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Speaker 1: And That's what you really missed with Jenna.

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Speaker 2: And Kevin An iHeartRadio podcast.

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Speaker 1: Welcome to You, and That's what you Really missed podcast?

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Speaker 1: Can you Believe It? We are here? Season four, episode

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Speaker 1: twenty two, the.

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Speaker 2: Last episode twenty two of Glee.

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Speaker 1: All or Nothing, All or Nothing?

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Speaker 2: Jacob famously on set or Nothing.

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Speaker 1: I can't believe you remember that.

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Speaker 2: That's how I remember the song. I'm like, is that

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Speaker 2: the song that it came on? It's just had Jacob's

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Speaker 2: voice impersonating you, going, oh nothing.

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Speaker 1: We love to do impressions with me and they were

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Speaker 1: very funny. Okay. This aired on May ninth, twenty thirteen.

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Speaker 1: We had serious senioritis. The number one song was Just

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Speaker 1: Give Me a Reason by Pink featuring neighbor Bruce.

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Speaker 2: The number one movie starring Glee's very own Gwyneth Paltrow

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Speaker 2: was Iron Man three, and that movie really was starring

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Speaker 2: Gwyneth Paltrow. Did you see it, Jenna?

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Speaker 1: I did see it. It's a marvel Yeah, I saw it.

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Speaker 2: There we go the Glee news this week. On May thirteenth,

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Speaker 2: Fox announced Glee Season five as part of their twenty

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Speaker 2: thirteen twenty fourteen Fall in Spring programming at Upfronts in

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Speaker 2: New York. You Me, Chris, Darren, Leah, Jane Matt represented

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Speaker 2: the show and attended the first ever Fox fan fronts.

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Speaker 2: And also we had found out that was it announced.

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Speaker 2: It must have been announced at this point. I think that

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Speaker 2: Demi was joining the show because we have pictures with her.

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Speaker 1: I just watched Demi's film that she directed, Child Star.

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Speaker 2: Yeah, very good, proud of her. It looks great. I

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Speaker 2: haven't seen it yet, very very good. My mom was

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Speaker 2: My mom watched it. She texted me.

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Speaker 1: Revealing and good and she did a really good job. Anyway, Yes,

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Speaker 1: we were very excited for tempt me to join this.

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Speaker 1: We talked about last last recap. Also was around the

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Speaker 1: time May fourteenth, I released my one and only book,

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Speaker 1: Choosing Glee Ten Rules to Find the Inspiration, Happiness and

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Speaker 1: the Real You.

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Speaker 2: How was that experience for you?

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Speaker 1: It was fine. I'm glad I did it. It was

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Speaker 1: really hard while you're filming a TV show. But I mean, like,

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Speaker 1: I'm not writing Chris's novels, so you know, it.

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Speaker 2: Isn't that amazing, Like how does he do that? How

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Speaker 2: did he do that?

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Speaker 1: He's brilliant, He's actually brilliant.

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Speaker 2: There was a weird thing going on at that time

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Speaker 2: where all of us were approached to write books, and

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Speaker 2: most of them they wanted to Tiye and glee somehow,

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Speaker 2: and they got me, and they wanted like almost to

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Speaker 2: be like memoirs. And we were all so young, like

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Speaker 2: we haven't done anything yet.

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Speaker 1: Even at this point, I'm like, I wouldn't write a memory.

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Speaker 2: Yeah, we're talking about We were all approached and I

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Speaker 2: just I thought, you' found a really clever way to

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Speaker 2: do it.

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Speaker 1: Oh thanks. The cover of my book was supposed to

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Speaker 1: be me with like my mouth wide open. That's what

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Speaker 1: the publishers had picked initially, like surprise, kind of like

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Speaker 1: very excited face because people love that face I made.

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Speaker 1: And I was like, you guys, it really lends for

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Speaker 1: people to graffiti and draw and do put on it.

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Speaker 1: I was like, please don't do that to me. So

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Speaker 1: I got them to just a smiling photo instead.

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Speaker 2: Do you remember high school?

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Speaker 1: Exactly? In high school, basically I was thinking about the

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Speaker 1: muckraker or whatever that out of your book.

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Speaker 2: Yep, exactly.

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Speaker 1: And we talked about this last week as well. On

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Speaker 1: May sixteenth, a bunch of us went Alex Ashley Fink

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Speaker 1: Chris Darren. We all went to go see Jane's opening

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Speaker 1: night as miss Hannigan. That's unfair in Annie at the

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Speaker 1: Palace Theater and then the party after at Ruby Foos,

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Speaker 1: which we loved, but also that's very unfair to go

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Speaker 1: to her opening. I would never have done that to

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Speaker 1: somebody else, because I would pray that nobody would ever

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Speaker 1: do that to me.

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Speaker 2: Oh but she was fantastic. Yeah, exactly, it didn't matter

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Speaker 2: all right.

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Speaker 1: This was directed by the one and only Brad Beeker

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Speaker 1: because it's a competition episode and it's chaotic.

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Speaker 2: It really is chaotic, and I feel like it is

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Speaker 2: representative of this season.

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Speaker 1: Yes, exactly, you took the words out of my mouth.

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Speaker 2: Because while we both enjoyed this season, Yes, it did

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Speaker 2: feel like disjointed, very disjointed in some like the fact

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Speaker 2: that the breakup was this season is crazy to me.

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Speaker 2: It feels like it was a different season.

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Speaker 1: Well, glease right, yeah, I'm with you.

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Speaker 2: And at some point it also feels like it became

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Speaker 2: a different show, a show I still enjoyed, but felt

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Speaker 2: tonally different.

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Speaker 1: Agreed, Agreed, I mean there was a new cast, there

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Speaker 1: was a whole new location.

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Speaker 2: Yeah, I agree. This episode had a lot of guest stars,

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Speaker 2: a lot of music. We had to Love You Moore

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Speaker 2: performed by Rachel Rainbow, Connection by the Waffle.

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Speaker 1: Tuts I'm of the Waffle Tutes. Clarity one of my

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Speaker 1: favorite songs by Zad Wings, We Love Little Mix by

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Speaker 1: Hoo's Your Daddies. Sorry, those are both performed by the

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Speaker 1: Hoosier Daddies.

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Speaker 2: I think hoos your Daddy's is one of the better

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Speaker 2: names as well.

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Speaker 1: And they were very good.

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Speaker 2: They were very good, like actually I spied with my

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Speaker 2: little big eye actually that there was some secret vocal

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Speaker 2: journal and dancers in there.

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Speaker 1: Oh, definitely they We were at that point whether they

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Speaker 1: like just throwing them in there, nobody.

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Speaker 2: Wills, yes, I mean shared was like my old friend

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Speaker 2: who I've known longer than I've known you. He was

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Speaker 2: like front and center, and I was like, you've already

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Speaker 2: been on this show.

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Speaker 1: We also have the New Directions performed Hall of Fame.

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Speaker 1: I love it, and then also the Marley's original All

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Speaker 1: or Nothing.

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Speaker 2: I do enjoy that we got to have a Charlie

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Speaker 2: XCX song in this era of Brown She's bigger than ever.

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Speaker 1: It didn't I will say though, it didn't pop the

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Speaker 1: way it should have popped and the way I remember it, No,

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Speaker 1: I have that, but because I also think it's a

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Speaker 1: perfect song for like you guys to perform, and it

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Speaker 1: just didn't hit the way I was hoping.

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Speaker 2: Yeah, for me, I'd like a redo.

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Speaker 1: I would love a redoo. Okay, Uh, there's a bunch

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Speaker 1: and bunch a bunch of fun facts. So let's get

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Speaker 1: through these and then let's get to the episode. I'm

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Speaker 1: curious to hear your thoughts on this episode.

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Speaker 2: Fun facts are my favorite part of our recaps. I

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Speaker 2: love the fun facts. So this is the ninth time

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Speaker 2: that the episode is named after a song that has

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Speaker 2: sung in it, the others being Home dreamond Silly Love Songs.

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Speaker 2: Blame it on the alcohol Born this Way, I Kissed

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Speaker 2: a Girl, Extraordinary Merry Christmas, and Diva if you're keeping track.

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Speaker 1: This is the second time that an episode is named

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Speaker 1: after an original song, the first being Extraordinary Merry Christmas.

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Speaker 2: Wimma Will and Emma's ship name is mentioned for the

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Speaker 2: first time in the series, and I also think a

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Speaker 2: couple times in this we are getting meta and referencing

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Speaker 2: what fans are saying about the show totally.

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Speaker 1: This is the first season finale where Will Schuster does

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Speaker 1: not sing. And this is the only finale where Mercedes

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Speaker 1: and Kurt do not sing.

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Speaker 2: O the times era change in this is the only

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Speaker 2: finale where Marley is present. Interesting, And this is the

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Speaker 2: first season finale where Finn, Quinn, and Puck are absent.

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Speaker 1: Wow. This is also the first season finale where Finn

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Speaker 1: and Puck do not sing it all as well.

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Speaker 2: Jan and Liz were rumored to return in season five

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Speaker 2: for a potential Blain storyline, but ultimately the claim proposal

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Speaker 2: was brought forward instead.

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Speaker 1: That makes sense.

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Speaker 2: Do you think that happens because like, you don't know

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Speaker 2: the future of the show, so like there's certain things

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Speaker 2: you want to make sure to get.

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Speaker 1: In you mean bringing them pulling it up? Yeah, well

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Speaker 1: also because of Corey, I feel like things were pulled up,

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Speaker 1: things that they had planned for later were like, let's

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Speaker 1: just do it now. Yeah, because I think the proposal

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Speaker 1: happens in season five, episode one, happens act quickly, I think, so,

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Speaker 1: if I'm correct, we can revisit this later. But yes,

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Speaker 1: I believe that it's when we're all there for the

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Speaker 1: Beatles Love Love Love song.

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Speaker 2: So they really brought that up.

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Speaker 1: That makes yes, yeah, this is the last episode where Brittany,

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Speaker 1: Mercedes and Mike appears me characters. That's crazy. I hate that.

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Speaker 2: However, Mercedes was promoted again in season six and those

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Speaker 2: are like me.

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Speaker 1: This is the last episode to credit Corey Monteeth as

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Speaker 1: a series regular.

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Speaker 2: Sadly, this is the last episode to credit Alex Snool,

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Speaker 2: Jacob Artist, Melissa ba Nois Blake Jenner, and Becketobin as

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Speaker 2: guest stars. In season five, they become series regulars.

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Speaker 1: Wow, I don't think I remember that.

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Speaker 2: It was around this time where we had that conversation

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Speaker 2: like the final episode or two, where they told us

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Speaker 2: how much they were making really.

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Speaker 1: Right right as guest stars.

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Speaker 2: Right, let's fix that.

