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Speaker 1: I'm telling, I'm telling, what's doing of you. This is

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Speaker 1: your time to get it off your chest, whether you're

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Speaker 1: mad or blessed. Eight hundred five eight five one five one.

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Speaker 1: We want to hear from you on the breakfast club. Hello,

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Speaker 1: who's this? I didn't come on. This is Derek. My

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Speaker 1: husband called that. I'm this week. He was talking about

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Speaker 1: taking me to work every day, and I don't Why

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Speaker 1: are you talking like that? Why are you talking? Remember?

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Speaker 1: Relax for people that don't remember. He said, he takes

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Speaker 1: you to work and when you're getting the car, you

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Speaker 1: just fall asleep. Told him he never told him. Hell story,

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Speaker 1: I give him guys. Funny. He don't have no guys, No,

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Speaker 1: not the cards in the soccer guards don't like ugly.

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Speaker 1: But then how are you getting to work? Oh? Right

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Speaker 1: now my other man is driving me. Whoa, Oh he's

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Speaker 1: a woman. I just want to I didn't find out

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Speaker 1: funny at all. He did too. That's not that you

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Speaker 1: have another man as in my friends. He's a friend

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Speaker 1: that I worked with, so it doesn't matter. But I

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Speaker 1: just wanted to block him. I hope he had this yes, man, man, yes,

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Speaker 1: And now I'm confused about y'all should both appreciate each other.

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Speaker 1: You're paying for gas, getting him gas money, and you're

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Speaker 1: getting a right to work. No, you're right, but I

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Speaker 1: didn't like that because that's not today. I give him

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Speaker 1: the guys. You understand, I talk to the munch of money.

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Speaker 1: But that is a big I mean, look, I'm not

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Speaker 1: getting up earlier to drive somebody to work. I mean

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Speaker 1: I don't have to every day. And look, that's not

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Speaker 1: a bad thing that he wants you to be up

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Speaker 1: and like conversation, you know, converse with him. That's she's

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Speaker 1: making the money. She identified a woman or that's not

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Speaker 1: that's not that's not a negative thing. Necessarily he wants

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Speaker 1: to talk to you. Yes, but he's right. But but

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Speaker 1: you but when you come call the radio and act

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Speaker 1: like I don't help that, I'm trying and I'll get

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Speaker 1: some money, what am I missingh that's a woman I know.

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Speaker 1: But her man called the radio station the other day

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Speaker 1: that he and runs with his daughter. So now you

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Speaker 1: you make him feel like you're just talking, right, he

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Speaker 1: didn't tell the host story. I think that y'all. I

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Speaker 1: think couples that call the radio station to each other

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Speaker 1: out really need to go to couples therapy. Y'all need

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Speaker 1: to be having these conversations than envy him and I

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Speaker 1: am his wife and thank you. Okay, yeah, but y'all

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Speaker 1: think y'all need to go to a couple of therapy

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Speaker 1: and have these conversations because it's ridiculous that he calls

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Speaker 1: the air you out. You hearing on the radio. Now

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Speaker 1: you calling to air him out? Y'all need to be

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Speaker 1: talking to each other with somebody. This is the bigger

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Speaker 1: problem is that you are a man who's now driving

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Speaker 1: you to work. You call Monday. This is not great.

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Speaker 1: You're staying awaking the car for your other man. I mean,

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Speaker 1: I'm upset right now. Her other man. She got another man.

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Speaker 1: He's a real man. Hold on, so you got two boyfriends. Yes,

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Speaker 1: she got another man that's taken her to work right

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Speaker 1: now because her other man's called broke down. The one

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Speaker 1: that was complaining his call broke down, made a poe.

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Speaker 1: I'm his wife. You made a police You got another

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Speaker 1: man driving you to work? You sure she don't got

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Speaker 1: a man living inside of her? Man? Because thank you

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Speaker 1: so much, man, thank you. They need therapy. They don't

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Speaker 1: need to be calling the radio station. Are and he's

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Speaker 1: other already don't need to be together. It sounds like

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Speaker 1: a mess. Yeah, exactly, this is queen. Good morning, y'all,

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Speaker 1: Good morning, queen, Get off your chest. I just wanted

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Speaker 1: to get off my drust to my fiance that I'm

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Speaker 1: very tired. He went, No one that had to be

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Speaker 1: at work at five new morning, he designed to go

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Speaker 1: buy a bottle in Hennessy and no one. I wasn't

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Speaker 1: going to be the resistance. What Hennessy was? It was

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Speaker 1: it VSLP vs VP. It's freddy, okay, bai the day,

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Speaker 1: it's the weekend. Why didn't wait until the day, That's

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Speaker 1: what I'm saying. And I kept saying that, and then

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Speaker 1: when it was sitting on the table and so out

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Speaker 1: of nowhere ended up opening in my hand, and out

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Speaker 1: of nowhere, hunt because out of nowhere it ended up

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Speaker 1: opening in your hand. Hunh. So you had a time

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Speaker 1: last night? No, I went to bed drunk and woke

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Speaker 1: up drunk at work. Did y'all have sex? No, y'all

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Speaker 1: was really drunk. Exactly do you got drunk for no reason?

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Speaker 1: Especially off Hennessey Hennessy. Both y'all put the turn in

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Speaker 1: the demons. Exactly, you got the bubble guts this morning.

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Speaker 1: You should have smelted heating up. They have a good day. Man,

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Speaker 1: conversation was going perfectly. Okay, I'm not going from nice

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Speaker 1: demon time sex to diarrhea. It's bubble guts. You know

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Speaker 1: what it is. If I do drink, Henessey has got

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Speaker 1: to be like the privilege of the vsp right. No, not,

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Speaker 1: no way, it's no way. She had I don't believe her.

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Speaker 1: I don't believe her. Get her your chest eight. Don't

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Speaker 1: drink five eight five one five one. If you need

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Speaker 1: to vent, hit it up now. It's the breakfast club.

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Speaker 1: God morning, the breakfast club. Tell him why you're mad.

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Speaker 1: It's brought to you by the Law office of Michael

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Speaker 1: so you are embracing this porter potty guy persona again. Okay,

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Speaker 1: me to embrace it angel, Okay, y'uncle find me porter

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Speaker 1: potty guy on Instagram tool. Charlotte Manu, if you have

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Speaker 1: to make pancakes for two people, what is that allive?

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Speaker 1: Who would you make it for? My daughters? I got

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Speaker 1: four daughters though, but fact to make for two yeah,

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Speaker 1: it'd be two people, be my two daughters, my two

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Speaker 1: youngest daughters and then also, Charlotte Mane. When you made

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Speaker 1: the pancakes, did you think to yourself, Damn, these pancakes

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Speaker 1: feel like this wapoot called it didn't go envy? Well,

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Speaker 1: if you actually watched the interview, I said that. Yeah, No,

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Speaker 1: you actually said golden brown. No I didn't. I said

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Speaker 1: this batter it looks like envy. Oh yeah you did?

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Speaker 1: You did Friday? What do you want to get? You

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Speaker 1: want to hear yourself. He's promoting itself. Why do you

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Speaker 1: hang up on bo the party guy? I think it's

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Speaker 1: wrong for envy to hang up on you, and you're

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Speaker 1: just trying to make away for yourself, sir, Okay, what's

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Speaker 1: old Rob when you need him? Hello? Who's this? Yeah?

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Speaker 1: You know is Mellow? What's up with you? Envy? Mellow?

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Speaker 1: What's popping? Brother? How are you doing a year with

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Speaker 1: Charlotte Mellow? My man? Peace King? So all right, it's

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Speaker 1: freaky Friday, and I have a serious question. Okay, all right,

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Speaker 1: so Boom, I just want to know why these women

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Speaker 1: out head bugging like baby girl, my name is not

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Speaker 1: Olive Garden. Why are you trying to twiss my salad? Like?

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Speaker 1: What's going on here? You need to grow up? You

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Speaker 1: should be gladden. And don't you want to get baby girl?

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Speaker 1: Unlimited breadsticks? Not that got it? Ulimited breadsticks? Got it?

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Speaker 1: That's what I'm saying, you know, Like why though? Like

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Speaker 1: when did the ship in like the power? Did you

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Speaker 1: say yes or no to it? No? I said, Okay,

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Speaker 1: I saw who what's the young lady named Brittany? What's Brittany? Brittany?

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Speaker 1: I saw her tweet yesterday. Well, I saw it on Instagram.

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Speaker 1: She said I want a guy that will eat my

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Speaker 1: button and let me eat his. That that was the tweet,

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Speaker 1: nothing more. Well, what are you so scared of? It?

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Speaker 1: Didn't even be afraid of. But I just feel like

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Speaker 1: that's my job, like you feel me? Like like your

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Speaker 1: name Olive Gotter, let me put your shot you But

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Speaker 1: if she likes it, don't you think you might like

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Speaker 1: it too? No, because women also like penetration and an't

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Speaker 1: like that at all. Pet you have the same nerve endings.

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Speaker 1: It's the same body part right there. I understand what

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Speaker 1: you're saying, but I'm extremely close minded and I'm only me.

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Speaker 1: You got to open up your mind in your but

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Speaker 1: that's all it's about. That's literally all it's about. Clipping.

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Speaker 1: That's crazy that my mind in my I heard it.

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Speaker 1: Also help you sing better? I don't need to sing

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Speaker 1: that bad. And what you're doing the bedroom is what

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Speaker 1: you're doing the bedroom, bro, Like that's on your business.

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Speaker 1: You don't even got to tell nobody, Like if you

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Speaker 1: get your salo toss, nobody gonna know. I mean, that's

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Speaker 1: also true except for her, And if she ever tried

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Speaker 1: to talk crazy about you. All you gotta do is

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Speaker 1: be like yo, but you ain't my butt though, But

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Speaker 1: like that's wild sassy, like I feel like trying to

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Speaker 1: be batties. Feel me. I'm not a batty. I'm a man.

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Speaker 1: Nobody knows, bro, you could be a batty in the

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Speaker 1: bedroom and it's all all up to you. Nobody has

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Speaker 1: to know you're a batty in the bedroom. Bro, Yo,

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Speaker 1: solo man, you getting ten percent? Batty in the bedroom

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Speaker 1: is a song I'm giving you. No. I just if

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Speaker 1: you like something and it feels good, you just won't

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Speaker 1: do it because he's closed minded. You're closed minded. Well,

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Speaker 1: I wouldn't know if it still I now you don't know,

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Speaker 1: But what if it does? Boiler the story? Open your mind,

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Speaker 1: open your butt, and have a great weekend. Brother, that's

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Speaker 1: the song, A great week of y'all. Well, that's a

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Speaker 1: song in your mind. Open your butt now, I gotta

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Speaker 1: be fast like a damn time. Open your mom no

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Speaker 1: sing it, sing no no no. I like the slow

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Speaker 1: work in your mind, open your button, open your mind.

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Speaker 1: I'm about okay. You took it too five because you're

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Speaker 1: saying that staring at Charlotagne, staring at me. That was

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Speaker 1: crazy underscore moot with three a's Yo, we're gonna discuss

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Speaker 1: this further because y'all bugging a piece as Oh man,

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Speaker 1: this is what we're doing today. Get it on free

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Speaker 1: your Friday, get it off your butt, whatever you want to,

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Speaker 1: cut it off your mind, get it off your chest.

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Speaker 1: As the Breakfast Club, good morning, we got rooms on

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Speaker 1: the way, Yes, and let's start it up with some positivity.

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Speaker 1: Quille O'Neill. He talks about actually getting his master's degree

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Speaker 1: and paying for fifteen of his friends to get theirs too.

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Speaker 1: All right, we'll get to that next. It's the Breakfast Club,

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Speaker 1: Good morning. It's about so the rumor report angela ye

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Speaker 1: found the Breakfast Club. Well, this is really dope. Shaquille

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Speaker 1: O'Neill is actually pursuing his master's degree. But not only

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Speaker 1: is he doing that for himself, he's also going to

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Speaker 1: make sure that his friends get there as well. Here's

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Speaker 1: what he had to say. Then the guys who are

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Speaker 1: we're doing deals will be like, hello, schek, how what

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Speaker 1: are you doing? And then they would turn away and

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Speaker 1: look at my lawyers and my accountants and all those guys.

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Speaker 1: So I said, oh, you guys, don't think I'm in charge.

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Speaker 1: You guys don't think I understand the lingo. So when

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Speaker 1: got my masters from the University of Phoenix. University of

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Speaker 1: Phoenix is an online program mostly, but I went to

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Speaker 1: the head officials and said, I don't want to do

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Speaker 1: an online I want somebody to teach me in the class.

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Speaker 1: Then came back and said, unfortunately, we can't sell up

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Speaker 1: a classroom from one guy. You need fifteen people. So

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Speaker 1: I paid for fifteen or my friends to get the masters.

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Speaker 1: Dropping a clue the box as you kill O'Neil man

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Speaker 1: he interview on the b Better Off Shows. That's how

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Speaker 1: you change the narrative. If your chain, if your cause

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Speaker 1: after all those material items from now on, if you

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Speaker 1: want to stunt, that's how you stunt. That's a flex.

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Speaker 1: How many jobs are you creating? How many educations are

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Speaker 1: you providing through scholarships? Are just straight up paying for

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Speaker 1: people to get through school? That's how you flex. Traping

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Speaker 1: to close box for shock again, man man, shock different. No,

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Speaker 1: one can never take your education at all. Right now,

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Speaker 1: Cardi b has accepted a plea deal over that strip

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Speaker 1: club fight that happened back in twenty eighteen, and she

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Speaker 1: did say that those incidents don't define her. She provided

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Speaker 1: a statement to USA today. She said, as a mother

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Speaker 1: to practice that I'm trying to instill in my children,

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Speaker 1: but the example starts with me. I've made some bad

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Speaker 1: decisions in my past that I'm not afraid to face

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Speaker 1: and own up to. These moments don't define me, and

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Speaker 1: they are not reflective of who I am now. I'm

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Speaker 1: looking forward to moving past this situation with my family

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Speaker 1: and friends and getting back to the things I love

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Speaker 1: the most, the music and my fans. So she was

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Speaker 1: originally from the original indictment from twenty nineteen, featuring twelve

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Speaker 1: charges that included two counts of felony, attempted assault, and

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Speaker 1: various lesser charges in connection with that fight. So now

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Speaker 1: she has pleaded guilty for that. So she's actually sentenced

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Speaker 1: to fifteen days of community service. What kind of community

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Speaker 1: service they're gonna have Cardi do? What they're gonna make

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Speaker 1: Cardi do. But I'm happy that that situation turned out

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Speaker 1: for the best. Yeah, they could probably have her talk

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Speaker 1: to kids in different schools. She just gave out one

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Speaker 1: hundred thousand dollars to the BRONC that I don't count

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Speaker 1: some type of community girl school. No no, All right,

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Speaker 1: Now r Kelly's victim has broken her silence. The Jane

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Speaker 1: Doe that took the stand after his guilty verdict. She's

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Speaker 1: the one that said that they had tex hundreds of

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Speaker 1: times when when she was fifteen years old, and according

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Speaker 1: to her attorney, she said, Jane is pleased with the

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Speaker 1: result and grateful to the jury for convicting r Kelly.

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Speaker 1: This verdict is twenty years in the making. Nothing will

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Speaker 1: restore Jane's childhood or the dignity that Rklly he stole

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Speaker 1: from her. He has forever damaged her life in an

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Speaker 1: unimaginable fashion. R Kelly was finally held accountable for his actions.

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Speaker 1: Justice was served. Now As for the victims, she's at

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Speaker 1: peace and staying close to her family and taking some

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Speaker 1: time to process the pain that has played out in

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Speaker 1: the media for the last month. All right, So, as

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Speaker 1: far as r Kelly, after this trial, which was in Chicago,

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Speaker 1: he's off to Minnesota and that's where he'll be facing

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Speaker 1: more charges involving child pornography, coercion and so on. Yeah.

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Speaker 1: I'm in Minnesota too. Yeah, I've knew about New York

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Speaker 1: in Chicago. Wow, So that's the next stop alright. He

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Speaker 1: also has been injured in prison, reportedly, and as a result,

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Speaker 1: he's trying to use the injury to get out of

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Speaker 1: traveling to New York for an upcoming restitution hearing involving

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Speaker 1: his victim. So the team asked to judge yesterday if

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Speaker 1: he could appear virtually at the forthcoming hearing it's supposed

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Speaker 1: to take place on September twenty eighth. They said he

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Speaker 1: injured his leg and therefore it's difficult for him to

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Speaker 1: move around. We'll see what happens and beyond. Has been

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Speaker 1: inducted into the Guinness World Records Hall of Fame, So

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Speaker 1: congratulations to her after receiving after releasing her critically acclaimed

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Speaker 1: seventh studio album as more Groundbreaking, More Groundbreaking Excellence. So

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Speaker 1: she has more than a dozen entries in this year's book,

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Speaker 1: including the first act to debut at number one with

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Speaker 1: their first six studio albums, highest annual earnings for a

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Speaker 1: female singer, also the world renowned list of the most

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Speaker 1: current Twitter engagements retweets for a female musician. Anti also

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Speaker 1: has the record for the highest earning couple along with

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Speaker 1: Jay Z in Hollywood. Ever, so wow, congrassive called we

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Speaker 1: had the other Acts of Renaissance. I thought I thought

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Speaker 1: it supposed to be three Acts of Renaissance. First I

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Speaker 1: thought it was gonna be three three albums. But I

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Speaker 1: think it's like um videos and then a tour. I think, yeah,

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Speaker 1: with the acts, that man with the second act, Hey,

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Speaker 1: let her take her time, Okay, she'd do it in

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Speaker 1: Beyonce's time. Yeah, you know, I'm sure it's all planned

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Speaker 1: out already. We got one. We haven't gotten one visual

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Speaker 1: from Renaissance yet. Yeah, all right, well that is your rum.

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Speaker 1: I think that's the next level. I think the Act

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Speaker 1: two is all gonna be all visuals. Yeah, didn't Act three.

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Speaker 1: You'll be at the tour, but I mean we only

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Speaker 1: got one hundred more days left in the Yeah, that's

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Speaker 1: what's happening. Got it all mapped out that album a

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Speaker 1: while ago, right, and not that long? Y'all calm down

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Speaker 1: by this era. Yes, it's been a long time last year,

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Speaker 1: didn't it never alone? No, there's been no visuals for

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Speaker 1: the album Beyonce's on our Own Time? When did that

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Speaker 1: album come out? By the way, it doesn't seem man

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Speaker 1: long ago, but it couldn't. It couldn't have been no

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Speaker 1: more than a month. It's a month, right, and did July? Yeah? Yeah,

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Speaker 1: nothing a half most a half haven't been that long

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Speaker 1: two months. It's been long for this era. But guys,

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Speaker 1: remember people used to wait and set about this. A

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Speaker 1: day is a year, Yes, goodness, it's been seven years.

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Speaker 1: Beyonce Wownais came out six years ago to day. Did

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Speaker 1: you know that shut up Blue Hobby was warn when

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Speaker 1: it came out? It's just crazy? Wow? She in high school? Yeah,

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Speaker 1: all right. The next what we're talking about, well, let's

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Speaker 1: talk about these migrants being sent over to DC right

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Speaker 1: near Kamala Harris's home right in front. What do you

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Speaker 1: mean it just dropped over the grid right here, right

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Speaker 1: in front. Baby, door open up right in front. Wow,

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Speaker 1: all right, we'll get to that. Next is the Breakfast Club.

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Speaker 1: Good morning, So Breakfast Club, Your morning's will never be

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Speaker 1: the same. Make sure to see The Woman King, an

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Speaker 1: epic film starring Viola Davis inspired by true events of

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Speaker 1: the first ever army of women warriors in a fight

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Speaker 1: to save their kingdom. Trust me, you'll want to see

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Speaker 1: it for yourself, now playing exclusively in movie theaters. Tickets

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Speaker 1: on sale now. Charlemagne the Guy we are to breakfast club.

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Speaker 1: Let's get to some front page news. W NBA Finals

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Speaker 1: the Suns beat the Aces one oh five seventy six.

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Speaker 1: The Aces lead the series to one and a Thursday

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Speaker 1: night football, the Kansas City Chiefs beat the Charge just

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Speaker 1: twenty seven twenty four. Not what else we got? Easy?

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Speaker 1: All right? Well, Republican Governor Greg Abbott had over one

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Speaker 1: hundred migrants who crossed the border dropped off near Vice

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Speaker 1: President Kamala Harris's residence at the United States Naval Observatory.

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Speaker 1: And Kamala Harris was in Houston just recently, and here's

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Speaker 1: what she had to say about migrants and about the

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Speaker 1: borders being closed or open, and Vice Verson Harris said

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Speaker 1: that the border is closed. Is the border closed? Do

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Speaker 1: you believe that the borders closure isn't open? It's open,

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Speaker 1: not close, The borders open, The border is open. Do

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Speaker 1: you believe that all the migrants believe that the border

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Speaker 1: is open? Yeah, everybody, The border is open. It's open

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Speaker 1: because we end we came in free, no problem. And

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Speaker 1: then but it's open for you to come illegally, right, yes,

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Speaker 1: it literally, that's true. And you came illegally, yeah, became

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Speaker 1: illegally not legal. Hey, as I said yesterday, what I

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Speaker 1: think what the Governor Abbot doing is genius, man, because

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Speaker 1: one of Kamala Harris's roles is the overseas efforts to

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Speaker 1: resolve problems at the border, and she said this past

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Speaker 1: Sunday that the border is secure and the border is closed,

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Speaker 1: and Governor Abbott then wanted to show her, no, it's

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Speaker 1: not okay. So it just dump put them, put the

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Speaker 1: migrants in front of her crib. And the VP lives

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Speaker 1: in the sanctuary states, so they should eventually be fine, right,

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Speaker 1: these migrants, if these sanctuary states are what they say

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Speaker 1: they are, you know, it's just sad because I was

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Speaker 1: reading about this one man. He's from Venezuela. They said

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Speaker 1: that's one of the largest growing migrant groups coming over

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Speaker 1: to the United States. And he's talking about his experience

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Speaker 1: of trying to get over to the United States after

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Speaker 1: a turbulent trip, trying to get past, you know, in

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Speaker 1: the waters and dealing with brian from Mexicans and all

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Speaker 1: kinds of things, and then you finally get here and

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Speaker 1: then they're like, hey, would you like to go to

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Speaker 1: a sanctuary stay. They have no idea, what's going on.

