WEBVTT - It's a Wrap ("All or Nothing" S4 EP 22)

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<v Speaker 1>And That's what you really missed with Jenna.

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<v Speaker 2>And Kevin An iHeartRadio podcast.

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<v Speaker 1>Welcome to You, and That's what you Really missed podcast?

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<v Speaker 1>Can you Believe It? We are here? Season four, episode

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<v Speaker 1>twenty two, the.

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<v Speaker 2>Last episode twenty two of Glee.

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<v Speaker 1>All or Nothing, All or Nothing?

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<v Speaker 2>Jacob famously on set or Nothing.

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<v Speaker 1>I can't believe you remember that.

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<v Speaker 2>That's how I remember the song. I'm like, is that

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<v Speaker 2>the song that it came on? It's just had Jacob's

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<v Speaker 2>voice impersonating you, going, oh nothing.

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<v Speaker 1>We love to do impressions with me and they were

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<v Speaker 1>very funny. Okay. This aired on May ninth, twenty thirteen.

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<v Speaker 1>We had serious senioritis. The number one song was Just

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<v Speaker 1>Give Me a Reason by Pink featuring neighbor Bruce.

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<v Speaker 2>The number one movie starring Glee's very own Gwyneth Paltrow

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<v Speaker 2>was Iron Man three, and that movie really was starring

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<v Speaker 2>Gwyneth Paltrow. Did you see it, Jenna?

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<v Speaker 1>I did see it. It's a marvel Yeah, I saw it.

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<v Speaker 2>There we go the Glee news this week. On May thirteenth,

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<v Speaker 2>Fox announced Glee Season five as part of their twenty

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<v Speaker 2>thirteen twenty fourteen Fall in Spring programming at Upfronts in

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<v Speaker 2>New York. You Me, Chris, Darren, Leah, Jane Matt represented

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<v Speaker 2>the show and attended the first ever Fox fan fronts.

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<v Speaker 2>And also we had found out that was it announced.

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<v Speaker 2>It must have been announced at this point. I think that

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<v Speaker 2>Demi was joining the show because we have pictures with her.

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<v Speaker 1>I just watched Demi's film that she directed, Child Star.

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<v Speaker 2>Yeah, very good, proud of her. It looks great. I

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<v Speaker 2>haven't seen it yet, very very good. My mom was

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<v Speaker 2>My mom watched it. She texted me.

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<v Speaker 1>Revealing and good and she did a really good job. Anyway, Yes,

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<v Speaker 1>we were very excited for tempt me to join this.

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<v Speaker 1>We talked about last last recap. Also was around the

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<v Speaker 1>time May fourteenth, I released my one and only book,

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<v Speaker 1>Choosing Glee Ten Rules to Find the Inspiration, Happiness and

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<v Speaker 1>the Real You.

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<v Speaker 2>How was that experience for you?

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<v Speaker 1>It was fine. I'm glad I did it. It was

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<v Speaker 1>really hard while you're filming a TV show. But I mean, like,

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<v Speaker 1>I'm not writing Chris's novels, so you know, it.

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<v Speaker 2>Isn't that amazing, Like how does he do that? How

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<v Speaker 2>did he do that?

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<v Speaker 1>He's brilliant, He's actually brilliant.

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<v Speaker 2>There was a weird thing going on at that time

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<v Speaker 2>where all of us were approached to write books, and

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<v Speaker 2>most of them they wanted to Tiye and glee somehow,

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<v Speaker 2>and they got me, and they wanted like almost to

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<v Speaker 2>be like memoirs. And we were all so young, like

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<v Speaker 2>we haven't done anything yet.

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<v Speaker 1>Even at this point, I'm like, I wouldn't write a memory.

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<v Speaker 2>Yeah, we're talking about We were all approached and I

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<v Speaker 2>just I thought, you' found a really clever way to

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<v Speaker 2>do it.

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<v Speaker 1>Oh thanks. The cover of my book was supposed to

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<v Speaker 1>be me with like my mouth wide open. That's what

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<v Speaker 1>the publishers had picked initially, like surprise, kind of like

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<v Speaker 1>very excited face because people love that face I made.

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<v Speaker 1>And I was like, you guys, it really lends for

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<v Speaker 1>people to graffiti and draw and do put on it.

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<v Speaker 1>I was like, please don't do that to me. So

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<v Speaker 1>I got them to just a smiling photo instead.

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<v Speaker 2>Do you remember high school?

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<v Speaker 1>Exactly? In high school, basically I was thinking about the

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<v Speaker 1>muckraker or whatever that out of your book.

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<v Speaker 2>Yep, exactly.

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<v Speaker 1>And we talked about this last week as well. On

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<v Speaker 1>May sixteenth, a bunch of us went Alex Ashley Fink

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<v Speaker 1>Chris Darren. We all went to go see Jane's opening

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<v Speaker 1>night as miss Hannigan. That's unfair in Annie at the

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<v Speaker 1>Palace Theater and then the party after at Ruby Foos,

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<v Speaker 1>which we loved, but also that's very unfair to go

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<v Speaker 1>to her opening. I would never have done that to

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<v Speaker 1>somebody else, because I would pray that nobody would ever

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<v Speaker 1>do that to me.

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<v Speaker 2>Oh but she was fantastic. Yeah, exactly, it didn't matter

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<v Speaker 2>all right.

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<v Speaker 1>This was directed by the one and only Brad Beeker

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<v Speaker 1>because it's a competition episode and it's chaotic.

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<v Speaker 2>It really is chaotic, and I feel like it is

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<v Speaker 2>representative of this season.

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<v Speaker 1>Yes, exactly, you took the words out of my mouth.

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<v Speaker 2>Because while we both enjoyed this season, Yes, it did

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<v Speaker 2>feel like disjointed, very disjointed in some like the fact

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<v Speaker 2>that the breakup was this season is crazy to me.

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<v Speaker 2>It feels like it was a different season.

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<v Speaker 1>Well, glease right, yeah, I'm with you.

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<v Speaker 2>And at some point it also feels like it became

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<v Speaker 2>a different show, a show I still enjoyed, but felt

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<v Speaker 2>tonally different.

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<v Speaker 1>Agreed, Agreed, I mean there was a new cast, there

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<v Speaker 1>was a whole new location.

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<v Speaker 2>Yeah, I agree. This episode had a lot of guest stars,

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<v Speaker 2>a lot of music. We had to Love You Moore

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<v Speaker 2>performed by Rachel Rainbow, Connection by the Waffle.

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<v Speaker 1>Tuts I'm of the Waffle Tutes. Clarity one of my

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<v Speaker 1>favorite songs by Zad Wings, We Love Little Mix by

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<v Speaker 1>Hoo's Your Daddies. Sorry, those are both performed by the

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<v Speaker 1>Hoosier Daddies.

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<v Speaker 2>I think hoos your Daddy's is one of the better

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<v Speaker 2>names as well.

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<v Speaker 1>And they were very good.

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<v Speaker 2>They were very good, like actually I spied with my

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<v Speaker 2>little big eye actually that there was some secret vocal

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<v Speaker 2>journal and dancers in there.

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<v Speaker 1>Oh, definitely they We were at that point whether they

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<v Speaker 1>like just throwing them in there, nobody.

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<v Speaker 2>Wills, yes, I mean shared was like my old friend

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<v Speaker 2>who I've known longer than I've known you. He was

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<v Speaker 2>like front and center, and I was like, you've already

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<v Speaker 2>been on this show.

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<v Speaker 1>We also have the New Directions performed Hall of Fame.

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<v Speaker 1>I love it, and then also the Marley's original All

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<v Speaker 1>or Nothing.

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<v Speaker 2>I do enjoy that we got to have a Charlie

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<v Speaker 2>XCX song in this era of Brown She's bigger than ever.

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<v Speaker 1>It didn't I will say though, it didn't pop the

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<v Speaker 1>way it should have popped and the way I remember it, No,

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<v Speaker 1>I have that, but because I also think it's a

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<v Speaker 1>perfect song for like you guys to perform, and it

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<v Speaker 1>just didn't hit the way I was hoping.

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<v Speaker 2>Yeah, for me, I'd like a redo.

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<v Speaker 1>I would love a redoo. Okay, Uh, there's a bunch

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<v Speaker 1>and bunch a bunch of fun facts. So let's get

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<v Speaker 1>through these and then let's get to the episode. I'm

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<v Speaker 1>curious to hear your thoughts on this episode.

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<v Speaker 2>Fun facts are my favorite part of our recaps. I

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<v Speaker 2>love the fun facts. So this is the ninth time

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<v Speaker 2>that the episode is named after a song that has

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<v Speaker 2>sung in it, the others being Home dreamond Silly Love Songs.

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<v Speaker 2>Blame it on the alcohol Born this Way, I Kissed

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<v Speaker 2>a Girl, Extraordinary Merry Christmas, and Diva if you're keeping track.

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<v Speaker 1>This is the second time that an episode is named

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<v Speaker 1>after an original song, the first being Extraordinary Merry Christmas.

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<v Speaker 2>Wimma Will and Emma's ship name is mentioned for the

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<v Speaker 2>first time in the series, and I also think a

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<v Speaker 2>couple times in this we are getting meta and referencing

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<v Speaker 2>what fans are saying about the show totally.

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<v Speaker 1>This is the first season finale where Will Schuster does

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<v Speaker 1>not sing. And this is the only finale where Mercedes

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<v Speaker 1>and Kurt do not sing.

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<v Speaker 2>O the times era change in this is the only

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<v Speaker 2>finale where Marley is present. Interesting, And this is the

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<v Speaker 2>first season finale where Finn, Quinn, and Puck are absent.

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<v Speaker 1>Wow. This is also the first season finale where Finn

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<v Speaker 1>and Puck do not sing it all as well.

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<v Speaker 2>Jan and Liz were rumored to return in season five

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<v Speaker 2>for a potential Blain storyline, but ultimately the claim proposal

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<v Speaker 2>was brought forward instead.

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<v Speaker 1>That makes sense.

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<v Speaker 2>Do you think that happens because like, you don't know

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<v Speaker 2>the future of the show, so like there's certain things

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<v Speaker 2>you want to make sure to get.

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<v Speaker 1>In you mean bringing them pulling it up? Yeah, well

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<v Speaker 1>also because of Corey, I feel like things were pulled up,

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<v Speaker 1>things that they had planned for later were like, let's

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<v Speaker 1>just do it now. Yeah, because I think the proposal

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<v Speaker 1>happens in season five, episode one, happens act quickly, I think, so,

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<v Speaker 1>if I'm correct, we can revisit this later. But yes,

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<v Speaker 1>I believe that it's when we're all there for the

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<v Speaker 1>Beatles Love Love Love song.

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<v Speaker 2>So they really brought that up.

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<v Speaker 1>That makes yes, yeah, this is the last episode where Brittany,

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<v Speaker 1>Mercedes and Mike appears me characters. That's crazy. I hate that.

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<v Speaker 2>However, Mercedes was promoted again in season six and those

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<v Speaker 2>are like me.

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<v Speaker 1>This is the last episode to credit Corey Monteeth as

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<v Speaker 1>a series regular.

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<v Speaker 2>Sadly, this is the last episode to credit Alex Snool,

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<v Speaker 2>Jacob Artist, Melissa ba Nois Blake Jenner, and Becketobin as

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<v Speaker 2>guest stars. In season five, they become series regulars.

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<v Speaker 1>Wow, I don't think I remember that.

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<v Speaker 2>It was around this time where we had that conversation

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<v Speaker 2>like the final episode or two, where they told us

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<v Speaker 2>how much they were making really.

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<v Speaker 1>Right right as guest stars.

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<v Speaker 2>Right, let's fix that.

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<v Speaker 1>This is the second time a season ends with a

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<v Speaker 1>regionals competition, the first being season one.

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<v Speaker 2>And this episode marks the last time Joe sings in

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<v Speaker 2>the series travesty, such a beautiful voice.

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<v Speaker 1>Oh in This episode marks the last episode of Sugar

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<v Speaker 1>and Joe until a wedding and the rise and Fobs

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<v Speaker 1>who Sylvester in season six? That's crazy.

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<v Speaker 2>Yeah, I don't believe.

