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Speaker 1: So he cocks back the golf club. I think it

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Speaker 1: was a pitching wedge, like as if he's going to

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Speaker 1: smash the windshield. So he swings it as hard as

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Speaker 1: he can. Now I catch the shaft in my hand.

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Speaker 1: Oh careful you say that, or he came out. I catch, yes,

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Speaker 1: I catch the shaft in my hand, and I go, Maynard, keenan, Maynard, keenan,

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Speaker 1: this is a charity car wash. We don't smash the windshield.

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Speaker 2: What had made him?

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Speaker 1: Well? This is what he said, so mad he goes.

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Speaker 1: He goes, well, we do when they deserve it like

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Speaker 1: this bit, and he sees my eyes get big and

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Speaker 1: he knows he shouldn't say that word around me, but

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Speaker 1: he's in too far. He has to finish it to

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Speaker 1: look tough in front of some of his buddies, and

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Speaker 1: so he goes it and I go, now, Maynard, I

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Speaker 1: know you're trying to impress Vita Guera, but that's no

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Speaker 1: reason to use that talk. And I think I told

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Speaker 1: you what would happen if you use that talk? And

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Speaker 1: he goes, oh, I didn't call her one. I said

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Speaker 1: she was being a one, And I was like, no,

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Speaker 1: you did it?

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Speaker 2: Remember he actually did say he did.

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Speaker 1: It is different.

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Speaker 2: If you say she's being one, someone can't be being one.

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Speaker 1: That doesn't mean that she is one. Hey, sometimes you're

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Speaker 1: being a one. I know, I know and me as well.

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Speaker 2: Bus sultry car wash that must have been with Vita

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Speaker 2: Guero's Brazilian rump steak the rump.

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Speaker 1: Yes, uh it was sultry. Uh. But at the end

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Speaker 1: of the day, we raised a lot of money for

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Speaker 1: Kevin Smith's next movie.

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Speaker 2: Did Maynard do any songs about math? Swirls there?

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Speaker 1: Yeah, it was a lot of sacred geometry. Uh, you know,

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Speaker 1: there was. He played the golden ratio, He did the

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Speaker 1: entire Fibonacci sequence. So it for me, it makes scary,

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Speaker 1: which yeah, I'm so sick of feeling comfortable around math.

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Speaker 2: Hey boy, welcome to Hollywood Handbook, An Insider's Guide to

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Speaker 2: kicking button dropping names in the end, Oh, go ahead

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Speaker 2: in the Insider's Guide and insider because I I don't

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Speaker 2: want to have made a mistake. So now it is

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Speaker 2: the Insider's Guide back hallways of and I'll just do

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Speaker 2: it again.

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Speaker 1: Then Insider's Guide. We call show this, So.

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Speaker 2: That's what it is now. And that's because the alternative

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Speaker 2: is that I messed up and so actually that is

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Speaker 2: what it's supposed to be.

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Speaker 1: And of course, at the end of that thing, which

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Speaker 1: Hayes just got right, we all know what I used

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Speaker 1: to say and we just sort of imagine it now.

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Speaker 1: So what is it about this time of year, Hayes

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Speaker 1: that makes me want to see what's going me up next?

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Speaker 1: For in terms of the tea, Oh, do I want

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Speaker 1: to say teaser yet? Or should we wait build up

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Speaker 1: to it? Should we build up to it more? Or

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Speaker 1: should I just say?

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Speaker 2: Like?

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Speaker 1: In terms of the teasers, it's hey, somebody get in

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Speaker 1: that text mousage. How do I disable? Sam? How do

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Speaker 1: I disable? Well? You might just want to click your

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Speaker 1: thing over to quiet. Can't you sound quiet? Yeah? Can't you?

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Speaker 1: But then the teaser? But then we can't hear the teaser.

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Speaker 1: Well that is a prop Okay, do we like this?

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Speaker 1: I think we maybe the listener feel like they're winning

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Speaker 1: a prize.

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Speaker 2: Let's hear from them if they like it? Why we

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Speaker 2: decide everything?

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Speaker 1: Yes, it's I'm so sick of making all the decisions

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Speaker 1: about what people hear on the show. I want more,

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Speaker 1: just I want it forced on me more. And Scripts

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Speaker 1: has been trying and maybe I just roll over and

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Speaker 1: let them do it.

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Speaker 2: It's February. Can smell it in the air, and it's

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Speaker 2: that time of year when there's one guy who is

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Speaker 2: all his movies come out right now, and you know,

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Speaker 2: it's February when Kevin Kopner is in the movies, and

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Speaker 2: we have a great new movie that's coming out, mister February.

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Speaker 1: My only problem with that is it's the shortest month

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Speaker 1: of the year, and I feel like we could maybe

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Speaker 1: squeeze in one or two more of his movies, if

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Speaker 1: only he would, you know, pick somewhere else. But what

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Speaker 1: a great time. And I get so excited, and right

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Speaker 1: when I start falling in love and remembering Harriet Tubman.

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Speaker 1: Then I also get to go and cool off in

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Speaker 1: the theater with one of my best friends for quite

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Speaker 1: some time, Kevin Kopsner, who I believe solved the drought

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Speaker 1: with a machine.

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Speaker 2: And we have a sample, a little taste of his

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Speaker 2: new movie called a teaser.

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Speaker 1: Oh this is the wrong one. It's so copse. The

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Speaker 1: teaser freezer isn't nice?

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Speaker 2: Is the has good education? Is no cussing?

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Speaker 1: That's a good one. That's the one that you want

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Speaker 1: to do. You like that one.

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Speaker 2: It's got a lot of interesting stuff and it is nice.

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Speaker 2: It definitely has good parts.

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Speaker 1: The other one was fresh and not in the way

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Speaker 1: that something is fresh when it comes out of a freezer,

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Speaker 1: being more like a cad. Yes, like a scoundrel, like

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Speaker 1: a rake. Now you were going through that it has

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Speaker 1: good parts, did we mention that? Yes, that's one of

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Speaker 1: my favorite things about the teaser freezer as a thing.

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Speaker 2: So many good parts. And we're gonna do talk about

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Speaker 2: movies called Criminal.

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Speaker 1: And we've all been so excited for it. And if

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Speaker 1: you've managed to escape this teaser up till now, I

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Speaker 1: feel bad for you because it's been everywhere as far

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Speaker 1: as I know, and it's going to even be on

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Speaker 1: this show, which means, okay, now it's really something big.

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Speaker 1: And this one is this trailer.

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Speaker 2: This this teaser has a special name which is called remember,

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Speaker 2: which is something we like to say on the show.

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Speaker 2: Whenever people almost forget, we say remember remember.

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Speaker 1: And then I'll also add this from before.

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Speaker 2: And so this is the teaser for Criminal Approaching.

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Speaker 1: Helicopter is an out of prison more than half his life.

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Speaker 1: He's got no impost control.

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Speaker 3: He's unable to calculate the consequences of his actions.

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Speaker 1: He has a total acronomic thief for anybody or anything,

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Speaker 1: he feels nothing.

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Speaker 2: Now this is heaven playing against type as the meanest

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Speaker 2: guy ever.

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Speaker 1: Well, because he's a pretty heroic guy in general. Can

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Speaker 1: he pull this off? Yeah, guy's got chops for days.

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Speaker 2: And interesting thing about this character he's been in and

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Speaker 2: out of prison for more than half of his life,

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Speaker 2: which technically I have as well.

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Speaker 1: It terms being.

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Speaker 2: Out, he's he's been either in or out of prison, Yes,

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Speaker 2: for a very for a huge one of those.

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Speaker 1: Two things, for over half my life. Now would I

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Speaker 1: be able to play someone who has no empathy for

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Speaker 1: anyone else? I don't know. Because Kevin Chopsner has chops

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Speaker 1: for days. I maybe have chops for an hour and

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Speaker 1: a half, but a couple of days I feel like

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Speaker 1: I would just get sleepy. So you know, you see

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Speaker 1: the different level of movie star and why they are

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Speaker 1: where they are, and why I so much more often

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Speaker 1: I am behind the camera just calling Cutt.

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Speaker 2: And he's getting a brain injection. You know who I am?

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Speaker 2: My head, he's lying in bed, his head hurts.

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Speaker 1: My head.

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Speaker 2: Name is Bill Pope.

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Speaker 4: You're an intelligence Officer CI.

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Speaker 2: And so this is the thing that's so messed up confused.

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Speaker 2: We just heard name. His name is Jericho Stewart. Now

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Speaker 2: his name is Bill Bill Pope.

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Speaker 1: Jericho the criminal is now the name of Bill Pope.

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Speaker 1: And then he is now an intelligence offer for CIA,

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Speaker 1: which is the opposite of a criminal. Yes, but it's

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Speaker 1: a it's a law doer. And you know, I mean

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Speaker 1: really so it is really, it really is. Now, I'd

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Speaker 1: be a fool not to mention that we have done

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Speaker 1: Kevin Chopsner movies on this show before. We did do

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Speaker 1: Three Days to Kill and he did also get injected

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Speaker 1: with a special like brand new sort of serum. Yes,

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Speaker 1: so this is something where this guy like guy's secret

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Speaker 1: needles stuck in.

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Speaker 2: The guy's good at being injected in a movie because

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Speaker 2: he'll be like, oh yeah, you know, my head, could

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Speaker 2: I do that? Well, I did it just now. But

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Speaker 2: you get all the lights and the cameras set up,

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Speaker 2: and you need me and this for days and this

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Speaker 2: is well within your your peak hours of the day,

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Speaker 2: which is why we do the podcast when we do it.

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Speaker 1: Oh yeah, and if a guest is running late or

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Speaker 1: something like that, I think you feel the results at home,

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Speaker 1: which is I just straight up give.

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Speaker 2: Up, because before this you can be very you can

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Speaker 2: be a real sour puss.

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Speaker 1: I'm mad when I wake up, I'm mad all this crimes,

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Speaker 1: and later stop it.

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Speaker 2: And later in the day you get almost two relaxed,

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Speaker 2: chilled out. Well, yeah, you start to think about island

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Speaker 2: music and things.

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Speaker 1: And yeah, well that is when I sort of embraced

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Speaker 1: the uh oopslid team mentality of my youth, and uh

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Speaker 1: I just ease into I don't think I'm shocking anyone

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Speaker 1: when I say the vape life, which you can actually

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Speaker 1: make a funny symbol with your hands and it's almost

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Speaker 1: as good as a joke. So I obviously have a

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Speaker 1: lot of different hats that I wear, but for an

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Speaker 1: hour and a half a day, I do wear the

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Speaker 1: hat of just a funny man who's on point. I

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Speaker 1: think that's when we record the daughter's name Emma, your

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Speaker 1: wife Jill, huh to me, Hey, look at me.

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Speaker 2: So here's one thing I've noticed saing about Kevin Chapsner,

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Speaker 2: which is the HOGI that he eats to do movies

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Speaker 2: stuck in his throat. It's gotten stuck, are there, and

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Speaker 2: it also may have gone a little bit too spicy.

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Speaker 2: It has become stuck and spicy.

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Speaker 1: There's no water anywhere, and a lot of times water

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Speaker 1: can make spicy stuff worse because it just spreads it around.

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Speaker 1: But you know his voice, if you remember in Three

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Speaker 1: Days to Kill when he gets the injection, he was

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Speaker 1: kind of like water stuck everybody, And now it's like,

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Speaker 1: what do you guys do the bat It's just like

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Speaker 1: when you're like, you all just don't want to let

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Speaker 1: any air in er out to feed the spice.

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Speaker 2: But the important thing is the words are the same.

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Speaker 2: The stuff that he's saying is like, whoa, what did

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Speaker 2: you put in you know, inside me this year?

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Speaker 1: Well, and he's also saying, what did you put in

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Speaker 1: this Hogiah? Because is it some sort of like jerk

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Speaker 1: cajun turkey? Yeah? Yeah, did you do to me what

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Speaker 1: you do spicy? Hey?

