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Speaker 1: My grandma and your grandma wasting bad fun my grandma

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Speaker 1: to your grandma. I'm gonna say funny, you're talking about him.

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Speaker 1: I go on Date Jagomo, Nick Jagomo, Celebrate good Times,

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Speaker 1: Come on Celebratti Hoot and Uh, guys, this is Matt

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Speaker 1: Rogers and um, if you listened, uh, if you're a

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Speaker 1: listener of the podcast, you'll know that Bone and I

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Speaker 1: are in a little bit of an argument right now.

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Speaker 1: One would call it a feud starring Susan Surrandon and

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Speaker 1: just now, Um Bowen came for me on the podcast

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Speaker 1: the segment I don't think so, honey, and both Bowen

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Speaker 1: and our guest Chrissy Shackelford said, I don't think so, honey,

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Speaker 1: Matt fucking Rogers. You say this as if there's no

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Speaker 1: precedent for it, and you historically on I believe it

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Speaker 1: was Sam Tagger its episode came for me and I

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Speaker 1: don't think so, honey. So it's not like it's not

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Speaker 1: like this is this is hasn't been done before. You

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Speaker 1: know what, I'm just saying, like, are we on good

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Speaker 1: terms or not? Well, I don't know, Matt, it seems

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Speaker 1: like we're on great terms. But then as soon as

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Speaker 1: as soon as our producer Alex hits record. You know,

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Speaker 1: are you saying I'm playing a role on this podcast,

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Speaker 1: You're saying I'm not being my real ground itself. Are

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Speaker 1: you're saying, and I'm not bringing the T one hundred.

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Speaker 1: You're you're not bringing the T one hundred. You're you're

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Speaker 1: putting on a mask. I am bringing the T one hundred,

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Speaker 1: Arnold Swartzenegger and the first film of Terminator. Honey, that's

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Speaker 1: me always. Well, girl, you know what I'm I'm willing

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Speaker 1: to just keep this ball in the air while we're recording,

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Speaker 1: and if you want to, if you want to come

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Speaker 1: for me, bitch, then stay then stay for me. Okay,

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Speaker 1: stay for a while, and you the listeners, stay for

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Speaker 1: a while. You better stay for our guest. Such an

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Speaker 1: amazing guest, and it's a first for us, and we'll

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Speaker 1: get that first. We'll get to that in a moment um.

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Speaker 1: You know, our guest from Cartoon Monsoon unbelievable, incredible show

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Speaker 1: here in New York and also his work with Mofri

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Speaker 1: Passic in the group SEC and Plat all around the

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Speaker 1: city doing amazing work. One of my favorite duos. I

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Speaker 1: think you guys are incredible microphone scenes, honey. He also

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Speaker 1: is known renowned for his gift cards and greeting cards.

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Speaker 1: You can find them at I Love gift Cards dot

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Speaker 1: com dot com or on his Instagram at I Am

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Speaker 1: King Bozo. And you might also have seen him on

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Speaker 1: the special without Brett Davis as a frequent guest. He

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Speaker 1: um gosh, is he has this one has a screen presence.

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Speaker 1: He's all over the place. And let me tell you something.

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Speaker 1: He jumps off the screen. He jumps off the stage

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Speaker 1: and he's jumping into your ears right now. Everybody, please

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Speaker 1: please welcome wonderful, lovely boy. Wonderful lovely boy. I think

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Speaker 1: that's you. I'll take. I'll take lovely boy. You don't

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Speaker 1: want to be wonderful? Which Tim has been this self

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Speaker 1: labeled best boy? Best boy? That was? I don't know

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Speaker 1: if that was self labeled. Maybe not the best boy.

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Speaker 1: I know Anna calls me best times. Maybe it's like

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Speaker 1: a story parents thing, but it's been hurled at me

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Speaker 1: and I've accepted it with open arm. I think you

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Speaker 1: are the best boy. In fact, I think you're the

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Speaker 1: best boy so much that I'm ready to announce it.

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Speaker 1: Announced Tim Platt is the first straight man to guess

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Speaker 1: on lost cultures that congratulations, this is unprecedented hunting. I mean,

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Speaker 1: don't ever say last culture assess didn't give you a diversity. No,

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Speaker 1: finally we are giving you color and life. Finally spice

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Speaker 1: with Tim Platt. I'm incredibly happy to be here and

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Speaker 1: incredibly honored could be here, and I might much appreciate

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Speaker 1: everything that you all do. That's such a real thing though.

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Speaker 1: It's like when I was growing up, like the straight

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Speaker 1: the when I was trying to be straight in school

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Speaker 1: and I talk like this, like I brought my voice

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Speaker 1: down't like this, like it's really spoken, like a voice

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Speaker 1: is like a little bit lower. And I heard recently

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Speaker 1: heard my like eleven year old cousin doing it, and

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Speaker 1: I was like I wanted to get down at his

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Speaker 1: level and be like, don't do it. It's like a

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Speaker 1: young boy. I think it's like the talk lower than

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Speaker 1: you usually than you you're supposed to talk, or like

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Speaker 1: the idea that you can like fool someone by talking

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Speaker 1: like this if it sounds incredibly forced and like the

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Speaker 1: young young I love young boys because they like have

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Speaker 1: such goofy gay little instincts, but they they mask them.

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Speaker 1: They get to a certain point and it's like no,

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Speaker 1: like guns and stuff. They make a decision that intimacy

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Speaker 1: is like a problem. They make it. That's what it is,

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Speaker 1: an act decision I think young boys make and then

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Speaker 1: like and then it will come out and they'll be like,

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Speaker 1: oh no, we can't be like we can't love each other,

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Speaker 1: we can't love each other, we can't touch each other.

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Speaker 1: But little boys always on top of each other. What

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Speaker 1: you too, specifically do, Matt and Tim, you guys will

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Speaker 1: choose to pull out the you know, the gravelly gruff,

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Speaker 1: lower timber voice, and viscerally when either of you do,

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Speaker 1: it's specifically it's for you too. Viscerally it's just painful

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Speaker 1: for me to listen to because it's I don't know

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Speaker 1: why if it takes me back somewhere, if it takes

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Speaker 1: me back to a certain person for real, Like if

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Speaker 1: that sounds like serious, very much appreciate that, but I

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Speaker 1: have to say that, like your pain is like not

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Speaker 1: my fault, literally quite honestly not my problem. And honest see,

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Speaker 1: if you were like in like in this school right now,

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Speaker 1: like people would come at you if you can seriously

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Speaker 1: for real, you don't want to like, honestly, I yeah,

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Speaker 1: oh my god, imagine imagine imagine living like that disgusting

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Speaker 1: that's Long Island. Though. Wow. My dad like he like

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Speaker 1: he wants me to be like a business major, and

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Speaker 1: like I I kind of think I want to major

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Speaker 1: in English, but I don't. It's like it's like a um, so,

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Speaker 1: now we're talking and we're living in the past. I

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Speaker 1: think this is a great opportunity, yes, to ask Tima

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Speaker 1: the question. I love. This question is a central question.

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Speaker 1: This is an essential question. It's what culture shaped you? Tim,

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Speaker 1: tell us a little bit about your upbringing, what made

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Speaker 1: you decide that culture was for you? What made you

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Speaker 1: say culture? I accept this. I want to pursue it.

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Speaker 1: Can I first say that before I answer this question,

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Speaker 1: I want to say that, like, as as a listener

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Speaker 1: of this podcast, I love this question so much. And

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Speaker 1: the first time I heard it, I was a little

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Speaker 1: startled because it's so vast but so specific that it's

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Speaker 1: an incredible way to open a conversation. It's just like,

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Speaker 1: I really think that what culture is for you? It's

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Speaker 1: like it's so and everybody answers a different way. Yeah,

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Speaker 1: we've had people talk about where they grew up and

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Speaker 1: just to talk about that, and then some people go

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Speaker 1: directly to like a movie or a television show. Yeah. Um,

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Speaker 1: so it's very open ended. I used to follow up

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Speaker 1: and qualify that question by saying, what movies, books, tv

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Speaker 1: would you watch that shaped you? But I feel like

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Speaker 1: that's even then too specific, and the beauty of the

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Speaker 1: question is that it's so broad and open ended. Yes,

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Speaker 1: as this beautiful que I will answer this question. Um.

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Speaker 1: I think the culture. I think the X Men were

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Speaker 1: like super huge for me, like comics, comic books and

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Speaker 1: comic strips in general, and then X Men specifically as

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Speaker 1: like a superhero team. We're really big for me, and

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Speaker 1: like one of the first things I remember being like,

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Speaker 1: I have to know everything about this. You read the

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Speaker 1: comic books, yeah, and you watched the television show yeah yeah,

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Speaker 1: and then you got into the movies when they came out.

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Speaker 1: For sure. I did like the movies I love I

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Speaker 1: mean Nightcrawler was my favorite. So like X two, I

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Speaker 1: was like that opening scene, I feel like it's been

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Speaker 1: it's been said before, it has been said before, and

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Speaker 1: it's the it's the it bothered because I haven't seen

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Speaker 1: X two. I've seen all the X Men's except X two,

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Speaker 1: when I feel like that's the one, watch like the

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Speaker 1: first fifteen minutes and then like that's it's an incredible sequence. Yeah,

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Speaker 1: the sequence of Nightcrawler like teleporting and is like super cool. Um,

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Speaker 1: everything else is like fine. I think the ending is

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Speaker 1: really great. What happens to the end again? Um, I

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Speaker 1: mean I don't want to spoil it. I mean, well,

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Speaker 1: everyone knows Gene basically dies and actually comes back in

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Speaker 1: the next one. You know what. Here's my thing, Like,

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Speaker 1: I love Jean Gray, I love the Phoenix saga. I

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Speaker 1: love it, but I think it takes over too many

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Speaker 1: narratives in the X Men uni, like every in the

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Speaker 1: whole every X Men property, like there'll be a Phoenix

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Speaker 1: storyline and just consumes every other story, which is it's

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Speaker 1: not that it's a bad story, just like it's weird

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Speaker 1: that it's the one that they chose. Yes, that's kind

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Speaker 1: of like when you hear that when there's a big

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Speaker 1: superhero movie coming out and you finally hear the announcement

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Speaker 1: of who the villain is going to be, You're like, okay, okay, cool,

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Speaker 1: that's what we're getting. Like when Spider Man three came

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Speaker 1: out with the last one with Toby Maguire and they

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Speaker 1: were like, it's gonna be Sandman and that are not Salmon.

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Speaker 1: It was Sandman and Venom and the Lizard was it

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Speaker 1: was sand Man and Venom, and I was like Sandman

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Speaker 1: and Venom. Really, that was one of the worst movies

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Speaker 1: ever saw. I remember seeing it in theaters in college

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Speaker 1: and being like really excited. That was when I still

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Speaker 1: excited about coming book to see it with my friends.

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Speaker 1: I made my friends go see it. I remember being theater,

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Speaker 1: being in the theater and like being so pissed, the

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Speaker 1: energy just dropping, yeah, like slowly maybe like oh no,

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Speaker 1: I think there's there's one good scene in it, and

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Speaker 1: it's the last scene when Kirston Dunson singing I'm through

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Speaker 1: with love, don't let its start again? Interesting in the

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Speaker 1: bar because she's like her career hasn't worked out that

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Speaker 1: well and like then, uh was that Toguara walks in

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Speaker 1: and they see each other and they just start to

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Speaker 1: slow dance. And I did think that was a really nice,

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Speaker 1: pretty scene and I actually think it's a very fitting,

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Speaker 1: nice way for that cannon of of that told me

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Speaker 1: required Kirston Dune Spider Man Movie Trilogy to end. Wasn't

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Speaker 1: wasn't he? Wasn't she in a in that movie? She

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Speaker 1: was in? What play? Was she in? She was? She was?

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Speaker 1: Which I love that play, and she's in there. I

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Speaker 1: was like, why is this play? It just smell a

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Speaker 1: weird place. His voice alone and was one with absolute credulity.

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Speaker 1: Oh my god, Matt, I think. I think Kirsten Dunst

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Speaker 1: is sort of the proud of myself is the unsung

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Speaker 1: here of those. Kirsten Dunst is one of my favorite

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Speaker 1: actresses ever. Full stop, full stop. Were you a Kirston

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Speaker 1: Dunst boy, You're either a Kirsten Dunst boy or dichotomy.

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Speaker 1: I don't have a problem with her, but you just

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Speaker 1: don't carry either way. I guess, you know what, I

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Speaker 1: can't you know what. I guess she always does a

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Speaker 1: good job. I can't think of a movie I've seen

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Speaker 1: it anywhere I've been like her. She sucked. Yeah, no, yeah,

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Speaker 1: she yeah. I'm a I'm a Wow, I'm a Kirston

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Speaker 1: Dunst boy. Wow. That's the title of the episode. I

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Speaker 1: have a question. Okay, so this is my roommate, makes spense,

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Speaker 1: good friend of the pod listen to the pod. Is

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Speaker 1: also also really grew up on comic books, and this

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Speaker 1: is something that I as a kid wished I could access,

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Speaker 1: wished I could be because love just the artwork in general.

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Speaker 1: But I feel like I just didn't know, like where

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Speaker 1: to go. I'm surprised with that about that with you,

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Speaker 1: I would imagine that I was just so visual. I

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Speaker 1: was definitely, Yeah, I love to draw. I loved anime shows,

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Speaker 1: which is it. It's its own little sort of different culture,

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Speaker 1: you know, separate from comic books, like American comic books.

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Speaker 1: But I never knew like where to go. I still

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Speaker 1: feel like I don't like where you feel like often

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Speaker 1: did you go when I was a kid. So okay, well,

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Speaker 1: I will say that when I was a kid, like

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Speaker 1: with X Men, like those types of comic books, I know,

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Speaker 1: I get there. There was at least be like a

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Speaker 1: mailing service where they would mail you stuff. I had that,

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Speaker 1: and like I guess I would go to like bookstores

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Speaker 1: and then but finally comic bookshop was like when I

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Speaker 1: was in high school and I was like, oh wow,

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Speaker 1: this all this other stuff. But I remember I read

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Speaker 1: more strips like my dad had had these old like

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Speaker 1: old Calvin Hobbs and Peanuts and like Dunesbury and Bloom

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Speaker 1: County and like all that. Like I always loved those

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Speaker 1: because those were just like around. But like, to go

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Speaker 1: to a comic shop is like, I don't know, I

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Speaker 1: feel like it's kind of going to a record shop

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Speaker 1: the first time. We were like like enter a world

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Speaker 1: of not lledge. It's too esoteric, right, It's incredibly And

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Speaker 1: also the people that are into comic books are so

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Speaker 1: like I'm into comic books, and like it's kind of

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Speaker 1: like when someone's like into jazz music, it's like you

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Speaker 1: can't be half into it. And I expect to talk

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Speaker 1: to people that are like in comics. They're like they

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Speaker 1: know everything, and it's it's like an intimidating world for me.

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Speaker 1: Almost did you know that was a very serious jazz

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Speaker 1: guitar player in my past? Okay, as he's unbuttoning his

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Speaker 1: shirt a little sexy boy, I just felt by um.

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Speaker 1: So when I was when I was in like middle school,

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Speaker 1: I started playing guitar and like the jazz band was

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Speaker 1: like the cool for me. It was the coolest thing

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Speaker 1: in our school. It's like high schoolers the jazz band,

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Speaker 1: they were so cool um uh, and I'm sure they were,

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Speaker 1: and yeah, I believe you. Well, actually, did you ever

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Speaker 1: see uh dear Van Hanson, there's a this isn't a

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Speaker 1: spoiler seen it. I have seen. So the writer was

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Speaker 1: the older brother of one of my best friends in

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Speaker 1: high school. Oh so a lot of this stuff in

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Speaker 1: that show like very I felt very much like, oh

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Speaker 1: I there's like reference points I see here, and there's

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Speaker 1: a moment where he's like, oh, like, hey, like I like,

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Speaker 1: I like you a jazz band, I don't like, I

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Speaker 1: like I love jazz, well not not jazz, but like

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Speaker 1: jazz band jazz or just like I know what you're talking.

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Speaker 1: I saw a clip of this yeah, yeah, yeah, yeah, yeah.

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Speaker 1: It's in the Waiting through the Window, Yes conversation. And

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Speaker 1: I've been listening to that NonStop. It was that good.

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Speaker 1: Huh Um. I really liked it. I really liked it.

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Speaker 1: And generally if I get hooks me, I'll like listen

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Speaker 1: to it a lot. And the music is really sticky,

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Speaker 1: I can really sticky. But but but I bring that

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Speaker 1: up to say that, like that was like the I

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Speaker 1: like jazz but jazz band jazz were just saying like

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Speaker 1: you like sort of like pseudo jam band stuff. As

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Speaker 1: a jazz anyways, I was really obsessed with that UM

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Speaker 1: and like I became a very into jazz person. But

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Speaker 1: and then when they played a lot and practiced all

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Speaker 1: the time, and then they went to college where there

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Speaker 1: was a music conservatory that I did not wasn't a

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Speaker 1: part of it. But I was like, Oh, here's what

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Speaker 1: I'm gonna do. I'm gonna like go to college and

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Speaker 1: then to practice a lot and be in the conservatory too.

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Speaker 1: I don't be like a Jaska, but yeah, that's what

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Speaker 1: we do. UM. But then I got really intimided because

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Speaker 1: of all these people. I was like, oh, you are

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Speaker 1: all true serious musicians and I am not. And then

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Speaker 1: I broke my fingers so I could't practice it for

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Speaker 1: like a year, and then I was like, well, I'm

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Speaker 1: really out. That's really interesting because I feel it's very

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Speaker 1: similar to the comic book thing, and I think but

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Speaker 1: I think so too any obsessive culture. It's if you

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Speaker 1: can name one thing and then someone's like, oh, if

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Speaker 1: you like that, and how about that? And if you

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Speaker 1: know that, then you're like in and if you know that,

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Speaker 1: they're like all right. It's like the way people feel

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Speaker 1: about improv. That's the way people feel about anything people

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Speaker 1: know about sports, or like like guys asking girls like, oh,

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Speaker 1: if you really love football the name like the team,

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Speaker 1: and then this year it's like not right, Yeah, just

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Speaker 1: did the love voice thing. By the way, Wait that

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Speaker 1: was my paltry attempt at it. But what's uptown? I

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Speaker 1: just do think it's funny that so you really like football?

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Speaker 1: Guys really do ask that, like like just like try

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Speaker 1: to like test you on that stuff to women specifically,

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Speaker 1: you say I like football, Like I feel like that's

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Speaker 1: that's true. Um no, this is but Tim's like intimidation

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Speaker 1: of this like more what he thought was more legitimate. Uh.

