1
00:00:00,200 --> 00:00:07,520
Speaker 1: Hello the Internet, and welcome to this episode of Trednomena,

2
00:00:08,920 --> 00:00:15,680
Speaker 1: but also accept something like amenon yeah, Trednomena, Kurt Is

3
00:00:15,680 --> 00:00:17,000
Speaker 1: he had next emper trannus.

4
00:00:17,120 --> 00:00:18,600
Speaker 2: Uh. We were just.

5
00:00:18,960 --> 00:00:21,320
Speaker 1: Talking about how maybe we don't have to give up

6
00:00:21,360 --> 00:00:24,960
Speaker 1: the old Diddy, like the old bad boy stuff.

7
00:00:25,000 --> 00:00:27,880
Speaker 3: Starting it off like that is very odd. Maybe we

8
00:00:28,000 --> 00:00:28,880
Speaker 3: don't have to.

9
00:00:29,200 --> 00:00:31,319
Speaker 1: Because he literally wasn't involved in it.

10
00:00:31,440 --> 00:00:32,760
Speaker 2: He didn't make that music.

11
00:00:33,360 --> 00:00:37,120
Speaker 3: He didn't do a fucking thing, is what we're learning.

12
00:00:37,800 --> 00:00:40,479
Speaker 3: I mean, everyone knew he he didn't have a musical

13
00:00:40,560 --> 00:00:42,920
Speaker 3: bone in his body. But like I'm sure you probably

14
00:00:42,920 --> 00:00:44,800
Speaker 3: saw that clip of Mark Curry where he talks about

15
00:00:44,880 --> 00:00:46,479
Speaker 3: the come with Me guds and this song was like

16
00:00:46,640 --> 00:00:50,040
Speaker 3: close your eyes, no surprise, come with Me, And like

17
00:00:50,080 --> 00:00:52,120
Speaker 3: Mark Curry wrote that song and he's like, but then

18
00:00:52,120 --> 00:00:54,320
Speaker 3: did he got in this seat? He's like, my eyes,

19
00:00:54,920 --> 00:00:58,000
Speaker 3: no surprise, my eyes, and he's like it took us

20
00:00:58,040 --> 00:01:03,520
Speaker 3: eight months to record that first.

21
00:01:01,880 --> 00:01:06,400
Speaker 2: But anyway, just all bad, bad instincts.

22
00:01:06,440 --> 00:01:10,040
Speaker 3: Yeah, because things that even before the documentary, there were

23
00:01:10,080 --> 00:01:15,080
Speaker 3: always these clips of P Diddy's on unaltered vocals from

24
00:01:15,120 --> 00:01:18,920
Speaker 3: recording sessions and you're like, oh, he he's on drugs.

25
00:01:19,000 --> 00:01:21,200
Speaker 3: He's on drugs the whole time. Yeah, the whole time.

26
00:01:21,280 --> 00:01:24,360
Speaker 2: Yeah, and it turns out he was Yep, we're far off.

27
00:01:25,640 --> 00:01:26,000
Speaker 2: All right.

28
00:01:26,040 --> 00:01:27,920
Speaker 1: My name is Jack O'Brien. That over there is Miles Gray.

29
00:01:27,959 --> 00:01:29,280
Speaker 1: This is the episode where we tell you what is

30
00:01:29,280 --> 00:01:33,440
Speaker 1: trending on this Wednesday, December seventeenth. I'm here eight days

31
00:01:33,480 --> 00:01:40,000
Speaker 1: out Christmas morning. Yeah, yeah, oh and oh shit, Miles

32
00:01:40,360 --> 00:01:41,199
Speaker 1: ran out of the room.

33
00:01:42,120 --> 00:01:44,959
Speaker 3: Miles sized hole mile hole in the wall. H you

34
00:01:45,000 --> 00:01:46,160
Speaker 3: get your kids gifts already?

35
00:01:46,319 --> 00:01:49,160
Speaker 1: Yeah, yeah, we're well, so we got to be down

36
00:01:49,200 --> 00:01:52,320
Speaker 1: in Florida, so we're like sending stuff down there.

37
00:01:52,320 --> 00:01:54,280
Speaker 2: It's oh they sing.

38
00:01:54,200 --> 00:01:56,800
Speaker 3: Oh so it's like ship that you can't really it's like,

39
00:01:57,560 --> 00:01:59,600
Speaker 3: I know, it's trick on the way back because it's like.

40
00:01:59,720 --> 00:02:03,840
Speaker 1: A sh and you know how like I'm real Christmas magic,

41
00:02:04,040 --> 00:02:05,920
Speaker 1: like want them to have a great Christmas morning, but

42
00:02:06,000 --> 00:02:08,080
Speaker 1: my wife's like, we're not getting a mat. They're not

43
00:02:08,120 --> 00:02:10,560
Speaker 1: gonna want to bring that back in a suitcase and

44
00:02:11,040 --> 00:02:14,040
Speaker 1: just like real, you know, like nuts and bolts about

45
00:02:14,120 --> 00:02:18,280
Speaker 1: that and makes sense. I mean, he's right, but I'm

46
00:02:18,480 --> 00:02:19,399
Speaker 1: I'm sick with it.

47
00:02:19,560 --> 00:02:21,880
Speaker 3: I just but what if we put straps on the

48
00:02:21,919 --> 00:02:24,840
Speaker 3: power wheels and we call it a bag. Maybe they

49
00:02:24,960 --> 00:02:25,840
Speaker 3: let us on with it.

50
00:02:27,400 --> 00:02:29,079
Speaker 1: All right, let's talk about some of the things that

51
00:02:29,120 --> 00:02:33,800
Speaker 1: are trending on this Wednesday morning. We gotta bid a

52
00:02:33,960 --> 00:02:37,440
Speaker 1: do to one. Dan Bongino.

53
00:02:39,000 --> 00:02:44,960
Speaker 3: God, he's gone. It turns out that being just wholly

54
00:02:45,120 --> 00:02:48,080
Speaker 3: unfit for the job of Deputy Director of the FBI

55
00:02:48,840 --> 00:02:51,679
Speaker 3: is a quick way to not have that job anymore.

56
00:02:52,040 --> 00:02:55,320
Speaker 3: But also working for Donald Trump in this era, I think, yeah,

57
00:02:55,320 --> 00:02:59,480
Speaker 3: it looks like his ass is grass. The tie will roll, yeah,

58
00:02:59,560 --> 00:03:00,160
Speaker 3: exactly with.

59
00:03:00,200 --> 00:03:04,760
Speaker 1: The song and we yeah, I mean we're at the

60
00:03:05,520 --> 00:03:10,280
Speaker 1: latest in the investigation into the Brown mass shooter is

61
00:03:10,800 --> 00:03:14,440
Speaker 1: that they've like we've got a got an enhanced image

62
00:03:14,680 --> 00:03:17,720
Speaker 1: of the shooter and it comes through and it just

63
00:03:17,760 --> 00:03:20,480
Speaker 1: looks it looks like an image from like a Capshaw

64
00:03:21,000 --> 00:03:23,360
Speaker 1: where they're like, is there is there a bis Is

65
00:03:23,400 --> 00:03:25,040
Speaker 1: there a motorcycle in this the.

