WEBVTT - S03 Episode 3: Under the Asphalt

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<v Speaker 1>There's nothing better than feeling comfortable in your own shoes,

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<v Speaker 1>and that doesn't mean flopping down on the couch with

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<v Speaker 1>bunny slippers. Maybe you're a parent raising a little rock star,

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<v Speaker 1>or a techno man working from anywhere and jumping from

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<v Speaker 1>one thing to the next. Whoever you are, All Bird

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<v Speaker 1>wants you to be comfortable in your actual shoes too.

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<v Speaker 1>Their wool runners, pipers, and loungers are designed for a

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<v Speaker 1>level of coziness that makes you feel like you can

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<v Speaker 1>do anything. You might even forget you're wearing them. And

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<v Speaker 1>their shoes are so stylish they go perfectly with a

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<v Speaker 1>wear whatever I want attitude. All Birds is all about

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<v Speaker 1>loving mother nature too, because no one wants to leave

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<v Speaker 1>a bad footprint. Each shoe is carefully crafted from natural

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<v Speaker 1>materials that tread lightly on our planet, from ZQ certified

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<v Speaker 1>Marino wool to a bouncing midsill made from sweet foam,

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<v Speaker 1>the world's first carbon negative EVA material made from sugarcane.

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<v Speaker 1>That night, Zoe was restless, lying in bed with her

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<v Speaker 1>boyfriend's stan Fast asleep beside her. She had noticed a strange,

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<v Speaker 1>diffuse light that appeared to be emanating from just inside

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<v Speaker 1>the bedroom window. Nudging Stan awake, she gestured toward the

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<v Speaker 1>far end of the room. Seeing it now too, he

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<v Speaker 1>sat up, trying to comprehend what he was looking at.

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<v Speaker 1>Before he had time to think, Soie was already up

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<v Speaker 1>and flicking on the main light, nervously looking about the room,

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<v Speaker 1>before turning it off again. With the room shrouded once

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<v Speaker 1>more in darkness, the peculiar light appeared to have gone.

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<v Speaker 1>Must have been something from outside, said Stan, as he

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<v Speaker 1>rolled on to his side and closed his eyes. Soe

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<v Speaker 1>rubbed her arms, suddenly feeling a little cold, and moved

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<v Speaker 1>over to the window. Peering down through the curtains to

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<v Speaker 1>the quiet street below, she could see the soft sodium

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<v Speaker 1>of a street light illuminating the pavement on the far

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<v Speaker 1>side of the road. That must have been it, she thought.

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<v Speaker 1>She pulled the curtains tighter and got back into bed.

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<v Speaker 1>Before she could get comfortable, however, she saw once again

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<v Speaker 1>that the strange light had returned. Stan whispered Zoe. He

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<v Speaker 1>opened his eyes for a moment before turning away again

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<v Speaker 1>on to his side. I told you it's just something

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<v Speaker 1>from outside, but Stan, said Zoe. It's moving. Stan paused

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<v Speaker 1>before turning to look at Zoe, and then towards the

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<v Speaker 1>end of the room, what at first seemed like a

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<v Speaker 1>light was more like a misty white shadow now, and

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<v Speaker 1>it was moving away from the window and further into

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<v Speaker 1>the room. Stan's hands gripped tighter on the covers. The

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<v Speaker 1>pair froze as the amorphous shadow of light continued to

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<v Speaker 1>move around the room before stopping at the end of

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<v Speaker 1>the bed. Stan shot under the covers in terror, but

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<v Speaker 1>Zoe couldn't take her eyes off it. She reached out

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<v Speaker 1>her hand, drawing closer and closer until she was near

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<v Speaker 1>enough to touch it, and then as quickly as it

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<v Speaker 1>had appeared, it vanished. You're listening to Unexplained and I'm

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<v Speaker 1>Richard McClean Smith. The following morning, Zoe and Stan weren't

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<v Speaker 1>quite sure what, if anything, they had seen. An embarrassed

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<v Speaker 1>Stan left early for work, leaving a perplexed Zoe to

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<v Speaker 1>explain the events to her housemate Rosemary. The two of

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<v Speaker 1>them lived together in Flat number twenty four of Frankom House,

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<v Speaker 1>a five story red bricked council housing block built in

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<v Speaker 1>the late nineteen thirties. It was located on the corner

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<v Speaker 1>of Frankam Street and Deptford Church Street in southeast London,

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<v Speaker 1>forming part of the area's Crossfield Estate. The estate had

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<v Speaker 1>been built over a ten year period as part of

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<v Speaker 1>a major regeneration drive to improve housing in the local area,

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<v Speaker 1>but had itself in recent times come under threat of demolition.

