1 00:00:00,280 --> 00:00:03,280 Speaker 1: Warning This podcast dates spoilers for the second episode of 2 00:00:03,320 --> 00:00:22,400 Speaker 1: the Last of Us on HBO Max. Hello, my name 3 00:00:22,480 --> 00:00:25,239 Speaker 1: is Jason Concepcion and I'm Rosy Night, and welcome the 4 00:00:25,239 --> 00:00:27,479 Speaker 1: next revision of the Crooked Media podcast, where we dive 5 00:00:27,600 --> 00:00:31,720 Speaker 1: deep in your favorite shows, movies, comics, and pop culture. 6 00:00:31,960 --> 00:00:36,360 Speaker 2: In this episode, in the Airlock, we're digging deep into 7 00:00:36,400 --> 00:00:38,800 Speaker 2: the Last of Us episode Don't Eat the Bread, Don't 8 00:00:38,840 --> 00:00:42,280 Speaker 2: Eat It, No Cake, and in nerd Out, we're doing 9 00:00:42,280 --> 00:00:46,600 Speaker 2: a very relevant theory from Brandon. Let's go Brandon and 10 00:00:49,400 --> 00:00:52,960 Speaker 2: if you want to supportive of the theories, if you 11 00:00:53,000 --> 00:00:55,160 Speaker 2: want to jump around, as always, just check the show 12 00:00:55,160 --> 00:00:56,520 Speaker 2: notes for the time stamps. 13 00:00:56,880 --> 00:01:09,160 Speaker 1: Coming up the air lock, We're stepping out of the 14 00:01:09,200 --> 00:01:14,440 Speaker 1: airlock into the overgrown and ruined halls of a colonial 15 00:01:14,520 --> 00:01:17,119 Speaker 1: museum in Back Bay, Boston for the Last of Us 16 00:01:17,200 --> 00:01:18,280 Speaker 1: Episode two. 17 00:01:19,600 --> 00:01:21,560 Speaker 2: Titled Infected. 18 00:01:21,880 --> 00:01:27,160 Speaker 1: Titled Infected show of course created by Craig Mason and 19 00:01:27,640 --> 00:01:31,320 Speaker 1: Neil Druckman, creative director of the game for Naughty Dog 20 00:01:31,840 --> 00:01:34,840 Speaker 1: Epeed by Mason, and of course this episode directed by 21 00:01:36,440 --> 00:01:38,640 Speaker 1: game creative director Neil Druckman. 22 00:01:39,080 --> 00:01:42,640 Speaker 2: Perfect timing as well, because Neil's about to introduce the 23 00:01:42,680 --> 00:01:46,039 Speaker 2: big Bat, the Big Bat, the Big Boss, the big Boss, 24 00:01:46,120 --> 00:01:47,199 Speaker 2: and he does it well. 25 00:01:47,760 --> 00:01:53,200 Speaker 1: We open in Jakarta, Indonesia, September twenty third, two thousand 26 00:01:53,240 --> 00:01:56,840 Speaker 1: and three, a place where Joel at this time was 27 00:01:56,920 --> 00:01:59,880 Speaker 1: confused about its location, didn't exactly know where it was. 28 00:02:01,040 --> 00:02:04,360 Speaker 1: A military man enters a restaurant, interrupting the lunch of 29 00:02:04,440 --> 00:02:08,160 Speaker 1: a woman who is dining there. Her name is Ibu Ratna. 30 00:02:08,400 --> 00:02:11,600 Speaker 1: She is a professor at the University of Indonesia specializing 31 00:02:11,600 --> 00:02:15,320 Speaker 1: in mycology aka the study of fungi. The man takes 32 00:02:15,360 --> 00:02:17,600 Speaker 1: her to the secure wing of a hospital and shows 33 00:02:17,600 --> 00:02:23,320 Speaker 1: her some specimen under a microscope, and doctor Ratna is like, oh, 34 00:02:23,320 --> 00:02:28,079 Speaker 1: that's a op field cordy steps and dun dun dum, 35 00:02:28,800 --> 00:02:32,960 Speaker 1: which is a fungus noted for its ability to take 36 00:02:33,000 --> 00:02:38,560 Speaker 1: over and control ants. And she's like, where'd you get this? 37 00:02:38,680 --> 00:02:42,239 Speaker 1: And he's like it came off of a human specimen. 38 00:02:42,320 --> 00:02:45,560 Speaker 1: She's like, no, it didn't. That's an absolutely it didn't. 39 00:02:45,680 --> 00:02:50,680 Speaker 1: That's impossible. Cut too a even more secure part of 40 00:02:50,760 --> 00:02:54,280 Speaker 1: the secure wing of the secure hospital. Doctor Rata, now 41 00:02:54,320 --> 00:02:59,560 Speaker 1: in full biohazard gear, is walking in to inspect the 42 00:02:59,639 --> 00:03:03,400 Speaker 1: victim that this specimen was taken from the general very 43 00:03:03,440 --> 00:03:07,680 Speaker 1: helpfully tells her, get what you need and get the 44 00:03:07,720 --> 00:03:08,400 Speaker 1: fuck out of their. 45 00:03:08,680 --> 00:03:12,200 Speaker 2: Don't go close, don't do it. It's just don't do it. 46 00:03:12,280 --> 00:03:15,959 Speaker 2: That talk should come before I suit up. I feel 47 00:03:16,000 --> 00:03:20,640 Speaker 2: like they're not ever fully transparent to the good doctor. 48 00:03:20,720 --> 00:03:22,919 Speaker 2: They rub her out of lunch, they take us somewhere. 49 00:03:22,960 --> 00:03:26,000 Speaker 2: She thinks she's being arrested. Then they're giving her, you know, 50 00:03:26,360 --> 00:03:29,079 Speaker 2: a little bit of breadcrumb's news until she gets into 51 00:03:29,120 --> 00:03:31,400 Speaker 2: this room and learns the true horror. 52 00:03:31,639 --> 00:03:33,320 Speaker 1: And the horror is that there is a young woman 53 00:03:33,400 --> 00:03:37,320 Speaker 1: lying on the slab there. Doctor Ratna goes up, inspects 54 00:03:37,320 --> 00:03:41,000 Speaker 1: the victim, finds a what is apparently a human bitemark 55 00:03:41,320 --> 00:03:44,200 Speaker 1: on her ankle, cuts it open with a scalpel. There's 56 00:03:44,200 --> 00:03:49,119 Speaker 1: a spongy, fungal mushroom material in there. This is shocking. 57 00:03:49,560 --> 00:03:52,760 Speaker 1: Doctor Ratna then reaches into the woman's mouth and pulls 58 00:03:52,800 --> 00:03:56,160 Speaker 1: out a site we're all familiar with by now. Those 59 00:03:56,440 --> 00:03:58,160 Speaker 1: all those wriggling worms, kind. 60 00:03:58,000 --> 00:04:02,280 Speaker 2: Of tentacle fung guy poked their way out creepily, and 61 00:04:02,320 --> 00:04:03,360 Speaker 2: she just freaks out. 62 00:04:03,400 --> 00:04:06,400 Speaker 1: She's out, She's out, all my way out. Later on, 63 00:04:07,320 --> 00:04:11,360 Speaker 1: she debriefs with the General. He tells her the victim 64 00:04:11,400 --> 00:04:14,880 Speaker 1: was infected thirty hours ago in or around a factory 65 00:04:14,920 --> 00:04:20,080 Speaker 1: that processes flour and grain. She says, oh, flour and grain. 66 00:04:20,160 --> 00:04:23,320 Speaker 1: That's the perfect incubator for this fun guy. Now let's 67 00:04:23,360 --> 00:04:23,800 Speaker 1: stop here. 68 00:04:23,920 --> 00:04:26,320 Speaker 2: Okay, let's pause, because we're about to get to the big. 69 00:04:27,000 --> 00:04:28,719 Speaker 2: The big theory there is. 70 00:04:28,839 --> 00:04:33,120 Speaker 1: There has been a theory out there that obviously, this 71 00:04:33,240 --> 00:04:35,839 Speaker 1: is this infection spread by bites, we've seen that, but 72 00:04:35,960 --> 00:04:39,320 Speaker 1: how did it explode across the world at once? And 73 00:04:39,360 --> 00:04:42,160 Speaker 1: one of the theories was bread. Yeah, it got into 74 00:04:42,200 --> 00:04:46,320 Speaker 1: the flower supply and all these flower products that went 75 00:04:46,360 --> 00:04:49,880 Speaker 1: out across the world carried it and that's how everybody 76 00:04:49,920 --> 00:04:53,040 Speaker 1: got sick at once. On top of that, there is 77 00:04:53,080 --> 00:04:53,920 Speaker 1: the cake theory. 78 00:04:54,160 --> 00:04:56,560 Speaker 2: I love this because this is so in the game 79 00:04:56,920 --> 00:04:58,279 Speaker 2: a lot of people like is the same as the 80 00:04:58,279 --> 00:05:00,160 Speaker 2: game is. In the game, there's a mention of kind 81 00:05:00,160 --> 00:05:02,600 Speaker 2: of infected crops, and that's really about as far as 82 00:05:02,600 --> 00:05:05,120 Speaker 2: it goes. But the cake theory is great, and you 83 00:05:05,120 --> 00:05:06,440 Speaker 2: are the one who introduced this to me. And the 84 00:05:06,480 --> 00:05:09,320 Speaker 2: cake theory is if you remember, in that kind of 85 00:05:09,320 --> 00:05:13,279 Speaker 2: heartbreaking cold open Joel forgets to bring a cake back 86 00:05:13,480 --> 00:05:16,560 Speaker 2: for the birthday. Celebration with Sarah, and the cake theory 87 00:05:16,839 --> 00:05:20,000 Speaker 2: expounding on the bread and wheat theory is that the 88 00:05:20,040 --> 00:05:22,520 Speaker 2: reason Joel and Sarah didn't get infected is because they 89 00:05:22,600 --> 00:05:25,680 Speaker 2: didn't get a cake, and this also does some Really 90 00:05:25,960 --> 00:05:28,400 Speaker 2: it's so good our Discord brought this to our attention, 91 00:05:28,560 --> 00:05:31,039 Speaker 2: and so thank you. I was going to say shout 92 00:05:31,040 --> 00:05:34,960 Speaker 2: out because the Jakarta choice is really really intentional because 93 00:05:35,320 --> 00:05:37,520 Speaker 2: in the first episode we hear Joel and Tommy trying 94 00:05:37,520 --> 00:05:39,440 Speaker 2: to work out like Jakatis, so we realized this is 95 00:05:39,440 --> 00:05:43,200 Speaker 2: happening so close, and it happened so quickly. But as 96 00:05:43,240 --> 00:05:46,599 Speaker 2: one of our incredible Discord users pointed out, Indonesia is 97 00:05:46,600 --> 00:05:53,440 Speaker 2: actually home and Jakarta to the biggest flower processing factory 98 00:05:53,440 --> 00:05:56,840 Speaker 2: on Earth, So it's like a perfect place for this 99 00:05:56,960 --> 00:06:00,560 Speaker 2: to have spread and for the wheat and flour theory 100 00:06:00,600 --> 00:06:02,800 Speaker 2: faction to really kind of get a little bit of 101 00:06:02,839 --> 00:06:06,200 Speaker 2: what seems like a confirmation, especially as like you said, Jason, 102 00:06:06,680 --> 00:06:09,400 Speaker 2: the doctor basically confirms that that would be a great 103 00:06:09,440 --> 00:06:10,320 Speaker 2: way for it to spread. 104 00:06:10,360 --> 00:06:13,880 Speaker 1: You know what's funny is in episode one, Joel jokingly 105 00:06:14,440 --> 00:06:17,640 Speaker 1: tells the Adlers that he's on atkins, meaning he's just 106 00:06:17,680 --> 00:06:21,080 Speaker 1: eating meat, no carbs, and everybody on Atkins made it, 107 00:06:21,160 --> 00:06:24,480 Speaker 1: and day. 108 00:06:23,320 --> 00:06:25,760 Speaker 2: We made it. You were just way. I just had 109 00:06:25,760 --> 00:06:29,120 Speaker 2: a light I had a light. I had a light 110 00:06:29,160 --> 00:06:32,440 Speaker 2: bulb moment. Just then when we meet the Adlers, the 111 00:06:32,640 --> 00:06:38,320 Speaker 2: Sun is feeding his mother biscuits, and Sarah didn't meet 112 00:06:38,320 --> 00:06:42,200 Speaker 2: the cook reason exactly, and then she was the first 113 00:06:42,200 --> 00:06:44,840 Speaker 2: person that we saw who was infected. So I think 114 00:06:44,880 --> 00:06:48,640 Speaker 2: the bread theory is really important, and as we will 115 00:06:48,640 --> 00:06:51,720 Speaker 2: get to momentarily when we start to get in the 116 00:06:51,760 --> 00:06:54,920 Speaker 2: rest of the episode, I think that it expands. He 117 00:06:55,520 --> 00:06:56,360 Speaker 2: goes to a dark pas. 118 00:06:57,200 --> 00:06:59,880 Speaker 1: Okay, So we learn again from the from the gen 119 00:07:00,279 --> 00:07:04,880 Speaker 1: that an employee at this flower processing plant became violent 120 00:07:05,080 --> 00:07:09,280 Speaker 1: or attacking her coworkers, bit several of them, one of 121 00:07:09,320 --> 00:07:12,920 Speaker 1: whom is this dead woman here on the slab, and 122 00:07:13,360 --> 00:07:18,080 Speaker 1: that at current time, fourteen workers are missing from refactory. 123 00:07:19,800 --> 00:07:23,760 Speaker 1: Doctor Ratna is shook. She's horrified, she's horrified, she's on 124 00:07:23,880 --> 00:07:27,840 Speaker 1: word by this. The general is like, Okay, so obviously 125 00:07:27,880 --> 00:07:29,440 Speaker 1: we came to you as one of them. How do 126 00:07:29,480 --> 00:07:31,520 Speaker 1: we fix it as one of the most foremost you know, 127 00:07:31,560 --> 00:07:34,880 Speaker 1: experts in mycology in the world. We need a vaccine, 128 00:07:34,960 --> 00:07:36,480 Speaker 1: We need a medicine. We need something to stop it. 129 00:07:36,520 --> 00:07:38,120 Speaker 1: And the doctor's like, I got you. 130 00:07:38,160 --> 00:07:38,840 Speaker 2: Here's what you do. 131 00:07:39,080 --> 00:07:41,640 Speaker 1: You call up you're in the military, call up your 132 00:07:41,640 --> 00:07:43,680 Speaker 1: fighter wing and just fucking bomb the city. 133 00:07:43,800 --> 00:07:46,200 Speaker 2: Yep, she said what she said my whole life. I've 134 00:07:46,240 --> 00:07:48,520 Speaker 2: worked on this, my whole life. There's no cure. We 135 00:07:48,560 --> 00:07:50,920 Speaker 2: can't do anything. There's no study. Come on, there's nothing. 