WEBVTT - Portrait of a Lady on Fire: Artistic & Cliff

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio.

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<v Speaker 2>Hi. I'm Sienna Jacole and I'm Leanna Holston, and welcome

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<v Speaker 2>to Toss Popcorn, the podcast where two idiots watched every

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<v Speaker 2>film on the AFI's one hundred Greatest American Movies of

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<v Speaker 2>All Time, the Very Slightly Less Racist tenth Anniversary edition,

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<v Speaker 2>and are now watching films of our own and listeners

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<v Speaker 2>choosing to figure out if films can bring us joy. Oh.

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<v Speaker 3>This podcast is a safe canvas for people who don't

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<v Speaker 3>know anything about movies. Today we're watching Portrait of a

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<v Speaker 3>Lady on Fire, a film that is a big part

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<v Speaker 3>of the Tossed Popcorn origin story. Our morning to say, Oh,

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<v Speaker 3>Our Lord, Our Lord, the Year of Our Lord. Warning

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<v Speaker 3>there will be spoilers about this French yes recent film.

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<v Speaker 2>Yeah wow wow. Well, let's start with our predictions. Okay,

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<v Speaker 2>I mean we already know we've seen this one years

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<v Speaker 2>ago now, which is crazy.

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<v Speaker 3>And let's start with mine because I'm not actually sure

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<v Speaker 3>if I gave any helpful information.

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<v Speaker 2>Perfect.

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<v Speaker 3>Hi, Sienna, it's Leanna. I'm about to watch Portrait of a.

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<v Speaker 2>Lady on Fire.

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<v Speaker 3>Okay, Oh, I predict French to lesbians with no electricity

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<v Speaker 3>gorgeous coastal.

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<v Speaker 2>Views, a different type of electricity.

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<v Speaker 3>And honestly, I really hope this movie makes me cry

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<v Speaker 3>because it would be really cool to feel something.

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<v Speaker 2>Wow. Looking forward to heygirl, Hey, but I can't ask

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<v Speaker 2>you about it.

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<v Speaker 3>Yeah, I can't ask, not so that you've predicted.

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<v Speaker 2>Okay, my prediction.

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<v Speaker 3>Okay, Hey Leanna, Hey.

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<v Speaker 2>Here, I'm about to watch Portrait of a Lady on Fire.

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<v Speaker 2>From what I recall when we watched this back in

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<v Speaker 2>the day.

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<v Speaker 3>Nice, there will be close and she's going into Narni ocean,

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<v Speaker 3>the sea, the sea and gay ladies, feminist vibes, mm

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<v Speaker 3>hmm and uh hunks of bread and cheese.

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<v Speaker 2>Looking forward to it because I remember enjoying it last time.

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<v Speaker 2>We'll be interested to see how we feel now after

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<v Speaker 2>having been on this journey. Okay, well, I love you

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<v Speaker 2>and goodbye.

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<v Speaker 3>A hunks of bread hunks. I thought you're going to

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<v Speaker 3>say just hunks, and I was like, actually no, no,

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<v Speaker 3>nowhere near no hunks, no hunks allowed.

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<v Speaker 2>Wow. Wow, Wow.

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<v Speaker 3>Well I guess before hey girl, we have to do

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<v Speaker 3>a bit of lore for the listener.

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<v Speaker 2>Yeah, for those of you who tuned in recently.

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<v Speaker 3>Hell are or I guess does anyone know anyone. I

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<v Speaker 3>don't think anyone knows. This was just completely behind the scene.

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<v Speaker 3>The only people who know this are us.

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<v Speaker 2>Yeah, there's like one vague post in our very early

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<v Speaker 2>Instagram posts. Okay, but or maybe it was just my

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<v Speaker 2>own personal Instagram.

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<v Speaker 3>Posts wherever it was. When we were first starting tossed

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<v Speaker 3>popcorn and figuring out how to do a podcast and

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<v Speaker 3>what the format should be. We said we were like, oh,

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<v Speaker 3>let's do a practice episode with a film that neither

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<v Speaker 3>of us has seen but has wanted to. So we

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<v Speaker 3>watched Portrait of a Lady on Fire and I remember

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<v Speaker 3>the practice episode just being like, yeah, I really liked it.

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<v Speaker 3>That was a crazy film.

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<v Speaker 2>This was done well and I understood the art. We're like, oh,

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<v Speaker 2>I don't think this works. Yeah, it wasn't the best practice,

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<v Speaker 2>but it was fun.

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<v Speaker 3>But that was back in our era of being ready

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<v Speaker 3>to fight film and now that we are happy for ourselves,

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<v Speaker 3>have choice, women's rights are off the charts, we're posting

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<v Speaker 3>read off Women's Month.

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<v Speaker 2>You know, we're now just honestly tired out. Uh huh.

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<v Speaker 3>The list broke us, it really did, so it'll be

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<v Speaker 3>interesting to hear what we have to say. This time around.

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<v Speaker 3>Possibly this episode will also be two minutes long, but

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<v Speaker 3>I'd be surprised.

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<v Speaker 2>That'd be fine. Well, hey girl, hey girls, hey going.

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<v Speaker 3>Yes, mentally I am not well, which is something that

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<v Speaker 3>I overshared with somebody I met on the sidewalk this afternoon,

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<v Speaker 3>and that was exciting. That's how really you can tell.

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<v Speaker 2>I was like, oh my god, yeah, I'm just telling anybody,

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<v Speaker 2>thanks you, and you're saying something and then either like

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<v Speaker 2>kind of your kind of friends like acquaintances or streams

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<v Speaker 2>or something are kind of oh god, and you're like,

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<v Speaker 2>is that not fun anything that? Oh?

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<v Speaker 3>I bumped into a friend actually friend of the pod

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<v Speaker 3>and actually's friend. Jack shouts out to Jack, if they're

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<v Speaker 3>listening to this, I'm sorry again for oversharing at you

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<v Speaker 3>on the pavement, and uh they were like, oh my god,

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<v Speaker 3>how are you? And I was just coming from the

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<v Speaker 3>gym and I've had two bad workouts in a row,

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<v Speaker 3>two days in a row, which have just made me

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<v Speaker 3>feel like sad and angry. My workout yesterday went so

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<v Speaker 3>bad that I was like, I think I have to

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<v Speaker 3>stop drinking. I was not hungover, just generally, but I

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<v Speaker 3>was like, something needs to change and that's the only

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<v Speaker 3>thing I'm willing to make a change around. So there

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<v Speaker 3>we go, and uh yeah, it's just it's a melancholy

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<v Speaker 3>time coming off. We're at the butt of winter, the

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<v Speaker 3>ass end of winter. Soon it will be spring, but

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<v Speaker 3>crucially it's not spring yet.

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<v Speaker 2>You know, there's a difference.

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<v Speaker 3>Feeling that mm and I can't wait to regret sharing

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<v Speaker 3>that with the public two weeks totally Well, you know, hey, girl, Hey,

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<v Speaker 3>any any wisdom, any stage advice please? If not, no

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<v Speaker 3>need great, wonderful.

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<v Speaker 2>No. I was just gonna say, girl, you know, I too,

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<v Speaker 2>am sord just a woman at the end of her rope. Okay,

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<v Speaker 2>I look around my world.

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<v Speaker 3>Christian for this week's episode, Oh my gosh, I.

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<v Speaker 2>Look around my room and I'm just like, this is

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<v Speaker 2>the look of someone whose life is not where they

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<v Speaker 2>want it to be. And it's a mix of things

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<v Speaker 2>because I've gotten the set this week and I've had

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<v Speaker 2>a couple moments. There were a couple of those beautiful

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<v Speaker 2>moments of life where I was like, I'm actually standing

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<v Speaker 2>exactly where I should be standing at this time. I'm

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<v Speaker 2>learning things about myself and what I want to do

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<v Speaker 2>that I really value. But at the same time. Yesterday,

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<v Speaker 2>I had to clear a bunch of stuff out of

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<v Speaker 2>my old apartment that hadn't been cleared out yet for

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<v Speaker 2>dumb reasons. But it was one of those things where

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<v Speaker 2>you're like, oh, yeah, I just to pick up a

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<v Speaker 2>couple of things, and then once you have only like

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<v Speaker 2>thirty five minutes to do so, you're like, this isn't

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<v Speaker 2>just a couple things actually getting it to the elevator.

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<v Speaker 2>This is why you have people help you. This is

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<v Speaker 2>why you hire people to help the things. When all

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<v Speaker 2>that stuff was spilling out of the bottom of the

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<v Speaker 2>box next to my car and I had to throw

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<v Speaker 2>loose shoes no, actually I'm giving away. Just had to

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<v Speaker 2>them into my car, and I was I was like

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<v Speaker 2>sweating so much, and I tried to close the door

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<v Speaker 2>of my car and there was a curtain rod that

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<v Speaker 2>kept getting stuck, and I was.

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<v Speaker 3>Like, loose shoes that you're eventually giving away is a

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<v Speaker 3>so evocative of moving and b could replace the ernest

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<v Speaker 3>hemingway like saddest, shortest sad story loose shoes, throwing loose shoes,

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<v Speaker 3>I'm giving away loose shoes in car, giving shoes.

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<v Speaker 2>Yeah, I am all right, wonderful I'm so so we're

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<v Speaker 2>both you know, yes, we're both that we're both on

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<v Speaker 2>the brink of being better. But it's not that time.

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<v Speaker 3>Yeah, we're both at the cliff's edge of wellness, I think.

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<v Speaker 3>But yes, but oh, but oh, how to be by

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<v Speaker 3>the sea, to be I'd love to be by the sea.

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<v Speaker 3>To be melancholy by the sea would just be just

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<v Speaker 3>what the doctor ordered.

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<v Speaker 2>Right now. Yearning on a bit of a vacation is

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<v Speaker 2>just sort of the lifestyle. Yeah, what where are they

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<v Speaker 2>pre marriage? On the shore? France?

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<v Speaker 3>It is France, but it's like an island.

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<v Speaker 2>Two weeks to do one painting. That's kind of their job.

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<v Speaker 2>That's fair enough. It's a really intense painting. Oh yeah, no, no, no,

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<v Speaker 2>it's a big pro you should have that much time.

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<v Speaker 2>But it's sort of like, yeah, make your own hours.

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<v Speaker 2>You know.

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<v Speaker 3>She is freelance. She's a freelance artist. Well, we've basically

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<v Speaker 3>done it. But siena silver play. Uh huh, could you

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<v Speaker 3>please donet which is French forgive us, not French for us,

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<v Speaker 3>This is French of the film Portrait of a Lady

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<v Speaker 3>on Fire.

