WEBVTT - S4E6: Mike Schur and Tammany Hall

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<v Speaker 1>It's great to know that even back then, when the

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<v Speaker 1>criminal needs to flee somewhere, where do you go?

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<v Speaker 2>Florida? Florida, you're so incorrigible, has this kind of like

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<v Speaker 2>mischievous pirate thing going that I kind of like, oh, Florida,

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<v Speaker 2>you've gone and done it again. Welcome to Snaffu, the

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<v Speaker 2>podcast about history's greatest screw ups. I am your host

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<v Speaker 2>ed helms, and each episode I drag a brilliant guest

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<v Speaker 2>through one of these disasters and we ask ourselves, what

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<v Speaker 2>the hell does this tell us about us as human

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<v Speaker 2>beings today? My guest is one of my oldest and

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<v Speaker 2>dearest comedy pals. He's a writing legend snl The Office,

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<v Speaker 2>co created Parks and rec Brooklyn ninety nine, The Good

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<v Speaker 2>Place Rutherford Falls, And by the way, he directed tons

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<v Speaker 2>of all those episodes as well, and oh don't let

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<v Speaker 2>me forget out of all of us who worked on

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<v Speaker 2>the Office, he was also the best actor. Yeah, he's

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<v Speaker 2>the one who brought the legendary Mose Shrewd into all

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<v Speaker 2>of our hearts and nightmares. Of course, he just got

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<v Speaker 2>a very well deserved star on the Hollywood Walk of Fame,

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<v Speaker 2>and at this point, I'm pretty sure NASA might be

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<v Speaker 2>trying to name a planet after him. Please welcome Mike. Sure, Hello, Mike.

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<v Speaker 2>What a wonderful introduction.

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<v Speaker 1>Thank you, I mean thank you first of all for

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<v Speaker 1>highlighting my acting, because I think you know that's the

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<v Speaker 1>legacy that I hope to leave this earth with more

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<v Speaker 1>than anything else.

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<v Speaker 2>I don't think you get enough credit for your acting,

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<v Speaker 2>and I don't agree you act enough. I think you

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<v Speaker 2>need to be in more stuff.

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<v Speaker 1>I will take any acting job that requires me to

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<v Speaker 1>a remain mute and be run along the side of

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<v Speaker 1>a car like a dog.

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<v Speaker 2>Let's talk about most for a second, because what went

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<v Speaker 2>into your choices, the choices that you made as an actor.

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<v Speaker 2>Was that something that like the writer's room really kind

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<v Speaker 2>of broke down and was like, it'd be really funny

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<v Speaker 2>if he was just sort of spooky and almost like

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<v Speaker 2>a horror movie character just sort of popping up. Or

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<v Speaker 2>was that just your own brain sort of chewing on

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<v Speaker 2>it and then showing up to set and being like,

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<v Speaker 2>I'm gonna get weird.

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<v Speaker 1>Certainly, the way that Greg Daniels and the writers wrote,

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<v Speaker 1>and I'm putting that in quotes wrote the character of

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<v Speaker 1>Mo's was spooky and weird and just kind of off.

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<v Speaker 1>My choice is as an actor, I would describe as

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<v Speaker 1>coming from a white hot panic, just pure panic. Just

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<v Speaker 1>no one had told me what to do. I didn't

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<v Speaker 1>know what to do. I'm not an actor, and I

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<v Speaker 1>just did anything. I just did anything that I could

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<v Speaker 1>think of in the moment, and people kept finding it amusing,

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<v Speaker 1>and so I just kept panicking and doing whatever came

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<v Speaker 1>to mind.

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<v Speaker 2>I love it. I'm glad you enjoyed it. It was

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<v Speaker 2>a gift to all of America. So thank you the world,

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<v Speaker 2>really truly. Sure. Yeah, I'm really eager to dig into

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<v Speaker 2>this snafoo with you today. But before I do, I

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<v Speaker 2>just wanted to tell you something because I was thinking

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<v Speaker 2>about you know, we've known each other for twenty ish years,

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<v Speaker 2>and we've collaborated very closely in many different ways over

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<v Speaker 2>the years, and I've talked about you in publicly in

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<v Speaker 2>interviews a lot over the years, and I realized there's

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<v Speaker 2>something that I kind of say when your name comes

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<v Speaker 2>up in interviews frequently, but I don't know that I've

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<v Speaker 2>ever said it directly to you. And I was like,

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<v Speaker 2>I got to tell Mike this. I got to get

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<v Speaker 2>on the record with Mike Sure, and let you know

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<v Speaker 2>that the character Andy Bernard on the Office never would

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<v Speaker 2>have clicked for me without you. You were such an

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<v Speaker 2>instrumental part of like helping me find his voice and

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<v Speaker 2>shaping who he became, and that whole process, all of

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<v Speaker 2>our fun little huddle ups and just hard laughs and

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<v Speaker 2>brainstorming sessions about who Andy Bernard could be and why

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<v Speaker 2>Andy was funny or what made him funny, And it's

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<v Speaker 2>just like one of my favorite memories of show business.

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<v Speaker 2>That's so kind of you to say. I mean, I

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<v Speaker 2>will say that.

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<v Speaker 1>You know, you joined the show in season three and

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<v Speaker 1>the plot was that, you know, Jim had moved to

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<v Speaker 1>a different office, and the office that would happened to

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<v Speaker 1>be chosen was in Stanford, Connecticut. And I grew up

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<v Speaker 1>in West Hartford, Connecticut, which is maybe an hour and

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<v Speaker 1>changed north of Stamford, and I just instantly knew and

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<v Speaker 1>I grew up with Andy a lot of Andy's and

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<v Speaker 1>it was a very familiar character to me at the

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<v Speaker 1>sort of preppy, like good time Charlie guy who went

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<v Speaker 1>to an Ivy League school and just wanted to be

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<v Speaker 1>liked and was just desperate for like you know, was

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<v Speaker 1>maybe a little clumsy in the way that he went

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<v Speaker 1>about it, but had a good soul and a good heart.

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<v Speaker 1>And I just remember thinking the combination of that character

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<v Speaker 1>description and you as an actor. I was like, oh,

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<v Speaker 1>I know, I get this, I get this. I know

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<v Speaker 1>exactly who this guy is. And I do have a

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<v Speaker 1>lot of as I'm sure you do, specific memories of

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<v Speaker 1>like little moments of like figuring out the exact right

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<v Speaker 1>little mannerism or sort of prepster little turn of phrase

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<v Speaker 1>or something that he would give. There was the episode

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<v Speaker 1>where you all get drunk in the office having to.

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<v Speaker 2>Work late at night.

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<v Speaker 1>Oh yeah, and start you start singing an Indigo girls

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<v Speaker 1>Closer to Find, Closer to Fine song, and then Jim

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<v Speaker 1>chimes in and you pop up a go tuna, like

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<v Speaker 1>so excited that he also knows all the lyrics to

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<v Speaker 1>Closer to Find. I mean, that's that was my childhood.

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<v Speaker 1>That was exactly my child That was like sitting around

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<v Speaker 1>with my friends and listening to that album in particular.

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<v Speaker 2>That's really where I think our friendship forged. Like that's

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<v Speaker 2>when I met you, was coming onto the office set

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<v Speaker 2>and just immediately like you were one of one of

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<v Speaker 2>that handful of people that put me at ease immediately,

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<v Speaker 2>and I'm so glad. Yeah, I mean, it's just yeah,

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<v Speaker 2>it's awesome. It was a good time.

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<v Speaker 1>It was a very fun, fun time, and I think

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<v Speaker 1>all of our lives it felt like we were just

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<v Speaker 1>in a very creative world with a bunch of creative

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<v Speaker 1>fun people, and our only job was to figure out

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<v Speaker 1>what was the funniest thing that could have happened at

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<v Speaker 1>any given moment.

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<v Speaker 2>That's exactly our only job was to make each other

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<v Speaker 2>laugh as hard as possible. Yeah, And I mean, there's

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<v Speaker 2>no better job, no better job. Well, Mike, I am

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<v Speaker 2>thrilled your because today's story is basically a political sitcom excellent,

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<v Speaker 2>only with a lot more graft, more fistfights, and way

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<v Speaker 2>more dark money changing hands under the table. Today we're

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<v Speaker 2>talking about Tammany Hall and the legendary Boss Tweed. Fantastic. Yes,

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<v Speaker 2>how familiar are you with this story? A fairly familiar,

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<v Speaker 2>I would say.

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<v Speaker 1>In the broad strokes, The Powerbroker by Robert Moses is

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<v Speaker 1>one of my favorite books ever written, and Tammany Hall

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<v Speaker 1>is a human part of Robert Morris's origin story. And

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<v Speaker 1>you know, Robert Moses's story is legendary and have covers

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<v Speaker 1>many chunks. But he his like understanding of politics was

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<v Speaker 1>forged in Tammany Hall.

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<v Speaker 2>All right, well, let's start with some baseline info here,

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<v Speaker 2>because I think a lot of people have heard of

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<v Speaker 2>Tammany Hall, but might be one like, what is it exactly?

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<v Speaker 2>Was it a building? Was it some sort of club

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<v Speaker 2>or was it a symbol of something opaque and powerful,

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<v Speaker 2>maybe even a little bit sinister. Well the answer is

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<v Speaker 2>actually yes, all of the above. Tammany Hall was indeed

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<v Speaker 2>a series of buildings in New York City, the most

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<v Speaker 2>famous of which stood at fourteenth Street in Park Avenue South.

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<v Speaker 2>But it is in fact so much more than that.

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<v Speaker 2>When historians say Tammany Hall, they're actually referring to the

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<v Speaker 2>democratic political machine that controlled New York City politics for

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<v Speaker 2>well over a century from the early nineteenth century to

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<v Speaker 2>the mid twentieth century. Tammany Hall was part fraternity, part mafia,

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<v Speaker 2>part city council. Think the Sopranos only the front business.

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<v Speaker 2>Instead of being a strip club, it was city.

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<v Speaker 1>Hall, right, Yeah, it was the machine that ran New York.

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<v Speaker 2>And a political machine, by the way, was actually the

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<v Speaker 2>term for this type of It was not just a

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<v Speaker 2>kind of random metaphor that I'm using, it was actually

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<v Speaker 2>what these operations were called for over one hundred years.

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<v Speaker 2>Tammany Hall decided who got jobs, who got contracts, and

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<v Speaker 2>often who won elections in the biggest city in America. So, Mike, sure,

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<v Speaker 2>how did it all begin? Well, let's rewind a little bit,

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<v Speaker 2>shall we back all the way to seventeen eighty nine,

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<v Speaker 2>the same year George Washington became president. Coincidentally, back then,

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<v Speaker 2>there were a number of prominent fraternal organizations like the

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<v Speaker 2>Freemasons or the Society of the Cincinnati, and these groups

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<v Speaker 2>tended to be a bit crusty and aristocratic, little snooty

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<v Speaker 2>like country clubs. The Cincinnatians were even accused of trying

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<v Speaker 2>to set up a kind of American hereditary nobility, which

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<v Speaker 2>is pretty rich considering we had just fought a massive

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<v Speaker 2>war with England to get rid of all that crap.

