WEBVTT - HBO's The Last of Us Ep 2

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<v Speaker 1>Warning This podcast dates spoilers for the second episode of

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<v Speaker 1>the Last of Us on HBO Max. Hello, my name

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<v Speaker 1>is Jason Concepcion and I'm Rosy Night, and welcome the

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<v Speaker 1>next revision of the Crooked Media podcast, where we dive

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<v Speaker 1>deep in your favorite shows, movies, comics, and pop culture.

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<v Speaker 2>In this episode, in the Airlock, we're digging deep into

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<v Speaker 2>the Last of Us episode Don't Eat the Bread, Don't

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<v Speaker 2>Eat It, No Cake, and in nerd Out, we're doing

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<v Speaker 2>a very relevant theory from Brandon. Let's go Brandon and

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<v Speaker 2>if you want to supportive of the theories, if you

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<v Speaker 2>want to jump around, as always, just check the show

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<v Speaker 2>notes for the time stamps.

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<v Speaker 1>Coming up the air lock, We're stepping out of the

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<v Speaker 1>airlock into the overgrown and ruined halls of a colonial

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<v Speaker 1>museum in Back Bay, Boston for the Last of Us

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<v Speaker 1>Episode two.

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<v Speaker 2>Titled Infected.

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<v Speaker 1>Titled Infected show of course created by Craig Mason and

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<v Speaker 1>Neil Druckman, creative director of the game for Naughty Dog

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<v Speaker 1>Epeed by Mason, and of course this episode directed by

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<v Speaker 1>game creative director Neil Druckman.

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<v Speaker 2>Perfect timing as well, because Neil's about to introduce the

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<v Speaker 2>big Bat, the Big Bat, the Big Boss, the big Boss,

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<v Speaker 2>and he does it well.

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<v Speaker 1>We open in Jakarta, Indonesia, September twenty third, two thousand

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<v Speaker 1>and three, a place where Joel at this time was

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<v Speaker 1>confused about its location, didn't exactly know where it was.

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<v Speaker 1>A military man enters a restaurant, interrupting the lunch of

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<v Speaker 1>a woman who is dining there. Her name is Ibu Ratna.

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<v Speaker 1>She is a professor at the University of Indonesia specializing

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<v Speaker 1>in mycology aka the study of fungi. The man takes

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<v Speaker 1>her to the secure wing of a hospital and shows

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<v Speaker 1>her some specimen under a microscope, and doctor Ratna is like, oh,

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<v Speaker 1>that's a op field cordy steps and dun dun dum,

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<v Speaker 1>which is a fungus noted for its ability to take

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<v Speaker 1>over and control ants. And she's like, where'd you get this?

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<v Speaker 1>And he's like it came off of a human specimen.

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<v Speaker 1>She's like, no, it didn't. That's an absolutely it didn't.

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<v Speaker 1>That's impossible. Cut too a even more secure part of

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<v Speaker 1>the secure wing of the secure hospital. Doctor Rata, now

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<v Speaker 1>in full biohazard gear, is walking in to inspect the

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<v Speaker 1>victim that this specimen was taken from the general very

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<v Speaker 1>helpfully tells her, get what you need and get the

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<v Speaker 1>fuck out of their.

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<v Speaker 2>Don't go close, don't do it. It's just don't do it.

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<v Speaker 2>That talk should come before I suit up. I feel

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<v Speaker 2>like they're not ever fully transparent to the good doctor.

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<v Speaker 2>They rub her out of lunch, they take us somewhere.

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<v Speaker 2>She thinks she's being arrested. Then they're giving her, you know,

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<v Speaker 2>a little bit of breadcrumb's news until she gets into

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<v Speaker 2>this room and learns the true horror.

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<v Speaker 1>And the horror is that there is a young woman

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<v Speaker 1>lying on the slab there. Doctor Ratna goes up, inspects

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<v Speaker 1>the victim, finds a what is apparently a human bitemark

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<v Speaker 1>on her ankle, cuts it open with a scalpel. There's

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<v Speaker 1>a spongy, fungal mushroom material in there. This is shocking.

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<v Speaker 1>Doctor Ratna then reaches into the woman's mouth and pulls

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<v Speaker 1>out a site we're all familiar with by now. Those

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<v Speaker 1>all those wriggling worms, kind.

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<v Speaker 2>Of tentacle fung guy poked their way out creepily, and

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<v Speaker 2>she just freaks out.

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<v Speaker 1>She's out, She's out, all my way out. Later on,

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<v Speaker 1>she debriefs with the General. He tells her the victim

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<v Speaker 1>was infected thirty hours ago in or around a factory

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<v Speaker 1>that processes flour and grain. She says, oh, flour and grain.

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<v Speaker 1>That's the perfect incubator for this fun guy. Now let's

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<v Speaker 1>stop here.

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<v Speaker 2>Okay, let's pause, because we're about to get to the big.

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<v Speaker 2>The big theory there is.

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<v Speaker 1>There has been a theory out there that obviously, this

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<v Speaker 1>is this infection spread by bites, we've seen that, but

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<v Speaker 1>how did it explode across the world at once? And

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<v Speaker 1>one of the theories was bread. Yeah, it got into

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<v Speaker 1>the flower supply and all these flower products that went

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<v Speaker 1>out across the world carried it and that's how everybody

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<v Speaker 1>got sick at once. On top of that, there is

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<v Speaker 1>the cake theory.

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<v Speaker 2>I love this because this is so in the game

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<v Speaker 2>a lot of people like is the same as the

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<v Speaker 2>game is. In the game, there's a mention of kind

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<v Speaker 2>of infected crops, and that's really about as far as

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<v Speaker 2>it goes. But the cake theory is great, and you

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<v Speaker 2>are the one who introduced this to me. And the

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<v Speaker 2>cake theory is if you remember, in that kind of

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<v Speaker 2>heartbreaking cold open Joel forgets to bring a cake back

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<v Speaker 2>for the birthday. Celebration with Sarah, and the cake theory

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<v Speaker 2>expounding on the bread and wheat theory is that the

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<v Speaker 2>reason Joel and Sarah didn't get infected is because they

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<v Speaker 2>didn't get a cake, and this also does some Really

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<v Speaker 2>it's so good our Discord brought this to our attention,

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<v Speaker 2>and so thank you. I was going to say shout

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<v Speaker 2>out because the Jakarta choice is really really intentional because

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<v Speaker 2>in the first episode we hear Joel and Tommy trying

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<v Speaker 2>to work out like Jakatis, so we realized this is

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<v Speaker 2>happening so close, and it happened so quickly. But as

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<v Speaker 2>one of our incredible Discord users pointed out, Indonesia is

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<v Speaker 2>actually home and Jakarta to the biggest flower processing factory

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<v Speaker 2>on Earth, So it's like a perfect place for this

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<v Speaker 2>to have spread and for the wheat and flour theory

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<v Speaker 2>faction to really kind of get a little bit of

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<v Speaker 2>what seems like a confirmation, especially as like you said, Jason,

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<v Speaker 2>the doctor basically confirms that that would be a great

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<v Speaker 2>way for it to spread.

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<v Speaker 1>You know what's funny is in episode one, Joel jokingly

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<v Speaker 1>tells the Adlers that he's on atkins, meaning he's just

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<v Speaker 1>eating meat, no carbs, and everybody on Atkins made it,

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<v Speaker 1>and day.

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<v Speaker 2>We made it. You were just way. I just had

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<v Speaker 2>a light I had a light. I had a light

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<v Speaker 2>bulb moment. Just then when we meet the Adlers, the

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<v Speaker 2>Sun is feeding his mother biscuits, and Sarah didn't meet

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<v Speaker 2>the cook reason exactly, and then she was the first

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<v Speaker 2>person that we saw who was infected. So I think

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<v Speaker 2>the bread theory is really important, and as we will

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<v Speaker 2>get to momentarily when we start to get in the

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<v Speaker 2>rest of the episode, I think that it expands. He

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<v Speaker 2>goes to a dark pas.

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<v Speaker 1>Okay, So we learn again from the from the gen

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<v Speaker 1>that an employee at this flower processing plant became violent

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<v Speaker 1>or attacking her coworkers, bit several of them, one of

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<v Speaker 1>whom is this dead woman here on the slab, and

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<v Speaker 1>that at current time, fourteen workers are missing from refactory.

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<v Speaker 1>Doctor Ratna is shook. She's horrified, she's horrified, she's on

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<v Speaker 1>word by this. The general is like, Okay, so obviously

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<v Speaker 1>we came to you as one of them. How do

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<v Speaker 1>we fix it as one of the most foremost you know,

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<v Speaker 1>experts in mycology in the world. We need a vaccine,

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<v Speaker 1>We need a medicine. We need something to stop it.

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<v Speaker 1>And the doctor's like, I got you.

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<v Speaker 2>Here's what you do.

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<v Speaker 1>You call up you're in the military, call up your

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<v Speaker 1>fighter wing and just fucking bomb the city.

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<v Speaker 2>Yep, she said what she said my whole life. I've

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<v Speaker 2>worked on this, my whole life. There's no cure. We

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<v Speaker 2>can't do anything. There's no study. Come on, there's nothing.

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<v Speaker 2>And you know what, it's a really brilliant reflection of

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<v Speaker 2>the first Cold Open, where the scientists sat on that

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<v Speaker 2>stage of the talk late night talk show and said,

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<v Speaker 2>if this happens, we lose. I hate a quitter. But

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<v Speaker 2>it turns out she was right. Yeah.

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<v Speaker 1>She then tearfully says, hey, can I get a ride

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<v Speaker 1>home just to spend the final moments here in Civilization

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<v Speaker 1>with my family. We go back to twenty twenty three.

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<v Speaker 1>Ellie wakes up in a patch of sunlight and this

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<v Speaker 1>beautiful kind of like idyllic patch of grass in the

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<v Speaker 1>middle of this former It's wonderful.

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<v Speaker 2>So it feels so unfless perfect mix of bleakness and beauty. Yes,

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<v Speaker 2>story does so well.

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<v Speaker 1>Joel and Tess are watching her like hawks. Joel has

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<v Speaker 1>this right, right way to do it. He's like, show

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<v Speaker 1>us your arm. Ellie does no change. Joel and Tests

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<v Speaker 1>have never ever seen anything like this. But they're not

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<v Speaker 1>all the way there to believing that Ellie is actually immune,

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<v Speaker 1>and Joel is further away certainly than Test is. Ellie

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<v Speaker 1>is like, hey, so we got this far. We're all

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<v Speaker 1>the infected. I heard that they're just swarming out of

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<v Speaker 1>here New city.

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<v Speaker 2>You can't leave the quarantines out because you'll just die.

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<v Speaker 1>And Joe was like, yeah, don't worry about that, which

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<v Speaker 1>is Ellie rightly says, well, I'm gonna actually worry about

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<v Speaker 1>it because it seems like a big deal. Test then

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<v Speaker 1>is continuously pressuring Ellie to tell her what Marlene's plans were.

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<v Speaker 1>What did Marlene want with you? Ellie says that Marlene

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<v Speaker 1>found her after she was bitten, and then, rather than

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<v Speaker 1>kill her, which is usually what you do, she and

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<v Speaker 1>the fireflies watch her. They ran tests on her, you know.

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<v Speaker 1>Test is like what tests? And she's like, yeah, I

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<v Speaker 1>held up my arm. I counted a ten except but

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<v Speaker 1>mostly the thing that really impressed them was I didn't

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<v Speaker 1>turn into a fucking monster.

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<v Speaker 2>Bella Ramsey is just killing it, okay, and let's stop here.

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<v Speaker 2>As well, because this leads to another theory, right that

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<v Speaker 2>we spoke about briefly. Why didn't Marlene shoot Ellie? Now,

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<v Speaker 2>this has to be directly tied to the fact that

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<v Speaker 2>the first episode, Marlene tells Ellie that she was the

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<v Speaker 2>one she played feder Military School when she was a baby.

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<v Speaker 2>So that hints to me that there may be more

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<v Speaker 2>than one kid who they were watching for this purpose,

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<v Speaker 2>which would be very different from the way it is

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<v Speaker 2>in what we know of the first of the Last

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<v Speaker 2>of Us A game. But yeah, I think that's very interesting.

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<v Speaker 2>And the fact that Marlene didn't like Marlene's brutal the

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<v Speaker 2>fireflies are brutal, that's the point. The fact that she

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<v Speaker 2>didn't just shoot an infected person in the head means

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<v Speaker 2>she who she knew who she was, right, she says

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<v Speaker 2>she knew her real name. She tells Ellie that in

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<v Speaker 2>the first episode. So this is definitely a thread to

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<v Speaker 2>keep watching. At the very.

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<v Speaker 1>Least, it lets us know that this is not Marlene's

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<v Speaker 1>first rodeo with seeing if someone was immune. Like she's

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<v Speaker 1>done this, they had a system in place for exactly.

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<v Speaker 2>They had a testing system. X ray Vision will be back.

