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Speaker 1: It's the Best Bits of the Week with Morgan number two.

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Speaker 1: Happy weekend, everyone, Welcome to the Best Bits podcast. I'm Morgan.

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Speaker 1: In case you missed it, we separated the podcast into

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Speaker 1: two parts. This is Part two, where it's just the

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Speaker 1: Bits at break down the top seven, most engaging, most liked,

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Speaker 1: most called in about segments of the week and share

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Speaker 1: with you guys so you can either catch up if

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Speaker 1: you missed it, or listen to it again in case

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Speaker 1: you want to listen to it again. And Part one

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Speaker 1: is where I actually break down the show with a

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Speaker 1: show member. We come on and talk about all kinds

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Speaker 1: of things. Sometimes we talk about what happened on the show.

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Speaker 1: Other times we just kind of get deep down and personal,

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Speaker 1: which is typically what Abby and I do when she

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Speaker 1: was my guest this week on part one, So make

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Speaker 1: sure you check that out. We're gonna dive right in.

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Speaker 1: At number seven, Eddie shared something that his kid has

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Speaker 1: been going through recently, and I think a lot of

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Speaker 1: parents and unfortunately some kids can relate to this one.

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Speaker 1: So his has been dealing with some bullying issues with basketball,

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Speaker 1: which is super unfortunate and it broke my heart to

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Speaker 1: hear that. But Eddie gives a loadown of what happened,

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Speaker 1: how he responded to it, and of course we had

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Speaker 1: some listeners call in and share some of their input.

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Speaker 1: Number seven, Okay, Eddie, what happened with your kid? Oh?

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Speaker 1: This was tough. So my seven year old he's joining

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Speaker 1: a new basketball team and he shows up and he's

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Speaker 1: little for his age. So he shows up and two

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Speaker 1: boys in his team are laughing at him, just saying like,

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Speaker 1: look at this guy. He's so short, he's not gonna

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Speaker 1: make any of the baskets. And my son hears him,

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Speaker 1: and I'm one of the I mean, I guess all

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Speaker 1: the dad's chip in, so we're all kind of coaches.

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Speaker 1: So if we're at practice, we're all helping out and

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Speaker 1: I'm right there hearing them laugh every single time my

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Speaker 1: son takes a shot, so I get a little fired

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Speaker 1: up over it. So they're saying he's too small, Yes,

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Speaker 1: are they trying to block a shot? So now we're

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Speaker 1: doing layup drills and every time he goes up for

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Speaker 1: the layup, they're like, what's this little guy's gonna try

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Speaker 1: to make a layup? He's not even gonna get closed

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Speaker 1: with the basket. But hey, my son's draining every single one.

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Speaker 1: And they say it about five times, and finally the

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Speaker 1: fifth time, I'm like, oh, that's it. I'm about to

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Speaker 1: say something, so I said, I pull him both aside

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Speaker 1: and say, hey, you too, there's no laughing at your teammates.

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Speaker 1: I don't care who your teammate is. You guys have

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Speaker 1: each other's back. I hear you guys laughing at his size,

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Speaker 1: but I guarantee you he'll school both of you guys. Oh,

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Speaker 1: and that's probably not the way to do. You don't

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Speaker 1: have to go that hard right now. Yeah, well, now

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Speaker 1: you're like making him want to compete against your son,

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Speaker 1: like I'll guarantee you'll take both of you down. But

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Speaker 1: I think that was the emotion talking. Yeah. I didn't

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Speaker 1: really mean to say that, but that just slipped out.

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Speaker 1: But I was really just trying to say, like, hey,

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Speaker 1: no laughing at your teammate, back him up. I like

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Speaker 1: that part. Yeah, I guess. I guess deep inside, I

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Speaker 1: know how good my son is. Like he's really good.

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Speaker 1: And it's happened every single season where the team, the

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Speaker 1: opposing team sees him and they're like, look at this

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Speaker 1: little point guard he's not and he just dominates because

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Speaker 1: he's fast. He does make every shot and he's really

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Speaker 1: really good. So part of me was like, oh, you

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Speaker 1: fools are gonna take your laughing back because he's gonna

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Speaker 1: school you up. He affected when he hears that. Oh

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Speaker 1: it hurt. It hurt him a little bit because I

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Speaker 1: could see him listening and every single time he would

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Speaker 1: miss a layup, he'd look at the reaction and he

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Speaker 1: makes every shot. Well, he doesn't make a single one,

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Speaker 1: but every time he did miss one, he would look

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Speaker 1: back to see their reaction, and of course they were

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Speaker 1: laughing again. Okay, so what would you do? That's a

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Speaker 1: question you guys can call us to how would you

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Speaker 1: deal with this? Eight seven seven seventy seven, Bobby, We

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Speaker 1: will grab your calls. We'll talk about it right after

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Speaker 1: this song. My quick advice as a young wance small

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Speaker 1: kid that had the same thing happened to me. I

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Speaker 1: had to learn how to let it drive me. Right.

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Speaker 1: I don't have anybody given me a massage going hey bubba,

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Speaker 1: he'd be okay, and it will be okay, and you

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Speaker 1: can do that. I just didn't have that, and so

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Speaker 1: I let that crap drive me to the point probably

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Speaker 1: i'm extra neurotic at this point in my life. But

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Speaker 1: I think that that's I think adversity is awesome. I

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Speaker 1: think the fact that I don't like the bullying, I

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Speaker 1: don't like to start saying that, and you can actually

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Speaker 1: put a stop to it. But I think let's see

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Speaker 1: how he reacts. What does he think. Is he reacted

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Speaker 1: to it doesn't drive him to want to work harder,

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Speaker 1: or is he just kind of like, I don't want

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Speaker 1: to play at all. I think a little bit of both.

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Speaker 1: They can see it in him where at first he's

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Speaker 1: just kind of like, oh, I don't like that they're

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Speaker 1: laughing at me. But yeah, he does try extra hard

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Speaker 1: to make that layup when they when it is his turn,

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Speaker 1: just so you can shut him up a little bit.

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Speaker 1: But I think that's the that's the play, is that

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Speaker 1: you try to build that too. Okay, people are always

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Speaker 1: going to say this about you. It's how you react,

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Speaker 1: it's how you show up. Oh that's good, instead of

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Speaker 1: it's okay, buddy, it's you know what, this is part

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Speaker 1: of it. I don't like it either, but it's gonna

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Speaker 1: happen to you the rest of your life in some

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Speaker 1: way or another, and it's not you know if you

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Speaker 1: get knocked down or if you get made fun of.

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Speaker 1: It's when you get knocked down or when you get

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Speaker 1: made fun of, how do you react to that. I

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Speaker 1: think that's the lesson. But what I know? Kids, No,

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Speaker 1: but you were like you said this, you were that person.

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Speaker 1: I'm still that guy. Yeah, everywhere I go kill like,

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Speaker 1: look at him, he ain't gonna make that shot, and

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Speaker 1: I'm like, I'm not playing basketball. I'll try to get

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Speaker 1: a Starbucks. It's the best Bits of the Week with

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Speaker 1: Morgan number two. This week, it was a special one

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Speaker 1: full of so many special guests. One of the coolest

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Speaker 1: things was Dirk Spilly and el King. They came in,

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Speaker 1: talked about both of the collapse that they have together,

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Speaker 1: and they performs their new one Worth a Shot. I've

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Speaker 1: loved el King from the very beginning, and to see

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Speaker 1: her now in the country genre is so fun, especially

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Speaker 1: when Dirk's come in and he's like all about her

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Speaker 1: and wants her to have all the success. It was

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Speaker 1: just a super fun interview and performance. So make sure

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Speaker 1: if you don't listen to it right here, you go

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Speaker 1: check it out at Bobby Bones dot com. Number six. Oh,

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Speaker 1: it is really good to see you again. Nice to

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Speaker 1: see you too, good, thank you, and we come on it.

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Speaker 1: Apparently Dirk's does a residency here on the show. He's

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Speaker 1: here every week so for different reasons. Did you know

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Speaker 1: he just comes in randomly? No. Yeah, Sometimes they come

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Speaker 1: in and don't even sing. I just hang out, you know,

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Speaker 1: kind of judge the show a little bit. Seat's going

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Speaker 1: and I want to keep listening or not. He's like

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Speaker 1: the voice, but for this show he comes on. It

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Speaker 1: tells us that the show's good. Oh yeah, smart, yes, yes, yes, Ella,

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Speaker 1: you are here. We just spent some time together at

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Speaker 1: my house when we're doing a Bobby cast and Mike,

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Speaker 1: who produces that, told me that that I went hard

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Speaker 1: on her. Did you think I went hard on you?

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Speaker 1: I would rather someone be honest and real with me.

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Speaker 1: I would rather take something, you know, genuine than fake.

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Speaker 1: I guess so. And I wasn't meaning it in any

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Speaker 1: way that I had a whole different I was wrong

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Speaker 1: about my perception of all. I thought she was fancy

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Speaker 1: Hollywood girl, and I said that. I said my perception

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Speaker 1: was totally wrong on you, and I admitted that. I

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Speaker 1: said I thought you were from Los Angeles, and you

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Speaker 1: know you came to and I said, I was completely

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Speaker 1: one hundred percent wrong, and from you know, growing up

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Speaker 1: in southern Ohio to living on a farm now. And

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Speaker 1: I was like, I apologize that. I'm really sorry that

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Speaker 1: I felt the wrong way about you. I think too,

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Speaker 1: you're so talented I think that could be intimidating at

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Speaker 1: times too to someone like, well, I'll say it, Charlie Worsham. No, me,

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Speaker 1: I'm just getting diver tip of the time. My first

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Speaker 1: time being the studio with Bobby and you made me

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Speaker 1: sing the YMCA theme song. Yeah, how to Go Terrible. Yeah,

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Speaker 1: that's the whole thing. Yeah, we're just now getting over

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Speaker 1: that point. Friendship at this point too. It so it's

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Speaker 1: a thing. So l King is here and he dirks.

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Speaker 1: I'd asked l I said, hey, since you had asked

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Speaker 1: her to do different for girls, yeah, right, and she

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Speaker 1: did it. Did she have a coupon at anytime she

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Speaker 1: could have cashed in on you, like, at any time,

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Speaker 1: regardless of how good amazing a polka song, It didn't

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Speaker 1: matter if she said I'd like to do this song

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Speaker 1: with me, you have to do it, oh man, I

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Speaker 1: would you have say yes? Obviously, yes, anything she asked

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Speaker 1: to do because I love El to death, but I

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Speaker 1: feel honored to be on the songs. It's a build,

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Speaker 1: smash hit song that I love now that I get

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Speaker 1: a chance to be with you. It's just I feel

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Speaker 1: like ELL's got so much good things happening for right now.

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Speaker 1: I'm kind of like, yeah, let me be part of

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Speaker 1: anything you have happening right now because you're hot. What

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Speaker 1: was it about her initially that drew you to her? Yes,

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Speaker 1: you know, you are just talking about the conversation. I

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Speaker 1: only knew else since I met her. I knew that

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Speaker 1: XS and OS and that song, and I had that

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Speaker 1: song different for girls, the Shame mcnell i song that

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Speaker 1: I loved, and I was trying to find someone that

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Speaker 1: could sing that song that it's kind of a weird song,

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Speaker 1: you know, different for girls. It's it's it's talking about

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Speaker 1: I mean, the reality of things of life is a

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Speaker 1: lot of things are different for girls, but not for

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Speaker 1: l It was kind of weird for her to sing

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Speaker 1: on it because she's like, you know, rolls or sleeps

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Speaker 1: up and and fights her way into the room and

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Speaker 1: not girly girl at all. But she has enough confidence

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Speaker 1: as you're talking about earlier and to be able to

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Speaker 1: take on that role. And she's the only one I

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Speaker 1: really can see singing that song and playing it off

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Speaker 1: and not. You know, it's just such a chuck position

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Speaker 1: for you in a cool way because everything we were

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Speaker 1: singing about, like I do yeah, Like she's the one

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Speaker 1: drinking Monster energy coffee drink this morning and I'm drinking

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Speaker 1: a decalf coffee. It's like it's our roles are totally

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Speaker 1: actually reversed. But I just so, I've only known her

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Speaker 1: as like playing the banjo, you know, she to me

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Speaker 1: is has always been like a country kind of singer girl.

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Speaker 1: And that's we know each other now for about five years.

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Speaker 1: Don't age me. I can't remember, but I would have

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Speaker 1: sung anything she asked me to do. I'm thankful she

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Speaker 1: asked me to sing on a big hit. Um, but

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Speaker 1: uh yeah, I'm a huge fan. Did you know she

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Speaker 1: started playing the band joke? She saw a guy in

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Speaker 1: a park in Philadelphia just random playing it. Then I started, Yeah,

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Speaker 1: I saw him, and I was like, anything you can

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Speaker 1: do I could do maybe okay, And I was like,

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Speaker 1: let me play it, and you know, let me borrow

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Speaker 1: that banjo for like, can you listen to Bobby cast. Oh,

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Speaker 1: it's it's really good. Yeah, it's really good because especially

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Speaker 1: after this little thing, I need to go back and

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Speaker 1: check it out. I didn't even know there was a thing.

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Speaker 1: I was just like, hey, did you feel like and

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Speaker 1: then Michael was like, yeah, you just kind. But also

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Speaker 1: the air was out of my house and I think

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Speaker 1: I was a little crabby. Yeah, he was warm. I

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Speaker 1: was fine, Well, I try no, stop, you stop. We

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Speaker 1: don't need that. But she can't. I was like, l

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Speaker 1: I'm so, I'm so embarrassed that the air is out

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Speaker 1: of my house. It's eighty degrees and she's like, I

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Speaker 1: don't care, let's let's go. And I'm you know me,

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Speaker 1: I'm Beyonce. I don't know. The temperature is not exactly

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Speaker 1: right with my water and so but she rocked it

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Speaker 1: and it was awesome. Gonna hope you guys check it out.

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Speaker 1: And we talk a lot about this song too, which

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Speaker 1: is what we're gonna play here and so worth the shot.

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Speaker 1: It's l King with Dirk Spentley. So, el, what drew

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Speaker 1: you to this song? You heard it and thought I

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Speaker 1: love it? Why? Well, I mean it's it's very very catchy.

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Speaker 1: Um and it was it happened really really quickly. We

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Speaker 1: had done like five six songs all just slammed into

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Speaker 1: one day and we were kind of scrambling just trying

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Speaker 1: to find songs and Ross was like, hey, I've got

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Speaker 1: this one, and um Dirk's was going to cut it

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Speaker 1: and and I don't know why it didn't make the record,

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Speaker 1: probably because you're waiting for me. I knew on the

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Speaker 1: right Home. He was just like waiting to deliver it

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Speaker 1: on a platter. But Ross played it for me and

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Speaker 1: I was like, dying, that's catchy, and yeah, it's just

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Speaker 1: like hey, Dirk's like we you And then I sent

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Speaker 1: the text that we talked about like hey man, you

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Speaker 1: don't have to say yes, but like have you really

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Speaker 1: wanted to? Like I can't put had a country record

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Speaker 1: and like not have you sing on mine? And but

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Speaker 1: it's not like he doesn't like owe me anything. This

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Speaker 1: is all like forever indebted to him and also saying

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Speaker 1: like you brought me here, like can will you still

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Speaker 1: be a part of what you like led me to? Yeah? Well,

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Speaker 1: thank you? And the story of the song is interesting

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Speaker 1: for him out there listening because it's cool to see

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Speaker 1: how songs find their home. You know, it's like shame

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Speaker 1: mcnelli and Ross. He's a great songwriters, but they probably

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Speaker 1: only get like three or four great songs a year.

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Speaker 1: And I feel a huge responsibility and I'm running my

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Speaker 1: own record and then someone pitches me the song and

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Speaker 1: I hear it and got it's a big hit. But

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Speaker 1: I kind of want to put this one up there

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Speaker 1: rocause I'm really attached to it, but I don't want

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Speaker 1: to like jeopardize these guys. One baby of a song.

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Speaker 1: It's such a good song. So I was kind of

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Speaker 1: sitting on it and then I heard they like love it,

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Speaker 1: and I'm like, yes, give it to l She'll make

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Speaker 1: it a hit. And I just I care about those guys.

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Speaker 1: My friends are songwriters, and you care about them. You

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Speaker 1: don't want to hold their song up. You know, you

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Speaker 1: get this song you just sit on and now I'll

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Speaker 1: think about that. Let me come back to me in

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Speaker 1: a year. And then the song's lost this moment, it

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Speaker 1: doesn't have a heat left, and you just like destroyed

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Speaker 1: somebody's chance to have like a hit song. So I

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Speaker 1: was super happy this this song found the right home

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Speaker 1: and then kind of calmer, I think it came back

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Speaker 1: to me with a chance to be part of it.

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Speaker 1: I still got to be on the song, but it's

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Speaker 1: it's your song. Finally, this is Elking with Dirk Spenley

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Speaker 1: and the band doing worth a shot. We've been turning

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Speaker 1: into stranger now we believe in superficial conversation because I

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Speaker 1: got his always, I'm not ready to give up on us.