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Speaker 1: It's sort of like maybe, Matt, do you feel this

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Speaker 1: way about like how you ended up sort of going

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Speaker 1: into and this Sorry this is getting very inside baseball

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Speaker 1: with our pasts, but like did you feel that way

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Speaker 1: going into like things like reality show where it was

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Speaker 1: like so, yeah, so I went to school and wasn't

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Speaker 1: studying acting or writing at all. I wanted to be

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Speaker 1: a journalism I was. I was like basically I was

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Speaker 1: accepted into the school, um, and I was going to

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Speaker 1: be a journalism major. And then yeah, just honestly being

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Speaker 1: around people that were passionate about something made me realize,

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Speaker 1: oh my god, wait, I've been passionate about this all along,

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Speaker 1: and that's what I wanted to do all along. And

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Speaker 1: then it is really hard to get over that thing

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Speaker 1: of like, but I but I'm not as good as them,

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Speaker 1: or I feel like just because I like something doesn't

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Speaker 1: mean I should do it. And also even if I

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Speaker 1: am good enough, how would you go about getting into

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Speaker 1: that position? And it it's really hard to ingretiate yourself

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Speaker 1: and something that you love and might have a passion for,

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Speaker 1: but just other people are I've already you feel like

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Speaker 1: they have a head start on you, which is I

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Speaker 1: think a lot of college kids out there that not

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Speaker 1: to college is forced to find what you want to

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Speaker 1: do and like really get into it. But a lot

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Speaker 1: of people think, well that's not my major, I can't

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Speaker 1: do that, or they think it's my second year a

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Speaker 1: third year of fourth year of college and I haven't

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Speaker 1: done that, that means it's over for me, or even

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Speaker 1: the idea that like you have to to enjoy something,

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Speaker 1: you have to be a master at it, something you

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Speaker 1: have to like you have to judge your connection with it,

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Speaker 1: competency competency in it with other people's view of It's like,

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Speaker 1: I don't know. There's like so few things I feel

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Speaker 1: like I like just because I like to do him

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Speaker 1: that are like devoid of value, judgment and comparison. It's

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Speaker 1: all about faking your way into everything anyway, because because

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Speaker 1: you have to realize, like those people that you're thinking

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Speaker 1: about and talking about, like most of them just faked

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Speaker 1: their way in and just believed and believed and believed

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Speaker 1: hard enough. I mean, the way I got into shows

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Speaker 1: at n y U because I want to really wanted

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Speaker 1: to perform, was just convincing myself that I could do it,

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Speaker 1: like and maybe maybe that's not for everybody, but I

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Speaker 1: think so much of it. You can achieve so much

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Speaker 1: by like just visualizing, I think. But then there's that

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Speaker 1: lingering thing of once you've like overcome that like first

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Speaker 1: little mental barrier ventry to say, like I can do this,

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Speaker 1: I'm gonna do it, Like I felt like that as

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Speaker 1: like a chemistry major doing being in the improv group

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Speaker 1: and saying while everyone else is in film or in

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Speaker 1: drama and I don't know and therefore there's a ceiling

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Speaker 1: for me. But you know what, so I was a

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Speaker 1: Latin major in the impact. Yeah, I remember being like, oh,

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Speaker 1: like maybe I want to do you know, like Tim,

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Speaker 1: like you've always wanted to act, Like you know that

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Speaker 1: you said that you just didn't do it in high

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Speaker 1: school like you've always wanted to. Now like these people

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Speaker 1: kind of are and like you're liking this, so like

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Speaker 1: why don't you try? Why you go for it? I

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Speaker 1: go for it? And then like I met people who

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Speaker 1: are actors like at my school, like in the acting program,

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Speaker 1: and I was like I just hate that. Yeah, I

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Speaker 1: didn't want I was like I don't. I kind of

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Speaker 1: regret that because I was being judgmental um and I

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Speaker 1: could have done plays that would have been fun, but

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Speaker 1: I was straight up like I had the imposter syndrome.

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Speaker 1: Then I saw like performance and I was like, I

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Speaker 1: don't like this feeling. The thing is it's like yeah,

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Speaker 1: I mean, and that's another thing. It's like you're not

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Speaker 1: really in the in the community you want to be in,

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Speaker 1: or like you don't really do it yet, and so

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Speaker 1: you dip your toe in it and the very first

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Speaker 1: person you meet or the very first experience you have

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Speaker 1: can be like a defining experience, like and that's with everything.

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Speaker 1: I mean, that's why I think when people some people

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Speaker 1: in anyway, when they attempt to do something and they

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Speaker 1: failed the first time, it's like, well, I'm bad at well,

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Speaker 1: I can't do that, and I feel like that's like

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Speaker 1: it's insane to believe that you could just succeed in

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Speaker 1: your first time doing anything. Anyway. It's how I feel

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Speaker 1: about push up because I used to be so bad

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Speaker 1: and then I just started being like Tim, like you

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Speaker 1: can do push ups, and now I do, Like, now

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Speaker 1: you push ups every single morning, and no, and then

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Speaker 1: you really do get better at that. Yeah, you do

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Speaker 1: get better. And I know, I know you're I know

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Speaker 1: you were saying that as a bit, but like it's true. Everyone.

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00:19:26,400 --> 00:19:30,919
Speaker 1: I appreciate how that that you I appreciate. And also

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Speaker 1: I think that brings health and fitness into less culture stuff.

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Speaker 1: And I really hope that everyone listening right now just

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Speaker 1: gets down, right now, while you're listening, even while I'm

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Speaker 1: saying this, right now, just get down and do ten.

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Speaker 1: Do a hundred pushes, put them up into fifth. You

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Speaker 1: know what. Throughout the rest of the podcast, I'll remind

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Speaker 1: you that it's time to do another ten, and by

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Speaker 1: the end of the podcast, you'll have done a hundred guys,

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00:19:50,640 --> 00:19:52,200
Speaker 1: and then you can say you did a hundred push

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Speaker 1: ups today. No one ever said you have to do

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Speaker 1: them all at once, to common misconception, I'm a fitness guru.

399
00:19:57,920 --> 00:20:01,719
Speaker 1: Now alright, wow, this is a bold new direction. Hey, um,

400
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Speaker 1: get down and do ten guys. This is one. Okay,

401
00:20:04,000 --> 00:20:07,879
Speaker 1: so but you're pulsing this out. You're doing ten, so

402
00:20:07,880 --> 00:20:09,480
Speaker 1: you're gonna have to do this not I would say,

403
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Speaker 1: don't worry about me, bowen. I would say, don't worry

404
00:20:12,400 --> 00:20:18,040
Speaker 1: about me at all. Wow, um wow, Okay. There's lots

405
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Speaker 1: of uh culture okay, so um comic books and then

406
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Speaker 1: would you say that that's like maybe it's hard to

407
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Speaker 1: pin down one thing. There were a few things. I mean,

408
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Speaker 1: I feel like comic books and comic strips. I feel like, um,

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Speaker 1: my parents would play musicals in like the car rides, um,

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Speaker 1: and that was a big thing, like singing along to

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Speaker 1: musicals and car rides. Uh. So I like musicals. I'm

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Speaker 1: not like obsessed, but like the older I get them more.

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Speaker 1: I'm like, no, I really like this. Um. I also

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Speaker 1: like loved like comedy albums. I go to sleep listening

415
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Speaker 1: to like U the albums are listening to Going to

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Speaker 1: Sleep where a lot of Bill Cosby albums, a lot

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Speaker 1: of uh the twenties. I was a year old man

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Speaker 1: the mel Brooks and carrying Oh my god. I used

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Speaker 1: to love Margaret Trow in high school. I loved her.

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Speaker 1: I love listen to Dave Barry Tass. Do you da?

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Speaker 1: He was like a dad who wrote a comedy column

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Speaker 1: for like Washington Post magazine or something. I probably read

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Speaker 1: an interview of his or something it was. But so

424
00:21:24,720 --> 00:21:26,919
Speaker 1: I feel like I feel like listening to stuff was

425
00:21:28,960 --> 00:21:31,679
Speaker 1: I definitely Margaret Show was a big one for me.

426
00:21:31,720 --> 00:21:35,000
Speaker 1: And also I listened to I'm Still Here damn It

427
00:21:35,080 --> 00:21:38,520
Speaker 1: by Sandra Bernhard. You ever listen to that album? And

428
00:21:38,640 --> 00:21:41,120
Speaker 1: you ever you ever listen to any Sandra Bernhard? No,

429
00:21:41,200 --> 00:21:44,720
Speaker 1: I'm not. She was him. I think you would really

430
00:21:44,760 --> 00:21:48,000
Speaker 1: like her. She was like real performance art, like she

431
00:21:48,160 --> 00:21:50,680
Speaker 1: was like it wasn't stand up, it was like sometimes

432
00:21:50,720 --> 00:21:52,280
Speaker 1: it was s would just break out into a song.

433
00:21:52,640 --> 00:21:54,919
Speaker 1: I love that you would. You should listen to that.

434
00:21:54,960 --> 00:21:59,080
Speaker 1: And also everyone at home like, that's a fun liddle

435
00:21:59,080 --> 00:22:02,639
Speaker 1: throwback comed performance album that you should check out. As

436
00:22:02,680 --> 00:22:04,879
Speaker 1: Sandra Bernhard I'm Still Here damn it. She on the

437
00:22:04,960 --> 00:22:07,880
Speaker 1: Larry Sanders Show a lot. Yeah, Okay, then I thinking

438
00:22:08,000 --> 00:22:10,159
Speaker 1: thinking of the right. No, she was big. She was

439
00:22:10,240 --> 00:22:12,000
Speaker 1: big time, like a long time ago. I think she

440
00:22:12,080 --> 00:22:15,560
Speaker 1: did a couple of score Casey movies. Um, and she

441
00:22:15,720 --> 00:22:18,440
Speaker 1: had like a she played herself on Will and Grace.

442
00:22:20,240 --> 00:22:22,600
Speaker 1: They were like because Will and Grace were like looking

443
00:22:22,680 --> 00:22:25,080
Speaker 1: at Sandra Bernhard's apartment and they're like, we can't believe

444
00:22:25,119 --> 00:22:30,800
Speaker 1: that's Sandra Bernhard's department, and then hilarity ensued. Um, I

445
00:22:30,880 --> 00:22:33,440
Speaker 1: feel like you can believe it. Honestly that I feel

446
00:22:33,480 --> 00:22:35,879
Speaker 1: like comedy albums were like a big blind spot from me.

447
00:22:35,880 --> 00:22:38,800
Speaker 1: It was just I yeah, like I'm ashamed to say

448
00:22:38,880 --> 00:22:41,159
Speaker 1: the first like full length album I listened to is

449
00:22:41,800 --> 00:22:44,600
Speaker 1: can you Got that Thing? Cook? Yeah? You know what,

450
00:22:45,040 --> 00:22:48,359
Speaker 1: you know what? I I liked him. I mean I

451
00:22:48,440 --> 00:22:53,239
Speaker 1: was like that snake bit. He has a snake bit

452
00:22:53,359 --> 00:22:55,520
Speaker 1: that really connected me, where he like pretends to be

453
00:22:55,600 --> 00:22:57,520
Speaker 1: a snake and then it skills like oh, yeah, you

454
00:22:57,600 --> 00:23:00,960
Speaker 1: know that's my think, yeah you know, and then his

455
00:23:01,320 --> 00:23:03,800
Speaker 1: teeth around the I want that and him saying I

456
00:23:03,920 --> 00:23:07,000
Speaker 1: want what a snake has. Remember that being a big

457
00:23:07,080 --> 00:23:09,080
Speaker 1: moment for me. I was like, oh fuck, he just

458
00:23:09,240 --> 00:23:11,680
Speaker 1: Dan Cook never had jokes. He just had like little

459
00:23:11,920 --> 00:23:16,040
Speaker 1: snippets of like phrases that somehow he would deliver in

460
00:23:16,160 --> 00:23:18,880
Speaker 1: land and it would be successful. And he was actually

461
00:23:19,040 --> 00:23:21,200
Speaker 1: very skilled in that regard, like somebody should in the

462
00:23:21,280 --> 00:23:24,560
Speaker 1: coats is still hilarious to me. He also was an

463
00:23:24,680 --> 00:23:27,840
Speaker 1: amazing performer. Yeah, he was a great live performer. Like

464
00:23:27,920 --> 00:23:31,080
Speaker 1: he was. You can hear in his voice when you're

465
00:23:31,119 --> 00:23:33,240
Speaker 1: listening to him on an album that he's just killing

466
00:23:33,359 --> 00:23:35,680
Speaker 1: the audience. I remember that was like all we listened

467
00:23:35,680 --> 00:23:38,920
Speaker 1: to in high school. And then um, when he started

468
00:23:38,960 --> 00:23:40,920
Speaker 1: to do his more, like he had like a couple

469
00:23:40,920 --> 00:23:45,640
Speaker 1: of movies employ them on Oh God, Luck Chuck, good

470
00:23:45,720 --> 00:23:49,000
Speaker 1: Luck Chuck. Um. But also the last I heard from

471
00:23:49,080 --> 00:23:51,720
Speaker 1: Dane Cook, he was talking about like how he was

472
00:23:51,880 --> 00:23:57,520
Speaker 1: absolutely killing the game in terms of like he fucked

473
00:23:57,560 --> 00:24:01,680
Speaker 1: a lot of groupies on like he he was like

474
00:24:01,800 --> 00:24:03,640
Speaker 1: he was talking about how like that's how the reason

475
00:24:03,680 --> 00:24:05,240
Speaker 1: good Luck Chuck was a thing because he was just

476
00:24:05,320 --> 00:24:08,560
Speaker 1: getting so much ass, like he like he just like

477
00:24:08,680 --> 00:24:10,800
Speaker 1: talked about and I was fascinating to me. I'm like,

478
00:24:11,320 --> 00:24:15,160
Speaker 1: apparently just like every single New city just fucking fucking

479
00:24:15,200 --> 00:24:18,240
Speaker 1: fu and then I'm thinking, is that how it is

480
00:24:19,160 --> 00:24:21,040
Speaker 1: like for these people that are on the road, Like,

481
00:24:21,280 --> 00:24:24,440
Speaker 1: I mean, I don't know, he had stadiums like he

482
00:24:25,040 --> 00:24:28,080
Speaker 1: was like doing, wasn't he right? He had stadiums for sure?

483
00:24:28,640 --> 00:24:30,720
Speaker 1: Like he was kind of like a little rock star there.

484
00:24:30,760 --> 00:24:34,240
Speaker 1: Well it's like early days. I just like, you know,

485
00:24:34,480 --> 00:24:37,560
Speaker 1: like I like that snake bit and like I I'll

486
00:24:37,640 --> 00:24:39,920
Speaker 1: give it to him that he's like a talented performer,

487
00:24:40,320 --> 00:24:45,040
Speaker 1: but like like I don't like his legacy is his

488
00:24:45,200 --> 00:24:48,280
Speaker 1: legacy is a is a I guess a shameful one

489
00:24:48,359 --> 00:24:50,840
Speaker 1: would be not fair, right, That wouldn't be fair. It's

490
00:24:50,880 --> 00:24:54,320
Speaker 1: not Yeah, one most shameful wouldn't wouldn't be unfair to me,

491
00:24:54,440 --> 00:24:57,800
Speaker 1: But it's also probably like not the right. It's like

492
00:24:57,920 --> 00:25:00,760
Speaker 1: shameful is also being too generous with It's like it's

493
00:25:00,800 --> 00:25:03,680
Speaker 1: just like looking back and remembering that Ashley Simpson was

494
00:25:03,720 --> 00:25:06,800
Speaker 1: a huge pop star. It's like, oh, that's that's where

495
00:25:07,160 --> 00:25:10,680
Speaker 1: we were in terms of like mass appeal, bad taste

496
00:25:10,680 --> 00:25:12,680
Speaker 1: at that point. It was just like we all accepted

497
00:25:12,760 --> 00:25:14,679
Speaker 1: something at that time, we all left to something at

498
00:25:14,720 --> 00:25:16,800
Speaker 1: that time, which now we're looking back and we're like, huh,

499
00:25:17,080 --> 00:25:19,080
Speaker 1: that makes me think of did you have you seen

500
00:25:19,119 --> 00:25:22,600
Speaker 1: the Backstreet Boys documentary? I just talked about this the

501
00:25:22,760 --> 00:25:25,359
Speaker 1: other day off the air with Chrissie. You have you

502
00:25:25,440 --> 00:25:28,080
Speaker 1: seen it? Um? I have seen bits and pieces of it,

503
00:25:28,240 --> 00:25:30,760
Speaker 1: but the best in pieces I've seen were like not

504
00:25:31,040 --> 00:25:33,480
Speaker 1: fun to watch. They were sad. And you have not

505
00:25:33,600 --> 00:25:37,760
Speaker 1: seen it. I have not, but I've heard it's really cool.

506
00:25:38,080 --> 00:25:41,080
Speaker 1: It's really cool, and like into what we're talking about

507
00:25:41,359 --> 00:25:43,520
Speaker 1: is they're pretty open about there, like we were the

508
00:25:43,560 --> 00:25:46,119
Speaker 1: biggest band in the world, um, and then we weren't,

509
00:25:46,480 --> 00:25:48,159
Speaker 1: you know, and now we're adults. I mean they were

510
00:25:48,160 --> 00:25:50,160
Speaker 1: adults then some of them more. But on the morning,

511
00:25:50,200 --> 00:25:52,760
Speaker 1: you know, it's like them reckoning with that idea that

512
00:25:52,800 --> 00:25:54,720
Speaker 1: we're talking about it, like they could have been this

513
00:25:55,280 --> 00:25:59,440
Speaker 1: monumental thing in culture and then they are just not.

514
00:26:00,480 --> 00:26:05,040
Speaker 1: And I think it really I think they come off

515
00:26:05,119 --> 00:26:08,560
Speaker 1: looking very good in that. I think so. I think

516
00:26:08,600 --> 00:26:11,720
Speaker 1: that they clearly have like issues, they clearly have. You

517
00:26:11,840 --> 00:26:14,919
Speaker 1: can't be not emotionally go through the emotional ringer doing

518
00:26:14,920 --> 00:26:17,359
Speaker 1: that kind of experience, especially at the age Howie d

519
00:26:17,480 --> 00:26:21,320
Speaker 1: I think it's a psychopath But like, oh god, Backstreet Boys,

520
00:26:21,400 --> 00:26:24,040
Speaker 1: I mean I think was like a sex addict and

521
00:26:24,400 --> 00:26:27,720
Speaker 1: also an alcoholic. And I think Nick Carter was molested

522
00:26:27,800 --> 00:26:31,119
Speaker 1: by their manager. Yeah, I mean that don't they cover that,

523
00:26:31,280 --> 00:26:34,720
Speaker 1: and that they delude to it. They allude, they make

524
00:26:35,119 --> 00:26:37,639
Speaker 1: I think they were not allowed to talk about stuff.

525
00:26:38,080 --> 00:26:39,879
Speaker 1: I think they are contraction allowed to talk about that

526
00:26:39,960 --> 00:26:42,480
Speaker 1: because they will say some very like political things where

527
00:26:42,480 --> 00:26:44,520
Speaker 1: they go, yeah, and you do some things that may's

528
00:26:44,600 --> 00:26:46,800
Speaker 1: very uncomfortable. And there's one moment where Kevin just like

529
00:26:47,520 --> 00:26:50,720
Speaker 1: he allowed me to quit my three jobs and follow

530
00:26:50,800 --> 00:26:53,040
Speaker 1: my dreams and that will always be grateful, like a

531
00:26:53,240 --> 00:26:55,640
Speaker 1: very sort of like they have to walk it back, see,

532
00:26:55,680 --> 00:26:57,680
Speaker 1: oh we gotta. I just I don't think they walked

533
00:26:57,680 --> 00:26:59,119
Speaker 1: it back, but they just said they were they were.