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<v Speaker 1>And we're back so Ellie goes off uh to do

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<v Speaker 1>what one does when they wake up in the morning,

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<v Speaker 1>and Testing and Joel have a little conversation. Test is

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<v Speaker 1>trying to convince Joel that this could be real. What

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<v Speaker 1>Ellie's Ellie's immunity, that might be a legit, and that

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<v Speaker 1>they should just go forward with dropping her to the

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<v Speaker 1>Fireflies and getting the truck from them so they can

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<v Speaker 1>go find Tommy. This is probably their best shot at

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<v Speaker 1>doing that. Joel is like, I don't know, this is

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<v Speaker 1>like more than we bargained for when we drop her

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<v Speaker 1>back at the QZ, and Testa's like, if she goes

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<v Speaker 1>back to the QZ, she'll get tested at some point,

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<v Speaker 1>she'll come up infected and then she'll get killed and

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<v Speaker 1>then we get nothing, so we might as well do this.

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<v Speaker 1>There's a funny moment that follows, which is actually pretty

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<v Speaker 1>meaningful considering our cold open, where it's breakfast time. Tests

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<v Speaker 1>and Joel are eating the most rancid looking jerky unknown

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<v Speaker 1>meat source.

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<v Speaker 2>It's so hot it's like cheering on a rulers, and

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<v Speaker 2>they're really generous that like, oh, you know, you can

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<v Speaker 2>have some of oz, and Ellie's like, don't worry about

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<v Speaker 2>it and pulls out this like huge chicken salad sandwich

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<v Speaker 2>on its massive bread. Let's talk about the bread.

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<v Speaker 1>Okay, So there's two There's kind of like two variables here.

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<v Speaker 1>First option one, nobody knows that it was bread and

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<v Speaker 1>flowers exactly.

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<v Speaker 2>So they're just eating it, and they're just eating it.

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<v Speaker 2>I guess like.

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<v Speaker 1>Additionally to that would be the possibility that they know

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<v Speaker 1>it's bread and flour but they figured it out. Yeah,

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<v Speaker 1>they figured out how to fix it, which I don't

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<v Speaker 1>buy all.

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<v Speaker 2>The other option is that the fireflies know about the

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<v Speaker 2>bread and they're feeding it to Ellie to check that

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<v Speaker 2>she doesn't get infected or to build up a unity dum,

0:12:38.440 --> 0:12:41.040
<v Speaker 2>which is incredibly bleak, but I also think very fitting.

0:12:41.040 --> 0:12:44.280
<v Speaker 2>And I think it's really interesting because after that cold open,

0:12:44.400 --> 0:12:46.920
<v Speaker 2>like the big chat in our discord was like why

0:12:46.920 --> 0:12:48.880
<v Speaker 2>would they show her eating bread? So and you know,

0:12:48.960 --> 0:12:51.520
<v Speaker 2>nothing in this show is unintentional, so I'm really interested

0:12:51.520 --> 0:12:53.360
<v Speaker 2>to see where that goes. But I kind of love

0:12:53.440 --> 0:12:56.880
<v Speaker 2>how we have that dramatic irony of us knowing that

0:12:56.880 --> 0:13:00.240
<v Speaker 2>that bread is probably a death sentence if testing all

0:13:00.280 --> 0:13:02.360
<v Speaker 2>eat it, but they're just that's all they want in

0:13:02.360 --> 0:13:03.920
<v Speaker 2>the world, is just to eat this bread and they're

0:13:03.960 --> 0:13:06.400
<v Speaker 2>eating then nasty little jerky and they want to eat that,

0:13:06.480 --> 0:13:08.800
<v Speaker 2>and they're like, is that chicken? Like everything is so

0:13:09.480 --> 0:13:13.240
<v Speaker 2>but that in itself is just completely wild, especially and

0:13:13.280 --> 0:13:17.600
<v Speaker 2>it highlights on a base economy level how important she

0:13:17.720 --> 0:13:20.120
<v Speaker 2>is to the fireflies, because this is clearly Joel and

0:13:20.160 --> 0:13:23.400
<v Speaker 2>test the smugglers. They're out every single day's smuggling and

0:13:23.400 --> 0:13:27.040
<v Speaker 2>they're like, where'd you get chicken? And she's like, from smugglers,

0:13:27.040 --> 0:13:28.440
<v Speaker 2>but obviously like not you lot.

0:13:29.840 --> 0:13:33.320
<v Speaker 1>I think that I think what is probably going on

0:13:33.360 --> 0:13:35.960
<v Speaker 1>here is that there are certain people in the know

0:13:36.240 --> 0:13:41.120
<v Speaker 1>who understand that bread and flour were the thing that

0:13:41.200 --> 0:13:45.400
<v Speaker 1>sparked this, and maybe it's not widely known. And I

0:13:45.440 --> 0:13:48.080
<v Speaker 1>think the fact that somebody can still make bread and

0:13:48.120 --> 0:13:51.200
<v Speaker 1>get flour and stuff suggests again that there is, to

0:13:51.240 --> 0:13:55.960
<v Speaker 1>your point, a kind of system in place to test people,

0:13:56.000 --> 0:13:59.920
<v Speaker 1>because you're not going to fucking find wheat and make

0:14:00.160 --> 0:14:02.560
<v Speaker 1>bread for one person like they're going to do it

0:14:02.600 --> 0:14:06.720
<v Speaker 1>if there is a whole system going on of testing

0:14:06.760 --> 0:14:12.000
<v Speaker 1>and finding out if people are immune. Test wants to

0:14:12.040 --> 0:14:16.520
<v Speaker 1>know why Marlene found Ellie so important, and she says,

0:14:16.679 --> 0:14:18.160
<v Speaker 1>you know, like and you better by the way, you

0:14:18.200 --> 0:14:20.520
<v Speaker 1>better actually tell us or we're going to bring you back.

0:14:20.800 --> 0:14:23.400
<v Speaker 1>Ellie shoots back, well then when you won't get your

0:14:23.400 --> 0:14:26.200
<v Speaker 1>car battery, and Tests is like, oh, oh you heard that,

0:14:26.520 --> 0:14:28.960
<v Speaker 1>then you must have heard that he wants to shoot you,

0:14:29.200 --> 0:14:32.560
<v Speaker 1>and she looks at Jolan knows that it's true. Yeah,

0:14:32.560 --> 0:14:35.360
<v Speaker 1>I'll shoot you right now. And it's a really really

0:14:35.440 --> 0:14:39.360
<v Speaker 1>chilling moment. And then we get this from Test where

0:14:39.400 --> 0:14:41.880
<v Speaker 1>she says Joel and I we aren't good people, so

0:14:42.000 --> 0:14:42.840
<v Speaker 1>answer my question.

0:14:42.960 --> 0:14:43.680
<v Speaker 2>Here's so.

0:14:45.480 --> 0:14:49.360
<v Speaker 1>Playing the game and watching the show, the game kind

0:14:49.360 --> 0:14:52.680
<v Speaker 1>of goes into this more. But the the I started

0:14:52.720 --> 0:14:56.960
<v Speaker 1>realized playing the game again that Joel and Tests were

0:14:57.040 --> 0:14:58.600
<v Speaker 1>on their way to being.

0:14:58.440 --> 0:15:02.400
<v Speaker 2>Robbered like they will. They were Robert was like their competitor.

0:15:02.960 --> 0:15:06.200
<v Speaker 1>They were like moving up the ladder of like criminal

0:15:06.280 --> 0:15:07.920
<v Speaker 1>kingpins in the QZ.

0:15:08.320 --> 0:15:10.760
<v Speaker 2>If they didn't kill so many people, they would have

0:15:10.800 --> 0:15:14.160
<v Speaker 2>had an army, but they killed everyone army because they

0:15:14.200 --> 0:15:18.120
<v Speaker 2>kept killing everyone. But no, no, definitely, like I think

0:15:18.160 --> 0:15:21.280
<v Speaker 2>that this episode and this series honestly just over these

0:15:21.320 --> 0:15:25.480
<v Speaker 2>two episodes, like it's done so much to expand on Tests,

0:15:25.480 --> 0:15:29.120
<v Speaker 2>who was essentially just like an outrageous like death dealer,

0:15:29.240 --> 0:15:33.320
<v Speaker 2>kind of like serial total psycho and like, you know what,

0:15:33.360 --> 0:15:35.680
<v Speaker 2>that's fine because in the game it serves a purpose.

0:15:36.080 --> 0:15:39.360
<v Speaker 2>But even in such an emotional game, that's definitely one

0:15:39.360 --> 0:15:41.680
<v Speaker 2>of those things where in the show you're just like, Wow,

0:15:41.720 --> 0:15:44.200
<v Speaker 2>this is someone who, no matter what they've done, suddenly

0:15:44.240 --> 0:15:47.600
<v Speaker 2>feels hope and suddenly wants to imagine something a bit better.

0:15:48.040 --> 0:15:49.680
<v Speaker 2>And you kind of don't really get to see that

0:15:49.720 --> 0:15:53.240
<v Speaker 2>with tests in the game until her last last moments,

0:15:53.280 --> 0:15:57.840
<v Speaker 2>but here she's really she's tired, and even.

0:15:57.680 --> 0:15:59.840
<v Speaker 1>That in her last last moments in the game feels

0:15:59.840 --> 0:16:03.320
<v Speaker 1>more out of desperation and like let's just like finish

0:16:03.400 --> 0:16:05.120
<v Speaker 1>it and actual feud.

0:16:04.920 --> 0:16:07.280
<v Speaker 2>And also realizing how valuable Ellie is.

0:16:07.360 --> 0:16:10.720
<v Speaker 1>Yeah, Ellie tells them that what she knows is that

0:16:10.720 --> 0:16:13.880
<v Speaker 1>there's apparently a firefly base camp somewhere out west where

0:16:13.920 --> 0:16:18.120
<v Speaker 1>doctors are working on a cure, and Joel finishes her

0:16:18.160 --> 0:16:21.840
<v Speaker 1>sense is whatever, he's heard all this shit before. The

0:16:21.920 --> 0:16:24.920
<v Speaker 1>key to finding the vaccine is me, and he's like,

0:16:24.960 --> 0:16:27.120
<v Speaker 1>come on, this is the test you're gonna this is

0:16:27.120 --> 0:16:28.760
<v Speaker 1>what you're gonna buy. How many times have we heard this.

0:16:28.800 --> 0:16:30.920
<v Speaker 1>There's no vaccine, there's no medicine, there's nothing we can do.

0:16:32.200 --> 0:16:36.040
<v Speaker 1>He still wants to shoot her, but Test really is like, hey,

0:16:36.080 --> 0:16:39.320
<v Speaker 1>listen again, the fireflies believe it, so let's just do it.

0:16:39.520 --> 0:16:41.920
<v Speaker 2>Yeah, exactly. And also, I will say this is really

0:16:41.960 --> 0:16:45.160
<v Speaker 2>where you start to get from this scene. You will

0:16:45.160 --> 0:16:48.400
<v Speaker 2>getting now dialogue just directly lifted from the game. The

0:16:48.480 --> 0:16:51.160
<v Speaker 2>first was more of a loose adaptation that brought things

0:16:51.160 --> 0:16:54.480
<v Speaker 2>from the game. This episode is so close really, so

0:16:54.480 --> 0:16:56.720
<v Speaker 2>what you see it's actually quite wild. Like I was

0:16:56.720 --> 0:16:58.240
<v Speaker 2>playing the game, then I was watching it, then I

0:16:58.240 --> 0:17:00.200
<v Speaker 2>was playing the game, and I was like, well, well,

0:17:00.240 --> 0:17:02.600
<v Speaker 2>I'm really just seeing stuff being directly pulled, and this

0:17:02.640 --> 0:17:04.919
<v Speaker 2>conversation is one of them, and kind of where the

0:17:04.960 --> 0:17:08.720
<v Speaker 2>episode goes to these terrifying, nightmarish places that is just

0:17:08.800 --> 0:17:10.080
<v Speaker 2>so brilliantly adapted.

0:17:10.280 --> 0:17:12.720
<v Speaker 1>One of the lines that is ripped straight from the

0:17:12.720 --> 0:17:14.960
<v Speaker 1>game is Ellie saying, hey, can I have a gun,

0:17:15.520 --> 0:17:19.080
<v Speaker 1>which she asks about one hundred times in the game.

0:17:21.480 --> 0:17:24.919
<v Speaker 1>They say no, because who wants to get shot in

0:17:24.960 --> 0:17:28.680
<v Speaker 1>the back by a panicky like fourteen year old Yeah,

0:17:28.720 --> 0:17:30.200
<v Speaker 1>and she's like, well, I'll just I guess I'll just

0:17:30.240 --> 0:17:33.760
<v Speaker 1>throw my sandwich at the infected, which I think they'll

0:17:33.800 --> 0:17:35.960
<v Speaker 1>like it because it's, you know, part of their history.

0:17:36.320 --> 0:17:38.720
<v Speaker 1>They then head off into the kind of like sunlit

0:17:39.119 --> 0:17:42.920
<v Speaker 1>wreckage of Boston. They're passing bomb craters. Chess is telling

0:17:42.920 --> 0:17:46.000
<v Speaker 1>Ellie that, as doctor Rottna.

0:17:45.720 --> 0:17:48.880
<v Speaker 2>Suggested, they just bombed the city.

