WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan number two.

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<v Speaker 1>Happy weekend, everyone, Welcome to the Best Bits podcast. I'm Morgan.

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<v Speaker 1>In case you missed it, we separated the podcast into

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<v Speaker 1>two parts. This is Part two, where it's just the

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<v Speaker 1>Bits at break down the top seven, most engaging, most liked,

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<v Speaker 1>most called in about segments of the week and share

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<v Speaker 1>with you guys so you can either catch up if

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<v Speaker 1>you missed it, or listen to it again in case

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<v Speaker 1>you want to listen to it again. And Part one

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<v Speaker 1>is where I actually break down the show with a

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<v Speaker 1>show member. We come on and talk about all kinds

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<v Speaker 1>of things. Sometimes we talk about what happened on the show.

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<v Speaker 1>Other times we just kind of get deep down and personal,

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<v Speaker 1>which is typically what Abby and I do when she

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<v Speaker 1>was my guest this week on part one, So make

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<v Speaker 1>sure you check that out. We're gonna dive right in.

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<v Speaker 1>At number seven, Eddie shared something that his kid has

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<v Speaker 1>been going through recently, and I think a lot of

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<v Speaker 1>parents and unfortunately some kids can relate to this one.

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<v Speaker 1>So his has been dealing with some bullying issues with basketball,

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<v Speaker 1>which is super unfortunate and it broke my heart to

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<v Speaker 1>hear that. But Eddie gives a loadown of what happened,

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<v Speaker 1>how he responded to it, and of course we had

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<v Speaker 1>some listeners call in and share some of their input.

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<v Speaker 1>Number seven, Okay, Eddie, what happened with your kid? Oh?

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<v Speaker 1>This was tough. So my seven year old he's joining

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<v Speaker 1>a new basketball team and he shows up and he's

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<v Speaker 1>little for his age. So he shows up and two

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<v Speaker 1>boys in his team are laughing at him, just saying like,

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<v Speaker 1>look at this guy. He's so short, he's not gonna

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<v Speaker 1>make any of the baskets. And my son hears him,

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<v Speaker 1>and I'm one of the I mean, I guess all

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<v Speaker 1>the dad's chip in, so we're all kind of coaches.

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<v Speaker 1>So if we're at practice, we're all helping out and

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<v Speaker 1>I'm right there hearing them laugh every single time my

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<v Speaker 1>son takes a shot, so I get a little fired

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<v Speaker 1>up over it. So they're saying he's too small, Yes,

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<v Speaker 1>are they trying to block a shot? So now we're

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<v Speaker 1>doing layup drills and every time he goes up for

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<v Speaker 1>the layup, they're like, what's this little guy's gonna try

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<v Speaker 1>to make a layup? He's not even gonna get closed

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<v Speaker 1>with the basket. But hey, my son's draining every single one.

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<v Speaker 1>And they say it about five times, and finally the

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<v Speaker 1>fifth time, I'm like, oh, that's it. I'm about to

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<v Speaker 1>say something, so I said, I pull him both aside

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<v Speaker 1>and say, hey, you too, there's no laughing at your teammates.

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<v Speaker 1>I don't care who your teammate is. You guys have

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<v Speaker 1>each other's back. I hear you guys laughing at his size,

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<v Speaker 1>but I guarantee you he'll school both of you guys. Oh,

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<v Speaker 1>and that's probably not the way to do. You don't

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<v Speaker 1>have to go that hard right now. Yeah, well, now

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<v Speaker 1>you're like making him want to compete against your son,

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<v Speaker 1>like I'll guarantee you'll take both of you down. But

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<v Speaker 1>I think that was the emotion talking. Yeah. I didn't

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<v Speaker 1>really mean to say that, but that just slipped out.

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<v Speaker 1>But I was really just trying to say, like, hey,

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<v Speaker 1>no laughing at your teammate, back him up. I like

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<v Speaker 1>that part. Yeah, I guess. I guess deep inside, I

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<v Speaker 1>know how good my son is. Like he's really good.

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<v Speaker 1>And it's happened every single season where the team, the

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<v Speaker 1>opposing team sees him and they're like, look at this

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<v Speaker 1>little point guard he's not and he just dominates because

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<v Speaker 1>he's fast. He does make every shot and he's really

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<v Speaker 1>really good. So part of me was like, oh, you

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<v Speaker 1>fools are gonna take your laughing back because he's gonna

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<v Speaker 1>school you up. He affected when he hears that. Oh

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<v Speaker 1>it hurt. It hurt him a little bit because I

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<v Speaker 1>could see him listening and every single time he would

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<v Speaker 1>miss a layup, he'd look at the reaction and he

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<v Speaker 1>makes every shot. Well, he doesn't make a single one,

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<v Speaker 1>but every time he did miss one, he would look

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<v Speaker 1>back to see their reaction, and of course they were

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<v Speaker 1>laughing again. Okay, so what would you do? That's a

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<v Speaker 1>question you guys can call us to how would you

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<v Speaker 1>deal with this? Eight seven seven seventy seven, Bobby, We

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<v Speaker 1>will grab your calls. We'll talk about it right after

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<v Speaker 1>this song. My quick advice as a young wance small

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<v Speaker 1>kid that had the same thing happened to me. I

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<v Speaker 1>had to learn how to let it drive me. Right.

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<v Speaker 1>I don't have anybody given me a massage going hey bubba,

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<v Speaker 1>he'd be okay, and it will be okay, and you

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<v Speaker 1>can do that. I just didn't have that, and so

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<v Speaker 1>I let that crap drive me to the point probably

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<v Speaker 1>i'm extra neurotic at this point in my life. But

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<v Speaker 1>I think that that's I think adversity is awesome. I

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<v Speaker 1>think the fact that I don't like the bullying, I

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<v Speaker 1>don't like to start saying that, and you can actually

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<v Speaker 1>put a stop to it. But I think let's see

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<v Speaker 1>how he reacts. What does he think. Is he reacted

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<v Speaker 1>to it doesn't drive him to want to work harder,

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<v Speaker 1>or is he just kind of like, I don't want

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<v Speaker 1>to play at all. I think a little bit of both.

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<v Speaker 1>They can see it in him where at first he's

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<v Speaker 1>just kind of like, oh, I don't like that they're

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<v Speaker 1>laughing at me. But yeah, he does try extra hard

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<v Speaker 1>to make that layup when they when it is his turn,

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<v Speaker 1>just so you can shut him up a little bit.

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<v Speaker 1>But I think that's the that's the play, is that

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<v Speaker 1>you try to build that too. Okay, people are always

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<v Speaker 1>going to say this about you. It's how you react,

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<v Speaker 1>it's how you show up. Oh that's good, instead of

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<v Speaker 1>it's okay, buddy, it's you know what, this is part

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<v Speaker 1>of it. I don't like it either, but it's gonna

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<v Speaker 1>happen to you the rest of your life in some

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<v Speaker 1>way or another, and it's not you know if you

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<v Speaker 1>get knocked down or if you get made fun of.

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<v Speaker 1>It's when you get knocked down or when you get

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<v Speaker 1>made fun of, how do you react to that. I

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<v Speaker 1>think that's the lesson. But what I know? Kids, No,

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<v Speaker 1>but you were like you said this, you were that person.

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<v Speaker 1>I'm still that guy. Yeah, everywhere I go kill like,

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<v Speaker 1>look at him, he ain't gonna make that shot, and

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<v Speaker 1>I'm like, I'm not playing basketball. I'll try to get

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<v Speaker 1>a Starbucks. It's the best Bits of the Week with

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<v Speaker 1>Morgan number two. This week, it was a special one

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<v Speaker 1>full of so many special guests. One of the coolest

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<v Speaker 1>things was Dirk Spilly and el King. They came in,

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<v Speaker 1>talked about both of the collapse that they have together,

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<v Speaker 1>and they performs their new one Worth a Shot. I've

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<v Speaker 1>loved el King from the very beginning, and to see

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<v Speaker 1>her now in the country genre is so fun, especially

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<v Speaker 1>when Dirk's come in and he's like all about her

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<v Speaker 1>and wants her to have all the success. It was

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<v Speaker 1>just a super fun interview and performance. So make sure

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<v Speaker 1>if you don't listen to it right here, you go

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<v Speaker 1>check it out at Bobby Bones dot com. Number six. Oh,

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<v Speaker 1>it is really good to see you again. Nice to

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<v Speaker 1>see you too, good, thank you, and we come on it.

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<v Speaker 1>Apparently Dirk's does a residency here on the show. He's

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<v Speaker 1>here every week so for different reasons. Did you know

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<v Speaker 1>he just comes in randomly? No. Yeah, Sometimes they come

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<v Speaker 1>in and don't even sing. I just hang out, you know,

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<v Speaker 1>kind of judge the show a little bit. Seat's going

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<v Speaker 1>and I want to keep listening or not. He's like

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<v Speaker 1>the voice, but for this show he comes on. It

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<v Speaker 1>tells us that the show's good. Oh yeah, smart, yes, yes, yes, Ella,

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<v Speaker 1>you are here. We just spent some time together at

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<v Speaker 1>my house when we're doing a Bobby cast and Mike,

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<v Speaker 1>who produces that, told me that that I went hard

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<v Speaker 1>on her. Did you think I went hard on you?

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<v Speaker 1>I would rather someone be honest and real with me.

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<v Speaker 1>I would rather take something, you know, genuine than fake.

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<v Speaker 1>I guess so. And I wasn't meaning it in any

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<v Speaker 1>way that I had a whole different I was wrong

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<v Speaker 1>about my perception of all. I thought she was fancy

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<v Speaker 1>Hollywood girl, and I said that. I said my perception

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<v Speaker 1>was totally wrong on you, and I admitted that. I

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<v Speaker 1>said I thought you were from Los Angeles, and you

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<v Speaker 1>know you came to and I said, I was completely

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<v Speaker 1>one hundred percent wrong, and from you know, growing up

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<v Speaker 1>in southern Ohio to living on a farm now. And

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<v Speaker 1>I was like, I apologize that. I'm really sorry that

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<v Speaker 1>I felt the wrong way about you. I think too,

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<v Speaker 1>you're so talented I think that could be intimidating at

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<v Speaker 1>times too to someone like, well, I'll say it, Charlie Worsham. No, me,

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<v Speaker 1>I'm just getting diver tip of the time. My first

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<v Speaker 1>time being the studio with Bobby and you made me

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<v Speaker 1>sing the YMCA theme song. Yeah, how to Go Terrible. Yeah,

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<v Speaker 1>that's the whole thing. Yeah, we're just now getting over

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<v Speaker 1>that point. Friendship at this point too. It so it's

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<v Speaker 1>a thing. So l King is here and he dirks.

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<v Speaker 1>I'd asked l I said, hey, since you had asked

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<v Speaker 1>her to do different for girls, yeah, right, and she

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<v Speaker 1>did it. Did she have a coupon at anytime she

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<v Speaker 1>could have cashed in on you, like, at any time,

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<v Speaker 1>regardless of how good amazing a polka song, It didn't

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<v Speaker 1>matter if she said I'd like to do this song

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<v Speaker 1>with me, you have to do it, oh man, I

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<v Speaker 1>would you have say yes? Obviously, yes, anything she asked

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<v Speaker 1>to do because I love El to death, but I

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<v Speaker 1>feel honored to be on the songs. It's a build,

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<v Speaker 1>smash hit song that I love now that I get

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<v Speaker 1>a chance to be with you. It's just I feel

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<v Speaker 1>like ELL's got so much good things happening for right now.

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<v Speaker 1>I'm kind of like, yeah, let me be part of

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<v Speaker 1>anything you have happening right now because you're hot. What

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<v Speaker 1>was it about her initially that drew you to her? Yes,

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<v Speaker 1>you know, you are just talking about the conversation. I

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<v Speaker 1>only knew else since I met her. I knew that

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<v Speaker 1>XS and OS and that song, and I had that

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<v Speaker 1>song different for girls, the Shame mcnell i song that

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<v Speaker 1>I loved, and I was trying to find someone that

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<v Speaker 1>could sing that song that it's kind of a weird song,

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<v Speaker 1>you know, different for girls. It's it's it's talking about

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<v Speaker 1>I mean, the reality of things of life is a

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<v Speaker 1>lot of things are different for girls, but not for

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<v Speaker 1>l It was kind of weird for her to sing

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<v Speaker 1>on it because she's like, you know, rolls or sleeps

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<v Speaker 1>up and and fights her way into the room and

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<v Speaker 1>not girly girl at all. But she has enough confidence

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<v Speaker 1>as you're talking about earlier and to be able to

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<v Speaker 1>take on that role. And she's the only one I

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<v Speaker 1>really can see singing that song and playing it off

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<v Speaker 1>and not. You know, it's just such a chuck position

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<v Speaker 1>for you in a cool way because everything we were

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<v Speaker 1>singing about, like I do yeah, Like she's the one

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<v Speaker 1>drinking Monster energy coffee drink this morning and I'm drinking

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<v Speaker 1>a decalf coffee. It's like it's our roles are totally

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<v Speaker 1>actually reversed. But I just so, I've only known her

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<v Speaker 1>as like playing the banjo, you know, she to me

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<v Speaker 1>is has always been like a country kind of singer girl.

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<v Speaker 1>And that's we know each other now for about five years.

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<v Speaker 1>Don't age me. I can't remember, but I would have

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<v Speaker 1>sung anything she asked me to do. I'm thankful she

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<v Speaker 1>asked me to sing on a big hit. Um, but

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<v Speaker 1>uh yeah, I'm a huge fan. Did you know she

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<v Speaker 1>started playing the band joke? She saw a guy in

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<v Speaker 1>a park in Philadelphia just random playing it. Then I started, Yeah,

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<v Speaker 1>I saw him, and I was like, anything you can

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<v Speaker 1>do I could do maybe okay, And I was like,

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<v Speaker 1>let me play it, and you know, let me borrow

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<v Speaker 1>that banjo for like, can you listen to Bobby cast. Oh,

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<v Speaker 1>it's it's really good. Yeah, it's really good because especially

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<v Speaker 1>after this little thing, I need to go back and

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<v Speaker 1>check it out. I didn't even know there was a thing.

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<v Speaker 1>I was just like, hey, did you feel like and

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<v Speaker 1>then Michael was like, yeah, you just kind. But also

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<v Speaker 1>the air was out of my house and I think

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<v Speaker 1>I was a little crabby. Yeah, he was warm. I

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<v Speaker 1>was fine, Well, I try no, stop, you stop. We

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<v Speaker 1>don't need that. But she can't. I was like, l

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<v Speaker 1>I'm so, I'm so embarrassed that the air is out

0:09:24.000 --> 0:09:25.920
<v Speaker 1>of my house. It's eighty degrees and she's like, I

0:09:25.920 --> 0:09:27.880
<v Speaker 1>don't care, let's let's go. And I'm you know me,

0:09:28.000 --> 0:09:30.319
<v Speaker 1>I'm Beyonce. I don't know. The temperature is not exactly

0:09:30.440 --> 0:09:32.880
<v Speaker 1>right with my water and so but she rocked it

0:09:32.880 --> 0:09:34.440
<v Speaker 1>and it was awesome. Gonna hope you guys check it out.

0:09:34.480 --> 0:09:35.839
<v Speaker 1>And we talk a lot about this song too, which

0:09:35.840 --> 0:09:38.400
<v Speaker 1>is what we're gonna play here and so worth the shot.

0:09:38.679 --> 0:09:42.160
<v Speaker 1>It's l King with Dirk Spentley. So, el, what drew

0:09:42.200 --> 0:09:44.199
<v Speaker 1>you to this song? You heard it and thought I

0:09:44.320 --> 0:09:47.800
<v Speaker 1>love it? Why? Well, I mean it's it's very very catchy.

0:09:48.320 --> 0:09:53.120
<v Speaker 1>Um and it was it happened really really quickly. We

0:09:53.160 --> 0:09:58.200
<v Speaker 1>had done like five six songs all just slammed into

0:09:58.240 --> 0:10:01.199
<v Speaker 1>one day and we were kind of scrambling just trying

0:10:01.240 --> 0:10:04.320
<v Speaker 1>to find songs and Ross was like, hey, I've got

0:10:04.320 --> 0:10:06.560
<v Speaker 1>this one, and um Dirk's was going to cut it

0:10:06.640 --> 0:10:09.360
<v Speaker 1>and and I don't know why it didn't make the record,

0:10:09.400 --> 0:10:12.240
<v Speaker 1>probably because you're waiting for me. I knew on the

0:10:12.280 --> 0:10:14.439
<v Speaker 1>right Home. He was just like waiting to deliver it

0:10:15.200 --> 0:10:17.319
<v Speaker 1>on a platter. But Ross played it for me and

0:10:17.360 --> 0:10:20.360
<v Speaker 1>I was like, dying, that's catchy, and yeah, it's just

0:10:20.400 --> 0:10:22.640
<v Speaker 1>like hey, Dirk's like we you And then I sent

0:10:22.720 --> 0:10:24.960
<v Speaker 1>the text that we talked about like hey man, you

0:10:24.960 --> 0:10:27.800
<v Speaker 1>don't have to say yes, but like have you really

0:10:27.800 --> 0:10:29.679
<v Speaker 1>wanted to? Like I can't put had a country record

0:10:29.679 --> 0:10:32.040
<v Speaker 1>and like not have you sing on mine? And but

0:10:32.080 --> 0:10:36.720
<v Speaker 1>it's not like he doesn't like owe me anything. This

0:10:36.840 --> 0:10:40.880
<v Speaker 1>is all like forever indebted to him and also saying

0:10:40.920 --> 0:10:44.200
<v Speaker 1>like you brought me here, like can will you still

0:10:44.280 --> 0:10:48.920
<v Speaker 1>be a part of what you like led me to? Yeah? Well,

0:10:49.320 --> 0:10:51.160
<v Speaker 1>thank you? And the story of the song is interesting

0:10:51.200 --> 0:10:52.840
<v Speaker 1>for him out there listening because it's cool to see

0:10:52.840 --> 0:10:55.040
<v Speaker 1>how songs find their home. You know, it's like shame

0:10:55.160 --> 0:10:57.400
<v Speaker 1>mcnelli and Ross. He's a great songwriters, but they probably

0:10:57.400 --> 0:10:59.960
<v Speaker 1>only get like three or four great songs a year.

