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Speaker 1: me white wine and rose and they were delicious, Plus

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Speaker 1: To order your three pack up introductory wine for fifteen dollars,

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Speaker 1: go to first leaf dot com slash rappaport. That's three

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Speaker 1: bottles of wine for only fifteen bucks. Try first leaf

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Speaker 1: dot com slash rappaport r A p A p O

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Speaker 1: r T experience first leave today and try first leaf

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Speaker 1: dot com slash Rappaport. I am telling you it is

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Speaker 1: the best, simplest and cheapest way to drink fantastic wine.

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Speaker 1: All right, this is the Iron Wrap Reports Stereo podcast.

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Speaker 1: Brand new I Am Wrapp Reports Stereo podcast is coming

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Speaker 1: up next. And first of all, apologies, apologies, apologies to

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Speaker 1: anybody who follows and looks for information, insight and in

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Speaker 1: the winning Ways of the Fantasy Football Follies. We had

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Speaker 1: a personal issue come up. First, it was some technical issues.

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Speaker 1: Then we had an actual personal issue. Will explain it

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Speaker 1: to you. We apologize. Um. We will be dropping a

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Speaker 1: brand new Week sixteen Fantasy Football Follies. It will be

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Speaker 1: dropping Thursday, December one at midnight. Guaranteed me and Tommy

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Speaker 1: Gunns Tommy g We'll give you the winning ways heading

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Speaker 1: into Week sixteen. I'm proud to say that one of

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Speaker 1: our guys a Fantasy Football Follies listener one, the DraftKings

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Speaker 1: bar Stool Common Man Tournament, a Fantasy football Follies I

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Speaker 1: Am Rappaport, dude one ten fucking thousand dollars thanks to us.

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Speaker 1: Thanks to him, he wanted he won it, but he

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Speaker 1: gave us credit he's a listener. He's a follower of

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Speaker 1: the follies. Congratulations Ben Stone at b underscore s T

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Speaker 1: O n E S one Ben Stone one ten geez

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Speaker 1: all right, he's a fantasy football follers guy. So I apologize,

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Speaker 1: We apologize that we didn't get it up last week.

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Speaker 1: No point intended. Um, but will we'll be back, like

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Speaker 1: I said Thursday midnight with a brand new fantasy football filling.

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Speaker 1: So today on this episode, this is like a superstore

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Speaker 1: all everything. Like this is like going to Costco Target,

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Speaker 1: like getting everything you need out of a podcast. Today

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Speaker 1: we have the White Mamba, Brian Scalabrini. If you don't

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Speaker 1: like sports, don't even worry about it. He's a fucking

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Speaker 1: riot Boston Celtic World champion. He's like a funny, funny, weird,

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Speaker 1: distorted looking version of me, the White Mamba. Um. But first,

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Speaker 1: me and G Moody last name rhymes were duty the

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Speaker 1: three time podcast co host of the Year. We're gonna

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Speaker 1: do our thing. It's a brand new I am Rapp

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Speaker 1: Reports stereo pockets. But I got a couple of things

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Speaker 1: to talk about before we get into uh the base

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Speaker 1: of the show. Number one, number one congratulations to me,

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Speaker 1: the gringo man Dingo. I'm congratulating myself. That's right, and

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Speaker 1: I'm saying my name in the third party. I am

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Speaker 1: heading to the Howard Stern Fantasy Football super Bowl. That's right.

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Speaker 1: You've heard it all. You've heard about everything I've been through,

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Speaker 1: the coup, being kicked out a league, invited back into

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Speaker 1: the league, the taunting, the teasing, the darrest that I've

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Speaker 1: been through. What we did an asshole or in the

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Speaker 1: finals this weekend, the fantasy football finals of the Stern

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Speaker 1: Show Emotional Friends League, I dragged this motherfucker, Will Murray,

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Speaker 1: one of the producer's key producers, big time producer of

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Speaker 1: The Stern Show. Dragged that fuck tied him to the

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Speaker 1: back of my fucking car and dragged him slowly three

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Speaker 1: to five miles power for about eventeen eighteen blocks. It

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Speaker 1: was slow, it was painful. His team had hope, and

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Speaker 1: I fucking stripped him. I stripped him of any hope

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Speaker 1: and aspirations that he had. I'm heading to the finals.

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Speaker 1: I'm playing Salve Governoralley and Richard Christie, two lunatics from

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Speaker 1: The Stern Show, very high up people in the Stern

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Speaker 1: Show world. I'm gonna beat their fucking asses and again

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Speaker 1: if I win. If I win, or should I say,

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Speaker 1: when I win, the reward I want. I want to

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Speaker 1: get it cleared. I want to power wash, power clean.

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Speaker 1: I have the drills and instruments and tools to do it.

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Speaker 1: I want to power clean Gary de la Bonte's fucking

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Speaker 1: guerrilla teeth once and for all, live for the world

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Speaker 1: to see, and here on the Stern Show, in front

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Speaker 1: of Robin and Howard. Then I want to shave every

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Speaker 1: morsel of back and stomach care of Jason Caplan's body

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Speaker 1: and donate it to science. That's the kind of man

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Speaker 1: I am. So whether you care about football, care about

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Speaker 1: fantasy football or not, okay, and I know a lot

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Speaker 1: of you don't. And I understand that I have no problem,

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Speaker 1: no qualms, no questions about it. But Thursday, the one

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Speaker 1: through the weekend, I'm in my super Bowl. Not that

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Speaker 1: I need it, because I'm planning on winning this motherfucker,

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Speaker 1: but just just a little prayer, a little prayer for

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Speaker 1: me to win. Rappaport's delight a k A A history

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Speaker 1: of violence a KA make it stop, make it stop

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Speaker 1: a k A. That thing's big. Please, just a little prayer. Okay,

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Speaker 1: if you walk by a church, just you know, I'm

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Speaker 1: thinking about you didn't go. That's all I want. That's

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Speaker 1: all I want, because it's going down this weekend. Oh

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Speaker 1: what else happened? Okay, we got a great show. We

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Speaker 1: have a fantastic, hard hitting, all encompassing I Am Rappaport

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Speaker 1: Stereo podcast coming up. Kobe being Bryant had his number retired,

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Speaker 1: Laker number eight, Laker number twenty four. I mean, I

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Speaker 1: was thinking about things to say about Kobe, but the

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Speaker 1: guy needs no introduction? What what? What can I say?

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Speaker 1: If you want to hear some great stories about Kobe

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Speaker 1: Bryant from people who actually played with him and played

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Speaker 1: against him. Re listened to the Matt Bournes Iron Wrapp

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Speaker 1: Reports Stereo podcast. Listen to the Karan Butler episode of

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Speaker 1: the Iron Rapp Reports Stereo podcast. He he tells a

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Speaker 1: story about playing against Kobe Bryant and him counting backwards.

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Speaker 1: He scored the first two points and instead of going

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Speaker 1: to he started counting backwards from fifty like he was like,

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Speaker 1: I'm gonna give you all fifties. So he scored the

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Speaker 1: first basket and he was like forty eight and he

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Speaker 1: wind up scoring I think forty nine and fifty points.

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Speaker 1: Karen tells it really good. You can re listen to

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Speaker 1: the Iron Rapports stereo podcast with Karen Butler Dope his

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Speaker 1: stories Dope. It's a right episode from about I don't know,

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Speaker 1: six eight months ago, and of course the five star

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Speaker 1: already classic Matt Barnes episode. He tells some great Kobe stories.

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Speaker 1: Um and I was thinking all about Kobe's career because

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Speaker 1: it's over. He's not playing any more professional basketball. I

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Speaker 1: remember when he came into league, was bald headed Kobe.

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Speaker 1: You know, he had the music video rapping Kobe sounded

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Speaker 1: just like Michael Jordan's Kobe air ball shooting. In the playoffs,

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Speaker 1: Kobe between the motherfucking Legs won the Slam Dunk Contest Kobe.

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Speaker 1: Then it was Shock and Kobe, Shack and Kobe, Shack

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Speaker 1: and Kobe. They won three motherfucking championships. Then it was

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Speaker 1: the Low and p c Afro Kobe. Then there was

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Speaker 1: Metal World, Peace and Lamar Oldham, Kobe, Phil Jackson, Kobe,

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Speaker 1: tell me how my ass tastes Kobe. That's a quote

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Speaker 1: from a Shack rhyme when they were in the Little beef,

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Speaker 1: which they've all leaned up. More NBA title winning Kobe

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Speaker 1: broken finger, Kobe Matt Barnes ball, fake to the face,

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Speaker 1: Kobe solo Kobe two more motherfucking titles. Kobe broken finger,

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Speaker 1: Kobe broken wrist, Kobe black Mamba, Kobe torn Achilles, walking

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Speaker 1: off the motherfucking court. That ship don't hurt Kobe coming

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Speaker 1: back from that injury? Like what Kobe sixty points in

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Speaker 1: your final game Kobe, Kobe Bryant, mamba out Kobe number eight,

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Speaker 1: number twenty four is retired. Kobe Bryant, Kobe being Bryant, iconic,

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Speaker 1: one of a kind, killer instinct. Yo, shit, what can

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Speaker 1: I say? Um? Another thing that happened that I want

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Speaker 1: to get into before I get uh G movie. Last

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Speaker 1: name rhymes with duty is uh the president the president

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Speaker 1: of s p N, John Skipper a k A. John

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Speaker 1: the Ripper, He stepped down, stepped down from his position

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Speaker 1: at ESPN, says he has substance abuse and he's been suffering,

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Speaker 1: said he's been dealing with it for years, and he

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Speaker 1: quit effective immediately. UM. I never had any dealings with

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Speaker 1: John Skipper. UM, so I really know insight into him.

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Speaker 1: But as you know, I did have dealings and a

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Speaker 1: little oh I never met him with the cupcake kid,

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Speaker 1: dick stained, Danny Lebotard. You know, some of you guys

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Speaker 1: might not know how this whole Labertor thing started. And

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Speaker 1: then why I'm going at him so hard? Check this out. Okay,

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Speaker 1: here's a clip from the now infamous episode to sixty

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Speaker 1: nine of the I m Rappaport Stereo podcast. It's the

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Speaker 1: first ever podcast this track. All right, So anyway, there's

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Speaker 1: there was a little back and forth about Magic Johnson

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Speaker 1: getting hired in a nutshell. Basically what happened was Lebotard

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Speaker 1: was talking about Magic Johnson's being hired and he wasn't qualified.

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Speaker 1: And then I made a tweet saying, why how your father,

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Speaker 1: his father Poppy, the beloved Poppy on his TV show

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Speaker 1: what's the name of the TV show? Highly questionable? How

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Speaker 1: it's a highly questionable decision to have your father on

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Speaker 1: the show every day, the beloved Poppy. Well, because Dan

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Speaker 1: Lebertard went after the beloved Magic Johnson. Anyway, they started

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Speaker 1: talking about that started his crony started saying I have herpes.

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Speaker 1: I don't. I'm gonna break that down. And they also

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Speaker 1: said that I try to be black. Michael Rappaport came

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Speaker 1: after my father. My initial instinct was to get defensive

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Speaker 1: for about half a second, and then I'm like, good god,

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Speaker 1: this is funny. Sure, good God, this is funny that

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Speaker 1: now we've got beef between Michael Rappaport and my father

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Speaker 1: and the show. Here's what actually happened. Since this hasn't

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Speaker 1: been stated yet, Stucts texted me and said, send me

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Speaker 1: some weekend observations for Rappaport, and I said, Stucts, do

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Speaker 1: not call him herpies face like Mike and Roy had

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Speaker 1: been doing all weekend. I feel like that's a bad

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Speaker 1: look for him, for them and the show. I feel like,

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Speaker 1: don't call someone herpies face multiple times. It was a

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Speaker 1: big red spot if it was like skin cancer or something.

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Speaker 1: That's what he was saying. Actually, these motherfucker's are chumps.

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Speaker 1: These motherfucker's are deceitful. These motherfucker's basically had me kicked

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Speaker 1: off the ESPN on some sucker shit. If the only

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Speaker 1: real collateral damage of my quote unquote race controversy that

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Speaker 1: made me a racist last week gets Michael Rappaport band

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Speaker 1: for ESPN for actual racism, that's amazing, Like, that's that

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Speaker 1: is performance art. It's like whoa, that's like playing with race.

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Speaker 1: And then tada, the white guy who really loves black people,

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Speaker 1: like really loves black people in a way that he

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Speaker 1: does a tribe called Quest documentary and kind of seems

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Speaker 1: like he wants to be black. I think that he

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Speaker 1: would do that. Yeah, there's no doubt that he's done

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Speaker 1: a lot with black culture. If we said odds on

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Speaker 1: this at the beginning, when you said what you said

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Speaker 1: about Magic, and we said someone, there's gonna be a casualty,

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Speaker 1: what are the odds you get on that rappaport there's

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Speaker 1: gonna be a race casualty here? Put up a prop board,

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Speaker 1: bet like a deadpool. Put up a deadpool. Who's gonna

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Speaker 1: lose their job? Like, right, who's gonna I mean you

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Speaker 1: eight millions to one odds? Like wait, what serious value

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Speaker 1: with rapport? All right? Does that make sense you? It's

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Speaker 1: it's crazy because they just retired be Bryant's number. And

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Speaker 1: this whole thing was started about me defending Magic Johnson

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Speaker 1: because this motherfucker was trying to say he's not qualified

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Speaker 1: to be the GM of the Los Angeles Lakers. This

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Speaker 1: motherfucking And it's because the whole uproar in the media,

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Speaker 1: like you know, this is about almost like nine months ago,

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Speaker 1: caused the whole uproar in the media. Michael Wilbon. People

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Speaker 1: were accusing lebertartive only saying that, you know, because he's

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Speaker 1: black and raised. It was like a whole thing. You

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Speaker 1: could check it out. But that was the inception of

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Speaker 1: this whole thing that started this whole thing. Uh Dick Stain,

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Speaker 1: Danny Lebertard was really distraught over the president of ESPN

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Speaker 1: stepping down. It it's it's it's very well known that

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Speaker 1: uh Dick Stain, Danny Lebertard is a company man. He

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Speaker 1: tries to act like he's all rogue and he's, you know,

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Speaker 1: sort of this rebellious figure. He's not. He's not. Actually

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Speaker 1: said it on a podcast a couple of weeks ago,

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Speaker 1: months ago, I said, Dick Stain, Dan Lebertard is a

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Speaker 1: company man. He's under John Skipper, he's been under John

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Speaker 1: skip But that's why that motherfucker still has a job.

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Speaker 1: That's my opinion. They suspended him, they've reprimanded him. He

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Speaker 1: says all kinds of wild ship. Nothing happens. That's because

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Speaker 1: he's a company man. You kiss ass, but then you

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Speaker 1: front on the radio like your rogue, your wild you're

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Speaker 1: about it, about it. Well, it turns out that Dick Stain,

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Speaker 1: Danny Lebertard, he he really really took John Skipper stepping

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Speaker 1: down to heart. He he really was distraught over it.

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Speaker 1: He went on the radio this morning and like a

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Speaker 1: bitch ass trick, this motherfucker started crying. Check check check

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Speaker 1: some of this Outum, listen, listen to this motherfucker's voice.

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Speaker 1: The president of the s PANA is resigned um and

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Speaker 1: sent out his statement, and uh, I'm sorry, UM, I

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Speaker 1: just want to know that he's okay, UM, take your time, buddy. Yeah. UM.

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Speaker 1: So I'm I'm just learning this now, okay, And this

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Speaker 1: is hey, um is he's this is the reason that

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Speaker 1: I work here. UM. And so I don't know what's coming.

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Speaker 1: I don't know what this. I don't know what this is.

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Speaker 1: But um, he has turned in his resignation. He sent

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Speaker 1: it to everybody at ESPN, through all all the email accounts,

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Speaker 1: and he said, I'd like to share a statement I'm

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Speaker 1: issuing today as well as one from Bob Iger. It

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Speaker 1: has been my absolute privilege to serve as president of ESPN, Sincerely,

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Speaker 1: John Skipper, this is this motherfucker's segment called straight Talk

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Speaker 1: where he tells it straight. He tells it like it is.

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Speaker 1: Listen to this bitch made the fuck are crying on

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Speaker 1: the air. This is a true blue company man. Bust him.

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Speaker 1: I know I look like it and sound like a

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Speaker 1: fool right now. Uh huh, But I want you to

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Speaker 1: understand something. And I don't know what's I don't know

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Speaker 1: what's coming like, I don't know if this is I

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Speaker 1: haven't talked to him, so I don't know how he's doing. Um,

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Speaker 1: and I care about him. But just so that you understand, um,

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Speaker 1: this person has created everything that exists here at ESPN

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Speaker 1: for us. He sent out a statement, Um, hum I um,

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Speaker 1: I just want to know that he's okay. Motherfucker. Is

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Speaker 1: John Skipper your father or is Poppy your father? You

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Speaker 1: should have had John Skipper on your bullshit show all

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Speaker 1: these years because you're crying like this, motherfucker's your dad.

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Speaker 1: Bitch sucking sea And then then they listen to Gots

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Speaker 1: Stu Goots in the background say it's take your time,

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Speaker 1: Stu Gotts, John Weener, he said, take your time. This

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Speaker 1: is the same guy, John Weiner, who just a couple

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Speaker 1: of weeks ago on this podcast we talked about him

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Speaker 1: being proud that he made eighth grade girls cry. He

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Speaker 1: bragged about making eighth grade girls cry the big Hall

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Speaker 1: of Famer, Shack Diesel was offended by it. I was

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Speaker 1: offended by it. I spoke on it. Matter of fact,

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Speaker 1: Miles cut to my ship about John Weiner, just a

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Speaker 1: couple of weeks ago, to the head coach of Copper Mind,

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Speaker 1: who said I made her kid crying and that committed

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Speaker 1: two penalties and tall trash to my kids, me and

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Speaker 1: my coaching staff the entire game. Next time, don't tell

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Speaker 1: me I'm an adult and she's an eighth grader. Know

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Speaker 1: you're an adder. To stop talking trash coaches on the sideline,

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Speaker 1: not her fault yours, And next time I'll yell at you.

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Speaker 1: You're proud about making little girls cry, and you said

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Speaker 1: you'd make the mom cry and the father cry. Shack

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Speaker 1: said he wanted to punch you in the face. Let

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Speaker 1: me get that, Willie hutch Ship. Now this motherfucker's say

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Speaker 1: take your time. Let me hear again, Miles, let me

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Speaker 1: take your time. You're all You're all upset because fat

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Speaker 1: dick stain Dan Lebotard, formerly known as the Cupcake Kid,

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Speaker 1: is choked up. That is boss who's kept him employed

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Speaker 1: for all these years, is crying on air like a

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Speaker 1: fucking hell. Behut you crying? Matter of fact, Miles, let

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Speaker 1: me get that cry. I'm not even giving this dude

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Speaker 1: that Willie Hudge. Let me get that cry. Yeah, you

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Speaker 1: hear that cry. That's a moody b right there. When

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Speaker 1: am the fucker's crying on air because he knows the

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Speaker 1: gig is up? Sorry, you get that crying. You hear

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Speaker 1: that cry right here? Listen to that mmm he said,

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Speaker 1: I'm I'm just sorry. Um um, listen listen. I know acting.

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Speaker 1: I know good acting and I know bad acting. This

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Speaker 1: ship isn't even showtime after Dark acting. This isn't even

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Speaker 1: skin flick softcore porn acting. This though, this is fear Scott.

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Speaker 1: I know why I work here. Listen, listen to this

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Speaker 1: bitch ass motherfucker. I didn't want to work for you, Sam,

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Speaker 1: I wanted to work this man. Okay, uh huh, you

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Speaker 1: don't know what's coming. You don't know what this is, motherfucker,

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Speaker 1: because you know this motherfucker John Skipper kept you from

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Speaker 1: getting fired. This guy's faking Jack's man Scott teasing people.

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Speaker 1: I think this motherfucker's going to rehab for thirty days.

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Speaker 1: He didn't die, mother crying. You're crying. You knew he

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Speaker 1: was on that book of sugar, motherfucker. If he's such

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Speaker 1: a close friend of yours. Anytime I've been with anybody

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Speaker 1: friend relationship and they've been on that ship, you know,

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Speaker 1: maybe it's your guilt. Maybe it is your guilt that

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Speaker 1: is bringing you to tears like a bitch made. Motherfucker,

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Speaker 1: what happened to all the boisterous ship talking you've done

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Speaker 1: for all the years, motherfucker, You're not talking to his

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Speaker 1: ship right now. He sounded nervous on the yard, sounded

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Speaker 1: scared on the yard, and he did it because of

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Speaker 1: how he cares about um minorities and their closets um.

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Speaker 1: And so every success that we've had, and I didn't

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Speaker 1: want to work for ESPN. I wanted to work for

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Speaker 1: this man, okay, And so I'm just sort of shocked

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Speaker 1: and and hurt and and and scared, not for anything,

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00:21:59,760 --> 00:22:02,960
Speaker 1: but heiel just scared, scared because I want him to

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Speaker 1: be okay, because this is not gonna be a fun

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Speaker 1: storm whatever whatever comes next after this, And so I

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Speaker 1: am sorry I'm reacting this way, and I don't know

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Speaker 1: what damage I'm doing and reacting this way, but I'm

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Speaker 1: just that's so, that's straight talk for this for real.

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Speaker 1: You didn't want to work for ESPN, you wanted to

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Speaker 1: work for this man, Well, the motherfucking party is over. Motherfucker.

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Speaker 1: You're not well liked. Trust me, a lot of people

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Speaker 1: are gonna be laughing, cheering when you're asked. Finally go

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Speaker 1: stop trying to concrete sympathy and compassion for you. Motherfucker.

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Speaker 1: You're a dick. John Weiener's a dick. Your punk ass

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Speaker 1: producers are dicks, and you get what the fuck you

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Speaker 1: got coming. Stop crying, man, the funk up man, Tighten

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Speaker 1: your motherfucking garter belt up, fat boy. I'm I'm shocked

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Speaker 1: and hurt. I'm I'm I'm scared. You know what? You

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Speaker 1: know what? I need one of the listeners of the

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Speaker 1: Iron Wrap Ports Stereo podcast to get this in script

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Speaker 1: for him. I'm gonna perform this ship better than him.

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Speaker 1: That's That's what I'm gonna do. We need, we need

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Speaker 1: to get this written out, and I'm gonna perform this

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Speaker 1: better than this fat motherfucker, because I'm better than you

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Speaker 1: are acting. I'm better than you were talking ship, and

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Speaker 1: I'm better looking. Motherfucker, you look like ship. You didn't

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Speaker 1: take key to my advice that I gave you about

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Speaker 1: a year ago when I said get yourself some blue

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Speaker 1: as stringent and fix your fucking face. You didn't listen

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Speaker 1: to me. Trust me, this is a company man plead

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Speaker 1: copping please, faking Jack's done with this motherfucker. Yo. We'll

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Speaker 1: get into the Iron Wrap Ports Stereo podcast. Me G Moody,

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00:23:42,600 --> 00:23:46,480
Speaker 1: last name rhymes with Duty Bryan Scalabrini a k. The

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Speaker 1: White Mamba. It's the White Mamba White Mike segment of

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Speaker 1: the Iron Wrap Ports Stereo podcast. But first let's get

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Speaker 1: into it with Moody. Let me hear some funk. Let's go,

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Speaker 1: you know. The Iron Rapp Reports Stereo podcast prides itself

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Speaker 1: It's a smart thing. It's a generous thing. I'm doing it.