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<v Speaker 1>The most the most American thing, right is you you're like,

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<v Speaker 1>no more sovereigns, And then as soon as the king

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<v Speaker 1>has gone, you're like, what if we had a king?

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<v Speaker 2>Nobility's nice good points. So the modern version of these clubs,

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<v Speaker 2>I think is like we see around as like Masonic temples,

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<v Speaker 2>or or the Shriners. The Odd Fellows, which actually started

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<v Speaker 2>in England around this time or even earlier, was also

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<v Speaker 2>happening at this time, and I think that largely, or

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<v Speaker 2>the Rotary club Lions.

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<v Speaker 1>Well, it's not just those, it's also you know, when

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<v Speaker 1>you're talking about like societies that aim to pull levers

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<v Speaker 1>of power, you're also talking about like in the modern day,

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<v Speaker 1>there's Bohemian Grove and there's the Davos Conference, and there's

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<v Speaker 1>as long as there have been societies, there have been

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<v Speaker 1>people seeking to form organizations that secretly control things. And

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<v Speaker 1>so you know that some of those clubs are more

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<v Speaker 1>civic minded, some of them are more you know, charity minded.

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<v Speaker 2>But you're social.

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<v Speaker 1>Yeah, but there's it is always the case that there

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<v Speaker 1>have been people in every society, even ones that purport

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<v Speaker 1>to be purely democratic or republic or whatever you want

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<v Speaker 1>to call them, that are like, wait, we're rich, and

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<v Speaker 1>maybe if we quietly meet in a room somewhere, we

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<v Speaker 1>can divvy up the society and capital in a way

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<v Speaker 1>that will benefit us and not other people. So it's

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<v Speaker 1>a it's as tale as old as time.

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<v Speaker 2>Yah. Indeed, what's funny is that is that they're just

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<v Speaker 2>as dumb as everybody else, but all kinds of conspiracy

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<v Speaker 2>theories get ascribed to them. And I just think if

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<v Speaker 2>you could probably get into those rooms, you'd be like,

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<v Speaker 2>what the oh, these idiots, this is the group of people.

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<v Speaker 2>It's like, yeah.

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<v Speaker 1>My favorite thing in the world is when a billionaire

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<v Speaker 1>does something stupid and the reaction is like, well that

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<v Speaker 1>he's probably not doing that. He's a billionaire, and no,

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<v Speaker 1>I promise he's just as dumb as everybody else.

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<v Speaker 2>Of course, all right, so enter into this landscape of

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<v Speaker 2>sort of crusty aristocratic societies. The Society of Saint Tammany

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<v Speaker 2>founded in New York basically as a deliberate fuck you

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<v Speaker 2>to all of these aristocratic clubs. So this was to

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<v Speaker 2>be a patriotic club for the common man. It was

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<v Speaker 2>named after taminind A Lenna Lenape chief, mythologized as a

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<v Speaker 2>patron saint of America and liberty. Of course, the Society

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<v Speaker 2>of Saint Tammany also massively appropriated Native American attire, rituals

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<v Speaker 2>and nannings and you're kidding, yes, yeah. They not not

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<v Speaker 2>a real progressive, woke crew at this time, but they

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<v Speaker 2>threw large events, parties and parades. They were rowdy, populous,

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<v Speaker 2>and kind of a bit campy or silly. They had

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<v Speaker 2>a big sense of humor and uh and also probably

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<v Speaker 2>quite a bit cringe as well. Yeah, I would imagine. Yeah, yeah, so, uh,

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<v Speaker 2>guess who shows up real early in this in this zone.

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<v Speaker 2>Who's Aaron Burr? Yeah? Yeah, that guy revolutionary war Vet,

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<v Speaker 2>the third vice president and yes, the guy who murdered

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<v Speaker 2>lin Manuel Miranda. He's a national treasure in Miranda.

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<v Speaker 1>Does someone fact check these podcasts or should we do

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<v Speaker 1>it in real time?

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<v Speaker 2>Because I I I asked the Internet and they said

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<v Speaker 2>that there's a video of it.

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<v Speaker 1>I swear to you you got the AI overviewed it.

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<v Speaker 2>Yeah, that Aaron. This is all AI generated, including me.

0:13:54.320 --> 0:14:00.520
<v Speaker 2>I am fast asleep in my house right now. Okay,

0:14:00.600 --> 0:14:05.280
<v Speaker 2>so no, he didn't murder Miranda. He murdered Alexander Hamilton.

0:14:06.280 --> 0:14:10.600
<v Speaker 2>And Burr is the one who really saw early on

0:14:12.400 --> 0:14:16.240
<v Speaker 2>the political potential of Tammany Hall. He saw it not

0:14:16.360 --> 0:14:19.640
<v Speaker 2>as just a bunch of rowdy fund dudes, but as

0:14:19.920 --> 0:14:23.280
<v Speaker 2>a ready made voter base. And he's the one who

0:14:23.760 --> 0:14:27.400
<v Speaker 2>really steered Tammany Hall straight into politics. Okay, So now

0:14:27.480 --> 0:14:30.920
<v Speaker 2>jump ahead to the early eighteen hundreds, New York is

0:14:31.080 --> 0:14:36.720
<v Speaker 2>being flooded with immigrants, especially from Ireland. Between eighteen twenty

0:14:36.720 --> 0:14:40.080
<v Speaker 2>and eighteen sixty, more than one point six million Irish

0:14:40.200 --> 0:14:43.960
<v Speaker 2>arrived in America, and most of them funneled right through

0:14:44.120 --> 0:14:47.640
<v Speaker 2>New York City, of course, the famous Ellis Island, right

0:14:47.720 --> 0:14:51.040
<v Speaker 2>by the Statue of Liberty there in New York Harbor.

0:14:51.760 --> 0:14:56.760
<v Speaker 2>Tammany as an organization not happy about this. They were

0:14:57.080 --> 0:15:01.680
<v Speaker 2>deeply xenophobic, as were all lot of Americans at that time,

0:15:02.600 --> 0:15:06.920
<v Speaker 2>and they really resisted this massive influx of immigrants and

0:15:07.320 --> 0:15:14.680
<v Speaker 2>sometimes violently, not a real welcoming, not rolling out the

0:15:14.720 --> 0:15:18.080
<v Speaker 2>red carpet, not exactly. But this will change, Mike, sure,

0:15:18.160 --> 0:15:22.800
<v Speaker 2>this will This will completely flip because somebody at Tammany

0:15:22.840 --> 0:15:30.760
<v Speaker 2>Hall did the math, all right. Irish immigrants meant Irish votes,

0:15:30.880 --> 0:15:35.320
<v Speaker 2>and votes meant power, and so Tammany did a one

0:15:35.360 --> 0:15:37.920
<v Speaker 2>to eighty and they did, in fact roll out the

0:15:38.360 --> 0:15:42.600
<v Speaker 2>welcome matt and by welcome Matt, I mean jobs, food,

0:15:42.880 --> 0:15:48.040
<v Speaker 2>social services, and even protection from the angry Nativists movement.

0:15:48.680 --> 0:15:51.960
<v Speaker 2>In return, the Irish delivered loyalty at the ballot box.

0:15:52.440 --> 0:15:55.240
<v Speaker 2>By the mid eighteen hundreds, they weren't just part of

0:15:55.280 --> 0:15:59.200
<v Speaker 2>Tammany's political machine, they were basically the engine inside of it.

0:15:59.560 --> 0:16:02.600
<v Speaker 2>Real talk, Mike, sure, do you see this as smart

0:16:02.640 --> 0:16:08.400
<v Speaker 2>politics or just ugly exploitation or just maybe exactly the

0:16:08.480 --> 0:16:12.120
<v Speaker 2>kind of two faced move that defines American politics in

0:16:12.240 --> 0:16:12.800
<v Speaker 2>every era.

0:16:14.360 --> 0:16:18.680
<v Speaker 1>It's a familiar story. They were smart enough to understand

0:16:19.120 --> 0:16:21.440
<v Speaker 1>the way the wind was blowing. It's also a classic

0:16:21.480 --> 0:16:24.280
<v Speaker 1>American thing to have a bunch of immigrants to come

0:16:24.320 --> 0:16:27.040
<v Speaker 1>over to this country and then within a generation be

0:16:27.200 --> 0:16:28.640
<v Speaker 1>like I don't like immigrants.

0:16:28.840 --> 0:16:31.280
<v Speaker 2>It's like what what what? Yeah, you're doing?

0:16:32.040 --> 0:16:34.200
<v Speaker 1>But they were, and this was the source of all

0:16:34.240 --> 0:16:37.600
<v Speaker 1>of their power was they were smart enough to understand

0:16:38.040 --> 0:16:40.920
<v Speaker 1>that there were waves crashing on the shores of America

0:16:40.960 --> 0:16:45.000
<v Speaker 1>and they could either try to fight them or surf them,

0:16:45.120 --> 0:16:48.040
<v Speaker 1>and they decided to serf them. And so that is

0:16:48.120 --> 0:16:51.360
<v Speaker 1>the method, by the way, thank you very much. That's

0:16:51.400 --> 0:16:55.840
<v Speaker 1>the key to all of these movements is I understand them,

0:16:56.080 --> 0:17:00.400
<v Speaker 1>and whether they survive or disappear is do you get

0:17:00.440 --> 0:17:03.360
<v Speaker 1>on board with what is inevitable or do you try

0:17:03.400 --> 0:17:06.080
<v Speaker 1>to fight it? And getting on board is a much

0:17:06.119 --> 0:17:10.680
<v Speaker 1>smarter move politically. You mentioned the Sopranos there's the scenes

0:17:10.720 --> 0:17:13.399
<v Speaker 1>in the Sopranos where it's Thanksgiving and the guys in

0:17:13.480 --> 0:17:16.879
<v Speaker 1>the in Tony's carewer like handing out turkeys on Thanksgiving.

0:17:16.960 --> 0:17:19.440
<v Speaker 2>Yeah, by the way, Tammany Hall, same thing invented it

0:17:19.640 --> 0:17:21.000
<v Speaker 2>only handing out turkeys.

0:17:21.160 --> 0:17:24.800
<v Speaker 1>Yeah, like that one, like having a giant free turkey

0:17:24.840 --> 0:17:28.120
<v Speaker 1>Thanksgiving meal is like, that's a year's worth of votes

0:17:28.160 --> 0:17:30.480
<v Speaker 1>that they just bought for for you know at the time,

0:17:30.520 --> 0:17:35.560
<v Speaker 1>what like seventy five cents worth of foul Yeah, fabulous insight.

