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Speaker 1: Hey, Welcome to Weird House Cinema. Rewind. This is Rob Lamb,

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Speaker 1: and hey, we have a theme week here at Stuff

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Speaker 1: to Blow Your Mind. It's going to be Star Wars Week.

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Speaker 1: It is Star Wars Week, and so we are gonna

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Speaker 1: re air an older and much older episode. This one

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Speaker 1: originally published five seven, twenty twenty one. It is rather

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Speaker 1: famous as being a Star Wars ripoff again, very much

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Speaker 1: a knockoff or I don't know, however you want to

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Speaker 1: phrase it, a knockoff at least of the nineteen seventy

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Speaker 1: seven classic. This is nineteen seventy nine's The Humanoid, an

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Speaker 1: Italian space opera that is itself a whole lot of fun.

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Speaker 1: So let's fire it up and see what it has

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Speaker 1: to offer.

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Speaker 2: Welcome to Stuff to Blow your Mind, a production of iHeartRadio.

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Speaker 1: Hey, welcome to Weird House Cinema.

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Speaker 3: This is Rob Lamb and this is Joe McCormick, and

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Speaker 3: it's Star Wars clone week here on Weird House Cinema.

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Speaker 3: We just did a week of regular episodes concerning Star

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Speaker 3: Wars on Tuesday and Thursday, and so we figured we

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Speaker 3: would look into yet another ripoff of the George Lucas

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Speaker 3: classic Star Wars. This will actually not even be the

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Speaker 3: first Star Wars clone we're doing on weird house cinema

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Speaker 3: because a few months back we watched Message from Space,

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Speaker 3: which I absolutely adored. It was, you know, like many

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Speaker 3: movies of the late seventies, a blatant ripoff of Star Wars,

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Speaker 3: but it brought a lot of its own weirdness and texture.

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Speaker 3: I remember, it had some really beautiful, highly colorful costumes

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Speaker 3: and great sets and stuff. Today we're looking at a dirtier, dustier,

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Speaker 3: more drab attempt to rip off Star Wars of a

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Speaker 3: more Italian persuasion. But this one's got a lot of

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Speaker 3: pleasures of its own.

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Speaker 1: Yeah. Now, but before we get into it, I do

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Speaker 1: want to speak just a little bit more about the

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Speaker 1: idea of the Star Wars ripoff, because there's kind of this,

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Speaker 1: I mean, it's almost kind of like a wave effect

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Speaker 1: through cinema after Star Wars comes out, because the nineteen

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Speaker 1: seventy seven original film that is often known today as

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Speaker 1: Star Wars a New Hope. You know, it really set

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Speaker 1: the world on fire. It was, it created this global phenomenon.

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Speaker 1: But then it also it opened the door for various

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Speaker 1: filmmakers to come in and in some cases, you know,

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Speaker 1: just blatantly try and get in on the cash grab

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Speaker 1: to get some of that Star Wars energy and some

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Speaker 1: of that Star Wars money. Other times it just allowed

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Speaker 1: projects that would not have come to light to actually

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Speaker 1: take form, you know, like because the people with the

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Speaker 1: money realized, Hey, look at this. People are lining up

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Speaker 1: to see stuff that's fantastic, stuff that's got space in it. Hey,

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Speaker 1: what do we have lined up that has space in it?

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Speaker 1: And so I think sometimes you see this with other

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Speaker 1: hits as well, Like you'll see projects that then maybe

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Speaker 1: at some point in their development they weren't as Star

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Speaker 1: Wars y, but maybe they got Star Wars up. Or

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Speaker 1: you'll see a Star Wars the project that you know

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Speaker 1: has a lot of knockoff elements in it, but then

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Speaker 1: also some original ideas or maybe ideas at least inspired

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Speaker 1: by other properties in there. So they're often really fun

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Speaker 1: to look at because you never know exactly what you're

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Speaker 1: gonna find once you really immerse yourself in it, once

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Speaker 1: you sort of wage your way through the initial like

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Speaker 1: seaweed of just of just you know, utter Star warseness,

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Speaker 1: and get out into the perhaps the more original aspects

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Speaker 1: of the picture.

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Speaker 3: Yeah, there are a few different things you can look

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Speaker 3: at here. I mean, one is, as you say, I

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Speaker 3: think Star Wars helped sort of push the door wide

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Speaker 3: or open for big budget mainstream science fiction and fantasy.

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Speaker 3: You know, the idea is, Okay, plenty of people in

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Speaker 3: the public are hungry for this sort of thing. People

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Speaker 3: went and saw Star Wars twenty times in the theater. You know,

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Speaker 3: we can make big budgets sci fi and fantasy movies

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Speaker 3: and they can be a huge hit. The other thing is,

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Speaker 3: as you say, movies that are not really Star wars

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Speaker 3: y in any sense, except you get the feeling somebody

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Speaker 3: was like, hey, what if we Star Wars up this

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Speaker 3: thing just a little bit. So one example of that,

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Speaker 3: I think of that. Well, we'll have several connections to

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Speaker 3: today's movie is the James Bond film Moonraker from nineteen

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Speaker 3: seventy nine, starring Roger Moore, the driest and goobriest of

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Speaker 3: James Bond's and starring several cast members of the movie

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Speaker 3: we're looking at today, which is in many respects just

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Speaker 3: a bad James Bond movie. Like it's very goofy. It's

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Speaker 3: the James Bond movie where a Pigeon does a double take,

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Speaker 3: but also it has a space battle in the end

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Speaker 3: of it there, and you just really get the feeling

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Speaker 3: that somebody was like, hey, could we you know, could

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Speaker 3: we like Han solo this up just a bit. So

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Speaker 3: you've got Michael Lonsdale playing the villain Hugo Drax and

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Speaker 3: Moonraker and his soldiers go out on a spacewalk where

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Speaker 3: they're shooting lasers at these I think, I don't know

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Speaker 3: US or British soldiers who were space soldiers shooting lasers.

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Speaker 3: I mean, obviously no forces of the kind existed at

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Speaker 3: this time, but I think they just wanted to get

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Speaker 3: in on some of that Lucas magic and this is

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Speaker 3: what we ended up with.

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Speaker 1: Moonraker is a Bond film that there was a time

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Speaker 1: in my life where I thought I would have said

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Speaker 1: it was the worst Bond film. I'm now at the

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Speaker 1: point in my life where I can, without a shadow

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Speaker 1: of a doubt say it is the best Bond film

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Speaker 1: and it will never be surpassed.

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Speaker 3: It is one of the most rewatchable of Bond films

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Speaker 3: because it is absolutely ludicrous and tonally all over the

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Speaker 3: place in a way that most James Bond movies, aren't.

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Speaker 3: I mean the earlier James Bond movies. You know, they

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Speaker 3: had a more kind of realistic, sardonic, cynical edge, a

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Speaker 3: kind of mean sense of humor and all that. Moonraker.

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Speaker 3: It's like, got this ridiculous, hilarious subplot where Jaws, the

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Speaker 3: assassin who kills people by biting their necks, falls in

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Speaker 3: love with a woman with braces. But then on the

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Speaker 3: other hand, it's got like really dark stuff in it,

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Speaker 3: like the villain kills people by sicking dogs on them.

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Speaker 1: Is brutal. Yeah, yeah, yeah, brutal dog scenes. Michael Lonsdale,

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Speaker 1: who I love in that and and everything he would

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Speaker 1: he would fit into this movie that we're going to

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Speaker 1: discuss today, because Michael Lonsdale has that wonderful, like low

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Speaker 1: energy performance style like he's in He's been in many

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Speaker 1: films over the years, but he was in the original

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Speaker 1: film adaptation of the Name of the Rose playing the abbot,

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Speaker 1: and he's great in that. But he's so low energy.

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Speaker 1: There are times where I can't quite understand what he's

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Speaker 1: even saying. He's practically mumbling. But what a visual learned

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Speaker 1: of his on accord, I don't know what you said,

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Speaker 1: Michael Lonsdale. But but but I love it. I still

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Speaker 1: love your your energy.

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Speaker 3: I think you will find mister Bond that is it's sort.

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Speaker 1: Yeah, and it's like what I can't I can't hear

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Speaker 1: your your villainous monologue because it's just so you're you're

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Speaker 1: hitting such a low energy level there. Yeah.

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Speaker 3: Oh, But to come back to what you were saying earlier,

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Speaker 3: speaking of low energy, we should get to this Star

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Speaker 3: Wars ripoff that we're looking at today, because, of course,

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Speaker 3: the other class of films is just movies that blatantly

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Speaker 3: rip off Star Wars. They're not like taking a pre

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Speaker 3: existing movie concept and trying to Star Wars it up

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Speaker 3: a bit. They're instead taking elements from Star Wars and saying, Okay,

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Speaker 3: if we were to directly rip off the Darth Vader suit,

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Speaker 3: how could we write a movie around a character who

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Speaker 3: wears that suit?

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Speaker 1: Yeah, yeah, exactly. That's the caliber of film we're dealing

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Speaker 1: with today. It is nineteen seventy nine's the Humanoid. The Humanoid, Yes,

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Speaker 1: the basic elevator pitch here is in an attempt to

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Speaker 1: overthrow the planet Metropolis, which is our planet, but in

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Speaker 1: the future, our evil warlord Gral turns to a doctor

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Speaker 1: with a recipe for the perfect super soldier, which you're

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Speaker 1: probably saying that didn't sound like Star Wars at all. Well,

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Speaker 1: the basic plot, yeah, is not very Star Wars. And

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Speaker 1: we'll get into what that means here in a debt.

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Speaker 3: Let's set some of that trailer audio, then the.

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Speaker 4: Shut down.

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Speaker 1: All right, Now, I'm not sure how much we really

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Speaker 1: got out of that trailer audio because I think given

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Speaker 1: our choices, that was either mostly all music or that

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Speaker 1: was in Italian. We'll see what what we were able

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Speaker 1: to pull together.

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Speaker 3: I think I found a trailer that had some English narration,

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Speaker 3: but maybe it's not original. I don't know.

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Speaker 5: We'll work that out in post. It'll you you've already

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Speaker 5: heard it. Whatever it is, it's one. This is one

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Speaker 5: of those films where it's I was having trouble finding

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Speaker 5: the trailer, but what I would find on YouTube is

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Speaker 5: just uploads of the entire film, uploads that have been

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Speaker 5: on YouTube for you know, half a decade or so,

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Speaker 5: or you know, approaching ten years.

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Speaker 1: In some cases, they do not have.

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Speaker 3: Their lawyers on the case of the humanoid.

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Speaker 1: Yeah.

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Speaker 3: Now, as we get into the connections on this movie,

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Speaker 3: there's something that you should know from the get go,

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Speaker 3: which is that this movie has extensive Roger Moore era

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Speaker 3: Bond overlap. It has no less than three major cast

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Speaker 3: members who were in back to back Roger Moore James

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Speaker 3: Bond movies.

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Speaker 1: Yeah. Yeah, so it's kind of a fun exercise and

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Speaker 1: looking at the like the Moonreaker casting especially.

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Speaker 3: Okay, so who directed this thing?

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Speaker 1: All right? So this was directed by Aldo Lado. Credited

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Speaker 1: I believe is George b. Lewis, which sometimes argued that

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Speaker 1: that was because it kind of sounds like George Lucas.

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Speaker 1: I don't know.

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Speaker 3: But anyway, like they were trying to do the trans

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Speaker 3: Morpher's thing. What is that called these asylum studios?

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Speaker 1: Yeah, yeah, maybe, but anyway, Aldo Aladdo was born in

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Speaker 1: nineteen thirty four. I will say this is we look

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Speaker 1: at a lot of films, and certainly some older films too,

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Speaker 1: where like everybody's dead or most of the people were dead.

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Speaker 1: I was kind of surprised at how many folks are

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Speaker 1: still kicking from this one. I don't know if they were,

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Speaker 1: you know, getting some of that Iron Maiden Fountain of

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Speaker 1: Youth's sci fi juice from the plot of this film,

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Speaker 1: but a lot of folks that are hanging in there

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Speaker 1: that were involved in this anyway. Laddo was an Italian

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Speaker 1: writer and director, perhaps best known, at least in some circles,

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Speaker 1: for writing and directing short Night of Glass Dolls from

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Speaker 1: nineteen seventy one horror movie that also featured Barbara Bach

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Speaker 1: who will get to in a bed? Who is in this?

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Speaker 1: And he also did an assortment of thrillers for TV

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Speaker 1: and cinema.

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Speaker 3: I'm not really super familiar with this guy, but there's

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Speaker 3: a guy we're coming up on that fans of Weird

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Speaker 3: House Cinema will recognize.

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Speaker 1: Yeah, So apparently Zog Castellari did some uncredited directing on

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Speaker 1: this Now. He was born in nineteen thirty eight, still

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Speaker 1: alive as of this recording, and he apparently did the

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Speaker 1: opening assault sequence in this film. We've mentioned him on

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Speaker 1: the show before because he directed nineteen eighty three's Warriors

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Speaker 1: of the Wasteland, eighty two's nineteen ninety The Bronx Warriors,

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Speaker 1: and nineteen eighty threes Escaped from the Bronx, all wonderful

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Speaker 1: Italian post apocalyptic films. He also did nineteen eighty one's

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Speaker 1: The Last Shark starring.

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Speaker 3: Vic Morrow, who was in Message from Space.

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Speaker 1: Yeah, The Last Shark is a Jaws rip off essentially

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Speaker 1: in which Vic Morrow plays well, what's the character from

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Speaker 1: Jaws the Old Twins Old Quinn. Yeah, he'd be essentially

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Speaker 1: plays Quinn and then he Castellaria also directed The Inglorious

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Speaker 1: Bastards from nineteen seventy eight.

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Speaker 3: So Castelari has been mentioned on this show before because

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Speaker 3: we talked about him in the episode Hands of Steel,

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Speaker 3: where I think there was an extensive overlap with his

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Speaker 3: work there. I don't know, did he actually work on

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Speaker 3: Hands of Steel or did it just have a lot

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Speaker 3: of his regular actors.

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Speaker 1: And I think it was just the connection to Georgia

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Speaker 1: Eastman and also the connection to the music of Goblin

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Speaker 1: and Okay, yeah, I think I think that was the

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Speaker 1: main thing. I don't know that we've actually covered an NZG.

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Speaker 1: Costellari picture on Weird House, or at least not yet,

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Speaker 1: but hopefully.

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Speaker 3: We'll get to one Ultimo Squalo all right.

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Speaker 1: There are various writers involved on this one, but I'm

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Speaker 1: just going to mention in passing that Adriano Balzani was

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Speaker 1: on here, who lived nineteen nineteen through two thousand and five.

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Speaker 1: He was also one of the writers on nineteen sixty

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Speaker 1: Four's a fistful of dollars spaghetti western classic.

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Speaker 3: Now there's a term I'd never come across before, but

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Speaker 3: it makes sense because I think there were a number

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Speaker 3: of Italian Star Wars clones in the late seventies, and

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Speaker 3: that term was It was actually on a website that

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Speaker 3: we were both looking at. The term is spaghet star wars.

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Speaker 1: Ha I missed that. I was looking at that website,

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Speaker 1: but I missed that term. I think that would be

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Speaker 1: be accurate spaghetti star Wars. I like it.

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Speaker 3: Now, getting into the actual cast, we should introduce the

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Speaker 3: real star of this film. You want somebody with just

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Speaker 3: like unbeatable charisma, a screen presence that sucks you in

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Speaker 3: and you're hanging on their every word. And so who'd

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Speaker 3: they get? They got Richard Keel, who played Jaws in

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Speaker 3: the James Bond movies.

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Speaker 1: Yeah, and this isn't just a case where we're we're

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Speaker 1: most familiar with him and so we're saying he's the star. No,

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Speaker 1: they said he's the star. He had top billing, like

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Speaker 1: he's the star of this picture.

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Speaker 3: I mean he'd gotten top billing in something before. I

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Speaker 3: think he got top billion ega.

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Speaker 1: Well, yeah, yeah, and that was years or earlier. That

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Speaker 1: was nineteen sixty two. So yeah, Richard Keel who lived

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Speaker 1: nineteen thirty nine through twenty fourteen. So he's he's a

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Speaker 1: giant of a man. He had the medical condition acromegaly

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Speaker 1: and thus attained a height of seven to two in

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Speaker 1: his life, which in show business that's like being nine

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Speaker 1: feet tall, you know. I mean, you see people who

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Speaker 1: are like six' eight and if you don't put their

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Speaker 1: coworkers on apple, boxes then they're you, know they come

264
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Speaker 1: off like. Giants But keel was an extremely tall, man

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Speaker 1: and he also had a very signature. Look you know

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Speaker 1: that in part due to his condition that certainly played

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Speaker 1: well with monster. Makeup THOUGH i think it's also fair

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Speaker 1: to say that he was still a very handsome guy

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Speaker 1: by most. Standards.

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Speaker 3: YEAH i, say he especially looks good with the, beard

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Speaker 3: which they give him in part of this film but

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Speaker 3: not the whole. Thing and the beard is like an

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Speaker 3: aw off switch that indicates in this movie whether he's

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Speaker 3: in regular human mode or in humanoid.

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Speaker 1: Mode, yeah so he gets to play both in this

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Speaker 1: which is kind of fun because a lot of times

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Speaker 1: he was playing monsters and, heavies you, know and in

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Speaker 1: this he does get to play the snarling, monster but

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Speaker 1: he also plays this, likable, big kind of goofy bearded,

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Speaker 1: guy you. Know And I'm i'm not saying that that

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Speaker 1: that's Where keel's acting strength, was but but he's still

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Speaker 1: it's kind of neat to watch.

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Speaker 3: Him oh He's, Yeah i'd never seen him playing just

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Speaker 3: like a regular guy. Before but in the parts of

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Speaker 3: this movie where he's just you, know he's just some space,

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Speaker 3: trucker he's just a regular dude out there in a.

287
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Speaker 3: Spaceship he's quite. Likable actually he's. Not, again AS i was,

288
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Speaker 3: JOKING i, mean he's not somebody who has natural like screen,

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Speaker 3: charisma but he's he comes off his suite. Likable you,

290
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Speaker 3: know you would be friends with this.

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Speaker 1: Dude, Yeah and we do have to against distress his

292
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Speaker 1: importance in The bond movie, series because he Played jaws

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Speaker 1: in two, films not Only moonraker but Also The Spy

294
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Speaker 1: Who Loved me from nineteen seventy. Seven so they brought him,

295
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Speaker 1: back you. Know you see that of course With bond

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Speaker 1: himself and some Of bond's auxiliary, characters and you, know

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Speaker 1: occasionally with a main villain like A blowfield comes back

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Speaker 1: over in.

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Speaker 3: A low Field.

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Speaker 1: Blowfield the bald. Guy it's been a long Since i've

301
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Speaker 1: watched the guy, cat the guy who is Sometimes donald

302
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Speaker 1: pleasant but also many times sadly Not donald.

303
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Speaker 3: Pleasant sometimes He's Charles.

304
00:16:07,200 --> 00:16:12,240
Speaker 1: Gray oh, okay, well when he Was Charles Charles gray

305
00:16:12,320 --> 00:16:14,960
Speaker 1: was pretty. GOOD i, MEAN i tend to have good

306
00:16:14,960 --> 00:16:17,920
Speaker 1: actors play, him but Still pleasance was the was the.

307
00:16:17,960 --> 00:16:20,960
Speaker 3: Best the weird thing, IS i feel like how MUCH

308
00:16:21,000 --> 00:16:24,680
Speaker 3: i enjoy the actor Playing blofeld is directly correlated to

309
00:16:24,840 --> 00:16:28,720
Speaker 3: how silly the actor Playing blofeld. Is SO i really

310
00:16:28,760 --> 00:16:31,480
Speaker 3: like the silly. ONES i Like Donald, PLEASANCE i Like Charles.

311
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Speaker 3: GRAY i THINK i Like Telly savalis When.

312
00:16:35,920 --> 00:16:38,400
Speaker 1: Telly was a different type of a, villain BUT i liked.

313
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Speaker 1: Him who put plays in in the newer.

314
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Speaker 3: Ones oh, well they Got Christoph waltz to Play, inspector

315
00:16:42,720 --> 00:16:45,360
Speaker 3: which would have been great casting if the role had been. Written,

316
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Speaker 3: well but that movie was just a snoozefest a. SPECTER

317
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Speaker 3: i don't know if you saw.

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Speaker 1: IT i have never seen.

319
00:16:51,120 --> 00:16:54,400
Speaker 3: It, NO i found it incredibly, boring not very good at.

320
00:16:54,400 --> 00:16:57,840
Speaker 3: All but but But Christoph wold's great casting choice if

321
00:16:57,880 --> 00:16:59,080
Speaker 3: you give him something interesting to.

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Speaker 1: DO i haven't seen a New bond film Since Casino.

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Speaker 1: Royale OH i like that. ONE yea Like mad's was

324
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Speaker 1: great in.

325
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Speaker 5: That.

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Speaker 3: Yeah my advice is stick with the odd. Numbers Skip

327
00:17:10,040 --> 00:17:13,080
Speaker 3: quantum Of, solace c Sky. Fall that one's. Good Skip.