66
00:03:25,040 --> 00:03:30,040
Speaker 3: One that looks human? Yeah? Cool, cool, Yeah, the looks

67
00:03:30,080 --> 00:03:31,840
Speaker 3: from the time, said Bongino. I said he has he

68
00:03:31,880 --> 00:03:34,440
Speaker 3: has plans to leave his job as soon as this week,

69
00:03:35,160 --> 00:03:38,600
Speaker 3: as late as mid January. So that's where I'm like, Okay,

70
00:03:38,640 --> 00:03:41,840
Speaker 3: what's usually you know, when you're out a lot of

71
00:03:41,880 --> 00:03:44,600
Speaker 3: people point out They're like, he's always like this, but

72
00:03:45,200 --> 00:03:48,720
Speaker 3: this probably feels like it's happening because well, one sign

73
00:03:48,760 --> 00:03:51,560
Speaker 3: it might be sooner than rather than later. Mister Bongino

74
00:03:51,600 --> 00:03:54,680
Speaker 3: has been sending office nick Knacks, Patty Wax, and other

75
00:03:54,720 --> 00:03:58,360
Speaker 3: possessions back to Florida, where he intends to resume his

76
00:03:58,480 --> 00:04:02,160
Speaker 3: lucrative career as pro tru media broadcaster just in time

77
00:04:02,200 --> 00:04:03,120
Speaker 3: for the midterm election.

78
00:04:03,400 --> 00:04:08,640
Speaker 1: Hell yeah, welcome back, brother, Yeah to the podcasting fold.

79
00:04:09,200 --> 00:04:12,640
Speaker 3: That sad. He's just great example of a maga fuck

80
00:04:12,720 --> 00:04:15,320
Speaker 3: with that flew too close to the deep state, Like

81
00:04:15,640 --> 00:04:18,200
Speaker 3: his whole career was about getting people hopped up on

82
00:04:18,240 --> 00:04:21,160
Speaker 3: Epstein conspiracies, and then he just only ends up being

83
00:04:21,240 --> 00:04:24,279
Speaker 3: the guide who had to be the deep state and

84
00:04:24,360 --> 00:04:27,120
Speaker 3: be like nothing to see here, folks, nothing to see here,

85
00:04:27,360 --> 00:04:31,560
Speaker 3: and just like shaking uh and yeah, well, good good

86
00:04:31,640 --> 00:04:32,840
Speaker 3: luck to you, Dan Bongino.

87
00:04:33,080 --> 00:04:35,560
Speaker 1: It's like they put Candace el Ones in charge of

88
00:04:35,600 --> 00:04:42,040
Speaker 1: the prosecution of Charlie Kirk's assassin, and she was just like, actually,

89
00:04:42,680 --> 00:04:43,719
Speaker 1: nothing to see here.

90
00:04:43,680 --> 00:04:45,719
Speaker 3: Nothing to see here. It's this whole other thing that

91
00:04:45,800 --> 00:04:46,600
Speaker 3: Oh god.

92
00:04:47,360 --> 00:04:49,080
Speaker 2: I was, I was way off.

93
00:04:49,480 --> 00:04:52,760
Speaker 3: Do you remember this song by this comedian musician Nick

94
00:04:52,839 --> 00:04:54,560
Speaker 3: Lutsko where he said I want to be at the

95
00:04:54,680 --> 00:04:57,839
Speaker 3: RNC with Dan Bongino. It's like this was the thing

96
00:04:57,880 --> 00:04:59,919
Speaker 3: that created just everyone needs to sun.

97
00:05:01,480 --> 00:05:07,239
Speaker 4: All right, I want to see That was the lady

98
00:05:07,240 --> 00:05:10,840
Speaker 4: from Saint Louis from the twenty twenty holding the gun

99
00:05:10,960 --> 00:05:12,280
Speaker 4: like a loosener hand.

100
00:05:14,400 --> 00:05:23,159
Speaker 3: Damn Bongino. Just oh man, what a time to be alive.

101
00:05:23,279 --> 00:05:26,360
Speaker 3: But anyway, so he's out, just we just don't know

102
00:05:26,400 --> 00:05:28,480
Speaker 3: will be this week or will be mid January, because

103
00:05:28,480 --> 00:05:30,000
Speaker 3: it depends on how long it takes him to get

104
00:05:30,040 --> 00:05:34,200
Speaker 3: his like big commemorative trophies or whatever the fuck out

105
00:05:34,200 --> 00:05:34,479
Speaker 3: of there.

106
00:05:34,640 --> 00:05:39,240
Speaker 1: Yeah, And like we've talked about, like the intentional incompetence,

107
00:05:39,480 --> 00:05:44,200
Speaker 1: the designed incompetence, that is the Trump administration's platform of

108
00:05:44,240 --> 00:05:47,000
Speaker 1: the like just putting incompetent people in positions of power

109
00:05:47,120 --> 00:05:49,520
Speaker 1: so that they have to be loyal above everything else,

110
00:05:49,760 --> 00:05:53,160
Speaker 1: and then it creates chaos and bad things happening, which

111
00:05:53,200 --> 00:05:56,040
Speaker 1: allows him to.

112
00:05:54,960 --> 00:05:56,040
Speaker 2: Grab more power.

113
00:05:57,600 --> 00:06:02,000
Speaker 1: But like that, it's also just a byproduct of that

114
00:06:02,160 --> 00:06:05,400
Speaker 1: is that everybody since nobody's focused on doing their job

115
00:06:05,440 --> 00:06:07,240
Speaker 1: because that's just like out of the question and they're

116
00:06:07,240 --> 00:06:09,880
Speaker 1: not going to be good at it. Everybody's just sniping

117
00:06:09,880 --> 00:06:13,320
Speaker 1: each other and like Cash Battel is just like, I

118
00:06:13,320 --> 00:06:16,560
Speaker 1: gotta tell you, this Brown thing is no good and

119
00:06:17,279 --> 00:06:18,520
Speaker 1: it's fucking bongino.

120
00:06:18,640 --> 00:06:22,240
Speaker 2: Man. This guy's sticking up the works place.

121
00:06:22,520 --> 00:06:26,320
Speaker 3: He was just on fucking Katie Miller's podcast yesterday or

122
00:06:26,360 --> 00:06:29,279
Speaker 3: the day before, like I don't know when they recorded it,

123
00:06:29,320 --> 00:06:31,400
Speaker 3: but like in light of the fuck up at Brown,

124
00:06:31,640 --> 00:06:35,279
Speaker 3: the fact that you're on Steven Miller's wife's podcast with

125
00:06:35,360 --> 00:06:41,320
Speaker 3: your Gina friend no cash cash money, really caire, Oh was.

126
00:06:41,320 --> 00:06:43,120
Speaker 2: He doing that with his girlfriend?

127
00:06:43,560 --> 00:06:46,119
Speaker 3: Yeah? Yeah, yeah, there's there's just a clip.

128
00:06:46,760 --> 00:06:47,200
Speaker 2: Good time.

129
00:06:47,480 --> 00:06:51,240
Speaker 3: He kind of gets emotional about like people talking about

130
00:06:51,240 --> 00:06:52,240
Speaker 3: his fake relationship.

131
00:06:52,360 --> 00:06:54,880
Speaker 5: On a personal level, of course, I wish we didn't

132
00:06:54,880 --> 00:06:56,520
Speaker 5: have to deal with the attacks. Like she should be

133
00:06:56,560 --> 00:06:59,640
Speaker 5: out there touring and crushing it on the country music stage.

134
00:06:59,720 --> 00:07:02,279
Speaker 5: She has been, and she shouldn't have to deal with

135
00:07:02,400 --> 00:07:06,359
Speaker 5: the collateral consequence of just being the FBI director's girlfriend.

136
00:07:06,440 --> 00:07:10,080
Speaker 5: But I think with the hyper sensitive nature of the media,

137
00:07:10,320 --> 00:07:14,040
Speaker 5: especially the social media space, people come at you because

138
00:07:15,200 --> 00:07:16,040
Speaker 5: it takes me back.

