1 00:00:07,280 --> 00:00:09,920 Speaker 1: Welcome to Daily Variety, your daily dose of news and 2 00:00:09,960 --> 00:00:14,560 Speaker 1: analysis for entertainment industry insiders. It's Monday, October twenty seventh, 3 00:00:14,560 --> 00:00:18,200 Speaker 1: twenty twenty five. I'm your host, Cynthia Littleton. I am 4 00:00:18,239 --> 00:00:21,520 Speaker 1: co editor in chief of Variety alongside Ramin Setuda. I'm 5 00:00:21,560 --> 00:00:24,919 Speaker 1: in La He's in New York, and Variety has reporters 6 00:00:25,160 --> 00:00:29,440 Speaker 1: around the world covering the business of entertainment. In today's episode, 7 00:00:29,560 --> 00:00:33,360 Speaker 1: in our box Office segment, Variety's Rebecca Rubin hacks through 8 00:00:33,400 --> 00:00:37,440 Speaker 1: the receipts generated by chainsaw Man this weekend, it's an 9 00:00:37,479 --> 00:00:41,520 Speaker 1: anime world, people, and we'll hear from Nick Vivarelli in Rome. 10 00:00:41,960 --> 00:00:45,200 Speaker 1: He's about to go cover a comic fan convention that's 11 00:00:45,280 --> 00:00:48,320 Speaker 1: bigger than San Diego Comic Con and it's held in 12 00:00:48,400 --> 00:00:51,960 Speaker 1: a medieval Italian town about fifty miles west of Florence. 13 00:00:52,159 --> 00:00:54,280 Speaker 1: But before we get to that, here are a few 14 00:00:54,320 --> 00:00:56,960 Speaker 1: headlines just in this morning that you need to know. 15 00:00:57,840 --> 00:01:00,920 Speaker 1: The prolific Taylor Sheridan is sad up to make a 16 00:01:00,960 --> 00:01:03,840 Speaker 1: move to NBC Universal with a big new film and 17 00:01:03,880 --> 00:01:07,520 Speaker 1: TV deal. Sheridan has been based at Paramount ever since 18 00:01:07,560 --> 00:01:11,400 Speaker 1: the Yellowstone phenomenon took off his TV deal will have 19 00:01:11,440 --> 00:01:14,959 Speaker 1: to wait nearly three years until his obligations to Paramount 20 00:01:14,959 --> 00:01:18,800 Speaker 1: are over. His movie deal with NBC Universal starts next year. 21 00:01:19,800 --> 00:01:24,160 Speaker 1: Owen Gleiberman is raving about Song Sung Blue. Variety's chief 22 00:01:24,160 --> 00:01:27,800 Speaker 1: film critic, loves the performances by Kate Hudson and Hugh 23 00:01:27,920 --> 00:01:30,880 Speaker 1: Jackman in the film about two performers in a Neil 24 00:01:30,920 --> 00:01:34,320 Speaker 1: Diamond tribute act. Song Sung Blue comes from director Craig 25 00:01:34,360 --> 00:01:38,319 Speaker 1: Brewer and Focus Features. Hudson, of course, is one of 26 00:01:38,600 --> 00:01:42,040 Speaker 1: Variety's Power of Women honorees this year. We will shower 27 00:01:42,120 --> 00:01:44,360 Speaker 1: her with kudos at our event on the evening of 28 00:01:44,400 --> 00:01:48,880 Speaker 1: October twenty ninth. John Dickerson will leave CBS News at 29 00:01:48,920 --> 00:01:52,080 Speaker 1: the end of this year. Dickerson is high on the 30 00:01:52,160 --> 00:01:55,480 Speaker 1: list of the best journalists in this country. I can't 31 00:01:55,520 --> 00:01:58,400 Speaker 1: wait to see what he does next. All of these 32 00:01:58,440 --> 00:02:00,960 Speaker 1: stories and so much more can be found on Variety 33 00:02:01,000 --> 00:02:08,720 Speaker 1: dot com. Right now. Now we turn to conversations with 34 00:02:08,800 --> 00:02:12,000 Speaker 1: Variety journalists about news and trends in show business. If 35 00:02:12,000 --> 00:02:15,200 Speaker 1: it's Monday, we're talking box office with Rebecca Rubin, our 36 00:02:15,280 --> 00:02:22,120 Speaker 1: senior film and media reporter. Rebecca gives us the lowdown 37 00:02:22,240 --> 00:02:25,680 Speaker 1: on what has been an unpredictable October for the box office. 