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Speaker 1: You should do it too. With the third gim running

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00:25:28,600 --> 00:25:31,800
Speaker 1: and still gunning with the two seventeen podcast co host

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00:25:31,840 --> 00:25:35,879
Speaker 1: of the Year General Looney, last name Rhames win Dude.

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00:25:36,040 --> 00:25:39,320
Speaker 1: He's the black Ed McMahon to the White massaio podcast

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00:25:39,359 --> 00:25:42,000
Speaker 1: co host of the Year again. You know complete three

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Speaker 1: pete No, we can't be beat. That's he did it again.

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Speaker 1: It's an incredible feat. I'm talking to editimit always ready,

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Speaker 1: Jim editim m edit, Gim edit, always ready. Now all right,

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Speaker 1: as I told you, it's official. Congratulations G. Moody. Last

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Speaker 1: name rhymes with duty. They're now calling you three monetti,

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Speaker 1: so it's it's good. That's good. I'm Doc Severanson, Paul

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Speaker 1: Shaffer and Black the Ed McMahon all mixed in one. Yes,

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Speaker 1: the greatest podcast co host in the history of podcasting. Now,

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00:26:34,600 --> 00:26:41,960
Speaker 1: you said that if you won the podcast cost of

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Speaker 1: the Year, you're gonna retire and go play baseball like

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Speaker 1: Michael Jordan's. Yeah, yeah, I'm finished. I'm finished and play stickball. Okay, great,

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Speaker 1: all right. So if you don't know, this is the

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Speaker 1: I m Rapp Reports Stereo podcast. We have new listeners

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00:26:53,119 --> 00:26:55,920
Speaker 1: week after week, and I can't tell you how much

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00:26:56,640 --> 00:27:01,719
Speaker 1: I appreciate the love um and of support um. If

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Speaker 1: this is the first time listening to me and G.

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00:27:03,280 --> 00:27:06,200
Speaker 1: Moody rock, I just know that this is the only

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00:27:06,359 --> 00:27:12,160
Speaker 1: podcast that prides itself on no fact checking, no fact checking.

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Speaker 1: My name is Michael Rappaport, I am G. Moody a

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Speaker 1: k A. Gimon Eddie. My name is Michael Rapport a

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Speaker 1: k A. The Greno Man Dingo a K. A white

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00:27:23,000 --> 00:27:24,880
Speaker 1: Mike a k A Mr White folks, if you find

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00:27:24,920 --> 00:27:28,360
Speaker 1: that offensive, you can hang up. Hang up if that's

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00:27:28,359 --> 00:27:32,119
Speaker 1: offensive to you. In two thousand seventeen, get away from us.

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00:27:33,760 --> 00:27:38,200
Speaker 1: Sorry to offend you. If that's offensive. Uh, you don't

408
00:27:38,200 --> 00:27:40,800
Speaker 1: know what the hell you got coming to you. Everything

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00:27:40,920 --> 00:27:44,120
Speaker 1: is offensive. In two thousand seventy two, people are offended

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00:27:44,200 --> 00:27:47,040
Speaker 1: about my Twitter when they don't follow me but they

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00:27:47,160 --> 00:27:50,159
Speaker 1: read my Twitter, and I say, beat it bish, what

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00:27:50,320 --> 00:27:52,679
Speaker 1: happened with later they're just in general like they're offended.

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00:27:52,720 --> 00:27:56,880
Speaker 1: I'm like, you don't even follow my Twitter, but you're

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00:27:56,920 --> 00:28:00,680
Speaker 1: reading my Twitter feed right right right. So if you

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Speaker 1: find what I wrote offensive to the world, well, now

416
00:28:03,920 --> 00:28:07,400
Speaker 1: that you're talking shit, I'm gonna come at you. I'm

417
00:28:07,400 --> 00:28:11,440
Speaker 1: gonna come at you, your dog, your cat cross sides,

418
00:28:12,119 --> 00:28:14,560
Speaker 1: and if your kids bucktooth, I'm gonna talk about him too.

419
00:28:15,119 --> 00:28:17,960
Speaker 1: You don't have to follow me, I know, motherfucker's I'll

420
00:28:17,960 --> 00:28:21,560
Speaker 1: be reading mother could be writing soliloquies to your ass. Yo.

421
00:28:21,720 --> 00:28:25,480
Speaker 1: It's Twitter. We're not in a fucking relationship. I know. Man.

422
00:28:25,600 --> 00:28:28,880
Speaker 1: You're sending me poems and your thoughts and asking why

423
00:28:28,920 --> 00:28:31,719
Speaker 1: don't you feel like that? And I want to yo, yo,

424
00:28:31,800 --> 00:28:33,800
Speaker 1: yo yo. But it's a lot of times it's it's

425
00:28:33,880 --> 00:28:37,960
Speaker 1: girls and guys, it's male feminists. Like you know, the

426
00:28:38,040 --> 00:28:42,520
Speaker 1: interview with Charlemagne, the God Great. That was great, and

427
00:28:42,640 --> 00:28:47,040
Speaker 1: you know it's great, peace to Charlomagne because he's a

428
00:28:47,080 --> 00:28:51,440
Speaker 1: ship talker, like people expect if you're on Twitter, social media,

429
00:28:52,120 --> 00:28:54,000
Speaker 1: and or if you have some sort of celebrity, you're

430
00:28:54,000 --> 00:28:59,400
Speaker 1: supposed to be like the Pope, like pure bread. Yo.

431
00:29:00,280 --> 00:29:01,800
Speaker 1: You don't have to follow me, you don't have to

432
00:29:01,840 --> 00:29:04,640
Speaker 1: listen to the podcast, you don't have to watch my Instagram,

433
00:29:04,760 --> 00:29:07,120
Speaker 1: my Instagram stories. And if you don't follow me on

434
00:29:07,240 --> 00:29:11,400
Speaker 1: Twitter and Instagram and you popping ship, I don't know

435
00:29:11,440 --> 00:29:13,920
Speaker 1: what to tell you. You're making the choice to be offended.

436
00:29:14,320 --> 00:29:21,520
Speaker 1: Fuck you. Yeah, so, as I told you on this

437
00:29:21,720 --> 00:29:26,840
Speaker 1: uh this episode, I went up to Boston. Big support

438
00:29:26,920 --> 00:29:28,719
Speaker 1: up in Boston, A lot a lot of fans up

439
00:29:28,720 --> 00:29:30,200
Speaker 1: there in Boston I want to give a shout out to,

440
00:29:30,240 --> 00:29:33,160
Speaker 1: but we haven't done a live show up there. Um.

441
00:29:34,120 --> 00:29:36,400
Speaker 1: I went up there to go see the Celtics play.

442
00:29:37,360 --> 00:29:41,400
Speaker 1: My man Brian Scalabrini, who I rocked with during the

443
00:29:41,440 --> 00:29:46,680
Speaker 1: Big Three. Um, they call him the White mamble. So

444
00:29:46,880 --> 00:29:49,840
Speaker 1: we did a segment of the White Mamba meets White

445
00:29:49,920 --> 00:29:53,400
Speaker 1: Mike and Boston and Brian Scalabrini when you hang around him,

446
00:29:53,960 --> 00:29:56,200
Speaker 1: you know, he was on that championship team that Kevin

447
00:29:56,200 --> 00:29:59,520
Speaker 1: Garnett said anything is possible, and most people think that

448
00:29:59,640 --> 00:30:02,320
Speaker 1: they were saying anything is possible, like he was saying

449
00:30:02,320 --> 00:30:04,400
Speaker 1: anything is possible, like you know, you could be in

450
00:30:04,440 --> 00:30:07,520
Speaker 1: the championship, And I want I think that Kevin Garnett

451
00:30:07,560 --> 00:30:10,960
Speaker 1: was saying anything is possible. If Brian Scalabrini could be

452
00:30:11,000 --> 00:30:16,360
Speaker 1: in the fucking NBA, anything, he's possible, right, Scals Scals

453
00:30:16,480 --> 00:30:21,000
Speaker 1: is good. Man, scal is good. I gotta break his

454
00:30:21,080 --> 00:30:23,520
Speaker 1: fucking balls because first of all, he didn't get me

455
00:30:23,640 --> 00:30:25,560
Speaker 1: the court side seats that I was fortunate to have

456
00:30:25,800 --> 00:30:29,040
Speaker 1: my man TI did um. He didn't give me the

457
00:30:29,200 --> 00:30:32,600
Speaker 1: internet password to the to the New Boston Garden. I

458
00:30:32,680 --> 00:30:35,360
Speaker 1: had to pay for it. He's like I'm up there,

459
00:30:35,880 --> 00:30:37,800
Speaker 1: like he's like, yo, I'm gonna pick you up. Can

460
00:30:37,840 --> 00:30:40,880
Speaker 1: you walk four blocks down? I'm like, motherfucker, I'm gonna

461
00:30:40,880 --> 00:30:43,719
Speaker 1: pick you up. But it's freezing colts. I'm like, oh,

462
00:30:43,760 --> 00:30:46,120
Speaker 1: it's a spring day. I'll go for the walk. But

463
00:30:46,240 --> 00:30:49,520
Speaker 1: we had a good time and uh I got to

464
00:30:49,560 --> 00:30:54,200
Speaker 1: sit courtside for the Celtics game. Did they give you

465
00:30:54,280 --> 00:30:57,080
Speaker 1: hell out there? Did they gave me love? They gave love?

466
00:30:57,560 --> 00:31:03,000
Speaker 1: They gave me They know about the Brady. I think

467
00:31:03,080 --> 00:31:06,720
Speaker 1: Boston sports fans have better sense of humors than we

468
00:31:06,880 --> 00:31:11,720
Speaker 1: think online. Not so much in real life. Like I

469
00:31:11,800 --> 00:31:14,560
Speaker 1: said it face to face, it's all off the keyboard

470
00:31:14,600 --> 00:31:20,080
Speaker 1: thugs they could hide online. Everybody was so cool, nice, friendly,

471
00:31:20,640 --> 00:31:23,280
Speaker 1: and they had the New York Yankees had on. I mean,

472
00:31:23,440 --> 00:31:26,120
Speaker 1: I represent New York. I had the Yank. I met

473
00:31:26,200 --> 00:31:29,920
Speaker 1: the new UH general manager, the new manager, the new

474
00:31:30,000 --> 00:31:32,360
Speaker 1: coach of the Red Sox. I tipped my Yankee had

475
00:31:32,400 --> 00:31:36,040
Speaker 1: to him. I got a Yankee had shouldn't I got

476
00:31:36,080 --> 00:31:39,160
Speaker 1: the Yankee ad on parties over, guys, You guys won

477
00:31:39,200 --> 00:31:42,320
Speaker 1: your World Series. It's over the won one right too.

478
00:31:42,760 --> 00:31:45,880
Speaker 1: I think, so what we got twenty nine? The fun

479
00:31:46,400 --> 00:31:50,840
Speaker 1: We're not impressed. Um, but here's my observations. I saw

480
00:31:50,960 --> 00:31:56,880
Speaker 1: the Utah Jazz play the Boston Celtics. Donovan Mitchell should

481
00:31:56,920 --> 00:31:59,480
Speaker 1: be Rookie of the Year. Donovan Mitchell, who went to

482
00:31:59,600 --> 00:32:06,000
Speaker 1: Louis oh Is averaging eighteen points a game. Dwyane Wade,

483
00:32:06,120 --> 00:32:11,560
Speaker 1: ish New Yorker, played for Riverside Church two years of Louisville.

484
00:32:11,720 --> 00:32:14,760
Speaker 1: Got to do a podcast with him, Dope b ass podcast.

485
00:32:16,120 --> 00:32:20,640
Speaker 1: Good dude, but a good dude, sweet kid years old.

486
00:32:21,680 --> 00:32:24,480
Speaker 1: He should be the Rookie of the Year over Ben Simmons.

487
00:32:24,520 --> 00:32:26,600
Speaker 1: Stat Wise, I don't think he'll be able to top

488
00:32:26,680 --> 00:32:30,320
Speaker 1: Ben Simmons. But as the season progresses that people get

489
00:32:30,400 --> 00:32:32,760
Speaker 1: more familiar with him, they're gonna see that. Donovan Mitchell,

490
00:32:32,800 --> 00:32:36,080
Speaker 1: the Utah Jazz is contended for the you for the

491
00:32:36,280 --> 00:32:40,520
Speaker 1: Rookie of the Year. Ben Simmons. Philadelphia sent a lot

492
00:32:40,600 --> 00:32:46,120
Speaker 1: of hype, a lot of excitement. Um, he's dope. Uh

493
00:32:46,640 --> 00:32:48,920
Speaker 1: got to do a podcast on a man. Jonas Drepco

494
00:32:50,000 --> 00:32:53,640
Speaker 1: from Sweden. He was the dude who played for the

495
00:32:53,680 --> 00:32:56,560
Speaker 1: Celtics last year we talked about on the pocket. He

496
00:32:56,680 --> 00:32:58,960
Speaker 1: was talking a lot of ship to the Cavaliers when

497
00:32:58,960 --> 00:33:02,080
Speaker 1: they played them in the playoffs. He was out there

498
00:33:02,080 --> 00:33:05,160
Speaker 1: getting crunk. And then of course I got to see

499
00:33:05,240 --> 00:33:09,720
Speaker 1: Kyrie Irving live and in the flesh as a Boston Celtic.

500
00:33:11,760 --> 00:33:16,560
Speaker 1: I've never seen somebody score so fucking fast, yo. That

501
00:33:16,720 --> 00:33:19,680
Speaker 1: motherfucker'll be getting to the basket so quick, and he does.

502
00:33:19,760 --> 00:33:24,040
Speaker 1: He's Yo dribbles, right, yo, ship you need to put

503
00:33:24,120 --> 00:33:31,760
Speaker 1: on slow motion ill dribbles. But he came out to

504
00:33:31,880 --> 00:33:37,280
Speaker 1: the game wearing some Miley Cyrus Hodgepodge nikes. What do

505
00:33:37,360 --> 00:33:39,880
Speaker 1: you mean he had a pair? I'm not I'm vaguely

506
00:33:39,960 --> 00:33:44,160
Speaker 1: color blind. What they were like four different colors. It

507
00:33:44,320 --> 00:33:46,520
Speaker 1: was like none of them were green, by the way,

508
00:33:46,800 --> 00:33:48,960
Speaker 1: players with the Celtics none more green, white or black?

509
00:33:49,400 --> 00:33:52,480
Speaker 1: Do you duke? But your ship looks like an arts

510
00:33:52,520 --> 00:33:55,479
Speaker 1: and craft project? But he busts an ass out there,

511
00:33:55,520 --> 00:33:57,479
Speaker 1: so what can you say? But everybody's like, oh, them

512
00:33:57,520 --> 00:34:00,360
Speaker 1: ships are fired. You wouldn't wear The only person who

513
00:34:00,400 --> 00:34:03,320
Speaker 1: could get away to wear those is Kyrie Irving. If

514
00:34:03,400 --> 00:34:06,000
Speaker 1: your game is that ill, you could wear them ships.

515
00:34:06,320 --> 00:34:08,759
Speaker 1: But that's not for cooling out. That's some rainbow bright

516
00:34:08,840 --> 00:34:11,279
Speaker 1: type of ship, right you You have to be as

517
00:34:11,320 --> 00:34:13,120
Speaker 1: good as Kyrie Irving to wear them. He got like

518
00:34:13,120 --> 00:34:18,240
Speaker 1: a little scribble on him. Go to Miley Cyrus's Instagram page.

519
00:34:18,280 --> 00:34:21,279
Speaker 1: He does like Archie Crass project. Immediately when I saw

520
00:34:21,360 --> 00:34:24,960
Speaker 1: Kyrie Irving sneakers, I thought of Motley Cyrus. He's a

521
00:34:25,040 --> 00:34:31,000
Speaker 1: unique guy. The earth is flat. Yeah, it's not flat.

522
00:34:31,160 --> 00:34:36,120
Speaker 1: It's not it's not flat. It's not fucking flat. What

523
00:34:36,239 --> 00:34:44,040
Speaker 1: a crazy week? Um this whole Roy Moore, Doug Jones,

524
00:34:45,600 --> 00:34:48,960
Speaker 1: Roy Moore, check this out. Duke, Yo, it's been like

525
00:34:49,320 --> 00:34:54,520
Speaker 1: seven eight days since since you ran. You lost, Duke.

526
00:34:55,239 --> 00:35:01,040
Speaker 1: He he won't concede. You're not conceding. Roy's like, Yo,

527
00:35:01,280 --> 00:35:03,880
Speaker 1: let's see what we could do. Be not Roy, you

528
00:35:04,000 --> 00:35:08,400
Speaker 1: lost Duke. Oh you lost, Duke, Duke Duke, you lost,

529
00:35:09,200 --> 00:35:11,920
Speaker 1: my man, you lost you. You're not winning anything by

530
00:35:12,000 --> 00:35:16,279
Speaker 1: saying you didn't lose because you already fucking lost. You

531
00:35:16,400 --> 00:35:20,080
Speaker 1: understand what you need to concede. Duke lost, Duke Duke.

532
00:35:20,440 --> 00:35:23,920
Speaker 1: The ship's over. They're like, oh, I'm not gonna concede.

533
00:35:24,000 --> 00:35:27,400
Speaker 1: And maybe there's this, maybe there's a YO during the

534
00:35:27,640 --> 00:35:29,600
Speaker 1: next game, like they went, my man went to the

535
00:35:29,680 --> 00:35:33,160
Speaker 1: next thing. He's going to Washington. You're done. And his

536
00:35:33,320 --> 00:35:38,640
Speaker 1: wife was talking about I love Jews and jewel lawyer.

537
00:35:38,840 --> 00:35:41,960
Speaker 1: She's I got a jew lawyer. Well, now you're fucking

538
00:35:42,120 --> 00:35:48,360
Speaker 1: jew lawyer. Hopefully that that high price jew lawyer that

539
00:35:48,440 --> 00:35:52,000
Speaker 1: you were so proud about you could do something about

540
00:35:52,040 --> 00:35:56,080
Speaker 1: these sexual assault cases that are lingering because he was

541
00:35:56,160 --> 00:36:00,520
Speaker 1: fucking with young girls, Duke, and when you not sexual

542
00:36:00,560 --> 00:36:05,360
Speaker 1: assault cases all over the country that are just coming

543
00:36:05,480 --> 00:36:08,560
Speaker 1: in droves. The best thing you could do is have

544
00:36:08,680 --> 00:36:16,440
Speaker 1: a fucking jew lawyer. Happy Honica, you cock son. A

545
00:36:16,520 --> 00:36:20,239
Speaker 1: lot of people were requesting. We talked about the blowback

546
00:36:22,200 --> 00:36:26,000
Speaker 1: from that kid, Keaton Jones. Everybody knows who it was.

547
00:36:26,080 --> 00:36:29,120
Speaker 1: He was bullied online, but he was saying in words,

548
00:36:30,640 --> 00:36:34,320
Speaker 1: I don't blame him when you look at the parents,

549
00:36:34,360 --> 00:36:37,640
Speaker 1: the fathers and whites. The deadbeat dad is a is

550
00:36:37,680 --> 00:36:42,080
Speaker 1: a white supremacist. The mom's got pictures of herself with

551
00:36:42,160 --> 00:36:44,239
Speaker 1: Confederate flag. They got it from he got it from

552
00:36:44,280 --> 00:36:46,440
Speaker 1: her from them. Not to say that he shouldn't be

553
00:36:46,440 --> 00:36:49,759
Speaker 1: all he's a kid. He's a kid, but that is

554
00:36:49,800 --> 00:36:53,440
Speaker 1: gonna be like something like the world never forgets the

555
00:36:53,520 --> 00:36:57,440
Speaker 1: Instagram thing and the blowback of that and how everybody

556
00:36:57,560 --> 00:37:02,600
Speaker 1: jumped on it and then I mean black Danny l

557
00:37:02,800 --> 00:37:05,719
Speaker 1: I l to him in the last podcast. Yeah, yeah, Yo,

558
00:37:05,880 --> 00:37:09,320
Speaker 1: we gotta some things we gotta fact check, man, because

559
00:37:10,600 --> 00:37:13,239
Speaker 1: you know, we we gotta vet these motherfucker's because that

560
00:37:14,600 --> 00:37:17,120
Speaker 1: was fucked up for us to go at this dude

561
00:37:17,760 --> 00:37:22,640
Speaker 1: and say and people gave money to a hustle the

562
00:37:22,760 --> 00:37:26,560
Speaker 1: mom put the mom really put that video together and

563
00:37:26,640 --> 00:37:29,840
Speaker 1: was kind of coaching this cat. So that was a

564
00:37:30,080 --> 00:37:35,160
Speaker 1: go fund me hustle and she got fifty grand yo.

565
00:37:36,200 --> 00:37:38,680
Speaker 1: And the fun up thing is you could already see

566
00:37:38,719 --> 00:37:41,600
Speaker 1: that kid's life. He's gonna have a tough, tough There's

567
00:37:41,600 --> 00:37:44,719
Speaker 1: plenty of kids that have tough shots. But it's just

568
00:37:44,840 --> 00:37:48,040
Speaker 1: sort of like indicative of the year of two thousand seventeen.

569
00:37:49,160 --> 00:37:52,200
Speaker 1: Very two thousand seventeen. They did that, that whole Keaton

570
00:37:52,280 --> 00:37:59,239
Speaker 1: Jones thing. It was very two thousand seventeen. Yo. Black Thought, Oh,

571
00:37:59,360 --> 00:38:03,640
Speaker 1: we have to m c from the roots. You say

572
00:38:03,640 --> 00:38:07,680
Speaker 1: your thing, I'm the same mind dropped a freestyle on

573
00:38:07,840 --> 00:38:10,880
Speaker 1: funk Master Flex. For those of you who don't know,

574
00:38:11,120 --> 00:38:16,640
Speaker 1: funk Master Flex is a iconic New York DJ personality

575
00:38:16,840 --> 00:38:20,520
Speaker 1: producer and for those of you do know, know that,

576
00:38:21,160 --> 00:38:24,600
Speaker 1: and it seems like the whole world and Twitter again,

577
00:38:24,680 --> 00:38:27,160
Speaker 1: this is a good thing. Part of Twitter, they were

578
00:38:27,200 --> 00:38:30,239
Speaker 1: all hipped to this ten minute freestyle that Black Thought

579
00:38:30,360 --> 00:38:34,959
Speaker 1: did on funk Flex and for a lot of people

580
00:38:35,000 --> 00:38:36,440
Speaker 1: it was like the first time they heard of him.

