1 00:00:00,680 --> 00:00:03,480 Speaker 1: You are listening to The Dan Patrick Show on Fox 2 00:00:03,560 --> 00:00:06,480 Speaker 1: Sports Radio. Hope you had a great weekend. Everybody gangs 3 00:00:06,519 --> 00:00:10,480 Speaker 1: all here our one big announcement coming up, big announcement 4 00:00:10,560 --> 00:00:14,360 Speaker 1: coming up, something very close to my heart, very personal. 5 00:00:14,920 --> 00:00:17,480 Speaker 1: I'll have that for you coming up here at a moment. Sorry, yeah, 6 00:00:17,680 --> 00:00:21,239 Speaker 1: Reggie Miller will stop by. Scottie Pippin will stop by. 7 00:00:22,160 --> 00:00:24,919 Speaker 1: As Scotty been in the news lately, I haven't been 8 00:00:24,960 --> 00:00:28,400 Speaker 1: following here. Scottie will join us. Coming up in the 9 00:00:28,440 --> 00:00:30,840 Speaker 1: final hour of the show. Your phone call is always welcome. 10 00:00:30,920 --> 00:00:33,080 Speaker 1: Best and worst of the weekend. What you saw that 11 00:00:33,159 --> 00:00:35,919 Speaker 1: you liked you didn't like? Suns go up three one 12 00:00:35,920 --> 00:00:38,560 Speaker 1: on the Clippers, Bucks up to one on the Hawks. 13 00:00:38,560 --> 00:00:41,479 Speaker 1: Will dissect that. Coming up in a little bit. Clippers 14 00:00:41,520 --> 00:00:44,960 Speaker 1: at the Sun's Game five coming up tonight eight seven 15 00:00:45,120 --> 00:00:48,440 Speaker 1: seven three DP Show email address DP at Dan Patrick 16 00:00:48,560 --> 00:00:52,239 Speaker 1: dot com, Twitter handle head DP show mclovin. What kind 17 00:00:52,280 --> 00:00:54,560 Speaker 1: of poll questions are you thinking today? Before I get 18 00:00:54,600 --> 00:00:58,440 Speaker 1: to my big announcement. Okay, it's polarizing, but I think 19 00:00:58,440 --> 00:01:00,040 Speaker 1: we need to get into it. Has this been a 20 00:01:00,080 --> 00:01:03,840 Speaker 1: good or a bad postseason for Paul George of the Clippers, Okay, 21 00:01:03,960 --> 00:01:06,520 Speaker 1: we'll get to that in a moment. What else, Okay, 22 00:01:07,040 --> 00:01:09,160 Speaker 1: who is the guy in this playoffs that you've never 23 00:01:09,200 --> 00:01:12,240 Speaker 1: heard of before? That now you definitely know. I would 24 00:01:12,240 --> 00:01:17,600 Speaker 1: have just nominate a couple Clippers, Terrence Man, Sons, Campaign Debucks, 25 00:01:17,680 --> 00:01:22,199 Speaker 1: Bobby Portis or John Collins of Atlanta? Did people know Atlanta? 26 00:01:22,400 --> 00:01:24,920 Speaker 1: There are all these weird names that are emerging. Who's thinking, 27 00:01:25,240 --> 00:01:27,679 Speaker 1: is anybody catching your fancy as a star? I know 28 00:01:27,760 --> 00:01:32,560 Speaker 1: you know these? Terrence Man has been interesting because you 29 00:01:32,680 --> 00:01:35,720 Speaker 1: think of Field of Dreams with James Earl Jones's character, 30 00:01:36,200 --> 00:01:39,000 Speaker 1: and that's the only reason why it's like Terrence Man. 31 00:01:39,640 --> 00:01:42,960 Speaker 1: And then that's a character from a movie. All right, 32 00:01:42,959 --> 00:01:45,440 Speaker 1: one more quick, NBA one before you get to the announcement. Okay, 33 00:01:45,480 --> 00:01:47,760 Speaker 1: who has the most to add to their legacy in 34 00:01:47,840 --> 00:01:51,680 Speaker 1: this NBA Playoffs? Is it obviously Chris Paul? Or could 35 00:01:51,680 --> 00:01:56,280 Speaker 1: you put Jannis or Chris Middleton on that list as well? Well, 36 00:01:56,360 --> 00:01:59,520 Speaker 1: Yannis is going to have time, Chris Paul doesn't have time. 37 00:02:00,160 --> 00:02:02,800 Speaker 1: This might be the last call for Chris Paul. And 38 00:02:02,840 --> 00:02:05,760 Speaker 1: I would say, Chris Paul, get to the finals and 39 00:02:05,880 --> 00:02:08,600 Speaker 1: if you happen to win a championship, that's sort of 40 00:02:08,840 --> 00:02:12,519 Speaker 1: legacy defining for Chris Paul because he's the most decorated 41 00:02:12,560 --> 00:02:16,360 Speaker 1: player probably in the history of the NBA who's never 42 00:02:16,600 --> 00:02:20,200 Speaker 1: been to the NBA Finals. We'll settle on a poll question. 43 00:02:20,320 --> 00:02:22,360 Speaker 1: We've got a play of the day, stat of the day, 44 00:02:22,600 --> 00:02:25,520 Speaker 1: and your phone calls are always welcome. You know that 45 00:02:25,560 --> 00:02:29,320 Speaker 1: I've been passionate about one person getting into the Pro 46 00:02:29,400 --> 00:02:33,880 Speaker 1: Football Hall of Fame. I've been talking about John Facenda, 47 00:02:33,960 --> 00:02:36,640 Speaker 1: and I never met John Facenda. Let me give you 48 00:02:36,720 --> 00:02:40,239 Speaker 1: just a little taste of the voice of God. This 49 00:02:40,360 --> 00:02:43,800 Speaker 1: is the NFL's voice, John Facenda, just to give you 50 00:02:43,800 --> 00:02:47,960 Speaker 1: an idea of what that sound was growing up with 51 00:02:48,120 --> 00:02:51,359 Speaker 1: NFL films, how important it was to an entire generation. 52 00:02:51,960 --> 00:03:01,519 Speaker 1: Here is the late John Facenda. The Autumn Wind is 53 00:03:01,560 --> 00:03:08,160 Speaker 1: a pirate blustering in from scene with a rollicking song. 54 00:03:08,360 --> 00:03:14,760 Speaker 1: He speaks along, swaggering voicelessly. His face is weather beaten. 55 00:03:16,160 --> 00:03:20,760 Speaker 1: He wears a hooded sash, with a silver hat about 56 00:03:20,760 --> 00:03:26,560 Speaker 1: his hand and a bristling black mustache. He growls as 57 00:03:26,600 --> 00:03:31,880 Speaker 1: he storms the contral a villain eigg and bold, and 58 00:03:32,040 --> 00:03:35,320 Speaker 1: the trees all shake and quiver and quake as he 59 00:03:35,400 --> 00:03:38,880 Speaker 1: rubs him of their gold. The Autumn Wind is a 60 00:03:39,000 --> 00:03:43,560 Speaker 1: raider pillaging just for fun. He'll knocked you round and 61 00:03:43,880 --> 00:03:48,440 Speaker 1: upside down and laugh when he's conquered and won. So 62 00:03:48,520 --> 00:03:50,400 Speaker 1: it was a while ago and I talked to make 63 00:03:50,440 --> 00:03:52,440 Speaker 1: loving about this. Actually, I reached out to the Pro 64 00:03:52,520 --> 00:03:54,720 Speaker 1: Football Hall of Fame because John Facinder is not in 65 00:03:54,760 --> 00:03:58,280 Speaker 1: the Pro Football Hall of Fame. Baseball celebrates its voices. 66 00:03:58,600 --> 00:04:02,240 Speaker 1: I thought, why doesn't the NFL celebrated its voices or 67 00:04:02,680 --> 00:04:06,600 Speaker 1: the voice of the NFL. He's a contributor and he 68 00:04:06,720 --> 00:04:10,440 Speaker 1: should be in the Pro Football Hall of Fame. And 69 00:04:10,800 --> 00:04:13,200 Speaker 1: I wrote a letter to David Baker. David is the 70 00:04:13,240 --> 00:04:16,120 Speaker 1: president of the Hall of Fame, and he was very nice, 71 00:04:16,400 --> 00:04:19,840 Speaker 1: very polite, welcoming, and I said, look, David, I don't 72 00:04:19,839 --> 00:04:22,000 Speaker 1: know John Facenda. I never met him. I don't know 73 00:04:22,080 --> 00:04:24,159 Speaker 1: his family. I just know what he meant to me 74 00:04:24,279 --> 00:04:27,640 Speaker 1: growing up. And David said, submit a letter and then 75 00:04:27,680 --> 00:04:32,400 Speaker 1: i'll pass it on. Yesterday, I get a phone call 76 00:04:33,040 --> 00:04:35,919 Speaker 1: and it's from the Pro Football Hall of Fame to 77 00:04:36,040 --> 00:04:43,479 Speaker 1: tell us John Facenda is going in. He is the 78 00:04:43,560 --> 00:04:47,880 Speaker 1: recipient of the Pete Roselle Radio Television Award, and let 79 00:04:47,880 --> 00:04:49,840 Speaker 1: me bring in David Baker, the president of the Pro 80 00:04:49,920 --> 00:04:52,200 Speaker 1: Football Hall of Fame. First of all, David, thank you 81 00:04:52,279 --> 00:04:55,039 Speaker 1: for putting up with me. And second of all, this 82 00:04:55,120 --> 00:04:57,560 Speaker 1: is awesome. This is great news. It made my weekend. 83 00:04:57,640 --> 00:05:00,400 Speaker 1: So thank you. Dan. You're easy to it up with 84 00:05:00,520 --> 00:05:03,200 Speaker 1: because we love what you do and we appreciate all 85 00:05:03,200 --> 00:05:05,520 Speaker 1: you've done for the game. But this was kind of 86 00:05:05,520 --> 00:05:08,040 Speaker 1: a unique experience because I remember when you called me 87 00:05:08,080 --> 00:05:13,000 Speaker 1: first before you sent me that letter. And it's a 88 00:05:13,080 --> 00:05:17,600 Speaker 1: process much like all of our Hall of famers, but 89 00:05:17,640 --> 00:05:20,320 Speaker 1: the Pete Roselle Award is really unique because it's about 90 00:05:20,360 --> 00:05:25,200 Speaker 1: excellence and broadcasting football. And John Facinda, as you know, 91 00:05:25,839 --> 00:05:28,839 Speaker 1: was not really a broadcaster. He didn't broadcast games. He 92 00:05:28,920 --> 00:05:33,000 Speaker 1: didn't you know, he wasn't like one of the guys 93 00:05:33,000 --> 00:05:36,160 Speaker 1: in the booths there. But he was at NFL films, 94 00:05:36,160 --> 00:05:38,599 Speaker 1: like you said, referred to as the voice of God. 95 00:05:39,120 --> 00:05:42,800 Speaker 1: And for a whole generation of football fans, this guy 96 00:05:43,640 --> 00:05:48,240 Speaker 1: is a voice that baritone is synonymous with strength and 97 00:05:48,760 --> 00:05:52,599 Speaker 1: power and the character of the NFL. And he helped 98 00:05:52,680 --> 00:05:55,919 Speaker 1: us love the game. And it's fitting that in a 99 00:05:56,000 --> 00:05:59,000 Speaker 1: year that Steve Sable goes in as a Hall of 100 00:05:59,000 --> 00:06:02,800 Speaker 1: Famer to join his dad, Ed Sable as a Hall 101 00:06:02,800 --> 00:06:06,200 Speaker 1: of Famer. Both will have bronze bus there that John 102 00:06:06,279 --> 00:06:10,200 Speaker 1: Facinda will receive the Pete Brazil Award for Excellence in Broadcasting. 