38 00:02:25,800 --> 00:02:29,920 Speaker 1: Rebecca Rubin, thanks for joining me, Thank you for having me. Well, 39 00:02:30,040 --> 00:02:34,000 Speaker 1: another interesting weekend at the box office, a couple of sleepers, 40 00:02:34,200 --> 00:02:37,359 Speaker 1: a couple of disappointments. Let me start by asking you, 41 00:02:37,440 --> 00:02:41,000 Speaker 1: when you sat down to prepare for this box office weekend, 42 00:02:41,080 --> 00:02:44,880 Speaker 1: did you think that the anime movie Chainsaw Man would 43 00:02:44,880 --> 00:02:45,640 Speaker 1: be number one? 44 00:02:45,720 --> 00:02:48,160 Speaker 2: Heading into the weekend? There was a sense that if 45 00:02:48,200 --> 00:02:50,600 Speaker 2: anything was able to break out, it was going to 46 00:02:50,639 --> 00:02:54,119 Speaker 2: be Chainsaw Man. And that is because anime has been 47 00:02:54,200 --> 00:02:59,760 Speaker 2: enjoying a theatrical hot streak with another movie Sony Crunchy 48 00:02:59,840 --> 00:03:03,560 Speaker 2: row Banner released called Demonslayer. That movie became a huge 49 00:03:03,639 --> 00:03:06,880 Speaker 2: hit and is now the highest grossing anime film ever. 50 00:03:07,040 --> 00:03:10,560 Speaker 2: And so this is the second consecutive number one hit 51 00:03:10,760 --> 00:03:15,520 Speaker 2: for Sony's Crunchy role. And so just given the appeal 52 00:03:15,600 --> 00:03:19,000 Speaker 2: right now of anime, there was a sense that this 53 00:03:19,320 --> 00:03:22,920 Speaker 2: had potential to become a sleeper hit, not quite on 54 00:03:22,960 --> 00:03:26,200 Speaker 2: the scale of Demons Layer, but at least a solid 55 00:03:26,280 --> 00:03:26,799 Speaker 2: number one. 56 00:03:27,040 --> 00:03:29,320 Speaker 1: Do you think that, like every major studio is going 57 00:03:29,360 --> 00:03:32,600 Speaker 1: to now scramble and try to develop an anime strategy, 58 00:03:32,840 --> 00:03:35,480 Speaker 1: or do you think that this is Sony's investment. Sony 59 00:03:35,520 --> 00:03:37,800 Speaker 1: has for a decade now really been investing in this 60 00:03:37,960 --> 00:03:41,200 Speaker 1: area in the US and Asia, and this is bearing fruit. 61 00:03:41,440 --> 00:03:43,400 Speaker 1: How do you think this will be read by Hollywood? 62 00:03:44,360 --> 00:03:47,120 Speaker 2: I would be surprised if there weren't some other studios 63 00:03:47,160 --> 00:03:49,760 Speaker 2: who were trained to cash in on this. But as 64 00:03:49,840 --> 00:03:54,240 Speaker 2: you said, Sony has really been cultivating this with crunchy 65 00:03:54,320 --> 00:03:56,880 Speaker 2: Roll for a while now. And there's a lot of 66 00:03:57,000 --> 00:04:01,360 Speaker 2: pedigree here because this movie, and particular chainsaw Man was 67 00:04:01,400 --> 00:04:06,400 Speaker 2: produced by a Japanese animation studio, so it's made by 68 00:04:06,400 --> 00:04:10,000 Speaker 2: people who are very intimately familiar with what resonates about 69 00:04:10,000 --> 00:04:16,320 Speaker 2: these properties. Chainsawmn and Demonslayer were extensions of popular anime 70 00:04:16,440 --> 00:04:19,400 Speaker 2: TV series and so there are deep roots here and 71 00:04:19,520 --> 00:04:22,159 Speaker 2: part of why there's fandoms that already exist. 