581
00:38:36,480 --> 00:38:39,560
Speaker 1: And I say good because the the old school due

582
00:38:39,600 --> 00:38:43,040
Speaker 1: to me. Uh, it's like this motherfucking funk Flex has

583
00:38:43,080 --> 00:38:46,000
Speaker 1: been doing this for years. Black Thought from the Roots,

584
00:38:46,400 --> 00:38:48,200
Speaker 1: who's on the Fallon Show has been doing it for

585
00:38:48,360 --> 00:38:53,160
Speaker 1: twenty fucking years. Freestyle and rhyman. If if you never

586
00:38:53,280 --> 00:38:58,120
Speaker 1: heard DJ J Period J Period, first of all, you

587
00:38:58,160 --> 00:39:00,200
Speaker 1: should check him out. He got ill mixes. He like

588
00:39:00,239 --> 00:39:03,080
Speaker 1: a Try mix, he got a NAS mix, he got

589
00:39:03,160 --> 00:39:06,080
Speaker 1: a Lauren Hill mix, but he has a best of

590
00:39:06,160 --> 00:39:12,080
Speaker 1: the roots mix Jay Period. Look him up Smacker and

591
00:39:12,160 --> 00:39:15,800
Speaker 1: we talked about it before. He's got old James Brown

592
00:39:17,480 --> 00:39:21,560
Speaker 1: mix with Black Thought rhyming on it, which is nuts.

593
00:39:22,840 --> 00:39:26,279
Speaker 1: So for all that people that you know, never heard

594
00:39:26,320 --> 00:39:30,880
Speaker 1: of or never paid attention to Black Thought, Yeah, it

595
00:39:31,000 --> 00:39:34,640
Speaker 1: was illustrated for me when I saw that it kind

596
00:39:34,719 --> 00:39:37,560
Speaker 1: of separated He what what. I'm sure he doesn't he

597
00:39:37,600 --> 00:39:40,120
Speaker 1: doesn't realize. He probably didn't realize what he what what

598
00:39:40,480 --> 00:39:45,400
Speaker 1: he was doing, but he separated hip hop real like

599
00:39:45,560 --> 00:39:50,879
Speaker 1: authentic m seeing and rapping from what's being presented as

600
00:39:51,000 --> 00:39:54,400
Speaker 1: hip hop today. That really, if you don't even like

601
00:39:54,800 --> 00:39:56,800
Speaker 1: hip hop music or you don't know anything about it,

602
00:39:56,880 --> 00:40:01,000
Speaker 1: and you were to view that video, you could mh.

603
00:40:01,160 --> 00:40:04,040
Speaker 1: You have to say, man, Wow, look at that. And

604
00:40:04,400 --> 00:40:07,880
Speaker 1: to me it was like Picasso's Guernica. It was a

605
00:40:08,000 --> 00:40:12,040
Speaker 1: man who who has spent hours and hours and hours

606
00:40:12,520 --> 00:40:17,200
Speaker 1: perfecting his craft, studying his craft, hours and hours studying

607
00:40:17,360 --> 00:40:21,400
Speaker 1: the culture. That guy's in encyclopedia and and and to me,

608
00:40:21,560 --> 00:40:27,040
Speaker 1: that was like he perfected his craft, like the craft

609
00:40:27,120 --> 00:40:30,440
Speaker 1: of MC and the craft of rhyming is like the

610
00:40:30,600 --> 00:40:35,440
Speaker 1: craft of playing the drums, playing the clarinet, playing the flute,

611
00:40:35,760 --> 00:40:40,000
Speaker 1: playing the cello, being an opera singer like this this good,

612
00:40:40,120 --> 00:40:43,120
Speaker 1: this dude, and and a lot of dudes they take

613
00:40:43,200 --> 00:40:45,560
Speaker 1: it the same way. It's like an instrument. And when

614
00:40:45,600 --> 00:40:49,640
Speaker 1: you watch that funk Master flex Black Thought freestyle, you go,

615
00:40:50,400 --> 00:40:53,920
Speaker 1: that is artistic. And this is a man who perfected

616
00:40:54,040 --> 00:40:56,920
Speaker 1: his craft. Now he's gonna keep going and he'll keep

617
00:40:57,000 --> 00:40:59,600
Speaker 1: perfecting and keep growing and keep growing. But like that

618
00:40:59,760 --> 00:41:03,600
Speaker 1: was at that moment a benchmark of perfection. That's like

619
00:41:03,800 --> 00:41:07,759
Speaker 1: Jordan's hitting fifty five points or Kobe Bryant hitting any one,

620
00:41:08,320 --> 00:41:11,640
Speaker 1: or like Dan Marino or Tom Brady and Reggie Jackson's three.

621
00:41:12,640 --> 00:41:16,359
Speaker 1: It's like that perfection of what you do. And people

622
00:41:16,360 --> 00:41:19,920
Speaker 1: who don't know it, don't know hip hop music and Yo,

623
00:41:20,120 --> 00:41:23,480
Speaker 1: watch the video. Look at the flair, look at the charisma,

624
00:41:23,560 --> 00:41:25,960
Speaker 1: look at the He's in the pocket. He's all over

625
00:41:26,040 --> 00:41:28,960
Speaker 1: the place with the rhymes, every word, addiction, every word

626
00:41:29,080 --> 00:41:33,719
Speaker 1: is clear sense. Make it's not nonsense. Yo. This is

627
00:41:34,000 --> 00:41:38,759
Speaker 1: separates real hip hop music from trap music, which is

628
00:41:39,239 --> 00:41:42,360
Speaker 1: I mean to to compare the two is a disservice

629
00:41:42,440 --> 00:41:45,200
Speaker 1: to the young guys. It's a disservice because it's like,

630
00:41:45,680 --> 00:41:50,720
Speaker 1: that's not what what what Black Thought did is clearly

631
00:41:51,520 --> 00:41:54,920
Speaker 1: not what we're hearing on the radio. It's told so

632
00:41:55,080 --> 00:41:58,920
Speaker 1: you can't say what you hear is hip hop. If

633
00:41:58,960 --> 00:42:03,040
Speaker 1: you see I Thought doing that, no, and and m

634
00:42:03,120 --> 00:42:06,120
Speaker 1: C and and also um, you know, like you hear

635
00:42:06,160 --> 00:42:08,600
Speaker 1: my voice a little fucked up, like for me to

636
00:42:08,760 --> 00:42:11,560
Speaker 1: talk for ten minutes straight, Like if if you're doing

637
00:42:11,600 --> 00:42:14,520
Speaker 1: like a ten minute monologue, that that that's taxing. Just

638
00:42:14,680 --> 00:42:17,799
Speaker 1: the physicality of it, the fact that he rocked ten

639
00:42:17,920 --> 00:42:21,440
Speaker 1: minutes NonStop. Some people were saying some of it was written,

640
00:42:21,719 --> 00:42:23,600
Speaker 1: some of it was freestyle. I don't give a funk

641
00:42:23,680 --> 00:42:25,719
Speaker 1: what it was. Right that you can hold that that

642
00:42:25,840 --> 00:42:28,239
Speaker 1: dude has so many songs and rhymes in his his

643
00:42:28,600 --> 00:42:32,439
Speaker 1: his his catalog is so big he did a great

644
00:42:32,920 --> 00:42:35,840
Speaker 1: that was like Caroress kicking Motherfucker's off the stage. That

645
00:42:36,040 --> 00:42:38,800
Speaker 1: was like, Yo, we're separating. This should be this is

646
00:42:38,960 --> 00:42:41,200
Speaker 1: rap music, this is hip hop ship. I don't know

647
00:42:41,320 --> 00:42:44,960
Speaker 1: what that's called, but it shouldn't be confused with what

648
00:42:45,120 --> 00:42:48,399
Speaker 1: we just saw. And it was a benchmark in hip hop.

649
00:42:48,920 --> 00:42:52,640
Speaker 1: It needed identity because they confused the identity and now

650
00:42:52,719 --> 00:42:56,719
Speaker 1: it's mainstream and then okay, if check this rap, what

651
00:42:56,880 --> 00:43:01,719
Speaker 1: they should have done is put that juxtaposed with a

652
00:43:01,840 --> 00:43:05,600
Speaker 1: trap artist with me go to somebody, Then you would

653
00:43:05,680 --> 00:43:09,960
Speaker 1: clearly see this is a totally different music. And there's

654
00:43:09,960 --> 00:43:12,320
Speaker 1: nothing wrong with nothing. It's nothing wrong with that, but

655
00:43:12,520 --> 00:43:16,480
Speaker 1: it would it would illustrate really the difference, because it's

656
00:43:16,520 --> 00:43:19,759
Speaker 1: a disservice to call those guys m c s. Yeah,

657
00:43:20,160 --> 00:43:22,719
Speaker 1: when you see black thought that ship should be in

658
00:43:22,760 --> 00:43:26,080
Speaker 1: the Smithsonian. That was some ship. That was some ship.

659
00:43:26,719 --> 00:43:30,279
Speaker 1: That was that was harkening back to the early New

660
00:43:30,400 --> 00:43:34,360
Speaker 1: York mcs with that flair, the syllables, the punch lines

661
00:43:34,880 --> 00:43:38,400
Speaker 1: are stretching the rhyme to fit. Yo. That's that's how

662
00:43:38,520 --> 00:43:42,080
Speaker 1: Motherfucker's did it. And I'm sure him coming from Philadelphia,

663
00:43:42,520 --> 00:43:46,360
Speaker 1: he was raised on that early New York MC. He

664
00:43:46,480 --> 00:43:48,560
Speaker 1: talks about it and beat tribes in life, the travels

665
00:43:48,600 --> 00:43:51,040
Speaker 1: of the tribical question. That dude, that dude is like

666
00:43:51,280 --> 00:43:54,319
Speaker 1: studies this ship. Yeah, like he can. I guarantee if

667
00:43:54,320 --> 00:43:56,400
Speaker 1: you're running the black thought, you go yo. You You

668
00:43:56,680 --> 00:43:59,680
Speaker 1: could ask him about red Man, He'll kick every red

669
00:43:59,760 --> 00:44:03,719
Speaker 1: Man rhyme. You could ask him about anybody. He studies

670
00:44:03,840 --> 00:44:06,560
Speaker 1: his ship, cast all that he knows all of it.

671
00:44:06,760 --> 00:44:09,279
Speaker 1: You can. When when I saw that, it reminded me

672
00:44:09,440 --> 00:44:12,000
Speaker 1: of the tapes we used to get in eight two

673
00:44:12,239 --> 00:44:14,480
Speaker 1: eighty one where we used to hear this ship from

674
00:44:14,480 --> 00:44:18,080
Speaker 1: the Bronx. Motherfucker's had little tapes and it's all that flanged,

675
00:44:18,200 --> 00:44:21,399
Speaker 1: just that rhyme style, and it just makes you nod

676
00:44:21,560 --> 00:44:23,920
Speaker 1: your head. And if you if you haven't heard it,

677
00:44:24,000 --> 00:44:26,040
Speaker 1: your miles, keep play a little bit of that ship.

678
00:44:26,200 --> 00:44:28,560
Speaker 1: Panther of mind. I made the elements you can't come by.

679
00:44:28,800 --> 00:44:31,040
Speaker 1: I'm not a level of love intelligence you can't define.

680
00:44:31,480 --> 00:44:36,480
Speaker 1: Star Shakespeare Voltage Suffler recording autost Lash Psychology Professor I preached,

681
00:44:36,480 --> 00:44:39,520
Speaker 1: Florida East never folds under pressure. Your beach from the East,

682
00:44:39,560 --> 00:44:41,719
Speaker 1: and I lie like Clyde Drexler and you know my

683
00:44:41,800 --> 00:44:44,879
Speaker 1: new name is eighty five Excellence because I'm the game

684
00:44:44,960 --> 00:44:48,040
Speaker 1: CERC of five specialists. Um so you you hear him,

685
00:44:48,239 --> 00:44:53,279
Speaker 1: he's rocking, he's rolling, and funk Master FLEXX, who's seen everybody,

686
00:44:54,040 --> 00:44:56,799
Speaker 1: was like, oh shit, like the dudes going up there

687
00:44:56,840 --> 00:44:59,080
Speaker 1: the freestyle, he could have just done nineties seconds and

688
00:44:59,160 --> 00:45:05,480
Speaker 1: no disrespect uh to Naas to uh all of them,

689
00:45:06,600 --> 00:45:10,080
Speaker 1: jay Z all the living rappers. I don't think anybody

690
00:45:10,160 --> 00:45:14,040
Speaker 1: could do that. That was clearly the best period, clearly

691
00:45:14,880 --> 00:45:21,360
Speaker 1: period that this content. Yo. There wasn't no romanticizing, drug deals, nothing,

692
00:45:21,480 --> 00:45:24,080
Speaker 1: none of that. That that suckers ship it was. There

693
00:45:24,160 --> 00:45:28,080
Speaker 1: was no cursing, right, maybe two words to to funk Worth,

694
00:45:28,200 --> 00:45:30,239
Speaker 1: but they were they were in. It was in context

695
00:45:32,719 --> 00:45:34,480
Speaker 1: Miles playing a little bit more of that ship. When

696
00:45:34,520 --> 00:45:36,560
Speaker 1: I was reckless, I was where we about the death list.

697
00:45:36,760 --> 00:45:40,279
Speaker 1: I'm helping rapplers everywhere, fulfiller death where so Flex I'm

698
00:45:40,280 --> 00:45:43,480
Speaker 1: glad we made contact. My nigga also know this ship

699
00:45:43,560 --> 00:45:46,879
Speaker 1: for combat brain matter contained too much data. I'll tell

700
00:45:46,920 --> 00:45:49,880
Speaker 1: a story like fingerprints and blood flatter you see what

701
00:45:50,000 --> 00:45:53,480
Speaker 1: it is, Black dought funks like one motherfucking tape for

702
00:45:53,600 --> 00:45:56,600
Speaker 1: your fucking corpom. They just coming up here doing fifty takes.

703
00:45:57,000 --> 00:46:00,359
Speaker 1: You just saw what it's supposed to be. Rock studios, mad,

704
00:46:00,480 --> 00:46:06,960
Speaker 1: fuck yourself, stop the bumps. So good, so dope, so impressive.

705
00:46:07,040 --> 00:46:08,799
Speaker 1: And usually a lot of times when they do these

706
00:46:08,840 --> 00:46:12,440
Speaker 1: long freestyles, they'll they'll they'll change the beats like sway

707
00:46:13,080 --> 00:46:15,000
Speaker 1: he'll they do with the Five Fingers of Death, They'll

708
00:46:15,080 --> 00:46:17,120
Speaker 1: change the beats for him to be in the pocket.

709
00:46:17,160 --> 00:46:21,200
Speaker 1: It's like a John Coltrane solo, or like a Jimi

710
00:46:21,239 --> 00:46:24,879
Speaker 1: Hendricks solo solo. Will you just rocket like a John

711
00:46:25,000 --> 00:46:30,120
Speaker 1: buying him solo? So shout out to black thought, shout

712
00:46:30,160 --> 00:46:32,080
Speaker 1: out to the roots. You know, I've talked to Course

713
00:46:32,160 --> 00:46:35,799
Speaker 1: Love in the past about trying to do a roots documentary.

714
00:46:36,239 --> 00:46:38,279
Speaker 1: Like people have asked me, like, yo, would you do

715
00:46:38,400 --> 00:46:40,960
Speaker 1: a doc? You do doc? And of course, you know

716
00:46:41,239 --> 00:46:44,560
Speaker 1: there's so many different groups, but you know, like Gang Star,

717
00:46:45,000 --> 00:46:46,800
Speaker 1: it's hard to do a doc when when of the

718
00:46:46,880 --> 00:46:49,520
Speaker 1: members has passed, Eric B and Rock Kim. That's a

719
00:46:49,719 --> 00:46:55,080
Speaker 1: that's an enticing idea. You know, BDP, Grandmaster Flash and

720
00:46:55,080 --> 00:46:59,160
Speaker 1: the Furious Five, these are all enticing ideas doing a

721
00:46:59,280 --> 00:47:02,800
Speaker 1: roots document I would get out of hip hop documentary retirement,

722
00:47:03,360 --> 00:47:06,200
Speaker 1: just because I know their story and their history and

723
00:47:06,280 --> 00:47:09,879
Speaker 1: they have such a different upbringing and the interchangeable parts

724
00:47:09,920 --> 00:47:14,680
Speaker 1: of the group. So quest love a mere Tari black thought.

725
00:47:16,200 --> 00:47:18,279
Speaker 1: I have. I have my hand out now if y'all

726
00:47:18,320 --> 00:47:21,040
Speaker 1: want to do this doc, I'm down to do this, Dock.

727
00:47:21,160 --> 00:47:22,840
Speaker 1: I want to see you rock. I'll do it again.

728
00:47:23,800 --> 00:47:25,080
Speaker 1: I want to be a part of that. See I

729
00:47:25,239 --> 00:47:29,480
Speaker 1: rock again, no doubt because when the Tribe doc we

730
00:47:29,640 --> 00:47:33,560
Speaker 1: we we won the awards. We're certified fresh and rotten

731
00:47:33,600 --> 00:47:36,560
Speaker 1: tomatoes down by law. All right. Coming up next to

732
00:47:36,640 --> 00:47:41,479
Speaker 1: I'm a Man, Brian Scalabrini, It's the White Mamba meets

733
00:47:41,520 --> 00:47:46,640
Speaker 1: White Mike segment of the Iron Rapports stereo podcast, talking basketball,

734
00:47:47,080 --> 00:47:50,360
Speaker 1: talking Boston Celtics, talking Big Three, telling me why he

735
00:47:50,520 --> 00:47:53,520
Speaker 1: thinks and knows Charles Oakley is a good guy. Some

736
00:47:53,760 --> 00:47:56,680
Speaker 1: NBA stories, what's going on in the NBA so far,

737
00:47:57,040 --> 00:47:59,840
Speaker 1: the rookies that have came through Boston to play the Celtics.

738
00:48:00,239 --> 00:48:03,800
Speaker 1: My main man, the White Mama, Bryan Scalabrini, Let's go.

739
00:48:07,080 --> 00:48:10,320
Speaker 1: The Iron Wrapper with Cereal podcast is sponsored by Casper Mattress.

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Speaker 1: slash Rapp Report. All right, here we go see iron

777
00:50:18,600 --> 00:50:21,640
Speaker 1: Wrap Reports Stereo podcast. You gotta pick up the mike

778
00:50:21,680 --> 00:50:25,440
Speaker 1: scal But just like, ask me a question, Okay, just

779
00:50:25,480 --> 00:50:29,600
Speaker 1: don't get unruly yet. That's how I'm gonna be with you. Okay,

780
00:50:29,600 --> 00:50:31,440
Speaker 1: I'm your guest in Boston. I've had to you know,

781
00:50:31,520 --> 00:50:33,759
Speaker 1: your guests on the podcast. So I've been nothing but

782
00:50:34,000 --> 00:50:37,400
Speaker 1: night picking your ass up, driving you to dinner, I mean,

783
00:50:37,760 --> 00:50:40,200
Speaker 1: preacking your ass up, driving you to the game. What

784
00:50:40,320 --> 00:50:41,759
Speaker 1: else do you want me to do? All right, it's

785
00:50:41,800 --> 00:50:46,920
Speaker 1: the Iron Reports Stereo podcast with the Mamba White Mamba

786
00:50:47,120 --> 00:50:50,960
Speaker 1: Brian Scalabrini. All right, Celtics basketball, it's been an exciting year.

787
00:50:51,200 --> 00:50:53,880
Speaker 1: First question, dagn you not even like yo? Man? What

788
00:50:54,000 --> 00:50:55,719
Speaker 1: you've been up to since the Big Three? Well, let

789
00:50:55,800 --> 00:50:58,000
Speaker 1: me get kill me. I know you're gonna rush me anyway.

790
00:50:58,000 --> 00:51:00,040
Speaker 1: You're like, oh, you know, like thirty minutes, that's what

791
00:51:00,120 --> 00:51:01,960
Speaker 1: you got. Okay, cool. If a real host can get

792
00:51:02,000 --> 00:51:03,959
Speaker 1: some ship done in thirty minutes, thirty minutes is easy.

793
00:51:04,200 --> 00:51:07,239
Speaker 1: I just know like you got hecklers in here, like

794
00:51:08,200 --> 00:51:10,120
Speaker 1: this is this is my world now, man. It's not

795
00:51:10,280 --> 00:51:13,400
Speaker 1: your Hollywood world where everyone's like acting like everything is cool. Man.

796
00:51:13,480 --> 00:51:16,040
Speaker 1: This is Boston. We keep it real out here. Man.

797
00:51:16,680 --> 00:51:19,120
Speaker 1: What do you think this is? Like? You're walking around

798
00:51:19,200 --> 00:51:21,480
Speaker 1: here thinking everyone's gonna be nice to you because you

799
00:51:21,560 --> 00:51:23,840
Speaker 1: were on like six episodes of Friends, and you're in

800
00:51:23,920 --> 00:51:25,880
Speaker 1: two movies, and now you think you're because you're in

801
00:51:25,960 --> 00:51:28,160
Speaker 1: White Famous and this new movie, this new show on

802
00:51:28,239 --> 00:51:31,160
Speaker 1: showtime plug by the way, you're thinking like you can

803
00:51:31,200 --> 00:51:34,360
Speaker 1: walk around here, no pass if I wanted to, I

804
00:51:34,400 --> 00:51:36,160
Speaker 1: can keep your ass out of here. In a second.

805
00:51:36,280 --> 00:51:38,839
Speaker 1: I got court side seats that I had to pay for. Dude,

806
00:51:38,840 --> 00:51:40,360
Speaker 1: you could have called me. I could have got it

807
00:51:40,440 --> 00:51:43,040
Speaker 1: for free. That's how stupid you are. Like when I

808
00:51:43,160 --> 00:51:45,480
Speaker 1: come to your city and I want to be on

809
00:51:45,520 --> 00:51:47,480
Speaker 1: the back and you're gonna get some courts court side

810
00:51:47,480 --> 00:51:49,160
Speaker 1: sea No no, but I want to go backstage and

811
00:51:49,239 --> 00:51:51,480
Speaker 1: watch like a movie being tape. You're gonna hook me.

812
00:51:51,480 --> 00:51:53,520
Speaker 1: I'm gonna hook you up, but I'm not gonna ask

813
00:51:53,840 --> 00:51:56,080
Speaker 1: my agent to talk to them. I'm gonna talk to you.

814
00:51:56,600 --> 00:51:58,440
Speaker 1: Why would you not talk to me about tickets here?

815
00:51:59,400 --> 00:52:06,760
Speaker 1: That's just done. Its true? Alright, alright, check this out. Alright,

816
00:52:06,840 --> 00:52:10,960
Speaker 1: So Big three next season, we're back. The game's alive. Now.

817
00:52:11,200 --> 00:52:14,680
Speaker 1: I think you had a less than impressive season until

818
00:52:14,760 --> 00:52:17,239
Speaker 1: the end. You were in Seattle. You know, my best

819
00:52:17,280 --> 00:52:19,399
Speaker 1: game was in Seattle, which makes me start to think

820
00:52:19,480 --> 00:52:22,480
Speaker 1: that maybe you shouldn't be around if I'm gonna play, well, Now,

821
00:52:22,600 --> 00:52:24,759
Speaker 1: are you staying in shape because you have to sort

822
00:52:24,800 --> 00:52:26,880
Speaker 1: of get in shape? No? No, no, no, no no.

823
00:52:26,960 --> 00:52:29,680
Speaker 1: I was playing eleven minutes to night. I'm in shape.