136 00:07:51,000 --> 00:07:53,120 Speaker 2: And you know what, it's a really brilliant reflection of 137 00:07:53,160 --> 00:07:56,560 Speaker 2: the first Cold Open, where the scientists sat on that 138 00:07:57,560 --> 00:07:59,840 Speaker 2: stage of the talk late night talk show and said, 139 00:08:00,200 --> 00:08:04,680 Speaker 2: if this happens, we lose. I hate a quitter. But 140 00:08:04,840 --> 00:08:06,560 Speaker 2: it turns out she was right. Yeah. 141 00:08:06,640 --> 00:08:08,880 Speaker 1: She then tearfully says, hey, can I get a ride 142 00:08:08,880 --> 00:08:12,960 Speaker 1: home just to spend the final moments here in Civilization 143 00:08:13,040 --> 00:08:15,520 Speaker 1: with my family. We go back to twenty twenty three. 144 00:08:16,160 --> 00:08:19,840 Speaker 1: Ellie wakes up in a patch of sunlight and this 145 00:08:19,960 --> 00:08:22,760 Speaker 1: beautiful kind of like idyllic patch of grass in the 146 00:08:22,800 --> 00:08:25,800 Speaker 1: middle of this former It's wonderful. 147 00:08:25,920 --> 00:08:29,880 Speaker 2: So it feels so unfless perfect mix of bleakness and beauty. Yes, 148 00:08:30,040 --> 00:08:31,080 Speaker 2: story does so well. 149 00:08:31,480 --> 00:08:35,559 Speaker 1: Joel and Tess are watching her like hawks. Joel has 150 00:08:35,559 --> 00:08:38,880 Speaker 1: this right, right way to do it. He's like, show 151 00:08:38,920 --> 00:08:42,920 Speaker 1: us your arm. Ellie does no change. Joel and Tests 152 00:08:42,920 --> 00:08:46,520 Speaker 1: have never ever seen anything like this. But they're not 153 00:08:47,160 --> 00:08:50,360 Speaker 1: all the way there to believing that Ellie is actually immune, 154 00:08:50,400 --> 00:08:54,000 Speaker 1: and Joel is further away certainly than Test is. Ellie 155 00:08:54,920 --> 00:08:57,160 Speaker 1: is like, hey, so we got this far. We're all 156 00:08:57,160 --> 00:08:59,120 Speaker 1: the infected. I heard that they're just swarming out of 157 00:08:59,120 --> 00:08:59,840 Speaker 1: here New city. 158 00:08:59,880 --> 00:09:02,040 Speaker 2: You can't leave the quarantines out because you'll just die. 159 00:09:02,880 --> 00:09:04,560 Speaker 1: And Joe was like, yeah, don't worry about that, which 160 00:09:04,600 --> 00:09:07,320 Speaker 1: is Ellie rightly says, well, I'm gonna actually worry about 161 00:09:07,360 --> 00:09:10,200 Speaker 1: it because it seems like a big deal. Test then 162 00:09:11,200 --> 00:09:17,559 Speaker 1: is continuously pressuring Ellie to tell her what Marlene's plans were. 163 00:09:17,600 --> 00:09:21,680 Speaker 1: What did Marlene want with you? Ellie says that Marlene 164 00:09:21,679 --> 00:09:24,880 Speaker 1: found her after she was bitten, and then, rather than 165 00:09:25,160 --> 00:09:28,000 Speaker 1: kill her, which is usually what you do, she and 166 00:09:28,040 --> 00:09:30,920 Speaker 1: the fireflies watch her. They ran tests on her, you know. 167 00:09:30,960 --> 00:09:32,640 Speaker 1: Test is like what tests? And she's like, yeah, I 168 00:09:32,640 --> 00:09:35,240 Speaker 1: held up my arm. I counted a ten except but 169 00:09:35,360 --> 00:09:37,760 Speaker 1: mostly the thing that really impressed them was I didn't 170 00:09:37,800 --> 00:09:39,040 Speaker 1: turn into a fucking monster. 171 00:09:40,280 --> 00:09:42,800 Speaker 2: Bella Ramsey is just killing it, okay, and let's stop here. 172 00:09:42,800 --> 00:09:44,800 Speaker 2: As well, because this leads to another theory, right that 173 00:09:44,840 --> 00:09:49,120 Speaker 2: we spoke about briefly. Why didn't Marlene shoot Ellie? Now, 174 00:09:49,160 --> 00:09:51,160 Speaker 2: this has to be directly tied to the fact that 175 00:09:51,360 --> 00:09:55,480 Speaker 2: the first episode, Marlene tells Ellie that she was the 176 00:09:55,520 --> 00:09:59,480 Speaker 2: one she played feder Military School when she was a baby. 177 00:09:59,600 --> 00:10:02,560 Speaker 2: So that hints to me that there may be more 178 00:10:03,400 --> 00:10:06,679 Speaker 2: than one kid who they were watching for this purpose, 179 00:10:06,720 --> 00:10:08,760 Speaker 2: which would be very different from the way it is 180 00:10:08,840 --> 00:10:10,520 Speaker 2: in what we know of the first of the Last 181 00:10:10,559 --> 00:10:14,120 Speaker 2: of Us A game. But yeah, I think that's very interesting. 182 00:10:14,160 --> 00:10:17,760 Speaker 2: And the fact that Marlene didn't like Marlene's brutal the 183 00:10:17,760 --> 00:10:19,959 Speaker 2: fireflies are brutal, that's the point. The fact that she 184 00:10:20,000 --> 00:10:22,960 Speaker 2: didn't just shoot an infected person in the head means 185 00:10:22,679 --> 00:10:24,760 Speaker 2: she who she knew who she was, right, she says 186 00:10:24,800 --> 00:10:26,640 Speaker 2: she knew her real name. She tells Ellie that in 187 00:10:26,679 --> 00:10:28,960 Speaker 2: the first episode. So this is definitely a thread to 188 00:10:29,040 --> 00:10:30,480 Speaker 2: keep watching. At the very. 189 00:10:30,400 --> 00:10:33,920 Speaker 1: Least, it lets us know that this is not Marlene's 190 00:10:34,160 --> 00:10:37,280 Speaker 1: first rodeo with seeing if someone was immune. Like she's 191 00:10:37,320 --> 00:10:39,920 Speaker 1: done this, they had a system in place for exactly. 192 00:10:40,000 --> 00:10:43,120 Speaker 2: They had a testing system. X ray Vision will be back. 193 00:10:52,320 --> 00:10:56,120 Speaker 1: And we're back so Ellie goes off uh to do 194 00:10:56,200 --> 00:10:58,240 Speaker 1: what one does when they wake up in the morning, 195 00:10:58,640 --> 00:11:01,599 Speaker 1: and Testing and Joel have a little conversation. Test is 196 00:11:01,600 --> 00:11:04,400 Speaker 1: trying to convince Joel that this could be real. What 197 00:11:04,440 --> 00:11:08,000 Speaker 1: Ellie's Ellie's immunity, that might be a legit, and that 198 00:11:09,240 --> 00:11:11,920 Speaker 1: they should just go forward with dropping her to the 199 00:11:11,920 --> 00:11:16,079 Speaker 1: Fireflies and getting the truck from them so they can 200 00:11:16,160 --> 00:11:19,000 Speaker 1: go find Tommy. This is probably their best shot at 201 00:11:19,000 --> 00:11:22,679 Speaker 1: doing that. Joel is like, I don't know, this is 202 00:11:22,840 --> 00:11:24,720 Speaker 1: like more than we bargained for when we drop her 203 00:11:24,720 --> 00:11:27,640 Speaker 1: back at the QZ, and Testa's like, if she goes 204 00:11:27,679 --> 00:11:30,200 Speaker 1: back to the QZ, she'll get tested at some point, 205 00:11:30,240 --> 00:11:32,080 Speaker 1: she'll come up infected and then she'll get killed and 206 00:11:32,120 --> 00:11:33,920 Speaker 1: then we get nothing, so we might as well do this. 207 00:11:35,240 --> 00:11:37,840 Speaker 1: There's a funny moment that follows, which is actually pretty 208 00:11:37,880 --> 00:11:42,679 Speaker 1: meaningful considering our cold open, where it's breakfast time. Tests 209 00:11:42,679 --> 00:11:49,400 Speaker 1: and Joel are eating the most rancid looking jerky unknown 210 00:11:49,480 --> 00:11:50,160 Speaker 1: meat source. 211 00:11:50,440 --> 00:11:53,319 Speaker 2: It's so hot it's like cheering on a rulers, and 212 00:11:53,720 --> 00:11:56,240 Speaker 2: they're really generous that like, oh, you know, you can 213 00:11:56,280 --> 00:11:58,760 Speaker 2: have some of oz, and Ellie's like, don't worry about 214 00:11:58,800 --> 00:12:02,120 Speaker 2: it and pulls out this like huge chicken salad sandwich 215 00:12:02,360 --> 00:12:04,720 Speaker 2: on its massive bread. Let's talk about the bread. 216 00:12:04,800 --> 00:12:09,800 Speaker 1: Okay, So there's two There's kind of like two variables here. 217 00:12:10,520 --> 00:12:13,600 Speaker 1: First option one, nobody knows that it was bread and 218 00:12:13,640 --> 00:12:15,160 Speaker 1: flowers exactly. 219 00:12:14,920 --> 00:12:16,880 Speaker 2: So they're just eating it, and they're just eating it. 220 00:12:16,920 --> 00:12:17,439 Speaker 2: I guess like. 221 00:12:18,960 --> 00:12:22,600 Speaker 1: Additionally to that would be the possibility that they know 222 00:12:22,720 --> 00:12:25,040 Speaker 1: it's bread and flour but they figured it out. Yeah, 223 00:12:25,080 --> 00:12:26,880 Speaker 1: they figured out how to fix it, which I don't 224 00:12:26,920 --> 00:12:27,440 Speaker 1: buy all. 225 00:12:27,520 --> 00:12:31,600 Speaker 2: The other option is that the fireflies know about the 226 00:12:31,679 --> 00:12:34,360 Speaker 2: bread and they're feeding it to Ellie to check that 227 00:12:34,400 --> 00:12:38,080 Speaker 2: she doesn't get infected or to build up a unity dum, 228 00:12:38,440 --> 00:12:41,040 Speaker 2: which is incredibly bleak, but I also think very fitting. 229 00:12:41,040 --> 00:12:44,280 Speaker 2: And I think it's really interesting because after that cold open, 230 00:12:44,400 --> 00:12:46,920 Speaker 2: like the big chat in our discord was like why 231 00:12:46,920 --> 00:12:48,880 Speaker 2: would they show her eating bread? So and you know, 232 00:12:48,960 --> 00:12:51,520 Speaker 2: nothing in this show is unintentional, so I'm really interested 233 00:12:51,520 --> 00:12:53,360 Speaker 2: to see where that goes. But I kind of love 234 00:12:53,440 --> 00:12:56,880 Speaker 2: how we have that dramatic irony of us knowing that 235 00:12:56,880 --> 00:13:00,240 Speaker 2: that bread is probably a death sentence if testing all 236 00:13:00,280 --> 00:13:02,360 Speaker 2: eat it, but they're just that's all they want in 237 00:13:02,360 --> 00:13:03,920 Speaker 2: the world, is just to eat this bread and they're 238 00:13:03,960 --> 00:13:06,400 Speaker 2: eating then nasty little jerky and they want to eat that, 239 00:13:06,480 --> 00:13:08,800 Speaker 2: and they're like, is that chicken? Like everything is so 240 00:13:09,480 --> 00:13:13,240 Speaker 2: but that in itself is just completely wild, especially and 241 00:13:13,280 --> 00:13:17,600 Speaker 2: it highlights on a base economy level how important she 242 00:13:17,720 --> 00:13:20,120 Speaker 2: is to the fireflies, because this is clearly Joel and 243 00:13:20,160 --> 00:13:23,400 Speaker 2: test the smugglers. They're out every single day's smuggling and 244 00:13:23,400 --> 00:13:27,040 Speaker 2: they're like, where'd you get chicken? And she's like, from smugglers, 245 00:13:27,040 --> 00:13:28,440 Speaker 2: but obviously like not you lot. 246 00:13:29,840 --> 00:13:33,320 Speaker 1: I think that I think what is probably going on 247 00:13:33,360 --> 00:13:35,960 Speaker 1: here is that there are certain people in the know 248 00:13:36,240 --> 00:13:41,120 Speaker 1: who understand that bread and flour were the thing that 249 00:13:41,200 --> 00:13:45,400 Speaker 1: sparked this, and maybe it's not widely known. And I 250 00:13:45,440 --> 00:13:48,080 Speaker 1: think the fact that somebody can still make bread and 251 00:13:48,120 --> 00:13:51,200 Speaker 1: get flour and stuff suggests again that there is, to 252 00:13:51,240 --> 00:13:55,960 Speaker 1: your point, a kind of system in place to test people, 253 00:13:56,000 --> 00:13:59,920 Speaker 1: because you're not going to fucking find wheat and make 254 00:14:00,160 --> 00:14:02,560 Speaker 1: bread for one person like they're going to do it 255 00:14:02,600 --> 00:14:06,720 Speaker 1: if there is a whole system going on of testing 256 00:14:06,760 --> 00:14:12,000 Speaker 1: and finding out if people are immune. Test wants to 257 00:14:12,040 --> 00:14:16,520 Speaker 1: know why Marlene found Ellie so important, and she says, 258 00:14:16,679 --> 00:14:18,160 Speaker 1: you know, like and you better by the way, you 259 00:14:18,200 --> 00:14:20,520 Speaker 1: better actually tell us or we're going to bring you back. 260 00:14:20,800 --> 00:14:23,400 Speaker 1: Ellie shoots back, well then when you won't get your 261 00:14:23,400 --> 00:14:26,200 Speaker 1: car battery, and Tests is like, oh, oh you heard that, 262 00:14:26,520 --> 00:14:28,960 Speaker 1: then you must have heard that he wants to shoot you, 263 00:14:29,200 --> 00:14:32,560 Speaker 1: and she looks at Jolan knows that it's true. Yeah, 264 00:14:32,560 --> 00:14:35,360 Speaker 1: I'll shoot you right now. And it's a really really 265 00:14:35,440 --> 00:14:39,360 Speaker 1: chilling moment. And then we get this from Test where 266 00:14:39,400 --> 00:14:41,880 Speaker 1: she says Joel and I we aren't good people, so 267 00:14:42,000 --> 00:14:42,840 Speaker 1: answer my question. 