WEBVTT - Episode 7: Beyoncé with Angelina Burnett

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<v Speaker 1>Hello, This is Christian Bush and welcome to episode seven

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<v Speaker 1>of Geeking Out, my new podcast. Every episode is a

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<v Speaker 1>new person talking about what they're obsessed with that has

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<v Speaker 1>nothing to do with their job. The only requirement is

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<v Speaker 1>that they're totally geeking out on it and they want

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<v Speaker 1>to talk about it. From sharpie graffiti Chuck Taylor's to

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<v Speaker 1>cosplay wig patterns, from miniature vintage synthesizers to hidden TV

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<v Speaker 1>show tattoos, from seventies cartoon breakfast plates to beach comber

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<v Speaker 1>metal detectors. Tell me about what you love, why you

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<v Speaker 1>love it, how you got into it, and what makes

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<v Speaker 1>it awesome. Every episode is presented in three chapters. Chapter one,

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<v Speaker 1>my guest and I talk about what they're obsessed with.

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<v Speaker 1>Chapter two is a game I call trade it, where

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<v Speaker 1>my guest and I turn each other on to one

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<v Speaker 1>thing that we've discovered. And chapter three closes the show

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<v Speaker 1>with me talking about music. Then I'm currently geeking out

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<v Speaker 1>on and why. I believe that curiosity is contagious and

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<v Speaker 1>the life is better with a soundtrack. So let's go

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<v Speaker 1>chapter one. Today's guest is Angelina Burnett. Angelina is a

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<v Speaker 1>television writer and producer who's written for incredible shows like

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<v Speaker 1>the Americans, Hannibal, and my favorite, Halt and Catch Fire,

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<v Speaker 1>which was just wrapping up its final season when we

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<v Speaker 1>recorded this interview. She also happens to be a good

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<v Speaker 1>friend of Ruth Bennett, the Friends fanatic with the amazing

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<v Speaker 1>laugh that you may remember from our last episode. My

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<v Speaker 1>producer Whitney and I went to visit Angelina at her

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<v Speaker 1>home in Venice, California, last August, and we've been looking

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<v Speaker 1>forward to airing this episode ever since. I think you're

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<v Speaker 1>about to understand. Why how far away from the beach

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<v Speaker 1>are seven blocks? Do you walk that seven blocks a lot? Yes?

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<v Speaker 1>I do as much as I can. Hi, everybody, this

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<v Speaker 1>is Angelina. Hi um, Angelina. Tell everybody what you do.

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<v Speaker 1>I write and produced television. I just finished up on

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<v Speaker 1>a show called Help and catch Fire, which is airing now.

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<v Speaker 1>Well I don't know when this is airing, so who

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<v Speaker 1>knows a police airing, but you can see it on Netflix.

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<v Speaker 1>And what is that sound of the animal on your knee?

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<v Speaker 1>That is my Boston terrorist Hank obsessively licking my knee

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<v Speaker 1>and I will make him stop in a moment because

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<v Speaker 1>it's really obnoxious. Okay, So the rules of the podcast

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<v Speaker 1>are Um, I want you to talk about something that

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<v Speaker 1>you're totally geeked out on that has nothing to do

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<v Speaker 1>with your job. That's really easy, right, It's really easy.

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<v Speaker 1>I know what's coming, but I just wanted to make

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<v Speaker 1>sure because we set the grounds of the beginning, okay, um,

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<v Speaker 1>and this will be as long as short as you

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<v Speaker 1>needed to be. I'm just curious about your passion, Okay.

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<v Speaker 1>I am deeply and profoundly passionate about Beyonce Gaselle's Knowles Carter.

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<v Speaker 1>I recognize that this is a rather Quititian passion in

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<v Speaker 1>this day and age. Um, but I've been it's been

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<v Speaker 1>growing slowly and steadily for many years. And Lemonade feels

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<v Speaker 1>like a real justification for me because I've gotten a

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<v Speaker 1>lot of a lot of friends, uh smarty, hoity toity

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<v Speaker 1>songwriter types who think there's so much better than miss

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<v Speaker 1>Beyonce Gasels. Noals Carter and um Lemony changed a lot

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<v Speaker 1>of minds, and I feel really vindicated for those people

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<v Speaker 1>who don't know what we're talking about. Could you shorten

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<v Speaker 1>her name? And and wait, you know, if I can

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<v Speaker 1>just can I take a moment here? You can take

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<v Speaker 1>this is this is actually your moment. I need to

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<v Speaker 1>I need to share something with everyone who's listening to this,

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<v Speaker 1>and I'm hoping they will continue to share it with

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<v Speaker 1>the people they know and ask them to share it

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<v Speaker 1>with people they know. Beyonce's nickname is pronounced b. Her

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<v Speaker 1>fans are the bee Hive. In many many recorded musical performance,

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<v Speaker 1>members of her family her friends have called her b um.

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<v Speaker 1>She uses the B emoji when she posts on Instagram.

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<v Speaker 1>She did an entire tour in which she came out

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<v Speaker 1>wrapped in a b costume that opened up and she

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<v Speaker 1>stepped out of it. There were projections of bees all

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<v Speaker 1>over the stage. And yet, and yet, Johnny Come Lately

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<v Speaker 1>fans insist on calling her Bay. That is not her nickname,

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<v Speaker 1>and it's very disrespectful. Okay, I'm done, and Grant, I

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<v Speaker 1>feel that it's important interject. I'm the Christians manager and

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<v Speaker 1>Angelina's friend. Angelina is a very intelligent, wonderful even I

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<v Speaker 1>would say, young woman who I've known since college, who

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<v Speaker 1>leads a completely functional life, but who just really likes you. Don't.

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<v Speaker 1>I don't need you. I don't need you to convince

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<v Speaker 1>them of my righteousness. So here's what I want them

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<v Speaker 1>to know is that I know, because you and I

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<v Speaker 1>have had this conversation many times, that there was a

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<v Speaker 1>point at which your fandom of Beyonce went from like

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<v Speaker 1>she's good to like she is all encompassing. Yes, she's

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<v Speaker 1>changed my life. Can you talk about I can. There's

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<v Speaker 1>actually a few moments I'm gonna walk you through the

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<v Speaker 1>evolution of my psychotic, obsessive joyful, deeply and profoundly joyful

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<v Speaker 1>and deeply seems. I've spent an incredible amount of money

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<v Speaker 1>on Beyonce, and I don't regret a single penny. I've

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<v Speaker 1>flowed across the country and sat in front of venues

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<v Speaker 1>for long periods of time to be front and center

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<v Speaker 1>for Beyonce, which Carter so when I was in college

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<v Speaker 1>one of my best friends still to this day, one

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<v Speaker 1>of my best friends who actually played soccer with Whitney

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<v Speaker 1>um Uh. She is a brilliant world round tap dancer.