824
00:52:30,160 --> 00:52:32,160
Speaker 1: I'm in shape, but I'm but I gotta do a

825
00:52:32,239 --> 00:52:35,040
Speaker 1: better job of is getting Paul Pierce on my team?

826
00:52:35,080 --> 00:52:37,520
Speaker 1: That's what I gotta do, trying to forget me, trying

827
00:52:37,600 --> 00:52:39,839
Speaker 1: to make a difference. I gotta get Pierce on my team.

828
00:52:39,920 --> 00:52:42,000
Speaker 1: Do you think if Paul Pierce joined the Big Three,

829
00:52:42,040 --> 00:52:43,800
Speaker 1: he's gonna want a team back up with you? Like?

830
00:52:43,920 --> 00:52:46,239
Speaker 1: Why would Paul Pierce if he comes in the Big Three? Like?

831
00:52:47,080 --> 00:52:48,800
Speaker 1: Like to me, that seems like it's like not I

832
00:52:48,840 --> 00:52:50,399
Speaker 1: don't want to be a part of that. No, that's

833
00:52:50,400 --> 00:52:52,360
Speaker 1: actually a really good question, and I can't give you

834
00:52:52,400 --> 00:52:53,719
Speaker 1: an answer. I don't know why he would want to

835
00:52:53,760 --> 00:52:55,200
Speaker 1: team up with me. I can see here and make

836
00:52:55,280 --> 00:52:58,000
Speaker 1: something up. I don't think after him in Boston. I

837
00:52:58,040 --> 00:53:00,279
Speaker 1: don't have to make stuff up in Hollywood. You make

838
00:53:00,320 --> 00:53:02,439
Speaker 1: of lies here. I keep it real, man. I don't

839
00:53:02,440 --> 00:53:03,719
Speaker 1: know why he would want to team up with me,

840
00:53:04,160 --> 00:53:07,360
Speaker 1: except that our uniforms are green, yes, and you know,

841
00:53:07,440 --> 00:53:09,400
Speaker 1: like if we come back to Boston, everyone would be

842
00:53:09,440 --> 00:53:11,440
Speaker 1: all in on the ball. Hag. Have you reached out

843
00:53:11,640 --> 00:53:14,839
Speaker 1: spoken to in any way, shape or form for Paul Pierce? Yeah, yeah, yeah,

844
00:53:14,920 --> 00:53:17,600
Speaker 1: he's he's checking it out. He's sniffing around and he

845
00:53:17,680 --> 00:53:19,719
Speaker 1: does see how his body feels. In January's gonna let

846
00:53:19,760 --> 00:53:21,600
Speaker 1: me know. He'd be a great three on three player.

847
00:53:22,040 --> 00:53:25,040
Speaker 1: He'll be what I mean, whatever you name it, one

848
00:53:25,120 --> 00:53:27,439
Speaker 1: through five, one on one, two on too, it doesn't matter.

849
00:53:27,520 --> 00:53:30,080
Speaker 1: He's a great player and he's sick. But I'm saying

850
00:53:30,160 --> 00:53:33,200
Speaker 1: for for that because he aged well his basketball age,

851
00:53:33,320 --> 00:53:35,800
Speaker 1: because he was never like Mr you know dunk. You know,

852
00:53:35,880 --> 00:53:38,640
Speaker 1: he had quickness, but like he was, he has that herty,

853
00:53:38,680 --> 00:53:42,000
Speaker 1: he's got all the moves, probably great in the Big three,

854
00:53:42,120 --> 00:53:44,160
Speaker 1: and he loves the hoop. So it's gonna be fine.

855
00:53:44,239 --> 00:53:46,360
Speaker 1: All right, Paul Pierce, you heard it from the White Mamba.

856
00:53:46,719 --> 00:53:49,319
Speaker 1: All right? But how'd you like going out last night?

857
00:53:49,480 --> 00:53:52,480
Speaker 1: White Mamba, White Mike, White Mike, White Mamba. It was

858
00:53:52,800 --> 00:53:55,560
Speaker 1: very unimpressive, Like I felt like we went to like

859
00:53:55,920 --> 00:53:57,640
Speaker 1: like we went to a nice place. Shout out to

860
00:53:57,719 --> 00:53:59,480
Speaker 1: the people. They're they're very nice people and they were

861
00:53:59,520 --> 00:54:02,520
Speaker 1: like I was expecting something like cool, like you know,

862
00:54:02,680 --> 00:54:06,440
Speaker 1: like five star michiel And restaurant chowder like something like that,

863
00:54:06,560 --> 00:54:08,960
Speaker 1: and like we're basically in a dive bar. No disrespect,

864
00:54:09,520 --> 00:54:13,160
Speaker 1: But why if I come to town, that's the best

865
00:54:13,239 --> 00:54:15,080
Speaker 1: you could do for me? Why don't Why don't I

866
00:54:15,160 --> 00:54:18,600
Speaker 1: get something special? Special? And it was not really special.

867
00:54:18,680 --> 00:54:21,640
Speaker 1: I mean the fact that you were like you like,

868
00:54:21,719 --> 00:54:23,360
Speaker 1: when the check came, you act like you have to

869
00:54:23,400 --> 00:54:25,759
Speaker 1: go to the bathroom was all sorts of bullshit going on.

870
00:54:25,880 --> 00:54:28,359
Speaker 1: When the check came, you wind up paying, but then

871
00:54:28,360 --> 00:54:30,560
Speaker 1: you're like, I can't see how much tip. I'm like,

872
00:54:30,600 --> 00:54:34,000
Speaker 1: I'm not reaching into my wallet. I'm not reaching intil

873
00:54:34,040 --> 00:54:36,600
Speaker 1: I was dark and I need glasses when I read.

874
00:54:36,960 --> 00:54:38,880
Speaker 1: I ain't gonna bring my glasses out. Do you have

875
00:54:38,920 --> 00:54:41,480
Speaker 1: reading green glasses? Do you? Now? Do you think when

876
00:54:41,520 --> 00:54:43,080
Speaker 1: you play the Big Three next season you're gonna have

877
00:54:43,120 --> 00:54:45,759
Speaker 1: to have goggles? Because you and goggles would be must

878
00:54:45,800 --> 00:54:49,960
Speaker 1: watch TV? I don't. I ain't reading anything while I'm

879
00:54:50,000 --> 00:54:53,000
Speaker 1: doing it when I'm playing. Okay, now let me just

880
00:54:53,080 --> 00:54:55,600
Speaker 1: say this though. You you can make that stuff up

881
00:54:55,640 --> 00:54:57,719
Speaker 1: if you want the check thing, you make that up.

882
00:54:58,120 --> 00:55:00,799
Speaker 1: But when I look at you right, and I think,

883
00:55:00,920 --> 00:55:04,399
Speaker 1: like I'm taking my boy Mike rap out no way

884
00:55:04,520 --> 00:55:06,520
Speaker 1: shape or formed. I look at you and think five

885
00:55:06,560 --> 00:55:09,799
Speaker 1: star dining. Why not? I mean, like, look at you, man,

886
00:55:10,120 --> 00:55:11,959
Speaker 1: go check out yourself out in the mirror. I'm not thinking,

887
00:55:12,280 --> 00:55:14,400
Speaker 1: I know, like I'm not never in my mind am

888
00:55:14,440 --> 00:55:16,360
Speaker 1: I thinking I gotta take this guy out to the

889
00:55:16,440 --> 00:55:18,520
Speaker 1: best restaurant. Like I mean, but you don't take me

890
00:55:18,560 --> 00:55:22,799
Speaker 1: to a whole. It isn't me a hole. That wasn't

891
00:55:22,800 --> 00:55:25,120
Speaker 1: a hole. It was like right up your alley. There

892
00:55:25,239 --> 00:55:27,160
Speaker 1: was like nothing but sevens and eights in there. That

893
00:55:27,280 --> 00:55:29,920
Speaker 1: was like right up your alley. You want to go

894
00:55:30,000 --> 00:55:31,759
Speaker 1: to places that are ten. You in a ten I

895
00:55:31,840 --> 00:55:34,160
Speaker 1: want a special spot, man, like I want a specially

896
00:55:34,280 --> 00:55:35,719
Speaker 1: Then you should have hung out with the jazz and

897
00:55:35,800 --> 00:55:39,480
Speaker 1: went to Straka Strip. I mean, listen, you know the

898
00:55:39,560 --> 00:55:41,719
Speaker 1: Utah Jazz were like, yo, we're going to like yeah, yeah,

899
00:55:41,800 --> 00:55:43,840
Speaker 1: I know, I know. And I'm like I'm rocking with

900
00:55:43,920 --> 00:55:45,880
Speaker 1: scale and then like I'm like, I'm in a diner.

901
00:55:46,200 --> 00:55:50,640
Speaker 1: I'm basically a dinner yeah yeah, yeah, I mean, I

902
00:55:50,760 --> 00:55:53,560
Speaker 1: just I just I wanted to be appropriate, like to

903
00:55:53,760 --> 00:55:57,960
Speaker 1: what you are seven, I give you a seven. You

904
00:55:58,239 --> 00:56:00,279
Speaker 1: got on the custom jack at the customers suits, and

905
00:56:00,280 --> 00:56:01,799
Speaker 1: also you have to get these made, Like do they

906
00:56:01,880 --> 00:56:05,200
Speaker 1: stitch inside their white mamba or scal because they put

907
00:56:05,360 --> 00:56:08,120
Speaker 1: sal they put scaling there. Wait, let me see, let

908
00:56:08,160 --> 00:56:11,000
Speaker 1: me see, so that's a custom jacket and one of

909
00:56:11,040 --> 00:56:13,680
Speaker 1: a kind. Yeah, I mean, I mean obviously, let me

910
00:56:13,760 --> 00:56:16,480
Speaker 1: see they put scal in there. You can get you

911
00:56:16,520 --> 00:56:19,279
Speaker 1: can get the why don't you get mamba? Like, why

912
00:56:19,320 --> 00:56:21,560
Speaker 1: don't you get mamba put in there? I mean, Mama

913
00:56:21,640 --> 00:56:23,360
Speaker 1: is like an alter ego that I used once in

914
00:56:23,360 --> 00:56:24,960
Speaker 1: a while. But when I wear the suit and I'm

915
00:56:25,000 --> 00:56:29,319
Speaker 1: here at the game, I'm scal Okay, fine, all right

916
00:56:29,800 --> 00:56:33,239
Speaker 1: this season basketball? Really that's that's a proper introduction. By

917
00:56:33,239 --> 00:56:35,160
Speaker 1: the way, Great, that's good. I mean the people listen,

918
00:56:35,200 --> 00:56:37,239
Speaker 1: we got thirty minutes if you give me that. The

919
00:56:37,680 --> 00:56:40,160
Speaker 1: people have been dying for the White Mike, White Mama podcast.

920
00:56:40,200 --> 00:56:42,560
Speaker 1: They've they've wanted it for months. It could be a

921
00:56:42,640 --> 00:56:46,400
Speaker 1: road show. Were you at that crazy game, the Gordon

922
00:56:46,440 --> 00:56:49,399
Speaker 1: Hayward game? No, because those are national games first game,

923
00:56:49,480 --> 00:56:52,399
Speaker 1: so we stay here unless like I'm already on the road,

924
00:56:52,440 --> 00:56:55,080
Speaker 1: but I was not there. What has been the sort

925
00:56:55,120 --> 00:56:59,680
Speaker 1: of effect after effect like of of that for the team,

926
00:56:59,760 --> 00:57:03,160
Speaker 1: for the because people don't know scal is the broadcaster

927
00:57:03,920 --> 00:57:06,120
Speaker 1: something analysts for the for the Boston Celtics, for the

928
00:57:06,440 --> 00:57:09,680
Speaker 1: TV station here in Boston. You analyze basketball, I mean

929
00:57:09,760 --> 00:57:13,160
Speaker 1: that's all I do. What has been the fallout from that?

930
00:57:13,239 --> 00:57:17,040
Speaker 1: Because that was gruesome, so I mean scary the team.

931
00:57:18,240 --> 00:57:20,560
Speaker 1: The team struggled, they strug the next game and they've

932
00:57:20,600 --> 00:57:22,920
Speaker 1: been they've been and they started winning the sixteen in

933
00:57:23,000 --> 00:57:25,840
Speaker 1: a row. So they turned it around and like, guys

934
00:57:25,920 --> 00:57:29,600
Speaker 1: have stepped up, like that's what professionals do. Coach Stevens

935
00:57:29,640 --> 00:57:31,040
Speaker 1: has done a great job of putting guys in a

936
00:57:31,120 --> 00:57:34,800
Speaker 1: position to succeed. It's been good. But I think ultimately,

937
00:57:34,920 --> 00:57:36,880
Speaker 1: which is like this is like the downfall of this,

938
00:57:37,120 --> 00:57:40,040
Speaker 1: Like it's great to see the team playing well, but

939
00:57:40,440 --> 00:57:43,960
Speaker 1: I just feel you can't get over that hump unless

940
00:57:43,960 --> 00:57:46,360
Speaker 1: you have Gordon Hayward. That's how. But but I do

941
00:57:46,560 --> 00:57:49,840
Speaker 1: feel that if he's out this year, the silver lining

942
00:57:49,880 --> 00:57:51,600
Speaker 1: and all this is like guys got a chance to

943
00:57:51,680 --> 00:57:53,640
Speaker 1: play and develop, and that's what you're seeing right now.

944
00:57:53,840 --> 00:57:57,240
Speaker 1: Even though if if his championship or bus for you,

945
00:57:57,800 --> 00:57:59,680
Speaker 1: then it's really just a pointing that he got hurt

946
00:57:59,720 --> 00:58:03,640
Speaker 1: because he is exactly what this team is missing. Another

947
00:58:03,760 --> 00:58:05,880
Speaker 1: player to get to the lane and make a good

948
00:58:05,920 --> 00:58:09,000
Speaker 1: basketball play, whether it's finishing, going to the rim, or

949
00:58:09,440 --> 00:58:11,240
Speaker 1: you know, pitching the ball out to a guy for three.

950
00:58:11,360 --> 00:58:13,680
Speaker 1: That's what he provides and they just they had that

951
00:58:13,760 --> 00:58:16,080
Speaker 1: in Kyrie. Al Horford at that time has been really

952
00:58:16,120 --> 00:58:17,800
Speaker 1: good at that. But you just see one more to

953
00:58:17,880 --> 00:58:22,640
Speaker 1: be Lebron or the Calves. Kyrie. You've been courtside to

954
00:58:22,800 --> 00:58:26,120
Speaker 1: watch him, you you are articulating. Last night we were saying,

955
00:58:26,200 --> 00:58:28,760
Speaker 1: like he's like what did you say? He's like as

956
00:58:28,800 --> 00:58:33,160
Speaker 1: If and one mix tape and Rod Strickland Iverson If

957
00:58:33,200 --> 00:58:36,160
Speaker 1: and and one mix tape, Alan Iverson and Rod Strickland

958
00:58:36,200 --> 00:58:39,520
Speaker 1: had a kid. Kyrie is like that. He has the

959
00:58:39,600 --> 00:58:41,920
Speaker 1: handles of like all that, like you mix that, you

960
00:58:42,040 --> 00:58:45,240
Speaker 1: take like all the good and all that. You know

961
00:58:45,320 --> 00:58:47,960
Speaker 1: what I mean? You know the shot like I ever

962
00:58:48,040 --> 00:58:51,120
Speaker 1: seen when he's hot, Rod Strickland finishing at the rim,

963
00:58:51,520 --> 00:58:53,000
Speaker 1: you know, I ever seen with a great finish ship.

964
00:58:53,040 --> 00:58:55,280
Speaker 1: We only use his right hand. Rod Strickland used both

965
00:58:55,400 --> 00:58:58,240
Speaker 1: right and one mixtape with the Killer Crossover and all that,

966
00:58:58,560 --> 00:59:00,200
Speaker 1: but only the good part of it, not the bad

967
00:59:00,280 --> 00:59:03,240
Speaker 1: part of it. Those three people hooked up and boom,

968
00:59:03,320 --> 00:59:06,640
Speaker 1: Kyrie Irving would spit out breakdown. Like watching him closely

969
00:59:06,720 --> 00:59:10,040
Speaker 1: this year, what you've noticed. The biggest thing that you'll see,

970
00:59:10,160 --> 00:59:12,560
Speaker 1: and this is something I've never seen before, is when

971
00:59:12,600 --> 00:59:15,720
Speaker 1: he attacks a big he goes nose to nose with

972
00:59:15,800 --> 00:59:17,800
Speaker 1: the guy. What do you mean, Like he goes straight

973
00:59:17,880 --> 00:59:19,680
Speaker 1: at a guy like I normally, like if I was

974
00:59:19,760 --> 00:59:21,880
Speaker 1: playing you and I want to go around you, I

975
00:59:21,880 --> 00:59:23,959
Speaker 1: would take right or I would take left right, whatever

976
00:59:24,040 --> 00:59:27,240
Speaker 1: I thought you go around somebody. Kyrie waits until the

977
00:59:27,360 --> 00:59:29,520
Speaker 1: last minute and he goes right at the guy. And

978
00:59:29,600 --> 00:59:32,120
Speaker 1: when that guy makes like a twitch one way or

979
00:59:32,120 --> 00:59:34,760
Speaker 1: a twitch another way, He's gonna counter that. And that's

980
00:59:34,800 --> 00:59:37,080
Speaker 1: something I've never in my life scene before. And he

981
00:59:37,120 --> 00:59:39,160
Speaker 1: does it consistently. And you're gonna see your course side

982
00:59:39,200 --> 00:59:41,960
Speaker 1: today just watching courtside today. Tickets that you can't help

983
00:59:42,000 --> 00:59:43,960
Speaker 1: me with, go ahead, yeah, because you never asked. I'm

984
00:59:44,000 --> 00:59:46,120
Speaker 1: just saying, if you ask me, I got I got

985
00:59:46,280 --> 00:59:48,640
Speaker 1: got tickets from somebody else. It's fine, just stay focused.

986
00:59:48,680 --> 00:59:52,320
Speaker 1: So he'll he'll attack a guy right into his air space,

987
00:59:52,400 --> 00:59:54,000
Speaker 1: and as soon as that guy makes a move. Maybe

988
00:59:54,040 --> 00:59:55,800
Speaker 1: that guy takes a step back, Kyrie will take a

989
00:59:55,840 --> 00:59:58,880
Speaker 1: step back. My point is that last like split second

990
00:59:58,920 --> 01:00:01,560
Speaker 1: of a decision that must go on slow motion for him.

991
01:00:01,640 --> 01:00:03,640
Speaker 1: You know, like there's no way he can make these

992
01:00:03,720 --> 01:00:06,040
Speaker 1: type of moves at the last minute without like the

993
01:00:06,160 --> 01:00:08,880
Speaker 1: game being ultra slow for him. And he's talked about it.

994
01:00:08,960 --> 01:00:11,200
Speaker 1: He talked about in the fourth quarter how the game

995
01:00:11,400 --> 01:00:13,760
Speaker 1: really slows down for him. And I mean the proof

996
01:00:13,840 --> 01:00:15,680
Speaker 1: is in the pudding. Just watch this guy performed down

997
01:00:15,720 --> 01:00:18,080
Speaker 1: the stretch. Like the way that he moves. I've never

998
01:00:18,120 --> 01:00:19,800
Speaker 1: seen anything like that, And I've seen some great players

999
01:00:19,840 --> 01:00:22,880
Speaker 1: like Isaiah, like Jason Kidd was phenomenal. Derrick Rose was

1000
01:00:22,920 --> 01:00:25,600
Speaker 1: a freak of nature. Right, he would just elevated and

1001
01:00:25,720 --> 01:00:29,000
Speaker 1: and float by guys. I've never seen anybody that does

1002
01:00:29,120 --> 01:00:31,920
Speaker 1: this at tax Guys like this, finishes around the rim

1003
01:00:32,040 --> 01:00:34,160
Speaker 1: like this, I've never seen it before. Who are the

1004
01:00:34,240 --> 01:00:36,600
Speaker 1: other players this year that have come into the garden

1005
01:00:37,600 --> 01:00:42,360
Speaker 1: that that have impressed you? Off the charts he had

1006
01:00:42,600 --> 01:00:45,600
Speaker 1: in this building he's had if I'm not mistaken, it's

1007
01:00:45,600 --> 01:00:48,560
Speaker 1: either thirty six or thirty eight. And then at piece

1008
01:00:48,880 --> 01:00:50,640
Speaker 1: it is his size. Is that the whole thing the

1009
01:00:50,840 --> 01:00:54,200
Speaker 1: arms like he dunks from like yeah, he turned, he hits,

1010
01:00:54,280 --> 01:00:57,640
Speaker 1: he spins, he elevates, and then like most guys were

1011
01:00:57,680 --> 01:01:01,080
Speaker 1: just like lay up or shoot it, he's like elevating like,

1012
01:01:01,200 --> 01:01:04,320
Speaker 1: oh man, there's the rim bam smash on you. Al

1013
01:01:04,400 --> 01:01:07,480
Speaker 1: Horfords are center. At times he may Al Horford look

1014
01:01:07,520 --> 01:01:09,919
Speaker 1: like a two guard and and this is like their

1015
01:01:10,040 --> 01:01:14,080
Speaker 1: three man and he's like Lebron is the most physically

1016
01:01:14,320 --> 01:01:17,640
Speaker 1: impressive specimen in the league. Janice is a close second.

1017
01:01:18,320 --> 01:01:21,440
Speaker 1: Is he going to be able to even get a

1018
01:01:21,560 --> 01:01:24,000
Speaker 1: jump shot? Because he gets to the basket so easily.

1019
01:01:24,080 --> 01:01:28,320
Speaker 1: I called the Pearl Washington syndrome Pearl Washington high school

1020
01:01:28,440 --> 01:01:30,960
Speaker 1: college lay ups, layups. It was like not a problem.

1021
01:01:31,040 --> 01:01:33,720
Speaker 1: So I don't think he never thought about developing a

1022
01:01:33,760 --> 01:01:35,200
Speaker 1: jump shot. Why do I need a jump shot if

1023
01:01:35,200 --> 01:01:36,840
Speaker 1: I keep getting to the basket. They keep saying, if

1024
01:01:37,000 --> 01:01:39,680
Speaker 1: Janice gets a three or if Yanna gets a jump shot,

1025
01:01:39,800 --> 01:01:42,200
Speaker 1: is he even gonna need that? Yeah? I mean to

1026
01:01:42,520 --> 01:01:46,320
Speaker 1: win a championship, to win an MVP, he's gonna have

1027
01:01:46,360 --> 01:01:49,120
Speaker 1: to develop two things. Right. One, he's gonna have developed

1028
01:01:49,160 --> 01:01:51,440
Speaker 1: somewhat of a jump shot, preferably off the dribble. Right,

1029
01:01:51,480 --> 01:01:54,040
Speaker 1: if guy really SAgs off of him, then he could

1030
01:01:54,080 --> 01:01:57,120
Speaker 1: just pull up off the dribble. And two, he's gonna

1031
01:01:57,160 --> 01:01:58,920
Speaker 1: have to learn how to make plays off the picking

1032
01:01:59,040 --> 01:02:01,560
Speaker 1: rolls and that with the ball in his hands, not

1033
01:02:01,720 --> 01:02:04,200
Speaker 1: when he's a screener. He's been really good as a screener,

1034
01:02:04,280 --> 01:02:07,240
Speaker 1: but to ultimately be the m v P caliber guy,

1035
01:02:07,280 --> 01:02:09,600
Speaker 1: you've gotta be able to make basketball plays. He's great

1036
01:02:09,600 --> 01:02:11,920
Speaker 1: in transition, he's great out of the post because he

1037
01:02:11,960 --> 01:02:15,000
Speaker 1: can see over guys, but ultimately in this in this league,

1038
01:02:15,040 --> 01:02:16,400
Speaker 1: to be really good, you gotta be able to run

1039
01:02:16,440 --> 01:02:19,160
Speaker 1: pick and roll. He and he can see over the defense.

