WEBVTT - What's the deal with headstones?

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<v Speaker 1>Welcome to Stuff you should Know from House Stuff Works

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<v Speaker 1>dot com. Hey, and welcome to the podcast. I'm Josh Clark.

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<v Speaker 1>There's Charles Seby, Chuck Bryant, sons out. Jerry's over there.

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<v Speaker 1>It's the end of July. There's a son out. Can

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<v Speaker 1>you tell him this tone? I can see I have

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<v Speaker 1>a window. I can look out behind you over your shoulder.

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<v Speaker 1>You must I mean this. I can't imagine you're not depressed,

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<v Speaker 1>just staring at foam. Yeah. When I look behind me,

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<v Speaker 1>it's like, jeez, but you're the light. Thanks. That just

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<v Speaker 1>makes everything. Okay. That's so nice of you. You're making

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<v Speaker 1>me blessed. I know. So how are you doing? Oh

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<v Speaker 1>I'm sleepy? Okay, well, well let's get this over with.

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<v Speaker 1>So sucking. Let good ticking naps and I guess we

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<v Speaker 1>have those like Japanese style nap rooms here. We're very forward. Thing.

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<v Speaker 1>That would be wonderful House the Works. Yeah. I don't

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<v Speaker 1>think i'd be able to do that at work take

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<v Speaker 1>a nap, no, no way, No, I don't think I

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<v Speaker 1>would be able to either. But I would think it'd

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<v Speaker 1>be wonderful just because it would show how progressive how

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<v Speaker 1>Stuff Works is. We should have nap um cubbies that

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<v Speaker 1>are like plexi, so you can just watch people nap.

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<v Speaker 1>How uncomfortable would that be? Or yeah, it would be

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<v Speaker 1>very uncomfortable. There's probably one or two weirdos here that

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<v Speaker 1>would love to do that. Yeah. Jonathan Strickland sucks is

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<v Speaker 1>thumb not a surprise. Um? Yeah, this was cobbled together,

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<v Speaker 1>this one, which is unusual. Yeah. Where where did you

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<v Speaker 1>get some of the information? One was the International Southern

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<v Speaker 1>Cemetery Gravestones Association, and the other was the U S

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<v Speaker 1>Department of Veterans Affairs, definitive sources. You know all about

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<v Speaker 1>headstones and grave markers and tombstones yea by any name. Yeah.

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<v Speaker 1>I think the professionals who make headstones or grave markers

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<v Speaker 1>or tombstones call them funeral markers, are grave markers. That's

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<v Speaker 1>the lingo of the jargon of the industry. Yes, and

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<v Speaker 1>this pairs nicely with our Coffins podcast. Dude, it pairs

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<v Speaker 1>nicely with a bunch of them. This is part of

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<v Speaker 1>the Dying Suite. Will never end until we die. Here

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<v Speaker 1>lies Josh and Chuck the death Swite. Um, So, Chuck,

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<v Speaker 1>you want to talk a little bit about the history

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<v Speaker 1>of this stuff. I've got a little bit of history.

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<v Speaker 1>I don't know if you have or not about how

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<v Speaker 1>long humans have been burying the dead. Let's hear it,

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<v Speaker 1>it's pretty old. As a matter of fact, there's evidence

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<v Speaker 1>of like weird funeral rights kind of at least an

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<v Speaker 1>assemblage of people acting differently, or an assemblage of primates

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<v Speaker 1>acting differently, um around a recently deceased member of their

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<v Speaker 1>group in bunabo um apes. So they'd like to poke

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<v Speaker 1>it and think it's not moving. Um. I don't think

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<v Speaker 1>they were poking it, but the way that they were

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<v Speaker 1>interacting with one another, like those with the highest rank

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<v Speaker 1>had the most access to the body. Um, they were

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<v Speaker 1>kind of guarding it from being disturbed. Uh, like early

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<v Speaker 1>signs of respect. Interesting and apparently Neanderthals as well, UM

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<v Speaker 1>used to as as as far back as two fifty

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<v Speaker 1>years ago. There's evidence that parts of the dead Neanderthals

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<v Speaker 1>were put away from the rest of the group in

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<v Speaker 1>what you could consider like a resting place like a

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<v Speaker 1>cave or something like that. I wonder if that started

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<v Speaker 1>because of just obvious things like smell and rotting bodies,

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<v Speaker 1>or if it was just or maybe both. Well, I mean,

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<v Speaker 1>we're hard wired for disgust to experience disgust, and disgust

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<v Speaker 1>warrns is like, don't eat that poop unless it's a

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<v Speaker 1>fecal transplant. Um, don't eat that vomit under any circumstances.

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<v Speaker 1>There's a lot of stuff that you shouldn't do, like

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<v Speaker 1>don't don't um eat that dead body. It's turned Um,

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<v Speaker 1>it's not a nice fresh dead body. So I would

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<v Speaker 1>guess that funeral rites grew out of the our sense

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<v Speaker 1>of disgust. Like you're saying, um, the that's just kind

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<v Speaker 1>of ambiguous stuff. Though the Neanderthals like they they de

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<v Speaker 1>fleshed bones and then place the bones in separate places.

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<v Speaker 1>Some people are like, well, it's evidence of cannibalism. Other

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<v Speaker 1>people are saying, that's a funerary practice. The unambiguous evidence

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<v Speaker 1>of burials comes I think about eighty thousand years ago,

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<v Speaker 1>between forty thousand and eighty thousand years ago in Egypt,

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<v Speaker 1>child was buried um next to a cobble pit. What's that?

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<v Speaker 1>It's where you like, you excavate stone to like pave

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<v Speaker 1>roads or something with although forty tho years ago they

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<v Speaker 1>weren't making roads. I'm not sure what a cobble pit

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<v Speaker 1>is nothing to do with it's an excavation pit. Um.

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<v Speaker 1>I guess that they were excavating stones to make tools.

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<v Speaker 1>I would guess rather them roade. But there was a

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<v Speaker 1>child buried by anatomically modern humans between forty thousand and

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<v Speaker 1>eighty thousand years ago, so we've been doing it for

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<v Speaker 1>a very long time. Yeah, but this is just burial. Right. Well,

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<v Speaker 1>we're talking about our headstones and they didn't come along

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<v Speaker 1>until far after that, right. Uh, Well, there weren't well

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<v Speaker 1>let's go back and them further to Roman and Celtic times. Uh,

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<v Speaker 1>they had headstones that there were kind of it seems

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<v Speaker 1>like they were pretty advanced for the time. And then

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<v Speaker 1>there was a period where they weren't so um detailed,

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<v Speaker 1>but early on they were super detailed. They would have pictures.

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<v Speaker 1>They would describe things that happened, these battles that took place.

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<v Speaker 1>If they died in battle and uh, Salmon's in Scotland,

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<v Speaker 1>they would describe the profession maybe uh if sometimes it

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<v Speaker 1>was pictorial, like if someone was a carpenter, they wouldn't

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<v Speaker 1>say here lies a carpenter. They would just have a

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<v Speaker 1>hammer maybe, um, like a saw. Yeah, that's a that

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<v Speaker 1>giveaway that it was a carpenter. Uh. Scotland was very descriptive.

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<v Speaker 1>Apparently in their early days of headstones too, they would

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<v Speaker 1>describe professions. So like early on it seems just like

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<v Speaker 1>the profession was a big deal, right, like this is

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<v Speaker 1>what they did here on earth. And in other cultures too,

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<v Speaker 1>there was this idea that you could erect a memorial

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<v Speaker 1>to somebody by placing a stone or something, an upright stone,

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<v Speaker 1>not necessarily at their grave, but like there's things called

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<v Speaker 1>stella um that are basically just markers that say like

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<v Speaker 1>this person did this um, or this person fought this

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<v Speaker 1>battle in one or lost, or this person was great

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<v Speaker 1>for some reason that makes us want to memorialize it

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<v Speaker 1>by carving this into a stone and placing it upright

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<v Speaker 1>and never said this person didn't do so much. Not really,

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<v Speaker 1>that came later in the twentieth century. But the idea

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<v Speaker 1>of stones period was before gravestones even. I think the

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<v Speaker 1>term headstone from what I gathered, is from the Jewish

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<v Speaker 1>custom of marking graves with stones and then um. I

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<v Speaker 1>think the other cultures did that too, like uh, supposedly

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<v Speaker 1>to keep the dead from rising, they would I thought

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<v Speaker 1>that was cool. But I've also heard and I think

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<v Speaker 1>it makes sense that they didn't want the bodies to

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<v Speaker 1>be disturbed by, you know, packs of wild coyotes. Yeah,

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<v Speaker 1>so to combat that, and if you were lazy and

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<v Speaker 1>didn't feel like burying, or you lived in a place

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<v Speaker 1>where the dirt was just too hard, you could make

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<v Speaker 1>something called a cairn or carn. Yes, c A I

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<v Speaker 1>r n and right, yeah, I'm not sure I was pronounced,

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<v Speaker 1>which is basically like you lay the body on the ground,

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<v Speaker 1>maybe you dig out a little bit of a shallow pit,

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<v Speaker 1>and then you place rocks around and on top of

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<v Speaker 1>it so that no, not even like the hungriest coyote

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<v Speaker 1>is not going to be able to get through this

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<v Speaker 1>pile of rubble. And then you may also erect like

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<v Speaker 1>a marker at the head of it. Sure, and these

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<v Speaker 1>I think at this point pre nineteenth century, I don't

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<v Speaker 1>even think there were cemeteries. It was just you would

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<v Speaker 1>be buried near your family plot, near your home with

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<v Speaker 1>your family. Um, but they weren't all gathered together a

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<v Speaker 1>bunch of dead people in one area. Uh well, it

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<v Speaker 1>was the whole family, was there, Yeah, but not like

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<v Speaker 1>a cemetery. And then depending um, on where how how

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<v Speaker 1>many people lived in a village, say, eventually that morphed

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<v Speaker 1>into a churchyard. The graveyard was moved to the church

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<v Speaker 1>because the church was so intertwined in people's everyday lives

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<v Speaker 1>that it just made sense that that's where you would

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<v Speaker 1>go to be buried. The thing is these were almost um,

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<v Speaker 1>purposefully gloomy places. They were um reminders. Yeah, it was

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<v Speaker 1>a reminder that you're gonna die a memnto maori. The

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<v Speaker 1>churchyard itself was a reminder that you're gonna die. Um.

