WEBVTT - Bonus: Seth Margolis Interview

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<v Speaker 1>Thinking sideways. I don't stories of things we simply don't

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<v Speaker 1>know the answer too. Hey everybody, and welcome to the

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<v Speaker 1>podcast again. Today is a bit of a different show.

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<v Speaker 1>It's a bonus episode. If you listen to our episodes

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<v Speaker 1>that came out on Thursday, you'll know that we had

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<v Speaker 1>done an interview with Seth Margolis about Elizabeth the First

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<v Speaker 1>and it was a great interview and we had a

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<v Speaker 1>lot of content, but we didn't use but a little

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<v Speaker 1>bit in the episode, and we wanted to to share

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<v Speaker 1>that with you. So what we're gonna do here is

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<v Speaker 1>we're gonna go ahead and actually share with you the interview. Uh.

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<v Speaker 1>It was Joe and myself for that interview. Devin wasn't

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<v Speaker 1>unfortunately able to make it. But it's a great interview.

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<v Speaker 1>It's a lot of history and a lot of good information,

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<v Speaker 1>and I think you're gonna like it a lot. So

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<v Speaker 1>let's rule that interview. And you've got a lot more

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<v Speaker 1>research on this really than we have. And so I

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<v Speaker 1>guess i'd like to know, do you really think Elizabeth

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<v Speaker 1>had a child? You know, I don't know. I would

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<v Speaker 1>suspect not. I tend to be a discounter of conspiracy

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<v Speaker 1>theories um. And so you know, it was a really

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<v Speaker 1>intriguing idea for a novel, and there are bits and

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<v Speaker 1>pieces of her life and the circumstances around it that

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<v Speaker 1>might lead you to think she had a child. Um,

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<v Speaker 1>but I tend to think she didn't. But you know,

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<v Speaker 1>I think it's sort of like, you know, if you

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<v Speaker 1>think about the Kennedy assassination. Again, I'm not a conspiracy

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<v Speaker 1>theorist in general, so I think Lee Harvey as Oswald

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<v Speaker 1>acted alone. But a lot of people just feel that

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<v Speaker 1>it's it's just unthinkable that this great and who was

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<v Speaker 1>so beloved at the time and maybe even more so

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<v Speaker 1>in retrospect, could be brought down by one lunatic with

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<v Speaker 1>good aim. You wanted to be a conspiracy because it

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<v Speaker 1>seems unfitting that such a great person could be eliminated

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<v Speaker 1>by such a nobody. With Elizabeth, there's a similar frustration

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<v Speaker 1>that you know, arguably the greatest certainly the greatest monarch

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<v Speaker 1>and in English history and maybe one of the great

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<v Speaker 1>leaders in world history just ended, you know, her her

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<v Speaker 1>line ended with her death, and the tutors were no more,

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<v Speaker 1>her genes were no more. How could that be? It

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<v Speaker 1>just it doesn't seem fitting somehow. Um. So people constantly

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<v Speaker 1>want her to um to have left something behind um

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<v Speaker 1>and and in a way that's the I think that's

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<v Speaker 1>part of the fascination with her in general. And it's

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<v Speaker 1>and it's certainly the reason that a lot of these

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<v Speaker 1>theories continue to flourish. And it's really the reason I

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<v Speaker 1>wrote the book. So after Elizabeth, Elizabeth's death, the Tudor

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<v Speaker 1>line ended, and a lot of people believe that the

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<v Speaker 1>English monarchy went kind of downhill after that. Yeah, well

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<v Speaker 1>it I mean the Stewarts were particularly mediocre and um,

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<v Speaker 1>you know they within less than half a century, you know,

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<v Speaker 1>led to the English Civil War with Oliver Cromwell, the

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<v Speaker 1>the assassination or the execution of Charles the first um

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<v Speaker 1>and but you could also argue that things didn't get

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<v Speaker 1>much better after that. There weren't executions. But I don't

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<v Speaker 1>know that, um, you know that that that there have

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<v Speaker 1>been that the monarchs who came after Elizabeth the first

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<v Speaker 1>ever were particularly distinguished bunch. No no um disrespect intended

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<v Speaker 1>to the current queen who just turnedlinding. Um So. I

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<v Speaker 1>guess that's another source of frustration, is that you know,

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<v Speaker 1>if she had had a child, I guess a son

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<v Speaker 1>in particular, but a daughter too that you know might

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<v Speaker 1>have been you know who inherited her talent for leadership

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<v Speaker 1>as well as her father's. It might have changed the

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<v Speaker 1>course of history, certainly the history that immediately followed um.

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<v Speaker 1>But you know, so I think that's another reason that

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<v Speaker 1>people want to think that, you know, there could have

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<v Speaker 1>been a different path. So in real life, one candidate

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<v Speaker 1>for a child was Elizabeth that's really popular with a

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<v Speaker 1>lot of people as Robert Devereaux. What do you think

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<v Speaker 1>about him as a suspect, and right, he was one

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<v Speaker 1>of several people that she sort of showered her um

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<v Speaker 1>royal pleasures on in ways that that um mystified people

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<v Speaker 1>at the time, you know, why him And so there

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<v Speaker 1>were always rumors and she did. She did have a

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<v Speaker 1>very close relationship with his father, Robert Dudley, also known

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<v Speaker 1>as m Lester. And you know, I think she had

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<v Speaker 1>his bedroom moved next to hers. And you know, there

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<v Speaker 1>are all sorts of so you know, if if there

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<v Speaker 1>was going to be a h An offspring, it would

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<v Speaker 1>have been most like glee with him. And there was

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<v Speaker 1>actually there was someone named Arthur Dudley who surfaced at

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<v Speaker 1>one point who claimed to be the offspring of the

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<v Speaker 1>two of them shut up at Philip of Spain's place. Yeah,

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<v Speaker 1>because the Catholics never never saw her as a legitimate

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<v Speaker 1>well as a legitimate period, but as a legitimate monarch

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<v Speaker 1>of England. So if they could find any sort of

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<v Speaker 1>scandal that would um, you know, add further I legitimacy

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<v Speaker 1>to her, it would work to their ends. And in fact,

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<v Speaker 1>in my book, that's one of the reasons that she

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<v Speaker 1>um disguises the fact that she had a child, was

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<v Speaker 1>that it would just it would imperil her her claim

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<v Speaker 1>to the throne. And of course in the Semprasonic she

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<v Speaker 1>has the child before she becomes queen. Most of the

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<v Speaker 1>rumors about or their theories about her having a child

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<v Speaker 1>have her having the child while she was queen, and

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<v Speaker 1>and there's and as I said, there's so many of them.

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<v Speaker 1>You know. She at one point, Um, she she took

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<v Speaker 1>to her bed. She had some sort of mysterious illness

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<v Speaker 1>which I think they called at the time dropsy, but

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<v Speaker 1>today we would call it a demon which is the

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<v Speaker 1>swelling in the mid section. So of course, if you um,

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<v Speaker 1>and I think that's pretty much historical fact that she

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<v Speaker 1>had that she was taken to her bed with dropsy

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<v Speaker 1>or a dema, and that she had a swollen abdomen.

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<v Speaker 1>So if you're inclined to think that she had a child,

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<v Speaker 1>this might have been a good time for that child

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<v Speaker 1>to have been carried, because she had you know, she

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<v Speaker 1>could have used that as an excuse to disguise her pregnancy.

