WEBVTT - Empire Records with Shelli Nicole

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<v Speaker 1>On the be Dol Cast. The questions asked if movies

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<v Speaker 1>have women in them, are all their discussions just boyfriends

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<v Speaker 1>and husbands, or do they have individualism? The patriarchy? Zef

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<v Speaker 1>in best start changing it with the Bedel Cast. Hey Jamie,

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<v Speaker 1>Hey Caitlan. Guess what, but it's Rex Manning Day on

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<v Speaker 1>the Bechdel Cast. How are you going to celebrate? I'm

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<v Speaker 1>going to get the ugliest self tanner I can possibly find,

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<v Speaker 1>and and uh and and uh. I don't know is

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<v Speaker 1>there a full music video for that? Because I want

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<v Speaker 1>to see it. It seems like they shot a full one. Yeah.

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<v Speaker 1>I was kind of into like until you get to

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<v Speaker 1>know him better. I was kind of interacts Manning's like sound.

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<v Speaker 1>I was like, you know, I was like, you know,

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<v Speaker 1>I I know he's he's there for the moms, but

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<v Speaker 1>I would show up. What's the song? Say no more

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<v Speaker 1>mona more? It's really good? I was like, you know,

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<v Speaker 1>I could I can put that in my morning rotation,

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<v Speaker 1>No problem. Sure, how are you going to be observing

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<v Speaker 1>Rex Manning Day? I am going to I was gonna say,

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<v Speaker 1>remember when he punches a teenager? I was gonna say,

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<v Speaker 1>I'm gonna punch a teenager. But I'm not going to

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<v Speaker 1>do that. Remember what the protagonist of the movie also

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<v Speaker 1>punches a teenager. You have Joe punch as a teenager.

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<v Speaker 1>But they're like no, but it's a paternal thing. You're like, well,

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<v Speaker 1>that does make it worse. But okay, so much happens

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<v Speaker 1>in this movie, and yet not that much happens in

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<v Speaker 1>the movies. To me. The main character is liv Tyler's

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<v Speaker 1>crop top, and that is very important to me. The

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<v Speaker 1>true protagonists. I love it, I want it, I can't

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<v Speaker 1>pull it off. Uh, it's the Empire Records episode of

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<v Speaker 1>the Back Took. Yes. So this is our show where

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<v Speaker 1>we examine movies through an intersectional feminist lens, using the

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<v Speaker 1>Bechtel Tests simply as a jumping off point for our discussion. Jamie,

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<v Speaker 1>can you remind me on this bright and sunny mix

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<v Speaker 1>Rex Manning Day the mixed Franny? Yikes, my brain is tired.

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<v Speaker 1>Can you remind me what the Bechtel cast Nope podcast

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<v Speaker 1>about it? It's a dark okay. The Bechtel test is

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<v Speaker 1>was like, Caitlin, wake up, wake up, you're dreaming. He's

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<v Speaker 1>going great. I ate some weed brownies and now I'm

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<v Speaker 1>in a gar eight music video. Oh. I was like, Kyla,

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<v Speaker 1>you can't. You don't do that. I ate fruit and

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<v Speaker 1>nuts this morning and I got like grate. I started like,

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<v Speaker 1>I got mad at I don't sometimes when make healthy choices,

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<v Speaker 1>I'm like, who the funk do you think you are?

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<v Speaker 1>I was like looking at my fruit and nuts like, oh, oh,

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<v Speaker 1>you're really going to make a change. Get a grip. Anyways,

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<v Speaker 1>the Bectel test is, and those internal monologues past the

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<v Speaker 1>Bechtel test. Wow, true, Yeah, because my rage it myself

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<v Speaker 1>is about women. So the Bechtel test is a media

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<v Speaker 1>metric created by alsin Bechtels, sometimes called the Bucktel Wallace test. Uh.

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<v Speaker 1>Many different versions of this test, but the one that

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<v Speaker 1>we use on the show requires that two characters of

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<v Speaker 1>a marginalized gender with names must speak to each other

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<v Speaker 1>about something other than a man for more than two

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<v Speaker 1>lines of dialogue. And as you will learn in our

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<v Speaker 1>Empire Records episode, it doesn't matter how weird or chaotic

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<v Speaker 1>that dialogue is. So that's the Becktel test. We're covering

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<v Speaker 1>Empire Records today. It's been a request for quite some time,

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<v Speaker 1>and we have an amazing guest to observe, Rex Manning

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<v Speaker 1>Day with Oh my Gosh, I can't wait. So. She

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<v Speaker 1>is a culture editor at Auto Straddle. She's also written

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<v Speaker 1>for Thrillist, Bitch Media, and Vogue Magazine. She is Shelley Nicole. Welcome. Um.

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<v Speaker 1>We were toying off Mike with introducing I mean, we're

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<v Speaker 1>all in on it, but possibly bring you in as

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<v Speaker 1>Shreky Nicole and just seeing how far into the episode

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<v Speaker 1>we at the end. That is exactly what I'd like

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<v Speaker 1>to be referred. I will change my Twitter handle if

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<v Speaker 1>I have to. I promise you I will like Shreky.

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<v Speaker 1>What's your history with records? I think so Like Caitlin

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<v Speaker 1>was talking about taking me brownies in Agua video before

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<v Speaker 1>you mentioned the Guar video, I was just like, so,

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<v Speaker 1>that's what kind of podcast this is. I knew it all.

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<v Speaker 1>I wish I could do weed every time I consume,

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<v Speaker 1>not do Weedkit. You sound like you're in the CIA

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<v Speaker 1>when you say stuff like that, Hello, fellow kids, want

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<v Speaker 1>to do some weed and listen to some war on

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<v Speaker 1>our walkman, like on the clock at work while I'm

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<v Speaker 1>literally supposed to be like working. Is that before or

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<v Speaker 1>after he Um low key assaults a woman by grabbing

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<v Speaker 1>her foot and kissing at her foot. I think that

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<v Speaker 1>was after when she was just trying to do ballet

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<v Speaker 1>and mind her own business and he kisses her feet. Yeah,

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<v Speaker 1>and he tries to kiss her head. Also. Yeah, it's

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<v Speaker 1>not a good look. Mark. It's not a good look.

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<v Speaker 1>Mark is a disaster. I'm so excited to talk about

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<v Speaker 1>this movie, especially just like learning about the production of

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<v Speaker 1>this movie is so wild, and some of the results

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<v Speaker 1>of that is you just get like bizarro disembodied shots

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<v Speaker 1>like that that you're like, what is happening? What am I?

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<v Speaker 1>What is the takeaway? And sometimes they're like, that was

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<v Speaker 1>just kind of a vibes based shot that we chose.

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<v Speaker 1>We just kind of felt like doing it, and it's

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<v Speaker 1>so we're gonna do it. Let's party Party. The narrative

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<v Speaker 1>trajectory in this movie is so hard to track and

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<v Speaker 1>fall I was getting so much whiplash. I'll save it.

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<v Speaker 1>But Okay, Shelly, I'm sorry. Shreky, Shreky, thank you very much.

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<v Speaker 1>Thank you. Tell us about your history, your relationship with

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<v Speaker 1>Empire Records. Um, it literally started with Live Tyler's crap

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<v Speaker 1>top and I'm commented, So when you said that, I

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<v Speaker 1>was like, Yeah, that's it. I watched this movie in

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<v Speaker 1>middle school and found it when I was in Blackbuster.

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<v Speaker 1>I used to go to Blackbuster with my dad. Sorry,

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<v Speaker 1>I used to force my father to take me to

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<v Speaker 1>Blackbuster on Friday. And I would always been like an

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<v Speaker 1>insane amount of time, like trying to pick out one video,

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<v Speaker 1>and it was to the point where he would eventually

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<v Speaker 1>start waiting in the car, and then I would bang

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<v Speaker 1>on the Blockbuster window and be like I'm ready to

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<v Speaker 1>check out, Like that's how long it would take me,

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<v Speaker 1>like pick a movie. But I found this movie. I

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<v Speaker 1>go through still like spurts of like I only want

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<v Speaker 1>to watch movies about this specific subject. And at that time,

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<v Speaker 1>I was obsessed with school girls. Into me that meant

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<v Speaker 1>that anybody wearing a plaid skirt was clearly a school girl. Right,

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<v Speaker 1>that's incorrect. But I saw this movie like on one

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<v Speaker 1>of the shelves, and I grabbed it because of her

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<v Speaker 1>crop top and because of the skirt, but also I

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<v Speaker 1>grabbed it because I recognized her from And this wasn't

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<v Speaker 1>like two thousand when I saw it, right, I recognized

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<v Speaker 1>her from the Aerosmith video as the other girl who

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<v Speaker 1>was with Share because I just knew yeah, I just

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<v Speaker 1>knew at leash was Silverstona's share Um, and I had

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<v Speaker 1>never really seen her in anything else. But that video

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<v Speaker 1>is also kind of a queer route for me, so

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<v Speaker 1>I all that, and I was just like, so, if

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<v Speaker 1>she's in this, I don't know, maybe share might show up,

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<v Speaker 1>but also maybe it'll be a little gay. I obviously

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<v Speaker 1>wasn't using the word gay at that time in my life,

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<v Speaker 1>but I thought maybe I would get a crossover. And

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<v Speaker 1>I saw it, I rented it, and then I proceeded

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<v Speaker 1>to rent it like maybe every week for the next

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<v Speaker 1>two months. Instead of just asking to fucking buy movie.

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<v Speaker 1>You like, sunk fifty dollars into the Empire Record industrial complex.

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<v Speaker 1>They needed the money. They lost a lot of money.

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<v Speaker 1>They absolutely lost a lot of fucking cash. But I

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<v Speaker 1>made up for at least within two months of Blockbuster

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<v Speaker 1>video fees. Um and I rented it over and over.

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<v Speaker 1>I watched it, and I just loved it because at

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<v Speaker 1>the time, I was trying to insert myself into movies.

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<v Speaker 1>I've always loved films and stuff like that, but at

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<v Speaker 1>that time in my life, I was trying to like

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<v Speaker 1>insert myself in some way into that world of whatever

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<v Speaker 1>movie I was watching, so it's epically teen films. And

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<v Speaker 1>I have an obsession still to this day with movies

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<v Speaker 1>that take place in one day, because it's easier for

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<v Speaker 1>me to put myself inside of that world if it's

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<v Speaker 1>just one day, Like what would I wear? Which one

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<v Speaker 1>of these characters would I be friends with? So like

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<v Speaker 1>in Ferris Bueller, two hundred Cigarettes, the Breakfast Club, Mall Rats,

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<v Speaker 1>all those movies one day and say with Empire Records,

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<v Speaker 1>and then I just got obsessed with the storyline. And

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<v Speaker 1>then I was like thirteen or something when I tried

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<v Speaker 1>to like go and work at this record store in Ferndale, Michigan.

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<v Speaker 1>I'm from Detroit, and they were like a year thirteen,

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<v Speaker 1>and I was like, yeah, but I've been watching this

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<v Speaker 1>fucking movie man, and I like really want to work

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<v Speaker 1>at a record store. And they were like, you're you

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<v Speaker 1>can't work here. So you were like the Warren. I

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<v Speaker 1>was absolutely Warren, and I Warren is a wild character,

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<v Speaker 1>but he's probably like my second favorite character in the movie.

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<v Speaker 1>But that's my connection with it, my love it to

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<v Speaker 1>this day. And then you wrote a wonderful piece on

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<v Speaker 1>the film in which you discuss your connection with it.

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<v Speaker 1>And the friendship between Gina and Corey. And yeah, well

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<v Speaker 1>we'll very excited to get into that. We'll talk about that,

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<v Speaker 1>but um, yeah, well we're so excited to discuss further, Jamie,

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<v Speaker 1>what's your relationship with this movie? No history with this movie.

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<v Speaker 1>I had not seen it before, which I don't know.

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<v Speaker 1>I guess I am having kind of a tricky time

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<v Speaker 1>knowing and like, how popular is this movie. I know

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<v Speaker 1>that it was like a flop on release and then

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<v Speaker 1>it has become kind of a cult classic, but I

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<v Speaker 1>don't I'm like, I don't know how many people I

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<v Speaker 1>know have seen this movie if I'm unusual for having

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<v Speaker 1>not seen it. There are so many famous people and

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<v Speaker 1>it also so I hadn't seen this movie. I've got

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<v Speaker 1>such intense whiplash watching it. But there were parts I

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<v Speaker 1>really enjoyed and and learning about I think I may

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<v Speaker 1>be like learning about the production of this movie even

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<v Speaker 1>more than I liked the movie itself, because it's just

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<v Speaker 1>such a wild story and once you know, like basically

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<v Speaker 1>for for listeners who are not familiar with it, it's

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<v Speaker 1>this movie was just like hacked to death by studio executives.

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<v Speaker 1>It was originally forty minutes longer. I guess they cut

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<v Speaker 1>three major characters. I have some guesses. Is it what

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<v Speaker 1>they are that Lady Jane. I feel like I had

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<v Speaker 1>to have had something else, Like you can just see it,

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<v Speaker 1>like there was a really, really like good script at

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<v Speaker 1>some point, and then they just cut out whole chunks

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<v Speaker 1>of it. So then you get stuff like liv Tyler

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<v Speaker 1>is addicted to pills, and it's like, there's only ten

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<v Speaker 1>minutes left in the movie, what are you talking about, um, etcetera.

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<v Speaker 1>I just thought it was a chaotic, weird wild ride.

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<v Speaker 1>I'm very excited to talk about it. Caitlin, what's your

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<v Speaker 1>history with Empire Records? I also had no history. I

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<v Speaker 1>thought I had seen this movie. I thought this is

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<v Speaker 1>one of those movies that I like watched in college

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<v Speaker 1>because I was like, I have to watch all these

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<v Speaker 1>you know, cult classics and all this stuff. And I

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<v Speaker 1>think I had just seen a bunch of similar movies,

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<v Speaker 1>such as Reality Bites, Small Rats, High Fidelity, Dazed and Confused, maybe,

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<v Speaker 1>like I'd seen all those and I just thought, this

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<v Speaker 1>is a lot of Rene's Elwigger movies. Really, But then

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<v Speaker 1>I started watching the movie and none of it was

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<v Speaker 1>familiar and I realized I in fact had never seen it, So, um,

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<v Speaker 1>I don't want to be the villain of the episode.

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<v Speaker 1>But I do like the movie, especially from like a

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<v Speaker 1>screenwriting standpoint, and we'll talk about how the story that unfolds,

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<v Speaker 1>and as kind of like muddled and random and like

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<v Speaker 1>whiplashy as it often gets, it's like not the fault

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<v Speaker 1>of the screenwriter, because, like you said, Jamie, there's a

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<v Speaker 1>lot of studio notes and and changes and also like

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<v Speaker 1>post product action changes that made the from a screenwriting

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<v Speaker 1>point of view, the story really right, which which tell

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<v Speaker 1>you like laid out really clearly in in your piece

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<v Speaker 1>as well of just like how much was hacked out

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<v Speaker 1>of this A lot of stuff went through it because

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<v Speaker 1>I got to talk to Carol Hypening, so I got

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<v Speaker 1>to talk to like the writer and everything about it,

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<v Speaker 1>and it was really cool and she was telling me

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<v Speaker 1>just like and woke get into it obviously, but like

0:13:25.440 --> 0:13:29.160
<v Speaker 1>just how hacked up the movie ended up being like

0:13:29.320 --> 0:13:33.720
<v Speaker 1>for the audience when it actually came out versus the

0:13:33.800 --> 0:13:36.280
<v Speaker 1>cult classic when like maybe ten years later when people

0:13:36.320 --> 0:13:38.440
<v Speaker 1>like me found it and like still loved it. But

0:13:38.480 --> 0:13:40.800
<v Speaker 1>it went through a lot. It went through a lot

0:13:42.320 --> 0:13:45.439
<v Speaker 1>so just like watching the movie with having no nostalgia

0:13:45.480 --> 0:13:47.839
<v Speaker 1>attached to it, having never seen it, watching it for

0:13:47.880 --> 0:13:51.839
<v Speaker 1>the first time in two as a person in my

0:13:51.880 --> 0:13:56.200
<v Speaker 1>mid thirties, I don't have quite the same attachment to it.

0:13:56.360 --> 0:13:59.480
<v Speaker 1>It was rooting for Mitch, it was, it was rooting

0:13:59.480 --> 0:14:02.560
<v Speaker 1>for Mitch. Was like, yeah, music Town, She's like making

0:14:02.640 --> 0:14:07.880
<v Speaker 1>up a day store again. Music sucks, Tower Records me.

0:14:08.480 --> 0:14:14.120
<v Speaker 1>That's what I want. Capitalism, Yes, I do love I

0:14:14.160 --> 0:14:17.880
<v Speaker 1>mean that nineties convention where they're like, capitalism is one

0:14:18.000 --> 0:14:23.960
<v Speaker 1>guy exactly capitalism. It's just this one person in and

0:14:24.040 --> 0:14:29.920
<v Speaker 1>he wants to sail toilets, so and he's not that bad,

0:14:30.040 --> 0:14:35.000
<v Speaker 1>and You're like, what is happening? I love it. So

0:14:35.360 --> 0:14:38.160
<v Speaker 1>the movie isn't necessarily for me, but there's a lot

0:14:38.240 --> 0:14:41.480
<v Speaker 1>to talk about, so I'm excited to get into it. Yeah,

0:14:41.640 --> 0:14:46.920
<v Speaker 1>I guess I will attempt to recap the movie good Luck.

0:14:48.400 --> 0:14:52.280
<v Speaker 1>I think will be the greatest challenge of my career.

0:14:52.520 --> 0:14:57.680
<v Speaker 1>Shelley jump in. Whenever you you know the text, I

0:14:57.760 --> 0:15:01.120
<v Speaker 1>refuse because I've been like listening and I've been being like,

0:15:01.200 --> 0:15:05.240
<v Speaker 1>okay during the recap, shut the buck up, and I

0:15:05.280 --> 0:15:08.720
<v Speaker 1>will probably chime in two to seven times. But like,

0:15:08.800 --> 0:15:10.960
<v Speaker 1>other than that, I don't think this is going to

0:15:11.040 --> 0:15:16.720
<v Speaker 1>be a very long recap. Is also that it's longer

0:15:16.760 --> 0:15:19.960
<v Speaker 1>than you think. Oh my gosh. Yeah, but there's all

0:15:20.000 --> 0:15:21.960
<v Speaker 1>these things that happened, and then it's like, well, it's

0:15:22.320 --> 0:15:25.560
<v Speaker 1>never referenced again, but it didn't technically happen. It did

0:15:25.800 --> 0:15:29.440
<v Speaker 1>kind of happen. Yeah, so I'll jump in occasionally. Okay, cool,

0:15:29.640 --> 0:15:33.600
<v Speaker 1>All right, here we go. So we meet Lucas played

0:15:33.600 --> 0:15:37.160
<v Speaker 1>by Rory Cochrane. He is one of the employees of

0:15:37.320 --> 0:15:42.640
<v Speaker 1>Empire Records, which is an indie record store in We're

0:15:42.640 --> 0:15:47.320
<v Speaker 1>not sure what part of the country. He briefly chats

0:15:47.360 --> 0:15:51.280
<v Speaker 1>with his colleague Gina played by Rene's Elwigger about how

0:15:51.320 --> 0:15:54.120
<v Speaker 1>tonight is a big night for him because their boss,

0:15:54.320 --> 0:15:58.680
<v Speaker 1>Joe is trusting Lucas to lock up, which means counting

0:15:58.680 --> 0:16:01.520
<v Speaker 1>the money dropping in to say all that stuff. And

0:16:01.640 --> 0:16:05.040
<v Speaker 1>as he's doing that, Lucas notices some paperwork about a

0:16:05.080 --> 0:16:09.920
<v Speaker 1>corporate buyout of Empire Records by this conglomerate music town.

0:16:10.360 --> 0:16:14.200
<v Speaker 1>This is all like narrated by Lucas in this opening sequence,

0:16:14.480 --> 0:16:18.040
<v Speaker 1>which is it's just one of the many bizarre things

0:16:18.080 --> 0:16:20.000
<v Speaker 1>this movie does that makes me laugh. That kind of

0:16:20.040 --> 0:16:23.640
<v Speaker 1>comes and goes, and there's not really any rules about

0:16:23.640 --> 0:16:26.440
<v Speaker 1>it where he's like narrating it like he's fucking Hunter

0:16:26.640 --> 0:16:31.880
<v Speaker 1>s Thompson. He's like, oh, oh no, we're being bought out.

0:16:31.920 --> 0:16:33.480
<v Speaker 1>And then he was like sometimes I'm like, is he

0:16:33.520 --> 0:16:37.000
<v Speaker 1>talking to camera? And then sometimes people are talking to camera,

0:16:37.080 --> 0:16:38.960
<v Speaker 1>but then most of the time they're not. Sometimes they're

0:16:38.960 --> 0:16:41.920
<v Speaker 1>just talking to themselves. It's so confusing, right, it doesn't

0:16:41.920 --> 0:16:45.600
<v Speaker 1>happen enough to make it a consistent motif, but it does.