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<v Speaker 2>Built of Girls, Portrait of a Lady on Fire, Portrait

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<v Speaker 2>of a woman on fire.

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<v Speaker 3>For a second, I was like, oh, that's right, excuse me,

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<v Speaker 3>I'm sorry. Portrait of a Lady on fire. In this

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<v Speaker 3>French gay.

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<v Speaker 2>Film, Marielle is hired by a mom to secretly paint

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<v Speaker 2>her daughter Eloise, who is a bummed out stinker ever

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<v Speaker 2>since her sister died.

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<v Speaker 3>Such a gentle reading of the text.

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<v Speaker 2>Yes, everyone's like she is such a bummer since her

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<v Speaker 2>sister died. Writing is so beautiful. She is hired to

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<v Speaker 2>paint her so that they can send her portrait off

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<v Speaker 2>to her suitor in Milan. This film has it all

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<v Speaker 2>sadness and yearning by the sea, female directive, romance and intimacy,

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<v Speaker 2>almost zero men present, groups of women singing French accents

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<v Speaker 2>and barely and.

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<v Speaker 3>Language I suppose I mean the ultimate accent, which is

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<v Speaker 3>to say, the language itself.

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<v Speaker 2>And of course barely anything to do for fun because

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<v Speaker 2>it's the past. In the end, these two lesbians fall

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<v Speaker 2>in love and have a beautiful tragic story in which

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<v Speaker 2>they ultimately cannot be together. Oh the end, Well, Leanna,

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<v Speaker 2>I feel like we should just go write to our

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<v Speaker 2>phone notes right now. Absolutely. First of all, did you

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<v Speaker 2>cry in the end? First of all, yeah, oh, that's good.

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<v Speaker 2>This scene.

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<v Speaker 3>I was surprised at which scene I cried at And

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<v Speaker 3>we'll get to that. Oh oh, and we'll get to

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<v Speaker 3>it right now. Okay, Oh, she's asked.

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<v Speaker 2>I have to answer it.

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<v Speaker 3>After the break and welcome back. It was the scene

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<v Speaker 3>the night before they have to part ways where they're

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<v Speaker 3>talking to each other in bed about like the first

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<v Speaker 3>time that they noticed whatever about each other. I was

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<v Speaker 3>just like silent tears as my flatmate was like heading

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<v Speaker 3>out to the grocery store.

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<v Speaker 2>So sweet.

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<v Speaker 3>Oh, okay, thank you now that that has been exercised

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<v Speaker 3>from my system.

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<v Speaker 2>Did you cry? I didn't, but I started a tear

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<v Speaker 2>up at the end when she was having so much feeling.

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<v Speaker 2>But then I was like, is having so much fear?

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<v Speaker 2>You know what? I really had a feeling where I

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<v Speaker 2>was like I could cry, I could. I am not

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<v Speaker 2>gonna cry? Nice? Nice, cool? Yeah, you know I feel it.

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<v Speaker 2>You know, Oh, Leanna, your first note. Let's do your

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<v Speaker 2>first note because this is so applicable to me moving

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<v Speaker 2>out yesterday. Oh you said classic men seeing something go

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<v Speaker 2>wrong and doing nothing. Yes.

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<v Speaker 3>When you told me that the story, I was like,

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<v Speaker 3>honestly shut up.

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<v Speaker 2>So two things going on here. First of all, what

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<v Speaker 2>Leanna is referring to is she gets on this boat,

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<v Speaker 2>mary Anne, Marianne, marian Let's go with Marianne. Let's seeah.

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<v Speaker 2>Mary Anne Marianne is on this boat. And she's like,

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<v Speaker 2>we see her like clutching onto her canvas, which is

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<v Speaker 2>in this like wooden casing, and she's like, Okay, the

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<v Speaker 2>only thing I have to do is not lose this.

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<v Speaker 2>And she like looks away for.

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<v Speaker 3>One second and she looks back and are in the sea.

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<v Speaker 3>It's doing a Wilson from Castaway. They are in the sea,

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<v Speaker 3>and you go, oh girl, okay girl. And so she's like,

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<v Speaker 3>it is she has to jump into the frigid waters.

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<v Speaker 3>But the thing is is it's just her and like

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<v Speaker 3>six men rowing her over to this colonial men, six

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<v Speaker 3>colonial men see this canvas go in the water, and

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<v Speaker 3>they're like they stare at her in silence. It's like,

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<v Speaker 3>what are you gonna do about bank?

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<v Speaker 2>And that is exactly what happened to me yesterday. Is

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<v Speaker 2>I'm thrusting a huge box that is collapsing, dissolving, trying

0:13:54.679 --> 0:13:56.720
<v Speaker 2>to open up from the bottom, which it eventually would do,

0:13:57.960 --> 0:13:59.920
<v Speaker 2>trying to just burst open as I'm trying to push

0:14:00.080 --> 0:14:03.160
<v Speaker 2>through the elevator and there are there are loose shoes

0:14:03.240 --> 0:14:07.960
<v Speaker 2>toppling out and and a curtain rod got shoved and

0:14:08.040 --> 0:14:13.240
<v Speaker 2>stuck into the door of the elevator. And fortunately it

0:14:13.280 --> 0:14:16.040
<v Speaker 2>was just the exterior door, so it didn't get like

0:14:16.120 --> 0:14:18.480
<v Speaker 2>stuck and like brought upward the way that you see

0:14:18.760 --> 0:14:20.720
<v Speaker 2>in horror films when something start a scarf gets caught

0:14:20.840 --> 0:14:24.440
<v Speaker 2>or something. Of course it was the first door. And

0:14:24.480 --> 0:14:28.800
<v Speaker 2>I was like, if if this did get stuck, fire sparks,

0:14:29.520 --> 0:14:33.240
<v Speaker 2>crunching of metals, anything, I could have the whole the

0:14:33.280 --> 0:14:35.640
<v Speaker 2>whole building could have been in jeopardy. And even so,

0:14:36.200 --> 0:14:38.840
<v Speaker 2>these dudes, these bros in the lobby, we're just we're

0:14:38.880 --> 0:14:45.600
<v Speaker 2>just watching and talking to farce. And clearly, clearly, I'll

0:14:45.640 --> 0:14:47.520
<v Speaker 2>repeat it, a woman at the end of her rope,

0:14:47.840 --> 0:14:56.280
<v Speaker 2>openly publicly at the end of her rod. Happy women's son.

0:14:58.440 --> 0:14:59.040
<v Speaker 2>That's crazy.

0:14:59.040 --> 0:15:01.120
<v Speaker 3>Like men used to go to war and now they

0:15:01.160 --> 0:15:03.520
<v Speaker 3>will stand in the lobby of an apartment building judging

0:15:03.520 --> 0:15:06.800
<v Speaker 3>an influencer's Instagram accounts while you try to talking about

0:15:07.080 --> 0:15:08.640
<v Speaker 3>get a curtain rite out of an elevator.

0:15:09.400 --> 0:15:11.240
<v Speaker 2>Don't they want to save someone? Isn't that there?

0:15:11.240 --> 0:15:14.680
<v Speaker 3>What happened to you were a damsel in distress. I'm

0:15:14.720 --> 0:15:17.760
<v Speaker 3>trying has not been socialized to do something about that.

0:15:17.800 --> 0:15:20.360
<v Speaker 3>And this is one of the many problems with men

0:15:20.400 --> 0:15:20.960
<v Speaker 3>these days.

0:15:21.000 --> 0:15:23.240
<v Speaker 2>Exactly by that point, I had given up all desire

0:15:23.320 --> 0:15:25.440
<v Speaker 2>for independence, all desire for like, oh, I'm going to

0:15:25.480 --> 0:15:27.080
<v Speaker 2>do this on my own. I was like, oh yeah,

0:15:27.120 --> 0:15:28.760
<v Speaker 2>I'm trying to damsel as hard as I can. And

0:15:28.840 --> 0:15:32.640
<v Speaker 2>I was clearly clearly distressed, truly, and nothing received nothing,

0:15:32.720 --> 0:15:34.400
<v Speaker 2>No helpless.

0:15:34.440 --> 0:15:42.320
<v Speaker 3>Oh my god, did your ward just start sprinting towards

0:15:42.320 --> 0:15:46.440
<v Speaker 3>a cliff edge. Go get her, You've got a few minutes.

0:15:46.480 --> 0:16:02.440
<v Speaker 3>We'll be right back, Sienna. A bit an interestingly borderline

0:16:02.480 --> 0:16:06.280
<v Speaker 3>zenophobic note from you. You wrote, Oh I forgot this

0:16:06.480 --> 0:16:07.120
<v Speaker 3>was foreign?

0:16:08.160 --> 0:16:11.960
<v Speaker 2>Oh? Sorry? Am I not allowed to say foreign? Now, well,

0:16:13.240 --> 0:16:17.120
<v Speaker 2>that's a really interesting question. It does feel like a

0:16:17.240 --> 0:16:20.720
<v Speaker 2>charged aject does however, it is a foreign film?

0:16:21.560 --> 0:16:25.240
<v Speaker 3>Yeah, yeah, you are right, because the standard against which

0:16:25.240 --> 0:16:28.960
<v Speaker 3>we're measuring it is like the American film scene.

0:16:29.480 --> 0:16:32.520
<v Speaker 2>I'm also before I because you know, I do, we

0:16:32.600 --> 0:16:34.920
<v Speaker 2>do get older. And I just want to make it

0:16:34.920 --> 0:16:39.760
<v Speaker 2>clear that was a joke. I'm sensitive as well. Well, No,

0:16:39.800 --> 0:16:42.120
<v Speaker 2>not that no, I wrote that for real. Oh but

0:16:42.280 --> 0:16:43.960
<v Speaker 2>just right now, when I said I'm not allowed to

0:16:43.960 --> 0:16:46.520
<v Speaker 2>say foreign, now, that's yeah, yeah, yeah, that's a play

0:16:46.560 --> 0:16:49.800
<v Speaker 2>on I can't say anything anymore. Yeah, but I kind

0:16:49.800 --> 0:16:52.920
<v Speaker 2>of need to say that because I'm I'm borderline sometimes

0:16:53.000 --> 0:16:58.200
<v Speaker 2>right now, because I did write that down, I did

0:16:58.200 --> 0:17:00.280
<v Speaker 2>forget what the point is is that I forgot always

0:17:00.320 --> 0:17:03.040
<v Speaker 2>in a lunch, I forgot it was truly a French shop.