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Speaker 1: One last to right and might just do that. Train

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Speaker 1: might be in a bottle, little proof from the past,

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Speaker 1: might be the bottom of an empty glass. Don't blow

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Speaker 1: if Al Whiskey can fix it on mind babies, What

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Speaker 1: the shot? One shot from the top of the show,

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Speaker 1: Mete too, What the hell? Because we've been on the

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Speaker 1: right one shote mete all that we got. I don't know.

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Speaker 1: I think it's worth the shot. I think it's worth

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Speaker 1: the sh Come on, that's awesome guy ell King and

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Speaker 1: dark Span Lake. Hell, how's your ankle? It's like broken

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Speaker 1: or something. I don't know. I got heeled boots on

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Speaker 1: sor right. She says she's always hurt. We were talking.

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Speaker 1: She said, I'm always hurt. She has a sprained ankle

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Speaker 1: right now. Yeah, we're in the video shoot for the

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Speaker 1: song where she was hobbling around pretty good I re

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Speaker 1: sprained it that day. Black and Blue is pretty nice. Yeah,

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Speaker 1: it still is. Yeah. So you just wrapped up a

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Speaker 1: boot and said let's go. Yeah, I gotta sing. I

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Speaker 1: gotta sing on it. Like yeah, yeah, you two are

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Speaker 1: hosting CMA Fest together. Yeah that's pretty cool. Yeah yeah,

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Speaker 1: So how what's that situation? How that? How'd that get

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Speaker 1: come to you? You know, I've seen people do in

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Speaker 1: the past, and it looks like a lot of work.

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Speaker 1: So I was like, you, I don't want to do that,

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Speaker 1: but uh, gotta be her all week. But then I

307
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Speaker 1: heard you know, there's an opportunity for us to do together.

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Speaker 1: I was like, oh, of course I'm gonna do with

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Speaker 1: that because it's just fun. You don't have to leave

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Speaker 1: her a day to go to blue grass festival right where?

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Speaker 1: Which one? I can't do it? You have to work? Yeah,

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00:14:12,920 --> 00:14:15,360
Speaker 1: because that is were and I were talking about it. Yeah,

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Speaker 1: it's a lot you guys, it's a lot of work. Yeah,

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Speaker 1: she was like what it. I was like, it's you're

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Speaker 1: there all I know four days, which but you guys

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00:14:20,440 --> 00:14:22,520
Speaker 1: are bigger stars though with me that they just kept

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Speaker 1: me around. Oh come on, like dat fixed yeah walkie talkies. Yeah,

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Speaker 1: somebody's got to do all the stuff. Yes, No, she's

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Speaker 1: still fun to be you know, she's so fun to

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Speaker 1: be around. It just makes you know we're back there

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Speaker 1: rehearsing the song, you know, having fun, and she walks

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Speaker 1: the rooms just like the sun comes in with her.

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Speaker 1: So it's just fun to be around her. And that

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Speaker 1: makes at this point in my career, it's just like

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Speaker 1: I just want to do things that are fun. And

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Speaker 1: that's kind of like the main like that's how you

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Speaker 1: sell it. Is it gonna be good time or not?

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Speaker 1: It'll be elking, Okay, it'll be fun. Are you guys

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Speaker 1: playing the fest as well? Together? I'm say, you have

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Speaker 1: two songs at this point there one number one hit

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Speaker 1: of one that's about to be massive, so I'm assuming

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Speaker 1: you'll play them. I think we'll do this, right, I

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Speaker 1: would assume. I don't know, Yeah, I mean we I

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Speaker 1: would hope. So, yeah, yeah, we got It's gonna be

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Speaker 1: a fun show. They've done it a little different this year.

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Speaker 1: It's like we get a forty five minute set. You

337
00:15:06,320 --> 00:15:08,200
Speaker 1: use it's like, you know, two or three songs and

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Speaker 1: you'r this is like we had a longer sets. Order.

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Speaker 1: I get two songs just me. But we'll bring you out.

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00:15:15,240 --> 00:15:16,840
Speaker 1: We got and we'll bring us another guest out that

341
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Speaker 1: the hot country nights are gonna be excited about it.

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Speaker 1: So I was talking to Ellen. She said that drunken

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Speaker 1: I don't want to go home so good had actually

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Speaker 1: written years prior. Did you know this? I didn't know this?

345
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Speaker 1: That song is? It's so good. The song is so good,

346
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Speaker 1: the vocals are so good. It's it's a killer song.

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Speaker 1: The more I hear it, the more I mean, I

348
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Speaker 1: always have loved it every time it comes on the radio.

349
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Speaker 1: Now I'm just like, I just dig into something else

350
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Speaker 1: that I love about that song. But yeah, I don't know.

351
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Speaker 1: I didn't know you've written a long time ago? Is

352
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Speaker 1: that on the Boby cast? It is? But but the

353
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Speaker 1: interesting things? And I want to ask you the same question, Dreks.

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00:15:45,520 --> 00:15:48,080
Speaker 1: But oh you wrote that how many years ago? I

355
00:15:48,120 --> 00:15:50,040
Speaker 1: was about twenty four, so eight years ago. So if

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Speaker 1: you write that eight years ago, and she sat on it,

357
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Speaker 1: but she had she rewrote it right with it. I hated.

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Speaker 1: I hated the verses. Yeah, the verses were crap. Did

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Speaker 1: you ever do Dirk for young song? No? Okay, okay,

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00:16:01,680 --> 00:16:03,360
Speaker 1: all right, Well No, Usually the song is written and

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Speaker 1: then it's just like such a great song, and then

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Speaker 1: time goes on. I'm just started thinking about I don't

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Speaker 1: even know where with my catalog I'm want to go back,

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Speaker 1: And I mean, I've written a lot of songs a

365
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Speaker 1: lot of people that just for some reason, the song

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Speaker 1: just doesn't make it to the the album, which is

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Speaker 1: crazy because it's just kind of like almost a timing thing.

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Speaker 1: You right, you have a you know this record, I'm

369
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Speaker 1: Morgan right now, I'm on my third version of it.

370
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Speaker 1: So there's a lot of songs that just didn't make

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Speaker 1: it for some reason to the next phase, and they're

372
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Speaker 1: just great songs, and you know, they just kind of disappear.

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Speaker 1: Did you have a song Dirk said, lasted a long

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Speaker 1: time and made it And you're like that, I can't

375
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Speaker 1: believe the thing lasted that long and then it was

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Speaker 1: a big hit, like years and years because I then

377
00:16:35,240 --> 00:16:37,480
Speaker 1: written a long time ago, or yeah, sure, because that's

378
00:16:37,560 --> 00:16:39,200
Speaker 1: her situation with dropping I don't want to go home,

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00:16:39,240 --> 00:16:41,240
Speaker 1: and she wrote it. But you knew right all that

380
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Speaker 1: the hook was so strong that eventually it would be

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Speaker 1: something for somebody, right, Oh, hell yeah, And so you

382
00:16:46,120 --> 00:16:48,080
Speaker 1: even tried to you thought about selling the song to

383
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Speaker 1: like a DJ. Yeah, I mean my manager right there,

384
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Speaker 1: I've been We've been messaging for like like a year

385
00:16:55,240 --> 00:16:57,080
Speaker 1: before that, like we have to give this to a

386
00:16:57,160 --> 00:16:59,800
Speaker 1: DJ or somebody. I can't. I can't just let this

387
00:17:00,080 --> 00:17:04,280
Speaker 1: chorus like die. And and so I was like, let's

388
00:17:04,280 --> 00:17:06,320
Speaker 1: just rewrite it. But it taught me a lot because

389
00:17:06,359 --> 00:17:09,520
Speaker 1: now we have other songs and it now you can

390
00:17:09,800 --> 00:17:12,879
Speaker 1: really kind of shift and open your mind about, you know,

391
00:17:13,000 --> 00:17:16,320
Speaker 1: songwriting process, and like, I love this one thing about

392
00:17:16,320 --> 00:17:19,040
Speaker 1: this song, but this is where it doesn't hit. So

393
00:17:19,160 --> 00:17:22,240
Speaker 1: it's okay to you know, throw the baby out and

394
00:17:22,720 --> 00:17:25,119
Speaker 1: kind of restarted. Yeah, you can always fall back on

395
00:17:25,160 --> 00:17:26,679
Speaker 1: what was there. Man, it's hard to I mean you

396
00:17:26,680 --> 00:17:28,360
Speaker 1: guys Charlie about this too. It's hard to take a song.

397
00:17:28,400 --> 00:17:30,480
Speaker 1: It's like half that you write. And he's like, I

398
00:17:30,560 --> 00:17:32,560
Speaker 1: don't like it. I'm gonna go back and red purpose

399
00:17:32,640 --> 00:17:34,359
Speaker 1: the song. I think once it's written, it's kind of

400
00:17:34,480 --> 00:17:36,040
Speaker 1: like for me, it seems like it's locked in. It's

401
00:17:36,040 --> 00:17:38,239
Speaker 1: just kind of like onto the next one. Damn it.

402
00:17:38,280 --> 00:17:40,280
Speaker 1: But did you have a song that lasted the test

403
00:17:40,320 --> 00:17:42,400
Speaker 1: of time, meaning it sat around Maybe you forgot about

404
00:17:42,440 --> 00:17:44,200
Speaker 1: it for a long time, and then it came back

405
00:17:44,240 --> 00:17:45,440
Speaker 1: and like, oh man, that was a good song, let's

406
00:17:45,440 --> 00:17:47,720
Speaker 1: record it, and then it was a hit. No, okay,

407
00:17:47,760 --> 00:17:50,080
Speaker 1: all right, cool. But anyway, I've had songs. I've had

408
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Speaker 1: songs of albums. I've had songs of albums that I

409
00:17:52,040 --> 00:17:54,760
Speaker 1: wish had been singles, and I've tried to like to

410
00:17:54,800 --> 00:17:56,159
Speaker 1: put them back on or you know, because you've got

411
00:17:56,320 --> 00:17:57,639
Speaker 1: it's a great song. Oh, I can't be it was

412
00:17:57,640 --> 00:17:59,920
Speaker 1: in a single. Let's recut it and put it out

413
00:18:00,000 --> 00:18:02,000
Speaker 1: on this next record. And it just feels like there's

414
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Speaker 1: some it's the everyone's just calling the song had its moment,

415
00:18:06,040 --> 00:18:07,640
Speaker 1: and it's just write something new. I don't know. It's

416
00:18:07,640 --> 00:18:12,280
Speaker 1: hard to do that. Well, not for that supporting her

417
00:18:12,280 --> 00:18:13,800
Speaker 1: and that's why we're on the wings and she's in

418
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Speaker 1: the center. L King is here. She's got a brand

419
00:18:15,960 --> 00:18:18,679
Speaker 1: new song. Um, you're all over? I mean, are you

420
00:18:18,680 --> 00:18:20,720
Speaker 1: playing more Stapleton shows too? I was looking you're I

421
00:18:20,760 --> 00:18:23,240
Speaker 1: mean you're on the road a lot. Yeah. Do you

422
00:18:23,280 --> 00:18:26,200
Speaker 1: feel like you're living on the road? Yeah? Is it

423
00:18:26,240 --> 00:18:29,480
Speaker 1: more like a rock tour that you're on the road

424
00:18:29,520 --> 00:18:31,560
Speaker 1: so much than a typical country tour where you're out

425
00:18:31,560 --> 00:18:35,600
Speaker 1: for Thursday, Friday, Saturday. Uh. Well, I mean now that

426
00:18:35,680 --> 00:18:38,199
Speaker 1: festival season is going to be coming up, our the

427
00:18:38,280 --> 00:18:42,560
Speaker 1: days will get filled. But I mean I'm here in Nashville, Husland,

428
00:18:42,600 --> 00:18:45,159
Speaker 1: and I never really get days off. I like country

429
00:18:45,160 --> 00:18:47,520
Speaker 1: tours when it's slower. I like to have a couple

430
00:18:47,480 --> 00:18:49,600
Speaker 1: of days off. I had Sunday and Monday off and

431
00:18:49,640 --> 00:18:51,520
Speaker 1: that was real nice. It was in a pool. But like,

432
00:18:51,920 --> 00:18:54,800
Speaker 1: I just I like to work. You know, what is

433
00:18:54,800 --> 00:18:56,760
Speaker 1: it idle hands with the Devil's playground. I don't do

434
00:18:56,840 --> 00:19:00,480
Speaker 1: well with too much time off. So, um, it does

435
00:19:00,520 --> 00:19:02,439
Speaker 1: feel like a rock thing. I guess I don't know.

436
00:19:02,880 --> 00:19:05,000
Speaker 1: L King, listen to this. The first female artist in history.

437
00:19:05,040 --> 00:19:07,960
Speaker 1: You've scored four radio number one singles on different formats

438
00:19:08,359 --> 00:19:12,800
Speaker 1: for a country, for alternative, adult, alternative, and adult pop songs.

439
00:19:12,840 --> 00:19:15,919
Speaker 1: So that's awesome. It just shows how versatile your message is,

440
00:19:16,040 --> 00:19:19,080
Speaker 1: more than any certain instrument or sound. Yeah. Yeah, but

441
00:19:19,160 --> 00:19:22,320
Speaker 1: like it shows how versatile the messages and that all

442
00:19:22,359 --> 00:19:25,399
Speaker 1: people regardless of what. Yeah, I'm not a big genre

443
00:19:25,480 --> 00:19:28,639
Speaker 1: guy myself, but it just shows that you're connected in

444
00:19:28,680 --> 00:19:31,400
Speaker 1: a lot of ways. That's really cool. Yeah, good things. Um,

445
00:19:31,480 --> 00:19:34,760
Speaker 1: so I think that's it. Dirk's l Charlie the band,

446
00:19:35,000 --> 00:19:37,600
Speaker 1: great job. As always. I feel like in different forms,

447
00:19:37,600 --> 00:19:39,200
Speaker 1: I see everybody here about I don't know, twice a

448
00:19:39,240 --> 00:19:41,840
Speaker 1: week somebody from some of this groups coming in in

449
00:19:41,880 --> 00:19:43,479
Speaker 1: some way. It was a killer band. You guys an

450
00:19:43,560 --> 00:19:45,399
Speaker 1: a great today. All right, go look for Ell on

451
00:19:45,440 --> 00:19:48,280
Speaker 1: the road. Also Dirk Spentley, he'll be in next week

452
00:19:48,320 --> 00:19:51,359
Speaker 1: with who who do you think? Well, who's supporting Charlie

453
00:19:51,400 --> 00:19:57,720
Speaker 1: next week? Yeah? Yeah, maybe maybe TJ's yeah, yeah, yeah,

454
00:19:58,000 --> 00:20:00,680
Speaker 1: both brothers. Chant. I'll end with this because something else

455
00:20:00,680 --> 00:20:02,920
Speaker 1: and I were talking about was asking people to do

456
00:20:03,840 --> 00:20:06,639
Speaker 1: collabs or like to feature on a song. And you know,

457
00:20:07,520 --> 00:20:10,000
Speaker 1: we had we had opened for Garth Brooks and we

458
00:20:10,160 --> 00:20:12,800
Speaker 1: did this song called Opening Act, and so I had

459
00:20:12,840 --> 00:20:15,080
Speaker 1: to reach out to people and be like, hey, we're

460
00:20:15,119 --> 00:20:16,720
Speaker 1: looking for somebody to hop on this verse. And it's

461
00:20:16,720 --> 00:20:19,200
Speaker 1: a very awkward thing for me and I do comedy music.

462
00:20:19,359 --> 00:20:20,919
Speaker 1: And I was like, I'm always like, hey, do you

463
00:20:20,920 --> 00:20:22,399
Speaker 1: want to get on the song. If you don't want to,

464
00:20:22,400 --> 00:20:23,720
Speaker 1: you don't have to. I know, it's stupid. Who wants

465
00:20:23,720 --> 00:20:25,959
Speaker 1: to do when you reach out to somebody? Dirk's are

466
00:20:26,000 --> 00:20:28,399
Speaker 1: you always like, hey, man, it's a great song. You

467
00:20:28,400 --> 00:20:30,199
Speaker 1: should be on it. No, or are you on the

468
00:20:30,240 --> 00:20:32,320
Speaker 1: same I'm like you, I'm like, man, because it's a

469
00:20:32,320 --> 00:20:34,560
Speaker 1: big response, it's a big obligation. You're asking somebody to

470
00:20:34,640 --> 00:20:36,240
Speaker 1: kind of, you know, be in with you for the

471
00:20:36,280 --> 00:20:38,000
Speaker 1: next year. If Starr I was like, you know, if

472
00:20:38,000 --> 00:20:39,439
Speaker 1: you can make it an award show or make the

473
00:20:39,520 --> 00:20:41,840
Speaker 1: video shoot or you're gonna go. There's a lot of

474
00:20:41,840 --> 00:20:43,359
Speaker 1: responsibilites to come with being on a song. It's not

475
00:20:43,359 --> 00:20:44,639
Speaker 1: like you just go in there cutting like all right,

476
00:20:45,040 --> 00:20:47,280
Speaker 1: see you. It's like, hey, I'm gonna need you, uh

477
00:20:47,560 --> 00:20:49,320
Speaker 1: next month these days, it's gonna need you for the

478
00:20:49,400 --> 00:20:50,760
Speaker 1: video shoot and all this stuff. So it's kind of

479
00:20:50,840 --> 00:20:52,240
Speaker 1: you're kind of I think it's a favor to be

480
00:20:52,520 --> 00:20:54,320
Speaker 1: even it's a big hit song, you're kind of saying, hey,

481
00:20:54,680 --> 00:20:57,480
Speaker 1: you know, would you be I really appreciate if you'd

482
00:20:57,480 --> 00:20:58,600
Speaker 1: take a look at being on this. So I come

483
00:20:58,640 --> 00:21:01,040
Speaker 1: to the other angle, you know, but is it then?

