WEBVTT - Griffin Dunne on Being “Kind of Brave”

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from iHeartRadio My guest Today is an actor, producer, director,

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<v Speaker 1>and author of a new memoir, The Friday Afternoon Club.

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<v Speaker 1>Griffin Dunn is known for his roles in cult film

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<v Speaker 1>favorites like An American Werewolf in London and Martin Scorsese's

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<v Speaker 1>After Hours. You may have also seen done in popular

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<v Speaker 1>TV series such as This Is Us and Succession. As

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<v Speaker 1>a director, Griffin Dunn's work includes Practical Magic, Fierce People,

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<v Speaker 1>and the documentary on his aunt titled Joan Didion The

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<v Speaker 1>Center Will Not Hold. Growing up among famous relatives and

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<v Speaker 1>a father in show business, Griffin Dunn had an unconventional childhood.

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<v Speaker 2>My father when I was growing up was very different

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<v Speaker 2>than the man he ended up becoming. You know, when

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<v Speaker 2>I was growing up, he was very angry, Irish Catholic

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<v Speaker 2>kind of rage you know, suppressed. He was closeted, which

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<v Speaker 2>was you know, not known at the time, and he

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<v Speaker 2>was also very kind of superficial about how things looked,

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<v Speaker 2>and he dictated what we would wear and what we'd

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<v Speaker 2>go to school in. And it was really tough kind

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<v Speaker 2>of being around him, and I had that awful feeling

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<v Speaker 2>as a kid to be a little embarrassed of my dad,

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<v Speaker 2>you know, like he wasn't like a manly, manly guy.

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<v Speaker 2>And you know, my best friends. I went to a

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<v Speaker 2>school in la and everybody was in show business, all

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<v Speaker 2>the parents and my best friends their father was one

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<v Speaker 2>was Jack Palance, who you know almost killed Shane, and

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<v Speaker 2>the other was Howard Keel who was a lumberjack. And

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<v Speaker 2>then there was my dad, and you know comings exactly.

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<v Speaker 2>You know, I was once so embarrassed that I came

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<v Speaker 2>to school and I said that my dad was in

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<v Speaker 2>jail for robbing a bank. And the lie went through

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<v Speaker 2>the school like small party or something, and the principal

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<v Speaker 2>of the school called my dad and go, oh my god, Nick,

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<v Speaker 2>you're out. And he goes, what are you talking about? Well,

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<v Speaker 2>I heard you were you were in jail for robbing

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<v Speaker 2>a bank. And he brought me. My dad brought me

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<v Speaker 2>into the you know, into this room, and he said,

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<v Speaker 2>is that something you'd like me to do? So when

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<v Speaker 2>it came time, you know, for him, as many couples

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<v Speaker 2>do when they break the news to their kids that

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<v Speaker 2>they're going to get a divorce, they plan what they're

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<v Speaker 2>going to say, you know, so they looks like a

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<v Speaker 2>mutual decision.

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<v Speaker 3>And did your dad say he was going back to prison?

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<v Speaker 2>Now we would have loved that, but he, you know,

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<v Speaker 2>my dad had the first line and he went off script.

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<v Speaker 2>He just burst into tears and went, your mother doesn't

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<v Speaker 2>love me anymore and she's dumped me and she's leaving.

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<v Speaker 2>And you know, we were all. I was about ten,

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<v Speaker 2>my brother was eight, my sister was six, and we'd

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<v Speaker 2>never really seen adults quite cry before, and it was

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<v Speaker 2>particularly my younger brother and sister. So they burst into

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<v Speaker 2>tears and they were really crying, and my dad was

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<v Speaker 2>really going at it. And I got nothing I got.

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<v Speaker 2>I'm dry as a bone, and I just feel awful

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<v Speaker 2>thee Yeah, I felt nothing. I felt nothing, and so

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<v Speaker 2>I try to, you know, get a couple of whimpers

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<v Speaker 2>going and yeah, and it cleared my eyes and making

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<v Speaker 2>sounds and I'm looking I see my mother. She's crying.

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<v Speaker 2>I'm wow, that's really bad. And then I opened my

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<v Speaker 2>eyes and she's looking at me through her eyes and

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<v Speaker 2>they're just totally dry, and I catch her faking it.

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<v Speaker 2>She knows I'm faking it, and a bond happened any

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<v Speaker 2>of a beautiful beginning of a beautiful relationship. And when he,

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<v Speaker 2>you know, moved out, I became, at a very young

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<v Speaker 2>age sort of the man.

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<v Speaker 3>Of the house.

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<v Speaker 2>I was eleven.

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<v Speaker 1>Two stings happened with me really well, not so much

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<v Speaker 1>in divorce, but at some point my sister and I

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<v Speaker 1>was Cinderella, Me were the help.

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<v Speaker 3>Yeah, my brother.

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<v Speaker 1>Spent the whole day every day shooting basketballs, playing with

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<v Speaker 1>football in pools, and my sister and I did the laundry,

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<v Speaker 1>rake the leaves, cut the grass, shovel of the snow,

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<v Speaker 1>cooked the meal. Then so you're twelve, and when he leaves,

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<v Speaker 1>where does he go? Does he go far away or

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<v Speaker 1>is he nearby?

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<v Speaker 2>He goes to an apartment, you know, real kind of

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<v Speaker 2>a Jack Lemon bachelor park in California, and you know, real,

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<v Speaker 2>you know, sad sech kind of a apartment that we're

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<v Speaker 2>supposed to go to on the weekends that we never do.

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<v Speaker 2>And you know, my mom was like she what she

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<v Speaker 2>became very I would say, she she would over share,

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<v Speaker 2>and you know, and she you know, she liked her wine,

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<v Speaker 2>and she let me stay up late. I felt terribly

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<v Speaker 2>grown up. And she'd let me have a little SIPs

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<v Speaker 2>of wine like they do in Europe with the children

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<v Speaker 2>in Europe, and she get a little bombed and just overshare,

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<v Speaker 2>and I felt terribly grown up.

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<v Speaker 4>You know.

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<v Speaker 1>My dad would be come home from work. He'd come

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<v Speaker 1>home and he'd get on the couch and have the

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<v Speaker 1>New York Times, and he'd read those pithy little blurbs

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<v Speaker 1>about the movies on TV on a million on the

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<v Speaker 1>Late Show, and he'd read it and he say, you.

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<v Speaker 3>Know, Ball of Fire, that's a great movie. You'd say

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<v Speaker 3>to me, let's watch a few minutes.

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<v Speaker 1>My dad would, oh, you gotta go to bed. It's

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<v Speaker 1>eleven thirty. You gotta go to bed. It's eleven thirty.

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<v Speaker 1>I go, let's watch ten minutes of him. Just ten,

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<v Speaker 1>You go, all right, we'll watch tennis. Ten minutes goes by.

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<v Speaker 1>He's fast asleep. He passes out on the couch, and

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<v Speaker 1>I watched all the Bowl of Fire. How Green was

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<v Speaker 1>My Valley? Sorry, wrong number, passage to Marseille. I watch

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<v Speaker 1>all the movies I watched in my life, and.

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<v Speaker 3>Like like you, they wanted they were lonely. They want

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<v Speaker 3>to compassion.

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<v Speaker 2>Absolutely No. That's the other thing that happened too, was

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<v Speaker 2>like all the structure went out the window, and my mother,

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<v Speaker 2>you know, was beginning to get sick. She had MS

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<v Speaker 2>and and so we would go to her bedroom and

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<v Speaker 2>we'd eat on TV trays everything, and it would be

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<v Speaker 2>you know, we had a housekeeper that pretty much raised

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<v Speaker 2>me as well. She was Mexican, and we would have

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<v Speaker 2>rice and beans just on the thing. We would eat

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<v Speaker 2>at all different hours. We'd take our tray and we'd

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<v Speaker 2>watch them and we would watch movies till my brother

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<v Speaker 2>and sister go to sleep, but she'd let me stay

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<v Speaker 2>up and we would watch. You know, there was one

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<v Speaker 2>movie called Suddenly Last Summer that was so terrifying to me,

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<v Speaker 2>you know, and I guess there was like a really

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<v Speaker 2>scary gay theme that was under in cannibalism, and there

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<v Speaker 2>was Catherine Hepburn, you know, on one of those chairs

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<v Speaker 2>that would come down the stairs, and for some reason

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<v Speaker 2>we it would be a million dollar movie, and you know,

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<v Speaker 2>they'd play the movies over and over and over. So

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<v Speaker 2>we would watch this movie. We knew it line by line.