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Speaker 2: Yon screw Dutch program So now here's another guy that

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Speaker 2: we want to know about forties I get the to

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Speaker 2: this trailer. Yon Scrout, Dutch programmer.

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Speaker 1: So Jericho Stewart, Bill Polkernon screwed.

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Speaker 2: So now these are the three characters, and also we've

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Speaker 2: seen two other characters.

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Speaker 1: Yeah, but unless Timmy Lee John Yeah, Gary old Man,

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Speaker 1: Gary old Man, who is from the Batman movies. And

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Speaker 1: if you remember, he asked the famous question why are

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Speaker 1: you being so serious? Now? I hate to bring that

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Speaker 1: up because I am as I do it. I am,

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Speaker 1: of course once again inviting the Joker into my mind.

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Speaker 1: And you are, and you are always invitinged with him.

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Speaker 1: You're you're voluntarily injecting him into your mind and giving

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Speaker 1: him a chance to cause you to embrace chaos. Wor

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Speaker 1: it's one say yes. But when I do see Gary

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Speaker 1: old Man, I'm sorry, I can't forget the iconic moment

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Speaker 1: when he went, why are you being so serious?

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Speaker 3: The protection you got him to the safe house.

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Speaker 1: Let's remember from the morning.

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Speaker 2: That is all we need to know. So what happened

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Speaker 2: was Bill Pope was protecting young screwed Cia protection. He

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Speaker 2: took him to the safe house. Something happened Bill Pope.

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Speaker 2: He died, disappeared something. He's played by Ryan Reynolds. Deadpoole's

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Speaker 2: famous friend. They needed, I guess, put Bill Pope's memories

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Speaker 2: in another brain, and they chose Jericho Stewart, one of

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Speaker 2: the meanest people ever in history to ever do so

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Speaker 2: many crimes.

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Speaker 1: So I can I think simplify this for people who

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Speaker 1: maybe haven't seen teasers or don't know what you mean.

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Speaker 1: Face off while a fun rump was so stupid because

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Speaker 1: you can't do that with a face. If a face

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Speaker 1: comes off, believe me, you can't just put it on

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Speaker 1: another head. They're not the same size. But what they're

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Speaker 1: doing is brain is.

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Speaker 2: Not including if you go to the fair and get

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Speaker 2: Spider Man on your face.

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Speaker 1: No, that works, great, that's fine, and you can be

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Speaker 1: a tiger for a day. But what I'm talking is

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Speaker 1: trouble to have Nick Kage's face. I'm sorry, Travolt. The

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Speaker 1: head's too big. So when you look at something like this,

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Speaker 1: they're doing brain off where you can do that because

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Speaker 1: if it's just the brain juice and memories, you could

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Speaker 1: basically put it anywhere, even in a baby.

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Speaker 2: You're just taking their inside out characters and moving them

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Speaker 2: to a new house.

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Speaker 1: Yes, and we all have the same core inside out characters,

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Speaker 1: a number of emotions, and you know, different ones are

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Speaker 1: driving the bus at different times.

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Speaker 2: And they look like you and you can't except for

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Speaker 2: the girls. The girls don't look as much like her,

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Speaker 2: but everyone else says look like their outside body.

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Speaker 4: That needs you to remember.

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Speaker 1: I don't remember nothing.

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Speaker 2: So in the car he's getting the gun, shooting the

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Speaker 2: gun to surprise everyone.

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Speaker 1: So I had a question when he says I don't

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Speaker 1: remember nothing. Is whose is it? Is it Bill Pope?

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Speaker 1: Is it Jerio Stewart? Is it Yon Screwed? To say?

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Speaker 1: He used a double negative, which I'm a grammar freak,

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Speaker 1: so I hate that stuff. So that feels to me

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Speaker 1: like they're having him be a criminal. I don't remember nothing,

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Speaker 1: whereas a CIA man would be like, I ain't remember

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Speaker 1: none of that stuff, you know, because that's actually the

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Speaker 1: grammatically proper term.

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Speaker 2: Yeah, And they go to school special school for to

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Speaker 2: talk any language.

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Speaker 1: Ten schools, and they have different passports. They're gonna change

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Speaker 1: schools every few months and make a whole new group

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Speaker 1: of friends. The car car splash, Captain pekar Hey swim away.

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Speaker 1: And now he went to visit girl goodou?

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Speaker 2: Oh yes, who is one of our new favorite movie.

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Speaker 1: She's from Israel?

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Speaker 2: You who are you? And that she's Bill Pope's wife?

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Speaker 1: Ud in my head why looking for details that he knew.

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Speaker 2: Before he was killed, And so now it's a good

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Speaker 2: time to explain sort of what's happening.

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Speaker 1: In this movie. In the teaser, which is almost more

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Speaker 1: than Leijing, with the grave hears, people can understand there

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Speaker 1: is a better way to run this world. They're going

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Speaker 1: to blow up Washington, Berlin, Beijing. My head made me

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Speaker 1: feel Ryan he's being wrong.

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Speaker 4: Can you feel what Billy feels?

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Speaker 2: He loves you so much? Chase after him, no kissing,

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Speaker 2: Blessed chants.

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Speaker 1: Well they die, they don't matter, they do what I'm married.

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Speaker 2: Okay, Yes, this is what I was waiting to talk about.

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Speaker 2: Interesting discussion. Gary old Man says, first part or somebody

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Speaker 2: else says too many waves at'd sake? Gary Oldman says,

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Speaker 2: they don't matter? Oh, Gary old Man? And who does

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Speaker 2: he think he's talking to?

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Speaker 1: In a way, Jericho, who famously had no empathy for anyone,

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Speaker 1: feels couldn't see the consequence of his actions and just

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Speaker 1: did what he wants, feels nothing? Oh does he feel

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Speaker 1: nothing now because he's feeling love for Israel person and

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Speaker 1: the lives? What do they say? They don't matter matter?

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Speaker 1: What does he say they do to me? And here's

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Speaker 1: why I think this is really talking about. I get

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Speaker 1: some milk. I've heard milk is good for cause, like

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Speaker 1: coats or a taie iced tea.

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Speaker 2: Can I got some boba tea?

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Speaker 1: Yeah, he wants the tapioca bubbles. So but that's beside

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Speaker 1: the point. And they edited that part out of the scene.

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Speaker 1: Let me say my major point please. It's interesting with

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Speaker 1: all the politics he's saying, these lives they don't matter.

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Speaker 2: Gary old Man, seems like what he's trying to say

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Speaker 2: is some lives matter more than others. Oh damn, okay,

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Speaker 2: remind you of somebody? Yeah that sounds a little familiar.

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Speaker 2: And Kevin Choffner is saying all lives matter, you know

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Speaker 2: what I mean, where some of these people are saying, oh,

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Speaker 2: I guess only my life matters.

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Speaker 1: Yeah, or like me and people like me and my friends, Yeah,

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Speaker 1: only talk about that only us, And Kevin Chopson's going like,

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Speaker 1: hang on, hang on, this is a pretty unassailable point.

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Speaker 2: All lives do matter. Yes, do you do you disagree

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Speaker 2: with that? And they're like, yeah, basically we do disagree

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Speaker 2: with you.

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Speaker 1: Yeah, or they're going, don't bring that up, and like

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Speaker 1: that's what Gary old Man's showing.

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Speaker 2: Their true colors. And I don't mean anything weird by that.

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Speaker 1: It's just a phrase. Yeah, that's like a freaking Debbie

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Speaker 1: Gibson song or something. But so yeah, Gary old Man's

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Speaker 1: going like, uh, only some, let's only talk about some.

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Speaker 1: Kevin Copster's Chopsoner's like, that's not fair, And ultimately.

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Speaker 2: He's fair to everybody.

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Speaker 1: Only he's a warrior for fairness. And I don't think

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Speaker 1: Jericho Stewart wouldn't necessarily felt that way, but I know

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Speaker 1: that Bill Pope, Seia Hero, Ryan Reynalds Tippoole's friend and

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Speaker 1: also married to a pretty hot israel woman, does feel

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Speaker 1: that way. I'll be mess with me. Thought they knew

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Speaker 1: what they'd get, but they were wrong. It's getting worse.

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Speaker 2: We almost feel like we got out of the teaser

338
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Speaker 2: just the right time, because it was like the saliva

339
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Speaker 2: is causing the HOGI to expand, it gets wet.

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Speaker 1: It does sound like it's so much harder to get

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Speaker 1: the sound out, and that we were a few minutes

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Speaker 1: away from him straight up not being able to make

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Speaker 1: any noise with his throat anyway. He may be able

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Speaker 1: to bang on a tin drum or something.

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Speaker 2: Oh well, they were right about the teaser. Freezer was

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Speaker 2: nice and it was great and it had good parts.

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Speaker 2: Oh it's had good part. It's educational. We love it.

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Speaker 2: It's a thing you learning, having fun with your friends.

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Speaker 2: And we checked the ball off and we forgot to

350
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Speaker 2: open it.

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Speaker 1: Well, we didn't have to open it and get inside

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Speaker 1: because this one was actually such a hot teaser that

353
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Speaker 1: it bust out of the freezer. It melted the freezer.

354
00:21:02,840 --> 00:21:05,720
Speaker 1: But we fix it. Yeah, no, we're gonna go put

355
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Speaker 1: more wires in.

356
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Speaker 2: Cou op is here on Hollywood Handbook.

357
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Speaker 4: Hollywood Hambook.

358
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Speaker 2: So I'm out in the desert, standing on top of

359
00:21:25,440 --> 00:21:29,159
Speaker 2: the San Andreas fault. I have all my tools, I

360
00:21:29,240 --> 00:21:33,640
Speaker 2: have the drill, I have all the examining technology. I'm

361
00:21:33,720 --> 00:21:40,160
Speaker 2: ready to go. Who is not there? Cameron Esposito. Oh

362
00:21:40,560 --> 00:21:48,000
Speaker 2: hey again, it was a mistake where I said, please

363
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Speaker 2: come out to the desert to do a boring test

364
00:21:50,119 --> 00:21:54,479
Speaker 2: with me. She thought I was talking about like a

365
00:21:54,560 --> 00:21:58,920
Speaker 2: boring math test, right, And so she went to school.

366
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Speaker 1: Oh, desert school, desert desert you and wrong.

367
00:22:05,680 --> 00:22:10,359
Speaker 2: But this was dessert you but the oh right, she

368
00:22:10,359 --> 00:22:11,680
Speaker 2: went to dessert school.

369
00:22:11,400 --> 00:22:15,520
Speaker 1: Cookie cakes. But you are saying the story. But I

370
00:22:15,560 --> 00:22:18,560
Speaker 1: have heard this story before where she stood you up

371
00:22:19,280 --> 00:22:21,280
Speaker 1: for some kind of meeting, whether it was for a

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Speaker 1: boring test whether it was to uh for a dowsing and.

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Speaker 2: That was that was another the same thing. She uh

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Speaker 2: thought it was a drowsing experience. She thought was like drowsy,

375
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Speaker 2: and so she went.

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Speaker 1: To sleep sleep school. She went to school for how

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Speaker 1: to go to sleep. Yeah, so I'm starting to wonder

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00:22:45,320 --> 00:22:49,520
Speaker 1: if she is lining you and I and I love you.

379
00:22:51,640 --> 00:22:54,080
Speaker 1: She doesn't want to hang out with you, and she's

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Speaker 1: coming up with a school every time that she went

381
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Speaker 1: to instead of where she said she was going to

382
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Speaker 1: meet you. I don't want I don't believe that. I

383
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Speaker 1: don't want to see keep happening. I don't want to

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Speaker 1: believe it.

385
00:23:04,320 --> 00:23:06,440
Speaker 2: But I also don't believe it because I haven't heard

386
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Speaker 2: of desert you or desert you.

387
00:23:08,840 --> 00:23:10,679
Speaker 1: I haven't heard of a drowsing school.

388
00:23:12,000 --> 00:23:15,040
Speaker 2: They are all real schools. Where you go to desert

389
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Speaker 2: school you learn how to find water drowsing school, which

390
00:23:21,280 --> 00:23:22,760
Speaker 2: is interesting because that's dowsing.