139
00:07:16,000 --> 00:07:18,720
Speaker 3: You're a fascist, I mean, what do you want? What

140
00:07:18,720 --> 00:07:19,440
Speaker 3: do you say?

141
00:07:19,600 --> 00:07:24,120
Speaker 1: He also has that mic like inside his mouth, Like, bro,

142
00:07:24,240 --> 00:07:27,080
Speaker 1: take a sip of water, put a fucking mint in there.

143
00:07:28,160 --> 00:07:30,200
Speaker 1: You can hear his mouth opening and closing.

144
00:07:30,480 --> 00:07:32,920
Speaker 3: How is this a podcast? And you guys have the

145
00:07:33,280 --> 00:07:37,520
Speaker 3: fucking clip on TikTok Street Interview Lavalier microphone, right, why

146
00:07:37,520 --> 00:07:42,080
Speaker 3: don't you have Where are the fucking microphones? But anyway, Uh,

147
00:07:42,240 --> 00:07:42,680
Speaker 3: I just.

148
00:07:42,600 --> 00:07:45,360
Speaker 6: Wish that like people didn't like judge our relationship, like

149
00:07:45,360 --> 00:07:48,880
Speaker 6: the social media environment toxic because like I'm a fucking

150
00:07:48,920 --> 00:07:50,960
Speaker 6: fake ass coup and like I don't know what the

151
00:07:51,040 --> 00:07:53,560
Speaker 6: law is even though I'm actually literally a lawyer.

152
00:07:54,000 --> 00:07:57,880
Speaker 1: An unsolved major shooting that's happening right now that we

153
00:07:58,000 --> 00:08:00,760
Speaker 1: totally fucked up and lost a day of the investigation

154
00:08:01,040 --> 00:08:04,200
Speaker 1: because we arrested the wrong guy based on absolutely no

155
00:08:04,240 --> 00:08:08,320
Speaker 1: evidence and that's kind of my mo o. And then

156
00:08:08,800 --> 00:08:14,760
Speaker 1: so we do that, the killer gets real comfortable and

157
00:08:14,800 --> 00:08:16,400
Speaker 1: then their dad turns them.

158
00:08:17,120 --> 00:08:20,560
Speaker 6: That's my method, just lull them into a false sense

159
00:08:20,600 --> 00:08:22,800
Speaker 6: of security and then hopefully they let it slip in

160
00:08:22,800 --> 00:08:25,640
Speaker 6: front of their dad who's a detective.

161
00:08:25,840 --> 00:08:29,400
Speaker 3: Well hopefully works at the FBI. I don't know, man,

162
00:08:29,440 --> 00:08:30,040
Speaker 3: wouldn't that.

163
00:08:30,000 --> 00:08:33,880
Speaker 2: Would actually be sick? It was like Bongino's Kid or something.

164
00:08:38,080 --> 00:08:42,120
Speaker 1: We do have the ratings, the official ratings and for

165
00:08:42,320 --> 00:08:48,840
Speaker 1: that Erica Kirk special, which we talked recently about how

166
00:08:48,840 --> 00:08:52,920
Speaker 1: the views on the YouTube were looking pretty light. But

167
00:08:53,559 --> 00:08:58,320
Speaker 1: that's never been CBS News's strengths, right, CBS News is

168
00:08:58,360 --> 00:09:05,440
Speaker 1: like old people still tuning in to the Lady Years.

169
00:09:06,120 --> 00:09:07,280
Speaker 2: Jag back in the day.

170
00:09:07,640 --> 00:09:09,880
Speaker 3: This was, yes, this is for the old people.

171
00:09:10,120 --> 00:09:13,760
Speaker 1: And they were blowing it out on CBS like they

172
00:09:14,040 --> 00:09:18,240
Speaker 1: the lead in was that Army Navy football game, which

173
00:09:18,760 --> 00:09:22,240
Speaker 1: you know, that's that's their bread, that's the bread and butters.

174
00:09:21,920 --> 00:09:24,360
Speaker 2: And people who were like, I want to hear from

175
00:09:24,840 --> 00:09:25,760
Speaker 2: Aker Kirk.

176
00:09:25,679 --> 00:09:27,839
Speaker 3: Like what is this going to be. That feels like

177
00:09:27,880 --> 00:09:30,600
Speaker 3: a perfect setup where it's like if you're passively watching

178
00:09:30,679 --> 00:09:33,640
Speaker 3: the Army, if you're into the Army Navy game, right,

179
00:09:33,800 --> 00:09:35,960
Speaker 3: probably a good chance. Have you heard it up next

180
00:09:36,800 --> 00:09:39,520
Speaker 3: this freak show? Yeah? Yeah, you'd be like, all right, well,

181
00:09:40,280 --> 00:09:41,520
Speaker 3: I guess I'll have to turn it off now.

182
00:09:41,880 --> 00:09:43,880
Speaker 2: Yeah. Yeah, so very hype.

183
00:09:43,960 --> 00:09:47,000
Speaker 1: You know, they tweeted about it over the weekend more

184
00:09:47,520 --> 00:09:51,439
Speaker 1: than the Bondai Beach mass shooting, more than the Brown

185
00:09:51,840 --> 00:09:52,440
Speaker 1: Mass shooting.

186
00:09:53,520 --> 00:09:56,280
Speaker 2: This was like they're like, yes, those are stories, but

187
00:09:56,480 --> 00:09:59,080
Speaker 2: this is history. Get ready.

188
00:10:00,200 --> 00:10:03,200
Speaker 1: And the ratings came in and it was a quote

189
00:10:03,280 --> 00:10:07,719
Speaker 1: total bomb. Oh god, oh god, no, no, it's the

190
00:10:07,800 --> 00:10:11,360
Speaker 1: show average one point five million viewers, which is a

191
00:10:11,480 --> 00:10:14,400
Speaker 1: twenty percent decline in viewers compared to the year to

192
00:10:14,520 --> 00:10:17,679
Speaker 1: date average for that time period. So it's not just

193
00:10:17,800 --> 00:10:22,200
Speaker 1: like twenty percent below their last major media spectacle, it's

194
00:10:22,280 --> 00:10:26,800
Speaker 1: twenty percent below what's normally on at the worst time

195
00:10:26,920 --> 00:10:30,360
Speaker 1: slot of the week, which is like very late Saturday.

196
00:10:30,920 --> 00:10:34,160
Speaker 1: What usually runs there that they didn't even get close

197
00:10:34,280 --> 00:10:37,760
Speaker 1: to was the third hour of forty eight hours the

198
00:10:37,880 --> 00:10:43,760
Speaker 1: TV show like in presably mostly in reruns and in

199
00:10:43,880 --> 00:10:47,960
Speaker 1: the twenty five to fifty four year demographic, which with CBS,

200
00:10:48,120 --> 00:10:50,880
Speaker 1: the you know, everybody actually wants like twenty five to

201
00:10:51,559 --> 00:10:53,959
Speaker 1: thirty five or forty four, but with CBS they're like,

202
00:10:54,320 --> 00:10:57,720
Speaker 1: we're actually interested in fifty four year. They really stretch

203
00:10:57,760 --> 00:11:00,040
Speaker 1: it out to try and make it as wide as possible.

204
00:11:00,000 --> 00:11:00,920
Speaker 3: To be sure they got money.