0:17:48.920 --> 0:17:51.680
<v Speaker 1>The American government at least came came to the realization

0:17:51.720 --> 0:17:53.639
<v Speaker 1>that their best course of action was just bomb the

0:17:53.720 --> 0:17:56.280
<v Speaker 1>fuck out of cities. And it didn't work everywhere, but

0:17:56.320 --> 0:17:58.320
<v Speaker 1>it appeared to work in Boston, where they managed to

0:17:58.320 --> 0:18:02.480
<v Speaker 1>set up the quarantines. Now they come to like a

0:18:02.480 --> 0:18:05.480
<v Speaker 1>place where a building is partially collapsed across the street.

0:18:05.560 --> 0:18:07.920
<v Speaker 1>So this is the direct past path to the old

0:18:07.960 --> 0:18:11.639
<v Speaker 1>State House. So what's left is the short path and

0:18:11.680 --> 0:18:14.439
<v Speaker 1>the long path. And apparently the short path is like

0:18:14.520 --> 0:18:15.440
<v Speaker 1>you will get killed.

0:18:15.320 --> 0:18:17.840
<v Speaker 2>Yeah, it's it's it's the long path. Oh that you die.

0:18:17.920 --> 0:18:21.920
<v Speaker 2>Papy's like, I think I'll just yeah, long path.

0:18:22.280 --> 0:18:25.720
<v Speaker 1>So they go through this hotel, and here's a very

0:18:25.720 --> 0:18:28.520
<v Speaker 1>telling moment that kind of dovetails nicely with what you

0:18:28.520 --> 0:18:32.439
<v Speaker 1>were saying before about tests, the difference between game tests

0:18:32.520 --> 0:18:35.600
<v Speaker 1>and and show tests, in the way that this test

0:18:36.040 --> 0:18:44.200
<v Speaker 1>there's almost something vaguely parental about her and the way

0:18:44.200 --> 0:18:47.119
<v Speaker 1>she talks to Ellie. Notice that Ellie walks next to

0:18:47.119 --> 0:18:49.359
<v Speaker 1>her this whole time. Doesn't walk next Joel.

0:18:49.720 --> 0:18:49.919
<v Speaker 2>You know.

0:18:50.040 --> 0:18:52.680
<v Speaker 1>Joel did say like I will kill you, but he

0:18:52.760 --> 0:18:55.560
<v Speaker 1>is walking next to Ellie this whole time, and there,

0:18:56.359 --> 0:18:59.800
<v Speaker 1>you know. And then Ellie Tests is being very generous

0:18:59.880 --> 0:19:04.080
<v Speaker 1>about telling her about the dangers of the open city.

0:19:04.400 --> 0:19:07.040
<v Speaker 1>She asks how Ellie got bit. Ellie's like, oh, I

0:19:07.040 --> 0:19:09.720
<v Speaker 1>went into the mall and the QZ that's blocked off

0:19:10.600 --> 0:19:13.520
<v Speaker 1>and I got bit. Tess X, Did you go in

0:19:13.560 --> 0:19:17.879
<v Speaker 1>there alone, Ellie, I think lies and says yes, I

0:19:17.920 --> 0:19:20.600
<v Speaker 1>think she was in there with someone else, who we're

0:19:20.600 --> 0:19:22.760
<v Speaker 1>going to find out was the person who was her

0:19:23.400 --> 0:19:24.160
<v Speaker 1>significant other.

0:19:25.200 --> 0:19:26.200
<v Speaker 2>And Test is impressed.

0:19:26.680 --> 0:19:31.119
<v Speaker 1>And you can tell that Ellie is really feels she

0:19:31.160 --> 0:19:34.359
<v Speaker 1>really feels good any compliments. She feels good about the

0:19:34.400 --> 0:19:35.440
<v Speaker 1>fact that someone is.

0:19:35.440 --> 0:19:38.320
<v Speaker 2>Like and I think where she sees in Test, that's

0:19:38.320 --> 0:19:40.359
<v Speaker 2>someone that she would want to be like, you know,

0:19:40.440 --> 0:19:42.800
<v Speaker 2>someone who can survive this for twenty years, who can

0:19:42.880 --> 0:19:45.840
<v Speaker 2>kind of thinks it's bad ass to go into an

0:19:45.880 --> 0:19:47.920
<v Speaker 2>empty mall and get bit just for the sake of it,

0:19:48.000 --> 0:19:51.200
<v Speaker 2>like very chaoke behavior, but really it's a chaotic world.

0:19:51.720 --> 0:19:53.720
<v Speaker 2>And yeah, I love to see that with tests, and

0:19:53.720 --> 0:19:55.679
<v Speaker 2>also again they do a really good job while you

0:19:55.720 --> 0:19:57.720
<v Speaker 2>get those moments in the game, but here there's a

0:19:57.760 --> 0:20:02.400
<v Speaker 2>lot more kind of quiet time for them to walk

0:20:02.440 --> 0:20:05.480
<v Speaker 2>and we get this really fun conversation about like the

0:20:05.560 --> 0:20:09.000
<v Speaker 2>different kinds of zombies and like the threats that like,

0:20:09.160 --> 0:20:11.760
<v Speaker 2>because all all Ellie's ever heard is rumors.

0:20:12.160 --> 0:20:15.479
<v Speaker 1>So that's a really wonderful part of this scene because

0:20:15.680 --> 0:20:18.760
<v Speaker 1>you know, Ellie is like looking at this, I mean,

0:20:18.760 --> 0:20:21.800
<v Speaker 1>the city's in ruins, but it's beautiful, and she's like,

0:20:21.840 --> 0:20:24.840
<v Speaker 1>what the she was She's almost disappointed that it's not

0:20:24.920 --> 0:20:26.240
<v Speaker 1>as dangerous as everybody says.

0:20:26.400 --> 0:20:28.359
<v Speaker 2>Where's the whole idea is they keep you in the

0:20:28.440 --> 0:20:30.640
<v Speaker 2>quarantine zone by telling you the moment you get out,

0:20:30.800 --> 0:20:33.320
<v Speaker 2>it's like it's like walking dead walkers. They're coming to

0:20:33.359 --> 0:20:35.760
<v Speaker 2>the fences, they're gonna eat you. But when you get

0:20:35.800 --> 0:20:38.560
<v Speaker 2>out there, it's beautiful. It's overgrown. Nature has kind of

0:20:38.600 --> 0:20:42.240
<v Speaker 2>found its way, and so far she hasn't seen a

0:20:42.320 --> 0:20:44.560
<v Speaker 2>single zombie, so she goes affected.

0:20:44.680 --> 0:20:47.199
<v Speaker 1>So there aren't the ones with the split up and

0:20:47.240 --> 0:20:49.639
<v Speaker 1>heads that's see in the dark, like bats and Tessandol

0:20:49.680 --> 0:20:50.000
<v Speaker 1>are like.

0:20:51.240 --> 0:20:54.520
<v Speaker 2>They don't they look at each other and They're like, I.

0:20:54.440 --> 0:20:58.160
<v Speaker 1>Guess we came out at which point you hear the

0:20:58.160 --> 0:21:03.399
<v Speaker 1>the trademark screen each yeah and infected, and Joel is

0:21:03.440 --> 0:21:06.080
<v Speaker 1>just like, Okay, let's just keep moving and let's go.

0:21:06.440 --> 0:21:09.440
<v Speaker 1>They come to the flooded lobby of a hotel, which

0:21:09.480 --> 0:21:15.040
<v Speaker 1>Ellie recognizes because she reads books. She is really having fun,

0:21:15.119 --> 0:21:18.440
<v Speaker 1>like she's turning this into an adventure. It's obviously very dangerous,

0:21:18.440 --> 0:21:21.120
<v Speaker 1>but she's never again been outside before and she goes

0:21:21.160 --> 0:21:22.880
<v Speaker 1>to the front desk, rings the bell. There's this whole

0:21:22.920 --> 0:21:25.520
<v Speaker 1>little scene about checking into the hotel.

0:21:25.200 --> 0:21:28.120
<v Speaker 2>And Joel's like, you are weird kid. He's like, you

0:21:28.160 --> 0:21:30.400
<v Speaker 2>are true weirdo. But you know, it's really nice because

0:21:30.440 --> 0:21:33.919
<v Speaker 2>in the game, Ellie's always she's like always singing and

0:21:34.000 --> 0:21:35.919
<v Speaker 2>like being trying to teach us about to whistle and

0:21:35.960 --> 0:21:38.280
<v Speaker 2>do in like weird shit because to her like little

0:21:38.359 --> 0:21:42.040
<v Speaker 2>laughs when because it's not like she's getting to explore

0:21:42.080 --> 0:21:43.720
<v Speaker 2>this world, but the horrors of the world and the

0:21:43.720 --> 0:21:45.719
<v Speaker 2>fact that's broken down are not new to her, like

0:21:45.800 --> 0:21:48.400
<v Speaker 2>that's all she's ever known. So that, yeah, I love

0:21:48.440 --> 0:21:50.919
<v Speaker 2>that scene and Bella they just sell it so well.

0:21:51.440 --> 0:21:53.520
<v Speaker 2>They're like kind of talking and checking in and Joel's

0:21:53.520 --> 0:21:54.680
<v Speaker 2>just like, what is wrong with you?

0:21:55.600 --> 0:21:58.400
<v Speaker 1>Eventually, Joel and Ellie get their first moment alone when

0:21:58.400 --> 0:22:02.399
<v Speaker 1>Tess has to find in an alternate path through another

0:22:02.440 --> 0:22:07.959
<v Speaker 1>part of the building that's collapsed and Joel compliments Elie's

0:22:07.960 --> 0:22:14.439
<v Speaker 1>switchblade killed with it. She asks where he's from. He

0:22:14.440 --> 0:22:17.000
<v Speaker 1>says Texas she is. She asks where Tests is from.

0:22:17.040 --> 0:22:19.520
<v Speaker 1>She says Detroit, which is in Michigan, and Ellie's like,

0:22:19.600 --> 0:22:22.439
<v Speaker 1>I know that because I went to school. The parallels

0:22:22.440 --> 0:22:26.399
<v Speaker 1>with Sarah and geography are right there. She then asks

0:22:26.440 --> 0:22:29.399
<v Speaker 1>how Joel Tests and Tests know each other and how

0:22:29.480 --> 0:22:32.040
<v Speaker 1>Joel got to Boston. Joel's like, no, we're not talking

0:22:32.080 --> 0:22:35.320
<v Speaker 1>about me. No more questions about me. She then asks

0:22:35.680 --> 0:22:38.080
<v Speaker 1>how long do you think infected live and he says

0:22:38.200 --> 0:22:41.000
<v Speaker 1>a few months, but some have been around since this

0:22:41.080 --> 0:22:43.040
<v Speaker 1>all started, since you know, twenty years ago.

0:22:43.160 --> 0:22:45.760
<v Speaker 2>Yeah, those are the ones you don't want to meet.

0:22:45.880 --> 0:22:48.720
<v Speaker 1>Yeah, And she asks if he's ever killed any and

0:22:48.800 --> 0:22:51.560
<v Speaker 1>he says, yeah, a lot. And she asks is it

0:22:51.600 --> 0:22:54.160
<v Speaker 1>hard knowing they were people once? And he says sometimes

0:22:54.160 --> 0:22:57.320
<v Speaker 1>it was, And then she asks him, you know, how

0:22:57.320 --> 0:22:59.720
<v Speaker 1>hard was it to kill that soldier? You know when

0:22:59.760 --> 0:23:03.120
<v Speaker 1>he had that flashback? To the night on the riverbank

0:23:03.160 --> 0:23:06.240
<v Speaker 1>with Sarah in his arms, and before he can answer,

0:23:06.280 --> 0:23:09.600
<v Speaker 1>Test returns and she's got bad news that Hey, so

0:23:10.240 --> 0:23:13.120
<v Speaker 1>the way we have to go it's just all infected.

0:23:13.200 --> 0:23:15.359
<v Speaker 2>It's an infected party. You know, the long way that

0:23:15.440 --> 0:23:16.960
<v Speaker 2>was supposed to be the safe way and now the

0:23:17.000 --> 0:23:19.280
<v Speaker 2>long way is also the dead way, and there's just

0:23:19.320 --> 0:23:22.439
<v Speaker 2>like infected everywhere, and it's it's all bad. But we

0:23:22.520 --> 0:23:25.600
<v Speaker 2>do learn something very interesting here. This is a cool

0:23:25.640 --> 0:23:27.760
<v Speaker 2>episode if you want to know about the cordyceps virus

0:23:27.760 --> 0:23:30.040
<v Speaker 2>and that infected because we kind of get to learn

0:23:30.080 --> 0:23:32.000
<v Speaker 2>through Ellie's eyes a little bit more about them.