0:11:00.080 --> 0:11:02.160
<v Speaker 1>And I feel a huge responsibility and I'm running my

0:11:02.200 --> 0:11:03.679
<v Speaker 1>own record and then someone pitches me the song and

0:11:03.679 --> 0:11:04.920
<v Speaker 1>I hear it and got it's a big hit. But

0:11:05.160 --> 0:11:06.360
<v Speaker 1>I kind of want to put this one up there

0:11:06.400 --> 0:11:08.600
<v Speaker 1>rocause I'm really attached to it, but I don't want

0:11:08.600 --> 0:11:11.600
<v Speaker 1>to like jeopardize these guys. One baby of a song.

0:11:11.640 --> 0:11:13.200
<v Speaker 1>It's such a good song. So I was kind of

0:11:13.200 --> 0:11:14.720
<v Speaker 1>sitting on it and then I heard they like love it,

0:11:14.720 --> 0:11:16.520
<v Speaker 1>and I'm like, yes, give it to l She'll make

0:11:16.559 --> 0:11:18.640
<v Speaker 1>it a hit. And I just I care about those guys.

0:11:19.240 --> 0:11:21.400
<v Speaker 1>My friends are songwriters, and you care about them. You

0:11:21.400 --> 0:11:22.720
<v Speaker 1>don't want to hold their song up. You know, you

0:11:22.720 --> 0:11:24.360
<v Speaker 1>get this song you just sit on and now I'll

0:11:24.400 --> 0:11:25.559
<v Speaker 1>think about that. Let me come back to me in

0:11:25.600 --> 0:11:27.320
<v Speaker 1>a year. And then the song's lost this moment, it

0:11:27.320 --> 0:11:29.000
<v Speaker 1>doesn't have a heat left, and you just like destroyed

0:11:29.040 --> 0:11:31.080
<v Speaker 1>somebody's chance to have like a hit song. So I

0:11:31.160 --> 0:11:33.000
<v Speaker 1>was super happy this this song found the right home

0:11:33.040 --> 0:11:34.959
<v Speaker 1>and then kind of calmer, I think it came back

0:11:35.000 --> 0:11:36.200
<v Speaker 1>to me with a chance to be part of it.

0:11:36.520 --> 0:11:38.280
<v Speaker 1>I still got to be on the song, but it's

0:11:38.440 --> 0:11:45.440
<v Speaker 1>it's your song. Finally, this is Elking with Dirk Spenley

0:11:45.559 --> 0:12:04.480
<v Speaker 1>and the band doing worth a shot. We've been turning

0:12:04.520 --> 0:12:13.480
<v Speaker 1>into stranger now we believe in superficial conversation because I

0:12:13.600 --> 0:12:18.280
<v Speaker 1>got his always, I'm not ready to give up on us.

0:12:21.480 --> 0:12:25.400
<v Speaker 1>One last to right and might just do that. Train

0:12:29.120 --> 0:12:33.960
<v Speaker 1>might be in a bottle, little proof from the past,

0:12:35.480 --> 0:12:40.839
<v Speaker 1>might be the bottom of an empty glass. Don't blow

0:12:41.200 --> 0:12:49.280
<v Speaker 1>if Al Whiskey can fix it on mind babies, What

0:12:49.520 --> 0:12:52.720
<v Speaker 1>the shot? One shot from the top of the show,

0:12:52.920 --> 0:12:56.040
<v Speaker 1>Mete too, What the hell? Because we've been on the

0:12:56.160 --> 0:12:59.800
<v Speaker 1>right one shote mete all that we got. I don't know.

0:13:01.080 --> 0:13:15.040
<v Speaker 1>I think it's worth the shot. I think it's worth

0:13:15.120 --> 0:13:20.240
<v Speaker 1>the sh Come on, that's awesome guy ell King and

0:13:20.320 --> 0:13:23.640
<v Speaker 1>dark Span Lake. Hell, how's your ankle? It's like broken

0:13:23.720 --> 0:13:27.520
<v Speaker 1>or something. I don't know. I got heeled boots on

0:13:27.640 --> 0:13:29.800
<v Speaker 1>sor right. She says she's always hurt. We were talking.

0:13:29.800 --> 0:13:31.439
<v Speaker 1>She said, I'm always hurt. She has a sprained ankle

0:13:31.520 --> 0:13:33.680
<v Speaker 1>right now. Yeah, we're in the video shoot for the

0:13:33.720 --> 0:13:36.199
<v Speaker 1>song where she was hobbling around pretty good I re

0:13:36.320 --> 0:13:38.680
<v Speaker 1>sprained it that day. Black and Blue is pretty nice. Yeah,

0:13:38.679 --> 0:13:41.199
<v Speaker 1>it still is. Yeah. So you just wrapped up a

0:13:41.200 --> 0:13:43.080
<v Speaker 1>boot and said let's go. Yeah, I gotta sing. I

0:13:43.080 --> 0:13:47.200
<v Speaker 1>gotta sing on it. Like yeah, yeah, you two are

0:13:47.240 --> 0:13:50.680
<v Speaker 1>hosting CMA Fest together. Yeah that's pretty cool. Yeah yeah,

0:13:50.800 --> 0:13:54.120
<v Speaker 1>So how what's that situation? How that? How'd that get

0:13:54.120 --> 0:13:55.760
<v Speaker 1>come to you? You know, I've seen people do in

0:13:55.800 --> 0:13:56.959
<v Speaker 1>the past, and it looks like a lot of work.

0:13:57.000 --> 0:13:58.440
<v Speaker 1>So I was like, you, I don't want to do that,

0:13:58.600 --> 0:14:01.760
<v Speaker 1>but uh, gotta be her all week. But then I

0:14:01.840 --> 0:14:03.560
<v Speaker 1>heard you know, there's an opportunity for us to do together.

0:14:03.600 --> 0:14:04.640
<v Speaker 1>I was like, oh, of course I'm gonna do with

0:14:04.640 --> 0:14:06.480
<v Speaker 1>that because it's just fun. You don't have to leave

0:14:06.520 --> 0:14:08.360
<v Speaker 1>her a day to go to blue grass festival right where?

0:14:08.400 --> 0:14:12.839
<v Speaker 1>Which one? I can't do it? You have to work? Yeah,

0:14:12.920 --> 0:14:15.360
<v Speaker 1>because that is were and I were talking about it. Yeah,

0:14:15.360 --> 0:14:17.040
<v Speaker 1>it's a lot you guys, it's a lot of work. Yeah,

0:14:17.080 --> 0:14:18.559
<v Speaker 1>she was like what it. I was like, it's you're

0:14:18.600 --> 0:14:20.400
<v Speaker 1>there all I know four days, which but you guys

0:14:20.440 --> 0:14:22.520
<v Speaker 1>are bigger stars though with me that they just kept

0:14:22.520 --> 0:14:26.400
<v Speaker 1>me around. Oh come on, like dat fixed yeah walkie talkies. Yeah,

0:14:28.080 --> 0:14:31.560
<v Speaker 1>somebody's got to do all the stuff. Yes, No, she's

0:14:31.600 --> 0:14:33.000
<v Speaker 1>still fun to be you know, she's so fun to

0:14:33.000 --> 0:14:34.800
<v Speaker 1>be around. It just makes you know we're back there

0:14:34.800 --> 0:14:36.640
<v Speaker 1>rehearsing the song, you know, having fun, and she walks

0:14:36.680 --> 0:14:38.640
<v Speaker 1>the rooms just like the sun comes in with her.

0:14:38.640 --> 0:14:40.520
<v Speaker 1>So it's just fun to be around her. And that

0:14:40.560 --> 0:14:42.200
<v Speaker 1>makes at this point in my career, it's just like

0:14:42.240 --> 0:14:43.720
<v Speaker 1>I just want to do things that are fun. And

0:14:43.800 --> 0:14:46.200
<v Speaker 1>that's kind of like the main like that's how you

0:14:46.240 --> 0:14:47.440
<v Speaker 1>sell it. Is it gonna be good time or not?

0:14:47.480 --> 0:14:49.680
<v Speaker 1>It'll be elking, Okay, it'll be fun. Are you guys

0:14:49.720 --> 0:14:52.840
<v Speaker 1>playing the fest as well? Together? I'm say, you have

0:14:52.880 --> 0:14:55.080
<v Speaker 1>two songs at this point there one number one hit

0:14:55.080 --> 0:14:56.760
<v Speaker 1>of one that's about to be massive, so I'm assuming

0:14:56.800 --> 0:14:58.520
<v Speaker 1>you'll play them. I think we'll do this, right, I

0:14:58.560 --> 0:15:00.880
<v Speaker 1>would assume. I don't know, Yeah, I mean we I

0:15:00.880 --> 0:15:03.080
<v Speaker 1>would hope. So, yeah, yeah, we got It's gonna be

0:15:03.080 --> 0:15:04.680
<v Speaker 1>a fun show. They've done it a little different this year.

0:15:04.680 --> 0:15:06.280
<v Speaker 1>It's like we get a forty five minute set. You

0:15:06.320 --> 0:15:08.200
<v Speaker 1>use it's like, you know, two or three songs and

0:15:08.320 --> 0:15:10.440
<v Speaker 1>you'r this is like we had a longer sets. Order.

0:15:11.640 --> 0:15:15.240
<v Speaker 1>I get two songs just me. But we'll bring you out.

0:15:15.240 --> 0:15:16.840
<v Speaker 1>We got and we'll bring us another guest out that

0:15:16.880 --> 0:15:18.720
<v Speaker 1>the hot country nights are gonna be excited about it.

0:15:18.720 --> 0:15:21.640
<v Speaker 1>So I was talking to Ellen. She said that drunken

0:15:21.640 --> 0:15:23.880
<v Speaker 1>I don't want to go home so good had actually

0:15:23.960 --> 0:15:26.560
<v Speaker 1>written years prior. Did you know this? I didn't know this?

0:15:26.760 --> 0:15:29.840
<v Speaker 1>That song is? It's so good. The song is so good,

0:15:29.840 --> 0:15:32.640
<v Speaker 1>the vocals are so good. It's it's a killer song.

0:15:32.720 --> 0:15:33.720
<v Speaker 1>The more I hear it, the more I mean, I

0:15:33.800 --> 0:15:35.560
<v Speaker 1>always have loved it every time it comes on the radio.

0:15:35.560 --> 0:15:37.000
<v Speaker 1>Now I'm just like, I just dig into something else

0:15:37.000 --> 0:15:38.440
<v Speaker 1>that I love about that song. But yeah, I don't know.

0:15:38.480 --> 0:15:40.000
<v Speaker 1>I didn't know you've written a long time ago? Is

0:15:40.000 --> 0:15:42.880
<v Speaker 1>that on the Boby cast? It is? But but the

0:15:42.960 --> 0:15:45.520
<v Speaker 1>interesting things? And I want to ask you the same question, Dreks.

0:15:45.520 --> 0:15:48.080
<v Speaker 1>But oh you wrote that how many years ago? I

0:15:48.120 --> 0:15:50.040
<v Speaker 1>was about twenty four, so eight years ago. So if

0:15:50.040 --> 0:15:53.040
<v Speaker 1>you write that eight years ago, and she sat on it,

0:15:53.080 --> 0:15:56.360
<v Speaker 1>but she had she rewrote it right with it. I hated.

0:15:56.480 --> 0:15:59.480
<v Speaker 1>I hated the verses. Yeah, the verses were crap. Did

0:15:59.480 --> 0:16:01.680
<v Speaker 1>you ever do Dirk for young song? No? Okay, okay,

0:16:01.680 --> 0:16:03.360
<v Speaker 1>all right, Well No, Usually the song is written and

0:16:03.360 --> 0:16:05.440
<v Speaker 1>then it's just like such a great song, and then

0:16:05.480 --> 0:16:07.200
<v Speaker 1>time goes on. I'm just started thinking about I don't

0:16:07.200 --> 0:16:08.840
<v Speaker 1>even know where with my catalog I'm want to go back,

0:16:08.880 --> 0:16:10.480
<v Speaker 1>And I mean, I've written a lot of songs a

0:16:10.520 --> 0:16:12.200
<v Speaker 1>lot of people that just for some reason, the song

0:16:12.320 --> 0:16:14.680
<v Speaker 1>just doesn't make it to the the album, which is

0:16:14.720 --> 0:16:16.560
<v Speaker 1>crazy because it's just kind of like almost a timing thing.

0:16:16.560 --> 0:16:18.880
<v Speaker 1>You right, you have a you know this record, I'm

0:16:18.880 --> 0:16:20.480
<v Speaker 1>Morgan right now, I'm on my third version of it.

0:16:20.560 --> 0:16:22.120
<v Speaker 1>So there's a lot of songs that just didn't make

0:16:22.160 --> 0:16:24.200
<v Speaker 1>it for some reason to the next phase, and they're

0:16:24.200 --> 0:16:27.320
<v Speaker 1>just great songs, and you know, they just kind of disappear.

0:16:27.600 --> 0:16:29.840
<v Speaker 1>Did you have a song Dirk said, lasted a long

0:16:29.880 --> 0:16:31.960
<v Speaker 1>time and made it And you're like that, I can't

0:16:31.960 --> 0:16:33.400
<v Speaker 1>believe the thing lasted that long and then it was

0:16:33.400 --> 0:16:35.200
<v Speaker 1>a big hit, like years and years because I then

0:16:35.240 --> 0:16:37.480
<v Speaker 1>written a long time ago, or yeah, sure, because that's

0:16:37.560 --> 0:16:39.200
<v Speaker 1>her situation with dropping I don't want to go home,

0:16:39.240 --> 0:16:41.240
<v Speaker 1>and she wrote it. But you knew right all that

0:16:41.280 --> 0:16:43.440
<v Speaker 1>the hook was so strong that eventually it would be

0:16:43.480 --> 0:16:46.040
<v Speaker 1>something for somebody, right, Oh, hell yeah, And so you

0:16:46.120 --> 0:16:48.080
<v Speaker 1>even tried to you thought about selling the song to

0:16:48.080 --> 0:16:51.200
<v Speaker 1>like a DJ. Yeah, I mean my manager right there,

0:16:51.240 --> 0:16:55.160
<v Speaker 1>I've been We've been messaging for like like a year

0:16:55.240 --> 0:16:57.080
<v Speaker 1>before that, like we have to give this to a

0:16:57.160 --> 0:16:59.800
<v Speaker 1>DJ or somebody. I can't. I can't just let this

0:17:00.080 --> 0:17:04.280
<v Speaker 1>chorus like die. And and so I was like, let's

0:17:04.280 --> 0:17:06.320
<v Speaker 1>just rewrite it. But it taught me a lot because

0:17:06.359 --> 0:17:09.520
<v Speaker 1>now we have other songs and it now you can

0:17:09.800 --> 0:17:12.879
<v Speaker 1>really kind of shift and open your mind about, you know,

0:17:13.000 --> 0:17:16.320
<v Speaker 1>songwriting process, and like, I love this one thing about

0:17:16.320 --> 0:17:19.040
<v Speaker 1>this song, but this is where it doesn't hit. So

0:17:19.160 --> 0:17:22.240
<v Speaker 1>it's okay to you know, throw the baby out and

0:17:22.720 --> 0:17:25.119
<v Speaker 1>kind of restarted. Yeah, you can always fall back on

0:17:25.160 --> 0:17:26.679
<v Speaker 1>what was there. Man, it's hard to I mean you

0:17:26.680 --> 0:17:28.360
<v Speaker 1>guys Charlie about this too. It's hard to take a song.

0:17:28.400 --> 0:17:30.480
<v Speaker 1>It's like half that you write. And he's like, I

0:17:30.560 --> 0:17:32.560
<v Speaker 1>don't like it. I'm gonna go back and red purpose

0:17:32.640 --> 0:17:34.359
<v Speaker 1>the song. I think once it's written, it's kind of

0:17:34.480 --> 0:17:36.040
<v Speaker 1>like for me, it seems like it's locked in. It's

0:17:36.040 --> 0:17:38.239
<v Speaker 1>just kind of like onto the next one. Damn it.

0:17:38.280 --> 0:17:40.280
<v Speaker 1>But did you have a song that lasted the test

0:17:40.320 --> 0:17:42.400
<v Speaker 1>of time, meaning it sat around Maybe you forgot about

0:17:42.440 --> 0:17:44.200
<v Speaker 1>it for a long time, and then it came back

0:17:44.240 --> 0:17:45.440
<v Speaker 1>and like, oh man, that was a good song, let's

0:17:45.440 --> 0:17:47.720
<v Speaker 1>record it, and then it was a hit. No, okay,

0:17:47.760 --> 0:17:50.080
<v Speaker 1>all right, cool. But anyway, I've had songs. I've had

0:17:50.080 --> 0:17:52.000
<v Speaker 1>songs of albums. I've had songs of albums that I

0:17:52.040 --> 0:17:54.760
<v Speaker 1>wish had been singles, and I've tried to like to

0:17:54.800 --> 0:17:56.159
<v Speaker 1>put them back on or you know, because you've got

0:17:56.320 --> 0:17:57.639
<v Speaker 1>it's a great song. Oh, I can't be it was

0:17:57.640 --> 0:17:59.920
<v Speaker 1>in a single. Let's recut it and put it out

0:18:00.000 --> 0:18:02.000
<v Speaker 1>on this next record. And it just feels like there's

0:18:02.040 --> 0:18:06.040
<v Speaker 1>some it's the everyone's just calling the song had its moment,

0:18:06.040 --> 0:18:07.640
<v Speaker 1>and it's just write something new. I don't know. It's

0:18:07.640 --> 0:18:12.280
<v Speaker 1>hard to do that. Well, not for that supporting her

0:18:12.280 --> 0:18:13.800
<v Speaker 1>and that's why we're on the wings and she's in

0:18:13.840 --> 0:18:15.960
<v Speaker 1>the center. L King is here. She's got a brand

0:18:15.960 --> 0:18:18.679
<v Speaker 1>new song. Um, you're all over? I mean, are you

0:18:18.680 --> 0:18:20.720
<v Speaker 1>playing more Stapleton shows too? I was looking you're I

0:18:20.760 --> 0:18:23.240
<v Speaker 1>mean you're on the road a lot. Yeah. Do you

0:18:23.280 --> 0:18:26.200
<v Speaker 1>feel like you're living on the road? Yeah? Is it

0:18:26.240 --> 0:18:29.480
<v Speaker 1>more like a rock tour that you're on the road

0:18:29.520 --> 0:18:31.560
<v Speaker 1>so much than a typical country tour where you're out

0:18:31.560 --> 0:18:35.600
<v Speaker 1>for Thursday, Friday, Saturday. Uh. Well, I mean now that

0:18:35.680 --> 0:18:38.199
<v Speaker 1>festival season is going to be coming up, our the

0:18:38.280 --> 0:18:42.560
<v Speaker 1>days will get filled. But I mean I'm here in Nashville, Husland,

0:18:42.600 --> 0:18:45.159
<v Speaker 1>and I never really get days off. I like country

0:18:45.160 --> 0:18:47.520
<v Speaker 1>tours when it's slower. I like to have a couple

0:18:47.480 --> 0:18:49.600
<v Speaker 1>of days off. I had Sunday and Monday off and

0:18:49.640 --> 0:18:51.520
<v Speaker 1>that was real nice. It was in a pool. But like,

0:18:51.920 --> 0:18:54.800
<v Speaker 1>I just I like to work. You know, what is

0:18:54.800 --> 0:18:56.760
<v Speaker 1>it idle hands with the Devil's playground. I don't do

0:18:56.840 --> 0:19:00.480
<v Speaker 1>well with too much time off. So, um, it does

0:19:00.520 --> 0:19:02.439
<v Speaker 1>feel like a rock thing. I guess I don't know.