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Speaker 1: And I think that's the hardest part is that these

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Speaker 1: are actual, real people and they've been going a lot

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Speaker 1: of times. People are fleeing, they're looking for a better

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Speaker 1: life to provide for their families. It's not like their

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Speaker 1: criminals are not human beings. And then now they're in

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Speaker 1: the middle of this whole political drama and being used

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Speaker 1: as pawns. That's right. The reality is neither side wants

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Speaker 1: illegal immigrants entering this country. And you know, in particular,

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Speaker 1: I'm reading about this guy missing Naza. It's a whole

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Speaker 1: article in the New York Times where he's talking about

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Speaker 1: his journey, and you know, he's expressing gratitude. He's one

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Speaker 1: of the people that ended up in Martha's Vineyard when

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Speaker 1: they sent the planes over to Martha's Vineyard. And he

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Speaker 1: did say that they're treating them very well. He said,

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Speaker 1: we're getting food, clothing, all our needs are met. He said,

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Speaker 1: I love Massachusetts. I want to start working as soon

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Speaker 1: as possible. A lot of people are people who really

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Speaker 1: want to come and make an honest living and do

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Speaker 1: something for their families, and now they're just being you know,

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Speaker 1: but being sent to know they're being sent to sanctuary states,

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Speaker 1: like why would you want them to be in Florida

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Speaker 1: or Texas or Arizona where they're clearly not welcome, Like

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Speaker 1: we shouldn't want them to be sent to these sanctuary

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Speaker 1: states because once again the reality is neither side wants

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Speaker 1: illegal immigrants entering the country. Them's just act like they care,

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Speaker 1: but let's not act like President by then Vice President

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Speaker 1: Kamala Harris both told illegal immigrants don't come into this country.

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Speaker 1: And hopefully this makes Democratic Republicans work together to come

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Speaker 1: up with some real border control because I don't care

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Speaker 1: who's in the office, the border has never been secured,

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Speaker 1: and that is being exposed in a way we've never

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Speaker 1: seen one of the problems. You just can't drop more

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Speaker 1: of without creating resources for me. You just can't have

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Speaker 1: a bus and just say okay, here you are. They're

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Speaker 1: sitting in the sanctuary states. If the sanctuary states are

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Speaker 1: what they say they are and they can take care,

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Speaker 1: let them know, they gotta have a job. You just

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Speaker 1: can't drop more of Kamala Harris's house and be like

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Speaker 1: do you yeah, they're trying to be funny, like the

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Speaker 1: thing is at least be like, okay, there's a hundred people.

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Speaker 1: They will be arriving in one week, and that way

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Speaker 1: they can set up someplace for them to stay, work, food,

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Speaker 1: all of those things that are necessary resources. That's all

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Speaker 1: I'm saying. I'm not saying that they can't go to

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Speaker 1: sanctuary states, but don't try to do this and use

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Speaker 1: human beings as a pawn with type of both sides

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Speaker 1: are using them as parts. And I agree with you.

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Speaker 1: That's why during Donkey to Day, I specifically say they

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Speaker 1: should give these sanctuary states that heads up, you know why,

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Speaker 1: so the world can hear these sanctuary states say no.

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Speaker 1: It's just like when you call people to vote to

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Speaker 1: the Senate, you can see who's really who people. You

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Speaker 1: can see who's really about that action, who's really about

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Speaker 1: that life? When you vote, it's the same thing. Call

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Speaker 1: these sanctuary states bluffs because the truth to the matter

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Speaker 1: is none of the Republicans are Democrats. Don't want to

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Speaker 1: legal immigrants in this country. All right, Well, here is

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Speaker 1: more on officers and migrants and Kamala Harris. We're just

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Speaker 1: watching our residents. Did we were notified that they were

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Speaker 1: coming with these big grants showing up? Do you know

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Speaker 1: where they where they need to go from here, or

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Speaker 1: you're just trying to make sure they stay away from

421
00:21:43,040 --> 00:21:52,960
Speaker 1: the everybody safe and away from all right, And a

422
00:21:53,000 --> 00:21:54,679
Speaker 1: news reporter, I actually tried to speak to some of

423
00:21:54,720 --> 00:21:58,040
Speaker 1: these migrants, and here's what happened. Partly, do you speak English, glass,

424
00:21:59,119 --> 00:22:14,639
Speaker 1: they're on theirs Venezuela, Venezuela, everybody from Venezuela. Any, okay,

425
00:22:14,880 --> 00:22:17,280
Speaker 1: thank you? Yeah, but I'm sorry today, so I'm not

426
00:22:17,280 --> 00:22:18,919
Speaker 1: gonna be able to translate all that. And I wouldn't

427
00:22:18,920 --> 00:22:20,680
Speaker 1: even try because it wouldn't look good on Life TV.

428
00:22:20,840 --> 00:22:23,360
Speaker 1: But as you can see, they're coming across here, all

429
00:22:23,400 --> 00:22:26,240
Speaker 1: of these migrants. It appears to be at least twenty

430
00:22:26,359 --> 00:22:28,920
Speaker 1: or so at this point. We have two buses. We

431
00:22:29,080 --> 00:22:31,679
Speaker 1: know from Governor Habitt's office there have been about seventy

432
00:22:31,760 --> 00:22:34,399
Speaker 1: nine hundred migrants on over one hundred and ninety buses

433
00:22:34,400 --> 00:22:36,960
Speaker 1: coming to d C. More than twenty two hundred on

434
00:22:37,080 --> 00:22:39,320
Speaker 1: more than forty buses to New York, and of course

435
00:22:39,359 --> 00:22:42,000
Speaker 1: about five buses to Chicago with a little over three

436
00:22:42,119 --> 00:22:45,240
Speaker 1: hundred migrants. News report to try to talk to advice

437
00:22:45,200 --> 00:22:47,200
Speaker 1: Brother Nakamala Harrish yesterday, and she did the same exact

438
00:22:47,240 --> 00:22:48,800
Speaker 1: thing to say hey, VP Harrish. She said that what

439
00:22:49,000 --> 00:22:54,480
Speaker 1: was said was close. She said, no English. You know,

440
00:22:54,520 --> 00:22:57,960
Speaker 1: as far as Democrats, they're blaming the Republicans for holding

441
00:22:58,040 --> 00:23:01,080
Speaker 1: up a plan. They're trying to provide legal potentiscs and citizenship,

442
00:23:01,119 --> 00:23:03,879
Speaker 1: you know, Dreamers. That's been something that's been on the

443
00:23:03,880 --> 00:23:06,280
Speaker 1: table for a long time, providing a pathway for Dreamers

444
00:23:06,280 --> 00:23:09,840
Speaker 1: to get citizenship and for people who have temporary status

445
00:23:09,880 --> 00:23:13,000
Speaker 1: to be able to work. And so that's been held

446
00:23:13,080 --> 00:23:16,040
Speaker 1: up as well. So that's another problem. And that's why

447
00:23:16,080 --> 00:23:19,080
Speaker 1: I said, hopefully this makes Democrats and Republicans work together

448
00:23:19,119 --> 00:23:21,399
Speaker 1: to come up with some real border control, because I

449
00:23:21,400 --> 00:23:25,640
Speaker 1: don't care who's in office, the border has never been secure,

450
00:23:25,840 --> 00:23:28,919
Speaker 1: and that is being exposed in ways we've never seen before.

451
00:23:28,960 --> 00:23:31,240
Speaker 1: All right, well that is your front page news, all right. Now.

452
00:23:31,240 --> 00:23:34,320
Speaker 1: When we come back after John Boyega will be joining us.

453
00:23:34,320 --> 00:23:36,439
Speaker 1: You probably know him from Star Wars. He's in the

454
00:23:36,480 --> 00:23:39,280
Speaker 1: new movie Woman King. That's out right, gotta he'll see

455
00:23:39,320 --> 00:23:41,119
Speaker 1: that this weekend and we're gonna talk to him when

456
00:23:41,160 --> 00:23:42,760
Speaker 1: we come back, So don't move. It's to Breakfast Club.

457
00:23:42,800 --> 00:23:47,920
Speaker 1: Good morning morning, everybody is DJ Envy Angela Yee Charlomagne

458
00:23:48,000 --> 00:23:49,760
Speaker 1: the guy. We are to Breakfast Club. We got a

459
00:23:49,760 --> 00:23:52,880
Speaker 1: special guest in the building. Yes, indeed, John Boyega. What's

460
00:23:52,880 --> 00:23:57,840
Speaker 1: good morning, morning morning, Welcome, welcome, welcome, good great peace King.

461
00:23:57,880 --> 00:24:00,399
Speaker 1: How are you, brother, I'm good in mine. Can't complaint, Luly.

462
00:24:00,760 --> 00:24:03,920
Speaker 1: You from England, from London, Yeah yeah, yeah, from London

463
00:24:04,040 --> 00:24:07,440
Speaker 1: Southeast Peckham. Okay, yeah, Now you got two movies coming out,

464
00:24:07,520 --> 00:24:10,520
Speaker 1: but one is out already, The Morning Too coming out.

465
00:24:10,600 --> 00:24:14,320
Speaker 1: But the Woman King breaking they cloned Tyrone. Yeah. Yeah,

466
00:24:14,440 --> 00:24:16,360
Speaker 1: I got a lot of stuff moving up. Yeah. Man,

467
00:24:16,480 --> 00:24:18,080
Speaker 1: was just trying to come back with with the madness

468
00:24:18,119 --> 00:24:20,160
Speaker 1: after the pandemic, especially know what happened to our industry.

469
00:24:20,560 --> 00:24:22,320
Speaker 1: So yeah, we're just coming back with the projects now.

470
00:24:22,960 --> 00:24:24,639
Speaker 1: So for people that don't know who you are, tell

471
00:24:24,680 --> 00:24:27,960
Speaker 1: them who you are and how you got started into acting. Um. Yeah,

472
00:24:27,960 --> 00:24:30,400
Speaker 1: so I'm John Boyeger. I'm thirty years old. I got

473
00:24:30,440 --> 00:24:32,320
Speaker 1: started in a British movie called A Tap the Block.

474
00:24:33,000 --> 00:24:34,840
Speaker 1: Didn't really do well in the UK, but got really

475
00:24:34,840 --> 00:24:38,320
Speaker 1: appreciated in the States, so that expanded my opportunities. Came

476
00:24:38,359 --> 00:24:42,400
Speaker 1: down here and then auditioned, failed, tried again, and then

477
00:24:42,400 --> 00:24:44,440
Speaker 1: I got Star Wars and then from Star Wars, that's

478
00:24:44,440 --> 00:24:46,000
Speaker 1: where I kind of got the opportunity to be on

479
00:24:46,040 --> 00:24:48,320
Speaker 1: the main stage or commercial and shit, we got you

480
00:24:48,359 --> 00:24:50,159
Speaker 1: into acting, Like what was the actor that said I

481
00:24:50,200 --> 00:24:52,720
Speaker 1: want to do this because of that? You know what?

482
00:24:52,760 --> 00:24:54,480
Speaker 1: It started off as a social thing. I didn't really

483
00:24:54,640 --> 00:24:57,240
Speaker 1: fit in into all of the groups, wasn't really too

484
00:24:57,560 --> 00:25:00,640
Speaker 1: It wasn't smart enough for the academics, isn't tough enough

485
00:25:00,680 --> 00:25:02,800
Speaker 1: for the big boys. And at the same time, you know,

486
00:25:02,800 --> 00:25:05,600
Speaker 1: I wasn't skillful enough for football and ship. So I

487
00:25:05,800 --> 00:25:08,320
Speaker 1: was then just with the performance kids. And they had

488
00:25:08,359 --> 00:25:09,720
Speaker 1: girls too, so I was just like, yeah, this is

489
00:25:09,760 --> 00:25:12,080
Speaker 1: better anyway. So I was just like, yeah, I'm just

490
00:25:12,119 --> 00:25:14,159
Speaker 1: gonna chill here. And then from there, actually the passion

491
00:25:14,200 --> 00:25:16,960
Speaker 1: came after that actually started to take it seriously after

492
00:25:17,000 --> 00:25:19,080
Speaker 1: going through a few things and then just making some decisions.

493
00:25:19,400 --> 00:25:22,280
Speaker 1: That's what I was then produced to you via Star Wars, Like,

494
00:25:22,440 --> 00:25:25,000
Speaker 1: do you feel like that their whole conversation about you know,

495
00:25:25,040 --> 00:25:27,080
Speaker 1: a black person being a lead in Star Wars, do

496
00:25:27,119 --> 00:25:30,679
Speaker 1: you think that overshadowed your actual abilities that you that

497
00:25:30,720 --> 00:25:33,399
Speaker 1: you showed in their movie. Um, yeah, yeah to a

498
00:25:33,480 --> 00:25:37,080
Speaker 1: certain extent. Nactually, I think with episode seven with Force Awakens.

499
00:25:37,080 --> 00:25:39,359
Speaker 1: I think people thought I was that guy, which I

500
00:25:39,400 --> 00:25:42,040
Speaker 1: found kind of hilarious, Like they thought that I was

501
00:25:42,080 --> 00:25:44,480
Speaker 1: the character, Oh my god, and that was that was

502
00:25:44,560 --> 00:25:46,479
Speaker 1: kind of confusing. And then you've got two more movies

503
00:25:46,560 --> 00:25:48,720
Speaker 1: and then people like yourselves are introduced through the franchise.

504
00:25:48,760 --> 00:25:51,840
Speaker 1: It's hard to kind of have that separation and that detachment.

505
00:25:51,920 --> 00:25:53,640
Speaker 1: But I don't I don't blame it. I think that's

506
00:25:53,640 --> 00:25:56,439
Speaker 1: the natural kind of that's how the process goes with

507
00:25:56,480 --> 00:25:59,919
Speaker 1: franchise films, Like it's hard to detach yourself from the character.

508
00:26:00,080 --> 00:26:03,000
Speaker 1: So yeah, that's definitely a struggle and brand conversation though,

509
00:26:03,000 --> 00:26:04,800
Speaker 1: because you see what's happening with Harley Bailey with The

510
00:26:04,840 --> 00:26:06,840
Speaker 1: Little Mermaid. I saw that. I've just put a comment

511
00:26:06,880 --> 00:26:08,480
Speaker 1: on a page. I'm so proud of her. I left

512
00:26:08,480 --> 00:26:10,280
Speaker 1: a message. I'm so proud of what I saw in

513
00:26:10,320 --> 00:26:12,280
Speaker 1: that trailer. Yeah, I didn't imagine what she must be

514
00:26:12,320 --> 00:26:16,439
Speaker 1: going through. They have so many people. Yeah, and I

515
00:26:16,480 --> 00:26:18,200
Speaker 1: know that's why I think it's important that you spoke

516
00:26:18,280 --> 00:26:19,960
Speaker 1: up and spoke out about it, because it really did

517
00:26:20,000 --> 00:26:23,639
Speaker 1: bring attention. I feel like I feel like I spoke

518
00:26:23,720 --> 00:26:26,399
Speaker 1: up about it and after in the aftermath, I've been

519
00:26:26,440 --> 00:26:29,080
Speaker 1: seeing a lot of corporate companies speaking out as well,

520
00:26:29,119 --> 00:26:31,439
Speaker 1: showing support and love, because I think it's important for

521
00:26:31,440 --> 00:26:33,800
Speaker 1: the companies actually to back the people that they cast

522
00:26:33,840 --> 00:26:36,600
Speaker 1: in the movie, just so that they feel safe and

523
00:26:36,920 --> 00:26:39,480
Speaker 1: feel protected. But yeah, it's it's it's tough, but I

524
00:26:39,880 --> 00:26:42,760
Speaker 1: suggest this time, rather than fixating on the negative for her,

525
00:26:43,080 --> 00:26:45,600
Speaker 1: we need to celebrate it and just blind out the

526
00:26:45,600 --> 00:26:47,880
Speaker 1: negative noise. That's that's what we need to do this time. Yeah,

527
00:26:47,880 --> 00:26:49,879
Speaker 1: that's all you say. You said that you were the

528
00:26:49,920 --> 00:26:53,200
Speaker 1: only chast member whose experience with Star Wars was based

529
00:26:53,240 --> 00:26:56,040
Speaker 1: on their race. Yeah, but especially during the time of

530
00:26:56,080 --> 00:26:59,719
Speaker 1: episode seven, just being the only that everybody else who

531
00:26:59,720 --> 00:27:02,840
Speaker 1: was like, you've got this role, You've got this first role, congratulations.

532
00:27:03,240 --> 00:27:06,000
Speaker 1: Whereas with me it was what, you know, what Haley's

533
00:27:06,040 --> 00:27:08,760
Speaker 1: going through. It was the backlash. And you find yourself

534
00:27:08,800 --> 00:27:10,800
Speaker 1: when you look at yourself and your opposite Oscar is

535
00:27:11,640 --> 00:27:15,680
Speaker 1: Daisy Ridley, you go, wow, I'm different, Like my introduction

536
00:27:15,720 --> 00:27:18,320
Speaker 1: into this industry is different. How come Moscar is not

537
00:27:18,320 --> 00:27:20,359
Speaker 1: getting this response? How come Daisy isn't? And that just,

538
00:27:20,440 --> 00:27:22,600
Speaker 1: you know, set you apart a little bit. Like what

539
00:27:22,640 --> 00:27:24,880
Speaker 1: you said about celebrating it, right, because I think sometimes

540
00:27:25,560 --> 00:27:28,240
Speaker 1: we tell ourselves sometimes that hey, maybe I'm just being

541
00:27:28,400 --> 00:27:31,520
Speaker 1: used as au pon for diversity, right, But it was

542
00:27:31,560 --> 00:27:37,720
Speaker 1: that way. Sometimes it does because for example, if you

543
00:27:37,760 --> 00:27:40,000
Speaker 1: look at my movie that I've just done, breaking, if

544
00:27:40,040 --> 00:27:42,119
Speaker 1: you look at when you go and see the Woman

545
00:27:42,200 --> 00:27:45,360
Speaker 1: King Um, I hope that you will find that raw

546
00:27:45,480 --> 00:27:48,400
Speaker 1: this kid can actually act. And what I mean act,

547
00:27:48,440 --> 00:27:50,439
Speaker 1: I mean acting is a skill set different roles. You

548
00:27:50,440 --> 00:27:51,959
Speaker 1: can change your acts that you can change the way

549
00:27:52,000 --> 00:27:53,639
Speaker 1: you walk and talk and stuff. And then when you

550
00:27:53,640 --> 00:27:55,880
Speaker 1: look at back at the Star Wars movies, it will

551
00:27:55,880 --> 00:27:58,320
Speaker 1: confuse you because you're probably going to be like, Rah,

552
00:27:58,400 --> 00:28:01,520
Speaker 1: why don't they use this guy's ability? And that's where

553
00:28:01,560 --> 00:28:03,960
Speaker 1: the pawn feeling comes from. You feel like, well, on set,

554
00:28:04,000 --> 00:28:05,800
Speaker 1: they're not really using my ability. But at the same time,

555
00:28:05,840 --> 00:28:07,359
Speaker 1: you want to put me in all the marketing posts

556
00:28:07,359 --> 00:28:09,199
Speaker 1: just to get the black people excited. But then when

557
00:28:09,240 --> 00:28:11,439
Speaker 1: the black people come see it, it's like half excited.

558
00:28:11,480 --> 00:28:16,479
Speaker 1: They always give us these half rolls, like damn man,

559
00:28:16,520 --> 00:28:18,119
Speaker 1: I thought he was gonna be the hero. It's always

560
00:28:18,119 --> 00:28:19,840
Speaker 1: a debate about we thought we were going to be

561
00:28:19,880 --> 00:28:22,120
Speaker 1: the one, whereas in you know, the other side, they

562
00:28:22,119 --> 00:28:24,879
Speaker 1: put the cape on the brother. He's killing it. You know,

563
00:28:24,960 --> 00:28:27,080
Speaker 1: he's got the storylines, he's got the moves and all

564
00:28:27,040 --> 00:28:29,400
Speaker 1: that kind of stuff. So you know, sometimes he's a struggle.

565
00:28:29,640 --> 00:28:31,600
Speaker 1: You get Star Wars for people that don't know breakdown.

566
00:28:31,800 --> 00:28:35,119
Speaker 1: You know how that whole process came about. Um, So

567
00:28:35,160 --> 00:28:37,160
Speaker 1: it's actually funny. I was I was shooting a movie

568
00:28:37,200 --> 00:28:41,960
Speaker 1: called Imperial Dreams with Roe, Timmy and Rot Timmy, Timmy,

569
00:28:42,240 --> 00:28:46,000
Speaker 1: Lena Falcons Fair Ye Rot Timmy Man. I like the

570
00:28:46,000 --> 00:28:48,120
Speaker 1: way he responded to that song man, but we're gonna

571
00:28:48,120 --> 00:28:50,480
Speaker 1: we're gonna have a conversation about that song anyway. But

572
00:28:50,680 --> 00:28:52,680
Speaker 1: we we worked on a movie together, a great guy

573
00:28:52,720 --> 00:28:55,400
Speaker 1: that's my bro, and he got he got an audition

574
00:28:55,440 --> 00:28:58,000
Speaker 1: for a secret project and I put him on tape

575
00:28:58,000 --> 00:28:59,760
Speaker 1: for it. Helped him, help put him on tape. And

576
00:29:00,000 --> 00:29:01,560
Speaker 1: when I looked at the paper, I was just like, wait,

577
00:29:02,080 --> 00:29:04,280
Speaker 1: this is sounding real Star Wars esque, Like, how come

578
00:29:04,320 --> 00:29:06,120
Speaker 1: my name got a call back for me? Like, what's

579
00:29:06,160 --> 00:29:07,640
Speaker 1: going on with that? So I called my agents, said

580
00:29:07,640 --> 00:29:09,240
Speaker 1: what's going on? And they're like, they haven't come to

581
00:29:09,280 --> 00:29:11,480
Speaker 1: London yet because it was this kind of worldwide search.

582
00:29:11,840 --> 00:29:13,880
Speaker 1: And then they came out, came to London randomly. I

583
00:29:13,920 --> 00:29:15,760
Speaker 1: got a call from my agent for me and he's

584
00:29:15,760 --> 00:29:17,800
Speaker 1: been with me since our sixteen and he was like, yo,

585
00:29:18,240 --> 00:29:20,320
Speaker 1: you've got the audition. I was like the one. He

586
00:29:20,400 --> 00:29:22,600
Speaker 1: was like yeah. And then I was capitaled into nine

587
00:29:22,640 --> 00:29:25,960
Speaker 1: months of just back to back auditions. Had to lose

588
00:29:26,000 --> 00:29:27,840
Speaker 1: weight and stuff because I was a bit chubby coming in.