0:23:32.480 --> 0:23:38.280
<v Speaker 1>Yeah, you see the sun kind of moving across the landscape,

0:23:38.320 --> 0:23:40.760
<v Speaker 1>you know, as clouds kind of go across the face

0:23:40.800 --> 0:23:44.720
<v Speaker 1>of the sun, and as this sunbeam moves across these

0:23:44.800 --> 0:23:50.600
<v Speaker 1>kind of this lolling hundred crowd. Yeah, they all react

0:23:50.680 --> 0:23:53.560
<v Speaker 1>to it in Unison, and Ellie's like, oh my god,

0:23:53.600 --> 0:23:56.000
<v Speaker 1>they're connected, and Tessa's more than you know, and she

0:23:56.160 --> 0:24:01.800
<v Speaker 1>tells them that those fungal tentacles they grow underground too,

0:24:01.960 --> 0:24:04.840
<v Speaker 1>and they're like a fungal web, like an internet for

0:24:04.920 --> 0:24:07.440
<v Speaker 1>the ya. It creates like a hive mind yeah, and

0:24:07.520 --> 0:24:11.359
<v Speaker 1>if you step on a patch of those tentacles, it

0:24:11.400 --> 0:24:14.879
<v Speaker 1>can send a message miles away and murder alert the

0:24:14.960 --> 0:24:16.040
<v Speaker 1>hores and here they come.

0:24:16.119 --> 0:24:18.000
<v Speaker 2>And I believe that is new as well. That is

0:24:18.520 --> 0:24:18.879
<v Speaker 2>very new.

0:24:19.000 --> 0:24:23.120
<v Speaker 1>Yeah, that is very new and very terrifying. And Tess

0:24:23.200 --> 0:24:25.800
<v Speaker 1>again is being very warm in the way she's delivering this.

0:24:25.880 --> 0:24:28.680
<v Speaker 1>She's she's she even says something to the effect of listen,

0:24:28.680 --> 0:24:30.280
<v Speaker 1>I'm not telling you this to scary. I'm telling us

0:24:30.280 --> 0:24:32.480
<v Speaker 1>because you need to know. Yeah, because you're immune, but

0:24:32.680 --> 0:24:34.600
<v Speaker 1>but you're not immune to getting ripped apart.

0:24:34.800 --> 0:24:36.680
<v Speaker 2>I love that line. She's like, yeah, you're immune to

0:24:36.720 --> 0:24:38.760
<v Speaker 2>getting bitmed, but you're not immune to like a zombie

0:24:38.800 --> 0:24:41.240
<v Speaker 2>coming and like tearing your limbs off, Like sorry, babe,

0:24:41.359 --> 0:24:43.840
<v Speaker 2>but and then bad news. The short way is the

0:24:43.920 --> 0:24:46.000
<v Speaker 2>only way now, baby, Through the museum.

0:24:46.160 --> 0:24:49.520
<v Speaker 1>Through the museum a beautiful red brick colonial covered in

0:24:49.640 --> 0:24:50.520
<v Speaker 1>fungal tentacles.

0:24:50.720 --> 0:24:52.920
<v Speaker 2>The door is literally like lock hut.

0:24:53.400 --> 0:24:57.159
<v Speaker 1>Joel goes over, touches one of the big tentacles it is.

0:24:57.800 --> 0:24:58.720
<v Speaker 1>It's bone dry, and he.

0:24:58.720 --> 0:25:02.160
<v Speaker 2>Says, well, you know, maybe feel positive.

0:25:02.480 --> 0:25:04.720
<v Speaker 1>So they get ready to head in flashlights come out

0:25:05.920 --> 0:25:09.120
<v Speaker 1>tests and Ellie, you know, have another talk. Test is like, listen,

0:25:09.200 --> 0:25:11.000
<v Speaker 1>you just stay behind us. We're gonna move very slow.

0:25:11.320 --> 0:25:14.520
<v Speaker 1>If anything happens, you get between me and Joel. And

0:25:14.640 --> 0:25:17.240
<v Speaker 1>then the guns come out, and this is an interesting moment.

0:25:17.320 --> 0:25:25.040
<v Speaker 1>So Test uses that alternating flashlight pistol overhand grip restore

0:25:25.080 --> 0:25:28.800
<v Speaker 1>the wrist, and then later in the episode says at

0:25:28.840 --> 0:25:31.240
<v Speaker 1>the very end, says to Joel, save who you can save,

0:25:31.560 --> 0:25:36.960
<v Speaker 1>which is a very nine to eleven era first responder

0:25:37.440 --> 0:25:41.680
<v Speaker 1>to say, and it makes me think Test was a cop.

0:25:42.000 --> 0:25:44.680
<v Speaker 2>Yeah, definitely some kind of first responder kind of situation.

0:25:44.800 --> 0:25:47.640
<v Speaker 2>And also it fits in with what we know of Test,

0:25:47.680 --> 0:25:49.560
<v Speaker 2>which in the game, the little things that we get

0:25:49.560 --> 0:25:51.760
<v Speaker 2>to see about, she's usually the one who's giving Joel

0:25:51.840 --> 0:25:54.639
<v Speaker 2>stuff to fix his wounds and wrap it up, and

0:25:54.680 --> 0:25:56.840
<v Speaker 2>they do a nice inversion of that in this episode.

0:25:57.080 --> 0:25:58.840
<v Speaker 2>But yeah, I thought that was a really great catch

0:25:58.920 --> 0:26:02.840
<v Speaker 2>from you. And again, you know, Ellie just wants a gun. Yes,

0:26:02.880 --> 0:26:05.080
<v Speaker 2>she's give me a gun. She's like, I've got and

0:26:05.200 --> 0:26:07.439
<v Speaker 2>Joel's like, good for you. You know, hey, we're going

0:26:07.480 --> 0:26:09.560
<v Speaker 2>to a dark building. Can I have a gun? I

0:26:09.640 --> 0:26:12.320
<v Speaker 2>mean this is like, if you've played the game, never

0:26:12.359 --> 0:26:14.359
<v Speaker 2>shot a gun, but can I have one. I mean,

0:26:14.440 --> 0:26:16.119
<v Speaker 2>sure they won't they teaching you that they fed you

0:26:16.560 --> 0:26:18.720
<v Speaker 2>military school, though I feel like they should. They probably

0:26:18.720 --> 0:26:20.480
<v Speaker 2>didn't want the kids to have done so they could escape,

0:26:20.520 --> 0:26:22.280
<v Speaker 2>but still I feel like that would have been probably

0:26:22.280 --> 0:26:25.800
<v Speaker 2>a good idea in the context of this. So in

0:26:25.960 --> 0:26:30.640
<v Speaker 2>here is where we get our first view of the clickers.

0:26:30.720 --> 0:26:34.840
<v Speaker 1>Now, Joel and Tess are initially feeling pretty good. They

0:26:34.920 --> 0:26:39.240
<v Speaker 1>find this like this group of dried up and dead infected,

0:26:39.320 --> 0:26:42.640
<v Speaker 1>so they know good they're dead. But then flashlight pan

0:26:42.760 --> 0:26:44.560
<v Speaker 1>over to the side and there's like a body that's

0:26:44.600 --> 0:26:46.880
<v Speaker 1>been dead like two hours.

0:26:46.600 --> 0:26:49.240
<v Speaker 2>And it's like it's like ripped apart, like it's throat

0:26:49.280 --> 0:26:51.880
<v Speaker 2>stripped off. Ellie's freaked out because Ellie's like, I've been

0:26:52.920 --> 0:26:55.639
<v Speaker 2>bitten and that's not some It couldn't have done that

0:26:55.760 --> 0:26:58.639
<v Speaker 2>to me, Like this, what is this? And Tess's face,

0:26:59.440 --> 0:27:03.000
<v Speaker 2>the fear on their on their faces is so good. Yeah,

0:27:03.400 --> 0:27:06.560
<v Speaker 2>the way she's like, maybe maybe he died outside and

0:27:06.720 --> 0:27:09.800
<v Speaker 2>maybe he goes outside and and you know they know

0:27:10.040 --> 0:27:11.720
<v Speaker 2>that that's not true. They don't want to see it.

0:27:11.960 --> 0:27:13.680
<v Speaker 2>They don't want to, they don't want it. And it

0:27:13.800 --> 0:27:19.600
<v Speaker 2>tells you if two badasses like this who have killed

0:27:19.640 --> 0:27:23.320
<v Speaker 2>lots of efects and survived like twenty years. Yeah, are scared.

0:27:23.480 --> 0:27:24.560
<v Speaker 2>Then this is serious.

0:27:25.000 --> 0:27:30.160
<v Speaker 1>Joel then tells Ellie, Okay, listen from this point forward, silence, silence.

0:27:30.400 --> 0:27:30.680
<v Speaker 2>Okay.

0:27:31.200 --> 0:27:34.200
<v Speaker 1>Have you seen that movie with John Krasinski and Emily Blunt?

0:27:34.480 --> 0:27:36.280
<v Speaker 1>All right, you see that one, But no, that didn't

0:27:36.280 --> 0:27:36.760
<v Speaker 1>come out yet.

0:27:37.240 --> 0:27:40.119
<v Speaker 2>It didn't come out. Ye never came out. Okay, but

0:27:40.240 --> 0:27:44.640
<v Speaker 2>it's like that. Yeah, not quiet, silent side, no quips,

0:27:44.800 --> 0:27:47.560
<v Speaker 2>no like strange bits about being in a hotel. Just

0:27:47.840 --> 0:27:49.880
<v Speaker 2>fucking do it and don't say shit.

0:27:50.600 --> 0:27:52.600
<v Speaker 1>So they go forward and they're you know, they creep

0:27:52.640 --> 0:27:55.200
<v Speaker 1>their way forward, and at one point, Ellie steps on

0:27:55.240 --> 0:27:57.119
<v Speaker 1>a dried vine and they're just like, oh ship. And

0:27:57.160 --> 0:27:59.359
<v Speaker 1>then there's like a building collapse on the stairs and

0:27:59.400 --> 0:28:03.480
<v Speaker 1>they're like, oh shit. They eventually get into kind of

0:28:03.520 --> 0:28:07.240
<v Speaker 1>one of the display halls and behind them as they

0:28:07.320 --> 0:28:11.320
<v Speaker 1>go up, the staircase collapses behind them, which draws the

0:28:11.400 --> 0:28:14.280
<v Speaker 1>attention of a clicker. You hear it screech first, and

0:28:14.320 --> 0:28:16.840
<v Speaker 1>then you hear the as it's searching, you know, with

0:28:17.000 --> 0:28:17.879
<v Speaker 1>it's audio waves.

0:28:17.920 --> 0:28:19.320
<v Speaker 2>It comes up and.

0:28:21.160 --> 0:28:24.240
<v Speaker 1>Ellie is crazy with her you can see it on

0:28:24.320 --> 0:28:27.640
<v Speaker 1>her face. How absolutely terrified she is. And then there's

0:28:27.640 --> 0:28:29.640
<v Speaker 1>another screech, and now it looks like, oh shit, there's

0:28:29.680 --> 0:28:33.080
<v Speaker 1>two of them. Joel gestures to Ellie. He says, like,

0:28:33.359 --> 0:28:36.840
<v Speaker 1>you know, saying essentially, hey, they're blind, but they can hear,

0:28:37.240 --> 0:28:41.240
<v Speaker 1>they can hear. Such she's freaking out. The monster is

0:28:41.280 --> 0:28:44.200
<v Speaker 1>coming close, coming closer, coming closer, and then when it

0:28:44.400 --> 0:28:49.320
<v Speaker 1>turns to them, we get this incredible view of really,

0:28:49.400 --> 0:28:53.520
<v Speaker 1>how what a great job they did on the creature design,

0:28:53.640 --> 0:28:56.760
<v Speaker 1>like aporting the design over from the game, but then

0:28:56.880 --> 0:28:59.840
<v Speaker 1>obviously the detailing, the scariness, the way it looks like

0:29:00.320 --> 0:29:01.960
<v Speaker 1>something out of a Gearmann del Toro.

0:29:02.360 --> 0:29:04.680
<v Speaker 2>Yeah, yeah, yeah, it's so good. Like I was just

0:29:05.040 --> 0:29:07.400
<v Speaker 2>saying this to Vascilla's before, like our super sound guys

0:29:07.480 --> 0:29:10.760
<v Speaker 2>like that. When you play the game, you see the

0:29:11.040 --> 0:29:14.040
<v Speaker 2>yellow outline, you see the implication of a fungus, but

0:29:14.080 --> 0:29:16.200
<v Speaker 2>you're so busy trying to kill it and it's scary,

0:29:16.280 --> 0:29:17.800
<v Speaker 2>and a lot of times you see them outside though,

0:29:17.840 --> 0:29:19.880
<v Speaker 2>I have to say the Museum they adapted it perfectly.

0:29:19.960 --> 0:29:21.400
<v Speaker 2>This was the first time when I played the game

0:29:21.440 --> 0:29:23.680
<v Speaker 2>that I got scared and they really translated this is

0:29:23.760 --> 0:29:27.320
<v Speaker 2>directly from this is directly and it's that moment where

0:29:27.640 --> 0:29:30.440
<v Speaker 2>you go more into that classic horror video game style.

0:29:30.600 --> 0:29:33.160
<v Speaker 2>You're in a dark space, you're lighting it with a flashlight.

0:29:33.200 --> 0:29:36.200
<v Speaker 2>You gotta be stealthy. But I didn't expect them to

0:29:36.240 --> 0:29:37.959
<v Speaker 2>be able to pull off the clickers and make them

0:29:38.040 --> 0:29:41.520
<v Speaker 2>something so horrific, Like Giamo del Toro is a great pole.

