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Speaker 1: Hey everyone, it's Sophia. Welcome to work in progress. Welcome

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Speaker 1: back to work in progress this week. Friends, you all

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Speaker 1: have been so sweet on the announcement of the latest

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Speaker 1: film that I'm making, Summer's Last Resort. I am here

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Speaker 1: in South Africa shooting this movie, having the time of

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Speaker 1: my life with my castmates, and I decided to bug

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Speaker 1: my sweet new friend and my work partner, Jerry O'Connell

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Speaker 1: to sit down with me this week to talk about

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Speaker 1: his legendary career. Ever since he was a kid, Jerry's

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Speaker 1: been described as a person who has a spark that

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Speaker 1: makes him impossible to ignore. He's got an energy that

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Speaker 1: pulls the world in. Jerry O'Connell was one of those kids,

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Speaker 1: and he is absolutely one of those adults. From very

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Speaker 1: early commercials to his breakout role at eleven and Stand

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Speaker 1: By Me, he learned what it meant to be seen

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Speaker 1: and to collaborate, and to navigate the world that can

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Speaker 1: often be as unpredictable as it is thrilling. He was

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Speaker 1: mentored by the legendary Rob Reiner, and that guidance left

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Speaker 1: an imprint that shapes the way he approaches acting, friendship,

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Speaker 1: and life itself. And like all of us. He struggled

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Speaker 1: with insecurity and anxiety about the future and what his

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Speaker 1: role is in it. And at the same time his

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Speaker 1: life has evolved in all these big, beautiful ways as

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Speaker 1: a father, a husband, a talk show host, an actor.

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Speaker 1: He has such a beautiful art and such tremendous humor.

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Speaker 1: He's wonderfully relatable and someone that I know. In our

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Speaker 1: movie and every other you just can't help but root

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Speaker 1: for Let's do a little on set hang with the

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Speaker 1: lovely Jerry O'Connell. Obviously, I've done plenty of in person

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Speaker 1: podcasts before, but my yes and I today are laughing

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Speaker 1: because we are currently filming nights in South Africa. We're

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Speaker 1: on the Western Cape and it's pure Shenanigans in the

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Speaker 1: best way. And there was a debate as to whether

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Speaker 1: we should sit in separate hotel rooms to do this

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Speaker 1: interview and like do it on our zooms, which felt

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Speaker 1: so silly.

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Speaker 2: No, the only real debate was I said we should

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Speaker 2: do this on the beach because the beach is right

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Speaker 2: outside our door, and you said for sound quality we.

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Speaker 1: Should do so that would really be problematic in.

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Speaker 2: Your hotel suite. Do you want to say Sophia's sweet

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Speaker 2: is significantly larger than my hotel room significantly larger.

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Speaker 1: So I do feel that there are clarifications that are

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Speaker 1: very necessary, you know, not for us, but for some

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Speaker 1: not so great people who used to be part of

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Speaker 1: our business. We're not in like a hotel room. We're

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Speaker 1: in the We're in the living room, a large living

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Speaker 1: room in a suite. The quote hotel room someone might

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Speaker 1: be thinking of as like way down the hall, We're not.

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Speaker 2: There, right, No, my hotel room is you walk in.

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Speaker 2: The bed is right there. Oh, there is a small

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Speaker 2: desk which I write letters on. I'm kidding them, Pat,

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Speaker 2: I've never written the paper. I've written a paper letter

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Speaker 2: at decades, so I'm just kidding. They always lay stationary

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Speaker 2: there though. It's so weird.

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Speaker 1: I know, they always give you hotel stationary, and I'm

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Speaker 1: always thinking to myself, this is very sweet. But who

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Speaker 1: uses this?

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Speaker 2: Yeah, I don't know, because people I.

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Speaker 1: Know who use stationary I am that person occasionally, wow

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Speaker 1: have either an icon that they like on their stationary,

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Speaker 1: like a dog or a bee or something that's personal

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Speaker 1: to them. Or people that really have their act together

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Speaker 1: have their own stationary that they get, you know, with

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Speaker 1: like from the desk of or it has their name

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Speaker 1: or whatever. I don't know anybody who's ever used the

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Speaker 1: stationary from a hotel.

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Speaker 2: Yeah, I don't think i'd used a pen in fifteen years. No,

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Speaker 2: I'm kidding, Actually a possible.

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Speaker 1: You have teenagers, don't you have to help them with

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Speaker 1: their homework.

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Speaker 2: We're gonna go off on a tangent here. I do write.

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Speaker 2: I have little like note. I have a note like

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Speaker 2: a stack of pieces of paper that I have and

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Speaker 2: we leave notes for each other in our house.

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Speaker 1: I actually you and the girls, you and Rebecca are

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Speaker 1: all all four of.

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Speaker 2: You, just so everybody knows, Just so I don't assume

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Speaker 2: everybody knows everything about me. I am married to an

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Speaker 2: actress slash supermodel named Rebecca Romaine. We have two children

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Speaker 2: who are seventeen year old girls.

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Speaker 1: So cool.

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Speaker 2: It's it's really funny. I like, listened to a bunch

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Speaker 2: of your episodes yesterday and.

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Speaker 1: Of this, Yeah, which one did you like the best

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Speaker 1: that you heard?

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Speaker 2: I just listened to Jeanie My that was I know

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Speaker 2: her personally. I thought it was very insightful me.

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Speaker 1: It's so amazing.

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Speaker 2: Yeah, and I didn't I'll be honest, I didn't know

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Speaker 2: how much like how much she goes through you know, ye,

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Speaker 2: but I thought it would be fun to have some

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Speaker 2: insight of that. Also, I thought it would be fun

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Speaker 2: for your listeners to know what it is like to

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Speaker 2: work with Sofia. Oh, what it is like to meet Sofia.

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Speaker 2: You and I, I mean, we both started young.

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Speaker 1: You were really a kid, though I.

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Speaker 2: Was a kid. You started more when you were nineteen. Yeah.

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Speaker 1: Well, so I was doing theater at my high school,

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Speaker 1: initially for an elective that I was really pissed about.

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Speaker 2: And then I realized, to give your high school a

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Speaker 2: shout out.

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Speaker 1: Yeah, Western School for Girls passing in California, really fantastic academy.

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Speaker 1: I loved it, but I was so irritated that I

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Speaker 1: had to do this play. And then I realized, I

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Speaker 1: think I love this more than anything, And so I

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Speaker 1: started really pursuing theater as an extracurricular in school, and

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Speaker 1: then when I went to college, started auditioning, looking for,

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Speaker 1: you know, my first professional gig, and then like did

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Speaker 1: the thing we all did, and just drove all over

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Speaker 1: LA to one million casting offices, reading hundreds of pages

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Speaker 1: of sides, you know, every month and just trying to

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Speaker 1: figure it out.

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Speaker 2: Sophia, Let's start from the beginning. All girls' school.

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Speaker 1: All on, hold on, No, you you tangented me. I

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Speaker 1: answered your question. You were talking about your family and

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Speaker 1: your daughters.

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Speaker 2: Yeah, nobody. I mean I'm going to talk about them

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Speaker 2: as we like, as we go on, as we like,

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Speaker 2: we weave it in.

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Speaker 1: Well, hold on, hold on, because this is actually a

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Speaker 1: very good question, and this is usually how I start

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Speaker 1: my interviews. Clearly, my audience has figured out that yes,

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Speaker 1: I am interviewing the legend that is Jerry O'Connell. But

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Speaker 1: also it's like hurting cats, like two artists with another

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Speaker 1: group of artists. By the way, I sort of wish

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Speaker 1: the whole cast was on this interview. Who are like

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Speaker 1: making a comedy which requires you to be a little

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Speaker 1: unhinged at all times so you can improv on set.

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Speaker 1: It's hard for us to stay on dra Yeah, so

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Speaker 1: I'm going to ask you my question that I normally

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Speaker 1: start with, okay, because it does relate, and I actually

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Speaker 1: think this is an even better question to ask parents.

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Speaker 2: Let's go.

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Speaker 1: You know, people who know you, know your career. We

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Speaker 1: have had the opportunity to know you since you were

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Speaker 1: really young, because you were eleven when you made standby.

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Speaker 2: I stand by Me? I was eleven.

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Speaker 1: Yeah, But so so often people know an adult person's work,

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Speaker 1: they don't really know your whole life, and they certainly

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Speaker 1: don't know where you came from. So I want you

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Speaker 1: to take us back. Let's go early eighties. Paint a

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Speaker 1: picture of what it was like. And the question, the

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Speaker 1: deep question I like, is if you could, you know,

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Speaker 1: be in your own sci fi movie and walk on

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Speaker 1: to a playground today and see your eight year old self,

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Speaker 1: would you see the man you are today in him?

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Speaker 1: Do you think you have things in common? Like would

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Speaker 1: you see your sense of humor or precocia business? What

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Speaker 1: was it?

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Speaker 2: No, No, I wouldn't. I wouldn't recognize. Uh. It's really

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Speaker 2: funny when I, uh, when I did stand By Me,

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Speaker 2: I was always getting in trouble for uh, they called

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Speaker 2: me hyperactive. I don't think that's a term that they

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Speaker 2: use anymore. Teachers, principles, teachers. I remember my dad on

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Speaker 2: his bookshelf had a book when I was a kid.

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Speaker 2: It said why is your child hyperactive? And my mother

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Speaker 2: would always say, like, when I'd get in trouble and

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Speaker 2: she'd come to pick me up. She'd always go, why

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Speaker 2: don't you just why don't you just shut up and

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Speaker 2: sit on your hands, just when you get that thought

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Speaker 2: of blurting something up, blurting that I was a blurterer,

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Speaker 2: a blurer. I was a blurterer. When you get that thought,

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Speaker 2: just shut up and sit on your hands. And my

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Speaker 2: mantra through my life was shut up. So literally I

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Speaker 2: would be with you, so like I would be sitting

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Speaker 2: here with you, Sofia, and I'd want to say, like, yeah,

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Speaker 2: I wasn't like killing cats. And before I would say that,

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Speaker 2: I go say that just shut up and sitting in

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Speaker 2: your hands. Shut up and sit in your hands. But

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Speaker 2: like saying I wasn't killing cats, it's kind of funny.

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Speaker 1: I mean, it's actually quite funny.

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Speaker 2: Actually, looking back, I'm glad I said it.

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Speaker 1: It also makes me wonder like do I not know

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Speaker 1: that you went to school with someone who wound up

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Speaker 1: being a serial killer? Like is that where the reference

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Speaker 1: comes from? Or do you just watch a lot of

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Speaker 1: true crime?

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Speaker 2: No serial killers? Do I have any friends that have

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Speaker 2: murdered anyone? Oh? My god, I do watch I Love

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Speaker 2: Love A good dateline.

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Speaker 1: Yeah, me too.

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Speaker 2: With my spouse we watch them together. Yeah, it's always

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Speaker 2: by the way, I mean, I think it's part of

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Speaker 2: the iHeart world. Man, those dateline podcasts are. And by

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Speaker 2: the way, it's crazy. The thing that's so good about

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Speaker 2: them too, and it's why so fun to watch my

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Speaker 2: wife is that it's always like spouse stuff. It's always

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Speaker 2: ye spouse wanting to kill, a spouse having an affair,

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Speaker 2: a spouse killing a spouse to be with the like,

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Speaker 2: and it's always the spouse.

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Speaker 1: Does it ever make you like when the episode is over,

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Speaker 1: look at each other and go but not us? Right?

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Speaker 3: Oh?

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Speaker 2: I think my wife was capable. I'm not even joking

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Speaker 2: twenty years. You've been married. My wife and I've been

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Speaker 2: together over twenty years. We got married in seven, so

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Speaker 2: well that's coming up on nineteen years. Wow. Yeah, it's

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Speaker 2: crazy and it's funny too. I mean, you're really I

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Speaker 2: want to say, Sophia is really seeing my marriage at work?

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Speaker 2: Because I'm going to tell you, as someone who's been

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Speaker 2: married close to twenty years, I'm sort of an expert.

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Speaker 1: Now you've well over, you're well over ten thousand hours and.

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Speaker 2: You have watched it marriages. You see how marriages work.

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Speaker 2: When a spouse is away for a month at a

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Speaker 2: time on a different continent, and you know you are

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Speaker 2: also in a relationship, and you really see what relationships

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Speaker 2: are when a spouse is away from their spouse. Yeah,

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Speaker 2: and I can see that you are in very much

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Speaker 2: a loving relationship. And actually, I too, am in a

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Speaker 2: loving relationship. You just can't see it. I know I'm

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Speaker 2: in a loving relationship. No, hold in a second, I

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Speaker 2: know I'm in a loving relationship because we're this is

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Speaker 2: we're doing this from a continent away from North America

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Speaker 2: where we normally live. We're in Africa shooting a movie

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Speaker 2: called Summer's Last Resort, going to be on tub Let's

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Speaker 2: give them a plug. But I talk to my wife

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Speaker 2: now every day. I call her every day. And now

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Speaker 2: that I've been away from my wife for a little

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Speaker 2: over three weeks, now I can hear how happy my

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Speaker 2: wife is. I'm not joking, Sophia. You know this is true,

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Speaker 2: and that is I think the sign of a real

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Speaker 2: I'm not kidding. There is like an ease that comes

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Speaker 2: with that. Like I think when I was younger, if

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Speaker 2: I was away, I was concerned about my wife or

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Speaker 2: you get like concerned about cheating or like jealousy or

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Speaker 2: like I'm not around my partner, you know. But there

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Speaker 2: is something fun and easy about I can go away

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Speaker 2: for a month. I have to earn a living, you know.