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<v Speaker 2>And then when my mother, you know, advanced further, she

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<v Speaker 2>had to get one of those chairs and we would

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<v Speaker 2>just do Catherine Hepburn imitations. On this chair coming down

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<v Speaker 2>the stairs. All those late night movies, you know, really

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<v Speaker 2>were imprinted. They became like the language that we would speak.

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<v Speaker 2>My mother just knew every movie, every musical, every She

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<v Speaker 2>wanted to be but she wasn't she She when she

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<v Speaker 2>got pregnant with me, she decided to just become a housewife.

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<v Speaker 1>And when she when you say her symptoms of MSS,

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<v Speaker 1>her battle with them, I speagan when she was how.

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<v Speaker 2>Old, I'd say in her thirties, because.

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<v Speaker 3>She done when she was sixty five.

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<v Speaker 2>Yeah, down in No Gallas, No Gas.

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<v Speaker 3>That's kind of her family's.

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<v Speaker 2>That's where she went. She returned there.

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<v Speaker 1>So your family, your mother's family, that was the railroad

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<v Speaker 1>wheel car enterprise exactly.

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<v Speaker 2>Her father was from family that in Chicago, Chicago called,

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<v Speaker 2>and they had the Griffin Wheel Company, and the Griffin

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<v Speaker 2>wheels were at one time on all the pullman cars

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<v Speaker 2>in America. So it was quite an empire. Yes, And

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<v Speaker 2>my grandfather really had no interest in taking on that business.

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<v Speaker 2>He yeah, I know what was he thinking? And he

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<v Speaker 2>went to he was like, you know, like Teddy Roosevelt.

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<v Speaker 2>He had weak lungs and ended up in Arizona when

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<v Speaker 2>he was a kid, and just fell in love with

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<v Speaker 2>the landscape, the air in the desert. So when he could,

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<v Speaker 2>he was supposed to be married in a society wedding

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<v Speaker 2>in Chicago, and he literally left her on the altar

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<v Speaker 2>and went to Nogalis, where he became a cattle rancher

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<v Speaker 2>and knew nothing about cattle and bred this like a

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<v Speaker 2>very risky kind of cow and was very successful at it.

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<v Speaker 2>And my mother grew up on this ranch.

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<v Speaker 1>So I'm assuming not to be ghost about this, but

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<v Speaker 1>your mother's family was on all the resources that you

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<v Speaker 1>grew up with exactly.

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<v Speaker 3>She flirted with being an actress, but she didn't take

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<v Speaker 3>it seriously.

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<v Speaker 2>She didn't. She didn't and she wasn't. I think she

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<v Speaker 2>had tremendous regret about it, you know. And when I later,

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<v Speaker 2>when I got kicked out of school and I decided

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<v Speaker 2>to become an actor, we moved to New York and

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<v Speaker 2>was the high school dropout. She actually wasn't disappointed. She

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<v Speaker 2>was a little oddly envious, and she was like, kind

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<v Speaker 2>of go for it.

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<v Speaker 4>That.

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<v Speaker 3>Yeah, now your was your mind.

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<v Speaker 1>I didn't see the photos of there were Your mother

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<v Speaker 1>was a beautiful woman.

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<v Speaker 2>She camera ready, she was so beautiful. She was often

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<v Speaker 2>mistaken for Jennifer Jones and for Elizabeth Taylor in a

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<v Speaker 2>place in the sun. That's the look I rememorder. Oh

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<v Speaker 2>my god, you know. And I was as a little boy,

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<v Speaker 2>I knew how beautiful she was. I was just in

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<v Speaker 2>awe of her beauty. And in this family, as you said,

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<v Speaker 2>all this Griffin Wheel company money kind of withered down.

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<v Speaker 2>She was very comfortable and was able to want she

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<v Speaker 2>married my dad. My dad was able to, you know,

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<v Speaker 2>buy a house that he wouldn't normally have been able

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<v Speaker 2>to cry. But you know, the previous generations outside of

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<v Speaker 2>the founder, griff of Griffin who in the team seventies,

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<v Speaker 2>they were all scoundrels and drunks and philanderers, you know,

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<v Speaker 2>and absolutely it just sort of dwindled down. You know

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<v Speaker 2>that her grandfather, my mother's grandfather, you know, died with

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<v Speaker 2>his mistress on a on a yacht off Palm Beach,

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<v Speaker 2>and his crew loaded his body onto a tender and

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<v Speaker 2>checked him into.

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<v Speaker 3>The breakers and propped him up in the breakers.

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<v Speaker 2>They propped him up, and then they called the wife,

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<v Speaker 2>missus Griffin, and said, we have terrible news. Your husband

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<v Speaker 2>is dead. And she turned to her lover, who was

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<v Speaker 2>an admiral in the navy, and.

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<v Speaker 3>They were the Coronado.

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<v Speaker 2>Where were they and Coronado exactly, and she said, my

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<v Speaker 2>husband died.

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<v Speaker 3>Ever a split screen scene in the movie this.

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<v Speaker 2>Is this is like sturges, you know, and she says,

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<v Speaker 2>my husband died. We can get married, and do you

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<v Speaker 2>want to go to the funeral? And so they get

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<v Speaker 2>married the next day, and then they train, and then

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<v Speaker 2>they get on.

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<v Speaker 3>A train and.

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<v Speaker 2>Then they the Griffin family is so outraged because it's

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<v Speaker 2>front page news in the New York Times. It's all over.

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<v Speaker 2>It's called widow for a day. And they derail the

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<v Speaker 2>train to go to.

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<v Speaker 3>Wisconsin, the train to send him on their way.

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<v Speaker 2>And she got all the money too.

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<v Speaker 1>Now, your dad, who I knew of him, met him

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<v Speaker 1>at the screening of The Dock in Southampton years I

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<v Speaker 1>remember the latter day people called him then Nick Dunn.

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<v Speaker 3>The latter day Nick Dunn and his pals was just

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<v Speaker 3>very very warm and sweet and kind.

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<v Speaker 1>Yeah, he loved you and he kind of really just

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<v Speaker 1>divested himself of all of angry Well what we'll called

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<v Speaker 1>Mick done. Yes, how about that happened? Anyway, When you

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<v Speaker 1>decide you want to become an actor. How does it begin?

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<v Speaker 1>Meaning you start you go where to become an actor?

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<v Speaker 3>Quote unquo.

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<v Speaker 2>Well, I was sent studied, Well, my parents always sent

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<v Speaker 2>me to these boys' schools. I never went to school

0:11:58.320 --> 0:12:03.560
<v Speaker 2>girls from the time, well probably, I mean it was

0:12:03.679 --> 0:12:07.400
<v Speaker 2>just like the thing that you can't have. And you know,

0:12:07.440 --> 0:12:09.680
<v Speaker 2>when I went to this boarding school when I was eleven,

0:12:10.280 --> 0:12:15.560
<v Speaker 2>and we did operettas by Gilbert and Sullivan, and only

0:12:16.120 --> 0:12:20.679
<v Speaker 2>we would wear dresses. I would wear like buttercup, and

0:12:20.920 --> 0:12:24.600
<v Speaker 2>I'd have tennis balls for breast, and we'd wear lipstick

0:12:24.840 --> 0:12:27.880
<v Speaker 2>and wigs. I mean it was pretty, you're too, So

0:12:28.840 --> 0:12:30.760
<v Speaker 2>I didn't really think I wanted to be an actor

0:12:32.120 --> 0:12:34.439
<v Speaker 2>after that. And then and and also you know, as

0:12:34.480 --> 0:12:37.080
<v Speaker 2>I ended up in high school and another school, I

0:12:37.120 --> 0:12:39.960
<v Speaker 2>really wasn't crazy about showbiz. I loved what my aunt

0:12:40.000 --> 0:12:42.319
<v Speaker 2>and uncle were doing that they were journalists. I thought

0:12:42.320 --> 0:12:45.199
<v Speaker 2>maybe I'd like to do that. And this guy taught

0:12:45.320 --> 0:12:49.080
<v Speaker 2>me the drama teacher, a guy named Hunter Frost, just

0:12:49.240 --> 0:12:54.000
<v Speaker 2>insisted that I auditioned for Zoos Story by Ed in Colorado.

