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Speaker 1: Were you a monster movie person growing up?

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Speaker 2: I don't know about monsters, but I did. I did

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Speaker 2: like vampires, Like I was this monster. Yeah, I was like, yeah,

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Speaker 2: I mean I when I think of monsters, I think

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Speaker 2: of like.

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Speaker 3: Godzilla and what.

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Speaker 2: On the like the space crazy that I was never

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Speaker 2: really interesting.

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Speaker 1: About the arm. The arm movements are not selling me

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Speaker 1: on what you're trying to say. Space. Which one are

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Speaker 1: you talking? Were you talking about like Independence Day aliens

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Speaker 1: you talk about?

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Speaker 2: Yes, yes, that kind of stuff got the ones that

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Speaker 2: there was someone someone that was always with the with Godzilla,

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Speaker 2: it was Godzilla and against some else.

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Speaker 4: Are you thinking of King Kong and Godzilla?

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Speaker 3: No, there was.

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Speaker 2: I was more alien like he had tentacles and like

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Speaker 2: that's probably Mathra you're thinking.

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Speaker 3: Okay, okay, Keeley was kind into that.

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Speaker 1: I know that aliens those are all regular creatures from

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Speaker 1: Earth that were irradiated in the nuclear bombs and that's

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Speaker 1: why they grew so big.

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Speaker 3: And yes, I obviously.

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Speaker 2: Obviously no, No, I was more. I did like vampires.

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Speaker 2: Buffy the Vampire Slayer was I loved that show, watched.

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Speaker 3: It, you know, beginning to end. That was my my jam.

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Speaker 2: Which so when flight came out and I wasn't really

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Speaker 2: stoked on Twilight.

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Speaker 4: Twilight so much it was the best thing ever.

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Speaker 1: I'm kidding. It was awful.

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Speaker 3: You hated it.

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Speaker 1: I just did. It just wasn't for me. I don't

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Speaker 1: feel like I was kind.

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Speaker 2: Of moved past that, that love of the you know,

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Speaker 2: Angel and a Buffy the Vampire Slayer.

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Speaker 3: When when he was done, I think I was done.

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Speaker 3: I think we were all.

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Speaker 4: Is that David Rora Borealis? Is that the guy who

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Speaker 4: played Angel?

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Speaker 1: Okay, that's how I thought.

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Speaker 3: Okay, Heart the Rob, Yes.

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Speaker 1: I have no idea what you just said Heart Rob

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Speaker 1: the Rob, And I'm like, what does Heart the Rob mean?

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Speaker 5: Heart?

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Speaker 1: Okay, Okay, I've never seen an episode of Buffy in

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Speaker 1: my life. I saw the movie, but I never actually

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Speaker 1: saw Buffy. So I'll have to go back and watch.

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Speaker 3: Yeah, I mean I don't think I probably I probably

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Speaker 3: won't like it.

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Speaker 1: Now, who knows you're gonna do a deep dive. We'll

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Speaker 1: figure it out. But welcome back to Magical Rewind, the

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Speaker 1: show that makes you want to grab your friends, your PJS,

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Speaker 1: and your popcorn and go back to a time when

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Speaker 1: all the houses were smart. The waves tsunamis and the

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Speaker 1: high School's musical. I'm Wilfordell and I'm Sabrina Bryan Oo.

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Speaker 1: It's time we dive into the only d com that

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Speaker 1: exposes the truth about online dating. It's the two thousand

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Speaker 1: horror comedy Mom's Got a Date with a Vampire. It's

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Speaker 1: another Halloween dcom. We're hit and all the Halloween ones

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Speaker 1: right now. As it originally aired on October thirteenth, two

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Speaker 1: thousand and this is well before what we were just

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Speaker 1: talking about, Twilight and the young adult vampire craze. So

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Speaker 1: once again Disney on the forefront. They always seem to

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Speaker 1: be right there, right at the front of every new

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Speaker 1: craze that's coming up, So once again ahead of their time.

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Speaker 1: Lots of grown ups in this film too, with a

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Speaker 1: focus we usually don't see on a full family, mostly

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Speaker 1: because we have some very familiar faces when it comes

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Speaker 1: to the post pubescent cast members.

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Speaker 4: I don't ever want to say that sentence again.

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Speaker 1: This movie was produced by a man who, frankly, we

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Speaker 1: think deserves a little bit of magical rewind love.

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Speaker 4: His name was Don Shane. I hope I'm saying that right.

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Speaker 1: It's Shai n and Don started his career making softcore,

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Speaker 1: low budget exploitation films. I know you're gonna be like,

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Speaker 1: why are you giving him love? But here we go.

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Speaker 1: He made films like Ginger Too Hot to Handle and

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Speaker 1: Girls Are for Loving actual title. Those are all movies

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Speaker 1: that he wrote indirected in the seventies that couldn't be

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Speaker 1: less ready for the Disney Channel. Bick, I mean geez.

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Speaker 1: But in nineteen ninety one he decided to move to

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Speaker 1: wait for it, Salt Lake City, Utah, which again has

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Speaker 1: become another character on Magical Rewind to produce movies, and

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Speaker 1: in turn he became a go to creative for the

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Speaker 1: Disney Channel and they're made for TV movies and was

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Speaker 1: later named the first president of the Motion Picture Association

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Speaker 1: of Utah, And so he became the liaison for Disney

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Speaker 1: and the state that would become synonymous with the DCOM,

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Speaker 1: working with and setting up crew members and location and

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Speaker 1: doing all the nuts and bolt stuff for the filming

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Speaker 1: in Utah, which is where, as we've talked about, ninety

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Speaker 1: percent of his decoms were shot.

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Speaker 4: So here's why we think he.

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Speaker 1: Deserves a little bit of love on the show, because

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Speaker 1: here's a list of the dcoms that this prolific man,

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Speaker 1: mister Shane produced Here We Go, Don't Look Under the Bed,

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Speaker 1: Mom's Got a Date with a Vampire, The Luck of

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Speaker 1: the Irish, Hounded, The poof Point, Double Teamed, Ride on Track,

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Speaker 1: Pixel Perfect, Going to the Mat, Halloween Town High and

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Speaker 1: Return to Halloween, Buffalo Dreams, Go Figure, Life is Rough,

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Speaker 1: Read It and Weep Minute Men, Dad Napped, Den Brother

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Speaker 1: and High School Musical one, two and three. Not rely

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Speaker 1: a list, to be honest, it's a terrible dcom list.

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Speaker 3: Very short lived, very short lived.

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Speaker 1: Yeah, so this man needed some love, because Wow, So

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Speaker 1: we found the man who brought the dcom to Utah,

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Speaker 1: a vital piece to the production team and the lore

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Speaker 1: of Murray High School. Shane unfortunately passed away in twenty

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Speaker 1: fifteen at the age of seventy four, but his effect

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Speaker 1: on the Disney Channel is still felt today, and so

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Speaker 1: we here at Magical Rewind want to say don Shane,

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Speaker 1: we speak your name, we see you, Thank you. Mom's

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Speaker 1: Got a Date with a Vampire is streamable on Disney

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Speaker 1: Plus right now, so you can listen to us first

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Speaker 1: and go check out the movie, or do that in reverse.

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Speaker 4: But if you don't do either.

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Speaker 1: You will be prosecuted. It's a law.

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Speaker 4: Go check it out, Sabrina.

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Speaker 1: This is the time where I ask you, what did

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Speaker 1: you know about Mom's Got a Date with the Vampire before?

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Speaker 1: It was a signed to us as our dcom homework,

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Speaker 1: our domework. No, I don't like that. Let's just say

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Speaker 1: docom homework.

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Speaker 3: Okay, honestly nothing.

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Speaker 2: Even when we started to know, we haven't gotten started

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Speaker 2: talking about the movie. But even as we started, I paused,

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Speaker 2: went and looked back to make sure it was a

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Speaker 2: d com. You know within the credits that it wasn't

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Speaker 2: something that was on ABC because a wonderful Yeah, there

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Speaker 2: were so many adults right from the start, and we'll

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Speaker 2: get into it, I know, but the content from the start,

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Speaker 2: the very clear dynamic of the family was.

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Speaker 3: Very different than we've seen before.

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Speaker 1: Yeah.

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Speaker 2: So I honestly had no idea about this movie. But

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Speaker 2: I was excited because I love these Halloween.

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Speaker 3: Movies that we're doing. They're fun. There is that time

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Speaker 3: of year. I'm for it.

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Speaker 1: Let's get spooky, Let's get spooky. I like it. I

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Speaker 1: don't even know why I do this segment of the show.

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Speaker 1: Of course, I've never heard of this movie or having

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Speaker 1: anything to do with it now, before you call Malachi

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Speaker 1: van Helsing to investigate, let's get into the synopsis. Ldren

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Speaker 1: set their mother up. Well, set their mother up. That's

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Speaker 1: an interesting way to put it. We will get into

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Speaker 1: that later with a mysterious man not realizing he maybe

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Speaker 1: one of the undead Sabrina. Did you online date before Jordan? No?

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Speaker 2: Thank god, never, never, never, not an app. Nope, they

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Speaker 2: I don't even think they had. They might have had

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Speaker 2: match dot com happening this okay, two thousand.

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Speaker 3: And oh gosh, when did we meet? It was before

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Speaker 3: the whole situation. I can't even think of a year

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Speaker 3: right now.

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Speaker 2: I think it was twenty ten. Twenty eleven is when

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Speaker 2: I met.

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Speaker 1: Oh, okay, so you're closer to possibly. I mean that

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Speaker 1: there had happened some dating stuff.

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Speaker 2: It was, but it wasn't big, and it wasn't too

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Speaker 2: long after that my friends started bumble and all of

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Speaker 2: that stuff, and oh my gosh. All I could just

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Speaker 2: pray was it worked out with Jordan? Because it looked

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Speaker 2: like a nightmare. It did not look fun good.

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Speaker 3: I just, you know, I give it to people that

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Speaker 3: that's the only way they able to meet meet, you know,

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Speaker 3: new people.

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Speaker 2: I understand the need for it because now thinking about

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Speaker 2: meeting someone in.

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Speaker 3: A bar or out that feels weird now too.

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Speaker 1: So it's like nine out of ten relationships now start online.

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Speaker 1: Number of dentists that recommend dent just it's.

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Speaker 3: A lot of different work.

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Speaker 2: And I do remember because I was on tour a

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Speaker 2: lot when I was kind of dating, so I did

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Speaker 2: have that our relationship or getting to know each other

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Speaker 2: happened over text, you know, so sending the message, waiting

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Speaker 2: for the reply. So I did have that as a

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Speaker 2: dating situation with people that i'd meet along the way

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Speaker 2: while we were on tour through friends, things like that.

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Speaker 2: But it was always through friends. It was never someone

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Speaker 2: I did not know and didn't have any idea of

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Speaker 2: their background at all. And that's where I think it

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Speaker 2: can get scary in my head. But you know, that

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Speaker 2: was tough enough. Waiting for someone to text you back

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Speaker 2: is like what do you know? And trying to be

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Speaker 2: witty and trying to show your personality. But some of

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Speaker 2: that text but yeah, with the people around you, it's

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Speaker 2: not really your personality because everyone's putting their two cents

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Speaker 2: on how to like respond, you know, oh.

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Speaker 3: Right, right?

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Speaker 1: That group dating, Yes, it's tough.

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Speaker 2: That's how it was for me. I mean, it would

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Speaker 2: go he texts back, what did he say? Okay, okay,

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Speaker 2: what should we say?

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Speaker 3: What do we say? And it's like, oh, oh, nightmare.

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Speaker 1: That sounds awful. Yeah, that sounds awful. It really does.

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Speaker 3: Anyway, you didn't right, No, no online dating.

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Speaker 1: No online deb No. I found the internet like a

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Speaker 1: month ago.

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Speaker 3: So no.

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Speaker 1: I've known my wife now going on twenty five years. Wow.

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Speaker 1: I love it that we've.

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Speaker 4: Known each other twenty five years. We've been together.

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Speaker 1: Fourteen okay, and tomorrow is our eighth wedding anniversary.

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Speaker 3: Wow.

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Speaker 2: Yeah, we're kind of along the same timeline because Jordan

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Speaker 2: and I are about thirteen fourteen, and in a couple

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Speaker 2: of weeks on the sixth is our sixth year.

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Speaker 1: Okay.

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Speaker 3: So yeah, we're good over it.

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Speaker 4: Yeah, we're getting there, which which is good.

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Speaker 1: So and Sue and I have both said this is it.

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Speaker 1: We're too tired to try to find anybody else. We're

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Speaker 1: together forever. That's just to have to happen. It's just

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Speaker 1: how it is.

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Speaker 2: Now.

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Speaker 4: What did you think of the movie.

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Speaker 3: Well, the movie, I feel like.

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Speaker 2: I right from the start I liked it. I thought

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Speaker 2: it was the perfect combination of it wasn't super scary. Obviously,

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Speaker 2: there were some major questions. Again, now I'm starting to

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Speaker 2: tap into the mindset of when it comes to magical situations,

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Speaker 2: I need, I.

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Speaker 3: Need the will answers, the will rules.

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Speaker 2: So there are a couple of missteps in that sense,

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Speaker 2: but in general, I liked it.

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Speaker 3: It was a little fun.

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Speaker 2: Little like I said, let's get spooky, but it's fun spooky,

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Speaker 2: it's not yet right.

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Speaker 3: What about you?

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Speaker 1: I honestly, and this is the god's honest truth, I

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Speaker 1: don't know how I feel about this movie. Okay, I

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Speaker 1: don't know. I didn't really love it, but I also

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Speaker 1: didn't dislike.

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Speaker 4: It in any way, shape or form. I'm wondering if now.

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Speaker 1: We're just watching so many back to back to back

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Speaker 1: that I'm just starting to get a little bit of whiplash.

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Speaker 3: Uh huh.

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Speaker 1: So it could be that a little bit. Maybe it

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Speaker 1: could have been that I'm exhausted. You know, there's a

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Speaker 1: lot of things that go into it. So I I

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Speaker 1: zipped through it the second time. Again, not a bad movie,

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Speaker 1: exactly what you said. It's yeah, it's a decom It's

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Speaker 1: it is now I'm I'm now able to look at

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Speaker 1: the time when these dcoms were made and be able

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Speaker 1: to point out the time, like I could tell this

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Speaker 1: was an early two thousands dcom. I could just you

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Speaker 1: could tell. Uh So, Yeah, didn't dislike it, didn't love it.

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Speaker 1: Maybe as I talk about it more, I'll lean one

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Speaker 1: way or another.

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Speaker 2: But it could because we're just such a fan of musicals.

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Speaker 1: Now, that's what it is. There was not enough musical numbers.

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Speaker 1: Nobody was dancing.

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Speaker 3: It way past the line, and you know, there's just

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Speaker 3: no going back for you.

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Speaker 1: Unless there is a big, choreographed dancing. I didn't buy

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Speaker 1: he was a vampire exactly.

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Speaker 4: God, we're all in this together.

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Speaker 3: There you go, Well, there you go. I knew it.

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Speaker 3: It only took us for five episodes.

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Speaker 1: I am a secret musical fan. Okay, So mom's got

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Speaker 1: a date with the vampires. Directed by a name we

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Speaker 1: keep repeating here on Magical rewind Steve Boyam. He is

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Speaker 1: the legendary stuntman turned director who is behind some of

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Speaker 1: the best d comes ever Johnny Tsunami, Motocrossed and Stepsister

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Speaker 1: from Planet Weird. He since become a TV director with

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Speaker 1: episodes of Numbers, Criminal Minds, and The.

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Speaker 4: Boys under his belt.

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Speaker 1: The movie stars Matt O'Leary as Adam Hansen, the oldest son.

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Speaker 1: This was Matt's first gig ever in Hollywood. He'd go

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Speaker 1: on to star in Spy Kids two and three, appear

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Speaker 1: in Ryan Johnson's breakout film.

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Speaker 4: Brick and and just a.

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Speaker 1: Few years ago, pop up in five episodes of Agents

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Speaker 1: of Shield, which is I mean, he was the star

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Speaker 1: of the movie, your first ever gig, and you're that's

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Speaker 1: heavy lifting for your first job.

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Speaker 3: I thought he'd agree.

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Speaker 2: I would never have guessed this was his actual job.

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Speaker 2: That's insane.

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Speaker 1: It was three great Disney kids. It really was. Once again,

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Speaker 1: you've got Laura Vandervoort is the daughter Chelsea, one of

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Speaker 1: the other kids. She's a Canadian actress and has been

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Speaker 1: a mainstay on the Canadian screen, which is the same

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Speaker 1: as an American television screen, by the way, just a

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Speaker 1: lot more apologetic. But you may know her as Supergirl

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Speaker 1: on Smallville or.

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Speaker 4: As Lisa on v that's v not five.

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Speaker 1: By the way. Miles Jeffrey is the youngest tailor, and

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Speaker 1: I recognize him the second he popped on screen. He's

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Speaker 1: worked a ton as a little kid, appearing in action

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Speaker 1: Classics Face Off, which I knew him from right away.

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Speaker 1: Great movie in a horrible way. Five episodes of Beverly

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Speaker 1: Hills nine oh two one zero and Boyam's other dcom

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Speaker 1: one of his other Dcom's Stepsister from Planet Weird. Even

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Speaker 1: before this movie. Those are movies that he did so

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Speaker 1: a vet, I mean a vet actor, and he was

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Speaker 1: probably seven when he did this movie. Eight years old. Yeah.

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Speaker 1: And then you've got the very familiar Caroline Ray plays

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Speaker 1: the titular mom. Lynette, the stand up comedian is very

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Speaker 1: well known to the Disney demo as Hilda Spellman on

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Speaker 1: Sabrina the Teenage Witch and as the voice of Linda

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Speaker 1: on Phineas and Ferb. She'd star in movies like Christmas

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Speaker 1: with the Cranks and The Perfect Man with Hillary Duff,

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Speaker 1: and from twenty nineteen to twenty twenty two she was

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Speaker 1: back on the Channel as the mom in Sydney to

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Speaker 1: the Max. Then you've got Charles Shaughnessy, who is Dmitri

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Speaker 1: the Natos, although he didn't really have that thicken accent.

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Speaker 4: I added a little bit the questionable love interest.

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Speaker 1: He is best known, of course as Maxwell Sheffield on

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Speaker 1: The Nanny and Shane Donovan on almost Ready for this

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Speaker 1: twelve hundred episodes of Days of Our Lives or in

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Speaker 1: small Yay in soap opera terms, one full season, yes,

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Speaker 1: twelve hundred episodes of Days of Our Lives. He'd also

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Speaker 1: appear on Hannah Montana, mad Men and reunite with Caroline,

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Speaker 1: this time as a witch on Sabrina just a year after.

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Speaker 4: This movie aired.

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Speaker 1: And in the Coleman Reynolds Chair, we have Robert Carrodine

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Speaker 1: as Malachi van Helsing. Robert will always be known as

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Speaker 1: Lewis Skullnik in the Revenge the Nerds movies, but he

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Speaker 1: also played Sam on Lizzie McGuire and the dcom and

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Speaker 1: appears in the movie Escape from La in a you

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Speaker 1: wouldn't even recognize him role. And he is the half

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Speaker 1: brother of David Carradine, who was of course from the

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Speaker 1: old school show Kung Fu?

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Speaker 4: Did you recognize anybody in this one?

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Speaker 2: I recognize the date, the dadmy Coleman seat. I recognized it,

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Speaker 2: but I could not figure out where those little movies.

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Speaker 2: I could not figure it out until luckily we get

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Speaker 2: our inframos out before and I.

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Speaker 3: Went, that's where it was. And of course he's from

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Speaker 3: that movie, and so it was great.

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Speaker 2: I loved so I got I did see that before

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Speaker 2: the second time I watched, so it made me love

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Speaker 2: it even more.

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Speaker 3: I thought he was hilarious, So.