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<v Speaker 1>So it really would have been kind of hard to

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<v Speaker 1>consual the pregnancy because so she was kind of like

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<v Speaker 1>the Princess Diana every day and there were so many

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<v Speaker 1>eyes upon her. It certainly does and that's I think

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<v Speaker 1>that's why I'm generally not a conspiracy theorists. Like back

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<v Speaker 1>to the Lee Harvey oswald uh idea. You know, after

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<v Speaker 1>all of these years, it seems impossible that no one

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<v Speaker 1>would have come forward to say they knew about this conspiracy.

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<v Speaker 1>Not one person has come forward. And similarly in Elizabeth's time,

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<v Speaker 1>the only difference is there, you know, there were no

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<v Speaker 1>cameras then, there were no recording devices, you know, so

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<v Speaker 1>it would all have just been people, um sort of

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<v Speaker 1>writing letters, and so it would have been harder. It

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<v Speaker 1>would have been, I think, much easier to disguise than

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<v Speaker 1>in Princess Diana's day, our day. Um, than any abnormality

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<v Speaker 1>becomes fodder, you know, for the for the for the media,

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<v Speaker 1>over the internet and so on. So I don't I

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<v Speaker 1>think I think she could have hidden it. Um. But

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<v Speaker 1>and the and the and the Elizabeth think Core was

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<v Speaker 1>a really um to use an old fashioned were libidinous place.

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<v Speaker 1>I mean there were you know, there was lots of

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<v Speaker 1>intrigue going on. Um. I mean her own mother had

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<v Speaker 1>been and Lynn had been executed for adultery. She was

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<v Speaker 1>the wife of the king, and many believe that she

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<v Speaker 1>was in fact adulter iss So you know, why would

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<v Speaker 1>why would the wife of the queen take those kind

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<v Speaker 1>of risks if she didn't think there was actually a

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<v Speaker 1>pretty good chance she could get away with it. Um.

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<v Speaker 1>And some people think she actually had. One of her

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<v Speaker 1>lovers was her own brother, oh Anne Boleyn, Yeah, which

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<v Speaker 1>hastened her her execution. I don't know she was guilty

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<v Speaker 1>of adultery actually, because Henry the eighth did have a

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<v Speaker 1>pensiont for just wanting to move on and getting tired

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<v Speaker 1>of whoever he was with and wanted to find himself

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<v Speaker 1>a new wife. We could do another podcast on that.

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<v Speaker 1>You know, was she actually adulterous. But the point is

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<v Speaker 1>that it wasn't so wildly unbelievable at the time that

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<v Speaker 1>she might have been, because the court was a place

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<v Speaker 1>of trists and intrigue and you know, all of which

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<v Speaker 1>is to say that it's it's conceivable that Elizabeth could

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<v Speaker 1>have um disguised her pregnancy UM and disguised her love

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<v Speaker 1>affair with with Dudley or lester um, or thought she

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<v Speaker 1>could have because there was so much going on at

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<v Speaker 1>the time. It was that kind of court. You have

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<v Speaker 1>found a new potential father for a child that Elizabeth

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<v Speaker 1>might have had, named Miles Stafford. So did Myles really

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<v Speaker 1>exist now? So I'm sorry to say it's okay. It

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<v Speaker 1>was much I found it much more interesting to invent

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<v Speaker 1>him and then dispatch him quickly. You never really hear

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<v Speaker 1>from him other than that he had um this rare

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<v Speaker 1>genetic disorder that passed on the this um tendency to shivering,

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<v Speaker 1>as someone calls it in the book, which was an

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<v Speaker 1>interesting um sort of way to keep his sort of

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<v Speaker 1>lineage alive. Was you know, not in a particularly positive way. UM.

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<v Speaker 1>It also made it, you know, when you're writing a thriller,

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<v Speaker 1>it made it interesting because you know, when the uh

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<v Speaker 1>Lee Nicholson, the twenty first century heroine of the book,

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<v Speaker 1>would come across various locations where the file of family lived, Um,

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<v Speaker 1>she would seat, for instance, two fireplaces in one room

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<v Speaker 1>and realized, you know, that became an indication that these

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<v Speaker 1>people who lived there had a real obsession with staying warm.

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<v Speaker 1>So that's the one thing that that I had. My

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<v Speaker 1>fictional father of the of the Elizabethan offspring um past

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<v Speaker 1>onto his to his descendants um. And of course the

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<v Speaker 1>name filer you know, as you know because you read

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<v Speaker 1>the book, it's full of wordplay and the you know,

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<v Speaker 1>the word filer um is an adaptation of the French

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<v Speaker 1>word feast for son and e er of course for

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<v Speaker 1>Elizabeth Rex and French was the main language spoken at

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<v Speaker 1>the time of her version of it in the Elizabethan court.

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<v Speaker 1>So it was like, you know, it was interesting or

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<v Speaker 1>likely that she would have had, if she had a child,

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<v Speaker 1>might have given him that name just as a sort

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<v Speaker 1>of sly reference to who his his at least his

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<v Speaker 1>mother was. He said, I have a question, So this

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<v Speaker 1>is going to kind of be a break and what

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<v Speaker 1>we've talked about so far, But how did you how

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<v Speaker 1>did you go about doing your research for the book,

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<v Speaker 1>because there's a lot of content here. Uh. Well, I

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<v Speaker 1>this has been my one of my The Elizabethan period,

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<v Speaker 1>or really the whole Tooter period in England is my

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<v Speaker 1>favorite in history. It's one of those really rare times

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<v Speaker 1>in history where there just seems to be a confluence

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<v Speaker 1>of um of really extraordinary people. Um. So, of course

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<v Speaker 1>you have Elizabeth, you have her father Henry the Eighth,

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<v Speaker 1>an amazing person. You have a Balyn, a fascinating character.

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<v Speaker 1>You have Dudley himself, you have Sir Walter Raleigh. Of course,

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<v Speaker 1>you have Shakespeare, Bacon and all the great artists at

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<v Speaker 1>the time, writers, and it's and I think another period

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<v Speaker 1>that I also i'm fascinated with, very different is the

0:11:23.960 --> 0:11:26.400
<v Speaker 1>eighteenth century America, and you've had all the founding fathers.

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<v Speaker 1>You know, this rare confluence of just incredibly um intelligent,

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<v Speaker 1>creative people coming together. Um. And you know, you know

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<v Speaker 1>there's always the debate did the times make the man?

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<v Speaker 1>The man makes the time? I don't know the answer

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<v Speaker 1>to that. It's probably not even worth thinking about too much.

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<v Speaker 1>But Elizabeth in England or Tutor England was one of

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<v Speaker 1>those periods It's always been one of my favorites, so

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<v Speaker 1>I'm fairly knowledgeable about it, uh, you know, even before

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<v Speaker 1>I started writing this book. But you know, of course

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<v Speaker 1>I ended up doing a lot of research. You know,

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<v Speaker 1>you can do a lot of it on the web,

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<v Speaker 1>including the Elizabeth file site that you mentioned. I just

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<v Speaker 1>went there, and by the way, I certainly have been

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<v Speaker 1>to that site many times. Um. There's a wonderful book

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<v Speaker 1>by lies of a Card called Elizabeth's London Um, which

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<v Speaker 1>is about sort of everyday life in Elizabethan England, which

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<v Speaker 1>is something that you don't get a lot of when

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<v Speaker 1>you read biographies of Elizabeth. You get very little of

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<v Speaker 1>it in fact um, and it's a wonderful book. It's

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<v Speaker 1>actually a lot of a lot of fun to read,

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<v Speaker 1>just about sort of what it was like to live

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<v Speaker 1>at that time as an ordinary citizen rather than as

