WEBVTT - Episode 373 w/ Large Professor

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<v Speaker 1>And this is drinks Chants, motherfucker podcast make He's a

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<v Speaker 1>legends Eary Queen's rapper.

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<v Speaker 2>He ain't s agreed that your boy in O r E.

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<v Speaker 2>He's a Miami hip hop mioneer put up as d

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<v Speaker 2>j E f N. Together they drink it up with

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<v Speaker 2>some of the biggest players, you know what I mean.

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<v Speaker 1>And the most professional, unprofessional podcast.

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<v Speaker 2>And your number one source for drunk drinks chans mother

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<v Speaker 2>post for every day is New Year's c That's it's

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<v Speaker 2>time for drink Champs. Drink up, motherfuck mother putty. Good

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<v Speaker 2>be hoping he's Wulda should be. This is your boy

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<v Speaker 2>in O R E? What up is dj E f N?

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<v Speaker 2>And this is drink Champs Happy hour makes some mad.

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<v Speaker 1>Now.

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<v Speaker 3>In a lot of ways, this brother that we uh

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<v Speaker 3>about to interview to the left of me, uh, a

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<v Speaker 3>lot of ways. If his life didn't exist, I don't

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<v Speaker 3>think I would it is this. You know, he for

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<v Speaker 3>the likes of putting on people like ak Nelly, you

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<v Speaker 3>know nas basketball That is directly lin lineage.

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<v Speaker 2>Yeah, I don't know how to pronounce that. He's a

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<v Speaker 2>man's man.

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<v Speaker 3>He's a producer, producer, he's been down putting it in

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<v Speaker 3>I can't believe, like you, this is a person you

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<v Speaker 3>have to just salute like he's supposed to be, like

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<v Speaker 3>the Princess of Munda. When he walks, people throw flowers

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<v Speaker 3>at his feet. You know what I'm saying. In Queens,

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<v Speaker 3>He's God in the galaxy, in the planet, He's God,

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<v Speaker 3>hip holy to hip hoo, He's God. He's he's countless,

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<v Speaker 3>and he's a humble guy. But today we're gonna be

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<v Speaker 3>cocky for him, and we're gonna give him his motherfucking

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<v Speaker 3>flowers because in case you don't know what the fuck

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<v Speaker 3>I'm talking about, I'm talking about the one, the only, honorable.

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<v Speaker 2>Now off the top, I always wanted.

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<v Speaker 3>To ask you, how did you get that name? Lost Professor?

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<v Speaker 1>You know that's me just talking, you know, Bravado on

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<v Speaker 1>the mic. Yo, it's the mighty Lost Professor. You know

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<v Speaker 1>what I mean. I'm I'm in the same ranks as

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<v Speaker 1>like the Great Sudan and all. You know what I mean,

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<v Speaker 1>and all of that, like we was, you know, the

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<v Speaker 1>gods man, the poor righteous teachers.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 1>So, Lost Professors, what you know that I want to

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<v Speaker 1>present my because you know you named in life and

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<v Speaker 1>then if you ever got a chance to name yourself

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<v Speaker 1>and life, what would you name yourself?

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<v Speaker 2>You know what I mean?

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<v Speaker 1>Like think about it. Yeah, So I was like, yo,

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<v Speaker 1>lost professor, that's that's my name. That's what I'm gonna

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<v Speaker 1>name myself.

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<v Speaker 2>You know what I mean? I was named by you

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<v Speaker 2>know that type of thing. Yeah, that's why. How do

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<v Speaker 2>you e FN? Because was terrible? That was that was.

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<v Speaker 1>I said.

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<v Speaker 2>Let me just keep it to my initials. E FN.

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<v Speaker 2>That's my so.

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<v Speaker 3>Lost like you've been down with me.

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<v Speaker 2>Absolutely take what you're gonna do it today. Yes, I

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<v Speaker 2>want some rose Rose. You're a picky nigga. You what

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<v Speaker 2>do you want?

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<v Speaker 1>You know? So that's how I get the samples too, picky? Yeah, okay,

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<v Speaker 1>I just sample any record. I'll I'm right there sitting

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<v Speaker 1>at the end of the wall.

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<v Speaker 3>So let me ask you because hip hop, I know

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<v Speaker 3>Biggy said this in the in and the record. He said,

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<v Speaker 3>you ever think that hip hop will make it this far?

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<v Speaker 3>And to tell you the truth, like the goals and

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<v Speaker 3>the places that hip hop is going now, I never

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<v Speaker 3>thought it would be this far.

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<v Speaker 2>How about you? Did you ever think that hip hop

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<v Speaker 2>would be this far?