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Speaker 1: He was great. He was great. I will give you

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Speaker 1: five dollars right now if you can tell me the

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Speaker 1: name of the fraternity that he was in in Revenge

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Speaker 1: of the Nerds and or the college that they were at.

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Speaker 3: No. Ninety to fifty dollars. No, the delping.

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Speaker 1: The money is not helping the del No. Well okay,

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Speaker 1: so no, they were the Lambda Lambda Lambda chapter of

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Speaker 1: Adams College, Thank you very much. Okay, this is why

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Speaker 1: I didn't need those dating apps at all, Sabrina, because

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Speaker 1: this was my life. The movie is exactly eighty five

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Speaker 1: minutes long, which is five below the ideal ninety, but again,

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Speaker 1: too little is better than too much in my opinion,

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Speaker 1: and was written by Robert Keats, a writer on Happy

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Speaker 1: Days name Happy Days and The Down and Out. In

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Speaker 1: Beverly Hill's TV adaptation, he shares credit with Lindsey. I

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Speaker 1: want to say this right, Nathon's I think who this

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Speaker 1: is the only imd listed Hollywood job is this movie? Okay,

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Speaker 1: so why don't you go put on a nice dress

355
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Speaker 1: because we're getting fanged here people. The movie opens, lying

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Speaker 1: no doubt that we are in for a spooky one.

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Speaker 1: Full moon bats, scary music, and the credits. We are

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Speaker 1: at a large castle, medieval looking even. A horse and

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00:17:09,359 --> 00:17:11,879
Speaker 1: carriage pulls up, and a debonier man wearing a typical

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Speaker 1: vampire costume exits the carriage. He's followed by a pretty

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Speaker 1: woman in a white gothic dress. He welcomes her to

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Speaker 1: the castle of Count Krelski. Then Victor, another man dressed

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Speaker 1: similarly but with a goateee, and somehow a much less

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Speaker 1: evil feeling vibe yells out release how you monster? But

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Speaker 1: Maria is in Count Krelski's power. Now, Victor with the goatee,

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Speaker 1: begs her to come to him. Their love is more

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Speaker 1: powerful than a vampire's trance. She abruptly comes out of

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Speaker 1: her trance, screaming and running to her partner for an embrace.

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Speaker 1: Krelski is not impressed. The sound of the night will

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Speaker 1: chill the lovebird's soul, and then we hear a phone ringing, Now,

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Speaker 1: were you fool? Did you think this was going to

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Speaker 1: be the opening of the movie we were watching?

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Speaker 3: Or did you know this was going to be like,

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Speaker 3: uh yeah, I was in it. First thing.

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Speaker 2: I'm going, Wow, that mansion looks amazing, Like they're already

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Speaker 2: the set.

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Speaker 3: I'm into. This is a big situation.

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Speaker 2: And then the phone rings and I was like, oh, okay,

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Speaker 2: all right, they totally got me.

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Speaker 3: They got heavy, I.

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Speaker 1: Thought, because again the fantasy side of me was like, Okay,

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Speaker 1: we're going to the backstory of how the vampire was

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Speaker 1: actually created where this guy's from. It's the sixteen hundreds.

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Speaker 4: Yeah, totally got me.

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Speaker 1: That's great.

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Speaker 4: Nope, not good opening. Good opening.

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Speaker 1: This, of course, was a movie on TV the entire

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Speaker 1: time being watched by Adam, a young boy in present day,

389
00:18:30,000 --> 00:18:33,919
Speaker 1: fixated on the scares. Eventually, his older sister Chelsea answers

390
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Speaker 1: the phone call that keeps going, and it is a

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Speaker 1: boy she likes. It quickly becomes a battle of power,

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Speaker 1: her talking in the phone, him trying to watch and

393
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Speaker 1: recite the movie quotes as they are said. Krelski in

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Speaker 1: the movie goes in for the final bite, and we

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Speaker 1: see their younger brother Taylor barely watching from behind a pillow.

396
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Speaker 1: He's hiding because he's scared, and that's when their mom, Lynette,

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Speaker 1: gets home.

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Speaker 4: From a late night at work, turns off the TV.

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Speaker 1: It's time for homework and then dinner, and she's also like,

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Speaker 1: you know, you're not supposed to let him watch the

401
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Speaker 1: Scary Yeah. We are now up in Adam's room, which is,

402
00:19:03,600 --> 00:19:06,399
Speaker 1: like every other Disney trope, a great way to show

403
00:19:06,520 --> 00:19:10,280
Speaker 1: who our characters are. Is a shrine to pop culture vampires,

404
00:19:10,280 --> 00:19:12,800
Speaker 1: but mostly just the ones in the public domain. He

405
00:19:12,840 --> 00:19:17,120
Speaker 1: ignores his homework to thumb through a tabloid, The Weekly Secret,

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Speaker 1: with headlines about a vampire hunter, which, by the way,

407
00:19:20,280 --> 00:19:22,119
Speaker 1: these were some of my If you ever want to

408
00:19:22,160 --> 00:19:23,840
Speaker 1: read some of the best comedy writing in the world,

409
00:19:24,080 --> 00:19:25,919
Speaker 1: it is all written for comedy. I think you can

410
00:19:25,960 --> 00:19:28,639
Speaker 1: still get it. Go get the Weekly World News. It's like,

411
00:19:28,680 --> 00:19:33,840
Speaker 1: you know, vampire boys, they're hysterical.

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Speaker 3: When we did The Tower of Tear.

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00:19:37,359 --> 00:19:40,359
Speaker 1: Yes, they're just so good, So go check it out. Yep.

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00:19:41,080 --> 00:19:43,480
Speaker 1: So he's reading The Weekly Secret with the headline about

415
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Speaker 1: a vampire hunter. He skims it and has led to

416
00:19:45,640 --> 00:19:52,399
Speaker 1: a website www. Dot Malachi Vanhelsing dot com, which, of

417
00:19:52,560 --> 00:19:55,840
Speaker 1: course our producers checked and it is no longer I'm

418
00:19:55,840 --> 00:19:58,040
Speaker 1: going to say, no longer a working website in twenty

419
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Speaker 1: twenty four. I guess is it was never a working website,

420
00:20:00,119 --> 00:20:03,120
Speaker 1: but it's not up now. But in the movie it's

421
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Speaker 1: a site for a vampire hunter for hire. This obviously

422
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Speaker 1: interests young Adam, but when there's a knock on the door,

423
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Speaker 1: he quickly shuts off his screen and pretends to do

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Speaker 1: his homework. His mom then comes in and sits on

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Speaker 1: the bed and starts a very long speech, or is

426
00:20:14,040 --> 00:20:16,840
Speaker 1: about to start a long speech about divorce. Adam cuts

427
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Speaker 1: her off. Is this about dad's wedding invitation? Adam and

428
00:20:20,040 --> 00:20:23,199
Speaker 1: his siblings were told about this last weekend, but his

429
00:20:23,280 --> 00:20:26,199
Speaker 1: mom was clearly blindsided by it. She shrugs it off

430
00:20:26,200 --> 00:20:29,439
Speaker 1: when Adam reminds her, Hey, Mom, you're still the bomb.

431
00:20:29,920 --> 00:20:33,440
Speaker 1: So yeah, we're getting the family dynamic. They're obviously still

432
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Speaker 1: in touch with their dad, they're invited to the wedding,

433
00:20:36,000 --> 00:20:38,840
Speaker 1: but you know, the mom doesn't know anything about it. Okay,

434
00:20:39,040 --> 00:20:41,600
Speaker 1: an interesting way to kind of figure out what the

435
00:20:41,640 --> 00:20:45,560
Speaker 1: dynamic is. In class, we find out that the homework

436
00:20:45,560 --> 00:20:47,520
Speaker 1: that he did not do was a one page essay

437
00:20:47,560 --> 00:20:49,919
Speaker 1: about who they admire. But when Adam is called on

438
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Speaker 1: to read his in front of the class, he first

439
00:20:52,200 --> 00:20:55,760
Speaker 1: tries for a rain check, but he's then forced to present,

440
00:20:55,840 --> 00:20:59,440
Speaker 1: so he takes the podium and reads directly from that tabloid,

441
00:20:59,800 --> 00:21:03,520
Speaker 1: the Weekly Secret about that vampire hunter Malachi van Helsing.

442
00:21:03,760 --> 00:21:05,439
Speaker 1: When the teacher asked me, he's just making this up,

443
00:21:05,480 --> 00:21:08,359
Speaker 1: he finally reveals the tabloid. She makes fun of his source,

444
00:21:08,480 --> 00:21:11,760
Speaker 1: and the class laughs along. Wampwomp. I think that's a

445
00:21:11,800 --> 00:21:15,560
Speaker 1: new thing, right, wamp womp. That's like a I'm pretty

446
00:21:15,560 --> 00:21:17,280
Speaker 1: sure that's like, yeah, I think I said it. I

447
00:21:17,320 --> 00:21:19,200
Speaker 1: don't know, there you go. I'm not even sure you

448
00:21:19,200 --> 00:21:21,280
Speaker 1: could say it wrong. Frankly, wampomp. Maybe if I made

449
00:21:21,280 --> 00:21:21,480
Speaker 1: it a.

450
00:21:21,520 --> 00:21:24,960
Speaker 2: Question, you know, it's like, it's that that cartoon sound?

451
00:21:26,040 --> 00:21:26,719
Speaker 4: Is that what it is?

452
00:21:26,760 --> 00:21:31,399
Speaker 1: Wompwomp. Okay, but you're not lying. Every time you do

453
00:21:31,440 --> 00:21:34,840
Speaker 1: a cartoon sound, you do a hand gesture. You do

454
00:21:35,080 --> 00:21:35,680
Speaker 1: every time.

455
00:21:35,760 --> 00:21:36,400
Speaker 4: It's amazing.

456
00:21:36,440 --> 00:21:38,640
Speaker 1: Even when you just womp womp, you still have the handjuster,

457
00:21:38,760 --> 00:21:43,359
Speaker 1: that's great, incredible learning so much. After school, Adam is

458
00:21:43,440 --> 00:21:47,080
Speaker 1: joined by his friend again. His brother got them backstage

459
00:21:47,160 --> 00:21:50,080
Speaker 1: passes for the Coolest band in town. It's the only

460
00:21:50,160 --> 00:21:51,960
Speaker 1: shirt that Adam wears the entire time. He has it

461
00:21:51,960 --> 00:21:55,159
Speaker 1: in multiple colors, a band called The Headless Horseman and

462
00:21:55,200 --> 00:22:00,000
Speaker 1: the concert is tomorrow. Hooray. Adam rides home he's so excited.

463
00:22:00,280 --> 00:22:03,399
Speaker 1: His mom has heard, unfortunately, about the vampire stunt that

464
00:22:03,440 --> 00:22:06,160
Speaker 1: happened at school and is not happy. Adam says he's

465
00:22:06,160 --> 00:22:07,840
Speaker 1: got a handle on it, but she reminds him when

466
00:22:07,840 --> 00:22:11,080
Speaker 1: you don't do your homework, you get grounded. So he

467
00:22:11,280 --> 00:22:14,240
Speaker 1: is punished for the weekend. But come on, tomorrow's the

468
00:22:14,240 --> 00:22:16,800
Speaker 1: Headless Horseman show. Mom's not budget. This is the way

469
00:22:16,800 --> 00:22:18,880
Speaker 1: it is. And on Adam's way up to his room,

470
00:22:19,160 --> 00:22:22,359
Speaker 1: he's insulted by his sister, which in turn gets her

471
00:22:22,440 --> 00:22:24,240
Speaker 1: grounded for the weekend. Two and now she's going to

472
00:22:24,280 --> 00:22:25,800
Speaker 1: miss a hot date with that dude I think his

473
00:22:25,880 --> 00:22:29,600
Speaker 1: name was Pete that called earlier. Oh well, don't do that.

474
00:22:29,640 --> 00:22:31,960
Speaker 1: Did you get grounded a lot? Were you a grounded person? No?

475
00:22:33,000 --> 00:22:38,080
Speaker 3: I think I only got really grounded twice.

476
00:22:38,640 --> 00:22:39,800
Speaker 1: Were you a real follower?

477
00:22:39,920 --> 00:22:42,879
Speaker 3: Yes? I hated getting in trouble. I hated getting in trouble,

478
00:22:42,920 --> 00:22:44,479
Speaker 3: so total rule follower.

479
00:22:44,720 --> 00:22:47,520
Speaker 2: Yeah, I mean I think I got grounded talking back,

480
00:22:47,600 --> 00:22:49,320
Speaker 2: like go to your room, that kind of stuff, but

481
00:22:49,440 --> 00:22:51,600
Speaker 2: not staying home, not being able to go.

482
00:22:51,560 --> 00:22:53,720
Speaker 4: Do stuff right, like or we're taking your stuff or

483
00:22:53,760 --> 00:22:54,000
Speaker 4: doing that.

484
00:22:54,080 --> 00:22:56,760
Speaker 1: Yeah. I mean my family wasn't big grounding family because

485
00:22:56,880 --> 00:22:58,840
Speaker 1: I tried not to do anything to get grounded. Yeah,

486
00:22:58,880 --> 00:23:01,160
Speaker 1: that's not to say I didn't do so I tried

487
00:23:01,200 --> 00:23:02,840
Speaker 1: my best not to get caught while doing something.

488
00:23:03,000 --> 00:23:06,040
Speaker 2: Yes, yes, And my parents were so well known in

489
00:23:06,080 --> 00:23:09,280
Speaker 2: my area. I couldn't be out seen somewhere, you know,

490
00:23:09,359 --> 00:23:11,840
Speaker 2: like going to the movies without telling my parents, because

491
00:23:12,760 --> 00:23:15,439
Speaker 2: not everyone would know chance there was going to be

492
00:23:15,480 --> 00:23:16,880
Speaker 2: someone there that was going to be able to tell

493
00:23:16,920 --> 00:23:17,359
Speaker 2: my parents.

494
00:23:17,359 --> 00:23:19,600
Speaker 1: So I also just became a master at hiding things.

495
00:23:19,640 --> 00:23:23,600
Speaker 1: I mean I smoked cigarettes for like seven years when

496
00:23:23,600 --> 00:23:25,440
Speaker 1: I was a kid without my parents knowing.

497
00:23:25,640 --> 00:23:27,720
Speaker 3: Living in your parents' house, yeah, I.

498
00:23:27,640 --> 00:23:30,040
Speaker 1: Didn't obviously didn't smoke in the house, and my parents

499
00:23:30,080 --> 00:23:32,879
Speaker 1: didn't smoke cigarettes. Yeah. I mean my parents and my

500
00:23:32,920 --> 00:23:35,359
Speaker 1: parents are very smart people, and I just became a

501
00:23:35,440 --> 00:23:38,760
Speaker 1: master at hiding all that. Wow, So I got very

502
00:23:38,760 --> 00:23:40,200
Speaker 1: good at it. We'll talk about how to do it

503
00:23:40,280 --> 00:23:42,040
Speaker 1: later in case you want to make sure your kids

504
00:23:42,040 --> 00:23:42,760
Speaker 1: aren't smoking they're a.

505
00:23:42,720 --> 00:23:45,040
Speaker 3: Little Yeah, yes, I would like to learn all those things.

506
00:23:46,000 --> 00:23:47,640
Speaker 4: But we are now up in Adam's room.

507
00:23:47,680 --> 00:23:50,320
Speaker 1: He's still reading The Weekly Secret, but when his sister enters,

508
00:23:50,359 --> 00:23:52,360
Speaker 1: he says he may have a way out of their

509
00:23:52,359 --> 00:23:54,359
Speaker 1: grounding if they can get their mom on a day

510
00:23:54,359 --> 00:23:57,080
Speaker 1: tomorrow night. They'll leave when she leaves and be back

511
00:23:57,119 --> 00:23:59,600
Speaker 1: by the time she comes back, so he gets to

512
00:23:59,600 --> 00:24:01,440
Speaker 1: go to them. She gets to go on their date,

513
00:24:01,640 --> 00:24:03,320
Speaker 1: even though she hasn't been on a date since the

514
00:24:03,400 --> 00:24:06,239
Speaker 1: divorce and it's been so long since she was the

515
00:24:06,240 --> 00:24:09,040
Speaker 1: cool singer of a band. We find out Adam thinks

516
00:24:09,160 --> 00:24:12,119
Speaker 1: the Secrets Personal adge could really shake things up, and

517
00:24:12,160 --> 00:24:14,480
Speaker 1: this is where we realize that Adam is a little pimp,

518
00:24:15,000 --> 00:24:18,679
Speaker 1: because this becomes a thing that continues to happen throughout

519
00:24:18,680 --> 00:24:22,200
Speaker 1: the movie. So at first, he's pimping out his mom, right, Yes,

520
00:24:24,040 --> 00:24:26,240
Speaker 1: I would love to get del for further into it,

521
00:24:26,240 --> 00:24:27,640
Speaker 1: but I can't. He's just pimping out his mom.

522
00:24:27,880 --> 00:24:31,480
Speaker 3: Yeah that was I mean, yeah, that.

523
00:24:31,560 --> 00:24:33,200
Speaker 4: Woof is a good wamp wump whatever.

524
00:24:34,440 --> 00:24:37,560
Speaker 1: Chelsea certainly isn't sold, so Adam says they'll email one

525
00:24:37,640 --> 00:24:40,520
Speaker 1: guy and set up a meeting in public in case

526
00:24:40,560 --> 00:24:43,200
Speaker 1: they're setting her up with a serial killer. They stumble

527
00:24:43,200 --> 00:24:47,119
Speaker 1: on a possible which ironically they are. They stumble on

528
00:24:47,160 --> 00:24:49,520
Speaker 1: a possible suitor who loves long walks under a full

529
00:24:49,560 --> 00:24:50,880
Speaker 1: moon but hates turtlenecks.

530
00:24:51,119 --> 00:24:51,399
Speaker 2: Ah.

531
00:24:52,119 --> 00:24:55,840
Speaker 1: They decide to email him at Wolfsbane at netherlink dot

532
00:24:55,960 --> 00:24:58,240
Speaker 1: ro and set up a surprise meet cute for their mom.

533
00:24:58,560 --> 00:24:59,720
Speaker 4: We see the email landet.

534
00:24:59,720 --> 00:25:02,320
Speaker 1: It's in tended mailbox, a computer in a Ma Cob manner,

535
00:25:02,800 --> 00:25:05,440
Speaker 1: a fireplace lights up on his own, and a coffin

536
00:25:05,520 --> 00:25:08,439
Speaker 1: slowly opens A hand, creeps out and presses the mouse

537
00:25:08,800 --> 00:25:10,200
Speaker 1: to read the date requested.

538
00:25:10,560 --> 00:25:13,879
Speaker 4: A haunting laugh is heard. Loved this scene.

539
00:25:14,320 --> 00:25:16,400
Speaker 1: I love how the vampire stays asleep until he gets

540
00:25:16,440 --> 00:25:19,440
Speaker 1: an email. And I just imagine how annoying like sales

541
00:25:19,480 --> 00:25:22,440
Speaker 1: announcements from the Gap or spam from some Nigerian prince

542
00:25:22,480 --> 00:25:24,200
Speaker 1: would be where it just keep.

543
00:25:27,600 --> 00:25:29,960
Speaker 3: One at, like just from this one website.

544
00:25:30,200 --> 00:25:32,639
Speaker 2: That's what I'm hoping, because otherwise he got no He

545
00:25:32,720 --> 00:25:34,000
Speaker 2: has no sleep, no rest.

546
00:25:34,119 --> 00:25:36,879
Speaker 1: Now yeah, this guy keeps getting keeps getting spammed with stuff.