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<v Speaker 1>In early nineteen seventy three, builders had moved in to

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<v Speaker 1>widen the adjacent road, and now the council were considering

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<v Speaker 1>the partial removal of some of the housing blocks on

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<v Speaker 1>the estate to make way for it. It was shortly

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<v Speaker 1>after builders moved in that Zoe's peculiar experience had taken

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<v Speaker 1>place that morning. However, recounting the story to Rosemary, she

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<v Speaker 1>couldn't help but feel a little bit stupid. Most likely,

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<v Speaker 1>as Stan had suggested, it really was just a trick

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<v Speaker 1>of the light. Twenty one year old Zoey had moved

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<v Speaker 1>into the flat the previous year, shortly after giving birth

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<v Speaker 1>to her baby Natalie. The pair shared the apartment with

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<v Speaker 1>the twenty eight year old Rosemary, her eight and three

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<v Speaker 1>year old daughters Donna and Jennifer, and her seven year

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<v Speaker 1>old son Mark. Though neither was particularly superstitious. With their

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<v Speaker 1>young children also living in the flat with them, they

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<v Speaker 1>could be forgiven a slight sense of apprehension at the

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<v Speaker 1>thought of something strange happening inside their home. They had

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<v Speaker 1>soon forgotten the incident, however, until a few weeks later,

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<v Speaker 1>when Zoey, who worked as a nurse, returned to the

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<v Speaker 1>flat after a long shift to find a putrid smell

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<v Speaker 1>filling the apartment. She had come across that smell before

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<v Speaker 1>at work. It was the smell of rotting flesh. Rosemary

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<v Speaker 1>had recently adopted a puppy. Perhaps it had brought something

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<v Speaker 1>into the flat, thought Zoey, Yet despite scouring the place

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<v Speaker 1>from top to bottom, she found no obvious source. When

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<v Speaker 1>Rosemarie returned with the children later that day, they spent

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<v Speaker 1>the evening pulling back furniture and disinfecting the property, even

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<v Speaker 1>spraying air freshener everywhere, but it was to no avail.

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<v Speaker 1>Nothing could shake it. The following day the stench persisted.

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<v Speaker 1>Being Saturday, the families took the opportunity to get out

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<v Speaker 1>for the day, hoping the odor would dissipate by the

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<v Speaker 1>time they had got back. Returning later that evening, they

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<v Speaker 1>were somewhat disappointed to find it still very much lingering.

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<v Speaker 1>Zoe took little convincing to stay it stands for the night,

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<v Speaker 1>leaving the others to deal with it alone. Doing their

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<v Speaker 1>best to ignore it, the family would eventually bed down

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<v Speaker 1>for the night and find some sleep. It was sometime

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<v Speaker 1>around one a m. When Rosemary awoke with a start.

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<v Speaker 1>The room was pitch black, but as her eyes slowly adjusted,

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<v Speaker 1>she could just make out the figure of a man

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<v Speaker 1>standing at the foot of her bed, watching her. Assuming

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<v Speaker 1>it to be her boyfriend Lloyd, who had mentioned possibly

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<v Speaker 1>heading over that night, Rosemary watched in silence as the

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<v Speaker 1>figure turned and walked straight out at the bedroom without

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<v Speaker 1>saying a word. Lloyd whispered Rosemary into the night, but

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<v Speaker 1>there was no reply. Feeling suddenly unsure, she stepped from

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<v Speaker 1>the bed and peered into the darkness of the corridor,

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<v Speaker 1>looking down to the far end. Although the living room

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<v Speaker 1>door was closed, she could see the room's light was on,

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<v Speaker 1>softly shining out from under the door. Lloyd she whispered again,

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<v Speaker 1>but still there was no response. After checking to make

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<v Speaker 1>sure that there was no one in the kitchen, Rosemary

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<v Speaker 1>cautiously made her way toward the living room. Stopping outside

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<v Speaker 1>the door, she could just make out an airy scratching

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<v Speaker 1>sound coming from within. Slowly she opened the door, but

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<v Speaker 1>there was nobody inside the room. The sound, she now realized,

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<v Speaker 1>had been coming from the record player, which had inexplicably

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<v Speaker 1>been turned on. She watched for a moment, mesmerized by

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<v Speaker 1>the empty table as it spun round and round, listening

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<v Speaker 1>to the scratch of the needle as it dragged against

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<v Speaker 1>the empty plate. With a rising sense of panic, she

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<v Speaker 1>hurried to check on the children in the other rooms

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<v Speaker 1>and found them all sound asleep, with no sign of

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<v Speaker 1>an intruder, or Lloyd, for that matter, anywhere. Finally making

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<v Speaker 1>her way to the front door, Rosemary double checked the locks,

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<v Speaker 1>finding them just as she had left them earlier that night.