0:17:03.120 --> 0:17:06.480
<v Speaker 2>Oh yeah, And I was like, oh, that's right. How

0:17:06.480 --> 0:17:06.919
<v Speaker 2>did you do?

0:17:07.040 --> 0:17:08.360
<v Speaker 3>How did you fare? Subtitle?

0:17:08.440 --> 0:17:12.040
<v Speaker 2>Fine? Actually quite quite fine, quite fine. It was well paced.

0:17:12.560 --> 0:17:13.280
<v Speaker 2>I was gonna say.

0:17:13.320 --> 0:17:16.120
<v Speaker 3>The pacing is good, very well paced, and it's beautiful

0:17:16.119 --> 0:17:18.240
<v Speaker 3>to look at the whole time. Yeah, so it's nice

0:17:18.240 --> 0:17:19.840
<v Speaker 3>that the subtitles are also on the screen that you

0:17:19.840 --> 0:17:20.440
<v Speaker 3>want to look at.

0:17:20.680 --> 0:17:23.600
<v Speaker 2>There are very very few people on screen at any time,

0:17:23.640 --> 0:17:25.680
<v Speaker 2>because it seems that there are maybe ten people who

0:17:25.720 --> 0:17:31.280
<v Speaker 2>live on this shore. Oh my gosh, shoal whatever this is,

0:17:31.720 --> 0:17:32.480
<v Speaker 2>I don't.

0:17:32.680 --> 0:17:36.199
<v Speaker 3>An outcropping, yeah, I don't know what this was. An

0:17:36.200 --> 0:17:37.600
<v Speaker 3>outcropping where witches are.

0:17:37.760 --> 0:17:42.960
<v Speaker 2>I don't know. It's about thirteen witches and an out household.

0:17:42.600 --> 0:17:45.080
<v Speaker 3>A woman who knows how to do an abortion, and

0:17:45.080 --> 0:17:50.560
<v Speaker 3>then Twelve Witches. Leanna, you said she is behaving alarmingly

0:17:54.119 --> 0:17:56.280
<v Speaker 3>when you take a dog off its leash and runs

0:17:56.280 --> 0:18:00.320
<v Speaker 3>straight into the road, and you're like, now friend led

0:18:00.359 --> 0:18:02.000
<v Speaker 3>outside for the first time in a long time, and

0:18:02.000 --> 0:18:04.879
<v Speaker 3>she runs straight for the edge of the cliffs. And

0:18:04.960 --> 0:18:06.920
<v Speaker 3>I would say that to me would be alarming behavior.

0:18:07.160 --> 0:18:10.280
<v Speaker 2>I do love that this is how she decides to

0:18:10.280 --> 0:18:12.639
<v Speaker 2>meet this person. She's like, yeah, meeting a person for

0:18:12.640 --> 0:18:14.879
<v Speaker 2>the first time. I'm going to face my back towards

0:18:14.880 --> 0:18:18.000
<v Speaker 2>them for the first five minutes of our walk, and

0:18:18.080 --> 0:18:22.840
<v Speaker 2>then I'm going to run at the cliffs. Oh, it's

0:18:22.840 --> 0:18:25.880
<v Speaker 2>full speed, and it's like no matter, she no wonder

0:18:25.920 --> 0:18:26.880
<v Speaker 2>she fell in love with you.

0:18:26.640 --> 0:18:29.040
<v Speaker 3>You know, you were a mystery and then you were

0:18:29.080 --> 0:18:33.920
<v Speaker 3>a terror. You got her heart pumping right away.

0:18:34.080 --> 0:18:35.800
<v Speaker 2>Yes, I think of when I think of this movie,

0:18:35.800 --> 0:18:37.480
<v Speaker 2>I think of, you know, it's funny, think of cliffs.

0:18:37.480 --> 0:18:40.520
<v Speaker 2>And I also remember them having like boinking a lot,

0:18:40.760 --> 0:18:42.600
<v Speaker 2>But they didn't boink as much as I remembered. But

0:18:42.640 --> 0:18:45.359
<v Speaker 2>it's because it's implied that they're constantly blinking, but it's

0:18:45.400 --> 0:18:46.640
<v Speaker 2>not like show a lot.

0:18:46.920 --> 0:18:50.360
<v Speaker 3>Yeah, but I remember it was like very graphic.

0:18:51.840 --> 0:18:55.680
<v Speaker 2>Because I didn't want to watch you with your romance films.

0:18:57.560 --> 0:19:01.239
<v Speaker 2>I'm like, yes, they were absolutely doing it. They were

0:19:01.280 --> 0:19:06.080
<v Speaker 2>absolutely doing it for hours and.

0:19:06.040 --> 0:19:09.720
<v Speaker 3>It's like they kiss and then it's the next morning, like.

0:19:09.680 --> 0:19:11.800
<v Speaker 2>Oh yeah, that's a really graphic film. I think I

0:19:11.840 --> 0:19:16.600
<v Speaker 2>even said that to someone. It's like a beautiful, hoophobic,

0:19:17.000 --> 0:19:19.639
<v Speaker 2>beautiful love scene. At least we know I did it

0:19:19.680 --> 0:19:23.520
<v Speaker 2>with the heateros as well. That's true, that is true,

0:19:24.280 --> 0:19:26.399
<v Speaker 2>But yeah, no, I felt I'm like, what is wrong

0:19:26.440 --> 0:19:27.760
<v Speaker 2>with me? Sianna.

0:19:27.800 --> 0:19:30.040
<v Speaker 3>You've asked a question, and then I will. I would

0:19:30.080 --> 0:19:31.879
<v Speaker 3>like to ask you a question after I answer the

0:19:31.920 --> 0:19:35.320
<v Speaker 3>question you've asked me. You've asked, do you think you'd

0:19:35.320 --> 0:19:37.119
<v Speaker 3>fall in love with anyone you had to stare at

0:19:37.160 --> 0:19:39.040
<v Speaker 3>for weeks in order to secretly paint?

0:19:39.720 --> 0:19:40.800
<v Speaker 2>Yes? Yeah.

0:19:40.880 --> 0:19:43.800
<v Speaker 3>Also, they're the only people around. This is why I

0:19:43.880 --> 0:19:47.639
<v Speaker 3>crave the past, because you're the only You're their only option.

0:19:51.119 --> 0:19:54.600
<v Speaker 2>Yeah, you're the only person here who isn't my mom?

0:19:54.720 --> 0:19:58.399
<v Speaker 3>You have to spend so much time together, there's nothing

0:19:58.440 --> 0:20:02.399
<v Speaker 3>to do besides hang out with each other. There Absolutely,

0:20:02.440 --> 0:20:04.679
<v Speaker 3>finally somebody would fall in love with me with you?

0:20:04.960 --> 0:20:09.560
<v Speaker 3>Uh uh yeah, but yes, I think so. And my

0:20:09.640 --> 0:20:13.199
<v Speaker 3>question for you, because you at least have some artistic skill.

0:20:14.280 --> 0:20:18.600
<v Speaker 3>Do you think you could draw a person just by

0:20:18.680 --> 0:20:20.720
<v Speaker 3>hanging out with them all day but not being able

0:20:20.760 --> 0:20:22.720
<v Speaker 3>to look at them while you're drawing them.

0:20:23.640 --> 0:20:25.520
<v Speaker 2>I think it would take me a lot more attempts,

0:20:25.960 --> 0:20:29.200
<v Speaker 2>but I think, yeah, oh wow, I think yeah, after

0:20:29.320 --> 0:20:31.359
<v Speaker 2>enough of staring at them, Yeah, yeah, being like okay,

0:20:31.440 --> 0:20:37.760
<v Speaker 2>there's that much distance between really, yeah, that's amazing, thank you.

0:20:38.480 --> 0:20:40.200
<v Speaker 2>I worry sometimes that I wouldn't be able to pick

0:20:40.200 --> 0:20:45.880
<v Speaker 2>my friends out of a lineup just seeing them for real.

0:20:46.359 --> 0:20:52.520
<v Speaker 3>Just look like if they got five pretty similar looking people.

0:20:52.280 --> 0:20:55.600
<v Speaker 2>That's so funny. You're only kind of you're mostly aware

0:20:55.680 --> 0:20:57.439
<v Speaker 2>of them because of the circumstances.

0:20:57.480 --> 0:21:01.920
<v Speaker 3>And yeah, I don't really look at peeople. I find

0:21:01.920 --> 0:21:06.560
<v Speaker 3>that it's inappropriate. I cannot imagine staring at someone's face

0:21:06.600 --> 0:21:08.879
<v Speaker 3>for that long, directly into their eyes.

0:21:09.640 --> 0:21:14.840
<v Speaker 2>Oh my god. Oh yes, you said.

0:21:14.880 --> 0:21:18.680
<v Speaker 3>I'm reading for the role of Plane Made.

0:21:19.359 --> 0:21:21.800
<v Speaker 2>I love that role and stuff like this where it's

0:21:21.840 --> 0:21:24.560
<v Speaker 2>like she has to just stand. Sophie ends up having

0:21:24.560 --> 0:21:26.879
<v Speaker 2>more personality, but at first she just has to, Like

0:21:27.359 --> 0:21:32.600
<v Speaker 2>she just stands blindly, no no emotion on her face

0:21:32.680 --> 0:21:40.040
<v Speaker 2>at any time, one word answers, just just absolutely resigned

0:21:40.119 --> 0:21:40.920
<v Speaker 2>to her life.

0:21:41.640 --> 0:21:44.680
<v Speaker 3>The reveal later that she's pregnant. I'm always like, good

0:21:44.680 --> 0:21:48.639
<v Speaker 3>for you, you girl. There were we've seen truly no

0:21:48.840 --> 0:21:49.800
<v Speaker 3>men on this island.

0:21:49.880 --> 0:21:52.040
<v Speaker 2>So I don't know where you did you go?

0:21:52.119 --> 0:21:56.840
<v Speaker 3>Where'd you go to get that? She had to go

0:21:56.840 --> 0:21:59.080
<v Speaker 3>get some I don't know where you got the stuff,

0:21:59.119 --> 0:22:04.840
<v Speaker 3>but good for you, Good for you, Leana. You said

0:22:05.000 --> 0:22:09.639
<v Speaker 3>if this was what Dune is, I'd watch Dune. I

0:22:09.680 --> 0:22:12.399
<v Speaker 3>think that's very well said, and I agree, thank you.

0:22:13.640 --> 0:22:16.320
<v Speaker 3>The scenes where it's windy and they've got their faces

0:22:16.359 --> 0:22:19.040
<v Speaker 3>all wrapped up and they're walking along sand, that is

0:22:19.119 --> 0:22:19.520
<v Speaker 3>very Yeah.