547
00:25:37,359 --> 00:25:39,399
Speaker 1: We are now back at the Hanson's house, the not

548
00:25:39,480 --> 00:25:42,080
Speaker 1: the band, but the family. It's family dinner and the

549
00:25:42,160 --> 00:25:44,399
Speaker 1: kids are guiltying their mom about how they used to

550
00:25:44,440 --> 00:25:47,840
Speaker 1: have Saturday morning breakfast with chocolate chip pancakes. They're seriously

551
00:25:47,880 --> 00:25:50,639
Speaker 1: tapping into this poor woman's need to keep things cheery

552
00:25:50,760 --> 00:25:54,480
Speaker 1: since the divorce she's going through a day after finding

553
00:25:54,520 --> 00:25:57,040
Speaker 1: out her ex husband has moved on and is starting

554
00:25:57,200 --> 00:26:00,359
Speaker 1: is getting married, so pretty manipulative in and all awful

555
00:26:00,400 --> 00:26:03,640
Speaker 1: of the kids at the end of the day. So yeah,

556
00:26:03,800 --> 00:26:06,280
Speaker 1: just not good. But they she of course wants to

557
00:26:06,320 --> 00:26:08,520
Speaker 1: keep them happy, so they quickly drive to the food

558
00:26:08,600 --> 00:26:11,879
Speaker 1: Master supermarket for chocolate chips, which we know is the

559
00:26:11,880 --> 00:26:16,800
Speaker 1: location of the rendezvous. Inside they do something very strange

560
00:26:16,840 --> 00:26:19,600
Speaker 1: to start off, which they save a little bit at

561
00:26:19,600 --> 00:26:22,520
Speaker 1: the end, but they are just there for chocolate chips

562
00:26:22,560 --> 00:26:26,159
Speaker 1: and they get a cart. I know, I don't know

563
00:26:26,160 --> 00:26:28,520
Speaker 1: why you need a cart for chocolate chips, only.

564
00:26:28,920 --> 00:26:32,960
Speaker 2: If they'll like, I get a cart regardless, because that's

565
00:26:33,000 --> 00:26:35,439
Speaker 2: where I put Monroe or Ledger.

566
00:26:35,800 --> 00:26:38,040
Speaker 3: It's instead of kicking Okay. So yeah, they had no

567
00:26:38,119 --> 00:26:41,320
Speaker 3: little kids though, no, so I was assuming like maybe that,

568
00:26:41,440 --> 00:26:43,120
Speaker 3: you know, but then he never got enough cart.

569
00:26:43,240 --> 00:26:44,880
Speaker 4: Just go grab grab your chips and leave.

570
00:26:44,960 --> 00:26:45,359
Speaker 1: Let's go.

571
00:26:45,480 --> 00:26:45,880
Speaker 3: Yeah.

572
00:26:45,920 --> 00:26:49,440
Speaker 1: Inside the Halloween decorated food emporium, Adam and Chelsea search

573
00:26:49,480 --> 00:26:52,000
Speaker 1: for the date that just you know, trying to figure

574
00:26:52,040 --> 00:26:54,040
Speaker 1: out who this guy could be. They split up just

575
00:26:54,119 --> 00:26:56,639
Speaker 1: as a man in a trench coat and hat enters.

576
00:26:57,040 --> 00:27:00,720
Speaker 1: He menacingly says, come to Papa, and Sallas Taylor and

577
00:27:00,720 --> 00:27:03,399
Speaker 1: his mom through the aisles. Come to Papa is very weird,

578
00:27:03,480 --> 00:27:05,359
Speaker 1: no matter who says it or waiting just for the right,

579
00:27:05,680 --> 00:27:08,840
Speaker 1: unless it's you are by yourself and talking to a pizza.

580
00:27:08,920 --> 00:27:11,800
Speaker 1: It's a weird thing to say. But just before the

581
00:27:11,800 --> 00:27:13,720
Speaker 1: family is ready to leave and the kids consider their

582
00:27:13,720 --> 00:27:16,360
Speaker 1: attempt to bus, they crash their cart into a handsome

583
00:27:16,359 --> 00:27:19,320
Speaker 1: man with an accent. He's Romanian or maybe Hungarian and

584
00:27:19,359 --> 00:27:25,280
Speaker 1: his name is Dmitri then Dentatos, Dmitri Dentatos, and the

585
00:27:25,320 --> 00:27:30,560
Speaker 1: flirting with Lynette is going swimmingly. He's on paper, it

586
00:27:30,600 --> 00:27:33,560
Speaker 1: looks like at least the perfect guy, good looking dude,

587
00:27:33,600 --> 00:27:34,479
Speaker 1: easy on the eyes.

588
00:27:34,720 --> 00:27:37,240
Speaker 4: He's an er doctor, he's new to the area.

589
00:27:37,480 --> 00:27:39,720
Speaker 1: He's fixing up the old matherhouse by the lake, and

590
00:27:39,760 --> 00:27:42,639
Speaker 1: he's also wearing a Canadian tuxedo. Score well, could go

591
00:27:42,680 --> 00:27:46,920
Speaker 1: wrong right exactly. After some pleasantries, they decide I'll check

592
00:27:46,920 --> 00:27:49,600
Speaker 1: out together and that other dude, the nearby trench coat

593
00:27:49,680 --> 00:27:53,199
Speaker 1: guy and hat sees this all going down now. Once outside,

594
00:27:53,400 --> 00:27:57,560
Speaker 1: doctor Dentatos asks Lynette out for tomorrow night, so boom,

595
00:27:57,600 --> 00:28:00,000
Speaker 1: he's he's jumping right on. Now let's get let's get

596
00:28:00,160 --> 00:28:02,960
Speaker 1: in this, and she says, yes, the plan has worked,

597
00:28:03,280 --> 00:28:06,840
Speaker 1: but they still don't know that's the guy they actually emailed.

598
00:28:07,560 --> 00:28:11,040
Speaker 1: They anyway, Yeah, this is where okay, I didn't understand that,

599
00:28:11,080 --> 00:28:13,240
Speaker 1: but they don't. The trench coat man, all of a

600
00:28:13,240 --> 00:28:15,400
Speaker 1: sudden is now talking on a flip phone, which, God,

601
00:28:15,440 --> 00:28:17,560
Speaker 1: I want one. I really want them to come back

602
00:28:17,600 --> 00:28:19,240
Speaker 1: because I missed my flip phone. No joke. If they

603
00:28:19,280 --> 00:28:22,280
Speaker 1: come back, I'm getting it tomorrow. I want a flip phone.

604
00:28:23,080 --> 00:28:25,159
Speaker 1: But he's talking to somebody who we never figure out

605
00:28:25,160 --> 00:28:27,080
Speaker 1: who he's talking to. He talks this person a couple times,

606
00:28:27,440 --> 00:28:30,600
Speaker 1: and he says he knows there's a vampire in that market.

607
00:28:30,760 --> 00:28:33,960
Speaker 1: He's so close he can taste it. Little Taylor overhears

608
00:28:33,960 --> 00:28:37,359
Speaker 1: this and becomes suspicious. Then he looks over at Dentados,

609
00:28:37,800 --> 00:28:41,040
Speaker 1: now walking to his car, and he sees him not

610
00:28:41,080 --> 00:28:43,400
Speaker 1: only ditch the shopping bags, he drops him like he

611
00:28:43,440 --> 00:28:45,960
Speaker 1: doesn't need the food, but he morse into a bat

612
00:28:46,440 --> 00:28:50,560
Speaker 1: utilizing special effects. Somewhere between Claymation and Y two KCGI.

613
00:28:51,160 --> 00:28:54,160
Speaker 1: Taylor is terrified. Where do we put these effects on

614
00:28:54,240 --> 00:28:55,400
Speaker 1: the DCOM scale?

615
00:28:56,440 --> 00:28:59,320
Speaker 3: I thought it was pretty good. I did you not

616
00:28:59,520 --> 00:28:59,760
Speaker 3: like that?

617
00:29:00,320 --> 00:29:02,320
Speaker 4: The bat was better than later?

618
00:29:02,680 --> 00:29:05,000
Speaker 3: The later one is the one that was.

619
00:29:05,400 --> 00:29:06,400
Speaker 4: When he walks up the wall.

620
00:29:06,480 --> 00:29:07,040
Speaker 1: It's awful.

621
00:29:07,280 --> 00:29:08,160
Speaker 3: It's ridiculous.

622
00:29:08,560 --> 00:29:10,480
Speaker 1: It looks like I drew it myself in my room.

623
00:29:10,760 --> 00:29:12,800
Speaker 3: Yes, but the that one was pretty good.

624
00:29:12,920 --> 00:29:14,600
Speaker 1: It was okay, I did. I agreed.

625
00:29:14,640 --> 00:29:15,920
Speaker 4: I thought. I was like, okay, that's.

626
00:29:15,760 --> 00:29:17,520
Speaker 3: Two thousand, two thousand.

627
00:29:17,800 --> 00:29:18,040
Speaker 1: Yeah.

628
00:29:18,160 --> 00:29:19,360
Speaker 4: Yeah, here's the thing.

629
00:29:19,760 --> 00:29:21,920
Speaker 1: Also, I want to know what the CGI, what the

630
00:29:22,040 --> 00:29:25,800
Speaker 1: what the special effects budget was, because it was Yeah,

631
00:29:25,800 --> 00:29:27,480
Speaker 1: I would like to have seen it was it was.

632
00:29:27,480 --> 00:29:29,640
Speaker 4: Okay, again, we've seen better.

633
00:29:30,120 --> 00:29:33,600
Speaker 1: Yeah, I thought even what Twitches was two thousand and six,

634
00:29:34,920 --> 00:29:37,880
Speaker 1: So even six years we can see the big difference

635
00:29:38,200 --> 00:29:40,680
Speaker 1: in what we saw there. Even though Smoke Monster wasn't

636
00:29:40,680 --> 00:29:43,440
Speaker 1: good and we didn't like it, the CGI was certainly

637
00:29:43,560 --> 00:29:46,880
Speaker 1: better than this stuff was. Yeah, so we're getting there,

638
00:29:47,240 --> 00:29:49,000
Speaker 1: but on the other side of the spectrum. Because all

639
00:29:49,000 --> 00:29:50,800
Speaker 1: this has happened, Chelsea can now go on her date

640
00:29:50,840 --> 00:29:53,760
Speaker 1: and Adam is ready for the concert. So he tells

641
00:29:53,760 --> 00:29:56,880
Speaker 1: his friend on one of those awesome see through home phones.

642
00:29:56,880 --> 00:29:58,200
Speaker 1: Did you ever have one of those? We could see

643
00:29:58,200 --> 00:29:58,840
Speaker 1: all the guts of it.

644
00:29:59,240 --> 00:30:00,920
Speaker 3: Oh yes, yes, yeah.

645
00:30:00,760 --> 00:30:03,360
Speaker 4: Those things are cool. Let's make it plastic.

646
00:30:03,600 --> 00:30:08,800
Speaker 1: Yeah, I love those. But unfortunately his friend gave gave

647
00:30:08,880 --> 00:30:12,360
Speaker 1: his ticket away to some other kid named Boomer. Adam

648
00:30:12,400 --> 00:30:14,240
Speaker 1: can't believe it, so he forces a meet up with

649
00:30:14,280 --> 00:30:16,840
Speaker 1: his friend and Boomer in a funky diner and tries

650
00:30:16,920 --> 00:30:19,680
Speaker 1: to trade some stuff for the backstage passes back for

651
00:30:19,760 --> 00:30:23,440
Speaker 1: his concert. He's got like, you know, footballs and baseballs

652
00:30:23,480 --> 00:30:26,680
Speaker 1: and baseball cards. You think he's got comic books and

653
00:30:26,800 --> 00:30:29,200
Speaker 1: the trade uh is rejected by Boomer.

654
00:30:29,520 --> 00:30:30,640
Speaker 4: So what does Adam do?

655
00:30:30,720 --> 00:30:33,120
Speaker 1: He falls back on the old mainstay of being a

656
00:30:33,160 --> 00:30:35,800
Speaker 1: pimp yep, and he offers up a date with his

657
00:30:35,880 --> 00:30:38,440
Speaker 1: sister since Boomer has the hotspur. Boomer says, if he

658
00:30:38,480 --> 00:30:42,040
Speaker 1: can guarantee a kiss on the lips, he's got himself

659
00:30:42,240 --> 00:30:43,640
Speaker 1: a deal too far?

660
00:30:44,400 --> 00:30:46,160
Speaker 3: Why too far, Adam?

661
00:30:46,240 --> 00:30:49,280
Speaker 4: You can one too far? I think it's all too far?

662
00:30:49,920 --> 00:30:54,360
Speaker 3: Yes, but I mean sure, but no, you cannot. That

663
00:30:54,480 --> 00:30:58,800
Speaker 3: is that is like a kiss. It is like a no, no, no, no,

664
00:30:58,840 --> 00:30:59,200
Speaker 3: come on.

665
00:31:00,080 --> 00:31:02,200
Speaker 1: But Adam's got his ticket back. He just had to

666
00:31:02,200 --> 00:31:04,000
Speaker 1: turn his sister into a prostitute.

667
00:31:04,200 --> 00:31:10,240
Speaker 4: Yes, kid Holmes favorites awful bad.

668
00:31:10,320 --> 00:31:12,400
Speaker 1: This kid is set up for sus there's some serious

669
00:31:12,400 --> 00:31:14,880
Speaker 1: red flags where that's the first go to. This kid has,

670
00:31:15,040 --> 00:31:18,320
Speaker 1: let's pimp somebody out. Back at home, Taylor still has

671
00:31:18,320 --> 00:31:21,440
Speaker 1: the doctor's bat transformation on his mind. Obvi. He has

672
00:31:21,440 --> 00:31:24,200
Speaker 1: some questions for his vampire expert brother Adam and learns

673
00:31:24,240 --> 00:31:26,680
Speaker 1: all about the trance these monsters usually have on their

674
00:31:26,720 --> 00:31:30,200
Speaker 1: female prey. This is where the we can address that

675
00:31:30,280 --> 00:31:32,960
Speaker 1: thing you were talking about back at the beginning, where

676
00:31:33,080 --> 00:31:35,400
Speaker 1: at least they use, like in almost like a scream

677
00:31:35,520 --> 00:31:39,520
Speaker 1: kind of way, they at least use Adam as a

678
00:31:39,560 --> 00:31:42,600
Speaker 1: repository of all the vampire knowledge, so he can kind

679
00:31:42,640 --> 00:31:45,360
Speaker 1: of say, no, here are the rules, this is the trance,

680
00:31:45,440 --> 00:31:47,080
Speaker 1: this is the kind of which is an interesting way

681
00:31:47,120 --> 00:31:48,680
Speaker 1: to go. So at least we kind of had some

682
00:31:48,760 --> 00:31:51,600
Speaker 1: idea of what was happening. Adam suggests you could kill

683
00:31:51,600 --> 00:31:54,440
Speaker 1: a vampire with a vampire hunter from that tabloid he has,

684
00:31:54,760 --> 00:31:57,800
Speaker 1: and then we get the titular line from Taylor quote,

685
00:31:57,840 --> 00:32:00,400
Speaker 1: but Mom's got a date with a vampire. But of

686
00:32:00,400 --> 00:32:03,400
Speaker 1: course Adam doesn't believe it for a second. We asked

687
00:32:03,400 --> 00:32:04,720
Speaker 1: this a lot. Do you think there's a better title

688
00:32:04,720 --> 00:32:07,040
Speaker 1: for this movie or do you think this is it?

689
00:32:07,520 --> 00:32:09,000
Speaker 3: I mean, I think it's straightforward.

690
00:32:09,280 --> 00:32:09,840
Speaker 1: I like it.

691
00:32:09,880 --> 00:32:12,640
Speaker 4: Actually Mom's got a date with a vampire, and it's like, what,

692
00:32:12,760 --> 00:32:13,400
Speaker 4: that's what it is?

693
00:32:13,440 --> 00:32:14,760
Speaker 3: This happened? I thought it was.

694
00:32:14,760 --> 00:32:18,200
Speaker 2: Kind of, you know, straightforward, but also, how does that

695
00:32:18,360 --> 00:32:18,840
Speaker 2: go down?

696
00:32:19,280 --> 00:32:23,120
Speaker 1: I'm I'm interested doctor Tantado's I think that's his name.

697
00:32:23,160 --> 00:32:26,040
Speaker 1: I'm probably saying his name wrong the entire time. The

698
00:32:26,120 --> 00:32:30,720
Speaker 1: doctor arrives in what at the time, if not a

699
00:32:30,760 --> 00:32:33,000
Speaker 1: little earlier, would have been considered an awesome Ferrari, but

700
00:32:33,040 --> 00:32:35,080
Speaker 1: actually back in the day it was terrible ferrari, called

701
00:32:35,080 --> 00:32:38,080
Speaker 1: the Ferrari Mondal. They were not well made or well

702
00:32:38,160 --> 00:32:40,640
Speaker 1: running automobiles, and they don't drive particularly well.

703
00:32:40,680 --> 00:32:41,800
Speaker 4: Sorry I go off on that.

704
00:32:41,840 --> 00:32:45,720
Speaker 1: But he won't enter the house until Adam invites him in,

705
00:32:45,760 --> 00:32:48,440
Speaker 1: which is one of these things we learned already is

706
00:32:48,480 --> 00:32:49,360
Speaker 1: a vampire trait.

707
00:32:49,800 --> 00:32:51,200
Speaker 4: Upstairs, Lynette is nervous.

708
00:32:51,280 --> 00:32:52,880
Speaker 1: She thinks it's too late in her life to date,

709
00:32:52,880 --> 00:32:54,520
Speaker 1: but the kids convince her to go through with it,

710
00:32:54,560 --> 00:32:56,280
Speaker 1: not because they want their mom to get out there,

711
00:32:56,320 --> 00:32:58,360
Speaker 1: but because they want her out of the house with

712
00:32:58,480 --> 00:33:00,800
Speaker 1: whatever guy shows up. I don't care if this guy's

713
00:33:00,840 --> 00:33:03,640
Speaker 1: got sixty bodies buried in his backyard. I want to

714
00:33:03,640 --> 00:33:04,640
Speaker 1: see the headless horseman.

715
00:33:04,880 --> 00:33:05,920
Speaker 3: Yeah.

716
00:33:05,960 --> 00:33:07,560
Speaker 4: So they convinced her to go through with it.

717
00:33:07,720 --> 00:33:11,240
Speaker 1: Dmitri reveals they have dinner at Ryan Fields or Ryan Felds,

718
00:33:11,440 --> 00:33:13,200
Speaker 1: which is a fun nod to Dracula servant in the

719
00:33:13,200 --> 00:33:15,760
Speaker 1: Bram Stoker novel. Then they're going dancing. Then a horse

720
00:33:15,840 --> 00:33:19,000
Speaker 1: drawn carriage drive moonlight. A scared tailor looks on from upstairs,

721
00:33:19,080 --> 00:33:22,480
Speaker 1: and then he finally goes and calls Malachi van Helsing

722
00:33:22,520 --> 00:33:25,560
Speaker 1: from the tabloid and leaves a message. We cut to

723
00:33:25,600 --> 00:33:28,320
Speaker 1: an exotic car dealership where a salesman is chatting with

724
00:33:28,400 --> 00:33:32,040
Speaker 1: Van Helsing. So the Ferrari that's there, the yellow Ferrari

725
00:33:32,120 --> 00:33:34,440
Speaker 1: that's there, is a great Ferrari. That's a three fifty five.

726
00:33:34,560 --> 00:33:37,480
Speaker 1: That's a very good Ferrari. Okay, that was a later Ferrari.

727
00:33:37,560 --> 00:33:39,240
Speaker 1: That was a mid mid nineties. I think the first

728
00:33:39,280 --> 00:33:42,200
Speaker 1: one started in ninety five. That was I had that car.

729
00:33:42,320 --> 00:33:45,360
Speaker 1: That was a great So that was a beautiful car.

730
00:33:45,400 --> 00:33:46,960
Speaker 3: And then you had that car.