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<v Speaker 1>And they were not landscaped. They were usually they had

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<v Speaker 1>a fence around him maybe, and there were the markers,

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<v Speaker 1>but that was about it. It wasn't meant to be

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<v Speaker 1>a place of solace or peace or meditation. Yeah, there's

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<v Speaker 1>one over in my neighborhood. There's a churchyard. Uh cemetery,

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<v Speaker 1>and it is it feels a little different than just

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<v Speaker 1>your average cemetery. It is, it looks a little different,

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<v Speaker 1>and it's does seem a little like I don't know. Well,

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<v Speaker 1>the reason why is because you and I are used

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<v Speaker 1>to what's called the Rural Cemetery Movement, the the RCM. Right,

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<v Speaker 1>you know, you have that T shirt but that that

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<v Speaker 1>was that came out of the nineteenth century. The I

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<v Speaker 1>think um the early mid nineteenth century where this idea.

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<v Speaker 1>As cities built up and people became further and further

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<v Speaker 1>removed from nature, and you also had less and less

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<v Speaker 1>space to just bury somebody in a churchyard, they started

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<v Speaker 1>moving the dead slightly to the outskirts of the city

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<v Speaker 1>and also put some thought into landscaping the area as well.

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<v Speaker 1>So what you have is what you and I think

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<v Speaker 1>of as a modern cemetery, very park like, nice shrubbery

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<v Speaker 1>um paved roads that that allow people to go through

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<v Speaker 1>a nice place for visitors. So much so that very

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<v Speaker 1>early on in the rural cemetery movement, for a while

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<v Speaker 1>families would go picnic there on Sundays. It was like

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<v Speaker 1>a park, but you also plant you're dead there too.

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<v Speaker 1>It was a little bit of both, but it and

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<v Speaker 1>also during this time that's not very surprising because during

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<v Speaker 1>this time death was so much more fully intricate, integrated

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<v Speaker 1>into the life of the average person that um having

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<v Speaker 1>a picnic there on a Sunday it didn't seem at

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<v Speaker 1>least bit bizarre. Macaw. Yeah, there weren't the hang ups

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<v Speaker 1>like we have these days. It seems like right, because

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<v Speaker 1>nowadays it's sterilized and removed. Death is Yeah. Back to

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<v Speaker 1>the headstones the Celts started using once Christianity came to Ireland,

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<v Speaker 1>they started using the the Celtic cross, which was originally

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<v Speaker 1>the I think called the sun cross, which was a

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<v Speaker 1>pagan symbol. But then um, I think St Patrick and

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<v Speaker 1>put the Christian cross over the sun cross and we

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<v Speaker 1>now had our Celtic cross and they started using that

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<v Speaker 1>became kind of a common but again not um specific,

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<v Speaker 1>just sort of like an unmarked grave still with the

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<v Speaker 1>Celtic cross, no inscription, right right, Yeah, that didn't come

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<v Speaker 1>until later. But like you said, there was um, there

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<v Speaker 1>was a lot of symbology or symbols attached, and then

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<v Speaker 1>over time it evolved to include things like date of birth,

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<v Speaker 1>date of death, the person's name, um, and then inscriptions

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<v Speaker 1>later on. Yeah, and thanks also to the Irish um.

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<v Speaker 1>They were the first ones I believed to get a

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<v Speaker 1>little cheeky with their uh sense of humor um And

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<v Speaker 1>I don't know, but well they probably yeah. But one

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<v Speaker 1>example that in the article I read said I think

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<v Speaker 1>of me as you walk by where you now stay,

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<v Speaker 1>and so once did I, which is you know for

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<v Speaker 1>the eighteenth century. That's that's a big time funny, right

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<v Speaker 1>because it rhymes yeah exactly. But again that's what's called

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<v Speaker 1>the memento More. It's like a reminder that you're gonna die,

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<v Speaker 1>so don't get too big for your breeches or don't

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<v Speaker 1>forget to go live your life. There's all sorts of

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<v Speaker 1>reasons for that. Uh. And America and the colonies, um,

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<v Speaker 1>colonial times, it wasn't super fancy um, and they used

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<v Speaker 1>they started to use things like limestone and marble instead

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<v Speaker 1>of wood, which would last longer in sandstone. But then

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<v Speaker 1>in the eighteen sixties they moved to igneous rock. Which

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<v Speaker 1>always want to say ignacious because of I always want

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<v Speaker 1>to say because Confederacy dunces. I think was it the

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<v Speaker 1>name of one of the characters. Yeah, the main guy,

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<v Speaker 1>Ignacious Riley was. It's igneous. What about saying ignacious who?

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<v Speaker 1>I don't know who was? If there was ever a

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<v Speaker 1>name for a saint, it's ignacious saying ignacious? But what

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<v Speaker 1>was he? The saint? I don't remember, just his name

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<v Speaker 1>always stood out to me like that is a saints name,

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<v Speaker 1>patron saint of podcasting? All right, Um. In the six

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<v Speaker 1>so they started using the igneous rock, which is underground

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<v Speaker 1>cooled rock, and that was much more permanent because other

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<v Speaker 1>stuff crumbled and you know the sandstone. Yeah, let's talk

0:13:19.840 --> 0:13:24.160
<v Speaker 1>about weathering, shall we. Um And in colonial times too,

0:13:24.160 --> 0:13:28.600
<v Speaker 1>when they were using these markers and headstones. Um. So,

0:13:28.720 --> 0:13:32.880
<v Speaker 1>symbology has been a part of headstones for a very

0:13:32.880 --> 0:13:36.760
<v Speaker 1>long time, whether it was the Celtic cross or a

0:13:36.920 --> 0:13:41.439
<v Speaker 1>saw to indicate a carpenter or whatever. And in the colonies, apparently,

0:13:42.000 --> 0:13:45.679
<v Speaker 1>um they like to remind everybody that only the most

0:13:45.920 --> 0:13:49.240
<v Speaker 1>pious select few we're going to go to heaven. The

0:13:49.280 --> 0:13:52.280
<v Speaker 1>rest of you are going to hell. Like, no bones

0:13:52.320 --> 0:13:56.720
<v Speaker 1>about it, buddy, you are going to hell. Sorry, And um,

0:13:57.000 --> 0:13:59.120
<v Speaker 1>I would like to use my headstone to remind you

0:13:59.160 --> 0:14:01.200
<v Speaker 1>of it. So I'm gonna put a sculling crossbones on it,

0:14:01.280 --> 0:14:04.360
<v Speaker 1>the death's head. They carved the death head, the death's

0:14:04.360 --> 0:14:07.200
<v Speaker 1>head onto the gravestone to remind others that they were

0:14:07.200 --> 0:14:11.959
<v Speaker 1>going to hell. That's what the Puritans did. Yeah. The

0:14:12.040 --> 0:14:17.160
<v Speaker 1>Victorians were fancy and always so they had really elaborate

0:14:17.200 --> 0:14:21.040
<v Speaker 1>headstones and tombs, and they were also big on like

0:14:21.120 --> 0:14:24.880
<v Speaker 1>the really nice park atmosphere. Well that's what that's what

0:14:24.960 --> 0:14:26.920
<v Speaker 1>it grew out of, was the Victorian era. Yeah, and

0:14:27.280 --> 0:14:30.520
<v Speaker 1>you sent a link to about some what some of

0:14:30.560 --> 0:14:33.720
<v Speaker 1>the Victorian symbols mean, right, Yeah, they had some there's

0:14:33.760 --> 0:14:38.200
<v Speaker 1>weren't quite as they weren't intended to be a reminder

0:14:38.240 --> 0:14:39.760
<v Speaker 1>that you're going to hell. They were a lot more

0:14:39.800 --> 0:14:42.560
<v Speaker 1>hopeful and a lot of these you still see on

0:14:43.320 --> 0:14:46.400
<v Speaker 1>tombstones today, headstones like modern ones and people who are

0:14:46.400 --> 0:14:50.160
<v Speaker 1>buried today, Like you'll see a bundle of wheat gathered together,

0:14:50.720 --> 0:14:53.160
<v Speaker 1>and that's the indicate that somebody lived a nice, long

0:14:53.240 --> 0:14:56.040
<v Speaker 1>life and and they were harvested and they will go

0:14:56.080 --> 0:14:59.160
<v Speaker 1>on and into the next life. A gateway might be

0:14:59.280 --> 0:15:02.440
<v Speaker 1>nice because that means sure, that's the gateway to heaven. Yes,

0:15:02.560 --> 0:15:05.120
<v Speaker 1>any kind of arch or gate Yeah, butterfly is the

0:15:05.160 --> 0:15:09.120
<v Speaker 1>symbol of resurrection. That's very nice. Um, if you have

0:15:09.320 --> 0:15:12.640
<v Speaker 1>a broken column, it indicates that you were cut down

0:15:13.040 --> 0:15:18.440
<v Speaker 1>in the prime of life, taken too young. Um. If

0:15:18.440 --> 0:15:21.800
<v Speaker 1>you have a flower that's broken, have you ever seen that?

0:15:22.960 --> 0:15:25.360
<v Speaker 1>Uh No, it's like it's it's it'll be like a

0:15:25.440 --> 0:15:28.320
<v Speaker 1>rose or something and then it's like snapped into That

0:15:28.400 --> 0:15:32.400
<v Speaker 1>indicates that, um, you were you died suddenly and if

0:15:32.440 --> 0:15:34.920
<v Speaker 1>it's a bud, if it's not an open flower, it

0:15:35.000 --> 0:15:38.120
<v Speaker 1>indicates it was a child. So there's like all this code. Yeah,

0:15:38.120 --> 0:15:42.080
<v Speaker 1>an hourglass is the transience of this life, right, or lamp,

0:15:42.280 --> 0:15:45.600
<v Speaker 1>the light of truth. Clasped hands, you know where there's

0:15:45.640 --> 0:15:50.000
<v Speaker 1>like somebody holding somebody else's hand that means like take care,

0:15:50.240 --> 0:15:55.720
<v Speaker 1>I'll see you in a few years. Or the saddest

0:15:55.760 --> 0:15:58.200
<v Speaker 1>maybe maybe the willow tree. That's just morning and that's

0:15:58.200 --> 0:16:00.920
<v Speaker 1>just really sad. It is sad, but there's none of

0:16:00.960 --> 0:16:05.040
<v Speaker 1>these are reminders that you're going to You're gonna go

0:16:05.120 --> 0:16:08.400
<v Speaker 1>to hell when you die. It's gonna be bad. The

0:16:08.480 --> 0:16:11.360
<v Speaker 1>Victorians were a little more uplifting. If anybody had their

0:16:11.400 --> 0:16:13.680
<v Speaker 1>finger on the pulse of death, it was the Victorians.