0:22:19.560 --> 0:22:22.040
<v Speaker 2>For some reason, they have to wrap their mouths. Imagine

0:22:22.080 --> 0:22:22.960
<v Speaker 2>if this was Dune.

0:22:23.480 --> 0:22:25.040
<v Speaker 3>Why do you think they do that? Because it's cold,

0:22:25.840 --> 0:22:27.639
<v Speaker 3>they have to wrap up their little nose. Maybe the

0:22:27.720 --> 0:22:29.840
<v Speaker 3>sound would go in their face, but you'd think they'd

0:22:29.880 --> 0:22:35.000
<v Speaker 3>cover their eyels. Yeah, but also it's gorgeous. It's esthetic,

0:22:35.520 --> 0:22:39.520
<v Speaker 3>probably for mainly because it's aesthetic totally.

0:22:41.200 --> 0:22:43.280
<v Speaker 2>Leana, you said, this one goes out to all my

0:22:43.359 --> 0:22:46.240
<v Speaker 2>girlies with tired eyes. Oh.

0:22:47.440 --> 0:22:49.320
<v Speaker 3>I was just trying to imagine having to get my

0:22:49.359 --> 0:22:52.440
<v Speaker 3>own portrait taken and what a nightmare that would be, right,

0:22:52.480 --> 0:22:54.800
<v Speaker 3>at this current moment. As we recall, I recently got

0:22:54.880 --> 0:22:59.000
<v Speaker 3>roasted by a facialist. That's so crazy for my appearance.

0:23:00.480 --> 0:23:03.159
<v Speaker 3>My god, you have tired eyes. God, you have tired eyes.

0:23:03.920 --> 0:23:06.440
<v Speaker 3>First thing she said as soon as I sat down that.

0:23:07.920 --> 0:23:09.520
<v Speaker 2>What happened to? How are you? You know?

0:23:10.720 --> 0:23:13.080
<v Speaker 3>And so I was thinking very much about like what

0:23:13.119 --> 0:23:16.040
<v Speaker 3>were what would the features be that got immortalized in

0:23:16.080 --> 0:23:18.399
<v Speaker 3>a portrait that was then sent to a potential suitor.

0:23:18.440 --> 0:23:20.280
<v Speaker 3>I mean, I think they'd do some like cover up,

0:23:20.280 --> 0:23:22.840
<v Speaker 3>makeup in paint. I don't think they'd send the most

0:23:22.880 --> 0:23:26.880
<v Speaker 3>tired version of me. But yeah, because when she first

0:23:26.960 --> 0:23:31.160
<v Speaker 3>arrives or when she's first at home Elouise else, she's

0:23:31.520 --> 0:23:32.200
<v Speaker 3>sad as hell.

0:23:32.280 --> 0:23:35.680
<v Speaker 2>So she's got very tired eyes. And I was like, Sleigh,

0:23:35.720 --> 0:23:46.960
<v Speaker 2>Sleigh recognized game. Leonna, you said it takes you said

0:23:47.440 --> 0:23:50.520
<v Speaker 2>it takes two to be funny. Yeah, me and my demons.

0:23:54.200 --> 0:23:57.919
<v Speaker 2>Sleigh roached. Thanks. I was proud of that one. That

0:23:58.040 --> 0:23:58.440
<v Speaker 2>was fun.

0:24:01.880 --> 0:24:04.240
<v Speaker 3>Yeah, though, when the mom is like, you made me

0:24:04.359 --> 0:24:07.520
<v Speaker 3>laugh because I made myself laugh.

0:24:07.320 --> 0:24:13.600
<v Speaker 2>And you were here, she didn't say anything, I know, but.

0:24:15.080 --> 0:24:18.479
<v Speaker 3>Just by being there they were able to share in laughter,

0:24:18.600 --> 0:24:21.400
<v Speaker 3>and shared laughter is better than just laughing by yourself.

0:24:22.480 --> 0:24:27.640
<v Speaker 3>So that's something you did, not just girly things in parentheses,

0:24:27.720 --> 0:24:32.760
<v Speaker 3>gathering roots for an abortion. The jump scare where the

0:24:32.800 --> 0:24:35.560
<v Speaker 3>three of them emerge from the grass at the same

0:24:35.640 --> 0:24:39.679
<v Speaker 3>time did make me laugh because you could tell that

0:24:39.760 --> 0:24:43.480
<v Speaker 3>the director had just said action. None of the three

0:24:43.520 --> 0:24:49.280
<v Speaker 3>girlies emerged from the grass, that's it. That's like a

0:24:50.280 --> 0:24:53.080
<v Speaker 3>making it lighthearted whatever, just girly things.

0:24:53.119 --> 0:24:59.480
<v Speaker 2>However it is. It is nice this. You know, they're

0:24:59.520 --> 0:25:03.720
<v Speaker 2>helping friend who doesn't want to be pregnant. Yeah, take

0:25:03.760 --> 0:25:07.320
<v Speaker 2>care of that. And it's interesting to see how they

0:25:07.800 --> 0:25:09.760
<v Speaker 2>did it at the time, or tried to or whatever.

0:25:09.840 --> 0:25:13.520
<v Speaker 2>But it was just like helping each other in the

0:25:13.680 --> 0:25:14.760
<v Speaker 2>in the difficult moments.

0:25:15.640 --> 0:25:18.960
<v Speaker 3>It's a movie that's very matter of fact but also

0:25:19.119 --> 0:25:22.040
<v Speaker 3>gentle at the same time, which I appreciate a lot.

0:25:22.080 --> 0:25:24.520
<v Speaker 3>Like none of it felt harsh. It felt very real,

0:25:24.640 --> 0:25:29.040
<v Speaker 3>but it didn't feel like that's life. Yeah, you ugly skank.

0:25:29.280 --> 0:25:32.320
<v Speaker 2>You know. It was like, you're right, notion.

0:25:32.359 --> 0:25:37.840
<v Speaker 3>Sometimes they're like, you ugly skank, This is the real world, yeah,

0:25:37.840 --> 0:25:43.520
<v Speaker 3>stupid bitch. Where this one was like hello girlies. Yeah,

0:25:43.680 --> 0:25:46.200
<v Speaker 3>sometimes you have to hang from the ceiling for ten

0:25:46.240 --> 0:25:49.679
<v Speaker 3>to forty minutes. Yeah, till you pass out. Yeah, and

0:25:49.720 --> 0:25:53.560
<v Speaker 3>then go see the Witch and then do a painting

0:25:53.600 --> 0:25:58.760
<v Speaker 3>of it. And that's being the Girlies. That was the Girly,

0:25:59.080 --> 0:26:02.120
<v Speaker 3>that was the girls in the seventeen.

0:26:01.720 --> 0:26:09.359
<v Speaker 2>Hundreds, and that was girl that was Girls' Nights, The

0:26:09.480 --> 0:26:18.120
<v Speaker 2>Girls get Free the Witch. Uh, Leona, you said, oh,

0:26:18.200 --> 0:26:21.359
<v Speaker 2>to take an edible and have classical music explained to me.

0:26:22.520 --> 0:26:27.920
<v Speaker 3>I love the scene where she's breaking down the Vivaldi piece. Yeah,

0:26:28.600 --> 0:26:31.439
<v Speaker 3>this is the insects starting to sense the storm and

0:26:31.440 --> 0:26:32.440
<v Speaker 3>then the storm breaks and I was.

0:26:32.359 --> 0:26:37.440
<v Speaker 2>Like, oh my god, that's what music is. Somehow it

0:26:37.560 --> 0:26:39.520
<v Speaker 2>being explained to me by a woman. I was like,

0:26:39.600 --> 0:26:42.840
<v Speaker 2>it all makes sense. That's amazing. Oh yeah yeah.

0:26:43.240 --> 0:26:45.359
<v Speaker 3>And I was like god, because I knew then later

0:26:45.359 --> 0:26:47.760
<v Speaker 3>they were going to take some hallucinogens and I was

0:26:47.840 --> 0:26:49.040
<v Speaker 3>really excited for them for that.

0:26:49.160 --> 0:26:50.520
<v Speaker 2>Did you know that, Oh because we saw it before?

0:26:50.520 --> 0:26:53.600
<v Speaker 3>Well yeah, dude to having previously seen the film, and

0:26:53.920 --> 0:26:56.639
<v Speaker 3>I was like, God, it'd be so great to be

0:26:56.680 --> 0:26:58.919
<v Speaker 3>able to lie down and take an edible and have

0:26:59.040 --> 0:27:01.600
<v Speaker 3>somebody explain to me the composition of a piece and

0:27:01.640 --> 0:27:04.480
<v Speaker 3>then play it. But it's somebody that I'm in love

0:27:04.520 --> 0:27:08.760
<v Speaker 3>with and it's not annoying, and it's in France in

0:27:08.800 --> 0:27:15.359
<v Speaker 3>a gorgeous sort of vault ceilinged room with huge windows

0:27:15.400 --> 0:27:19.160
<v Speaker 3>by the coast. I liked these characters. I like spending

0:27:19.200 --> 0:27:19.639
<v Speaker 3>time with them.

0:27:19.720 --> 0:27:20.439
<v Speaker 2>Like these characters.

0:27:20.480 --> 0:27:22.560
<v Speaker 3>I thought they were very well cast too.

0:27:22.800 --> 0:27:27.520
<v Speaker 2>Really great actresses. They were really well cast. Yeah.

0:27:27.880 --> 0:27:29.679
<v Speaker 3>I just thought she had the sharp eyes of an

0:27:29.800 --> 0:27:32.560
<v Speaker 3>artist and the other one had the haunted eyes of

0:27:32.600 --> 0:27:36.680
<v Speaker 3>a subject, some woman who'd just come from the nunnery.

0:27:39.080 --> 0:27:45.640
<v Speaker 2>I've recently been very distressed about children and people having them,

0:27:45.680 --> 0:27:47.240
<v Speaker 2>which I've never had before.

0:27:47.280 --> 0:27:49.560
<v Speaker 3>Welcome recently, Great to have you.

0:27:49.920 --> 0:27:52.159
<v Speaker 2>But when I saw that she had a child later on,

0:27:52.240 --> 0:27:56.359
<v Speaker 2>I was like, oh, no, she didn't even want to

0:27:56.400 --> 0:27:59.000
<v Speaker 2>be with a man, and now she was forced to

0:27:59.119 --> 0:28:02.880
<v Speaker 2>a become and be pushed that child out of her.