72 00:04:22,320 --> 00:04:25,599 Speaker 1: I did, in fact, take in the Anime Expo in 73 00:04:25,720 --> 00:04:29,840 Speaker 1: July in downtown LA and it was mind blowing in 74 00:04:29,920 --> 00:04:33,000 Speaker 1: terms of opening my eyes to the depth of this 75 00:04:33,240 --> 00:04:38,640 Speaker 1: audience and the absolute passionate rabid fandom. I met people 76 00:04:38,680 --> 00:04:41,680 Speaker 1: that had flown in from out of the country, flown 77 00:04:41,680 --> 00:04:45,480 Speaker 1: in from Chicago, Atlanta, and downtown LA was just alive 78 00:04:45,640 --> 00:04:49,320 Speaker 1: with cosplay Rebecca. From that experience, I can guess who 79 00:04:49,360 --> 00:04:52,440 Speaker 1: the audience for Chainsaw Man was, but I never want 80 00:04:52,440 --> 00:04:55,159 Speaker 1: to assume who was the audience for this movie. 81 00:04:55,760 --> 00:05:00,400 Speaker 2: So nearly seventy five percent of crowds were male, and 82 00:05:00,560 --> 00:05:03,719 Speaker 2: about fifty percent were under the age of twenty five, 83 00:05:03,839 --> 00:05:09,039 Speaker 2: so it was definitely skewing a younger male demographic. But 84 00:05:09,120 --> 00:05:13,480 Speaker 2: what's notable about chainsaw Man being number one is that 85 00:05:14,160 --> 00:05:20,040 Speaker 2: it outpaced two movies from major studios. There's was Disney 86 00:05:20,080 --> 00:05:24,800 Speaker 2: in twentieth centuries, Springsteen biopic Delivered Me from Nowhere, and 87 00:05:25,080 --> 00:05:28,960 Speaker 2: Paramount's adaptation of the Colleen Hoover novel Regretting You, And 88 00:05:29,040 --> 00:05:34,120 Speaker 2: So I think that really just underscores how much tastes 89 00:05:34,160 --> 00:05:35,680 Speaker 2: are changing at the box office. 90 00:05:35,720 --> 00:05:39,640 Speaker 1: Clearly there's an event around these anime releases, Rebecca, are 91 00:05:39,640 --> 00:05:41,880 Speaker 1: you getting anecdotal info about is there a lot of 92 00:05:41,920 --> 00:05:45,359 Speaker 1: coseplay at these screenings or is there people bringing like 93 00:05:45,480 --> 00:05:46,760 Speaker 1: fun props and stuff. 94 00:05:47,600 --> 00:05:51,200 Speaker 2: I think what is really resonating here is similar to 95 00:05:51,279 --> 00:05:54,400 Speaker 2: superhero movies, where they and horror movies that are very 96 00:05:54,480 --> 00:05:56,360 Speaker 2: front loaded. All the fans want to come out on 97 00:05:56,440 --> 00:06:01,200 Speaker 2: opening weekend and watch something like this with communal experience. 98 00:06:01,320 --> 00:06:04,080 Speaker 2: That's what we're seeing with these anime features, and so 99 00:06:04,279 --> 00:06:06,719 Speaker 2: as a result, they are usually front loaded, they have 100 00:06:06,800 --> 00:06:10,120 Speaker 2: really big debuts, and then in subsequent weekends they'll have 101 00:06:10,440 --> 00:06:13,200 Speaker 2: steep drop offs. And I think that is speaking to 102 00:06:13,240 --> 00:06:17,160 Speaker 2: the fact that they all are agreing to go out 103 00:06:17,200 --> 00:06:19,719 Speaker 2: opening weekend, watch it together, and then maybe from there 104 00:06:20,480 --> 00:06:23,280 Speaker 2: rewatches they'll settle for a streaming day. 105 00:06:23,320 --> 00:06:25,800 Speaker 1: And of course, the other continuing trend that we've been 106 00:06:25,839 --> 00:06:29,600 Speaker 1: talking a lot about is imax. The large format screens 107 00:06:29,600 --> 00:06:32,360 Speaker 1: were a big component of the box office that Chainsaw 108 00:06:32,440 --> 00:06:34,760 Speaker 1: Man hacked off. So let's talk about the other big 109 00:06:34,800 --> 00:06:37,880 Speaker 1: story of the weekend of the movie that didn't exactly 110 00:06:37,920 --> 00:06:42,400 Speaker 1: open to impressive numbers. Deliver Me from Nowhere on Paper 111 00:06:42,640 --> 00:06:48,400 Speaker 1: Bruce Springsteen a critically beloved album, Jeremy Allen White super 112 00:06:48,440 --> 00:06:51,800 Speaker 1: red hot talent, but it did not bring in huge 113 00:06:51,839 --> 00:06:54,440 Speaker 1: crowds to begin with, What do you think's going on 114 00:06:54,480 --> 00:06:55,200 Speaker 1: with this movie? 