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<v Speaker 1>Now thoroughly spooted, Rosemary switched off the living room light

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<v Speaker 1>and returned to bed. After eventually getting back to sleep,

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<v Speaker 1>she was woken just before seven by an unexpected brightness,

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<v Speaker 1>surprised to find her bedroom light had been switched on.

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<v Speaker 1>In fact, as she would discover soon after, every light

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<v Speaker 1>in the house had been turned on again, there was

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<v Speaker 1>no sign of anybody else other than her children, who

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<v Speaker 1>were still sound asleep in their beds. A few hours later,

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<v Speaker 1>while helping her daughters get dressed, Rosemary went to the

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<v Speaker 1>spare room to get clean clothes. She opened the door

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<v Speaker 1>and let out a stifled cry. The room had been

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<v Speaker 1>completely smashed up. The bed had been stripped and the

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<v Speaker 1>mattress tossed to the bottom of the room. All her

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<v Speaker 1>children's clothes had been wrenched from their drawers and scattered

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<v Speaker 1>across the floor. And in the middle of the room

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<v Speaker 1>sat a small rocking horse, which until that morning had

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<v Speaker 1>been perched high on top of the wardrobe. Then she

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<v Speaker 1>spotted something else lying on the floor, a golliwog doll

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<v Speaker 1>of her daughters, its head torn off and the stuffing

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<v Speaker 1>ripped out of it. Although quite popular with many white

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<v Speaker 1>families at the time, the dolls designed in the image

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<v Speaker 1>of a black face minstrel have since been broadly recognized

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<v Speaker 1>as racist and offensive depictions of black men. All other

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<v Speaker 1>dolls in the room had been left curiously untouched. There

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<v Speaker 1>was something else too. The wind was wide open, However,

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<v Speaker 1>as Rosemary looked down at the sheer drop two flights below,

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<v Speaker 1>it was clear that nobody could have climbed in or

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<v Speaker 1>out of it. Later that day, having confirmed that her

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<v Speaker 1>boyfriend Lloyd had been nowhere near the flat, a deeply

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<v Speaker 1>shaken Rosemary accompanied by her three small children, made her

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<v Speaker 1>way up the road to Saint Paul's Church. Terrified that

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<v Speaker 1>she was going mad, she relayed the events to Cannon

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<v Speaker 1>David Diamond, who listened with patience and concern to her story.

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<v Speaker 1>Though he wasn't free to see the flat for himself,

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<v Speaker 1>he gave her a crucifix to install in the apartment.

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<v Speaker 1>A short time later, Rosemary returned home, joined by friends

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<v Speaker 1>and neighbors Linda and the aptly named Missus Mystery. Stepping

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<v Speaker 1>into the damaged bedroom, Mystery was immediately gripped by a

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<v Speaker 1>profoundly unsettling sensation. Blood drained from her face, and the

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<v Speaker 1>hairs rose on the back of her neck. Certain that

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<v Speaker 1>whatever had been here was violently angry. Together the friends

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<v Speaker 1>cleaned up the room and placed the crucifix on the wall.

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<v Speaker 1>At Linda's suggestion, the nervous Rosemary also scattered garlic throughout

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<v Speaker 1>the room to ward off any evil spirits. That night,

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<v Speaker 1>with Lloyd staying over this time, Rosemary slept soundly with

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<v Speaker 1>no repeat of the previous night's disturbances. The next day,

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<v Speaker 1>Priest Diamond arrived, and, sensing something of an unquiet spirit,

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<v Speaker 1>he offered up a solemn requiem Mass, also known as

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<v Speaker 1>the Mass for the dead. The Mass, as the Catholic

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<v Speaker 1>Rosemary knew well, was usually given at funerals in an

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<v Speaker 1>effort to bring rest to the souls of the cease.

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<v Speaker 1>But Rosemary was confused. Why would he need to say

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<v Speaker 1>it in her apartment, she asked, as Diamond explained this

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<v Speaker 1>wasn't the first time he had given the Mass at

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<v Speaker 1>Frankom House. In fact, he had been hearing reports for

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<v Speaker 1>some time that the place was haunted. As it would transpire,

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<v Speaker 1>there had been another building here before the council knocked

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<v Speaker 1>it down to build the estate. It was a church

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<v Speaker 1>demolished in the nineteen thirties, and Frankom House had been

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<v Speaker 1>built right on top of its cemetery. Perhaps the recent

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<v Speaker 1>building work had disturbed something in the soil. But Rosemary

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<v Speaker 1>shouldn't worry, said Diamond. The spirits wouldn't be bothering her now,

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<v Speaker 1>and he was right. For a short time at least.