205
00:11:01,000 --> 00:11:05,559
Speaker 1: So yeah, in that demographic, the ratings tanked forty four

206
00:11:05,720 --> 00:11:08,720
Speaker 1: percent to just two hundred and thirty seven thousand people

207
00:11:08,800 --> 00:11:09,520
Speaker 1: watch that shit.

208
00:11:10,400 --> 00:11:12,800
Speaker 3: So people were like, get this shit off my TV.

209
00:11:13,120 --> 00:11:17,559
Speaker 1: Yeah, it had a higher lead in than usual. Oh right,

210
00:11:17,679 --> 00:11:20,280
Speaker 1: which is like the most important thing in TV you have.

211
00:11:20,640 --> 00:11:23,160
Speaker 1: You know, people are watching it linearly, so you know

212
00:11:23,360 --> 00:11:25,800
Speaker 1: that's why they put like the big new shows that

213
00:11:25,840 --> 00:11:28,719
Speaker 1: their debut, and they put the debut of Survivor back

214
00:11:28,720 --> 00:11:30,839
Speaker 1: in the day right after the super Bowl because like

215
00:11:31,240 --> 00:11:33,880
Speaker 1: you're just catching people who like leave the TV on

216
00:11:34,040 --> 00:11:36,439
Speaker 1: and then they're like, oh what is this? As mentioned,

217
00:11:36,480 --> 00:11:39,040
Speaker 1: they had the Army Navy game, so people were just

218
00:11:39,160 --> 00:11:43,280
Speaker 1: like actively fleeing who avoid watching this shit. It wasn't

219
00:11:43,400 --> 00:11:47,280
Speaker 1: just it wasn't just like they had a bad time slot.

220
00:11:47,360 --> 00:11:50,880
Speaker 1: They had a good time slot and people got the

221
00:11:50,960 --> 00:11:52,959
Speaker 1: fuck out of there, like no thank you.

222
00:11:53,440 --> 00:11:55,079
Speaker 2: It was it was a big no thank you.

223
00:11:55,480 --> 00:12:00,319
Speaker 3: Probably ingested about ten minutes total of it. Yeah, and

224
00:12:00,600 --> 00:12:03,760
Speaker 3: that was I mean, like my nose started bleeding because

225
00:12:04,000 --> 00:12:07,000
Speaker 3: like the psychic damage that was happening as I was

226
00:12:07,080 --> 00:12:10,920
Speaker 3: watching it. So, oh man, well, hey Bari, look you

227
00:12:11,000 --> 00:12:12,959
Speaker 3: got to you got a big project over there. You

228
00:12:13,080 --> 00:12:15,439
Speaker 3: get your were best for you, you give your best

229
00:12:15,480 --> 00:12:17,640
Speaker 3: because nobody's fucking with CBS.

230
00:12:17,559 --> 00:12:20,040
Speaker 2: That's right, do people?

231
00:12:20,480 --> 00:12:20,680
Speaker 3: Yeah?

232
00:12:21,520 --> 00:12:24,880
Speaker 1: Like it? She feels really like a media creation to me,

233
00:12:25,320 --> 00:12:27,880
Speaker 1: Like she was just a thing that everybody was like,

234
00:12:28,040 --> 00:12:31,319
Speaker 1: she obviously is able to get people talking by saying

235
00:12:31,800 --> 00:12:34,360
Speaker 1: wild shit, but like the thing she does is she

236
00:12:34,600 --> 00:12:40,959
Speaker 1: likes says things that offend the sensibilities of you know,

237
00:12:41,080 --> 00:12:44,960
Speaker 1: normal people, and it makes a big stink with normal people.

238
00:12:45,000 --> 00:12:47,439
Speaker 1: But it's not like she's a person who has a

239
00:12:47,559 --> 00:12:51,040
Speaker 1: huge following among like right wing people.

240
00:12:51,520 --> 00:12:53,079
Speaker 3: Right, oh, right, right, Like you're talking about like a

241
00:12:53,280 --> 00:12:54,160
Speaker 3: like a celebrity.

242
00:12:54,400 --> 00:12:56,160
Speaker 2: Yeah right, she's not, Like she doesn't have like a

243
00:12:56,240 --> 00:12:58,880
Speaker 2: YouTube channel with ten million Remember.

244
00:12:58,640 --> 00:13:01,360
Speaker 3: Her fucking university thing that shit fucking tanked too.

245
00:13:01,520 --> 00:13:04,280
Speaker 2: Yeah, she's just like she's one of the available.

246
00:13:05,120 --> 00:13:06,880
Speaker 3: I think she's one of these people who's because of

247
00:13:06,960 --> 00:13:10,360
Speaker 3: her proximity to all of these like oligarchs, she does

248
00:13:10,520 --> 00:13:12,839
Speaker 3: really well in the room with them, and they're like,

249
00:13:13,080 --> 00:13:15,400
Speaker 3: you know what, I can trust her. I can trust her.

250
00:13:15,520 --> 00:13:17,920
Speaker 3: We're on the same page. She's down to oppress the

251
00:13:17,960 --> 00:13:20,439
Speaker 3: same people. She's down to keep the same sort of

252
00:13:20,559 --> 00:13:25,600
Speaker 3: like rigid structures of oppression intact. Right now, with that money,

253
00:13:25,800 --> 00:13:28,319
Speaker 3: let me put you as the figurehead here because you can.

254
00:13:28,600 --> 00:13:31,199
Speaker 3: You're useful, you know, she's I think she's useful. And

255
00:13:31,240 --> 00:13:34,120
Speaker 3: I think also because of her presentation. She can say

256
00:13:34,200 --> 00:13:37,400
Speaker 3: like odious shit, and most people like aren't like huh.

257
00:13:37,720 --> 00:13:40,160
Speaker 2: Yeah, yeah, all right, let's take a quick break. We'll

258
00:13:40,200 --> 00:13:40,480
Speaker 2: come back.

259
00:13:40,520 --> 00:13:45,960
Speaker 1: We'll talk about the Home Alone House and uh oh

260
00:13:46,080 --> 00:13:49,599
Speaker 1: yeah the favorite favorite ad lib these days and the

261
00:13:49,640 --> 00:13:51,120
Speaker 1: new Millennia trailer just dropped.

262
00:13:51,480 --> 00:14:03,640
Speaker 3: We'll be right back, and we're back, We're back.

263
00:14:04,120 --> 00:14:07,600
Speaker 1: The Home Alone House was sold last year for five

264
00:14:07,679 --> 00:14:12,360
Speaker 1: point five million dollars, which is wild because the listing

265
00:14:13,240 --> 00:14:17,360
Speaker 1: showed what the house looks like now, and it's like

266
00:14:17,960 --> 00:14:21,960
Speaker 1: they've replaced the warm Christmas y vibe with like an

267
00:14:22,280 --> 00:14:26,960
Speaker 1: icu ward aesthetic. It's just like it's all white. I mean,

268
00:14:27,000 --> 00:14:30,000
Speaker 1: it just looks like they just did the standard you know,

269
00:14:30,520 --> 00:14:33,600
Speaker 1: house flipper, house flipper thing, paint everything white and.

270
00:14:34,400 --> 00:14:35,400
Speaker 3: So ray flooring.

271
00:14:35,600 --> 00:14:39,880
Speaker 2: Yeah yeah, yeah, yeah, just real. No, it's anything.

272
00:14:40,160 --> 00:14:42,280
Speaker 3: It's called up. It's fucked up. To look at that

273
00:14:42,520 --> 00:14:45,200
Speaker 3: iconic staircase from the movie and it just be like

274
00:14:45,320 --> 00:14:48,240
Speaker 3: this sterile yeah thing.

275
00:14:48,400 --> 00:14:50,520
Speaker 2: Now it's like beach on chic.