0:16:46.080 --> 0:16:49.240
<v Speaker 1>It does happen often enough that you notice it, so

0:16:49.840 --> 0:16:52.880
<v Speaker 1>that I wish it happen more because it's whenever I do,

0:16:52.960 --> 0:16:56.080
<v Speaker 1>like when someone turns to camera, I'm like, that's such

0:16:56.120 --> 0:16:59.000
<v Speaker 1>a goofy choice, and I always like it. It's my

0:16:59.320 --> 0:17:02.840
<v Speaker 1>favorite thing, and it's even more of a thing when

0:17:02.880 --> 0:17:08.960
<v Speaker 1>it's unnecessary, and then in consistent it's even better. If

0:17:08.960 --> 0:17:12.760
<v Speaker 1>it's a mess. I want more of it. So anyway,

0:17:12.880 --> 0:17:15.720
<v Speaker 1>clearly the store is in financial trouble because of this

0:17:15.840 --> 0:17:18.880
<v Speaker 1>like corporate buyout that's about to happen. So Lucas gets

0:17:18.880 --> 0:17:21.920
<v Speaker 1>the idea to take the money that they earned that day.

0:17:21.960 --> 0:17:23.400
<v Speaker 1>I think, or I don't know if it's like all

0:17:23.440 --> 0:17:25.000
<v Speaker 1>the money in the safe. I'm not sure, but it's

0:17:25.080 --> 0:17:29.040
<v Speaker 1>nine thou dollars. Take it to Atlantic City and gamble

0:17:29.119 --> 0:17:31.760
<v Speaker 1>with it to try to earn enough to save the

0:17:31.800 --> 0:17:38.680
<v Speaker 1>store Capitalism. Unfortunately, Lucas loses all of the money and

0:17:38.720 --> 0:17:41.960
<v Speaker 1>then heads out of town the next morning on his motorcycle.

0:17:42.000 --> 0:17:44.720
<v Speaker 1>But don't worry, he'll be He'll be right back. Um.

0:17:44.760 --> 0:17:47.720
<v Speaker 1>But the boss Joe comes into the store. He can't

0:17:47.720 --> 0:17:50.960
<v Speaker 1>find the money. He's freaking out. Meanwhile, we meet the

0:17:51.000 --> 0:17:54.280
<v Speaker 1>other staff as they come into work that day, a

0:17:54.480 --> 0:17:59.600
<v Speaker 1>j played by Johnny Whitworth. Mark played by Ethan embry

0:18:00.080 --> 0:18:04.159
<v Speaker 1>Aj is like this artsy sensitive type. Mark is like

0:18:05.160 --> 0:18:10.120
<v Speaker 1>stoner doofis. We also meet Corey played by Liv Tyler.

0:18:10.280 --> 0:18:12.639
<v Speaker 1>She's like little miss perfect. I'm going to go to

0:18:12.720 --> 0:18:17.520
<v Speaker 1>Harvard and she's wearing that crop top. Yes, she just

0:18:17.600 --> 0:18:23.880
<v Speaker 1>wanted to shout it out. It's important feminist icon blue sweater.

0:18:24.960 --> 0:18:27.880
<v Speaker 1>And then we see Gina again again. That's Renee Selwigger.

0:18:28.080 --> 0:18:32.320
<v Speaker 1>She's like this sloody one quote unquote. They all come

0:18:32.320 --> 0:18:36.560
<v Speaker 1>into work. They are all teenagers, question mark. We're not

0:18:36.640 --> 0:18:39.800
<v Speaker 1>sure how old these people are really, except for Liv Tyler,

0:18:39.840 --> 0:18:41.920
<v Speaker 1>who seems to be a senior in high school, right.

0:18:41.960 --> 0:18:48.320
<v Speaker 1>I think they're like between eighteen and like twenty three four. Yeah,

0:18:48.640 --> 0:18:51.240
<v Speaker 1>I think so too, because it's really only clear that

0:18:51.320 --> 0:18:55.879
<v Speaker 1>it's her because she's going to hard she's going to Harvard, right. Yeah.

0:18:55.920 --> 0:19:00.040
<v Speaker 1>Other than that, I think everyone's like un think it

0:19:00.760 --> 0:19:03.120
<v Speaker 1>right because it's like implied that some of them are

0:19:03.200 --> 0:19:07.679
<v Speaker 1>like working at Empire Records instead of going to college

0:19:07.840 --> 0:19:10.760
<v Speaker 1>or something. Don't worry, there's not going to be a

0:19:10.920 --> 0:19:13.639
<v Speaker 1>talk about loans or any people in movies don't have

0:19:13.680 --> 0:19:16.640
<v Speaker 1>college loans. It's just not a thing, right. But they're

0:19:16.680 --> 0:19:18.880
<v Speaker 1>just like I don't know, like do I want to

0:19:18.960 --> 0:19:21.080
<v Speaker 1>keep chilling out here or do I want to go

0:19:21.160 --> 0:19:24.680
<v Speaker 1>to art school in Boston? Like, honestly, as someone who

0:19:24.720 --> 0:19:27.920
<v Speaker 1>did that, don't go to art school in Boston. Keep

0:19:27.960 --> 0:19:30.800
<v Speaker 1>your record store job. You're wasting your fucking money and

0:19:30.920 --> 0:19:35.600
<v Speaker 1>your life. Okay, don't do it. Zero at attention, would

0:19:35.640 --> 0:19:39.000
<v Speaker 1>not do again, and so much debt for no fucking reason.

0:19:39.080 --> 0:19:42.520
<v Speaker 1>Didn't learn a single thing. No, I um as someone

0:19:42.520 --> 0:19:46.719
<v Speaker 1>who went to screenwriting school and got a screenwriting master's degree,

0:19:47.359 --> 0:19:49.520
<v Speaker 1>I mean you use it every week, Caitlyn. I use

0:19:49.600 --> 0:19:52.600
<v Speaker 1>it every single week, every single week. Can I tell

0:19:52.640 --> 0:19:54.480
<v Speaker 1>you how much I wanted you to say that you

0:19:54.600 --> 0:19:56.520
<v Speaker 1>bring not that you bring it up a lot. You know,

0:19:56.640 --> 0:19:58.600
<v Speaker 1>no bigs. I would never, I would never bring it.

0:19:59.520 --> 0:20:03.200
<v Speaker 1>You're not Hanna person. But I'm so excited and hoping

0:20:03.240 --> 0:20:06.640
<v Speaker 1>that you would just occasionally a little bit. There it is,

0:20:07.640 --> 0:20:10.560
<v Speaker 1>and it's true. It's all true. It's all true. Okay.

0:20:10.640 --> 0:20:14.399
<v Speaker 1>So we meet the staff and also that day is

0:20:14.560 --> 0:20:18.160
<v Speaker 1>Rex Manning Day at the store. So a pop star

0:20:18.280 --> 0:20:20.560
<v Speaker 1>named Rex Manning who kind of had his heyday in

0:20:20.600 --> 0:20:23.399
<v Speaker 1>the eighties, it seems, is coming into the store to

0:20:23.680 --> 0:20:28.240
<v Speaker 1>sign autographs and promote his new album. I think they're

0:20:28.280 --> 0:20:31.960
<v Speaker 1>mapping him on like Barry Manila. I was trying to

0:20:32.280 --> 0:20:35.280
<v Speaker 1>is it Barry Manila? Okay, because I was like, visually

0:20:35.359 --> 0:20:39.480
<v Speaker 1>he's giving Barry Manilo. And I do love that he's

0:20:39.800 --> 0:20:44.000
<v Speaker 1>so furious that all of his like listeners are his age.

0:20:44.000 --> 0:20:47.960
<v Speaker 1>I'm like, what did you what did you expect, sir? Leave,

0:20:48.240 --> 0:20:51.960
<v Speaker 1>These mothers are paying your rent. Show some respect. I

0:20:52.000 --> 0:20:55.040
<v Speaker 1>have a whole thing about his fan base in the movie,

0:20:55.200 --> 0:21:00.240
<v Speaker 1>and like what that telegraphs to the audience. Yeah, that's well,

0:21:00.240 --> 0:21:02.760
<v Speaker 1>I mean it's like classic gen X movie like people

0:21:02.800 --> 0:21:08.680
<v Speaker 1>over thirty should die like God, the most annoying generation.

0:21:08.760 --> 0:21:11.960
<v Speaker 1>Sorry to our listeners who are remember of it. I

0:21:11.960 --> 0:21:15.040
<v Speaker 1>mean whatever, our our generation takes plenty of ship. I

0:21:15.040 --> 0:21:18.480
<v Speaker 1>mean maybe every generation is bad, just putting it on,

0:21:18.760 --> 0:21:22.000
<v Speaker 1>wipe out the species. Done. We've had our chance and

0:21:22.040 --> 0:21:24.520
<v Speaker 1>we blew it as humans. Whatever, Millennials and we have

0:21:24.640 --> 0:21:30.840
<v Speaker 1>ugly pants like, it's fine. Whatever. Our generation never figured

0:21:30.840 --> 0:21:33.760
<v Speaker 1>out pants, and I stand by that. I really just don't.

0:21:33.760 --> 0:21:36.520
<v Speaker 1>I think we tried like several times to like get

0:21:36.560 --> 0:21:39.919
<v Speaker 1>down pants that would work on more than one body

0:21:39.960 --> 0:21:43.480
<v Speaker 1>type conceptually, and we just like kept fumbling it into

0:21:43.560 --> 0:21:48.479
<v Speaker 1>an interesting way. Excuse me, my boot cut flair legs

0:21:48.680 --> 0:21:53.280
<v Speaker 1>from American Eagle. We're awesome. I'm wearing skinny jeans that

0:21:53.320 --> 0:21:55.239
<v Speaker 1>I glued to my body and I think that they

0:21:55.280 --> 0:22:00.880
<v Speaker 1>actually look and feel really comfortable. Just like, alright, we

0:22:00.880 --> 0:22:04.800
<v Speaker 1>we fucked up pants? Yeah yeah, yeah, Okay. So we

0:22:05.080 --> 0:22:08.960
<v Speaker 1>established that it's Rex Manning day. Corey wants to lose

0:22:09.000 --> 0:22:14.320
<v Speaker 1>her virginity to Rex Manning while he's there. We also

0:22:14.560 --> 0:22:18.240
<v Speaker 1>learned that a J is secretly in love with Corey,

0:22:18.320 --> 0:22:20.680
<v Speaker 1>and today is the day that he plans to tell her.

0:22:21.320 --> 0:22:24.960
<v Speaker 1>We meet another employee who comes in, Deborah, played by

0:22:25.280 --> 0:22:31.399
<v Speaker 1>Robin Tuney. She comes in, she shaves her head, She

0:22:31.560 --> 0:22:35.119
<v Speaker 1>has a bandage on her wrist, which some of the

0:22:35.119 --> 0:22:41.000
<v Speaker 1>other staff notices. She also has a pretty antagonistic relationship

0:22:41.040 --> 0:22:45.480
<v Speaker 1>with many other members of the staff, especially Corey and Gina. Yeah,

0:22:45.560 --> 0:22:49.000
<v Speaker 1>she's a guy's guy. I feel that's fun of the

0:22:49.080 --> 0:22:51.240
<v Speaker 1>more frustrating things about this movie, where it's like, there's

0:22:51.280 --> 0:22:54.560
<v Speaker 1>there's clearly was so much more to Deb's story, our

0:22:54.640 --> 0:22:57.439
<v Speaker 1>devs ory at one point, and it it just feels

0:22:57.440 --> 0:22:58.840
<v Speaker 1>so obvious that so much of it went away, And

0:22:58.840 --> 0:23:01.200
<v Speaker 1>it's like, I want, I want this context of why

0:23:01.280 --> 0:23:03.280
<v Speaker 1>you struggle to connect with other women, because I feel

0:23:03.280 --> 0:23:05.200
<v Speaker 1>like it would have landed so much better. When she's

0:23:05.320 --> 0:23:08.280
<v Speaker 1>it seems like she has issues with her mom, and

0:23:08.760 --> 0:23:10.560
<v Speaker 1>I just I was like, Oh, there was a story

0:23:10.560 --> 0:23:12.080
<v Speaker 1>in there, but we didn't we didn't get to see

0:23:12.080 --> 0:23:16.639
<v Speaker 1>it anyways. Um. Then Lucas shows back up the guy

0:23:16.680 --> 0:23:19.080
<v Speaker 1>who had taken the nine thousand dollars at the beginning

0:23:19.080 --> 0:23:21.840
<v Speaker 1>of the movie. Joe is like, where's my money, and

0:23:21.960 --> 0:23:25.760
<v Speaker 1>Lucas tells Joe that it is recirculating in Atlantic City,

0:23:25.840 --> 0:23:29.640
<v Speaker 1>which is very funny. Then Joe is like, Okay, well

0:23:29.640 --> 0:23:32.679
<v Speaker 1>what the hell? And he considers calling the cops and

0:23:32.720 --> 0:23:36.400
<v Speaker 1>pressing charges against Lucas, but he does not do that

0:23:36.920 --> 0:23:40.480
<v Speaker 1>because fathers and sons. I can't do that. And then

0:23:40.560 --> 0:23:44.439
<v Speaker 1>Joe explains that he had gotten together enough money to

0:23:44.600 --> 0:23:49.159
<v Speaker 1>buy the store from the owner, this guy Mitch a

0:23:49.680 --> 0:23:54.440
<v Speaker 1>Mr Capitalism, Mr Capitalism, and this would have allowed Joe

0:23:54.600 --> 0:23:57.640
<v Speaker 1>to stop Mitch from selling the store to Music Town.

0:23:58.119 --> 0:24:00.440
<v Speaker 1>But now he can't do that because this nine thou

0:24:00.640 --> 0:24:04.080
<v Speaker 1>dollars is gone because apparently it costs nine only nine

0:24:04.119 --> 0:24:09.440
<v Speaker 1>thousand dollars. Like where do they live? And that's the thing,

0:24:09.640 --> 0:24:13.520
<v Speaker 1>especially because he comes back so fast, like even if

0:24:13.560 --> 0:24:16.520
<v Speaker 1>he gets back the next day, like where are they?

0:24:16.600 --> 0:24:20.320
<v Speaker 1>But then also they're like on this like really pretty seaside,

0:24:20.440 --> 0:24:22.520
<v Speaker 1>because when Mark goes out to take a break, you

0:24:22.560 --> 0:24:24.720
<v Speaker 1>see that, and then when I go pick up Corey,

0:24:25.040 --> 0:24:28.680
<v Speaker 1>you see all that. I don't know, but it only

0:24:28.720 --> 0:24:32.120
<v Speaker 1>costs nine thousand dollars to save a record store, so

0:24:32.440 --> 0:24:35.240
<v Speaker 1>not to save, but to buy. Right, that has like

0:24:35.320 --> 0:24:41.720
<v Speaker 1>beach front property, yeah, and three floors, right, so much

0:24:41.760 --> 0:24:46.280
<v Speaker 1>square footage, so much square footage. It's downtown. There's three floors.

0:24:46.640 --> 0:24:50.000
<v Speaker 1>It's beach front property. It has a beautiful smoke break

0:24:50.080 --> 0:24:53.040
<v Speaker 1>section and a place for staff to live because Berkele

0:24:53.160 --> 0:24:56.920
<v Speaker 1>lives back there. Oh wait, I didn't even realize that. Yeah,

0:24:57.119 --> 0:24:59.359
<v Speaker 1>he like comes from back and so I don't know.

0:24:59.359 --> 0:25:02.120
<v Speaker 1>It's a very good live work space for nine thousand dollars.

0:25:02.320 --> 0:25:06.240
<v Speaker 1>So that is so funny because I and again I'm like,

0:25:06.320 --> 0:25:08.600
<v Speaker 1>I also like jen X, don't yell at me. I

0:25:08.600 --> 0:25:11.040
<v Speaker 1>love you guys. It's all good. But like, I'm just like,

0:25:11.320 --> 0:25:13.560
<v Speaker 1>what are you guys so upset about it costs nine

0:25:13.600 --> 0:25:17.240
<v Speaker 1>thousand dollars to have a three floor house downtown, Like

0:25:17.720 --> 0:25:20.600
<v Speaker 1>enjoy it? Well at last, bit like, what are you

0:25:20.640 --> 0:25:24.560
<v Speaker 1>so mad about? Anyways? I don't know, man, it's all

0:25:25.280 --> 0:25:30.440
<v Speaker 1>man the man. Shuck the man. The man. Mr Cavilism

0:25:30.480 --> 0:25:38.639
<v Speaker 1>is peeing on my floor like ass like all right, okay. So,

0:25:39.040 --> 0:25:42.280
<v Speaker 1>because Lucas lost this nine thousand dollars, Joe has no

0:25:42.400 --> 0:25:45.040
<v Speaker 1>choice but to transition the store into a music town

0:25:45.200 --> 0:25:48.520
<v Speaker 1>very soon, which means that they would have to again

0:25:48.640 --> 0:25:52.919
<v Speaker 1>answer to the man, they'd lose the cool indie vibe

0:25:52.960 --> 0:25:55.959
<v Speaker 1>of the store, they'd have to follow all these strict rules,

0:25:56.240 --> 0:25:59.639
<v Speaker 1>so no one who works at Empire Records is happy

0:25:59.680 --> 0:26:02.119
<v Speaker 1>about this, which is true. I mean I like that,

0:26:02.280 --> 0:26:04.840
<v Speaker 1>like this is like all based on Tower Records and

0:26:04.880 --> 0:26:08.880
<v Speaker 1>like that whole story and like saving Indian like that

0:26:09.240 --> 0:26:11.520
<v Speaker 1>end of stuff. I'm like, oh, that's like very compelling

0:26:11.560 --> 0:26:15.000
<v Speaker 1>and cool, and places like that truly do not exist anymore.

0:26:15.040 --> 0:26:17.280
<v Speaker 1>Like Tower Records I think been out of business and

0:26:17.359 --> 0:26:20.880
<v Speaker 1>like oh five or something. Yeah, I mean it reminds

0:26:20.880 --> 0:26:24.520
<v Speaker 1>me of working at like an indie alts comedy venue,

0:26:24.520 --> 0:26:27.560
<v Speaker 1>which I did for several years, and like the vibe

0:26:27.560 --> 0:26:32.040
<v Speaker 1>and the camaraderie with your fellow staff, and that was

0:26:32.080 --> 0:26:35.680
<v Speaker 1>my favorite aspect of the movie. But um, yeah, so

0:26:35.720 --> 0:26:39.600
<v Speaker 1>I get I get that. Yeah, So what's the next

0:26:39.640 --> 0:26:41.880
<v Speaker 1>scene that happens? Because it's truly just like and then

0:26:41.920 --> 0:26:46.760
<v Speaker 1>another scene happens so hard to keep track of, but

0:26:46.840 --> 0:26:52.520
<v Speaker 1>I think it's that Lucas stops a shoplifter, Warren, who

0:26:52.800 --> 0:26:55.400
<v Speaker 1>is trying to steal a bunch of CDs. The staff

0:26:55.560 --> 0:26:58.800
<v Speaker 1>shames Warren and then they make him stick around just

0:26:58.840 --> 0:27:02.159
<v Speaker 1>sitting on a couch while they wait for the cops

0:27:02.240 --> 0:27:05.040
<v Speaker 1>to show up. I was just like, there is this

0:27:05.160 --> 0:27:08.840
<v Speaker 1>weird like no exit vibe to that room. Like it's

0:27:08.880 --> 0:27:12.359
<v Speaker 1>just kind of like Empire Records Purgatory, where it's like,

0:27:12.359 --> 0:27:14.280
<v Speaker 1>if you're in trouble, you just have to sit in

0:27:14.280 --> 0:27:16.560
<v Speaker 1>this room and you could leave at any time, but

0:27:16.640 --> 0:27:20.320
<v Speaker 1>for whatever reason, you don't, right, yeah, yeah, because Joe

0:27:20.560 --> 0:27:24.320
<v Speaker 1>is like, Lucas, you stole nine dollars from me, Well,

0:27:24.480 --> 0:27:26.679
<v Speaker 1>gosh darn it, you better sit on this couch and

0:27:26.720 --> 0:27:28.600
<v Speaker 1>don't you dare get up from that couch, And then

0:27:28.920 --> 0:27:31.400
<v Speaker 1>Lucas just stays on the couch for like the first

0:27:31.440 --> 0:27:39.320
<v Speaker 1>half of the movie. Daddy said, so okay. So then,

0:27:39.960 --> 0:27:43.120
<v Speaker 1>so the people are lining up for Rex Manning day.