0:19:02.880 --> 0:19:05.000
<v Speaker 1>L King, listen to this. The first female artist in history.

0:19:05.040 --> 0:19:07.960
<v Speaker 1>You've scored four radio number one singles on different formats

0:19:08.359 --> 0:19:12.800
<v Speaker 1>for a country, for alternative, adult, alternative, and adult pop songs.

0:19:12.840 --> 0:19:15.919
<v Speaker 1>So that's awesome. It just shows how versatile your message is,

0:19:16.040 --> 0:19:19.080
<v Speaker 1>more than any certain instrument or sound. Yeah. Yeah, but

0:19:19.160 --> 0:19:22.320
<v Speaker 1>like it shows how versatile the messages and that all

0:19:22.359 --> 0:19:25.399
<v Speaker 1>people regardless of what. Yeah, I'm not a big genre

0:19:25.480 --> 0:19:28.639
<v Speaker 1>guy myself, but it just shows that you're connected in

0:19:28.680 --> 0:19:31.400
<v Speaker 1>a lot of ways. That's really cool. Yeah, good things. Um,

0:19:31.480 --> 0:19:34.760
<v Speaker 1>so I think that's it. Dirk's l Charlie the band,

0:19:35.000 --> 0:19:37.600
<v Speaker 1>great job. As always. I feel like in different forms,

0:19:37.600 --> 0:19:39.200
<v Speaker 1>I see everybody here about I don't know, twice a

0:19:39.240 --> 0:19:41.840
<v Speaker 1>week somebody from some of this groups coming in in

0:19:41.880 --> 0:19:43.479
<v Speaker 1>some way. It was a killer band. You guys an

0:19:43.560 --> 0:19:45.399
<v Speaker 1>a great today. All right, go look for Ell on

0:19:45.440 --> 0:19:48.280
<v Speaker 1>the road. Also Dirk Spentley, he'll be in next week

0:19:48.320 --> 0:19:51.359
<v Speaker 1>with who who do you think? Well, who's supporting Charlie

0:19:51.400 --> 0:19:57.720
<v Speaker 1>next week? Yeah? Yeah, maybe maybe TJ's yeah, yeah, yeah,

0:19:58.000 --> 0:20:00.680
<v Speaker 1>both brothers. Chant. I'll end with this because something else

0:20:00.680 --> 0:20:02.920
<v Speaker 1>and I were talking about was asking people to do

0:20:03.840 --> 0:20:06.639
<v Speaker 1>collabs or like to feature on a song. And you know,

0:20:07.520 --> 0:20:10.000
<v Speaker 1>we had we had opened for Garth Brooks and we

0:20:10.160 --> 0:20:12.800
<v Speaker 1>did this song called Opening Act, and so I had

0:20:12.840 --> 0:20:15.080
<v Speaker 1>to reach out to people and be like, hey, we're

0:20:15.119 --> 0:20:16.720
<v Speaker 1>looking for somebody to hop on this verse. And it's

0:20:16.720 --> 0:20:19.200
<v Speaker 1>a very awkward thing for me and I do comedy music.

0:20:19.359 --> 0:20:20.919
<v Speaker 1>And I was like, I'm always like, hey, do you

0:20:20.920 --> 0:20:22.399
<v Speaker 1>want to get on the song. If you don't want to,

0:20:22.400 --> 0:20:23.720
<v Speaker 1>you don't have to. I know, it's stupid. Who wants

0:20:23.720 --> 0:20:25.959
<v Speaker 1>to do when you reach out to somebody? Dirk's are

0:20:26.000 --> 0:20:28.399
<v Speaker 1>you always like, hey, man, it's a great song. You

0:20:28.400 --> 0:20:30.199
<v Speaker 1>should be on it. No, or are you on the

0:20:30.240 --> 0:20:32.320
<v Speaker 1>same I'm like you, I'm like, man, because it's a

0:20:32.320 --> 0:20:34.560
<v Speaker 1>big response, it's a big obligation. You're asking somebody to

0:20:34.640 --> 0:20:36.240
<v Speaker 1>kind of, you know, be in with you for the

0:20:36.280 --> 0:20:38.000
<v Speaker 1>next year. If Starr I was like, you know, if

0:20:38.000 --> 0:20:39.439
<v Speaker 1>you can make it an award show or make the

0:20:39.520 --> 0:20:41.840
<v Speaker 1>video shoot or you're gonna go. There's a lot of

0:20:41.840 --> 0:20:43.359
<v Speaker 1>responsibilites to come with being on a song. It's not

0:20:43.359 --> 0:20:44.639
<v Speaker 1>like you just go in there cutting like all right,

0:20:45.040 --> 0:20:47.280
<v Speaker 1>see you. It's like, hey, I'm gonna need you, uh

0:20:47.560 --> 0:20:49.320
<v Speaker 1>next month these days, it's gonna need you for the

0:20:49.400 --> 0:20:50.760
<v Speaker 1>video shoot and all this stuff. So it's kind of

0:20:50.840 --> 0:20:52.240
<v Speaker 1>you're kind of I think it's a favor to be

0:20:52.520 --> 0:20:54.320
<v Speaker 1>even it's a big hit song, you're kind of saying, hey,

0:20:54.680 --> 0:20:57.480
<v Speaker 1>you know, would you be I really appreciate if you'd

0:20:57.480 --> 0:20:58.600
<v Speaker 1>take a look at being on this. So I come

0:20:58.640 --> 0:21:01.040
<v Speaker 1>to the other angle, you know, but is it then?

0:21:01.080 --> 0:21:02.920
<v Speaker 1>Do you get nervous they're gonna Has anyone ever said

0:21:02.920 --> 0:21:05.240
<v Speaker 1>no to you? Yeah, And I've said no to other

0:21:05.480 --> 0:21:07.720
<v Speaker 1>other people too, you know. I've had some people pitch

0:21:07.800 --> 0:21:10.560
<v Speaker 1>you songs and like friends like friends, good friends. Yeah,

0:21:10.560 --> 0:21:11.520
<v Speaker 1>I'd be like, I don't know this is a good

0:21:11.560 --> 0:21:13.159
<v Speaker 1>song for your career. I mean I'm just as an

0:21:13.200 --> 0:21:15.720
<v Speaker 1>outside of you know, as a friend of yours, an

0:21:15.760 --> 0:21:17.560
<v Speaker 1>outside looker. I'm like, I don't know if you should

0:21:17.560 --> 0:21:19.199
<v Speaker 1>be putting this song out. So you just tell them

0:21:19.200 --> 0:21:20.480
<v Speaker 1>you don't want to do it, and they shouldn't do

0:21:20.480 --> 0:21:24.919
<v Speaker 1>anything like that. I'll know this, the song has been

0:21:24.920 --> 0:21:26.640
<v Speaker 1>good for your career. I don't know if you're a singer,

0:21:30.119 --> 0:21:32.320
<v Speaker 1>but uh yeah, I've had to go both ways for sure.

0:21:32.440 --> 0:21:35.080
<v Speaker 1>So well, Bobby, wasn't it Breland on the Bobby Cast

0:21:35.119 --> 0:21:38.359
<v Speaker 1>that said, when Dirk's reached out to him about beers

0:21:38.400 --> 0:21:40.840
<v Speaker 1>on me, like you texted him and he said, hey,

0:21:41.080 --> 0:21:43.880
<v Speaker 1>this is Dirk Smantly, you know, the country artist, oh,

0:21:43.920 --> 0:21:46.120
<v Speaker 1>the country singer, and like you were defining who you were,

0:21:46.160 --> 0:21:48.240
<v Speaker 1>and Breland said that he was like, dude, you don't.

0:21:48.400 --> 0:21:52.440
<v Speaker 1>I always introduced myself, even like I remember Taylor Swift

0:21:52.480 --> 0:21:54.200
<v Speaker 1>them and I've a song with her on stage and

0:21:54.240 --> 0:21:55.640
<v Speaker 1>done some stuff with her. Every time I see him,

0:21:55.680 --> 0:21:58.440
<v Speaker 1>so like, hey, Taylor, Dirk Spelly, nice, I know who

0:21:58.480 --> 0:22:00.439
<v Speaker 1>you aren't. Well, I'm just making sure you know I

0:22:00.440 --> 0:22:03.560
<v Speaker 1>don't know, but uh yeah, I've had I've been I've

0:22:03.560 --> 0:22:05.400
<v Speaker 1>cut a song something before and had to call Mary

0:22:05.480 --> 0:22:07.920
<v Speaker 1>Hilliar and be like, you gotta get it off this song.

0:22:08.160 --> 0:22:11.240
<v Speaker 1>So you've cut it, Like, that's not a good song.

0:22:11.280 --> 0:22:15.440
<v Speaker 1>You gotta help me. That's dicey. That's a dicey situation.

0:22:16.440 --> 0:22:19.120
<v Speaker 1>We've got a couple of people want that we're gonna

0:22:19.160 --> 0:22:20.920
<v Speaker 1>be in this little song. And one of them was

0:22:20.920 --> 0:22:22.639
<v Speaker 1>like yeah immediately the other one. I sent a message too,

0:22:22.640 --> 0:22:24.159
<v Speaker 1>and I still haven't heard back. And it's been like

0:22:24.200 --> 0:22:27.159
<v Speaker 1>a bit because you send voice notes. But what do

0:22:27.480 --> 0:22:30.040
<v Speaker 1>you mean it's because of that. Well, you gotta tape

0:22:30.040 --> 0:22:31.359
<v Speaker 1>it out. Oh I don't want them to keep it,

0:22:31.400 --> 0:22:34.040
<v Speaker 1>though they can keep you keep it, but they don't.

0:22:34.040 --> 0:22:36.760
<v Speaker 1>I told el people remember that. Usually think at one

0:22:36.800 --> 0:22:38.760
<v Speaker 1>point all our text messages are gonna be totally public.

0:22:38.840 --> 0:22:42.560
<v Speaker 1>I do. At one point earlier, how much Bolly Bones

0:22:42.600 --> 0:22:44.760
<v Speaker 1>talked about me? And you know they like everything. You've

0:22:44.760 --> 0:22:46.879
<v Speaker 1>better sit up just searching boom. Yes, yeah, I searched

0:22:47.080 --> 0:22:49.520
<v Speaker 1>Bobby Bones. My name. Oh my god, Darcy's mouth breathing

0:22:49.520 --> 0:22:55.800
<v Speaker 1>into the microphone. Okay, listen, great job, Dirk, sound wonderful.

0:22:55.880 --> 0:22:59.000
<v Speaker 1>Great new song. You guys, appreciate you and we will

0:22:59.080 --> 0:23:02.800
<v Speaker 1>see you if on TV sooner than that. Okay, guys

0:23:03.720 --> 0:23:07.600
<v Speaker 1>co hosting the CMA Fest on ABC, and we will

0:23:07.600 --> 0:23:10.879
<v Speaker 1>see you guys. So it's the best bits of the

0:23:10.920 --> 0:23:18.720
<v Speaker 1>week with Morgan. Number two, The Draft was back this week.

0:23:18.760 --> 0:23:22.239
<v Speaker 1>Everyone's favorite segment. I mean, I know there's a lot

0:23:22.240 --> 0:23:24.480
<v Speaker 1>of favorite segments, but this one definitely tops the list

0:23:24.520 --> 0:23:26.560
<v Speaker 1>for a lot of people. So we brought the Draft

0:23:26.680 --> 0:23:30.280
<v Speaker 1>back this week and we drafted the best snacks of

0:23:30.280 --> 0:23:32.640
<v Speaker 1>our childhood. And I'm just gonna tell y'all, I mean,

0:23:32.680 --> 0:23:35.280
<v Speaker 1>I drafted some that the show was like, what are

0:23:35.320 --> 0:23:37.679
<v Speaker 1>you doing? And I'm like, listen, I was born like

0:23:37.800 --> 0:23:39.560
<v Speaker 1>a little bit later than y'all, so it's a little

0:23:39.560 --> 0:23:43.000
<v Speaker 1>bit different for me. But it was fun to hear everyone's,

0:23:43.119 --> 0:23:45.280
<v Speaker 1>you know, favorite snacks from their childhood and have a

0:23:45.280 --> 0:23:48.040
<v Speaker 1>little bit of nostalgia with this segment. Okay, also made

0:23:48.040 --> 0:23:52.120
<v Speaker 1>me very hungry, So be aware. Number five best snacks

0:23:52.160 --> 0:23:55.600
<v Speaker 1>from our childhood. So five of us are here. We'll

0:23:55.600 --> 0:23:59.359
<v Speaker 1>make our team. And if you finished last in the voting,

0:23:59.680 --> 0:24:02.040
<v Speaker 1>you have to post a picture of you sucking your

0:24:02.040 --> 0:24:06.320
<v Speaker 1>thumb on your Instagram with no context. That's the punishment. Wow,

0:24:06.600 --> 0:24:11.000
<v Speaker 1>yeah yeah, yeah yeah yeah for at least twenty four hours,

0:24:11.280 --> 0:24:12.800
<v Speaker 1>and you can delete it. Then you can delete it.

0:24:13.680 --> 0:24:16.320
<v Speaker 1>So that'll be the punishment if you finished last. Now, Ray,

0:24:16.600 --> 0:24:18.359
<v Speaker 1>we roll the dice. You get to go first. What

0:24:18.440 --> 0:24:22.600
<v Speaker 1>will you draft as your first best snack from childhood?

0:24:22.920 --> 0:24:25.040
<v Speaker 1>I still eat them to this day. They're so good.

0:24:25.720 --> 0:24:28.480
<v Speaker 1>Lunchible dang, that's gonna be mine. That's a great one.

0:24:30.080 --> 0:24:33.760
<v Speaker 1>He still eats lensibles. You do still eat yep at

0:24:33.920 --> 0:24:37.840
<v Speaker 1>all the grocery stores in the area. They got them,

0:24:37.880 --> 0:24:40.360
<v Speaker 1>all right. I'm gonna go with as the second overall

0:24:40.400 --> 0:24:48.240
<v Speaker 1>pick snacks from childhood. I'm gonna go with hot pockets.

0:24:48.440 --> 0:24:56.359
<v Speaker 1>Dang it. That's good, real dead lunchbox. Yeah, it's easy.

0:24:57.080 --> 0:24:59.679
<v Speaker 1>Stick them in the toaster and they pop up and

0:24:59.680 --> 0:25:03.680
<v Speaker 1>you go, there's my pop tart. Pop tarts, solid pop tart.

0:25:04.000 --> 0:25:11.040
<v Speaker 1>It's good, good Eddie. I'm gonna go bones with easy

0:25:11.160 --> 0:25:18.080
<v Speaker 1>cheese and crackers. Easy cheese, easy cheese cheese. Let's go

0:25:18.200 --> 0:25:23.240
<v Speaker 1>little Okay, and our final pick of the first round, Morgan,

0:25:23.320 --> 0:25:26.280
<v Speaker 1>what is your favorite snack from childhood? I would put

0:25:26.280 --> 0:25:29.040
<v Speaker 1>these in my lunch every single day, and it's gushers.

0:25:29.240 --> 0:25:34.639
<v Speaker 1>Gushers are solid. Hey man, I'm running out. I'm like, oh, okay,

0:25:34.640 --> 0:25:36.959
<v Speaker 1>that's the first round. We get three rounds. Now when

0:25:36.960 --> 0:25:38.280
<v Speaker 1>we load them up on the internet. We're not gonna

0:25:38.280 --> 0:25:39.720
<v Speaker 1>put her names on what the teams are. Okay, We're

0:25:39.760 --> 0:25:41.760
<v Speaker 1>gonna see the teams vote for them. That's a good idea.

0:25:41.960 --> 0:25:44.320
<v Speaker 1>All right, Morgan, you got the first round, first pick

0:25:44.320 --> 0:25:45.840
<v Speaker 1>of the second rounds that you went last in the

0:25:45.840 --> 0:25:48.240
<v Speaker 1>first round, Go ahead, I have so many more. Oh

0:25:48.280 --> 0:25:51.960
<v Speaker 1>my gosh, okay, um yeah, I think I'm gonna go

0:25:52.040 --> 0:25:56.119
<v Speaker 1>dunk a ruse. Duck rous is solid. I'm running out, Eddie.

0:25:57.480 --> 0:26:00.320
<v Speaker 1>My pick for the second round bones will be free.