276
00:14:50,880 --> 00:14:52,760
Speaker 1: They're trying to make everything look like a beach house.

277
00:14:53,040 --> 00:14:55,000
Speaker 3: I was I was actually in the market for a

278
00:14:55,040 --> 00:14:56,480
Speaker 3: five point five million dollar house.

279
00:14:57,400 --> 00:15:00,800
Speaker 1: This no, thank you, you're you're in luck because the

280
00:15:00,880 --> 00:15:05,400
Speaker 1: people who bought it are re renovating. They're unrenovating it.

281
00:15:05,840 --> 00:15:09,080
Speaker 1: Oh my god, what this time to transform it back

282
00:15:09,200 --> 00:15:12,640
Speaker 1: to the way it looked in nineteen ninety, so presumably

283
00:15:13,400 --> 00:15:15,760
Speaker 1: more color on the walls, with the occasional splash of

284
00:15:16,120 --> 00:15:17,840
Speaker 1: fresh burglar blood.

285
00:15:18,360 --> 00:15:19,920
Speaker 3: Oh yeah, yeah, yep, yep, yeah, yep.

286
00:15:20,000 --> 00:15:22,440
Speaker 1: But okay, I like I like the idea of like

287
00:15:22,520 --> 00:15:25,600
Speaker 1: having this be just a house that looks like it

288
00:15:25,720 --> 00:15:30,000
Speaker 1: did in Home Alone, just burning burning electricity all through

289
00:15:30,080 --> 00:15:30,440
Speaker 1: the night.

290
00:15:30,840 --> 00:15:33,480
Speaker 3: What is like, what's going on? Like when you compare

291
00:15:33,520 --> 00:15:35,080
Speaker 3: the photo from the film and the new one, Like

292
00:15:35,160 --> 00:15:37,920
Speaker 3: did they just add it an insane addition to the

293
00:15:38,080 --> 00:15:39,200
Speaker 3: back yeah?

294
00:15:39,400 --> 00:15:43,160
Speaker 2: Or they knocked out a wall you know that's open

295
00:15:43,240 --> 00:15:45,280
Speaker 2: low yeah yeah, open floor.

296
00:15:45,480 --> 00:15:46,880
Speaker 3: Yeah, it's a little bit differently.

297
00:15:48,360 --> 00:15:50,280
Speaker 2: You just want to be able to see all the

298
00:15:50,360 --> 00:15:51,360
Speaker 2: way through the house.

299
00:15:51,440 --> 00:15:54,320
Speaker 1: You want you want no privacy, you want when a

300
00:15:54,440 --> 00:15:57,960
Speaker 1: light turns on somewhere in the house, it goes on everywhere.

301
00:15:58,120 --> 00:16:02,000
Speaker 2: Nouse, that's why you're looking for they're.

302
00:16:01,800 --> 00:16:03,640
Speaker 3: Going to turn it into like a because I remember

303
00:16:03,680 --> 00:16:06,040
Speaker 3: remember the a few years ago Airbnb, like you could

304
00:16:06,160 --> 00:16:09,040
Speaker 3: go sit story yeah, yeah, you could stay at that

305
00:16:09,160 --> 00:16:12,400
Speaker 3: house and like it was sort of similar in styling.

306
00:16:12,800 --> 00:16:15,400
Speaker 3: Probably they're like they have it like as in they're like, ooh, broll,

307
00:16:15,400 --> 00:16:17,200
Speaker 3: We're gonna rent this shit out, you know, people want

308
00:16:17,200 --> 00:16:21,000
Speaker 3: to fucking I guess it really only matters and during Christmas, right, I.

309
00:16:21,000 --> 00:16:24,160
Speaker 1: Don't know, as we talked about in our upcoming holiday

310
00:16:24,200 --> 00:16:27,520
Speaker 1: episode where we Rewatch Home Alone with Chris Croft, and

311
00:16:28,440 --> 00:16:30,760
Speaker 1: that it did incredibly well in the lead up to

312
00:16:30,840 --> 00:16:33,080
Speaker 1: the holiday, but then it like kept going. It was

313
00:16:33,080 --> 00:16:35,600
Speaker 1: like number one of the box office and like fucking April.

314
00:16:36,080 --> 00:16:39,560
Speaker 3: I guess if it was, I'm down. Yeah yeah, and.

315
00:16:39,640 --> 00:16:42,680
Speaker 1: It's Chicago, so it's always cold, all right, all right,

316
00:16:43,360 --> 00:16:48,680
Speaker 1: from a past Christmas classic to a new Christmas classic.

317
00:16:49,400 --> 00:16:54,040
Speaker 1: They just dropped the trailer for the upcoming Milania.

318
00:16:54,560 --> 00:16:57,840
Speaker 3: Movie, which documentary is a total misnomer here.

319
00:16:57,920 --> 00:17:00,920
Speaker 2: Yeah, yeah, this is they that seems to be like

320
00:17:01,080 --> 00:17:02,120
Speaker 2: part of the appeal.

321
00:17:02,160 --> 00:17:02,480
Speaker 1: I don't know.

322
00:17:02,560 --> 00:17:03,560
Speaker 2: Did you watch the trailer?

323
00:17:03,880 --> 00:17:06,440
Speaker 3: Yeah yeah, yeah, yeah, what what the fuck was?

324
00:17:06,640 --> 00:17:06,680
Speaker 7: Like?

325
00:17:06,760 --> 00:17:07,560
Speaker 3: What the fuck is this?

326
00:17:07,680 --> 00:17:10,200
Speaker 1: It's a lot of clashing messages, like they're trying to

327
00:17:10,240 --> 00:17:13,240
Speaker 1: make it seem like she's like the guy behind the

328
00:17:13,359 --> 00:17:15,360
Speaker 1: guy here, like they show.

329
00:17:15,200 --> 00:17:19,760
Speaker 3: Her like walk in well he's you're behind this this one. Oh,

330
00:17:19,840 --> 00:17:22,200
Speaker 3: that's not a good look, miss, You're behind this.

331
00:17:22,680 --> 00:17:25,320
Speaker 1: So I think they also recognize that because so there's

332
00:17:25,359 --> 00:17:27,399
Speaker 1: one part where like she walks in while he's preparing

333
00:17:27,440 --> 00:17:30,320
Speaker 1: a speech and he says, my greatest legacy will be

334
00:17:30,720 --> 00:17:35,320
Speaker 1: that a peacemaker, and she interrupts and says peacemaker and unifier,

335
00:17:35,760 --> 00:17:37,879
Speaker 1: and then it kind of sounds like it does kind

336
00:17:37,880 --> 00:17:40,520
Speaker 1: of sound like she's saying betrayer because you can't really

337
00:17:41,359 --> 00:17:45,800
Speaker 1: hear her, but I did turn on the subtitles and

338
00:17:45,880 --> 00:17:48,200
Speaker 1: it says unifier. That would have been sick if she

339
00:17:48,280 --> 00:17:51,440
Speaker 1: was like and betrayer. I've got you on tape, motherfucker.

340
00:17:51,560 --> 00:17:52,800
Speaker 1: Like that's how she got him.

341
00:17:52,960 --> 00:17:57,720
Speaker 3: The way she interjected felt so forced, forced and staged. Yeah,

342
00:17:57,960 --> 00:18:01,560
Speaker 3: peace maker and unifier, Like, first of all, okay, so

343
00:18:01,680 --> 00:18:04,600
Speaker 3: you're you're in there like that to help punch up

344
00:18:04,640 --> 00:18:07,360
Speaker 3: a speech, but you weren't even with him on election night.