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Speaker 2: And you know, do I wish I was shooting this

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Speaker 2: like in my hometown, yes, but this is where our

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Speaker 2: business is. It's overseas. My wife did that X Men

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Speaker 2: movie in London for a month, you know, And.

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Speaker 1: And she just wrapped her show in Canada.

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Speaker 2: I mean, Wipe did a show in Canada.

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Speaker 1: It's pretty crazy.

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Speaker 2: Yeah, I mean it is a little nicer if you're

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Speaker 2: a Sophia and you get the larger suite where you

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Speaker 2: can shoot podcasts. And we should actually have done this

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Speaker 2: in my shitty room. We should sitting in the corner,

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Speaker 2: sitting on the floor. No, on my desk where I

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Speaker 2: write letters.

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Speaker 1: Write oh on the hotel station are of course, And

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Speaker 1: now a word from our wonderful sponsors. Okay. You tell

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Speaker 1: such funny stories about your family, and not just you

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Speaker 1: and your wife and your beautiful kids, but also your parents.

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Speaker 1: You grew up in Greenwich.

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Speaker 2: Village, grew up in New York City.

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Speaker 1: It's funny because like the way you talk about your

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Speaker 1: mom and dad, like it reminds me, you know, that

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Speaker 1: heavy New York thing. It's like all my grandparents, aunts

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Speaker 1: and uncles. But how did the acting stuff start for

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Speaker 1: you so young? I feel like that was more common

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Speaker 1: on the West Coast because of commercials and and the

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Speaker 1: shows that used to shoot on all the sound stages,

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Speaker 1: like the Nickelodeon stuff. Sure, so were your parents creatively inclined?

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Speaker 1: Did you say, hey, mom and dad, I want to

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Speaker 1: do this and they encouraged it, Like we got to

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Speaker 1: get a little bit back on our timeline. How did

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Speaker 1: that happen?

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Speaker 2: So? I grew up in Greenwich Village. I'm so happy

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Speaker 2: that I grew up in Greenwich Village. It was a

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Speaker 2: very diverse, very open, very uh how do I word this?

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Speaker 2: Very very just liberal place. And I don't mean like

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Speaker 2: even like liberal, like politically the building. I grew up

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Speaker 2: in a building, which is interesting because a building is

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Speaker 2: like a neighborhood. You know, there's hundreds of people who

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Speaker 2: live in your building, and that's like your world, especially

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Speaker 2: if you're a kid.

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Speaker 1: I love that.

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Speaker 2: And because it was Greenwich Village and it was the eighties,

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Speaker 2: a lot of homosexuals lived. I grew up raised by

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Speaker 2: homosexuals basically. So I grew up in a very open world.

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Speaker 1: Yeah me too.

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Speaker 2: That said, I'm now raising my children in a very

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Speaker 2: fancy suburb of Los Angeles called Calabasas, and I love Calabasas.

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Speaker 2: Calabasas is the best. We have a mall out there

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Speaker 2: called the Commons, which is beautiful. There's a Lululemon. Oh,

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Speaker 2: there's a Barnes and Noble. Okay, don't get me started

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Speaker 2: on the Marmalade, which is a chain of restaurants. I

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Speaker 2: love it, but it is not nearly as like open

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Speaker 2: and like, yeah, it's not nearly as open as where

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Speaker 2: I grew up. And I do think, I like I

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Speaker 2: need to, like I think, especially at a young age,

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Speaker 2: just because it's how I grew up. So I don't

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Speaker 2: know if everybody thinks how they grew up is like

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Speaker 2: the best way. But you're immediately tolerant of everything when

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Speaker 2: you grow up in a world like I grew up in.

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Speaker 2: And I'm so grateful to my parents that they they

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Speaker 2: were like kind of like artists in the eighties, you know,

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Speaker 2: like they partied. My mom and dad both went to

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Speaker 2: art school. My dad worked in advertising. My mom was

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Speaker 2: an art teacher, public school, very loose people, you know. Yeah,

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Speaker 2: so cool, and it was just a really fun, fun

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Speaker 2: way to grow up. When I get remarried and I'm

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Speaker 2: raising a new like batch of children, I'm going to

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Speaker 2: do it in a place like Greenwich Village. I'm not

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Speaker 2: going to go to the fancy suburbs. I want to

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Speaker 2: get back to the acting thing. My parents put me

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Speaker 2: in an acting class when I was a kid, yeah,

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Speaker 2: because I wasn't shutting up, but I wasn't sitting on

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Speaker 2: my hands. So one day a week I went to

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Speaker 2: a place called HB Studios and sort of Greenwich Village,

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Speaker 2: and I too a class which was an improv teen

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Speaker 2: acting class on Sundays, and we h a lot of

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Speaker 2: times the teacher would say, like she would set a scenario,

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Speaker 2: You're driving on a windy road, go, and there will

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Speaker 2: be like a group of you on stage and you

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Speaker 2: would just improv, you know. Yeah, And I remember one

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Speaker 2: day there was a group of us lined up. The

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Speaker 2: teacher goes, you're on the ledge of a building. Go,

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Speaker 2: And I came up with this whole bit of don't

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Speaker 2: don't kick the pigeons, don't kick. I was with a

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Speaker 2: group of kids and I was like, and they were older.

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Speaker 2: I was like ten, they were like sixteen seventeen. They

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Speaker 2: would smoke cigarettes afterwards. It was crazy. I thought they

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Speaker 2: were so old. I made this whole thing about don't

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Speaker 2: kick the pigeons, and it was killing. It was getting

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Speaker 2: a lot of laugh like stay away from the pigeons,

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Speaker 2: like let the pigeons be free. And I was like, oh,

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Speaker 2: that's such a cute pigeon look. And I made a

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Speaker 2: whole and I just had a runner on pigeons and

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Speaker 2: I took over the scene. And after it's one of

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Speaker 2: the older kids like smoking a cigarette outside, you know,

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Speaker 2: a leather check it on and he said, m hey man,

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Speaker 2: you were really funny in that scene. That was really funny.

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Speaker 2: I remember thinking, I know, I remember thinking like, finally

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Speaker 2: I'm good at something like not finally, like now we're talking,

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Speaker 2: and it just I just have been chasing that older

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Speaker 2: kid smoking a cigarette saying you were really funny in

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Speaker 2: that scene ever since. I mean, listen, Sophia, every time

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Speaker 2: we do scene, I'm trying to get a laugh or

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Speaker 2: gets something out of you. I'm trying to, Oh, let

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Speaker 2: me talk about working with Sofia. Everybody, everyone's gonna want

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Speaker 2: this insight. First of all, I don't judge people physically.

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Speaker 2: Everyone knows that about me. What is staggering on meeting

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Speaker 2: you in person, Sofia, is how how physically beautiful you are.

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Speaker 2: It is pretty, It is real. A lot of times

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Speaker 2: you meet Hollywood types and you meet them in person

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Speaker 2: without makeup in Africa, and you're like, oh, that is

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Speaker 2: not That's not what I saw on Instagram. That is

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Speaker 2: not the case with you, Sophia gorgeous. But also you're

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Speaker 2: really and I don't know if this comes from your

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Speaker 2: time at One Tree Hill, And I don't know if

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Speaker 2: this is because we're working with younger actors. There's like

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Speaker 2: kids in this movie. You're very maternal. On a sets,

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Speaker 2: you're very You make sure people are being taken care of,

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Speaker 2: and you make sure things are things are comfortable for

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Speaker 2: not only yourself but for your cast around you. Where

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Speaker 2: does that because I'm not like that at all. I'm

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Speaker 2: like every man for himself. I'm not joking. Hey, guys,

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Speaker 2: I come to a set, I do my thing, and

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Speaker 2: I don't It's not that I don't care about other people.

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Speaker 2: It's that I just make it. It's none of my business.

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Speaker 2: That's how I am, okay, what made you that maternal?

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Speaker 1: It's interesting, you know, I'm sure you've had experiences like this.

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Speaker 1: I think as we grow up throughout our lives, you know,

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Speaker 1: you realize you think you know the answer to something

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Speaker 1: about yourself, or you think you know the story, and

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Speaker 1: then you talk to your parents or you hear something

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Speaker 1: that gives you kind of an aha moment. Like somebody

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Speaker 1: asked me where my activism started, and I had this,

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Speaker 1: you know, sixth grade story, and then what happened when

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Speaker 1: I started working on TV? And then I realized, oh,

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Speaker 1: it was so long before that, actually in second grade,

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Speaker 1: like WHOA kind of blew my mind. That's a story

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Speaker 1: for another day. But I had been told my entire

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Speaker 1: life that at whatever stage I was at, I was

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Speaker 1: always taking care of the younger kids in the room.

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Speaker 1: So if I was five, I was taking care of

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Speaker 1: the two year olds, and if I was nine, I

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Speaker 1: was watching the five year olds. And you know, the

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Speaker 1: summer camp that I went to as a kid, I

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Speaker 1: became a counselor in training the first year I was

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Speaker 1: allowed to, you know, and for the next few years

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Speaker 1: was responsible for other people's children. But my parents really

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Speaker 1: always took care of their people, and when I got

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Speaker 1: on set, I saw a lot of the opposite from

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Speaker 1: people in power. You know, we did not have a

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Speaker 1: good creator. We had some people who really did not

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Speaker 1: care about other people's experience, who were in various positions

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Speaker 1: of power there and then there were really wonderful people

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Speaker 1: who did you know. My supervising on set producer is

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Speaker 1: a gentleman named Greg Praine, who taught me so much

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Speaker 1: of what I know and I think for me when

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Speaker 1: I then ventured, you know, I did that show. I

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Speaker 1: did this great comedy called Partners. We were the first

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Speaker 1: gay kiss on CBS, and then we got canceled. That

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Speaker 1: was unfortunate. Then I went and did Chicago PD and

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Speaker 1: when I left that show was really when I leaned

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Speaker 1: into not just the acting, but the producing and b

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Speaker 1: because it allows me to help set a tone on

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Speaker 1: a set and make sure I can have everyone's back,

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Speaker 1: not just as a coworker who will advocate for them,

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Speaker 1: but as someone in a literal position of power in

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Speaker 1: the eyes of the people who employ us. Right, I

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Speaker 1: don't know, it's just my nature and I have figured

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Speaker 1: out how, or I'm still figuring out. I guess how.

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Speaker 1: In my career to have that nature come with some

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Speaker 1: gravitas so that it gets listened to, so that I

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Speaker 1: can protect my people.

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Speaker 2: Well, this is hard for me to admit, but when

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Speaker 2: I walk on a set with Sophia, I'm the second

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Speaker 2: most famous person off set. It's okay. It occasionally happens.

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Speaker 2: I'm married to a very famous surson as well. I

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Speaker 2: understand how this goes. But since I've been here with you,

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Speaker 2: we've been spending a lot of time with each other.

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Speaker 2: I'm going to go as far as to say, is

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Speaker 2: you're my work wife. We we have to eat dinner together.

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Speaker 2: We have to do manage the children together, to manage

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Speaker 2: the children together, and that has been That has been

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Speaker 2: a lot of fun. I want to tell your listeners,

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Speaker 2: I've been using every opportunity I have with you to

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Speaker 2: ask as much about One Tree Hill and what happened

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Speaker 2: behind the scenes.

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Speaker 1: You really are so fascinated by it.

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Speaker 2: I am fascinated. Did this maternal instinct of yours on

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Speaker 2: sets which I have witnessed, start on One Tree Hill

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Speaker 2: or did it start when you had more experiences.

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Speaker 1: It's always been my nature. I think I had to learn.

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Speaker 1: I had to learn where it was additive and sometimes

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Speaker 1: where it wasn't like I will never forget this, like

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Speaker 1: still haunts me. We had a background player on that

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Speaker 1: show who was clearly going through something and our ad

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Speaker 1: department was talking about her in a way. And I

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Speaker 1: mean this went on for weeks and I'm listening to

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Speaker 1: these guys and there were guys in that department who

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Speaker 1: just like were notoriously unkind. That department hazed every new

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Speaker 1: person who came into it. I mean they wouldn't allow

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Speaker 1: like the NEWESPA to sit down. They made them carry

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Speaker 1: weights around to like exhaust their bodies. It was not great.

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Speaker 1: And I just listened to the way they talked about

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Speaker 1: this girl. It was driving me crazy. And they weren't

434
00:24:36,280 --> 00:24:38,560
Speaker 1: talking to her, and I'm like, you have criticisms about

435
00:24:39,080 --> 00:24:41,200
Speaker 1: the way she's behaving at work, like somebody talked to her.

436
00:24:41,200 --> 00:24:42,879
Speaker 1: You gotta tell her or how is she going to know?

437
00:24:43,880 --> 00:24:46,840
Speaker 1: And you know everybody said, you know, above my pay grade,

438
00:24:47,440 --> 00:24:51,159
Speaker 1: aasy excuse, right, that's somebody else's job. And so one

439
00:24:51,240 --> 00:24:53,280
Speaker 1: day I was like, oh, fuck this, you know, I'm

440
00:24:53,320 --> 00:24:54,920
Speaker 1: going to go talk to her and be like, hey,

441
00:24:55,680 --> 00:24:57,800
Speaker 1: I need you to know, like what's going on, what's

442
00:24:57,840 --> 00:25:01,600
Speaker 1: being said, if this it's true, it's not cool and

443
00:25:01,640 --> 00:25:07,359
Speaker 1: it's going to affect your reputation. That did not go well,

444
00:25:08,040 --> 00:25:11,880
Speaker 1: and I went to speak to my supervising producer, who

445
00:25:11,920 --> 00:25:15,240
Speaker 1: really was like a mentor to me there, and he

446
00:25:15,400 --> 00:25:17,840
Speaker 1: was like, kid, there are things you just can't say

447
00:25:18,000 --> 00:25:21,200
Speaker 1: because you're one of the actors. If an ad gives

448
00:25:21,200 --> 00:25:24,520
Speaker 1: that feedback, it's professional feedback. If you give that feedback,

449
00:25:24,920 --> 00:25:30,000
Speaker 1: it's immediately looked at as something else. Because you're one

450
00:25:30,040 --> 00:25:33,840
Speaker 1: of the actors. Everybody thinks you're different, even though you're not.