534
00:26:59,160 --> 00:27:01,399
Speaker 1: It was clear the Victor ship went down, just like

535
00:27:01,480 --> 00:27:03,600
Speaker 1: we were not going to talk about it because he

536
00:27:03,760 --> 00:27:06,560
Speaker 1: was also he was also the manager of I Think

537
00:27:06,680 --> 00:27:08,960
Speaker 1: in Sync, and I think he discovered Britney Spirit. Yeah

538
00:27:08,960 --> 00:27:12,960
Speaker 1: what what was his name? Just and he passed away

539
00:27:12,960 --> 00:27:15,160
Speaker 1: a couple of years ago. Yeah he's I think he's

540
00:27:15,200 --> 00:27:17,240
Speaker 1: not around anymore. But he was also in prison for

541
00:27:17,320 --> 00:27:20,000
Speaker 1: a long time embezzelment. So this was like not a

542
00:27:20,080 --> 00:27:24,160
Speaker 1: good guy. Um and the story goes that he molested

543
00:27:24,200 --> 00:27:27,240
Speaker 1: the Carter kids and that the mother found out about it,

544
00:27:27,280 --> 00:27:29,600
Speaker 1: and then it was like it was a whole I

545
00:27:29,640 --> 00:27:32,040
Speaker 1: remember these headlines. Um, he was like a sick. Oh

546
00:27:32,920 --> 00:27:35,840
Speaker 1: that's really unfortunate. Um. But speaking of it's so funny.

547
00:27:35,840 --> 00:27:38,360
Speaker 1: Backstreet Boys are just sort of like creeping back into

548
00:27:38,400 --> 00:27:40,720
Speaker 1: the consciousness today. I just saw a headline I was

549
00:27:40,760 --> 00:27:43,000
Speaker 1: talking about how Brian wanted to wanted to perform at

550
00:27:43,000 --> 00:27:46,360
Speaker 1: the inauguration. Um. And then and then oh my god.

551
00:27:46,400 --> 00:27:48,280
Speaker 1: And then Matt and I were in Philly this a

552
00:27:48,359 --> 00:27:50,720
Speaker 1: weekend ago, and then there was this club where there

553
00:27:50,800 --> 00:27:52,760
Speaker 1: was this giant screen and they played backstreets back for

554
00:27:52,840 --> 00:27:55,200
Speaker 1: the video, and and then I was drunk, So I

555
00:27:55,320 --> 00:28:00,240
Speaker 1: might have just like in a sexually remember that line. Yeah,

556
00:28:00,280 --> 00:28:02,080
Speaker 1: but I was just so receptive to this video again,

557
00:28:02,119 --> 00:28:03,399
Speaker 1: and I was like, you know what this is Like,

558
00:28:03,840 --> 00:28:05,879
Speaker 1: I was like, this is one of those first music

559
00:28:06,760 --> 00:28:10,280
Speaker 1: like one of those first modern pop videos post nineties

560
00:28:10,359 --> 00:28:16,720
Speaker 1: that was just like very stylized yea video. It was stupid.

561
00:28:17,600 --> 00:28:20,960
Speaker 1: It was stupid now, but like one of them. It

562
00:28:21,119 --> 00:28:24,720
Speaker 1: was like, Oh, he's a wolf, why he's That's why

563
00:28:24,760 --> 00:28:27,000
Speaker 1: it's fun? Things like I don't get that none of

564
00:28:27,040 --> 00:28:30,639
Speaker 1: them were like sexy fucking like sexy monsters, like he

565
00:28:30,800 --> 00:28:33,439
Speaker 1: was a mummy, Like he looked like a mummy. Total

566
00:28:33,640 --> 00:28:40,360
Speaker 1: I don't get, but but I don't wait. Tim just

567
00:28:40,480 --> 00:28:43,920
Speaker 1: blasted through this ceiling. I was gonna say, no, this

568
00:28:44,080 --> 00:28:48,400
Speaker 1: is Backstreet Boys have this very special personal meaning to me.

569
00:28:48,520 --> 00:28:52,280
Speaker 1: And this is why I sent my very first email

570
00:28:52,960 --> 00:28:56,440
Speaker 1: to the Backstreet Boys fan like fan page. You had

571
00:28:56,480 --> 00:28:58,800
Speaker 1: never sent an email before. I never sent an email before.

572
00:28:58,880 --> 00:29:00,719
Speaker 1: I technically was not through those of you at home.

573
00:29:00,800 --> 00:29:02,640
Speaker 1: Bowen does send a lot of emails now, so this

574
00:29:02,800 --> 00:29:04,800
Speaker 1: is like the beginning of something and I've I've been

575
00:29:04,840 --> 00:29:09,040
Speaker 1: told I'm very good at sending them um anyway, but

576
00:29:09,120 --> 00:29:11,200
Speaker 1: it was just like my first email, just typing this

577
00:29:11,320 --> 00:29:13,880
Speaker 1: out and being like, wait, this this goes to them,

578
00:29:14,000 --> 00:29:16,360
Speaker 1: like through through this thing called the internet, and they response.

579
00:29:16,720 --> 00:29:18,520
Speaker 1: It was an automated response, but I, as a kid,

580
00:29:18,680 --> 00:29:20,880
Speaker 1: thought it was like them actually reading my thing and

581
00:29:20,960 --> 00:29:22,880
Speaker 1: being like, hey, thanks so much for reaching out to us.

582
00:29:22,920 --> 00:29:26,080
Speaker 1: And I was like wow, like Nick Carter saw my message,

583
00:29:26,560 --> 00:29:29,120
Speaker 1: which is so funny and insane, and why did no

584
00:29:29,200 --> 00:29:31,320
Speaker 1: one clock that then? And there to be like that kid,

585
00:29:31,640 --> 00:29:34,200
Speaker 1: that six year old is gay um or you know,

586
00:29:34,440 --> 00:29:37,480
Speaker 1: eight year old would be clocking there. Well, I don't

587
00:29:37,480 --> 00:29:39,360
Speaker 1: know if things happen when you're young and then you

588
00:29:39,440 --> 00:29:41,480
Speaker 1: look back and you're like, holy sh it. When I

589
00:29:41,560 --> 00:29:44,040
Speaker 1: was tent from my tenth birthday, my parents gave me

590
00:29:44,160 --> 00:29:45,960
Speaker 1: tickets to the first concert I was ever going to

591
00:29:46,000 --> 00:29:48,760
Speaker 1: go to when it was Mariah Carey, and I screamed,

592
00:29:48,840 --> 00:29:54,160
Speaker 1: I think for like minutes and was like jumping for

593
00:29:54,320 --> 00:29:57,640
Speaker 1: joy because I was going to see Mariah carry in

594
00:29:57,760 --> 00:30:01,560
Speaker 1: Madison Square Garden. I you guys have talked about I

595
00:30:01,640 --> 00:30:03,360
Speaker 1: don't know, I actually know what. I don't want to

596
00:30:03,480 --> 00:30:06,600
Speaker 1: enter the Mariah they carry conversation. No, no, I want

597
00:30:06,640 --> 00:30:08,640
Speaker 1: to hear this what is it? Tim? Because I know

598
00:30:08,800 --> 00:30:11,520
Speaker 1: you all like, uh, you have all come out to

599
00:30:11,600 --> 00:30:14,800
Speaker 1: say that you are Mariah apologize your apologist for that moment,

600
00:30:14,960 --> 00:30:16,880
Speaker 1: for that moment, and I'm just I will say I'm

601
00:30:16,920 --> 00:30:21,480
Speaker 1: a neutral. I'm basically like I got angry about who

602
00:30:22,360 --> 00:30:25,640
Speaker 1: got a couple of listeners saying no, Mariah was wrong?

603
00:30:26,240 --> 00:30:31,960
Speaker 1: Oh no, I I just well, I'll say it's not

604
00:30:32,120 --> 00:30:33,920
Speaker 1: the fire. You know what, if you don't go to

605
00:30:34,120 --> 00:30:37,080
Speaker 1: sound check then like no, then if you don't go

606
00:30:37,160 --> 00:30:40,480
Speaker 1: to sound check. She did, and she went to No,

607
00:30:40,680 --> 00:30:44,120
Speaker 1: here's what happened. She went to sound check. The producers

608
00:30:44,200 --> 00:30:46,120
Speaker 1: kept pushing back the sound check and she had to

609
00:30:46,200 --> 00:30:48,760
Speaker 1: be she had to be somewhere. No, her sound check

610
00:30:48,800 --> 00:30:50,600
Speaker 1: was for three thirty. The producers kept her in a

611
00:30:50,640 --> 00:30:52,920
Speaker 1: waiting area and she didn't go on until five o'clock

612
00:30:52,960 --> 00:30:54,720
Speaker 1: and she only had fifteen minutes to do strap and

613
00:30:54,760 --> 00:30:56,080
Speaker 1: then they were like, okay, we gotta we gotta move

614
00:30:56,120 --> 00:30:58,320
Speaker 1: on at six o'clock. See I heard she didn't even

615
00:30:58,440 --> 00:31:01,440
Speaker 1: go to this sound check. That's what I I think that.

616
00:31:01,680 --> 00:31:04,960
Speaker 1: I think two things. One there's a lot of explanations

617
00:31:05,000 --> 00:31:07,239
Speaker 1: from a lot of different sources. And the second thing

618
00:31:07,320 --> 00:31:11,960
Speaker 1: I think is I don't care because it was funny. Okay, I'll,

619
00:31:12,080 --> 00:31:15,760
Speaker 1: i'll it was fun I tell you that. My one

620
00:31:15,800 --> 00:31:19,240
Speaker 1: of my favorite like line like like like argument lines

621
00:31:19,360 --> 00:31:21,640
Speaker 1: is I don't care. I like it because I feel

622
00:31:21,640 --> 00:31:25,560
Speaker 1: like there's such, uh, there's such an impulse to justice,

623
00:31:25,600 --> 00:31:27,880
Speaker 1: Like okay, it usually comes down to this, were like

624
00:31:27,960 --> 00:31:30,160
Speaker 1: so like I don't eat meat right now, I don't

625
00:31:30,160 --> 00:31:32,600
Speaker 1: call myself vegetarian because like if it's free, I'll eat it,

626
00:31:32,760 --> 00:31:34,560
Speaker 1: you know, if someone's giving me leftovers. I'll eat it

627
00:31:34,600 --> 00:31:37,840
Speaker 1: like cool, I like it. Um, why why people why

628
00:31:37,880 --> 00:31:41,520
Speaker 1: people normally don't eat meat? You know whatever? And in

629
00:31:41,680 --> 00:31:44,080
Speaker 1: my mind, like you, it's hard to argue against the

630
00:31:44,160 --> 00:31:47,880
Speaker 1: idea that, like the culture of meat is bad for

631
00:31:47,920 --> 00:31:50,120
Speaker 1: the world, you know, and like bad for your body.

632
00:31:50,400 --> 00:31:51,960
Speaker 1: But that's a different argument. But the idea that like,

633
00:31:52,080 --> 00:31:54,960
Speaker 1: oh yeah, it's bad, you know, it's bad environmentally, it's bad.

634
00:31:55,400 --> 00:31:57,600
Speaker 1: I think it's hard to argue against that. And I've

635
00:31:57,600 --> 00:31:59,600
Speaker 1: always think it's interested in where people are like, well,

636
00:31:59,600 --> 00:32:01,200
Speaker 1: I'm not going argue against it, but I'm gonna say

637
00:32:01,240 --> 00:32:04,120
Speaker 1: fuck you rather than you're right. But I don't care.

638
00:32:04,200 --> 00:32:05,760
Speaker 1: I eat me because I like it. Like I think

639
00:32:05,800 --> 00:32:08,120
Speaker 1: that is like a fine. I think it's a fine

640
00:32:10,000 --> 00:32:12,680
Speaker 1: fine being wrong. And also like I don't care, I'm

641
00:32:12,680 --> 00:32:15,960
Speaker 1: gonna do this not this argument is a kid no no, no, no,

642
00:32:16,360 --> 00:32:19,400
Speaker 1: by agree with you. It's like you know what it is.

643
00:32:19,480 --> 00:32:22,280
Speaker 1: It's like Facebook culture and common culture. It's like, oh,

644
00:32:22,640 --> 00:32:25,280
Speaker 1: like we're all lawyers on the It's interesting now, it's

645
00:32:25,320 --> 00:32:27,800
Speaker 1: like where do you lawyers? It's like I feel like

646
00:32:27,840 --> 00:32:30,040
Speaker 1: that that is a great argument and a great sort

647
00:32:30,080 --> 00:32:36,880
Speaker 1: of um sort of relinquishment of of argument, I guess,

648
00:32:36,920 --> 00:32:38,720
Speaker 1: but then like I feel like that has to match

649
00:32:39,160 --> 00:32:41,840
Speaker 1: in severity. It's like, okay, well if I don't if

650
00:32:41,840 --> 00:32:45,200
Speaker 1: I still eat meat despite all these horrible things like

651
00:32:45,320 --> 00:32:49,400
Speaker 1: surrounding food culture, then and I don't care them, that's fine.

652
00:32:49,920 --> 00:32:52,200
Speaker 1: But also then it's like, well, what if you like

653
00:32:52,480 --> 00:32:55,600
Speaker 1: want to, like, what if you want to fucking like

654
00:32:55,800 --> 00:32:58,000
Speaker 1: choke a dog in the street. I think that that's

655
00:32:58,080 --> 00:33:01,200
Speaker 1: just like decorum and knowing that that's not that's different,

656
00:33:01,360 --> 00:33:02,960
Speaker 1: you know what I mean. Like, I also think I'm

657
00:33:03,000 --> 00:33:05,560
Speaker 1: really intrigued by this now because it's a really fun

658
00:33:05,640 --> 00:33:08,680
Speaker 1: way to get back at the person who's yelling at

659
00:33:08,720 --> 00:33:11,680
Speaker 1: you for eating meat. Yeah, it's like, well, well, just

660
00:33:11,760 --> 00:33:13,360
Speaker 1: so you know, I don't do this because of the

661
00:33:13,600 --> 00:33:16,120
Speaker 1: you know, environmental things blah blah blah blah um and

662
00:33:16,280 --> 00:33:18,480
Speaker 1: you just saying like, Okay, yes, I totally understand. I

663
00:33:18,600 --> 00:33:21,200
Speaker 1: still definitely am gonna do it because I like cheeseburgers

664
00:33:21,240 --> 00:33:22,680
Speaker 1: and that's something I was raised with it. I'm not

665
00:33:22,720 --> 00:33:25,160
Speaker 1: going to change my diet. But thank you for what

666
00:33:25,280 --> 00:33:29,480
Speaker 1: you've said to just be like, but you know, in things,

667
00:33:29,600 --> 00:33:32,040
Speaker 1: I appreciate that more than the ads who have been like, well,

668
00:33:32,040 --> 00:33:35,920
Speaker 1: I'm gonna eat two for you, then spiteful comeback of like,

669
00:33:36,200 --> 00:33:39,000
Speaker 1: well you don't, well, I'm gonna eat so much now

670
00:33:39,200 --> 00:33:40,680
Speaker 1: It's like, I don't know. It does remind me of

671
00:33:40,720 --> 00:33:42,880
Speaker 1: a great Margat show though, from one of her albums,

672
00:33:43,480 --> 00:33:48,640
Speaker 1: which is um, vegetarians are so mean because they're hungry.

673
00:33:50,640 --> 00:33:53,280
Speaker 1: I love it. She again another stand up who was

674
00:33:53,360 --> 00:33:56,920
Speaker 1: just an incredible performer, and you could tell because there

675
00:33:56,960 --> 00:33:59,880
Speaker 1: would just be these long silences and the audience is

676
00:34:00,120 --> 00:34:03,200
Speaker 1: dying and me at home listening off my like, I

677
00:34:03,240 --> 00:34:04,959
Speaker 1: don't know what was that at the time, like Kaza,

678
00:34:05,880 --> 00:34:09,040
Speaker 1: like I would just die as well, laughing imagining whatever

679
00:34:09,200 --> 00:34:11,400
Speaker 1: she was doing. I feel like my parents took me

680
00:34:11,480 --> 00:34:15,400
Speaker 1: to see her at some point, you know, I don't remember.

681
00:34:15,600 --> 00:34:17,520
Speaker 1: I don't. I feel like I have a glimpse of

682
00:34:17,520 --> 00:34:19,040
Speaker 1: a member because I was like, I was very young

683
00:34:19,080 --> 00:34:22,120
Speaker 1: when I listen to these comedy albums, so they knew

684
00:34:22,160 --> 00:34:26,960
Speaker 1: I liked them. Maybe I don't know, I have a glimpse.

685
00:34:27,000 --> 00:34:28,560
Speaker 1: Maybe it took me to a different, different show. But

686
00:34:28,560 --> 00:34:30,320
Speaker 1: I feel like I saw you, felt you felt so

687
00:34:30,400 --> 00:34:32,160
Speaker 1: connected to the material that you felt like you were

688
00:34:32,200 --> 00:34:36,040
Speaker 1: in the room. Maybe maybe I mean there is her

689
00:34:36,080 --> 00:34:38,600
Speaker 1: Carnegie Hall album is truly just one of the best.

690
00:34:38,880 --> 00:34:40,719
Speaker 1: I think my favorite one is I'm the One that

691
00:34:40,800 --> 00:34:43,960
Speaker 1: I Want. And then there's also Notorious h which Carnegie

692
00:34:44,000 --> 00:34:47,080
Speaker 1: Hall really Oh, that's one. It's really good. It's just

693
00:34:47,400 --> 00:34:51,760
Speaker 1: all of Carnegie Hall silent listening to this one Asian

694
00:34:51,880 --> 00:34:55,960
Speaker 1: queer woman on stage. That's crazy. Um and just the whole,

695
00:34:56,000 --> 00:34:58,480
Speaker 1: the whole, the whole visual of stand up is in

696
00:34:58,600 --> 00:35:01,279
Speaker 1: like in like those giants years is sort of is

697
00:35:01,320 --> 00:35:04,240
Speaker 1: still still amazed as me. It's like everyone's just listening

698
00:35:04,280 --> 00:35:09,399
Speaker 1: to one person talk, which is it's pretty cool. It's unnatural. Yeah, yeah,

699
00:35:09,560 --> 00:35:11,920
Speaker 1: I think it's unnatural. It's It's something I think about

700
00:35:11,960 --> 00:35:14,960
Speaker 1: when doing Stamp where I'm like, uh, like why do

701
00:35:15,120 --> 00:35:18,480
Speaker 1: you Why is it like equated to like go into

702
00:35:18,520 --> 00:35:20,399
Speaker 1: the gym and people talk about you going Mike's gotta

703
00:35:20,400 --> 00:35:22,279
Speaker 1: get up there? Like why is there that sort of

704
00:35:22,400 --> 00:35:24,839
Speaker 1: like repy I get your reps in? And I think

705
00:35:24,880 --> 00:35:27,400
Speaker 1: it's because like it is an unnatural state, like you

706
00:35:27,680 --> 00:35:30,160
Speaker 1: having all the attention of people around you, unless like

707
00:35:30,239 --> 00:35:33,359
Speaker 1: you have great like like historically Actually, I'm not gonna

708
00:35:33,360 --> 00:35:35,440
Speaker 1: go sta because it's like that's me wax in poetic.