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<v Speaker 1>Oh? No, one hundred percent knew, yeah, because I you know,

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<v Speaker 1>I believe you know, I come from I come from breaking,

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<v Speaker 1>you know what I mean. Like, I knew the businessmen

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<v Speaker 1>they couldn't get down there and do windmills and old

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<v Speaker 1>them power moves he was doing. So I was like, nah,

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<v Speaker 1>we got something we you know, others be on the train,

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<v Speaker 1>death defying feats, all types of crazy shit on the.

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<v Speaker 2>Trains and everything. So that was that.

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<v Speaker 1>Ever, and then when you had dudes like cool O

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<v Speaker 1>d out here like spitting like some real intelligence on

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<v Speaker 1>the mic, you know, I'm like, Yo, we got our

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<v Speaker 1>own community.

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<v Speaker 2>Were good. You know what I'm saying, We're good for life.

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<v Speaker 1>Like so you know, Cool Jay came after that, a

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<v Speaker 1>bunch of brothers, you know what I'm saying, with that

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<v Speaker 1>Rock Him, you know, with that intelligence, and I was like, Yo,

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<v Speaker 1>I'm we got something, man, you know, because we we

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<v Speaker 1>got the ignorance, but then we got brothers that could

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<v Speaker 1>kick some ship too, you know. So that's when I

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<v Speaker 1>knew we had to, you know, the get in exactly.

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<v Speaker 3>And what's great about you is you got to work

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<v Speaker 3>with two of the greatest of all times, Rock Him

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<v Speaker 3>and Now and not.

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<v Speaker 2>Us in the studio of both of them obviously.

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<v Speaker 1>Right one time one time because rock Him Rock Him

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<v Speaker 1>at the time, like he was, you know, studio, you know,

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<v Speaker 1>handling a lot of things. I said, like that, he

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<v Speaker 1>was handling a lot of things. So you know, me

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<v Speaker 1>and Nas used to record on Eric being Rock Kim's

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<v Speaker 1>time and studio, you know what I'm saying, and power

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<v Speaker 1>plays studios right up there Sea Room y'all was in

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<v Speaker 1>you know y'alls down the We was in that big

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<v Speaker 1>ass so the big buildings. So yeah, rock Kim came

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<v Speaker 1>through one time and Nas was there and it was

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<v Speaker 1>like a little triangle, like a little triad the guards,

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<v Speaker 1>the guards was building. Well, we was dead.

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<v Speaker 3>Hold on, you're telling me that you and Nas used

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<v Speaker 3>to be called on every being rock Him downtime when

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<v Speaker 3>they when.

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<v Speaker 1>Rock Kim wasn't coming through. Eric was like, yo, Paul,

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<v Speaker 1>do something with that studio time. And I had met

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<v Speaker 1>Nas too fatal and you know the Queensbridge right down

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<v Speaker 1>the block, power place, you know, so it's like like

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<v Speaker 1>you know, we're being the lab. We'd be waiting for

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<v Speaker 1>rock Kim for a little while. You know, after a while,

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<v Speaker 1>you know, it's like all the guard coming from all

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<v Speaker 1>the way east. He might not make it. I so

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<v Speaker 1>you know, let me start getting on the horn. And

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<v Speaker 1>Nas was right down the block, so be like, yo,

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<v Speaker 1>lab is open, bro, what's up. It'd be like two

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<v Speaker 1>three in the morning, like moms were you know she

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<v Speaker 1>she asked the phone. She'd be like hello, I'll be

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<v Speaker 1>like it's professor, Like it's not. She's like you know,

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<v Speaker 1>she always she ain't never like and.

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<v Speaker 3>This is this is, this is pre nas. There's no

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<v Speaker 3>to tell there's no ain't hard to tell out. There's

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<v Speaker 3>no halftime out.

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<v Speaker 2>Of no half time, getting getting him that studio like

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<v Speaker 2>he's yeah learning.

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<v Speaker 1>Yeah, I mean you know hot day, hot day, Yeah,

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<v Speaker 1>hot day was there like supreme, supreme magnetic, like all

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<v Speaker 1>all the all the painting, full posse was in there.

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<v Speaker 2>Like I'm saying, yeah, for sure, for sure, that's done.

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<v Speaker 3>Show was about giving flowers. Man, we're gonna get back

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<v Speaker 3>into that story, no doubt.

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<v Speaker 2>Was about giving flowers. We're gonna get your flowers. But

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<v Speaker 2>you're drinking over there, f and man, you ain't take

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<v Speaker 2>a system. I'll watching you. You ain't take don't man,

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<v Speaker 2>this is drinking.

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<v Speaker 1>Remember that tours bro who was the drunkest on the tours, bro,

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<v Speaker 1>come on, man.

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<v Speaker 2>You know what, give me a flowers topic. I was like, man, yo,

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<v Speaker 2>oh they real flowers? Yeah yeah, man, oh man, that's

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<v Speaker 2>a nice man.

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<v Speaker 1>I got one. Yes, oh man, I got one.