451
00:25:34,840 --> 00:25:38,080
Speaker 1: And it was a really illuminating experience for me because

452
00:25:38,160 --> 00:25:41,199
Speaker 1: I've seen it in action. You know, I've been on

453
00:25:41,280 --> 00:25:46,320
Speaker 1: sets I'll never forget, like being on a next set

454
00:25:46,400 --> 00:25:50,280
Speaker 1: where there was a lot of yelling and on the

455
00:25:50,320 --> 00:25:53,000
Speaker 1: first day that two women in the ad department were

456
00:25:53,040 --> 00:25:55,840
Speaker 1: running the set, first time ever, they were given the

457
00:25:55,880 --> 00:26:00,040
Speaker 1: set to run. Some background actors were not respecting the

458
00:26:00,119 --> 00:26:01,880
Speaker 1: rules and they'd gone to say it over and over

459
00:26:01,920 --> 00:26:04,480
Speaker 1: and over again, and I finally went over and was like, guys,

460
00:26:04,480 --> 00:26:07,840
Speaker 1: please don't dismiss these women. Don't be disrespectful. We're all

461
00:26:07,880 --> 00:26:12,240
Speaker 1: watching it happen. You can't not take them seriously. This

462
00:26:12,320 --> 00:26:14,560
Speaker 1: is their job, this is their workplace. You are guests

463
00:26:14,560 --> 00:26:17,320
Speaker 1: in this workplace. They run the set. We don't even

464
00:26:17,359 --> 00:26:20,639
Speaker 1: run the set. The actors they do. And then it

465
00:26:20,760 --> 00:26:23,760
Speaker 1: was like, oh, so rude men in And I was like,

466
00:26:25,080 --> 00:26:27,160
Speaker 1: y'all have been told not to do something five times

467
00:26:27,200 --> 00:26:30,200
Speaker 1: and you're literally doing it in the faces of your bosses,

468
00:26:30,280 --> 00:26:32,640
Speaker 1: Like it's not cool. And I'm not trying to be rude.

469
00:26:32,680 --> 00:26:35,320
Speaker 1: I'm trying to say, stop being an asshole. But people

470
00:26:35,400 --> 00:26:38,960
Speaker 1: don't like it from people like us, and there's things

471
00:26:39,000 --> 00:26:42,600
Speaker 1: I've had to figure out. So sometimes I have to say, like,

472
00:26:42,680 --> 00:26:45,520
Speaker 1: shut up and sit on your hands. You can't, you can't.

473
00:26:45,520 --> 00:26:47,040
Speaker 1: You got to go. You got to go talk to

474
00:26:47,080 --> 00:26:49,440
Speaker 1: an ad You got to go talk to somebody else

475
00:26:49,480 --> 00:26:51,360
Speaker 1: and let them go do it, because if they go

476
00:26:51,440 --> 00:26:54,840
Speaker 1: do it, they're very firm and professional. But if I

477
00:26:54,880 --> 00:26:55,720
Speaker 1: do it, I'm a bitch.

478
00:26:56,119 --> 00:27:02,119
Speaker 2: I have while working with Sophia, I have seen I

479
00:27:02,119 --> 00:27:05,680
Speaker 2: have seen you. I've seen you in a boss mode.

480
00:27:06,040 --> 00:27:08,560
Speaker 2: And by the way, Sophia, I really like it what

481
00:27:08,640 --> 00:27:11,760
Speaker 2: I I do. When am I a boss, you're a boss,

482
00:27:14,800 --> 00:27:20,000
Speaker 2: You're a boss. When people from certain departments that'd be

483
00:27:20,040 --> 00:27:22,160
Speaker 2: really careful, how I say this so it doesn't get

484
00:27:22,160 --> 00:27:25,679
Speaker 2: cut people from because by the way, a lot of

485
00:27:25,680 --> 00:27:27,399
Speaker 2: my interview has been cut. I just want you to

486
00:27:27,440 --> 00:27:34,000
Speaker 2: know people from certain departments who are supposed to help

487
00:27:34,040 --> 00:27:37,399
Speaker 2: the actors are maybe not helping. And again I in

488
00:27:37,480 --> 00:27:39,560
Speaker 2: my sort of like it's none of my business. I'm

489
00:27:39,600 --> 00:27:42,960
Speaker 2: just going to be quiet about it. Sophia actually says

490
00:27:43,000 --> 00:27:46,399
Speaker 2: something about it in a really good manner. You really

491
00:27:46,480 --> 00:27:51,000
Speaker 2: you're stern, but you're not rude. I haven't heard you

492
00:27:51,080 --> 00:27:51,760
Speaker 2: raise your voice.

493
00:27:51,960 --> 00:27:54,720
Speaker 1: I don't do that. If I raise my voice. We

494
00:27:54,760 --> 00:27:58,199
Speaker 1: are ten clicks past a problem. It takes me so

495
00:27:58,480 --> 00:28:02,520
Speaker 1: long to get eight. So if we've gotten there, like

496
00:28:03,200 --> 00:28:05,800
Speaker 1: it's been going on for so long already, I.

497
00:28:05,800 --> 00:28:10,600
Speaker 2: Kind of want to hear Sophia scream at some point.

498
00:28:11,600 --> 00:28:13,639
Speaker 1: My whole thing is is like, look, we just we

499
00:28:13,680 --> 00:28:16,400
Speaker 1: all got to show up. And I never want anybody

500
00:28:16,440 --> 00:28:19,000
Speaker 1: to feel bad, but if something's not happening, especially we

501
00:28:19,040 --> 00:28:21,720
Speaker 1: have kids on set, you know, and if they're not

502
00:28:21,760 --> 00:28:23,600
Speaker 1: getting what they need, it's like, hey, guys, I just

503
00:28:23,640 --> 00:28:25,800
Speaker 1: need somebody to come over and help with this. Please,

504
00:28:26,359 --> 00:28:26,800
Speaker 1: thank you.

505
00:28:27,119 --> 00:28:27,760
Speaker 2: And that's it.

506
00:28:28,119 --> 00:28:31,159
Speaker 1: That's my vibe. And now a word from our sponsors

507
00:28:31,200 --> 00:28:33,280
Speaker 1: that I really enjoy and I think you will too.

508
00:28:39,840 --> 00:28:43,480
Speaker 2: I love that my podcast has no no, well, Sofia, no,

509
00:28:43,760 --> 00:28:47,800
Speaker 2: It's okay, you are, and I'm working with Sophia. Guys,

510
00:28:48,960 --> 00:28:51,640
Speaker 2: Sophia may be one of the most intriguing persons I've

511
00:28:51,680 --> 00:28:54,080
Speaker 2: ever worked with. I mean that, I mean it, Sofia,

512
00:28:54,240 --> 00:29:00,360
Speaker 2: I mean funny. So this is my chance. Okay, and wait,

513
00:29:00,360 --> 00:29:02,200
Speaker 2: people are going to be interested in this. Okay. I

514
00:29:02,560 --> 00:29:06,200
Speaker 2: listen to eighteen hours of your show. You talk to

515
00:29:06,240 --> 00:29:09,520
Speaker 2: other people. Let's talk about you for one second. When

516
00:29:09,600 --> 00:29:12,960
Speaker 2: was the last time you yelled at work?

517
00:29:13,600 --> 00:29:16,120
Speaker 1: When was the last time I yelled at work?

518
00:29:16,840 --> 00:29:17,040
Speaker 2: Oh?

519
00:29:17,080 --> 00:29:19,560
Speaker 1: It was funny. I remember this is many years ago.

520
00:29:20,600 --> 00:29:22,880
Speaker 1: And I love him. I mean I'm telling you, I

521
00:29:22,920 --> 00:29:28,160
Speaker 1: would like I would get into a physical altercation. Send

522
00:29:28,640 --> 00:29:32,680
Speaker 1: Jason Isaac's I love that man. I love him. He

523
00:29:32,760 --> 00:29:36,640
Speaker 1: played my dad on my show Good Sam. He is

524
00:29:36,760 --> 00:29:41,120
Speaker 1: such a stunningly beautiful actor. I mean that man. What

525
00:29:41,240 --> 00:29:43,920
Speaker 1: a gift working with him was. What a gift that

526
00:29:44,000 --> 00:29:46,400
Speaker 1: show was. It gave me Sky Marshall, who's one of

527
00:29:46,440 --> 00:29:48,960
Speaker 1: my best friends in the world now, like, I have

528
00:29:49,040 --> 00:29:51,160
Speaker 1: nothing but good things to say about it. And Jason

529
00:29:51,320 --> 00:29:58,240
Speaker 1: is He's such a gorgeous artist, and when something doesn't

530
00:29:58,240 --> 00:30:00,200
Speaker 1: feel right to him, he can't. He can't. It's like

531
00:30:00,240 --> 00:30:02,120
Speaker 1: a you know, it's like a bug in his ear.

532
00:30:02,160 --> 00:30:06,640
Speaker 1: He can't quite let it go. And we had a

533
00:30:06,680 --> 00:30:08,840
Speaker 1: bear of a day, like a bear of a day

534
00:30:08,880 --> 00:30:12,720
Speaker 1: in a bear of an episode, and our showrunner, our

535
00:30:12,720 --> 00:30:15,280
Speaker 1: head writer, had been like, I'm going to say this

536
00:30:15,320 --> 00:30:18,640
Speaker 1: to all of you now. If you need anything on

537
00:30:18,680 --> 00:30:20,880
Speaker 1: this episode, if you have thoughts, if you have feedback,

538
00:30:20,880 --> 00:30:25,320
Speaker 1: if you want to change something, come to me before

539
00:30:25,880 --> 00:30:27,320
Speaker 1: we are not due. I don't have time for on

540
00:30:27,800 --> 00:30:31,480
Speaker 1: set changes on the day in this episode, Like, let's.

541
00:30:31,240 --> 00:30:34,440
Speaker 2: Just set the scene. You get a script. A lot

542
00:30:34,440 --> 00:30:36,240
Speaker 2: of times when you get a script and I'm a

543
00:30:36,240 --> 00:30:39,600
Speaker 2: fan of this, you say this isn't working for some reason,

544
00:30:39,720 --> 00:30:41,920
Speaker 2: I need to change something a little bit. Yeah, I

545
00:30:41,920 --> 00:30:43,640
Speaker 2: think you should be able to change it. I think

546
00:30:43,720 --> 00:30:45,960
Speaker 2: actors should be able to change it just because they're

547
00:30:46,000 --> 00:30:48,600
Speaker 2: in a situation that a writer who wrote this months

548
00:30:48,600 --> 00:30:52,120
Speaker 2: ago was not in. Yes, but a lot of times

549
00:30:52,120 --> 00:30:54,360
Speaker 2: in television, the writer is the boss and the writer

550
00:30:54,520 --> 00:30:56,800
Speaker 2: says I wrote it, you say it, that's it, And

551
00:30:56,800 --> 00:30:58,080
Speaker 2: that is not our showrunner.

552
00:30:58,200 --> 00:31:00,400
Speaker 1: I've worked with that showrunner who says I wrote it.

553
00:31:00,440 --> 00:31:02,880
Speaker 1: You're going to say it, I've had that, and you go, okay,

554
00:31:04,000 --> 00:31:05,640
Speaker 1: but what about the fact that this is literally the

555
00:31:05,680 --> 00:31:07,160
Speaker 1: opposite of the thing you had me say in last

556
00:31:07,200 --> 00:31:09,040
Speaker 1: week's episode. And then they're like, don't care.

557
00:31:09,160 --> 00:31:11,000
Speaker 2: I agree that that was That is not.

558
00:31:11,120 --> 00:31:14,320
Speaker 1: Katie, that is not the Jenny Rman camp. They're fabulous

559
00:31:14,720 --> 00:31:19,480
Speaker 1: co conspirators on set, but this was a particularly large, expensive,

560
00:31:20,080 --> 00:31:24,560
Speaker 1: almost impossible to shoot episode, and I the amount of

561
00:31:24,680 --> 00:31:29,040
Speaker 1: medical jargon, like words like para cardio sentisis needle are

562
00:31:29,120 --> 00:31:32,959
Speaker 1: burned into my brain. They'll never very impressed.

563
00:31:33,000 --> 00:31:34,560
Speaker 2: Cardialed car.

564
00:31:35,200 --> 00:31:39,320
Speaker 1: You just can't. You can't. It's crazy, and something was

565
00:31:39,360 --> 00:31:42,880
Speaker 1: really driving Jason crazy, and they'd been like, no, no,

566
00:31:43,120 --> 00:31:46,840
Speaker 1: not today, we can't. And we're like racing against the

567
00:31:46,880 --> 00:31:49,560
Speaker 1: clock and we're sitting in our like little zone as

568
00:31:49,600 --> 00:31:51,400
Speaker 1: actors and they're moving a light and we've got five

569
00:31:51,440 --> 00:31:54,959
Speaker 1: minutes and I'm running medical jargon just because I've got

570
00:31:55,000 --> 00:31:56,480
Speaker 1: to get it perfect and I have to I have

571
00:31:56,520 --> 00:31:58,400
Speaker 1: to be performing a thing, and like it's one handed

572
00:31:58,400 --> 00:32:01,479
Speaker 1: surgical nuts and it's a whole it's so hard, and

573
00:32:01,560 --> 00:32:03,760
Speaker 1: on that show, I was literally giving up my lunches

574
00:32:03,800 --> 00:32:07,400
Speaker 1: to do medical rehearsals and doing fittings on lunches and

575
00:32:07,440 --> 00:32:09,480
Speaker 1: doing table reads on lunches because we just don't have time.