328
00:17:13,119 --> 00:17:16,439
Speaker 1: Specter, okay good to. Know of, course all of these,

329
00:17:16,520 --> 00:17:18,840
Speaker 1: MOVIES i THINK i can just safely say they needed More.

330
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Speaker 1: Jaws but at any, rate you, Know jaws hat hasn't

331
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Speaker 1: been around in A bond film for a. WHILE i

332
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Speaker 1: don't think they've quite decided to bring him, back though

333
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Speaker 1: they've kind of echoed that sort of second in command

334
00:17:31,680 --> 00:17:33,479
Speaker 1: HEAVY i think in some of the more recent ones as.

335
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Speaker 3: Well who would be the New?

336
00:17:35,119 --> 00:17:38,199
Speaker 1: JAWS i mean it's hard to. DO i, mean what

337
00:17:38,240 --> 00:17:40,879
Speaker 1: do you. Get certainly there are other big guys you

338
00:17:40,880 --> 00:17:44,359
Speaker 1: could you could hire to be a new version Of,

339
00:17:44,480 --> 00:17:48,000
Speaker 1: jaws BUT i don't. Know the thing Is keel had that.

340
00:17:48,080 --> 00:17:50,040
Speaker 1: MAGIC i, mean you could you could get you, know

341
00:17:50,160 --> 00:17:53,040
Speaker 1: various super big wrestlers to step in and play the,

342
00:17:53,119 --> 00:17:55,920
Speaker 1: role BUT i don't. Know keel was, likable AND i

343
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Speaker 1: think that's one of the things that shines through In,

344
00:17:57,720 --> 00:18:01,040
Speaker 1: Moonraker like they clearly, realized let's bring this guy back

345
00:18:01,080 --> 00:18:03,960
Speaker 1: and people like. Him and he looks you, know he's

346
00:18:04,000 --> 00:18:06,000
Speaker 1: kind of a gentle he has this gentle giant. Vibe

347
00:18:06,040 --> 00:18:07,800
Speaker 1: let's lean into. That let's have him fall in love

348
00:18:07,800 --> 00:18:09,359
Speaker 1: with a girl in braces on a. Spaceship.

349
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Speaker 3: OH i, mean it's a classic evolution of a villain

350
00:18:12,000 --> 00:18:14,760
Speaker 3: character across a multiple film arc because when he comes

351
00:18:14,800 --> 00:18:18,280
Speaker 3: in In Spy Who Loved, me he's actually rather. MENACING i,

352
00:18:18,280 --> 00:18:20,600
Speaker 3: mean he murders people in a way that is kind of.

353
00:18:20,600 --> 00:18:23,920
Speaker 3: Creepy they're not playing him for laughs. Yet but as

354
00:18:23,960 --> 00:18:26,760
Speaker 3: with the arc of Say Freddy, krueger he becomes more

355
00:18:26,800 --> 00:18:29,159
Speaker 3: a source of comedy as the as the films go.

356
00:18:29,280 --> 00:18:31,640
Speaker 1: On, yeah why didn't he get a spin? Off that's

357
00:18:31,760 --> 00:18:32,560
Speaker 1: that's the thing that gets.

358
00:18:32,640 --> 00:18:36,920
Speaker 3: Me oh my, God Agent. Jaws he, goes he goes

359
00:18:36,960 --> 00:18:39,320
Speaker 3: to work FOR i. Six he becomes like double oh

360
00:18:39,400 --> 00:18:42,040
Speaker 3: two or, whatever and, yeah they send him on missions

361
00:18:42,040 --> 00:18:44,080
Speaker 3: where he always ends up biting the bad guy's.

362
00:18:44,160 --> 00:18:46,840
Speaker 1: Neck, yeah maybe he could be double oh fourteen since

363
00:18:46,840 --> 00:18:49,480
Speaker 1: he's twice his. TILE i don't, know very. Good so,

364
00:18:49,800 --> 00:18:52,000
Speaker 1: Anyway kiel was in a many other things as, well

365
00:18:52,040 --> 00:18:55,199
Speaker 1: we already Mentioned IgA from sixty. Two he was the

366
00:18:55,280 --> 00:18:58,600
Speaker 1: ALIEN i believe what Is cannimate from the Classic Twilight

367
00:18:58,680 --> 00:19:01,560
Speaker 1: zone episode To, serve WHICH i know is one of your, Favorites.

368
00:19:01,640 --> 00:19:04,040
Speaker 1: Joe oh. Yeah but he also did a ton OF tv,

369
00:19:04,160 --> 00:19:06,040
Speaker 1: work like he was just popping up on, everything like

370
00:19:06,040 --> 00:19:09,359
Speaker 1: he'll pop up On Gilligan's. Island so anytime you needed

371
00:19:09,840 --> 00:19:12,479
Speaker 1: a giant or a likable big, guy there's a chance

372
00:19:12,720 --> 00:19:14,840
Speaker 1: That Richard keel would wander into the.

373
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Speaker 3: SHOT i know he was cast in this, movie so

374
00:19:17,359 --> 00:19:20,280
Speaker 3: they could have him turning into the humanoid and hulking.

375
00:19:20,320 --> 00:19:23,040
Speaker 3: Out BUT i would have enjoyed having more of the

376
00:19:23,080 --> 00:19:26,280
Speaker 3: movie with him in regular mode with his cute little robot,

377
00:19:26,320 --> 00:19:28,600
Speaker 3: friend because in this movie he's got a robot dog

378
00:19:28,680 --> 00:19:28,920
Speaker 3: that is.

379
00:19:28,960 --> 00:19:32,720
Speaker 1: Adorable, yeah, YEAH i love that robot. Dog we'll talk

380
00:19:32,760 --> 00:19:34,800
Speaker 1: about it a bit in a bit in a second,

381
00:19:34,840 --> 00:19:37,240
Speaker 1: here but let's move on to some of the other

382
00:19:38,240 --> 00:19:41,280
Speaker 1: actors in this. Film the next one is also A bond.

383
00:19:41,320 --> 00:19:45,760
Speaker 1: Connection it's the Actor Coreen, clary who was born in

384
00:19:45,840 --> 00:19:49,200
Speaker 1: nineteen fifty still alive as of this, recording plays the

385
00:19:50,080 --> 00:19:55,280
Speaker 1: space character the sci fi Character Barbara. Gibson it's.

386
00:19:55,359 --> 00:19:58,760
Speaker 3: GREAT i love how this movie has a scene where

387
00:19:58,760 --> 00:20:04,080
Speaker 3: a character named Lor grawl sends his forces to Kill Barbara. Gibson,

388
00:20:04,640 --> 00:20:07,680
Speaker 3: yeah it reminds me of When Darth vader took out

389
00:20:07,720 --> 00:20:11,480
Speaker 3: his lightsaber to go assassinate The Jedi Master Fred. Nelson,

390
00:20:12,920 --> 00:20:13,480
Speaker 3: YEAH i mean.

391
00:20:13,520 --> 00:20:16,920
Speaker 1: Yeah this is not The lucas approach to naming. Characters

392
00:20:16,920 --> 00:20:19,840
Speaker 1: this is not Even David cronenberg approach to naming. CHARACTERS

393
00:20:20,200 --> 00:20:23,159
Speaker 1: i was, Thinking Barbara gibson sounds like the name that

394
00:20:23,200 --> 00:20:26,560
Speaker 1: a child would give their imaginary friend if that imaginary

395
00:20:26,640 --> 00:20:33,080
Speaker 1: friend were like a stereotypical. Adult but, Anyway, clary she

396
00:20:33,160 --> 00:20:35,679
Speaker 1: was In moonraker as well as the story Of o

397
00:20:35,880 --> 00:20:39,080
Speaker 1: from nineteen seventy, five And you're The hunter from The

398
00:20:39,080 --> 00:20:40,359
Speaker 1: future from nineteen eighty.

399
00:20:40,359 --> 00:20:43,000
Speaker 3: Three Your hunter from The future is an all time

400
00:20:43,080 --> 00:20:46,200
Speaker 3: great leather Diaper barbarian. Movie, yes, yeah.

401
00:20:46,000 --> 00:20:48,679
Speaker 1: And it will come up. Again it is connected in

402
00:20:48,720 --> 00:20:49,520
Speaker 1: several ways to this.

403
00:20:49,600 --> 00:20:53,400
Speaker 3: Picture it's one of the best Ludicrous barbarian movies because

404
00:20:54,000 --> 00:20:57,840
Speaker 3: it is simultaneously A conan ripoff and A Star wars.

405
00:20:57,920 --> 00:21:01,960
Speaker 3: Ripoff so it stars the guy From Space, mutiny Reb,

406
00:21:02,040 --> 00:21:05,200
Speaker 3: brown you, know a blast hard cheese and he's wearing

407
00:21:05,240 --> 00:21:08,159
Speaker 3: the leather diaper and running around like killing dinosaurs with a.

408
00:21:08,200 --> 00:21:10,240
Speaker 3: Hammer but then at the end of the movie he

409
00:21:10,280 --> 00:21:11,160
Speaker 3: has to Fight Darth.

410
00:21:11,240 --> 00:21:15,879
Speaker 1: Vader all. Right the next Character Leonard, mann who Plays

411
00:21:15,960 --> 00:21:20,160
Speaker 1: nick born nineteen forty, Seven american actor who was also

412
00:21:20,200 --> 00:21:22,720
Speaker 1: in eighty Seven flowers in The attic in nineteen eighty

413
00:21:22,760 --> 00:21:25,320
Speaker 1: One's Night, school in addition to a number Of italian.

414
00:21:25,320 --> 00:21:28,360
Speaker 3: Productions he's gonna be Our han solo for this, movie

415
00:21:28,400 --> 00:21:31,600
Speaker 3: but a really sort of, faded washed out.

416
00:21:31,680 --> 00:21:36,199
Speaker 1: Solo, yeah, absolutely all. Right Our Darth vader in this

417
00:21:36,280 --> 00:21:40,960
Speaker 1: picture Is Lord, graul played By Ivan, rasimov who lived

418
00:21:41,200 --> 00:21:43,440
Speaker 1: nineteen thirty eight through two thousand and, three An italian

419
00:21:43,480 --> 00:21:45,679
Speaker 1: actor who played a lot of. Heavies he was In

420
00:21:45,800 --> 00:21:49,440
Speaker 1: Mario baba's nineteen sixty five sci fi Classic planet of The.

421
00:21:49,520 --> 00:21:54,000
Speaker 1: VAMPIRES i love that. Movie, yeah wonderful. Style that's one

422
00:21:54,040 --> 00:21:55,440
Speaker 1: we might have to come back to on the. Show

423
00:21:56,040 --> 00:21:59,480
Speaker 1: he was also In Sergio martino's nineteen seventy two Movie

424
00:21:59,520 --> 00:22:00,520
Speaker 1: all the of The.

425
00:22:00,600 --> 00:22:03,359
Speaker 3: Dark we've mentioned that one. Before that's A jello movie

426
00:22:03,400 --> 00:22:06,000
Speaker 3: That i've. SEEN i recall thinking that one was kind of, interesting,

427
00:22:06,040 --> 00:22:10,280
Speaker 3: though like pretty much All, jello it's vile, TRASH i,

428
00:22:10,320 --> 00:22:13,119
Speaker 3: think but IT'S i recall it being about like a

429
00:22:13,160 --> 00:22:15,840
Speaker 3: woman who thinks she's being pursued by a coven Of

430
00:22:15,880 --> 00:22:18,159
Speaker 3: satanists somewhere In. England but then there's a.

431
00:22:18,200 --> 00:22:21,639
Speaker 1: Twist, YEAH i love the. Title it's slightly, nonsensical but,

432
00:22:21,840 --> 00:22:24,200
Speaker 1: YEAH i like. It and then he was also In

433
00:22:24,400 --> 00:22:27,919
Speaker 1: Mario bova's nineteen seventy seven Film shock and just various

434
00:22:27,920 --> 00:22:31,120
Speaker 1: Other italian. Productions now that character has a brother in this,

435
00:22:31,400 --> 00:22:36,439
Speaker 1: picture played By Massimo's, serrato and the character's name is

436
00:22:36,520 --> 00:22:41,840
Speaker 1: just great. Brother and this Actor serrato lived nineteen sixteen

437
00:22:41,840 --> 00:22:45,200
Speaker 1: through nineteen eighty, Nine italian. Actor he was In Nicholas

438
00:22:45,240 --> 00:22:48,359
Speaker 1: Rogues Don't Look, now Starring Julie christy And Donald. Sutherland

439
00:22:48,840 --> 00:22:50,240
Speaker 1: that was the main picture that jumped out of.

440
00:22:50,320 --> 00:22:51,639
Speaker 3: Me oh, man have you seen that?

441
00:22:51,680 --> 00:22:53,720
Speaker 1: ONE i, haven't BUT i know it's very well.

442
00:22:53,760 --> 00:22:58,160
Speaker 3: Regarded, yeah that one's a classic horror, movie very opposite

443
00:22:58,240 --> 00:23:00,440
Speaker 3: end of the spectrum from the goofiness where tell you about?

444
00:23:00,480 --> 00:23:04,760
Speaker 3: Here that one's like very weird but also like deep

445
00:23:04,880 --> 00:23:09,720
Speaker 3: emotionally powerful. Dark, yeah that one's, uh don't screw around

446
00:23:09,720 --> 00:23:11,720
Speaker 3: with that, one like put yourself in the right state

447
00:23:11,720 --> 00:23:12,680
Speaker 3: of mind if you're going to watch.

448
00:23:12,720 --> 00:23:17,000
Speaker 1: It, okay now the next actor and the next character.

449
00:23:17,080 --> 00:23:21,200
Speaker 1: Here this is very pretty exciting because it's a very

450
00:23:21,320 --> 00:23:24,520
Speaker 1: esteemed actor kind of slumming it, UP i, guess you,

451
00:23:24,560 --> 00:23:28,240
Speaker 1: know collecting a. Paycheck in This Italian Star wars. Film

452
00:23:28,800 --> 00:23:33,720
Speaker 1: the actor Is Author kennedy and he plays our second tier,

453
00:23:33,880 --> 00:23:36,439
Speaker 1: villain our mad scientist, villain Doctor.

454
00:23:36,520 --> 00:23:41,400
Speaker 3: Craspin Arthur kennedy is fantastic in This he you can

455
00:23:41,400 --> 00:23:44,480
Speaker 3: tell he like all of the roles in this. Film it's,

456
00:23:44,560 --> 00:23:47,399
Speaker 3: underwritten but you can tell he is doing his best

457
00:23:47,440 --> 00:23:49,760
Speaker 3: to chew the scenery even though there's not a whole

458
00:23:49,800 --> 00:23:50,400
Speaker 3: lot to chew.

459
00:23:50,440 --> 00:23:54,159
Speaker 1: On, yeah in a film that is just packed with

460
00:23:54,280 --> 00:23:58,600
Speaker 1: low energy, performances you, know and you, know poor writing

461
00:23:58,680 --> 00:24:02,679
Speaker 1: and just this stuff that falls, Flat, Yeah kennedy brings

462
00:24:02,720 --> 00:24:07,000
Speaker 1: the most energy to his. Performance at times he's snarling

463
00:24:07,119 --> 00:24:10,600
Speaker 1: like a mad, dog and it really stands out on

464
00:24:10,640 --> 00:24:14,720
Speaker 1: a picture again where everybody else is really almost coelutic

465
00:24:14,760 --> 00:24:15,680
Speaker 1: in their. Performance.

466
00:24:16,000 --> 00:24:18,320
Speaker 3: YEAH i would say one of the main characteristics of

467
00:24:18,359 --> 00:24:20,560
Speaker 3: the acting in this film is that it's almost as

468
00:24:20,600 --> 00:24:23,680
Speaker 3: if the, director you, know you've heard the story that

469
00:24:23,880 --> 00:24:26,240
Speaker 3: What George lucas would say to people on the set

470
00:24:26,240 --> 00:24:29,240
Speaker 3: Of Star wars was like, faster, louder more intense in

471
00:24:29,280 --> 00:24:32,040
Speaker 3: their line. Deliveries in this, case the director was just

472
00:24:32,080 --> 00:24:35,040
Speaker 3: always telling, PEOPLE i don't want you to emphasize any

473
00:24:35,080 --> 00:24:38,760
Speaker 3: particular word in this. Sentence they should all sound exactly the.

474
00:24:38,800 --> 00:24:42,359
Speaker 1: Same, yeah, yeah like bring it down a. Notch.

475
00:24:42,640 --> 00:24:44,080
Speaker 3: Yeah.

476
00:24:44,240 --> 00:24:48,080
Speaker 1: So Arthur Kennedy american actor of stage and screen who

477
00:24:48,240 --> 00:24:51,040
Speaker 1: won a nineteen forty Nine Tony award for his role

478
00:24:51,080 --> 00:24:54,920
Speaker 1: in the original stage production Of Arthur Miller's death of A. Salesman.

479
00:24:55,320 --> 00:24:59,280
Speaker 1: Wow he was a five Time oscar. Nominee he was

480
00:24:59,320 --> 00:25:02,119
Speaker 1: in such made films of the nineteen, forties, fifties and

481
00:25:02,160 --> 00:25:06,879
Speaker 1: sixties As lawrence Of, Arabia Bright, Victory Peyton, place And.

482
00:25:07,000 --> 00:25:09,480
Speaker 1: Champion he Was this was Only this is just one

483
00:25:09,480 --> 00:25:11,880
Speaker 1: of the last four films he did at the very

484
00:25:12,000 --> 00:25:14,920
Speaker 1: end of his, career but he had had a pretty long. History.

485
00:25:14,960 --> 00:25:17,879
Speaker 1: NOW i don't know how how well he is remembered

486
00:25:17,880 --> 00:25:22,080
Speaker 1: by today's movie going, Audience like especially if you look

487
00:25:22,119 --> 00:25:25,479
Speaker 1: at The oscars he was nominated. For he lost in

488
00:25:25,560 --> 00:25:28,280
Speaker 1: all those cases to actors WHO i think had more

489
00:25:28,320 --> 00:25:32,000
Speaker 1: star power and more staying. Power at least in the public.

490
00:25:32,080 --> 00:25:34,560
Speaker 1: Memory but he was a real. Talent and again he

491
00:25:34,680 --> 00:25:38,439
Speaker 1: is just clearly light years ahead of any other actor

492
00:25:38,480 --> 00:25:38,719
Speaker 1: in this.

493
00:25:38,760 --> 00:25:40,719
Speaker 3: Film agreed a good casting.

494
00:25:40,760 --> 00:25:44,040
Speaker 1: DECISION i did read that they initially Wanted Donald pleasants

495
00:25:44,080 --> 00:25:48,440
Speaker 1: for this, role, which, Again pleasants would have been perfect

496
00:25:48,480 --> 00:25:51,000
Speaker 1: for this. Role he was in a lot of other you,

497
00:25:51,040 --> 00:25:54,280
Speaker 1: know international pictures, though where he played this sort of,

498
00:25:54,280 --> 00:25:55,720
Speaker 1: thing like the evil guy in a funny.

499
00:25:55,760 --> 00:25:59,520
Speaker 3: Costume, oh but he would have been absolutely on tone

500
00:25:59,720 --> 00:26:01,960
Speaker 3: for the rest of the acting in this film Because Donald.

501
00:26:02,000 --> 00:26:03,879
Speaker 3: Pleasants one of the weird things about him is that

502
00:26:03,920 --> 00:26:07,000
Speaker 3: he has striking monotone delivery so, often.

503
00:26:07,119 --> 00:26:10,920
Speaker 1: Yeah almost almost. Always it's. Rare there are some there

504
00:26:11,119 --> 00:26:12,960
Speaker 1: are some films you'll find where he plays a more

505
00:26:13,040 --> 00:26:16,720
Speaker 1: high energy, character but, generally, yeah he. Was he was

506
00:26:16,840 --> 00:26:20,800
Speaker 1: very much in That Michael lonsdale school of low key, performance.

507
00:26:20,560 --> 00:26:22,959
Speaker 3: But in a different with the kind of more nasal.

508
00:26:23,040 --> 00:26:26,160
Speaker 3: VERSION i remember the main line of his that illustrates

509
00:26:26,200 --> 00:26:28,960
Speaker 3: this is In escape From New york when he plays

510
00:26:28,960 --> 00:26:32,920
Speaker 3: The president of The United states and he gets into

511
00:26:32,920 --> 00:26:35,639
Speaker 3: that escape pod egg to get out of his airplane

512
00:26:36,080 --> 00:26:39,440
Speaker 3: and he says something, like May god have messy on you.

513
00:26:39,480 --> 00:26:43,320
Speaker 1: All, yeah he always good in that.

514
00:26:43,400 --> 00:26:45,479
Speaker 3: One so, yeah he would Have he would have been

515
00:26:45,560 --> 00:26:47,960
Speaker 3: right on the same page with all the other actors in.

516
00:26:47,960 --> 00:26:49,840
Speaker 3: This but, NO i think it's good that they Got Arthur.

517
00:26:49,920 --> 00:26:52,359
Speaker 3: Kennedy he mixes it. Up you get the sense That

518
00:26:52,480 --> 00:26:55,200
Speaker 3: Arthur kennedy can like tell a part the different parts

519
00:26:55,240 --> 00:26:58,359
Speaker 3: of speech in a sentence when he says them it's. Nice.

