WEBVTT - Kendall Ostrow

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<v Speaker 1>Welcome, Welcome, Welcome to the Bob Left Sets podcast. My

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<v Speaker 1>guest this week is Kendall Astro, head of i Q

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<v Speaker 1>Strategy for u t A, one of the three biggest

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<v Speaker 1>talent agencies, not only in Los Angeles, been in the world.

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<v Speaker 1>They used to call it United Talent because it was

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<v Speaker 1>a unification of a couple of talent agencies. And you say,

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<v Speaker 1>who is Kendall Astrow? I didn't know she was either

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<v Speaker 1>until I was on this program in Utah. I met

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<v Speaker 1>her and she was so knowledgeable about social media. But

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<v Speaker 1>she told me this is September she was going to

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<v Speaker 1>sell the first snapchat series, which she then did. Okay,

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<v Speaker 1>so Kendall, good to have you here. Thanks. Okay, what

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<v Speaker 1>exactly do you do at you t A. So my

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<v Speaker 1>group sits across all the departments of the agency and

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<v Speaker 1>we help our clients, you know, from every discipline, build

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<v Speaker 1>their strategy for how they're going to talk to their fans.

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<v Speaker 1>How do you build an audience, How do you talk

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<v Speaker 1>about yourself? How do you use all the best tools

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<v Speaker 1>at your disposal, all the social media platforms to really

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<v Speaker 1>a mass attention and uh control the crowd and figure

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<v Speaker 1>out you know, how to use those things to your

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<v Speaker 1>advantage in today's day and age, and then we use

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<v Speaker 1>all the data and analytics from all those platforms to

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<v Speaker 1>better sell them in the marketplace. So how do we

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<v Speaker 1>make more money on every renegotiation for a television show

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<v Speaker 1>or with every commercial endorsement deal based on the massive

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<v Speaker 1>influence and audience that our clients can bring to the table. Okay,

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<v Speaker 1>you're young enough I can ask this question, and I'm

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<v Speaker 1>asking for different reason. You are how old today? Two

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<v Speaker 1>and a half and a half? And my point is,

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<v Speaker 1>does anybody over forty really understand social media? Yeah? Absolutely?

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<v Speaker 1>And who are those people? I don't mean by name?

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<v Speaker 1>How do they know? I think that you know, there's

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<v Speaker 1>a lot of stuff that social media is not completely new.

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<v Speaker 1>You've got to be ahead of the times. You have

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<v Speaker 1>to trend, forecast and see what's coming. But people used

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<v Speaker 1>to build grassroots audiences and street teams and and things

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<v Speaker 1>like that. It's it's the the idea of amassing an

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<v Speaker 1>audience and building that type of fan base isn't new.

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<v Speaker 1>It's just the platforms by which we do it. And

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<v Speaker 1>so how you communicate, Like if you're entrenched in old

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<v Speaker 1>old business in old Hollywood, sometimes you want to bare

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<v Speaker 1>your head in the sand and not think about these things.

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<v Speaker 1>But I don't think the mechanics are necessarily that new

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<v Speaker 1>the idea of it, so you just have to learn

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<v Speaker 1>the new tools to catch up today. What is the

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<v Speaker 1>number one platform to build an audience depends on what

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<v Speaker 1>your business goals are. Okay, what might my business goals be? Well,

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<v Speaker 1>I think probably in general, most of my clients would

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<v Speaker 1>say that they're spending the most time and attention on

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<v Speaker 1>a platform like Instagram. That's that's where they're seeing a

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<v Speaker 1>lot of lift. But our YouTube stars are still amassing

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<v Speaker 1>massive audiences and building out such robust businesses on that platform,

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<v Speaker 1>and the interaction with the fans is so much deeper.

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<v Speaker 1>Sometimes on platforms like that, where it's a little more

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<v Speaker 1>long form, they have a little bit more of a

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<v Speaker 1>community engagement. Um. But you can't be on one like

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<v Speaker 1>you know, you can't just be on one platform and

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<v Speaker 1>think you're going to have a sustainable business. We saw

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<v Speaker 1>people who invested every ounce of their time on platforms

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<v Speaker 1>like Vine, and those people unless they diversified and also

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<v Speaker 1>built how YouTube, Twitter, Instagram, Facebook, etcetera, they kind of

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<v Speaker 1>disappeared from public eye. So you need to build a

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<v Speaker 1>city of towers to build your audience. You can't just

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<v Speaker 1>have one big skyscraper. Wow, you must have said that before.

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<v Speaker 1>That's so good the turns of the analogy. But those

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<v Speaker 1>are people who started on vine. Let's assume now most

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<v Speaker 1>of the clients you're working with U. T. A Are

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<v Speaker 1>already established stars. Correct some, but let's let's just start

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<v Speaker 1>with that. If I'm an established star, okay, and I

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<v Speaker 1>for some reason, I've been enacting school or whatever, I've

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<v Speaker 1>been making my celebrity and this is not really the

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<v Speaker 1>case now because everybody is growing up in our social

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<v Speaker 1>media and I have no social media presence. What would

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<v Speaker 1>you tell me? What we'd sit down and we'd talk about,

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<v Speaker 1>you know, what are your long term goals? Okay, so

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<v Speaker 1>let's just assume I could be an actor, I could

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<v Speaker 1>be a musician. Let's say I'm an actor. What might

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<v Speaker 1>give me an example what my long term goal would be? Well,

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<v Speaker 1>do you want to win an Oscar? Do you want

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<v Speaker 1>to be in a Blockbuster franchise? Are they mutually exclusive?

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<v Speaker 1>But the one that's a little more complicated because Blockbuster

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<v Speaker 1>is really where the world is. Say, let's say I

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<v Speaker 1>want to win an Oscar? What would I do in

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<v Speaker 1>social media? You know, we we are fortunate to have

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<v Speaker 1>a lot of incredible people who are you know, just

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<v Speaker 1>nominated this year, and some have social media like Timothy

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<v Speaker 1>shallow May like you know, he is on and active

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<v Speaker 1>and posting great content on Instagram. And then Francis mcdormant,

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<v Speaker 1>who you know, obviously chose not to and I don't

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<v Speaker 1>you know with it, where like that do you need

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<v Speaker 1>to be on social media? Probably not someone of that

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<v Speaker 1>ilk okay, Francis McDorman. Uh, someone over fifty who is

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<v Speaker 1>a well established career. Would it benefit a person like

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<v Speaker 1>that to be on social media? I think it depends

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<v Speaker 1>on where they want to go in their career. So

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<v Speaker 1>I've back. I no longer represent him. But in my

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<v Speaker 1>previous career I worked with Patrick Stewart for a long

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<v Speaker 1>time and I'm so proud of what we did with him,

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<v Speaker 1>and he was not on social media, and uh, with

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<v Speaker 1>the help of his incredible wife and I, we sat

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<v Speaker 1>down and we taught him kind of how to do

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<v Speaker 1>the whole thing. And he really want to be taken

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<v Speaker 1>seriously as a comedic actor. And you know, with someone

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<v Speaker 1>sir Patrick's you know, credibility and all the awards and

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<v Speaker 1>all the accolades. Do you think he needs to be

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<v Speaker 1>on social But the way he was able to change

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<v Speaker 1>his brand image and the way that he was able

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<v Speaker 1>to get people to see this completely different side of

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<v Speaker 1>him through Twitter was amazing. He was the first person

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<v Speaker 1>that Twitter reached out and actually invited to their headquarters

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<v Speaker 1>instead of people saying I want to come by and

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<v Speaker 1>come to you guys as a press stop when they

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<v Speaker 1>were really doing a lot of those things at h

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<v Speaker 1>Q and San Francisco, and he went, I was lucky

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<v Speaker 1>enough to attend the opening bell ceremony when they you know,

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<v Speaker 1>went the I p oed on the New York Stock

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<v Speaker 1>Exchange because they wanted him there as one of their

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<v Speaker 1>most powerful and influential voices on the platform because they

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<v Speaker 1>thought what he did to change his persona and connect

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<v Speaker 1>with the community was just so incredible. So it depends

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<v Speaker 1>on what the goals are. Like I said, like, you

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<v Speaker 1>can't put the formula instead of something in front of

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<v Speaker 1>someone and say it's een, here's what you have to

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<v Speaker 1>do to succeed in this business. There's a lot of people,

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<v Speaker 1>you know, even like Jennifer Lawrence, like you know she's

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<v Speaker 1>not completely active. I think she has an active Facebook

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<v Speaker 1>page that you know, people will post news and trailers

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<v Speaker 1>and stuff like that on. But it doesn't matter your age,

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<v Speaker 1>it doesn't matter um kind of when you were born

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<v Speaker 1>and what you should do. It depends on what you

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<v Speaker 1>want to accomplish. Do you want to be more of

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<v Speaker 1>a lifestyle brand. Do you want to really connect with

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<v Speaker 1>the audience. Do you want to be able to sell

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<v Speaker 1>and drive and you know, produce your own projects and

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<v Speaker 1>then distribute them through this fan base that you have,

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<v Speaker 1>or do you want to stay a little more out

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<v Speaker 1>of the public eye. So I think you have to

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<v Speaker 1>really analyze and and go deep with a client, say

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<v Speaker 1>why are you even doing this? Because if you don't

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<v Speaker 1>commit and really know why you're on and know what

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<v Speaker 1>goals you're trying to reach, you're just gonna put out

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<v Speaker 1>weird stuff that that's not going to build any type

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<v Speaker 1>of sustainable strategy and it's not going to be effective

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<v Speaker 1>for you long term. Let's stay with Patrick Stewart just

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<v Speaker 1>so I know Twitter start in two thousand seven, I

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<v Speaker 1>believe six six. When did he go on? Oh gosh,

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<v Speaker 1>um uh must have been two thousand eleven or two

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<v Speaker 1>thousand twelves. Okay, so it was already deep into Twitter's popularity. Yeah.

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<v Speaker 1>I would call two thousand ten like the summer of Twitter.

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<v Speaker 1>Maybe maybe it was two thousand twelve. I think so

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<v Speaker 1>at point many people were already on Twitter, and he

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<v Speaker 1>specifically wanted to get more opportunities in the comedy field.

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<v Speaker 1>So did you sit down and say, hey, make most

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<v Speaker 1>of your tweets funny? How did you decide to do that? Well?

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<v Speaker 1>I was working at I D PR at the time,

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<v Speaker 1>and Kelly Bush has been Patrick's publicists since the beginning

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<v Speaker 1>of of of you know, I D I think he

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<v Speaker 1>was client number one. Um, and she was the one

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<v Speaker 1>who was like, we need to get you on It's

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<v Speaker 1>it's time you need to be on social media. So

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<v Speaker 1>she brought him in and I sat with him and

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<v Speaker 1>we figured out what are your goals? And then we

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<v Speaker 1>sit down and um, you know, for most of my

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<v Speaker 1>clients will sit down and we'll think, you know, what

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<v Speaker 1>are the three things that someone can take away someone

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<v Speaker 1>that you've met taught me uh Linda on uh she

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<v Speaker 1>does a brand triangle, like what are the three things

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<v Speaker 1>people can't wrap their head around? Million assets of your

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<v Speaker 1>aspects of your personality? Do you boil it down to

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<v Speaker 1>what are the three things you really want people to

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<v Speaker 1>know about you? And I use that in social media?

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<v Speaker 1>Is like what are those six images that are before

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<v Speaker 1>below the fold or above the fold on on your

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<v Speaker 1>app on or on your nine images on Instagram? What

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<v Speaker 1>are those nine things that people are going to take away?

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<v Speaker 1>What's that first instinct, that first impression they're going to

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<v Speaker 1>get when they type you into Google, when they pull

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<v Speaker 1>up the first five tweets on your account? Like what

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<v Speaker 1>is what is that big takeaway? And are you hitting

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<v Speaker 1>those three things that you want people to know? And

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<v Speaker 1>if you are, we're being successful if I only take

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<v Speaker 1>one thing away of who you are, or if it's

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<v Speaker 1>all completely promotional and I have no idea why, Um,

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<v Speaker 1>you know what drives you? What makes you want to

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<v Speaker 1>be an artist? What are you here for? Like? Why

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<v Speaker 1>are you even popping into my sphere of attention? If

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<v Speaker 1>I can't figure out what those three things are, then

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<v Speaker 1>we have a problem. So a lot of times I'll

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<v Speaker 1>google the heck out of my clients and I'll read

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<v Speaker 1>every article, every interview, read tweets from a year ago,

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<v Speaker 1>like really go deep, and I'll make a complete assumption

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<v Speaker 1>on who they are, what they stand for, what drives them,

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<v Speaker 1>what they believe, what are their hobbies before I ever

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<v Speaker 1>sit down with them. And then I'll talk to them

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<v Speaker 1>and I'll see what alignes and I'll say, well, based

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<v Speaker 1>on what I saw on Google, not knowing you, not

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<v Speaker 1>knowing the business, not hearing from anyone in your inner circle,

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<v Speaker 1>here's what I judge and here's what I assume. And

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<v Speaker 1>if it doesn't match up with what you're telling me,

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<v Speaker 1>then we have a problem. If your goals are to, uh,

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<v Speaker 1>you know, launch a fitness company, and I see none

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<v Speaker 1>of that activity anywhere on your channels, and obviously there's

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<v Speaker 1>a huge disconnect. How do you start to seed that

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<v Speaker 1>information and seed that content into the stream and into

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<v Speaker 1>people's consciousness before you want to launch that business so

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<v Speaker 1>they can start to see you as an influencer or

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<v Speaker 1>as a you know, notable person in that space. Okay,

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<v Speaker 1>let's go back to the beginning. You grew up in

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<v Speaker 1>the state of Washington, and what were your interests back then? UM, Entertainment.

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<v Speaker 1>Always from a young age, you always wanted to be

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<v Speaker 1>in the entertainment business. When I had no self awareness

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<v Speaker 1>and UM completely just did what I loved. I danced

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<v Speaker 1>and took voice lessons for years. And why do you

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<v Speaker 1>say when you had no self awareness? Well, I took

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<v Speaker 1>voice lessons for eight years and can't carry a tune.

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<v Speaker 1>My grandma once told me over breakfast with one of

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<v Speaker 1>my best friends that one of the hardest experiences of

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<v Speaker 1>her life was going as a grandma was going to

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<v Speaker 1>my voice recitals because it was so painful. Um but

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<v Speaker 1>I danced competitively since I was eighteen. I did you know,

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<v Speaker 1>community theater and you know, played every apart from Sunday

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<v Speaker 1>except for the ones that required a lot of singing.

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<v Speaker 1>The callbacks to Annie were just horrible because I can't

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<v Speaker 1>carry it note at all. But it was a good actress.

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<v Speaker 1>Um But I wanted to do, you know. I just

0:11:49.480 --> 0:11:51.840
<v Speaker 1>wanted to be in the business I loved. I loved

0:11:51.920 --> 0:11:55.520
<v Speaker 1>every aspect of performing and entertainment. I just wasn't great

0:11:55.520 --> 0:11:57.560
<v Speaker 1>at it. So I had to figure out a career

0:11:57.600 --> 0:11:59.760
<v Speaker 1>that would allow me to be When did you I

0:11:59.760 --> 0:12:02.240
<v Speaker 1>mean you said after eight years you realized you couldn't

0:12:02.240 --> 0:12:04.760
<v Speaker 1>carry a tune? When did you decide you wanted to

0:12:04.800 --> 0:12:09.240
<v Speaker 1>be behind the camera instead of in front of it? Um?

0:12:09.360 --> 0:12:10.920
<v Speaker 1>I just think I wanted to be around it. I

0:12:10.960 --> 0:12:13.240
<v Speaker 1>think I kind of knew I'd never be a performer.

0:12:13.320 --> 0:12:15.679
<v Speaker 1>I always knew that. I knew that I was never

0:12:15.800 --> 0:12:18.480
<v Speaker 1>that good, um or even close to it, even at

0:12:18.480 --> 0:12:20.240
<v Speaker 1>like age nine or ten. I just loved the whole

0:12:20.280 --> 0:12:23.240
<v Speaker 1>process of it. And I would consume pop culture like

0:12:23.280 --> 0:12:26.560
<v Speaker 1>a crazy person. My aunt, uh you know, subscribe to

0:12:26.600 --> 0:12:30.439
<v Speaker 1>every people in Vogue and Vanity Fair. I'd read every

0:12:30.480 --> 0:12:32.280
<v Speaker 1>single thing I could get my hands on. I just

0:12:32.400 --> 0:12:35.959
<v Speaker 1>was a huge consumer of the world and I loved

0:12:36.000 --> 0:12:38.680
<v Speaker 1>staying ahead of the trends and you know, seeing what

0:12:38.760 --> 0:12:41.640
<v Speaker 1>was next. I never you know, Um, I don't know.

0:12:41.679 --> 0:12:43.120
<v Speaker 1>I just I just always wanted to be a part

0:12:43.120 --> 0:12:46.400
<v Speaker 1>of it. So in college, I majored in Before you

0:12:46.440 --> 0:12:52.959
<v Speaker 1>get to college, were your parents supportive of this interest? Yeah? Completely.

0:12:53.080 --> 0:12:55.480
<v Speaker 1>I mean my mom would drive two hours every night

0:12:55.679 --> 0:12:59.040
<v Speaker 1>for theater practice or you know, from my rehearsals and stuff,

0:12:59.160 --> 0:13:02.840
<v Speaker 1>so I could, um be in different local productions around

0:13:02.840 --> 0:13:06.440
<v Speaker 1>the state. And um, I think I was at dance

0:13:06.480 --> 0:13:10.000
<v Speaker 1>practice from two o'clock after school until ten pm. And

0:13:10.160 --> 0:13:13.080
<v Speaker 1>you know, they were very very supportive. Dance competitions, the

0:13:13.120 --> 0:13:16.040
<v Speaker 1>whole thing, seven days a week, so you're talking about

0:13:16.080 --> 0:13:18.800
<v Speaker 1>going to college. So I went to college and I

0:13:18.840 --> 0:13:21.920
<v Speaker 1>looked for a big school on the West coast that

0:13:22.000 --> 0:13:25.560
<v Speaker 1>had a Greek system and a dance program. Okay, why

0:13:25.559 --> 0:13:28.240
<v Speaker 1>did you want a Greek system? Everyone in my family

0:13:28.480 --> 0:13:30.200
<v Speaker 1>had gone Greek. I don't know. I didn't. I didn't

0:13:30.200 --> 0:13:33.040
<v Speaker 1>know much about what I like, what major even like,

0:13:33.080 --> 0:13:34.720
<v Speaker 1>it wasn't even a consideration. It was like, there was

0:13:34.760 --> 0:13:36.640
<v Speaker 1>these weird things that I wanted. I wanted a big school.

