WEBVTT - Mom’s Got a Date with a Vampire

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<v Speaker 1>Were you a monster movie person growing up?

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<v Speaker 2>I don't know about monsters, but I did. I did

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<v Speaker 2>like vampires, Like I was this monster. Yeah, I was like, yeah,

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<v Speaker 2>I mean I when I think of monsters, I think

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<v Speaker 2>of like.

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<v Speaker 3>Godzilla and what.

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<v Speaker 2>On the like the space crazy that I was never

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<v Speaker 2>really interesting.

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<v Speaker 1>About the arm. The arm movements are not selling me

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<v Speaker 1>on what you're trying to say. Space. Which one are

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<v Speaker 1>you talking? Were you talking about like Independence Day aliens

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<v Speaker 1>you talk about?

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<v Speaker 2>Yes, yes, that kind of stuff got the ones that

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<v Speaker 2>there was someone someone that was always with the with Godzilla,

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<v Speaker 2>it was Godzilla and against some else.

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<v Speaker 4>Are you thinking of King Kong and Godzilla?

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<v Speaker 3>No, there was.

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<v Speaker 2>I was more alien like he had tentacles and like

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<v Speaker 2>that's probably Mathra you're thinking.

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<v Speaker 3>Okay, okay, Keeley was kind into that.

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<v Speaker 1>I know that aliens those are all regular creatures from

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<v Speaker 1>Earth that were irradiated in the nuclear bombs and that's

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<v Speaker 1>why they grew so big.

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<v Speaker 3>And yes, I obviously.

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<v Speaker 2>Obviously no, No, I was more. I did like vampires.

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<v Speaker 2>Buffy the Vampire Slayer was I loved that show, watched.

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<v Speaker 3>It, you know, beginning to end. That was my my jam.

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<v Speaker 2>Which so when flight came out and I wasn't really

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<v Speaker 2>stoked on Twilight.

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<v Speaker 4>Twilight so much it was the best thing ever.

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<v Speaker 1>I'm kidding. It was awful.

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<v Speaker 3>You hated it.

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<v Speaker 1>I just did. It just wasn't for me. I don't

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<v Speaker 1>feel like I was kind.

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<v Speaker 2>Of moved past that, that love of the you know,

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<v Speaker 2>Angel and a Buffy the Vampire Slayer.

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<v Speaker 3>When when he was done, I think I was done.

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<v Speaker 3>I think we were all.

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<v Speaker 4>Is that David Rora Borealis? Is that the guy who

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<v Speaker 4>played Angel?

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<v Speaker 1>Okay, that's how I thought.

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<v Speaker 3>Okay, Heart the Rob, Yes.

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<v Speaker 1>I have no idea what you just said Heart Rob

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<v Speaker 1>the Rob, And I'm like, what does Heart the Rob mean?

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<v Speaker 5>Heart?

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<v Speaker 1>Okay, Okay, I've never seen an episode of Buffy in

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<v Speaker 1>my life. I saw the movie, but I never actually

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<v Speaker 1>saw Buffy. So I'll have to go back and watch.

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<v Speaker 3>Yeah, I mean I don't think I probably I probably

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<v Speaker 3>won't like it.

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<v Speaker 1>Now, who knows you're gonna do a deep dive. We'll

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<v Speaker 1>figure it out. But welcome back to Magical Rewind, the

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<v Speaker 1>show that makes you want to grab your friends, your PJS,

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<v Speaker 1>and your popcorn and go back to a time when

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<v Speaker 1>all the houses were smart. The waves tsunamis and the

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<v Speaker 1>high School's musical. I'm Wilfordell and I'm Sabrina Bryan Oo.

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<v Speaker 1>It's time we dive into the only d com that

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<v Speaker 1>exposes the truth about online dating. It's the two thousand

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<v Speaker 1>horror comedy Mom's Got a Date with a Vampire. It's

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<v Speaker 1>another Halloween dcom. We're hit and all the Halloween ones

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<v Speaker 1>right now. As it originally aired on October thirteenth, two

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<v Speaker 1>thousand and this is well before what we were just

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<v Speaker 1>talking about, Twilight and the young adult vampire craze. So

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<v Speaker 1>once again Disney on the forefront. They always seem to

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<v Speaker 1>be right there, right at the front of every new

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<v Speaker 1>craze that's coming up, So once again ahead of their time.

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<v Speaker 1>Lots of grown ups in this film too, with a

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<v Speaker 1>focus we usually don't see on a full family, mostly

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<v Speaker 1>because we have some very familiar faces when it comes

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<v Speaker 1>to the post pubescent cast members.

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<v Speaker 4>I don't ever want to say that sentence again.

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<v Speaker 1>This movie was produced by a man who, frankly, we

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<v Speaker 1>think deserves a little bit of magical rewind love.

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<v Speaker 4>His name was Don Shane. I hope I'm saying that right.

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<v Speaker 1>It's Shai n and Don started his career making softcore,

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<v Speaker 1>low budget exploitation films. I know you're gonna be like,

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<v Speaker 1>why are you giving him love? But here we go.

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<v Speaker 1>He made films like Ginger Too Hot to Handle and

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<v Speaker 1>Girls Are for Loving actual title. Those are all movies

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<v Speaker 1>that he wrote indirected in the seventies that couldn't be

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<v Speaker 1>less ready for the Disney Channel. Bick, I mean geez.

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<v Speaker 1>But in nineteen ninety one he decided to move to

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<v Speaker 1>wait for it, Salt Lake City, Utah, which again has

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<v Speaker 1>become another character on Magical Rewind to produce movies, and

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<v Speaker 1>in turn he became a go to creative for the

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<v Speaker 1>Disney Channel and they're made for TV movies and was

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<v Speaker 1>later named the first president of the Motion Picture Association

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<v Speaker 1>of Utah, And so he became the liaison for Disney

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<v Speaker 1>and the state that would become synonymous with the DCOM,

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<v Speaker 1>working with and setting up crew members and location and

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<v Speaker 1>doing all the nuts and bolt stuff for the filming

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<v Speaker 1>in Utah, which is where, as we've talked about, ninety

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<v Speaker 1>percent of his decoms were shot.

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<v Speaker 4>So here's why we think he.

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<v Speaker 1>Deserves a little bit of love on the show, because

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<v Speaker 1>here's a list of the dcoms that this prolific man,

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<v Speaker 1>mister Shane produced Here We Go, Don't Look Under the Bed,

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<v Speaker 1>Mom's Got a Date with a Vampire, The Luck of

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<v Speaker 1>the Irish, Hounded, The poof Point, Double Teamed, Ride on Track,

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<v Speaker 1>Pixel Perfect, Going to the Mat, Halloween Town High and

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<v Speaker 1>Return to Halloween, Buffalo Dreams, Go Figure, Life is Rough,

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<v Speaker 1>Read It and Weep Minute Men, Dad Napped, Den Brother

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<v Speaker 1>and High School Musical one, two and three. Not rely

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<v Speaker 1>a list, to be honest, it's a terrible dcom list.

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<v Speaker 3>Very short lived, very short lived.

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<v Speaker 1>Yeah, so this man needed some love, because Wow, So

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<v Speaker 1>we found the man who brought the dcom to Utah,

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<v Speaker 1>a vital piece to the production team and the lore

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<v Speaker 1>of Murray High School. Shane unfortunately passed away in twenty

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<v Speaker 1>fifteen at the age of seventy four, but his effect

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<v Speaker 1>on the Disney Channel is still felt today, and so

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<v Speaker 1>we here at Magical Rewind want to say don Shane,

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<v Speaker 1>we speak your name, we see you, Thank you. Mom's

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<v Speaker 1>Got a Date with a Vampire is streamable on Disney

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<v Speaker 1>Plus right now, so you can listen to us first

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<v Speaker 1>and go check out the movie, or do that in reverse.

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<v Speaker 4>But if you don't do either.

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<v Speaker 1>You will be prosecuted. It's a law.

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<v Speaker 4>Go check it out, Sabrina.

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<v Speaker 1>This is the time where I ask you, what did

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<v Speaker 1>you know about Mom's Got a Date with the Vampire before?

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<v Speaker 1>It was a signed to us as our dcom homework,

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<v Speaker 1>our domework. No, I don't like that. Let's just say

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<v Speaker 1>docom homework.

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<v Speaker 3>Okay, honestly nothing.

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<v Speaker 2>Even when we started to know, we haven't gotten started

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<v Speaker 2>talking about the movie. But even as we started, I paused,

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<v Speaker 2>went and looked back to make sure it was a

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<v Speaker 2>d com. You know within the credits that it wasn't

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<v Speaker 2>something that was on ABC because a wonderful Yeah, there

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<v Speaker 2>were so many adults right from the start, and we'll

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<v Speaker 2>get into it, I know, but the content from the start,

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<v Speaker 2>the very clear dynamic of the family was.

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<v Speaker 3>Very different than we've seen before.

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<v Speaker 1>Yeah.

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<v Speaker 2>So I honestly had no idea about this movie. But

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<v Speaker 2>I was excited because I love these Halloween.

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<v Speaker 3>Movies that we're doing. They're fun. There is that time

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<v Speaker 3>of year. I'm for it.

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<v Speaker 1>Let's get spooky, Let's get spooky. I like it. I

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<v Speaker 1>don't even know why I do this segment of the show.

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<v Speaker 1>Of course, I've never heard of this movie or having

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<v Speaker 1>anything to do with it now, before you call Malachi

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<v Speaker 1>van Helsing to investigate, let's get into the synopsis. Ldren

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<v Speaker 1>set their mother up. Well, set their mother up. That's

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<v Speaker 1>an interesting way to put it. We will get into

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<v Speaker 1>that later with a mysterious man not realizing he maybe

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<v Speaker 1>one of the undead Sabrina. Did you online date before Jordan? No?

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<v Speaker 2>Thank god, never, never, never, not an app. Nope, they

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<v Speaker 2>I don't even think they had. They might have had

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<v Speaker 2>match dot com happening this okay, two thousand.

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<v Speaker 3>And oh gosh, when did we meet? It was before

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<v Speaker 3>the whole situation. I can't even think of a year

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<v Speaker 3>right now.

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<v Speaker 2>I think it was twenty ten. Twenty eleven is when

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<v Speaker 2>I met.

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<v Speaker 1>Oh, okay, so you're closer to possibly. I mean that

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<v Speaker 1>there had happened some dating stuff.

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<v Speaker 2>It was, but it wasn't big, and it wasn't too

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<v Speaker 2>long after that my friends started bumble and all of

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<v Speaker 2>that stuff, and oh my gosh. All I could just

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<v Speaker 2>pray was it worked out with Jordan? Because it looked

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<v Speaker 2>like a nightmare. It did not look fun good.

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<v Speaker 3>I just, you know, I give it to people that

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<v Speaker 3>that's the only way they able to meet meet, you know,

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<v Speaker 3>new people.

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<v Speaker 2>I understand the need for it because now thinking about

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<v Speaker 2>meeting someone in.

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<v Speaker 3>A bar or out that feels weird now too.

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<v Speaker 1>So it's like nine out of ten relationships now start online.

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<v Speaker 1>Number of dentists that recommend dent just it's.

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<v Speaker 3>A lot of different work.

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<v Speaker 2>And I do remember because I was on tour a

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<v Speaker 2>lot when I was kind of dating, so I did

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<v Speaker 2>have that our relationship or getting to know each other

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<v Speaker 2>happened over text, you know, so sending the message, waiting

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<v Speaker 2>for the reply. So I did have that as a

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<v Speaker 2>dating situation with people that i'd meet along the way

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<v Speaker 2>while we were on tour through friends, things like that.

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<v Speaker 2>But it was always through friends. It was never someone

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<v Speaker 2>I did not know and didn't have any idea of

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<v Speaker 2>their background at all. And that's where I think it

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<v Speaker 2>can get scary in my head. But you know, that

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<v Speaker 2>was tough enough. Waiting for someone to text you back

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<v Speaker 2>is like what do you know? And trying to be

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<v Speaker 2>witty and trying to show your personality. But some of

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<v Speaker 2>that text but yeah, with the people around you, it's

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<v Speaker 2>not really your personality because everyone's putting their two cents

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<v Speaker 2>on how to like respond, you know, oh.

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<v Speaker 3>Right, right?

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<v Speaker 1>That group dating, Yes, it's tough.

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<v Speaker 2>That's how it was for me. I mean, it would

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<v Speaker 2>go he texts back, what did he say? Okay, okay,

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<v Speaker 2>what should we say?

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<v Speaker 3>What do we say? And it's like, oh, oh, nightmare.

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<v Speaker 1>That sounds awful. Yeah, that sounds awful. It really does.

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<v Speaker 3>Anyway, you didn't right, No, no online dating.

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<v Speaker 1>No online deb No. I found the internet like a

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<v Speaker 1>month ago.

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<v Speaker 3>So no.

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<v Speaker 1>I've known my wife now going on twenty five years. Wow.

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<v Speaker 1>I love it that we've.

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<v Speaker 4>Known each other twenty five years. We've been together.

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<v Speaker 1>Fourteen okay, and tomorrow is our eighth wedding anniversary.

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<v Speaker 3>Wow.

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<v Speaker 2>Yeah, we're kind of along the same timeline because Jordan

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<v Speaker 2>and I are about thirteen fourteen, and in a couple

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<v Speaker 2>of weeks on the sixth is our sixth year.

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<v Speaker 1>Okay.

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<v Speaker 3>So yeah, we're good over it.

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<v Speaker 4>Yeah, we're getting there, which which is good.

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<v Speaker 1>So and Sue and I have both said this is it.

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<v Speaker 1>We're too tired to try to find anybody else. We're

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<v Speaker 1>together forever. That's just to have to happen. It's just

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<v Speaker 1>how it is.

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<v Speaker 2>Now.

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<v Speaker 4>What did you think of the movie.

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<v Speaker 3>Well, the movie, I feel like.

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<v Speaker 2>I right from the start I liked it. I thought

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<v Speaker 2>it was the perfect combination of it wasn't super scary. Obviously,

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<v Speaker 2>there were some major questions. Again, now I'm starting to

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<v Speaker 2>tap into the mindset of when it comes to magical situations,

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<v Speaker 2>I need, I.

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<v Speaker 3>Need the will answers, the will rules.

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<v Speaker 2>So there are a couple of missteps in that sense,

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<v Speaker 2>but in general, I liked it.

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<v Speaker 3>It was a little fun.

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<v Speaker 2>Little like I said, let's get spooky, but it's fun spooky,

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<v Speaker 2>it's not yet right.

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<v Speaker 3>What about you?

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<v Speaker 1>I honestly, and this is the god's honest truth, I

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<v Speaker 1>don't know how I feel about this movie. Okay, I

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<v Speaker 1>don't know. I didn't really love it, but I also

0:10:58.360 --> 0:10:59.680
<v Speaker 1>didn't dislike.

0:10:59.240 --> 0:11:02.480
<v Speaker 4>It in any way, shape or form. I'm wondering if now.

0:11:02.360 --> 0:11:04.720
<v Speaker 1>We're just watching so many back to back to back

0:11:04.800 --> 0:11:07.079
<v Speaker 1>that I'm just starting to get a little bit of whiplash.

0:11:07.200 --> 0:11:07.880
<v Speaker 3>Uh huh.

0:11:07.920 --> 0:11:10.120
<v Speaker 1>So it could be that a little bit. Maybe it

0:11:10.160 --> 0:11:13.560
<v Speaker 1>could have been that I'm exhausted. You know, there's a

0:11:13.559 --> 0:11:15.559
<v Speaker 1>lot of things that go into it. So I I

0:11:16.520 --> 0:11:19.360
<v Speaker 1>zipped through it the second time. Again, not a bad movie,

0:11:19.480 --> 0:11:22.160
<v Speaker 1>exactly what you said. It's yeah, it's a decom It's

0:11:22.200 --> 0:11:25.720
<v Speaker 1>it is now I'm I'm now able to look at

0:11:25.760 --> 0:11:28.400
<v Speaker 1>the time when these dcoms were made and be able

0:11:28.440 --> 0:11:31.199
<v Speaker 1>to point out the time, like I could tell this

0:11:31.360 --> 0:11:34.240
<v Speaker 1>was an early two thousands dcom. I could just you

0:11:34.280 --> 0:11:37.680
<v Speaker 1>could tell. Uh So, Yeah, didn't dislike it, didn't love it.

0:11:37.720 --> 0:11:39.439
<v Speaker 1>Maybe as I talk about it more, I'll lean one

0:11:39.440 --> 0:11:40.040
<v Speaker 1>way or another.

0:11:40.120 --> 0:11:44.719
<v Speaker 2>But it could because we're just such a fan of musicals.

0:11:44.720 --> 0:11:48.440
<v Speaker 1>Now, that's what it is. There was not enough musical numbers.

0:11:48.520 --> 0:11:50.000
<v Speaker 1>Nobody was dancing.

0:11:50.800 --> 0:11:53.080
<v Speaker 3>It way past the line, and you know, there's just

0:11:53.120 --> 0:11:54.040
<v Speaker 3>no going back for you.

0:11:54.120 --> 0:11:56.559
<v Speaker 1>Unless there is a big, choreographed dancing. I didn't buy

0:11:56.600 --> 0:11:58.959
<v Speaker 1>he was a vampire exactly.

0:11:59.600 --> 0:12:03.040
<v Speaker 4>God, we're all in this together.

0:12:03.280 --> 0:12:06.360
<v Speaker 3>There you go, Well, there you go. I knew it.

0:12:06.360 --> 0:12:09.000
<v Speaker 3>It only took us for five episodes.

0:12:09.760 --> 0:12:13.280
<v Speaker 1>I am a secret musical fan. Okay, So mom's got

0:12:13.280 --> 0:12:15.640
<v Speaker 1>a date with the vampires. Directed by a name we

0:12:15.720 --> 0:12:19.440
<v Speaker 1>keep repeating here on Magical rewind Steve Boyam. He is

0:12:19.559 --> 0:12:22.439
<v Speaker 1>the legendary stuntman turned director who is behind some of

0:12:22.480 --> 0:12:26.280
<v Speaker 1>the best d comes ever Johnny Tsunami, Motocrossed and Stepsister

0:12:26.320 --> 0:12:29.040
<v Speaker 1>from Planet Weird. He since become a TV director with

0:12:29.080 --> 0:12:31.440
<v Speaker 1>episodes of Numbers, Criminal Minds, and The.

0:12:31.320 --> 0:12:32.360
<v Speaker 4>Boys under his belt.

0:12:32.760 --> 0:12:35.880
<v Speaker 1>The movie stars Matt O'Leary as Adam Hansen, the oldest son.

0:12:36.120 --> 0:12:39.440
<v Speaker 1>This was Matt's first gig ever in Hollywood. He'd go

0:12:39.480 --> 0:12:41.800
<v Speaker 1>on to star in Spy Kids two and three, appear

0:12:41.880 --> 0:12:43.719
<v Speaker 1>in Ryan Johnson's breakout film.

0:12:43.440 --> 0:12:46.000
<v Speaker 4>Brick and and just a.

0:12:46.000 --> 0:12:48.680
<v Speaker 1>Few years ago, pop up in five episodes of Agents

0:12:48.720 --> 0:12:52.040
<v Speaker 1>of Shield, which is I mean, he was the star

0:12:52.080 --> 0:12:54.520
<v Speaker 1>of the movie, your first ever gig, and you're that's

0:12:54.520 --> 0:12:55.880
<v Speaker 1>heavy lifting for your first job.

0:12:56.000 --> 0:12:56.920
<v Speaker 3>I thought he'd agree.

0:12:57.440 --> 0:13:00.560
<v Speaker 2>I would never have guessed this was his actual job.

0:13:00.600 --> 0:13:01.199
<v Speaker 2>That's insane.

0:13:01.280 --> 0:13:04.439
<v Speaker 1>It was three great Disney kids. It really was. Once again,

0:13:04.760 --> 0:13:07.599
<v Speaker 1>you've got Laura Vandervoort is the daughter Chelsea, one of

0:13:07.640 --> 0:13:10.120
<v Speaker 1>the other kids. She's a Canadian actress and has been

0:13:10.160 --> 0:13:12.240
<v Speaker 1>a mainstay on the Canadian screen, which is the same

0:13:12.240 --> 0:13:14.160
<v Speaker 1>as an American television screen, by the way, just a

0:13:14.200 --> 0:13:17.439
<v Speaker 1>lot more apologetic. But you may know her as Supergirl

0:13:17.480 --> 0:13:19.439
<v Speaker 1>on Smallville or.

0:13:19.520 --> 0:13:22.559
<v Speaker 4>As Lisa on v that's v not five.

0:13:22.640 --> 0:13:26.320
<v Speaker 1>By the way. Miles Jeffrey is the youngest tailor, and

0:13:26.360 --> 0:13:28.240
<v Speaker 1>I recognize him the second he popped on screen. He's

0:13:28.240 --> 0:13:30.560
<v Speaker 1>worked a ton as a little kid, appearing in action

0:13:30.679 --> 0:13:33.000
<v Speaker 1>Classics Face Off, which I knew him from right away.