589
00:29:27,960 --> 00:29:31,480
Speaker 1: You know with your Star Wars, yeah I was. I

590
00:29:31,880 --> 00:29:33,760
Speaker 1: was into that. Yeah, yeah, yeah, I was into the prequels.

591
00:29:33,760 --> 00:29:36,080
Speaker 1: I had the dark Moore figures. So I was just like, nah,

592
00:29:36,120 --> 00:29:38,400
Speaker 1: this is legit and parctically about to be rich, you

593
00:29:38,400 --> 00:29:39,840
Speaker 1: know what I mean? You know that feeling you know

594
00:29:39,880 --> 00:29:41,280
Speaker 1: when you get the first call, but then you have

595
00:29:41,360 --> 00:29:42,400
Speaker 1: to do you get a piece of the merche. You

596
00:29:42,400 --> 00:29:43,960
Speaker 1: don't get a piece of We don't get none of

597
00:29:43,960 --> 00:29:46,000
Speaker 1: the much damn. You don't want to use your likeness

598
00:29:46,040 --> 00:29:50,760
Speaker 1: and everything face none of the merch. And see they

599
00:29:50,760 --> 00:29:54,200
Speaker 1: said you want three movies, you better be appreciative that

600
00:29:54,240 --> 00:29:58,000
Speaker 1: we gave you this oppy and you know me, then

601
00:29:58,040 --> 00:30:00,000
Speaker 1: I was hungry, you know, white crusted in the corner

602
00:30:00,040 --> 00:30:02,960
Speaker 1: the mouth, that's hope hungry, and I wanted the opportunity

603
00:30:03,000 --> 00:30:05,560
Speaker 1: so I was just like okay, cool, free picture deal um.

604
00:30:05,600 --> 00:30:07,920
Speaker 1: And then one thing led to another such a long

605
00:30:07,960 --> 00:30:10,320
Speaker 1: process and then I ended up ended up getting the role.

606
00:30:10,360 --> 00:30:12,040
Speaker 1: But it was like, yeah, it was it was. It

607
00:30:12,120 --> 00:30:14,000
Speaker 1: was a dare in time because it's like the options

608
00:30:14,000 --> 00:30:16,440
Speaker 1: of your life. You're either going to be somebody or

609
00:30:16,480 --> 00:30:18,880
Speaker 1: you're gonna go back to the to the hustle. You know.

610
00:30:19,000 --> 00:30:20,880
Speaker 1: It's just so interesting to me because you know how

611
00:30:20,960 --> 00:30:24,680
Speaker 1: racist you gotta be the sea race in a fantasy movie,

612
00:30:25,080 --> 00:30:27,400
Speaker 1: whether it's Star Wars or a little Mermaid. We're talking

613
00:30:27,400 --> 00:30:31,280
Speaker 1: about fucking mermaid. It's a mermaid. It's a mermaid, bro.

614
00:30:31,640 --> 00:30:34,120
Speaker 1: You know. You know what's so mad? Sebastian. Sebastian the

615
00:30:34,160 --> 00:30:37,920
Speaker 1: crab was from the Caribbean, so you would you'd be thinking,

616
00:30:38,000 --> 00:30:40,360
Speaker 1: like anybody else around, there's probably gonna be black in

617
00:30:40,440 --> 00:30:42,520
Speaker 1: that Caribbean, you know, that Caribbean seeing stuff. But I

618
00:30:42,520 --> 00:30:46,160
Speaker 1: don't know, man, it just that's in there. They're killing

619
00:30:46,240 --> 00:30:48,920
Speaker 1: him right now. But but it's but it's nuts that

620
00:30:49,320 --> 00:30:51,920
Speaker 1: you know, it just reflects about how they would love

621
00:30:51,960 --> 00:30:54,200
Speaker 1: the world, you know what I mean, what the world

622
00:30:54,240 --> 00:30:56,160
Speaker 1: that would be good for them? Man? You know, if

623
00:30:56,200 --> 00:30:58,120
Speaker 1: you put the hair that's too tough. In their movies,

624
00:30:58,160 --> 00:31:00,880
Speaker 1: they go, oh my god, I feel so timidated by it.

625
00:31:01,680 --> 00:31:04,320
Speaker 1: I don't know what to deal about. And it gets

626
00:31:04,320 --> 00:31:06,240
Speaker 1: to be a big frenzy. And I think this time

627
00:31:06,480 --> 00:31:09,200
Speaker 1: for her, especially because it's a big Disney you know

628
00:31:09,240 --> 00:31:11,120
Speaker 1: how it is, man, this is they're probably gonna have

629
00:31:11,200 --> 00:31:14,080
Speaker 1: to change the much and make Ariel Brown on the

630
00:31:14,160 --> 00:31:16,680
Speaker 1: on the plush toys and stuff. We have to celebrate

631
00:31:17,400 --> 00:31:19,400
Speaker 1: what that is for her, you know. And and it's

632
00:31:19,400 --> 00:31:20,760
Speaker 1: a big it's a big move. How does that make

633
00:31:20,800 --> 00:31:22,400
Speaker 1: you feel? I'm sorry, how did that make you feel?

634
00:31:22,400 --> 00:31:24,440
Speaker 1: When you've seen the posters out there and you've seen

635
00:31:24,480 --> 00:31:26,680
Speaker 1: your face up there, but you know it's not gonna

636
00:31:26,680 --> 00:31:29,920
Speaker 1: live up to what's expected that they play. You gotta

637
00:31:29,920 --> 00:31:32,120
Speaker 1: play the game, man. But as you know, I was brewing, well,

638
00:31:32,160 --> 00:31:34,960
Speaker 1: you know, a little bit a little bit salty about it. Um.

639
00:31:35,040 --> 00:31:36,960
Speaker 1: But then but then again, it's the process of it.

640
00:31:37,000 --> 00:31:38,479
Speaker 1: I was like, I was kind of like, you know,

641
00:31:38,800 --> 00:31:41,880
Speaker 1: maybe on the last one, you know, they're gonna I'm

642
00:31:41,880 --> 00:31:43,880
Speaker 1: gonna be signing with my character. I'm gonna do something

643
00:31:44,000 --> 00:31:46,720
Speaker 1: maybe on the last one. Um, you know, that was

644
00:31:46,920 --> 00:31:48,640
Speaker 1: that was a struggle as well to a certain extent.

645
00:31:48,720 --> 00:31:51,200
Speaker 1: But did anybody from within Disney reach out to you

646
00:31:51,320 --> 00:31:54,360
Speaker 1: after and say, like, have any comments or say you

647
00:31:54,400 --> 00:32:00,760
Speaker 1: know what you're right? Anything? No? No, no no, in retrospect.

648
00:32:00,840 --> 00:32:03,040
Speaker 1: But but I heard that's that's the kind of policy.

649
00:32:03,080 --> 00:32:05,880
Speaker 1: We don't say, We don't respond nothing. But when I

650
00:32:05,920 --> 00:32:07,280
Speaker 1: when I see them, man, I'm gonna talk to them.

651
00:32:07,440 --> 00:32:09,000
Speaker 1: You know you're not going back to you I read this.

652
00:32:09,000 --> 00:32:10,520
Speaker 1: You don't want you're not interested in going back? Then

653
00:32:10,840 --> 00:32:13,160
Speaker 1: Star Wars franchise. No, no, no, no, man, I think

654
00:32:13,200 --> 00:32:15,280
Speaker 1: my time is started and the contracts done. So to

655
00:32:15,320 --> 00:32:17,320
Speaker 1: be honest, it's not even a conversation that I don't

656
00:32:17,320 --> 00:32:20,000
Speaker 1: even think they're even curious about me coming back or

657
00:32:20,000 --> 00:32:21,560
Speaker 1: anything like that. So all right, now we're here to

658
00:32:21,560 --> 00:32:23,760
Speaker 1: talk about Breaking and The Woman King. Those are both

659
00:32:23,760 --> 00:32:26,640
Speaker 1: based on two stories. Correct, the Woman King to a

660
00:32:26,640 --> 00:32:29,640
Speaker 1: certain extent of Breaking? Yes, okay, yeah, so tell us

661
00:32:29,680 --> 00:32:31,880
Speaker 1: the story of Breaking. That's something Michael Kay Williams, isn't there,

662
00:32:32,600 --> 00:32:37,280
Speaker 1: Micha Kay Williams fellow Brooklyn, Brooklynite like myself. So, um,

663
00:32:37,360 --> 00:32:40,320
Speaker 1: can you tell us about Breaking and what your role was?

664
00:32:40,360 --> 00:32:42,320
Speaker 1: And there you were a marine? Yeah? Yeah, so I

665
00:32:42,360 --> 00:32:45,000
Speaker 1: play I play a war vet called Brian Brown Eastley

666
00:32:45,080 --> 00:32:47,719
Speaker 1: who comes back to society after serving. And then when

667
00:32:47,720 --> 00:32:51,640
Speaker 1: he comes back, he's going through several different issues, financial councies,

668
00:32:51,960 --> 00:32:55,080
Speaker 1: his daughter can't afford much's accommodation issues, and then it's

669
00:32:55,120 --> 00:32:58,440
Speaker 1: also suffering from PTSD. And then he makes an extreme

670
00:32:58,680 --> 00:33:01,240
Speaker 1: decision in the crescendo of all these stresses to go

671
00:33:01,280 --> 00:33:04,000
Speaker 1: into a weld's fargo bank, hold it up and try

672
00:33:04,040 --> 00:33:06,239
Speaker 1: to get his money back from veterans affairs, because, as

673
00:33:06,280 --> 00:33:08,520
Speaker 1: you know, when the vets come back home, they rely

674
00:33:08,680 --> 00:33:11,920
Speaker 1: heavily on the various affairs for checks and clearances for

675
00:33:11,960 --> 00:33:14,400
Speaker 1: their day to day needs. And unfortunately, through ad me

676
00:33:14,480 --> 00:33:17,240
Speaker 1: and through mistakes, you know, Brian's case is kind of dismissed.

677
00:33:17,480 --> 00:33:19,800
Speaker 1: And then he's left in this position where he's kind

678
00:33:19,800 --> 00:33:21,080
Speaker 1: of like, I don't know, I don't know what to do,

679
00:33:21,160 --> 00:33:24,320
Speaker 1: and with the PTSD, with the bullying, what's been going

680
00:33:24,320 --> 00:33:26,960
Speaker 1: on with looking thinking back to the stuff that he's

681
00:33:26,960 --> 00:33:29,560
Speaker 1: been through, he goes into that world's fargo and holds

682
00:33:29,560 --> 00:33:32,480
Speaker 1: it up, And how can you never understand it? The

683
00:33:32,600 --> 00:33:35,240
Speaker 1: human being? How can you never understand what that man is?

684
00:33:35,280 --> 00:33:37,240
Speaker 1: But we aren't we in our bubble though, we're in

685
00:33:37,240 --> 00:33:39,440
Speaker 1: our bubble and we have our own stresses, and sometimes

686
00:33:39,440 --> 00:33:42,240
Speaker 1: it's hard for us to have that sympathy and perspective, right.

687
00:33:43,560 --> 00:33:45,800
Speaker 1: But with this, with this man, he wanted to be heard.

688
00:33:45,920 --> 00:33:47,600
Speaker 1: That was the main thing. And you know, even the

689
00:33:47,640 --> 00:33:49,760
Speaker 1: bank tellers that were in there that were they were

690
00:33:49,760 --> 00:33:53,160
Speaker 1: like that this was the nicest man that he'd done

691
00:33:53,160 --> 00:33:54,760
Speaker 1: a bank heights in the right way. There's a scene

692
00:33:54,760 --> 00:33:56,960
Speaker 1: in the movie where a customer, real customer, calls the

693
00:33:56,960 --> 00:33:59,600
Speaker 1: world's fargo because yeah, he takes the call, like because

694
00:33:59,600 --> 00:34:02,880
Speaker 1: he doesn't you know, he's a different kind of of

695
00:34:03,480 --> 00:34:05,800
Speaker 1: bank robber in that and the media might be like,

696
00:34:05,880 --> 00:34:09,480
Speaker 1: man holds up banking. Oh they were, you know, and

697
00:34:09,480 --> 00:34:11,279
Speaker 1: there's something for us to learn. They packaged it in

698
00:34:11,320 --> 00:34:14,200
Speaker 1: that way, whereas in this movie goes into nuances in

699
00:34:14,239 --> 00:34:17,680
Speaker 1: the details of that. And blessings to Michael Kay Williams like,

700
00:34:17,920 --> 00:34:21,040
Speaker 1: I requested him to come on, come onto the film

701
00:34:21,080 --> 00:34:23,120
Speaker 1: set him and let our begged him to come to

702
00:34:23,840 --> 00:34:26,120
Speaker 1: join because I know we ain't got the coin to

703
00:34:26,160 --> 00:34:28,319
Speaker 1: pay for Michael Kay, but this is just a small

704
00:34:28,320 --> 00:34:30,160
Speaker 1: little bag. Come down and do a few weeks of work.

705
00:34:30,160 --> 00:34:31,480
Speaker 1: And he was like, yeah, bet I'll come down due.

706
00:34:31,600 --> 00:34:33,480
Speaker 1: Did you know him? I didn't. I watched him in

707
00:34:33,520 --> 00:34:36,359
Speaker 1: the wire before, Okay, just like his work. I watched

708
00:34:36,440 --> 00:34:38,080
Speaker 1: him in the Wire, I watched him in Board or

709
00:34:38,120 --> 00:34:41,000
Speaker 1: k Empire. So I was just like, yo, bro, He's

710
00:34:41,000 --> 00:34:42,960
Speaker 1: an amazing person. Isn't it great to work with people

711
00:34:43,000 --> 00:34:45,719
Speaker 1: who you like in real life too? Yeah? And he's

712
00:34:45,800 --> 00:34:48,080
Speaker 1: chill and and he's giving, and he's and he's open

713
00:34:48,160 --> 00:34:50,600
Speaker 1: and honest. You know, for me, you know, the work

714
00:34:50,719 --> 00:34:52,360
Speaker 1: is better when we all kind of get along. You know.

715
00:34:52,480 --> 00:34:53,920
Speaker 1: I was working with him tell us some of the

716
00:34:53,920 --> 00:34:55,919
Speaker 1: stories on the set because you know, we missed a brother. Yeah.

717
00:34:56,320 --> 00:34:57,879
Speaker 1: The first time I worked with him, well, the first

718
00:34:57,880 --> 00:34:59,400
Speaker 1: time I saw him after they came on set. He

719
00:34:59,440 --> 00:35:01,480
Speaker 1: walked into my trailers dental because they thought it was his,

720
00:35:01,880 --> 00:35:04,520
Speaker 1: you know, and that low budget kind of picture. Man,

721
00:35:04,560 --> 00:35:06,680
Speaker 1: the trailers looked all the same. And he walked in

722
00:35:06,960 --> 00:35:08,560
Speaker 1: and he was like yo, bro, and he was like yo, like,

723
00:35:08,560 --> 00:35:10,120
Speaker 1: oh shit, you're on the project. He was like yeah, man.

724
00:35:10,160 --> 00:35:12,000
Speaker 1: I was like, bro, like, thank you so much for

725
00:35:12,000 --> 00:35:14,480
Speaker 1: coming down because you didn't really have to um. And

726
00:35:14,520 --> 00:35:16,960
Speaker 1: he just told me about you know, the speech that

727
00:35:17,000 --> 00:35:19,080
Speaker 1: I had done at the protests and he told me

728
00:35:19,080 --> 00:35:20,640
Speaker 1: that he messes me. That's the way. That's the reason

729
00:35:20,640 --> 00:35:22,360
Speaker 1: why I came down, Like it's a strong message for

730
00:35:22,360 --> 00:35:24,000
Speaker 1: the movie and he just wants to do the work

731
00:35:24,000 --> 00:35:25,440
Speaker 1: and be a part of it. Man, And it was

732
00:35:25,480 --> 00:35:28,959
Speaker 1: all love from there. What um, what What impact did

733
00:35:29,480 --> 00:35:33,320
Speaker 1: playing that role have on your mental and emotional well being?

734
00:35:33,920 --> 00:35:36,800
Speaker 1: I think it gave me perspective. I've never had anybody

735
00:35:36,800 --> 00:35:39,719
Speaker 1: in my family that served UM, And I've never had

736
00:35:39,760 --> 00:35:42,399
Speaker 1: anybody in my family that's made that commitment to any

737
00:35:42,400 --> 00:35:45,640
Speaker 1: Western government. My family they're a bit black as hell,

738
00:35:45,840 --> 00:35:48,759
Speaker 1: and they got opinions, um and so so in that

739
00:35:48,920 --> 00:35:52,080
Speaker 1: I can't relate directly to certain things that they went through.

740
00:35:52,120 --> 00:35:55,360
Speaker 1: But after being in these shoes, UM, yeah, Man, the

741
00:35:55,400 --> 00:35:57,600
Speaker 1: intensity of being on set was what it was because

742
00:35:57,600 --> 00:35:59,840
Speaker 1: we had to have like a theater approach, like you know,

743
00:36:00,080 --> 00:36:02,320
Speaker 1: Director Abby was like, you know, the space is yours?

744
00:36:02,360 --> 00:36:04,760
Speaker 1: Do you like you're you're the one owning the space.

745
00:36:04,880 --> 00:36:06,719
Speaker 1: The cameras will follow you, and so you had to

746
00:36:06,719 --> 00:36:09,080
Speaker 1: have that kind of approach to it. But apart from that, man,

747
00:36:09,120 --> 00:36:10,880
Speaker 1: I think I think it was chill. I was actually

748
00:36:10,920 --> 00:36:14,719
Speaker 1: going out a lot during the filming process because days

749
00:36:14,760 --> 00:36:17,120
Speaker 1: would be Yeah, on purpose, the days would be intense,

750
00:36:17,960 --> 00:36:20,160
Speaker 1: and I'd be like, when I come back, make sure

751
00:36:20,239 --> 00:36:23,279
Speaker 1: my boys are in the crib, come back home, chill

752
00:36:23,360 --> 00:36:25,000
Speaker 1: with them for a bit, and have that balance so

753
00:36:25,040 --> 00:36:26,840
Speaker 1: I'm not I can take off the character and it

754
00:36:26,840 --> 00:36:28,360
Speaker 1: can just enjoy my life a little. Oh, let me

755
00:36:28,360 --> 00:36:30,040
Speaker 1: talk to you about there for a second. So a

756
00:36:30,040 --> 00:36:31,919
Speaker 1: lot of times when people get deep, that deep in character,

757
00:36:31,960 --> 00:36:33,879
Speaker 1: they they want to stay there and tell the roll

758
00:36:34,040 --> 00:36:36,799
Speaker 1: is over. But you chose to release it, like what

759
00:36:36,920 --> 00:36:40,919
Speaker 1: every other day? Every day? Wow? Every day every day Brian,

760
00:36:41,040 --> 00:36:42,799
Speaker 1: Brian has to go in. And the funny thing is

761
00:36:42,800 --> 00:36:44,839
Speaker 1: is that it kind of impeded into your When it

762
00:36:44,880 --> 00:36:46,879
Speaker 1: impedes into your life is when I had to shave

763
00:36:46,960 --> 00:36:49,919
Speaker 1: my hair down every day because that's what Brian was doing.

764
00:36:50,080 --> 00:36:52,040
Speaker 1: And you know, shaving the hair down, you trying to

765
00:36:52,040 --> 00:36:53,400
Speaker 1: go out and stuff. You've got the ball dark hair

766
00:36:53,480 --> 00:36:55,480
Speaker 1: like that doesn't really match up sometimes. So I had

767
00:36:55,520 --> 00:36:57,400
Speaker 1: to put the hat on just to be you know,

768
00:36:57,360 --> 00:36:59,280
Speaker 1: I put the chains on, make sure I'm just different

769
00:36:59,320 --> 00:37:01,480
Speaker 1: from who Bryan is, and just to have that balance.

770
00:37:01,480 --> 00:37:03,640
Speaker 1: And then just having the house for my best friend

771
00:37:03,680 --> 00:37:05,640
Speaker 1: was there, two of my boys were there, were all

772
00:37:05,719 --> 00:37:08,040
Speaker 1: day and just in the house together, and that just

773
00:37:08,080 --> 00:37:09,640
Speaker 1: made the process a little bit more easy. I'm not

774
00:37:09,680 --> 00:37:11,480
Speaker 1: bringing it home. How hard did it to get back

775
00:37:11,480 --> 00:37:13,719
Speaker 1: into the character of Brian? Once you do that? The

776
00:37:13,800 --> 00:37:16,200
Speaker 1: environment was set. Man, It's like there, you see the set,

777
00:37:16,280 --> 00:37:18,799
Speaker 1: you see the cameras, man, you see in the Kobahari like,

778
00:37:19,080 --> 00:37:21,839
Speaker 1: you know, preparing and you're like, yeah, nah, I gotta

779
00:37:21,960 --> 00:37:23,760
Speaker 1: get in moan and get in action and the stories

780
00:37:23,760 --> 00:37:25,480
Speaker 1: about him, so we jumping in and out is a

781
00:37:25,480 --> 00:37:27,480
Speaker 1: skill set. You should definitely what your parents think about.

782
00:37:27,480 --> 00:37:30,560
Speaker 1: You wanted to be an actor, but when you were younger, um,

783
00:37:30,719 --> 00:37:35,319
Speaker 1: definitely some concerns. Um well, mainly because in school. My

784
00:37:35,360 --> 00:37:37,800
Speaker 1: behavior at school was a bit was a bit tricky,

785
00:37:38,200 --> 00:37:41,680
Speaker 1: So there was some concerns imitating those white people too much. No, no, no,

786
00:37:41,760 --> 00:37:43,600
Speaker 1: I was imitating the white people. I was just doing

787
00:37:43,600 --> 00:37:45,719
Speaker 1: my thing. But you know how it goes, man. You get,

788
00:37:45,719 --> 00:37:47,279
Speaker 1: you just get, you just get a bit a bit

789
00:37:47,280 --> 00:37:49,160
Speaker 1: too cheeky for your own good. So they were worried

790
00:37:49,160 --> 00:37:50,920
Speaker 1: that it'd be a distraction. You know, if you're not

791
00:37:50,920 --> 00:37:53,520
Speaker 1: taking it seriously, it's just going to be a distraction.

792
00:37:54,040 --> 00:37:56,640
Speaker 1: But then after my dad started to see I was consistent.