484
00:21:01,080 --> 00:21:02,920
Speaker 1: Do you get nervous they're gonna Has anyone ever said

485
00:21:02,920 --> 00:21:05,240
Speaker 1: no to you? Yeah, And I've said no to other

486
00:21:05,480 --> 00:21:07,720
Speaker 1: other people too, you know. I've had some people pitch

487
00:21:07,800 --> 00:21:10,560
Speaker 1: you songs and like friends like friends, good friends. Yeah,

488
00:21:10,560 --> 00:21:11,520
Speaker 1: I'd be like, I don't know this is a good

489
00:21:11,560 --> 00:21:13,159
Speaker 1: song for your career. I mean I'm just as an

490
00:21:13,200 --> 00:21:15,720
Speaker 1: outside of you know, as a friend of yours, an

491
00:21:15,760 --> 00:21:17,560
Speaker 1: outside looker. I'm like, I don't know if you should

492
00:21:17,560 --> 00:21:19,199
Speaker 1: be putting this song out. So you just tell them

493
00:21:19,200 --> 00:21:20,480
Speaker 1: you don't want to do it, and they shouldn't do

494
00:21:20,480 --> 00:21:24,919
Speaker 1: anything like that. I'll know this, the song has been

495
00:21:24,920 --> 00:21:26,640
Speaker 1: good for your career. I don't know if you're a singer,

496
00:21:30,119 --> 00:21:32,320
Speaker 1: but uh yeah, I've had to go both ways for sure.

497
00:21:32,440 --> 00:21:35,080
Speaker 1: So well, Bobby, wasn't it Breland on the Bobby Cast

498
00:21:35,119 --> 00:21:38,359
Speaker 1: that said, when Dirk's reached out to him about beers

499
00:21:38,400 --> 00:21:40,840
Speaker 1: on me, like you texted him and he said, hey,

500
00:21:41,080 --> 00:21:43,880
Speaker 1: this is Dirk Smantly, you know, the country artist, oh,

501
00:21:43,920 --> 00:21:46,120
Speaker 1: the country singer, and like you were defining who you were,

502
00:21:46,160 --> 00:21:48,240
Speaker 1: and Breland said that he was like, dude, you don't.

503
00:21:48,400 --> 00:21:52,440
Speaker 1: I always introduced myself, even like I remember Taylor Swift

504
00:21:52,480 --> 00:21:54,200
Speaker 1: them and I've a song with her on stage and

505
00:21:54,240 --> 00:21:55,640
Speaker 1: done some stuff with her. Every time I see him,

506
00:21:55,680 --> 00:21:58,440
Speaker 1: so like, hey, Taylor, Dirk Spelly, nice, I know who

507
00:21:58,480 --> 00:22:00,439
Speaker 1: you aren't. Well, I'm just making sure you know I

508
00:22:00,440 --> 00:22:03,560
Speaker 1: don't know, but uh yeah, I've had I've been I've

509
00:22:03,560 --> 00:22:05,400
Speaker 1: cut a song something before and had to call Mary

510
00:22:05,480 --> 00:22:07,920
Speaker 1: Hilliar and be like, you gotta get it off this song.

511
00:22:08,160 --> 00:22:11,240
Speaker 1: So you've cut it, Like, that's not a good song.

512
00:22:11,280 --> 00:22:15,440
Speaker 1: You gotta help me. That's dicey. That's a dicey situation.

513
00:22:16,440 --> 00:22:19,120
Speaker 1: We've got a couple of people want that we're gonna

514
00:22:19,160 --> 00:22:20,920
Speaker 1: be in this little song. And one of them was

515
00:22:20,920 --> 00:22:22,639
Speaker 1: like yeah immediately the other one. I sent a message too,

516
00:22:22,640 --> 00:22:24,159
Speaker 1: and I still haven't heard back. And it's been like

517
00:22:24,200 --> 00:22:27,159
Speaker 1: a bit because you send voice notes. But what do

518
00:22:27,480 --> 00:22:30,040
Speaker 1: you mean it's because of that. Well, you gotta tape

519
00:22:30,040 --> 00:22:31,359
Speaker 1: it out. Oh I don't want them to keep it,

520
00:22:31,400 --> 00:22:34,040
Speaker 1: though they can keep you keep it, but they don't.

521
00:22:34,040 --> 00:22:36,760
Speaker 1: I told el people remember that. Usually think at one

522
00:22:36,800 --> 00:22:38,760
Speaker 1: point all our text messages are gonna be totally public.

523
00:22:38,840 --> 00:22:42,560
Speaker 1: I do. At one point earlier, how much Bolly Bones

524
00:22:42,600 --> 00:22:44,760
Speaker 1: talked about me? And you know they like everything. You've

525
00:22:44,760 --> 00:22:46,879
Speaker 1: better sit up just searching boom. Yes, yeah, I searched

526
00:22:47,080 --> 00:22:49,520
Speaker 1: Bobby Bones. My name. Oh my god, Darcy's mouth breathing

527
00:22:49,520 --> 00:22:55,800
Speaker 1: into the microphone. Okay, listen, great job, Dirk, sound wonderful.

528
00:22:55,880 --> 00:22:59,000
Speaker 1: Great new song. You guys, appreciate you and we will

529
00:22:59,080 --> 00:23:02,800
Speaker 1: see you if on TV sooner than that. Okay, guys

530
00:23:03,720 --> 00:23:07,600
Speaker 1: co hosting the CMA Fest on ABC, and we will

531
00:23:07,600 --> 00:23:10,879
Speaker 1: see you guys. So it's the best bits of the

532
00:23:10,920 --> 00:23:18,720
Speaker 1: week with Morgan. Number two, The Draft was back this week.

533
00:23:18,760 --> 00:23:22,239
Speaker 1: Everyone's favorite segment. I mean, I know there's a lot

534
00:23:22,240 --> 00:23:24,480
Speaker 1: of favorite segments, but this one definitely tops the list

535
00:23:24,520 --> 00:23:26,560
Speaker 1: for a lot of people. So we brought the Draft

536
00:23:26,680 --> 00:23:30,280
Speaker 1: back this week and we drafted the best snacks of

537
00:23:30,280 --> 00:23:32,640
Speaker 1: our childhood. And I'm just gonna tell y'all, I mean,

538
00:23:32,680 --> 00:23:35,280
Speaker 1: I drafted some that the show was like, what are

539
00:23:35,320 --> 00:23:37,679
Speaker 1: you doing? And I'm like, listen, I was born like

540
00:23:37,800 --> 00:23:39,560
Speaker 1: a little bit later than y'all, so it's a little

541
00:23:39,560 --> 00:23:43,000
Speaker 1: bit different for me. But it was fun to hear everyone's,

542
00:23:43,119 --> 00:23:45,280
Speaker 1: you know, favorite snacks from their childhood and have a

543
00:23:45,280 --> 00:23:48,040
Speaker 1: little bit of nostalgia with this segment. Okay, also made

544
00:23:48,040 --> 00:23:52,120
Speaker 1: me very hungry, So be aware. Number five best snacks

545
00:23:52,160 --> 00:23:55,600
Speaker 1: from our childhood. So five of us are here. We'll

546
00:23:55,600 --> 00:23:59,359
Speaker 1: make our team. And if you finished last in the voting,

547
00:23:59,680 --> 00:24:02,040
Speaker 1: you have to post a picture of you sucking your

548
00:24:02,040 --> 00:24:06,320
Speaker 1: thumb on your Instagram with no context. That's the punishment. Wow,

549
00:24:06,600 --> 00:24:11,000
Speaker 1: yeah yeah, yeah yeah yeah for at least twenty four hours,

550
00:24:11,280 --> 00:24:12,800
Speaker 1: and you can delete it. Then you can delete it.

551
00:24:13,680 --> 00:24:16,320
Speaker 1: So that'll be the punishment if you finished last. Now, Ray,

552
00:24:16,600 --> 00:24:18,359
Speaker 1: we roll the dice. You get to go first. What

553
00:24:18,440 --> 00:24:22,600
Speaker 1: will you draft as your first best snack from childhood?

554
00:24:22,920 --> 00:24:25,040
Speaker 1: I still eat them to this day. They're so good.

555
00:24:25,720 --> 00:24:28,480
Speaker 1: Lunchible dang, that's gonna be mine. That's a great one.

556
00:24:30,080 --> 00:24:33,760
Speaker 1: He still eats lensibles. You do still eat yep at

557
00:24:33,920 --> 00:24:37,840
Speaker 1: all the grocery stores in the area. They got them,

558
00:24:37,880 --> 00:24:40,360
Speaker 1: all right. I'm gonna go with as the second overall

559
00:24:40,400 --> 00:24:48,240
Speaker 1: pick snacks from childhood. I'm gonna go with hot pockets.

560
00:24:48,440 --> 00:24:56,359
Speaker 1: Dang it. That's good, real dead lunchbox. Yeah, it's easy.

561
00:24:57,080 --> 00:24:59,679
Speaker 1: Stick them in the toaster and they pop up and

562
00:24:59,680 --> 00:25:03,680
Speaker 1: you go, there's my pop tart. Pop tarts, solid pop tart.

563
00:25:04,000 --> 00:25:11,040
Speaker 1: It's good, good Eddie. I'm gonna go bones with easy

564
00:25:11,160 --> 00:25:18,080
Speaker 1: cheese and crackers. Easy cheese, easy cheese cheese. Let's go

565
00:25:18,200 --> 00:25:23,240
Speaker 1: little Okay, and our final pick of the first round, Morgan,

566
00:25:23,320 --> 00:25:26,280
Speaker 1: what is your favorite snack from childhood? I would put

567
00:25:26,280 --> 00:25:29,040
Speaker 1: these in my lunch every single day, and it's gushers.

568
00:25:29,240 --> 00:25:34,639
Speaker 1: Gushers are solid. Hey man, I'm running out. I'm like, oh, okay,

569
00:25:34,640 --> 00:25:36,959
Speaker 1: that's the first round. We get three rounds. Now when

570
00:25:36,960 --> 00:25:38,280
Speaker 1: we load them up on the internet. We're not gonna

571
00:25:38,280 --> 00:25:39,720
Speaker 1: put her names on what the teams are. Okay, We're

572
00:25:39,760 --> 00:25:41,760
Speaker 1: gonna see the teams vote for them. That's a good idea.

573
00:25:41,960 --> 00:25:44,320
Speaker 1: All right, Morgan, you got the first round, first pick

574
00:25:44,320 --> 00:25:45,840
Speaker 1: of the second rounds that you went last in the

575
00:25:45,840 --> 00:25:48,240
Speaker 1: first round, Go ahead, I have so many more. Oh

576
00:25:48,280 --> 00:25:51,960
Speaker 1: my gosh, okay, um yeah, I think I'm gonna go

577
00:25:52,040 --> 00:25:56,119
Speaker 1: dunk a ruse. Duck rous is solid. I'm running out, Eddie.

578
00:25:57,480 --> 00:26:00,320
Speaker 1: My pick for the second round bones will be free.

579
00:26:00,400 --> 00:26:04,560
Speaker 1: Roll up, good one and that's a good one. Crap,

580
00:26:05,440 --> 00:26:08,119
Speaker 1: all right, lunchbox over to you. Your best snack from childhood,

581
00:26:08,160 --> 00:26:10,399
Speaker 1: your second round pick. Oh yeah, guys, you want one? No,

582
00:26:10,480 --> 00:26:12,960
Speaker 1: you want to? You know why? Because they're called twinkies,

583
00:26:14,000 --> 00:26:23,639
Speaker 1: who are solid best snacks from childhood? I like, I

584
00:26:23,680 --> 00:26:26,280
Speaker 1: have the last pick of the round. What do you

585
00:26:26,320 --> 00:26:30,000
Speaker 1: have so far? Only one? I have no rais after me.

586
00:26:30,000 --> 00:26:36,280
Speaker 1: I have hot pockets. I'm thinking about because if it's

587
00:26:36,320 --> 00:26:40,960
Speaker 1: still able to be snacked on. Now, that's okay. Oh yeah,

588
00:26:41,000 --> 00:26:44,680
Speaker 1: I'm gonna go with the pringles. Once you poppy can't stop,

589
00:26:44,880 --> 00:26:47,000
Speaker 1: I'm gonna go with you can't just eat one or whatever. Yeah,

590
00:26:47,960 --> 00:26:52,920
Speaker 1: I'm gonna go with pringles. Ray still can be eating today.

591
00:26:53,160 --> 00:26:55,560
Speaker 1: But anytime you'd any food and Mom had to make

592
00:26:55,560 --> 00:26:57,800
Speaker 1: you something real quick, you went with the bagel bites.

593
00:26:57,840 --> 00:27:00,160
Speaker 1: He bites. He's gonna have it too. You's a good one.

594
00:27:00,560 --> 00:27:02,639
Speaker 1: All right. That's two rounds, one more round to go.

595
00:27:04,280 --> 00:27:05,960
Speaker 1: Let's look at raised team here. You got lunch bowls

596
00:27:05,960 --> 00:27:10,359
Speaker 1: and bagel bites. Ray, what's your final pick? The koole

597
00:27:10,560 --> 00:27:12,600
Speaker 1: that came in the little bottles that all the rich

598
00:27:12,720 --> 00:27:15,879
Speaker 1: kids had. I never really drank them, squeeze it. Oh

599
00:27:15,920 --> 00:27:20,240
Speaker 1: they did have a name, Seze. Okay, raids led me

600
00:27:20,320 --> 00:27:22,360
Speaker 1: to something then, I don't think I had it here?

601
00:27:25,520 --> 00:27:27,520
Speaker 1: What are those little sun kiss pat what are those

602
00:27:28,600 --> 00:27:32,040
Speaker 1: top to strawing? I see, I see? Yeah, No, no, no,

603
00:27:32,160 --> 00:27:38,760
Speaker 1: there's another one. There's another one. Cool Capri sign. That's it,

604
00:27:38,840 --> 00:27:43,080
Speaker 1: Capri sign. I'm going with Capri sign, which I didn't

605
00:27:43,119 --> 00:27:45,800
Speaker 1: have on my list, but it is solids. I'm going

606
00:27:45,800 --> 00:27:50,439
Speaker 1: with Capri sign. Go ahead, lunch box, Oh man, you

607
00:27:50,520 --> 00:27:53,800
Speaker 1: know it's easy. Guys. When you look at snacks and

608
00:27:53,800 --> 00:27:57,240
Speaker 1: you're hungry, you go to the little I'm trying to

609
00:27:57,280 --> 00:27:58,840
Speaker 1: I'm just trying to stall because I don't have one.

610
00:28:00,400 --> 00:28:02,440
Speaker 1: You go to that what is it called a pantry? Yeah,

611
00:28:02,840 --> 00:28:05,480
Speaker 1: and you look in there and you're like, damn, what

612
00:28:05,640 --> 00:28:08,680
Speaker 1: looks good? Oh? Yeah, you see those little guys looking

613
00:28:08,680 --> 00:28:13,400
Speaker 1: at you like candy cigarettes. Those are those are awesome?

614
00:28:13,680 --> 00:28:17,359
Speaker 1: Those were so cool. But you get the animal crackers.

615
00:28:17,640 --> 00:28:21,120
Speaker 1: They are addicting. They're delicious. They're plain, simple and home

616
00:28:21,200 --> 00:28:23,000
Speaker 1: run and more of a cookie than a cracker. Yeah,

617
00:28:23,600 --> 00:28:26,520
Speaker 1: they're definitely Eddie your last one. All right, buns, this

618
00:28:26,600 --> 00:28:29,480
Speaker 1: is the master of them all, the best pick ever,

619
00:28:29,800 --> 00:28:37,320
Speaker 1: peanut butter and jelly crustables. Remember those bad boys Morgan

620
00:28:37,400 --> 00:28:39,840
Speaker 1: final pick. I don't know how you guys are saying

621
00:28:39,840 --> 00:28:41,800
Speaker 1: you don't have any. I had so many more because

622
00:28:41,800 --> 00:28:44,200
Speaker 1: you're younger, you got your childhood. Have a bunch, and

623
00:28:44,240 --> 00:28:46,360
Speaker 1: I'm since I'm the last one I can say these

624
00:28:46,400 --> 00:28:51,960
Speaker 1: but cheeseballs, go GURTs, cosmic brownies, flavor ice an adult thing.