115 00:06:55,279 --> 00:06:59,880 Speaker 2: I think the film is struggling because unlike some big 116 00:07:00,080 --> 00:07:04,599 Speaker 2: crowd pleasing musical biopics of recent years, like Bohemian Rhapsody, 117 00:07:04,640 --> 00:07:08,479 Speaker 2: which was about Queen, Rocketman which is about Elton John, 118 00:07:08,760 --> 00:07:12,400 Speaker 2: those were expansive looks at the entire career of these 119 00:07:12,520 --> 00:07:17,600 Speaker 2: musical acts, and that's not really what this movie is. 120 00:07:17,960 --> 00:07:21,440 Speaker 2: It doesn't play like the greatest hits of his career. 121 00:07:21,600 --> 00:07:25,320 Speaker 2: It's actually a more intimate look at the making of 122 00:07:25,560 --> 00:07:30,280 Speaker 2: his beloved but less commercial solo album Nebraska. I think 123 00:07:30,320 --> 00:07:34,400 Speaker 2: the result here is it's not the all audience film 124 00:07:34,480 --> 00:07:38,520 Speaker 2: that audiences have become used to expecting in the musical 125 00:07:38,520 --> 00:07:42,480 Speaker 2: biopick genre. It's gotten pretty decent reviews. It has a 126 00:07:42,600 --> 00:07:45,960 Speaker 2: B plus on Cinema score that signals that it could 127 00:07:46,040 --> 00:07:46,800 Speaker 2: stick around. 128 00:07:47,120 --> 00:07:49,160 Speaker 1: Curious to see if there's any regional trends here. I 129 00:07:49,160 --> 00:07:52,480 Speaker 1: would imagine that New Jersey would probably be the home 130 00:07:52,520 --> 00:07:55,560 Speaker 1: of probably the highest grossing theaters for this one, but 131 00:07:55,880 --> 00:07:56,440 Speaker 1: you never know. 132 00:07:57,160 --> 00:07:59,880 Speaker 2: I think that the comparison to A Complete Unknown is 133 00:08:00,440 --> 00:08:04,000 Speaker 2: actually a good one, because it was tracking a similar 134 00:08:04,040 --> 00:08:08,240 Speaker 2: start to that film, but a few differences, I would say, actually, 135 00:08:08,440 --> 00:08:12,600 Speaker 2: One is that Timothy Shalom has proven himself before that 136 00:08:12,720 --> 00:08:16,840 Speaker 2: to be a bankable draw in the Dune franchise in Wonka. 137 00:08:17,080 --> 00:08:20,960 Speaker 2: He really can get audiences to go to theaters. And 138 00:08:21,480 --> 00:08:26,080 Speaker 2: another thing is that Bob Dylan was a little more elusive. 139 00:08:26,240 --> 00:08:28,680 Speaker 2: He wasn't out there promoting the film. I think he 140 00:08:28,800 --> 00:08:31,760 Speaker 2: said he gave it a thumbs up and said he 141 00:08:31,920 --> 00:08:35,720 Speaker 2: liked the script. But nobody saw him during this period. 142 00:08:35,800 --> 00:08:38,719 Speaker 2: And a big difference here is that Bruce Springsteen has 143 00:08:38,760 --> 00:08:42,320 Speaker 2: really been out promoting this film. He's been at every 144 00:08:42,360 --> 00:08:48,160 Speaker 2: premiere alongside Jeremy Allen White, and if anything, it's making 145 00:08:48,200 --> 00:08:51,200 Speaker 2: the comparisons pretty tough because it's putting the real guy 146 00:08:51,320 --> 00:08:53,760 Speaker 2: right in your face. Something Just to note, A complete 147 00:08:53,840 --> 00:08:57,600 Speaker 2: unknown opened around December or on the holidays, and that's 148 00:08:57,640 --> 00:09:00,520 Speaker 2: a period of time where films can really out and 149 00:09:00,520 --> 00:09:01,520 Speaker 2: that's what happened with that. 150 00:09:01,480 --> 00:09:04,040 Speaker 1: Film, Rebecca. What else do anything else stand out to you? 151 00:09:04,160 --> 00:09:06,360 Speaker 1: Is significant about the box office this weekend. 