0:13:36.679 --> 0:13:39.560
<v Speaker 1>So I went to the University of Arizona, and uh

0:13:39.760 --> 0:13:44.640
<v Speaker 1>ended up retrospect was at the right choice led me

0:13:44.679 --> 0:13:46.480
<v Speaker 1>to where I am and I'm very happy. So who knows,

0:13:46.800 --> 0:13:48.720
<v Speaker 1>you know, you could take a million different paths. You're

0:13:48.720 --> 0:13:51.360
<v Speaker 1>gonna end up somewhere, and I'm really happy with where

0:13:51.400 --> 0:13:53.120
<v Speaker 1>I ended up. And I had a great time there.

0:13:53.400 --> 0:13:55.880
<v Speaker 1>So okay, so could I have challenged myself more based

0:13:55.920 --> 0:13:59.760
<v Speaker 1>on my grades? And yeah? Probably? But what what was

0:13:59.800 --> 0:14:04.120
<v Speaker 1>your vision there? At the University of Arizona. So they

0:14:04.120 --> 0:14:07.119
<v Speaker 1>had a major that was like the film, radio, and television.

0:14:07.720 --> 0:14:10.960
<v Speaker 1>It was like a media arts degree, and I majored

0:14:11.000 --> 0:14:13.680
<v Speaker 1>in producing so the behind the scenes of that business

0:14:13.760 --> 0:14:16.800
<v Speaker 1>and UM took a couple of classes that were really

0:14:16.840 --> 0:14:19.600
<v Speaker 1>instrumental and where I am very slowly. Because so many

0:14:19.600 --> 0:14:23.120
<v Speaker 1>people talk about their educational experience not being helpful. What

0:14:23.200 --> 0:14:26.440
<v Speaker 1>were those couple of classes that were so helpful? Uh?

0:14:26.680 --> 0:14:30.800
<v Speaker 1>There was this one class specifically that was called New

0:14:30.800 --> 0:14:34.120
<v Speaker 1>Media Business or something like that, and it just studied

0:14:34.160 --> 0:14:37.480
<v Speaker 1>new technologies and new advancements in the entertainment business and

0:14:37.680 --> 0:14:41.960
<v Speaker 1>you know where things were going. Um, so just you know,

0:14:42.040 --> 0:14:45.280
<v Speaker 1>really forward thinking, you know, wearable devices. And this was

0:14:45.360 --> 0:14:49.000
<v Speaker 1>two thousand six, I think, so just kind of really

0:14:49.120 --> 0:14:51.240
<v Speaker 1>digging into some of the new trends that were coming

0:14:51.280 --> 0:14:54.920
<v Speaker 1>around the pike. And one of my professors, BARRETTA. Ea

0:14:54.960 --> 0:14:57.240
<v Speaker 1>S Smith SHOWMATI was such a force and I took

0:14:57.320 --> 0:15:01.600
<v Speaker 1>every class that was uh on the schedule with her

0:15:02.080 --> 0:15:04.360
<v Speaker 1>and I was really panicking senior year. I was like,

0:15:04.400 --> 0:15:06.240
<v Speaker 1>I don't know what to do. I really want to

0:15:06.280 --> 0:15:08.080
<v Speaker 1>go to the entertainment business, but I know no one.

0:15:08.280 --> 0:15:10.800
<v Speaker 1>We're in Arizona. I have no idea what to do.

0:15:11.240 --> 0:15:14.080
<v Speaker 1>She was like, sit in a dark room, be bored

0:15:14.080 --> 0:15:17.200
<v Speaker 1>out of your mind for fifteen thirty minutes. Just be

0:15:17.280 --> 0:15:19.600
<v Speaker 1>as bored as you can. Don't do anything. I think

0:15:19.600 --> 0:15:21.560
<v Speaker 1>it was before anyone knew it or anyone I knew

0:15:21.600 --> 0:15:23.800
<v Speaker 1>knew what meditation was, but she was just like, clear

0:15:23.800 --> 0:15:27.840
<v Speaker 1>your mind completely, sit down, and then when you snap

0:15:27.880 --> 0:15:29.520
<v Speaker 1>out of it, when the alarm goes off, what are

0:15:29.560 --> 0:15:32.320
<v Speaker 1>the first things you want to do? And the first

0:15:32.360 --> 0:15:34.920
<v Speaker 1>thing I did was pick up my computer and I

0:15:34.960 --> 0:15:39.560
<v Speaker 1>went to this is embarrassing, uh, Mashable dot com and

0:15:39.680 --> 0:15:42.320
<v Speaker 1>Perez Hilton dot com and it was like tech and

0:15:42.480 --> 0:15:45.760
<v Speaker 1>entertainment and tech and pop culture really, and that's what

0:15:45.840 --> 0:15:48.720
<v Speaker 1>I was interested in. I really wanted to be a

0:15:48.800 --> 0:15:52.760
<v Speaker 1>talk show producer, and I had had internships in radio

0:15:52.840 --> 0:15:55.920
<v Speaker 1>and film and television, and I loved the immediacy of radio.

0:15:56.000 --> 0:15:58.880
<v Speaker 1>I loved how fast it moved, that every day was different,

0:15:58.920 --> 0:16:00.520
<v Speaker 1>that you'd come in and be able to make something

0:16:00.600 --> 0:16:02.880
<v Speaker 1>up on the fly. You wouldn't have to sit around

0:16:02.880 --> 0:16:05.080
<v Speaker 1>and wait for gatekeepers. Whatever you wanted to do you

0:16:05.120 --> 0:16:09.080
<v Speaker 1>could do. And with that it was, you know, prior

0:16:09.160 --> 0:16:11.920
<v Speaker 1>to social media and tech and you know a lot

0:16:11.960 --> 0:16:14.680
<v Speaker 1>of that stuff becoming more mainstream. And back in the

0:16:14.760 --> 0:16:17.040
<v Speaker 1>day I was working at Clear Channel, they had which

0:16:17.080 --> 0:16:20.560
<v Speaker 1>I heart now obviously, but um they had text in.

0:16:20.800 --> 0:16:23.080
<v Speaker 1>It was like you text four seven three seven three

0:16:23.120 --> 0:16:25.320
<v Speaker 1>to be part of the show. So it was almost

0:16:25.320 --> 0:16:27.520
<v Speaker 1>like early Twitter in a way, and we would have

0:16:27.520 --> 0:16:29.320
<v Speaker 1>people text into the show and we'd be able to

0:16:29.400 --> 0:16:32.240
<v Speaker 1>change the programming and call people out and get fan

0:16:32.360 --> 0:16:36.320
<v Speaker 1>feedback and completely adjust the show based on what people

0:16:37.560 --> 0:16:41.080
<v Speaker 1>People are unaware. You would text in and text in

0:16:41.200 --> 0:16:44.040
<v Speaker 1>saying what we would ask a question, or people would

0:16:44.040 --> 0:16:46.480
<v Speaker 1>just text in and say I want to talk about this,

0:16:46.640 --> 0:16:49.440
<v Speaker 1>or um, you know, they would just whatever they wanted

0:16:49.480 --> 0:16:51.280
<v Speaker 1>to say, and then we'd print out all these text

0:16:51.280 --> 0:16:54.760
<v Speaker 1>messages like thousands per show and dive into those and

0:16:54.760 --> 0:16:57.160
<v Speaker 1>adjust the content on the fly. And then when I

0:16:57.200 --> 0:16:59.240
<v Speaker 1>was interning in film and TV, I was like, wait,

0:16:59.240 --> 0:17:01.320
<v Speaker 1>I'm reading this. It's not going to be produced for

0:17:01.320 --> 0:17:03.520
<v Speaker 1>seven years, Like, I just don't understand. The pace of

0:17:03.560 --> 0:17:08.040
<v Speaker 1>it was not appealing to me. Um, So that immediacy

0:17:08.080 --> 0:17:12.080
<v Speaker 1>I loved. So instead of radio, I thought, well, let's

0:17:12.160 --> 0:17:13.520
<v Speaker 1>let's move to l A and make a go at

0:17:13.560 --> 0:17:16.600
<v Speaker 1>it and television. And so before you go, before you

0:17:16.600 --> 0:17:18.840
<v Speaker 1>go to moving to l A, So how did you

0:17:18.920 --> 0:17:23.280
<v Speaker 1>end up working at iHeart or then Clear Channel. Um,

0:17:23.320 --> 0:17:26.880
<v Speaker 1>my dad is a corporate litigator, but for some reason

0:17:27.920 --> 0:17:30.320
<v Speaker 1>met some sports radio guys on the golf course. I

0:17:30.359 --> 0:17:33.600
<v Speaker 1>think and had done their deals, and he said, I'll

0:17:33.600 --> 0:17:35.720
<v Speaker 1>open a door for you. I don't know what's there,

0:17:36.040 --> 0:17:38.360
<v Speaker 1>but you need to walk through it. And so he

0:17:38.400 --> 0:17:41.960
<v Speaker 1>introduced me to the head of Clear Channel at the

0:17:42.000 --> 0:17:45.040
<v Speaker 1>time in Seattle, and I interviewed and got an internship

0:17:45.160 --> 0:17:48.760
<v Speaker 1>in the street team of the hip hop radio station there.

0:17:48.920 --> 0:17:51.880
<v Speaker 1>And this was when you were in college my freshman year,

0:17:52.160 --> 0:17:57.200
<v Speaker 1>freshman year. So how much did you work at the station? Um?

0:17:57.240 --> 0:18:01.879
<v Speaker 1>My freshman summer, I wore five days a week, I

0:18:01.920 --> 0:18:05.800
<v Speaker 1>think like part of the day at the radio station

0:18:05.880 --> 0:18:09.200
<v Speaker 1>and then part of the day at the Sonics, which

0:18:09.200 --> 0:18:11.800
<v Speaker 1>were upstairs two floors, so they're in the same building.

0:18:11.840 --> 0:18:17.000
<v Speaker 1>So I the SuperSonics the basketball team, right, Yeah, So

0:18:17.040 --> 0:18:18.880
<v Speaker 1>I did both things. So I was a street team

0:18:18.920 --> 0:18:21.960
<v Speaker 1>kind of marketing on both both companies. How did you

0:18:21.960 --> 0:18:24.440
<v Speaker 1>get the gig with the Sonics? My dad also my

0:18:24.520 --> 0:18:27.959
<v Speaker 1>dad represented Kevin Collabra and so the voice the Sonics

0:18:27.960 --> 0:18:30.159
<v Speaker 1>that he helped me there as well, So I was lucky.

0:18:30.280 --> 0:18:32.160
<v Speaker 1>That was the last time anyone of my family helped

0:18:32.200 --> 0:18:33.960
<v Speaker 1>me with the jobs. But those are the two doors

0:18:33.960 --> 0:18:36.800
<v Speaker 1>I got open. Okay, So how many summers did you

0:18:36.840 --> 0:18:43.679
<v Speaker 1>work for the Clear Channel station? Um, basically all three

0:18:43.720 --> 0:18:47.560
<v Speaker 1>summers of college and throughout the year. How could you

0:18:47.560 --> 0:18:49.359
<v Speaker 1>work throughout the year if you're in Arizona. Well, I

0:18:49.359 --> 0:18:51.040
<v Speaker 1>would call into the station to be on the air

0:18:51.600 --> 0:18:54.560
<v Speaker 1>when I was away, and then I would work all

0:18:54.640 --> 0:18:57.560
<v Speaker 1>Christmas break, spring break, summer breaks. Okay, so you're in Arizona,

0:18:57.600 --> 0:19:00.679
<v Speaker 1>you're calling in to say what just check in. I

0:19:00.840 --> 0:19:03.240
<v Speaker 1>was the intern for the morning show, so they would

0:19:03.280 --> 0:19:05.280
<v Speaker 1>just call and check in a couple of times a

0:19:05.280 --> 0:19:06.760
<v Speaker 1>week on what I was up to and how things

0:19:06.800 --> 0:19:10.440
<v Speaker 1>were going at college. So when you by by time,

0:19:10.440 --> 0:19:12.359
<v Speaker 1>you're deep into it and the people know you. What

0:19:12.480 --> 0:19:15.320
<v Speaker 1>is your role in the radio show? Kendle the intern?

0:19:15.640 --> 0:19:17.760
<v Speaker 1>Kendle the intern. So it's like Howard Stern, it his

0:19:17.800 --> 0:19:21.120
<v Speaker 1>internee plage on you talk and you're also doing roles

0:19:21.119 --> 0:19:23.600
<v Speaker 1>when you're not on are Yeah okay. So you graduate

0:19:23.680 --> 0:19:26.320
<v Speaker 1>from college, you have the epiphany that you want to

0:19:26.359 --> 0:19:29.160
<v Speaker 1>be in the entertainment business. You pull up Paris, Hilton

0:19:29.200 --> 0:19:32.680
<v Speaker 1>and Mashable. Ironically, you ended up marrying someone who was

0:19:32.720 --> 0:19:35.920
<v Speaker 1>the number two a Mashable. Yeah, okay, so you graduate

0:19:35.960 --> 0:19:40.360
<v Speaker 1>from college. When you graduate from college, you have a job. Um,

0:19:40.400 --> 0:19:43.160
<v Speaker 1>so I the same professor that told me to sit

0:19:43.160 --> 0:19:47.160
<v Speaker 1>in a dark room. Um knew when she went to

0:19:47.320 --> 0:19:51.639
<v Speaker 1>college with a producer on Jay Leno and I was

0:19:51.760 --> 0:19:54.439
<v Speaker 1>told at the time there were a couple areas. There

0:19:54.480 --> 0:19:56.399
<v Speaker 1>was only two ways to break into the entertainment business.

0:19:56.440 --> 0:19:58.760
<v Speaker 1>You either did the mail room in an agency or

0:19:58.880 --> 0:20:01.520
<v Speaker 1>you did the Page program NBC, and those were the

0:20:01.560 --> 0:20:04.080
<v Speaker 1>two options. That's all you could do if you wanted

0:20:04.160 --> 0:20:06.240
<v Speaker 1>to get a foot in the door in Hollywood. And

0:20:06.280 --> 0:20:08.199
<v Speaker 1>at the time, Entourage was on and I was like,

0:20:08.240 --> 0:20:10.199
<v Speaker 1>oh lord, I don't want to be an agent. That

0:20:10.240 --> 0:20:14.600
<v Speaker 1>seems horrible, just money hungry and crazy, and that that

0:20:14.680 --> 0:20:18.359
<v Speaker 1>was my only, uh, you know, assumption of the business.

0:20:18.440 --> 0:20:19.480
<v Speaker 1>So I was like, well, I'm going to do the

0:20:19.480 --> 0:20:21.600
<v Speaker 1>Page program and I want to be in that. I

0:20:21.640 --> 0:20:23.080
<v Speaker 1>want to do a talk show. I want to work

0:20:23.119 --> 0:20:26.280
<v Speaker 1>and you know, daily produced entertainment television the way that

0:20:26.680 --> 0:20:28.520
<v Speaker 1>you know, the next step from radio and what I

0:20:28.720 --> 0:20:31.600
<v Speaker 1>what I kind of was thinking. And so I did

0:20:31.600 --> 0:20:35.879
<v Speaker 1>the Page program. I applied, Okay, can you apply specifically

0:20:35.880 --> 0:20:39.480
<v Speaker 1>to be on a talk show. It's like a general program.

0:20:39.520 --> 0:20:43.080
<v Speaker 1>So I applied. I didn't hear back. I reached out

0:20:43.080 --> 0:20:46.240
<v Speaker 1>with follow up probably twice a week. Once a week,

0:20:46.280 --> 0:20:49.880
<v Speaker 1>I'd call an email. I was I was relentless. Never

0:20:49.960 --> 0:20:52.720
<v Speaker 1>got a call back because they it's a rolling program.

0:20:52.720 --> 0:20:54.920
<v Speaker 1>They're not going to hire me ten months in advance.

0:20:54.960 --> 0:20:56.600
<v Speaker 1>I didn't. I didn't really understand how it worked, but

0:20:56.640 --> 0:20:58.280
<v Speaker 1>I was just a dog with a bone. I had

0:20:58.320 --> 0:21:00.080
<v Speaker 1>to get the page program. It was all I want it.

0:21:00.640 --> 0:21:04.239
<v Speaker 1>And I finally got a call from Betty, who ran

0:21:04.280 --> 0:21:06.560
<v Speaker 1>the program at the time. This was we're in your

0:21:06.600 --> 0:21:11.080
<v Speaker 1>college career. I was two steps from walking across the

0:21:11.119 --> 0:21:14.879
<v Speaker 1>stage at graduation and Betty called me and I said, Betty,

0:21:14.920 --> 0:21:17.880
<v Speaker 1>I've been waiting for this call all my life. I

0:21:17.920 --> 0:21:19.879
<v Speaker 1>really want to take it, but I've got to walk

0:21:19.960 --> 0:21:23.040
<v Speaker 1>these fifty yards before i can take the job with you.

0:21:23.080 --> 0:21:27.000
<v Speaker 1>Can I call you back on Monday? And she said absolutely.

0:21:27.080 --> 0:21:28.600
<v Speaker 1>I was so upset. I was like, I may have

0:21:28.680 --> 0:21:30.520
<v Speaker 1>lost my chance, but I have to graduate. If I

0:21:30.560 --> 0:21:32.960
<v Speaker 1>don't walk out there, I can't take this job. So

0:21:33.080 --> 0:21:37.760
<v Speaker 1>I walked across and I called her, and I drove

0:21:37.840 --> 0:21:40.439
<v Speaker 1>to l A that day. I think I called her

0:21:40.480 --> 0:21:41.920
<v Speaker 1>on the way and I was like, Betty, I'm driving

0:21:41.960 --> 0:21:44.239
<v Speaker 1>to you. Can I interview tomorrow? And I got went

0:21:44.320 --> 0:21:50.080
<v Speaker 1>in and I got the job. Okay, we'll return to

0:21:50.119 --> 0:21:53.520
<v Speaker 1>this conversation with Kendall Lostrow, head of i Q Strategy

0:21:53.600 --> 0:21:57.840
<v Speaker 1>for U t A. In a moment. You're listening to

0:21:57.880 --> 0:22:00.439
<v Speaker 1>the Bob Left Sets podcast recording you to tune In

0:22:00.480 --> 0:22:03.800
<v Speaker 1>studios in Venice, California. Each week, I interview a new

0:22:03.840 --> 0:22:06.120
<v Speaker 1>guest to get their story. I want to find out

0:22:06.200 --> 0:22:08.320
<v Speaker 1>what makes them tick, and I hope listening to these

0:22:08.320 --> 0:22:12.960
<v Speaker 1>successful people makes you smart them. If you like the show, subscribe,

0:22:13.040 --> 0:22:16.080
<v Speaker 1>rate and review it. Also, please check out earlier episodes.