345
00:18:07,720 --> 00:18:07,920
Speaker 7: Yeah.

346
00:18:07,960 --> 00:18:12,560
Speaker 1: They show her calling him on election night being like, hey, hello,

347
00:18:12,760 --> 00:18:15,240
Speaker 1: mister president, and he's like did you watch did you

348
00:18:15,320 --> 00:18:17,440
Speaker 1: see it? And she's like, I'll get I'll catch it

349
00:18:17,520 --> 00:18:18,239
Speaker 1: on the news. Bro.

350
00:18:18,840 --> 00:18:19,920
Speaker 3: That shit was fake as hell.

351
00:18:20,000 --> 00:18:20,119
Speaker 1: Bro.

352
00:18:20,240 --> 00:18:22,240
Speaker 3: I think I don't even I don't even I doubt

353
00:18:22,280 --> 00:18:24,240
Speaker 3: that was even on election night probably. I mean, it

354
00:18:24,320 --> 00:18:27,960
Speaker 3: feels like a thing because imagine if they lost and

355
00:18:28,040 --> 00:18:28,520
Speaker 3: they'd be like.

356
00:18:28,600 --> 00:18:31,960
Speaker 8: Holy shit, babe, we have to leave. They're going to

357
00:18:32,119 --> 00:18:35,680
Speaker 8: arrest everyone. I don't know what the what would the

358
00:18:35,800 --> 00:18:38,040
Speaker 8: vibes been like then? But it was just a bunch

359
00:18:38,080 --> 00:18:40,639
Speaker 8: of hero shots like stitched together.

360
00:18:40,760 --> 00:18:44,320
Speaker 3: It didn't there was really no I got no feel

361
00:18:44,560 --> 00:18:47,920
Speaker 3: for what you were actually going to get from this

362
00:18:48,080 --> 00:18:51,840
Speaker 3: in terms of like any intimate look at who this is.

363
00:18:52,000 --> 00:18:55,320
Speaker 1: It's all just like you know, like sometimes the NFL

364
00:18:55,560 --> 00:18:59,840
Speaker 1: will have like cinematic cameras, like so you like see

365
00:19:00,040 --> 00:19:03,879
Speaker 1: he's like big swooping cameras coming in and like NFL films,

366
00:19:04,280 --> 00:19:08,240
Speaker 1: it just feels like a lead up to the super Bowl,

367
00:19:08,640 --> 00:19:12,440
Speaker 1: like NFL films thing where it's just these cameras like

368
00:19:12,520 --> 00:19:15,879
Speaker 1: swinging around her as she like walks out in her

369
00:19:15,960 --> 00:19:19,639
Speaker 1: Carmen San Diego villain outfit to the inauguration, and that

370
00:19:19,920 --> 00:19:22,560
Speaker 1: that's the like opening, the cameras like swinging around.

371
00:19:22,600 --> 00:19:23,520
Speaker 2: Then she goes here we.

372
00:19:23,640 --> 00:19:27,360
Speaker 1: Go again, but it's not documentary sound. It's like she's

373
00:19:27,400 --> 00:19:29,760
Speaker 1: been miked up on the set of a film.

374
00:19:30,040 --> 00:19:33,440
Speaker 3: It's a full It's just it's a highlight reel. It's

375
00:19:33,480 --> 00:19:37,359
Speaker 3: not a documentary. It's a glamorous shot highlight reel with

376
00:19:37,640 --> 00:19:39,840
Speaker 3: some words being said in between.

377
00:19:40,200 --> 00:19:42,440
Speaker 1: She doesn't have pores, as far as I can tell.

378
00:19:42,600 --> 00:19:45,840
Speaker 1: That's one thing that can be said for her. She's

379
00:19:45,880 --> 00:19:48,719
Speaker 1: done it. She's really she got rid of all her pores.

380
00:19:49,280 --> 00:19:51,040
Speaker 3: You got to do you. I wonder if we'll see

381
00:19:51,040 --> 00:19:53,560
Speaker 3: I don't even know, Like I don't it's gonna fuck.

382
00:19:53,600 --> 00:19:54,960
Speaker 3: I mean, I know people are going to go to this.

383
00:19:55,119 --> 00:19:57,600
Speaker 3: It was so jarring to see the MGM logo at

384
00:19:57,640 --> 00:20:00,119
Speaker 3: the front, like I know, bring Lion to be like

385
00:20:00,640 --> 00:20:04,080
Speaker 3: that used to mean something holy shit, but that's it's

386
00:20:04,119 --> 00:20:07,520
Speaker 3: Bezos Bot Amazon, but our MGM. But I just don't

387
00:20:07,680 --> 00:20:10,320
Speaker 3: the audience. I mean, I almost want to go to

388
00:20:10,480 --> 00:20:12,920
Speaker 3: the theater, like on opening night, just to be like,

389
00:20:13,000 --> 00:20:13,840
Speaker 3: what the fuck is.

390
00:20:14,280 --> 00:20:16,360
Speaker 1: Just like sit down under the screen with your back

391
00:20:16,400 --> 00:20:18,240
Speaker 1: to the screen and watch people watch you.

392
00:20:18,320 --> 00:20:19,840
Speaker 3: No, no, I went my ticket to that. I would

393
00:20:19,840 --> 00:20:21,920
Speaker 3: just like hang out just like at the door of

394
00:20:22,280 --> 00:20:24,200
Speaker 3: the theater and be like, I mean, I guess I

395
00:20:24,240 --> 00:20:26,399
Speaker 3: could just weird everyone out and just sit at the

396
00:20:26,960 --> 00:20:28,880
Speaker 3: just stand in front of the screen looking at them.

397
00:20:29,320 --> 00:20:35,800
Speaker 1: Yeah, oh wow, interesting, she doesn't like I could see

398
00:20:36,520 --> 00:20:39,880
Speaker 1: if this was promising something where it's like you see

399
00:20:39,920 --> 00:20:42,200
Speaker 1: her behind the scenes and she really like has a

400
00:20:42,320 --> 00:20:45,280
Speaker 1: completely different vibe from what you were used to seeing,

401
00:20:45,880 --> 00:20:49,280
Speaker 1: which is like distant person floating through the background like

402
00:20:49,359 --> 00:20:55,119
Speaker 1: a dracula. Then I could see that maybe doing something

403
00:20:55,160 --> 00:20:58,119
Speaker 1: because people are like, oh so she's like an actual human,

404
00:20:58,880 --> 00:21:02,280
Speaker 1: but this just gives off like one hundred percent be

405
00:21:02,480 --> 00:21:03,439
Speaker 1: best vibes.

406
00:21:03,640 --> 00:21:07,560
Speaker 2: Oh, like, there's there's nothing here, She's just a cipher.

407
00:21:07,960 --> 00:21:10,200
Speaker 3: There's like and you'll you're never going to see them

408
00:21:10,280 --> 00:21:13,000
Speaker 3: at like quote at home, you know what I mean.

409
00:21:13,040 --> 00:21:14,800
Speaker 2: There was no that's never happened.

410
00:21:15,200 --> 00:21:17,160
Speaker 3: What I mean like, there's like you won't even see

411
00:21:17,480 --> 00:21:20,119
Speaker 3: so like you're really only seeing the moments when they

412
00:21:20,160 --> 00:21:23,639
Speaker 3: are really publicly presenting themselves, at least in this documentary,

413
00:21:24,040 --> 00:21:26,400
Speaker 3: right to the point where like I'm like, I don't

414
00:21:26,400 --> 00:21:28,399
Speaker 3: even what is she does she wear a tuxedo at

415
00:21:28,440 --> 00:21:29,280
Speaker 3: home too?