103 00:06:11,120 --> 00:06:15,080 Speaker 1: Thank you for everything here. I like I said to 104 00:06:15,160 --> 00:06:16,760 Speaker 1: you when I talked to you and I wrote the letter. 105 00:06:17,080 --> 00:06:19,080 Speaker 1: I never met him. I just know what he meant 106 00:06:19,120 --> 00:06:22,320 Speaker 1: to me in an entire generation, and hopefully a new 107 00:06:22,360 --> 00:06:25,520 Speaker 1: generation gets to experience John Facinda. But I want to 108 00:06:25,520 --> 00:06:28,200 Speaker 1: thank the Pro Football Hall of Fame and certainly you David, 109 00:06:28,279 --> 00:06:32,040 Speaker 1: for entertaining this idea. Yeah, I promise you, Dan, We're 110 00:06:32,040 --> 00:06:34,560 Speaker 1: going to keep his legacy alive now forever. That's what 111 00:06:34,600 --> 00:06:37,000 Speaker 1: we do at the Pro Football Hall of Fame. But 112 00:06:37,440 --> 00:06:39,640 Speaker 1: what's pretty cool, and this is a real compliment to you, 113 00:06:39,680 --> 00:06:43,360 Speaker 1: and you know, I'm sure your listeners know it, but 114 00:06:43,800 --> 00:06:46,760 Speaker 1: when you called me, you weren't calling me as Dan 115 00:06:46,839 --> 00:06:51,240 Speaker 1: Patrick celebrity. You were calling as a fan. You love 116 00:06:51,320 --> 00:06:55,159 Speaker 1: the game, you loved what this guy had done, and 117 00:06:55,320 --> 00:06:58,200 Speaker 1: for so many of us on Saturdays, you know, it 118 00:06:58,279 --> 00:07:00,159 Speaker 1: was being in front of the TV set to watch 119 00:07:00,279 --> 00:07:04,920 Speaker 1: NFL films, football follies or you know those mythical things 120 00:07:05,000 --> 00:07:09,000 Speaker 1: that Steve Sable would weave together and John Facinda would 121 00:07:09,120 --> 00:07:13,160 Speaker 1: narrate and when you said your letter, which was was 122 00:07:13,200 --> 00:07:15,880 Speaker 1: well done, U you know, and went on to our 123 00:07:15,920 --> 00:07:21,240 Speaker 1: committee of selectors for this Pete Roselle Award. H you know, 124 00:07:21,280 --> 00:07:23,960 Speaker 1: it kind of opened the door to people saying, yeah, 125 00:07:24,000 --> 00:07:26,600 Speaker 1: this is somebody who should be recognized. This is somebody 126 00:07:27,080 --> 00:07:30,960 Speaker 1: who for not only for this generation of fans, but 127 00:07:31,040 --> 00:07:34,320 Speaker 1: probably for generations to come. Because things like you just 128 00:07:34,360 --> 00:07:38,840 Speaker 1: played for the autumn win, you know it, it is 129 00:07:38,920 --> 00:07:43,320 Speaker 1: synonymous with an NFL and this year you'll go in 130 00:07:44,800 --> 00:07:48,480 Speaker 1: as the recipient of the pet Roselle Award. We actually 131 00:07:48,520 --> 00:07:50,800 Speaker 1: have what we think is going to be the greatest 132 00:07:50,840 --> 00:07:53,720 Speaker 1: gathering in football ever that's going to take place in 133 00:07:53,840 --> 00:07:56,480 Speaker 1: Canton to kick off one hundred and second season of 134 00:07:56,560 --> 00:08:00,560 Speaker 1: the NFL. Because we have really two class with the 135 00:08:00,600 --> 00:08:05,120 Speaker 1: pandemic having canceled last year's in trimate, we will have 136 00:08:05,160 --> 00:08:11,320 Speaker 1: this incredible centennial class that will celebrate the hundredth year 137 00:08:11,360 --> 00:08:14,000 Speaker 1: of the NFL. Where we were having twenty Hall of 138 00:08:14,000 --> 00:08:17,360 Speaker 1: Famers for twenty twenty and now we have the class 139 00:08:17,400 --> 00:08:19,880 Speaker 1: of twenty twenty one. So we have the unique situation 140 00:08:20,600 --> 00:08:25,080 Speaker 1: of having two peoples of recipients that will be honored 141 00:08:25,800 --> 00:08:31,080 Speaker 1: Joe Buck for twenty twenty. He was actually honored in 142 00:08:31,320 --> 00:08:35,920 Speaker 1: the middle of the game from Cleveland at halftime. That's 143 00:08:35,960 --> 00:08:40,080 Speaker 1: when he was informed. And because John is no longer around, 144 00:08:40,120 --> 00:08:43,720 Speaker 1: his son Jack will receive the award on August sixth 145 00:08:43,720 --> 00:08:48,520 Speaker 1: at the Gold Jacket presentation. But we thought it appropriate 146 00:08:48,559 --> 00:08:51,559 Speaker 1: since you put in the nomination that we call you 147 00:08:51,600 --> 00:08:54,600 Speaker 1: and give you the good news. David. I look forward 148 00:08:54,600 --> 00:08:57,959 Speaker 1: to it and thank you again. We appreciate everything that 149 00:08:58,040 --> 00:09:00,880 Speaker 1: Pro Football Hall of Fame is done. Thanks Dan, Thank 150 00:09:00,880 --> 00:09:02,560 Speaker 1: you for all you do for the game. That is 151 00:09:02,880 --> 00:09:06,160 Speaker 1: David Baker. He is the President CEO of the Pro 152 00:09:06,240 --> 00:09:10,320 Speaker 1: Football Hall of Fame. I got that call, let you know, 153 00:09:10,440 --> 00:09:14,320 Speaker 1: late yesterday afternoon and it was a you know, Cleveland 154 00:09:14,400 --> 00:09:17,439 Speaker 1: area code, and I go, who's calling me from Cleveland. 155 00:09:17,440 --> 00:09:19,520 Speaker 1: I got friends there, my sister lives there, and I'm going, 156 00:09:19,640 --> 00:09:21,640 Speaker 1: I don't know who this is. I pick up and 157 00:09:21,760 --> 00:09:25,240 Speaker 1: I go, yep. He said, hey, such and such Pro 158 00:09:25,280 --> 00:09:29,080 Speaker 1: Football Hall of Fame. And I go, I can't go in, 159 00:09:29,240 --> 00:09:33,480 Speaker 1: and then said, well, no, you're not going in. I said, 160 00:09:34,320 --> 00:09:38,760 Speaker 1: goes John Facenda. Is I go what he said? Yeah, 161 00:09:38,960 --> 00:09:40,880 Speaker 1: John Facenda is going to go into the Pro Football 162 00:09:40,920 --> 00:09:44,640 Speaker 1: Hall of Fame. So um, I take no credit for it, 163 00:09:44,800 --> 00:09:47,880 Speaker 1: other than just to open their eyes to and their 164 00:09:47,880 --> 00:09:51,800 Speaker 1: ears to somebody who like that was a big deal. 165 00:09:51,960 --> 00:09:55,960 Speaker 1: NFL Films was huge, and I fought long and hard 166 00:09:56,000 --> 00:09:59,760 Speaker 1: behind the scenes for Steve Sable. You know Ed Sable. 167 00:10:00,480 --> 00:10:04,040 Speaker 1: I mean they what they did for the game, you 168 00:10:04,040 --> 00:10:07,760 Speaker 1: can make a case, not that anybody's going to an argument. 169 00:10:08,000 --> 00:10:11,280 Speaker 1: They were as instrumental as anybody in the history of 170 00:10:11,320 --> 00:10:15,679 Speaker 1: the sport in growing it. When you when you talk 171 00:10:15,760 --> 00:10:20,640 Speaker 1: about contributions, that's a contribution. And John Facenda was a 172 00:10:20,720 --> 00:10:24,520 Speaker 1: newsman in Philadelphia. He wasn't even a sports guy, but 173 00:10:24,679 --> 00:10:29,320 Speaker 1: he had that voice. And how they created NFL Films 174 00:10:29,320 --> 00:10:35,040 Speaker 1: in those features was really instrumental in my love of 175 00:10:35,080 --> 00:10:39,960 Speaker 1: the game, or growing to love the game even more so. 176 00:10:40,559 --> 00:10:43,800 Speaker 1: John Facenda's going into the Hall of Fame, and thank 177 00:10:43,840 --> 00:10:45,640 Speaker 1: you again to the Pro Football Hall of Fame for 178 00:10:45,720 --> 00:10:49,000 Speaker 1: listening to me. They probably thought, oh, here's that Dan 179 00:10:49,080 --> 00:10:51,480 Speaker 1: Patrick guy again. Yes ball. First of all, good job, 180 00:10:51,520 --> 00:10:53,880 Speaker 1: But secondly, I think you brought this up maybe a 181 00:10:53,920 --> 00:10:55,960 Speaker 1: little over a year ago. I can't remember when the date, 182 00:10:56,160 --> 00:10:58,400 Speaker 1: but we were all surprised that he wasn't in because 183 00:10:58,400 --> 00:11:01,400 Speaker 1: if you're I think forty US, you'd kind of assumed 184 00:11:01,440 --> 00:11:03,440 Speaker 1: John Viscent is one of the blocks of the building 185 00:11:03,440 --> 00:11:05,400 Speaker 1: of the NFL, and we grow I used to watch 186 00:11:05,400 --> 00:11:07,760 Speaker 1: these tapes, these VHS tapes, and his voice was on it. 187 00:11:07,920 --> 00:11:09,319 Speaker 1: That's how I got to know him. So I think 188 00:11:09,320 --> 00:11:11,160 Speaker 1: it's one of those things. It's almost like it's almost 189 00:11:11,160 --> 00:11:13,120 Speaker 1: like what you did, Dan was like the Veterans Committee, 190 00:11:13,360 --> 00:11:16,080 Speaker 1: where they you saw an oversight that maybe no one 191 00:11:16,120 --> 00:11:18,079 Speaker 1: really thought about. But when people move