0:29:41.600 --> 0:29:44.320
<v Speaker 2>It's very resident evil. The kind of only sign of

0:29:44.360 --> 0:29:47.680
<v Speaker 2>their humanity is just like gaping more with broken teeth,

0:29:47.760 --> 0:29:49.480
<v Speaker 2>and then on top of their heads are these like

0:29:50.000 --> 0:29:52.680
<v Speaker 2>it's fungus, but it's also you pointed out, it's like plating.

0:29:52.760 --> 0:29:55.680
<v Speaker 2>It's almost like a dinosaur, like a triceratops, but like

0:29:55.800 --> 0:30:00.160
<v Speaker 2>with fungus growing on top. It's truly horrific stuff. Even

0:30:00.200 --> 0:30:02.400
<v Speaker 2>though I have to say pretty much everyone that I've

0:30:02.400 --> 0:30:04.640
<v Speaker 2>seen loves this show. But if you were waiting for

0:30:04.720 --> 0:30:07.520
<v Speaker 2>the episode where it becomes like a scary zombie show,

0:30:07.760 --> 0:30:08.800
<v Speaker 2>this is the episode.

0:30:09.920 --> 0:30:14.520
<v Speaker 1>So it's it comes close, it swings its face towards

0:30:14.640 --> 0:30:18.080
<v Speaker 1>them into the beam of the flashlight, which whoever did that?

0:30:18.200 --> 0:30:22.480
<v Speaker 1>Don't do that? And please, and Ellie gasps, and now

0:30:22.760 --> 0:30:25.600
<v Speaker 1>it's fucking on. And one thing we could say about

0:30:25.720 --> 0:30:29.240
<v Speaker 1>this these version of the clickers is they are way

0:30:30.080 --> 0:30:33.480
<v Speaker 1>heardier than the video game. The video version, they take

0:30:33.560 --> 0:30:36.320
<v Speaker 1>some gunshots, but if you get like two head shots,

0:30:36.360 --> 0:30:36.959
<v Speaker 1>it's going to go down.

0:30:37.040 --> 0:30:39.480
<v Speaker 2>Yeah. Yeah. The thing that I'm depending on your difficult

0:30:40.320 --> 0:30:42.760
<v Speaker 2>I was gonna say I'm very bad at heeadshots, more

0:30:42.800 --> 0:30:44.360
<v Speaker 2>of a four or five person. But you know what

0:30:44.400 --> 0:30:46.640
<v Speaker 2>I will say, I'm going to be very interested to

0:30:46.760 --> 0:30:50.360
<v Speaker 2>see how the clickers take it later on, because what

0:30:50.520 --> 0:30:53.040
<v Speaker 2>I ended up finding was very easy, and my difficulty

0:30:53.080 --> 0:30:56.200
<v Speaker 2>saying is once you start modeling your melee weapons, you

0:30:56.280 --> 0:30:58.160
<v Speaker 2>can kill them in a couple of swipes. Yeah, I

0:30:58.200 --> 0:31:00.640
<v Speaker 2>wouldn't want to get close to one of the clickers

0:31:00.720 --> 0:31:03.440
<v Speaker 2>to know how that would go. Like Arendus, Yeah, they

0:31:03.840 --> 0:31:06.640
<v Speaker 2>they super charged them and that kind of bizarker mode

0:31:06.680 --> 0:31:09.680
<v Speaker 2>where after you shoot them once and then that is

0:31:09.880 --> 0:31:10.560
<v Speaker 2>just horrific.

0:31:10.760 --> 0:31:16.120
<v Speaker 1>Care So, uh, the fighters on the first clicker, the

0:31:16.240 --> 0:31:17.320
<v Speaker 1>one that's closest to them.

0:31:17.280 --> 0:31:20.800
<v Speaker 2>Takes like four or five like, oh, it's directly the

0:31:20.880 --> 0:31:21.360
<v Speaker 2>tour Zoe.

0:31:21.480 --> 0:31:24.640
<v Speaker 1>No reaction is fighting with Jewel like nothing happened, which

0:31:24.720 --> 0:31:25.880
<v Speaker 1>kind of makes sense you think.

0:31:25.720 --> 0:31:28.040
<v Speaker 2>About it, because if it's if it's just the body

0:31:28.160 --> 0:31:31.160
<v Speaker 2>is essentially a shell. Yeah, that's why would it damage it?

0:31:31.240 --> 0:31:33.200
<v Speaker 2>You know, you have to get to that that cerebral

0:31:33.320 --> 0:31:36.640
<v Speaker 2>cortex or wherever the main fungus is. Shoot ahead like

0:31:36.680 --> 0:31:38.920
<v Speaker 2>everything exactly. Movie. That's the rule.

0:31:39.480 --> 0:31:42.960
<v Speaker 1>Test and Elly run big, big fight. At the end

0:31:43.040 --> 0:31:46.000
<v Speaker 1>of it, they do take down both clickers and Tests

0:31:46.160 --> 0:31:47.160
<v Speaker 1>is okay.

0:31:47.600 --> 0:31:51.560
<v Speaker 2>Except for it twisted. Great, She looks good, fine, she says,

0:31:51.600 --> 0:31:54.600
<v Speaker 2>I'm fine. I twisted my ankle. That's it. Okay, let's

0:31:54.640 --> 0:31:57.560
<v Speaker 2>move on. Ellie got bit again and she's like, well,

0:31:57.560 --> 0:32:00.160
<v Speaker 2>at least it was me if it had to you

0:32:00.200 --> 0:32:00.640
<v Speaker 2>one of us.

0:32:00.920 --> 0:32:03.640
<v Speaker 1>Right, We're fine, and they go out over the roof.

0:32:04.560 --> 0:32:07.720
<v Speaker 1>They get on the roof, Tessa's looking at Joel sadly

0:32:07.880 --> 0:32:08.880
<v Speaker 1>as he's taping her up.

0:32:09.080 --> 0:32:11.760
<v Speaker 2>I love it. You get and you get this like

0:32:11.920 --> 0:32:14.760
<v Speaker 2>these moments. Something that I love about this show that

0:32:14.880 --> 0:32:17.000
<v Speaker 2>it understands about the game is these like moments of

0:32:17.120 --> 0:32:20.400
<v Speaker 2>like empathy and compassion and comfort and these tiny moments

0:32:20.480 --> 0:32:23.240
<v Speaker 2>that people can have together, like when he's wrapping her

0:32:23.320 --> 0:32:25.240
<v Speaker 2>foot and they're kind of talking. And again you go

0:32:25.320 --> 0:32:28.360
<v Speaker 2>from this deep, dark, horrific hauls where you're kind of

0:32:28.680 --> 0:32:32.800
<v Speaker 2>chased by this nightmare monster onto this beautiful, sunlit rooftop

0:32:32.920 --> 0:32:37.240
<v Speaker 2>with this broken down city scape. It's such wonderful juxaposition,

0:32:37.320 --> 0:32:39.600
<v Speaker 2>but it never feels kind of jarring. It's just like

0:32:39.680 --> 0:32:43.000
<v Speaker 2>a really nice, breathing kind of spot. And we get

0:32:43.040 --> 0:32:46.560
<v Speaker 2>another you know, Joel and Tessa have in this moment,

0:32:47.200 --> 0:32:49.800
<v Speaker 2>and then you get this unbelievable shot of Ellie kind

0:32:49.840 --> 0:32:52.200
<v Speaker 2>of as they traverse the piece of Wood, which again

0:32:52.280 --> 0:32:55.160
<v Speaker 2>is one of the most memorable scenes from the from

0:32:55.200 --> 0:32:55.840
<v Speaker 2>the video game.

0:32:55.960 --> 0:32:58.040
<v Speaker 1>Now, there's a there's a small interaction here that I

0:32:58.080 --> 0:33:00.480
<v Speaker 1>think tells you a lot about Joel and Test's Joel

0:33:00.600 --> 0:33:02.720
<v Speaker 1>is like, hey, so you know, maybe we don't know

0:33:02.760 --> 0:33:04.520
<v Speaker 1>what happened with that first bite. Maybe this is the

0:33:04.560 --> 0:33:07.920
<v Speaker 1>bite that's gonna it's gonna get and Test snaps, She's like,

0:33:07.960 --> 0:33:10.040
<v Speaker 1>can you just take the good news, you know, and

0:33:10.120 --> 0:33:13.200
<v Speaker 1>maybe this time we can actually win? And it what

0:33:13.360 --> 0:33:16.360
<v Speaker 1>it suggested to me and I thought this was great writing.

0:33:16.720 --> 0:33:16.920
<v Speaker 2>Is that.

0:33:18.520 --> 0:33:21.520
<v Speaker 1>Contra the game, Test was the more hopeful one. Yeah,

0:33:21.920 --> 0:33:22.880
<v Speaker 1>in their relationship.

0:33:23.080 --> 0:33:26.719
<v Speaker 2>Joel Joel and in the in the game, he's dead inside,

0:33:26.760 --> 0:33:29.760
<v Speaker 2>but it's like he's dead inside and he just follows

0:33:29.800 --> 0:33:32.200
<v Speaker 2>Tests and does whatever she wants. But here he's dead

0:33:32.240 --> 0:33:34.400
<v Speaker 2>inside and that allows him to do the terrible things

0:33:34.440 --> 0:33:37.280
<v Speaker 2>that need to be done, whereas with Tests, Test can

0:33:37.480 --> 0:33:39.760
<v Speaker 2>take it, but she's tired of giving it out. She

0:33:39.880 --> 0:33:41.640
<v Speaker 2>wants that little bit of hope. She doesn't want to

0:33:41.640 --> 0:33:43.760
<v Speaker 2>be killing people. She wants to imagine that this time

0:33:44.160 --> 0:33:45.560
<v Speaker 2>they can actually win. Yeah.

0:33:45.640 --> 0:33:49.240
<v Speaker 1>This this felt like a window into their relationship that

0:33:49.320 --> 0:33:51.440
<v Speaker 1>maybe Tests is the person who's like, oh, maybe it's

0:33:51.480 --> 0:33:53.360
<v Speaker 1>real this time, maybe we can do this, maybe we

0:33:53.400 --> 0:33:55.440
<v Speaker 1>can do that, whereas Joel's like, this is never changing.

0:33:55.520 --> 0:33:56.600
<v Speaker 1>This is what we're doing right now.

0:33:58.600 --> 0:33:59.720
<v Speaker 2>Joel goes over to Ellie.

0:34:00.200 --> 0:34:03.200
<v Speaker 1>Tests stays behind to kind of tape herself up, and

0:34:03.320 --> 0:34:05.760
<v Speaker 1>you can see the State House across the way. It's

0:34:05.840 --> 0:34:10.439
<v Speaker 1>beautiful under the sunlight. And as they move out, there's

0:34:10.480 --> 0:34:13.680
<v Speaker 1>a great moment where Joel glances at his watch and

0:34:13.880 --> 0:34:16.600
<v Speaker 1>just like takes one look at the broken watch. They

0:34:16.640 --> 0:34:19.320
<v Speaker 1>get to the state House, firefly convoy is there in

0:34:19.400 --> 0:34:21.800
<v Speaker 1>front of the building. No sign of the firefly themselves.

0:34:22.400 --> 0:34:23.000
<v Speaker 2>Suspicious.

0:34:23.120 --> 0:34:23.759
<v Speaker 1>Yeah, not good.

0:34:23.880 --> 0:34:24.560
<v Speaker 2>Joel goes up.

0:34:24.640 --> 0:34:27.359
<v Speaker 1>He checks the truck gets streaked with blood. There's's dead

0:34:27.440 --> 0:34:32.160
<v Speaker 1>bodies all around, torn apart by infected blood trail that's

0:34:32.280 --> 0:34:35.279
<v Speaker 1>leading up into the State house, and Ellie's like, oh,

0:34:35.320 --> 0:34:39.719
<v Speaker 1>they went inside. Test now grabs Ellie by the arm

0:34:40.000 --> 0:34:43.399
<v Speaker 1>and rushes in because she's ready to like she's done,

0:34:43.560 --> 0:34:45.719
<v Speaker 1>she's ready to find out, like is it real?

0:34:45.800 --> 0:34:46.359
<v Speaker 2>What's next?

0:34:46.760 --> 0:34:51.320
<v Speaker 1>Probably, you know, depending on you know, probably because of

0:34:51.360 --> 0:34:54.799
<v Speaker 1>the reveal it's about to happen, because she is one

0:34:56.000 --> 0:34:59.760
<v Speaker 1>she is inspired by and buoyed by and really deeply

0:35:00.239 --> 0:35:02.680
<v Speaker 1>by like this sliver of hope that she's feeling, and

0:35:02.800 --> 0:35:05.240
<v Speaker 1>also like, hey, if there is a cure.

0:35:05.120 --> 0:35:08.200
<v Speaker 2>But can we cook it up real quick? I maybe

0:35:08.239 --> 0:35:10.279
<v Speaker 2>have it? How's it going? How's it going?

0:35:10.520 --> 0:35:13.480
<v Speaker 1>So they get in there and everybody's dead, and Joel

0:35:13.560 --> 0:35:18.239
<v Speaker 1>reads the situation. One or more of the fireflies got infected.