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<v Speaker 1>a member of the court. Um. And that really helped

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<v Speaker 1>with a lot of sort of the small details about

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<v Speaker 1>Elizabeth in medicine, particularly childbirth, so the opening scene is

0:12:39.480 --> 0:12:42.800
<v Speaker 1>actually quite factual other than the fact that involved Elizabeth

0:12:42.800 --> 0:12:45.120
<v Speaker 1>having a baby, in terms of the ability to smell

0:12:45.160 --> 0:12:48.079
<v Speaker 1>garlic as an indicator of pregnancy and things like that

0:12:48.080 --> 0:12:49.880
<v Speaker 1>that's how they knew back in the day. Yeah, they

0:12:50.280 --> 0:12:52.960
<v Speaker 1>put garlic under it and if you couldn't smell it,

0:12:53.080 --> 0:12:56.240
<v Speaker 1>it made you were pregnant. Um. It's probably not that simple,

0:12:56.559 --> 0:12:59.760
<v Speaker 1>but but there's a lot of that, and the idea

0:12:59.840 --> 0:13:02.040
<v Speaker 1>that men were not allowed in the birthday room, for instance,

0:13:02.040 --> 0:13:05.640
<v Speaker 1>only midwives. The doctor was banished. And details like that

0:13:05.760 --> 0:13:08.959
<v Speaker 1>came from this wonderful book called Elizabeth's London. And then

0:13:09.000 --> 0:13:11.679
<v Speaker 1>at some point I started writing it and realized I

0:13:11.720 --> 0:13:14.240
<v Speaker 1>needed to go to England directly. I've been there many

0:13:14.240 --> 0:13:17.679
<v Speaker 1>times before, but for specific scenes in the book. So

0:13:17.960 --> 0:13:21.280
<v Speaker 1>I went to Hatfield, which is the palace about I

0:13:21.280 --> 0:13:25.760
<v Speaker 1>think it's about forty minutes from London, where Elizabeth basically

0:13:25.840 --> 0:13:29.560
<v Speaker 1>held a prisoner by her older sister Mary the look

0:13:29.640 --> 0:13:32.839
<v Speaker 1>known as Bloody Mary, the Catholic tutor. Um. She was

0:13:32.880 --> 0:13:34.840
<v Speaker 1>sort of under house arrest there and that's where the

0:13:34.880 --> 0:13:38.480
<v Speaker 1>opening scene and the birth take place. And I just

0:13:38.559 --> 0:13:40.200
<v Speaker 1>had to be there. There's no way you can write

0:13:40.200 --> 0:13:43.840
<v Speaker 1>about it convincingly without going there. Um and uh. And

0:13:43.880 --> 0:13:46.920
<v Speaker 1>I was able to convince it was it's open part

0:13:46.960 --> 0:13:48.440
<v Speaker 1>of the year of the public. But I was able

0:13:48.480 --> 0:13:52.600
<v Speaker 1>to convince the people in charge there um to let

0:13:52.600 --> 0:13:55.520
<v Speaker 1>me in. And there's actually a new palace built by Cecil,

0:13:55.840 --> 0:13:58.720
<v Speaker 1>Elizabeth's great advisor. But the old palace where she was

0:13:59.360 --> 0:14:02.079
<v Speaker 1>held under house arrest is still there as well. It's

0:14:02.080 --> 0:14:05.600
<v Speaker 1>actually used for weddings and bar Mitzvah's apparently today. But

0:14:05.679 --> 0:14:07.840
<v Speaker 1>I was able to do something I don't think Elizabeth

0:14:07.880 --> 0:14:10.520
<v Speaker 1>would have appreciated, But I was able to um to

0:14:10.600 --> 0:14:12.240
<v Speaker 1>tour it on my own and really get a sense

0:14:12.280 --> 0:14:14.880
<v Speaker 1>of what the place looked like. And um, there's really

0:14:14.880 --> 0:14:17.080
<v Speaker 1>no substitute for that, even was you know, you walk

0:14:17.200 --> 0:14:19.360
<v Speaker 1>up from the gatehouse and then back down through the

0:14:19.400 --> 0:14:22.760
<v Speaker 1>little village around the edges of the um of the estate,

0:14:22.800 --> 0:14:24.400
<v Speaker 1>and you really get a sense of what it was

0:14:24.440 --> 0:14:26.960
<v Speaker 1>like to live at that time. And um, so that

0:14:27.080 --> 0:14:29.880
<v Speaker 1>was really key. And then the other thing I did

0:14:29.920 --> 0:14:32.560
<v Speaker 1>other research while I was there. I UM one of

0:14:32.560 --> 0:14:34.760
<v Speaker 1>the important venues in the book, and a place that

0:14:34.800 --> 0:14:36.840
<v Speaker 1>I spent a lot of time in while I was

0:14:36.840 --> 0:14:41.160
<v Speaker 1>writing this was obviously Westminster Abbey, particularly the Lady chapel.

0:14:41.680 --> 0:14:43.840
<v Speaker 1>Um at the very I think it's the back. I

0:14:43.840 --> 0:14:45.240
<v Speaker 1>don't think it could be the back of the front.

0:14:45.320 --> 0:14:48.360
<v Speaker 1>It's based it's behind the altar and it's where Elizabeth

0:14:48.400 --> 0:14:50.760
<v Speaker 1>is buried, although if you read the book, not to

0:14:50.800 --> 0:14:53.920
<v Speaker 1>give anything away, but that that becomes questionable. But Elizabeth

0:14:53.960 --> 0:14:57.120
<v Speaker 1>is buried there. Ironically, she's buried directly on top of

0:14:57.120 --> 0:15:01.120
<v Speaker 1>her hated sister Mary. And UM, I spent at least

0:15:01.160 --> 0:15:04.080
<v Speaker 1>half a day there, um, sort of taking notes and

0:15:04.280 --> 0:15:08.040
<v Speaker 1>trying to, um, you know, block out the scene. What

0:15:08.120 --> 0:15:10.840
<v Speaker 1>was interesting was, you know, I probably the sort of

0:15:10.880 --> 0:15:13.920
<v Speaker 1>suspicious because I spent so much time there. But the

0:15:14.360 --> 0:15:17.800
<v Speaker 1>guards they were actually called Beatles. It's very Dickenzie and

0:15:18.040 --> 0:15:21.400
<v Speaker 1>maybe even um Elizabeth Ethan but um, I love the name,

0:15:21.440 --> 0:15:23.640
<v Speaker 1>by the way, it's a it's amazing that they're still

0:15:23.640 --> 0:15:26.960
<v Speaker 1>called that. And um. There was a succession of them coming,

0:15:27.360 --> 0:15:29.120
<v Speaker 1>you know, on and off shift while I was there,

0:15:29.120 --> 0:15:32.560
<v Speaker 1>And what I really needed from them was information on

0:15:32.640 --> 0:15:36.840
<v Speaker 1>the security not of you know, the the sixteenth century,

0:15:37.280 --> 0:15:39.960
<v Speaker 1>the cameras and stuff. The cameras. Yeah, so I um

0:15:39.960 --> 0:15:41.600
<v Speaker 1>so I would you know, I would pull them aside

0:15:41.600 --> 0:15:43.320
<v Speaker 1>and say what's that up in the corner there, and

0:15:43.320 --> 0:15:45.760
<v Speaker 1>they look at me like I was insane or possibly

0:15:45.840 --> 0:15:48.960
<v Speaker 1>dangerous and say, well, you know that's an infrared camera.