0:26:00.400 --> 0:26:04.560
<v Speaker 1>Roll up, good one and that's a good one. Crap,

0:26:05.440 --> 0:26:08.119
<v Speaker 1>all right, lunchbox over to you. Your best snack from childhood,

0:26:08.160 --> 0:26:10.399
<v Speaker 1>your second round pick. Oh yeah, guys, you want one? No,

0:26:10.480 --> 0:26:12.960
<v Speaker 1>you want to? You know why? Because they're called twinkies,

0:26:14.000 --> 0:26:23.639
<v Speaker 1>who are solid best snacks from childhood? I like, I

0:26:23.680 --> 0:26:26.280
<v Speaker 1>have the last pick of the round. What do you

0:26:26.320 --> 0:26:30.000
<v Speaker 1>have so far? Only one? I have no rais after me.

0:26:30.000 --> 0:26:36.280
<v Speaker 1>I have hot pockets. I'm thinking about because if it's

0:26:36.320 --> 0:26:40.960
<v Speaker 1>still able to be snacked on. Now, that's okay. Oh yeah,

0:26:41.000 --> 0:26:44.680
<v Speaker 1>I'm gonna go with the pringles. Once you poppy can't stop,

0:26:44.880 --> 0:26:47.000
<v Speaker 1>I'm gonna go with you can't just eat one or whatever. Yeah,

0:26:47.960 --> 0:26:52.920
<v Speaker 1>I'm gonna go with pringles. Ray still can be eating today.

0:26:53.160 --> 0:26:55.560
<v Speaker 1>But anytime you'd any food and Mom had to make

0:26:55.560 --> 0:26:57.800
<v Speaker 1>you something real quick, you went with the bagel bites.

0:26:57.840 --> 0:27:00.160
<v Speaker 1>He bites. He's gonna have it too. You's a good one.

0:27:00.560 --> 0:27:02.639
<v Speaker 1>All right. That's two rounds, one more round to go.

0:27:04.280 --> 0:27:05.960
<v Speaker 1>Let's look at raised team here. You got lunch bowls

0:27:05.960 --> 0:27:10.359
<v Speaker 1>and bagel bites. Ray, what's your final pick? The koole

0:27:10.560 --> 0:27:12.600
<v Speaker 1>that came in the little bottles that all the rich

0:27:12.720 --> 0:27:15.879
<v Speaker 1>kids had. I never really drank them, squeeze it. Oh

0:27:15.920 --> 0:27:20.240
<v Speaker 1>they did have a name, Seze. Okay, raids led me

0:27:20.320 --> 0:27:22.360
<v Speaker 1>to something then, I don't think I had it here?

0:27:25.520 --> 0:27:27.520
<v Speaker 1>What are those little sun kiss pat what are those

0:27:28.600 --> 0:27:32.040
<v Speaker 1>top to strawing? I see, I see? Yeah, No, no, no,

0:27:32.160 --> 0:27:38.760
<v Speaker 1>there's another one. There's another one. Cool Capri sign. That's it,

0:27:38.840 --> 0:27:43.080
<v Speaker 1>Capri sign. I'm going with Capri sign, which I didn't

0:27:43.119 --> 0:27:45.800
<v Speaker 1>have on my list, but it is solids. I'm going

0:27:45.800 --> 0:27:50.439
<v Speaker 1>with Capri sign. Go ahead, lunch box, Oh man, you

0:27:50.520 --> 0:27:53.800
<v Speaker 1>know it's easy. Guys. When you look at snacks and

0:27:53.800 --> 0:27:57.240
<v Speaker 1>you're hungry, you go to the little I'm trying to

0:27:57.280 --> 0:27:58.840
<v Speaker 1>I'm just trying to stall because I don't have one.

0:28:00.400 --> 0:28:02.440
<v Speaker 1>You go to that what is it called a pantry? Yeah,

0:28:02.840 --> 0:28:05.480
<v Speaker 1>and you look in there and you're like, damn, what

0:28:05.640 --> 0:28:08.680
<v Speaker 1>looks good? Oh? Yeah, you see those little guys looking

0:28:08.680 --> 0:28:13.400
<v Speaker 1>at you like candy cigarettes. Those are those are awesome?

0:28:13.680 --> 0:28:17.359
<v Speaker 1>Those were so cool. But you get the animal crackers.

0:28:17.640 --> 0:28:21.120
<v Speaker 1>They are addicting. They're delicious. They're plain, simple and home

0:28:21.200 --> 0:28:23.000
<v Speaker 1>run and more of a cookie than a cracker. Yeah,

0:28:23.600 --> 0:28:26.520
<v Speaker 1>they're definitely Eddie your last one. All right, buns, this

0:28:26.600 --> 0:28:29.480
<v Speaker 1>is the master of them all, the best pick ever,

0:28:29.800 --> 0:28:37.320
<v Speaker 1>peanut butter and jelly crustables. Remember those bad boys Morgan

0:28:37.400 --> 0:28:39.840
<v Speaker 1>final pick. I don't know how you guys are saying

0:28:39.840 --> 0:28:41.800
<v Speaker 1>you don't have any. I had so many more because

0:28:41.800 --> 0:28:44.200
<v Speaker 1>you're younger, you got your childhood. Have a bunch, and

0:28:44.240 --> 0:28:46.360
<v Speaker 1>I'm since I'm the last one I can say these

0:28:46.400 --> 0:28:51.960
<v Speaker 1>but cheeseballs, go GURTs, cosmic brownies, flavor ice an adult thing.

0:28:52.040 --> 0:28:58.600
<v Speaker 1>You know there's not more little demiman job here, twinkies,

0:28:58.680 --> 0:29:01.760
<v Speaker 1>I got tweakies. You know what I'm gonna go with

0:29:01.840 --> 0:29:03.240
<v Speaker 1>this one because when you get it out of the

0:29:03.280 --> 0:29:04.920
<v Speaker 1>freezer on a hot summer day, it was the best

0:29:05.000 --> 0:29:09.560
<v Speaker 1>day ever. A flavor ice, Yep, they come straight. They're

0:29:09.680 --> 0:29:12.160
<v Speaker 1>skinny little things. They come in blue, red, green, purple,

0:29:12.200 --> 0:29:15.800
<v Speaker 1>all the colors you want. Popsicle. All right, here we have.

0:29:15.880 --> 0:29:17.520
<v Speaker 1>These are the teams that will not be listed by name.

0:29:17.640 --> 0:29:20.520
<v Speaker 1>Team one would be raised. Team A Team one Lunchables,

0:29:20.560 --> 0:29:24.720
<v Speaker 1>bagel bites and squeeze its solid mine, hot pockets, pringles

0:29:24.720 --> 0:29:27.960
<v Speaker 1>and caprice sons. I mean that's a lunch from Yeah, yeah,

0:29:28.000 --> 0:29:29.840
<v Speaker 1>I could still eat that Today's church, can't. Baby, They

0:29:29.920 --> 0:29:32.240
<v Speaker 1>hook you up with that, right there. Lunch box, pop tarts,

0:29:32.280 --> 0:29:34.280
<v Speaker 1>tweinakis and animal crackers. Not my best. Team A lot

0:29:34.280 --> 0:29:37.120
<v Speaker 1>of sugar, Yeah, not my best. That's my favorite that

0:29:37.160 --> 0:29:42.200
<v Speaker 1>I would eat yours man, Eddie's easy Cheese, fruit roll

0:29:42.280 --> 0:29:47.280
<v Speaker 1>ups and crustables. Yeah, I'm about to google crustables. Morgan

0:29:47.360 --> 0:29:51.040
<v Speaker 1>has Gushers, dunk a Ruse and flavor ice. So solid

0:29:51.080 --> 0:29:52.920
<v Speaker 1>of a team, right, you can't yell about your own?

0:29:53.280 --> 0:29:55.400
<v Speaker 1>Sure you can't, Eddie, I've never seen these things in

0:29:55.440 --> 0:29:58.360
<v Speaker 1>my life. Crustables, all right, go vote to Bobbybones dot com.

0:29:58.360 --> 0:30:02.040
<v Speaker 1>We'll pick a loser. Everybody wins except one person, and

0:30:02.080 --> 0:30:03.640
<v Speaker 1>the loser will have to suck their own thumb on

0:30:03.720 --> 0:30:05.360
<v Speaker 1>their own instant and then does the loser also have

0:30:05.400 --> 0:30:11.120
<v Speaker 1>to sit out? Yeah, that's what she's doing, all right,

0:30:11.240 --> 0:30:14.680
<v Speaker 1>Thank you guys. It's the best bits of the week

0:30:15.440 --> 0:30:19.920
<v Speaker 1>with Morgan. Number two, the charity softball game to kickoff

0:30:20.080 --> 0:30:24.440
<v Speaker 1>CMA Festival happened this week. Raymundo, Lunchbox and myself all

0:30:24.600 --> 0:30:26.840
<v Speaker 1>played in it and it was such a good time.

0:30:26.880 --> 0:30:29.760
<v Speaker 1>But per usual, there was some drama that came with it,

0:30:29.800 --> 0:30:32.840
<v Speaker 1>because why not, you know, we gotta just spice things

0:30:32.960 --> 0:30:36.760
<v Speaker 1>up a bit sometimes. And it really was an awesome time.

0:30:36.800 --> 0:30:39.280
<v Speaker 1>If you Missy, you can check out some photos online.

0:30:39.600 --> 0:30:42.000
<v Speaker 1>There's just so many cool things. And I'm just gonna

0:30:42.000 --> 0:30:43.880
<v Speaker 1>say I got a few hits and I'm pretty proud

0:30:43.880 --> 0:30:46.920
<v Speaker 1>of myself, though I probably could have played better, let's

0:30:46.960 --> 0:30:50.640
<v Speaker 1>be honest. Number four, big celebrity softball game last night

0:30:50.640 --> 0:30:53.400
<v Speaker 1>for charity. Morgan. You went out, you played? Howd you play? Yeah?

0:30:53.440 --> 0:30:56.120
<v Speaker 1>I played really good. I got I hit four times.

0:30:56.400 --> 0:30:58.360
<v Speaker 1>Two of them were pop flies. They were in the outfield,

0:30:58.360 --> 0:31:00.560
<v Speaker 1>which is pretty cool. And then they too. I got

0:31:00.600 --> 0:31:02.959
<v Speaker 1>on bass and I scored. Did you guys win? How

0:31:02.960 --> 0:31:04.760
<v Speaker 1>did it work? We did not win? Who was the

0:31:04.760 --> 0:31:07.120
<v Speaker 1>best ball player last night? In the celebrities? I mean,

0:31:07.240 --> 0:31:09.680
<v Speaker 1>Hardy got MVP and he definitely deserved it. I think

0:31:09.680 --> 0:31:12.400
<v Speaker 1>he had like four home runs like in field home runs.

0:31:12.640 --> 0:31:17.320
<v Speaker 1>Oh he's a ballplayer, like, oh dude, he mashed the ball,

0:31:18.080 --> 0:31:20.640
<v Speaker 1>mashed it was hitting it over the Outfieler's head. They

0:31:20.640 --> 0:31:22.360
<v Speaker 1>would back up, he'd still hit it over their head.

0:31:22.440 --> 0:31:24.960
<v Speaker 1>It was I was like, wow, did you get to play?

0:31:25.560 --> 0:31:27.720
<v Speaker 1>I mean because I made sure you got to play

0:31:27.800 --> 0:31:30.360
<v Speaker 1>some I mean really, they didn't have me on anything.

0:31:30.640 --> 0:31:34.720
<v Speaker 1>I was Here's the thing, before the game, they announced everybody.

0:31:34.800 --> 0:31:36.880
<v Speaker 1>I was the only person that didn't get announced. I

0:31:36.920 --> 0:31:39.080
<v Speaker 1>was just sitting there and Jimmy Allen's like, luds, why

0:31:39.080 --> 0:31:40.800
<v Speaker 1>are you being announced? Come up here? And so I

0:31:40.880 --> 0:31:43.520
<v Speaker 1>just gotta walked out. Why didn't they announce you? No idea?

0:31:43.640 --> 0:31:45.760
<v Speaker 1>So then Morgan had to raise a name on the

0:31:45.760 --> 0:31:50.440
<v Speaker 1>board and write my name in the lineup. That's just embarrassing. Golly,

0:31:50.920 --> 0:31:53.920
<v Speaker 1>who did you play at all? So I hit, I went,

0:31:54.040 --> 0:31:55.760
<v Speaker 1>I bat, I hit three times. That was it. How

0:31:55.920 --> 0:31:58.800
<v Speaker 1>you do on two for three. Look, you showed them

0:31:58.920 --> 0:32:02.600
<v Speaker 1>pretty good. Many win. No, we got crushed party and

0:32:02.800 --> 0:32:05.520
<v Speaker 1>Ernest and Chris Lane. I mean, well, they put all

0:32:05.520 --> 0:32:08.360
<v Speaker 1>the college baseball players on one team, penny all of them.

0:32:08.440 --> 0:32:11.200
<v Speaker 1>I mean, just mash anybody almost get into a fight,

0:32:11.240 --> 0:32:13.680
<v Speaker 1>because when I play, there's always somebody going at it. Well,

0:32:13.720 --> 0:32:16.240
<v Speaker 1>there was a fake fight between Jimmy Allen and Ernest,

0:32:16.280 --> 0:32:18.680
<v Speaker 1>but I'm telling you, Ernest was not pulling his punches.

0:32:18.880 --> 0:32:21.600
<v Speaker 1>It felt real like it looked like it was supposed

0:32:21.640 --> 0:32:22.720
<v Speaker 1>to be fake. But I was like, I think he

0:32:22.760 --> 0:32:24.600
<v Speaker 1>kind of means that. I don't want to fight Jimmy Allen.

0:32:25.160 --> 0:32:27.200
<v Speaker 1>You know. Yeah, it's ripped, man, let me pop your

0:32:27.240 --> 0:32:30.240
<v Speaker 1>head off. Well, I'm sorry you didn't get to play lunch.

0:32:30.400 --> 0:32:32.360
<v Speaker 1>That's okay, I'm sorry you didn't get Why do you

0:32:32.360 --> 0:32:34.320
<v Speaker 1>think they kept you out of the announcement. I have

0:32:34.400 --> 0:32:37.720
<v Speaker 1>no idea, Like I'm offended for you, Okay, Yeah, I

0:32:37.840 --> 0:32:41.640
<v Speaker 1>was just confused. Ray, I love you. Okay, this is

0:32:41.680 --> 0:32:45.200
<v Speaker 1>nothing against Raygan announced. But oh yeah, Raygant announced on

0:32:45.320 --> 0:32:47.440
<v Speaker 1>the line on the actual Because a lot of people

0:32:47.480 --> 0:32:49.959
<v Speaker 1>were posting the lineup on social media, like a lot

0:32:50.000 --> 0:32:54.480
<v Speaker 1>of people like I've seen it everywhere and Raymundo is

0:32:54.520 --> 0:32:56.600
<v Speaker 1>front and center with all the artists on the lineup,

0:32:56.800 --> 0:33:02.520
<v Speaker 1>and to me, Lunchbox is more has more of a

0:33:02.560 --> 0:33:05.000
<v Speaker 1>presence than Ray in a way. So you would think

0:33:05.240 --> 0:33:08.720
<v Speaker 1>if Ray made the lineup, lunch Box would on that graphic,

0:33:08.840 --> 0:33:11.600
<v Speaker 1>like lunch Box isn't even on the craft do you guys?

0:33:11.840 --> 0:33:14.720
<v Speaker 1>Love you? Ray? Tell me what I'm gonna do? I mean,

0:33:14.760 --> 0:33:16.640
<v Speaker 1>the game's over, Like it's over. There's nothing you can

0:33:16.680 --> 0:33:18.640
<v Speaker 1>do like it. And then so then they want, so

0:33:18.720 --> 0:33:22.560
<v Speaker 1>what my my role was to interview players in between

0:33:22.680 --> 0:33:26.120
<v Speaker 1>innings and how exciting is it to go to, hey, man,

0:33:26.200 --> 0:33:29.280
<v Speaker 1>you have fun? But I saw you on the JumboTron. Yeah,

0:33:29.280 --> 0:33:31.560
<v Speaker 1>that's pretty good, right. But they're like, you're supposed to

0:33:31.600 --> 0:33:33.440
<v Speaker 1>hype the crowd. I'm like, guys, if we do this

0:33:33.480 --> 0:33:37.560
<v Speaker 1>every half inning, it's not exciting. And so I was like,

0:33:37.600 --> 0:33:38.960
<v Speaker 1>why don't we go out in the field and interview

0:33:39.000 --> 0:33:41.320
<v Speaker 1>them why they're playing? That's fine? But we didn't do that.

0:33:41.480 --> 0:33:45.120
<v Speaker 1>Uh well, I'm sorry that happened. That's disappointing. It's all right,

0:33:45.240 --> 0:33:47.720
<v Speaker 1>it's fine. It's all about raising money for Folds of Honor,

0:33:47.760 --> 0:33:51.280
<v Speaker 1>and the fans were great and it was very awful.

0:33:51.280 --> 0:33:53.200
<v Speaker 1>It maybe all about it and it's still not suck

0:33:53.320 --> 0:33:55.960
<v Speaker 1>for you. That sucks. Well, let me just see what

0:33:56.160 --> 0:33:57.320
<v Speaker 1>but I'll let me to see who I talk to.

0:33:57.880 --> 0:33:59.480
<v Speaker 1>I will say thank you to Morgan for writing me

0:33:59.520 --> 0:34:01.080
<v Speaker 1>on the line up, because I was like, no, Morgan,

0:34:01.200 --> 0:34:03.440
<v Speaker 1>like whatever, they don't want me to play, I won't play.