520
00:26:58,760 --> 00:27:02,760
Speaker 1: Yes, now now his character has sort of a companion.

521
00:27:02,880 --> 00:27:05,320
Speaker 1: Villain we'll get into the details in a. Bit Lady

522
00:27:05,359 --> 00:27:10,000
Speaker 1: agatha played By Barbara bach in forty. Seven this was

523
00:27:10,040 --> 00:27:13,600
Speaker 1: the bond girl from The Spy Who Loved me from seventy, seven.

524
00:27:13,640 --> 00:27:17,360
Speaker 3: Right she plays A soviet spy who comes up Against

525
00:27:17,440 --> 00:27:19,679
Speaker 3: Roger moore In The Spy Who Loved. Me The Spy

526
00:27:19,720 --> 00:27:21,720
Speaker 3: Loved me is a little BIT i, mean all The

527
00:27:21,800 --> 00:27:24,879
Speaker 3: Roger moore movies are. Goofy The Spy You Love me

528
00:27:24,960 --> 00:27:28,600
Speaker 3: is a little bit less goofy Than, Moonraker and so

529
00:27:28,640 --> 00:27:32,080
Speaker 3: there's some spy versus spy action In The Spy Who

530
00:27:32,119 --> 00:27:34,480
Speaker 3: Loved me where she's The she sort of starts off

531
00:27:34,520 --> 00:27:36,800
Speaker 3: as a. Villain then of course they end up falling in.

532
00:27:36,840 --> 00:27:41,359
Speaker 3: Love as always. Happens BUT i recall her being actually

533
00:27:41,359 --> 00:27:44,200
Speaker 3: pretty good in That bond. Movie in, THIS i, mean

534
00:27:44,280 --> 00:27:46,600
Speaker 3: she's great in the role because she like wears these

535
00:27:46,760 --> 00:27:50,480
Speaker 3: these unbelievable wigs well and. Stuff BUT i gotta say

536
00:27:50,720 --> 00:27:54,520
Speaker 3: absolutely like the flattest DELIVERY i have ever heard of

537
00:27:54,640 --> 00:27:57,760
Speaker 3: any line delivery at all in this, film.

538
00:27:57,480 --> 00:28:00,680
Speaker 1: Right so it basically it fits the tapst this movie.

539
00:28:00,760 --> 00:28:03,240
Speaker 1: Well but she was in a lot of things back

540
00:28:03,240 --> 00:28:05,439
Speaker 1: in the. Day she was In Sergio Martino screamers from

541
00:28:05,520 --> 00:28:09,040
Speaker 1: nineteen seventy nine That i've mentioned several times, Here Forced

542
00:28:09,080 --> 00:28:12,960
Speaker 1: ten From navarone from seventy, eight and also a film

543
00:28:12,960 --> 00:28:15,240
Speaker 1: THAT i think you have told me, About Joe, Black

544
00:28:15,280 --> 00:28:17,280
Speaker 1: belly of The tarantula from nineteen seventy.

545
00:28:17,280 --> 00:28:21,480
Speaker 3: One oh, yeah that's Another jallo. Movie it's one of these,

546
00:28:22,040 --> 00:28:25,879
Speaker 3: slashery Trashy italian murder. Mysteries but this one has a

547
00:28:25,920 --> 00:28:28,240
Speaker 3: really good. Cast she HAS i think a smaller part in.

548
00:28:28,280 --> 00:28:30,440
Speaker 3: It the main character in that one is actually played

549
00:28:30,440 --> 00:28:32,000
Speaker 3: By Giancarlo janini and he's.

550
00:28:32,000 --> 00:28:35,520
Speaker 1: Wonderful, now a bit character in, this And i'm just

551
00:28:35,520 --> 00:28:39,560
Speaker 1: gonna mention quickly is Hal, yamanucci who was born in

552
00:28:39,640 --> 00:28:44,120
Speaker 1: nineteen forty, six A japanese born actor who plays just

553
00:28:44,200 --> 00:28:46,600
Speaker 1: humanoid soldier in. This so it's a very bit. Part

554
00:28:46,680 --> 00:28:48,880
Speaker 1: but this is an actor that shows up in a

555
00:28:48,920 --> 00:28:51,760
Speaker 1: ton Of italian and international. Pictures he's also been in

556
00:28:51,800 --> 00:28:55,560
Speaker 1: such films As The, Wolverine The, Life, Aquatic zoolander. Two

557
00:28:56,280 --> 00:28:59,400
Speaker 1: he's been in over one hundred films and was in

558
00:28:59,440 --> 00:29:02,880
Speaker 1: several films from the likes Of Sergio martino And Zog.

559
00:29:03,040 --> 00:29:06,880
Speaker 1: Castellari he began his career as a. Mime he translated

560
00:29:06,920 --> 00:29:09,800
Speaker 1: and Dubbed japanese language films Into, italian and he was

561
00:29:09,880 --> 00:29:13,760
Speaker 1: even In Stuart Gordon's Robot jocks from nineteen, ninety, which

562
00:29:13,800 --> 00:29:18,680
Speaker 1: to remind everybody our Favorite Battling robots film here. WAS

563
00:29:19,080 --> 00:29:21,120
Speaker 1: i believe it was at least An italian co.

564
00:29:21,200 --> 00:29:24,040
Speaker 3: Production oh, OKAY i had forgotten that fact about.

565
00:29:24,040 --> 00:29:24,160
Speaker 1: It.

566
00:29:24,560 --> 00:29:27,480
Speaker 3: NOW i was not on the lookout for hol in.

567
00:29:27,560 --> 00:29:29,920
Speaker 3: This so where do you remember what part of the

568
00:29:29,920 --> 00:29:30,640
Speaker 3: movie he shows?

569
00:29:30,720 --> 00:29:33,719
Speaker 1: UP i never saw, him or if he showed, UP

570
00:29:33,720 --> 00:29:35,680
Speaker 1: i missed. Him he might have been in one of

571
00:29:35,080 --> 00:29:39,160
Speaker 1: those fabulous sort of stormtrooper costumes that we. See i'm

572
00:29:39,160 --> 00:29:42,200
Speaker 1: not entirely sure about, that, Okay but he has a

573
00:29:42,240 --> 00:29:44,640
Speaker 1: very distinctive. Face you can look up ON IMDb and

574
00:29:44,840 --> 00:29:46,720
Speaker 1: you might well recognize him and, go oh that. Guy,

575
00:29:46,800 --> 00:29:48,040
Speaker 1: Yeah i've seen him In thanks for.

576
00:29:48,120 --> 00:29:49,520
Speaker 3: SURE i have to look him up after.

577
00:29:49,560 --> 00:29:53,280
Speaker 1: This now we Mentioned you're The hunter from The future,

578
00:29:53,320 --> 00:29:58,120
Speaker 1: earlier and the director of, That Antonio, margareti was the

579
00:29:58,160 --> 00:30:00,080
Speaker 1: special effects supervisor in this.

580
00:30:00,160 --> 00:30:03,840
Speaker 3: Film now that would make sense of something THAT i

581
00:30:04,000 --> 00:30:07,240
Speaker 3: caught here BECAUSE i was watching this movie AND i

582
00:30:07,440 --> 00:30:13,440
Speaker 3: noticed a reused. Costume humanoid has costume overlap with Your

583
00:30:13,560 --> 00:30:16,320
Speaker 3: hunter from The. Future, now AS i, Mentioned your is

584
00:30:16,320 --> 00:30:19,880
Speaker 3: a very strange movie because it it's you, know it's

585
00:30:19,920 --> 00:30:23,680
Speaker 3: Put genres in a particle collider where it's Part conan

586
00:30:23,720 --> 00:30:27,240
Speaker 3: The barbarian with Reb brown From Space mutiny Playing conan

587
00:30:27,320 --> 00:30:30,800
Speaker 3: but like less. Smart and then the villain is just

588
00:30:30,840 --> 00:30:33,760
Speaker 3: straight Up Darth vader and he Has stormtroopers who work for.

589
00:30:33,840 --> 00:30:37,800
Speaker 3: Him and so the stormtroopers who work for The Darth

590
00:30:37,880 --> 00:30:41,640
Speaker 3: vader In your where the exact same costumes is some

591
00:30:41,680 --> 00:30:44,360
Speaker 3: of the stormtroopers in this. Movie And i've attached some

592
00:30:44,400 --> 00:30:46,360
Speaker 3: pictures for you to look, At rob so you can

593
00:30:46,360 --> 00:30:47,320
Speaker 3: see That i'm telling the.

594
00:30:47,360 --> 00:30:50,320
Speaker 1: TRUTH, YEP i looked at these earlier and it is

595
00:30:50,360 --> 00:30:52,520
Speaker 1: the same, costume if or at least the same, mask

596
00:30:52,960 --> 00:30:54,920
Speaker 1: mostly the same. COSTUME i THINK i.

597
00:30:54,880 --> 00:30:57,080
Speaker 3: Don't know if i'd actually recommend people try to watch

598
00:30:57,160 --> 00:31:00,600
Speaker 3: your BUT i would recommend everyone listened to the theme

599
00:31:00,760 --> 00:31:03,480
Speaker 3: song of Your hunter from The, Future. Seth can we

600
00:31:03,480 --> 00:31:13,560
Speaker 3: get a little clip of? That those are the sounds

601
00:31:13,560 --> 00:31:14,000
Speaker 3: of yours.

602
00:31:14,000 --> 00:31:17,880
Speaker 1: World, well since we're talking about, music let's talk about

603
00:31:17,920 --> 00:31:21,600
Speaker 1: the music in this. Film because this may come as

604
00:31:21,640 --> 00:31:24,320
Speaker 1: a shock given everything that we, said but the score

605
00:31:25,240 --> 00:31:30,440
Speaker 1: for The humanoid is by none other Than Ineo. Morricone

606
00:31:30,720 --> 00:31:32,000
Speaker 1: Ineo morricone?

607
00:31:32,080 --> 00:31:36,600
Speaker 3: Happens is it? Okay? ROB i feel like you're you're.

608
00:31:36,640 --> 00:31:42,160
Speaker 3: SOMEBODY i respect your like all encompassing enthusiasm for electronically based,

609
00:31:42,240 --> 00:31:44,720
Speaker 3: music because it seems to me usually if a movie

610
00:31:44,720 --> 00:31:47,040
Speaker 3: score is, electronic you're gonna give it a lot of,

611
00:31:47,120 --> 00:31:50,000
Speaker 3: latitude and you're you're giving yourself space to love. It

612
00:31:50,280 --> 00:31:54,720
Speaker 3: AND i appreciate that about. YOU I i wanted to

613
00:31:54,760 --> 00:31:57,240
Speaker 3: love this BECAUSE i do Love Ineo, Morricone BUT i

614
00:31:57,320 --> 00:32:00,880
Speaker 3: thought the music in this movie was. Terrible it had

615
00:32:00,880 --> 00:32:04,080
Speaker 3: that that that theme that kept playing over and over

616
00:32:04,240 --> 00:32:07,040
Speaker 3: that sounded, LIKE i don't, know it sounded like like

617
00:32:07,120 --> 00:32:11,320
Speaker 3: the trophy ceremony music at The olympics or, something but

618
00:32:11,320 --> 00:32:11,880
Speaker 3: but synthed.

619
00:32:12,000 --> 00:32:15,840
Speaker 1: UP i readily admit that the music in this is

620
00:32:15,960 --> 00:32:19,000
Speaker 1: kind of all over the place but, there but The

621
00:32:19,040 --> 00:32:22,360
Speaker 1: cynthia parts of, it WHICH i think we're gonna play

622
00:32:22,400 --> 00:32:24,640
Speaker 1: a sample off here in a, minute the synthier parts

623
00:32:24,640 --> 00:32:28,000
Speaker 1: of it really struck a chord with, me in part

624
00:32:28,120 --> 00:32:32,360
Speaker 1: because they remind me a lot of some elements that

625
00:32:32,440 --> 00:32:35,880
Speaker 1: pop up in the early work of the electronic Duo

626
00:32:35,960 --> 00:32:41,280
Speaker 1: boards Of, Canada, oh particularly some stuff on music has

627
00:32:41,280 --> 00:32:44,360
Speaker 1: A right To children, there they're their classic. Album AND

628
00:32:44,440 --> 00:32:47,560
Speaker 1: i actually went down a rabbit hole of like listening

629
00:32:47,600 --> 00:32:50,600
Speaker 1: back To boards Of canada tracks BECAUSE i was BECAUSE

630
00:32:50,600 --> 00:32:52,240
Speaker 1: i also was, like, well maybe it was a mix

631
00:32:52,320 --> 00:32:54,400
Speaker 1: or some of their very early, Stuff like maybe they

632
00:32:54,440 --> 00:32:58,400
Speaker 1: actually utilized a sample from this. SCORE i know, THAT

633
00:32:58,800 --> 00:33:00,800
Speaker 1: i know they were inspired by a lot of different,

634
00:33:00,800 --> 00:33:05,040
Speaker 1: elements AND i Imagine morriconi was in the mix for

635
00:33:05,160 --> 00:33:08,040
Speaker 1: them as far AS i can, tell, Though, yeah there

636
00:33:08,040 --> 00:33:10,240
Speaker 1: are just some things that kind of sound similar in

637
00:33:10,320 --> 00:33:12,080
Speaker 1: Some boards Of canada. FILMS i don't know if it's

638
00:33:12,080 --> 00:33:14,440
Speaker 1: a direct connection there or. This they were kind of

639
00:33:14,480 --> 00:33:19,800
Speaker 1: breathing the same synthetic, Ambiance but it does remind me

640
00:33:19,840 --> 00:33:22,800
Speaker 1: a lot of some moments In boards Of canada's.

641
00:33:22,800 --> 00:33:25,600
Speaker 3: Work there's even some visual tie, in because toward the

642
00:33:25,720 --> 00:33:27,760
Speaker 3: end of the movie there's a part WHERE i was

643
00:33:27,960 --> 00:33:31,080
Speaker 3: enjoying the cheesy synth score and they were like flying

644
00:33:31,080 --> 00:33:33,680
Speaker 3: off into the sunset with the color scheme that looked

645
00:33:33,800 --> 00:33:35,200
Speaker 3: very much Like boards Of canada.

646
00:33:35,280 --> 00:33:38,560
Speaker 1: Art. Yeah, Yeah so now that we're talking about, it

647
00:33:38,680 --> 00:33:41,080
Speaker 1: let's go ahead and have just a sample from this

648
00:33:41,640 --> 00:33:46,920
Speaker 1: Seth this would be the. TRACK i believe this Is

649
00:33:47,200 --> 00:33:55,280
Speaker 1: Infansia evolutione E Ritano. Retorno, yes this is off the

650
00:33:55,320 --> 00:34:08,920
Speaker 1: soundtrack for The Humanoid BUY moriconi. SEE i really like.

651
00:34:09,000 --> 00:34:11,560
Speaker 1: THAT i think, that LIKE i, say it strikes a

652
00:34:11,600 --> 00:34:15,319
Speaker 1: chord with me and, okay, okay it that the little

653
00:34:15,400 --> 00:34:18,880
Speaker 1: ditty that we heard there is probably like responsible for

654
00:34:18,920 --> 00:34:20,640
Speaker 1: seventy five percent of my enjoyment of this.

655
00:34:20,719 --> 00:34:23,160
Speaker 3: Film, WELL i want to meet you halfway on, this

656
00:34:23,200 --> 00:34:26,040
Speaker 3: because WHILE i do still think the music was surprisingly,

657
00:34:26,120 --> 00:34:29,440
Speaker 3: TERRIBLE i mean any of. More coney is an amazing film.

658
00:34:29,480 --> 00:34:31,400
Speaker 3: COMPOSER i mean he did the, Film he did the

659
00:34:31,440 --> 00:34:34,719
Speaker 3: music for The, thing, which like Several carpenter, MOVIES i

660
00:34:34,719 --> 00:34:37,080
Speaker 3: Mean John carpenter is a great, director but he has

661
00:34:37,120 --> 00:34:39,279
Speaker 3: a number of movies that in a way are just

662
00:34:39,520 --> 00:34:43,200
Speaker 3: made by the. Score you, know like his own score For,

663
00:34:43,560 --> 00:34:46,080
Speaker 3: HALLOWEEN i think makes the. Movie you take that music

664
00:34:46,120 --> 00:34:48,239
Speaker 3: out of the, movie the movie isn't half as. GOOD i,

665
00:34:48,239 --> 00:34:50,359
Speaker 3: mean it's still, good but you know that that's what

666
00:34:50,400 --> 00:34:53,600
Speaker 3: pushes it over the. Edge similar thing For morcone's music

667
00:34:53,640 --> 00:34:56,920
Speaker 3: in the, thing like that, dunt dunt thing that drives

668
00:34:56,960 --> 00:34:58,840
Speaker 3: the feeling of the. Movie it defines the whole.

669
00:34:58,920 --> 00:35:03,399
Speaker 1: Tone, yeah, yeah. Absolutely another couple Of Morriconi and again

670
00:35:03,440 --> 00:35:06,839
Speaker 1: there's so Many morricone SCORES i think HE i mean

671
00:35:06,880 --> 00:35:08,640
Speaker 1: it WAS i think it's hundreds of things that he.

672
00:35:08,719 --> 00:35:11,000
Speaker 1: Did its four hundred scores on the big and small,

673
00:35:11,000 --> 00:35:13,680
Speaker 1: SCREEN i believe is the NUMBER i. Saw but a

674
00:35:13,719 --> 00:35:15,799
Speaker 1: couple that really stand. Out you Have The, good The,

675
00:35:15,800 --> 00:35:19,040
Speaker 1: bad And ugly from nineteen sixty, six just really iconic.

676
00:35:19,120 --> 00:35:22,440
Speaker 1: Work and then nineteen eighty, six the nineteen eighty six

677
00:35:22,560 --> 00:35:26,600
Speaker 1: Film The, mission which is a beautiful and, tragedy just

678
00:35:26,640 --> 00:35:29,120
Speaker 1: a wonderful. Film probably it got to be one of

679
00:35:29,200 --> 00:35:31,080
Speaker 1: my top like serious motion.

680
00:35:31,239 --> 00:35:33,080
Speaker 3: Pictures, OH i don't Think i've ever seen that.

681
00:35:33,120 --> 00:35:36,680
Speaker 1: One, oh it Has Jeremy. Irons it Has robert De,

682
00:35:36,760 --> 00:35:42,359
Speaker 1: niro and it's about missionaries In South, america and it's

683
00:35:42,960 --> 00:35:47,400
Speaker 1: it's a, beautiful tragic, story and it has this beautiful.

684
00:35:47,440 --> 00:35:51,040
Speaker 1: SCORE i, mean The mission, sounds the score By morriconi

685
00:35:51,400 --> 00:35:56,680
Speaker 1: is just absolutely. Breathtaking you've probably heard something from, it and,

686
00:35:57,520 --> 00:36:00,360
Speaker 1: YEAH i can't do it, JUSTICE i can't properly. Expect

687
00:36:00,560 --> 00:36:03,680
Speaker 1: But The mission is a wonderful movie and the soundtrack is.

688
00:36:03,719 --> 00:36:06,239
Speaker 3: Amazing, okay, well, WELL i owe you watching that. One

689
00:36:06,239 --> 00:36:07,600
Speaker 3: BUT i also SAID i was going to meet you

690
00:36:07,640 --> 00:36:10,080
Speaker 3: halfway about the morricone, score which is that WHILE i

691
00:36:10,280 --> 00:36:14,160
Speaker 3: don't REALLY i don't think the movie is well served

692
00:36:14,200 --> 00:36:18,799
Speaker 3: by the melodies composed as like full music pieces for this,

693
00:36:18,920 --> 00:36:22,160
Speaker 3: MOVIE i do like the individual, sounds AND i can

694
00:36:22,239 --> 00:36:25,400
Speaker 3: see how the sounds from the score of this movie

695
00:36:25,400 --> 00:36:28,560
Speaker 3: could be well used as samples in electronic. Music.

696
00:36:29,080 --> 00:36:32,239
Speaker 1: Yeah, yeah and apparently it has resonated. THERE i was

697
00:36:32,280 --> 00:36:34,759
Speaker 1: reading that the two in two thousand and, three The

698
00:36:34,800 --> 00:36:39,719
Speaker 1: german electronic Group Computer jockeys one, word not a GROUP

699
00:36:39,760 --> 00:36:41,920
Speaker 1: i was familiar, with but they apparently did a reworking

700
00:36:42,040 --> 00:36:45,120
Speaker 1: of the TRACK A man In space from the score

701
00:36:45,200 --> 00:36:45,480
Speaker 1: for this.

702
00:36:45,600 --> 00:36:48,279
Speaker 3: Movie you, know we were also looking at a very

703
00:36:48,320 --> 00:36:52,560
Speaker 3: odd website that IS i don't know how exactly to describe.

704
00:36:52,560 --> 00:36:56,239
Speaker 3: It it's like a fan website for the humanoid and

705
00:36:56,280 --> 00:36:59,160
Speaker 3: For Richard keel that was looks like it was made

706
00:36:59,160 --> 00:37:00,600
Speaker 3: in nineteen ninety.