0:17:35.359 --> 0:17:38.680
<v Speaker 2>Mike, Sure, I love the way your brain works. We're

0:17:38.720 --> 0:17:40.719
<v Speaker 2>going to cut all that out though, yeah, yeah, Oh,

0:17:40.720 --> 0:17:42.800
<v Speaker 2>I assume you're cutting all of this out right. This

0:17:42.800 --> 0:17:52.960
<v Speaker 2>isn't going to air. So we have now set the

0:17:53.040 --> 0:17:57.440
<v Speaker 2>stage and here comes our headliner. Are you ready, ladies

0:17:57.480 --> 0:18:01.120
<v Speaker 2>and gentlemen, please welcome the man who, well, not well,

0:18:01.160 --> 0:18:04.560
<v Speaker 2>he's not going to join us, he's dead. But welcome

0:18:04.560 --> 0:18:08.399
<v Speaker 2>to our narrative, the man who would come to embody

0:18:08.480 --> 0:18:15.360
<v Speaker 2>Tammany Hall's power, greed and epic corruption, William Boss Tweed.

0:18:16.600 --> 0:18:19.040
<v Speaker 2>Have you heard of Boss? You know you're familiar with

0:18:19.080 --> 0:18:21.080
<v Speaker 2>Boss Tweed? What is his name? What is his name?

0:18:21.160 --> 0:18:22.159
<v Speaker 2>Conjure for you.

0:18:22.560 --> 0:18:27.920
<v Speaker 1>It conjures an enormous, barrel chested gentleman who strolls through

0:18:27.960 --> 0:18:30.560
<v Speaker 1>the streets of New York and everyone knows his name

0:18:30.720 --> 0:18:34.280
<v Speaker 1>and he is legendary, and people whisper and point and

0:18:34.760 --> 0:18:36.320
<v Speaker 1>wave and he waves back.

0:18:36.200 --> 0:18:38.600
<v Speaker 2>And gosh, you're just it sounds like an episode of Cheers.

0:18:39.320 --> 0:18:40.080
<v Speaker 2>It basically is.

0:18:40.080 --> 0:18:43.000
<v Speaker 1>He's basically norm but on the streets of nineteenth century

0:18:43.080 --> 0:18:43.640
<v Speaker 1>New York.

0:18:43.520 --> 0:18:47.760
<v Speaker 2>And also not afraid to just hit you with an axe. Yeah. Yeah,

0:18:47.800 --> 0:18:52.600
<v Speaker 2>he's a very complicated guy because he was enormous both

0:18:52.680 --> 0:18:58.119
<v Speaker 2>in stature and in girth, and by all accounts are

0:18:58.160 --> 0:19:02.560
<v Speaker 2>very gregarious and jovial guy. Yeah, really like the kind

0:19:02.560 --> 0:19:07.119
<v Speaker 2>of like you know, backslap in good time, Charlie, but

0:19:07.400 --> 0:19:10.520
<v Speaker 2>also like capable of like horrific violence.

0:19:10.840 --> 0:19:16.199
<v Speaker 1>Yeah, combination of people like breaking into huge smiles and

0:19:16.240 --> 0:19:19.960
<v Speaker 1>waving and him waving back, and also moms grabbing their

0:19:20.040 --> 0:19:22.600
<v Speaker 1>kids and hustling them inside when he walked down the street.

0:19:22.760 --> 0:19:26.480
<v Speaker 2>That's what I picture, all right, So let's get into

0:19:27.160 --> 0:19:31.120
<v Speaker 2>old old Boss tweet here. Born in eighteen twenty three

0:19:31.200 --> 0:19:34.639
<v Speaker 2>on Manhattan's Lower East Side, son of a chair maker,

0:19:35.359 --> 0:19:39.320
<v Speaker 2>he actually apprenticed at the family trade, but he had

0:19:39.400 --> 0:19:43.120
<v Speaker 2>much more lofty ambitions. His first step in chasing those

0:19:43.119 --> 0:19:46.840
<v Speaker 2>ambitions was the rough and tumble, politically connected world of

0:19:46.960 --> 0:19:51.920
<v Speaker 2>New York's volunteer fire companies. Isn't that kind of interesting?

0:19:52.040 --> 0:19:54.920
<v Speaker 2>Kind of interesting? Yeah, because back then, fire companies weren't

0:19:54.920 --> 0:19:59.240
<v Speaker 2>the noble, Dalmatian loving institutions that we think of today.

0:19:59.440 --> 0:20:04.359
<v Speaker 2>They were basically street gangs with hoses they or buckets like.

0:20:04.480 --> 0:20:07.680
<v Speaker 2>Crews would literally fistfight over who got to put out

0:20:07.920 --> 0:20:11.119
<v Speaker 2>a blaze because whoever controlled the fire fires were so common,

0:20:11.359 --> 0:20:15.280
<v Speaker 2>and whoever could control the fires had significant control over

0:20:15.320 --> 0:20:17.840
<v Speaker 2>the neighborhood and then of course all of the political

0:20:18.240 --> 0:20:22.320
<v Speaker 2>clout that came with that. So think think of politics

0:20:22.320 --> 0:20:24.680
<v Speaker 2>by way of pro wrestling, but with a lot more

0:20:24.760 --> 0:20:28.800
<v Speaker 2>water damage. Yeah. Sure, thank god we don't have to

0:20:28.800 --> 0:20:34.240
<v Speaker 2>rely on for profit emergency services anymore for now. Yeah.

0:20:36.080 --> 0:20:40.800
<v Speaker 2>I'm not sure where this airing exactly. So as we were,

0:20:40.960 --> 0:20:44.800
<v Speaker 2>as we mentioned before, Tweed was a very gregarious guy.

0:20:44.880 --> 0:20:49.399
<v Speaker 2>He first joined Engine Company Number twelve before helping found

0:20:49.440 --> 0:20:53.439
<v Speaker 2>Americas Fire Company Number six in eighteen forty eight. This

0:20:53.720 --> 0:20:57.800
<v Speaker 2>company was nicknamed the Big Six and their symbol a

0:20:57.840 --> 0:21:03.080
<v Speaker 2>flashy tiger. Tweed rose to foreman of this fire company,

0:21:03.160 --> 0:21:06.719
<v Speaker 2>a position he parlayed into membership in the Society of

0:21:06.840 --> 0:21:12.280
<v Speaker 2>Saint Tammany. Again if there these fire companies were very

0:21:12.320 --> 0:21:15.200
<v Speaker 2>politically connected because they had it was just all power

0:21:15.240 --> 0:21:19.159
<v Speaker 2>broker between these sort of rough and tumble figures and

0:21:19.440 --> 0:21:23.159
<v Speaker 2>politicians and the leaders of the various wards throughout New

0:21:23.240 --> 0:21:27.600
<v Speaker 2>York City. So from there he bounced around a few

0:21:27.600 --> 0:21:32.040
<v Speaker 2>different roles. He was an Alderman congressman for a spell,

0:21:32.320 --> 0:21:35.200
<v Speaker 2>found that very boring. Came right back to New York

0:21:35.240 --> 0:21:38.600
<v Speaker 2>City from Albany. He was even a lawyer for a minute,

0:21:38.880 --> 0:21:43.040
<v Speaker 2>but he finally found real power on the New York

0:21:43.119 --> 0:21:49.280
<v Speaker 2>County Board of Supervisors as deputy street Commissioner. What a

0:21:49.440 --> 0:21:53.920
<v Speaker 2>street commissioner? That just sounds mobbed up? It really does

0:21:54.000 --> 0:21:55.640
<v Speaker 2>the street commission.

0:21:56.960 --> 0:22:00.120
<v Speaker 1>Well, Dodger's an image of like, this is the guy

0:22:00.119 --> 0:22:02.840
<v Speaker 1>who knows all the other people in the neighborhood, right,

0:22:02.920 --> 0:22:06.840
<v Speaker 1>Like it's a guy who's like, we need sixty people

0:22:06.960 --> 0:22:10.320
<v Speaker 1>to do some task, and he's like, I got it,

0:22:10.400 --> 0:22:12.359
<v Speaker 1>and he just goes out and knocks on all the

0:22:12.359 --> 0:22:15.000
<v Speaker 1>doors and gets rounds up the crew and yeah, yeah,

0:22:15.560 --> 0:22:18.280
<v Speaker 1>it's a very mob very mobbed up sounding job.

0:22:18.240 --> 0:22:24.920
<v Speaker 2>Well as Deputy Street commission. Old Tweed controlled city contracts,

0:22:25.119 --> 0:22:29.240
<v Speaker 2>jobs and construction. And this is where tweeds genius for

0:22:29.600 --> 0:22:34.320
<v Speaker 2>corruption truly flourished. If you wanted your cousin on the

0:22:34.359 --> 0:22:37.000
<v Speaker 2>city payroll, you slipped Tweed some cash. If you wanted

0:22:37.000 --> 0:22:39.840
<v Speaker 2>your construction company to build a new school, you cut

0:22:39.840 --> 0:22:43.280
<v Speaker 2>Tweet a slice, or maybe you would just get the

0:22:43.320 --> 0:22:45.600
<v Speaker 2>contract and never even have to build the fucking school.

0:22:46.119 --> 0:22:52.679
<v Speaker 2>It's like they were just cranking out all the cash.

0:22:52.760 --> 0:22:55.320
<v Speaker 1>So you've been in New York for twenty years and

0:22:55.920 --> 0:22:59.880
<v Speaker 1>three of your cousins come over from from Dundalk, Ireland,

0:23:00.680 --> 0:23:02.840
<v Speaker 1>and they don't know what to do. And you go

0:23:02.920 --> 0:23:05.919
<v Speaker 1>to see Boss Tweed or one of his minions, and

0:23:05.960 --> 0:23:10.080
<v Speaker 1>you say, we need construction jobs, and they go, here's

0:23:10.359 --> 0:23:13.480
<v Speaker 1>three construction jobs. You give us twenty percent of your

0:23:13.520 --> 0:23:16.920
<v Speaker 1>salary or whatever, and you take that deal because the.