391
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Speaker 1: Uh. So you would think that you would know the difference.

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Speaker 1: Now I am starting to it doesn't totally add up.

393
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Speaker 2: Hey, welcome to Hollywood Handbook. And then sid just got

394
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Speaker 2: to kicking button drum in the red carpetlane back always

395
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Speaker 2: in the industry, we.

396
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Speaker 1: Callop not even going to mention what we used to

397
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Speaker 1: say after that.

398
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Speaker 2: We have all the and we didn't and we never

399
00:23:45,119 --> 00:23:47,679
Speaker 2: used to say anything after kolops here. It it sounds like

400
00:23:47,720 --> 00:23:49,679
Speaker 2: the way he's saying that, it sounds like he's like

401
00:23:49,760 --> 00:23:52,320
Speaker 2: protecting you from something we used to say after your name. No,

402
00:23:52,359 --> 00:23:55,440
Speaker 2: it's just after there's already another show that has all

403
00:23:55,480 --> 00:23:57,679
Speaker 2: the jokes of your name about. It is like if

404
00:23:57,880 --> 00:24:01,680
Speaker 2: the girlfriend joke, you know what I mean? Yeah, and

405
00:24:02,240 --> 00:24:06,160
Speaker 2: they call you the widow, and they call you howl

406
00:24:06,280 --> 00:24:08,440
Speaker 2: app and so many different.

407
00:24:08,040 --> 00:24:09,600
Speaker 4: Things and a strange name.

408
00:24:10,440 --> 00:24:16,159
Speaker 2: Yeah, it's difficult, it's funny to talk about. Sure, the

409
00:24:16,240 --> 00:24:17,040
Speaker 2: weird names.

410
00:24:17,240 --> 00:24:21,320
Speaker 4: Yes, there's an exotic people, thank you?

411
00:24:21,440 --> 00:24:23,359
Speaker 1: Yes, why not mind that for humor?

412
00:24:23,480 --> 00:24:25,040
Speaker 4: That's right, I'm like a zebra.

413
00:24:25,520 --> 00:24:28,359
Speaker 1: We don't have to pretend it's three white guys in here.

414
00:24:28,440 --> 00:24:30,399
Speaker 1: In fact, we can be proud that it's not.

415
00:24:30,960 --> 00:24:32,480
Speaker 4: Well, there is three white guys in here.

416
00:24:32,960 --> 00:24:37,240
Speaker 1: Oh right, Sam, Sam, could you step out of the

417
00:24:37,320 --> 00:24:40,200
Speaker 1: room for a moment. I'd like to take it again.

418
00:24:42,160 --> 00:24:44,600
Speaker 2: Always let's say of what the funny names. Borat's friend

419
00:24:44,760 --> 00:24:45,960
Speaker 2: was in my Bagata.

420
00:24:47,280 --> 00:24:55,719
Speaker 1: Really good? Uh oh uh? Boris badenough, Sherri Applebee, that's

421
00:24:56,240 --> 00:24:58,760
Speaker 1: good funny names that sound like a dessert to me.

422
00:24:58,880 --> 00:25:04,240
Speaker 1: She got unloaded on the show, remember, hey, she did?

423
00:25:05,119 --> 00:25:08,000
Speaker 1: I know we are allowed to talk about this. What happened?

424
00:25:08,000 --> 00:25:09,600
Speaker 1: I said we were going to try to get some

425
00:25:10,480 --> 00:25:14,520
Speaker 1: younger listeners and we should stop talking about loads, if

426
00:25:14,560 --> 00:25:19,840
Speaker 1: only for a week. We said that fifteen minutes ago.

427
00:25:20,000 --> 00:25:21,879
Speaker 1: I know, but we aren't allowed to be like that,

428
00:25:22,200 --> 00:25:25,040
Speaker 1: like when she brings it all mechanically. Cool Op did

429
00:25:25,040 --> 00:25:26,160
Speaker 1: bring up loads?

430
00:25:26,880 --> 00:25:29,840
Speaker 4: Did I prompted you saying loads?

431
00:25:30,160 --> 00:25:33,800
Speaker 2: Yes, yes, it's not just nothing. What we said was

432
00:25:33,800 --> 00:25:36,080
Speaker 2: we weren't just gonna we were just gonna start talking

433
00:25:36,080 --> 00:25:40,240
Speaker 2: about loads, and we didn't. Yeah, okay, I think that's

434
00:25:40,359 --> 00:25:45,320
Speaker 2: enough names. Cool Op starting a little late then we

435
00:25:45,520 --> 00:25:48,680
Speaker 2: then people usually start, and we thought that you.

436
00:25:48,720 --> 00:25:51,240
Speaker 1: Would have this great excuse, and it turned.

437
00:25:50,960 --> 00:25:53,760
Speaker 4: Out you kickboxing. I was kickboxing.

438
00:25:53,480 --> 00:25:59,480
Speaker 1: Kickboxing exercise fighting a great reason seems reschedulable. Oh no,

439
00:25:59,600 --> 00:25:59,919
Speaker 1: it is.

440
00:26:00,000 --> 00:26:06,040
Speaker 4: It's nuts. It's nuts. Is my fitness I need it?

441
00:26:06,640 --> 00:26:09,800
Speaker 1: Okay, we're starting to embrace peace on this shirt trying

442
00:26:09,840 --> 00:26:10,760
Speaker 1: to fitness dress.

443
00:26:12,280 --> 00:26:14,440
Speaker 4: Thank you. Actually that's a great T shirt.

444
00:26:16,160 --> 00:26:19,320
Speaker 1: Yes, we're always coming up with T shirts on never

445
00:26:19,400 --> 00:26:21,480
Speaker 1: see them trying to fit in his T shirt, trying

446
00:26:21,480 --> 00:26:22,040
Speaker 1: to fit in this.

447
00:26:22,160 --> 00:26:24,240
Speaker 4: Trying to fitness. Oh that's so good.

448
00:26:24,359 --> 00:26:26,840
Speaker 2: I love doing fitness because I'm trying to fitness T shirt.

449
00:26:28,080 --> 00:26:30,800
Speaker 2: You were like, oh, and it should be small.

450
00:26:31,640 --> 00:26:34,560
Speaker 1: Oh you're holding up a small T shirt. Well, I

451
00:26:34,560 --> 00:26:35,600
Speaker 1: guess I'll to get up.

452
00:26:37,000 --> 00:26:37,879
Speaker 2: You're wearing it.

453
00:26:38,920 --> 00:26:41,399
Speaker 1: You're already wearing it. So you did fitness, but it

454
00:26:41,400 --> 00:26:43,440
Speaker 1: does it doesn't.

455
00:26:43,119 --> 00:26:46,800
Speaker 2: Fit in me, and maybe that's the end part fit. Yeah, well,

456
00:26:46,880 --> 00:26:49,800
Speaker 2: it did fitness, but it didn't fit in me. I

457
00:26:49,840 --> 00:26:52,200
Speaker 2: did fitness, but I'm still not still can't fit in

458
00:26:52,240 --> 00:26:56,919
Speaker 2: this T shirt. Well, anyway, I don't know that.

459
00:26:57,000 --> 00:27:00,480
Speaker 1: We love being passed on for kickboxing because we're trying

460
00:27:00,480 --> 00:27:02,600
Speaker 1: to embrace peace, and we've talked a lot about fighting

461
00:27:02,640 --> 00:27:04,920
Speaker 1: on this show. I, of course taz out and have

462
00:27:05,000 --> 00:27:09,000
Speaker 1: a circular fighting style that is pretty much impossible to

463
00:27:09,000 --> 00:27:11,760
Speaker 1: defend against. But I've tried to become an animal, a

464
00:27:11,840 --> 00:27:13,120
Speaker 1: tornado animal.

465
00:27:12,840 --> 00:27:14,520
Speaker 4: And I see, I see, I see that's.

466
00:27:14,359 --> 00:27:16,520
Speaker 1: What you do. That's your I tazz out.

467
00:27:16,640 --> 00:27:18,200
Speaker 4: Yeah, yeah, you taz out.

468
00:27:18,480 --> 00:27:20,679
Speaker 2: He becomes he goes to put arms out, becomes so

469
00:27:20,800 --> 00:27:23,120
Speaker 2: fast he becomes invisible.

470
00:27:23,280 --> 00:27:26,159
Speaker 1: Oh wow, that's what you see is a cloud of

471
00:27:26,240 --> 00:27:28,719
Speaker 1: dust that is basically your doom if you're the one

472
00:27:28,720 --> 00:27:29,400
Speaker 1: who caused it.

473
00:27:30,040 --> 00:27:32,960
Speaker 3: Uh does does that happen often in a week, Let's

474
00:27:32,960 --> 00:27:33,920
Speaker 3: say in.

475
00:27:33,840 --> 00:27:37,560
Speaker 1: A given week. It's rare, especially because there's really only

476
00:27:37,560 --> 00:27:38,880
Speaker 1: an hour and a half of the day that I'm

477
00:27:38,880 --> 00:27:40,000
Speaker 1: out and about.

478
00:27:40,560 --> 00:27:43,919
Speaker 3: Oh okay, and you you're very peaceful at home, and

479
00:27:44,000 --> 00:27:45,800
Speaker 3: so it's just the elements.

480
00:27:45,920 --> 00:27:48,840
Speaker 1: You are mad in the morning, but I'm pissed off

481
00:27:48,840 --> 00:27:52,439
Speaker 1: by yourself but alone, and I don't want anyone around.

482
00:27:52,440 --> 00:27:56,080
Speaker 1: If anyone it's maybe Hayes and that's just to bring

483
00:27:56,119 --> 00:28:01,880
Speaker 1: me my latte. No, it's that's kidding. I drink black coffee.

484
00:28:01,920 --> 00:28:05,320
Speaker 1: What's with this? Uh? Soy vanilla moke of wrapp a

485
00:28:05,359 --> 00:28:09,200
Speaker 1: lotta Chino stuff. I mean, whatever happened to a cup

486
00:28:09,240 --> 00:28:10,120
Speaker 1: of coffee?

487
00:28:10,680 --> 00:28:11,520
Speaker 2: And the sizes?

488
00:28:12,880 --> 00:28:16,399
Speaker 1: Talk about the size speak of them is funny?

489
00:28:16,520 --> 00:28:21,960
Speaker 3: Yes, small, medium, large, the extra large, other ones jumbo size.

490
00:28:23,119 --> 00:28:27,880
Speaker 1: Yeah, yeah, okay, we can have Sam do it well,

491
00:28:27,920 --> 00:28:30,159
Speaker 1: sweet Sam? Do cool up. Sam. We can sweeten this

492
00:28:30,320 --> 00:28:31,879
Speaker 1: right like those coffees.

493
00:28:32,920 --> 00:28:33,320
Speaker 2: Mm hmm.

494
00:28:34,240 --> 00:28:37,439
Speaker 1: Stevia, you know, whatever happened to just pour some freaking

495
00:28:37,560 --> 00:28:38,280
Speaker 1: honey in there.

496
00:28:39,160 --> 00:28:41,320
Speaker 4: Nobody pours honey into coffee.

497
00:28:42,040 --> 00:28:46,640
Speaker 1: Uh, beef farmers do, right?

498
00:28:46,840 --> 00:28:47,720
Speaker 4: I know you're right.

499
00:28:48,000 --> 00:28:48,400
Speaker 2: Cool up.

500
00:28:48,440 --> 00:28:50,520
Speaker 1: I'm going to ask you that if you are going

501
00:28:50,560 --> 00:28:55,880
Speaker 1: to show up, please bring your brains. Cool up, coolop.

502
00:28:56,080 --> 00:28:58,960
Speaker 3: You know that's fearless feedback, and I invite it and

503
00:28:59,000 --> 00:28:59,920
Speaker 3: I'm excited by it.

504
00:29:00,040 --> 00:29:02,040
Speaker 2: We were getting into a new section.

505
00:29:02,960 --> 00:29:03,680
Speaker 4: I'm so sorry.