0:35:18.480 --> 0:35:20.320
<v Speaker 1>There is a fight as the healthy ones fought the

0:35:20.960 --> 0:35:24.359
<v Speaker 1>sick ones, and then everybody lost. In Joel's words. Tests

0:35:24.480 --> 0:35:25.840
<v Speaker 1>is then like okay, well there's got to be a

0:35:25.880 --> 0:35:28.880
<v Speaker 1>fucking map or a radio or some kind of indication

0:35:28.960 --> 0:35:30.120
<v Speaker 1>about where Ellie was supposed to go.

0:35:30.280 --> 0:35:33.200
<v Speaker 2>And Joel's like, okay, we did it done, Yeah, we

0:35:33.640 --> 0:35:34.520
<v Speaker 2>dropped ahead. Let's go.

0:35:34.920 --> 0:35:37.399
<v Speaker 1>Let's go home, he says, and then Test snaps it's

0:35:37.480 --> 0:35:42.279
<v Speaker 1>not my fucking home, which is like a hugely revealing

0:35:42.480 --> 0:35:46.439
<v Speaker 1>comment again from Tests who all the while, you know again,

0:35:46.480 --> 0:35:48.319
<v Speaker 1>it suggests all the while, all the while, all the way,

0:35:48.360 --> 0:35:50.600
<v Speaker 1>Test has been like hoping for a real place, a

0:35:50.680 --> 0:35:51.520
<v Speaker 1>real end to this.

0:35:52.400 --> 0:35:52.480
<v Speaker 2>Uh.

0:35:52.719 --> 0:35:54.759
<v Speaker 1>And then she says, you know, my luck had to

0:35:54.840 --> 0:35:56.600
<v Speaker 1>run out, sooner or later, I'm going to stay behind.

0:35:56.640 --> 0:35:58.080
<v Speaker 1>And Ellie gets it Test was bitten.

0:35:58.880 --> 0:36:00.560
<v Speaker 2>Uh. Joel is shaded by this.

0:36:01.280 --> 0:36:04.160
<v Speaker 1>Test shows him the wound which is on her neck

0:36:04.239 --> 0:36:06.320
<v Speaker 1>and it's already like fung this out.

0:36:06.280 --> 0:36:08.680
<v Speaker 2>And she's like, look at Ellie's this is like three

0:36:08.760 --> 0:36:10.719
<v Speaker 2>weeks ago, Like what the fuck is wrong with you?

0:36:10.880 --> 0:36:14.800
<v Speaker 1>This is this is real because look at this exact

0:36:14.840 --> 0:36:17.640
<v Speaker 1>dialogue from the game where she her reaction is like oops, right,

0:36:17.800 --> 0:36:22.920
<v Speaker 1>you know, yeah yeah. Test then begs Joel in an

0:36:23.000 --> 0:36:27.000
<v Speaker 1>increasingly emotional appeal, to take Ellie West to find Tommy

0:36:27.080 --> 0:36:28.560
<v Speaker 1>and his group and.

0:36:28.760 --> 0:36:32.120
<v Speaker 2>To stop this, to cure this. She's like, your brother

0:36:32.320 --> 0:36:34.839
<v Speaker 2>was a fly, firefly, like if anything he knows.

0:36:35.000 --> 0:36:36.719
<v Speaker 1>Joel is like, they won't listen to me. They're not

0:36:36.800 --> 0:36:38.160
<v Speaker 1>going to listen to me, Like I don't I've never

0:36:38.239 --> 0:36:40.400
<v Speaker 1>been a firefly person, and I don't.

0:36:40.239 --> 0:36:42.480
<v Speaker 2>Want to do this, Like I have no investment in this,

0:36:42.600 --> 0:36:43.640
<v Speaker 2>this is like your thing.

0:36:43.600 --> 0:36:46.160
<v Speaker 1>And Tess is like, you can do it because they'll

0:36:46.200 --> 0:36:49.359
<v Speaker 1>listen to you, and you need to keep her alive

0:36:50.120 --> 0:36:53.640
<v Speaker 1>and set everything right, and please say yes, Joel. In

0:36:53.800 --> 0:36:57.719
<v Speaker 1>that moment, an infected corpse you know, shakes to not

0:36:57.960 --> 0:36:59.960
<v Speaker 1>life after life, whatever you call it. Joel walks over

0:37:00.080 --> 0:37:04.680
<v Speaker 1>shoots it. But that corpse happened to be laying in

0:37:05.440 --> 0:37:10.239
<v Speaker 1>a pile of the cordy SIPs fungal net, which transmits

0:37:10.360 --> 0:37:13.200
<v Speaker 1>the signal to a nearby horde, and you can hear

0:37:13.280 --> 0:37:15.919
<v Speaker 1>them screeching, growing louder, and they'll be there in about

0:37:15.960 --> 0:37:19.279
<v Speaker 1>a minute. Test is like, okay, I'm going to stay

0:37:19.280 --> 0:37:21.439
<v Speaker 1>and hold them off. And this is when she says

0:37:21.520 --> 0:37:23.960
<v Speaker 1>to Joel, save who you can save. You know you

0:37:24.080 --> 0:37:27.040
<v Speaker 1>can save her, I can save you, and I'm gonna

0:37:27.040 --> 0:37:30.200
<v Speaker 1>stay here. Joel then races with Ellie out of the bill,

0:37:30.320 --> 0:37:33.760
<v Speaker 1>drags her out. Ellie is like, no, we're not again.

0:37:33.840 --> 0:37:39.439
<v Speaker 1>This like naive innocence the child, like why can't we help?

0:37:39.920 --> 0:37:42.719
<v Speaker 1>Kind of feeling the same thing that Sarah displayed on

0:37:42.800 --> 0:37:44.680
<v Speaker 1>the night and everything broke out, which is like why

0:37:44.680 --> 0:37:48.400
<v Speaker 1>aren't we stopping for that family behind them? The building

0:37:48.480 --> 0:37:52.120
<v Speaker 1>explodes as Tests with her last strength, ignites her cigarette lighter,

0:37:52.160 --> 0:37:55.200
<v Speaker 1>which sends up barrels of gasoline and loose hand grenades,

0:37:55.760 --> 0:37:59.320
<v Speaker 1>and Joel heads off in the direction they need to go,

0:37:59.400 --> 0:38:02.840
<v Speaker 1>with Ellie just kind of shocked staring at everything. X

0:38:02.960 --> 0:38:15.200
<v Speaker 1>Ray Vision will be back, and we're back without spoiling

0:38:15.239 --> 0:38:17.640
<v Speaker 1>how this is gonna go For people who haven't played

0:38:17.680 --> 0:38:21.399
<v Speaker 1>the game, I think one thing that's important to get

0:38:21.520 --> 0:38:27.479
<v Speaker 1>here is how much everybody but Joel wants to save

0:38:27.600 --> 0:38:28.600
<v Speaker 1>the world and help people.

0:38:28.760 --> 0:38:33.520
<v Speaker 2>Yeah, yeah, yeah, yeah, yeah exactly. Joel's relationships are defined

0:38:33.600 --> 0:38:35.440
<v Speaker 2>by the people closest to him.

0:38:35.400 --> 0:38:39.279
<v Speaker 1>That he's he's a selfish guy, but it is cool.

0:38:39.440 --> 0:38:43.560
<v Speaker 1>He's selfish, but in a really an understandable and humane.

0:38:43.440 --> 0:38:45.920
<v Speaker 2>In a way that you can relate. It expands almost

0:38:46.080 --> 0:38:49.600
<v Speaker 2>like a like a force field, like an invisible woman

0:38:49.719 --> 0:38:54.000
<v Speaker 2>force field around those he loves. And yes, it's gonna

0:38:54.040 --> 0:38:57.239
<v Speaker 2>be really important and I'm very interested to see where

0:38:57.280 --> 0:39:00.200
<v Speaker 2>this goes. Because so let's talk about test dying. This

0:39:00.480 --> 0:39:05.440
<v Speaker 2>is almost identical to the video game, almost an accept

0:39:05.680 --> 0:39:08.040
<v Speaker 2>in the video game, she's killed by federal soldiers. So

0:39:08.239 --> 0:39:11.239
<v Speaker 2>I love this choice because I think that it's really

0:39:11.360 --> 0:39:14.880
<v Speaker 2>interesting that now we have the two people Joel's loved.

0:39:15.080 --> 0:39:17.280
<v Speaker 2>One was killed by soldiers, one was killed by infected.

0:39:17.400 --> 0:39:21.720
<v Speaker 2>So it adds that and I'm very interested in the game.

0:39:21.960 --> 0:39:24.480
<v Speaker 2>Joel does not take this death well and he and

0:39:24.600 --> 0:39:27.239
<v Speaker 2>he takes it out on Ellie kind of like in

0:39:27.719 --> 0:39:30.320
<v Speaker 2>a way that he sees her as the reason that

0:39:30.400 --> 0:39:34.759
<v Speaker 2>this happened. Ellie apologizes profusely in the moments in the game. Yeah,

0:39:35.040 --> 0:39:37.960
<v Speaker 2>after this happens, and Joel's like, you cannot talk about it.

0:39:38.239 --> 0:39:40.360
<v Speaker 1>Don't talk about Tests. We're not talking about Test anymore.

0:39:40.400 --> 0:39:41.120
<v Speaker 1>Don't say her name.

0:39:41.160 --> 0:39:43.760
<v Speaker 2>I'm interested to see if if they go the exact

0:39:43.800 --> 0:39:47.279
<v Speaker 2>same route, because that's a really it's a really rough,

0:39:47.560 --> 0:39:50.279
<v Speaker 2>like emotional journey for the two of them. I agree,

0:39:50.520 --> 0:39:53.200
<v Speaker 2>But yeah, I'm just like I so many people in

0:39:53.280 --> 0:39:56.880
<v Speaker 2>our discord were just so upset that Test died. Anatov

0:39:57.080 --> 0:39:59.680
<v Speaker 2>is so good, so good that even though I knew

0:39:59.719 --> 0:40:05.719
<v Speaker 2>where was going it, it still kind of shocks you

0:40:05.920 --> 0:40:07.600
<v Speaker 2>because you're just like, she was so good. Didn't you

0:40:07.600 --> 0:40:08.839
<v Speaker 2>want to keep her around, didn't you want to take

0:40:08.840 --> 0:40:11.680
<v Speaker 2>her to Billstown? Didn't you just want to imagine what

0:40:11.880 --> 0:40:15.279
<v Speaker 2>that role would be? But she Billstown? If you watched

0:40:15.320 --> 0:40:18.160
<v Speaker 2>the end you know, if you that that may be

0:40:18.239 --> 0:40:21.520
<v Speaker 2>the name of the next chapter of the game. But yeah,

0:40:21.640 --> 0:40:26.000
<v Speaker 2>I'm I'm very I just think she was just so

0:40:26.320 --> 0:40:29.920
<v Speaker 2>brilliant in this role. And also, now, somebody in our

0:40:29.920 --> 0:40:32.239
<v Speaker 2>discord did say that they think the first season is

0:40:32.239 --> 0:40:34.160
<v Speaker 2>going to be the first game, and that that had

0:40:34.200 --> 0:40:36.640
<v Speaker 2>been confirmed. I have not read it, but I will

0:40:36.719 --> 0:40:40.440
<v Speaker 2>say the speed that this is occurring does make that

0:40:40.560 --> 0:40:42.759
<v Speaker 2>seem like it could be possible. Yeah, I agree, the

0:40:42.840 --> 0:40:46.359
<v Speaker 2>speed that we are going through the events of the game.

0:40:47.239 --> 0:40:51.000
<v Speaker 1>I mean we're already at this point about fifteen levels

0:40:51.080 --> 0:40:53.720
<v Speaker 1>into the game, you know, fifty missions exactly.

0:40:53.440 --> 0:40:56.200
<v Speaker 2>Your this is the end of chapter three, and there's

0:40:56.239 --> 0:41:00.000
<v Speaker 2>twelve chapters in the game. So I'm I'm very interesting.

0:41:00.160 --> 0:41:03.200
<v Speaker 2>Did because I would, I think that would be one

0:41:03.200 --> 0:41:06.520
<v Speaker 2>of the bravest choices that we've seen in TV for

0:41:06.600 --> 0:41:09.360
<v Speaker 2>a long time, to not stretch out to five seasons,

0:41:09.440 --> 0:41:13.600
<v Speaker 2>to just not do that expansive kind of wide world,

0:41:13.800 --> 0:41:16.080
<v Speaker 2>long term storytelling that The Walking Dead did to get

0:41:16.120 --> 0:41:19.160
<v Speaker 2>to a point, and to instead understand that that game

0:41:19.239 --> 0:41:21.960
<v Speaker 2>has one of the most heartbreaking storylines and to just

0:41:22.040 --> 0:41:23.640
<v Speaker 2>tell it in one season and what you do after

0:41:23.719 --> 0:41:25.279
<v Speaker 2>that is what you do after that to deal with

0:41:25.320 --> 0:41:25.880
<v Speaker 2>the fallout.