793
00:37:56,880 --> 00:37:59,040
Speaker 1: He started taking me to the auditions, and he took

794
00:37:59,040 --> 00:38:00,920
Speaker 1: me to my first agents me and he was like

795
00:38:00,960 --> 00:38:03,480
Speaker 1: a full supporter. Um and then I got Star Wars

796
00:38:03,520 --> 00:38:04,839
Speaker 1: bought in my house and then it was like shot.

797
00:38:07,440 --> 00:38:09,160
Speaker 1: You know what I mean? That is that moment? Is

798
00:38:09,160 --> 00:38:11,200
Speaker 1: that moment, so you know we're good to go from there.

799
00:38:11,280 --> 00:38:13,400
Speaker 1: You know, I hate how this country treats his veterans.

800
00:38:13,440 --> 00:38:15,840
Speaker 1: I can'tunderstand it, you know what I mean? You know,

801
00:38:15,920 --> 00:38:18,239
Speaker 1: just to just to go off and fight for a

802
00:38:18,280 --> 00:38:19,840
Speaker 1: country and then come home and don't even have a

803
00:38:19,840 --> 00:38:21,719
Speaker 1: place to stay. It is just ridiculous to me. Right,

804
00:38:21,760 --> 00:38:24,000
Speaker 1: But what light do you think this movie is gonna

805
00:38:24,000 --> 00:38:26,520
Speaker 1: shine on? What veterans like it? What's the message you

806
00:38:26,560 --> 00:38:28,840
Speaker 1: hope this? I think I think we need to understand

807
00:38:28,880 --> 00:38:32,040
Speaker 1: the complications of that position, and we need to understand

808
00:38:32,040 --> 00:38:33,960
Speaker 1: what happens mentally to people when they go to war

809
00:38:34,000 --> 00:38:36,759
Speaker 1: and they experience certain things, and that integration back into

810
00:38:36,800 --> 00:38:40,080
Speaker 1: normal life is a deep struggle and it affects all

811
00:38:40,120 --> 00:38:43,160
Speaker 1: aspects of their life, including mentally, and for a lot

812
00:38:43,200 --> 00:38:44,600
Speaker 1: of us, we can't relate. We ain't been in the

813
00:38:44,640 --> 00:38:47,759
Speaker 1: front lines like that, and and that in itself means

814
00:38:47,760 --> 00:38:50,040
Speaker 1: that I hope there's an empathy and I hope that

815
00:38:50,080 --> 00:38:52,200
Speaker 1: also they go to see it for the entertainment qualities

816
00:38:52,239 --> 00:38:55,240
Speaker 1: of its great performances in it. I think ABBR director

817
00:38:55,280 --> 00:38:57,480
Speaker 1: does a phenomenal job. And it's Michael one of Michael

818
00:38:57,520 --> 00:38:59,359
Speaker 1: Kay with him his last last roles, and I think

819
00:38:59,360 --> 00:39:01,480
Speaker 1: it would be great to the man show the man love.

820
00:39:01,560 --> 00:39:03,360
Speaker 1: Where were you when you found out that he passed

821
00:39:03,360 --> 00:39:07,319
Speaker 1: and what was your initial reaction? I was I was

822
00:39:07,320 --> 00:39:10,400
Speaker 1: in London and I be the director of Breaking at

823
00:39:10,440 --> 00:39:12,399
Speaker 1: text Me and I just didn't believe it. I thought

824
00:39:12,400 --> 00:39:14,880
Speaker 1: there was probably a little bit of a confusion, you know,

825
00:39:14,920 --> 00:39:16,799
Speaker 1: you know how it goes sometimes. I think they've said

826
00:39:16,840 --> 00:39:19,919
Speaker 1: I've died like twice during my career. Yeah, you're gonna

827
00:39:19,920 --> 00:39:22,040
Speaker 1: die twice. Digitally, that's just gonna be Yeah, you're gonna die.

828
00:39:22,040 --> 00:39:23,840
Speaker 1: You're gonna die twice. That's but that's how you know

829
00:39:23,840 --> 00:39:26,120
Speaker 1: you're successful though. Yeah, yeah, they're gonna kill you and

830
00:39:26,120 --> 00:39:28,040
Speaker 1: they're gonna say you part of the LOOMI So there

831
00:39:28,160 --> 00:39:30,440
Speaker 1: the two things. Once you get that you're making that

832
00:39:30,480 --> 00:39:36,759
Speaker 1: money money, yeah yeah, yeah, you on top. But you know,

833
00:39:36,840 --> 00:39:39,480
Speaker 1: it was it was shocking to me. Just just to

834
00:39:39,520 --> 00:39:41,520
Speaker 1: hear his demise. I didn't know anything about his personal

835
00:39:41,520 --> 00:39:43,279
Speaker 1: life like that, So for me it was just a

836
00:39:43,280 --> 00:39:45,520
Speaker 1: bit of a shock. Yeah. Did any of the standards

837
00:39:45,600 --> 00:39:49,360
Speaker 1: you took during like the whole BLM movement that moment

838
00:39:49,400 --> 00:39:53,160
Speaker 1: in time. Did that impack you in Hollywood? Absolutely definitely?

839
00:39:53,480 --> 00:39:56,200
Speaker 1: But I say, um, I'm matured a little bit through

840
00:39:56,200 --> 00:39:57,959
Speaker 1: the process, because i mean, like you gotta think about

841
00:39:58,000 --> 00:40:00,560
Speaker 1: during summer, we was at home and we were seeing

842
00:40:00,560 --> 00:40:04,600
Speaker 1: black bodies consistently being harmed or injured in a certain way,

843
00:40:04,840 --> 00:40:07,480
Speaker 1: and then that spontaneously went out to the to the protests,

844
00:40:07,920 --> 00:40:10,360
Speaker 1: um and and made that speech. You know, there's going

845
00:40:10,440 --> 00:40:14,280
Speaker 1: to be some people in Hollywood that don't necessarily get it, um.

846
00:40:14,320 --> 00:40:16,759
Speaker 1: And I'm probably gonna be like, yeah, all right, they're

847
00:40:16,800 --> 00:40:17,840
Speaker 1: not going to come to you and say we're not

848
00:40:17,880 --> 00:40:20,440
Speaker 1: working with you. You just might not hear nothing, you

849
00:40:20,480 --> 00:40:22,600
Speaker 1: know what I mean. You might not see the audition

850
00:40:22,640 --> 00:40:24,920
Speaker 1: come in. Um. And I think and I think definitely

851
00:40:24,960 --> 00:40:26,880
Speaker 1: that that happened. But I'm not I'm not mad at

852
00:40:26,920 --> 00:40:30,439
Speaker 1: that because I'm hearing this industry to exist that way,

853
00:40:30,480 --> 00:40:33,840
Speaker 1: no more like howards existing during episode seven, Force Awakens,

854
00:40:33,880 --> 00:40:36,880
Speaker 1: Like I was playing doing everything by the rules. And

855
00:40:36,920 --> 00:40:39,319
Speaker 1: I was, you know, clean cut and trying to be

856
00:40:39,640 --> 00:40:41,920
Speaker 1: you know, good to everybody. You know where to Beyonce.

857
00:40:42,040 --> 00:40:43,480
Speaker 1: It can be nice in this ship all the way,

858
00:40:44,080 --> 00:40:46,799
Speaker 1: all the way you face the Star Wars. Yeah, I mean,

859
00:40:46,800 --> 00:40:49,560
Speaker 1: but to a certain extent, you get to you get

860
00:40:49,560 --> 00:40:52,640
Speaker 1: too comfortable with everybody you they can take the they

861
00:40:52,640 --> 00:40:54,960
Speaker 1: can take the mick, you know. So definitely, there'll be

862
00:40:55,040 --> 00:40:57,640
Speaker 1: much more of a right now. There's much more of

863
00:40:57,640 --> 00:41:02,520
Speaker 1: a specific um gratitude for now attracting the people in

864
00:41:02,560 --> 00:41:05,920
Speaker 1: Hollywood after me, which is what happened you creating your

865
00:41:05,920 --> 00:41:09,239
Speaker 1: own too, Yeah, yeah, because breaking I'm a producer on that.

866
00:41:09,719 --> 00:41:12,120
Speaker 1: I've got my own production production company and we developed

867
00:41:12,120 --> 00:41:14,600
Speaker 1: a good few projects. And now I'm just like, okay,

868
00:41:15,080 --> 00:41:17,719
Speaker 1: you know, after after that happened, Jamie Fox caused my phone.

869
00:41:17,760 --> 00:41:20,319
Speaker 1: Now now we mess with you, Viola Davis calls me.

870
00:41:20,400 --> 00:41:22,960
Speaker 1: Now we mess with you, Prince by the Wood, Yeah,

871
00:41:22,960 --> 00:41:25,879
Speaker 1: we mess with you. Come on, come onto the black sets, man, coming,

872
00:41:26,400 --> 00:41:28,080
Speaker 1: come and film with us. And that I just felt,

873
00:41:28,080 --> 00:41:29,479
Speaker 1: I just felt a love from that. I was gonna

874
00:41:29,480 --> 00:41:31,560
Speaker 1: ask you, like, what's more fulfilling doing, you know, a

875
00:41:31,680 --> 00:41:34,400
Speaker 1: role like in the woman King, or like going a

876
00:41:34,480 --> 00:41:37,799
Speaker 1: role in Star Wars the woman King, man the woman King.

877
00:41:38,120 --> 00:41:39,799
Speaker 1: You got to think about this, bro. I know you

878
00:41:39,840 --> 00:41:42,080
Speaker 1: as well. You come from a brown skin, dark woman.

879
00:41:42,719 --> 00:41:45,400
Speaker 1: You see how that's happened, you know, in terms of

880
00:41:45,400 --> 00:41:48,279
Speaker 1: the dispariting roles, in terms of the opportunities and roles

881
00:41:48,320 --> 00:41:50,759
Speaker 1: for the dark skinned black woman, that in itself has

882
00:41:50,760 --> 00:41:53,400
Speaker 1: been a struggle. So for me, sitting on a set

883
00:41:53,640 --> 00:41:57,120
Speaker 1: where I'm seeing the top ten or even fifteen to

884
00:41:57,200 --> 00:42:01,319
Speaker 1: twenty women in this picture are black and dark skin

885
00:42:01,440 --> 00:42:04,160
Speaker 1: specifically was special to see. And they went in. It's

886
00:42:04,160 --> 00:42:07,319
Speaker 1: not like just a propaganda kind of stick the black

887
00:42:07,320 --> 00:42:10,000
Speaker 1: people in that they were trained for six months. They

888
00:42:10,040 --> 00:42:12,520
Speaker 1: transformed their bodies, you know. I mean I came in

889
00:42:12,640 --> 00:42:14,560
Speaker 1: just being the King. I didn't have much to do physically.

890
00:42:14,600 --> 00:42:16,600
Speaker 1: They were handling everything and it was you know, it's

891
00:42:16,600 --> 00:42:20,960
Speaker 1: inspirational towards women. Yeah, and you know that's a that's

892
00:42:20,960 --> 00:42:23,799
Speaker 1: a good thing. When I saw I was like, I

893
00:42:23,840 --> 00:42:25,279
Speaker 1: thought it was a new black man at the trail.

894
00:42:25,400 --> 00:42:27,080
Speaker 1: I'm not gonna lie, but that's what I get that.

895
00:42:27,160 --> 00:42:28,560
Speaker 1: But that's what we're used to. But that's why we're

896
00:42:28,560 --> 00:42:31,480
Speaker 1: trying to break that. We deserve the full buffet. That's

897
00:42:31,800 --> 00:42:33,680
Speaker 1: we deserve to have the tyler perries of the world

898
00:42:33,840 --> 00:42:36,080
Speaker 1: and then have the the the other side, then have

899
00:42:36,080 --> 00:42:38,879
Speaker 1: the women kings, and and that the woman kings based

900
00:42:38,960 --> 00:42:41,000
Speaker 1: you know, loosely based on the true true story. So

901
00:42:41,040 --> 00:42:43,720
Speaker 1: it grounds you more into the realities of our world.

902
00:42:43,880 --> 00:42:45,640
Speaker 1: But you know, it begs the question why can't we

903
00:42:45,640 --> 00:42:48,399
Speaker 1: have both for people that don't know, Well, it's about

904
00:42:48,440 --> 00:42:53,480
Speaker 1: the Agogea, the all female military unit in the Homie,

905
00:42:54,000 --> 00:42:57,200
Speaker 1: who were basically tasked with protecting their kingdom there at

906
00:42:57,239 --> 00:42:59,919
Speaker 1: a very difficult time because their involvement in the slave

907
00:43:00,120 --> 00:43:02,440
Speaker 1: trade um and their and their involvement, I mean the

908
00:43:02,520 --> 00:43:05,200
Speaker 1: negativity of the times. As times changed, the king Gezo

909
00:43:05,280 --> 00:43:07,720
Speaker 1: has just risen to power and he's trying to decide

910
00:43:08,080 --> 00:43:11,520
Speaker 1: how to you know, how his nation can move forward.

911
00:43:11,520 --> 00:43:13,960
Speaker 1: Do we continue a part of this negative slave trade

912
00:43:14,160 --> 00:43:16,359
Speaker 1: or do we kind of like diversify and go into

913
00:43:16,400 --> 00:43:18,920
Speaker 1: palm oil and all these different things. And that comes

914
00:43:18,920 --> 00:43:21,239
Speaker 1: with internal civil conflicts, and it just shows you the

915
00:43:21,680 --> 00:43:26,360
Speaker 1: journey of that. But Viola Davis y Beast, Hey, Viola

916
00:43:26,480 --> 00:43:31,359
Speaker 1: Davis Beast is Madness is a transformative role for a

917
00:43:31,360 --> 00:43:34,319
Speaker 1: lot of people. And it's got two certain bed Lashana Lynch,

918
00:43:34,800 --> 00:43:37,720
Speaker 1: Sheila at him. Um, this is the big Boy project.

919
00:43:37,719 --> 00:43:39,680
Speaker 1: I can't evenly It's a budget to each other, isn't

920
00:43:40,120 --> 00:43:43,400
Speaker 1: Wasn't that the regime you just discussed. Isn't that who

921
00:43:43,440 --> 00:43:46,319
Speaker 1: the Dolja big self? Well no, no, no no, well well

922
00:43:46,400 --> 00:43:48,680
Speaker 1: yes they said that. They said it was a loose

923
00:43:48,760 --> 00:43:51,319
Speaker 1: they were loosely based on them, so I mean, which

924
00:43:51,400 --> 00:43:53,640
Speaker 1: which is cool to see how those references go. But

925
00:43:53,680 --> 00:43:56,399
Speaker 1: this is this is no fantasy. I mean this is yeah,

926
00:43:56,440 --> 00:43:58,360
Speaker 1: this is real swords and spears and just you know,

927
00:43:58,600 --> 00:44:00,200
Speaker 1: you don't get a suit in this one. Was the

928
00:44:00,239 --> 00:44:03,279
Speaker 1: training like for you getting ready for this role? Luxurious?

929
00:44:03,440 --> 00:44:05,480
Speaker 1: He said he had to do much. I was the king,

930
00:44:05,520 --> 00:44:07,879
Speaker 1: the king, Yeah, yeah, robes, you know, picking through robes.

931
00:44:07,920 --> 00:44:10,400
Speaker 1: I got the blue one and nothing. I didn't have

932
00:44:10,440 --> 00:44:14,440
Speaker 1: the running for what they were run. They were run.

933
00:44:14,719 --> 00:44:16,640
Speaker 1: They had to do it. So they done, they done

934
00:44:16,680 --> 00:44:19,600
Speaker 1: for They done most of the done, most of the work,

935
00:44:19,760 --> 00:44:22,440
Speaker 1: you know, all the most challenging part, you know, playing

936
00:44:22,480 --> 00:44:26,040
Speaker 1: the king picking the ropes. There was no points that

937
00:44:26,120 --> 00:44:28,800
Speaker 1: made you emotional in the movie. Well that's not a challenge.

938
00:44:28,800 --> 00:44:32,480
Speaker 1: That's great. Definitely, definitely there's there's a part of of

939
00:44:32,560 --> 00:44:36,120
Speaker 1: praise and adoration that the the black women have to do.

940
00:44:36,200 --> 00:44:38,239
Speaker 1: And they were singing and they were dancing, and that's

941
00:44:38,239 --> 00:44:40,520
Speaker 1: another thing that on this movie is not, you know,

942
00:44:40,640 --> 00:44:45,680
Speaker 1: slave pawn, it's not. It has moments of togetherness, sisterhood, dancing, singing,

943
00:44:45,760 --> 00:44:49,040
Speaker 1: and those moments were definitely emotional seeing them singing, seeing

944
00:44:49,040 --> 00:44:52,000
Speaker 1: them dancing. You know, I'm Nigerian as well, so I'm like, yeah,

945
00:44:52,680 --> 00:44:54,560
Speaker 1: I love the vibe of the culture in it. Why

946
00:44:54,560 --> 00:44:56,040
Speaker 1: did you think why do you think the king didn't

947
00:44:56,040 --> 00:44:58,239
Speaker 1: want to fight with the foreign country at for us?

948
00:44:58,400 --> 00:45:00,320
Speaker 1: I think that's just the were do you mean the

949
00:45:00,360 --> 00:45:03,239
Speaker 1: fin enemy? I'm sorry, but fight with fight? Why do

950
00:45:03,239 --> 00:45:05,120
Speaker 1: you think he did not want to fight with them

951
00:45:05,160 --> 00:45:07,560
Speaker 1: at first? What do you mean didn't you want to

952
00:45:07,560 --> 00:45:10,640
Speaker 1: fight them? What the what the wine? Oh no, it's

953
00:45:10,640 --> 00:45:13,279
Speaker 1: a negotiation at that time. Remember they're involved in the

954
00:45:13,320 --> 00:45:15,160
Speaker 1: slave trade. So it's like, is that the part where

955
00:45:15,160 --> 00:45:17,120
Speaker 1: you're talking about when I think going to wars? She

956
00:45:17,280 --> 00:45:18,880
Speaker 1: was like, do you want to go to war? She

957
00:45:18,960 --> 00:45:20,680
Speaker 1: was like, well, sometimes we have to fight for something. Yeah.

958
00:45:20,680 --> 00:45:23,800
Speaker 1: But when you go and watch the movie, it is

959
00:45:23,840 --> 00:45:27,600
Speaker 1: so nuanced, it's very nuanced. It speaks to the diaspora,

960
00:45:28,200 --> 00:45:31,960
Speaker 1: it speaks to multiple different tribes and cultures. It speaks

961
00:45:32,000 --> 00:45:34,319
Speaker 1: to internal civil war. So when he's saying go to war,

962
00:45:34,840 --> 00:45:37,719
Speaker 1: it's not always just white people. It's like black people too.

963
00:45:39,960 --> 00:45:42,480
Speaker 1: This this script is way more nuanced than people think

964
00:45:42,480 --> 00:45:43,920
Speaker 1: it is. Now. You know, the marketing strategy, you just

965
00:45:43,920 --> 00:45:47,160
Speaker 1: gotta get them happy with the spears and the you know, viola,

966
00:45:47,280 --> 00:45:49,480
Speaker 1: get the action. But when you come in and watch it,

967
00:45:50,000 --> 00:45:52,640
Speaker 1: it's a whole more. It's a more nuanced take. Would

968
00:45:52,680 --> 00:45:56,799
Speaker 1: you say this is the favorite movie you've done to date? Yeah? Really? Yeah? Yeah.

969
00:45:56,840 --> 00:45:58,680
Speaker 1: I enjoyed my experience and it took me back to

970
00:45:59,239 --> 00:46:02,200
Speaker 1: first starting out. And I like being on a set

971
00:46:02,560 --> 00:46:05,440
Speaker 1: whereas black women and stuff, they tell you when you

972
00:46:05,520 --> 00:46:10,640
Speaker 1: got crusted in the corner of your living dry when

973
00:46:11,080 --> 00:46:13,120
Speaker 1: other cultures they'd be leaving you to hang out there,

974
00:46:13,160 --> 00:46:14,680
Speaker 1: you know what I mean. So there's something nice and

975
00:46:15,000 --> 00:46:18,720
Speaker 1: homely about about having a cast of women that reflect

976
00:46:18,760 --> 00:46:21,239
Speaker 1: on how you are raised. Question, right, you played the

977
00:46:21,320 --> 00:46:23,760
Speaker 1: king in that movie. This is something I've been exploring,

978
00:46:23,800 --> 00:46:25,600
Speaker 1: Like you know, I feel like I feel like patriarchy

979
00:46:25,680 --> 00:46:27,440
Speaker 1: is a system. I feel like the divine order of

980
00:46:27,520 --> 00:46:31,480
Speaker 1: things is women are really the leaders in the foundation.

981
00:46:31,520 --> 00:46:33,759
Speaker 1: That's my personal opinion. When you do a role like

982
00:46:33,800 --> 00:46:35,719
Speaker 1: that and you see them in their position and you

983
00:46:35,760 --> 00:46:37,680
Speaker 1: in your position, or what did that make you think

984
00:46:37,680 --> 00:46:41,120
Speaker 1: of the power dynamic? I think it's a reciprocal energy

985
00:46:41,320 --> 00:46:43,040
Speaker 1: that we need. And then you need to get into

986
00:46:43,080 --> 00:46:45,200
Speaker 1: more of the specifics of who the woman is. Um

987
00:46:45,600 --> 00:46:47,160
Speaker 1: can't just go woman and then the man and then

988
00:46:47,160 --> 00:46:49,640
Speaker 1: place them in positions. I think everybody has unique skill

989
00:46:49,640 --> 00:46:51,560
Speaker 1: sets that could be utilized or used and that's what

990
00:46:51,600 --> 00:46:53,840
Speaker 1: you're seeing this in this movie that even in the

991
00:46:54,120 --> 00:46:56,200
Speaker 1: court of Chambers, you know, with opinions, there will be

992
00:46:57,120 --> 00:46:59,359
Speaker 1: females there and there will be males, and to get

993
00:46:59,400 --> 00:47:02,000
Speaker 1: that sense of different a different perspective. But what's funny

994
00:47:02,040 --> 00:47:04,520
Speaker 1: it is some females and males will agree, you know

995
00:47:04,560 --> 00:47:06,680
Speaker 1: what I mean, and they differ in their in their

996
00:47:06,680 --> 00:47:08,759
Speaker 1: opinions still, but it made me think, like you just

997
00:47:09,200 --> 00:47:10,960
Speaker 1: we just got to work together, Like we've got to

998
00:47:10,960 --> 00:47:13,040
Speaker 1: come to this point where there's a level ground that

999
00:47:13,040 --> 00:47:16,720
Speaker 1: you can collaborate to make society better. Society starts with families,

1000
00:47:16,800 --> 00:47:19,480
Speaker 1: good families. So yeah, it just makes you think about that.