0:12:54.920 --> 0:12:57.920
<v Speaker 2>I read this play and I understood Jerry and Zoos

0:12:57.920 --> 0:13:02.560
<v Speaker 2>story immediately. I auditioned and I got the part. And

0:13:02.720 --> 0:13:06.000
<v Speaker 2>once I did that play and I felt that thing

0:13:06.040 --> 0:13:09.520
<v Speaker 2>from the audience, and I just knew that was what

0:13:09.559 --> 0:13:11.400
<v Speaker 2>I was going to do. So I became kind of

0:13:11.480 --> 0:13:14.560
<v Speaker 2>Joe actor on the campus. And then I was doing

0:13:14.600 --> 0:13:18.840
<v Speaker 2>Iago and Othello. We were in rehearsal and literally kids

0:13:18.880 --> 0:13:21.920
<v Speaker 2>would come watch me, and the principal would watch, sit

0:13:22.000 --> 0:13:24.720
<v Speaker 2>in the back and watch, and I knew he was thinking,

0:13:24.800 --> 0:13:27.240
<v Speaker 2>this kid's going to be great for fundraising in the future.

0:13:27.320 --> 0:13:29.440
<v Speaker 2>This would be great. And my best friend at the time,

0:13:29.480 --> 0:13:32.080
<v Speaker 2>we got really heavily into drugs, comes in my room

0:13:32.080 --> 0:13:34.760
<v Speaker 2>the night before the performance with a joint, you know,

0:13:34.920 --> 0:13:36.920
<v Speaker 2>or a hash pipe, and he lights it up and

0:13:36.960 --> 0:13:39.679
<v Speaker 2>I take a toke and the a teacher walks in

0:13:40.400 --> 0:13:42.719
<v Speaker 2>and I got kicked out of school and I never

0:13:42.760 --> 0:13:45.240
<v Speaker 2>get to do a Fellow, but it gave me the

0:13:45.280 --> 0:13:48.320
<v Speaker 2>bug to It was just a matter of time. At

0:13:48.360 --> 0:13:51.720
<v Speaker 2>that time, I was seventeen. By the time I was eighteen,

0:13:51.760 --> 0:13:53.240
<v Speaker 2>I was moving to New York. I went to the

0:13:53.280 --> 0:13:57.920
<v Speaker 2>Neighborhood Playhouse. Only did one year there. I had real neighborhood.

0:13:58.160 --> 0:13:58.600
<v Speaker 3>That's a win.

0:13:59.600 --> 0:14:02.679
<v Speaker 2>Yeah, Well, Wyn Hammond was a teacher there. I had

0:14:02.679 --> 0:14:06.319
<v Speaker 2>a guy named Freddy Carramon, who was incredible. So I

0:14:06.559 --> 0:14:09.000
<v Speaker 2>only went there a year. I wasn't asked back a

0:14:09.040 --> 0:14:13.560
<v Speaker 2>second year, and then I studied with with a Hogen,

0:14:14.080 --> 0:14:17.280
<v Speaker 2>who I was well out of my league. You know.

0:14:17.320 --> 0:14:19.080
<v Speaker 2>When I went there, I hadn't done anything, and I

0:14:20.320 --> 0:14:23.920
<v Speaker 2>fibbed about what I did on the resume, and I

0:14:23.960 --> 0:14:28.240
<v Speaker 2>prepared a monologue from Catcher in the Rye. As soon

0:14:28.240 --> 0:14:31.040
<v Speaker 2>as I saw her, I immediately forgot every word and

0:14:31.120 --> 0:14:33.440
<v Speaker 2>I just made it up. So I took a bus

0:14:33.520 --> 0:14:35.800
<v Speaker 2>down here and I changed the thing and I bought

0:14:35.800 --> 0:14:38.440
<v Speaker 2>a doughnut at the whatever occurred to me, and I

0:14:38.600 --> 0:14:41.840
<v Speaker 2>made it sound like Holden Cawfield, and she, darling, that

0:14:41.960 --> 0:14:44.680
<v Speaker 2>was incredible. She could tell I didn't know what the

0:14:44.680 --> 0:14:48.800
<v Speaker 2>fuck I was doing, like you know, yeah, but I

0:14:48.880 --> 0:14:52.040
<v Speaker 2>begged her to let me stay, and then I kind

0:14:52.040 --> 0:14:55.119
<v Speaker 2>of found myself in that class, and she was incredible.

0:14:55.320 --> 0:14:57.160
<v Speaker 2>Did you ever study with stell Adler?

0:14:57.720 --> 0:14:57.880
<v Speaker 1>No?

0:14:57.920 --> 0:14:58.880
<v Speaker 3>I went to Strasburg.

0:14:58.920 --> 0:15:01.880
<v Speaker 1>I was sent back then and they had Stella Jack

0:15:01.920 --> 0:15:07.040
<v Speaker 1>Garfine their own in house ETW Strasburg, and my teachers

0:15:07.040 --> 0:15:08.400
<v Speaker 1>were Marshall Halfret, who.

0:15:08.280 --> 0:15:10.160
<v Speaker 3>I love, and Jeffrey Horne, who is my dear friend.

0:15:10.640 --> 0:15:11.640
<v Speaker 3>Jeff ninety two.

0:15:11.720 --> 0:15:15.840
<v Speaker 2>Now, Stella used to do a workshop in Los Angeles

0:15:15.880 --> 0:15:18.720
<v Speaker 2>for one summer, and so I went to audition for

0:15:18.760 --> 0:15:21.920
<v Speaker 2>that is before I went to the playhouse. And I

0:15:22.000 --> 0:15:24.840
<v Speaker 2>was just such an earnest young man, and I thought

0:15:24.840 --> 0:15:27.080
<v Speaker 2>it was auditioning for her, but it was for a

0:15:27.120 --> 0:15:30.200
<v Speaker 2>guy who sounded very much like your teacher. And I

0:15:30.240 --> 0:15:34.520
<v Speaker 2>did Candida the Shaw play and I was acting my

0:15:34.600 --> 0:15:37.560
<v Speaker 2>little heart out, and he had a dog with a

0:15:37.680 --> 0:15:40.160
<v Speaker 2>collar that must have had a million charblays, and he

0:15:40.200 --> 0:15:43.720
<v Speaker 2>would scratch all the way through my thing. And he goes,

0:15:44.240 --> 0:15:47.720
<v Speaker 2>I'm not really sure you quite got the stuff for Stella.

0:15:48.280 --> 0:15:51.080
<v Speaker 2>You might have to come back. So I came back.

0:15:51.560 --> 0:15:54.120
<v Speaker 2>I did it. I worked so hard, and he said,

0:15:54.120 --> 0:15:57.000
<v Speaker 2>I'm going to take a chance on you. So he

0:15:57.080 --> 0:15:59.880
<v Speaker 2>lets me be with Stella, and I come to Stella

0:16:00.120 --> 0:16:04.360
<v Speaker 2>the first class. She's just this dynamic, strong woman. And

0:16:04.840 --> 0:16:07.520
<v Speaker 2>sometimes she would say she would grab her the hem

0:16:07.640 --> 0:16:10.720
<v Speaker 2>of her shirt and she go, it's gotta come from here,

0:16:10.800 --> 0:16:12.560
<v Speaker 2>and you think she means her heart, but then she

0:16:12.880 --> 0:16:15.160
<v Speaker 2>pulls down her t shirt and you see her breast

0:16:15.200 --> 0:16:18.000
<v Speaker 2>for like two seconds, and then she pulls them back up,

0:16:18.320 --> 0:16:24.280
<v Speaker 2>go it's gotta come from there. Sorry, and I'm looking

0:16:24.320 --> 0:16:27.040
<v Speaker 2>at that at the class. Around the class there are

0:16:27.040 --> 0:16:31.600
<v Speaker 2>not many women and the most incredibly handsome men I've

0:16:31.640 --> 0:16:33.960
<v Speaker 2>ever seen in my whole life, right, I mean, no.

0:16:34.320 --> 0:16:38.080
<v Speaker 3>Jaws that come out here, and you know, Josh things.

0:16:38.600 --> 0:16:40.960
<v Speaker 2>So he goes, all right, so we will take the

0:16:40.960 --> 0:16:47.600
<v Speaker 2>first scene here Vick Ronson and Rock Thurber, you and.

0:16:47.440 --> 0:16:49.200
<v Speaker 3>These guys hospital.

0:16:50.120 --> 0:16:52.360
<v Speaker 2>They go, what, let's sell? I goes, so, what scene

0:16:52.480 --> 0:16:53.080
<v Speaker 2>you boys going.

0:16:53.040 --> 0:16:53.440
<v Speaker 3>To be doing?