0:23:16.880 --> 0:23:19.399
<v Speaker 2>Alternative is And by the way, you vote for us,

0:23:19.480 --> 0:23:21.080
<v Speaker 2>and you vote for you show up and you vote

0:23:21.080 --> 0:23:22.679
<v Speaker 2>for us, and if we tell you to, you go

0:23:22.720 --> 0:23:25.720
<v Speaker 2>to the ballot box five, six, seven, eight, ten times. Yeah,

0:23:25.760 --> 0:23:27.800
<v Speaker 2>you change your name ten times. It was common like

0:23:27.880 --> 0:23:31.680
<v Speaker 2>they like they were just stack in ballots. I want

0:23:31.680 --> 0:23:36.360
<v Speaker 2>to be clear. So this wasn't something that Tweed brought

0:23:36.600 --> 0:23:39.679
<v Speaker 2>to New York City government. This was the culture of

0:23:39.720 --> 0:23:42.600
<v Speaker 2>New York City government at the time. It was just

0:23:42.720 --> 0:23:48.199
<v Speaker 2>a profoundly corrupt apparatus across the board. The group of

0:23:48.280 --> 0:23:51.679
<v Speaker 2>twenty aldermen and then there were twenty assistant aldermen who

0:23:51.760 --> 0:23:54.600
<v Speaker 2>were who were a sort of like governing body in

0:23:54.640 --> 0:23:58.000
<v Speaker 2>the city, and they were known as the forty thieves

0:23:58.359 --> 0:24:00.919
<v Speaker 2>like that. That's how people were barnd to them. And

0:24:00.960 --> 0:24:03.679
<v Speaker 2>this was well before Tweed even entered the picture. So

0:24:04.080 --> 0:24:07.159
<v Speaker 2>he just kind of came in and was like, oh,

0:24:08.560 --> 0:24:11.760
<v Speaker 2>I get how this works, and just kicked it up

0:24:11.840 --> 0:24:16.720
<v Speaker 2>a huge notch. He basically industrialized political corruption in New

0:24:16.800 --> 0:24:20.479
<v Speaker 2>York City. And oh, don't forget New York City. You know,

0:24:21.440 --> 0:24:24.439
<v Speaker 2>it's nothing like it was today in scale, but it

0:24:24.800 --> 0:24:29.879
<v Speaker 2>was massive for the time, and the economy of New

0:24:29.960 --> 0:24:34.800
<v Speaker 2>York City was on par with entire other countries nations. Yeah. Yeah.

0:24:34.960 --> 0:24:39.760
<v Speaker 1>When we were researching parks and rec we learned about

0:24:39.880 --> 0:24:43.320
<v Speaker 1>a group of people in a city in California that

0:24:43.359 --> 0:24:48.680
<v Speaker 1>shall remain nameless, that they incorporated the town and then

0:24:48.920 --> 0:24:50.480
<v Speaker 1>this group of people who'd been living there for a

0:24:50.520 --> 0:24:54.480
<v Speaker 1>long time. Basically were like, we want to control this forever.

0:24:54.880 --> 0:24:57.000
<v Speaker 1>And so the way they formed the government was it

0:24:57.040 --> 0:24:59.119
<v Speaker 1>was like, you know, there was a planning committee and

0:24:59.160 --> 0:25:03.240
<v Speaker 1>a sewer committee and a construction committee and everything, and

0:25:03.280 --> 0:25:05.119
<v Speaker 1>they had it had three members, and the way it

0:25:05.160 --> 0:25:08.080
<v Speaker 1>worked was, you know, you served like a six year term,

0:25:08.800 --> 0:25:11.000
<v Speaker 1>but at the end of the term, you it was

0:25:11.040 --> 0:25:15.080
<v Speaker 1>some mechanism by which like you named your own successor

0:25:15.200 --> 0:25:18.080
<v Speaker 1>to the committee, and so then they just all they

0:25:18.119 --> 0:25:20.960
<v Speaker 1>would like just all switch committees. So they just like

0:25:21.320 --> 0:25:24.120
<v Speaker 1>it was brilliant. Yeah, so they and they they their

0:25:24.240 --> 0:25:27.840
<v Speaker 1>name was the Dirty thirty. It was thirty thirty people

0:25:27.920 --> 0:25:31.359
<v Speaker 1>controlled the entirety of this town for decades. Because there

0:25:31.359 --> 0:25:33.400
<v Speaker 1>were rules about how you could only serve on these

0:25:33.400 --> 0:25:35.520
<v Speaker 1>such committees. State laws, you could only serve on the

0:25:35.520 --> 0:25:37.560
<v Speaker 1>committees for a certain amount of time. So they just

0:25:37.600 --> 0:25:39.360
<v Speaker 1>were like, all right, we'll only serve on the committee

0:25:39.359 --> 0:25:41.200
<v Speaker 1>for six years and then we'll just switch and hand

0:25:41.240 --> 0:25:43.560
<v Speaker 1>it to someone else. And we just they kept rotating

0:25:43.840 --> 0:25:46.600
<v Speaker 1>and as a result, they just controlled every single aspect

0:25:46.600 --> 0:25:48.040
<v Speaker 1>of the planning of the community.

0:25:48.480 --> 0:25:52.280
<v Speaker 2>I'm very curious, how do you think how do you

0:25:52.280 --> 0:25:55.800
<v Speaker 2>think Leslie Nope would do in Tammany Hall not well.

0:25:56.400 --> 0:26:00.240
<v Speaker 1>Now, she as a person who believed in fairness and

0:26:00.359 --> 0:26:03.840
<v Speaker 1>equality and meritocratic system of achievement.

0:26:04.320 --> 0:26:08.600
<v Speaker 2>Sure, and also I think she's someone who assumes the

0:26:08.600 --> 0:26:11.879
<v Speaker 2>best intentions and others. Yes, yeah, I mean she was

0:26:11.960 --> 0:26:12.480
<v Speaker 2>no fool.

0:26:12.600 --> 0:26:14.840
<v Speaker 1>She's certainly in over the course of the show, had

0:26:14.920 --> 0:26:17.240
<v Speaker 1>to deal with a lot of corrupt people and understood

0:26:17.280 --> 0:26:19.639
<v Speaker 1>that people's motivations.

0:26:19.040 --> 0:26:20.119
<v Speaker 2>Were not always pure.

0:26:20.400 --> 0:26:23.160
<v Speaker 1>But yeah, it would Tammany Hall would not have been

0:26:23.400 --> 0:26:26.399
<v Speaker 1>a good environment in which she could flourish to the

0:26:26.440 --> 0:26:27.520
<v Speaker 1>best of her abilities.

0:26:27.840 --> 0:26:31.600
<v Speaker 2>I'll be honest, I also would not flourish. Yeah. I

0:26:31.680 --> 0:26:33.800
<v Speaker 2>feel like my brain just doesn't work the right way

0:26:34.560 --> 0:26:36.720
<v Speaker 2>for that. And I don't mean that in like a

0:26:37.000 --> 0:26:38.840
<v Speaker 2>oh because I'm a good person. I just mean like

0:26:38.920 --> 0:26:43.720
<v Speaker 2>I don't I can't track those complex webs of manipulation.

0:26:43.920 --> 0:26:47.240
<v Speaker 2>And it's like it's so overwhelming to me. It's but

0:26:47.640 --> 0:26:50.600
<v Speaker 2>someone like Tweet like he's really like an evil genius.

0:26:50.800 --> 0:26:53.720
<v Speaker 2>He also was. He had that sort of like Bill

0:26:53.840 --> 0:26:58.679
<v Speaker 2>Clinton level memory, So he did he had like an

0:26:58.760 --> 0:27:02.879
<v Speaker 2>uncanny knack for people names that gives you power, And

0:27:02.920 --> 0:27:04.840
<v Speaker 2>that's something I've never had.

0:27:05.240 --> 0:27:09.440
<v Speaker 1>No, I've forgotten your name, like three times during during

0:27:09.480 --> 0:27:10.160
<v Speaker 1>this podcast.

0:27:10.280 --> 0:27:11.359
<v Speaker 2>Yeah, yes, yeah.

0:27:11.600 --> 0:27:14.959
<v Speaker 1>Likewise, no, those people who have like an internal ledger

0:27:15.160 --> 0:27:18.800
<v Speaker 1>where they know everyone's face and name and also where

0:27:18.800 --> 0:27:20.879
<v Speaker 1>they live and what they owe you and what you

0:27:20.960 --> 0:27:24.160
<v Speaker 1>did for them, and can recall that with instant clarity.

0:27:24.280 --> 0:27:29.480
<v Speaker 1>That's a that's a real classic power grab skill that

0:27:29.520 --> 0:27:30.680
<v Speaker 1>people have, all right.

0:27:30.720 --> 0:27:33.520
<v Speaker 2>Well, as well as things were going for mister Tweed,

0:27:34.320 --> 0:27:38.600
<v Speaker 2>he would become truly unstoppable during the Civil War. So

0:27:38.640 --> 0:27:42.639
<v Speaker 2>in eighteen sixty three, the federal government has imposed a

0:27:42.720 --> 0:27:48.159
<v Speaker 2>military draft and New York City exploded into riots. This

0:27:48.280 --> 0:27:53.040
<v Speaker 2>was an incredibly tragic episode. Poor Irish immigrants were furious

0:27:53.040 --> 0:27:55.240
<v Speaker 2>at the idea of fighting a war that they didn't

0:27:55.240 --> 0:27:59.400
<v Speaker 2>feel was theirs, while rich people could buy their way

0:27:59.440 --> 0:28:05.120
<v Speaker 2>out paying for substitutes. Also, black people were being unfairly

0:28:05.200 --> 0:28:08.080
<v Speaker 2>scapegoaded as the cause of the war, and so they

0:28:08.080 --> 0:28:12.159
<v Speaker 2>were being targeted for horrific violence. Mobs burned buildings and

0:28:12.240 --> 0:28:17.960
<v Speaker 2>attacked the homes of Republican elites. It was violent, racist chaos,

0:28:18.280 --> 0:28:22.400
<v Speaker 2>but of course Tweed saw opportunity.

0:28:22.600 --> 0:28:26.199
<v Speaker 1>Of course, this, obviously, you might remember, was dramatized in

0:28:26.240 --> 0:28:29.040
<v Speaker 1>Gangs of New York. There's the famous sequence toward the

0:28:29.080 --> 0:28:31.679
<v Speaker 1>end of the movie there. Yes, of course, the violence

0:28:31.720 --> 0:28:34.600
<v Speaker 1>of that movie is so hard for me. It's so

0:28:34.760 --> 0:28:38.000
<v Speaker 1>visceral verities, of course, as he's like a genius of

0:28:38.760 --> 0:28:42.480
<v Speaker 1>like just making it that feel visceral. A lot of

0:28:42.600 --> 0:28:46.080
<v Speaker 1>historical inaccuracies in that movie, but that is this chapter

0:28:46.320 --> 0:28:50.720
<v Speaker 1>is exactly how that movie culminates. Tammany started offering loans

0:28:50.800 --> 0:28:53.960
<v Speaker 1>to working class men so that they too could pay

0:28:54.000 --> 0:28:58.800
<v Speaker 1>for substitutes in the draft. It was on paper compassionate,

0:28:59.440 --> 0:29:04.720
<v Speaker 1>but it also meant those families now owed Tweed money, gratitude,

0:29:04.840 --> 0:29:10.160
<v Speaker 1>and loyalty. The riots quieted down, and Tammany's grip tightened

0:29:10.360 --> 0:29:14.440
<v Speaker 1>even further. This is feeling like House of Cards on steroids. Yeah,

0:29:14.680 --> 0:29:18.840
<v Speaker 1>do you see brilliant crisis management or just sociopathic opportunism?