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<v Speaker 1>I don't my memory doesn't. I mean, because we were

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<v Speaker 1>hanging out, we were very close with Vanessa obviously we

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<v Speaker 1>love Sam, but we hung out with Vanessa quite a bit,

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<v Speaker 1>and I feel like we saw her throughout the entire

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<v Speaker 1>rest of the series and she joined and so it

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<v Speaker 1>didn't feel like she was gone. But that's a long time.

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<v Speaker 2>Yeah, I think we had to completely blurred the lines

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<v Speaker 2>of work and friendship. Yeah, yeah, so we didn't.

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<v Speaker 1>Yeah, Vanessa was like a really big part of my

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<v Speaker 1>life in this season actually, like in the outside world,

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<v Speaker 1>she was.

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<v Speaker 2>Also somebody and the things that we were going through. Personally,

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<v Speaker 2>Vanessa is like the good witch, Like she is always

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<v Speaker 2>there for you, has great advice. I mean, if you

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<v Speaker 2>listen to the episodes that she was on of this podcast,

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<v Speaker 2>do you hear how introspective and wise she is, And

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<v Speaker 2>so like, as a friend, that's what she has all

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<v Speaker 2>the time. And so yeah, she was deeply ingrained into

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<v Speaker 2>our friend group. She's vital. Kurt is the only person

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<v Speaker 2>in the show circle that Brittany doesn't mention or address

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<v Speaker 2>when comparing everyone to family members. Let's start that rumor

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<v Speaker 2>Kurt and Brittany hated each other.

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<v Speaker 1>Oh that's funny. At first, I was like, Oh, she's

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<v Speaker 1>not going to mention everybody, and then she does and

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<v Speaker 1>I was like, okay, few. I thought she was going

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<v Speaker 1>to be like, you guys are my sisters, and then

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<v Speaker 1>Meg that was it and you're like whoa. This episode

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<v Speaker 1>was submitted for consideration of Patty Duke for the twenty

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<v Speaker 1>thirteen Emmys, as it.

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<v Speaker 2>Should have been. This is the first season finale not

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<v Speaker 2>to be directed or written by co creator b Foul

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<v Speaker 2>Brad Foulchuck.

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<v Speaker 3>Wow, crazy, Okay, give me the.

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<v Speaker 1>Episode summary, Kevin, are you ready? I'm very ready.

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<v Speaker 2>It's finally time for regionals and the glee club is

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<v Speaker 2>more determined than ever to advance to nationals. Brittany returned

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<v Speaker 2>from her mit trip with a new attitude. Attitude is

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<v Speaker 2>doing a lot of heavy lifting there, and writer finally

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<v Speaker 2>has a lead on who's catfishing him.

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<v Speaker 1>Hmm okay, I like that summary.

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<v Speaker 2>Yeah, that's actually correct.

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<v Speaker 1>Is this The only time we see Rachel was when

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<v Speaker 1>she sings her song for a callback? And that's it?

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<v Speaker 1>I think, so yeah, so funny.

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<v Speaker 2>Look I give me a Rachel singing Selene any day.

0:12:28.960 --> 0:12:32.440
<v Speaker 1>Also, I have to shout out to the fact that

0:12:32.520 --> 0:12:38.680
<v Speaker 1>she has a full band at a callback. I was like, no,

0:12:38.760 --> 0:12:41.960
<v Speaker 1>they're not doing that, but like, obviously the music production

0:12:42.200 --> 0:12:44.760
<v Speaker 1>has to match so that you were like, yeah, added in,

0:12:45.200 --> 0:12:48.040
<v Speaker 1>But I thought it was really funny.

0:12:48.440 --> 0:12:51.480
<v Speaker 2>Now would break down happen? Yeah, what the accompaniment would

0:12:51.720 --> 0:12:54.600
<v Speaker 2>be for a real callback for a Broadway audition?

0:12:55.240 --> 0:13:00.120
<v Speaker 1>Just a pianist, Just a pianist. Yeah, you're not kidding,

0:13:00.200 --> 0:13:06.880
<v Speaker 1>unless they were like come to the theater. Even then,

0:13:07.120 --> 0:13:09.360
<v Speaker 1>I sang with a piano, like for a Spring Awakening.

0:13:09.360 --> 0:13:11.280
<v Speaker 1>I went to the theater between shows and I did

0:13:11.280 --> 0:13:13.640
<v Speaker 1>my final callback for producers.

0:13:14.160 --> 0:13:15.400
<v Speaker 2>That's got to be intimidating.

0:13:15.880 --> 0:13:18.679
<v Speaker 1>It was I read with Remy who was already in

0:13:18.679 --> 0:13:20.600
<v Speaker 1>the show. She was literally going to lunch, like with

0:13:20.679 --> 0:13:23.280
<v Speaker 1>her backpack on, and we were like reading lines and

0:13:23.320 --> 0:13:27.320
<v Speaker 1>it was just the producer. It was just Tumholtz at

0:13:27.320 --> 0:13:32.000
<v Speaker 1>the time and maybe Ira, But yeah, it was very intimidating.

0:13:32.080 --> 0:13:33.880
<v Speaker 1>But I sat on the stage and did my final

0:13:33.920 --> 0:13:37.120
<v Speaker 1>call back. But even then, you like, you have to

0:13:37.160 --> 0:13:40.199
<v Speaker 1>pay musicians then, so there's no world in which you're

0:13:40.200 --> 0:13:41.920
<v Speaker 1>getting any kind of music the same as Glee. It

0:13:42.000 --> 0:13:43.400
<v Speaker 1>was like just a pianist.

0:13:43.679 --> 0:13:46.120
<v Speaker 2>I do wish we we've seen her now audition for

0:13:46.160 --> 0:13:49.480
<v Speaker 2>this twice. I do wish we would get a scene

0:13:49.720 --> 0:13:51.360
<v Speaker 2>like I do wish we'd see the acting, because it's

0:13:51.400 --> 0:13:52.440
<v Speaker 2>not just showing up and singing.

0:13:53.240 --> 0:13:53.680
<v Speaker 1>For sure.

0:13:53.760 --> 0:13:55.719
<v Speaker 2>You would also be doing some scenes.

0:13:55.679 --> 0:13:58.040
<v Speaker 1>Right, and I would love to see her do Barbara

0:13:58.200 --> 0:13:59.000
<v Speaker 1>or do Funny Girl.

0:13:59.080 --> 0:14:01.640
<v Speaker 2>Sorry, Yeah, I would have liked to have seen that.

0:14:01.800 --> 0:14:07.000
<v Speaker 2>But I also feel like, as I mean, this is

0:14:07.840 --> 0:14:11.560
<v Speaker 2>her voice is perfect for this. It's like the match

0:14:11.559 --> 0:14:16.520
<v Speaker 2>made in heaven. However, because it is sort of so

0:14:16.640 --> 0:14:19.760
<v Speaker 2>out of like left field, it's just there's nothing special

0:14:19.800 --> 0:14:23.680
<v Speaker 2>about like, there's no meaning behind me a moment. Yeah,

0:14:23.720 --> 0:14:27.600
<v Speaker 2>there's no meaning, there's no story, Like it was sort

0:14:27.640 --> 0:14:29.600
<v Speaker 2>of weird to sort of like watch it go by.

0:14:30.160 --> 0:14:32.360
<v Speaker 2>I would almost have preferred if she had done something.

0:14:32.160 --> 0:14:35.440
<v Speaker 1>From front of Girl at that point. Yeah, So this

0:14:35.520 --> 0:14:37.480
<v Speaker 1>kind of goes along with sorry, like we rushed I

0:14:37.520 --> 0:14:40.160
<v Speaker 1>rushed ahead to Rachel into the episode itself, but like

0:14:40.560 --> 0:14:44.400
<v Speaker 1>as a whole, I'm curious to hear your thoughts because

0:14:44.840 --> 0:14:49.080
<v Speaker 1>as a finale for a season, and maybe this is

0:14:49.120 --> 0:14:53.160
<v Speaker 1>also partially because they had to scramble because Corey was

0:14:53.200 --> 0:14:55.880
<v Speaker 1>no longer in the show at this point. He was

0:14:55.920 --> 0:15:01.080
<v Speaker 1>off and gone for a couple of episodes already. Maybe

0:15:01.080 --> 0:15:05.280
<v Speaker 1>they had another plan, but like this episode and its

0:15:05.520 --> 0:15:11.000
<v Speaker 1>entirey felt rushed to me, like and kind of like,

0:15:11.320 --> 0:15:13.840
<v Speaker 1>let's just tie everything up and then like we're just

0:15:13.960 --> 0:15:14.400
<v Speaker 1>that's it.

0:15:16.000 --> 0:15:18.640
<v Speaker 2>Yeah, Usually there's some sort of like cliffhanger or it's

0:15:18.680 --> 0:15:21.040
<v Speaker 2>like everything was tied up so neatly that.

0:15:21.600 --> 0:15:25.560
<v Speaker 1>And and I don't mean to poop pool on this

0:15:25.560 --> 0:15:31.080
<v Speaker 1>this this Regionals, but it wasn't. It was not my

0:15:31.160 --> 0:15:33.640
<v Speaker 1>favorite Regionals. I mean it was by far my probably

0:15:33.720 --> 0:15:35.920
<v Speaker 1>one of my least favorite. Yeah.

0:15:36.600 --> 0:15:38.360
<v Speaker 2>I just think because there was so much going on

0:15:38.440 --> 0:15:42.760
<v Speaker 2>and that I really enjoyed everything else going on. I

0:15:42.800 --> 0:15:46.600
<v Speaker 2>really like, I enjoyed seeing Rachel do her callback, I

0:15:46.680 --> 0:15:50.560
<v Speaker 2>enjoyed all the Britney stuff. I enjoyed seeing all the kids. Oh,

0:15:50.600 --> 0:15:55.360
<v Speaker 2>the Blain storyline love, like my favorite Blaine storyline. Yeah,

0:15:55.400 --> 0:15:59.920
<v Speaker 2>And I it's weird to me because I normally love

0:16:00.040 --> 0:16:03.880
<v Speaker 2>of the competition totally totally, and it sort of felt

0:16:03.960 --> 0:16:05.960
<v Speaker 2>like an afterthought like, oh, yeah, we have to squeeze

0:16:06.000 --> 0:16:08.480
<v Speaker 2>that in at the end of this yeah, now is

0:16:08.560 --> 0:16:10.480
<v Speaker 2>what that felt like. So like that was a little

0:16:10.680 --> 0:16:13.240
<v Speaker 2>bit of a bummer. But I also think there's some

0:16:13.400 --> 0:16:17.200
<v Speaker 2>huge like highlights in this episode, and so I think

0:16:19.240 --> 0:16:22.359
<v Speaker 2>the focus of a lot of the other competition episodes

0:16:22.360 --> 0:16:24.080
<v Speaker 2>were the competition itself.

0:16:24.440 --> 0:16:26.400
<v Speaker 1>Let's talk about some of our favorites. Let's just start

0:16:26.400 --> 0:16:29.120
<v Speaker 1>with our favorite storylines because there's a few that we

0:16:29.160 --> 0:16:33.880
<v Speaker 1>really have to hit. Obviously, Regionals is going to happen,

0:16:33.960 --> 0:16:38.320
<v Speaker 1>and we we end up winning because we're going to

0:16:38.360 --> 0:16:41.520
<v Speaker 1>move forward next to you, right, so great, We're we

0:16:41.640 --> 0:16:46.000
<v Speaker 1>put that aside. Regionals is done. It's all this stuff

0:16:46.080 --> 0:16:47.800
<v Speaker 1>leading up to Regionals that's interesting to me.

0:16:48.080 --> 0:16:48.440
<v Speaker 2>Yeah.

0:16:48.880 --> 0:16:54.000
<v Speaker 1>Britney Brittany as Pierce, Heather.

0:16:54.000 --> 0:16:56.040
<v Speaker 2>Morris pregnant Heather.