1001
00:47:19,680 --> 00:47:23,400
Speaker 1: When did you decide to start a production company. Um,

1002
00:47:23,480 --> 00:47:25,960
Speaker 1: I think it was bubbling from being on set of

1003
00:47:26,000 --> 00:47:28,200
Speaker 1: Star Wars and not being involved in the big boy

1004
00:47:28,239 --> 00:47:30,840
Speaker 1: conversations that were kind of cool to hear though, Like

1005
00:47:30,880 --> 00:47:33,800
Speaker 1: I would hear jj Abrams and Cafee talk about movie

1006
00:47:33,840 --> 00:47:36,799
Speaker 1: moments that I knew would be historical for the for

1007
00:47:36,840 --> 00:47:38,400
Speaker 1: the world, but they're just chatting about it in a

1008
00:47:38,440 --> 00:47:40,400
Speaker 1: tent like it's casual. And I was just like, Rah

1009
00:47:40,480 --> 00:47:42,920
Speaker 1: would love to be part of the creative process. And

1010
00:47:42,960 --> 00:47:44,640
Speaker 1: then I was like, you know, if I wait for

1011
00:47:44,640 --> 00:47:47,239
Speaker 1: the phone to ring, movies like Breaking and all these

1012
00:47:47,360 --> 00:47:48,839
Speaker 1: roles that I've been able to do, even they clone

1013
00:47:48,840 --> 00:47:51,520
Speaker 1: to her own, Like it can't. It can't just happen

1014
00:47:51,560 --> 00:47:53,400
Speaker 1: that way. I have to actually have more of a

1015
00:47:53,440 --> 00:47:55,840
Speaker 1: proactive approach to to my job. You gotta tell me

1016
00:47:55,840 --> 00:47:58,160
Speaker 1: about this day clone to her own. The title alone

1017
00:47:58,239 --> 00:48:01,439
Speaker 1: sounds phenomenal. I know, Jamie FOXXS. What is that movie

1018
00:48:01,480 --> 00:48:05,680
Speaker 1: about a pimp, a prostitute on a drug dealer find

1019
00:48:05,680 --> 00:48:07,600
Speaker 1: out that some white people doing some crazy shit under

1020
00:48:07,600 --> 00:48:09,799
Speaker 1: the ground in the hood. That's what I'm gonna tell you.

1021
00:48:10,120 --> 00:48:14,360
Speaker 1: The Pimp Jamie Fox. Jamie Fox is the pimp Tianna

1022
00:48:14,440 --> 00:48:17,800
Speaker 1: Paris's prostitute and I'm the drug dealer. And it's about

1023
00:48:18,000 --> 00:48:20,439
Speaker 1: it's basically a hood Star Wars. It's said it's hood

1024
00:48:20,440 --> 00:48:24,279
Speaker 1: Scooby Doo. It's see that. It's a mystery movie about

1025
00:48:24,360 --> 00:48:26,839
Speaker 1: the last people, the last people you think team up,

1026
00:48:26,960 --> 00:48:29,600
Speaker 1: the last sort of people you think with team up,

1027
00:48:29,680 --> 00:48:32,560
Speaker 1: is about them actually stepping up and handling a bit

1028
00:48:32,600 --> 00:48:35,239
Speaker 1: of a sci fi mystery situation which you don't you

1029
00:48:35,280 --> 00:48:38,120
Speaker 1: don't get to see. And Jamie Jamie Fox, Jame Fox

1030
00:48:38,160 --> 00:48:41,200
Speaker 1: is hilarious, hilarious, and you know, that's a real conversation

1031
00:48:41,280 --> 00:48:42,719
Speaker 1: going on though, Like, and that's been going on for

1032
00:48:42,760 --> 00:48:44,960
Speaker 1: some years. Like people think that there's actually folks getting

1033
00:48:44,960 --> 00:48:49,719
Speaker 1: cloned out here. Yeah, people who I thought I knew

1034
00:48:49,800 --> 00:48:52,720
Speaker 1: yesterday and then the very next day they were totally different.

1035
00:48:52,719 --> 00:48:54,399
Speaker 1: And I'm like, they must have got cloned. I want

1036
00:48:54,400 --> 00:48:56,239
Speaker 1: to know where them facilities are, though I ain't heard

1037
00:48:56,280 --> 00:48:59,319
Speaker 1: about nothing much from that. You believe in it. It's

1038
00:48:59,320 --> 00:49:01,680
Speaker 1: a certain next in. I mean, you never know, That's

1039
00:49:01,680 --> 00:49:03,279
Speaker 1: how I believe it. You never know. But then I

1040
00:49:03,280 --> 00:49:05,279
Speaker 1: don't know facts now do it? Yeah? You did, but

1041
00:49:05,320 --> 00:49:07,400
Speaker 1: you said that to account Polish you did three completely

1042
00:49:07,400 --> 00:49:09,880
Speaker 1: different movies. I just wanted to change and did you

1043
00:49:09,880 --> 00:49:11,680
Speaker 1: see that? And then they clone Tyrone. I play about

1044
00:49:11,680 --> 00:49:13,719
Speaker 1: four or five different characters, one of them seventy eight.

1045
00:49:14,200 --> 00:49:17,279
Speaker 1: So this is all giving me the opportunity just to

1046
00:49:17,360 --> 00:49:19,399
Speaker 1: do what actors do. Actors not supposed to be playing

1047
00:49:19,440 --> 00:49:24,040
Speaker 1: themselves in the movie. Damn Tyrone. Yeah yeah, yeah, yeah,

1048
00:49:24,120 --> 00:49:26,200
Speaker 1: but so funny. The movie is strange. It's not even

1049
00:49:26,200 --> 00:49:28,719
Speaker 1: about that. It's just it's just it's just wait. I

1050
00:49:28,719 --> 00:49:30,640
Speaker 1: just can't wait for people to people to see it. Now.

1051
00:49:30,640 --> 00:49:33,880
Speaker 1: When people talk about diversity in Hollywood, what does that

1052
00:49:33,960 --> 00:49:37,520
Speaker 1: actually look like? It means that you actually try and

1053
00:49:37,600 --> 00:49:41,440
Speaker 1: find the talented individuals from groups that have been kind

1054
00:49:41,440 --> 00:49:44,120
Speaker 1: of forgotten and dismissed and not being given the right opportunities.

1055
00:49:44,320 --> 00:49:45,919
Speaker 1: It does not mean you just put a whole bunch

1056
00:49:45,960 --> 00:49:48,319
Speaker 1: of black people or quotas in it. It means you

1057
00:49:48,320 --> 00:49:50,960
Speaker 1: actually try and actually find the homegrown talent people are

1058
00:49:50,960 --> 00:49:54,239
Speaker 1: passionate and who are working that don't get those opportunities,

1059
00:49:54,239 --> 00:49:56,040
Speaker 1: that don't have the cousin or the auntie in there

1060
00:49:56,080 --> 00:49:58,720
Speaker 1: that says, oh, you can come and assist for this actor.

1061
00:49:59,040 --> 00:50:02,239
Speaker 1: People that don't have that clean cut door. It means

1062
00:50:02,239 --> 00:50:04,560
Speaker 1: that we're struggling with trying to bring in those people.

1063
00:50:04,640 --> 00:50:07,040
Speaker 1: And this is in behind the scenes as well as

1064
00:50:07,080 --> 00:50:09,160
Speaker 1: in front of the camera. It's about bringing in those

1065
00:50:09,160 --> 00:50:11,279
Speaker 1: people who are skilled but who do not get the

1066
00:50:11,280 --> 00:50:14,480
Speaker 1: opportunities based on that disparity. There, you had a very

1067
00:50:14,520 --> 00:50:17,640
Speaker 1: old soul man only thirty. Yeah, yeah, yeah, I'm fair.

1068
00:50:17,719 --> 00:50:21,440
Speaker 1: You had a very old soul like oh yeah, yeah,

1069
00:50:21,600 --> 00:50:26,080
Speaker 1: I was gonna ask. Yeah, I've heard that before. I'm

1070
00:50:26,120 --> 00:50:28,759
Speaker 1: not cool. How do you feel like how your art

1071
00:50:28,840 --> 00:50:32,240
Speaker 1: now is not being released in major movie places anymore

1072
00:50:32,280 --> 00:50:35,760
Speaker 1: and sometimes you just going digital, sometimes just Netflix, sometimes Hulu.

1073
00:50:36,080 --> 00:50:38,799
Speaker 1: How does that you know because you grew up going

1074
00:50:38,800 --> 00:50:40,880
Speaker 1: to the movies? Yes, so how is that feeling? The

1075
00:50:40,960 --> 00:50:43,160
Speaker 1: Woman King is different because it's only in theaters right

1076
00:50:43,200 --> 00:50:46,320
Speaker 1: now on the sixteen I've been I've been blessed. Breaking

1077
00:50:46,560 --> 00:50:49,040
Speaker 1: was only in theaters as well the first two weeks,

1078
00:50:49,040 --> 00:50:51,920
Speaker 1: and then I think goes to digital this week or so.

1079
00:50:51,920 --> 00:50:54,279
Speaker 1: So I've been uniquely blessed in that in that sense

1080
00:50:54,320 --> 00:50:56,880
Speaker 1: that I've had. I've been able to shoot three projects

1081
00:50:57,120 --> 00:51:00,239
Speaker 1: during the pandemic, and two of them have been exclusively

1082
00:51:00,320 --> 00:51:02,839
Speaker 1: released in in movie theaters, and Breaking got the big

1083
00:51:02,880 --> 00:51:05,840
Speaker 1: AMC deal. So we were in a good few AMC.

1084
00:51:06,040 --> 00:51:08,600
Speaker 1: So I personally can't complain, but I do think it's um.

1085
00:51:08,760 --> 00:51:10,120
Speaker 1: It was worrying for a lot of people at the

1086
00:51:10,120 --> 00:51:12,759
Speaker 1: beginning the pandemic who was like, wait, wait, wait, what's

1087
00:51:12,760 --> 00:51:14,799
Speaker 1: they They're not gonna come to see us, they don't

1088
00:51:14,800 --> 00:51:16,719
Speaker 1: want to come see us no more. For one hour

1089
00:51:16,760 --> 00:51:19,799
Speaker 1: and thirty minutes, I'm like, damn, like um. And it

1090
00:51:19,800 --> 00:51:22,080
Speaker 1: makes you think, and it makes you respect what you know.

1091
00:51:22,440 --> 00:51:25,200
Speaker 1: Denzel Washington has done, Tom Cruise, Tom Hanks, you know

1092
00:51:25,280 --> 00:51:28,680
Speaker 1: the old school box office, you know, moneymakers who would

1093
00:51:28,719 --> 00:51:30,960
Speaker 1: make movies an event and makes you leave your house

1094
00:51:31,000 --> 00:51:33,759
Speaker 1: if it's cold suddenly raining. It makes you respect that

1095
00:51:33,800 --> 00:51:36,120
Speaker 1: more in an ever change in time. But it's it's

1096
00:51:36,160 --> 00:51:39,560
Speaker 1: an adjustment, It's an adjust What are you before? Oh movies? Yeah,

1097
00:51:39,560 --> 00:51:43,840
Speaker 1: I still like go into the movie. Yeah, see like

1098
00:51:43,880 --> 00:51:45,959
Speaker 1: the woman King in the movie. No, no no, no, you

1099
00:51:45,960 --> 00:51:49,040
Speaker 1: You've got to see the woman King in the movies.

1100
00:51:49,120 --> 00:51:52,560
Speaker 1: I mean there's there's scope, there's there's also the what

1101
00:51:52,280 --> 00:51:55,040
Speaker 1: it what it does to you experience? The immersiveness into

1102
00:51:55,080 --> 00:51:57,719
Speaker 1: the I mean you you at home, the microwave going off,

1103
00:51:57,719 --> 00:51:59,520
Speaker 1: you took it to someone you text it on Instagram,

1104
00:51:59,520 --> 00:52:01,480
Speaker 1: It's like there's much more of a focus and a

1105
00:52:01,560 --> 00:52:04,840
Speaker 1: fixation and in experience, what are your dads about? You know,

1106
00:52:04,840 --> 00:52:08,400
Speaker 1: the whole conversation about how they say British actors playing

1107
00:52:08,480 --> 00:52:11,319
Speaker 1: Black American roles. You know, what do you think about?

1108
00:52:11,400 --> 00:52:13,400
Speaker 1: I think I think number one, the first approach is

1109
00:52:13,440 --> 00:52:15,400
Speaker 1: to listen to each other because there might be a

1110
00:52:15,440 --> 00:52:18,640
Speaker 1: perspective that we are missing right coming in coming into

1111
00:52:18,680 --> 00:52:21,000
Speaker 1: the game, and we are not coming into games to

1112
00:52:21,000 --> 00:52:24,239
Speaker 1: steal anything. In fact, it's impossible to steal a role

1113
00:52:24,239 --> 00:52:26,120
Speaker 1: by the way, roles are only offered, So we come

1114
00:52:26,160 --> 00:52:28,359
Speaker 1: in there to just work. But sometimes you don't know

1115
00:52:28,480 --> 00:52:31,080
Speaker 1: whose toes you're stepping in if you don't actually listen

1116
00:52:31,120 --> 00:52:32,839
Speaker 1: to the people in the folk you know that are

1117
00:52:32,880 --> 00:52:35,160
Speaker 1: on ground to tell you. But in that I think

1118
00:52:35,200 --> 00:52:38,560
Speaker 1: also on the flip side, I couldn't relate to the

1119
00:52:38,560 --> 00:52:41,240
Speaker 1: conversation because I'd be honest. African America has been nothing

1120
00:52:41,280 --> 00:52:44,320
Speaker 1: but love to me. I lost my accommodation in La

1121
00:52:44,680 --> 00:52:46,960
Speaker 1: my airbing be in La. I was staying in the

1122
00:52:47,000 --> 00:52:50,360
Speaker 1: streets for about two days off of Crescent Heights Boulevard.

1123
00:52:50,560 --> 00:52:52,640
Speaker 1: I went to some party I met who is now

1124
00:52:52,680 --> 00:52:55,760
Speaker 1: my best friend Asia, African American young girl from Inglewood,

1125
00:52:55,760 --> 00:52:57,120
Speaker 1: who was just like, yo, I loved your movie. I

1126
00:52:57,200 --> 00:52:59,319
Speaker 1: got I got your movie on red Box and I said,

1127
00:52:59,360 --> 00:53:01,040
Speaker 1: I don't have nowhere to stay. She goes, you can

1128
00:53:01,360 --> 00:53:03,040
Speaker 1: come stay, comes, stay in my crib. I say, where's

1129
00:53:03,040 --> 00:53:05,040
Speaker 1: your crib? She goes Inglewood that I was living in

1130
00:53:05,160 --> 00:53:06,960
Speaker 1: Inglewood for a bit. And so for me, it's like

1131
00:53:07,640 --> 00:53:09,719
Speaker 1: I've met and connected with people who have helped me,

1132
00:53:09,760 --> 00:53:12,000
Speaker 1: the people who have helped me, mostly being an African American,

1133
00:53:12,239 --> 00:53:14,799
Speaker 1: so I don't see that side of the conversation. So

1134
00:53:14,880 --> 00:53:17,320
Speaker 1: sometimes I'm not in the best position to communicate because

1135
00:53:18,040 --> 00:53:19,640
Speaker 1: it's been a lot of like, you know how, whether

1136
00:53:19,640 --> 00:53:22,839
Speaker 1: it's Leana Way, whether it's anybody Jamie, it's just been love,

1137
00:53:22,960 --> 00:53:24,880
Speaker 1: you know, and support. And I think on set we

1138
00:53:24,960 --> 00:53:27,879
Speaker 1: collaborate a lot, even with roles as a black brick

1139
00:53:27,920 --> 00:53:29,920
Speaker 1: that people will feel like I wouldn't understand the role.

1140
00:53:30,600 --> 00:53:32,880
Speaker 1: Sometimes my African American brother don't understand the role too,

1141
00:53:32,880 --> 00:53:34,239
Speaker 1: and we help each other. We're like, oh, because we

1142
00:53:34,239 --> 00:53:36,000
Speaker 1: weren't there. At the end of the day, we are actors.

1143
00:53:36,000 --> 00:53:37,879
Speaker 1: We have to portray something that we don't We can't see.

1144
00:53:38,080 --> 00:53:40,040
Speaker 1: So I think that it's it's a good conversation to

1145
00:53:40,080 --> 00:53:43,000
Speaker 1: have and we should stay listening, stay collaborating because the

1146
00:53:43,080 --> 00:53:46,840
Speaker 1: Civil War shit looks weak, looks petty and weak, especially

1147
00:53:46,880 --> 00:53:48,719
Speaker 1: when it comes to the to the mainstream game, it

1148
00:53:48,719 --> 00:53:50,520
Speaker 1: looks a bit it looks a bit dead. But if

1149
00:53:50,520 --> 00:53:52,239
Speaker 1: we can talk and have a conversation about it and

1150
00:53:52,280 --> 00:53:54,520
Speaker 1: no one feels like it should be an attack thing,

1151
00:53:54,880 --> 00:53:56,680
Speaker 1: you know, let's let's let's keep it cordroal so we

1152
00:53:56,680 --> 00:53:59,040
Speaker 1: can actually have the conversation and perhaps we'll learn a

1153
00:53:59,040 --> 00:54:01,680
Speaker 1: few things. Have there have been roles that you missed

1154
00:54:01,680 --> 00:54:04,239
Speaker 1: out on for scheduling purposes, like man, I really wanted

1155
00:54:04,280 --> 00:54:07,640
Speaker 1: to do this, but I'm over here filming Star Wars,

1156
00:54:07,719 --> 00:54:11,680
Speaker 1: or during Star Wars. Yeah, I mean during Star Wars

1157
00:54:11,719 --> 00:54:13,600
Speaker 1: it was like I say, I say as a joke,

1158
00:54:13,640 --> 00:54:15,680
Speaker 1: but it was like luxury jail, you know, because it's

1159
00:54:15,760 --> 00:54:17,560
Speaker 1: it's nice. It's nice to be in a movie like this.

1160
00:54:17,719 --> 00:54:19,440
Speaker 1: It's nice to know your bills are probably gonna pay

1161
00:54:19,480 --> 00:54:21,960
Speaker 1: for nick eight years. It's nice to know that. But

1162
00:54:22,000 --> 00:54:24,640
Speaker 1: there are some roles where you're like I can actually

1163
00:54:24,719 --> 00:54:26,640
Speaker 1: do that. They don't believe I can because I'm just

1164
00:54:27,239 --> 00:54:29,480
Speaker 1: I have to do these Star Wars movies. No harm

1165
00:54:29,520 --> 00:54:31,440
Speaker 1: to Star Wars. It takes like eight nine months to

1166
00:54:31,440 --> 00:54:32,880
Speaker 1: film one. So after that, I'm trying to go on

1167
00:54:32,920 --> 00:54:35,960
Speaker 1: holiday with the poison just chill. I'm trying to go out.

1168
00:54:36,080 --> 00:54:38,520
Speaker 1: But yeah, you do feel like that. You're like, damn, man,

1169
00:54:38,560 --> 00:54:41,040
Speaker 1: these roles are so nuanced. But if anything, I've been inspired.

1170
00:54:41,160 --> 00:54:42,640
Speaker 1: What are some things you wish you could have done

1171
00:54:42,719 --> 00:54:45,720
Speaker 1: during that time but you just couldn't because of whatever reason.

1172
00:54:45,960 --> 00:54:48,920
Speaker 1: And You're like, man, I've forgotten now. But it was

1173
00:54:48,960 --> 00:54:50,760
Speaker 1: a good few things that come back. They were mostly

1174
00:54:50,800 --> 00:54:53,600
Speaker 1: indies or mostly indies, and I would have loved the

1175
00:54:53,600 --> 00:54:56,480
Speaker 1: opportunity to work with Jordan Peel a bit as well.

1176
00:54:56,520 --> 00:55:00,840
Speaker 1: I'm sure. Well we've been speaking for a bit and

1177
00:55:01,200 --> 00:55:03,000
Speaker 1: I've always eat and you know, we took a meet

1178
00:55:03,040 --> 00:55:04,400
Speaker 1: I took a meeting with him and went down to

1179
00:55:04,440 --> 00:55:07,120
Speaker 1: see him at Monkey Poor and I've always said, hey, Jordan, man,

1180
00:55:07,160 --> 00:55:09,400
Speaker 1: just put me in the just put me in a

1181
00:55:09,440 --> 00:55:11,520
Speaker 1: far distance, you know, while Dannie Colue has put his

1182
00:55:11,520 --> 00:55:14,120
Speaker 1: head to the side. I'll just see her or ever something,

1183
00:55:14,160 --> 00:55:15,319
Speaker 1: you know, just put me in there. Because I really

1184
00:55:15,400 --> 00:55:17,759
Speaker 1: like his work. So yeah, maybe one day. You know,

1185
00:55:17,880 --> 00:55:20,000
Speaker 1: we were talking about like the Little Mermaid backlash and

1186
00:55:20,040 --> 00:55:22,319
Speaker 1: Star Wars backlash earlier. How much of that do we

1187
00:55:22,560 --> 00:55:24,600
Speaker 1: how much of that do we know is real? Because

1188
00:55:24,640 --> 00:55:26,239
Speaker 1: I feel like that's what I've been thinking about, That's

1189
00:55:26,239 --> 00:55:28,439
Speaker 1: what I've been thinking about. I've also been thinking about

1190
00:55:28,440 --> 00:55:31,680
Speaker 1: these bots that pretend that they're black. Yes, we need

1191
00:55:31,760 --> 00:55:34,839
Speaker 1: to be careful, and I've been seeing it a bit

1192
00:55:34,880 --> 00:55:38,440
Speaker 1: more so the journalists. Something that they're doing is because

1193
00:55:38,440 --> 00:55:41,680
Speaker 1: of the pressure that's coming from sometimes they're editors. The

1194
00:55:41,760 --> 00:55:45,760
Speaker 1: clickbait is there to irritate you and make you angry.