0:34:03.480 --> 0:34:05.520
<v Speaker 1>But she wrote me on. And do you think it

0:34:05.680 --> 0:34:08.080
<v Speaker 1>was somebody holding it against you? I don't know, because

0:34:08.120 --> 0:34:09.640
<v Speaker 1>then Morgan had to we had to go to the

0:34:09.640 --> 0:34:11.520
<v Speaker 1>people specifically to make sure they knew that I was

0:34:11.520 --> 0:34:13.360
<v Speaker 1>gonna hit, because the person up in the booth was

0:34:13.360 --> 0:34:15.480
<v Speaker 1>not gonna have me hitting, so they were gonna announce

0:34:15.480 --> 0:34:17.120
<v Speaker 1>someone else, and if I went to the plate, it

0:34:17.239 --> 0:34:19.000
<v Speaker 1>was gonna be like, Oh, what is this guy? Mario?

0:34:19.040 --> 0:34:20.759
<v Speaker 1>Why do you think they did that to Lunchbox? I

0:34:20.800 --> 0:34:23.000
<v Speaker 1>don't know. I think they just really wanted him to

0:34:23.040 --> 0:34:25.520
<v Speaker 1>do the interviews, But it just didn't make sense to

0:34:25.560 --> 0:34:27.759
<v Speaker 1>me because he easily could have played and done the

0:34:27.800 --> 0:34:30.560
<v Speaker 1>interviews like he very well did both the whole time,

0:34:30.760 --> 0:34:33.000
<v Speaker 1>and that should have happened in the first place. Ray

0:34:33.000 --> 0:34:36.400
<v Speaker 1>had you play Buddy two for three? My heats or

0:34:36.440 --> 0:34:38.879
<v Speaker 1>my hits were very cheap. I wish I crushed it better.

0:34:38.960 --> 0:34:41.160
<v Speaker 1>But you had those artists. They had all day. They

0:34:41.160 --> 0:34:43.359
<v Speaker 1>were taking batting practice at four, so they were all

0:34:43.360 --> 0:34:45.239
<v Speaker 1>warmed up and good to go once again. Us at

0:34:45.360 --> 0:34:48.719
<v Speaker 1>nine to five. Jobs. Sorry, we showed don't have nine job, Yeah,

0:34:48.719 --> 0:34:51.040
<v Speaker 1>you get out of it. Showed up early for batting practice.

0:34:51.280 --> 0:34:53.120
<v Speaker 1>Morgan was there an hour early to hit. Good for

0:34:53.160 --> 0:34:54.920
<v Speaker 1>you guys. I'm glad you raise money. There are a

0:34:54.960 --> 0:34:57.319
<v Speaker 1>lot of people there, Yes, Morgan. I will say, like,

0:34:57.360 --> 0:35:00.080
<v Speaker 1>there's two things. One. Ray Mundo kept coming over to

0:35:00.200 --> 0:35:01.960
<v Speaker 1>our dug out because he kept saying, you damn have

0:35:01.960 --> 0:35:04.360
<v Speaker 1>any friends on his team, So he was like the

0:35:04.480 --> 0:35:06.080
<v Speaker 1>white hanging out with all the green team. I'm like,

0:35:06.080 --> 0:35:07.800
<v Speaker 1>what are you doing over here? Ray? Go make friends?

0:35:07.920 --> 0:35:09.839
<v Speaker 1>Who was on your team that he didn't like, Well,

0:35:09.840 --> 0:35:12.360
<v Speaker 1>they just didn't talk to me. They're all boys, Ernest Hardy,

0:35:12.520 --> 0:35:15.320
<v Speaker 1>Chris Lane, Tenpenny, They're like the boys group. They wouldn't

0:35:15.320 --> 0:35:17.600
<v Speaker 1>talk to you. No, not really, And I'm married, so

0:35:17.640 --> 0:35:22.040
<v Speaker 1>I couldn't talk to the girls. So why did you

0:35:22.080 --> 0:35:24.320
<v Speaker 1>get in trouble for having your phone in the outfield?

0:35:24.360 --> 0:35:26.480
<v Speaker 1>That was Kane Brown. He's like some guy over there's

0:35:26.640 --> 0:35:28.200
<v Speaker 1>got his phone out and he's playing on it the

0:35:28.239 --> 0:35:30.719
<v Speaker 1>whole game. I was trying to go live with Instagram

0:35:30.760 --> 0:35:32.680
<v Speaker 1>while I was fielding. Yeah, I was about to interview

0:35:32.760 --> 0:35:34.200
<v Speaker 1>Kane Brown in between indies and I was like, dude,

0:35:34.200 --> 0:35:35.399
<v Speaker 1>you haven't fun an He goes, yeah, I just want

0:35:35.400 --> 0:35:36.360
<v Speaker 1>them to hit me the ball. I was like, well,

0:35:36.360 --> 0:35:37.960
<v Speaker 1>why don't you play shorter third? I say, if you're

0:35:37.960 --> 0:35:39.759
<v Speaker 1>out in the outfit, He goes, I'd play left field.

0:35:39.800 --> 0:35:42.000
<v Speaker 1>But there's some idiot out there just on his phone

0:35:42.000 --> 0:35:47.719
<v Speaker 1>the whole time. That rises, right, no idea, All right,

0:35:47.760 --> 0:35:49.239
<v Speaker 1>well we can't do anything with that out there being

0:35:49.280 --> 0:35:51.560
<v Speaker 1>a little drama. Yet more, there is one more thing.

0:35:51.640 --> 0:35:54.359
<v Speaker 1>Lunchbox did get a better end of the deal at

0:35:54.360 --> 0:35:56.920
<v Speaker 1>the end of the night because he did take something

0:35:57.120 --> 0:35:59.440
<v Speaker 1>that was not his of all the freebies that we

0:35:59.480 --> 0:36:03.319
<v Speaker 1>got something of course, okay, this is why he Okay,

0:36:03.320 --> 0:36:05.040
<v Speaker 1>we're always like, why do they let him play? We

0:36:05.160 --> 0:36:07.520
<v Speaker 1>had a short term memory. Okay, what did you take?

0:36:07.760 --> 0:36:11.440
<v Speaker 1>And take anything? We got freebees, and so the girls

0:36:11.480 --> 0:36:13.680
<v Speaker 1>got like teal backpacks and a bunch of stuff, and

0:36:13.719 --> 0:36:15.640
<v Speaker 1>then the guy's got like a black cooler and a

0:36:15.640 --> 0:36:18.239
<v Speaker 1>bunch of other things. Well, Lunchbox made sure to get

0:36:18.320 --> 0:36:20.839
<v Speaker 1>himself a black cool and a teal backpack. You got one, girl,

0:36:20.800 --> 0:36:22.360
<v Speaker 1>ain't guy? Yeah? I got one from my wife. You know,

0:36:22.400 --> 0:36:24.080
<v Speaker 1>I figured I could give her a thank you for

0:36:24.120 --> 0:36:25.920
<v Speaker 1>staying at home and watching the kids. And you know,

0:36:26.080 --> 0:36:27.560
<v Speaker 1>it was just sitting there and no one took it,

0:36:27.640 --> 0:36:31.360
<v Speaker 1>so why not take you? Well? Thank you for the updates, guys, Ray,

0:36:31.480 --> 0:36:37.680
<v Speaker 1>I'm sorry that Hardy Earnest Chris Lane. Chris Lane were

0:36:37.719 --> 0:36:39.799
<v Speaker 1>not nice to you and they made you feel like

0:36:39.840 --> 0:36:41.920
<v Speaker 1>a loser, and you had to sit at the other

0:36:41.920 --> 0:36:43.719
<v Speaker 1>cap cherry table. All the cool kids sit over there

0:36:43.719 --> 0:36:46.400
<v Speaker 1>and they square pizza. That's stinks. And if any of

0:36:46.440 --> 0:36:49.560
<v Speaker 1>them want to call and apologize, will you accept it? Yeah? Okay, Yeah,

0:36:49.560 --> 0:36:51.000
<v Speaker 1>and came Brown took a picture with me and he

0:36:51.000 --> 0:36:53.120
<v Speaker 1>even responded to my Instagram, So I think we're good now.

0:36:53.960 --> 0:36:55.839
<v Speaker 1>I was like, dude, you bad mouth me about playing

0:36:55.840 --> 0:36:57.239
<v Speaker 1>on my phone. He was. Actually it wasn't just me,

0:36:57.280 --> 0:36:59.560
<v Speaker 1>it was tenpenny Chris Lane. They already hate you anyway,

0:36:59.680 --> 0:37:02.879
<v Speaker 1>that makes sense. Are we boycotting all four of them?

0:37:03.320 --> 0:37:07.240
<v Speaker 1>You let me know? No, I mean we won seven?

0:37:07.320 --> 0:37:10.080
<v Speaker 1>Hey wait, wait, boycott everybody? Every artist right, that's ever

0:37:10.080 --> 0:37:12.359
<v Speaker 1>mean that you let me know, I boycott him all.

0:37:13.320 --> 0:37:17.439
<v Speaker 1>Who is it that we had to blay? No? No, no, no,

0:37:17.560 --> 0:37:20.520
<v Speaker 1>Michael Ray. Yeah because the bus he left, Ray would

0:37:20.600 --> 0:37:22.959
<v Speaker 1>let him on a tour bus. Yeah, tour bus. Party

0:37:23.000 --> 0:37:25.480
<v Speaker 1>was promised. Never happened. Was Michael Ray? Yeah he was

0:37:25.480 --> 0:37:28.239
<v Speaker 1>on my team. Did you talk to him Ray? Well,

0:37:28.280 --> 0:37:30.080
<v Speaker 1>he's on the opposite team. But yeah, he wasn't really

0:37:30.120 --> 0:37:33.440
<v Speaker 1>social to other people. I guess he was just so

0:37:33.480 --> 0:37:35.200
<v Speaker 1>it's like everybody's not social. Do you think it's just

0:37:35.239 --> 0:37:37.319
<v Speaker 1>you that's not social? No, I am. I was trying

0:37:37.320 --> 0:37:39.200
<v Speaker 1>to give people DAPs and stuff like that, just like

0:37:39.239 --> 0:37:41.160
<v Speaker 1>get some small talk going. But it was tough. Some

0:37:41.200 --> 0:37:43.440
<v Speaker 1>of these people are a little standoffish. Well no, I

0:37:43.440 --> 0:37:45.840
<v Speaker 1>think they a lot of them took it very serious,

0:37:45.880 --> 0:37:48.400
<v Speaker 1>and with Ray being out on his phone and filming everything,

0:37:48.440 --> 0:37:51.160
<v Speaker 1>they were like, who is this idiot? Like we're trying

0:37:51.160 --> 0:37:54.160
<v Speaker 1>to win the game. They compe for a scholarship or what? Yeah?

0:37:54.200 --> 0:37:56.399
<v Speaker 1>Why so serious? I mean our play serious? Okay, well,

0:37:56.400 --> 0:37:58.239
<v Speaker 1>thank you guys. Obviously we can't do anything with our

0:37:58.280 --> 0:38:00.239
<v Speaker 1>out there being a little drama, and that's how we

0:38:00.239 --> 0:38:03.400
<v Speaker 1>do it on this show. It's the best bits of

0:38:03.440 --> 0:38:08.680
<v Speaker 1>the Week with Morgan number two. For the first time ever,

0:38:08.840 --> 0:38:14.240
<v Speaker 1>we had the iconic, the legendary, the most incredible Adam

0:38:14.320 --> 0:38:17.000
<v Speaker 1>Sandler on our show this week, and it was so

0:38:17.040 --> 0:38:19.319
<v Speaker 1>awesome because he came on to talk about his new

0:38:19.360 --> 0:38:22.600
<v Speaker 1>movie Hustle, but he also talked about all those viral

0:38:22.719 --> 0:38:26.080
<v Speaker 1>videos of himself playing basketball and what he actually thinks

0:38:26.080 --> 0:38:29.080
<v Speaker 1>of them. And I'm just gonna say, adda, listening to

0:38:29.160 --> 0:38:33.440
<v Speaker 1>him talk and laugh is just as cool as getting

0:38:33.480 --> 0:38:36.239
<v Speaker 1>to see him laugh and talk in movies. He's just

0:38:36.400 --> 0:38:39.400
<v Speaker 1>this genuine, really good dude, and you can tell that

0:38:39.480 --> 0:38:42.200
<v Speaker 1>through the interview. So definitely make sure to listen to

0:38:42.280 --> 0:38:45.200
<v Speaker 1>this all the way through. Number three, Adams having a

0:38:45.200 --> 0:38:47.960
<v Speaker 1>man's Bobby, Hi, Bobby, how are you, buddy? As a

0:38:48.400 --> 0:38:50.960
<v Speaker 1>you know, sports guy and a comedy guy? Like the

0:38:51.360 --> 0:38:54.520
<v Speaker 1>movie being about basketball and your love of basketball? Was

0:38:54.560 --> 0:38:56.359
<v Speaker 1>the movie an now let for you to play more

0:38:56.360 --> 0:38:59.759
<v Speaker 1>basketball selfishly? Like was like, this would be a good

0:38:59.800 --> 0:39:02.200
<v Speaker 1>movie to do because you could play more. Bobby, I

0:39:02.239 --> 0:39:05.160
<v Speaker 1>had the worst thing happened to an old man. I

0:39:05.200 --> 0:39:07.600
<v Speaker 1>played a lot when we were there. The first part

0:39:07.600 --> 0:39:11.120
<v Speaker 1>of the movie we shot, played hoop every day, had

0:39:11.120 --> 0:39:13.919
<v Speaker 1>a great time. Then the second half of the movie

0:39:13.920 --> 0:39:17.360
<v Speaker 1>because we had to separate two half because of the pandemic.

0:39:17.400 --> 0:39:21.040
<v Speaker 1>We had to not do contact basketball for a while.

0:39:21.120 --> 0:39:23.480
<v Speaker 1>And then when we when it was safe enough, all

0:39:23.520 --> 0:39:26.239
<v Speaker 1>the guys started showing up playing hoop. I played for

0:39:27.239 --> 0:39:30.040
<v Speaker 1>maybe a few weeks with the guys. It was incredible,

0:39:30.160 --> 0:39:35.120
<v Speaker 1>and then my stupid growing popped somewhere, and then I

0:39:35.160 --> 0:39:37.360
<v Speaker 1>was like limping around. Everybody would be like, why are

0:39:37.360 --> 0:39:40.080
<v Speaker 1>you're walking like that? It was humiliating. So I got nothing.

0:39:40.320 --> 0:39:42.960
<v Speaker 1>Those viral videos that you playing pickup ball, and it's

0:39:43.000 --> 0:39:45.760
<v Speaker 1>always highlights. I've never seen a viral video of you sucking.

0:39:45.800 --> 0:39:49.920
<v Speaker 1>It's always like Sandler dominates, like dropping dimes. Are you

0:39:49.960 --> 0:39:51.680
<v Speaker 1>that good all the time or are they just selective

0:39:51.680 --> 0:39:53.640
<v Speaker 1>on what they put up? No, I'm that good all

0:39:53.680 --> 0:39:58.080
<v Speaker 1>the time. I thought, No, you know I sucked many

0:39:58.160 --> 0:40:01.319
<v Speaker 1>times out there. There are our time zoh, Bobby, where

0:40:01.360 --> 0:40:03.520
<v Speaker 1>our goal? Why would they show that and not this

0:40:03.640 --> 0:40:06.120
<v Speaker 1>because I had a killer passed that day? And then

0:40:06.200 --> 0:40:09.600
<v Speaker 1>I'll I'll sometimes when I'm out there playing and I

0:40:09.680 --> 0:40:11.760
<v Speaker 1>noticed the cameras come up and the kids are shooting

0:40:11.760 --> 0:40:13.959
<v Speaker 1>me and stuff, I'm like, I'd make a nice pass.

0:40:14.000 --> 0:40:16.520
<v Speaker 1>I look up I'm like nobody caught that. That was

0:40:16.560 --> 0:40:18.600
<v Speaker 1>a good moment. Man, we would have loved that one.

0:40:19.360 --> 0:40:21.399
<v Speaker 1>At the start of the movie. You know, your character

0:40:21.440 --> 0:40:23.440
<v Speaker 1>become an assistant coach for the seventy six ers, and

0:40:23.440 --> 0:40:27.040
<v Speaker 1>I wonder, with your knowledge and fandom of basketball, do

0:40:27.120 --> 0:40:29.560
<v Speaker 1>you think that you could actually be a low level

0:40:29.560 --> 0:40:32.920
<v Speaker 1>assistant coach in the college or NBA level with what

0:40:33.080 --> 0:40:36.520
<v Speaker 1>you have now? I couldn't. I couldn't execute plays or

0:40:36.640 --> 0:40:40.160
<v Speaker 1>execute I couldn't memorize all the stuff. I don't even

0:40:40.160 --> 0:40:43.480
<v Speaker 1>know every rule. I get confused with what's a charge

0:40:43.480 --> 0:40:46.160
<v Speaker 1>and not a charge Sometimes I don't know enough. The

0:40:46.320 --> 0:40:49.400
<v Speaker 1>movies about your character chasing his dream, and your character

0:40:49.440 --> 0:40:52.239
<v Speaker 1>says that people in their fifties don't have dreams, But

0:40:53.080 --> 0:40:55.000
<v Speaker 1>just asking you as a person, do you still have

0:40:55.080 --> 0:40:57.560
<v Speaker 1>dreams at this point with all that you've done. I'm

0:40:57.719 --> 0:41:01.160
<v Speaker 1>very thankful that I get to do all this. I'm

0:41:01.239 --> 0:41:05.040
<v Speaker 1>probably still driven like I used to be as a kid.

0:41:06.760 --> 0:41:09.839
<v Speaker 1>When I commit to something, I try to go full

0:41:09.880 --> 0:41:12.520
<v Speaker 1>tilt and be as good as I can, But only

0:41:12.600 --> 0:41:15.320
<v Speaker 1>I dream about it as much as I dream about

0:41:15.400 --> 0:41:17.839
<v Speaker 1>my kids having a good life. Now you know they're

0:41:18.280 --> 0:41:21.160
<v Speaker 1>thirteen and sixteen, so I think about bad a lot. Now.