709
00:35:35,560 --> 00:35:37,480
Speaker 1: But I think it's unnatural. It's like you have to

710
00:35:37,520 --> 00:35:39,719
Speaker 1: build up a tolerance to that form of attention I

711
00:35:39,800 --> 00:35:42,680
Speaker 1: think to have. I mean, same thing is acting, I suppose,

712
00:35:42,800 --> 00:35:45,719
Speaker 1: but it's a but it's something we've found out. You know,

713
00:35:45,880 --> 00:35:48,000
Speaker 1: putting someone in front of everyone else is something we've

714
00:35:48,000 --> 00:35:50,799
Speaker 1: found out. It's not something we naturally Yeah yeah, something

715
00:35:51,560 --> 00:35:54,439
Speaker 1: or something we found or is it because we found

716
00:35:54,480 --> 00:35:56,239
Speaker 1: it out? You know what I mean? You have to

717
00:35:56,320 --> 00:36:00,640
Speaker 1: wonder is it part of human nature to entertain each other? Um,

718
00:36:00,880 --> 00:36:03,279
Speaker 1: to tell stories because we because we've been doing it

719
00:36:03,400 --> 00:36:06,279
Speaker 1: for hundreds and thousands of years. A real Neil gaming

720
00:36:06,400 --> 00:36:13,840
Speaker 1: right now? Come on, baby on my tiny heart. Okay,

721
00:36:15,480 --> 00:36:18,120
Speaker 1: I don't know where that came from. Um, I should

722
00:36:18,160 --> 00:36:19,960
Speaker 1: learn listeners. Be doing push ups right now? Oh yeah,

723
00:36:19,960 --> 00:36:23,560
Speaker 1: you should probably drop down for another ten guys. Um yeah,

724
00:36:23,960 --> 00:36:26,359
Speaker 1: oh this actually made me think. You know what's even

725
00:36:26,440 --> 00:36:29,000
Speaker 1: more fucking unnatural, which every time I do it, I

726
00:36:29,080 --> 00:36:31,400
Speaker 1: come out of the room and I'm like, that was garbage,

727
00:36:31,440 --> 00:36:35,120
Speaker 1: And everyone knows this garbage is auditioning. Auditioning is the

728
00:36:35,280 --> 00:36:40,080
Speaker 1: most unnatural thing, the stupidest social transaction. It's so insane

729
00:36:40,239 --> 00:36:43,480
Speaker 1: and just also like just as a human thing, and

730
00:36:43,560 --> 00:36:45,480
Speaker 1: I think about this more than anything else. I never

731
00:36:45,640 --> 00:36:48,360
Speaker 1: think about performing as like an unnatural human thing, but

732
00:36:48,680 --> 00:36:51,279
Speaker 1: whenever I audition, I'm always like, we shouldn't do that

733
00:36:51,400 --> 00:36:55,440
Speaker 1: because we aren't supposed to do that as humans. Like,

734
00:36:55,760 --> 00:36:57,960
Speaker 1: it's so bizarre to me. I think that about I

735
00:36:58,000 --> 00:37:00,640
Speaker 1: think that about flying on a plane. Yeah, well, we're

736
00:37:00,680 --> 00:37:04,400
Speaker 1: not supposed to be up there. We're not You're not

737
00:37:04,480 --> 00:37:07,600
Speaker 1: supposed to be up there. I guess there. I guess

738
00:37:07,640 --> 00:37:09,800
Speaker 1: that's why all those bits became a hack, because it

739
00:37:09,880 --> 00:37:12,400
Speaker 1: was a thing. I was like, Oh, we had to

740
00:37:12,480 --> 00:37:15,480
Speaker 1: explore this thing we shouldn't be you know. It was

741
00:37:15,520 --> 00:37:18,560
Speaker 1: like a common see me on the core of the earth.

742
00:37:18,840 --> 00:37:21,360
Speaker 1: You don't see me pitching a ten the corn the earth. Okay,

743
00:37:21,440 --> 00:37:24,680
Speaker 1: what do you think you, Matt? What bits? Are you

744
00:37:24,760 --> 00:37:31,480
Speaker 1: talking like airplane bits? That's exactly why. Yeah, that's why

745
00:37:31,560 --> 00:37:35,440
Speaker 1: you saw a real, real dip and airplane bits in

746
00:37:35,480 --> 00:37:37,880
Speaker 1: the past ten years. This reminds me because last time

747
00:37:37,880 --> 00:37:40,839
Speaker 1: I was on an airplane. Uh. Loving Friendship was one

748
00:37:40,840 --> 00:37:42,880
Speaker 1: of the movies that we could that we had the

749
00:37:42,920 --> 00:37:47,439
Speaker 1: option of watching. It reminds me of my first last

750
00:37:47,520 --> 00:37:52,480
Speaker 1: cultural stysm beef bringing the table right bring it forth,

751
00:37:52,760 --> 00:37:56,320
Speaker 1: Come forth for Matt. You do not like Colin Firth.

752
00:37:57,560 --> 00:38:00,200
Speaker 1: I never understood this. I think he's a fucking he's

753
00:38:00,239 --> 00:38:04,680
Speaker 1: a poster board. What sorry about sorry about it? He is?

754
00:38:05,000 --> 00:38:07,600
Speaker 1: Mr Darcy. Give me Colin Farrell every time. Give me

755
00:38:07,719 --> 00:38:12,000
Speaker 1: Hugh Grant shivering and shaking. Give me Hugh Grant drenched,

756
00:38:12,160 --> 00:38:15,759
Speaker 1: wet and cold, doing anything over a Colin Firth fully

757
00:38:15,840 --> 00:38:17,480
Speaker 1: dry in front of a camera. Kay, So let me

758
00:38:17,560 --> 00:38:20,200
Speaker 1: first make this personal for a second. All right, i'mnna

759
00:38:20,200 --> 00:38:23,080
Speaker 1: make this emotional and personal. So, uh my mom would

760
00:38:23,120 --> 00:38:27,160
Speaker 1: make me and my brothers watch these pride and Prejudice movies. Uh,

761
00:38:27,680 --> 00:38:31,080
Speaker 1: I hear he's the defenditive, Mrs Darcy, he's a defendive.

762
00:38:31,160 --> 00:38:37,040
Speaker 1: Mr Jarsey, Yes, he's the definitive. William Yes. Uh and

763
00:38:37,400 --> 00:38:40,160
Speaker 1: uh we like watched them all because our mom like

764
00:38:40,360 --> 00:38:44,160
Speaker 1: made us and then we grew to like become obsessed

765
00:38:44,239 --> 00:38:47,080
Speaker 1: with these like Crian prejudice movies. And Colin Firth is

766
00:38:47,120 --> 00:38:50,239
Speaker 1: just like he's electric in that he's so good. He's

767
00:38:50,320 --> 00:38:53,200
Speaker 1: like when he comes out of the pool and he's

768
00:38:53,239 --> 00:38:55,000
Speaker 1: like his shirts off and he's all like he's nervous.

769
00:38:55,560 --> 00:38:58,320
Speaker 1: I believe it. Maybe it is the fact that I

770
00:38:58,440 --> 00:39:02,680
Speaker 1: haven't seen those movies you got. They're so good. I

771
00:39:02,760 --> 00:39:05,000
Speaker 1: haven't seen the Prime and Prejudice movies. And apparently that's

772
00:39:05,040 --> 00:39:09,480
Speaker 1: like Colin Firth, like Hallmark and like his legacy project

773
00:39:09,520 --> 00:39:12,279
Speaker 1: as those Pride and Prejudice movies. I haven't seen them.

774
00:39:12,400 --> 00:39:17,239
Speaker 1: He's just very just classically British. Yeah, I guess, can

775
00:39:17,280 --> 00:39:20,440
Speaker 1: I tell you something. I don't really respond to the

776
00:39:20,560 --> 00:39:25,239
Speaker 1: British sensibility, sensibility in that regard the period British thing.

777
00:39:25,600 --> 00:39:27,160
Speaker 1: I'm never going to go out of my way. Oh

778
00:39:27,280 --> 00:39:29,759
Speaker 1: I see, I love that, like like the Crown. I

779
00:39:29,760 --> 00:39:34,600
Speaker 1: couldn't give a fuck that like Jane Austin style, like proper,

780
00:39:35,800 --> 00:39:38,759
Speaker 1: like if I breathe too hot? Thanks, just sort of

781
00:39:38,840 --> 00:39:46,800
Speaker 1: like well the Master, did uh speak tenderly upon brows? Yeah? Absolutely,

782
00:39:49,360 --> 00:39:52,480
Speaker 1: There's just one line from the from the Prime Prejudice

783
00:39:53,320 --> 00:39:58,000
Speaker 1: of series, like I get like Mr daw No, no, no, no,

784
00:39:58,200 --> 00:40:02,680
Speaker 1: it's a It's okay. So Elizabeth is with with the Bingleys,

785
00:40:02,719 --> 00:40:06,200
Speaker 1: and Miss Bingley goes. Miss Elizabeth Bennett is a great

786
00:40:06,280 --> 00:40:09,440
Speaker 1: reader and she enjoys nothing else, and Elizabeth goes. I

787
00:40:09,520 --> 00:40:11,719
Speaker 1: deserve neither such praise nor such censure. I am no,

788
00:40:11,800 --> 00:40:15,000
Speaker 1: what's a great reader, and I enjoy anythings that's pretty

789
00:40:15,040 --> 00:40:17,920
Speaker 1: good exchange, I'll get like looped in my head. That

790
00:40:19,160 --> 00:40:21,320
Speaker 1: can can we say that? Elizabeth's response just word. I

791
00:40:21,360 --> 00:40:24,600
Speaker 1: just want to internalize this. I deserve neither such praise

792
00:40:24,760 --> 00:40:27,759
Speaker 1: nor such censure. I am not a great reader, and

793
00:40:27,840 --> 00:40:32,760
Speaker 1: I enjoy many things that's pretty good. Either such praise

794
00:40:33,120 --> 00:40:37,560
Speaker 1: nor such censure beautiful. I mean, come on, the language, Mama, Matt,

795
00:40:37,600 --> 00:40:41,640
Speaker 1: you need to appreciate language. You're a writer. I appreciate

796
00:40:42,040 --> 00:40:46,200
Speaker 1: Jane Austen. I think she's wonderful. I get the stories.

797
00:40:46,400 --> 00:40:49,920
Speaker 1: I understand. I just would never seek those things out,

798
00:40:50,000 --> 00:40:52,120
Speaker 1: like I really. I tried to watch The Crown and

799
00:40:52,280 --> 00:40:54,719
Speaker 1: because everyone's talking about it, and I was like, if

800
00:40:54,760 --> 00:40:58,000
Speaker 1: I have to watch another fucking movie watching an old

801
00:40:58,040 --> 00:41:02,920
Speaker 1: British man cough, I'm gonna fucking lose it. I get it.

802
00:41:03,120 --> 00:41:06,359
Speaker 1: Matter all sick. This is well, it's the same. They're

803
00:41:06,440 --> 00:41:09,759
Speaker 1: all sick. You need to get it. Wait, Matt, you

804
00:41:09,880 --> 00:41:12,919
Speaker 1: need to watch Fleabag. Have you seen fleabag? Is it's

805
00:41:12,920 --> 00:41:15,399
Speaker 1: an Amazon It's on Amazon, and I've seen I haven't

806
00:41:15,400 --> 00:41:17,959
Speaker 1: seen any Amazon thing. I don't have Amazon I haven't.

807
00:41:18,120 --> 00:41:20,839
Speaker 1: I don't have Amazon. I've never seen any Amazon thing

808
00:41:21,440 --> 00:41:23,719
Speaker 1: you can reference on Amazon thing. I haven't seen him, okay,

809
00:41:23,719 --> 00:41:26,880
Speaker 1: and I want seen. Okay, Hey everyone, it's time to

810
00:41:26,920 --> 00:41:32,439
Speaker 1: drop down and do another ten um pause, five, five, five.

811
00:41:32,560 --> 00:41:34,239
Speaker 1: I think you've I think you've earned five this time.

812
00:41:34,280 --> 00:41:35,560
Speaker 1: You've been doing such a good drap. So we just

813
00:41:36,320 --> 00:41:38,080
Speaker 1: let's just say five is the requirement. If you want

814
00:41:38,120 --> 00:41:40,120
Speaker 1: to do five more and put yourself that's fine, but

815
00:41:40,239 --> 00:41:45,160
Speaker 1: also listen to this throws off the count by a lot.

816
00:41:45,360 --> 00:41:49,560
Speaker 1: I'm just saying we're either at five or we're at thirty. Well,

817
00:41:49,600 --> 00:41:53,000
Speaker 1: I think that we should do ten. I think five. Okay,

818
00:41:53,680 --> 00:41:57,680
Speaker 1: all right, well then dude, between five and ten bringing

819
00:41:57,760 --> 00:41:59,800
Speaker 1: up to or third whatever. If you're only got to

820
00:41:59,840 --> 00:42:02,279
Speaker 1: do five now, you gotta do fifteen later. So I

821
00:42:02,400 --> 00:42:03,920
Speaker 1: just I just want to say one thing, Matt. I

822
00:42:03,960 --> 00:42:08,480
Speaker 1: think it's patently unfair for you to sweep an entire

823
00:42:08,680 --> 00:42:13,080
Speaker 1: nation's culture. We're talking about culture. You're you're willing nations

824
00:42:13,200 --> 00:42:15,480
Speaker 1: culture under the bus because you don't like Colin Firth.

825
00:42:15,600 --> 00:42:17,640
Speaker 1: That is unfair. You need to give fleabag a chance.

826
00:42:17,800 --> 00:42:19,759
Speaker 1: Oh this is this. It's not that I don't like

827
00:42:20,000 --> 00:42:23,600
Speaker 1: British things in general. It's that the kind of period

828
00:42:23,760 --> 00:42:28,120
Speaker 1: British stuff I don't care for. Okay, I sat down

829
00:42:28,160 --> 00:42:30,919
Speaker 1: to Nabby because it was so be in a modern way.

830
00:42:31,200 --> 00:42:34,239
Speaker 1: I gave up on that show. Loved it, I liked

831
00:42:34,280 --> 00:42:35,840
Speaker 1: I liked it know where. I gave up on that

832
00:42:35,920 --> 00:42:40,640
Speaker 1: show when everyone died uh year old were dropping like flies.

833
00:42:40,880 --> 00:42:44,120
Speaker 1: I gave up on the UH. The moment when what's

834
00:42:44,120 --> 00:42:49,040
Speaker 1: her name? Mary? When the rape moment, the rape moment

835
00:42:49,080 --> 00:42:53,399
Speaker 1: as well, because I I felt like I just felt

836
00:42:53,480 --> 00:42:58,479
Speaker 1: like this is not this. It felt like this about

837
00:42:58,480 --> 00:43:01,680
Speaker 1: this recently. No, not if it was um, what's her name?

838
00:43:03,080 --> 00:43:05,880
Speaker 1: The blonde Anna Anna? Yea, Yeah, it felt like a

839
00:43:05,960 --> 00:43:08,160
Speaker 1: moment was like this doesn't feel like it was meant

840
00:43:08,239 --> 00:43:11,920
Speaker 1: for any reason then to like throw so it felt

841
00:43:12,040 --> 00:43:14,920
Speaker 1: cheap and it felt like bad and I don't want to,

842
00:43:15,920 --> 00:43:18,000
Speaker 1: you know. We talked to Beth and Sarah from Reductress

843
00:43:18,040 --> 00:43:21,360
Speaker 1: about this when they were on about West World, about

844
00:43:21,600 --> 00:43:24,279
Speaker 1: the UH, and I talked to a lot of people

845
00:43:24,320 --> 00:43:26,560
Speaker 1: that are like, you know, West World, I'm not gonna

846
00:43:26,600 --> 00:43:28,600
Speaker 1: watch it because it feels a little rapey to me.

847
00:43:28,880 --> 00:43:32,279
Speaker 1: And we talk to them about how you know that

848
00:43:32,480 --> 00:43:34,040
Speaker 1: kind of thinking it's like, well, then what are you

849
00:43:34,080 --> 00:43:37,840
Speaker 1: gonna do not tell stories about people that are raped,

850
00:43:37,920 --> 00:43:40,600
Speaker 1: and like the rape as a thing in the world,

851
00:43:40,640 --> 00:43:42,960
Speaker 1: because rape happens in the world. And I think, what

852
00:43:43,200 --> 00:43:46,960
Speaker 1: was kind of not nice or cool or interesting? I

853
00:43:47,040 --> 00:43:49,680
Speaker 1: guess yeah, what was interesting about the choice to have

854
00:43:49,760 --> 00:43:52,320
Speaker 1: a rape storyline on Downton Abbey is because you're in

855
00:43:52,440 --> 00:43:55,279
Speaker 1: that world and you don't think about rape as a

856
00:43:55,400 --> 00:43:58,160
Speaker 1: thing that happens in a place like Downton Abbey, you

857
00:43:58,200 --> 00:44:00,239
Speaker 1: know what I mean, Like, I think it shows would

858
00:44:00,960 --> 00:44:02,719
Speaker 1: and and this is kind of interesting to me. It

859
00:44:02,800 --> 00:44:05,239
Speaker 1: was like, you know, you would never would have thought

860
00:44:05,239 --> 00:44:07,200
Speaker 1: you'd get the storyline on the show. But rape is

861
00:44:07,280 --> 00:44:11,239
Speaker 1: a part of, you know, this kind of toxic masculine

862
00:44:11,280 --> 00:44:15,200
Speaker 1: culture that definitely exists on Downton Abbey. And therefore I

863
00:44:15,320 --> 00:44:17,800
Speaker 1: was like, you know, it's an interesting thing. And I

864
00:44:17,800 --> 00:44:21,800
Speaker 1: remember she won some awards for performing that storyline, and

865
00:44:22,040 --> 00:44:25,120
Speaker 1: she said in her speech, is like, it's really important

866
00:44:25,160 --> 00:44:29,960
Speaker 1: to me to tell the story because, um, this happens

867
00:44:30,000 --> 00:44:32,160
Speaker 1: to women. It has happened to women for many centuries.

868
00:44:32,320 --> 00:44:34,000
Speaker 1: So I think another thing is that I would have

869
00:44:34,160 --> 00:44:36,399
Speaker 1: At that time, I was watching Sons of Anarchy, which

870
00:44:36,440 --> 00:44:38,239
Speaker 1: is the show I also gave up on because it

871
00:44:39,360 --> 00:44:42,600
Speaker 1: was silly. Um. But I just watched this season where

872
00:44:42,719 --> 00:44:45,759
Speaker 1: kay Segall's character there was a season long arc about

873
00:44:45,800 --> 00:44:47,600
Speaker 1: her like dealing with the rape, and it was like, really,

874
00:44:48,440 --> 00:44:50,960
Speaker 1: I thought they handled I thought she was incredible in

875
00:44:51,080 --> 00:44:54,120
Speaker 1: that in that show, and I thought that was very

876
00:44:54,239 --> 00:44:58,080
Speaker 1: like that. It was. It was shocking. It was like

877
00:44:58,560 --> 00:45:00,600
Speaker 1: I felt like it dealt with relations and ship as well,

878
00:45:00,640 --> 00:45:03,359
Speaker 1: and I really believe everything she was going through, which

879
00:45:03,440 --> 00:45:05,320
Speaker 1: is really scary. And then that I watched that to

880
00:45:05,400 --> 00:45:07,080
Speaker 1: Naby and it was happening, I was like, I can't

881
00:45:07,440 --> 00:45:09,279
Speaker 1: and you think it just wasn't well. I was like

882
00:45:09,360 --> 00:45:12,640
Speaker 1: I can't go and this is like I'm saying this

883
00:45:12,719 --> 00:45:15,279
Speaker 1: and I'm admitting this is like privileged and fucking ship.