1195
00:55:46,160 --> 00:55:49,400
Speaker 1: So sometimes they will nactor or celebrity will answer a

1196
00:55:49,480 --> 00:55:52,480
Speaker 1: question to do with race one week, they will release

1197
00:55:52,719 --> 00:55:55,880
Speaker 1: like several different parts of their answer throughout a six week,

1198
00:55:56,200 --> 00:55:58,560
Speaker 1: throughout the time of six weeks, just to have a

1199
00:55:58,600 --> 00:56:01,239
Speaker 1: steady story going on. And sometimes it's not accurate to

1200
00:56:01,280 --> 00:56:03,080
Speaker 1: what the conversation is. But I think we need to

1201
00:56:03,080 --> 00:56:05,120
Speaker 1: have an audience that's more aware of that. Y'all need

1202
00:56:05,160 --> 00:56:07,240
Speaker 1: to be a little bit more smarter. Stop being triggered

1203
00:56:07,400 --> 00:56:09,800
Speaker 1: because some of these things, as you said, that it's fake,

1204
00:56:09,920 --> 00:56:12,640
Speaker 1: like they're they're trying to m to stir the pot

1205
00:56:12,680 --> 00:56:14,160
Speaker 1: to a certain extent. So we need to we need

1206
00:56:14,200 --> 00:56:16,760
Speaker 1: to fixate on a celebration like we did with Black Panther,

1207
00:56:16,960 --> 00:56:20,600
Speaker 1: like it was it like that celebration was so mad

1208
00:56:20,680 --> 00:56:22,920
Speaker 1: that anybody was talking, any suthing that stuff that was

1209
00:56:22,960 --> 00:56:26,080
Speaker 1: negative was was you could dismiss that. So let's celebrate.

1210
00:56:26,120 --> 00:56:27,879
Speaker 1: Because it's hard for me to believe that people care

1211
00:56:27,960 --> 00:56:29,719
Speaker 1: this much about the Black Mermaid because when I when

1212
00:56:29,719 --> 00:56:32,759
Speaker 1: I started a trailer come out on my on my algorithm,

1213
00:56:32,800 --> 00:56:34,680
Speaker 1: it was all off. Let me tell you, man, her

1214
00:56:34,760 --> 00:56:37,200
Speaker 1: name Ariel, and she's been swimming to the surface. Man,

1215
00:56:37,680 --> 00:56:41,680
Speaker 1: that son been hitting her for a bit. I've been

1216
00:56:41,760 --> 00:56:44,480
Speaker 1: hearing her. She's supposed to have them them dreads. That's

1217
00:56:44,480 --> 00:56:46,280
Speaker 1: how it was supposed to be in the first place.

1218
00:56:46,320 --> 00:56:48,919
Speaker 1: And if you should know stories like give also let's

1219
00:56:48,920 --> 00:56:51,600
Speaker 1: talk about let's talk about her talent. Yeah, she's amazing.

1220
00:56:52,160 --> 00:56:58,640
Speaker 1: She's a mermaid, you're a thing. She's she's like, she's

1221
00:56:58,680 --> 00:57:00,759
Speaker 1: up there. Man, she's got it. So I'm you know,

1222
00:57:00,920 --> 00:57:02,719
Speaker 1: just loving support tooever and keep on doing the thing.

1223
00:57:02,760 --> 00:57:04,279
Speaker 1: I'm definitely gonna go see that. I'm gonna take all

1224
00:57:04,280 --> 00:57:06,440
Speaker 1: the black little kids go see it. Probably book they

1225
00:57:06,440 --> 00:57:07,839
Speaker 1: are you know, you know how we do we make

1226
00:57:07,880 --> 00:57:11,040
Speaker 1: it so easy for coin to pro nowadays, Coe pro

1227
00:57:11,360 --> 00:57:14,520
Speaker 1: coin to pro. It was a system that actually used

1228
00:57:14,560 --> 00:57:17,040
Speaker 1: to disrupt like protests back in the day doing he's

1229
00:57:17,080 --> 00:57:18,560
Speaker 1: doing the civil rights are Like, that's what they would

1230
00:57:18,680 --> 00:57:22,440
Speaker 1: would do. They would send people to these yah yeah,

1231
00:57:21,200 --> 00:57:24,640
Speaker 1: yeah do that nowaday Yeah. I mean, I mean it

1232
00:57:24,720 --> 00:57:27,360
Speaker 1: makes sense that actually copying and past in that physical situation,

1233
00:57:27,400 --> 00:57:29,200
Speaker 1: it makes sense that they would do that online. And

1234
00:57:29,440 --> 00:57:31,280
Speaker 1: I've been thinking about that too, because sometimes I'd make

1235
00:57:31,320 --> 00:57:36,400
Speaker 1: the mistake of highlighting something that was triggering. But it's like,

1236
00:57:36,480 --> 00:57:38,200
Speaker 1: if you didn't highlight it, bro, no one would have

1237
00:57:38,200 --> 00:57:42,240
Speaker 1: seen that. Yeah, I had to go stupid. So you know,

1238
00:57:42,280 --> 00:57:43,840
Speaker 1: we have to we have to try and finess it

1239
00:57:43,880 --> 00:57:45,840
Speaker 1: a little bit more. There is a game to it.

1240
00:57:46,000 --> 00:57:51,840
Speaker 1: What's the biggest misconception about being black in Hollywood? I

1241
00:57:51,880 --> 00:57:56,240
Speaker 1: don't know, man, I guess there's a lot, but I'll

1242
00:57:56,280 --> 00:57:58,000
Speaker 1: keep myself to myself. I don't really try to get

1243
00:57:58,040 --> 00:58:03,080
Speaker 1: into people's in too much. I don't really know. Um,

1244
00:58:03,200 --> 00:58:05,760
Speaker 1: I guess it. Maybe you're an asshole. I mean, you

1245
00:58:05,840 --> 00:58:07,880
Speaker 1: always got proved that you're not an asshole. The first

1246
00:58:07,880 --> 00:58:09,840
Speaker 1: three weeks of meeting somebody, but I'm sure it's in

1247
00:58:09,840 --> 00:58:11,920
Speaker 1: your position to you, like, you know, you're going a

1248
00:58:12,040 --> 00:58:13,800
Speaker 1: day or wherever it is, and it's like the person's

1249
00:58:13,840 --> 00:58:16,440
Speaker 1: kind of like, are you one of them? You know

1250
00:58:16,480 --> 00:58:18,200
Speaker 1: what I mean? And the first three weeks is proving

1251
00:58:18,240 --> 00:58:21,200
Speaker 1: that you're just yeah, you're not the date partner. Look

1252
00:58:21,320 --> 00:58:28,240
Speaker 1: oh yeah, yeah yeah, but you're married, yes sir, all right,

1253
00:58:28,240 --> 00:58:32,040
Speaker 1: all right, say the same way for twenty four years.

1254
00:58:32,280 --> 00:58:37,560
Speaker 1: I think that's fantastical. Black, Yes, sir, yeah, I absolutely,

1255
00:58:37,680 --> 00:58:40,200
Speaker 1: because I've heard you speak. I've heard you. I've heard

1256
00:58:40,200 --> 00:58:41,959
Speaker 1: you speak before about you like your blackness and stuff.

1257
00:58:41,960 --> 00:58:43,240
Speaker 1: So I thought you was one of the ones that

1258
00:58:43,280 --> 00:58:45,840
Speaker 1: we're gonna, you know, sacrifice your your loins to continue

1259
00:58:45,840 --> 00:58:47,920
Speaker 1: in this race. So I'm like, okay, let me just

1260
00:58:48,000 --> 00:58:52,640
Speaker 1: check it. Well, yeah he said that, he said, Now

1261
00:58:52,680 --> 00:58:55,280
Speaker 1: what happened? Now? You you speak about your blackness quite

1262
00:58:55,280 --> 00:58:57,920
Speaker 1: a lot, and then obviously I've seen your interview something like,

1263
00:58:57,960 --> 00:59:01,160
Speaker 1: let me just check that, make sure he's oh yeah, yeah,

1264
00:59:00,560 --> 00:59:03,800
Speaker 1: that's yeah. Yeah. Because I judge brothers like that too.

1265
00:59:03,920 --> 00:59:05,640
Speaker 1: I mean, I'm I'm gonna judge. I mean, anyone can

1266
00:59:05,640 --> 00:59:07,160
Speaker 1: do what they need to do. But I feel like

1267
00:59:07,200 --> 00:59:09,919
Speaker 1: when you speak in a certain way. Black men gotta

1268
00:59:09,920 --> 00:59:12,800
Speaker 1: be a black Yeah, when you spoken that, you're spoken

1269
00:59:12,800 --> 00:59:14,680
Speaker 1: in that way. Yeah, I'm like, let me just check

1270
00:59:14,720 --> 00:59:19,120
Speaker 1: my man. My man's devoted at home. People so black,

1271
00:59:19,160 --> 00:59:22,240
Speaker 1: but then they sleep white. I'm like, I mean a

1272
00:59:22,280 --> 00:59:25,320
Speaker 1: white woman. Yeah, I have once once, I dated on

1273
00:59:25,320 --> 00:59:29,240
Speaker 1: one once when I was younger. Um, it was all right,

1274
00:59:29,320 --> 00:59:31,320
Speaker 1: but it was we was just chilling, you know what

1275
00:59:31,320 --> 00:59:33,560
Speaker 1: I mean. It was just it wasn't nothing serious like that.

1276
00:59:33,600 --> 00:59:36,200
Speaker 1: So but naturally, you know, could you bring a storm

1277
00:59:36,240 --> 00:59:40,640
Speaker 1: troop at home? I've said it openly. It's like it's

1278
00:59:40,640 --> 00:59:42,920
Speaker 1: just a preference, Like like I like my women black,

1279
00:59:42,960 --> 00:59:47,040
Speaker 1: you know, and I feel just just separate from you know,

1280
00:59:47,840 --> 00:59:50,120
Speaker 1: a political statement or anything like that. It's just they

1281
00:59:50,200 --> 00:59:52,200
Speaker 1: fine as hell. They you know, men in levels gotta

1282
00:59:52,240 --> 00:59:54,200
Speaker 1: be over seventy five percent, you know what I mean.

1283
00:59:54,320 --> 00:59:56,640
Speaker 1: Thickness gotta be there, style gotta be there. We gotta

1284
00:59:56,680 --> 00:59:58,520
Speaker 1: laugh at the same jokes, we gotta bumped in the

1285
00:59:58,520 --> 01:00:00,840
Speaker 1: same music. It's just gotta be a flow, that's right,

1286
01:00:00,880 --> 01:00:03,000
Speaker 1: you know what I mean. So you can't have conversations

1287
01:00:03,040 --> 01:00:06,120
Speaker 1: about white supremacy tearing apart black families, but you don't

1288
01:00:06,120 --> 01:00:08,320
Speaker 1: even you're not even trying to create. Try I'm trying

1289
01:00:08,360 --> 01:00:10,000
Speaker 1: to have some conversations where I can say, took my

1290
01:00:10,000 --> 01:00:12,560
Speaker 1: ship behind closed doors. I'm trying to say, woman, I don't.

1291
01:00:13,960 --> 01:00:17,520
Speaker 1: She's like, yeah, baby, yeah, you're right, You're right. That's

1292
01:00:18,440 --> 01:00:20,400
Speaker 1: you know what I mean. I needed to understand a

1293
01:00:20,440 --> 01:00:23,520
Speaker 1: black man's anger frustration. I needed to understand when I

1294
01:00:23,600 --> 01:00:25,960
Speaker 1: satin dudes walk into the room and the energy ain't right,

1295
01:00:26,040 --> 01:00:28,520
Speaker 1: and she's just like, calm down. But I need that.

1296
01:00:28,600 --> 01:00:31,360
Speaker 1: I need I need me, A need me a queen man,

1297
01:00:32,280 --> 01:00:35,840
Speaker 1: you ain't tell me, and we appreciate you, don't you

1298
01:00:35,880 --> 01:00:38,720
Speaker 1: see just a little bit, just a little bit, Mike

1299
01:00:38,760 --> 01:00:43,080
Speaker 1: Tyson a little bit looks with the eyebrow. You ever

1300
01:00:43,120 --> 01:00:44,960
Speaker 1: got that before I got I got a whole bunch

1301
01:00:45,000 --> 01:00:47,520
Speaker 1: bot you rememb me or John at the Major's, Oh

1302
01:00:47,680 --> 01:00:52,240
Speaker 1: I've got I've got I've got that to remember everything anyway,

1303
01:00:52,520 --> 01:00:54,640
Speaker 1: John Boya, we appreciate it. Just put joy, thank you,

1304
01:00:54,640 --> 01:00:57,520
Speaker 1: thank you, appreciate you. Man. Woman King breaking definitely go

1305
01:00:57,640 --> 01:00:59,160
Speaker 1: check it out and then they calm to your own

1306
01:00:59,200 --> 01:01:03,640
Speaker 1: coming in September well soon, right, yeah, thank you. It's

1307
01:01:03,640 --> 01:01:05,600
Speaker 1: the breakfast Clo night, so you know, what they say

1308
01:01:05,600 --> 01:01:10,240
Speaker 1: that I'm taking all shots to do another one. Come on,

1309
01:01:10,440 --> 01:01:13,200
Speaker 1: let's Simba, ladies and gentlemen, let's do it. Man. Simba

1310
01:01:13,280 --> 01:01:17,920
Speaker 1: is one of the most phenomenal lyricists rapping today. First now,

1311
01:01:17,920 --> 01:01:20,600
Speaker 1: that is not an understatement. First off, I got to

1312
01:01:20,680 --> 01:01:23,640
Speaker 1: send a shout out to my dog because you've been

1313
01:01:23,680 --> 01:01:25,920
Speaker 1: supporting me for a minute. And it's it's a lot

1314
01:01:26,000 --> 01:01:28,360
Speaker 1: of people that's you know, at your stature, that feel

1315
01:01:28,400 --> 01:01:30,480
Speaker 1: like they gotta wait to something blow up to post

1316
01:01:30,520 --> 01:01:33,840
Speaker 1: it or support somebody. So I truly respect you on

1317
01:01:33,880 --> 01:01:36,240
Speaker 1: another level, not only just what you did for me,

1318
01:01:36,360 --> 01:01:40,640
Speaker 1: what you do in the therapy community, your book, everything.

1319
01:01:40,720 --> 01:01:42,720
Speaker 1: I really got a lot of respect for you, Youtuo.

1320
01:01:43,280 --> 01:01:45,480
Speaker 1: I respect what you do a lot. And also my

1321
01:01:45,560 --> 01:01:50,680
Speaker 1: waffle color friend over here, he's a legend. And again

1322
01:01:51,200 --> 01:01:53,240
Speaker 1: and I saw Dave Chappelle showing you a lot of

1323
01:01:53,240 --> 01:01:56,360
Speaker 1: love too. That's my guy. That's my guy. Dave actually

1324
01:01:56,400 --> 01:01:58,320
Speaker 1: brought me on stage. He had me like rapping for

1325
01:01:58,360 --> 01:02:00,439
Speaker 1: ten minutes or one is Specials I think is about

1326
01:02:00,440 --> 01:02:02,280
Speaker 1: to come out soon, So let's go back. Let's put

1327
01:02:02,360 --> 01:02:04,480
Speaker 1: because I don't know who Simba is. Yes, sir, where

1328
01:02:04,520 --> 01:02:06,920
Speaker 1: are you from? How'd you get into rapping? And let's

1329
01:02:06,920 --> 01:02:09,280
Speaker 1: start from there front the Bay Area and my mom

1330
01:02:09,680 --> 01:02:11,920
Speaker 1: was a real estate agent, so my mom moved around

1331
01:02:11,960 --> 01:02:14,960
Speaker 1: a lot Trenton, New Jersey. I lived in Ben Salem

1332
01:02:15,000 --> 01:02:18,920
Speaker 1: for a little bit um Atlantic City, Vegas, LA. So

1333
01:02:18,960 --> 01:02:21,360
Speaker 1: we moved around a lot, and I would always notice that,

1334
01:02:21,480 --> 01:02:24,080
Speaker 1: like Bay Area music, it would hit a ceiling like

1335
01:02:24,080 --> 01:02:28,240
Speaker 1: it wouldn't really go past. So when I moved around

1336
01:02:28,280 --> 01:02:30,480
Speaker 1: as a kid, I'm like, damn, Like I start wanting

1337
01:02:30,480 --> 01:02:32,400
Speaker 1: to write music and everything, and I was like, you

1338
01:02:32,400 --> 01:02:35,200
Speaker 1: know what, I gotta make my music connect to everybody,

1339
01:02:35,560 --> 01:02:38,360
Speaker 1: and being on this side as a kid, I gravitated

1340
01:02:38,440 --> 01:02:40,400
Speaker 1: the whole a lot, just how he moved, the things

1341
01:02:40,440 --> 01:02:43,400
Speaker 1: he said. I related to it big all, even a

1342
01:02:43,640 --> 01:02:46,520
Speaker 1: sauce money. I used to listen to money, you know

1343
01:02:46,520 --> 01:02:48,479
Speaker 1: what I mean. And that's just something that I wanted

1344
01:02:48,520 --> 01:02:52,160
Speaker 1: to incorporate in my music when I started creating for myself.

1345
01:02:52,360 --> 01:02:54,160
Speaker 1: What got you into rapping? Because they said you were

1346
01:02:54,240 --> 01:02:56,600
Speaker 1: nice in sports? Yeah, man, I got caught cheating on

1347
01:02:56,680 --> 01:02:59,680
Speaker 1: my SAT test. How'd you get caught cheating? We didn't

1348
01:02:59,680 --> 01:03:03,480
Speaker 1: go to talk about that. I had a nice young

1349
01:03:03,560 --> 01:03:06,720
Speaker 1: lady that was doing something for me, and we both

1350
01:03:06,760 --> 01:03:09,280
Speaker 1: got caught up, you know, so I couldn't I couldn't

1351
01:03:09,320 --> 01:03:12,120
Speaker 1: go play ball after that. So through that process, I

1352
01:03:12,240 --> 01:03:15,160
Speaker 1: was sitting at the homie crib for a year, stubborn,

1353
01:03:15,360 --> 01:03:17,560
Speaker 1: not trying to listen to my coach and everything. And

1354
01:03:17,600 --> 01:03:19,320
Speaker 1: I didn't even like my coach at the time. I

1355
01:03:19,360 --> 01:03:23,680
Speaker 1: still think that it was Racistata. Yeah, I just I

1356
01:03:23,760 --> 01:03:25,480
Speaker 1: was stuck in the crib and my homie crib and

1357
01:03:25,520 --> 01:03:27,560
Speaker 1: he had a studio, so I just start rapping in

1358
01:03:27,640 --> 01:03:29,440
Speaker 1: his studio every day, and I fell in love with

1359
01:03:29,520 --> 01:03:31,800
Speaker 1: music more than I did with basketball at the time.

1360
01:03:31,840 --> 01:03:33,080
Speaker 1: So I was like, you know what, I'm gonna just

1361
01:03:33,080 --> 01:03:35,080
Speaker 1: do this. I'm more concerned about the young lady. Man,

1362
01:03:35,080 --> 01:03:36,800
Speaker 1: what happened to her? Don't talk about her. You got

1363
01:03:36,800 --> 01:03:39,200
Speaker 1: to give her a job or something. Man, she cheated

1364
01:03:39,240 --> 01:03:44,160
Speaker 1: on me, cheating she could go to hill see all

1365
01:03:44,160 --> 01:03:47,560
Speaker 1: this down. So let me ask you this. So you

1366
01:03:47,600 --> 01:03:50,120
Speaker 1: also wrote for a lot of artists too, right, So

1367
01:03:50,480 --> 01:03:52,920
Speaker 1: what's your goal always for you to be the artist

1368
01:03:53,000 --> 01:03:55,240
Speaker 1: or did you enjoy being in the background more. At first,

1369
01:03:55,440 --> 01:03:57,960
Speaker 1: my goal was just to get the job done. So

1370
01:03:58,000 --> 01:04:00,400
Speaker 1: if I had to write for somebody, if I had

1371
01:04:00,440 --> 01:04:04,280
Speaker 1: to hold somebody bags. If I had to turn the

1372
01:04:04,360 --> 01:04:06,400
Speaker 1: session up and just be the fun person in the room,

1373
01:04:06,440 --> 01:04:07,880
Speaker 1: I was down to do whatever I had to do

1374
01:04:07,920 --> 01:04:09,400
Speaker 1: to get to where I want to be. So that's

1375
01:04:09,400 --> 01:04:11,800
Speaker 1: how I ended up writing. Because a lot of people,

1376
01:04:12,320 --> 01:04:14,760
Speaker 1: you know, don't write their wraps. Well, you're surprised by that.

1377
01:04:14,800 --> 01:04:16,720
Speaker 1: The amount of people I didn't write their own music,

1378
01:04:16,840 --> 01:04:20,200
Speaker 1: I would say, what surprised me more was people that

1379
01:04:20,360 --> 01:04:22,920
Speaker 1: can't rap not writing their raps because they got a

1380
01:04:22,960 --> 01:04:27,120
Speaker 1: good Yeah. Yeah, that's that's what shocked me the most.

1381
01:04:27,480 --> 01:04:30,240
Speaker 1: But at the same time, as I'm learning this is

1382
01:04:30,280 --> 01:04:33,200
Speaker 1: a business, right, so you got shows, interviews, you on

1383
01:04:33,240 --> 01:04:35,800
Speaker 1: the road. Sometimes you really ain't got time to sit

1384
01:04:35,840 --> 01:04:38,080
Speaker 1: down and write off goddamn day like that. So I

1385
01:04:38,120 --> 01:04:40,240
Speaker 1: had to learn that. It's even from myself, and I'm

1386
01:04:40,240 --> 01:04:42,040
Speaker 1: starting to look for writers to write for me because

1387
01:04:42,040 --> 01:04:43,960
Speaker 1: I ain't got time to just be sitting in the studio.

1388
01:04:44,040 --> 01:04:51,200
Speaker 1: No more hooks and just ideas period now versus I

1389
01:04:51,320 --> 01:04:53,840
Speaker 1: talked to QUENTN Miller last night. Just shut up, man,

1390
01:04:53,960 --> 01:05:01,479
Speaker 1: I'm serious, last night, you're talking hook No, I'm gonna

1391
01:05:01,480 --> 01:05:04,040
Speaker 1: always write my verses. But I just didn't play that

1392
01:05:04,040 --> 01:05:10,600
Speaker 1: out because people I write everything, like all my verses,

1393
01:05:10,640 --> 01:05:14,040
Speaker 1: all my freestyles. I write everything. But at the same time,

1394
01:05:14,080 --> 01:05:16,800
Speaker 1: it's things I may miss. Somebody might have an idea

1395
01:05:17,200 --> 01:05:19,080
Speaker 1: or something that I'm not thinking of, you know what

1396
01:05:19,080 --> 01:05:21,840
Speaker 1: I mean, and if that could compliment me. It's a business.