0:41:21.200 --> 0:41:24.319
<v Speaker 1>I'm like, oh, man, I just please hope they have

0:41:24.880 --> 0:41:28.760
<v Speaker 1>happiness and they get to dive into whatever they're dying

0:41:28.800 --> 0:41:30.960
<v Speaker 1>to do that they get to do it. Do you,

0:41:31.040 --> 0:41:34.520
<v Speaker 1>speaking of basketball, do you play two K at all? No? No, no,

0:41:34.600 --> 0:41:37.000
<v Speaker 1>I know my buddies do, but I don't. I don't do.

0:41:37.280 --> 0:41:39.960
<v Speaker 1>I really don't do much besides the regular hoop. And

0:41:40.040 --> 0:41:42.400
<v Speaker 1>how much do you get to play uninjured? Do you

0:41:42.440 --> 0:41:44.520
<v Speaker 1>try to play every day or how do you stay

0:41:44.560 --> 0:41:48.680
<v Speaker 1>active other than basketball before the groin? Sometimes seven days

0:41:48.680 --> 0:41:52.279
<v Speaker 1>a week, but most of the time maybe five. It's

0:41:52.320 --> 0:41:56.399
<v Speaker 1>like my guaranteed sweat or my guarantee. When I eat

0:41:56.440 --> 0:41:58.520
<v Speaker 1>crappy food, I go, oh my god, I better go

0:41:58.600 --> 0:42:01.560
<v Speaker 1>play hoop, you know, to get rid of Hustle. Such

0:42:01.560 --> 0:42:03.279
<v Speaker 1>a good movie again, especially for me. It was a

0:42:03.280 --> 0:42:04.880
<v Speaker 1>big fan of you, A big fan of sports movies.

0:42:05.280 --> 0:42:07.960
<v Speaker 1>And when you did Uncut Gems, you know, I felt

0:42:07.960 --> 0:42:12.440
<v Speaker 1>like you were snubbed a nomination. Do you feel like

0:42:12.480 --> 0:42:15.719
<v Speaker 1>when you nail a serious movie that you want to

0:42:15.719 --> 0:42:17.840
<v Speaker 1>do it and you don't get the nomination, which I

0:42:17.920 --> 0:42:19.880
<v Speaker 1>thought I thought you were gonna get it. Honestly, it's like,

0:42:20.400 --> 0:42:21.719
<v Speaker 1>so I just thought it was going to be there,

0:42:21.760 --> 0:42:23.000
<v Speaker 1>and when it was, and I was disappointed for it

0:42:23.000 --> 0:42:24.920
<v Speaker 1>because we're best friends and stuff. But do you feel

0:42:24.920 --> 0:42:27.080
<v Speaker 1>like when you almost nail it that you should go

0:42:27.160 --> 0:42:31.080
<v Speaker 1>back and do another one because you've gotten so close

0:42:31.120 --> 0:42:33.000
<v Speaker 1>to it and it's like you're there, they just need

0:42:33.040 --> 0:42:34.880
<v Speaker 1>you to do one more real serious movie, and you

0:42:34.920 --> 0:42:37.439
<v Speaker 1>know in a row. I don't know, man, I don't

0:42:37.480 --> 0:42:39.759
<v Speaker 1>even know what I think anymore. Like when I did

0:42:39.800 --> 0:42:43.160
<v Speaker 1>that Gems movie, I just that Oscar stuff kind of

0:42:43.160 --> 0:42:46.560
<v Speaker 1>comes out up. They start talking about it and blah

0:42:46.560 --> 0:42:49.279
<v Speaker 1>blah blah, oh maybe this and that, And then I

0:42:49.280 --> 0:42:52.600
<v Speaker 1>started going, well, if I got to if I got

0:42:52.600 --> 0:42:55.279
<v Speaker 1>to go and talk about this and run around and

0:42:55.960 --> 0:42:58.520
<v Speaker 1>meet people who vote and all that stuff, I was like,

0:42:59.080 --> 0:43:01.440
<v Speaker 1>let me just let me just say I want this

0:43:01.480 --> 0:43:03.800
<v Speaker 1>thing real bad. But I gotta tell you it wasn't

0:43:03.840 --> 0:43:06.919
<v Speaker 1>on my mind in real life. When I came out

0:43:06.920 --> 0:43:09.440
<v Speaker 1>to Hollywood as a kid, I just wanted to be

0:43:09.600 --> 0:43:12.400
<v Speaker 1>Eddie Murphy. Man. I didn't think about an Oscar. But

0:43:12.520 --> 0:43:15.800
<v Speaker 1>when I do stuff like this, do I do my best.

0:43:16.120 --> 0:43:17.960
<v Speaker 1>I work at my ass off, and I do want

0:43:18.000 --> 0:43:20.120
<v Speaker 1>it to be I don't want to let people down.

0:43:20.160 --> 0:43:23.600
<v Speaker 1>I don't want to let people, the directors down, people

0:43:23.640 --> 0:43:26.520
<v Speaker 1>who put the money into it. All. I try to

0:43:26.560 --> 0:43:29.319
<v Speaker 1>do as good as I can. And then also, you know,

0:43:29.400 --> 0:43:33.600
<v Speaker 1>my kids get psyched if I'm good good in a movie.

0:43:33.640 --> 0:43:37.320
<v Speaker 1>It's fun to come home and talk about hard work

0:43:37.320 --> 0:43:39.520
<v Speaker 1>and scenes that I did that were interesting. I don't

0:43:39.760 --> 0:43:42.600
<v Speaker 1>I don't know man and the Oscar thing that probably

0:43:42.880 --> 0:43:46.440
<v Speaker 1>makes people nuts. I just just just gonna try to

0:43:46.480 --> 0:43:49.399
<v Speaker 1>do good. You mentioned Eddie Murphy, and I've heard people

0:43:49.400 --> 0:43:50.880
<v Speaker 1>say that the first time they met you that they

0:43:50.880 --> 0:43:53.839
<v Speaker 1>were so intimidated by how funny you are, how funny

0:43:53.880 --> 0:43:57.439
<v Speaker 1>they've seen you be, maybe in movies, television, etc. Even

0:43:57.480 --> 0:43:59.359
<v Speaker 1>on stage, which, by the way, your last special was

0:43:59.520 --> 0:44:03.080
<v Speaker 1>so freaking good. Who who was it for you? That

0:44:03.200 --> 0:44:06.200
<v Speaker 1>you saw once you started to make it New York, La,

0:44:06.239 --> 0:44:09.200
<v Speaker 1>that was so funny you made you almost weren'timidated because

0:44:09.200 --> 0:44:12.040
<v Speaker 1>you're like, I'm not that Wow. There's a bunch of

0:44:12.040 --> 0:44:14.560
<v Speaker 1>those in my early days where I would go, oh

0:44:14.640 --> 0:44:16.640
<v Speaker 1>my god, how did he do that? How did she

0:44:16.760 --> 0:44:20.759
<v Speaker 1>do that? Kevin Meaney there was a comedian Kevin Meaney.

0:44:20.840 --> 0:44:23.400
<v Speaker 1>When he went on stage, he would destroy so hard

0:44:23.880 --> 0:44:26.160
<v Speaker 1>that it was just humiliating. You didn't know how to

0:44:26.200 --> 0:44:28.880
<v Speaker 1>go after him. You know, Rodney Dangerfield when I was

0:44:28.920 --> 0:44:32.120
<v Speaker 1>young that that was my guy that made me get

0:44:32.160 --> 0:44:35.680
<v Speaker 1>into this and Eddie and but there's been a lot

0:44:35.760 --> 0:44:38.560
<v Speaker 1>of comedians over the years that I see that I

0:44:38.680 --> 0:44:40.879
<v Speaker 1>just go, well, I don't want to go on after that.

0:44:40.880 --> 0:44:43.480
<v Speaker 1>That's too good. When you finished a movie like Hustle,

0:44:44.000 --> 0:44:46.239
<v Speaker 1>do you hate being done with it? Is it such

0:44:46.440 --> 0:44:48.799
<v Speaker 1>a joy? Or are you like that was awesome? I'm

0:44:48.800 --> 0:44:50.600
<v Speaker 1>ready to finish it so we can get it out there.

0:44:50.640 --> 0:44:53.200
<v Speaker 1>Which one is it? You know? You don't? You don't.

0:44:53.239 --> 0:44:55.799
<v Speaker 1>It's a weird thing when you have it and it's

0:44:55.840 --> 0:44:59.480
<v Speaker 1>still your secret. There's some sort of confidence you got, like, yeah, man,

0:44:59.600 --> 0:45:02.200
<v Speaker 1>that that's gonna come out in a month or two

0:45:02.239 --> 0:45:04.560
<v Speaker 1>months or in six months. You kind of have it

0:45:04.600 --> 0:45:07.200
<v Speaker 1>in your pocket. It feels great, and then the closer

0:45:07.239 --> 0:45:09.080
<v Speaker 1>you get to it coming out, you go, oh, no, man,

0:45:09.160 --> 0:45:11.680
<v Speaker 1>it's about to go out, and then it's not mine anymore.

0:45:12.120 --> 0:45:15.320
<v Speaker 1>And it's then it's like once a movie is released.

0:45:15.920 --> 0:45:18.080
<v Speaker 1>I don't know about everybody else, but I'm like a

0:45:18.120 --> 0:45:20.239
<v Speaker 1>little bit sick or I'm just like, all right, I

0:45:20.280 --> 0:45:22.960
<v Speaker 1>better get going again. Figure something out, get moved on

0:45:22.960 --> 0:45:25.320
<v Speaker 1>to the next one, and it kind of goes away

0:45:25.360 --> 0:45:27.799
<v Speaker 1>in your brain a bit. I like hearing about it

0:45:27.840 --> 0:45:30.080
<v Speaker 1>on the street. If somebody talks to me about a

0:45:30.160 --> 0:45:33.120
<v Speaker 1>movie from the past, I like hearing about what they

0:45:33.160 --> 0:45:36.040
<v Speaker 1>like and if they connect it or not. But once

0:45:36.040 --> 0:45:39.799
<v Speaker 1>a movie comes out, like Hustle, I'll be like, all right, man,

0:45:39.880 --> 0:45:42.000
<v Speaker 1>let's see what's next. We've got to get to work,

0:45:42.040 --> 0:45:44.839
<v Speaker 1>all right. Last one for you. So when you work

0:45:44.840 --> 0:45:48.160
<v Speaker 1>with athletes that are so tall yet still are able

0:45:48.160 --> 0:45:50.520
<v Speaker 1>to move like deer, like a seven foot or like dirt,

0:45:50.840 --> 0:45:53.920
<v Speaker 1>they can still be like a way better athlete than

0:45:53.960 --> 0:45:55.880
<v Speaker 1>I could ever be. But he's also I mean that

0:45:56.040 --> 0:45:58.680
<v Speaker 1>it's almost like a science experiment that shouldn't work the

0:45:58.680 --> 0:46:01.640
<v Speaker 1>way it does. Does they ever just get normal to

0:46:01.680 --> 0:46:03.000
<v Speaker 1>you and you're just like that, that's just how it is.

0:46:03.000 --> 0:46:06.319
<v Speaker 1>They're just seven foot and awesome. I mean, dude, I'm

0:46:06.360 --> 0:46:10.080
<v Speaker 1>not I wantcho was insane. All the guys, all the

0:46:10.120 --> 0:46:12.080
<v Speaker 1>guys that were in the movie. When they would just move,

0:46:12.160 --> 0:46:14.440
<v Speaker 1>it's a whole other level of movement. You know that.

0:46:14.760 --> 0:46:18.520
<v Speaker 1>But I'll tell you what. Bobon, Yeah, just shooting around Bobon,

0:46:18.760 --> 0:46:21.320
<v Speaker 1>he's seven what is he I don't know, seven something

0:46:21.440 --> 0:46:24.359
<v Speaker 1>like seven four or something like that. Nothing like that. Right,

0:46:24.560 --> 0:46:28.680
<v Speaker 1>His hands is so gigantic, his body's built, he's massive,

0:46:29.360 --> 0:46:32.920
<v Speaker 1>but he's moved smooth when he takes a shot, so

0:46:33.160 --> 0:46:35.920
<v Speaker 1>it's got like the softest touch. It's it's just it's

0:46:35.960 --> 0:46:38.279
<v Speaker 1>a whole other thing. Like like you said, I don't

0:46:38.320 --> 0:46:39.800
<v Speaker 1>know how they do it, all right. I hope everybody

0:46:39.840 --> 0:46:43.319
<v Speaker 1>watches Hustle. It's so good. Watch it on Netflix. Also

0:46:43.360 --> 0:46:45.240
<v Speaker 1>going to be in select theaters. Look for it. Adam,

0:46:45.280 --> 0:46:47.360
<v Speaker 1>just a big fan. Just appreciate you and thanks for

0:46:47.400 --> 0:46:49.080
<v Speaker 1>the time. And I would wish you success, but you

0:46:49.120 --> 0:46:50.839
<v Speaker 1>don't need it, so you can wish me success. Would

0:46:50.840 --> 0:46:52.239
<v Speaker 1>you wish me success? At the end of this. I've

0:46:52.280 --> 0:46:54.600
<v Speaker 1>never done this before, so let me have it. Bobby,

0:46:54.640 --> 0:46:56.879
<v Speaker 1>you got a lot of success coming. You're very cool,

0:46:57.239 --> 0:46:59.920
<v Speaker 1>very nice to me. Thank you for that, and you're

0:47:00.080 --> 0:47:02.359
<v Speaker 1>smooth as out man. You got a lot of good

0:47:02.360 --> 0:47:04.239
<v Speaker 1>stuff coming. There. We have it, We heard it right there,

0:47:04.280 --> 0:47:08.720
<v Speaker 1>Adam text buddy, all right, later, guys, it's the best

0:47:08.840 --> 0:47:14.239
<v Speaker 1>bits of the week with Morgan number two. You know,

0:47:14.280 --> 0:47:16.680
<v Speaker 1>it's never fun when your own segment comes in high

0:47:16.760 --> 0:47:20.080
<v Speaker 1>on the list. Especially when it's not a exciting one.

0:47:20.160 --> 0:47:22.759
<v Speaker 1>And this week I had to share some unfortunate news

0:47:22.800 --> 0:47:26.239
<v Speaker 1>about my relationship, which was pretty hard for me. So

0:47:26.360 --> 0:47:28.479
<v Speaker 1>I'm just going to leave that there, you know, because

0:47:28.840 --> 0:47:31.200
<v Speaker 1>if I say anymore, who knows, we may start crying again.

0:47:31.239 --> 0:47:33.120
<v Speaker 1>And I know you guys don't want to see or

0:47:33.280 --> 0:47:37.200
<v Speaker 1>hear that. So here you go. Number two, Well, we

0:47:37.280 --> 0:47:40.359
<v Speaker 1>have some unfortunate news to address. Morgan, I'm gonna come

0:47:40.360 --> 0:47:42.040
<v Speaker 1>over to you and I'll just let you say what

0:47:42.080 --> 0:47:45.520
<v Speaker 1>you want to say. I didn't know she was gonna

0:47:45.520 --> 0:47:48.520
<v Speaker 1>get emotional. No, I'm trying really her not too. But

0:47:50.080 --> 0:47:53.040
<v Speaker 1>my boyfriend and I are no longer together. Oh man,

0:47:53.600 --> 0:47:55.799
<v Speaker 1>I think I didn't know you mean emotional. Sorry about that.

0:47:56.200 --> 0:47:58.120
<v Speaker 1>I know you said we could mention it today. You

0:47:58.200 --> 0:48:03.160
<v Speaker 1>get it over with. Yeah, I'm ready to move forward. Well,

0:48:04.080 --> 0:48:09.880
<v Speaker 1>so obviously we're not gonna extract everything from it. I

0:48:09.920 --> 0:48:13.000
<v Speaker 1>guess the only question is it seemed like pretty recently

0:48:13.040 --> 0:48:16.200
<v Speaker 1>you guys were talking about moving in together. That's a yeah,

0:48:16.440 --> 0:48:19.160
<v Speaker 1>quick quick week and a half or so. Yep. I mean,

0:48:19.200 --> 0:48:22.040
<v Speaker 1>I guess I was hopeful that things were going to

0:48:22.120 --> 0:48:23.840
<v Speaker 1>be really great and it was going to stay on

0:48:23.880 --> 0:48:26.760
<v Speaker 1>that path. But you know, you can't dictate what happened

0:48:26.800 --> 0:48:32.080
<v Speaker 1>in somebody's life and how they respond to it. So, um,

0:48:32.120 --> 0:48:35.760
<v Speaker 1>it's not something I wanted and I'm just trying to

0:48:35.800 --> 0:48:39.399
<v Speaker 1>survive right now. That's just one foot forward. Amy, any

0:48:39.400 --> 0:48:42.359
<v Speaker 1>advice for Morgan, I want to get up and give

0:48:42.400 --> 0:48:46.520
<v Speaker 1>her a hug. I mean that's I. We're here for you, Morgan,

0:48:46.760 --> 0:48:49.359
<v Speaker 1>and like, thank you for sharing that with us. I

0:48:49.400 --> 0:48:51.719
<v Speaker 1>obviously was. I was like, wait, what is happening. I

0:48:51.760 --> 0:48:57.719
<v Speaker 1>thought she was meeting. I was surprised too, because I

0:48:57.760 --> 0:49:00.399
<v Speaker 1>was like, hey, shold my boyfriend. I broke up, so

0:49:00.520 --> 0:49:02.640
<v Speaker 1>that meant it's free to talk about and so I

0:49:02.680 --> 0:49:05.400
<v Speaker 1>was like, hey, bad news. Yeah, you would never intentionally

0:49:05.480 --> 0:49:09.839
<v Speaker 1>like be like, oh, something bad coming on. I'm gonna

0:49:09.880 --> 0:49:12.680
<v Speaker 1>make her say this, but I don't know. It's so cliche,

0:49:12.840 --> 0:49:18.040
<v Speaker 1>but I have been so heartbroken before Morgan too, But

0:49:18.560 --> 0:49:20.919
<v Speaker 1>at time, like you said, one day at a time,

0:49:20.960 --> 0:49:24.239
<v Speaker 1>taking that next right step for you, and we're here

0:49:24.239 --> 0:49:26.319
<v Speaker 1>for you in this process. I know that it's so

0:49:26.400 --> 0:49:29.359
<v Speaker 1>hard and I'm so sorry, especially sharing as much as

0:49:29.400 --> 0:49:32.760
<v Speaker 1>you do on the air. That's another layer of it too,

0:49:33.040 --> 0:49:34.759
<v Speaker 1>is we try to share what's going on in our

0:49:34.800 --> 0:49:37.480
<v Speaker 1>lives and I'm sure, and Morgan said, she's like, well, amazing.