884
00:45:15,400 --> 00:45:17,560
Speaker 1: I was like, I can't go through that as a

885
00:45:17,640 --> 00:45:19,920
Speaker 1: viewer again, which you know what, at the moment I

886
00:45:20,000 --> 00:45:23,560
Speaker 1: say that, I think I should get No, I'll take

887
00:45:23,640 --> 00:45:26,359
Speaker 1: criticism for that for that. Take no, no, I don't

888
00:45:26,360 --> 00:45:29,880
Speaker 1: think because it's if you didn't feel like it was

889
00:45:29,960 --> 00:45:33,200
Speaker 1: being dealt with sensitively and you and like I don't. Also,

890
00:45:33,280 --> 00:45:35,400
Speaker 1: you can choose what you watch also, like it does

891
00:45:35,520 --> 00:45:38,600
Speaker 1: not make you privileged to say I don't want as

892
00:45:38,680 --> 00:45:43,440
Speaker 1: a viewer to experience this sort of amplifying this thing

893
00:45:43,520 --> 00:45:45,799
Speaker 1: that I'm already sort of processing, because it does feel

894
00:45:45,840 --> 00:45:48,640
Speaker 1: like sometimes it's on every fucking show, And then you

895
00:45:48,760 --> 00:45:51,399
Speaker 1: think to yourself, like, all right, you have to ask

896
00:45:51,480 --> 00:45:55,320
Speaker 1: the question like are we doing this to inform and expose?

897
00:45:55,400 --> 00:45:57,680
Speaker 1: Are we doing this to fucking entertain people? And if

898
00:45:57,719 --> 00:46:01,000
Speaker 1: I'm watching a rape storyline to be entertained, which and which?

899
00:46:01,120 --> 00:46:03,840
Speaker 1: A lot of times that is why you watch television shows,

900
00:46:03,880 --> 00:46:06,680
Speaker 1: just to be entertained. And if you're finding that that's

901
00:46:06,719 --> 00:46:09,720
Speaker 1: part of your entertainment, there's nothing wrong with removing yourself

902
00:46:09,760 --> 00:46:11,800
Speaker 1: from that. Like, like, there was an art was it

903
00:46:11,960 --> 00:46:14,759
Speaker 1: Emily nuts Bomb that was talking about that. I feel

904
00:46:14,760 --> 00:46:18,319
Speaker 1: like I read some article about this recently about uh

905
00:46:18,880 --> 00:46:22,040
Speaker 1: oh gosh, I love nuts Bomb. I just want to say,

906
00:46:22,520 --> 00:46:24,440
Speaker 1: what was the article dealing with, you know? I think

907
00:46:24,480 --> 00:46:26,520
Speaker 1: it was actually I don't remember was. I feel like

908
00:46:26,520 --> 00:46:29,279
Speaker 1: it was interviewing some female show's saying like we get

909
00:46:29,400 --> 00:46:34,160
Speaker 1: so many um uh spec scripts that like from men

910
00:46:34,320 --> 00:46:38,120
Speaker 1: that are are there are rapes scripts? And then we

911
00:46:38,200 --> 00:46:39,800
Speaker 1: get so many into like a rule of ours is

912
00:46:39,840 --> 00:46:41,880
Speaker 1: that we just and if that's any of them, we

913
00:46:42,000 --> 00:46:44,920
Speaker 1: just don't. We don't look at it anymore. It's like

914
00:46:45,600 --> 00:46:48,479
Speaker 1: it's become a trend. It like screenwriters, it's the same

915
00:46:48,560 --> 00:46:51,680
Speaker 1: thing with like it's now and this is scary, Like

916
00:46:52,000 --> 00:46:56,160
Speaker 1: what like like soaps were doing in the two thousands

917
00:46:56,200 --> 00:46:58,560
Speaker 1: with cancer, where it just felt like a matter of

918
00:46:58,719 --> 00:47:00,719
Speaker 1: fucking time until they were going to be like a

919
00:47:00,800 --> 00:47:02,600
Speaker 1: cancer storyline and we were going to go through that

920
00:47:02,680 --> 00:47:05,000
Speaker 1: for eighteen episodes. It's like now it's moved on to

921
00:47:05,120 --> 00:47:07,919
Speaker 1: the doing that was rape people. It's not the same

922
00:47:08,040 --> 00:47:11,600
Speaker 1: fucking thing. People even writing like casual jokes about this

923
00:47:11,880 --> 00:47:15,640
Speaker 1: meta story like in the ounce this in the ounce

924
00:47:15,719 --> 00:47:19,279
Speaker 1: the show um One, one character has this line that goes, um,

925
00:47:19,719 --> 00:47:21,320
Speaker 1: so what did do last night? I was just watching

926
00:47:21,320 --> 00:47:23,680
Speaker 1: that show on HBO where they're terrible to women, Oh

927
00:47:23,800 --> 00:47:27,200
Speaker 1: A true Detective, No the Jinks, no Game of Thrones,

928
00:47:27,560 --> 00:47:31,320
Speaker 1: like just listing basically every HBO show and it applied

929
00:47:31,360 --> 00:47:33,239
Speaker 1: and it worked as a joke and it was just

930
00:47:33,640 --> 00:47:36,680
Speaker 1: awful and whatever. But it's it's it's it is like

931
00:47:37,200 --> 00:47:40,120
Speaker 1: it's everywhere and I don't and I don't blame him

932
00:47:40,239 --> 00:47:43,200
Speaker 1: for wanting to like disengage from Downton just because it

933
00:47:43,360 --> 00:47:46,400
Speaker 1: was like so much to process. Saying I don't blame

934
00:47:46,520 --> 00:47:54,960
Speaker 1: Tim is huge. Okay, I will say that. I think

935
00:47:55,719 --> 00:47:57,920
Speaker 1: I've told you this, but um, this was like fresh

936
00:47:58,000 --> 00:48:01,200
Speaker 1: after the election. I think this was the weekend of

937
00:48:02,120 --> 00:48:04,400
Speaker 1: I was doing this show over the eight Rest in Peace.

938
00:48:05,360 --> 00:48:07,319
Speaker 1: Meet You and I were doing the show there. Man,

939
00:48:07,760 --> 00:48:10,879
Speaker 1: it was so sad. Um. A bunch of great people

940
00:48:10,920 --> 00:48:12,799
Speaker 1: were there, but we were just also sad and none

941
00:48:12,840 --> 00:48:14,759
Speaker 1: of us were funny. I was like Annifer Breaker was

942
00:48:14,760 --> 00:48:16,680
Speaker 1: there at least Moalysis there. Everyone was great, but like

943
00:48:17,040 --> 00:48:20,800
Speaker 1: we were just not delivering. So anyway, Meetro and I

944
00:48:20,880 --> 00:48:22,799
Speaker 1: are walking home and this was right after the whole

945
00:48:22,800 --> 00:48:25,600
Speaker 1: debate about the safety pins was happening, was like should

946
00:48:25,640 --> 00:48:27,440
Speaker 1: they should people be wearing them? Shouldn't they? And then

947
00:48:27,440 --> 00:48:30,200
Speaker 1: meet You and I were both like, it's such a stupid, bullshit,

948
00:48:30,440 --> 00:48:33,680
Speaker 1: nonsense discussion that's happening, blah blah blah blah blah, and

949
00:48:33,800 --> 00:48:36,840
Speaker 1: like eventually and like forgive me for for saying this,

950
00:48:36,920 --> 00:48:38,520
Speaker 1: but eventually like we were just like, you know what,

951
00:48:38,680 --> 00:48:40,880
Speaker 1: the only people who were having this argument who are

952
00:48:40,880 --> 00:48:43,520
Speaker 1: saying that you shouldn't wear safety pins are white people

953
00:48:44,080 --> 00:48:46,080
Speaker 1: and then we just like I had this whole runabout

954
00:48:46,320 --> 00:48:49,040
Speaker 1: white people are terrible, blah blah blah blah. And then

955
00:48:49,080 --> 00:48:52,680
Speaker 1: we ran into Tim and then we said, oh, Tim,

956
00:48:53,000 --> 00:48:56,200
Speaker 1: you're one of the good ones. And then we and

957
00:48:56,280 --> 00:48:57,759
Speaker 1: then we we spot off from him. We had this

958
00:48:57,760 --> 00:49:00,920
Speaker 1: beautiful conversation and then Meetro just go is I just

959
00:49:01,200 --> 00:49:04,120
Speaker 1: fucking love that we have that power to say who's

960
00:49:04,239 --> 00:49:07,560
Speaker 1: good and who's not. It was kind of a I mean,

961
00:49:07,680 --> 00:49:11,279
Speaker 1: it's it's a monstrous yet funny moment to me. I

962
00:49:11,360 --> 00:49:13,359
Speaker 1: don't know Tim, and Tim is one of the good ones.

963
00:49:13,520 --> 00:49:18,560
Speaker 1: I have to say, I can't accept. You cannot accept it,

964
00:49:18,640 --> 00:49:22,239
Speaker 1: cannot accept if you accept, if you accept, if you

965
00:49:22,320 --> 00:49:24,959
Speaker 1: accept that you are, am I one of the good ones? Matt.

966
00:49:25,760 --> 00:49:28,560
Speaker 1: I think if we're going to bury the hatchet, then yes,

967
00:49:28,680 --> 00:49:32,160
Speaker 1: you are. I can't accept. That's right. You can can't

968
00:49:32,160 --> 00:49:35,320
Speaker 1: accept Tim, Mr right, It can't accept. Otherwise it is

969
00:49:35,400 --> 00:49:37,319
Speaker 1: part of the problem because I remember you guys said

970
00:49:37,320 --> 00:49:38,920
Speaker 1: that to me, and I was like, if this is

971
00:49:38,920 --> 00:49:41,400
Speaker 1: the test, if you said that to any moment, if

972
00:49:41,440 --> 00:49:43,879
Speaker 1: you said to any person from my college, everyone, that's

973
00:49:43,920 --> 00:49:48,480
Speaker 1: like everyone's college is wet dreams. By the way, Oberlin baby,

974
00:49:48,920 --> 00:49:50,839
Speaker 1: which can I just say right now? First of all,

975
00:49:51,920 --> 00:49:55,759
Speaker 1: probably the fucking stud of Oberlin. Yeah, he told me.

976
00:49:55,920 --> 00:49:59,120
Speaker 1: He told me he almost hooked up with his r A. Oh, Tam,

977
00:49:59,680 --> 00:50:02,040
Speaker 1: come on, no, we don't have to do this. Don't

978
00:50:02,080 --> 00:50:04,359
Speaker 1: make him do this. We might have to cut this out.

979
00:50:04,480 --> 00:50:08,040
Speaker 1: Here's what I'll say. Here's what I'll say. Uh, I

980
00:50:08,160 --> 00:50:10,840
Speaker 1: went to Oberlin. I enjoy Oberlin. Uh this is like

981
00:50:10,920 --> 00:50:16,640
Speaker 1: a school that does not deserve national attention. Here I

982
00:50:16,719 --> 00:50:18,840
Speaker 1: don't think anything. And so here's the thing. There's a

983
00:50:18,880 --> 00:50:21,200
Speaker 1: lot I feel like it's become. Maybe it was before,

984
00:50:21,320 --> 00:50:22,839
Speaker 1: wasn't aware of it, but I feel like Oberlin has

985
00:50:22,920 --> 00:50:26,680
Speaker 1: become like a sort of a part of the culture

986
00:50:26,760 --> 00:50:28,480
Speaker 1: wars in a way, like a part of like an

987
00:50:28,560 --> 00:50:31,480
Speaker 1: example of college students gone awry or example of college

988
00:50:31,480 --> 00:50:33,360
Speaker 1: has gone a right. And there's many examples of that,

989
00:50:33,440 --> 00:50:35,680
Speaker 1: which I abe like, Yeah, that's I think that's ridiculous.

990
00:50:35,719 --> 00:50:37,520
Speaker 1: Oh yeah, I think that stuff. But like it's a

991
00:50:37,560 --> 00:50:41,399
Speaker 1: school of three thousand people like in Ohio, um, which

992
00:50:41,440 --> 00:50:44,320
Speaker 1: by the way, I like, I have very I have

993
00:50:44,360 --> 00:50:47,200
Speaker 1: a connection to. While I'm not saying OHI, but it's

994
00:50:47,200 --> 00:50:49,879
Speaker 1: like a small school in isolation of like a lot

995
00:50:49,960 --> 00:50:53,680
Speaker 1: of a lot of things. It shouldn't be a national

996
00:50:53,840 --> 00:50:56,560
Speaker 1: story like things are going in Oberlin should not be

997
00:50:57,280 --> 00:51:00,279
Speaker 1: in the New York Times. And that's that's more than

998
00:51:00,360 --> 00:51:02,319
Speaker 1: any other school because like I sees the stuff that's

999
00:51:02,320 --> 00:51:04,960
Speaker 1: happening there is happening at like I don't know Bates

1000
00:51:05,120 --> 00:51:07,320
Speaker 1: or like read you know, like yeah, and so it

1001
00:51:07,400 --> 00:51:09,719
Speaker 1: does make me feel weird when that that school has

1002
00:51:09,760 --> 00:51:13,319
Speaker 1: become just like uh, maybe I'm maybe I'm just smar

1003
00:51:13,320 --> 00:51:14,719
Speaker 1: expensed to do it because I went there, But like

1004
00:51:15,040 --> 00:51:17,480
Speaker 1: you're always going to feel a connection to whatever anyone

1005
00:51:17,560 --> 00:51:19,400
Speaker 1: says about the school if you went to it is

1006
00:51:19,440 --> 00:51:22,200
Speaker 1: a little personal. Am I wrong to say that is

1007
00:51:22,640 --> 00:51:25,120
Speaker 1: not to become one of those like yeah, become one

1008
00:51:25,160 --> 00:51:28,719
Speaker 1: of those buzz not buzzwords, but like a late it's

1009
00:51:28,719 --> 00:51:30,840
Speaker 1: become a late shirts and in a post you know,

1010
00:51:31,400 --> 00:51:35,520
Speaker 1: Lena Dunham World, where did you go? Makes a lot

1011
00:51:35,560 --> 00:51:38,160
Speaker 1: of like Oberlin carries a lot of this weird stigma

1012
00:51:38,239 --> 00:51:41,920
Speaker 1: that's probably not deserved or or it's just yeah, it's

1013
00:51:41,960 --> 00:51:44,160
Speaker 1: just become this pincushion. Yeah, I mean Bowen and I

1014
00:51:44,440 --> 00:51:46,120
Speaker 1: went to n y U, and I think that's the

1015
00:51:46,160 --> 00:51:48,719
Speaker 1: school with a biggest target on its back and be

1016
00:51:48,880 --> 00:51:52,000
Speaker 1: it's on the biggest pedestal. It's it's like it's like both.

1017
00:51:52,520 --> 00:51:55,520
Speaker 1: And honestly, whenever anyone talks about n y U, I

1018
00:51:55,680 --> 00:51:58,759
Speaker 1: do I only am down to make cracks and jokes

1019
00:51:58,760 --> 00:52:01,280
Speaker 1: about n y U. I'm I'm not interested in defending

1020
00:52:01,320 --> 00:52:04,080
Speaker 1: it anymore. I really don't feel connected to it. I

1021
00:52:04,440 --> 00:52:07,440
Speaker 1: felt like I defended it really never I did because

1022
00:52:07,520 --> 00:52:10,360
Speaker 1: like but that I did, but without knowing what I

1023
00:52:10,440 --> 00:52:12,680
Speaker 1: was talking about, Like when people were coming for like

1024
00:52:13,120 --> 00:52:18,880
Speaker 1: John Sexton for um, you know, misusing money, and like

1025
00:52:18,960 --> 00:52:20,560
Speaker 1: I was like, no, no, no, he's actually a nice

1026
00:52:20,600 --> 00:52:22,879
Speaker 1: guy because you had you worked with him. I worked

1027
00:52:22,920 --> 00:52:24,719
Speaker 1: with him, and he was a nice guy. He is

1028
00:52:24,760 --> 00:52:29,160
Speaker 1: a nice guy and he really he was very generous.

1029
00:52:29,239 --> 00:52:31,080
Speaker 1: But that doesn't mean that what he was doing wasn't

1030
00:52:31,120 --> 00:52:33,359
Speaker 1: fucked up. I mean I went to one of those

1031
00:52:33,440 --> 00:52:37,120
Speaker 1: houses that allegedly was like they used school money for

1032
00:52:37,640 --> 00:52:40,160
Speaker 1: like it was in looking back on what that was crazy,

1033
00:52:40,719 --> 00:52:44,440
Speaker 1: it's insane. And then he he resigned and he should have,

1034
00:52:45,120 --> 00:52:47,560
Speaker 1: you know what I mean. Like, so whenever anyone talks

1035
00:52:47,600 --> 00:52:50,359
Speaker 1: about n y U, I'm just like, yeah, I mean,

1036
00:52:50,400 --> 00:52:53,320
Speaker 1: I'm not gonna feel bad about going there because like

1037
00:52:53,640 --> 00:52:55,880
Speaker 1: I wanted to go there, and like I what we

1038
00:52:55,960 --> 00:52:57,320
Speaker 1: got out of it, I think was great, which was

1039
00:52:57,400 --> 00:53:00,120
Speaker 1: the connections and like being in the city and it

1040
00:53:00,200 --> 00:53:02,640
Speaker 1: was great. Butt you met is a connection. I mean,

1041
00:53:02,920 --> 00:53:04,680
Speaker 1: I mean, hey, I'll say that when I moved here,

1042
00:53:04,719 --> 00:53:06,680
Speaker 1: I was like I had a chip on my shoulder

1043
00:53:06,760 --> 00:53:09,440
Speaker 1: people I met through. Yeah, I know, do you guys? Yeah,

1044
00:53:09,440 --> 00:53:11,000
Speaker 1: I talked about it. Yeah, I talked about it. I

1045
00:53:11,080 --> 00:53:14,600
Speaker 1: don't have a problem talking about here from me. You bit,

1046
00:53:15,000 --> 00:53:16,799
Speaker 1: I'll come for you. You guys all knew each other.

1047
00:53:16,880 --> 00:53:18,960
Speaker 1: You knew what the institutions where you know, what was

1048
00:53:19,040 --> 00:53:21,880
Speaker 1: happening you. You were able to see younger comedians and

1049
00:53:21,920 --> 00:53:25,960
Speaker 1: older comedians figuring themselves out before anyone else didn't. And

1050
00:53:26,040 --> 00:53:28,080
Speaker 1: then then and then I got here, what's going on

1051
00:53:28,160 --> 00:53:30,360
Speaker 1: and all these people, like I knew what was going on?