0:13:33.160 --> 0:13:36.000
<v Speaker 1>Great movie in a horrible way. Five episodes of Beverly

0:13:36.040 --> 0:13:38.280
<v Speaker 1>Hills nine oh two one zero and Boyam's other dcom

0:13:38.280 --> 0:13:41.560
<v Speaker 1>one of his other Dcom's Stepsister from Planet Weird. Even

0:13:42.040 --> 0:13:44.920
<v Speaker 1>before this movie. Those are movies that he did so

0:13:45.640 --> 0:13:47.600
<v Speaker 1>a vet, I mean a vet actor, and he was

0:13:47.640 --> 0:13:51.479
<v Speaker 1>probably seven when he did this movie. Eight years old. Yeah.

0:13:51.520 --> 0:13:54.360
<v Speaker 1>And then you've got the very familiar Caroline Ray plays

0:13:54.400 --> 0:13:57.160
<v Speaker 1>the titular mom. Lynette, the stand up comedian is very

0:13:57.200 --> 0:14:00.080
<v Speaker 1>well known to the Disney demo as Hilda Spellman on

0:14:00.080 --> 0:14:02.600
<v Speaker 1>Sabrina the Teenage Witch and as the voice of Linda

0:14:02.640 --> 0:14:05.080
<v Speaker 1>on Phineas and Ferb. She'd star in movies like Christmas

0:14:05.120 --> 0:14:07.000
<v Speaker 1>with the Cranks and The Perfect Man with Hillary Duff,

0:14:07.240 --> 0:14:09.560
<v Speaker 1>and from twenty nineteen to twenty twenty two she was

0:14:09.600 --> 0:14:11.960
<v Speaker 1>back on the Channel as the mom in Sydney to

0:14:12.280 --> 0:14:16.240
<v Speaker 1>the Max. Then you've got Charles Shaughnessy, who is Dmitri

0:14:16.880 --> 0:14:19.880
<v Speaker 1>the Natos, although he didn't really have that thicken accent.

0:14:20.120 --> 0:14:22.760
<v Speaker 4>I added a little bit the questionable love interest.

0:14:22.960 --> 0:14:25.320
<v Speaker 1>He is best known, of course as Maxwell Sheffield on

0:14:25.400 --> 0:14:28.800
<v Speaker 1>The Nanny and Shane Donovan on almost Ready for this

0:14:29.600 --> 0:14:34.320
<v Speaker 1>twelve hundred episodes of Days of Our Lives or in

0:14:34.520 --> 0:14:38.360
<v Speaker 1>small Yay in soap opera terms, one full season, yes,

0:14:40.040 --> 0:14:42.760
<v Speaker 1>twelve hundred episodes of Days of Our Lives. He'd also

0:14:42.800 --> 0:14:46.280
<v Speaker 1>appear on Hannah Montana, mad Men and reunite with Caroline,

0:14:46.480 --> 0:14:50.280
<v Speaker 1>this time as a witch on Sabrina just a year after.

0:14:50.000 --> 0:14:50.880
<v Speaker 4>This movie aired.

0:14:51.440 --> 0:14:54.520
<v Speaker 1>And in the Coleman Reynolds Chair, we have Robert Carrodine

0:14:54.560 --> 0:14:58.400
<v Speaker 1>as Malachi van Helsing. Robert will always be known as

0:14:58.520 --> 0:15:01.160
<v Speaker 1>Lewis Skullnik in the Revenge the Nerds movies, but he

0:15:01.240 --> 0:15:03.840
<v Speaker 1>also played Sam on Lizzie McGuire and the dcom and

0:15:03.920 --> 0:15:06.440
<v Speaker 1>appears in the movie Escape from La in a you

0:15:06.480 --> 0:15:09.400
<v Speaker 1>wouldn't even recognize him role. And he is the half

0:15:09.440 --> 0:15:12.920
<v Speaker 1>brother of David Carradine, who was of course from the

0:15:13.000 --> 0:15:18.040
<v Speaker 1>old school show Kung Fu?

0:15:22.240 --> 0:15:23.880
<v Speaker 4>Did you recognize anybody in this one?

0:15:24.640 --> 0:15:30.320
<v Speaker 2>I recognize the date, the dadmy Coleman seat. I recognized it,

0:15:30.320 --> 0:15:33.720
<v Speaker 2>but I could not figure out where those little movies.

0:15:34.880 --> 0:15:38.400
<v Speaker 2>I could not figure it out until luckily we get

0:15:38.520 --> 0:15:41.360
<v Speaker 2>our inframos out before and I.

0:15:41.360 --> 0:15:44.840
<v Speaker 3>Went, that's where it was. And of course he's from

0:15:44.840 --> 0:15:47.480
<v Speaker 3>that movie, and so it was great.

0:15:47.520 --> 0:15:49.880
<v Speaker 2>I loved so I got I did see that before

0:15:49.920 --> 0:15:51.800
<v Speaker 2>the second time I watched, so it made me love

0:15:51.840 --> 0:15:52.440
<v Speaker 2>it even more.

0:15:52.560 --> 0:15:54.480
<v Speaker 3>I thought he was hilarious, So.

0:15:54.480 --> 0:15:57.120
<v Speaker 1>He was great. He was great. I will give you

0:15:57.200 --> 0:15:59.400
<v Speaker 1>five dollars right now if you can tell me the

0:15:59.520 --> 0:16:02.920
<v Speaker 1>name of the fraternity that he was in in Revenge

0:16:02.920 --> 0:16:06.520
<v Speaker 1>of the Nerds and or the college that they were at.

0:16:06.760 --> 0:16:12.280
<v Speaker 3>No. Ninety to fifty dollars. No, the delping.

0:16:12.280 --> 0:16:15.320
<v Speaker 1>The money is not helping the del No. Well okay,

0:16:15.360 --> 0:16:18.880
<v Speaker 1>so no, they were the Lambda Lambda Lambda chapter of

0:16:19.080 --> 0:16:22.760
<v Speaker 1>Adams College, Thank you very much. Okay, this is why

0:16:22.800 --> 0:16:25.520
<v Speaker 1>I didn't need those dating apps at all, Sabrina, because

0:16:25.960 --> 0:16:30.760
<v Speaker 1>this was my life. The movie is exactly eighty five

0:16:30.800 --> 0:16:34.000
<v Speaker 1>minutes long, which is five below the ideal ninety, but again,

0:16:34.480 --> 0:16:36.640
<v Speaker 1>too little is better than too much in my opinion,

0:16:36.760 --> 0:16:39.200
<v Speaker 1>and was written by Robert Keats, a writer on Happy

0:16:39.240 --> 0:16:42.640
<v Speaker 1>Days name Happy Days and The Down and Out. In

0:16:42.680 --> 0:16:46.880
<v Speaker 1>Beverly Hill's TV adaptation, he shares credit with Lindsey. I

0:16:46.920 --> 0:16:49.720
<v Speaker 1>want to say this right, Nathon's I think who this

0:16:49.920 --> 0:16:54.440
<v Speaker 1>is the only imd listed Hollywood job is this movie? Okay,

0:16:54.480 --> 0:16:55.960
<v Speaker 1>so why don't you go put on a nice dress

0:16:55.960 --> 0:17:00.160
<v Speaker 1>because we're getting fanged here people. The movie opens, lying

0:17:00.280 --> 0:17:02.160
<v Speaker 1>no doubt that we are in for a spooky one.

0:17:02.440 --> 0:17:05.639
<v Speaker 1>Full moon bats, scary music, and the credits. We are

0:17:05.680 --> 0:17:09.320
<v Speaker 1>at a large castle, medieval looking even. A horse and

0:17:09.359 --> 0:17:11.879
<v Speaker 1>carriage pulls up, and a debonier man wearing a typical

0:17:11.960 --> 0:17:16.280
<v Speaker 1>vampire costume exits the carriage. He's followed by a pretty

0:17:16.320 --> 0:17:18.960
<v Speaker 1>woman in a white gothic dress. He welcomes her to

0:17:19.040 --> 0:17:23.960
<v Speaker 1>the castle of Count Krelski. Then Victor, another man dressed

0:17:23.960 --> 0:17:27.120
<v Speaker 1>similarly but with a goateee, and somehow a much less

0:17:27.160 --> 0:17:30.480
<v Speaker 1>evil feeling vibe yells out release how you monster? But

0:17:30.680 --> 0:17:34.600
<v Speaker 1>Maria is in Count Krelski's power. Now, Victor with the goatee,

0:17:34.640 --> 0:17:36.520
<v Speaker 1>begs her to come to him. Their love is more

0:17:36.560 --> 0:17:39.439
<v Speaker 1>powerful than a vampire's trance. She abruptly comes out of

0:17:39.480 --> 0:17:42.000
<v Speaker 1>her trance, screaming and running to her partner for an embrace.

0:17:42.200 --> 0:17:44.600
<v Speaker 1>Krelski is not impressed. The sound of the night will

0:17:44.680 --> 0:17:49.840
<v Speaker 1>chill the lovebird's soul, and then we hear a phone ringing, Now,

0:17:50.520 --> 0:17:52.080
<v Speaker 1>were you fool? Did you think this was going to

0:17:52.119 --> 0:17:53.399
<v Speaker 1>be the opening of the movie we were watching?

0:17:53.680 --> 0:17:54.960
<v Speaker 3>Or did you know this was going to be like,

0:17:55.400 --> 0:17:57.439
<v Speaker 3>uh yeah, I was in it. First thing.

0:17:57.440 --> 0:18:01.160
<v Speaker 2>I'm going, Wow, that mansion looks amazing, Like they're already

0:18:01.200 --> 0:18:01.639
<v Speaker 2>the set.

0:18:01.800 --> 0:18:04.480
<v Speaker 3>I'm into. This is a big situation.

0:18:05.119 --> 0:18:08.040
<v Speaker 2>And then the phone rings and I was like, oh, okay,

0:18:08.280 --> 0:18:10.320
<v Speaker 2>all right, they totally got me.

0:18:10.600 --> 0:18:11.800
<v Speaker 3>They got heavy, I.

0:18:11.720 --> 0:18:13.879
<v Speaker 1>Thought, because again the fantasy side of me was like, Okay,

0:18:13.880 --> 0:18:16.240
<v Speaker 1>we're going to the backstory of how the vampire was

0:18:16.280 --> 0:18:19.080
<v Speaker 1>actually created where this guy's from. It's the sixteen hundreds.

0:18:19.240 --> 0:18:20.040
<v Speaker 4>Yeah, totally got me.

0:18:20.200 --> 0:18:20.640
<v Speaker 1>That's great.

0:18:21.440 --> 0:18:23.520
<v Speaker 4>Nope, not good opening. Good opening.

0:18:24.320 --> 0:18:26.320
<v Speaker 1>This, of course, was a movie on TV the entire

0:18:26.359 --> 0:18:29.720
<v Speaker 1>time being watched by Adam, a young boy in present day,

0:18:30.000 --> 0:18:33.919
<v Speaker 1>fixated on the scares. Eventually, his older sister Chelsea answers

0:18:33.960 --> 0:18:35.639
<v Speaker 1>the phone call that keeps going, and it is a

0:18:35.680 --> 0:18:38.399
<v Speaker 1>boy she likes. It quickly becomes a battle of power,

0:18:38.480 --> 0:18:40.240
<v Speaker 1>her talking in the phone, him trying to watch and

0:18:40.320 --> 0:18:44.320
<v Speaker 1>recite the movie quotes as they are said. Krelski in

0:18:44.359 --> 0:18:46.679
<v Speaker 1>the movie goes in for the final bite, and we

0:18:46.720 --> 0:18:49.960
<v Speaker 1>see their younger brother Taylor barely watching from behind a pillow.

0:18:50.000 --> 0:18:52.640
<v Speaker 1>He's hiding because he's scared, and that's when their mom, Lynette,

0:18:52.640 --> 0:18:53.040
<v Speaker 1>gets home.

0:18:53.080 --> 0:18:55.320
<v Speaker 4>From a late night at work, turns off the TV.

0:18:55.560 --> 0:18:57.879
<v Speaker 1>It's time for homework and then dinner, and she's also like,

0:18:57.960 --> 0:18:59.600
<v Speaker 1>you know, you're not supposed to let him watch the

0:18:59.640 --> 0:19:03.119
<v Speaker 1>Scary Yeah. We are now up in Adam's room, which is,

0:19:03.600 --> 0:19:06.399
<v Speaker 1>like every other Disney trope, a great way to show

0:19:06.520 --> 0:19:10.280
<v Speaker 1>who our characters are. Is a shrine to pop culture vampires,

0:19:10.280 --> 0:19:12.800
<v Speaker 1>but mostly just the ones in the public domain. He

0:19:12.840 --> 0:19:17.120
<v Speaker 1>ignores his homework to thumb through a tabloid, The Weekly Secret,

0:19:17.400 --> 0:19:20.120
<v Speaker 1>with headlines about a vampire hunter, which, by the way,

0:19:20.280 --> 0:19:22.119
<v Speaker 1>these were some of my If you ever want to

0:19:22.160 --> 0:19:23.840
<v Speaker 1>read some of the best comedy writing in the world,

0:19:24.080 --> 0:19:25.919
<v Speaker 1>it is all written for comedy. I think you can

0:19:25.960 --> 0:19:28.639
<v Speaker 1>still get it. Go get the Weekly World News. It's like,

0:19:28.680 --> 0:19:33.840
<v Speaker 1>you know, vampire boys, they're hysterical.

0:19:34.680 --> 0:19:37.000
<v Speaker 3>When we did The Tower of Tear.

0:19:37.359 --> 0:19:40.359
<v Speaker 1>Yes, they're just so good, So go check it out. Yep.

0:19:41.080 --> 0:19:43.480
<v Speaker 1>So he's reading The Weekly Secret with the headline about

0:19:43.480 --> 0:19:45.600
<v Speaker 1>a vampire hunter. He skims it and has led to

0:19:45.640 --> 0:19:52.399
<v Speaker 1>a website www. Dot Malachi Vanhelsing dot com, which, of

0:19:52.560 --> 0:19:55.840
<v Speaker 1>course our producers checked and it is no longer I'm

0:19:55.840 --> 0:19:58.040
<v Speaker 1>going to say, no longer a working website in twenty

0:19:58.080 --> 0:20:00.000
<v Speaker 1>twenty four. I guess is it was never a working website,

0:20:00.119 --> 0:20:03.120
<v Speaker 1>but it's not up now. But in the movie it's

0:20:03.119 --> 0:20:05.600
<v Speaker 1>a site for a vampire hunter for hire. This obviously

0:20:05.640 --> 0:20:08.000
<v Speaker 1>interests young Adam, but when there's a knock on the door,

0:20:08.040 --> 0:20:10.240
<v Speaker 1>he quickly shuts off his screen and pretends to do

0:20:10.280 --> 0:20:12.439
<v Speaker 1>his homework. His mom then comes in and sits on

0:20:12.440 --> 0:20:14.040
<v Speaker 1>the bed and starts a very long speech, or is

0:20:14.040 --> 0:20:16.840
<v Speaker 1>about to start a long speech about divorce. Adam cuts

0:20:16.840 --> 0:20:20.000
<v Speaker 1>her off. Is this about dad's wedding invitation? Adam and

0:20:20.040 --> 0:20:23.199
<v Speaker 1>his siblings were told about this last weekend, but his

0:20:23.280 --> 0:20:26.199
<v Speaker 1>mom was clearly blindsided by it. She shrugs it off

0:20:26.200 --> 0:20:29.439
<v Speaker 1>when Adam reminds her, Hey, Mom, you're still the bomb.

0:20:29.920 --> 0:20:33.440
<v Speaker 1>So yeah, we're getting the family dynamic. They're obviously still

0:20:33.440 --> 0:20:35.480
<v Speaker 1>in touch with their dad, they're invited to the wedding,

0:20:36.000 --> 0:20:38.840
<v Speaker 1>but you know, the mom doesn't know anything about it. Okay,

0:20:39.040 --> 0:20:41.600
<v Speaker 1>an interesting way to kind of figure out what the

0:20:41.640 --> 0:20:45.560
<v Speaker 1>dynamic is. In class, we find out that the homework

0:20:45.560 --> 0:20:47.520
<v Speaker 1>that he did not do was a one page essay

0:20:47.560 --> 0:20:49.919
<v Speaker 1>about who they admire. But when Adam is called on

0:20:50.000 --> 0:20:52.160
<v Speaker 1>to read his in front of the class, he first

0:20:52.200 --> 0:20:55.760
<v Speaker 1>tries for a rain check, but he's then forced to present,

0:20:55.840 --> 0:20:59.440
<v Speaker 1>so he takes the podium and reads directly from that tabloid,

0:20:59.800 --> 0:21:03.520
<v Speaker 1>the Weekly Secret about that vampire hunter Malachi van Helsing.

0:21:03.760 --> 0:21:05.439
<v Speaker 1>When the teacher asked me, he's just making this up,

0:21:05.480 --> 0:21:08.359
<v Speaker 1>he finally reveals the tabloid. She makes fun of his source,

0:21:08.480 --> 0:21:11.760
<v Speaker 1>and the class laughs along. Wampwomp. I think that's a

0:21:11.800 --> 0:21:15.560
<v Speaker 1>new thing, right, wamp womp. That's like a I'm pretty

0:21:15.560 --> 0:21:17.280
<v Speaker 1>sure that's like, yeah, I think I said it. I

0:21:17.320 --> 0:21:19.200
<v Speaker 1>don't know, there you go. I'm not even sure you

0:21:19.200 --> 0:21:21.280
<v Speaker 1>could say it wrong. Frankly, wampomp. Maybe if I made

0:21:21.280 --> 0:21:21.480
<v Speaker 1>it a.

0:21:21.520 --> 0:21:24.960
<v Speaker 2>Question, you know, it's like, it's that that cartoon sound?

0:21:26.040 --> 0:21:26.719
<v Speaker 4>Is that what it is?

0:21:26.760 --> 0:21:31.399
<v Speaker 1>Wompwomp. Okay, but you're not lying. Every time you do

0:21:31.440 --> 0:21:34.840
<v Speaker 1>a cartoon sound, you do a hand gesture. You do

0:21:35.080 --> 0:21:35.680
<v Speaker 1>every time.

0:21:35.760 --> 0:21:36.400
<v Speaker 4>It's amazing.

0:21:36.440 --> 0:21:38.640
<v Speaker 1>Even when you just womp womp, you still have the handjuster,

0:21:38.760 --> 0:21:43.359
<v Speaker 1>that's great, incredible learning so much. After school, Adam is

0:21:43.440 --> 0:21:47.080
<v Speaker 1>joined by his friend again. His brother got them backstage

0:21:47.160 --> 0:21:50.080
<v Speaker 1>passes for the Coolest band in town. It's the only

0:21:50.160 --> 0:21:51.960
<v Speaker 1>shirt that Adam wears the entire time. He has it

0:21:51.960 --> 0:21:55.159
<v Speaker 1>in multiple colors, a band called The Headless Horseman and

0:21:55.200 --> 0:22:00.000
<v Speaker 1>the concert is tomorrow. Hooray. Adam rides home he's so excited.

0:22:00.280 --> 0:22:03.399
<v Speaker 1>His mom has heard, unfortunately, about the vampire stunt that

0:22:03.440 --> 0:22:06.160
<v Speaker 1>happened at school and is not happy. Adam says he's

0:22:06.160 --> 0:22:07.840
<v Speaker 1>got a handle on it, but she reminds him when

0:22:07.840 --> 0:22:11.080
<v Speaker 1>you don't do your homework, you get grounded. So he

0:22:11.280 --> 0:22:14.240
<v Speaker 1>is punished for the weekend. But come on, tomorrow's the

0:22:14.240 --> 0:22:16.800
<v Speaker 1>Headless Horseman show. Mom's not budget. This is the way

0:22:16.800 --> 0:22:18.880
<v Speaker 1>it is. And on Adam's way up to his room,

0:22:19.160 --> 0:22:22.359
<v Speaker 1>he's insulted by his sister, which in turn gets her

0:22:22.440 --> 0:22:24.240
<v Speaker 1>grounded for the weekend. Two and now she's going to

0:22:24.280 --> 0:22:25.800
<v Speaker 1>miss a hot date with that dude I think his

0:22:25.880 --> 0:22:29.600
<v Speaker 1>name was Pete that called earlier. Oh well, don't do that.

0:22:29.640 --> 0:22:31.960
<v Speaker 1>Did you get grounded a lot? Were you a grounded person? No?

0:22:33.000 --> 0:22:38.080
<v Speaker 3>I think I only got really grounded twice.

0:22:38.640 --> 0:22:39.800
<v Speaker 1>Were you a real follower?