0:28:03.119 --> 0:28:05.600
<v Speaker 2>That is yeah, And I know this is the experience

0:28:05.600 --> 0:28:08.359
<v Speaker 2>of a lot of people through history, and currently you

0:28:08.520 --> 0:28:11.440
<v Speaker 2>don't even want to be with this person, and now

0:28:11.600 --> 0:28:17.119
<v Speaker 2>you are exploding your body with their it sman, that

0:28:17.280 --> 0:28:22.520
<v Speaker 2>is a horrific evil, and you find the beauty in it. Sure, Yeah,

0:28:22.560 --> 0:28:26.919
<v Speaker 2>maybe you like that kid because it's cute. Maybe, but

0:28:27.000 --> 0:28:33.960
<v Speaker 2>there's something just so like, ah, no.

0:28:32.200 --> 0:28:35.520
<v Speaker 3>No, this is this is not to excuse generations of

0:28:35.520 --> 0:28:37.200
<v Speaker 3>emotional neglect.

0:28:37.480 --> 0:28:40.080
<v Speaker 2>But it makes sense.

0:28:40.280 --> 0:28:44.040
<v Speaker 3>It's understandable that some wealthy women or wealthy people who

0:28:44.080 --> 0:28:47.040
<v Speaker 3>had to give birth then were like, all right, the

0:28:47.120 --> 0:28:50.800
<v Speaker 3>staff can raise this. Yeah, I'd never wanted this in

0:28:50.840 --> 0:28:58.840
<v Speaker 3>the first place. You know, totally, totally, he said, Sophia

0:28:58.920 --> 0:29:03.760
<v Speaker 3>is right, orpheus orpheus is an idiot. Oh yeah, what

0:29:03.840 --> 0:29:06.640
<v Speaker 3>are your thoughts on the orpheus? It always keeps me awful, Well,

0:29:06.640 --> 0:29:08.200
<v Speaker 3>we said, the whole thing of like, the not being

0:29:08.200 --> 0:29:10.400
<v Speaker 3>able to look back thing is always like it just

0:29:10.440 --> 0:29:14.280
<v Speaker 3>distresses me. But yeah, it was dumb though. Honestly, I

0:29:14.280 --> 0:29:16.000
<v Speaker 3>saw their points that they were giving in this. I

0:29:16.080 --> 0:29:18.880
<v Speaker 3>loved their book club that they had that. I loved

0:29:18.920 --> 0:29:22.800
<v Speaker 3>the analysis they were riveted by the story. And then

0:29:23.320 --> 0:29:25.120
<v Speaker 3>I love that idea of like, yeah, well maybe she

0:29:25.160 --> 0:29:27.640
<v Speaker 3>called to him, Maybe she wanted to look back. Maybe

0:29:27.640 --> 0:29:30.120
<v Speaker 3>she didn't fucking care if she died and he lost

0:29:30.120 --> 0:29:33.440
<v Speaker 3>her forever, she wanted to look at him. At the end,

0:29:33.680 --> 0:29:35.800
<v Speaker 3>when they're saying goodbye and she comes down the stairs

0:29:35.800 --> 0:29:36.920
<v Speaker 3>and she says, turn around.

0:29:39.840 --> 0:29:44.920
<v Speaker 2>I love the way that this movie did art. I

0:29:45.000 --> 0:29:49.840
<v Speaker 2>love that it was thematic and meaningful, and then the

0:29:49.840 --> 0:29:52.920
<v Speaker 2>things they said had meaning and that I understood it.

0:29:53.920 --> 0:29:56.240
<v Speaker 3>I really liked that every scene looked like a painting.

0:29:57.520 --> 0:29:59.520
<v Speaker 3>I remember noticing that the first time we watched this,

0:29:59.640 --> 0:30:03.240
<v Speaker 3>and I was it's like, am I am I a

0:30:03.960 --> 0:30:04.880
<v Speaker 3>cinema studies?

0:30:05.120 --> 0:30:06.840
<v Speaker 2>Oh my god. But I think that's part of what

0:30:06.840 --> 0:30:08.560
<v Speaker 2>this movie makes you feel. But in a way that

0:30:08.680 --> 0:30:11.160
<v Speaker 2>is not annoying. It just like brings you into it.

0:30:11.760 --> 0:30:14.800
<v Speaker 3>Yeah, it's really a nice piece of art.

0:30:15.560 --> 0:30:21.640
<v Speaker 2>Really good, really good. Did you just find out that

0:30:21.720 --> 0:30:24.000
<v Speaker 2>your friend and soon to be lover was actually a

0:30:24.000 --> 0:30:27.760
<v Speaker 2>painter hired by your mom to find a to capture

0:30:27.800 --> 0:30:31.640
<v Speaker 2>a suitor worthy image of you so that you can

0:30:31.720 --> 0:30:37.800
<v Speaker 2>all go to Milan someday after you marry him and

0:30:37.840 --> 0:30:42.280
<v Speaker 2>you'll never see him ever for the whole movie. Girl, same,

0:30:42.800 --> 0:30:43.560
<v Speaker 2>We'll be right back.

0:30:51.640 --> 0:30:56.320
<v Speaker 3>Oh my gosh, Siana, your last note, I totally agree. Okay,

0:30:56.360 --> 0:30:59.640
<v Speaker 3>the end of this movie goes hard. It the end

0:30:59.640 --> 0:31:02.760
<v Speaker 3>of this flat so hard. Oh my god.

0:31:02.840 --> 0:31:04.840
<v Speaker 2>That's the part where she's weaving through the crowd urgently

0:31:05.120 --> 0:31:07.240
<v Speaker 2>after she shows everybody her paintings. First of all these

0:31:07.240 --> 0:31:09.440
<v Speaker 2>beautiful paintings she's painted the male form which they're usually

0:31:09.520 --> 0:31:13.120
<v Speaker 2>not allowed to do. Yeah, yep, I submitted under my

0:31:13.120 --> 0:31:15.239
<v Speaker 2>father's name, but these are all my paintings. And they

0:31:15.240 --> 0:31:17.760
<v Speaker 2>were like, oh, bitch, look at this Orpheus is waving

0:31:17.800 --> 0:31:19.120
<v Speaker 2>goodbye to his beloved.

0:31:19.520 --> 0:31:21.040
<v Speaker 3>Oh we're looking at the back of a man's head.

0:31:21.080 --> 0:31:22.040
<v Speaker 3>I'm so not used to that.

0:31:23.120 --> 0:31:28.720
<v Speaker 2>M And then she goes, ugh, there's a painting here

0:31:28.800 --> 0:31:31.320
<v Speaker 2>of somebody I know. She goes weaving through the get Away,

0:31:31.320 --> 0:31:34.200
<v Speaker 2>get Awa, get Away, and she goes she sees, she

0:31:34.280 --> 0:31:37.960
<v Speaker 2>sees her ex now painted with a daughter, and she's

0:31:38.000 --> 0:31:41.280
<v Speaker 2>like you and then she looks down and it's open

0:31:41.440 --> 0:31:44.800
<v Speaker 2>page twenty eight, which the page that they painted her on.

0:31:45.560 --> 0:31:51.240
<v Speaker 2>That she drew a picture of herself so that Eli

0:31:51.360 --> 0:31:54.400
<v Speaker 2>Eloise Eloise could always remember her. It was really that

0:31:54.560 --> 0:32:00.120
<v Speaker 2>was it. I went fucking oh yeah, yeah dog. I

0:32:00.160 --> 0:32:01.120
<v Speaker 2>also really.

0:32:02.960 --> 0:32:06.920
<v Speaker 3>Unusually respect how French. The end of this movie is

0:32:07.480 --> 0:32:09.960
<v Speaker 3>where it's like, the last time I saw her was

0:32:10.000 --> 0:32:14.240
<v Speaker 3>at an orchestra performance. I saw her, she did not

0:32:14.440 --> 0:32:17.440
<v Speaker 3>see me. And that's the last line of the film

0:32:17.480 --> 0:32:21.920
<v Speaker 3>before this woman hardcore emotes to Vivaldi.

0:32:22.200 --> 0:32:25.480
<v Speaker 2>Great, yeah for good three minutes France. Why not?

0:32:26.600 --> 0:32:29.200
<v Speaker 3>Oh my gosh, she was so moved by that piece.

0:32:29.240 --> 0:32:31.720
<v Speaker 3>And this is the only time in cinematic history that

0:32:31.760 --> 0:32:34.960
<v Speaker 3>a woman tearing up at a music performance is not annoying.

0:32:35.360 --> 0:32:39.520
<v Speaker 2>It's so true because she's thinking of her her gay

0:32:39.640 --> 0:32:44.320
<v Speaker 2>times with her gay lover. I like this movie so much.

0:32:44.600 --> 0:32:46.520
<v Speaker 2>It's lovely. It's a lovely experience.

0:32:47.600 --> 0:32:53.080
<v Speaker 3>Well, shall we uh prime the canvas of our segment

0:32:53.240 --> 0:32:54.600
<v Speaker 3>Badges and tragis.

0:32:54.680 --> 0:32:58.320
<v Speaker 2>Yes, this is a segment where we give badges for

0:33:00.960 --> 0:33:08.560
<v Speaker 2>brushes comma painting and also bummed out blondes and trages for.

0:33:10.320 --> 0:33:14.120
<v Speaker 3>Turpentine? Is that were they using that in paint at

0:33:14.160 --> 0:33:14.719
<v Speaker 3>this idea?

0:33:15.320 --> 0:33:19.760
<v Speaker 2>Maybe? My first badge is for an all ladies singing party.

0:33:20.720 --> 0:33:24.280
<v Speaker 2>Oh gooday? Love that more? I mean, are you kidding?

0:33:24.360 --> 0:33:25.880
<v Speaker 2>They get to this party and I was like, oh fun.

0:33:25.880 --> 0:33:27.560
<v Speaker 2>And then it wasn't for a while that I realized

0:33:27.640 --> 0:33:30.280
<v Speaker 2>it's only women here, and I was like, that's awesome.

0:33:30.280 --> 0:33:31.960
<v Speaker 2>I wish that existed. And then I was like, Okay,

0:33:32.040 --> 0:33:36.560
<v Speaker 2>that's being the lesbian community. Does that all tell? Yeah,

0:33:36.600 --> 0:33:38.360
<v Speaker 2>it's rare that I get to attend one of those,

0:33:38.360 --> 0:33:40.800
<v Speaker 2>But damn, that's the ways in which I really miss out.