0:29:18.960 --> 0:29:23.600
<v Speaker 1>Sociopathic opportunism? Yeah, how do we make everyone more indebted

0:29:23.640 --> 0:29:24.760
<v Speaker 1>to us than they were before?

0:29:24.960 --> 0:29:31.400
<v Speaker 2>Yeah? Well, from here, things like Tweed just consolidated everything

0:29:31.560 --> 0:29:37.120
<v Speaker 2>even more. Courts, legislature, city treasury, voting booths. Everything bent

0:29:37.320 --> 0:29:40.960
<v Speaker 2>to his will. And this is also when he earned

0:29:41.000 --> 0:29:45.320
<v Speaker 2>the name boss. He became boss was a term at

0:29:45.320 --> 0:29:47.840
<v Speaker 2>the time for like the leader of a political machine

0:29:48.040 --> 0:29:53.200
<v Speaker 2>and he was definitely the boss. And here's where the

0:29:53.240 --> 0:29:58.800
<v Speaker 2>corruption it just it scaled up so epically. Probably the

0:29:58.840 --> 0:30:02.040
<v Speaker 2>most famous example is the New York County Courthouse. Do

0:30:02.080 --> 0:30:04.920
<v Speaker 2>you know this story? I don't think so. Now, Okay,

0:30:05.000 --> 0:30:07.760
<v Speaker 2>the New York County Courthouse, which is down on Chambers

0:30:07.760 --> 0:30:11.840
<v Speaker 2>Street in Manhattan. It was built at this time, and

0:30:12.760 --> 0:30:16.360
<v Speaker 2>it was originally budgeted at two hundred and fifty thousand dollars,

0:30:16.400 --> 0:30:19.120
<v Speaker 2>which is a ton of money for the time. By

0:30:19.200 --> 0:30:22.880
<v Speaker 2>the time Tweed and his cronies were finished, the bill

0:30:22.920 --> 0:30:27.840
<v Speaker 2>had ballooned to twelve million dollars, which is roughly two

0:30:28.000 --> 0:30:30.600
<v Speaker 2>hundred million in today's money.

0:30:30.960 --> 0:30:34.680
<v Speaker 1>Wow, So what what is that? Forty x the original

0:30:35.120 --> 0:30:39.880
<v Speaker 1>cost or something? Yeah, forty eight x the original bid price?

0:30:40.040 --> 0:30:43.320
<v Speaker 2>Great? How does this happen? How does someone pull this off? Well,

0:30:43.520 --> 0:30:50.600
<v Speaker 2>it's actually pretty simple. Tweed's friends padded every single contract, carpentry, plastering, furniture,

0:30:50.840 --> 0:30:58.000
<v Speaker 2>even the brooms for janitors, all built at cartoonishly astronomical rates.

0:30:58.040 --> 0:31:01.520
<v Speaker 2>One carpenter supposedly got paid three hundred and sixty thousand

0:31:01.640 --> 0:31:07.360
<v Speaker 2>dollars for a month's work. By the way, that's that's

0:31:07.400 --> 0:31:13.600
<v Speaker 2>in eighteen sixty money. It's million million dollars a plaster

0:31:14.200 --> 0:31:17.680
<v Speaker 2>pulled down half a million. The courthouse became less a

0:31:17.720 --> 0:31:22.479
<v Speaker 2>civic building and more of a pinata stuffed with taxpayer cash,

0:31:23.040 --> 0:31:27.960
<v Speaker 2>just repeatedly whacked by Tweed's gang and just grabbing all

0:31:27.960 --> 0:31:31.080
<v Speaker 2>that cash. And that's just one project. And by the way,

0:31:31.160 --> 0:31:34.600
<v Speaker 2>they didn't even finish They just this. This courthouse went

0:31:34.680 --> 0:31:40.160
<v Speaker 2>unfinished for for like decades later. Tweed would actually be

0:31:40.240 --> 0:31:43.880
<v Speaker 2>tried in this very courthouse, which is ironic, but we'll

0:31:43.880 --> 0:31:46.520
<v Speaker 2>get to that. By eighteen seventy one, Tweed and his

0:31:48.200 --> 0:31:50.880
<v Speaker 2>all of his buddies had skimmed off and estimated two

0:31:51.000 --> 0:31:55.360
<v Speaker 2>hundred million dollars total, which was more than four billion

0:31:55.600 --> 0:31:57.040
<v Speaker 2>in today's money.

0:31:57.320 --> 0:32:00.080
<v Speaker 1>Man, man, they really knew what they were doing, and

0:32:00.120 --> 0:32:01.640
<v Speaker 1>didn't they they did?

0:32:02.200 --> 0:32:06.760
<v Speaker 2>He? Yeah, so he became the third largest landowner in Manhattan.

0:32:06.800 --> 0:32:09.840
<v Speaker 2>He owned two yachts. I guess yachting was a thing

0:32:09.920 --> 0:32:14.000
<v Speaker 2>then too. At what point, Mike, sure, does corruptions stop

0:32:14.080 --> 0:32:17.640
<v Speaker 2>being shocking and just become like slapstick comedy. I mean,

0:32:17.960 --> 0:32:20.400
<v Speaker 2>this is like when your carpenter is making more in

0:32:20.440 --> 0:32:24.320
<v Speaker 2>a month than Apple makes in a quarter. Are we

0:32:24.360 --> 0:32:27.800
<v Speaker 2>still talking about corruption or is this just like Marx Brothers.

0:32:27.880 --> 0:32:30.440
<v Speaker 1>Well, it gets to it gets to the cartoonish level

0:32:30.440 --> 0:32:36.200
<v Speaker 1>where eventually collapse is inevitable because no one ever, ever,

0:32:36.400 --> 0:32:40.760
<v Speaker 1>ever says, I have enough. Now, I'm going to stop.

0:32:40.800 --> 0:32:42.560
<v Speaker 1>I'm going to like take what I have and just

0:32:42.720 --> 0:32:46.480
<v Speaker 1>enjoy my life. It's never enough for folks in this position,

0:32:47.040 --> 0:32:49.560
<v Speaker 1>so they just push and push and push and push

0:32:49.680 --> 0:32:52.920
<v Speaker 1>until they're finally caught or brought down somehow. This is

0:32:52.960 --> 0:32:55.040
<v Speaker 1>the story of all of these folks, especially the New

0:32:55.120 --> 0:32:59.000
<v Speaker 1>York folks who were you know, who had this massive

0:32:59.120 --> 0:33:02.719
<v Speaker 1>pool of human labor and the ability to kind of

0:33:02.960 --> 0:33:06.440
<v Speaker 1>consolidate power at a time when when the country was

0:33:06.480 --> 0:33:09.280
<v Speaker 1>still young and cities were still young. Every movie is

0:33:09.280 --> 0:33:13.840
<v Speaker 1>about this too, right, It's like the person who's like amassing, amassing, amassing,

0:33:14.000 --> 0:33:15.959
<v Speaker 1>and then at some point if they just said, all right,

0:33:15.960 --> 0:33:18.600
<v Speaker 1>I'm good, I'm going to retire, they could live their

0:33:18.640 --> 0:33:21.920
<v Speaker 1>life there, and generations of their families could live their

0:33:21.920 --> 0:33:26.040
<v Speaker 1>lives in wealth and security forever. They just never do,

0:33:26.200 --> 0:33:29.320
<v Speaker 1>because it's it's a psychosis that just pushes them to

0:33:29.360 --> 0:33:32.600
<v Speaker 1>the point where inevitably they push too far and someone

0:33:32.640 --> 0:33:34.040
<v Speaker 1>comes along and takes them down.

0:33:34.040 --> 0:33:36.000
<v Speaker 2>And that's what happened to him. But the other thing

0:33:36.400 --> 0:33:40.600
<v Speaker 2>to keep in mind is that this isn't just something

0:33:40.600 --> 0:33:43.280
<v Speaker 2>that's kind of like making a fool out of the

0:33:43.320 --> 0:33:47.240
<v Speaker 2>City of New York. It's also there are financial repercussions

0:33:47.240 --> 0:33:50.080
<v Speaker 2>to this. The money is coming from somewhere, it's coming

0:33:50.160 --> 0:33:53.479
<v Speaker 2>from the city's coffers, and a lot of the city's

0:33:53.520 --> 0:34:00.880
<v Speaker 2>money is also, you know, been purchased by international investors

0:34:01.720 --> 0:34:04.960
<v Speaker 2>who are starting to sniff around, like what is going on,

0:34:05.520 --> 0:34:10.560
<v Speaker 2>Like the it's starting to have real raise a lot

0:34:10.600 --> 0:34:12.800
<v Speaker 2>of like real financial issues for the city.

0:34:13.880 --> 0:34:17.200
<v Speaker 1>Yeah, they're all it's all essentially Ponzi scheme, right. It

0:34:17.239 --> 0:34:21.359
<v Speaker 1>all depends on this endless influx of new people and

0:34:21.520 --> 0:34:23.920
<v Speaker 1>new stuff coming in so that there's more jobs, and

0:34:23.960 --> 0:34:27.040
<v Speaker 1>then there's more construction and there's more schools and more buildings,

0:34:27.640 --> 0:34:30.160
<v Speaker 1>and at some point it's not fundamentally different from something

0:34:30.239 --> 0:34:33.160
<v Speaker 1>like Enron or whatever, where like the people at the

0:34:33.239 --> 0:34:36.440
<v Speaker 1>top are they're going to get away with it as

0:34:36.480 --> 0:34:40.920
<v Speaker 1>long as the like confidence in the system sustains itself

0:34:40.960 --> 0:34:43.160
<v Speaker 1>and then something comes along. In Enron's case, it was

0:34:43.160 --> 0:34:46.600
<v Speaker 1>the dot com bubble bursting that suddenly, like when the

0:34:46.640 --> 0:34:51.719
<v Speaker 1>flow of new investors is cut off. Suddenly someone goes like, well,

0:34:51.719 --> 0:34:54.120
<v Speaker 1>wait a second, now, where has all this money gone?

0:34:54.560 --> 0:34:57.280
<v Speaker 1>And then they when people start looking into it, finally,

0:34:57.640 --> 0:35:00.640
<v Speaker 1>that's when the whole thing collapses like a house of cards.