0:22:39.920 --> 0:22:42.879
<v Speaker 3>Yes? I hated getting in trouble. I hated getting in trouble,

0:22:42.920 --> 0:22:44.479
<v Speaker 3>so total rule follower.

0:22:44.720 --> 0:22:47.520
<v Speaker 2>Yeah, I mean I think I got grounded talking back,

0:22:47.600 --> 0:22:49.320
<v Speaker 2>like go to your room, that kind of stuff, but

0:22:49.440 --> 0:22:51.600
<v Speaker 2>not staying home, not being able to go.

0:22:51.560 --> 0:22:53.720
<v Speaker 4>Do stuff right, like or we're taking your stuff or

0:22:53.760 --> 0:22:54.000
<v Speaker 4>doing that.

0:22:54.080 --> 0:22:56.760
<v Speaker 1>Yeah. I mean my family wasn't big grounding family because

0:22:56.880 --> 0:22:58.840
<v Speaker 1>I tried not to do anything to get grounded. Yeah,

0:22:58.880 --> 0:23:01.160
<v Speaker 1>that's not to say I didn't do so I tried

0:23:01.200 --> 0:23:02.840
<v Speaker 1>my best not to get caught while doing something.

0:23:03.000 --> 0:23:06.040
<v Speaker 2>Yes, yes, And my parents were so well known in

0:23:06.080 --> 0:23:09.280
<v Speaker 2>my area. I couldn't be out seen somewhere, you know,

0:23:09.359 --> 0:23:11.840
<v Speaker 2>like going to the movies without telling my parents, because

0:23:12.760 --> 0:23:15.439
<v Speaker 2>not everyone would know chance there was going to be

0:23:15.480 --> 0:23:16.880
<v Speaker 2>someone there that was going to be able to tell

0:23:16.920 --> 0:23:17.359
<v Speaker 2>my parents.

0:23:17.359 --> 0:23:19.600
<v Speaker 1>So I also just became a master at hiding things.

0:23:19.640 --> 0:23:23.600
<v Speaker 1>I mean I smoked cigarettes for like seven years when

0:23:23.600 --> 0:23:25.440
<v Speaker 1>I was a kid without my parents knowing.

0:23:25.640 --> 0:23:27.720
<v Speaker 3>Living in your parents' house, yeah, I.

0:23:27.640 --> 0:23:30.040
<v Speaker 1>Didn't obviously didn't smoke in the house, and my parents

0:23:30.080 --> 0:23:32.879
<v Speaker 1>didn't smoke cigarettes. Yeah. I mean my parents and my

0:23:32.920 --> 0:23:35.359
<v Speaker 1>parents are very smart people, and I just became a

0:23:35.440 --> 0:23:38.760
<v Speaker 1>master at hiding all that. Wow, So I got very

0:23:38.760 --> 0:23:40.200
<v Speaker 1>good at it. We'll talk about how to do it

0:23:40.280 --> 0:23:42.040
<v Speaker 1>later in case you want to make sure your kids

0:23:42.040 --> 0:23:42.760
<v Speaker 1>aren't smoking they're a.

0:23:42.720 --> 0:23:45.040
<v Speaker 3>Little Yeah, yes, I would like to learn all those things.

0:23:46.000 --> 0:23:47.640
<v Speaker 4>But we are now up in Adam's room.

0:23:47.680 --> 0:23:50.320
<v Speaker 1>He's still reading The Weekly Secret, but when his sister enters,

0:23:50.359 --> 0:23:52.360
<v Speaker 1>he says he may have a way out of their

0:23:52.359 --> 0:23:54.359
<v Speaker 1>grounding if they can get their mom on a day

0:23:54.359 --> 0:23:57.080
<v Speaker 1>tomorrow night. They'll leave when she leaves and be back

0:23:57.119 --> 0:23:59.600
<v Speaker 1>by the time she comes back, so he gets to

0:23:59.600 --> 0:24:01.440
<v Speaker 1>go to them. She gets to go on their date,

0:24:01.640 --> 0:24:03.320
<v Speaker 1>even though she hasn't been on a date since the

0:24:03.400 --> 0:24:06.239
<v Speaker 1>divorce and it's been so long since she was the

0:24:06.240 --> 0:24:09.040
<v Speaker 1>cool singer of a band. We find out Adam thinks

0:24:09.160 --> 0:24:12.119
<v Speaker 1>the Secrets Personal adge could really shake things up, and

0:24:12.160 --> 0:24:14.480
<v Speaker 1>this is where we realize that Adam is a little pimp,

0:24:15.000 --> 0:24:18.679
<v Speaker 1>because this becomes a thing that continues to happen throughout

0:24:18.680 --> 0:24:22.200
<v Speaker 1>the movie. So at first, he's pimping out his mom, right, Yes,

0:24:24.040 --> 0:24:26.240
<v Speaker 1>I would love to get del for further into it,

0:24:26.240 --> 0:24:27.640
<v Speaker 1>but I can't. He's just pimping out his mom.

0:24:27.880 --> 0:24:31.480
<v Speaker 3>Yeah that was I mean, yeah, that.

0:24:31.560 --> 0:24:33.200
<v Speaker 4>Woof is a good wamp wump whatever.

0:24:34.440 --> 0:24:37.560
<v Speaker 1>Chelsea certainly isn't sold, so Adam says they'll email one

0:24:37.640 --> 0:24:40.520
<v Speaker 1>guy and set up a meeting in public in case

0:24:40.560 --> 0:24:43.200
<v Speaker 1>they're setting her up with a serial killer. They stumble

0:24:43.200 --> 0:24:47.119
<v Speaker 1>on a possible which ironically they are. They stumble on

0:24:47.160 --> 0:24:49.520
<v Speaker 1>a possible suitor who loves long walks under a full

0:24:49.560 --> 0:24:50.880
<v Speaker 1>moon but hates turtlenecks.

0:24:51.119 --> 0:24:51.399
<v Speaker 2>Ah.

0:24:52.119 --> 0:24:55.840
<v Speaker 1>They decide to email him at Wolfsbane at netherlink dot

0:24:55.960 --> 0:24:58.240
<v Speaker 1>ro and set up a surprise meet cute for their mom.

0:24:58.560 --> 0:24:59.720
<v Speaker 4>We see the email landet.

0:24:59.720 --> 0:25:02.320
<v Speaker 1>It's in tended mailbox, a computer in a Ma Cob manner,

0:25:02.800 --> 0:25:05.440
<v Speaker 1>a fireplace lights up on his own, and a coffin

0:25:05.520 --> 0:25:08.439
<v Speaker 1>slowly opens A hand, creeps out and presses the mouse

0:25:08.800 --> 0:25:10.200
<v Speaker 1>to read the date requested.

0:25:10.560 --> 0:25:13.879
<v Speaker 4>A haunting laugh is heard. Loved this scene.

0:25:14.320 --> 0:25:16.400
<v Speaker 1>I love how the vampire stays asleep until he gets

0:25:16.440 --> 0:25:19.440
<v Speaker 1>an email. And I just imagine how annoying like sales

0:25:19.480 --> 0:25:22.440
<v Speaker 1>announcements from the Gap or spam from some Nigerian prince

0:25:22.480 --> 0:25:24.200
<v Speaker 1>would be where it just keep.

0:25:27.600 --> 0:25:29.960
<v Speaker 3>One at, like just from this one website.

0:25:30.200 --> 0:25:32.639
<v Speaker 2>That's what I'm hoping, because otherwise he got no He

0:25:32.720 --> 0:25:34.000
<v Speaker 2>has no sleep, no rest.

0:25:34.119 --> 0:25:36.879
<v Speaker 1>Now yeah, this guy keeps getting keeps getting spammed with stuff.

0:25:37.359 --> 0:25:39.399
<v Speaker 1>We are now back at the Hanson's house, the not

0:25:39.480 --> 0:25:42.080
<v Speaker 1>the band, but the family. It's family dinner and the

0:25:42.160 --> 0:25:44.399
<v Speaker 1>kids are guiltying their mom about how they used to

0:25:44.440 --> 0:25:47.840
<v Speaker 1>have Saturday morning breakfast with chocolate chip pancakes. They're seriously

0:25:47.880 --> 0:25:50.639
<v Speaker 1>tapping into this poor woman's need to keep things cheery

0:25:50.760 --> 0:25:54.480
<v Speaker 1>since the divorce she's going through a day after finding

0:25:54.520 --> 0:25:57.040
<v Speaker 1>out her ex husband has moved on and is starting

0:25:57.200 --> 0:26:00.359
<v Speaker 1>is getting married, so pretty manipulative in and all awful

0:26:00.400 --> 0:26:03.640
<v Speaker 1>of the kids at the end of the day. So yeah,

0:26:03.800 --> 0:26:06.280
<v Speaker 1>just not good. But they she of course wants to

0:26:06.320 --> 0:26:08.520
<v Speaker 1>keep them happy, so they quickly drive to the food

0:26:08.600 --> 0:26:11.879
<v Speaker 1>Master supermarket for chocolate chips, which we know is the

0:26:11.880 --> 0:26:16.800
<v Speaker 1>location of the rendezvous. Inside they do something very strange

0:26:16.840 --> 0:26:19.600
<v Speaker 1>to start off, which they save a little bit at

0:26:19.600 --> 0:26:22.520
<v Speaker 1>the end, but they are just there for chocolate chips

0:26:22.560 --> 0:26:26.159
<v Speaker 1>and they get a cart. I know, I don't know

0:26:26.160 --> 0:26:28.520
<v Speaker 1>why you need a cart for chocolate chips, only.

0:26:28.920 --> 0:26:32.960
<v Speaker 2>If they'll like, I get a cart regardless, because that's

0:26:33.000 --> 0:26:35.439
<v Speaker 2>where I put Monroe or Ledger.

0:26:35.800 --> 0:26:38.040
<v Speaker 3>It's instead of kicking Okay. So yeah, they had no

0:26:38.119 --> 0:26:41.320
<v Speaker 3>little kids though, no, so I was assuming like maybe that,

0:26:41.440 --> 0:26:43.120
<v Speaker 3>you know, but then he never got enough cart.

0:26:43.240 --> 0:26:44.880
<v Speaker 4>Just go grab grab your chips and leave.

0:26:44.960 --> 0:26:45.359
<v Speaker 1>Let's go.

0:26:45.480 --> 0:26:45.880
<v Speaker 3>Yeah.

0:26:45.920 --> 0:26:49.440
<v Speaker 1>Inside the Halloween decorated food emporium, Adam and Chelsea search

0:26:49.480 --> 0:26:52.000
<v Speaker 1>for the date that just you know, trying to figure

0:26:52.040 --> 0:26:54.040
<v Speaker 1>out who this guy could be. They split up just

0:26:54.119 --> 0:26:56.639
<v Speaker 1>as a man in a trench coat and hat enters.

0:26:57.040 --> 0:27:00.720
<v Speaker 1>He menacingly says, come to Papa, and Sallas Taylor and

0:27:00.720 --> 0:27:03.399
<v Speaker 1>his mom through the aisles. Come to Papa is very weird,

0:27:03.480 --> 0:27:05.359
<v Speaker 1>no matter who says it or waiting just for the right,

0:27:05.680 --> 0:27:08.840
<v Speaker 1>unless it's you are by yourself and talking to a pizza.

0:27:08.920 --> 0:27:11.800
<v Speaker 1>It's a weird thing to say. But just before the

0:27:11.800 --> 0:27:13.720
<v Speaker 1>family is ready to leave and the kids consider their

0:27:13.720 --> 0:27:16.360
<v Speaker 1>attempt to bus, they crash their cart into a handsome

0:27:16.359 --> 0:27:19.320
<v Speaker 1>man with an accent. He's Romanian or maybe Hungarian and

0:27:19.359 --> 0:27:25.280
<v Speaker 1>his name is Dmitri then Dentatos, Dmitri Dentatos, and the

0:27:25.320 --> 0:27:30.560
<v Speaker 1>flirting with Lynette is going swimmingly. He's on paper, it

0:27:30.600 --> 0:27:33.560
<v Speaker 1>looks like at least the perfect guy, good looking dude,

0:27:33.600 --> 0:27:34.479
<v Speaker 1>easy on the eyes.

0:27:34.720 --> 0:27:37.240
<v Speaker 4>He's an er doctor, he's new to the area.

0:27:37.480 --> 0:27:39.720
<v Speaker 1>He's fixing up the old matherhouse by the lake, and

0:27:39.760 --> 0:27:42.639
<v Speaker 1>he's also wearing a Canadian tuxedo. Score well, could go

0:27:42.680 --> 0:27:46.920
<v Speaker 1>wrong right exactly. After some pleasantries, they decide I'll check

0:27:46.920 --> 0:27:49.600
<v Speaker 1>out together and that other dude, the nearby trench coat

0:27:49.680 --> 0:27:53.199
<v Speaker 1>guy and hat sees this all going down now. Once outside,

0:27:53.400 --> 0:27:57.560
<v Speaker 1>doctor Dentatos asks Lynette out for tomorrow night, so boom,

0:27:57.600 --> 0:28:00.000
<v Speaker 1>he's he's jumping right on. Now let's get let's get

0:28:00.160 --> 0:28:02.960
<v Speaker 1>in this, and she says, yes, the plan has worked,

0:28:03.280 --> 0:28:06.840
<v Speaker 1>but they still don't know that's the guy they actually emailed.

0:28:07.560 --> 0:28:11.040
<v Speaker 1>They anyway, Yeah, this is where okay, I didn't understand that,

0:28:11.080 --> 0:28:13.240
<v Speaker 1>but they don't. The trench coat man, all of a

0:28:13.240 --> 0:28:15.400
<v Speaker 1>sudden is now talking on a flip phone, which, God,

0:28:15.440 --> 0:28:17.560
<v Speaker 1>I want one. I really want them to come back

0:28:17.600 --> 0:28:19.240
<v Speaker 1>because I missed my flip phone. No joke. If they

0:28:19.280 --> 0:28:22.280
<v Speaker 1>come back, I'm getting it tomorrow. I want a flip phone.

0:28:23.080 --> 0:28:25.159
<v Speaker 1>But he's talking to somebody who we never figure out

0:28:25.160 --> 0:28:27.080
<v Speaker 1>who he's talking to. He talks this person a couple times,

0:28:27.440 --> 0:28:30.600
<v Speaker 1>and he says he knows there's a vampire in that market.

0:28:30.760 --> 0:28:33.960
<v Speaker 1>He's so close he can taste it. Little Taylor overhears

0:28:33.960 --> 0:28:37.359
<v Speaker 1>this and becomes suspicious. Then he looks over at Dentados,

0:28:37.800 --> 0:28:41.040
<v Speaker 1>now walking to his car, and he sees him not

0:28:41.080 --> 0:28:43.400
<v Speaker 1>only ditch the shopping bags, he drops him like he

0:28:43.440 --> 0:28:45.960
<v Speaker 1>doesn't need the food, but he morse into a bat

0:28:46.440 --> 0:28:50.560
<v Speaker 1>utilizing special effects. Somewhere between Claymation and Y two KCGI.

0:28:51.160 --> 0:28:54.160
<v Speaker 1>Taylor is terrified. Where do we put these effects on

0:28:54.240 --> 0:28:55.400
<v Speaker 1>the DCOM scale?

0:28:56.440 --> 0:28:59.320
<v Speaker 3>I thought it was pretty good. I did you not

0:28:59.520 --> 0:28:59.760
<v Speaker 3>like that?

0:29:00.320 --> 0:29:02.320
<v Speaker 4>The bat was better than later?

0:29:02.680 --> 0:29:05.000
<v Speaker 3>The later one is the one that was.

0:29:05.400 --> 0:29:06.400
<v Speaker 4>When he walks up the wall.

0:29:06.480 --> 0:29:07.040
<v Speaker 1>It's awful.

0:29:07.280 --> 0:29:08.160
<v Speaker 3>It's ridiculous.

0:29:08.560 --> 0:29:10.480
<v Speaker 1>It looks like I drew it myself in my room.

0:29:10.760 --> 0:29:12.800
<v Speaker 3>Yes, but the that one was pretty good.

0:29:12.920 --> 0:29:14.600
<v Speaker 1>It was okay, I did. I agreed.

0:29:14.640 --> 0:29:15.920
<v Speaker 4>I thought. I was like, okay, that's.

0:29:15.760 --> 0:29:17.520
<v Speaker 3>Two thousand, two thousand.

0:29:17.800 --> 0:29:18.040
<v Speaker 1>Yeah.

0:29:18.160 --> 0:29:19.360
<v Speaker 4>Yeah, here's the thing.

0:29:19.760 --> 0:29:21.920
<v Speaker 1>Also, I want to know what the CGI, what the

0:29:22.040 --> 0:29:25.800
<v Speaker 1>what the special effects budget was, because it was Yeah,

0:29:25.800 --> 0:29:27.480
<v Speaker 1>I would like to have seen it was it was.

0:29:27.480 --> 0:29:29.640
<v Speaker 4>Okay, again, we've seen better.

0:29:30.120 --> 0:29:33.600
<v Speaker 1>Yeah, I thought even what Twitches was two thousand and six,

0:29:34.920 --> 0:29:37.880
<v Speaker 1>So even six years we can see the big difference

0:29:38.200 --> 0:29:40.680
<v Speaker 1>in what we saw there. Even though Smoke Monster wasn't

0:29:40.680 --> 0:29:43.440
<v Speaker 1>good and we didn't like it, the CGI was certainly

0:29:43.560 --> 0:29:46.880
<v Speaker 1>better than this stuff was. Yeah, so we're getting there,

0:29:47.240 --> 0:29:49.000
<v Speaker 1>but on the other side of the spectrum. Because all

0:29:49.000 --> 0:29:50.800
<v Speaker 1>this has happened, Chelsea can now go on her date

0:29:50.840 --> 0:29:53.760
<v Speaker 1>and Adam is ready for the concert. So he tells

0:29:53.760 --> 0:29:56.880
<v Speaker 1>his friend on one of those awesome see through home phones.

0:29:56.880 --> 0:29:58.200
<v Speaker 1>Did you ever have one of those? We could see

0:29:58.200 --> 0:29:58.840
<v Speaker 1>all the guts of it.

0:29:59.240 --> 0:30:00.920
<v Speaker 3>Oh yes, yes, yeah.

0:30:00.760 --> 0:30:03.360
<v Speaker 4>Those things are cool. Let's make it plastic.

0:30:03.600 --> 0:30:08.800
<v Speaker 1>Yeah, I love those. But unfortunately his friend gave gave

0:30:08.880 --> 0:30:12.360
<v Speaker 1>his ticket away to some other kid named Boomer. Adam

0:30:12.400 --> 0:30:14.240
<v Speaker 1>can't believe it, so he forces a meet up with

0:30:14.280 --> 0:30:16.840
<v Speaker 1>his friend and Boomer in a funky diner and tries

0:30:16.920 --> 0:30:19.680
<v Speaker 1>to trade some stuff for the backstage passes back for

0:30:19.760 --> 0:30:23.440
<v Speaker 1>his concert. He's got like, you know, footballs and baseballs

0:30:23.480 --> 0:30:26.680
<v Speaker 1>and baseball cards. You think he's got comic books and

0:30:26.800 --> 0:30:29.200
<v Speaker 1>the trade uh is rejected by Boomer.

0:30:29.520 --> 0:30:30.640
<v Speaker 4>So what does Adam do?

0:30:30.720 --> 0:30:33.120
<v Speaker 1>He falls back on the old mainstay of being a

0:30:33.160 --> 0:30:35.800
<v Speaker 1>pimp yep, and he offers up a date with his

0:30:35.880 --> 0:30:38.440
<v Speaker 1>sister since Boomer has the hotspur. Boomer says, if he

0:30:38.480 --> 0:30:42.040
<v Speaker 1>can guarantee a kiss on the lips, he's got himself

0:30:42.240 --> 0:30:43.640
<v Speaker 1>a deal too far?

0:30:44.400 --> 0:30:46.160
<v Speaker 3>Why too far, Adam?

0:30:46.240 --> 0:30:49.280
<v Speaker 4>You can one too far? I think it's all too far?

0:30:49.920 --> 0:30:54.360
<v Speaker 3>Yes, but I mean sure, but no, you cannot. That

0:30:54.480 --> 0:30:58.800
<v Speaker 3>is that is like a kiss. It is like a no, no, no, no,

0:30:58.840 --> 0:30:59.200
<v Speaker 3>come on.

0:31:00.080 --> 0:31:02.200
<v Speaker 1>But Adam's got his ticket back. He just had to

0:31:02.200 --> 0:31:04.000
<v Speaker 1>turn his sister into a prostitute.

0:31:04.200 --> 0:31:10.240
<v Speaker 4>Yes, kid Holmes favorites awful bad.

