WEBVTT - Highlights: Lemuel Plummer

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<v Speaker 1>Calgary Audio. What's up mother Son? Guys. Welcome to another

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<v Speaker 1>episode of Mothersucker Podcast. I'm your host, Michael blacks and

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<v Speaker 1>I'm not never alone. I can't leave without the Sholing Temple. Hello, guys,

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<v Speaker 1>and Michael Blackson's shadow Chinese best friend. You are my shadow.

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<v Speaker 1>That's right. Yeah, Ladies and gentlemen. Mr Lemil plumbers in

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<v Speaker 1>the building, lamol plumber. Plumber who he's on the phone

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<v Speaker 1>right now, cursing out via one. Yeah, cousin out viach

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<v Speaker 1>one Lea's put it on speaker. Who entourage, Come on here,

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<v Speaker 1>let me bring yeah, bring the Zeus girls. Goodness, you

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<v Speaker 1>got the Zeus girls day sit right here next to me.

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<v Speaker 1>You got Bill Gates X bodyguards. Damn, he got like joke,

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<v Speaker 1>my good as you. I know they happened. I know

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<v Speaker 1>you guys have some places to go. I wan't talk

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<v Speaker 1>a little bit about Hollywood getting feeling like Hollywood is

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<v Speaker 1>like Donnie, damn, what do you? What's your field on Hollywood?

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<v Speaker 1>You know, it's definitely changing. He's going through a major

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<v Speaker 1>transition period. I think, uh, you know, music, television, film.

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<v Speaker 1>I mean we're seeing it before our eyes, you know. Um,

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<v Speaker 1>I think it from my opinion when it comes to

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<v Speaker 1>television and movies, he could probably speak more so to

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<v Speaker 1>mute the music business. For me, it's like, you know,

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<v Speaker 1>we're in a different day and age. Right, It's uh,

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<v Speaker 1>it's a lot that I can say about this, but

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<v Speaker 1>I'll try to be as quick as quick as I can.

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<v Speaker 1>But I'll say it started with like Netflix, right. Netflix

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<v Speaker 1>was a platform that disrupted everything. I would say two things,

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<v Speaker 1>social media and Netflix st sure, but but i'll say

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<v Speaker 1>thank you. I'll say as far as uh uh Netflix, right,

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<v Speaker 1>let's start with them. They had this philosophy. It was

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<v Speaker 1>all about convenience, choice and control. Right. There are twenty

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<v Speaker 1>plus year old business people. Don't really realize that they've

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<v Speaker 1>been around for twenty plus years, right, And so their

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<v Speaker 1>model was all about how do we make it convenient

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<v Speaker 1>for customers where they can choose whatever they want at

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<v Speaker 1>their control. And so that was there kind of like philosophy, right,

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<v Speaker 1>and so they did it. They started mailing DVDs when

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<v Speaker 1>you had to go and get in the car, start

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<v Speaker 1>your car, drive to a place, look around, then drive

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<v Speaker 1>back home, then bring it back. Blockbuster was very successful.

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<v Speaker 1>Netflix said, go to our website, sign up, will mail

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<v Speaker 1>you the DVD, right, you don't even have to get up.

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<v Speaker 1>So so so they were mailing you DVDs. That was

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<v Speaker 1>the first and yeah, and then they had your credit

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<v Speaker 1>card on file, so if you chose to keep the DVD,

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<v Speaker 1>they just take your money. But nobody ever reads the

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<v Speaker 1>privacy policies and things like that, so you're just like whatever, right,

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<v Speaker 1>So so they did that and they were successful, and

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<v Speaker 1>ultimately they grew, and then technology and evolved in advance.

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<v Speaker 1>They were on computers and you can go on your

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<v Speaker 1>web you know, whatever device you had. And then ultimately

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<v Speaker 1>where people Hollywood started recognizing Netflix was when you know,

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<v Speaker 1>they started putting out original programming. It was House of

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<v Speaker 1>Cards and it was Oranges, the New Blacks that well,

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<v Speaker 1>I don't know if dex was that was that was

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<v Speaker 1>an effort, but it was House of Cards and and

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<v Speaker 1>it was House of Cards and uh and Orange. And

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<v Speaker 1>so what happened was they disrupt Like they finally announced

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<v Speaker 1>how many subscribers they had, and it was like thirty

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<v Speaker 1>five million subscribers right, paying like eight dollars and it

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<v Speaker 1>was like two and eighty million dollars a month. So

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<v Speaker 1>when Netflix reported that, Hollywood was like okay, and then

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<v Speaker 1>they reported that, you know, you can watch these shows

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<v Speaker 1>on our platform. You know, it was like and then

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<v Speaker 1>they changed the game because it was like the shows

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<v Speaker 1>looked just as good, if not better than an HBO

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<v Speaker 1>type of series. Right, it was very premium and you

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<v Speaker 1>had an a list talent, Kevin Spacey and all these

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<v Speaker 1>other people and these shows. And then they changed it

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<v Speaker 1>where they were like O binge watching watch all twin

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<v Speaker 1>twelve episodes, right, and so everybody Hollywood is kind of

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<v Speaker 1>scratching his head, like, hold on what just happened? Right?