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<v Speaker 1>She won a MacArthur a few years ago. She has

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<v Speaker 1>an incredible dance company called Doran's Dance, which I highly recommend.

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<v Speaker 1>If you enjoy dance, you check out um And at

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<v Speaker 1>the time she was dating an Irish step dancer and

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<v Speaker 1>they lived in this basement apartment in New York City.

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<v Speaker 1>You know you had to like walk down below the sidewalk,

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<v Speaker 1>and they had dragged this piece of plywood down into

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<v Speaker 1>their basement apartments so they could practice. And I was

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<v Speaker 1>a big time music snob. I listened to like obscure

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<v Speaker 1>jazz and you know, like modest, super new modest mouse

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<v Speaker 1>like Radioheaded BC Boys were was like mainstream as I god,

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<v Speaker 1>it was a big time snob at like nineteen and

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<v Speaker 1>um Michelle was trying to convince me that Destiny's Child

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<v Speaker 1>was like a super great fun band, and I was

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<v Speaker 1>a soul about it. So I go down to her

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<v Speaker 1>basement apartment and she's like, I'm gonna dance for you,

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<v Speaker 1>and she puts on Bill's bills bills and she with

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<v Speaker 1>her tap shoes on and her Irish step dancer girlfriend

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<v Speaker 1>start trading. And something about the rhythmic addition of the

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<v Speaker 1>tap dancing and the step dancing like unlocked the music

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<v Speaker 1>for me. So I didn't hear it as like cheesy

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<v Speaker 1>pop music that wasn't cool anymore. I heard it as

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<v Speaker 1>like this incredible rhythmic composition, and I was like, Okay,

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<v Speaker 1>maybe Destiny's Child is cool. I guess I'll check them out.

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<v Speaker 1>And so I started getting into Destiny's Child. I wasn't

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<v Speaker 1>like insane, but I could groo up on it. It's

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<v Speaker 1>sort of like opened my world to mainstream pop um.

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<v Speaker 1>And then I don't know circus single Ladies. That video

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<v Speaker 1>came out and I am a deep dance history nerd

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<v Speaker 1>um and I'm a huge Bob Fossy fan. Bob Fossey

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<v Speaker 1>is like responsible for all modern music videos. Like everything

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<v Speaker 1>we sort of understand is like visual music mash up

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<v Speaker 1>pop culture can all be traced back to Bob Fossey.

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<v Speaker 1>And if you could, of course, beyond Bob Fossey, go

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<v Speaker 1>to like the Chickland Circuit and the Hoofers and you

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<v Speaker 1>can get deep into jazz and black culture and again

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<v Speaker 1>tap dance um. But Bob Fossey was sort of this

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<v Speaker 1>like choke point culturally that really shifted how music videos

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<v Speaker 1>give made. And for those who don't know, and I

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<v Speaker 1>think maybe a lot do, But for those who don't,

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<v Speaker 1>the single Ladies video is a reimagining of like an

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<v Speaker 1>old Fossy trio with his wife gin Veritan, and I

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<v Speaker 1>knew the piece and so when I saw the single

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<v Speaker 1>Ladies video I was like, hold, Beyonce is pulling from

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<v Speaker 1>Fosse and the like in an overt way, not in

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<v Speaker 1>a like I don't even know what I'm channeling way,

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<v Speaker 1>And like this Jude, by the way. Rich Man's Frog,

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<v Speaker 1>which is another Fossy piece, inspired another Beyonce video called

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<v Speaker 1>Get Me Bodied, which I found after Single Ladies, when

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<v Speaker 1>I started going psychotic and doing a deep dive. Um.

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<v Speaker 1>So Single Ladies was another flashpoint, as it was for

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<v Speaker 1>many and then this is where everything really changes. This

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<v Speaker 1>is what I lost my mind. This is when I

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<v Speaker 1>became a crazy person that spent five minutes ranting about

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<v Speaker 1>a nickname. Um I heard. I at this point in

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<v Speaker 1>my life whatever mid twenties, late twenties, somewhere in there,

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<v Speaker 1>was like done with stadium shows or big arena shows.

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<v Speaker 1>Like they sound like they're not in rooms that are

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<v Speaker 1>intended for sound. Um, your ears are ringing afterwards, there's

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<v Speaker 1>too many people, it smells like beer. It's awful. I

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<v Speaker 1>hated stadium shows. I was done. I was never going

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<v Speaker 1>to another one. But I hear that Beyonce is doing

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<v Speaker 1>a five night residency at the Win in Las Vegas,

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<v Speaker 1>in like a theater and it's like a pared down

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<v Speaker 1>Vegas review version of her Big Arena Tour. And I

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<v Speaker 1>was like, you know what, I've just gotten my first

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<v Speaker 1>uh script, So like I had a nice chunk of change.

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<v Speaker 1>I've always, my whole life been incredibly financially irresponsible. So

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<v Speaker 1>rather than putting it in savings, I was like, you

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<v Speaker 1>know what, I will blow the incredible amount of money

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<v Speaker 1>that it's going to require. Because, by the way, you

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<v Speaker 1>can't just buy a ticket to see Beyonce at the Wind.

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<v Speaker 1>You have to stay at the Wind to be eligible

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<v Speaker 1>to buy a ticket, and those are not those are

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<v Speaker 1>not the cheapest rooms in Vegas. And I don't want

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<v Speaker 1>to go alone. And like, none of my friends at

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<v Speaker 1>this point who like Beyonce have the kind of money

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<v Speaker 1>to do something like this. So I called my friend

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<v Speaker 1>Matt Murphy, who former a b T answer now of

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<v Speaker 1>arts and dance photographer for the New York Times and Broadway.