0:31:10.320 --> 0:31:12.400
<v Speaker 1>This kid is set up for sus there's some serious

0:31:12.400 --> 0:31:14.880
<v Speaker 1>red flags where that's the first go to. This kid has,

0:31:15.040 --> 0:31:18.320
<v Speaker 1>let's pimp somebody out. Back at home, Taylor still has

0:31:18.320 --> 0:31:21.440
<v Speaker 1>the doctor's bat transformation on his mind. Obvi. He has

0:31:21.440 --> 0:31:24.200
<v Speaker 1>some questions for his vampire expert brother Adam and learns

0:31:24.240 --> 0:31:26.680
<v Speaker 1>all about the trance these monsters usually have on their

0:31:26.720 --> 0:31:30.200
<v Speaker 1>female prey. This is where the we can address that

0:31:30.280 --> 0:31:32.960
<v Speaker 1>thing you were talking about back at the beginning, where

0:31:33.080 --> 0:31:35.400
<v Speaker 1>at least they use, like in almost like a scream

0:31:35.520 --> 0:31:39.520
<v Speaker 1>kind of way, they at least use Adam as a

0:31:39.560 --> 0:31:42.600
<v Speaker 1>repository of all the vampire knowledge, so he can kind

0:31:42.640 --> 0:31:45.360
<v Speaker 1>of say, no, here are the rules, this is the trance,

0:31:45.440 --> 0:31:47.080
<v Speaker 1>this is the kind of which is an interesting way

0:31:47.120 --> 0:31:48.680
<v Speaker 1>to go. So at least we kind of had some

0:31:48.760 --> 0:31:51.600
<v Speaker 1>idea of what was happening. Adam suggests you could kill

0:31:51.600 --> 0:31:54.440
<v Speaker 1>a vampire with a vampire hunter from that tabloid he has,

0:31:54.760 --> 0:31:57.800
<v Speaker 1>and then we get the titular line from Taylor quote,

0:31:57.840 --> 0:32:00.400
<v Speaker 1>but Mom's got a date with a vampire. But of

0:32:00.400 --> 0:32:03.400
<v Speaker 1>course Adam doesn't believe it for a second. We asked

0:32:03.400 --> 0:32:04.720
<v Speaker 1>this a lot. Do you think there's a better title

0:32:04.720 --> 0:32:07.040
<v Speaker 1>for this movie or do you think this is it?

0:32:07.520 --> 0:32:09.000
<v Speaker 3>I mean, I think it's straightforward.

0:32:09.280 --> 0:32:09.840
<v Speaker 1>I like it.

0:32:09.880 --> 0:32:12.640
<v Speaker 4>Actually Mom's got a date with a vampire, and it's like, what,

0:32:12.760 --> 0:32:13.400
<v Speaker 4>that's what it is?

0:32:13.440 --> 0:32:14.760
<v Speaker 3>This happened? I thought it was.

0:32:14.760 --> 0:32:18.200
<v Speaker 2>Kind of, you know, straightforward, but also, how does that

0:32:18.360 --> 0:32:18.840
<v Speaker 2>go down?

0:32:19.280 --> 0:32:23.120
<v Speaker 1>I'm I'm interested doctor Tantado's I think that's his name.

0:32:23.160 --> 0:32:26.040
<v Speaker 1>I'm probably saying his name wrong the entire time. The

0:32:26.120 --> 0:32:30.720
<v Speaker 1>doctor arrives in what at the time, if not a

0:32:30.760 --> 0:32:33.000
<v Speaker 1>little earlier, would have been considered an awesome Ferrari, but

0:32:33.040 --> 0:32:35.080
<v Speaker 1>actually back in the day it was terrible ferrari, called

0:32:35.080 --> 0:32:38.080
<v Speaker 1>the Ferrari Mondal. They were not well made or well

0:32:38.160 --> 0:32:40.640
<v Speaker 1>running automobiles, and they don't drive particularly well.

0:32:40.680 --> 0:32:41.800
<v Speaker 4>Sorry I go off on that.

0:32:41.840 --> 0:32:45.720
<v Speaker 1>But he won't enter the house until Adam invites him in,

0:32:45.760 --> 0:32:48.440
<v Speaker 1>which is one of these things we learned already is

0:32:48.480 --> 0:32:49.360
<v Speaker 1>a vampire trait.

0:32:49.800 --> 0:32:51.200
<v Speaker 4>Upstairs, Lynette is nervous.

0:32:51.280 --> 0:32:52.880
<v Speaker 1>She thinks it's too late in her life to date,

0:32:52.880 --> 0:32:54.520
<v Speaker 1>but the kids convince her to go through with it,

0:32:54.560 --> 0:32:56.280
<v Speaker 1>not because they want their mom to get out there,

0:32:56.320 --> 0:32:58.360
<v Speaker 1>but because they want her out of the house with

0:32:58.480 --> 0:33:00.800
<v Speaker 1>whatever guy shows up. I don't care if this guy's

0:33:00.840 --> 0:33:03.640
<v Speaker 1>got sixty bodies buried in his backyard. I want to

0:33:03.640 --> 0:33:04.640
<v Speaker 1>see the headless horseman.

0:33:04.880 --> 0:33:05.920
<v Speaker 3>Yeah.

0:33:05.960 --> 0:33:07.560
<v Speaker 4>So they convinced her to go through with it.

0:33:07.720 --> 0:33:11.240
<v Speaker 1>Dmitri reveals they have dinner at Ryan Fields or Ryan Felds,

0:33:11.440 --> 0:33:13.200
<v Speaker 1>which is a fun nod to Dracula servant in the

0:33:13.200 --> 0:33:15.760
<v Speaker 1>Bram Stoker novel. Then they're going dancing. Then a horse

0:33:15.840 --> 0:33:19.000
<v Speaker 1>drawn carriage drive moonlight. A scared tailor looks on from upstairs,

0:33:19.080 --> 0:33:22.480
<v Speaker 1>and then he finally goes and calls Malachi van Helsing

0:33:22.520 --> 0:33:25.560
<v Speaker 1>from the tabloid and leaves a message. We cut to

0:33:25.600 --> 0:33:28.320
<v Speaker 1>an exotic car dealership where a salesman is chatting with

0:33:28.400 --> 0:33:32.040
<v Speaker 1>Van Helsing. So the Ferrari that's there, the yellow Ferrari

0:33:32.120 --> 0:33:34.440
<v Speaker 1>that's there, is a great Ferrari. That's a three fifty five.

0:33:34.560 --> 0:33:37.480
<v Speaker 1>That's a very good Ferrari. Okay, that was a later Ferrari.

0:33:37.560 --> 0:33:39.240
<v Speaker 1>That was a mid mid nineties. I think the first

0:33:39.280 --> 0:33:42.200
<v Speaker 1>one started in ninety five. That was I had that car.

0:33:42.320 --> 0:33:45.360
<v Speaker 1>That was a great So that was a beautiful car.

0:33:45.400 --> 0:33:46.960
<v Speaker 3>And then you had that car.

0:33:48.160 --> 0:33:51.000
<v Speaker 1>I bought it when I was twenty two.

0:33:51.160 --> 0:33:53.560
<v Speaker 3>And you didn't get a ticket in it. I got

0:33:53.560 --> 0:33:54.080
<v Speaker 3>a ticket in it.

0:33:55.400 --> 0:33:58.600
<v Speaker 1>I didn't cat. I just sold it in twenty twenty.

0:33:58.600 --> 0:34:00.360
<v Speaker 1>I had it for twenty five years.

0:34:00.640 --> 0:34:00.880
<v Speaker 2>Wow.

0:34:01.280 --> 0:34:02.960
<v Speaker 1>And I only sold it because it was just sitting

0:34:03.000 --> 0:34:04.959
<v Speaker 1>in the garage and just kept bumping into it. Very

0:34:04.960 --> 0:34:08.360
<v Speaker 1>expensive thing. I would pile my mail on. Yeah, yeah,

0:34:08.400 --> 0:34:11.160
<v Speaker 1>so it was. But that so that's that's a good car. Okay,

0:34:11.200 --> 0:34:13.160
<v Speaker 1>the one he was in not so good?

0:34:13.320 --> 0:34:13.600
<v Speaker 3>Got it?

0:34:14.200 --> 0:34:16.239
<v Speaker 1>But I'm a collector's piece, don't get me wrong. But

0:34:16.360 --> 0:34:18.160
<v Speaker 1>not a great car. I'm sorry I go too much

0:34:18.160 --> 0:34:22.200
<v Speaker 1>on it. So anyway, A scared tailor looks from upstairs.

0:34:22.239 --> 0:34:25.160
<v Speaker 1>He calls Malachi. We cut through the exotic car dealership

0:34:25.160 --> 0:34:27.799
<v Speaker 1>where a salesman is chatting with Van Helsing and he's

0:34:27.840 --> 0:34:30.719
<v Speaker 1>ignoring his sales pitch. Van Helsing does he's does some

0:34:30.840 --> 0:34:32.600
<v Speaker 1>cool things. So this time he drops a piece of

0:34:32.680 --> 0:34:34.680
<v Speaker 1>coal on the floor. He crushes it with his foot

0:34:34.680 --> 0:34:36.640
<v Speaker 1>and then he smacks it with a clipboard. As a

0:34:36.640 --> 0:34:39.640
<v Speaker 1>result of that, half a dozen footprints poof. They light

0:34:39.719 --> 0:34:41.960
<v Speaker 1>up with fire, and it is proof that a vampire

0:34:42.040 --> 0:34:45.160
<v Speaker 1>was there. The salesman reveals he suggested Main Street for

0:34:45.200 --> 0:34:47.960
<v Speaker 1>some food for Dmitri to go, and now the vampire

0:34:48.000 --> 0:34:51.960
<v Speaker 1>hunter knows exactly where they're going to be. Question the

0:34:52.000 --> 0:34:55.480
<v Speaker 1>salesman who saw the footprints light up says, glowing footprints.

0:34:55.800 --> 0:34:58.440
<v Speaker 4>I knew that dude was a freak. What do you

0:34:58.520 --> 0:35:00.279
<v Speaker 4>think he means by that?

0:35:00.360 --> 0:35:04.520
<v Speaker 1>And how do you glowing footprints elicit that response?

0:35:04.920 --> 0:35:08.960
<v Speaker 3>I don't know. He was just from the beginning of

0:35:09.040 --> 0:35:10.040
<v Speaker 3>his whole little thing.

0:35:10.080 --> 0:35:12.759
<v Speaker 2>He was kind of a funky little character to have

0:35:13.520 --> 0:35:16.920
<v Speaker 2>because he comes up like fun Yeah, he was funny,

0:35:17.280 --> 0:35:21.440
<v Speaker 2>but just kind of that was such an odd thing. Oh,

0:35:21.480 --> 0:35:24.640
<v Speaker 2>I knew instead of being like, what who is this person?

0:35:24.680 --> 0:35:26.319
<v Speaker 2>I just sold a card to? Right?

0:35:27.200 --> 0:35:29.440
<v Speaker 1>Or how did you just light all this stuff on

0:35:29.520 --> 0:35:31.759
<v Speaker 1>fire with a clip for you? Yeah?

0:35:31.840 --> 0:35:34.839
<v Speaker 3>Yes, coming looking like Inspector Gadget, like.

0:35:35.640 --> 0:35:38.560
<v Speaker 1>Because he did look like Inspector Gadget.

0:35:38.760 --> 0:35:41.880
<v Speaker 2>Wow, Inspector Gadget.

0:35:41.920 --> 0:35:43.440
<v Speaker 3>I thought he was the vampire.

0:35:43.880 --> 0:35:47.520
<v Speaker 1>He did look like inspect go, go gadget here vampire

0:35:47.600 --> 0:35:49.400
<v Speaker 1>stuff with this gadget.

0:35:48.960 --> 0:35:51.319
<v Speaker 3>Cale and a clip that he asked for.

0:35:51.719 --> 0:35:53.880
<v Speaker 4>That's such a good call. He does. He looks like

0:35:53.920 --> 0:35:54.920
<v Speaker 4>Inspector Gadget.

0:35:56.000 --> 0:35:56.680
<v Speaker 1>Yeah, it was weird.

0:35:57.040 --> 0:35:58.960
<v Speaker 3>It was kind of weird. I don't know. What that was.

0:35:59.320 --> 0:36:00.960
<v Speaker 4>Yeah, I was a strange respondect.

0:36:01.239 --> 0:36:03.720
<v Speaker 2>When it's something weird like that, you think that character

0:36:03.760 --> 0:36:05.440
<v Speaker 2>is going to come back into play somewhere.

0:36:05.680 --> 0:36:07.040
<v Speaker 3>But oh, we never see him again.

0:36:07.200 --> 0:36:10.279
<v Speaker 1>He is gone. That's gone. We hardly knew yee car

0:36:10.400 --> 0:36:20.439
<v Speaker 1>salesman man. We are now back at home while Adam

0:36:20.440 --> 0:36:22.640
<v Speaker 1>and Chelsea get ready for their respective nights out, and

0:36:22.680 --> 0:36:25.760
<v Speaker 1>then they hear the garage door open. It's Taylor escaping

0:36:25.760 --> 0:36:27.959
<v Speaker 1>on his bike to save his mom. He's the only

0:36:28.000 --> 0:36:30.359
<v Speaker 1>one that's gonna go save her, so they race after him.

0:36:30.560 --> 0:36:34.360
<v Speaker 1>He cannot ruin their plan. At Renfields, Lynette says she

0:36:34.520 --> 0:36:38.000
<v Speaker 1>isn't worldly enough for Dmitri, and Dmitri just wants her

0:36:38.000 --> 0:36:40.239
<v Speaker 1>to avoid the garlic bread and ask her to order

0:36:40.280 --> 0:36:43.880
<v Speaker 1>steak because it's quote good for the blood. Meanwhile, Taylor,

0:36:43.920 --> 0:36:45.919
<v Speaker 1>in the big City passes a movie theater showing Lost

0:36:45.920 --> 0:36:48.360
<v Speaker 1>Boys another very cool Easter Egg, but just as he

0:36:48.400 --> 0:36:51.759
<v Speaker 1>finds Renfields, Adam and Chelsea nab him. He has to

0:36:51.800 --> 0:36:54.600
<v Speaker 1>go home. It's time. Taylor is adamant that Dmitri is

0:36:54.600 --> 0:36:57.240
<v Speaker 1>a vampire, so Adam to kind of placate him is like, fine,

0:36:57.840 --> 0:36:59.719
<v Speaker 1>let's go into the restaurant. If I can prove to

0:36:59.719 --> 0:37:03.080
<v Speaker 1>you a vampire, can we please just go home? He says, fine,

0:37:03.320 --> 0:37:05.560
<v Speaker 1>the deal, we'll do that. So they walk in. They

0:37:05.560 --> 0:37:07.239
<v Speaker 1>go up to the doctor. They ask, once and for all,

0:37:07.360 --> 0:37:11.040
<v Speaker 1>are you of vampire? As a result, Dmitri offers the

0:37:11.120 --> 0:37:14.480
<v Speaker 1>quote unquote spoon test. This is obviously just placating the

0:37:14.480 --> 0:37:16.759
<v Speaker 1>little kid, saying a vampire can't hang a spoon on

0:37:16.800 --> 0:37:19.840
<v Speaker 1>his nose or he'll explode. Everyone plays along and he

0:37:19.920 --> 0:37:23.239
<v Speaker 1>passes the fake test. Taylor says he's satisfied, so they leave,

0:37:23.280 --> 0:37:25.200
<v Speaker 1>but on their way out, Adam catches a look in

0:37:25.239 --> 0:37:29.560
<v Speaker 1>the mirror and realizes Dmitri has no reflection and fangs.

0:37:29.600 --> 0:37:32.160
<v Speaker 1>And that made me think, how does nobody else in

0:37:32.200 --> 0:37:37.759
<v Speaker 1>the restaurant notice this giant mirror where there's clearly no

0:37:37.800 --> 0:37:39.399
<v Speaker 1>reflection of one Maybe.

0:37:39.080 --> 0:37:43.680
<v Speaker 2>Not the reflection, but when he looks at he looks

0:37:43.800 --> 0:37:46.440
<v Speaker 2>back at him to see the fangs. His mom's sitting

0:37:46.480 --> 0:37:48.839
<v Speaker 2>right in front of him. How does she not see

0:37:48.840 --> 0:37:52.359
<v Speaker 2>the fangs the reflection. If you're not paying attention, you're

0:37:52.360 --> 0:37:53.400
<v Speaker 2>in a crowded resh.

0:37:53.560 --> 0:37:55.240
<v Speaker 1>They couldn't notice that, though.

0:37:55.160 --> 0:37:57.640
<v Speaker 2>Right, somebody could, but not as much as if this

0:37:57.760 --> 0:38:00.800
<v Speaker 2>guy is sitting there talking to a woman and with thangs,

0:38:00.920 --> 0:38:03.080
<v Speaker 2>and it's not Yeah.

0:38:02.840 --> 0:38:03.360
<v Speaker 1>That's true.

0:38:03.880 --> 0:38:06.880
<v Speaker 6>I have a point that the things though, okay, yeah,

0:38:06.880 --> 0:38:10.720
<v Speaker 6>well only he sees the things when he looks at

0:38:11.040 --> 0:38:15.400
<v Speaker 6>the vampire, so like, he looks in the mirror, doesn't

0:38:15.400 --> 0:38:17.239
<v Speaker 6>see the mirror, then looks back at the vampire, and

0:38:17.280 --> 0:38:19.400
<v Speaker 6>the vampire looks directly at him, and he's like, but

0:38:19.440 --> 0:38:21.960
<v Speaker 6>then when he cuts away, he's just talking to the mom.

0:38:22.440 --> 0:38:25.040
<v Speaker 6>So it was like it was a mind meld basically.

0:38:24.800 --> 0:38:26.719
<v Speaker 4>Okay, he's doing that just for the kid.

0:38:26.880 --> 0:38:29.319
<v Speaker 1>I got it, that makes sense. I would have gone

0:38:29.400 --> 0:38:31.400
<v Speaker 1>more circumspect with it, though if I was directing, it

0:38:31.440 --> 0:38:32.880
<v Speaker 1>would have been a harder thing to direct. But I

0:38:32.880 --> 0:38:35.400
<v Speaker 1>would have when he took the spoon away, see the

0:38:35.440 --> 0:38:37.920
<v Speaker 1>spoon test, he would have held up the spoon to

0:38:37.960 --> 0:38:39.799
<v Speaker 1>show his brother as he was walking away, and the

0:38:39.840 --> 0:38:42.839
<v Speaker 1>guy wouldn't have reflected in the spoon, which then would

0:38:42.840 --> 0:38:46.880
<v Speaker 1>have made him instead, there's just a giant mirror. It's like,

0:38:46.920 --> 0:38:48.680
<v Speaker 1>how did nobody notice that there is a.

0:38:48.680 --> 0:38:50.759
<v Speaker 3>Giant mirror, that very big mirror. That's true?

0:38:50.840 --> 0:38:53.520
<v Speaker 1>Yes, good, yes, So they dropped Taylor back off at

0:38:53.520 --> 0:38:55.839
<v Speaker 1>home with a babysitter and Andy tells his sister about

0:38:55.840 --> 0:38:56.320
<v Speaker 1>the revelation.

0:38:56.400 --> 0:38:58.000
<v Speaker 4>So he's like, okay, good bye, Taylor.

0:38:58.400 --> 0:38:59.520
<v Speaker 1>Yeah, he's actually a vapire.

0:38:59.560 --> 0:38:59.880
<v Speaker 3>We got to go.

0:39:00.840 --> 0:39:03.280
<v Speaker 1>So they gotta go back to Ryinfield. It was a funny,

0:39:03.360 --> 0:39:06.200
<v Speaker 1>funny turn. They gotta go back to Ryinfield. She's skeptical

0:39:06.280 --> 0:39:08.160
<v Speaker 1>but agrees to help. She doesn't believe it, but she's like,

0:39:08.160 --> 0:39:10.200
<v Speaker 1>I can't believe you're doing this to me. Fine, So

0:39:10.239 --> 0:39:12.879
<v Speaker 1>we're back at the house. It's Taylor's bedtime. But guess

0:39:12.880 --> 0:39:16.480
<v Speaker 1>who's at the door. Malachi van Helsing. He asked Taylor

0:39:16.480 --> 0:39:19.879
<v Speaker 1>about all which okay, first of all, the babysitter doesn't

0:39:19.880 --> 0:39:22.719
<v Speaker 1>seem shocked at all that a strange man in a

0:39:22.800 --> 0:39:23.879
<v Speaker 1>trench was.

0:39:23.960 --> 0:39:25.759
<v Speaker 3>The worst babysitter.

0:39:26.120 --> 0:39:29.719
<v Speaker 2>Oh my, worst nightmare for any parent to leave their

0:39:29.800 --> 0:39:31.920
<v Speaker 2>child at home with a babysitter like this.