0:33:41.080 --> 0:33:45.640
<v Speaker 2>And uh uh. Anyway, so excited to see that this

0:33:45.680 --> 0:33:47.560
<v Speaker 2>party was indeed all women, and then they just start

0:33:47.600 --> 0:33:51.000
<v Speaker 2>singing and clapping together. They love it, They love that

0:33:51.160 --> 0:33:54.880
<v Speaker 2>Pella group is amazing and it was beautiful. Badge for

0:33:55.000 --> 0:33:58.040
<v Speaker 2>no makeup, girlies, all the girlies and art class with

0:33:58.080 --> 0:34:03.280
<v Speaker 2>no makeup. It's like, yeah, sleigh, badge for how dramatic

0:34:03.320 --> 0:34:05.600
<v Speaker 2>this is. There's just some moments of true drama where

0:34:05.600 --> 0:34:09.080
<v Speaker 2>they're just like, like when when Marianne runs up and

0:34:09.080 --> 0:34:12.040
<v Speaker 2>she's like, I was a fool. I shouldn't settle that.

0:34:12.360 --> 0:34:15.360
<v Speaker 2>I should like next time I wrong someone or I

0:34:15.400 --> 0:34:17.160
<v Speaker 2>feel bad. Instead of being like, hey, I'm sorry about that,

0:34:17.160 --> 0:34:18.840
<v Speaker 2>I'm gonna run up to them on the shore of

0:34:18.880 --> 0:34:21.640
<v Speaker 2>the beach. Yeah, I'm going to grasp them from behind

0:34:21.680 --> 0:34:24.799
<v Speaker 2>and just go I forgive sorry, I'm a fool. I

0:34:24.880 --> 0:34:30.520
<v Speaker 2>was a fool. Forgive me. Ah, that scene is so hard.

0:34:30.960 --> 0:34:33.080
<v Speaker 3>A badge for eating a hunk of bread with cheese

0:34:33.120 --> 0:34:33.600
<v Speaker 3>and wine.

0:34:33.840 --> 0:34:40.759
<v Speaker 2>Hello, Yeah, that's so satisfying. It really is. I have

0:34:40.800 --> 0:34:46.440
<v Speaker 2>a badge for after her procedure with the witch. The

0:34:46.560 --> 0:34:50.160
<v Speaker 2>shot with her and the baby I thought was very

0:34:50.160 --> 0:34:52.520
<v Speaker 2>cool and sweet. It was like one of those kind

0:34:52.520 --> 0:34:55.040
<v Speaker 2>of like wow, that was I'm sorry to be a film, bro,

0:34:55.120 --> 0:34:57.399
<v Speaker 2>but an amazing shot they got it was.

0:34:58.440 --> 0:35:03.000
<v Speaker 3>It was playing during that you Yeah, I watched them

0:35:03.040 --> 0:35:04.960
<v Speaker 3>do the abortion the first time around. I was like,

0:35:04.960 --> 0:35:06.279
<v Speaker 3>you know what, I don't need to see this again.

0:35:07.840 --> 0:35:12.439
<v Speaker 3>And there's a baby come on, okay, well I yeah.

0:35:12.680 --> 0:35:17.120
<v Speaker 3>Two different opinions. A badge for I love the blue

0:35:17.200 --> 0:35:20.319
<v Speaker 3>of this room. Oh that shade of blue that her

0:35:20.440 --> 0:35:23.880
<v Speaker 3>room is that she stays in Maryanne, Oh so beautiful.

0:35:24.040 --> 0:35:27.880
<v Speaker 2>Oh. I'm started to think you probably have more badges

0:35:27.920 --> 0:35:33.040
<v Speaker 2>than I do. Yeah.

0:35:32.280 --> 0:35:37.719
<v Speaker 3>Uh, given that you're started at the witch party, this is.

0:35:37.719 --> 0:35:40.000
<v Speaker 2>My last badge, even though I have many things that

0:35:40.040 --> 0:35:44.560
<v Speaker 2>I loved. Well, actually, I'm gonna give a badge for

0:35:44.680 --> 0:35:47.640
<v Speaker 2>the intimacy scenes. They were just really beautiful, the love,

0:35:48.000 --> 0:35:49.799
<v Speaker 2>the love in this It was just they were very

0:35:51.000 --> 0:35:53.960
<v Speaker 2>This was a romance. I was like, ah, a romance

0:35:54.239 --> 0:35:58.600
<v Speaker 2>and I get it and they're in love. Yeah, yeah, yeah.

0:35:59.320 --> 0:36:01.440
<v Speaker 2>I definitely bought their love story and I was. I

0:36:01.520 --> 0:36:04.319
<v Speaker 2>was moved by it. It worked on me this time.

0:36:05.200 --> 0:36:09.640
<v Speaker 3>Badge for badge for the location of this film. Oh

0:36:09.640 --> 0:36:11.759
<v Speaker 3>my gosh, where in the world is this?

0:36:11.960 --> 0:36:16.840
<v Speaker 2>It's so beautiful. My final badge is for the ending.

0:36:17.320 --> 0:36:22.160
<v Speaker 2>The ending goes hard. Yeah, the paintings, her painting life

0:36:23.000 --> 0:36:29.320
<v Speaker 2>is popping off. And then seeing Eloise crying to the

0:36:29.400 --> 0:36:30.720
<v Speaker 2>music is just really beautiful.

0:36:32.200 --> 0:36:35.560
<v Speaker 3>Badge for not sugarcoating how things are going for your boss.

0:36:36.160 --> 0:36:38.040
<v Speaker 3>She gets home from one of their walks and the

0:36:38.080 --> 0:36:39.600
<v Speaker 3>mom is like, how is it going, and she's like,

0:36:39.760 --> 0:36:41.799
<v Speaker 3>I'm out all day and then it's dark and I

0:36:41.800 --> 0:36:43.719
<v Speaker 3>can't see to paint, and.

0:36:43.640 --> 0:36:46.240
<v Speaker 2>I was like, good for you. She was very honest.

0:36:46.320 --> 0:36:50.319
<v Speaker 3>She didn't even try to be like yeah, good, She

0:36:50.440 --> 0:36:56.160
<v Speaker 3>just got straight into it. And I love that directness.

0:36:56.920 --> 0:36:59.759
<v Speaker 3>It was productive, It was what she needed. It was

0:37:00.120 --> 0:37:01.360
<v Speaker 3>official to everybody involved.

0:37:01.719 --> 0:37:01.960
<v Speaker 2>Love that.

0:37:02.239 --> 0:37:06.600
<v Speaker 3>Love that a badge for the sounds of fabric. There's

0:37:06.640 --> 0:37:09.880
<v Speaker 3>no music in this except for well, it's all whatever.

0:37:09.960 --> 0:37:13.959
<v Speaker 3>It's what is it diegetic? Where it's in the thing.

0:37:14.400 --> 0:37:17.319
<v Speaker 2>When they started creepily not creepily, when they started that like,

0:37:17.320 --> 0:37:21.160
<v Speaker 2>oh it was creepy. It was creepy, ghostly hummed before

0:37:21.160 --> 0:37:23.080
<v Speaker 2>you realize they're all singing around the fire, I was like,

0:37:23.200 --> 0:37:25.480
<v Speaker 2>is this the first time we've heard of any score music?

0:37:25.680 --> 0:37:28.480
<v Speaker 2>I know, yeah, I actually really enjoy the lack of

0:37:28.480 --> 0:37:28.880
<v Speaker 2>the score.

0:37:29.239 --> 0:37:30.920
<v Speaker 3>I know it forces you to pay so much attention

0:37:31.000 --> 0:37:33.040
<v Speaker 3>to just like what's going on? So a badge for

0:37:33.080 --> 0:37:35.759
<v Speaker 3>the sounds of fabric because also the fabric was very

0:37:35.800 --> 0:37:39.600
<v Speaker 3>gorgeous on these Yes, these gowns, beautiful gowns, and so

0:37:39.680 --> 0:37:42.120
<v Speaker 3>it was just a fun, folly experience.

0:37:42.239 --> 0:37:44.560
<v Speaker 2>Yeah, it really was the sounds of the paint on

0:37:44.560 --> 0:37:49.040
<v Speaker 2>the canvas and everything. And love that. Yes. And my

0:37:49.120 --> 0:37:51.040
<v Speaker 2>final badge is a badge for the ending. I love

0:37:51.080 --> 0:37:55.680
<v Speaker 2>the ending. It's really good. It delivers. Yeah, it's the

0:37:55.719 --> 0:37:58.440
<v Speaker 2>right amount of tragic and satisfying. I know.

0:37:58.760 --> 0:38:00.640
<v Speaker 3>Yeah, totally all of it earned.

0:38:00.880 --> 0:38:03.239
<v Speaker 2>We say it's tragic, but like they were both okay.

0:38:03.320 --> 0:38:05.120
<v Speaker 3>You know, oh they were. They were women in the

0:38:05.160 --> 0:38:07.360
<v Speaker 3>upper class. There were white women in upper class brands.

0:38:07.440 --> 0:38:10.439
<v Speaker 3>Yeah they were. They were totally fine in the grand

0:38:10.480 --> 0:38:17.080
<v Speaker 3>scheme of things. Uh, okay, tra yeah I only have three,

0:38:17.560 --> 0:38:22.560
<v Speaker 3>I only have one, soay, uh trage for I feel

0:38:22.640 --> 0:38:26.560
<v Speaker 3>stupid for not realizing that they'd switched from French to Italian.

0:38:27.560 --> 0:38:30.080
<v Speaker 3>I did not notice until they had to point it

0:38:30.120 --> 0:38:35.240
<v Speaker 3>out that they were FreeFly Italian. Yeah, but I wouldn't

0:38:35.280 --> 0:38:37.560
<v Speaker 3>have noticed if she hadn't been like, oh when did

0:38:37.600 --> 0:38:38.520
<v Speaker 3>you learn Italian?

0:38:38.800 --> 0:38:42.080
<v Speaker 2>Oh? Yeah, no, I wouldn't have either probably just because

0:38:42.080 --> 0:38:47.680
<v Speaker 2>I'm not really Yeah. Uh. I have one trage that

0:38:47.719 --> 0:38:51.600
<v Speaker 2>I wrote, and it was for the ghost part I

0:38:51.640 --> 0:38:55.400
<v Speaker 2>did every now and then always appears as a ghost.

0:38:55.440 --> 0:38:57.520
<v Speaker 2>I will say. By the end, I actually kind of

0:38:57.560 --> 0:38:59.399
<v Speaker 2>got it and was like, that's actually kind of cool.