1052
00:53:31,000 --> 00:53:33,879
Speaker 1: I was like I had friends. It was definitely cool

1053
00:53:33,960 --> 00:53:36,120
Speaker 1: to be close to. Like, yeah, I will say this,

1054
00:53:36,360 --> 00:53:39,440
Speaker 1: I still felt like this does not absolve me of anything,

1055
00:53:39,520 --> 00:53:41,200
Speaker 1: but I still felt like I was in my m

1056
00:53:41,400 --> 00:53:44,160
Speaker 1: U bubble right right after. Like I didn't take my

1057
00:53:44,200 --> 00:53:46,440
Speaker 1: first youth for at least two and a half years. Yeah,

1058
00:53:46,440 --> 00:53:49,080
Speaker 1: I didn't stay in didn't take my first ECB class

1059
00:53:49,120 --> 00:53:51,520
Speaker 1: until the summer after college, and I was like, Oh,

1060
00:53:51,640 --> 00:53:55,000
Speaker 1: finally I'll break out of the Washington Square Park area,

1061
00:53:55,120 --> 00:53:57,719
Speaker 1: you know. And also sometimes I wonder, like what it

1062
00:53:57,719 --> 00:53:59,600
Speaker 1: would have been like to actually go to a school

1063
00:53:59,640 --> 00:54:01,360
Speaker 1: that was to New York and then have moved to

1064
00:54:01,400 --> 00:54:04,239
Speaker 1: New York, because that's like going to college again, you

1065
00:54:04,320 --> 00:54:05,719
Speaker 1: know what I mean, but this time you don't have

1066
00:54:05,800 --> 00:54:08,719
Speaker 1: the built in community. You do have to figure it out,

1067
00:54:08,800 --> 00:54:11,120
Speaker 1: you like, how did you meet people when you moved here?

1068
00:54:11,480 --> 00:54:15,239
Speaker 1: Story Parts Ye, Story Parts that was huge even for us,

1069
00:54:16,480 --> 00:54:20,719
Speaker 1: I will say, is the most positive comedy community in

1070
00:54:20,840 --> 00:54:24,040
Speaker 1: New York. Yeah, definitely. And I feel like I've like

1071
00:54:24,480 --> 00:54:28,200
Speaker 1: I've like diptoes in many different comedy communities. Story Pirates

1072
00:54:28,280 --> 00:54:30,600
Speaker 1: is the most positive. If you don't know what story

1073
00:54:30,680 --> 00:54:33,799
Speaker 1: Parts is, you should log onto story parts dot org

1074
00:54:33,920 --> 00:54:35,800
Speaker 1: or look up the story Parts on YouTube and just

1075
00:54:35,880 --> 00:54:38,680
Speaker 1: watch some of the videos. It's like an art education

1076
00:54:38,800 --> 00:54:41,840
Speaker 1: collective and it's based in New York and Los Angeles,

1077
00:54:42,000 --> 00:54:45,240
Speaker 1: and basically we take stories that are written by children,

1078
00:54:45,440 --> 00:54:48,800
Speaker 1: elementary school aged kids and make them into um sketch

1079
00:54:48,920 --> 00:54:51,880
Speaker 1: shows and musical numbers and stuff. And perform them for

1080
00:54:52,120 --> 00:54:55,400
Speaker 1: the kids and it's really motivating and it's great. And

1081
00:54:55,560 --> 00:54:59,080
Speaker 1: I met Tim and fell in love with him instantly

1082
00:54:59,640 --> 00:55:02,680
Speaker 1: when I met him because he because he did object

1083
00:55:02,719 --> 00:55:06,920
Speaker 1: work digging, and I was like, that's him Tim. When

1084
00:55:06,920 --> 00:55:08,800
Speaker 1: I first met Tim was he was the penguin that

1085
00:55:08,840 --> 00:55:11,600
Speaker 1: had to go acrost across the ocean. I first met

1086
00:55:11,640 --> 00:55:13,440
Speaker 1: Tim to story Parrots too, and just seeing him as

1087
00:55:13,480 --> 00:55:15,520
Speaker 1: one of he was a year older than my class,

1088
00:55:16,080 --> 00:55:17,719
Speaker 1: but he was at that at that point that I

1089
00:55:17,800 --> 00:55:19,960
Speaker 1: was already in the cast. He was so sharp and

1090
00:55:20,120 --> 00:55:22,640
Speaker 1: good and just yeah, you're good story pirate. And I

1091
00:55:22,719 --> 00:55:25,560
Speaker 1: was like, really talking funny and I wasn't and I've

1092
00:55:25,560 --> 00:55:29,080
Speaker 1: said this to him before, was very intimidated by him. Yes, same,

1093
00:55:29,760 --> 00:55:32,799
Speaker 1: that's so funny to me because you guys were so good,

1094
00:55:33,400 --> 00:55:36,000
Speaker 1: because I like, I know, I feel like it's a

1095
00:55:36,080 --> 00:55:38,399
Speaker 1: very specific performance style because you have to perform for kids,

1096
00:55:38,480 --> 00:55:40,600
Speaker 1: so it's very like you're like a flat character, you know,

1097
00:55:41,120 --> 00:55:43,080
Speaker 1: you have a living cartoon. Yes, And I feel like

1098
00:55:43,120 --> 00:55:47,759
Speaker 1: both of you were like so uh, instantly perfect at it.

1099
00:55:47,920 --> 00:55:50,279
Speaker 1: It's because we are living cartoons. Yeah, Well, you know,

1100
00:55:50,440 --> 00:55:51,719
Speaker 1: if you want to talk about what if you want

1101
00:55:51,760 --> 00:55:53,880
Speaker 1: about culture. I like to talk about culture inspired it.

1102
00:55:53,920 --> 00:55:57,360
Speaker 1: What about cartoons? Back to I'm gonna go all the

1103
00:55:57,360 --> 00:56:02,400
Speaker 1: way back to the Mask the Mad. That movie changed

1104
00:56:02,520 --> 00:56:05,520
Speaker 1: my life to carry his Beast and I saw it

1105
00:56:05,640 --> 00:56:07,000
Speaker 1: and I was like, Oh, I want to be an

1106
00:56:07,040 --> 00:56:09,640
Speaker 1: actor because I saw that movie. And I was like, Oh,

1107
00:56:09,719 --> 00:56:13,560
Speaker 1: a human can be a cartoon. Oh what's he doing?

1108
00:56:13,680 --> 00:56:17,000
Speaker 1: Oh he's acting. Okay, Like that's what that's People don't

1109
00:56:17,040 --> 00:56:19,920
Speaker 1: count that as acting. That's exactly right. Because Tim and

1110
00:56:19,960 --> 00:56:23,440
Speaker 1: I have had lengthy conversations about Jim Carrey specifically and

1111
00:56:23,520 --> 00:56:26,080
Speaker 1: about just as a kid. You watch him in Aspenter

1112
00:56:26,360 --> 00:56:28,560
Speaker 1: and I was as a kid, was like, he's the

1113
00:56:28,680 --> 00:56:34,759
Speaker 1: funniest person. Absolutely, absolutely him and as Pentura him and

1114
00:56:35,160 --> 00:56:38,360
Speaker 1: I mean, my favorite one. And this is like grounded

1115
00:56:38,440 --> 00:56:41,760
Speaker 1: for him. But was Liar Liar? To me? Liar Liar

1116
00:56:42,080 --> 00:56:45,359
Speaker 1: is one of the best performances ever. And I think

1117
00:56:45,400 --> 00:56:47,560
Speaker 1: it's the first hint you get that he's actually a

1118
00:56:47,600 --> 00:56:51,440
Speaker 1: great dramatic actor. The pen scene. The pen scene is unbelievable.

1119
00:56:52,200 --> 00:56:55,879
Speaker 1: Just what happens the entire movie, and then the moment

1120
00:56:55,960 --> 00:56:58,640
Speaker 1: when he's like, I'm not a good father and he

1121
00:56:58,800 --> 00:57:01,320
Speaker 1: realizes that he said it like that to me was

1122
00:57:01,400 --> 00:57:05,560
Speaker 1: like the first hint that what actually is there under

1123
00:57:05,640 --> 00:57:08,960
Speaker 1: Jim Carrey is like actually like an iconic talent, you

1124
00:57:09,040 --> 00:57:12,080
Speaker 1: know what. My parents knew I loved Jim Carrey, and

1125
00:57:12,280 --> 00:57:14,000
Speaker 1: so they took me to see Man on the Moon

1126
00:57:14,280 --> 00:57:16,600
Speaker 1: in theaters, which was like, I don't know who. Andy

1127
00:57:16,640 --> 00:57:20,600
Speaker 1: Kaufman was like I love Jim Carrey and like uh,

1128
00:57:20,800 --> 00:57:23,160
Speaker 1: and that movie also changed my life. I would have

1129
00:57:23,200 --> 00:57:25,360
Speaker 1: introduced by this dude who was now one of my

1130
00:57:25,880 --> 00:57:29,520
Speaker 1: you know, inspirations. And do you ever sw that movie?

1131
00:57:29,880 --> 00:57:32,320
Speaker 1: I've ever seen that the Room. So the opening of

1132
00:57:32,360 --> 00:57:35,480
Speaker 1: it is him as Andy doing the credits, and he

1133
00:57:35,520 --> 00:57:37,240
Speaker 1: goes like, I'm not I can't do his voice. But

1134
00:57:37,360 --> 00:57:40,000
Speaker 1: he goes like, oh, usually see credits in the beginning

1135
00:57:40,080 --> 00:57:42,280
Speaker 1: of the end of the movie, but they're always boring,

1136
00:57:42,360 --> 00:57:44,200
Speaker 1: So now we're gonna do it at the beginning, and

1137
00:57:44,200 --> 00:57:45,800
Speaker 1: then he puts on the record and the credits go

1138
00:57:45,880 --> 00:57:47,800
Speaker 1: in the beginning, And from then I was like, WHOA,

1139
00:57:47,960 --> 00:57:51,560
Speaker 1: like you can like with the form, which as a

1140
00:57:51,640 --> 00:57:55,280
Speaker 1: kid is really important to see exemplified. That is huge.

1141
00:57:56,440 --> 00:57:58,800
Speaker 1: I'm so happy that that we haven't talked about Jim

1142
00:57:58,840 --> 00:58:02,680
Speaker 1: Carrey on the podcast Jim Carrey is truly one of

1143
00:58:02,760 --> 00:58:06,360
Speaker 1: the first inspiration. Yeah, he's I mean just watching him

1144
00:58:06,360 --> 00:58:08,720
Speaker 1: in interviews where he would just like make these fucking

1145
00:58:08,880 --> 00:58:11,320
Speaker 1: crazy faces and I would be like, and do you

1146
00:58:11,400 --> 00:58:13,320
Speaker 1: see like old videos of him when he's just an

1147
00:58:13,360 --> 00:58:15,280
Speaker 1: impression But before he was even a stand up, it's

1148
00:58:15,280 --> 00:58:17,440
Speaker 1: just an impressionist. Before he would do an impression, he

1149
00:58:17,480 --> 00:58:19,920
Speaker 1: would like wrinkle his face. Do you know what I'm

1150
00:58:19,960 --> 00:58:21,960
Speaker 1: talking about? He was like wrinkles face, so of just

1151
00:58:22,080 --> 00:58:24,600
Speaker 1: like to get into it. And it's sort of like

1152
00:58:24,680 --> 00:58:26,840
Speaker 1: him like flexing little because it him just like showing

1153
00:58:26,920 --> 00:58:29,800
Speaker 1: how much control he had. Yeah. I think I read

1154
00:58:29,840 --> 00:58:32,040
Speaker 1: some article where he like when I was a kid,

1155
00:58:32,080 --> 00:58:35,960
Speaker 1: maybe like Disney Adventure magazine, where he was like, oh yeah,

1156
00:58:35,960 --> 00:58:37,840
Speaker 1: I'd make I'd make faces in the mirror as a kid.

1157
00:58:37,880 --> 00:58:39,280
Speaker 1: I was like, all right, then I'm gonna do that too.

1158
00:58:40,040 --> 00:58:43,640
Speaker 1: He to me is the epitome of commitment and energy,

1159
00:58:44,200 --> 00:58:47,040
Speaker 1: you know what I mean. He's unrivaled in those two areas.

1160
00:58:47,080 --> 00:58:48,520
Speaker 1: Like even when you see him come on like a

1161
00:58:48,720 --> 00:58:50,040
Speaker 1: like an a word show now and he has to

1162
00:58:50,240 --> 00:58:55,040
Speaker 1: do a bit he killed, he kills and no one

1163
00:58:55,480 --> 00:58:59,600
Speaker 1: is like that. I think he will be very, very

1164
00:58:59,680 --> 00:59:02,160
Speaker 1: he will, his legacy will be a very good one.

1165
00:59:02,160 --> 00:59:03,480
Speaker 1: I mean even now, it's like you look back at

1166
00:59:03,520 --> 00:59:06,280
Speaker 1: his career, I mean like Truman, Yeah, Truman Show, and

1167
00:59:06,320 --> 00:59:08,800
Speaker 1: like Eternal Sunshine came out. I was just like, this

1168
00:59:09,040 --> 00:59:14,480
Speaker 1: guy is just like amazing performances, Truman Show, Man in

1169
00:59:14,520 --> 00:59:21,520
Speaker 1: the Moon. I assume um the grnch amazing performance. We

1170
00:59:21,640 --> 00:59:24,800
Speaker 1: have talked about the Grinch episode, but we talked about

1171
00:59:24,880 --> 00:59:26,800
Speaker 1: we talked about Faith Hill. We did not talk about

1172
00:59:27,040 --> 00:59:34,400
Speaker 1: Jim Carrey, Paige me Press the Stalk. Okay, what we've

1173
00:59:34,480 --> 00:59:39,000
Speaker 1: we've we've quoted that line before you got to you

1174
00:59:39,040 --> 00:59:40,880
Speaker 1: gotta see the Grinch because not only is he given

1175
00:59:40,880 --> 00:59:43,680
Speaker 1: an amazing performance, but also like a lot of people

1176
00:59:43,720 --> 00:59:46,200
Speaker 1: are like, it's like biller Win is in and he's

1177
00:59:46,240 --> 00:59:48,440
Speaker 1: so good. The mayor of who we, Christine Baranski is

1178
00:59:48,440 --> 00:59:54,200
Speaker 1: the next day putting upper lights and that tailor mom.

1179
00:59:58,160 --> 01:00:01,680
Speaker 1: Seasonally it's not appropriate anymore, but still see it. Yeah, Seasonally,

1180
01:00:02,120 --> 01:00:07,400
Speaker 1: culturally it's important. I'll see a Christmas movie in the summer. Dude,

1181
01:00:07,480 --> 01:00:11,600
Speaker 1: you're honestly wild. I like, actually, don't give a fuck.

1182
01:00:14,280 --> 01:00:18,280
Speaker 1: Oh my god, um, time to drop into ten guys

1183
01:00:19,160 --> 01:00:22,200
Speaker 1: at this time. Time to drop into ten. So um, guys,

1184
01:00:22,480 --> 01:00:25,040
Speaker 1: um listen. I want to know, Tim, what have you

1185
01:00:25,080 --> 01:00:27,600
Speaker 1: seen this year? What's coming up for the Oscars that

1186
01:00:27,640 --> 01:00:30,120
Speaker 1: you're like, Hell yeah, you are you tuned in? Because

1187
01:00:30,400 --> 01:00:32,959
Speaker 1: I want to keep this part of the podcast because

1188
01:00:33,000 --> 01:00:35,440
Speaker 1: they're coming up. Okay, okay, um. I feel like I

1189
01:00:35,520 --> 01:00:38,000
Speaker 1: haven't really seen that much that many movies recently. One

1190
01:00:38,040 --> 01:00:39,560
Speaker 1: are the best pictures. I mean, you know what, The

1191
01:00:39,640 --> 01:00:41,920
Speaker 1: last movie I saw is Mowanna. If we want to

1192
01:00:41,920 --> 01:00:44,640
Speaker 1: get into it, oh, I don't think. No, I don't

1193
01:00:44,680 --> 01:00:47,800
Speaker 1: know trigger word. I don't want to get into it.

1194
01:00:48,120 --> 01:00:50,600
Speaker 1: I don't want to get into it. I will say,

1195
01:00:50,720 --> 01:00:52,840
Speaker 1: I will say I would you like it? I did

1196
01:00:52,960 --> 01:00:55,880
Speaker 1: like it. I loved it. Actually talking about this, you know,

1197
01:00:56,080 --> 01:00:59,280
Speaker 1: I was very bored by Mowanna. And that's this. That's

1198
01:00:59,360 --> 01:01:00,920
Speaker 1: just the reason why I didn't like it very much

1199
01:01:01,040 --> 01:01:03,320
Speaker 1: because it bored me. I thought I thought that it

1200
01:01:03,560 --> 01:01:06,480
Speaker 1: could have been better based on the standards of all

1201
01:01:06,480 --> 01:01:08,440
Speaker 1: the Disney movies I've seen. It just been swept away

1202
01:01:08,520 --> 01:01:11,400
Speaker 1: by That's my only problem. And I we watched we

1203
01:01:11,440 --> 01:01:14,440
Speaker 1: saw together, and the reprise of How Far All Go

1204
01:01:14,800 --> 01:01:18,400
Speaker 1: was so moving and beautiful. I just lifted us up

1205
01:01:18,480 --> 01:01:20,520
Speaker 1: and then it just sort of left us hanging for

1206
01:01:20,600 --> 01:01:23,240
Speaker 1: the rest of the movie. It's frustrating when you see

1207
01:01:23,240 --> 01:01:26,840
Speaker 1: a movie that's capable of so much and then like

1208
01:01:27,520 --> 01:01:30,920
Speaker 1: it just doesn't deliver that throughout. I so I I

1209
01:01:31,120 --> 01:01:33,080
Speaker 1: see that. I see that for me. I was with

1210
01:01:33,200 --> 01:01:35,080
Speaker 1: it the whole time. I thought looked beautiful. I thought

1211
01:01:35,120 --> 01:01:37,480
Speaker 1: all the music was great. I was like I was

1212
01:01:37,600 --> 01:01:40,560
Speaker 1: laughing that. I was laughing at the Dumas rooster. I

1213
01:01:40,600 --> 01:01:44,040
Speaker 1: love that little thing. But I've come around on the

1214
01:01:44,080 --> 01:01:47,920
Speaker 1: rooster because I know that this is the thing. I

1215
01:01:48,120 --> 01:01:50,720
Speaker 1: used to say it should have been the pig, but

1216
01:01:50,880 --> 01:01:52,720
Speaker 1: the fact that it should have been the pig and

1217
01:01:52,800 --> 01:01:56,800
Speaker 1: it was the rooster is what's so great. And that's

1218
01:01:56,880 --> 01:01:59,040
Speaker 1: the subversion that I was looking for in the movie,

1219
01:01:59,040 --> 01:02:00,720
Speaker 1: because I was like, where was the sub version? Which

1220
01:02:00,760 --> 01:02:02,840
Speaker 1: was a dumb thing to stay. Looking back, I just

1221
01:02:02,920 --> 01:02:04,680
Speaker 1: didn't like. I just didn't like the movie. But I

1222
01:02:04,760 --> 01:02:06,840
Speaker 1: think it's so funny. The up top of this cute

1223
01:02:06,880 --> 01:02:08,280
Speaker 1: pig has made such a big part of it, and

1224
01:02:08,320 --> 01:02:10,160
Speaker 1: you're like, oh, I'm still ray for this pig. Know,

1225
01:02:10,360 --> 01:02:12,360
Speaker 1: he was cracking me up, and it's like, oh, who's

1226
01:02:12,360 --> 01:02:13,640
Speaker 1: in here with me? Like that's gonna be the pig

1227
01:02:13,720 --> 01:02:17,600
Speaker 1: and it's like the Okay, I will say this because

1228
01:02:17,880 --> 01:02:21,080
Speaker 1: because I said this in the thread, the thread about

1229
01:02:21,120 --> 01:02:24,400
Speaker 1: ma wanna Um, because I I think the first song

1230
01:02:24,520 --> 01:02:27,720
Speaker 1: in that movie is like so wonderful and I haven't

1231
01:02:27,760 --> 01:02:31,040
Speaker 1: seen a song like that in a Disney movie where

1232
01:02:31,120 --> 01:02:33,880
Speaker 1: it's like, oh, I love where I'm from, I want,

1233
01:02:33,960 --> 01:02:36,400
Speaker 1: I want to have more, but I still love where

1234
01:02:36,400 --> 01:02:38,360
Speaker 1: I'm from. And to she like, you know this little

1235
01:02:38,400 --> 01:02:41,200
Speaker 1: town sucks? You know no? And I love how that

1236
01:02:41,280 --> 01:02:43,320
Speaker 1: song you write to him. I I completely agree. I

1237
01:02:43,360 --> 01:02:47,120
Speaker 1: love how that song frames responsibility in a very positive way,

1238
01:02:47,160 --> 01:02:49,800
Speaker 1: and she as a protagonist, is receiving them and saying, yes,

1239
01:02:50,400 --> 01:02:52,280
Speaker 1: I am going to be a leader. This is what

1240
01:02:52,360 --> 01:02:54,560
Speaker 1: I have to do. And she's not like it's not

1241
01:02:54,640 --> 01:02:58,320
Speaker 1: a spiteful thing at all. Yeah, and no one leaves,

1242
01:02:58,840 --> 01:03:02,240
Speaker 1: that's right, we stay. I liked so much of the music.