0:39:32.480 --> 0:39:35.560
<v Speaker 1>I mean, my god, a man in a trench coat

0:39:35.640 --> 0:39:37.279
<v Speaker 1>like this is my friend I met at the park

0:39:37.320 --> 0:39:38.960
<v Speaker 1>in a trench coat. Hey, how are you come on in?

0:39:39.120 --> 0:39:41.040
<v Speaker 1>That sounds odd to me.

0:39:41.440 --> 0:39:44.920
<v Speaker 3>He needs to go to bed. Yeah, what are you

0:39:45.080 --> 0:39:45.959
<v Speaker 3>doing in this house?

0:39:46.120 --> 0:39:47.840
<v Speaker 4>The hell out of my house. I'm gonna call the police.

0:39:48.160 --> 0:39:52.040
<v Speaker 3>Says something. Oh my gosh, it was not the.

0:39:51.880 --> 0:39:55.960
<v Speaker 1>Worst good But anyway, we of course know this is

0:39:56.000 --> 0:39:59.920
<v Speaker 1>Malachai van Helsing. He asked Taylor about this Dmitri guy

0:40:00.200 --> 0:40:00.799
<v Speaker 1>and where he is.

0:40:00.840 --> 0:40:01.120
<v Speaker 4>Now.

0:40:01.360 --> 0:40:03.640
<v Speaker 1>With all the info, Van Helsing is off to Rhinefields

0:40:03.640 --> 0:40:05.719
<v Speaker 1>to save Lynette and the two kids, but we know

0:40:05.760 --> 0:40:08.280
<v Speaker 1>the couple have left to take a walk, and Lynette

0:40:08.520 --> 0:40:13.440
<v Speaker 1>then comes upon her old favorite rockabilly club, a musical

0:40:13.520 --> 0:40:17.560
<v Speaker 1>genre she guilts Dmitri into, also saying that he loves

0:40:17.600 --> 0:40:19.480
<v Speaker 1>of course you love because this guy is just he's

0:40:19.480 --> 0:40:21.239
<v Speaker 1>trying to get some neck. Yeah, that's all, that's all

0:40:21.239 --> 0:40:21.640
<v Speaker 1>he wants.

0:40:21.680 --> 0:40:23.920
<v Speaker 3>He's just trying to get some neck, trying to.

0:40:23.840 --> 0:40:26.960
<v Speaker 1>Get some neck. And I'm just gonna I will say rockabilly.

0:40:27.000 --> 0:40:30.279
<v Speaker 1>Of course I love rockabilly. The kids then find a

0:40:30.360 --> 0:40:33.800
<v Speaker 1>back entrance and Adam sneaks into witness a Royal Crowns

0:40:33.880 --> 0:40:37.080
<v Speaker 1>concert entering the late nineties early two thousands trend of

0:40:37.160 --> 0:40:40.160
<v Speaker 1>swing dancing. Thank god that went away?

0:40:41.080 --> 0:40:42.160
<v Speaker 4>Do you remember this trend?

0:40:42.280 --> 0:40:44.920
<v Speaker 1>Or no? Do you did?

0:40:45.080 --> 0:40:45.160
<v Speaker 2>You?

0:40:45.239 --> 0:40:45.520
<v Speaker 1>Really?

0:40:45.719 --> 0:40:52.000
<v Speaker 2>Oh god, okay, I don't remember, like rockabilly music having

0:40:52.120 --> 0:40:56.400
<v Speaker 2>to be swing dancing music though that I didn't recognize

0:40:56.440 --> 0:40:58.560
<v Speaker 2>the kind of music that was playing from.

0:40:58.400 --> 0:41:02.120
<v Speaker 1>What different rockabilly swing are different, but it's still all

0:41:02.160 --> 0:41:03.440
<v Speaker 1>of that trending.

0:41:03.320 --> 0:41:05.960
<v Speaker 2>More like fifties, like remember the Gap commercials, Like that

0:41:06.160 --> 0:41:06.960
<v Speaker 2>was swing music.

0:41:08.400 --> 0:41:09.359
<v Speaker 1>Stop shopping at the Gap.

0:41:09.560 --> 0:41:14.400
<v Speaker 3>It was a lot more. It seemed more like.

0:41:13.400 --> 0:41:17.600
<v Speaker 1>Like like stray Cats, kind of like orchestra kind of yeah,

0:41:17.680 --> 0:41:20.520
<v Speaker 1>I agree, and the band I thought was good, but

0:41:20.560 --> 0:41:22.960
<v Speaker 1>it was it's that kind of the Oh. The swing

0:41:23.080 --> 0:41:25.040
<v Speaker 1>dancing was just such an affectation, like where we're going

0:41:25.040 --> 0:41:31.120
<v Speaker 1>to We're going swing dancing. So Adam Adam talks another

0:41:31.160 --> 0:41:33.800
<v Speaker 1>male club goer into going and asking his mom to dance.

0:41:33.840 --> 0:41:35.400
<v Speaker 4>This guy he's working angles.

0:41:35.400 --> 0:41:38.160
<v Speaker 1>He is always working angles at him, and though Dimitri

0:41:38.280 --> 0:41:40.359
<v Speaker 1>says he's cool with it, he mine controls the guy

0:41:40.400 --> 0:41:43.800
<v Speaker 1>to leave, forcing him to involuntarily backtrack off the floor.

0:41:43.880 --> 0:41:46.680
<v Speaker 1>So guy's got some powers. At the same time, Van

0:41:46.760 --> 0:41:48.680
<v Speaker 1>Helsing is on his way to Main Street when he

0:41:48.719 --> 0:41:50.960
<v Speaker 1>realizes Taylor has been hiding in the back seat the

0:41:50.960 --> 0:41:53.480
<v Speaker 1>whole time. He's angry at first, but eventually lets the

0:41:53.560 --> 0:41:56.280
<v Speaker 1>kid tag along because why not. And in the club,

0:41:56.360 --> 0:41:59.040
<v Speaker 1>Adam lets the Royal Crowns know that the singer from

0:41:59.120 --> 0:42:02.719
<v Speaker 1>Cowgirl Blue Ooz is in attendance. That's his mom from

0:42:02.719 --> 0:42:06.040
<v Speaker 1>the band barely mentioned earlier in this movie. They asked Lynette,

0:42:06.040 --> 0:42:09.120
<v Speaker 1>of course, to join them on stage, and she just casually,

0:42:09.160 --> 0:42:11.239
<v Speaker 1>with a big smile, struts up to the microphone. She

0:42:11.280 --> 0:42:14.160
<v Speaker 1>doesn't even say no, she's been so long. She's like, hell, yeah,

0:42:14.160 --> 0:42:16.800
<v Speaker 1>I'm going up there. And she asked if they remember

0:42:16.840 --> 0:42:19.720
<v Speaker 1>the song maybe, and of course they all sound perfect together.

0:42:19.880 --> 0:42:22.560
<v Speaker 1>And I don't think Caroline Ray was singing, do you.

0:42:23.080 --> 0:42:24.160
<v Speaker 3>I wasn't sure.

0:42:24.239 --> 0:42:26.720
<v Speaker 2>As this is coming along, you see where it's going,

0:42:26.760 --> 0:42:28.080
<v Speaker 2>and I go, oh.

0:42:27.920 --> 0:42:32.320
<v Speaker 3>I don't. Did she sing in Sabena the Teenage? Which

0:42:32.400 --> 0:42:33.640
<v Speaker 3>did she maybe a singer?

0:42:33.840 --> 0:42:36.839
<v Speaker 2>I don't trying to think back of the things I've

0:42:36.840 --> 0:42:39.719
<v Speaker 2>seen her in and go oh, because that's very much

0:42:39.760 --> 0:42:41.200
<v Speaker 2>Disney going, Oh, let's get her.

0:42:41.239 --> 0:42:43.000
<v Speaker 3>She'd be great because she can sing, you know.

0:42:43.000 --> 0:42:43.640
<v Speaker 4>That, get her.

0:42:43.920 --> 0:42:46.080
<v Speaker 1>It would make sense, as she could say totally.

0:42:46.160 --> 0:42:47.200
<v Speaker 3>And I don't remember.

0:42:47.600 --> 0:42:49.560
<v Speaker 1>I don't mean it might be her, it might not.

0:42:50.080 --> 0:42:53.239
<v Speaker 1>We do not know here at Magical Rewind, which is

0:42:53.280 --> 0:42:56.600
<v Speaker 1>one of our hashtags hashtag mag hashtag Magical Rewind, we

0:42:56.719 --> 0:43:00.799
<v Speaker 1>don't know. During the performance, a bounce kicks Adam out

0:43:00.840 --> 0:43:03.320
<v Speaker 1>for being too young, but after finding out he's actually

0:43:03.400 --> 0:43:06.840
<v Speaker 1>Lynette Hansen's kid, he also agrees to kick out Dimitri

0:43:07.200 --> 0:43:09.800
<v Speaker 1>for stalking her. So a trio of these big bulky

0:43:09.880 --> 0:43:12.440
<v Speaker 1>dudes tossed the likely vampire out the back door, right

0:43:12.480 --> 0:43:15.279
<v Speaker 1>where Chelsea is on her phone. She watches on as

0:43:15.280 --> 0:43:17.759
<v Speaker 1>he is so upset, so he bends their bikes and

0:43:17.800 --> 0:43:21.640
<v Speaker 1>anger dusts himself off and then climbs up the building

0:43:21.760 --> 0:43:26.040
<v Speaker 1>wall at a perfect ninety degree angle. These fat a

0:43:26.080 --> 0:43:28.080
<v Speaker 1>good one were really bad.

0:43:28.320 --> 0:43:32.400
<v Speaker 3>Yeah. First of all, if he can become a bat,

0:43:32.440 --> 0:43:33.600
<v Speaker 3>why wouldn't he just fly?

0:43:34.120 --> 0:43:36.520
<v Speaker 1>I thought the same thing, Well, transport yourself, you can

0:43:36.520 --> 0:43:38.640
<v Speaker 1>do that. He does the zippy thing where he gets

0:43:38.640 --> 0:43:39.680
<v Speaker 1>super super cool.

0:43:39.719 --> 0:43:42.319
<v Speaker 2>Why would you need to fully do this whole walk

0:43:42.400 --> 0:43:44.600
<v Speaker 2>up where someone could really see you, like you know,

0:43:44.640 --> 0:43:47.200
<v Speaker 2>the bat thing seemed like happened really fast.

0:43:47.680 --> 0:43:48.520
<v Speaker 1>Yeah.

0:43:48.680 --> 0:43:53.080
<v Speaker 2>Also at this point, my question is he can sense

0:43:53.200 --> 0:43:56.560
<v Speaker 2>the kids sometimes but not all the time. How did

0:43:56.600 --> 0:43:59.000
<v Speaker 2>he not know that Adam was in the club, but

0:43:59.080 --> 0:44:02.440
<v Speaker 2>he knew else he was in.

0:44:01.640 --> 0:44:04.839
<v Speaker 1>The alley bushes and then the bushes later and then.

0:44:04.880 --> 0:44:07.040
<v Speaker 2>Yeah, later on in the butch, Like, how does he

0:44:08.000 --> 0:44:10.560
<v Speaker 2>because he talked there's a there's an idea of him

0:44:10.560 --> 0:44:14.520
<v Speaker 2>where he senses things. Then there's also an idea later

0:44:14.560 --> 0:44:17.160
<v Speaker 2>on we find out where he smells and why is

0:44:17.200 --> 0:44:20.759
<v Speaker 2>this not the same constant? You know, I've got my

0:44:20.920 --> 0:44:22.759
<v Speaker 2>I've got my will brain on going up.

0:44:22.840 --> 0:44:23.440
<v Speaker 1>Thank you.

0:44:23.440 --> 0:44:25.200
<v Speaker 3>You guys are not following the roles.

0:44:25.280 --> 0:44:26.160
<v Speaker 1>Follow the roles.

0:44:26.360 --> 0:44:27.160
<v Speaker 4>Follow the roles.

0:44:27.239 --> 0:44:29.239
<v Speaker 1>I also apologize for your will brain. There's a lot

0:44:29.280 --> 0:44:34.480
<v Speaker 1>of baggage that comes to Yes, so not good effects.

0:44:34.640 --> 0:44:38.920
<v Speaker 3>No, we're just I could have seen the bad thing

0:44:38.960 --> 0:44:40.400
<v Speaker 3>again and been totally fine.

0:44:40.280 --> 0:44:41.879
<v Speaker 4>Been fine, and it kind of brought it back.

0:44:41.960 --> 0:44:44.040
<v Speaker 1>Yeah, these effects aren't very special.

0:44:44.800 --> 0:44:44.920
<v Speaker 2>Uh.

0:44:45.320 --> 0:44:48.480
<v Speaker 1>In Van Helsing's car, the Vampire Hunter and Taylor realized

0:44:48.480 --> 0:44:50.120
<v Speaker 1>they just missed the couple at Reinfields.

0:44:50.280 --> 0:44:51.640
<v Speaker 4>Now they're over at the rockabilly bar.

0:44:51.840 --> 0:44:54.520
<v Speaker 1>Lynnette wraps up the song and is somehow helped off

0:44:54.520 --> 0:44:58.360
<v Speaker 1>stage by Dimitri. He's back inside. He did his vampire

0:44:58.400 --> 0:45:01.080
<v Speaker 1>thing to get back in. Is now kicked out in

0:45:01.080 --> 0:45:03.759
<v Speaker 1>a much more polite manner and sees Chelsea. She's now

0:45:03.800 --> 0:45:06.640
<v Speaker 1>a full on vampire believer. She's like, yeah, okayy's out

0:45:06.640 --> 0:45:08.759
<v Speaker 1>of vmpire thing. Yeah, he's a vampire and fills in

0:45:08.800 --> 0:45:11.319
<v Speaker 1>Adham on the bike, bending slash wall walking bit, just

0:45:11.360 --> 0:45:14.759
<v Speaker 1>in time to watch Dimitri's car speedby. I'm amazing that

0:45:15.239 --> 0:45:18.360
<v Speaker 1>incredible that it started. It wasn't reliable anyway, I'm sorry.

0:45:18.880 --> 0:45:21.960
<v Speaker 1>Inside the sports car, Lynette is still high from her performance.

0:45:22.000 --> 0:45:24.120
<v Speaker 1>It's the first time she's sung in like fifteen years,

0:45:24.320 --> 0:45:27.360
<v Speaker 1>and she wants this moment to live forever. And of

0:45:27.440 --> 0:45:30.920
<v Speaker 1>course it's Kelski. I'd like to say it says that

0:45:30.960 --> 0:45:33.520
<v Speaker 1>it can be arranged. Dmitri says that can be arranged,

0:45:34.120 --> 0:45:35.880
<v Speaker 1>but not as creepy as I just said it. A

0:45:36.040 --> 0:45:38.520
<v Speaker 1>now stranded, Chelsea and Adam think their mom would probably

0:45:38.560 --> 0:45:40.840
<v Speaker 1>want to take her date to the Harvest Festival next

0:45:41.040 --> 0:45:43.400
<v Speaker 1>It's about five miles away, but Adam has a plan.

0:45:43.680 --> 0:45:46.440
<v Speaker 1>He gets his friend now with Boomer, and his friend's

0:45:46.480 --> 0:45:48.319
<v Speaker 1>brother to pick them up on their way to the

0:45:48.360 --> 0:45:50.560
<v Speaker 1>Headless Horseman show at the festival.

0:45:52.040 --> 0:45:53.680
<v Speaker 4>I just want to stop here, very briefly.

0:45:53.760 --> 0:45:55.640
<v Speaker 1>Did you think at some point we were going to

0:45:55.719 --> 0:45:58.680
<v Speaker 1>get a Headless Horseman song or see them in concert.

0:45:58.719 --> 0:46:00.680
<v Speaker 1>I was waiting for that big piece where I was like,

0:46:00.840 --> 0:46:03.040
<v Speaker 1>obviously we're gonna end up at the Headless Horseman concert.

0:46:03.040 --> 0:46:04.080
<v Speaker 4>At some point I.

0:46:04.120 --> 0:46:07.279
<v Speaker 2>Didn't because we had this rockabilly song already, I feel

0:46:07.320 --> 0:46:09.319
<v Speaker 2>like it would have been way too many. What would

0:46:09.360 --> 0:46:10.879
<v Speaker 2>be the point of them having any type?

0:46:11.040 --> 0:46:12.600
<v Speaker 1>I thought we were going to see something in the

0:46:12.600 --> 0:46:13.640
<v Speaker 1>crowd with the headless Horsemen.

0:46:13.680 --> 0:46:15.040
<v Speaker 4>They were going to look like vampires.

0:46:15.040 --> 0:46:18.480
<v Speaker 1>Something was gonna happen with the headless Horseman because they'd

0:46:18.520 --> 0:46:22.520
<v Speaker 1>been built up so long. But nothing was just a.

0:46:22.440 --> 0:46:27.800
<v Speaker 2>Creepy ride with the creepy Boomer. The poor Chelsea know

0:46:27.920 --> 0:46:28.680
<v Speaker 2>what's going on?

0:46:28.920 --> 0:46:31.520
<v Speaker 4>Oh who doesn't know that she's a piece of meat.

0:46:31.680 --> 0:46:32.879
<v Speaker 3>Go in for it.

0:46:33.239 --> 0:46:36.520
<v Speaker 1>It's awful. Then we get our biggest set piece, which

0:46:36.560 --> 0:46:39.200
<v Speaker 1>is a large scale carnival. Boomer wants to ditch the

0:46:39.239 --> 0:46:42.200
<v Speaker 1>concert to have his date with Chelsea, which exposes Adam's

0:46:42.280 --> 0:46:45.680
<v Speaker 1>gross deal from earlier. Chelsea leaves in disgust, obviously, and

0:46:45.719 --> 0:46:47.960
<v Speaker 1>Adam runs after. He admits it was a lousy move,

0:46:48.000 --> 0:46:51.239
<v Speaker 1>but he was quote unquote different then, and it was

0:46:51.280 --> 0:46:54.200
<v Speaker 1>this afternoon. I'm so glad that she did. I said

0:46:54.200 --> 0:46:54.520
<v Speaker 1>the same thing.

0:46:54.560 --> 0:46:55.959
<v Speaker 4>I was like, it was just there's an hour ago.

0:46:56.719 --> 0:46:59.480
<v Speaker 1>He apologizes, and she eventually forgives him, and they go

0:46:59.520 --> 0:47:02.120
<v Speaker 1>off to say their mom. This guy, I'm sorry, but Adam,

0:47:02.239 --> 0:47:05.279
<v Speaker 1>he's sneaky, he's got angles, he's pimping people out, he's

0:47:05.280 --> 0:47:06.239
<v Speaker 1>got lie after lie.

0:47:06.320 --> 0:47:08.520
<v Speaker 4>He will be the perfect politician.

0:47:10.320 --> 0:47:12.839
<v Speaker 1>He apologizes, She eventually forgives him, and they go off

0:47:12.840 --> 0:47:15.040
<v Speaker 1>to save their mom. Meanwhile, on their way to the concert,

0:47:15.120 --> 0:47:17.640
<v Speaker 1>Boomer and Friend see Dmitri's car.

0:47:17.600 --> 0:47:20.000
<v Speaker 4>And appear to have something up their sleeve. We're now

0:47:20.040 --> 0:47:20.960
<v Speaker 4>back on the fair grounds.

0:47:21.160 --> 0:47:23.839
<v Speaker 1>Adam steals some employee walkie talkies because he just walks

0:47:23.880 --> 0:47:26.480
<v Speaker 1>in and takes what he wants, and the siblings split up.

0:47:26.680 --> 0:47:29.080
<v Speaker 1>Chelsea immediately sees them from the ferris wheel. They're getting

0:47:29.120 --> 0:47:32.000
<v Speaker 1>off the scrambler Kelseky, which is really who he is,

0:47:32.040 --> 0:47:34.480
<v Speaker 1>but we will keep saying Dimitri since it won't so

0:47:34.480 --> 0:47:36.799
<v Speaker 1>we don't mess people up. Dmitri wants to leave, and

0:47:36.880 --> 0:47:39.680
<v Speaker 1>Lynette thinks he's moving way too fast. She's thrilled she

0:47:39.760 --> 0:47:42.680
<v Speaker 1>found herself again tonight. That's someone she hasn't been in many,

0:47:42.719 --> 0:47:45.840
<v Speaker 1>many years, and truthfully, she just feels that her connection

0:47:45.920 --> 0:47:49.960
<v Speaker 1>with Dimitri isn't clicking. And I really loved this part. Yes,

0:47:50.080 --> 0:47:52.840
<v Speaker 1>I loved where she's like, yeah, he's supposed to be

0:47:52.880 --> 0:47:56.399
<v Speaker 1>the perfect guy. He's the doctor, he's swab, he's rich,

0:47:56.680 --> 0:47:59.879
<v Speaker 1>he likes rockabilly. He's doing everything she wants, and she's like, yeah, nah,

0:48:00.200 --> 0:48:00.879
<v Speaker 1>feeling it, bro.