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Speaker 1: This is the second time a season ends with a

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Speaker 1: regionals competition, the first being season one.

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Speaker 2: And this episode marks the last time Joe sings in

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Speaker 2: the series travesty, such a beautiful voice.

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Speaker 1: Oh in This episode marks the last episode of Sugar

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Speaker 1: and Joe until a wedding and the rise and Fobs

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Speaker 1: who Sylvester in season six? That's crazy.

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Speaker 2: Yeah, I don't believe.

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Speaker 1: I don't my memory doesn't. I mean, because we were

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Speaker 1: hanging out, we were very close with Vanessa obviously we

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Speaker 1: love Sam, but we hung out with Vanessa quite a bit,

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Speaker 1: and I feel like we saw her throughout the entire

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Speaker 1: rest of the series and she joined and so it

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Speaker 1: didn't feel like she was gone. But that's a long time.

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Speaker 2: Yeah, I think we had to completely blurred the lines

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Speaker 2: of work and friendship. Yeah, yeah, so we didn't.

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Speaker 1: Yeah, Vanessa was like a really big part of my

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Speaker 1: life in this season actually, like in the outside world,

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Speaker 1: she was.

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Speaker 2: Also somebody and the things that we were going through. Personally,

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Speaker 2: Vanessa is like the good witch, Like she is always

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Speaker 2: there for you, has great advice. I mean, if you

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Speaker 2: listen to the episodes that she was on of this podcast,

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Speaker 2: do you hear how introspective and wise she is, And

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Speaker 2: so like, as a friend, that's what she has all

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Speaker 2: the time. And so yeah, she was deeply ingrained into

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Speaker 2: our friend group. She's vital. Kurt is the only person

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Speaker 2: in the show circle that Brittany doesn't mention or address

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Speaker 2: when comparing everyone to family members. Let's start that rumor

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Speaker 2: Kurt and Brittany hated each other.

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Speaker 1: Oh that's funny. At first, I was like, Oh, she's

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Speaker 1: not going to mention everybody, and then she does and

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Speaker 1: I was like, okay, few. I thought she was going

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Speaker 1: to be like, you guys are my sisters, and then

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Speaker 1: Meg that was it and you're like whoa. This episode

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Speaker 1: was submitted for consideration of Patty Duke for the twenty

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Speaker 1: thirteen Emmys, as it.

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Speaker 2: Should have been. This is the first season finale not

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Speaker 2: to be directed or written by co creator b Foul

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Speaker 2: Brad Foulchuck.

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Speaker 3: Wow, crazy, Okay, give me the.

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Speaker 1: Episode summary, Kevin, are you ready? I'm very ready.

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Speaker 2: It's finally time for regionals and the glee club is

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Speaker 2: more determined than ever to advance to nationals. Brittany returned

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Speaker 2: from her mit trip with a new attitude. Attitude is

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Speaker 2: doing a lot of heavy lifting there, and writer finally

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Speaker 2: has a lead on who's catfishing him.

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Speaker 1: Hmm okay, I like that summary.

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Speaker 2: Yeah, that's actually correct.

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Speaker 1: Is this The only time we see Rachel was when

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Speaker 1: she sings her song for a callback? And that's it?

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Speaker 1: I think, so yeah, so funny.

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Speaker 2: Look I give me a Rachel singing Selene any day.

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Speaker 1: Also, I have to shout out to the fact that

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Speaker 1: she has a full band at a callback. I was like, no,

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Speaker 1: they're not doing that, but like, obviously the music production

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Speaker 1: has to match so that you were like, yeah, added in,

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Speaker 1: But I thought it was really funny.

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Speaker 2: Now would break down happen? Yeah, what the accompaniment would

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Speaker 2: be for a real callback for a Broadway audition?

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Speaker 1: Just a pianist, Just a pianist. Yeah, you're not kidding,

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Speaker 1: unless they were like come to the theater. Even then,

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Speaker 1: I sang with a piano, like for a Spring Awakening.

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Speaker 1: I went to the theater between shows and I did

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Speaker 1: my final callback for producers.

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Speaker 2: That's got to be intimidating.

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Speaker 1: It was I read with Remy who was already in

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Speaker 1: the show. She was literally going to lunch, like with

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Speaker 1: her backpack on, and we were like reading lines and

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Speaker 1: it was just the producer. It was just Tumholtz at

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Speaker 1: the time and maybe Ira, But yeah, it was very intimidating.

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Speaker 1: But I sat on the stage and did my final

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Speaker 1: call back. But even then, you like, you have to

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Speaker 1: pay musicians then, so there's no world in which you're

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Speaker 1: getting any kind of music the same as Glee. It

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Speaker 1: was like just a pianist.

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Speaker 2: I do wish we we've seen her now audition for

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Speaker 2: this twice. I do wish we would get a scene

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Speaker 2: like I do wish we'd see the acting, because it's

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Speaker 2: not just showing up and singing.

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Speaker 1: For sure.

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Speaker 2: You would also be doing some scenes.

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Speaker 1: Right, and I would love to see her do Barbara

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Speaker 1: or do Funny Girl.

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Speaker 2: Sorry, Yeah, I would have liked to have seen that.

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Speaker 2: But I also feel like, as I mean, this is

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Speaker 2: her voice is perfect for this. It's like the match

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Speaker 2: made in heaven. However, because it is sort of so

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Speaker 2: out of like left field, it's just there's nothing special

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Speaker 2: about like, there's no meaning behind me a moment. Yeah,

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Speaker 2: there's no meaning, there's no story, Like it was sort

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Speaker 2: of weird to sort of like watch it go by.

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Speaker 2: I would almost have preferred if she had done something.

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Speaker 1: From front of Girl at that point. Yeah, So this

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Speaker 1: kind of goes along with sorry, like we rushed I

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Speaker 1: rushed ahead to Rachel into the episode itself, but like

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Speaker 1: as a whole, I'm curious to hear your thoughts because

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Speaker 1: as a finale for a season, and maybe this is

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Speaker 1: also partially because they had to scramble because Corey was

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Speaker 1: no longer in the show at this point. He was

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Speaker 1: off and gone for a couple of episodes already. Maybe

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Speaker 1: they had another plan, but like this episode and its

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Speaker 1: entirey felt rushed to me, like and kind of like,

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Speaker 1: let's just tie everything up and then like we're just

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Speaker 1: that's it.

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Speaker 2: Yeah, Usually there's some sort of like cliffhanger or it's

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Speaker 2: like everything was tied up so neatly that.

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Speaker 1: And and I don't mean to poop pool on this

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Speaker 1: this this Regionals, but it wasn't. It was not my

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Speaker 1: favorite Regionals. I mean it was by far my probably

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Speaker 1: one of my least favorite. Yeah.

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Speaker 2: I just think because there was so much going on

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Speaker 2: and that I really enjoyed everything else going on. I

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Speaker 2: really like, I enjoyed seeing Rachel do her callback, I

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Speaker 2: enjoyed all the Britney stuff. I enjoyed seeing all the kids. Oh,

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Speaker 2: the Blain storyline love, like my favorite Blaine storyline. Yeah,

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Speaker 2: And I it's weird to me because I normally love

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Speaker 2: of the competition totally totally, and it sort of felt

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Speaker 2: like an afterthought like, oh, yeah, we have to squeeze

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Speaker 2: that in at the end of this yeah, now is

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Speaker 2: what that felt like. So like that was a little

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Speaker 2: bit of a bummer. But I also think there's some

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Speaker 2: huge like highlights in this episode, and so I think

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Speaker 2: the focus of a lot of the other competition episodes

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Speaker 2: were the competition itself.

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Speaker 1: Let's talk about some of our favorites. Let's just start

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Speaker 1: with our favorite storylines because there's a few that we

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Speaker 1: really have to hit. Obviously, Regionals is going to happen,

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Speaker 1: and we we end up winning because we're going to

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Speaker 1: move forward next to you, right, so great, We're we

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Speaker 1: put that aside. Regionals is done. It's all this stuff

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Speaker 1: leading up to Regionals that's interesting to me.

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Speaker 2: Yeah.

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Speaker 1: Britney Brittany as Pierce, Heather.

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Speaker 2: Morris pregnant Heather.

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Speaker 1: Moris pregnant Heather Mars some of her best work in

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Speaker 1: this episode truly. Also, I mean, it's so such a

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Speaker 1: departure from like normal Brittany to see her acting like

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Speaker 1: out like this. Like if you watched, if you saw

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Speaker 1: how they're acting out like this, you'd be like, what's wrong?

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Speaker 1: What's going on?

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Speaker 2: Yes?

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Speaker 1: Is she okay? We need to check in with her?

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Speaker 1: And I felt like that was like the Brittany, You're like, whoa,

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Speaker 1: what's going on? And then we obviously see there's a

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Speaker 1: lot of emotion behind her. Is she's leaving?

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Speaker 2: What I like about that is the other time she

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Speaker 2: acted out was at the beginning of the season when

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Speaker 2: she didn't have Santana and people were worried, and she

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Speaker 2: I liked the consistency. You know, the shows can go

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Speaker 2: all over the place, the consistency of when Brittany is

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Speaker 2: not in a mentally well place, she acts out in

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Speaker 2: a very specific way. Yeah, and it takes the group

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Speaker 2: of friends to like sort of rein her in and

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Speaker 2: be like, hey, hey, hey, let's check in what's going on?

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Speaker 2: And I thought that was so nice. But so the

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Speaker 2: scene where she's at MIT and.

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Speaker 1: Scored zero and she.

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Speaker 2: Scored zero, but like, but.

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Speaker 1: This piece of paper, whoever drew that and doodled that

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Speaker 1: is actually I want to frame it and put it

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Speaker 1: in my house, like somebody. I don't know. I don't know.

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Speaker 1: It's so good. She has these like numbers and doodles

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Speaker 1: on the back of her test that she had to

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Speaker 1: like get out of her brain. And then they find

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Speaker 1: that it's actually a prime. It's a prime number, right,

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Speaker 1: is what they said.

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Speaker 2: That was one of the things every corner represented, some

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Speaker 2: other brilliant mathematic empression.

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Speaker 1: And they found that she's a genius, and she's one

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Speaker 1: of the most brilliant minds since Einstein, and so she's

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Speaker 1: getting she's been offered early admission to MIT. So Brittany

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Speaker 1: is leaving, and I think we're going to talk to Heather,

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Speaker 1: so stay tuned at some point to talk about this

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Speaker 1: whole thing, because she was pregnant and I think that

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Speaker 1: obviously this was her out to go take care of

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Speaker 1: her baby for a while. And I don't I don't

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Speaker 1: remember like if she was if she was like leaving

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Speaker 1: the show, because it felt so final in this episode.