0:16:54.360 --> 0:16:57.680
<v Speaker 2>We're gonna do the uh, the shootout scene, the final

0:16:57.720 --> 0:17:01.920
<v Speaker 2>shootout scene from Butch Cassidy in this dance kids I

0:17:01.920 --> 0:17:05.280
<v Speaker 2>did Canada, I did Shaw. So they go and they

0:17:05.280 --> 0:17:09.400
<v Speaker 2>stand behind these they crouch behind these Samsonite chairs. They

0:17:09.440 --> 0:17:13.080
<v Speaker 2>take out their fingers and they go, you ready, Butcher

0:17:13.359 --> 0:17:17.200
<v Speaker 2>ready Sundays And they just do for the whole scene.

0:17:17.920 --> 0:17:22.359
<v Speaker 2>And she goes, oh, that was wonderful. And so I

0:17:22.520 --> 0:17:24.919
<v Speaker 2>was just the only straight guy in the class. I

0:17:24.960 --> 0:17:27.280
<v Speaker 2>guess I don't know what this is in la. Yeah,

0:17:27.280 --> 0:17:27.919
<v Speaker 2>of course it is.

0:17:28.080 --> 0:17:28.280
<v Speaker 4>Yeah.

0:17:28.520 --> 0:17:31.840
<v Speaker 1>My great gift from doing Strasburg was gender rehearsal casting.

0:17:32.400 --> 0:17:36.119
<v Speaker 1>You know, they cast a production of Cuckoo's Nests and

0:17:36.160 --> 0:17:38.840
<v Speaker 1>I was nurse Ratchet as a man but I remember

0:17:38.880 --> 0:17:41.200
<v Speaker 1>that whole idea. So when I teach acting, I got

0:17:41.240 --> 0:17:42.480
<v Speaker 1>gender reversal everything.

0:17:42.760 --> 0:17:46.240
<v Speaker 2>Then, Gary, Well, I gotta tell you, you know they My

0:17:46.480 --> 0:17:51.760
<v Speaker 2>daughter was in American Buffalo in high school, and to

0:17:51.840 --> 0:17:54.840
<v Speaker 2>do it with an all female cast. It was mind

0:17:54.840 --> 0:17:59.640
<v Speaker 2>blowing because you see that those guys are protecting their masculinity.

0:17:59.680 --> 0:18:03.280
<v Speaker 2>They have so much going, you know, to protect in

0:18:03.320 --> 0:18:07.400
<v Speaker 2>their manhood, and to see women play that is an

0:18:07.600 --> 0:18:11.800
<v Speaker 2>entirely another dimension. It was incredibly moving. I love when

0:18:11.840 --> 0:18:12.560
<v Speaker 2>that happened.

0:18:12.280 --> 0:18:13.680
<v Speaker 3>In an acting class. I had a guy.

0:18:13.800 --> 0:18:16.479
<v Speaker 1>This was an acting class for non majors at Southampton College.

0:18:16.520 --> 0:18:19.160
<v Speaker 1>And the guy comes in. He's a mailman's a male

0:18:19.240 --> 0:18:20.919
<v Speaker 1>man who wanted to take the acting class with may

0:18:21.240 --> 0:18:24.280
<v Speaker 1>probably forty pounds overweight. He's a big barrel of a man.

0:18:24.720 --> 0:18:27.360
<v Speaker 1>So I made him do the children's hour. I made

0:18:27.440 --> 0:18:30.040
<v Speaker 1>him stand there with the guy. I made him stand

0:18:30.080 --> 0:18:31.879
<v Speaker 1>on the stage with another guy and go. But I

0:18:31.920 --> 0:18:33.520
<v Speaker 1>do love you that way, you know what I mean.

0:18:33.640 --> 0:18:35.159
<v Speaker 1>I wanted everybody to try everything.

0:18:35.680 --> 0:18:40.480
<v Speaker 2>I love that when people have that drive but they've

0:18:40.520 --> 0:18:42.800
<v Speaker 2>got a life that has nothing to do with acting.

0:18:42.920 --> 0:18:47.879
<v Speaker 2>Before they decide to become actors, a real life and

0:18:48.440 --> 0:18:53.320
<v Speaker 2>that's so fascinating to me how some people get into it.

0:18:53.400 --> 0:18:56.320
<v Speaker 2>Was one guy at the Neighborhood Playhouse who went through

0:18:57.040 --> 0:19:03.440
<v Speaker 2>the entire medical school head a degree, a doctorate degree

0:19:03.520 --> 0:19:06.959
<v Speaker 2>to be a brain surgeon, a brain surgeon, and he said, no,

0:19:07.240 --> 0:19:10.719
<v Speaker 2>I want to go to acting class. Like wow, Okay.

0:19:10.920 --> 0:19:13.040
<v Speaker 2>I mean, that's the kind of poll of doing what you.

0:19:13.119 --> 0:19:19.720
<v Speaker 3>Love, Actor and director Griffin Dunn.

0:19:20.200 --> 0:19:25.560
<v Speaker 1>If you enjoy conversations about complex family relationships, check out

0:19:25.560 --> 0:19:30.520
<v Speaker 1>my episode with novelist Erika Jong and her daughter, writer Malyijang.

0:19:30.560 --> 0:19:30.960
<v Speaker 3>Fast.

0:19:31.680 --> 0:19:33.840
<v Speaker 4>On the one hand, you're supposed to look like a

0:19:33.880 --> 0:19:39.000
<v Speaker 4>fashion model retouched, and on the other hand, you're supposed

0:19:39.119 --> 0:19:43.400
<v Speaker 4>to claim to a sophistication you don't and cannot have

0:19:43.480 --> 0:19:46.000
<v Speaker 4>at that age. And I think that women who are

0:19:46.160 --> 0:19:50.399
<v Speaker 4>fourteen fifteen are in the most difficult position they have

0:19:50.600 --> 0:19:52.720
<v Speaker 4>ever been in modern society.

0:19:52.720 --> 0:19:53.480
<v Speaker 3>What do you think about that?

0:19:54.160 --> 0:19:56.400
<v Speaker 2>I mean, I agree, I think there's a lot of sexuality.

0:19:56.440 --> 0:19:59.680
<v Speaker 3>I think it's not explained to young girls in.

0:19:59.640 --> 0:20:01.879
<v Speaker 4>A way, very confusing, Molly.

0:20:02.119 --> 0:20:04.800
<v Speaker 2>But I think that's a legacy of the feminist movement.

0:20:04.840 --> 0:20:05.720
<v Speaker 3>I mean, we said we.

0:20:05.680 --> 0:20:08.760
<v Speaker 4>Wanted a legacy. I'm the feminist movement.

0:20:10.880 --> 0:20:14.159
<v Speaker 1>To hear more of my conversation with Erika Jong and

0:20:14.200 --> 0:20:17.680
<v Speaker 1>Mali Jang fast go to Here's the Thing dot Org.

0:20:18.720 --> 0:20:22.440
<v Speaker 1>After the break, Griffin Dunn shares how Tim Burton almost

0:20:22.480 --> 0:20:36.480
<v Speaker 1>directed the film After Hours instead of Martin Scorsese. I'm

0:20:36.520 --> 0:20:39.480
<v Speaker 1>Alec Baldwin and you were listening to Here's the Thing.

0:20:40.440 --> 0:20:44.480
<v Speaker 1>Griffin Dunn starred in Martin Scorsese's nineteen eighty five film

0:20:44.560 --> 0:20:48.399
<v Speaker 1>After Hours, which has since become a cult classic. In

0:20:48.440 --> 0:20:51.760
<v Speaker 1>addition to his leading role in the film, don was

0:20:51.800 --> 0:20:55.440
<v Speaker 1>also a producer. I was curious about his involvement in

0:20:55.480 --> 0:20:59.160
<v Speaker 1>the project. After what Donn describes as a difficult start

0:20:59.400 --> 0:21:00.600
<v Speaker 1>to his act career.

0:21:01.640 --> 0:21:03.640
<v Speaker 2>I had a very hard time getting the acting job,

0:21:04.000 --> 0:21:07.680
<v Speaker 2>and I really didn't establish myself and start to work

0:21:07.720 --> 0:21:11.040
<v Speaker 2>somewhat regularly until I produced a movie with my partner

0:21:11.119 --> 0:21:14.000
<v Speaker 2>Amy Robinson and a guy named Mark Metcalf, and we

0:21:14.080 --> 0:21:17.760
<v Speaker 2>actually produced a movie with no experience for United artists,

0:21:17.760 --> 0:21:19.960
<v Speaker 2>and I gave myself a small part in it and

0:21:20.000 --> 0:21:23.320
<v Speaker 2>it got the biggest laugh and that led to Werewolf

0:21:23.520 --> 0:21:25.880
<v Speaker 2>and Amy and I then produced another movie called Baby,

0:21:25.880 --> 0:21:29.480
<v Speaker 2>It's You with John Sales, and we had an incredible

0:21:29.520 --> 0:21:31.760
<v Speaker 2>crew that we put together. There was a member of

0:21:31.880 --> 0:21:35.120
<v Speaker 2>union called Nabit, and so we had this all these

0:21:35.480 --> 0:21:39.720
<v Speaker 2>wonderful people working together. And Amy read this script. So

0:21:39.760 --> 0:21:41.600
<v Speaker 2>I had a little bit of credit as an actor.