on to more 192 00:11:18,080 --> 00:11:20,160 Speaker 1: modern broadcasters and they probably forgot about some of the 193 00:11:20,200 --> 00:11:23,559 Speaker 1: older ones. But also, he didn't do play by play, 194 00:11:23,600 --> 00:11:26,320 Speaker 1: and he wasn't a studio host like he was just 195 00:11:26,440 --> 00:11:29,959 Speaker 1: an announcer. He was just a voice. And I think 196 00:11:30,000 --> 00:11:32,200 Speaker 1: that was the hard part that I was trying to 197 00:11:32,240 --> 00:11:36,200 Speaker 1: push through that or knock it down with just you know, 198 00:11:36,240 --> 00:11:40,960 Speaker 1: what is the true football broadcaster? And I said, he 199 00:11:41,000 --> 00:11:43,600 Speaker 1: doesn't do play by play and he's not a studio host. 200 00:11:44,320 --> 00:11:48,720 Speaker 1: He just is the voice of the NFL. And that's 201 00:11:48,800 --> 00:11:51,160 Speaker 1: to me worthy enough to be in the Pro Football 202 00:11:51,160 --> 00:11:53,200 Speaker 1: Hall of Fame. Yeah, Mclub. I love the irony too 203 00:11:53,200 --> 00:11:57,360 Speaker 1: that you tried out for the This is a great 204 00:11:57,400 --> 00:12:01,040 Speaker 1: part of battle when when when John passed away and 205 00:12:01,120 --> 00:12:03,720 Speaker 1: I did a feature at NFL Films when I was 206 00:12:03,760 --> 00:12:06,920 Speaker 1: at CNN back in the mid eighties, and I thought, 207 00:12:07,559 --> 00:12:11,680 Speaker 1: while I'm here, I should probably let them hear this voice. 208 00:12:12,520 --> 00:12:17,440 Speaker 1: And I went into a recording studio at NFL Films, 209 00:12:17,920 --> 00:12:21,079 Speaker 1: probably the same recording studio that John Facenda was in, 210 00:12:22,320 --> 00:12:25,040 Speaker 1: and I gave a read. But I gave a read 211 00:12:25,080 --> 00:12:28,800 Speaker 1: as John Facenda. I didn't do it in just my 212 00:12:28,920 --> 00:12:32,840 Speaker 1: normal voice. I went down like this. The Silver and 213 00:12:32,920 --> 00:12:37,320 Speaker 1: Black Clad Masters of Intimidation nearly took Joe thin like 214 00:12:38,440 --> 00:12:39,920 Speaker 1: and they put me. You know, I think they were 215 00:12:40,000 --> 00:12:43,920 Speaker 1: just being polite. They're like, okay, all right. I said, 216 00:12:44,080 --> 00:12:46,120 Speaker 1: you know, let me know. I said, it'd be hard 217 00:12:46,120 --> 00:12:47,760 Speaker 1: for me to come all the way down here at 218 00:12:47,880 --> 00:12:51,360 Speaker 1: NFL Films, but you know, let me know, like I 219 00:12:51,440 --> 00:12:54,560 Speaker 1: think I got a shot here. I'm still waiting to 220 00:12:54,600 --> 00:12:57,440 Speaker 1: hear back from NFL Films, but I've heard back from 221 00:12:57,440 --> 00:13:01,360 Speaker 1: the Pro Football Hall of Fame, so uh, that's awesome. 222 00:13:01,400 --> 00:13:05,120 Speaker 1: And mcclevin thank you as well. Because we were bouncing ideas. 223 00:13:05,240 --> 00:13:07,240 Speaker 1: I just said, you know, I got to craft something 224 00:13:07,320 --> 00:13:11,240 Speaker 1: that he's gonna sound and look professional. And that you know, 225 00:13:11,320 --> 00:13:14,480 Speaker 1: my passion as a football fan as a kid is 226 00:13:14,480 --> 00:13:17,160 Speaker 1: going to be incorporated in this and and you were 227 00:13:17,240 --> 00:13:19,920 Speaker 1: very instrumental in helping me with that. Oh, I appreciate that, 228 00:13:20,000 --> 00:13:22,640 Speaker 1: you know. I you know films as a Philadelphia company, 229 00:13:22,679 --> 00:13:24,640 Speaker 1: it was a big deal. They used to have assemblies 230 00:13:24,679 --> 00:13:27,240 Speaker 1: where they would bring you into the I said, auditorium 231 00:13:27,240 --> 00:13:30,320 Speaker 1: to watch in nineteen eighty four Eagles highlight film and 232 00:13:30,320 --> 00:13:32,480 Speaker 1: then at the end they'd be like, despite the four 233 00:13:32,520 --> 00:13:36,240 Speaker 1: and eleven record, the healths are good for Gang Green 234 00:13:36,400 --> 00:13:40,240 Speaker 1: or whatever. Yeah. Yeah, might have been four and twelve, 235 00:13:40,320 --> 00:13:43,120 Speaker 1: not four and eleven. Yeah, I remember when I was 236 00:13:43,160 --> 00:13:45,600 Speaker 1: a kid there were fourteen fourteen. Yeah, I didn't know. 237 00:13:45,679 --> 00:13:47,719 Speaker 1: I used to love NFL films in the eighties used 238 00:13:47,720 --> 00:13:50,240 Speaker 1: to do a team like a yearbook video. You could 239 00:13:50,320 --> 00:13:52,400 Speaker 1: order it, like I think if you bought Sports Illustrated, 240 00:13:52,400 --> 00:13:54,839 Speaker 1: they'd send you a copy and if your team sucked, 241 00:13:55,200 --> 00:13:58,839 Speaker 1: they'd be like Chicago Bears Building for the Future or 242 00:13:59,040 --> 00:14:02,559 Speaker 1: five and eleven. This program brought to you by Simply Safe. 243 00:14:02,920 --> 00:14:05,120 Speaker 1: They make you safe at home. They've been doing so 244 00:14:05,200 --> 00:14:08,240 Speaker 1: over the last fifteen years. Simply Safe and go to 245 00:14:08,280 --> 00:14:11,800 Speaker 1: Simply Safe, dand Dot com today customize your home system 246 00:14:11,840 --> 00:14:14,320 Speaker 1: and get a free security camera in the process. All right, 247 00:14:14,360 --> 00:14:16,760 Speaker 1: we'll hit the reset button. But I couldn't wait for this, 248 00:14:17,240 --> 00:14:20,000 Speaker 1: and I asked David Baker to come on as the 249 00:14:20,040 --> 00:14:22,320 Speaker 1: President of the Hall of Fame. So thank you for 250 00:14:22,360 --> 00:14:25,720 Speaker 1: indulging me on that. We'll get back to our regularly 251 00:14:25,760 --> 00:14:28,840 Speaker 1: scheduled program for this Monday, but Reggie Miller, Scottie Pippen 252 00:14:28,920 --> 00:14:30,920 Speaker 1: a little bit later on and your phone calls as 253 00:14:30,960 --> 00:14:33,720 Speaker 1: well as we take a break here fifteen after the 254 00:14:33,760 --> 00:14:38,840 Speaker 1: hour Dan Patrick show. Discover that Discover credit card, and 255 00:14:38,880 --> 00:14:42,040 Speaker 1: you're going to discover a lot of great things, including 256 00:14:42,880 --> 00:14:45,040 Speaker 1: the cash back earn on your credit card at the 257 00:14:45,120 --> 00:14:47,720 Speaker 1: end of your first year. Automatically Discover matches all of that. 258 00:14:47,760 --> 00:14:49,560 Speaker 1: There's no limit on how much you can earn. That's 259 00:14:49,600 --> 00:14:52,400 Speaker 1: pretty amazing. In fact, even more amazing because of all 260 00:14:52,400 --> 00:14:55,720 Speaker 1: the places where Discover is accepted. Ninety nine percent of 261 00:14:55,720 --> 00:14:58,240 Speaker 1: the places in the United States that take credit cards 262 00:14:58,280 --> 00:15:01,920 Speaker 1: take Discover, which means when it comes to Discover, get 263 00:15:02,000 --> 00:15:03,920 Speaker 1: used to hear any word yes, more often, learn more 264 00:15:04,040 --> 00:15:07,760 Speaker 1: Discover dot Com slash Ys twenty twenty one Nielsen Report. 265 00:15:07,840 --> 00:15:10,760 Speaker 1: Limitations do apply. Thanks for listening to The Dan Patrick 266 00:15:10,880 --> 00:15:13,640 Speaker 1: Show podcast. Be sure to catch us live every weekday 267 00:15:13,680 --> 00:15:16,480 Speaker 1: morning nine until noon eastern six to nine Pacific on 268 00:15:16,520 --> 00:15:18,880 Speaker 1: Fox Sports Radio, and you can find us on the 269 00:15:18,920 --> 00:15:23,120 Speaker 1: iHeartRadio app at FSR, or stream us live on the 270 00:15:23,160 --> 00:15:25,480 Speaker 1: Peacock app. Feel like I put in a full day's 271 00:15:25,520 --> 00:15:30,880 Speaker 1: work already, thanks again to the Pro Football Hall of 272 00:15:30,880 --> 00:15:34,560 Speaker 1: Fame for at least letting me have a platform to 273 00:15:35,000 --> 00:15:37,600 Speaker 1: talk about John Facinda, who will go into the Pro 274 00:15:37,640 --> 00:15:40,960 Speaker 1: Football Hall of Fame. All right, we'll get phone calls 275 00:15:41,040 --> 00:15:43,840 Speaker 1: coming up eight seven seven, three DP shows we always 276 00:15:43,880 --> 00:15:46,440 Speaker 1: do every Monday, best and Worst of the weekend. There's 277 00:15:46,440 --> 00:15:49,320 Speaker 1: an expression in basketball that shooters shoot, and in the 278 00:15:49,320 --> 00:15:52,240 Speaker 1: first two games of the Eastern Conference Finals, the Bucks 279 00:15:52,280 --> 00:15:55,160 Speaker 1: Chris Middleton didn't live up to his regular season form. 280 00:15:55,200 --> 00:15:57,560 Speaker 1: He was twelve or thirty six from the floor. He 281 00:15:58,280 --> 00:16:01,360 Speaker 1: scored a combine thirty points in the first two games, 282 00:16:01,400 --> 00:16:04,080 Speaker 1: not what you expect out of an All Star. But 283 00:16:04,160 --> 00:16:07,160 Speaker 1: he stayed aggressive last night and he kept shooting. He 284 00:16:07,240 --> 00:16:10,600 Speaker 1: at fifteen to twenty six, he scored thirty eight. He 285 00:16:10,760 --> 00:16:15,880 Speaker 1: scored twenty in the fourth quarter, and he always reminds 286 00:16:15,880 --> 00:16:18,240 Speaker 1: you of how good he can be. Two time All 287 00:16:18,280 --> 00:16:21,560 Speaker 1: Star and he's going to play on the Olympic team. Hawks. 