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<v Speaker 1>And then people started going and then it was it

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<v Speaker 1>was word of mouth and people. So so Netflix continue

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<v Speaker 1>to evolve. Right now, they have almost two hundred million

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<v Speaker 1>subscribers right right now, they're bringing in billions of dollars

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<v Speaker 1>a month in revenue, and so they have a ton

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<v Speaker 1>of original programming that they're creating so they can keep

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<v Speaker 1>and hold their subscribers and ultimately scale it. So that

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<v Speaker 1>model changed the game for Hollywood. So that meant that

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<v Speaker 1>people were less interested in going to the movies, they

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<v Speaker 1>were less interested in watching traditional television because of that

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<v Speaker 1>business model. And then you had on the other side

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<v Speaker 1>social media, right, you had all these influencers because technology

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<v Speaker 1>evolved where they can shoot on their Everything is on

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<v Speaker 1>this phone, right, is an editing software program on Here

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<v Speaker 1>is a camera and you have distributions, you have distribution,

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<v Speaker 1>you have editing, you distribution editing, and you have production

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<v Speaker 1>right so on on this one device. So as this

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<v Speaker 1>started to evolve and the platform was available, it just it,

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<v Speaker 1>you know it. It took eyeballs off of traditional, you know,

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<v Speaker 1>Hollywood ways of how you watch content. So the first choice,

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<v Speaker 1>right that people choose nowadays of how to watch content

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<v Speaker 1>is on their phone. They'll go to Instagram, They'll go

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<v Speaker 1>to all these different social platforms that that will be

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<v Speaker 1>the first place they watch. The second option would be

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<v Speaker 1>any type of what we call v O D service

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<v Speaker 1>video on demand, so that whether that's a VOD t

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<v Speaker 1>VOT or s VOD advertising video on demand that's like

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<v Speaker 1>a YouTube. T VOT is more transactional video on demand,

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<v Speaker 1>and then s VOT is like Netflix subscription base. So

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<v Speaker 1>that's like the number two option. And then third was

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<v Speaker 1>like cable TV. Fourth is like movies, and we see

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<v Speaker 1>in front of our eyes, when is the last time

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<v Speaker 1>you really go to a movie theater? Right? Nobody goes

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<v Speaker 1>to the movies like they used to, unfortunately, and so

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<v Speaker 1>it's almost becoming like this nostalgic kind of thing right

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<v Speaker 1>right now, it's wow, the mute the movies, right, and

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<v Speaker 1>so it's it's uh, it's it's it is what it is.

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<v Speaker 1>But that's the day and age we live in and

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<v Speaker 1>out you have platforms like only fans and just again,

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<v Speaker 1>eyeballs are going in all these different places now where

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<v Speaker 1>people can watch content. So yes, Hollywood is changing significantly

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<v Speaker 1>because of technology, because of the new platforms that are

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<v Speaker 1>emerging and that are here, and because of how people

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<v Speaker 1>can watch content. I don't know, if you have anything

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<v Speaker 1>you want to I think you said it. I think

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<v Speaker 1>it's the greatest time in entertainment history. Is so many

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<v Speaker 1>media outlets in so many ways to go directly to

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<v Speaker 1>the consumer. So you don't need gatekeepers or intermediaries or middlemen,

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<v Speaker 1>you know, to get to your audience or to build

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<v Speaker 1>your audience audience base, and it's fifteen million ways to

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<v Speaker 1>monetize once you build your audience based. So to me,

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<v Speaker 1>I think it's a great time in media, music and

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<v Speaker 1>television and music and television right this is a time

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<v Speaker 1>where artists can own their art, exploit their art on

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<v Speaker 1>their terms right, and get fair value for them. So

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<v Speaker 1>I think it's great. What's up? But I suck this

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<v Speaker 1>your African king up comedy Michael Blackson. I'm here to question.