0:16:14.400 --> 0:16:16.880
<v Speaker 1>They just knew what they were doing. Another thing human

0:16:16.880 --> 0:16:20.680
<v Speaker 1>beings did in the eighteenth century was more safe. These cages,

0:16:21.040 --> 0:16:24.440
<v Speaker 1>iron cages they would put over um. But the Victorians

0:16:24.440 --> 0:16:27.720
<v Speaker 1>were like, no, that's really untoward. Well get rid of those.

0:16:27.800 --> 0:16:30.120
<v Speaker 1>Part of the reason why is because there wasn't that

0:16:30.280 --> 0:16:33.400
<v Speaker 1>need for it anymore. It was remember the cairns or

0:16:33.440 --> 0:16:37.320
<v Speaker 1>the carns me to stay carns. And it's probably wrong,

0:16:38.160 --> 0:16:40.880
<v Speaker 1>but that was to protect from coyotes disturbing the grave.

0:16:41.080 --> 0:16:50.160
<v Speaker 1>He also said Morls, yeahs and Kama Jacoma. Yeah, that's

0:16:50.160 --> 0:16:54.960
<v Speaker 1>what I said, Laura said Jacama. The more safe were

0:16:54.960 --> 0:16:57.840
<v Speaker 1>to protect the body from being dug up by people

0:16:57.880 --> 0:17:01.400
<v Speaker 1>who were robbing graves to sell the body to anatomists. Yeah,

0:17:01.560 --> 0:17:04.160
<v Speaker 1>or I imagine, you know, maybe loot the body as well.

0:17:04.200 --> 0:17:08.760
<v Speaker 1>On your way, like here's your body. Um, disregard where

0:17:08.880 --> 0:17:11.639
<v Speaker 1>that wedding gold wedding band was on the finger right?

0:17:11.920 --> 0:17:15.080
<v Speaker 1>Remember Mr Burns has um the suit that Charlie Chaplin

0:17:15.160 --> 0:17:19.760
<v Speaker 1>was buried in in a shadow box on it. That's

0:17:19.760 --> 0:17:22.879
<v Speaker 1>a good one. Uh. And that kind of you know,

0:17:22.920 --> 0:17:25.560
<v Speaker 1>brings us I guess, I mean that's skipping forward though.

0:17:25.560 --> 0:17:29.520
<v Speaker 1>But the modern era, the last hundred years has been um,

0:17:29.560 --> 0:17:32.520
<v Speaker 1>I mean headstone. The headstone industry is a big deal.

0:17:33.160 --> 0:17:37.159
<v Speaker 1>It's it's you know, people put a lot of thought

0:17:37.400 --> 0:17:39.760
<v Speaker 1>into what goes on their headstone or their family's headstone,

0:17:39.800 --> 0:17:42.720
<v Speaker 1>and cost a lot of money. And you can be

0:17:42.760 --> 0:17:44.840
<v Speaker 1>as ornate as you want to, or you can do

0:17:44.960 --> 0:17:50.080
<v Speaker 1>like in Royal Tannin bombs and invent your own fake headstone,

0:17:50.200 --> 0:17:52.040
<v Speaker 1>which is pretty good. You wanting to talk about some

0:17:52.119 --> 0:17:54.800
<v Speaker 1>of these ones. Yeah, some of these epitats. We have

0:17:54.920 --> 0:17:58.399
<v Speaker 1>the slide show on stuff you Should Know dot Com

0:17:58.440 --> 0:18:01.639
<v Speaker 1>called the twenty one remark Coble Epitaphs, and it is

0:18:01.640 --> 0:18:05.439
<v Speaker 1>definitely worth checking out. Um, and this one's my favorite.

0:18:05.520 --> 0:18:13.280
<v Speaker 1>Chuck Charleskowski, Yeah, Fewkowski's don't try that on. Yeah, and

0:18:13.359 --> 0:18:15.560
<v Speaker 1>he has a little pugilist too. Yeah. Well, he was

0:18:15.600 --> 0:18:17.240
<v Speaker 1>a huge boxing fan. I think he might have been

0:18:17.240 --> 0:18:22.280
<v Speaker 1>a boxer himself. He died, yeah, crazy. Yeah, for some reason,

0:18:22.320 --> 0:18:25.080
<v Speaker 1>I thought he was like in the eighties or something. No,

0:18:25.320 --> 0:18:27.920
<v Speaker 1>he's still working in the eighties. Yeah. Boy, he didn't

0:18:27.920 --> 0:18:31.120
<v Speaker 1>look good there at the end. Well, he pretty much

0:18:31.160 --> 0:18:33.879
<v Speaker 1>drank him to death, I know, but he Yeah, he

0:18:33.920 --> 0:18:36.160
<v Speaker 1>looked really bad. I remember seeing a documentary I think

0:18:36.200 --> 0:18:38.480
<v Speaker 1>from the eighties or not early nineties. Is that the

0:18:38.480 --> 0:18:40.600
<v Speaker 1>one where he like kicks his wife off of the

0:18:40.680 --> 0:18:44.400
<v Speaker 1>couch or something. He's like being physically abusive in the documentary.

0:18:45.200 --> 0:18:47.159
<v Speaker 1>He wasn't a nice fellow. No, he really wasn't. No,

0:18:47.640 --> 0:18:50.640
<v Speaker 1>he's not at all. You saw bar Flat, right, That's

0:18:50.720 --> 0:18:53.320
<v Speaker 1>one of my all time favorite movies. I figured it's

0:18:53.320 --> 0:18:57.760
<v Speaker 1>a good one. Who's that one? Mitchell's Oh, it's just

0:18:57.800 --> 0:19:01.040
<v Speaker 1>a person. Yeah, these are just like no worthy. Well

0:19:01.040 --> 0:19:04.639
<v Speaker 1>this sucks that awesome, Yeah, that seems like something I

0:19:04.760 --> 0:19:07.920
<v Speaker 1>might do. Actually, well this sucks on your grace stone. Yeah,

0:19:07.920 --> 0:19:09.760
<v Speaker 1>because this got me thinking of what I would want,

0:19:09.840 --> 0:19:13.320
<v Speaker 1>you know, um, And I mean I didn't come up

0:19:13.359 --> 0:19:15.240
<v Speaker 1>with anything, but I think I would just want something

0:19:15.320 --> 0:19:18.520
<v Speaker 1>sort of like humble, like, you know, he tried his best,

0:19:19.640 --> 0:19:22.159
<v Speaker 1>but you know, maybe he didn't do such a good

0:19:22.240 --> 0:19:28.000
<v Speaker 1>job all the time. Yet more, I wouldn't want to

0:19:28.040 --> 0:19:31.720
<v Speaker 1>like flout, like to out anything or trump up in

0:19:31.800 --> 0:19:34.680
<v Speaker 1>a life, you know, like he was a simple dude

0:19:34.800 --> 0:19:38.359
<v Speaker 1>who tried to not be such a jerk. How's that?

0:19:38.560 --> 0:19:41.960
<v Speaker 1>That's a good one. What about mel Blanks? Yeah, that's

0:19:41.960 --> 0:19:45.439
<v Speaker 1>all folks, that's a good one. Man. Of one thousand voices,

0:19:45.520 --> 0:19:47.800
<v Speaker 1>that's very nice. Some of these are a little smallsey

0:19:47.880 --> 0:19:52.240
<v Speaker 1>and sweet. This one was good. Robert Klay Allison his tombstone.

0:19:52.280 --> 0:19:54.960
<v Speaker 1>He died in seven at the age of forty seven.

0:19:55.320 --> 0:19:58.080
<v Speaker 1>His epitaph says he never killed a man that did

0:19:58.119 --> 0:20:01.280
<v Speaker 1>not need killing. That's pretty good. That's a gun slinger

0:20:01.400 --> 0:20:03.879
<v Speaker 1>right there. Did you know that only like four or

0:20:03.880 --> 0:20:06.920
<v Speaker 1>five times in the history of the United States, where

0:20:07.160 --> 0:20:10.439
<v Speaker 1>was there an actual gunfight in the center of town. No,

0:20:10.560 --> 0:20:13.080
<v Speaker 1>it sounds like a good don't be dumb. Oh yeah,

0:20:13.840 --> 0:20:16.680
<v Speaker 1>make a mental note. I think it's verified like five

0:20:16.720 --> 0:20:19.679
<v Speaker 1>times or something. It's very much a movie thing. I

0:20:19.680 --> 0:20:22.480
<v Speaker 1>mean there were plenty of gun you know, people shooting

0:20:22.480 --> 0:20:25.920
<v Speaker 1>in gunfights, but but like the whole like, hi, yeah,

0:20:26.000 --> 0:20:27.600
<v Speaker 1>come out in the middle of town and draw your

0:20:27.600 --> 0:20:30.199
<v Speaker 1>guns at the tick of the clock or whatever. You know.

0:20:30.240 --> 0:20:34.280
<v Speaker 1>Whaticed was a surprisingly good movie Three o'clock High. Did

0:20:34.280 --> 0:20:37.280
<v Speaker 1>you ever see that Richard Tyson and Casey Samasco. Yeah.

0:20:37.320 --> 0:20:39.120
<v Speaker 1>I saw that when it came out and thought, man,

0:20:39.160 --> 0:20:41.240
<v Speaker 1>this is kind of a different movie. And then years

0:20:41.320 --> 0:20:45.520
<v Speaker 1>later it's sort of a cult favorite. Uh. That guy

0:20:45.600 --> 0:20:48.359
<v Speaker 1>what was his name in the movie The Bully but

0:20:48.480 --> 0:20:50.440
<v Speaker 1>his real name, No, his name in the movie, I

0:20:50.440 --> 0:20:53.040
<v Speaker 1>don't remember. It was like he had like a scary

0:20:53.080 --> 0:20:55.600
<v Speaker 1>first name or something, and he went on to a sale.

0:20:55.840 --> 0:20:58.680
<v Speaker 1>Arnold Schwartz and anger in Kindergarten Cop. I didn't see

0:20:58.760 --> 0:21:02.440
<v Speaker 1>Kindergarten Cop. Really, Yeah, you should see it? All right,

0:21:03.240 --> 0:21:04.800
<v Speaker 1>you want to do anymore? We should we just tell

0:21:04.840 --> 0:21:08.320
<v Speaker 1>everybody to go check these out. I think we should

0:21:08.359 --> 0:21:11.680
<v Speaker 1>just near let's see this one more raised four beautiful

0:21:11.720 --> 0:21:14.720
<v Speaker 1>daughters with only one bathroom, and still there was love.

0:21:15.760 --> 0:21:18.719
<v Speaker 1>That's nice, It is nice. He wants to be morbid,

0:21:18.800 --> 0:21:21.280
<v Speaker 1>you know, I don't know. I think there's something to

0:21:21.320 --> 0:21:23.600
<v Speaker 1>be said. You're just gonna be some morbids. Mine will

0:21:23.640 --> 0:21:28.920
<v Speaker 1>probably say boom, I'm coming to get you right and chuck.