0:41:26.000 --> 0:41:27.960
<v Speaker 1>Now, I think people are surprised at how quickly test

0:41:28.040 --> 0:41:30.759
<v Speaker 1>went out, even though as you mentioned, she does go

0:41:30.920 --> 0:41:34.440
<v Speaker 1>out in the same exact portion of the story the

0:41:34.480 --> 0:41:35.960
<v Speaker 1>game version of the story that she does in the

0:41:36.400 --> 0:41:37.400
<v Speaker 1>television version.

0:41:37.160 --> 0:41:37.560
<v Speaker 2>Of the story.

0:41:37.920 --> 0:41:41.080
<v Speaker 1>But well, first of all, it feels like you spend

0:41:41.080 --> 0:41:43.359
<v Speaker 1>a lot more time with her one because she kills

0:41:43.360 --> 0:41:44.440
<v Speaker 1>about a hundred people, and.

0:41:45.160 --> 0:41:48.239
<v Speaker 2>The predominant experience of tests, and you.

0:41:48.280 --> 0:41:51.000
<v Speaker 1>Know, depending on how good you are at the game,

0:41:51.480 --> 0:41:53.400
<v Speaker 1>you could spend you could have by that time have

0:41:53.480 --> 0:41:57.600
<v Speaker 1>spent anywhere from five from three hours to ten hours.

0:41:57.760 --> 0:41:59.520
<v Speaker 2>Yeah, exactly, exactly, exactly.

0:42:00.000 --> 0:42:02.400
<v Speaker 1>Somebody in our discord had a really funny comment that

0:42:03.680 --> 0:42:09.520
<v Speaker 1>that alerting the first clicker, Ellie Gasping, validated his play style,

0:42:09.600 --> 0:42:12.240
<v Speaker 1>which is being bad at stealth.

0:42:13.400 --> 0:42:17.160
<v Speaker 2>No, no, no, I have to do stealth. I've been

0:42:17.239 --> 0:42:19.759
<v Speaker 2>playing the game, and like, if I try and go

0:42:20.000 --> 0:42:22.719
<v Speaker 2>chaos mode, I'm the opposite because if I go chaos mode,

0:42:22.760 --> 0:42:25.800
<v Speaker 2>I lose. I lose every time, whether it's a clicker,

0:42:26.320 --> 0:42:30.479
<v Speaker 2>especially if it's a soldier. But yeah, it's really fun.

0:42:30.560 --> 0:42:34.160
<v Speaker 2>This is just such a good show, and I think

0:42:34.239 --> 0:42:38.400
<v Speaker 2>they're making a lot of really interesting choices. Agree because

0:42:38.400 --> 0:42:40.440
<v Speaker 2>also as well, this is a show where twice now

0:42:40.520 --> 0:42:43.440
<v Speaker 2>within the first two episodes, they faked you out on

0:42:43.480 --> 0:42:45.440
<v Speaker 2>who your main cast is going to be. Because when

0:42:45.480 --> 0:42:47.160
<v Speaker 2>the first episode, you think it's going to be Tommy,

0:42:47.320 --> 0:42:49.479
<v Speaker 2>and you think it's going to be Joel. That's true,

0:42:49.520 --> 0:42:51.439
<v Speaker 2>and you think it's gonna be Sarah that was not true.

0:42:51.880 --> 0:42:55.960
<v Speaker 2>Then you think it's gonna be Tess and Joel and Ellie,

0:42:56.280 --> 0:42:58.680
<v Speaker 2>and again you lose one of them within that episode.

0:42:58.960 --> 0:43:00.480
<v Speaker 2>So I think it's going to be very interesting to

0:43:00.520 --> 0:43:03.479
<v Speaker 2>see how they keep people on the edges of their seat.

0:43:03.680 --> 0:43:06.160
<v Speaker 2>And the best thing is, as someone who's played the game,

0:43:06.600 --> 0:43:09.160
<v Speaker 2>the show is still completely engaging, and it's really fun

0:43:09.200 --> 0:43:12.839
<v Speaker 2>to see how closely they're adapting it. But I've seen,

0:43:13.040 --> 0:43:14.839
<v Speaker 2>and this is my thing that makes most excite. I've

0:43:14.880 --> 0:43:16.680
<v Speaker 2>seen so many people who've never played the game in

0:43:16.760 --> 0:43:22.520
<v Speaker 2>our Discord online reviewers who just are absolutely invested. It's

0:43:22.560 --> 0:43:23.920
<v Speaker 2>really well the two episodes.

0:43:24.120 --> 0:43:25.680
<v Speaker 1>It's really well done in a great story, and I

0:43:25.719 --> 0:43:28.920
<v Speaker 1>think one of the things two episodes in that we

0:43:29.080 --> 0:43:33.800
<v Speaker 1>can kind of count on is how they're going to

0:43:34.040 --> 0:43:36.120
<v Speaker 1>fill in the blanks of the game. I mean, there's

0:43:36.160 --> 0:43:37.399
<v Speaker 1>significant blanks in the game.

0:43:37.440 --> 0:43:37.840
<v Speaker 2>We don't know.

0:43:38.080 --> 0:43:40.200
<v Speaker 1>There's a lot about the fireflies we don't know. There's

0:43:40.200 --> 0:43:41.920
<v Speaker 1>a lot about how federal works that we don't know.

0:43:42.120 --> 0:43:45.880
<v Speaker 1>You know next to nothing about how the fungus spread.

0:43:46.360 --> 0:43:50.759
<v Speaker 1>And the fact that you know, episode one, you get

0:43:50.840 --> 0:43:53.759
<v Speaker 1>all this interesting backstory. You follow Sarah for a lot

0:43:53.840 --> 0:43:56.680
<v Speaker 1>longer than you initially think that, you know, considering how

0:43:56.760 --> 0:44:00.759
<v Speaker 1>long you follow a drole. Episode two, you get how

0:44:01.200 --> 0:44:04.120
<v Speaker 1>the fungus broke out. I think that is going to

0:44:04.200 --> 0:44:06.920
<v Speaker 1>be is going to continue to be how this show

0:44:08.000 --> 0:44:10.520
<v Speaker 1>improves on what is already an excellent story told through

0:44:10.960 --> 0:44:13.880
<v Speaker 1>through video games, which is by filling in all these

0:44:13.920 --> 0:44:18.080
<v Speaker 1>blanks with flashbacks, with all the stuff you didn't see

0:44:18.160 --> 0:44:21.959
<v Speaker 1>in the game, and really keeping the stuff that's ripped

0:44:21.960 --> 0:44:24.320
<v Speaker 1>directly from the game as the more kind of like

0:44:25.080 --> 0:44:28.160
<v Speaker 1>suspenseful yeah yeah, yeah, exactly.

0:44:27.719 --> 0:44:30.120
<v Speaker 2>Stuff, which is what the game does, so replicating those

0:44:30.200 --> 0:44:33.480
<v Speaker 2>moments of like real horror. Yeah. I'm very interested as

0:44:33.520 --> 0:44:35.400
<v Speaker 2>well to see if every cold open is going to

0:44:35.440 --> 0:44:37.600
<v Speaker 2>be a different scientist, because they've kind of set that

0:44:37.719 --> 0:44:39.800
<v Speaker 2>up and I'd really love to see maybe how it

0:44:39.880 --> 0:44:42.160
<v Speaker 2>impacted people all over the world, you know, Chernobyl was

0:44:42.280 --> 0:44:45.400
<v Speaker 2>very much about like showing how things break down in

0:44:45.520 --> 0:44:48.400
<v Speaker 2>this kind of human bureaucracy, like slow time, and I

0:44:48.440 --> 0:44:50.880
<v Speaker 2>feel like these cold opens are kind of interesting touches

0:44:50.960 --> 0:44:52.920
<v Speaker 2>of that, so I'm really excited to see what happens

0:44:52.960 --> 0:44:54.600
<v Speaker 2>in the cold open for episode three.

0:44:55.680 --> 0:44:57.840
<v Speaker 1>Later this week, for our Friday episode, we're going to

0:44:57.880 --> 0:45:01.560
<v Speaker 1>be covering the video game and second installment of our

0:45:01.640 --> 0:45:04.080
<v Speaker 1>coverage of the Last of Us video games, so check

0:45:04.160 --> 0:45:05.520
<v Speaker 1>back for that, and of course we're going to be

0:45:05.800 --> 0:45:10.400
<v Speaker 1>covering the Last of Us on Hbox every Wednesday. In

0:45:10.480 --> 0:45:12.719
<v Speaker 1>your Headphones Up next nerd Out.

0:45:20.640 --> 0:45:23.000
<v Speaker 2>In today's nerd Out, where you tell us what you love,

0:45:23.120 --> 0:45:26.879
<v Speaker 2>am why, or as you have been doing recently, share

0:45:26.920 --> 0:45:29.800
<v Speaker 2>a theory with us that makes you excited, which is

0:45:29.840 --> 0:45:32.799
<v Speaker 2>obviously we love theories. The tim foil Hattier the better,

0:45:33.200 --> 0:45:35.040
<v Speaker 2>But so far, I have to say we've been getting

0:45:35.080 --> 0:45:38.840
<v Speaker 2>a lot of very sensible theories. And yes, we have

0:45:38.920 --> 0:45:42.440
<v Speaker 2>a new theory from Brandon that is about how a

0:45:42.680 --> 0:45:49.120
<v Speaker 2>real life incident could possibly inspire the way that the

0:45:49.320 --> 0:45:52.640
<v Speaker 2>MCU chooses to introduce mutants. So Jason joinerated the theory.

0:45:52.760 --> 0:45:55.400
<v Speaker 1>Sure, Hi, Jason and Rosie, Hi, I've been behind on

0:45:55.480 --> 0:45:57.319
<v Speaker 1>podcasts and catching up and every time you talk about

0:45:57.400 --> 0:46:00.319
<v Speaker 1>mutants needing to be hated and feared, I have thought

0:46:00.400 --> 0:46:02.279
<v Speaker 1>and forget to send it in. I think there's a

0:46:02.360 --> 0:46:04.160
<v Speaker 1>really great and effective way to do it that the

0:46:04.239 --> 0:46:08.040
<v Speaker 1>audience would buy immediately. Make it a pandemic. Agents of

0:46:08.080 --> 0:46:10.640
<v Speaker 1>Shield kind of use this idea with terogenesis during they're

0:46:10.640 --> 0:46:12.279
<v Speaker 1>in Humans ARC, and I think it would work really

0:46:12.320 --> 0:46:14.799
<v Speaker 1>well in our post pandemic time. My two sense things.

0:46:16.120 --> 0:46:20.279
<v Speaker 1>That's a fun, fun theory brain so that agence of

0:46:20.360 --> 0:46:22.840
<v Speaker 1>Shield ARC is ripped from the comics.

0:46:22.920 --> 0:46:26.600
<v Speaker 2>Yeah, in Humans pterogenesis and kind of the way that

0:46:26.800 --> 0:46:28.800
<v Speaker 2>they get their powers, which is you have to go

0:46:28.960 --> 0:46:32.240
<v Speaker 2>through this process where the terodymis brings out your powers.

0:46:32.440 --> 0:46:36.359
<v Speaker 2>There's definitely a way with mutants because terogenesis is very

0:46:36.400 --> 0:46:38.960
<v Speaker 2>similar to like the mutant gene being activated. We know

0:46:39.040 --> 0:46:41.959
<v Speaker 2>that in the Weapon X program, and even if even

0:46:42.000 --> 0:46:44.400
<v Speaker 2>in like the Deadpool movies, which everyone's really familiar with,

0:46:44.600 --> 0:46:46.959
<v Speaker 2>there's this idea that you can activate a mutant gene.

0:46:47.239 --> 0:46:50.320
<v Speaker 2>So they could definitely do something where an illness or

0:46:50.360 --> 0:46:54.000
<v Speaker 2>a global pandemic activated people's mutant genes, so you don't

0:46:54.080 --> 0:46:56.920
<v Speaker 2>have to deal with that kind of analogy of mutation

0:46:57.160 --> 0:47:00.759
<v Speaker 2>is an illness, but you could talk about like how

0:47:00.960 --> 0:47:03.359
<v Speaker 2>it be, how it coming out of an illness could

0:47:03.360 --> 0:47:06.120
<v Speaker 2>affect people, make people scared of it, and also be

0:47:06.200 --> 0:47:08.560
<v Speaker 2>a very interesting way to bring real life into it.

0:47:08.600 --> 0:47:11.239
<v Speaker 2>I think a lot of people are ready to see

0:47:12.280 --> 0:47:17.840
<v Speaker 2>TV and film that actually deals with or talks about

0:47:17.960 --> 0:47:19.839
<v Speaker 2>the pandemic that we have lived through, that we are

0:47:19.880 --> 0:47:22.200
<v Speaker 2>living through, you know. So I think this is really interesting.