0:38:59.400 --> 0:39:02.319
<v Speaker 2>These are like her memories and every now and then

0:39:02.320 --> 0:39:04.319
<v Speaker 2>she's remembering the last time she saw her and that

0:39:04.440 --> 0:39:08.200
<v Speaker 2>was sort of her Orpheus moment, perhaps right before the

0:39:08.280 --> 0:39:10.080
<v Speaker 2>last game and some once we got to the end,

0:39:10.120 --> 0:39:14.040
<v Speaker 2>I was like, oh, okay, that's nice. But but at

0:39:14.080 --> 0:39:16.520
<v Speaker 2>the same time, it's kind of like we had a

0:39:16.560 --> 0:39:17.880
<v Speaker 2>good thing going here and you had to put a

0:39:17.880 --> 0:39:18.400
<v Speaker 2>ghost in it.

0:39:19.680 --> 0:39:21.319
<v Speaker 3>That was the thing that annoyed me the most. That's

0:39:21.320 --> 0:39:23.880
<v Speaker 3>my next trage. Yeah. Also, I did not like that

0:39:23.960 --> 0:39:26.080
<v Speaker 3>at all. It was the thing that felt to me

0:39:26.160 --> 0:39:29.920
<v Speaker 3>the most film Broie, Yeah, the things in the film.

0:39:30.280 --> 0:39:31.360
<v Speaker 2>We had a good thing going.

0:39:31.600 --> 0:39:33.920
<v Speaker 3>I was like, I don't need I don't need it

0:39:33.960 --> 0:39:35.440
<v Speaker 3>to be that type of art.

0:39:35.840 --> 0:39:36.960
<v Speaker 2>I loved what it was.

0:39:37.480 --> 0:39:39.000
<v Speaker 3>I loved what it was when it was art for

0:39:39.080 --> 0:39:39.680
<v Speaker 3>the girlies.

0:39:39.960 --> 0:39:40.719
<v Speaker 2>Yeah, exactly.

0:39:42.120 --> 0:39:44.760
<v Speaker 3>My last trage is a trage for the line being

0:39:44.800 --> 0:39:48.600
<v Speaker 3>free as being alone, and I said out loud I'll

0:39:48.680 --> 0:39:58.920
<v Speaker 3>kill me. Yes, I'm free, cool, sick, awesome, love that.

0:40:02.360 --> 0:40:07.320
<v Speaker 2>Yeah, I know, interesting uh conversations around that whole concept

0:40:07.320 --> 0:40:13.600
<v Speaker 2>of independence and hm hmm that's funny though, I guess.

0:40:13.840 --> 0:40:16.799
<v Speaker 2>Shall we move on to our next segment. Yes, let's

0:40:16.840 --> 0:40:18.319
<v Speaker 2>move on to our next segment, which, of course is

0:40:18.360 --> 0:40:21.480
<v Speaker 2>how to pretend you've seen this film. This is for uh,

0:40:22.680 --> 0:40:25.920
<v Speaker 2>our next segment. Yeah, this is for your an art

0:40:25.960 --> 0:40:29.839
<v Speaker 2>class you're learning to do. Uh. It's life drawing, it's

0:40:30.000 --> 0:40:32.560
<v Speaker 2>it's life drawing. Uh.

0:40:32.560 --> 0:40:35.880
<v Speaker 3>What's that like, a still life a nude model?

0:40:36.080 --> 0:40:40.120
<v Speaker 2>Oh? Oh yeah, yeah, figure drawing. Yeah, you were, you

0:40:40.160 --> 0:40:43.080
<v Speaker 2>were at a figure drawing class. And you know you

0:40:43.080 --> 0:40:45.080
<v Speaker 2>don't have to look if you're not comfortable with the nudity.

0:40:45.160 --> 0:40:51.319
<v Speaker 2>In fact, but you are and or from drawing the

0:40:51.400 --> 0:40:58.799
<v Speaker 2>nude model? Break yellos, yells out at you. Hey, hey,

0:40:59.120 --> 0:41:00.239
<v Speaker 2>drawing pretty good?

0:41:00.320 --> 0:41:00.480
<v Speaker 3>Right?

0:41:01.080 --> 0:41:03.359
<v Speaker 2>Why just me? Why just talking? Oh my god? Why

0:41:03.400 --> 0:41:04.040
<v Speaker 2>did you move?

0:41:04.360 --> 0:41:06.040
<v Speaker 3>I had just gotten your elbow angle?

0:41:06.120 --> 0:41:10.040
<v Speaker 2>Correct. You know, I really got into this business because

0:41:10.120 --> 0:41:12.320
<v Speaker 2>there's a movie I saw that I felt was designed

0:41:12.480 --> 0:41:17.520
<v Speaker 2>just for me. It's this movie portrait of a woman

0:41:17.600 --> 0:41:24.160
<v Speaker 2>who's burning up of it, image of a girl who's toasty.

0:41:24.800 --> 0:41:28.200
<v Speaker 2>It's called image of a Hot Girl. You ever see it? Yeah,

0:41:28.600 --> 0:41:33.520
<v Speaker 2>it is hot. Hot, hot hot girl dot gif. It

0:41:33.600 --> 0:41:36.440
<v Speaker 2>is hot, yeah girl. I started watching it because I

0:41:36.560 --> 0:41:38.320
<v Speaker 2>thought it was gonna be sort of a hot and

0:41:38.480 --> 0:41:40.960
<v Speaker 2>yet there was some girls kissing, so I think it

0:41:41.040 --> 0:41:43.760
<v Speaker 2>was actually But once I started watching it and realized

0:41:43.800 --> 0:41:46.440
<v Speaker 2>it wasn't what I originally thought it was. Uh, I

0:41:46.520 --> 0:41:49.200
<v Speaker 2>realized it was actually a very artistic film and I

0:41:49.320 --> 0:41:51.520
<v Speaker 2>just need to tell everybody about it, specifically the women

0:41:51.560 --> 0:41:51.839
<v Speaker 2>I know.

0:41:52.480 --> 0:41:57.160
<v Speaker 3>And in order to scrub the face off of Orpheus,

0:41:58.160 --> 0:42:00.000
<v Speaker 3>we're gonna give you a few sentences you can say

0:42:00.120 --> 0:42:03.320
<v Speaker 3>to pretend you've seen the film Portrait of a Lady

0:42:03.440 --> 0:42:04.160
<v Speaker 3>on Fire.

0:42:12.280 --> 0:42:15.680
<v Speaker 2>Yes, Orpheus, I've seen Portrait of a Lady on Fire.

0:42:16.520 --> 0:42:19.640
<v Speaker 2>As we mentioned, a lot of the shots in the

0:42:19.640 --> 0:42:25.040
<v Speaker 2>movie are framed like a painting, the way that Eloise

0:42:25.120 --> 0:42:27.799
<v Speaker 2>looks at Marianne as if she is a portrait, And

0:42:27.840 --> 0:42:33.799
<v Speaker 2>perhaps this is Marianne's memory sort of framed in these

0:42:33.880 --> 0:42:36.760
<v Speaker 2>artistic conventions, or perhaps it's just cool.

0:42:40.280 --> 0:42:44.560
<v Speaker 3>Yes, Orpheus, I have seen Portrait of a Lady on Fire.

0:42:47.040 --> 0:42:48.200
<v Speaker 2>I really resonated.

0:42:49.960 --> 0:42:56.600
<v Speaker 3>I really felt that their description of Vivaldi's storm would

0:42:56.600 --> 0:43:01.000
<v Speaker 3>also work as a description of my vibe when they say,

0:43:01.560 --> 0:43:03.800
<v Speaker 3>not Mary, but it's lively.

0:43:07.880 --> 0:43:13.680
<v Speaker 2>Same. Yeah, that's really funny. I wouldn't say I'm Mary,

0:43:13.760 --> 0:43:18.960
<v Speaker 2>but I'm lively. I am lively. Yes, orpheus, I've seen

0:43:19.040 --> 0:43:21.799
<v Speaker 2>Portrait of a Lady on Fire. That movie is a

0:43:21.840 --> 0:43:24.279
<v Speaker 2>period piece and it will really make you think about,

0:43:25.760 --> 0:43:27.839
<v Speaker 2>truly what people did for fun in the past. That's

0:43:27.840 --> 0:43:30.160
<v Speaker 2>like a big part of what they do is just

0:43:30.320 --> 0:43:33.080
<v Speaker 2>sit in silence together or every now and then play

0:43:33.120 --> 0:43:35.799
<v Speaker 2>cards or go to an event which I have no

0:43:35.920 --> 0:43:38.719
<v Speaker 2>idea how they heard about through the grapevine, heard about

0:43:38.719 --> 0:43:43.359
<v Speaker 2>a party going on in the grass, But it will

0:43:43.400 --> 0:43:45.680
<v Speaker 2>really make you reflect on how strange the past must

0:43:45.680 --> 0:43:48.600
<v Speaker 2>have been. Also, when Sophie hugs Mary and goodbye, I'm like,

0:43:48.640 --> 0:43:50.520
<v Speaker 2>that is literally the last time she's ever gonna see

0:43:50.520 --> 0:43:54.120
<v Speaker 2>that woman. Yeah, that must be a really strange Of course,

0:43:54.160 --> 0:43:56.000
<v Speaker 2>they were into ghost stories and everything. It must have

0:43:56.000 --> 0:43:59.680
<v Speaker 2>been an unsettling time for many reasons.

0:44:00.120 --> 0:44:06.200
<v Speaker 3>Yes, Oh, yes, orpheus, I've seen Portrait of a Lady

0:44:06.239 --> 0:44:12.120
<v Speaker 3>on Fire, starring two leads who have naturally strong eyebrows,

0:44:12.640 --> 0:44:14.800
<v Speaker 3>of which I am envious.

0:44:15.560 --> 0:44:17.560
<v Speaker 2>They were a very nice looking couple, like they look

0:44:17.880 --> 0:44:22.240
<v Speaker 2>like they should be a couple. They look good together. Yes, orpheus,

0:44:22.320 --> 0:44:25.560
<v Speaker 2>I've seen the film Portrait of a Lady on Fire.

0:44:25.880 --> 0:44:29.880
<v Speaker 2>The film probably most clearly gets its title from the

0:44:29.920 --> 0:44:35.520
<v Speaker 2>scene where she is, where Eloise is briefly on fire

0:44:35.880 --> 0:44:39.040
<v Speaker 2>at the grass party, the witch party in the grass

0:44:39.120 --> 0:44:45.919
<v Speaker 2>and she really doesn't care because she doesn't know what's

0:44:46.080 --> 0:44:49.239
<v Speaker 2>she doesn't care about what's gonna happen next, doesn't have

0:44:49.320 --> 0:44:53.360
<v Speaker 2>much hope, And honestly, it was a pretty relatable scene

0:44:54.320 --> 0:44:56.800
<v Speaker 2>and I loved it for her, such.