0:16:55.880 --> 0:16:58.880
<v Speaker 1>Moris pregnant Heather Mars some of her best work in

0:16:58.920 --> 0:17:04.919
<v Speaker 1>this episode truly. Also, I mean, it's so such a

0:17:04.920 --> 0:17:08.159
<v Speaker 1>departure from like normal Brittany to see her acting like

0:17:08.240 --> 0:17:11.000
<v Speaker 1>out like this. Like if you watched, if you saw

0:17:11.040 --> 0:17:13.720
<v Speaker 1>how they're acting out like this, you'd be like, what's wrong?

0:17:13.760 --> 0:17:14.359
<v Speaker 1>What's going on?

0:17:14.520 --> 0:17:14.680
<v Speaker 2>Yes?

0:17:14.840 --> 0:17:16.880
<v Speaker 1>Is she okay? We need to check in with her?

0:17:18.119 --> 0:17:20.879
<v Speaker 1>And I felt like that was like the Brittany, You're like, whoa,

0:17:21.160 --> 0:17:23.600
<v Speaker 1>what's going on? And then we obviously see there's a

0:17:23.600 --> 0:17:25.919
<v Speaker 1>lot of emotion behind her. Is she's leaving?

0:17:26.160 --> 0:17:28.280
<v Speaker 2>What I like about that is the other time she

0:17:28.520 --> 0:17:31.080
<v Speaker 2>acted out was at the beginning of the season when

0:17:31.080 --> 0:17:35.240
<v Speaker 2>she didn't have Santana and people were worried, and she

0:17:35.400 --> 0:17:38.000
<v Speaker 2>I liked the consistency. You know, the shows can go

0:17:38.040 --> 0:17:41.000
<v Speaker 2>all over the place, the consistency of when Brittany is

0:17:41.200 --> 0:17:45.240
<v Speaker 2>not in a mentally well place, she acts out in

0:17:45.280 --> 0:17:48.480
<v Speaker 2>a very specific way. Yeah, and it takes the group

0:17:48.480 --> 0:17:50.639
<v Speaker 2>of friends to like sort of rein her in and

0:17:50.680 --> 0:17:53.280
<v Speaker 2>be like, hey, hey, hey, let's check in what's going on?

0:17:53.600 --> 0:17:56.679
<v Speaker 2>And I thought that was so nice. But so the

0:17:56.680 --> 0:17:59.520
<v Speaker 2>scene where she's at MIT and.

0:18:01.520 --> 0:18:02.760
<v Speaker 1>Scored zero and she.

0:18:02.800 --> 0:18:04.440
<v Speaker 2>Scored zero, but like, but.

0:18:07.400 --> 0:18:11.000
<v Speaker 1>This piece of paper, whoever drew that and doodled that

0:18:11.200 --> 0:18:13.240
<v Speaker 1>is actually I want to frame it and put it

0:18:13.280 --> 0:18:17.479
<v Speaker 1>in my house, like somebody. I don't know. I don't know.

0:18:17.520 --> 0:18:22.120
<v Speaker 1>It's so good. She has these like numbers and doodles

0:18:22.160 --> 0:18:24.080
<v Speaker 1>on the back of her test that she had to

0:18:24.119 --> 0:18:26.160
<v Speaker 1>like get out of her brain. And then they find

0:18:26.200 --> 0:18:28.199
<v Speaker 1>that it's actually a prime. It's a prime number, right,

0:18:28.359 --> 0:18:29.000
<v Speaker 1>is what they said.

0:18:29.560 --> 0:18:31.880
<v Speaker 2>That was one of the things every corner represented, some

0:18:31.960 --> 0:18:35.000
<v Speaker 2>other brilliant mathematic empression.

0:18:36.359 --> 0:18:39.760
<v Speaker 1>And they found that she's a genius, and she's one

0:18:39.800 --> 0:18:42.639
<v Speaker 1>of the most brilliant minds since Einstein, and so she's

0:18:42.720 --> 0:18:47.480
<v Speaker 1>getting she's been offered early admission to MIT. So Brittany

0:18:47.560 --> 0:18:51.320
<v Speaker 1>is leaving, and I think we're going to talk to Heather,

0:18:51.600 --> 0:18:54.199
<v Speaker 1>so stay tuned at some point to talk about this

0:18:54.240 --> 0:18:57.359
<v Speaker 1>whole thing, because she was pregnant and I think that

0:18:57.760 --> 0:19:00.359
<v Speaker 1>obviously this was her out to go take care of

0:19:00.400 --> 0:19:03.920
<v Speaker 1>her baby for a while. And I don't I don't

0:19:03.960 --> 0:19:09.360
<v Speaker 1>remember like if she was if she was like leaving

0:19:09.400 --> 0:19:12.480
<v Speaker 1>the show, because it felt so final in this episode.

0:19:12.680 --> 0:19:18.600
<v Speaker 2>It really did, and it felt like I just don't remember,

0:19:18.760 --> 0:19:21.640
<v Speaker 2>like she was working crazy hours and it's like, how

0:19:21.640 --> 0:19:24.040
<v Speaker 2>are you doing this when you're growing a human?

0:19:24.720 --> 0:19:25.000
<v Speaker 4>Like it?

0:19:25.640 --> 0:19:28.639
<v Speaker 2>Yeah, I am very interested to find out like what

0:19:29.320 --> 0:19:34.080
<v Speaker 2>her dialogue was with with the creative team, because like

0:19:34.240 --> 0:19:36.720
<v Speaker 2>what the future was and what she knew or didn't know.

0:19:37.080 --> 0:19:39.840
<v Speaker 1>Right And obviously we get her back later, but I

0:19:39.840 --> 0:19:43.479
<v Speaker 1>don't know how long her leave is or was. But

0:19:44.119 --> 0:19:46.679
<v Speaker 1>if we're just looking at right now, like in this episode,

0:19:46.800 --> 0:19:49.080
<v Speaker 1>like it feels like Brittany is leaving the show, or

0:19:49.080 --> 0:19:49.920
<v Speaker 1>how there's leaving.

0:19:49.760 --> 0:19:52.879
<v Speaker 2>The show, so we get like the greatest hits of

0:19:52.880 --> 0:19:56.520
<v Speaker 2>Brittany moments in this We get the hilarity of the

0:19:56.680 --> 0:19:59.680
<v Speaker 2>MIT stuff and then her storming into the choir room,

0:20:00.280 --> 0:20:03.360
<v Speaker 2>going out like, I also love this does not ever

0:20:03.440 --> 0:20:07.560
<v Speaker 2>happen where the scene in the choir room is already happening.

0:20:07.600 --> 0:20:10.080
<v Speaker 2>We see them in the background. We hear it in

0:20:10.119 --> 0:20:11.840
<v Speaker 2>the background, he's saying what songs are going to be

0:20:11.880 --> 0:20:15.879
<v Speaker 2>doing at regionals? But we're following. We meet Brittany in

0:20:15.920 --> 0:20:21.960
<v Speaker 2>the hallway and follow her into her disruption of the class,

0:20:22.400 --> 0:20:24.720
<v Speaker 2>which I really loved. It was a whole different energy.

0:20:24.800 --> 0:20:27.359
<v Speaker 2>And she storms in there. She's like, no, I'm not

0:20:27.400 --> 0:20:30.440
<v Speaker 2>having any of this. It's me. You're putting me in

0:20:30.960 --> 0:20:34.639
<v Speaker 2>I'm number one, And everyone's like, what is happening?

0:20:35.960 --> 0:20:39.320
<v Speaker 1>She says Blaine is shorter than his the average lawn gnome,

0:20:41.600 --> 0:20:45.640
<v Speaker 1>and Joe looks like a Yucatan spider monkey. I was like, whoa.

0:20:45.800 --> 0:20:48.280
<v Speaker 2>I remember filming this because I remember Heather coming in

0:20:48.760 --> 0:20:52.919
<v Speaker 2>and just having so much dialogue and just smashing.

0:20:52.400 --> 0:20:56.840
<v Speaker 1>It, smashing it also pregnant pregnancy brain. Don't know how

0:20:56.840 --> 0:20:58.640
<v Speaker 1>she did that. I can't.

0:20:58.800 --> 0:21:01.240
<v Speaker 2>Well, were, yeah, there's a superhero.

0:21:01.520 --> 0:21:05.119
<v Speaker 1>Yeah she is. No, No, truly she really is. Yeah.

0:21:05.200 --> 0:21:08.040
<v Speaker 1>I love this side of Heather, of this side of Brittany,

0:21:08.119 --> 0:21:14.640
<v Speaker 1>like the diva likes outspoken brazen Brittany. It's so much

0:21:14.640 --> 0:21:15.120
<v Speaker 1>fun to.

0:21:15.080 --> 0:21:18.719
<v Speaker 2>Watch part of this other Britney Greatest hits parade. We

0:21:18.800 --> 0:21:24.440
<v Speaker 2>get more fon Du for two, God bless, we get

0:21:25.040 --> 0:21:29.320
<v Speaker 2>in a miracle Will and Sue. Sue somehow back at

0:21:29.320 --> 0:21:32.600
<v Speaker 2>the school also have a bit of an intervention or

0:21:32.760 --> 0:21:36.320
<v Speaker 2>have an intervention with Brittany because there's another one coming,

0:21:37.080 --> 0:21:40.280
<v Speaker 2>and they say we need to talk what's going on

0:21:40.400 --> 0:21:42.560
<v Speaker 2>or worried about you? And she says, well, the conditions

0:21:42.560 --> 0:21:48.719
<v Speaker 2>are and we cut to von du for two and

0:21:48.760 --> 0:21:55.440
<v Speaker 2>it is so good and chaotic, and she presents her

0:21:55.480 --> 0:21:58.679
<v Speaker 2>evidence as to why she knows who Sue's.

0:21:58.400 --> 0:22:01.880
<v Speaker 1>Baby daddy is being Michael Walton.

0:22:02.320 --> 0:22:06.600
<v Speaker 2>Michael wo and pulls open a folder like she was

0:22:06.640 --> 0:22:07.919
<v Speaker 2>tracking a serial killer.

0:22:08.920 --> 0:22:12.720
<v Speaker 1>It's really funny, as some of my favorite Glee writing

0:22:13.600 --> 0:22:14.440
<v Speaker 1>is Bondu for two.

0:22:14.920 --> 0:22:18.080
<v Speaker 2>No, just that concept of here's the storyline going on.

0:22:18.160 --> 0:22:20.680
<v Speaker 2>We're sort of worried about this character, but she's also

0:22:20.840 --> 0:22:23.480
<v Speaker 2>like being funny. And then we get these two characters

0:22:23.680 --> 0:22:26.119
<v Speaker 2>in a new place on fon Du for two, and

0:22:26.160 --> 0:22:29.280
<v Speaker 2>then we just switched to She's giving you this insane story.

0:22:29.600 --> 0:22:31.920
<v Speaker 2>It's reference that we don't know who's who's baby Daddy

0:22:32.000 --> 0:22:34.919
<v Speaker 2>is and actually someone's figured it out and it's Brittany, Like,

0:22:35.880 --> 0:22:38.040
<v Speaker 2>I don't know how we got from A to B. Yes,

0:22:38.080 --> 0:22:39.160
<v Speaker 2>but I love it.

0:22:39.520 --> 0:22:43.399
<v Speaker 1>Yeah, yeah, I'm here for it. You're so right. It

0:22:43.600 --> 0:22:46.760
<v Speaker 1>just it comes out of left field, but like, we

0:22:46.880 --> 0:22:48.080
<v Speaker 1>buy it, right, that's.

0:22:47.880 --> 0:22:49.960
<v Speaker 2>The comedy I'm looking for. You know, with all this

0:22:50.080 --> 0:22:52.760
<v Speaker 2>debate if the Bear is a comedy or drama because

0:22:52.760 --> 0:22:55.120
<v Speaker 2>he keeps winning all the comedy awards right right right,

0:22:55.280 --> 0:22:59.280
<v Speaker 2>there was a time for us after the first season

0:22:59.320 --> 0:23:01.840
<v Speaker 2>because we always we had a lot of dramatic moments,

0:23:02.640 --> 0:23:04.800
<v Speaker 2>and the show took on this whole new meaning for

0:23:04.880 --> 0:23:11.600
<v Speaker 2>people and representing these disenfranchised and often overlooked communities, and

0:23:11.680 --> 0:23:16.159
<v Speaker 2>so it wasn't just a comedy. And I remember feeling

0:23:16.200 --> 0:23:18.960
<v Speaker 2>weird going to these award shows and like, are we

0:23:19.040 --> 0:23:22.280
<v Speaker 2>a drama dy or more drama? And so whenever we

0:23:22.359 --> 0:23:26.840
<v Speaker 2>get these ridiculous, hilarious things, and often on this rewatch,

0:23:26.840 --> 0:23:29.120
<v Speaker 2>I'm reminded of like, oh no, the show really was like.