1040
01:02:19,440 --> 01:02:21,800
Speaker 1: But if he's consistent on the pick and roll, the

1041
01:02:21,920 --> 01:02:26,200
Speaker 1: league is through it. It really is over that good. Yeah,

1042
01:02:26,400 --> 01:02:28,479
Speaker 1: like it's there's a there's something to be said about

1043
01:02:28,560 --> 01:02:31,880
Speaker 1: guys who can physically dominate the game. There's there's skill

1044
01:02:31,960 --> 01:02:35,760
Speaker 1: like Kyrie and Steph Curry, but like the Kevin Durants,

1045
01:02:35,800 --> 01:02:37,840
Speaker 1: the six and eleven seven foot and handle that, the

1046
01:02:37,960 --> 01:02:40,600
Speaker 1: Lebron James, the guys bouncing off him, like the guys

1047
01:02:40,640 --> 01:02:44,800
Speaker 1: who physically dominated the NBA. Russell Westbrooks another one, James Harden,

1048
01:02:44,800 --> 01:02:47,600
Speaker 1: I'd say another one, Kwie Leonards another one. Those guys

1049
01:02:47,640 --> 01:02:50,840
Speaker 1: you have problems with because if their skill ain't going,

1050
01:02:51,040 --> 01:02:52,600
Speaker 1: they can still just body you up and get an

1051
01:02:52,640 --> 01:02:55,840
Speaker 1: easy basket. They still physically can dominate the game and

1052
01:02:56,080 --> 01:02:59,560
Speaker 1: not all based off of skill. So those are they're like,

1053
01:03:00,120 --> 01:03:02,720
Speaker 1: there's really good skilled player and then there's another level

1054
01:03:02,760 --> 01:03:05,120
Speaker 1: and that another level is guys who dominate the game physically.

1055
01:03:05,600 --> 01:03:08,640
Speaker 1: Is the NBA Eastern Conference back because it's been so

1056
01:03:08,880 --> 01:03:12,880
Speaker 1: like growing up and we're not the East. I'm saying

1057
01:03:13,080 --> 01:03:16,320
Speaker 1: the East like the Knicks, the Celtics, the Sixers, that

1058
01:03:16,440 --> 01:03:19,200
Speaker 1: was like growing up. Those were then, No, we're we

1059
01:03:19,240 --> 01:03:21,400
Speaker 1: are you doing well? We're bad, we're getting where we're

1060
01:03:21,520 --> 01:03:23,680
Speaker 1: twelve and twelve there were way better than we were

1061
01:03:23,760 --> 01:03:27,080
Speaker 1: last year. Uh do you know what they're at this point?

1062
01:03:27,480 --> 01:03:29,080
Speaker 1: And last year you had the same record. You know

1063
01:03:29,280 --> 01:03:32,120
Speaker 1: how many road games they played? Not many. They've played

1064
01:03:32,240 --> 01:03:35,760
Speaker 1: ten and two of them were against Brooklyn and they've

1065
01:03:35,840 --> 01:03:38,600
Speaker 1: won two their two and eight on the road. So

1066
01:03:39,200 --> 01:03:41,400
Speaker 1: the schedule was real. Go look at and right now

1067
01:03:41,480 --> 01:03:44,520
Speaker 1: everyone's like Nick Fever, I love the Knicks, but but

1068
01:03:44,760 --> 01:03:47,160
Speaker 1: I love Porzingis. Don't get me wrong, I love Porson

1069
01:03:47,320 --> 01:03:50,960
Speaker 1: How good is he It's unbelievable, but January is real

1070
01:03:51,040 --> 01:03:53,880
Speaker 1: for them. They have like a like a Big Ten tournament,

1071
01:03:54,160 --> 01:03:58,360
Speaker 1: the Big East Tournament, the Grammys are coming like they're

1072
01:03:58,360 --> 01:04:00,360
Speaker 1: gonna go on the road. Then you didn we have

1073
01:04:00,440 --> 01:04:03,600
Speaker 1: this conversation, but you can't. You They have the like

1074
01:04:03,680 --> 01:04:06,480
Speaker 1: Sacramento has more row wins, are the same road wins

1075
01:04:06,480 --> 01:04:09,000
Speaker 1: as the Knicks. But you're not saying that about Sacramento.

1076
01:04:09,320 --> 01:04:11,440
Speaker 1: They're taking care of business at home, but they got

1077
01:04:11,640 --> 01:04:13,240
Speaker 1: two row wins, so they gotta start winning on the

1078
01:04:13,320 --> 01:04:15,000
Speaker 1: road if they're gonna be real. Okay, but listen, we

1079
01:04:15,040 --> 01:04:18,040
Speaker 1: can't make the schedule. No, no there. But if that's

1080
01:04:18,040 --> 01:04:22,760
Speaker 1: the case, they should be like twenty and six. I'm

1081
01:04:22,760 --> 01:04:24,520
Speaker 1: trying to be optimistic about my Knicks, you know what

1082
01:04:24,560 --> 01:04:26,480
Speaker 1: I mean. You can't do all that all you want

1083
01:04:26,640 --> 01:04:29,360
Speaker 1: just yet. You gotta sometimes dive into who you're playing.

1084
01:04:29,440 --> 01:04:32,360
Speaker 1: When you're playing back to backs road games, home games.

1085
01:04:32,440 --> 01:04:34,240
Speaker 1: Are you are you winning on the road? Are you

1086
01:04:34,320 --> 01:04:36,000
Speaker 1: winning the top back to back on the road, Then

1087
01:04:36,040 --> 01:04:38,680
Speaker 1: you're good. That's when you're good. Before you do that,

1088
01:04:38,880 --> 01:04:43,320
Speaker 1: you're not good. Um Nick's Oakley. We got to hang

1089
01:04:43,360 --> 01:04:46,480
Speaker 1: out with Oakley best? Why do you what is? Tell

1090
01:04:46,520 --> 01:04:49,400
Speaker 1: people what Charles Oakley is like X player to ex player,

1091
01:04:49,840 --> 01:04:52,720
Speaker 1: Like Charles Oakley keeps it one. First of all, he'll

1092
01:04:52,760 --> 01:04:55,160
Speaker 1: call anybody out in the league. I love that. I

1093
01:04:55,240 --> 01:04:58,240
Speaker 1: do love the fact that he keeps himself in incredible shape.

1094
01:04:58,640 --> 01:05:02,960
Speaker 1: You know, Like, what's your excuse for not being like

1095
01:05:02,960 --> 01:05:06,640
Speaker 1: because Oaks, like fifty something, you're just turning? I mean

1096
01:05:06,920 --> 01:05:10,160
Speaker 1: because I think it's like the seven Am shows, the

1097
01:05:10,280 --> 01:05:12,480
Speaker 1: Yahoo spoards, Like, you know, I worked on you got

1098
01:05:12,520 --> 01:05:14,600
Speaker 1: a lot of jobs. I got a lot of jobs.

1099
01:05:15,040 --> 01:05:17,560
Speaker 1: I'm you know, I got my workout in yesterday, today, tomorrow,

1100
01:05:17,720 --> 01:05:19,680
Speaker 1: I'll get him in. Okay, you know, I just you know,

1101
01:05:19,760 --> 01:05:22,640
Speaker 1: like but I'm I'm gonna be gearing up for it. Okay, Okay,

1102
01:05:22,680 --> 01:05:24,640
Speaker 1: So anyway can get on that h H. I think

1103
01:05:24,880 --> 01:05:28,680
Speaker 1: yeah in the Big Three? No, no, no, no, I

1104
01:05:28,760 --> 01:05:31,000
Speaker 1: mean you should get on like a little We should

1105
01:05:31,040 --> 01:05:33,680
Speaker 1: do it right like an experiment, like see how it

1106
01:05:33,720 --> 01:05:38,640
Speaker 1: affects like me and you got six you know that stuff.

1107
01:05:40,040 --> 01:05:43,000
Speaker 1: If h H could get the mama and me six

1108
01:05:43,120 --> 01:05:48,560
Speaker 1: packs for the Big Three, yo, it'll fix anybody, no more,

1109
01:05:49,080 --> 01:05:52,360
Speaker 1: No more medicine needed, nothing, so Oaks. So like like

1110
01:05:52,440 --> 01:05:54,360
Speaker 1: being around because you know, like I I have a

1111
01:05:54,400 --> 01:05:56,360
Speaker 1: relationship with him, it's like a fan, like I love him,

1112
01:05:56,360 --> 01:05:58,480
Speaker 1: but you know, you're players. The best I got on

1113
01:05:58,560 --> 01:06:02,840
Speaker 1: the but Oaks best, but he still intimidates the hell

1114
01:06:02,880 --> 01:06:04,760
Speaker 1: out of people. Let me tell you what happened. We're

1115
01:06:04,800 --> 01:06:07,919
Speaker 1: in Tulsa and we gotta fly to Dallas. I gotta

1116
01:06:07,920 --> 01:06:10,920
Speaker 1: go home, run connect right, yeah, but our but ore

1117
01:06:11,000 --> 01:06:14,480
Speaker 1: in Tulsa. We gotta delay. So the flight attendant is like,

1118
01:06:15,000 --> 01:06:17,160
Speaker 1: comes buy and Oaks like, yo, what's up with this plane?

1119
01:06:17,560 --> 01:06:20,200
Speaker 1: So the flight attendant starts shaking like I don't know,

1120
01:06:21,200 --> 01:06:24,000
Speaker 1: and then so he goes back and he's like, Oaks says, yo,

1121
01:06:24,040 --> 01:06:25,520
Speaker 1: if I want to get off this plane right now

1122
01:06:25,960 --> 01:06:28,200
Speaker 1: and drive myself to Dallas, I can do that right.

1123
01:06:28,600 --> 01:06:30,480
Speaker 1: And the guys like do you have luggage underneath? And

1124
01:06:30,800 --> 01:06:33,720
Speaker 1: and Oaks like, yeah, well you can't get your luggage.

1125
01:06:33,760 --> 01:06:37,440
Speaker 1: Oaks said, I'll climb underneed to plane, grab my own luggage,

1126
01:06:37,720 --> 01:06:40,320
Speaker 1: and once again to fight Astandon was shook. So even

1127
01:06:40,360 --> 01:06:42,960
Speaker 1: though Oak is a great guy, he still has that

1128
01:06:43,040 --> 01:06:46,040
Speaker 1: intimidating factor. Just the way he looks at this position.

1129
01:06:46,400 --> 01:06:49,120
Speaker 1: It's not it's just the way he the way he

1130
01:06:49,240 --> 01:06:52,840
Speaker 1: talks to people, he's like he's intimidating, even if he's like,

1131
01:06:53,520 --> 01:06:55,400
Speaker 1: you know what you think Lebron is gonna do next year?

1132
01:06:55,520 --> 01:06:57,640
Speaker 1: Even if it's like excuse me, like you're like, if

1133
01:06:57,640 --> 01:07:01,200
Speaker 1: he's asking for directions, Yo, where is this place at,

1134
01:07:01,640 --> 01:07:05,600
Speaker 1: it's like, oh, I don't know right? What the Okay?

1135
01:07:05,680 --> 01:07:07,440
Speaker 1: So so he was a big man. You were a

1136
01:07:07,480 --> 01:07:09,800
Speaker 1: big man. You were one of the sort of original

1137
01:07:09,880 --> 01:07:13,240
Speaker 1: because you're six nine or six okay. Oak was like

1138
01:07:13,520 --> 01:07:16,640
Speaker 1: he didn't leave the paint. You started stretching. Now you

1139
01:07:16,800 --> 01:07:19,320
Speaker 1: got guys in the NBA, Joel embat he was all

1140
01:07:19,360 --> 01:07:23,000
Speaker 1: over the damn TV today. Is the the old fashioned

1141
01:07:23,040 --> 01:07:25,880
Speaker 1: big man gone in the NBA's probably, But I think

1142
01:07:25,920 --> 01:07:30,600
Speaker 1: it's not because Joel is six to Yeah, yeah, he's massive,

1143
01:07:30,600 --> 01:07:32,440
Speaker 1: But I just think it's because of the rules and

1144
01:07:32,480 --> 01:07:35,120
Speaker 1: the way the rules are explaining, Like if if you're

1145
01:07:35,120 --> 01:07:38,360
Speaker 1: allowed like back in the nineties, it was really smart

1146
01:07:38,440 --> 01:07:40,840
Speaker 1: to throw the ball into the post because on the

1147
01:07:40,920 --> 01:07:43,320
Speaker 1: perimeter they would hand check you. So if you're not

1148
01:07:43,400 --> 01:07:46,280
Speaker 1: allowed to touch somebody on the perimeter, so what is

1149
01:07:46,360 --> 01:07:48,120
Speaker 1: the best play you can run? Like if you still

1150
01:07:48,120 --> 01:07:51,680
Speaker 1: watch now, like guys are battling underneath, but on the perimeter,

1151
01:07:51,920 --> 01:07:53,920
Speaker 1: they're pretty much allowed to do whatever they want. You

1152
01:07:53,960 --> 01:07:56,240
Speaker 1: can't touch a guy. So if that's the case, then

1153
01:07:56,280 --> 01:07:58,280
Speaker 1: pick and roll becomes the name of the game. So

1154
01:07:58,480 --> 01:08:00,439
Speaker 1: you if you're gonna run pick and roll, you gotta

1155
01:08:00,480 --> 01:08:02,440
Speaker 1: have the floor wide open, which you need shooting. They

1156
01:08:02,440 --> 01:08:04,440
Speaker 1: have the floor wide open the game. The name of

1157
01:08:04,480 --> 01:08:06,960
Speaker 1: the game now is pick and roll, and unless the

1158
01:08:07,080 --> 01:08:09,320
Speaker 1: rules change, it's always going to be that way. And

1159
01:08:09,440 --> 01:08:11,000
Speaker 1: what you basically want to do is put two on

1160
01:08:11,080 --> 01:08:13,120
Speaker 1: the ball and then move the ball and find an

1161
01:08:13,160 --> 01:08:15,600
Speaker 1: open guy for three. If you close out on the

1162
01:08:15,680 --> 01:08:17,960
Speaker 1: guy and he drives the ball to the basket and

1163
01:08:18,040 --> 01:08:20,960
Speaker 1: he collapses the defense, then you can dump off or

1164
01:08:21,040 --> 01:08:22,760
Speaker 1: kick it out to three again. And that's how teams

1165
01:08:22,760 --> 01:08:25,120
Speaker 1: are playing now, and that's the smartest way to play

1166
01:08:25,400 --> 01:08:27,600
Speaker 1: based on the rule. Now the rules change, then we

1167
01:08:27,680 --> 01:08:30,840
Speaker 1: might see guys who can post up again. But go watch,

1168
01:08:30,960 --> 01:08:33,880
Speaker 1: like when guys battle underneath, they don't call ever call

1169
01:08:33,960 --> 01:08:36,280
Speaker 1: a foul, But on the perimeter, you like breathe on

1170
01:08:36,320 --> 01:08:38,439
Speaker 1: a guy and it's a foul. So the NBA is

1171
01:08:38,600 --> 01:08:41,280
Speaker 1: gonna adjust to whatever the rules are. How much has

1172
01:08:41,400 --> 01:08:43,840
Speaker 1: that physicality changed from when you first came in the

1173
01:08:43,920 --> 01:08:46,320
Speaker 1: league to what you're watching now as a broadcaster. I

1174
01:08:46,360 --> 01:08:48,880
Speaker 1: mean it's dropped off a lot, like a ton. I

1175
01:08:48,920 --> 01:08:51,639
Speaker 1: mean not not forget when I first came into league

1176
01:08:51,800 --> 01:08:53,479
Speaker 1: year you first come in. From two thousand and one

1177
01:08:53,520 --> 01:08:56,519
Speaker 1: to two thousand twelve is changed a lot. Play Yeah,

1178
01:08:56,960 --> 01:09:00,720
Speaker 1: from two thousand twelve to two thousand seven. Mean, I

1179
01:09:00,800 --> 01:09:03,880
Speaker 1: think it's even got like like ten times softer from

1180
01:09:03,960 --> 01:09:06,080
Speaker 1: on the perimeter. But it's But right now we have

1181
01:09:06,120 --> 01:09:08,800
Speaker 1: the highest skill level we've seen ever. Like every guy

1182
01:09:08,880 --> 01:09:11,000
Speaker 1: can handle the ball, every guy can shoot it. So

1183
01:09:11,080 --> 01:09:13,080
Speaker 1: we're seeing like the skill levels off the chart, and

1184
01:09:13,160 --> 01:09:15,120
Speaker 1: a lot of that has to do with you develop

1185
01:09:15,160 --> 01:09:17,000
Speaker 1: guys and run pick and roll because that's the best

1186
01:09:17,040 --> 01:09:18,760
Speaker 1: player to run, so you want everyone has to learn

1187
01:09:18,800 --> 01:09:22,200
Speaker 1: how to run it. Who's your favorite player to watch

1188
01:09:22,280 --> 01:09:24,680
Speaker 1: in the NBA? We had an art time, No right now,

1189
01:09:25,280 --> 01:09:30,040
Speaker 1: Spinn Simmons. Why because you don't see that every day.

1190
01:09:30,040 --> 01:09:33,840
Speaker 1: You don't see the unorthodox, non shooting guy dominate and

1191
01:09:33,920 --> 01:09:37,280
Speaker 1: he's an unbelievable passer. I mean I don't want to

1192
01:09:37,400 --> 01:09:40,000
Speaker 1: jump on like like keeping it real, right, Lebron is

1193
01:09:40,040 --> 01:09:43,759
Speaker 1: the best player, right, But I'm not jumping on that obvious.

1194
01:09:43,800 --> 01:09:47,280
Speaker 1: We're not saying dances. Bevin Simmons is my favorite player

1195
01:09:47,320 --> 01:09:51,439
Speaker 1: to watch. He's a six ten guy that place point guard. Yeah,

1196
01:09:51,439 --> 01:09:53,760
Speaker 1: he's legit six ten. He's the athletic freak, finishes with

1197
01:09:53,840 --> 01:09:56,320
Speaker 1: both hands there. He has no rhyme or reason when

1198
01:09:56,360 --> 01:09:58,160
Speaker 1: he elevated. He can jump off the right foot, finish

1199
01:09:58,240 --> 01:09:59,800
Speaker 1: with the right hand on the on the left side

1200
01:09:59,840 --> 01:10:02,040
Speaker 1: and doesn't matter. I love that about him. And he

1201
01:10:02,080 --> 01:10:04,120
Speaker 1: passes the hell out of the ball, right, I agree.

1202
01:10:04,200 --> 01:10:07,200
Speaker 1: I see that guy is a lot of people don't

1203
01:10:07,200 --> 01:10:08,880
Speaker 1: believe that. A lot of people think his shooting is

1204
01:10:08,920 --> 01:10:10,680
Speaker 1: eventually gonna come back to bite him. I don't. I'm

1205
01:10:10,720 --> 01:10:13,599
Speaker 1: not one of those guys. He well, he's a rookie.

1206
01:10:13,960 --> 01:10:16,760
Speaker 1: This is a really good rookie class. There's a bunch

1207
01:10:16,800 --> 01:10:19,360
Speaker 1: of them. But he's head and shoulders like you know

1208
01:10:19,560 --> 01:10:22,559
Speaker 1: that that guy is an all star. I think that, yeah,

1209
01:10:22,840 --> 01:10:25,040
Speaker 1: but you know, like you've been wrong. I've been wrong.

1210
01:10:25,120 --> 01:10:27,680
Speaker 1: We could. But I just when I watched him, I

1211
01:10:28,680 --> 01:10:30,960
Speaker 1: just I just like I grin when I watched him

1212
01:10:30,960 --> 01:10:32,439
Speaker 1: because this is the way he played. I just love

1213
01:10:32,520 --> 01:10:34,360
Speaker 1: the way he played. I wish I could watch that

1214
01:10:34,479 --> 01:10:37,640
Speaker 1: every single night. I can't. I love watching MBID, I

1215
01:10:37,720 --> 01:10:39,519
Speaker 1: love watching your honest I love all that. But just

1216
01:10:39,680 --> 01:10:42,920
Speaker 1: like Ben Simmons is so different than the rest of them. Agree,

1217
01:10:43,840 --> 01:10:45,640
Speaker 1: you've seen most of the rookies this year, a lot

1218
01:10:45,720 --> 01:10:48,799
Speaker 1: of them. Daron Fox, he had an okay game against Celtics.

1219
01:10:48,840 --> 01:10:50,880
Speaker 1: What did you notice about him? The probably fast guy

1220
01:10:50,880 --> 01:10:52,800
Speaker 1: in the league, maybe the fastest guy of all time

1221
01:10:52,840 --> 01:10:55,840
Speaker 1: in the league, all time as a rookie. Like he's

1222
01:10:55,880 --> 01:10:59,200
Speaker 1: fashioning John Wall. Jason Kidd is like my guy. I

1223
01:10:59,280 --> 01:11:02,200
Speaker 1: think de Box is the fastest guy to ever, the

1224
01:11:02,280 --> 01:11:04,280
Speaker 1: fastest guy with the ball to ever play that you've

1225
01:11:04,320 --> 01:11:08,200
Speaker 1: ever seen ever in my life seen his His his

1226
01:11:08,360 --> 01:11:11,080
Speaker 1: legs are blurred, They're blurred out there. You don't, you don't.

1227
01:11:12,000 --> 01:11:14,479
Speaker 1: He's unbelievable. I just never seen anything like that. Now.

1228
01:11:14,600 --> 01:11:18,080
Speaker 1: John Wall is fast and dominant, powerful, but I've just

1229
01:11:18,240 --> 01:11:20,840
Speaker 1: never seen when he puts on the jets, It's like,

1230
01:11:20,920 --> 01:11:24,760
Speaker 1: I've just I've never seen that before. What about That's

1231
01:11:24,800 --> 01:11:26,840
Speaker 1: cool that you're saying that you you've seen iverson and

1232
01:11:26,920 --> 01:11:29,800
Speaker 1: his prime. That doesn't mean that he's gonna be great. Yeah,

1233
01:11:29,960 --> 01:11:31,880
Speaker 1: I think he is going to be really good. Just

1234
01:11:32,040 --> 01:11:34,640
Speaker 1: one aspect of his games. These kids are not I mean,

1235
01:11:34,680 --> 01:11:37,800
Speaker 1: these are so freaking young when they come in and

1236
01:11:38,120 --> 01:11:40,960
Speaker 1: you know, you saw the Lakers brandon Ingram last year,

1237
01:11:41,040 --> 01:11:43,320
Speaker 1: he looked like a w NBA player. I said it publicly,

1238
01:11:43,360 --> 01:11:47,000
Speaker 1: I'm saying it now. He looked crazy boom. He's improved now.