506
00:29:05,400 --> 00:29:06,360
Speaker 1: I don't know how you do it.

507
00:29:06,560 --> 00:29:09,400
Speaker 2: No, yes, but I did do your show. It's such

508
00:29:09,440 --> 00:29:11,920
Speaker 2: a fun time on your show, and Sean is is

509
00:29:12,000 --> 00:29:13,760
Speaker 2: going to do it. I was definitely going to do it.

510
00:29:13,880 --> 00:29:16,880
Speaker 1: I want to do it, you guys, I want to

511
00:29:16,920 --> 00:29:17,600
Speaker 1: want to do it.

512
00:29:17,720 --> 00:29:21,560
Speaker 4: Wait, hold on, Yeah, so you don't want to do it.

513
00:29:22,440 --> 00:29:24,360
Speaker 2: He just said that he wants to want to.

514
00:29:24,640 --> 00:29:25,920
Speaker 4: What that means he doesn't want?

515
00:29:26,040 --> 00:29:27,560
Speaker 1: I want to be wanted.

516
00:29:27,840 --> 00:29:29,120
Speaker 2: Yeah, you are wanted.

517
00:29:29,480 --> 00:29:32,080
Speaker 3: You were asked to do it and then you flaked.

518
00:29:32,240 --> 00:29:36,760
Speaker 1: That wasn't flaking. I wasn't kickboxing cool Okay, I wasn't that.

519
00:29:38,240 --> 00:29:40,200
Speaker 1: I was. I was at a job.

520
00:29:41,520 --> 00:29:43,800
Speaker 4: Well maybe it's my job to kick ass.

521
00:29:44,160 --> 00:29:49,680
Speaker 2: Do you paint a butt on the just anything?

522
00:29:50,680 --> 00:29:52,959
Speaker 1: Oh? Wow, you didn't even need him to finish.

523
00:29:52,960 --> 00:29:58,200
Speaker 4: I paint butts, and I cannot lie painting butts.

524
00:29:58,800 --> 00:29:59,880
Speaker 1: All right, speak on that.

525
00:30:02,360 --> 00:30:06,920
Speaker 3: Well, I find just the human figure disgusting, except for one, one,

526
00:30:07,200 --> 00:30:08,040
Speaker 3: one area.

527
00:30:09,120 --> 00:30:10,880
Speaker 1: I'll bet you want to kick it because you like

528
00:30:10,960 --> 00:30:11,480
Speaker 1: it so much?

529
00:30:11,680 --> 00:30:15,640
Speaker 3: Yeah, yeah, because I it's it's my vices.

530
00:30:15,720 --> 00:30:16,120
Speaker 4: Cheese.

531
00:30:16,800 --> 00:30:19,600
Speaker 1: Yes, Sometimes beauty can be infuriating, can't it?

532
00:30:20,640 --> 00:30:21,160
Speaker 4: Yeah?

533
00:30:21,240 --> 00:30:24,920
Speaker 1: Yeah, make you mad, make yell at somebody online?

534
00:30:25,200 --> 00:30:29,200
Speaker 4: Yeah, makes you taz out, makes you taz.

535
00:30:30,320 --> 00:30:31,280
Speaker 1: Don't say it too much?

536
00:30:31,680 --> 00:30:33,000
Speaker 4: Okay, does it?

537
00:30:33,520 --> 00:30:37,480
Speaker 2: He's already turning in his chair. The chair makes it

538
00:30:37,520 --> 00:30:39,080
Speaker 2: a lot easier to spin.

539
00:30:39,800 --> 00:30:43,000
Speaker 1: Sure, I've asked him to get stationary chairs that sort

540
00:30:43,000 --> 00:30:46,360
Speaker 1: of lock in, but scripts can't do that. Yeah, scripts

541
00:30:46,360 --> 00:30:51,240
Speaker 1: don't have the budget. You do the charts. We love it.

542
00:30:51,360 --> 00:30:54,239
Speaker 1: Oh god, I'm looking at the numbers on them and

543
00:30:54,280 --> 00:30:57,640
Speaker 1: what's being on the top. I'm so into it.

544
00:30:58,600 --> 00:31:04,280
Speaker 2: We thought wanna be fun funny story. Uh huh to

545
00:31:04,440 --> 00:31:05,960
Speaker 2: do we do our own chart and.

546
00:31:05,960 --> 00:31:10,000
Speaker 1: The role reversal. It's part of what's making it pleasing

547
00:31:10,080 --> 00:31:12,040
Speaker 1: for a listener. Hmm.

548
00:31:12,280 --> 00:31:13,520
Speaker 4: That sounds so so great.

549
00:31:13,600 --> 00:31:15,640
Speaker 1: Okay, you like our show, there's something for you. You like

550
00:31:15,800 --> 00:31:17,720
Speaker 1: your show, and you're just checking out our show Okay,

551
00:31:17,760 --> 00:31:19,760
Speaker 1: well there's something for you too. But if you listen

552
00:31:19,800 --> 00:31:24,960
Speaker 1: to both cool op, couldn't you imagine your hands.

553
00:31:24,600 --> 00:31:25,640
Speaker 4: Are so expressive.

554
00:31:25,920 --> 00:31:27,880
Speaker 1: Oh god, I wish they could hear.

555
00:31:27,960 --> 00:31:31,719
Speaker 4: Extend from your elbow out. Yeah, it's yeah, it's it's

556
00:31:31,800 --> 00:31:32,560
Speaker 4: quite impressive.

557
00:31:32,760 --> 00:31:36,280
Speaker 2: Yeah, it moves separately from the upper part. Yeah, elbow,

558
00:31:36,360 --> 00:31:37,840
Speaker 2: it's like a GI. It's like a g I.

559
00:31:37,960 --> 00:31:40,360
Speaker 1: Joe hmm. Yes.

560
00:31:40,800 --> 00:31:44,760
Speaker 2: So a fun chart we want to do today is

561
00:31:45,040 --> 00:31:46,720
Speaker 2: this is a podcast? You got to do a podcast?

562
00:31:46,800 --> 00:31:49,680
Speaker 2: Talk about podcasts on the show we thought we do

563
00:31:49,720 --> 00:31:53,160
Speaker 2: the Charge the top five Earwell podcast that never asked

564
00:31:53,200 --> 00:31:54,200
Speaker 2: us to be on them.

565
00:31:54,440 --> 00:31:57,520
Speaker 1: Yes, and that could be interesting for you and you

566
00:31:57,520 --> 00:31:59,600
Speaker 1: could sort of weigh in, do you like this podcast

567
00:32:00,160 --> 00:32:01,040
Speaker 1: we did you do it?

568
00:32:01,160 --> 00:32:05,120
Speaker 2: Or did they talk about us not wanting we're not

569
00:32:05,160 --> 00:32:06,080
Speaker 2: wanting us to be there?

570
00:32:06,120 --> 00:32:07,320
Speaker 1: We come up it anyway?

571
00:32:07,560 --> 00:32:10,960
Speaker 2: Yes, okay, okay, you guys usually have a song?

572
00:32:12,160 --> 00:32:12,760
Speaker 4: Do you have one?

573
00:32:13,280 --> 00:32:17,280
Speaker 2: Sam?

574
00:32:17,400 --> 00:32:17,960
Speaker 1: Can you cook?

575
00:32:18,360 --> 00:32:21,320
Speaker 2: Can you how quick can you do a good song?

576
00:32:21,640 --> 00:32:22,360
Speaker 1: Cook? Something up?

577
00:32:22,920 --> 00:32:25,520
Speaker 2: About the chart?

578
00:32:25,880 --> 00:32:29,000
Speaker 1: A chart of podcasts like top Yeah type five podcasts

579
00:32:29,040 --> 00:32:33,560
Speaker 1: that did not ask us to be on those it's

580
00:32:33,680 --> 00:32:37,040
Speaker 1: and perform and record. Yeah, well, I don't want it

581
00:32:37,080 --> 00:32:43,720
Speaker 1: like release. Yeah, yeah, I wanted out there getting Okay, okay,

582
00:32:43,760 --> 00:32:45,360
Speaker 1: what if I told you you didn't have a couple

583
00:32:45,360 --> 00:32:49,160
Speaker 1: of days or what if I told you you should

584
00:32:49,160 --> 00:32:50,400
Speaker 1: have started a couple of days ago.

585
00:32:51,960 --> 00:32:55,640
Speaker 2: I don't really have anything because we did you we did. No,

586
00:32:55,720 --> 00:32:57,320
Speaker 2: we didn't know kul Up was coming in here now,

587
00:32:57,440 --> 00:33:00,560
Speaker 2: but she's got to show to promote. So it was like,

588
00:33:00,720 --> 00:33:02,960
Speaker 2: not that crazy that she would be doing the show.

589
00:33:03,080 --> 00:33:05,000
Speaker 2: I think you can put two and two together. She's

590
00:33:05,080 --> 00:33:06,360
Speaker 2: making the round her shows.

591
00:33:07,440 --> 00:33:08,160
Speaker 4: Is that what you want?

592
00:33:08,520 --> 00:33:10,160
Speaker 2: Is that about the thing we're talking about?

593
00:33:10,440 --> 00:33:11,960
Speaker 4: I mean, it's about charts.

594
00:33:12,680 --> 00:33:15,120
Speaker 2: Oh Butjillian daughter Property is about charts too.

595
00:33:15,200 --> 00:33:20,719
Speaker 3: Oh no, I thought, okay, no, it's about real estate. Oh,

596
00:33:20,760 --> 00:33:22,960
Speaker 3: it's just about just having a good time.

597
00:33:23,000 --> 00:33:24,680
Speaker 2: And that's all the time we have for the promotion.

598
00:33:24,800 --> 00:33:27,400
Speaker 2: We had more in the beginning that was set for it.

599
00:33:27,480 --> 00:33:29,920
Speaker 2: That you kick box away.

600
00:33:31,360 --> 00:33:34,040
Speaker 4: It's my fault. I I on up to it.

601
00:33:34,920 --> 00:33:38,520
Speaker 1: So what's the box part of that?

602
00:33:39,880 --> 00:33:40,280
Speaker 4: Ah?

603
00:33:40,520 --> 00:33:43,960
Speaker 1: Isn't it really just kicking right? Right?

604
00:33:44,000 --> 00:33:46,719
Speaker 3: But maybe in olden times they didn't have gloves and

605
00:33:46,760 --> 00:33:50,920
Speaker 3: they used just parcels to protect their hands as gloves.

606
00:33:50,960 --> 00:33:53,240
Speaker 1: Oh, maybe that's how they send the mail to your neighbor.

607
00:33:54,800 --> 00:33:57,800
Speaker 4: Mm okay, like it punches it forward?

608
00:33:58,400 --> 00:33:59,640
Speaker 2: Are you ready kicks it?

609
00:33:59,720 --> 00:34:03,920
Speaker 1: But yeah? Song? Yeah right, yeah, I can play song

610
00:34:03,960 --> 00:34:08,000
Speaker 1: because I notice you're using the computer. Yeah, did you finished?

611
00:34:08,040 --> 00:34:10,240
Speaker 2: Or you just need a song? It has that lyrics,

612
00:34:10,280 --> 00:34:12,920
Speaker 2: so sing over it please. Top five podcasts don't want

613
00:34:12,960 --> 00:34:14,080
Speaker 2: us be on them?

614
00:34:14,320 --> 00:34:14,680
Speaker 1: Okay?

615
00:34:15,160 --> 00:34:20,000
Speaker 2: Are you the music guy or is it the other one?

616
00:34:24,640 --> 00:34:28,480
Speaker 5: These are the top was it the the top five charts?

617
00:34:28,520 --> 00:34:29,560
Speaker 2: You didn't want to be on?

618
00:34:31,600 --> 00:34:33,959
Speaker 1: No, they didn't want us on there? Yeah, we want,

619
00:34:34,000 --> 00:34:36,320
Speaker 1: we do want, we do want this or we might again?

620
00:34:36,520 --> 00:34:42,600
Speaker 1: Yeah yeah, or we might yeah we don't. Yes, that's smart.