0:21:41.640 --> 0:21:44.280
<v Speaker 2>But Amy read this script when she was at the

0:21:44.280 --> 0:21:48.480
<v Speaker 2>Sun Dance Institute by a Serbian director named Doujon mcaveef.

0:21:49.200 --> 0:21:51.639
<v Speaker 2>Gave her the script and said, you know, my assistant

0:21:51.680 --> 0:21:55.840
<v Speaker 2>wrote this. He's from Columbia. This was his thesis. And

0:21:56.160 --> 0:21:59.639
<v Speaker 2>Amy reads it and goes, this is unbelievable, and she

0:22:00.560 --> 0:22:03.280
<v Speaker 2>sends it to me. I'm in Los Angeles at that time,

0:22:04.080 --> 0:22:07.960
<v Speaker 2>and I'm blown away by the script, the anxiety. I

0:22:08.000 --> 0:22:10.359
<v Speaker 2>had to read it standing up and turn the pages

0:22:10.400 --> 0:22:12.359
<v Speaker 2>with my big toe and just go, oh my god.

0:22:13.200 --> 0:22:18.840
<v Speaker 2>And so Amy was Teresa in mean Streets and she

0:22:18.920 --> 0:22:22.760
<v Speaker 2>knew Marty Scorsese and she said he'd be really good

0:22:22.800 --> 0:22:25.960
<v Speaker 2>for this, like he's really funny, like really, So we

0:22:26.440 --> 0:22:29.640
<v Speaker 2>got it to Marty and but Marty was just off

0:22:29.640 --> 0:22:33.560
<v Speaker 2>to do Last Temptation of Christ the first time around

0:22:33.600 --> 0:22:37.919
<v Speaker 2>with Aiden Quinn playing Christ, so he was unavailable. And

0:22:37.960 --> 0:22:40.760
<v Speaker 2>then we go to Amy and I were wondering who

0:22:40.800 --> 0:22:43.320
<v Speaker 2>to direct, and my friend Terry Garr had signed on

0:22:43.600 --> 0:22:46.800
<v Speaker 2>already but we didn't have a director, and we go

0:22:46.840 --> 0:22:48.960
<v Speaker 2>see this movie I Forget, which the movie was, but

0:22:49.040 --> 0:22:51.199
<v Speaker 2>the short was directed by a guy named Tim Burton,

0:22:52.000 --> 0:22:55.280
<v Speaker 2>and we went, well, what about him? And so we

0:22:55.359 --> 0:22:58.600
<v Speaker 2>go to Burbank Studios where he's an animator at one

0:22:58.600 --> 0:23:02.120
<v Speaker 2>of those desks, you know, with lots of other animators,

0:23:02.160 --> 0:23:06.399
<v Speaker 2>and we go to lunch and it's this brilliant young guy,

0:23:06.600 --> 0:23:09.520
<v Speaker 2>you know, with the pencil pocket pencil thing and the

0:23:09.640 --> 0:23:13.000
<v Speaker 2>ink coming through the protector, the pocket protector, and he

0:23:13.040 --> 0:23:15.400
<v Speaker 2>does little drawings and stuff and you just go, Wow,

0:23:15.440 --> 0:23:18.720
<v Speaker 2>what's gonna what's this going to be? And around this

0:23:18.800 --> 0:23:23.080
<v Speaker 2>time we're trying to raise money with me Nobody, Terry, somebody,

0:23:23.119 --> 0:23:25.920
<v Speaker 2>but still Tim had not done a movie. It was

0:23:25.960 --> 0:23:30.320
<v Speaker 2>a tough sell. Marty's movie get canceled in Morocco and

0:23:30.359 --> 0:23:33.320
<v Speaker 2>he's got to come back, and on his way back

0:23:33.520 --> 0:23:36.400
<v Speaker 2>he reads at the top of the pile is after

0:23:36.480 --> 0:23:40.280
<v Speaker 2>hours and he lands and he gets back to us.

0:23:40.320 --> 0:23:43.359
<v Speaker 2>We all had the same attorney named Jay Julian. So

0:23:43.560 --> 0:23:45.920
<v Speaker 2>then we had to like tell Tim and we went

0:23:47.359 --> 0:23:49.760
<v Speaker 2>craziest thing happened, and he knew that. We went to

0:23:49.800 --> 0:23:55.520
<v Speaker 2>Marty first, and we start to tell him like, very guilty, intrepidationous.

0:23:56.400 --> 0:23:59.480
<v Speaker 2>Are you telling me mister Scorsese wants to do this movie?

0:24:00.160 --> 0:24:02.080
<v Speaker 2>Well yeah, he said, we haven't gotten back to him yet,

0:24:02.119 --> 0:24:06.240
<v Speaker 2>but I gracefully withdraw. I won't do anything to stand

0:24:06.240 --> 0:24:09.760
<v Speaker 2>in his way. So then it was just meeting Marty

0:24:10.960 --> 0:24:13.720
<v Speaker 2>and I kept waiting for him. I mean, it was

0:24:13.720 --> 0:24:17.399
<v Speaker 2>implicit that I was going to play Paul Hackett, but

0:24:17.520 --> 0:24:21.119
<v Speaker 2>I did wait for him to also say how great

0:24:21.160 --> 0:24:25.159
<v Speaker 2>Bobby would be in this, But then he was like no, anyway,

0:24:25.200 --> 0:24:27.200
<v Speaker 2>he started to say, oh, I saw you in Werewolf

0:24:27.240 --> 0:24:29.320
<v Speaker 2>and that was really great and he never thought twice

0:24:29.320 --> 0:24:31.480
<v Speaker 2>about it. So anyway, we're off and running. And then

0:24:31.920 --> 0:24:35.480
<v Speaker 2>I mentioned the Nabit crew because this was so low

0:24:35.520 --> 0:24:38.040
<v Speaker 2>budget and he was in a bit of director's jail

0:24:38.240 --> 0:24:41.320
<v Speaker 2>from King of Comedy, which we now know to be brilliant,

0:24:41.320 --> 0:24:43.520
<v Speaker 2>but at that time was just getting the shit kicked

0:24:43.520 --> 0:24:45.239
<v Speaker 2>out of it, and it was very expensive and all

0:24:45.240 --> 0:24:48.040
<v Speaker 2>that stuff. So he was like, had to be had

0:24:48.080 --> 0:24:50.639
<v Speaker 2>to show that I can do a mean streets again.

0:24:50.720 --> 0:24:53.600
<v Speaker 2>I can, you know, be a low to the ground,

0:24:53.680 --> 0:24:57.280
<v Speaker 2>but not with an IA crew. So we gave him

0:24:57.280 --> 0:25:01.120
<v Speaker 2>the Nabit crew and all those people, you know, from

0:25:01.200 --> 0:25:06.120
<v Speaker 2>Michael Ballhouse. That's how we met Michael Io. Yeah, I know, yeah,

0:25:06.480 --> 0:25:09.439
<v Speaker 2>and I remember. So anyway, he took all these people

0:25:09.520 --> 0:25:12.159
<v Speaker 2>on with him with movies, many many of the people

0:25:12.200 --> 0:25:13.280
<v Speaker 2>from that crew.

0:25:13.440 --> 0:25:14.440
<v Speaker 3>Where do you get the money from?

0:25:15.280 --> 0:25:18.000
<v Speaker 2>Geffen? Geffen Films, David Geffen?

0:25:18.720 --> 0:25:20.000
<v Speaker 3>He did Beatlejuice with him, He.

0:25:20.000 --> 0:25:23.120
<v Speaker 2>Did Beatle Juice with you with him, and yes, and

0:25:23.359 --> 0:25:25.320
<v Speaker 2>matter of fact, I wanted that part really bad, and

0:25:25.359 --> 0:25:28.399
<v Speaker 2>I thought, how come I can store in this movie?

0:25:28.800 --> 0:25:31.560
<v Speaker 2>And maybe it's because I gave tim a movie and

0:25:31.600 --> 0:25:35.280
<v Speaker 2>then took it away that I didn't get your part.