0:48:01.760 --> 0:48:03.680
<v Speaker 2>Well, I think it was more so just going I

0:48:03.680 --> 0:48:05.959
<v Speaker 2>didn't need to find someone, I just need to find

0:48:06.000 --> 0:48:08.120
<v Speaker 2>myself again. I've been a mom, you know, she had

0:48:08.160 --> 0:48:11.120
<v Speaker 2>that speech. Yeah, I've been a mom for so many years.

0:48:11.160 --> 0:48:13.839
<v Speaker 2>I was a wife. Now I'm divorced. Now I'm just

0:48:14.200 --> 0:48:18.000
<v Speaker 2>trying to grind with work. Is more so about finding herself,

0:48:18.040 --> 0:48:20.799
<v Speaker 2>which I thought was really cool and very like.

0:48:22.520 --> 0:48:23.880
<v Speaker 3>I feel. I mean, I don't know.

0:48:23.920 --> 0:48:27.640
<v Speaker 2>I don't remember movies that this time giving that message,

0:48:27.800 --> 0:48:32.000
<v Speaker 2>especially to young kids, not about finding so many Disney things,

0:48:32.080 --> 0:48:34.080
<v Speaker 2>is about finding your prince. It's about finding this. This

0:48:34.160 --> 0:48:35.719
<v Speaker 2>was about finding herself, and I love that.

0:48:36.040 --> 0:48:37.759
<v Speaker 1>It was a divorce mom going like, no, this is

0:48:37.960 --> 0:48:39.880
<v Speaker 1>this is great, thank you for doing this. But I

0:48:39.880 --> 0:48:41.919
<v Speaker 1>don't I'm not even I don't need this right now,

0:48:42.160 --> 0:48:46.280
<v Speaker 1>not into you, bro. She tries to change the subject

0:48:46.280 --> 0:48:50.120
<v Speaker 1>to bumper cars, but of course Dimitri is not having

0:48:50.120 --> 0:48:54.200
<v Speaker 1>this and he blocks her from leaving. He's tired, he's hungry,

0:48:54.360 --> 0:48:56.960
<v Speaker 1>he hates the carnival. He hates rockabilly music, which is

0:48:56.960 --> 0:49:00.000
<v Speaker 1>probably his best quality. He grabs her and starts putting

0:49:00.080 --> 0:49:02.919
<v Speaker 1>her under his spell. Thinking on his toes, Adam throws

0:49:02.960 --> 0:49:06.560
<v Speaker 1>a carnival game baseball and it nails Dimitri in the

0:49:06.600 --> 0:49:09.360
<v Speaker 1>back of the head, shifting his focus off the nete.

0:49:09.360 --> 0:49:12.279
<v Speaker 1>He then does what he should have done, I think,

0:49:12.320 --> 0:49:14.960
<v Speaker 1>getting back into the club and instantly appears next to

0:49:15.000 --> 0:49:17.080
<v Speaker 1>Adam and drags him off. So he's got the vampire

0:49:17.120 --> 0:49:21.359
<v Speaker 1>super speed, leaving Lynette hypnotized and Chelsea watching it all

0:49:21.520 --> 0:49:24.560
<v Speaker 1>stuck on the ferris wheel, now exposed as a terrible

0:49:24.600 --> 0:49:33.680
<v Speaker 1>lookout point. Are you a carnival fan?

0:49:33.960 --> 0:49:35.160
<v Speaker 3>I am? I like him?

0:49:35.239 --> 0:49:38.480
<v Speaker 2>Yeah, yeah, I will go on all the crazy rides

0:49:38.520 --> 0:49:40.600
<v Speaker 2>they have gotten. I used to when I was younger,

0:49:40.960 --> 0:49:45.640
<v Speaker 2>but they have gotten really crazy and just knowing they

0:49:45.640 --> 0:49:49.040
<v Speaker 2>go from city or you know, county to county.

0:49:49.640 --> 0:49:51.200
<v Speaker 4>With probably very little maintenance.

0:49:51.440 --> 0:49:53.920
<v Speaker 3>Yeah little maintenance. How fast do they have?

0:49:54.080 --> 0:49:56.360
<v Speaker 2>How much time do they have to actually set these

0:49:56.440 --> 0:49:57.319
<v Speaker 2>these rides up?

0:49:57.960 --> 0:49:59.040
<v Speaker 3>Sketchy?

0:49:59.360 --> 0:50:01.160
<v Speaker 2>No, thank you you. I don't go on most of them,

0:50:01.160 --> 0:50:02.279
<v Speaker 2>but I will go on a few of them.

0:50:02.480 --> 0:50:04.480
<v Speaker 1>What's your favorite food to get at a carnival though?

0:50:04.640 --> 0:50:10.839
<v Speaker 2>Ooh, I love deep fried oreos, deep fried pickles.

0:50:11.080 --> 0:50:13.279
<v Speaker 1>Anything like, do you like just fried dough, like good

0:50:13.280 --> 0:50:15.160
<v Speaker 1>fried dough with the powdered sugar on the top.

0:50:16.040 --> 0:50:16.680
<v Speaker 3>A little bit.

0:50:16.800 --> 0:50:19.279
<v Speaker 2>I'd rather go for like the oreos or something else

0:50:19.320 --> 0:50:22.640
<v Speaker 2>in between. Yeah, and I love the corn. I love

0:50:22.680 --> 0:50:25.719
<v Speaker 2>pull pork sandwiches. All carnival food is good. I think

0:50:25.960 --> 0:50:27.040
<v Speaker 2>I love popcorn.

0:50:27.440 --> 0:50:28.080
<v Speaker 1>I love that.

0:50:28.120 --> 0:50:30.600
<v Speaker 3>And the beer is always very tasty.

0:50:30.960 --> 0:50:32.160
<v Speaker 4>I mean it's a big beer.

0:50:32.200 --> 0:50:32.399
<v Speaker 1>Guy.

0:50:32.480 --> 0:50:34.759
<v Speaker 2>Well, it's just always hot and it's always nice. It's

0:50:34.800 --> 0:50:37.399
<v Speaker 2>just kind of refreshing.

0:50:35.960 --> 0:50:38.719
<v Speaker 1>The hot day. And nice beer is good.

0:50:38.840 --> 0:50:39.160
<v Speaker 3>Yeah.

0:50:39.280 --> 0:50:41.480
<v Speaker 1>Dmitri of course does not get this. Wasn't Adam the

0:50:41.520 --> 0:50:43.960
<v Speaker 1>one who emailed him. Adam is shocked to hear that

0:50:44.040 --> 0:50:46.440
<v Speaker 1>Dimitri is Wolf Spain. He's the only person now at

0:50:46.480 --> 0:50:48.399
<v Speaker 1>this point who doesn't realize it's the same guy.

0:50:48.880 --> 0:50:51.120
<v Speaker 4>I mean, wouldn't you have figured this out? Is just

0:50:51.480 --> 0:50:52.840
<v Speaker 4>in the supermarket?

0:50:52.920 --> 0:50:56.600
<v Speaker 1>Well anyway, Dimitri slash Wolfbane tells Adam to leave him

0:50:56.640 --> 0:50:58.680
<v Speaker 1>alone if he wants to stay alive. He's here for

0:50:58.680 --> 0:51:00.799
<v Speaker 1>his mom and he or she really has no say

0:51:00.840 --> 0:51:03.400
<v Speaker 1>over it. He transports back to Lynette and commands her

0:51:03.400 --> 0:51:05.759
<v Speaker 1>to walk away with him. Adam is now sulking at

0:51:05.760 --> 0:51:08.160
<v Speaker 1>a picnic table, telling Chelsea it's time to give up.

0:51:08.200 --> 0:51:11.239
<v Speaker 1>He just gave me. Mom's dead. Mom's dead. Bro, let's go.

0:51:11.920 --> 0:51:12.359
<v Speaker 2>It's out.

0:51:12.360 --> 0:51:12.839
<v Speaker 3>We're done.

0:51:13.160 --> 0:51:13.680
<v Speaker 4>We're done.

0:51:14.120 --> 0:51:16.200
<v Speaker 2>Figure out how we're going to keep this mortgage going.

0:51:16.800 --> 0:51:17.560
<v Speaker 2>I mean, we've got big.

0:51:19.680 --> 0:51:22.520
<v Speaker 1>I tried once. It didn't work. Immediately, I am giving

0:51:22.600 --> 0:51:23.400
<v Speaker 1>up playing guitar.

0:51:24.480 --> 0:51:28.480
<v Speaker 3>If Goger gives up on me, I'll come back to

0:51:28.520 --> 0:51:29.080
<v Speaker 3>haunt him.

0:51:30.280 --> 0:51:31.000
<v Speaker 1>Do your job.

0:51:32.120 --> 0:51:34.760
<v Speaker 3>Life horrible because you gave up really quickly.

0:51:35.640 --> 0:51:38.480
<v Speaker 1>Eventually, Adam realizes the vampire is probably on his way

0:51:38.480 --> 0:51:40.960
<v Speaker 1>to his mansion, which they remember from being barely mentioned

0:51:40.960 --> 0:51:43.520
<v Speaker 1>earlier in the movie. It's the old Mather House by

0:51:43.560 --> 0:51:45.279
<v Speaker 1>the lake, the one that's supposed to be haunted. So

0:51:45.320 --> 0:51:47.440
<v Speaker 1>they call a cab, but while in the parking lot,

0:51:47.480 --> 0:51:51.920
<v Speaker 1>Wolf Spain Ferrari won't start, and they make it seem

0:51:51.960 --> 0:51:53.440
<v Speaker 1>like it was Boomer and his friends, but really it

0:51:53.480 --> 0:51:57.760
<v Speaker 1>was just not a reliable model. Simultaneously, Van Helsing also

0:51:57.880 --> 0:52:01.160
<v Speaker 1>knows where they're going and tear leads them to the lake.

0:52:01.480 --> 0:52:04.000
<v Speaker 1>They share a sandwich, which is very nice, and eventually

0:52:04.040 --> 0:52:07.120
<v Speaker 1>perform another fire trick to decide which direction to go in.

0:52:08.200 --> 0:52:09.120
<v Speaker 4>The cab pulls up.

0:52:09.080 --> 0:52:12.160
<v Speaker 1>And we get what can only be called it now

0:52:12.200 --> 0:52:15.080
<v Speaker 1>a racist stereotype portrayal of the cab driver that we

0:52:15.080 --> 0:52:18.400
<v Speaker 1>wouldn't see today. Adam and Chelsea enter the mansion hoping

0:52:18.440 --> 0:52:21.359
<v Speaker 1>to find Dimitri's coffin. They both go upstairs, not knowing

0:52:21.400 --> 0:52:24.279
<v Speaker 1>the Ferrari just left the carnival and it's finally back

0:52:24.320 --> 0:52:27.360
<v Speaker 1>up and running. Once they find the coffin, which looks

0:52:27.400 --> 0:52:30.520
<v Speaker 1>like it should weigh three tons.

0:52:30.520 --> 0:52:36.920
<v Speaker 2>Right, and what we as just viewers know about vampire coffins,

0:52:37.200 --> 0:52:37.840
<v Speaker 2>they're heavy.

0:52:38.040 --> 0:52:38.759
<v Speaker 1>You just are heavy.

0:52:38.840 --> 0:52:42.960
<v Speaker 2>Yeah, there's one of the caskets, right, it's all of

0:52:43.160 --> 0:52:46.759
<v Speaker 2>a casket and it takes what nine six guys, three

0:52:46.800 --> 0:52:52.240
<v Speaker 2>on each side to do a casket walk or kids could.

0:52:52.000 --> 0:52:55.239
<v Speaker 1>Not two teenagers apparently. Adam decides he wants to put

0:52:55.239 --> 0:52:58.040
<v Speaker 1>the coffin in the lake, knowing it will draw in

0:52:58.120 --> 0:53:00.840
<v Speaker 1>Wolf Spain. When the Ferrari does eventually into the driveway,

0:53:00.840 --> 0:53:03.799
<v Speaker 1>Wolf Spain walks a brain dead Lynette into her new home,

0:53:04.200 --> 0:53:09.480
<v Speaker 1>but he smells humans, specifically Adam. He realizes his coffin

0:53:09.520 --> 0:53:11.920
<v Speaker 1>has gone and he screams timed perfectly with the kids

0:53:12.040 --> 0:53:14.279
<v Speaker 1>dumping it into the lake. So somehow these two kids

0:53:14.320 --> 0:53:18.600
<v Speaker 1>lifted it up out of the window dropped it down

0:53:18.640 --> 0:53:22.200
<v Speaker 1>at least one story. It landed without a crash because

0:53:22.200 --> 0:53:22.759
<v Speaker 1>we didn't hear.

0:53:22.680 --> 0:53:23.839
<v Speaker 3>That any crack. Yeah.

0:53:23.920 --> 0:53:27.000
<v Speaker 1>They then run down, they grab it, and they put

0:53:27.000 --> 0:53:29.719
<v Speaker 1>it in the lake. It's floating, so he jumps on it,

0:53:29.800 --> 0:53:30.520
<v Speaker 1>which I.

0:53:30.480 --> 0:53:32.800
<v Speaker 3>Wouldn't expect it to float.

0:53:33.040 --> 0:53:35.319
<v Speaker 4>I guess it would depend. Is it Archimedes?

0:53:35.400 --> 0:53:38.600
<v Speaker 1>Is that it's it's so the floating would would be

0:53:38.760 --> 0:53:41.399
<v Speaker 1>in relation to the weight of the buoyancy of blah

0:53:41.440 --> 0:53:45.120
<v Speaker 1>blah blah blah blah, and then if the water doesn't

0:53:45.160 --> 0:53:45.960
<v Speaker 1>come too high.

0:53:46.000 --> 0:53:46.680
<v Speaker 4>But I think it is.

0:53:46.719 --> 0:53:50.200
<v Speaker 1>I think it's archamedies with Adam on it. Yeah, well,

0:53:50.239 --> 0:53:52.040
<v Speaker 1>I mean again, think about how much it comes away

0:53:52.239 --> 0:53:56.440
<v Speaker 1>they still float. Well, all right, fine, again, I think

0:53:56.480 --> 0:53:58.480
<v Speaker 1>it's all Archimedes. I could be wrong. For all of

0:53:58.520 --> 0:54:04.440
<v Speaker 1>our all all of our fluid dynamic scientific fans, please

0:54:04.520 --> 0:54:06.319
<v Speaker 1>send us emails telling me I'm wrong, which I'm sure

0:54:06.360 --> 0:54:09.520
<v Speaker 1>I am, But I think it's arch comedies. But anyway,

0:54:09.600 --> 0:54:12.280
<v Speaker 1>he realizes his coffin's gone and he screams time perfectly

0:54:12.280 --> 0:54:14.680
<v Speaker 1>with the kids dumping into the lake. Adam yells out

0:54:14.680 --> 0:54:17.480
<v Speaker 1>to antagonize the vampire, then boards the coffin like it's

0:54:17.520 --> 0:54:20.200
<v Speaker 1>a boat. Knowing damn well that vampires can't cross water

0:54:21.200 --> 0:54:23.920
<v Speaker 1>unless they're in their coffin, wolf Spain stands at the

0:54:23.920 --> 0:54:26.080
<v Speaker 1>dock watching the young boy float away. He asks what

0:54:26.120 --> 0:54:28.960
<v Speaker 1>Adam wants, and it's a one for one trade the

0:54:29.040 --> 0:54:31.680
<v Speaker 1>coffin for his mom. The vampire thinks it over quickly

0:54:31.719 --> 0:54:35.360
<v Speaker 1>and then concludes no, and he quickly transports himself to Chelsea,

0:54:35.400 --> 0:54:38.799
<v Speaker 1>who's lot in the woods, grabs her, brings her back,

0:54:39.239 --> 0:54:41.640
<v Speaker 1>and says he has a new trade, the coffin for

0:54:41.719 --> 0:54:45.120
<v Speaker 1>his sister, but she's a little young to be his queen. However,

0:54:45.200 --> 0:54:48.880
<v Speaker 1>she would be a lovely vampire princess. He encourages Adam

0:54:48.920 --> 0:54:51.480
<v Speaker 1>to stay out until sunrise if he wants, but when

0:54:51.480 --> 0:54:53.759
<v Speaker 1>he does return, he'll not only be an orphan, but

0:54:53.840 --> 0:54:56.839
<v Speaker 1>an only child. Adam stops him, fine, if he brings

0:54:56.880 --> 0:54:58.799
<v Speaker 1>the coffin back to the dock, will wolf Spain free

0:54:58.840 --> 0:55:02.480
<v Speaker 1>his sister. Accept that's the possibility, even though Chelsea doesn't

0:55:02.480 --> 0:55:04.759
<v Speaker 1>want to make the deal. He starts to paddle in

0:55:05.160 --> 0:55:07.160
<v Speaker 1>and on the other side of the estate, Van Helsing arrives,

0:55:07.200 --> 0:55:09.960
<v Speaker 1>leaving Taylor in the car holding a huge bundle of garlic.

0:55:10.280 --> 0:55:13.560
<v Speaker 1>Adam and Chelsea, once again superheroes, carrying the coffin back

0:55:13.560 --> 0:55:15.600
<v Speaker 1>inside for Wolf Spane. So obviously they've found a way

0:55:15.640 --> 0:55:19.120
<v Speaker 1>to get it out of the water together, drag it

0:55:19.320 --> 0:55:20.839
<v Speaker 1>up the stairs.

0:55:20.920 --> 0:55:23.920
<v Speaker 3>They're both completely dry.

0:55:24.200 --> 0:55:26.520
<v Speaker 1>Right, Maybe they didn't go up the stairs because now

0:55:26.520 --> 0:55:28.839
<v Speaker 1>there's the piano. The piano's in that room, so they're

0:55:28.840 --> 0:55:30.640
<v Speaker 1>just bringing it into the first floor, right, But.

0:55:30.680 --> 0:55:32.799
<v Speaker 3>Still to get it out of the water, they'd have

0:55:32.920 --> 0:55:36.040
<v Speaker 3>to get in, get under it, lift it up.

0:55:36.520 --> 0:55:39.520
<v Speaker 4>And even that, how the hell do you get that?

0:55:40.320 --> 0:55:42.840
<v Speaker 1>That's the part about this vampire movie.

0:55:42.000 --> 0:55:45.080
<v Speaker 2>That's the Disney cartoon effects, and.

0:55:45.160 --> 0:55:48.879
<v Speaker 4>We are fine with it.

0:55:50.239 --> 0:55:52.560
<v Speaker 1>Adam and Chelsea carry the coffin back inside for Wolf Spain,

0:55:52.560 --> 0:55:54.319
<v Speaker 1>who admits he's not going to hold up his end

0:55:54.320 --> 0:55:57.600
<v Speaker 1>of the bargain. He simply can't trust vampires these days.

0:55:57.760 --> 0:56:00.680
<v Speaker 1>And then Van Helsing walks in the beaking tongues to

0:56:00.719 --> 0:56:03.600
<v Speaker 1>each other, and Wolf's bane darts at his enemy. Now.

0:56:04.040 --> 0:56:05.279
<v Speaker 1>I don't know if it was tongues or was it

0:56:05.320 --> 0:56:07.000
<v Speaker 1>in Romanian, I don't know.

0:56:07.160 --> 0:56:07.640
<v Speaker 4>I don't know.

0:56:08.120 --> 0:56:09.040
<v Speaker 3>I started to get.

0:56:09.400 --> 0:56:12.040
<v Speaker 1>Here, Empire, I don't know. Yeah, the had you till here.

0:56:12.320 --> 0:56:16.319
<v Speaker 2>Yeah, it was kind of like, okay, I Yeah, I'm

0:56:16.360 --> 0:56:19.120
<v Speaker 2>starting to have to just kind of move along with them,

0:56:19.480 --> 0:56:20.680
<v Speaker 2>right myself?

0:56:20.760 --> 0:56:22.920
<v Speaker 3>Just okay, we'll just move forward.

0:56:22.960 --> 0:56:24.799
<v Speaker 4>That's why I didn't know what I thought about this movie.

0:56:26.080 --> 0:56:28.520
<v Speaker 3>Now you're pulling me back from what I'm thinking.

0:56:28.640 --> 0:56:31.120
<v Speaker 4>I just don't It's not bad. I just don't know

0:56:31.160 --> 0:56:31.960
<v Speaker 4>what I think about it.

0:56:32.000 --> 0:56:34.520
<v Speaker 3>But yes, kind of all right, you know.

0:56:35.080 --> 0:56:37.840
<v Speaker 1>Yeah. So wolf Bane darts at his nemesis, missing and

0:56:37.840 --> 0:56:40.520
<v Speaker 1>locking himself outside, Van Helsing pulls out a wooden steak

0:56:40.560 --> 0:56:42.640
<v Speaker 1>and says this door won't hold him along. And he's right,

0:56:43.120 --> 0:56:45.680
<v Speaker 1>because five seconds later, the vampire pushes the door down,

0:56:45.760 --> 0:56:48.640
<v Speaker 1>instantly knocking Van Helson out, then throwing him into a piano.