0:22:16.119 --> 0:22:18.640
<v Speaker 1>You can hear them all on tune in, Apple podcast

0:22:18.720 --> 0:22:22.320
<v Speaker 1>or wherever you get your podcasts now More with Kendal Astro,

0:22:22.680 --> 0:22:26.760
<v Speaker 1>head of i Q Strategy for U t A. Okay,

0:22:26.840 --> 0:22:31.920
<v Speaker 1>let's sue you hadn't got the job. What was your plan? So?

0:22:32.280 --> 0:22:34.800
<v Speaker 1>I had flown to l A a a month before to

0:22:34.920 --> 0:22:37.199
<v Speaker 1>try to knock on her door and get it. And

0:22:37.200 --> 0:22:39.760
<v Speaker 1>I'd also applied to a bunch of internships and jobs,

0:22:39.760 --> 0:22:42.280
<v Speaker 1>and I went to I went to I had to

0:22:42.359 --> 0:22:45.520
<v Speaker 1>I like, interviewed to MTV for an internship which I

0:22:45.680 --> 0:22:47.720
<v Speaker 1>ended up taking for like a couple, you know, six

0:22:47.760 --> 0:22:50.320
<v Speaker 1>weeks that summer before the page program opened up. Because

0:22:50.320 --> 0:22:53.680
<v Speaker 1>I just didn't want to have downtime. Um. And then

0:22:53.680 --> 0:22:57.359
<v Speaker 1>I had my resume and I remember walking miles that day,

0:22:57.400 --> 0:23:00.840
<v Speaker 1>just dropping it off at every door in Santa Monica,

0:23:00.920 --> 0:23:04.680
<v Speaker 1>trying to get meetings, trying to like completely crazy, but

0:23:04.960 --> 0:23:08.600
<v Speaker 1>I just I was going to make it somehow. In

0:23:08.800 --> 0:23:12.520
<v Speaker 1>with Betty and the internship with MTV. Were there any

0:23:12.520 --> 0:23:15.280
<v Speaker 1>other opportunities? There was pretty much a closed door at

0:23:15.280 --> 0:23:17.800
<v Speaker 1>all these places. No. I interviewed all right, and Um.

0:23:17.840 --> 0:23:20.320
<v Speaker 1>I also interned at Donald the Line Pictures and realized

0:23:20.359 --> 0:23:23.120
<v Speaker 1>that the film business was a little slow for me. Um.

0:23:23.160 --> 0:23:26.040
<v Speaker 1>But I mean I moved out and I started, you know,

0:23:26.080 --> 0:23:30.840
<v Speaker 1>within eight weeks. I think. So you drove out, you

0:23:30.920 --> 0:23:32.840
<v Speaker 1>had your interview with Betty and she said, yes, but

0:23:32.880 --> 0:23:35.440
<v Speaker 1>you gotta wait because it was a rolling program. I thought.

0:23:35.440 --> 0:23:40.240
<v Speaker 1>She said, yes, eight people, nine people every um every

0:23:40.280 --> 0:23:44.520
<v Speaker 1>two months. I think is closed her immediately, Yeah, okay,

0:23:44.080 --> 0:23:48.199
<v Speaker 1>Well where'd you where? Um? I lived with two roommates

0:23:48.240 --> 0:23:52.520
<v Speaker 1>from college in Santa Monica until that commute to Burbank

0:23:53.080 --> 0:23:56.679
<v Speaker 1>got a little crazy, and then I moved to I

0:23:56.720 --> 0:24:00.000
<v Speaker 1>went on Craigslist, much to everyone in my family's horror,

0:24:00.200 --> 0:24:03.240
<v Speaker 1>and moved in with two guys I didn't know much

0:24:03.280 --> 0:24:06.240
<v Speaker 1>about anything. Um, But it was a great house and

0:24:06.280 --> 0:24:09.400
<v Speaker 1>they had a recording studio in the back and when

0:24:09.400 --> 0:24:12.200
<v Speaker 1>I was there, some people were showing up to start

0:24:12.240 --> 0:24:14.080
<v Speaker 1>recording music. It turns out they were a band for

0:24:14.119 --> 0:24:17.840
<v Speaker 1>that Tattoo band, the girls back in the day. Oh yeah,

0:24:17.880 --> 0:24:20.359
<v Speaker 1>of course. So I lived with that band for a

0:24:20.480 --> 0:24:24.479
<v Speaker 1>couple of years. And that was where in Toluca Lake, Okay,

0:24:24.560 --> 0:24:26.639
<v Speaker 1>very close to Burbank for those in l A and

0:24:26.800 --> 0:24:29.400
<v Speaker 1>valley savvy. So you get the job in the pay

0:24:29.440 --> 0:24:31.240
<v Speaker 1>per gram. When you get the job, how long is

0:24:31.240 --> 0:24:33.399
<v Speaker 1>it supposed to last. You have to be out within

0:24:33.440 --> 0:24:35.760
<v Speaker 1>a year. Have to be out within a year. Yeah,

0:24:35.800 --> 0:24:38.439
<v Speaker 1>you have to find a job within a year. So

0:24:38.560 --> 0:24:42.199
<v Speaker 1>you do assignments and it's an apprenticeship program. So I

0:24:42.240 --> 0:24:44.439
<v Speaker 1>did tours and I wore the peacock tie, you know,

0:24:44.440 --> 0:24:46.960
<v Speaker 1>the Kenneth the Page suit. It was awesome. It was

0:24:47.000 --> 0:24:49.840
<v Speaker 1>like a little mini uh college campus with all of

0:24:49.880 --> 0:24:51.520
<v Speaker 1>us because we were all about the same age, all

0:24:51.560 --> 0:24:55.960
<v Speaker 1>brand new, first time in l A. All became best friends.

0:24:56.160 --> 0:24:57.920
<v Speaker 1>And how many of those people ended up in the

0:24:58.000 --> 0:25:01.880
<v Speaker 1>entertainment business. Oh quite a lot of them. My best

0:25:01.880 --> 0:25:06.440
<v Speaker 1>friends still. Um, the couple you know, chose different paths,

0:25:06.440 --> 0:25:08.879
<v Speaker 1>but from most part most of them are still okay.

0:25:08.880 --> 0:25:11.080
<v Speaker 1>So you knew you wanted to work on a talk show,

0:25:11.400 --> 0:25:13.400
<v Speaker 1>So did you get to work on a talk show?

0:25:13.560 --> 0:25:16.040
<v Speaker 1>So it was the old NBC lot, the Bob Hope

0:25:16.040 --> 0:25:18.320
<v Speaker 1>a lot. So I worked on you know, we did

0:25:18.320 --> 0:25:22.680
<v Speaker 1>tours and we sat audience at Carson Daly at the time,

0:25:22.760 --> 0:25:26.479
<v Speaker 1>and Leno and Ellen, and then I was at Ellen.

0:25:27.200 --> 0:25:33.000
<v Speaker 1>Um and everyone wanted to work at Ellen and no,

0:25:33.280 --> 0:25:36.000
<v Speaker 1>I mean she is just she. It was the best,

0:25:36.080 --> 0:25:38.440
<v Speaker 1>and I think there was not very much turnover at Leno.

0:25:38.520 --> 0:25:40.560
<v Speaker 1>Most of his employees had been there for you know,

0:25:40.640 --> 0:25:43.080
<v Speaker 1>fifteen years at that point there, everyone had been there

0:25:43.080 --> 0:25:46.119
<v Speaker 1>for a really long time. Ellen, it was season five

0:25:46.320 --> 0:25:48.560
<v Speaker 1>and it was still uh, you know, there was still

0:25:48.560 --> 0:25:52.639
<v Speaker 1>some turnover and still some opportunity there. So Um, within

0:25:52.840 --> 0:25:55.440
<v Speaker 1>two and a half months of being in the Page Program,

0:25:55.480 --> 0:25:58.680
<v Speaker 1>I got the interview at Ellen for the executive producer's

0:25:58.680 --> 0:26:01.920
<v Speaker 1>assistant and got the job. And so within three months

0:26:01.920 --> 0:26:04.160
<v Speaker 1>I was out of the Page Program and working at Ellen.

0:26:04.880 --> 0:26:07.439
<v Speaker 1>So the Page Program is basically away. It's a wheel

0:26:07.680 --> 0:26:09.760
<v Speaker 1>to try to spin yourself out to get a job,

0:26:10.359 --> 0:26:13.000
<v Speaker 1>and was three months short or long relative to the

0:26:13.040 --> 0:26:15.240
<v Speaker 1>other people. I was the first in my class to leave.

0:26:15.600 --> 0:26:17.840
<v Speaker 1>And you're okay, your gig was the assistant to the

0:26:17.840 --> 0:26:21.280
<v Speaker 1>executive producer. Was that a fulfilling job? It was great.

0:26:21.440 --> 0:26:25.960
<v Speaker 1>It was you know, grad school for the entertainment business. Oh,

0:26:25.960 --> 0:26:28.800
<v Speaker 1>when you're a page, you're getting paid, yeah, kind of

0:26:29.240 --> 0:26:31.199
<v Speaker 1>kind of okay. So then when you when you go

0:26:31.240 --> 0:26:35.119
<v Speaker 1>to work for Ellen and getting paid a kind of

0:26:35.320 --> 0:26:37.640
<v Speaker 1>but yes, you're still you know, it's still an assistant

0:26:37.680 --> 0:26:41.639
<v Speaker 1>in Hollywood, you get um, you get experience more than

0:26:41.640 --> 0:26:44.280
<v Speaker 1>you get money, probably until you hit that inflection point

0:26:44.320 --> 0:26:46.600
<v Speaker 1>when you become a couple of years into being an

0:26:46.640 --> 0:26:49.760
<v Speaker 1>exact maybe okay. So then when you work for Ellen,

0:26:50.200 --> 0:26:54.560
<v Speaker 1>how much of your time does it take up? Um?

0:26:54.600 --> 0:26:58.360
<v Speaker 1>Self inflicted or self inflicted? Self inflicted? I probably left

0:26:58.400 --> 0:27:00.480
<v Speaker 1>the house every day at six am and got home

0:27:00.520 --> 0:27:03.800
<v Speaker 1>somewhere around eleven pm midnight. And did you work on

0:27:03.800 --> 0:27:07.280
<v Speaker 1>the weekends, And what would you do on the weekends

0:27:07.280 --> 0:27:09.640
<v Speaker 1>with with the studio will be dark with or you'd

0:27:09.680 --> 0:27:11.680
<v Speaker 1>just be working at home. I'd be working at home.

0:27:11.720 --> 0:27:15.040
<v Speaker 1>Sometimes I'd go in. But it again, self inflicted, like

0:27:15.080 --> 0:27:18.119
<v Speaker 1>it wasn't that, it was it was demanding of course

0:27:19.000 --> 0:27:21.440
<v Speaker 1>you have. You know, there's no when you're in production,

0:27:21.520 --> 0:27:23.600
<v Speaker 1>you have to be there, you have to be present.

0:27:23.640 --> 0:27:26.040
<v Speaker 1>You were there as long as you know. You're the

0:27:26.040 --> 0:27:27.560
<v Speaker 1>first one and the last one out in a job

0:27:27.600 --> 0:27:31.320
<v Speaker 1>like that. But it was self inflicted. Like I read.

0:27:31.160 --> 0:27:34.080
<v Speaker 1>I noticed that my boss got every magazine subscription and

0:27:34.119 --> 0:27:36.560
<v Speaker 1>every newspaper in the world, and you know, was a

0:27:38.080 --> 0:27:40.320
<v Speaker 1>he wanted to consume a ton of information but didn't

0:27:40.320 --> 0:27:43.200
<v Speaker 1>always have time. So I would read every single thing

0:27:43.240 --> 0:27:45.439
<v Speaker 1>that would come into his desk and highlight and flag

0:27:45.480 --> 0:27:48.520
<v Speaker 1>what I thought was relevant. So I was more informed

0:27:48.520 --> 0:27:50.480
<v Speaker 1>than I've ever been in my life. And I would

0:27:50.480 --> 0:27:54.159
<v Speaker 1>send him articles. I was a power Google Reader user,

0:27:54.359 --> 0:27:57.480
<v Speaker 1>like I must have been in their top one percent

0:27:57.520 --> 0:28:00.280
<v Speaker 1>of users. And I would go through every single dog

0:28:00.280 --> 0:28:04.200
<v Speaker 1>and website and you know, magazine. What should we book

0:28:04.359 --> 0:28:06.560
<v Speaker 1>on the show? What I was so annoying, I'm sure

0:28:06.600 --> 0:28:08.200
<v Speaker 1>to every producer because I'd be like, this is a

0:28:08.240 --> 0:28:09.760
<v Speaker 1>brand new thing, this is a brand new thing. You

0:28:09.760 --> 0:28:11.679
<v Speaker 1>guys should be on top of this, you guys. Have

0:28:11.680 --> 0:28:13.520
<v Speaker 1>you guys have heard of Twitter? Have you heard of Facebook?

0:28:13.520 --> 0:28:15.320
<v Speaker 1>Like this should be something that you guys are all over.

0:28:15.359 --> 0:28:18.159
<v Speaker 1>It's free marketing. Have those website people in the corner

0:28:18.200 --> 0:28:21.040
<v Speaker 1>do it and kind of didn't get taken seriously. And

0:28:21.080 --> 0:28:23.080
<v Speaker 1>I was so fresh out of college I thought that

0:28:23.280 --> 0:28:27.920
<v Speaker 1>writing like thesis style essays about the future of how

0:28:28.119 --> 0:28:32.080
<v Speaker 1>these social media platforms would be used and uh in

0:28:32.080 --> 0:28:35.240
<v Speaker 1>the entertainment business was a good idea. And those thesis

0:28:35.240 --> 0:28:38.600
<v Speaker 1>papers probably weren't received the way I intended them to be.

0:28:39.080 --> 0:28:41.560
<v Speaker 1>But um, I would write crazy essays on what I

0:28:41.560 --> 0:28:43.760
<v Speaker 1>thought the future of the business would look like and

0:28:43.800 --> 0:28:47.360
<v Speaker 1>how we went from sitting around, you know, the fireplace,

0:28:47.480 --> 0:28:50.440
<v Speaker 1>to the electronic hearth with the radio, and then the

0:28:50.440 --> 0:28:53.760
<v Speaker 1>television and the water cooler, and then social media was

0:28:53.800 --> 0:28:55.840
<v Speaker 1>like the new gathering spot where people would talk about

0:28:55.880 --> 0:29:00.000
<v Speaker 1>Ellen and I pitched that basically, you guys are producing

0:29:00.120 --> 0:29:02.160
<v Speaker 1>for one hour a day everyone in this building. Let

0:29:02.240 --> 0:29:04.920
<v Speaker 1>me produce for twenty three hours a day, round the

0:29:04.920 --> 0:29:07.080
<v Speaker 1>clock on her social media for all the hours that

0:29:07.600 --> 0:29:13.680
<v Speaker 1>you know, you guys aren't on the air. And um,

0:29:13.720 --> 0:29:16.280
<v Speaker 1>after a while, Diddy came on the show and told

0:29:16.320 --> 0:29:19.560
<v Speaker 1>her about social media. Diddy, I don't know, this might

0:29:19.600 --> 0:29:22.440
<v Speaker 1>have been two thousand and eight to early two thousand nine,

0:29:22.800 --> 0:29:25.240
<v Speaker 1>and um, didd he told her about it and she

0:29:25.320 --> 0:29:27.440
<v Speaker 1>was like, what the heck is this and they were like, Kendall,

0:29:27.480 --> 0:29:29.600
<v Speaker 1>get down to the control room. It was like everything

0:29:29.680 --> 0:29:31.720
<v Speaker 1>is already set up, let's go. So it became my

0:29:31.800 --> 0:29:35.480
<v Speaker 1>job overnight and so that launching all her social media

0:29:35.520 --> 0:29:36.760
<v Speaker 1>and I had to figure out how to do it.

0:29:36.880 --> 0:29:39.240
<v Speaker 1>So I was reading a lot of Mashable and tech Crunch,

0:29:39.320 --> 0:29:42.880
<v Speaker 1>and there wasn't really a road map. There wasn't really

0:29:42.880 --> 0:29:44.960
<v Speaker 1>a plan on how to do it. I just thought

0:29:45.000 --> 0:29:47.680
<v Speaker 1>about it a lot. And so we developed that strategy

0:29:47.720 --> 0:29:51.440
<v Speaker 1>and UM to launch her and put up everything and

0:29:51.680 --> 0:29:54.720
<v Speaker 1>I think CNN was number one, Ashton Kutcher was number two,

0:29:54.880 --> 0:29:59.200
<v Speaker 1>and Ellen was number three on Twitter, So back in

0:29:59.240 --> 0:30:01.280
<v Speaker 1>the day, back in the day. So how long did

0:30:01.280 --> 0:30:06.040
<v Speaker 1>you work for Ellen um three? Around three years? And

0:30:06.080 --> 0:30:08.680
<v Speaker 1>did they ultimately, as they say, once they saw that

0:30:08.720 --> 0:30:11.600
<v Speaker 1>you were ahead and we're right, did they respect you

0:30:11.640 --> 0:30:15.000
<v Speaker 1>and give enough responsibility. I think when you work for

0:30:15.120 --> 0:30:17.960
<v Speaker 1>one person like that, I ended up becoming kind of

0:30:18.000 --> 0:30:21.480
<v Speaker 1>a community manager. You know, you launched, We launched Facebook

0:30:21.520 --> 0:30:24.160
<v Speaker 1>and Twitter and YouTube and UM. She was one of

0:30:24.160 --> 0:30:26.880
<v Speaker 1>the first to have four square badges, and you know,

0:30:26.880 --> 0:30:28.320
<v Speaker 1>there was a lot of stuff that was really fun

0:30:28.320 --> 0:30:29.720
<v Speaker 1>that we could do. We gave away a ton of

0:30:29.720 --> 0:30:32.680
<v Speaker 1>tickets on the air, UM to have you know, we're

0:30:32.680 --> 0:30:35.400
<v Speaker 1>going to tweet out that Ellen or her team is

0:30:35.400 --> 0:30:37.720
<v Speaker 1>going to be at X location at this time, and

0:30:38.000 --> 0:30:39.760
<v Speaker 1>thousands of people would show up. We did a lot

0:30:39.760 --> 0:30:44.920
<v Speaker 1>of like really cool community engagement live on air, hits, etcetera. UM.