0:27:43.320 --> 0:27:47.760
<v Speaker 1>Rex Manning shows up with someone who might be his assistant,

0:27:47.800 --> 0:27:50.840
<v Speaker 1>it might be his publicist. We're not really sure what

0:27:50.960 --> 0:27:53.439
<v Speaker 1>Jane's job is. I'm convinced this is one of the

0:27:53.520 --> 0:27:56.960
<v Speaker 1>characters that got super super cut down because she seems

0:27:56.960 --> 0:28:00.680
<v Speaker 1>like there yeaheah, and it's sad here too, which is

0:28:00.720 --> 0:28:03.480
<v Speaker 1>justing like incredible. Who I'd like to nominate for the

0:28:03.520 --> 0:28:07.240
<v Speaker 1>Eyebrow Hall of Fame to this day, Yes, yes, Like

0:28:07.400 --> 0:28:10.040
<v Speaker 1>if you see her on Younger where she plays like,

0:28:10.200 --> 0:28:12.440
<v Speaker 1>I don't know, the coolest dyke in the world. Um,

0:28:12.840 --> 0:28:16.000
<v Speaker 1>eyebrows are still like, I'm like doing a rewatch of

0:28:16.080 --> 0:28:19.320
<v Speaker 1>Younger right now. Um, but she's like incredible eyebrows. But

0:28:19.359 --> 0:28:23.199
<v Speaker 1>also in nineteen Nighties, like she had beautiful nine eyebrows.

0:28:23.520 --> 0:28:27.200
<v Speaker 1>She did. Yeah, she's I It took me until her

0:28:27.240 --> 0:28:32.080
<v Speaker 1>second appearance in Empire Records to be like, she's from Younger, Younger,

0:28:32.320 --> 0:28:37.359
<v Speaker 1>Underrated baby, underrated show. She's so great. Yeah, that character.

0:28:37.480 --> 0:28:40.560
<v Speaker 1>Like again, I mean, so many characters are full chaos,

0:28:40.720 --> 0:28:43.880
<v Speaker 1>but her in particular, where she's like there and then

0:28:44.160 --> 0:28:46.720
<v Speaker 1>she has a scene and then she's like I quit.

0:28:46.840 --> 0:28:48.520
<v Speaker 1>But she says I quit to Joe, and I'm like,

0:28:48.640 --> 0:28:51.560
<v Speaker 1>do you work for him? And then later she comes

0:28:51.560 --> 0:28:53.240
<v Speaker 1>back and she's like, Okay, Joe, I want to go

0:28:53.280 --> 0:28:54.640
<v Speaker 1>on a date with you. And I was like, how

0:28:54.680 --> 0:28:59.440
<v Speaker 1>old are any of these characters? I don't understand how

0:28:59.440 --> 0:29:01.120
<v Speaker 1>do they know each other? I thought that they were

0:29:01.200 --> 0:29:04.240
<v Speaker 1>meeting at the beginning of that our thought so too. Yeah,

0:29:04.280 --> 0:29:08.040
<v Speaker 1>but apparently Empire Records is going to Empire Records in

0:29:08.040 --> 0:29:10.040
<v Speaker 1>that I don't know what the funk is happening at

0:29:10.080 --> 0:29:14.160
<v Speaker 1>any given point in the movie. Oh gosh, Okay, So

0:29:14.280 --> 0:29:18.560
<v Speaker 1>Rex starts signing autographs. He seems very resentful that His

0:29:18.640 --> 0:29:22.680
<v Speaker 1>fan base is largely middle aged women. Mostly. Everyone who

0:29:22.680 --> 0:29:26.960
<v Speaker 1>works at Empire Records thinks that Rex Manning sucks and

0:29:27.160 --> 0:29:29.040
<v Speaker 1>Jane is like, oh, yeah, I guess he does suck.

0:29:29.120 --> 0:29:31.120
<v Speaker 1>I quit working for him, but I'm going to tell

0:29:31.960 --> 0:29:36.760
<v Speaker 1>Joe and not Rex and tell someone unrelated. Then another

0:29:36.800 --> 0:29:41.280
<v Speaker 1>employee shows up Burko. He and Deborrah seem to have

0:29:41.360 --> 0:29:44.760
<v Speaker 1>some history. There's also been other scenes, you know, scattered

0:29:44.760 --> 0:29:48.720
<v Speaker 1>throughout the movie of things like stuff putting on music

0:29:48.760 --> 0:29:53.120
<v Speaker 1>and dancing around the store, quick conversations between various characters

0:29:53.160 --> 0:29:57.240
<v Speaker 1>to establish more of their like relationship dynamic, other random

0:29:57.280 --> 0:30:00.240
<v Speaker 1>things here and there. Those scenes are fun. I love

0:30:00.280 --> 0:30:03.240
<v Speaker 1>the concept of Veto. That was my one of my favorite.

0:30:03.280 --> 0:30:05.320
<v Speaker 1>I was like, oh, that is such a record store,

0:30:05.560 --> 0:30:10.200
<v Speaker 1>Like it's so cool and definitely something I tried to

0:30:10.640 --> 0:30:14.920
<v Speaker 1>implement in drama club and in high school, except no

0:30:15.000 --> 0:30:16.640
<v Speaker 1>one fucking you know what I was talking about. So

0:30:16.680 --> 0:30:17.840
<v Speaker 1>I just like, I had to eat my bag of

0:30:17.880 --> 0:30:20.760
<v Speaker 1>skittles and I was like, it's fine. Just because you

0:30:20.760 --> 0:30:23.680
<v Speaker 1>guys don't know film doesn't mean that that has anything

0:30:23.720 --> 0:30:25.920
<v Speaker 1>to do with me. But whatever, They're like, what is

0:30:25.960 --> 0:30:32.280
<v Speaker 1>Shreky talking about? Shreky, please sit down, and I was

0:30:32.360 --> 0:30:35.080
<v Speaker 1>just like, you know what, in about ten years, I'm

0:30:35.080 --> 0:30:37.800
<v Speaker 1>gonna have my day about this movie. So it'll be fine.

0:30:38.680 --> 0:30:42.520
<v Speaker 1>But also click side note, the guy who played Burko

0:30:43.080 --> 0:30:47.160
<v Speaker 1>was Live tyler stepdad at the time. Yes, oh, Coyote

0:30:47.240 --> 0:30:51.479
<v Speaker 1>Shivers is his name? Yeah, of course. Okay, first of all,

0:30:51.520 --> 0:30:55.240
<v Speaker 1>of course, Live Tyler. How's a stepdad named Coyote. I've

0:30:55.280 --> 0:30:57.959
<v Speaker 1>never been less shocked in my life. Live Tyler's had

0:30:58.000 --> 0:31:00.880
<v Speaker 1>such a wildlife. I was gonna say, if you ever

0:31:01.000 --> 0:31:03.560
<v Speaker 1>have an opportunity, you just want to go for a

0:31:03.640 --> 0:31:08.280
<v Speaker 1>quick ride on Wikipedia, go to Live Tyler's Wikipedia page.

0:31:08.760 --> 0:31:12.320
<v Speaker 1>It's a roller coaster. Sometimes it's like sometimes I get

0:31:12.360 --> 0:31:14.760
<v Speaker 1>annoyed at nepotism stuff, and then you read Live Tyler's

0:31:14.760 --> 0:31:17.400
<v Speaker 1>Wikipedia page and it's like she deserves everything she has

0:31:17.520 --> 0:31:20.760
<v Speaker 1>because she's been through enough. There is so much weirdness

0:31:20.800 --> 0:31:24.440
<v Speaker 1>in that poor woman's life. And and if you want

0:31:24.680 --> 0:31:28.320
<v Speaker 1>a real journey of the spirit, watch Live Tyler's Architectural

0:31:28.440 --> 0:31:33.479
<v Speaker 1>Digest video because it's like she's a weird lady. Do

0:31:33.560 --> 0:31:38.320
<v Speaker 1>you okay? This is taking I love a good Kismet moment. Sorry, Caitlin,

0:31:38.600 --> 0:31:41.640
<v Speaker 1>just like, um, can you all shut this is my

0:31:41.760 --> 0:31:45.680
<v Speaker 1>seventh and final interruption. By the way, don't limit yourself.

0:31:45.960 --> 0:31:50.480
<v Speaker 1>I hate this. Was making my partner watch Architectural Digest videos.

0:31:50.960 --> 0:31:53.800
<v Speaker 1>We've been watching them all morning and it started because

0:31:53.800 --> 0:31:56.760
<v Speaker 1>I was like, let's watch Little Tyler like and we've

0:31:56.760 --> 0:31:59.880
<v Speaker 1>been watching them older. It's my favorite one because I

0:32:00.160 --> 0:32:02.640
<v Speaker 1>want it. I want it all right. Sorry, back to

0:32:02.680 --> 0:32:06.520
<v Speaker 1>the insane plot that is Empire. I don't know where

0:32:06.560 --> 0:32:09.040
<v Speaker 1>we are in it, but I don't know. You love

0:32:09.120 --> 0:32:15.480
<v Speaker 1>Tyler and Dakota Johnson, two weird nepotisms giving the Architectural

0:32:15.560 --> 0:32:17.959
<v Speaker 1>Digest tours of a lifetime. You're just like, oh, no

0:32:17.960 --> 0:32:20.960
<v Speaker 1>one's ever told you that you're weird before because you're

0:32:20.960 --> 0:32:23.000
<v Speaker 1>so beautiful and you grew up with so much money.

0:32:23.280 --> 0:32:25.760
<v Speaker 1>But you're being so weird right now with Tyler. But

0:32:25.880 --> 0:32:35.040
<v Speaker 1>you're fucking weird, man. Yeah, I love it. Okay. Um.

0:32:35.360 --> 0:32:39.320
<v Speaker 1>The next thing that happens is Mitch, the guy who

0:32:39.360 --> 0:32:44.040
<v Speaker 1>owns Empire Records, shows up to pick up yesterday's money.

0:32:44.440 --> 0:32:47.800
<v Speaker 1>Joe decides not to rat Lucas out for stealing it,

0:32:47.880 --> 0:32:51.760
<v Speaker 1>and instead, Joe stuffs the like money pouch thing full

0:32:51.800 --> 0:32:53.760
<v Speaker 1>of scrap paper to make it seem like it's full

0:32:53.760 --> 0:32:57.400
<v Speaker 1>of cash, and then he gives that to Mitch. Then

0:32:58.080 --> 0:33:04.640
<v Speaker 1>Corey insists on fixing lunch for Rex Manning because that's

0:33:04.640 --> 0:33:08.720
<v Speaker 1>going to be her opportunity to seduce him, which she

0:33:09.280 --> 0:33:13.160
<v Speaker 1>tries to do and he's basically like, okay, well you

0:33:13.200 --> 0:33:18.360
<v Speaker 1>can suck my dick, and then she realizes like, oh no, yeah.

0:33:18.360 --> 0:33:21.840
<v Speaker 1>She feels humiliated. She runs up to the roof, where

0:33:21.960 --> 0:33:26.120
<v Speaker 1>she bumps into a J who finally professes his love

0:33:26.200 --> 0:33:30.520
<v Speaker 1>for her, but she is distraught and she wants to

0:33:30.520 --> 0:33:36.960
<v Speaker 1>be alone, so he leaves feeling very rejected. Then Gina

0:33:37.000 --> 0:33:41.440
<v Speaker 1>tries to comfort Corey about this Rex Manning thing, but

0:33:41.840 --> 0:33:47.479
<v Speaker 1>Corey ends up aggressively slut shaming Gina. So then Gina

0:33:48.000 --> 0:33:53.800
<v Speaker 1>decides to seduce Rex Manning and she has sex with him.

0:33:54.000 --> 0:33:56.720
<v Speaker 1>While that's going on, Corey goes up to a J

0:33:57.160 --> 0:34:00.360
<v Speaker 1>and says, I'm sorry I freaked out before, but I

0:34:00.440 --> 0:34:02.760
<v Speaker 1>just don't think of you like that. You're my best friend,

0:34:03.320 --> 0:34:06.080
<v Speaker 1>and I'm like, that's news to me because I thought

0:34:06.080 --> 0:34:08.880
<v Speaker 1>your best friend was Gina or what, like, are you

0:34:08.960 --> 0:34:12.120
<v Speaker 1>friends at all? We haven't seen you talk on screen yet.

0:34:12.480 --> 0:34:14.279
<v Speaker 1>I'm sure that, I was like, I'm sure that they

0:34:14.440 --> 0:34:16.680
<v Speaker 1>I thought they. I feel like the movie was like

0:34:16.960 --> 0:34:19.520
<v Speaker 1>and she doesn't even know I exist. But then she's like,

0:34:19.600 --> 0:34:21.640
<v Speaker 1>you're my best friend. I was like, she doesn't. She

0:34:22.800 --> 0:34:27.360
<v Speaker 1>just wants nothing to do with you. Very Maniloian enough

0:34:27.560 --> 0:34:32.680
<v Speaker 1>for her, apparently, I guess, but yeah, I know. And

0:34:32.680 --> 0:34:35.480
<v Speaker 1>then it was like she at the I mean, whatever,

0:34:35.600 --> 0:34:37.400
<v Speaker 1>things are about to get so out of control. But

0:34:37.560 --> 0:34:39.560
<v Speaker 1>she's like, you're such a talented artist. And I was like,

0:34:39.719 --> 0:34:41.960
<v Speaker 1>have we seen him do any art? Do we know

0:34:42.000 --> 0:34:44.800
<v Speaker 1>why his art looks like what is he? Eddy good

0:34:45.160 --> 0:34:48.360
<v Speaker 1>fluide some quarters to the floor called that art? We

0:34:48.400 --> 0:34:50.600
<v Speaker 1>do see him like sketching some things here and there,

0:34:50.640 --> 0:34:52.880
<v Speaker 1>and he don't seem to be a pretty talented artist,

0:34:52.960 --> 0:34:57.040
<v Speaker 1>so I'll allow it. But good for him. That scene

0:34:57.040 --> 0:34:59.920
<v Speaker 1>did remind me of what is it when like Steve's

0:35:00.080 --> 0:35:03.960
<v Speaker 1>on Cat from Stuart Little, or someone's like fresh friend,

0:35:04.719 --> 0:35:12.680
<v Speaker 1>best friend, there, role, move over, every everything he's ever done.

0:35:13.239 --> 0:35:17.560
<v Speaker 1>Steven'son as Cat from Stewart Little is so funny. Noble,

0:35:17.640 --> 0:35:20.880
<v Speaker 1>you're my best friend? Oh my god, it's so funny.

0:35:21.239 --> 0:35:23.560
<v Speaker 1>He should he could have been. He could have been

0:35:23.600 --> 0:35:25.560
<v Speaker 1>in this movie. He would have fit into this world.

0:35:25.640 --> 0:35:31.640
<v Speaker 1>Alfred Molina could have played Joe, yeah, because with his

0:35:31.760 --> 0:35:37.920
<v Speaker 1>name and Joe is played by Anthony Lapolio Paglia Apolia.

0:35:38.200 --> 0:35:40.160
<v Speaker 1>I'm not sure. I did not know who this man was,

0:35:40.280 --> 0:35:42.279
<v Speaker 1>but I did figure out halfway through that he is

0:35:42.320 --> 0:35:47.160
<v Speaker 1>definitely Australian because he kept forgetting that his character wasn't Australian,

0:35:47.880 --> 0:35:49.799
<v Speaker 1>where he just like it was a little thing when

0:35:49.800 --> 0:35:52.080
<v Speaker 1>he was just like, I forget. He was like talking

0:35:52.120 --> 0:35:54.840
<v Speaker 1>to Lucas about something and he's like, you give the

0:35:54.880 --> 0:35:59.640
<v Speaker 1>money back. You're like, whoa wait, hold on, where are we? Oh?

0:36:00.280 --> 0:36:03.000
<v Speaker 1>I kept being like, I know that's not Bill Pullman,

0:36:03.320 --> 0:36:07.000
<v Speaker 1>but is it Bill Pullman? Yeah? Big Bill Pullman wasn't

0:36:07.000 --> 0:36:13.279
<v Speaker 1>available vibes, I mean, Okay. So Corey has told a

0:36:13.440 --> 0:36:16.839
<v Speaker 1>j she thinks of him as her best friend and

0:36:16.880 --> 0:36:19.799
<v Speaker 1>that's why she's not interested in him romantically, and he's

0:36:19.840 --> 0:36:22.960
<v Speaker 1>like that's bullshit and he storms off, and then we

0:36:23.000 --> 0:36:26.759
<v Speaker 1>see Corey take a pill, which I think is the

0:36:26.760 --> 0:36:30.080
<v Speaker 1>first time we've seen her do that, the implication being

0:36:30.120 --> 0:36:33.200
<v Speaker 1>that she is like dealing with addiction or you know,

0:36:33.280 --> 0:36:37.880
<v Speaker 1>drug abuse issues. So then there's a scene where the

0:36:38.040 --> 0:36:42.839
<v Speaker 1>entire store starts dancing to Rex Manning's song while Rex

0:36:42.880 --> 0:36:46.960
<v Speaker 1>Manning and Gina are having sex in another room. But

0:36:47.040 --> 0:36:50.399
<v Speaker 1>then Joe comes down into the store and he's like, well,

0:36:50.520 --> 0:36:53.319
<v Speaker 1>enjoy this while you can, because this time next week

0:36:53.680 --> 0:36:56.080
<v Speaker 1>this is gonna be a music town. He just like

0:36:56.320 --> 0:37:00.080
<v Speaker 1>runs downstairs and it's like steaks and you're like, oh

0:37:00.080 --> 0:37:03.319
<v Speaker 1>my god. But there there's enough stakes we need to

0:37:03.320 --> 0:37:06.000
<v Speaker 1>like finish the storyline, don't start another one. And this

0:37:06.080 --> 0:37:11.120
<v Speaker 1>is when he gets really angry at Lucas and punches him.

0:37:12.120 --> 0:37:16.759
<v Speaker 1>He beats up. From my screenwriting standpoint, this movie, the

0:37:16.800 --> 0:37:20.720
<v Speaker 1>inciting incident happens like three minutes into the movie, which

0:37:21.080 --> 0:37:24.960
<v Speaker 1>it's more standard for that to be like fifteen minutes

0:37:25.000 --> 0:37:27.920
<v Speaker 1>into a feature length film, So it happens right away

0:37:27.960 --> 0:37:31.040
<v Speaker 1>before there's any exposition, before we know anything about anyone,

0:37:31.280 --> 0:37:34.839
<v Speaker 1>We get the inciting incident. Then there are there's a

0:37:34.880 --> 0:37:39.680
<v Speaker 1>full i would say, sixty to seventy minutes of after

0:37:39.719 --> 0:37:43.399
<v Speaker 1>this conflict of compelling conflict being established of like we

0:37:43.520 --> 0:37:46.319
<v Speaker 1>have to save the store, but oh no, the money

0:37:46.520 --> 0:37:49.360
<v Speaker 1>is lost. What do we do to recoup that money

0:37:49.400 --> 0:37:53.560
<v Speaker 1>and save the store? That conflict basically goes away for

0:37:53.600 --> 0:37:56.799
<v Speaker 1>like sixty to seventy minutes, and then at the very end,

0:37:56.840 --> 0:38:00.360
<v Speaker 1>which we're getting too soon. He's like, remember the movie,

0:38:00.440 --> 0:38:04.720
<v Speaker 1>and I was like, no, I don't, but I'm having

0:38:04.800 --> 0:38:10.759
<v Speaker 1>so much fun being confused. Okay, so but before we

0:38:10.760 --> 0:38:14.239
<v Speaker 1>get to the very end, so um Joe assaults Lucas,

0:38:14.239 --> 0:38:17.680
<v Speaker 1>but their fight quickly blows over, and then everyone finds

0:38:17.680 --> 0:38:21.240
<v Speaker 1>out that Gina is having sex with Rex Manning, including Corey,

0:38:21.360 --> 0:38:26.680
<v Speaker 1>who feels especially betrayed. So then a J attacks Rex Manning,

0:38:27.320 --> 0:38:30.759
<v Speaker 1>and then a J gets punched another another teenager or

0:38:30.840 --> 0:38:33.279
<v Speaker 1>like young person getting punched by a full adult man.

0:38:34.040 --> 0:38:37.680
<v Speaker 1>Then they kick Rex out of the store. Gina and

0:38:37.760 --> 0:38:42.600
<v Speaker 1>Corey get into a screaming match. Gina outs Corey's drug abuse.

0:38:43.360 --> 0:38:46.960
<v Speaker 1>Corey starts trashing the store, but then her coworkers stop her.

