I Heart Radio. Thanks for the

890
00:54:05,880 --> 00:54:07,799
Speaker 1: auspice is. As always, I encourage I'll of you to

891
00:54:07,800 --> 00:54:10,160
Speaker 1: write a review till everyone you've ever met and right

892
00:54:10,200 --> 00:54:12,719
Speaker 1: to us at your name here at Alchemy, this dot com.

893
00:54:12,800 --> 00:54:16,160
Speaker 1: We so love hearing from you. And the latest UM

894
00:54:16,320 --> 00:54:21,160
Speaker 1: pot pourri of faces and caricatures that we've been reposting

895
00:54:21,200 --> 00:54:24,000
Speaker 1: on Instagram. The collection of us as looks like a

896
00:54:24,000 --> 00:54:28,160
Speaker 1: Renaissance troupe maybe or colis. And there's a lot of

897
00:54:28,200 --> 00:54:30,839
Speaker 1: really cool hidden little bits of art in the art. Yes,

898
00:54:31,040 --> 00:54:33,920
Speaker 1: so check that out on the Instagram page. And UM

899
00:54:34,480 --> 00:54:39,759
Speaker 1: and James's wonderful animated recreations. That's the nicest way you've

900
00:54:39,800 --> 00:54:43,479
Speaker 1: described its accurate. Yeah, did you see even this? His face?

901
00:54:43,800 --> 00:54:51,440
Speaker 1: Her character's face stored it slightly less massive. When I

902
00:54:51,440 --> 00:54:53,360
Speaker 1: showed my wife, she just like, what did you do

903
00:54:53,520 --> 00:54:55,560
Speaker 1: to her face? It's like, what are you talking about?

904
00:54:55,600 --> 00:54:57,399
Speaker 1: It's no different than any other one. She's like, she's

905
00:54:57,400 --> 00:54:59,880
Speaker 1: got two noses. And I ran into a wall and

906
00:55:00,080 --> 00:55:03,640
Speaker 1: just stayed that. So much more time making your character,

907
00:55:03,760 --> 00:55:06,680
Speaker 1: trying to make it the best. You always give me accessories,

908
00:55:06,719 --> 00:55:09,200
Speaker 1: and I guess I gotta take that. It's a lot

909
00:55:09,239 --> 00:55:11,320
Speaker 1: of love in each and every one of them, and

910
00:55:11,480 --> 00:55:15,120
Speaker 1: please never stop. Um. We encourage you to write that review.

911
00:55:15,160 --> 00:55:17,400
Speaker 1: It really helps out let everyone know about the show.

912
00:55:17,440 --> 00:55:20,120
Speaker 1: So until next time, y