0:15:49.920 --> 0:15:51.880
<v Speaker 1>So then I and that you know, they gave me

0:15:51.920 --> 0:15:54.080
<v Speaker 1>more details about when they go on when they go off,

0:15:54.080 --> 0:15:56.840
<v Speaker 1>so that I was able to then do some research

0:15:56.920 --> 0:16:00.920
<v Speaker 1>on how you could um um disable them using actually

0:16:01.080 --> 0:16:06.600
<v Speaker 1>the phone from a fire extinguisher. So and I was

0:16:06.640 --> 0:16:08.760
<v Speaker 1>really worried i'd be stopped in the way out, but

0:16:08.880 --> 0:16:10.560
<v Speaker 1>maybe they were just happy to see me go after

0:16:10.600 --> 0:16:12.560
<v Speaker 1>all the hours I'd spent there. That was a kind

0:16:12.560 --> 0:16:14.760
<v Speaker 1>of research you really can't do when the Internet. You

0:16:14.800 --> 0:16:17.120
<v Speaker 1>have to go there and see for yourself. I noticee

0:16:17.160 --> 0:16:20.760
<v Speaker 1>a character Lee Nichols, does the same thing. It's hard enough.

0:16:20.840 --> 0:16:22.880
<v Speaker 1>It's hard to hang out without moving because you look

0:16:22.960 --> 0:16:25.520
<v Speaker 1>more suspicious than if you move around. I think, yeah,

0:16:25.720 --> 0:16:27.600
<v Speaker 1>you know, I'm really sorry. I've never been to West

0:16:27.720 --> 0:16:30.080
<v Speaker 1>Mr Abbey. I've been to London, and I guess I

0:16:30.120 --> 0:16:31.720
<v Speaker 1>have to go back to London now because I really

0:16:31.760 --> 0:16:34.520
<v Speaker 1>want to see it now. Oh, it's it's really amazing.

0:16:34.600 --> 0:16:38.280
<v Speaker 1>I mean it, particularly that part of it. It's it's

0:16:38.360 --> 0:16:40.800
<v Speaker 1>it's it's just beautiful and it's and it's so full

0:16:40.840 --> 0:16:44.760
<v Speaker 1>of history. Um, it's good. Actually, the character of Lee

0:16:44.760 --> 0:16:46.800
<v Speaker 1>says that it was never her favorite place because it's

0:16:46.800 --> 0:16:50.240
<v Speaker 1>a place that commemorates death with inscriptions rather than a

0:16:50.240 --> 0:16:52.360
<v Speaker 1>place that anyone lives. But I don't feel that way.

0:16:52.400 --> 0:16:55.800
<v Speaker 1>I feel overwhelmed by history when I walk in there.

0:16:56.280 --> 0:16:58.280
<v Speaker 1>Why is it set that you believe that there's this

0:16:58.360 --> 0:17:02.600
<v Speaker 1>continuing fascination with Elizabeth. I think it's a couple of things.

0:17:02.640 --> 0:17:05.680
<v Speaker 1>The fascination with her is because she was just out

0:17:05.720 --> 0:17:10.000
<v Speaker 1>and out one of the most fascinating political leaders ever

0:17:10.080 --> 0:17:12.439
<v Speaker 1>to live. And part of the part of that is

0:17:12.480 --> 0:17:16.359
<v Speaker 1>that just that she was an absolute monarch of of

0:17:16.400 --> 0:17:21.400
<v Speaker 1>a great nation and helps oversee England's transition from maybe

0:17:21.400 --> 0:17:23.840
<v Speaker 1>a second rate power to one of, you know, a

0:17:23.960 --> 0:17:27.000
<v Speaker 1>first rate power, particularly through the defeat of the Spanish

0:17:27.160 --> 0:17:30.600
<v Speaker 1>and the Spanish Armada um. And so there's that. I

0:17:30.640 --> 0:17:34.040
<v Speaker 1>think the fact that she never married is doubly fascinating

0:17:34.040 --> 0:17:37.000
<v Speaker 1>because she, you know, she didn't get to power in

0:17:37.080 --> 0:17:39.280
<v Speaker 1>the usual or she didn't hold on to power in

0:17:39.280 --> 0:17:42.200
<v Speaker 1>the usual ways, which is exercising it through a man

0:17:42.240 --> 0:17:45.800
<v Speaker 1>immediate in Her older sister Mary married Philip of Spain

0:17:46.119 --> 0:17:49.040
<v Speaker 1>Um and they were very much co rulers. But Elizabeth

0:17:49.040 --> 0:17:51.879
<v Speaker 1>would have none of that. There's a great line that

0:17:52.400 --> 0:17:55.440
<v Speaker 1>I actually quote in the in the novel Sempers on

0:17:55.520 --> 0:17:59.359
<v Speaker 1>it by the Scottish ambassador. Um, he says, I know

0:17:59.480 --> 0:18:02.320
<v Speaker 1>the truth of that, madam, you need not tell it me.

0:18:02.680 --> 0:18:05.159
<v Speaker 1>Your majesty thinks if you were married, you would be

0:18:05.240 --> 0:18:07.600
<v Speaker 1>but Queen of England, and now you are both King

0:18:07.640 --> 0:18:10.440
<v Speaker 1>and queen. And I think that really sums up why

0:18:10.440 --> 0:18:12.199
<v Speaker 1>a lot of people are fascinated by her. That she

0:18:12.400 --> 0:18:16.040
<v Speaker 1>just she ruled kind of on her own terms. And

0:18:16.040 --> 0:18:18.399
<v Speaker 1>and you know whether or not she had a child,

0:18:18.400 --> 0:18:22.479
<v Speaker 1>and she presumably she didn't she um, she didn't marry,

0:18:22.640 --> 0:18:25.160
<v Speaker 1>and she didn't marry because she just did not want

0:18:25.200 --> 0:18:29.240
<v Speaker 1>to to to share the to share power with anyone.

0:18:29.280 --> 0:18:34.720
<v Speaker 1>And that's such a from from a historical purpose that perspective. Rather,

0:18:34.800 --> 0:18:39.359
<v Speaker 1>that seems such an interesting and unusual attitude today, we

0:18:39.400 --> 0:18:42.199
<v Speaker 1>wouldn't we wouldn't think twice about it. But then just

0:18:42.240 --> 0:18:45.000
<v Speaker 1>the idea that a woman wanted absolute power and wouldn't

0:18:45.040 --> 0:18:48.400
<v Speaker 1>even share it with a man seems quite interesting. As

0:18:48.480 --> 0:18:51.320
<v Speaker 1>for having a child, I think that the fascination with that,

0:18:51.400 --> 0:18:53.600
<v Speaker 1>again is just that people just can't don't want to

0:18:53.640 --> 0:18:57.679
<v Speaker 1>accept the idea um that that it all ended with her,

0:18:57.880 --> 0:19:02.160
<v Speaker 1>that that this that this brilliant, brilliant woman's daughter, brilliant

0:19:02.200 --> 0:19:07.840
<v Speaker 1>though quite vicious father sort of through her refusal to

0:19:07.920 --> 0:19:10.920
<v Speaker 1>marry and had a child, um and did this this

0:19:11.000 --> 0:19:14.040
<v Speaker 1>great sort of genetic line, so that people want, you know,

0:19:14.119 --> 0:19:18.159
<v Speaker 1>are very they cling to any theory or a minor

0:19:18.240 --> 0:19:21.640
<v Speaker 1>fact that might prove otherwise. And I think that's that's

0:19:21.640 --> 0:19:23.800
<v Speaker 1>really what it's all about. Yeah, there's that whole thing