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<v Speaker 1>Are you always taking care of your family? You often

0:14:00.480 --> 0:14:03.559
<v Speaker 1>take care of others and not yourself. Now it's time

0:14:03.559 --> 0:14:06.800
<v Speaker 1>to take care of yourself. To make time for you.

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<v Speaker 1>Download the app or visit teledoc dot com forward slash

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<v Speaker 1>Unexplained podcast today to get started. That's teladoc dot com

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<v Speaker 1>slash Unexplained podcast. Hattie Smith and husband Jim had lived

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<v Speaker 1>at Number sixteen for twenty seven years when they accepted

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<v Speaker 1>the council's offer to move out as part of their

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<v Speaker 1>redevelopment plans for the area, and they couldn't have been

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<v Speaker 1>happier for the opportunity. All six of their children had

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<v Speaker 1>at some point grown up in the Frankeom House flat

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<v Speaker 1>and all had strange stories to tell. The family had

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<v Speaker 1>always kept it to themselves, not ever quite sure of

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<v Speaker 1>what they had experienced, but also concerned with what others

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<v Speaker 1>might think. Hattie had often sensed a presents when alone

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<v Speaker 1>in the apartment, and at times had even felt something

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<v Speaker 1>touching her or pulling at her clothes. Lights would frequently

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<v Speaker 1>turn off and on of their own accord. Hattie's daughter

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<v Speaker 1>Shirley saw shadows moving about the flat and heard odd

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<v Speaker 1>noises late at night, as if furniture was being moved around,

0:16:06.000 --> 0:16:09.400
<v Speaker 1>only to find the next morning that nothing had been touched.

0:16:11.240 --> 0:16:14.920
<v Speaker 1>Another daughter, Sylvia, had spent an entire night staring with

0:16:15.040 --> 0:16:18.440
<v Speaker 1>horror at her bedroom door as the handle moved up

0:16:18.440 --> 0:16:22.600
<v Speaker 1>and down the door, seemingly being opened and shut by

0:16:22.680 --> 0:16:29.200
<v Speaker 1>something unseen. One time, a neighbor late one evening thought

0:16:29.280 --> 0:16:32.280
<v Speaker 1>she caught sight of Hattie's husband, Jim, standing at one

0:16:32.280 --> 0:16:36.560
<v Speaker 1>of the windows just inside their apartment. Only the flat

0:16:36.760 --> 0:16:42.200
<v Speaker 1>had been empty at the time. The strange events seemed

0:16:42.200 --> 0:16:45.640
<v Speaker 1>to have abated until that final year before they moved

0:16:46.040 --> 0:16:51.600
<v Speaker 1>and the workmen moved into the area. It was late

0:16:51.640 --> 0:16:55.480
<v Speaker 1>one Tuesday night when Hattie returned home from playing bingo

0:16:56.760 --> 0:16:59.720
<v Speaker 1>with Jim away for work, and the children having left

0:16:59.760 --> 0:17:04.359
<v Speaker 1>home many years before, Hattie was completely alone when she

0:17:04.400 --> 0:17:06.679
<v Speaker 1>put a pile of dirty washing in the bath to

0:17:06.760 --> 0:17:13.040
<v Speaker 1>soak overnight before retiring to bed. The next morning, she

0:17:13.119 --> 0:17:16.159
<v Speaker 1>was woken at seven thirty am by the sound of

0:17:16.240 --> 0:17:20.639
<v Speaker 1>fast running water racing into the bathroom. She found it

0:17:20.760 --> 0:17:24.479
<v Speaker 1>gushing out of the tap. With the tub almost full,

0:17:24.960 --> 0:17:28.399
<v Speaker 1>Hattie hurriedly turned it off and looked down at the water.

0:17:29.880 --> 0:17:33.840
<v Speaker 1>It was the strangest thing. At the very bottom were

0:17:33.840 --> 0:17:37.320
<v Speaker 1>her clothes soaking in a layer of dark, dirty water,

0:17:38.160 --> 0:17:41.679
<v Speaker 1>but then on top an entirely other layer, completely clear.