152 00:09:07,440 --> 00:09:11,480 Speaker 2: The other major release is Regretting You, which is the 153 00:09:11,600 --> 00:09:17,040 Speaker 2: adaptation of Colleen Hoover's novel, and that opened above expectations 154 00:09:17,160 --> 00:09:21,679 Speaker 2: to twelve point eight million dollars. And if this film 155 00:09:21,760 --> 00:09:25,280 Speaker 2: manages to stick around, it's going to cement Colleen Hoover 156 00:09:25,320 --> 00:09:29,679 Speaker 2: as a major cinematic force. Of course, her novel It 157 00:09:29,800 --> 00:09:33,920 Speaker 2: Ends with Us was adapted last year by Sony and 158 00:09:35,120 --> 00:09:37,880 Speaker 2: that film stirred up a lot of drama with Blake 159 00:09:37,920 --> 00:09:41,240 Speaker 2: Lively and Justin Baldoni, but to his credit, it was 160 00:09:41,280 --> 00:09:44,360 Speaker 2: a huge winner at the box office, with nearly three 161 00:09:44,440 --> 00:09:48,520 Speaker 2: hundred and fifty million dollars worldwide. I don't see Regretting 162 00:09:48,559 --> 00:09:51,959 Speaker 2: You getting to those numbers, but it only cost a 163 00:09:52,080 --> 00:09:54,600 Speaker 2: modest thirty million, so it doesn't really need to get 164 00:09:54,640 --> 00:09:57,480 Speaker 2: anywhere near the three hundred to fifty million dollar mark 165 00:09:57,640 --> 00:10:02,040 Speaker 2: to count a six success. Hollywood is definitely leaning into 166 00:10:02,360 --> 00:10:06,760 Speaker 2: Colleen Hoover. Two of her other books, Verity and Reminders 167 00:10:06,800 --> 00:10:11,479 Speaker 2: of Him, are in the works at Amazon MGM and Universal. 168 00:10:11,520 --> 00:10:15,920 Speaker 2: They're both set to release next year, and so we 169 00:10:16,000 --> 00:10:20,040 Speaker 2: will see if the Colleen Hoover cinematic Universe is a thing. 170 00:10:21,160 --> 00:10:25,160 Speaker 1: I cannot physically resist the opportunity to point out that, 171 00:10:25,280 --> 00:10:28,640 Speaker 1: as impressive as it Ends with Us was at the 172 00:10:28,640 --> 00:10:31,240 Speaker 1: box office, I have to believe that the legal fees 173 00:10:31,320 --> 00:10:35,160 Speaker 1: this movie has now generated have probably approached that and 174 00:10:35,320 --> 00:10:38,200 Speaker 1: probably will eclipse it by the time it is all over. 175 00:10:38,559 --> 00:10:41,040 Speaker 1: Let's just hope that the folks on Regretting You all 176 00:10:41,040 --> 00:10:43,600 Speaker 1: got along a whole lot better. Rebecca, what are you 177 00:10:43,640 --> 00:10:45,720 Speaker 1: looking forward? At the November box office? 178 00:10:45,960 --> 00:10:50,440 Speaker 2: So Thanksgiving should be pretty robust this year because Universal 179 00:10:50,520 --> 00:10:53,840 Speaker 2: has wicked for Good, which is the second half, of course, 180 00:10:53,880 --> 00:10:59,360 Speaker 2: of Wicked, and that is expected to be another huge blockbuster. 181 00:10:59,760 --> 00:11:03,480 Speaker 2: Zoo Topia to the first Utopia actually gross to billion dollars. 