0:21:28.960 --> 0:21:32.359
<v Speaker 1>One more thing about um epitaphs and gravestones before we

0:21:32.440 --> 0:21:35.239
<v Speaker 1>move on. UM. There was this thing. Remember why two

0:21:35.320 --> 0:21:38.119
<v Speaker 1>K y two K bug I wasn't sold on that

0:21:38.160 --> 0:21:40.760
<v Speaker 1>to begin with, Well, there are a lot of potential problems.

0:21:40.840 --> 0:21:44.439
<v Speaker 1>It wasn't just with computer programs. One of them was

0:21:44.680 --> 0:21:47.760
<v Speaker 1>the grave marker industry. A lot of people by their

0:21:47.800 --> 0:21:52.439
<v Speaker 1>headstones ahead of time, and they had nineteen and then

0:21:52.720 --> 0:21:56.560
<v Speaker 1>nothing after the date because they expected to die in

0:21:56.600 --> 0:21:59.280
<v Speaker 1>the twentieth century. Well, a lot of people had to

0:21:59.320 --> 0:22:02.320
<v Speaker 1>have this filled in and re etched because they lived

0:22:02.320 --> 0:22:05.399
<v Speaker 1>into the two thousand's. There was a big problem, and

0:22:05.440 --> 0:22:10.840
<v Speaker 1>apparently a lot of long standing UM gravestone makers around

0:22:10.840 --> 0:22:14.000
<v Speaker 1>the sixties or seventies started really trying to persuade their

0:22:14.040 --> 0:22:17.040
<v Speaker 1>customers did not etch that in. A lot of people

0:22:17.080 --> 0:22:19.720
<v Speaker 1>didn't listen, some people did, some people didn't. Why would

0:22:19.720 --> 0:22:22.120
<v Speaker 1>you get that done ahead of time? I understand picking

0:22:22.160 --> 0:22:24.120
<v Speaker 1>out your plot and you're what you wanted to say,

0:22:24.240 --> 0:22:27.720
<v Speaker 1>but the actual etching, like who cares? I guess these

0:22:27.760 --> 0:22:30.439
<v Speaker 1>people really didn't want their families that have to do

0:22:30.520 --> 0:22:33.520
<v Speaker 1>almost anything. I get that, like, just put nine nine

0:22:33.600 --> 0:22:38.480
<v Speaker 1>in there, like I'm alive, it's two thousand. I gotta

0:22:38.560 --> 0:22:41.560
<v Speaker 1>call that guy. Yeah exactly. I mean, what a what

0:22:41.680 --> 0:22:43.800
<v Speaker 1>a thing to have on your to do list. You

0:22:43.880 --> 0:22:47.480
<v Speaker 1>need to get my epithelf filled in and recarve, drink

0:22:47.480 --> 0:22:51.680
<v Speaker 1>ovaltee and get epithets carve um. All right, So we'll

0:22:51.720 --> 0:22:53.480
<v Speaker 1>move on here after this message break and talk a

0:22:53.480 --> 0:23:01.840
<v Speaker 1>little bit about military graves and government funded headstone Okay,

0:23:01.880 --> 0:23:05.120
<v Speaker 1>so government furnished headstones and this is from the Veterans

0:23:05.119 --> 0:23:08.240
<v Speaker 1>Affairs website. But I thought that's pretty interesting. They also

0:23:08.280 --> 0:23:14.520
<v Speaker 1>call them Obama stones. That was off the cup. That

0:23:14.640 --> 0:23:21.040
<v Speaker 1>was good originally. UM. I found it interesting that standard

0:23:21.080 --> 0:23:24.520
<v Speaker 1>grave markers were even before the national cemeteries were established

0:23:24.520 --> 0:23:27.240
<v Speaker 1>in eighteen sixty two, and they had, like you know,

0:23:27.280 --> 0:23:29.120
<v Speaker 1>prior to the Civil War, they had all these frontier

0:23:30.119 --> 0:23:34.439
<v Speaker 1>armies and they would just bury you in uh, don't

0:23:34.440 --> 0:23:37.800
<v Speaker 1>bury me on the open prairie. Basically they would bury

0:23:37.800 --> 0:23:39.840
<v Speaker 1>you if you died in battle, not a mass grave

0:23:40.000 --> 0:23:41.840
<v Speaker 1>as in they would dump everyone in there, but um

0:23:42.359 --> 0:23:45.840
<v Speaker 1>a mass grave site. Yeah. Initially, like they would just

0:23:45.840 --> 0:23:48.840
<v Speaker 1>bury everyone together, or and they wouldn't even market yeah,

0:23:48.960 --> 0:23:51.280
<v Speaker 1>or you were just buried in battle like where you

0:23:51.359 --> 0:23:53.719
<v Speaker 1>died if things were really tough, yeah, if yeah, if

0:23:53.720 --> 0:23:55.520
<v Speaker 1>you were lucky. I'm quite sure there are plenty of

0:23:55.600 --> 0:23:58.480
<v Speaker 1>soldiers who were not left on the frontier to basically

0:23:58.480 --> 0:24:02.840
<v Speaker 1>be picked off by vultures sky burial sky burials on

0:24:02.880 --> 0:24:06.959
<v Speaker 1>the on the American front here. Um, yeah, you're exactly right,

0:24:07.000 --> 0:24:09.600
<v Speaker 1>I'm sure. It wasn't until like the nineteenth century that

0:24:09.640 --> 0:24:12.719
<v Speaker 1>they started even marking these mask grades. It was like, oh,

0:24:12.760 --> 0:24:14.840
<v Speaker 1>a bunch of soldiers died here, let's take a pit,

0:24:15.080 --> 0:24:17.480
<v Speaker 1>fill it in and just forget about it. Then in

0:24:17.520 --> 0:24:20.760
<v Speaker 1>the mid nineteenth century, like the Crimean War, for example,

0:24:20.800 --> 0:24:23.840
<v Speaker 1>they would raise a monument saying, there's a bunch of

0:24:23.840 --> 0:24:27.359
<v Speaker 1>guys buried here who fell in this battle. And it

0:24:27.440 --> 0:24:29.880
<v Speaker 1>wasn't until World War One that they started to really

0:24:29.880 --> 0:24:34.680
<v Speaker 1>try to individually bury men who fell in battle. Yeah. Initially,

0:24:34.680 --> 0:24:36.600
<v Speaker 1>in the Civil War days, they would um used a

0:24:36.640 --> 0:24:40.800
<v Speaker 1>wooden board, UM, and it would have a registration number

0:24:40.880 --> 0:24:43.200
<v Speaker 1>and some sort of inscription. But they didn't keep any

0:24:43.240 --> 0:24:45.880
<v Speaker 1>kind of records of burials at that point. That came

0:24:45.880 --> 0:24:48.800
<v Speaker 1>along later as well. But once the Civil War happened

0:24:50.000 --> 0:24:53.560
<v Speaker 1>after the Battle of Manassas, they were like, a lot

0:24:53.600 --> 0:24:56.000
<v Speaker 1>of people are dying here. This is becoming a problem,

0:24:56.440 --> 0:24:59.120
<v Speaker 1>Like we need to find a way to respect these soldiers.

0:24:59.680 --> 0:25:03.720
<v Speaker 1>And oh, the Quartermaster General Um from the General's Orders

0:25:03.760 --> 0:25:08.480
<v Speaker 1>in September eighteen sixty one was directed to finally start

0:25:08.520 --> 0:25:13.879
<v Speaker 1>keeping records and provide headboards headboards in blank forms to

0:25:13.920 --> 0:25:17.080
<v Speaker 1>all of the commanders around the country so they could

0:25:17.080 --> 0:25:19.040
<v Speaker 1>just keep track of everything at least, right, And this

0:25:19.080 --> 0:25:21.840
<v Speaker 1>is the first time that anybody ever made a coordinated

0:25:21.920 --> 0:25:27.840
<v Speaker 1>effort to track burials ever. Apparently. Yeah, and after the

0:25:27.840 --> 0:25:30.200
<v Speaker 1>Civil War they made an effort for the first time

0:25:30.240 --> 0:25:35.320
<v Speaker 1>to relocate um people that were buried in battle and

0:25:35.359 --> 0:25:40.080
<v Speaker 1>have them relocated to an official grave. Yeah. After the

0:25:40.560 --> 0:25:42.840
<v Speaker 1>Civil War. Oh yeah, because they had a bunch of

0:25:43.320 --> 0:25:48.480
<v Speaker 1>Confederate dead that the Southern States reclaimed and moved down

0:25:48.960 --> 0:25:51.679
<v Speaker 1>south to bury so that they wouldn't have to be

0:25:51.720 --> 0:25:57.240
<v Speaker 1>buried in any Yankee earth. Yankee dirt. Uh. In eighteen

0:25:57.320 --> 0:26:01.760
<v Speaker 1>sixty five is when they started thinking, hey, these wooden

0:26:02.200 --> 0:26:05.200
<v Speaker 1>burial markers are not lasting very long. No, they were

0:26:05.200 --> 0:26:08.240
<v Speaker 1>expected to last about five years. They each cost at

0:26:08.240 --> 0:26:10.920
<v Speaker 1>the time a dollar twenty three, which is not cheap.

0:26:11.880 --> 0:26:14.840
<v Speaker 1>And so when you suddenly multiplied that by the three

0:26:14.920 --> 0:26:18.199
<v Speaker 1>hundred thousand expected dead from the Civil War that you

0:26:18.240 --> 0:26:22.560
<v Speaker 1>had to bury and then maintain their their headboards every

0:26:22.600 --> 0:26:25.159
<v Speaker 1>five years, they suddenly were like, this is gonna go

0:26:25.240 --> 0:26:28.680
<v Speaker 1>well into a million dollars over the next twenty years.