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<v Speaker 1>Oh you subscribe to my podcast, The mother Stuck Up

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<v Speaker 1>Podcast with Me Michael Blackson. If not, you are missing

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<v Speaker 1>out on the crazy interviews. They're exclusive behind the scenes

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<v Speaker 1>content of my life and tons of celebrity guests. So

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<v Speaker 1>listen up, mother stuck Stop what you are doing right

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<v Speaker 1>now and go find the mother Sucker Podcast with Me

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<v Speaker 1>Michael Blacks. I heart Radio, Apple, Apple Podcast or wherever

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<v Speaker 1>you get your podcast. Subscribe, It's free to go. Do

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<v Speaker 1>it right now and don't forget to catch a new

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<v Speaker 1>episode every Tuesday. All right, go ahead? What's your name? Hi?

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<v Speaker 1>My name is Chocelyn. Okay, So I work a job,

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<v Speaker 1>but I only make money in tips. Is there any

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<v Speaker 1>other way a girl like me can make some money?

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<v Speaker 1>You treat only fans, like like what drug dealers? You

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<v Speaker 1>treat drugs? Okay, these guys are take a whole bunch

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<v Speaker 1>of money and they can't not leave selling drug Get

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<v Speaker 1>that money, get the funk out. You know I'm not

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<v Speaker 1>doing only fans not you know, but every girls, not

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<v Speaker 1>only fans. You gotta just show it your left nipples

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<v Speaker 1>right right? Oh my god, is that a baby? There

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<v Speaker 1>is a baby, Mike? Remember the Chinese? Is that? What

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<v Speaker 1>does he? Does he have? Does ad DP had to bring? Yeah? Yeah,

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<v Speaker 1>it's it's bring your kid to work. This is what

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<v Speaker 1>I do. Just me. I used to drop the kids

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<v Speaker 1>and chuck and cheese and picking up six hours later.

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<v Speaker 1>That's what you should have did next time you talk

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<v Speaker 1>about chuck the cheese or watch your kids drop the

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<v Speaker 1>kids off there? All right, so you're trying a steady job.

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<v Speaker 1>I mean in l A. It is very tough. We

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<v Speaker 1>know that. You know, the only way girls make money

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<v Speaker 1>here is sex. So either gotta sell couci. It's sad,

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<v Speaker 1>but you know you're not. Unless if I'm a million followers,

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<v Speaker 1>maybe you could, you know, But if you don't, if

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<v Speaker 1>you want fast money, quick money to save some money,

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<v Speaker 1>you know, only fans is safe. Don't dispect well due respect.

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<v Speaker 1>I have no respect. You know. You make a few

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<v Speaker 1>videos and just save yourself some money and then you

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<v Speaker 1>get out, you know, do the like drug village, just

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<v Speaker 1>sell you. We make a man out of like I'm out.

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<v Speaker 1>You know that's a good advice. Man, that's great advice.

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<v Speaker 1>What do you think? Yeah, well, I can't wait to

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<v Speaker 1>start my only fans. Do you want to give our

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<v Speaker 1>listeners your only fans name? That don't have it yet?

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<v Speaker 1>You don't have the future name. Yeah, what's your future name? No? Man,

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<v Speaker 1>were not we actually know we actually talk. We we

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<v Speaker 1>are No, you're not. You're not taking credit for this.

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<v Speaker 1>I mean what fans? We already we already did it.

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<v Speaker 1>What is what? What do you want to do? What

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<v Speaker 1>did you? What did you want to do? Are you

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<v Speaker 1>an actress? Your model? You? I'm a singer? Can you

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<v Speaker 1>sing some sing ABC singer singer sexy KBC alright now

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<v Speaker 1>saying like Janet, Jennet Jackson, Bey Rihanna, just saying something

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<v Speaker 1>thing we ever done your hun three to one? Go,

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<v Speaker 1>Oh give her the mike, give her. Oh, here we go.

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<v Speaker 1>This is your time. This is still my tea music. Yeah,

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<v Speaker 1>like I said, sign up for only fans. Only fans

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<v Speaker 1>is hiring The mother Sucker Podcast with me Michael Blackston.

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<v Speaker 1>It's a calvary audio production brought to you by All

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<v Speaker 1>Heart Radio and the Black Effect Podcast Network, produced by

0:10:46.720 --> 0:10:50.360
<v Speaker 1>Brendan Morgan off Calvary Audio and A King for the

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<v Speaker 1>Black Effect. Associate producer is Jeff Apple. Executive produced by

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<v Speaker 1>Michael Blackson, Keegan Rosenberger and Dana Brunetti. Getting