288 00:16:22,160 --> 00:16:24,920 Speaker 1: They played tough, they ran out of steam. Trey Young 289 00:16:25,000 --> 00:16:28,400 Speaker 1: twisted his ankle in the second half, but Middleton shooting 290 00:16:28,600 --> 00:16:31,560 Speaker 1: was big. Jann has played well, Bobby Portis played well. 291 00:16:32,280 --> 00:16:35,320 Speaker 1: He got big contributions off the bench. But the you know, 292 00:16:36,000 --> 00:16:38,720 Speaker 1: teams need a closer in the playoffs. And as strange 293 00:16:38,720 --> 00:16:41,760 Speaker 1: as this is going to sound, Chris Middleton to me, 294 00:16:41,960 --> 00:16:44,240 Speaker 1: is more of a closer than the Greek Freak is. 295 00:16:44,680 --> 00:16:47,480 Speaker 1: Greek Freak is a better player. But as I've been 296 00:16:47,520 --> 00:16:50,320 Speaker 1: saying a couple of times during the postseason, if Chris 297 00:16:50,320 --> 00:16:55,200 Speaker 1: Middleton plays well, the Bucks win. And if you watch 298 00:16:55,280 --> 00:16:59,240 Speaker 1: Chris Middleton, he doesn't think he is the second fiddle here. 299 00:16:59,720 --> 00:17:03,680 Speaker 1: He has that mentality and he should have that mentality. Look, 300 00:17:03,680 --> 00:17:05,280 Speaker 1: you're not going to be famous, You're going to be 301 00:17:05,359 --> 00:17:07,920 Speaker 1: dwarfed by the Greek Freak. But you have a chance 302 00:17:07,960 --> 00:17:12,240 Speaker 1: to make a name for yourself. And by doing this 303 00:17:12,280 --> 00:17:14,040 Speaker 1: and then doing it on a bigger stage in the 304 00:17:14,119 --> 00:17:17,160 Speaker 1: NBA Finals, that's where you make a name for yourself. 305 00:17:17,520 --> 00:17:20,480 Speaker 1: And that'll be a coming out party possibly for Chris Middleton. 306 00:17:20,520 --> 00:17:23,200 Speaker 1: We've talked about some of these players, with Trey Young, 307 00:17:23,760 --> 00:17:28,480 Speaker 1: with Chris Paul almost fifteen eighteen years where you become 308 00:17:28,520 --> 00:17:33,199 Speaker 1: an overnight sensation. But Chris Middleton, what he did, that's 309 00:17:33,240 --> 00:17:36,160 Speaker 1: a big moment here. Now, Look for the Atlanta Hawks, 310 00:17:36,200 --> 00:17:40,119 Speaker 1: they're not a great team, and that they've gotten this 311 00:17:40,240 --> 00:17:43,720 Speaker 1: far is miraculous because they don't have like that's an 312 00:17:43,760 --> 00:17:48,919 Speaker 1: injury plague team and Trey Young twisting his ankle and 313 00:17:49,000 --> 00:17:52,399 Speaker 1: they may limp home, but they'll limp home with pride 314 00:17:52,400 --> 00:17:56,160 Speaker 1: and they should. But the Milwaukee Bucks and I thought 315 00:17:56,160 --> 00:17:58,560 Speaker 1: at the beginning of the year, the beginning of the postseason, 316 00:17:58,640 --> 00:18:02,480 Speaker 1: the healthiest team was going to win the NBA Championship 317 00:18:02,800 --> 00:18:06,280 Speaker 1: and that might be the Milwaukee Bucks. But man, is 318 00:18:06,320 --> 00:18:11,280 Speaker 1: this like there is this is fraught with tension and 319 00:18:11,720 --> 00:18:15,760 Speaker 1: the what ifs If Kevin Durant hits a three instead 320 00:18:15,800 --> 00:18:22,000 Speaker 1: of a two, then it's over. Like Mike Budenholzer probably 321 00:18:22,119 --> 00:18:24,640 Speaker 1: loses his job as the head coach of the Bucks. 322 00:18:26,440 --> 00:18:29,520 Speaker 1: If Kawhi Leonard doesn't get injured, are we looking at 323 00:18:29,560 --> 00:18:34,720 Speaker 1: a different story out West Anthony Davis doesn't get injured. 324 00:18:35,480 --> 00:18:38,280 Speaker 1: I mean, there's there's so much that's gone on with 325 00:18:38,320 --> 00:18:41,840 Speaker 1: these playoffs here, but it might be the healthiest team 326 00:18:42,119 --> 00:18:45,080 Speaker 1: is going to win the championship. And that team right 327 00:18:45,080 --> 00:18:49,200 Speaker 1: now is the Milwaukee Bucks. All right, some phone calls here, 328 00:18:50,119 --> 00:18:53,320 Speaker 1: let's see Patton Pennsylvania. Hey Pat, what's on your mind today? 329 00:18:54,359 --> 00:18:57,399 Speaker 1: And I guess I have to thank you for the 330 00:18:57,440 --> 00:19:00,560 Speaker 1: Photolfia Fantam pumps out Jersey. I'm sixty, grew up with 331 00:19:00,680 --> 00:19:05,600 Speaker 1: John Fasanda, so that wasn't really a crazy oversight. Um. 332 00:19:06,960 --> 00:19:08,680 Speaker 1: I think I got tears in my eyes this morning. 333 00:19:08,720 --> 00:19:12,920 Speaker 1: But driven pass NFL films many times, and we don't 334 00:19:12,920 --> 00:19:15,000 Speaker 1: win a lot of championships, but we got another guy 335 00:19:15,000 --> 00:19:18,000 Speaker 1: to our to the Hall of Fame. Well, thank you, Pat. 336 00:19:18,119 --> 00:19:20,399 Speaker 1: And I'm sure that he meant to you what he 337 00:19:20,440 --> 00:19:22,800 Speaker 1: meant to me, since we're a similar age. Terry in 338 00:19:22,840 --> 00:19:26,240 Speaker 1: New York, I, Terry, what's on your mind? Hey Dan? 339 00:19:26,320 --> 00:19:29,199 Speaker 1: How are you doing today? Good? Sir? Good? I just 340 00:19:29,440 --> 00:19:32,399 Speaker 1: was calling the same man who love you here in 341 00:19:32,400 --> 00:19:34,960 Speaker 1: New York. Man, I'm so glad you did that for 342 00:19:35,040 --> 00:19:38,399 Speaker 1: John Person. Demand that you push that along, that you 343 00:19:39,040 --> 00:19:41,640 Speaker 1: bring black nostalgia for me here at work. Man. It's 344 00:19:41,640 --> 00:19:45,240 Speaker 1: just you bring back memories. I'm telling you. When I 345 00:19:45,680 --> 00:19:50,400 Speaker 1: heard John Person, then uh, Sam Spence when Rondo comes on. Man, 346 00:19:50,600 --> 00:19:53,000 Speaker 1: I used to slam a little brother on the ground. 347 00:19:54,000 --> 00:19:56,160 Speaker 1: To this day, I still slim my brother and grown 348 00:19:56,280 --> 00:19:59,920 Speaker 1: out here. Roundo, we're almost fifty. I just had that song. 349 00:20:00,119 --> 00:20:03,720 Speaker 1: Round up man, Sam spencon when he's near eating the game. 350 00:20:04,200 --> 00:20:07,639 Speaker 1: Oh gosh, fantastic day. We love you man, thanks for 351 00:20:07,680 --> 00:20:10,960 Speaker 1: doing that. Thank you, Terry, Tom and Florida. Hey Tom, 352 00:20:11,000 --> 00:20:14,840 Speaker 1: what's on your mind today? Hey Dan, good morning that 353 00:20:15,000 --> 00:20:18,240 Speaker 1: it's a pleasure to talk to you. I grew up 354 00:20:18,280 --> 00:20:21,680 Speaker 1: in Philadelphia and there are a lot of great voices 355 00:20:23,119 --> 00:20:28,800 Speaker 1: Merrill Reefs and Jeane Heart and different all different sports, 356 00:20:28,840 --> 00:20:32,360 Speaker 1: but there was no one like Johnson Cenda, no one. 357 00:20:33,600 --> 00:20:37,959 Speaker 1: He was wcau kept us up. He gave us the 358 00:20:38,240 --> 00:20:41,480 Speaker 1: eleven o'clock news and everything was gonna be all right. 359 00:20:42,240 --> 00:20:45,359 Speaker 1: And he always closed with have a nice night tonight 360 00:20:45,480 --> 00:20:48,119 Speaker 1: and a good day tomorrow. I wish the same to 361 00:20:48,280 --> 00:20:53,520 Speaker 1: everyone in the damn nation. Thank you, Tom, Thank you. 362 00:20:54,400 --> 00:20:57,919 Speaker 1: Look I it was emotional for me, but you know 363 00:20:57,960 --> 00:20:59,879 Speaker 1: the things that happened when you're growing up, when you 364 00:21:00,080 --> 00:21:03,639 Speaker 1: or younger, and we didn't have every game, but you 365 00:21:03,760 --> 00:21:06,640 Speaker 1: got to see these highlights and what the sables did, 366 00:21:07,040 --> 00:21:09,919 Speaker 1: and I had I got to spend time with Steve Sable, 367 00:21:10,400 --> 00:21:13,439 Speaker 1: not his father, but Steve, and I always enjoyed Steve, 368 00:21:15,040 --> 00:21:17,320 Speaker 1: and he talked to me about he wanted to be 369 00:21:17,600 --> 00:21:19,840 Speaker 1: a host, he wanted to be on TV, he wanted 370 00:21:19,880 --> 00:21:22,679 Speaker 1: to be more than just Hey, my dad started NFL 371 00:21:22,760 --> 00:21:25,879 Speaker 1: films and we would talk about that. And I was 372 00:21:26,000 --> 00:21:28,680 Speaker 1: relatively new in the business when I was at CNN, 373 00:21:29,320 --> 00:21:33,400 Speaker 1: and whenever we saw each other, it was always pleasantries 374 00:21:33,440 --> 00:21:36,159 Speaker 1: and I always enjoyed what he was on. I mean, 375 00:21:36,200 --> 00:21:37,960 Speaker 1: he was on a whole different level than I was. 376 00:21:38,640 --> 00:21:42,280 Speaker 1: But you know, John Facenda should be there with the 377 00:21:42,320 --> 00:21:45,680 Speaker 1: Sables in the Pro Football Hall of Fame, and I'm 378 00:21:45,680 --> 00:21:48,119 Speaker 1: sure it's going to be emotional for a lot of 379 00:21:48,160 --> 00:21:50,960 Speaker 1: people because of what John meant to you. He was 380 00:21:51,000 --> 00:21:53,680 Speaker 1: just a voice. He was not a face. He was 381 00:21:53,720 --> 00:21:56,880 Speaker 1: a name, but really just a voice. And I think 382 00:21:57,080 --> 00:21:59,760 Speaker 1: that's the magic of it. As we grew up in 383 00:21:59,760 --> 00:22:03,399 Speaker 1: an era like that where the voice was so important, 384 00:22:04,280 --> 00:22:06,479 Speaker 1: I didn't have to see you, I just had to 385 00:22:06,520 --> 00:22:10,000 Speaker 1: hear you. And that's where we were lucky. With Chick Kern, 386 00:22:10,640 --> 00:22:14,800 Speaker 1: Vin Scully, Johnny Mose with the Celtics. I mean, there 387 00:22:14,800 --> 00:22:18,080 Speaker 1: were so many, so many broadcasters that were just so 388 00:22:18,119 --> 00:22:22,680 Speaker 1: important to me because that voice, that voice meant something. 