731
00:33:48,160 --> 00:33:51,000
Speaker 1: I bought it when I was twenty two.

732
00:33:51,160 --> 00:33:53,560
Speaker 3: And you didn't get a ticket in it. I got

733
00:33:53,560 --> 00:33:54,080
Speaker 3: a ticket in it.

734
00:33:55,400 --> 00:33:58,600
Speaker 1: I didn't cat. I just sold it in twenty twenty.

735
00:33:58,600 --> 00:34:00,360
Speaker 1: I had it for twenty five years.

736
00:34:00,640 --> 00:34:00,880
Speaker 2: Wow.

737
00:34:01,280 --> 00:34:02,960
Speaker 1: And I only sold it because it was just sitting

738
00:34:03,000 --> 00:34:04,959
Speaker 1: in the garage and just kept bumping into it. Very

739
00:34:04,960 --> 00:34:08,360
Speaker 1: expensive thing. I would pile my mail on. Yeah, yeah,

740
00:34:08,400 --> 00:34:11,160
Speaker 1: so it was. But that so that's that's a good car. Okay,

741
00:34:11,200 --> 00:34:13,160
Speaker 1: the one he was in not so good?

742
00:34:13,320 --> 00:34:13,600
Speaker 3: Got it?

743
00:34:14,200 --> 00:34:16,239
Speaker 1: But I'm a collector's piece, don't get me wrong. But

744
00:34:16,360 --> 00:34:18,160
Speaker 1: not a great car. I'm sorry I go too much

745
00:34:18,160 --> 00:34:22,200
Speaker 1: on it. So anyway, A scared tailor looks from upstairs.

746
00:34:22,239 --> 00:34:25,160
Speaker 1: He calls Malachi. We cut through the exotic car dealership

747
00:34:25,160 --> 00:34:27,799
Speaker 1: where a salesman is chatting with Van Helsing and he's

748
00:34:27,840 --> 00:34:30,719
Speaker 1: ignoring his sales pitch. Van Helsing does he's does some

749
00:34:30,840 --> 00:34:32,600
Speaker 1: cool things. So this time he drops a piece of

750
00:34:32,680 --> 00:34:34,680
Speaker 1: coal on the floor. He crushes it with his foot

751
00:34:34,680 --> 00:34:36,640
Speaker 1: and then he smacks it with a clipboard. As a

752
00:34:36,640 --> 00:34:39,640
Speaker 1: result of that, half a dozen footprints poof. They light

753
00:34:39,719 --> 00:34:41,960
Speaker 1: up with fire, and it is proof that a vampire

754
00:34:42,040 --> 00:34:45,160
Speaker 1: was there. The salesman reveals he suggested Main Street for

755
00:34:45,200 --> 00:34:47,960
Speaker 1: some food for Dmitri to go, and now the vampire

756
00:34:48,000 --> 00:34:51,960
Speaker 1: hunter knows exactly where they're going to be. Question the

757
00:34:52,000 --> 00:34:55,480
Speaker 1: salesman who saw the footprints light up says, glowing footprints.

758
00:34:55,800 --> 00:34:58,440
Speaker 4: I knew that dude was a freak. What do you

759
00:34:58,520 --> 00:35:00,279
Speaker 4: think he means by that?

760
00:35:00,360 --> 00:35:04,520
Speaker 1: And how do you glowing footprints elicit that response?

761
00:35:04,920 --> 00:35:08,960
Speaker 3: I don't know. He was just from the beginning of

762
00:35:09,040 --> 00:35:10,040
Speaker 3: his whole little thing.

763
00:35:10,080 --> 00:35:12,759
Speaker 2: He was kind of a funky little character to have

764
00:35:13,520 --> 00:35:16,920
Speaker 2: because he comes up like fun Yeah, he was funny,

765
00:35:17,280 --> 00:35:21,440
Speaker 2: but just kind of that was such an odd thing. Oh,

766
00:35:21,480 --> 00:35:24,640
Speaker 2: I knew instead of being like, what who is this person?

767
00:35:24,680 --> 00:35:26,319
Speaker 2: I just sold a card to? Right?

768
00:35:27,200 --> 00:35:29,440
Speaker 1: Or how did you just light all this stuff on

769
00:35:29,520 --> 00:35:31,759
Speaker 1: fire with a clip for you? Yeah?

770
00:35:31,840 --> 00:35:34,839
Speaker 3: Yes, coming looking like Inspector Gadget, like.

771
00:35:35,640 --> 00:35:38,560
Speaker 1: Because he did look like Inspector Gadget.

772
00:35:38,760 --> 00:35:41,880
Speaker 2: Wow, Inspector Gadget.

773
00:35:41,920 --> 00:35:43,440
Speaker 3: I thought he was the vampire.

774
00:35:43,880 --> 00:35:47,520
Speaker 1: He did look like inspect go, go gadget here vampire

775
00:35:47,600 --> 00:35:49,400
Speaker 1: stuff with this gadget.

776
00:35:48,960 --> 00:35:51,319
Speaker 3: Cale and a clip that he asked for.

777
00:35:51,719 --> 00:35:53,880
Speaker 4: That's such a good call. He does. He looks like

778
00:35:53,920 --> 00:35:54,920
Speaker 4: Inspector Gadget.

779
00:35:56,000 --> 00:35:56,680
Speaker 1: Yeah, it was weird.

780
00:35:57,040 --> 00:35:58,960
Speaker 3: It was kind of weird. I don't know. What that was.

781
00:35:59,320 --> 00:36:00,960
Speaker 4: Yeah, I was a strange respondect.

782
00:36:01,239 --> 00:36:03,720
Speaker 2: When it's something weird like that, you think that character

783
00:36:03,760 --> 00:36:05,440
Speaker 2: is going to come back into play somewhere.

784
00:36:05,680 --> 00:36:07,040
Speaker 3: But oh, we never see him again.

785
00:36:07,200 --> 00:36:10,279
Speaker 1: He is gone. That's gone. We hardly knew yee car

786
00:36:10,400 --> 00:36:20,439
Speaker 1: salesman man. We are now back at home while Adam

787
00:36:20,440 --> 00:36:22,640
Speaker 1: and Chelsea get ready for their respective nights out, and

788
00:36:22,680 --> 00:36:25,760
Speaker 1: then they hear the garage door open. It's Taylor escaping

789
00:36:25,760 --> 00:36:27,959
Speaker 1: on his bike to save his mom. He's the only

790
00:36:28,000 --> 00:36:30,359
Speaker 1: one that's gonna go save her, so they race after him.

791
00:36:30,560 --> 00:36:34,360
Speaker 1: He cannot ruin their plan. At Renfields, Lynette says she

792
00:36:34,520 --> 00:36:38,000
Speaker 1: isn't worldly enough for Dmitri, and Dmitri just wants her

793
00:36:38,000 --> 00:36:40,239
Speaker 1: to avoid the garlic bread and ask her to order

794
00:36:40,280 --> 00:36:43,880
Speaker 1: steak because it's quote good for the blood. Meanwhile, Taylor,

795
00:36:43,920 --> 00:36:45,919
Speaker 1: in the big City passes a movie theater showing Lost

796
00:36:45,920 --> 00:36:48,360
Speaker 1: Boys another very cool Easter Egg, but just as he

797
00:36:48,400 --> 00:36:51,759
Speaker 1: finds Renfields, Adam and Chelsea nab him. He has to

798
00:36:51,800 --> 00:36:54,600
Speaker 1: go home. It's time. Taylor is adamant that Dmitri is

799
00:36:54,600 --> 00:36:57,240
Speaker 1: a vampire, so Adam to kind of placate him is like, fine,

800
00:36:57,840 --> 00:36:59,719
Speaker 1: let's go into the restaurant. If I can prove to

801
00:36:59,719 --> 00:37:03,080
Speaker 1: you a vampire, can we please just go home? He says, fine,

802
00:37:03,320 --> 00:37:05,560
Speaker 1: the deal, we'll do that. So they walk in. They

803
00:37:05,560 --> 00:37:07,239
Speaker 1: go up to the doctor. They ask, once and for all,

804
00:37:07,360 --> 00:37:11,040
Speaker 1: are you of vampire? As a result, Dmitri offers the

805
00:37:11,120 --> 00:37:14,480
Speaker 1: quote unquote spoon test. This is obviously just placating the

806
00:37:14,480 --> 00:37:16,759
Speaker 1: little kid, saying a vampire can't hang a spoon on

807
00:37:16,800 --> 00:37:19,840
Speaker 1: his nose or he'll explode. Everyone plays along and he

808
00:37:19,920 --> 00:37:23,239
Speaker 1: passes the fake test. Taylor says he's satisfied, so they leave,

809
00:37:23,280 --> 00:37:25,200
Speaker 1: but on their way out, Adam catches a look in

810
00:37:25,239 --> 00:37:29,560
Speaker 1: the mirror and realizes Dmitri has no reflection and fangs.

811
00:37:29,600 --> 00:37:32,160
Speaker 1: And that made me think, how does nobody else in

812
00:37:32,200 --> 00:37:37,759
Speaker 1: the restaurant notice this giant mirror where there's clearly no

813
00:37:37,800 --> 00:37:39,399
Speaker 1: reflection of one Maybe.

814
00:37:39,080 --> 00:37:43,680
Speaker 2: Not the reflection, but when he looks at he looks

815
00:37:43,800 --> 00:37:46,440
Speaker 2: back at him to see the fangs. His mom's sitting

816
00:37:46,480 --> 00:37:48,839
Speaker 2: right in front of him. How does she not see

817
00:37:48,840 --> 00:37:52,359
Speaker 2: the fangs the reflection. If you're not paying attention, you're

818
00:37:52,360 --> 00:37:53,400
Speaker 2: in a crowded resh.

819
00:37:53,560 --> 00:37:55,240
Speaker 1: They couldn't notice that, though.

820
00:37:55,160 --> 00:37:57,640
Speaker 2: Right, somebody could, but not as much as if this

821
00:37:57,760 --> 00:38:00,800
Speaker 2: guy is sitting there talking to a woman and with thangs,

822
00:38:00,920 --> 00:38:03,080
Speaker 2: and it's not Yeah.

823
00:38:02,840 --> 00:38:03,360
Speaker 1: That's true.

824
00:38:03,880 --> 00:38:06,880
Speaker 6: I have a point that the things though, okay, yeah,

825
00:38:06,880 --> 00:38:10,720
Speaker 6: well only he sees the things when he looks at

826
00:38:11,040 --> 00:38:15,400
Speaker 6: the vampire, so like, he looks in the mirror, doesn't

827
00:38:15,400 --> 00:38:17,239
Speaker 6: see the mirror, then looks back at the vampire, and

828
00:38:17,280 --> 00:38:19,400
Speaker 6: the vampire looks directly at him, and he's like, but

829
00:38:19,440 --> 00:38:21,960
Speaker 6: then when he cuts away, he's just talking to the mom.

830
00:38:22,440 --> 00:38:25,040
Speaker 6: So it was like it was a mind meld basically.

831
00:38:24,800 --> 00:38:26,719
Speaker 4: Okay, he's doing that just for the kid.

832
00:38:26,880 --> 00:38:29,319
Speaker 1: I got it, that makes sense. I would have gone

833
00:38:29,400 --> 00:38:31,400
Speaker 1: more circumspect with it, though if I was directing, it

834
00:38:31,440 --> 00:38:32,880
Speaker 1: would have been a harder thing to direct. But I

835
00:38:32,880 --> 00:38:35,400
Speaker 1: would have when he took the spoon away, see the

836
00:38:35,440 --> 00:38:37,920
Speaker 1: spoon test, he would have held up the spoon to

837
00:38:37,960 --> 00:38:39,799
Speaker 1: show his brother as he was walking away, and the

838
00:38:39,840 --> 00:38:42,839
Speaker 1: guy wouldn't have reflected in the spoon, which then would

839
00:38:42,840 --> 00:38:46,880
Speaker 1: have made him instead, there's just a giant mirror. It's like,

840
00:38:46,920 --> 00:38:48,680
Speaker 1: how did nobody notice that there is a.

841
00:38:48,680 --> 00:38:50,759
Speaker 3: Giant mirror, that very big mirror. That's true?

842
00:38:50,840 --> 00:38:53,520
Speaker 1: Yes, good, yes, So they dropped Taylor back off at

843
00:38:53,520 --> 00:38:55,839
Speaker 1: home with a babysitter and Andy tells his sister about

844
00:38:55,840 --> 00:38:56,320
Speaker 1: the revelation.

845
00:38:56,400 --> 00:38:58,000
Speaker 4: So he's like, okay, good bye, Taylor.

846
00:38:58,400 --> 00:38:59,520
Speaker 1: Yeah, he's actually a vapire.

847
00:38:59,560 --> 00:38:59,880
Speaker 3: We got to go.

848
00:39:00,840 --> 00:39:03,280
Speaker 1: So they gotta go back to Ryinfield. It was a funny,

849
00:39:03,360 --> 00:39:06,200
Speaker 1: funny turn. They gotta go back to Ryinfield. She's skeptical

850
00:39:06,280 --> 00:39:08,160
Speaker 1: but agrees to help. She doesn't believe it, but she's like,

851
00:39:08,160 --> 00:39:10,200
Speaker 1: I can't believe you're doing this to me. Fine, So

852
00:39:10,239 --> 00:39:12,879
Speaker 1: we're back at the house. It's Taylor's bedtime. But guess

853
00:39:12,880 --> 00:39:16,480
Speaker 1: who's at the door. Malachi van Helsing. He asked Taylor

854
00:39:16,480 --> 00:39:19,879
Speaker 1: about all which okay, first of all, the babysitter doesn't

855
00:39:19,880 --> 00:39:22,719
Speaker 1: seem shocked at all that a strange man in a

856
00:39:22,800 --> 00:39:23,879
Speaker 1: trench was.

857
00:39:23,960 --> 00:39:25,759
Speaker 3: The worst babysitter.

858
00:39:26,120 --> 00:39:29,719
Speaker 2: Oh my, worst nightmare for any parent to leave their

859
00:39:29,800 --> 00:39:31,920
Speaker 2: child at home with a babysitter like this.

860
00:39:32,480 --> 00:39:35,560
Speaker 1: I mean, my god, a man in a trench coat

861
00:39:35,640 --> 00:39:37,279
Speaker 1: like this is my friend I met at the park

862
00:39:37,320 --> 00:39:38,960
Speaker 1: in a trench coat. Hey, how are you come on in?

863
00:39:39,120 --> 00:39:41,040
Speaker 1: That sounds odd to me.

864
00:39:41,440 --> 00:39:44,920
Speaker 3: He needs to go to bed. Yeah, what are you

865
00:39:45,080 --> 00:39:45,959
Speaker 3: doing in this house?

866
00:39:46,120 --> 00:39:47,840
Speaker 4: The hell out of my house. I'm gonna call the police.

867
00:39:48,160 --> 00:39:52,040
Speaker 3: Says something. Oh my gosh, it was not the.

868
00:39:51,880 --> 00:39:55,960
Speaker 1: Worst good But anyway, we of course know this is

869
00:39:56,000 --> 00:39:59,920
Speaker 1: Malachai van Helsing. He asked Taylor about this Dmitri guy

870
00:40:00,200 --> 00:40:00,799
Speaker 1: and where he is.

871
00:40:00,840 --> 00:40:01,120
Speaker 4: Now.

872
00:40:01,360 --> 00:40:03,640
Speaker 1: With all the info, Van Helsing is off to Rhinefields

873
00:40:03,640 --> 00:40:05,719
Speaker 1: to save Lynette and the two kids, but we know

874
00:40:05,760 --> 00:40:08,280
Speaker 1: the couple have left to take a walk, and Lynette

875
00:40:08,520 --> 00:40:13,440
Speaker 1: then comes upon her old favorite rockabilly club, a musical

876
00:40:13,520 --> 00:40:17,560
Speaker 1: genre she guilts Dmitri into, also saying that he loves

877
00:40:17,600 --> 00:40:19,480
Speaker 1: of course you love because this guy is just he's

878
00:40:19,480 --> 00:40:21,239
Speaker 1: trying to get some neck. Yeah, that's all, that's all

879
00:40:21,239 --> 00:40:21,640
Speaker 1: he wants.

880
00:40:21,680 --> 00:40:23,920
Speaker 3: He's just trying to get some neck, trying to.

881
00:40:23,840 --> 00:40:26,960
Speaker 1: Get some neck. And I'm just gonna I will say rockabilly.

882
00:40:27,000 --> 00:40:30,279
Speaker 1: Of course I love rockabilly. The kids then find a

883
00:40:30,360 --> 00:40:33,800
Speaker 1: back entrance and Adam sneaks into witness a Royal Crowns

884
00:40:33,880 --> 00:40:37,080
Speaker 1: concert entering the late nineties early two thousands trend of

885
00:40:37,160 --> 00:40:40,160
Speaker 1: swing dancing. Thank god that went away?

886
00:40:41,080 --> 00:40:42,160
Speaker 4: Do you remember this trend?

887
00:40:42,280 --> 00:40:44,920
Speaker 1: Or no? Do you did?

888
00:40:45,080 --> 00:40:45,160
Speaker 2: You?

889
00:40:45,239 --> 00:40:45,520
Speaker 1: Really?

890
00:40:45,719 --> 00:40:52,000
Speaker 2: Oh god, okay, I don't remember, like rockabilly music having

891
00:40:52,120 --> 00:40:56,400
Speaker 2: to be swing dancing music though that I didn't recognize

892
00:40:56,440 --> 00:40:58,560
Speaker 2: the kind of music that was playing from.

893
00:40:58,400 --> 00:41:02,120
Speaker 1: What different rockabilly swing are different, but it's still all

894
00:41:02,160 --> 00:41:03,440
Speaker 1: of that trending.

895
00:41:03,320 --> 00:41:05,960
Speaker 2: More like fifties, like remember the Gap commercials, Like that

896
00:41:06,160 --> 00:41:06,960
Speaker 2: was swing music.

897
00:41:08,400 --> 00:41:09,359
Speaker 1: Stop shopping at the Gap.

898
00:41:09,560 --> 00:41:14,400
Speaker 3: It was a lot more. It seemed more like.

899
00:41:13,400 --> 00:41:17,600
Speaker 1: Like like stray Cats, kind of like orchestra kind of yeah,

900
00:41:17,680 --> 00:41:20,520
Speaker 1: I agree, and the band I thought was good, but

901
00:41:20,560 --> 00:41:22,960
Speaker 1: it was it's that kind of the Oh. The swing

902
00:41:23,080 --> 00:41:25,040
Speaker 1: dancing was just such an affectation, like where we're going

903
00:41:25,040 --> 00:41:31,120
Speaker 1: to We're going swing dancing. So Adam Adam talks another

904
00:41:31,160 --> 00:41:33,800
Speaker 1: male club goer into going and asking his mom to dance.

905
00:41:33,840 --> 00:41:35,400
Speaker 4: This guy he's working angles.

906
00:41:35,400 --> 00:41:38,160
Speaker 1: He is always working angles at him, and though Dimitri

907
00:41:38,280 --> 00:41:40,359
Speaker 1: says he's cool with it, he mine controls the guy

908
00:41:40,400 --> 00:41:43,800
Speaker 1: to leave, forcing him to involuntarily backtrack off the floor.