576
00:32:10,160 --> 00:32:13,200
Speaker 1: And he comes, you know, we're sitting and he goes, okay,

577
00:32:13,400 --> 00:32:15,280
Speaker 1: I just think if we and I just went, I

578
00:32:15,320 --> 00:32:17,000
Speaker 1: can't do this with you today. I love you so much.

579
00:32:17,040 --> 00:32:22,400
Speaker 1: Stop talking to me and he was like, so like

580
00:32:22,440 --> 00:32:24,680
Speaker 1: what And I was like, I can't today, I can't

581
00:32:24,720 --> 00:32:26,840
Speaker 1: I my brain, i can't. I can't. I can't have

582
00:32:26,880 --> 00:32:29,440
Speaker 1: a conversation about what needs to change. I'm barely on

583
00:32:29,480 --> 00:32:32,360
Speaker 1: top of it. And he was just like, okay, sorry,

584
00:32:32,680 --> 00:32:35,080
Speaker 1: and I was like thank you, but I was like

585
00:32:35,200 --> 00:32:38,840
Speaker 1: yelling compliments because I just was like, if you, if

586
00:32:38,880 --> 00:32:41,640
Speaker 1: you fuck up the flow of my brain, I will

587
00:32:41,800 --> 00:32:44,120
Speaker 1: Today is the day on this set that I will expire.

588
00:32:44,960 --> 00:32:49,960
Speaker 1: And he looked so shocked, and Sky had this wide

589
00:32:50,080 --> 00:32:52,880
Speaker 1: eye and just was trying not to giggle. And I

590
00:32:52,960 --> 00:32:55,800
Speaker 1: was like, I love everybody. I gotta go rehearse. And

591
00:32:56,040 --> 00:32:59,360
Speaker 1: I had to just like go and do the lines

592
00:32:59,440 --> 00:33:02,440
Speaker 1: and the motion and together because it was so sure

593
00:33:02,760 --> 00:33:05,920
Speaker 1: hard and he's such a sweet angel. At the end

594
00:33:05,960 --> 00:33:07,680
Speaker 1: of the day, he was like, I really didn't mean

595
00:33:07,720 --> 00:33:09,600
Speaker 1: to throw you off. Earlier, I said, I know, I

596
00:33:09,680 --> 00:33:12,440
Speaker 1: just I was this close to being throwne sorry, and

597
00:33:12,480 --> 00:33:13,920
Speaker 1: he was like love you. I was like love you

598
00:33:14,320 --> 00:33:16,760
Speaker 1: and that was it and it was so sweet. And

599
00:33:16,800 --> 00:33:19,280
Speaker 1: it's like, it's not lost on me how lucky I

600
00:33:19,320 --> 00:33:21,720
Speaker 1: am to work with people who, like, even the most

601
00:33:21,720 --> 00:33:26,200
Speaker 1: stressful moment is actually so loving and cute. It was great.

602
00:33:26,720 --> 00:33:28,160
Speaker 2: I want you to yell at me on this.

603
00:33:28,960 --> 00:33:34,120
Speaker 1: Don't want here's the thing. I will say this I

604
00:33:34,160 --> 00:33:37,600
Speaker 1: have and you say this to me. You know, people

605
00:33:37,640 --> 00:33:39,440
Speaker 1: will say, like, I don't know, my life is my life.

606
00:33:39,480 --> 00:33:41,720
Speaker 1: I don't think it's like that interesting. And then people

607
00:33:41,720 --> 00:33:44,840
Speaker 1: will go, that's some pretty crazy shit. And everything feels

608
00:33:44,840 --> 00:33:47,680
Speaker 1: pretty even for me now, and I think I've done

609
00:33:47,680 --> 00:33:50,520
Speaker 1: a lot of work to get there, you know, when

610
00:33:50,520 --> 00:33:53,120
Speaker 1: you do the work to unpack shit and heal and

611
00:33:53,320 --> 00:33:57,560
Speaker 1: take accountability and also finally stop excusing terrible things that

612
00:33:57,600 --> 00:34:01,680
Speaker 1: have happened to you and and everything, like I don't

613
00:34:01,680 --> 00:34:04,600
Speaker 1: really flip out, like like when the hair cut.

614
00:34:04,840 --> 00:34:09,239
Speaker 2: Thing happened, is this going to get cut?

615
00:34:09,320 --> 00:34:11,440
Speaker 1: It's not gonna get cut. This is this is funny.

616
00:34:11,719 --> 00:34:16,799
Speaker 2: Spoiler alert. Sophia is wearing a hair piece in this film.

617
00:34:16,960 --> 00:34:21,120
Speaker 1: It's called a partial wig because and you know this

618
00:34:21,239 --> 00:34:23,640
Speaker 1: is there's a few things we should tell our friends

619
00:34:23,640 --> 00:34:25,839
Speaker 1: at home. There's like an adage in our business where

620
00:34:25,840 --> 00:34:28,439
Speaker 1: they say, oh, you want to book a job, plan

621
00:34:28,480 --> 00:34:31,880
Speaker 1: a vacation, because the minute you're leaving town, someone's going

622
00:34:31,920 --> 00:34:33,400
Speaker 1: to hire you to work on a movie or a

623
00:34:33,440 --> 00:34:37,680
Speaker 1: TV show. There's things. And it's like, I did a

624
00:34:37,719 --> 00:34:40,719
Speaker 1: movie right before this one, the movie I did with

625
00:34:40,760 --> 00:34:46,359
Speaker 1: the wonderful Lauren Holly up in Canada, and it's coming

626
00:34:46,400 --> 00:34:48,320
Speaker 1: out on Roku this summer.

627
00:34:48,719 --> 00:34:50,160
Speaker 2: It's may We have a title.

628
00:34:50,680 --> 00:34:54,600
Speaker 1: Yeah, it's called broad Trip. It's so funny. And in

629
00:34:54,680 --> 00:34:58,440
Speaker 1: Broad Trip, Lauren plays more of the version of the

630
00:34:58,480 --> 00:35:01,839
Speaker 1: mom I'm playing in our movie, and I play more

631
00:35:01,880 --> 00:35:04,400
Speaker 1: of the summer. I'm like a little type a uptight

632
00:35:04,960 --> 00:35:07,439
Speaker 1: and I have for the last few years had very

633
00:35:07,480 --> 00:35:10,520
Speaker 1: long hair, and for this movie, in which I was

634
00:35:10,560 --> 00:35:12,880
Speaker 1: meant to play this uptight hr lady, I cut a

635
00:35:13,000 --> 00:35:18,560
Speaker 1: very blunt, long bob cool And when we were prepping

636
00:35:18,600 --> 00:35:21,880
Speaker 1: this movie, they were like sending me all the wardrobe

637
00:35:21,960 --> 00:35:24,400
Speaker 1: references and then the hair and makeup references and everything

638
00:35:24,480 --> 00:35:29,040
Speaker 1: is me with my very long hair, And I went, uh, oh, oopsie,

639
00:35:29,600 --> 00:35:31,880
Speaker 1: And they said, it's fine, We're going to do like

640
00:35:31,960 --> 00:35:34,480
Speaker 1: a partial wig for you. So it's all the front

641
00:35:34,520 --> 00:35:37,440
Speaker 1: of my hair and it goes back in layers, and

642
00:35:37,480 --> 00:35:40,520
Speaker 1: then the back is this wig and it comes here.

643
00:35:40,600 --> 00:35:42,760
Speaker 1: I guess it's called like three quarter because it comes

644
00:35:42,800 --> 00:35:45,600
Speaker 1: what's this two inches back. So you use your bangs

645
00:35:45,600 --> 00:35:47,279
Speaker 1: in the front, so you use all the front of

646
00:35:47,320 --> 00:35:50,120
Speaker 1: your hair, and then they use all this long hair.

647
00:35:50,480 --> 00:35:52,840
Speaker 1: Because the problem is they could put extensions in my

648
00:35:52,920 --> 00:35:55,839
Speaker 1: hair if it wasn't such a blunt bob, but they

649
00:35:55,840 --> 00:35:58,360
Speaker 1: wouldn't blend. So it has to be a wig that

650
00:35:58,800 --> 00:35:59,760
Speaker 1: fades properly.

651
00:36:00,040 --> 00:36:03,200
Speaker 2: Okay, that's the extensions in there. Daily would they have

652
00:36:03,600 --> 00:36:06,200
Speaker 2: put something a little more permanent in there, I don't know.

653
00:36:06,280 --> 00:36:08,520
Speaker 1: I didn't ask. I just knew that they were like, oh,

654
00:36:08,600 --> 00:36:10,760
Speaker 1: we can't do extensions in a blood bob.

655
00:36:11,680 --> 00:36:15,000
Speaker 2: So you may have to show this on camera.

656
00:36:16,280 --> 00:36:18,879
Speaker 1: We'll cut the video in that I that I sent

657
00:36:19,000 --> 00:36:22,240
Speaker 1: to my loving partner and four of my friends.

658
00:36:22,520 --> 00:36:26,560
Speaker 2: Sophia, who I'm telling you.

659
00:36:26,640 --> 00:36:29,440
Speaker 3: I know Sophia doesn't yell, and Sophia is really patient

660
00:36:29,480 --> 00:36:37,279
Speaker 3: because this this If this happened to me, there would

661
00:36:37,280 --> 00:36:42,960
Speaker 3: be some serious lawsuits. Like honestly, like Alan Jackson would

662
00:36:43,000 --> 00:36:45,360
Speaker 3: like being on my legal team right now.

663
00:36:46,920 --> 00:36:52,200
Speaker 2: I am not joking. I would have Gloria allread here

664
00:36:52,320 --> 00:36:55,680
Speaker 2: like literally doing a press conference. They put the piece

665
00:36:56,000 --> 00:37:00,279
Speaker 2: on to Sophia. Okay, they said, we're just going to

666
00:37:00,320 --> 00:37:04,960
Speaker 2: cut the piece up here then, and it was it

667
00:37:05,040 --> 00:37:09,680
Speaker 2: is perfectly matched like hair color, and Sophia said, don't

668
00:37:10,200 --> 00:37:11,200
Speaker 2: don't cut my hair.

669
00:37:11,480 --> 00:37:15,160
Speaker 1: I said, hey, can we if we need to cut it,

670
00:37:15,239 --> 00:37:16,080
Speaker 1: let's take it off me.

671
00:37:16,800 --> 00:37:22,200
Speaker 2: Sophia showed me a video and here it is.

672
00:37:23,400 --> 00:37:26,280
Speaker 1: Yeah, it's like a it's like a pinky finger amount

673
00:37:27,280 --> 00:37:29,200
Speaker 1: right in the center of my part where I part

674
00:37:29,280 --> 00:37:33,560
Speaker 1: my hair every day. It's an alf office sprout. Would

675
00:37:33,560 --> 00:37:36,160
Speaker 1: you say? It's like an inch and a quarter long.

676
00:37:37,360 --> 00:37:39,600
Speaker 1: And I did measure with a tape measure my hair

677
00:37:39,680 --> 00:37:42,120
Speaker 1: even in the shortest it's been in many years. And

678
00:37:42,200 --> 00:37:44,919
Speaker 1: it is from that part of my head fourteen inches long.

679
00:37:45,239 --> 00:37:48,520
Speaker 1: So it's going to take me about five years, five

680
00:37:48,640 --> 00:37:54,080
Speaker 1: years to grow all this hair that was cut off back.

681
00:37:55,880 --> 00:37:58,040
Speaker 2: It's crazy. Yeah, and you didn't stream there.

682
00:37:57,880 --> 00:38:00,960
Speaker 1: So yeah, I mean, well, when I went into work

683
00:38:01,560 --> 00:38:03,319
Speaker 1: the next day, I.

684
00:38:03,320 --> 00:38:04,960
Speaker 2: Don't think you told them. I think you kept it

685
00:38:05,000 --> 00:38:05,560
Speaker 2: to yourself.

686
00:38:05,800 --> 00:38:09,000
Speaker 1: I did, it was like, it's not really worth it.

687
00:38:09,640 --> 00:38:11,680
Speaker 1: And then the day after that when we had to

688
00:38:11,920 --> 00:38:13,600
Speaker 1: do a proper hair wash and they had to blow

689
00:38:13,600 --> 00:38:16,200
Speaker 1: it out and it all went like a like a

690
00:38:16,239 --> 00:38:21,880
Speaker 1: little velociraptor, like you know, what was the next stuff? Yeah,

691
00:38:22,560 --> 00:38:24,120
Speaker 1: and they went, oh my god, and they were all

692
00:38:24,160 --> 00:38:28,200
Speaker 1: freaking out. I said, listen, it's done. There's no reason

693
00:38:28,200 --> 00:38:30,239
Speaker 1: to be upset about it. There's nothing we can do

694
00:38:30,320 --> 00:38:34,280
Speaker 1: about it. But I am just going to say, should

695
00:38:34,280 --> 00:38:37,160
Speaker 1: we ever have to cut any portion of the wig again,

696
00:38:38,640 --> 00:38:40,880
Speaker 1: we will be taking it off of my hair. And

697
00:38:40,920 --> 00:38:43,759
Speaker 1: then you and another coworker of ours who I won't name,

698
00:38:44,600 --> 00:38:48,600
Speaker 1: were like, the fat you are not nearly as upset

699
00:38:48,640 --> 00:38:50,200
Speaker 1: about this as you should be. And I was like,

700
00:38:50,320 --> 00:38:54,240
Speaker 1: I said, it's done, Like what's the point. And truly,

701
00:38:54,800 --> 00:38:57,520
Speaker 1: this is how I know my listeners hear me talk

702
00:38:57,560 --> 00:38:59,719
Speaker 1: about him a lot. This is how I know my

703
00:38:59,760 --> 00:39:02,520
Speaker 1: FA therapist is as important to me as I say

704
00:39:02,520 --> 00:39:06,480
Speaker 1: he is. I just I don't flip out. I just

705
00:39:06,640 --> 00:39:11,680
Speaker 1: don't care, right, But my sprout is.