0:19:23.840 --> 0:19:26.600
<v Speaker 1>about keeping the question of marriage open as a way

0:19:26.600 --> 0:19:29.520
<v Speaker 1>to keep threats away, such as say Philip of Spain

0:19:30.280 --> 0:19:33.440
<v Speaker 1>for example, who if he had married Elizabeth, would have

0:19:33.480 --> 0:19:37.560
<v Speaker 1>taken England through marriage instead of through a military campaign. Right,

0:19:37.600 --> 0:19:40.480
<v Speaker 1>And she also held onto an important bargaining ship. So

0:19:40.600 --> 0:19:43.520
<v Speaker 1>I for as long as she wasn't married, she could

0:19:43.800 --> 0:19:47.639
<v Speaker 1>use her marriage as a carrot to you know, attract

0:19:47.720 --> 0:19:50.480
<v Speaker 1>potential foreign suitors. And she did that all the time

0:19:50.640 --> 0:19:54.080
<v Speaker 1>that she was forever negotiating marriage, you know, sending her

0:19:54.080 --> 0:19:58.760
<v Speaker 1>ambassadors out to negotiate marriage contracts that never amounted to anything.

0:19:58.760 --> 0:20:00.960
<v Speaker 1>But as you say, it held off war but also

0:20:01.320 --> 0:20:04.159
<v Speaker 1>enabled her to be in a good bargaining position. You know,

0:20:04.320 --> 0:20:06.359
<v Speaker 1>not to get political on this, but maybe it shows

0:20:06.400 --> 0:20:10.080
<v Speaker 1>why her life still resonates so deeply with people. I

0:20:10.280 --> 0:20:12.520
<v Speaker 1>was the other night, I was watching some news show

0:20:12.560 --> 0:20:17.840
<v Speaker 1>about uh ched Cruz picking Carly Fiorina as his running mate,

0:20:18.160 --> 0:20:20.480
<v Speaker 1>and people said, you know, it's obviously why he did it.

0:20:20.560 --> 0:20:23.639
<v Speaker 1>But some bright pundit said, you know, he's given up

0:20:24.000 --> 0:20:27.560
<v Speaker 1>an important bargaining ship because now when he goes to

0:20:27.600 --> 0:20:30.480
<v Speaker 1>the convention, he's already has the vice vice president, but

0:20:30.600 --> 0:20:33.560
<v Speaker 1>he can't hold that out as a lure to attract

0:20:33.560 --> 0:20:36.600
<v Speaker 1>other supporters. And I think Elizabeth, this is where it

0:20:36.600 --> 0:20:40.040
<v Speaker 1>all ties in. Elizabeth did the same by not marrying.

0:20:40.359 --> 0:20:43.960
<v Speaker 1>She always had something that she could promise. There was

0:20:43.960 --> 0:20:47.600
<v Speaker 1>always the lure of giving away her hand in marriage

0:20:47.680 --> 0:20:51.119
<v Speaker 1>to attract, to gain concessions and so on. So you know,

0:20:51.160 --> 0:20:54.760
<v Speaker 1>it's funny how those lessons from the sixteenth centuries still

0:20:54.800 --> 0:20:57.879
<v Speaker 1>our woled relevance today. And the other thing in my

0:20:57.960 --> 0:21:01.000
<v Speaker 1>book is, you know, um the opening scene I'm not

0:21:01.040 --> 0:21:04.359
<v Speaker 1>giving anything away, is she gives birth, and it's a

0:21:04.400 --> 0:21:08.359
<v Speaker 1>pretty horrendous birth. I think most childbirths at the time were.

0:21:08.359 --> 0:21:12.560
<v Speaker 1>There were certainly no um anesthesia at the time, and

0:21:13.320 --> 0:21:16.359
<v Speaker 1>she was so in my book, she was so horrified

0:21:16.440 --> 0:21:19.240
<v Speaker 1>at having to endure that again that she vows, right then,

0:21:19.280 --> 0:21:22.120
<v Speaker 1>I'm never going through this again. And there were theories

0:21:22.160 --> 0:21:25.280
<v Speaker 1>that one of the reasons that she never married was

0:21:25.320 --> 0:21:27.120
<v Speaker 1>that if she married, she'd be expected to have a child,

0:21:27.160 --> 0:21:29.520
<v Speaker 1>and if she had a child, she like, I don't

0:21:29.560 --> 0:21:32.080
<v Speaker 1>know the exact figure, but but you know, a big

0:21:32.119 --> 0:21:35.720
<v Speaker 1>percentage of women would die in childbirth. Um. And thus

0:21:35.760 --> 0:21:38.359
<v Speaker 1>and thus not only you know, imperiled her own life,

0:21:38.400 --> 0:21:41.240
<v Speaker 1>but imperiled the rain and imperil the tutor dynasty and

0:21:41.240 --> 0:21:44.280
<v Speaker 1>put her country at risk. Um. So in the semper side,

0:21:44.280 --> 0:21:46.920
<v Speaker 1>did I make that quite explicit? She she knew about

0:21:46.960 --> 0:21:49.040
<v Speaker 1>the peril because she had gone through it. Um. But

0:21:49.119 --> 0:21:50.560
<v Speaker 1>a lot of people think that that's one of the

0:21:50.600 --> 0:21:53.119
<v Speaker 1>reasons she never had a child, that she she simply

0:21:53.240 --> 0:21:56.200
<v Speaker 1>was afraid, um, that it would kill her, and that

0:21:56.200 --> 0:21:59.040
<v Speaker 1>that would not only be you know, obviously not good

0:21:59.040 --> 0:22:01.160
<v Speaker 1>for her, but it would be very um would put

0:22:01.200 --> 0:22:04.680
<v Speaker 1>the entire kingdom of the risk. Well, yeah, chastidy was

0:22:04.720 --> 0:22:07.920
<v Speaker 1>not as uncommon in those days because actually, I mean

0:22:08.119 --> 0:22:10.520
<v Speaker 1>death and childbirth was very common, and there was also

0:22:10.560 --> 0:22:15.160
<v Speaker 1>things like maneial disease which were incurable. Exactly there were

0:22:15.200 --> 0:22:18.639
<v Speaker 1>I mean, you know, but you remember that back it

0:22:18.720 --> 0:22:22.800
<v Speaker 1>Lizabeth in England, it wasn't um, it wasn't a certainly

0:22:22.800 --> 0:22:28.000
<v Speaker 1>a court. It wasn't a completely chased situation. And actually, um,

0:22:28.080 --> 0:22:31.440
<v Speaker 1>you know, virginity was sort of mocked. There are instances

0:22:31.440 --> 0:22:36.000
<v Speaker 1>of Shakespeare where it's mocked. It's not necessarily, um, it's

0:22:36.119 --> 0:22:39.320
<v Speaker 1>it's certainly talked about publicly as a virtue, but it

0:22:39.400 --> 0:22:42.800
<v Speaker 1>was it was made fun of a bit behind the scenes.

0:22:42.840 --> 0:22:45.199
<v Speaker 1>But the truth is she actually gloried in it, in

0:22:45.240 --> 0:22:47.800
<v Speaker 1>her virginity, and she talked about it all the time.