0:25:35.320 --> 0:25:36.800
<v Speaker 3>Just be honest, that was probably a lot cheaper than

0:25:36.840 --> 0:25:37.239
<v Speaker 3>you were there.

0:25:37.359 --> 0:25:41.639
<v Speaker 2>Well he was cheap. No, you could have gotten me

0:25:41.680 --> 0:25:45.440
<v Speaker 2>for a song. So yeah, he did that. He financed

0:25:45.440 --> 0:25:50.720
<v Speaker 2>it and he god, it was like thirty It was

0:25:50.760 --> 0:25:53.959
<v Speaker 2>considered like, look how fast we are running and gunning

0:25:54.000 --> 0:25:57.040
<v Speaker 2>to the ground and getting it. Marty was unbelievably prepared.

0:25:57.080 --> 0:25:59.719
<v Speaker 2>So there was never a we never fell behind or anything.

0:26:00.240 --> 0:26:02.159
<v Speaker 2>But it was like in those days too, with a

0:26:02.200 --> 0:26:05.919
<v Speaker 2>movie like thirty days. That's all I mean, you know,

0:26:06.040 --> 0:26:08.080
<v Speaker 2>nine and a half weeks. I'm sure it took a

0:26:08.080 --> 0:26:09.959
<v Speaker 2>lot longer than nine and a half weeks. I mean

0:26:09.960 --> 0:26:14.320
<v Speaker 2>you would, you would shoot for months and now it's like, no,

0:26:14.359 --> 0:26:16.439
<v Speaker 2>you only got thirty days. Oh, we can do it,

0:26:16.600 --> 0:26:20.440
<v Speaker 2>and so you know, helicopters bring it down the thing.

0:26:20.640 --> 0:26:22.960
<v Speaker 2>That's more than enough. With a gun to your head,

0:26:22.960 --> 0:26:25.000
<v Speaker 2>you can do whatever. Well, Adam, I haven't been on

0:26:25.000 --> 0:26:27.040
<v Speaker 2>one of those movies for months and years.

0:26:27.119 --> 0:26:27.239
<v Speaker 4>Oh.

0:26:27.280 --> 0:26:29.160
<v Speaker 1>I mean I did the movie Kat and the Half

0:26:29.200 --> 0:26:31.919
<v Speaker 1>with Mike Myers, which was just a silly role. I

0:26:31.960 --> 0:26:33.720
<v Speaker 1>wanted to do Kat and That because a boat I loved.

0:26:34.080 --> 0:26:36.159
<v Speaker 1>I love I love Bow to Deathic we're one of

0:26:36.200 --> 0:26:38.760
<v Speaker 1>the greatest guys in the business, Catherine O'Hara's husband who

0:26:38.800 --> 0:26:39.600
<v Speaker 1>did all the you know.

0:26:39.800 --> 0:26:42.359
<v Speaker 2>Scissor Hands and everything, and Catherine from After Ours.

0:26:42.080 --> 0:26:43.840
<v Speaker 3>And Catherine exactly.

0:26:44.080 --> 0:26:46.320
<v Speaker 1>And you knew it was a long movie because the

0:26:46.560 --> 0:26:51.000
<v Speaker 1>makeup room decor changed from pumpkins to turkeys to Christmas trees.

0:26:51.760 --> 0:26:54.720
<v Speaker 3>AT's see it all Valentimes. We were there for fucking

0:26:54.800 --> 0:26:56.960
<v Speaker 3>six months doing this stuff. We were a lot of breaks.

0:26:57.000 --> 0:26:58.800
<v Speaker 3>But I mean, yeah, I haven't done like that a

0:26:58.840 --> 0:26:59.280
<v Speaker 3>long time.

0:26:59.359 --> 0:27:01.800
<v Speaker 2>No, I mean that doesn't exist anymore. You know what.

0:27:01.840 --> 0:27:04.639
<v Speaker 2>I just fell into a you know, when you're clicking

0:27:04.680 --> 0:27:07.159
<v Speaker 2>around and then you just went That's not what I

0:27:07.240 --> 0:27:10.199
<v Speaker 2>intended to watch at all, and then you're there for

0:27:10.240 --> 0:27:13.520
<v Speaker 2>The next was Hunt for Red October. How long did

0:27:13.520 --> 0:27:13.880
<v Speaker 2>that take?

0:27:14.520 --> 0:27:16.480
<v Speaker 1>That was a few months because I think that they

0:27:16.520 --> 0:27:18.800
<v Speaker 1>gave McTiernan, who was coming.

0:27:18.600 --> 0:27:19.160
<v Speaker 3>Off of a couple.

0:27:19.240 --> 0:27:21.600
<v Speaker 1>He did die hard, he was doing well, this is

0:27:21.640 --> 0:27:24.960
<v Speaker 1>the launch of the Clancy Yeah, Library, this is the

0:27:24.960 --> 0:27:27.040
<v Speaker 1>first one they did, so they were really behind it.

0:27:27.240 --> 0:27:29.240
<v Speaker 1>I always remember that movie that I remember sitting there

0:27:29.280 --> 0:27:30.800
<v Speaker 1>at one point. It didn't hit me till I was

0:27:30.800 --> 0:27:33.159
<v Speaker 1>there was like how many great actress that were.

0:27:33.000 --> 0:27:33.360
<v Speaker 3>In that movie?

0:27:33.400 --> 0:27:36.919
<v Speaker 1>Almost makes me cry. I mean, is Scott Glenn, James,

0:27:37.000 --> 0:27:42.440
<v Speaker 1>Earl Jones, Sean or Tim curry Firth who speaks that

0:27:42.560 --> 0:27:44.640
<v Speaker 1>unbroken monologue in Russian as they push in.

0:27:44.760 --> 0:27:46.879
<v Speaker 2>I love That's my favorite thing. I've always wanted to

0:27:46.920 --> 0:27:50.320
<v Speaker 2>steal that for something. Did you ever dream that that

0:27:50.400 --> 0:27:52.080
<v Speaker 2>director would someday be in prison?

0:27:52.720 --> 0:27:52.800
<v Speaker 4>Well?

0:27:52.880 --> 0:27:54.600
<v Speaker 1>Now, I kept in touch with him, and I think

0:27:54.640 --> 0:27:57.800
<v Speaker 1>what he basically told me was it was not I

0:27:57.840 --> 0:28:00.119
<v Speaker 1>don't know if this is the right word, prosecutorial for

0:28:00.160 --> 0:28:02.520
<v Speaker 1>which I think that he is involved in a case

0:28:02.920 --> 0:28:05.320
<v Speaker 1>where they want to get him for something and they

0:28:05.320 --> 0:28:07.160
<v Speaker 1>finally get him for what you can perjury.

0:28:07.240 --> 0:28:08.440
<v Speaker 3>He lied about something in a time.

0:28:08.720 --> 0:28:11.320
<v Speaker 2>Once they catch you in a lie then and they're

0:28:11.359 --> 0:28:13.679
<v Speaker 2>going after the lie, after the bigger fish. And the

0:28:13.680 --> 0:28:16.920
<v Speaker 2>bigger fish was the detective, you know, the private elly

0:28:17.480 --> 0:28:19.640
<v Speaker 2>who tapped everything. He's actually in the book.

0:28:19.640 --> 0:28:22.880
<v Speaker 3>And yeah, he was on our show. Oh really yeah, yeah,

0:28:23.080 --> 0:28:27.040
<v Speaker 3>our show. We're talking about Anthony Pelco and Pelicana was

0:28:27.080 --> 0:28:29.040
<v Speaker 3>on the show. He did our show. Oh really yeah,

0:28:29.040 --> 0:28:30.840
<v Speaker 3>Well because of the the but he went to prison

0:28:30.880 --> 0:28:33.040
<v Speaker 3>for years ago. I'm well aware, he says.

0:28:33.080 --> 0:28:34.680
<v Speaker 1>I think he says in our show, I'm no rat

0:28:34.720 --> 0:28:36.640
<v Speaker 1>alec and I mean he went he went to jail

0:28:36.680 --> 0:28:38.120
<v Speaker 1>for to prison for a long long time.

0:28:38.160 --> 0:28:41.400
<v Speaker 3>He's in your book, was he he? What was he

0:28:41.480 --> 0:28:42.600
<v Speaker 3>doing for the Dune family?