909
00:41:43,880 --> 00:41:46,680
Speaker 1: So guy's got some powers. At the same time, Van

910
00:41:46,760 --> 00:41:48,680
Speaker 1: Helsing is on his way to Main Street when he

911
00:41:48,719 --> 00:41:50,960
Speaker 1: realizes Taylor has been hiding in the back seat the

912
00:41:50,960 --> 00:41:53,480
Speaker 1: whole time. He's angry at first, but eventually lets the

913
00:41:53,560 --> 00:41:56,280
Speaker 1: kid tag along because why not. And in the club,

914
00:41:56,360 --> 00:41:59,040
Speaker 1: Adam lets the Royal Crowns know that the singer from

915
00:41:59,120 --> 00:42:02,719
Speaker 1: Cowgirl Blue Ooz is in attendance. That's his mom from

916
00:42:02,719 --> 00:42:06,040
Speaker 1: the band barely mentioned earlier in this movie. They asked Lynette,

917
00:42:06,040 --> 00:42:09,120
Speaker 1: of course, to join them on stage, and she just casually,

918
00:42:09,160 --> 00:42:11,239
Speaker 1: with a big smile, struts up to the microphone. She

919
00:42:11,280 --> 00:42:14,160
Speaker 1: doesn't even say no, she's been so long. She's like, hell, yeah,

920
00:42:14,160 --> 00:42:16,800
Speaker 1: I'm going up there. And she asked if they remember

921
00:42:16,840 --> 00:42:19,720
Speaker 1: the song maybe, and of course they all sound perfect together.

922
00:42:19,880 --> 00:42:22,560
Speaker 1: And I don't think Caroline Ray was singing, do you.

923
00:42:23,080 --> 00:42:24,160
Speaker 3: I wasn't sure.

924
00:42:24,239 --> 00:42:26,720
Speaker 2: As this is coming along, you see where it's going,

925
00:42:26,760 --> 00:42:28,080
Speaker 2: and I go, oh.

926
00:42:27,920 --> 00:42:32,320
Speaker 3: I don't. Did she sing in Sabena the Teenage? Which

927
00:42:32,400 --> 00:42:33,640
Speaker 3: did she maybe a singer?

928
00:42:33,840 --> 00:42:36,839
Speaker 2: I don't trying to think back of the things I've

929
00:42:36,840 --> 00:42:39,719
Speaker 2: seen her in and go oh, because that's very much

930
00:42:39,760 --> 00:42:41,200
Speaker 2: Disney going, Oh, let's get her.

931
00:42:41,239 --> 00:42:43,000
Speaker 3: She'd be great because she can sing, you know.

932
00:42:43,000 --> 00:42:43,640
Speaker 4: That, get her.

933
00:42:43,920 --> 00:42:46,080
Speaker 1: It would make sense, as she could say totally.

934
00:42:46,160 --> 00:42:47,200
Speaker 3: And I don't remember.

935
00:42:47,600 --> 00:42:49,560
Speaker 1: I don't mean it might be her, it might not.

936
00:42:50,080 --> 00:42:53,239
Speaker 1: We do not know here at Magical Rewind, which is

937
00:42:53,280 --> 00:42:56,600
Speaker 1: one of our hashtags hashtag mag hashtag Magical Rewind, we

938
00:42:56,719 --> 00:43:00,799
Speaker 1: don't know. During the performance, a bounce kicks Adam out

939
00:43:00,840 --> 00:43:03,320
Speaker 1: for being too young, but after finding out he's actually

940
00:43:03,400 --> 00:43:06,840
Speaker 1: Lynette Hansen's kid, he also agrees to kick out Dimitri

941
00:43:07,200 --> 00:43:09,800
Speaker 1: for stalking her. So a trio of these big bulky

942
00:43:09,880 --> 00:43:12,440
Speaker 1: dudes tossed the likely vampire out the back door, right

943
00:43:12,480 --> 00:43:15,279
Speaker 1: where Chelsea is on her phone. She watches on as

944
00:43:15,280 --> 00:43:17,759
Speaker 1: he is so upset, so he bends their bikes and

945
00:43:17,800 --> 00:43:21,640
Speaker 1: anger dusts himself off and then climbs up the building

946
00:43:21,760 --> 00:43:26,040
Speaker 1: wall at a perfect ninety degree angle. These fat a

947
00:43:26,080 --> 00:43:28,080
Speaker 1: good one were really bad.

948
00:43:28,320 --> 00:43:32,400
Speaker 3: Yeah. First of all, if he can become a bat,

949
00:43:32,440 --> 00:43:33,600
Speaker 3: why wouldn't he just fly?

950
00:43:34,120 --> 00:43:36,520
Speaker 1: I thought the same thing, Well, transport yourself, you can

951
00:43:36,520 --> 00:43:38,640
Speaker 1: do that. He does the zippy thing where he gets

952
00:43:38,640 --> 00:43:39,680
Speaker 1: super super cool.

953
00:43:39,719 --> 00:43:42,319
Speaker 2: Why would you need to fully do this whole walk

954
00:43:42,400 --> 00:43:44,600
Speaker 2: up where someone could really see you, like you know,

955
00:43:44,640 --> 00:43:47,200
Speaker 2: the bat thing seemed like happened really fast.

956
00:43:47,680 --> 00:43:48,520
Speaker 1: Yeah.

957
00:43:48,680 --> 00:43:53,080
Speaker 2: Also at this point, my question is he can sense

958
00:43:53,200 --> 00:43:56,560
Speaker 2: the kids sometimes but not all the time. How did

959
00:43:56,600 --> 00:43:59,000
Speaker 2: he not know that Adam was in the club, but

960
00:43:59,080 --> 00:44:02,440
Speaker 2: he knew else he was in.

961
00:44:01,640 --> 00:44:04,839
Speaker 1: The alley bushes and then the bushes later and then.

962
00:44:04,880 --> 00:44:07,040
Speaker 2: Yeah, later on in the butch, Like, how does he

963
00:44:08,000 --> 00:44:10,560
Speaker 2: because he talked there's a there's an idea of him

964
00:44:10,560 --> 00:44:14,520
Speaker 2: where he senses things. Then there's also an idea later

965
00:44:14,560 --> 00:44:17,160
Speaker 2: on we find out where he smells and why is

966
00:44:17,200 --> 00:44:20,759
Speaker 2: this not the same constant? You know, I've got my

967
00:44:20,920 --> 00:44:22,759
Speaker 2: I've got my will brain on going up.

968
00:44:22,840 --> 00:44:23,440
Speaker 1: Thank you.

969
00:44:23,440 --> 00:44:25,200
Speaker 3: You guys are not following the roles.

970
00:44:25,280 --> 00:44:26,160
Speaker 1: Follow the roles.

971
00:44:26,360 --> 00:44:27,160
Speaker 4: Follow the roles.

972
00:44:27,239 --> 00:44:29,239
Speaker 1: I also apologize for your will brain. There's a lot

973
00:44:29,280 --> 00:44:34,480
Speaker 1: of baggage that comes to Yes, so not good effects.

974
00:44:34,640 --> 00:44:38,920
Speaker 3: No, we're just I could have seen the bad thing

975
00:44:38,960 --> 00:44:40,400
Speaker 3: again and been totally fine.

976
00:44:40,280 --> 00:44:41,879
Speaker 4: Been fine, and it kind of brought it back.

977
00:44:41,960 --> 00:44:44,040
Speaker 1: Yeah, these effects aren't very special.

978
00:44:44,800 --> 00:44:44,920
Speaker 2: Uh.

979
00:44:45,320 --> 00:44:48,480
Speaker 1: In Van Helsing's car, the Vampire Hunter and Taylor realized

980
00:44:48,480 --> 00:44:50,120
Speaker 1: they just missed the couple at Reinfields.

981
00:44:50,280 --> 00:44:51,640
Speaker 4: Now they're over at the rockabilly bar.

982
00:44:51,840 --> 00:44:54,520
Speaker 1: Lynnette wraps up the song and is somehow helped off

983
00:44:54,520 --> 00:44:58,360
Speaker 1: stage by Dimitri. He's back inside. He did his vampire

984
00:44:58,400 --> 00:45:01,080
Speaker 1: thing to get back in. Is now kicked out in

985
00:45:01,080 --> 00:45:03,759
Speaker 1: a much more polite manner and sees Chelsea. She's now

986
00:45:03,800 --> 00:45:06,640
Speaker 1: a full on vampire believer. She's like, yeah, okayy's out

987
00:45:06,640 --> 00:45:08,759
Speaker 1: of vmpire thing. Yeah, he's a vampire and fills in

988
00:45:08,800 --> 00:45:11,319
Speaker 1: Adham on the bike, bending slash wall walking bit, just

989
00:45:11,360 --> 00:45:14,759
Speaker 1: in time to watch Dimitri's car speedby. I'm amazing that

990
00:45:15,239 --> 00:45:18,360
Speaker 1: incredible that it started. It wasn't reliable anyway, I'm sorry.

991
00:45:18,880 --> 00:45:21,960
Speaker 1: Inside the sports car, Lynette is still high from her performance.

992
00:45:22,000 --> 00:45:24,120
Speaker 1: It's the first time she's sung in like fifteen years,

993
00:45:24,320 --> 00:45:27,360
Speaker 1: and she wants this moment to live forever. And of

994
00:45:27,440 --> 00:45:30,920
Speaker 1: course it's Kelski. I'd like to say it says that

995
00:45:30,960 --> 00:45:33,520
Speaker 1: it can be arranged. Dmitri says that can be arranged,

996
00:45:34,120 --> 00:45:35,880
Speaker 1: but not as creepy as I just said it. A

997
00:45:36,040 --> 00:45:38,520
Speaker 1: now stranded, Chelsea and Adam think their mom would probably

998
00:45:38,560 --> 00:45:40,840
Speaker 1: want to take her date to the Harvest Festival next

999
00:45:41,040 --> 00:45:43,400
Speaker 1: It's about five miles away, but Adam has a plan.

1000
00:45:43,680 --> 00:45:46,440
Speaker 1: He gets his friend now with Boomer, and his friend's

1001
00:45:46,480 --> 00:45:48,319
Speaker 1: brother to pick them up on their way to the

1002
00:45:48,360 --> 00:45:50,560
Speaker 1: Headless Horseman show at the festival.

1003
00:45:52,040 --> 00:45:53,680
Speaker 4: I just want to stop here, very briefly.

1004
00:45:53,760 --> 00:45:55,640
Speaker 1: Did you think at some point we were going to

1005
00:45:55,719 --> 00:45:58,680
Speaker 1: get a Headless Horseman song or see them in concert.

1006
00:45:58,719 --> 00:46:00,680
Speaker 1: I was waiting for that big piece where I was like,

1007
00:46:00,840 --> 00:46:03,040
Speaker 1: obviously we're gonna end up at the Headless Horseman concert.

1008
00:46:03,040 --> 00:46:04,080
Speaker 4: At some point I.

1009
00:46:04,120 --> 00:46:07,279
Speaker 2: Didn't because we had this rockabilly song already, I feel

1010
00:46:07,320 --> 00:46:09,319
Speaker 2: like it would have been way too many. What would

1011
00:46:09,360 --> 00:46:10,879
Speaker 2: be the point of them having any type?

1012
00:46:11,040 --> 00:46:12,600
Speaker 1: I thought we were going to see something in the

1013
00:46:12,600 --> 00:46:13,640
Speaker 1: crowd with the headless Horsemen.

1014
00:46:13,680 --> 00:46:15,040
Speaker 4: They were going to look like vampires.

1015
00:46:15,040 --> 00:46:18,480
Speaker 1: Something was gonna happen with the headless Horseman because they'd

1016
00:46:18,520 --> 00:46:22,520
Speaker 1: been built up so long. But nothing was just a.

1017
00:46:22,440 --> 00:46:27,800
Speaker 2: Creepy ride with the creepy Boomer. The poor Chelsea know

1018
00:46:27,920 --> 00:46:28,680
Speaker 2: what's going on?

1019
00:46:28,920 --> 00:46:31,520
Speaker 4: Oh who doesn't know that she's a piece of meat.

1020
00:46:31,680 --> 00:46:32,879
Speaker 3: Go in for it.

1021
00:46:33,239 --> 00:46:36,520
Speaker 1: It's awful. Then we get our biggest set piece, which

1022
00:46:36,560 --> 00:46:39,200
Speaker 1: is a large scale carnival. Boomer wants to ditch the

1023
00:46:39,239 --> 00:46:42,200
Speaker 1: concert to have his date with Chelsea, which exposes Adam's

1024
00:46:42,280 --> 00:46:45,680
Speaker 1: gross deal from earlier. Chelsea leaves in disgust, obviously, and

1025
00:46:45,719 --> 00:46:47,960
Speaker 1: Adam runs after. He admits it was a lousy move,

1026
00:46:48,000 --> 00:46:51,239
Speaker 1: but he was quote unquote different then, and it was

1027
00:46:51,280 --> 00:46:54,200
Speaker 1: this afternoon. I'm so glad that she did. I said

1028
00:46:54,200 --> 00:46:54,520
Speaker 1: the same thing.

1029
00:46:54,560 --> 00:46:55,959
Speaker 4: I was like, it was just there's an hour ago.

1030
00:46:56,719 --> 00:46:59,480
Speaker 1: He apologizes, and she eventually forgives him, and they go

1031
00:46:59,520 --> 00:47:02,120
Speaker 1: off to say their mom. This guy, I'm sorry, but Adam,

1032
00:47:02,239 --> 00:47:05,279
Speaker 1: he's sneaky, he's got angles, he's pimping people out, he's

1033
00:47:05,280 --> 00:47:06,239
Speaker 1: got lie after lie.

1034
00:47:06,320 --> 00:47:08,520
Speaker 4: He will be the perfect politician.

1035
00:47:10,320 --> 00:47:12,839
Speaker 1: He apologizes, She eventually forgives him, and they go off

1036
00:47:12,840 --> 00:47:15,040
Speaker 1: to save their mom. Meanwhile, on their way to the concert,

1037
00:47:15,120 --> 00:47:17,640
Speaker 1: Boomer and Friend see Dmitri's car.

1038
00:47:17,600 --> 00:47:20,000
Speaker 4: And appear to have something up their sleeve. We're now

1039
00:47:20,040 --> 00:47:20,960
Speaker 4: back on the fair grounds.

1040
00:47:21,160 --> 00:47:23,839
Speaker 1: Adam steals some employee walkie talkies because he just walks

1041
00:47:23,880 --> 00:47:26,480
Speaker 1: in and takes what he wants, and the siblings split up.

1042
00:47:26,680 --> 00:47:29,080
Speaker 1: Chelsea immediately sees them from the ferris wheel. They're getting

1043
00:47:29,120 --> 00:47:32,000
Speaker 1: off the scrambler Kelseky, which is really who he is,

1044
00:47:32,040 --> 00:47:34,480
Speaker 1: but we will keep saying Dimitri since it won't so

1045
00:47:34,480 --> 00:47:36,799
Speaker 1: we don't mess people up. Dmitri wants to leave, and

1046
00:47:36,880 --> 00:47:39,680
Speaker 1: Lynette thinks he's moving way too fast. She's thrilled she

1047
00:47:39,760 --> 00:47:42,680
Speaker 1: found herself again tonight. That's someone she hasn't been in many,

1048
00:47:42,719 --> 00:47:45,840
Speaker 1: many years, and truthfully, she just feels that her connection

1049
00:47:45,920 --> 00:47:49,960
Speaker 1: with Dimitri isn't clicking. And I really loved this part. Yes,

1050
00:47:50,080 --> 00:47:52,840
Speaker 1: I loved where she's like, yeah, he's supposed to be

1051
00:47:52,880 --> 00:47:56,399
Speaker 1: the perfect guy. He's the doctor, he's swab, he's rich,

1052
00:47:56,680 --> 00:47:59,879
Speaker 1: he likes rockabilly. He's doing everything she wants, and she's like, yeah, nah,

1053
00:48:00,200 --> 00:48:00,879
Speaker 1: feeling it, bro.

1054
00:48:01,760 --> 00:48:03,680
Speaker 2: Well, I think it was more so just going I

1055
00:48:03,680 --> 00:48:05,959
Speaker 2: didn't need to find someone, I just need to find

1056
00:48:06,000 --> 00:48:08,120
Speaker 2: myself again. I've been a mom, you know, she had

1057
00:48:08,160 --> 00:48:11,120
Speaker 2: that speech. Yeah, I've been a mom for so many years.

1058
00:48:11,160 --> 00:48:13,839
Speaker 2: I was a wife. Now I'm divorced. Now I'm just

1059
00:48:14,200 --> 00:48:18,000
Speaker 2: trying to grind with work. Is more so about finding herself,

1060
00:48:18,040 --> 00:48:20,799
Speaker 2: which I thought was really cool and very like.

1061
00:48:22,520 --> 00:48:23,880
Speaker 3: I feel. I mean, I don't know.

1062
00:48:23,920 --> 00:48:27,640
Speaker 2: I don't remember movies that this time giving that message,

1063
00:48:27,800 --> 00:48:32,000
Speaker 2: especially to young kids, not about finding so many Disney things,

1064
00:48:32,080 --> 00:48:34,080
Speaker 2: is about finding your prince. It's about finding this. This

1065
00:48:34,160 --> 00:48:35,719
Speaker 2: was about finding herself, and I love that.

1066
00:48:36,040 --> 00:48:37,759
Speaker 1: It was a divorce mom going like, no, this is

1067
00:48:37,960 --> 00:48:39,880
Speaker 1: this is great, thank you for doing this. But I

1068
00:48:39,880 --> 00:48:41,919
Speaker 1: don't I'm not even I don't need this right now,

1069
00:48:42,160 --> 00:48:46,280
Speaker 1: not into you, bro. She tries to change the subject

1070
00:48:46,280 --> 00:48:50,120
Speaker 1: to bumper cars, but of course Dimitri is not having

1071
00:48:50,120 --> 00:48:54,200
Speaker 1: this and he blocks her from leaving. He's tired, he's hungry,

1072
00:48:54,360 --> 00:48:56,960
Speaker 1: he hates the carnival. He hates rockabilly music, which is

1073
00:48:56,960 --> 00:49:00,000
Speaker 1: probably his best quality. He grabs her and starts putting

1074
00:49:00,080 --> 00:49:02,919
Speaker 1: her under his spell. Thinking on his toes, Adam throws

1075
00:49:02,960 --> 00:49:06,560
Speaker 1: a carnival game baseball and it nails Dimitri in the

1076
00:49:06,600 --> 00:49:09,360
Speaker 1: back of the head, shifting his focus off the nete.

1077
00:49:09,360 --> 00:49:12,279
Speaker 1: He then does what he should have done, I think,

1078
00:49:12,320 --> 00:49:14,960
Speaker 1: getting back into the club and instantly appears next to

1079
00:49:15,000 --> 00:49:17,080
Speaker 1: Adam and drags him off. So he's got the vampire

1080
00:49:17,120 --> 00:49:21,359
Speaker 1: super speed, leaving Lynette hypnotized and Chelsea watching it all

1081
00:49:21,520 --> 00:49:24,560
Speaker 1: stuck on the ferris wheel, now exposed as a terrible

1082
00:49:24,600 --> 00:49:33,680
Speaker 1: lookout point. Are you a carnival fan?

1083
00:49:33,960 --> 00:49:35,160
Speaker 3: I am? I like him?

1084
00:49:35,239 --> 00:49:38,480
Speaker 2: Yeah, yeah, I will go on all the crazy rides

1085
00:49:38,520 --> 00:49:40,600
Speaker 2: they have gotten. I used to when I was younger,

1086
00:49:40,960 --> 00:49:45,640
Speaker 2: but they have gotten really crazy and just knowing they

1087
00:49:45,640 --> 00:49:49,040
Speaker 2: go from city or you know, county to county.

1088
00:49:49,640 --> 00:49:51,200
Speaker 4: With probably very little maintenance.

1089
00:49:51,440 --> 00:49:53,920
Speaker 3: Yeah little maintenance. How fast do they have?

1090
00:49:54,080 --> 00:49:56,360
Speaker 2: How much time do they have to actually set these

1091
00:49:56,440 --> 00:49:57,319
Speaker 2: these rides up?

1092
00:49:57,960 --> 00:49:59,040
Speaker 3: Sketchy?