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Speaker 2: It really did, and it felt like I just don't remember,

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Speaker 2: like she was working crazy hours and it's like, how

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Speaker 2: are you doing this when you're growing a human?

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Speaker 4: Like it?

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Speaker 2: Yeah, I am very interested to find out like what

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Speaker 2: her dialogue was with with the creative team, because like

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Speaker 2: what the future was and what she knew or didn't know.

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Speaker 1: Right And obviously we get her back later, but I

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Speaker 1: don't know how long her leave is or was. But

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Speaker 1: if we're just looking at right now, like in this episode,

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Speaker 1: like it feels like Brittany is leaving the show, or

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Speaker 1: how there's leaving.

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Speaker 2: The show, so we get like the greatest hits of

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Speaker 2: Brittany moments in this We get the hilarity of the

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Speaker 2: MIT stuff and then her storming into the choir room,

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Speaker 2: going out like, I also love this does not ever

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Speaker 2: happen where the scene in the choir room is already happening.

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Speaker 2: We see them in the background. We hear it in

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Speaker 2: the background, he's saying what songs are going to be

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Speaker 2: doing at regionals? But we're following. We meet Brittany in

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Speaker 2: the hallway and follow her into her disruption of the class,

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Speaker 2: which I really loved. It was a whole different energy.

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Speaker 2: And she storms in there. She's like, no, I'm not

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Speaker 2: having any of this. It's me. You're putting me in

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Speaker 2: I'm number one, And everyone's like, what is happening?

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Speaker 1: She says Blaine is shorter than his the average lawn gnome,

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Speaker 1: and Joe looks like a Yucatan spider monkey. I was like, whoa.

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Speaker 2: I remember filming this because I remember Heather coming in

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Speaker 2: and just having so much dialogue and just smashing.

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Speaker 1: It, smashing it also pregnant pregnancy brain. Don't know how

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Speaker 1: she did that. I can't.

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Speaker 2: Well, were, yeah, there's a superhero.

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Speaker 1: Yeah she is. No, No, truly she really is. Yeah.

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Speaker 1: I love this side of Heather, of this side of Brittany,

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Speaker 1: like the diva likes outspoken brazen Brittany. It's so much

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Speaker 1: fun to.

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Speaker 2: Watch part of this other Britney Greatest hits parade. We

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Speaker 2: get more fon Du for two, God bless, we get

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Speaker 2: in a miracle Will and Sue. Sue somehow back at

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Speaker 2: the school also have a bit of an intervention or

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Speaker 2: have an intervention with Brittany because there's another one coming,

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Speaker 2: and they say we need to talk what's going on

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Speaker 2: or worried about you? And she says, well, the conditions

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Speaker 2: are and we cut to von du for two and

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Speaker 2: it is so good and chaotic, and she presents her

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Speaker 2: evidence as to why she knows who Sue's.

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Speaker 1: Baby daddy is being Michael Walton.

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Speaker 2: Michael wo and pulls open a folder like she was

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Speaker 2: tracking a serial killer.

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Speaker 1: It's really funny, as some of my favorite Glee writing

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Speaker 1: is Bondu for two.

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Speaker 2: No, just that concept of here's the storyline going on.

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Speaker 2: We're sort of worried about this character, but she's also

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Speaker 2: like being funny. And then we get these two characters

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Speaker 2: in a new place on fon Du for two, and

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Speaker 2: then we just switched to She's giving you this insane story.

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Speaker 2: It's reference that we don't know who's who's baby Daddy

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Speaker 2: is and actually someone's figured it out and it's Brittany, Like,

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Speaker 2: I don't know how we got from A to B. Yes,

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Speaker 2: but I love it.

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Speaker 1: Yeah, yeah, I'm here for it. You're so right. It

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Speaker 1: just it comes out of left field, but like, we

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Speaker 1: buy it, right, that's.

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Speaker 2: The comedy I'm looking for. You know, with all this

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Speaker 2: debate if the Bear is a comedy or drama because

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Speaker 2: he keeps winning all the comedy awards right right right,

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Speaker 2: there was a time for us after the first season

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Speaker 2: because we always we had a lot of dramatic moments,

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Speaker 2: and the show took on this whole new meaning for

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Speaker 2: people and representing these disenfranchised and often overlooked communities, and

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Speaker 2: so it wasn't just a comedy. And I remember feeling

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Speaker 2: weird going to these award shows and like, are we

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Speaker 2: a drama dy or more drama? And so whenever we

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Speaker 2: get these ridiculous, hilarious things, and often on this rewatch,

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Speaker 2: I'm reminded of like, oh no, the show really was like.

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Speaker 1: Fifty to fifty comedy bear more justified in that question,

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Speaker 1: I think.

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Speaker 2: Yes, well that's what I'm like. It has reframed how

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Speaker 2: I see our show totally because it is yes, and

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Speaker 2: it's the opposite where it's like, because we were an

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Speaker 2: hour long, we should have been classified as a drama

439
00:23:47,480 --> 00:23:52,240
Speaker 2: because comedies aren't an hour long, but somehow we got comedy.

440
00:23:52,320 --> 00:23:54,240
Speaker 2: And the Bear is sort of the opposite where just

441
00:23:54,280 --> 00:23:56,040
Speaker 2: because it's a half hour doesn't mean it should be

442
00:23:56,359 --> 00:23:59,879
Speaker 2: a comedy totally anyway, I'm getting distracted.

443
00:24:00,119 --> 00:24:02,720
Speaker 1: I agree with you though, it is great comedy, very

444
00:24:02,760 --> 00:24:06,560
Speaker 1: good point, very good comedy. And then to that point,

445
00:24:06,600 --> 00:24:08,640
Speaker 1: on the other side of that point, we get more

446
00:24:08,680 --> 00:24:14,520
Speaker 1: drama because Brittany then gives gives us a very dramatic

447
00:24:14,720 --> 00:24:16,280
Speaker 1: and emotional speech.

448
00:24:17,240 --> 00:24:22,880
Speaker 4: Wait, and when Sam calls Santana, Oh yeah, it is

449
00:24:22,960 --> 00:24:25,639
Speaker 4: so sweet. It was one of my favorite moments of

450
00:24:25,680 --> 00:24:28,960
Speaker 4: the episode because very sweet. I also love how it

451
00:24:29,040 --> 00:24:32,160
Speaker 4: shot where Sam's like hiding in this like little nook

452
00:24:32,200 --> 00:24:34,919
Speaker 4: of the hallway. It felt just different. It felt like, oh,

453
00:24:34,920 --> 00:24:36,600
Speaker 4: we're seeing the hallway in a different way, like Brad

454
00:24:36,640 --> 00:24:41,160
Speaker 4: Beaker was really sort of flexing the editor and yeah,

455
00:24:41,200 --> 00:24:42,840
Speaker 4: like how can we make this feel just a little

456
00:24:42,960 --> 00:24:46,879
Speaker 4: more interesting and getting Santana in there also like her

457
00:24:47,000 --> 00:24:52,600
Speaker 4: changing getting out the door, and this like beautiful shot

458
00:24:52,680 --> 00:24:56,439
Speaker 4: of Naya this close up profile shot of Naya was

459
00:24:56,920 --> 00:25:04,280
Speaker 4: stunning and I'm just time and time again this season

460
00:25:04,440 --> 00:25:06,639
Speaker 4: just blown away by her ability.

461
00:25:07,560 --> 00:25:09,120
Speaker 1: She's not even in the like a lot of it.

462
00:25:09,480 --> 00:25:13,919
Speaker 2: No, in every second she is is like she is

463
00:25:15,040 --> 00:25:19,679
Speaker 2: very powerful, so powerful. And then she comes in and

464
00:25:19,720 --> 00:25:22,520
Speaker 2: shows up on fondue for two and that look to

465
00:25:22,600 --> 00:25:25,919
Speaker 2: the camera like what are we doing here? And like

466
00:25:26,000 --> 00:25:29,200
Speaker 2: lets Brittany say her piece and then is like time out,

467
00:25:29,359 --> 00:25:34,840
Speaker 2: like what's going on? And you feel Santana feels grown.

468
00:25:35,520 --> 00:25:37,280
Speaker 2: You know, she's been living in New York like all

469
00:25:37,359 --> 00:25:41,919
Speaker 2: that tracks, Yeah, and like that's not by accident, Like

470
00:25:41,960 --> 00:25:46,320
Speaker 2: that's somebody who knows their character, knows geographically and within

471
00:25:46,440 --> 00:25:52,240
Speaker 2: time where their character is and that it's just unbelievable

472
00:25:52,240 --> 00:25:54,200
Speaker 2: skill and it's I don't think it's something she even

473
00:25:54,240 --> 00:25:58,840
Speaker 2: had to think about. She just inherently new. Yeah, Like

474
00:25:59,480 --> 00:26:03,639
Speaker 2: I love that she was there. Loves and they like

475
00:26:03,680 --> 00:26:05,879
Speaker 2: that's how you bring somebody back and they make an

476
00:26:05,920 --> 00:26:09,880
Speaker 2: impact and they are meaningful to the storyline.

477
00:26:09,600 --> 00:26:12,439
Speaker 1: Right, I mean even when she just goes to get

478
00:26:12,480 --> 00:26:18,840
Speaker 1: her up from the stage after regionals, You're like, oh, right,

479
00:26:19,720 --> 00:26:20,840
Speaker 1: thanks for that. You know.

480
00:26:21,320 --> 00:26:25,000
Speaker 2: Yeah, so you were saying this speech that Brittany gives.

481
00:26:24,880 --> 00:26:27,200
Speaker 1: Yeah, it to my point earlier that it felt really

482
00:26:29,520 --> 00:26:33,280
Speaker 1: a really final Obviously you cut to Tina crying, always crying,

483
00:26:33,320 --> 00:26:36,560
Speaker 1: but like everybody was very it was I think it

484
00:26:36,640 --> 00:26:39,879
Speaker 1: was very emotional. We didn't know what the future was

485
00:26:39,920 --> 00:26:41,960
Speaker 1: going to bring. I don't think any of us really

486
00:26:42,000 --> 00:26:45,320
Speaker 1: knew about our storylines or where we were going after this,

487
00:26:48,280 --> 00:26:51,000
Speaker 1: and we didn't know I how that was coming back

488
00:26:51,000 --> 00:26:54,159
Speaker 1: and she's basically saying goodbye in real life on screen

489
00:26:55,040 --> 00:27:00,239
Speaker 1: and she gives us wonderfully emotional monologue kind of like

490
00:27:01,320 --> 00:27:05,720
Speaker 1: just talking about how people told her that she was stupid.