268 00:14:42,960 --> 00:14:43,680 Speaker 2: Here's so. 269 00:14:45,480 --> 00:14:49,360 Speaker 1: Playing the game and watching the show, the game kind 270 00:14:49,360 --> 00:14:52,680 Speaker 1: of goes into this more. But the the I started 271 00:14:52,720 --> 00:14:56,960 Speaker 1: realized playing the game again that Joel and Tests were 272 00:14:57,040 --> 00:14:58,600 Speaker 1: on their way to being. 273 00:14:58,440 --> 00:15:02,400 Speaker 2: Robbered like they will. They were Robert was like their competitor. 274 00:15:02,960 --> 00:15:06,200 Speaker 1: They were like moving up the ladder of like criminal 275 00:15:06,280 --> 00:15:07,920 Speaker 1: kingpins in the QZ. 276 00:15:08,320 --> 00:15:10,760 Speaker 2: If they didn't kill so many people, they would have 277 00:15:10,800 --> 00:15:14,160 Speaker 2: had an army, but they killed everyone army because they 278 00:15:14,200 --> 00:15:18,120 Speaker 2: kept killing everyone. But no, no, definitely, like I think 279 00:15:18,160 --> 00:15:21,280 Speaker 2: that this episode and this series honestly just over these 280 00:15:21,320 --> 00:15:25,480 Speaker 2: two episodes, like it's done so much to expand on Tests, 281 00:15:25,480 --> 00:15:29,120 Speaker 2: who was essentially just like an outrageous like death dealer, 282 00:15:29,240 --> 00:15:33,320 Speaker 2: kind of like serial total psycho and like, you know what, 283 00:15:33,360 --> 00:15:35,680 Speaker 2: that's fine because in the game it serves a purpose. 284 00:15:36,080 --> 00:15:39,360 Speaker 2: But even in such an emotional game, that's definitely one 285 00:15:39,360 --> 00:15:41,680 Speaker 2: of those things where in the show you're just like, Wow, 286 00:15:41,720 --> 00:15:44,200 Speaker 2: this is someone who, no matter what they've done, suddenly 287 00:15:44,240 --> 00:15:47,600 Speaker 2: feels hope and suddenly wants to imagine something a bit better. 288 00:15:48,040 --> 00:15:49,680 Speaker 2: And you kind of don't really get to see that 289 00:15:49,720 --> 00:15:53,240 Speaker 2: with tests in the game until her last last moments, 290 00:15:53,280 --> 00:15:57,840 Speaker 2: but here she's really she's tired, and even. 291 00:15:57,680 --> 00:15:59,840 Speaker 1: That in her last last moments in the game feels 292 00:15:59,840 --> 00:16:03,320 Speaker 1: more out of desperation and like let's just like finish 293 00:16:03,400 --> 00:16:05,120 Speaker 1: it and actual feud. 294 00:16:04,920 --> 00:16:07,280 Speaker 2: And also realizing how valuable Ellie is. 295 00:16:07,360 --> 00:16:10,720 Speaker 1: Yeah, Ellie tells them that what she knows is that 296 00:16:10,720 --> 00:16:13,880 Speaker 1: there's apparently a firefly base camp somewhere out west where 297 00:16:13,920 --> 00:16:18,120 Speaker 1: doctors are working on a cure, and Joel finishes her 298 00:16:18,160 --> 00:16:21,840 Speaker 1: sense is whatever, he's heard all this shit before. The 299 00:16:21,920 --> 00:16:24,920 Speaker 1: key to finding the vaccine is me, and he's like, 300 00:16:24,960 --> 00:16:27,120 Speaker 1: come on, this is the test you're gonna this is 301 00:16:27,120 --> 00:16:28,760 Speaker 1: what you're gonna buy. How many times have we heard this. 302 00:16:28,800 --> 00:16:30,920 Speaker 1: There's no vaccine, there's no medicine, there's nothing we can do. 303 00:16:32,200 --> 00:16:36,040 Speaker 1: He still wants to shoot her, but Test really is like, hey, 304 00:16:36,080 --> 00:16:39,320 Speaker 1: listen again, the fireflies believe it, so let's just do it. 305 00:16:39,520 --> 00:16:41,920 Speaker 2: Yeah, exactly. And also, I will say this is really 306 00:16:41,960 --> 00:16:45,160 Speaker 2: where you start to get from this scene. You will 307 00:16:45,160 --> 00:16:48,400 Speaker 2: getting now dialogue just directly lifted from the game. The 308 00:16:48,480 --> 00:16:51,160 Speaker 2: first was more of a loose adaptation that brought things 309 00:16:51,160 --> 00:16:54,480 Speaker 2: from the game. This episode is so close really, so 310 00:16:54,480 --> 00:16:56,720 Speaker 2: what you see it's actually quite wild. Like I was 311 00:16:56,720 --> 00:16:58,240 Speaker 2: playing the game, then I was watching it, then I 312 00:16:58,240 --> 00:17:00,200 Speaker 2: was playing the game, and I was like, well, well, 313 00:17:00,240 --> 00:17:02,600 Speaker 2: I'm really just seeing stuff being directly pulled, and this 314 00:17:02,640 --> 00:17:04,919 Speaker 2: conversation is one of them, and kind of where the 315 00:17:04,960 --> 00:17:08,720 Speaker 2: episode goes to these terrifying, nightmarish places that is just 316 00:17:08,800 --> 00:17:10,080 Speaker 2: so brilliantly adapted. 317 00:17:10,280 --> 00:17:12,720 Speaker 1: One of the lines that is ripped straight from the 318 00:17:12,720 --> 00:17:14,960 Speaker 1: game is Ellie saying, hey, can I have a gun, 319 00:17:15,520 --> 00:17:19,080 Speaker 1: which she asks about one hundred times in the game. 320 00:17:21,480 --> 00:17:24,919 Speaker 1: They say no, because who wants to get shot in 321 00:17:24,960 --> 00:17:28,680 Speaker 1: the back by a panicky like fourteen year old Yeah, 322 00:17:28,720 --> 00:17:30,200 Speaker 1: and she's like, well, I'll just I guess I'll just 323 00:17:30,240 --> 00:17:33,760 Speaker 1: throw my sandwich at the infected, which I think they'll 324 00:17:33,800 --> 00:17:35,960 Speaker 1: like it because it's, you know, part of their history. 325 00:17:36,320 --> 00:17:38,720 Speaker 1: They then head off into the kind of like sunlit 326 00:17:39,119 --> 00:17:42,920 Speaker 1: wreckage of Boston. They're passing bomb craters. Chess is telling 327 00:17:42,920 --> 00:17:46,000 Speaker 1: Ellie that, as doctor Rottna. 328 00:17:45,720 --> 00:17:48,880 Speaker 2: Suggested, they just bombed the city. 329 00:17:48,920 --> 00:17:51,680 Speaker 1: The American government at least came came to the realization 330 00:17:51,720 --> 00:17:53,639 Speaker 1: that their best course of action was just bomb the 331 00:17:53,720 --> 00:17:56,280 Speaker 1: fuck out of cities. And it didn't work everywhere, but 332 00:17:56,320 --> 00:17:58,320 Speaker 1: it appeared to work in Boston, where they managed to 333 00:17:58,320 --> 00:18:02,480 Speaker 1: set up the quarantines. Now they come to like a 334 00:18:02,480 --> 00:18:05,480 Speaker 1: place where a building is partially collapsed across the street. 335 00:18:05,560 --> 00:18:07,920 Speaker 1: So this is the direct past path to the old 336 00:18:07,960 --> 00:18:11,639 Speaker 1: State House. So what's left is the short path and 337 00:18:11,680 --> 00:18:14,439 Speaker 1: the long path. And apparently the short path is like 338 00:18:14,520 --> 00:18:15,440 Speaker 1: you will get killed. 339 00:18:15,320 --> 00:18:17,840 Speaker 2: Yeah, it's it's it's the long path. Oh that you die. 340 00:18:17,920 --> 00:18:21,920 Speaker 2: Papy's like, I think I'll just yeah, long path. 341 00:18:22,280 --> 00:18:25,720 Speaker 1: So they go through this hotel, and here's a very 342 00:18:25,720 --> 00:18:28,520 Speaker 1: telling moment that kind of dovetails nicely with what you 343 00:18:28,520 --> 00:18:32,439 Speaker 1: were saying before about tests, the difference between game tests 344 00:18:32,520 --> 00:18:35,600 Speaker 1: and and show tests, in the way that this test 345 00:18:36,040 --> 00:18:44,200 Speaker 1: there's almost something vaguely parental about her and the way 346 00:18:44,200 --> 00:18:47,119 Speaker 1: she talks to Ellie. Notice that Ellie walks next to 347 00:18:47,119 --> 00:18:49,359 Speaker 1: her this whole time. Doesn't walk next Joel. 348 00:18:49,720 --> 00:18:49,919 Speaker 2: You know. 349 00:18:50,040 --> 00:18:52,680 Speaker 1: Joel did say like I will kill you, but he 350 00:18:52,760 --> 00:18:55,560 Speaker 1: is walking next to Ellie this whole time, and there, 351 00:18:56,359 --> 00:18:59,800 Speaker 1: you know. And then Ellie Tests is being very generous 352 00:18:59,880 --> 00:19:04,080 Speaker 1: about telling her about the dangers of the open city. 353 00:19:04,400 --> 00:19:07,040 Speaker 1: She asks how Ellie got bit. Ellie's like, oh, I 354 00:19:07,040 --> 00:19:09,720 Speaker 1: went into the mall and the QZ that's blocked off 355 00:19:10,600 --> 00:19:13,520 Speaker 1: and I got bit. Tess X, Did you go in 356 00:19:13,560 --> 00:19:17,879 Speaker 1: there alone, Ellie, I think lies and says yes, I 357 00:19:17,920 --> 00:19:20,600 Speaker 1: think she was in there with someone else, who we're 358 00:19:20,600 --> 00:19:22,760 Speaker 1: going to find out was the person who was her 359 00:19:23,400 --> 00:19:24,160 Speaker 1: significant other. 360 00:19:25,200 --> 00:19:26,200 Speaker 2: And Test is impressed. 361 00:19:26,680 --> 00:19:31,119 Speaker 1: And you can tell that Ellie is really feels she 362 00:19:31,160 --> 00:19:34,359 Speaker 1: really feels good any compliments. She feels good about the 363 00:19:34,400 --> 00:19:35,440 Speaker 1: fact that someone is. 364 00:19:35,440 --> 00:19:38,320 Speaker 2: Like and I think where she sees in Test, that's 365 00:19:38,320 --> 00:19:40,359 Speaker 2: someone that she would want to be like, you know, 366 00:19:40,440 --> 00:19:42,800 Speaker 2: someone who can survive this for twenty years, who can 367 00:19:42,880 --> 00:19:45,840 Speaker 2: kind of thinks it's bad ass to go into an 368 00:19:45,880 --> 00:19:47,920 Speaker 2: empty mall and get bit just for the sake of it, 369 00:19:48,000 --> 00:19:51,200 Speaker 2: like very chaoke behavior, but really it's a chaotic world. 370 00:19:51,720 --> 00:19:53,720 Speaker 2: And yeah, I love to see that with tests, and 371 00:19:53,720 --> 00:19:55,679 Speaker 2: also again they do a really good job while you 372 00:19:55,720 --> 00:19:57,720 Speaker 2: get those moments in the game, but here there's a 373 00:19:57,760 --> 00:20:02,400 Speaker 2: lot more kind of quiet time for them to walk 374 00:20:02,440 --> 00:20:05,480 Speaker 2: and we get this really fun conversation about like the 375 00:20:05,560 --> 00:20:09,000 Speaker 2: different kinds of zombies and like the threats that like, 376 00:20:09,160 --> 00:20:11,760 Speaker 2: because all all Ellie's ever heard is rumors. 377 00:20:12,160 --> 00:20:15,479 Speaker 1: So that's a really wonderful part of this scene because 378 00:20:15,680 --> 00:20:18,760 Speaker 1: you know, Ellie is like looking at this, I mean, 379 00:20:18,760 --> 00:20:21,800 Speaker 1: the city's in ruins, but it's beautiful, and she's like, 380 00:20:21,840 --> 00:20:24,840 Speaker 1: what the she was She's almost disappointed that it's not 381 00:20:24,920 --> 00:20:26,240 Speaker 1: as dangerous as everybody says. 382 00:20:26,400 --> 00:20:28,359 Speaker 2: Where's the whole idea is they keep you in the 383 00:20:28,440 --> 00:20:30,640 Speaker 2: quarantine zone by telling you the moment you get out, 384 00:20:30,800 --> 00:20:33,320 Speaker 2: it's like it's like walking dead walkers. They're coming to 385 00:20:33,359 --> 00:20:35,760 Speaker 2: the fences, they're gonna eat you. But when you get 386 00:20:35,800 --> 00:20:38,560 Speaker 2: out there, it's beautiful. It's overgrown. Nature has kind of 387 00:20:38,600 --> 00:20:42,240 Speaker 2: found its way, and so far she hasn't seen a 388 00:20:42,320 --> 00:20:44,560 Speaker 2: single zombie, so she goes affected. 