0:22:47.840 --> 0:22:51.160
<v Speaker 1>That was sort of a triumph of her will over

0:22:51.359 --> 0:22:56.920
<v Speaker 1>you know, um, corporeal desire. You know, the the colony

0:22:57.000 --> 0:22:59.919
<v Speaker 1>of Virginia was named for her virginity. Um, you know,

0:23:00.000 --> 0:23:02.880
<v Speaker 1>so it was something really I didn't realize that. Yeah,

0:23:03.119 --> 0:23:05.919
<v Speaker 1>And so you know, she she gloried in it, not

0:23:06.000 --> 0:23:08.399
<v Speaker 1>because I think it showed sort of Christian virtue so

0:23:08.480 --> 0:23:12.080
<v Speaker 1>much as it showed her strength, you know, her resistance. Um.

0:23:12.119 --> 0:23:16.480
<v Speaker 1>And to actually have a colony um named for your

0:23:17.280 --> 0:23:19.760
<v Speaker 1>for your virginity is really quite extraordinary when you think

0:23:19.760 --> 0:23:22.280
<v Speaker 1>of it. Yeah, it really is. And if and if

0:23:22.320 --> 0:23:24.640
<v Speaker 1>and in fact, if any of these theories are ever

0:23:24.800 --> 0:23:30.399
<v Speaker 1>proven correct, well they have to rename Virginia. And what

0:23:30.440 --> 0:23:33.720
<v Speaker 1>would they rename it? More importantly, I guess you would

0:23:33.720 --> 0:23:36.800
<v Speaker 1>have called a pregnancia maybe west for us to be

0:23:36.880 --> 0:23:42.200
<v Speaker 1>West Pregnancia. Uh, you know, I haven't want I want

0:23:42.200 --> 0:23:43.440
<v Speaker 1>to say. By the way, I thought it was really

0:23:43.480 --> 0:23:47.439
<v Speaker 1>funny that Will Shakespeare makes an appearance in your book,

0:23:47.880 --> 0:23:50.199
<v Speaker 1>but he didn't actually get any lines. Well it was

0:23:50.320 --> 0:23:53.199
<v Speaker 1>I mean, first of all, I just was, as you know,

0:23:53.240 --> 0:23:55.840
<v Speaker 1>the Semper son it is a sonnet purported to be

0:23:55.840 --> 0:23:58.679
<v Speaker 1>by Shakespeare, which I unfortunately had to write um. And

0:23:58.720 --> 0:24:00.920
<v Speaker 1>then not only right, but in bed with all sorts

0:24:00.960 --> 0:24:04.119
<v Speaker 1>of cryptic clues and things like that. I was going

0:24:04.160 --> 0:24:06.199
<v Speaker 1>to ask you about that. How top was that it

0:24:06.280 --> 0:24:09.000
<v Speaker 1>was impossible? I spent so long, First of all, just

0:24:09.080 --> 0:24:12.960
<v Speaker 1>that just writing a Shakespeare sonnet, which this sonic will

0:24:12.960 --> 0:24:15.159
<v Speaker 1>full nobody that it was that it's by Shakespeare. But

0:24:15.160 --> 0:24:17.760
<v Speaker 1>you know, just writing the sonnet um, you know, the

0:24:17.800 --> 0:24:21.199
<v Speaker 1>fourteen lines, with the with the with the rhyme scheme, um,

0:24:21.480 --> 0:24:23.679
<v Speaker 1>was really really hard. And then almost every line in

0:24:23.800 --> 0:24:27.520
<v Speaker 1>it has an embedded clue. UM. But I am you know,

0:24:27.760 --> 0:24:31.320
<v Speaker 1>I am addicted to English crosser puzzles. I don't know

0:24:31.320 --> 0:24:33.920
<v Speaker 1>if you're familiar with them from the Times, Lendon Times,

0:24:33.920 --> 0:24:36.879
<v Speaker 1>with the Guardian. They do different kinds of puzzles than

0:24:36.920 --> 0:24:39.800
<v Speaker 1>American puzzles, which I'm also addicted to. Um. They do

0:24:39.960 --> 0:24:44.399
<v Speaker 1>cryptic puzzles, UM, which are full of puns and anagrams

0:24:44.480 --> 0:24:47.840
<v Speaker 1>and double on tender and things like that. UM. And

0:24:47.960 --> 0:24:51.760
<v Speaker 1>all of that UM is very much embedded in the Sonnet,

0:24:51.840 --> 0:24:54.280
<v Speaker 1>and actually in other parts of the novel as well.

0:24:54.680 --> 0:24:57.640
<v Speaker 1>So and and that goes back to Shakespeare himself. He

0:24:57.800 --> 0:25:00.639
<v Speaker 1>you knows, you know, his his play days and and

0:25:00.680 --> 0:25:03.199
<v Speaker 1>as sonnets to a lesser extent are full of puns

0:25:03.240 --> 0:25:05.919
<v Speaker 1>and plays on words, you know. And I was in

0:25:06.080 --> 0:25:09.960
<v Speaker 1>Romeo and Juliet when Marcuccio is dying, UM, he's noticed

0:25:09.960 --> 0:25:12.880
<v Speaker 1>sort of a joker or a jester um, and he says,

0:25:12.920 --> 0:25:15.080
<v Speaker 1>I'm I may still be a joker, but asked for

0:25:15.080 --> 0:25:17.639
<v Speaker 1>me tomorrow, and you shall find me a grave man.

0:25:18.119 --> 0:25:22.120
<v Speaker 1>So any cryptic crossword compiler as they're called or set

0:25:22.200 --> 0:25:25.280
<v Speaker 1>or would would or creator would would love that double

0:25:25.480 --> 0:25:29.040
<v Speaker 1>entendre and would use it in in their in their crosswords.

0:25:29.119 --> 0:25:31.920
<v Speaker 1>And so I wanted to embed that in the Sonnet.

0:25:32.040 --> 0:25:34.240
<v Speaker 1>And then that was a way the Sonnet was a

0:25:34.240 --> 0:25:37.439
<v Speaker 1>way of connecting the story in Elizabeth's England with the

0:25:37.480 --> 0:25:40.159
<v Speaker 1>story in the twenty one century, because the Sonnet is

0:25:40.160 --> 0:25:45.160
<v Speaker 1>discovered by Lee Nichols and so, and she gradually uncovers

0:25:45.520 --> 0:25:47.600
<v Speaker 1>the meaning of the Sonnet and what it's said about

0:25:47.600 --> 0:25:50.679
<v Speaker 1>Elizabeth's child, for instance. So why did you choose a

0:25:50.720 --> 0:25:55.240
<v Speaker 1>female lead character? Well, you know, I wanted to. I

0:25:55.280 --> 0:25:58.720
<v Speaker 1>thought it would be interesting to um. I thought it

0:25:58.760 --> 0:26:00.760
<v Speaker 1>would be interesting to make the part aagonist a woman.