707
00:37:00,960 --> 00:37:03,200
Speaker 1: Yeah and hasn't Seen it doesn't seem to have, changed

708
00:37:03,840 --> 00:37:07,319
Speaker 1: WHICH i, love SO i do recommend checking that. Out

709
00:37:07,320 --> 00:37:08,319
Speaker 1: what's the web address for?

710
00:37:08,360 --> 00:37:10,239
Speaker 3: That, okay so we just had to look it. Up

711
00:37:10,280 --> 00:37:15,439
Speaker 3: It's golob The humanoid g o L Ob golobthehumanoid dot.

712
00:37:15,480 --> 00:37:18,239
Speaker 3: Com and it has a page on it that's all

713
00:37:18,280 --> 00:37:23,239
Speaker 3: about like music that has been made as like popfan

714
00:37:23,440 --> 00:37:26,920
Speaker 3: music about the. Humanoid so they've got one song on

715
00:37:27,000 --> 00:37:30,759
Speaker 3: there that you can download by a band Called ganymede

716
00:37:30,840 --> 00:37:33,120
Speaker 3: THAT i was not otherwise familiar, with but it's about the.

717
00:37:33,200 --> 00:37:35,799
Speaker 3: Humanoid AND i think there's other music. Too so The,

718
00:37:35,840 --> 00:37:38,359
Speaker 3: humanoid you, know it really gets under people's. Skin it,

719
00:37:38,440 --> 00:37:41,320
Speaker 3: inspires it makes, it you, know gets those creative juices.

720
00:37:41,360 --> 00:37:43,879
Speaker 1: Flowing you're, right it's just an inspiring motion.

721
00:37:44,000 --> 00:37:57,360
Speaker 3: Picture can you, guess, listener can you guess how this movie?

722
00:37:57,400 --> 00:38:00,400
Speaker 3: Begins what we see on the screen at the of the.

723
00:38:00,440 --> 00:38:03,520
Speaker 3: Film could it be that there is a star field

724
00:38:03,600 --> 00:38:07,240
Speaker 3: with some nebulae in the, background and then a text

725
00:38:07,320 --> 00:38:10,080
Speaker 3: crawl that rolls from the bottom of the screen to the.

726
00:38:10,080 --> 00:38:12,960
Speaker 3: Top it's, true that is how it, starts and so

727
00:38:13,000 --> 00:38:15,600
Speaker 3: what we get is a text scrawl WITH i can't

728
00:38:15,600 --> 00:38:18,320
Speaker 3: remember is it narrated AS i think it, is BECAUSE

729
00:38:18,320 --> 00:38:21,560
Speaker 3: i think the text is actually In italian and gets

730
00:38:21,680 --> 00:38:25,319
Speaker 3: narrated In. English so we get it read to us

731
00:38:25,360 --> 00:38:30,120
Speaker 3: and we Hear, metropolis known ages ago as Planet earth

732
00:38:30,600 --> 00:38:35,560
Speaker 3: now faces its gravest. Hour Lord grawl has just escaped

733
00:38:35,600 --> 00:38:39,520
Speaker 3: from the prison, satellite where his, brother ruler of the

734
00:38:39,560 --> 00:38:44,920
Speaker 3: peaceful galactic, democracy had exiled. Him malevolent and power, Hungry

735
00:38:45,080 --> 00:38:49,160
Speaker 3: gral has plans of vengeance that might forever alter the

736
00:38:49,239 --> 00:38:53,480
Speaker 3: destiny of. Mankind very good BECAUSE i love how it

737
00:38:53,520 --> 00:38:56,960
Speaker 3: starts with the prison, satellite as if you already know

738
00:38:57,000 --> 00:38:58,040
Speaker 3: what that. Is you.

739
00:38:58,080 --> 00:39:00,680
Speaker 1: Know it's also telling because you know from the very

740
00:39:00,719 --> 00:39:04,080
Speaker 1: beginning In Star, wars when the text moves across the,

741
00:39:04,080 --> 00:39:08,680
Speaker 1: screen we already have a sense of a large, universe you,

742
00:39:08,719 --> 00:39:10,879
Speaker 1: know and not all the details are filled. In there's

743
00:39:10,880 --> 00:39:13,560
Speaker 1: a lot of stuff that is developed, later but we

744
00:39:13,600 --> 00:39:19,040
Speaker 1: get the idea that this is an expansive fantastic. World

745
00:39:19,239 --> 00:39:23,080
Speaker 1: and in this picture we already get an idea of

746
00:39:23,120 --> 00:39:28,319
Speaker 1: a small, world like everything feels small despite Its star.

747
00:39:28,400 --> 00:39:30,200
Speaker 1: Warsiness that's a very good.

748
00:39:30,239 --> 00:39:32,560
Speaker 3: POINT i, mean, yeah just the text In Star wars

749
00:39:32,560 --> 00:39:35,759
Speaker 3: makes you feel like the galaxy is, big a lot

750
00:39:35,800 --> 00:39:37,920
Speaker 3: of stuff is, happening and we're coming in right in

751
00:39:37,960 --> 00:39:42,480
Speaker 3: the middle of. Things this text suggests this world is,

752
00:39:42,520 --> 00:39:45,719
Speaker 3: boring not much is, happening and we're starting here at

753
00:39:45,760 --> 00:39:47,759
Speaker 3: the beginning before things even really ramp.

754
00:39:47,920 --> 00:39:51,360
Speaker 1: Up, yeah and our fantastic location in space Is earth

755
00:39:51,480 --> 00:39:51,719
Speaker 1: in the.

756
00:39:51,719 --> 00:39:54,920
Speaker 3: Future, Yeah like the way things start in this movie

757
00:39:55,000 --> 00:39:58,640
Speaker 3: is not with crisis but with peaceful galactic, democracy and

758
00:39:58,680 --> 00:40:01,359
Speaker 3: the opening text tells you there's a guy who's maybe

759
00:40:01,360 --> 00:40:04,520
Speaker 3: about to mess that. Up but of, course right at

760
00:40:04,560 --> 00:40:06,880
Speaker 3: the beginning we get space ships. Zooming because, again this

761
00:40:07,080 --> 00:40:09,680
Speaker 3: is A Star wars, ripoff AND i will say more

762
00:40:09,800 --> 00:40:14,279
Speaker 3: so Than message From space or Even Star. Crash those

763
00:40:14,280 --> 00:40:17,320
Speaker 3: are Both Star wars clones that we've talked about before

764
00:40:17,400 --> 00:40:21,000
Speaker 3: and have their own. Charms this movie does way more

765
00:40:21,440 --> 00:40:25,120
Speaker 3: direct ripping off of set pieces From Star, wars just

766
00:40:25,320 --> 00:40:29,680
Speaker 3: blatant ripoffs of shots and sets and costumes from the.

767
00:40:29,719 --> 00:40:33,600
Speaker 1: Movie, yeah like a message from. Space the star the,

768
00:40:33,640 --> 00:40:36,520
Speaker 1: starships they all they all look different and they had

769
00:40:36,560 --> 00:40:38,479
Speaker 1: kind of a cool, look and the models were very well.

770
00:40:38,520 --> 00:40:41,640
Speaker 1: Done but, man this is just like a straight up star.

771
00:40:41,680 --> 00:40:44,719
Speaker 3: Destroyer, yes this one just starts with The Star destroyer

772
00:40:44,880 --> 00:40:47,560
Speaker 3: sliding in right over the, camera like the opening shot

773
00:40:47,600 --> 00:40:50,360
Speaker 3: Of Star. Wars. YEAH i know that shot gets copied

774
00:40:50,360 --> 00:40:51,880
Speaker 3: in a lot of, movies but this one is the

775
00:40:51,920 --> 00:40:53,439
Speaker 3: most blatant That i've ever.

776
00:40:53,480 --> 00:40:56,080
Speaker 1: Seen, yeah it's about as spot on as you could

777
00:40:56,080 --> 00:40:58,560
Speaker 1: get without just actually using a model of a star

778
00:40:58,600 --> 00:41:00,600
Speaker 1: destroyer or more ripping the.

779
00:41:01,080 --> 00:41:03,880
Speaker 3: Footage, yeah and the model they use is close, enough

780
00:41:04,000 --> 00:41:06,759
Speaker 3: like you, know if you were, squinting you might mistake. It,

781
00:41:07,160 --> 00:41:10,040
Speaker 3: Yeah and so you, know we get The Star destroyer coming.

782
00:41:10,080 --> 00:41:13,160
Speaker 3: IN i think we're to assume already That Lord grawl

783
00:41:13,280 --> 00:41:15,239
Speaker 3: is on this. SHIP i don't know why we know,

784
00:41:15,320 --> 00:41:18,080
Speaker 3: that but that's just. Implied and, okay, yeah we get.

785
00:41:18,120 --> 00:41:20,760
Speaker 3: It Darth vader was on The Star. Destroyer Lord grawl's

786
00:41:20,760 --> 00:41:23,640
Speaker 3: on this. Thing and we see a smaller ship approach

787
00:41:23,760 --> 00:41:26,440
Speaker 3: The Star. Destroyer it looks like it's some space cops or,

788
00:41:26,440 --> 00:41:28,560
Speaker 3: something and they radio and they're, like, hey who are?

789
00:41:28,640 --> 00:41:31,799
Speaker 3: You what's? Up and then The Star destroyer just annihilates,

790
00:41:31,840 --> 00:41:36,960
Speaker 3: it blasts, it and then we get the monologue Of Lord.

791
00:41:37,080 --> 00:41:40,920
Speaker 3: Grawl before we see, him we hear. HIM i guess

792
00:41:41,120 --> 00:41:44,080
Speaker 3: he's like talking in his. Head he, goes those pilots were,

793
00:41:44,160 --> 00:41:49,040
Speaker 3: sheep not. Soldiers my brother has made his army bloated with, peace.

794
00:41:51,080 --> 00:41:51,200
Speaker 1: You.

795
00:41:51,200 --> 00:41:53,080
Speaker 3: Know and this reminds me there are actually people who

796
00:41:53,080 --> 00:41:56,120
Speaker 3: have had mentalities like this in history, that, like you,

797
00:41:56,160 --> 00:41:59,160
Speaker 3: know war is what makes people strong and peace makes people,

798
00:41:59,239 --> 00:42:04,120
Speaker 3: soft even Infected american thinking at. TIMES i think Unfortunately

799
00:42:04,160 --> 00:42:06,720
Speaker 3: Teddy roosevelt at some points in his life was somewhat

800
00:42:06,719 --> 00:42:09,319
Speaker 3: susceptible to this kind of, thinking, like, oh you need

801
00:42:09,320 --> 00:42:11,600
Speaker 3: a good war to make your culture, strong.

802
00:42:12,400 --> 00:42:14,000
Speaker 1: And this Is grahl's philosophy as.

803
00:42:14,040 --> 00:42:17,200
Speaker 3: Well, yes yes it. Is but then we see him

804
00:42:17,560 --> 00:42:21,640
Speaker 3: and oh my, god This Darth. Vader, Dude Lord, GRAWL

805
00:42:23,400 --> 00:42:25,480
Speaker 3: i don't even know where to. Start he's got belts

806
00:42:25,520 --> 00:42:30,040
Speaker 3: over his face and so it's not a Full Darth vader.

807
00:42:30,080 --> 00:42:32,960
Speaker 3: Mask it is A Darth vader helmet and Like Darth,

808
00:42:33,080 --> 00:42:36,080
Speaker 3: vader kind of black leathery looking shoulder pads and the

809
00:42:36,120 --> 00:42:38,840
Speaker 3: rest of the suit is Very vader. Esque but instead

810
00:42:39,000 --> 00:42:42,439
Speaker 3: of the robot face Of. Vader we get a crucifix

811
00:42:42,520 --> 00:42:44,080
Speaker 3: of black belts over the.

812
00:42:44,120 --> 00:42:48,600
Speaker 1: Face, yeah this Discount Darth vader, COSTUME i, think in

813
00:42:48,640 --> 00:42:52,160
Speaker 1: many ways helps illustrate just how well the Actual Darth

814
00:42:52,239 --> 00:42:56,280
Speaker 1: vader costume was designed and brought to. Life for, Instance

815
00:42:56,360 --> 00:43:00,040
Speaker 1: Darth vader's helmet contains elements of the skull of a,

816
00:43:00,040 --> 00:43:04,120
Speaker 1: amarai helm of an, insect of a, robot but it

817
00:43:04,200 --> 00:43:07,120
Speaker 1: hits all of these notes in ways that don't overwhelm.

818
00:43:07,239 --> 00:43:10,360
Speaker 1: You you, know like there's a perfect alchemy to the

819
00:43:10,360 --> 00:43:12,799
Speaker 1: way these elements come together In Darth vader's, helmet and

820
00:43:12,800 --> 00:43:16,120
Speaker 1: that's why it's become this just iconic. Symbol but this

821
00:43:16,239 --> 00:43:20,359
Speaker 1: Design grawl's, outfit it leans way too heavily on first

822
00:43:20,360 --> 00:43:23,760
Speaker 1: of all the samurai, Motifs like it's clearly just just

823
00:43:23,920 --> 00:43:26,560
Speaker 1: a shiny samurai heilmet that you, know they painted. Black

824
00:43:27,080 --> 00:43:29,839
Speaker 1: and then he has that weird face shackle across his

825
00:43:29,960 --> 00:43:32,880
Speaker 1: face that kind of looks like it's it kind of

826
00:43:32,920 --> 00:43:35,520
Speaker 1: looks like it's a, punishment you, know like, yes like

827
00:43:35,520 --> 00:43:38,760
Speaker 1: they've put his face in a gibbet or they grawl.

828
00:43:38,840 --> 00:43:40,719
Speaker 3: He got into the cookie jar and they're like put

829
00:43:40,719 --> 00:43:41,440
Speaker 3: on the punishment.

830
00:43:41,480 --> 00:43:44,120
Speaker 1: Helmet, yeah like it has that man in the iron

831
00:43:44,160 --> 00:43:46,080
Speaker 1: mask kind of a feel to. It it just it

832
00:43:46,160 --> 00:43:46,799
Speaker 1: just comes off as.

833
00:43:46,880 --> 00:43:50,000
Speaker 3: Weird Lord grawl is, sorry CAN i take the belts?

834
00:43:50,080 --> 00:43:54,920
Speaker 3: Off so they're Approaching, metropolis, which as we've already been,

835
00:43:54,920 --> 00:43:57,360
Speaker 3: told is Planet. EARTH i guess it's Just earth in the,

836
00:43:57,400 --> 00:44:01,080
Speaker 3: future and Barth quator here sends out an attack ship

837
00:44:01,120 --> 00:44:04,880
Speaker 3: that is piloted by a guy in a your, helmet you,

838
00:44:04,920 --> 00:44:08,360
Speaker 3: know the ones that are also in your and he,

839
00:44:08,440 --> 00:44:12,160
Speaker 3: says he, says make sure there are no, survivors especially

840
00:44:12,280 --> 00:44:17,600
Speaker 3: That Barbara. Gibson so, YEAH i just love.

841
00:44:17,640 --> 00:44:18,919
Speaker 1: It Lord grawl.

842
00:44:18,680 --> 00:44:21,840
Speaker 3: Has put a hit On Barbara. Gibson, Yeah Barbara.

843
00:44:21,840 --> 00:44:23,200
Speaker 1: Gibson and then we Meet.

844
00:44:23,040 --> 00:44:25,960
Speaker 3: Barbara, gibson and this Is Koreean. Clary she's working at

845
00:44:25,960 --> 00:44:29,600
Speaker 3: a place called The. Institute The institute is one of

846
00:44:29,600 --> 00:44:32,560
Speaker 3: those places from you, know seventies and eighties sci fi

847
00:44:32,640 --> 00:44:36,719
Speaker 3: movies where everybody wears kind of billowy. CLOTHES i don't

848
00:44:36,760 --> 00:44:39,040
Speaker 3: know what you call the texture of that, fabric but you,

849
00:44:39,040 --> 00:44:42,440
Speaker 3: know it's Like Princess leah's. Dress everybody's just dressed like.

850
00:44:42,520 --> 00:44:45,279
Speaker 3: That and it's on a planet THAT i think is

851
00:44:45,320 --> 00:44:47,960
Speaker 3: supposed to look like tattooine From Star. Wars this is

852
00:44:48,239 --> 00:44:50,799
Speaker 3: another one of the things that we should get into

853
00:44:50,840 --> 00:44:52,440
Speaker 3: this in more depth as we go. On but LIKE

854
00:44:53,560 --> 00:44:56,200
Speaker 3: i was interested, In, okay when movies are trying to

855
00:44:56,280 --> 00:45:00,000
Speaker 3: rip Off Star, wars what are the elements they rip off?

856
00:45:00,040 --> 00:45:05,000
Speaker 3: Off because they don't usually copy the overall story structure

857
00:45:05,239 --> 00:45:09,719
Speaker 3: or anything like. That instead they copy specific esthetic elements

858
00:45:10,040 --> 00:45:15,319
Speaker 3: Like Darth vader's suit and the desert planet tattooin all

859
00:45:15,360 --> 00:45:17,920
Speaker 3: of These Star wars ripoffs have a desert planet like

860
00:45:17,960 --> 00:45:19,040
Speaker 3: this with white earthen.

861
00:45:19,160 --> 00:45:23,040
Speaker 1: Buildings, yeah AND i think so if memory. SERVES i

862
00:45:23,080 --> 00:45:25,040
Speaker 1: don't have the figures in front of me, here BUT

863
00:45:25,280 --> 00:45:28,440
Speaker 1: i believe they filmed this In, italy but also a

864
00:45:28,480 --> 00:45:31,839
Speaker 1: little bit In. Israel So i'm not sure in any

865
00:45:31,880 --> 00:45:35,360
Speaker 1: of these desert scenes if we're looking At italian landscape

866
00:45:35,480 --> 00:45:40,040
Speaker 1: or we're looking at At Middle eastern, landscape BUT i.

867
00:45:40,040 --> 00:45:40,839
Speaker 3: Would guess this Is.

868
00:45:40,840 --> 00:45:46,080
Speaker 1: Israel, Okay BUT i will say these are neat. Locations you,

869
00:45:46,120 --> 00:45:49,480
Speaker 1: know they look interesting and they feel they kind of

870
00:45:49,480 --> 00:45:52,640
Speaker 1: feel suitably, alien even if we're not actually on an alien.

871
00:45:52,719 --> 00:45:56,840
Speaker 1: World if this is Just. Earth BUT i liked it ENOUGH.

872
00:45:57,400 --> 00:45:59,360
Speaker 3: I was wondering, Though so it's an. Institute what do

873
00:45:59,440 --> 00:46:00,920
Speaker 3: they study this? Institute?

874
00:46:01,280 --> 00:46:01,720
Speaker 1: Everything?

875
00:46:01,840 --> 00:46:05,000
Speaker 3: Yeah? Everything, okay it's the place of. Knowledge and So

876
00:46:05,120 --> 00:46:07,200
Speaker 3: Barbara gibson is hanging out at work and then she

877
00:46:07,239 --> 00:46:10,520
Speaker 3: gets a video call from a child who pops up

878
00:46:10,520 --> 00:46:12,960
Speaker 3: on the video. Screen we learned that the child's name

879
00:46:13,120 --> 00:46:16,400
Speaker 3: Is Tom, tom And Tom tom tells her that she

880
00:46:16,520 --> 00:46:20,160
Speaker 3: must leave the institute and come home at. Once and

881
00:46:20,239 --> 00:46:22,000
Speaker 3: so you, think, okay how is he going to convince

882
00:46:22,000 --> 00:46:23,839
Speaker 3: her to? Leave but he doesn't need to do any.

883
00:46:23,880 --> 00:46:29,200
Speaker 3: Convincing it's almost like the video call the child hypnotizes

884
00:46:29,280 --> 00:46:32,480
Speaker 3: her with like secret magic words and then she just

885
00:46:32,680 --> 00:46:36,479
Speaker 3: robotically in a trance, state walks out of work and goes.

886
00:46:36,560 --> 00:46:40,839
Speaker 3: Home so immediately we know that That Tom tom there's

887
00:46:40,840 --> 00:46:42,040
Speaker 3: something up with, him like he's got.

888
00:46:42,080 --> 00:46:47,719
Speaker 1: Powers, yeah this is, Yeah Tom tom is a magical,

889
00:46:47,840 --> 00:46:51,319
Speaker 1: child AND i Like Tom. Tom Tom tom has a

890
00:46:51,320 --> 00:46:54,760
Speaker 1: cool energy about. Him whenever he's he seems in control

891
00:46:54,800 --> 00:46:56,640
Speaker 1: the whole. Time he's never really in peril in a

892
00:46:56,640 --> 00:47:00,240
Speaker 1: way that made me feel. Uncomfortable so, Yeah i'm a Big.

893
00:47:00,520 --> 00:47:02,640
Speaker 3: Oh were you kind of The Gene sisco school that

894
00:47:02,680 --> 00:47:05,560
Speaker 3: you don't like it when a movie puts a child in, DANGER.

895
00:47:06,360 --> 00:47:11,960
Speaker 1: I not, necessarily BUT i do find in some films

896
00:47:12,200 --> 00:47:14,280
Speaker 1: that a child is put in danger in a way

897
00:47:14,360 --> 00:47:17,600
Speaker 1: that the acting is a little too. Real oh, yeah.