0:38:47.120 --> 0:38:51.760
<v Speaker 1>She calms down, and then Debrah provides some emotional support

0:38:51.960 --> 0:38:56.320
<v Speaker 1>to Corey. They have a nice moment together. Then several

0:38:56.400 --> 0:39:00.839
<v Speaker 1>random scenes where we see Mark eating we brownies and

0:39:00.960 --> 0:39:06.440
<v Speaker 1>fantasizing about being in Aguar music video, where it always

0:39:06.480 --> 0:39:09.080
<v Speaker 1>just feels like sometimes this movie just does stuff where

0:39:09.200 --> 0:39:12.279
<v Speaker 1>I feel like they're like, so that was pretty heavy, right,

0:39:12.719 --> 0:39:16.920
<v Speaker 1>here's a here's a little palate cleanser, And I remember

0:39:17.000 --> 0:39:20.520
<v Speaker 1>watching that the first time, and I actually every time

0:39:20.520 --> 0:39:22.920
<v Speaker 1>I rented it, and honestly still when I watched it

0:39:22.920 --> 0:39:25.759
<v Speaker 1>to this day, I passed forward through that scene. Now

0:39:25.800 --> 0:39:28.680
<v Speaker 1>a little bit, it's a little bit more blended, as like,

0:39:29.200 --> 0:39:31.200
<v Speaker 1>I guess now that I do like culture writing and

0:39:31.200 --> 0:39:34.400
<v Speaker 1>critiquing of films and stuff like that, but honestly, most

0:39:34.400 --> 0:39:37.080
<v Speaker 1>of it is just because I hate it. It makes

0:39:37.160 --> 0:39:39.839
<v Speaker 1>no sense, it doesn't need to be there, and I

0:39:39.920 --> 0:39:43.920
<v Speaker 1>hate every moment of that. It's the worst shot out

0:39:44.000 --> 0:39:47.160
<v Speaker 1>of everything they cut out of everything that's on the

0:39:47.200 --> 0:39:51.759
<v Speaker 1>cutting room floor. The final this movie, they were like,

0:39:52.239 --> 0:39:56.320
<v Speaker 1>now that stays, don't you touch it? And I was like, okay,

0:39:56.400 --> 0:39:59.560
<v Speaker 1>I guess, Well probably because they like paid guar. Oh yeah,

0:39:59.560 --> 0:40:02.600
<v Speaker 1>I guess. And then they're like, well, we can't just

0:40:02.640 --> 0:40:06.279
<v Speaker 1>have wasted that money, So I bet that that is it. Yeah,

0:40:06.960 --> 0:40:12.160
<v Speaker 1>what a mess. I'm laughing. What a mess. So then

0:40:12.320 --> 0:40:16.920
<v Speaker 1>Jane comes back. She asks Joe out for dinner and

0:40:16.960 --> 0:40:21.520
<v Speaker 1>he's like, sounds great. Then the staff has a mock

0:40:21.840 --> 0:40:26.759
<v Speaker 1>funeral for Deborah, during which everyone you know, divuloges some

0:40:26.840 --> 0:40:29.440
<v Speaker 1>personal things. They bond with each other, and this is

0:40:29.480 --> 0:40:33.680
<v Speaker 1>also when Gina shows back up and she and Corey makeup.

0:40:34.120 --> 0:40:38.600
<v Speaker 1>I love a good plot resolution via well timed eavesdrop

0:40:39.080 --> 0:40:40.920
<v Speaker 1>where she just happens to walk in the room and

0:40:40.960 --> 0:40:43.520
<v Speaker 1>lived Tyler was like, I miss Gina. I love her

0:40:43.640 --> 0:40:46.080
<v Speaker 1>so much. She's so she's a She's the woman I

0:40:46.120 --> 0:40:48.839
<v Speaker 1>can never be. And then Gina's like no, And then

0:40:48.880 --> 0:40:51.840
<v Speaker 1>Gina says what her stakes were the whole time? Apparently

0:40:52.000 --> 0:40:53.440
<v Speaker 1>where she walks in, she's like, I don't want to

0:40:53.440 --> 0:40:55.879
<v Speaker 1>be like my mother. You're like, who's your mother? And

0:40:55.920 --> 0:40:57.960
<v Speaker 1>she's like, I want to be a singer. I was like,

0:40:58.040 --> 0:41:00.560
<v Speaker 1>you do. And then one scene later she's a singer

0:41:00.600 --> 0:41:05.480
<v Speaker 1>and we're like, good for her. I guess, like yeah.

0:41:05.880 --> 0:41:10.040
<v Speaker 1>Um So then Warren, the kid who had tried to

0:41:10.520 --> 0:41:15.239
<v Speaker 1>shoplift from the store, comes back with a gun and

0:41:15.520 --> 0:41:20.080
<v Speaker 1>starts shooting the store up, but it's okay because they're blanks.

0:41:20.920 --> 0:41:23.839
<v Speaker 1>It is. It turns out he just wanted to work

0:41:23.880 --> 0:41:27.279
<v Speaker 1>at the record store the whole time. What is happening like,

0:41:28.160 --> 0:41:31.520
<v Speaker 1>which is like the most white teenager with a gun

0:41:31.560 --> 0:41:33.919
<v Speaker 1>thing ever to to just have it be like, oh,

0:41:34.080 --> 0:41:36.759
<v Speaker 1>he was just having a bad day. It's all good.

0:41:36.840 --> 0:41:39.000
<v Speaker 1>Let's give him a job at the record store and

0:41:39.080 --> 0:41:43.200
<v Speaker 1>that'll help, but you're just like, no, no, don't do that.

0:41:43.200 --> 0:41:47.839
<v Speaker 1>It's mind boggling. But yeah, he gets taken away by

0:41:47.840 --> 0:41:50.360
<v Speaker 1>the cops again sort of, but they're just like, well,

0:41:50.560 --> 0:41:52.439
<v Speaker 1>the gun was filled with blanks and he's a miner,

0:41:52.520 --> 0:41:54.120
<v Speaker 1>so we can't really do anything. And then in the

0:41:54.120 --> 0:41:57.520
<v Speaker 1>next scene he's back at the store working and also

0:41:57.719 --> 0:42:04.480
<v Speaker 1>drinking and drinking, and even though he's like fifteen or something, yeah,

0:42:04.520 --> 0:42:07.960
<v Speaker 1>he's real little like I just don't know what was happening. Like,

0:42:08.719 --> 0:42:11.000
<v Speaker 1>there did reach a point where I was just like,

0:42:11.040 --> 0:42:14.600
<v Speaker 1>my brain is smooth, like anything could happen. And so

0:42:14.840 --> 0:42:18.520
<v Speaker 1>when it goes to like she's on pills, the store

0:42:18.600 --> 0:42:21.120
<v Speaker 1>is going to close down. I love you. I don't

0:42:21.120 --> 0:42:23.439
<v Speaker 1>want to be like my mom, we're doing a fake

0:42:23.520 --> 0:42:30.239
<v Speaker 1>funeral now someone shooting up the store. You're just like, yeah, okay,

0:42:30.440 --> 0:42:34.600
<v Speaker 1>I guess, but a weird day. That was me watching it.

0:42:34.680 --> 0:42:36.680
<v Speaker 1>I was like, yeah, okay, cool, Like when I first

0:42:36.680 --> 0:42:39.879
<v Speaker 1>saw it was the tracks. I want to go work

0:42:39.880 --> 0:42:44.000
<v Speaker 1>out a record store. Actually, so Floren could. He's thirteen, apparently,

0:42:44.080 --> 0:42:46.799
<v Speaker 1>so why can't I Right, Yeah, who can't? Who can't

0:42:46.840 --> 0:42:49.680
<v Speaker 1>get a job at this place? And you'll never get

0:42:49.719 --> 0:42:54.759
<v Speaker 1>fired despite all the really wild things. Joe needs to

0:42:54.840 --> 0:42:59.080
<v Speaker 1>be daddy. Oh gosh. Okay, So Warren coming back with

0:42:59.120 --> 0:43:02.960
<v Speaker 1>a gun actually comes plot relevant because then news anchors

0:43:03.239 --> 0:43:07.040
<v Speaker 1>show up to report on the story. So then Mark

0:43:07.120 --> 0:43:11.920
<v Speaker 1>jumps into the newscast to promote a fundraiser event that

0:43:12.040 --> 0:43:15.960
<v Speaker 1>the store is going to hold that night, which I

0:43:16.000 --> 0:43:19.399
<v Speaker 1>guess Mark just decided, Oh, let's do a fundraiser. So

0:43:19.480 --> 0:43:21.960
<v Speaker 1>they put it together. A bunch of people show up,

0:43:22.040 --> 0:43:26.480
<v Speaker 1>They have a big party. Gina Burko and some other

0:43:26.560 --> 0:43:30.759
<v Speaker 1>guy play live music. Everyone's dancing there, drinking. Uh. They

0:43:30.840 --> 0:43:34.240
<v Speaker 1>raise a bunch of money, and then Mitch the owner

0:43:34.520 --> 0:43:36.960
<v Speaker 1>shows up again and he's like, what is going on?

0:43:37.400 --> 0:43:40.600
<v Speaker 1>And then Joe takes the money they raised and buys

0:43:40.640 --> 0:43:45.000
<v Speaker 1>the store from Mitch for again ballpark of nine thousand

0:43:45.040 --> 0:43:49.760
<v Speaker 1>dollars salad maybe two d seventy four dollars. I don't know, yeah,

0:43:49.800 --> 0:43:55.200
<v Speaker 1>because there's not there's not nine thousand dollars in that

0:43:55.719 --> 0:44:00.359
<v Speaker 1>not like bucket thing. Yeah, there's maybe a grand talk.

0:44:00.560 --> 0:44:04.440
<v Speaker 1>Maybe Buddy buys the store from Mitch. Nonetheless, and so

0:44:04.520 --> 0:44:08.640
<v Speaker 1>everyone is celebrating. Corey goes to a j and screams

0:44:08.760 --> 0:44:11.480
<v Speaker 1>at him and pushes him and hits him, telling him

0:44:11.640 --> 0:44:13.960
<v Speaker 1>you're so talented and you need to go to art school.

0:44:14.440 --> 0:44:16.120
<v Speaker 1>And he's like, okay, I'll go to art school and

0:44:16.160 --> 0:44:18.279
<v Speaker 1>I'm going to go in Boston so I can be

0:44:18.480 --> 0:44:21.080
<v Speaker 1>near you when you're at Harvard, and she's like awesome.

0:44:21.200 --> 0:44:25.000
<v Speaker 1>And then they kiss and she goes really that they kiss,

0:44:25.120 --> 0:44:28.080
<v Speaker 1>and you're like, I did I forgot that they knew

0:44:28.080 --> 0:44:33.439
<v Speaker 1>each other. Um and then and then the movie ends

0:44:33.480 --> 0:44:37.799
<v Speaker 1>with everyone dancing on the roof, which is fun. So

0:44:38.320 --> 0:44:41.160
<v Speaker 1>that's the story. Let's take a quick break and we

0:44:41.200 --> 0:44:52.120
<v Speaker 1>will come back to discuss and we're back. Okay, what

0:44:52.239 --> 0:44:56.799
<v Speaker 1>is hello? Like? What? Well? Shelly? Yeah, Shelly, kick us up?

0:44:56.800 --> 0:44:58.080
<v Speaker 1>What do you what do you want to talk about?

0:44:58.080 --> 0:45:02.000
<v Speaker 1>Because I'm like, I mean, here's the thing, like, as

0:45:02.080 --> 0:45:05.520
<v Speaker 1>I watched this movie, like I've watched this with completely

0:45:05.560 --> 0:45:08.439
<v Speaker 1>different eyes at first. And that's why when I talk

0:45:08.520 --> 0:45:11.480
<v Speaker 1>about the movie, I know every single one of its

0:45:11.520 --> 0:45:14.360
<v Speaker 1>faults that it has. Like don't get me wrong, but

0:45:14.440 --> 0:45:17.919
<v Speaker 1>there are certain movies that I'm not excusing some of them.

0:45:17.960 --> 0:45:19.640
<v Speaker 1>A lot of the faults on this I am like,

0:45:19.960 --> 0:45:24.480
<v Speaker 1>it's fine, I don't care perfect, But other ones I

0:45:24.520 --> 0:45:28.000
<v Speaker 1>am like, what, like, you know, with like Corey and

0:45:28.440 --> 0:45:31.399
<v Speaker 1>Rex Manning and all that kind of stuff. But as

0:45:31.480 --> 0:45:36.080
<v Speaker 1>chaotic as it is, I think it for me, I

0:45:36.120 --> 0:45:38.879
<v Speaker 1>love it because again it's one day, and it makes

0:45:38.920 --> 0:45:41.919
<v Speaker 1>so much sense to me appear that even the cut

0:45:41.960 --> 0:45:44.759
<v Speaker 1>of it so much can happen in a day, like

0:45:44.800 --> 0:45:46.879
<v Speaker 1>if we were to cut up our own one day

0:45:47.280 --> 0:45:51.160
<v Speaker 1>my Friday, Like we were talking about all the craziness

0:45:51.160 --> 0:45:52.960
<v Speaker 1>that I had with like breaking my computer, and then

0:45:53.000 --> 0:45:56.640
<v Speaker 1>I could all this stuff. It's a bunch of smash cuts,

0:45:56.640 --> 0:45:59.640
<v Speaker 1>and this film is a bunch of essentially a bunch

0:45:59.640 --> 0:46:02.800
<v Speaker 1>of small pets of stories with a really good soundtrack

0:46:03.200 --> 0:46:07.400
<v Speaker 1>and a lot of it can be excused the other ones.

0:46:07.560 --> 0:46:10.279
<v Speaker 1>I just kind of live in that film world when

0:46:10.280 --> 0:46:13.120
<v Speaker 1>I watch it and I'm like, everything's fine. That one

0:46:13.239 --> 0:46:15.880
<v Speaker 1>gift that will Cat or whatever sitting with the flames

0:46:16.360 --> 0:46:18.919
<v Speaker 1>behind him, that's me watching this movie and I'm like,

0:46:19.200 --> 0:46:24.759
<v Speaker 1>it's fine, It's fine totally, And I like, so We've

0:46:24.800 --> 0:46:28.719
<v Speaker 1>been dunking on the like plot of the movie pretty

0:46:28.719 --> 0:46:31.560
<v Speaker 1>hard throughout the recap and stuff, but at its core,

0:46:31.760 --> 0:46:35.319
<v Speaker 1>it's a movie about like a ragtag group of misfits

0:46:35.440 --> 0:46:38.280
<v Speaker 1>who come together. They found a community at this store

0:46:38.920 --> 0:46:43.359
<v Speaker 1>they have fairly interesting relationship dynamics among them. And that's

0:46:43.360 --> 0:46:47.359
<v Speaker 1>a very relatable story from many, many people. And that's

0:46:47.360 --> 0:46:49.960
<v Speaker 1>the reason this movie has developed such a cult following.

0:46:50.080 --> 0:46:53.799
<v Speaker 1>It's you know, it really speaks to anyone who might

0:46:53.840 --> 0:46:57.719
<v Speaker 1>feel like an oddball or anyone who is drawn to

0:46:57.760 --> 0:47:01.319
<v Speaker 1>the idea of a chosen family exactly and stuff like that.

0:47:01.440 --> 0:47:05.240
<v Speaker 1>So I totally get that. I enjoyed that aspect of

0:47:05.320 --> 0:47:09.640
<v Speaker 1>the movie. And then there's also like the anti corporate

0:47:10.120 --> 0:47:13.800
<v Speaker 1>we have to maintain the integrity of this cool India space,

0:47:13.920 --> 0:47:16.760
<v Speaker 1>you know, screw the man down with the establishment, which

0:47:17.680 --> 0:47:19.759
<v Speaker 1>in the form that it takes in this movie is

0:47:19.760 --> 0:47:24.719
<v Speaker 1>a very like nineties gen X, Like that's exactly it

0:47:25.800 --> 0:47:28.840
<v Speaker 1>version that of Like, you know, as long as I

0:47:28.840 --> 0:47:31.960
<v Speaker 1>can work in this indie record store without the man

0:47:32.320 --> 0:47:34.839
<v Speaker 1>breathing down my neck, I don't really care what else

0:47:34.960 --> 0:47:36.560
<v Speaker 1>is going on in the world. I don't have I

0:47:36.560 --> 0:47:39.520
<v Speaker 1>don't have time for more pressing social issues. Yeah. I

0:47:39.560 --> 0:47:43.440
<v Speaker 1>just want to listen to guns and roses man and why.

0:47:43.719 --> 0:47:46.560
<v Speaker 1>And I just want to eat skittles and burn CDs,

0:47:47.040 --> 0:47:49.279
<v Speaker 1>and I just want to live on this cow to

0:47:49.400 --> 0:47:51.840
<v Speaker 1>carry it around with me. And I don't care about

0:47:51.880 --> 0:47:54.760
<v Speaker 1>anything else that's happening in the world. But the whole

0:47:54.920 --> 0:47:59.239
<v Speaker 1>my whole world is this store, this that I or

0:47:59.600 --> 0:48:03.920
<v Speaker 1>wait open to midnight. Sorry, yeah, and my records open

0:48:03.960 --> 0:48:05.880
<v Speaker 1>until midnight. Can I tell you how many times I

0:48:05.920 --> 0:48:07.879
<v Speaker 1>answered my house phone like that, And so my dad

0:48:08.000 --> 0:48:12.680
<v Speaker 1>was like, we're done, We're finished, We're not doing this anymore. Also,

0:48:12.719 --> 0:48:15.399
<v Speaker 1>I would answer my phone hello, Fawlty Towers, any show

0:48:15.480 --> 0:48:18.320
<v Speaker 1>that had to pick up. I was just like, nice, yeah,

0:48:18.680 --> 0:48:22.320
<v Speaker 1>weird time in the household with me anyway. But yeah,

0:48:22.440 --> 0:48:26.120
<v Speaker 1>I think it was just like so nineties space, and

0:48:26.360 --> 0:48:28.399
<v Speaker 1>I was always obsessed with the nineties, like you can

0:48:28.440 --> 0:48:30.920
<v Speaker 1>be like born in a time but not be an

0:48:30.920 --> 0:48:33.719
<v Speaker 1>adult in that time. And I was like, that's how

0:48:33.760 --> 0:48:35.759
<v Speaker 1>it is, and that's how it's gonna that's how it was,

0:48:35.800 --> 0:48:37.279
<v Speaker 1>that's what I missed, and that's what it's going to

0:48:37.360 --> 0:48:39.560
<v Speaker 1>be like when I'm a grown up too. So that's

0:48:39.560 --> 0:48:42.560
<v Speaker 1>why I just was like, this is dope. Yeah, sure, yeah,

0:48:42.600 --> 0:48:46.000
<v Speaker 1>I mean it does feel so like of its time

0:48:46.000 --> 0:48:47.520
<v Speaker 1>in a way that it's like kind of fun and

0:48:47.600 --> 0:48:50.520
<v Speaker 1>nostalgic where I'm just like, you know, with these characters,

0:48:50.560 --> 0:48:52.680
<v Speaker 1>it's it's so funny, it was what is the I

0:48:52.680 --> 0:48:55.640
<v Speaker 1>always forget the name of it, the Matthew Lillard movie

0:48:55.680 --> 0:49:00.919
<v Speaker 1>about selling out and it's about the man slunk. Yeah, yes,

0:49:01.320 --> 0:49:03.240
<v Speaker 1>selc Punk. I feel like it's a more self aware

0:49:03.360 --> 0:49:06.480
<v Speaker 1>version of this storyline where it's like very clear by

0:49:06.520 --> 0:49:09.719
<v Speaker 1>looking at like and also just like knowing how generations

0:49:09.760 --> 0:49:12.280
<v Speaker 1>tend to pan out of like half of these kids

0:49:12.280 --> 0:49:15.399
<v Speaker 1>are going to be like Wall Street bankers and cause

0:49:15.480 --> 0:49:18.919
<v Speaker 1>the recession. But this is their moment. Corey is going

0:49:18.960 --> 0:49:24.440
<v Speaker 1>to Harvard, right, you know, Like no, yeah, it's not

0:49:25.360 --> 0:49:28.120
<v Speaker 1>things are like not gonna you know, and then you

0:49:28.160 --> 0:49:30.560
<v Speaker 1>know a j or is that Yeah, Like he's gonna

0:49:30.680 --> 0:49:34.200
<v Speaker 1>like change to business major one semester in and they're

0:49:34.239 --> 0:49:36.439
<v Speaker 1>going to be the most boring people to ever ever live.

0:49:36.520 --> 0:49:39.880
<v Speaker 1>And you know whatever, no offense to business majors ecept

0:49:39.880 --> 0:49:45.520
<v Speaker 1>actually I don't think I actually think offense because like

0:49:45.640 --> 0:49:48.360
<v Speaker 1>what do you Yeah, you should go to art school

0:49:48.440 --> 0:49:54.040
<v Speaker 1>like me, Why did you get a master's green screenwriting? Hello? Yeah,

0:49:54.080 --> 0:49:57.520
<v Speaker 1>we're the moral authority of the fucking planet. Anyway. It's

0:49:58.680 --> 0:50:02.560
<v Speaker 1>it's just it's it's so nineties and I mean, but

0:50:03.000 --> 0:50:05.760
<v Speaker 1>so much of like you reference us in your piece

0:50:05.800 --> 0:50:10.359
<v Speaker 1>Shelley of like how it seems like this story had

0:50:10.400 --> 0:50:13.560
<v Speaker 1>really good bones, and those bones were just like repeatedly

0:50:13.600 --> 0:50:17.600
<v Speaker 1>like a crowbar was taken to the bones by the editors,

0:50:17.640 --> 0:50:21.080
<v Speaker 1>And like I was fascinated to find out that um

0:50:21.080 --> 0:50:24.400
<v Speaker 1>in the original draft of this movie, Corey was not

0:50:24.520 --> 0:50:27.080
<v Speaker 1>trying to lose her virginity at all. She was just

0:50:27.239 --> 0:50:31.759
<v Speaker 1>a big fan of Rex. And I think what kind

0:50:31.800 --> 0:50:34.239
<v Speaker 1>of like blew me with that too, like all the

0:50:34.280 --> 0:50:36.960
<v Speaker 1>different changes that I could find. And also when I

0:50:36.960 --> 0:50:40.640
<v Speaker 1>did interview Carol, I didn't I didn't want to interview

0:50:40.640 --> 0:50:42.680
<v Speaker 1>her in a sense of being like, how did this

0:50:42.800 --> 0:50:44.960
<v Speaker 1>end up this way? You feel me? I did, but

0:50:45.000 --> 0:50:47.160
<v Speaker 1>I had so many of those questions that I wanted

0:50:47.200 --> 0:50:49.560
<v Speaker 1>to ask, but she kind of just like let it

0:50:49.600 --> 0:50:51.840
<v Speaker 1>out anyway and told me a lot of different things.