1239
01:11:47,160 --> 01:11:48,760
Speaker 1: He still has a lot of improvement, but you you

1240
01:11:48,840 --> 01:11:52,920
Speaker 1: definitely see like more confidence. Um, what did you think

1241
01:11:52,960 --> 01:11:56,960
Speaker 1: Alonzo ball? Like Alonzo ball, the hysteria of Alonzo Ball stupid.

1242
01:11:57,000 --> 01:11:58,840
Speaker 1: It's all because of his father. Like if this kid

1243
01:11:58,920 --> 01:12:01,439
Speaker 1: doesn't do anything, he doesn't say anything, Like I don't

1244
01:12:01,840 --> 01:12:04,000
Speaker 1: like if it wasn't for his dad to be he

1245
01:12:04,320 --> 01:12:07,559
Speaker 1: like he would never make the news ever, Like he's

1246
01:12:07,600 --> 01:12:10,200
Speaker 1: thinking about how crazy that is, Like all like these

1247
01:12:10,240 --> 01:12:12,920
Speaker 1: parents are all nuts, like my mom's nuts, like everybody's nuts.

1248
01:12:12,920 --> 01:12:15,000
Speaker 1: They think their kids the greatest thing. Ever. I don't

1249
01:12:15,000 --> 01:12:17,000
Speaker 1: know why the media gave him a platform, Maybe because

1250
01:12:17,000 --> 01:12:20,519
Speaker 1: he was so outlandish. But like, the kid doesn't do anything.

1251
01:12:20,680 --> 01:12:23,360
Speaker 1: He didn't do anything wrong. He's a solid kid. Like

1252
01:12:23,439 --> 01:12:26,160
Speaker 1: his teammates like to play with him, but like everyone

1253
01:12:26,240 --> 01:12:28,880
Speaker 1: wants to talk about him because of his father. Like

1254
01:12:28,960 --> 01:12:31,519
Speaker 1: how messed up is that it's it's so stupid. What

1255
01:12:32,040 --> 01:12:33,400
Speaker 1: did you think of his game? I mean, again, you

1256
01:12:33,439 --> 01:12:35,400
Speaker 1: saw him, you know. Like, I'm a big fan of

1257
01:12:35,520 --> 01:12:38,200
Speaker 1: Jason Kid. Obviously I played with him for four years

1258
01:12:38,240 --> 01:12:40,400
Speaker 1: in New Jersey. I like the way that he plays.

1259
01:12:40,680 --> 01:12:44,759
Speaker 1: He's not as athletic as Jason, not physically gifted strength,

1260
01:12:44,840 --> 01:12:47,600
Speaker 1: and not as fast, but like he jumps higher as

1261
01:12:47,600 --> 01:12:49,960
Speaker 1: a little bit longer, a little bit taller, um. But

1262
01:12:50,080 --> 01:12:52,000
Speaker 1: he's a great pastor. And I like the way that

1263
01:12:52,080 --> 01:12:55,320
Speaker 1: he makes the right pass. He's not hunting out assist

1264
01:12:55,760 --> 01:13:00,240
Speaker 1: like Alonzo Ball makes the right pass. He gets the ball,

1265
01:13:00,400 --> 01:13:02,040
Speaker 1: kicks to the head. It doesn't mean that guy is

1266
01:13:02,080 --> 01:13:05,240
Speaker 1: gonna get an assist. I mean, if you chart those

1267
01:13:05,360 --> 01:13:09,200
Speaker 1: things like quick passes that lead to buckets and also

1268
01:13:09,320 --> 01:13:11,320
Speaker 1: Ball will be tops in the league when he's out there.

1269
01:13:11,400 --> 01:13:13,280
Speaker 1: But I just I just think he gets an unfair rap.

1270
01:13:13,360 --> 01:13:15,840
Speaker 1: But I think eventually that will die down. How good

1271
01:13:16,040 --> 01:13:18,519
Speaker 1: was was Jason Kidd when you played with him? He's

1272
01:13:18,520 --> 01:13:21,519
Speaker 1: the best point guard that you played with, the best

1273
01:13:21,560 --> 01:13:23,599
Speaker 1: point guard. I'm making players better. I played with Derrick

1274
01:13:23,640 --> 01:13:26,320
Speaker 1: Rose during the MVP year best, so that's the best

1275
01:13:26,360 --> 01:13:29,320
Speaker 1: scoring point guard. But Jason Kidd yeah. I mean if

1276
01:13:29,320 --> 01:13:30,920
Speaker 1: I had to pick one for a year, I picked

1277
01:13:31,000 --> 01:13:33,400
Speaker 1: Jason Kidd for a year. Why why was he so good?

1278
01:13:33,800 --> 01:13:35,840
Speaker 1: I mean, just like i Q is off the charts

1279
01:13:35,960 --> 01:13:39,360
Speaker 1: like what else. I mean, he's physically gifted. Uh, he

1280
01:13:39,439 --> 01:13:41,920
Speaker 1: can defend at a high level. He makes the right

1281
01:13:41,960 --> 01:13:44,160
Speaker 1: basketball play. JAS think he's another one that would get

1282
01:13:44,280 --> 01:13:47,519
Speaker 1: eleven assist and not search out assist. You just play

1283
01:13:47,600 --> 01:13:49,920
Speaker 1: the right way, just play basketball. And the results were

1284
01:13:50,040 --> 01:13:52,479
Speaker 1: that's like the old school way, like Larry Bird was

1285
01:13:53,560 --> 01:13:55,920
Speaker 1: and eight and he just played and at the end

1286
01:13:55,920 --> 01:13:58,799
Speaker 1: of the day was eight. Like that's he's not looking

1287
01:13:59,200 --> 01:14:01,360
Speaker 1: to hold the ball and assists. He's not like running

1288
01:14:01,400 --> 01:14:04,040
Speaker 1: offense to get stats. Just hooped And Jason Kidd was

1289
01:14:04,080 --> 01:14:07,000
Speaker 1: a guy just hooped. And his will to win is

1290
01:14:07,080 --> 01:14:09,160
Speaker 1: something I've never seen before, but I've never played with

1291
01:14:09,720 --> 01:14:12,040
Speaker 1: will to win. Like will to win to me is

1292
01:14:12,120 --> 01:14:14,600
Speaker 1: like the last five minutes of a game, to go

1293
01:14:14,760 --> 01:14:17,120
Speaker 1: above and beyond what you should be capable of doing.

1294
01:14:17,240 --> 01:14:20,400
Speaker 1: That's the will to win. That's Jordan's Bird coming up

1295
01:14:20,400 --> 01:14:23,200
Speaker 1: with a big steel like the feel like like it's

1296
01:14:23,280 --> 01:14:25,360
Speaker 1: like when you have the will to win, you make

1297
01:14:25,479 --> 01:14:28,000
Speaker 1: some type of basketball play that helps you win. Jason

1298
01:14:28,040 --> 01:14:31,200
Speaker 1: Kidd did that for the two seasons where he probably

1299
01:14:31,240 --> 01:14:33,400
Speaker 1: should have won MVP one of those. He did that

1300
01:14:33,479 --> 01:14:36,479
Speaker 1: the entire season, just close game figures out of the

1301
01:14:36,560 --> 01:14:38,680
Speaker 1: way he had. He had a game where we won

1302
01:14:38,760 --> 01:14:42,680
Speaker 1: by thirty, had two points, one shot, eighteen assists. Right,

1303
01:14:42,760 --> 01:14:45,040
Speaker 1: It's just like he just has a He's a winner.

1304
01:14:45,400 --> 01:14:47,400
Speaker 1: He will always be a winner. And when he played

1305
01:14:47,520 --> 01:14:50,160
Speaker 1: and he won a championship playing completely different than he

1306
01:14:50,200 --> 01:14:52,040
Speaker 1: played back in the days, just a guy that figures

1307
01:14:52,080 --> 01:14:54,720
Speaker 1: out ways to win. He's so sort of forgotten, like

1308
01:14:54,960 --> 01:14:57,400
Speaker 1: you talk about Nash. Yeah, is it just because he

1309
01:14:57,479 --> 01:14:59,920
Speaker 1: was there was no flash in his game. I don't

1310
01:15:00,000 --> 01:15:02,280
Speaker 1: of why people forget like like that. To me is

1311
01:15:02,360 --> 01:15:06,280
Speaker 1: I don't I have him as at echelon point guards.

1312
01:15:06,360 --> 01:15:07,479
Speaker 1: I mean I know I played with him, and I

1313
01:15:07,479 --> 01:15:09,599
Speaker 1: don't feel like it's not like it's some like secret.

1314
01:15:09,960 --> 01:15:12,040
Speaker 1: So I just I just don't. I just like, uh,

1315
01:15:12,560 --> 01:15:14,800
Speaker 1: people want to see like, oh this guy could score,

1316
01:15:14,840 --> 01:15:16,200
Speaker 1: this guy can do this, this guy can do that.

1317
01:15:16,360 --> 01:15:18,559
Speaker 1: Like to me, I care about winning, so I care

1318
01:15:18,560 --> 01:15:20,720
Speaker 1: about like watch people do they impact winning or not.

1319
01:15:20,800 --> 01:15:22,559
Speaker 1: There's a lot of players that don't impact winning at all.

1320
01:15:22,840 --> 01:15:24,800
Speaker 1: She used to hit night in night out. I don't.

1321
01:15:24,800 --> 01:15:26,360
Speaker 1: I don't need to. I could take a box score,

1322
01:15:26,439 --> 01:15:28,840
Speaker 1: throw it away, and I wouldn't change my opinion. I

1323
01:15:28,880 --> 01:15:30,960
Speaker 1: don't even know his stats at all time. I don't

1324
01:15:30,960 --> 01:15:33,160
Speaker 1: even know any of that. The guy impact winning, That's

1325
01:15:33,200 --> 01:15:35,439
Speaker 1: what matters to me. You're six night, You've dealt with

1326
01:15:35,720 --> 01:15:39,599
Speaker 1: all sorts of beasts in the post, the three hardest

1327
01:15:39,640 --> 01:15:42,160
Speaker 1: people to guard, Like, we're just like Jesus Christ at

1328
01:15:42,200 --> 01:15:45,080
Speaker 1: the post. Like the first guy is Corless Williamson. Because

1329
01:15:45,080 --> 01:15:47,439
Speaker 1: I was young in the league. I was my first

1330
01:15:47,600 --> 01:15:49,639
Speaker 1: second year and I was I was like my matchup

1331
01:15:49,640 --> 01:15:51,840
Speaker 1: against Detroit when they were good, we were good. I

1332
01:15:52,240 --> 01:15:53,800
Speaker 1: had no I should not have been on the court.

1333
01:15:53,880 --> 01:15:56,560
Speaker 1: He was like he embarrassed me and because of what

1334
01:15:56,880 --> 01:15:59,000
Speaker 1: strength I just well, a lot of it had to

1335
01:15:59,040 --> 01:16:01,200
Speaker 1: do with I just didn't note technique right, Like there's

1336
01:16:01,280 --> 01:16:04,000
Speaker 1: there is a learning process to growing and watching film

1337
01:16:04,040 --> 01:16:05,840
Speaker 1: and seeing what a guy did. I didn't know how

1338
01:16:05,920 --> 01:16:08,719
Speaker 1: to prepare to stop a guy. I got a little

1339
01:16:08,720 --> 01:16:10,679
Speaker 1: bit better once I started watching a lot more film

1340
01:16:11,080 --> 01:16:13,320
Speaker 1: and maybe like he started getting older, but I could

1341
01:16:13,360 --> 01:16:17,400
Speaker 1: not whatever I did he counter, I could not stop him. Uh,

1342
01:16:17,520 --> 01:16:20,479
Speaker 1: the other guys like Rashid Wallace. I've got messed up

1343
01:16:20,800 --> 01:16:23,800
Speaker 1: against him quite a few times and I was just helpless, right,

1344
01:16:24,200 --> 01:16:26,120
Speaker 1: and he did it with skill. I could watch all

1345
01:16:26,160 --> 01:16:27,960
Speaker 1: the film in the world and I wasn't gonna stop him.

1346
01:16:28,400 --> 01:16:32,240
Speaker 1: And then he's an underrated skilled player. He's personality and

1347
01:16:32,320 --> 01:16:35,000
Speaker 1: his stuff, I mean, like footwork all the way, winner,

1348
01:16:35,160 --> 01:16:37,880
Speaker 1: Like he's just that's my phone, I know, precious, so

1349
01:16:37,920 --> 01:16:39,720
Speaker 1: I can see what time it is. It's we're not

1350
01:16:39,840 --> 01:16:42,000
Speaker 1: done with the podcast. I still have you for It's

1351
01:16:42,040 --> 01:16:45,840
Speaker 1: five thirty. I have exactly two minutes and fifteen seconds.

1352
01:16:45,840 --> 01:16:48,320
Speaker 1: I want to get everything I can. Wallace, Yeah, he's

1353
01:16:48,320 --> 01:16:53,560
Speaker 1: like probably probably the most underrated player. Like, if she

1354
01:16:53,680 --> 01:16:55,599
Speaker 1: had a different mindset, would be one of the greatest

1355
01:16:55,640 --> 01:16:58,240
Speaker 1: power forwards of all time. Um, did you ever play

1356
01:16:58,240 --> 01:17:01,360
Speaker 1: against Michael Jordan's. So I didn't at the Santa Barbara camp,

1357
01:17:01,840 --> 01:17:03,600
Speaker 1: and I played with him again when he was on

1358
01:17:03,680 --> 01:17:06,599
Speaker 1: the Wizards whatever, Chicago Bulls. Michael Jordan's What is playing

1359
01:17:06,640 --> 01:17:10,880
Speaker 1: against being around Michael Jordan's on a basketball court? Really? Like, uh,

1360
01:17:11,040 --> 01:17:16,000
Speaker 1: Michael is a Breschelan competitive Um, Like I don't. I

1361
01:17:16,360 --> 01:17:18,120
Speaker 1: don't think I got a real sense when he was

1362
01:17:18,160 --> 01:17:20,360
Speaker 1: with the Wizards. It wasn't like the true Jordan's not

1363
01:17:20,520 --> 01:17:22,680
Speaker 1: that he was bad. He just I mean like to

1364
01:17:22,840 --> 01:17:24,760
Speaker 1: rip your heart out and do whatever it takes. I

1365
01:17:25,000 --> 01:17:26,800
Speaker 1: I don't think that and him into his mind. I

1366
01:17:26,840 --> 01:17:28,479
Speaker 1: don't think he was like that with the Wizards, right.

1367
01:17:28,920 --> 01:17:31,240
Speaker 1: But in Santa Barbara, I got I got put on

1368
01:17:31,360 --> 01:17:34,439
Speaker 1: his team. George Raveling said, you know, Mike, I think

1369
01:17:34,479 --> 01:17:37,000
Speaker 1: you should take Scalott Brini and Mike looked at George.

1370
01:17:37,160 --> 01:17:38,840
Speaker 1: I hear all this. It was like going on ten

1371
01:17:38,920 --> 01:17:41,960
Speaker 1: feet from me. He looked at George Raveling. He's like

1372
01:17:42,040 --> 01:17:45,200
Speaker 1: the white boy. And George Raveling who coached USC. Now

1373
01:17:45,240 --> 01:17:46,880
Speaker 1: I played there. He didn't coach me, but he was

1374
01:17:47,120 --> 01:17:49,519
Speaker 1: the USC guy and he called our games. He was like,

1375
01:17:49,560 --> 01:17:51,280
Speaker 1: trust me, Mike, you're gonna want him on your team.

1376
01:17:51,680 --> 01:17:54,880
Speaker 1: So Mike pick me in that week. That week we

1377
01:17:54,960 --> 01:17:56,840
Speaker 1: didn't lose the game. So I was on Mike's team

1378
01:17:57,320 --> 01:18:00,200
Speaker 1: all week. I go out to the bars in Santa Barbara. Uh.

1379
01:18:00,680 --> 01:18:03,040
Speaker 1: He hooked me up like the whole week. It was

1380
01:18:03,120 --> 01:18:05,320
Speaker 1: like like he would come up to me like, Yo,

1381
01:18:05,439 --> 01:18:07,360
Speaker 1: make sure you're getting your rest. We're gonna we're gonna

1382
01:18:07,439 --> 01:18:09,240
Speaker 1: roll these guys. Tonight like that was like me and

1383
01:18:09,400 --> 01:18:11,800
Speaker 1: Jordan's on the squad for a week. It was the

1384
01:18:11,840 --> 01:18:13,880
Speaker 1: greatest week ever in my life up until that point.

1385
01:18:14,600 --> 01:18:17,280
Speaker 1: That's dope. Man. It was like from a country kid

1386
01:18:17,640 --> 01:18:20,240
Speaker 1: who played one year at USC and now like my

1387
01:18:20,600 --> 01:18:23,040
Speaker 1: my hero is like call me saying, like, you know,

1388
01:18:23,120 --> 01:18:24,680
Speaker 1: make sure you're getting your rest, don't be going out

1389
01:18:24,760 --> 01:18:27,080
Speaker 1: too much, like like take it easy at night because

1390
01:18:27,080 --> 01:18:28,840
Speaker 1: we're gonna roll these guys all week. And we were

1391
01:18:28,920 --> 01:18:32,840
Speaker 1: killing like Richard Jefferson, Gilbert Arenas, like all the college

1392
01:18:32,880 --> 01:18:35,080
Speaker 1: players never got it together. And it was like me,

1393
01:18:35,479 --> 01:18:38,960
Speaker 1: Jordan's and high school kids like Darius Miles, Oh, Mark Cook,

1394
01:18:39,479 --> 01:18:43,719
Speaker 1: um Uh, Maurice Taylor, Marcus Taylor like all high school players,

1395
01:18:43,840 --> 01:18:46,840
Speaker 1: Me and m j and we roasted guys all week long.

1396
01:18:48,240 --> 01:18:51,240
Speaker 1: We didn't lose this thing a game and we blasted him,

1397
01:18:51,280 --> 01:18:53,920
Speaker 1: blasted him like the best players in college guys who

1398
01:18:53,960 --> 01:18:56,920
Speaker 1: were like NBA All Stars. We just like we just

1399
01:18:57,080 --> 01:18:59,160
Speaker 1: destroyed them all. What do you are? My last question

1400
01:18:59,240 --> 01:19:04,200
Speaker 1: is is I have exactly one minute? What do you

1401
01:19:04,280 --> 01:19:05,960
Speaker 1: think of? I mean, it's all day. I was watching

1402
01:19:06,000 --> 01:19:09,720
Speaker 1: TV day all day. Lebron, Kobe, Mike, Lebron Kobe, Mike.

1403
01:19:10,040 --> 01:19:12,080
Speaker 1: It's like there's the only three basketball players that ever

1404
01:19:12,120 --> 01:19:15,080
Speaker 1: played basketball. Obviously they're the best. Who's the best basketball

1405
01:19:15,080 --> 01:19:17,720
Speaker 1: player out of those three? Jordan's the best. I got

1406
01:19:17,840 --> 01:19:23,800
Speaker 1: Lebron second Um. Like, I just like like, I think

1407
01:19:23,880 --> 01:19:26,800
Speaker 1: Kobe was in the wrong era if he was in

1408
01:19:26,880 --> 01:19:29,760
Speaker 1: today's game, Jesus, yeah, like that. I just think like

1409
01:19:30,320 --> 01:19:34,519
Speaker 1: Kobe like that, the whole isolation versus running pick and roll. Like,

1410
01:19:34,560 --> 01:19:35,920
Speaker 1: I don't think that you would be able to stop

1411
01:19:36,000 --> 01:19:38,080
Speaker 1: Kobe if he played now. But he was just like

1412
01:19:38,640 --> 01:19:40,400
Speaker 1: more into the wrong He was in the wrong era.

1413
01:19:40,520 --> 01:19:43,400
Speaker 1: He was playing the triangle to isolation. I think his

1414
01:19:43,560 --> 01:19:45,560
Speaker 1: greatness as great as he was and he won the

1415
01:19:45,640 --> 01:19:48,240
Speaker 1: championships and and he had shock and everything like that,

1416
01:19:48,560 --> 01:19:50,760
Speaker 1: I think his greatness is negated because if he would

1417
01:19:50,760 --> 01:19:54,120
Speaker 1: have played now, it would be unbelievable to watch him play.

1418
01:19:54,200 --> 01:19:56,960
Speaker 1: You could not stop him, all right. The white Mamba,

1419
01:19:57,640 --> 01:20:00,720
Speaker 1: white mamba, white Mike, White Mama, Mike did you? I

1420
01:20:00,760 --> 01:20:02,920
Speaker 1: can't even bring me a shirt this time because you

1421
01:20:02,960 --> 01:20:05,200
Speaker 1: know where. I didn't want to hear you complain. I did.

1422
01:20:05,240 --> 01:20:08,560
Speaker 1: I didn't want to hear you complain, all right, So

1423
01:20:08,600 --> 01:20:13,360
Speaker 1: white mom, but white Mike Iron rapports stereo podcast. Um, unfortunately,

1424
01:20:13,360 --> 01:20:16,320
Speaker 1: you know you seriously have a face for radio. I'm not.

1425
01:20:16,360 --> 01:20:18,760
Speaker 1: I'm not playing like you seriously have a face for radio.

1426
01:20:18,760 --> 01:20:21,120
Speaker 1: That's funny because they always put me on TV Mike

1427
01:20:25,200 --> 01:20:32,760
Speaker 1: the holidays, there's just around the corner. Okay, it's coming up.

1428
01:20:33,640 --> 01:20:36,240
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1429
01:20:36,320 --> 01:20:39,920
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1430
01:20:40,120 --> 01:20:43,639
Speaker 1: and hockey games you could score big with every single day.

1431
01:20:44,520 --> 01:20:48,240
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1432
01:20:48,360 --> 01:20:50,720
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1433
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1435
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1436
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1437
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1438
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1439
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1440
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1450
01:21:52,880 --> 01:21:57,519
Speaker 1: Another thing that happened last few days. This fucking guy,

1451
01:21:57,520 --> 01:22:04,120
Speaker 1: Alonzo Ball showed up to his first games with the

1452
01:22:04,200 --> 01:22:09,519
Speaker 1: Los Angeles Lakers in Madison Square Garden and it caused

1453
01:22:09,560 --> 01:22:13,280
Speaker 1: a big uproar because he came in there wearing a

1454
01:22:13,400 --> 01:22:17,160
Speaker 1: hoodie that was inspired. Let me let me clarify this

1455
01:22:17,200 --> 01:22:20,439
Speaker 1: because a lot of people are fucking dumb. It's all

1456
01:22:20,479 --> 01:22:23,559
Speaker 1: over the internet. People are saying it was inspired by

1457
01:22:23,720 --> 01:22:28,400
Speaker 1: it was written the Nas record. It was inspired by

1458
01:22:28,680 --> 01:22:33,840
Speaker 1: Illmatic because the Illmatic cover was Nas as a baby,

1459
01:22:34,000 --> 01:22:37,000
Speaker 1: as a young kid, and the it was written cover

1460
01:22:37,560 --> 01:22:42,960
Speaker 1: was Nas grown up in the same photo. That's how

1461
01:22:43,040 --> 01:22:46,000
Speaker 1: much they don't know about the ship. People were like, yo,

1462
01:22:46,400 --> 01:22:48,479
Speaker 1: because I went on a rand. People like it was

1463
01:22:48,560 --> 01:22:51,400
Speaker 1: Actually it was written, it was written. It was from illmatic.