389 00:20:44,680 --> 00:20:47,199 Speaker 1: So there aren't the ones with the split up and 390 00:20:47,240 --> 00:20:49,639 Speaker 1: heads that's see in the dark, like bats and Tessandol 391 00:20:49,680 --> 00:20:50,000 Speaker 1: are like. 392 00:20:51,240 --> 00:20:54,520 Speaker 2: They don't they look at each other and They're like, I. 393 00:20:54,440 --> 00:20:58,160 Speaker 1: Guess we came out at which point you hear the 394 00:20:58,160 --> 00:21:03,399 Speaker 1: the trademark screen each yeah and infected, and Joel is 395 00:21:03,440 --> 00:21:06,080 Speaker 1: just like, Okay, let's just keep moving and let's go. 396 00:21:06,440 --> 00:21:09,440 Speaker 1: They come to the flooded lobby of a hotel, which 397 00:21:09,480 --> 00:21:15,040 Speaker 1: Ellie recognizes because she reads books. She is really having fun, 398 00:21:15,119 --> 00:21:18,440 Speaker 1: like she's turning this into an adventure. It's obviously very dangerous, 399 00:21:18,440 --> 00:21:21,120 Speaker 1: but she's never again been outside before and she goes 400 00:21:21,160 --> 00:21:22,880 Speaker 1: to the front desk, rings the bell. There's this whole 401 00:21:22,920 --> 00:21:25,520 Speaker 1: little scene about checking into the hotel. 402 00:21:25,200 --> 00:21:28,120 Speaker 2: And Joel's like, you are weird kid. He's like, you 403 00:21:28,160 --> 00:21:30,400 Speaker 2: are true weirdo. But you know, it's really nice because 404 00:21:30,440 --> 00:21:33,919 Speaker 2: in the game, Ellie's always she's like always singing and 405 00:21:34,000 --> 00:21:35,919 Speaker 2: like being trying to teach us about to whistle and 406 00:21:35,960 --> 00:21:38,280 Speaker 2: do in like weird shit because to her like little 407 00:21:38,359 --> 00:21:42,040 Speaker 2: laughs when because it's not like she's getting to explore 408 00:21:42,080 --> 00:21:43,720 Speaker 2: this world, but the horrors of the world and the 409 00:21:43,720 --> 00:21:45,719 Speaker 2: fact that's broken down are not new to her, like 410 00:21:45,800 --> 00:21:48,400 Speaker 2: that's all she's ever known. So that, yeah, I love 411 00:21:48,440 --> 00:21:50,919 Speaker 2: that scene and Bella they just sell it so well. 412 00:21:51,440 --> 00:21:53,520 Speaker 2: They're like kind of talking and checking in and Joel's 413 00:21:53,520 --> 00:21:54,680 Speaker 2: just like, what is wrong with you? 414 00:21:55,600 --> 00:21:58,400 Speaker 1: Eventually, Joel and Ellie get their first moment alone when 415 00:21:58,400 --> 00:22:02,399 Speaker 1: Tess has to find in an alternate path through another 416 00:22:02,440 --> 00:22:07,959 Speaker 1: part of the building that's collapsed and Joel compliments Elie's 417 00:22:07,960 --> 00:22:14,439 Speaker 1: switchblade killed with it. She asks where he's from. He 418 00:22:14,440 --> 00:22:17,000 Speaker 1: says Texas she is. She asks where Tests is from. 419 00:22:17,040 --> 00:22:19,520 Speaker 1: She says Detroit, which is in Michigan, and Ellie's like, 420 00:22:19,600 --> 00:22:22,439 Speaker 1: I know that because I went to school. The parallels 421 00:22:22,440 --> 00:22:26,399 Speaker 1: with Sarah and geography are right there. She then asks 422 00:22:26,440 --> 00:22:29,399 Speaker 1: how Joel Tests and Tests know each other and how 423 00:22:29,480 --> 00:22:32,040 Speaker 1: Joel got to Boston. Joel's like, no, we're not talking 424 00:22:32,080 --> 00:22:35,320 Speaker 1: about me. No more questions about me. She then asks 425 00:22:35,680 --> 00:22:38,080 Speaker 1: how long do you think infected live and he says 426 00:22:38,200 --> 00:22:41,000 Speaker 1: a few months, but some have been around since this 427 00:22:41,080 --> 00:22:43,040 Speaker 1: all started, since you know, twenty years ago. 428 00:22:43,160 --> 00:22:45,760 Speaker 2: Yeah, those are the ones you don't want to meet. 429 00:22:45,880 --> 00:22:48,720 Speaker 1: Yeah, And she asks if he's ever killed any and 430 00:22:48,800 --> 00:22:51,560 Speaker 1: he says, yeah, a lot. And she asks is it 431 00:22:51,600 --> 00:22:54,160 Speaker 1: hard knowing they were people once? And he says sometimes 432 00:22:54,160 --> 00:22:57,320 Speaker 1: it was, And then she asks him, you know, how 433 00:22:57,320 --> 00:22:59,720 Speaker 1: hard was it to kill that soldier? You know when 434 00:22:59,760 --> 00:23:03,120 Speaker 1: he had that flashback? To the night on the riverbank 435 00:23:03,160 --> 00:23:06,240 Speaker 1: with Sarah in his arms, and before he can answer, 436 00:23:06,280 --> 00:23:09,600 Speaker 1: Test returns and she's got bad news that Hey, so 437 00:23:10,240 --> 00:23:13,120 Speaker 1: the way we have to go it's just all infected. 438 00:23:13,200 --> 00:23:15,359 Speaker 2: It's an infected party. You know, the long way that 439 00:23:15,440 --> 00:23:16,960 Speaker 2: was supposed to be the safe way and now the 440 00:23:17,000 --> 00:23:19,280 Speaker 2: long way is also the dead way, and there's just 441 00:23:19,320 --> 00:23:22,439 Speaker 2: like infected everywhere, and it's it's all bad. But we 442 00:23:22,520 --> 00:23:25,600 Speaker 2: do learn something very interesting here. This is a cool 443 00:23:25,640 --> 00:23:27,760 Speaker 2: episode if you want to know about the cordyceps virus 444 00:23:27,760 --> 00:23:30,040 Speaker 2: and that infected because we kind of get to learn 445 00:23:30,080 --> 00:23:32,000 Speaker 2: through Ellie's eyes a little bit more about them. 446 00:23:32,480 --> 00:23:38,280 Speaker 1: Yeah, you see the sun kind of moving across the landscape, 447 00:23:38,320 --> 00:23:40,760 Speaker 1: you know, as clouds kind of go across the face 448 00:23:40,800 --> 00:23:44,720 Speaker 1: of the sun, and as this sunbeam moves across these 449 00:23:44,800 --> 00:23:50,600 Speaker 1: kind of this lolling hundred crowd. Yeah, they all react 450 00:23:50,680 --> 00:23:53,560 Speaker 1: to it in Unison, and Ellie's like, oh my god, 451 00:23:53,600 --> 00:23:56,000 Speaker 1: they're connected, and Tessa's more than you know, and she 452 00:23:56,160 --> 00:24:01,800 Speaker 1: tells them that those fungal tentacles they grow underground too, 453 00:24:01,960 --> 00:24:04,840 Speaker 1: and they're like a fungal web, like an internet for 454 00:24:04,920 --> 00:24:07,440 Speaker 1: the ya. It creates like a hive mind yeah, and 455 00:24:07,520 --> 00:24:11,359 Speaker 1: if you step on a patch of those tentacles, it 456 00:24:11,400 --> 00:24:14,879 Speaker 1: can send a message miles away and murder alert the 457 00:24:14,960 --> 00:24:16,040 Speaker 1: hores and here they come. 458 00:24:16,119 --> 00:24:18,000 Speaker 2: And I believe that is new as well. That is 459 00:24:18,520 --> 00:24:18,879 Speaker 2: very new. 460 00:24:19,000 --> 00:24:23,120 Speaker 1: Yeah, that is very new and very terrifying. And Tess 461 00:24:23,200 --> 00:24:25,800 Speaker 1: again is being very warm in the way she's delivering this. 462 00:24:25,880 --> 00:24:28,680 Speaker 1: She's she's she even says something to the effect of listen, 463 00:24:28,680 --> 00:24:30,280 Speaker 1: I'm not telling you this to scary. I'm telling us 464 00:24:30,280 --> 00:24:32,480 Speaker 1: because you need to know. Yeah, because you're immune, but 465 00:24:32,680 --> 00:24:34,600 Speaker 1: but you're not immune to getting ripped apart. 466 00:24:34,800 --> 00:24:36,680 Speaker 2: I love that line. She's like, yeah, you're immune to 467 00:24:36,720 --> 00:24:38,760 Speaker 2: getting bitmed, but you're not immune to like a zombie 468 00:24:38,800 --> 00:24:41,240 Speaker 2: coming and like tearing your limbs off, Like sorry, babe, 469 00:24:41,359 --> 00:24:43,840 Speaker 2: but and then bad news. The short way is the 470 00:24:43,920 --> 00:24:46,000 Speaker 2: only way now, baby, Through the museum. 471 00:24:46,160 --> 00:24:49,520 Speaker 1: Through the museum a beautiful red brick colonial covered in 472 00:24:49,640 --> 00:24:50,520 Speaker 1: fungal tentacles. 473 00:24:50,720 --> 00:24:52,920 Speaker 2: The door is literally like lock hut. 474 00:24:53,400 --> 00:24:57,159 Speaker 1: Joel goes over, touches one of the big tentacles it is. 475 00:24:57,800 --> 00:24:58,720 Speaker 1: It's bone dry, and he. 476 00:24:58,720 --> 00:25:02,160 Speaker 2: Says, well, you know, maybe feel positive. 477 00:25:02,480 --> 00:25:04,720 Speaker 1: So they get ready to head in flashlights come out 478 00:25:05,920 --> 00:25:09,120 Speaker 1: tests and Ellie, you know, have another talk. Test is like, listen, 479 00:25:09,200 --> 00:25:11,000 Speaker 1: you just stay behind us. We're gonna move very slow. 480 00:25:11,320 --> 00:25:14,520 Speaker 1: If anything happens, you get between me and Joel. And 481 00:25:14,640 --> 00:25:17,240 Speaker 1: then the guns come out, and this is an interesting moment. 482 00:25:17,320 --> 00:25:25,040 Speaker 1: So Test uses that alternating flashlight pistol overhand grip restore 483 00:25:25,080 --> 00:25:28,800 Speaker 1: the wrist, and then later in the episode says at 484 00:25:28,840 --> 00:25:31,240 Speaker 1: the very end, says to Joel, save who you can save, 485 00:25:31,560 --> 00:25:36,960 Speaker 1: which is a very nine to eleven era first responder 486 00:25:37,440 --> 00:25:41,680 Speaker 1: to say, and it makes me think Test was a cop. 487 00:25:42,000 --> 00:25:44,680 Speaker 2: Yeah, definitely some kind of first responder kind of situation. 488 00:25:44,800 --> 00:25:47,640 Speaker 2: And also it fits in with what we know of Test, 489 00:25:47,680 --> 00:25:49,560 Speaker 2: which in the game, the little things that we get 490 00:25:49,560 --> 00:25:51,760 Speaker 2: to see about, she's usually the one who's giving Joel 491 00:25:51,840 --> 00:25:54,639 Speaker 2: stuff to fix his wounds and wrap it up, and 492 00:25:54,680 --> 00:25:56,840 Speaker 2: they do a nice inversion of that in this episode. 493 00:25:57,080 --> 00:25:58,840 Speaker 2: But yeah, I thought that was a really great catch 494 00:25:58,920 --> 00:26:02,840 Speaker 2: from you. And again, you know, Ellie just wants a gun. Yes, 495 00:26:02,880 --> 00:26:05,080 Speaker 2: she's give me a gun. She's like, I've got and 496 00:26:05,200 --> 00:26:07,439 Speaker 2: Joel's like, good for you. You know, hey, we're going 497 00:26:07,480 --> 00:26:09,560 Speaker 2: to a dark building. Can I have a gun? I 498 00:26:09,640 --> 00:26:12,320 Speaker 2: mean this is like, if you've played the game, never 499 00:26:12,359 --> 00:26:14,359 Speaker 2: shot a gun, but can I have one. I mean, 500 00:26:14,440 --> 00:26:16,119 Speaker 2: sure they won't they teaching you that they fed you 501 00:26:16,560 --> 00:26:18,720 Speaker 2: military school, though I feel like they should. They probably 502 00:26:18,720 --> 00:26:20,480 Speaker 2: didn't want the kids to have done so they could escape, 503 00:26:20,520 --> 00:26:22,280 Speaker 2: but still I feel like that would have been probably 504 00:26:22,280 --> 00:26:25,800 Speaker 2: a good idea in the context of this. So in 505 00:26:25,960 --> 00:26:30,640 Speaker 2: here is where we get our first view of the clickers. 506 00:26:30,720 --> 00:26:34,840 Speaker 1: Now, Joel and Tess are initially feeling pretty good. They 507 00:26:34,920 --> 00:26:39,240 Speaker 1: find this like this group of dried up and dead infected, 508 00:26:39,320 --> 00:26:42,640 Speaker 1: so they know good they're dead. But then flashlight pan 509 00:26:42,760 --> 00:26:44,560 Speaker 1: over to the side and there's like a body that's 510 00:26:44,600 --> 00:26:46,880 Speaker 1: been dead like two hours. 511 00:26:46,600 --> 00:26:49,240 Speaker 2: And it's like it's like ripped apart, like it's throat 512 00:26:49,280 --> 00:26:51,880 Speaker 2: stripped off. Ellie's freaked out because Ellie's like, I've been 513 00:26:52,920 --> 00:26:55,639 Speaker 2: bitten and that's not some It couldn't have done that 514 00:26:55,760 --> 00:26:58,639 Speaker 2: to me, Like this, what is this? And Tess's face, 515 00:26:59,440 --> 00:27:03,000 Speaker 2: the fear on their on their faces is so good. Yeah, 516 00:27:03,400 --> 00:27:06,560 Speaker 2: the way she's like, maybe maybe he died outside and 517 00:27:06,720 --> 00:27:09,800 Speaker 2: maybe he goes outside and and you know they know 518 00:27:10,040 --> 00:27:11,720 Speaker 2: that that's not true. They don't want to see it. 519 00:27:11,960 --> 00:27:13,680 Speaker 2: They don't want to, they don't want it. And it 520 00:27:13,800 --> 00:27:19,600 Speaker 2: tells you if two badasses like this who have killed 521 00:27:19,640 --> 00:27:23,320 Speaker 2: lots of efects and survived like twenty years. Yeah, are scared. 522 00:27:23,480 --> 00:27:24,560 Speaker 2: Then this is serious. 523 00:27:25,000 --> 00:27:30,160 Speaker 1: Joel then tells Ellie, Okay, listen from this point forward, silence, silence. 