1093
00:49:59,360 --> 00:50:01,160
Speaker 2: No, thank you you. I don't go on most of them,

1094
00:50:01,160 --> 00:50:02,279
Speaker 2: but I will go on a few of them.

1095
00:50:02,480 --> 00:50:04,480
Speaker 1: What's your favorite food to get at a carnival though?

1096
00:50:04,640 --> 00:50:10,839
Speaker 2: Ooh, I love deep fried oreos, deep fried pickles.

1097
00:50:11,080 --> 00:50:13,279
Speaker 1: Anything like, do you like just fried dough, like good

1098
00:50:13,280 --> 00:50:15,160
Speaker 1: fried dough with the powdered sugar on the top.

1099
00:50:16,040 --> 00:50:16,680
Speaker 3: A little bit.

1100
00:50:16,800 --> 00:50:19,279
Speaker 2: I'd rather go for like the oreos or something else

1101
00:50:19,320 --> 00:50:22,640
Speaker 2: in between. Yeah, and I love the corn. I love

1102
00:50:22,680 --> 00:50:25,719
Speaker 2: pull pork sandwiches. All carnival food is good. I think

1103
00:50:25,960 --> 00:50:27,040
Speaker 2: I love popcorn.

1104
00:50:27,440 --> 00:50:28,080
Speaker 1: I love that.

1105
00:50:28,120 --> 00:50:30,600
Speaker 3: And the beer is always very tasty.

1106
00:50:30,960 --> 00:50:32,160
Speaker 4: I mean it's a big beer.

1107
00:50:32,200 --> 00:50:32,399
Speaker 1: Guy.

1108
00:50:32,480 --> 00:50:34,759
Speaker 2: Well, it's just always hot and it's always nice. It's

1109
00:50:34,800 --> 00:50:37,399
Speaker 2: just kind of refreshing.

1110
00:50:35,960 --> 00:50:38,719
Speaker 1: The hot day. And nice beer is good.

1111
00:50:38,840 --> 00:50:39,160
Speaker 3: Yeah.

1112
00:50:39,280 --> 00:50:41,480
Speaker 1: Dmitri of course does not get this. Wasn't Adam the

1113
00:50:41,520 --> 00:50:43,960
Speaker 1: one who emailed him. Adam is shocked to hear that

1114
00:50:44,040 --> 00:50:46,440
Speaker 1: Dimitri is Wolf Spain. He's the only person now at

1115
00:50:46,480 --> 00:50:48,399
Speaker 1: this point who doesn't realize it's the same guy.

1116
00:50:48,880 --> 00:50:51,120
Speaker 4: I mean, wouldn't you have figured this out? Is just

1117
00:50:51,480 --> 00:50:52,840
Speaker 4: in the supermarket?

1118
00:50:52,920 --> 00:50:56,600
Speaker 1: Well anyway, Dimitri slash Wolfbane tells Adam to leave him

1119
00:50:56,640 --> 00:50:58,680
Speaker 1: alone if he wants to stay alive. He's here for

1120
00:50:58,680 --> 00:51:00,799
Speaker 1: his mom and he or she really has no say

1121
00:51:00,840 --> 00:51:03,400
Speaker 1: over it. He transports back to Lynette and commands her

1122
00:51:03,400 --> 00:51:05,759
Speaker 1: to walk away with him. Adam is now sulking at

1123
00:51:05,760 --> 00:51:08,160
Speaker 1: a picnic table, telling Chelsea it's time to give up.

1124
00:51:08,200 --> 00:51:11,239
Speaker 1: He just gave me. Mom's dead. Mom's dead. Bro, let's go.

1125
00:51:11,920 --> 00:51:12,359
Speaker 2: It's out.

1126
00:51:12,360 --> 00:51:12,839
Speaker 3: We're done.

1127
00:51:13,160 --> 00:51:13,680
Speaker 4: We're done.

1128
00:51:14,120 --> 00:51:16,200
Speaker 2: Figure out how we're going to keep this mortgage going.

1129
00:51:16,800 --> 00:51:17,560
Speaker 2: I mean, we've got big.

1130
00:51:19,680 --> 00:51:22,520
Speaker 1: I tried once. It didn't work. Immediately, I am giving

1131
00:51:22,600 --> 00:51:23,400
Speaker 1: up playing guitar.

1132
00:51:24,480 --> 00:51:28,480
Speaker 3: If Goger gives up on me, I'll come back to

1133
00:51:28,520 --> 00:51:29,080
Speaker 3: haunt him.

1134
00:51:30,280 --> 00:51:31,000
Speaker 1: Do your job.

1135
00:51:32,120 --> 00:51:34,760
Speaker 3: Life horrible because you gave up really quickly.

1136
00:51:35,640 --> 00:51:38,480
Speaker 1: Eventually, Adam realizes the vampire is probably on his way

1137
00:51:38,480 --> 00:51:40,960
Speaker 1: to his mansion, which they remember from being barely mentioned

1138
00:51:40,960 --> 00:51:43,520
Speaker 1: earlier in the movie. It's the old Mather House by

1139
00:51:43,560 --> 00:51:45,279
Speaker 1: the lake, the one that's supposed to be haunted. So

1140
00:51:45,320 --> 00:51:47,440
Speaker 1: they call a cab, but while in the parking lot,

1141
00:51:47,480 --> 00:51:51,920
Speaker 1: Wolf Spain Ferrari won't start, and they make it seem

1142
00:51:51,960 --> 00:51:53,440
Speaker 1: like it was Boomer and his friends, but really it

1143
00:51:53,480 --> 00:51:57,760
Speaker 1: was just not a reliable model. Simultaneously, Van Helsing also

1144
00:51:57,880 --> 00:52:01,160
Speaker 1: knows where they're going and tear leads them to the lake.

1145
00:52:01,480 --> 00:52:04,000
Speaker 1: They share a sandwich, which is very nice, and eventually

1146
00:52:04,040 --> 00:52:07,120
Speaker 1: perform another fire trick to decide which direction to go in.

1147
00:52:08,200 --> 00:52:09,120
Speaker 4: The cab pulls up.

1148
00:52:09,080 --> 00:52:12,160
Speaker 1: And we get what can only be called it now

1149
00:52:12,200 --> 00:52:15,080
Speaker 1: a racist stereotype portrayal of the cab driver that we

1150
00:52:15,080 --> 00:52:18,400
Speaker 1: wouldn't see today. Adam and Chelsea enter the mansion hoping

1151
00:52:18,440 --> 00:52:21,359
Speaker 1: to find Dimitri's coffin. They both go upstairs, not knowing

1152
00:52:21,400 --> 00:52:24,279
Speaker 1: the Ferrari just left the carnival and it's finally back

1153
00:52:24,320 --> 00:52:27,360
Speaker 1: up and running. Once they find the coffin, which looks

1154
00:52:27,400 --> 00:52:30,520
Speaker 1: like it should weigh three tons.

1155
00:52:30,520 --> 00:52:36,920
Speaker 2: Right, and what we as just viewers know about vampire coffins,

1156
00:52:37,200 --> 00:52:37,840
Speaker 2: they're heavy.

1157
00:52:38,040 --> 00:52:38,759
Speaker 1: You just are heavy.

1158
00:52:38,840 --> 00:52:42,960
Speaker 2: Yeah, there's one of the caskets, right, it's all of

1159
00:52:43,160 --> 00:52:46,759
Speaker 2: a casket and it takes what nine six guys, three

1160
00:52:46,800 --> 00:52:52,240
Speaker 2: on each side to do a casket walk or kids could.

1161
00:52:52,000 --> 00:52:55,239
Speaker 1: Not two teenagers apparently. Adam decides he wants to put

1162
00:52:55,239 --> 00:52:58,040
Speaker 1: the coffin in the lake, knowing it will draw in

1163
00:52:58,120 --> 00:53:00,840
Speaker 1: Wolf Spain. When the Ferrari does eventually into the driveway,

1164
00:53:00,840 --> 00:53:03,799
Speaker 1: Wolf Spain walks a brain dead Lynette into her new home,

1165
00:53:04,200 --> 00:53:09,480
Speaker 1: but he smells humans, specifically Adam. He realizes his coffin

1166
00:53:09,520 --> 00:53:11,920
Speaker 1: has gone and he screams timed perfectly with the kids

1167
00:53:12,040 --> 00:53:14,279
Speaker 1: dumping it into the lake. So somehow these two kids

1168
00:53:14,320 --> 00:53:18,600
Speaker 1: lifted it up out of the window dropped it down

1169
00:53:18,640 --> 00:53:22,200
Speaker 1: at least one story. It landed without a crash because

1170
00:53:22,200 --> 00:53:22,759
Speaker 1: we didn't hear.

1171
00:53:22,680 --> 00:53:23,839
Speaker 3: That any crack. Yeah.

1172
00:53:23,920 --> 00:53:27,000
Speaker 1: They then run down, they grab it, and they put

1173
00:53:27,000 --> 00:53:29,719
Speaker 1: it in the lake. It's floating, so he jumps on it,

1174
00:53:29,800 --> 00:53:30,520
Speaker 1: which I.

1175
00:53:30,480 --> 00:53:32,800
Speaker 3: Wouldn't expect it to float.

1176
00:53:33,040 --> 00:53:35,319
Speaker 4: I guess it would depend. Is it Archimedes?

1177
00:53:35,400 --> 00:53:38,600
Speaker 1: Is that it's it's so the floating would would be

1178
00:53:38,760 --> 00:53:41,399
Speaker 1: in relation to the weight of the buoyancy of blah

1179
00:53:41,440 --> 00:53:45,120
Speaker 1: blah blah blah blah, and then if the water doesn't

1180
00:53:45,160 --> 00:53:45,960
Speaker 1: come too high.

1181
00:53:46,000 --> 00:53:46,680
Speaker 4: But I think it is.

1182
00:53:46,719 --> 00:53:50,200
Speaker 1: I think it's archamedies with Adam on it. Yeah, well,

1183
00:53:50,239 --> 00:53:52,040
Speaker 1: I mean again, think about how much it comes away

1184
00:53:52,239 --> 00:53:56,440
Speaker 1: they still float. Well, all right, fine, again, I think

1185
00:53:56,480 --> 00:53:58,480
Speaker 1: it's all Archimedes. I could be wrong. For all of

1186
00:53:58,520 --> 00:54:04,440
Speaker 1: our all all of our fluid dynamic scientific fans, please

1187
00:54:04,520 --> 00:54:06,319
Speaker 1: send us emails telling me I'm wrong, which I'm sure

1188
00:54:06,360 --> 00:54:09,520
Speaker 1: I am, But I think it's arch comedies. But anyway,

1189
00:54:09,600 --> 00:54:12,280
Speaker 1: he realizes his coffin's gone and he screams time perfectly

1190
00:54:12,280 --> 00:54:14,680
Speaker 1: with the kids dumping into the lake. Adam yells out

1191
00:54:14,680 --> 00:54:17,480
Speaker 1: to antagonize the vampire, then boards the coffin like it's

1192
00:54:17,520 --> 00:54:20,200
Speaker 1: a boat. Knowing damn well that vampires can't cross water

1193
00:54:21,200 --> 00:54:23,920
Speaker 1: unless they're in their coffin, wolf Spain stands at the

1194
00:54:23,920 --> 00:54:26,080
Speaker 1: dock watching the young boy float away. He asks what

1195
00:54:26,120 --> 00:54:28,960
Speaker 1: Adam wants, and it's a one for one trade the

1196
00:54:29,040 --> 00:54:31,680
Speaker 1: coffin for his mom. The vampire thinks it over quickly

1197
00:54:31,719 --> 00:54:35,360
Speaker 1: and then concludes no, and he quickly transports himself to Chelsea,

1198
00:54:35,400 --> 00:54:38,799
Speaker 1: who's lot in the woods, grabs her, brings her back,

1199
00:54:39,239 --> 00:54:41,640
Speaker 1: and says he has a new trade, the coffin for

1200
00:54:41,719 --> 00:54:45,120
Speaker 1: his sister, but she's a little young to be his queen. However,

1201
00:54:45,200 --> 00:54:48,880
Speaker 1: she would be a lovely vampire princess. He encourages Adam

1202
00:54:48,920 --> 00:54:51,480
Speaker 1: to stay out until sunrise if he wants, but when

1203
00:54:51,480 --> 00:54:53,759
Speaker 1: he does return, he'll not only be an orphan, but

1204
00:54:53,840 --> 00:54:56,839
Speaker 1: an only child. Adam stops him, fine, if he brings

1205
00:54:56,880 --> 00:54:58,799
Speaker 1: the coffin back to the dock, will wolf Spain free

1206
00:54:58,840 --> 00:55:02,480
Speaker 1: his sister. Accept that's the possibility, even though Chelsea doesn't

1207
00:55:02,480 --> 00:55:04,759
Speaker 1: want to make the deal. He starts to paddle in

1208
00:55:05,160 --> 00:55:07,160
Speaker 1: and on the other side of the estate, Van Helsing arrives,

1209
00:55:07,200 --> 00:55:09,960
Speaker 1: leaving Taylor in the car holding a huge bundle of garlic.

1210
00:55:10,280 --> 00:55:13,560
Speaker 1: Adam and Chelsea, once again superheroes, carrying the coffin back

1211
00:55:13,560 --> 00:55:15,600
Speaker 1: inside for Wolf Spane. So obviously they've found a way

1212
00:55:15,640 --> 00:55:19,120
Speaker 1: to get it out of the water together, drag it

1213
00:55:19,320 --> 00:55:20,839
Speaker 1: up the stairs.

1214
00:55:20,920 --> 00:55:23,920
Speaker 3: They're both completely dry.

1215
00:55:24,200 --> 00:55:26,520
Speaker 1: Right, Maybe they didn't go up the stairs because now

1216
00:55:26,520 --> 00:55:28,839
Speaker 1: there's the piano. The piano's in that room, so they're

1217
00:55:28,840 --> 00:55:30,640
Speaker 1: just bringing it into the first floor, right, But.

1218
00:55:30,680 --> 00:55:32,799
Speaker 3: Still to get it out of the water, they'd have

1219
00:55:32,920 --> 00:55:36,040
Speaker 3: to get in, get under it, lift it up.

1220
00:55:36,520 --> 00:55:39,520
Speaker 4: And even that, how the hell do you get that?

1221
00:55:40,320 --> 00:55:42,840
Speaker 1: That's the part about this vampire movie.

1222
00:55:42,000 --> 00:55:45,080
Speaker 2: That's the Disney cartoon effects, and.

1223
00:55:45,160 --> 00:55:48,879
Speaker 4: We are fine with it.

1224
00:55:50,239 --> 00:55:52,560
Speaker 1: Adam and Chelsea carry the coffin back inside for Wolf Spain,

1225
00:55:52,560 --> 00:55:54,319
Speaker 1: who admits he's not going to hold up his end

1226
00:55:54,320 --> 00:55:57,600
Speaker 1: of the bargain. He simply can't trust vampires these days.

1227
00:55:57,760 --> 00:56:00,680
Speaker 1: And then Van Helsing walks in the beaking tongues to

1228
00:56:00,719 --> 00:56:03,600
Speaker 1: each other, and Wolf's bane darts at his enemy. Now.

1229
00:56:04,040 --> 00:56:05,279
Speaker 1: I don't know if it was tongues or was it

1230
00:56:05,320 --> 00:56:07,000
Speaker 1: in Romanian, I don't know.

1231
00:56:07,160 --> 00:56:07,640
Speaker 4: I don't know.

1232
00:56:08,120 --> 00:56:09,040
Speaker 3: I started to get.

1233
00:56:09,400 --> 00:56:12,040
Speaker 1: Here, Empire, I don't know. Yeah, the had you till here.

1234
00:56:12,320 --> 00:56:16,319
Speaker 2: Yeah, it was kind of like, okay, I Yeah, I'm

1235
00:56:16,360 --> 00:56:19,120
Speaker 2: starting to have to just kind of move along with them,

1236
00:56:19,480 --> 00:56:20,680
Speaker 2: right myself?

1237
00:56:20,760 --> 00:56:22,920
Speaker 3: Just okay, we'll just move forward.

1238
00:56:22,960 --> 00:56:24,799
Speaker 4: That's why I didn't know what I thought about this movie.

1239
00:56:26,080 --> 00:56:28,520
Speaker 3: Now you're pulling me back from what I'm thinking.

1240
00:56:28,640 --> 00:56:31,120
Speaker 4: I just don't It's not bad. I just don't know

1241
00:56:31,160 --> 00:56:31,960
Speaker 4: what I think about it.

1242
00:56:32,000 --> 00:56:34,520
Speaker 3: But yes, kind of all right, you know.

1243
00:56:35,080 --> 00:56:37,840
Speaker 1: Yeah. So wolf Bane darts at his nemesis, missing and

1244
00:56:37,840 --> 00:56:40,520
Speaker 1: locking himself outside, Van Helsing pulls out a wooden steak

1245
00:56:40,560 --> 00:56:42,640
Speaker 1: and says this door won't hold him along. And he's right,

1246
00:56:43,120 --> 00:56:45,680
Speaker 1: because five seconds later, the vampire pushes the door down,

1247
00:56:45,760 --> 00:56:48,640
Speaker 1: instantly knocking Van Helson out, then throwing him into a piano.

1248
00:56:49,080 --> 00:56:51,680
Speaker 1: Van Helsing has been useless at this point.

1249
00:56:52,560 --> 00:56:55,680
Speaker 3: That's exactly what I have down, useless.

1250
00:56:55,719 --> 00:56:57,719
Speaker 2: So this adult that has been in the movie, and

1251
00:56:57,719 --> 00:57:00,840
Speaker 2: we're used to having more kids than adult, this adult

1252
00:57:00,880 --> 00:57:04,160
Speaker 2: has been chasing and chasing, finally gets here. Why did

1253
00:57:04,160 --> 00:57:05,719
Speaker 2: he even need to be there in the first place?

1254
00:57:05,760 --> 00:57:07,840
Speaker 2: Home he gets knocked out within thirty seconds.

1255
00:57:07,960 --> 00:57:12,800
Speaker 4: Thirty seconds, thirty seconds. You've done nothing, And why stand

1256
00:57:12,840 --> 00:57:13,359
Speaker 4: behind the.

1257
00:57:13,320 --> 00:57:16,160
Speaker 2: Door with the head careful I'm the little kid with

1258
00:57:16,240 --> 00:57:17,200
Speaker 2: the garlet come.

1259
00:57:17,080 --> 00:57:19,400
Speaker 3: In because he's just as useful as you are.

1260
00:57:19,600 --> 00:57:23,760
Speaker 1: Exactly, thank you Van Helson for driving us Hunter of

1261
00:57:23,800 --> 00:57:24,200
Speaker 1: the Year.

1262
00:57:24,680 --> 00:57:28,080
Speaker 4: No, exactly, this is god, this is just bad.

1263
00:57:29,400 --> 00:57:31,080
Speaker 1: It is set up that these two appear to have

1264
00:57:31,120 --> 00:57:33,720
Speaker 1: fought all over the globe throughout time and justice. He's

1265
00:57:33,720 --> 00:57:36,080
Speaker 1: about to finally bite into the neck of the vampire. Hunter.

1266
00:57:36,520 --> 00:57:39,560
Speaker 1: Taylor appears and softly knocks Wolf Baite in the head

1267
00:57:39,600 --> 00:57:43,160
Speaker 1: with the steak, which I love. I love. It's like, whack, stop.

1268
00:57:42,880 --> 00:57:48,440
Speaker 3: It laughing so hard. I don't know life, I just

1269
00:57:48,600 --> 00:57:53,320
Speaker 3: needed to laugh at this point or what it was. Whack.

1270
00:57:55,160 --> 00:57:56,720
Speaker 1: I was hoping you'd spike him, but he didn't.

1271
00:57:56,920 --> 00:57:59,640
Speaker 3: Jill, don't use the pointing part. He just bomped him

1272
00:57:59,680 --> 00:57:59,880
Speaker 3: on that.