491
00:27:06,119 --> 00:27:08,640
Speaker 1: Is that in that speech where she says, like people

492
00:27:08,680 --> 00:27:14,200
Speaker 1: always told me that I was stupid and I believe them. Yeah,

493
00:27:13,720 --> 00:27:17,280
Speaker 1: And then she walked in the room and like she

494
00:27:17,280 --> 00:27:19,879
Speaker 1: started believing in herself and it was just so honest

495
00:27:19,920 --> 00:27:24,280
Speaker 1: for Brittany, and it was just like it was so

496
00:27:24,359 --> 00:27:30,160
Speaker 1: well written and so well and perfectly executed by Heather

497
00:27:31,560 --> 00:27:35,200
Speaker 1: and then her just saying goodbye, it was like I

498
00:27:35,240 --> 00:27:38,960
Speaker 1: couldn't I couldn't have asked for a better like pause

499
00:27:39,119 --> 00:27:41,720
Speaker 1: for Hemo to go and do what she had to

500
00:27:41,720 --> 00:27:44,040
Speaker 1: do and have her baby and like start this new

501
00:27:44,119 --> 00:27:45,480
Speaker 1: chapter and.

502
00:27:45,400 --> 00:27:48,320
Speaker 2: There was just no there was no fuss in her performance,

503
00:27:48,520 --> 00:27:53,719
Speaker 2: like it felt so raw, real, and it was one

504
00:27:53,760 --> 00:27:57,639
Speaker 2: of those things where everything she said it looked like

505
00:27:57,720 --> 00:28:00,600
Speaker 2: she was feeling, and even when she was delivering like

506
00:28:00,640 --> 00:28:03,680
Speaker 2: all the comedic lines about each character, I guess except

507
00:28:03,760 --> 00:28:11,239
Speaker 2: for Kurt, because Brittany hates Kurt, I guess, it was

508
00:28:11,440 --> 00:28:18,199
Speaker 2: just beautiful, like beautiful, beautiful work. Like we have to

509
00:28:18,200 --> 00:28:22,400
Speaker 2: ask her about that because it also felt like a release,

510
00:28:22,800 --> 00:28:24,160
Speaker 2: didn't it, Like it just.

511
00:28:24,280 --> 00:28:26,879
Speaker 1: Felt like we'll also know she was pregnant, so like,

512
00:28:27,000 --> 00:28:32,560
Speaker 1: it doesn't take a lot to make somebody cry, that's fair,

513
00:28:32,720 --> 00:28:37,520
Speaker 1: and not to say like that too, like no, what's

514
00:28:37,560 --> 00:28:40,080
Speaker 1: the word I'm looking for demean her or like to

515
00:28:40,200 --> 00:28:46,440
Speaker 1: take away from her performance in any way, but we

516
00:28:46,520 --> 00:28:49,880
Speaker 1: are wildly hormonal and it doesn't take a lot to

517
00:28:49,920 --> 00:28:50,640
Speaker 1: make us cry.

518
00:28:50,760 --> 00:28:53,720
Speaker 2: And it also like I'm not to get not to

519
00:28:53,800 --> 00:28:59,720
Speaker 2: therapize her without her ear, but having been pregnant, she

520
00:28:59,800 --> 00:29:01,440
Speaker 2: was a first person to get pregnant on the show,

521
00:29:01,600 --> 00:29:05,560
Speaker 2: working like that, and then like the break is finally here,

522
00:29:06,320 --> 00:29:09,760
Speaker 2: I get to just do I need to do and

523
00:29:09,800 --> 00:29:13,160
Speaker 2: like letting that go, releasing that and like we're all

524
00:29:13,160 --> 00:29:19,800
Speaker 2: together and yep. Oh god that hug with Santana. Where

525
00:29:21,240 --> 00:29:23,640
Speaker 2: as crazy as the show gets, man, they wrote the

526
00:29:23,840 --> 00:29:27,880
Speaker 2: shit out of like these emotional scenes where you know

527
00:29:28,080 --> 00:29:30,800
Speaker 2: that feeling where you you don't have it in you

528
00:29:30,880 --> 00:29:33,400
Speaker 2: to verbalize how you feel because you're just like a

529
00:29:33,480 --> 00:29:39,160
Speaker 2: ball of emotion. Yeah, and like this the growth in

530
00:29:39,360 --> 00:29:42,520
Speaker 2: Britanna this season, even though we don't get a ton

531
00:29:42,560 --> 00:29:42,840
Speaker 2: of it.

532
00:29:44,080 --> 00:29:46,920
Speaker 1: Well, they're going separately and then you bring them back

533
00:29:46,960 --> 00:29:50,160
Speaker 1: together and it's just like whoa, Well they're growing like

534
00:29:50,200 --> 00:29:55,640
Speaker 1: synced up in that way. Yes, yes, totally, very very impactful.

535
00:29:56,120 --> 00:29:58,480
Speaker 2: Yeah, really really really beautiful.

536
00:30:07,360 --> 00:30:10,880
Speaker 1: We're getting ready for regionals and Rider says he's not

537
00:30:10,920 --> 00:30:16,600
Speaker 1: going to perform that until the Catfish reveals himself herself

538
00:30:17,480 --> 00:30:23,120
Speaker 1: and then cut to you. So I'm jumping a little bit.

539
00:30:24,240 --> 00:30:30,200
Speaker 1: Even after the Catfish is revealed Riders, he says that

540
00:30:30,240 --> 00:30:33,080
Speaker 1: he's going to perform with everybody he does show up

541
00:30:33,080 --> 00:30:37,240
Speaker 1: for regionals, Thank goodness. We need that body and that person.

542
00:30:37,720 --> 00:30:41,160
Speaker 1: But also he's leaving Glee Club after this, so there's

543
00:30:41,200 --> 00:30:44,240
Speaker 1: a bit of a cliffhanger there is Rider going to

544
00:30:44,280 --> 00:30:48,160
Speaker 1: rejoin us in new directions.

545
00:30:47,920 --> 00:30:48,080
Speaker 4: But.

546
00:30:49,880 --> 00:30:54,200
Speaker 1: Because Rider is threatening to not perform unless the catfish

547
00:30:54,200 --> 00:30:56,360
Speaker 1: reveals himself and Marley, being a good person and the

548
00:30:56,440 --> 00:31:01,440
Speaker 1: friend that she is, she is said she's a catfish,

549
00:31:01,880 --> 00:31:07,840
Speaker 1: and we quickly find out that she's covering for Unique,

550
00:31:07,880 --> 00:31:10,840
Speaker 1: who is really true the true catfish.

551
00:31:10,960 --> 00:31:14,920
Speaker 2: Because it does seem surprising because Jacob at first, like

552
00:31:15,560 --> 00:31:18,840
Speaker 2: or Jake, looks at Marley like huh yeah, and then

553
00:31:18,920 --> 00:31:21,040
Speaker 2: he gets up and defends her, which would be weird

554
00:31:21,080 --> 00:31:22,840
Speaker 2: if she was actually the catfish.

555
00:31:24,040 --> 00:31:29,760
Speaker 1: Totally very strange. It't doesn't really track, but okay, yeah,

556
00:31:30,000 --> 00:31:31,760
Speaker 1: like it was a joke and well why would they

557
00:31:31,800 --> 00:31:35,280
Speaker 1: be messing with him? That doesn't Yeah, and the moment

558
00:31:35,320 --> 00:31:38,440
Speaker 1: where it's revealed that it's Unique in the hallway, Yeah,

559
00:31:39,800 --> 00:31:43,400
Speaker 1: like Melissa like the heartbreak, I'm like, are you sure

560
00:31:43,560 --> 00:31:44,240
Speaker 1: you want to do this?

561
00:31:44,400 --> 00:31:45,680
Speaker 2: Like I'm fine taking the heat.

562
00:31:46,120 --> 00:31:53,240
Speaker 1: Yeah, yeah, it's powerful. I will be honest, I'm glad

563
00:31:53,280 --> 00:31:57,680
Speaker 1: this storyline is over. Hell yeah, it's kind of it's

564
00:31:57,720 --> 00:32:01,560
Speaker 1: like the Baby for Me drawn out, like one of

565
00:32:01,720 --> 00:32:06,400
Speaker 1: some too long. But but the Unique performance and Alex's

566
00:32:06,480 --> 00:32:10,400
Speaker 1: performance and the dynamic that that creates is actually really beautiful.

567
00:32:11,040 --> 00:32:13,640
Speaker 1: You know that is actually all the things are true, right,

568
00:32:13,680 --> 00:32:15,680
Speaker 1: all those things are me and all those things are

569
00:32:15,760 --> 00:32:18,560
Speaker 1: real and like people get cavished all the time, and

570
00:32:18,600 --> 00:32:21,840
Speaker 1: I totally buy it. I just you know, the storyline

571
00:32:21,880 --> 00:32:24,959
Speaker 1: went a little along for me. But Alex's performance is excellent.

572
00:32:25,240 --> 00:32:28,960
Speaker 1: I thought Blake's performance in this even with like and

573
00:32:29,120 --> 00:32:32,160
Speaker 1: just how john out it's been, he's still he really

574
00:32:32,160 --> 00:32:36,600
Speaker 1: brought it as well. And Melissa like real rage. Yeah, yeah,

575
00:32:36,640 --> 00:32:41,040
Speaker 1: throwing the table or like whatever, throwing all this stuff.

576
00:32:41,080 --> 00:32:44,280
Speaker 1: I was like, let's let's not be so dramatic about

577
00:32:44,320 --> 00:32:47,600
Speaker 1: its dial it back like one.

578
00:32:47,880 --> 00:32:51,000
Speaker 2: Two ticks, and it was telling like and during regionals

579
00:32:51,040 --> 00:32:53,960
Speaker 2: after they win and they do a great job and

580
00:32:54,000 --> 00:32:56,480
Speaker 2: they accidentally like hug each other, It's like, well, that's

581
00:32:56,520 --> 00:32:59,880
Speaker 2: the real emotion. I think, like that's the truth of

582
00:33:00,040 --> 00:33:03,720
Speaker 2: their relationships, Like they are friends, they have this deep

583
00:33:03,800 --> 00:33:08,280
Speaker 2: bond from the glee club, and it's a real I

584
00:33:08,320 --> 00:33:14,160
Speaker 2: think like moral question or like societal question of like well,

585
00:33:14,200 --> 00:33:17,440
Speaker 2: if you have these connections with these people and you

586
00:33:17,520 --> 00:33:21,479
Speaker 2: take away what you think it's that can be applied

587
00:33:21,480 --> 00:33:24,800
Speaker 2: to anything. But it's like yeah, because you then have

588
00:33:24,840 --> 00:33:26,120
Speaker 2: to And I think it's.

589
00:33:26,000 --> 00:33:28,120
Speaker 1: Interestcial experiment of love is blind.