706
00:39:13,120 --> 00:39:16,759
Speaker 2: I want to ask about your sprout When you wake

707
00:39:16,840 --> 00:39:18,400
Speaker 2: up in the morning and you look at yourself in

708
00:39:18,440 --> 00:39:19,959
Speaker 2: the mirror as we all do we go to brush

709
00:39:20,000 --> 00:39:23,360
Speaker 2: our teeth. We got to like that's like when I wake.

710
00:39:23,320 --> 00:39:25,480
Speaker 1: Up and I look in the mirror and I see sprout,

711
00:39:25,920 --> 00:39:28,560
Speaker 1: I feel like it's like a puppy now, and I

712
00:39:28,640 --> 00:39:31,120
Speaker 1: just I do have a moment every day where I

713
00:39:31,160 --> 00:39:38,319
Speaker 1: go right because I'm I'm not great at doing my

714
00:39:38,400 --> 00:39:43,280
Speaker 1: own hair. I'm fine at it. Some people are like, amazing,

715
00:39:43,440 --> 00:39:44,000
Speaker 1: how do you.

716
00:39:43,880 --> 00:39:46,000
Speaker 2: Get your hair hair right? This is your hair that

717
00:39:46,040 --> 00:39:46,680
Speaker 2: we're looking at.

718
00:39:46,719 --> 00:39:53,600
Speaker 1: Flicked into a ponytail. Thank you? Yeah, it's it's Sprout

719
00:39:53,640 --> 00:39:56,239
Speaker 1: is an unfortunate incident, but not worth a flipout?

720
00:39:56,480 --> 00:39:59,000
Speaker 2: Do you have to pay more attention to sprout when

721
00:39:59,040 --> 00:40:00,719
Speaker 2: you do your hair now? I mean it goes down

722
00:40:00,840 --> 00:40:02,200
Speaker 2: like sprout has to go down. You have to put

723
00:40:02,200 --> 00:40:05,000
Speaker 2: a little gel on it. What product are we using

724
00:40:05,520 --> 00:40:08,719
Speaker 2: on the inch and a quarter of hair you have

725
00:40:09,280 --> 00:40:14,000
Speaker 2: on the highest point of your head? How much like?

726
00:40:14,160 --> 00:40:16,440
Speaker 2: Is it an next additional thirty seconds a day? Is

727
00:40:16,480 --> 00:40:17,600
Speaker 2: it a edition in two minutes?

728
00:40:17,680 --> 00:40:20,239
Speaker 1: I don't totally know. I'm really not spending any time

729
00:40:20,280 --> 00:40:21,960
Speaker 1: on it because they put this piece on me when

730
00:40:21,960 --> 00:40:25,239
Speaker 1: I go to work. Now, so when this movie is over,

731
00:40:25,400 --> 00:40:27,400
Speaker 1: I'm going to have to probably learn.

732
00:40:27,160 --> 00:40:29,319
Speaker 2: For today for work in progress. How much time can

733
00:40:29,360 --> 00:40:30,480
Speaker 2: we spend on sprout?

734
00:40:30,760 --> 00:40:34,080
Speaker 1: Not much because I still have hair product in from yesterday. Okay,

735
00:40:34,160 --> 00:40:36,200
Speaker 1: we put like a like a mask in my hair

736
00:40:36,280 --> 00:40:38,400
Speaker 1: yesterday when I left work because it's getting oh cool,

737
00:40:38,440 --> 00:40:43,480
Speaker 1: friend's getting pretty fried, right, it's hair masked down.

738
00:40:44,680 --> 00:40:45,600
Speaker 2: Can I make a suggestion?

739
00:40:46,400 --> 00:40:46,640
Speaker 1: Sure?

740
00:40:46,760 --> 00:40:48,680
Speaker 2: I mean, this is turning into a hair care show.

741
00:40:50,560 --> 00:40:53,600
Speaker 2: My wife wears a wig on her television show to

742
00:40:53,640 --> 00:41:00,480
Speaker 2: protect her hair. Correct, and it is. Actually I notice

743
00:41:00,480 --> 00:41:04,399
Speaker 2: a lot in the entertainment industry men and women are

744
00:41:04,400 --> 00:41:06,520
Speaker 2: wearing way more wigs these days. I don't know if

745
00:41:06,520 --> 00:41:07,920
Speaker 2: the technology has gotten better.

746
00:41:08,920 --> 00:41:12,160
Speaker 1: I think it has. I mean, I'm enjoying the experience

747
00:41:12,160 --> 00:41:12,719
Speaker 1: on this tree.

748
00:41:13,400 --> 00:41:21,040
Speaker 2: If you see male actors like Timothy Chalomey or oh

749
00:41:21,040 --> 00:41:25,319
Speaker 2: got it, Channing Tatum, they have very short hair, it's

750
00:41:25,360 --> 00:41:27,520
Speaker 2: because they're wearing wigs on different projects.

751
00:41:27,680 --> 00:41:29,120
Speaker 1: Oh, so they can have any kind of hair.

752
00:41:29,239 --> 00:41:31,080
Speaker 2: They can have any kind of hair that they want.

753
00:41:31,600 --> 00:41:33,360
Speaker 2: So that's why you see a lot of actors with

754
00:41:33,520 --> 00:41:35,880
Speaker 2: like shaved heads Brad Pitt as well. They can have

755
00:41:35,920 --> 00:41:38,919
Speaker 2: any kind of hair that they want. And also if

756
00:41:39,000 --> 00:41:43,520
Speaker 2: it requires time lapses, they don't have to shoot in order.

757
00:41:43,560 --> 00:41:45,480
Speaker 2: They can have long hair one scene, short hair in

758
00:41:45,520 --> 00:41:46,160
Speaker 2: another scene.

759
00:41:46,200 --> 00:41:49,240
Speaker 1: That's really smart. But you cut your hair for this movie.

760
00:41:49,440 --> 00:41:51,000
Speaker 2: Yeah, I had long hair and now it's short.

761
00:41:51,120 --> 00:41:51,799
Speaker 1: Yeah.

762
00:41:51,880 --> 00:41:56,560
Speaker 2: But I was gonna make a joke about sprout. But

763
00:41:59,440 --> 00:42:02,120
Speaker 2: can I actually, but I wanted to get my wife

764
00:42:02,239 --> 00:42:05,440
Speaker 2: when she wears her wing and her show conditions her

765
00:42:05,480 --> 00:42:08,200
Speaker 2: hair underneath it all day long, so she goes to

766
00:42:08,239 --> 00:42:11,200
Speaker 2: work like twelve hours and her hair right now has

767
00:42:11,440 --> 00:42:14,440
Speaker 2: never been as healthy as I've ever seen it.

768
00:42:14,440 --> 00:42:22,480
Speaker 1: It's so smart. And now for our sponsors.

769
00:42:22,520 --> 00:42:25,520
Speaker 2: Something I've noticed about you being your work husband and

770
00:42:25,600 --> 00:42:31,719
Speaker 2: us spending so much time together is how much of

771
00:42:31,760 --> 00:42:36,799
Speaker 2: your adult life has been on the road, almost all

772
00:42:36,840 --> 00:42:41,160
Speaker 2: of it. And it's something that really hit me. We

773
00:42:41,160 --> 00:42:42,880
Speaker 2: were having lunch one day with one of our co

774
00:42:43,000 --> 00:42:48,239
Speaker 2: stars and you were telling a story about Oh, I'm

775
00:42:48,280 --> 00:42:53,320
Speaker 2: getting it all guys, and I said to you point blank,

776
00:42:53,400 --> 00:42:57,320
Speaker 2: I said, wow, you really you really haven't been.

777
00:42:58,920 --> 00:43:03,000
Speaker 1: Home, not since college.

778
00:43:03,360 --> 00:43:07,799
Speaker 2: That's crazy to me, Sophia. I uh, I don't know

779
00:43:07,840 --> 00:43:13,279
Speaker 2: how you do that, to be honest. I mean, I

780
00:43:13,360 --> 00:43:15,440
Speaker 2: understand it's a part of your job and you're now

781
00:43:15,480 --> 00:43:22,040
Speaker 2: doing it, but you like you probably haven't experienced it,

782
00:43:22,120 --> 00:43:23,520
Speaker 2: so you don't know any different.

783
00:43:24,080 --> 00:43:24,799
Speaker 1: Yeah, but.

784
00:43:26,960 --> 00:43:29,399
Speaker 2: How do you think that affects you? You know, oh my.

785
00:43:29,400 --> 00:43:33,400
Speaker 1: God, in really crazy ways for sure. I mean, you know,

786
00:43:34,120 --> 00:43:35,880
Speaker 1: it was something the girls and I really got to

787
00:43:35,960 --> 00:43:40,080
Speaker 1: process on our other podcast, and Hillary was joking about

788
00:43:40,120 --> 00:43:42,120
Speaker 1: it and was like, I mean, why do you think

789
00:43:42,160 --> 00:43:46,839
Speaker 1: Like in North Carolina for ten years, like cast crew,

790
00:43:47,880 --> 00:43:51,120
Speaker 1: new crew, new cast, like you know, we were like

791
00:43:51,160 --> 00:43:55,360
Speaker 1: saved by the bell, like everybody dated everybody. Crew members

792
00:43:55,400 --> 00:43:59,000
Speaker 1: were engaged to cast members and every other combination, like

793
00:43:59,520 --> 00:44:03,080
Speaker 1: because that's your full time life, but it's also weirdly

794
00:44:03,120 --> 00:44:07,520
Speaker 1: not totally real, like it is but all your people

795
00:44:07,560 --> 00:44:09,840
Speaker 1: are somewhere else, and then the people you work with

796
00:44:09,920 --> 00:44:14,440
Speaker 1: become your people. But also you're just with the people

797
00:44:14,480 --> 00:44:18,920
Speaker 1: you're with in an assignment essentially, not like a full

798
00:44:20,400 --> 00:44:24,600
Speaker 1: experiential choice. Like it was sort of this aha moment

799
00:44:24,640 --> 00:44:27,920
Speaker 1: I think for all of us to go, oh yeah, wow,

800
00:44:28,040 --> 00:44:32,239
Speaker 1: that's wild. And then you can try to build a

801
00:44:32,280 --> 00:44:36,160
Speaker 1: life at home, but you're never really there and that

802
00:44:36,239 --> 00:44:39,560
Speaker 1: presents its own set of challenges. You know. My coworker

803
00:44:39,680 --> 00:44:42,319
Speaker 1: Joy wrote a really beautiful book about her experience, Like

804
00:44:42,760 --> 00:44:45,239
Speaker 1: she was trying to build a life back home, and

805
00:44:45,239 --> 00:44:48,799
Speaker 1: that wound up being full of a lot of toxicity

806
00:44:48,800 --> 00:44:51,960
Speaker 1: and betrayal for her because it also wasn't real. She

807
00:44:52,040 --> 00:44:56,000
Speaker 1: wasn't there. There were things happening without her knowledge. Like

808
00:44:56,920 --> 00:44:59,440
Speaker 1: it's a really weird It's sort of like living in

809
00:44:59,440 --> 00:45:02,120
Speaker 1: the Twilight Phone all the time. And I think I

810
00:45:02,200 --> 00:45:04,680
Speaker 1: was so used to it that I didn't realize how

811
00:45:04,760 --> 00:45:06,800
Speaker 1: weird it was. I did it for ten straight years

812
00:45:06,800 --> 00:45:09,520
Speaker 1: and then you know, I was working in la on

813
00:45:09,640 --> 00:45:12,000
Speaker 1: a season of a show, and then I went to

814
00:45:12,080 --> 00:45:16,120
Speaker 1: Chicago for five years. And you do your best, and

815
00:45:16,160 --> 00:45:20,520
Speaker 1: you do have these beautiful experiences with people, but it

816
00:45:20,520 --> 00:45:22,520
Speaker 1: it is kind of like being in the Twilight Zone,

817
00:45:23,239 --> 00:45:26,720
Speaker 1: you know. And I think the things that I've learned

818
00:45:26,760 --> 00:45:29,479
Speaker 1: and that I cherished the most on the other side of,

819
00:45:30,000 --> 00:45:34,480
Speaker 1: you know, fifteen years of it, and then you know,

820
00:45:35,280 --> 00:45:38,600
Speaker 1: a year in Toronto and it's always somewhere else. Is

821
00:45:39,239 --> 00:45:43,799
Speaker 1: the real lasting friendships with women that I've made, The

822
00:45:43,840 --> 00:45:47,080
Speaker 1: friendships that I made in North Carolina, you know, my

823
00:45:47,160 --> 00:45:52,920
Speaker 1: friendship with Marina from Chicago, my friendship with Sky from Toronto,

824
00:45:53,080 --> 00:45:57,160
Speaker 1: Like those are the things that have proven to be

825
00:45:57,360 --> 00:46:00,920
Speaker 1: like the reel of the real and everything else is beautiful.