389 00:22:22,720 --> 00:22:26,560 Speaker 1: It was the time of the year, there was drama 390 00:22:26,680 --> 00:22:31,560 Speaker 1: there that there was humor in there. But with John Facenda, 391 00:22:31,840 --> 00:22:34,960 Speaker 1: that's the voice of God. And how can you have 392 00:22:35,000 --> 00:22:36,720 Speaker 1: a Pro Football Hall of Fame and not have the 393 00:22:36,800 --> 00:22:38,760 Speaker 1: voice of God in there? Yes, Bully. A couple of 394 00:22:38,760 --> 00:22:41,040 Speaker 1: calls ago, the caller said, John Facenda used to do 395 00:22:41,080 --> 00:22:43,600 Speaker 1: the weekend wrap up of football with this song called 396 00:22:43,680 --> 00:22:57,560 Speaker 1: round Up underneath the highlights. Here's the sound, Daryl Lamonica 397 00:22:57,800 --> 00:23:03,399 Speaker 1: the mad Bummer to Cliff Branch and that was the 398 00:23:03,640 --> 00:23:10,760 Speaker 1: end of the Washington Redskins. They're silver and black Man 399 00:23:11,359 --> 00:23:15,360 Speaker 1: saw some Yeah, it's a great way to end a weekend. 400 00:23:15,520 --> 00:23:19,160 Speaker 1: Start a week Rob in New Orleans, Hey, Rob, what's 401 00:23:19,160 --> 00:23:23,119 Speaker 1: on your mind today? What up? Dpic to hear your 402 00:23:23,200 --> 00:23:28,440 Speaker 1: voice today and very proud of what you did. John 403 00:23:28,520 --> 00:23:32,560 Speaker 1: Facenda was the voice of my childhood. And there was 404 00:23:32,720 --> 00:23:36,879 Speaker 1: one particular thing, and it was about the Raiders. I 405 00:23:36,880 --> 00:23:39,680 Speaker 1: think it was the year that they beat the Vikings 406 00:23:39,680 --> 00:23:42,919 Speaker 1: in the Super Bowl, and the film came out afterwards 407 00:23:43,119 --> 00:23:47,320 Speaker 1: and John Facenda starts off and he says, great teams 408 00:23:47,359 --> 00:23:52,239 Speaker 1: aren't always great. They are just great when they have 409 00:23:52,480 --> 00:23:56,360 Speaker 1: to be. And whenever I think of the NFL, that's 410 00:23:56,400 --> 00:23:58,760 Speaker 1: what I think of. So thank you man, Thank you 411 00:23:58,760 --> 00:24:02,400 Speaker 1: for doing that. That's a beautiful thing. Thank you Rob. 412 00:24:02,520 --> 00:24:06,040 Speaker 1: That pretty good impersonation. Did a little better than I 413 00:24:06,080 --> 00:24:08,600 Speaker 1: did there, all right, best and worst of the weekend. 414 00:24:08,640 --> 00:24:11,000 Speaker 1: We'll get to your phone calls coming up, McLevin. What 415 00:24:11,160 --> 00:24:13,800 Speaker 1: pole question we're gonna go? I had to put up totally, 416 00:24:13,920 --> 00:24:16,560 Speaker 1: going from a great announcement to something completely petty. But 417 00:24:16,680 --> 00:24:20,240 Speaker 1: has Paul George had a good postseason? Actually it's fifty 418 00:24:20,320 --> 00:24:24,080 Speaker 1: fifty people can't decide. I think he's done. He sort 419 00:24:24,119 --> 00:24:26,119 Speaker 1: of carried this team to some extent, even though he 420 00:24:26,160 --> 00:24:29,120 Speaker 1: can't hit the side of a barn. Sometimes without him, 421 00:24:29,240 --> 00:24:31,439 Speaker 1: they're just they're sort of a bunch of no names. 422 00:24:32,400 --> 00:24:36,000 Speaker 1: The Clippers are oh for twelve in the fourth quarter 423 00:24:36,040 --> 00:24:38,240 Speaker 1: on shots that could have tied the game or taken 424 00:24:38,280 --> 00:24:42,280 Speaker 1: the lead. That's the most attempts without a make in 425 00:24:42,320 --> 00:24:44,480 Speaker 1: the fourth quarter of a game over the last twenty 426 00:24:44,520 --> 00:24:49,280 Speaker 1: five years. You're looking for a clutch, Gene with somebody 427 00:24:49,359 --> 00:24:55,600 Speaker 1: here and without Kawhi there, I mean, Paul George. It's 428 00:24:55,640 --> 00:24:57,600 Speaker 1: his team, and he does have to take all of 429 00:24:57,640 --> 00:25:00,480 Speaker 1: these shots. He's taking shots, more shots than he would 430 00:25:00,520 --> 00:25:05,080 Speaker 1: normally take, and would you like a little bit higher percentage, 431 00:25:05,280 --> 00:25:08,120 Speaker 1: Yes you would, but it's not going to be there. 432 00:25:09,520 --> 00:25:13,719 Speaker 1: But I'm going to give him credit here because he 433 00:25:13,880 --> 00:25:17,479 Speaker 1: is out there and they're still alive and you know, 434 00:25:17,520 --> 00:25:20,480 Speaker 1: obviously a big game coming up tonight with Game five. 435 00:25:21,280 --> 00:25:23,760 Speaker 1: Do I expect the Clippers to win this series? I 436 00:25:23,840 --> 00:25:26,840 Speaker 1: do not. I think the bigger picture moving forward here 437 00:25:26,960 --> 00:25:31,240 Speaker 1: is who are the Clippers moving forward? Is Kawuhi always 438 00:25:31,240 --> 00:25:35,080 Speaker 1: going to have this knee injury? An answer is yes, 439 00:25:37,400 --> 00:25:39,479 Speaker 1: Now what do you do? How do you build around 440 00:25:39,600 --> 00:25:45,080 Speaker 1: Kawhi Leonard and or does Kawhi Leonard go someplace else? 441 00:25:46,720 --> 00:25:50,000 Speaker 1: I think really the future, the identity of the Clippers 442 00:25:49,720 --> 00:25:53,160 Speaker 1: is what's on the line for me. Who stays, who goes? 443 00:25:53,200 --> 00:25:55,400 Speaker 1: I think ty Low has done a wonderful job as 444 00:25:55,400 --> 00:25:59,080 Speaker 1: their head coach and the adjustments that he's made. They 445 00:25:59,119 --> 00:26:01,800 Speaker 1: have role players there. You thought you were going to 446 00:26:01,880 --> 00:26:06,240 Speaker 1: have Kawai and Paul George. Now you have Paul George 447 00:26:06,320 --> 00:26:09,480 Speaker 1: and I don't know, you know, what kind of accommodations 448 00:26:09,520 --> 00:26:12,399 Speaker 1: can you make for Kawhi Leonard. You know, the inner 449 00:26:12,480 --> 00:26:16,439 Speaker 1: circle says he's high maintenance. Like those who know the 450 00:26:16,480 --> 00:26:21,000 Speaker 1: situation will tell you. With Kawai, there's high maintenance things 451 00:26:21,000 --> 00:26:23,320 Speaker 1: that you need to do. It's like Tom Brady, but 452 00:26:23,440 --> 00:26:26,520 Speaker 1: Kawai doesn't have the resume that Tom Brady does. Brady 453 00:26:26,600 --> 00:26:29,280 Speaker 1: is considered high maintenance. One of the reasons why the 454 00:26:29,400 --> 00:26:33,360 Speaker 1: Raiders didn't want to bring in Tom Brady because when 455 00:26:33,359 --> 00:26:36,480 Speaker 1: you bring in Tom, you bring in his trainer. He's 456 00:26:36,480 --> 00:26:37,840 Speaker 1: got to be on the field. You gotta be on 457 00:26:37,840 --> 00:26:41,240 Speaker 1: the plane, like there's other things like you you turn 458 00:26:41,359 --> 00:26:44,760 Speaker 1: the franchise over to Tom Brady. Tampa was willing to 459 00:26:44,800 --> 00:26:48,480 Speaker 1: do that. The Raiders reportedly were not. The Lakers did 460 00:26:48,520 --> 00:26:53,640 Speaker 1: that with Lebron James. But I think that's the interesting 461 00:26:53,680 --> 00:26:57,800 Speaker 1: part here. And here's the other thing to keep an 462 00:26:57,800 --> 00:27:01,879 Speaker 1: eye on. The Clippers have played seventeen games in the 463 00:27:01,960 --> 00:27:07,000 Speaker 1: last thirty six days, seventeen in the last thirty six 464 00:27:09,280 --> 00:27:13,440 Speaker 1: Fatigue is playing a role. If you're shooting thirty two 465 00:27:13,480 --> 00:27:16,879 Speaker 1: percent from the floor in sixteen percent from three point range, 466 00:27:17,119 --> 00:27:22,080 Speaker 1: it's not going to get any better. Fatigue is certainly 467 00:27:22,080 --> 00:27:24,399 Speaker 1: set in on this team. Yeah point Saturday, though the 468 00:27:24,400 --> 00:27:26,960 Speaker 1: Clippers are at home. The Sun shot thirty six percent 469 00:27:27,040 --> 00:27:30,120 Speaker 1: from the field. The Suns were four of twenty from three. 470 00:27:30,200 --> 00:27:33,160 Speaker 1: That's an opportunity. But the Clippers were thirty two percent 471 00:27:33,200 --> 00:27:36,760 Speaker 1: from the field, five of thirty one from three, sixteen percent, 472 00:27:37,280 --> 00:27:38,960 Speaker 1: twenty one to thirty two from the free through line 473 00:27:39,040 --> 00:27:43,080 Speaker 1: sixty five percent. Phoenix shooting thirty six percent is the 474 00:27:43,160 --> 00:27:48,640 Speaker 1: worst field goal percentage by any winning team since twenty fifteen. 