898
00:47:17,440 --> 00:47:19,440
Speaker 1: YEAH i don't, know in not a way that That

899
00:47:19,520 --> 00:47:22,640
Speaker 1: i'm like completely taken out of the viewing experience per.

900
00:47:22,680 --> 00:47:26,040
Speaker 1: Se BUT i have, seen particularly Some italian horror films

901
00:47:26,040 --> 00:47:28,240
Speaker 1: Where i'm, like oh, MAN i think that child was really.

902
00:47:28,320 --> 00:47:30,719
Speaker 1: Terrified oh, Yeah AND i don't. KNOW i just really

903
00:47:30,760 --> 00:47:32,759
Speaker 1: Liked Tam tam, here AND i didn't WANT i didn't

904
00:47:32,760 --> 00:47:35,160
Speaker 1: want anything bad to happen to. Him but luckily he's super.

905
00:47:35,280 --> 00:47:37,279
Speaker 1: Chill he's not worried about, it SO i can be

906
00:47:37,320 --> 00:47:38,040
Speaker 1: worried about it. Either.

907
00:47:38,160 --> 00:47:40,560
Speaker 3: Yeah he never seems upset a single bit in this.

908
00:47:40,600 --> 00:47:44,640
Speaker 3: Movie he is like amazingly. Calm he has clearly mastered

909
00:47:44,719 --> 00:47:49,879
Speaker 3: some some techniques of emotional, CONTROL i. Believe so immediately

910
00:47:49,960 --> 00:47:53,319
Speaker 3: After Barbara gibson leaves the, institute there's just a stormtrooper.

911
00:47:53,320 --> 00:47:56,839
Speaker 3: Attack they wander through blasting everything that. Moves they kill,

912
00:47:56,840 --> 00:48:00,800
Speaker 3: everybody and they steal some mcguffin from inside the vault

913
00:48:00,880 --> 00:48:05,000
Speaker 3: at the institute that is called The. Capitron AND i

914
00:48:05,080 --> 00:48:07,480
Speaker 3: was just thinking, like why does this sound so? Familiar

915
00:48:07,480 --> 00:48:10,560
Speaker 3: BECAUSE i thought on a previous episode Of Weird House,

916
00:48:10,600 --> 00:48:13,400
Speaker 3: cinema we have discussed a mcguffin from a movie that

917
00:48:13,600 --> 00:48:16,000
Speaker 3: sounded like the dental device called a.

918
00:48:16,080 --> 00:48:19,759
Speaker 1: CAVITRON m it's not ringing a. BELL i mean capatron

919
00:48:19,800 --> 00:48:24,239
Speaker 1: sounds like it should be some sort of synthesizer from

920
00:48:24,280 --> 00:48:27,520
Speaker 1: the late nineteen, seventies but it's.

921
00:48:27,560 --> 00:48:32,319
Speaker 3: Not And Anio morricone on the. Capitron but the Lead

922
00:48:32,400 --> 00:48:35,800
Speaker 3: stormtrooper has to go back and report to Barth quator

923
00:48:36,040 --> 00:48:39,480
Speaker 3: That Barbara gibson was not at the institute when they,

924
00:48:39,640 --> 00:48:44,120
Speaker 3: arrived and then Barth quader punishes. Him he's, like you

925
00:48:44,200 --> 00:48:47,920
Speaker 3: are stripped of your privileges for one hundred. Days and

926
00:48:47,960 --> 00:48:50,080
Speaker 3: THEN i was, like, ooh what are these? Privileges we're

927
00:48:50,120 --> 00:48:54,040
Speaker 3: going to learn something About stormtrooper, society what special privileges

928
00:48:54,080 --> 00:48:56,200
Speaker 3: do they get and what is the punishment when they're

929
00:48:56,200 --> 00:48:59,400
Speaker 3: stripped of? Them but then, Nothing we never learned what that, means.

930
00:48:59,480 --> 00:49:02,439
Speaker 1: Like is it are they toilet privileges or is it

931
00:49:02,920 --> 00:49:05,000
Speaker 1: or is it something like really nice like you don't

932
00:49:05,000 --> 00:49:08,120
Speaker 1: get to play The xbox or something that is there

933
00:49:08,120 --> 00:49:10,719
Speaker 1: for the. Stormtroopers you, Know i'm not sure how much this.

934
00:49:10,840 --> 00:49:14,080
Speaker 3: Hurting clearly it was not the stormtrooper's. Fault The Barbara

935
00:49:14,080 --> 00:49:17,200
Speaker 3: gibson was not at the. Institute Tom tom got ahead

936
00:49:17,200 --> 00:49:19,080
Speaker 3: of them and he had no way of controlling. That

937
00:49:19,160 --> 00:49:21,399
Speaker 3: BUT i think this is to show us That Lord

938
00:49:21,440 --> 00:49:24,640
Speaker 3: grawl is, Unfair like he doesn't care if the reason

939
00:49:24,680 --> 00:49:27,160
Speaker 3: you failed was actually your. Fault he'll take away your

940
00:49:27,160 --> 00:49:28,520
Speaker 3: privileges for one hundred days.

941
00:49:28,560 --> 00:49:30,760
Speaker 1: Anyway, yeah he's a terrible.

942
00:49:30,760 --> 00:49:33,080
Speaker 3: Boss so then we go back to The Barbara gibson

943
00:49:33,520 --> 00:49:36,600
Speaker 3: And Tom tom house And Tom tom is just wiping

944
00:49:36,640 --> 00:49:39,040
Speaker 3: the floor with her at some kind of strategy. Game

945
00:49:39,080 --> 00:49:42,759
Speaker 3: it looks like it's battleship or, something or chess on

946
00:49:42,840 --> 00:49:45,040
Speaker 3: a computer in some, way and they talk about how

947
00:49:45,080 --> 00:49:48,279
Speaker 3: even the computer can't beat, him and then she's, like

948
00:49:48,320 --> 00:49:50,239
Speaker 3: where do you come? From and he, SAYS i come

949
00:49:50,280 --> 00:49:53,239
Speaker 3: from a place far far away Where i've learned very.

950
00:49:53,360 --> 00:49:56,280
Speaker 3: Much and my real name means Great ocean of. Wisdom

951
00:49:56,920 --> 00:50:00,120
Speaker 3: and so it. Is so he's not like, her her,

952
00:50:00,360 --> 00:50:03,440
Speaker 3: child he is her. PUPIL i think she's a teacher

953
00:50:03,520 --> 00:50:06,560
Speaker 3: and she's teaching, Him but what is she teaching? Him

954
00:50:06,560 --> 00:50:07,920
Speaker 3: he already appears to know.

955
00:50:08,000 --> 00:50:12,399
Speaker 1: Everything, yeah he is an all powerful space. Child, yeah

956
00:50:12,440 --> 00:50:15,160
Speaker 1: and you know that's that's basically all you need to

957
00:50:15,200 --> 00:50:17,279
Speaker 1: know about. It and, honestly the movie gives us very

958
00:50:17,320 --> 00:50:18,279
Speaker 1: little else in the way of.

959
00:50:18,320 --> 00:50:21,440
Speaker 3: Answers but then we meet some more. Characters we're going

960
00:50:21,520 --> 00:50:23,600
Speaker 3: to get into the politics of this. World so we

961
00:50:23,640 --> 00:50:27,640
Speaker 3: meet a guy Named Great, brother which is pretty close

962
00:50:27,680 --> 00:50:29,799
Speaker 3: To Big, brother but they say he's the leader of

963
00:50:29,840 --> 00:50:34,000
Speaker 3: The Utopian order Of. Earth and you, know an alternate

964
00:50:34,080 --> 00:50:37,120
Speaker 3: way of reading this film is that Actually earth is

965
00:50:37,200 --> 00:50:40,399
Speaker 3: not a. Utopia it is An orwellian nightmare state under

966
00:50:40,440 --> 00:50:43,359
Speaker 3: the control Of Great. Brother and the movie is just

967
00:50:43,920 --> 00:50:46,520
Speaker 3: like it happens to be written By Inner party members

968
00:50:46,560 --> 00:50:48,960
Speaker 3: that are loyal To Great, brother and in, Fact Lord

969
00:50:49,000 --> 00:50:51,919
Speaker 3: grahl is the good. Guy he's like the he's being

970
00:50:51,960 --> 00:50:55,640
Speaker 3: held up as The Emmanuel goldstein of this world so

971
00:50:55,680 --> 00:50:57,960
Speaker 3: that all of our heroes can have a two minutes

972
00:50:58,000 --> 00:51:01,280
Speaker 3: hate against. Him but, no instead we Meet Great brother

973
00:51:01,320 --> 00:51:04,279
Speaker 3: and he's, like he's chatting with this young guy Named,

974
00:51:04,440 --> 00:51:07,680
Speaker 3: nick who is some kind of soldier In. METROPOLIS i

975
00:51:07,719 --> 00:51:10,240
Speaker 3: think he's the young hunk of the. Movie he's supposed

976
00:51:10,280 --> 00:51:15,000
Speaker 3: to Be Han. Solo basically but far less Interesting dopier

977
00:51:15,040 --> 00:51:19,239
Speaker 3: And mopier with longer curly, hair and they talk about

978
00:51:19,239 --> 00:51:22,080
Speaker 3: the theft of The capatron. Device Great brother, says if

979
00:51:22,160 --> 00:51:25,160
Speaker 3: word gets, out there will be a. Panic why would that, Be,

980
00:51:25,280 --> 00:51:28,200
Speaker 3: well he, Explains he, says it was the discovery of

981
00:51:28,280 --> 00:51:31,480
Speaker 3: the most ingenious scientist That metropolis has had in this,

982
00:51:31,640 --> 00:51:36,239
Speaker 3: century Doctor. Craspin it has the power to modify a

983
00:51:36,280 --> 00:51:39,960
Speaker 3: man's cell structure and transmute him into some sort of

984
00:51:40,040 --> 00:51:45,160
Speaker 3: monstrosity with superhuman. Powers and So nick, asks, well why

985
00:51:45,280 --> 00:51:49,200
Speaker 3: was the institute creating a monstrosity beam And Great brother,

986
00:51:49,320 --> 00:51:52,239
Speaker 3: SAYS i don't remember exactly what he. SAID i mean

987
00:51:52,280 --> 00:51:54,759
Speaker 3: basically seems, like, Well craspin had, tenure you, know he

988
00:51:54,760 --> 00:51:57,839
Speaker 3: could do what he, wanted but somebody sniffed him. Out

989
00:51:58,120 --> 00:52:00,880
Speaker 3: the person who learned what he was doing Was Dunda

990
00:52:00,920 --> 00:52:05,359
Speaker 3: Da Da Barbara. Gibson Once Barbara gibson got on his,

991
00:52:05,360 --> 00:52:08,520
Speaker 3: trail everybody found out his evil plans and he was

992
00:52:08,640 --> 00:52:12,960
Speaker 3: arrested because she tattled To Big, brother and The capatron was.

993
00:52:12,960 --> 00:52:17,799
Speaker 3: Confiscated but now it's been stolen and nobody knows where

994
00:52:17,840 --> 00:52:22,160
Speaker 3: Doctor craspin, Is so there's definitely trouble afoot and So

995
00:52:22,719 --> 00:52:25,480
Speaker 3: nick has given a. Mission Big brother tells, him you

996
00:52:25,560 --> 00:52:29,160
Speaker 3: need to go Find Barbara. Gibson SO i think he

997
00:52:29,239 --> 00:52:32,799
Speaker 3: calls her Miss, gibson so you can Find craspin and

998
00:52:32,880 --> 00:52:35,600
Speaker 3: save the. Planet and this part really made. IT i

999
00:52:35,680 --> 00:52:38,480
Speaker 3: laughed out loud here because there's no refusing the. Call

1000
00:52:38,800 --> 00:52:41,279
Speaker 3: there's No luke, saying you, know it's so far away from,

1001
00:52:41,320 --> 00:52:44,239
Speaker 3: here what CAN i. Do No Han solo, saying you,

1002
00:52:44,280 --> 00:52:47,479
Speaker 3: know that's not, bravery, kid it's more like. Suicide nick

1003
00:52:47,560 --> 00:52:48,880
Speaker 3: just says, like all, right, Boss.

1004
00:52:50,200 --> 00:52:52,319
Speaker 1: Yeah and this brings us back to some of the

1005
00:52:52,320 --> 00:52:56,280
Speaker 1: points we're making About Star wars copies And Star wars.

1006
00:52:56,280 --> 00:52:59,680
Speaker 1: Rebuffs they'd certainly go for the. Aesthetics they go for

1007
00:52:59,719 --> 00:53:03,560
Speaker 1: these elements like desert planets and stormtroopers and laser. Guns

1008
00:53:03,680 --> 00:53:05,319
Speaker 1: maybe if they have the budget for, it they'll throw

1009
00:53:05,320 --> 00:53:07,719
Speaker 1: in some droids and some. Aliens but the thing that

1010
00:53:07,760 --> 00:53:11,560
Speaker 1: they never copy is they never copy the hero's. Journey

1011
00:53:11,600 --> 00:53:16,640
Speaker 1: they never get into the mythological underpinnings that were that

1012
00:53:16,680 --> 00:53:20,000
Speaker 1: are so central To lucas's. Creations so there's never the

1013
00:53:20,040 --> 00:53:23,040
Speaker 1: hero of a thousand. Faces there's never any connection to

1014
00:53:23,040 --> 00:53:26,400
Speaker 1: the er. Myth you, know that's always what is.

1015
00:53:26,440 --> 00:53:29,719
Speaker 3: Missing, yeah the ripping off is of the most superficial.

1016
00:53:29,800 --> 00:53:34,239
Speaker 4: Elements, yeah and, ULTIMATELY i mean that's if you just

1017
00:53:34,239 --> 00:53:36,600
Speaker 4: get those superficial, Elements, yeah you don't Have Star wars

1018
00:53:36,640 --> 00:53:38,960
Speaker 4: because one of the things that always worked in The

1019
00:53:38,960 --> 00:53:43,799
Speaker 4: Star wars films is that you had that mythological skeleton

1020
00:53:43,880 --> 00:53:46,040
Speaker 4: to the thing that was propelling things.

1021
00:53:46,080 --> 00:53:46,960
Speaker 1: Along oh, yeah.

1022
00:53:47,000 --> 00:53:49,360
Speaker 3: Totally but, HEY i know a way to fix the

1023
00:53:49,360 --> 00:53:52,680
Speaker 3: hollowness of the, story which is Introduce Richard keel and

1024
00:53:52,719 --> 00:53:57,399
Speaker 3: acute Robot, finally that's immediately what happens, next and thank

1025
00:53:57,440 --> 00:53:59,520
Speaker 3: god we got, here because up to this point the

1026
00:53:59,520 --> 00:54:00,560
Speaker 3: movie is rather.

1027
00:54:00,719 --> 00:54:03,480
Speaker 1: Dull. YEAH i was having a very hard time paying

1028
00:54:03,480 --> 00:54:07,200
Speaker 1: attention to anything in this film until Finally Richard keel

1029
00:54:07,239 --> 00:54:09,600
Speaker 1: and the robot dogs show, up and then suddenly it's

1030
00:54:09,719 --> 00:54:12,120
Speaker 1: kind of interesting And i'm, Like, Okay i'm beginning to

1031
00:54:12,120 --> 00:54:12,879
Speaker 1: see where we're going.

1032
00:54:12,920 --> 00:54:15,960
Speaker 3: Here. Yeah, Yeah So Richard keel is cruising in space

1033
00:54:16,000 --> 00:54:18,960
Speaker 3: in his spaceship and he encounters some kind of. Problem

1034
00:54:19,160 --> 00:54:21,840
Speaker 3: he's trying to Contact. Metropolis they're not getting back to.

1035
00:54:21,920 --> 00:54:25,400
Speaker 3: Him his ship's breaking. Down, oh his character's name is Go,

1036
00:54:25,680 --> 00:54:29,759
Speaker 3: law But golob and he's just generally having a hard,

1037
00:54:29,840 --> 00:54:32,720
Speaker 3: time and then we see him take out his frustrations

1038
00:54:32,719 --> 00:54:36,960
Speaker 3: on his adorable robot, Dog. Kip he's, Like, Kip i'm

1039
00:54:36,960 --> 00:54:40,040
Speaker 3: mad at, you but then he immediately feels bad about.

1040
00:54:40,080 --> 00:54:43,279
Speaker 3: It And kip is just the cutest. Thing this movie.

1041
00:54:43,360 --> 00:54:47,799
Speaker 3: SUCCEEDS i, Mean kip is not as effectively emotional as

1042
00:54:47,840 --> 00:54:50,040
Speaker 3: The droids And Star wars. Are its doesn't have as

1043
00:54:50,120 --> 00:54:52,920
Speaker 3: much personality AS r TWO d, Two but because they

1044
00:54:52,960 --> 00:54:58,000
Speaker 3: went with robot dog instead of just general, robot it

1045
00:54:58,080 --> 00:54:59,759
Speaker 3: gets automatic mileage out of.

1046
00:55:00,320 --> 00:55:04,239
Speaker 1: Similarities, yeah and it. Is it is very cute in

1047
00:55:04,239 --> 00:55:06,640
Speaker 1: a kind of, know kind of analog. Way you, know

1048
00:55:06,880 --> 00:55:09,560
Speaker 1: it's like, this it's a dog made out of keyboard

1049
00:55:09,600 --> 00:55:12,800
Speaker 1: parts and. Stuff. Yeah SO i enjoyed all the scenes

1050
00:55:12,840 --> 00:55:15,640
Speaker 1: Involving Richard keel's character and the robot.

1051
00:55:15,680 --> 00:55:17,800
Speaker 3: Dog me, Too AND i laughed out loud when the

1052
00:55:17,880 --> 00:55:21,680
Speaker 3: robot dog extended its telescoping antenna tail and wagged. It

1053
00:55:23,560 --> 00:55:24,920
Speaker 3: BUT i feel like this is sort of where the

1054
00:55:24,920 --> 00:55:28,200
Speaker 3: movie really picks, up when we Meet Richard keel and

1055
00:55:28,239 --> 00:55:31,279
Speaker 3: when we start meeting more of the bad. Guys, so,

1056
00:55:31,760 --> 00:55:34,440
Speaker 3: Yeah Richard keel is. Fun the robot dog is, great

1057
00:55:34,480 --> 00:55:38,279
Speaker 3: and so they're flying around in. Space but then we

1058
00:55:38,360 --> 00:55:42,880
Speaker 3: cut to the evil enemy base on a planet called Planet,

1059
00:55:42,960 --> 00:55:47,040
Speaker 3: knoxun which outside looks exactly the same as the other.

1060
00:55:47,080 --> 00:55:47,840
Speaker 3: Planet it's just a.

1061
00:55:47,880 --> 00:55:50,799
Speaker 1: Desert. Yeah WHEN i watched, IT i thought they Said,

1062
00:55:50,880 --> 00:55:53,280
Speaker 1: nixon so it was like the Planet. Mixon that's, great

1063
00:55:53,280 --> 00:55:55,920
Speaker 1: that's a perfect evil planet for the late nineteen.

1064
00:55:55,960 --> 00:55:58,839
Speaker 3: Seventies, YEAH i mean it's pretty. Close but here we

1065
00:55:58,880 --> 00:56:02,239
Speaker 3: meet another. Villain It's Barbara back and the first thing

1066
00:56:02,280 --> 00:56:04,040
Speaker 3: you will notice about her is that she's wearing an

1067
00:56:04,120 --> 00:56:10,280
Speaker 3: absolutely astounding. Wig it's kind of hair, metal but it's

1068
00:56:10,320 --> 00:56:12,640
Speaker 3: it's also something else that you've just never seen on a.

1069
00:56:12,719 --> 00:56:16,400
Speaker 3: Human the wig she's wearing is at the same time

1070
00:56:16,960 --> 00:56:20,279
Speaker 3: hair and a hood and a.

1071
00:56:20,400 --> 00:56:25,600
Speaker 1: Helmet, yeah, yeah it's it's it's interesting, looking but you,

1072
00:56:25,640 --> 00:56:29,560
Speaker 1: know she's she's a very stylish. Lady she's you, know

1073
00:56:29,600 --> 00:56:33,120
Speaker 1: she's able to pull it off, somehow, somehow this doesn't

1074
00:56:33,200 --> 00:56:34,759
Speaker 1: look completely goofy on.