625
00:28:52,040 --> 00:28:58,600
Speaker 1: You know there's not more little demiman job here, twinkies,

626
00:28:58,680 --> 00:29:01,760
Speaker 1: I got tweakies. You know what I'm gonna go with

627
00:29:01,840 --> 00:29:03,240
Speaker 1: this one because when you get it out of the

628
00:29:03,280 --> 00:29:04,920
Speaker 1: freezer on a hot summer day, it was the best

629
00:29:05,000 --> 00:29:09,560
Speaker 1: day ever. A flavor ice, Yep, they come straight. They're

630
00:29:09,680 --> 00:29:12,160
Speaker 1: skinny little things. They come in blue, red, green, purple,

631
00:29:12,200 --> 00:29:15,800
Speaker 1: all the colors you want. Popsicle. All right, here we have.

632
00:29:15,880 --> 00:29:17,520
Speaker 1: These are the teams that will not be listed by name.

633
00:29:17,640 --> 00:29:20,520
Speaker 1: Team one would be raised. Team A Team one Lunchables,

634
00:29:20,560 --> 00:29:24,720
Speaker 1: bagel bites and squeeze its solid mine, hot pockets, pringles

635
00:29:24,720 --> 00:29:27,960
Speaker 1: and caprice sons. I mean that's a lunch from Yeah, yeah,

636
00:29:28,000 --> 00:29:29,840
Speaker 1: I could still eat that Today's church, can't. Baby, They

637
00:29:29,920 --> 00:29:32,240
Speaker 1: hook you up with that, right there. Lunch box, pop tarts,

638
00:29:32,280 --> 00:29:34,280
Speaker 1: tweinakis and animal crackers. Not my best. Team A lot

639
00:29:34,280 --> 00:29:37,120
Speaker 1: of sugar, Yeah, not my best. That's my favorite that

640
00:29:37,160 --> 00:29:42,200
Speaker 1: I would eat yours man, Eddie's easy Cheese, fruit roll

641
00:29:42,280 --> 00:29:47,280
Speaker 1: ups and crustables. Yeah, I'm about to google crustables. Morgan

642
00:29:47,360 --> 00:29:51,040
Speaker 1: has Gushers, dunk a Ruse and flavor ice. So solid

643
00:29:51,080 --> 00:29:52,920
Speaker 1: of a team, right, you can't yell about your own?

644
00:29:53,280 --> 00:29:55,400
Speaker 1: Sure you can't, Eddie, I've never seen these things in

645
00:29:55,440 --> 00:29:58,360
Speaker 1: my life. Crustables, all right, go vote to Bobbybones dot com.

646
00:29:58,360 --> 00:30:02,040
Speaker 1: We'll pick a loser. Everybody wins except one person, and

647
00:30:02,080 --> 00:30:03,640
Speaker 1: the loser will have to suck their own thumb on

648
00:30:03,720 --> 00:30:05,360
Speaker 1: their own instant and then does the loser also have

649
00:30:05,400 --> 00:30:11,120
Speaker 1: to sit out? Yeah, that's what she's doing, all right,

650
00:30:11,240 --> 00:30:14,680
Speaker 1: Thank you guys. It's the best bits of the week

651
00:30:15,440 --> 00:30:19,920
Speaker 1: with Morgan. Number two, the charity softball game to kickoff

652
00:30:20,080 --> 00:30:24,440
Speaker 1: CMA Festival happened this week. Raymundo, Lunchbox and myself all

653
00:30:24,600 --> 00:30:26,840
Speaker 1: played in it and it was such a good time.

654
00:30:26,880 --> 00:30:29,760
Speaker 1: But per usual, there was some drama that came with it,

655
00:30:29,800 --> 00:30:32,840
Speaker 1: because why not, you know, we gotta just spice things

656
00:30:32,960 --> 00:30:36,760
Speaker 1: up a bit sometimes. And it really was an awesome time.

657
00:30:36,800 --> 00:30:39,280
Speaker 1: If you Missy, you can check out some photos online.

658
00:30:39,600 --> 00:30:42,000
Speaker 1: There's just so many cool things. And I'm just gonna

659
00:30:42,000 --> 00:30:43,880
Speaker 1: say I got a few hits and I'm pretty proud

660
00:30:43,880 --> 00:30:46,920
Speaker 1: of myself, though I probably could have played better, let's

661
00:30:46,960 --> 00:30:50,640
Speaker 1: be honest. Number four, big celebrity softball game last night

662
00:30:50,640 --> 00:30:53,400
Speaker 1: for charity. Morgan. You went out, you played? Howd you play? Yeah?

663
00:30:53,440 --> 00:30:56,120
Speaker 1: I played really good. I got I hit four times.

664
00:30:56,400 --> 00:30:58,360
Speaker 1: Two of them were pop flies. They were in the outfield,

665
00:30:58,360 --> 00:31:00,560
Speaker 1: which is pretty cool. And then they too. I got

666
00:31:00,600 --> 00:31:02,959
Speaker 1: on bass and I scored. Did you guys win? How

667
00:31:02,960 --> 00:31:04,760
Speaker 1: did it work? We did not win? Who was the

668
00:31:04,760 --> 00:31:07,120
Speaker 1: best ball player last night? In the celebrities? I mean,

669
00:31:07,240 --> 00:31:09,680
Speaker 1: Hardy got MVP and he definitely deserved it. I think

670
00:31:09,680 --> 00:31:12,400
Speaker 1: he had like four home runs like in field home runs.

671
00:31:12,640 --> 00:31:17,320
Speaker 1: Oh he's a ballplayer, like, oh dude, he mashed the ball,

672
00:31:18,080 --> 00:31:20,640
Speaker 1: mashed it was hitting it over the Outfieler's head. They

673
00:31:20,640 --> 00:31:22,360
Speaker 1: would back up, he'd still hit it over their head.

674
00:31:22,440 --> 00:31:24,960
Speaker 1: It was I was like, wow, did you get to play?

675
00:31:25,560 --> 00:31:27,720
Speaker 1: I mean because I made sure you got to play

676
00:31:27,800 --> 00:31:30,360
Speaker 1: some I mean really, they didn't have me on anything.

677
00:31:30,640 --> 00:31:34,720
Speaker 1: I was Here's the thing, before the game, they announced everybody.

678
00:31:34,800 --> 00:31:36,880
Speaker 1: I was the only person that didn't get announced. I

679
00:31:36,920 --> 00:31:39,080
Speaker 1: was just sitting there and Jimmy Allen's like, luds, why

680
00:31:39,080 --> 00:31:40,800
Speaker 1: are you being announced? Come up here? And so I

681
00:31:40,880 --> 00:31:43,520
Speaker 1: just gotta walked out. Why didn't they announce you? No idea?

682
00:31:43,640 --> 00:31:45,760
Speaker 1: So then Morgan had to raise a name on the

683
00:31:45,760 --> 00:31:50,440
Speaker 1: board and write my name in the lineup. That's just embarrassing. Golly,

684
00:31:50,920 --> 00:31:53,920
Speaker 1: who did you play at all? So I hit, I went,

685
00:31:54,040 --> 00:31:55,760
Speaker 1: I bat, I hit three times. That was it. How

686
00:31:55,920 --> 00:31:58,800
Speaker 1: you do on two for three. Look, you showed them

687
00:31:58,920 --> 00:32:02,600
Speaker 1: pretty good. Many win. No, we got crushed party and

688
00:32:02,800 --> 00:32:05,520
Speaker 1: Ernest and Chris Lane. I mean, well, they put all

689
00:32:05,520 --> 00:32:08,360
Speaker 1: the college baseball players on one team, penny all of them.

690
00:32:08,440 --> 00:32:11,200
Speaker 1: I mean, just mash anybody almost get into a fight,

691
00:32:11,240 --> 00:32:13,680
Speaker 1: because when I play, there's always somebody going at it. Well,

692
00:32:13,720 --> 00:32:16,240
Speaker 1: there was a fake fight between Jimmy Allen and Ernest,

693
00:32:16,280 --> 00:32:18,680
Speaker 1: but I'm telling you, Ernest was not pulling his punches.

694
00:32:18,880 --> 00:32:21,600
Speaker 1: It felt real like it looked like it was supposed

695
00:32:21,640 --> 00:32:22,720
Speaker 1: to be fake. But I was like, I think he

696
00:32:22,760 --> 00:32:24,600
Speaker 1: kind of means that. I don't want to fight Jimmy Allen.

697
00:32:25,160 --> 00:32:27,200
Speaker 1: You know. Yeah, it's ripped, man, let me pop your

698
00:32:27,240 --> 00:32:30,240
Speaker 1: head off. Well, I'm sorry you didn't get to play lunch.

699
00:32:30,400 --> 00:32:32,360
Speaker 1: That's okay, I'm sorry you didn't get Why do you

700
00:32:32,360 --> 00:32:34,320
Speaker 1: think they kept you out of the announcement. I have

701
00:32:34,400 --> 00:32:37,720
Speaker 1: no idea, Like I'm offended for you, Okay, Yeah, I

702
00:32:37,840 --> 00:32:41,640
Speaker 1: was just confused. Ray, I love you. Okay, this is

703
00:32:41,680 --> 00:32:45,200
Speaker 1: nothing against Raygan announced. But oh yeah, Raygant announced on

704
00:32:45,320 --> 00:32:47,440
Speaker 1: the line on the actual Because a lot of people

705
00:32:47,480 --> 00:32:49,959
Speaker 1: were posting the lineup on social media, like a lot

706
00:32:50,000 --> 00:32:54,480
Speaker 1: of people like I've seen it everywhere and Raymundo is

707
00:32:54,520 --> 00:32:56,600
Speaker 1: front and center with all the artists on the lineup,

708
00:32:56,800 --> 00:33:02,520
Speaker 1: and to me, Lunchbox is more has more of a

709
00:33:02,560 --> 00:33:05,000
Speaker 1: presence than Ray in a way. So you would think

710
00:33:05,240 --> 00:33:08,720
Speaker 1: if Ray made the lineup, lunch Box would on that graphic,

711
00:33:08,840 --> 00:33:11,600
Speaker 1: like lunch Box isn't even on the craft do you guys?

712
00:33:11,840 --> 00:33:14,720
Speaker 1: Love you? Ray? Tell me what I'm gonna do? I mean,

713
00:33:14,760 --> 00:33:16,640
Speaker 1: the game's over, Like it's over. There's nothing you can

714
00:33:16,680 --> 00:33:18,640
Speaker 1: do like it. And then so then they want, so

715
00:33:18,720 --> 00:33:22,560
Speaker 1: what my my role was to interview players in between

716
00:33:22,680 --> 00:33:26,120
Speaker 1: innings and how exciting is it to go to, hey, man,

717
00:33:26,200 --> 00:33:29,280
Speaker 1: you have fun? But I saw you on the JumboTron. Yeah,

718
00:33:29,280 --> 00:33:31,560
Speaker 1: that's pretty good, right. But they're like, you're supposed to

719
00:33:31,600 --> 00:33:33,440
Speaker 1: hype the crowd. I'm like, guys, if we do this

720
00:33:33,480 --> 00:33:37,560
Speaker 1: every half inning, it's not exciting. And so I was like,

721
00:33:37,600 --> 00:33:38,960
Speaker 1: why don't we go out in the field and interview

722
00:33:39,000 --> 00:33:41,320
Speaker 1: them why they're playing? That's fine? But we didn't do that.

723
00:33:41,480 --> 00:33:45,120
Speaker 1: Uh well, I'm sorry that happened. That's disappointing. It's all right,

724
00:33:45,240 --> 00:33:47,720
Speaker 1: it's fine. It's all about raising money for Folds of Honor,

725
00:33:47,760 --> 00:33:51,280
Speaker 1: and the fans were great and it was very awful.

726
00:33:51,280 --> 00:33:53,200
Speaker 1: It maybe all about it and it's still not suck

727
00:33:53,320 --> 00:33:55,960
Speaker 1: for you. That sucks. Well, let me just see what

728
00:33:56,160 --> 00:33:57,320
Speaker 1: but I'll let me to see who I talk to.

729
00:33:57,880 --> 00:33:59,480
Speaker 1: I will say thank you to Morgan for writing me

730
00:33:59,520 --> 00:34:01,080
Speaker 1: on the line up, because I was like, no, Morgan,

731
00:34:01,200 --> 00:34:03,440
Speaker 1: like whatever, they don't want me to play, I won't play.

732
00:34:03,480 --> 00:34:05,520
Speaker 1: But she wrote me on. And do you think it

733
00:34:05,680 --> 00:34:08,080
Speaker 1: was somebody holding it against you? I don't know, because

734
00:34:08,120 --> 00:34:09,640
Speaker 1: then Morgan had to we had to go to the

735
00:34:09,640 --> 00:34:11,520
Speaker 1: people specifically to make sure they knew that I was

736
00:34:11,520 --> 00:34:13,360
Speaker 1: gonna hit, because the person up in the booth was

737
00:34:13,360 --> 00:34:15,480
Speaker 1: not gonna have me hitting, so they were gonna announce

738
00:34:15,480 --> 00:34:17,120
Speaker 1: someone else, and if I went to the plate, it

739
00:34:17,239 --> 00:34:19,000
Speaker 1: was gonna be like, Oh, what is this guy? Mario?

740
00:34:19,040 --> 00:34:20,759
Speaker 1: Why do you think they did that to Lunchbox? I

741
00:34:20,800 --> 00:34:23,000
Speaker 1: don't know. I think they just really wanted him to

742
00:34:23,040 --> 00:34:25,520
Speaker 1: do the interviews, But it just didn't make sense to

743
00:34:25,560 --> 00:34:27,759
Speaker 1: me because he easily could have played and done the

744
00:34:27,800 --> 00:34:30,560
Speaker 1: interviews like he very well did both the whole time,

745
00:34:30,760 --> 00:34:33,000
Speaker 1: and that should have happened in the first place. Ray

746
00:34:33,000 --> 00:34:36,400
Speaker 1: had you play Buddy two for three? My heats or

747
00:34:36,440 --> 00:34:38,879
Speaker 1: my hits were very cheap. I wish I crushed it better.

748
00:34:38,960 --> 00:34:41,160
Speaker 1: But you had those artists. They had all day. They

749
00:34:41,160 --> 00:34:43,359
Speaker 1: were taking batting practice at four, so they were all

750
00:34:43,360 --> 00:34:45,239
Speaker 1: warmed up and good to go once again. Us at

751
00:34:45,360 --> 00:34:48,719
Speaker 1: nine to five. Jobs. Sorry, we showed don't have nine job, Yeah,

752
00:34:48,719 --> 00:34:51,040
Speaker 1: you get out of it. Showed up early for batting practice.

753
00:34:51,280 --> 00:34:53,120
Speaker 1: Morgan was there an hour early to hit. Good for

754
00:34:53,160 --> 00:34:54,920
Speaker 1: you guys. I'm glad you raise money. There are a

755
00:34:54,960 --> 00:34:57,319
Speaker 1: lot of people there, Yes, Morgan. I will say, like,

756
00:34:57,360 --> 00:35:00,080
Speaker 1: there's two things. One. Ray Mundo kept coming over to

757
00:35:00,200 --> 00:35:01,960
Speaker 1: our dug out because he kept saying, you damn have

758
00:35:01,960 --> 00:35:04,360
Speaker 1: any friends on his team, So he was like the

759
00:35:04,480 --> 00:35:06,080
Speaker 1: white hanging out with all the green team. I'm like,

760
00:35:06,080 --> 00:35:07,800
Speaker 1: what are you doing over here? Ray? Go make friends?

761
00:35:07,920 --> 00:35:09,839
Speaker 1: Who was on your team that he didn't like, Well,

762
00:35:09,840 --> 00:35:12,360
Speaker 1: they just didn't talk to me. They're all boys, Ernest Hardy,

763
00:35:12,520 --> 00:35:15,320
Speaker 1: Chris Lane, Tenpenny, They're like the boys group. They wouldn't

764
00:35:15,320 --> 00:35:17,600
Speaker 1: talk to you. No, not really, And I'm married, so

765
00:35:17,640 --> 00:35:22,040
Speaker 1: I couldn't talk to the girls. So why did you

766
00:35:22,080 --> 00:35:24,320
Speaker 1: get in trouble for having your phone in the outfield?

767
00:35:24,360 --> 00:35:26,480
Speaker 1: That was Kane Brown. He's like some guy over there's

768
00:35:26,640 --> 00:35:28,200
Speaker 1: got his phone out and he's playing on it the

769
00:35:28,239 --> 00:35:30,719
Speaker 1: whole game. I was trying to go live with Instagram

770
00:35:30,760 --> 00:35:32,680
Speaker 1: while I was fielding. Yeah, I was about to interview

771
00:35:32,760 --> 00:35:34,200
Speaker 1: Kane Brown in between indies and I was like, dude,

772
00:35:34,200 --> 00:35:35,399
Speaker 1: you haven't fun an He goes, yeah, I just want

773
00:35:35,400 --> 00:35:36,360
Speaker 1: them to hit me the ball. I was like, well,

774
00:35:36,360 --> 00:35:37,960
Speaker 1: why don't you play shorter third? I say, if you're

775
00:35:37,960 --> 00:35:39,759
Speaker 1: out in the outfit, He goes, I'd play left field.