524 00:27:30,400 --> 00:27:30,680 Speaker 2: Okay. 525 00:27:31,200 --> 00:27:34,200 Speaker 1: Have you seen that movie with John Krasinski and Emily Blunt? 526 00:27:34,480 --> 00:27:36,280 Speaker 1: All right, you see that one, But no, that didn't 527 00:27:36,280 --> 00:27:36,760 Speaker 1: come out yet. 528 00:27:37,240 --> 00:27:40,119 Speaker 2: It didn't come out. Ye never came out. Okay, but 529 00:27:40,240 --> 00:27:44,640 Speaker 2: it's like that. Yeah, not quiet, silent side, no quips, 530 00:27:44,800 --> 00:27:47,560 Speaker 2: no like strange bits about being in a hotel. Just 531 00:27:47,840 --> 00:27:49,880 Speaker 2: fucking do it and don't say shit. 532 00:27:50,600 --> 00:27:52,600 Speaker 1: So they go forward and they're you know, they creep 533 00:27:52,640 --> 00:27:55,200 Speaker 1: their way forward, and at one point, Ellie steps on 534 00:27:55,240 --> 00:27:57,119 Speaker 1: a dried vine and they're just like, oh ship. And 535 00:27:57,160 --> 00:27:59,359 Speaker 1: then there's like a building collapse on the stairs and 536 00:27:59,400 --> 00:28:03,480 Speaker 1: they're like, oh shit. They eventually get into kind of 537 00:28:03,520 --> 00:28:07,240 Speaker 1: one of the display halls and behind them as they 538 00:28:07,320 --> 00:28:11,320 Speaker 1: go up, the staircase collapses behind them, which draws the 539 00:28:11,400 --> 00:28:14,280 Speaker 1: attention of a clicker. You hear it screech first, and 540 00:28:14,320 --> 00:28:16,840 Speaker 1: then you hear the as it's searching, you know, with 541 00:28:17,000 --> 00:28:17,879 Speaker 1: it's audio waves. 542 00:28:17,920 --> 00:28:19,320 Speaker 2: It comes up and. 543 00:28:21,160 --> 00:28:24,240 Speaker 1: Ellie is crazy with her you can see it on 544 00:28:24,320 --> 00:28:27,640 Speaker 1: her face. How absolutely terrified she is. And then there's 545 00:28:27,640 --> 00:28:29,640 Speaker 1: another screech, and now it looks like, oh shit, there's 546 00:28:29,680 --> 00:28:33,080 Speaker 1: two of them. Joel gestures to Ellie. He says, like, 547 00:28:33,359 --> 00:28:36,840 Speaker 1: you know, saying essentially, hey, they're blind, but they can hear, 548 00:28:37,240 --> 00:28:41,240 Speaker 1: they can hear. Such she's freaking out. The monster is 549 00:28:41,280 --> 00:28:44,200 Speaker 1: coming close, coming closer, coming closer, and then when it 550 00:28:44,400 --> 00:28:49,320 Speaker 1: turns to them, we get this incredible view of really, 551 00:28:49,400 --> 00:28:53,520 Speaker 1: how what a great job they did on the creature design, 552 00:28:53,640 --> 00:28:56,760 Speaker 1: like aporting the design over from the game, but then 553 00:28:56,880 --> 00:28:59,840 Speaker 1: obviously the detailing, the scariness, the way it looks like 554 00:29:00,320 --> 00:29:01,960 Speaker 1: something out of a Gearmann del Toro. 555 00:29:02,360 --> 00:29:04,680 Speaker 2: Yeah, yeah, yeah, it's so good. Like I was just 556 00:29:05,040 --> 00:29:07,400 Speaker 2: saying this to Vascilla's before, like our super sound guys 557 00:29:07,480 --> 00:29:10,760 Speaker 2: like that. When you play the game, you see the 558 00:29:11,040 --> 00:29:14,040 Speaker 2: yellow outline, you see the implication of a fungus, but 559 00:29:14,080 --> 00:29:16,200 Speaker 2: you're so busy trying to kill it and it's scary, 560 00:29:16,280 --> 00:29:17,800 Speaker 2: and a lot of times you see them outside though, 561 00:29:17,840 --> 00:29:19,880 Speaker 2: I have to say the Museum they adapted it perfectly. 562 00:29:19,960 --> 00:29:21,400 Speaker 2: This was the first time when I played the game 563 00:29:21,440 --> 00:29:23,680 Speaker 2: that I got scared and they really translated this is 564 00:29:23,760 --> 00:29:27,320 Speaker 2: directly from this is directly and it's that moment where 565 00:29:27,640 --> 00:29:30,440 Speaker 2: you go more into that classic horror video game style. 566 00:29:30,600 --> 00:29:33,160 Speaker 2: You're in a dark space, you're lighting it with a flashlight. 567 00:29:33,200 --> 00:29:36,200 Speaker 2: You gotta be stealthy. But I didn't expect them to 568 00:29:36,240 --> 00:29:37,959 Speaker 2: be able to pull off the clickers and make them 569 00:29:38,040 --> 00:29:41,520 Speaker 2: something so horrific, Like Giamo del Toro is a great pole. 570 00:29:41,600 --> 00:29:44,320 Speaker 2: It's very resident evil. The kind of only sign of 571 00:29:44,360 --> 00:29:47,680 Speaker 2: their humanity is just like gaping more with broken teeth, 572 00:29:47,760 --> 00:29:49,480 Speaker 2: and then on top of their heads are these like 573 00:29:50,000 --> 00:29:52,680 Speaker 2: it's fungus, but it's also you pointed out, it's like plating. 574 00:29:52,760 --> 00:29:55,680 Speaker 2: It's almost like a dinosaur, like a triceratops, but like 575 00:29:55,800 --> 00:30:00,160 Speaker 2: with fungus growing on top. It's truly horrific stuff. Even 576 00:30:00,200 --> 00:30:02,400 Speaker 2: though I have to say pretty much everyone that I've 577 00:30:02,400 --> 00:30:04,640 Speaker 2: seen loves this show. But if you were waiting for 578 00:30:04,720 --> 00:30:07,520 Speaker 2: the episode where it becomes like a scary zombie show, 579 00:30:07,760 --> 00:30:08,800 Speaker 2: this is the episode. 580 00:30:09,920 --> 00:30:14,520 Speaker 1: So it's it comes close, it swings its face towards 581 00:30:14,640 --> 00:30:18,080 Speaker 1: them into the beam of the flashlight, which whoever did that? 582 00:30:18,200 --> 00:30:22,480 Speaker 1: Don't do that? And please, and Ellie gasps, and now 583 00:30:22,760 --> 00:30:25,600 Speaker 1: it's fucking on. And one thing we could say about 584 00:30:25,720 --> 00:30:29,240 Speaker 1: this these version of the clickers is they are way 585 00:30:30,080 --> 00:30:33,480 Speaker 1: heardier than the video game. The video version, they take 586 00:30:33,560 --> 00:30:36,320 Speaker 1: some gunshots, but if you get like two head shots, 587 00:30:36,360 --> 00:30:36,959 Speaker 1: it's going to go down. 588 00:30:37,040 --> 00:30:39,480 Speaker 2: Yeah. Yeah. The thing that I'm depending on your difficult 589 00:30:40,320 --> 00:30:42,760 Speaker 2: I was gonna say I'm very bad at heeadshots, more 590 00:30:42,800 --> 00:30:44,360 Speaker 2: of a four or five person. But you know what 591 00:30:44,400 --> 00:30:46,640 Speaker 2: I will say, I'm going to be very interested to 592 00:30:46,760 --> 00:30:50,360 Speaker 2: see how the clickers take it later on, because what 593 00:30:50,520 --> 00:30:53,040 Speaker 2: I ended up finding was very easy, and my difficulty 594 00:30:53,080 --> 00:30:56,200 Speaker 2: saying is once you start modeling your melee weapons, you 595 00:30:56,280 --> 00:30:58,160 Speaker 2: can kill them in a couple of swipes. Yeah, I 596 00:30:58,200 --> 00:31:00,640 Speaker 2: wouldn't want to get close to one of the clickers 597 00:31:00,720 --> 00:31:03,440 Speaker 2: to know how that would go. Like Arendus, Yeah, they 598 00:31:03,840 --> 00:31:06,640 Speaker 2: they super charged them and that kind of bizarker mode 599 00:31:06,680 --> 00:31:09,680 Speaker 2: where after you shoot them once and then that is 600 00:31:09,880 --> 00:31:10,560 Speaker 2: just horrific. 601 00:31:10,760 --> 00:31:16,120 Speaker 1: Care So, uh, the fighters on the first clicker, the 602 00:31:16,240 --> 00:31:17,320 Speaker 1: one that's closest to them. 603 00:31:17,280 --> 00:31:20,800 Speaker 2: Takes like four or five like, oh, it's directly the 604 00:31:20,880 --> 00:31:21,360 Speaker 2: tour Zoe. 605 00:31:21,480 --> 00:31:24,640 Speaker 1: No reaction is fighting with Jewel like nothing happened, which 606 00:31:24,720 --> 00:31:25,880 Speaker 1: kind of makes sense you think. 607 00:31:25,720 --> 00:31:28,040 Speaker 2: About it, because if it's if it's just the body 608 00:31:28,160 --> 00:31:31,160 Speaker 2: is essentially a shell. Yeah, that's why would it damage it? 609 00:31:31,240 --> 00:31:33,200 Speaker 2: You know, you have to get to that that cerebral 610 00:31:33,320 --> 00:31:36,640 Speaker 2: cortex or wherever the main fungus is. Shoot ahead like 611 00:31:36,680 --> 00:31:38,920 Speaker 2: everything exactly. Movie. That's the rule. 612 00:31:39,480 --> 00:31:42,960 Speaker 1: Test and Elly run big, big fight. At the end 613 00:31:43,040 --> 00:31:46,000 Speaker 1: of it, they do take down both clickers and Tests 614 00:31:46,160 --> 00:31:47,160 Speaker 1: is okay. 615 00:31:47,600 --> 00:31:51,560 Speaker 2: Except for it twisted. Great, She looks good, fine, she says, 616 00:31:51,600 --> 00:31:54,600 Speaker 2: I'm fine. I twisted my ankle. That's it. Okay, let's 617 00:31:54,640 --> 00:31:57,560 Speaker 2: move on. Ellie got bit again and she's like, well, 618 00:31:57,560 --> 00:32:00,160 Speaker 2: at least it was me if it had to you 619 00:32:00,200 --> 00:32:00,640 Speaker 2: one of us. 620 00:32:00,920 --> 00:32:03,640 Speaker 1: Right, We're fine, and they go out over the roof. 621 00:32:04,560 --> 00:32:07,720 Speaker 1: They get on the roof, Tessa's looking at Joel sadly 622 00:32:07,880 --> 00:32:08,880 Speaker 1: as he's taping her up. 623 00:32:09,080 --> 00:32:11,760 Speaker 2: I love it. You get and you get this like 624 00:32:11,920 --> 00:32:14,760 Speaker 2: these moments. Something that I love about this show that 625 00:32:14,880 --> 00:32:17,000 Speaker 2: it understands about the game is these like moments of 626 00:32:17,120 --> 00:32:20,400 Speaker 2: like empathy and compassion and comfort and these tiny moments 627 00:32:20,480 --> 00:32:23,240 Speaker 2: that people can have together, like when he's wrapping her 628 00:32:23,320 --> 00:32:25,240 Speaker 2: foot and they're kind of talking. And again you go 629 00:32:25,320 --> 00:32:28,360 Speaker 2: from this deep, dark, horrific hauls where you're kind of 630 00:32:28,680 --> 00:32:32,800 Speaker 2: chased by this nightmare monster onto this beautiful, sunlit rooftop 631 00:32:32,920 --> 00:32:37,240 Speaker 2: with this broken down city scape. It's such wonderful juxaposition, 632 00:32:37,320 --> 00:32:39,600 Speaker 2: but it never feels kind of jarring. It's just like 633 00:32:39,680 --> 00:32:43,000 Speaker 2: a really nice, breathing kind of spot. And we get 634 00:32:43,040 --> 00:32:46,560 Speaker 2: another you know, Joel and Tessa have in this moment, 635 00:32:47,200 --> 00:32:49,800 Speaker 2: and then you get this unbelievable shot of Ellie kind 636 00:32:49,840 --> 00:32:52,200 Speaker 2: of as they traverse the piece of Wood, which again 637 00:32:52,280 --> 00:32:55,160 Speaker 2: is one of the most memorable scenes from the from 638 00:32:55,200 --> 00:32:55,840 Speaker 2: the video game. 639 00:32:55,960 --> 00:32:58,040 Speaker 1: Now, there's a there's a small interaction here that I 640 00:32:58,080 --> 00:33:00,480 Speaker 1: think tells you a lot about Joel and Test's Joel 641 00:33:00,600 --> 00:33:02,720 Speaker 1: is like, hey, so you know, maybe we don't know 642 00:33:02,760 --> 00:33:04,520 Speaker 1: what happened with that first bite. Maybe this is the 643 00:33:04,560 --> 00:33:07,920 Speaker 1: bite that's gonna it's gonna get and Test snaps, She's like, 644 00:33:07,960 --> 00:33:10,040 Speaker 1: can you just take the good news, you know, and 645 00:33:10,120 --> 00:33:13,200 Speaker 1: maybe this time we can actually win? And it what 646 00:33:13,360 --> 00:33:16,360 Speaker 1: it suggested to me and I thought this was great writing. 647 00:33:16,720 --> 00:33:16,920 Speaker 2: Is that. 648 00:33:18,520 --> 00:33:21,520 Speaker 1: Contra the game, Test was the more hopeful one. Yeah, 649 00:33:21,920 --> 00:33:22,880 Speaker 1: in their relationship. 650 00:33:23,080 --> 00:33:26,719 Speaker 2: Joel Joel and in the in the game, he's dead inside, 651 00:33:26,760 --> 00:33:29,760 Speaker 2: but it's like he's dead inside and he just follows 652 00:33:29,800 --> 00:33:32,200 Speaker 2: Tests and does whatever she wants. But here he's dead 653 00:33:32,240 --> 00:33:34,400 Speaker 2: inside and that allows him to do the terrible things 654 00:33:34,440 --> 00:33:37,280 Speaker 2: that need to be done, whereas with Tests, Test can 655 00:33:37,480 --> 00:33:39,760 Speaker 2: take it, but she's tired of giving it out. She 656 00:33:39,880 --> 00:33:41,640 Speaker 2: wants that little bit of hope. She doesn't want to 657 00:33:41,640 --> 00:33:43,760 Speaker 2: be killing people. She wants to imagine that this time 658 00:33:44,160 --> 00:33:45,560 Speaker 2: they can actually win. Yeah. 659 00:33:45,640 --> 00:33:49,240 Speaker 1: This this felt like a window into their relationship that 660 00:33:49,320 --> 00:33:51,440 Speaker 1: maybe Tests is the person who's like, oh, maybe it's 661 00:33:51,480 --> 00:33:53,360 Speaker 1: real this time, maybe we can do this, maybe we 662 00:33:53,400 --> 00:33:55,440 Speaker 1: can do that, whereas Joel's like, this is never changing. 