1243
01:03:02,280 --> 01:03:07,840
Speaker 1: I liked Your Welcome, and I really liked um the

1244
01:03:08,200 --> 01:03:12,320
Speaker 1: when the grandmother returns as a spirit spoiler and she's like, uh,

1245
01:03:12,720 --> 01:03:14,400
Speaker 1: you remember what I must what I have told you,

1246
01:03:14,440 --> 01:03:18,320
Speaker 1: and she's like, I am the daughter of and then

1247
01:03:18,560 --> 01:03:26,840
Speaker 1: she the last thing is yeah, I also love hasn't

1248
01:03:26,960 --> 01:03:31,000
Speaker 1: always been this. I can't tell you something I hated that,

1249
01:03:31,040 --> 01:03:32,640
Speaker 1: I know. I think you have a good point, Like

1250
01:03:32,720 --> 01:03:38,080
Speaker 1: that is like why hap that that it doesn't need

1251
01:03:38,480 --> 01:03:40,200
Speaker 1: It's like it's a screenplay moment, you know what I mean,

1252
01:03:40,240 --> 01:03:41,800
Speaker 1: Like it doesn't need to be there. But I think

1253
01:03:41,840 --> 01:03:45,000
Speaker 1: that song and that vocal performance is like fucking cool

1254
01:03:45,080 --> 01:03:47,040
Speaker 1: from but also like it's up my alley, you know

1255
01:03:47,120 --> 01:03:49,320
Speaker 1: it's that. Yeah, it's such a was such a Tim

1256
01:03:49,400 --> 01:03:52,280
Speaker 1: platinum moment. I saw it. I was like, this is Tim.

1257
01:03:52,440 --> 01:03:55,200
Speaker 1: Don't give me the Hawaana, don't give me the how

1258
01:03:55,480 --> 01:03:58,400
Speaker 1: far I'll go reprise and then give me that crap singing. Look, look, look,

1259
01:03:58,480 --> 01:04:01,480
Speaker 1: I think I think it's Matt has this relationship with

1260
01:04:01,560 --> 01:04:03,880
Speaker 1: Frozen where we saw it together in the theater, didn't

1261
01:04:03,920 --> 01:04:05,760
Speaker 1: love it, but then you saw it again with kids

1262
01:04:05,840 --> 01:04:08,600
Speaker 1: or in another context got on board with I think

1263
01:04:08,680 --> 01:04:11,640
Speaker 1: I will give Moana another shot. It's not that I

1264
01:04:11,800 --> 01:04:16,240
Speaker 1: love Frozen and therefore everything else is disqualified. I just no.

1265
01:04:16,400 --> 01:04:18,320
Speaker 1: But that is like that is like a feeling that

1266
01:04:18,520 --> 01:04:19,840
Speaker 1: is out there, you know what I mean. It's like,

1267
01:04:20,040 --> 01:04:22,440
Speaker 1: well it wasn't as good as Frozen. It's like it's

1268
01:04:22,480 --> 01:04:24,600
Speaker 1: like that's like a sentiment which is like, you gotta

1269
01:04:24,640 --> 01:04:26,760
Speaker 1: choose either Tangled or Frozen, which is like a fun

1270
01:04:26,880 --> 01:04:29,920
Speaker 1: conversation to have, but like not want to actually believe.

1271
01:04:30,440 --> 01:04:32,240
Speaker 1: But I do think there's this thing out there which

1272
01:04:32,320 --> 01:04:34,920
Speaker 1: is like the people that like Frozen, the people that

1273
01:04:35,040 --> 01:04:37,320
Speaker 1: don't like Frozen, and the people that like Frozen like

1274
01:04:37,640 --> 01:04:40,240
Speaker 1: people assume that we think it's the best fucking thing

1275
01:04:40,320 --> 01:04:44,280
Speaker 1: ever because it did do so unbelievably well. I just

1276
01:04:44,520 --> 01:04:47,760
Speaker 1: think Frozen is great because it it took a step

1277
01:04:47,880 --> 01:04:50,360
Speaker 1: forward for me in terms of what those Disney movies

1278
01:04:50,480 --> 01:04:54,640
Speaker 1: could be and eventually ended up being a love story

1279
01:04:54,720 --> 01:04:58,160
Speaker 1: between the sisters. I get if like the movie board

1280
01:04:58,280 --> 01:05:01,480
Speaker 1: you and like, you know, the let it Go sequence

1281
01:05:01,560 --> 01:05:04,000
Speaker 1: is the only good sequence. I understand people saying that

1282
01:05:04,480 --> 01:05:09,360
Speaker 1: I just, you know, preferred the the creative, innovative way

1283
01:05:09,440 --> 01:05:12,280
Speaker 1: that the storytelling was. Okay, As someone who doesn't care

1284
01:05:12,360 --> 01:05:15,600
Speaker 1: for Frozen or Mowanna, I just want to say one

1285
01:05:15,680 --> 01:05:18,600
Speaker 1: of the best movies, full stop is Wreck It, Ralph.

1286
01:05:18,800 --> 01:05:22,200
Speaker 1: Everyone must see it. You haven't seen it yet. I haven't.

1287
01:05:22,200 --> 01:05:23,920
Speaker 1: I want to see it, Tim, I think it's going

1288
01:05:23,960 --> 01:05:26,280
Speaker 1: to blow your mind. Okay, I also want to see

1289
01:05:26,640 --> 01:05:30,200
Speaker 1: uh Joel posted about Storks being better than the Utopia,

1290
01:05:30,720 --> 01:05:34,400
Speaker 1: and I don't know if that wasn't. I think I

1291
01:05:34,520 --> 01:05:36,200
Speaker 1: do want to see saying because I've heard great things.

1292
01:05:36,280 --> 01:05:38,200
Speaker 1: I want to seeing too because there's music in it,

1293
01:05:38,320 --> 01:05:40,720
Speaker 1: because I'm allergic to any animated movies that doesn't have

1294
01:05:40,760 --> 01:05:44,600
Speaker 1: any music except Monsters, inc. I love Monsters. I just

1295
01:05:44,680 --> 01:05:49,640
Speaker 1: saw and I thought that was good. I thought that

1296
01:05:49,720 --> 01:05:52,600
Speaker 1: was a good movie. I didn't I liked the movie,

1297
01:05:52,640 --> 01:05:56,160
Speaker 1: but people were really just it didn't hit the heights set.

1298
01:05:56,240 --> 01:05:58,240
Speaker 1: It was the people telling me that that's what I

1299
01:05:58,360 --> 01:06:00,439
Speaker 1: was expecting a lot, and I enjoyed it. I enjoyed

1300
01:06:00,440 --> 01:06:02,640
Speaker 1: it as well. So Joel was joking about Storks. No,

1301
01:06:02,760 --> 01:06:05,400
Speaker 1: I think he must generally will follow up with Joel,

1302
01:06:05,640 --> 01:06:07,480
Speaker 1: I don't know. I'm gonna I'm gonna ask him. I

1303
01:06:07,680 --> 01:06:09,880
Speaker 1: was really excited by that take because I was like, oh,

1304
01:06:10,640 --> 01:06:13,160
Speaker 1: I guess I'll watched Storks like I went to have

1305
01:06:13,240 --> 01:06:14,720
Speaker 1: watched because it's it's a movie that I feel like

1306
01:06:14,720 --> 01:06:17,760
Speaker 1: I would not have watched. And then it got this

1307
01:06:17,840 --> 01:06:22,720
Speaker 1: glowing response from out of nowhere, and so I was excited.

1308
01:06:22,840 --> 01:06:24,840
Speaker 1: I was excited to be like my jumping into this thing,

1309
01:06:24,880 --> 01:06:28,160
Speaker 1: you know what can go see storks together that I

1310
01:06:28,160 --> 01:06:29,760
Speaker 1: would like that. I would like that. I would do

1311
01:06:29,840 --> 01:06:32,360
Speaker 1: another ten. Um, it's time to do another ten. And

1312
01:06:32,600 --> 01:06:34,560
Speaker 1: while you're doing that ten, it's time for everyone to

1313
01:06:34,640 --> 01:06:41,280
Speaker 1: get ready for the signature, the signature honey moment and

1314
01:06:41,480 --> 01:06:45,320
Speaker 1: every last culture this episode it's I don't think so honey,

1315
01:06:45,600 --> 01:06:48,640
Speaker 1: And this is our opportunity here on loss. Culture's just

1316
01:06:48,840 --> 01:06:51,240
Speaker 1: to take that one thing that's really been pushing our

1317
01:06:51,920 --> 01:06:55,600
Speaker 1: proverbial buttons and rail against it for one minute on

1318
01:06:55,680 --> 01:06:59,480
Speaker 1: the clock. Now, both our guest Tim and Bowen have

1319
01:06:59,680 --> 01:07:03,720
Speaker 1: their heads in their hands and they're they're stressed. What's

1320
01:07:03,760 --> 01:07:06,440
Speaker 1: going on? I just don't know. This is truly the

1321
01:07:06,520 --> 01:07:09,280
Speaker 1: most unprepared, like even off the cuff, because you're just

1322
01:07:09,360 --> 01:07:12,480
Speaker 1: so happy in your life. No, it's just that I

1323
01:07:12,640 --> 01:07:16,240
Speaker 1: feel like I've really just directed my frustration and my

1324
01:07:16,360 --> 01:07:18,120
Speaker 1: I don't think so honey, nous at a lot of

1325
01:07:18,200 --> 01:07:21,000
Speaker 1: different things, and I don't know if I'm running out

1326
01:07:21,040 --> 01:07:23,880
Speaker 1: you know what I'm saying, Well, how about you start, Matt.

1327
01:07:24,240 --> 01:07:26,800
Speaker 1: I would like to start, because I do have one okay,

1328
01:07:27,160 --> 01:07:29,000
Speaker 1: so I'll set the clock for you, and i'd like

1329
01:07:29,080 --> 01:07:32,960
Speaker 1: open hearts and open minds. If that's okay, depends it depends.

1330
01:07:33,160 --> 01:07:35,640
Speaker 1: I grant you that, but that's alone. Here we go

1331
01:07:35,960 --> 01:07:39,160
Speaker 1: okay because Matt Rodgers, I don't think so, honey. Time

1332
01:07:39,240 --> 01:07:41,720
Speaker 1: starts now. I don't think so, honey. The Starbucks that

1333
01:07:41,760 --> 01:07:43,520
Speaker 1: are popping up all over the city, that put a

1334
01:07:43,560 --> 01:07:45,360
Speaker 1: lot of their money into their aesthetic and not on

1335
01:07:45,600 --> 01:07:49,640
Speaker 1: more seats, Come on, we need more seats and Starbucks.

1336
01:07:49,680 --> 01:07:51,160
Speaker 1: If I go to a Starbus or if I live

1337
01:07:51,200 --> 01:07:53,040
Speaker 1: near near a Starbucks, I want to be able to

1338
01:07:53,120 --> 01:07:54,920
Speaker 1: sit down, bitch. I want to be able to go

1339
01:07:55,040 --> 01:07:57,840
Speaker 1: there and use the WiFi. Hello, bitch, I just moved

1340
01:07:57,880 --> 01:08:00,240
Speaker 1: into an apartment with my boyfriend Henry, who's a lovely,

1341
01:08:00,240 --> 01:08:03,120
Speaker 1: amazing person. But you know what, sometimes he's teaching a lesson.

1342
01:08:03,160 --> 01:08:05,720
Speaker 1: It needs to be on the keys, tinkling tinkling away.

1343
01:08:05,760 --> 01:08:07,680
Speaker 1: He's a musician, he's loud, and I would like to

1344
01:08:07,680 --> 01:08:09,120
Speaker 1: go to a starbust to be able to sit down.

1345
01:08:09,200 --> 01:08:11,280
Speaker 1: But no, you put your budget into the fucking walls

1346
01:08:11,600 --> 01:08:15,000
Speaker 1: being made out of like like like, oh, I don't

1347
01:08:15,040 --> 01:08:17,439
Speaker 1: think so, honey, I need a fucking seat. How come

1348
01:08:17,479 --> 01:08:20,360
Speaker 1: there's four seats in here and fucking eight lamps. I

1349
01:08:20,439 --> 01:08:22,639
Speaker 1: don't need more lamps, bitch, I need somewhere to sit.

1350
01:08:22,760 --> 01:08:25,160
Speaker 1: Also make it easier for me to love into your wife.

1351
01:08:25,160 --> 01:08:27,680
Speaker 1: I God damn it. How come it takes me like

1352
01:08:28,240 --> 01:08:31,479
Speaker 1: no time to fucking get my VENTI drink, but fift

1353
01:08:31,680 --> 01:08:34,200
Speaker 1: twenty minutes the standard of the WiFi. If you know

1354
01:08:34,400 --> 01:08:37,200
Speaker 1: anything Starbucks, you know that people use you to sit

1355
01:08:37,280 --> 01:08:39,160
Speaker 1: down and hang out as much as they do for drinks.

1356
01:08:39,160 --> 01:08:42,759
Speaker 1: I don't think so, honey. Change okay, And that's one minute.

1357
01:08:43,200 --> 01:08:45,720
Speaker 1: That was one of my best ones ever. Really. That

1358
01:08:45,920 --> 01:08:48,240
Speaker 1: was really because I feel like I made my point

1359
01:08:48,439 --> 01:08:51,920
Speaker 1: and I feel like now there'll be a change that's

1360
01:08:52,160 --> 01:08:53,760
Speaker 1: I measure my I don't think so, honey. And do

1361
01:08:53,920 --> 01:08:56,960
Speaker 1: I think after the fact that something will change? And

1362
01:08:57,320 --> 01:08:59,800
Speaker 1: I think this is what Matt, This is what Matt

1363
01:09:00,200 --> 01:09:04,200
Speaker 1: is to enact, and uh, you know effect change in

1364
01:09:04,400 --> 01:09:08,800
Speaker 1: lieu of having senators who are in opposition of him?

1365
01:09:09,200 --> 01:09:11,320
Speaker 1: Is that right? Because you know what? Yes, I am

1366
01:09:11,400 --> 01:09:13,320
Speaker 1: from New York born and raised, and therefore, like I

1367
01:09:13,439 --> 01:09:15,439
Speaker 1: call my senators and like, yeah, I know, yeah, I

1368
01:09:15,479 --> 01:09:18,320
Speaker 1: also I'm outraged at the same but um, but now

1369
01:09:18,400 --> 01:09:19,960
Speaker 1: you have a place I have a place to put

1370
01:09:20,040 --> 01:09:23,840
Speaker 1: my anger in. Its Starbucks. That said it's important to

1371
01:09:23,920 --> 01:09:28,320
Speaker 1: call senators about specifics because we were just joking. Yeah,

1372
01:09:28,800 --> 01:09:33,960
Speaker 1: I because I want to say that. It's also nice

1373
01:09:34,000 --> 01:09:37,200
Speaker 1: to say thank you. I tweeted Brandon. I said thank

1374
01:09:37,240 --> 01:09:40,040
Speaker 1: you because I think her. I think she's the fucking best.

1375
01:09:40,120 --> 01:09:44,200
Speaker 1: She's the rock star. And to Tim we finished that thought,

1376
01:09:44,560 --> 01:09:49,040
Speaker 1: um that because with all the stuff that's happening, it's

1377
01:09:49,240 --> 01:09:51,920
Speaker 1: very easy to call it and just be like protect

1378
01:09:52,040 --> 01:09:54,000
Speaker 1: us from Trump, you know, but like it's so much

1379
01:09:54,040 --> 01:09:58,679
Speaker 1: helpful and be like, oh, like through it was saying

1380
01:09:58,760 --> 01:10:00,720
Speaker 1: all the the people that you have a problem with

1381
01:10:00,800 --> 01:10:04,000
Speaker 1: the specific ability of problem with is very Uh. I

1382
01:10:04,120 --> 01:10:06,280
Speaker 1: think it's good. It's good for you, and it's good

1383
01:10:06,360 --> 01:10:09,360
Speaker 1: for the for the for them. Yes, every time I

1384
01:10:09,400 --> 01:10:10,960
Speaker 1: talk about this stuff, I feel like I'm just like

1385
01:10:11,080 --> 01:10:15,000
Speaker 1: reciting things I've read. But then you eventually you a

1386
01:10:15,120 --> 01:10:17,800
Speaker 1: master you you get your own vocabulary for it, and

1387
01:10:17,960 --> 01:10:20,240
Speaker 1: that's when that's when you break through. Because I feel

1388
01:10:20,240 --> 01:10:22,840
Speaker 1: like I haven't been emotional. I feel you talked about

1389
01:10:22,840 --> 01:10:25,880
Speaker 1: being an emotional on the phone with your with your

1390
01:10:25,920 --> 01:10:28,160
Speaker 1: standards and representatives, and I feel like I'm still very Metrick.