1273
00:58:00,640 --> 00:58:02,160
Speaker 1: And then a second time the guy's like, what are

1274
00:58:02,160 --> 00:58:04,080
Speaker 1: you doing? The second time Whack gets him a gun

1275
00:58:04,480 --> 00:58:06,640
Speaker 1: and gets his attention. Wolf Spain by this point has

1276
00:58:06,640 --> 00:58:09,600
Speaker 1: had enough. What is with this family? He is the

1277
00:58:09,680 --> 00:58:12,360
Speaker 1: vampire and has the power here. He then takes control

1278
00:58:12,400 --> 00:58:15,400
Speaker 1: of Adam and Chelsea's legs, drawing them closer and closer

1279
00:58:15,440 --> 00:58:17,760
Speaker 1: to him. They yell, hoping to wake up their mom

1280
00:58:17,800 --> 00:58:20,479
Speaker 1: for help, but she's not breaking the trance. Wolf Spain

1281
00:58:20,600 --> 00:58:23,560
Speaker 1: maniacally laughs, ready to bite Adam. When the net finally

1282
00:58:23,600 --> 00:58:26,400
Speaker 1: wakes up, only true love can break the trance of

1283
00:58:26,400 --> 00:58:29,240
Speaker 1: a vampire. She pushes him backwards, right into the coffin

1284
00:58:29,480 --> 00:58:32,800
Speaker 1: that Van Helsing and Adam open just on cue. They

1285
00:58:32,880 --> 00:58:35,960
Speaker 1: shut the door quickly and Van Helson uses silver plated

1286
00:58:36,160 --> 00:58:39,600
Speaker 1: stapler gun things. It was like a nail gun, but

1287
00:58:39,760 --> 00:58:42,840
Speaker 1: silver plated to seal it. And if silver can kill

1288
00:58:42,840 --> 00:58:45,440
Speaker 1: a vampire, I think it can. Why not use that

1289
00:58:45,800 --> 00:58:49,800
Speaker 1: to kill a gun? To kill him? Yes, but it's Disney,

1290
00:58:49,840 --> 00:58:51,720
Speaker 1: so they can't really kill him. So the plan now,

1291
00:58:51,760 --> 00:58:56,160
Speaker 1: apparently that they just briefly say, is to get the

1292
00:58:56,240 --> 00:59:00,280
Speaker 1: coffin to Van Helsing's vault in the South Pole and

1293
00:59:00,320 --> 00:59:01,960
Speaker 1: then ship him to Finland.

1294
00:59:03,560 --> 00:59:08,120
Speaker 2: Why again, I'm all for killing the vampire. Okay, this

1295
00:59:08,160 --> 00:59:12,200
Speaker 2: guy was about to try to kill this whole family now, right,

1296
00:59:12,640 --> 00:59:16,040
Speaker 2: So I guess if Disney's not allowing that, But why

1297
00:59:16,040 --> 00:59:21,600
Speaker 2: are we like sending first of all two places, We're

1298
00:59:21,600 --> 00:59:24,400
Speaker 2: gonna take them to the South Pole, which is the

1299
00:59:24,440 --> 00:59:27,280
Speaker 2: mouth Pole, which he says is the only never been there.

1300
00:59:27,440 --> 00:59:30,120
Speaker 2: He's never been, so I guess there's something about the

1301
00:59:30,160 --> 00:59:32,440
Speaker 2: South Pole and vampires that I'm not aware of.

1302
00:59:32,960 --> 00:59:35,880
Speaker 3: And then the second place is Finland and what does

1303
00:59:35,920 --> 00:59:36,240
Speaker 3: that do?

1304
00:59:36,400 --> 00:59:41,200
Speaker 2: So you have a whole vault of of vampires locked

1305
00:59:41,240 --> 00:59:45,080
Speaker 2: and why move them from the vault to Finland?

1306
00:59:45,080 --> 00:59:46,760
Speaker 4: Why are these poor fins now stop?

1307
00:59:46,880 --> 00:59:50,120
Speaker 2: Yes, with the vampire overload, I don't know.

1308
00:59:50,200 --> 00:59:54,320
Speaker 1: It's I don't get it either. I didn't understand that

1309
00:59:54,480 --> 00:59:58,200
Speaker 1: even slightly. But anyway, that's so.

1310
00:59:58,320 --> 01:00:01,000
Speaker 4: Hey, we took care of it. So what's next. Well,

1311
01:00:01,040 --> 01:00:01,480
Speaker 4: Taylor is.

1312
01:00:01,520 --> 01:00:03,920
Speaker 1: Hungry, so they're gonna go at breakfast and Lynette invites

1313
01:00:03,920 --> 01:00:06,440
Speaker 1: the vampire Hunter to go with them. He wants some

1314
01:00:06,520 --> 01:00:11,240
Speaker 1: chocolate chip pancakes, which is a euphemism for sex, and

1315
01:00:11,400 --> 01:00:15,840
Speaker 1: luckily Lynette's got the chips boom, also a euphemism.

1316
01:00:17,000 --> 01:00:18,200
Speaker 4: He exclaims.

1317
01:00:18,240 --> 01:00:20,280
Speaker 1: Then it's a date, but the kids ask him to

1318
01:00:20,320 --> 01:00:22,440
Speaker 1: avoid that word for right now. Taylor says their mom

1319
01:00:22,480 --> 01:00:26,800
Speaker 1: doesn't date. Lynette disagrees she dates, just not vampires. And

1320
01:00:26,840 --> 01:00:30,000
Speaker 1: then we have a really weird freeze frame as Wolf's

1321
01:00:30,040 --> 01:00:32,880
Speaker 1: Bain says Happy Halloween and begs them to open the

1322
01:00:32,920 --> 01:00:36,440
Speaker 1: coffin and there's your movie. And I'd personally like to

1323
01:00:36,440 --> 01:00:40,440
Speaker 1: apologize to everyone in Finland. Who's gonna be I have

1324
01:00:40,480 --> 01:00:45,000
Speaker 1: to deal with this vampire. There you go, there's your movie.

1325
01:00:51,120 --> 01:00:53,800
Speaker 4: Who Okay, Well, let's do real reviews.

1326
01:00:54,360 --> 01:00:57,280
Speaker 1: I think I have the five star this week and

1327
01:00:57,320 --> 01:01:00,520
Speaker 1: the five stars from I'm gonna I'm going to spell

1328
01:01:00,600 --> 01:01:01,520
Speaker 1: this and then say it.

1329
01:01:02,160 --> 01:01:07,080
Speaker 5: Okay, ja dash s i g h a dash o

1330
01:01:07,560 --> 01:01:12,840
Speaker 5: dash h o f fa j so jug sigha, oh

1331
01:01:13,120 --> 01:01:15,800
Speaker 5: huffa j Did I say that right?

1332
01:01:15,960 --> 01:01:19,320
Speaker 1: Probably not? And here's our five star review. The mom

1333
01:01:19,680 --> 01:01:22,360
Speaker 1: actually has a date with a vampire. It's insane.

1334
01:01:22,800 --> 01:01:25,480
Speaker 4: When I watched, they couldn't breathe. Literally, I was drowning.

1335
01:01:25,600 --> 01:01:28,080
Speaker 1: Ten out of ten. Well watch again on February thirteenth,

1336
01:01:28,080 --> 01:01:31,360
Speaker 1: twenty twenty two. Oh, I don't know why the date

1337
01:01:31,440 --> 01:01:32,000
Speaker 1: is important.

1338
01:01:32,400 --> 01:01:35,240
Speaker 2: Well, I wonder how long ago he put this, this

1339
01:01:35,360 --> 01:01:36,440
Speaker 2: five star review in.

1340
01:01:36,920 --> 01:01:39,480
Speaker 1: I do not know, but it is very specific. When

1341
01:01:41,400 --> 01:01:43,560
Speaker 1: oh haffa Jay is going to watch this again?

1342
01:01:43,760 --> 01:01:46,800
Speaker 4: Man, what's our one star? Sabrina and I heard it.

1343
01:01:46,920 --> 01:01:51,120
Speaker 2: One star from unamid. This guy just can't stop. But

1344
01:01:51,360 --> 01:01:56,640
Speaker 2: now his reviews put this one star us. Yeah, of

1345
01:01:56,640 --> 01:02:00,400
Speaker 2: course it's unnamed. I felt sorry for the kids. Really

1346
01:02:00,400 --> 01:02:03,800
Speaker 2: had to suck all right, succinct.

1347
01:02:03,960 --> 01:02:05,680
Speaker 3: Not a fun night, not a fun night.

1348
01:02:05,840 --> 01:02:09,880
Speaker 1: I personally think it's somewhere in between, undoubtedly. And now

1349
01:02:09,960 --> 01:02:13,920
Speaker 1: to Sabrina's favorite part of the program. Our feature for

1350
01:02:14,000 --> 01:02:16,320
Speaker 1: the week is a new game we have called the

1351
01:02:16,360 --> 01:02:20,040
Speaker 1: Actor Factor. Many actors, as you know, have played vampires

1352
01:02:20,080 --> 01:02:22,640
Speaker 1: over the years, either in TV or movies, and so

1353
01:02:22,720 --> 01:02:24,600
Speaker 1: we will be given the name of an actor or

1354
01:02:24,760 --> 01:02:26,880
Speaker 1: actors and we have to come up with the name

1355
01:02:26,920 --> 01:02:30,160
Speaker 1: of the vampire they played. But also, and this is.

1356
01:02:30,200 --> 01:02:33,000
Speaker 3: Just a Sabrina always so hard, we have.

1357
01:02:32,880 --> 01:02:34,840
Speaker 4: To say it in our best vampires.

1358
01:02:34,880 --> 01:02:42,800
Speaker 2: Oh my no, yeah, yes, yes, I will do it

1359
01:02:42,840 --> 01:02:44,560
Speaker 2: if you do. If you get up and do your

1360
01:02:44,560 --> 01:02:46,840
Speaker 2: best vampire dance, how about we do that?

1361
01:02:47,240 --> 01:02:49,320
Speaker 3: Is there such a good I'm a bone.

1362
01:02:49,080 --> 01:02:49,960
Speaker 1: To pick with you.

1363
01:02:49,680 --> 01:02:52,600
Speaker 2: You keep doing all these things that will is very

1364
01:02:52,640 --> 01:02:56,000
Speaker 2: good at, very trained at, gets paid lots of money

1365
01:02:56,040 --> 01:02:58,280
Speaker 2: to do. Can we do something that I am actually

1366
01:02:58,400 --> 01:03:00,600
Speaker 2: kind of good at, kind of get eight a dollar

1367
01:03:00,720 --> 01:03:04,000
Speaker 2: or two have a better chance at winning.

1368
01:03:04,440 --> 01:03:07,960
Speaker 6: I wouldn't say, I just like you're being mean to yourself.

1369
01:03:07,960 --> 01:03:10,000
Speaker 6: I think you haven't had the opportunity. I'm trying to

1370
01:03:10,040 --> 01:03:11,120
Speaker 6: bring out that talent.

1371
01:03:11,520 --> 01:03:14,080
Speaker 2: I don't want to do it for the first time

1372
01:03:14,160 --> 01:03:16,800
Speaker 2: in front of will thank you very much, because I'm

1373
01:03:16,800 --> 01:03:19,160
Speaker 2: gonna make Will learn a dance in front.

1374
01:03:19,840 --> 01:03:22,840
Speaker 1: I'll do it. I will do it, I will do it.

1375
01:03:23,080 --> 01:03:25,919
Speaker 2: I will gosh, all right, No, what do vampires sound

1376
01:03:26,000 --> 01:03:27,120
Speaker 2: like besides this one?

1377
01:03:27,520 --> 01:03:28,600
Speaker 4: We'll do it like this one.

1378
01:03:28,640 --> 01:03:31,320
Speaker 1: Then, by the way, there's plenty of vampires out there

1379
01:03:31,360 --> 01:03:32,360
Speaker 1: that sound totally normal.

1380
01:03:32,720 --> 01:03:35,480
Speaker 3: Okay, my vampire voice is gonna sound just like my.

1381
01:03:39,040 --> 01:03:39,360
Speaker 2: All right.

1382
01:03:39,440 --> 01:03:43,560
Speaker 1: So number one, I think it's the easiest. Wesley Snipes, right,

1383
01:03:44,320 --> 01:03:48,760
Speaker 1: and that is he's Wesley Snipe. What's his what's his

1384
01:03:48,880 --> 01:03:49,920
Speaker 1: vampire character name?

1385
01:03:51,160 --> 01:03:51,800
Speaker 3: Is it Blade?

1386
01:03:52,280 --> 01:03:54,320
Speaker 1: Yeah? It is?

1387
01:03:54,720 --> 01:03:55,120
Speaker 2: I mean.

1388
01:04:04,640 --> 01:04:05,200
Speaker 3: You go a.

1389
01:04:07,040 --> 01:04:07,520
Speaker 4: Number two.

1390
01:04:07,720 --> 01:04:10,720
Speaker 1: We've got Gary Oldman and Gerard Butler.

1391
01:04:13,040 --> 01:04:15,440
Speaker 3: I don't remember them doing a vampire movie.

1392
01:04:16,120 --> 01:04:16,760
Speaker 1: They did.

1393
01:04:17,120 --> 01:04:20,240
Speaker 4: I think they played Dracula, didn't.

1394
01:04:21,640 --> 01:04:21,920
Speaker 3: Oldman?

1395
01:04:22,680 --> 01:04:30,919
Speaker 1: Yes, yes, all yeah. Number three is Alexander scars Guard.

1396
01:04:31,640 --> 01:04:33,600
Speaker 1: And I know that this was in the movie Where

1397
01:04:33,680 --> 01:04:35,520
Speaker 1: Are the Show? Where all the vampires and wolves are

1398
01:04:35,560 --> 01:04:37,240
Speaker 1: just walking around naked having sex with each other the

1399
01:04:37,280 --> 01:04:39,760
Speaker 1: whole time. I've never seen it in my life, but

1400
01:04:39,840 --> 01:04:41,880
Speaker 1: this is the one that women really love. What's that?

1401
01:04:41,880 --> 01:04:47,960
Speaker 1: What's the don't tell me the show is called Oh

1402
01:04:48,040 --> 01:04:50,320
Speaker 1: come on, it's the one it's the one that what's

1403
01:04:50,360 --> 01:04:54,400
Speaker 1: her name was in the How do you not understanding?

1404
01:04:54,440 --> 01:04:54,560
Speaker 3: Mike?

1405
01:04:54,760 --> 01:04:58,360
Speaker 1: Mike cues, what's her name? Obviously, what's her name? The

1406
01:04:58,760 --> 01:05:01,800
Speaker 1: child actress who the then went off to she became

1407
01:05:01,840 --> 01:05:04,800
Speaker 1: big in this and it's it's not supernatural.

1408
01:05:04,960 --> 01:05:09,440
Speaker 6: It's no, I'm calling it. It's Eric Northman. It's character

1409
01:05:09,480 --> 01:05:11,600
Speaker 6: you played on the TV show True Blood.

1410
01:05:11,440 --> 01:05:14,360
Speaker 4: True Blood, Thank you true Blood. I know it's just

1411
01:05:14,640 --> 01:05:16,840
Speaker 4: naked vampires having some weirdly.

1412
01:05:16,480 --> 01:05:19,480
Speaker 2: Because I did, I think, but again, Buffy the vampire

1413
01:05:19,480 --> 01:05:20,080
Speaker 2: sleeve was over.

1414
01:05:20,200 --> 01:05:23,840
Speaker 1: I needed, well, these were Buffy Buffy people because they

1415
01:05:23,880 --> 01:05:24,880
Speaker 1: were naked naked people.

1416
01:05:25,000 --> 01:05:25,480
Speaker 3: Yeah.

1417
01:05:25,560 --> 01:05:27,640
Speaker 4: Number four Kate Beckinsale.

1418
01:05:27,840 --> 01:05:30,480
Speaker 3: I had no idea she was in another vampire movie.

1419
01:05:30,600 --> 01:05:33,680
Speaker 1: She did. She was in a whole series called Underworld.

1420
01:05:34,000 --> 01:05:36,520
Speaker 1: The problem is I don't remember the name of the

1421
01:05:36,640 --> 01:05:41,160
Speaker 1: character she played in Underworld. She played Kate Beckinsale in Underworld.

1422
01:05:42,040 --> 01:05:42,720
Speaker 3: Not a character.

1423
01:05:44,080 --> 01:05:46,560
Speaker 6: The characters name is Selene Celine.

1424
01:05:46,760 --> 01:05:49,760
Speaker 1: Yes, of course. Actually the first one was great, very

1425
01:05:49,840 --> 01:05:52,919
Speaker 1: good movie. And number five, man.

1426
01:05:53,040 --> 01:05:56,280
Speaker 2: I just see Lisa and Tara and all of the

1427
01:05:56,880 --> 01:06:00,800
Speaker 2: I know this one, Oh, okay, okay, I do know

1428
01:06:00,840 --> 01:06:01,240
Speaker 2: this one.

1429
01:06:01,920 --> 01:06:13,640
Speaker 3: Isn't it ed? Because that's how I did know that one.

1430
01:06:13,680 --> 01:06:18,040
Speaker 1: Okay, we got three and you did some voices.

1431
01:06:19,920 --> 01:06:24,320
Speaker 3: I feel like that's how she says his name. She

1432
01:06:24,320 --> 01:06:25,480
Speaker 3: she wasless sleep the whole time.

1433
01:06:25,840 --> 01:06:28,000
Speaker 4: Okay, everybody, everybody in this town loves me.

1434
01:06:28,120 --> 01:06:29,680
Speaker 1: I don't know why, but I have all the best

1435
01:06:29,720 --> 01:06:30,560
Speaker 1: looking guys in the world.

1436
01:06:31,600 --> 01:06:33,920
Speaker 4: Can we do some Sabrina sees.

1437
01:06:38,200 --> 01:06:42,560
Speaker 2: We can? One of the first ones up. I know

1438
01:06:42,760 --> 01:06:46,000
Speaker 2: that this happened in a movie we were just doing.

1439
01:06:46,240 --> 01:06:50,200
Speaker 2: Not exactly this, but some cheatah references happened to me recently.

1440
01:06:51,600 --> 01:06:54,320
Speaker 2: One of the last movies we did her. The actress

1441
01:06:54,400 --> 01:07:00,760
Speaker 2: name is Kim Roberts. She played Adams Gosh, I can't

1442
01:07:00,840 --> 01:07:06,000
Speaker 2: uh was it his English teacher? The teacher that k

1443
01:07:06,840 --> 01:07:11,120
Speaker 2: Roberts played my foster mom and Cheetah Girls Lunch Cool.

1444
01:07:11,600 --> 01:07:14,280
Speaker 2: She has a very small part in the Cheetah Girls.

1445
01:07:14,320 --> 01:07:14,880
Speaker 3: That happens.

1446
01:07:14,960 --> 01:07:17,280
Speaker 2: She comes out and gets me before one of my scenes,

1447
01:07:17,480 --> 01:07:19,479
Speaker 2: and then she's there in the finale, so very very small.

1448
01:07:20,280 --> 01:07:23,720
Speaker 2: She was a Canadian actor that I went looked and

1449
01:07:23,720 --> 01:07:26,240
Speaker 2: good went, oh my gosh, and I just looked it

1450
01:07:26,320 --> 01:07:27,880
Speaker 2: up real quick, made sure that I was right and

1451
01:07:27,920 --> 01:07:28,360
Speaker 2: it's true.

1452
01:07:28,400 --> 01:07:29,040
Speaker 1: What's that cool?

1453
01:07:29,480 --> 01:07:30,680
Speaker 3: She did a great job. I thought she was a

1454
01:07:30,720 --> 01:07:31,280
Speaker 3: great teacher.