0:50:51.920 --> 0:50:55.160
<v Speaker 1>But what was a big part of a lot of

0:50:55.160 --> 0:50:59.239
<v Speaker 1>the changes to this movie, honestly was clueless, Like there

0:50:59.320 --> 0:51:03.360
<v Speaker 1>was already so many high school movies either in production

0:51:03.400 --> 0:51:06.560
<v Speaker 1>and posts being made, scripts had already been bought that

0:51:06.680 --> 0:51:09.000
<v Speaker 1>they were trying to like stand out in some way,

0:51:09.040 --> 0:51:11.799
<v Speaker 1>and this is already a movie about a rag tag

0:51:11.920 --> 0:51:15.640
<v Speaker 1>bunch of emo kids, And I don't know East Jesus

0:51:15.719 --> 0:51:20.360
<v Speaker 1>Nowhere Seattle like, and they couldn't figure out what to

0:51:20.440 --> 0:51:23.200
<v Speaker 1>do with it, and so they cut it up. They

0:51:23.239 --> 0:51:25.640
<v Speaker 1>tore it apart. And then when I think they tried

0:51:25.680 --> 0:51:28.560
<v Speaker 1>to bring it back on was the music, Because who

0:51:28.560 --> 0:51:30.839
<v Speaker 1>would watch this movie, right, the kids that think they

0:51:30.960 --> 0:51:34.200
<v Speaker 1>hear certain songs first, the kids that think that they're

0:51:34.239 --> 0:51:37.280
<v Speaker 1>the only one who knows like one band and things

0:51:37.320 --> 0:51:39.360
<v Speaker 1>like that. But even that couldn't save it at the

0:51:39.400 --> 0:51:42.880
<v Speaker 1>box office. It had to wait years for us to

0:51:42.920 --> 0:51:46.799
<v Speaker 1>find it for me and to be like, this is

0:51:46.800 --> 0:51:51.560
<v Speaker 1>the most important movie of all times, so right, Yeah, Well,

0:51:51.600 --> 0:51:55.000
<v Speaker 1>I'm also interested to hear more about something you talk

0:51:55.080 --> 0:51:58.319
<v Speaker 1>a lot about in your piece which was published in

0:51:58.400 --> 0:52:03.640
<v Speaker 1>Marie Claire entitled Old Empire Records helped Me understand my queerness,

0:52:03.920 --> 0:52:07.480
<v Speaker 1>and you site the friendship between Gina and Corey you

0:52:07.560 --> 0:52:09.799
<v Speaker 1>kind of like, yeah, I don't know if it was

0:52:09.840 --> 0:52:13.320
<v Speaker 1>like a shipping thing necessarily, but like you drew inspiration

0:52:13.400 --> 0:52:17.319
<v Speaker 1>from that in terms of like that powerful friendship and

0:52:17.440 --> 0:52:18.920
<v Speaker 1>that was sort of like the basis of what you

0:52:18.960 --> 0:52:22.399
<v Speaker 1>were kind of looking for in romantic relationships. And yeah,

0:52:22.400 --> 0:52:24.719
<v Speaker 1>I just I'd love to hear you speak more about that. Yeah, no,

0:52:24.960 --> 0:52:28.760
<v Speaker 1>it was because like when I was watching at that time,

0:52:28.800 --> 0:52:31.239
<v Speaker 1>this is like middle school, and like all of us, right,

0:52:31.320 --> 0:52:34.560
<v Speaker 1>had shitty time in middle school. But I always say,

0:52:34.600 --> 0:52:37.200
<v Speaker 1>like my middle school experience just by hey, it's terrible, right,

0:52:37.520 --> 0:52:41.080
<v Speaker 1>And I used, I was ready to get out, But

0:52:41.200 --> 0:52:43.239
<v Speaker 1>you're in sixth grade. You have two more years left,

0:52:43.320 --> 0:52:45.839
<v Speaker 1>you know, You're like, but the only way out was

0:52:45.960 --> 0:52:48.719
<v Speaker 1>through movies like this and the teen movies that I

0:52:48.719 --> 0:52:50.680
<v Speaker 1>would watch about high school, because I would be like,

0:52:50.920 --> 0:52:53.399
<v Speaker 1>this is what's coming next for me, And this isn't

0:52:53.440 --> 0:52:56.000
<v Speaker 1>only what's gonna come next to me with friends, Maybe

0:52:56.000 --> 0:52:58.799
<v Speaker 1>this is what comes next to me for like romantic

0:52:59.000 --> 0:53:01.920
<v Speaker 1>kind of ships to you know. But I was never

0:53:01.960 --> 0:53:05.640
<v Speaker 1>really attaching. I wasn't looking for queerness in this film.

0:53:05.719 --> 0:53:08.400
<v Speaker 1>I was just looking. I loved watching movies where girls

0:53:08.400 --> 0:53:12.239
<v Speaker 1>were best friends because like I didn't have really like

0:53:12.280 --> 0:53:15.080
<v Speaker 1>a best friend that was just like that close, you know.

0:53:15.239 --> 0:53:17.319
<v Speaker 1>And then when I started to grow up and I

0:53:17.360 --> 0:53:19.880
<v Speaker 1>went to apology and stuff like that, I learned about

0:53:19.880 --> 0:53:22.919
<v Speaker 1>the lesbian or queer girl trope where they're like all

0:53:23.239 --> 0:53:25.680
<v Speaker 1>lesbians or queer girls like end up falling in love

0:53:25.719 --> 0:53:28.080
<v Speaker 1>with their best friends. You know what I mean, whether

0:53:28.120 --> 0:53:32.480
<v Speaker 1>it's reciprocated or not. And I had never fallen in

0:53:32.520 --> 0:53:34.920
<v Speaker 1>love with any friend except for one girl in like

0:53:35.000 --> 0:53:38.000
<v Speaker 1>elementary school, where I realized that I was queer. But

0:53:38.440 --> 0:53:41.239
<v Speaker 1>when I was watching this specific movie, this was the

0:53:41.280 --> 0:53:44.560
<v Speaker 1>first one where the two best friends had like a

0:53:44.680 --> 0:53:47.520
<v Speaker 1>hell of falling out and it made me really sad

0:53:47.640 --> 0:53:50.359
<v Speaker 1>because they thought they were never I thought it wasn't

0:53:50.400 --> 0:53:52.279
<v Speaker 1>going to get back together, and I thought they weren't

0:53:52.280 --> 0:53:54.799
<v Speaker 1>going to have a friendship anymore, which for me was

0:53:54.840 --> 0:53:59.799
<v Speaker 1>breaking down my little cute world of what friendship is

0:54:00.000 --> 0:54:03.760
<v Speaker 1>and what queerness could be with another girl. Because in Clueless,

0:54:03.800 --> 0:54:06.399
<v Speaker 1>they were always best friends and job breaker. They didn't

0:54:06.400 --> 0:54:08.759
<v Speaker 1>like each other from me to begin with, and then

0:54:08.880 --> 0:54:11.840
<v Speaker 1>like and can't hardly wait that was an under like

0:54:12.000 --> 0:54:15.319
<v Speaker 1>unrequited love, but it was between assists male and then

0:54:15.320 --> 0:54:18.280
<v Speaker 1>assist girl and stuff. So this was the only movie

0:54:18.320 --> 0:54:23.040
<v Speaker 1>where I saw two outcasts essentially be best friends and

0:54:23.080 --> 0:54:26.440
<v Speaker 1>then fall out and then come back together in a

0:54:26.520 --> 0:54:29.360
<v Speaker 1>stronger way. And that's all I thought I wanted in

0:54:29.440 --> 0:54:33.400
<v Speaker 1>friendships and then eventually relationships when I grew up. So

0:54:33.480 --> 0:54:35.880
<v Speaker 1>I found clearness in it, even though that wasn't a

0:54:35.920 --> 0:54:39.560
<v Speaker 1>queer relationship at all, But at the heart of so

0:54:39.600 --> 0:54:43.719
<v Speaker 1>many peer girl relationships is friendship. So that's how I

0:54:43.719 --> 0:54:48.080
<v Speaker 1>connected fearness to it. And that's I mean, that's what's

0:54:48.080 --> 0:54:52.680
<v Speaker 1>really cool about a movie like this, where again, even

0:54:52.719 --> 0:54:56.000
<v Speaker 1>if I'm like dragging it from a screenwriting point of view, like,

0:54:56.080 --> 0:55:01.279
<v Speaker 1>you can still like latch onto really meaningful things like that,

0:55:01.360 --> 0:55:04.520
<v Speaker 1>And clearly so many people have because of this movie

0:55:04.560 --> 0:55:07.799
<v Speaker 1>is like cult fan base and everything. Yeah, I think

0:55:07.800 --> 0:55:11.080
<v Speaker 1>that's just like a wonderful thing. And I'll try to

0:55:11.080 --> 0:55:14.720
<v Speaker 1>stop making fun of its lack of three X structure. No, please,

0:55:14.760 --> 0:55:19.920
<v Speaker 1>don't mean the film is chaotic and crazy and unorganized

0:55:20.000 --> 0:55:22.280
<v Speaker 1>and all this, But there was just so many things

0:55:22.320 --> 0:55:25.520
<v Speaker 1>that I found in it, like from a screenwriting standpoint

0:55:25.520 --> 0:55:27.279
<v Speaker 1>of view, from a culture critic point of view, like

0:55:27.320 --> 0:55:29.319
<v Speaker 1>even if I was watching this movie and trying to

0:55:29.320 --> 0:55:31.960
<v Speaker 1>take my personal feelings out of it, would I rip

0:55:32.000 --> 0:55:35.080
<v Speaker 1>it apart? No, But I would not be giving it

0:55:35.160 --> 0:55:37.799
<v Speaker 1>four stars on letterbox like I do now. Most of

0:55:37.800 --> 0:55:40.720
<v Speaker 1>those stars are because I loved it, you know. Also,

0:55:40.760 --> 0:55:42.920
<v Speaker 1>another good thing that I saw in this movie that

0:55:42.960 --> 0:55:46.000
<v Speaker 1>I connected with was a character we lost a lot

0:55:46.040 --> 0:55:51.120
<v Speaker 1>of Gina with her um not Gina Um deborra. Yeah,

0:55:51.200 --> 0:55:54.279
<v Speaker 1>and she was clearly like cutting right because she talks

0:55:54.320 --> 0:55:56.520
<v Speaker 1>about it with like a lady bick and stuff. And

0:55:56.560 --> 0:55:59.200
<v Speaker 1>at that time in my life, I was also self harming,

0:55:59.280 --> 0:56:01.360
<v Speaker 1>you know, when I was doing it. So I was

0:56:01.400 --> 0:56:04.160
<v Speaker 1>seeing I saw that something I hadn't seen in a

0:56:04.200 --> 0:56:07.759
<v Speaker 1>movie that had a happy ending, you know, essentially like

0:56:08.040 --> 0:56:10.680
<v Speaker 1>but a happy ending that was so true to the character,

0:56:11.360 --> 0:56:14.880
<v Speaker 1>like that character having that funeral and stuff. It wasn't

0:56:14.920 --> 0:56:16.759
<v Speaker 1>like outlanded. She was one of the only things that

0:56:16.800 --> 0:56:19.400
<v Speaker 1>kind of made sense that look a bit um. But

0:56:19.480 --> 0:56:22.120
<v Speaker 1>when I saw that, I thought that was cool because

0:56:22.160 --> 0:56:25.120
<v Speaker 1>I was just like, damn, she's like going through something.

0:56:25.280 --> 0:56:28.360
<v Speaker 1>She's not telling everybody about it, she's private, she's cutting

0:56:28.760 --> 0:56:31.520
<v Speaker 1>her risk is messed up. But then she's like, all right,

0:56:31.840 --> 0:56:34.239
<v Speaker 1>I want these girls to be best friends again, so

0:56:34.440 --> 0:56:36.680
<v Speaker 1>I'm gonna put myself in my ship on the table

0:56:36.719 --> 0:56:39.239
<v Speaker 1>and hope they do too. And then they did and

0:56:39.360 --> 0:56:41.840
<v Speaker 1>maybe friends again. And that there was another thing that

0:56:41.920 --> 0:56:44.600
<v Speaker 1>made me be like, I don't care that this record

0:56:44.640 --> 0:56:49.520
<v Speaker 1>store costs only nine thousand dollars, just be's incredible the

0:56:49.640 --> 0:56:52.880
<v Speaker 1>whole I want to get into that, like Nest of

0:56:53.200 --> 0:56:57.439
<v Speaker 1>relationships between the girls in this movie or the women.

0:56:57.480 --> 0:56:59.879
<v Speaker 1>I don't know how old they are. I don't yeah,

0:57:00.239 --> 0:57:06.160
<v Speaker 1>uh these young adults. But the Gina Corey stuff, it's again,

0:57:06.200 --> 0:57:08.120
<v Speaker 1>it's like I feel like you almost have to like

0:57:08.239 --> 0:57:10.359
<v Speaker 1>headcan in your way through it a little bit, but

0:57:10.640 --> 0:57:12.600
<v Speaker 1>I don't know I was able to get there and

0:57:13.080 --> 0:57:17.000
<v Speaker 1>having a friendship like that that, I mean, the slut

0:57:17.040 --> 0:57:20.920
<v Speaker 1>Shaminus was very true to that time. And while I

0:57:20.960 --> 0:57:24.640
<v Speaker 1>would have liked to see more like apologies of like

0:57:24.760 --> 0:57:27.600
<v Speaker 1>I shouldn't have talked about you like that, Like that

0:57:27.760 --> 0:57:30.720
<v Speaker 1>was me being because it's clear they're projecting onto each

0:57:30.720 --> 0:57:33.480
<v Speaker 1>other in a way that it's like just talk it out,

0:57:33.520 --> 0:57:37.360
<v Speaker 1>like just have a conversation. Yeah, because Corey is feeling

0:57:37.400 --> 0:57:39.720
<v Speaker 1>insecure about like she thought she was ready to lose

0:57:39.720 --> 0:57:42.720
<v Speaker 1>her virginity and then it's like she had this traumatic

0:57:42.760 --> 0:57:45.920
<v Speaker 1>experience and she's like I'm not. But instead of talking

0:57:45.920 --> 0:57:49.360
<v Speaker 1>that out, she is projecting onto her friend who she

0:57:49.480 --> 0:57:51.640
<v Speaker 1>is jealous of, and it's like, well, you have sex

0:57:51.680 --> 0:57:54.840
<v Speaker 1>all the time and you're a slut. And then Redazelwager,

0:57:54.960 --> 0:57:59.040
<v Speaker 1>I mean she I appreciated how how Gina was like

0:57:59.360 --> 0:58:01.720
<v Speaker 1>fuck you like you can't talk to me like that.

0:58:01.840 --> 0:58:05.160
<v Speaker 1>I did too. That was a cool moment. Yeah, and

0:58:05.200 --> 0:58:10.440
<v Speaker 1>then Debora I struggled with similar stuff as well, and

0:58:10.480 --> 0:58:13.200
<v Speaker 1>like I wish that it's and you're giving these nuggets

0:58:13.200 --> 0:58:14.840
<v Speaker 1>of like, oh, there was a real story in here

0:58:14.880 --> 0:58:18.600
<v Speaker 1>at one point. There's so much there because it's like

0:58:18.680 --> 0:58:21.320
<v Speaker 1>you get the smallest bit of context of because I

0:58:21.400 --> 0:58:22.760
<v Speaker 1>was like, we talked about this in the show all

0:58:22.800 --> 0:58:26.320
<v Speaker 1>the time, of like why are women randomly turned against

0:58:26.360 --> 0:58:29.959
<v Speaker 1>each other? Which I think in this movie it kind

0:58:29.960 --> 0:58:32.320
<v Speaker 1>of comes off a little like they're randomly turned against

0:58:32.320 --> 0:58:34.600
<v Speaker 1>each other because of how much is cut out, But

0:58:34.720 --> 0:58:38.160
<v Speaker 1>it seems like there was enough context at one point

0:58:38.840 --> 0:58:41.320
<v Speaker 1>in the final draft. Not really, but you have that

0:58:41.400 --> 0:58:46.680
<v Speaker 1>one scene with Deborah and Joe where Deborah's doing Joe's

0:58:46.720 --> 0:58:50.280
<v Speaker 1>taxes and like I was like, I don't order taxes. Yeah,

0:58:50.680 --> 0:58:55.600
<v Speaker 1>she's literally doing the taxes in like the recording prole phone.

0:58:55.640 --> 0:58:58.840
<v Speaker 1>Both thing like why can't she go to the office.

0:59:00.000 --> 0:59:03.720
<v Speaker 1>Why can't you via that room where everyone actually, yeah,

0:59:03.840 --> 0:59:08.520
<v Speaker 1>that's true, you can focus on taxes. Yeah, But like

0:59:08.960 --> 0:59:11.760
<v Speaker 1>Joe goes in and Joe is daddy and he's like,

0:59:12.000 --> 0:59:14.520
<v Speaker 1>I'm worried about you. Are you okay? Should I call

0:59:14.560 --> 0:59:17.160
<v Speaker 1>your mom? And she says like, well, I can't find

0:59:17.240 --> 0:59:20.800
<v Speaker 1>my mom. Like she it's implied that she has a

0:59:21.000 --> 0:59:26.280
<v Speaker 1>very very strained, possibly like abandonment related relationship with her mom,

0:59:26.640 --> 0:59:30.560
<v Speaker 1>which would contextualize why she struggles to connect with other women.

0:59:31.400 --> 0:59:34.600
<v Speaker 1>But you don't ever fully get there. And that would

0:59:34.640 --> 0:59:36.720
<v Speaker 1>have worked for me too. It's like if if you

0:59:36.760 --> 0:59:38.960
<v Speaker 1>had just been able to gether. And then there's an

0:59:39.000 --> 0:59:42.160
<v Speaker 1>implication that, like Gina has an issue with her mom too.

0:59:42.240 --> 0:59:47.080
<v Speaker 1>It's only referenced once, and it seems like the screenwriter

0:59:47.280 --> 0:59:50.200
<v Speaker 1>like had a plan for how these relationships were going,

0:59:50.280 --> 0:59:52.560
<v Speaker 1>like and how these women were going to resolve their

0:59:52.600 --> 0:59:56.240
<v Speaker 1>issues and yeah, and it's just like you, I wish

0:59:56.280 --> 0:59:57.960
<v Speaker 1>we had gotten to see it. I would love to

0:59:58.000 --> 1:00:00.680
<v Speaker 1>see like a director's cut of this movie. Hell yeah,

1:00:00.760 --> 1:00:04.280
<v Speaker 1>does it exist? Especially like I don't know. I think

1:00:04.360 --> 1:00:06.320
<v Speaker 1>then I asked that because I was gonna go back

1:00:06.440 --> 1:00:08.600
<v Speaker 1>and watch, like you know how you have the interviews

1:00:08.640 --> 1:00:10.880
<v Speaker 1>and stuff, but so much kids cut out. But because

1:00:10.880 --> 1:00:13.480
<v Speaker 1>I interviewed Carol through zoom, and I think I did

1:00:13.680 --> 1:00:15.880
<v Speaker 1>ask that, and I think the answer to that is

1:00:15.920 --> 1:00:20.040
<v Speaker 1>like yes, but what we see it probably not you

1:00:20.080 --> 1:00:23.000
<v Speaker 1>feel me. But because I think if we had gotten

1:00:23.000 --> 1:00:26.000
<v Speaker 1>more story too, it would have on her it would

1:00:26.000 --> 1:00:28.880
<v Speaker 1>have made sense as to why she was so helpful

1:00:29.400 --> 1:00:31.560
<v Speaker 1>to her in the bathroom to Live Taylor and Bathroom,

1:00:31.600 --> 1:00:36.040
<v Speaker 1>because that was so personal and so like sweet, but

1:00:36.120 --> 1:00:38.200
<v Speaker 1>the way, like if you didn't really pay attention to

1:00:38.280 --> 1:00:41.360
<v Speaker 1>that character, you wouldn't have been like, oh, that makes

1:00:41.360 --> 1:00:42.920
<v Speaker 1>sense for her to do that. But I would like

1:00:42.960 --> 1:00:45.720
<v Speaker 1>to see how they even got that. And also her

1:00:45.720 --> 1:00:48.640
<v Speaker 1>situation with Berko, like what was going on there, Like

1:00:49.160 --> 1:00:53.600
<v Speaker 1>there was like half contact because she's like Debra and Burko,

1:00:53.720 --> 1:00:56.440
<v Speaker 1>who I always forget Burkos even a character, because he

1:00:56.480 --> 1:01:01.040
<v Speaker 1>like shows up happen wearing a wig. I don't think so.