0:28:43.520 --> 0:28:48.160
<v Speaker 2>Well, he changed tones possibly here when the man who

0:28:48.280 --> 0:28:51.040
<v Speaker 2>killed my sister is right here on the cover of

0:28:51.080 --> 0:28:54.280
<v Speaker 2>this book. There, when the man killed my sister and

0:28:54.360 --> 0:28:56.800
<v Speaker 2>did such a small amount of time three and a

0:28:56.800 --> 0:29:01.480
<v Speaker 2>half years, both my father and I became obsessed with

0:29:02.120 --> 0:29:04.120
<v Speaker 2>rage and ruining where he would be.

0:29:04.400 --> 0:29:07.840
<v Speaker 3>And you had an alternate plan for him, Yes, we did.

0:29:10.760 --> 0:29:15.200
<v Speaker 1>Actor and director Griffin Dunn. If you're enjoying this, conversation.

0:29:15.400 --> 0:29:18.480
<v Speaker 1>Tell a friend and be sure to follow Here's the

0:29:18.560 --> 0:29:23.240
<v Speaker 1>Thing on the iHeartRadio app, Spotify, or wherever you get

0:29:23.240 --> 0:29:27.560
<v Speaker 1>your podcasts. When we come back, Griffin Dunn explains his

0:29:27.720 --> 0:29:32.720
<v Speaker 1>family's shared obsession in the aftermath of his sister's tragic death.

0:29:43.400 --> 0:29:46.640
<v Speaker 1>I'm Alec Baldwin and you're listening to Here's the Thing.

0:29:47.440 --> 0:29:51.760
<v Speaker 1>In nineteen eighty two, Griffin Dunn's sister, Dominique, was murdered

0:29:52.040 --> 0:29:55.760
<v Speaker 1>by her ex boyfriend. She was only twenty two years old.

0:29:56.440 --> 0:29:59.400
<v Speaker 1>A jury acquitted her killer of the second degree murder

0:29:59.480 --> 0:30:04.040
<v Speaker 1>charge and found him guilty of only voluntary manslaughter. He

0:30:04.080 --> 0:30:07.560
<v Speaker 1>received a six year prison sentence for the lesser charge

0:30:07.760 --> 0:30:09.440
<v Speaker 1>and went free after serving.

0:30:09.200 --> 0:30:10.920
<v Speaker 3>Nearly two and a half years.

0:30:11.480 --> 0:30:15.000
<v Speaker 1>As a result of what they considered a miscarriage of justice,

0:30:15.320 --> 0:30:18.520
<v Speaker 1>Griffin Dunn and his family sought their own ways to

0:30:18.720 --> 0:30:19.720
<v Speaker 1>write the situation.

0:30:20.800 --> 0:30:22.960
<v Speaker 2>I used to find out where he worked and get

0:30:23.040 --> 0:30:26.040
<v Speaker 2>him fired, and my mother actually would organize he was

0:30:26.040 --> 0:30:28.880
<v Speaker 2>a chef, and if he worked in a restaurant, it

0:30:28.960 --> 0:30:31.560
<v Speaker 2>was a place called the Santa Monica Chronicle, and my

0:30:31.640 --> 0:30:36.680
<v Speaker 2>mother organized a picket and had signs that the food

0:30:37.000 --> 0:30:41.239
<v Speaker 2>the man who prepared your food strangled my daughter, and

0:30:42.200 --> 0:30:45.800
<v Speaker 2>the Santa Michael Chronicle got rid of him. And sometimes

0:30:45.840 --> 0:30:48.920
<v Speaker 2>I would find out if he had a girlfriend, and

0:30:48.920 --> 0:30:51.840
<v Speaker 2>I would get in touch with a girlfriend and break

0:30:51.880 --> 0:30:54.400
<v Speaker 2>them up, and both both my dad and I kind

0:30:54.400 --> 0:30:58.200
<v Speaker 2>of lost our shit. Anyway, he kind of fell off

0:30:58.240 --> 0:31:02.360
<v Speaker 2>the map, and he called Anthony Pelicano to find out

0:31:02.360 --> 0:31:06.800
<v Speaker 2>where he was. And Pelicano found out that the guy

0:31:06.880 --> 0:31:12.120
<v Speaker 2>had changed his name and had moved to Washington. I believe,

0:31:12.160 --> 0:31:15.400
<v Speaker 2>you know, just Sayattle moved out of the state. And

0:31:15.480 --> 0:31:17.760
<v Speaker 2>he was very you know, you know, my dad, you know,

0:31:17.960 --> 0:31:22.480
<v Speaker 2>loved he loved cops, he loved a journalists, he loved

0:31:22.520 --> 0:31:25.640
<v Speaker 2>crime and uh and he really, you know, he was

0:31:25.680 --> 0:31:28.360
<v Speaker 2>really charmed by Pelicano. You know, he really loved the guy,

0:31:28.560 --> 0:31:30.880
<v Speaker 2>and he was really helpful. I don't think he charged

0:31:30.960 --> 0:31:33.600
<v Speaker 2>him a dime. He just you know, Pelicano was pro

0:31:33.680 --> 0:31:35.680
<v Speaker 2>bono work. He done a little pro bono you know

0:31:35.760 --> 0:31:39.600
<v Speaker 2>what he wanted to say. You know, I gave I

0:31:39.680 --> 0:31:41.760
<v Speaker 2>threw a bone to dominant gun. I helped him out

0:31:41.760 --> 0:31:42.800
<v Speaker 2>a bit, you know whatever.

0:31:43.200 --> 0:31:46.360
<v Speaker 1>Now, two things. Yeah, so the thing, obviously the book

0:31:46.400 --> 0:31:49.560
<v Speaker 1>is steeped in these tragedies. You've had to deal with

0:31:49.600 --> 0:31:51.600
<v Speaker 1>and there's not I'm not going to see this death everywhere.

0:31:51.920 --> 0:31:54.800
<v Speaker 1>But obviously you and your father are your lives are

0:31:54.880 --> 0:31:57.560
<v Speaker 1>changed by what happened to your sister. Without without a doubt,

0:31:57.760 --> 0:31:59.840
<v Speaker 1>I was friends with Jelko Ivonic, I mean I am

0:32:00.080 --> 0:32:00.320
<v Speaker 1>with him.

0:32:00.320 --> 0:32:02.480
<v Speaker 3>I never see him anymore. And he was dating Rebecca

0:32:02.560 --> 0:32:04.080
<v Speaker 3>Shaffer right before she was killed.

0:32:04.560 --> 0:32:07.320
<v Speaker 2>Well we know that. And from that, the families that

0:32:07.400 --> 0:32:11.600
<v Speaker 2>supported Rebecca Schaeffer attended at our trial. They were called

0:32:11.760 --> 0:32:14.760
<v Speaker 2>parents and murdered children. And I believe that was started

0:32:14.800 --> 0:32:19.000
<v Speaker 2>by Sharon Tate's mother, Doris Tate. She started this group

0:32:19.040 --> 0:32:23.800
<v Speaker 2>as a support group, and Rebecca Shaffer's parents were involved

0:32:23.800 --> 0:32:25.720
<v Speaker 2>and were there, and there was a trial. I think

0:32:25.760 --> 0:32:28.320
<v Speaker 2>for some that guy who was you know, as a

0:32:28.360 --> 0:32:30.320
<v Speaker 2>fan or something, and there was a guy with it

0:32:30.400 --> 0:32:33.680
<v Speaker 2>who you know delivered arrowhead water. I remember he's the

0:32:33.680 --> 0:32:38.320
<v Speaker 2>one who captured the killer horrible thing. Yeah, and Teresa

0:32:38.400 --> 0:32:42.240
<v Speaker 2>Seldono's family was also a member. But yeah, that was

0:32:42.280 --> 0:32:43.880
<v Speaker 2>a crazy time.

0:32:44.280 --> 0:32:46.080
<v Speaker 1>I mean, obviously this is a long time ago in

0:32:46.480 --> 0:32:48.640
<v Speaker 1>your life. What's the business like for you now in

0:32:48.760 --> 0:32:51.120
<v Speaker 1>terms of you still like to make movies, you want

0:32:51.160 --> 0:32:54.720
<v Speaker 1>to produce movies, act in movies, TV shows. Is acting

0:32:54.800 --> 0:32:55.520
<v Speaker 1>still interest you?