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<v Speaker 1>He did the Hamilton's the photo that's on the Hamilton

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<v Speaker 1>post Yeah, the guy pointing out yeah on the Star

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<v Speaker 1>that's one of Maths photos. Um. He's amazing, and he

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<v Speaker 1>and I he's a huge Fossy fan and a dance

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<v Speaker 1>nerd like I am and we had like geeked out

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<v Speaker 1>over the single Innies video. So I was like, listen,

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<v Speaker 1>if you can pay a fear plane ticket, I got

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<v Speaker 1>everything else, and I'm gonna need you to come out

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<v Speaker 1>to Vegas and we're gonna see Beyond Stagels and all

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<v Speaker 1>his card are live for the first time. And we

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<v Speaker 1>had a great day. We chilled in the pool with

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<v Speaker 1>the drinks. Whitney we do this. This is Whitney's favorite

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<v Speaker 1>thing to do. It's you know, the Vegas chill. And

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<v Speaker 1>we started talking. We're like, you know, I'm a little worried.

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<v Speaker 1>I'm a little worried that this is going to break

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<v Speaker 1>the spell that like this sort of fun few months

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<v Speaker 1>we've had geeking out about Beyonce. We're gonna go see

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<v Speaker 1>her on a stage in a small theater without the

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<v Speaker 1>bells and whistles, and we're just gonna be like, oh, well,

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<v Speaker 1>that was fun, well lasted. Who was going to disappoint you?

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<v Speaker 1>We were anticipating disappointment because how could she live up

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<v Speaker 1>to this like in this like geek geek Fest had

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<v Speaker 1>over the single latest video, it was all hype, no way.

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<v Speaker 1>So now a little bit more context at this point,

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<v Speaker 1>the way I listened to Beyonce albums, is like three

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<v Speaker 1>songs off of everyone. I skipped the majority of them.

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<v Speaker 1>I find many of them insipid. There's a song called Hello,

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<v Speaker 1>which is basically the line from Jerry maguire over and

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<v Speaker 1>over again, you had me at Hello. It's ridiculous, I was.

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<v Speaker 1>I laughed. I don't even actually think I'd ever listen

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<v Speaker 1>to the entire song because it was so silly. I

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<v Speaker 1>was like, skip next. So I'm in the front row

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<v Speaker 1>of the balcony of this theater, which is not that big.

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<v Speaker 1>It's a nice intimate setting for someone like fiance, and

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<v Speaker 1>I'm in my freaking dress, and I got my heels

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<v Speaker 1>on and my nails done, and Matt's in a cute outfit.

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<v Speaker 1>And the lights come down and the opening strains of

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<v Speaker 1>Hello start, and something happens in my heart. I'm like,

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<v Speaker 1>what's happening? I don't like this song? Why do I

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<v Speaker 1>feel this way? And then I realized she's not coming

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<v Speaker 1>out on stage, is coming from the back of the house,

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<v Speaker 1>and she's walking down the center and she's shaking hands

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<v Speaker 1>with her fans one man Genuflex and she laughs like,

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<v Speaker 1>oh my wonderful subjects all the while belting this song

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<v Speaker 1>Hello you had Me at Hello, And it's also like,

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<v Speaker 1>you know, a million mile an hour lyrical dance in

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<v Speaker 1>between the cheesy refrain if you had Me at Hello,

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<v Speaker 1>and I start weeping. It was the craziest I have

0:12:26.120 --> 0:12:30.720
<v Speaker 1>no idea where it came from. Literally like laughing, crying.

0:12:30.880 --> 0:12:33.160
<v Speaker 1>I turned to Matt, I pointed at my face and

0:12:33.200 --> 0:12:38.200
<v Speaker 1>I say, what is happening? Like it was it was physiological,

0:12:38.480 --> 0:12:42.640
<v Speaker 1>something rearranged in my chemical makeup, and I was a

0:12:42.760 --> 0:12:45.760
<v Speaker 1>different I was a different person. I cried through that

0:12:45.840 --> 0:12:48.960
<v Speaker 1>whole show. I cry at every Beyonce show. I have

0:12:49.040 --> 0:12:51.439
<v Speaker 1>not missed a tour since I've seen most tours two

0:12:51.520 --> 0:12:54.280
<v Speaker 1>or three times. I flew across the country when she

0:12:54.320 --> 0:12:58.400
<v Speaker 1>played Roseland, desperate for that intimate not Roseland wasn't Roseland, Yes,

0:12:58.440 --> 0:13:01.400
<v Speaker 1>desperate for that intimate experience again. And I managed to

0:13:01.400 --> 0:13:03.199
<v Speaker 1>be in the front row of this thing. That's why

0:13:03.240 --> 0:13:05.040
<v Speaker 1>I sat in line all day to be in the

0:13:05.040 --> 0:13:08.120
<v Speaker 1>front and was like nearly attacked by a teenage gay

0:13:08.160 --> 0:13:10.280
<v Speaker 1>man smacked in the back of my head with its camera.

0:13:10.520 --> 0:13:13.400
<v Speaker 1>It was not good vibes at all, but she was

0:13:13.480 --> 0:13:15.160
<v Speaker 1>right there. I could have spent on her, not that

0:13:15.200 --> 0:13:17.760
<v Speaker 1>I would ever spent on Fyance. So really, what it

0:13:17.920 --> 0:13:21.320
<v Speaker 1>is is there something about her as a live performer

0:13:21.800 --> 0:13:24.559
<v Speaker 1>that like, until you've seen it, And this is why

0:13:24.600 --> 0:13:27.280
<v Speaker 1>I felt vindicated by Lemonade. When you see her live,

0:13:27.320 --> 0:13:30.320
<v Speaker 1>you're like very something in there that has not come

0:13:30.360 --> 0:13:34.120
<v Speaker 1>out yet. She has been like twerking herself into this

0:13:34.200 --> 0:13:36.719
<v Speaker 1>like pop mold of what you're supposed to be, to

0:13:36.800 --> 0:13:39.880
<v Speaker 1>be a huge, famous pop singer, and there's something else

0:13:39.920 --> 0:13:43.560
<v Speaker 1>inside of her that is like screaming to come out.