663 00:33:55,520 --> 00:33:56,600 Speaker 1: This is what we're doing right now. 664 00:33:58,600 --> 00:33:59,720 Speaker 2: Joel goes over to Ellie. 665 00:34:00,200 --> 00:34:03,200 Speaker 1: Tests stays behind to kind of tape herself up, and 666 00:34:03,320 --> 00:34:05,760 Speaker 1: you can see the State House across the way. It's 667 00:34:05,840 --> 00:34:10,439 Speaker 1: beautiful under the sunlight. And as they move out, there's 668 00:34:10,480 --> 00:34:13,680 Speaker 1: a great moment where Joel glances at his watch and 669 00:34:13,880 --> 00:34:16,600 Speaker 1: just like takes one look at the broken watch. They 670 00:34:16,640 --> 00:34:19,320 Speaker 1: get to the state House, firefly convoy is there in 671 00:34:19,400 --> 00:34:21,800 Speaker 1: front of the building. No sign of the firefly themselves. 672 00:34:22,400 --> 00:34:23,000 Speaker 2: Suspicious. 673 00:34:23,120 --> 00:34:23,759 Speaker 1: Yeah, not good. 674 00:34:23,880 --> 00:34:24,560 Speaker 2: Joel goes up. 675 00:34:24,640 --> 00:34:27,359 Speaker 1: He checks the truck gets streaked with blood. There's's dead 676 00:34:27,440 --> 00:34:32,160 Speaker 1: bodies all around, torn apart by infected blood trail that's 677 00:34:32,280 --> 00:34:35,279 Speaker 1: leading up into the State house, and Ellie's like, oh, 678 00:34:35,320 --> 00:34:39,719 Speaker 1: they went inside. Test now grabs Ellie by the arm 679 00:34:40,000 --> 00:34:43,399 Speaker 1: and rushes in because she's ready to like she's done, 680 00:34:43,560 --> 00:34:45,719 Speaker 1: she's ready to find out, like is it real? 681 00:34:45,800 --> 00:34:46,359 Speaker 2: What's next? 682 00:34:46,760 --> 00:34:51,320 Speaker 1: Probably, you know, depending on you know, probably because of 683 00:34:51,360 --> 00:34:54,799 Speaker 1: the reveal it's about to happen, because she is one 684 00:34:56,000 --> 00:34:59,760 Speaker 1: she is inspired by and buoyed by and really deeply 685 00:35:00,239 --> 00:35:02,680 Speaker 1: by like this sliver of hope that she's feeling, and 686 00:35:02,800 --> 00:35:05,240 Speaker 1: also like, hey, if there is a cure. 687 00:35:05,120 --> 00:35:08,200 Speaker 2: But can we cook it up real quick? I maybe 688 00:35:08,239 --> 00:35:10,279 Speaker 2: have it? How's it going? How's it going? 689 00:35:10,520 --> 00:35:13,480 Speaker 1: So they get in there and everybody's dead, and Joel 690 00:35:13,560 --> 00:35:18,239 Speaker 1: reads the situation. One or more of the fireflies got infected. 691 00:35:18,480 --> 00:35:20,320 Speaker 1: There is a fight as the healthy ones fought the 692 00:35:20,960 --> 00:35:24,359 Speaker 1: sick ones, and then everybody lost. In Joel's words. Tests 693 00:35:24,480 --> 00:35:25,840 Speaker 1: is then like okay, well there's got to be a 694 00:35:25,880 --> 00:35:28,880 Speaker 1: fucking map or a radio or some kind of indication 695 00:35:28,960 --> 00:35:30,120 Speaker 1: about where Ellie was supposed to go. 696 00:35:30,280 --> 00:35:33,200 Speaker 2: And Joel's like, okay, we did it done, Yeah, we 697 00:35:33,640 --> 00:35:34,520 Speaker 2: dropped ahead. Let's go. 698 00:35:34,920 --> 00:35:37,399 Speaker 1: Let's go home, he says, and then Test snaps it's 699 00:35:37,480 --> 00:35:42,279 Speaker 1: not my fucking home, which is like a hugely revealing 700 00:35:42,480 --> 00:35:46,439 Speaker 1: comment again from Tests who all the while, you know again, 701 00:35:46,480 --> 00:35:48,319 Speaker 1: it suggests all the while, all the while, all the way, 702 00:35:48,360 --> 00:35:50,600 Speaker 1: Test has been like hoping for a real place, a 703 00:35:50,680 --> 00:35:51,520 Speaker 1: real end to this. 704 00:35:52,400 --> 00:35:52,480 Speaker 2: Uh. 705 00:35:52,719 --> 00:35:54,759 Speaker 1: And then she says, you know, my luck had to 706 00:35:54,840 --> 00:35:56,600 Speaker 1: run out, sooner or later, I'm going to stay behind. 707 00:35:56,640 --> 00:35:58,080 Speaker 1: And Ellie gets it Test was bitten. 708 00:35:58,880 --> 00:36:00,560 Speaker 2: Uh. Joel is shaded by this. 709 00:36:01,280 --> 00:36:04,160 Speaker 1: Test shows him the wound which is on her neck 710 00:36:04,239 --> 00:36:06,320 Speaker 1: and it's already like fung this out. 711 00:36:06,280 --> 00:36:08,680 Speaker 2: And she's like, look at Ellie's this is like three 712 00:36:08,760 --> 00:36:10,719 Speaker 2: weeks ago, Like what the fuck is wrong with you? 713 00:36:10,880 --> 00:36:14,800 Speaker 1: This is this is real because look at this exact 714 00:36:14,840 --> 00:36:17,640 Speaker 1: dialogue from the game where she her reaction is like oops, right, 715 00:36:17,800 --> 00:36:22,920 Speaker 1: you know, yeah yeah. Test then begs Joel in an 716 00:36:23,000 --> 00:36:27,000 Speaker 1: increasingly emotional appeal, to take Ellie West to find Tommy 717 00:36:27,080 --> 00:36:28,560 Speaker 1: and his group and. 718 00:36:28,760 --> 00:36:32,120 Speaker 2: To stop this, to cure this. She's like, your brother 719 00:36:32,320 --> 00:36:34,839 Speaker 2: was a fly, firefly, like if anything he knows. 720 00:36:35,000 --> 00:36:36,719 Speaker 1: Joel is like, they won't listen to me. They're not 721 00:36:36,800 --> 00:36:38,160 Speaker 1: going to listen to me, Like I don't I've never 722 00:36:38,239 --> 00:36:40,400 Speaker 1: been a firefly person, and I don't. 723 00:36:40,239 --> 00:36:42,480 Speaker 2: Want to do this, Like I have no investment in this, 724 00:36:42,600 --> 00:36:43,640 Speaker 2: this is like your thing. 725 00:36:43,600 --> 00:36:46,160 Speaker 1: And Tess is like, you can do it because they'll 726 00:36:46,200 --> 00:36:49,359 Speaker 1: listen to you, and you need to keep her alive 727 00:36:50,120 --> 00:36:53,640 Speaker 1: and set everything right, and please say yes, Joel. In 728 00:36:53,800 --> 00:36:57,719 Speaker 1: that moment, an infected corpse you know, shakes to not 729 00:36:57,960 --> 00:36:59,960 Speaker 1: life after life, whatever you call it. Joel walks over 730 00:37:00,080 --> 00:37:04,680 Speaker 1: shoots it. But that corpse happened to be laying in 731 00:37:05,440 --> 00:37:10,239 Speaker 1: a pile of the cordy SIPs fungal net, which transmits 732 00:37:10,360 --> 00:37:13,200 Speaker 1: the signal to a nearby horde, and you can hear 733 00:37:13,280 --> 00:37:15,919 Speaker 1: them screeching, growing louder, and they'll be there in about 734 00:37:15,960 --> 00:37:19,279 Speaker 1: a minute. Test is like, okay, I'm going to stay 735 00:37:19,280 --> 00:37:21,439 Speaker 1: and hold them off. And this is when she says 736 00:37:21,520 --> 00:37:23,960 Speaker 1: to Joel, save who you can save. You know you 737 00:37:24,080 --> 00:37:27,040 Speaker 1: can save her, I can save you, and I'm gonna 738 00:37:27,040 --> 00:37:30,200 Speaker 1: stay here. Joel then races with Ellie out of the bill, 739 00:37:30,320 --> 00:37:33,760 Speaker 1: drags her out. Ellie is like, no, we're not again. 740 00:37:33,840 --> 00:37:39,439 Speaker 1: This like naive innocence the child, like why can't we help? 741 00:37:39,920 --> 00:37:42,719 Speaker 1: Kind of feeling the same thing that Sarah displayed on 742 00:37:42,800 --> 00:37:44,680 Speaker 1: the night and everything broke out, which is like why 743 00:37:44,680 --> 00:37:48,400 Speaker 1: aren't we stopping for that family behind them? The building 744 00:37:48,480 --> 00:37:52,120 Speaker 1: explodes as Tests with her last strength, ignites her cigarette lighter, 745 00:37:52,160 --> 00:37:55,200 Speaker 1: which sends up barrels of gasoline and loose hand grenades, 746 00:37:55,760 --> 00:37:59,320 Speaker 1: and Joel heads off in the direction they need to go, 747 00:37:59,400 --> 00:38:02,840 Speaker 1: with Ellie just kind of shocked staring at everything. X 748 00:38:02,960 --> 00:38:15,200 Speaker 1: Ray Vision will be back, and we're back without spoiling 749 00:38:15,239 --> 00:38:17,640 Speaker 1: how this is gonna go For people who haven't played 750 00:38:17,680 --> 00:38:21,399 Speaker 1: the game, I think one thing that's important to get 751 00:38:21,520 --> 00:38:27,479 Speaker 1: here is how much everybody but Joel wants to save 752 00:38:27,600 --> 00:38:28,600 Speaker 1: the world and help people. 753 00:38:28,760 --> 00:38:33,520 Speaker 2: Yeah, yeah, yeah, yeah, yeah exactly. Joel's relationships are defined 754 00:38:33,600 --> 00:38:35,440 Speaker 2: by the people closest to him. 755 00:38:35,400 --> 00:38:39,279 Speaker 1: That he's he's a selfish guy, but it is cool. 756 00:38:39,440 --> 00:38:43,560 Speaker 1: He's selfish, but in a really an understandable and humane. 757 00:38:43,440 --> 00:38:45,920 Speaker 2: In a way that you can relate. It expands almost 758 00:38:46,080 --> 00:38:49,600 Speaker 2: like a like a force field, like an invisible woman 759 00:38:49,719 --> 00:38:54,000 Speaker 2: force field around those he loves. And yes, it's gonna 760 00:38:54,040 --> 00:38:57,239 Speaker 2: be really important and I'm very interested to see where 761 00:38:57,280 --> 00:39:00,200 Speaker 2: this goes. Because so let's talk about test dying. This 762 00:39:00,480 --> 00:39:05,440 Speaker 2: is almost identical to the video game, almost an accept 763 00:39:05,680 --> 00:39:08,040 Speaker 2: in the video game, she's killed by federal soldiers. So 764 00:39:08,239 --> 00:39:11,239 Speaker 2: I love this choice because I think that it's really 765 00:39:11,360 --> 00:39:14,880 Speaker 2: interesting that now we have the two people Joel's loved. 766 00:39:15,080 --> 00:39:17,280 Speaker 2: One was killed by soldiers, one was killed by infected. 767 00:39:17,400 --> 00:39:21,720 Speaker 2: So it adds that and I'm very interested in the game. 768 00:39:21,960 --> 00:39:24,480 Speaker 2: Joel does not take this death well and he and 769 00:39:24,600 --> 00:39:27,239 Speaker 2: he takes it out on Ellie kind of like in 770 00:39:27,719 --> 00:39:30,320 Speaker 2: a way that he sees her as the reason that 771 00:39:30,400 --> 00:39:34,759 Speaker 2: this happened. Ellie apologizes profusely in the moments in the game. Yeah, 772 00:39:35,040 --> 00:39:37,960 Speaker 2: after this happens, and Joel's like, you cannot talk about it. 773 00:39:38,239 --> 00:39:40,360 Speaker 1: Don't talk about Tests. We're not talking about Test anymore. 774 00:39:40,400 --> 00:39:41,120 Speaker 1: Don't say her name. 775 00:39:41,160 --> 00:39:43,760 Speaker 2: I'm interested to see if if they go the exact 776 00:39:43,800 --> 00:39:47,279 Speaker 2: same route, because that's a really it's a really rough, 777 00:39:47,560 --> 00:39:50,279 Speaker 2: like emotional journey for the two of them. I agree, 778 00:39:50,520 --> 00:39:53,200 Speaker 2: But yeah, I'm just like I so many people in 779 00:39:53,280 --> 00:39:56,880 Speaker 2: our discord were just so upset that Test died. Anatov 780 00:39:57,080 --> 00:39:59,680 Speaker 2: is so good, so good that even though I knew 781 00:39:59,719 --> 00:40:05,719 Speaker 2: where was going it, it still kind of shocks you 782 00:40:05,920 --> 00:40:07,600 Speaker 2: because you're just like, she was so good. Didn't you 783 00:40:07,600 --> 00:40:08,839 Speaker 2: want to keep her around, didn't you want to take 784 00:40:08,840 --> 00:40:11,680 Speaker 2: her to Billstown? Didn't you just want to imagine what 785 00:40:11,880 --> 00:40:15,279 Speaker 2: that role would be? But she Billstown? If you watched 786 00:40:15,320 --> 00:40:18,160 Speaker 2: the end you know, if you that that may be 787 00:40:18,239 --> 00:40:21,520 Speaker 2: the name of the next chapter of the game. But yeah, 788 00:40:21,640 --> 00:40:26,000 Speaker 2: I'm I'm very I just think she was just so 789 00:40:26,320 --> 00:40:29,920 Speaker 2: brilliant in this role. And also, now, somebody in our 790 00:40:29,920 --> 00:40:32,239 Speaker 2: discord did say that they think the first season is 791 00:40:32,239 --> 00:40:34,160 Speaker 2: going to be the first game, and that that had 792 00:40:34,200 --> 00:40:36,640 Speaker 2: been confirmed. I have not read it, but I will 793 00:40:36,719 --> 00:40:40,440 Speaker 2: say the speed that this is occurring does make that 794 00:40:40,560 --> 00:40:42,759 Speaker 2: seem like it could be possible. Yeah, I agree, the 795 00:40:42,840 --> 00:40:46,359 Speaker 2: speed that we are going through the events of the game. 796 00:40:47,239 --> 00:40:51,000 Speaker 1: I mean we're already at this point about fifteen levels 797 00:40:51,080 --> 00:40:53,720 Speaker 1: into the game, you know, fifty missions exactly. 