0:49:37.520 --> 0:49:38.880
<v Speaker 1>A week and a half ago, I was saying we

0:49:38.960 --> 0:49:41.480
<v Speaker 1>might live together, and now I'm saying we're broken up.

0:49:41.520 --> 0:49:45.200
<v Speaker 1>Like that sucks? Did you let's see, did you expect

0:49:45.280 --> 0:49:48.160
<v Speaker 1>to get as emotional right now? Because sometimes when I'm

0:49:48.160 --> 0:49:49.520
<v Speaker 1>about talk about seven, it will just hit me like

0:49:49.560 --> 0:49:51.239
<v Speaker 1>a ton of bricks and I'm like, yeah, I'm good

0:49:51.239 --> 0:49:54.200
<v Speaker 1>to go, and I'm like whoa, and you start to

0:49:54.200 --> 0:49:56.799
<v Speaker 1>lose it. Yeah no, And I and I sat on

0:49:56.840 --> 0:49:59.480
<v Speaker 1>it for a bit to try to avoid that, but

0:50:00.600 --> 0:50:03.320
<v Speaker 1>I can't help it because I'm just really sad, I'm angry.

0:50:03.320 --> 0:50:06.160
<v Speaker 1>I'm feeling so many emotions. So I knew bringing it

0:50:06.239 --> 0:50:09.400
<v Speaker 1>up was going to hurt, but I can't, you know,

0:50:09.480 --> 0:50:11.719
<v Speaker 1>I can't keep having people reach out and ask how

0:50:11.760 --> 0:50:15.520
<v Speaker 1>we're doing. Yeah, casually, that's what happens here. So she

0:50:15.600 --> 0:50:17.719
<v Speaker 1>needs to air it here because we might next something

0:50:17.719 --> 0:50:19.919
<v Speaker 1>gonna be like so when 'all moving? Well? Every time

0:50:19.960 --> 0:50:21.920
<v Speaker 1>I even at was even asking he about okay, you

0:50:21.960 --> 0:50:23.880
<v Speaker 1>guys still together? Right, And then I just kind of

0:50:23.880 --> 0:50:26.400
<v Speaker 1>gave up on that because I kept going yeah, and

0:50:26.440 --> 0:50:28.840
<v Speaker 1>so I was like okay, fine, So I'm glad that

0:50:28.880 --> 0:50:32.239
<v Speaker 1>you told me because I for sure we just fired it. Yeah,

0:50:32.280 --> 0:50:36.560
<v Speaker 1>what can we do to help you? Um, bubby telephony story?

0:50:36.840 --> 0:50:42.359
<v Speaker 1>Oh here's a good one, right, Okay, Well, yeah, I

0:50:42.400 --> 0:50:44.719
<v Speaker 1>will not poke and pride. But are you Is it

0:50:44.719 --> 0:50:47.160
<v Speaker 1>over over? I mean, I don't know. I never want

0:50:47.200 --> 0:50:51.399
<v Speaker 1>to say it's over over, but you know, my my

0:50:51.480 --> 0:50:54.279
<v Speaker 1>heart wants that again, and I would still hope for that.

0:50:54.400 --> 0:50:58.360
<v Speaker 1>But I think the universe has a way of doing

0:50:58.400 --> 0:51:00.319
<v Speaker 1>what needs to be done, even if if you don't

0:51:00.320 --> 0:51:02.560
<v Speaker 1>see it at the time. So I'm just trying to

0:51:02.600 --> 0:51:05.360
<v Speaker 1>have belief in that. I don't have a lot of answers.

0:51:05.360 --> 0:51:08.719
<v Speaker 1>It was just like he needed space to heal from

0:51:08.800 --> 0:51:13.600
<v Speaker 1>past trauma and I couldn't fix that. So and I

0:51:13.640 --> 0:51:15.840
<v Speaker 1>can't try. I can't try to hold onto something that

0:51:15.880 --> 0:51:18.319
<v Speaker 1>doesn't want to be held on too as much as

0:51:18.360 --> 0:51:20.640
<v Speaker 1>I would want to. Well, I'm very sorry to hear this.

0:51:20.920 --> 0:51:25.319
<v Speaker 1>I think in a month you will look back and go, wow,

0:51:25.360 --> 0:51:27.680
<v Speaker 1>that was crazy when we were broken up or you

0:51:27.719 --> 0:51:29.759
<v Speaker 1>know what, the probably needed to happen, And now emotionally

0:51:29.800 --> 0:51:32.960
<v Speaker 1>I'm out of it enough to realize it's probably the

0:51:33.000 --> 0:51:36.319
<v Speaker 1>best thing for our independent situations. But Yeah, sucks. I'm

0:51:36.320 --> 0:51:39.399
<v Speaker 1>gonna lie to it. Just sucks. It's pretty miserable. That's

0:51:39.440 --> 0:51:42.279
<v Speaker 1>it one hour to the next, one day to the next,

0:51:42.280 --> 0:51:44.279
<v Speaker 1>and eventually it's one week to the next. He kind

0:51:44.320 --> 0:51:46.560
<v Speaker 1>of it starts to get a little easier. But all right,

0:51:46.640 --> 0:51:48.840
<v Speaker 1>well that's you see me in my tailor swish space.

0:51:48.920 --> 0:51:51.960
<v Speaker 1>Just to mind your business. You have to listen to

0:51:52.000 --> 0:51:57.479
<v Speaker 1>all Taylor sus lunchbox anything. Man, I'm sorry, I'm too.

0:51:57.600 --> 0:52:00.920
<v Speaker 1>I think maybe going public with the she didn't really

0:52:00.920 --> 0:52:03.320
<v Speaker 1>go public, no, no no, no, with the moving in together.

0:52:03.360 --> 0:52:05.600
<v Speaker 1>He kind of got scared, I think. And then also,

0:52:05.680 --> 0:52:08.360
<v Speaker 1>can I say what I'm frustrated about? Yeah, no, I

0:52:08.640 --> 0:52:11.239
<v Speaker 1>don't know. I don't know. Let gives her early lead

0:52:11.280 --> 0:52:12.960
<v Speaker 1>for Employee of the Month for sharing this on the air.

0:52:13.040 --> 0:52:15.759
<v Speaker 1>Oh's she said, this is fake? Now what if this

0:52:15.800 --> 0:52:18.239
<v Speaker 1>isn't real and this is Employee the month? Just so,

0:52:20.200 --> 0:52:22.880
<v Speaker 1>oh my gosh, we get employee of the month for

0:52:22.960 --> 0:52:30.560
<v Speaker 1>sharing super vulnerable personal stuff. Starts doing the craziest lifestyle. Okay,

0:52:31.200 --> 0:52:33.600
<v Speaker 1>I wish this is fake, y'all. More Agan, we are

0:52:33.680 --> 0:52:37.400
<v Speaker 1>very sorry. M You know, tougher things have happened to

0:52:37.480 --> 0:52:39.879
<v Speaker 1>weaker people and they got to it just fine. It

0:52:39.920 --> 0:52:41.839
<v Speaker 1>sucks right now, You're going to be great in the end,

0:52:41.960 --> 0:52:44.279
<v Speaker 1>regardless of what happens, I promise you. And we're here

0:52:44.320 --> 0:52:46.880
<v Speaker 1>for you. Yeah, We're here for you. That's more than

0:52:46.920 --> 0:52:50.680
<v Speaker 1>the hours of five to eleven. Am. I'm kidding what

0:52:51.280 --> 0:52:53.400
<v Speaker 1>I got? One more question? Did he get jealous that

0:52:53.440 --> 0:52:55.799
<v Speaker 1>we dance on TikTok? Is that what it was? That

0:52:55.840 --> 0:53:00.120
<v Speaker 1>could be it? I have nothing to do with him

0:53:00.160 --> 0:53:02.080
<v Speaker 1>because my girl was hanging on a guy like you

0:53:02.320 --> 0:53:05.399
<v Speaker 1>really masculine exactly. Some of those dances were a little

0:53:05.440 --> 0:53:09.200
<v Speaker 1>risque where yeah, making sure all right, Morgan, We're sorry

0:53:09.239 --> 0:53:12.680
<v Speaker 1>to hear that. It's the best bits of the week

0:53:13.440 --> 0:53:16.920
<v Speaker 1>with Morgan Number two. I had to put this in

0:53:16.960 --> 0:53:20.520
<v Speaker 1>the number one spot because it was just such a funny,

0:53:20.719 --> 0:53:26.960
<v Speaker 1>interesting and all around like chaotically happy interview. We had

0:53:27.080 --> 0:53:30.439
<v Speaker 1>Hank Williams Junior on this week. He performed his song

0:53:30.560 --> 0:53:33.920
<v Speaker 1>Georgia Women, and I'm just gonna tell y'all, this is

0:53:33.960 --> 0:53:38.160
<v Speaker 1>the most colorful and interesting interview we've had in a minute.

0:53:38.480 --> 0:53:40.520
<v Speaker 1>And that's not just because he kept trying to leave

0:53:40.600 --> 0:53:43.080
<v Speaker 1>the whole time, because he wanted to go out into

0:53:43.120 --> 0:53:46.239
<v Speaker 1>the hallway and smoke a cigar. That's not actually why

0:53:46.239 --> 0:53:49.680
<v Speaker 1>I know. He's just an interesting and really awesome human

0:53:49.719 --> 0:53:53.400
<v Speaker 1>being and has had so much life in country music

0:53:53.480 --> 0:53:55.720
<v Speaker 1>so for him to come in and share some stories

0:53:56.080 --> 0:53:59.319
<v Speaker 1>was really awesome. So definitely check that out. But I'm

0:53:59.320 --> 0:54:04.200
<v Speaker 1>telling you that formant Georgia women insanely awesome. So also

0:54:04.280 --> 0:54:07.440
<v Speaker 1>see that at Bobby Bones dot com Number one. Hey,

0:54:07.480 --> 0:54:10.880
<v Speaker 1>how are you pretty good? Yeah, it's first time that

0:54:10.920 --> 0:54:14.000
<v Speaker 1>you and I have met. Yeah, I've you know, come

0:54:14.040 --> 0:54:16.480
<v Speaker 1>close to you. It's like sniffed you a little bit.

0:54:16.480 --> 0:54:18.200
<v Speaker 1>But like, that's awesomebody met me in a lot of

0:54:18.200 --> 0:54:21.640
<v Speaker 1>songs over the radio though, Well, that for sure, sure, Yeah,

0:54:22.760 --> 0:54:25.200
<v Speaker 1>I think you lived in the United States of America.

0:54:25.320 --> 0:54:27.359
<v Speaker 1>That's for damn sure. Well and not from a small

0:54:27.400 --> 0:54:29.560
<v Speaker 1>town in Arkansas, so that's for real, shure. That's why

0:54:29.680 --> 0:54:31.880
<v Speaker 1>that hog is up there. That's right. I got some

0:54:32.000 --> 0:54:36.920
<v Speaker 1>Dallas cowboy rich white friends. Boy, they would love seeing

0:54:36.960 --> 0:54:40.600
<v Speaker 1>that right there. Jerry John got one of them. Yeah,

0:54:40.640 --> 0:54:43.080
<v Speaker 1>they were hauled. Yeah, they were halled. How is that?

0:54:43.160 --> 0:54:45.759
<v Speaker 1>So this this projects? You know, pretty cool how it

0:54:46.000 --> 0:54:47.520
<v Speaker 1>came together. Dan, by the way, good to see you,

0:54:47.600 --> 0:54:49.360
<v Speaker 1>Great to see you. Got good to see both of you. Guys.

0:54:49.440 --> 0:54:52.480
<v Speaker 1>So Hey, first of all, your first record in what

0:54:52.520 --> 0:54:54.279
<v Speaker 1>it's like twenty sixteen, I think, So, why did you

0:54:54.280 --> 0:54:56.399
<v Speaker 1>want to put out new music now? Huh? Your first

0:54:56.440 --> 0:54:59.440
<v Speaker 1>new record in a while? Why now? Why? Now? What? What?

0:54:59.440 --> 0:55:03.680
<v Speaker 1>What inspired? Uh? Lord? You know I don't care about

0:55:03.719 --> 0:55:06.480
<v Speaker 1>that part this thing. Let me just put it and

0:55:06.560 --> 0:55:10.200
<v Speaker 1>you're gonna know. We don't have to waste any more time.

0:55:10.280 --> 0:55:13.279
<v Speaker 1>I'm down here, little Hank Williams Junior at forty nine,

0:55:13.440 --> 0:55:20.000
<v Speaker 1>sixteen Franklin Road, and he's growing up with every one

0:55:20.040 --> 0:55:26.800
<v Speaker 1>of these dudes, Lightning Hopkins, BB King, John Lee Hooker.

0:55:27.600 --> 0:55:31.080
<v Speaker 1>So I'm not talking fantasies. Everything I've said on this

0:55:31.200 --> 0:55:35.440
<v Speaker 1>record is real and everybody knows it. So I'm sitting

0:55:35.480 --> 0:55:39.880
<v Speaker 1>there twelve thirteen years old, and I got my little guitar,

0:55:40.080 --> 0:55:42.720
<v Speaker 1>and I got my amps, and I'm playing Jimmy Reid

0:55:42.960 --> 0:55:45.319
<v Speaker 1>and I'm playing all these dudes, and I'm trying to

0:55:45.400 --> 0:55:49.480
<v Speaker 1>learn how I'm trying to learn how to do anything

0:55:49.800 --> 0:55:55.680
<v Speaker 1>on there. Well, this ain't Hank Junior at thirteen anymore.

0:55:57.320 --> 0:56:00.719
<v Speaker 1>This is the other side, and I'm paid and tribute

0:56:00.719 --> 0:56:07.600
<v Speaker 1>to all these guys. Icon father was taught by a

0:56:07.760 --> 0:56:14.400
<v Speaker 1>black gentleman named Rufus Paine te tat and boy he

0:56:14.480 --> 0:56:18.800
<v Speaker 1>had some real real good lessons from that guy. So

0:56:19.239 --> 0:56:23.040
<v Speaker 1>I'm looking at it. I'm kind of gone full circle.

0:56:24.400 --> 0:56:31.680
<v Speaker 1>My tea toot was John Lee and bb and own

0:56:31.760 --> 0:56:35.359
<v Speaker 1>and Own and Jimmy Reid. So this one is all

0:56:35.400 --> 0:56:37.399
<v Speaker 1>about something I've been wanting to do a long time.

0:56:37.680 --> 0:56:40.279
<v Speaker 1>This ain't forget Hank Junior. This ain't got nothing to

0:56:40.320 --> 0:56:46.680
<v Speaker 1>do Underhead Hawkins, that's my ak a. Nobody told me

0:56:46.719 --> 0:56:50.640
<v Speaker 1>Thunderhead was coming in hell. They call him Thunderhead, called

0:56:50.640 --> 0:56:55.600
<v Speaker 1>he fell off that mountain side that ain't made up either,

0:56:56.880 --> 0:57:01.160
<v Speaker 1>So that's where we're at. Okay, all right, well listen, Thunderhead, yep, nobody,

0:57:01.200 --> 0:57:03.560
<v Speaker 1>Nobody introduced me to thunder Head. Thunderhead, how's it going,

0:57:04.040 --> 0:57:06.640
<v Speaker 1>under Hawk? Yeah, Thunderhead. Well, then let's do this, and

0:57:06.680 --> 0:57:10.000
<v Speaker 1>I'm I'm being poison Thunderhead, Dan Dan? Are you still Dan?

0:57:10.800 --> 0:57:15.040
<v Speaker 1>I am? Okay? Good, all right, I don't mister, mister producer, Okay,

0:57:15.920 --> 0:57:18.120
<v Speaker 1>Thunderhead and mister producer, why don't you guys play the

0:57:18.200 --> 0:57:19.680
<v Speaker 1>song and let's come back and talk about it a

0:57:19.680 --> 0:57:49.560
<v Speaker 1>little bit. Let's do it? Yeah, yeah, uh huh, all

0:57:49.640 --> 0:58:05.520
<v Speaker 1>real burnside thunder Head Hawking. Yeah, I don't know, but

0:58:05.680 --> 0:58:14.200
<v Speaker 1>I'm gonna round. They're telling them women, shake them on down. Yes,

0:58:14.520 --> 0:58:20.840
<v Speaker 1>I'm going down the Georgia line. I'm gonna see something women.

0:58:22.280 --> 0:58:31.240
<v Speaker 1>Sweet lacking mine, sweet lacking mine, sweet laking mine. Ah huh,

0:58:32.720 --> 0:58:37.600
<v Speaker 1>all the way to Montgomery, Baby, shake them on down,

0:58:39.120 --> 0:59:04.160
<v Speaker 1>sweet like mine, Sweet like mine. How about that Thunderhead

0:59:04.400 --> 0:59:07.800
<v Speaker 1>you say, Hawks, Hawk thunder Head Hawkins Hawk Thunderheads W

0:59:08.080 --> 0:59:12.640
<v Speaker 1>A K W K H and as Hawkins. That's right, yeah,

0:59:13.120 --> 0:59:16.080
<v Speaker 1>Hank Junior, No more Thunderhead Hawks. This album is not

0:59:16.320 --> 0:59:19.600
<v Speaker 1>Hank Junior. No, this is Sunderhead. This is a little

0:59:19.840 --> 0:59:23.640
<v Speaker 1>Thunderhead rocking Randall at Overton High School, rocking Randall and

0:59:23.720 --> 0:59:27.400
<v Speaker 1>the Rockets. And I played every instrument there was, and

0:59:27.600 --> 0:59:31.560
<v Speaker 1>my father, people don't know, played every day on instrument

0:59:31.800 --> 0:59:36.040
<v Speaker 1>there was. It's a family tradition and we can pick

0:59:36.280 --> 0:59:39.360
<v Speaker 1>and we can rock. Who's that while we're sitting down

0:59:39.400 --> 0:59:42.720
<v Speaker 1>there in the Hall of Fame, Senior Junior, Well, I'm

0:59:42.760 --> 0:59:44.880
<v Speaker 1>confused because now you're back to Hank Junior. You just

0:59:44.920 --> 0:59:48.520
<v Speaker 1>said your only Thunderhead Hawkins today. This record go okay,

0:59:49.080 --> 0:59:51.960
<v Speaker 1>eighty five million other ones of that both Okay, gotta

0:59:52.000 --> 0:59:55.240
<v Speaker 1>help you, gotta help me here. I'm confused, got lots

0:59:55.280 --> 0:59:57.080
<v Speaker 1>of lots of names. Let's do something, all right, Well

0:59:57.120 --> 0:59:58.400
<v Speaker 1>you wanna do you want to get out of here?