182 00:11:03,559 --> 00:11:06,319 Speaker 2: But since the beginning of this year, every theater owner 183 00:11:06,320 --> 00:11:08,840 Speaker 2: I have spoken to has said that is the movie 184 00:11:08,840 --> 00:11:12,720 Speaker 2: they are most excited for, and audiences just absolutely love 185 00:11:13,120 --> 00:11:15,680 Speaker 2: this property. I think it's been really big on Disney 186 00:11:15,720 --> 00:11:19,120 Speaker 2: Plus as well, and so I think that will probably 187 00:11:19,200 --> 00:11:22,880 Speaker 2: be another billion dollar winner for Disney. And then of 188 00:11:23,000 --> 00:11:28,680 Speaker 2: course Disney has Avatar three in December ahead of Christmas. 189 00:11:28,840 --> 00:11:33,520 Speaker 2: And look, the first two movies gross two billion dollars. 190 00:11:33,640 --> 00:11:36,880 Speaker 2: So I'm not going to be somebody who bets against 191 00:11:36,960 --> 00:11:37,760 Speaker 2: James Cameron. 192 00:11:37,880 --> 00:11:41,800 Speaker 1: Well, always so much to discuss and so much to watch, Rebecca, 193 00:11:41,880 --> 00:11:50,080 Speaker 1: thank you as ever, thanks for having me. Now we'll 194 00:11:50,120 --> 00:11:55,240 Speaker 1: hear from Nick Vivarelli, Variety's longtime correspondent and wrong he 195 00:11:55,320 --> 00:11:57,960 Speaker 1: talks about the colorful scene he's about to take in 196 00:11:58,040 --> 00:12:01,959 Speaker 1: at the Luca Comics and Games Invention in Luca, Italy. 197 00:12:02,720 --> 00:12:06,480 Speaker 1: Luca draws an annual crowd of about two hundred thousand attendees. 198 00:12:07,040 --> 00:12:10,800 Speaker 1: That's about sixty five thousand more Cause players than gathered 199 00:12:10,840 --> 00:12:14,119 Speaker 1: in San Diego this summer for comic Con. Nick Vivarelli, 200 00:12:14,240 --> 00:12:15,960 Speaker 1: our man in Rome, thanks for joining me. 201 00:12:17,080 --> 00:12:17,840 Speaker 3: Thank you, Cynthia. 202 00:12:18,920 --> 00:12:21,600 Speaker 1: Nick. You are off soon on one of the many 203 00:12:21,600 --> 00:12:23,920 Speaker 1: trips that you take for Forridy every year. You are 204 00:12:24,000 --> 00:12:28,320 Speaker 1: off to Luca, about a three hour train ride from Rome. Nick, 205 00:12:28,400 --> 00:12:30,480 Speaker 1: tell us what you're going to cover in Luca. 206 00:12:30,840 --> 00:12:33,480 Speaker 3: Yeah, Cynthia, I'm going to cover this event called Luca 207 00:12:33,600 --> 00:12:38,200 Speaker 3: Comics and Games, which is a comic con type event 208 00:12:38,600 --> 00:12:43,319 Speaker 3: that spans the gamut from comic books to video games 209 00:12:43,640 --> 00:12:49,400 Speaker 3: to movies and TV series. And it's a rather old event. 210 00:12:49,440 --> 00:12:53,920 Speaker 3: It's been around since nineteen sixty six, but they've evolved 211 00:12:54,360 --> 00:12:58,600 Speaker 3: from being a print comics convention into video games and 212 00:12:58,640 --> 00:13:02,640 Speaker 3: then fifteen years ago they launched a new section called 213 00:13:02,640 --> 00:13:06,880 Speaker 3: the Movie Area, and they developed close relationships with the 214 00:13:06,920 --> 00:13:11,200 Speaker 3: studios and the streamers. And this year one of the 215 00:13:11,280 --> 00:13:16,160 Speaker 3: highlights is going to be a special fandom event where 216 00:13:16,200 --> 00:13:21,480 Speaker 3: they're gonna talk about the upcoming fifth season of Stranger Things. 