826
00:46:00,920 --> 00:46:03,200
Speaker 1: And the crew folks I stay in touch with, and

827
00:46:03,280 --> 00:46:06,880
Speaker 1: you know, my camera guys who you know, I'm in

828
00:46:07,000 --> 00:46:09,160
Speaker 1: contact with a lot, Like all of that stuff is

829
00:46:09,200 --> 00:46:12,960
Speaker 1: really meaningful. Getting to know people's families, Like it's precious

830
00:46:13,000 --> 00:46:15,760
Speaker 1: to me to know about your life and your marriage

831
00:46:15,920 --> 00:46:18,080
Speaker 1: and how you guys have made it work and what

832
00:46:18,120 --> 00:46:21,680
Speaker 1: your daughters are up to. It kills me that, you know,

833
00:46:21,760 --> 00:46:25,120
Speaker 1: when you met the kids at home with Ash on

834
00:46:25,160 --> 00:46:28,080
Speaker 1: FaceTime and I was like, you know, telling them about

835
00:46:28,080 --> 00:46:30,279
Speaker 1: all the characters and who everybody plays, and you know,

836
00:46:30,400 --> 00:46:35,319
Speaker 1: Violets like the Sloany she's the big sister, and Davian's

837
00:46:35,360 --> 00:46:38,400
Speaker 1: like the Ocean, he's the little brother. And Jerry plays

838
00:46:38,400 --> 00:46:41,480
Speaker 1: mister Winters and now like they call you mister Jerry

839
00:46:41,520 --> 00:46:42,160
Speaker 1: on FaceTime.

840
00:46:42,239 --> 00:46:42,800
Speaker 2: It kills me.

841
00:46:42,880 --> 00:46:43,880
Speaker 1: I I'm mister Jerry.

842
00:46:43,920 --> 00:46:44,839
Speaker 2: I'm like, what is this?

843
00:46:45,480 --> 00:46:48,879
Speaker 1: It's so cute, and it's like those things are so so,

844
00:46:48,880 --> 00:46:52,000
Speaker 1: so meaningful to me. But yeah, I think I definitely

845
00:46:52,040 --> 00:46:56,279
Speaker 1: had to learn that you can love your people at work,

846
00:46:56,320 --> 00:46:59,640
Speaker 1: you can love your experience, but it still is not

847
00:47:01,040 --> 00:47:04,000
Speaker 1: your real life. And that took me a while. I

848
00:47:04,080 --> 00:47:08,759
Speaker 1: just didn't I didn't really know that, and part of

849
00:47:08,800 --> 00:47:13,080
Speaker 1: me really appreciates that, like very sweet naivete, And then

850
00:47:13,239 --> 00:47:17,319
Speaker 1: part of me is like, oh, baby, I wish like

851
00:47:17,360 --> 00:47:20,080
Speaker 1: anyone had given you better advice when you were younger,

852
00:47:20,480 --> 00:47:22,479
Speaker 1: But here we are and it's all good. I mean,

853
00:47:23,280 --> 00:47:25,480
Speaker 1: I think about it for you, and you know, we

854
00:47:25,520 --> 00:47:28,799
Speaker 1: talked about this at the top of the hour. To

855
00:47:28,880 --> 00:47:30,600
Speaker 1: be in a film like Stand by Me, to be

856
00:47:30,760 --> 00:47:33,759
Speaker 1: so young, you know, you're eleven years old and it's

857
00:47:33,800 --> 00:47:37,359
Speaker 1: you and these guys, it's you know, River Phoenix, I mean,

858
00:47:37,400 --> 00:47:42,840
Speaker 1: are in Tragically Past Beautiful friend Rob Reiner directed you

859
00:47:42,920 --> 00:47:45,680
Speaker 1: in that film, Like did you know he was like

860
00:47:45,719 --> 00:47:48,360
Speaker 1: a Hollywood legend? Yet was he on his way to

861
00:47:48,440 --> 00:47:52,040
Speaker 1: becoming that? What was Was it weird to be a

862
00:47:52,160 --> 00:47:55,240
Speaker 1: kid on set so young? Or was it actually easy

863
00:47:55,280 --> 00:47:57,080
Speaker 1: because you had no idea what it even meant?

864
00:47:57,239 --> 00:48:03,200
Speaker 2: You know what's funny, My memories of it are of

865
00:48:03,239 --> 00:48:07,400
Speaker 2: that of a kid, Like we went whitewater rafting, we

866
00:48:07,440 --> 00:48:13,520
Speaker 2: played softball, there was an arcade that we all went to,

867
00:48:14,120 --> 00:48:16,319
Speaker 2: so I had like childlike memories to it.

868
00:48:16,760 --> 00:48:17,160
Speaker 1: Yeah.

869
00:48:17,239 --> 00:48:20,360
Speaker 2: The fact that people still to this day come up

870
00:48:20,400 --> 00:48:23,080
Speaker 2: and talk to me about it is kind of the

871
00:48:23,120 --> 00:48:26,240
Speaker 2: surreal part because it's like it would be like talking

872
00:48:26,239 --> 00:48:29,640
Speaker 2: to you about being a c T. It's like, oh,

873
00:48:29,680 --> 00:48:31,600
Speaker 2: I thought that was my memory. Oh you know about

874
00:48:32,000 --> 00:48:33,120
Speaker 2: when I was a CI too.

875
00:48:33,239 --> 00:48:36,080
Speaker 1: I totally get it. It's like, I mean, some of

876
00:48:36,120 --> 00:48:37,520
Speaker 1: one trio feels that way for us.

877
00:48:37,719 --> 00:48:41,920
Speaker 2: Sure does Sure, Like how old are you when you started?

878
00:48:42,400 --> 00:48:45,879
Speaker 1: I've been twenty one for like a week. And by

879
00:48:45,920 --> 00:48:47,479
Speaker 1: the way, we thought we knew a lot, We thought

880
00:48:47,480 --> 00:48:49,640
Speaker 1: we were so mature, and we look back, we.

881
00:48:49,640 --> 00:48:52,280
Speaker 2: Were babies, child like children.

882
00:48:52,640 --> 00:48:54,800
Speaker 1: To be clear, these debates, I mean, what an insane

883
00:48:54,840 --> 00:48:57,279
Speaker 1: sentence I'm about to say. It's so discussing. But these

884
00:48:57,320 --> 00:49:01,839
Speaker 1: debates people in our society are having about consent and

885
00:49:01,920 --> 00:49:05,359
Speaker 1: young young women and in some instances young boys. I'm like,

886
00:49:05,560 --> 00:49:08,200
Speaker 1: they're babies. I was twenty one and I was still

887
00:49:08,239 --> 00:49:10,560
Speaker 1: a baby. So much of what happens to you in

888
00:49:10,600 --> 00:49:14,440
Speaker 1: your early twenties isn't appropriate for your age and the

889
00:49:14,560 --> 00:49:17,520
Speaker 1: idea that you know. We currently have an administration in

890
00:49:17,560 --> 00:49:20,280
Speaker 1: power that wants to lower the age of consent to fourteen.

891
00:49:20,719 --> 00:49:21,200
Speaker 2: Fourteen.

892
00:49:21,400 --> 00:49:24,320
Speaker 1: Yes, yes, this is on the books right now, Jerry.

893
00:49:24,600 --> 00:49:28,000
Speaker 1: They are fighting laws to stop children from getting married

894
00:49:28,040 --> 00:49:31,479
Speaker 1: in Red states right now, like at fourteen. It's it's

895
00:49:31,680 --> 00:49:36,440
Speaker 1: so crazy to me and I don't know, so it's

896
00:49:36,719 --> 00:49:38,040
Speaker 1: it's wild for me.

897
00:49:39,280 --> 00:49:42,120
Speaker 2: Yeah, so do I I think it should be thirty.

898
00:49:43,120 --> 00:49:46,920
Speaker 1: Honestly, should probably be twenty five. But like, seriously, the

899
00:49:50,120 --> 00:49:53,440
Speaker 1: I think about the experiences and how young we really

900
00:49:53,440 --> 00:49:55,440
Speaker 1: were at twenty one, and then to think about you

901
00:49:56,239 --> 00:50:02,239
Speaker 1: making a film ten years before that. Yeah, I mean,

902
00:50:02,239 --> 00:50:03,920
Speaker 1: thank god you did it with those guys, and thank

903
00:50:03,960 --> 00:50:05,760
Speaker 1: god you did it with Rob Ryan or the nicest

904
00:50:05,760 --> 00:50:06,480
Speaker 1: man in the world.

905
00:50:06,640 --> 00:50:13,680
Speaker 2: Like, yeah, it's it's just a special experience, you know.

906
00:50:13,960 --> 00:50:18,399
Speaker 2: I'm sure. I know you did the rewatch of One

907
00:50:18,440 --> 00:50:20,960
Speaker 2: Tree Hill. Isn't it funny when you see a scene

908
00:50:21,840 --> 00:50:26,800
Speaker 2: and people think of that scene as your character famously

909
00:50:26,840 --> 00:50:31,080
Speaker 2: slapping someone or something. But we watch it and we're like, oh,

910
00:50:31,160 --> 00:50:34,399
Speaker 2: that's the day that we went to the amusement park

911
00:50:34,440 --> 00:50:36,279
Speaker 2: after work, or that's the day that we went to

912
00:50:36,320 --> 00:50:38,399
Speaker 2: some bar and had a fun or that's the day

913
00:50:38,400 --> 00:50:41,240
Speaker 2: it was Hillary's birthday and we all went out. Totally,

914
00:50:41,280 --> 00:50:43,320
Speaker 2: it's funny you assigned different memories.

915
00:50:43,440 --> 00:50:47,120
Speaker 1: Absolutely, I mean, one of like the happiest days I

916
00:50:47,160 --> 00:50:49,960
Speaker 1: remember when we were shooting all the high school graduation

917
00:50:50,160 --> 00:50:54,359
Speaker 1: stuff season four was the day my grandfather died.

918
00:50:54,480 --> 00:50:56,080
Speaker 2: Oh my gosh, that's emotional.

919
00:50:56,239 --> 00:51:01,680
Speaker 1: And to get that phone call. Yeah, And and they

920
00:51:01,760 --> 00:51:05,719
Speaker 1: literally were like, we'll give you a minute. And a

921
00:51:05,800 --> 00:51:07,920
Speaker 1: producer had to walk up to me and say, it's

922
00:51:07,960 --> 00:51:09,640
Speaker 1: been five minutes. We need to tack on set.

923
00:51:09,960 --> 00:51:11,360
Speaker 2: Not laughing, I'm not laughing.

924
00:51:11,480 --> 00:51:16,040
Speaker 1: I know it's so dark. And by the way, there

925
00:51:16,040 --> 00:51:19,200
Speaker 1: were three hundred people, three hundred extras on set that day.

926
00:51:19,680 --> 00:51:21,560
Speaker 1: You know, we were getting to the end of the season.

927
00:51:21,600 --> 00:51:23,640
Speaker 1: There was no we can push this to next week

928
00:51:24,040 --> 00:51:25,080
Speaker 1: and it was impossible.

929
00:51:25,560 --> 00:51:27,840
Speaker 2: I'm not laughing. That's why they were so upset is

930
00:51:27,840 --> 00:51:30,880
Speaker 2: because when you have like a big crowd scene, it

931
00:51:30,920 --> 00:51:33,400
Speaker 2: costs a lot because you're paying everyone in an hourly wage.

932
00:51:33,520 --> 00:51:35,279
Speaker 2: And so it was a bad it was.

933
00:51:35,880 --> 00:51:36,680
Speaker 1: The timing was horrible.

934
00:51:36,760 --> 00:51:38,239
Speaker 2: No, I got rest your grandfather's soul.

935
00:51:38,520 --> 00:51:40,279
Speaker 1: You have to laugh or you'll cry.

936
00:51:40,640 --> 00:51:42,040
Speaker 2: I laughing, I'm not laing.

937
00:51:42,200 --> 00:51:44,719
Speaker 1: And literally I will I won't forget it like joy

938
00:51:44,719 --> 00:51:48,000
Speaker 1: and Hillary picked me up off the ground and we're like,

939
00:51:48,040 --> 00:51:51,399
Speaker 1: come on, we're going to do this and I had

940
00:51:51,760 --> 00:51:52,799
Speaker 1: I had to switch it off.

941
00:51:52,920 --> 00:51:54,000
Speaker 2: Oh my god.

942
00:51:54,160 --> 00:51:55,399
Speaker 1: And so it's a weird thing.

943
00:51:55,560 --> 00:51:57,400
Speaker 2: That's crazy that's crazy.

944
00:51:57,600 --> 00:52:03,279
Speaker 1: You learn also as as you know you can. You

945
00:52:03,360 --> 00:52:07,480
Speaker 1: learn such empathy. Other people's experiences are your own, and

946
00:52:07,520 --> 00:52:09,839
Speaker 1: in a really weird way, you completely divest from your

947
00:52:09,880 --> 00:52:12,759
Speaker 1: own experiences because there's no time for them on set.

948
00:52:12,880 --> 00:52:15,960
Speaker 2: That's crazy. I will say, I'm working with Sofia. You

949
00:52:16,000 --> 00:52:19,719
Speaker 2: are completely professional, and I do have to say it's

950
00:52:19,760 --> 00:52:24,160
Speaker 2: because you come from pretty much the last, the last

951
00:52:24,360 --> 00:52:27,719
Speaker 2: of a generation where you did a show for a

952
00:52:27,760 --> 00:52:30,960
Speaker 2: decade and it really taught you a craft. Well you have.