0:13:43.880 --> 0:13:46.120
<v Speaker 1>And so that's there was something. There was this shift

0:13:46.200 --> 0:13:49.040
<v Speaker 1>that happened between Beyonce and Lemonade, where she went from

0:13:49.040 --> 0:13:52.200
<v Speaker 1>being the most studied performer I've ever seen, Like a

0:13:52.240 --> 0:13:55.280
<v Speaker 1>lot of times he's like, oh, that's so effortless until Lemonade.

0:13:55.400 --> 0:13:58.680
<v Speaker 1>Beyonce was not effortless. She was working her eyes off

0:13:58.720 --> 0:14:01.959
<v Speaker 1>and you saw it every second everything been. She watches

0:14:02.040 --> 0:14:04.439
<v Speaker 1>every show after it's done, she watches the whole thing,

0:14:04.800 --> 0:14:06.599
<v Speaker 1>does notes and sends them to the dancers and the

0:14:06.640 --> 0:14:08.840
<v Speaker 1>musicians for the next morning. She watches every show she

0:14:08.880 --> 0:14:11.680
<v Speaker 1>does and studies it. And you could tell and then

0:14:11.760 --> 0:14:14.720
<v Speaker 1>something happened. Maybe it's having a kid maybe it's having

0:14:14.760 --> 0:14:18.319
<v Speaker 1>a bedrillion dollars. I have no idea where she was,

0:14:18.360 --> 0:14:21.600
<v Speaker 1>just like you know what, I don't give off anymore.

0:14:21.760 --> 0:14:27.239
<v Speaker 1>And this last tour was the messiest, most vicious, most energetic,

0:14:27.640 --> 0:14:30.040
<v Speaker 1>give no thing I've ever seen from her. And I

0:14:30.080 --> 0:14:34.400
<v Speaker 1>feel so incredibly proud to have been there early on

0:14:34.760 --> 0:14:37.560
<v Speaker 1>and to have committed, knowing what she was capable of

0:14:37.760 --> 0:14:40.240
<v Speaker 1>and having been proven right. But this is why I

0:14:40.280 --> 0:14:43.480
<v Speaker 1>get like a little aggro that there's not for someone

0:14:43.560 --> 0:14:46.080
<v Speaker 1>as popular as she is and as successful as she is,

0:14:46.120 --> 0:14:48.720
<v Speaker 1>and as you know, ubiquitous who she is, that there

0:14:48.760 --> 0:14:53.280
<v Speaker 1>isn't more like actual critical thought about her entire body

0:14:53.320 --> 0:14:56.080
<v Speaker 1>of work. Because Lemonade is absolutely in keeping with it.

0:14:56.120 --> 0:14:59.920
<v Speaker 1>She has been singing about this exact her whole career,

0:15:00.600 --> 0:15:02.720
<v Speaker 1>and a lot of people throw, oh, she doesn't write

0:15:02.720 --> 0:15:05.240
<v Speaker 1>her song. She absolutely writes her songs. There's no way

0:15:05.240 --> 0:15:08.120
<v Speaker 1>she's collaborating with Farrell and he's writing lyrics about what

0:15:08.160 --> 0:15:10.160
<v Speaker 1>happens when a perm has been left in too long,

0:15:10.520 --> 0:15:13.920
<v Speaker 1>like Beyonce is all lyrically all over her horse. She

0:15:14.000 --> 0:15:17.160
<v Speaker 1>collaborates Christian as you know, collaboration is a huge part

0:15:17.160 --> 0:15:22.720
<v Speaker 1>of songwriting. So this these themes um women done wrong

0:15:22.760 --> 0:15:25.880
<v Speaker 1>by their men um, commitment to their men, commitment to

0:15:25.920 --> 0:15:28.760
<v Speaker 1>making it, or a girlfriend standing by each other's sisterhood

0:15:28.960 --> 0:15:31.560
<v Speaker 1>are the themes of all of her work. And what's

0:15:31.560 --> 0:15:34.920
<v Speaker 1>so great about Lemonade, It's like, you know, the wonderful

0:15:34.920 --> 0:15:37.480
<v Speaker 1>Sam Shepherd just passed away, and he's probably my favorite player.

0:15:37.520 --> 0:15:39.840
<v Speaker 1>Right He wrote the same play over and over again

0:15:40.160 --> 0:15:42.480
<v Speaker 1>for his entire career, and there's a couple of ones

0:15:42.560 --> 0:15:45.120
<v Speaker 1>that pop up where you're like, that is like the

0:15:45.160 --> 0:15:47.320
<v Speaker 1>distillation of all the themes he's been working with through

0:15:47.320 --> 0:15:49.200
<v Speaker 1>his entire career. And that's what was so exciting about

0:15:49.240 --> 0:15:52.600
<v Speaker 1>Lemonade was she's like she is, she has tapped the vein. Now,

0:15:52.840 --> 0:15:55.480
<v Speaker 1>she's been drilling down for twenty years and she's tapped

0:15:55.520 --> 0:15:57.680
<v Speaker 1>the vein. And what happened when she tapped the vein

0:15:57.880 --> 0:16:00.640
<v Speaker 1>was on one level, it was about Jay's Z. On

0:16:00.680 --> 0:16:03.000
<v Speaker 1>another level, it was about any woman who's been done

0:16:03.000 --> 0:16:05.520
<v Speaker 1>wrong and has been supported by her girlfriends. On another

0:16:05.640 --> 0:16:09.800
<v Speaker 1>another level, it's about black people's relationship with America. On

0:16:09.800 --> 0:16:13.440
<v Speaker 1>another level, it's about women's relationship with America. Like it

0:16:13.480 --> 0:16:17.360
<v Speaker 1>works thematically on multiple levels. And to have that album

0:16:17.400 --> 0:16:19.720
<v Speaker 1>come out in the context of what just happened with

0:16:19.720 --> 0:16:23.160
<v Speaker 1>this last election as a woman in this country, being

0:16:23.200 --> 0:16:25.480
<v Speaker 1>able to tap into those emotions because I've never been

0:16:25.520 --> 0:16:28.200
<v Speaker 1>done wrong in that way. I can't relate to having

0:16:28.240 --> 0:16:32.560
<v Speaker 1>been like cheated on and disrespected repeatedly. Um, but I

0:16:32.600 --> 0:16:36.960
<v Speaker 1>can relate to feeling, like, you know, finding my own

0:16:37.040 --> 0:16:40.160
<v Speaker 1>power in a situation that fights to make me powerless.