0:17:42.920 --> 0:17:49.040
<v Speaker 1>Whatever it was, it was back. A few weeks later,

0:17:49.640 --> 0:17:52.879
<v Speaker 1>Hattie was cleaning the bathroom when the door suddenly closed

0:17:52.920 --> 0:17:56.840
<v Speaker 1>behind her. Turning to pull it open, she found it

0:17:56.880 --> 0:17:59.520
<v Speaker 1>had stuck fast, as if it had been locked from

0:17:59.560 --> 0:18:04.080
<v Speaker 1>the outside side. Hattie called out to Jim for help,

0:18:04.640 --> 0:18:09.320
<v Speaker 1>pulling furiously at the handle. Looking down, she screamed in

0:18:09.440 --> 0:18:12.360
<v Speaker 1>terror at the sight of a hand sticking out from

0:18:12.400 --> 0:18:17.120
<v Speaker 1>under the door. Jim arrived moments later, opening the door

0:18:17.200 --> 0:18:31.639
<v Speaker 1>with ease. It had been unlocked the whole time. The

0:18:31.760 --> 0:18:35.280
<v Speaker 1>Smiths left their apartment. In February of nineteen seventy four.

0:18:36.600 --> 0:18:39.680
<v Speaker 1>It was around the same time that Hattie's friend and neighbor,

0:18:40.080 --> 0:18:45.760
<v Speaker 1>Beatrice Goringe, first experienced her own peculiar happenings. Beatrice lived

0:18:45.800 --> 0:18:49.359
<v Speaker 1>next door at number seventeen, and things had never been

0:18:49.440 --> 0:18:52.560
<v Speaker 1>quite the same since her husband died the year before.

0:18:54.359 --> 0:18:59.600
<v Speaker 1>It started with the knocking, short quiet taps that seemed

0:18:59.640 --> 0:19:03.960
<v Speaker 1>to come from within the walls. Then other sounds were heard,

0:19:04.680 --> 0:19:09.639
<v Speaker 1>like something being dragged across the floor. One night, early

0:19:09.680 --> 0:19:12.600
<v Speaker 1>in the new year, the fifty six year old Beatrice

0:19:12.960 --> 0:19:15.280
<v Speaker 1>had just said goodbye to her daughter, who had come

0:19:15.320 --> 0:19:18.359
<v Speaker 1>to visit, when she turned back into the flat and

0:19:18.480 --> 0:19:23.520
<v Speaker 1>noticed the bathroom door swing closed. She called out, but

0:19:23.640 --> 0:19:28.040
<v Speaker 1>received no reply, hearing only voices coming from the radio

0:19:28.160 --> 0:19:33.399
<v Speaker 1>in the living room. Tiptoeing down toward the bathroom, she

0:19:33.480 --> 0:19:39.600
<v Speaker 1>felt the temperature drop suddenly. She pushed open the bathroom door,

0:19:40.000 --> 0:19:46.080
<v Speaker 1>but found nobody inside. Now feeling very cold, she listened

0:19:46.119 --> 0:19:48.600
<v Speaker 1>with alarm as the volume on the radio in the

0:19:48.640 --> 0:19:55.399
<v Speaker 1>other room was suddenly turned down. Hello, she said, but

0:19:55.560 --> 0:20:01.840
<v Speaker 1>again there was no reply. Moving slowly into the living room,

0:20:01.880 --> 0:20:04.760
<v Speaker 1>she headed to the radio and turned the dial back up,

0:20:05.480 --> 0:20:10.359
<v Speaker 1>but the volume wouldn't shift. When Beatrice stepped out of

0:20:10.359 --> 0:20:13.840
<v Speaker 1>the room. A moment later, the radio blared out at

0:20:13.920 --> 0:20:18.440
<v Speaker 1>full volume, rushing back in. She wrenched the cord from

0:20:18.440 --> 0:20:21.840
<v Speaker 1>the wall and stood for a moment in the silence.

0:20:24.520 --> 0:20:27.520
<v Speaker 1>That night, Beatrice awoke in the dim light of the

0:20:27.600 --> 0:20:30.399
<v Speaker 1>late evening to find what appeared to be the faint

0:20:30.480 --> 0:20:33.840
<v Speaker 1>outline of a figure standing at the end of her bed.

0:20:35.480 --> 0:20:39.760
<v Speaker 1>Too terrified to move, Beatrice waited until morning before packing

0:20:39.760 --> 0:20:42.360
<v Speaker 1>a bag and racing to her mother's, where she would

0:20:42.359 --> 0:20:47.080
<v Speaker 1>spend the night for the next few weeks. Friends suggested

0:20:47.119 --> 0:20:50.400
<v Speaker 1>the figure she had seen was her recently deceased husband,

0:20:51.200 --> 0:20:56.480
<v Speaker 1>but she insisted it wasn't. Her husband had been quite short,

0:20:57.200 --> 0:21:02.879
<v Speaker 1>but this figure was something else, entirely tall and oddly shaped.