416
00:21:29,680 --> 00:21:29,960
Speaker 7: What is?

417
00:21:30,960 --> 00:21:31,800
Speaker 3: What is this thing?

418
00:21:32,640 --> 00:21:35,600
Speaker 1: Always looks like she's in the Putting on the Wrist video, Yeah, exactly,

419
00:21:35,880 --> 00:21:39,480
Speaker 1: reference all right, And then over to her husband, he's

420
00:21:39,560 --> 00:21:43,520
Speaker 1: just continuing to be normal and again just seem like

421
00:21:43,600 --> 00:21:47,080
Speaker 1: a child who want to make a wish thing, where

422
00:21:47,600 --> 00:21:50,560
Speaker 1: when he's talking about like a military operation, he's not

423
00:21:50,720 --> 00:21:56,840
Speaker 1: talking about anything with strategy or like broad perspective. He's

424
00:21:56,920 --> 00:22:00,240
Speaker 1: talking about how cool it looks when the bombs go off. Yep,

425
00:22:00,520 --> 00:22:03,119
Speaker 1: exactly again, I made it do that. In many ways,

426
00:22:03,240 --> 00:22:05,520
Speaker 1: that's that's me. I made it go bing bing.

427
00:22:06,160 --> 00:22:08,480
Speaker 3: I don't if I don't know if I said this

428
00:22:08,680 --> 00:22:09,920
Speaker 3: on the show or if this is for one of

429
00:22:09,960 --> 00:22:13,320
Speaker 3: the holiday recordings, but anyway, his whole speaking style is

430
00:22:13,400 --> 00:22:15,560
Speaker 3: I'm killing it, bro, and I'm bawling, and you don't.

431
00:22:15,560 --> 00:22:17,280
Speaker 3: None of y'all have it like me. And in this one,

432
00:22:17,359 --> 00:22:20,480
Speaker 3: he's hosting a Honika reception at the White House and

433
00:22:20,640 --> 00:22:22,760
Speaker 3: he's like, y'all, I got to tell you about my

434
00:22:22,880 --> 00:22:25,560
Speaker 3: favorite movie I see at the new my favorite new

435
00:22:25,640 --> 00:22:29,800
Speaker 3: movie theater, the Situation Room. It's called bombing Innocent people.

436
00:22:29,960 --> 00:22:32,159
Speaker 3: All right, y'all, let me hear it from you. And

437
00:22:32,280 --> 00:22:35,359
Speaker 3: here there's he's talking about how like the plane is.

438
00:22:35,359 --> 00:22:37,160
Speaker 2: Stuck, and then it's that stuff anymore.

439
00:22:37,200 --> 00:22:41,040
Speaker 3: When they get the bombs come out, here's just unstealthed

440
00:22:41,080 --> 00:22:43,480
Speaker 3: when it goes, I explained that to Mark Levin.

441
00:22:43,600 --> 00:22:47,919
Speaker 7: Once you're going in, you go like this, and as

442
00:22:47,960 --> 00:22:50,920
Speaker 7: soon as it goes like this, for some reason, the

443
00:22:51,000 --> 00:22:52,479
Speaker 7: plane is totally visible.

444
00:22:52,640 --> 00:22:53,000
Speaker 3: Not good.

445
00:22:53,920 --> 00:22:57,000
Speaker 7: And I watched it happening just it's like I'm sitting

446
00:22:57,040 --> 00:22:59,520
Speaker 7: home watching it. You know, it's amazing. The situation room

447
00:22:59,600 --> 00:23:00,000
Speaker 7: is an amaz.

448
00:23:01,119 --> 00:23:03,840
Speaker 3: I'm just sitting home, like I'm watching what we would say,

449
00:23:03,880 --> 00:23:04,320
Speaker 3: like TV.

450
00:23:04,800 --> 00:23:07,320
Speaker 1: I think he was gonna say, like, I'm watching like

451
00:23:07,400 --> 00:23:12,040
Speaker 1: a movie like Kickbox or blood Sport. Oh my god,

452
00:23:12,240 --> 00:23:14,359
Speaker 1: but you're he's doing with his hands and then the

453
00:23:14,480 --> 00:23:18,080
Speaker 1: thing goes like this, which is he's just doing what

454
00:23:18,320 --> 00:23:20,639
Speaker 1: how bomb doors open or like any bottom of a

455
00:23:20,720 --> 00:23:24,159
Speaker 1: plane door, like the doors that open outward to let

456
00:23:24,280 --> 00:23:25,840
Speaker 1: the landing gear down.

457
00:23:26,080 --> 00:23:30,440
Speaker 7: But I watched him go bing bing, she went bing bing,

458
00:23:30,720 --> 00:23:34,480
Speaker 7: Two massive one hundred thousand pound bombs come pouring out.

459
00:23:35,200 --> 00:23:37,840
Speaker 3: He goes on. He's like, it was the greatest military operations.

460
00:23:37,880 --> 00:23:40,639
Speaker 3: You're like, because you dropped a bomb on a boat

461
00:23:40,920 --> 00:23:43,480
Speaker 3: like a non combatants.

462
00:23:44,160 --> 00:23:46,159
Speaker 2: Is that what he's talking about, the boat bombing?

463
00:23:46,520 --> 00:23:48,760
Speaker 3: I'm pretty sure or no, you know what, you know

464
00:23:48,880 --> 00:23:52,159
Speaker 3: he might be saybody iron, it's probably iron. Yeah, if

465
00:23:52,200 --> 00:23:54,840
Speaker 3: that makes more sense for the tonicide, so he was

466
00:23:55,240 --> 00:23:58,080
Speaker 3: he was trying to keep it limited to like Israel

467
00:23:58,240 --> 00:24:00,800
Speaker 3: Israel stuff too, because Miriam Adams and was also there.

468
00:24:01,480 --> 00:24:03,160
Speaker 3: He's like, she's given me a lot of many folks

469
00:24:03,200 --> 00:24:05,800
Speaker 3: two hundred and fifty million, and she like whispers in

470
00:24:05,880 --> 00:24:07,680
Speaker 3: his ears like she said, if I run again, so

471
00:24:07,840 --> 00:24:09,440
Speaker 3: give me another two hundred and fifty million.

472
00:24:09,680 --> 00:24:13,600
Speaker 1: So wow, yeah, I mean that he's gonna run again.

473
00:24:14,080 --> 00:24:17,200
Speaker 1: I guess like if we've if we learned anything from Biden,

474
00:24:17,960 --> 00:24:21,200
Speaker 1: it's the yeah, you can't tell these motherfuckers shit.

475
00:24:21,920 --> 00:24:24,360
Speaker 3: I'm sure they're probably trying to put something in front

476
00:24:24,400 --> 00:24:27,160
Speaker 3: of him that's like, look, dude, let JD take over

477
00:24:27,400 --> 00:24:29,760
Speaker 3: and you will be you will be protected, you'll be

478
00:24:30,200 --> 00:24:31,120
Speaker 3: you'll still be God.

479
00:24:31,840 --> 00:24:35,560
Speaker 1: Yeah, but you know, I'm gonna they're gonna need to

480
00:24:35,640 --> 00:24:37,879
Speaker 1: blackmail him to get him out of there, and it'll

481
00:24:38,000 --> 00:24:40,000
Speaker 1: just be it'll just be a matter of like how

482
00:24:40,240 --> 00:24:43,600
Speaker 1: bad the ship in the Epstein documents are right where

483
00:24:43,640 --> 00:24:46,000
Speaker 1: they'll be like, we'll hold this back, it goes out

484
00:24:46,160 --> 00:24:49,240
Speaker 1: unless you agree to let JD Vance move in. Yeah,

485
00:24:49,560 --> 00:24:52,159
Speaker 1: or he's not doing that on his own valet, like

486
00:24:52,560 --> 00:24:54,040
Speaker 1: Biden wouldn't do it on his own balot.