0:16:40.680 --> 0:16:42.600
<v Speaker 1>And the fact that she was able to take what

0:16:42.880 --> 0:16:46.440
<v Speaker 1>used to be like cute little pop confections, dealing with

0:16:46.440 --> 0:16:48.800
<v Speaker 1>like my man done done me wrong. No no, no,

0:16:48.800 --> 0:16:52.840
<v Speaker 1>no no, and turn it into something that like expands

0:16:52.880 --> 0:16:55.720
<v Speaker 1>and contracts depending on who you are and where you're

0:16:55.720 --> 0:16:59.240
<v Speaker 1>sitting in the culture is like a beautiful accomplishment. And

0:16:59.280 --> 0:17:01.080
<v Speaker 1>so when you look at it in the context of

0:17:01.080 --> 0:17:04.000
<v Speaker 1>her whole body of work, it's about jeez, it's about

0:17:04.000 --> 0:17:06.360
<v Speaker 1>every guy she ever dated, it's about her dad, it's

0:17:06.359 --> 0:17:08.880
<v Speaker 1>about any guy that over one of her friends. It's

0:17:08.920 --> 0:17:11.640
<v Speaker 1>about everyone. So you can read it however you want.

0:17:11.720 --> 0:17:13.719
<v Speaker 1>And I think I could be wrong. I don't know

0:17:13.760 --> 0:17:18.439
<v Speaker 1>the woman. Someday I hope to, but I don't necessarily

0:17:18.440 --> 0:17:21.000
<v Speaker 1>think she gives us what you think it's about, because

0:17:21.040 --> 0:17:23.160
<v Speaker 1>she knows what it means for her and you get

0:17:23.160 --> 0:17:24.639
<v Speaker 1>to make it whatever you want to make it for

0:17:24.680 --> 0:17:32.479
<v Speaker 1>you and seen this is awesome. UM, I'm very excited

0:17:32.480 --> 0:17:35.920
<v Speaker 1>about this. I'm glad because I didn't know. I had

0:17:35.960 --> 0:17:38.760
<v Speaker 1>no idea, and you know, I'm very curious. So I

0:17:38.760 --> 0:17:41.679
<v Speaker 1>have My daughter is twelve, and if I was to

0:17:41.800 --> 0:17:45.320
<v Speaker 1>start her on a Beyonce song and give her like

0:17:45.560 --> 0:17:49.480
<v Speaker 1>the first three, what would the first three be? Well,

0:17:49.480 --> 0:17:52.200
<v Speaker 1>the twelve year old throws me. Well then and again,

0:17:52.800 --> 0:17:55.360
<v Speaker 1>you know, if we're gonna raise strong women, and this

0:17:55.440 --> 0:17:58.800
<v Speaker 1>is our strong woman avatar and it is a bumblebee,

0:17:58.840 --> 0:18:02.800
<v Speaker 1>which is an emoji. How do I say, come on, look,

0:18:02.840 --> 0:18:05.600
<v Speaker 1>I need you to take one step. And here's what

0:18:05.640 --> 0:18:09.840
<v Speaker 1>I wanted and it came from a professional. Um. Let's see,

0:18:10.520 --> 0:18:16.640
<v Speaker 1>I would say, um, bills bills, bills, bills, bills, um,

0:18:16.680 --> 0:18:29.000
<v Speaker 1>which is Destiny's Child era UM XO from Beyonce. Just

0:18:29.040 --> 0:18:35.840
<v Speaker 1>flipping through my role of Deck, I would say, you

0:18:35.840 --> 0:18:39.240
<v Speaker 1>know what, she's twelve. Let's go for independent Women Part two,

0:18:40.040 --> 0:18:45.040
<v Speaker 1>the title song from Charlie's Angels. It's very straightforward. Own

0:18:45.080 --> 0:18:48.840
<v Speaker 1>your be your own woman, take care of yourself. It's

0:18:48.880 --> 0:18:53.360
<v Speaker 1>a good message. It's very accessible. Those would be my threat. Okay,

0:18:53.480 --> 0:18:55.680
<v Speaker 1>we'll totally do that. Well, thank you for being You're

0:18:55.720 --> 0:18:58.560
<v Speaker 1>so welcome. This was. I really can't tell you what

0:18:58.680 --> 0:19:00.600
<v Speaker 1>a treat it was for somebody to ask asked me

0:19:00.640 --> 0:19:02.720
<v Speaker 1>to do this rather than like suffer through me doing

0:19:02.720 --> 0:19:04.480
<v Speaker 1>it while I'm like drunk or stone at a bar.

0:19:05.400 --> 0:19:08.400
<v Speaker 1>So thank you for this incredible opportunity. And I hope

0:19:08.440 --> 0:19:10.400
<v Speaker 1>that people like didn't turn off two minutes in when

0:19:10.400 --> 0:19:22.360
<v Speaker 1>I was ranting about a nickname. Chapter two is coming

0:19:22.440 --> 0:19:24.720
<v Speaker 1>up in just a minute, but first a word from

0:19:24.720 --> 0:19:29.320
<v Speaker 1>our sponsor. It's spring, and that means wedding season is

0:19:29.400 --> 0:19:32.600
<v Speaker 1>upon us, especially here in the South, as we learned

0:19:32.640 --> 0:19:35.040
<v Speaker 1>when I visited say Yes to the dress. I don't

0:19:35.080 --> 0:19:38.280
<v Speaker 1>know much about wedding dresses, but I know that planning

0:19:38.280 --> 0:19:41.240
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0:19:49.280 --> 0:19:53.000
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0:19:57.560 --> 0:20:01.359
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0:20:01.680 --> 0:20:06.200
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0:20:06.240 --> 0:20:09.600
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0:20:21.840 --> 0:20:25.440
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0:20:28.840 --> 0:20:33.600
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<v Speaker 1>now and receive a fifty dollar credit towards your registry.