0:21:12.359 --> 0:21:16.480
<v Speaker 1>Back inside number twenty four. A few nights later, Rosemary

0:21:16.640 --> 0:21:20.960
<v Speaker 1>was woken by the sound of the baby crying. With

0:21:21.080 --> 0:21:23.880
<v Speaker 1>Zoe out for the evening. She was just getting up

0:21:23.880 --> 0:21:26.199
<v Speaker 1>to see to her when she heard the cry of

0:21:26.359 --> 0:21:30.320
<v Speaker 1>leave me alone coming from her daughter's bedroom, But when

0:21:30.320 --> 0:21:33.000
<v Speaker 1>she entered there was no one there except for Donna

0:21:33.200 --> 0:21:38.000
<v Speaker 1>and her sister, Jennifer. I'm frightened, said Donna, as her

0:21:38.000 --> 0:21:43.560
<v Speaker 1>mother tried to comfort her. For the next few days,

0:21:43.920 --> 0:21:46.639
<v Speaker 1>the family are plagued by doors in the property that

0:21:46.760 --> 0:21:51.960
<v Speaker 1>continually open and close on their own. When a friend

0:21:52.200 --> 0:21:55.720
<v Speaker 1>hears of the latest events, she convinces Rosemary and Zoe

0:21:56.000 --> 0:21:59.200
<v Speaker 1>to try out a wijiboard in an attempt to communicate

0:21:59.400 --> 0:22:04.879
<v Speaker 1>with whatever is haunting their home. One night in early March,

0:22:05.359 --> 0:22:09.440
<v Speaker 1>with the children fast asleep, Rosemary, Zoe, and her boyfriend

0:22:09.480 --> 0:22:14.359
<v Speaker 1>Stan set themselves around the kitchen table, having crudely constructed

0:22:14.400 --> 0:22:17.280
<v Speaker 1>their own numbers and lettering, and place them in a

0:22:17.320 --> 0:22:21.399
<v Speaker 1>circle around a glass with their fingers on the vessel.

0:22:22.000 --> 0:22:27.919
<v Speaker 1>Rosemary asks quietly if anybody is there. Slowly, the glass

0:22:27.960 --> 0:22:34.160
<v Speaker 1>begins to move, stopping next to the word yes. Are

0:22:34.160 --> 0:22:39.359
<v Speaker 1>you a good or bad? Spirit cuts in Zoe. Rosemary

0:22:39.440 --> 0:22:42.600
<v Speaker 1>gasps as the glass makes its way across the table,

0:22:43.560 --> 0:22:47.280
<v Speaker 1>first to the letter B, then to the A, and

0:22:47.440 --> 0:22:51.920
<v Speaker 1>finally to the D. Cut it out stand, says Zoe.

0:22:52.640 --> 0:22:56.600
<v Speaker 1>But I'm not doing anything, he says. To prove it,

0:22:56.800 --> 0:22:59.480
<v Speaker 1>he takes his finger from the glass and asks a

0:22:59.560 --> 0:23:03.600
<v Speaker 1>question that neither of the others could possibly know. What's

0:23:03.600 --> 0:23:06.640
<v Speaker 1>the first initial of my brother's name, he says, with

0:23:06.640 --> 0:23:11.320
<v Speaker 1>a deep breath. Slowly, again, the glass begins to move.

0:23:12.400 --> 0:23:16.840
<v Speaker 1>Sliding across to the letter j Zoe looks to stand,

0:23:17.400 --> 0:23:23.600
<v Speaker 1>whose face has already gone white. Another session ends with

0:23:23.640 --> 0:23:27.960
<v Speaker 1>the glass repeatedly spelling out goodbye and shooting off the

0:23:28.000 --> 0:23:34.439
<v Speaker 1>table into Rosemary's lap. One evening, after a particularly fraught session,

0:23:35.040 --> 0:23:37.639
<v Speaker 1>Zoe was too scared to sleep alone and spent the

0:23:37.720 --> 0:23:41.679
<v Speaker 1>night with Rosemary. The following morning, she returned to her

0:23:41.720 --> 0:23:44.679
<v Speaker 1>room to find it completely trashed, with everything from the

0:23:44.720 --> 0:23:48.840
<v Speaker 1>top of her dresser swept onto the floor, including a crucifix,

0:23:49.400 --> 0:23:53.760
<v Speaker 1>bottles of perfume, and her nurse's book. The chair in

0:23:53.800 --> 0:23:56.760
<v Speaker 1>her room had been moved next to the book, as

0:23:56.760 --> 0:23:59.000
<v Speaker 1>if some one had just recently been sitting in it.