0:30:44.960 --> 0:30:47.520
<v Speaker 1>But at a certain point your community managing your you know,

0:30:48.120 --> 0:30:51.400
<v Speaker 1>drafting tweets and really maintaining all those channels, and I

0:30:51.440 --> 0:30:55.240
<v Speaker 1>wanted more of the strategic overall role. And so that

0:30:55.400 --> 0:30:58.240
<v Speaker 1>is when I moved to I DPR and I worked. Okay,

0:30:58.240 --> 0:31:00.480
<v Speaker 1>so you moved to I D p R. How did

0:31:00.520 --> 0:31:04.560
<v Speaker 1>you get that gig? And what were you envisioning would happen? Um?

0:31:05.240 --> 0:31:07.960
<v Speaker 1>Through mutual friends. I got connected with a woman named

0:31:08.040 --> 0:31:12.600
<v Speaker 1>Natalie bruss Lent at the time. Who UM I joined

0:31:12.600 --> 0:31:17.240
<v Speaker 1>that team and and worked on a bunch of different UM. Now,

0:31:17.320 --> 0:31:20.160
<v Speaker 1>PR is not exactly the same thing you were doing

0:31:20.480 --> 0:31:23.200
<v Speaker 1>maybe what your role was, but working for Ellen and

0:31:23.200 --> 0:31:25.680
<v Speaker 1>working for PR, that's actually radically different. Did you know

0:31:26.080 --> 0:31:28.040
<v Speaker 1>that you wanted to work for a PR company? Not

0:31:28.120 --> 0:31:30.320
<v Speaker 1>at all? And I didn't seem I wasn't a publicist,

0:31:30.400 --> 0:31:34.840
<v Speaker 1>I wasn't doing any PR, I was doing social strategy,

0:31:34.960 --> 0:31:39.600
<v Speaker 1>digital strategy building. You know, if at ELLEN I was

0:31:39.720 --> 0:31:42.080
<v Speaker 1>producing content, I thought of myself as a producer and

0:31:42.120 --> 0:31:45.360
<v Speaker 1>I just executed that on social. At I d I

0:31:45.400 --> 0:31:48.800
<v Speaker 1>was doing digital strategy, producing a persona, how do we

0:31:48.920 --> 0:31:51.720
<v Speaker 1>drive media attention, how do we get our clients more

0:31:51.720 --> 0:31:54.800
<v Speaker 1>into the cultural conversation? All through things I can own

0:31:54.880 --> 0:31:57.800
<v Speaker 1>control the things that they you know, have power over.

0:31:57.840 --> 0:32:00.320
<v Speaker 1>On social but in PR, you're in the retainer bit nous,

0:32:00.560 --> 0:32:03.440
<v Speaker 1>and you got to teach your clients how to fish.

0:32:03.440 --> 0:32:05.080
<v Speaker 1>You can't do it for them otherwise they're never going

0:32:05.080 --> 0:32:08.600
<v Speaker 1>to be successful. So I would just burn ensuring clients

0:32:08.640 --> 0:32:12.080
<v Speaker 1>like crazy because hopefully within a month three months, they'd

0:32:12.080 --> 0:32:14.000
<v Speaker 1>know everything that I needed to teach them and they

0:32:14.040 --> 0:32:17.040
<v Speaker 1>could be set on their way. That doesn't work in

0:32:17.280 --> 0:32:21.960
<v Speaker 1>publicity using that business model. So after three years before

0:32:21.960 --> 0:32:24.080
<v Speaker 1>you get there, when you get the getting the gig

0:32:24.120 --> 0:32:26.240
<v Speaker 1>at I DPR, were you checking, were you knocking on

0:32:26.360 --> 0:32:28.560
<v Speaker 1>many doors or that opportunity to just come up? It

0:32:28.600 --> 0:32:31.360
<v Speaker 1>came up? Okay, So after three years at I DPR,

0:32:32.040 --> 0:32:35.880
<v Speaker 1>you were telling saying, I recognized that so much of

0:32:35.880 --> 0:32:37.960
<v Speaker 1>the value that I was bringing to clients for building

0:32:37.960 --> 0:32:40.120
<v Speaker 1>their audiences to a place where they can monetize it

0:32:40.720 --> 0:32:43.840
<v Speaker 1>in a million different ways. And I thought maybe being

0:32:43.840 --> 0:32:46.080
<v Speaker 1>on the percentage side of the business was a little

0:32:46.080 --> 0:32:48.720
<v Speaker 1>more It made more sense based on how I approached

0:32:49.760 --> 0:32:52.600
<v Speaker 1>interacting with clients, building their audiences, the value that I

0:32:52.640 --> 0:32:56.280
<v Speaker 1>could bring to their their careers. So how did the

0:32:56.320 --> 0:33:01.640
<v Speaker 1>next transition happen? Um, I, through room mutual friends, had

0:33:01.680 --> 0:33:05.560
<v Speaker 1>coffee with um Brent Weinstein, who runs the digital team

0:33:05.640 --> 0:33:08.080
<v Speaker 1>at U t A. Or maybe it wasn't even mutual friends,

0:33:08.080 --> 0:33:09.760
<v Speaker 1>like we we just knew each other out Like I'd

0:33:09.800 --> 0:33:12.120
<v Speaker 1>see him at south By and we'd always run into

0:33:12.120 --> 0:33:14.520
<v Speaker 1>each other everywhere, and we just sat down and we

0:33:14.520 --> 0:33:17.640
<v Speaker 1>were talking about the business. He was like, come work here.

0:33:18.360 --> 0:33:20.400
<v Speaker 1>And at the time, was there anybody doing that gig

0:33:20.520 --> 0:33:23.240
<v Speaker 1>or in that department? Yeah, I mean the U t

0:33:23.400 --> 0:33:26.480
<v Speaker 1>A has the longest I think the first digital the digital,

0:33:26.560 --> 0:33:29.120
<v Speaker 1>first digital practice in the entertainment business, so there had

0:33:29.160 --> 0:33:32.360
<v Speaker 1>been you know, they were the first assign YouTube stars

0:33:32.400 --> 0:33:35.080
<v Speaker 1>and really they've have a long history and really being

0:33:35.560 --> 0:33:38.760
<v Speaker 1>forward thinking and entrepreneurial in this space. And to Jeremy's

0:33:38.760 --> 0:33:41.360
<v Speaker 1>ammers credit, like, I don't think anyone in my role

0:33:41.800 --> 0:33:46.520
<v Speaker 1>exists I don't think anyone in my role exists at

0:33:46.560 --> 0:33:50.400
<v Speaker 1>any other agency. Is because I'm not completely transactional in

0:33:50.440 --> 0:33:52.959
<v Speaker 1>any way, Like I don't come in every day and

0:33:53.000 --> 0:33:55.320
<v Speaker 1>add things to my booking slip, Like I don't you know,

0:33:55.400 --> 0:33:58.400
<v Speaker 1>do the final deals for clients. My value to them

0:33:58.440 --> 0:34:00.920
<v Speaker 1>is long term and such a long tail effect, like

0:34:00.960 --> 0:34:03.520
<v Speaker 1>we build their audiences so we can make them, you know,

0:34:03.560 --> 0:34:07.320
<v Speaker 1>more successful and um on every deal they do. But

0:34:07.360 --> 0:34:10.960
<v Speaker 1>it's not necessarily something that you can completely account for

0:34:11.000 --> 0:34:13.560
<v Speaker 1>at the end of the year. And uh, you know,

0:34:13.640 --> 0:34:16.560
<v Speaker 1>Jeremy's really invested in this, and from the board and

0:34:16.560 --> 0:34:19.480
<v Speaker 1>the partners, they'll all top down in really seeing the

0:34:19.600 --> 0:34:22.440
<v Speaker 1>value and growing this. And ever since I've joined, it's

0:34:22.440 --> 0:34:26.120
<v Speaker 1>just gotten bigger and bigger, and it's it's been amazing. Okay,

0:34:26.200 --> 0:34:28.919
<v Speaker 1>let's go through the varying platforms and give me your take.

0:34:29.719 --> 0:34:36.279
<v Speaker 1>Facebook essential, it's the yellow Pages. You amplify that a

0:34:36.280 --> 0:34:39.520
<v Speaker 1>little bit. If you're not on Facebook, it's weird, like

0:34:39.600 --> 0:34:41.719
<v Speaker 1>you have to be on Facebook. Like if you meet

0:34:41.800 --> 0:34:44.560
<v Speaker 1>someone out and you're like, you're not on Facebook, why,

0:34:44.680 --> 0:34:46.719
<v Speaker 1>Like it's a it's a weird thing. It's the yellow Pages. Now,

0:34:46.719 --> 0:34:48.680
<v Speaker 1>it's like how you know you're talking about from a

0:34:48.719 --> 0:34:50.880
<v Speaker 1>person in general or from someone who might be a

0:34:50.880 --> 0:34:54.200
<v Speaker 1>client of U T a person in general, person in general,

0:34:54.320 --> 0:34:56.600
<v Speaker 1>you have to be on Facebook for a client. It's

0:34:56.640 --> 0:34:58.880
<v Speaker 1>one of the most powerful platforms because the art ad

0:34:58.880 --> 0:35:02.239
<v Speaker 1>targeting is just insane, Like if the way that you

0:35:02.239 --> 0:35:06.440
<v Speaker 1>can geo target and you know, the the add the

0:35:07.040 --> 0:35:09.160
<v Speaker 1>way that Facebook's built out the ad platform, it's just

0:35:09.680 --> 0:35:12.600
<v Speaker 1>it's such a powerful tool for our clients when they

0:35:12.800 --> 0:35:15.040
<v Speaker 1>can use it. Historically, it's not been easy for our

0:35:15.040 --> 0:35:17.680
<v Speaker 1>clients to use, like it wasn't set up for public

0:35:17.719 --> 0:35:21.560
<v Speaker 1>figures at all when it first launched, and so it's

0:35:21.600 --> 0:35:23.600
<v Speaker 1>been a long road for them to get to a

0:35:23.640 --> 0:35:26.480
<v Speaker 1>place where now, um, it's a little easier for our

0:35:26.480 --> 0:35:30.200
<v Speaker 1>clients to manage. Some clients still kind of have the

0:35:30.239 --> 0:35:32.799
<v Speaker 1>impressions from Facebook from two thousand and ten when it

0:35:32.880 --> 0:35:35.799
<v Speaker 1>was um a little cumbersome to kind of go on

0:35:35.920 --> 0:35:39.520
<v Speaker 1>and post um, but we we definitely prioritize it. You

0:35:39.600 --> 0:35:42.279
<v Speaker 1>have to be on Facebook, Twitter, and Instagram if you're

0:35:42.280 --> 0:35:44.080
<v Speaker 1>going to be on social media. If you're not going

0:35:44.120 --> 0:35:45.520
<v Speaker 1>to be on social media, that's fine, but if you're

0:35:45.520 --> 0:35:46.799
<v Speaker 1>gonna be on one, you have to be on all

0:35:46.840 --> 0:35:49.640
<v Speaker 1>three okay, but a little bit slower. When you talk

0:35:49.719 --> 0:35:54.080
<v Speaker 1>about ad targeting, etcetera. Do you your clients, because you

0:35:54.120 --> 0:35:57.640
<v Speaker 1>say they're in you know, they have multi uh desires,

0:35:57.760 --> 0:36:03.000
<v Speaker 1>would they literally be buying ads um depending on the

0:36:03.120 --> 0:36:05.880
<v Speaker 1>client and with like if they own their own business, yes,

0:36:06.400 --> 0:36:10.120
<v Speaker 1>if they're musicians, it's incredible, But then the promoter and

0:36:10.200 --> 0:36:12.160
<v Speaker 1>tour marketer and all that staff are taking it out.

0:36:12.400 --> 0:36:13.960
<v Speaker 1>But they need to be able to have the platform

0:36:14.120 --> 0:36:16.920
<v Speaker 1>the audience. Like our clients aren't usually manually pulling any

0:36:16.920 --> 0:36:21.520
<v Speaker 1>of those triggers. Okay, but do you supervise that in

0:36:21.640 --> 0:36:24.480
<v Speaker 1>terms of, you know, we can help advise, but we don't.

0:36:24.560 --> 0:36:26.239
<v Speaker 1>We don't do their advice. We're in the business and

0:36:26.320 --> 0:36:34.279
<v Speaker 1>making my Bob spending it. Stay right there, We'll be

0:36:34.320 --> 0:36:37.040
<v Speaker 1>back with more of my conversation with Kendel Astro, head

0:36:37.040 --> 0:36:39.520
<v Speaker 1>of i Q Strategy for U t A. Here on

0:36:39.560 --> 0:36:45.399
<v Speaker 1>the Bob Left Sets podcast. You're listening to the Bob

0:36:45.480 --> 0:36:49.239
<v Speaker 1>Left Sets podcast recording at the two non studios in Venice, California.

0:36:49.719 --> 0:36:52.120
<v Speaker 1>Each week, I interview a new guest to get their story.

0:36:52.600 --> 0:36:55.080
<v Speaker 1>While they're here, we take photos and shoot some videos.

0:36:55.080 --> 0:36:57.600
<v Speaker 1>You can see what they really look like check us

0:36:57.600 --> 0:37:01.480
<v Speaker 1>out on Twitter, Instagram and Facebook. Follow at tune in,

0:37:02.920 --> 0:37:05.240
<v Speaker 1>let's dive right back in with my guest Kendall Astro,

0:37:05.400 --> 0:37:08.480
<v Speaker 1>head of IQ Strategy for U t A. But talking

0:37:08.520 --> 0:37:13.920
<v Speaker 1>about some of these platforms in society at large, Facebook said,

0:37:14.080 --> 0:37:16.399
<v Speaker 1>you know, they have a lot of excuses saying they're

0:37:16.440 --> 0:37:21.280
<v Speaker 1>not going to be news focused. But engagement dropped. Okay,

0:37:21.360 --> 0:37:25.879
<v Speaker 1>so is Facebook? Uh for old people and young people

0:37:25.960 --> 0:37:30.520
<v Speaker 1>are not so much on Facebook. You need Facebook to

0:37:30.560 --> 0:37:32.680
<v Speaker 1>sign in anywhere you go on the web. There o

0:37:32.840 --> 0:37:35.600
<v Speaker 1>office everywhere. So I think everyone, like I said, everyone

0:37:35.719 --> 0:37:39.359
<v Speaker 1>has Facebook. I found Facebook to be a lot more

0:37:39.440 --> 0:37:42.000
<v Speaker 1>useful the last couple of months as they've gotten rid

0:37:42.040 --> 0:37:45.800
<v Speaker 1>of a lot of Like everyone's complaining so hard about

0:37:45.880 --> 0:37:49.520
<v Speaker 1>the engagement dropping, but the media is writing those stories

0:37:49.560 --> 0:37:51.600
<v Speaker 1>and they're the ones who are losing most of their traffic.

0:37:51.640 --> 0:37:53.840
<v Speaker 1>When I go on Facebook now, I enjoy the experience

0:37:53.840 --> 0:37:55.840
<v Speaker 1>more because I'm seeing stuff from my friends and family.

0:37:56.239 --> 0:37:58.640
<v Speaker 1>And that's what Facebook was when it you know, I

0:37:58.719 --> 0:38:01.120
<v Speaker 1>joined Facebook into I was in four when it came

0:38:01.160 --> 0:38:04.920
<v Speaker 1>to Arizona UM and it was so fun. It was

0:38:04.960 --> 0:38:08.080
<v Speaker 1>so enjoyable to see you know, friends and family and

0:38:08.160 --> 0:38:10.839
<v Speaker 1>updates and photos and whatnot. And then the last year

0:38:10.880 --> 0:38:14.759
<v Speaker 1>it's been all articles and weird viral videos and kind

0:38:14.760 --> 0:38:18.040
<v Speaker 1>of people using exploiting the algorithm to to have their

0:38:18.080 --> 0:38:20.640
<v Speaker 1>business be served. It's getting I think it's getting so

0:38:20.719 --> 0:38:22.680
<v Speaker 1>much more enjoyable. So the clients that we have that

0:38:22.719 --> 0:38:25.719
<v Speaker 1>are really using it authentically, responding to comments, going in

0:38:25.760 --> 0:38:28.759
<v Speaker 1>and like engaging and posting and putting things out there

0:38:28.800 --> 0:38:31.480
<v Speaker 1>that have value are still seeing a lot of engagement

0:38:31.520 --> 0:38:33.920
<v Speaker 1>and a lot of you know, great lift from their

0:38:33.960 --> 0:38:37.279
<v Speaker 1>content on Facebook. The people who are just posting an

0:38:37.400 --> 0:38:41.359
<v Speaker 1>article and you know, some of those companies that we're using, um,

0:38:41.400 --> 0:38:44.160
<v Speaker 1>you know, putting up just kind of generic articles and

0:38:44.200 --> 0:38:46.840
<v Speaker 1>then giving clients a piece of the ad sense revenue

0:38:46.920 --> 0:38:51.560
<v Speaker 1>or the ad revenue on those articles, they're failing. So

0:38:51.760 --> 0:38:53.560
<v Speaker 1>just to hammer this one more time, if you want

0:38:53.560 --> 0:38:56.520
<v Speaker 1>to reach a demo eighteen or younger, are they on Facebook?

0:38:57.960 --> 0:39:01.920
<v Speaker 1>Probably not as much as they're on other platforms. Okay,

0:39:01.920 --> 0:39:03.640
<v Speaker 1>but they all have a log in so they can

0:39:03.680 --> 0:39:05.680
<v Speaker 1>log in around the world. I can't say they all do,

0:39:05.719 --> 0:39:07.600
<v Speaker 1>but yeah, I think most I think most people have

0:39:07.800 --> 0:39:15.240
<v Speaker 1>Facebook accounts. Okay. Twitter. Twitter has gotten fun because politics,

0:39:15.080 --> 0:39:18.360
<v Speaker 1>it's gotten fun again. Um, you know again, most of

0:39:18.360 --> 0:39:22.200
<v Speaker 1>our a lot of clients, my clients used to love Twitter.