0:35:02.440 --> 0:35:06.279
<v Speaker 2>Tweed was really good at kind of shoring up his

0:35:06.800 --> 0:35:10.000
<v Speaker 2>support for exactly these reasons. Sure, he knew how to

0:35:10.040 --> 0:35:12.200
<v Speaker 2>play the game, so a lot of the money that

0:35:12.239 --> 0:35:17.000
<v Speaker 2>he was getting through corruption, he was also giving to charity,

0:35:17.640 --> 0:35:21.000
<v Speaker 2>so he would so Tammany Hall would sponsor public services

0:35:21.000 --> 0:35:24.040
<v Speaker 2>like hospitals and schools, and that, of course won him

0:35:24.040 --> 0:35:27.160
<v Speaker 2>a lot of fans. He would remain incredibly popular within

0:35:27.320 --> 0:35:31.760
<v Speaker 2>his ward in New York City well after he toppled,

0:35:31.760 --> 0:35:34.080
<v Speaker 2>which we're about to get to. He just had a

0:35:34.200 --> 0:35:38.120
<v Speaker 2>ton of fans, particularly in the working immigrant communities, who

0:35:38.200 --> 0:35:41.560
<v Speaker 2>finally felt like someone in power had their backs right.

0:35:42.760 --> 0:35:46.839
<v Speaker 2>So for a while, Boss Tweed looked untouchable. He had

0:35:46.840 --> 0:35:50.520
<v Speaker 2>the votes, the jobs, the contracts, the courts, even the legislature.

0:35:51.280 --> 0:35:54.600
<v Speaker 2>But if history teaches us anything, Mike, sure, it's that

0:35:54.800 --> 0:35:59.120
<v Speaker 2>when Karma and Hubris square up for a fight, the

0:35:59.200 --> 0:36:03.640
<v Speaker 2>smart money and Karma. Am I right loud of that one.

0:36:03.680 --> 0:36:05.239
<v Speaker 2>I'm proud of that good. Yeah, you can have a

0:36:05.320 --> 0:36:07.800
<v Speaker 2>nice little little line there. You can use it. Okay,

0:36:12.320 --> 0:36:16.280
<v Speaker 2>all right. So Tweed's operation finally began to crumble thanks

0:36:16.320 --> 0:36:22.520
<v Speaker 2>to a very surprising thing, and that is the power

0:36:23.480 --> 0:36:27.640
<v Speaker 2>of satire. H yeah, wait for it. Okay, this is

0:36:28.200 --> 0:36:32.200
<v Speaker 2>really interesting. So the New York Times had begun publishing

0:36:33.680 --> 0:36:37.400
<v Speaker 2>a huge expose on the city's finances and all of

0:36:37.400 --> 0:36:41.000
<v Speaker 2>this corruption. We're talking reams of evidence that showed the

0:36:41.000 --> 0:36:45.560
<v Speaker 2>courthouse scandal and dozens of other padded contracts and what

0:36:45.719 --> 0:36:50.359
<v Speaker 2>ultimately brought the details of Tweed's abuses of power to light.

0:36:51.080 --> 0:36:54.719
<v Speaker 2>It would take this extra push to really spread the

0:36:54.760 --> 0:36:59.720
<v Speaker 2>news of tweeds corruption throughout the city. Enter political cartoonists

0:37:00.080 --> 0:37:04.960
<v Speaker 2>Thomas Nast. So you probably have an actual image of

0:37:05.400 --> 0:37:09.040
<v Speaker 2>Boss Tweed in your mind, and almost certainly it is

0:37:09.120 --> 0:37:12.600
<v Speaker 2>rooted in the cartoons of Thomas Nast. Nast worked for

0:37:12.680 --> 0:37:15.719
<v Speaker 2>Harper's Weekly, a magazine with a huge circulation for the time.

0:37:16.040 --> 0:37:19.799
<v Speaker 2>He drew Tweed as a grotesque vulture feasting on the

0:37:19.800 --> 0:37:22.320
<v Speaker 2>city of New York. He drew him as a giant

0:37:22.400 --> 0:37:25.480
<v Speaker 2>bag of money with legs. He drew the Tammany tiger

0:37:25.600 --> 0:37:30.640
<v Speaker 2>devouring actual democracy. And these doodles as it would turn

0:37:30.680 --> 0:37:34.080
<v Speaker 2>out were devastating. There we go, there we go.

0:37:34.160 --> 0:37:38.880
<v Speaker 1>Yeah, that's what I think of as the bulging stomach,

0:37:39.640 --> 0:37:42.600
<v Speaker 1>like the vest with the buttons about to pop off

0:37:42.640 --> 0:37:45.160
<v Speaker 1>because of the bulging money bag stomach.

0:37:45.320 --> 0:37:50.480
<v Speaker 2>Yeah, and ironically a Tweed suit. M Now here's what's

0:37:50.520 --> 0:37:57.160
<v Speaker 2>fascinating about these cartoons. Tweed's reaction was like he was

0:37:57.280 --> 0:38:00.000
<v Speaker 2>furious about the cartoons, and he said, this is a quote,

0:38:00.360 --> 0:38:04.120
<v Speaker 2>stop the damn pictures. I don't care much what the

0:38:04.160 --> 0:38:08.680
<v Speaker 2>papers write about me. My constituents can't read, but they

0:38:08.719 --> 0:38:12.960
<v Speaker 2>have eyes. And he was exactly right. You know, so

0:38:13.200 --> 0:38:17.000
<v Speaker 2>many of the working population of New York City were

0:38:17.480 --> 0:38:22.880
<v Speaker 2>just didn't have access to education and so but these pictures,

0:38:23.000 --> 0:38:25.480
<v Speaker 2>they were devastating. They were on the covers of things,

0:38:25.480 --> 0:38:28.120
<v Speaker 2>they were all it just was, they were everywhere, and

0:38:28.520 --> 0:38:32.880
<v Speaker 2>everyone could sort of immediately understand, oh, this is boss Tweed,

0:38:33.040 --> 0:38:34.520
<v Speaker 2>and he is corrupt.

0:38:34.920 --> 0:38:38.279
<v Speaker 1>This is not this zain't good. And that's say that

0:38:38.360 --> 0:38:41.520
<v Speaker 1>a picture was worth a thousand words in this case.

0:38:42.440 --> 0:38:46.840
<v Speaker 2>Like nine hundred maybe something north of the one hundred,

0:38:47.360 --> 0:38:51.200
<v Speaker 2>like a lot of words. Yeah, now it's worth noting

0:38:51.280 --> 0:38:56.080
<v Speaker 2>Nast himself complicated figure. He was virulently anti irish and

0:38:56.160 --> 0:38:59.560
<v Speaker 2>anti Catholic. Many of his cartoons dripped with prejudice, but

0:38:59.600 --> 0:39:04.440
<v Speaker 2>when it came into tweet, he was relentless and it worked.

0:39:05.000 --> 0:39:07.240
<v Speaker 2>He's Boss Tweed. So what does he do? He tries

0:39:07.320 --> 0:39:11.160
<v Speaker 2>to bribe The New York Times sure to stop with

0:39:11.320 --> 0:39:13.720
<v Speaker 2>all of this. One founder of the New York Times

0:39:13.760 --> 0:39:18.240
<v Speaker 2>was allegedly offered five million dollars to spike the stories.

0:39:18.280 --> 0:39:23.000
<v Speaker 2>Adjusted for inflation, that's well over one hundred million dollars

0:39:24.320 --> 0:39:28.800
<v Speaker 2>just to keep quiet. That's wild and insane amount of money.

0:39:28.840 --> 0:39:33.760
<v Speaker 2>Like how who I can't just can't even imagine bribes

0:39:34.000 --> 0:39:37.520
<v Speaker 2>at that level in this. I'm sure it's happening, but yeah,

0:39:37.800 --> 0:39:40.880
<v Speaker 2>it's just wild. I mean a Katari jet is worth

0:39:40.920 --> 0:39:45.319
<v Speaker 2>what that's worth, that's like a round hundred million. Yeah,

0:39:45.680 --> 0:39:49.200
<v Speaker 2>kind of a bribe. I don't know. But here's the

0:39:49.239 --> 0:39:54.640
<v Speaker 2>amazing thing that that New York Times publisher refused the money, saying, quote,

0:39:54.840 --> 0:39:57.719
<v Speaker 2>I don't think the devil will ever be higher for

0:39:57.840 --> 0:40:01.760
<v Speaker 2>me than that. Wow, that's a line too. So the pressure,

0:40:02.040 --> 0:40:04.160
<v Speaker 2>all of this pressure kind of a guy coming down

0:40:04.280 --> 0:40:07.279
<v Speaker 2>on Tammany Hall and right onto Boss Tweed himself, it

0:40:07.400 --> 0:40:12.200
<v Speaker 2>just became untenable and the machine finally cracked. The city

0:40:12.320 --> 0:40:17.520
<v Speaker 2>comptroller himself, caught up in the scandal, turned state's witness.

0:40:17.840 --> 0:40:22.200
<v Speaker 2>He flipped and he testified against Tweed, who was ultimately

0:40:22.360 --> 0:40:26.240
<v Speaker 2>indicted on two hundred and four counts of fraud and corruption.

0:40:26.320 --> 0:40:28.600
<v Speaker 2>And I'm sure that was like just the stuff they

0:40:28.600 --> 0:40:32.759
<v Speaker 2>could actually, yeah, that was just the stuff they could document.

0:40:33.680 --> 0:40:39.160
<v Speaker 2>He was convicted, sentenced, and jailed, But old Boss Tweed,

0:40:39.239 --> 0:40:43.040
<v Speaker 2>he wasn't done scheming. In eighteen seventy five, he escaped custody.

0:40:43.239 --> 0:40:44.920
<v Speaker 2>But now this is kind of an interesting thing, Like

0:40:45.719 --> 0:40:48.719
<v Speaker 2>custody was kind of a loose thing, like they were

0:40:48.960 --> 0:40:51.120
<v Speaker 2>they were still letting him like go out to dinner

0:40:51.280 --> 0:40:54.320
<v Speaker 2>with go home for dinner with his family and stuff.

0:40:54.560 --> 0:40:57.080
<v Speaker 2>This was like they didn't want to be rude. Well yeah,

0:40:57.280 --> 0:40:58.920
<v Speaker 2>I mean he had been. He had given so many

0:40:59.000 --> 0:41:01.719
<v Speaker 2>Christmas turkeys. That's so like they were just like, yeah,

0:41:01.840 --> 0:41:04.319
<v Speaker 2>go have dinner with your family. At one point, just

0:41:04.360 --> 0:41:06.239
<v Speaker 2>come back. You got to come back, though, you got

0:41:06.239 --> 0:41:08.319
<v Speaker 2>to come back. Well, one night he didn't come back,

0:41:08.719 --> 0:41:13.040
<v Speaker 2>and he disappeared from New York City. He made his

0:41:13.080 --> 0:41:17.279
<v Speaker 2>way down to Florida and under an assumed name, and

0:41:17.320 --> 0:41:20.760
<v Speaker 2>then to Cuba and then he got on a ship

0:41:20.800 --> 0:41:21.560
<v Speaker 2>to Spain.