0:26:00.800 --> 0:26:04.160
<v Speaker 1>I thought it would be an interesting contrast with um,

0:26:04.200 --> 0:26:07.800
<v Speaker 1>you know, Elizabeth living I guess four or five years

0:26:07.800 --> 0:26:11.160
<v Speaker 1>before and a woman living in the twenty one century,

0:26:11.400 --> 0:26:15.200
<v Speaker 1>and all the differences in their life. So that's that's

0:26:15.240 --> 0:26:17.359
<v Speaker 1>really how I came up with her. Was just thinking,

0:26:17.680 --> 0:26:20.800
<v Speaker 1>you know, I want to write a novel about two women, essentially,

0:26:20.960 --> 0:26:24.320
<v Speaker 1>one the great Elizabeth and one someone named Liz living

0:26:24.359 --> 0:26:28.640
<v Speaker 1>in the current day who early Rather not to give

0:26:28.640 --> 0:26:32.159
<v Speaker 1>anything away, lead living in the current day, who um,

0:26:32.200 --> 0:26:35.360
<v Speaker 1>you know, has many more choices um, and can live

0:26:35.400 --> 0:26:39.159
<v Speaker 1>a much different life um. But and in some ways

0:26:39.359 --> 0:26:43.399
<v Speaker 1>has more sort of personal power than even an absolute

0:26:43.440 --> 0:26:47.040
<v Speaker 1>monarch living in the sixteenth century. UM. And that's that's

0:26:47.080 --> 0:26:48.600
<v Speaker 1>really how I came up with her. I thought it'd

0:26:48.600 --> 0:26:52.359
<v Speaker 1>be interesting to contrast two women living at different times. Uh,

0:26:52.400 --> 0:26:55.240
<v Speaker 1>and I made her a scholar of Elizabethan literature, just

0:26:55.280 --> 0:26:57.760
<v Speaker 1>because I knew that that would be how she would

0:26:58.040 --> 0:27:03.000
<v Speaker 1>plausibly come into contact with this supposedly lost sonnet and

0:27:03.040 --> 0:27:05.840
<v Speaker 1>be able to read it and understand its significance. So

0:27:06.040 --> 0:27:09.640
<v Speaker 1>so Lee Nichols goes on her own in the investigation,

0:27:09.720 --> 0:27:12.560
<v Speaker 1>rather than having a man backing her up or anything

0:27:12.600 --> 0:27:15.560
<v Speaker 1>like that, much kind of like Elizabeth. Yeah, and I

0:27:15.600 --> 0:27:17.919
<v Speaker 1>wanted that to be the case. Also, that she she

0:27:18.040 --> 0:27:21.040
<v Speaker 1>took her pleasure where she wanted and needed it, but

0:27:21.240 --> 0:27:25.480
<v Speaker 1>that she was very much determined to be independent and

0:27:25.600 --> 0:27:27.879
<v Speaker 1>to be alone and and and actually has you know,

0:27:28.040 --> 0:27:31.040
<v Speaker 1>twenty one century terms, we would say maybe intimacy problems.

0:27:31.080 --> 0:27:33.320
<v Speaker 1>I don't know that Elizabeth would have said that about herself,

0:27:33.680 --> 0:27:36.400
<v Speaker 1>but uh, and I and that's exactly right. That's that

0:27:36.400 --> 0:27:38.480
<v Speaker 1>That was the contrast that I thought would be interesting

0:27:38.520 --> 0:27:41.800
<v Speaker 1>to explore in this book. So you handed in an

0:27:41.840 --> 0:27:44.560
<v Speaker 1>email to us that there was a final clue in

0:27:44.600 --> 0:27:48.040
<v Speaker 1>the book that didn't get sold. Um, so what was

0:27:48.080 --> 0:27:50.920
<v Speaker 1>that final clue? Yeah, so I thought it would be fun.

0:27:51.000 --> 0:27:54.200
<v Speaker 1>As I said, I am, I am a avid solver

0:27:54.960 --> 0:27:58.440
<v Speaker 1>of English cryptic puzzles, particularly those in the Guardian, which

0:27:58.440 --> 0:28:00.800
<v Speaker 1>you can get you can download for from the internet.

0:28:01.680 --> 0:28:05.080
<v Speaker 1>And I'm hoping that the book will connect with people

0:28:05.760 --> 0:28:09.120
<v Speaker 1>um here and in England and everywhere who do these puzzles,

0:28:09.119 --> 0:28:11.840
<v Speaker 1>because it's they are a bit of an obsession Um

0:28:11.920 --> 0:28:15.440
<v Speaker 1>and the clues that are within the Sonnet are all

0:28:15.480 --> 0:28:19.359
<v Speaker 1>the kinds of clues that someone who solves English cryptic

0:28:19.400 --> 0:28:23.160
<v Speaker 1>puzzles would immediately see his clues and would work at

0:28:23.760 --> 0:28:26.720
<v Speaker 1>um and probably be able to solve. So when in

0:28:26.800 --> 0:28:28.600
<v Speaker 1>one of the very last scenes, I'm gonna try not

0:28:28.640 --> 0:28:31.159
<v Speaker 1>to give anything away about the novel, but in one

0:28:31.200 --> 0:28:33.760
<v Speaker 1>of the very last scenes of the Semper son itt Uh,

0:28:34.000 --> 0:28:38.160
<v Speaker 1>just before lee Um tosses I don't want to say,

0:28:38.280 --> 0:28:42.240
<v Speaker 1>but before she disposes of a certain important element in

0:28:42.280 --> 0:28:45.000
<v Speaker 1>the book, Let's say she writes, but she writes on

0:28:45.040 --> 0:28:46.560
<v Speaker 1>a piece of paper. I'll just read it. It's only

0:28:46.560 --> 0:28:49.480
<v Speaker 1>four short lines. She writes on a pizza paper. Here

0:28:49.560 --> 0:28:52.200
<v Speaker 1>queen for word, I'd bring from distant time and place

0:28:52.600 --> 0:28:55.840
<v Speaker 1>the auger class, the common man and firm embrace ony

0:28:55.880 --> 0:28:59.400
<v Speaker 1>Swaki mali post you friend of gold are made in France,

0:28:59.640 --> 0:29:02.480
<v Speaker 1>so only swacum ality post is the emblem of I

0:29:02.480 --> 0:29:06.320
<v Speaker 1>think it's the Royal how order of the Garden, but

0:29:06.400 --> 0:29:10.400
<v Speaker 1>it's actually the motto of the of the English royal family. Interestingly,

0:29:10.880 --> 0:29:12.920
<v Speaker 1>it's in France, but it means shame on you who

0:29:12.960 --> 0:29:15.120
<v Speaker 1>think bad of it. Only swaciuman ality post. So I'm

0:29:15.160 --> 0:29:19.000
<v Speaker 1>embedded that. But anyone who does cryptic cross words of

0:29:19.040 --> 0:29:20.800
<v Speaker 1>the type that run in the Garden at the times

0:29:20.880 --> 0:29:23.040
<v Speaker 1>would be able to hear read those four lines and

0:29:23.120 --> 0:29:27.680
<v Speaker 1>instantly know that those are cryptic clues that have a

0:29:27.760 --> 0:29:31.200
<v Speaker 1>very specific solution. So I have it in there. She

0:29:31.360 --> 0:29:34.960
<v Speaker 1>tosses it into the sea. The character lead but um

0:29:35.040 --> 0:29:39.080
<v Speaker 1>and and and doesn't tell the reader what those lines mean.

0:29:39.600 --> 0:29:43.120
<v Speaker 1>But I'm hoping that there are readers of the novel

0:29:44.120 --> 0:29:47.840
<v Speaker 1>who see it as a embedded clue and are able

0:29:47.880 --> 0:29:50.200
<v Speaker 1>to solve it. And I'm hoping to actually connect with them,

0:29:50.240 --> 0:29:53.320
<v Speaker 1>maybe through Twitter or Facebook or somehow, because it intrigues me,

0:29:53.360 --> 0:29:56.480
<v Speaker 1>and I'm curious how many people will will recognize that

0:29:56.560 --> 0:29:58.720
<v Speaker 1>for one of those like that, that would be really

0:29:58.760 --> 0:30:01.840
<v Speaker 1>interesting to see, you know, if people do solve it,

0:30:02.400 --> 0:30:04.240
<v Speaker 1>and you know who shows up to solve it, and

0:30:05.160 --> 0:30:07.960
<v Speaker 1>it'll be cool to see how many people respond. And

0:30:08.120 --> 0:30:09.680
<v Speaker 1>I'd like to ask you, by the way, they're going

0:30:09.680 --> 0:30:13.040
<v Speaker 1>to be a sequel to your book, where the problem

0:30:13.120 --> 0:30:15.160
<v Speaker 1>that's kind of at the heart of the Semper sonnet

0:30:15.240 --> 0:30:20.280
<v Speaker 1>will sort of come back again. Well, so I may

0:30:20.320 --> 0:30:22.920
<v Speaker 1>write a sequel. I've sort of fleshed that on my

0:30:22.960 --> 0:30:26.840
<v Speaker 1>mind a little bit. Um. It won't involve Semper per se.