0:47:22.960 --> 0:47:25.120
<v Speaker 2>The Marvel comics don't have a great history of doing

0:47:25.239 --> 0:47:28.200
<v Speaker 2>like illness analogies and mutation, but I would love to

0:47:28.239 --> 0:47:30.279
<v Speaker 2>see a thoughtful way. And I do think that there's

0:47:30.320 --> 0:47:32.960
<v Speaker 2>something in that idea of taking inspiration from terror genesis

0:47:33.440 --> 0:47:36.920
<v Speaker 2>and making it something where the mutant gene is actually

0:47:37.600 --> 0:47:41.560
<v Speaker 2>accelerated and then you can have mutations in all different

0:47:41.600 --> 0:47:43.320
<v Speaker 2>ages as well, if they have the mutin gene but

0:47:43.360 --> 0:47:45.480
<v Speaker 2>it hadn't been activated yet. You know. That's what happens

0:47:45.520 --> 0:47:47.440
<v Speaker 2>to DePaul in the movies. They kind of activate the

0:47:47.480 --> 0:47:51.440
<v Speaker 2>gene through this horrible process of like torturing them and stuff.

0:47:51.440 --> 0:47:53.880
<v Speaker 2>So the idea of some kind of pandemic that, rather

0:47:53.960 --> 0:47:57.279
<v Speaker 2>than giving people powers, just activates a mutant gene would

0:47:57.320 --> 0:48:00.040
<v Speaker 2>be I think really interesting and also you know, the

0:48:00.200 --> 0:48:02.719
<v Speaker 2>mc I like the weirdest stuff. Everybody knows that, But

0:48:02.800 --> 0:48:04.880
<v Speaker 2>the MCU has long been grounded in this kind of

0:48:04.960 --> 0:48:10.279
<v Speaker 2>idea of finding real ways to bring And also I

0:48:10.400 --> 0:48:13.760
<v Speaker 2>think that there's something really interesting to talk about about,

0:48:13.800 --> 0:48:16.920
<v Speaker 2>like superheros and disability and superheroes and chronic illness and

0:48:16.960 --> 0:48:18.799
<v Speaker 2>all that kind of stuff, and that's not often really

0:48:18.880 --> 0:48:21.120
<v Speaker 2>deeply explained. So again, if it was through an illness

0:48:21.200 --> 0:48:24.640
<v Speaker 2>or something, there's lots of interesting kind of connotations and

0:48:25.560 --> 0:48:27.719
<v Speaker 2>ripe ground for exploration there.

0:48:27.880 --> 0:48:32.759
<v Speaker 1>Now, fun fact, the Terrogen bomb and Terror Genesis, you know,

0:48:32.840 --> 0:48:36.800
<v Speaker 1>the kind of elevator pitch of that storyline was that

0:48:37.800 --> 0:48:41.759
<v Speaker 1>a bomb filled with terrogen miss was detonated in the atmosphere,

0:48:41.920 --> 0:48:45.640
<v Speaker 1>causing lots of people who have the latent in human

0:48:45.680 --> 0:48:50.759
<v Speaker 1>gene to develop, including Kamalakon, including Kamalicon. Now, fun fact,

0:48:51.760 --> 0:48:57.759
<v Speaker 1>this was done in Marvel Comics pre Disney's acquisition of

0:48:58.000 --> 0:48:59.320
<v Speaker 1>Fox as.

0:48:59.200 --> 0:49:04.920
<v Speaker 2>A way to bring the mutant to the screen with

0:49:07.000 --> 0:49:09.480
<v Speaker 2>because they didn't own the IP at that exactly, so

0:49:09.600 --> 0:49:11.080
<v Speaker 2>at the time there was it was quite hard to

0:49:11.080 --> 0:49:14.239
<v Speaker 2>find a Fantastic Four comic because they didn't own the IP.

0:49:15.040 --> 0:49:17.960
<v Speaker 2>It had been licensed away, and it was very hard

0:49:18.000 --> 0:49:20.080
<v Speaker 2>to find a comic that was solely focused on the

0:49:20.239 --> 0:49:22.280
<v Speaker 2>X Men and the terror gen Bomb and the Cherogian

0:49:22.920 --> 0:49:25.359
<v Speaker 2>myst and people like Kamala Khan who was originally pitched

0:49:25.400 --> 0:49:27.680
<v Speaker 2>as a mutant but then became an inhuman. In the

0:49:27.719 --> 0:49:31.719
<v Speaker 2>comics through that it was basically hilarious editorial edicts to

0:49:31.800 --> 0:49:35.759
<v Speaker 2>basically say, look, look we do have them. We got

0:49:36.560 --> 0:49:39.040
<v Speaker 2>this guy who can't talk, voice is too loud. We

0:49:39.120 --> 0:49:44.520
<v Speaker 2>got a cool dog. Everybody loves that. Everybody loves I

0:49:44.560 --> 0:49:46.759
<v Speaker 2>actually would love to see I would love to see

0:49:46.800 --> 0:49:51.359
<v Speaker 2>love during Like in Miss Marvel season two, Petavengers talked

0:49:51.360 --> 0:49:54.520
<v Speaker 2>about it. You know, we have superstars, but you know

0:49:54.600 --> 0:49:56.640
<v Speaker 2>what the real truth is. We all saw how the

0:49:56.719 --> 0:50:00.560
<v Speaker 2>Inhuman's TV show went down like a level of and

0:50:01.080 --> 0:50:02.759
<v Speaker 2>if you even remember that it happened, you can watch

0:50:02.800 --> 0:50:07.239
<v Speaker 2>on Disney Plus. Though, yeah, it's very strange, has unbelievable cast,

0:50:07.360 --> 0:50:11.080
<v Speaker 2>but it didn't badwigs means. Also, they shaved off Medusa's

0:50:11.080 --> 0:50:13.160
<v Speaker 2>hair in the first episode. Her power is literally that

0:50:13.239 --> 0:50:15.200
<v Speaker 2>she has hair, So as soon as they did that,

0:50:15.239 --> 0:50:17.600
<v Speaker 2>you know there was going to be a problem. But yeah,

0:50:17.800 --> 0:50:20.800
<v Speaker 2>I would be very interested. I wanted. A lot of

0:50:20.840 --> 0:50:23.600
<v Speaker 2>people thought that Miss Marvel was going to introduce in humans.

0:50:23.760 --> 0:50:25.800
<v Speaker 2>I was always hoping it was going to be a

0:50:25.920 --> 0:50:29.120
<v Speaker 2>mutant story. But I'm very interested to know if the

0:50:29.239 --> 0:50:31.719
<v Speaker 2>inhumans have a future in the MCU. After we saw

0:50:31.760 --> 0:50:35.520
<v Speaker 2>Ants and Mount again, great casting, come back for that

0:50:35.719 --> 0:50:40.839
<v Speaker 2>really memorable moment in Multiverse of Madness. I'll be very

0:50:40.880 --> 0:50:43.880
<v Speaker 2>interested to see if there's a universe, whether in humans

0:50:44.000 --> 0:50:48.399
<v Speaker 2>are the major heroes, and whether or not that comes

0:50:48.440 --> 0:50:50.520
<v Speaker 2>into play as we get to this kind of inevitable

0:50:50.600 --> 0:50:54.200
<v Speaker 2>secret Wars convergence, kind of like multiple universes in one,

0:50:54.520 --> 0:50:58.719
<v Speaker 2>just no legacy virus type exactly. That's not what we want.

0:50:58.840 --> 0:51:00.560
<v Speaker 1>Yeah, no, thank you, thanks for and if you have

0:51:00.680 --> 0:51:02.560
<v Speaker 1>theories or passions you want to share, hit us up

0:51:02.560 --> 0:51:05.000
<v Speaker 1>at x ray at crooked dot com. Instructions in the

0:51:05.040 --> 0:51:05.520
<v Speaker 1>show notes.

0:51:08.800 --> 0:51:11.440
<v Speaker 2>That's it for us, Rosie. Anything to plug uh. You

0:51:11.600 --> 0:51:14.520
<v Speaker 2>can follow me on Instagram and let the box. That's

0:51:14.560 --> 0:51:19.320
<v Speaker 2>my only social media, Rosie Marx with an X. I

0:51:19.520 --> 0:51:21.319
<v Speaker 2>will be writing a bunch of stuff in the lead

0:51:21.400 --> 0:51:24.800
<v Speaker 2>up to A Man and the Wasp Quantumania, which obviously

0:51:24.960 --> 0:51:27.239
<v Speaker 2>we are very excited about, and we'll be getting more

0:51:27.239 --> 0:51:30.040
<v Speaker 2>excited about In the upcoming weeks. You can check out

0:51:30.080 --> 0:51:33.719
<v Speaker 2>my writing at IGN, Nerdict, Polygon, Den of Geek, all

0:51:33.800 --> 0:51:35.320
<v Speaker 2>kinds of good places. I've got a big Den of

0:51:35.360 --> 0:51:38.520
<v Speaker 2>Geek cover story coming out soon for our currently unannounced

0:51:39.280 --> 0:51:42.680
<v Speaker 2>cool thing. Jason, What about you? Let people find you?

0:51:43.200 --> 0:51:46.360
<v Speaker 1>You can find me in your podcast reet every Wednesday,

0:51:46.440 --> 0:51:50.360
<v Speaker 1>Every Wednesday, right here, right here, mut And that's about

0:51:50.400 --> 0:51:52.880
<v Speaker 1>it right now. I'll watch Primo when it comes out

0:51:52.960 --> 0:51:55.360
<v Speaker 1>on Amazon freebe sometime I don't know, in the spring

0:51:55.560 --> 0:51:59.040
<v Speaker 1>end or summer of twenty twenty three, and we'll catch you.

0:51:59.120 --> 0:52:02.920
<v Speaker 2>On the flip side. Five star reviews, five star ratings.

0:52:03.000 --> 0:52:04.399
<v Speaker 2>We want one.

0:52:04.600 --> 0:52:07.520
<v Speaker 1>No, we want two, No, we want three, no, four,

0:52:08.400 --> 0:52:11.320
<v Speaker 1>keep going five? Yes, perfect, we want five star ratings.

0:52:11.440 --> 0:52:11.960
<v Speaker 2>We want five.

0:52:12.080 --> 0:52:18.000
<v Speaker 1>Five star ratings. On your podcast review rating platform of choice.

0:52:18.000 --> 0:52:22.400
<v Speaker 1>Here is one from Bills Preston. Love this pod, Thank you,

0:52:22.520 --> 0:52:24.640
<v Speaker 1>Bill x Ray is at the top of my list

0:52:24.719 --> 0:52:27.160
<v Speaker 1>of awesome pods. I love listening to Jason and Rosie.

0:52:27.280 --> 0:52:30.040
<v Speaker 1>The depth of their comics and pop culture knowledge. It's amazing,

0:52:30.120 --> 0:52:32.200
<v Speaker 1>super pumped. The show is coming twice a week in

0:52:32.360 --> 0:52:33.200
<v Speaker 1>twenty twenty three.

0:52:33.280 --> 0:52:36.120
<v Speaker 2>That's all right, it is. Let's do it twice a week.

0:52:36.239 --> 0:52:38.759
<v Speaker 2>We're pumped too, And if you want to read a

0:52:38.800 --> 0:52:41.480
<v Speaker 2>transcript of the show something I'm very excited about, they

0:52:41.560 --> 0:52:43.880
<v Speaker 2>are posted beneath the show notes on the Crooked website

0:52:43.920 --> 0:52:46.680
<v Speaker 2>for each episode within a forty eight hours of you

0:52:46.800 --> 0:52:49.200
<v Speaker 2>being able to listen. Says a great way for more

0:52:49.239 --> 0:52:50.759
<v Speaker 2>people to be able to experience the show.

0:52:51.000 --> 0:52:53.239
<v Speaker 1>Catch the next episode on Friday, January twenty seventh, and

0:52:53.280 --> 0:52:55.400
<v Speaker 1>remember we're bringing you two episodes a week, two to

0:52:55.640 --> 0:52:59.240
<v Speaker 1>two two two episodes a week. That's twice the episodes twice,

0:52:59.280 --> 0:53:02.960
<v Speaker 1>the deep dives two times, the everything else. Subscribe to

0:53:03.080 --> 0:53:05.240
<v Speaker 1>us on YouTube, where you can now watch full episodes

0:53:05.280 --> 0:53:09.520
<v Speaker 1>of this show. Plus follow the at XRV pod handle

0:53:09.640 --> 0:53:12.960
<v Speaker 1>on Twitter and check out the discord. Come to the discord, folks.

0:53:13.040 --> 0:53:15.520
<v Speaker 1>It's great, the water's nice. It's a great place to

0:53:15.600 --> 0:53:18.080
<v Speaker 1>meet and hang out with tons of amazing fans and listeners.

0:53:18.120 --> 0:53:20.320
<v Speaker 1>Plus Rosie and I are there. X ray Vision is

0:53:20.320 --> 0:53:22.239
<v Speaker 1>a Crooked Media production. The show is produced by Chris

0:53:22.320 --> 0:53:24.800
<v Speaker 1>Lord and Salrubin. The show is executive produced by myself

0:53:25.080 --> 0:53:28.319
<v Speaker 1>and Sandy Rhard are editing in sound designers by Vacillis Phatopoulos.

0:53:28.680 --> 0:53:32.640
<v Speaker 1>Dylon Villanueva and Matt Degroup provide video production support. Alex

0:53:32.680 --> 0:53:35.520
<v Speaker 1>Rellaford handle social media. Thank you Brian Vasquez for o

0:53:35.640 --> 0:53:38.040
<v Speaker 1>theme music by Bye Bello