0:56:49.080 --> 0:56:51.680
<v Speaker 1>Van Helsing has been useless at this point.

0:56:52.560 --> 0:56:55.680
<v Speaker 3>That's exactly what I have down, useless.

0:56:55.719 --> 0:56:57.719
<v Speaker 2>So this adult that has been in the movie, and

0:56:57.719 --> 0:57:00.840
<v Speaker 2>we're used to having more kids than adult, this adult

0:57:00.880 --> 0:57:04.160
<v Speaker 2>has been chasing and chasing, finally gets here. Why did

0:57:04.160 --> 0:57:05.719
<v Speaker 2>he even need to be there in the first place?

0:57:05.760 --> 0:57:07.840
<v Speaker 2>Home he gets knocked out within thirty seconds.

0:57:07.960 --> 0:57:12.800
<v Speaker 4>Thirty seconds, thirty seconds. You've done nothing, And why stand

0:57:12.840 --> 0:57:13.359
<v Speaker 4>behind the.

0:57:13.320 --> 0:57:16.160
<v Speaker 2>Door with the head careful I'm the little kid with

0:57:16.240 --> 0:57:17.200
<v Speaker 2>the garlet come.

0:57:17.080 --> 0:57:19.400
<v Speaker 3>In because he's just as useful as you are.

0:57:19.600 --> 0:57:23.760
<v Speaker 1>Exactly, thank you Van Helson for driving us Hunter of

0:57:23.800 --> 0:57:24.200
<v Speaker 1>the Year.

0:57:24.680 --> 0:57:28.080
<v Speaker 4>No, exactly, this is god, this is just bad.

0:57:29.400 --> 0:57:31.080
<v Speaker 1>It is set up that these two appear to have

0:57:31.120 --> 0:57:33.720
<v Speaker 1>fought all over the globe throughout time and justice. He's

0:57:33.720 --> 0:57:36.080
<v Speaker 1>about to finally bite into the neck of the vampire. Hunter.

0:57:36.520 --> 0:57:39.560
<v Speaker 1>Taylor appears and softly knocks Wolf Baite in the head

0:57:39.600 --> 0:57:43.160
<v Speaker 1>with the steak, which I love. I love. It's like, whack, stop.

0:57:42.880 --> 0:57:48.440
<v Speaker 3>It laughing so hard. I don't know life, I just

0:57:48.600 --> 0:57:53.320
<v Speaker 3>needed to laugh at this point or what it was. Whack.

0:57:55.160 --> 0:57:56.720
<v Speaker 1>I was hoping you'd spike him, but he didn't.

0:57:56.920 --> 0:57:59.640
<v Speaker 3>Jill, don't use the pointing part. He just bomped him

0:57:59.680 --> 0:57:59.880
<v Speaker 3>on that.

0:58:00.640 --> 0:58:02.160
<v Speaker 1>And then a second time the guy's like, what are

0:58:02.160 --> 0:58:04.080
<v Speaker 1>you doing? The second time Whack gets him a gun

0:58:04.480 --> 0:58:06.640
<v Speaker 1>and gets his attention. Wolf Spain by this point has

0:58:06.640 --> 0:58:09.600
<v Speaker 1>had enough. What is with this family? He is the

0:58:09.680 --> 0:58:12.360
<v Speaker 1>vampire and has the power here. He then takes control

0:58:12.400 --> 0:58:15.400
<v Speaker 1>of Adam and Chelsea's legs, drawing them closer and closer

0:58:15.440 --> 0:58:17.760
<v Speaker 1>to him. They yell, hoping to wake up their mom

0:58:17.800 --> 0:58:20.479
<v Speaker 1>for help, but she's not breaking the trance. Wolf Spain

0:58:20.600 --> 0:58:23.560
<v Speaker 1>maniacally laughs, ready to bite Adam. When the net finally

0:58:23.600 --> 0:58:26.400
<v Speaker 1>wakes up, only true love can break the trance of

0:58:26.400 --> 0:58:29.240
<v Speaker 1>a vampire. She pushes him backwards, right into the coffin

0:58:29.480 --> 0:58:32.800
<v Speaker 1>that Van Helsing and Adam open just on cue. They

0:58:32.880 --> 0:58:35.960
<v Speaker 1>shut the door quickly and Van Helson uses silver plated

0:58:36.160 --> 0:58:39.600
<v Speaker 1>stapler gun things. It was like a nail gun, but

0:58:39.760 --> 0:58:42.840
<v Speaker 1>silver plated to seal it. And if silver can kill

0:58:42.840 --> 0:58:45.440
<v Speaker 1>a vampire, I think it can. Why not use that

0:58:45.800 --> 0:58:49.800
<v Speaker 1>to kill a gun? To kill him? Yes, but it's Disney,

0:58:49.840 --> 0:58:51.720
<v Speaker 1>so they can't really kill him. So the plan now,

0:58:51.760 --> 0:58:56.160
<v Speaker 1>apparently that they just briefly say, is to get the

0:58:56.240 --> 0:59:00.280
<v Speaker 1>coffin to Van Helsing's vault in the South Pole and

0:59:00.320 --> 0:59:01.960
<v Speaker 1>then ship him to Finland.

0:59:03.560 --> 0:59:08.120
<v Speaker 2>Why again, I'm all for killing the vampire. Okay, this

0:59:08.160 --> 0:59:12.200
<v Speaker 2>guy was about to try to kill this whole family now, right,

0:59:12.640 --> 0:59:16.040
<v Speaker 2>So I guess if Disney's not allowing that, But why

0:59:16.040 --> 0:59:21.600
<v Speaker 2>are we like sending first of all two places, We're

0:59:21.600 --> 0:59:24.400
<v Speaker 2>gonna take them to the South Pole, which is the

0:59:24.440 --> 0:59:27.280
<v Speaker 2>mouth Pole, which he says is the only never been there.

0:59:27.440 --> 0:59:30.120
<v Speaker 2>He's never been, so I guess there's something about the

0:59:30.160 --> 0:59:32.440
<v Speaker 2>South Pole and vampires that I'm not aware of.

0:59:32.960 --> 0:59:35.880
<v Speaker 3>And then the second place is Finland and what does

0:59:35.920 --> 0:59:36.240
<v Speaker 3>that do?

0:59:36.400 --> 0:59:41.200
<v Speaker 2>So you have a whole vault of of vampires locked

0:59:41.240 --> 0:59:45.080
<v Speaker 2>and why move them from the vault to Finland?

0:59:45.080 --> 0:59:46.760
<v Speaker 4>Why are these poor fins now stop?

0:59:46.880 --> 0:59:50.120
<v Speaker 2>Yes, with the vampire overload, I don't know.

0:59:50.200 --> 0:59:54.320
<v Speaker 1>It's I don't get it either. I didn't understand that

0:59:54.480 --> 0:59:58.200
<v Speaker 1>even slightly. But anyway, that's so.

0:59:58.320 --> 1:00:01.000
<v Speaker 4>Hey, we took care of it. So what's next. Well,

1:00:01.040 --> 1:00:01.480
<v Speaker 4>Taylor is.

1:00:01.520 --> 1:00:03.920
<v Speaker 1>Hungry, so they're gonna go at breakfast and Lynette invites

1:00:03.920 --> 1:00:06.440
<v Speaker 1>the vampire Hunter to go with them. He wants some

1:00:06.520 --> 1:00:11.240
<v Speaker 1>chocolate chip pancakes, which is a euphemism for sex, and

1:00:11.400 --> 1:00:15.840
<v Speaker 1>luckily Lynette's got the chips boom, also a euphemism.

1:00:17.000 --> 1:00:18.200
<v Speaker 4>He exclaims.

1:00:18.240 --> 1:00:20.280
<v Speaker 1>Then it's a date, but the kids ask him to

1:00:20.320 --> 1:00:22.440
<v Speaker 1>avoid that word for right now. Taylor says their mom

1:00:22.480 --> 1:00:26.800
<v Speaker 1>doesn't date. Lynette disagrees she dates, just not vampires. And

1:00:26.840 --> 1:00:30.000
<v Speaker 1>then we have a really weird freeze frame as Wolf's

1:00:30.040 --> 1:00:32.880
<v Speaker 1>Bain says Happy Halloween and begs them to open the

1:00:32.920 --> 1:00:36.440
<v Speaker 1>coffin and there's your movie. And I'd personally like to

1:00:36.440 --> 1:00:40.440
<v Speaker 1>apologize to everyone in Finland. Who's gonna be I have

1:00:40.480 --> 1:00:45.000
<v Speaker 1>to deal with this vampire. There you go, there's your movie.

1:00:51.120 --> 1:00:53.800
<v Speaker 4>Who Okay, Well, let's do real reviews.

1:00:54.360 --> 1:00:57.280
<v Speaker 1>I think I have the five star this week and

1:00:57.320 --> 1:01:00.520
<v Speaker 1>the five stars from I'm gonna I'm going to spell

1:01:00.600 --> 1:01:01.520
<v Speaker 1>this and then say it.

1:01:02.160 --> 1:01:07.080
<v Speaker 5>Okay, ja dash s i g h a dash o

1:01:07.560 --> 1:01:12.840
<v Speaker 5>dash h o f fa j so jug sigha, oh

1:01:13.120 --> 1:01:15.800
<v Speaker 5>huffa j Did I say that right?

1:01:15.960 --> 1:01:19.320
<v Speaker 1>Probably not? And here's our five star review. The mom

1:01:19.680 --> 1:01:22.360
<v Speaker 1>actually has a date with a vampire. It's insane.

1:01:22.800 --> 1:01:25.480
<v Speaker 4>When I watched, they couldn't breathe. Literally, I was drowning.

1:01:25.600 --> 1:01:28.080
<v Speaker 1>Ten out of ten. Well watch again on February thirteenth,

1:01:28.080 --> 1:01:31.360
<v Speaker 1>twenty twenty two. Oh, I don't know why the date

1:01:31.440 --> 1:01:32.000
<v Speaker 1>is important.

1:01:32.400 --> 1:01:35.240
<v Speaker 2>Well, I wonder how long ago he put this, this

1:01:35.360 --> 1:01:36.440
<v Speaker 2>five star review in.

1:01:36.920 --> 1:01:39.480
<v Speaker 1>I do not know, but it is very specific. When

1:01:41.400 --> 1:01:43.560
<v Speaker 1>oh haffa Jay is going to watch this again?

1:01:43.760 --> 1:01:46.800
<v Speaker 4>Man, what's our one star? Sabrina and I heard it.

1:01:46.920 --> 1:01:51.120
<v Speaker 2>One star from unamid. This guy just can't stop. But

1:01:51.360 --> 1:01:56.640
<v Speaker 2>now his reviews put this one star us. Yeah, of

1:01:56.640 --> 1:02:00.400
<v Speaker 2>course it's unnamed. I felt sorry for the kids. Really

1:02:00.400 --> 1:02:03.800
<v Speaker 2>had to suck all right, succinct.

1:02:03.960 --> 1:02:05.680
<v Speaker 3>Not a fun night, not a fun night.

1:02:05.840 --> 1:02:09.880
<v Speaker 1>I personally think it's somewhere in between, undoubtedly. And now

1:02:09.960 --> 1:02:13.920
<v Speaker 1>to Sabrina's favorite part of the program. Our feature for

1:02:14.000 --> 1:02:16.320
<v Speaker 1>the week is a new game we have called the

1:02:16.360 --> 1:02:20.040
<v Speaker 1>Actor Factor. Many actors, as you know, have played vampires

1:02:20.080 --> 1:02:22.640
<v Speaker 1>over the years, either in TV or movies, and so

1:02:22.720 --> 1:02:24.600
<v Speaker 1>we will be given the name of an actor or

1:02:24.760 --> 1:02:26.880
<v Speaker 1>actors and we have to come up with the name

1:02:26.920 --> 1:02:30.160
<v Speaker 1>of the vampire they played. But also, and this is.

1:02:30.200 --> 1:02:33.000
<v Speaker 3>Just a Sabrina always so hard, we have.

1:02:32.880 --> 1:02:34.840
<v Speaker 4>To say it in our best vampires.

1:02:34.880 --> 1:02:42.800
<v Speaker 2>Oh my no, yeah, yes, yes, I will do it

1:02:42.840 --> 1:02:44.560
<v Speaker 2>if you do. If you get up and do your

1:02:44.560 --> 1:02:46.840
<v Speaker 2>best vampire dance, how about we do that?

1:02:47.240 --> 1:02:49.320
<v Speaker 3>Is there such a good I'm a bone.

1:02:49.080 --> 1:02:49.960
<v Speaker 1>To pick with you.

1:02:49.680 --> 1:02:52.600
<v Speaker 2>You keep doing all these things that will is very

1:02:52.640 --> 1:02:56.000
<v Speaker 2>good at, very trained at, gets paid lots of money

1:02:56.040 --> 1:02:58.280
<v Speaker 2>to do. Can we do something that I am actually

1:02:58.400 --> 1:03:00.600
<v Speaker 2>kind of good at, kind of get eight a dollar

1:03:00.720 --> 1:03:04.000
<v Speaker 2>or two have a better chance at winning.

1:03:04.440 --> 1:03:07.960
<v Speaker 6>I wouldn't say, I just like you're being mean to yourself.

1:03:07.960 --> 1:03:10.000
<v Speaker 6>I think you haven't had the opportunity. I'm trying to

1:03:10.040 --> 1:03:11.120
<v Speaker 6>bring out that talent.

1:03:11.520 --> 1:03:14.080
<v Speaker 2>I don't want to do it for the first time

1:03:14.160 --> 1:03:16.800
<v Speaker 2>in front of will thank you very much, because I'm

1:03:16.800 --> 1:03:19.160
<v Speaker 2>gonna make Will learn a dance in front.

1:03:19.840 --> 1:03:22.840
<v Speaker 1>I'll do it. I will do it, I will do it.

1:03:23.080 --> 1:03:25.919
<v Speaker 2>I will gosh, all right, No, what do vampires sound

1:03:26.000 --> 1:03:27.120
<v Speaker 2>like besides this one?

1:03:27.520 --> 1:03:28.600
<v Speaker 4>We'll do it like this one.

1:03:28.640 --> 1:03:31.320
<v Speaker 1>Then, by the way, there's plenty of vampires out there

1:03:31.360 --> 1:03:32.360
<v Speaker 1>that sound totally normal.

1:03:32.720 --> 1:03:35.480
<v Speaker 3>Okay, my vampire voice is gonna sound just like my.

1:03:39.040 --> 1:03:39.360
<v Speaker 2>All right.

1:03:39.440 --> 1:03:43.560
<v Speaker 1>So number one, I think it's the easiest. Wesley Snipes, right,

1:03:44.320 --> 1:03:48.760
<v Speaker 1>and that is he's Wesley Snipe. What's his what's his

1:03:48.880 --> 1:03:49.920
<v Speaker 1>vampire character name?

1:03:51.160 --> 1:03:51.800
<v Speaker 3>Is it Blade?

1:03:52.280 --> 1:03:54.320
<v Speaker 1>Yeah? It is?

1:03:54.720 --> 1:03:55.120
<v Speaker 2>I mean.

1:04:04.640 --> 1:04:05.200
<v Speaker 3>You go a.

1:04:07.040 --> 1:04:07.520
<v Speaker 4>Number two.

1:04:07.720 --> 1:04:10.720
<v Speaker 1>We've got Gary Oldman and Gerard Butler.

1:04:13.040 --> 1:04:15.440
<v Speaker 3>I don't remember them doing a vampire movie.

1:04:16.120 --> 1:04:16.760
<v Speaker 1>They did.

1:04:17.120 --> 1:04:20.240
<v Speaker 4>I think they played Dracula, didn't.

1:04:21.640 --> 1:04:21.920
<v Speaker 3>Oldman?

1:04:22.680 --> 1:04:30.919
<v Speaker 1>Yes, yes, all yeah. Number three is Alexander scars Guard.

1:04:31.640 --> 1:04:33.600
<v Speaker 1>And I know that this was in the movie Where

1:04:33.680 --> 1:04:35.520
<v Speaker 1>Are the Show? Where all the vampires and wolves are

1:04:35.560 --> 1:04:37.240
<v Speaker 1>just walking around naked having sex with each other the

1:04:37.280 --> 1:04:39.760
<v Speaker 1>whole time. I've never seen it in my life, but

1:04:39.840 --> 1:04:41.880
<v Speaker 1>this is the one that women really love. What's that?

1:04:41.880 --> 1:04:47.960
<v Speaker 1>What's the don't tell me the show is called Oh

1:04:48.040 --> 1:04:50.320
<v Speaker 1>come on, it's the one it's the one that what's

1:04:50.360 --> 1:04:54.400
<v Speaker 1>her name was in the How do you not understanding?

1:04:54.440 --> 1:04:54.560
<v Speaker 3>Mike?

1:04:54.760 --> 1:04:58.360
<v Speaker 1>Mike cues, what's her name? Obviously, what's her name? The

1:04:58.760 --> 1:05:01.800
<v Speaker 1>child actress who the then went off to she became

1:05:01.840 --> 1:05:04.800
<v Speaker 1>big in this and it's it's not supernatural.

1:05:04.960 --> 1:05:09.440
<v Speaker 6>It's no, I'm calling it. It's Eric Northman. It's character

1:05:09.480 --> 1:05:11.600
<v Speaker 6>you played on the TV show True Blood.

1:05:11.440 --> 1:05:14.360
<v Speaker 4>True Blood, Thank you true Blood. I know it's just

1:05:14.640 --> 1:05:16.840
<v Speaker 4>naked vampires having some weirdly.

1:05:16.480 --> 1:05:19.480
<v Speaker 2>Because I did, I think, but again, Buffy the vampire

1:05:19.480 --> 1:05:20.080
<v Speaker 2>sleeve was over.

1:05:20.200 --> 1:05:23.840
<v Speaker 1>I needed, well, these were Buffy Buffy people because they

1:05:23.880 --> 1:05:24.880
<v Speaker 1>were naked naked people.

1:05:25.000 --> 1:05:25.480
<v Speaker 3>Yeah.

1:05:25.560 --> 1:05:27.640
<v Speaker 4>Number four Kate Beckinsale.

1:05:27.840 --> 1:05:30.480
<v Speaker 3>I had no idea she was in another vampire movie.

1:05:30.600 --> 1:05:33.680
<v Speaker 1>She did. She was in a whole series called Underworld.

1:05:34.000 --> 1:05:36.520
<v Speaker 1>The problem is I don't remember the name of the

1:05:36.640 --> 1:05:41.160
<v Speaker 1>character she played in Underworld. She played Kate Beckinsale in Underworld.

1:05:42.040 --> 1:05:42.720
<v Speaker 3>Not a character.

1:05:44.080 --> 1:05:46.560
<v Speaker 6>The characters name is Selene Celine.

1:05:46.760 --> 1:05:49.760
<v Speaker 1>Yes, of course. Actually the first one was great, very

1:05:49.840 --> 1:05:52.919
<v Speaker 1>good movie. And number five, man.

1:05:53.040 --> 1:05:56.280
<v Speaker 2>I just see Lisa and Tara and all of the

1:05:56.880 --> 1:06:00.800
<v Speaker 2>I know this one, Oh, okay, okay, I do know

1:06:00.840 --> 1:06:01.240
<v Speaker 2>this one.

1:06:01.920 --> 1:06:13.640
<v Speaker 3>Isn't it ed? Because that's how I did know that one.

1:06:13.680 --> 1:06:18.040
<v Speaker 1>Okay, we got three and you did some voices.

1:06:19.920 --> 1:06:24.320
<v Speaker 3>I feel like that's how she says his name. She

1:06:24.320 --> 1:06:25.480
<v Speaker 3>she wasless sleep the whole time.

1:06:25.840 --> 1:06:28.000
<v Speaker 4>Okay, everybody, everybody in this town loves me.

1:06:28.120 --> 1:06:29.680
<v Speaker 1>I don't know why, but I have all the best

1:06:29.720 --> 1:06:30.560
<v Speaker 1>looking guys in the world.

1:06:31.600 --> 1:06:33.920
<v Speaker 4>Can we do some Sabrina sees.

1:06:38.200 --> 1:06:42.560
<v Speaker 2>We can? One of the first ones up. I know

1:06:42.760 --> 1:06:46.000
<v Speaker 2>that this happened in a movie we were just doing.

1:06:46.240 --> 1:06:50.200
<v Speaker 2>Not exactly this, but some cheatah references happened to me recently.