1075
00:56:34,800 --> 00:56:37,680
Speaker 3: Her, so like the front of this hair looks like

1076
00:56:37,719 --> 00:56:40,680
Speaker 3: the McDonald's, arches like it goes up on each side

1077
00:56:40,719 --> 00:56:42,799
Speaker 3: and then comes down and it's kind of fluffy in the,

1078
00:56:42,840 --> 00:56:45,479
Speaker 3: front which makes it look like a you, know fur

1079
00:56:45,560 --> 00:56:48,880
Speaker 3: lined hood on a, jacket but then behind that the

1080
00:56:48,960 --> 00:56:52,840
Speaker 3: hair suddenly turns rigid and flat and it's like A

1081
00:56:52,920 --> 00:56:56,480
Speaker 3: Darth vader helmet on the, back but it's. Hair, Yeah

1082
00:56:56,520 --> 00:56:58,520
Speaker 3: and she's wearing a really funny dress with like a

1083
00:56:58,640 --> 00:57:01,120
Speaker 3: riveted metal, neckline and all the bad guys in this

1084
00:57:01,200 --> 00:57:04,919
Speaker 3: were stuff with riveted metal hymns on. It and it's

1085
00:57:04,960 --> 00:57:07,239
Speaker 3: pretty much immediately clear that what we're dealing with With

1086
00:57:07,280 --> 00:57:11,000
Speaker 3: barbara back here is a space bathory because we get

1087
00:57:11,040 --> 00:57:14,920
Speaker 3: her and she's meeting with Doctor, craspin who remember the

1088
00:57:15,280 --> 00:57:18,880
Speaker 3: scientist who made The capatron who, Escaped and what they're

1089
00:57:18,880 --> 00:57:20,760
Speaker 3: doing when we first meet them is they put some

1090
00:57:20,920 --> 00:57:25,320
Speaker 3: poor woman into a plastic iron maiden that jabs her

1091
00:57:25,400 --> 00:57:28,560
Speaker 3: with a million hypodermic needles and it sucks out her life.

1092
00:57:28,600 --> 00:57:31,360
Speaker 3: Force And Barbara bach is just like, yes.

1093
00:57:31,480 --> 00:57:35,600
Speaker 1: Yes, yeah it's kind of a horrific. Scene it's also

1094
00:57:35,640 --> 00:57:38,480
Speaker 1: the only, scene like the scene that has any nudity in,

1095
00:57:38,520 --> 00:57:41,880
Speaker 1: it because the woman they put into the iron maiden is.

1096
00:57:42,000 --> 00:57:44,600
Speaker 3: Nude, yeah it's very strange because otherwise this could be

1097
00:57:44,600 --> 00:57:47,200
Speaker 3: a kid's. Movie but then there's just one scene like

1098
00:57:47,280 --> 00:57:50,480
Speaker 3: ten seconds long that has nudity and brutal, violence and

1099
00:57:50,520 --> 00:57:53,320
Speaker 3: then if you were to just remove those ten, seconds

1100
00:57:53,640 --> 00:57:54,600
Speaker 3: it's a kid's. Movie.

1101
00:57:54,880 --> 00:57:57,920
Speaker 1: Yeah, Absolutely so it's totally weird that we suddenly go

1102
00:57:57,960 --> 00:58:01,480
Speaker 1: to this place and then we in order back into

1103
00:58:01,760 --> 00:58:03,880
Speaker 1: everything that's come. Before.

1104
00:58:04,160 --> 00:58:06,720
Speaker 3: Totally but SO i think we figure out what's going

1105
00:58:06,760 --> 00:58:09,800
Speaker 3: on here is that they are extracting the, fluids like

1106
00:58:10,080 --> 00:58:12,880
Speaker 3: it's Like Elizabeth. Bathory you, know they're draining the liquids

1107
00:58:12,880 --> 00:58:16,840
Speaker 3: out of the local peasant girls so That Lady agatha

1108
00:58:16,880 --> 00:58:21,240
Speaker 3: here played By Barbara, back can use this life force

1109
00:58:21,400 --> 00:58:25,360
Speaker 3: of these other women to stay young. Forever but Doctor, Craspin,

1110
00:58:25,560 --> 00:58:27,840
Speaker 3: oh and this is a system that has been designed

1111
00:58:27,840 --> 00:58:31,120
Speaker 3: by Doctor, craspan much To Barbara back's, liking but he

1112
00:58:31,200 --> 00:58:33,880
Speaker 3: has to warn. Her he, says science may have conquered,

1113
00:58:33,920 --> 00:58:38,640
Speaker 3: age but it will never succeed in conquering. Death and

1114
00:58:38,840 --> 00:58:40,960
Speaker 3: for some reason she's mad at. HIM i don't remember.

1115
00:58:41,000 --> 00:58:43,200
Speaker 3: Why she starts kind of sniping at, him but Then

1116
00:58:43,280 --> 00:58:48,120
Speaker 3: craspin is very smooth that deflecting her, Frustrations he, says

1117
00:58:48,160 --> 00:58:51,240
Speaker 3: don't you trust, Me Lady, Agatha DON'T i give you daily.

1118
00:58:51,320 --> 00:58:55,120
Speaker 3: Doses you haven't aged one minute since you've been, here

1119
00:58:55,560 --> 00:58:59,240
Speaker 3: AND i, thought would you normally notice having aged one minute.

1120
00:58:59,120 --> 00:59:01,040
Speaker 1: During the early part to this, FILM i would, say,

1121
00:59:01,120 --> 00:59:03,320
Speaker 1: yes you definitely feel those minutes go.

1122
00:59:03,400 --> 00:59:06,640
Speaker 3: By but, yeah they're talking about it like people can

1123
00:59:06,680 --> 00:59:09,240
Speaker 3: normally look At Barbara bac and say, like, oh you've

1124
00:59:09,280 --> 00:59:11,800
Speaker 3: really aged one minute SINCE i saw you one minute.

1125
00:59:11,800 --> 00:59:15,800
Speaker 3: Ago but she says to Doctor, CRASPAN i trust no

1126
00:59:15,880 --> 00:59:18,280
Speaker 3: one and you know. It so this is clearly just

1127
00:59:18,320 --> 00:59:22,080
Speaker 3: a fully transactional. Relationship and then, oh the next thing

1128
00:59:22,160 --> 00:59:26,440
Speaker 3: Is Lord. Grawl remember Barth quaker arrives and we realize

1129
00:59:26,440 --> 00:59:30,000
Speaker 3: That Lord grawl And Lady agatha are an. Item they are.

1130
00:59:30,080 --> 00:59:34,520
Speaker 3: Together and when he arrives and Meets Lady agatha and

1131
00:59:34,960 --> 00:59:38,520
Speaker 3: crasp and he's, like, wow you are so. Beautiful you

1132
00:59:38,600 --> 00:59:43,200
Speaker 3: have not aged one. Minute and of course it's especially

1133
00:59:43,240 --> 00:59:45,800
Speaker 3: hilarious because he's still wearing the face. Belts.

1134
00:59:46,160 --> 00:59:48,840
Speaker 1: Yeah, yeah this never comes. Off he never takes off this.

1135
00:59:48,920 --> 00:59:51,560
Speaker 3: Helmet, yeah so the face belts are always fully. On

1136
00:59:51,840 --> 00:59:54,080
Speaker 3: even in scenes where it looks like he and he

1137
00:59:54,120 --> 00:59:56,800
Speaker 3: And Barbara bach are about to like have some, romance

1138
00:59:56,880 --> 01:00:00,840
Speaker 3: the face belts are just right in the. Way AND i,

1139
01:00:01,200 --> 01:00:03,320
Speaker 3: think you, KNOW i was thinking about this AND i was,

1140
01:00:03,360 --> 01:00:07,120
Speaker 3: Like Star wars made a smart decision by Keeping Darth,

1141
01:00:07,200 --> 01:00:11,920
Speaker 3: vader at least post his vadering basically, asexual because If

1142
01:00:12,000 --> 01:00:14,520
Speaker 3: Darth vader was trying to like have a dating life

1143
01:00:14,600 --> 01:00:17,360
Speaker 3: while he was building The Death, STAR i think that

1144
01:00:17,400 --> 01:00:19,640
Speaker 3: would not have added the right kind of depth to the.

1145
01:00:19,680 --> 01:00:23,320
Speaker 3: Film but here we get to see Their Darth vader's love.

1146
01:00:23,360 --> 01:00:25,360
Speaker 3: Life he And Lady. Agatha it seems like they're going

1147
01:00:25,400 --> 01:00:26,880
Speaker 3: to be very happy together though.

1148
01:00:26,880 --> 01:00:30,560
Speaker 1: In, away, like you, know she's worried about aging one

1149
01:00:30,600 --> 01:00:36,760
Speaker 1: minute and absorbs the liquids of slaughtered peasants so that

1150
01:00:36,800 --> 01:00:40,360
Speaker 1: she can live. Longer he is a, cold emotionless man

1151
01:00:40,400 --> 01:00:43,959
Speaker 1: inside of a face shackle that, so, yeah they seem

1152
01:00:44,000 --> 01:00:44,560
Speaker 1: perfect for each.

1153
01:00:44,560 --> 01:00:55,800
Speaker 3: Other oh but here we learn about the plan that's

1154
01:00:55,920 --> 01:00:58,080
Speaker 3: driving the plot of the. Movie so we learned That

1155
01:00:58,280 --> 01:01:02,360
Speaker 3: Doctor craspan is going to create For Lord grawl And

1156
01:01:02,480 --> 01:01:08,120
Speaker 3: Lady agatha an army of humanoids that will be indestructible human. Robots,

1157
01:01:08,280 --> 01:01:10,200
Speaker 3: again this is another one of those movies where they

1158
01:01:10,520 --> 01:01:13,560
Speaker 3: they pronounce it. Robot and then pretty much right after,

1159
01:01:13,640 --> 01:01:17,360
Speaker 3: this Doctor craspan notices he like looks on a telescreen

1160
01:01:17,400 --> 01:01:20,720
Speaker 3: and he Sees Richard keel zooming around in space. Nearby you,

1161
01:01:20,720 --> 01:01:23,200
Speaker 3: know he's flying a space ship outside The Star destroyer

1162
01:01:23,720 --> 01:01:25,760
Speaker 3: and uh crasp or OUTSIDE i guess they're at the

1163
01:01:26,040 --> 01:01:28,720
Speaker 3: base on Knox in at this. Point And craspin sees

1164
01:01:28,760 --> 01:01:31,400
Speaker 3: him on THIS tv and he's, like, oh that, guy that,

1165
01:01:31,480 --> 01:01:34,240
Speaker 3: GUY i want to turn him into an indestructible Human

1166
01:01:34,320 --> 01:01:37,120
Speaker 3: robut that's the Guy i'm going to. Humanoid so he

1167
01:01:37,440 --> 01:01:40,080
Speaker 3: uses he like messes with some switches on a panel

1168
01:01:40,440 --> 01:01:43,520
Speaker 3: to Make Richard keel crash land his ship on this.

1169
01:01:43,600 --> 01:01:47,520
Speaker 1: Planet and then they like he has another cute scene

1170
01:01:47,560 --> 01:01:51,040
Speaker 1: interacting with the, dog and then he's just basically hit

1171
01:01:51,240 --> 01:01:55,160
Speaker 1: with a missile that just blows his ship up, right,

1172
01:01:55,320 --> 01:01:57,920
Speaker 1: yeah and transforms him into a.

1173
01:01:58,120 --> 01:02:00,680
Speaker 3: Humanoid, Right so he gets hu uannoid did by a

1174
01:02:00,720 --> 01:02:04,000
Speaker 3: missile from. Space it's very beast Of yuca flats because

1175
01:02:04,040 --> 01:02:06,840
Speaker 3: he pops up and suddenly his beard is, gone like

1176
01:02:06,920 --> 01:02:10,280
Speaker 3: the moment he's, humanoidd he is now clean, shaven and

1177
01:02:10,520 --> 01:02:14,680
Speaker 3: let's see other transformation. Elements he can no longer. Talk he, grunts,

1178
01:02:15,120 --> 01:02:18,480
Speaker 3: yeah he grunts and groans a, lot just rages around

1179
01:02:18,520 --> 01:02:22,960
Speaker 3: waving his. Arms immediately some soldiers show up to shoot at,

1180
01:02:23,040 --> 01:02:25,520
Speaker 3: him and it does, nothing and he tosses them around

1181
01:02:25,560 --> 01:02:29,880
Speaker 3: like sacks of, flour And craspin's dudes capture the Rage

1182
01:02:29,920 --> 01:02:33,440
Speaker 3: golab by knocking him out with What crassman calls a

1183
01:02:33,560 --> 01:02:37,000
Speaker 3: very special narcotic, gas and then they take him back

1184
01:02:37,000 --> 01:02:39,480
Speaker 3: to the base and, say, okay we can control him

1185
01:02:39,520 --> 01:02:41,880
Speaker 3: now because we put an implant on his.

1186
01:02:42,040 --> 01:02:44,800
Speaker 1: Head, yeah there's this kind of third eye jewelry thing

1187
01:02:44,840 --> 01:02:47,880
Speaker 1: that they put on him and that controls.

1188
01:02:47,480 --> 01:02:50,320
Speaker 3: Him, Right And craspin says To graul in seven, Days

1189
01:02:50,400 --> 01:02:54,720
Speaker 3: metropolis will be populated by an army of humanoids at your. Command,

1190
01:02:55,240 --> 01:02:57,120
Speaker 3: oh when we skipped over one thing THAT i thought

1191
01:02:57,160 --> 01:02:59,560
Speaker 3: was really funny because there's like a there's like an

1192
01:02:59,560 --> 01:03:04,440
Speaker 3: inner romance scene Between Barbara brock And Lord. Grawl here

1193
01:03:05,080 --> 01:03:08,440
Speaker 3: they're like in a room together And Lady agatha says to,

1194
01:03:08,520 --> 01:03:10,280
Speaker 3: him it is a great honor for me to be

1195
01:03:10,360 --> 01:03:13,440
Speaker 3: loved by the future ruler Of metropolis and the entire,

1196
01:03:13,560 --> 01:03:18,840
Speaker 3: galaxy and is the most absolutely flat line Delivery i've ever. Heard, like,

1197
01:03:19,960 --> 01:03:23,280
Speaker 3: yeah but Then Lord grawl's, like so you just want

1198
01:03:23,320 --> 01:03:26,080
Speaker 3: my power and she's, like only IF i can share

1199
01:03:26,120 --> 01:03:28,040
Speaker 3: it with. You AND i think they're about to, kiss

1200
01:03:28,080 --> 01:03:30,080
Speaker 3: BUT i don't know how they would kiss because his

1201
01:03:30,440 --> 01:03:34,440
Speaker 3: face belts are in the. Way and then Immediately Doctor

1202
01:03:34,520 --> 01:03:37,440
Speaker 3: craspan like interrupts them by coming on the telescreen on

1203
01:03:37,480 --> 01:03:39,480
Speaker 3: the wall and he's, like, hey what's. Up i've got

1204
01:03:39,480 --> 01:03:39,640
Speaker 3: you a.

1205
01:03:39,720 --> 01:03:45,400
Speaker 1: Humanoid he's so, Tall let's turn him. In. Yeah it's stupid,

1206
01:03:45,400 --> 01:03:48,680
Speaker 1: too because it's, like, okay he can only he's Directly

1207
01:03:48,800 --> 01:03:52,320
Speaker 1: he's like a mindless killing machine that's directly controlled by

1208
01:03:51,680 --> 01:03:55,360
Speaker 1: the implant on his. Head and yet he's going to

1209
01:03:55,400 --> 01:03:58,560
Speaker 1: command an. Army how does this?

1210
01:03:58,640 --> 01:04:02,080
Speaker 3: Work, Yeah i'm not quite. Sure but so they give

1211
01:04:02,280 --> 01:04:05,400
Speaker 3: a mission to the now humanoid did go, law but

1212
01:04:05,480 --> 01:04:08,000
Speaker 3: they send him on a hit job to kill great,

1213
01:04:08,080 --> 01:04:12,600
Speaker 3: brother remember Big brother from earlier In, metropolis And Lord

1214
01:04:12,640 --> 01:04:14,800
Speaker 3: grawl says to, him you will not stop until my

1215
01:04:14,960 --> 01:04:18,200
Speaker 3: brother is crushed to a pulp at your. Feet so

1216
01:04:18,240 --> 01:04:20,400
Speaker 3: they send him into this, place the city that looks

1217
01:04:20,400 --> 01:04:22,800
Speaker 3: like in the establishing. Shots it looks like when people

1218
01:04:22,800 --> 01:04:25,240
Speaker 3: make those aluminum casts of ant colony.

1219
01:04:25,280 --> 01:04:29,720
Speaker 1: Tunnels, yeah it looks pretty. Interesting and it reminds me

1220
01:04:30,040 --> 01:04:34,280
Speaker 1: of another thing that you see In Star wars ripoff

1221
01:04:34,360 --> 01:04:38,480
Speaker 1: movies is. That, certainly if you can create an alien,

1222
01:04:38,520 --> 01:04:41,720
Speaker 1: city you, know like, this that's. Great but also if

1223
01:04:41,760 --> 01:04:45,720
Speaker 1: you can shoot as, many like late seventies futuristic bits of,

1224
01:04:46,000 --> 01:04:48,640
Speaker 1: architecture you, know that kind of future shot kind of,

1225
01:04:48,720 --> 01:04:51,760
Speaker 1: architecture that also is a great, idea and they do

1226
01:04:51,880 --> 01:04:55,840
Speaker 1: that in this. Film there's some really interesting architectural choices

1227
01:04:55,880 --> 01:04:57,160
Speaker 1: that they use as backdrops at.

1228
01:04:57,160 --> 01:04:59,440
Speaker 3: TIMES i think there are a lot of public library

1229
01:04:59,480 --> 01:05:02,400
Speaker 3: building that end up in these sci fi movies BECAUSE

1230
01:05:02,560 --> 01:05:04,720
Speaker 3: i don't, know you, know they've got some weird looking.

1231
01:05:04,720 --> 01:05:07,000
Speaker 1: Staircase, yeah any, oh, yeah if you can get a

1232
01:05:07,040 --> 01:05:12,320
Speaker 1: weird looking staircase and interesting hotel, atrium then, yeah you've

1233
01:05:12,320 --> 01:05:13,080
Speaker 1: got to put it in your.

1234
01:05:13,080 --> 01:05:15,760
Speaker 3: Movie so they Send Richard keel into the city Of

1235
01:05:15,800 --> 01:05:18,880
Speaker 3: metropolis AGAIN i think the planet Is metropolis and the

1236
01:05:18,880 --> 01:05:22,200
Speaker 3: city Is, metropolis and the guards try to stop, him

1237
01:05:22,240 --> 01:05:24,120
Speaker 3: but of course nothing's going to stop. Him he's a.

1238
01:05:24,160 --> 01:05:26,720
Speaker 3: Humanoid so they shoot him with. Lasers it doesn't do.

1239
01:05:26,800 --> 01:05:30,240
Speaker 3: Anything he throws him on the. Ground the palace guards

1240
01:05:30,240 --> 01:05:33,160
Speaker 3: are being commanded by Again Nick, nick the guy from,

1241
01:05:33,160 --> 01:05:37,200
Speaker 3: earlier and the lasers have no, effect And golob is very.

1242
01:05:37,240 --> 01:05:40,640
Speaker 1: Angry, yeah he's basically a Rampaging frankenstein and all.

1243
01:05:40,520 --> 01:05:44,640
Speaker 3: Of, this, yeah and throwing people on the. Ground the bad,

1244
01:05:44,880 --> 01:05:48,200
Speaker 3: yeah laser Bad. Yeah and So nick goes to talk

1245
01:05:48,240 --> 01:05:51,320
Speaker 3: To Great brother and he, Says Great, brother you must

1246
01:05:51,360 --> 01:05:53,480
Speaker 3: leave the building at. Once there's some sort of mutant,

1247
01:05:53,520 --> 01:05:59,400
Speaker 3: outside and so they Evacuate Great brother And. Golob. Oh

1248
01:05:59,440 --> 01:06:02,560
Speaker 3: Then golob hijacks a land speeder just Like luke has

1249
01:06:02,680 --> 01:06:05,160
Speaker 3: in the First Star wars movie to go to the

1250
01:06:05,320 --> 01:06:09,479
Speaker 3: institute from, earlier because Somehow crasman knows that's Where Great

1251
01:06:09,480 --> 01:06:12,240
Speaker 3: brother has been evacuated. To and then he busts in

1252
01:06:12,320 --> 01:06:14,120
Speaker 3: there and they try to set a trap for him

1253
01:06:14,160 --> 01:06:17,560
Speaker 3: where they're gonna Crush golob in a hydraulic, press but

1254
01:06:17,600 --> 01:06:20,000
Speaker 3: that doesn't work because he's too strong for. It he

1255
01:06:20,120 --> 01:06:23,280
Speaker 3: just pushes it right back. Up and then there's an

1256
01:06:23,280 --> 01:06:26,479
Speaker 3: interesting moment Where golob has a chance to Smash Great,

1257
01:06:26,520 --> 01:06:28,680
Speaker 3: brother like he's got him right. There he breaks through

1258
01:06:28,720 --> 01:06:31,280
Speaker 3: the traps and all, that But craspin for some reason

1259
01:06:31,640 --> 01:06:34,920
Speaker 3: gets greedy with his personal grudge and he's, like, no

1260
01:06:34,960 --> 01:06:37,680
Speaker 3: don't Kill Great brother, yet go Kill Barbara gibson.

1261
01:06:37,760 --> 01:06:42,240
Speaker 1: First, Yeah crasman cares more about Killing Barbara gibson than

1262
01:06:42,320 --> 01:06:44,920
Speaker 1: anyone else in this movie cares about, Anything.