0:24:00.960 --> 0:24:16.720
<v Speaker 1>Zoe moved out the following month. Shortly before Zoe left,

0:24:17.080 --> 0:24:20.320
<v Speaker 1>a local journalist caught wind of the strange events taking

0:24:20.320 --> 0:24:24.440
<v Speaker 1>place at Frankom House. A series of short articles printed

0:24:24.440 --> 0:24:28.000
<v Speaker 1>in the Southeast London Mercury, in turn caught the attention

0:24:28.040 --> 0:24:32.080
<v Speaker 1>of Society of Psychical Research member Hugh Pincot, who promptly

0:24:32.080 --> 0:24:36.760
<v Speaker 1>made arrangements to speak with some of the residents. Pincot

0:24:36.840 --> 0:24:41.720
<v Speaker 1>found Rosemary and her family deeply traumatized by the recent events. However,

0:24:42.040 --> 0:24:45.920
<v Speaker 1>despite holding a number of further seances. Together with Rosemary

0:24:45.920 --> 0:24:50.280
<v Speaker 1>and Zoe, Pincot was unable to gleam any substantial information

0:24:50.600 --> 0:24:55.320
<v Speaker 1>about what exactly had been taking place. One night, soon

0:24:55.359 --> 0:25:00.480
<v Speaker 1>after Rosemary is woken by her daughter Donna's screams, there

0:25:00.480 --> 0:25:03.240
<v Speaker 1>had been a tall man with a large beard standing

0:25:03.280 --> 0:25:05.720
<v Speaker 1>at the back of her room, she said between sobs,

0:25:06.240 --> 0:25:12.240
<v Speaker 1>as her mother looked on aghast. Not long after, the

0:25:12.320 --> 0:25:15.720
<v Speaker 1>building works taken place around the property finally came to

0:25:15.800 --> 0:25:19.920
<v Speaker 1>an end, and so too did the strange occurrences within

0:25:19.960 --> 0:25:25.040
<v Speaker 1>the walls of Frankem House. Despite everything that had happened,

0:25:25.440 --> 0:25:28.080
<v Speaker 1>there seemed no trace of the apparent haunting that had

0:25:28.080 --> 0:25:34.120
<v Speaker 1>taken place at the property, except for one thing. When

0:25:34.200 --> 0:25:38.119
<v Speaker 1>Hugh Pincot eventually managed to track down Hattie Smith, she

0:25:38.280 --> 0:25:41.200
<v Speaker 1>was keen to finally be able to share her experiences.

0:25:42.800 --> 0:25:45.959
<v Speaker 1>Taking a picture from a family photo album, she passed

0:25:45.960 --> 0:25:50.320
<v Speaker 1>it to mister Pincot. It had been taken by one

0:25:50.320 --> 0:25:53.679
<v Speaker 1>of her grandchildren, a portrait of Hattie and one of

0:25:53.720 --> 0:25:58.200
<v Speaker 1>her daughters standing side by side, and there in the background,

0:25:58.440 --> 0:26:01.920
<v Speaker 1>to the left of the door stood the dark, shadowy

0:26:01.960 --> 0:26:18.000
<v Speaker 1>shape of a tall figure lurking just behind them. In

0:26:18.080 --> 0:26:23.199
<v Speaker 1>two thousand and fifteen, the Population Reference Bureau estimated that

0:26:23.320 --> 0:26:27.359
<v Speaker 1>since the appearance of modern Homo sapiens sometime around fifty

0:26:27.359 --> 0:26:31.480
<v Speaker 1>thousand BCE, just over a hundred billion of us have

0:26:31.640 --> 0:26:36.040
<v Speaker 1>lived and died on this planet. London, like all major

0:26:36.080 --> 0:26:41.040
<v Speaker 1>cities of the world, has buried its fair few. Considering

0:26:41.080 --> 0:26:43.480
<v Speaker 1>that humans have lived in the area for over five

0:26:43.520 --> 0:26:46.840
<v Speaker 1>thousand years, it's a wonder that there is any space

0:26:46.880 --> 0:26:50.840
<v Speaker 1>there at all that doesn't somewhere adjacent or directly below

0:26:50.880 --> 0:26:54.240
<v Speaker 1>it contain remnants of those who have come before us.