590
00:33:28,640 --> 00:33:32,680
Speaker 2: Yeah, And I think like the like the great part

591
00:33:32,720 --> 00:33:37,520
Speaker 2: about Blake's performance is is like the onus is on

592
00:33:37,680 --> 00:33:42,800
Speaker 2: him to like figure himself out where his reaction is

593
00:33:43,320 --> 00:33:48,200
Speaker 2: to this can't be a thing because like society has

594
00:33:48,240 --> 00:33:51,640
Speaker 2: told me this can't be a thing, right. But it's

595
00:33:51,680 --> 00:33:54,560
Speaker 2: like you have a long, deep friendship with this person,

596
00:33:55,080 --> 00:34:00,640
Speaker 2: right exactly, and then that requires like introspection for you

597
00:34:00,680 --> 00:34:03,400
Speaker 2: to challenge yourself. And it felt like all of that

598
00:34:03,480 --> 00:34:07,320
Speaker 2: was bottled up and coming out there. Yes, I agreed,

599
00:34:08,640 --> 00:34:10,359
Speaker 2: or maybe that's just a little too deep for Glee.

600
00:34:10,400 --> 00:34:10,799
Speaker 2: I don't know.

601
00:34:11,520 --> 00:34:13,960
Speaker 1: I mean, whatever they did, they made us think about it.

602
00:34:14,239 --> 00:34:15,440
Speaker 2: Yeah, that's what I would say.

603
00:34:15,480 --> 00:34:18,000
Speaker 1: I was like, woh, yeah, no, it did its job.

604
00:34:18,080 --> 00:34:22,600
Speaker 1: I think. Blaine, on the other hand, still wants to

605
00:34:22,640 --> 00:34:27,640
Speaker 1: propose to Kurt, even after his talk with Bert, and

606
00:34:28,400 --> 00:34:30,200
Speaker 1: there's a bunch of people telling him it's not an idea,

607
00:34:30,440 --> 00:34:36,640
Speaker 1: including Sam, which we'll get to. But the first reveal

608
00:34:36,719 --> 00:34:40,200
Speaker 1: is that they're shopping for engagement rings, and of course

609
00:34:40,280 --> 00:34:42,520
Speaker 1: Tene is there with Blaine helping pick out a ring.

610
00:34:45,840 --> 00:34:48,360
Speaker 1: I gotta be honest to you, This is around the

611
00:34:48,400 --> 00:34:50,520
Speaker 1: point where I was like I was.

612
00:34:50,560 --> 00:34:57,720
Speaker 4: There, Oh yeah, I was there. I was there, Jenna.

613
00:34:58,719 --> 00:35:01,279
Speaker 4: We had been shooting since we.

614
00:35:01,239 --> 00:35:04,359
Speaker 1: Were double shooting this episode, so we were yeah.

615
00:35:03,840 --> 00:35:06,279
Speaker 2: Like we were just trying to make it through the day.

616
00:35:06,360 --> 00:35:09,640
Speaker 2: So if you don't remember these like little scenes.

617
00:35:09,880 --> 00:35:12,640
Speaker 1: It's okay, No, I know, I know, but I was like,

618
00:35:12,760 --> 00:35:14,960
Speaker 1: I was actually more alarmed than like I was like, wow,

619
00:35:16,200 --> 00:35:20,480
Speaker 1: I was there, you know. Wow.

620
00:35:21,440 --> 00:35:24,359
Speaker 2: Okay, but think about if I ask you what, well,

621
00:35:24,360 --> 00:35:25,920
Speaker 2: actually you may know the answer to this, but I'm like,

622
00:35:25,960 --> 00:35:27,520
Speaker 2: what did you have for lunch on Monday?

623
00:35:28,080 --> 00:35:31,080
Speaker 1: Right? No, I couldn't tell you that it was captured.

624
00:35:30,719 --> 00:35:32,920
Speaker 2: On film and you watch it, You're like, I had that.

625
00:35:33,400 --> 00:35:38,520
Speaker 1: Right, right right? I ate that. Yeah, I made that totally. Yeah, yeah, right,

626
00:35:38,600 --> 00:35:41,520
Speaker 1: I bring these funny things to us. But yeah, I

627
00:35:41,960 --> 00:35:47,000
Speaker 1: definitely was surprised that Tina was there. And while we're there,

628
00:35:47,880 --> 00:35:52,799
Speaker 1: we get to meet Jan Patty Duke, Patti Duke. Now

629
00:35:52,840 --> 00:35:56,799
Speaker 1: I do remember meeting Patty, so I was there.

630
00:35:58,680 --> 00:35:59,839
Speaker 2: Well, we know you were there.

631
00:36:00,000 --> 00:36:03,760
Speaker 1: I know I was there. I just confirmed it for myself.

632
00:36:04,160 --> 00:36:06,600
Speaker 1: But she was great. She was awesome, and it was

633
00:36:06,680 --> 00:36:08,640
Speaker 1: I think it was just really fast, to be honest.

634
00:36:09,480 --> 00:36:12,960
Speaker 1: And Blaine meets Jan and and she she kind of

635
00:36:12,960 --> 00:36:15,160
Speaker 1: takes her him under her wings and says, do you

636
00:36:15,239 --> 00:36:17,879
Speaker 1: have anybody who's like been through this, or to kind

637
00:36:17,920 --> 00:36:18,960
Speaker 1: of show you the way.

638
00:36:18,880 --> 00:36:19,720
Speaker 2: I get older.

639
00:36:20,360 --> 00:36:24,520
Speaker 1: Yes, of course, which Chris is very good at head finding.

640
00:36:24,600 --> 00:36:28,920
Speaker 1: But Blaine Jan invites him and Kurt to dinner at

641
00:36:28,960 --> 00:36:33,880
Speaker 1: Bread Steaks with Jan's partner, Liz, and they're not married,

642
00:36:34,000 --> 00:36:36,480
Speaker 1: but they're together. They're partners. They've been together for a

643
00:36:36,520 --> 00:36:39,800
Speaker 1: long time, and.

644
00:36:38,840 --> 00:36:41,160
Speaker 2: And they reference that the Supreme Court decision could be

645
00:36:41,239 --> 00:36:45,200
Speaker 2: happening any day, a moment, even though it's another two years.

646
00:36:45,480 --> 00:36:48,440
Speaker 2: But I thought this storyline was it was one of

647
00:36:48,440 --> 00:36:53,000
Speaker 2: my favorite things ever. Really, I did not want it

648
00:36:53,040 --> 00:36:53,439
Speaker 2: to end.

649
00:36:54,160 --> 00:36:55,200
Speaker 1: It was very cute.

650
00:36:55,840 --> 00:37:02,800
Speaker 2: It was so cute and Jan and the relationship felt

651
00:37:03,000 --> 00:37:09,200
Speaker 2: so real. And I also just think Blaine has struggled

652
00:37:09,200 --> 00:37:14,080
Speaker 2: a lot this season, and you know, not being with

653
00:37:14,200 --> 00:37:18,680
Speaker 2: Kurt and all of that business, and I get like, oh,

654
00:37:18,719 --> 00:37:21,160
Speaker 2: he wants to get engage. That's crazy, Like, why are

655
00:37:21,160 --> 00:37:23,160
Speaker 2: we doing that again? He's in high school and Sam

656
00:37:23,200 --> 00:37:27,520
Speaker 2: tries to talk some sense into him. But the beauty

657
00:37:27,560 --> 00:37:31,240
Speaker 2: of having like the gay elder and having these women

658
00:37:31,440 --> 00:37:34,399
Speaker 2: who their storyline like they traveled across America and they

659
00:37:34,440 --> 00:37:37,320
Speaker 2: loved Ohio and they've been here and they've seen everything

660
00:37:37,360 --> 00:37:41,920
Speaker 2: from the front porch, like everything was written so beautifully. Yeah,

661
00:37:41,960 --> 00:37:47,799
Speaker 2: and it was nice to see Blaine in some context

662
00:37:47,800 --> 00:37:51,160
Speaker 2: of like a safety net, Yeah, where like this isn't

663
00:37:51,200 --> 00:37:54,520
Speaker 2: panic that you're not spiraling. Look at this future you

664
00:37:54,520 --> 00:37:57,000
Speaker 2: could have if not with Kurt, with somebody else, And

665
00:37:57,080 --> 00:38:00,279
Speaker 2: also being like maybe it is with Kurt. We were

666
00:38:00,280 --> 00:38:04,120
Speaker 2: eighteen when we met, and it felt like it it

667
00:38:04,239 --> 00:38:09,280
Speaker 2: fits so well into the show and also just felt different,

668
00:38:09,320 --> 00:38:11,120
Speaker 2: like something I haven't seen on the show yet.

669
00:38:11,520 --> 00:38:13,920
Speaker 1: Yeah, yeah, no, I agree with you.

670
00:38:14,200 --> 00:38:15,839
Speaker 2: And also seeing Chris just kick it.

671
00:38:15,800 --> 00:38:18,520
Speaker 1: With Meredith Baxter and.

672
00:38:20,719 --> 00:38:24,000
Speaker 2: Pat Duke is like, come on, like that, I feel

673
00:38:24,000 --> 00:38:30,839
Speaker 2: like that's a Chris dream dinners with people. Yeah like that, Yeah, totally. Well,

674
00:38:30,880 --> 00:38:34,279
Speaker 2: Like how sweet her reaction when she first hears that

675
00:38:34,360 --> 00:38:37,279
Speaker 2: it's a boy that he wants to get engaged to

676
00:38:37,520 --> 00:38:40,480
Speaker 2: and then like pulls him aside. I just know she's

677
00:38:40,640 --> 00:38:43,560
Speaker 2: very the blocking of it, like all the technical aspects

678
00:38:43,640 --> 00:38:47,879
Speaker 2: of it, like it was Bred Baker really nailed it,

679
00:38:47,920 --> 00:38:51,360
Speaker 2: and she nailed it and Darren nailed it. It was

680
00:38:51,400 --> 00:38:53,080
Speaker 2: like it was just a perfect tone.

681
00:38:53,160 --> 00:38:55,600
Speaker 1: It was you're right, it was a very Glee tone

682
00:38:55,640 --> 00:38:57,920
Speaker 1: and it was very it was done. It was executed

683
00:38:57,960 --> 00:39:00,120
Speaker 1: really well. Everything was executed really well in steps, so

684
00:39:01,200 --> 00:39:03,239
Speaker 1: at least in terms of the acting in the story.

685
00:39:03,320 --> 00:39:05,200
Speaker 2: So there's like so much meaning in all these like

686
00:39:05,200 --> 00:39:09,200
Speaker 2: little scenes like that where you have the Britney stuff,

687
00:39:09,200 --> 00:39:11,719
Speaker 2: the real Britney stuff happening in that beautiful speech at

688
00:39:11,760 --> 00:39:13,759
Speaker 2: the end, then you have this happening which is for

689
00:39:13,840 --> 00:39:19,000
Speaker 2: a a whole other reason of impact and meaning, and

690
00:39:19,040 --> 00:39:21,000
Speaker 2: that's why you're getting so much in this episode that

691
00:39:21,000 --> 00:39:23,840
Speaker 2: you're like, I don't even care about regionals totally. I

692
00:39:23,880 --> 00:39:26,320
Speaker 2: want to stay in episode.