217 00:13:22,240 --> 00:13:25,319 Speaker 3: So the Duffer Brothers are going to be there and 218 00:13:25,360 --> 00:13:27,240 Speaker 3: not represents a coup for Luca. 219 00:13:27,600 --> 00:13:30,160 Speaker 1: It's a big deal. The Duffer Brothers started on the 220 00:13:30,200 --> 00:13:33,400 Speaker 1: cover of Variety earlier this month, and now the pr 221 00:13:33,520 --> 00:13:37,439 Speaker 1: campaign switches to Luca, Italy. Nick set the scene for us, 222 00:13:37,480 --> 00:13:39,520 Speaker 1: what is the environment in Luca. 223 00:13:39,800 --> 00:13:44,280 Speaker 3: Luca is sort of like a miniature Florence. So in 224 00:13:44,320 --> 00:13:47,760 Speaker 3: other words, it's a Renaissance gem. It's a medieval town. 225 00:13:48,400 --> 00:13:54,640 Speaker 3: It has beautiful ramparts, it has beautiful churches, it has towers, 226 00:13:55,080 --> 00:13:59,680 Speaker 3: it has cobble stone lined streets, so it's a very 227 00:14:00,120 --> 00:14:03,120 Speaker 3: picturesque of medieval type of environment. I think they have 228 00:14:03,200 --> 00:14:07,800 Speaker 3: actual dungeons that they use for immersive experiences connected to 229 00:14:07,880 --> 00:14:11,120 Speaker 3: dungeons and dragons. What you see when you go there 230 00:14:11,200 --> 00:14:15,800 Speaker 3: during this event is just thousands of cos players sort 231 00:14:15,840 --> 00:14:19,920 Speaker 3: of lining the streets, and they held parades and they mingle, 232 00:14:20,000 --> 00:14:23,400 Speaker 3: and they the line up for all kinds of gadgets 233 00:14:23,400 --> 00:14:26,920 Speaker 3: that are given out and for premieres. It's a very 234 00:14:27,000 --> 00:14:29,400 Speaker 3: vibrant experience within a medieval setting. 235 00:14:29,840 --> 00:14:34,400 Speaker 1: The juxtaposition sounds at Taylor made for cosplay and imagination 236 00:14:34,720 --> 00:14:38,560 Speaker 1: and fantasy, and is Luca of a destination in that way. 237 00:14:38,960 --> 00:14:40,920 Speaker 1: The organizers picked Luca for a reason. 238 00:14:41,040 --> 00:14:45,720 Speaker 3: Cities in Tuscany like to create events. Comics have always 239 00:14:45,760 --> 00:14:48,920 Speaker 3: been really big in Italy. Italy has always been a 240 00:14:48,920 --> 00:14:52,920 Speaker 3: big consumer of comic books, but also producer of comic books, 241 00:14:52,920 --> 00:14:56,040 Speaker 3: so it was a very smart choice to go that route. 242 00:14:56,160 --> 00:14:59,720 Speaker 3: They were immediately aware of the importance of being international, 243 00:15:00,120 --> 00:15:03,600 Speaker 3: so over the years they forged close rapport with especially 244 00:15:03,600 --> 00:15:06,240 Speaker 3: with Japan and the whole manga world. 245 00:15:06,480 --> 00:15:10,560 Speaker 1: Talk about fandom upon fandom upon fandom, and they. 246 00:15:10,520 --> 00:15:13,800 Speaker 3: Like to develop the idea of community. Community is a 247 00:15:13,800 --> 00:15:18,320 Speaker 3: buzzword for them, a sort of mantra. So they basically 248 00:15:18,320 --> 00:15:22,640 Speaker 3: went from the print comic books into the video game world, 249 00:15:22,960 --> 00:15:27,320 Speaker 3: and then they veered into the scripted content of different types. 250 00:15:27,640 --> 00:15:32,119 Speaker 3: You know, obviously movies, but TV shows and horror films, 251 00:15:32,680 --> 00:15:35,720 Speaker 3: and so they were able to ride this wave of 252 00:15:35,760 --> 00:15:39,080 Speaker 3: the cosplayers. I think the cosplayers played a really big 253 00:15:39,200 --> 00:15:40,520 Speaker 3: role in how they've evolved. 254 00:15:41,080 --> 00:15:44,480 Speaker 1: How many people are attending this typically in recent years. 255 00:15:44,760 --> 00:15:49,400 Speaker 3: So they've reached an average attendance they cite at two 256 00:15:49,480 --> 00:15:53,280 Speaker 3: hundred thousand. The bulk of it are Italians, but it 257 00:15:53,640 --> 00:15:56,640 Speaker 3: does drop people from other parts of the world. And 258 00:15:56,680 --> 00:16:01,120 Speaker 3: they also have a huge online a community, especially in 259 00:16:01,160 --> 00:16:05,600 Speaker 3: the video game realm, so they organize big video game 260 00:16:05,640 --> 00:16:08,880 Speaker 3: tournaments that I know are participated by people from all 261 00:16:08,880 --> 00:16:09,560 Speaker 3: over the world. 