0:23:29.080 --> 0:23:34.480
<v Speaker 1>Fifty to fifty comedy bear more justified in that question,

0:23:34.800 --> 0:23:35.440
<v Speaker 1>I think.

0:23:35.680 --> 0:23:37.679
<v Speaker 2>Yes, well that's what I'm like. It has reframed how

0:23:37.720 --> 0:23:41.359
<v Speaker 2>I see our show totally because it is yes, and

0:23:41.400 --> 0:23:44.240
<v Speaker 2>it's the opposite where it's like, because we were an

0:23:44.280 --> 0:23:47.280
<v Speaker 2>hour long, we should have been classified as a drama

0:23:47.480 --> 0:23:52.240
<v Speaker 2>because comedies aren't an hour long, but somehow we got comedy.

0:23:52.320 --> 0:23:54.240
<v Speaker 2>And the Bear is sort of the opposite where just

0:23:54.280 --> 0:23:56.040
<v Speaker 2>because it's a half hour doesn't mean it should be

0:23:56.359 --> 0:23:59.879
<v Speaker 2>a comedy totally anyway, I'm getting distracted.

0:24:00.119 --> 0:24:02.720
<v Speaker 1>I agree with you though, it is great comedy, very

0:24:02.760 --> 0:24:06.560
<v Speaker 1>good point, very good comedy. And then to that point,

0:24:06.600 --> 0:24:08.640
<v Speaker 1>on the other side of that point, we get more

0:24:08.680 --> 0:24:14.520
<v Speaker 1>drama because Brittany then gives gives us a very dramatic

0:24:14.720 --> 0:24:16.280
<v Speaker 1>and emotional speech.

0:24:17.240 --> 0:24:22.880
<v Speaker 4>Wait, and when Sam calls Santana, Oh yeah, it is

0:24:22.960 --> 0:24:25.639
<v Speaker 4>so sweet. It was one of my favorite moments of

0:24:25.680 --> 0:24:28.960
<v Speaker 4>the episode because very sweet. I also love how it

0:24:29.040 --> 0:24:32.160
<v Speaker 4>shot where Sam's like hiding in this like little nook

0:24:32.200 --> 0:24:34.919
<v Speaker 4>of the hallway. It felt just different. It felt like, oh,

0:24:34.920 --> 0:24:36.600
<v Speaker 4>we're seeing the hallway in a different way, like Brad

0:24:36.640 --> 0:24:41.160
<v Speaker 4>Beaker was really sort of flexing the editor and yeah,

0:24:41.200 --> 0:24:42.840
<v Speaker 4>like how can we make this feel just a little

0:24:42.960 --> 0:24:46.879
<v Speaker 4>more interesting and getting Santana in there also like her

0:24:47.000 --> 0:24:52.600
<v Speaker 4>changing getting out the door, and this like beautiful shot

0:24:52.680 --> 0:24:56.439
<v Speaker 4>of Naya this close up profile shot of Naya was

0:24:56.920 --> 0:25:04.280
<v Speaker 4>stunning and I'm just time and time again this season

0:25:04.440 --> 0:25:06.639
<v Speaker 4>just blown away by her ability.

0:25:07.560 --> 0:25:09.120
<v Speaker 1>She's not even in the like a lot of it.

0:25:09.480 --> 0:25:13.919
<v Speaker 2>No, in every second she is is like she is

0:25:15.040 --> 0:25:19.679
<v Speaker 2>very powerful, so powerful. And then she comes in and

0:25:19.720 --> 0:25:22.520
<v Speaker 2>shows up on fondue for two and that look to

0:25:22.600 --> 0:25:25.919
<v Speaker 2>the camera like what are we doing here? And like

0:25:26.000 --> 0:25:29.200
<v Speaker 2>lets Brittany say her piece and then is like time out,

0:25:29.359 --> 0:25:34.840
<v Speaker 2>like what's going on? And you feel Santana feels grown.

0:25:35.520 --> 0:25:37.280
<v Speaker 2>You know, she's been living in New York like all

0:25:37.359 --> 0:25:41.919
<v Speaker 2>that tracks, Yeah, and like that's not by accident, Like

0:25:41.960 --> 0:25:46.320
<v Speaker 2>that's somebody who knows their character, knows geographically and within

0:25:46.440 --> 0:25:52.240
<v Speaker 2>time where their character is and that it's just unbelievable

0:25:52.240 --> 0:25:54.200
<v Speaker 2>skill and it's I don't think it's something she even

0:25:54.240 --> 0:25:58.840
<v Speaker 2>had to think about. She just inherently new. Yeah, Like

0:25:59.480 --> 0:26:03.639
<v Speaker 2>I love that she was there. Loves and they like

0:26:03.680 --> 0:26:05.879
<v Speaker 2>that's how you bring somebody back and they make an

0:26:05.920 --> 0:26:09.880
<v Speaker 2>impact and they are meaningful to the storyline.

0:26:09.600 --> 0:26:12.439
<v Speaker 1>Right, I mean even when she just goes to get

0:26:12.480 --> 0:26:18.840
<v Speaker 1>her up from the stage after regionals, You're like, oh, right,

0:26:19.720 --> 0:26:20.840
<v Speaker 1>thanks for that. You know.

0:26:21.320 --> 0:26:25.000
<v Speaker 2>Yeah, so you were saying this speech that Brittany gives.

0:26:24.880 --> 0:26:27.200
<v Speaker 1>Yeah, it to my point earlier that it felt really

0:26:29.520 --> 0:26:33.280
<v Speaker 1>a really final Obviously you cut to Tina crying, always crying,

0:26:33.320 --> 0:26:36.560
<v Speaker 1>but like everybody was very it was I think it

0:26:36.640 --> 0:26:39.879
<v Speaker 1>was very emotional. We didn't know what the future was

0:26:39.920 --> 0:26:41.960
<v Speaker 1>going to bring. I don't think any of us really

0:26:42.000 --> 0:26:45.320
<v Speaker 1>knew about our storylines or where we were going after this,

0:26:48.280 --> 0:26:51.000
<v Speaker 1>and we didn't know I how that was coming back

0:26:51.000 --> 0:26:54.159
<v Speaker 1>and she's basically saying goodbye in real life on screen

0:26:55.040 --> 0:27:00.239
<v Speaker 1>and she gives us wonderfully emotional monologue kind of like

0:27:01.320 --> 0:27:05.720
<v Speaker 1>just talking about how people told her that she was stupid.

0:27:06.119 --> 0:27:08.640
<v Speaker 1>Is that in that speech where she says, like people

0:27:08.680 --> 0:27:14.200
<v Speaker 1>always told me that I was stupid and I believe them. Yeah,

0:27:13.720 --> 0:27:17.280
<v Speaker 1>And then she walked in the room and like she

0:27:17.280 --> 0:27:19.879
<v Speaker 1>started believing in herself and it was just so honest

0:27:19.920 --> 0:27:24.280
<v Speaker 1>for Brittany, and it was just like it was so

0:27:24.359 --> 0:27:30.160
<v Speaker 1>well written and so well and perfectly executed by Heather

0:27:31.560 --> 0:27:35.200
<v Speaker 1>and then her just saying goodbye, it was like I

0:27:35.240 --> 0:27:38.960
<v Speaker 1>couldn't I couldn't have asked for a better like pause

0:27:39.119 --> 0:27:41.720
<v Speaker 1>for Hemo to go and do what she had to

0:27:41.720 --> 0:27:44.040
<v Speaker 1>do and have her baby and like start this new

0:27:44.119 --> 0:27:45.480
<v Speaker 1>chapter and.

0:27:45.400 --> 0:27:48.320
<v Speaker 2>There was just no there was no fuss in her performance,

0:27:48.520 --> 0:27:53.719
<v Speaker 2>like it felt so raw, real, and it was one

0:27:53.760 --> 0:27:57.639
<v Speaker 2>of those things where everything she said it looked like

0:27:57.720 --> 0:28:00.600
<v Speaker 2>she was feeling, and even when she was delivering like

0:28:00.640 --> 0:28:03.680
<v Speaker 2>all the comedic lines about each character, I guess except

0:28:03.760 --> 0:28:11.239
<v Speaker 2>for Kurt, because Brittany hates Kurt, I guess, it was

0:28:11.440 --> 0:28:18.199
<v Speaker 2>just beautiful, like beautiful, beautiful work. Like we have to

0:28:18.200 --> 0:28:22.400
<v Speaker 2>ask her about that because it also felt like a release,

0:28:22.800 --> 0:28:24.160
<v Speaker 2>didn't it, Like it just.

0:28:24.280 --> 0:28:26.879
<v Speaker 1>Felt like we'll also know she was pregnant, so like,

0:28:27.000 --> 0:28:32.560
<v Speaker 1>it doesn't take a lot to make somebody cry, that's fair,

0:28:32.720 --> 0:28:37.520
<v Speaker 1>and not to say like that too, like no, what's

0:28:37.560 --> 0:28:40.080
<v Speaker 1>the word I'm looking for demean her or like to

0:28:40.200 --> 0:28:46.440
<v Speaker 1>take away from her performance in any way, but we

0:28:46.520 --> 0:28:49.880
<v Speaker 1>are wildly hormonal and it doesn't take a lot to

0:28:49.920 --> 0:28:50.640
<v Speaker 1>make us cry.

0:28:50.760 --> 0:28:53.720
<v Speaker 2>And it also like I'm not to get not to

0:28:53.800 --> 0:28:59.720
<v Speaker 2>therapize her without her ear, but having been pregnant, she

0:28:59.800 --> 0:29:01.440
<v Speaker 2>was a first person to get pregnant on the show,

0:29:01.600 --> 0:29:05.560
<v Speaker 2>working like that, and then like the break is finally here,

0:29:06.320 --> 0:29:09.760
<v Speaker 2>I get to just do I need to do and

0:29:09.800 --> 0:29:13.160
<v Speaker 2>like letting that go, releasing that and like we're all

0:29:13.160 --> 0:29:19.800
<v Speaker 2>together and yep. Oh god that hug with Santana. Where

0:29:21.240 --> 0:29:23.640
<v Speaker 2>as crazy as the show gets, man, they wrote the

0:29:23.840 --> 0:29:27.880
<v Speaker 2>shit out of like these emotional scenes where you know

0:29:28.080 --> 0:29:30.800
<v Speaker 2>that feeling where you you don't have it in you

0:29:30.880 --> 0:29:33.400
<v Speaker 2>to verbalize how you feel because you're just like a

0:29:33.480 --> 0:29:39.160
<v Speaker 2>ball of emotion. Yeah, and like this the growth in

0:29:39.360 --> 0:29:42.520
<v Speaker 2>Britanna this season, even though we don't get a ton

0:29:42.560 --> 0:29:42.840
<v Speaker 2>of it.

0:29:44.080 --> 0:29:46.920
<v Speaker 1>Well, they're going separately and then you bring them back

0:29:46.960 --> 0:29:50.160
<v Speaker 1>together and it's just like whoa, Well they're growing like

0:29:50.200 --> 0:29:55.640
<v Speaker 1>synced up in that way. Yes, yes, totally, very very impactful.

0:29:56.120 --> 0:29:58.480
<v Speaker 2>Yeah, really really really beautiful.

0:30:07.360 --> 0:30:10.880
<v Speaker 1>We're getting ready for regionals and Rider says he's not

0:30:10.920 --> 0:30:16.600
<v Speaker 1>going to perform that until the Catfish reveals himself herself

0:30:17.480 --> 0:30:23.120
<v Speaker 1>and then cut to you. So I'm jumping a little bit.