621
00:34:44,000 --> 00:34:47,080
Speaker 5: These are the top five charts. They didn't mind that

622
00:34:47,239 --> 00:34:48,319
Speaker 5: chart the chart.

623
00:34:48,560 --> 00:34:50,640
Speaker 1: This is a chart. It is a chart of the

624
00:34:50,680 --> 00:34:54,160
Speaker 1: top five podcast it didn't want me? And hey okay, okay, okay,

625
00:34:54,200 --> 00:34:56,000
Speaker 1: the cool up probably knows people will.

626
00:34:55,840 --> 00:35:01,360
Speaker 2: Do it be easy.

627
00:35:01,480 --> 00:35:04,960
Speaker 5: The top five podcasts they didn't want you to be on.

628
00:35:06,000 --> 00:35:08,480
Speaker 2: No, that's great, that's the decision to have.

629
00:35:08,800 --> 00:35:11,200
Speaker 1: But you see it was but you see what we're

630
00:35:11,239 --> 00:35:13,080
Speaker 1: dealing with. You think we're going to get closer than

631
00:35:13,080 --> 00:35:14,880
Speaker 1: that if it's the kind of thing where if you

632
00:35:14,880 --> 00:35:17,040
Speaker 1: give him another note then he'll get further away in

633
00:35:17,080 --> 00:35:17,880
Speaker 1: a different direction.

634
00:35:18,160 --> 00:35:23,760
Speaker 2: He decides to start speaking just as the extremely loud

635
00:35:24,080 --> 00:35:27,879
Speaker 2: horn cubs as Yes, and the part that's much quieter is.

636
00:35:31,440 --> 00:35:32,920
Speaker 1: And I know you did that on purpose.

637
00:35:34,239 --> 00:35:39,480
Speaker 2: So so top five Earwell podcasts that have never even

638
00:35:40,200 --> 00:35:44,680
Speaker 2: asked anyone about our availability.

639
00:35:43,719 --> 00:35:45,799
Speaker 1: Haven't checked in in any way.

640
00:35:45,920 --> 00:35:46,879
Speaker 4: How do you know that?

641
00:35:47,480 --> 00:35:51,000
Speaker 3: Perhaps it didn't reach you, Perhaps you're unavailable, You've been

642
00:35:51,200 --> 00:35:53,680
Speaker 3: out of the country, you've been out of the state,

643
00:35:53,880 --> 00:35:54,799
Speaker 3: you are busy men.

644
00:35:55,960 --> 00:35:59,440
Speaker 1: Uh they well, okay, so what do you want to

645
00:35:59,480 --> 00:36:02,200
Speaker 1: call it? Because I feel like even if I'm out

646
00:36:02,200 --> 00:36:06,600
Speaker 1: of the country, didn't try emails going through. I think

647
00:36:06,640 --> 00:36:08,800
Speaker 1: they're going to have my email a lot of times.

648
00:36:08,640 --> 00:36:09,400
Speaker 4: They're gonna have it.

649
00:36:09,680 --> 00:36:18,640
Speaker 2: Yeah, So number five Scarborough Country, You done that one?

650
00:36:18,719 --> 00:36:19,279
Speaker 4: I sure have?

651
00:36:19,560 --> 00:36:21,719
Speaker 1: Okay, what's the story there?

652
00:36:21,800 --> 00:36:22,000
Speaker 2: Yeah?

653
00:36:22,160 --> 00:36:22,760
Speaker 1: Was that cool?

654
00:36:23,160 --> 00:36:25,320
Speaker 4: Yeah? Yeah, it's two twin brothers.

655
00:36:25,360 --> 00:36:27,480
Speaker 1: Really Yeah? Okay, great cool.

656
00:36:27,920 --> 00:36:28,719
Speaker 4: I'm gonna do it.

657
00:36:28,680 --> 00:36:33,879
Speaker 1: Soon, making around roughly how many times would you say

658
00:36:33,880 --> 00:36:34,360
Speaker 1: you've done it?

659
00:36:34,680 --> 00:36:37,919
Speaker 3: I believe this will be my third third Okay, that's

660
00:36:37,920 --> 00:36:40,960
Speaker 3: more than like third base a sports thing, which is

661
00:36:41,080 --> 00:36:42,000
Speaker 3: one of the sports things.

662
00:36:42,160 --> 00:36:42,399
Speaker 2: Wow.

663
00:36:42,560 --> 00:36:44,440
Speaker 1: Well, hey, it's almost as if you know a ton

664
00:36:44,520 --> 00:36:46,919
Speaker 1: about sports, and the show is sports, right, and you're

665
00:36:46,960 --> 00:36:48,080
Speaker 1: within the Airwell family.

666
00:36:48,200 --> 00:36:49,399
Speaker 2: I know a lot of these guys.

667
00:36:49,600 --> 00:36:51,040
Speaker 1: Hey fucking ship, I know.

668
00:36:51,080 --> 00:36:53,840
Speaker 4: I don't know anything about sports. That's so interesting and.

669
00:36:54,120 --> 00:36:57,120
Speaker 2: That makes me so mad because me, you put me

670
00:36:57,160 --> 00:37:00,920
Speaker 2: on the show. Listen to this Shack Tiger, what Gretzky,

671
00:37:01,680 --> 00:37:08,440
Speaker 2: Derek Jeter, pele C J Miles, Will Chamberlain Gretzky, the

672
00:37:09,120 --> 00:37:14,839
Speaker 2: French headbut guy Soccer Oaster Tag, Greg Oster Tag and

673
00:37:14,840 --> 00:37:18,399
Speaker 2: Andrea Agasy And that's every single one And that.

674
00:37:18,400 --> 00:37:19,360
Speaker 4: Is the full conversation.

675
00:37:20,080 --> 00:37:21,120
Speaker 2: That's all he can get.

676
00:37:21,120 --> 00:37:23,239
Speaker 1: And if he knows he's going on, you can get

677
00:37:23,239 --> 00:37:24,000
Speaker 1: that time down.

678
00:37:25,080 --> 00:37:28,040
Speaker 4: Yes, yeah, like like Sam and the song.

679
00:37:28,640 --> 00:37:31,719
Speaker 2: Yes, it's just a little preparation. It wouldn't take me

680
00:37:31,840 --> 00:37:32,360
Speaker 2: very long.

681
00:37:32,360 --> 00:37:34,680
Speaker 4: Right, Do you want me to say.

682
00:37:34,480 --> 00:37:37,759
Speaker 1: Something or no? We don't want That's the thing is,

683
00:37:37,800 --> 00:37:39,240
Speaker 1: we don't want you to have to say something.

684
00:37:39,280 --> 00:37:43,000
Speaker 2: We want them to be excited.

685
00:37:43,600 --> 00:37:46,480
Speaker 4: Yes, I want you.

686
00:37:47,560 --> 00:37:47,839
Speaker 1: I think.

687
00:37:47,880 --> 00:37:50,160
Speaker 2: Actually what the more what I listened to now because

688
00:37:50,160 --> 00:37:54,799
Speaker 2: I'm a little kid, is the Jason Derulo one, you

689
00:37:54,840 --> 00:37:58,120
Speaker 2: know what I mean, And he's saying want to want

690
00:37:58,239 --> 00:38:00,160
Speaker 2: to want you and so that's the reference that I

691
00:38:00,200 --> 00:38:03,200
Speaker 2: would use because I'm a young boy.

692
00:38:03,440 --> 00:38:04,480
Speaker 4: Yes, you're a millennial.

693
00:38:04,840 --> 00:38:08,120
Speaker 1: Yes, I'm the one after I'm like a millennials. You're

694
00:38:08,760 --> 00:38:11,040
Speaker 1: and I saw almost have to look after him.

695
00:38:11,520 --> 00:38:13,120
Speaker 4: You tend to him, you're his keeper.

696
00:38:14,480 --> 00:38:18,359
Speaker 1: But I can be a little sweetie myself, a little sweetie. Yeah,

697
00:38:18,520 --> 00:38:21,920
Speaker 1: I mean it's true. I can. Uh what do you

698
00:38:22,000 --> 00:38:24,120
Speaker 1: say to that? Is there any truth to the rumors

699
00:38:24,160 --> 00:38:26,319
Speaker 1: that Hayes is a little sweetie, even though he can

700
00:38:26,360 --> 00:38:27,080
Speaker 1: act so tough.

701
00:38:27,560 --> 00:38:30,440
Speaker 4: I find him to be a big sweetie.

702
00:38:30,480 --> 00:38:34,160
Speaker 1: Oh wow, yeah, oh wow, strong, a strong sweetie.

703
00:38:34,200 --> 00:38:36,680
Speaker 2: Yeah, that is sort of like a muscular sweetie.

704
00:38:37,520 --> 00:38:39,799
Speaker 4: Yeah, wiry, lanky sweetie.

705
00:38:40,520 --> 00:38:44,160
Speaker 1: Yeah, that's right. Yeah, then let's talk about me.

706
00:38:44,400 --> 00:38:46,319
Speaker 4: Sure, let's get let's get there.

707
00:38:46,520 --> 00:38:47,720
Speaker 1: Do we think it? Yeah?

708
00:38:47,920 --> 00:38:50,800
Speaker 2: Do we find what kind of what kind of sweetie?

709
00:38:50,800 --> 00:38:53,080
Speaker 1: I guess? Yeah, great question.

710
00:38:53,239 --> 00:38:57,000
Speaker 3: I think you're like a sweetheart, and I want you

711
00:38:57,040 --> 00:39:02,160
Speaker 3: to a sweetheart, sweetie sweet because yeah, sweetart, sweetheart, sweetie,

712
00:39:02,400 --> 00:39:04,080
Speaker 3: because there's there's a tang to you.

713
00:39:04,160 --> 00:39:07,680
Speaker 1: Yeah, and it always not always going down smooth.

714
00:39:07,840 --> 00:39:08,600
Speaker 4: I disagree.

715
00:39:08,719 --> 00:39:12,160
Speaker 3: I think sometimes you don't want just sweet, it's so saccharine.

716
00:39:12,239 --> 00:39:15,240
Speaker 4: You want a little you want a little twist.

717
00:39:15,520 --> 00:39:18,760
Speaker 1: It isnt the sweet tart, the realist candy.

718
00:39:19,000 --> 00:39:25,680
Speaker 2: Oh wow, always know Sweetheart's gonna be honest with you. Yeah, yes,

719
00:39:25,800 --> 00:39:27,799
Speaker 2: that's exactly right.

720
00:39:28,040 --> 00:39:32,040
Speaker 1: Yeah, I think that's right. And sinewy as.

721
00:39:31,880 --> 00:39:36,719
Speaker 3: Well, right I okay, a sinewy sweetheart, sweetie.

722
00:39:37,840 --> 00:39:39,520
Speaker 4: Yeah, you're not happy with that?

723
00:39:39,760 --> 00:39:41,960
Speaker 1: No, that's good. No, I was thinking about my new

724
00:39:42,040 --> 00:39:45,360
Speaker 1: character that I was maybe gonna do for the photos photos,

725
00:39:45,440 --> 00:39:47,960
Speaker 1: guy with an okay body who wants to take his

726
00:39:48,040 --> 00:39:48,560
Speaker 1: shirt off?

727
00:39:49,800 --> 00:39:51,880
Speaker 4: Who's taking these photos? Is it for the Earwolf?

728
00:39:51,920 --> 00:39:54,720
Speaker 1: Was Sam? Sam? Sam keeps us here for an extra

729
00:39:54,800 --> 00:39:59,319
Speaker 1: hour to take photos after we record since for his

730
00:39:59,440 --> 00:40:01,080
Speaker 1: portfolio and ours.

731
00:40:01,680 --> 00:40:03,359
Speaker 4: Have you seen this portfolio?

732
00:40:03,880 --> 00:40:06,439
Speaker 1: No? But I see. I mean he's making good money

733
00:40:06,480 --> 00:40:07,480
Speaker 1: off it.