1397
01:05:21,840 --> 01:05:23,480
Speaker 1: We need to hit records. I just ain't trying to

1398
01:05:23,520 --> 01:05:25,800
Speaker 1: be freestyle man. And I'm so glad you said that,

1399
01:05:25,800 --> 01:05:27,920
Speaker 1: because I always when I first heard you, right this

1400
01:05:28,000 --> 01:05:29,880
Speaker 1: is a while ago, I'm like, you know, this dude

1401
01:05:29,960 --> 01:05:32,480
Speaker 1: is really dope, but I hope he can make songs

1402
01:05:32,600 --> 01:05:34,760
Speaker 1: and I can't. I'm old enough to remember these super

1403
01:05:34,880 --> 01:05:37,240
Speaker 1: lyricists that we used to love their freestyles on the

1404
01:05:37,280 --> 01:05:39,840
Speaker 1: Clue mixtapes and everything, but then they couldn't make songs,

1405
01:05:40,160 --> 01:05:43,800
Speaker 1: are they now? People know I could rap, but I'm

1406
01:05:43,840 --> 01:05:46,640
Speaker 1: growing and it's like, at this point, I gotta deliver records,

1407
01:05:46,800 --> 01:05:48,480
Speaker 1: you know, And that's what we're giving them. What results

1408
01:05:48,520 --> 01:05:51,200
Speaker 1: take time This Friday is is actual songs. I'm not

1409
01:05:51,240 --> 01:05:53,760
Speaker 1: just rapping on beats. I'm rapping on records. I love

1410
01:05:53,800 --> 01:05:56,640
Speaker 1: the meaning behind the title results take Time. Then you

1411
01:05:56,720 --> 01:05:59,840
Speaker 1: got songs like Overnight and Find the Way and Sacrifice.

1412
01:05:59,840 --> 01:06:02,440
Speaker 1: It all tells this story of results taking time, but

1413
01:06:02,920 --> 01:06:06,120
Speaker 1: you feel like you're getting the results you're looking for. Definitely,

1414
01:06:06,240 --> 01:06:08,960
Speaker 1: I'm somebody that embraced the process all the way around.

1415
01:06:08,960 --> 01:06:11,480
Speaker 1: So it's like I remember doing shows in the Bay

1416
01:06:11,520 --> 01:06:14,080
Speaker 1: I had like three people in there. Move to La.

1417
01:06:14,120 --> 01:06:16,760
Speaker 1: Ain't nobody knew me. I'll do shows at the Rocks,

1418
01:06:16,800 --> 01:06:18,840
Speaker 1: You'd be about fifteen people in there. I just sold

1419
01:06:18,880 --> 01:06:21,360
Speaker 1: the Rocks y'ard last month. Wow. So that was a

1420
01:06:21,440 --> 01:06:24,920
Speaker 1: real like accomplishment for me because it was letting me know, like, Okay,

1421
01:06:25,040 --> 01:06:27,280
Speaker 1: things is working and you're growing as an artist. Let's

1422
01:06:27,320 --> 01:06:29,440
Speaker 1: just continue to get better. Now, what's your relationship with

1423
01:06:29,480 --> 01:06:32,240
Speaker 1: Stat quote? Because on the project, say, man, you said

1424
01:06:32,240 --> 01:06:33,840
Speaker 1: he told you something that you wasn't feeling. I don't

1425
01:06:33,840 --> 01:06:36,280
Speaker 1: want I don't want to make any say it. I

1426
01:06:36,320 --> 01:06:37,960
Speaker 1: don't want to. I can't remember what I told me

1427
01:06:38,000 --> 01:06:40,120
Speaker 1: my music would never hit and if I ain't have

1428
01:06:40,160 --> 01:06:42,920
Speaker 1: a gimmick, then people wouldn't give you. Yes, it's crazy

1429
01:06:42,960 --> 01:06:45,680
Speaker 1: how you ain't nobody list to make you feel like

1430
01:06:45,760 --> 01:06:47,480
Speaker 1: you can't go where you trying to get. Now, watch

1431
01:06:47,560 --> 01:06:49,800
Speaker 1: that quote, get that shot Stat And I got a

1432
01:06:49,840 --> 01:06:52,800
Speaker 1: love for Stat right. It wasn't like me trying to

1433
01:06:52,840 --> 01:06:55,439
Speaker 1: like tear him down or nothing. But at the same time, right,

1434
01:06:55,760 --> 01:06:58,200
Speaker 1: he's an older black man and I was a young

1435
01:06:58,280 --> 01:07:00,680
Speaker 1: black man, still a young black man, but at the time,

1436
01:07:00,720 --> 01:07:03,160
Speaker 1: it's like, bro, don't just tell me where I'm going

1437
01:07:03,200 --> 01:07:05,480
Speaker 1: wrong without giving me some advice on how to get

1438
01:07:05,520 --> 01:07:08,640
Speaker 1: it right. You're just tearing me down in front of people.

1439
01:07:08,800 --> 01:07:10,600
Speaker 1: So we used to be in these offices and he

1440
01:07:10,600 --> 01:07:13,120
Speaker 1: had just oh, you ain't got no identity. Oh you

1441
01:07:13,160 --> 01:07:14,960
Speaker 1: need to grow your hair out, you need to do this,

1442
01:07:15,040 --> 01:07:17,000
Speaker 1: you need to do it. I'm like, bro, why I

1443
01:07:17,000 --> 01:07:19,160
Speaker 1: gotta do that? Like, what's what's another way we could

1444
01:07:19,200 --> 01:07:22,200
Speaker 1: do it? You never tell me. He didn't know though

1445
01:07:22,360 --> 01:07:24,600
Speaker 1: exactly you know what I mean. So it's like, don't

1446
01:07:24,680 --> 01:07:27,400
Speaker 1: put what happened to you on me, Like, help me

1447
01:07:27,480 --> 01:07:29,240
Speaker 1: get it right as a young black man. Don't just

1448
01:07:29,280 --> 01:07:31,080
Speaker 1: tear me down in front of these people and ruining

1449
01:07:31,200 --> 01:07:34,040
Speaker 1: my opportunity because yours didn't work. So what's the connection? Though,

1450
01:07:34,080 --> 01:07:35,800
Speaker 1: I was like, what's doing The stat worked at the

1451
01:07:35,840 --> 01:07:38,880
Speaker 1: label I was originally, yet before last he was at

1452
01:07:38,880 --> 01:07:42,800
Speaker 1: Colombia zan over there. Yeah, he had little zan as

1453
01:07:42,800 --> 01:07:45,840
Speaker 1: his artists. I used to imagine me coming in the

1454
01:07:45,880 --> 01:07:48,320
Speaker 1: office rapping, how wrapping he got little zan and you know,

1455
01:07:48,440 --> 01:07:51,360
Speaker 1: telling me what I'm doing wrong? You got a point?

1456
01:07:51,400 --> 01:07:56,520
Speaker 1: You know what I'm saying, get it right? That it ain't.

1457
01:07:56,760 --> 01:07:59,080
Speaker 1: But my boy sent it to him because he cool.

1458
01:07:59,160 --> 01:08:02,120
Speaker 1: Was that he there Marcus, but he sent it to

1459
01:08:02,200 --> 01:08:03,920
Speaker 1: him and he felt the way. But it's like I

1460
01:08:04,040 --> 01:08:06,680
Speaker 1: felt the way. It's kind of grazing stack called. He's

1461
01:08:06,680 --> 01:08:08,720
Speaker 1: a rapper, rapper, so it's like, yeah, I'm like I

1462
01:08:08,760 --> 01:08:11,800
Speaker 1: thought I would feel like he would see you man

1463
01:08:12,040 --> 01:08:14,960
Speaker 1: that used to tell me I'll never sell a ticket. Yeah,

1464
01:08:14,960 --> 01:08:16,680
Speaker 1: I guess you look at it like he was in

1465
01:08:16,720 --> 01:08:18,439
Speaker 1: your position. So the fact that he got power, he

1466
01:08:18,439 --> 01:08:20,400
Speaker 1: should be pulling up all the he knows. Yeah, I

1467
01:08:20,479 --> 01:08:22,479
Speaker 1: get it back. I watch you do it with people

1468
01:08:22,520 --> 01:08:25,120
Speaker 1: like you'd be giving people real estate game. There's a

1469
01:08:25,160 --> 01:08:27,519
Speaker 1: lot of people I didn't talk to this. Envy put

1470
01:08:27,560 --> 01:08:29,400
Speaker 1: me on this. So Envy didn't put me on that.

1471
01:08:29,400 --> 01:08:31,840
Speaker 1: That's what we gotta do as a people. I wouldn't move.

1472
01:08:31,880 --> 01:08:33,400
Speaker 1: We got more with Simba when we come back, and

1473
01:08:33,479 --> 01:08:35,800
Speaker 1: let's get into a single. This speech is Roddy Richards call,

1474
01:08:35,880 --> 01:08:40,759
Speaker 1: never changed. It's a breakfast clocal Morning. Envy and Angelie Charlemagne,

1475
01:08:40,800 --> 01:08:42,960
Speaker 1: the guy we are the Breakfast Club was still kicking

1476
01:08:42,960 --> 01:08:46,639
Speaker 1: it with Simba Charlemagne. Yea, I love never end up broke,

1477
01:08:47,120 --> 01:08:49,080
Speaker 1: you know. And on that record, you know the hook

1478
01:08:49,120 --> 01:08:51,840
Speaker 1: his money can't buy back time? Yeah, if you could

1479
01:08:51,880 --> 01:08:55,120
Speaker 1: buy back time, what time would you buy back? Trying

1480
01:08:55,120 --> 01:08:58,360
Speaker 1: to build a relationship with my dad. My dad went

1481
01:08:58,400 --> 01:09:01,080
Speaker 1: to jail when I was one, and he died in prison,

1482
01:09:01,520 --> 01:09:04,519
Speaker 1: and he died on some like some jankie. Like we're

1483
01:09:04,560 --> 01:09:06,639
Speaker 1: still trying to figure it out, you know what I mean.

1484
01:09:06,680 --> 01:09:09,280
Speaker 1: So I never really got like a father figure in

1485
01:09:09,360 --> 01:09:12,320
Speaker 1: my life. My mama was like both roles. I probably

1486
01:09:12,320 --> 01:09:14,040
Speaker 1: wouldn't have been a rapper if I had my dad

1487
01:09:14,040 --> 01:09:16,000
Speaker 1: in my life. You think, yeah, I probably would have

1488
01:09:16,040 --> 01:09:19,639
Speaker 1: done something different. But me looking for a male father figure,

1489
01:09:19,680 --> 01:09:22,120
Speaker 1: I looked up the rappers, but not having a dad

1490
01:09:22,120 --> 01:09:24,360
Speaker 1: in my life, it kind of like hindered me a

1491
01:09:24,360 --> 01:09:26,720
Speaker 1: little bit. You know, I didn't go to college. That's

1492
01:09:26,720 --> 01:09:30,320
Speaker 1: something I probably would have did. Respecting women a lot more,

1493
01:09:30,560 --> 01:09:32,000
Speaker 1: you know what I mean. Coming from the Bay, we

1494
01:09:32,120 --> 01:09:34,519
Speaker 1: kind of come from this pimp culture, you know, and

1495
01:09:34,600 --> 01:09:38,280
Speaker 1: ogs tell us, oh, do that, but it's like, man,

1496
01:09:38,320 --> 01:09:40,720
Speaker 1: it ain't it ain't really the way we should be

1497
01:09:40,760 --> 01:09:43,559
Speaker 1: operating now here as black men. I was gonna ask, No,

1498
01:09:44,080 --> 01:09:45,639
Speaker 1: I'll go back to your father real quick. I'm glad

1499
01:09:45,680 --> 01:09:48,000
Speaker 1: that you you said that because there's so many men

1500
01:09:48,479 --> 01:09:51,000
Speaker 1: that I started to have that conversation now about wanting

1501
01:09:51,040 --> 01:09:53,320
Speaker 1: that connection with their fathers. You know. I mean I

1502
01:09:53,400 --> 01:09:54,600
Speaker 1: told people all the time the first time I had

1503
01:09:54,640 --> 01:09:57,080
Speaker 1: to break through and therapy was realizing that the daddy

1504
01:09:57,080 --> 01:09:59,040
Speaker 1: issues that I that I had. And I'm just like,

1505
01:09:59,040 --> 01:10:01,880
Speaker 1: I'm just glad that you're saying that out loud, because man,

1506
01:10:01,960 --> 01:10:04,599
Speaker 1: we'd be acting like father's a disposable Noah, bro eat

1507
01:10:04,640 --> 01:10:06,600
Speaker 1: that like I just had a son. So it'd be

1508
01:10:06,680 --> 01:10:09,759
Speaker 1: making me aware of like, Okay, let me not smoking

1509
01:10:09,840 --> 01:10:11,920
Speaker 1: my videos, you know what I mean, let me not

1510
01:10:12,080 --> 01:10:14,639
Speaker 1: drink so much around him, Like let me do certain

1511
01:10:14,640 --> 01:10:16,160
Speaker 1: things to where he could look at me as a

1512
01:10:16,280 --> 01:10:18,640
Speaker 1: role model. I ain't had it. You know, you FaceTime

1513
01:10:18,640 --> 01:10:20,720
Speaker 1: me one day, man, and you you put me on

1514
01:10:20,760 --> 01:10:26,040
Speaker 1: the FaceTime with the super down legendin't even doctor Drake.

1515
01:10:26,520 --> 01:10:28,680
Speaker 1: What's getting that called me? When Drake called you and

1516
01:10:28,720 --> 01:10:31,120
Speaker 1: say Y'll come to the studio. Let's do something. Everybody

1517
01:10:31,200 --> 01:10:36,280
Speaker 1: shut up and sit down feeling me quit telling me

1518
01:10:36,320 --> 01:10:40,920
Speaker 1: I need to make a Hi Fi record, let me

1519
01:10:41,040 --> 01:10:45,080
Speaker 1: do me. But no, it was special because I actually

1520
01:10:45,120 --> 01:10:48,080
Speaker 1: met Dre do key On, which is his nephew. I

1521
01:10:48,160 --> 01:10:50,400
Speaker 1: met Keyan at the studio session. He was in the

1522
01:10:50,479 --> 01:10:52,680
Speaker 1: room playing beats and I just went in there star

1523
01:10:52,760 --> 01:10:54,639
Speaker 1: freestyle and he was like, man, I got to introduce

1524
01:10:54,680 --> 01:10:57,439
Speaker 1: you to my uncle. I'm like, who your uncle? He like,

1525
01:10:57,600 --> 01:11:03,760
Speaker 1: doctor Dre. I'm like, you know somebody, somebody that know

1526
01:11:03,880 --> 01:11:06,400
Speaker 1: somebody to actually know the person. So I'm like, man,

1527
01:11:06,479 --> 01:11:08,760
Speaker 1: come on, bro, Like You're like, Noah, that's really my uncle.

1528
01:11:08,760 --> 01:11:10,800
Speaker 1: I'm like, all right, bet take my number. I give

1529
01:11:10,840 --> 01:11:13,519
Speaker 1: him my number. The next day he faced time me

1530
01:11:13,760 --> 01:11:16,120
Speaker 1: with Drake on the phone and Dre was like, man,

1531
01:11:16,120 --> 01:11:18,479
Speaker 1: I seen your La Leakers freestyle, Like I didn't heard

1532
01:11:18,479 --> 01:11:21,080
Speaker 1: a few things about you, like when I finished with

1533
01:11:21,120 --> 01:11:22,839
Speaker 1: this super Bowl, I want to get in the studio

1534
01:11:22,920 --> 01:11:26,400
Speaker 1: with you. So I'm like, bet. So the Super Bowl happened,

1535
01:11:26,800 --> 01:11:28,400
Speaker 1: and I think it was two days later. It was

1536
01:11:28,400 --> 01:11:30,559
Speaker 1: like a Wednesday or Tuesday or somebody was in the

1537
01:11:30,600 --> 01:11:33,680
Speaker 1: studio with some people and Keian hit me. He was like,

1538
01:11:33,720 --> 01:11:36,000
Speaker 1: I want you to pull up. He sent me the address.

1539
01:11:36,000 --> 01:11:37,680
Speaker 1: I didn't even tell nobody where I was going. I

1540
01:11:38,240 --> 01:11:40,240
Speaker 1: think they thought I was going in the bathroom or something.

1541
01:11:40,600 --> 01:11:44,000
Speaker 1: I just got up. I just got up the left,

1542
01:11:44,160 --> 01:11:49,160
Speaker 1: drove straight over there myself. Ye, straight by myself. I

1543
01:11:49,160 --> 01:11:52,559
Speaker 1: ain't bringing nobody over there. Hell nah. I went over there,

1544
01:11:52,560 --> 01:11:54,760
Speaker 1: and I was over there for about four days, and

1545
01:11:54,840 --> 01:11:58,000
Speaker 1: we just was cooking, cooking, cooking, cooking, and then everything

1546
01:11:58,040 --> 01:12:01,719
Speaker 1: he taught me, it is really what motivated this project.

1547
01:12:01,840 --> 01:12:03,639
Speaker 1: He kind of like taught me how to act out

1548
01:12:03,720 --> 01:12:06,240
Speaker 1: my lyrics and say things different. It's a song called

1549
01:12:06,280 --> 01:12:08,559
Speaker 1: knt win for nothing that Charlotta Magne told me the

1550
01:12:08,600 --> 01:12:12,120
Speaker 1: production sound cheap, so we had to beef up the

1551
01:12:12,160 --> 01:12:14,920
Speaker 1: mix a little bit. But I don't know, and I

1552
01:12:14,960 --> 01:12:17,840
Speaker 1: appreciate that. I appreciate that. But it's a song on there.

1553
01:12:17,880 --> 01:12:20,240
Speaker 1: If you listen to it. Before I was with Drake,

1554
01:12:20,479 --> 01:12:23,080
Speaker 1: I would have wrapped the first lyrics like I woke

1555
01:12:23,160 --> 01:12:24,960
Speaker 1: up this morning with all these starts in my head,

1556
01:12:25,040 --> 01:12:27,240
Speaker 1: jumped out the bed and stuff my tone edge. But

1557
01:12:27,400 --> 01:12:29,599
Speaker 1: Drake taught me how to say it like I woke

1558
01:12:29,680 --> 01:12:32,639
Speaker 1: up this morning when Harley starts in my head, jumped

1559
01:12:32,640 --> 01:12:35,200
Speaker 1: out the bed and stuck my tone edge so you

1560
01:12:35,240 --> 01:12:37,960
Speaker 1: could act feel me hitting my toe. He taught me

1561
01:12:38,000 --> 01:12:40,080
Speaker 1: how to act out my lyrics and stuff like that.

1562
01:12:40,439 --> 01:12:42,479
Speaker 1: And he also taught me that, like a lot of people,

1563
01:12:42,560 --> 01:12:49,160
Speaker 1: beats be terrible. When you get around him and let's

1564
01:12:49,160 --> 01:12:51,439
Speaker 1: start hearing the beach, he'd be like, damn, why I'd

1565
01:12:51,520 --> 01:12:54,080
Speaker 1: even wrap on these others? You know what I mean.

1566
01:12:54,120 --> 01:12:56,320
Speaker 1: But he's a goat. That's what made Kim Drake so

1567
01:12:56,880 --> 01:12:59,000
Speaker 1: shut out the Drake Man. He always teached me a lot.

1568
01:12:59,120 --> 01:13:00,599
Speaker 1: He gave me a lot of game. It be times

1569
01:13:00,640 --> 01:13:02,080
Speaker 1: where I'll be lost on what to do and I

1570
01:13:02,200 --> 01:13:03,800
Speaker 1: text him and he hit me right back. Do this,

1571
01:13:03,960 --> 01:13:07,920
Speaker 1: do that? Say this. You're probably gonna kill me for

1572
01:13:07,960 --> 01:13:10,679
Speaker 1: saying this. Don't do it. Now we're on the breakfast club.

1573
01:13:10,720 --> 01:13:14,920
Speaker 1: I'm saying it. I think we got about six Okay, okay,

1574
01:13:15,120 --> 01:13:17,920
Speaker 1: about six. You know what they're going I don't. I

1575
01:13:17,960 --> 01:13:21,920
Speaker 1: don't Simba's albums out, don't take time. I think it. Yes,

1576
01:13:22,000 --> 01:13:24,599
Speaker 1: Sir Simber, you're going places my brother. Come on, man,

1577
01:13:24,600 --> 01:13:27,720
Speaker 1: I appreciate y'all for having me. Also, you know, I

1578
01:13:27,720 --> 01:13:30,080
Speaker 1: always tell you'll appreciate what you do with the Black

1579
01:13:30,120 --> 01:13:34,439
Speaker 1: Effect Network because it's important for us to have black media.

1580
01:13:34,720 --> 01:13:36,360
Speaker 1: You know what I mean. We always get hot and

1581
01:13:36,400 --> 01:13:38,120
Speaker 1: feel like we gotta run to the other man, not

1582
01:13:38,240 --> 01:13:40,719
Speaker 1: the brother man, you know what I'm meaning. So everything

1583
01:13:40,760 --> 01:13:44,559
Speaker 1: you do, from all the smoke to every podcast you got, man,

1584
01:13:44,600 --> 01:13:48,200
Speaker 1: I salute you. Also salute you on your future endeavors.

1585
01:13:48,240 --> 01:13:50,120
Speaker 1: I actually like one of your co hosts, I'm gonna

1586
01:13:50,120 --> 01:13:53,400
Speaker 1: get it hurt later. Yea, yeah you guy, Yeah yeah,

1587
01:13:53,439 --> 01:14:01,599
Speaker 1: she finds its. Hell Um, you guys, and shout out

1588
01:14:01,640 --> 01:14:04,479
Speaker 1: to you two. Envy man. You're a real legend out here. Man.

1589
01:14:04,520 --> 01:14:05,960
Speaker 1: You got a lot of people on the bait that

1590
01:14:06,040 --> 01:14:08,280
Speaker 1: always speak highly or you. You know what I mean.

1591
01:14:08,280 --> 01:14:10,120
Speaker 1: I got a lot of people from Hampton that always

1592
01:14:10,120 --> 01:14:13,080
Speaker 1: talk about you. So you're a legend man. And everything

1593
01:14:13,200 --> 01:14:15,400
Speaker 1: y'all do for this culture, you know, for the last

1594
01:14:15,479 --> 01:14:19,479
Speaker 1: what I want to say twelve you know what I mean,

1595
01:14:19,520 --> 01:14:22,360
Speaker 1: We always, as young artists wake up and watch this show,

1596
01:14:22,920 --> 01:14:24,840
Speaker 1: um to get information, to learn what it is we

1597
01:14:24,840 --> 01:14:26,880
Speaker 1: should be doing. I learned a lot from this show.