776
00:35:39,800 --> 00:35:42,000
Speaker 1: But there's some idiot out there just on his phone

777
00:35:42,000 --> 00:35:47,719
Speaker 1: the whole time. That rises, right, no idea, All right,

778
00:35:47,760 --> 00:35:49,239
Speaker 1: well we can't do anything with that out there being

779
00:35:49,280 --> 00:35:51,560
Speaker 1: a little drama. Yet more, there is one more thing.

780
00:35:51,640 --> 00:35:54,359
Speaker 1: Lunchbox did get a better end of the deal at

781
00:35:54,360 --> 00:35:56,920
Speaker 1: the end of the night because he did take something

782
00:35:57,120 --> 00:35:59,440
Speaker 1: that was not his of all the freebies that we

783
00:35:59,480 --> 00:36:03,319
Speaker 1: got something of course, okay, this is why he Okay,

784
00:36:03,320 --> 00:36:05,040
Speaker 1: we're always like, why do they let him play? We

785
00:36:05,160 --> 00:36:07,520
Speaker 1: had a short term memory. Okay, what did you take?

786
00:36:07,760 --> 00:36:11,440
Speaker 1: And take anything? We got freebees, and so the girls

787
00:36:11,480 --> 00:36:13,680
Speaker 1: got like teal backpacks and a bunch of stuff, and

788
00:36:13,719 --> 00:36:15,640
Speaker 1: then the guy's got like a black cooler and a

789
00:36:15,640 --> 00:36:18,239
Speaker 1: bunch of other things. Well, Lunchbox made sure to get

790
00:36:18,320 --> 00:36:20,839
Speaker 1: himself a black cool and a teal backpack. You got one, girl,

791
00:36:20,800 --> 00:36:22,360
Speaker 1: ain't guy? Yeah? I got one from my wife. You know,

792
00:36:22,400 --> 00:36:24,080
Speaker 1: I figured I could give her a thank you for

793
00:36:24,120 --> 00:36:25,920
Speaker 1: staying at home and watching the kids. And you know,

794
00:36:26,080 --> 00:36:27,560
Speaker 1: it was just sitting there and no one took it,

795
00:36:27,640 --> 00:36:31,360
Speaker 1: so why not take you? Well? Thank you for the updates, guys, Ray,

796
00:36:31,480 --> 00:36:37,680
Speaker 1: I'm sorry that Hardy Earnest Chris Lane. Chris Lane were

797
00:36:37,719 --> 00:36:39,799
Speaker 1: not nice to you and they made you feel like

798
00:36:39,840 --> 00:36:41,920
Speaker 1: a loser, and you had to sit at the other

799
00:36:41,920 --> 00:36:43,719
Speaker 1: cap cherry table. All the cool kids sit over there

800
00:36:43,719 --> 00:36:46,400
Speaker 1: and they square pizza. That's stinks. And if any of

801
00:36:46,440 --> 00:36:49,560
Speaker 1: them want to call and apologize, will you accept it? Yeah? Okay, Yeah,

802
00:36:49,560 --> 00:36:51,000
Speaker 1: and came Brown took a picture with me and he

803
00:36:51,000 --> 00:36:53,120
Speaker 1: even responded to my Instagram, So I think we're good now.

804
00:36:53,960 --> 00:36:55,839
Speaker 1: I was like, dude, you bad mouth me about playing

805
00:36:55,840 --> 00:36:57,239
Speaker 1: on my phone. He was. Actually it wasn't just me,

806
00:36:57,280 --> 00:36:59,560
Speaker 1: it was tenpenny Chris Lane. They already hate you anyway,

807
00:36:59,680 --> 00:37:02,879
Speaker 1: that makes sense. Are we boycotting all four of them?

808
00:37:03,320 --> 00:37:07,240
Speaker 1: You let me know? No, I mean we won seven?

809
00:37:07,320 --> 00:37:10,080
Speaker 1: Hey wait, wait, boycott everybody? Every artist right, that's ever

810
00:37:10,080 --> 00:37:12,359
Speaker 1: mean that you let me know, I boycott him all.

811
00:37:13,320 --> 00:37:17,439
Speaker 1: Who is it that we had to blay? No? No, no, no,

812
00:37:17,560 --> 00:37:20,520
Speaker 1: Michael Ray. Yeah because the bus he left, Ray would

813
00:37:20,600 --> 00:37:22,959
Speaker 1: let him on a tour bus. Yeah, tour bus. Party

814
00:37:23,000 --> 00:37:25,480
Speaker 1: was promised. Never happened. Was Michael Ray? Yeah he was

815
00:37:25,480 --> 00:37:28,239
Speaker 1: on my team. Did you talk to him Ray? Well,

816
00:37:28,280 --> 00:37:30,080
Speaker 1: he's on the opposite team. But yeah, he wasn't really

817
00:37:30,120 --> 00:37:33,440
Speaker 1: social to other people. I guess he was just so

818
00:37:33,480 --> 00:37:35,200
Speaker 1: it's like everybody's not social. Do you think it's just

819
00:37:35,239 --> 00:37:37,319
Speaker 1: you that's not social? No, I am. I was trying

820
00:37:37,320 --> 00:37:39,200
Speaker 1: to give people DAPs and stuff like that, just like

821
00:37:39,239 --> 00:37:41,160
Speaker 1: get some small talk going. But it was tough. Some

822
00:37:41,200 --> 00:37:43,440
Speaker 1: of these people are a little standoffish. Well no, I

823
00:37:43,440 --> 00:37:45,840
Speaker 1: think they a lot of them took it very serious,

824
00:37:45,880 --> 00:37:48,400
Speaker 1: and with Ray being out on his phone and filming everything,

825
00:37:48,440 --> 00:37:51,160
Speaker 1: they were like, who is this idiot? Like we're trying

826
00:37:51,160 --> 00:37:54,160
Speaker 1: to win the game. They compe for a scholarship or what? Yeah?

827
00:37:54,200 --> 00:37:56,399
Speaker 1: Why so serious? I mean our play serious? Okay, well,

828
00:37:56,400 --> 00:37:58,239
Speaker 1: thank you guys. Obviously we can't do anything with our

829
00:37:58,280 --> 00:38:00,239
Speaker 1: out there being a little drama, and that's how we

830
00:38:00,239 --> 00:38:03,400
Speaker 1: do it on this show. It's the best bits of

831
00:38:03,440 --> 00:38:08,680
Speaker 1: the Week with Morgan number two. For the first time ever,

832
00:38:08,840 --> 00:38:14,240
Speaker 1: we had the iconic, the legendary, the most incredible Adam

833
00:38:14,320 --> 00:38:17,000
Speaker 1: Sandler on our show this week, and it was so

834
00:38:17,040 --> 00:38:19,319
Speaker 1: awesome because he came on to talk about his new

835
00:38:19,360 --> 00:38:22,600
Speaker 1: movie Hustle, but he also talked about all those viral

836
00:38:22,719 --> 00:38:26,080
Speaker 1: videos of himself playing basketball and what he actually thinks

837
00:38:26,080 --> 00:38:29,080
Speaker 1: of them. And I'm just gonna say, adda, listening to

838
00:38:29,160 --> 00:38:33,440
Speaker 1: him talk and laugh is just as cool as getting

839
00:38:33,480 --> 00:38:36,239
Speaker 1: to see him laugh and talk in movies. He's just

840
00:38:36,400 --> 00:38:39,400
Speaker 1: this genuine, really good dude, and you can tell that

841
00:38:39,480 --> 00:38:42,200
Speaker 1: through the interview. So definitely make sure to listen to

842
00:38:42,280 --> 00:38:45,200
Speaker 1: this all the way through. Number three, Adams having a

843
00:38:45,200 --> 00:38:47,960
Speaker 1: man's Bobby, Hi, Bobby, how are you, buddy? As a

844
00:38:48,400 --> 00:38:50,960
Speaker 1: you know, sports guy and a comedy guy? Like the

845
00:38:51,360 --> 00:38:54,520
Speaker 1: movie being about basketball and your love of basketball? Was

846
00:38:54,560 --> 00:38:56,359
Speaker 1: the movie an now let for you to play more

847
00:38:56,360 --> 00:38:59,759
Speaker 1: basketball selfishly? Like was like, this would be a good

848
00:38:59,800 --> 00:39:02,200
Speaker 1: movie to do because you could play more. Bobby, I

849
00:39:02,239 --> 00:39:05,160
Speaker 1: had the worst thing happened to an old man. I

850
00:39:05,200 --> 00:39:07,600
Speaker 1: played a lot when we were there. The first part

851
00:39:07,600 --> 00:39:11,120
Speaker 1: of the movie we shot, played hoop every day, had

852
00:39:11,120 --> 00:39:13,919
Speaker 1: a great time. Then the second half of the movie

853
00:39:13,920 --> 00:39:17,360
Speaker 1: because we had to separate two half because of the pandemic.

854
00:39:17,400 --> 00:39:21,040
Speaker 1: We had to not do contact basketball for a while.

855
00:39:21,120 --> 00:39:23,480
Speaker 1: And then when we when it was safe enough, all

856
00:39:23,520 --> 00:39:26,239
Speaker 1: the guys started showing up playing hoop. I played for

857
00:39:27,239 --> 00:39:30,040
Speaker 1: maybe a few weeks with the guys. It was incredible,

858
00:39:30,160 --> 00:39:35,120
Speaker 1: and then my stupid growing popped somewhere, and then I

859
00:39:35,160 --> 00:39:37,360
Speaker 1: was like limping around. Everybody would be like, why are

860
00:39:37,360 --> 00:39:40,080
Speaker 1: you're walking like that? It was humiliating. So I got nothing.

861
00:39:40,320 --> 00:39:42,960
Speaker 1: Those viral videos that you playing pickup ball, and it's

862
00:39:43,000 --> 00:39:45,760
Speaker 1: always highlights. I've never seen a viral video of you sucking.

863
00:39:45,800 --> 00:39:49,920
Speaker 1: It's always like Sandler dominates, like dropping dimes. Are you

864
00:39:49,960 --> 00:39:51,680
Speaker 1: that good all the time or are they just selective

865
00:39:51,680 --> 00:39:53,640
Speaker 1: on what they put up? No, I'm that good all

866
00:39:53,680 --> 00:39:58,080
Speaker 1: the time. I thought, No, you know I sucked many

867
00:39:58,160 --> 00:40:01,319
Speaker 1: times out there. There are our time zoh, Bobby, where

868
00:40:01,360 --> 00:40:03,520
Speaker 1: our goal? Why would they show that and not this

869
00:40:03,640 --> 00:40:06,120
Speaker 1: because I had a killer passed that day? And then

870
00:40:06,200 --> 00:40:09,600
Speaker 1: I'll I'll sometimes when I'm out there playing and I

871
00:40:09,680 --> 00:40:11,760
Speaker 1: noticed the cameras come up and the kids are shooting

872
00:40:11,760 --> 00:40:13,959
Speaker 1: me and stuff, I'm like, I'd make a nice pass.

873
00:40:14,000 --> 00:40:16,520
Speaker 1: I look up I'm like nobody caught that. That was

874
00:40:16,560 --> 00:40:18,600
Speaker 1: a good moment. Man, we would have loved that one.

875
00:40:19,360 --> 00:40:21,399
Speaker 1: At the start of the movie. You know, your character

876
00:40:21,440 --> 00:40:23,440
Speaker 1: become an assistant coach for the seventy six ers, and

877
00:40:23,440 --> 00:40:27,040
Speaker 1: I wonder, with your knowledge and fandom of basketball, do

878
00:40:27,120 --> 00:40:29,560
Speaker 1: you think that you could actually be a low level

879
00:40:29,560 --> 00:40:32,920
Speaker 1: assistant coach in the college or NBA level with what

880
00:40:33,080 --> 00:40:36,520
Speaker 1: you have now? I couldn't. I couldn't execute plays or

881
00:40:36,640 --> 00:40:40,160
Speaker 1: execute I couldn't memorize all the stuff. I don't even

882
00:40:40,160 --> 00:40:43,480
Speaker 1: know every rule. I get confused with what's a charge

883
00:40:43,480 --> 00:40:46,160
Speaker 1: and not a charge Sometimes I don't know enough. The

884
00:40:46,320 --> 00:40:49,400
Speaker 1: movies about your character chasing his dream, and your character

885
00:40:49,440 --> 00:40:52,239
Speaker 1: says that people in their fifties don't have dreams, But

886
00:40:53,080 --> 00:40:55,000
Speaker 1: just asking you as a person, do you still have

887
00:40:55,080 --> 00:40:57,560
Speaker 1: dreams at this point with all that you've done. I'm

888
00:40:57,719 --> 00:41:01,160
Speaker 1: very thankful that I get to do all this. I'm

889
00:41:01,239 --> 00:41:05,040
Speaker 1: probably still driven like I used to be as a kid.

890
00:41:06,760 --> 00:41:09,839
Speaker 1: When I commit to something, I try to go full

891
00:41:09,880 --> 00:41:12,520
Speaker 1: tilt and be as good as I can, But only

892
00:41:12,600 --> 00:41:15,320
Speaker 1: I dream about it as much as I dream about

893
00:41:15,400 --> 00:41:17,839
Speaker 1: my kids having a good life. Now you know they're

894
00:41:18,280 --> 00:41:21,160
Speaker 1: thirteen and sixteen, so I think about bad a lot. Now.

895
00:41:21,200 --> 00:41:24,319
Speaker 1: I'm like, oh, man, I just please hope they have

896
00:41:24,880 --> 00:41:28,760
Speaker 1: happiness and they get to dive into whatever they're dying

897
00:41:28,800 --> 00:41:30,960
Speaker 1: to do that they get to do it. Do you,

898
00:41:31,040 --> 00:41:34,520
Speaker 1: speaking of basketball, do you play two K at all? No? No, no,

899
00:41:34,600 --> 00:41:37,000
Speaker 1: I know my buddies do, but I don't. I don't do.

900
00:41:37,280 --> 00:41:39,960
Speaker 1: I really don't do much besides the regular hoop. And

901
00:41:40,040 --> 00:41:42,400
Speaker 1: how much do you get to play uninjured? Do you

902
00:41:42,440 --> 00:41:44,520
Speaker 1: try to play every day or how do you stay

903
00:41:44,560 --> 00:41:48,680
Speaker 1: active other than basketball before the groin? Sometimes seven days

904
00:41:48,680 --> 00:41:52,279
Speaker 1: a week, but most of the time maybe five. It's

905
00:41:52,320 --> 00:41:56,399
Speaker 1: like my guaranteed sweat or my guarantee. When I eat

906
00:41:56,440 --> 00:41:58,520
Speaker 1: crappy food, I go, oh my god, I better go

907
00:41:58,600 --> 00:42:01,560
Speaker 1: play hoop, you know, to get rid of Hustle. Such

908
00:42:01,560 --> 00:42:03,279
Speaker 1: a good movie again, especially for me. It was a

909
00:42:03,280 --> 00:42:04,880
Speaker 1: big fan of you, A big fan of sports movies.

910
00:42:05,280 --> 00:42:07,960
Speaker 1: And when you did Uncut Gems, you know, I felt

911
00:42:07,960 --> 00:42:12,440
Speaker 1: like you were snubbed a nomination. Do you feel like

912
00:42:12,480 --> 00:42:15,719
Speaker 1: when you nail a serious movie that you want to

913
00:42:15,719 --> 00:42:17,840
Speaker 1: do it and you don't get the nomination, which I

914
00:42:17,920 --> 00:42:19,880
Speaker 1: thought I thought you were gonna get it. Honestly, it's like,

915
00:42:20,400 --> 00:42:21,719
Speaker 1: so I just thought it was going to be there,

916
00:42:21,760 --> 00:42:23,000
Speaker 1: and when it was, and I was disappointed for it

917
00:42:23,000 --> 00:42:24,920
Speaker 1: because we're best friends and stuff. But do you feel

918
00:42:24,920 --> 00:42:27,080
Speaker 1: like when you almost nail it that you should go

919
00:42:27,160 --> 00:42:31,080
Speaker 1: back and do another one because you've gotten so close

920
00:42:31,120 --> 00:42:33,000
Speaker 1: to it and it's like you're there, they just need

921
00:42:33,040 --> 00:42:34,880
Speaker 1: you to do one more real serious movie, and you

922
00:42:34,920 --> 00:42:37,439
Speaker 1: know in a row. I don't know, man, I don't

923
00:42:37,480 --> 00:42:39,759
Speaker 1: even know what I think anymore. Like when I did

924
00:42:39,800 --> 00:42:43,160
Speaker 1: that Gems movie, I just that Oscar stuff kind of

925
00:42:43,160 --> 00:42:46,560
Speaker 1: comes out up. They start talking about it and blah

926
00:42:46,560 --> 00:42:49,279
Speaker 1: blah blah, oh maybe this and that, And then I

927
00:42:49,280 --> 00:42:52,600
Speaker 1: started going, well, if I got to if I got

928
00:42:52,600 --> 00:42:55,279
Speaker 1: to go and talk about this and run around and

929
00:42:55,960 --> 00:42:58,520
Speaker 1: meet people who vote and all that stuff, I was like,

930
00:42:59,080 --> 00:43:01,440
Speaker 1: let me just let me just say I want this

931
00:43:01,480 --> 00:43:03,800
Speaker 1: thing real bad. But I gotta tell you it wasn't

932
00:43:03,840 --> 00:43:06,919
Speaker 1: on my mind in real life. When I came out

933
00:43:06,920 --> 00:43:09,440
Speaker 1: to Hollywood as a kid, I just wanted to be

934
00:43:09,600 --> 00:43:12,400
Speaker 1: Eddie Murphy. Man. I didn't think about an Oscar. But

935
00:43:12,520 --> 00:43:15,800
Speaker 1: when I do stuff like this, do I do my best.