693
00:39:26,400 --> 00:39:28,319
Speaker 1: And then we cut to Blade at the very very

694
00:39:28,440 --> 00:39:30,239
Speaker 1: end of the episode, right and he's holding the ring

695
00:39:30,280 --> 00:39:36,440
Speaker 1: box behind his back, so it absolutely influenced him, and

696
00:39:36,680 --> 00:39:37,960
Speaker 1: we're going to see what happens there.

697
00:39:38,080 --> 00:39:40,640
Speaker 2: I was sold. I was like, yes, he should propose

698
00:39:42,239 --> 00:39:45,440
Speaker 2: the biggest hater of like, no, teens should not be

699
00:39:45,480 --> 00:39:48,160
Speaker 2: getting engaged. Can we cut this out. We've done this

700
00:39:48,440 --> 00:39:51,440
Speaker 2: on the show already totally. And then I was like,

701
00:39:51,520 --> 00:39:53,120
Speaker 2: let's do that at regional. Let's just do it, don't

702
00:39:53,160 --> 00:39:54,000
Speaker 2: waste any more time.

703
00:40:02,239 --> 00:40:04,560
Speaker 1: The last thing that happens in this episode that we

704
00:40:04,640 --> 00:40:07,040
Speaker 1: kind of get to see is like after winning regionals,

705
00:40:07,040 --> 00:40:09,279
Speaker 1: Will and Emma get married in the choir room with

706
00:40:09,360 --> 00:40:12,280
Speaker 1: all of us there, with an intimate setting that she says,

707
00:40:12,400 --> 00:40:17,640
Speaker 1: and I would have been I look, I love Jayme

708
00:40:17,680 --> 00:40:19,600
Speaker 1: And I remember shooting this and being like James A.

709
00:40:19,680 --> 00:40:22,560
Speaker 1: G I could watch her act all day. This is

710
00:40:22,640 --> 00:40:26,000
Speaker 1: really sweet. I could have just been fine with coming

711
00:40:26,040 --> 00:40:31,480
Speaker 1: back from season to season five opening with them married, right,

712
00:40:32,440 --> 00:40:33,919
Speaker 1: do you know what I mean? Like we already talked

713
00:40:33,920 --> 00:40:36,960
Speaker 1: about the proposal, like as like I were back together

714
00:40:37,080 --> 00:40:40,840
Speaker 1: and we're you know, like so I think that time

715
00:40:40,840 --> 00:40:44,920
Speaker 1: could have been better spent with them having another conversation

716
00:40:46,480 --> 00:40:48,400
Speaker 1: or seeing like a little bit more of the inside

717
00:40:48,400 --> 00:40:51,239
Speaker 1: of where how they get to getting married again. But

718
00:40:51,440 --> 00:40:54,919
Speaker 1: I don't, you know, it was great and I thought

719
00:40:54,960 --> 00:40:57,080
Speaker 1: they did a great job with it, and I thought

720
00:40:57,080 --> 00:40:59,400
Speaker 1: it was really sweet. But of course I'm like, of

721
00:40:59,400 --> 00:41:02,480
Speaker 1: course in the room, like do these people not have

722
00:41:02,520 --> 00:41:05,799
Speaker 1: any friends or family? Like then like Tinao and jang

723
00:41:05,800 --> 00:41:06,759
Speaker 1: Ins at the wedding, you.

724
00:41:06,800 --> 00:41:11,120
Speaker 2: Know what I mean, Like so much happened in this episode,

725
00:41:11,600 --> 00:41:14,000
Speaker 2: like yeah, let's start of surprise wedding at the end.

726
00:41:14,320 --> 00:41:18,239
Speaker 1: Yeah, And I remember this was very rushed shooting this.

727
00:41:18,680 --> 00:41:21,440
Speaker 1: It was very not rushed, but very fast, and I

728
00:41:21,440 --> 00:41:24,880
Speaker 1: remember Jama like spitting this out a couple of times.

729
00:41:25,239 --> 00:41:28,120
Speaker 1: It was perfect. You didn't need any more. But like

730
00:41:28,160 --> 00:41:31,839
Speaker 1: you're like, whoa, she just did that, you know, I mean?

731
00:41:31,960 --> 00:41:34,720
Speaker 2: And the thing is, I didn't in theory. I don't

732
00:41:34,800 --> 00:41:38,840
Speaker 2: like what's happening, Like I agree with you. But Jama

733
00:41:39,680 --> 00:41:43,120
Speaker 2: makes anything and everything works. She makes every scene better

734
00:41:43,200 --> 00:41:46,480
Speaker 2: that she's in, and so it's like, great, yeah, I

735
00:41:46,520 --> 00:41:48,399
Speaker 2: do want to see the surprise wedding. And she's waiting

736
00:41:48,440 --> 00:41:51,000
Speaker 2: outside and then comes in and it's so cute and

737
00:41:51,040 --> 00:41:52,480
Speaker 2: she's like, yeah, let me have a chance to do

738
00:41:52,520 --> 00:41:53,040
Speaker 2: the vows and.

739
00:41:53,040 --> 00:41:56,520
Speaker 1: So yeah, yeah I was again, yes I'm and I

740
00:41:56,640 --> 00:41:58,200
Speaker 1: was out of totally.

741
00:41:59,000 --> 00:42:04,920
Speaker 2: Watching Jama act is a gift people like she. I know,

742
00:42:05,000 --> 00:42:07,759
Speaker 2: her character is like quirky and has this little voice.

743
00:42:08,040 --> 00:42:12,319
Speaker 2: She's unbelievable. She's so different from her character. Yes, that's right,

744
00:42:13,680 --> 00:42:15,920
Speaker 2: she's excellent. She doesn't mess up.

745
00:42:16,760 --> 00:42:19,800
Speaker 1: She doesn't she knows her ship. She's a professional.

746
00:42:20,920 --> 00:42:21,760
Speaker 2: Oh my god.

747
00:42:22,000 --> 00:42:25,520
Speaker 1: All right, let's create the performances. So we've we've seen

748
00:42:25,600 --> 00:42:32,600
Speaker 1: Rachel do her full orchestra band callback for Selene. I

749
00:42:32,640 --> 00:42:36,040
Speaker 1: give it an a.

750
00:42:34,800 --> 00:42:38,719
Speaker 2: Vocal A plus plus. Yes, totally performance itself Vina.

751
00:42:39,760 --> 00:42:47,120
Speaker 1: Ramboke A love. I loved it was so sweet. I'll

752
00:42:47,160 --> 00:42:50,520
Speaker 1: give it a B plus plus. Yeah, but it was great.

753
00:42:51,320 --> 00:42:56,600
Speaker 1: And then we've got Clarity and Wings. I okay for

754
00:42:57,080 --> 00:42:59,839
Speaker 1: a Z song that's like usually in like the eed

755
00:43:00,040 --> 00:43:04,120
Speaker 1: a kind of like pop world. To make that work

756
00:43:04,600 --> 00:43:08,360
Speaker 1: as a regional's number, I thought was excellent. I thought

757
00:43:08,560 --> 00:43:12,080
Speaker 1: they were so good and I love that song, so

758
00:43:12,120 --> 00:43:14,000
Speaker 1: I'm giving it an A.

759
00:43:14,160 --> 00:43:17,600
Speaker 2: And I love Wings the song and the number y

760
00:43:18,280 --> 00:43:22,160
Speaker 2: Jessica Sanchez singing her face off. Oh my god, oh

761
00:43:22,239 --> 00:43:26,040
Speaker 2: both of these songs. The choreography was great. They absolutely

762
00:43:26,080 --> 00:43:27,600
Speaker 2: should have won regionals.

763
00:43:28,200 --> 00:43:29,959
Speaker 1: I'm giving Wings an A plus.

764
00:43:30,280 --> 00:43:32,600
Speaker 2: Yeah, I am as well. I think they.

765
00:43:32,480 --> 00:43:36,680
Speaker 1: Were just I was Wings was my first choice for

766
00:43:36,960 --> 00:43:41,000
Speaker 1: my one of my drag race songs and it didn't

767
00:43:41,000 --> 00:43:43,680
Speaker 1: get cleared, and I was really bummed by that because

768
00:43:43,719 --> 00:43:48,439
Speaker 1: I really loved it. But anyway, we love that song.

769
00:43:48,719 --> 00:43:53,560
Speaker 2: Little Mix always needs more and more, like Little Mix

770
00:43:53,920 --> 00:43:58,120
Speaker 2: is the greatest YEP. Just giving their respect gives them

771
00:43:58,120 --> 00:43:59,160
Speaker 2: their respect.

772
00:43:58,800 --> 00:44:03,320
Speaker 1: You know, Okay, and then we do a trio songs

773
00:44:03,440 --> 00:44:14,360
Speaker 1: for new directions. We do all Fame. I don't like

774
00:44:14,400 --> 00:44:19,400
Speaker 1: the song to begin with, and I don't know, I

775
00:44:19,440 --> 00:44:21,479
Speaker 1: don't know. I don't want to be mean. It's better

776
00:44:21,560 --> 00:44:22,560
Speaker 1: not say anything at all.

777
00:44:22,840 --> 00:44:26,879
Speaker 2: Jenna and I are big, the script fans huge. We

778
00:44:26,880 --> 00:44:29,719
Speaker 2: were in London once and we met some of the

779
00:44:29,760 --> 00:44:32,399
Speaker 2: script and they're like, can you let's get our song

780
00:44:32,440 --> 00:44:34,160
Speaker 2: on the show, and like, I will go back and

781
00:44:34,200 --> 00:44:36,319
Speaker 2: tell Ryan and I did and they didn't end up

782
00:44:36,320 --> 00:44:36,640
Speaker 2: on this.

783
00:44:38,000 --> 00:44:38,239
Speaker 1: Yeah.

784
00:44:38,239 --> 00:44:40,319
Speaker 2: And then that song, which is probably one of.

785
00:44:40,200 --> 00:44:43,719
Speaker 1: The one of his favorite songs yet, Yeah, and it was.

786
00:44:45,239 --> 00:44:50,400
Speaker 2: Girl, I don't have the range. You sounded good dying

787
00:44:51,360 --> 00:44:52,719
Speaker 2: dying singing that song.

788
00:44:53,600 --> 00:44:55,719
Speaker 1: Well, it's very high.

789
00:44:56,560 --> 00:44:57,279
Speaker 2: And I don't know.