1263
01:06:44,720 --> 01:06:48,280
Speaker 3: Yes and it's all for revenge Because Barbara gibson uncovered

1264
01:06:48,280 --> 01:06:52,080
Speaker 3: his illicit activities at the. Institute so he's, like you

1265
01:06:52,120 --> 01:06:55,160
Speaker 3: can't you can't do great brother until you do my

1266
01:06:55,240 --> 01:06:59,280
Speaker 3: revenge mission. First So golob then goes To Barbara gibson's

1267
01:06:59,280 --> 01:07:01,200
Speaker 3: house and there's a big chase scene where he's running,

1268
01:07:01,200 --> 01:07:04,160
Speaker 3: around smashing through walls and you think he's gonna Kill Korean,

1269
01:07:04,240 --> 01:07:07,320
Speaker 3: clary but instead It's Tom tom to the. Rescue Tom

1270
01:07:07,360 --> 01:07:09,920
Speaker 3: tom is there and he uses some kind of psychic

1271
01:07:10,040 --> 01:07:14,080
Speaker 3: powers On golob to calm, him stop the, raging stop

1272
01:07:14,160 --> 01:07:17,120
Speaker 3: the hulking, out and they sort of kneel down together

1273
01:07:17,600 --> 01:07:20,320
Speaker 3: And Tom tom says to, him may your essence return

1274
01:07:20,360 --> 01:07:22,640
Speaker 3: to your. Body let me reach into your heart and

1275
01:07:22,680 --> 01:07:23,120
Speaker 3: into your.

1276
01:07:23,160 --> 01:07:26,400
Speaker 1: Soul and it. Works, yeah and it's kind of. SWEET

1277
01:07:26,400 --> 01:07:27,840
Speaker 1: i don't, KNOW i kind of like the energy of,

1278
01:07:27,880 --> 01:07:28,720
Speaker 1: this you, know, yeah, yeah.

1279
01:07:28,800 --> 01:07:33,800
Speaker 3: Yeah but Then Korean, clary this Is Barbara. Gibson she

1280
01:07:33,880 --> 01:07:36,080
Speaker 3: runs out into the desert BECAUSE i think she doesn't

1281
01:07:36,120 --> 01:07:39,520
Speaker 3: realize That Tom tom has successfully tamed the, beast and

1282
01:07:39,760 --> 01:07:42,640
Speaker 3: she is ambushed by, stormtroopers but then we get this

1283
01:07:42,920 --> 01:07:46,720
Speaker 3: really weird sequence where the stormtroopers that are about to

1284
01:07:46,800 --> 01:07:51,880
Speaker 3: kill her are instead shot with like plastic neon arrows

1285
01:07:52,040 --> 01:07:56,160
Speaker 3: by these two mimes In Obi Wan Kenobi robes that

1286
01:07:56,280 --> 01:08:01,560
Speaker 3: Are Tom tom's friends from another. Dimension he, says therefore, Travelers.

1287
01:08:01,480 --> 01:08:05,800
Speaker 1: Yeah they're they're kind of like space, elves not in

1288
01:08:05,880 --> 01:08:08,920
Speaker 1: any kind of like warhammer, sense but like in like

1289
01:08:09,360 --> 01:08:10,640
Speaker 1: they're just sort of like fantasy.

1290
01:08:10,680 --> 01:08:13,720
Speaker 3: Elves, yeah very. Strange they come and go a lot

1291
01:08:13,720 --> 01:08:16,479
Speaker 3: in the. Movie they appear at random times to Aid

1292
01:08:16,560 --> 01:08:19,960
Speaker 3: Tom tom by shooting people with bow and. Arrow the

1293
01:08:20,000 --> 01:08:23,280
Speaker 3: movie has a lot of psychic powers and, clairvoyance and

1294
01:08:23,400 --> 01:08:27,479
Speaker 3: So Tom tom And golob then use psychic powers to

1295
01:08:27,680 --> 01:08:30,800
Speaker 3: reveal the location Of Lord grawl And. Crasspin they find

1296
01:08:30,840 --> 01:08:35,360
Speaker 3: out they're On, noxon and then When barbara goes to

1297
01:08:35,880 --> 01:08:38,680
Speaker 3: reveal this to the, authorities she gets, kidnapped kidnapped by

1298
01:08:38,680 --> 01:08:42,120
Speaker 3: a spaceship and taken to the evil Planet, noxon Leaving

1299
01:08:42,160 --> 01:08:45,880
Speaker 3: golob along With Tom. Tom and of Course barbara is

1300
01:08:45,960 --> 01:08:50,280
Speaker 3: taken To Lord grawl and she, says with again absolutely flat,

1301
01:08:50,320 --> 01:08:53,040
Speaker 3: delivery it's like great brother will crush you like a.

1302
01:08:53,080 --> 01:08:57,400
Speaker 3: Worm and she's Now Princess leah from the Original Star.

1303
01:08:57,439 --> 01:09:00,639
Speaker 3: Wars she's held prisoner on The Death. Star and now

1304
01:09:00,680 --> 01:09:03,599
Speaker 3: we're toward the end of the, movie but we finally

1305
01:09:03,760 --> 01:09:07,680
Speaker 3: kick into very familiar Original Star wars. Territory, right it's

1306
01:09:07,720 --> 01:09:11,519
Speaker 3: a rescue mission To Lord gral's star base And nick

1307
01:09:11,640 --> 01:09:14,519
Speaker 3: has to, GO i guess BECAUSE i don't. Know he's

1308
01:09:14,560 --> 01:09:17,040
Speaker 3: the young honky, guy and he, says, Well i'm going

1309
01:09:17,120 --> 01:09:20,000
Speaker 3: to go on a single commando raid because that has

1310
01:09:20,080 --> 01:09:22,320
Speaker 3: the best chance of. SUCCESS i don't know why that

1311
01:09:22,360 --> 01:09:24,160
Speaker 3: would have the best chance of. Success why don't they

1312
01:09:24,160 --> 01:09:27,880
Speaker 3: send an entire. Army don't they have? One they're bloated by, peace, Right,

1313
01:09:28,080 --> 01:09:30,439
Speaker 3: yeah that's, right they're bloated by. Peace Lord grawl was.

1314
01:09:30,520 --> 01:09:32,640
Speaker 3: Right so he's going to go on a mission to

1315
01:09:32,640 --> 01:09:37,760
Speaker 3: Rescue Barbara gibson and recover The. Capatron and then this

1316
01:09:37,800 --> 01:09:41,080
Speaker 3: part made me laugh out. Loud Go loob goes up

1317
01:09:41,080 --> 01:09:44,439
Speaker 3: to great brother and he's, like Go, lob Go, barbara my.

1318
01:09:44,720 --> 01:09:49,240
Speaker 3: Friend and so he's sort of regained some ability to,

1319
01:09:49,280 --> 01:09:51,479
Speaker 3: speak but not the full ability to. Speak he can

1320
01:09:51,520 --> 01:09:54,960
Speaker 3: only talk in the caveman monosyllable. Thing oh and then

1321
01:09:55,000 --> 01:09:57,519
Speaker 3: of Course Tom tom comes. Along he sneaks onto the.

1322
01:09:57,560 --> 01:10:02,040
Speaker 3: Ship so Like nick and And golob are flying to

1323
01:10:02,120 --> 01:10:05,000
Speaker 3: the base And Tom tom just shows, up and what

1324
01:10:05,040 --> 01:10:06,960
Speaker 3: Does nick say to? Him he's, like are you are

1325
01:10:07,040 --> 01:10:10,400
Speaker 3: you out of your space dimensions or something something like.

1326
01:10:10,400 --> 01:10:13,439
Speaker 1: That it gets Very star warsy for a little bit,

1327
01:10:13,439 --> 01:10:16,840
Speaker 1: here and Just Star wars stuff, happens but it's still

1328
01:10:16,880 --> 01:10:18,960
Speaker 1: worth sticking with because there's a lot of cool stuff

1329
01:10:18,960 --> 01:10:19,160
Speaker 1: at the.

1330
01:10:19,240 --> 01:10:22,040
Speaker 3: End, yes, yes, Yes so there's a space dog fight

1331
01:10:22,120 --> 01:10:24,160
Speaker 3: on the way there where they get attacked by. Ships

1332
01:10:24,200 --> 01:10:26,799
Speaker 3: and this is again one of those like blatant ripoff,

1333
01:10:26,840 --> 01:10:29,320
Speaker 3: scenes is just a direct copy of the scene In

1334
01:10:29,360 --> 01:10:32,280
Speaker 3: Star wars Where luke And hahn go into the ball

1335
01:10:32,360 --> 01:10:35,040
Speaker 3: turret guns on The Millennium falcon and fight off the tie.

1336
01:10:35,040 --> 01:10:39,920
Speaker 3: Fighters it's a direct ripoff of, that except here instead

1337
01:10:39,920 --> 01:10:43,559
Speaker 3: Of luke And, han it Is, nick the Lovable. NICK

1338
01:10:43,960 --> 01:10:46,679
Speaker 3: i did like in the scene, though How golob nods

1339
01:10:46,760 --> 01:10:51,240
Speaker 3: approvingly every Time nick destroys an enemy fighter looks At

1340
01:10:51,240 --> 01:10:55,000
Speaker 3: Tom tom and he's like. Yep but Then nick gets

1341
01:10:55,040 --> 01:10:58,120
Speaker 3: knocked out and they crash land on Planet knox and

1342
01:10:58,160 --> 01:11:01,160
Speaker 3: which again looks exactly Like. Metropolis it's the same, desert

1343
01:11:01,439 --> 01:11:04,559
Speaker 3: and they get a reunion With kip The, robodog which

1344
01:11:04,600 --> 01:11:06,599
Speaker 3: is again truly very.

1345
01:11:06,640 --> 01:11:10,200
Speaker 1: Cute, yeah this relationship is the heart and soul of

1346
01:11:10,240 --> 01:11:11,080
Speaker 1: this motion. Picture.

1347
01:11:11,520 --> 01:11:14,320
Speaker 3: Right so they have to infiltrate The. Bass so you've

1348
01:11:14,360 --> 01:11:16,680
Speaker 3: Got Richard keel And nick And Tom tom and Now

1349
01:11:16,760 --> 01:11:19,520
Speaker 3: kip the robot. Dog they're all working. Together they infiltrate

1350
01:11:19,560 --> 01:11:23,680
Speaker 3: the bad Guy bass by Having kip the robot distract

1351
01:11:23,720 --> 01:11:25,479
Speaker 3: the guards and then they all just run in the.

1352
01:11:25,520 --> 01:11:30,920
Speaker 3: Door and their method for Finding Barbara gibson in The

1353
01:11:30,960 --> 01:11:35,360
Speaker 3: secret Grawl lair is That golob says to the robot

1354
01:11:35,400 --> 01:11:39,280
Speaker 3: dog Bar bra and then somehow the dog leads them to.

1355
01:11:39,320 --> 01:11:41,880
Speaker 3: HER i don't know how that.

1356
01:11:41,960 --> 01:11:45,200
Speaker 1: Works, yeah it's a. DOG i guess it can lead

1357
01:11:45,240 --> 01:11:48,840
Speaker 1: people to. Places that's how it works IN tv.

1358
01:11:48,960 --> 01:11:52,240
Speaker 3: SHOWS i have several questions about the fighting that starts.

1359
01:11:52,280 --> 01:11:54,760
Speaker 3: Here so they have to fight some stormtroopers along the,

1360
01:11:54,760 --> 01:11:57,240
Speaker 3: way and a lot of this is hand to hand

1361
01:11:57,280 --> 01:12:01,800
Speaker 3: fighting with Like nick doing wrestling moves on. Stormtroopers why

1362
01:12:01,800 --> 01:12:05,040
Speaker 3: are they Having nick do the. Fighting Isn't golob indestructible

1363
01:12:05,080 --> 01:12:06,760
Speaker 3: at this? Point shouldn't they let him do the?

1364
01:12:06,760 --> 01:12:10,040
Speaker 1: Fighting they should because he certainly does a lot of

1365
01:12:09,640 --> 01:12:13,560
Speaker 1: the melee combat before and, afterwards doing all sorts of

1366
01:12:13,600 --> 01:12:16,360
Speaker 1: fun giant, moves you, know throwing guys. Around at one,

1367
01:12:16,360 --> 01:12:18,600
Speaker 1: point he does this wonderful number where he grabs a

1368
01:12:18,640 --> 01:12:21,759
Speaker 1: guy and like just pounds his head into the ceiling several. Times,

1369
01:12:21,880 --> 01:12:25,200
Speaker 1: yeah and yet he never does a move THAT i was,

1370
01:12:25,240 --> 01:12:28,120
Speaker 1: anticipating the one where you come up behind two stormtroopers

1371
01:12:28,320 --> 01:12:31,840
Speaker 1: and you grab their heads and you knock them together like. Coconuts, yeah,

1372
01:12:32,120 --> 01:12:34,200
Speaker 1: yeah that seems like that would be just a that's

1373
01:12:34,240 --> 01:12:37,120
Speaker 1: just a go to giant, move and it doesn't.

1374
01:12:37,160 --> 01:12:39,600
Speaker 3: Happen that's that's money left on the, table.

1375
01:12:39,760 --> 01:12:42,639
Speaker 1: My number one complain about this huge missed.

1376
01:12:42,680 --> 01:12:46,720
Speaker 3: Opportunity but then, meanwhile of course we gotta have some impending.

1377
01:12:46,800 --> 01:12:50,240
Speaker 3: Peril so we find out that Doctor craftsman is going

1378
01:12:50,320 --> 01:12:53,400
Speaker 3: to Drain Barbara gibson with The Iron maiden Of needles

1379
01:12:53,439 --> 01:12:56,960
Speaker 3: to create the most potent dose of serum yet For Barbara.

1380
01:12:57,040 --> 01:13:00,000
Speaker 3: Bach and so she's in the setup and they got

1381
01:13:00,040 --> 01:13:02,479
Speaker 3: the needles going in for but then the heroes bust

1382
01:13:02,520 --> 01:13:06,560
Speaker 3: in to rescue, her and Doctor crassman looks so betrayed

1383
01:13:06,680 --> 01:13:09,479
Speaker 3: in this scene When golob shows back up and now

1384
01:13:09,479 --> 01:13:13,280
Speaker 3: he's working for the good. Guys he, says the humanoids

1385
01:13:13,320 --> 01:13:16,799
Speaker 3: fighting for, them it's not, possible and he seems really.

1386
01:13:16,960 --> 01:13:20,960
Speaker 1: Hurt. Again best actor in the. Movie, ye and it's

1387
01:13:21,560 --> 01:13:25,800
Speaker 1: in the bar is very, low you, know so when

1388
01:13:25,960 --> 01:13:29,679
Speaker 1: Author kennedy's busting out those emotions like you feel them extra.

1389
01:13:29,720 --> 01:13:32,519
Speaker 1: Hard you're, like what is? This what AM i watching?

1390
01:13:32,600 --> 01:13:35,360
Speaker 3: Here so the bad guys have to run out of

1391
01:13:35,400 --> 01:13:37,559
Speaker 3: the room and escape while they rescue while the good

1392
01:13:37,600 --> 01:13:41,880
Speaker 3: guys Rescue Barbara. Gibson But Lady agatha is distraught about

1393
01:13:41,880 --> 01:13:44,640
Speaker 3: this because she needs her. Serum she's repeatedly saying, LIKE

1394
01:13:44,720 --> 01:13:48,160
Speaker 3: i need my seerum. Immediately IF i don't get, IT

1395
01:13:48,200 --> 01:13:50,720
Speaker 3: i might age one. Minute and then there is a

1396
01:13:50,840 --> 01:13:53,679
Speaker 3: hullway blaster fight that again is ripped straight out Of Star.

1397
01:13:53,760 --> 01:13:56,599
Speaker 3: Wars it's just the scene From Cell BLOCK aa twenty,

1398
01:13:56,640 --> 01:14:00,320
Speaker 3: three and then this evolves into a big blaster fight

1399
01:14:00,360 --> 01:14:03,400
Speaker 3: and a spaceship. Hangar there's a great moment in this

1400
01:14:03,439 --> 01:14:06,960
Speaker 3: fight Where kip the robot dog defeats some stormtroopers by

1401
01:14:06,960 --> 01:14:09,200
Speaker 3: peeing on the floor and then they slip on it

1402
01:14:09,240 --> 01:14:12,479
Speaker 3: and fall. Over that's good at, First golob is defeating

1403
01:14:12,520 --> 01:14:15,599
Speaker 3: stormtroopers by like knocking them on the. Ground but then

1404
01:14:15,640 --> 01:14:18,040
Speaker 3: he gets a laser gun and he really tears up the.

1405
01:14:18,040 --> 01:14:22,280
Speaker 3: Place and this big action scene is, cheap but it's pretty.

1406
01:14:22,280 --> 01:14:24,400
Speaker 1: Fun yeah it. IS i enjoyed this one a. Lot

1407
01:14:24,479 --> 01:14:27,519
Speaker 1: and again this is where you Have golob like smashing

1408
01:14:27,560 --> 01:14:28,960
Speaker 1: people's heads into the ceiling and so.

1409
01:14:29,040 --> 01:14:32,559
Speaker 3: Forth, yeah and so when this fight is going, on

1410
01:14:32,720 --> 01:14:35,120
Speaker 3: the bad guys are not doing so. Hot LIKE i

1411
01:14:35,160 --> 01:14:37,360
Speaker 3: said With Doctor craftsman a minute, ago he sounds so,

1412
01:14:37,479 --> 01:14:40,479
Speaker 3: hurt like the bad guys really Seem you start kind

1413
01:14:40,520 --> 01:14:43,080
Speaker 3: of feeling bad for them Because Lady agatha is just

1414
01:14:43,240 --> 01:14:46,360
Speaker 3: clawing at the. Walls she's, LIKE i need my. Serum

1415
01:14:46,840 --> 01:14:50,760
Speaker 3: and Then Lord grawl issues the most forlorn and defeated

1416
01:14:51,000 --> 01:14:53,560
Speaker 3: order to kill them That i've ever. Heard do you

1417
01:14:53,600 --> 01:14:55,759
Speaker 3: remember this part where he, says like kill?

1418
01:14:55,880 --> 01:15:00,960
Speaker 1: Them, yeah, YEAH i mean you kill them or shoot

1419
01:15:01,000 --> 01:15:05,559
Speaker 1: them is as a frequent order given by by, villains

1420
01:15:05,600 --> 01:15:09,320
Speaker 1: but generally there's a certain amount of whimsy or or

1421
01:15:09,520 --> 01:15:11,519
Speaker 1: or evil to. IT i, MEAN i always come back

1422
01:15:11,560 --> 01:15:14,240
Speaker 1: to the Excellent Ronald lacy And raiders of The Lost.

1423
01:15:14,360 --> 01:15:16,840
Speaker 1: Ark you know where he goes shoot, them shoot them,

1424
01:15:16,880 --> 01:15:20,120
Speaker 1: both you, know like that's such great. Delivery and, yeah

1425
01:15:20,320 --> 01:15:22,680
Speaker 1: Gral is just HE i DON'T i don't think he

1426
01:15:22,720 --> 01:15:23,360
Speaker 1: believes what he's.

1427
01:15:23,400 --> 01:15:25,960
Speaker 3: Saying he sounds like he knows he's. Lost he's just

1428
01:15:26,240 --> 01:15:30,360
Speaker 3: he's just. Begging he's, like kill. Them and then we

1429
01:15:30,400 --> 01:15:32,640
Speaker 3: get maybe my favorite special effect in this.

1430
01:15:32,720 --> 01:15:36,240
Speaker 1: Movie, yeah that's, right because time has run out For Lady.

1431
01:15:36,320 --> 01:15:39,760
Speaker 3: Agatha she aged one. Minute oh, no that.

1432
01:15:39,720 --> 01:15:42,360
Speaker 1: One minute that was that was the last, MINUTE i. Guess,

1433
01:15:42,960 --> 01:15:45,120
Speaker 1: yeah so she ages that one minute and then she

1434
01:15:45,280 --> 01:15:49,840
Speaker 1: just Completely it's kind of a rapid aging, effect kind

1435
01:15:49,880 --> 01:15:53,400
Speaker 1: of a melting, effect but not, done you, know nearly

1436
01:15:53,520 --> 01:15:56,600
Speaker 1: anywhere near as well as what you would see and,

1437
01:15:56,640 --> 01:16:00,120
Speaker 1: Say raiders of The Lost ark Or, no the third,

1438
01:16:00,160 --> 01:16:03,679
Speaker 1: one The Last, crusade where we had a rapid aging

1439
01:16:03,720 --> 01:16:06,719
Speaker 1: sequence that was pretty. Great this is neither of. Those

1440
01:16:06,760 --> 01:16:10,479
Speaker 1: it's more of a frame by frame, effect similar to

1441
01:16:10,600 --> 01:16:14,120
Speaker 1: some early werewolf transformation sequences you see in. Pictures but

1442
01:16:14,120 --> 01:16:14,800
Speaker 1: it's still a lot of.

1443
01:16:14,800 --> 01:16:18,320
Speaker 3: Fun, yeah she turns into a rotten. Skeleton, yeah so

1444
01:16:18,439 --> 01:16:18,720
Speaker 3: that was.

1445
01:16:18,760 --> 01:16:20,680
Speaker 1: Fun that's worth hanging in there for.