0:26:28.920 --> 0:26:30.440
<v Speaker 1>Maybe we should come up with something a little more

0:26:30.480 --> 0:26:35.239
<v Speaker 1>permanent than popsicle sticks. It was the economics of it,

0:26:35.320 --> 0:26:39.360
<v Speaker 1>and the public sentiments started growing to um to hey,

0:26:39.400 --> 0:26:42.960
<v Speaker 1>maybe we should memorialize these soldiers in a more permanent way. Yeah,

0:26:43.040 --> 0:26:45.119
<v Speaker 1>because a little wood thing that's rotting after a few

0:26:45.200 --> 0:26:48.359
<v Speaker 1>years is pretty kind of a disrespectful thing. And apparently

0:26:48.400 --> 0:26:52.399
<v Speaker 1>there was a huge and um vigorous debate over what

0:26:52.720 --> 0:26:55.159
<v Speaker 1>we should use as a headstone. Should we use like

0:26:55.520 --> 0:26:59.440
<v Speaker 1>something like marble, or should we use something like galvanized

0:26:59.480 --> 0:27:02.840
<v Speaker 1>iron coated in zinc, which I wasn't even familiar that

0:27:02.920 --> 0:27:05.080
<v Speaker 1>was the thing until today. Yeah, I've never heard of

0:27:05.119 --> 0:27:07.359
<v Speaker 1>it either. And I guess over the course of like

0:27:07.480 --> 0:27:10.840
<v Speaker 1>seven years there was a lot of debate and angry

0:27:10.880 --> 0:27:14.680
<v Speaker 1>words flying, and and um, I'm sure the marble industry

0:27:14.760 --> 0:27:17.159
<v Speaker 1>was like, yeah, yeah, Marble, and the galvanized iron industry

0:27:17.240 --> 0:27:19.760
<v Speaker 1>was like, you better get in there and get this passed.

0:27:20.160 --> 0:27:22.920
<v Speaker 1>And then finally the marvel people won. Yeah. And in

0:27:23.040 --> 0:27:27.160
<v Speaker 1>eighteen seventy three, Secretary of War William W. Bell nap

0:27:27.359 --> 0:27:29.679
<v Speaker 1>Um said, you know what we're gonna design. These stones

0:27:29.720 --> 0:27:32.440
<v Speaker 1>are gonna be in national cemeteries, are going to be permanent,

0:27:33.080 --> 0:27:34.840
<v Speaker 1>but they're only gonna be for the known dead at

0:27:34.840 --> 0:27:39.080
<v Speaker 1>this point. The unknown came about later as well. And

0:27:39.119 --> 0:27:42.720
<v Speaker 1>not only that this is just for Union soldiers. Yeah,

0:27:42.720 --> 0:27:45.159
<v Speaker 1>that we're not providing for the Confederate soldiers was a

0:27:45.160 --> 0:27:46.880
<v Speaker 1>bit of a slap in the base. I believe they

0:27:46.960 --> 0:27:49.480
<v Speaker 1>reversed that position later on, and they did. And then

0:27:49.560 --> 0:27:52.400
<v Speaker 1>anybody who'd ever fallen in battle in the United States

0:27:53.080 --> 0:27:56.720
<v Speaker 1>got a marker, and they made different markers for the

0:27:56.800 --> 0:28:00.240
<v Speaker 1>unknown dead. They were basically just blocks of stone, and

0:28:00.280 --> 0:28:04.800
<v Speaker 1>then it had the grave the burial plot carved into

0:28:04.840 --> 0:28:07.919
<v Speaker 1>the top of it. And then eventually they said we're

0:28:07.960 --> 0:28:11.800
<v Speaker 1>gonna make all of them the same everybody gets the

0:28:11.840 --> 0:28:14.639
<v Speaker 1>same marker. Yeah, and they made it retroactive to and

0:28:14.680 --> 0:28:18.960
<v Speaker 1>started started including past wars, Revolutionary War, War of eighteen twelve,

0:28:19.520 --> 0:28:23.600
<v Speaker 1>Mexican War, and Indian campaigns, and then eventually the Spanish

0:28:23.600 --> 0:28:26.080
<v Speaker 1>American War. So a lot of thought went into it.

0:28:26.119 --> 0:28:29.120
<v Speaker 1>I thought it was just kind of never really think

0:28:29.119 --> 0:28:30.920
<v Speaker 1>about that kind of thing. You just see like Arlington,

0:28:31.000 --> 0:28:33.359
<v Speaker 1>and you don't think about all the behind the scenes

0:28:33.400 --> 0:28:35.240
<v Speaker 1>work and decisions that need to be made on exactly

0:28:35.240 --> 0:28:36.960
<v Speaker 1>how to do that. Yeah. And they even did a

0:28:37.000 --> 0:28:39.760
<v Speaker 1>study in nineteen two to find out how the the

0:28:39.880 --> 0:28:45.960
<v Speaker 1>eighteen seventy nine markers were holding up, and they said,

0:28:46.480 --> 0:28:48.280
<v Speaker 1>we need to change these a little bit. So if

0:28:48.320 --> 0:28:55.160
<v Speaker 1>anyone ever asks you what the official military um headstone

0:28:55.280 --> 0:28:58.320
<v Speaker 1>in the US dimensions are, this would be the most

0:28:58.440 --> 0:29:01.360
<v Speaker 1>arcane piece of trivia anyone would asked. It's pretty arcane,

0:29:01.600 --> 0:29:04.200
<v Speaker 1>but you could probably impress some weird uncle or your

0:29:04.240 --> 0:29:07.400
<v Speaker 1>grandpa or something like that with this one. Uh. The

0:29:07.440 --> 0:29:11.000
<v Speaker 1>height of the stone is thirty nine inches tall, twelve

0:29:11.000 --> 0:29:16.120
<v Speaker 1>inches wide, and the thickness is four inches and apparently

0:29:16.280 --> 0:29:19.920
<v Speaker 1>the height extends twelve inches above the ground, so you

0:29:19.960 --> 0:29:23.239
<v Speaker 1>have twenty seven inches Bury below the ground. You've been

0:29:23.240 --> 0:29:26.680
<v Speaker 1>to Darlington, m hm, it's pretty neat. It is really something.

0:29:27.600 --> 0:29:30.440
<v Speaker 1>You go to Oakland Cemetery here in Atlanta, Yep, I've

0:29:30.480 --> 0:29:34.160
<v Speaker 1>been there too. Yeah, it's pretty nice. It is really something. Yeah.

0:29:34.240 --> 0:29:38.440
<v Speaker 1>And they Oakland even has and I've always felt I

0:29:38.440 --> 0:29:39.960
<v Speaker 1>don't think I have death hang ups, but they have

0:29:40.080 --> 0:29:43.880
<v Speaker 1>like concerts there and stuff like that. Yeah. And I

0:29:43.880 --> 0:29:46.280
<v Speaker 1>think they show movies there, yeah, I think so. Like

0:29:46.360 --> 0:29:50.720
<v Speaker 1>in the outside, um, there's some really neat mausoleums. There's

0:29:50.760 --> 0:29:55.360
<v Speaker 1>like a miniature, uh, statue of Liberty. There's some really ornate,

0:29:55.400 --> 0:30:00.280
<v Speaker 1>beautiful mausoleums. Bobby Jones, the famous golfer, is buried there,

0:30:00.400 --> 0:30:04.320
<v Speaker 1>and there's a putting green on his graves. I've never

0:30:04.320 --> 0:30:06.600
<v Speaker 1>seen that one. Yeah, if you if you, there's usually

0:30:06.600 --> 0:30:08.360
<v Speaker 1>golf balls there. I think if you bring your own

0:30:08.360 --> 0:30:11.360
<v Speaker 1>putter you can just sit there and put on his grave. Interesting. Yeah,

0:30:11.400 --> 0:30:15.720
<v Speaker 1>well I just recently saw Washington and Mrs Washington's grave

0:30:16.640 --> 0:30:20.040
<v Speaker 1>at Um up there in d C. Which was cool. Um,

0:30:20.080 --> 0:30:22.560
<v Speaker 1>but they were moved as well. That one's really kind

0:30:22.600 --> 0:30:24.600
<v Speaker 1>of when you go there to Mount Vernon, you know

0:30:24.640 --> 0:30:27.480
<v Speaker 1>you see them Bury. Oh yeah, we saw that recently too. Yeah,

0:30:27.520 --> 0:30:29.640
<v Speaker 1>you see, they were moved from their original one, but

0:30:29.680 --> 0:30:31.760
<v Speaker 1>the original tomb is still there and they made a

0:30:31.840 --> 0:30:35.200
<v Speaker 1>nicer one. And then there's the slave burial ground, which

0:30:35.240 --> 0:30:36.760
<v Speaker 1>is just a really kind of a sad place to

0:30:36.840 --> 0:30:39.680
<v Speaker 1>visit because it's not I mean, they've done something now,

0:30:40.280 --> 0:30:43.440
<v Speaker 1>but um, I don't know, it's just sort of a reminder, yeah,

0:30:43.600 --> 0:30:46.840
<v Speaker 1>of what went on, which, um, you know, speaking of

0:30:46.840 --> 0:30:49.600
<v Speaker 1>that Washington, it was like, you know, he's lauded for

0:30:49.640 --> 0:30:55.120
<v Speaker 1>freeing his slaves, but it was after he he freed

0:30:55.160 --> 0:30:57.680
<v Speaker 1>them after he died, and then in his will it

0:30:57.760 --> 0:31:02.040
<v Speaker 1>was after Martha Washington was to die. Um, then they

0:31:02.080 --> 0:31:06.080
<v Speaker 1>would be officially freed. And you know that's that's great. Whatever,

0:31:06.960 --> 0:31:11.000
<v Speaker 1>he still held slaves until he died. At least Martha

0:31:11.040 --> 0:31:16.000
<v Speaker 1>Washington did something remarkable though. Um. She gave the slaves

0:31:16.040 --> 0:31:18.480
<v Speaker 1>that she inherited from her husband their freedom within a

0:31:18.560 --> 0:31:21.240
<v Speaker 1>year of his death. She didn't wait until she died.

0:31:21.680 --> 0:31:24.120
<v Speaker 1>She was like, you guys, be free, and I mean

0:31:24.200 --> 0:31:28.400
<v Speaker 1>in Washington's favor for sure. He also provided a substantial

0:31:28.480 --> 0:31:31.040
<v Speaker 1>amounts of money for their for them to just start

0:31:31.040 --> 0:31:33.480
<v Speaker 1>a new free life. It wasn't just like your free

0:31:33.520 --> 0:31:36.520
<v Speaker 1>good luck. It was you guys are free, like, here's

0:31:36.760 --> 0:31:40.240
<v Speaker 1>here's a new life for you. Did you go recently? Yeah? Yeah,

0:31:40.240 --> 0:31:44.840
<v Speaker 1>pretty neat it is. It's like really well done. I

0:31:44.880 --> 0:31:47.800
<v Speaker 1>guess Living Museum. Yeah. I went last year with just

0:31:47.920 --> 0:31:50.200
<v Speaker 1>my sister and then went again. Actually, you and I

0:31:50.200 --> 0:31:52.240
<v Speaker 1>probably went within the last like a few weeks of

0:31:52.280 --> 0:31:54.520
<v Speaker 1>each other. It's funny, yeah, because I went with my

0:31:54.600 --> 0:31:58.480
<v Speaker 1>niece and Emily and um highly recommend going to melt Burnon.