734
00:40:07,480 --> 00:40:11,319
Speaker 2: It's on a head mounted camera. Oh, so he can

735
00:40:11,360 --> 00:40:12,320
Speaker 2: kind of get involved.

736
00:40:15,400 --> 00:40:16,840
Speaker 1: The angles are unreal.

737
00:40:17,120 --> 00:40:20,760
Speaker 2: It's how he could like have his heads free.

738
00:40:20,600 --> 00:40:21,080
Speaker 1: Yeah.

739
00:40:21,800 --> 00:40:24,000
Speaker 3: Yes, those people use those cameras to like jump out

740
00:40:24,000 --> 00:40:27,120
Speaker 3: of an airplane to ride a mountain bike.

741
00:40:27,239 --> 00:40:29,520
Speaker 1: Well, this experience can be just as exhilarating.

742
00:40:29,719 --> 00:40:33,160
Speaker 3: Yeah, and you guys call this a photo shoot.

743
00:40:34,400 --> 00:40:36,279
Speaker 1: Yeah, I mean that's what he's Yeah, that's what he's

744
00:40:36,280 --> 00:40:38,680
Speaker 1: told us and I want to and there's a camera

745
00:40:38,680 --> 00:40:40,799
Speaker 1: and a gun. I want to help the guy get

746
00:40:40,800 --> 00:40:41,680
Speaker 1: into a good school.

747
00:40:42,320 --> 00:40:45,919
Speaker 4: Seem what are you doing? I feel like you're taking

748
00:40:45,920 --> 00:40:46,759
Speaker 4: advantage of them.

749
00:40:47,360 --> 00:40:48,360
Speaker 2: No, I'm making smart.

750
00:40:48,920 --> 00:40:50,840
Speaker 4: Oh okay, he's making smart.

751
00:40:51,360 --> 00:40:54,200
Speaker 1: So moving on to the do you guys have a

752
00:40:54,200 --> 00:40:56,479
Speaker 1: new song for every one of these numbers? Too?

753
00:40:57,320 --> 00:40:57,520
Speaker 3: Well?

754
00:40:57,760 --> 00:40:58,759
Speaker 1: Are the numbers of song?

755
00:41:00,560 --> 00:41:04,040
Speaker 4: I mean there is songs that have numbers in them. Okay,

756
00:41:06,239 --> 00:41:07,520
Speaker 4: the glasses are?

757
00:41:07,920 --> 00:41:08,960
Speaker 1: You got my attention?

758
00:41:09,280 --> 00:41:11,040
Speaker 2: This is when he really wants to listen to.

759
00:41:15,560 --> 00:41:15,840
Speaker 5: Wow.

760
00:41:16,960 --> 00:41:20,520
Speaker 3: You know that when we have a music chart, there's

761
00:41:20,560 --> 00:41:22,600
Speaker 3: a new song per entry, right.

762
00:41:22,520 --> 00:41:24,759
Speaker 1: So it's like best song about number four? Way?

763
00:41:24,880 --> 00:41:28,480
Speaker 2: Well, yeah, which one is that?

764
00:41:29,760 --> 00:41:34,919
Speaker 1: Four songs? I can think of one, but I don't

765
00:41:34,920 --> 00:41:35,680
Speaker 1: want to sing it.

766
00:41:36,680 --> 00:41:39,160
Speaker 3: Can you just say the lyric or just say the

767
00:41:39,160 --> 00:41:42,719
Speaker 3: title of it?

768
00:41:42,719 --> 00:41:43,800
Speaker 1: It's so lame.

769
00:41:46,480 --> 00:41:48,439
Speaker 2: And my fear is now that now that you put

770
00:41:48,440 --> 00:41:50,560
Speaker 2: the song Glasses on, you've gotten a little bit too cool.

771
00:41:50,600 --> 00:41:53,439
Speaker 2: And this is the thing that I worry I won't

772
00:41:53,440 --> 00:41:55,680
Speaker 2: sing the lame song that we are starting to hear.

773
00:41:56,200 --> 00:41:59,239
Speaker 2: We're almost at one o'clock, which is when it was

774
00:41:59,320 --> 00:42:00,960
Speaker 2: basically on time for Sean.

775
00:42:02,840 --> 00:42:07,600
Speaker 1: Yeah, that is when I do initiate sequence island time?

776
00:42:09,480 --> 00:42:11,359
Speaker 4: Uh, what happens in island time?

777
00:42:12,680 --> 00:42:18,120
Speaker 1: Not a whole lot. That's the point, right, shooting you

778
00:42:18,160 --> 00:42:22,880
Speaker 1: straight coming from the hip, I gotta tell you, not

779
00:42:22,920 --> 00:42:23,959
Speaker 1: a whole lot.

780
00:42:24,640 --> 00:42:28,480
Speaker 2: There's a lot of shooting straight from the hip when

781
00:42:28,480 --> 00:42:29,239
Speaker 2: it's island time.

782
00:42:29,160 --> 00:42:31,320
Speaker 1: Which it is not yet it is not island No,

783
00:42:31,440 --> 00:42:34,480
Speaker 1: it's not, so I can't And it's literally the only

784
00:42:34,480 --> 00:42:36,120
Speaker 1: song I could come up with the number four in it?

785
00:42:36,160 --> 00:42:37,319
Speaker 1: Does anybody else have one?

786
00:42:37,480 --> 00:42:37,560
Speaker 3: No?

787
00:42:39,480 --> 00:42:54,080
Speaker 1: Minking over a four leaf clover? Okay? Maybe me? I

788
00:42:54,120 --> 00:42:57,200
Speaker 1: don't know that song? You really heard that Buck Buggy

789
00:42:57,200 --> 00:42:58,239
Speaker 1: who sing it sometimes?

790
00:42:59,600 --> 00:43:04,200
Speaker 2: Next on the chart spontaneation. We have the guy on

791
00:43:04,320 --> 00:43:06,240
Speaker 2: here three times, four times.

792
00:43:06,400 --> 00:43:09,640
Speaker 1: Mm hmm. Well maybe he only wants experienced improvisers doing

793
00:43:09,640 --> 00:43:10,080
Speaker 1: his show.

794
00:43:13,280 --> 00:43:16,560
Speaker 2: Here's my suggestion. Let Janet Varney get some sleep for once.

795
00:43:18,440 --> 00:43:21,720
Speaker 2: What kind of slave driver is he? Make Janet Varney

796
00:43:21,719 --> 00:43:24,160
Speaker 2: do a show over and over and over again. It's

797
00:43:24,200 --> 00:43:27,040
Speaker 2: let me be Janet Varney one time show. If his

798
00:43:27,320 --> 00:43:30,000
Speaker 2: one crack at Janet Varney, I think he'd nail it.

799
00:43:31,920 --> 00:43:33,040
Speaker 2: I would do really good.

800
00:43:33,840 --> 00:43:35,160
Speaker 4: That does seem Mark we.

801
00:43:35,280 --> 00:43:40,960
Speaker 1: Calm Bill might be busy, he might I mean, I

802
00:43:41,000 --> 00:43:41,600
Speaker 1: don't know the guy.

803
00:43:41,640 --> 00:43:44,880
Speaker 2: He may have a family or something. I certainly hope not.

804
00:43:45,280 --> 00:43:47,680
Speaker 3: I can say something.

805
00:43:47,800 --> 00:43:48,760
Speaker 2: Did you do that once?

806
00:43:48,880 --> 00:43:50,520
Speaker 4: I'm going to do it. Bring it up south by

807
00:43:50,560 --> 00:43:54,320
Speaker 4: South Wessel. I'm doing that. I'll be I'll be the

808
00:43:54,360 --> 00:43:55,360
Speaker 4: person he interviews.

809
00:43:55,680 --> 00:43:58,240
Speaker 1: I'm not Are you doing it because you're an experienced

810
00:43:58,280 --> 00:43:59,720
Speaker 1: Chicago improviser or something?

811
00:44:01,680 --> 00:44:04,239
Speaker 3: No, no, no, no, I'm not. He's interviewing me. I'm

812
00:44:04,239 --> 00:44:04,920
Speaker 3: not improvising.

813
00:44:05,120 --> 00:44:07,400
Speaker 4: Okay, So is that better?

814
00:44:07,640 --> 00:44:09,760
Speaker 1: So great stuff to say in your interview?

815
00:44:10,360 --> 00:44:11,719
Speaker 4: So you're saying I'm not saying great.

816
00:44:11,760 --> 00:44:15,040
Speaker 1: So I'm just saying that maybe you're not the only one.

817
00:44:15,160 --> 00:44:22,560
Speaker 3: It's I called you a sweetheart, sweetie, sinewy, sweetheart, sweety,

818
00:44:22,560 --> 00:44:22,920
Speaker 3: and I just.

819
00:44:22,840 --> 00:44:25,920
Speaker 1: Feel well, to be honest, when you walked in. You

820
00:44:25,960 --> 00:44:29,600
Speaker 1: complimented Hayes on his glasses, hair combo, you complimented me

821
00:44:29,640 --> 00:44:32,120
Speaker 1: on the frames of my sonnies. And what did I

822
00:44:32,200 --> 00:44:33,200
Speaker 1: say to you? Cool up?

823
00:44:34,280 --> 00:44:37,120
Speaker 3: You said, But I don't know if you believed it.

824
00:44:38,320 --> 00:44:39,440
Speaker 3: I couldn't tell if you were gent.

825
00:44:39,719 --> 00:44:44,400
Speaker 1: That's the tart piece. But let's just go over what

826
00:44:44,440 --> 00:44:44,839
Speaker 1: I said.

827
00:44:45,239 --> 00:44:47,000
Speaker 2: I remember, I remember.

828
00:44:47,960 --> 00:44:49,640
Speaker 4: He said something like you like everything?

829
00:44:50,320 --> 00:44:53,200
Speaker 1: Yeah, something almost exactly something exactly like that, and don't

830
00:44:53,239 --> 00:44:53,920
Speaker 1: make me pick.

831
00:44:55,320 --> 00:44:56,959
Speaker 4: Yeah, you did say that last part as well.

832
00:44:57,480 --> 00:45:01,719
Speaker 1: Next time the chart run at Beverly. Okay, I've been

833
00:45:01,760 --> 00:45:04,680
Speaker 1: on that, you've been on that. Okay, it's fun. Then

834
00:45:04,800 --> 00:45:07,040
Speaker 1: what was that? Two people kind of being characters?

835
00:45:09,160 --> 00:45:11,279
Speaker 4: Maybe there would how about this, the would be two

836
00:45:11,280 --> 00:45:13,960
Speaker 4: people doing characters to two people. Maybe that would be

837
00:45:14,000 --> 00:45:14,480
Speaker 4: too much?

838
00:45:15,120 --> 00:45:18,600
Speaker 2: No, the number too much because the other times you

839
00:45:18,640 --> 00:45:20,000
Speaker 2: said too was the number two?

840
00:45:20,160 --> 00:45:23,799
Speaker 1: Mm hmmm, I don't think that's what they're thinking. And

841
00:45:23,800 --> 00:45:26,040
Speaker 1: this time you're not even offering to say anything to that.

842
00:45:27,600 --> 00:45:29,880
Speaker 1: So this feels like this is a you're coming up

843
00:45:29,880 --> 00:45:33,359
Speaker 1: with why it just isn't, which makes me think they

844
00:45:33,400 --> 00:45:34,319
Speaker 1: did bring us up.

845
00:45:34,239 --> 00:45:36,399
Speaker 2: Why it would be weird and just like sort of.

846
00:45:36,520 --> 00:45:41,560
Speaker 3: So you believe during my appearance, yes, you know, can

847
00:45:41,600 --> 00:45:43,319
Speaker 3: I be a year ago when we didn't really know

848
00:45:43,400 --> 00:45:46,719
Speaker 3: each other all that it would have come up in

849
00:45:47,160 --> 00:45:52,080
Speaker 3: the podcast she admitted it, that came up.

850
00:45:52,600 --> 00:45:53,360
Speaker 1: You believe that the.