475 00:27:49,240 --> 00:27:52,840 Speaker 1: Stat of the day, Sat of the day, best stat 476 00:27:52,840 --> 00:27:56,960 Speaker 1: of the day, stat of the day. It comes that, 477 00:27:57,200 --> 00:28:02,720 Speaker 1: what stat of the day. Nothing wrong with winning ugly. 478 00:28:03,160 --> 00:28:05,440 Speaker 1: You just win and there are gonna be times where 479 00:28:05,480 --> 00:28:08,920 Speaker 1: it's not pretty. And that game on Saturday night, that's 480 00:28:08,960 --> 00:28:15,840 Speaker 1: the lowest scoring game this season in the NBA regular 481 00:28:15,880 --> 00:28:20,639 Speaker 1: season and postseason. Lowest you have your opportunity. Devin Booker 482 00:28:20,720 --> 00:28:22,919 Speaker 1: trying to get adjusted to the mask. Chris Paul is 483 00:28:22,960 --> 00:28:25,560 Speaker 1: coming back. You know you got to win that game. 484 00:28:26,720 --> 00:28:30,600 Speaker 1: If you're the Clippers, got to win that game. Yeah. 485 00:28:31,160 --> 00:28:33,440 Speaker 1: Have we seen enough out of DeAndre Aden to make 486 00:28:33,480 --> 00:28:36,160 Speaker 1: this pole question? If you could redo the twenty eighteen 487 00:28:36,280 --> 00:28:39,680 Speaker 1: NBA draft, who would you take number one eighton? Luca 488 00:28:39,720 --> 00:28:43,040 Speaker 1: don Check or Trey Young or Is Eyton still not 489 00:28:43,160 --> 00:28:45,400 Speaker 1: quite there. No, he's not there yet. But I do 490 00:28:45,480 --> 00:28:47,720 Speaker 1: love what I hear from him, and I love what 491 00:28:47,840 --> 00:28:50,600 Speaker 1: his teammates say about him. I want you to be great. 492 00:28:50,680 --> 00:28:52,200 Speaker 1: I want you to want to be great. I want 493 00:28:52,240 --> 00:28:54,880 Speaker 1: you to listen to Chris Paul. I want you to 494 00:28:54,920 --> 00:28:59,320 Speaker 1: understand your role with Devin Booker. He's really good, and 495 00:28:59,440 --> 00:29:02,360 Speaker 1: it feels like he's getting better and better and more confident. 496 00:29:02,400 --> 00:29:04,720 Speaker 1: But I would still take Luca. You know, here's this 497 00:29:04,800 --> 00:29:08,160 Speaker 1: strange thing about Trey Young, and you'll probably not hear 498 00:29:08,200 --> 00:29:11,400 Speaker 1: this from many people. I would much rather have Trey 499 00:29:11,480 --> 00:29:16,320 Speaker 1: Young shoot threes. Then I would let him dribble and 500 00:29:16,400 --> 00:29:18,720 Speaker 1: get in the lane, get those floaters, get you in 501 00:29:18,760 --> 00:29:24,680 Speaker 1: foul trouble. If I'm guarding him, guys, I let him 502 00:29:24,680 --> 00:29:27,720 Speaker 1: shoot his three. Now. I don't let him do what 503 00:29:27,840 --> 00:29:29,760 Speaker 1: happened the other night where he's like all alone, he 504 00:29:29,800 --> 00:29:33,000 Speaker 1: does his little shimmy. But I would let him shoot 505 00:29:33,040 --> 00:29:35,000 Speaker 1: those threes. I am not letting him get in the 506 00:29:35,080 --> 00:29:37,800 Speaker 1: lane because when he gets in the lane, he gets 507 00:29:37,800 --> 00:29:42,120 Speaker 1: fouled and he makes his free throws. You want to 508 00:29:42,120 --> 00:29:45,680 Speaker 1: shoot the three, go ahead, shoot the three. I'd rather 509 00:29:46,000 --> 00:29:48,760 Speaker 1: I'll live and die by that. If I'm Milwaukee with 510 00:29:48,840 --> 00:29:52,320 Speaker 1: Trey Young, then I would allowing him get in the lane. Yes, Polly, 511 00:29:52,560 --> 00:29:54,720 Speaker 1: I'm watching Chris Paul and I'm like ten years in 512 00:29:54,760 --> 00:29:56,960 Speaker 1: the not figure out how he scores points. He kind 513 00:29:56,960 --> 00:29:59,160 Speaker 1: of meanders to the lane. He's not the quickest guy, 514 00:29:59,400 --> 00:30:01,120 Speaker 1: but he kind of floats into the lane and just 515 00:30:01,160 --> 00:30:03,520 Speaker 1: finds that spot and he hits that little jumper where 516 00:30:03,800 --> 00:30:06,120 Speaker 1: his feet are about an inch off the ground. He's 517 00:30:06,120 --> 00:30:08,720 Speaker 1: got a normal release. I think the guys six foot 518 00:30:08,760 --> 00:30:11,680 Speaker 1: tell or six one they allow him to have that, 519 00:30:11,440 --> 00:30:14,080 Speaker 1: but that's Hey, you're not getting to the hoop and 520 00:30:14,120 --> 00:30:16,800 Speaker 1: you're not shooting the three, and we forget about that 521 00:30:16,920 --> 00:30:18,880 Speaker 1: mid range jumper. And he just kind of floats in. 522 00:30:18,960 --> 00:30:21,120 Speaker 1: Then he cuts right or left and avoids that six 523 00:30:21,240 --> 00:30:22,880 Speaker 1: nine dude, and he gets off his shot. And it's 524 00:30:22,880 --> 00:30:26,320 Speaker 1: fascinating because he knows where he's going, but he's not 525 00:30:26,360 --> 00:30:30,760 Speaker 1: doing it quickly. Yeah, he's but you know part of 526 00:30:30,760 --> 00:30:34,960 Speaker 1: this is you have almost this scientific approach, like you 527 00:30:35,280 --> 00:30:39,560 Speaker 1: have to know where you can go, and he finds 528 00:30:39,600 --> 00:30:44,360 Speaker 1: his spot. You find soft spots, you know if you look. 529 00:30:44,600 --> 00:30:48,120 Speaker 1: I guess the analogy would be, you know, Julian Edelman 530 00:30:48,200 --> 00:30:50,320 Speaker 1: knows where he can go. He knows where to go, 531 00:30:50,440 --> 00:30:54,200 Speaker 1: and you know he's going to be open. Larry Fitzgerald, like, 532 00:30:54,240 --> 00:30:57,360 Speaker 1: you just know I can go there, I can get that. 533 00:30:57,360 --> 00:30:59,040 Speaker 1: That's always going to be there for Hey, we don't 534 00:30:59,040 --> 00:31:01,320 Speaker 1: want you to beat us deep. Hey, you know, Lee, 535 00:31:01,440 --> 00:31:04,080 Speaker 1: we don't want you crossing over the middle. But you 536 00:31:04,200 --> 00:31:07,160 Speaker 1: find those soft areas. And Durant has made a career 537 00:31:07,160 --> 00:31:09,920 Speaker 1: out of this as well. And Chris Paul. Now, I 538 00:31:09,920 --> 00:31:12,080 Speaker 1: don't know if you have younger players who are younger 539 00:31:12,080 --> 00:31:14,000 Speaker 1: players are coming up, they want to shoot the three, 540 00:31:14,480 --> 00:31:17,080 Speaker 1: but there's always going to be room for that mid 541 00:31:17,240 --> 00:31:21,080 Speaker 1: range jumper because they've allowed you. They'll give that to you. Like, 542 00:31:21,160 --> 00:31:24,200 Speaker 1: go ahead take that. We don't want you drawing fouls 543 00:31:24,240 --> 00:31:26,000 Speaker 1: going to the hoop, and we don't want you to 544 00:31:26,000 --> 00:31:28,200 Speaker 1: burn the shooting three. Do you want the fifteen footer? 545 00:31:28,360 --> 00:31:32,120 Speaker 1: Go ahead, take it to your heart's content, marking Ohio. 546 00:31:32,200 --> 00:31:36,640 Speaker 1: Then we'll take a break. We'll get to more phone calls. Hey, DP, 547 00:31:36,840 --> 00:31:40,280 Speaker 1: how you doing, buddy, good sir. Hey, I just want 548 00:31:40,280 --> 00:31:42,720 Speaker 1: to say thanks again for getting Percenda in the Hall 549 00:31:42,760 --> 00:31:45,600 Speaker 1: of Fame. I'm an Ohio guy from Southeast Ohio. It 550 00:31:45,640 --> 00:31:47,800 Speaker 1: means a lot. You know, growing up, the Senda was 551 00:31:47,800 --> 00:31:49,760 Speaker 1: always in your head. Where you're playing in the backyard 552 00:31:49,760 --> 00:31:52,600 Speaker 1: with the boys, you always had that song in your mind. 553 00:31:52,640 --> 00:31:54,480 Speaker 1: You always had his voice, and that was a big 554 00:31:54,560 --> 00:31:58,080 Speaker 1: catalyst to young kid playing football, going on to play 555 00:31:58,160 --> 00:31:59,880 Speaker 1: high school ball as well. So I want to say 556 00:32:00,040 --> 00:32:02,240 Speaker 1: thank you for that. He's a lot. Thank you, Mark, 557 00:32:02,280 --> 00:32:04,320 Speaker 1: and again thanks for the Pro Football Hall of Fame. 558 00:32:04,800 --> 00:32:07,240 Speaker 1: I was just speaking as a fan and I didn't 559 00:32:07,240 --> 00:32:10,240 Speaker 1: want to come in there and hey, I'm Dan Patrick 560 00:32:10,280 --> 00:32:11,840 Speaker 1: and I want you to listen to me. It was 561 00:32:11,880 --> 00:32:14,320 Speaker 1: just I got ahold of David Baker and said, look, 562 00:32:14,320 --> 00:32:17,000 Speaker 1: I'm this is you know, as a fan, as a 563 00:32:17,120 --> 00:32:21,800 Speaker 1: kid growing up in Mason, Ohio, this is you know, 564 00:32:21,840 --> 00:32:23,880 Speaker 1: an injustice. He should be in the Pro Football Hall 565 00:32:23,920 --> 00:32:27,920 Speaker 1: of Fame. And David, I think I hadn't thought of it. 566 00:32:28,720 --> 00:32:32,320 Speaker 1: And I think because he's not a broadcaster, and I 567 00:32:32,360 --> 00:32:34,960 Speaker 1: was worried that we had missed the window of opportunity. 