0:32:55.800 --> 0:33:01.520
<v Speaker 2>Yeah? You know, my desire, my ambition has not dropped

0:33:01.560 --> 0:33:04.600
<v Speaker 2>at all. At one point I thought I was going

0:33:04.640 --> 0:33:07.040
<v Speaker 2>to just hang it up with the acting. It was

0:33:07.080 --> 0:33:09.720
<v Speaker 2>like I was just doing I went from you know,

0:33:09.880 --> 0:33:13.320
<v Speaker 2>after hours and made stupid choices over the years, and

0:33:13.400 --> 0:33:17.120
<v Speaker 2>suddenly it was the fourth banana, if that kind if

0:33:17.200 --> 0:33:19.840
<v Speaker 2>a banana was even that big, and I thought, I

0:33:20.160 --> 0:33:22.080
<v Speaker 2>don't get this, and I'm getting older, and you know,

0:33:23.200 --> 0:33:26.240
<v Speaker 2>everybody who I went to the neighborhood playoffs with my age,

0:33:26.240 --> 0:33:27.840
<v Speaker 2>and I've never heard of anybody. So I'm going to

0:33:27.920 --> 0:33:31.200
<v Speaker 2>just go off on the sunset. And then somebody suggested

0:33:32.240 --> 0:33:35.600
<v Speaker 2>told me they were taking a checkoff class taught by

0:33:35.640 --> 0:33:38.680
<v Speaker 2>a Russian, a guy from where Stanislawsky came from the

0:33:38.760 --> 0:33:42.400
<v Speaker 2>Russian Institute, and this teacher who didn't speak a word

0:33:42.440 --> 0:33:45.920
<v Speaker 2>of English through a translator. I did ivan off and

0:33:46.120 --> 0:33:50.200
<v Speaker 2>I've never done checkof before. And I'm like, this is

0:33:50.320 --> 0:33:53.520
<v Speaker 2>like maybe six years ago. I'm you know, looking like this,

0:33:53.600 --> 0:33:56.480
<v Speaker 2>I'm feeling, you know, the middle age, and I'm feeling

0:33:56.520 --> 0:33:59.840
<v Speaker 2>I'm coming up on all sorts of shit, of ag

0:34:00.160 --> 0:34:04.280
<v Speaker 2>and everything. And I got it. I got like I

0:34:04.320 --> 0:34:06.560
<v Speaker 2>think I know who I am as an actor. I'm

0:34:06.760 --> 0:34:12.359
<v Speaker 2>funny and tragic and pathetic and kind of brave, and

0:34:12.400 --> 0:34:15.080
<v Speaker 2>I want to take chances. And I just I got

0:34:15.120 --> 0:34:19.960
<v Speaker 2>so excited about acting, and out of the blue, around

0:34:19.960 --> 0:34:22.520
<v Speaker 2>that same time, as it can only happen in our business,

0:34:22.960 --> 0:34:26.680
<v Speaker 2>I get a call from Dan Fogelman to be in

0:34:26.719 --> 0:34:28.560
<v Speaker 2>the show This is Us. He said, I want you

0:34:28.640 --> 0:34:33.680
<v Speaker 2>to play a guy who's he's suicidal, he's a drunk,

0:34:33.800 --> 0:34:36.799
<v Speaker 2>he's a diabetic, he lives in a cabin, but he's

0:34:36.840 --> 0:34:39.960
<v Speaker 2>actually kind of funny. And I went, oh, my god,

0:34:40.280 --> 0:34:40.560
<v Speaker 2>I know.

0:34:40.520 --> 0:34:43.600
<v Speaker 3>How to do that. I'm a suicidal diabetic.

0:34:43.719 --> 0:34:46.759
<v Speaker 2>I can do this and I can get a laugh

0:34:46.800 --> 0:34:49.480
<v Speaker 2>putting a gun in my mouth, And so it was

0:34:49.600 --> 0:34:54.360
<v Speaker 2>just a wonderful part. Then it just reinvigorated my feeling

0:34:54.360 --> 0:34:59.000
<v Speaker 2>about acting, and ever since then, I've done really interesting stuff.

0:34:59.360 --> 0:35:02.399
<v Speaker 2>I'm in this very funny movie called ex Husbands, where

0:35:02.400 --> 0:35:06.080
<v Speaker 2>I'm a guy who's my age with grown sons, who's

0:35:06.200 --> 0:35:10.720
<v Speaker 2>going through a divorce, who crashes his son's bachelor party

0:35:10.840 --> 0:35:14.200
<v Speaker 2>getting married in Tuloom. And you know, I'm suddenly tearing

0:35:14.239 --> 0:35:16.840
<v Speaker 2>on this whole checkof thing, you know, with the director

0:35:17.360 --> 0:35:18.160
<v Speaker 2>Noah Pritzker.

0:35:18.320 --> 0:35:19.320
<v Speaker 3>Oh I know, no a Pritzker.

0:35:19.480 --> 0:35:21.320
<v Speaker 2>Oh you do, of course, of course, you know in

0:35:21.440 --> 0:35:23.279
<v Speaker 2>the he's got a house up where are.

0:35:23.200 --> 0:35:25.480
<v Speaker 3>You guys, I know, the whole Pritzker gang.

0:35:25.760 --> 0:35:29.319
<v Speaker 2>Yeah, yeah, well his uncle, let's you know, he could

0:35:29.360 --> 0:35:30.839
<v Speaker 2>be one of the We could be hearing a lot

0:35:30.840 --> 0:35:33.920
<v Speaker 2>more from his uncle and the governor of Illinois.

0:35:34.440 --> 0:35:36.480
<v Speaker 3>So what about a play. When's the last you did?

0:35:36.520 --> 0:35:38.160
<v Speaker 2>A play that I haven't done a long time?

0:35:38.200 --> 0:35:40.080
<v Speaker 3>Would you want to do one? I would? I would.

0:35:40.160 --> 0:35:42.520
<v Speaker 2>The last play I did was called Search and Destroy

0:35:42.960 --> 0:35:48.000
<v Speaker 2>that Howard Corter wrote at Circle in the Square and

0:35:48.040 --> 0:35:49.840
<v Speaker 2>that was a fantastic part. We made it into a

0:35:49.920 --> 0:35:53.080
<v Speaker 2>movie that no one saw, but it had Chris Walkin

0:35:53.160 --> 0:35:57.640
<v Speaker 2>and Ethan Hawke and Marty produced it. And uh, I'm

0:35:57.719 --> 0:36:00.960
<v Speaker 2>just thinking, like I've done a lot of things that

0:36:01.160 --> 0:36:06.040
<v Speaker 2>no one likes at the time. Then you know, Criterion

0:36:06.280 --> 0:36:08.919
<v Speaker 2>we discover them. Yes, yes, And.

0:36:08.840 --> 0:36:10.960
<v Speaker 3>It's like the Orson Wells Lost Movies.

0:36:11.280 --> 0:36:15.560
<v Speaker 2>Absolutely, yeah, you know, the longer you wait, it's twenty

0:36:15.560 --> 0:36:18.040
<v Speaker 2>minutes of a guy walking along the shore and then

0:36:18.080 --> 0:36:21.319
<v Speaker 2>finally stops and finds a boat and that's it, and

0:36:21.360 --> 0:36:23.600
<v Speaker 2>that's it, and then twenty years later, someone will come

0:36:23.680 --> 0:36:26.200
<v Speaker 2>up and go, that guy who walked along the shore

0:36:26.560 --> 0:36:27.400
<v Speaker 2>that changed me.

0:36:27.560 --> 0:36:28.600
<v Speaker 3>My god, that was so good.

0:36:28.640 --> 0:36:30.799
<v Speaker 2>And then the word gets out and suddenly you got

0:36:30.880 --> 0:36:35.080
<v Speaker 2>like five rotten tomatoes when they hated it the first time.

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<v Speaker 3>Well, let me just say, you're one of those people.

0:36:37.680 --> 0:36:39.000
<v Speaker 3>Everybody in this business loves you.

0:36:39.960 --> 0:36:40.560
<v Speaker 2>Thank you, Ellen.

0:36:40.680 --> 0:36:42.840
<v Speaker 3>Good to see how you too.

0:36:45.840 --> 0:36:50.160
<v Speaker 1>My thanks to actor and director Griffin Dunn. This episode

0:36:50.280 --> 0:36:54.040
<v Speaker 1>was recorded at CDM Studios in New York City and

0:36:54.320 --> 0:36:59.600
<v Speaker 1>Monk Music in Easthampton, New York. We're produced by Kathleen Brusso,

0:37:00.040 --> 0:37:04.640
<v Speaker 1>Zach MacNeice, and Victoria de Martin. Our engineer is Frank Imperial.

0:37:04.960 --> 0:37:09.320
<v Speaker 1>Our social media manager is Danielle Gingrich. I'm Alec Baldwin.

0:37:09.360 --> 0:37:09.960
<v Speaker 3>Here's the thing.

0:37:10.400 --> 0:37:15.400
<v Speaker 1>Is brought to you by iHeart Radio.