0:30:26.960 --> 0:30:29.080
<v Speaker 1>It will involve Lee and the secret that we know

0:30:29.160 --> 0:30:32.360
<v Speaker 1>about her uh from the end of the book. Um.

0:30:32.400 --> 0:30:35.360
<v Speaker 1>And it will also involve her sort of a bridge

0:30:35.400 --> 0:30:38.160
<v Speaker 1>between the twenty one century and the character of Blee

0:30:38.200 --> 0:30:41.440
<v Speaker 1>and elizabethan England. So it will have that, it won't

0:30:41.480 --> 0:30:44.680
<v Speaker 1>be Semper again. So I have sort of sketched that

0:30:44.760 --> 0:30:48.240
<v Speaker 1>out a little bit of paper, mostly in my mind

0:30:48.240 --> 0:30:50.160
<v Speaker 1>because I like her as a character and I like

0:30:50.280 --> 0:30:51.600
<v Speaker 1>what we know about her at the end. I think

0:30:51.600 --> 0:30:54.600
<v Speaker 1>it's sort of interesting. Um, So it would be I

0:30:54.600 --> 0:30:56.200
<v Speaker 1>think it would be fun for me to to try

0:30:56.240 --> 0:30:58.440
<v Speaker 1>to keep her alive. So I'll see how, you know,

0:30:58.480 --> 0:31:01.160
<v Speaker 1>if readers connect with her as a actor, um, And

0:31:01.200 --> 0:31:03.680
<v Speaker 1>if I do, then I will definitely um, I will

0:31:03.720 --> 0:31:07.960
<v Speaker 1>solve the clue um for for all those who didn't

0:31:08.000 --> 0:31:10.800
<v Speaker 1>solve them on their own. Well, it's it's been fun

0:31:10.840 --> 0:31:14.880
<v Speaker 1>talking to you but indeed, yeah, but it's it's probably

0:31:15.080 --> 0:31:18.000
<v Speaker 1>you're probably out of time. And so is there anything

0:31:18.040 --> 0:31:19.760
<v Speaker 1>else before we wrap up the interview that you'd like

0:31:19.800 --> 0:31:22.080
<v Speaker 1>to tell us, Um, Well, not really. I mean, the

0:31:22.160 --> 0:31:24.360
<v Speaker 1>one thing that I think is interesting, um and that

0:31:24.440 --> 0:31:26.880
<v Speaker 1>might be relevant to this podcast is that one of

0:31:26.920 --> 0:31:29.240
<v Speaker 1>the theories you've probably come across it in your research

0:31:29.640 --> 0:31:31.840
<v Speaker 1>that that is not explored in the sempers on it,

0:31:31.920 --> 0:31:34.560
<v Speaker 1>but it's something I've been aware of and and sort

0:31:34.560 --> 0:31:37.280
<v Speaker 1>of in some ways ties it all together. That you know,

0:31:37.320 --> 0:31:40.040
<v Speaker 1>one of the other theories about Elizabeth is that she

0:31:40.240 --> 0:31:43.480
<v Speaker 1>actually was you know, had had a child with the

0:31:43.480 --> 0:31:45.840
<v Speaker 1>Earl of Oxford. So of course, you know, there's all

0:31:45.840 --> 0:31:49.200
<v Speaker 1>these theories that Elizabeth had a bastard child. But there's

0:31:49.240 --> 0:31:53.400
<v Speaker 1>also even more theories that Shakespeare didn't write his own plays,

0:31:53.680 --> 0:31:57.000
<v Speaker 1>and there's you know, all sorts of theories advanced for

0:31:57.040 --> 0:31:58.960
<v Speaker 1>who that could be. And one of them is Edward

0:31:59.000 --> 0:32:00.680
<v Speaker 1>de vere the Earl of a Start, who was in

0:32:00.720 --> 0:32:03.320
<v Speaker 1>fact a writer on his own and so you know,

0:32:03.360 --> 0:32:06.040
<v Speaker 1>the thought is that he was the true author of

0:32:06.080 --> 0:32:08.719
<v Speaker 1>the works of Shakespeare. And so there are theories that

0:32:08.880 --> 0:32:12.360
<v Speaker 1>actually Elizabeth had an affair with him and that and

0:32:12.360 --> 0:32:15.720
<v Speaker 1>and and that their child um was someone was the

0:32:15.720 --> 0:32:20.520
<v Speaker 1>Earl of Southampton, who UM figures prominently um in some

0:32:20.720 --> 0:32:23.560
<v Speaker 1>of these In these theories, I think the sonnets are

0:32:23.600 --> 0:32:27.920
<v Speaker 1>are are dedicated to him. So in a weird way,

0:32:28.040 --> 0:32:31.800
<v Speaker 1>the conspiracy theories about Elizabeth, about Elizabeth having a child

0:32:31.880 --> 0:32:35.400
<v Speaker 1>and Shakespeare not writing his own books are conjoined with

0:32:35.440 --> 0:32:38.480
<v Speaker 1>this theory that she might have been actually had an

0:32:38.480 --> 0:32:42.640
<v Speaker 1>affair with the Earl of Oxford, Edward de Vere who

0:32:42.800 --> 0:32:45.880
<v Speaker 1>was the true, the true Shakespeare. There are also theories

0:32:45.960 --> 0:32:49.760
<v Speaker 1>that their son was the true Shakespeare uh, and that

0:32:49.920 --> 0:32:52.120
<v Speaker 1>Francis Bacon was and that she might have had an

0:32:52.160 --> 0:32:54.360
<v Speaker 1>affair with him, or that he in fact was the

0:32:54.400 --> 0:32:57.880
<v Speaker 1>son of hers. So it all gets very very tangled

0:32:58.240 --> 0:33:02.200
<v Speaker 1>um theories. It's also, you know, just as we it

0:33:02.320 --> 0:33:05.960
<v Speaker 1>seems frustrating that a great person like Elizabeth, you know,

0:33:06.120 --> 0:33:09.920
<v Speaker 1>couldn't pass on her greatness to another generation and generations

0:33:09.960 --> 0:33:12.680
<v Speaker 1>after that. There's also a frustration that, you know, the

0:33:12.760 --> 0:33:17.400
<v Speaker 1>greatest writer of the English language, perhaps any language, was

0:33:17.440 --> 0:33:21.600
<v Speaker 1>this obscure actor, playwright who we don't know much about.

0:33:21.680 --> 0:33:23.880
<v Speaker 1>It would be so much more satisfying to think that

0:33:24.080 --> 0:33:26.400
<v Speaker 1>he was one of these larger than life characters like

0:33:26.480 --> 0:33:29.840
<v Speaker 1>the Earl of Oxford or Francis bacon Um. And so

0:33:30.160 --> 0:33:33.160
<v Speaker 1>from that frustration, I think is born all of these

0:33:33.160 --> 0:33:34.200
<v Speaker 1>conspiracy theories.