790
00:44:59,520 --> 00:45:03,399
Speaker 1: I think I did they did they for you?

791
00:45:03,760 --> 00:45:07,000
Speaker 2: I mean the absolutely for me? Yeah, But I was

792
00:45:07,040 --> 00:45:08,160
Speaker 2: just screaming.

793
00:45:09,800 --> 00:45:12,400
Speaker 1: It worked for this song because this song isn't like

794
00:45:13,280 --> 00:45:15,200
Speaker 1: cough syrup, do you know what I mean. It's it's

795
00:45:15,200 --> 00:45:19,120
Speaker 1: a lot of talkie rappie, yeah kind of you know.

796
00:45:20,480 --> 00:45:24,200
Speaker 2: I will say they did me a real solid because

797
00:45:24,239 --> 00:45:27,120
Speaker 2: I guarantee you in that recording booth, I sounded like.

798
00:45:27,719 --> 00:45:30,440
Speaker 1: Chalkboard sounded great in the finals, So you.

799
00:45:30,400 --> 00:45:33,520
Speaker 2: Know how I got spot in my voice. I can

800
00:45:33,560 --> 00:45:36,840
Speaker 2: go high, but it is nobody should ever hear it.

801
00:45:38,040 --> 00:45:41,160
Speaker 2: That's where that lives and it was like, it's like,

802
00:45:41,200 --> 00:45:43,120
Speaker 2: I'm never trying to show that publicly.

803
00:45:43,320 --> 00:45:45,279
Speaker 1: I get I've heard it no, and I have that

804
00:45:45,320 --> 00:45:48,040
Speaker 1: in my voice as well. It's the break, it's your break. Yes,

805
00:45:48,200 --> 00:45:50,080
Speaker 1: it's not it's not great. I get it.

806
00:45:50,680 --> 00:45:53,120
Speaker 2: And I don't rude when there's a song in your break.

807
00:45:53,280 --> 00:45:55,200
Speaker 2: I'm not good enough to know how to like sing

808
00:45:55,200 --> 00:45:55,760
Speaker 2: in it properly.

809
00:45:56,000 --> 00:45:58,000
Speaker 1: If it's in your break, it's not great. It's just

810
00:45:58,040 --> 00:46:00,239
Speaker 1: not great for anybody, you know what I mean. That's

811
00:46:00,239 --> 00:46:02,600
Speaker 1: a natural thing. People have breaks, You're human.

812
00:46:02,800 --> 00:46:04,200
Speaker 2: But the boys sounded great on it.

813
00:46:04,440 --> 00:46:07,319
Speaker 1: I just whatever, I'm not gonna lie. I kind of

814
00:46:07,320 --> 00:46:08,440
Speaker 1: asparted there a little bit.

815
00:46:09,920 --> 00:46:10,640
Speaker 2: I don't blame you.

816
00:46:10,800 --> 00:46:14,960
Speaker 1: It was it's fine whatever, I love it. I kind

817
00:46:14,960 --> 00:46:18,640
Speaker 1: of popped. So I had a lot of fun filming

818
00:46:18,640 --> 00:46:21,120
Speaker 1: this one. This was really fun for us. We were

819
00:46:21,160 --> 00:46:22,840
Speaker 1: being we were just out of our minds.

820
00:46:23,040 --> 00:46:24,360
Speaker 2: There's a lot of stomping around.

821
00:46:24,760 --> 00:46:27,160
Speaker 1: Yeah, and poor Heather was so pregnant under that purple

822
00:46:27,200 --> 00:46:29,160
Speaker 1: dress and we were just like rubbing her back in

823
00:46:29,200 --> 00:46:33,360
Speaker 1: between numbers and like breaks, and I felt so bad.

824
00:46:33,520 --> 00:46:36,279
Speaker 1: And it's really fast that song, like the way that

825
00:46:36,360 --> 00:46:41,440
Speaker 1: they choreographed it and it was fun to do. Do

826
00:46:41,520 --> 00:46:45,239
Speaker 1: I think that it hit like, did it have the

827
00:46:45,280 --> 00:46:47,319
Speaker 1: impact that it has when you listen to it on

828
00:46:47,360 --> 00:46:47,840
Speaker 1: the radio.

829
00:46:48,000 --> 00:46:52,120
Speaker 2: No, Yeah, I didn't live up to like it needed

830
00:46:52,160 --> 00:46:55,920
Speaker 2: to be a Troubletones style number one thousand just wasn't.

831
00:46:57,800 --> 00:47:07,359
Speaker 1: Also, we did it in double time for low mo. Yeah,

832
00:47:07,400 --> 00:47:10,400
Speaker 1: because that song's already pretty fast. It's so fast and

833
00:47:10,440 --> 00:47:12,360
Speaker 1: then you're doing I got to say.

834
00:47:14,120 --> 00:47:16,200
Speaker 2: It was crazy, So clearly.

835
00:47:16,000 --> 00:47:17,520
Speaker 1: It was really crazy. And I don't even think they

836
00:47:17,600 --> 00:47:19,840
Speaker 1: used any of it sadly unlocked.

837
00:47:19,880 --> 00:47:22,960
Speaker 2: I think they did, like granfly, Yeah, there is like

838
00:47:23,000 --> 00:47:24,440
Speaker 2: in the middle of it, there's a little it.

839
00:47:24,440 --> 00:47:26,640
Speaker 1: Probably doesn't even feel that slow because it's so fast,

840
00:47:27,040 --> 00:47:27,239
Speaker 1: you know.

841
00:47:28,080 --> 00:47:31,360
Speaker 2: I also feel like, because there was so much to

842
00:47:31,360 --> 00:47:35,480
Speaker 2: shoot this episode, I felt like I needed a little more.

843
00:47:36,000 --> 00:47:39,800
Speaker 2: I wanted a little more coverage camera coverage of this number. Agreed,

844
00:47:39,920 --> 00:47:43,040
Speaker 2: there were some cool moments of like, you know, when

845
00:47:43,080 --> 00:47:45,640
Speaker 2: the girls are like coming through, they make this like

846
00:47:45,680 --> 00:47:47,640
Speaker 2: this wall of arms and the girls are like peeking

847
00:47:47,640 --> 00:47:50,680
Speaker 2: through each posing and I'm like, I'm not really getting

848
00:47:51,040 --> 00:47:54,759
Speaker 2: like where that is in relationship to the stage, and

849
00:47:54,880 --> 00:47:58,080
Speaker 2: I I didn't feel the impact because all the white

850
00:47:58,080 --> 00:48:01,319
Speaker 2: shots and just were all like transition moves, so people

851
00:48:01,760 --> 00:48:03,759
Speaker 2: like they were just like walking around aimlessly.

852
00:48:04,160 --> 00:48:07,840
Speaker 1: Totally agree. It's like, did we not get Andrew on

853
00:48:07,960 --> 00:48:10,080
Speaker 1: there with the steady cam, like a lot of close

854
00:48:10,160 --> 00:48:13,239
Speaker 1: up and pullbacks and pushins would have really given that

855
00:48:13,360 --> 00:48:16,239
Speaker 1: number something. But I'm not the director, I'm not Brettbeaker.

856
00:48:16,280 --> 00:48:18,800
Speaker 1: I don't have his talents. But I'm just saying, maybe

857
00:48:18,880 --> 00:48:19,279
Speaker 1: you're right.

858
00:48:19,400 --> 00:48:20,560
Speaker 2: I think we had a lot to do.

859
00:48:20,800 --> 00:48:22,960
Speaker 1: We did have a lot to do, okay, and then

860
00:48:23,000 --> 00:48:28,080
Speaker 1: we did all or nothing. We didn't we didn't rate it.

861
00:48:29,000 --> 00:48:30,279
Speaker 1: I give Hall of fame.

862
00:48:30,360 --> 00:48:36,920
Speaker 5: I give as C C D C C C C

863
00:48:37,120 --> 00:48:40,920
Speaker 5: C C plus honestly ye C plus yeah, yeah, I agree,

864
00:48:41,239 --> 00:48:42,640
Speaker 5: that's our first C we've ever.

865
00:48:42,800 --> 00:48:43,799
Speaker 2: Yeah, it deserves it.

866
00:48:44,000 --> 00:48:47,000
Speaker 1: Yeah, I love it. I would give a B minus yeah,

867
00:48:47,160 --> 00:48:55,000
Speaker 1: same and all are nothing. Marley's song again doesn't quite

868
00:48:55,160 --> 00:49:01,040
Speaker 1: hit the way I wish original ballad would. I give

869
00:49:01,080 --> 00:49:02,360
Speaker 1: it like a beat plus.

870
00:49:02,680 --> 00:49:06,480
Speaker 2: It's hard because you've gone after two complete bangers of

871
00:49:06,520 --> 00:49:07,480
Speaker 2: Clarity and Wings.

872
00:49:08,280 --> 00:49:11,160
Speaker 1: Literally, why couldn't they have given new directions those songs

873
00:49:11,520 --> 00:49:14,520
Speaker 1: like not that we would have executed them as well

874
00:49:14,560 --> 00:49:17,959
Speaker 1: as they did. But let me say the songs are good.

875
00:49:18,280 --> 00:49:21,320
Speaker 2: They're like up like they're exciting songs.

876
00:49:21,640 --> 00:49:24,120
Speaker 1: Anyway, I feel like we're such downers about this regionalis.

877
00:49:24,120 --> 00:49:26,520
Speaker 1: I'm sorry, but it just didn't It didn't hit for me.

878
00:49:26,800 --> 00:49:31,360
Speaker 1: But there's there's a competition coming that really does slap.

879
00:49:31,400 --> 00:49:34,279
Speaker 1: There's two of them that are coming that are really good,

880
00:49:34,360 --> 00:49:36,920
Speaker 1: so I'm okay with it. I'm really looking forward to this.

881
00:49:37,280 --> 00:49:39,719
Speaker 2: We're just haters at this one. We normally are not.

882
00:49:39,800 --> 00:49:40,839
Speaker 2: We normally like these.

883
00:49:40,960 --> 00:49:41,919
Speaker 1: The next two are good.

884
00:49:42,040 --> 00:49:44,600
Speaker 2: I'm really good and I really enjoyed the rest of

885
00:49:44,640 --> 00:49:45,280
Speaker 2: this episode.

886
00:49:45,320 --> 00:49:50,240
Speaker 1: So sorry, whatever, all right, let's do some chartie takes then, Okay,

887
00:49:50,600 --> 00:49:51,440
Speaker 1: cringe moments.

888
00:49:52,880 --> 00:49:56,719
Speaker 2: I did feel the white male rage of writer was.

889
00:49:57,800 --> 00:50:01,600
Speaker 2: I felt a little scared, akin to when Shuster got

890
00:50:01,640 --> 00:50:05,839
Speaker 2: mad at Terry in the kitchen that one time. Yep, yep, yep,

891
00:50:06,040 --> 00:50:07,360
Speaker 2: when you like can see going.