0:30:24.240 --> 0:30:30.200
<v Speaker 1>Even after the Catfish is revealed Riders, he says that

0:30:30.240 --> 0:30:33.080
<v Speaker 1>he's going to perform with everybody he does show up

0:30:33.080 --> 0:30:37.240
<v Speaker 1>for regionals, Thank goodness. We need that body and that person.

0:30:37.720 --> 0:30:41.160
<v Speaker 1>But also he's leaving Glee Club after this, so there's

0:30:41.200 --> 0:30:44.240
<v Speaker 1>a bit of a cliffhanger there is Rider going to

0:30:44.280 --> 0:30:48.160
<v Speaker 1>rejoin us in new directions.

0:30:47.920 --> 0:30:48.080
<v Speaker 4>But.

0:30:49.880 --> 0:30:54.200
<v Speaker 1>Because Rider is threatening to not perform unless the catfish

0:30:54.200 --> 0:30:56.360
<v Speaker 1>reveals himself and Marley, being a good person and the

0:30:56.440 --> 0:31:01.440
<v Speaker 1>friend that she is, she is said she's a catfish,

0:31:01.880 --> 0:31:07.840
<v Speaker 1>and we quickly find out that she's covering for Unique,

0:31:07.880 --> 0:31:10.840
<v Speaker 1>who is really true the true catfish.

0:31:10.960 --> 0:31:14.920
<v Speaker 2>Because it does seem surprising because Jacob at first, like

0:31:15.560 --> 0:31:18.840
<v Speaker 2>or Jake, looks at Marley like huh yeah, and then

0:31:18.920 --> 0:31:21.040
<v Speaker 2>he gets up and defends her, which would be weird

0:31:21.080 --> 0:31:22.840
<v Speaker 2>if she was actually the catfish.

0:31:24.040 --> 0:31:29.760
<v Speaker 1>Totally very strange. It't doesn't really track, but okay, yeah,

0:31:30.000 --> 0:31:31.760
<v Speaker 1>like it was a joke and well why would they

0:31:31.800 --> 0:31:35.280
<v Speaker 1>be messing with him? That doesn't Yeah, and the moment

0:31:35.320 --> 0:31:38.440
<v Speaker 1>where it's revealed that it's Unique in the hallway, Yeah,

0:31:39.800 --> 0:31:43.400
<v Speaker 1>like Melissa like the heartbreak, I'm like, are you sure

0:31:43.560 --> 0:31:44.240
<v Speaker 1>you want to do this?

0:31:44.400 --> 0:31:45.680
<v Speaker 2>Like I'm fine taking the heat.

0:31:46.120 --> 0:31:53.240
<v Speaker 1>Yeah, yeah, it's powerful. I will be honest, I'm glad

0:31:53.280 --> 0:31:57.680
<v Speaker 1>this storyline is over. Hell yeah, it's kind of it's

0:31:57.720 --> 0:32:01.560
<v Speaker 1>like the Baby for Me drawn out, like one of

0:32:01.720 --> 0:32:06.400
<v Speaker 1>some too long. But but the Unique performance and Alex's

0:32:06.480 --> 0:32:10.400
<v Speaker 1>performance and the dynamic that that creates is actually really beautiful.

0:32:11.040 --> 0:32:13.640
<v Speaker 1>You know that is actually all the things are true, right,

0:32:13.680 --> 0:32:15.680
<v Speaker 1>all those things are me and all those things are

0:32:15.760 --> 0:32:18.560
<v Speaker 1>real and like people get cavished all the time, and

0:32:18.600 --> 0:32:21.840
<v Speaker 1>I totally buy it. I just you know, the storyline

0:32:21.880 --> 0:32:24.959
<v Speaker 1>went a little along for me. But Alex's performance is excellent.

0:32:25.240 --> 0:32:28.960
<v Speaker 1>I thought Blake's performance in this even with like and

0:32:29.120 --> 0:32:32.160
<v Speaker 1>just how john out it's been, he's still he really

0:32:32.160 --> 0:32:36.600
<v Speaker 1>brought it as well. And Melissa like real rage. Yeah, yeah,

0:32:36.640 --> 0:32:41.040
<v Speaker 1>throwing the table or like whatever, throwing all this stuff.

0:32:41.080 --> 0:32:44.280
<v Speaker 1>I was like, let's let's not be so dramatic about

0:32:44.320 --> 0:32:47.600
<v Speaker 1>its dial it back like one.

0:32:47.880 --> 0:32:51.000
<v Speaker 2>Two ticks, and it was telling like and during regionals

0:32:51.040 --> 0:32:53.960
<v Speaker 2>after they win and they do a great job and

0:32:54.000 --> 0:32:56.480
<v Speaker 2>they accidentally like hug each other, It's like, well, that's

0:32:56.520 --> 0:32:59.880
<v Speaker 2>the real emotion. I think, like that's the truth of

0:33:00.040 --> 0:33:03.720
<v Speaker 2>their relationships, Like they are friends, they have this deep

0:33:03.800 --> 0:33:08.280
<v Speaker 2>bond from the glee club, and it's a real I

0:33:08.320 --> 0:33:14.160
<v Speaker 2>think like moral question or like societal question of like well,

0:33:14.200 --> 0:33:17.440
<v Speaker 2>if you have these connections with these people and you

0:33:17.520 --> 0:33:21.479
<v Speaker 2>take away what you think it's that can be applied

0:33:21.480 --> 0:33:24.800
<v Speaker 2>to anything. But it's like yeah, because you then have

0:33:24.840 --> 0:33:26.120
<v Speaker 2>to And I think it's.

0:33:26.000 --> 0:33:28.120
<v Speaker 1>Interestcial experiment of love is blind.

0:33:28.640 --> 0:33:32.680
<v Speaker 2>Yeah, And I think like the like the great part

0:33:32.720 --> 0:33:37.520
<v Speaker 2>about Blake's performance is is like the onus is on

0:33:37.680 --> 0:33:42.800
<v Speaker 2>him to like figure himself out where his reaction is

0:33:43.320 --> 0:33:48.200
<v Speaker 2>to this can't be a thing because like society has

0:33:48.240 --> 0:33:51.640
<v Speaker 2>told me this can't be a thing, right. But it's

0:33:51.680 --> 0:33:54.560
<v Speaker 2>like you have a long, deep friendship with this person,

0:33:55.080 --> 0:34:00.640
<v Speaker 2>right exactly, and then that requires like introspection for you

0:34:00.680 --> 0:34:03.400
<v Speaker 2>to challenge yourself. And it felt like all of that

0:34:03.480 --> 0:34:07.320
<v Speaker 2>was bottled up and coming out there. Yes, I agreed,

0:34:08.640 --> 0:34:10.359
<v Speaker 2>or maybe that's just a little too deep for Glee.

0:34:10.400 --> 0:34:10.799
<v Speaker 2>I don't know.

0:34:11.520 --> 0:34:13.960
<v Speaker 1>I mean, whatever they did, they made us think about it.

0:34:14.239 --> 0:34:15.440
<v Speaker 2>Yeah, that's what I would say.

0:34:15.480 --> 0:34:18.000
<v Speaker 1>I was like, woh, yeah, no, it did its job.

0:34:18.080 --> 0:34:22.600
<v Speaker 1>I think. Blaine, on the other hand, still wants to

0:34:22.640 --> 0:34:27.640
<v Speaker 1>propose to Kurt, even after his talk with Bert, and

0:34:28.400 --> 0:34:30.200
<v Speaker 1>there's a bunch of people telling him it's not an idea,

0:34:30.440 --> 0:34:36.640
<v Speaker 1>including Sam, which we'll get to. But the first reveal

0:34:36.719 --> 0:34:40.200
<v Speaker 1>is that they're shopping for engagement rings, and of course

0:34:40.280 --> 0:34:42.520
<v Speaker 1>Tene is there with Blaine helping pick out a ring.

0:34:45.840 --> 0:34:48.360
<v Speaker 1>I gotta be honest to you, This is around the

0:34:48.400 --> 0:34:50.520
<v Speaker 1>point where I was like I was.

0:34:50.560 --> 0:34:57.720
<v Speaker 4>There, Oh yeah, I was there. I was there, Jenna.

0:34:58.719 --> 0:35:01.279
<v Speaker 4>We had been shooting since we.

0:35:01.239 --> 0:35:04.359
<v Speaker 1>Were double shooting this episode, so we were yeah.

0:35:03.840 --> 0:35:06.279
<v Speaker 2>Like we were just trying to make it through the day.

0:35:06.360 --> 0:35:09.640
<v Speaker 2>So if you don't remember these like little scenes.

0:35:09.880 --> 0:35:12.640
<v Speaker 1>It's okay, No, I know, I know, but I was like,

0:35:12.760 --> 0:35:14.960
<v Speaker 1>I was actually more alarmed than like I was like, wow,

0:35:16.200 --> 0:35:20.480
<v Speaker 1>I was there, you know. Wow.

0:35:21.440 --> 0:35:24.359
<v Speaker 2>Okay, but think about if I ask you what, well,

0:35:24.360 --> 0:35:25.920
<v Speaker 2>actually you may know the answer to this, but I'm like,

0:35:25.960 --> 0:35:27.520
<v Speaker 2>what did you have for lunch on Monday?

0:35:28.080 --> 0:35:31.080
<v Speaker 1>Right? No, I couldn't tell you that it was captured.

0:35:30.719 --> 0:35:32.920
<v Speaker 2>On film and you watch it, You're like, I had that.

0:35:33.400 --> 0:35:38.520
<v Speaker 1>Right, right right? I ate that. Yeah, I made that totally. Yeah, yeah, right,

0:35:38.600 --> 0:35:41.520
<v Speaker 1>I bring these funny things to us. But yeah, I

0:35:41.960 --> 0:35:47.000
<v Speaker 1>definitely was surprised that Tina was there. And while we're there,

0:35:47.880 --> 0:35:52.799
<v Speaker 1>we get to meet Jan Patty Duke, Patti Duke. Now

0:35:52.840 --> 0:35:56.799
<v Speaker 1>I do remember meeting Patty, so I was there.

0:35:58.680 --> 0:35:59.839
<v Speaker 2>Well, we know you were there.

0:36:00.000 --> 0:36:03.760
<v Speaker 1>I know I was there. I just confirmed it for myself.

0:36:04.160 --> 0:36:06.600
<v Speaker 1>But she was great. She was awesome, and it was

0:36:06.680 --> 0:36:08.640
<v Speaker 1>I think it was just really fast, to be honest.

0:36:09.480 --> 0:36:12.960
<v Speaker 1>And Blaine meets Jan and and she she kind of

0:36:12.960 --> 0:36:15.160
<v Speaker 1>takes her him under her wings and says, do you

0:36:15.239 --> 0:36:17.879
<v Speaker 1>have anybody who's like been through this, or to kind

0:36:17.920 --> 0:36:18.960
<v Speaker 1>of show you the way.

0:36:18.880 --> 0:36:19.720
<v Speaker 2>I get older.

0:36:20.360 --> 0:36:24.520
<v Speaker 1>Yes, of course, which Chris is very good at head finding.

0:36:24.600 --> 0:36:28.920
<v Speaker 1>But Blaine Jan invites him and Kurt to dinner at

0:36:28.960 --> 0:36:33.880
<v Speaker 1>Bread Steaks with Jan's partner, Liz, and they're not married,

0:36:34.000 --> 0:36:36.480
<v Speaker 1>but they're together. They're partners. They've been together for a

0:36:36.520 --> 0:36:39.800
<v Speaker 1>long time, and.

0:36:38.840 --> 0:36:41.160
<v Speaker 2>And they reference that the Supreme Court decision could be

0:36:41.239 --> 0:36:45.200
<v Speaker 2>happening any day, a moment, even though it's another two years.

0:36:45.480 --> 0:36:48.440
<v Speaker 2>But I thought this storyline was it was one of

0:36:48.440 --> 0:36:53.000
<v Speaker 2>my favorite things ever. Really, I did not want it

0:36:53.040 --> 0:36:53.439
<v Speaker 2>to end.

0:36:54.160 --> 0:36:55.200
<v Speaker 1>It was very cute.