1446
01:16:20,960 --> 01:16:22,920
Speaker 3: Now there's a bunch of other fighting stuff that happens

1447
01:16:22,920 --> 01:16:25,000
Speaker 3: at one point in the, Fight Tom tom and His

1448
01:16:25,160 --> 01:16:27,559
Speaker 3: archer mimes show up again to save the. Day they

1449
01:16:27,560 --> 01:16:29,920
Speaker 3: shoot the neon arrows at the bad guys While Tom

1450
01:16:29,960 --> 01:16:33,599
Speaker 3: tom does psychic. Stuff and then there was a part

1451
01:16:33,640 --> 01:16:36,679
Speaker 3: THAT i thought was very. Funny there's a brief hand

1452
01:16:36,720 --> 01:16:42,000
Speaker 3: to hand fight Between nick And Lord. Grawl so can

1453
01:16:42,040 --> 01:16:45,479
Speaker 3: you imagine If Star wars had a scene Where Hans

1454
01:16:45,479 --> 01:16:48,519
Speaker 3: solo And Darth vader were just punching and kicking each.

1455
01:16:48,520 --> 01:16:52,320
Speaker 3: Other but eventually in the, Scene Lord grawl whips out

1456
01:16:52,360 --> 01:16:55,720
Speaker 3: his secret, weapon which is laser. Fingers this is not

1457
01:16:55,840 --> 01:16:58,479
Speaker 3: a power that we knew he. Had it just appears

1458
01:16:58,479 --> 01:17:03,440
Speaker 3: out of nowhere and he starts blasting his laser fingers At.

1459
01:17:03,560 --> 01:17:06,720
Speaker 3: Nick but, eventually Even Lord graul is no match For.

1460
01:17:06,800 --> 01:17:10,640
Speaker 3: Golob the Humanoid Golob bear hugs him and then he

1461
01:17:10,800 --> 01:17:12,320
Speaker 3: disintegrates inside his.

1462
01:17:12,400 --> 01:17:15,160
Speaker 1: Suit, yeah this is kind of, weird kind of like

1463
01:17:15,200 --> 01:17:18,200
Speaker 1: a green screen. Effect and then the suit is. Empty

1464
01:17:18,360 --> 01:17:20,240
Speaker 1: graul is, defeated and of.

1465
01:17:20,200 --> 01:17:23,000
Speaker 3: Course the heroes escape the base as it is. Exploding

1466
01:17:23,360 --> 01:17:25,400
Speaker 3: and then you got the problem with The, capatron this

1467
01:17:25,439 --> 01:17:27,600
Speaker 3: thing that's supposed to detonate and create a bunch of

1468
01:17:27,600 --> 01:17:31,120
Speaker 3: other humanoids Like, golob And golob decides he's going to

1469
01:17:31,240 --> 01:17:35,920
Speaker 3: sacrifice himself by detonating The capatron under a, lake so

1470
01:17:35,960 --> 01:17:38,240
Speaker 3: he grabs. It he sort of falls on a grenade but,

1471
01:17:38,360 --> 01:17:42,200
Speaker 3: underwater and they think he's. Dead but Then Richard keel

1472
01:17:42,320 --> 01:17:45,000
Speaker 3: pops buck back up out of the water and somehow

1473
01:17:45,120 --> 01:17:49,439
Speaker 3: he has his beard. Back it has unhumanoided him to

1474
01:17:49,600 --> 01:17:50,680
Speaker 3: fall on the grenade of the.

1475
01:17:50,680 --> 01:17:54,080
Speaker 1: Capatron, yes it's pretty, great and he's, like, like he

1476
01:17:54,120 --> 01:17:57,080
Speaker 1: doesn't really have any memory of what. Happened she's, like

1477
01:17:57,120 --> 01:17:58,479
Speaker 1: you look great in a, beard and he's, Like i've

1478
01:17:58,479 --> 01:18:01,559
Speaker 1: always had a. Beard it's, beautiful beautiful.

1479
01:18:01,600 --> 01:18:06,599
Speaker 3: Moment, Yeah and then we get absolutely bizarre twist ending

1480
01:18:06,800 --> 01:18:09,920
Speaker 3: THAT i have no idea how to. Explain but we

1481
01:18:10,000 --> 01:18:13,120
Speaker 3: find out That Tom tom has got to sail off

1482
01:18:13,120 --> 01:18:17,240
Speaker 3: into the sunset because he explains that he is from

1483
01:18:17,280 --> 01:18:22,680
Speaker 3: another place Called. TIBET i assume that is supposed to

1484
01:18:22,720 --> 01:18:26,120
Speaker 3: refer To, tibet the place On, earth and so you'd

1485
01:18:26,120 --> 01:18:28,040
Speaker 3: think that this, is, oh, well maybe this is like

1486
01:18:28,120 --> 01:18:30,840
Speaker 3: A i don't, know like one of those sci fi

1487
01:18:30,920 --> 01:18:33,280
Speaker 3: endings where, oh Actually earth is here and he's From

1488
01:18:33,479 --> 01:18:36,599
Speaker 3: earth and this is somewhere. Else but that doesn't make

1489
01:18:36,640 --> 01:18:40,000
Speaker 3: sense because they tell us That metropolis Is, earth so

1490
01:18:40,040 --> 01:18:42,360
Speaker 3: it would not make sense to say That Tom tom

1491
01:18:42,439 --> 01:18:44,679
Speaker 3: was From earth all along this faraway.

1492
01:18:44,720 --> 01:18:48,120
Speaker 1: Place is it? Implied is he supposed to be in

1493
01:18:48,160 --> 01:18:50,040
Speaker 1: the past or DID i?

1494
01:18:50,880 --> 01:18:53,760
Speaker 3: HEARING i. DON'T i was, like is he a time

1495
01:18:53,800 --> 01:18:56,400
Speaker 3: traveler from the. Past that is the only thing that

1496
01:18:56,439 --> 01:18:57,680
Speaker 3: really seems to make sense to.

1497
01:18:57,720 --> 01:19:01,000
Speaker 1: Me, Yeah I'm i'm not. SURE i have no, Answers

1498
01:19:01,680 --> 01:19:05,000
Speaker 1: BUT i did really like this ending because, again it

1499
01:19:05,040 --> 01:19:08,559
Speaker 1: feels Very bords Of. Canada, yes it feels like we're

1500
01:19:08,600 --> 01:19:11,880
Speaker 1: just straight up teleporting into the hexagon sun here because

1501
01:19:11,880 --> 01:19:15,719
Speaker 1: we have that. Analog it's like this analog dreamy summer

1502
01:19:15,840 --> 01:19:19,080
Speaker 1: day psychedelic, vibe the sense of everything's gonna be okay

1503
01:19:19,520 --> 01:19:21,800
Speaker 1: because you have the Boy Tom tom saying all these

1504
01:19:21,840 --> 01:19:25,840
Speaker 1: positive things while the moricone dream twinkle music goes on

1505
01:19:25,960 --> 01:19:29,720
Speaker 1: in the background and the glowing cosmic barge floats into

1506
01:19:29,760 --> 01:19:32,640
Speaker 1: the movie from The Gray havens or to bed or.

1507
01:19:32,680 --> 01:19:37,000
Speaker 1: Wherever and, yeah it's a good landing for the. FILM i.

1508
01:19:37,040 --> 01:19:39,479
Speaker 3: Agree the end is just a slow cruise into the.

1509
01:19:39,520 --> 01:19:43,000
Speaker 3: Orange feels, good feels, Warm.

1510
01:19:43,160 --> 01:19:44,680
Speaker 1: Yeah you do feel warm at the.

1511
01:19:44,760 --> 01:19:47,439
Speaker 3: End, oh and we get some ending narration. Too that

1512
01:19:47,600 --> 01:19:51,040
Speaker 3: was really. Funny it, said once again Planet earth had

1513
01:19:51,120 --> 01:19:55,519
Speaker 3: narrowly escaped. Disaster was there another? Time once again it

1514
01:19:55,600 --> 01:19:59,160
Speaker 3: had found in itself the, intelligence the, insight and the

1515
01:19:59,200 --> 01:20:03,600
Speaker 3: strength to pell a mortal. Enemy once, again man was

1516
01:20:03,640 --> 01:20:05,120
Speaker 3: to live at peace in the.

1517
01:20:05,120 --> 01:20:08,679
Speaker 1: Galaxy awesome they wrapped it. Up, YEAH i Guess, yoh,

1518
01:20:08,720 --> 01:20:11,840
Speaker 1: Okay Star wars wasn't able to do. That Like Star,

1519
01:20:11,880 --> 01:20:13,960
Speaker 1: wars they had to come back in subsequent films to

1520
01:20:14,040 --> 01:20:16,080
Speaker 1: flash everything. Out this film did it in one.

1521
01:20:16,160 --> 01:20:21,120
Speaker 3: Picture that's a good. Point, yeah no additional storytelling. Required

1522
01:20:22,000 --> 01:20:23,599
Speaker 3: everybody lived happily ever.

1523
01:20:23,840 --> 01:20:30,320
Speaker 1: After, yes, so oh what to? SAY i guess in the,

1524
01:20:30,439 --> 01:20:33,560
Speaker 1: END i found this to be an enjoyable viewing, experience

1525
01:20:33,680 --> 01:20:36,759
Speaker 1: THOUGH i did have to force myself to keep watching

1526
01:20:36,800 --> 01:20:40,000
Speaker 1: through like the first ten minutes or. So, yeah and

1527
01:20:40,040 --> 01:20:42,360
Speaker 1: then and then there was certainly this kind of a

1528
01:20:42,400 --> 01:20:45,760
Speaker 1: potential dropout period later. On SO i would say that

1529
01:20:45,800 --> 01:20:48,920
Speaker 1: if you're if you're tempted to watch this, film you,

1530
01:20:48,760 --> 01:20:50,719
Speaker 1: know stick with, it or feel free to skip ahead

1531
01:20:50,720 --> 01:20:52,920
Speaker 1: a little, bit because you, know honestly you're not going

1532
01:20:52,960 --> 01:20:53,240
Speaker 1: to miss.

1533
01:20:53,320 --> 01:20:56,040
Speaker 3: MUCH i would say this one is very different from

1534
01:20:56,160 --> 01:20:59,439
Speaker 3: message From, space and that they're Both Star wars. Ripoffs

1535
01:20:59,479 --> 01:21:01,680
Speaker 3: But message From, SPACE i THINK i already said this,

1536
01:21:01,720 --> 01:21:04,800
Speaker 3: earlier but it has a lot more esthetic uniqueness and

1537
01:21:04,880 --> 01:21:07,040
Speaker 3: interest to, it like a lot more different colors and

1538
01:21:07,080 --> 01:21:09,720
Speaker 3: sets and costumes and alien designs and, things and it

1539
01:21:09,760 --> 01:21:11,920
Speaker 3: goes a lot more different places with the. Plot like

1540
01:21:12,200 --> 01:21:14,400
Speaker 3: in many, Ways message From space was kind of hard

1541
01:21:14,439 --> 01:21:17,120
Speaker 3: to follow because a lot of strange things happen in.

1542
01:21:17,160 --> 01:21:19,760
Speaker 3: It this movie, IS i would, say the opposite end

1543
01:21:19,760 --> 01:21:23,400
Speaker 3: of the spectrum is it is very simple, plot very,

1544
01:21:23,400 --> 01:21:26,519
Speaker 3: straightforward you might even want to fast forward some, parts

1545
01:21:26,920 --> 01:21:28,839
Speaker 3: but enjoyable in a similar.

1546
01:21:28,840 --> 01:21:33,280
Speaker 1: Way, Ultimately, yeah and worth it definitely For Richard keel

1547
01:21:33,439 --> 01:21:36,439
Speaker 1: and for Author, kennedy both of whom are very very

1548
01:21:36,720 --> 01:21:39,800
Speaker 1: entertaining in this. Film. Yeah now you're probably, wondering, well

1549
01:21:39,800 --> 01:21:43,160
Speaker 1: where CAN i watch? It it's been ON dvd. Before

1550
01:21:43,360 --> 01:21:46,439
Speaker 1: i'm sure you can probably land it ON dvd if

1551
01:21:46,479 --> 01:21:48,800
Speaker 1: you look around in the right, Place BUT i could

1552
01:21:48,840 --> 01:21:51,559
Speaker 1: not find a legit streaming source for it right. NOW

1553
01:21:51,680 --> 01:21:54,320
Speaker 1: i don't. Know it might be on tub but it's

1554
01:21:54,360 --> 01:21:57,960
Speaker 1: definitely been on, YouTube like one of the places where

1555
01:21:57,960 --> 01:22:00,519
Speaker 1: it's hosted on. YouTube it's been up since twenty, fifteen

1556
01:22:01,160 --> 01:22:03,960
Speaker 1: and nobody's bothered to take it. Down it's not pristine.

1557
01:22:04,120 --> 01:22:07,000
Speaker 1: QUALITY i feel like you could probably get a better

1558
01:22:07,080 --> 01:22:10,000
Speaker 1: quality version of this if you had like a LEGIT

1559
01:22:10,080 --> 01:22:13,200
Speaker 1: dvd or. Something but it's still.

1560
01:22:13,240 --> 01:22:16,680
Speaker 3: Watchable somebody get us the FOUR K. Humanoid, yeah, yeah

1561
01:22:16,720 --> 01:22:17,160
Speaker 3: the FOUR k.

1562
01:22:17,280 --> 01:22:18,479
Speaker 1: RESTORATION i want to see.

1563
01:22:18,520 --> 01:22:21,479
Speaker 3: IT i do. Too there's several THINGS i need more detail,

1564
01:22:21,520 --> 01:22:24,720
Speaker 3: on one of which is barber box wig THAT i

1565
01:22:24,760 --> 01:22:27,720
Speaker 3: need to see the define grains and details of the

1566
01:22:27,760 --> 01:22:31,080
Speaker 3: hair that's going on there and where the seams. Are

1567
01:22:31,160 --> 01:22:31,800
Speaker 3: that's very.

1568
01:22:31,880 --> 01:22:35,080
Speaker 1: Important, yeah it was impressive, Costumes oh, YEAH i will say,

1569
01:22:35,080 --> 01:22:38,280
Speaker 1: overall like the costumes and sets and, miniatures, like everything

1570
01:22:38,320 --> 01:22:41,160
Speaker 1: looks pretty. Good some of the effects are a little fi,

1571
01:22:41,200 --> 01:22:43,200
Speaker 1: IFY i, guess but for the most, part everything looks pretty.

1572
01:22:43,240 --> 01:22:45,960
Speaker 1: Good it's Not Star wars A New hope, quality but

1573
01:22:46,000 --> 01:22:47,960
Speaker 1: it's it's still pretty. Good so it is the kind

1574
01:22:47,960 --> 01:22:51,559
Speaker 1: of film that would benefit from like a clearer. RESTORATION i,

1575
01:22:51,560 --> 01:22:53,599
Speaker 1: think maybe not FOUR. K don't bring it up too

1576
01:22:53,760 --> 01:22:55,559
Speaker 1: don't bring it bring it up into too high a.

1577
01:22:55,600 --> 01:22:59,280
Speaker 1: Detail but you, know it's it's an interesting film to look.

1578
01:22:59,280 --> 01:23:01,400
Speaker 3: Out put it in FOUR, k put it in eight

1579
01:23:01,520 --> 01:23:04,599
Speaker 3: K i want to see every molecule of this.

1580
01:23:04,600 --> 01:23:09,040
Speaker 1: Movie because that is a real concern with some of these.

1581
01:23:09,040 --> 01:23:12,680
Speaker 1: Restorations we've seen those that you restore it a bit

1582
01:23:12,720 --> 01:23:14,160
Speaker 1: too much and you're going to see too many of the,

1583
01:23:14,160 --> 01:23:16,720
Speaker 1: cracks you see too many of the wires and so,

1584
01:23:16,800 --> 01:23:20,120
Speaker 1: forth and in some cases that has to then be digitally. Removed.

1585
01:23:20,320 --> 01:23:23,439
Speaker 3: Yeah effects that used to look good don't look good. Anymore, yeah,

1586
01:23:23,520 --> 01:23:26,920
Speaker 3: yeah or sometimes not even, effects just you, know the,

1587
01:23:26,960 --> 01:23:29,519
Speaker 3: colors AND i don't know what you'd always call, it

1588
01:23:29,520 --> 01:23:32,360
Speaker 3: maybe the color grading and certain things about the film

1589
01:23:32,439 --> 01:23:35,800
Speaker 3: quality of the. Movie classic example THAT i recall is

1590
01:23:35,840 --> 01:23:38,880
Speaker 3: that the Movie, predator you, know the sci fi action Movie,

1591
01:23:38,960 --> 01:23:41,479
Speaker 3: schwarzenegger looks good on THE vhs. TAPE i think it

1592
01:23:41,520 --> 01:23:43,880
Speaker 3: even looked good on the FIRST dvd that came, Out

1593
01:23:44,160 --> 01:23:46,080
Speaker 3: BUT i recall at some point there was a blu

1594
01:23:46,240 --> 01:23:48,000
Speaker 3: ray of it and it was just, like, oh this

1595
01:23:48,160 --> 01:23:50,040
Speaker 3: is not. Right it looked like waxy.

1596
01:23:50,720 --> 01:23:51,080
Speaker 1: Huh.

1597
01:23:51,080 --> 01:23:53,040
Speaker 3: INTERESTING i think sometimes it.

1598
01:23:53,080 --> 01:23:57,320
Speaker 1: Happens, yeah all, Right, WELL i think we're going to

1599
01:23:57,360 --> 01:23:59,840
Speaker 1: go and close this episode out, here but we'd love

1600
01:23:59,880 --> 01:24:03,120
Speaker 1: to hear your thoughts on this. Movie Star wars in,

1601
01:24:03,160 --> 01:24:05,920
Speaker 1: general but certainly Other Star wars. Ripoffs what are your

1602
01:24:05,960 --> 01:24:09,360
Speaker 1: Favorite Star wars? Ripoffs what do you think about the

1603
01:24:09,520 --> 01:24:12,800
Speaker 1: esthetic qualities Of Star wars that tend to be reflected

1604
01:24:12,800 --> 01:24:16,040
Speaker 1: in these. Films all that's fair. Game let us, Know

1605
01:24:17,000 --> 01:24:20,080
Speaker 1: and next, WEEK i believe the plan is that we

1606
01:24:20,640 --> 01:24:25,839
Speaker 1: will continue and we'll finish our trilogy of Seventies florida.

1607
01:24:25,880 --> 01:24:28,320
Speaker 1: Movies so we'll still be in the nineteen seventies next

1608
01:24:28,320 --> 01:24:31,439
Speaker 1: time In Weirdow, cinema but we'll be looking at the

1609
01:24:31,479 --> 01:24:36,120
Speaker 1: film Shock, waves which interestingly enough has A Star wars

1610
01:24:36,160 --> 01:24:39,360
Speaker 1: actor in. It it Has Peter. Cushion oh, well, Yeah

1611
01:24:39,400 --> 01:24:42,640
Speaker 1: so if you want to watch, ahead here's are a

1612
01:24:42,800 --> 01:24:45,360
Speaker 1: rare en episode advance on the next.

1613
01:24:45,400 --> 01:24:47,960
Speaker 3: EPISODE i haven't seen this, one But i'm looking forward to.

1614
01:24:48,000 --> 01:24:49,880
Speaker 1: It in the, meantime if you would like to check

1615
01:24:49,880 --> 01:24:52,200
Speaker 1: out other episodes Of Weird House, cinema you will find

1616
01:24:52,200 --> 01:24:55,560
Speaker 1: this Every friday in The stuff To blow Your mind podcast.

1617
01:24:55,640 --> 01:24:59,120
Speaker 1: Feed we're primarily a science, podcast so our core episodes

1618
01:24:59,120 --> 01:25:01,320
Speaker 1: On tuesday And Thursday day are going to be science

1619
01:25:01,320 --> 01:25:03,960
Speaker 1: and culture. Base On mondays we do a little bit

1620
01:25:04,000 --> 01:25:06,559
Speaker 1: of listener mail about any and everything that we're talking,

1621
01:25:06,640 --> 01:25:10,599
Speaker 1: about and On, wednesdays unless we're, preempted we do an

1622
01:25:10,680 --> 01:25:13,200
Speaker 1: artifact episode with reruns on the.

1623
01:25:13,240 --> 01:25:16,559
Speaker 3: Weekends huge, thanks as always to our excellent audio Producer

1624
01:25:16,640 --> 01:25:19,120
Speaker 3: Seth Nicholas. Johnson if you'd like to get in touch

1625
01:25:19,160 --> 01:25:21,240
Speaker 3: with us with feedback on this episode or any, other

1626
01:25:21,320 --> 01:25:23,599
Speaker 3: to suggest topic for the, future just to say, hello

1627
01:25:23,680 --> 01:25:26,360
Speaker 3: you can email us at Contact's stuff To blow Your

1628
01:25:26,360 --> 01:25:27,080
Speaker 3: mind dot.

1629
01:25:27,080 --> 01:25:37,680
Speaker 2: Com stuff To Blow Your mind is production Of. iHeartRadio

1630
01:25:38,000 --> 01:25:40,640
Speaker 2: for more podcasts from my Heart, radio visit The iHeartRadio,

1631
01:25:40,680 --> 01:25:43,479
Speaker 2: App Apple, podcasts or wherever you listen to your favorite.

1632
01:25:43,520 --> 01:25:44,320
Speaker 5: Shows