0:39:22.360 --> 0:39:26.040
<v Speaker 1>Twitter was where they broke news, where they controlled the

0:39:26.120 --> 0:39:29.360
<v Speaker 1>narrative around their careers and their you know, their personal lives,

0:39:29.880 --> 0:39:34.719
<v Speaker 1>and um, I think that maybe some fans went away

0:39:34.719 --> 0:39:36.840
<v Speaker 1>from Twitter for a while, but I think the fans

0:39:36.880 --> 0:39:39.840
<v Speaker 1>have really come back over the past eighteen months. For

0:39:39.920 --> 0:39:42.080
<v Speaker 1>my clients who are doubling down and engaging on Twitter,

0:39:42.400 --> 0:39:45.480
<v Speaker 1>depending on what what area you sit in and how

0:39:45.520 --> 0:39:47.520
<v Speaker 1>good you are at it, I think you can still

0:39:47.520 --> 0:39:49.880
<v Speaker 1>have a lot of um, a lot of interaction, a

0:39:49.920 --> 0:39:51.480
<v Speaker 1>lot of engagement, and see a lot of value from

0:39:51.480 --> 0:39:54.640
<v Speaker 1>that community. Let's assume you're advising someone who's on Twitter.

0:39:54.960 --> 0:40:01.120
<v Speaker 1>What is the strategy again depends on the Let's not

0:40:01.120 --> 0:40:04.360
<v Speaker 1>talk about comedians, because certainly it's been a legendary platform comedians,

0:40:04.400 --> 0:40:09.480
<v Speaker 1>but for someone else. How much should someone tweet? You

0:40:09.520 --> 0:40:11.640
<v Speaker 1>have to tweet multiple times a day otherwise you're gonna

0:40:11.640 --> 0:40:15.520
<v Speaker 1>get lost. So like it depends like how much should

0:40:15.560 --> 0:40:17.120
<v Speaker 1>you tweet? Well, what are your goals on the platform?

0:40:17.160 --> 0:40:18.840
<v Speaker 1>Do you want to be Do you wanna have millions

0:40:18.840 --> 0:40:20.479
<v Speaker 1>and millions of followers? Do you want to be driving

0:40:20.480 --> 0:40:23.000
<v Speaker 1>your business through it, then you need to be on it, posting,

0:40:23.239 --> 0:40:26.880
<v Speaker 1>you know, five times a day probably, And to what

0:40:27.040 --> 0:40:32.719
<v Speaker 1>degree should you worry about alienating people? Potentially if you're

0:40:32.719 --> 0:40:35.520
<v Speaker 1>not standing for something, what are people going to rally around?

0:40:36.400 --> 0:40:39.239
<v Speaker 1>So let's say we're in a divided political country. So

0:40:39.320 --> 0:40:41.160
<v Speaker 1>let's assume you're either on the right or the left.

0:40:41.560 --> 0:40:44.280
<v Speaker 1>And would you advise your clients to put their views

0:40:44.280 --> 0:40:47.080
<v Speaker 1>out there or to hold it back for fear of

0:40:47.160 --> 0:40:50.680
<v Speaker 1>fear of alienating some potential fans. I think it depends

0:40:50.719 --> 0:40:54.480
<v Speaker 1>on who your client is. If they just have a

0:40:54.520 --> 0:40:57.560
<v Speaker 1>one off opinion that they feel like if they jump

0:40:57.600 --> 0:41:01.799
<v Speaker 1>in on this conversation that they're going to um, they

0:41:01.880 --> 0:41:03.759
<v Speaker 1>might get a ton of engagement. See some followers by

0:41:03.760 --> 0:41:07.560
<v Speaker 1>saying this one thing, Probably not because that's not sustainable.

0:41:07.560 --> 0:41:10.759
<v Speaker 1>You're not building an audience that believes in and can

0:41:10.840 --> 0:41:13.600
<v Speaker 1>follow you in that direction. But if it's your passion

0:41:13.800 --> 0:41:17.720
<v Speaker 1>and it's something that you are fully committed to supporting, endorsing,

0:41:17.760 --> 0:41:20.880
<v Speaker 1>it's what you believe, and it's super you know, true

0:41:20.920 --> 0:41:23.399
<v Speaker 1>to everything you want for your career over the next

0:41:23.480 --> 0:41:25.920
<v Speaker 1>couple of years, and you should speak your truth and

0:41:26.040 --> 0:41:28.120
<v Speaker 1>you should you know, figure out what's the smart way

0:41:28.160 --> 0:41:31.160
<v Speaker 1>to do that? But you have to again with every post,

0:41:31.239 --> 0:41:34.640
<v Speaker 1>with every piece of content you put into an interview. Uh,

0:41:34.800 --> 0:41:37.839
<v Speaker 1>you know, anything you put online, it's got to it's

0:41:38.040 --> 0:41:40.279
<v Speaker 1>got to drive to a larger mission, a larger goal.

0:41:40.320 --> 0:41:43.000
<v Speaker 1>Otherwise it's throwaway content that can really hurt you. Well,

0:41:43.040 --> 0:41:47.200
<v Speaker 1>I certainly have a human regular person standers, have a

0:41:47.239 --> 0:41:50.160
<v Speaker 1>good number of followers on Twitter, and I find it's

0:41:50.200 --> 0:41:53.200
<v Speaker 1>like pissing in the wind in that most people don't

0:41:53.239 --> 0:41:55.000
<v Speaker 1>read it. Now, I'm in a unique position. I'm a

0:41:55.000 --> 0:41:57.600
<v Speaker 1>writer and I can reach my audience directly. But if

0:41:57.640 --> 0:42:00.160
<v Speaker 1>I say the same thing on Twitter, where I have

0:42:00.680 --> 0:42:03.919
<v Speaker 1>you know, seventy thousand followers, I find I get much

0:42:04.000 --> 0:42:09.960
<v Speaker 1>less of reaction because it moves so quickly depends. I mean,

0:42:10.320 --> 0:42:11.840
<v Speaker 1>we would have to dive in on the back end

0:42:11.880 --> 0:42:13.560
<v Speaker 1>of your account to see what your engagement is. How

0:42:13.600 --> 0:42:15.640
<v Speaker 1>many of those people are logging in every day? Where

0:42:15.680 --> 0:42:17.640
<v Speaker 1>you did? You have a lot of early adopter fans

0:42:17.640 --> 0:42:20.400
<v Speaker 1>that didn't that are no longer using the platform anymore.

0:42:21.000 --> 0:42:22.560
<v Speaker 1>I mean, I haven't gone that deep because I have

0:42:22.600 --> 0:42:25.279
<v Speaker 1>a bandon it for other reasons, although I'm a very

0:42:25.320 --> 0:42:30.200
<v Speaker 1>heavy Twitter reader. Okay, but um, general, as I say,

0:42:30.200 --> 0:42:33.400
<v Speaker 1>I'm an unique position because I'm already reaching these people.

0:42:33.840 --> 0:42:36.560
<v Speaker 1>Generally speaking, I would say it's people who subscribe to

0:42:36.600 --> 0:42:39.600
<v Speaker 1>my newsletter already. I just wonder how many of those

0:42:39.600 --> 0:42:44.480
<v Speaker 1>people because your audience is I had something on the

0:42:44.480 --> 0:42:46.880
<v Speaker 1>podcast the other day. They were talking about Trump and

0:42:46.920 --> 0:42:50.000
<v Speaker 1>they say, he's not tweeting, so people read it. He's

0:42:50.000 --> 0:42:54.600
<v Speaker 1>tweeting it, so the media reads it and amplifies it. Okay, So,

0:42:54.840 --> 0:42:57.400
<v Speaker 1>and certainly people make news on Twitter all day long,

0:42:58.000 --> 0:43:01.200
<v Speaker 1>but it's it's you know, this speaks the other thing?

0:43:01.239 --> 0:43:04.120
<v Speaker 1>To what degree is Twitter a club that many people

0:43:04.160 --> 0:43:07.799
<v Speaker 1>are outside because they find it incomprehensible. As much as

0:43:07.800 --> 0:43:11.080
<v Speaker 1>Twitter has made changes, I think it's a lot more

0:43:11.280 --> 0:43:14.719
<v Speaker 1>comprehensible than some of the other platforms that exist, Like what, well,

0:43:14.760 --> 0:43:17.080
<v Speaker 1>Snapchat is a lot harder for people over thirty. I

0:43:17.080 --> 0:43:19.560
<v Speaker 1>think that that's a harder one for people to wrap

0:43:19.600 --> 0:43:22.640
<v Speaker 1>their heads around. Like Twitter. I think, you know, Twitter,

0:43:23.080 --> 0:43:25.560
<v Speaker 1>Twitter has always had a problem with onboarding, Like how

0:43:25.600 --> 0:43:28.680
<v Speaker 1>do you if you don't curate your feed in a

0:43:29.000 --> 0:43:32.200
<v Speaker 1>you know, in a great way with awesome content, it's

0:43:32.239 --> 0:43:33.840
<v Speaker 1>going to keep you coming back and engaged and you

0:43:33.880 --> 0:43:36.600
<v Speaker 1>have a community that's responding and really in it with

0:43:36.640 --> 0:43:40.120
<v Speaker 1>you all the time. It's going to be difficult to

0:43:40.640 --> 0:43:42.840
<v Speaker 1>latch on and come back every day and find value

0:43:42.840 --> 0:43:49.399
<v Speaker 1>in that community. Um but well, I'm just saying that

0:43:49.480 --> 0:43:52.800
<v Speaker 1>in my you know, Okay, I'm reading Twitter all the time,

0:43:53.360 --> 0:43:57.279
<v Speaker 1>but you still miss stuff. I mean, I you know,

0:43:57.560 --> 0:44:01.080
<v Speaker 1>I can't follow everybody because it's too crazy. But let's

0:44:01.080 --> 0:44:05.920
<v Speaker 1>go to Snapchat. So Snapchat is redo and redid their

0:44:05.960 --> 0:44:08.680
<v Speaker 1>interface to make it easier for people. And there's been

0:44:08.680 --> 0:44:12.920
<v Speaker 1>a huge backlash amongst the acolytes. What's your viewpoint on them?

0:44:12.960 --> 0:44:15.719
<v Speaker 1>There's so much backlash every time a major platform makes

0:44:15.719 --> 0:44:19.000
<v Speaker 1>a change, Like when Facebook introduced the news feed, people

0:44:19.040 --> 0:44:21.080
<v Speaker 1>thought the world was gonna end. Like people are so

0:44:21.160 --> 0:44:24.320
<v Speaker 1>angry about the profile changes or the news feed changes.

0:44:24.400 --> 0:44:27.560
<v Speaker 1>And you know, I kind of understand when Evans says,

0:44:27.640 --> 0:44:32.280
<v Speaker 1>you know, it doesn't matter like you're gonna snap job. Yeah,

0:44:32.320 --> 0:44:34.520
<v Speaker 1>so you know, people are going to get used to it.

0:44:34.600 --> 0:44:37.640
<v Speaker 1>And I think what they're so in talking to them.

0:44:37.880 --> 0:44:40.720
<v Speaker 1>The algorithm on that right side, on the discover side,

0:44:41.280 --> 0:44:44.080
<v Speaker 1>is supposed to get better and better every day as

0:44:44.400 --> 0:44:47.040
<v Speaker 1>it learns what you've clicked on, what you've gone away

0:44:47.040 --> 0:44:49.600
<v Speaker 1>from what other people who watch the same type of

0:44:49.600 --> 0:44:52.640
<v Speaker 1>content as you do are looking at. Because they had

0:44:52.680 --> 0:44:54.840
<v Speaker 1>the worst problem with Discover. It was so hard to

0:44:54.880 --> 0:44:58.280
<v Speaker 1>find anyone. And before they allounced you know, official stories,

0:44:58.320 --> 0:45:01.120
<v Speaker 1>and before they started verifying, which is official stories is

0:45:01.160 --> 0:45:04.080
<v Speaker 1>their version of verification, it was just so impossible to

0:45:04.080 --> 0:45:07.279
<v Speaker 1>figure out who are famous people on the platform and

0:45:07.280 --> 0:45:09.839
<v Speaker 1>who you should follow, and um, you know, they kind

0:45:09.840 --> 0:45:12.360
<v Speaker 1>of shied away from having even celebrities on the platform

0:45:12.360 --> 0:45:14.680
<v Speaker 1>at all early on. They wanted it to just be

0:45:14.760 --> 0:45:17.480
<v Speaker 1>about you and your friends. And so all of your

0:45:17.560 --> 0:45:20.839
<v Speaker 1>unidirectional relationships are now on the right hand side and

0:45:20.880 --> 0:45:23.480
<v Speaker 1>all of your bi directional relationships are on the left

0:45:23.480 --> 0:45:25.239
<v Speaker 1>hand side. So we're playing to my audience what you

0:45:25.239 --> 0:45:29.600
<v Speaker 1>mean by you in a directional If I'm following, um,

0:45:29.680 --> 0:45:31.960
<v Speaker 1>you know, Kylie Jenners made a bunch of news. But like,

0:45:32.000 --> 0:45:34.120
<v Speaker 1>if I'm following her and she's not following me back,

0:45:34.560 --> 0:45:37.440
<v Speaker 1>she's on the right side. If we're following each other

0:45:37.480 --> 0:45:40.360
<v Speaker 1>because we're friends in some alternate universe, she's on the

0:45:40.440 --> 0:45:43.399
<v Speaker 1>left side. So you're still seeing that content from your

0:45:43.440 --> 0:45:46.120
<v Speaker 1>friends that you both followed. It's now calling out So

0:45:46.160 --> 0:45:48.520
<v Speaker 1>you know, everyone that's not following you back, which is

0:45:49.200 --> 0:45:51.319
<v Speaker 1>interesting and I wonder how that's playing out in high

0:45:51.320 --> 0:45:54.440
<v Speaker 1>schools around the country, around the world on the right

0:45:54.480 --> 0:45:59.520
<v Speaker 1>hand side. Um, but hopefully you'll see more important and

0:45:59.520 --> 0:46:04.160
<v Speaker 1>influence figures that you want to follow based on those algorithms.

0:46:04.200 --> 0:46:08.680
<v Speaker 1>So I'm not I'm a couple of years past being

0:46:08.800 --> 0:46:12.000
<v Speaker 1>core core Snapchat. But I know, you know, my younger brothers,

0:46:12.560 --> 0:46:15.960
<v Speaker 1>like all of my cousins, like we text, we only

0:46:16.000 --> 0:46:19.279
<v Speaker 1>talk through Snapchat. We don't use message, I message or

0:46:19.480 --> 0:46:24.040
<v Speaker 1>SMS like that's how we communicate videos, photos text. Um.

0:46:24.360 --> 0:46:26.680
<v Speaker 1>I think it's still very influential for a different demo.

0:46:26.760 --> 0:46:30.400
<v Speaker 1>They just have had a really hard time creating multigenerational.

0:46:30.680 --> 0:46:33.760
<v Speaker 1>And then how about you know, in terms of news

0:46:34.239 --> 0:46:37.720
<v Speaker 1>and other stories on Snapchat, they a lot of companies

0:46:37.760 --> 0:46:42.760
<v Speaker 1>have come and gone. Is there a future there or not? Sorry?

0:46:42.800 --> 0:46:45.200
<v Speaker 1>What was that? You know? With third parties, you know,

0:46:45.400 --> 0:46:50.600
<v Speaker 1>media outlets who have a presence on Snapchat. I don't know,

0:46:50.960 --> 0:46:53.680
<v Speaker 1>I don't, I don't I'm not in the mechanics of

0:46:53.719 --> 0:46:56.319
<v Speaker 1>those deals. I don't know the actual usage on a

0:46:56.320 --> 0:47:00.440
<v Speaker 1>lot of that stuff because they have been pretty you know,

0:47:00.520 --> 0:47:05.120
<v Speaker 1>untransparent on um A lot of that the stats there,

0:47:05.160 --> 0:47:07.840
<v Speaker 1>so I can't speak to how the media business is

0:47:07.880 --> 0:47:10.480
<v Speaker 1>really gonna sustain and survive there. I don't think it's

0:47:10.520 --> 0:47:13.959
<v Speaker 1>going away. I think that the way they've innovated, they've

0:47:14.239 --> 0:47:16.960
<v Speaker 1>made more progress, like with their A R filters and

0:47:17.120 --> 0:47:19.640
<v Speaker 1>some of the stuff they're doing on the tech side

0:47:20.160 --> 0:47:22.839
<v Speaker 1>is so much more progressive than any of the other platforms.

0:47:22.840 --> 0:47:25.560
<v Speaker 1>They're still super nimble. Um, I just don't know about

0:47:25.600 --> 0:47:29.839
<v Speaker 1>that long term media business with them. Okay. Then Instagram,

0:47:29.840 --> 0:47:34.160
<v Speaker 1>which of course is owned by Facebook, and one would

0:47:34.200 --> 0:47:37.840
<v Speaker 1>say stole some of the ideas of Snapchat, like Snapchat

0:47:37.920 --> 0:47:46.239
<v Speaker 1>stories where what's the status of Instagram? Why they it

0:47:46.960 --> 0:47:49.319
<v Speaker 1>the visual content, the way that you can consume it

0:47:49.360 --> 0:47:52.239
<v Speaker 1>so quickly, it's so easy to use the way that

0:47:52.320 --> 0:47:56.040
<v Speaker 1>they took stories, and you know, everyone kind of everyone

0:47:56.160 --> 0:47:58.520
<v Speaker 1>I know that felt like they had to be on

0:47:58.600 --> 0:48:03.040
<v Speaker 1>Snapchat abandon it the second that stories launched because they

0:48:03.080 --> 0:48:05.200
<v Speaker 1>loved the format, but it was so much easier to

0:48:05.239 --> 0:48:07.719
<v Speaker 1>consume in their community, and their audience was already on

0:48:07.760 --> 0:48:11.560
<v Speaker 1>Instagram and so all their follower accounts. Um, you know,

0:48:11.640 --> 0:48:15.080
<v Speaker 1>you get that endorphin rush when your friends and like

0:48:15.280 --> 0:48:18.680
<v Speaker 1>and comment, and you know, get engaged in your content,

0:48:18.760 --> 0:48:22.839
<v Speaker 1>and that was happening on Instagram, and they've really just

0:48:22.920 --> 0:48:25.719
<v Speaker 1>adapted quickly and launched a bunch of really cool features.

0:48:25.800 --> 0:48:29.520
<v Speaker 1>And I think most people I now use Instagram more

0:48:29.560 --> 0:48:31.680
<v Speaker 1>than any other platform out there, most of my and

0:48:31.760 --> 0:48:37.080
<v Speaker 1>my clients for sure. Okay, is the addiction, the endorphin rush.