892
00:50:07,239 --> 00:50:08,000
Speaker 1: What's gonna happen?

893
00:50:08,280 --> 00:50:08,480
Speaker 5: Yeah?

894
00:50:08,520 --> 00:50:09,960
Speaker 1: Yeah, I feel that.

895
00:50:10,360 --> 00:50:12,120
Speaker 2: Freaking me out a little bit a little too far?

896
00:50:12,880 --> 00:50:18,160
Speaker 1: Yeah yeah yeah, best dance move. Well, Okay, I have

897
00:50:18,239 --> 00:50:23,560
Speaker 1: to say, Vanessa not caring during I Don't Care is

898
00:50:23,800 --> 00:50:25,080
Speaker 1: the highlight of this episode.

899
00:50:25,239 --> 00:50:25,600
Speaker 2: MVP.

900
00:50:26,160 --> 00:50:30,040
Speaker 1: Yeah, just like twiddling her hair and like chewing gum.

901
00:50:30,520 --> 00:50:33,120
Speaker 2: It's so funny, so good. And she also did in

902
00:50:34,200 --> 00:50:36,200
Speaker 2: Hall of Fame. She had King Kong banging on your

903
00:50:36,239 --> 00:50:40,560
Speaker 2: chest and she did that move like looking directly at camera.

904
00:50:42,200 --> 00:50:48,040
Speaker 1: I want to be Vanessa. Jeez, Vanessa like.

905
00:50:48,080 --> 00:50:51,080
Speaker 2: Naya, You give her any moment on camera and she's

906
00:50:51,160 --> 00:50:53,279
Speaker 2: going to give it all to you.

907
00:50:53,840 --> 00:50:58,840
Speaker 1: I really just want to be Vanessa in my next life. Okay,

908
00:50:58,920 --> 00:51:00,439
Speaker 1: best song is.

909
00:51:03,280 --> 00:51:07,400
Speaker 2: I'm gonna go with Wings Wings agreed?

910
00:51:08,400 --> 00:51:18,160
Speaker 1: Yeah, Okay, prop, I'm going with Britney's Magical Doodle. Great.

911
00:51:18,840 --> 00:51:21,760
Speaker 2: Absolutely, I mean that's like maybe the best prop ever.

912
00:51:22,600 --> 00:51:27,400
Speaker 1: I need that photo. Best line I.

913
00:51:27,400 --> 00:51:30,640
Speaker 2: Think there's like two versions of this. I think the

914
00:51:30,640 --> 00:51:33,799
Speaker 2: best line is Brittany's entire monologue.

915
00:51:34,120 --> 00:51:37,040
Speaker 1: Yeah, when she talks about Michael Bolton and I met

916
00:51:37,080 --> 00:51:39,360
Speaker 1: in nineteen ninety four in Los Angeles when I punctured

917
00:51:39,400 --> 00:51:43,120
Speaker 1: his windpipe with a letter opener at Kate Mantalini's where

918
00:51:43,120 --> 00:51:45,040
Speaker 1: he was having lunch and I just happened to be

919
00:51:45,080 --> 00:51:47,479
Speaker 1: doing my taxes. He choked after in hailing a chunk

920
00:51:47,480 --> 00:51:49,759
Speaker 1: of his own hair, and I saved his life. He

921
00:51:49,840 --> 00:51:52,040
Speaker 1: owed me a favor ever since. And just in case

922
00:51:52,080 --> 00:51:54,960
Speaker 1: you're wondering Michael Bolton is a fantastic lover. We did

923
00:51:55,000 --> 00:51:57,239
Speaker 1: it all night, well, we did it every which way.

924
00:52:00,200 --> 00:52:02,759
Speaker 2: Mini so Oh, I just stopped by the teacher's lums

925
00:52:02,760 --> 00:52:06,160
Speaker 2: to retrieve my babies. Was sent in the fridge, Brittany.

926
00:52:06,200 --> 00:52:08,360
Speaker 2: I refused to speak to either of you in this office.

927
00:52:08,360 --> 00:52:10,359
Speaker 2: It's dusty and drab and mister she's teacher. The year

928
00:52:10,360 --> 00:52:14,200
Speaker 2: photo really creeps me. Tonight's guests are two sworn enemies

929
00:52:14,200 --> 00:52:16,680
Speaker 2: who became friends, then became enemies again, then became friends

930
00:52:16,719 --> 00:52:18,760
Speaker 2: again and enemies and then everybody stopped caring.

931
00:52:19,200 --> 00:52:24,760
Speaker 1: That's a good one. That's really good one. Perform Heather Morris.

932
00:52:25,000 --> 00:52:29,919
Speaker 2: Heather Morris, I think honorable, mentioned to Patty Duke.

933
00:52:30,200 --> 00:52:33,440
Speaker 1: Oh yay, of course, Yeah.

934
00:52:33,239 --> 00:52:37,400
Speaker 2: Like just absolutely brilliant. Yeah, I that brought me so

935
00:52:37,480 --> 00:52:37,960
Speaker 2: much joy.

936
00:52:39,000 --> 00:52:41,080
Speaker 1: What's going on in the TikTok world, Kevin.

937
00:52:41,520 --> 00:52:45,640
Speaker 2: So, there's two videos going around of Chapel arone at

938
00:52:45,680 --> 00:52:51,600
Speaker 2: a Q and a I believe in Scotland, And she's

939
00:52:51,640 --> 00:52:56,880
Speaker 2: asked Glee questions and she says she is in the

940
00:52:56,920 --> 00:53:02,799
Speaker 2: middle of watching it. She's on season two. What Yes?

941
00:53:04,000 --> 00:53:06,840
Speaker 2: And there's one that's really long and they try to

942
00:53:06,880 --> 00:53:10,239
Speaker 2: ask how she feels about Faberi, but she doesn't know

943
00:53:10,280 --> 00:53:14,960
Speaker 2: that yet, and she doesn't know about Britanna yet, and

944
00:53:15,000 --> 00:53:16,600
Speaker 2: it's just hilarious.

945
00:53:16,640 --> 00:53:20,680
Speaker 1: Oh my gosh, that's amazing that she's even talking about it. Yeah.

946
00:53:20,960 --> 00:53:23,320
Speaker 2: I love that because also it's like there's never been

947
00:53:24,080 --> 00:53:26,520
Speaker 2: like she is the perfect which if we've talked about

948
00:53:26,600 --> 00:53:28,320
Speaker 2: people have said it like if Glee was on today,

949
00:53:28,320 --> 00:53:31,720
Speaker 2: we actually he was doing so much. Chaperone, Yeah, for sure.

950
00:53:32,600 --> 00:53:33,160
Speaker 1: Wow.

951
00:53:33,400 --> 00:53:35,480
Speaker 2: They ask what her favorite Glee cover is and then

952
00:53:35,520 --> 00:53:38,080
Speaker 2: she says she loves Suso Bester's Madonna.

953
00:53:38,680 --> 00:53:39,040
Speaker 1: Wow.

954
00:53:39,239 --> 00:53:41,040
Speaker 2: The other episode she likes is Brittany when we're all

955
00:53:41,040 --> 00:53:42,879
Speaker 2: like high in the laughing gas, and she said it's

956
00:53:42,880 --> 00:53:45,160
Speaker 2: taken her three times to get into Glee because originally

957
00:53:45,160 --> 00:53:49,040
Speaker 2: she's like, this is stupid as fun, which, to be honest,

958
00:53:49,080 --> 00:53:51,240
Speaker 2: I think that's how I would have felt if I

959
00:53:51,280 --> 00:53:54,000
Speaker 2: told was on it. And then once you get into

960
00:53:54,000 --> 00:53:57,280
Speaker 2: it and see that it's silly and making fun of itself,

961
00:53:57,320 --> 00:54:01,760
Speaker 2: then yeah, we love Chaperone so talented, happy that she's

962
00:54:02,320 --> 00:54:05,280
Speaker 2: blown up, and I hope you enjoy the rest of Glee.

963
00:54:06,040 --> 00:54:06,600
Speaker 2: Buckle up.

964
00:54:06,920 --> 00:54:11,000
Speaker 1: Well, that is the end of season four, everybody, and

965
00:54:11,480 --> 00:54:16,920
Speaker 1: we got some fun episodes coming up to recap season

966
00:54:17,000 --> 00:54:21,000
Speaker 1: four and next week is season four the top songs,

967
00:54:21,040 --> 00:54:24,600
Speaker 1: top episodes, top couples, and overall thoughts all submitted by

968
00:54:24,760 --> 00:54:27,640
Speaker 1: you guys. So we are really looking forward to diving

969
00:54:27,640 --> 00:54:29,960
Speaker 1: into all of that with you guys hearing your thoughts

970
00:54:30,239 --> 00:54:33,040
Speaker 1: because your thoughts are the most important, and then us

971
00:54:33,280 --> 00:54:37,520
Speaker 1: giving our silly thoughts as well. So thanks for joining us.

972
00:54:38,280 --> 00:54:41,600
Speaker 2: Stick around. Heather Morris is going to be here coming

973
00:54:41,680 --> 00:54:46,160
Speaker 2: up soon. We have Mike's Mike Gonna come Back, Andrew

974
00:54:46,160 --> 00:54:48,920
Speaker 2: from Fleika the Week Podcast. We want to get all

975
00:54:48,960 --> 00:54:53,520
Speaker 2: the thoughts at the end of season four. Also, if

976
00:54:53,560 --> 00:54:57,520
Speaker 2: you go to vote dot org, you can see if

977
00:54:57,560 --> 00:55:00,240
Speaker 2: your state has early voting where you can early vote,

978
00:55:00,239 --> 00:55:02,960
Speaker 2: what the schedule is. Go check that out. It's better

979
00:55:03,000 --> 00:55:04,480
Speaker 2: to vote early. You don't have to worry about it.

980
00:55:04,520 --> 00:55:07,399
Speaker 2: Make a plan, vote dot org, check it out, put

981
00:55:07,400 --> 00:55:10,160
Speaker 2: in your state and you'll see the schedule for early voting.

982
00:55:11,239 --> 00:55:12,600
Speaker 2: See you next week.

983
00:55:13,120 --> 00:55:14,719
Speaker 1: Bye bye, bye bye.

984
00:55:15,080 --> 00:55:18,239
Speaker 2: Thanks for listening and follow us on Instagram at and

985
00:55:18,280 --> 00:55:20,520
Speaker 2: That's what you really miss pod. Make sure to write

986
00:55:20,600 --> 00:55:22,880
Speaker 2: us a review and leave us five stars. See you

987
00:55:22,880 --> 00:55:23,279
Speaker 2: next time.