936
00:43:16,120 --> 00:43:17,960
Speaker 1: I work at my ass off, and I do want

937
00:43:18,000 --> 00:43:20,120
Speaker 1: it to be I don't want to let people down.

938
00:43:20,160 --> 00:43:23,600
Speaker 1: I don't want to let people, the directors down, people

939
00:43:23,640 --> 00:43:26,520
Speaker 1: who put the money into it. All. I try to

940
00:43:26,560 --> 00:43:29,319
Speaker 1: do as good as I can. And then also, you know,

941
00:43:29,400 --> 00:43:33,600
Speaker 1: my kids get psyched if I'm good good in a movie.

942
00:43:33,640 --> 00:43:37,320
Speaker 1: It's fun to come home and talk about hard work

943
00:43:37,320 --> 00:43:39,520
Speaker 1: and scenes that I did that were interesting. I don't

944
00:43:39,760 --> 00:43:42,600
Speaker 1: I don't know man and the Oscar thing that probably

945
00:43:42,880 --> 00:43:46,440
Speaker 1: makes people nuts. I just just just gonna try to

946
00:43:46,480 --> 00:43:49,399
Speaker 1: do good. You mentioned Eddie Murphy, and I've heard people

947
00:43:49,400 --> 00:43:50,880
Speaker 1: say that the first time they met you that they

948
00:43:50,880 --> 00:43:53,839
Speaker 1: were so intimidated by how funny you are, how funny

949
00:43:53,880 --> 00:43:57,439
Speaker 1: they've seen you be, maybe in movies, television, etc. Even

950
00:43:57,480 --> 00:43:59,359
Speaker 1: on stage, which, by the way, your last special was

951
00:43:59,520 --> 00:44:03,080
Speaker 1: so freaking good. Who who was it for you? That

952
00:44:03,200 --> 00:44:06,200
Speaker 1: you saw once you started to make it New York, La,

953
00:44:06,239 --> 00:44:09,200
Speaker 1: that was so funny you made you almost weren'timidated because

954
00:44:09,200 --> 00:44:12,040
Speaker 1: you're like, I'm not that Wow. There's a bunch of

955
00:44:12,040 --> 00:44:14,560
Speaker 1: those in my early days where I would go, oh

956
00:44:14,640 --> 00:44:16,640
Speaker 1: my god, how did he do that? How did she

957
00:44:16,760 --> 00:44:20,759
Speaker 1: do that? Kevin Meaney there was a comedian Kevin Meaney.

958
00:44:20,840 --> 00:44:23,400
Speaker 1: When he went on stage, he would destroy so hard

959
00:44:23,880 --> 00:44:26,160
Speaker 1: that it was just humiliating. You didn't know how to

960
00:44:26,200 --> 00:44:28,880
Speaker 1: go after him. You know, Rodney Dangerfield when I was

961
00:44:28,920 --> 00:44:32,120
Speaker 1: young that that was my guy that made me get

962
00:44:32,160 --> 00:44:35,680
Speaker 1: into this and Eddie and but there's been a lot

963
00:44:35,760 --> 00:44:38,560
Speaker 1: of comedians over the years that I see that I

964
00:44:38,680 --> 00:44:40,879
Speaker 1: just go, well, I don't want to go on after that.

965
00:44:40,880 --> 00:44:43,480
Speaker 1: That's too good. When you finished a movie like Hustle,

966
00:44:44,000 --> 00:44:46,239
Speaker 1: do you hate being done with it? Is it such

967
00:44:46,440 --> 00:44:48,799
Speaker 1: a joy? Or are you like that was awesome? I'm

968
00:44:48,800 --> 00:44:50,600
Speaker 1: ready to finish it so we can get it out there.

969
00:44:50,640 --> 00:44:53,200
Speaker 1: Which one is it? You know? You don't? You don't.

970
00:44:53,239 --> 00:44:55,799
Speaker 1: It's a weird thing when you have it and it's

971
00:44:55,840 --> 00:44:59,480
Speaker 1: still your secret. There's some sort of confidence you got, like, yeah, man,

972
00:44:59,600 --> 00:45:02,200
Speaker 1: that that's gonna come out in a month or two

973
00:45:02,239 --> 00:45:04,560
Speaker 1: months or in six months. You kind of have it

974
00:45:04,600 --> 00:45:07,200
Speaker 1: in your pocket. It feels great, and then the closer

975
00:45:07,239 --> 00:45:09,080
Speaker 1: you get to it coming out, you go, oh, no, man,

976
00:45:09,160 --> 00:45:11,680
Speaker 1: it's about to go out, and then it's not mine anymore.

977
00:45:12,120 --> 00:45:15,320
Speaker 1: And it's then it's like once a movie is released.

978
00:45:15,920 --> 00:45:18,080
Speaker 1: I don't know about everybody else, but I'm like a

979
00:45:18,120 --> 00:45:20,239
Speaker 1: little bit sick or I'm just like, all right, I

980
00:45:20,280 --> 00:45:22,960
Speaker 1: better get going again. Figure something out, get moved on

981
00:45:22,960 --> 00:45:25,320
Speaker 1: to the next one, and it kind of goes away

982
00:45:25,360 --> 00:45:27,799
Speaker 1: in your brain a bit. I like hearing about it

983
00:45:27,840 --> 00:45:30,080
Speaker 1: on the street. If somebody talks to me about a

984
00:45:30,160 --> 00:45:33,120
Speaker 1: movie from the past, I like hearing about what they

985
00:45:33,160 --> 00:45:36,040
Speaker 1: like and if they connect it or not. But once

986
00:45:36,040 --> 00:45:39,799
Speaker 1: a movie comes out, like Hustle, I'll be like, all right, man,

987
00:45:39,880 --> 00:45:42,000
Speaker 1: let's see what's next. We've got to get to work,

988
00:45:42,040 --> 00:45:44,839
Speaker 1: all right. Last one for you. So when you work

989
00:45:44,840 --> 00:45:48,160
Speaker 1: with athletes that are so tall yet still are able

990
00:45:48,160 --> 00:45:50,520
Speaker 1: to move like deer, like a seven foot or like dirt,

991
00:45:50,840 --> 00:45:53,920
Speaker 1: they can still be like a way better athlete than

992
00:45:53,960 --> 00:45:55,880
Speaker 1: I could ever be. But he's also I mean that

993
00:45:56,040 --> 00:45:58,680
Speaker 1: it's almost like a science experiment that shouldn't work the

994
00:45:58,680 --> 00:46:01,640
Speaker 1: way it does. Does they ever just get normal to

995
00:46:01,680 --> 00:46:03,000
Speaker 1: you and you're just like that, that's just how it is.

996
00:46:03,000 --> 00:46:06,319
Speaker 1: They're just seven foot and awesome. I mean, dude, I'm

997
00:46:06,360 --> 00:46:10,080
Speaker 1: not I wantcho was insane. All the guys, all the

998
00:46:10,120 --> 00:46:12,080
Speaker 1: guys that were in the movie. When they would just move,

999
00:46:12,160 --> 00:46:14,440
Speaker 1: it's a whole other level of movement. You know that.

1000
00:46:14,760 --> 00:46:18,520
Speaker 1: But I'll tell you what. Bobon, Yeah, just shooting around Bobon,

1001
00:46:18,760 --> 00:46:21,320
Speaker 1: he's seven what is he I don't know, seven something

1002
00:46:21,440 --> 00:46:24,359
Speaker 1: like seven four or something like that. Nothing like that. Right,

1003
00:46:24,560 --> 00:46:28,680
Speaker 1: His hands is so gigantic, his body's built, he's massive,

1004
00:46:29,360 --> 00:46:32,920
Speaker 1: but he's moved smooth when he takes a shot, so

1005
00:46:33,160 --> 00:46:35,920
Speaker 1: it's got like the softest touch. It's it's just it's

1006
00:46:35,960 --> 00:46:38,279
Speaker 1: a whole other thing. Like like you said, I don't

1007
00:46:38,320 --> 00:46:39,800
Speaker 1: know how they do it, all right. I hope everybody

1008
00:46:39,840 --> 00:46:43,319
Speaker 1: watches Hustle. It's so good. Watch it on Netflix. Also

1009
00:46:43,360 --> 00:46:45,240
Speaker 1: going to be in select theaters. Look for it. Adam,

1010
00:46:45,280 --> 00:46:47,360
Speaker 1: just a big fan. Just appreciate you and thanks for

1011
00:46:47,400 --> 00:46:49,080
Speaker 1: the time. And I would wish you success, but you

1012
00:46:49,120 --> 00:46:50,839
Speaker 1: don't need it, so you can wish me success. Would

1013
00:46:50,840 --> 00:46:52,239
Speaker 1: you wish me success? At the end of this. I've

1014
00:46:52,280 --> 00:46:54,600
Speaker 1: never done this before, so let me have it. Bobby,

1015
00:46:54,640 --> 00:46:56,879
Speaker 1: you got a lot of success coming. You're very cool,

1016
00:46:57,239 --> 00:46:59,920
Speaker 1: very nice to me. Thank you for that, and you're

1017
00:47:00,080 --> 00:47:02,359
Speaker 1: smooth as out man. You got a lot of good

1018
00:47:02,360 --> 00:47:04,239
Speaker 1: stuff coming. There. We have it, We heard it right there,

1019
00:47:04,280 --> 00:47:08,720
Speaker 1: Adam text buddy, all right, later, guys, it's the best

1020
00:47:08,840 --> 00:47:14,239
Speaker 1: bits of the week with Morgan number two. You know,

1021
00:47:14,280 --> 00:47:16,680
Speaker 1: it's never fun when your own segment comes in high

1022
00:47:16,760 --> 00:47:20,080
Speaker 1: on the list. Especially when it's not a exciting one.

1023
00:47:20,160 --> 00:47:22,759
Speaker 1: And this week I had to share some unfortunate news

1024
00:47:22,800 --> 00:47:26,239
Speaker 1: about my relationship, which was pretty hard for me. So

1025
00:47:26,360 --> 00:47:28,479
Speaker 1: I'm just going to leave that there, you know, because

1026
00:47:28,840 --> 00:47:31,200
Speaker 1: if I say anymore, who knows, we may start crying again.

1027
00:47:31,239 --> 00:47:33,120
Speaker 1: And I know you guys don't want to see or

1028
00:47:33,280 --> 00:47:37,200
Speaker 1: hear that. So here you go. Number two, Well, we

1029
00:47:37,280 --> 00:47:40,359
Speaker 1: have some unfortunate news to address. Morgan, I'm gonna come

1030
00:47:40,360 --> 00:47:42,040
Speaker 1: over to you and I'll just let you say what

1031
00:47:42,080 --> 00:47:45,520
Speaker 1: you want to say. I didn't know she was gonna

1032
00:47:45,520 --> 00:47:48,520
Speaker 1: get emotional. No, I'm trying really her not too. But

1033
00:47:50,080 --> 00:47:53,040
Speaker 1: my boyfriend and I are no longer together. Oh man,

1034
00:47:53,600 --> 00:47:55,799
Speaker 1: I think I didn't know you mean emotional. Sorry about that.

1035
00:47:56,200 --> 00:47:58,120
Speaker 1: I know you said we could mention it today. You

1036
00:47:58,200 --> 00:48:03,160
Speaker 1: get it over with. Yeah, I'm ready to move forward. Well,

1037
00:48:04,080 --> 00:48:09,880
Speaker 1: so obviously we're not gonna extract everything from it. I

1038
00:48:09,920 --> 00:48:13,000
Speaker 1: guess the only question is it seemed like pretty recently

1039
00:48:13,040 --> 00:48:16,200
Speaker 1: you guys were talking about moving in together. That's a yeah,

1040
00:48:16,440 --> 00:48:19,160
Speaker 1: quick quick week and a half or so. Yep. I mean,

1041
00:48:19,200 --> 00:48:22,040
Speaker 1: I guess I was hopeful that things were going to

1042
00:48:22,120 --> 00:48:23,840
Speaker 1: be really great and it was going to stay on

1043
00:48:23,880 --> 00:48:26,760
Speaker 1: that path. But you know, you can't dictate what happened

1044
00:48:26,800 --> 00:48:32,080
Speaker 1: in somebody's life and how they respond to it. So, um,

1045
00:48:32,120 --> 00:48:35,760
Speaker 1: it's not something I wanted and I'm just trying to

1046
00:48:35,800 --> 00:48:39,399
Speaker 1: survive right now. That's just one foot forward. Amy, any

1047
00:48:39,400 --> 00:48:42,359
Speaker 1: advice for Morgan, I want to get up and give

1048
00:48:42,400 --> 00:48:46,520
Speaker 1: her a hug. I mean that's I. We're here for you, Morgan,

1049
00:48:46,760 --> 00:48:49,359
Speaker 1: and like, thank you for sharing that with us. I

1050
00:48:49,400 --> 00:48:51,719
Speaker 1: obviously was. I was like, wait, what is happening. I

1051
00:48:51,760 --> 00:48:57,719
Speaker 1: thought she was meeting. I was surprised too, because I

1052
00:48:57,760 --> 00:49:00,399
Speaker 1: was like, hey, shold my boyfriend. I broke up, so

1053
00:49:00,520 --> 00:49:02,640
Speaker 1: that meant it's free to talk about and so I

1054
00:49:02,680 --> 00:49:05,400
Speaker 1: was like, hey, bad news. Yeah, you would never intentionally

1055
00:49:05,480 --> 00:49:09,839
Speaker 1: like be like, oh, something bad coming on. I'm gonna

1056
00:49:09,880 --> 00:49:12,680
Speaker 1: make her say this, but I don't know. It's so cliche,

1057
00:49:12,840 --> 00:49:18,040
Speaker 1: but I have been so heartbroken before Morgan too, But

1058
00:49:18,560 --> 00:49:20,919
Speaker 1: at time, like you said, one day at a time,

1059
00:49:20,960 --> 00:49:24,239
Speaker 1: taking that next right step for you, and we're here

1060
00:49:24,239 --> 00:49:26,319
Speaker 1: for you in this process. I know that it's so

1061
00:49:26,400 --> 00:49:29,359
Speaker 1: hard and I'm so sorry, especially sharing as much as

1062
00:49:29,400 --> 00:49:32,760
Speaker 1: you do on the air. That's another layer of it too,

1063
00:49:33,040 --> 00:49:34,759
Speaker 1: is we try to share what's going on in our

1064
00:49:34,800 --> 00:49:37,480
Speaker 1: lives and I'm sure, and Morgan said, she's like, well, amazing.

1065
00:49:37,520 --> 00:49:38,880
Speaker 1: A week and a half ago, I was saying we

1066
00:49:38,960 --> 00:49:41,480
Speaker 1: might live together, and now I'm saying we're broken up.

1067
00:49:41,520 --> 00:49:45,200
Speaker 1: Like that sucks? Did you let's see, did you expect

1068
00:49:45,280 --> 00:49:48,160
Speaker 1: to get as emotional right now? Because sometimes when I'm

1069
00:49:48,160 --> 00:49:49,520
Speaker 1: about talk about seven, it will just hit me like

1070
00:49:49,560 --> 00:49:51,239
Speaker 1: a ton of bricks and I'm like, yeah, I'm good

1071
00:49:51,239 --> 00:49:54,200
Speaker 1: to go, and I'm like whoa, and you start to

1072
00:49:54,200 --> 00:49:56,799
Speaker 1: lose it. Yeah no, And I and I sat on

1073
00:49:56,840 --> 00:49:59,480
Speaker 1: it for a bit to try to avoid that, but

1074
00:50:00,600 --> 00:50:03,320
Speaker 1: I can't help it because I'm just really sad, I'm angry.

1075
00:50:03,320 --> 00:50:06,160
Speaker 1: I'm feeling so many emotions. So I knew bringing it

1076
00:50:06,239 --> 00:50:09,400
Speaker 1: up was going to hurt, but I can't, you know,

1077
00:50:09,480 --> 00:50:11,719
Speaker 1: I can't keep having people reach out and ask how

1078
00:50:11,760 --> 00:50:15,520
Speaker 1: we're doing. Yeah, casually, that's what happens here. So she

1079
00:50:15,600 --> 00:50:17,719
Speaker 1: needs to air it here because we might next something

1080
00:50:17,719 --> 00:50:19,919
Speaker 1: gonna be like so when 'all moving? Well? Every time

1081
00:50:19,960 --> 00:50:21,920
Speaker 1: I even at was even asking he about okay, you

1082
00:50:21,960 --> 00:50:23,880
Speaker 1: guys still together? Right, And then I just kind of

1083
00:50:23,880 --> 00:50:26,400
Speaker 1: gave up on that because I kept going yeah, and

1084
00:50:26,440 --> 00:50:28,840
Speaker 1: so I was like okay, fine, So I'm glad that

1085
00:50:28,880 --> 00:50:32,239
Speaker 1: you told me because I for sure we just fired it. Yeah,

1086
00:50:32,280 --> 00:50:36,560
Speaker 1: what can we do to help you? Um, bubby telephony story?