0:41:22.040 --> 0:41:25.480
<v Speaker 1>It's great to know that even back then, when the

0:41:25.560 --> 0:41:29.480
<v Speaker 1>criminal needs to flee somewhere, where do you go Florida?

0:41:30.120 --> 0:41:31.280
<v Speaker 2>You just go to Florida.

0:41:31.400 --> 0:41:37.200
<v Speaker 1>It's just been the haven for criminals and misfits for

0:41:37.480 --> 0:41:40.640
<v Speaker 1>since at least the mid nineteenth century. I like knowing

0:41:40.840 --> 0:41:44.319
<v Speaker 1>Florida is nothing of not consistent. There's something I don't know.

0:41:44.360 --> 0:41:46.359
<v Speaker 1>There's something like I have this like.

0:41:47.920 --> 0:41:53.520
<v Speaker 2>Like like Florida, you're so encorurrigible, scoundrel. Yeah, you scoundrel

0:41:53.560 --> 0:41:57.240
<v Speaker 2>has this kind of like like mischievous pirate thing going

0:41:57.360 --> 0:42:00.240
<v Speaker 2>that I kind of like, it's Florida. You've got it

0:42:00.080 --> 0:42:03.680
<v Speaker 2>on it again. Avenue. It's like people running giant bags

0:42:03.719 --> 0:42:06.440
<v Speaker 2>of cocaine and shooting each other. But then in the

0:42:06.560 --> 0:42:11.560
<v Speaker 2>afternoon they just like have their moheedos, turn on the

0:42:11.640 --> 0:42:12.560
<v Speaker 2>Jimmy Buffett and.

0:42:12.640 --> 0:42:15.200
<v Speaker 1>Just get out a fan boat and down some tequila

0:42:15.239 --> 0:42:16.360
<v Speaker 1>and hang out in Florida.

0:42:16.560 --> 0:42:19.640
<v Speaker 2>Yeah, man, come on, look, listen, we're incorrigible. What do

0:42:19.680 --> 0:42:24.440
<v Speaker 2>you want Florida Weather's so good? Come on now, all right.

0:42:24.560 --> 0:42:28.200
<v Speaker 2>So he made it to Spain, and this is really

0:42:28.280 --> 0:42:33.880
<v Speaker 2>wild because the cartoons still haunted him. According to some accounts,

0:42:33.920 --> 0:42:41.480
<v Speaker 2>Spanish police recognized him because of Nast's caricatures, and which

0:42:41.520 --> 0:42:44.480
<v Speaker 2>is also a testament to the scale of this news.

0:42:44.680 --> 0:42:47.680
<v Speaker 2>It was breaking it what really was international news, and

0:42:47.760 --> 0:42:51.040
<v Speaker 2>it was setting off alarm bells in financial markets around

0:42:51.080 --> 0:42:56.560
<v Speaker 2>the world. But yeah, Spanish police likely recognized him, and

0:42:57.160 --> 0:43:00.680
<v Speaker 2>they called their American guys and them were like, hey,

0:43:00.680 --> 0:43:03.239
<v Speaker 2>we're sending them back. So he got sent back to

0:43:03.239 --> 0:43:09.640
<v Speaker 2>the United States, imprisoned again, ultimately died behind bars in

0:43:09.680 --> 0:43:12.279
<v Speaker 2>eighteen seventy eight, age fifty five.

0:43:13.360 --> 0:43:15.520
<v Speaker 1>I mean, for a guy of his earth in that

0:43:15.600 --> 0:43:18.400
<v Speaker 1>time period, it's yeah, you know, that's not terrible.

0:43:18.719 --> 0:43:24.880
<v Speaker 2>The Tammany tiger had roared its last roar, so even

0:43:25.120 --> 0:43:28.279
<v Speaker 2>with Tweed gone, Tammany Hall did not vanish overnight. The

0:43:28.320 --> 0:43:31.480
<v Speaker 2>machine limped along for decades, turning out mayors and deal

0:43:31.520 --> 0:43:35.640
<v Speaker 2>makers well into the twentieth century. But when FDR was

0:43:35.680 --> 0:43:38.440
<v Speaker 2>on his road to the presidency in the early nineteen thirties,

0:43:38.480 --> 0:43:42.640
<v Speaker 2>he campaigned as an anti Tammany New Yorker, and his

0:43:42.719 --> 0:43:46.919
<v Speaker 2>win was basically the final wrecking ball for Tammany Hall.

0:43:47.000 --> 0:43:50.439
<v Speaker 2>The clubhouse doors finally shut for good in the mid

0:43:50.480 --> 0:43:54.120
<v Speaker 2>twentieth century. Mike sure. That is the story of Tammany

0:43:54.160 --> 0:43:57.440
<v Speaker 2>Hall and Boss Tweed, the biggest, baddest, most corrupt machine

0:43:57.480 --> 0:43:59.839
<v Speaker 2>New York City ever built. Do you have any sort

0:43:59.840 --> 0:44:03.359
<v Speaker 2>of larger, big picture takeaways? For me? I was really

0:44:03.360 --> 0:44:06.960
<v Speaker 2>struck by the role that media played in this story,

0:44:07.000 --> 0:44:10.879
<v Speaker 2>and particularly the role of comedy cartoons. Right. It wasn't

0:44:10.880 --> 0:44:14.440
<v Speaker 2>the cops or Congress or even rival politicians who brought

0:44:14.480 --> 0:44:17.760
<v Speaker 2>down Boss Tweet. It was journalists and cartoonists.

0:44:18.120 --> 0:44:21.560
<v Speaker 1>I'll say a couple of things. Number one is one

0:44:21.560 --> 0:44:24.440
<v Speaker 1>of the best things about this country, this screwed up,

0:44:24.600 --> 0:44:28.719
<v Speaker 1>messed up, messy complex country that we live in, is

0:44:28.760 --> 0:44:32.239
<v Speaker 1>that in the First Amendment, it says very clearly the

0:44:32.280 --> 0:44:35.360
<v Speaker 1>government cannot put you in jail for or prosecute you

0:44:35.400 --> 0:44:38.240
<v Speaker 1>in anyway for speaking up and saying what you believe.

0:44:38.480 --> 0:44:41.000
<v Speaker 1>And it also says that the media is free. And

0:44:41.080 --> 0:44:45.120
<v Speaker 1>because of that, we have a system by which newspapers

0:44:45.280 --> 0:44:49.319
<v Speaker 1>in history, and television shows and radio programs and other

0:44:49.480 --> 0:44:53.640
<v Speaker 1>media outlets are allowed to point out and make fun

0:44:53.680 --> 0:44:57.680
<v Speaker 1>of and highlight corruption in government. That has always been true.

0:44:57.760 --> 0:45:01.160
<v Speaker 1>It is in theory, I would say, still true today.

0:45:01.600 --> 0:45:03.400
<v Speaker 1>When I worked at Saturday Night Live, which was my

0:45:03.400 --> 0:45:07.759
<v Speaker 1>first job. Jim Downey, who's probably the greatest political satirist,

0:45:07.880 --> 0:45:12.000
<v Speaker 1>He's the Thomas Nast of his day, really wrote the

0:45:12.080 --> 0:45:18.000
<v Speaker 1>famous debate speeches sketches between Bush and Gore in two

0:45:18.040 --> 0:45:23.480
<v Speaker 1>thousand and you know, the famous the first debate sketch involved,

0:45:24.719 --> 0:45:27.960
<v Speaker 1>you know, summarize your campaign in one word in Al

0:45:28.000 --> 0:45:31.160
<v Speaker 1>Gore Darryl Hammond as al Gore said lock box and

0:45:31.719 --> 0:45:36.920
<v Speaker 1>Will Ferrell, as George Bush said strategiery. And that line

0:45:37.200 --> 0:45:41.239
<v Speaker 1>stuck to George Bush so thoroughly. He did have a

0:45:41.280 --> 0:45:44.600
<v Speaker 1>lot of malaprops in his day, but there's a large

0:45:44.640 --> 0:45:46.879
<v Speaker 1>number of people who believe that he really said that,

0:45:47.400 --> 0:45:50.200
<v Speaker 1>that he really said strategicy. At one point, there's a

0:45:50.200 --> 0:45:53.719
<v Speaker 1>lot of people who believe that Sarah Palin said I

0:45:53.719 --> 0:45:56.080
<v Speaker 1>can see Russia from my house, she did it. Tina

0:45:56.120 --> 0:46:00.160
<v Speaker 1>Fay said that as Sarah Palin on SNL, and that

0:46:00.000 --> 0:46:01.840
<v Speaker 1>that tradition that is very much in the Thomas and

0:46:01.840 --> 0:46:05.839
<v Speaker 1>As tradition, right is there's a difference between the way

0:46:05.920 --> 0:46:08.440
<v Speaker 1>people understand the world we live in and the country

0:46:08.480 --> 0:46:12.680
<v Speaker 1>we live in from dry media reports about fraud and

0:46:12.719 --> 0:46:15.120
<v Speaker 1>corruption everything else and the way that we see it

0:46:15.160 --> 0:46:19.200
<v Speaker 1>through comedy and comedy is often a more powerful weapon

0:46:19.320 --> 0:46:23.240
<v Speaker 1>and a more direct way to make people understand something

0:46:23.280 --> 0:46:26.360
<v Speaker 1>about government and corruption and fraud and whatever else is

0:46:26.400 --> 0:46:31.000
<v Speaker 1>going on than actual news. And that's while I was

0:46:31.000 --> 0:46:33.920
<v Speaker 1>thinking of as you were telling this story, is is

0:46:33.960 --> 0:46:36.319
<v Speaker 1>thank goodness that this country allows us to do that,

0:46:36.360 --> 0:46:40.640
<v Speaker 1>because I believe that is the most effective way often

0:46:41.080 --> 0:46:44.960
<v Speaker 1>for people to come to understand what their political leaders

0:46:45.000 --> 0:46:47.480
<v Speaker 1>are doing. And that's what Thomas Asked did to Boss Tweed,

0:46:47.520 --> 0:46:50.040
<v Speaker 1>and that's what Jim Downey and other folks have done

0:46:50.040 --> 0:46:53.480
<v Speaker 1>to politicians through SNL cold opens over the years.

0:46:53.760 --> 0:46:57.640
<v Speaker 2>Do you think that culturally we actually kind of underestimate

0:46:57.960 --> 0:47:02.080
<v Speaker 2>the power of Joe folks like can Humor still land

0:47:02.080 --> 0:47:08.000
<v Speaker 2>a knockout punch? I'm thinking about south Park right now. Yeah,

0:47:08.320 --> 0:47:12.520
<v Speaker 2>is really appears to be puncturing the armor of this

0:47:12.600 --> 0:47:17.879
<v Speaker 2>administration in a very startling way.