1:01:01.080 --> 1:01:04.360
<v Speaker 1>I think it's just that just really bad hair. I

1:01:04.480 --> 1:01:07.800
<v Speaker 1>was like, is that what's going on on his head?

1:01:08.120 --> 1:01:10.920
<v Speaker 1>Like I don't like it, but I feel like it's

1:01:10.960 --> 1:01:14.600
<v Speaker 1>implied that they have some kind of like romantic history

1:01:15.080 --> 1:01:17.400
<v Speaker 1>and he's like are you okay? And she's like what

1:01:17.440 --> 1:01:19.840
<v Speaker 1>do you care? You didn't care last night and then

1:01:19.840 --> 1:01:22.280
<v Speaker 1>he's like, well, I don't know. And then she's like,

1:01:22.920 --> 1:01:25.800
<v Speaker 1>you know, this isn't about you, But I thought about

1:01:25.840 --> 1:01:28.160
<v Speaker 1>what happened last night and last week and last year,

1:01:28.760 --> 1:01:31.840
<v Speaker 1>and I just what happened and we don't know, we

1:01:31.920 --> 1:01:34.920
<v Speaker 1>are thinking about it too, And then she just says like,

1:01:34.920 --> 1:01:36.800
<v Speaker 1>but this is already told you. This isn't about you,

1:01:36.880 --> 1:01:39.560
<v Speaker 1>and it's like okay, But also like what is the

1:01:39.600 --> 1:01:43.280
<v Speaker 1>context of this relationship and like does that inform anything?

1:01:43.800 --> 1:01:48.280
<v Speaker 1>And there's just like isn't enough information given there, which

1:01:48.320 --> 1:01:50.920
<v Speaker 1>I feel like is kind of a dangerous thing to do,

1:01:51.120 --> 1:01:56.200
<v Speaker 1>especially when you're trying to talk about suicidal ideation. The

1:01:56.240 --> 1:01:59.760
<v Speaker 1>movie is handling of that felt pretty irresponsible and like

1:02:00.360 --> 1:02:04.880
<v Speaker 1>know how to handle it. And also like how they

1:02:04.920 --> 1:02:08.120
<v Speaker 1>introduced her to the other two girls, like when they

1:02:08.120 --> 1:02:11.400
<v Speaker 1>came to trade cash drawers and stuff like that, and

1:02:11.480 --> 1:02:13.680
<v Speaker 1>she was like shocked me, shock me, shocked me. But

1:02:13.720 --> 1:02:17.280
<v Speaker 1>it's just like why is she so hateful to these

1:02:17.320 --> 1:02:20.400
<v Speaker 1>other two girls? Is it because they are so girly

1:02:20.480 --> 1:02:22.960
<v Speaker 1>girl and she just happens to be like a punk

1:02:23.040 --> 1:02:25.240
<v Speaker 1>kind of girl who just hates those kinds of girly

1:02:25.240 --> 1:02:28.800
<v Speaker 1>girls or is it more than that or is that

1:02:28.880 --> 1:02:30.840
<v Speaker 1>just how they're playing that. I don't know, they put

1:02:30.880 --> 1:02:35.080
<v Speaker 1>all the girls so against each other and also with

1:02:35.160 --> 1:02:38.400
<v Speaker 1>like Debbie Maser's character too low Key a little bit

1:02:38.520 --> 1:02:42.520
<v Speaker 1>like how the girls saw her because she was hanging

1:02:42.560 --> 1:02:45.280
<v Speaker 1>out with Rex and she was it just they put

1:02:45.320 --> 1:02:48.720
<v Speaker 1>everybody so against each other, but I wasn't paying attention

1:02:48.760 --> 1:02:50.960
<v Speaker 1>that so much of that. I was always so focused

1:02:51.000 --> 1:02:54.120
<v Speaker 1>on Prey and Gina, like throughout all of it. And

1:02:54.120 --> 1:02:56.720
<v Speaker 1>they put them against each other too though, right, It's

1:02:56.760 --> 1:03:00.120
<v Speaker 1>like they eventually they started united and then they were

1:03:00.200 --> 1:03:04.600
<v Speaker 1>very abruptly torn apart. And like again, I'm just like,

1:03:04.680 --> 1:03:07.360
<v Speaker 1>I'm sure that there was a version of this where

1:03:07.520 --> 1:03:09.800
<v Speaker 1>it made more sense, but I do I agree with

1:03:09.840 --> 1:03:12.320
<v Speaker 1>what you're saying as well, Caitlin, of like, when you're

1:03:12.360 --> 1:03:16.360
<v Speaker 1>dealing with a narrative about self harm, it's like you

1:03:16.440 --> 1:03:19.640
<v Speaker 1>have to have all of the context there or it

1:03:19.760 --> 1:03:23.840
<v Speaker 1>becomes potentially harmful. And the cut of this movie that

1:03:23.960 --> 1:03:28.120
<v Speaker 1>was released, like it's not intentionally harmful, but it could

1:03:28.200 --> 1:03:31.320
<v Speaker 1>come off as like a little bit romanticizing, like old

1:03:31.440 --> 1:03:34.760
<v Speaker 1>girl who doesn't fit in does this because that was

1:03:34.800 --> 1:03:36.920
<v Speaker 1>how like I mean, I think we've talked about this

1:03:36.960 --> 1:03:39.480
<v Speaker 1>on the show before, but like I learned how to

1:03:39.560 --> 1:03:42.880
<v Speaker 1>self harm from an episode of Degrassi, which I don't

1:03:42.920 --> 1:03:46.000
<v Speaker 1>think was their intention at all, but it was like

1:03:46.480 --> 1:03:49.320
<v Speaker 1>that was something that was like I wouldn't have known

1:03:49.400 --> 1:03:51.680
<v Speaker 1>how to do that, but when my favorite character on

1:03:51.680 --> 1:03:54.320
<v Speaker 1>a TV show started doing I was like, oh, that's

1:03:54.320 --> 1:03:57.800
<v Speaker 1>something I can do. And then it became a problem immediately,

1:03:57.840 --> 1:04:00.960
<v Speaker 1>like it's just you can you can would be real careful.

1:04:01.280 --> 1:04:03.920
<v Speaker 1>You have to be careful. Especially Also another way they

1:04:03.920 --> 1:04:06.280
<v Speaker 1>had they kind of really should have explained a little

1:04:06.320 --> 1:04:10.840
<v Speaker 1>bit more, why was Live Tyler's character? So, I mean,

1:04:10.880 --> 1:04:12.440
<v Speaker 1>I know they changed it obviously she went to this

1:04:12.520 --> 1:04:15.320
<v Speaker 1>Oprirgina and I really but even like why was she

1:04:15.440 --> 1:04:19.280
<v Speaker 1>such a fan of this this older man? And the

1:04:19.400 --> 1:04:21.880
<v Speaker 1>way that she talked about her dad too, She was like,

1:04:21.920 --> 1:04:24.160
<v Speaker 1>my dad pressures me and he just wants me to

1:04:24.240 --> 1:04:26.440
<v Speaker 1>like go to Harvard and he wants me to do

1:04:26.560 --> 1:04:29.360
<v Speaker 1>all my work. There's twenty four usable hours and every day.

1:04:29.720 --> 1:04:33.160
<v Speaker 1>The way they made her talk about the older men

1:04:33.320 --> 1:04:37.360
<v Speaker 1>in her life but didn't really explain why she wants

1:04:37.400 --> 1:04:39.320
<v Speaker 1>to do that, it could it made it look like

1:04:39.400 --> 1:04:43.080
<v Speaker 1>it was like romantic until he was like, I don't

1:04:43.120 --> 1:04:45.520
<v Speaker 1>want to make love to you. You can definitely just

1:04:45.560 --> 1:04:49.680
<v Speaker 1>stuck my dick or whatever. But I really wanted because

1:04:49.720 --> 1:04:52.160
<v Speaker 1>for a second I was like, oh, that's when I

1:04:52.240 --> 1:04:53.600
<v Speaker 1>was watching, and I was younger. I was like, that's

1:04:53.680 --> 1:04:56.600
<v Speaker 1>kind of hot that she just like thinks this guy

1:04:56.760 --> 1:04:59.000
<v Speaker 1>is so hot and she wants to do all this

1:04:59.080 --> 1:05:02.160
<v Speaker 1>stuff with him. Movie frames it that way. Yeah, it

1:05:02.280 --> 1:05:04.280
<v Speaker 1>frames it that way. Oh my god. The way the

1:05:04.320 --> 1:05:07.480
<v Speaker 1>camera moves on in Live Tyler is a teenager in

1:05:07.480 --> 1:05:11.400
<v Speaker 1>this movie, and that's exactly movements on her is really

1:05:11.440 --> 1:05:16.160
<v Speaker 1>exploitative and gross. Yeah, I'm like, let this leave this

1:05:16.200 --> 1:05:18.160
<v Speaker 1>girl alone. Let's get her into the Lord of the

1:05:18.240 --> 1:05:20.280
<v Speaker 1>Rings movies. Let's give her some sleeves, Let's let her

1:05:20.280 --> 1:05:22.520
<v Speaker 1>live her life, Let's get it going, Let's get her

1:05:22.560 --> 1:05:25.160
<v Speaker 1>out of here, Let's get her keep the crap top,

1:05:25.320 --> 1:05:29.080
<v Speaker 1>but let's get her into the Lord of the Rings. Like, Yeah,

1:05:29.320 --> 1:05:31.400
<v Speaker 1>it's and I would say the same thing with um.

1:05:32.040 --> 1:05:34.760
<v Speaker 1>And it's so abrupt that I think that the deborah

1:05:35.240 --> 1:05:38.320
<v Speaker 1>of the issue of self harm was a bigger red

1:05:38.320 --> 1:05:40.760
<v Speaker 1>flag to me. But the way that Live Tyler's character

1:05:40.840 --> 1:05:45.040
<v Speaker 1>is addiction storyline is dealt with very abruptly was also.

1:05:45.080 --> 1:05:47.600
<v Speaker 1>I mean, it's like that one was so clearly half

1:05:47.680 --> 1:05:49.560
<v Speaker 1>big in the way it's presented in the movie that

1:05:49.600 --> 1:05:51.680
<v Speaker 1>I was like, we barely had time to deal with it,

1:05:51.720 --> 1:05:55.400
<v Speaker 1>but it's like she's not really offered any resolution in that,

1:05:55.480 --> 1:05:58.480
<v Speaker 1>like it's you're told very abruptly she is addicted to

1:05:58.840 --> 1:06:02.200
<v Speaker 1>it seems like adderall or like a speed, like some

1:06:02.280 --> 1:06:08.520
<v Speaker 1>kind of stimulant speed. And then she is outed by

1:06:08.520 --> 1:06:12.720
<v Speaker 1>her friend. Another traumatic thing she has like a small

1:06:12.760 --> 1:06:16.880
<v Speaker 1>like fit or like a break. She panics and she

1:06:17.000 --> 1:06:20.760
<v Speaker 1>like lashes out, and then she gets a boyfriend. And

1:06:20.760 --> 1:06:24.680
<v Speaker 1>I'm like, this doesn't like heterosexuality saves her or something

1:06:25.000 --> 1:06:27.640
<v Speaker 1>like like what what are we gonna do about the

1:06:27.640 --> 1:06:30.960
<v Speaker 1>addiction stuff? Well, when she goes to Harvard, he's going

1:06:31.000 --> 1:06:33.120
<v Speaker 1>to take care of her because he'll be really close by,

1:06:33.280 --> 1:06:36.080
<v Speaker 1>so he'll definitely just take care of her and take

1:06:36.120 --> 1:06:38.920
<v Speaker 1>care of everything, and she doesn't have to worry about anything,

1:06:39.160 --> 1:06:42.040
<v Speaker 1>and she'll be okay because now she's in love with

1:06:42.080 --> 1:06:45.560
<v Speaker 1>this boy. But her friend was the one who saved her,

1:06:45.800 --> 1:06:48.200
<v Speaker 1>not saved her, but not even her friend was the

1:06:48.200 --> 1:06:51.240
<v Speaker 1>one who saved her. Was another girl who helped her,

1:06:51.360 --> 1:06:53.640
<v Speaker 1>who used to hate her, but then who used to

1:06:53.680 --> 1:06:56.400
<v Speaker 1>hate her. Yeah, but then we got on the rooftop

1:06:56.400 --> 1:06:59.440
<v Speaker 1>and everything's fine. But also what I kind of another

1:06:59.480 --> 1:07:02.400
<v Speaker 1>thing that I kind of thing was good don't, yeah,

1:07:02.560 --> 1:07:05.520
<v Speaker 1>quote me. It's a podcast, you have to um, but

1:07:06.720 --> 1:07:10.320
<v Speaker 1>it'll be out here forever and ever. But another thing

1:07:10.560 --> 1:07:12.520
<v Speaker 1>I kind of thought that the movie kind of did

1:07:12.560 --> 1:07:17.040
<v Speaker 1>a bit right was and I mean light right, was

1:07:17.280 --> 1:07:22.560
<v Speaker 1>um Renai Zeliger kind of being like, yeah, I love sex,

1:07:23.080 --> 1:07:25.960
<v Speaker 1>I am this girl because she didn't apologize a lot

1:07:26.000 --> 1:07:29.000
<v Speaker 1>for it. She did she should not have done that

1:07:29.080 --> 1:07:31.600
<v Speaker 1>to like get back at her friend and stuff like that,

1:07:31.880 --> 1:07:34.320
<v Speaker 1>but it didn't seem like she had an issue being

1:07:34.880 --> 1:07:39.160
<v Speaker 1>a sexual, cool person. And I think she was of age.

1:07:39.520 --> 1:07:41.720
<v Speaker 1>I think we don't know. I think I think it's

1:07:41.720 --> 1:07:44.120
<v Speaker 1>implied that she's a little bit older than that. And

1:07:44.200 --> 1:07:47.520
<v Speaker 1>I don't even know why I think that, but yeah,

1:07:47.640 --> 1:07:49.440
<v Speaker 1>I think they just wanted to make it clear that

1:07:49.480 --> 1:07:53.560
<v Speaker 1>she's at least eighteen when she was fucking like rexpanding.

1:07:53.600 --> 1:07:55.600
<v Speaker 1>I think that's why they didn't have her talk a

1:07:55.640 --> 1:07:58.360
<v Speaker 1>lot about school and stuff. But I kind of did

1:07:58.480 --> 1:08:01.360
<v Speaker 1>that they were just having her like not be apologetic

1:08:01.440 --> 1:08:03.640
<v Speaker 1>for it. She didn't want to be like her mom,

1:08:03.720 --> 1:08:07.320
<v Speaker 1>So I'm assuming that was coming from like the job

1:08:07.560 --> 1:08:11.200
<v Speaker 1>aspects of it, and maybe just like it was with

1:08:11.360 --> 1:08:13.479
<v Speaker 1>sex to some some of it. But she didn't seem

1:08:13.480 --> 1:08:15.040
<v Speaker 1>to have an issue with it, and I kind of

1:08:15.040 --> 1:08:17.080
<v Speaker 1>thought that was kind of cool a little bit, not

1:08:17.280 --> 1:08:19.760
<v Speaker 1>like Hella a lot, but it was kind of cool. Yeah,

1:08:19.760 --> 1:08:23.240
<v Speaker 1>it seems that the it's far more the other characters

1:08:23.280 --> 1:08:26.519
<v Speaker 1>who shame her for her have an issue with it, yeah,

1:08:26.520 --> 1:08:30.559
<v Speaker 1>than than the movie itself, right, um having any issue

1:08:30.600 --> 1:08:35.880
<v Speaker 1>with like her being a sexually liberated person who's interesting, right,

1:08:35.960 --> 1:08:40.320
<v Speaker 1>So yeah, that I thought that was interesting too. It's

1:08:40.320 --> 1:08:43.040
<v Speaker 1>so but then it's like again the movie you can

1:08:43.120 --> 1:08:45.400
<v Speaker 1>just like see the studio it's happening in the last

1:08:45.400 --> 1:08:48.719
<v Speaker 1>ten minutes of the movie, because she kind of doubles

1:08:48.800 --> 1:08:51.160
<v Speaker 1>back on that at the end where she like enters

1:08:51.200 --> 1:08:54.080
<v Speaker 1>the funeral and it's like, no, I'm not a cool,

1:08:54.080 --> 1:08:56.640
<v Speaker 1>sexually liberated girl. This is actually I'm going to be

1:08:56.720 --> 1:08:58.600
<v Speaker 1>just like my mother. And we don't know what that

1:08:58.640 --> 1:09:01.080
<v Speaker 1>means because we know nothing about in this family where

1:09:01.120 --> 1:09:03.880
<v Speaker 1>like that could mean anything. And so she kind of

1:09:03.920 --> 1:09:07.280
<v Speaker 1>like I feel like she she was like holding her

1:09:07.320 --> 1:09:09.559
<v Speaker 1>ground the whole movie of like how fucking dare you

1:09:10.000 --> 1:09:12.639
<v Speaker 1>shame me? And then at the end she's like, but really,

1:09:12.680 --> 1:09:15.000
<v Speaker 1>I'm just having sex because I'm afraid to be a

1:09:15.040 --> 1:09:17.040
<v Speaker 1>singer and I'm like, you can be a singer who

1:09:17.120 --> 1:09:21.400
<v Speaker 1>has sex like you? Is it like this sex weird

1:09:21.600 --> 1:09:25.040
<v Speaker 1>binary of like lah lah lah Like, but I did

1:09:25.600 --> 1:09:28.559
<v Speaker 1>that said I did love that Live Tyler line read

1:09:28.640 --> 1:09:31.120
<v Speaker 1>where it was said, like there's just like there's a

1:09:31.120 --> 1:09:33.200
<v Speaker 1>few of these lines that I just they're so teen

1:09:33.280 --> 1:09:35.840
<v Speaker 1>movie in a way that really warms my heart, no

1:09:35.880 --> 1:09:38.160
<v Speaker 1>matter if I know what's going on or not. Where

1:09:38.439 --> 1:09:40.880
<v Speaker 1>like Live Tyler is like, you're not going to be

1:09:40.920 --> 1:09:42.880
<v Speaker 1>like your mother if you don't want to be like

1:09:42.920 --> 1:09:47.080
<v Speaker 1>your mother. And I'm like, oh, I wish that was true,

1:09:47.600 --> 1:09:50.320
<v Speaker 1>but but what a seventeen what an eighteen year old

1:09:50.400 --> 1:09:53.120
<v Speaker 1>thing to be sure of? To be like, I don't

1:09:53.280 --> 1:09:54.800
<v Speaker 1>I don't want to be like my mom, so I'm

1:09:54.800 --> 1:09:57.280
<v Speaker 1>not going to be like that's just not how generational

1:09:57.280 --> 1:10:05.280
<v Speaker 1>trauma works. But so off, Yeah, it's I think it's

1:10:05.320 --> 1:10:08.400
<v Speaker 1>like it's it's a very messy show for a film,

1:10:09.000 --> 1:10:12.840
<v Speaker 1>but I just feel like there was Maybe that's another

1:10:12.840 --> 1:10:14.479
<v Speaker 1>reason why I'm so attached to it, because I feel

1:10:14.479 --> 1:10:19.080
<v Speaker 1>like there's a cut where there's reasoning behind some of it,

1:10:19.560 --> 1:10:22.400
<v Speaker 1>and it doesn't I think it leaves all the actual

1:10:22.640 --> 1:10:25.680
<v Speaker 1>connections on the cutting room floor and I think if

1:10:25.680 --> 1:10:27.720
<v Speaker 1>we had a chance to power those up and if

1:10:27.960 --> 1:10:30.719
<v Speaker 1>the studio and stuff wasn't so it's scared about, oh,

1:10:30.760 --> 1:10:34.880
<v Speaker 1>here's just another teen movie with another girl like nowadays,

1:10:35.040 --> 1:10:36.519
<v Speaker 1>I don't think they would have given a funk. They

1:10:36.520 --> 1:10:39.360
<v Speaker 1>would have been like, there's another movie coming out that's

1:10:39.400 --> 1:10:41.280
<v Speaker 1>exactly the same as this, but we're gonna put it

1:10:41.320 --> 1:10:44.920
<v Speaker 1>out anyway. But they did, you know, they were just

1:10:44.960 --> 1:10:47.320
<v Speaker 1>like too scared, and I bet it would have done well.

1:10:47.600 --> 1:10:50.320
<v Speaker 1>It would have done well. Yeah, I really liked this.

1:10:50.680 --> 1:10:56.080
<v Speaker 1>The there's like an anecdote about how the executive who

1:10:56.120 --> 1:10:58.519
<v Speaker 1>like bought Empire Records because there was like which is

1:10:58.520 --> 1:11:01.519
<v Speaker 1>always excited, especially for a female screenwriter. There was like

1:11:01.640 --> 1:11:03.920
<v Speaker 1>a kind of like a small bidding. More over the

1:11:03.960 --> 1:11:07.400
<v Speaker 1>Empire Records original script, which I would really love to read.