568 00:32:35,240 --> 00:32:38,800 Speaker 1: You know, John died in the eighties, and I think 569 00:32:38,800 --> 00:32:41,080 Speaker 1: when I started to look at the Pete Roselle Award 570 00:32:41,160 --> 00:32:45,480 Speaker 1: that went to broadcasters and contributors, and I thought, I 571 00:32:45,520 --> 00:32:48,000 Speaker 1: said to Paul John Facinda has got to be in, 572 00:32:48,200 --> 00:32:50,720 Speaker 1: Like where is he on the list? And Paul goes, 573 00:32:51,200 --> 00:32:54,320 Speaker 1: he's not in, and I said, well, we gotta change that. 574 00:32:54,680 --> 00:32:58,880 Speaker 1: But look, all I did was have an opportunity, and 575 00:32:59,000 --> 00:33:00,960 Speaker 1: I spoke as a fan, and so for all of 576 00:33:01,000 --> 00:33:05,480 Speaker 1: you out there, I spoke for you because I mean, 577 00:33:05,520 --> 00:33:07,600 Speaker 1: I can't imagine what that's going to be like in 578 00:33:07,640 --> 00:33:11,160 Speaker 1: August and to hear that voice over those loudspeakers and 579 00:33:11,240 --> 00:33:16,560 Speaker 1: can'ton Ohio. Just close your eyes, take yourself back to 580 00:33:16,600 --> 00:33:19,360 Speaker 1: when you're nine years old, take a break, play the 581 00:33:19,440 --> 00:33:22,520 Speaker 1: day next. Thanks for listening to The Dan Patrick Show podcast. 582 00:33:22,640 --> 00:33:25,040 Speaker 1: Be sure to catch us live every weekday morning nine 583 00:33:25,080 --> 00:33:28,400 Speaker 1: until noon eastern six to nine Pacific on Fox Sports Radio, 584 00:33:28,640 --> 00:33:31,560 Speaker 1: and you can find us on the iHeartRadio app at 585 00:33:31,600 --> 00:33:35,560 Speaker 1: FSR or stream us live on the Peacock app. Hey, 586 00:33:35,600 --> 00:33:38,080 Speaker 1: what's up everybody? It's me three time pro bowler Le 587 00:33:38,200 --> 00:33:41,280 Speaker 1: Barrington and I couldn't be more excited to announce a 588 00:33:41,320 --> 00:33:44,840 Speaker 1: new podcast called Up on Game? What is up on Game? 589 00:33:44,920 --> 00:33:48,480 Speaker 1: You asked, along with my fellow pro bowler t J. Hushman, 590 00:33:48,560 --> 00:33:52,880 Speaker 1: Zada and Super Bowl champion Yep, that's right, Plexico Burris. 591 00:33:53,200 --> 00:33:55,440 Speaker 1: You can only name a show with that type of 592 00:33:55,440 --> 00:33:58,080 Speaker 1: talent on it. Up on Game, We're going to be 593 00:33:58,200 --> 00:34:02,480 Speaker 1: sharing our real life experience is loaded with teachable moments. 594 00:34:02,760 --> 00:34:06,240 Speaker 1: Listen to Up on Game with me lebar Arrington, T J. 595 00:34:06,400 --> 00:34:10,240 Speaker 1: Hutchman's Out of and Plexico Birds on the iHeartRadio app, 596 00:34:10,360 --> 00:34:16,520 Speaker 1: Apple Podcasts, or wherever you get your podcasts from. Oh 597 00:34:16,640 --> 00:34:22,840 Speaker 1: My God, The Play of the Days, My God play 598 00:34:23,040 --> 00:34:27,480 Speaker 1: This is the playoff the day. Check this out sixteen 599 00:34:27,520 --> 00:34:32,399 Speaker 1: feet eighth playoff Hole four. Bertie to win it. This 600 00:34:32,600 --> 00:34:35,560 Speaker 1: is downhill, moving left or right across the green, should 601 00:34:35,640 --> 00:34:38,040 Speaker 1: turn to the right, starts it out to the left. 602 00:34:38,480 --> 00:34:41,120 Speaker 1: Good looking line, has a chance. He made it and 603 00:34:41,239 --> 00:34:45,600 Speaker 1: it's over. And Harris English says one the two thousand 604 00:34:45,719 --> 00:34:50,759 Speaker 1: twenty one Travelers Championship her to see a Sirius x 605 00:34:50,880 --> 00:34:56,920 Speaker 1: MPGA Tour Radio Kramer Hiccock was on the losing end 606 00:34:56,920 --> 00:35:00,520 Speaker 1: of that second longest sudden death playoff in PGA Tour history. 607 00:35:00,960 --> 00:35:04,080 Speaker 1: The only longer sudden death playoff came in nineteen forty nine. 608 00:35:04,680 --> 00:35:09,400 Speaker 1: They had co winners declared after eleven holes of sudden 609 00:35:09,480 --> 00:35:12,640 Speaker 1: death and the Motor City Open. That's your play of 610 00:35:12,680 --> 00:35:14,279 Speaker 1: the day. Play of the day has brought you by 611 00:35:14,760 --> 00:35:17,799 Speaker 1: M Drive him Drive, Boost and Burn, the supplement that 612 00:35:17,840 --> 00:35:20,520 Speaker 1: can help shed pounds, build muscle. Visit M drive dan 613 00:35:20,600 --> 00:35:23,560 Speaker 1: dot com, get free shipping sixty day guarantee. Don't let 614 00:35:23,600 --> 00:35:27,000 Speaker 1: age beat you. rEFInd your prime with M Drive. More 615 00:35:27,040 --> 00:35:29,320 Speaker 1: phone calls coming up best and worst to the weekend 616 00:35:29,760 --> 00:35:32,680 Speaker 1: Reggie Miller in about a half hour, and then a 617 00:35:32,760 --> 00:35:36,399 Speaker 1: little over an hour from now, Scottie Pippen will join us. 618 00:35:36,920 --> 00:35:39,480 Speaker 1: A lot to unpack with Scottie Pippen. I still maintain 619 00:35:39,560 --> 00:35:41,640 Speaker 1: the media missed the real story in all of this. 620 00:35:41,760 --> 00:35:44,880 Speaker 1: I don't care what he says about Kevin Durant, and 621 00:35:45,320 --> 00:35:47,040 Speaker 1: I think there were some things that he said that 622 00:35:47,200 --> 00:35:50,920 Speaker 1: I agreed with about Kevin Durant. But my problem was 623 00:35:51,040 --> 00:35:54,879 Speaker 1: what he said about Phil Jackson without using Phil's name, 624 00:35:55,440 --> 00:35:58,080 Speaker 1: saying that when Phil took him out of well, he 625 00:35:58,120 --> 00:36:01,160 Speaker 1: took himself out of the lineup. When Phil decided Tony 626 00:36:01,200 --> 00:36:03,040 Speaker 1: ku Coach was going to take the last shot of 627 00:36:03,040 --> 00:36:06,480 Speaker 1: a playoff game against the Knicks, and he felt that 628 00:36:06,520 --> 00:36:10,600 Speaker 1: he was propping up Coup Coach and that it was racist. 629 00:36:11,800 --> 00:36:14,160 Speaker 1: And at the beginning of the quote, and he says, 630 00:36:14,280 --> 00:36:16,759 Speaker 1: you know you got to read between the fine lines here, 631 00:36:17,080 --> 00:36:20,960 Speaker 1: and then he to me he was accusing Phil Jackson 632 00:36:20,960 --> 00:36:24,560 Speaker 1: of being racist, and this being a written interview in GQ, 633 00:36:25,120 --> 00:36:27,000 Speaker 1: I just want to know the context of it. And 634 00:36:27,280 --> 00:36:30,320 Speaker 1: you know, I said to Fritzie, look, just tell Scotty 635 00:36:30,400 --> 00:36:32,840 Speaker 1: if he wants to promote his bourbon, he can promote 636 00:36:32,840 --> 00:36:35,560 Speaker 1: his bourbon whatever else he wants to talk about. But 637 00:36:35,640 --> 00:36:37,440 Speaker 1: I just want to ask him about what are you 638 00:36:37,480 --> 00:36:41,600 Speaker 1: saying about Phil Jackson? Are there other incidents there? Because 639 00:36:41,960 --> 00:36:45,359 Speaker 1: you're saying that one moment there where you misquoted, taken 640 00:36:45,400 --> 00:36:48,080 Speaker 1: out of context. Do you know that you're calling Phil 641 00:36:48,160 --> 00:36:53,440 Speaker 1: Jackson a racist, that he's taking you out of the 642 00:36:53,480 --> 00:36:57,160 Speaker 1: final play? You decide to sit down. And here's another thing. 643 00:36:57,480 --> 00:37:02,360 Speaker 1: Sometimes what happens when you criticize him budding and and 644 00:37:02,480 --> 00:37:05,120 Speaker 1: this happens to Charles Barkley a lot. You know that 645 00:37:06,000 --> 00:37:08,799 Speaker 1: the always the comeback is, hey, well you never won 646 00:37:08,840 --> 00:37:11,400 Speaker 1: a championship, so you're not really talking about what he 647 00:37:11,480 --> 00:37:15,200 Speaker 1: might be criticizing you for. Hey, you never won. Okay, 648 00:37:15,480 --> 00:37:19,560 Speaker 1: you get personal. And Scottie is criticizing Kevin Durant for 649 00:37:19,680 --> 00:37:22,960 Speaker 1: not being a team player. He's saying, you know, he 650 00:37:23,000 --> 00:37:26,960 Speaker 1: doesn't make his teammates better. Well, Durant brought up Scotty's 651 00:37:26,960 --> 00:37:29,360 Speaker 1: worst moment when Scotty took himself out of a playoff 652 00:37:29,400 --> 00:37:32,800 Speaker 1: game and sat down on the bench, which, Okay, it's 653 00:37:32,840 --> 00:37:35,840 Speaker 1: not apples to apples. He's saying, you know, he didn't 654 00:37:35,840 --> 00:37:40,040 Speaker 1: make his teammates better. Okay, there's some validity to that. Now, 655 00:37:40,080 --> 00:37:42,680 Speaker 1: what I think that Kevin Durant did was herculean in 656 00:37:42,719 --> 00:37:46,239 Speaker 1: the playoffs. But Scotti's saying you don't make others and 657 00:37:46,280 --> 00:37:49,520 Speaker 1: he's saying Lebron makes others better. Okay, that's his opinion. 