0:44:56.680 --> 0:45:00.600
<v Speaker 3>A mood, just being like, oh, I'm on fire, on fire,

0:45:01.400 --> 0:45:03.520
<v Speaker 3>and you know, some weeks we're all there. Maybe someone

0:45:03.560 --> 0:45:06.800
<v Speaker 3>will tackle me to the ground to help, but whatever.

0:45:09.640 --> 0:45:09.920
<v Speaker 2>Uh.

0:45:10.000 --> 0:45:12.719
<v Speaker 3>Yes, orpheus, I've seen Portrait of a Lady on Fire.

0:45:12.800 --> 0:45:16.440
<v Speaker 3>Oh my gosh, Oh you've you've turned your front to me.

0:45:17.239 --> 0:45:22.239
<v Speaker 3>Oh m, do you know what, orpheus, I'm gonna have

0:45:22.239 --> 0:45:28.560
<v Speaker 3>to ask you to turn around. That's that's the view

0:45:28.560 --> 0:45:29.400
<v Speaker 3>that I've looking for.

0:45:31.239 --> 0:45:41.080
<v Speaker 2>Just cheeks, just cheeks. And now that you have, you

0:45:41.160 --> 0:45:46.760
<v Speaker 2>have boxed Orpheus up. Yeah, send him off on the seat.

0:45:48.719 --> 0:45:50.160
<v Speaker 2>We can move on to our next segment. We can

0:45:50.160 --> 0:45:53.120
<v Speaker 2>sail on to our next segment, which of course is, uh,

0:45:53.280 --> 0:45:54.920
<v Speaker 2>should you watch this? Or when me tell you if

0:45:54.920 --> 0:45:56.600
<v Speaker 2>you should watch this film or if you should do

0:45:56.680 --> 0:46:01.399
<v Speaker 2>anything else with your precious, precious time, Leona, what say you? Yes?

0:46:01.800 --> 0:46:06.240
<v Speaker 3>Oh should you watch this? And yes, yes, watch Portrait

0:46:06.280 --> 0:46:10.000
<v Speaker 3>of a Lady on Fire. And also I would recommend,

0:46:10.080 --> 0:46:12.520
<v Speaker 3>if you live in a place where weed is legal,

0:46:12.920 --> 0:46:16.640
<v Speaker 3>that you take an edible and listen to Vivaldi's Four

0:46:16.680 --> 0:46:23.279
<v Speaker 3>Seasons or be nude with your lover in a gorgeous

0:46:23.360 --> 0:46:26.040
<v Speaker 3>room if those things are an option for you, in

0:46:26.080 --> 0:46:27.920
<v Speaker 3>which case, congratulations.

0:46:29.000 --> 0:46:31.160
<v Speaker 2>What would you say? Love that they do drugs in

0:46:31.200 --> 0:46:34.359
<v Speaker 2>this Also, that's so fun. I know that moment where

0:46:34.360 --> 0:46:36.239
<v Speaker 2>they're just kind of like, we're not doing anything today,

0:46:36.239 --> 0:46:38.400
<v Speaker 2>do you want to like get high?

0:46:38.480 --> 0:46:40.440
<v Speaker 3>I've never been more envious of two people in a

0:46:40.480 --> 0:46:41.040
<v Speaker 3>film ever.

0:46:41.920 --> 0:46:44.120
<v Speaker 2>It's like they have nothing to do. Mom's not home.

0:46:45.000 --> 0:46:50.279
<v Speaker 2>Just good day on the water. Amazing, that's a dream day.

0:46:53.920 --> 0:47:00.400
<v Speaker 2>I would say, Yeah, honestly, it's a good movie. Was

0:47:00.440 --> 0:47:04.600
<v Speaker 2>your letterbox review? Yeah? Good movie, good movie? Why should

0:47:04.600 --> 0:47:07.080
<v Speaker 2>you watch this? And would be uh, yeah, you can

0:47:07.120 --> 0:47:15.799
<v Speaker 2>totally watch this movie. It scratches the itch. And also yeah,

0:47:15.840 --> 0:47:18.880
<v Speaker 2>I mean, if you wanted to look at any paintings,

0:47:18.880 --> 0:47:21.319
<v Speaker 2>it just made me kind of want to draw, go draw,

0:47:22.200 --> 0:47:25.680
<v Speaker 2>go draw. I wish I knew more lady painters. I

0:47:25.719 --> 0:47:29.239
<v Speaker 2>only know Mary Cassatt, Marie Cassot. Okay, there's a lot

0:47:29.280 --> 0:47:33.560
<v Speaker 2>of paintings of dogs, so yes, hello, but uh yeah,

0:47:33.640 --> 0:47:37.080
<v Speaker 2>go go draw maybe with your love raw. But also

0:47:37.200 --> 0:47:38.040
<v Speaker 2>you don't need to do that.

0:47:38.840 --> 0:47:43.840
<v Speaker 3>Hmm, yeah, Seanna, what would you rate the film Portrait

0:47:43.880 --> 0:47:44.760
<v Speaker 3>of a Lady on Fire?

0:47:51.120 --> 0:47:54.000
<v Speaker 2>M hmm, what would you rate it? Okay?

0:47:55.000 --> 0:47:58.320
<v Speaker 3>I would give this film five portraits out of five.

0:47:59.200 --> 0:48:02.000
<v Speaker 3>I love it. It's got the stuff that I want. If

0:48:02.040 --> 0:48:04.480
<v Speaker 3>I'm going to be sat down somewhere for two hours,

0:48:05.200 --> 0:48:08.960
<v Speaker 3>I get to look at beautiful nature scenes, some gorgeous

0:48:09.040 --> 0:48:18.040
<v Speaker 3>Vivaldi every now and again, swishing gowns, women, the language French,

0:48:20.840 --> 0:48:23.600
<v Speaker 3>the language friends, a period piece.

0:48:24.600 --> 0:48:28.200
<v Speaker 2>Yes, yeah, I didn't. I wasn't sure. I don't know

0:48:28.200 --> 0:48:31.320
<v Speaker 2>why I didn't feel confident about this myself. But I also.

0:48:31.080 --> 0:48:33.560
<v Speaker 3>Couldn't give it five punks of bread out of five?

0:48:34.400 --> 0:48:37.520
<v Speaker 2>Yes? What did you did you give it? What was

0:48:37.520 --> 0:48:41.319
<v Speaker 2>your item? Portraits? Okay, great, five hunks of bread out

0:48:41.320 --> 0:48:43.239
<v Speaker 2>of five, just because it's like, yeah, checked off all

0:48:43.239 --> 0:48:44.120
<v Speaker 2>the boxes. It's good.

0:48:44.200 --> 0:48:48.120
<v Speaker 3>Oh yeah, good, great, this is what a film should be.

0:48:48.320 --> 0:48:52.200
<v Speaker 2>It was lovely. It was a lovely time. Hm hm wow.

0:48:52.320 --> 0:48:54.840
<v Speaker 2>Well we've watched the film again. Portrait of Lady on

0:48:54.920 --> 0:48:59.879
<v Speaker 2>Fire went last time. We were like, yeah, it was good.

0:49:00.400 --> 0:49:03.120
<v Speaker 2>I loved it. Yeah, that was excellent. I'm really glad.

0:49:03.120 --> 0:49:05.239
<v Speaker 3>I said there much to laugh about. No, it was

0:49:05.360 --> 0:49:09.439
<v Speaker 3>just a beautiful piece about and Josbians who are having

0:49:09.440 --> 0:49:10.759
<v Speaker 3>a hard time seeing things at night.

0:49:11.400 --> 0:49:12.560
<v Speaker 2>Yeah, you have a problem with that.

0:49:13.560 --> 0:49:16.920
<v Speaker 3>What it's no wonder people went blind at such young ages.

0:49:16.960 --> 0:49:20.640
<v Speaker 3>It was so hard to see any Thank you everybody

0:49:20.640 --> 0:49:24.600
<v Speaker 3>so much for listening. We are all over social media

0:49:24.719 --> 0:49:27.879
<v Speaker 3>at Tossed Popcorn get ready for the memes on this

0:49:27.960 --> 0:49:34.000
<v Speaker 3>week's episode. Oh maybe mon dieu as they say.

0:49:34.320 --> 0:49:36.680
<v Speaker 2>We're also on Patreon at patreon dot com. Slash toss

0:49:36.680 --> 0:49:41.040
<v Speaker 2>Popcorn enjoined us next week when we will be watching.

0:49:45.880 --> 0:49:50.520
<v Speaker 3>Oh that's right, my big fat Greek wedding.

0:49:53.200 --> 0:49:55.240
<v Speaker 2>What do you mean you don't eat no meat?

0:49:58.400 --> 0:50:08.520
<v Speaker 3>I predict you're gonna fee very culturally comfortable on that episode.

0:50:05.800 --> 0:50:11.520
<v Speaker 2>On the table. Yeah.

0:50:11.320 --> 0:50:24.480
<v Speaker 3>Uh Mercy, oh we uh more you Mercy news. Oh

0:50:24.520 --> 0:50:28.960
<v Speaker 3>my gosh olive wa Ror.

0:50:34.400 --> 0:50:36.879
<v Speaker 1>You can find us on Instagram as at Sienna Jaco

0:50:37.000 --> 0:50:39.759
<v Speaker 1>and at Leanna Holsten. Please check the description for the

0:50:39.800 --> 0:50:42.960
<v Speaker 1>spelling of our dumb names. We put on episodes every Tuesday,

0:50:43.000 --> 0:50:45.239
<v Speaker 1>so make sure to subscribe so that you don't miss

0:50:45.280 --> 0:50:48.799
<v Speaker 1>an episode. See you next week on Tossed Popcorn. For

0:50:48.880 --> 0:50:51.840
<v Speaker 1>more podcasts from my Heart Radio, check the iHeartRadio app.

0:50:53.960 --> 0:50:59.880
<v Speaker 3>All right, why'd you give me the one that I

0:51:00.120 --> 0:51:00.640
<v Speaker 3>especially when?

0:51:00.800 --> 0:51:02.959
<v Speaker 2>Okay, alright, let's do it the other way. You start

0:51:03.440 --> 0:51:03.880
<v Speaker 2>Merci