0:26:57.080 --> 0:26:59.879
<v Speaker 1>And considering the frequency with which even those who are

0:26:59.880 --> 0:27:03.359
<v Speaker 1>still living here will be ripped from their communities and

0:27:03.520 --> 0:27:08.840
<v Speaker 1>involuntarily resettled as if they were mere ghosts themselves, perhaps

0:27:08.880 --> 0:27:12.200
<v Speaker 1>we should not worry or feign surprise when we find

0:27:12.280 --> 0:27:18.840
<v Speaker 1>bones amid the foundations. In some ways, it is strange

0:27:18.880 --> 0:27:21.480
<v Speaker 1>to think for those lucky enough to have a place

0:27:21.600 --> 0:27:24.600
<v Speaker 1>to call their own, or a piece of land, perhaps,

0:27:25.400 --> 0:27:28.600
<v Speaker 1>how desperately we cling to the notion that it is ours,

0:27:29.640 --> 0:27:34.560
<v Speaker 1>the thought of it being invaded the ultimate violation. But

0:27:34.680 --> 0:27:38.320
<v Speaker 1>this ownership, of course, can only ever be a legal fiction,

0:27:39.240 --> 0:27:42.359
<v Speaker 1>a reality only as long as there are enough people

0:27:42.640 --> 0:27:48.040
<v Speaker 1>to believe it, so, in truth, land belongs to no one.

0:27:50.760 --> 0:27:53.960
<v Speaker 1>The idea that ghosts remain attached to the land long

0:27:54.000 --> 0:27:57.840
<v Speaker 1>after their bodies have gone has also always seemed problematic

0:27:57.920 --> 0:28:02.280
<v Speaker 1>to me. Much like the question played out to wonderful

0:28:02.320 --> 0:28:06.560
<v Speaker 1>and mournful effect in David Lowery's two and seventeen film

0:28:06.840 --> 0:28:10.960
<v Speaker 1>A Ghost Story. I find myself wondering just where with

0:28:11.119 --> 0:28:14.399
<v Speaker 1>these ghosts go when the earth is swallowed by the

0:28:14.440 --> 0:28:18.840
<v Speaker 1>massive giant our sun is destined to become it too

0:28:19.240 --> 0:28:23.480
<v Speaker 1>fated to die and perhaps one day vanish from existence.

0:28:25.800 --> 0:28:28.960
<v Speaker 1>But perhaps one way or another, as long as it

0:28:29.400 --> 0:28:32.840
<v Speaker 1>and people are here to keep it so, the land

0:28:33.000 --> 0:28:37.240
<v Speaker 1>will always be haunted, something of it, always to be

0:28:37.320 --> 0:28:42.680
<v Speaker 1>trespassed upon, or, in the words of the poet Philip Freneau,

0:28:43.800 --> 0:28:47.680
<v Speaker 1>thou stranger that shalt come this way, no fraud upon

0:28:47.720 --> 0:28:52.760
<v Speaker 1>the dead. Commit observe the swelling turf, and say they

0:28:52.840 --> 0:29:03.720
<v Speaker 1>do not lie, but here they sit. If you enjoy

0:29:03.800 --> 0:29:06.600
<v Speaker 1>listening to Unexplained and would like to help support us,

0:29:07.040 --> 0:29:10.200
<v Speaker 1>you can now go to Unexplained podcast dot com forward

0:29:10.240 --> 0:29:14.800
<v Speaker 1>slash support. All donations, no matter how large or small,

0:29:15.120 --> 0:29:24.360
<v Speaker 1>are massively appreciated. All elements of Unexplained are produced by

0:29:24.400 --> 0:29:27.520
<v Speaker 1>me Richard McClain smith. Please subscribe and rate the show

0:29:27.520 --> 0:29:29.640
<v Speaker 1>on iTunes, but feel free to get in touch with

0:29:29.680 --> 0:29:32.240
<v Speaker 1>any thoughts or ideas regarding the stories you've heard on

0:29:32.280 --> 0:29:35.160
<v Speaker 1>the show. Perhaps you have an explanation of your own

0:29:35.200 --> 0:29:37.719
<v Speaker 1>you'd like to share. You can reach us online at

0:29:37.760 --> 0:30:18.040
<v Speaker 1>Unexplained podcast dot com or on Twitter at Unexplained Pod Now.

0:30:18.040 --> 0:30:21.040
<v Speaker 1>It's time to take care of yourself. To make time

0:30:21.240 --> 0:30:25.280
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0:30:25.600 --> 0:30:28.640
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<v Speaker 1>or employers. Download the app or visit teledoc dot com

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