1455
01:07:31,680 --> 01:07:35,440
Speaker 2: Nice and then we I thought you would one hundred

1456
01:07:35,480 --> 01:07:38,160
Speaker 2: percent hit on this. It's not that you didn't notice.

1457
01:07:38,160 --> 01:07:40,200
Speaker 2: But when he was grounded, then he was able to

1458
01:07:40,200 --> 01:07:42,000
Speaker 2: go to lunch with his friends.

1459
01:07:43,320 --> 01:07:47,120
Speaker 3: Yeah, he was grounded, and he's about and he's he's

1460
01:07:47,120 --> 01:07:47,960
Speaker 3: at lunch with friends.

1461
01:07:47,960 --> 01:07:51,560
Speaker 5: What happened to that when he got yes exactly?

1462
01:07:52,640 --> 01:07:56,680
Speaker 3: And then also did what did the actor or.

1463
01:07:57,040 --> 01:07:59,920
Speaker 2: Whoever played the main singer in the band? Did he

1464
01:08:00,080 --> 01:08:00,960
Speaker 2: look like anyone to you?

1465
01:08:02,080 --> 01:08:03,320
Speaker 4: Well, I think that's a real band.

1466
01:08:03,880 --> 01:08:04,760
Speaker 3: Was it a real band?

1467
01:08:04,880 --> 01:08:07,040
Speaker 4: Yeah, that's the I think that's the Royal Crowns. Isn't

1468
01:08:07,040 --> 01:08:07,720
Speaker 4: that the name of the band.

1469
01:08:07,880 --> 01:08:09,360
Speaker 3: I don't know. It was like.

1470
01:08:09,320 --> 01:08:11,320
Speaker 6: The Royal Crown Review or whatever. Like that's not like

1471
01:08:11,360 --> 01:08:13,840
Speaker 6: a really well known band, but I think it might

1472
01:08:13,880 --> 01:08:14,920
Speaker 6: be a real rockabilly band.

1473
01:08:14,960 --> 01:08:16,400
Speaker 4: Ye Oh, I thought that was. I thought they were

1474
01:08:16,479 --> 01:08:17,920
Speaker 4: kind of like, well, a well known.

1475
01:08:20,040 --> 01:08:22,320
Speaker 3: Great they look like right?

1476
01:08:22,439 --> 01:08:22,680
Speaker 1: It was.

1477
01:08:24,400 --> 01:08:27,840
Speaker 2: Well, he looked like Jason Priestley. I had to rewind it.

1478
01:08:29,240 --> 01:08:32,200
Speaker 2: No way, he giveing some random cameo, but he looked

1479
01:08:32,200 --> 01:08:36,719
Speaker 2: like Jason He clearly it wasn't It was not okay,

1480
01:08:36,760 --> 01:08:39,639
Speaker 2: good call, and then I talked about him with these

1481
01:08:39,720 --> 01:08:42,360
Speaker 2: kids senses, I just couldn't understand. I had to ask you,

1482
01:08:42,400 --> 01:08:45,280
Speaker 2: maybe you got it. I also felt that this fight

1483
01:08:45,320 --> 01:08:50,200
Speaker 2: with Chelsea and Adam happened so forced you know, this

1484
01:08:50,200 --> 01:08:53,360
Speaker 2: this coming of our connection and our friendship or whatever

1485
01:08:53,439 --> 01:08:55,080
Speaker 2: it could have been later on, it didn't need to

1486
01:08:55,120 --> 01:08:58,680
Speaker 2: be then, and it was all a fifteen seconds, so

1487
01:08:58,680 --> 01:09:00,920
Speaker 2: it didn't really matter because I was here, and then

1488
01:09:00,920 --> 01:09:04,719
Speaker 2: it wasn't and it was done. And then the last

1489
01:09:04,760 --> 01:09:07,160
Speaker 2: thing was I feel like there is a flip phone this.

1490
01:09:07,240 --> 01:09:09,200
Speaker 2: I noticed the flip phone in this movie, and there

1491
01:09:09,320 --> 01:09:11,000
Speaker 2: is a flip phone of some sort out.

1492
01:09:11,080 --> 01:09:13,599
Speaker 3: It's not like the small one, but I wanted you.

1493
01:09:13,560 --> 01:09:15,640
Speaker 2: To know that there is some type of It's not

1494
01:09:15,680 --> 01:09:18,160
Speaker 2: the big Samsung one that opens like a screen, is it,

1495
01:09:18,200 --> 01:09:19,040
Speaker 2: because that's not the same.

1496
01:09:19,080 --> 01:09:20,479
Speaker 4: I want like a flip phone.

1497
01:09:20,600 --> 01:09:23,040
Speaker 2: Well, I know you do, but this would be the

1498
01:09:23,160 --> 01:09:25,800
Speaker 2: version of twenty twenty four splip phone, and I think you.

1499
01:09:25,800 --> 01:09:26,439
Speaker 1: Should get it.

1500
01:09:26,720 --> 01:09:28,280
Speaker 4: Well, is it I want to get?

1501
01:09:28,439 --> 01:09:29,880
Speaker 1: I want to get I want like an old school

1502
01:09:29,880 --> 01:09:32,120
Speaker 1: flip I want the smartphone, but I want a flip

1503
01:09:32,160 --> 01:09:34,759
Speaker 1: phone like it's like a Star Trek communicator again.

1504
01:09:34,880 --> 01:09:38,040
Speaker 3: Okay, not not. You can't get the new Age one.

1505
01:09:38,600 --> 01:09:39,680
Speaker 1: I know I can get a way.

1506
01:09:39,760 --> 01:09:44,360
Speaker 3: This movie made me go flip phone that he wants

1507
01:09:44,360 --> 01:09:45,240
Speaker 3: and there's one there.

1508
01:09:45,280 --> 01:09:46,400
Speaker 4: Really, I'm googling right now.

1509
01:09:46,520 --> 01:09:47,760
Speaker 1: Is really a new They.

1510
01:09:47,760 --> 01:09:50,280
Speaker 2: Keep showing a commercial where you go like this and

1511
01:09:50,320 --> 01:09:52,320
Speaker 2: like it's when people are abroad and you can talk

1512
01:09:52,360 --> 01:09:54,880
Speaker 2: to it and it'll translate for you.

1513
01:09:55,439 --> 01:09:56,800
Speaker 3: I feel like this is something.

1514
01:09:56,520 --> 01:10:00,439
Speaker 4: You twenty four it's oh, is it a razor?

1515
01:10:00,920 --> 01:10:01,679
Speaker 3: Flips open?

1516
01:10:02,160 --> 01:10:03,920
Speaker 4: Like there's the Galaxy Z.

1517
01:10:04,080 --> 01:10:05,160
Speaker 3: I can get the Samsung.

1518
01:10:05,280 --> 01:10:08,599
Speaker 1: Yes, that's yeah, it's a Samsung, which I can't. Can't

1519
01:10:08,600 --> 01:10:10,720
Speaker 1: get a Samsung. Well, I can't get a same You

1520
01:10:11,000 --> 01:10:15,920
Speaker 1: cannot give Danielle Fishle the the oh no, I can't

1521
01:10:15,920 --> 01:10:17,879
Speaker 1: be on team Danielle when it comes to phones.

1522
01:10:19,360 --> 01:10:21,240
Speaker 3: Think iPhone is going to do it anytime soon, if

1523
01:10:21,240 --> 01:10:21,920
Speaker 3: that's what you mean.

1524
01:10:22,000 --> 01:10:24,519
Speaker 1: iPhone needs to do something like there is a new

1525
01:10:24,520 --> 01:10:26,559
Speaker 1: one though, I think, okay, I'm.

1526
01:10:26,360 --> 01:10:27,439
Speaker 3: Looking into it anyway.

1527
01:10:27,520 --> 01:10:29,559
Speaker 2: The flip phone of this movie, because it's been out

1528
01:10:29,560 --> 01:10:31,439
Speaker 2: and it's the couple of times now that you've.

1529
01:10:31,280 --> 01:10:33,880
Speaker 3: Talked about a flip that's when I said I got

1530
01:10:33,880 --> 01:10:35,640
Speaker 3: to do a spree season because they have one. I

1531
01:10:35,680 --> 01:10:37,240
Speaker 3: keep seeing this commercial thinking of you.

1532
01:10:37,400 --> 01:10:39,040
Speaker 1: That's what I want one. I want one, but I

1533
01:10:39,040 --> 01:10:40,800
Speaker 1: can't go to Samsung. I can't do that to myself

1534
01:10:40,880 --> 01:10:43,000
Speaker 1: or my family. I love them too much. But all right,

1535
01:10:43,040 --> 01:10:45,559
Speaker 1: well I can't send a green text.

1536
01:10:45,360 --> 01:10:48,080
Speaker 4: I think I'm leaving her. I can't. I can't do that.

1537
01:10:48,200 --> 01:10:52,080
Speaker 3: So that's maybe not maybe not maybe, but that is it,

1538
01:10:52,280 --> 01:10:52,759
Speaker 3: you guys.

1539
01:10:52,800 --> 01:10:55,000
Speaker 1: But yes, again, those are good, so good.

1540
01:10:55,080 --> 01:10:55,880
Speaker 3: It was so awesome.

1541
01:10:55,920 --> 01:10:57,840
Speaker 1: Isn't Kim Robert the Jason Priest thing?

1542
01:10:58,880 --> 01:10:59,320
Speaker 4: That's cool?

1543
01:10:59,439 --> 01:10:59,519
Speaker 1: No?

1544
01:11:00,080 --> 01:11:02,519
Speaker 3: Oh he came on and I went, wait a minute,

1545
01:11:02,520 --> 01:11:05,200
Speaker 3: and while, oh, no, that's not him, but he I

1546
01:11:05,360 --> 01:11:05,760
Speaker 3: like him.

1547
01:11:05,800 --> 01:11:08,599
Speaker 1: Oh that's awesome. It's now the portion of our program

1548
01:11:08,640 --> 01:11:10,519
Speaker 1: where we like to rate the film that we just saw,

1549
01:11:11,040 --> 01:11:13,680
Speaker 1: and we've got some great options this week for we're

1550
01:11:13,680 --> 01:11:14,280
Speaker 1: going to rate the film.

1551
01:11:14,320 --> 01:11:14,800
Speaker 3: You get to pick.

1552
01:11:15,040 --> 01:11:17,200
Speaker 1: I'm picking this week. Okay, so we're going one out

1553
01:11:17,240 --> 01:11:19,800
Speaker 1: of ten obviously one being the worst, ten being the best,

1554
01:11:20,040 --> 01:11:22,920
Speaker 1: or like everybody else does it, and here are options.

1555
01:11:22,920 --> 01:11:25,600
Speaker 1: This week, we got one out of ten vampire Canadian tuxedos,

1556
01:11:25,800 --> 01:11:28,080
Speaker 1: which again sounds like a weird sex thing. One out

1557
01:11:28,080 --> 01:11:31,400
Speaker 1: of ten Coffin emails one out of ten, boomers, one

1558
01:11:31,400 --> 01:11:34,040
Speaker 1: out of ten, see through home phones one out of ten,

1559
01:11:34,120 --> 01:11:38,120
Speaker 1: glowing footsteps one out of ten, rockabilly clubs, one out

1560
01:11:38,160 --> 01:11:40,880
Speaker 1: of ten, ferris wheeled lookout points, or one out of

1561
01:11:40,880 --> 01:11:46,479
Speaker 1: ten trades involving kissing your sister. I am going to

1562
01:11:46,520 --> 01:11:48,320
Speaker 1: because that got the best response from you. I'm going

1563
01:11:48,400 --> 01:11:51,280
Speaker 1: to do one out of ten trades involving kissing your sister.

1564
01:11:51,320 --> 01:11:51,880
Speaker 3: All right?

1565
01:11:52,640 --> 01:11:53,920
Speaker 4: And do I go first this time?

1566
01:11:54,000 --> 01:11:54,880
Speaker 1: Or do you go first this time?

1567
01:11:54,920 --> 01:11:56,000
Speaker 4: I don't honestly don't remember that.

1568
01:11:56,120 --> 01:11:58,880
Speaker 3: I don't know. I wish someone would tell us, because

1569
01:11:58,920 --> 01:11:59,919
Speaker 3: we could ever remember.

1570
01:12:00,080 --> 01:12:00,559
Speaker 1: I don't know.

1571
01:12:00,720 --> 01:12:03,720
Speaker 2: I'll go first, though, because I will say, I know

1572
01:12:03,840 --> 01:12:04,800
Speaker 2: you went first last time.

1573
01:12:04,920 --> 01:12:05,840
Speaker 3: Okay, then you go first?

1574
01:12:05,840 --> 01:12:06,559
Speaker 1: You did? You did?

1575
01:12:06,560 --> 01:12:08,400
Speaker 4: You're right, so I'll go. I'll take one for the team.

1576
01:12:08,200 --> 01:12:12,240
Speaker 1: This time, all right, Because I honestly don't know what

1577
01:12:12,280 --> 01:12:14,519
Speaker 1: I think about this movie. And that's not a joke.

1578
01:12:14,600 --> 01:12:17,639
Speaker 1: I didn't hate it. I didn't love it. I do

1579
01:12:17,720 --> 01:12:19,559
Speaker 1: not know what to think about this movie. That means

1580
01:12:19,600 --> 01:12:23,439
Speaker 1: to me that it is a perfect five trades involving

1581
01:12:23,520 --> 01:12:25,760
Speaker 1: kissing your sister. There you go, because it is. I

1582
01:12:26,320 --> 01:12:28,519
Speaker 1: I didn't love it. I didn't hate it. I'm right

1583
01:12:28,560 --> 01:12:32,120
Speaker 1: in the middle, that's me. I'm giving it a five

1584
01:12:32,120 --> 01:12:34,920
Speaker 1: trades involving kissing your sister. I it is, you know,

1585
01:12:35,000 --> 01:12:36,479
Speaker 1: it is what it is with this movie. I'd like

1586
01:12:36,520 --> 01:12:40,160
Speaker 1: to watch it again maybe, but it was this. It

1587
01:12:40,200 --> 01:12:40,639
Speaker 1: was a movie.

1588
01:12:40,680 --> 01:12:41,519
Speaker 4: That's how I felt about it.

1589
01:12:41,560 --> 01:12:45,360
Speaker 1: Like I finished, I was like, Okay, watch the movie, right, Yes, yeah.

1590
01:12:45,000 --> 01:12:46,760
Speaker 2: I do think we're doing them like on top of

1591
01:12:46,800 --> 01:12:48,640
Speaker 2: each other a little bit right now, so we might

1592
01:12:48,760 --> 01:12:52,000
Speaker 2: just kind of but I will say I love.

1593
01:12:51,880 --> 01:12:56,080
Speaker 3: The spooky season of Halloween, so sure, and I really don't.

1594
01:12:56,320 --> 01:12:58,920
Speaker 3: I'm realizing I haven't seen a lot.

1595
01:12:58,760 --> 01:13:03,639
Speaker 2: Of Disney Channel scary Halloween type movies. The ones I've

1596
01:13:03,640 --> 01:13:05,960
Speaker 2: watched are a lot more gory, so it is kind

1597
01:13:05,960 --> 01:13:08,080
Speaker 2: of hard for me to figure out where I land

1598
01:13:08,200 --> 01:13:10,400
Speaker 2: when it comes to a Disney spooky.

1599
01:13:10,000 --> 01:13:11,960
Speaker 4: Film like Halloween Town.

1600
01:13:12,080 --> 01:13:15,120
Speaker 2: Great, right, totally, but I mean just to see the

1601
01:13:15,800 --> 01:13:18,960
Speaker 2: variations of it, right, can't always be Halloween Town.

1602
01:13:19,200 --> 01:13:22,320
Speaker 3: Sure, and so I liked it a lot.

1603
01:13:22,160 --> 01:13:26,080
Speaker 2: More than when we started this episode. I was planning

1604
01:13:26,120 --> 01:13:29,160
Speaker 2: on giving it a seven. But now that, especially when

1605
01:13:29,160 --> 01:13:32,200
Speaker 2: I started realizing to the end, I started kind of

1606
01:13:32,560 --> 01:13:35,160
Speaker 2: just I don't want to say, wanting it to be over,

1607
01:13:35,280 --> 01:13:37,519
Speaker 2: but I just kind of allowed things to move forward

1608
01:13:37,560 --> 01:13:40,080
Speaker 2: and just kind of got past things. And I didn't

1609
01:13:40,080 --> 01:13:42,320
Speaker 2: realize that until we started kind of sort of really

1610
01:13:42,320 --> 01:13:45,439
Speaker 2: broke it down together, and it pushed it down to

1611
01:13:45,520 --> 01:13:50,840
Speaker 2: a six point five trades involving kissing your sister, which

1612
01:13:50,960 --> 01:13:55,760
Speaker 2: also hurt my score because it made me realize.

1613
01:13:55,360 --> 01:13:59,000
Speaker 3: Really what he was doing creepy, it was gross.

1614
01:13:59,120 --> 01:14:04,800
Speaker 2: So yeah, it's gonna be, oh gosh, six point five.

1615
01:14:04,840 --> 01:14:06,640
Speaker 2: We'll do six point five because I can't go to

1616
01:14:06,640 --> 01:14:09,479
Speaker 2: a six point twenty five. That just seems to say no, six,

1617
01:14:09,680 --> 01:14:11,559
Speaker 2: but it's not a six, So six point five.

1618
01:14:11,840 --> 01:14:13,760
Speaker 1: Okay, there we go, Well, there we go. Thanks, thank

1619
01:14:13,800 --> 01:14:17,479
Speaker 1: you everybody for joining us this week as we watched

1620
01:14:17,520 --> 01:14:21,080
Speaker 1: our movie, Mom's Dating Vampire. Is that what it's called? Yes,

1621
01:14:21,600 --> 01:14:24,880
Speaker 1: so join us next time because our next movie is

1622
01:14:24,920 --> 01:14:28,519
Speaker 1: the two thousand and five family and Dog comedy and yes,

1623
01:14:28,560 --> 01:14:29,559
Speaker 1: I am gonna say it the same way.

1624
01:14:29,560 --> 01:14:30,240
Speaker 4: Life is Rough.

1625
01:14:30,960 --> 01:14:33,200
Speaker 1: It is on Disney Plus and ready to stream. Now

1626
01:14:34,000 --> 01:14:36,559
Speaker 1: we've talked about this before this dog better talk, better,

1627
01:14:36,840 --> 01:14:39,720
Speaker 1: dog doesn't talk. We're gonna have a serious problem, people, because.

1628
01:14:39,439 --> 01:14:41,639
Speaker 3: We won't even have a full show. We will both

1629
01:14:41,680 --> 01:14:42,840
Speaker 3: turn off the TV.

1630
01:14:45,200 --> 01:14:47,559
Speaker 1: We are done because the dog was not talking, so

1631
01:14:47,720 --> 01:14:51,320
Speaker 1: hopefully the dog talks in life is rough. But again,

1632
01:14:51,360 --> 01:14:55,000
Speaker 1: it is on Disney Plus stream, got it, yes and all.

1633
01:14:55,040 --> 01:14:57,559
Speaker 1: It says a family and dog comedy, so hopefully. If

1634
01:14:57,600 --> 01:15:00,799
Speaker 1: it's not, then we've got a serious problem. But remember

1635
01:15:00,880 --> 01:15:02,760
Speaker 1: to subscribe to our feed and you can follow us

1636
01:15:02,800 --> 01:15:05,599
Speaker 1: on the Instagram machine at the Magical rewind Pod. Thank

1637
01:15:05,600 --> 01:15:08,679
Speaker 1: you so much for joining us. Enjoy us Pooky season

1638
01:15:09,000 --> 01:15:11,200
Speaker 1: or I do this if you're animated.

1639
01:15:10,680 --> 01:15:14,840
Speaker 3: Is hey Poky bye?

1640
01:15:14,920 --> 01:15:30,080
Speaker 1: Everybody,