1087
00:50:36,840 --> 00:50:42,359
Speaker 1: Oh here's a good one, right, Okay, Well, yeah, I

1088
00:50:42,400 --> 00:50:44,719
Speaker 1: will not poke and pride. But are you Is it

1089
00:50:44,719 --> 00:50:47,160
Speaker 1: over over? I mean, I don't know. I never want

1090
00:50:47,200 --> 00:50:51,399
Speaker 1: to say it's over over, but you know, my my

1091
00:50:51,480 --> 00:50:54,279
Speaker 1: heart wants that again, and I would still hope for that.

1092
00:50:54,400 --> 00:50:58,360
Speaker 1: But I think the universe has a way of doing

1093
00:50:58,400 --> 00:51:00,319
Speaker 1: what needs to be done, even if if you don't

1094
00:51:00,320 --> 00:51:02,560
Speaker 1: see it at the time. So I'm just trying to

1095
00:51:02,600 --> 00:51:05,360
Speaker 1: have belief in that. I don't have a lot of answers.

1096
00:51:05,360 --> 00:51:08,719
Speaker 1: It was just like he needed space to heal from

1097
00:51:08,800 --> 00:51:13,600
Speaker 1: past trauma and I couldn't fix that. So and I

1098
00:51:13,640 --> 00:51:15,840
Speaker 1: can't try. I can't try to hold onto something that

1099
00:51:15,880 --> 00:51:18,319
Speaker 1: doesn't want to be held on too as much as

1100
00:51:18,360 --> 00:51:20,640
Speaker 1: I would want to. Well, I'm very sorry to hear this.

1101
00:51:20,920 --> 00:51:25,319
Speaker 1: I think in a month you will look back and go, wow,

1102
00:51:25,360 --> 00:51:27,680
Speaker 1: that was crazy when we were broken up or you

1103
00:51:27,719 --> 00:51:29,759
Speaker 1: know what, the probably needed to happen, And now emotionally

1104
00:51:29,800 --> 00:51:32,960
Speaker 1: I'm out of it enough to realize it's probably the

1105
00:51:33,000 --> 00:51:36,319
Speaker 1: best thing for our independent situations. But Yeah, sucks. I'm

1106
00:51:36,320 --> 00:51:39,399
Speaker 1: gonna lie to it. Just sucks. It's pretty miserable. That's

1107
00:51:39,440 --> 00:51:42,279
Speaker 1: it one hour to the next, one day to the next,

1108
00:51:42,280 --> 00:51:44,279
Speaker 1: and eventually it's one week to the next. He kind

1109
00:51:44,320 --> 00:51:46,560
Speaker 1: of it starts to get a little easier. But all right,

1110
00:51:46,640 --> 00:51:48,840
Speaker 1: well that's you see me in my tailor swish space.

1111
00:51:48,920 --> 00:51:51,960
Speaker 1: Just to mind your business. You have to listen to

1112
00:51:52,000 --> 00:51:57,479
Speaker 1: all Taylor sus lunchbox anything. Man, I'm sorry, I'm too.

1113
00:51:57,600 --> 00:52:00,920
Speaker 1: I think maybe going public with the she didn't really

1114
00:52:00,920 --> 00:52:03,320
Speaker 1: go public, no, no no, no, with the moving in together.

1115
00:52:03,360 --> 00:52:05,600
Speaker 1: He kind of got scared, I think. And then also,

1116
00:52:05,680 --> 00:52:08,360
Speaker 1: can I say what I'm frustrated about? Yeah, no, I

1117
00:52:08,640 --> 00:52:11,239
Speaker 1: don't know. I don't know. Let gives her early lead

1118
00:52:11,280 --> 00:52:12,960
Speaker 1: for Employee of the Month for sharing this on the air.

1119
00:52:13,040 --> 00:52:15,759
Speaker 1: Oh's she said, this is fake? Now what if this

1120
00:52:15,800 --> 00:52:18,239
Speaker 1: isn't real and this is Employee the month? Just so,

1121
00:52:20,200 --> 00:52:22,880
Speaker 1: oh my gosh, we get employee of the month for

1122
00:52:22,960 --> 00:52:30,560
Speaker 1: sharing super vulnerable personal stuff. Starts doing the craziest lifestyle. Okay,

1123
00:52:31,200 --> 00:52:33,600
Speaker 1: I wish this is fake, y'all. More Agan, we are

1124
00:52:33,680 --> 00:52:37,400
Speaker 1: very sorry. M You know, tougher things have happened to

1125
00:52:37,480 --> 00:52:39,879
Speaker 1: weaker people and they got to it just fine. It

1126
00:52:39,920 --> 00:52:41,839
Speaker 1: sucks right now, You're going to be great in the end,

1127
00:52:41,960 --> 00:52:44,279
Speaker 1: regardless of what happens, I promise you. And we're here

1128
00:52:44,320 --> 00:52:46,880
Speaker 1: for you. Yeah, We're here for you. That's more than

1129
00:52:46,920 --> 00:52:50,680
Speaker 1: the hours of five to eleven. Am. I'm kidding what

1130
00:52:51,280 --> 00:52:53,400
Speaker 1: I got? One more question? Did he get jealous that

1131
00:52:53,440 --> 00:52:55,799
Speaker 1: we dance on TikTok? Is that what it was? That

1132
00:52:55,840 --> 00:53:00,120
Speaker 1: could be it? I have nothing to do with him

1133
00:53:00,160 --> 00:53:02,080
Speaker 1: because my girl was hanging on a guy like you

1134
00:53:02,320 --> 00:53:05,399
Speaker 1: really masculine exactly. Some of those dances were a little

1135
00:53:05,440 --> 00:53:09,200
Speaker 1: risque where yeah, making sure all right, Morgan, We're sorry

1136
00:53:09,239 --> 00:53:12,680
Speaker 1: to hear that. It's the best bits of the week

1137
00:53:13,440 --> 00:53:16,920
Speaker 1: with Morgan Number two. I had to put this in

1138
00:53:16,960 --> 00:53:20,520
Speaker 1: the number one spot because it was just such a funny,

1139
00:53:20,719 --> 00:53:26,960
Speaker 1: interesting and all around like chaotically happy interview. We had

1140
00:53:27,080 --> 00:53:30,439
Speaker 1: Hank Williams Junior on this week. He performed his song

1141
00:53:30,560 --> 00:53:33,920
Speaker 1: Georgia Women, and I'm just gonna tell y'all, this is

1142
00:53:33,960 --> 00:53:38,160
Speaker 1: the most colorful and interesting interview we've had in a minute.

1143
00:53:38,480 --> 00:53:40,520
Speaker 1: And that's not just because he kept trying to leave

1144
00:53:40,600 --> 00:53:43,080
Speaker 1: the whole time, because he wanted to go out into

1145
00:53:43,120 --> 00:53:46,239
Speaker 1: the hallway and smoke a cigar. That's not actually why

1146
00:53:46,239 --> 00:53:49,680
Speaker 1: I know. He's just an interesting and really awesome human

1147
00:53:49,719 --> 00:53:53,400
Speaker 1: being and has had so much life in country music

1148
00:53:53,480 --> 00:53:55,720
Speaker 1: so for him to come in and share some stories

1149
00:53:56,080 --> 00:53:59,319
Speaker 1: was really awesome. So definitely check that out. But I'm

1150
00:53:59,320 --> 00:54:04,200
Speaker 1: telling you that formant Georgia women insanely awesome. So also

1151
00:54:04,280 --> 00:54:07,440
Speaker 1: see that at Bobby Bones dot com Number one. Hey,

1152
00:54:07,480 --> 00:54:10,880
Speaker 1: how are you pretty good? Yeah, it's first time that

1153
00:54:10,920 --> 00:54:14,000
Speaker 1: you and I have met. Yeah, I've you know, come

1154
00:54:14,040 --> 00:54:16,480
Speaker 1: close to you. It's like sniffed you a little bit.

1155
00:54:16,480 --> 00:54:18,200
Speaker 1: But like, that's awesomebody met me in a lot of

1156
00:54:18,200 --> 00:54:21,640
Speaker 1: songs over the radio though, Well, that for sure, sure, Yeah,

1157
00:54:22,760 --> 00:54:25,200
Speaker 1: I think you lived in the United States of America.

1158
00:54:25,320 --> 00:54:27,359
Speaker 1: That's for damn sure. Well and not from a small

1159
00:54:27,400 --> 00:54:29,560
Speaker 1: town in Arkansas, so that's for real, shure. That's why

1160
00:54:29,680 --> 00:54:31,880
Speaker 1: that hog is up there. That's right. I got some

1161
00:54:32,000 --> 00:54:36,920
Speaker 1: Dallas cowboy rich white friends. Boy, they would love seeing

1162
00:54:36,960 --> 00:54:40,600
Speaker 1: that right there. Jerry John got one of them. Yeah,

1163
00:54:40,640 --> 00:54:43,080
Speaker 1: they were hauled. Yeah, they were halled. How is that?

1164
00:54:43,160 --> 00:54:45,759
Speaker 1: So this this projects? You know, pretty cool how it

1165
00:54:46,000 --> 00:54:47,520
Speaker 1: came together. Dan, by the way, good to see you,

1166
00:54:47,600 --> 00:54:49,360
Speaker 1: Great to see you. Got good to see both of you. Guys.

1167
00:54:49,440 --> 00:54:52,480
Speaker 1: So Hey, first of all, your first record in what

1168
00:54:52,520 --> 00:54:54,279
Speaker 1: it's like twenty sixteen, I think, So, why did you

1169
00:54:54,280 --> 00:54:56,399
Speaker 1: want to put out new music now? Huh? Your first

1170
00:54:56,440 --> 00:54:59,440
Speaker 1: new record in a while? Why now? Why? Now? What? What?

1171
00:54:59,440 --> 00:55:03,680
Speaker 1: What inspired? Uh? Lord? You know I don't care about

1172
00:55:03,719 --> 00:55:06,480
Speaker 1: that part this thing. Let me just put it and

1173
00:55:06,560 --> 00:55:10,200
Speaker 1: you're gonna know. We don't have to waste any more time.

1174
00:55:10,280 --> 00:55:13,279
Speaker 1: I'm down here, little Hank Williams Junior at forty nine,

1175
00:55:13,440 --> 00:55:20,000
Speaker 1: sixteen Franklin Road, and he's growing up with every one

1176
00:55:20,040 --> 00:55:26,800
Speaker 1: of these dudes, Lightning Hopkins, BB King, John Lee Hooker.

1177
00:55:27,600 --> 00:55:31,080
Speaker 1: So I'm not talking fantasies. Everything I've said on this

1178
00:55:31,200 --> 00:55:35,440
Speaker 1: record is real and everybody knows it. So I'm sitting

1179
00:55:35,480 --> 00:55:39,880
Speaker 1: there twelve thirteen years old, and I got my little guitar,

1180
00:55:40,080 --> 00:55:42,720
Speaker 1: and I got my amps, and I'm playing Jimmy Reid

1181
00:55:42,960 --> 00:55:45,319
Speaker 1: and I'm playing all these dudes, and I'm trying to

1182
00:55:45,400 --> 00:55:49,480
Speaker 1: learn how I'm trying to learn how to do anything

1183
00:55:49,800 --> 00:55:55,680
Speaker 1: on there. Well, this ain't Hank Junior at thirteen anymore.

1184
00:55:57,320 --> 00:56:00,719
Speaker 1: This is the other side, and I'm paid and tribute

1185
00:56:00,719 --> 00:56:07,600
Speaker 1: to all these guys. Icon father was taught by a

1186
00:56:07,760 --> 00:56:14,400
Speaker 1: black gentleman named Rufus Paine te tat and boy he

1187
00:56:14,480 --> 00:56:18,800
Speaker 1: had some real real good lessons from that guy. So

1188
00:56:19,239 --> 00:56:23,040
Speaker 1: I'm looking at it. I'm kind of gone full circle.

1189
00:56:24,400 --> 00:56:31,680
Speaker 1: My tea toot was John Lee and bb and own

1190
00:56:31,760 --> 00:56:35,359
Speaker 1: and Own and Jimmy Reid. So this one is all

1191
00:56:35,400 --> 00:56:37,399
Speaker 1: about something I've been wanting to do a long time.

1192
00:56:37,680 --> 00:56:40,279
Speaker 1: This ain't forget Hank Junior. This ain't got nothing to

1193
00:56:40,320 --> 00:56:46,680
Speaker 1: do Underhead Hawkins, that's my ak a. Nobody told me

1194
00:56:46,719 --> 00:56:50,640
Speaker 1: Thunderhead was coming in hell. They call him Thunderhead, called

1195
00:56:50,640 --> 00:56:55,600
Speaker 1: he fell off that mountain side that ain't made up either,

1196
00:56:56,880 --> 00:57:01,160
Speaker 1: So that's where we're at. Okay, all right, well listen, Thunderhead, yep, nobody,

1197
00:57:01,200 --> 00:57:03,560
Speaker 1: Nobody introduced me to thunder Head. Thunderhead, how's it going,

1198
00:57:04,040 --> 00:57:06,640
Speaker 1: under Hawk? Yeah, Thunderhead. Well, then let's do this, and

1199
00:57:06,680 --> 00:57:10,000
Speaker 1: I'm I'm being poison Thunderhead, Dan Dan? Are you still Dan?

1200
00:57:10,800 --> 00:57:15,040
Speaker 1: I am? Okay? Good, all right, I don't mister, mister producer, Okay,

1201
00:57:15,920 --> 00:57:18,120
Speaker 1: Thunderhead and mister producer, why don't you guys play the

1202
00:57:18,200 --> 00:57:19,680
Speaker 1: song and let's come back and talk about it a

1203
00:57:19,680 --> 00:57:49,560
Speaker 1: little bit. Let's do it? Yeah, yeah, uh huh, all

1204
00:57:49,640 --> 00:58:05,520
Speaker 1: real burnside thunder Head Hawking. Yeah, I don't know, but

1205
00:58:05,680 --> 00:58:14,200
Speaker 1: I'm gonna round. They're telling them women, shake them on down. Yes,

1206
00:58:14,520 --> 00:58:20,840
Speaker 1: I'm going down the Georgia line. I'm gonna see something women.

1207
00:58:22,280 --> 00:58:31,240
Speaker 1: Sweet lacking mine, sweet lacking mine, sweet laking mine. Ah huh,

1208
00:58:32,720 --> 00:58:37,600
Speaker 1: all the way to Montgomery, Baby, shake them on down,

1209
00:58:39,120 --> 00:59:04,160
Speaker 1: sweet like mine, Sweet like mine. How about that Thunderhead

1210
00:59:04,400 --> 00:59:07,800
Speaker 1: you say, Hawks, Hawk thunder Head Hawkins Hawk Thunderheads W

1211
00:59:08,080 --> 00:59:12,640
Speaker 1: A K W K H and as Hawkins. That's right, yeah,

1212
00:59:13,120 --> 00:59:16,080
Speaker 1: Hank Junior, No more Thunderhead Hawks. This album is not

1213
00:59:16,320 --> 00:59:19,600
Speaker 1: Hank Junior. No, this is Sunderhead. This is a little

1214
00:59:19,840 --> 00:59:23,640
Speaker 1: Thunderhead rocking Randall at Overton High School, rocking Randall and

1215
00:59:23,720 --> 00:59:27,400
Speaker 1: the Rockets. And I played every instrument there was, and

1216
00:59:27,600 --> 00:59:31,560
Speaker 1: my father, people don't know, played every day on instrument

1217
00:59:31,800 --> 00:59:36,040
Speaker 1: there was. It's a family tradition and we can pick

1218
00:59:36,280 --> 00:59:39,360
Speaker 1: and we can rock. Who's that while we're sitting down

1219
00:59:39,400 --> 00:59:42,720
Speaker 1: there in the Hall of Fame, Senior Junior, Well, I'm

1220
00:59:42,760 --> 00:59:44,880
Speaker 1: confused because now you're back to Hank Junior. You just

1221
00:59:44,920 --> 00:59:48,520
Speaker 1: said your only Thunderhead Hawkins today. This record go okay,

1222
00:59:49,080 --> 00:59:51,960
Speaker 1: eighty five million other ones of that both Okay, gotta

1223
00:59:52,000 --> 00:59:55,240
Speaker 1: help you, gotta help me here. I'm confused, got lots

1224
00:59:55,280 --> 00:59:57,080
Speaker 1: of lots of names. Let's do something, all right, Well

1225
00:59:57,120 --> 00:59:58,400
Speaker 1: you wanna do you want to get out of here?

1226
00:59:58,520 --> 01:00:00,960
Speaker 1: Wait already? We just I won't smoke my cigar on

1227
01:00:01,080 --> 01:00:04,280
Speaker 1: getting the hell out of here. I don't like it now,

1228
01:00:04,320 --> 01:00:10,360
Speaker 1: you know you understand? Can we leave? Now? You're just walking?