851
00:45:53,760 --> 00:45:58,080
Speaker 2: Character Sean And actually, if you hear what you just said,

852
00:45:58,120 --> 00:46:00,320
Speaker 2: you just said, what exactly what did have?

853
00:46:00,440 --> 00:46:04,200
Speaker 1: But she admitted it and I never said that.

854
00:46:04,280 --> 00:46:08,600
Speaker 3: You're saying, like I'm cock blocking you but what.

855
00:46:09,120 --> 00:46:13,480
Speaker 1: Whoa, whoa whoa. You're gonna make Hayes talk about loads again,

856
00:46:14,120 --> 00:46:16,680
Speaker 1: and that does seem like but that doesn't bother an

857
00:46:16,719 --> 00:46:19,399
Speaker 1: amazing opening to do a load in that came out wrong.

858
00:46:21,400 --> 00:46:23,759
Speaker 2: Hey, I see now I've got stuff coming out wrong,

859
00:46:24,600 --> 00:46:26,080
Speaker 2: like go whoa, that came out wrong.

860
00:46:26,320 --> 00:46:28,759
Speaker 1: No, Hayes, please, you're in a load loop. Well she

861
00:46:28,880 --> 00:46:33,319
Speaker 1: started talking about loads, but I know she did, and

862
00:46:33,360 --> 00:46:36,360
Speaker 1: I'm going to talk to her about that separately, didn't.

863
00:46:36,760 --> 00:46:41,320
Speaker 3: I just prompted him again, but I didn't say loads.

864
00:46:41,560 --> 00:46:43,160
Speaker 4: I never said loads.

865
00:46:43,560 --> 00:46:47,799
Speaker 1: Cool because it's my job game, he said, my job said,

866
00:46:49,160 --> 00:46:50,959
Speaker 1: I don't want to play. He said, he said, he said,

867
00:46:51,000 --> 00:46:55,919
Speaker 1: she said on this podcast? Okay, next one, Kevin Paul

868
00:46:56,160 --> 00:46:56,720
Speaker 1: Chat Show.

869
00:46:57,000 --> 00:46:57,759
Speaker 2: Never been it?

870
00:46:57,920 --> 00:47:01,440
Speaker 1: Okay, okay, yeah, does it still exists?

871
00:47:01,600 --> 00:47:02,280
Speaker 2: Great question?

872
00:47:03,520 --> 00:47:07,640
Speaker 1: Is it? Great? Questions? Does it still exists?

873
00:47:07,840 --> 00:47:08,920
Speaker 2: We are wondering about this?

874
00:47:09,040 --> 00:47:09,799
Speaker 4: Is this real life?

875
00:47:10,000 --> 00:47:14,560
Speaker 2: It's on the main one. Daniel after dentist, member, damn

876
00:47:14,640 --> 00:47:15,800
Speaker 2: Daniel after dentist.

877
00:47:16,200 --> 00:47:19,240
Speaker 1: That's what you're saying, right, Oh yes.

878
00:47:19,160 --> 00:47:21,720
Speaker 4: I am sorry. I lost myself.

879
00:47:22,280 --> 00:47:28,719
Speaker 1: Oh god, and I was shot in the sunglasses on

880
00:47:28,760 --> 00:47:29,280
Speaker 1: his forehead.

881
00:47:29,280 --> 00:47:33,000
Speaker 2: So it's like the invisible man lives on his forehead now.

882
00:47:33,600 --> 00:47:35,040
Speaker 4: And his eyes are so wide.

883
00:47:35,600 --> 00:47:36,000
Speaker 1: M hmm.

884
00:47:37,800 --> 00:47:45,200
Speaker 2: It's because he's natural prey. It's true. There there, so

885
00:47:45,360 --> 00:47:47,520
Speaker 2: you can see people coming up trying to attack.

886
00:47:48,080 --> 00:47:50,480
Speaker 1: A predator kickboxer is going to be in the area.

887
00:47:50,600 --> 00:47:53,359
Speaker 1: I need to be on high alert. So I am

888
00:47:53,480 --> 00:47:59,799
Speaker 1: naturally I'm evolutionary. I'm a victim so and so I

889
00:48:00,040 --> 00:48:02,040
Speaker 1: need to be able to see. And if you say

890
00:48:02,640 --> 00:48:06,000
Speaker 1: at wide over on the side to my peripheral vision

891
00:48:06,040 --> 00:48:08,239
Speaker 1: is better because I can't have someone coming from just

892
00:48:08,320 --> 00:48:10,280
Speaker 1: any angle at me. I need to escape.

893
00:48:10,600 --> 00:48:12,000
Speaker 4: Wow, you're so alive.

894
00:48:13,040 --> 00:48:16,200
Speaker 1: Yes, well, I am in a state of fight or

895
00:48:16,200 --> 00:48:17,360
Speaker 1: flight at all times.

896
00:48:17,480 --> 00:48:19,040
Speaker 4: Sounds like it's mainly flight.

897
00:48:19,680 --> 00:48:23,040
Speaker 1: Yeah, well, yeah, that's mostly what I picked because I'm

898
00:48:23,080 --> 00:48:33,040
Speaker 1: so fast a cruise never not funny. Yeah, well, how

899
00:48:33,040 --> 00:48:34,360
Speaker 1: many of these are we done?

900
00:48:34,880 --> 00:48:37,560
Speaker 2: They've done like three thousand episodes of that show and

901
00:48:37,600 --> 00:48:39,040
Speaker 2: they have not come to.

902
00:48:39,040 --> 00:48:40,400
Speaker 4: Us yet on Monday.

903
00:48:42,800 --> 00:48:44,880
Speaker 1: And some of these people and I don't I almost

904
00:48:44,960 --> 00:48:46,759
Speaker 1: don't want to say this. I don't think they even

905
00:48:46,880 --> 00:48:52,239
Speaker 1: know we are a thing. That's the impression I get.

906
00:48:56,160 --> 00:49:00,759
Speaker 1: It's possible. Our shoe is barely it's like up so

907
00:49:00,880 --> 00:49:04,759
Speaker 1: high on the walls almost in the clouds. Yeah, our

908
00:49:04,920 --> 00:49:07,720
Speaker 1: shared shoe, our shared shoe.

909
00:49:07,960 --> 00:49:12,000
Speaker 2: Yeah, there's two of us on one shoe, Brits, two

910
00:49:12,040 --> 00:49:13,120
Speaker 2: of his old shoes.

911
00:49:15,440 --> 00:49:19,760
Speaker 1: Cody's got shoes, Cody's got his old shoes, multiple shoes.

912
00:49:21,040 --> 00:49:26,479
Speaker 1: We're sharing a shoe. And now let's and now let's

913
00:49:26,480 --> 00:49:27,640
Speaker 1: go tight and look at the wall.

914
00:49:28,040 --> 00:49:30,160
Speaker 2: Oh, I don't say anything of us up here in

915
00:49:30,200 --> 00:49:30,439
Speaker 2: the wall.

916
00:49:30,480 --> 00:49:34,919
Speaker 1: Oh, but here's two of the same charted poster. Oh yeah,

917
00:49:35,560 --> 00:49:38,200
Speaker 1: the poster is so nice. We put it up twice.

918
00:49:39,560 --> 00:49:41,719
Speaker 2: One in Adam Saxon's office. That's the same as the

919
00:49:41,760 --> 00:49:44,240
Speaker 2: one that's over there on the left. And he's supposed

920
00:49:44,239 --> 00:49:47,680
Speaker 2: to be liking all the shows the same. He's not

921
00:49:47,719 --> 00:49:48,880
Speaker 2: supposed to have a favorite.

922
00:49:48,920 --> 00:49:50,640
Speaker 1: That's what he wants to think about when he's at

923
00:49:50,680 --> 00:49:56,680
Speaker 1: work in his office alone. Yeah, I think so.

924
00:49:57,520 --> 00:50:00,239
Speaker 2: He's the teacher. He is the teacher.

925
00:50:00,320 --> 00:50:02,560
Speaker 1: He is teacher. So even if he thinks one student

926
00:50:02,600 --> 00:50:04,239
Speaker 1: did better on the test, he's not allowed to.

927
00:50:04,200 --> 00:50:07,319
Speaker 2: Say it or you should say it privately, which is

928
00:50:07,320 --> 00:50:09,759
Speaker 2: what he does with us when we mess up.

929
00:50:10,200 --> 00:50:11,839
Speaker 4: Yeah, one do you guys mess up?

930
00:50:11,920 --> 00:50:13,080
Speaker 1: What a couple of times?

931
00:50:13,120 --> 00:50:13,480
Speaker 2: What did you?

932
00:50:13,640 --> 00:50:14,760
Speaker 1: John got out of control?

933
00:50:14,920 --> 00:50:17,080
Speaker 4: Once is this spinning.

934
00:50:18,760 --> 00:50:21,799
Speaker 1: I tried to taz at him and he put me

935
00:50:21,800 --> 00:50:24,600
Speaker 1: in the headline made me fall asleep.

936
00:50:26,120 --> 00:50:29,399
Speaker 4: Okay, so I'm not as scared at your taz.

937
00:50:29,760 --> 00:50:32,560
Speaker 1: Uh then if if you well, it was a slow

938
00:50:32,600 --> 00:50:34,439
Speaker 1: tas just beased on time and day and I had

939
00:50:34,440 --> 00:50:37,840
Speaker 1: a big lunch, a lot of starch, double starch.

940
00:50:39,960 --> 00:50:43,200
Speaker 2: That other guy, that other guy, Chris's two offices away

941
00:50:43,520 --> 00:50:46,080
Speaker 2: has a print out of a just the how did

942
00:50:46,080 --> 00:50:49,359
Speaker 2: this get made? Logo framed on his wall. And I'm

943
00:50:49,360 --> 00:50:51,760
Speaker 2: supposed to come in here and like think that everyone

944
00:50:51,840 --> 00:50:53,120
Speaker 2: loves my show just as mine.

945
00:50:53,160 --> 00:50:56,920
Speaker 1: I'm going to be a professional. I'm sorry, that's not

946
00:50:56,960 --> 00:50:59,440
Speaker 1: how it works. Number one on the chart. Oh, this

947
00:50:59,520 --> 00:51:01,239
Speaker 1: is a spride supposed to be podcast. This one's a

948
00:51:01,280 --> 00:51:03,440
Speaker 1: TV show. But jillion dollar Listing.

949
00:51:03,640 --> 00:51:06,440
Speaker 4: No, and that's not even the name of the show.

950
00:51:06,640 --> 00:51:09,040
Speaker 1: Why did we think it was a podcast? Oh, because

951
00:51:09,200 --> 00:51:17,320
Speaker 1: every podcast person is on it.

952
00:51:17,360 --> 00:51:20,160
Speaker 2: But it's a TV show, so its snuck onto the

953
00:51:20,200 --> 00:51:22,040
Speaker 2: list of things that never want us to be on

954
00:51:22,080 --> 00:51:23,680
Speaker 2: them before they didn't even talk.

955
00:51:23,520 --> 00:51:25,920
Speaker 1: To us or know if we're around. God, I have

956
00:51:25,960 --> 00:51:27,960
Speaker 1: a question about bajillion dollar listing.

957
00:51:28,080 --> 00:51:29,880
Speaker 4: It's bajillion dollar properties.

958
00:51:29,600 --> 00:51:34,719
Speaker 1: Jillion dollar property man brothers. So when you're jillion dollar

959
00:51:34,760 --> 00:51:38,560
Speaker 1: property brother how so how much of parts was on it?

960
00:51:38,680 --> 00:51:42,719
Speaker 1: Roughly because one or two people on the show, just

961
00:51:42,719 --> 00:51:44,120
Speaker 1: one or two, you.

962
00:51:44,040 --> 00:51:47,960
Speaker 4: Know, I just maybe big a cast. The main cast

963
00:51:48,080 --> 00:51:48,680
Speaker 4: is just seven.

964
00:51:49,000 --> 00:51:55,640
Speaker 1: Yeah, but for the only like a hundred or one hundred.

965
00:51:55,760 --> 00:51:56,720
Speaker 2: Is that a real number?