1:06:51.600 --> 1:06:54.320
<v Speaker 2>One of the last movies we did her. The actress

1:06:54.400 --> 1:07:00.760
<v Speaker 2>name is Kim Roberts. She played Adams Gosh, I can't

1:07:00.840 --> 1:07:06.000
<v Speaker 2>uh was it his English teacher? The teacher that k

1:07:06.840 --> 1:07:11.120
<v Speaker 2>Roberts played my foster mom and Cheetah Girls Lunch Cool.

1:07:11.600 --> 1:07:14.280
<v Speaker 2>She has a very small part in the Cheetah Girls.

1:07:14.320 --> 1:07:14.880
<v Speaker 3>That happens.

1:07:14.960 --> 1:07:17.280
<v Speaker 2>She comes out and gets me before one of my scenes,

1:07:17.480 --> 1:07:19.479
<v Speaker 2>and then she's there in the finale, so very very small.

1:07:20.280 --> 1:07:23.720
<v Speaker 2>She was a Canadian actor that I went looked and

1:07:23.720 --> 1:07:26.240
<v Speaker 2>good went, oh my gosh, and I just looked it

1:07:26.320 --> 1:07:27.880
<v Speaker 2>up real quick, made sure that I was right and

1:07:27.920 --> 1:07:28.360
<v Speaker 2>it's true.

1:07:28.400 --> 1:07:29.040
<v Speaker 1>What's that cool?

1:07:29.480 --> 1:07:30.680
<v Speaker 3>She did a great job. I thought she was a

1:07:30.720 --> 1:07:31.280
<v Speaker 3>great teacher.

1:07:31.680 --> 1:07:35.440
<v Speaker 2>Nice and then we I thought you would one hundred

1:07:35.480 --> 1:07:38.160
<v Speaker 2>percent hit on this. It's not that you didn't notice.

1:07:38.160 --> 1:07:40.200
<v Speaker 2>But when he was grounded, then he was able to

1:07:40.200 --> 1:07:42.000
<v Speaker 2>go to lunch with his friends.

1:07:43.320 --> 1:07:47.120
<v Speaker 3>Yeah, he was grounded, and he's about and he's he's

1:07:47.120 --> 1:07:47.960
<v Speaker 3>at lunch with friends.

1:07:47.960 --> 1:07:51.560
<v Speaker 5>What happened to that when he got yes exactly?

1:07:52.640 --> 1:07:56.680
<v Speaker 3>And then also did what did the actor or.

1:07:57.040 --> 1:07:59.920
<v Speaker 2>Whoever played the main singer in the band? Did he

1:08:00.080 --> 1:08:00.960
<v Speaker 2>look like anyone to you?

1:08:02.080 --> 1:08:03.320
<v Speaker 4>Well, I think that's a real band.

1:08:03.880 --> 1:08:04.760
<v Speaker 3>Was it a real band?

1:08:04.880 --> 1:08:07.040
<v Speaker 4>Yeah, that's the I think that's the Royal Crowns. Isn't

1:08:07.040 --> 1:08:07.720
<v Speaker 4>that the name of the band.

1:08:07.880 --> 1:08:09.360
<v Speaker 3>I don't know. It was like.

1:08:09.320 --> 1:08:11.320
<v Speaker 6>The Royal Crown Review or whatever. Like that's not like

1:08:11.360 --> 1:08:13.840
<v Speaker 6>a really well known band, but I think it might

1:08:13.880 --> 1:08:14.920
<v Speaker 6>be a real rockabilly band.

1:08:14.960 --> 1:08:16.400
<v Speaker 4>Ye Oh, I thought that was. I thought they were

1:08:16.479 --> 1:08:17.920
<v Speaker 4>kind of like, well, a well known.

1:08:20.040 --> 1:08:22.320
<v Speaker 3>Great they look like right?

1:08:22.439 --> 1:08:22.680
<v Speaker 1>It was.

1:08:24.400 --> 1:08:27.840
<v Speaker 2>Well, he looked like Jason Priestley. I had to rewind it.

1:08:29.240 --> 1:08:32.200
<v Speaker 2>No way, he giveing some random cameo, but he looked

1:08:32.200 --> 1:08:36.719
<v Speaker 2>like Jason He clearly it wasn't It was not okay,

1:08:36.760 --> 1:08:39.639
<v Speaker 2>good call, and then I talked about him with these

1:08:39.720 --> 1:08:42.360
<v Speaker 2>kids senses, I just couldn't understand. I had to ask you,

1:08:42.400 --> 1:08:45.280
<v Speaker 2>maybe you got it. I also felt that this fight

1:08:45.320 --> 1:08:50.200
<v Speaker 2>with Chelsea and Adam happened so forced you know, this

1:08:50.200 --> 1:08:53.360
<v Speaker 2>this coming of our connection and our friendship or whatever

1:08:53.439 --> 1:08:55.080
<v Speaker 2>it could have been later on, it didn't need to

1:08:55.120 --> 1:08:58.680
<v Speaker 2>be then, and it was all a fifteen seconds, so

1:08:58.680 --> 1:09:00.920
<v Speaker 2>it didn't really matter because I was here, and then

1:09:00.920 --> 1:09:04.719
<v Speaker 2>it wasn't and it was done. And then the last

1:09:04.760 --> 1:09:07.160
<v Speaker 2>thing was I feel like there is a flip phone this.

1:09:07.240 --> 1:09:09.200
<v Speaker 2>I noticed the flip phone in this movie, and there

1:09:09.320 --> 1:09:11.000
<v Speaker 2>is a flip phone of some sort out.

1:09:11.080 --> 1:09:13.599
<v Speaker 3>It's not like the small one, but I wanted you.

1:09:13.560 --> 1:09:15.640
<v Speaker 2>To know that there is some type of It's not

1:09:15.680 --> 1:09:18.160
<v Speaker 2>the big Samsung one that opens like a screen, is it,

1:09:18.200 --> 1:09:19.040
<v Speaker 2>because that's not the same.

1:09:19.080 --> 1:09:20.479
<v Speaker 4>I want like a flip phone.

1:09:20.600 --> 1:09:23.040
<v Speaker 2>Well, I know you do, but this would be the

1:09:23.160 --> 1:09:25.800
<v Speaker 2>version of twenty twenty four splip phone, and I think you.

1:09:25.800 --> 1:09:26.439
<v Speaker 1>Should get it.

1:09:26.720 --> 1:09:28.280
<v Speaker 4>Well, is it I want to get?

1:09:28.439 --> 1:09:29.880
<v Speaker 1>I want to get I want like an old school

1:09:29.880 --> 1:09:32.120
<v Speaker 1>flip I want the smartphone, but I want a flip

1:09:32.160 --> 1:09:34.759
<v Speaker 1>phone like it's like a Star Trek communicator again.

1:09:34.880 --> 1:09:38.040
<v Speaker 3>Okay, not not. You can't get the new Age one.

1:09:38.600 --> 1:09:39.680
<v Speaker 1>I know I can get a way.

1:09:39.760 --> 1:09:44.360
<v Speaker 3>This movie made me go flip phone that he wants

1:09:44.360 --> 1:09:45.240
<v Speaker 3>and there's one there.

1:09:45.280 --> 1:09:46.400
<v Speaker 4>Really, I'm googling right now.

1:09:46.520 --> 1:09:47.760
<v Speaker 1>Is really a new They.

1:09:47.760 --> 1:09:50.280
<v Speaker 2>Keep showing a commercial where you go like this and

1:09:50.320 --> 1:09:52.320
<v Speaker 2>like it's when people are abroad and you can talk

1:09:52.360 --> 1:09:54.880
<v Speaker 2>to it and it'll translate for you.

1:09:55.439 --> 1:09:56.800
<v Speaker 3>I feel like this is something.

1:09:56.520 --> 1:10:00.439
<v Speaker 4>You twenty four it's oh, is it a razor?

1:10:00.920 --> 1:10:01.679
<v Speaker 3>Flips open?

1:10:02.160 --> 1:10:03.920
<v Speaker 4>Like there's the Galaxy Z.

1:10:04.080 --> 1:10:05.160
<v Speaker 3>I can get the Samsung.

1:10:05.280 --> 1:10:08.599
<v Speaker 1>Yes, that's yeah, it's a Samsung, which I can't. Can't

1:10:08.600 --> 1:10:10.720
<v Speaker 1>get a Samsung. Well, I can't get a same You

1:10:11.000 --> 1:10:15.920
<v Speaker 1>cannot give Danielle Fishle the the oh no, I can't

1:10:15.920 --> 1:10:17.879
<v Speaker 1>be on team Danielle when it comes to phones.

1:10:19.360 --> 1:10:21.240
<v Speaker 3>Think iPhone is going to do it anytime soon, if

1:10:21.240 --> 1:10:21.920
<v Speaker 3>that's what you mean.

1:10:22.000 --> 1:10:24.519
<v Speaker 1>iPhone needs to do something like there is a new

1:10:24.520 --> 1:10:26.559
<v Speaker 1>one though, I think, okay, I'm.

1:10:26.360 --> 1:10:27.439
<v Speaker 3>Looking into it anyway.

1:10:27.520 --> 1:10:29.559
<v Speaker 2>The flip phone of this movie, because it's been out

1:10:29.560 --> 1:10:31.439
<v Speaker 2>and it's the couple of times now that you've.

1:10:31.280 --> 1:10:33.880
<v Speaker 3>Talked about a flip that's when I said I got

1:10:33.880 --> 1:10:35.640
<v Speaker 3>to do a spree season because they have one. I

1:10:35.680 --> 1:10:37.240
<v Speaker 3>keep seeing this commercial thinking of you.

1:10:37.400 --> 1:10:39.040
<v Speaker 1>That's what I want one. I want one, but I

1:10:39.040 --> 1:10:40.800
<v Speaker 1>can't go to Samsung. I can't do that to myself

1:10:40.880 --> 1:10:43.000
<v Speaker 1>or my family. I love them too much. But all right,

1:10:43.040 --> 1:10:45.559
<v Speaker 1>well I can't send a green text.

1:10:45.360 --> 1:10:48.080
<v Speaker 4>I think I'm leaving her. I can't. I can't do that.

1:10:48.200 --> 1:10:52.080
<v Speaker 3>So that's maybe not maybe not maybe, but that is it,

1:10:52.280 --> 1:10:52.759
<v Speaker 3>you guys.

1:10:52.800 --> 1:10:55.000
<v Speaker 1>But yes, again, those are good, so good.

1:10:55.080 --> 1:10:55.880
<v Speaker 3>It was so awesome.

1:10:55.920 --> 1:10:57.840
<v Speaker 1>Isn't Kim Robert the Jason Priest thing?

1:10:58.880 --> 1:10:59.320
<v Speaker 4>That's cool?

1:10:59.439 --> 1:10:59.519
<v Speaker 1>No?

1:11:00.080 --> 1:11:02.519
<v Speaker 3>Oh he came on and I went, wait a minute,

1:11:02.520 --> 1:11:05.200
<v Speaker 3>and while, oh, no, that's not him, but he I

1:11:05.360 --> 1:11:05.760
<v Speaker 3>like him.

1:11:05.800 --> 1:11:08.599
<v Speaker 1>Oh that's awesome. It's now the portion of our program

1:11:08.640 --> 1:11:10.519
<v Speaker 1>where we like to rate the film that we just saw,

1:11:11.040 --> 1:11:13.680
<v Speaker 1>and we've got some great options this week for we're

1:11:13.680 --> 1:11:14.280
<v Speaker 1>going to rate the film.

1:11:14.320 --> 1:11:14.800
<v Speaker 3>You get to pick.

1:11:15.040 --> 1:11:17.200
<v Speaker 1>I'm picking this week. Okay, so we're going one out

1:11:17.240 --> 1:11:19.800
<v Speaker 1>of ten obviously one being the worst, ten being the best,

1:11:20.040 --> 1:11:22.920
<v Speaker 1>or like everybody else does it, and here are options.

1:11:22.920 --> 1:11:25.600
<v Speaker 1>This week, we got one out of ten vampire Canadian tuxedos,

1:11:25.800 --> 1:11:28.080
<v Speaker 1>which again sounds like a weird sex thing. One out

1:11:28.080 --> 1:11:31.400
<v Speaker 1>of ten Coffin emails one out of ten, boomers, one

1:11:31.400 --> 1:11:34.040
<v Speaker 1>out of ten, see through home phones one out of ten,

1:11:34.120 --> 1:11:38.120
<v Speaker 1>glowing footsteps one out of ten, rockabilly clubs, one out

1:11:38.160 --> 1:11:40.880
<v Speaker 1>of ten, ferris wheeled lookout points, or one out of

1:11:40.880 --> 1:11:46.479
<v Speaker 1>ten trades involving kissing your sister. I am going to

1:11:46.520 --> 1:11:48.320
<v Speaker 1>because that got the best response from you. I'm going

1:11:48.400 --> 1:11:51.280
<v Speaker 1>to do one out of ten trades involving kissing your sister.

1:11:51.320 --> 1:11:51.880
<v Speaker 3>All right?

1:11:52.640 --> 1:11:53.920
<v Speaker 4>And do I go first this time?

1:11:54.000 --> 1:11:54.880
<v Speaker 1>Or do you go first this time?

1:11:54.920 --> 1:11:56.000
<v Speaker 4>I don't honestly don't remember that.

1:11:56.120 --> 1:11:58.880
<v Speaker 3>I don't know. I wish someone would tell us, because

1:11:58.920 --> 1:11:59.919
<v Speaker 3>we could ever remember.

1:12:00.080 --> 1:12:00.559
<v Speaker 1>I don't know.

1:12:00.720 --> 1:12:03.720
<v Speaker 2>I'll go first, though, because I will say, I know

1:12:03.840 --> 1:12:04.800
<v Speaker 2>you went first last time.

1:12:04.920 --> 1:12:05.840
<v Speaker 3>Okay, then you go first?

1:12:05.840 --> 1:12:06.559
<v Speaker 1>You did? You did?

1:12:06.560 --> 1:12:08.400
<v Speaker 4>You're right, so I'll go. I'll take one for the team.

1:12:08.200 --> 1:12:12.240
<v Speaker 1>This time, all right, Because I honestly don't know what

1:12:12.280 --> 1:12:14.519
<v Speaker 1>I think about this movie. And that's not a joke.

1:12:14.600 --> 1:12:17.639
<v Speaker 1>I didn't hate it. I didn't love it. I do

1:12:17.720 --> 1:12:19.559
<v Speaker 1>not know what to think about this movie. That means

1:12:19.600 --> 1:12:23.439
<v Speaker 1>to me that it is a perfect five trades involving

1:12:23.520 --> 1:12:25.760
<v Speaker 1>kissing your sister. There you go, because it is. I

1:12:26.320 --> 1:12:28.519
<v Speaker 1>I didn't love it. I didn't hate it. I'm right

1:12:28.560 --> 1:12:32.120
<v Speaker 1>in the middle, that's me. I'm giving it a five

1:12:32.120 --> 1:12:34.920
<v Speaker 1>trades involving kissing your sister. I it is, you know,

1:12:35.000 --> 1:12:36.479
<v Speaker 1>it is what it is with this movie. I'd like

1:12:36.520 --> 1:12:40.160
<v Speaker 1>to watch it again maybe, but it was this. It

1:12:40.200 --> 1:12:40.639
<v Speaker 1>was a movie.

1:12:40.680 --> 1:12:41.519
<v Speaker 4>That's how I felt about it.

1:12:41.560 --> 1:12:45.360
<v Speaker 1>Like I finished, I was like, Okay, watch the movie, right, Yes, yeah.

1:12:45.000 --> 1:12:46.760
<v Speaker 2>I do think we're doing them like on top of

1:12:46.800 --> 1:12:48.640
<v Speaker 2>each other a little bit right now, so we might

1:12:48.760 --> 1:12:52.000
<v Speaker 2>just kind of but I will say I love.

1:12:51.880 --> 1:12:56.080
<v Speaker 3>The spooky season of Halloween, so sure, and I really don't.

1:12:56.320 --> 1:12:58.920
<v Speaker 3>I'm realizing I haven't seen a lot.

1:12:58.760 --> 1:13:03.639
<v Speaker 2>Of Disney Channel scary Halloween type movies. The ones I've

1:13:03.640 --> 1:13:05.960
<v Speaker 2>watched are a lot more gory, so it is kind

1:13:05.960 --> 1:13:08.080
<v Speaker 2>of hard for me to figure out where I land

1:13:08.200 --> 1:13:10.400
<v Speaker 2>when it comes to a Disney spooky.

1:13:10.000 --> 1:13:11.960
<v Speaker 4>Film like Halloween Town.

1:13:12.080 --> 1:13:15.120
<v Speaker 2>Great, right, totally, but I mean just to see the

1:13:15.800 --> 1:13:18.960
<v Speaker 2>variations of it, right, can't always be Halloween Town.

1:13:19.200 --> 1:13:22.320
<v Speaker 3>Sure, and so I liked it a lot.

1:13:22.160 --> 1:13:26.080
<v Speaker 2>More than when we started this episode. I was planning

1:13:26.120 --> 1:13:29.160
<v Speaker 2>on giving it a seven. But now that, especially when

1:13:29.160 --> 1:13:32.200
<v Speaker 2>I started realizing to the end, I started kind of

1:13:32.560 --> 1:13:35.160
<v Speaker 2>just I don't want to say, wanting it to be over,

1:13:35.280 --> 1:13:37.519
<v Speaker 2>but I just kind of allowed things to move forward

1:13:37.560 --> 1:13:40.080
<v Speaker 2>and just kind of got past things. And I didn't

1:13:40.080 --> 1:13:42.320
<v Speaker 2>realize that until we started kind of sort of really

1:13:42.320 --> 1:13:45.439
<v Speaker 2>broke it down together, and it pushed it down to

1:13:45.520 --> 1:13:50.840
<v Speaker 2>a six point five trades involving kissing your sister, which

1:13:50.960 --> 1:13:55.760
<v Speaker 2>also hurt my score because it made me realize.

1:13:55.360 --> 1:13:59.000
<v Speaker 3>Really what he was doing creepy, it was gross.

1:13:59.120 --> 1:14:04.800
<v Speaker 2>So yeah, it's gonna be, oh gosh, six point five.

1:14:04.840 --> 1:14:06.640
<v Speaker 2>We'll do six point five because I can't go to

1:14:06.640 --> 1:14:09.479
<v Speaker 2>a six point twenty five. That just seems to say no, six,

1:14:09.680 --> 1:14:11.559
<v Speaker 2>but it's not a six, So six point five.

1:14:11.840 --> 1:14:13.760
<v Speaker 1>Okay, there we go, Well, there we go. Thanks, thank

1:14:13.800 --> 1:14:17.479
<v Speaker 1>you everybody for joining us this week as we watched

1:14:17.520 --> 1:14:21.080
<v Speaker 1>our movie, Mom's Dating Vampire. Is that what it's called? Yes,

1:14:21.600 --> 1:14:24.880
<v Speaker 1>so join us next time because our next movie is

1:14:24.920 --> 1:14:28.519
<v Speaker 1>the two thousand and five family and Dog comedy and yes,

1:14:28.560 --> 1:14:29.559
<v Speaker 1>I am gonna say it the same way.

1:14:29.560 --> 1:14:30.240
<v Speaker 4>Life is Rough.

1:14:30.960 --> 1:14:33.200
<v Speaker 1>It is on Disney Plus and ready to stream. Now

1:14:34.000 --> 1:14:36.559
<v Speaker 1>we've talked about this before this dog better talk, better,

1:14:36.840 --> 1:14:39.720
<v Speaker 1>dog doesn't talk. We're gonna have a serious problem, people, because.

1:14:39.439 --> 1:14:41.639
<v Speaker 3>We won't even have a full show. We will both

1:14:41.680 --> 1:14:42.840
<v Speaker 3>turn off the TV.

1:14:45.200 --> 1:14:47.559
<v Speaker 1>We are done because the dog was not talking, so

1:14:47.720 --> 1:14:51.320
<v Speaker 1>hopefully the dog talks in life is rough. But again,

1:14:51.360 --> 1:14:55.000
<v Speaker 1>it is on Disney Plus stream, got it, yes and all.

1:14:55.040 --> 1:14:57.559
<v Speaker 1>It says a family and dog comedy, so hopefully. If

1:14:57.600 --> 1:15:00.799
<v Speaker 1>it's not, then we've got a serious problem. But remember

1:15:00.880 --> 1:15:02.760
<v Speaker 1>to subscribe to our feed and you can follow us

1:15:02.800 --> 1:15:05.599
<v Speaker 1>on the Instagram machine at the Magical rewind Pod. Thank

1:15:05.600 --> 1:15:08.679
<v Speaker 1>you so much for joining us. Enjoy us Pooky season

1:15:09.000 --> 1:15:11.200
<v Speaker 1>or I do this if you're animated.

1:15:10.680 --> 1:15:14.840
<v Speaker 3>Is hey Poky bye?

1:15:14.920 --> 1:15:30.080
<v Speaker 1>Everybody,