798 00:40:53,440 --> 00:40:56,200 Speaker 2: Your this is the end of chapter three, and there's 799 00:40:56,239 --> 00:41:00,000 Speaker 2: twelve chapters in the game. So I'm I'm very interesting. 800 00:41:00,160 --> 00:41:03,200 Speaker 2: Did because I would, I think that would be one 801 00:41:03,200 --> 00:41:06,520 Speaker 2: of the bravest choices that we've seen in TV for 802 00:41:06,600 --> 00:41:09,360 Speaker 2: a long time, to not stretch out to five seasons, 803 00:41:09,440 --> 00:41:13,600 Speaker 2: to just not do that expansive kind of wide world, 804 00:41:13,800 --> 00:41:16,080 Speaker 2: long term storytelling that The Walking Dead did to get 805 00:41:16,120 --> 00:41:19,160 Speaker 2: to a point, and to instead understand that that game 806 00:41:19,239 --> 00:41:21,960 Speaker 2: has one of the most heartbreaking storylines and to just 807 00:41:22,040 --> 00:41:23,640 Speaker 2: tell it in one season and what you do after 808 00:41:23,719 --> 00:41:25,279 Speaker 2: that is what you do after that to deal with 809 00:41:25,320 --> 00:41:25,880 Speaker 2: the fallout. 810 00:41:26,000 --> 00:41:27,960 Speaker 1: Now, I think people are surprised at how quickly test 811 00:41:28,040 --> 00:41:30,759 Speaker 1: went out, even though as you mentioned, she does go 812 00:41:30,920 --> 00:41:34,440 Speaker 1: out in the same exact portion of the story the 813 00:41:34,480 --> 00:41:35,960 Speaker 1: game version of the story that she does in the 814 00:41:36,400 --> 00:41:37,400 Speaker 1: television version. 815 00:41:37,160 --> 00:41:37,560 Speaker 2: Of the story. 816 00:41:37,920 --> 00:41:41,080 Speaker 1: But well, first of all, it feels like you spend 817 00:41:41,080 --> 00:41:43,359 Speaker 1: a lot more time with her one because she kills 818 00:41:43,360 --> 00:41:44,440 Speaker 1: about a hundred people, and. 819 00:41:45,160 --> 00:41:48,239 Speaker 2: The predominant experience of tests, and you. 820 00:41:48,280 --> 00:41:51,000 Speaker 1: Know, depending on how good you are at the game, 821 00:41:51,480 --> 00:41:53,400 Speaker 1: you could spend you could have by that time have 822 00:41:53,480 --> 00:41:57,600 Speaker 1: spent anywhere from five from three hours to ten hours. 823 00:41:57,760 --> 00:41:59,520 Speaker 2: Yeah, exactly, exactly, exactly. 824 00:42:00,000 --> 00:42:02,400 Speaker 1: Somebody in our discord had a really funny comment that 825 00:42:03,680 --> 00:42:09,520 Speaker 1: that alerting the first clicker, Ellie Gasping, validated his play style, 826 00:42:09,600 --> 00:42:12,240 Speaker 1: which is being bad at stealth. 827 00:42:13,400 --> 00:42:17,160 Speaker 2: No, no, no, I have to do stealth. I've been 828 00:42:17,239 --> 00:42:19,759 Speaker 2: playing the game, and like, if I try and go 829 00:42:20,000 --> 00:42:22,719 Speaker 2: chaos mode, I'm the opposite because if I go chaos mode, 830 00:42:22,760 --> 00:42:25,800 Speaker 2: I lose. I lose every time, whether it's a clicker, 831 00:42:26,320 --> 00:42:30,479 Speaker 2: especially if it's a soldier. But yeah, it's really fun. 832 00:42:30,560 --> 00:42:34,160 Speaker 2: This is just such a good show, and I think 833 00:42:34,239 --> 00:42:38,400 Speaker 2: they're making a lot of really interesting choices. Agree because 834 00:42:38,400 --> 00:42:40,440 Speaker 2: also as well, this is a show where twice now 835 00:42:40,520 --> 00:42:43,440 Speaker 2: within the first two episodes, they faked you out on 836 00:42:43,480 --> 00:42:45,440 Speaker 2: who your main cast is going to be. Because when 837 00:42:45,480 --> 00:42:47,160 Speaker 2: the first episode, you think it's going to be Tommy, 838 00:42:47,320 --> 00:42:49,479 Speaker 2: and you think it's going to be Joel. That's true, 839 00:42:49,520 --> 00:42:51,439 Speaker 2: and you think it's gonna be Sarah that was not true. 840 00:42:51,880 --> 00:42:55,960 Speaker 2: Then you think it's gonna be Tess and Joel and Ellie, 841 00:42:56,280 --> 00:42:58,680 Speaker 2: and again you lose one of them within that episode. 842 00:42:58,960 --> 00:43:00,480 Speaker 2: So I think it's going to be very interesting to 843 00:43:00,520 --> 00:43:03,479 Speaker 2: see how they keep people on the edges of their seat. 844 00:43:03,680 --> 00:43:06,160 Speaker 2: And the best thing is, as someone who's played the game, 845 00:43:06,600 --> 00:43:09,160 Speaker 2: the show is still completely engaging, and it's really fun 846 00:43:09,200 --> 00:43:12,839 Speaker 2: to see how closely they're adapting it. But I've seen, 847 00:43:13,040 --> 00:43:14,839 Speaker 2: and this is my thing that makes most excite. I've 848 00:43:14,880 --> 00:43:16,680 Speaker 2: seen so many people who've never played the game in 849 00:43:16,760 --> 00:43:22,520 Speaker 2: our Discord online reviewers who just are absolutely invested. It's 850 00:43:22,560 --> 00:43:23,920 Speaker 2: really well the two episodes. 851 00:43:24,120 --> 00:43:25,680 Speaker 1: It's really well done in a great story, and I 852 00:43:25,719 --> 00:43:28,920 Speaker 1: think one of the things two episodes in that we 853 00:43:29,080 --> 00:43:33,800 Speaker 1: can kind of count on is how they're going to 854 00:43:34,040 --> 00:43:36,120 Speaker 1: fill in the blanks of the game. I mean, there's 855 00:43:36,160 --> 00:43:37,399 Speaker 1: significant blanks in the game. 856 00:43:37,440 --> 00:43:37,840 Speaker 2: We don't know. 857 00:43:38,080 --> 00:43:40,200 Speaker 1: There's a lot about the fireflies we don't know. There's 858 00:43:40,200 --> 00:43:41,920 Speaker 1: a lot about how federal works that we don't know. 859 00:43:42,120 --> 00:43:45,880 Speaker 1: You know next to nothing about how the fungus spread. 860 00:43:46,360 --> 00:43:50,759 Speaker 1: And the fact that you know, episode one, you get 861 00:43:50,840 --> 00:43:53,759 Speaker 1: all this interesting backstory. You follow Sarah for a lot 862 00:43:53,840 --> 00:43:56,680 Speaker 1: longer than you initially think that, you know, considering how 863 00:43:56,760 --> 00:44:00,759 Speaker 1: long you follow a drole. Episode two, you get how 864 00:44:01,200 --> 00:44:04,120 Speaker 1: the fungus broke out. I think that is going to 865 00:44:04,200 --> 00:44:06,920 Speaker 1: be is going to continue to be how this show 866 00:44:08,000 --> 00:44:10,520 Speaker 1: improves on what is already an excellent story told through 867 00:44:10,960 --> 00:44:13,880 Speaker 1: through video games, which is by filling in all these 868 00:44:13,920 --> 00:44:18,080 Speaker 1: blanks with flashbacks, with all the stuff you didn't see 869 00:44:18,160 --> 00:44:21,959 Speaker 1: in the game, and really keeping the stuff that's ripped 870 00:44:21,960 --> 00:44:24,320 Speaker 1: directly from the game as the more kind of like 871 00:44:25,080 --> 00:44:28,160 Speaker 1: suspenseful yeah yeah, yeah, exactly. 872 00:44:27,719 --> 00:44:30,120 Speaker 2: Stuff, which is what the game does, so replicating those 873 00:44:30,200 --> 00:44:33,480 Speaker 2: moments of like real horror. Yeah. I'm very interested as 874 00:44:33,520 --> 00:44:35,400 Speaker 2: well to see if every cold open is going to 875 00:44:35,440 --> 00:44:37,600 Speaker 2: be a different scientist, because they've kind of set that 876 00:44:37,719 --> 00:44:39,800 Speaker 2: up and I'd really love to see maybe how it 877 00:44:39,880 --> 00:44:42,160 Speaker 2: impacted people all over the world, you know, Chernobyl was 878 00:44:42,280 --> 00:44:45,400 Speaker 2: very much about like showing how things break down in 879 00:44:45,520 --> 00:44:48,400 Speaker 2: this kind of human bureaucracy, like slow time, and I 880 00:44:48,440 --> 00:44:50,880 Speaker 2: feel like these cold opens are kind of interesting touches 881 00:44:50,960 --> 00:44:52,920 Speaker 2: of that, so I'm really excited to see what happens 882 00:44:52,960 --> 00:44:54,600 Speaker 2: in the cold open for episode three. 883 00:44:55,680 --> 00:44:57,840 Speaker 1: Later this week, for our Friday episode, we're going to 884 00:44:57,880 --> 00:45:01,560 Speaker 1: be covering the video game and second installment of our 885 00:45:01,640 --> 00:45:04,080 Speaker 1: coverage of the Last of Us video games, so check 886 00:45:04,160 --> 00:45:05,520 Speaker 1: back for that, and of course we're going to be 887 00:45:05,800 --> 00:45:10,400 Speaker 1: covering the Last of Us on Hbox every Wednesday. In 888 00:45:10,480 --> 00:45:12,719 Speaker 1: your Headphones Up next nerd Out. 889 00:45:20,640 --> 00:45:23,000 Speaker 2: In today's nerd Out, where you tell us what you love, 890 00:45:23,120 --> 00:45:26,879 Speaker 2: am why, or as you have been doing recently, share 891 00:45:26,920 --> 00:45:29,800 Speaker 2: a theory with us that makes you excited, which is 892 00:45:29,840 --> 00:45:32,799 Speaker 2: obviously we love theories. The tim foil Hattier the better, 893 00:45:33,200 --> 00:45:35,040 Speaker 2: But so far, I have to say we've been getting 894 00:45:35,080 --> 00:45:38,840 Speaker 2: a lot of very sensible theories. And yes, we have 895 00:45:38,920 --> 00:45:42,440 Speaker 2: a new theory from Brandon that is about how a 896 00:45:42,680 --> 00:45:49,120 Speaker 2: real life incident could possibly inspire the way that the 897 00:45:49,320 --> 00:45:52,640 Speaker 2: MCU chooses to introduce mutants. So Jason joinerated the theory. 898 00:45:52,760 --> 00:45:55,400 Speaker 1: Sure, Hi, Jason and Rosie, Hi, I've been behind on 899 00:45:55,480 --> 00:45:57,319 Speaker 1: podcasts and catching up and every time you talk about 900 00:45:57,400 --> 00:46:00,319 Speaker 1: mutants needing to be hated and feared, I have thought 901 00:46:00,400 --> 00:46:02,279 Speaker 1: and forget to send it in. I think there's a 902 00:46:02,360 --> 00:46:04,160 Speaker 1: really great and effective way to do it that the 903 00:46:04,239 --> 00:46:08,040 Speaker 1: audience would buy immediately. Make it a pandemic. Agents of 904 00:46:08,080 --> 00:46:10,640 Speaker 1: Shield kind of use this idea with terogenesis during they're 905 00:46:10,640 --> 00:46:12,279 Speaker 1: in Humans ARC, and I think it would work really 906 00:46:12,320 --> 00:46:14,799 Speaker 1: well in our post pandemic time. My two sense things. 907 00:46:16,120 --> 00:46:20,279 Speaker 1: That's a fun, fun theory brain so that agence of 908 00:46:20,360 --> 00:46:22,840 Speaker 1: Shield ARC is ripped from the comics. 909 00:46:22,920 --> 00:46:26,600 Speaker 2: Yeah, in Humans pterogenesis and kind of the way that 910 00:46:26,800 --> 00:46:28,800 Speaker 2: they get their powers, which is you have to go 911 00:46:28,960 --> 00:46:32,240 Speaker 2: through this process where the terodymis brings out your powers. 912 00:46:32,440 --> 00:46:36,359 Speaker 2: There's definitely a way with mutants because terogenesis is very 913 00:46:36,400 --> 00:46:38,960 Speaker 2: similar to like the mutant gene being activated. We know 914 00:46:39,040 --> 00:46:41,959 Speaker 2: that in the Weapon X program, and even if even 915 00:46:42,000 --> 00:46:44,400 Speaker 2: in like the Deadpool movies, which everyone's really familiar with, 916 00:46:44,600 --> 00:46:46,959 Speaker 2: there's this idea that you can activate a mutant gene. 917 00:46:47,239 --> 00:46:50,320 Speaker 2: So they could definitely do something where an illness or 918 00:46:50,360 --> 00:46:54,000 Speaker 2: a global pandemic activated people's mutant genes, so you don't 919 00:46:54,080 --> 00:46:56,920 Speaker 2: have to deal with that kind of analogy of mutation 920 00:46:57,160 --> 00:47:00,759 Speaker 2: is an illness, but you could talk about like how 921 00:47:00,960 --> 00:47:03,359 Speaker 2: it be, how it coming out of an illness could 922 00:47:03,360 --> 00:47:06,120 Speaker 2: affect people, make people scared of it, and also be 923 00:47:06,200 --> 00:47:08,560 Speaker 2: a very interesting way to bring real life into it. 924 00:47:08,600 --> 00:47:11,239 Speaker 2: I think a lot of people are ready to see 925 00:47:12,280 --> 00:47:17,840 Speaker 2: TV and film that actually deals with or talks about 926 00:47:17,960 --> 00:47:19,839 Speaker 2: the pandemic that we have lived through, that we are 927 00:47:19,880 --> 00:47:22,200 Speaker 2: living through, you know. So I think this is really interesting. 