487
00:24:54,040 --> 00:24:55,920
Speaker 3: I don't know, Jack, we have pretty good examples of

488
00:24:56,040 --> 00:24:57,920
Speaker 3: the elderly empower letting go.

489
00:24:58,119 --> 00:25:02,680
Speaker 1: I don't know, yeah, right, with their fucking fingernails still

490
00:25:02,960 --> 00:25:05,399
Speaker 1: embedded in the thing that's helping it.

491
00:25:05,600 --> 00:25:08,200
Speaker 3: Man, holy shit. So anyway, bing bing wowie.

492
00:25:09,680 --> 00:25:12,520
Speaker 1: He loves to say bing bing, And this clip is

493
00:25:12,520 --> 00:25:14,560
Speaker 1: starting to give me a sense of why, because like

494
00:25:14,680 --> 00:25:16,760
Speaker 1: the crowd when he says bing bing is like wow,

495
00:25:17,800 --> 00:25:21,960
Speaker 1: oh wow, that's they're like shocked, and that's what the

496
00:25:22,040 --> 00:25:24,440
Speaker 1: reaction is. But he gets a pop from saying the

497
00:25:24,600 --> 00:25:25,880
Speaker 1: doors go bing bing.

498
00:25:26,520 --> 00:25:28,520
Speaker 3: Yeah, well, I think that that was like a little

499
00:25:28,520 --> 00:25:33,119
Speaker 3: bit of seasoning on an otherwise dull and inane and

500
00:25:33,280 --> 00:25:36,720
Speaker 3: meandering senile monologue.

501
00:25:37,400 --> 00:25:40,080
Speaker 1: Very presidential. Have you seen these things? The bombs, They're

502
00:25:40,119 --> 00:25:44,440
Speaker 1: so big a situation. It's like the movie Big where

503
00:25:44,760 --> 00:25:47,399
Speaker 1: like a twelve year old inhabits an adult's body and

504
00:25:47,640 --> 00:25:50,119
Speaker 1: is like the coolest part of the job is though, like,

505
00:25:50,320 --> 00:25:53,560
Speaker 1: let me watch the super Bowl during lunchtime.

506
00:25:54,359 --> 00:25:55,679
Speaker 2: He's just like, it's.

507
00:25:55,600 --> 00:25:58,320
Speaker 1: Cool you get to see the bombs go boom boom

508
00:25:58,520 --> 00:26:00,960
Speaker 1: and the doors go bing being exactly.

509
00:26:01,520 --> 00:26:05,800
Speaker 3: I mean god, it's even like in the movie King Ralph,

510
00:26:05,960 --> 00:26:07,560
Speaker 3: I f he like ended up on the better on

511
00:26:07,600 --> 00:26:11,080
Speaker 3: the other side of it, right, the John Goodman classic.

512
00:26:11,119 --> 00:26:12,680
Speaker 2: Fucking classic dude.

513
00:26:13,240 --> 00:26:14,600
Speaker 3: Uh and uh.

514
00:26:15,040 --> 00:26:18,320
Speaker 1: Just on the subject of the Epstein documents, the they're

515
00:26:18,320 --> 00:26:22,920
Speaker 1: apparently this is this is unprecedented, trying to drop this

516
00:26:23,000 --> 00:26:26,200
Speaker 1: ship when nobody's paying attention. They're apparently planning to drop

517
00:26:26,240 --> 00:26:30,879
Speaker 1: it on Christmas Eve, which is very cold.

518
00:26:31,560 --> 00:26:34,160
Speaker 3: Yeah, and guess what, that's not gonna fuck it there,

519
00:26:35,080 --> 00:26:37,960
Speaker 3: They're they're that's not gonna stop it. I think they're

520
00:26:38,280 --> 00:26:42,480
Speaker 3: they probably just don't want to have the people's attention,

521
00:26:42,720 --> 00:26:45,399
Speaker 3: won't be probably glued to their TV sets to hear

522
00:26:45,440 --> 00:26:49,760
Speaker 3: about what terrible pedal you know, nonsense is going on.

523
00:26:51,240 --> 00:26:53,160
Speaker 1: And then by the time people come back and Jane where,

524
00:26:53,160 --> 00:26:56,840
Speaker 1: they're gonna be like that's old ship, man, that's old news.

525
00:26:57,160 --> 00:26:59,440
Speaker 9: Oh yeah, the White House, Like you still talking about that,

526
00:26:59,680 --> 00:27:03,199
Speaker 9: dude that came out, Like, oh my god, I'm hers

527
00:27:03,640 --> 00:27:06,080
Speaker 9: that's so cringe bro, Like that's so old dog, Like

528
00:27:06,119 --> 00:27:07,840
Speaker 9: I didn't even I can't even believe you're talking about that.

529
00:27:07,920 --> 00:27:10,560
Speaker 3: Like now, oh my god, that's so embarrassing. Bro. Oh

530
00:27:10,680 --> 00:27:12,960
Speaker 3: my god, dude, there's like new stuff going on. We're

531
00:27:12,960 --> 00:27:15,040
Speaker 3: at war with Venezuela. Have you heard of it?

532
00:27:15,960 --> 00:27:18,360
Speaker 2: Are you talking about the files that were released last year?

533
00:27:18,760 --> 00:27:22,000
Speaker 1: Yeah, that's well, that was that's twenty twenty five, shit.

534
00:27:21,880 --> 00:27:26,720
Speaker 3: Bro, actually nine days ago. Ah, dear, I keep bringing

535
00:27:26,760 --> 00:27:27,400
Speaker 3: up old shit.

536
00:27:27,800 --> 00:27:28,200
Speaker 2: Mm hmm.

537
00:27:28,520 --> 00:27:28,879
Speaker 3: All right.

538
00:27:29,000 --> 00:27:30,720
Speaker 1: Those are some of the things that are trending on

539
00:27:30,920 --> 00:27:34,120
Speaker 1: this Wednesday, December seventeenth. We're back tomorrow with a whole

540
00:27:34,160 --> 00:27:37,000
Speaker 1: last episode of the show. Until then, be kind to

541
00:27:37,080 --> 00:27:39,880
Speaker 1: each other, be kind to yourselves, and get your vaccines

542
00:27:39,880 --> 00:27:42,040
Speaker 1: while you still can't get your flu shots. Don't do

543
00:27:42,160 --> 00:27:44,560
Speaker 1: nothing about white supremacy, and we will talk to you

544
00:27:44,600 --> 00:27:45,040
Speaker 1: all tomorrow.

545
00:27:45,200 --> 00:27:45,920
Speaker 3: Bye bye.

546
00:27:46,440 --> 00:27:49,160
Speaker 8: The Daily Zeite Guys is executive produced by Catherine Law,

547
00:27:49,440 --> 00:27:50,720
Speaker 8: co produced by Bae.

548
00:27:50,760 --> 00:27:55,280
Speaker 2: Wayne, co produced by Victor Wright, co written by Jam McNab,

549
00:27:55,760 --> 00:27:58,440
Speaker 2: and edited and engineered by Brian Jeffries.

550
00:28:00,920 --> 00:28:02,119
Speaker 1: Never Got a