0:59:58.520 --> 1:00:00.960
<v Speaker 1>Wait already? We just I won't smoke my cigar on

1:00:01.080 --> 1:00:04.280
<v Speaker 1>getting the hell out of here. I don't like it now,

1:00:04.320 --> 1:00:10.360
<v Speaker 1>you know you understand? Can we leave? Now? You're just walking?

1:00:10.680 --> 1:00:12.720
<v Speaker 1>I'm ready to go, all right, goodbye? I got half

1:00:12.800 --> 1:00:15.240
<v Speaker 1>I got a twenty six dollars cigar out there, so

1:00:15.400 --> 1:00:17.360
<v Speaker 1>I've got about, in a word to my uncle, about

1:00:17.400 --> 1:00:19.440
<v Speaker 1>ten dollars and fifty cents left on it. All right,

1:00:19.920 --> 1:00:22.120
<v Speaker 1>I'm gonna then I'm gonna ask you three quick questions.

1:00:22.480 --> 1:00:25.040
<v Speaker 1>After the third one you can walk out. Yeah, good

1:00:25.080 --> 1:00:26.680
<v Speaker 1>to go. Yeah. And then then I'm ask you a

1:00:26.720 --> 1:00:29.560
<v Speaker 1>couple of questions after he walks out. Okay, yeah, mister

1:00:29.680 --> 1:00:33.400
<v Speaker 1>producer by asking this too. Actually if we both kind

1:00:33.440 --> 1:00:36.320
<v Speaker 1>of produced a little bit, absolutely, but he produced all

1:00:36.360 --> 1:00:40.560
<v Speaker 1>of this. So just band, this is there ain't no

1:00:40.680 --> 1:00:44.920
<v Speaker 1>rookies sitting up here? Are you this? Are you this

1:00:45.080 --> 1:00:47.160
<v Speaker 1>much of a leader in the studio? Huh? Do you

1:00:47.240 --> 1:00:48.520
<v Speaker 1>just tell people what to do in the studio? I

1:00:48.640 --> 1:00:52.640
<v Speaker 1>like this? Ask them they'll tell you how's in the studio?

1:00:53.040 --> 1:00:54.840
<v Speaker 1>I mean this was when did you write that one?

1:00:55.120 --> 1:00:58.240
<v Speaker 1>On the way over here? You know it was all

1:00:58.280 --> 1:00:59.640
<v Speaker 1>for the love of the music, so, I mean it

1:00:59.760 --> 1:01:02.480
<v Speaker 1>was just all graaty really the whole time. When you're

1:01:02.600 --> 1:01:05.720
<v Speaker 1>producing a country legend like Hank Junior who then turns

1:01:05.720 --> 1:01:08.360
<v Speaker 1>into Thunderhead, do you produce him to? Are you? Are

1:01:08.400 --> 1:01:12.760
<v Speaker 1>you out? You out? Wait? Are you really leaving? Are

1:01:12.800 --> 1:01:15.640
<v Speaker 1>you through? I'm gonna get through my three questions? All right?

1:01:15.680 --> 1:01:18.320
<v Speaker 1>Oh I didn't. I can't hear too many ample All right, right,

1:01:18.440 --> 1:01:22.120
<v Speaker 1>Mark lash Tucker was really loud. I'll ask three quick.

1:01:22.160 --> 1:01:24.360
<v Speaker 1>I'll be I'll be as generic as possible. Are you ready?

1:01:24.600 --> 1:01:27.000
<v Speaker 1>These are off a mountain? No? I wasn't gonna ask

1:01:27.080 --> 1:01:31.080
<v Speaker 1>that one, I know, but if you want to go there.

1:01:31.120 --> 1:01:32.960
<v Speaker 1>You fell off a mountain there, I thought, Yeah, I

1:01:33.040 --> 1:01:35.160
<v Speaker 1>thought you were five hundred thirty feet was a long

1:01:35.240 --> 1:01:37.600
<v Speaker 1>way in seventeen operations. Yeah, I have a little bit

1:01:37.640 --> 1:01:39.760
<v Speaker 1>of back pain now. And then what do you remember

1:01:39.800 --> 1:01:43.200
<v Speaker 1>about that fall? All of it? You do? You didn't

1:01:43.200 --> 1:01:45.919
<v Speaker 1>black out? That's where That's why I live, they said,

1:01:46.360 --> 1:01:50.160
<v Speaker 1>because I remember every bit of it. Yeah, when you

1:01:50.280 --> 1:01:52.520
<v Speaker 1>landed at the bottom. You think you're gonna live. Nope,

1:01:53.320 --> 1:01:55.120
<v Speaker 1>how did When did you know you were going to live?

1:01:56.040 --> 1:01:58.120
<v Speaker 1>When you're like, I'm gonna beat this. They strapped me

1:01:58.200 --> 1:02:03.400
<v Speaker 1>to the outside of a helicopter. That ride was pretty

1:02:03.480 --> 1:02:11.360
<v Speaker 1>rough cold. Then you get down there and they cut

1:02:11.440 --> 1:02:13.800
<v Speaker 1>everything off. I said, don't cut my cross off. They

1:02:13.800 --> 1:02:16.640
<v Speaker 1>cut everything off. I had a gun and a shoulder holster.

1:02:18.080 --> 1:02:22.520
<v Speaker 1>Point of fail. They cut the hole straw, cut all

1:02:22.560 --> 1:02:27.439
<v Speaker 1>of that off, operated all night, woke up I don't

1:02:27.480 --> 1:02:30.320
<v Speaker 1>know a day and a half later or something like that.

1:02:30.680 --> 1:02:34.520
<v Speaker 1>When could you sing again? Huh? When could you sing again? Oh?

1:02:34.640 --> 1:02:38.000
<v Speaker 1>It was a long time after that, all right, it

1:02:38.160 --> 1:02:42.160
<v Speaker 1>was starting all over. Second question? Ready for it? Okay,

1:02:42.360 --> 1:02:44.240
<v Speaker 1>you tell me, I like you gave me the first one.

1:02:44.280 --> 1:02:48.240
<v Speaker 1>What's the second one? I don't know? All right? Uh?

1:02:51.800 --> 1:02:53.720
<v Speaker 1>What what is it? Hey? You told me the first one.

1:02:53.720 --> 1:02:55.960
<v Speaker 1>I thought would tell me the second one too. Okay, Ready,

1:02:56.520 --> 1:02:58.080
<v Speaker 1>when people see you on the streets, what song do

1:02:58.160 --> 1:03:02.040
<v Speaker 1>they associate you with? The most? I don't know. Are

1:03:02.040 --> 1:03:07.720
<v Speaker 1>you ready? Monday Night Football? Thirty one years that put

1:03:07.800 --> 1:03:11.120
<v Speaker 1>a stamp on them on America? They kind of know

1:03:11.280 --> 1:03:15.200
<v Speaker 1>that one. Are you ready? All my rowdy friends are

1:03:15.240 --> 1:03:18.200
<v Speaker 1>coming over to night. That's what it is. Do you

1:03:18.240 --> 1:03:21.280
<v Speaker 1>sing that one? It shows he's oh yeah, yeah, I'll

1:03:21.320 --> 1:03:27.680
<v Speaker 1>wear it out. All right, Come to a show sometime, buddy,

1:03:27.680 --> 1:03:32.240
<v Speaker 1>and you'll find one more on what if you keep leaving?

1:03:32.560 --> 1:03:34.760
<v Speaker 1>I don't want to ready to go? Okay, I know

1:03:35.800 --> 1:03:38.760
<v Speaker 1>one more? All right? This is my question. It's actually

1:03:38.800 --> 1:03:40.640
<v Speaker 1>more of a statement. You know, my favorite song of yours,

1:03:41.760 --> 1:03:44.080
<v Speaker 1>my favorite song that doesn't get the play that it

1:03:44.160 --> 1:03:49.240
<v Speaker 1>should get. There's a tear in my being my favorite.

1:03:49.440 --> 1:03:54.080
<v Speaker 1>You have good good taste because I'm crying for you. Dad. Yeah, well, daddy,

1:03:54.560 --> 1:03:56.840
<v Speaker 1>it's me. I'm doing that. You know. That was the

1:03:56.920 --> 1:03:59.880
<v Speaker 1>words that I found. And the little asse tape thing. Yeah,

1:04:00.240 --> 1:04:03.000
<v Speaker 1>remember the video when they can. That's a real, real

1:04:03.080 --> 1:04:06.760
<v Speaker 1>good chaste. Also, you might want to look up the

1:04:06.880 --> 1:04:12.400
<v Speaker 1>Eyes of Whalen. Christofferson said, We're in the world. Did

1:04:12.480 --> 1:04:15.760
<v Speaker 1>that come from? I said, where do you think The

1:04:16.040 --> 1:04:19.160
<v Speaker 1>Eyes of Whalen? Is a song everybody should listen to.

1:04:20.480 --> 1:04:23.880
<v Speaker 1>There's a lot of them like that. That all in Alabama.

1:04:25.360 --> 1:04:27.320
<v Speaker 1>When I thought I was not gonna make it out

1:04:27.360 --> 1:04:33.080
<v Speaker 1>there feeling better, started turning up loud, looking at the

1:04:33.160 --> 1:04:36.720
<v Speaker 1>crowd and bending them guitar string. I knew all the

1:04:36.800 --> 1:04:39.880
<v Speaker 1>while it was my style? Could they ever forget my name?

1:04:40.600 --> 1:04:43.480
<v Speaker 1>Rocked them and Raleigh knocked them out of Knoxville. Just

1:04:43.640 --> 1:04:47.600
<v Speaker 1>couldn't do no wrong. The people went wild and the

1:04:47.720 --> 1:04:51.040
<v Speaker 1>band said, child, you better keep on singing your songs.

1:04:51.200 --> 1:05:01.520
<v Speaker 1>And I'm feeling better now. Can I leave? There? He goes,

1:05:01.560 --> 1:05:04.880
<v Speaker 1>He grabs his back. Hey, Dan, how when you're working

1:05:04.960 --> 1:05:07.640
<v Speaker 1>with Hank Junior? What is he like in the studio?

1:05:07.760 --> 1:05:09.360
<v Speaker 1>Is he liked that all the time? Man? The first

1:05:09.400 --> 1:05:11.000
<v Speaker 1>thing he said when he walked in, we'd never met

1:05:11.080 --> 1:05:12.760
<v Speaker 1>him before. We're all sitting in there. These guys had

1:05:12.840 --> 1:05:15.480
<v Speaker 1>driven up from Mississippim. We didn't know what to expect.

1:05:15.560 --> 1:05:17.720
<v Speaker 1>And the first thing he said was I don't really

1:05:17.720 --> 1:05:22.160
<v Speaker 1>feel like right now. And he went into the other room,

1:05:23.080 --> 1:05:26.560
<v Speaker 1>into the live room, and just lit up a cigar.

1:05:26.680 --> 1:05:28.840
<v Speaker 1>No one had ever smoked a cigar in the studio.

1:05:30.320 --> 1:05:34.040
<v Speaker 1>So that's how it started. So both as an artist

1:05:34.120 --> 1:05:36.920
<v Speaker 1>and a producer, like, it's got to be really hard

1:05:36.960 --> 1:05:39.600
<v Speaker 1>to get your time, So why Hank Junior of all

1:05:39.600 --> 1:05:42.400
<v Speaker 1>the people they're begging for your time? Oh? I mean,

1:05:42.520 --> 1:05:46.160
<v Speaker 1>I'm a huge fan of Hank Junior. I just you know.

1:05:46.320 --> 1:05:48.400
<v Speaker 1>I mean, when when I found out that he was

1:05:48.440 --> 1:05:51.240
<v Speaker 1>a fan of RL Burnside, I thought we could do

1:05:51.360 --> 1:05:55.120
<v Speaker 1>something fun. So I called Kenny Brown here he played

1:05:55.120 --> 1:05:59.200
<v Speaker 1>with r L since the seventies, Kent Kimbro Junior, Kimbro's son,

1:06:00.040 --> 1:06:02.920
<v Speaker 1>Eric Deatonum. These guys played on some of my favorite

1:06:02.960 --> 1:06:07.120
<v Speaker 1>blues records of all time. Um, and I thought they'd

1:06:07.160 --> 1:06:09.600
<v Speaker 1>be a perfect fit. And they were. Hank, you know,

1:06:09.760 --> 1:06:11.600
<v Speaker 1>Hank figured out who he was in the room with

1:06:11.760 --> 1:06:14.120
<v Speaker 1>and he just like he ate it up. He loved it.

1:06:14.240 --> 1:06:16.520
<v Speaker 1>Did he make a calm thunderhead like me? Nah? Okay,

1:06:16.800 --> 1:06:21.480
<v Speaker 1>that's just me, okay, all right. So here's the deal

1:06:21.600 --> 1:06:24.440
<v Speaker 1>that the song they played was called Georgia Women, and

1:06:24.640 --> 1:06:27.840
<v Speaker 1>the record comes out June seventeenth. June seventeenth, Rich White

1:06:27.960 --> 1:06:30.960
<v Speaker 1>Honkey Blues. And I'm not gonna be canceled for saying that, right,

1:06:31.000 --> 1:06:34.240
<v Speaker 1>I'm all good on that Renky Blues. Everything good. Dan,

1:06:34.360 --> 1:06:36.480
<v Speaker 1>big fan of you and the music did you produce?

1:06:36.680 --> 1:06:39.880
<v Speaker 1>We were actually at an event together and I forget

1:06:39.880 --> 1:06:42.240
<v Speaker 1>you had you had produce another Country Legends record. It

1:06:42.320 --> 1:06:45.640
<v Speaker 1>had just come out with Rebu Country Music Hall of Fame.

1:06:45.680 --> 1:06:48.040
<v Speaker 1>Were something together and what other record did you do

1:06:48.240 --> 1:06:51.680
<v Speaker 1>from uh did you produce there was somebody another older

1:06:51.720 --> 1:06:54.520
<v Speaker 1>country Johnny Anderson? That's right, that's exactly what. Yeah, And

1:06:54.520 --> 1:06:56.560
<v Speaker 1>we've got a John Anderson tribute album that's coming out

1:06:56.640 --> 1:07:00.600
<v Speaker 1>right now. It's got Eric Luke Combs, Sturgill Simpson, Tyler,

1:07:03.320 --> 1:07:06.640
<v Speaker 1>I did it with my with my buddy David Ferguson. Awesome. Well, yeah,

1:07:06.920 --> 1:07:09.480
<v Speaker 1>we appreciate what you brought to Nashville. You listen, love

1:07:09.480 --> 1:07:11.280
<v Speaker 1>the Black Keys, love what you did with Hank and

1:07:11.400 --> 1:07:13.400
<v Speaker 1>just all you guys appreciate you coming in. That was

1:07:13.440 --> 1:07:16.320
<v Speaker 1>a heck of a performance. And then Hank, wherever you

1:07:16.360 --> 1:07:18.680
<v Speaker 1>went und your head, he's gone, he's gone. All right,

1:07:19.240 --> 1:07:23.800
<v Speaker 1>good to see you guys are nice. Yeah, it's the

1:07:23.960 --> 1:07:28.720
<v Speaker 1>best bits of the week with Morgan number two. Y'all,

1:07:28.800 --> 1:07:30.880
<v Speaker 1>thank you so much for hanging out with me. This

1:07:31.120 --> 1:07:34.919
<v Speaker 1>Weekend's Harry. If I sounded all tired, it's CMA Fest

1:07:34.960 --> 1:07:38.920
<v Speaker 1>week and things are absolutely crazy. So I recorded this

1:07:39.080 --> 1:07:42.280
<v Speaker 1>podcast super early in the morning, and I'm just gonna

1:07:42.360 --> 1:07:44.320
<v Speaker 1>lay it all off there. So if my words don't

1:07:44.360 --> 1:07:47.120
<v Speaker 1>make sense or I'm messing things up too much, y'all

1:07:47.200 --> 1:07:50.080
<v Speaker 1>know why. It's not because I don't want to, but

1:07:50.360 --> 1:07:52.520
<v Speaker 1>I actually tried to do this multiple times, and finally

1:07:52.560 --> 1:07:54.840
<v Speaker 1>I was like, you know what, I'm just gonna wing

1:07:54.960 --> 1:07:57.720
<v Speaker 1>this and hope for the best. It is CMA Fest week,

1:07:57.760 --> 1:08:00.560
<v Speaker 1>So if you are enjoying all the festivities down here

1:08:00.680 --> 1:08:02.880
<v Speaker 1>in Nashville, or if you're listening to this and you

1:08:03.000 --> 1:08:05.280
<v Speaker 1>got to enjoy them, or you're just watching at home

1:08:05.360 --> 1:08:08.960
<v Speaker 1>from your couch, which also is amazing. Um, I hope

1:08:08.960 --> 1:08:12.520
<v Speaker 1>you guys have a fabulous weekend regardless, in a very

1:08:12.640 --> 1:08:17.960
<v Speaker 1>safe weekend as well. I love y'all. Bye, Bobby Bone

1:08:18.320 --> 1:08:19.320
<v Speaker 1>Bobby Bone Show.