953
00:52:31,480 --> 00:52:35,000
Speaker 2: I watched Sofia on set everyone, and what Sofia has

954
00:52:35,600 --> 00:52:39,719
Speaker 2: is a craft, and you don't see it. I don't

955
00:52:39,719 --> 00:52:42,840
Speaker 2: think I've ever worked with someone who had a decade

956
00:52:42,840 --> 00:52:49,719
Speaker 2: of experience, thousands of hours of experience, thousands of on

957
00:52:49,840 --> 00:52:53,560
Speaker 2: air experience, yeah, hundreds of thousands of off air experience.

958
00:52:53,640 --> 00:52:57,120
Speaker 1: Bet mean that show, my show in Chicago, all the

959
00:52:57,800 --> 00:53:01,759
Speaker 1: a thousand hours I mean, And I've made hundreds and

960
00:53:01,920 --> 00:53:04,959
Speaker 1: hundreds of episodes of television, many hundreds, and.

961
00:53:04,880 --> 00:53:08,759
Speaker 2: It is crazy to see it on set. You are,

962
00:53:11,840 --> 00:53:14,080
Speaker 2: you have a craft. I'm not even gonna say you're

963
00:53:14,160 --> 00:53:18,320
Speaker 2: you're a professional, because that's sort of just like that's jargon.

964
00:53:18,880 --> 00:53:23,360
Speaker 2: You have a real old school craft, and it's it's funny.

965
00:53:23,400 --> 00:53:27,160
Speaker 2: These kids today love everyone, but because a lot of

966
00:53:27,160 --> 00:53:30,879
Speaker 2: them come from sort of a social media background, they

967
00:53:30,960 --> 00:53:35,040
Speaker 2: just don't have the craft. Yeah, and it's it's it's

968
00:53:35,160 --> 00:53:37,520
Speaker 2: crazy to see. It's crazy to see. So it is

969
00:53:37,600 --> 00:53:39,759
Speaker 2: really fun watching you out there.

970
00:53:40,040 --> 00:53:42,040
Speaker 1: We'll be back in just a minute after a few

971
00:53:42,040 --> 00:53:50,920
Speaker 1: words from our favorite sponsors. I'm really curious because you

972
00:53:51,000 --> 00:53:54,200
Speaker 1: also do. I mean, you're such a talented comedian. We're

973
00:53:54,239 --> 00:53:56,759
Speaker 1: having so much fun on this movie. Guys, like, we

974
00:53:56,880 --> 00:54:03,200
Speaker 1: are absolutely unhinged. It's hilarious, it's sweet, it's charming. You know,

975
00:54:03,239 --> 00:54:08,000
Speaker 1: it's very like Chevy Chase Family Vacation, but the summertime version.

976
00:54:08,160 --> 00:54:10,200
Speaker 1: I am having the time of my life doing this.

977
00:54:10,360 --> 00:54:11,879
Speaker 2: We want to know what it's a lot like it's

978
00:54:11,880 --> 00:54:13,640
Speaker 2: so funny. I was looking around. It's a lot like

979
00:54:13,640 --> 00:54:15,920
Speaker 2: an Adam Sandler movie. It is it, really, I was

980
00:54:15,920 --> 00:54:17,400
Speaker 2: like looking around on set. I was like, this is

981
00:54:17,440 --> 00:54:18,720
Speaker 2: like an Adam Sandler movie.

982
00:54:19,400 --> 00:54:19,759
Speaker 1: I love it.

983
00:54:20,040 --> 00:54:21,040
Speaker 2: The jokes are the same.

984
00:54:21,200 --> 00:54:25,440
Speaker 1: It's the nineties two thousand's rom com that I've been

985
00:54:25,480 --> 00:54:28,720
Speaker 1: begging people to start making again. But I'm really curious

986
00:54:28,760 --> 00:54:33,759
Speaker 1: because you know, I started as a comedian. I was

987
00:54:33,800 --> 00:54:35,880
Speaker 1: brought into One Tree Hill to be the comedian, to

988
00:54:35,880 --> 00:54:37,880
Speaker 1: be the comedic relief, and then you know, wound up

989
00:54:37,920 --> 00:54:44,279
Speaker 1: having a deeply emotional storyline. I love comedy, and you

990
00:54:44,400 --> 00:54:47,000
Speaker 1: have such a history of comedy, and you're so good

991
00:54:47,040 --> 00:54:50,640
Speaker 1: at riffing on set, and we're similar in a very

992
00:54:50,640 --> 00:54:53,240
Speaker 1: interesting way where I do this job because I also

993
00:54:53,280 --> 00:54:58,400
Speaker 1: love to interview people, ask questions, have good conversation in

994
00:54:58,440 --> 00:55:00,480
Speaker 1: a world that, to your point, is very tr runcated

995
00:55:00,480 --> 00:55:04,400
Speaker 1: by social media now. And you did this on camera

996
00:55:04,520 --> 00:55:07,560
Speaker 1: on the talk for years. You went and hosted a

997
00:55:07,600 --> 00:55:11,160
Speaker 1: talk show and were people surprised as an actor that

998
00:55:11,239 --> 00:55:11,759
Speaker 1: you did that.

999
00:55:12,520 --> 00:55:15,440
Speaker 2: Well, you know the thing about the talk I was

1000
00:55:15,719 --> 00:55:22,120
Speaker 2: a cast member, so I couldn't really like And it's

1001
00:55:22,160 --> 00:55:23,920
Speaker 2: funny because it was a live show and I was

1002
00:55:23,920 --> 00:55:26,480
Speaker 2: a cast member. I did have to for a lot

1003
00:55:26,520 --> 00:55:29,640
Speaker 2: of it sit on my hands and shut up. Yeah,

1004
00:55:29,680 --> 00:55:34,040
Speaker 2: I had to because other people were Other people were there,

1005
00:55:34,160 --> 00:55:38,200
Speaker 2: you know, and they had like I couldn't like take

1006
00:55:38,239 --> 00:55:45,000
Speaker 2: over things, you know, but I do. I love these

1007
00:55:45,000 --> 00:55:48,960
Speaker 2: sort of long form yeah, you know, listening to your show,

1008
00:55:50,480 --> 00:55:54,760
Speaker 2: I love uh. I love really getting to know someone

1009
00:55:54,840 --> 00:55:58,840
Speaker 2: you know, and by the way. I'm sure you know

1010
00:55:58,920 --> 00:56:02,560
Speaker 2: this in what time we've spent together. I'm very interested

1011
00:56:02,600 --> 00:56:06,400
Speaker 2: in other people like Sophia. I'm really like, it's so funny.

1012
00:56:06,440 --> 00:56:10,359
Speaker 2: The more time I spend with you, the more interesting

1013
00:56:10,480 --> 00:56:16,279
Speaker 2: you become. You're really an interesting person. You really are,

1014
00:56:16,960 --> 00:56:22,319
Speaker 2: And I mean, it's why you should have this show.

1015
00:56:22,360 --> 00:56:24,839
Speaker 2: It's like interesting, and it's honestly why I came in

1016
00:56:24,880 --> 00:56:27,680
Speaker 2: here wanting to ask a couple questions about you, because

1017
00:56:27,719 --> 00:56:32,440
Speaker 2: I think people have a right to see what a

1018
00:56:32,560 --> 00:56:35,600
Speaker 2: character you are. You're a character, Sophia. You're like an

1019
00:56:35,640 --> 00:56:38,560
Speaker 2: old school movie star. You're like an old school and

1020
00:56:38,600 --> 00:56:41,160
Speaker 2: you look like one too. You did a scene the

1021
00:56:41,200 --> 00:56:44,840
Speaker 2: other day when I mean, they were hiding your sprout,

1022
00:56:45,040 --> 00:56:47,799
Speaker 2: but you were wearing your wig and it was done

1023
00:56:47,800 --> 00:56:50,439
Speaker 2: in an old school way, and I was like, man,

1024
00:56:50,480 --> 00:56:52,920
Speaker 2: Sophia's like an old school Have you ever done a

1025
00:56:52,960 --> 00:56:53,839
Speaker 2: period thing?

1026
00:56:54,520 --> 00:56:54,680
Speaker 3: No?

1027
00:56:54,800 --> 00:56:57,560
Speaker 1: But it is interesting the way they pin curl the

1028
00:56:57,600 --> 00:57:00,319
Speaker 1: wig before they let it out for its beach look.

1029
00:57:01,400 --> 00:57:03,520
Speaker 1: Everyone keeps being like, oh my god, you need to

1030
00:57:03,560 --> 00:57:05,799
Speaker 1: be in a forties movie. You should have been in

1031
00:57:05,840 --> 00:57:07,920
Speaker 1: Pearl Harbor. You like crazy.

1032
00:57:07,960 --> 00:57:10,360
Speaker 2: It's really sweet, a hundred percent, and I really hope

1033
00:57:12,000 --> 00:57:15,320
Speaker 2: at this point in your career because we're both trying

1034
00:57:15,320 --> 00:57:18,840
Speaker 2: to work. It's it's funny. I hope that people give

1035
00:57:18,880 --> 00:57:24,480
Speaker 2: you opportunities that are not just procedurals that you have

1036
00:57:24,600 --> 00:57:26,560
Speaker 2: been a part of and all that, because you really

1037
00:57:26,600 --> 00:57:30,440
Speaker 2: are multi talented and I really hope to see you

1038
00:57:30,520 --> 00:57:33,160
Speaker 2: in a lot of things. And I put that out

1039
00:57:33,160 --> 00:57:36,760
Speaker 2: there because I feel the same too. It's really tough

1040
00:57:36,760 --> 00:57:39,000
Speaker 2: as an actor, Like I mean, oh, we're doing a

1041
00:57:39,000 --> 00:57:41,640
Speaker 2: family comedy. Get Jerry O'Connell. He'll be good, He'll he'll

1042
00:57:41,680 --> 00:57:46,280
Speaker 2: have fun, Like I would like to do some dramatic roles,

1043
00:57:46,360 --> 00:57:48,240
Speaker 2: you know. I mean, I know you can't tell from

1044
00:57:48,240 --> 00:57:51,840
Speaker 2: this interview, but I'm a somewhat serious person, you know.

1045
00:57:52,160 --> 00:57:54,800
Speaker 1: Yeah, well you're a very interested person to your point,

1046
00:57:54,800 --> 00:57:56,960
Speaker 1: and I think that's like the foundation of being a

1047
00:57:56,960 --> 00:57:57,560
Speaker 1: good actor.

1048
00:57:58,080 --> 00:58:01,800
Speaker 2: You ever get lonely like some you know, I should say,

1049
00:58:02,160 --> 00:58:06,360
Speaker 2: we're here on location. I asked Sophia out to breakfast, lunch,

1050
00:58:06,360 --> 00:58:10,200
Speaker 2: and dinner every day a because we're both in relationships

1051
00:58:10,200 --> 00:58:12,560
Speaker 2: and it's very safe to sort of go out with you.

1052
00:58:12,680 --> 00:58:16,040
Speaker 2: There's there's no well, I'm also business.

1053
00:58:16,080 --> 00:58:19,040
Speaker 1: I'm like the dream friend for a married guy, because

1054
00:58:19,480 --> 00:58:22,280
Speaker 1: we're both talking about our gals at home, Like, I'm

1055
00:58:22,360 --> 00:58:23,440
Speaker 1: not threatening.

1056
00:58:25,080 --> 00:58:28,720
Speaker 2: Your wife. Yeah, I went out to dinner with Sofia again. Yeah.

1057
00:58:28,800 --> 00:58:30,920
Speaker 2: When I was dinner with you know what I.

1058
00:58:30,880 --> 00:58:33,520
Speaker 1: Did find really sweet though, you guys, and this, this

1059
00:58:33,680 --> 00:58:36,280
Speaker 1: is part of what I do love. I think it's

1060
00:58:36,400 --> 00:58:39,360
Speaker 1: very hard to be on location. It's ten months a

1061
00:58:39,400 --> 00:58:42,520
Speaker 1: year for television. But for a movie, it's really fun

1062
00:58:42,880 --> 00:58:45,880
Speaker 1: because at first you were like, hey, we both have

1063
00:58:46,200 --> 00:58:49,600
Speaker 1: our ladies and kids at home, you know, will you

1064
00:58:49,680 --> 00:58:53,720
Speaker 1: be my dinner buddy? Absolutely? And and it's grown and

1065
00:58:53,800 --> 00:58:58,880
Speaker 1: like this morning, it's you, me, Violet, Violet's mom Tim

1066
00:58:59,000 --> 00:59:02,840
Speaker 1: Like you guys. Our group has taken over the hotel

1067
00:59:02,920 --> 00:59:04,840
Speaker 1: to the point that the other night, I think there

1068
00:59:04,840 --> 00:59:07,640
Speaker 1: were fifteen of us downstairs having dinner and we were

1069
00:59:07,640 --> 00:59:14,280
Speaker 1: playing a game Impostor. It's like a faster round version

1070
00:59:14,360 --> 00:59:18,160
Speaker 1: of Mafia, and we got yelled at by the hotel

1071
00:59:18,200 --> 00:59:21,040
Speaker 1: staff because they said we were being too rambunctious. And

1072
00:59:21,120 --> 00:59:23,120
Speaker 1: I was like, oh, yeah, because we're at summer camp.

1073
00:59:23,680 --> 00:59:26,320
Speaker 1: Like every actor and producer and writer on our movie

1074
00:59:26,360 --> 00:59:28,680
Speaker 1: now has meals together and it's so sweet and I

1075
00:59:29,080 --> 00:59:29,400
Speaker 1: love it.