1:11:07.400 --> 1:11:09.120
<v Speaker 1>I want to know how this movie was supposed to go,

1:11:09.600 --> 1:11:13.040
<v Speaker 1>because it was less about capitalism and virginity in the

1:11:13.080 --> 1:11:15.720
<v Speaker 1>first one. It was all about like found you know,

1:11:15.800 --> 1:11:19.200
<v Speaker 1>chosen family, which I love um. But there was an

1:11:19.200 --> 1:11:23.240
<v Speaker 1>executive executive who like bought it and like greenlit Empire

1:11:23.320 --> 1:11:27.040
<v Speaker 1>Records was then the next day approached with the script

1:11:27.080 --> 1:11:30.480
<v Speaker 1>for Clueless, and he was like I don't need Clueless.

1:11:30.520 --> 1:11:32.599
<v Speaker 1>I already have a teen movie. And I'm like, oh,

1:11:32.840 --> 1:11:37.760
<v Speaker 1>you fumbled so hard one and l that's so embarrassing

1:11:38.479 --> 1:11:40.400
<v Speaker 1>that he's like, I don't need it. I got I

1:11:40.479 --> 1:11:42.080
<v Speaker 1>have a hit on my hands, and I'm like, I

1:11:42.200 --> 1:11:45.080
<v Speaker 1>already have lived Tyler and Renee Zelwiger. I don't know

1:11:45.120 --> 1:11:48.400
<v Speaker 1>who they really are yet, but I'm I'm doing this instead.

1:11:48.520 --> 1:11:50.960
<v Speaker 1>I mean, I see where he was going with that,

1:11:51.160 --> 1:11:55.479
<v Speaker 1>but he was wrong. He was incorrect, especially because Clueless

1:11:55.520 --> 1:11:59.440
<v Speaker 1>was such a like surprise box office hit in itself.

1:12:00.000 --> 1:12:03.360
<v Speaker 1>Empire Records had a ten million dollar budget and only

1:12:03.680 --> 1:12:08.080
<v Speaker 1>grossed like sorry, and only gross like three hundred dollars

1:12:08.120 --> 1:12:11.360
<v Speaker 1>or something like that. But it was the studio killed it.

1:12:11.360 --> 1:12:13.439
<v Speaker 1>It wasn't because people didn't want to see it. It's

1:12:13.479 --> 1:12:15.880
<v Speaker 1>because the studio made it impossible for people to see

1:12:15.920 --> 1:12:19.439
<v Speaker 1>because they sucked it up so hard that they then

1:12:19.720 --> 1:12:23.400
<v Speaker 1>had to kill it themselves. And it's like and everyone

1:12:23.520 --> 1:12:26.640
<v Speaker 1>lost as a result. Because Carrol was also telling me,

1:12:26.720 --> 1:12:30.080
<v Speaker 1>like they started pulling theaters like they were just like okay,

1:12:30.080 --> 1:12:33.160
<v Speaker 1>well maybe not here maybe. And then the run was

1:12:33.240 --> 1:12:36.360
<v Speaker 1>also very short. It was only in theaters for like

1:12:36.520 --> 1:12:39.840
<v Speaker 1>maybe a month. Weeks or something. Yeah, something like that,

1:12:40.320 --> 1:12:42.600
<v Speaker 1>and in such a small amount of theaters. You they

1:12:42.600 --> 1:12:45.880
<v Speaker 1>didn't even give it a chance. They just and then yeah,

1:12:46.120 --> 1:12:49.280
<v Speaker 1>they just so happened to Like later it'd be like

1:12:49.360 --> 1:12:51.960
<v Speaker 1>this like big hit or whatever with like the people

1:12:52.000 --> 1:12:54.479
<v Speaker 1>who really wasn't meant for but at the time, yeah

1:12:54.520 --> 1:13:01.040
<v Speaker 1>they killed it. Yeah fucked. I don't like it because

1:13:01.040 --> 1:13:06.439
<v Speaker 1>there is a really cool coherent movie here. It's just

1:13:06.640 --> 1:13:10.439
<v Speaker 1>not the one that ends up on the screen. It's

1:13:10.479 --> 1:13:13.599
<v Speaker 1>not the one. But like there's so much potential for

1:13:14.439 --> 1:13:16.800
<v Speaker 1>a movie to be about what it's about, which again

1:13:16.920 --> 1:13:21.599
<v Speaker 1>is like misfits coming together as this chosen family having issues,

1:13:21.880 --> 1:13:25.519
<v Speaker 1>resolving those issues, like finding ways to bond, all that stuff,

1:13:25.520 --> 1:13:29.600
<v Speaker 1>all that stuff that's like very emotionally compelling and extremely

1:13:29.640 --> 1:13:34.920
<v Speaker 1>relatable and human. It's just that it's so bogged down

1:13:35.000 --> 1:13:41.599
<v Speaker 1>by so many weird random, like totally incongruous like scenes

1:13:41.720 --> 1:13:45.320
<v Speaker 1>here and there, and just other kind of weirdness. And

1:13:45.960 --> 1:13:49.760
<v Speaker 1>I feel like characters being rewritten to make weird choices,

1:13:50.080 --> 1:13:55.759
<v Speaker 1>or things like suicidality and like drug addiction not being

1:13:56.320 --> 1:14:00.439
<v Speaker 1>handled well. I mean, the overall cultural emotional and eligience

1:14:00.520 --> 1:14:06.479
<v Speaker 1>of the mid nineties was like not equipped to deal

1:14:07.040 --> 1:14:10.120
<v Speaker 1>with this kind of stuff, but I appreciate that they

1:14:10.120 --> 1:14:14.160
<v Speaker 1>were trying. They tried, and there's a lot of potential

1:14:14.439 --> 1:14:20.080
<v Speaker 1>in this premise. I mean, again from a teenagers watching

1:14:20.120 --> 1:14:24.000
<v Speaker 1>this in the mid to late nineties and like finding

1:14:24.240 --> 1:14:27.320
<v Speaker 1>so much to latch onto, like that is very cool

1:14:27.360 --> 1:14:30.080
<v Speaker 1>and I can understand why. And I'm sure I would

1:14:30.080 --> 1:14:32.720
<v Speaker 1>have if I had I seen this as a like

1:14:33.560 --> 1:14:38.000
<v Speaker 1>tween and like or something like that, Like I would

1:14:38.040 --> 1:14:42.040
<v Speaker 1>have had a different response. But it's just I understand that,

1:14:42.120 --> 1:14:45.439
<v Speaker 1>like seeing it for the first time four days ago

1:14:45.720 --> 1:14:50.040
<v Speaker 1>as a thirty five year old person living in I mean,

1:14:50.120 --> 1:14:55.000
<v Speaker 1>it's easier to criticize from that advantage point. We got

1:14:55.000 --> 1:14:57.400
<v Speaker 1>to take a quick break, but we will come right back.

1:15:04.520 --> 1:15:08.360
<v Speaker 1>Does anyone have any other thoughts about the movie? I

1:15:08.439 --> 1:15:10.280
<v Speaker 1>just think like on top of that, I just think

1:15:10.280 --> 1:15:12.800
<v Speaker 1>it's we have so much to talk about about the

1:15:12.840 --> 1:15:15.639
<v Speaker 1>relationship between the girls and then with the guys. I'm

1:15:15.680 --> 1:15:18.240
<v Speaker 1>just like sometimes I forgot which guy was which I'm like,

1:15:18.439 --> 1:15:22.080
<v Speaker 1>these are all the same goofball. There's no conflict between

1:15:22.760 --> 1:15:26.280
<v Speaker 1>except between like daddy and son, like that's the only

1:15:26.320 --> 1:15:30.080
<v Speaker 1>real but like there's no Frick there's only universal support

1:15:30.160 --> 1:15:32.880
<v Speaker 1>between these goofy boys, Like they're all just like, oh,

1:15:33.000 --> 1:15:36.040
<v Speaker 1>you're fucking wild man like in a way that it's

1:15:36.080 --> 1:15:39.479
<v Speaker 1>like it's goofy because they should maybe be in conflict

1:15:39.479 --> 1:15:41.920
<v Speaker 1>a little more with each other. But also it just

1:15:42.000 --> 1:15:45.200
<v Speaker 1>is like such a stark contrast to like the women

1:15:45.240 --> 1:15:49.439
<v Speaker 1>in this movie are constantly in conflict, only in conflict really,

1:15:49.520 --> 1:15:51.800
<v Speaker 1>and then the guys are just like, yoh whatever, man like,

1:15:52.520 --> 1:15:55.160
<v Speaker 1>like it's so stark. It was just like bizarre, which

1:15:55.200 --> 1:15:58.439
<v Speaker 1>is complicated because it's like the implication being women being

1:15:58.439 --> 1:16:01.880
<v Speaker 1>in the same space together, well, they're obviously gonna hate

1:16:01.920 --> 1:16:06.559
<v Speaker 1>each other conflict, but then it also means that those

1:16:06.600 --> 1:16:10.080
<v Speaker 1>are the far more interesting and nuanced relationships in this movie,

1:16:10.120 --> 1:16:14.240
<v Speaker 1>whereas like all the relationships with the men are just

1:16:14.280 --> 1:16:17.760
<v Speaker 1>like who are you again? Who is this? They just

1:16:17.800 --> 1:16:20.080
<v Speaker 1>want to smoke, they want to eat pizza, they bring

1:16:20.120 --> 1:16:23.880
<v Speaker 1>each other snacks like, and they don't. And that's the

1:16:24.000 --> 1:16:27.400
<v Speaker 1>weird thing because the major, the biggest conflict is like

1:16:27.720 --> 1:16:30.679
<v Speaker 1>he's stole nine grand from him, but like that doesn't

1:16:30.680 --> 1:16:34.479
<v Speaker 1>even create conflict in the story. Yeah, it's like, what's

1:16:34.479 --> 1:16:37.200
<v Speaker 1>to fight about is the fact that I want to

1:16:37.240 --> 1:16:39.679
<v Speaker 1>lose my opportinity to this guy, and for some reason,

1:16:39.760 --> 1:16:42.040
<v Speaker 1>we're going to fight about it on our break as

1:16:42.080 --> 1:16:46.800
<v Speaker 1>this really cute little cafe, Like it's weird. Yeah, it's weird.

1:16:47.040 --> 1:16:51.639
<v Speaker 1>It's weird, and they're fighting over a disgusting creep who

1:16:51.880 --> 1:16:54.200
<v Speaker 1>wants to do sexual things with a high school student,

1:16:54.360 --> 1:16:59.160
<v Speaker 1>So absolutely fuck that guy. And then also, real quick,

1:16:59.360 --> 1:17:03.920
<v Speaker 1>the Rex Manning fan base thing. So obviously he's resentful

1:17:04.040 --> 1:17:07.960
<v Speaker 1>that only women over the age of like thirty five,

1:17:08.479 --> 1:17:12.439
<v Speaker 1>who he doesn't deem to be quote unquote fuckable, like

1:17:12.760 --> 1:17:16.479
<v Speaker 1>they're not sexually viable to him, they are the main

1:17:16.600 --> 1:17:20.920
<v Speaker 1>demographic of his fan base, and he hates that that's

1:17:21.080 --> 1:17:25.240
<v Speaker 1>who likes his music. And then there's a scene where

1:17:26.080 --> 1:17:29.800
<v Speaker 1>Jane is talking about how Rex Manning's music tested well

1:17:29.840 --> 1:17:34.000
<v Speaker 1>with teen boys actually, and then Lucas says something like, oh, well,

1:17:34.080 --> 1:17:36.759
<v Speaker 1>did you compare the teen boys who like Rex Manning's

1:17:36.840 --> 1:17:42.360
<v Speaker 1>music to the incidents of homosexuality among teen boys? So

1:17:42.640 --> 1:17:47.360
<v Speaker 1>fucking nineties homophobic, like, and that's like, but also I

1:17:47.400 --> 1:17:50.280
<v Speaker 1>feel like the movie is saying the fact that older

1:17:50.320 --> 1:17:54.679
<v Speaker 1>women and gay men that's who likes this guy, and

1:17:54.720 --> 1:17:57.080
<v Speaker 1>that is part of why we're not supposed to like

1:17:57.240 --> 1:18:01.879
<v Speaker 1>Rex Manning as a character, and it's like, um, look,

1:18:02.400 --> 1:18:04.880
<v Speaker 1>older women and gay men have a lot of disposable

1:18:04.960 --> 1:18:09.639
<v Speaker 1>income and and put some risk. Good taste, Yeah, had

1:18:09.720 --> 1:18:13.679
<v Speaker 1>good tast. They're paying your rent, Like he just didn't

1:18:13.680 --> 1:18:15.760
<v Speaker 1>care because I think the main point of is that

1:18:15.800 --> 1:18:17.960
<v Speaker 1>they wanted us to take away was the fact that

1:18:18.040 --> 1:18:21.879
<v Speaker 1>he didn't see them as buckable, which is again another

1:18:22.000 --> 1:18:25.880
<v Speaker 1>trope of being like older women or whatever are no

1:18:26.000 --> 1:18:30.760
<v Speaker 1>longer hot after what or something like that, and he's

1:18:30.800 --> 1:18:33.599
<v Speaker 1>just like after that, even though like that is his

1:18:33.640 --> 1:18:36.560
<v Speaker 1>whole fan base is literally those were that when you

1:18:36.600 --> 1:18:39.080
<v Speaker 1>look at the line outside, those were the people that

1:18:39.120 --> 1:18:41.559
<v Speaker 1>showed up, and we would have under I don't think

1:18:41.800 --> 1:18:45.200
<v Speaker 1>that's why I wanted more understanding of like why liv

1:18:45.320 --> 1:18:48.320
<v Speaker 1>Tyler loved him so much, Like she didn't fit it.

1:18:48.479 --> 1:18:50.800
<v Speaker 1>And I think we would have knew that if we

1:18:50.840 --> 1:18:53.360
<v Speaker 1>would have talked about more about the stuff with her dad,

1:18:54.000 --> 1:18:56.120
<v Speaker 1>because she clearly had issues with him, but we didn't.

1:18:56.120 --> 1:18:59.280
<v Speaker 1>They skipped over all that. Yeah, it was weird. It

1:18:59.400 --> 1:19:04.280
<v Speaker 1>was weird. It's very bizarre. This movie is just so weird. Um,

1:19:05.320 --> 1:19:09.040
<v Speaker 1>does anyone else have any other stuff? I just don't

1:19:09.120 --> 1:19:14.439
<v Speaker 1>understand why Lucas didn't clearly explain to Joe or anyone

1:19:14.479 --> 1:19:17.760
<v Speaker 1>else what his intentions were with taking the money, Like

1:19:18.120 --> 1:19:19.960
<v Speaker 1>he could have just been like I saw that we

1:19:19.960 --> 1:19:22.240
<v Speaker 1>were in trouble and I tried to save us, but oops,

1:19:22.280 --> 1:19:24.360
<v Speaker 1>I lost all the money gambling. I'm so sorry. But

1:19:24.400 --> 1:19:27.240
<v Speaker 1>he never says that. Every time all they provides exposition

1:19:27.280 --> 1:19:30.200
<v Speaker 1>to himself, he doesn't provide it to other characters. And

1:19:30.320 --> 1:19:34.040
<v Speaker 1>he came back with a bunch of quarters instead, which

1:19:34.120 --> 1:19:37.120
<v Speaker 1>just get glued to the floor for the sake of art.

1:19:37.840 --> 1:19:41.320
<v Speaker 1>For art, oh gosh. But every time he tries to

1:19:41.479 --> 1:19:44.200
<v Speaker 1>explain why he did what he did, it's just so

1:19:44.840 --> 1:19:48.960
<v Speaker 1>like metaphorical and cryptic, and it's like your intentions were pure,

1:19:49.080 --> 1:19:52.519
<v Speaker 1>you can just tell what your intentions were. You were

1:19:52.640 --> 1:19:55.960
<v Speaker 1>trying to help Daddy, Like he wanted to say that,

1:19:56.240 --> 1:19:59.240
<v Speaker 1>you know, but he can't. He's an agent of chaos.

1:19:59.400 --> 1:20:03.200
<v Speaker 1>Like Luke isn't such an annoying character, but I couldn't

1:20:03.200 --> 1:20:04.840
<v Speaker 1>help but love him, and like his heart's in the

1:20:04.920 --> 1:20:07.760
<v Speaker 1>right place, but he just like he just will not

1:20:07.840 --> 1:20:13.760
<v Speaker 1>say the right thing at the right time. What a

1:20:13.800 --> 1:20:17.000
<v Speaker 1>what a sweetie, what a what a weird kid? And

1:20:17.479 --> 1:20:19.960
<v Speaker 1>you get a little glimpse into his past too, that

1:20:20.000 --> 1:20:22.000
<v Speaker 1>I assume was originally a bigger part of the story

1:20:22.040 --> 1:20:24.640
<v Speaker 1>where it sounds like, um, he was put in like

1:20:24.720 --> 1:20:28.880
<v Speaker 1>foster care. He took him in, Yeah right, he took

1:20:28.920 --> 1:20:31.599
<v Speaker 1>him in, Daddy, So Daddy can't punish the kid all

1:20:31.640 --> 1:20:34.080
<v Speaker 1>he took in, Yeah right, because he's like, well that

1:20:34.280 --> 1:20:36.719
<v Speaker 1>I got this kid like out of a bad situation,

1:20:36.760 --> 1:20:39.200
<v Speaker 1>I'm not going to put him back into one. But

1:20:39.280 --> 1:20:41.200
<v Speaker 1>it's just like movie wise, it would have been nice

1:20:41.240 --> 1:20:43.519
<v Speaker 1>to have that scene and had, you know, get Lucas

1:20:43.560 --> 1:20:46.160
<v Speaker 1>to communicate at some point in the movie, but he

1:20:46.280 --> 1:20:48.800
<v Speaker 1>just kind of never does about what's and then at

1:20:48.800 --> 1:20:50.600
<v Speaker 1>the end he's like, Daddy, I'm happy for you, and

1:20:50.640 --> 1:20:54.040
<v Speaker 1>he's like thanks son. Yeah. But instead of any of that,

1:20:54.120 --> 1:20:57.640
<v Speaker 1>like further context or development that we needed, instead we

1:20:57.720 --> 1:21:03.120
<v Speaker 1>get a scene where Mark is dusting near a woman

1:21:03.160 --> 1:21:05.599
<v Speaker 1>who's just you know, jamming out. She's closing her eyes,

1:21:05.720 --> 1:21:07.920
<v Speaker 1>she was like listening to the music, and then he

1:21:07.960 --> 1:21:11.800
<v Speaker 1>tries to assault her like he's just trying to kiss her,

1:21:12.640 --> 1:21:16.000
<v Speaker 1>and the movie plays it off as isn't this funny

1:21:16.040 --> 1:21:18.680
<v Speaker 1>and quirky and cute? Isn't that a funny thing? For

1:21:18.760 --> 1:21:21.880
<v Speaker 1>Mark to do cut Mark from the movie, Like that's

1:21:21.960 --> 1:21:25.200
<v Speaker 1>the character that is most goable. Why didn't they cut Mark?

1:21:25.240 --> 1:21:27.120
<v Speaker 1>They cut who? Did they cut? Three people? They didn't

1:21:27.120 --> 1:21:31.360
<v Speaker 1>cut Mark? Come on, This is unrelated, but just like

1:21:31.880 --> 1:21:34.200
<v Speaker 1>in a post pandemic era, not that you could even

1:21:34.280 --> 1:21:36.479
<v Speaker 1>get COVID from a pair of those headphones, but I

1:21:36.520 --> 1:21:38.680
<v Speaker 1>was like, oh, that's so gross that we used to

1:21:38.720 --> 1:21:44.080
<v Speaker 1>do that, that we used to just record stores and yeah,

1:21:44.120 --> 1:21:48.760
<v Speaker 1>it's so it's so nasty. Why God wipe us out?

1:21:49.000 --> 1:21:53.519
<v Speaker 1>Like it's just like nasty. Anyways, I think that that's

1:21:53.560 --> 1:21:56.400
<v Speaker 1>my last comment is those headphones are so gross you

1:21:56.400 --> 1:21:59.519
<v Speaker 1>couldn't pay me to put them on. My last comment

1:21:59.760 --> 1:22:02.919
<v Speaker 1>is at the very beginning, when Lucas goes to Atlantic

1:22:02.960 --> 1:22:07.360
<v Speaker 1>City and gambles and the first time he's playing craps, right,

1:22:07.720 --> 1:22:10.200
<v Speaker 1>and he doubles his money or he wins money the

1:22:10.240 --> 1:22:14.720
<v Speaker 1>first time he wins, and then the like sexy lady

1:22:14.760 --> 1:22:16.800
<v Speaker 1>that's next to him his like, you know, kind of

1:22:16.800 --> 1:22:19.680
<v Speaker 1>cuddled up against him, and then she's like, you are

1:22:19.800 --> 1:22:25.040
<v Speaker 1>sex is a thing that she says to him, You

1:22:25.080 --> 1:22:31.200
<v Speaker 1>are sex, Like I don't know about that, but it's

1:22:31.240 --> 1:22:34.400
<v Speaker 1>so funny. I know exactly about that. Um, yeah, so

1:22:34.439 --> 1:22:39.040
<v Speaker 1>that was amazing, and you are sex. We're all sex.