0:36:55.840 --> 0:37:02.800
<v Speaker 2>It was so cute and Jan and the relationship felt

0:37:03.000 --> 0:37:09.200
<v Speaker 2>so real. And I also just think Blaine has struggled

0:37:09.200 --> 0:37:14.080
<v Speaker 2>a lot this season, and you know, not being with

0:37:14.200 --> 0:37:18.680
<v Speaker 2>Kurt and all of that business, and I get like, oh,

0:37:18.719 --> 0:37:21.160
<v Speaker 2>he wants to get engage. That's crazy, Like, why are

0:37:21.160 --> 0:37:23.160
<v Speaker 2>we doing that again? He's in high school and Sam

0:37:23.200 --> 0:37:27.520
<v Speaker 2>tries to talk some sense into him. But the beauty

0:37:27.560 --> 0:37:31.240
<v Speaker 2>of having like the gay elder and having these women

0:37:31.440 --> 0:37:34.399
<v Speaker 2>who their storyline like they traveled across America and they

0:37:34.440 --> 0:37:37.320
<v Speaker 2>loved Ohio and they've been here and they've seen everything

0:37:37.360 --> 0:37:41.920
<v Speaker 2>from the front porch, like everything was written so beautifully. Yeah,

0:37:41.960 --> 0:37:47.799
<v Speaker 2>and it was nice to see Blaine in some context

0:37:47.800 --> 0:37:51.160
<v Speaker 2>of like a safety net, Yeah, where like this isn't

0:37:51.200 --> 0:37:54.520
<v Speaker 2>panic that you're not spiraling. Look at this future you

0:37:54.520 --> 0:37:57.000
<v Speaker 2>could have if not with Kurt, with somebody else, And

0:37:57.080 --> 0:38:00.279
<v Speaker 2>also being like maybe it is with Kurt. We were

0:38:00.280 --> 0:38:04.120
<v Speaker 2>eighteen when we met, and it felt like it it

0:38:04.239 --> 0:38:09.280
<v Speaker 2>fits so well into the show and also just felt different,

0:38:09.320 --> 0:38:11.120
<v Speaker 2>like something I haven't seen on the show yet.

0:38:11.520 --> 0:38:13.920
<v Speaker 1>Yeah, yeah, no, I agree with you.

0:38:14.200 --> 0:38:15.839
<v Speaker 2>And also seeing Chris just kick it.

0:38:15.800 --> 0:38:18.520
<v Speaker 1>With Meredith Baxter and.

0:38:20.719 --> 0:38:24.000
<v Speaker 2>Pat Duke is like, come on, like that, I feel

0:38:24.000 --> 0:38:30.839
<v Speaker 2>like that's a Chris dream dinners with people. Yeah like that, Yeah, totally. Well,

0:38:30.880 --> 0:38:34.279
<v Speaker 2>Like how sweet her reaction when she first hears that

0:38:34.360 --> 0:38:37.279
<v Speaker 2>it's a boy that he wants to get engaged to

0:38:37.520 --> 0:38:40.480
<v Speaker 2>and then like pulls him aside. I just know she's

0:38:40.640 --> 0:38:43.560
<v Speaker 2>very the blocking of it, like all the technical aspects

0:38:43.640 --> 0:38:47.879
<v Speaker 2>of it, like it was Bred Baker really nailed it,

0:38:47.920 --> 0:38:51.360
<v Speaker 2>and she nailed it and Darren nailed it. It was

0:38:51.400 --> 0:38:53.080
<v Speaker 2>like it was just a perfect tone.

0:38:53.160 --> 0:38:55.600
<v Speaker 1>It was you're right, it was a very Glee tone

0:38:55.640 --> 0:38:57.920
<v Speaker 1>and it was very it was done. It was executed

0:38:57.960 --> 0:39:00.120
<v Speaker 1>really well. Everything was executed really well in steps, so

0:39:01.200 --> 0:39:03.239
<v Speaker 1>at least in terms of the acting in the story.

0:39:03.320 --> 0:39:05.200
<v Speaker 2>So there's like so much meaning in all these like

0:39:05.200 --> 0:39:09.200
<v Speaker 2>little scenes like that where you have the Britney stuff,

0:39:09.200 --> 0:39:11.719
<v Speaker 2>the real Britney stuff happening in that beautiful speech at

0:39:11.760 --> 0:39:13.759
<v Speaker 2>the end, then you have this happening which is for

0:39:13.840 --> 0:39:19.000
<v Speaker 2>a a whole other reason of impact and meaning, and

0:39:19.040 --> 0:39:21.000
<v Speaker 2>that's why you're getting so much in this episode that

0:39:21.000 --> 0:39:23.840
<v Speaker 2>you're like, I don't even care about regionals totally. I

0:39:23.880 --> 0:39:26.320
<v Speaker 2>want to stay in episode.

0:39:26.400 --> 0:39:28.319
<v Speaker 1>And then we cut to Blade at the very very

0:39:28.440 --> 0:39:30.239
<v Speaker 1>end of the episode, right and he's holding the ring

0:39:30.280 --> 0:39:36.440
<v Speaker 1>box behind his back, so it absolutely influenced him, and

0:39:36.680 --> 0:39:37.960
<v Speaker 1>we're going to see what happens there.

0:39:38.080 --> 0:39:40.640
<v Speaker 2>I was sold. I was like, yes, he should propose

0:39:42.239 --> 0:39:45.440
<v Speaker 2>the biggest hater of like, no, teens should not be

0:39:45.480 --> 0:39:48.160
<v Speaker 2>getting engaged. Can we cut this out. We've done this

0:39:48.440 --> 0:39:51.440
<v Speaker 2>on the show already totally. And then I was like,

0:39:51.520 --> 0:39:53.120
<v Speaker 2>let's do that at regional. Let's just do it, don't

0:39:53.160 --> 0:39:54.000
<v Speaker 2>waste any more time.

0:40:02.239 --> 0:40:04.560
<v Speaker 1>The last thing that happens in this episode that we

0:40:04.640 --> 0:40:07.040
<v Speaker 1>kind of get to see is like after winning regionals,

0:40:07.040 --> 0:40:09.279
<v Speaker 1>Will and Emma get married in the choir room with

0:40:09.360 --> 0:40:12.280
<v Speaker 1>all of us there, with an intimate setting that she says,

0:40:12.400 --> 0:40:17.640
<v Speaker 1>and I would have been I look, I love Jayme

0:40:17.680 --> 0:40:19.600
<v Speaker 1>And I remember shooting this and being like James A.

0:40:19.680 --> 0:40:22.560
<v Speaker 1>G I could watch her act all day. This is

0:40:22.640 --> 0:40:26.000
<v Speaker 1>really sweet. I could have just been fine with coming

0:40:26.040 --> 0:40:31.480
<v Speaker 1>back from season to season five opening with them married, right,

0:40:32.440 --> 0:40:33.919
<v Speaker 1>do you know what I mean? Like we already talked

0:40:33.920 --> 0:40:36.960
<v Speaker 1>about the proposal, like as like I were back together

0:40:37.080 --> 0:40:40.840
<v Speaker 1>and we're you know, like so I think that time

0:40:40.840 --> 0:40:44.920
<v Speaker 1>could have been better spent with them having another conversation

0:40:46.480 --> 0:40:48.400
<v Speaker 1>or seeing like a little bit more of the inside

0:40:48.400 --> 0:40:51.239
<v Speaker 1>of where how they get to getting married again. But

0:40:51.440 --> 0:40:54.919
<v Speaker 1>I don't, you know, it was great and I thought

0:40:54.960 --> 0:40:57.080
<v Speaker 1>they did a great job with it, and I thought

0:40:57.080 --> 0:40:59.400
<v Speaker 1>it was really sweet. But of course I'm like, of

0:40:59.400 --> 0:41:02.480
<v Speaker 1>course in the room, like do these people not have

0:41:02.520 --> 0:41:05.799
<v Speaker 1>any friends or family? Like then like Tinao and jang

0:41:05.800 --> 0:41:06.759
<v Speaker 1>Ins at the wedding, you.

0:41:06.800 --> 0:41:11.120
<v Speaker 2>Know what I mean, Like so much happened in this episode,

0:41:11.600 --> 0:41:14.000
<v Speaker 2>like yeah, let's start of surprise wedding at the end.

0:41:14.320 --> 0:41:18.239
<v Speaker 1>Yeah, And I remember this was very rushed shooting this.

0:41:18.680 --> 0:41:21.440
<v Speaker 1>It was very not rushed, but very fast, and I

0:41:21.440 --> 0:41:24.880
<v Speaker 1>remember Jama like spitting this out a couple of times.

0:41:25.239 --> 0:41:28.120
<v Speaker 1>It was perfect. You didn't need any more. But like

0:41:28.160 --> 0:41:31.839
<v Speaker 1>you're like, whoa, she just did that, you know, I mean?

0:41:31.960 --> 0:41:34.720
<v Speaker 2>And the thing is, I didn't in theory. I don't

0:41:34.800 --> 0:41:38.840
<v Speaker 2>like what's happening, Like I agree with you. But Jama

0:41:39.680 --> 0:41:43.120
<v Speaker 2>makes anything and everything works. She makes every scene better

0:41:43.200 --> 0:41:46.480
<v Speaker 2>that she's in, and so it's like, great, yeah, I

0:41:46.520 --> 0:41:48.399
<v Speaker 2>do want to see the surprise wedding. And she's waiting

0:41:48.440 --> 0:41:51.000
<v Speaker 2>outside and then comes in and it's so cute and

0:41:51.040 --> 0:41:52.480
<v Speaker 2>she's like, yeah, let me have a chance to do

0:41:52.520 --> 0:41:53.040
<v Speaker 2>the vows and.

0:41:53.040 --> 0:41:56.520
<v Speaker 1>So yeah, yeah I was again, yes I'm and I

0:41:56.640 --> 0:41:58.200
<v Speaker 1>was out of totally.

0:41:59.000 --> 0:42:04.920
<v Speaker 2>Watching Jama act is a gift people like she. I know,

0:42:05.000 --> 0:42:07.759
<v Speaker 2>her character is like quirky and has this little voice.

0:42:08.040 --> 0:42:12.319
<v Speaker 2>She's unbelievable. She's so different from her character. Yes, that's right,

0:42:13.680 --> 0:42:15.920
<v Speaker 2>she's excellent. She doesn't mess up.

0:42:16.760 --> 0:42:19.800
<v Speaker 1>She doesn't she knows her ship. She's a professional.

0:42:20.920 --> 0:42:21.760
<v Speaker 2>Oh my god.

0:42:22.000 --> 0:42:25.520
<v Speaker 1>All right, let's create the performances. So we've we've seen

0:42:25.600 --> 0:42:32.600
<v Speaker 1>Rachel do her full orchestra band callback for Selene. I

0:42:32.640 --> 0:42:36.040
<v Speaker 1>give it an a.

0:42:34.800 --> 0:42:38.719
<v Speaker 2>Vocal A plus plus. Yes, totally performance itself Vina.

0:42:39.760 --> 0:42:47.120
<v Speaker 1>Ramboke A love. I loved it was so sweet. I'll

0:42:47.160 --> 0:42:50.520
<v Speaker 1>give it a B plus plus. Yeah, but it was great.

0:42:51.320 --> 0:42:56.600
<v Speaker 1>And then we've got Clarity and Wings. I okay for

0:42:57.080 --> 0:42:59.839
<v Speaker 1>a Z song that's like usually in like the eed

0:43:00.040 --> 0:43:04.120
<v Speaker 1>a kind of like pop world. To make that work

0:43:04.600 --> 0:43:08.360
<v Speaker 1>as a regional's number, I thought was excellent. I thought

0:43:08.560 --> 0:43:12.080
<v Speaker 1>they were so good and I love that song, so

0:43:12.120 --> 0:43:14.000
<v Speaker 1>I'm giving it an A.

0:43:14.160 --> 0:43:17.600
<v Speaker 2>And I love Wings the song and the number y

0:43:18.280 --> 0:43:22.160
<v Speaker 2>Jessica Sanchez singing her face off. Oh my god, oh

0:43:22.239 --> 0:43:26.040
<v Speaker 2>both of these songs. The choreography was great. They absolutely

0:43:26.080 --> 0:43:27.600
<v Speaker 2>should have won regionals.