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<v Speaker 1>Just go to Zola. That's z o l a dot

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<v Speaker 1>com slash Nashville pod Chapter two. In every episode of

0:21:06.119 --> 0:21:08.720
<v Speaker 1>Geeking Out, I see if I can trade one thing

0:21:08.920 --> 0:21:12.240
<v Speaker 1>I've discovered with one thing that my guest has discovered,

0:21:12.440 --> 0:21:16.479
<v Speaker 1>A friendly exchange. I call it trade you, all right,

0:21:16.720 --> 0:21:18.879
<v Speaker 1>So this section of the podcast is called trade you

0:21:19.320 --> 0:21:21.440
<v Speaker 1>I give, I turn you onto one thing that I'm

0:21:21.480 --> 0:21:23.920
<v Speaker 1>into at the moment, and you turn me onto one

0:21:23.960 --> 0:21:26.920
<v Speaker 1>thing that you're into at the moment. And it could

0:21:26.920 --> 0:21:29.800
<v Speaker 1>be anything like a TV show that you like, or

0:21:30.480 --> 0:21:34.840
<v Speaker 1>or a product or any could be anything. I got it,

0:21:34.920 --> 0:21:38.919
<v Speaker 1>you know, like I'll go first to give you an idea. Um,

0:21:39.240 --> 0:21:44.240
<v Speaker 1>you have two and I have recently become kind of

0:21:44.280 --> 0:21:49.680
<v Speaker 1>a half dog owner. Um, and I have discovered this

0:21:50.119 --> 0:21:53.600
<v Speaker 1>crazy thing that apparently just because I'm like the least

0:21:53.720 --> 0:21:57.800
<v Speaker 1>suburbans person, I didn't know these things existed. But the

0:21:57.880 --> 0:22:01.399
<v Speaker 1>bark box right where you get the thing? And um,

0:22:01.920 --> 0:22:03.479
<v Speaker 1>it comes in the mail. And I guess you can

0:22:03.520 --> 0:22:05.800
<v Speaker 1>do this for clothes and things for ladies, or you

0:22:05.880 --> 0:22:07.560
<v Speaker 1>do it for men, or you can do it for food.

0:22:07.680 --> 0:22:09.720
<v Speaker 1>There's all sorts of ways that you can never leave

0:22:09.760 --> 0:22:13.720
<v Speaker 1>your house again. Right this particular thing. Do you get

0:22:13.760 --> 0:22:17.520
<v Speaker 1>a bark box? Okay, you should try this because I

0:22:17.560 --> 0:22:19.840
<v Speaker 1>have the most allergic dog in the world. Well I

0:22:19.880 --> 0:22:22.359
<v Speaker 1>think you can tell them that, but I'm not sure.

0:22:22.560 --> 0:22:27.320
<v Speaker 1>But so I have an anxious half dog and m

0:22:28.119 --> 0:22:30.280
<v Speaker 1>and I got this spark box thing, and they have

0:22:30.359 --> 0:22:32.720
<v Speaker 1>little themes they come with. I think the most reason

0:22:32.880 --> 0:22:35.800
<v Speaker 1>was like space, So there was like a space squirrel

0:22:35.960 --> 0:22:39.480
<v Speaker 1>and a space thing and apparently which I didn't know

0:22:39.600 --> 0:22:41.960
<v Speaker 1>until recently because when you pointed it out, if your

0:22:42.000 --> 0:22:46.800
<v Speaker 1>dog tears it up, which dog would tear that, you

0:22:46.840 --> 0:22:49.800
<v Speaker 1>can send it back and they'll send you up in it. Right.

0:22:50.160 --> 0:22:53.119
<v Speaker 1>That's great. I'm turning you on to love your dogs.

0:22:53.320 --> 0:22:56.440
<v Speaker 1>They're such good dogs, they would love that. Okay, guys,

0:22:56.480 --> 0:23:00.480
<v Speaker 1>how about I get your back box? Um, at least

0:23:00.520 --> 0:23:04.960
<v Speaker 1>like whatever, whatever, hankle eat everything. Um, So I have viewed?

0:23:05.240 --> 0:23:07.080
<v Speaker 1>Do you know? And I hope you don't know, because

0:23:07.119 --> 0:23:11.240
<v Speaker 1>then I will have failed. Um. The television program The Leftovers, No,

0:23:11.520 --> 0:23:16.000
<v Speaker 1>I've seen it on the menu. I don't. I don't

0:23:16.000 --> 0:23:17.960
<v Speaker 1>know anything about it. Is that the one that also

0:23:18.080 --> 0:23:22.080
<v Speaker 1>was a book? Yes? Tell me it? Just the finale

0:23:22.119 --> 0:23:24.200
<v Speaker 1>just stared like two months ago. It was only three seasons.

0:23:24.240 --> 0:23:26.520
<v Speaker 1>I watched the pilot when it premiered and was like,

0:23:26.840 --> 0:23:30.160
<v Speaker 1>this is the saddest thing I've ever seen. I cannot

0:23:30.200 --> 0:23:35.000
<v Speaker 1>watch this. And then post election, I had a Whitney

0:23:35.040 --> 0:23:36.879
<v Speaker 1>knows this but because she turned me onto it, but

0:23:36.920 --> 0:23:39.000
<v Speaker 1>I went through a really long phase where I couldn't

0:23:39.000 --> 0:23:42.400
<v Speaker 1>watch any television at any narrative television at all. Scripted television.

0:23:42.680 --> 0:23:45.320
<v Speaker 1>I watched I'm not even kidding, almost every single season

0:23:45.320 --> 0:23:48.560
<v Speaker 1>of Survivor because there was just something about the mindlessness

0:23:48.600 --> 0:23:50.840
<v Speaker 1>of it and the like hope of people going back

0:23:50.840 --> 0:23:52.640
<v Speaker 1>to the beginning and like starting over and being able

0:23:52.640 --> 0:23:54.879
<v Speaker 1>to take care of themselves, like if we get wiped out,

0:23:55.440 --> 0:23:59.280
<v Speaker 1>we can start fire and like, you know, kill a pig.