0:47:18.200 --> 0:47:21.000
<v Speaker 1>I mean, the media landscape in which we currently live

0:47:21.080 --> 0:47:22.920
<v Speaker 1>is so much more fractured. You know, at the time,

0:47:23.520 --> 0:47:28.279
<v Speaker 1>Harper's Weekly was probably the most powerful an important institution

0:47:28.520 --> 0:47:32.719
<v Speaker 1>in media, and obviously there's you know, there's barely newspapers anymore,

0:47:32.760 --> 0:47:35.680
<v Speaker 1>and now there's barely kind of TV. There's no monoculture

0:47:35.680 --> 0:47:39.560
<v Speaker 1>in TV anymore. We're now in this TikTok Instagram snapchat

0:47:39.640 --> 0:47:42.719
<v Speaker 1>world where things are very, very fractured. Everybody has their

0:47:42.719 --> 0:47:45.880
<v Speaker 1>own algorithm. So the question to me isn't whether humor

0:47:45.920 --> 0:47:48.840
<v Speaker 1>can be as potent a tool anymore. It's whether the

0:47:49.520 --> 0:47:54.760
<v Speaker 1>delivery mechanisms that we are employing now can actually deliver

0:47:55.080 --> 0:47:57.320
<v Speaker 1>a piece of satire to the world that way, or

0:47:57.360 --> 0:48:00.680
<v Speaker 1>whether people are so siloed off that they'll that, you know,

0:48:01.000 --> 0:48:05.080
<v Speaker 1>people a large majority of the public won't ever see

0:48:05.120 --> 0:48:05.759
<v Speaker 1>the same thing.

0:48:05.920 --> 0:48:08.200
<v Speaker 2>That's my fear. I know exactly what you mean, and

0:48:08.239 --> 0:48:12.160
<v Speaker 2>I feel that sense of sort of fractured culture that

0:48:12.239 --> 0:48:17.440
<v Speaker 2>you're speaking to. But I still have this feeling and

0:48:17.640 --> 0:48:20.439
<v Speaker 2>it may start be transitioning into more of a hope

0:48:20.440 --> 0:48:25.280
<v Speaker 2>at this point, but a feeling that truly exceptional work,

0:48:25.840 --> 0:48:29.160
<v Speaker 2>whether it's a South Park episode or you know, a

0:48:29.200 --> 0:48:33.640
<v Speaker 2>particularly keen clip of stand up like the cream still

0:48:33.760 --> 0:48:36.840
<v Speaker 2>rises to the top, and it does, it can still

0:48:37.400 --> 0:48:40.279
<v Speaker 2>like sort of permeate those I.

0:48:40.840 --> 0:48:43.360
<v Speaker 1>Would hope so, because I think if the story of

0:48:43.400 --> 0:48:47.799
<v Speaker 1>Boss Tweet teaches us anything, it's that, you know, that

0:48:47.960 --> 0:48:50.239
<v Speaker 1>is what is needed in these moments. What's needed is

0:48:50.280 --> 0:48:54.560
<v Speaker 1>a voice of satire and clarity and perspective that can

0:48:54.600 --> 0:48:57.759
<v Speaker 1>cut through and present in a single picture or a

0:48:57.760 --> 0:49:01.040
<v Speaker 1>single comedy sketch or a single joke. What it would

0:49:01.120 --> 0:49:05.799
<v Speaker 1>take a scholar, you know, hours to properly relay a

0:49:05.840 --> 0:49:09.480
<v Speaker 1>picture of a greedy person as a vulture devouring democracy.

0:49:10.200 --> 0:49:12.920
<v Speaker 1>Is a lot more effective in a single blow, in

0:49:12.960 --> 0:49:17.279
<v Speaker 1>a single coup than you know, a lengthy article or

0:49:17.320 --> 0:49:20.040
<v Speaker 1>a six part series in the New York Times or

0:49:20.080 --> 0:49:21.640
<v Speaker 1>something like that.

0:49:21.640 --> 0:49:24.399
<v Speaker 2>That feels like a perfect place to wrap this up.

0:49:24.600 --> 0:49:27.960
<v Speaker 2>Can you share what you're working on? I'm dying to

0:49:28.040 --> 0:49:31.440
<v Speaker 2>know what the latest Mike Sure project is.

0:49:31.600 --> 0:49:35.200
<v Speaker 1>So Amy Poehler and I are back together again. We're

0:49:35.200 --> 0:49:38.040
<v Speaker 1>making a new show called Dig that will be on

0:49:38.120 --> 0:49:42.080
<v Speaker 1>Peacock sometime next year, we don't know when. Very exciting.

0:49:42.880 --> 0:49:46.160
<v Speaker 1>Amy and I wrote the pilot together and we're working

0:49:46.239 --> 0:49:48.440
<v Speaker 1>in the writer's room now. And the extra fun thing

0:49:48.480 --> 0:49:51.560
<v Speaker 1>is that my wife, jj Fhilban is co show running

0:49:51.600 --> 0:49:54.240
<v Speaker 1>the show with me, so it's amazing we're ever working together,

0:49:54.280 --> 0:49:57.320
<v Speaker 1>which is very exciting. And then in a couple of

0:49:57.360 --> 0:50:01.280
<v Speaker 1>weeks we start work on Man on the Inside Season

0:50:01.360 --> 0:50:04.240
<v Speaker 1>three in the writer's room. Season two will drop in November.

0:50:04.280 --> 0:50:06.160
<v Speaker 1>We're getting a head start in season three the show

0:50:06.200 --> 0:50:09.640
<v Speaker 1>with Ted Danson on Netflix. So I've got a full

0:50:09.880 --> 0:50:12.400
<v Speaker 1>a full dance card, as they say. But I would

0:50:12.400 --> 0:50:15.480
<v Speaker 1>not for a second even think about missing the chance

0:50:15.920 --> 0:50:18.520
<v Speaker 1>to talk to my old pal at Helms on this podcast,

0:50:18.520 --> 0:50:20.920
<v Speaker 1>which I really love. By the way, it's a truly,

0:50:21.000 --> 0:50:23.600
<v Speaker 1>truly entertaining and delightful Well, thank you very much.

0:50:25.080 --> 0:50:28.160
<v Speaker 2>Wait, can you give us any like a logline or

0:50:28.200 --> 0:50:31.360
<v Speaker 2>a teaser about this show Dig with Amy which sounds

0:50:31.400 --> 0:50:33.440
<v Speaker 2>just utterly delightful, So, Eddie.

0:50:33.480 --> 0:50:36.160
<v Speaker 1>It's based on a book called Excavations that Amy read

0:50:36.160 --> 0:50:38.239
<v Speaker 1>and really liked. It's about a group of women who

0:50:38.239 --> 0:50:42.120
<v Speaker 1>work on an archaeological dig site in Greece. And it's

0:50:42.239 --> 0:50:46.280
<v Speaker 1>four women ages nineteen, twenty nine, thirty nine, and forty nine,

0:50:46.880 --> 0:50:50.239
<v Speaker 1>so four women from four slightly different generations, and they

0:50:50.600 --> 0:50:53.760
<v Speaker 1>work on this dig site in Greece and they slowly,

0:50:53.880 --> 0:50:56.279
<v Speaker 1>over the course of the show uncover a sort of

0:50:56.360 --> 0:50:59.160
<v Speaker 1>like little conspiracy and they all left it.

0:50:59.400 --> 0:51:03.160
<v Speaker 2>Did some die sours murder each other? Oh, you've seen it,

0:51:03.160 --> 0:51:05.640
<v Speaker 2>you've read the book. I mean, what else? What are

0:51:05.680 --> 0:51:10.920
<v Speaker 2>you gonna find? And a dig it's a dinosaur homicide.

0:51:10.960 --> 0:51:13.080
<v Speaker 2>It just sounds like so much fun and all the

0:51:13.120 --> 0:51:15.560
<v Speaker 2>people that I love. Yeah, it should be very fun.

0:51:15.600 --> 0:51:18.919
<v Speaker 2>I'm very excited about it. Great congrats on that, Mike Sure.

0:51:19.600 --> 0:51:22.400
<v Speaker 2>I'm so grateful for your time and just for the

0:51:23.640 --> 0:51:25.000
<v Speaker 2>great hang today.

0:51:25.360 --> 0:51:27.359
<v Speaker 1>Thank you so might Hang buddy. Thank you for having

0:51:27.400 --> 0:51:30.279
<v Speaker 1>me and I truly do love this podcast. Thank you

0:51:30.320 --> 0:51:33.120
<v Speaker 1>for inviting me on right on. I love you, buddy,

0:51:33.280 --> 0:51:33.919
<v Speaker 1>Love you soon.

0:51:34.320 --> 0:51:39.920
<v Speaker 2>Bye. Snafu is a production of iHeart Podcasts and Snaffo Media,

0:51:40.080 --> 0:51:44.240
<v Speaker 2>a partnership between Film Nation Entertainment and Pacific Electric Picture Company.

0:51:44.320 --> 0:51:48.320
<v Speaker 2>Our post production studio is Gilded Audio. Our executive producers

0:51:48.360 --> 0:51:53.360
<v Speaker 2>are me Ed Helms, Mike Falbo, Glenn Basner, Andy Kim Whitney, Donaldson,

0:51:53.520 --> 0:51:57.320
<v Speaker 2>and Dylan Fagan. This episode was produced by Alyssa Martino,

0:51:57.480 --> 0:52:02.320
<v Speaker 2>Tory Smith, and Carl Nellis. Additional story editing from Carl Nellis.

0:52:02.520 --> 0:52:06.560
<v Speaker 2>Our video editor is Jared Smith. Technical direction and engineering

0:52:06.560 --> 0:52:10.320
<v Speaker 2>from Nick Dooley. Our creative executive is Brett Harris. Logo

0:52:10.360 --> 0:52:14.440
<v Speaker 2>and branding by Matt Gosson and the Collected Works. Legal

0:52:14.480 --> 0:52:19.080
<v Speaker 2>review from Dan Welsh, Meghan Halson and Caroline Johnson. Special

0:52:19.120 --> 0:52:22.400
<v Speaker 2>thanks to Isaac Dunham, Adam Horn, Lane Klein, and everyone

0:52:22.480 --> 0:52:26.799
<v Speaker 2>at iHeart Podcasts, but especially Will Pearson, Kerrie Lieberman and

0:52:27.080 --> 0:52:30.160
<v Speaker 2>Nicki Etoor. While I have you, don't forget to pick

0:52:30.239 --> 0:52:33.760
<v Speaker 2>up a copy of my book, Snaffoo, The Definitive Guide

0:52:33.760 --> 0:52:37.600
<v Speaker 2>to History's Greatest screw Ups. It's available now from any

0:52:37.680 --> 0:52:43.520
<v Speaker 2>book retailer. Just go to snaffoodashbook dot com. Thanks for listening,

0:52:43.680 --> 0:52:45.000
<v Speaker 2>and see you next week.