1076
00:59:29,520 --> 00:59:31,920
Speaker 2: Yeah, but I do like You've been very nice in

1077
00:59:32,040 --> 00:59:34,200
Speaker 2: like entertaining me because I got to tell you, I

1078
00:59:34,360 --> 00:59:39,640
Speaker 2: I you know, you live in a household. That's crazy.

1079
00:59:39,640 --> 00:59:42,240
Speaker 2: I have teenage kids. You know, we have dogs and cats.

1080
00:59:42,880 --> 00:59:46,520
Speaker 2: You get like lonely, you know, you're like in uh,

1081
00:59:46,560 --> 00:59:48,760
Speaker 2: maybe you don't get lonely in this larch or hotel room,

1082
00:59:48,800 --> 00:59:53,240
Speaker 2: but in my smaller hotel room, you're like, you got

1083
00:59:53,280 --> 00:59:53,960
Speaker 2: to do something.

1084
00:59:54,000 --> 00:59:56,480
Speaker 1: You know, I totally get it. It's interesting when you

1085
00:59:56,480 --> 00:59:59,800
Speaker 1: get used to the you know, the noise. It's like

1086
01:00:00,200 --> 01:00:02,560
Speaker 1: to the beauty of the family. Like when it's the

1087
01:00:02,640 --> 01:00:05,760
Speaker 1: loudest and craziest at our house is when Ash will

1088
01:00:05,760 --> 01:00:08,320
Speaker 1: look at me and go, I love this. This, this

1089
01:00:08,360 --> 01:00:11,360
Speaker 1: is my dream come true. And then you know, obviously

1090
01:00:11,400 --> 01:00:13,760
Speaker 1: like we we come from a multi household family. And

1091
01:00:14,240 --> 01:00:16,760
Speaker 1: I think that there's such beauty in that because like

1092
01:00:17,000 --> 01:00:20,600
Speaker 1: kids get double the love, right, it's an expansive thing.

1093
01:00:20,960 --> 01:00:24,280
Speaker 1: But on on our on our days, on our swap days,

1094
01:00:24,320 --> 01:00:27,800
Speaker 1: like I have to hold her while she sobs. The

1095
01:00:27,960 --> 01:00:33,160
Speaker 1: quiet is so hard for her. She was born to

1096
01:00:33,160 --> 01:00:35,200
Speaker 1: be a mom and it's such a beautiful thing to watch.

1097
01:00:35,280 --> 01:00:38,600
Speaker 2: And I'll tell you, I hear.

1098
01:00:38,480 --> 01:00:40,960
Speaker 1: You because you have two teenagers as.

1099
01:00:40,760 --> 01:00:43,600
Speaker 2: It goes to Christmas future, enjoy it because once it's over,

1100
01:00:43,720 --> 01:00:46,440
Speaker 2: it's I mean, it's funny. My wife and I have

1101
01:00:46,520 --> 01:00:49,520
Speaker 2: had conversations like, hey, are we going to stay together

1102
01:00:49,600 --> 01:00:50,280
Speaker 2: when they're gone?

1103
01:00:50,320 --> 01:00:50,880
Speaker 1: Oh my god.

1104
01:00:51,920 --> 01:00:54,600
Speaker 2: I mean it's like a real it's a real emotional

1105
01:00:54,640 --> 01:00:59,080
Speaker 2: shift because there's all this energy and then there's going

1106
01:00:59,160 --> 01:01:02,280
Speaker 2: to be that energy's going to be gone. And my

1107
01:01:02,320 --> 01:01:04,200
Speaker 2: wife and I are like, yeah, I think we're gonna

1108
01:01:04,200 --> 01:01:05,680
Speaker 2: be like, what are we going to do? We've decided

1109
01:01:05,720 --> 01:01:07,240
Speaker 2: we're going to stay in the house that we're in.

1110
01:01:07,320 --> 01:01:09,720
Speaker 2: You know, a lot of parents like get out of there,

1111
01:01:09,720 --> 01:01:12,560
Speaker 2: they get downsize, or they move somewhere, or they change

1112
01:01:12,600 --> 01:01:12,880
Speaker 2: it up.

1113
01:01:13,120 --> 01:01:16,280
Speaker 1: Will you guys travel? Will you? Will you do something

1114
01:01:16,320 --> 01:01:19,040
Speaker 1: crazy and get like an Airbnb in Paris for a summer,

1115
01:01:19,040 --> 01:01:19,440
Speaker 1: Like what's that?

1116
01:01:19,520 --> 01:01:23,720
Speaker 2: That's pretty fun? You know, I think we're going to

1117
01:01:25,800 --> 01:01:29,280
Speaker 2: it's uh, I think we're just gonna stay local like

1118
01:01:29,320 --> 01:01:32,800
Speaker 2: where we are. Again, not to the extent that you have,

1119
01:01:32,920 --> 01:01:37,360
Speaker 2: but my wife travels a lot for work and I

1120
01:01:37,400 --> 01:01:41,400
Speaker 2: am traveling for work. So I think we really, uh,

1121
01:01:42,320 --> 01:01:44,680
Speaker 2: we really do cove at the time that we're together.

1122
01:01:44,840 --> 01:01:49,600
Speaker 2: You know, we we really so I think we're going

1123
01:01:49,680 --> 01:01:50,520
Speaker 2: to do that.

1124
01:01:50,520 --> 01:01:52,640
Speaker 1: That's always been the person who gets on a plane,

1125
01:01:52,800 --> 01:01:55,440
Speaker 1: especially because I, you know, for fifteen straight years didn't

1126
01:01:55,480 --> 01:01:57,640
Speaker 1: live at home. So if I wanted to be there

1127
01:01:57,680 --> 01:02:00,480
Speaker 1: for a birthday, if I wanted to not be completely

1128
01:02:00,520 --> 01:02:03,280
Speaker 1: absentee person in my life, I'd have to fly. I'd

1129
01:02:03,280 --> 01:02:04,840
Speaker 1: have to fly on a Saturday, fly back to work

1130
01:02:04,840 --> 01:02:09,360
Speaker 1: on a Sunday. And I got so used to traveling.

1131
01:02:09,640 --> 01:02:12,280
Speaker 1: I'll pick up and go to a different continent tomorrow

1132
01:02:12,360 --> 01:02:16,880
Speaker 1: if I'm available. And it's really interesting to be like, No,

1133
01:02:16,960 --> 01:02:18,479
Speaker 1: I just want to be in like my cute little

1134
01:02:18,520 --> 01:02:20,920
Speaker 1: apartment in New Jersey and be at home. I don't

1135
01:02:20,960 --> 01:02:23,280
Speaker 1: want to go anywhere. I don't want to do anything.

1136
01:02:23,440 --> 01:02:25,120
Speaker 2: It should be said for the record. You can get

1137
01:02:25,160 --> 01:02:29,080
Speaker 2: the sound if I'm not allowed to say it. Sophia's

1138
01:02:29,080 --> 01:02:31,880
Speaker 2: partner is coming to Africa where we're shooting to come

1139
01:02:32,000 --> 01:02:32,360
Speaker 2: visit her.

1140
01:02:32,560 --> 01:02:33,440
Speaker 1: No, I'm so happy.

1141
01:02:33,960 --> 01:02:37,520
Speaker 2: I said that to my partner, and my wife was like, oh,

1142
01:02:37,840 --> 01:02:41,480
Speaker 2: hell no, I'm not flying all that way. Perfectly happy here.

1143
01:02:41,520 --> 01:02:42,880
Speaker 2: I love having the bed to myself.

1144
01:02:43,440 --> 01:02:44,840
Speaker 1: I love that your wife is like, no, I have

1145
01:02:44,920 --> 01:02:48,560
Speaker 1: the bed with the dogs. By oh man, how does Rebecca,

1146
01:02:48,640 --> 01:02:52,240
Speaker 1: describe you after twenty plus years together. You know you

1147
01:02:52,680 --> 01:02:55,040
Speaker 1: guys do all the jokes, but you really you have

1148
01:02:55,160 --> 01:03:01,440
Speaker 1: such a loving and healthy relationship aside, take all these years.

1149
01:03:01,200 --> 01:03:05,960
Speaker 2: In all choking aside. I think, uh, my wife enjoys me.

1150
01:03:06,160 --> 01:03:09,720
Speaker 2: I think I make her laugh. My wife does say

1151
01:03:10,280 --> 01:03:12,640
Speaker 2: I did say I'm that she's much more relaxed when

1152
01:03:12,640 --> 01:03:15,920
Speaker 2: I'm not around, that I'm high strong. I swear to

1153
01:03:15,920 --> 01:03:18,800
Speaker 2: you this is this isn't a bit she said to me.

1154
01:03:18,880 --> 01:03:25,680
Speaker 2: There's a that I'm a little uh, that I'm too

1155
01:03:25,720 --> 01:03:29,880
Speaker 2: intense for her like and I am someone who when

1156
01:03:29,920 --> 01:03:32,520
Speaker 2: I wake up, I like have to go out and

1157
01:03:32,560 --> 01:03:33,120
Speaker 2: do something.

1158
01:03:33,160 --> 01:03:36,440
Speaker 1: You know, buzz about you like you are, I wouldn't

1159
01:03:36,440 --> 01:03:37,880
Speaker 1: I don't know if I would say you're high strong.

1160
01:03:37,880 --> 01:03:40,680
Speaker 2: I mean, obviously say whatever you want, because my wife

1161
01:03:40,720 --> 01:03:42,200
Speaker 2: was going to hear this and in the comments say

1162
01:03:42,240 --> 01:03:45,320
Speaker 2: I totally agree with you. So what So what is yours? What?

1163
01:03:45,480 --> 01:03:48,880
Speaker 1: You? You? You are? You have a high frequency, You

1164
01:03:48,920 --> 01:03:51,840
Speaker 1: are interested, you want to go for walks. You like

1165
01:03:51,880 --> 01:03:54,400
Speaker 1: we lost you on set yesterday. You were swimming in

1166
01:03:54,440 --> 01:03:55,960
Speaker 1: the fucking ocean. Nobody knew where you were.

1167
01:03:56,160 --> 01:03:56,960
Speaker 2: I went for a swim.

1168
01:03:57,080 --> 01:04:00,880
Speaker 1: You it was wild. I was like, wow, I would

1169
01:04:00,880 --> 01:04:03,840
Speaker 1: never do that, Like I would never go in the

1170
01:04:03,880 --> 01:04:06,360
Speaker 1: ocean at work because I wanted to. I never do

1171
01:04:06,440 --> 01:04:08,240
Speaker 1: what I want at work. I do what they need

1172
01:04:08,280 --> 01:04:11,520
Speaker 1: me to do. And it's such it's like a kind

1173
01:04:11,520 --> 01:04:14,440
Speaker 1: of self confidence I've never had, and I admire it.

1174
01:04:14,920 --> 01:04:17,800
Speaker 1: And I think you are, especially with the kids on set,

1175
01:04:18,200 --> 01:04:21,439
Speaker 1: like inspiring them to be bolder and take chances. And

1176
01:04:21,960 --> 01:04:28,120
Speaker 1: it's very lovely. And you know, I know my partner

1177
01:04:28,160 --> 01:04:31,680
Speaker 1: sometimes is like, I need you to calm down. She

1178
01:04:31,800 --> 01:04:33,720
Speaker 1: probably wants to say to me after she listens to

1179
01:04:33,760 --> 01:04:35,360
Speaker 1: this episode, she's gonna be like, sit on your hands

1180
01:04:35,360 --> 01:04:39,760
Speaker 1: and shut the fuck up. You know. I think when

1181
01:04:39,880 --> 01:04:45,440
Speaker 1: someone is has like a really nice like calm hum

1182
01:04:45,520 --> 01:04:48,920
Speaker 1: to them, busy bees like us can be a lot.

1183
01:04:50,000 --> 01:04:52,680
Speaker 1: So it's gonna be really funny when Rebecca and Ash

1184
01:04:53,120 --> 01:04:55,920
Speaker 1: hang out together to be like look at these you know,

1185
01:04:56,000 --> 01:05:00,600
Speaker 1: chuckle FUCKX. Yeah, Like now I get it. It's like, sure,

1186
01:05:01,360 --> 01:05:02,800
Speaker 1: it's probably weird to like live.

1187
01:05:02,680 --> 01:05:04,760
Speaker 2: With the it's because we were young actors. Do you

1188
01:05:04,800 --> 01:05:06,280
Speaker 2: think that has any to do with it? You think

1189
01:05:06,320 --> 01:05:07,400
Speaker 2: it's like, I don't know.

1190
01:05:07,480 --> 01:05:10,520
Speaker 1: I also think people who like improve.

1191
01:05:10,160 --> 01:05:11,400
Speaker 2: And it's wired.

1192
01:05:11,400 --> 01:05:13,560
Speaker 1: How it's like you want to play all the time,

1193
01:05:13,800 --> 01:05:17,040
Speaker 1: and I don't know. I go very off and on,

1194
01:05:17,280 --> 01:05:20,120
Speaker 1: like you seem to be in play mode always. I

1195
01:05:20,160 --> 01:05:22,880
Speaker 1: can play. And then also I like to sloth, like

1196
01:05:22,920 --> 01:05:25,000
Speaker 1: I want to be on the couch wrapped in a

1197
01:05:25,040 --> 01:05:28,120
Speaker 1: pretzel with her. I want to watch eight episodes of

1198
01:05:28,160 --> 01:05:31,840
Speaker 1: a home renovation show. And that's it. That's my pickup.

1199
01:05:31,880 --> 01:05:34,120
Speaker 2: I bet all have to go to work, everybody.

1200
01:05:35,120 --> 01:05:36,560
Speaker 1: I'm going to have to ask you my last few

1201
01:05:36,640 --> 01:05:38,040
Speaker 1: questions later wo