0:31:58.520 --> 0:32:02.000
<v Speaker 1>It's and Monicello too. I still haven't been there. That's amazing.

0:32:02.280 --> 0:32:04.360
<v Speaker 1>Both of them are just really great spots to go

0:32:04.480 --> 0:32:06.480
<v Speaker 1>check out. It's pretty cool. I mean you can stand

0:32:06.480 --> 0:32:09.000
<v Speaker 1>there and look at the bed where he died. Yeah,

0:32:09.000 --> 0:32:11.560
<v Speaker 1>it's you're like five ft from it. Yeah. I try

0:32:11.640 --> 0:32:13.560
<v Speaker 1>to get in and lay down, and they did. I

0:32:13.640 --> 0:32:17.760
<v Speaker 1>got some. I got smacked on the wrist. Um. All right,

0:32:18.040 --> 0:32:20.640
<v Speaker 1>after this break, we're going to talk a little bit

0:32:20.680 --> 0:32:35.720
<v Speaker 1>about unmarked graves. Chuck. Yeah, I am interested in learning

0:32:35.760 --> 0:32:41.680
<v Speaker 1>the definition of an armarked grave, as per say someone

0:32:41.760 --> 0:32:45.840
<v Speaker 1>named Joe len uh, Well, it means it's a great

0:32:45.880 --> 0:32:49.239
<v Speaker 1>that's not march right. Pretty much, it's almost exactly what

0:32:49.280 --> 0:32:51.320
<v Speaker 1>you think it is. Is if somebody is buried in

0:32:51.360 --> 0:32:53.960
<v Speaker 1>a grave. And this is according from this article from

0:32:53.960 --> 0:32:58.240
<v Speaker 1>How Stuff Works. According to um Joelene Mason, who's the

0:32:58.280 --> 0:33:01.640
<v Speaker 1>general manager of Pierce Brothers Westwood Village Memorial Park, which

0:33:01.680 --> 0:33:03.880
<v Speaker 1>is where a lot of celebrities are buried in Los Angeles,

0:33:03.920 --> 0:33:05.880
<v Speaker 1>it's really one of the most useless quotes I've ever seen.

0:33:06.080 --> 0:33:09.800
<v Speaker 1>She says, quote, if there's no marker, headstone, or nameplate

0:33:09.960 --> 0:33:13.320
<v Speaker 1>and there's someone in the grave, it qualifies as unmarked.

0:33:14.160 --> 0:33:17.840
<v Speaker 1>She was probably like, yeah, she hung up, just shaking

0:33:17.840 --> 0:33:21.920
<v Speaker 1>her head. Uh, there are many reasons. There's a lot

0:33:21.920 --> 0:33:25.520
<v Speaker 1>of reasons why you might want your grave unmarked. Um man,

0:33:25.560 --> 0:33:28.560
<v Speaker 1>that was so caddy of us. Just then to make

0:33:28.560 --> 0:33:30.800
<v Speaker 1>fun of that lady, well, to make fun of the quote,

0:33:30.880 --> 0:33:36.640
<v Speaker 1>the whole thing. Yeah, that's sorry. Sorry everyone. I didn't

0:33:36.640 --> 0:33:41.360
<v Speaker 1>think it was that caddy. I was moved to say something, right, Um,

0:33:41.480 --> 0:33:43.680
<v Speaker 1>Like I said, there's a lot of reasons you might want,

0:33:44.120 --> 0:33:47.000
<v Speaker 1>uh or not want. There's all the reasons you might

0:33:47.080 --> 0:33:51.200
<v Speaker 1>have an unmarked grave. Historically, you might have an unmarked

0:33:51.240 --> 0:33:54.760
<v Speaker 1>grave if you are a really bad person. Um like Himmler.

0:33:55.720 --> 0:33:59.080
<v Speaker 1>Oh his grave isn't mark That makes sense, Yeah, pretty

0:33:59.080 --> 0:34:03.960
<v Speaker 1>bad persons, bad person, good example of a bad person. Hey, thanks,

0:34:04.960 --> 0:34:09.000
<v Speaker 1>you're welcome. Um executed criminals a lot of times have

0:34:09.120 --> 0:34:11.840
<v Speaker 1>unmarked graves a lot of times the show like you know,

0:34:11.920 --> 0:34:14.239
<v Speaker 1>contempt for what they did on Earth, but a lot

0:34:14.280 --> 0:34:16.800
<v Speaker 1>of times too. It's also so it doesn't draw people

0:34:16.840 --> 0:34:20.080
<v Speaker 1>there to you know, go do bad things to face

0:34:20.120 --> 0:34:23.000
<v Speaker 1>the grave in any way, um, family victims or whatever.

0:34:23.160 --> 0:34:26.600
<v Speaker 1>It's also if families. If you die of pauper, you

0:34:26.640 --> 0:34:28.759
<v Speaker 1>will be buried in what's called the potter's field. And

0:34:28.840 --> 0:34:32.799
<v Speaker 1>Oakland Cemetery has a potter's field. Yeah, like one next

0:34:32.840 --> 0:34:35.000
<v Speaker 1>to the theater to the drive in theater. Is there

0:34:35.000 --> 0:34:37.239
<v Speaker 1>a potter's field there? Oh yeah, I know that right

0:34:37.280 --> 0:34:40.560
<v Speaker 1>next to it. But basically it's just a plot of

0:34:40.640 --> 0:34:44.560
<v Speaker 1>unmarked graves and the state still does that. Yeah. The

0:34:44.560 --> 0:34:47.759
<v Speaker 1>one next to uh starlight drive in is um, like

0:34:47.800 --> 0:34:50.160
<v Speaker 1>a lot of bad stuff goes on over there. Apparently

0:34:50.160 --> 0:34:56.279
<v Speaker 1>it's like prostitution and drugs and yeah, um, what else

0:34:56.320 --> 0:34:59.000
<v Speaker 1>could you do? You could scatter the remains of a

0:34:59.040 --> 0:35:01.600
<v Speaker 1>bad person and not even have a grave at all.

0:35:01.719 --> 0:35:04.799
<v Speaker 1>And that's what some of the Nazi war criminals that

0:35:04.920 --> 0:35:07.920
<v Speaker 1>was their fate. Like I commend and Guring were just

0:35:07.960 --> 0:35:10.480
<v Speaker 1>scattered and like, so no one would know where they were.

0:35:10.600 --> 0:35:14.759
<v Speaker 1>You know, it wasn't around then, but today it would

0:35:14.760 --> 0:35:17.280
<v Speaker 1>seem like if you came up against the Nazis again,

0:35:17.800 --> 0:35:19.840
<v Speaker 1>the best way to dispose of their body would be

0:35:19.880 --> 0:35:23.399
<v Speaker 1>something we mentioned in our episode, what are different ways

0:35:23.480 --> 0:35:26.440
<v Speaker 1>to dispose of a body? And remember the auto licens

0:35:26.560 --> 0:35:30.239
<v Speaker 1>one where you turned into a biscus goo that can

0:35:30.280 --> 0:35:33.160
<v Speaker 1>be poured down the drain. That's what you should do

0:35:33.200 --> 0:35:35.560
<v Speaker 1>with Nazis these days. Put it in the toilet and

0:35:35.560 --> 0:35:41.960
<v Speaker 1>flush it. Yes, yes, heads up Nazis. Yeah, but in

0:35:42.040 --> 0:35:44.920
<v Speaker 1>some cities don't they treat waste water for eventual drinking

0:35:44.920 --> 0:35:50.680
<v Speaker 1>water That the process of auto licens renders it um sterile,

0:35:51.120 --> 0:35:53.080
<v Speaker 1>So you can just pour it down the drain. But

0:35:53.160 --> 0:35:56.040
<v Speaker 1>would you want to drink it? Tho? I can't imagine

0:35:56.080 --> 0:35:59.200
<v Speaker 1>the molecules that we drink, the things that we drink

0:35:59.480 --> 0:36:01.719
<v Speaker 1>what they used to be. Yeah, that's still make it

0:36:01.719 --> 0:36:04.000
<v Speaker 1>into our body on a molecular level. I'm sure it

0:36:04.000 --> 0:36:06.839
<v Speaker 1>would be revolting to know. As a matter of fact,

0:36:06.840 --> 0:36:08.680
<v Speaker 1>if anybody out there does know, if you work in

0:36:08.760 --> 0:36:13.000
<v Speaker 1>like wastewater treatment or something, share some stories. Yeah, that'd

0:36:13.000 --> 0:36:14.839
<v Speaker 1>be a good podcast. I don't know if I want

0:36:14.880 --> 0:36:17.200
<v Speaker 1>to know. Do you remember the story of that poor

0:36:17.239 --> 0:36:21.200
<v Speaker 1>girl in Los Angeles who um went missing? She was

0:36:21.640 --> 0:36:24.120
<v Speaker 1>on a trip there by herself for a few days

0:36:24.320 --> 0:36:26.799
<v Speaker 1>from Canada in the last couple of years. Oh, the

0:36:26.840 --> 0:36:28.960
<v Speaker 1>one in the tank. Yeah. They found her in the

0:36:29.800 --> 0:36:33.279
<v Speaker 1>drinking and the hotel water tank on the roof after

0:36:33.400 --> 0:36:35.400
<v Speaker 1>like I think a week or two. Yeah, because people

0:36:35.440 --> 0:36:38.640
<v Speaker 1>said the water tasted funny, yeah, and looked funny. Yeah.

0:36:38.680 --> 0:36:40.719
<v Speaker 1>She was the one that did the strange stuff with

0:36:40.760 --> 0:36:44.040
<v Speaker 1>the elevator, right, Yes, yeah, she was. She was mentally ill.

0:36:44.120 --> 0:36:46.239
<v Speaker 1>That was really sad. Wasn't mental illness or was she

0:36:46.320 --> 0:36:48.920
<v Speaker 1>on drugs? I don't believe she had a history of

0:36:48.920 --> 0:36:51.399
<v Speaker 1>mental illness. Did Yeah she did? Oh she did. Yeah.

0:36:51.600 --> 0:36:54.600
<v Speaker 1>It is sad. I mean it's sad either way. Yeah,

0:36:54.600 --> 0:36:56.400
<v Speaker 1>But at first it's like, oh my gosh, it's the

0:36:56.440 --> 0:36:59.319
<v Speaker 1>creepiest thing I've ever seen, because her behavior was so weird. Yeah.