658 00:37:50,680 --> 00:37:53,600 Speaker 1: Durant doesn't acknowledge that. He just says, oh, this coming 659 00:37:53,640 --> 00:37:56,160 Speaker 1: from the ultimate team player who basically took himself out 660 00:37:56,160 --> 00:37:59,160 Speaker 1: of a game. He's not really addressing what he's talking 661 00:37:59,200 --> 00:38:02,640 Speaker 1: about there. So I'll give Scottie the platform here a 662 00:38:02,640 --> 00:38:04,759 Speaker 1: little more than an hour from now, and we'll see 663 00:38:04,760 --> 00:38:07,839 Speaker 1: what kind of context all of these comments, you know, 664 00:38:08,000 --> 00:38:12,520 Speaker 1: came from. I hope he's not just here to talk 665 00:38:12,520 --> 00:38:17,480 Speaker 1: about Bourbon Todd, you know. Oh yeah, yeah, I can't 666 00:38:17,520 --> 00:38:21,120 Speaker 1: do that with uh, with Matt Harvey. Hey, I'm only 667 00:38:21,160 --> 00:38:26,279 Speaker 1: here to talk about Qualcom. Yeah, Paully, you have to 668 00:38:26,320 --> 00:38:30,279 Speaker 1: ask every question in a bourbon related way, like when 669 00:38:30,320 --> 00:38:32,759 Speaker 1: you're sitting there having a bourbon with Phil Jackson, do 670 00:38:32,760 --> 00:38:36,800 Speaker 1: you discuss when he dan. I'll answer all those questions 671 00:38:36,840 --> 00:38:40,280 Speaker 1: at the appropriate time, But right now, today's obviously about 672 00:38:40,280 --> 00:38:46,640 Speaker 1: honoring and supporting about it, Yeah, of course, about yeah, 673 00:38:47,080 --> 00:38:50,440 Speaker 1: how you could possibly get any kind of advice that 674 00:38:50,480 --> 00:38:53,640 Speaker 1: would say, Hey, you're gonna be on some national shows 675 00:38:53,680 --> 00:38:57,280 Speaker 1: here and people are gonna ask you other questions. Uh, 676 00:38:57,480 --> 00:38:59,640 Speaker 1: but you know, if you can sneak in Qualcom And 677 00:38:59,719 --> 00:39:03,440 Speaker 1: you know that's so Matt Harvey was the Mets pitcher. 678 00:39:03,560 --> 00:39:05,759 Speaker 1: So you're in the you know, the media capital of 679 00:39:05,840 --> 00:39:08,880 Speaker 1: the world, and here he is, you know, coming on 680 00:39:08,920 --> 00:39:13,759 Speaker 1: the show and he just wanted to talk about Qualcom. 681 00:39:14,120 --> 00:39:18,879 Speaker 1: I don't know what it is. Is it telecommunications? All 682 00:39:18,920 --> 00:39:23,080 Speaker 1: I know is didn't they come out? Didn't Qualcom come 683 00:39:23,120 --> 00:39:26,680 Speaker 1: out with something that almost paid Honor? Didn't Don't they 684 00:39:26,680 --> 00:39:32,319 Speaker 1: have a phone called Honor? Yes? Right, finally I think 685 00:39:32,400 --> 00:39:36,040 Speaker 1: Qualcom came up. This is what it sounded like. You know, 686 00:39:36,080 --> 00:39:40,880 Speaker 1: we have a slight tear and the UCL and uh, 687 00:39:41,000 --> 00:39:43,560 Speaker 1: you know, I got a second opinion with doctor Andrews 688 00:39:43,560 --> 00:39:46,800 Speaker 1: and and uh, you know he said my my elbow 689 00:39:46,880 --> 00:39:50,719 Speaker 1: was stable doing going through all of his tests, and uh, 690 00:39:50,920 --> 00:39:54,560 Speaker 1: you know, we chose to go the route of rehabbing, 691 00:39:54,600 --> 00:39:57,080 Speaker 1: and you know, I strongly believe that that's going to 692 00:39:57,200 --> 00:40:00,719 Speaker 1: order can payoffs. But uh, you know, today we're I'm here, 693 00:40:01,200 --> 00:40:05,480 Speaker 1: you know, talking about call Com and uh, you know, hoping, uh, 694 00:40:05,560 --> 00:40:07,120 Speaker 1: you know everything I can help them out as much 695 00:40:07,120 --> 00:40:09,759 Speaker 1: as possible. We'll let you get the pitch in there, 696 00:40:09,880 --> 00:40:11,680 Speaker 1: no pun intended. In a moment. I want to talk 697 00:40:11,680 --> 00:40:14,360 Speaker 1: a little bit more about this. Um when when you 698 00:40:14,440 --> 00:40:17,040 Speaker 1: hear Tommy John surgery, what does that mean to you 699 00:40:17,160 --> 00:40:21,319 Speaker 1: as a pitcher? You know, I think I didn't. I 700 00:40:21,360 --> 00:40:24,120 Speaker 1: did all those answers yesterday, and you know, maybe at 701 00:40:24,160 --> 00:40:26,239 Speaker 1: the appropriate time we can we can talk a little 702 00:40:26,239 --> 00:40:30,239 Speaker 1: bit more about that. But obviously, you know, today's about 703 00:40:30,280 --> 00:40:33,480 Speaker 1: call Com. You don't want to talk about your you know, 704 00:40:33,520 --> 00:40:37,439 Speaker 1: this whole rehab and Tommy John, Well, I will, I mean, 705 00:40:37,480 --> 00:40:39,719 Speaker 1: I uh, we can set up another call if you'd 706 00:40:39,719 --> 00:40:43,680 Speaker 1: take too about that subject. But uh, today, obviously today 707 00:40:43,719 --> 00:40:50,680 Speaker 1: we're we're honoring and supporting call comnor obviously honoring Yeah, obviously, 708 00:40:50,680 --> 00:40:53,840 Speaker 1: how did not notice Patrick? Come on? Come on, you 709 00:40:53,920 --> 00:40:56,799 Speaker 1: talking hair New I'm the new guy. Yeah, don't you 710 00:40:56,880 --> 00:40:59,400 Speaker 1: know how this works? I'm here to just honor quality. 711 00:40:59,640 --> 00:41:02,040 Speaker 1: We could up another call, yeah, Like what what does 712 00:41:02,040 --> 00:41:04,759 Speaker 1: that mean? Like privately or something? Every time I listen 713 00:41:04,800 --> 00:41:06,680 Speaker 1: to it, there's another line that stands out to me 714 00:41:06,800 --> 00:41:09,360 Speaker 1: is the funniest part of it? May we set up 715 00:41:09,360 --> 00:41:13,880 Speaker 1: another call? Yes, Ton, And of all the markets, you're 716 00:41:13,920 --> 00:41:15,919 Speaker 1: not in the middle of nowhere, like you're in New York. 717 00:41:16,000 --> 00:41:18,440 Speaker 1: How would you possibly think you're playing in New York? Right? 718 00:41:18,520 --> 00:41:21,279 Speaker 1: You're just gonna do an infomercial from Qualcolm, Yeah, the 719 00:41:21,480 --> 00:41:24,520 Speaker 1: Dark Night. Yes. I wish people could see the firestorm 720 00:41:24,520 --> 00:41:27,080 Speaker 1: that created, because ten minutes after the interview, PR people 721 00:41:27,080 --> 00:41:29,719 Speaker 1: from Qualcom, PR people from the PR company that set 722 00:41:29,719 --> 00:41:32,560 Speaker 1: it up, they're calling and apologizing. They're like, we hand 723 00:41:32,640 --> 00:41:34,160 Speaker 1: him app the sheet he went up. He's on his 724 00:41:34,200 --> 00:41:36,480 Speaker 1: way to a doctor's appointment. Is his first call? You guys, 725 00:41:36,960 --> 00:41:39,759 Speaker 1: first time he'd done this. And I'm hearing this and 726 00:41:39,840 --> 00:41:44,839 Speaker 1: I'm making eye contact with Todd and and look, Fritzie 727 00:41:45,239 --> 00:41:48,160 Speaker 1: does what he always does, and he had nothing to 728 00:41:48,239 --> 00:41:51,239 Speaker 1: do with this. Um. You know, he's always he gives 729 00:41:51,280 --> 00:41:54,000 Speaker 1: you more information, you know, if somebody's calling in, Hey, 730 00:41:54,160 --> 00:41:56,520 Speaker 1: you know, Dan, He'll get to you know, the topic 731 00:41:56,560 --> 00:41:58,680 Speaker 1: you want to talk about, you know, your sponsor, whatever 732 00:41:58,680 --> 00:42:02,239 Speaker 1: it is. We'll always give you time. And I so 733 00:42:02,360 --> 00:42:04,319 Speaker 1: I start to hear you know, maybe you know I 734 00:42:04,320 --> 00:42:06,560 Speaker 1: answered all those questions yesterday, and I'm looking over at 735 00:42:06,600 --> 00:42:09,279 Speaker 1: Todd's looking back at me. I'm looking to see if 736 00:42:09,280 --> 00:42:10,879 Speaker 1: there's a trapp dog to the table. It's I could 737 00:42:10,920 --> 00:42:15,040 Speaker 1: just kind of fall through some tube and I thought, Okay, 738 00:42:15,040 --> 00:42:18,799 Speaker 1: this is live. I can't I can't escape. But when 739 00:42:18,800 --> 00:42:21,239 Speaker 1: he said, you know, I'm here to honor, and then 740 00:42:21,280 --> 00:42:23,800 Speaker 1: I think we were on and he had him. He 741 00:42:24,080 --> 00:42:26,439 Speaker 1: came on like a day later, two days later, pulling 742 00:42:26,560 --> 00:42:28,399 Speaker 1: his pr People like, how can we fix it. I'm like, well, 743 00:42:28,400 --> 00:42:29,840 Speaker 1: I have him call back in tomorrow. That's how we 744 00:42:29,880 --> 00:42:31,960 Speaker 1: fix it. Like, oh, any other way, I'm like, what 745 00:42:32,080 --> 00:42:33,680 Speaker 1: do you guys send us a bagfull of qualcom what 746 00:42:33,719 --> 00:42:36,520 Speaker 1: I mean, what do you do? I've never crossed pants 747 00:42:36,640 --> 00:42:39,319 Speaker 1: with Matt Harvey. We were hoping he would be a 748 00:42:39,320 --> 00:42:41,479 Speaker 1: Hall of Famer so we could have him on years 749 00:42:41,560 --> 00:42:43,239 Speaker 1: later to put a bow on it. He did come 750 00:42:43,239 --> 00:42:45,480 Speaker 1: back on them, and he could say, I'm only here 751 00:42:45,480 --> 00:42:46,959 Speaker 1: to talk about the Hall of fame, and I would 752 00:42:46,960 --> 00:42:49,520 Speaker 1: have been fine with that. It's just I'm here to 753 00:42:49,840 --> 00:42:56,320 Speaker 1: honor Qualcom. Obviously. That's today's about, Like what kind of 754 00:42:56,400 --> 00:43:00,200 Speaker 1: pr company says, Hey, you gotta make sure you're going 755 00:43:00,239 --> 00:43:02,360 Speaker 1: to answer all these questions and then you get the 756 00:43:02,400 --> 00:43:05,680 Speaker 1: pitch for Qualcom and you'll probably get sixty seconds yes time. 757 00:43:06,440 --> 00:43:08,400 Speaker 1: It's just beyond me how you could think that that 758 00:43:08,480 --> 00:43:10,920 Speaker 1: you'd because doing an interview with them and only talk 759 00:43:10,960 --> 00:43:13,120 Speaker 1: about that product. How could it possibly be? Thank you 760 00:43:13,160 --> 00:43:17,319 Speaker 1: too well. Scottie Pippen in an hour, Reggie Miller in 761 00:43:17,360 --> 00:43:20,919 Speaker 1: about twenty five minutes. One hour in the books, two 762 00:43:20,920 --> 00:43:24,239 Speaker 1: more to go. 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