262 00:16:09,840 --> 00:16:12,240 Speaker 1: Nick is there anything else you'll be looking for. 263 00:16:11,920 --> 00:16:16,720 Speaker 3: The fact that venerated video game Japanese master Hideo Kjima 264 00:16:17,240 --> 00:16:19,240 Speaker 3: is going to be in Luca for the final stop 265 00:16:19,440 --> 00:16:23,600 Speaker 3: of his desk stranding too on the beach tour. That's 266 00:16:23,680 --> 00:16:26,800 Speaker 3: one of the exemplifications of the fact that Luca has 267 00:16:26,840 --> 00:16:30,560 Speaker 3: really become a prominent stop on the map when it 268 00:16:30,600 --> 00:16:35,440 Speaker 3: comes to launching ips or fandom related events. 269 00:16:35,760 --> 00:16:39,040 Speaker 1: That's a big name in video gaming for sure. Well, Nick, 270 00:16:39,120 --> 00:16:41,320 Speaker 1: make sure you take lots of pictures and give us 271 00:16:41,360 --> 00:16:44,200 Speaker 1: a real sense of the color as cause players stream 272 00:16:44,280 --> 00:16:48,440 Speaker 1: into this medieval town. Well forward to your reporting. 273 00:16:48,920 --> 00:16:50,920 Speaker 3: Chao Chao. Thank you, Cynthia. 274 00:16:56,320 --> 00:16:58,840 Speaker 1: As we close out today's episode, here's a few things 275 00:16:58,840 --> 00:17:03,560 Speaker 1: we're watching for. Comcast will report third quarter earnings on Thursday. 276 00:17:04,760 --> 00:17:07,840 Speaker 1: Variety Today is producing the first of three digital dailies 277 00:17:07,840 --> 00:17:10,840 Speaker 1: out of the Tokyo Film Festival, and later in the 278 00:17:10,880 --> 00:17:14,679 Speaker 1: week we'll be at the Thessaloniki Film Festival in Greece. 279 00:17:15,720 --> 00:17:19,480 Speaker 1: Do not miss Chris Willman's coverage of the Warren Zevon 280 00:17:19,640 --> 00:17:24,320 Speaker 1: tribute held in La on October twenty fourth. Ah it 281 00:17:24,440 --> 00:17:27,280 Speaker 1: sounds like it was a foot stomper, and of course, 282 00:17:27,320 --> 00:17:30,080 Speaker 1: in the hands of Chris Willman. It's a fantastic read, 283 00:17:30,160 --> 00:17:33,320 Speaker 1: even if you weren't there. Don't forget to buy your 284 00:17:33,359 --> 00:17:38,159 Speaker 1: tickets for Io Adebris and Don Chiedel headlining in a 285 00:17:38,160 --> 00:17:42,240 Speaker 1: Broadway revival of Proof directed by Thomas Cale. It opens 286 00:17:42,280 --> 00:17:46,440 Speaker 1: April sixteenth at the Booth Theater. Before we Go, Congrats 287 00:17:46,480 --> 00:17:50,560 Speaker 1: to Rebecca Glashow. She's been named CEO of Tribeca Enterprises, 288 00:17:50,760 --> 00:17:55,280 Speaker 1: succeeding the great Jane Rosenthal. Glashaw joins them from BBC 289 00:17:55,440 --> 00:17:59,800 Speaker 1: Global Media and Streaming. Rosenthal will shift to co chair 290 00:17:59,840 --> 00:18:05,960 Speaker 1: of Tribecca Enterprises alongside majority owner James Murdoch. Thanks for listening. 291 00:18:06,160 --> 00:18:09,200 Speaker 1: This episode was written and reported by me Cynthia Littleton, 292 00:18:09,480 --> 00:18:13,840 Speaker 1: with contributions from Rebecca Rubin and Nick Viverrelli sticks Nick's 293 00:18:13,880 --> 00:18:16,800 Speaker 1: hick Picks. Please leave us a review at the podcast 294 00:18:16,800 --> 00:18:19,560 Speaker 1: platform of your choice, and please tune in tomorrow for 295 00:18:19,640 --> 00:18:23,120 Speaker 1: another episode of Daily Variety and Go Dodgers