0:48:37.400 --> 0:48:41.239
<v Speaker 1>I think it's all of it. I don't know. Yeah,

0:48:41.280 --> 0:48:44.520
<v Speaker 1>I guess I think because you because you're talking about

0:48:44.520 --> 0:48:46.880
<v Speaker 1>how you use Twitter and you don't. I think you

0:48:46.920 --> 0:48:49.239
<v Speaker 1>can be a passive consumer on Instagram. But I think

0:48:49.400 --> 0:48:51.839
<v Speaker 1>the barrier to entry is so low to post good

0:48:51.880 --> 0:48:54.719
<v Speaker 1>content that people do really like that feedback loop, and

0:48:54.719 --> 0:48:58.080
<v Speaker 1>you get it on Instagram. I guess with Instagram at first,

0:48:58.080 --> 0:49:00.919
<v Speaker 1>and maybe it's because I'm a tech big guy, I said,

0:49:01.040 --> 0:49:03.719
<v Speaker 1>you know, it's pictures, it's too simplistic, and then I

0:49:03.800 --> 0:49:07.920
<v Speaker 1>was wrong and it burgeons. Okay, But and also, but

0:49:08.160 --> 0:49:11.759
<v Speaker 1>isn't it on some level Facebook just you know a

0:49:11.800 --> 0:49:15.560
<v Speaker 1>few years later where everybody's basically advertising how great they

0:49:15.560 --> 0:49:17.680
<v Speaker 1>are and their lives are, and that might I'm not

0:49:17.760 --> 0:49:20.399
<v Speaker 1>talking about famous people, I'm talking about the average person,

0:49:20.440 --> 0:49:23.759
<v Speaker 1>and that might burn out. Well, I think what will

0:49:23.800 --> 0:49:26.160
<v Speaker 1>explain to clients is like Facebook's your trophy case. You

0:49:26.160 --> 0:49:28.279
<v Speaker 1>post the best of the best content, like you know,

0:49:28.400 --> 0:49:31.560
<v Speaker 1>you post At least most of my clients will post

0:49:31.760 --> 0:49:33.439
<v Speaker 1>the stuff they'd hang on a mantle or the stuff

0:49:33.440 --> 0:49:35.400
<v Speaker 1>they really want to be known for. On Facebook. They

0:49:35.400 --> 0:49:37.400
<v Speaker 1>because they post less on Facebook, and I think the

0:49:37.440 --> 0:49:40.520
<v Speaker 1>normal person post less on Facebook than they do on

0:49:40.600 --> 0:49:44.160
<v Speaker 1>most other platforms. On Instagram, it's like your glossy magazine.

0:49:44.200 --> 0:49:46.440
<v Speaker 1>It's your aspirational lifestyle. It's what you want to be

0:49:46.480 --> 0:49:49.400
<v Speaker 1>known for. It's the the really premium content, the stuff

0:49:49.440 --> 0:49:52.879
<v Speaker 1>that's just aesthetically pleasing, that is what you want, your

0:49:52.920 --> 0:49:55.200
<v Speaker 1>mood board, your vision of who you are to stand for.

0:49:55.719 --> 0:49:58.719
<v Speaker 1>Stories takes that down a little bit because it's so,

0:49:59.320 --> 0:50:02.080
<v Speaker 1>you know, just of life and ephemeral and you don't

0:50:02.120 --> 0:50:04.680
<v Speaker 1>have to put as much premium content on there, so

0:50:04.760 --> 0:50:08.120
<v Speaker 1>people post more of just the mundane. But I think

0:50:08.160 --> 0:50:12.160
<v Speaker 1>what's on your feet is really for most people highly curated.

0:50:12.480 --> 0:50:14.279
<v Speaker 1>And so what about the ones that used to get

0:50:14.280 --> 0:50:16.320
<v Speaker 1>a lot of press, They're all a little bit different.

0:50:16.719 --> 0:50:21.040
<v Speaker 1>But it seems like also rams now, Tumbler, Pinterest, Pinterest

0:50:21.120 --> 0:50:24.279
<v Speaker 1>is still such a utility, like it doesn't get as

0:50:24.360 --> 0:50:27.239
<v Speaker 1>much attention as I think it deserves. But I think

0:50:27.239 --> 0:50:29.520
<v Speaker 1>when you have a project, when you're remodeling, when you

0:50:29.560 --> 0:50:33.240
<v Speaker 1>want to plan a wedding, when you want to do something,

0:50:33.640 --> 0:50:36.960
<v Speaker 1>you go to Pinterest. So for brands or for talent

0:50:37.040 --> 0:50:39.799
<v Speaker 1>who want to build companies or have lifestyle brands, like

0:50:39.840 --> 0:50:44.440
<v Speaker 1>you're converting. That's like the highest shopping conversion is Pinterest.

0:50:44.520 --> 0:50:47.920
<v Speaker 1>It's still amazing, and Tumbler is so interesting from like

0:50:47.960 --> 0:50:52.400
<v Speaker 1>an artist community standpoint, Like on Tumbler, if you know,

0:50:52.440 --> 0:50:54.600
<v Speaker 1>the conversation after a television show is going to go

0:50:54.640 --> 0:50:57.080
<v Speaker 1>away within an hour, like we're going to see that

0:50:57.280 --> 0:51:00.400
<v Speaker 1>sharp spike and then that sharp decline as soon as

0:51:00.440 --> 0:51:03.080
<v Speaker 1>the time's over. But on Tumbler for a week or

0:51:03.080 --> 0:51:06.359
<v Speaker 1>two weeks, will continue to see like fan generated art

0:51:06.440 --> 0:51:09.240
<v Speaker 1>and gifts, like people who spend time with your work

0:51:09.680 --> 0:51:12.440
<v Speaker 1>and really care about the community and delve into those

0:51:12.520 --> 0:51:15.480
<v Speaker 1>niche interests kind of areas are still posting a lot

0:51:15.520 --> 0:51:17.879
<v Speaker 1>on Tumbler. So having like a really active fan base

0:51:18.000 --> 0:51:20.640
<v Speaker 1>and curating that those are almost like you're like, what's

0:51:20.680 --> 0:51:22.960
<v Speaker 1>the value of a fan? I think Tumbler still has

0:51:23.000 --> 0:51:25.800
<v Speaker 1>a lot of value in those areas. Okay, some of

0:51:25.840 --> 0:51:27.640
<v Speaker 1>the things you know, a little clean up work in

0:51:27.640 --> 0:51:31.719
<v Speaker 1>the area that we've talked about. Live broadcasting started out

0:51:31.719 --> 0:51:36.239
<v Speaker 1>with miracat where's that going HQ. It's the first time

0:51:36.239 --> 0:51:38.920
<v Speaker 1>I've seen any platform that I actually want to tune into.

0:51:39.239 --> 0:51:42.960
<v Speaker 1>Live is so hard live for anyone live music you

0:51:42.960 --> 0:51:46.640
<v Speaker 1>know on online, it's just not as well produced as

0:51:46.640 --> 0:51:50.200
<v Speaker 1>seeing something you know well produced and curated and edited.

0:51:50.239 --> 0:51:52.960
<v Speaker 1>And I'd rather watch a five minute recap clip than

0:51:53.239 --> 0:51:55.000
<v Speaker 1>sit through an hour and a half of just kind

0:51:55.000 --> 0:51:59.000
<v Speaker 1>of bad angles and bad sound. So live was really interesting,

0:51:59.080 --> 0:52:00.560
<v Speaker 1>and there's a lot of plat ms out there that

0:52:00.600 --> 0:52:03.239
<v Speaker 1>were doing it and things like you now where you

0:52:03.239 --> 0:52:06.080
<v Speaker 1>could just watch someone sleep and like you know, it

0:52:06.160 --> 0:52:08.480
<v Speaker 1>was much more for the teens, but they were monetizing

0:52:08.480 --> 0:52:13.040
<v Speaker 1>and making money on their interesting. HQ is amazing, and

0:52:13.520 --> 0:52:15.640
<v Speaker 1>I think it's my audience and maybe unaware of what

0:52:15.840 --> 0:52:19.080
<v Speaker 1>HQ is. So HQ pings you at three pm and

0:52:19.200 --> 0:52:23.240
<v Speaker 1>nine pm e s T. Every day and you get

0:52:23.320 --> 0:52:26.040
<v Speaker 1>you know, it's a live Q and a game twelve questions,

0:52:26.120 --> 0:52:28.640
<v Speaker 1>pot of money at the end split between whoever lasts,

0:52:28.719 --> 0:52:32.040
<v Speaker 1>and it's so hard to win um, but it keeps

0:52:32.040 --> 0:52:35.959
<v Speaker 1>you engaged, your participatory and the content. It's funny, it's

0:52:36.400 --> 0:52:38.920
<v Speaker 1>I think that, you know, I'm surprised that something like

0:52:38.920 --> 0:52:41.520
<v Speaker 1>Snapchat hasn't adopted it already. I'd be surprised if it

0:52:41.520 --> 0:52:44.160
<v Speaker 1>doesn't launch within the next couple of months where they

0:52:44.200 --> 0:52:48.080
<v Speaker 1>try to put in their own version. But live participatory

0:52:48.320 --> 0:52:52.160
<v Speaker 1>media that keeps you engaged, that brings you in, that

0:52:52.239 --> 0:52:56.960
<v Speaker 1>allows you to participate in the content is fascinating. Well,

0:52:56.960 --> 0:52:59.719
<v Speaker 1>it's also fascinating. We've grown from appointment TV to on

0:53:00.080 --> 0:53:05.200
<v Speaker 1>Man to now hu Trivia, which is you know, appointment Internet. Well,

0:53:05.200 --> 0:53:06.799
<v Speaker 1>when you and I first met, one of the things

0:53:06.840 --> 0:53:09.080
<v Speaker 1>that we were talking about is, you know, back in

0:53:09.160 --> 0:53:13.200
<v Speaker 1>the day radio, there's radio programs that we've never heard again.

0:53:13.239 --> 0:53:15.719
<v Speaker 1>You didn't make media to last forever. You didn't make

0:53:15.760 --> 0:53:18.680
<v Speaker 1>media so you could DVR and tune into it and

0:53:18.719 --> 0:53:20.480
<v Speaker 1>watch it whenever you wanted. You either had to be

0:53:20.520 --> 0:53:23.520
<v Speaker 1>there or you were left out. And there's episodes of

0:53:23.520 --> 0:53:25.880
<v Speaker 1>television that we've never seen again, you know, talk shows,

0:53:25.880 --> 0:53:27.719
<v Speaker 1>episodes of I Love Lucy, I Read a Thing that

0:53:28.280 --> 0:53:31.200
<v Speaker 1>literally have never been seen after their original airing. But

0:53:31.280 --> 0:53:34.840
<v Speaker 1>then the VCR was invented, and then the DVR, and

0:53:35.600 --> 0:53:37.520
<v Speaker 1>all of a sudden, people just think that we have

0:53:37.600 --> 0:53:39.799
<v Speaker 1>to have all this content forever, and every tweet you've

0:53:39.840 --> 0:53:42.520
<v Speaker 1>ever posted is in the Library of Congress, and uh,

0:53:42.560 --> 0:53:44.320
<v Speaker 1>you know, all these things that just are supposed to

0:53:44.440 --> 0:53:47.359
<v Speaker 1>last forever. And then Snapchat came out and so many

0:53:47.360 --> 0:53:49.080
<v Speaker 1>people were like, well, why would I participate in that?

0:53:49.080 --> 0:53:52.799
<v Speaker 1>Why would I spend time making awesome content if it's

0:53:52.880 --> 0:53:56.200
<v Speaker 1>just going to disappear? And now that seems to last

0:53:56.200 --> 0:53:58.239
<v Speaker 1>forever because it's twenty four hours. If you're not in

0:53:58.280 --> 0:54:01.920
<v Speaker 1>that HQ game within the minute it launches, you missed out.

0:54:01.920 --> 0:54:03.640
<v Speaker 1>You can't be part of it, you can't join it.

0:54:03.960 --> 0:54:07.640
<v Speaker 1>So we went from you know, just literally we're almost

0:54:07.680 --> 0:54:10.560
<v Speaker 1>back to with things like HQ back back in the

0:54:10.640 --> 0:54:12.680
<v Speaker 1>day in the thirties and the forties and the fifties

0:54:12.719 --> 0:54:15.120
<v Speaker 1>when you had to be there. Are you or to

0:54:15.239 --> 0:54:17.120
<v Speaker 1>what degree is there still opportunity? If you look at

0:54:17.160 --> 0:54:20.359
<v Speaker 1>the Internet at large, we have four arguably five big

0:54:20.400 --> 0:54:26.160
<v Speaker 1>companies show Amazon, Google, Facebook, Apple, and maybe Microsoft. So

0:54:26.560 --> 0:54:29.200
<v Speaker 1>in the social media world, is there any room for

0:54:29.400 --> 0:54:34.160
<v Speaker 1>entrance or is it really solidified along the lines of

0:54:34.200 --> 0:54:37.400
<v Speaker 1>the companies that we just mentioned. I think it's harder

0:54:37.400 --> 0:54:40.439
<v Speaker 1>and harder to break out. Uh, we're not seeing things

0:54:40.440 --> 0:54:43.439
<v Speaker 1>pop out it We're talking about this this morning at work.

0:54:43.800 --> 0:54:46.520
<v Speaker 1>You know, we're not seeing things pop out at south

0:54:46.560 --> 0:54:48.880
<v Speaker 1>By the way we were and two thousands six to

0:54:48.960 --> 0:54:53.080
<v Speaker 1>two thou like, it's much harder to have an original idea,

0:54:53.239 --> 0:54:55.759
<v Speaker 1>And I think when you do, uh, how much of

0:54:55.800 --> 0:54:59.200
<v Speaker 1>it can't be replicated by the big majors. But I

0:54:59.239 --> 0:55:03.040
<v Speaker 1>think interesting content is an interesting ideas are still going

0:55:03.080 --> 0:55:05.279
<v Speaker 1>to champion. It's just what form is that going to take?

0:55:05.280 --> 0:55:07.440
<v Speaker 1>So are we going to have a huge platform killer.

0:55:08.280 --> 0:55:10.759
<v Speaker 1>I don't have a crystal ball, but I think you know,

0:55:10.920 --> 0:55:14.520
<v Speaker 1>innovation is still happening every day. Okay, left field here,

0:55:15.040 --> 0:55:18.719
<v Speaker 1>we're the heyday of the me too movement? What do

0:55:18.840 --> 0:55:27.160
<v Speaker 1>you personally feel about this? Um, let's let's break it down. Okay,

0:55:28.000 --> 0:55:31.520
<v Speaker 1>do you feel limited in an opportunity by being a woman.

0:55:32.200 --> 0:55:36.200
<v Speaker 1>I've definitely had roadbox because I'm a woman. A lot

0:55:36.200 --> 0:55:38.360
<v Speaker 1>of times I used to I didn't really know it

0:55:38.440 --> 0:55:40.600
<v Speaker 1>was because of my gender. I thought it was because

0:55:40.640 --> 0:55:45.160
<v Speaker 1>of my age, because you know, I've been fortunate to

0:55:45.200 --> 0:55:48.120
<v Speaker 1>be in some incredible rooms at an early age, I

0:55:48.239 --> 0:55:50.200
<v Speaker 1>thought that I was being limited by those things. And

0:55:50.200 --> 0:55:53.480
<v Speaker 1>then I remember it was like a month after I

0:55:53.520 --> 0:55:56.400
<v Speaker 1>got married, I was speaking at a conference and someone

0:55:56.480 --> 0:55:58.560
<v Speaker 1>came up to my husband and I and said, isn't

0:55:58.600 --> 0:56:00.680
<v Speaker 1>it so great that you get to come business trips

0:56:00.680 --> 0:56:04.479
<v Speaker 1>with your husband? I was like, um, excuse me, he's

0:56:04.520 --> 0:56:07.560
<v Speaker 1>my guest. I'm the keynote here, Like it was, it's

0:56:07.600 --> 0:56:10.120
<v Speaker 1>just crazy. And then you start to recognize, well, maybe

0:56:10.120 --> 0:56:11.879
<v Speaker 1>it's not because of my age. Maybe it's not because

0:56:11.880 --> 0:56:14.840
<v Speaker 1>of my lack of experience. Maybe it's because you know,

0:56:14.880 --> 0:56:16.799
<v Speaker 1>I'm a woman. As you start to age and you

0:56:16.840 --> 0:56:19.120
<v Speaker 1>get more experience, it's not you know, you realize what

0:56:19.160 --> 0:56:21.560
<v Speaker 1>actually is holding me back. I don't think I was

0:56:21.600 --> 0:56:24.239
<v Speaker 1>as conscious of it as I should have been growing up,

0:56:24.280 --> 0:56:27.240
<v Speaker 1>because I was raised in a family where every woman

0:56:27.400 --> 0:56:29.719
<v Speaker 1>was the leader of the house, like we were, you know,

0:56:29.800 --> 0:56:32.359
<v Speaker 1>every every woman. I was surrounded by my grandma's, my

0:56:32.400 --> 0:56:36.120
<v Speaker 1>mom my, you know, aunts with you know, strong, independent,

0:56:36.360 --> 0:56:41.000
<v Speaker 1>really brilliant women, and I didn't realize that that was

0:56:41.040 --> 0:56:44.640
<v Speaker 1>something that, uh, I would have to contend with in

0:56:44.680 --> 0:56:47.960
<v Speaker 1>the way that I ended up realizing later on, to

0:56:48.120 --> 0:56:51.640
<v Speaker 1>what degree do you feel a responsibility to mentor or

0:56:51.719 --> 0:56:56.160
<v Speaker 1>help other women climb the ladder? I think that the

0:56:56.200 --> 0:56:59.160
<v Speaker 1>thing that drives me the most every day, Like, the

0:56:59.200 --> 0:57:02.640
<v Speaker 1>thing that I'm most about is teaching. I love teaching

0:57:02.640 --> 0:57:05.200
<v Speaker 1>my clients how to be better visions themselves and how

0:57:05.239 --> 0:57:08.239
<v Speaker 1>to use these platforms to help their careers. And I'm

0:57:08.280 --> 0:57:11.320
<v Speaker 1>obsessed with mentoring. Like the more that I can teach

0:57:11.320 --> 0:57:13.719
<v Speaker 1>others and bring them up and make them better, that's

0:57:13.719 --> 0:57:20.800
<v Speaker 1>what gets me out of bed every day. Stay right there,

0:57:21.000 --> 0:57:23.520
<v Speaker 1>We'll be back with more of my conversation with Kendall Astro,

0:57:23.880 --> 0:57:26.439
<v Speaker 1>head of i Q Strategy for U t A here

0:57:26.440 --> 0:57:32.360
<v Speaker 1>on the Bob left Sex podcast. This is Bob left Sex.