1464
01:22:51,479 --> 01:22:54,120
Speaker 1: You dumb fuck you were dude, This is this is

1465
01:22:54,200 --> 01:22:58,000
Speaker 1: where the motherfucker's don't know about this, this this ship man.

1466
01:22:58,280 --> 01:23:03,680
Speaker 1: These are young dude, arrogance. You don't know about this

1467
01:23:03,760 --> 01:23:09,240
Speaker 1: ship man. You're born and what ninety ninety five, some

1468
01:23:09,360 --> 01:23:11,640
Speaker 1: of these people were just dumb. I'm not I'm not

1469
01:23:11,720 --> 01:23:13,960
Speaker 1: even I'm not doing ages m because I don't like

1470
01:23:14,000 --> 01:23:16,639
Speaker 1: what motherfucker's trying to say. Oh you old, I tell

1471
01:23:16,720 --> 01:23:20,240
Speaker 1: motherfucker's I don't give a funk. If I'm seventy eighty dead,

1472
01:23:21,080 --> 01:23:24,720
Speaker 1: You're never gonna be as fly as me. Cornball, You're

1473
01:23:24,760 --> 01:23:27,320
Speaker 1: you're you're you old motherfucker. I'm forty seven. I still

1474
01:23:27,840 --> 01:23:32,439
Speaker 1: I still ski my Fox dollars, still buck wall got

1475
01:23:32,520 --> 01:23:36,240
Speaker 1: to be and I'm still dope. So you ain't never

1476
01:23:36,360 --> 01:23:41,080
Speaker 1: gonna be like me. I'm old, motherfucker. When I'm ninety,

1477
01:23:41,560 --> 01:23:45,439
Speaker 1: I'm still gonna be flired in you. You're tight ass

1478
01:23:45,960 --> 01:23:52,840
Speaker 1: jack talking, greasy, you old corny motherfucker. That's this bullshit here,

1479
01:23:55,040 --> 01:24:00,000
Speaker 1: you old, I'm dope. That's that bullshit. Only this society

1480
01:24:00,120 --> 01:24:02,320
Speaker 1: d I don't know if that's true. We can we

1481
01:24:02,360 --> 01:24:06,080
Speaker 1: can romanticize all these other countries. I'm just letting motherfucker's

1482
01:24:06,120 --> 01:24:08,840
Speaker 1: know I'm dope. And if you're talking out the side

1483
01:24:08,840 --> 01:24:13,360
Speaker 1: of your lips, you're not dope, you're talking greasy, out

1484
01:24:13,400 --> 01:24:15,880
Speaker 1: of pocket you you you're talking to the wrong guy.

1485
01:24:17,000 --> 01:24:20,280
Speaker 1: So he showed up to the game with a bullshit

1486
01:24:21,439 --> 01:24:25,400
Speaker 1: it looked real light and flimsy too, a bullshit big

1487
01:24:25,520 --> 01:24:32,760
Speaker 1: baller brand hoodie with his face over the nas Illmatic

1488
01:24:33,680 --> 01:24:39,120
Speaker 1: album cover. And he comes in all like, okay, Doki,

1489
01:24:39,240 --> 01:24:42,080
Speaker 1: like he's not paying attention and everybody's been giving him

1490
01:24:42,080 --> 01:24:44,960
Speaker 1: a past like his father does all the talking. He's

1491
01:24:45,000 --> 01:24:48,320
Speaker 1: just a kid. He's father's the one that's turning it up. Nah.

1492
01:24:48,560 --> 01:24:52,280
Speaker 1: That's when I was like, nah, because the first time

1493
01:24:52,320 --> 01:24:56,600
Speaker 1: he came out saying nas was irrelevant, he got a

1494
01:24:56,680 --> 01:25:00,599
Speaker 1: lot of flak He should for of me and from

1495
01:25:00,640 --> 01:25:03,920
Speaker 1: all sorts of people. Can't this our guys? Okay? So so,

1496
01:25:04,120 --> 01:25:05,920
Speaker 1: And then that was when I saw the whole clip.

1497
01:25:06,000 --> 01:25:08,519
Speaker 1: I was like, he's just a kid, he's just too so.

1498
01:25:09,120 --> 01:25:11,640
Speaker 1: But for you to come into the garden wearing that,

1499
01:25:11,760 --> 01:25:13,759
Speaker 1: you make a choice. You know, the cameras are rocketing

1500
01:25:14,000 --> 01:25:16,040
Speaker 1: these guys, they know we're not coming to the game.

1501
01:25:16,560 --> 01:25:18,880
Speaker 1: It's like a fashion show. So are you coming here

1502
01:25:18,880 --> 01:25:24,519
Speaker 1: where wearing some flimsy ass, whack ass, corny ass big

1503
01:25:24,640 --> 01:25:28,240
Speaker 1: ball or fucking T shirt sweat hoodie with your face

1504
01:25:28,840 --> 01:25:32,960
Speaker 1: imprinted over ill matic and like, oh, you know what

1505
01:25:33,080 --> 01:25:37,000
Speaker 1: you're doing? So it's not just the father. You know

1506
01:25:37,160 --> 01:25:40,040
Speaker 1: what you're doing. He's playing. He's playing to that. You're

1507
01:25:40,040 --> 01:25:43,160
Speaker 1: playing to that, which is which is which is okay?

1508
01:25:43,200 --> 01:25:45,400
Speaker 1: Which is which is okay? But when you get don't

1509
01:25:45,439 --> 01:25:47,920
Speaker 1: act like it's just the dad because you you're you're corny.

1510
01:25:48,360 --> 01:25:51,880
Speaker 1: You ship look like cardboard, like like you know, a

1511
01:25:51,960 --> 01:25:54,839
Speaker 1: wet piece of cardboard. Who do you look like wet cardboard?

1512
01:25:54,840 --> 01:25:58,200
Speaker 1: It's not that thick comfortable ship. Well they're just starting

1513
01:25:58,240 --> 01:26:01,000
Speaker 1: out wrap. They're not champion I they're so great. He

1514
01:26:01,080 --> 01:26:03,400
Speaker 1: talks all this ship. You gotta do what you gotta

1515
01:26:03,479 --> 01:26:06,760
Speaker 1: sell it, like come on, okay, but you gotta have

1516
01:26:06,800 --> 01:26:11,720
Speaker 1: a good product. You would never come out rocking your

1517
01:26:11,800 --> 01:26:14,240
Speaker 1: face over the Snoop Dog record. You would never come

1518
01:26:14,280 --> 01:26:17,080
Speaker 1: out rocking your face over a scar face record. Magine

1519
01:26:17,200 --> 01:26:19,599
Speaker 1: rock with the ghetto boys and you you take out

1520
01:26:20,160 --> 01:26:24,080
Speaker 1: uh bush Wick bill on the stretcher and you put

1521
01:26:24,120 --> 01:26:26,639
Speaker 1: your face. You would never put your what what makes

1522
01:26:26,680 --> 01:26:31,680
Speaker 1: you think putting your face over noous is dope? And

1523
01:26:32,160 --> 01:26:34,720
Speaker 1: it's not like he's doing it as a wholemage. You

1524
01:26:34,800 --> 01:26:36,760
Speaker 1: already said he's irrelevant. It's not like he's like, I

1525
01:26:36,880 --> 01:26:39,960
Speaker 1: love this record so much, it's honor shout out to

1526
01:26:40,080 --> 01:26:42,880
Speaker 1: Mr Morris because he put my like seven year old

1527
01:26:42,920 --> 01:26:45,360
Speaker 1: picture over the ill Manothy. But I'm doing it out

1528
01:26:45,400 --> 01:26:50,240
Speaker 1: of respect. I see your point. That's you said it's irrelevant,

1529
01:26:50,280 --> 01:26:55,880
Speaker 1: and you fuck you cornball. Fuck you see the point.

1530
01:26:56,680 --> 01:26:58,600
Speaker 1: So I went on a rant for those of you

1531
01:26:58,760 --> 01:27:02,519
Speaker 1: don't know later rant males. So Alonso Ball. Everybody's like,

1532
01:27:02,600 --> 01:27:04,840
Speaker 1: he's a nice kid, he's quiet, he doesn't say much.

1533
01:27:05,040 --> 01:27:07,000
Speaker 1: His father does all the talking. Well, you know what

1534
01:27:07,120 --> 01:27:10,800
Speaker 1: they say, it's the quiet ones he can't trust. Showed

1535
01:27:10,840 --> 01:27:13,800
Speaker 1: him to Madison Square Garden wearing a hoodie with your

1536
01:27:13,880 --> 01:27:16,679
Speaker 1: face on it, with that fucked up, weird blank looking

1537
01:27:16,800 --> 01:27:21,800
Speaker 1: stare superimposed over nazis illmatic ced Well in New York

1538
01:27:22,080 --> 01:27:25,840
Speaker 1: we call that big ball of brand abiding. Alonso is

1539
01:27:25,880 --> 01:27:28,360
Speaker 1: so fucking lucky. It isn't the days of the late

1540
01:27:28,439 --> 01:27:31,200
Speaker 1: great Anthony Mason and Charles Oakley. They would have had

1541
01:27:31,240 --> 01:27:33,960
Speaker 1: you walking out of Madison square garden. Tonight wrapped up

1542
01:27:34,120 --> 01:27:37,240
Speaker 1: and swaddled in a big ball of brand baby blanket.

1543
01:27:37,600 --> 01:27:40,400
Speaker 1: The other two kids, Land delete whatever the fund his

1544
01:27:40,479 --> 01:27:44,360
Speaker 1: name is, Land and LaMelo are going to Lithuania to

1545
01:27:44,479 --> 01:27:46,400
Speaker 1: play in a pro league over there. I just hope

1546
01:27:46,439 --> 01:27:49,519
Speaker 1: you two motherfucker's check out the shoplifting lords before you

1547
01:27:49,640 --> 01:27:52,640
Speaker 1: hit the town stop with the bootleg sweatshirts, and come

1548
01:27:52,720 --> 01:27:55,120
Speaker 1: up with something that you guys could actually benefit from.

1549
01:27:55,439 --> 01:27:58,200
Speaker 1: Come up with some big ball of brand braces. Because

1550
01:27:58,240 --> 01:28:01,280
Speaker 1: the whole family's teeth sucked up. I told him I

1551
01:28:01,320 --> 01:28:03,559
Speaker 1: need big ball of braces and all that flash shit.

1552
01:28:04,920 --> 01:28:08,120
Speaker 1: And the third son, who's sixteen. Now I have a

1553
01:28:08,200 --> 01:28:11,200
Speaker 1: seventeen and a fifteen year old son. The third son

1554
01:28:12,240 --> 01:28:17,800
Speaker 1: got winded at rant and said on Twitter looking up

1555
01:28:17,880 --> 01:28:23,439
Speaker 1: LaMelo Ball said you ugly, don't let me start cooking.

1556
01:28:24,920 --> 01:28:28,719
Speaker 1: I'm like, oh ship. Now. People were like, you're wrapping.

1557
01:28:28,920 --> 01:28:31,120
Speaker 1: You gotta get him, and I'm like, yo, even though

1558
01:28:31,160 --> 01:28:33,519
Speaker 1: it's big Bowler brand, and even though he talks. First

1559
01:28:33,520 --> 01:28:36,360
Speaker 1: of all, the first rules of talking ship that I

1560
01:28:36,439 --> 01:28:38,280
Speaker 1: abide by is if you're gonna talk ship, you have

1561
01:28:38,439 --> 01:28:40,600
Speaker 1: to be able to get it to take it. That

1562
01:28:40,680 --> 01:28:45,960
Speaker 1: ain't nothing, that's all good. But he is sixteen. So

1563
01:28:46,120 --> 01:28:48,320
Speaker 1: I said, I can't. I can't talk about a six

1564
01:28:48,320 --> 01:28:51,160
Speaker 1: seen year old that. But if I was gonna snap

1565
01:28:51,240 --> 01:28:54,040
Speaker 1: on him, I'm not gonna snap on him. But if

1566
01:28:54,080 --> 01:28:56,799
Speaker 1: I was gonna snap on this wolf boy looking motherfucker,

1567
01:28:57,760 --> 01:29:00,880
Speaker 1: I'm not doing I'm not snapping. If if I was

1568
01:29:00,920 --> 01:29:05,720
Speaker 1: gonna snap on him and it's big jumbo teeth, I'm

1569
01:29:05,760 --> 01:29:08,200
Speaker 1: not doing it. If I was gonna snap on the

1570
01:29:08,240 --> 01:29:11,519
Speaker 1: fact that he looks like motherfucker squid word and the

1571
01:29:11,640 --> 01:29:16,800
Speaker 1: fact that he looks like motherfucker teen wolf, Okay, I

1572
01:29:16,880 --> 01:29:18,880
Speaker 1: would go in on him, but I'm not. I'm not

1573
01:29:18,960 --> 01:29:22,400
Speaker 1: gonna do it. I'm not gonna snap. I'm not I'm

1574
01:29:22,439 --> 01:29:26,000
Speaker 1: not snapping on it. That's why I said I didn't

1575
01:29:26,000 --> 01:29:30,840
Speaker 1: respond infeshionable ball player in Lithuania. It doesn't matter. What's

1576
01:29:30,840 --> 01:29:34,519
Speaker 1: that mother name, shrunis Marcelonas whatever that name. We'll see

1577
01:29:34,560 --> 01:29:38,439
Speaker 1: if Lithuania got some ship man, we're gonna see, We're

1578
01:29:38,439 --> 01:29:41,280
Speaker 1: gonna see. He's sixteen out I know, I know they

1579
01:29:41,360 --> 01:29:44,320
Speaker 1: got some ship We're gonna see what you got. So

1580
01:29:44,800 --> 01:29:48,680
Speaker 1: my general response to LaMelo Balls, I'm not gonna say

1581
01:29:48,680 --> 01:29:51,360
Speaker 1: anything about your fucked up hair. I'm not gonna say

1582
01:29:51,400 --> 01:29:53,720
Speaker 1: anything that you bleat your tips. I'm not gonna say

1583
01:29:53,760 --> 01:29:57,760
Speaker 1: anything about any of that ship. But just no, I'm

1584
01:29:57,840 --> 01:30:02,200
Speaker 1: a professional with this ship. You're sick team when you're

1585
01:30:02,240 --> 01:30:04,200
Speaker 1: over it, when you're over eighteen, if you want to

1586
01:30:04,280 --> 01:30:07,320
Speaker 1: come get it, if you want to come get it.

1587
01:30:07,640 --> 01:30:11,360
Speaker 1: I grew up snapping in the streets of Brownsville, Harlem,

1588
01:30:12,120 --> 01:30:16,320
Speaker 1: New York, on the streets. That was my defense mechanism.

1589
01:30:16,920 --> 01:30:20,360
Speaker 1: That's how I keep motherfucker's off me. This is snapping

1590
01:30:21,600 --> 01:30:24,439
Speaker 1: if if, if it. When you're above age and you

1591
01:30:24,520 --> 01:30:27,800
Speaker 1: want to come get it, go ahead. Yeah you said

1592
01:30:27,800 --> 01:30:30,519
Speaker 1: you want to cook, wait till two more years. But

1593
01:30:30,600 --> 01:30:33,240
Speaker 1: I'm not doing that now. I'm just saying, like, I

1594
01:30:33,400 --> 01:30:35,719
Speaker 1: just hope for his own take, Like if he comes

1595
01:30:35,760 --> 01:30:39,759
Speaker 1: to me, I'm I'm gonna focus on those choppers first, Okay.

1596
01:30:39,840 --> 01:30:44,240
Speaker 1: I'm just saying that I'm not not not I'm not okay.

1597
01:30:46,560 --> 01:30:49,560
Speaker 1: A couple of nights later, a Lonzo ball in the

1598
01:30:49,640 --> 01:30:55,120
Speaker 1: Los Angeles Lakers went to Cleveland. They lost, Lebron they won.

1599
01:30:56,280 --> 01:30:59,320
Speaker 1: After the game, this is all over the news. Lebron

1600
01:30:59,479 --> 01:31:00,880
Speaker 1: came over to him and they were having like a

1601
01:31:00,960 --> 01:31:04,000
Speaker 1: conversation like putting their jerseys in front of their mouths.

1602
01:31:05,800 --> 01:31:08,240
Speaker 1: It was a scrutinized and then I started thinking, you

1603
01:31:08,280 --> 01:31:10,920
Speaker 1: know what because afterwards they asked Lebron what he said.

1604
01:31:11,439 --> 01:31:15,520
Speaker 1: They asked Alneso what he said, like what was the conversation?

1605
01:31:15,600 --> 01:31:17,280
Speaker 1: And I said, you know what, They gotta let these

1606
01:31:17,360 --> 01:31:22,559
Speaker 1: guys live like we leave him be man like this one.

1607
01:31:24,080 --> 01:31:29,679
Speaker 1: Lebron is giving him messages. Right, Colby gave to Lebron,

1608
01:31:30,000 --> 01:31:33,160
Speaker 1: this is part of the pecking order of the NBA.

1609
01:31:33,640 --> 01:31:36,920
Speaker 1: Lebron cares about this kid. He's he's ushering the new

1610
01:31:37,080 --> 01:31:39,439
Speaker 1: fucking league. They don't need to tell you everything that

1611
01:31:39,520 --> 01:31:42,719
Speaker 1: they don't do everything. You just gotta fucking gripe about

1612
01:31:42,760 --> 01:31:45,400
Speaker 1: this fun no always agreeing with you. I was like, no,

1613
01:31:45,479 --> 01:31:47,519
Speaker 1: I was agreeing with what you're saying. Because they spent

1614
01:31:47,600 --> 01:31:51,160
Speaker 1: the whole next day what did he say to him?

1615
01:31:51,240 --> 01:31:52,680
Speaker 1: What did he say to them? Like, yo, mind your

1616
01:31:52,720 --> 01:31:56,479
Speaker 1: fucking business and and and you know, the craziest thing

1617
01:31:56,520 --> 01:31:59,360
Speaker 1: about the media now is like in the eighties, I

1618
01:31:59,400 --> 01:32:02,040
Speaker 1: would love access to Magic and Isaiah and all them

1619
01:32:02,080 --> 01:32:06,320
Speaker 1: backstage like we never saw any But now because the Instagram,

1620
01:32:06,520 --> 01:32:10,680
Speaker 1: social media, NBA is NBA that like, not only do

1621
01:32:10,800 --> 01:32:13,800
Speaker 1: they do the press conferences, but it's as soon as

1622
01:32:13,840 --> 01:32:18,639
Speaker 1: it happens, it's online. So you know what Joel Embiad

1623
01:32:18,680 --> 01:32:21,840
Speaker 1: said to Carmelo. You know what Joel embiats at the

1624
01:32:21,880 --> 01:32:25,120
Speaker 1: Russell what Russell said back? So when these dudes, because

1625
01:32:25,560 --> 01:32:27,439
Speaker 1: the next day this is just a general about them.

1626
01:32:27,479 --> 01:32:30,160
Speaker 1: I wasn't even talking about those guys. The next day,

1627
01:32:30,400 --> 01:32:33,200
Speaker 1: Russell Westbrook and Joel Embiad in the seventies sixers got

1628
01:32:33,240 --> 01:32:36,320
Speaker 1: into it, and then some of some reporter was like, well,

1629
01:32:36,400 --> 01:32:38,720
Speaker 1: Russell Westbrook was rude. Afterwards, I was like, yo, if

1630
01:32:38,800 --> 01:32:40,960
Speaker 1: if I'm Russell Westbrook and I play my ass off,

1631
01:32:41,000 --> 01:32:43,080
Speaker 1: I don't want to talk to your wet ass after

1632
01:32:43,160 --> 01:32:47,360
Speaker 1: the game. Yeah, right directly after the game. And if

1633
01:32:47,400 --> 01:32:49,479
Speaker 1: if some games I'm tired, I don't want to talk,

1634
01:32:50,560 --> 01:32:52,960
Speaker 1: so be it. This guy was like, he needs to

1635
01:32:53,000 --> 01:32:55,200
Speaker 1: act like an m VP. How does an MVP act?

1636
01:32:57,200 --> 01:33:00,200
Speaker 1: Larry Bird was never good with the media. He ever

1637
01:33:00,320 --> 01:33:02,639
Speaker 1: gave a ship about the media. He never gave quote.

1638
01:33:02,920 --> 01:33:05,479
Speaker 1: He was not Magic Johnson, he was not Isaiah Town.

1639
01:33:05,680 --> 01:33:08,800
Speaker 1: He had his own persona. He wasn't friendly with the media.

1640
01:33:09,680 --> 01:33:12,479
Speaker 1: Oh what, and like we said before Bill Belichick is

1641
01:33:12,520 --> 01:33:17,880
Speaker 1: the worst, but that he's so lovable. See that's that ship.

1642
01:33:18,080 --> 01:33:22,000
Speaker 1: That's what we're talking about. That's what we're fucking talking about.

1643
01:33:22,160 --> 01:33:24,719
Speaker 1: But specifically about these guys. If I had a camera,

1644
01:33:24,840 --> 01:33:27,400
Speaker 1: like it's like literally literally if you played professional sports,

1645
01:33:27,479 --> 01:33:31,799
Speaker 1: now you're like in seven reality show all this Alonzo

1646
01:33:31,960 --> 01:33:35,679
Speaker 1: Ball hysteria ship. And there's one thing that really kind

1647
01:33:35,720 --> 01:33:39,760
Speaker 1: of jumped out at me. H Charles Barkley said that

1648
01:33:40,400 --> 01:33:44,040
Speaker 1: LaVar Ball is a bad dad. Did he say that?

1649
01:33:44,360 --> 01:33:46,840
Speaker 1: He said that and on on air, like you know,

1650
01:33:46,960 --> 01:33:49,680
Speaker 1: he thinks he's exploiting his kids or whatever. But you

1651
01:33:49,880 --> 01:33:54,639
Speaker 1: can't call this man a bad father. He raised these kids.

1652
01:33:54,760 --> 01:33:56,880
Speaker 1: He was in their lives and maybe he's a little

1653
01:33:56,920 --> 01:34:00,400
Speaker 1: boisterous and they maybe rubs people the wrong way, but

1654
01:34:00,560 --> 01:34:04,040
Speaker 1: you cannot say he's a bad dad. He's in their lives.