0:36:59.360 --> 0:37:01.240
<v Speaker 1>If you look on line, there's a lot of sixteen

0:37:01.280 --> 0:37:03.920
<v Speaker 1>year olds, they're like stoof that she was possessed by

0:37:03.920 --> 0:37:08.759
<v Speaker 1>a demon, and they actually mean it, chuck, they mean it.

0:37:10.040 --> 0:37:13.960
<v Speaker 1>Come on, sixteen year olds, get tracked together all right,

0:37:14.000 --> 0:37:16.840
<v Speaker 1>And now to close, we're gonna go over some famous

0:37:16.920 --> 0:37:21.200
<v Speaker 1>people with unmarked graves, because sometimes if you're famous, your

0:37:21.239 --> 0:37:23.399
<v Speaker 1>family might want to unmark graves so your grave site

0:37:23.440 --> 0:37:28.319
<v Speaker 1>doesn't become a tourist stop. Um, that's one reason, I guess,

0:37:28.480 --> 0:37:31.880
<v Speaker 1>because you've ever been to like, No, I haven't, but

0:37:31.920 --> 0:37:34.239
<v Speaker 1>I've seen pictures. Yeah. I went, of course, because I

0:37:34.280 --> 0:37:36.960
<v Speaker 1>was just out of college, way into the doors, and

0:37:37.040 --> 0:37:41.279
<v Speaker 1>you didn't. No, I went and looked at it. You

0:37:41.320 --> 0:37:46.400
<v Speaker 1>don't like the doors anymore, there, do you it? Um?

0:37:46.440 --> 0:37:48.840
<v Speaker 1>It was a passing fancy, but I don't like dislike

0:37:48.880 --> 0:37:50.960
<v Speaker 1>the doors. But I was like really into him for

0:37:50.960 --> 0:37:54.200
<v Speaker 1>a while, and then I now I'm coming to Morrison

0:37:54.360 --> 0:37:56.520
<v Speaker 1>was not much of a poet. I bought his poetry

0:37:56.520 --> 0:37:59.719
<v Speaker 1>books back then, and I was all into the Lizard King.

0:38:00.960 --> 0:38:03.399
<v Speaker 1>I think it's something that happens when you're twenty. Yeah,

0:38:04.120 --> 0:38:07.319
<v Speaker 1>what's good music. I still like him. Um. I was

0:38:07.360 --> 0:38:09.160
<v Speaker 1>into Pink Floyd for a while too, but I don't

0:38:09.200 --> 0:38:11.160
<v Speaker 1>listen to them much anymore. They have a new album

0:38:11.200 --> 0:38:13.600
<v Speaker 1>coming out, from what I understand, Yeah, I did hear

0:38:13.640 --> 0:38:16.959
<v Speaker 1>that old material that they've is gonna be awesome. Yeah,

0:38:17.360 --> 0:38:19.640
<v Speaker 1>I still love Pink Floyd, but not like I did

0:38:19.680 --> 0:38:24.440
<v Speaker 1>when I was fourteen. Yeah, alright, Mozart, he's in an

0:38:24.520 --> 0:38:28.359
<v Speaker 1>unmarked to him. Um, because even though we see him

0:38:28.400 --> 0:38:32.920
<v Speaker 1>as a big shot, he at the time was not

0:38:33.080 --> 0:38:37.439
<v Speaker 1>in the upper Echelona society. No, you had to be

0:38:37.880 --> 0:38:41.520
<v Speaker 1>pretty high falutin in the eighteenth century in Vienna to

0:38:41.600 --> 0:38:44.000
<v Speaker 1>get a grave marker. Yeah, so he's buried. They now

0:38:44.080 --> 0:38:46.320
<v Speaker 1>have an In the eighteen fifties, they built a monument

0:38:46.360 --> 0:38:49.680
<v Speaker 1>over where they think he was buried. Um. And then

0:38:49.760 --> 0:38:52.600
<v Speaker 1>that was later moved to a space where they just

0:38:52.680 --> 0:38:55.759
<v Speaker 1>had honored various musicians that were buried there. And they

0:38:55.760 --> 0:38:59.920
<v Speaker 1>put up another monument near his original assumed or prison

0:39:00.160 --> 0:39:05.719
<v Speaker 1>grave site at Marks Cemetery St. Mark's m r x UM.

0:39:05.800 --> 0:39:09.880
<v Speaker 1>And it has an angel leaning up against the broken column, which,

0:39:10.040 --> 0:39:12.920
<v Speaker 1>as you remember, indicates someone who has cut down the

0:39:12.920 --> 0:39:15.319
<v Speaker 1>prime of life. And Mozart died at age thirty five

0:39:15.400 --> 0:39:20.440
<v Speaker 1>suddenly of rheumatic fever. The vapors he had the vapors,

0:39:20.440 --> 0:39:23.680
<v Speaker 1>So that that's what I call the Enna's nice ever

0:39:23.719 --> 0:39:29.040
<v Speaker 1>been there? Uh? No, lovely? Uh it is John Wayne.

0:39:29.200 --> 0:39:33.520
<v Speaker 1>He is buried in his family gives his reason for

0:39:33.600 --> 0:39:37.880
<v Speaker 1>his unmarked grave for just not wanting to be uh,

0:39:38.040 --> 0:39:41.840
<v Speaker 1>disrespectful to others that are also buried there, which I

0:39:41.880 --> 0:39:43.719
<v Speaker 1>think is a pretty nice thing. That's kind of a

0:39:44.000 --> 0:39:45.560
<v Speaker 1>I don't want to say a trend, but a lot

0:39:45.600 --> 0:39:49.800
<v Speaker 1>of celebrities families do that they they're buried in unmarked

0:39:49.840 --> 0:39:54.640
<v Speaker 1>graves either because they have the same thought that you have,

0:39:54.840 --> 0:39:57.719
<v Speaker 1>Like you want to be humble. You can't be much

0:39:57.719 --> 0:40:01.120
<v Speaker 1>more humble than being buried in an mark grave. Yeah,

0:40:01.120 --> 0:40:04.000
<v Speaker 1>I want to be marked at least, so like George C. Scott,

0:40:04.160 --> 0:40:08.200
<v Speaker 1>Frank Zappa, they're both buried in on Mark graves. Roy Orbison.

0:40:08.480 --> 0:40:12.640
<v Speaker 1>Roy Orbison is um because apparently his family never got

0:40:12.680 --> 0:40:15.839
<v Speaker 1>around to putting a headstone on his grave. They were

0:40:15.880 --> 0:40:18.160
<v Speaker 1>planning on moving him and never have, so he's been

0:40:18.239 --> 0:40:23.720
<v Speaker 1>laying in on Mark Graves since Yah Bessie Smith famous

0:40:23.719 --> 0:40:26.719
<v Speaker 1>blue singer. She was big in the vaudeville scene in

0:40:26.719 --> 0:40:30.920
<v Speaker 1>the nineteen twenties and like a lot of the siren

0:40:31.040 --> 0:40:35.280
<v Speaker 1>singers of the day, I had a problem with alcoholism

0:40:35.360 --> 0:40:38.359
<v Speaker 1>and died in a car crash in ninety seven. And

0:40:39.719 --> 0:40:42.880
<v Speaker 1>she didn't have a grave because her husband apparently the

0:40:42.920 --> 0:40:45.399
<v Speaker 1>rumors didn't want to pay for it, and years later

0:40:45.480 --> 0:40:49.719
<v Speaker 1>Janice Joplin was such a fan she had moved to

0:40:49.760 --> 0:40:53.080
<v Speaker 1>pay for and commission a headstone for her um and

0:40:53.120 --> 0:40:54.520
<v Speaker 1>I didn't see if it was ever done. It says

0:40:54.560 --> 0:40:57.000
<v Speaker 1>she died shortly thereafter, but I don't know if that

0:40:57.040 --> 0:41:00.600
<v Speaker 1>project was ever completed. It was okay, it went through

0:41:01.080 --> 0:41:03.880
<v Speaker 1>all right. Mike Tyson did that too. His mother was

0:41:04.960 --> 0:41:07.600
<v Speaker 1>died very poor and I think had an unmarked grave

0:41:07.719 --> 0:41:11.480
<v Speaker 1>or a very small marker. And after he hit it big,

0:41:11.719 --> 0:41:14.680
<v Speaker 1>one of the first things he did was get this huge, gaudy,

0:41:14.760 --> 0:41:21.640
<v Speaker 1>elaborate headstone erected for Belushi has been uh. They've had

0:41:21.680 --> 0:41:24.760
<v Speaker 1>some problems with fans of Belushi's partying at his grave,

0:41:25.320 --> 0:41:28.760
<v Speaker 1>so they moved him from his UH grave and Martha's

0:41:28.800 --> 0:41:31.480
<v Speaker 1>vineyard to a spot that only the family knows. But

0:41:31.520 --> 0:41:35.960
<v Speaker 1>they have two uh cinotaphs, which are empty tombs, one

0:41:36.000 --> 0:41:38.640
<v Speaker 1>at Martha's vineyard, one at his family plot in Chicago

0:41:39.040 --> 0:41:42.359
<v Speaker 1>where you can go visit, but apparently only like his

0:41:42.440 --> 0:41:46.600
<v Speaker 1>family knows where he's truly buried. Now. Um, and you know,

0:41:46.640 --> 0:41:48.440
<v Speaker 1>I hung out in the room where he died a

0:41:48.480 --> 0:41:51.400
<v Speaker 1>couple of times. Yeah, and the in the Belushi Cabana

0:41:51.480 --> 0:41:54.200
<v Speaker 1>at the Chateau Marmott. Oh yeah, I always think he was.

0:41:55.440 --> 0:42:00.240
<v Speaker 1>It was it was Chicago, but that was um Chris Farley,

0:42:00.560 --> 0:42:03.879
<v Speaker 1>who died in exactly the same manner that Belushi did,

0:42:03.960 --> 0:42:05.960
<v Speaker 1>just in Chicago. Yeah, it's a little weird. I mean

0:42:06.000 --> 0:42:08.239
<v Speaker 1>you're sitting there and you're you know, I was having

0:42:08.239 --> 0:42:10.439
<v Speaker 1>a good time and having a few drinks, and it's

0:42:10.440 --> 0:42:16.080
<v Speaker 1>like John Belushi died right here where I'm standing, and um, yeah,

0:42:16.200 --> 0:42:20.399
<v Speaker 1>bad way to go. What speedball? And then chuck out?

0:42:20.400 --> 0:42:23.840
<v Speaker 1>Got one more? Remember the movie Peter Pan, the Disney

0:42:23.840 --> 0:42:27.440
<v Speaker 1>movie The Cartoon. Yeah, a little boy who voices who

0:42:27.520 --> 0:42:31.360
<v Speaker 1>voiced Peter Pan. He is buried in an unmarked Popper's grave.