0:57:32.760 --> 0:57:35.560
<v Speaker 1>Do you like hearing from the heaviest I love talking

0:57:35.600 --> 0:57:37.720
<v Speaker 1>to them and that's exactly what I'll be doing at

0:57:37.720 --> 0:57:40.480
<v Speaker 1>my Music Media Summit and Santa Barbara at the end

0:57:40.520 --> 0:57:43.560
<v Speaker 1>of April. Take your wallflower role to the next level

0:57:43.560 --> 0:57:47.120
<v Speaker 1>by actually meeting the players, maneuvering and manipulating the chessboard.

0:57:47.600 --> 0:57:51.000
<v Speaker 1>Go to Music Media Summit dot comfert tickets and more information.

0:57:51.760 --> 0:57:55.120
<v Speaker 1>See you in Santa Barbara. Let's dive right back in

0:57:55.240 --> 0:57:58.200
<v Speaker 1>with my guest Kendall Astra, head of IQ Strategy for

0:57:58.320 --> 0:58:03.720
<v Speaker 1>U t A. Okay, looking at entertainment at large? Uh,

0:58:03.760 --> 0:58:06.800
<v Speaker 1>certainly there was a heyday of movie stars. There was

0:58:06.800 --> 0:58:11.000
<v Speaker 1>a heyday of rock stars. Now we have YouTube stars

0:58:11.600 --> 0:58:13.520
<v Speaker 1>who are going to be the stars of the future.

0:58:14.680 --> 0:58:16.720
<v Speaker 1>I don't think people are being put in boxes anymore.

0:58:16.920 --> 0:58:20.240
<v Speaker 1>I think you're a star when you are an entertainer. Like,

0:58:21.240 --> 0:58:24.520
<v Speaker 1>do we have any great, great movie stars who only

0:58:24.520 --> 0:58:29.720
<v Speaker 1>exist on the screen today? Maybe? But are more the

0:58:29.720 --> 0:58:32.320
<v Speaker 1>people that we're talking about existing in six buckets and

0:58:32.360 --> 0:58:35.840
<v Speaker 1>six verticals? Are they multi hypen it's across multiple industries.

0:58:35.880 --> 0:58:39.120
<v Speaker 1>Are they people who you almost identify more within a

0:58:39.240 --> 0:58:41.120
<v Speaker 1>human level and you root for and no matter what

0:58:41.160 --> 0:58:43.840
<v Speaker 1>they do, than you know, having them be isolated to

0:58:43.920 --> 0:58:47.520
<v Speaker 1>one box of talent. That's on the talent side, But

0:58:47.600 --> 0:58:50.640
<v Speaker 1>looking putting on your sear hat in terms of where

0:58:50.680 --> 0:58:52.920
<v Speaker 1>you think it's going. Where will the stars of the

0:58:52.920 --> 0:58:55.120
<v Speaker 1>future pe Will they be on in social media? Will

0:58:55.160 --> 0:58:57.880
<v Speaker 1>they be in television? Movies? That's what I mean talent.

0:58:58.320 --> 0:59:03.000
<v Speaker 1>I think engineers are talent, voters are talent CEOs or talent.

0:59:03.360 --> 0:59:05.560
<v Speaker 1>But if you are in one vertical, in one box,

0:59:05.960 --> 0:59:07.880
<v Speaker 1>are you going to be as successful in today's day

0:59:07.880 --> 0:59:10.920
<v Speaker 1>and age as if you are playing in multiple fields,

0:59:11.160 --> 0:59:15.440
<v Speaker 1>touch multiple different demographics and multiple interest groups and you know,

0:59:15.440 --> 0:59:19.440
<v Speaker 1>are more of a well rounded, uh, public presence. Let's

0:59:19.720 --> 0:59:23.000
<v Speaker 1>I want to win an award. Okay, what might I do? What?

0:59:23.240 --> 0:59:29.040
<v Speaker 1>Or what award? Let's say it's an Oscar dynamic. Uh,

0:59:29.240 --> 0:59:33.320
<v Speaker 1>I think that Emmy for sure. Social media, like I

0:59:33.360 --> 0:59:37.280
<v Speaker 1>think that community is so much more conversation, so many

0:59:37.320 --> 0:59:41.560
<v Speaker 1>more of the the voting members are, you know, looking

0:59:41.600 --> 0:59:44.160
<v Speaker 1>at what's happening there and what you said earlier about

0:59:44.200 --> 0:59:47.120
<v Speaker 1>Trump not doing it necessarily for fans to see, but

0:59:47.160 --> 0:59:49.360
<v Speaker 1>to drive the media. If you want to be in

0:59:49.400 --> 0:59:51.600
<v Speaker 1>those award conversations and you want to be taken seriously

0:59:51.640 --> 0:59:54.439
<v Speaker 1>at that table, so much of that is driven by

0:59:54.840 --> 0:59:58.120
<v Speaker 1>social and what you're talking about online. And so why

0:59:58.160 --> 1:00:00.200
<v Speaker 1>do you wake up every day and to do you

1:00:00.200 --> 1:00:01.840
<v Speaker 1>want to be an actor? You want to win the award?

1:00:01.920 --> 1:00:03.560
<v Speaker 1>Like what is it? Is it the prestige? Is that

1:00:03.640 --> 1:00:07.240
<v Speaker 1>the storytelling? Is it your passion for the industry? Like?

1:00:07.320 --> 1:00:11.000
<v Speaker 1>What is it about this career? It's so hard, the

1:00:11.560 --> 1:00:14.959
<v Speaker 1>auditions and the grind and to get to a place

1:00:15.000 --> 1:00:16.840
<v Speaker 1>where you could even be considered for an Emmy is

1:00:16.840 --> 1:00:19.440
<v Speaker 1>such a long battle for most people. Why do you

1:00:19.520 --> 1:00:21.560
<v Speaker 1>do it? And if we start from that place, because

1:00:21.560 --> 1:00:22.960
<v Speaker 1>if all you want to do is win an award

1:00:22.960 --> 1:00:25.600
<v Speaker 1>and market your project. No one's going to follow you.

1:00:25.640 --> 1:00:28.920
<v Speaker 1>How boring? Is that just self aggrandizing? It's horrible. But

1:00:28.960 --> 1:00:30.360
<v Speaker 1>if you can go in and you can say I

1:00:30.400 --> 1:00:32.840
<v Speaker 1>did this project or I'm so proud of this. You

1:00:32.880 --> 1:00:35.440
<v Speaker 1>know this show because of X, Y and Z and

1:00:35.480 --> 1:00:37.120
<v Speaker 1>here's what it stands for and here's what I learned,

1:00:37.120 --> 1:00:38.680
<v Speaker 1>and like, I'm so excited for you to come on

1:00:38.720 --> 1:00:40.320
<v Speaker 1>the journey with me and we can create a real

1:00:40.440 --> 1:00:43.480
<v Speaker 1>narrative over why you're enthused about it, and we kind

1:00:43.480 --> 1:00:45.120
<v Speaker 1>of have to build it out, like what else are

1:00:45.120 --> 1:00:47.040
<v Speaker 1>you interested in? You know? Do you have any of

1:00:47.040 --> 1:00:49.840
<v Speaker 1>that stuff? Are you even comfortable? And if we go

1:00:49.920 --> 1:00:52.439
<v Speaker 1>through that whole exercise and you decide this is something

1:00:52.480 --> 1:00:54.840
<v Speaker 1>you want to do, great, If it's still totally skieds

1:00:54.880 --> 1:00:56.840
<v Speaker 1>you out, then we just have to figure out a

1:00:56.840 --> 1:00:58.920
<v Speaker 1>way from maybe you to get great content to your

1:00:58.960 --> 1:01:02.160
<v Speaker 1>co stars or the network for them to promote on

1:01:02.200 --> 1:01:05.400
<v Speaker 1>your behalf without you having to be on. But you can't,

1:01:05.440 --> 1:01:07.280
<v Speaker 1>you can't force anyone to do any of this stuff.

1:01:07.280 --> 1:01:09.800
<v Speaker 1>You just have to present all the options. Educate them

1:01:09.840 --> 1:01:13.280
<v Speaker 1>on the landscape, Educate them honestly on you are literally

1:01:13.280 --> 1:01:15.680
<v Speaker 1>going to not be successful unless you do these things.

1:01:15.760 --> 1:01:17.880
<v Speaker 1>And in some cases it's almost better not to be

1:01:17.960 --> 1:01:20.400
<v Speaker 1>on at all than to be on with a really

1:01:20.440 --> 1:01:24.080
<v Speaker 1>horrible strategy and no engagement and no good content. To

1:01:24.160 --> 1:01:30.400
<v Speaker 1>what degree to self promotion work against clients? Uh? The

1:01:31.440 --> 1:01:35.320
<v Speaker 1>million degrees of you know difference there being completely over

1:01:35.360 --> 1:01:38.320
<v Speaker 1>self overly self promotional and blind to everything that's going

1:01:38.360 --> 1:01:41.400
<v Speaker 1>on in the world, and you know reactions that your

1:01:41.440 --> 1:01:44.160
<v Speaker 1>fans are giving you and just sell, sell, sell, You

1:01:44.360 --> 1:01:46.280
<v Speaker 1>might as well just take out ads in magazines like

1:01:46.360 --> 1:01:49.240
<v Speaker 1>that's not I'll give you an example more. And this

1:01:49.320 --> 1:01:50.800
<v Speaker 1>is really sort of a unique But she's a writer

1:01:50.840 --> 1:01:53.560
<v Speaker 1>for the New York Times. She only tweets when she's

1:01:53.600 --> 1:01:56.919
<v Speaker 1>advertising her own column, and it's like, that's a turn

1:01:56.960 --> 1:02:00.080
<v Speaker 1>off to me. How many followers does she have? Do

1:02:00.160 --> 1:02:04.440
<v Speaker 1>you know? Probably you know, high five figures engagement, I

1:02:04.480 --> 1:02:08.040
<v Speaker 1>don't know, probably not working that well. If I'm a

1:02:08.120 --> 1:02:10.720
<v Speaker 1>power fan of Marine Down and I have to read

1:02:10.760 --> 1:02:14.080
<v Speaker 1>everything she puts out there, I probably want to follow.

1:02:14.160 --> 1:02:16.040
<v Speaker 1>That just makes to make sure I don't miss anything.

1:02:16.560 --> 1:02:19.160
<v Speaker 1>But is she having is she building a relationship? Is

1:02:19.160 --> 1:02:21.880
<v Speaker 1>she diving in? Is anyone learning more about who she

1:02:22.080 --> 1:02:24.000
<v Speaker 1>is and what she stands for and why she wrote

1:02:24.000 --> 1:02:26.960
<v Speaker 1>that article, what it meant to her? How long you know?

1:02:27.000 --> 1:02:32.000
<v Speaker 1>What was her process? Can you tweet too much? Absolutely?

1:02:32.840 --> 1:02:35.280
<v Speaker 1>So give us you know when does it start to

1:02:35.320 --> 1:02:39.240
<v Speaker 1>become too much? Um? When I when your fans will

1:02:39.240 --> 1:02:42.520
<v Speaker 1>log in and all they'll see is your stuff? Like

1:02:42.840 --> 1:02:46.560
<v Speaker 1>you know, probably if you're live tweeting at television show

1:02:46.640 --> 1:02:49.720
<v Speaker 1>or something like that, I'd probably say max for the

1:02:49.720 --> 1:02:54.640
<v Speaker 1>whole hour. And how about retweets? If you're not adding

1:02:54.640 --> 1:02:57.200
<v Speaker 1>your own context, I usually don't understand why you do it.

1:02:58.400 --> 1:03:01.480
<v Speaker 1>I want to hear from you if I'm following you. Okay,

1:03:01.520 --> 1:03:04.680
<v Speaker 1>So we talked about clients who want to win awards.

1:03:04.680 --> 1:03:07.480
<v Speaker 1>How about clients? What other desires might there be? They

1:03:07.520 --> 1:03:10.080
<v Speaker 1>might be building a business. What else might they come

1:03:10.080 --> 1:03:12.000
<v Speaker 1>to you wanted to do? They might want to change

1:03:12.000 --> 1:03:14.320
<v Speaker 1>public's perception. There might be a bad story out there.

1:03:14.400 --> 1:03:17.040
<v Speaker 1>There might be, um, you know, just something that they'd

1:03:17.160 --> 1:03:20.320
<v Speaker 1>rather people. You know, they want to change the conversation

1:03:20.440 --> 1:03:24.560
<v Speaker 1>or they want to um be known in a different

1:03:24.680 --> 1:03:27.120
<v Speaker 1>vertical they made okay a little bit slo I want

1:03:27.120 --> 1:03:29.760
<v Speaker 1>to change the conversation. What would your strategy be? Depends

1:03:29.800 --> 1:03:32.240
<v Speaker 1>on what the Well, let's use an example. John Mayor

1:03:32.320 --> 1:03:35.040
<v Speaker 1>is not a client right now. John Mayor had the

1:03:35.080 --> 1:03:38.400
<v Speaker 1>situation in Playboy. He said things there was negative public perception.

1:03:39.000 --> 1:03:41.000
<v Speaker 1>What might and granted this years ago, but it hurt

1:03:41.040 --> 1:03:44.200
<v Speaker 1>his career? What and he disappeared from Twitter, said he

1:03:44.200 --> 1:03:46.240
<v Speaker 1>was going to tumboy, disappeared from there. What would have

1:03:46.280 --> 1:03:48.400
<v Speaker 1>been a strategy that you might have proposed. I think

1:03:48.400 --> 1:03:51.640
<v Speaker 1>he did it right. Really we had to mute him.

1:03:51.680 --> 1:03:55.400
<v Speaker 1>I'm a big Mayor fan. He was such an early

1:03:55.440 --> 1:03:58.360
<v Speaker 1>adopter on most of these platforms. I loved it when

1:03:58.360 --> 1:04:01.200
<v Speaker 1>he went to Tumblr that remember what album it was,

1:04:01.240 --> 1:04:04.920
<v Speaker 1>maybe it was Battle Studies, the when he really showed

1:04:04.920 --> 1:04:06.880
<v Speaker 1>the process of making the album and there was like

1:04:06.880 --> 1:04:09.200
<v Speaker 1>a time lapse of him setting up the studio, and

1:04:09.720 --> 1:04:13.080
<v Speaker 1>he he was so early on some of those platforms,

1:04:13.080 --> 1:04:15.439
<v Speaker 1>and you really got to know who he was, and

1:04:15.800 --> 1:04:18.720
<v Speaker 1>you know, his comedy and his sense of humor and

1:04:18.760 --> 1:04:21.040
<v Speaker 1>his interests and everything that kind of made him tick

1:04:21.080 --> 1:04:23.640
<v Speaker 1>outside of the music you fell in love with. But

1:04:24.400 --> 1:04:26.880
<v Speaker 1>I think, you know, he got a little over exposed

1:04:27.160 --> 1:04:29.880
<v Speaker 1>in that whole scenario, and he didn't know the line

1:04:30.000 --> 1:04:35.920
<v Speaker 1>between I'm speaking as a fan, but between him as

1:04:35.960 --> 1:04:38.080
<v Speaker 1>a you know, he was friends with all the stand

1:04:38.160 --> 1:04:40.439
<v Speaker 1>up comics and I think he thought he was one

1:04:40.520 --> 1:04:43.520
<v Speaker 1>maybe during that interview and it just did not play well.

1:04:43.920 --> 1:04:45.479
<v Speaker 1>I think he needed to go away for a little

1:04:45.480 --> 1:04:48.160
<v Speaker 1>while and you know, and he came back and it's

1:04:48.160 --> 1:04:50.480
<v Speaker 1>so fun to watch him now, like the way he

1:04:50.560 --> 1:04:54.400
<v Speaker 1>uses Instagram live and um, you know, he was super

1:04:54.440 --> 1:04:57.120
<v Speaker 1>early was at Periscope. I think he was. He was

1:04:57.360 --> 1:05:00.720
<v Speaker 1>on Periscope, not Merecap. I would watch his live recordings

1:05:00.720 --> 1:05:03.440
<v Speaker 1>on both of those, and he uses these platforms in

1:05:03.440 --> 1:05:06.040
<v Speaker 1>a really interesting way, in a unique way. That's you know,

1:05:06.320 --> 1:05:09.640
<v Speaker 1>he's been writing all these weird like just text on

1:05:09.720 --> 1:05:14.360
<v Speaker 1>Instagram stories like these weird thoughts and things lately. It's

1:05:14.400 --> 1:05:16.080
<v Speaker 1>been fun to It's just fun to see how his

1:05:16.160 --> 1:05:19.160
<v Speaker 1>mind works because I think he's such a unique genius

1:05:19.160 --> 1:05:22.520
<v Speaker 1>in that way. Can he recover? Can you ever recover

1:05:22.600 --> 1:05:25.360
<v Speaker 1>from something like that? Will women forgive you? I think

1:05:25.360 --> 1:05:27.880
<v Speaker 1>he has well, he's been out with the debt. It's

1:05:27.880 --> 1:05:30.800
<v Speaker 1>a slightly different audience. But I saw him three times

1:05:30.800 --> 1:05:34.720
<v Speaker 1>on this last tour, but those are arena shows that

1:05:34.760 --> 1:05:37.080
<v Speaker 1>were sold out. You know, I think he I think

1:05:37.080 --> 1:05:39.920
<v Speaker 1>he'll have a career for decades. Okay, so the point,

1:05:40.240 --> 1:05:42.400
<v Speaker 1>let me go a little change a little bit. If

1:05:42.480 --> 1:05:46.560
<v Speaker 1>you are someone in the me too era and you

1:05:47.400 --> 1:05:50.920
<v Speaker 1>let's let's go totally different. These people, uh, Louis c

1:05:51.160 --> 1:05:56.440
<v Speaker 1>K and other people who have been uh caught up

1:05:56.440 --> 1:05:58.920
<v Speaker 1>in the me too thing? Can they rehabilitate their careers?

1:06:00.280 --> 1:06:02.680
<v Speaker 1>It will be we will have to see how that goes.

1:06:03.120 --> 1:06:07.920
<v Speaker 1>I think certain people have not maybe um approached the

1:06:08.000 --> 1:06:10.800
<v Speaker 1>controversy in the correct way, and others, you know, it

1:06:10.840 --> 1:06:13.680
<v Speaker 1>seems like Louis c K is maybe Louis. I mean

1:06:13.800 --> 1:06:17.280
<v Speaker 1>I think he, you know, without talking specific because we

1:06:17.440 --> 1:06:20.520
<v Speaker 1>verge on some of your clients, He's addressed it totally

1:06:20.560 --> 1:06:22.520
<v Speaker 1>different from everybody else. He said, I did it and

1:06:22.520 --> 1:06:25.200
<v Speaker 1>I disappeared, And that seems to bring the right strategy.