1598
01:14:26,920 --> 01:14:28,719
Speaker 1: So it's a blessing to be here, and I appreciate

1599
01:14:28,800 --> 01:14:31,120
Speaker 1: y'all for having yes. All right, well, Sember, it's the

1600
01:14:31,160 --> 01:14:39,040
Speaker 1: Breakfast Club. Good morning, The Breakfast club like a donkey.

1601
01:14:40,120 --> 01:14:42,840
Speaker 1: It's time for Donkey of the Day. I'm a big boy.

1602
01:14:42,880 --> 01:14:44,519
Speaker 1: I could take it if you feel I deserve it.

1603
01:14:44,520 --> 01:14:46,360
Speaker 1: Ain't no big deal. I know, Charlot. Many guys go

1604
01:14:46,439 --> 01:14:48,599
Speaker 1: out some funny say this mouth. You gotta say something

1605
01:14:48,640 --> 01:14:50,000
Speaker 1: you may not agree with. Doesn't you know what I mean?

1606
01:14:50,320 --> 01:14:53,080
Speaker 1: He's getting that donkey, that donkey that don't don't don't

1607
01:14:53,160 --> 01:14:58,080
Speaker 1: don't don't donkey the other day rights the breakfast club. Bitches,

1608
01:14:58,160 --> 01:15:00,240
Speaker 1: you can call me the donkey of the day like

1609
01:15:00,680 --> 01:15:03,519
Speaker 1: I mean no harm. Yeah, stuck here today for Friday,

1610
01:15:03,560 --> 01:15:06,760
Speaker 1: September sixteenth, goes to an unnamed patient in India who

1611
01:15:06,800 --> 01:15:11,320
Speaker 1: had to be hospitalized after allegedly shoving a deodorant canna

1612
01:15:11,360 --> 01:15:14,639
Speaker 1: stuff up his ass okay, where it remained for three

1613
01:15:14,680 --> 01:15:19,800
Speaker 1: weeks before doctors removed it. It's freaky, friggy, freaky Friday.

1614
01:15:19,840 --> 01:15:22,320
Speaker 1: I'm not making this up, ladies and gentlemen. Okay. A

1615
01:15:22,400 --> 01:15:24,960
Speaker 1: man shoved the eight inch deodorant can up his butt

1616
01:15:25,160 --> 01:15:27,840
Speaker 1: and left it there for three weeks. Either two things

1617
01:15:27,840 --> 01:15:30,799
Speaker 1: are happening here. This man was extra horny or extra

1618
01:15:30,840 --> 01:15:32,880
Speaker 1: stink Okay. Do you know how fed up you gotta

1619
01:15:32,920 --> 01:15:34,760
Speaker 1: be with the smell of your own ass to just

1620
01:15:34,840 --> 01:15:37,040
Speaker 1: shove a deodorant can up it and leave it there

1621
01:15:37,080 --> 01:15:39,160
Speaker 1: for three weeks. All right. This man must have gotten

1622
01:15:39,200 --> 01:15:42,720
Speaker 1: called stink ass, funky ass, musty ass. Somebody must have

1623
01:15:42,760 --> 01:15:45,000
Speaker 1: told him to go wash his ass so many times

1624
01:15:45,160 --> 01:15:47,760
Speaker 1: that he decided the only way to course correct the

1625
01:15:47,800 --> 01:15:50,799
Speaker 1: problem was to stick a canna deodorant up his button.

1626
01:15:51,120 --> 01:15:54,599
Speaker 1: All Right, You gotta understand whoever made any of these

1627
01:15:54,640 --> 01:15:58,920
Speaker 1: products first, whether it was soap, deodorant, douche, they were

1628
01:15:58,920 --> 01:16:01,120
Speaker 1: absolutely fed up with how humans on this planet was

1629
01:16:01,160 --> 01:16:03,880
Speaker 1: smelling at the time, all right, that simply just had

1630
01:16:03,920 --> 01:16:05,840
Speaker 1: to be the inspiration. So when someone takes one of

1631
01:16:05,880 --> 01:16:08,599
Speaker 1: these products and sticks it up their ass, I repeat,

1632
01:16:08,960 --> 01:16:11,920
Speaker 1: it's either because they stink as how are they extra horny?

1633
01:16:12,120 --> 01:16:14,040
Speaker 1: And it could be that he was extra horney, because

1634
01:16:14,040 --> 01:16:16,000
Speaker 1: it is some extra horny people on this planet and

1635
01:16:16,040 --> 01:16:17,680
Speaker 1: he might be one of them. Is this what the

1636
01:16:17,680 --> 01:16:20,640
Speaker 1: world has come to imagine? Sticking some dub deodor and

1637
01:16:20,720 --> 01:16:24,200
Speaker 1: up your ass? You know, you know, just just just imagine,

1638
01:16:24,320 --> 01:16:25,760
Speaker 1: you know what I'm saying. Men, are you know, on

1639
01:16:25,800 --> 01:16:28,000
Speaker 1: this planet stick of cand of diodoring up their ass?

1640
01:16:28,080 --> 01:16:30,760
Speaker 1: For what? All right? Secret has actually created a new

1641
01:16:30,840 --> 01:16:34,160
Speaker 1: campaign slogan, and that slogan is strong enough for a man,

1642
01:16:34,280 --> 01:16:36,320
Speaker 1: but made for those who want to be penetrated like

1643
01:16:36,360 --> 01:16:39,080
Speaker 1: a woman. Okay, what kind of choices do you make

1644
01:16:39,160 --> 01:16:41,839
Speaker 1: before you stick a can of deodor and up your erectum?

1645
01:16:41,840 --> 01:16:45,560
Speaker 1: Do you think to yourself? Aluminum versus no alum, aluminum

1646
01:16:46,080 --> 01:16:51,680
Speaker 1: traditional versus natural natural? Clearly his format choices can all right?

1647
01:16:51,760 --> 01:16:55,280
Speaker 1: The roll up stick probably a little too wide now.

1648
01:16:55,320 --> 01:16:58,040
Speaker 1: Doctors conducted several X rays which revealed that the young

1649
01:16:58,080 --> 01:16:59,720
Speaker 1: man had a seven and a half inch deodor and

1650
01:16:59,760 --> 01:17:02,880
Speaker 1: can large in this colon near his anus. Doctors believed

1651
01:17:02,880 --> 01:17:04,720
Speaker 1: that he put the anti perspring up his anus, but

1652
01:17:04,760 --> 01:17:06,800
Speaker 1: his reasons for giving himself the D and the D

1653
01:17:06,920 --> 01:17:09,479
Speaker 1: being deodorant are unknown. I really have to know what

1654
01:17:09,600 --> 01:17:11,840
Speaker 1: brand it was, okay, because what if it was Degree?

1655
01:17:11,840 --> 01:17:13,640
Speaker 1: If it was Degree, I have a marketing idea. They

1656
01:17:13,680 --> 01:17:16,120
Speaker 1: can do six inch cans, okay, because seven and a

1657
01:17:16,160 --> 01:17:19,080
Speaker 1: half to eight inches that just seems massive. Okay, that's

1658
01:17:19,080 --> 01:17:21,479
Speaker 1: actually my penis measurements. But instead of that, just do

1659
01:17:21,560 --> 01:17:24,599
Speaker 1: a nice six inch can a degree and the slogan

1660
01:17:24,640 --> 01:17:28,679
Speaker 1: can be Degree six inch spray for anyone in need

1661
01:17:28,880 --> 01:17:32,400
Speaker 1: of six degrees of penetration. Okay, the deodorant business is

1662
01:17:32,439 --> 01:17:34,680
Speaker 1: missing a lot of money, man, because clearly it's a

1663
01:17:34,680 --> 01:17:37,599
Speaker 1: new way to use deodorant. By the way, this might

1664
01:17:38,160 --> 01:17:40,479
Speaker 1: be the way they have always been using deodorant. We

1665
01:17:40,560 --> 01:17:43,479
Speaker 1: just didn't know. But guess what, it's not a secret anymore. Okay.

1666
01:17:43,520 --> 01:17:45,559
Speaker 1: It used to be three types of deodorants, roll on,

1667
01:17:46,240 --> 01:17:49,960
Speaker 1: stick or spray. That was roll on, stick and gay.

1668
01:17:50,479 --> 01:17:53,200
Speaker 1: Matter of fact, what exactly does stick mean? Nowadays? When

1669
01:17:53,200 --> 01:17:56,400
Speaker 1: we are talking deodorant, we're really interviewing the wrong people

1670
01:17:56,439 --> 01:17:58,360
Speaker 1: on this show. Because I want to talk to this guy,

1671
01:17:58,400 --> 01:18:01,479
Speaker 1: all right, I have questions. The more I read this article,

1672
01:18:01,640 --> 01:18:04,160
Speaker 1: I see doctors have shot down my sticking the deodor

1673
01:18:04,240 --> 01:18:06,360
Speaker 1: in up his ass because he had a smelly bump theory,

1674
01:18:06,560 --> 01:18:08,760
Speaker 1: all right't they ruled that out? And doctors had to

1675
01:18:08,760 --> 01:18:11,479
Speaker 1: cut open this man's stomach to get the silver spray

1676
01:18:11,520 --> 01:18:17,280
Speaker 1: candid deodoring out. Oh it was a spray. Can't they

1677
01:18:17,320 --> 01:18:21,000
Speaker 1: don't sell dial doos in India? Huh, Man, get this

1678
01:18:21,040 --> 01:18:22,479
Speaker 1: man at he so we can send him a cab

1679
01:18:22,560 --> 01:18:26,439
Speaker 1: package from Doc Johnson. We still got the Doc Johnson connect. Yeah,

1680
01:18:26,439 --> 01:18:28,040
Speaker 1: we gotta send them something. You're gonna send you the

1681
01:18:28,040 --> 01:18:29,679
Speaker 1: dial though, that sticks to the wall, so you can

1682
01:18:29,760 --> 01:18:34,000
Speaker 1: back that thing up and city boy on that d well.

1683
01:18:34,040 --> 01:18:37,000
Speaker 1: You mean he tried it? Never tried it. I got eyes.

1684
01:18:37,040 --> 01:18:40,320
Speaker 1: I read. I have no idea what brand of deodor

1685
01:18:40,400 --> 01:18:42,599
Speaker 1: in this is. I've never seen this brand in my life.

1686
01:18:42,640 --> 01:18:45,120
Speaker 1: It's like silver. It maybe old spice. No, it's not

1687
01:18:45,160 --> 01:18:47,720
Speaker 1: old spice. I'm just more impressive. This can stayed in

1688
01:18:47,720 --> 01:18:50,599
Speaker 1: his ass for twenty days. All right, he wasn't able

1689
01:18:50,640 --> 01:18:53,400
Speaker 1: to poop, all right, okay, but what's impressive is this

1690
01:18:53,400 --> 01:18:55,519
Speaker 1: spray can is clean. I would take this spray can't

1691
01:18:55,520 --> 01:18:57,360
Speaker 1: would come out and messing it in the newborn baby

1692
01:18:57,439 --> 01:18:59,759
Speaker 1: just do do everywhere. But that is not the case

1693
01:19:00,160 --> 01:19:01,800
Speaker 1: unless they wiped it off before they took a pick

1694
01:19:01,840 --> 01:19:04,519
Speaker 1: with it. You know, this is why podcasts like Horrible

1695
01:19:04,560 --> 01:19:07,240
Speaker 1: Decisions and Lip Service are important. You gotta stop shaming

1696
01:19:07,240 --> 01:19:10,240
Speaker 1: people for their kinks. All right, Men want things up there,

1697
01:19:10,320 --> 01:19:12,400
Speaker 1: button are scared to get it the real way for

1698
01:19:12,520 --> 01:19:15,360
Speaker 1: fear of judgment. All right. Now, this man has damaged

1699
01:19:15,360 --> 01:19:19,200
Speaker 1: to both his esophagus and intestines, which doctors say will

1700
01:19:19,240 --> 01:19:21,680
Speaker 1: require surgery in the future, and he will need to

1701
01:19:21,720 --> 01:19:24,200
Speaker 1: be monitored by doctors for the next seven days in

1702
01:19:24,240 --> 01:19:27,400
Speaker 1: case of further complications. All because y'all got this man

1703
01:19:27,600 --> 01:19:30,559
Speaker 1: scared to be who he is? What all that said?

1704
01:19:30,880 --> 01:19:33,040
Speaker 1: Please give the young man in India who stuck that

1705
01:19:33,080 --> 01:19:38,880
Speaker 1: spray candid deotoring up his ass the biggest Heah, you

1706
01:19:39,000 --> 01:19:43,519
Speaker 1: got buildos and penises and women, a man's fingers and

1707
01:19:43,720 --> 01:19:45,960
Speaker 1: antal beads, all types of things you could stick up

1708
01:19:46,000 --> 01:19:49,679
Speaker 1: your ass, but you're using deodorant. Knock it off, my guy?

1709
01:19:51,479 --> 01:19:56,640
Speaker 1: All right, right? Fruits, vegetables, na's you know, way we

1710
01:19:56,720 --> 01:20:00,040
Speaker 1: waste the good fruit. You can eat it, especially you

1711
01:20:00,040 --> 01:20:01,599
Speaker 1: don't be away if you do the banana and don't

1712
01:20:01,600 --> 01:20:05,240
Speaker 1: feel it. M a cucumber, you could just use it

1713
01:20:05,240 --> 01:20:08,840
Speaker 1: for flavoring. M. Did the guy give a reason? No, No,

1714
01:20:09,320 --> 01:20:12,479
Speaker 1: there's no reason. Maybe it was it's Friday, he was

1715
01:20:12,479 --> 01:20:14,920
Speaker 1: about to get ready for tonight, and which is still

1716
01:20:14,960 --> 01:20:18,600
Speaker 1: not a good excuse, expanding and getting that. Maybe he

1717
01:20:18,600 --> 01:20:22,800
Speaker 1: doesn't ask, you know, vicious, don't make me rest, which

1718
01:20:22,800 --> 01:20:24,960
Speaker 1: we do this breakfast club documentary that's definitely gonna be

1719
01:20:24,960 --> 01:20:33,439
Speaker 1: in there, remember Vicious. She Yeah, my goodness, I hate y'all.

1720
01:20:33,479 --> 01:20:37,200
Speaker 1: How long was it and get Actually Andy's wife also

1721
01:20:37,320 --> 01:20:40,640
Speaker 1: did coach tell us how big it was? Yes, get gear, Yes,

1722
01:20:40,720 --> 01:20:42,920
Speaker 1: go watch the interview. Gear didn't on Breakfast Club. Get

1723
01:20:43,000 --> 01:20:53,759
Speaker 1: absolutely confirmed. Come in vicious envy from what you mean me? From?

1724
01:20:54,400 --> 01:20:56,320
Speaker 1: This is so great. I just wanted to say something.

1725
01:20:56,360 --> 01:21:00,120
Speaker 1: I just googled envy and dil though I didn't I

1726
01:21:00,240 --> 01:21:02,479
Speaker 1: know you had a video on X and x x

1727
01:21:02,560 --> 01:21:05,160
Speaker 1: dot com. Now I don't do that. Come on now,

1728
01:21:05,320 --> 01:21:10,000
Speaker 1: I don't even know what Wow, google it nvy dildough

1729
01:21:10,320 --> 01:21:12,639
Speaker 1: is God damn it. You know I'm about to google

1730
01:21:12,680 --> 01:21:16,840
Speaker 1: this right here, X and x X dot com envy

1731
01:21:16,920 --> 01:21:20,679
Speaker 1: dildo And then it says mvy dildo f and shower.

1732
01:21:22,280 --> 01:21:25,400
Speaker 1: That's on TNA Dougan. It says dildo envy like the

1733
01:21:25,479 --> 01:21:29,639
Speaker 1: average dildo side, go down, go down to the fifth,

1734
01:21:30,360 --> 01:21:33,479
Speaker 1: go down to the fifth. Search dildo side compared to

1735
01:21:33,520 --> 01:21:36,599
Speaker 1: the average enis. I googled envy dildo and a bunch

1736
01:21:36,600 --> 01:21:38,439
Speaker 1: of articles come up with people who men who are

1737
01:21:38,479 --> 01:21:41,519
Speaker 1: jealous of dial You gotta do all not news you

1738
01:21:41,600 --> 01:21:43,960
Speaker 1: gotta see. Oh and then it has dj NV you

1739
01:21:44,000 --> 01:21:49,479
Speaker 1: take a dialdo but can't take a joke. You said

1740
01:21:49,520 --> 01:21:59,000
Speaker 1: that Jesus Jesus. Oh okay, oh my god, Oh my gosh, DJ,

1741
01:21:59,160 --> 01:22:00,920
Speaker 1: this isn't rolling out. D Jamie got caught in a

1742
01:22:01,000 --> 01:22:02,920
Speaker 1: racy snapped, I ain't do all of this. I just

1743
01:22:02,960 --> 01:22:04,960
Speaker 1: told everybody was doing a documentary. I ain't saying all

1744
01:22:05,000 --> 01:22:10,080
Speaker 1: this damning part. Envy allegedly told the woman that he

1745
01:22:10,160 --> 01:22:12,280
Speaker 1: enjoys anal penetration with a nine and a half inch

1746
01:22:12,360 --> 01:22:18,200
Speaker 1: deld on a regular basis. When is she leaving? I

1747
01:22:18,200 --> 01:22:24,280
Speaker 1: thought you supposed to said goodbody already? We said, goodbody,

1748
01:22:24,280 --> 01:22:40,200
Speaker 1: you already show why are you doing? We got you food?

1749
01:22:40,479 --> 01:22:46,000
Speaker 1: You know what? Oh my gosh, oh so much. If

1750
01:22:46,040 --> 01:22:49,479
Speaker 1: you guys are looking up, go to page five. All right,

1751
01:22:49,520 --> 01:22:51,280
Speaker 1: when we come back, we got the positive note and

1752
01:22:51,439 --> 01:22:55,240
Speaker 1: more so, don't move. It's to Breakfast Club. Good morning morning,

1753
01:22:55,280 --> 01:22:59,200
Speaker 1: everybody is DJ Envy, angela Ye, Charlomagne the guy. We

1754
01:22:59,200 --> 01:23:02,000
Speaker 1: are the Breakfast Club reminding you guys this Sunday. If

1755
01:23:02,000 --> 01:23:05,040
Speaker 1: you're in New York, it's the Fall Back in Love

1756
01:23:05,240 --> 01:23:10,799
Speaker 1: Comedy in Music concert out in Long Island. Trey Songs,

1757
01:23:10,840 --> 01:23:15,519
Speaker 1: August Alsina, John Queez, Mario, A, DC, Young Fly, Rip Michael.

1758
01:23:15,520 --> 01:23:17,640
Speaker 1: It's a date night. So can't wait to see you

1759
01:23:17,640 --> 01:23:19,559
Speaker 1: guys on Sunday. Get your tickets if you haven't got

1760
01:23:19,600 --> 01:23:21,559
Speaker 1: it as a yet and h We have a lot

1761
01:23:21,600 --> 01:23:24,840
Speaker 1: of fun, all right, And today I'm gonna be in Brooklyn.

1762
01:23:25,680 --> 01:23:27,400
Speaker 1: We are actually going to be part of this Whole

1763
01:23:27,439 --> 01:23:30,160
Speaker 1: Made Summit and festival. It's free, and I'll be doing

1764
01:23:30,160 --> 01:23:32,559
Speaker 1: a panel. I'll be on the panel with Nakole Hannah Jones,

1765
01:23:32,840 --> 01:23:34,600
Speaker 1: which is going to be really exciting for me. She

1766
01:23:34,720 --> 01:23:39,519
Speaker 1: did the Whole sixteen nineteen project and she also covered

1767
01:23:39,600 --> 01:23:42,360
Speaker 1: Rachel Injustice for the New York Times magazine. She's a reporter.

1768
01:23:42,800 --> 01:23:45,160
Speaker 1: So we'll be doing that today, So make sure y'all

1769
01:23:45,160 --> 01:23:47,120
Speaker 1: come check us out. You can go to maid community

1770
01:23:47,120 --> 01:23:50,280
Speaker 1: that's m dot a dot d dot dot community to

1771
01:23:50,280 --> 01:23:52,400
Speaker 1: find out how to get your tickets and sign up

1772
01:23:52,400 --> 01:23:54,720
Speaker 1: and come through. All right, Shanoman, you got a positive note?

1773
01:23:55,000 --> 01:23:57,519
Speaker 1: I do, well, Yes, I do. I want to tell everybody,

1774
01:23:57,520 --> 01:23:59,559
Speaker 1: first of all, thank you for watching Hell of a

1775
01:23:59,560 --> 01:24:02,120
Speaker 1: week Night on Comedy Central. That's my late night show.

1776
01:24:02,120 --> 01:24:04,320
Speaker 1: It comes on on Thursday nights, right after the Daily Show.

1777
01:24:04,520 --> 01:24:07,240
Speaker 1: Make sure you're screaming on Paramount Plus all weekend. Last

1778
01:24:07,320 --> 01:24:09,639
Speaker 1: night we had a great show. Our panel consisted of

1779
01:24:10,040 --> 01:24:13,880
Speaker 1: roy Wood Junior, the Great Malcolm Gladwell, and my good

1780
01:24:13,920 --> 01:24:16,840
Speaker 1: good sister Angela Ry who is currently arguing with me.

1781
01:24:16,960 --> 01:24:18,880
Speaker 1: Now that's all we do is argue. I love her

1782
01:24:18,920 --> 01:24:21,800
Speaker 1: to death. And the one on one conversation was with

1783
01:24:21,840 --> 01:24:24,280
Speaker 1: Fat Joe. Okay, so salute them a man, Fat Joe,

1784
01:24:24,280 --> 01:24:28,200
Speaker 1: make sure you screamed that on Paramount plus all weekend long.

1785
01:24:28,360 --> 01:24:30,720
Speaker 1: Now the positive notice simply this, you're spun less than

1786
01:24:30,720 --> 01:24:34,559
Speaker 1: negativity and life becomes more peaceful. Remember that this weekend

1787
01:24:34,960 --> 01:24:37,679
Speaker 1: breakfast club bitches, you don't finish it, y'all. Dune