0:43:28.200 --> 0:43:29.959
<v Speaker 1>I'm giving Wings an A plus.

0:43:30.280 --> 0:43:32.600
<v Speaker 2>Yeah, I am as well. I think they.

0:43:32.480 --> 0:43:36.680
<v Speaker 1>Were just I was Wings was my first choice for

0:43:36.960 --> 0:43:41.000
<v Speaker 1>my one of my drag race songs and it didn't

0:43:41.000 --> 0:43:43.680
<v Speaker 1>get cleared, and I was really bummed by that because

0:43:43.719 --> 0:43:48.439
<v Speaker 1>I really loved it. But anyway, we love that song.

0:43:48.719 --> 0:43:53.560
<v Speaker 2>Little Mix always needs more and more, like Little Mix

0:43:53.920 --> 0:43:58.120
<v Speaker 2>is the greatest YEP. Just giving their respect gives them

0:43:58.120 --> 0:43:59.160
<v Speaker 2>their respect.

0:43:58.800 --> 0:44:03.320
<v Speaker 1>You know, Okay, and then we do a trio songs

0:44:03.440 --> 0:44:14.360
<v Speaker 1>for new directions. We do all Fame. I don't like

0:44:14.400 --> 0:44:19.400
<v Speaker 1>the song to begin with, and I don't know, I

0:44:19.440 --> 0:44:21.479
<v Speaker 1>don't know. I don't want to be mean. It's better

0:44:21.560 --> 0:44:22.560
<v Speaker 1>not say anything at all.

0:44:22.840 --> 0:44:26.879
<v Speaker 2>Jenna and I are big, the script fans huge. We

0:44:26.880 --> 0:44:29.719
<v Speaker 2>were in London once and we met some of the

0:44:29.760 --> 0:44:32.399
<v Speaker 2>script and they're like, can you let's get our song

0:44:32.440 --> 0:44:34.160
<v Speaker 2>on the show, and like, I will go back and

0:44:34.200 --> 0:44:36.319
<v Speaker 2>tell Ryan and I did and they didn't end up

0:44:36.320 --> 0:44:36.640
<v Speaker 2>on this.

0:44:38.000 --> 0:44:38.239
<v Speaker 1>Yeah.

0:44:38.239 --> 0:44:40.319
<v Speaker 2>And then that song, which is probably one of.

0:44:40.200 --> 0:44:43.719
<v Speaker 1>The one of his favorite songs yet, Yeah, and it was.

0:44:45.239 --> 0:44:50.400
<v Speaker 2>Girl, I don't have the range. You sounded good dying

0:44:51.360 --> 0:44:52.719
<v Speaker 2>dying singing that song.

0:44:53.600 --> 0:44:55.719
<v Speaker 1>Well, it's very high.

0:44:56.560 --> 0:44:57.279
<v Speaker 2>And I don't know.

0:44:59.520 --> 0:45:03.399
<v Speaker 1>I think I did they did they for you?

0:45:03.760 --> 0:45:07.000
<v Speaker 2>I mean the absolutely for me? Yeah, But I was

0:45:07.040 --> 0:45:08.160
<v Speaker 2>just screaming.

0:45:09.800 --> 0:45:12.400
<v Speaker 1>It worked for this song because this song isn't like

0:45:13.280 --> 0:45:15.200
<v Speaker 1>cough syrup, do you know what I mean. It's it's

0:45:15.200 --> 0:45:19.120
<v Speaker 1>a lot of talkie rappie, yeah kind of you know.

0:45:20.480 --> 0:45:24.200
<v Speaker 2>I will say they did me a real solid because

0:45:24.239 --> 0:45:27.120
<v Speaker 2>I guarantee you in that recording booth, I sounded like.

0:45:27.719 --> 0:45:30.440
<v Speaker 1>Chalkboard sounded great in the finals, So you.

0:45:30.400 --> 0:45:33.520
<v Speaker 2>Know how I got spot in my voice. I can

0:45:33.560 --> 0:45:36.840
<v Speaker 2>go high, but it is nobody should ever hear it.

0:45:38.040 --> 0:45:41.160
<v Speaker 2>That's where that lives and it was like, it's like,

0:45:41.200 --> 0:45:43.120
<v Speaker 2>I'm never trying to show that publicly.

0:45:43.320 --> 0:45:45.279
<v Speaker 1>I get I've heard it no, and I have that

0:45:45.320 --> 0:45:48.040
<v Speaker 1>in my voice as well. It's the break, it's your break. Yes,

0:45:48.200 --> 0:45:50.080
<v Speaker 1>it's not it's not great. I get it.

0:45:50.680 --> 0:45:53.120
<v Speaker 2>And I don't rude when there's a song in your break.

0:45:53.280 --> 0:45:55.200
<v Speaker 2>I'm not good enough to know how to like sing

0:45:55.200 --> 0:45:55.760
<v Speaker 2>in it properly.

0:45:56.000 --> 0:45:58.000
<v Speaker 1>If it's in your break, it's not great. It's just

0:45:58.040 --> 0:46:00.239
<v Speaker 1>not great for anybody, you know what I mean. That's

0:46:00.239 --> 0:46:02.600
<v Speaker 1>a natural thing. People have breaks, You're human.

0:46:02.800 --> 0:46:04.200
<v Speaker 2>But the boys sounded great on it.

0:46:04.440 --> 0:46:07.319
<v Speaker 1>I just whatever, I'm not gonna lie. I kind of

0:46:07.320 --> 0:46:08.440
<v Speaker 1>asparted there a little bit.

0:46:09.920 --> 0:46:10.640
<v Speaker 2>I don't blame you.

0:46:10.800 --> 0:46:14.960
<v Speaker 1>It was it's fine whatever, I love it. I kind

0:46:14.960 --> 0:46:18.640
<v Speaker 1>of popped. So I had a lot of fun filming

0:46:18.640 --> 0:46:21.120
<v Speaker 1>this one. This was really fun for us. We were

0:46:21.160 --> 0:46:22.840
<v Speaker 1>being we were just out of our minds.

0:46:23.040 --> 0:46:24.360
<v Speaker 2>There's a lot of stomping around.

0:46:24.760 --> 0:46:27.160
<v Speaker 1>Yeah, and poor Heather was so pregnant under that purple

0:46:27.200 --> 0:46:29.160
<v Speaker 1>dress and we were just like rubbing her back in

0:46:29.200 --> 0:46:33.360
<v Speaker 1>between numbers and like breaks, and I felt so bad.

0:46:33.520 --> 0:46:36.279
<v Speaker 1>And it's really fast that song, like the way that

0:46:36.360 --> 0:46:41.440
<v Speaker 1>they choreographed it and it was fun to do. Do

0:46:41.520 --> 0:46:45.239
<v Speaker 1>I think that it hit like, did it have the

0:46:45.280 --> 0:46:47.319
<v Speaker 1>impact that it has when you listen to it on

0:46:47.360 --> 0:46:47.840
<v Speaker 1>the radio.

0:46:48.000 --> 0:46:52.120
<v Speaker 2>No, Yeah, I didn't live up to like it needed

0:46:52.160 --> 0:46:55.920
<v Speaker 2>to be a Troubletones style number one thousand just wasn't.

0:46:57.800 --> 0:47:07.359
<v Speaker 1>Also, we did it in double time for low mo. Yeah,

0:47:07.400 --> 0:47:10.400
<v Speaker 1>because that song's already pretty fast. It's so fast and

0:47:10.440 --> 0:47:12.360
<v Speaker 1>then you're doing I got to say.

0:47:14.120 --> 0:47:16.200
<v Speaker 2>It was crazy, So clearly.

0:47:16.000 --> 0:47:17.520
<v Speaker 1>It was really crazy. And I don't even think they

0:47:17.600 --> 0:47:19.840
<v Speaker 1>used any of it sadly unlocked.

0:47:19.880 --> 0:47:22.960
<v Speaker 2>I think they did, like granfly, Yeah, there is like

0:47:23.000 --> 0:47:24.440
<v Speaker 2>in the middle of it, there's a little it.

0:47:24.440 --> 0:47:26.640
<v Speaker 1>Probably doesn't even feel that slow because it's so fast,

0:47:27.040 --> 0:47:27.239
<v Speaker 1>you know.

0:47:28.080 --> 0:47:31.360
<v Speaker 2>I also feel like, because there was so much to

0:47:31.360 --> 0:47:35.480
<v Speaker 2>shoot this episode, I felt like I needed a little more.

0:47:36.000 --> 0:47:39.800
<v Speaker 2>I wanted a little more coverage camera coverage of this number. Agreed,

0:47:39.920 --> 0:47:43.040
<v Speaker 2>there were some cool moments of like, you know, when

0:47:43.080 --> 0:47:45.640
<v Speaker 2>the girls are like coming through, they make this like

0:47:45.680 --> 0:47:47.640
<v Speaker 2>this wall of arms and the girls are like peeking

0:47:47.640 --> 0:47:50.680
<v Speaker 2>through each posing and I'm like, I'm not really getting

0:47:51.040 --> 0:47:54.759
<v Speaker 2>like where that is in relationship to the stage, and

0:47:54.880 --> 0:47:58.080
<v Speaker 2>I I didn't feel the impact because all the white

0:47:58.080 --> 0:48:01.319
<v Speaker 2>shots and just were all like transition moves, so people

0:48:01.760 --> 0:48:03.759
<v Speaker 2>like they were just like walking around aimlessly.

0:48:04.160 --> 0:48:07.840
<v Speaker 1>Totally agree. It's like, did we not get Andrew on

0:48:07.960 --> 0:48:10.080
<v Speaker 1>there with the steady cam, like a lot of close

0:48:10.160 --> 0:48:13.239
<v Speaker 1>up and pullbacks and pushins would have really given that

0:48:13.360 --> 0:48:16.239
<v Speaker 1>number something. But I'm not the director, I'm not Brettbeaker.

0:48:16.280 --> 0:48:18.800
<v Speaker 1>I don't have his talents. But I'm just saying, maybe

0:48:18.880 --> 0:48:19.279
<v Speaker 1>you're right.

0:48:19.400 --> 0:48:20.560
<v Speaker 2>I think we had a lot to do.

0:48:20.800 --> 0:48:22.960
<v Speaker 1>We did have a lot to do, okay, and then

0:48:23.000 --> 0:48:28.080
<v Speaker 1>we did all or nothing. We didn't we didn't rate it.

0:48:29.000 --> 0:48:30.279
<v Speaker 1>I give Hall of fame.

0:48:30.360 --> 0:48:36.920
<v Speaker 5>I give as C C D C C C C

0:48:37.120 --> 0:48:40.920
<v Speaker 5>C C plus honestly ye C plus yeah, yeah, I agree,

0:48:41.239 --> 0:48:42.640
<v Speaker 5>that's our first C we've ever.

0:48:42.800 --> 0:48:43.799
<v Speaker 2>Yeah, it deserves it.

0:48:44.000 --> 0:48:47.000
<v Speaker 1>Yeah, I love it. I would give a B minus yeah,

0:48:47.160 --> 0:48:55.000
<v Speaker 1>same and all are nothing. Marley's song again doesn't quite

0:48:55.160 --> 0:49:01.040
<v Speaker 1>hit the way I wish original ballad would. I give

0:49:01.080 --> 0:49:02.360
<v Speaker 1>it like a beat plus.

0:49:02.680 --> 0:49:06.480
<v Speaker 2>It's hard because you've gone after two complete bangers of

0:49:06.520 --> 0:49:07.480
<v Speaker 2>Clarity and Wings.

0:49:08.280 --> 0:49:11.160
<v Speaker 1>Literally, why couldn't they have given new directions those songs

0:49:11.520 --> 0:49:14.520
<v Speaker 1>like not that we would have executed them as well

0:49:14.560 --> 0:49:17.959
<v Speaker 1>as they did. But let me say the songs are good.

0:49:18.280 --> 0:49:21.320
<v Speaker 2>They're like up like they're exciting songs.

0:49:21.640 --> 0:49:24.120
<v Speaker 1>Anyway, I feel like we're such downers about this regionalis.