0:23:59.400 --> 0:24:03.720
<v Speaker 1>If about the former Survivor contest, Yes, that's right, they're

0:24:03.800 --> 0:24:06.280
<v Speaker 1>they're going to build camp. Je Props would be the

0:24:06.480 --> 0:24:10.520
<v Speaker 1>prime minister. So for some reason, and I can't really

0:24:10.520 --> 0:24:13.080
<v Speaker 1>say how it happened, the way I transitioned back into

0:24:13.119 --> 0:24:16.359
<v Speaker 1>watching scripted television, which really, I actually know plenty of

0:24:16.400 --> 0:24:18.800
<v Speaker 1>TV writers who don't watch television. I think that's crazy,

0:24:18.880 --> 0:24:20.919
<v Speaker 1>Like it's your form. I think you should study it

0:24:20.920 --> 0:24:23.760
<v Speaker 1>and understand it and see what else is out there. So, UM,

0:24:23.800 --> 0:24:27.320
<v Speaker 1>I transitioned back in by watching The Leftovers, and it

0:24:27.560 --> 0:24:30.080
<v Speaker 1>actually it feels like it was ahead of its time,

0:24:30.440 --> 0:24:34.480
<v Speaker 1>Like it's far more Um speaks to this cultural and

0:24:34.520 --> 0:24:38.199
<v Speaker 1>societal moment than The Handmaiden's Tale does. Frankly, Um, it

0:24:38.400 --> 0:24:42.359
<v Speaker 1>is a stunning, stunning, stunning work of storytelling, and I

0:24:42.400 --> 0:24:45.560
<v Speaker 1>was actually angry at myself for not watching it when

0:24:45.560 --> 0:24:48.560
<v Speaker 1>it came out so I could like champion it. It

0:24:48.760 --> 0:24:51.200
<v Speaker 1>really is truly one of my favorite shows ever made.

0:24:51.200 --> 0:24:52.840
<v Speaker 1>I'd put it up there with The Wire and Dead,

0:24:52.880 --> 0:24:55.680
<v Speaker 1>which which are my two favorite shows. Um, it is

0:24:55.760 --> 0:25:00.359
<v Speaker 1>so weird. It is so confident. It is so deeply, deeply,

0:25:00.480 --> 0:25:04.920
<v Speaker 1>deeply heart centered and and like emotional and real and honest,

0:25:05.000 --> 0:25:08.400
<v Speaker 1>and you never know where it's going to go. Never

0:25:08.760 --> 0:25:11.040
<v Speaker 1>I wish every episode I was like, I was sure

0:25:11.040 --> 0:25:12.880
<v Speaker 1>it was going one way, and it would dog leg

0:25:12.920 --> 0:25:15.439
<v Speaker 1>and go another and it always came out of character

0:25:15.560 --> 0:25:19.119
<v Speaker 1>and it always felt real. I wept it was It

0:25:19.240 --> 0:25:21.280
<v Speaker 1>was just truly one of the most beautiful pieces of

0:25:21.320 --> 0:25:25.040
<v Speaker 1>television I've ever seen. That's it. It is also the

0:25:25.160 --> 0:25:29.040
<v Speaker 1>saddest piece of television I've ever seen. So I want

0:25:29.080 --> 0:25:31.679
<v Speaker 1>to recommend it because I just I just feel like

0:25:31.720 --> 0:25:35.280
<v Speaker 1>I'm a fuller person for having experienced it. But it

0:25:35.359 --> 0:25:40.399
<v Speaker 1>was deeply sad. Yeah, like, maybe watch a couple and

0:25:40.440 --> 0:25:45.440
<v Speaker 1>then watch like, I don't know, a few thirty rocks Like, yeah,

0:25:45.480 --> 0:25:49.080
<v Speaker 1>I get yourself back. So that's my I'm right, thank

0:25:49.119 --> 0:25:53.800
<v Speaker 1>you for being here. Still fantastic. I love where you live. Awesome.

0:25:54.080 --> 0:25:57.679
<v Speaker 1>It's like California. But it's it's got a buffer of

0:25:57.760 --> 0:26:01.520
<v Speaker 1>like trees, keeps the California in and out. Yes, that's right,

0:26:01.960 --> 0:26:10.119
<v Speaker 1>all right, thank you. This is fun five. Chapter three

0:26:10.400 --> 0:26:15.120
<v Speaker 1>me geeking out on music the rhythm of the words.

0:26:16.000 --> 0:26:21.120
<v Speaker 1>Commercial songs have many important pieces that contribute to their popularity.

0:26:21.560 --> 0:26:25.080
<v Speaker 1>A melody, a rhythm, a lyric that all combined to

0:26:25.200 --> 0:26:29.160
<v Speaker 1>make some sort of elixir, a potion that our brains

0:26:29.280 --> 0:26:33.240
<v Speaker 1>just can't resist. People for years have been trying to

0:26:33.240 --> 0:26:37.160
<v Speaker 1>make a science out of the mystery of hits. Their

0:26:37.200 --> 0:26:40.760
<v Speaker 1>websites that will analyze your uploaded song and give it

0:26:40.760 --> 0:26:44.440
<v Speaker 1>a hit score between one and ten. Apparently, black Eyed Peas,

0:26:44.480 --> 0:26:46.960
<v Speaker 1>I've got a feeling scores at like eight point five.

0:26:47.720 --> 0:26:51.680
<v Speaker 1>There's a hit potential equation developed by the University of Bristol.

0:26:52.400 --> 0:26:57.720
<v Speaker 1>Even today, Sony has some sort of artificial intelligence algorithm

0:26:57.760 --> 0:27:01.199
<v Speaker 1>that they claim can actually write hit based on the

0:27:01.240 --> 0:27:06.199
<v Speaker 1>existing structure of years and years of hit songs. But

0:27:06.440 --> 0:27:11.320
<v Speaker 1>I would like to humbly offer one underrated characteristic of

0:27:11.400 --> 0:27:15.320
<v Speaker 1>songs that stick in your ear. I propose that it's

0:27:15.359 --> 0:27:17.840
<v Speaker 1>not just the melody or the lyric, or the key

0:27:17.960 --> 0:27:21.000
<v Speaker 1>or the beats per minute that drive the force of

0:27:21.040 --> 0:27:24.920
<v Speaker 1>a catchy hit, but rather the hidden superpower of the song,

0:27:25.359 --> 0:27:28.480
<v Speaker 1>the rhythm of the words and the way they roll

0:27:28.560 --> 0:27:32.199
<v Speaker 1>out of the singer's mouth. Once you recognize that, you

0:27:32.200 --> 0:27:36.480
<v Speaker 1>start to hear it everywhere. They're easily identifiable songs that

0:27:36.560 --> 0:27:38.760
<v Speaker 1>you might have messed up the lyric too, but you

0:27:38.800 --> 0:27:45.760
<v Speaker 1>can sing the syllables no matter what, like this or this.