928 00:47:22,960 --> 00:47:25,120 Speaker 2: The Marvel comics don't have a great history of doing 929 00:47:25,239 --> 00:47:28,200 Speaker 2: like illness analogies and mutation, but I would love to 930 00:47:28,239 --> 00:47:30,279 Speaker 2: see a thoughtful way. And I do think that there's 931 00:47:30,320 --> 00:47:32,960 Speaker 2: something in that idea of taking inspiration from terror genesis 932 00:47:33,440 --> 00:47:36,920 Speaker 2: and making it something where the mutant gene is actually 933 00:47:37,600 --> 00:47:41,560 Speaker 2: accelerated and then you can have mutations in all different 934 00:47:41,600 --> 00:47:43,320 Speaker 2: ages as well, if they have the mutin gene but 935 00:47:43,360 --> 00:47:45,480 Speaker 2: it hadn't been activated yet. You know. That's what happens 936 00:47:45,520 --> 00:47:47,440 Speaker 2: to DePaul in the movies. They kind of activate the 937 00:47:47,480 --> 00:47:51,440 Speaker 2: gene through this horrible process of like torturing them and stuff. 938 00:47:51,440 --> 00:47:53,880 Speaker 2: So the idea of some kind of pandemic that, rather 939 00:47:53,960 --> 00:47:57,279 Speaker 2: than giving people powers, just activates a mutant gene would 940 00:47:57,320 --> 00:48:00,040 Speaker 2: be I think really interesting and also you know, the 941 00:48:00,200 --> 00:48:02,719 Speaker 2: mc I like the weirdest stuff. Everybody knows that, But 942 00:48:02,800 --> 00:48:04,880 Speaker 2: the MCU has long been grounded in this kind of 943 00:48:04,960 --> 00:48:10,279 Speaker 2: idea of finding real ways to bring And also I 944 00:48:10,400 --> 00:48:13,760 Speaker 2: think that there's something really interesting to talk about about, 945 00:48:13,800 --> 00:48:16,920 Speaker 2: like superheros and disability and superheroes and chronic illness and 946 00:48:16,960 --> 00:48:18,799 Speaker 2: all that kind of stuff, and that's not often really 947 00:48:18,880 --> 00:48:21,120 Speaker 2: deeply explained. So again, if it was through an illness 948 00:48:21,200 --> 00:48:24,640 Speaker 2: or something, there's lots of interesting kind of connotations and 949 00:48:25,560 --> 00:48:27,719 Speaker 2: ripe ground for exploration there. 950 00:48:27,880 --> 00:48:32,759 Speaker 1: Now, fun fact, the Terrogen bomb and Terror Genesis, you know, 951 00:48:32,840 --> 00:48:36,800 Speaker 1: the kind of elevator pitch of that storyline was that 952 00:48:37,800 --> 00:48:41,759 Speaker 1: a bomb filled with terrogen miss was detonated in the atmosphere, 953 00:48:41,920 --> 00:48:45,640 Speaker 1: causing lots of people who have the latent in human 954 00:48:45,680 --> 00:48:50,759 Speaker 1: gene to develop, including Kamalakon, including Kamalicon. Now, fun fact, 955 00:48:51,760 --> 00:48:57,759 Speaker 1: this was done in Marvel Comics pre Disney's acquisition of 956 00:48:58,000 --> 00:48:59,320 Speaker 1: Fox as. 957 00:48:59,200 --> 00:49:04,920 Speaker 2: A way to bring the mutant to the screen with 958 00:49:07,000 --> 00:49:09,480 Speaker 2: because they didn't own the IP at that exactly, so 959 00:49:09,600 --> 00:49:11,080 Speaker 2: at the time there was it was quite hard to 960 00:49:11,080 --> 00:49:14,239 Speaker 2: find a Fantastic Four comic because they didn't own the IP. 961 00:49:15,040 --> 00:49:17,960 Speaker 2: It had been licensed away, and it was very hard 962 00:49:18,000 --> 00:49:20,080 Speaker 2: to find a comic that was solely focused on the 963 00:49:20,239 --> 00:49:22,280 Speaker 2: X Men and the terror gen Bomb and the Cherogian 964 00:49:22,920 --> 00:49:25,359 Speaker 2: myst and people like Kamala Khan who was originally pitched 965 00:49:25,400 --> 00:49:27,680 Speaker 2: as a mutant but then became an inhuman. In the 966 00:49:27,719 --> 00:49:31,719 Speaker 2: comics through that it was basically hilarious editorial edicts to 967 00:49:31,800 --> 00:49:35,759 Speaker 2: basically say, look, look we do have them. We got 968 00:49:36,560 --> 00:49:39,040 Speaker 2: this guy who can't talk, voice is too loud. We 969 00:49:39,120 --> 00:49:44,520 Speaker 2: got a cool dog. Everybody loves that. Everybody loves I 970 00:49:44,560 --> 00:49:46,759 Speaker 2: actually would love to see I would love to see 971 00:49:46,800 --> 00:49:51,359 Speaker 2: love during Like in Miss Marvel season two, Petavengers talked 972 00:49:51,360 --> 00:49:54,520 Speaker 2: about it. You know, we have superstars, but you know 973 00:49:54,600 --> 00:49:56,640 Speaker 2: what the real truth is. We all saw how the 974 00:49:56,719 --> 00:50:00,560 Speaker 2: Inhuman's TV show went down like a level of and 975 00:50:01,080 --> 00:50:02,759 Speaker 2: if you even remember that it happened, you can watch 976 00:50:02,800 --> 00:50:07,239 Speaker 2: on Disney Plus. Though, yeah, it's very strange, has unbelievable cast, 977 00:50:07,360 --> 00:50:11,080 Speaker 2: but it didn't badwigs means. Also, they shaved off Medusa's 978 00:50:11,080 --> 00:50:13,160 Speaker 2: hair in the first episode. Her power is literally that 979 00:50:13,239 --> 00:50:15,200 Speaker 2: she has hair, So as soon as they did that, 980 00:50:15,239 --> 00:50:17,600 Speaker 2: you know there was going to be a problem. But yeah, 981 00:50:17,800 --> 00:50:20,800 Speaker 2: I would be very interested. I wanted. A lot of 982 00:50:20,840 --> 00:50:23,600 Speaker 2: people thought that Miss Marvel was going to introduce in humans. 983 00:50:23,760 --> 00:50:25,800 Speaker 2: I was always hoping it was going to be a 984 00:50:25,920 --> 00:50:29,120 Speaker 2: mutant story. But I'm very interested to know if the 985 00:50:29,239 --> 00:50:31,719 Speaker 2: inhumans have a future in the MCU. After we saw 986 00:50:31,760 --> 00:50:35,520 Speaker 2: Ants and Mount again, great casting, come back for that 987 00:50:35,719 --> 00:50:40,839 Speaker 2: really memorable moment in Multiverse of Madness. I'll be very 988 00:50:40,880 --> 00:50:43,880 Speaker 2: interested to see if there's a universe, whether in humans 989 00:50:44,000 --> 00:50:48,399 Speaker 2: are the major heroes, and whether or not that comes 990 00:50:48,440 --> 00:50:50,520 Speaker 2: into play as we get to this kind of inevitable 991 00:50:50,600 --> 00:50:54,200 Speaker 2: secret Wars convergence, kind of like multiple universes in one, 992 00:50:54,520 --> 00:50:58,719 Speaker 2: just no legacy virus type exactly. That's not what we want. 993 00:50:58,840 --> 00:51:00,560 Speaker 1: Yeah, no, thank you, thanks for and if you have 994 00:51:00,680 --> 00:51:02,560 Speaker 1: theories or passions you want to share, hit us up 995 00:51:02,560 --> 00:51:05,000 Speaker 1: at x ray at crooked dot com. Instructions in the 996 00:51:05,040 --> 00:51:05,520 Speaker 1: show notes. 997 00:51:08,800 --> 00:51:11,440 Speaker 2: That's it for us, Rosie. Anything to plug uh. You 998 00:51:11,600 --> 00:51:14,520 Speaker 2: can follow me on Instagram and let the box. That's 999 00:51:14,560 --> 00:51:19,320 Speaker 2: my only social media, Rosie Marx with an X. I 1000 00:51:19,520 --> 00:51:21,319 Speaker 2: will be writing a bunch of stuff in the lead 1001 00:51:21,400 --> 00:51:24,800 Speaker 2: up to A Man and the Wasp Quantumania, which obviously 1002 00:51:24,960 --> 00:51:27,239 Speaker 2: we are very excited about, and we'll be getting more 1003 00:51:27,239 --> 00:51:30,040 Speaker 2: excited about In the upcoming weeks. You can check out 1004 00:51:30,080 --> 00:51:33,719 Speaker 2: my writing at IGN, Nerdict, Polygon, Den of Geek, all 1005 00:51:33,800 --> 00:51:35,320 Speaker 2: kinds of good places. I've got a big Den of 1006 00:51:35,360 --> 00:51:38,520 Speaker 2: Geek cover story coming out soon for our currently unannounced 1007 00:51:39,280 --> 00:51:42,680 Speaker 2: cool thing. Jason, What about you? Let people find you? 1008 00:51:43,200 --> 00:51:46,360 Speaker 1: You can find me in your podcast reet every Wednesday, 1009 00:51:46,440 --> 00:51:50,360 Speaker 1: Every Wednesday, right here, right here, mut And that's about 1010 00:51:50,400 --> 00:51:52,880 Speaker 1: it right now. I'll watch Primo when it comes out 1011 00:51:52,960 --> 00:51:55,360 Speaker 1: on Amazon freebe sometime I don't know, in the spring 1012 00:51:55,560 --> 00:51:59,040 Speaker 1: end or summer of twenty twenty three, and we'll catch you. 1013 00:51:59,120 --> 00:52:02,920 Speaker 2: On the flip side. Five star reviews, five star ratings. 1014 00:52:03,000 --> 00:52:04,399 Speaker 2: We want one. 1015 00:52:04,600 --> 00:52:07,520 Speaker 1: No, we want two, No, we want three, no, four, 1016 00:52:08,400 --> 00:52:11,320 Speaker 1: keep going five? Yes, perfect, we want five star ratings. 1017 00:52:11,440 --> 00:52:11,960 Speaker 2: We want five. 1018 00:52:12,080 --> 00:52:18,000 Speaker 1: Five star ratings. On your podcast review rating platform of choice. 1019 00:52:18,000 --> 00:52:22,400 Speaker 1: Here is one from Bills Preston. Love this pod, Thank you, 1020 00:52:22,520 --> 00:52:24,640 Speaker 1: Bill x Ray is at the top of my list 1021 00:52:24,719 --> 00:52:27,160 Speaker 1: of awesome pods. I love listening to Jason and Rosie. 1022 00:52:27,280 --> 00:52:30,040 Speaker 1: The depth of their comics and pop culture knowledge. It's amazing, 1023 00:52:30,120 --> 00:52:32,200 Speaker 1: super pumped. The show is coming twice a week in 1024 00:52:32,360 --> 00:52:33,200 Speaker 1: twenty twenty three. 1025 00:52:33,280 --> 00:52:36,120 Speaker 2: That's all right, it is. Let's do it twice a week. 1026 00:52:36,239 --> 00:52:38,759 Speaker 2: We're pumped too, And if you want to read a 1027 00:52:38,800 --> 00:52:41,480 Speaker 2: transcript of the show something I'm very excited about, they 1028 00:52:41,560 --> 00:52:43,880 Speaker 2: are posted beneath the show notes on the Crooked website 1029 00:52:43,920 --> 00:52:46,680 Speaker 2: for each episode within a forty eight hours of you 1030 00:52:46,800 --> 00:52:49,200 Speaker 2: being able to listen. Says a great way for more 1031 00:52:49,239 --> 00:52:50,759 Speaker 2: people to be able to experience the show. 1032 00:52:51,000 --> 00:52:53,239 Speaker 1: Catch the next episode on Friday, January twenty seventh, and 1033 00:52:53,280 --> 00:52:55,400 Speaker 1: remember we're bringing you two episodes a week, two to 1034 00:52:55,640 --> 00:52:59,240 Speaker 1: two two two episodes a week. That's twice the episodes twice, 1035 00:52:59,280 --> 00:53:02,960 Speaker 1: the deep dives two times, the everything else. Subscribe to 1036 00:53:03,080 --> 00:53:05,240 Speaker 1: us on YouTube, where you can now watch full episodes 1037 00:53:05,280 --> 00:53:09,520 Speaker 1: of this show. Plus follow the at XRV pod handle 1038 00:53:09,640 --> 00:53:12,960 Speaker 1: on Twitter and check out the discord. Come to the discord, folks. 1039 00:53:13,040 --> 00:53:15,520 Speaker 1: It's great, the water's nice. It's a great place to 1040 00:53:15,600 --> 00:53:18,080 Speaker 1: meet and hang out with tons of amazing fans and listeners. 1041 00:53:18,120 --> 00:53:20,320 Speaker 1: Plus Rosie and I are there. X ray Vision is 1042 00:53:20,320 --> 00:53:22,239 Speaker 1: a Crooked Media production. The show is produced by Chris 1043 00:53:22,320 --> 00:53:24,800 Speaker 1: Lord and Salrubin. The show is executive produced by myself 1044 00:53:25,080 --> 00:53:28,319 Speaker 1: and Sandy Rhard are editing in sound designers by Vacillis Phatopoulos. 1045 00:53:28,680 --> 00:53:32,640 Speaker 1: Dylon Villanueva and Matt Degroup provide video production support. Alex 1046 00:53:32,680 --> 00:53:35,520 Speaker 1: Rellaford handle social media. Thank you Brian Vasquez for o 1047 00:53:35,640 --> 00:53:38,040 Speaker 1: theme music by Bye Bello