966
00:51:57,400 --> 00:51:59,840
Speaker 4: It's a hondo? Is that preferable?

967
00:52:00,200 --> 00:52:02,200
Speaker 1: Go through Hayes and just find some of the ones

968
00:52:02,200 --> 00:52:05,080
Speaker 1: who maybe only had like a line. And I just

969
00:52:05,120 --> 00:52:07,759
Speaker 1: want to know if hang on, Okay, and I want

970
00:52:07,760 --> 00:52:10,360
Speaker 1: to know through the show. You can't to look me

971
00:52:10,400 --> 00:52:12,400
Speaker 1: in the eye, tell me they're funnier than me.

972
00:52:15,880 --> 00:52:17,960
Speaker 4: Okay, all right, this is hard.

973
00:52:18,400 --> 00:52:21,279
Speaker 1: Okay, and I will take the sonnies all the way off.

974
00:52:21,480 --> 00:52:22,640
Speaker 2: Adam Scott was on it.

975
00:52:22,800 --> 00:52:25,160
Speaker 1: He is funny. Yeah, he's fundering the name a better

976
00:52:25,160 --> 00:52:26,359
Speaker 1: actor too good looking.

977
00:52:26,600 --> 00:52:30,560
Speaker 2: Nickroll has got a huge amount going on. Yeah, he's

978
00:52:30,920 --> 00:52:31,759
Speaker 2: had his own show.

979
00:52:31,960 --> 00:52:34,000
Speaker 1: Yeah, and maybe more than one.

980
00:52:34,440 --> 00:52:37,880
Speaker 2: Gillian Jacob's funny, and she can also like do dramatic

981
00:52:38,280 --> 00:52:39,000
Speaker 2: all this stuff, and.

982
00:52:38,960 --> 00:52:43,600
Speaker 1: She probably raises the visibility I can't really do. But Gillian,

983
00:52:43,800 --> 00:52:45,480
Speaker 1: you know that's what you maybe could make that joke

984
00:52:45,520 --> 00:52:46,000
Speaker 1: on the show.

985
00:52:46,600 --> 00:52:52,160
Speaker 2: Uh, Patton Oswalt huge, Yeah, so many Twitter followers.

986
00:52:52,200 --> 00:52:53,279
Speaker 1: I could see how that would be.

987
00:52:53,320 --> 00:52:54,200
Speaker 4: People go to him.

988
00:52:54,239 --> 00:52:56,120
Speaker 1: A lot of these people help the Having them on

989
00:52:56,239 --> 00:52:58,239
Speaker 1: helps the show in a way that having me and

990
00:52:58,520 --> 00:53:02,959
Speaker 1: or Hayes would not even both, even if you got

991
00:53:03,120 --> 00:53:06,120
Speaker 1: both of us, wouldn't really do anything.

992
00:53:07,200 --> 00:53:08,840
Speaker 2: Somebody else weird?

993
00:53:08,880 --> 00:53:17,120
Speaker 1: Aw. I love him, I love him. Josh Grobin, Yeah,

994
00:53:17,280 --> 00:53:17,960
Speaker 1: big recording.

995
00:53:18,120 --> 00:53:19,840
Speaker 2: Does he like to do comedy stuff? I thought he

996
00:53:19,880 --> 00:53:20,520
Speaker 2: was just a singer.

997
00:53:22,280 --> 00:53:23,680
Speaker 1: Is he able to be funny too?

998
00:53:24,040 --> 00:53:24,239
Speaker 3: Yeah?

999
00:53:24,440 --> 00:53:26,239
Speaker 1: But no, everyone can only do one thing.

1000
00:53:27,000 --> 00:53:28,040
Speaker 4: What is the one thing you do?

1001
00:53:30,600 --> 00:53:35,400
Speaker 1: I guess, just I guess, just not be able to

1002
00:53:35,400 --> 00:53:36,200
Speaker 1: answer that question.

1003
00:53:36,920 --> 00:53:38,120
Speaker 4: Did you have a starchy lunch?

1004
00:53:38,160 --> 00:53:38,399
Speaker 2: Again?

1005
00:53:39,000 --> 00:53:40,120
Speaker 4: A double starch lunch?

1006
00:53:40,360 --> 00:53:44,440
Speaker 2: He had some yucca flower yeah, just dry yucca flour.

1007
00:53:44,719 --> 00:53:49,680
Speaker 1: Yeah, coconut meat.

1008
00:53:48,960 --> 00:53:50,960
Speaker 4: Yeah, yeah, I get it.

1009
00:53:51,800 --> 00:53:53,320
Speaker 1: Island time starting earlier today?

1010
00:53:54,440 --> 00:53:57,000
Speaker 2: Well, it is actually an island time, though I forgot

1011
00:53:57,040 --> 00:53:59,200
Speaker 2: to tell you when it had crossed over into island time,

1012
00:54:00,080 --> 00:54:01,200
Speaker 2: as you like to always point out it.

1013
00:54:01,200 --> 00:54:05,200
Speaker 1: As I went type somewhere all the time, sometimes somewhere.

1014
00:54:08,840 --> 00:54:15,080
Speaker 2: Well, Cooop, have a great time with your show, and

1015
00:54:15,120 --> 00:54:18,720
Speaker 2: those people sound great that are doing it, and I

1016
00:54:18,760 --> 00:54:20,200
Speaker 2: at one point wanted you to have.

1017
00:54:20,120 --> 00:54:21,360
Speaker 1: To look me in the eye it tell me that

1018
00:54:21,400 --> 00:54:23,000
Speaker 1: they were a better choice for the show than me.

1019
00:54:23,040 --> 00:54:26,120
Speaker 1: But now I know it's like that would not need it,

1020
00:54:25,560 --> 00:54:29,279
Speaker 1: and I'll just trip on down in the mirror and

1021
00:54:29,320 --> 00:54:33,959
Speaker 1: do it for myself. That came out wrong.

1022
00:54:35,040 --> 00:54:37,160
Speaker 2: I mean that's good.

1023
00:54:37,160 --> 00:54:37,640
Speaker 1: I'm back.

1024
00:54:38,480 --> 00:54:40,440
Speaker 4: I think you guys would be great realders.

1025
00:54:41,000 --> 00:54:42,680
Speaker 1: Okay, yeah, I can see that.

1026
00:54:43,000 --> 00:54:43,919
Speaker 4: Yeah, just like.

1027
00:54:43,880 --> 00:54:48,439
Speaker 1: Instead of calling it small, I say it's cozy. Okay, right,

1028
00:54:48,560 --> 00:54:49,640
Speaker 1: that's one of my moves.

1029
00:54:50,680 --> 00:54:53,920
Speaker 3: You spin something that's not good into something good.

1030
00:54:54,160 --> 00:54:58,800
Speaker 1: Yeah, what a great opportunity this one is. And also

1031
00:54:59,719 --> 00:55:05,799
Speaker 1: not well, it's a fixer up and charm supposed it's

1032
00:55:05,880 --> 00:55:08,000
Speaker 1: getting so upset exposed.

1033
00:55:07,680 --> 00:55:10,960
Speaker 2: Suppose shows to be about shows supposed to be about

1034
00:55:12,160 --> 00:55:15,239
Speaker 2: reality show And Sean and I did a reality show

1035
00:55:15,560 --> 00:55:18,440
Speaker 2: podcast that was very unpopular. Oh wait, I'm sorry.

1036
00:55:18,920 --> 00:55:21,240
Speaker 1: When you got to the end, you remember.

1037
00:55:21,120 --> 00:55:24,640
Speaker 2: I got mixed up whether that was good or bad

1038
00:55:25,719 --> 00:55:27,319
Speaker 2: for the show to be unpopular.

1039
00:55:27,440 --> 00:55:31,399
Speaker 4: I like that podcast a little too late.

1040
00:55:32,680 --> 00:55:36,640
Speaker 3: Wait, doesn't it make okay? Normally artists like when you

1041
00:55:36,680 --> 00:55:39,000
Speaker 3: compliment them. Why do you guys take it to this?

1042
00:55:39,160 --> 00:55:41,040
Speaker 2: Like the funny thing I say, is so you were

1043
00:55:41,040 --> 00:55:41,600
Speaker 2: the one?

1044
00:55:42,280 --> 00:55:46,239
Speaker 1: Okay, right? And that's also the punchline to a joke

1045
00:55:46,360 --> 00:55:48,960
Speaker 1: ALF would tell you can look it up. It's in

1046
00:55:48,960 --> 00:55:49,760
Speaker 1: the ALF movie.

1047
00:55:50,320 --> 00:55:51,320
Speaker 4: There was an ALF movie.

1048
00:55:51,640 --> 00:55:53,840
Speaker 1: Yeah, they did make a movie a few years after the.

1049
00:55:53,840 --> 00:55:55,319
Speaker 2: Show Alf on the Shelf.

1050
00:55:56,520 --> 00:56:01,600
Speaker 1: Christmas movie. The shelf is like a shower shelf. Anyway,

1051
00:56:01,680 --> 00:56:04,799
Speaker 1: the joke is and cool, app you can be the

1052
00:56:04,840 --> 00:56:10,640
Speaker 1: patsy and I've already told you the punchline. But what's

1053
00:56:10,640 --> 00:56:14,040
Speaker 1: the difference between and this ties into the shelf, what's

1054
00:56:14,040 --> 00:56:16,880
Speaker 1: the differ between toilet paper and a shower curtain? So

1055
00:56:16,960 --> 00:56:20,960
Speaker 1: you are the one who wiped your boat with a

1056
00:56:21,000 --> 00:56:21,560
Speaker 1: shower curtain?

1057
00:56:21,640 --> 00:56:26,239
Speaker 2: Yeah, the pro version goes too cool Lucas M.

1058
00:56:27,280 --> 00:56:33,320
Speaker 1: That's right. And he's one of our listeners. We actually

1059
00:56:33,400 --> 00:56:35,920
Speaker 1: have a number where we know all who all the

1060
00:56:35,960 --> 00:56:38,960
Speaker 1: listeners are. Is that who charted over it by name?

1061
00:56:39,160 --> 00:56:41,719
Speaker 1: We don't need to chart, but you.

1062
00:56:41,719 --> 00:56:45,680
Speaker 4: Did do a chart, did a pretty yeah, just saying

1063
00:56:45,680 --> 00:56:45,920
Speaker 4: you did.

1064
00:56:47,160 --> 00:56:48,760
Speaker 2: And what does he get today?

1065
00:56:50,960 --> 00:56:57,400
Speaker 1: Cool? Lucas? Oh cool? Oppis okay? Yeah? Is that what

1066
00:56:57,480 --> 00:57:02,560
Speaker 1: he gets? I think it is just that sho joke

1067
00:57:05,080 --> 00:57:08,759
Speaker 1: probably better coming from you, but well what from her?

1068
00:57:08,880 --> 00:57:11,000
Speaker 2: From her, but we're at a time because of the

1069
00:57:11,040 --> 00:57:12,360
Speaker 2: whole kickboxing fiasco.

1070
00:57:13,120 --> 00:57:14,360
Speaker 4: It is not a fiasco.

1071
00:57:14,520 --> 00:57:18,520
Speaker 3: I let you guys know that this was happening, and

1072
00:57:18,600 --> 00:57:21,720
Speaker 3: I just feel a little like, I feel a little

1073
00:57:21,760 --> 00:57:22,600
Speaker 3: beat up on it.

1074
00:57:22,760 --> 00:57:25,960
Speaker 1: You got ambush huh kind of thing you wish you

1075
00:57:26,000 --> 00:57:28,600
Speaker 1: had had some kind of kickboxing class to prepare for

1076
00:57:30,720 --> 00:57:41,280
Speaker 1: to sha face by. This has been an ear Wolf

1077
00:57:41,360 --> 00:57:45,480
Speaker 1: production executive produced by Scott Ackerman, Adam Sachs, and Chris Bannett.

1078
00:57:45,600 --> 00:57:53,760
Speaker 1: For more information and content, visit earwolf dot com.