0:27:54.240 --> 0:27:57.440
<v Speaker 1>We sometimes curse these songs because they stay in our

0:27:57.480 --> 0:28:02.480
<v Speaker 1>heads all day. They're hard to shake. I believe they're

0:28:02.480 --> 0:28:05.360
<v Speaker 1>hard to shake, maybe because the rhythm of the words

0:28:05.720 --> 0:28:09.679
<v Speaker 1>have some sort of relationship to your everyday work. The

0:28:09.720 --> 0:28:12.639
<v Speaker 1>way we walk, the way our hearts beat, even the

0:28:12.680 --> 0:28:15.400
<v Speaker 1>way we talk might key off a rhythm that lines

0:28:15.480 --> 0:28:19.440
<v Speaker 1>up exactly with the song that you've heard. So tried

0:28:19.520 --> 0:28:24.200
<v Speaker 1>this one on for size. Robin Hood and Little John

0:28:24.240 --> 0:28:27.040
<v Speaker 1>walking through the forest laughing back and forth and what

0:28:27.160 --> 0:28:32.919
<v Speaker 1>the other next to say? Reminiscennesce and that and havn't

0:28:32.960 --> 0:28:37.520
<v Speaker 1>such a good time lolly lollygully one to day. You see,

0:28:37.520 --> 0:28:40.760
<v Speaker 1>it's not just what he's saying, it's how he's saying

0:28:40.800 --> 0:28:43.880
<v Speaker 1>it that makes it stick in your head, kind of

0:28:43.960 --> 0:28:56.520
<v Speaker 1>like this band. I don't want to see that baby too.

0:28:57.840 --> 0:29:00.440
<v Speaker 1>Some people figured out the real value of the rhythm

0:29:00.440 --> 0:29:04.440
<v Speaker 1>of the word and how to play with it. These guys,

0:29:05.120 --> 0:29:11.800
<v Speaker 1>we're part of a movement that changed everything stop and

0:29:11.800 --> 0:29:15.400
<v Speaker 1>then others even innovated it. How do the rhythm of

0:29:15.440 --> 0:29:28.760
<v Speaker 1>the words affect you? But when it comes down to it,

0:29:28.760 --> 0:29:30.760
<v Speaker 1>it's the way the words roll off of the singer's

0:29:30.800 --> 0:29:33.480
<v Speaker 1>mouth that make all the difference. So check this out.

0:29:33.840 --> 0:29:38.200
<v Speaker 1>This is Michael Jackson vocal only beat it. Listen to

0:29:38.280 --> 0:29:40.920
<v Speaker 1>how much of the song is in how he sings it,

0:29:41.320 --> 0:29:44.200
<v Speaker 1>not just what he's singing or even just the melody,

0:29:44.440 --> 0:29:48.320
<v Speaker 1>but the way the rhythm of the words work. We

0:29:48.440 --> 0:29:50.640
<v Speaker 1>all know this song, but this is a fun way

0:29:50.680 --> 0:29:53.360
<v Speaker 1>to hear it. This is what it sounded like to

0:29:53.440 --> 0:29:55.440
<v Speaker 1>hear only the vocal and what the rhythm of the

0:29:55.480 --> 0:30:00.760
<v Speaker 1>words sound like. Don't want to say no blood, don't

0:30:00.760 --> 0:30:04.520
<v Speaker 1>be a much a man. You wanna be tough, better

0:30:04.640 --> 0:30:08.440
<v Speaker 1>do what you can't so feed it, but you wanna

0:30:08.560 --> 0:30:17.320
<v Speaker 1>be bad? Just feeding beat beat feed, So when ho

0:30:17.640 --> 0:30:23.120
<v Speaker 1>fucking dog is shot, it doesn't matter who's spunked up, right,

0:30:23.320 --> 0:30:26.400
<v Speaker 1>just feeding. So next time you listen to your favorite

0:30:26.400 --> 0:30:28.600
<v Speaker 1>song or you're just flipping through the channels and the radio.

0:30:29.120 --> 0:30:32.560
<v Speaker 1>Notice the rhythm of the words, how they bounce when

0:30:32.560 --> 0:30:35.760
<v Speaker 1>they stop, how good they feel. If you sing in

0:30:35.800 --> 0:30:38.800
<v Speaker 1>the shower, you'll find that you imagine the whole band

0:30:38.840 --> 0:30:41.360
<v Speaker 1>in your head as you sing along. Listen to the

0:30:41.440 --> 0:30:47.920
<v Speaker 1>rhythm and dance along with it. I hope you enjoyed

0:30:47.920 --> 0:30:50.640
<v Speaker 1>this episode of Geeking Out and we are already hard

0:30:50.680 --> 0:30:52.720
<v Speaker 1>at work on the next one. Are you obsessed with

0:30:52.800 --> 0:30:55.320
<v Speaker 1>something amazing? I want to tell us about it? Right

0:30:55.400 --> 0:30:59.000
<v Speaker 1>to us at Geeking Out with KB at gmail dot

0:30:59.000 --> 0:31:02.040
<v Speaker 1>com and you might be a guest on an upcoming episode.

0:31:02.200 --> 0:31:04.959
<v Speaker 1>Come find out more about me and this podcast at

0:31:05.040 --> 0:31:09.320
<v Speaker 1>Christian Bush dot com, Christian with a K people follow

0:31:09.400 --> 0:31:12.800
<v Speaker 1>me at Christian Bush on Twitter, Christian Bush on Instagram,

0:31:12.840 --> 0:31:16.520
<v Speaker 1>Christian Bush on Facebook, and Christian M. Bush on Snapchat.

0:31:17.000 --> 0:31:19.960
<v Speaker 1>Thanks to Bobby Bones for the opportunity to make this podcast,

0:31:20.120 --> 0:31:22.960
<v Speaker 1>Brianna Bush for making the soundtrack and assembling the pieces,

0:31:23.200 --> 0:31:26.360
<v Speaker 1>Tom Tapley for audio wizardry, and Whitney Pastor for being

0:31:26.360 --> 0:31:29.240
<v Speaker 1>a great producer and making this whole thing possible. This

0:31:29.320 --> 0:31:32.280
<v Speaker 1>is Christian Bush Geeking Out. Thank you for listening.