1:22:39.200 --> 1:22:43.439
<v Speaker 1>We're all sex, especially Gina. Apparently that's what they wanted

1:22:43.520 --> 1:22:46.360
<v Speaker 1>us especially, right, But how does she feel about it?

1:22:46.360 --> 1:22:52.120
<v Speaker 1>We'll never know, never know. Does this fast back to test? Yeah,

1:22:52.560 --> 1:22:55.080
<v Speaker 1>not a lot. Yeah, but like not as much as

1:22:55.080 --> 1:22:57.320
<v Speaker 1>you would think I was going to say. Yeah. I

1:22:57.360 --> 1:23:01.400
<v Speaker 1>think my favorite exchange is when Deborah says, hey, miss

1:23:01.479 --> 1:23:04.880
<v Speaker 1>Tina America, here's a button I made for you. Don't worry.

1:23:04.920 --> 1:23:08.439
<v Speaker 1>I didn't spit on it, and then Corey reads what

1:23:08.479 --> 1:23:10.880
<v Speaker 1>it says and it just says dishonesty. So she's like,

1:23:11.080 --> 1:23:17.519
<v Speaker 1>dishonesty and that passes the test. There's a lot of

1:23:17.560 --> 1:23:21.280
<v Speaker 1>sinister Yeah, there's a lot of sinister passes in this movie,

1:23:21.320 --> 1:23:25.599
<v Speaker 1>but it does pass, which I accept. Yeah, and I

1:23:25.600 --> 1:23:28.640
<v Speaker 1>didn't know that's the one I choose to like that

1:23:28.680 --> 1:23:32.240
<v Speaker 1>one that looks dishadesty, and it's like, well, we passed,

1:23:32.520 --> 1:23:37.800
<v Speaker 1>So we did it, ladies, we did it. Feminist win,

1:23:39.760 --> 1:23:42.960
<v Speaker 1>Oh gosh. And then as far as our nipple scale on,

1:23:43.840 --> 1:23:49.240
<v Speaker 1>we rate the movie based on examining it through an

1:23:49.240 --> 1:23:53.519
<v Speaker 1>intersectional feminist lens. I guess my takeaway from this is

1:23:53.560 --> 1:23:56.759
<v Speaker 1>that I appreciate that so many people have been able

1:23:56.840 --> 1:24:03.439
<v Speaker 1>to latch onto this movie for relatable premise of like

1:24:03.840 --> 1:24:08.400
<v Speaker 1>misfits being represented on screen, finding a community, finding a

1:24:08.479 --> 1:24:13.400
<v Speaker 1>chosen family, because not many movies were about that, especially

1:24:13.520 --> 1:24:17.960
<v Speaker 1>in this era. So I understand why it was so

1:24:18.160 --> 1:24:23.120
<v Speaker 1>appealing to people who had so little representation. That said,

1:24:23.160 --> 1:24:27.120
<v Speaker 1>the movie is extremely white, It is extremely hetero, It

1:24:27.280 --> 1:24:31.599
<v Speaker 1>is extremely like middle class. Even though some of these

1:24:31.920 --> 1:24:34.040
<v Speaker 1>like it suggested that a lot of the characters are

1:24:34.040 --> 1:24:38.760
<v Speaker 1>struggling financially, we don't actually see any manifestations of that.

1:24:38.840 --> 1:24:41.840
<v Speaker 1>It's just like because we just see them one day

1:24:41.880 --> 1:24:46.360
<v Speaker 1>in a record store and we're just kind of assuming everyone's, like,

1:24:46.520 --> 1:24:50.840
<v Speaker 1>everyone's fine. So it's just it only represents a very

1:24:50.840 --> 1:24:54.960
<v Speaker 1>small demographic of people. It leaves a lot of people out.

1:24:55.000 --> 1:24:59.040
<v Speaker 1>It does not handle a lot of uh serious topics

1:24:59.080 --> 1:25:04.040
<v Speaker 1>such as sue, subtle ideation, and addiction, does not know

1:25:04.080 --> 1:25:09.280
<v Speaker 1>how to approach handling those things, executes those things not well.

1:25:10.439 --> 1:25:14.160
<v Speaker 1>But it's extremely valid for you know, the people who

1:25:14.160 --> 1:25:19.120
<v Speaker 1>saw themselves represented in the movie and like, well, like

1:25:19.200 --> 1:25:21.479
<v Speaker 1>you were talking about Shelley, like, even though there's there's

1:25:21.520 --> 1:25:25.960
<v Speaker 1>no explicit queerness, even though you know, there's you're still

1:25:26.000 --> 1:25:29.160
<v Speaker 1>able to see yourself in it and and and see

1:25:29.200 --> 1:25:32.840
<v Speaker 1>parts of like what you long for in it, and

1:25:33.000 --> 1:25:36.599
<v Speaker 1>like that's extremely valid. And with all of that in mind,

1:25:36.720 --> 1:25:41.360
<v Speaker 1>I will give the movie two nipples. Maybe is that

1:25:41.400 --> 1:25:43.320
<v Speaker 1>too many? Way? I thought you were going to go

1:25:43.600 --> 1:25:47.360
<v Speaker 1>lower than I thought I was too. Jamie's like, I

1:25:47.400 --> 1:25:52.479
<v Speaker 1>got you, Okay, I love it. I do like that

1:25:52.760 --> 1:25:56.000
<v Speaker 1>A lot of the most interesting relationships in the movie

1:25:56.200 --> 1:25:59.960
<v Speaker 1>are among women, and a lot of the most interest

1:26:00.360 --> 1:26:04.000
<v Speaker 1>arcs are afforded to the female characters. There's still a

1:26:04.080 --> 1:26:09.240
<v Speaker 1>lot of tropes present there. But what are you expecting

1:26:09.280 --> 1:26:14.559
<v Speaker 1>from guess? Um, Yeah, I think this is maybe too

1:26:14.600 --> 1:26:17.719
<v Speaker 1>high and on I like, did I enjoy watching this movie?

1:26:17.800 --> 1:26:21.000
<v Speaker 1>From a zero to five scale, I would give this

1:26:21.040 --> 1:26:29.160
<v Speaker 1>movie zero nipples, but sorry, But from a you know,

1:26:29.320 --> 1:26:35.040
<v Speaker 1>is it doing some interesting things? Sure? I guess two nipples,

1:26:35.120 --> 1:26:40.320
<v Speaker 1>and I'll give one two live Tyler's crop top, and

1:26:40.360 --> 1:26:44.879
<v Speaker 1>I'll give one to the line of dialogue you are six.

1:26:47.720 --> 1:26:51.479
<v Speaker 1>I'm gonna do something weird here, and I'm gonna give

1:26:51.920 --> 1:26:55.040
<v Speaker 1>nipple rating to the actual movie and a nipple writing

1:26:55.040 --> 1:26:57.120
<v Speaker 1>to the movie that I think it was going to

1:26:57.160 --> 1:27:01.120
<v Speaker 1>be prior to being released. Okay, the actual movie, I'm

1:27:01.160 --> 1:27:03.679
<v Speaker 1>going to give one nipple too, because it's so messy

1:27:03.960 --> 1:27:07.360
<v Speaker 1>and it's like, I there are the like seeds of

1:27:07.439 --> 1:27:09.760
<v Speaker 1>so many interesting things. But because of the way the

1:27:09.800 --> 1:27:15.280
<v Speaker 1>movie was edited and marketed and rewritten outside of like

1:27:15.320 --> 1:27:19.639
<v Speaker 1>the writer's original vision, I feel like it does miss

1:27:19.720 --> 1:27:22.280
<v Speaker 1>the mark a lot of the time, and I like

1:27:22.600 --> 1:27:26.280
<v Speaker 1>totally echo I mean the nineties like extreme you know,

1:27:26.520 --> 1:27:30.080
<v Speaker 1>white middle class heterosexuality, which is true of basically the

1:27:30.120 --> 1:27:33.559
<v Speaker 1>whole genre at this time. But even on top of that,

1:27:33.640 --> 1:27:36.479
<v Speaker 1>like it's so it's like I see, I would say

1:27:36.520 --> 1:27:39.559
<v Speaker 1>I had a five out of five nipple experience watching

1:27:39.600 --> 1:27:41.960
<v Speaker 1>this movie because we were we were just like I

1:27:42.000 --> 1:27:44.840
<v Speaker 1>was paying such close attention, waiting for something that makes sense,

1:27:44.880 --> 1:27:47.599
<v Speaker 1>and like it was so fun to be like, huh,

1:27:47.640 --> 1:27:51.960
<v Speaker 1>what he's got a gun? Like what is happening? Um,

1:27:52.080 --> 1:27:56.120
<v Speaker 1>So healing experience was incredible. I it's it's always like,

1:27:56.360 --> 1:27:58.760
<v Speaker 1>you know, kind of disappointing in a way again that

1:27:58.840 --> 1:28:01.960
<v Speaker 1>it's like not the writer or director's fault to see

1:28:02.560 --> 1:28:06.519
<v Speaker 1>a teen movie try to approach serious issues that could

1:28:06.520 --> 1:28:08.679
<v Speaker 1>have been impactful if they had been given some room

1:28:08.720 --> 1:28:11.880
<v Speaker 1>to breathe and then see a kind of undercut. So

1:28:11.920 --> 1:28:15.400
<v Speaker 1>I give one nipple to the movie that came out,

1:28:15.560 --> 1:28:17.439
<v Speaker 1>and I'll give that to Live Tyler's Crop Top. I'm

1:28:17.439 --> 1:28:19.240
<v Speaker 1>going to give three nipples to the movie that I

1:28:19.400 --> 1:28:21.880
<v Speaker 1>like think was in there, maybe even three and a half,

1:28:21.960 --> 1:28:26.679
<v Speaker 1>Like if you had gotten like Debrah's you know, full

1:28:26.720 --> 1:28:30.519
<v Speaker 1>backstory and like gotten to fully realize a self harm

1:28:31.080 --> 1:28:35.760
<v Speaker 1>narrative that had a positive ending for the character in

1:28:35.800 --> 1:28:37.439
<v Speaker 1>a teen movie. I think that that could have been

1:28:37.439 --> 1:28:41.480
<v Speaker 1>a really cool, impactful storyline if it was done thoughtfully.

1:28:41.840 --> 1:28:45.400
<v Speaker 1>Sam goes for the Lift Tyler storyline. Sam goes for

1:28:45.640 --> 1:28:49.520
<v Speaker 1>the sludge shaming storyline with Gina like I and um,

1:28:49.720 --> 1:28:52.960
<v Speaker 1>like Carol was saying in her interview with you, Shelly,

1:28:53.040 --> 1:28:56.160
<v Speaker 1>like it sounds like the Gina Corey friendship was so

1:28:56.760 --> 1:29:00.240
<v Speaker 1>much more integral to the movie she wanted to make.

1:29:00.760 --> 1:29:02.040
<v Speaker 1>And I would have loved to have seen that. So

1:29:02.040 --> 1:29:03.640
<v Speaker 1>I'll give I'll have three and a half to the

1:29:03.680 --> 1:29:05.920
<v Speaker 1>movie that I that I think it was at one point,

1:29:06.800 --> 1:29:11.960
<v Speaker 1>And I'll give those nipples to you are sex, I'll

1:29:12.000 --> 1:29:16.400
<v Speaker 1>give them to the dirty headphones. I'll give them to

1:29:16.520 --> 1:29:20.080
<v Speaker 1>the newscaster who's like the news is on live and

1:29:20.160 --> 1:29:24.120
<v Speaker 1>I'm like, yeah, we know, uh, and I'll give my

1:29:24.240 --> 1:29:35.759
<v Speaker 1>last half to the eyebrows. Yeah. I think like with

1:29:36.000 --> 1:29:39.240
<v Speaker 1>everything that you were saying about, you know, the sistness,

1:29:39.320 --> 1:29:42.640
<v Speaker 1>the whiteness, everything a part of it, putting on that

1:29:42.720 --> 1:29:47.360
<v Speaker 1>in and also taking all of that apart and being like, yeah,

1:29:47.439 --> 1:29:50.280
<v Speaker 1>there's this, there was more here than meets the eye,

1:29:50.479 --> 1:29:53.000
<v Speaker 1>or that's on the cuting room floor somewhere or in

1:29:53.040 --> 1:29:57.599
<v Speaker 1>someone's basement and rating the movie that we actually got,

1:29:58.240 --> 1:30:02.200
<v Speaker 1>I would definitely just give it like two stars and

1:30:02.680 --> 1:30:09.360
<v Speaker 1>or sorry to nipples letterbox, I'm sorry, how could you

1:30:10.160 --> 1:30:14.320
<v Speaker 1>cut it out? Sorry? That wasn't me. Actually that was

1:30:14.320 --> 1:30:22.120
<v Speaker 1>Shreky that said stars. I would give it to nipples

1:30:22.280 --> 1:30:25.639
<v Speaker 1>um and the one Nipple, of course, goes to live

1:30:25.680 --> 1:30:29.280
<v Speaker 1>Tie was crap top like that will forever get one

1:30:29.640 --> 1:30:32.599
<v Speaker 1>and the other one I think goes for like what

1:30:32.680 --> 1:30:36.000
<v Speaker 1>it was trying to do, like everything that it was

1:30:36.080 --> 1:30:39.600
<v Speaker 1>trying to do, what it could have been, all the

1:30:39.600 --> 1:30:41.479
<v Speaker 1>holes in the story and stuff like that, because I

1:30:41.560 --> 1:30:45.799
<v Speaker 1>think they're saying something if you can not only find

1:30:45.840 --> 1:30:48.560
<v Speaker 1>the holes in the story but then be like, oh,

1:30:48.840 --> 1:30:51.120
<v Speaker 1>there's more to this. I think if your mind when

1:30:51.120 --> 1:30:53.559
<v Speaker 1>you're watching it is like, instead of just being like, oh,

1:30:53.600 --> 1:30:56.360
<v Speaker 1>that doesn't make sense and then throwing it aside, if instead,

1:30:56.360 --> 1:30:58.759
<v Speaker 1>when you're watching a movie and you're like, wait a minute,

1:30:58.760 --> 1:31:02.920
<v Speaker 1>there was something actually there and something just got sucked up,

1:31:03.160 --> 1:31:05.200
<v Speaker 1>then you can be like, you can appreciate it a

1:31:05.240 --> 1:31:09.320
<v Speaker 1>little bit more. So that's what my nipple rating scale is.

1:31:09.439 --> 1:31:13.960
<v Speaker 1>But in a universe where none of this happened, and

1:31:14.520 --> 1:31:18.040
<v Speaker 1>I'm in middle school and I'm watching this this movie

1:31:18.080 --> 1:31:21.680
<v Speaker 1>that was not meant for this, like black Girl, Midwest

1:31:21.800 --> 1:31:25.240
<v Speaker 1>middle class, like Weirdo come in, I give it like

1:31:25.360 --> 1:31:29.000
<v Speaker 1>five because it made me fucking happy, Like it made

1:31:29.000 --> 1:31:32.720
<v Speaker 1>me happy. It made me happy, and I made memories

1:31:32.760 --> 1:31:36.720
<v Speaker 1>with it. I danced around my room to it. I

1:31:36.760 --> 1:31:39.559
<v Speaker 1>would like acted out in certain scenes when I would

1:31:39.560 --> 1:31:42.800
<v Speaker 1>watch at different times, like and then I got to

1:31:42.880 --> 1:31:46.160
<v Speaker 1>like write about it for twenty five year anniversary and

1:31:46.200 --> 1:31:48.640
<v Speaker 1>stuff and talk to the person who made it. So

1:31:48.760 --> 1:31:51.680
<v Speaker 1>for that, I give it five in that world. But

1:31:51.800 --> 1:31:56.400
<v Speaker 1>that's it amazing. I'm thank you for bringing up this

1:31:56.439 --> 1:32:00.320
<v Speaker 1>movie because it really was like, of course fun worm hole.

1:32:00.640 --> 1:32:04.200
<v Speaker 1>This is like one of my favorite chaos conversations on

1:32:04.240 --> 1:32:13.040
<v Speaker 1>the show. And sometimes truly, Yeah, come back anytime I want.

1:32:13.880 --> 1:32:18.280
<v Speaker 1>And um, tell us where people can follow you on

1:32:18.320 --> 1:32:23.120
<v Speaker 1>social media, read your writing, anything else you want to plug. Well,

1:32:23.120 --> 1:32:28.960
<v Speaker 1>if you just type in Shreky on Twitter, you'll find you.

1:32:29.040 --> 1:32:31.519
<v Speaker 1>Just type that in, you'll find me. It's totally fine.

1:32:31.800 --> 1:32:36.439
<v Speaker 1>Um No, I'm mostly on Twitter at Hi Shelley, and

1:32:36.479 --> 1:32:40.200
<v Speaker 1>then I'm on Instagram at a Yo Shelley. On Twitter,

1:32:40.280 --> 1:32:42.720
<v Speaker 1>I just talked last year about movies and TV that

1:32:42.760 --> 1:32:44.880
<v Speaker 1>I want people to watch that I think they should

1:32:44.880 --> 1:32:48.280
<v Speaker 1>be watching. Um. And on Instagram, I'm just supposed to

1:32:48.320 --> 1:32:51.040
<v Speaker 1>keep pictures of myself. But yeah, and then I write

1:32:51.439 --> 1:32:53.840
<v Speaker 1>culture writer at auto Straddle and I write you know,

1:32:53.880 --> 1:32:56.360
<v Speaker 1>a lot of pieces there, but I also just edit

1:32:56.400 --> 1:32:59.120
<v Speaker 1>a lot of really dope new and emerging writers over

1:32:59.120 --> 1:33:02.519
<v Speaker 1>there too, actually black and brown fear writers. Um. And

1:33:02.520 --> 1:33:05.040
<v Speaker 1>then other than that, I writed a few other places.

1:33:05.120 --> 1:33:07.439
<v Speaker 1>I just anybody that wants to let me talk about

1:33:07.439 --> 1:33:09.840
<v Speaker 1>in a movie and pay me for it pretty much

1:33:09.880 --> 1:33:13.000
<v Speaker 1>to do it. So I'm there. You're real good at it,

1:33:13.360 --> 1:33:18.280
<v Speaker 1>Please keep doing it. Thank you, thank you. But that's

1:33:18.280 --> 1:33:22.360
<v Speaker 1>a truly come back anytime. Oh dope, I love you guys.

1:33:22.439 --> 1:33:24.640
<v Speaker 1>This is such a dope podcast. I remember when I

1:33:24.680 --> 1:33:29.840
<v Speaker 1>found it, and I really dig it every since, and yeah,

1:33:29.960 --> 1:33:36.639
<v Speaker 1>it's just dope. We're h and uh, yeah, I guess.

1:33:36.680 --> 1:33:40.280
<v Speaker 1>You can follow us on social media Twitter and Instagram

1:33:40.320 --> 1:33:45.840
<v Speaker 1>at Bechtel Cast. We've got our Patreon ak Matreon that

1:33:46.000 --> 1:33:49.080
<v Speaker 1>gets you to bonus episodes every single month. It's five

1:33:49.160 --> 1:33:52.599
<v Speaker 1>dollars a month, and you can hear such episodes as

1:33:53.120 --> 1:33:56.320
<v Speaker 1>the Stewart Little one, where Steve's on who again should

1:33:56.320 --> 1:34:00.759
<v Speaker 1>be in this movie? He says you with this friends

1:34:01.040 --> 1:34:04.080
<v Speaker 1>there man, some of my favorite matrons. You're like, you'd

1:34:04.120 --> 1:34:06.360
<v Speaker 1>think there's nothing to talk about in Stuart Little, but

1:34:06.760 --> 1:34:10.760
<v Speaker 1>there's a whole Gina Davis feminism conversation to be had.

1:34:11.200 --> 1:34:15.439
<v Speaker 1>So that's that's where. If you want more chaos. Uh,

1:34:15.600 --> 1:34:19.400
<v Speaker 1>you can also get our merch at t public dot

1:34:19.400 --> 1:34:22.320
<v Speaker 1>com slash v Becktel Cast. If you're so inclined, follow

1:34:22.439 --> 1:34:25.639
<v Speaker 1>us on Instagram, follow us on Twitter or don't, all

1:34:25.720 --> 1:34:30.559
<v Speaker 1>right or don't or do or do? Also give us

1:34:30.560 --> 1:34:33.720
<v Speaker 1>five nipples on Apple podcasts or whatever. Oh my gosh. Yeah,

1:34:33.720 --> 1:34:37.720
<v Speaker 1>because because people were getting really mad about the Zootopia

1:34:37.800 --> 1:34:41.160
<v Speaker 1>hive came for our comments section on Apple Podcasts. If

1:34:41.160 --> 1:34:43.559
<v Speaker 1>you could help out there that would actually rock because

1:34:43.600 --> 1:34:48.600
<v Speaker 1>I didn't realize how much people love um animal cops anyways.

1:34:51.520 --> 1:34:54.640
<v Speaker 1>All right, well that concludes rex spanning day on the

1:34:54.680 --> 1:34:58.519
<v Speaker 1>Bechtel cast Let's close up. It's midnight, so we gotta

1:34:58.600 --> 1:35:01.719
<v Speaker 1>go and for the fundraise their bye bye bye