1229
01:00:10,680 --> 01:00:12,720
Speaker 1: I'm ready to go, all right, goodbye? I got half

1230
01:00:12,800 --> 01:00:15,240
Speaker 1: I got a twenty six dollars cigar out there, so

1231
01:00:15,400 --> 01:00:17,360
Speaker 1: I've got about, in a word to my uncle, about

1232
01:00:17,400 --> 01:00:19,440
Speaker 1: ten dollars and fifty cents left on it. All right,

1233
01:00:19,920 --> 01:00:22,120
Speaker 1: I'm gonna then I'm gonna ask you three quick questions.

1234
01:00:22,480 --> 01:00:25,040
Speaker 1: After the third one you can walk out. Yeah, good

1235
01:00:25,080 --> 01:00:26,680
Speaker 1: to go. Yeah. And then then I'm ask you a

1236
01:00:26,720 --> 01:00:29,560
Speaker 1: couple of questions after he walks out. Okay, yeah, mister

1237
01:00:29,680 --> 01:00:33,400
Speaker 1: producer by asking this too. Actually if we both kind

1238
01:00:33,440 --> 01:00:36,320
Speaker 1: of produced a little bit, absolutely, but he produced all

1239
01:00:36,360 --> 01:00:40,560
Speaker 1: of this. So just band, this is there ain't no

1240
01:00:40,680 --> 01:00:44,920
Speaker 1: rookies sitting up here? Are you this? Are you this

1241
01:00:45,080 --> 01:00:47,160
Speaker 1: much of a leader in the studio? Huh? Do you

1242
01:00:47,240 --> 01:00:48,520
Speaker 1: just tell people what to do in the studio? I

1243
01:00:48,640 --> 01:00:52,640
Speaker 1: like this? Ask them they'll tell you how's in the studio?

1244
01:00:53,040 --> 01:00:54,840
Speaker 1: I mean this was when did you write that one?

1245
01:00:55,120 --> 01:00:58,240
Speaker 1: On the way over here? You know it was all

1246
01:00:58,280 --> 01:00:59,640
Speaker 1: for the love of the music, so, I mean it

1247
01:00:59,760 --> 01:01:02,480
Speaker 1: was just all graaty really the whole time. When you're

1248
01:01:02,600 --> 01:01:05,720
Speaker 1: producing a country legend like Hank Junior who then turns

1249
01:01:05,720 --> 01:01:08,360
Speaker 1: into Thunderhead, do you produce him to? Are you? Are

1250
01:01:08,400 --> 01:01:12,760
Speaker 1: you out? You out? Wait? Are you really leaving? Are

1251
01:01:12,800 --> 01:01:15,640
Speaker 1: you through? I'm gonna get through my three questions? All right?

1252
01:01:15,680 --> 01:01:18,320
Speaker 1: Oh I didn't. I can't hear too many ample All right, right,

1253
01:01:18,440 --> 01:01:22,120
Speaker 1: Mark lash Tucker was really loud. I'll ask three quick.

1254
01:01:22,160 --> 01:01:24,360
Speaker 1: I'll be I'll be as generic as possible. Are you ready?

1255
01:01:24,600 --> 01:01:27,000
Speaker 1: These are off a mountain? No? I wasn't gonna ask

1256
01:01:27,080 --> 01:01:31,080
Speaker 1: that one, I know, but if you want to go there.

1257
01:01:31,120 --> 01:01:32,960
Speaker 1: You fell off a mountain there, I thought, Yeah, I

1258
01:01:33,040 --> 01:01:35,160
Speaker 1: thought you were five hundred thirty feet was a long

1259
01:01:35,240 --> 01:01:37,600
Speaker 1: way in seventeen operations. Yeah, I have a little bit

1260
01:01:37,640 --> 01:01:39,760
Speaker 1: of back pain now. And then what do you remember

1261
01:01:39,800 --> 01:01:43,200
Speaker 1: about that fall? All of it? You do? You didn't

1262
01:01:43,200 --> 01:01:45,919
Speaker 1: black out? That's where That's why I live, they said,

1263
01:01:46,360 --> 01:01:50,160
Speaker 1: because I remember every bit of it. Yeah, when you

1264
01:01:50,280 --> 01:01:52,520
Speaker 1: landed at the bottom. You think you're gonna live. Nope,

1265
01:01:53,320 --> 01:01:55,120
Speaker 1: how did When did you know you were going to live?

1266
01:01:56,040 --> 01:01:58,120
Speaker 1: When you're like, I'm gonna beat this. They strapped me

1267
01:01:58,200 --> 01:02:03,400
Speaker 1: to the outside of a helicopter. That ride was pretty

1268
01:02:03,480 --> 01:02:11,360
Speaker 1: rough cold. Then you get down there and they cut

1269
01:02:11,440 --> 01:02:13,800
Speaker 1: everything off. I said, don't cut my cross off. They

1270
01:02:13,800 --> 01:02:16,640
Speaker 1: cut everything off. I had a gun and a shoulder holster.

1271
01:02:18,080 --> 01:02:22,520
Speaker 1: Point of fail. They cut the hole straw, cut all

1272
01:02:22,560 --> 01:02:27,439
Speaker 1: of that off, operated all night, woke up I don't

1273
01:02:27,480 --> 01:02:30,320
Speaker 1: know a day and a half later or something like that.

1274
01:02:30,680 --> 01:02:34,520
Speaker 1: When could you sing again? Huh? When could you sing again? Oh?

1275
01:02:34,640 --> 01:02:38,000
Speaker 1: It was a long time after that, all right, it

1276
01:02:38,160 --> 01:02:42,160
Speaker 1: was starting all over. Second question? Ready for it? Okay,

1277
01:02:42,360 --> 01:02:44,240
Speaker 1: you tell me, I like you gave me the first one.

1278
01:02:44,280 --> 01:02:48,240
Speaker 1: What's the second one? I don't know? All right? Uh?

1279
01:02:51,800 --> 01:02:53,720
Speaker 1: What what is it? Hey? You told me the first one.

1280
01:02:53,720 --> 01:02:55,960
Speaker 1: I thought would tell me the second one too. Okay, Ready,

1281
01:02:56,520 --> 01:02:58,080
Speaker 1: when people see you on the streets, what song do

1282
01:02:58,160 --> 01:03:02,040
Speaker 1: they associate you with? The most? I don't know. Are

1283
01:03:02,040 --> 01:03:07,720
Speaker 1: you ready? Monday Night Football? Thirty one years that put

1284
01:03:07,800 --> 01:03:11,120
Speaker 1: a stamp on them on America? They kind of know

1285
01:03:11,280 --> 01:03:15,200
Speaker 1: that one. Are you ready? All my rowdy friends are

1286
01:03:15,240 --> 01:03:18,200
Speaker 1: coming over to night. That's what it is. Do you

1287
01:03:18,240 --> 01:03:21,280
Speaker 1: sing that one? It shows he's oh yeah, yeah, I'll

1288
01:03:21,320 --> 01:03:27,680
Speaker 1: wear it out. All right, Come to a show sometime, buddy,

1289
01:03:27,680 --> 01:03:32,240
Speaker 1: and you'll find one more on what if you keep leaving?

1290
01:03:32,560 --> 01:03:34,760
Speaker 1: I don't want to ready to go? Okay, I know

1291
01:03:35,800 --> 01:03:38,760
Speaker 1: one more? All right? This is my question. It's actually

1292
01:03:38,800 --> 01:03:40,640
Speaker 1: more of a statement. You know, my favorite song of yours,

1293
01:03:41,760 --> 01:03:44,080
Speaker 1: my favorite song that doesn't get the play that it

1294
01:03:44,160 --> 01:03:49,240
Speaker 1: should get. There's a tear in my being my favorite.

1295
01:03:49,440 --> 01:03:54,080
Speaker 1: You have good good taste because I'm crying for you. Dad. Yeah, well, daddy,

1296
01:03:54,560 --> 01:03:56,840
Speaker 1: it's me. I'm doing that. You know. That was the

1297
01:03:56,920 --> 01:03:59,880
Speaker 1: words that I found. And the little asse tape thing. Yeah,

1298
01:04:00,240 --> 01:04:03,000
Speaker 1: remember the video when they can. That's a real, real

1299
01:04:03,080 --> 01:04:06,760
Speaker 1: good chaste. Also, you might want to look up the

1300
01:04:06,880 --> 01:04:12,400
Speaker 1: Eyes of Whalen. Christofferson said, We're in the world. Did

1301
01:04:12,480 --> 01:04:15,760
Speaker 1: that come from? I said, where do you think The

1302
01:04:16,040 --> 01:04:19,160
Speaker 1: Eyes of Whalen? Is a song everybody should listen to.

1303
01:04:20,480 --> 01:04:23,880
Speaker 1: There's a lot of them like that. That all in Alabama.

1304
01:04:25,360 --> 01:04:27,320
Speaker 1: When I thought I was not gonna make it out

1305
01:04:27,360 --> 01:04:33,080
Speaker 1: there feeling better, started turning up loud, looking at the

1306
01:04:33,160 --> 01:04:36,720
Speaker 1: crowd and bending them guitar string. I knew all the

1307
01:04:36,800 --> 01:04:39,880
Speaker 1: while it was my style? Could they ever forget my name?

1308
01:04:40,600 --> 01:04:43,480
Speaker 1: Rocked them and Raleigh knocked them out of Knoxville. Just

1309
01:04:43,640 --> 01:04:47,600
Speaker 1: couldn't do no wrong. The people went wild and the

1310
01:04:47,720 --> 01:04:51,040
Speaker 1: band said, child, you better keep on singing your songs.

1311
01:04:51,200 --> 01:05:01,520
Speaker 1: And I'm feeling better now. Can I leave? There? He goes,

1312
01:05:01,560 --> 01:05:04,880
Speaker 1: He grabs his back. Hey, Dan, how when you're working

1313
01:05:04,960 --> 01:05:07,640
Speaker 1: with Hank Junior? What is he like in the studio?

1314
01:05:07,760 --> 01:05:09,360
Speaker 1: Is he liked that all the time? Man? The first

1315
01:05:09,400 --> 01:05:11,000
Speaker 1: thing he said when he walked in, we'd never met

1316
01:05:11,080 --> 01:05:12,760
Speaker 1: him before. We're all sitting in there. These guys had

1317
01:05:12,840 --> 01:05:15,480
Speaker 1: driven up from Mississippim. We didn't know what to expect.

1318
01:05:15,560 --> 01:05:17,720
Speaker 1: And the first thing he said was I don't really

1319
01:05:17,720 --> 01:05:22,160
Speaker 1: feel like right now. And he went into the other room,

1320
01:05:23,080 --> 01:05:26,560
Speaker 1: into the live room, and just lit up a cigar.

1321
01:05:26,680 --> 01:05:28,840
Speaker 1: No one had ever smoked a cigar in the studio.

1322
01:05:30,320 --> 01:05:34,040
Speaker 1: So that's how it started. So both as an artist

1323
01:05:34,120 --> 01:05:36,920
Speaker 1: and a producer, like, it's got to be really hard

1324
01:05:36,960 --> 01:05:39,600
Speaker 1: to get your time, So why Hank Junior of all

1325
01:05:39,600 --> 01:05:42,400
Speaker 1: the people they're begging for your time? Oh? I mean,

1326
01:05:42,520 --> 01:05:46,160
Speaker 1: I'm a huge fan of Hank Junior. I just you know.

1327
01:05:46,320 --> 01:05:48,400
Speaker 1: I mean, when when I found out that he was

1328
01:05:48,440 --> 01:05:51,240
Speaker 1: a fan of RL Burnside, I thought we could do

1329
01:05:51,360 --> 01:05:55,120
Speaker 1: something fun. So I called Kenny Brown here he played

1330
01:05:55,120 --> 01:05:59,200
Speaker 1: with r L since the seventies, Kent Kimbro Junior, Kimbro's son,

1331
01:06:00,040 --> 01:06:02,920
Speaker 1: Eric Deatonum. These guys played on some of my favorite

1332
01:06:02,960 --> 01:06:07,120
Speaker 1: blues records of all time. Um, and I thought they'd

1333
01:06:07,160 --> 01:06:09,600
Speaker 1: be a perfect fit. And they were. Hank, you know,

1334
01:06:09,760 --> 01:06:11,600
Speaker 1: Hank figured out who he was in the room with

1335
01:06:11,760 --> 01:06:14,120
Speaker 1: and he just like he ate it up. He loved it.

1336
01:06:14,240 --> 01:06:16,520
Speaker 1: Did he make a calm thunderhead like me? Nah? Okay,

1337
01:06:16,800 --> 01:06:21,480
Speaker 1: that's just me, okay, all right. So here's the deal

1338
01:06:21,600 --> 01:06:24,440
Speaker 1: that the song they played was called Georgia Women, and

1339
01:06:24,640 --> 01:06:27,840
Speaker 1: the record comes out June seventeenth. June seventeenth, Rich White

1340
01:06:27,960 --> 01:06:30,960
Speaker 1: Honkey Blues. And I'm not gonna be canceled for saying that, right,

1341
01:06:31,000 --> 01:06:34,240
Speaker 1: I'm all good on that Renky Blues. Everything good. Dan,

1342
01:06:34,360 --> 01:06:36,480
Speaker 1: big fan of you and the music did you produce?

1343
01:06:36,680 --> 01:06:39,880
Speaker 1: We were actually at an event together and I forget

1344
01:06:39,880 --> 01:06:42,240
Speaker 1: you had you had produce another Country Legends record. It

1345
01:06:42,320 --> 01:06:45,640
Speaker 1: had just come out with Rebu Country Music Hall of Fame.

1346
01:06:45,680 --> 01:06:48,040
Speaker 1: Were something together and what other record did you do

1347
01:06:48,240 --> 01:06:51,680
Speaker 1: from uh did you produce there was somebody another older

1348
01:06:51,720 --> 01:06:54,520
Speaker 1: country Johnny Anderson? That's right, that's exactly what. Yeah, And

1349
01:06:54,520 --> 01:06:56,560
Speaker 1: we've got a John Anderson tribute album that's coming out

1350
01:06:56,640 --> 01:07:00,600
Speaker 1: right now. It's got Eric Luke Combs, Sturgill Simpson, Tyler,

1351
01:07:03,320 --> 01:07:06,640
Speaker 1: I did it with my with my buddy David Ferguson. Awesome. Well, yeah,

1352
01:07:06,920 --> 01:07:09,480
Speaker 1: we appreciate what you brought to Nashville. You listen, love

1353
01:07:09,480 --> 01:07:11,280
Speaker 1: the Black Keys, love what you did with Hank and

1354
01:07:11,400 --> 01:07:13,400
Speaker 1: just all you guys appreciate you coming in. That was

1355
01:07:13,440 --> 01:07:16,320
Speaker 1: a heck of a performance. And then Hank, wherever you

1356
01:07:16,360 --> 01:07:18,680
Speaker 1: went und your head, he's gone, he's gone. All right,

1357
01:07:19,240 --> 01:07:23,800
Speaker 1: good to see you guys are nice. Yeah, it's the

1358
01:07:23,960 --> 01:07:28,720
Speaker 1: best bits of the week with Morgan number two. Y'all,

1359
01:07:28,800 --> 01:07:30,880
Speaker 1: thank you so much for hanging out with me. This

1360
01:07:31,120 --> 01:07:34,919
Speaker 1: Weekend's Harry. If I sounded all tired, it's CMA Fest

1361
01:07:34,960 --> 01:07:38,920
Speaker 1: week and things are absolutely crazy. So I recorded this

1362
01:07:39,080 --> 01:07:42,280
Speaker 1: podcast super early in the morning, and I'm just gonna

1363
01:07:42,360 --> 01:07:44,320
Speaker 1: lay it all off there. So if my words don't

1364
01:07:44,360 --> 01:07:47,120
Speaker 1: make sense or I'm messing things up too much, y'all

1365
01:07:47,200 --> 01:07:50,080
Speaker 1: know why. It's not because I don't want to, but

1366
01:07:50,360 --> 01:07:52,520
Speaker 1: I actually tried to do this multiple times, and finally

1367
01:07:52,560 --> 01:07:54,840
Speaker 1: I was like, you know what, I'm just gonna wing

1368
01:07:54,960 --> 01:07:57,720
Speaker 1: this and hope for the best. It is CMA Fest week,

1369
01:07:57,760 --> 01:08:00,560
Speaker 1: So if you are enjoying all the festivities down here

1370
01:08:00,680 --> 01:08:02,880
Speaker 1: in Nashville, or if you're listening to this and you

1371
01:08:03,000 --> 01:08:05,280
Speaker 1: got to enjoy them, or you're just watching at home

1372
01:08:05,360 --> 01:08:08,960
Speaker 1: from your couch, which also is amazing. Um, I hope

1373
01:08:08,960 --> 01:08:12,520
Speaker 1: you guys have a fabulous weekend regardless, in a very

1374
01:08:12,640 --> 01:08:17,960
Speaker 1: safe weekend as well. I love y'all. Bye, Bobby Bone

1375
01:08:18,320 --> 01:08:19,320
Speaker 1: Bobby Bone Show.