0:42:32.080 --> 0:42:34.400
<v Speaker 1>That is sad. Yeah, he was in. His name is

0:42:34.400 --> 0:42:37.239
<v Speaker 1>Bobby Driscoll. He was in not just Peter Pan, but

0:42:37.320 --> 0:42:42.080
<v Speaker 1>also um Treasure Island movie called The Window. And he

0:42:42.200 --> 0:42:45.640
<v Speaker 1>was a child star and after he hit puberty he

0:42:45.680 --> 0:42:50.080
<v Speaker 1>was apparently discarded by Hollywood and hit the skids and

0:42:50.080 --> 0:42:52.919
<v Speaker 1>he actually died. The guy who the kid who voiced

0:42:52.960 --> 0:42:56.000
<v Speaker 1>Peter Pan died at age thirty one in an abandoned

0:42:56.040 --> 0:42:59.680
<v Speaker 1>apartment in New York City. Um, not even of a

0:42:59.719 --> 0:43:03.160
<v Speaker 1>drug overdose, but of a whole bunch of drug overdoses

0:43:03.680 --> 0:43:08.600
<v Speaker 1>that finally led to catastrophic heart failure. Um and his

0:43:08.680 --> 0:43:11.040
<v Speaker 1>mother started looking for him a year after he died

0:43:11.120 --> 0:43:14.120
<v Speaker 1>and found that he died because I guess the police

0:43:14.120 --> 0:43:16.759
<v Speaker 1>printed him. He was just a John Doe until his

0:43:16.800 --> 0:43:19.560
<v Speaker 1>mother started looking for him. But he's still buried in

0:43:19.600 --> 0:43:22.319
<v Speaker 1>an omark grave from what I understand. Yeah, and it's

0:43:22.320 --> 0:43:24.279
<v Speaker 1>not just like, oh, he was famous, and it's so

0:43:24.320 --> 0:43:27.759
<v Speaker 1>sad he died that way because thousands of people die

0:43:27.960 --> 0:43:31.399
<v Speaker 1>every day in this country, homeless people that died with

0:43:31.480 --> 0:43:34.400
<v Speaker 1>no family and no one that cares about burying them. Well,

0:43:34.440 --> 0:43:37.280
<v Speaker 1>there's also a lot of people who have family, whose

0:43:37.360 --> 0:43:40.960
<v Speaker 1>family don't have enough money to do anything. And I

0:43:41.000 --> 0:43:43.560
<v Speaker 1>have no choice but to allow the state to handle

0:43:43.600 --> 0:43:47.720
<v Speaker 1>the funeral. And it is not an elaborate funeral. State

0:43:47.840 --> 0:43:51.960
<v Speaker 1>state run funerals are not elaborate, I'm sure. Unless it's

0:43:52.000 --> 0:43:58.560
<v Speaker 1>ahead of state, then there wizz bangs in salute. I

0:43:58.640 --> 0:44:01.360
<v Speaker 1>got nothing else, I don't either. Go to our website

0:44:02.120 --> 0:44:04.160
<v Speaker 1>Stuff you Should Know dot com and check out twenty

0:44:04.160 --> 0:44:09.120
<v Speaker 1>one remarkable epitaphs. It's pretty good, if I say so myself. Uh,

0:44:09.360 --> 0:44:13.040
<v Speaker 1>you can um read the let's see what is it?

0:44:13.160 --> 0:44:16.400
<v Speaker 1>Ten famous people buried in unmarked graves that articles on

0:44:16.440 --> 0:44:19.960
<v Speaker 1>how stuff works dot com? And since I said how

0:44:20.000 --> 0:44:25.040
<v Speaker 1>stuff works dot com, it's time for listener now. I'm

0:44:25.040 --> 0:44:30.000
<v Speaker 1>gonna call this branical illusion, okay. And this is something

0:44:30.040 --> 0:44:32.840
<v Speaker 1>that we hear about a lot, and UH as fans

0:44:32.840 --> 0:44:36.279
<v Speaker 1>of radio and podcasting myself. If you've never seen someone

0:44:36.320 --> 0:44:38.480
<v Speaker 1>that you've always heard, it's always jarring to see what

0:44:38.520 --> 0:44:40.920
<v Speaker 1>they look like. And some people still don't even want

0:44:40.960 --> 0:44:42.600
<v Speaker 1>to know what we look like, which you know, I get.

0:44:42.920 --> 0:44:47.239
<v Speaker 1>I don't blame you, man, I've seen Kiris Doll before. Yeah,

0:44:47.239 --> 0:44:49.480
<v Speaker 1>it's just fun to look at the NPR people like

0:44:49.560 --> 0:44:52.040
<v Speaker 1>Lois writes, as I expected to be three years old,

0:44:52.080 --> 0:44:55.440
<v Speaker 1>And Lois writes, this looks exactly like I would have

0:44:55.480 --> 0:44:58.719
<v Speaker 1>thought she did. She looked younger than I thought, Um,

0:44:58.760 --> 0:45:03.640
<v Speaker 1>but not much. All right, Hey, guys, uh, Josh, Chuck

0:45:03.640 --> 0:45:06.040
<v Speaker 1>and Jerry and again Jerry spelt correctly. People are really

0:45:06.080 --> 0:45:09.680
<v Speaker 1>getting with it. Man. I've been an avid listener uh

0:45:09.880 --> 0:45:13.319
<v Speaker 1>to your podcasts and the sister podcasts since two thousand nine.

0:45:13.719 --> 0:45:16.240
<v Speaker 1>Never thought I'd have anything interesting enough to write in about.

0:45:16.280 --> 0:45:19.320
<v Speaker 1>But it finally happened, and it was so perception altering,

0:45:19.680 --> 0:45:22.160
<v Speaker 1>so randomly odd. I thought you should know. All these

0:45:22.200 --> 0:45:25.080
<v Speaker 1>years I had an inner podcast movie playing of YouTube

0:45:25.080 --> 0:45:27.239
<v Speaker 1>bantering going through my head. All was good. I could

0:45:27.239 --> 0:45:30.880
<v Speaker 1>see Chuck laughing, I could see Josh studiously explaining things,

0:45:31.840 --> 0:45:36.000
<v Speaker 1>and I stayed in podcast land, never having ventured out

0:45:36.000 --> 0:45:38.120
<v Speaker 1>to see your shows or videos. Yet I would enjoyed

0:45:38.160 --> 0:45:40.239
<v Speaker 1>them in time as well. But what turned my world

0:45:40.320 --> 0:45:43.279
<v Speaker 1>upside down and seemed like a brainical illusion was that

0:45:43.360 --> 0:45:45.359
<v Speaker 1>I finally did see a video of the two of you,

0:45:45.480 --> 0:45:48.759
<v Speaker 1>and Josh's voice was coming out of Chuck's face, and

0:45:48.840 --> 0:45:52.480
<v Speaker 1>Chuck's voice had a beard on it. All this time

0:45:53.280 --> 0:45:55.200
<v Speaker 1>I had thought of each of you was the other person,

0:45:55.520 --> 0:45:57.440
<v Speaker 1>and this is after he had already seen pictures, so

0:45:57.480 --> 0:46:02.359
<v Speaker 1>that must be really weird. Um, seeing those voices coming

0:46:02.400 --> 0:46:04.520
<v Speaker 1>on different faces has done my head in. I think

0:46:04.560 --> 0:46:07.759
<v Speaker 1>the culprit is how your pictures are situated on the

0:46:07.800 --> 0:46:09.920
<v Speaker 1>podcast immans, with Chuck on the left and Josh on

0:46:10.000 --> 0:46:12.799
<v Speaker 1>the right. But since Westerners read from left to right

0:46:13.600 --> 0:46:17.200
<v Speaker 1>and the show always starts with Josh and Chuck and

0:46:17.239 --> 0:46:19.319
<v Speaker 1>then Chuck, that's the order of my brain. Put you

0:46:19.360 --> 0:46:21.560
<v Speaker 1>in I now have to fight with my inner podcast

0:46:21.680 --> 0:46:25.480
<v Speaker 1>movie to correct which face the voices are coming from,

0:46:25.520 --> 0:46:29.319
<v Speaker 1>and it causes constant bewilderment. Uh, you guys sent me

0:46:29.360 --> 0:46:32.160
<v Speaker 1>to my dreamland every night with your friendly voices. Thanks

0:46:32.200 --> 0:46:34.040
<v Speaker 1>a lot. Perhaps I would just follow the advice of

0:46:34.040 --> 0:46:36.600
<v Speaker 1>one of those funny T shirts, I reject your reality

0:46:36.640 --> 0:46:39.680
<v Speaker 1>and substitute my own, because no matter how hard I try,

0:46:39.719 --> 0:46:42.319
<v Speaker 1>I always see Josh with a beard and Chuck with

0:46:42.360 --> 0:46:45.120
<v Speaker 1>a buzz cut. You got it wrong, pal, and that

0:46:45.920 --> 0:46:48.359
<v Speaker 1>even though I did have a buzz cut recently. It's

0:46:48.400 --> 0:46:51.920
<v Speaker 1>from Avalon. Thanks a lot of Avalon. We appreciate you writing,

0:46:51.920 --> 0:46:54.200
<v Speaker 1>and we do hear that a lot. So for everybody

0:46:54.280 --> 0:46:57.960
<v Speaker 1>who that's ever happened to. Um, I'm sorry, I guess,

0:46:58.600 --> 0:47:00.520
<v Speaker 1>but not really, because there's something we could do about.

0:47:00.560 --> 0:47:02.759
<v Speaker 1>It's your brain. You look like what we look like.

0:47:02.960 --> 0:47:05.440
<v Speaker 1>If you want to share something from your brain with us,

0:47:05.480 --> 0:47:08.080
<v Speaker 1>you can tweet to us at s Y s K podcast.

0:47:08.239 --> 0:47:10.480
<v Speaker 1>You can join us on Facebook dot com slash Stuff

0:47:10.520 --> 0:47:12.600
<v Speaker 1>you Should Know. You can send us an email to

0:47:12.760 --> 0:47:16.320
<v Speaker 1>Stuff Podcasts at how stuff Works dot com, and as always,

0:47:16.400 --> 0:47:18.440
<v Speaker 1>check us out at our home on the web. Stuff

0:47:18.480 --> 0:47:25.680
<v Speaker 1>you Should Know dot com for more on this and

0:47:25.760 --> 0:47:28.319
<v Speaker 1>thousands of other topics. Is it How Stuff Works dot

0:47:28.320 --> 0:47:36.040
<v Speaker 1>com