1:06:25.200 --> 1:06:27.320
<v Speaker 1>People don't talk. We're talking about him here, but generally speaking,

1:06:27.400 --> 1:06:29.600
<v Speaker 1>he's not part of the conversation, and I think that

1:06:29.640 --> 1:06:33.880
<v Speaker 1>will make it so his rehabilitation, uh will happen earlier

1:06:33.880 --> 1:06:36.840
<v Speaker 1>than other people that happens at all. But can are

1:06:36.840 --> 1:06:40.720
<v Speaker 1>these a stain or can you be rehabilitated? I We're

1:06:40.720 --> 1:06:43.760
<v Speaker 1>going to have to see. Okay, so then let's just

1:06:43.840 --> 1:06:46.480
<v Speaker 1>go one other thing. I mean we have Jessica Alba.

1:06:46.600 --> 1:06:49.880
<v Speaker 1>She a client, Okay, she started the Honest Company. Let's

1:06:49.920 --> 1:06:52.320
<v Speaker 1>say you have a client who wants to start a business.

1:06:52.880 --> 1:06:55.640
<v Speaker 1>What would you advise them. We have an incredible ventures

1:06:55.680 --> 1:06:58.680
<v Speaker 1>team that does this for clients. So they sit down

1:06:58.680 --> 1:07:00.280
<v Speaker 1>and they build out the business plan and bring in

1:07:00.320 --> 1:07:04.120
<v Speaker 1>advisors and raise capital and you know, help launch the

1:07:04.640 --> 1:07:06.800
<v Speaker 1>launch the full business. We have a brand studio that

1:07:06.840 --> 1:07:09.560
<v Speaker 1>does all the logo and design and you know where

1:07:09.680 --> 1:07:12.000
<v Speaker 1>we are very well versed in that and do it daily.

1:07:12.200 --> 1:07:14.920
<v Speaker 1>We have a full team dedicated businesses around clients. Once

1:07:14.960 --> 1:07:17.000
<v Speaker 1>they wrap that up, they come to you and they say,

1:07:17.040 --> 1:07:19.720
<v Speaker 1>how do I promote it? And how would you promote it?

1:07:19.800 --> 1:07:22.480
<v Speaker 1>So we'll build out marketing strategies and connect them with

1:07:22.480 --> 1:07:24.840
<v Speaker 1>the right team and make sure that their audience kind

1:07:24.840 --> 1:07:28.640
<v Speaker 1>of knows that this is coming without announcing it well

1:07:28.680 --> 1:07:30.560
<v Speaker 1>in advance, because if all of a sudden, you wake

1:07:30.640 --> 1:07:32.480
<v Speaker 1>up one day and you had you know, let's say

1:07:32.560 --> 1:07:35.240
<v Speaker 1>Jessica Alba had no kids, had never talked about wanting

1:07:35.280 --> 1:07:37.320
<v Speaker 1>to be a mom or you know, anything, and she

1:07:37.400 --> 1:07:39.800
<v Speaker 1>launches this company. It's like, where the hell that come from? Like,

1:07:39.840 --> 1:07:41.680
<v Speaker 1>how do you start to see these ideas where a

1:07:41.680 --> 1:07:43.320
<v Speaker 1>fan comes along for the journey with you and it

1:07:43.360 --> 1:07:45.720
<v Speaker 1>doesn't seem like you just did it for the cash.

1:07:46.360 --> 1:07:48.400
<v Speaker 1>And what if I'm a client and I say where

1:07:48.400 --> 1:07:50.800
<v Speaker 1>I am as okay, but I want more opportunities. I

1:07:50.880 --> 1:07:55.000
<v Speaker 1>want more business opportunities. What might you say, we'd figure

1:07:55.000 --> 1:07:57.760
<v Speaker 1>out what those business opportunities are, what those verticals are in,

1:07:57.880 --> 1:08:01.200
<v Speaker 1>and then what platforms and what strategy using, what partnerships,

1:08:01.320 --> 1:08:04.800
<v Speaker 1>what collaborations, what verticals we need to dive into there,

1:08:04.800 --> 1:08:08.040
<v Speaker 1>what's the pr strategy, what's the career strategy? How do

1:08:08.080 --> 1:08:11.040
<v Speaker 1>we ladder you up to those things? So is there

1:08:11.080 --> 1:08:13.720
<v Speaker 1>anything that I've missed in the world of social media

1:08:13.920 --> 1:08:17.040
<v Speaker 1>or in the world of agency business. I mean, we

1:08:17.080 --> 1:08:20.280
<v Speaker 1>could talk about it a million hours. There's a million

1:08:20.320 --> 1:08:22.960
<v Speaker 1>things we missed. But yeah, we covered a lot today.

1:08:22.960 --> 1:08:28.920
<v Speaker 1>And then personal goals beyond where you are now. I

1:08:29.920 --> 1:08:33.040
<v Speaker 1>just want to keep being better every day. And you know,

1:08:33.320 --> 1:08:36.240
<v Speaker 1>I've never plotted it out. I've never seen what's behind

1:08:36.360 --> 1:08:39.400
<v Speaker 1>the other corner. I think if you have a direct

1:08:39.600 --> 1:08:42.640
<v Speaker 1>path that you need to follow in order to be successful,

1:08:42.680 --> 1:08:44.760
<v Speaker 1>you're gonna end up. You know, You're you're gonna miss

1:08:44.760 --> 1:08:47.960
<v Speaker 1>every other detour that comes along. So I love what

1:08:48.040 --> 1:08:51.479
<v Speaker 1>I do. Every day I learned something new, and this

1:08:51.600 --> 1:08:54.640
<v Speaker 1>business it's it's all about, especially with what I do,

1:08:54.720 --> 1:08:57.360
<v Speaker 1>It's about staying ahead of the curve and seeing what

1:08:57.479 --> 1:09:00.040
<v Speaker 1>other people are. You know, what technology, what try and

1:09:00.200 --> 1:09:02.960
<v Speaker 1>what culture doing and how do we help our clients

1:09:03.160 --> 1:09:06.800
<v Speaker 1>future proof against all of that and stay ahead of it? Um?

1:09:06.840 --> 1:09:11.440
<v Speaker 1>I Every day I just read forty fifty plus articles

1:09:11.479 --> 1:09:15.160
<v Speaker 1>on the business and where cultures going and technology and

1:09:15.520 --> 1:09:17.320
<v Speaker 1>you know, try to figure out how you connect those

1:09:17.360 --> 1:09:20.720
<v Speaker 1>dots to make yourself and all your clients more successful.

1:09:20.880 --> 1:09:23.200
<v Speaker 1>So well, I don't what are some of those trends

1:09:23.320 --> 1:09:25.920
<v Speaker 1>for the people who don't look forward as you do?

1:09:26.320 --> 1:09:31.960
<v Speaker 1>Where are things going to the degrees? Can see that? Um?

1:09:32.400 --> 1:09:34.280
<v Speaker 1>I think? I think what some of the stuff you've

1:09:34.280 --> 1:09:38.200
<v Speaker 1>been saying about politics driving the culture is so interesting?

1:09:38.200 --> 1:09:40.479
<v Speaker 1>I don't see you think we're seeing a ton of

1:09:41.400 --> 1:09:45.240
<v Speaker 1>technology that's necessarily changing the game right now. There's nothing

1:09:45.280 --> 1:09:48.439
<v Speaker 1>that I can't think of anything right now that I'm like, oh,

1:09:48.600 --> 1:09:50.280
<v Speaker 1>no one else is seeing this, no one else is

1:09:50.320 --> 1:09:53.760
<v Speaker 1>covering it. But the way that things like me too

1:09:53.800 --> 1:09:57.360
<v Speaker 1>are just skyrocketing out of nowhere, and the way that

1:09:57.479 --> 1:10:01.320
<v Speaker 1>cultures latching on to UM some of the trends that

1:10:01.360 --> 1:10:03.640
<v Speaker 1>are going on, and what you know, the the ability

1:10:03.720 --> 1:10:07.280
<v Speaker 1>for people to really create movements and drive change something

1:10:07.320 --> 1:10:09.519
<v Speaker 1>we really need to be conscious of and ahead of

1:10:09.600 --> 1:10:11.200
<v Speaker 1>to keep I mean, I was reading I don't know

1:10:11.200 --> 1:10:12.679
<v Speaker 1>when there is a layer, but I was reading today

1:10:13.000 --> 1:10:15.760
<v Speaker 1>in the wake of the successful resolution of the West

1:10:15.800 --> 1:10:21.360
<v Speaker 1>Virginia teacher strike. Now the Kentucky teachers are protesting against

1:10:21.439 --> 1:10:24.960
<v Speaker 1>cutting their pensions. Question is is there a role for

1:10:25.200 --> 1:10:28.320
<v Speaker 1>entertainers in this world? Because so far park Land, etcetera.

1:10:28.720 --> 1:10:32.760
<v Speaker 1>This has not been entertainment driven to any degree. I

1:10:32.800 --> 1:10:36.000
<v Speaker 1>think we can. It's kind of interesting that so much

1:10:36.080 --> 1:10:38.880
<v Speaker 1>of what happened before used to be entertainment driven and

1:10:38.880 --> 1:10:42.479
<v Speaker 1>these personalities making a stand and it's incredible to watch

1:10:42.479 --> 1:10:44.680
<v Speaker 1>with the students in Parkland are doing. And how do

1:10:44.720 --> 1:10:47.040
<v Speaker 1>we support that? How do we how do our clients,

1:10:47.040 --> 1:10:50.599
<v Speaker 1>who you know, have strong opinions about that space, uh

1:10:50.880 --> 1:10:54.479
<v Speaker 1>support and dive in with you know, different benefit things

1:10:54.479 --> 1:10:58.439
<v Speaker 1>than and you know, just how do we stay ahead

1:10:58.439 --> 1:11:01.160
<v Speaker 1>of that? How do we help our clients um support

1:11:01.240 --> 1:11:03.240
<v Speaker 1>the things that they're passionate about. But I think it's

1:11:03.360 --> 1:11:05.719
<v Speaker 1>needing to be driven by other things at the moment.

1:11:05.880 --> 1:11:09.160
<v Speaker 1>And once again you said in social media, if you

1:11:09.200 --> 1:11:11.160
<v Speaker 1>want to take a stand as part of your identity,

1:11:11.240 --> 1:11:13.439
<v Speaker 1>you can hammer that. But if it's a one off,

1:11:13.439 --> 1:11:17.640
<v Speaker 1>you would not recommend that. Like, it depends on what

1:11:17.720 --> 1:11:19.720
<v Speaker 1>the one off. You know what I'm trying to say,

1:11:19.920 --> 1:11:22.320
<v Speaker 1>I'm really leading to a different question in terms of

1:11:22.360 --> 1:11:26.799
<v Speaker 1>your clients aligning themselves with some of these causes, because

1:11:26.800 --> 1:11:29.200
<v Speaker 1>certainly in the music business for a long time, everyone's

1:11:29.200 --> 1:11:32.920
<v Speaker 1>afraid of alienating a potential audience member. What would you

1:11:32.960 --> 1:11:35.160
<v Speaker 1>tell a client relative to that, Because if you take

1:11:35.160 --> 1:11:37.000
<v Speaker 1>a stand, someone's always going to be angry about the

1:11:37.040 --> 1:11:40.080
<v Speaker 1>stand you have. Country music is interesting right now, they're

1:11:40.080 --> 1:11:42.880
<v Speaker 1>fin like that's coming around. People are taking a stand,

1:11:42.960 --> 1:11:45.080
<v Speaker 1>like Tim and Faith standing up for a gun control.

1:11:45.520 --> 1:11:49.120
<v Speaker 1>I think the people who have no stand, and there's

1:11:49.160 --> 1:11:51.519
<v Speaker 1>a couple of artists that we don't want to name,

1:11:51.600 --> 1:11:55.360
<v Speaker 1>probably but who just like, what do you believe? How

1:11:55.520 --> 1:11:58.639
<v Speaker 1>have you, with certain things you've said, been completely silent

1:11:58.720 --> 1:12:02.080
<v Speaker 1>in all these issues. Um, I think you're getting in

1:12:02.120 --> 1:12:05.960
<v Speaker 1>trouble more for that than in stating your beliefs. And

1:12:06.000 --> 1:12:09.439
<v Speaker 1>I also believe in a country of three plus million people,

1:12:09.960 --> 1:12:14.559
<v Speaker 1>if you can reach twenty million people, you're like a billionaire. Okay,

1:12:14.640 --> 1:12:17.200
<v Speaker 1>so these people are, you know, afraid of alienating people?

1:12:17.439 --> 1:12:20.040
<v Speaker 1>I agree with your point. It's it's drawing the people

1:12:20.080 --> 1:12:23.000
<v Speaker 1>close to you and solidifying that relationship. I think niche

1:12:23.000 --> 1:12:27.040
<v Speaker 1>audiences are the only thing that matters today. Well, I

1:12:27.080 --> 1:12:30.880
<v Speaker 1>would say everything is niche other than uh politics. People

1:12:30.960 --> 1:12:32.800
<v Speaker 1>believe you know, if you go to the number one record,

1:12:32.840 --> 1:12:35.639
<v Speaker 1>the number one movie, number one television show, one would

1:12:35.640 --> 1:12:38.840
<v Speaker 1>be stunned how many people have not experienced it. It's

1:12:38.880 --> 1:12:41.800
<v Speaker 1>really crazy, completely Like I think you need to dial

1:12:41.880 --> 1:12:43.960
<v Speaker 1>in and really know who your chorus. I think that's

1:12:43.960 --> 1:12:45.640
<v Speaker 1>one of the things that people don't think about on

1:12:45.640 --> 1:12:48.800
<v Speaker 1>social media at all. They post and they like all

1:12:48.800 --> 1:12:50.679
<v Speaker 1>the likes and the but they have no idea who's

1:12:50.680 --> 1:12:53.000
<v Speaker 1>out there. It's like the same people that are liking

1:12:53.000 --> 1:12:55.040
<v Speaker 1>and commenting. You think it's so weird that they're commenting

1:12:55.040 --> 1:12:57.280
<v Speaker 1>on the internet. They're the ones that are paying for

1:12:57.320 --> 1:12:58.840
<v Speaker 1>meet and grades, and they're the ones that are coming

1:12:58.840 --> 1:13:01.759
<v Speaker 1>to all your shows, Like, look at them, pay attention.

1:13:01.920 --> 1:13:04.800
<v Speaker 1>Know who is commenting back. You can understand your fan

1:13:05.840 --> 1:13:08.479
<v Speaker 1>you know demographics, their affinities, what are they interested in

1:13:08.479 --> 1:13:10.960
<v Speaker 1>what they care about. We have so many incredible, robust

1:13:11.040 --> 1:13:13.800
<v Speaker 1>analytics tools to look at these types of things. How

1:13:13.840 --> 1:13:15.720
<v Speaker 1>do you understand who those people are and how do

1:13:15.760 --> 1:13:19.680
<v Speaker 1>you help super super serve them, give them content? How

1:13:19.720 --> 1:13:22.759
<v Speaker 1>do you dive in and create conversations and lead change

1:13:22.760 --> 1:13:24.400
<v Speaker 1>on the things that you care about that also line

1:13:24.439 --> 1:13:27.200
<v Speaker 1>up with what your audience cares about, Because just posting

1:13:27.200 --> 1:13:30.000
<v Speaker 1>whatever you want just to satisfy your three tweets a

1:13:30.080 --> 1:13:32.640
<v Speaker 1>day or whatnot doesn't make any sense. People really need

1:13:32.680 --> 1:13:35.960
<v Speaker 1>to spend more time thinking about those niche communities and

1:13:36.000 --> 1:13:38.240
<v Speaker 1>how they serve them and how they use them to

1:13:38.400 --> 1:13:40.880
<v Speaker 1>amplify their message and build their brands and achieve their

1:13:40.880 --> 1:13:44.080
<v Speaker 1>career goals. Like it's, it's a lot more complicated, but

1:13:44.439 --> 1:13:46.920
<v Speaker 1>the tools we have available and the way that you

1:13:46.960 --> 1:13:49.400
<v Speaker 1>can do it is is so fun if you actually

1:13:49.840 --> 1:13:52.439
<v Speaker 1>think about it and take time to consider it and

1:13:52.800 --> 1:13:54.680
<v Speaker 1>really use it as a career builder as opposed to

1:13:54.720 --> 1:13:57.200
<v Speaker 1>just something you have to do. You've been listening to

1:13:57.360 --> 1:14:01.000
<v Speaker 1>Kendall Astral on the Bob Left Set Spycast. If your

1:14:01.040 --> 1:14:04.240
<v Speaker 1>head is not spinning, you're literally Kendall. She knows more

1:14:04.280 --> 1:14:06.800
<v Speaker 1>about social media than anybody I know and she's not

1:14:06.880 --> 1:14:08.760
<v Speaker 1>someone who is sitting at home just posting. She's in

1:14:08.800 --> 1:14:11.200
<v Speaker 1>the thick of it. Over you, t A, you would

1:14:11.240 --> 1:14:14.519
<v Speaker 1>only dream of being one of her clients. Kendall, thanks

1:14:14.520 --> 1:14:24.960
<v Speaker 1>so much for being here. Thanks for having that. Wraps

1:14:25.040 --> 1:14:27.879
<v Speaker 1>up this week's episode of the Bob Left Sets podcast,

1:14:27.920 --> 1:14:30.960
<v Speaker 1>recorded here at the tune In Studios in Venice, California.

1:14:31.600 --> 1:14:34.679
<v Speaker 1>I hope you'd liked listening to the conversation with Kendall Ostrow,

1:14:35.000 --> 1:14:38.080
<v Speaker 1>head of i Q Strategy for U t A. It's

1:14:38.120 --> 1:14:40.000
<v Speaker 1>almost like you're at the dinner table with us, as

1:14:40.040 --> 1:14:42.360
<v Speaker 1>we often get together and talk shop. I'd love to

1:14:42.400 --> 1:14:44.519
<v Speaker 1>hear what you thought of the conversation in the podcast.

1:14:44.560 --> 1:14:47.000
<v Speaker 1>In general, you can email me at Bob at left

1:14:47.040 --> 1:15:02.800
<v Speaker 1>sets dot com. Okay spains out out se