0:49:24.120 --> 0:49:26.520
<v Speaker 1>I'm sorry, but it just didn't It didn't hit for me.

0:49:26.800 --> 0:49:31.360
<v Speaker 1>But there's there's a competition coming that really does slap.

0:49:31.400 --> 0:49:34.279
<v Speaker 1>There's two of them that are coming that are really good,

0:49:34.360 --> 0:49:36.920
<v Speaker 1>so I'm okay with it. I'm really looking forward to this.

0:49:37.280 --> 0:49:39.719
<v Speaker 2>We're just haters at this one. We normally are not.

0:49:39.800 --> 0:49:40.839
<v Speaker 2>We normally like these.

0:49:40.960 --> 0:49:41.919
<v Speaker 1>The next two are good.

0:49:42.040 --> 0:49:44.600
<v Speaker 2>I'm really good and I really enjoyed the rest of

0:49:44.640 --> 0:49:45.280
<v Speaker 2>this episode.

0:49:45.320 --> 0:49:50.240
<v Speaker 1>So sorry, whatever, all right, let's do some chartie takes then, Okay,

0:49:50.600 --> 0:49:51.440
<v Speaker 1>cringe moments.

0:49:52.880 --> 0:49:56.719
<v Speaker 2>I did feel the white male rage of writer was.

0:49:57.800 --> 0:50:01.600
<v Speaker 2>I felt a little scared, akin to when Shuster got

0:50:01.640 --> 0:50:05.839
<v Speaker 2>mad at Terry in the kitchen that one time. Yep, yep, yep,

0:50:06.040 --> 0:50:07.360
<v Speaker 2>when you like can see going.

0:50:07.239 --> 0:50:08.000
<v Speaker 1>What's gonna happen?

0:50:08.280 --> 0:50:08.480
<v Speaker 5>Yeah?

0:50:08.520 --> 0:50:09.960
<v Speaker 1>Yeah, I feel that.

0:50:10.360 --> 0:50:12.120
<v Speaker 2>Freaking me out a little bit a little too far?

0:50:12.880 --> 0:50:18.160
<v Speaker 1>Yeah yeah yeah, best dance move. Well, Okay, I have

0:50:18.239 --> 0:50:23.560
<v Speaker 1>to say, Vanessa not caring during I Don't Care is

0:50:23.800 --> 0:50:25.080
<v Speaker 1>the highlight of this episode.

0:50:25.239 --> 0:50:25.600
<v Speaker 2>MVP.

0:50:26.160 --> 0:50:30.040
<v Speaker 1>Yeah, just like twiddling her hair and like chewing gum.

0:50:30.520 --> 0:50:33.120
<v Speaker 2>It's so funny, so good. And she also did in

0:50:34.200 --> 0:50:36.200
<v Speaker 2>Hall of Fame. She had King Kong banging on your

0:50:36.239 --> 0:50:40.560
<v Speaker 2>chest and she did that move like looking directly at camera.

0:50:42.200 --> 0:50:48.040
<v Speaker 1>I want to be Vanessa. Jeez, Vanessa like.

0:50:48.080 --> 0:50:51.080
<v Speaker 2>Naya, You give her any moment on camera and she's

0:50:51.160 --> 0:50:53.279
<v Speaker 2>going to give it all to you.

0:50:53.840 --> 0:50:58.840
<v Speaker 1>I really just want to be Vanessa in my next life. Okay,

0:50:58.920 --> 0:51:00.439
<v Speaker 1>best song is.

0:51:03.280 --> 0:51:07.400
<v Speaker 2>I'm gonna go with Wings Wings agreed?

0:51:08.400 --> 0:51:18.160
<v Speaker 1>Yeah, Okay, prop, I'm going with Britney's Magical Doodle. Great.

0:51:18.840 --> 0:51:21.760
<v Speaker 2>Absolutely, I mean that's like maybe the best prop ever.

0:51:22.600 --> 0:51:27.400
<v Speaker 1>I need that photo. Best line I.

0:51:27.400 --> 0:51:30.640
<v Speaker 2>Think there's like two versions of this. I think the

0:51:30.640 --> 0:51:33.799
<v Speaker 2>best line is Brittany's entire monologue.

0:51:34.120 --> 0:51:37.040
<v Speaker 1>Yeah, when she talks about Michael Bolton and I met

0:51:37.080 --> 0:51:39.360
<v Speaker 1>in nineteen ninety four in Los Angeles when I punctured

0:51:39.400 --> 0:51:43.120
<v Speaker 1>his windpipe with a letter opener at Kate Mantalini's where

0:51:43.120 --> 0:51:45.040
<v Speaker 1>he was having lunch and I just happened to be

0:51:45.080 --> 0:51:47.479
<v Speaker 1>doing my taxes. He choked after in hailing a chunk

0:51:47.480 --> 0:51:49.759
<v Speaker 1>of his own hair, and I saved his life. He

0:51:49.840 --> 0:51:52.040
<v Speaker 1>owed me a favor ever since. And just in case

0:51:52.080 --> 0:51:54.960
<v Speaker 1>you're wondering Michael Bolton is a fantastic lover. We did

0:51:55.000 --> 0:51:57.239
<v Speaker 1>it all night, well, we did it every which way.

0:52:00.200 --> 0:52:02.759
<v Speaker 2>Mini so Oh, I just stopped by the teacher's lums

0:52:02.760 --> 0:52:06.160
<v Speaker 2>to retrieve my babies. Was sent in the fridge, Brittany.

0:52:06.200 --> 0:52:08.360
<v Speaker 2>I refused to speak to either of you in this office.

0:52:08.360 --> 0:52:10.359
<v Speaker 2>It's dusty and drab and mister she's teacher. The year

0:52:10.360 --> 0:52:14.200
<v Speaker 2>photo really creeps me. Tonight's guests are two sworn enemies

0:52:14.200 --> 0:52:16.680
<v Speaker 2>who became friends, then became enemies again, then became friends

0:52:16.719 --> 0:52:18.760
<v Speaker 2>again and enemies and then everybody stopped caring.

0:52:19.200 --> 0:52:24.760
<v Speaker 1>That's a good one. That's really good one. Perform Heather Morris.

0:52:25.000 --> 0:52:29.919
<v Speaker 2>Heather Morris, I think honorable, mentioned to Patty Duke.

0:52:30.200 --> 0:52:33.440
<v Speaker 1>Oh yay, of course, Yeah.

0:52:33.239 --> 0:52:37.400
<v Speaker 2>Like just absolutely brilliant. Yeah, I that brought me so

0:52:37.480 --> 0:52:37.960
<v Speaker 2>much joy.

0:52:39.000 --> 0:52:41.080
<v Speaker 1>What's going on in the TikTok world, Kevin.

0:52:41.520 --> 0:52:45.640
<v Speaker 2>So, there's two videos going around of Chapel arone at

0:52:45.680 --> 0:52:51.600
<v Speaker 2>a Q and a I believe in Scotland, And she's

0:52:51.640 --> 0:52:56.880
<v Speaker 2>asked Glee questions and she says she is in the

0:52:56.920 --> 0:53:02.799
<v Speaker 2>middle of watching it. She's on season two. What Yes?

0:53:04.000 --> 0:53:06.840
<v Speaker 2>And there's one that's really long and they try to

0:53:06.880 --> 0:53:10.239
<v Speaker 2>ask how she feels about Faberi, but she doesn't know

0:53:10.280 --> 0:53:14.960
<v Speaker 2>that yet, and she doesn't know about Britanna yet, and

0:53:15.000 --> 0:53:16.600
<v Speaker 2>it's just hilarious.

0:53:16.640 --> 0:53:20.680
<v Speaker 1>Oh my gosh, that's amazing that she's even talking about it. Yeah.

0:53:20.960 --> 0:53:23.320
<v Speaker 2>I love that because also it's like there's never been

0:53:24.080 --> 0:53:26.520
<v Speaker 2>like she is the perfect which if we've talked about

0:53:26.600 --> 0:53:28.320
<v Speaker 2>people have said it like if Glee was on today,

0:53:28.320 --> 0:53:31.720
<v Speaker 2>we actually he was doing so much. Chaperone, Yeah, for sure.

0:53:32.600 --> 0:53:33.160
<v Speaker 1>Wow.

0:53:33.400 --> 0:53:35.480
<v Speaker 2>They ask what her favorite Glee cover is and then

0:53:35.520 --> 0:53:38.080
<v Speaker 2>she says she loves Suso Bester's Madonna.

0:53:38.680 --> 0:53:39.040
<v Speaker 1>Wow.

0:53:39.239 --> 0:53:41.040
<v Speaker 2>The other episode she likes is Brittany when we're all

0:53:41.040 --> 0:53:42.879
<v Speaker 2>like high in the laughing gas, and she said it's

0:53:42.880 --> 0:53:45.160
<v Speaker 2>taken her three times to get into Glee because originally

0:53:45.160 --> 0:53:49.040
<v Speaker 2>she's like, this is stupid as fun, which, to be honest,

0:53:49.080 --> 0:53:51.240
<v Speaker 2>I think that's how I would have felt if I

0:53:51.280 --> 0:53:54.000
<v Speaker 2>told was on it. And then once you get into

0:53:54.000 --> 0:53:57.280
<v Speaker 2>it and see that it's silly and making fun of itself,

0:53:57.320 --> 0:54:01.760
<v Speaker 2>then yeah, we love Chaperone so talented, happy that she's

0:54:02.320 --> 0:54:05.280
<v Speaker 2>blown up, and I hope you enjoy the rest of Glee.

0:54:06.040 --> 0:54:06.600
<v Speaker 2>Buckle up.

0:54:06.920 --> 0:54:11.000
<v Speaker 1>Well, that is the end of season four, everybody, and

0:54:11.480 --> 0:54:16.920
<v Speaker 1>we got some fun episodes coming up to recap season

0:54:17.000 --> 0:54:21.000
<v Speaker 1>four and next week is season four the top songs,

0:54:21.040 --> 0:54:24.600
<v Speaker 1>top episodes, top couples, and overall thoughts all submitted by

0:54:24.760 --> 0:54:27.640
<v Speaker 1>you guys. So we are really looking forward to diving

0:54:27.640 --> 0:54:29.960
<v Speaker 1>into all of that with you guys hearing your thoughts

0:54:30.239 --> 0:54:33.040
<v Speaker 1>because your thoughts are the most important, and then us

0:54:33.280 --> 0:54:37.520
<v Speaker 1>giving our silly thoughts as well. So thanks for joining us.

0:54:38.280 --> 0:54:41.600
<v Speaker 2>Stick around. Heather Morris is going to be here coming

0:54:41.680 --> 0:54:46.160
<v Speaker 2>up soon. We have Mike's Mike Gonna come Back, Andrew

0:54:46.160 --> 0:54:48.920
<v Speaker 2>from Fleika the Week Podcast. We want to get all

0:54:48.960 --> 0:54:53.520
<v Speaker 2>the thoughts at the end of season four. Also, if

0:54:53.560 --> 0:54:57.520
<v Speaker 2>you go to vote dot org, you can see if

0:54:57.560 --> 0:55:00.240
<v Speaker 2>your state has early voting where you can early vote,

0:55:00.239 --> 0:55:02.960
<v Speaker 2>what the schedule is. Go check that out. It's better

0:55:03.000 --> 0:55:04.480
<v Speaker 2>to vote early. You don't have to worry about it.

0:55:04.520 --> 0:55:07.399
<v Speaker 2>Make a plan, vote dot org, check it out, put

0:55:07.400 --> 0:55:10.160
<v Speaker 2>in your state and you'll see the schedule for early voting.

0:55:11.239 --> 0:55:12.600
<v Speaker 2>See you next week.

0:55:13.120 --> 0:55:14.719
<v Speaker 1>Bye bye, bye bye.

0:55:15.080 --> 0:55:18.239
<v Speaker 2>Thanks for listening and follow us on Instagram at and

0:55:18.280 --> 0:55:20.520
<v Speaker 2>That's what you really miss pod. Make sure to write

0:55:20.600 --> 0:55:22.880
<v Speaker 2>us a review and leave us five stars. See you

0:55:22.880 --> 0:55:23.279
<v Speaker 2>next time.