1655
01:34:04,720 --> 01:34:07,400
Speaker 1: And so many times we see the black players, the

1656
01:34:07,439 --> 01:34:10,760
Speaker 1: black Americans, is always the mom there and everything and

1657
01:34:10,960 --> 01:34:13,400
Speaker 1: and and and he's you know, you don't see the

1658
01:34:13,760 --> 01:34:17,960
Speaker 1: father because you know whatever. But to call him a

1659
01:34:18,160 --> 01:34:23,479
Speaker 1: bad dad, I agree, is terrible because this is coming

1660
01:34:23,520 --> 01:34:26,920
Speaker 1: from a guy who has admitted, who has told my

1661
01:34:27,080 --> 01:34:30,519
Speaker 1: father was never in my life. So who how would

1662
01:34:30,560 --> 01:34:35,320
Speaker 1: you know? Because you've never experienced the love of a father,

1663
01:34:36,040 --> 01:34:39,200
Speaker 1: So how would you be a judge of a guy

1664
01:34:39,320 --> 01:34:44,360
Speaker 1: who's been vested in his own children's lives. Yes, for

1665
01:34:44,560 --> 01:34:47,240
Speaker 1: I totally agree, But listen, my ship with the LaVar

1666
01:34:47,400 --> 01:34:50,720
Speaker 1: ball the majority of his tongue in cheek. I think

1667
01:34:50,760 --> 01:34:53,759
Speaker 1: he's fucking his obnoxious is fun and all that stuff,

1668
01:34:53,800 --> 01:34:56,040
Speaker 1: but you know his intentions are good and whatever's gonna

1669
01:34:56,080 --> 01:34:59,880
Speaker 1: happen is gonna happen. He raised three kids, their upstanding kids,

1670
01:35:00,520 --> 01:35:03,160
Speaker 1: um and all that ship because people take the ship

1671
01:35:03,280 --> 01:35:07,840
Speaker 1: talking the wrong way. So I listened, rather have an obnoxious,

1672
01:35:08,640 --> 01:35:12,080
Speaker 1: over the top dad that no dad and Scotty Brooks

1673
01:35:12,160 --> 01:35:13,920
Speaker 1: and I think Danny Angel was like, Yeo, I wish

1674
01:35:14,000 --> 01:35:16,760
Speaker 1: my father was in in my life like that when

1675
01:35:16,800 --> 01:35:19,560
Speaker 1: I was growing up, going to all my games, just

1676
01:35:19,840 --> 01:35:22,960
Speaker 1: uh singing my praises. Even even if it ain't true

1677
01:35:23,280 --> 01:35:26,240
Speaker 1: he can't bust step fast, but your pops giving you

1678
01:35:26,360 --> 01:35:29,600
Speaker 1: that confidence, you know what I'm saying, That's what motherfucker's

1679
01:35:29,640 --> 01:35:32,880
Speaker 1: there for to to kind of bolster you. And even

1680
01:35:32,960 --> 01:35:35,360
Speaker 1: if you think you can't bust st that fast, my

1681
01:35:35,560 --> 01:35:39,000
Speaker 1: pops is saying I could do it. Um. Speaking of

1682
01:35:39,200 --> 01:35:44,920
Speaker 1: busting people's asses. Um. Kelly Hubre Washington Wizards, who I like,

1683
01:35:45,520 --> 01:35:49,000
Speaker 1: met him in the summertime, funk with him, actually coached

1684
01:35:49,040 --> 01:35:54,200
Speaker 1: him Um in a under Armour sneaker Elite All Star

1685
01:35:54,320 --> 01:35:56,439
Speaker 1: game he was in high school. Might have been the

1686
01:35:56,439 --> 01:35:57,840
Speaker 1: reason why he went over the top made it to

1687
01:35:57,880 --> 01:36:03,479
Speaker 1: the pros. He came out wearing a Supreme uh knee

1688
01:36:03,560 --> 01:36:06,920
Speaker 1: sleeve and then and then at halftime they told him

1689
01:36:06,920 --> 01:36:09,120
Speaker 1: take that ship off because you can't just wear anything

1690
01:36:09,200 --> 01:36:12,400
Speaker 1: you want it. NBA gear asked to be sanctioned and

1691
01:36:12,520 --> 01:36:16,880
Speaker 1: suart of it. It's like you can't wear Gucci, fucking

1692
01:36:17,439 --> 01:36:19,880
Speaker 1: your own your own big ball or whatever it is.

1693
01:36:20,880 --> 01:36:24,160
Speaker 1: You can't wear like under armour. Uh these season, I

1694
01:36:24,200 --> 01:36:27,559
Speaker 1: think it's Nike now. So so they told him take

1695
01:36:27,640 --> 01:36:30,080
Speaker 1: that ship off at halftime. He did. He said that

1696
01:36:30,160 --> 01:36:33,320
Speaker 1: he thought that the Supreme nice sleeve was two wavy.

1697
01:36:33,800 --> 01:36:36,120
Speaker 1: And then two nights later, J R. Smith of the

1698
01:36:36,160 --> 01:36:40,080
Speaker 1: Cleveland Cavaliers he came out and rocked a Supreme brand

1699
01:36:40,920 --> 01:36:42,960
Speaker 1: arms sleeve and I think he rocked it the whole

1700
01:36:43,080 --> 01:36:46,840
Speaker 1: day probably, Uh did you know, got fined and all

1701
01:36:46,880 --> 01:36:50,400
Speaker 1: that stuff. But that brings me to the fact that listen,

1702
01:36:50,600 --> 01:36:53,559
Speaker 1: Supreme do your thing, get you get your money. Great brand.

1703
01:36:53,640 --> 01:36:55,960
Speaker 1: People seem to like it. But the Iron Rapp reports

1704
01:36:55,960 --> 01:37:01,400
Speaker 1: Stereo podcast has the Sucker Ship T shirt, which is

1705
01:37:01,479 --> 01:37:03,800
Speaker 1: inspired by the Supreme when I actually the sucker Ship

1706
01:37:03,880 --> 01:37:06,439
Speaker 1: one is better. Of course, shout out to Greek George

1707
01:37:06,920 --> 01:37:09,840
Speaker 1: Um and you could get all iron Wrapp reports Stereo

1708
01:37:09,960 --> 01:37:14,560
Speaker 1: Podcast T shirts, including the Sucker Ship, which was inspired

1709
01:37:16,439 --> 01:37:18,360
Speaker 1: because I don't know why people go crazy for this

1710
01:37:18,479 --> 01:37:20,840
Speaker 1: Supreme Ship. Ye know, I've seen lines around the block

1711
01:37:20,920 --> 01:37:23,519
Speaker 1: like motherfucker's gonna see James Brown, I think Apollo at

1712
01:37:23,560 --> 01:37:27,400
Speaker 1: sixty two. I see lines around that block for two

1713
01:37:27,479 --> 01:37:31,880
Speaker 1: hundred dollars T shirts that are not butter soft. I'm

1714
01:37:32,360 --> 01:37:38,280
Speaker 1: imagine two hundred tons T shirts. Imagine a two hundred

1715
01:37:38,320 --> 01:37:40,960
Speaker 1: dollar T shirt that's not even butter soft. You know

1716
01:37:41,040 --> 01:37:44,679
Speaker 1: we can't hate on Supreme. Well, I'm not any because

1717
01:37:44,960 --> 01:37:47,240
Speaker 1: if you could get motherfucker's to buy a two hundred

1718
01:37:47,280 --> 01:37:50,599
Speaker 1: dollars T shirt, you're a badass company man. But if

1719
01:37:50,680 --> 01:37:53,240
Speaker 1: you don't want a Supreme shirt and you want to

1720
01:37:53,400 --> 01:37:56,639
Speaker 1: suck a Ship T shirt, come our way. You could

1721
01:37:56,640 --> 01:37:59,879
Speaker 1: get all Iron Wrapp reports Stereo podcast t shirts, including

1722
01:38:00,439 --> 01:38:04,040
Speaker 1: the Sucker SHP T shirt that is sweeping the nation

1723
01:38:04,120 --> 01:38:09,280
Speaker 1: at store dot barstool sports dot com. Butter Soft. You

1724
01:38:09,360 --> 01:38:12,640
Speaker 1: can get to you Fuck You T shirt, the uh

1725
01:38:12,880 --> 01:38:15,320
Speaker 1: the Iron Rapport American Flag T shirt, and of course

1726
01:38:15,360 --> 01:38:18,920
Speaker 1: the Gringo Man Dingo T shirt. But you could absolutely

1727
01:38:19,040 --> 01:38:22,840
Speaker 1: get the Sucker Ship T shirt at store dot barstool

1728
01:38:22,880 --> 01:38:26,800
Speaker 1: sports dot com. All butter Soft. They don't shrink. The

1729
01:38:26,920 --> 01:38:29,720
Speaker 1: more you wash it, the softer it gets. And we're

1730
01:38:29,760 --> 01:38:32,040
Speaker 1: out there. They have lines for us to We're out there,

1731
01:38:32,120 --> 01:38:34,800
Speaker 1: we meet the people. Yeah, we're not like Supreme. We

1732
01:38:34,920 --> 01:38:37,160
Speaker 1: just doing our things. But but but if you want

1733
01:38:37,200 --> 01:38:39,920
Speaker 1: to sucker SHP T shirt that looks just like the

1734
01:38:40,000 --> 01:38:43,320
Speaker 1: Supreme shirt, shout out to the people from Supreme, go

1735
01:38:43,439 --> 01:38:47,800
Speaker 1: to store dot barstool sports dot com. All right, it

1736
01:38:47,960 --> 01:38:52,240
Speaker 1: is now time for the world famous I Am Rapp

1737
01:38:52,240 --> 01:38:57,559
Speaker 1: reports Sick Fuck of the Week. Second, this award is earned,

1738
01:38:57,800 --> 01:39:01,639
Speaker 1: not given. It's called the fucking a Week. This guy

1739
01:39:01,760 --> 01:39:04,720
Speaker 1: is really sick. Lock him up? How could you do it?

1740
01:39:04,880 --> 01:39:08,760
Speaker 1: Don't let him out? Damn? Who fucked the door? You

1741
01:39:08,840 --> 01:39:11,599
Speaker 1: want to fuck the door? Why would you fuck the dog?

1742
01:39:12,280 --> 01:39:16,160
Speaker 1: Why would you fuck your girlfriend's dog, what sick fuck

1743
01:39:16,320 --> 01:39:20,080
Speaker 1: the sick funck of the week. It's earned earned, not

1744
01:39:20,320 --> 01:39:30,920
Speaker 1: kiving you didn't what? No, no, no, yes, yes, it

1745
01:39:31,120 --> 01:39:36,360
Speaker 1: is the sick fuck of the week segment. So I'm

1746
01:39:36,400 --> 01:39:38,519
Speaker 1: a Rosa. I can't even pronounce her last name. I'm

1747
01:39:38,560 --> 01:39:41,559
Speaker 1: a Rosa was kicked out of the White House. Um.

1748
01:39:41,760 --> 01:39:44,360
Speaker 1: Some people said she was fired. She said she quit.

1749
01:39:45,080 --> 01:39:48,280
Speaker 1: She was kicking and dragging. Security needed to be called in.

1750
01:39:50,240 --> 01:39:53,600
Speaker 1: She is now a woman on an island to herself,

1751
01:39:54,640 --> 01:39:57,680
Speaker 1: I'm a Rosa. You are a sick fucker for being

1752
01:39:57,800 --> 01:40:00,760
Speaker 1: the only African American woman in the White House in

1753
01:40:00,800 --> 01:40:04,840
Speaker 1: the first place. Yo. They don't funk with you. They

1754
01:40:04,880 --> 01:40:08,360
Speaker 1: don't like you. Now she's saying, oh, now she's black.

1755
01:40:08,439 --> 01:40:11,920
Speaker 1: Now now she's really black, right you see, yes, yes,

1756
01:40:12,080 --> 01:40:13,920
Speaker 1: you see. I read a little piece of that, and

1757
01:40:13,960 --> 01:40:19,439
Speaker 1: I was like, man, what did you think? What? What like? Like?

1758
01:40:19,720 --> 01:40:23,400
Speaker 1: What did you think eventually was gonna happen? They probably

1759
01:40:23,479 --> 01:40:27,200
Speaker 1: was like, what are you doing in the rose garden?

1760
01:40:28,320 --> 01:40:30,120
Speaker 1: What the funk are you doing here? We we went

1761
01:40:30,240 --> 01:40:33,280
Speaker 1: out of our way to make sure there's no other

1762
01:40:33,400 --> 01:40:36,600
Speaker 1: black woman ever in the rose garden? What are you

1763
01:40:36,800 --> 01:40:40,720
Speaker 1: doing here? We were reversing everything Obama's done, and you

1764
01:40:40,920 --> 01:40:45,639
Speaker 1: represent that dumb ship that we won. We beat Hillary

1765
01:40:45,800 --> 01:40:50,680
Speaker 1: Clinton won a figurehead on a rossa and now you

1766
01:40:50,800 --> 01:40:54,160
Speaker 1: got nowhere to go. You got no where to go.

1767
01:40:54,800 --> 01:40:57,160
Speaker 1: And like my man said, this is one of there

1768
01:40:57,360 --> 01:41:04,800
Speaker 1: is no pension plan for cooning. Um, this is another

1769
01:41:04,880 --> 01:41:06,880
Speaker 1: sick funck. We actually gave him the sick Funk of

1770
01:41:06,920 --> 01:41:11,000
Speaker 1: the Week award in the past. Um, and I wanted

1771
01:41:11,000 --> 01:41:12,679
Speaker 1: to give him a shout out. And I also wanted

1772
01:41:12,720 --> 01:41:17,160
Speaker 1: to bring in that wonder bread bag who and Olive

1773
01:41:17,200 --> 01:41:20,439
Speaker 1: oil theme music, which is a sub theme song of

1774
01:41:20,560 --> 01:41:23,960
Speaker 1: the sick fuck of the Week segment. Let me get

1775
01:41:24,000 --> 01:41:35,759
Speaker 1: the miles. So remember the Indiana fertility doctor who used

1776
01:41:36,000 --> 01:41:39,960
Speaker 1: his own sperm on dozens of patients without their consent.

1777
01:41:41,840 --> 01:41:47,240
Speaker 1: Remember him, doctor Donald Klein. He was accused of fathering

1778
01:41:47,360 --> 01:41:53,160
Speaker 1: at least eight children with different different women, unbeknownst to them. Somehow,

1779
01:41:53,920 --> 01:42:00,479
Speaker 1: some way, this fucking sick fuck avoided j eld time.

1780
01:42:02,520 --> 01:42:05,080
Speaker 1: I don't know how he did it. Of course, you

1781
01:42:05,280 --> 01:42:08,920
Speaker 1: impregnated women with your own sperm when they were there

1782
01:42:09,000 --> 01:42:16,040
Speaker 1: to get fertilities. Oh oh, he's so imagine your wife,

1783
01:42:17,439 --> 01:42:20,200
Speaker 1: you can't get her pregnant and they're they're working with you,

1784
01:42:20,600 --> 01:42:23,719
Speaker 1: or maybe they're gonna use a sperm donor this sick

1785
01:42:23,880 --> 01:42:27,920
Speaker 1: fuck the doctor was using his own sperm. He's got

1786
01:42:28,080 --> 01:42:34,360
Speaker 1: eight children with women, patients, his own patients. Damn somehow,

1787
01:42:34,520 --> 01:42:38,880
Speaker 1: some way, no jail to jail. This is what we mean.

1788
01:42:39,000 --> 01:42:42,000
Speaker 1: This is why people don't respect this ship. This guy

1789
01:42:42,240 --> 01:42:44,800
Speaker 1: is a sick How you go? How don't now he's

1790
01:42:44,800 --> 01:42:46,800
Speaker 1: not in jail getting that wonder bread bag and olive

1791
01:42:46,840 --> 01:42:49,400
Speaker 1: oil treatment. That's why I asked for the wonder bread

1792
01:42:49,439 --> 01:42:52,160
Speaker 1: bag and I have all olive oil theme music. I

1793
01:42:52,240 --> 01:42:56,240
Speaker 1: don't get it. How like, how how do you justify

1794
01:42:56,439 --> 01:42:59,800
Speaker 1: him not being incarcerated for something a year or two

1795
01:43:00,160 --> 01:43:03,800
Speaker 1: or something. This is what we mean. I think that

1796
01:43:04,000 --> 01:43:06,360
Speaker 1: Roy Moore and your wife, you need to get this

1797
01:43:06,520 --> 01:43:10,120
Speaker 1: fucking guy's lawyer because this That lawyer is good. That's

1798
01:43:10,160 --> 01:43:12,519
Speaker 1: the jew lawyers man. They'll get you out of some ship.

1799
01:43:13,040 --> 01:43:16,840
Speaker 1: See Weinstein cooling in Arizona with a wig on. Every

1800
01:43:16,880 --> 01:43:20,799
Speaker 1: single week more stuff comes out about Harvey Weinstein. Russell Simmons,

1801
01:43:20,880 --> 01:43:25,000
Speaker 1: get ready, be get ready for that. You gotta watch

1802
01:43:25,040 --> 01:43:27,040
Speaker 1: what you say to people. You gotta talk to my

1803
01:43:27,600 --> 01:43:30,479
Speaker 1: cute cards now you know it rap you and the

1804
01:43:30,560 --> 01:43:33,519
Speaker 1: acting ship you, especially on set, you'd be a mute

1805
01:43:33,840 --> 01:43:36,960
Speaker 1: motherfucker's talk to you. But Yo, I'm scared even like

1806
01:43:37,080 --> 01:43:38,840
Speaker 1: the music you play. Let's say you're in the makeup

1807
01:43:38,880 --> 01:43:41,960
Speaker 1: trailer and you're playing like Snoop Dog. I just want

1808
01:43:42,000 --> 01:43:46,960
Speaker 1: to fuck dog one of those songs, and and you're

1809
01:43:46,960 --> 01:43:49,559
Speaker 1: in there dancing and they hear it within the earshot

1810
01:43:49,800 --> 01:43:51,600
Speaker 1: like this is all I'm thinking next time I go

1811
01:43:51,720 --> 01:43:53,960
Speaker 1: on set, like you gotta watch like you could be

1812
01:43:54,000 --> 01:43:57,120
Speaker 1: playing someth like you know, some down South, like booty popping,

1813
01:43:57,240 --> 01:44:01,439
Speaker 1: like Luke Shit, Luke shit that do do Brown? You

1814
01:44:01,560 --> 01:44:06,080
Speaker 1: go to jail for down Who knows? Final six Funk

1815
01:44:06,120 --> 01:44:11,439
Speaker 1: of the Week. These guys are really sick. Fox Two

1816
01:44:11,560 --> 01:44:15,479
Speaker 1: tourists who were on vacation in Chicago for some fucking

1817
01:44:15,640 --> 01:44:19,360
Speaker 1: reason I can't even pronounce. The last name is Meger

1818
01:44:19,439 --> 01:44:22,559
Speaker 1: and the other one is Ryan rise Guard. There are

1819
01:44:22,560 --> 01:44:25,360
Speaker 1: a couple they did. They did what they thought was

1820
01:44:25,560 --> 01:44:29,320
Speaker 1: a birthday prank. They're from Minnesota. They told the police

1821
01:44:29,360 --> 01:44:32,120
Speaker 1: that they had they had been robbed by three men

1822
01:44:32,200 --> 01:44:35,720
Speaker 1: at knife point, stealing her twelve thousand dollar engagement ring,

1823
01:44:36,280 --> 01:44:39,760
Speaker 1: three thousand dollar Louis phaton suitcase and all sorts of

1824
01:44:39,760 --> 01:44:44,280
Speaker 1: other ship. They said that they were on a North

1825
01:44:45,080 --> 01:44:48,040
Speaker 1: bus and they were robbed and all this other ship.

1826
01:44:49,120 --> 01:44:52,560
Speaker 1: They said that their attackers looked like quote unquote a

1827
01:44:52,680 --> 01:44:57,559
Speaker 1: milk dud or a fat Albert type of person. They

1828
01:44:57,600 --> 01:45:00,840
Speaker 1: smelled like marijuana. They said it was black dude that

1829
01:45:00,960 --> 01:45:03,840
Speaker 1: looked like fat Albert and a milk dud. Well, it

1830
01:45:03,960 --> 01:45:08,080
Speaker 1: turns out the whole thing was made up. They admitted

1831
01:45:08,640 --> 01:45:12,320
Speaker 1: they didn't even get robbed. I told you now, this

1832
01:45:12,840 --> 01:45:18,840
Speaker 1: is why, this is why these false accusations. I'm defensive

1833
01:45:18,920 --> 01:45:21,479
Speaker 1: of it, and this is why I've said it once

1834
01:45:21,560 --> 01:45:27,360
Speaker 1: and I've said it again. Don't support sexual harassment, don't

1835
01:45:27,360 --> 01:45:33,559
Speaker 1: support unsubstantiated claims rape, robbery or any of that. Ship.

1836
01:45:34,280 --> 01:45:36,920
Speaker 1: But you see, I mean, that's that's that's terrible. But

1837
01:45:38,520 --> 01:45:42,679
Speaker 1: they know it's like it's like, yo, okay, that's terrible.

1838
01:45:42,800 --> 01:45:46,400
Speaker 1: That that's just terrible. And it's never always this short

1839
01:45:46,520 --> 01:45:49,880
Speaker 1: Jewish guy, uh, and it's two other Jewish friends. It's

1840
01:45:49,880 --> 01:45:52,880
Speaker 1: always always three black guys, one of them that look

1841
01:45:52,920 --> 01:45:55,360
Speaker 1: like fat Albert and the other hand they smell like marily.

1842
01:45:55,520 --> 01:46:02,120
Speaker 1: Because they know how society views black people. So it's

1843
01:46:02,160 --> 01:46:06,560
Speaker 1: like cheating. Basically, it's like, Yo, whatever happens if you

1844
01:46:06,720 --> 01:46:09,840
Speaker 1: if you caught dead to rights, you could get out

1845
01:46:09,920 --> 01:46:13,960
Speaker 1: of it if you blame. It's like a racial pecking order,

1846
01:46:14,080 --> 01:46:18,200
Speaker 1: black people at the bottom, So I'm gonna blame them, right,

1847
01:46:18,280 --> 01:46:21,720
Speaker 1: So it's like it's like the cliff notes. Yeah, it's

1848
01:46:21,720 --> 01:46:23,920
Speaker 1: like the short Furst. Like, it's like the shortcut. It

1849
01:46:23,960 --> 01:46:26,519
Speaker 1: will get the heat of if you immediately until they

1850
01:46:26,640 --> 01:46:31,160
Speaker 1: investigate and find out. But he especially a white girl

1851
01:46:31,200 --> 01:46:35,360
Speaker 1: and a white guy Minnesota Tours. Yo. I want to

1852
01:46:35,400 --> 01:46:38,760
Speaker 1: thank my man, Brian Scalabrini, thank you for the White

1853
01:46:38,840 --> 01:46:44,080
Speaker 1: Mamba beats White Mike segment. Um, congratulations G Moody three.

1854
01:46:44,400 --> 01:46:50,479
Speaker 1: My name is Um. Iron Wrap Pors Stereo Podcast, Tell

1855
01:46:50,560 --> 01:46:53,599
Speaker 1: a friend to tell a friend, keep rating, to keep pumping.

1856
01:46:53,840 --> 01:46:57,080
Speaker 1: Iron Wrap Pors Stereo Podcast, take Over, two thousand eighteen.

1857
01:46:57,160 --> 01:47:01,120
Speaker 1: Scal I appreciated White Mamba Moody just brothers were out

1858
01:47:01,200 --> 01:47:01,400
Speaker 1: out