1391
01:10:29,479 --> 01:10:32,400
Speaker 1: I'm gonna read this script thank you like I feel

1392
01:10:32,439 --> 01:10:35,040
Speaker 1: like I don't know, I feel like I'm talking to

1393
01:10:35,120 --> 01:10:38,479
Speaker 1: like my teacher's mom or something like that. If if

1394
01:10:38,560 --> 01:10:41,200
Speaker 1: this helps. I usually don't read from a script, but

1395
01:10:41,280 --> 01:10:43,960
Speaker 1: I will like pour over some get a sense of

1396
01:10:44,000 --> 01:10:46,240
Speaker 1: what I want to say, and then I will physically

1397
01:10:46,320 --> 01:10:48,559
Speaker 1: This is the sounds weird, but it's just because it's

1398
01:10:48,560 --> 01:10:49,840
Speaker 1: like the only place at work where I can do

1399
01:10:49,920 --> 01:10:52,439
Speaker 1: this in privacy, because I will go to the back

1400
01:10:52,560 --> 01:10:57,480
Speaker 1: and just go into the darkest corner and feel physically

1401
01:10:57,720 --> 01:11:01,960
Speaker 1: sort of just like I have to really just surround

1402
01:11:02,000 --> 01:11:03,680
Speaker 1: myself with what, like I don't know, with something that

1403
01:11:04,040 --> 01:11:07,120
Speaker 1: matches the sentiment or whatever, and then I'll just go

1404
01:11:07,240 --> 01:11:10,559
Speaker 1: into I'm never angry. I just get I'm never emotional,

1405
01:11:10,600 --> 01:11:12,760
Speaker 1: I should say, I get just a little snippy, but

1406
01:11:12,840 --> 01:11:17,240
Speaker 1: appropriately and politely. So like today I called UM. Famously,

1407
01:11:17,320 --> 01:11:21,120
Speaker 1: my representative walked snuck out of a town hall meeting

1408
01:11:21,240 --> 01:11:24,200
Speaker 1: that was that was my representative from my district. And

1409
01:11:24,280 --> 01:11:26,600
Speaker 1: I called his office today and one of his staffers,

1410
01:11:26,760 --> 01:11:29,640
Speaker 1: very nice guy UM took a message for me and

1411
01:11:29,680 --> 01:11:32,400
Speaker 1: I said, Hi, I just want to UM say that

1412
01:11:33,160 --> 01:11:36,280
Speaker 1: I think it's unfortunate that Congressman and Kaufman left his

1413
01:11:36,320 --> 01:11:39,360
Speaker 1: own town hall meeting. UM. But if he is, but

1414
01:11:39,400 --> 01:11:41,599
Speaker 1: if he's afraid of a hostile reception, I just think

1415
01:11:41,600 --> 01:11:42,880
Speaker 1: he needs to see that as a way of his

1416
01:11:43,320 --> 01:11:47,879
Speaker 1: constituents UM holding him accountable. So UM, I would encourage

1417
01:11:47,960 --> 01:11:50,960
Speaker 1: him to really um have more FaceTime with his with

1418
01:11:51,160 --> 01:11:52,600
Speaker 1: with the people he represents. And that's all I have

1419
01:11:52,720 --> 01:11:55,080
Speaker 1: to say. Like that was just a more tame way

1420
01:11:55,120 --> 01:11:57,080
Speaker 1: of me to just be like, hey, that was sucking stupid.

1421
01:11:57,120 --> 01:11:59,240
Speaker 1: Why did you do that? You know, there's always like

1422
01:11:59,280 --> 01:12:02,280
Speaker 1: a positive way to read them. Okay, you need more time?

1423
01:12:02,400 --> 01:12:06,479
Speaker 1: Or should tim go? No? Um, I can go okay, okay,

1424
01:12:06,600 --> 01:12:08,880
Speaker 1: I have one, but I don't want to do that one. Sure, No,

1425
01:12:09,240 --> 01:12:11,639
Speaker 1: it doesn't matter. I just just came up with mine.

1426
01:12:11,680 --> 01:12:13,160
Speaker 1: And this is the beauty if I don't think so honey,

1427
01:12:13,360 --> 01:12:16,800
Speaker 1: And I told him this, um, you know, the the

1428
01:12:17,960 --> 01:12:21,400
Speaker 1: less significant Sometimes it's nice and we whip out our

1429
01:12:21,439 --> 01:12:24,000
Speaker 1: improv backgrounds and bone Yang's. I don't think so honey

1430
01:12:24,080 --> 01:12:26,439
Speaker 1: starts right now. I don't think so honey. Uber drivers

1431
01:12:26,479 --> 01:12:29,400
Speaker 1: who do not stop at where they designated place marker

1432
01:12:29,479 --> 01:12:31,519
Speaker 1: on your map is there was a reason that the

1433
01:12:31,680 --> 01:12:34,160
Speaker 1: user is able to designate the pickup spot. And I

1434
01:12:34,240 --> 01:12:36,840
Speaker 1: will do my best, my best, and Matt can vouch

1435
01:12:36,880 --> 01:12:38,639
Speaker 1: for this, and Tim can vouch for this. I will

1436
01:12:38,680 --> 01:12:40,800
Speaker 1: do my best to go to the exact spot where

1437
01:12:40,800 --> 01:12:44,000
Speaker 1: the pin has dropped. And honey, these drivers don't know

1438
01:12:44,240 --> 01:12:46,400
Speaker 1: they're way around to the city blocks and cities are

1439
01:12:46,400 --> 01:12:48,040
Speaker 1: supposed to be familiar with that they're being paid to

1440
01:12:48,080 --> 01:12:50,400
Speaker 1: be familiar with. And honey, they ask me what roots

1441
01:12:50,439 --> 01:12:52,519
Speaker 1: to go and oh, don't even at me started. I

1442
01:12:52,560 --> 01:12:55,840
Speaker 1: don't think so, honey. On drivers, taxi drivers, uber drivers, whatever,

1443
01:12:56,080 --> 01:12:59,880
Speaker 1: who asked you to navigate for them, Oh, that is unacceptable.

1444
01:13:00,240 --> 01:13:02,800
Speaker 1: Download ways for your phone, download any for your phone.

1445
01:13:02,880 --> 01:13:05,200
Speaker 1: This is unacceptable. I don't think so. Many drivers who

1446
01:13:05,280 --> 01:13:06,920
Speaker 1: do are not good at their jobs. I will give

1447
01:13:06,960 --> 01:13:08,640
Speaker 1: you a two star reading. I will never give you

1448
01:13:08,720 --> 01:13:10,960
Speaker 1: one star wating unless you slap me in the face.

1449
01:13:11,000 --> 01:13:13,160
Speaker 1: But I don't think so, honey. Drivers who do not

1450
01:13:13,640 --> 01:13:16,360
Speaker 1: do not respect this transaction of them knowing their way

1451
01:13:16,400 --> 01:13:19,360
Speaker 1: around the goddamn city, bitch. I don't think so, honey.

1452
01:13:19,439 --> 01:13:24,160
Speaker 1: Uber drivers named Jordan's or whatever, or greg I've had

1453
01:13:24,240 --> 01:13:27,120
Speaker 1: bad Greg's and and they they are bad drivers. One minute,

1454
01:13:27,160 --> 01:13:29,040
Speaker 1: Gregs are bad drivers. Think this is the first time

1455
01:13:29,080 --> 01:13:32,479
Speaker 1: in the podcast history that Matt hasn't interrupted Bowen's I

1456
01:13:32,520 --> 01:13:36,040
Speaker 1: don't think so, honey. You know, he's like, really shady

1457
01:13:36,080 --> 01:13:40,479
Speaker 1: of you to say it's especially in lieu of recent conflicts. Well,

1458
01:13:41,280 --> 01:13:43,760
Speaker 1: I just did the last episode. You mean because I

1459
01:13:43,960 --> 01:13:46,720
Speaker 1: was that's because my personality and characters being attacked live.

1460
01:13:46,800 --> 01:13:48,920
Speaker 1: It was just really nice to see you hold your

1461
01:13:49,000 --> 01:13:51,320
Speaker 1: tongue for once, and that was really I hope you'll

1462
01:13:51,360 --> 01:13:53,599
Speaker 1: take that one forward. Well. I hope that I continue

1463
01:13:53,640 --> 01:13:56,200
Speaker 1: to do bet through of this podcast, that I do

1464
01:13:56,360 --> 01:14:00,720
Speaker 1: that today behavior, honey, I don't you know. I think

1465
01:14:01,880 --> 01:14:03,760
Speaker 1: push ups. Um, I think I do fine. I think

1466
01:14:03,800 --> 01:14:05,599
Speaker 1: you do such a good job. You do ten plush

1467
01:14:05,680 --> 01:14:09,760
Speaker 1: ups or else you're gonna be fucked up. All right,

1468
01:14:09,800 --> 01:14:11,599
Speaker 1: your arms are going to be uneven and sucked up.

1469
01:14:11,720 --> 01:14:14,800
Speaker 1: I have one of them happy with Okay, great, I

1470
01:14:14,880 --> 01:14:16,920
Speaker 1: wasn't all that you kind of say, I wasn't all

1471
01:14:16,960 --> 01:14:22,360
Speaker 1: the way happy with mine. That's fine, Bowen Platt starts

1472
01:14:22,520 --> 01:14:25,559
Speaker 1: right now. I don't think so, honey. Coffee shops where

1473
01:14:25,600 --> 01:14:27,360
Speaker 1: you when I ask you if there's WiFi and you

1474
01:14:27,479 --> 01:14:30,200
Speaker 1: say yes, there's WiFi, and I get a coffee and

1475
01:14:30,280 --> 01:14:32,600
Speaker 1: I get a pastry, and I sit down, and I

1476
01:14:32,760 --> 01:14:35,640
Speaker 1: opened up my laptop and there's no WiFi. And I go,

1477
01:14:35,760 --> 01:14:38,080
Speaker 1: what can I say? There's no WiFi? And the go, yeah, well,

1478
01:14:38,120 --> 01:14:40,360
Speaker 1: I guess it's not working. Why did you tell me

1479
01:14:40,479 --> 01:14:44,040
Speaker 1: there was WiFi? When I bought with my own money

1480
01:14:44,520 --> 01:14:47,120
Speaker 1: coffee and I set up a space I could get

1481
01:14:47,160 --> 01:14:50,200
Speaker 1: coffee and pastry anywhere with WiFi. That's why I bought.

1482
01:14:50,680 --> 01:14:54,160
Speaker 1: I bought a ticket to WiFi, and you said, your

1483
01:14:54,240 --> 01:14:56,679
Speaker 1: ticket is accepted. And then I got to the fucking

1484
01:14:56,760 --> 01:14:58,599
Speaker 1: sign and it turns out it was a steel ticket.

1485
01:14:58,600 --> 01:15:00,439
Speaker 1: You can't rip in half and give you my have back.

1486
01:15:00,640 --> 01:15:02,920
Speaker 1: Now I'm stuck there. What are they gonna do? Free?

1487
01:15:03,000 --> 01:15:06,080
Speaker 1: Write on a fucking word document? No, I wanted to

1488
01:15:06,160 --> 01:15:09,400
Speaker 1: do right? Or do it? No? I want you to Spotify. No,

1489
01:15:09,920 --> 01:15:12,320
Speaker 1: I want to Facebook when I get a little bit

1490
01:15:12,479 --> 01:15:16,200
Speaker 1: bored of writing. And you betrayed me, and I should

1491
01:15:16,320 --> 01:15:19,880
Speaker 1: get my money back and you should give me a

1492
01:15:20,280 --> 01:15:25,600
Speaker 1: free pastry next time. That was the most monstrous I

1493
01:15:25,640 --> 01:15:28,320
Speaker 1: don't think so, honey, yet I love it. I love

1494
01:15:28,400 --> 01:15:30,160
Speaker 1: that you took it in a whole new direction. Every

1495
01:15:30,240 --> 01:15:33,880
Speaker 1: part of it has been rebranded. That was amazing. You

1496
01:15:33,920 --> 01:15:36,880
Speaker 1: know what, You're absolutely right, It's absolutely right. It does

1497
01:15:37,000 --> 01:15:38,960
Speaker 1: drive me insane. Happens all the time. And a thing

1498
01:15:39,000 --> 01:15:40,720
Speaker 1: where it's like yeah, of course, like it's nothing. It's

1499
01:15:40,720 --> 01:15:42,720
Speaker 1: like one of those like true, like what am I

1500
01:15:42,760 --> 01:15:45,000
Speaker 1: gonna If I complain about this, I would be a monster,

1501
01:15:45,240 --> 01:15:47,680
Speaker 1: you know if I was like But also also you

1502
01:15:47,960 --> 01:15:51,240
Speaker 1: that's why you spent the money there, you know. It's

1503
01:15:51,320 --> 01:15:54,519
Speaker 1: it's a con. It's insane that that's yeah, that is

1504
01:15:54,600 --> 01:15:56,320
Speaker 1: that's part of the deal. And that's the problem I

1505
01:15:56,360 --> 01:15:58,880
Speaker 1: have with Starbucks too. Why when I go in there

1506
01:15:59,240 --> 01:16:01,400
Speaker 1: do I have to answer goddamn questionnaire When I get

1507
01:16:01,680 --> 01:16:03,679
Speaker 1: to get into your wife, you don't have to, well, Matt,

1508
01:16:03,800 --> 01:16:05,519
Speaker 1: that's because you don't have to. I think you have

1509
01:16:05,640 --> 01:16:08,439
Speaker 1: to fill out of tests if I have to do

1510
01:16:08,520 --> 01:16:11,680
Speaker 1: a test. Um guys, ten more push ups as we

1511
01:16:12,120 --> 01:16:16,040
Speaker 1: um as we sail out here, guys, Tim, We're gonna

1512
01:16:16,040 --> 01:16:21,760
Speaker 1: be on your showy Sloop generally on Wednesday at the

1513
01:16:21,800 --> 01:16:24,360
Speaker 1: Brick Theater at eight p m. Pierre Mills, wife and

1514
01:16:24,439 --> 01:16:27,200
Speaker 1: Lola Ramirez and I are hosting Sloop Gumley and it's

1515
01:16:27,200 --> 01:16:29,599
Speaker 1: a great show because we like to bring performers from

1516
01:16:29,640 --> 01:16:32,840
Speaker 1: different performance worlds, like uh, we have like a writer

1517
01:16:33,000 --> 01:16:39,640
Speaker 1: and playwright who's reading. We have a comedian what's it?

1518
01:16:39,760 --> 01:16:44,160
Speaker 1: Oh fu um? We also have cocoon dance dances, we

1519
01:16:44,280 --> 01:16:48,120
Speaker 1: have we have we have people from different performance worlds

1520
01:16:48,160 --> 01:16:49,840
Speaker 1: and very exciting and Sluck is going to be like

1521
01:16:50,720 --> 01:16:55,000
Speaker 1: of course Bowen and I will be performing as Sluck

1522
01:16:56,400 --> 01:16:59,080
Speaker 1: and we have not performed it. Suck minute sometimes so

1523
01:16:59,240 --> 01:17:01,640
Speaker 1: you know what the kids are thirsty first lock and

1524
01:17:01,840 --> 01:17:03,439
Speaker 1: oh god, I just want to say I love that

1525
01:17:03,560 --> 01:17:12,160
Speaker 1: name sleep Jumble. Yes, so, uh, Peter and Lordla and

1526
01:17:12,200 --> 01:17:15,160
Speaker 1: I were meeting and uh we were like on the

1527
01:17:15,360 --> 01:17:18,439
Speaker 1: kick of like doing songs with reference that that slanted,

1528
01:17:18,800 --> 01:17:21,720
Speaker 1: and I said, oh, sloop jumble and we laughed and

1529
01:17:21,760 --> 01:17:23,479
Speaker 1: then I was like this is the way, and both

1530
01:17:24,520 --> 01:17:27,880
Speaker 1: that's how sloop, that's how last Culture is. That's good.

1531
01:17:28,360 --> 01:17:30,839
Speaker 1: I was like, what if it's called last culture stuffs

1532
01:17:30,920 --> 01:17:33,679
Speaker 1: and Bone was like that's so stupid and just laughed.

1533
01:17:33,720 --> 01:17:34,880
Speaker 1: And then I was like, well we have to do it.

1534
01:17:35,360 --> 01:17:38,599
Speaker 1: And then that was how we knew if you laugh

1535
01:17:38,680 --> 01:17:42,880
Speaker 1: at it, you should marry it. Alright, guys, can I

1536
01:17:43,240 --> 01:17:45,320
Speaker 1: I want to tell one quick story before we go.

1537
01:17:46,080 --> 01:17:49,120
Speaker 1: So me and my high school best friend Ken were

1538
01:17:49,520 --> 01:17:52,879
Speaker 1: playing volleyball in the backyard, and his little sister Kathleen,

1539
01:17:53,200 --> 01:17:56,200
Speaker 1: who was five, was in the garden with her dad,

1540
01:17:56,360 --> 01:18:02,559
Speaker 1: and Kathleen was very um, very like garious, and she said,

1541
01:18:02,720 --> 01:18:06,800
Speaker 1: I love tomatoes. And the dad said, well, if you

1542
01:18:06,920 --> 01:18:09,679
Speaker 1: love tomato so much, why don't you marry it, because

1543
01:18:09,720 --> 01:18:13,080
Speaker 1: he had like a goofy sense of humor. And Kathleen said, well,

1544
01:18:13,080 --> 01:18:17,519
Speaker 1: because you know you can't dance with it. And that's

1545
01:18:17,560 --> 01:18:20,240
Speaker 1: why I love kids. Everyone to look up story, parents,

1546
01:18:21,640 --> 01:18:24,720
Speaker 1: guys our thanks to Tim Platt. Tim. They can find

1547
01:18:24,720 --> 01:18:27,440
Speaker 1: you on social media on Instagram at I am King Bozoh.

1548
01:18:28,400 --> 01:18:32,200
Speaker 1: On Twitter, Twitter is just Timothy Platt. Timothy Platt. I'm

1549
01:18:32,200 --> 01:18:34,559
Speaker 1: on Facebook at Tim Platt. But that took Facebook off

1550
01:18:34,640 --> 01:18:37,880
Speaker 1: my phone so it won't be the responsive. That's very

1551
01:18:38,000 --> 01:18:41,760
Speaker 1: good tumbler. I love gift cards dot Com. Tim. We

1552
01:18:41,800 --> 01:18:44,000
Speaker 1: love you so much, Thank you so much. We're gonna

1553
01:18:44,080 --> 01:18:49,040
Speaker 1: kiss you, Tim. This this isnt Roger's is the last

1554
01:18:49,080 --> 01:18:52,679
Speaker 1: culture podcast. Thanks Forever dogg and thank you bye bye. Tim.

1555
01:18:57,640 --> 01:19:00,960
Speaker 1: This has been a Forever Dog production, executive produced by

1556
01:19:01,040 --> 01:19:05,000
Speaker 1: Joe Cilio, Alex Ramsay, and Brett Bohm. For more podcasts,

1557
01:19:05,080 --> 01:19:12,120
Speaker 1: please visit Trevor Dog Productions dot com. M h m

1558
01:19:12,320 --> 01:19:12,479
Speaker 1: hm