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<v Speaker 3>So now I know, I notice like a kind of

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<v Speaker 3>a cliche question because it's so easy to say yes

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<v Speaker 3>to this question right now. But did you always see

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<v Speaker 3>the greatness in ours?

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<v Speaker 2>Or was it was it? Was it something that had

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<v Speaker 2>to come through you know what I mean? Absolutely not.

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<v Speaker 1>I'm saying, you know, he came from the hub, like

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<v Speaker 1>you know what I'm saying, coming from Queensbridge already was

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<v Speaker 1>like he was already like fifty points good, like you know,

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<v Speaker 1>to one hundred. It was like, yo, you're coming from

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<v Speaker 1>the hub. You good. And then for him at that

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<v Speaker 1>time to have the combination, you know, he had that

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<v Speaker 1>word play the humbleness too.

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<v Speaker 4>You know what.

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<v Speaker 5>Yo.

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<v Speaker 2>When I was I was a fan of the Jackson five,

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<v Speaker 2>you know like that, I was like, how old is

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<v Speaker 2>it you met him? Now it's like maybe like like

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<v Speaker 2>sixteen seventeen.

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<v Speaker 3>When I'm waiting that ship at sixteen yeah, and these

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<v Speaker 3>motherfuckers standing and.

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<v Speaker 2>Are you how old are you? You were like what

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<v Speaker 2>oh no, I'm only a year older than ours. I

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<v Speaker 2>mean he was years he was.

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<v Speaker 3>Yeah, damn, So I'm gonna switched it up a little

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<v Speaker 3>bit because now too, like.

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<v Speaker 2>Because I remember, I remember.

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<v Speaker 1>Before I went to jail, tell me your memories checked

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<v Speaker 1>this out.

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<v Speaker 2>So the two there was two dudes.

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<v Speaker 3>That was the man in my hood was a guy

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<v Speaker 3>named Comedy. He's the rat name Comedy. He was actually

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<v Speaker 3>bigger than I. And then when I went to jail,

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<v Speaker 3>remember the bomb baby came out the bomb Baby, the

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<v Speaker 3>ball Baby and the little piece and left right.

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<v Speaker 2>I was like, I was like, that's what.

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<v Speaker 1>I was talking about. Hahaha. Section such a fu. Yeah,

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<v Speaker 1>how did you come from?

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<v Speaker 2>Understand?

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<v Speaker 3>How did you come across? Meet and I?

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<v Speaker 1>You know, that's that's bound all day. John, That's that's

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<v Speaker 1>what y'all. So you met and John Bown. That's interesting

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<v Speaker 1>and your sister.

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<v Speaker 2>Everybody man was in the.

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<v Speaker 1>Building, but so so was I rapping back then absolutely him.

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<v Speaker 2>It was him and a guy named c. C.

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<v Speaker 1>They was c C. John Babe John Baby was from

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<v Speaker 1>section two two It last DJ Man DJ J j

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<v Speaker 1>O d big up him. He was originally down with

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<v Speaker 1>Maine sore too, but he went to the service. But yeah,

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<v Speaker 1>I was rocking with c C. It was somebody else.

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<v Speaker 1>We had a dude named Benny. Benny was DJing with us,

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<v Speaker 1>and you know we just hobby hobby self after school.

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<v Speaker 6>Man.

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<v Speaker 3>You know, yeah, you knew what's crazy. I was telling

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<v Speaker 3>this the story earlier. I had not known how Niles

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<v Speaker 3>loved how you look. The first time I actually seen y'all.

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<v Speaker 2>Was Brooklyn Queen's Day, and y'all, it was a Brooklyn

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<v Speaker 2>Queen's Day.

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<v Speaker 3>I was a little dude and I remember now, I

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<v Speaker 3>had a Safari had on it and I'm a kid

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<v Speaker 3>in the crowd and I'm looking and I see y'all performing,

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<v Speaker 3>and it was that. It was like it was after

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<v Speaker 3>Granddaddy that you It was that I looked, I looked

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<v Speaker 3>on the stage. I said, whatever the fuck they doing,

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<v Speaker 3>I'm gonna do that.

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<v Speaker 2>Ship. So you even know, I.

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<v Speaker 3>Was a little nigga watching y'all. Like but so let

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<v Speaker 3>me ask you, because this this line literally changed my life.

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<v Speaker 3>When I never heard a rapper say this, when he said,

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<v Speaker 3>when I was twelve, I went to hell for snuffing Jesus,

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<v Speaker 3>like that was like philostrous.

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<v Speaker 1>Yeah, it was for posters, for a project dude from

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<v Speaker 1>Queensbridge to think he could possibly have that much power. Jesus,

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<v Speaker 1>you know.

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<v Speaker 2>It's crazy, but it worked, man.

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<v Speaker 1>It got him where he needed to be with just

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<v Speaker 1>all of that extreme just preposterous ship like.

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<v Speaker 2>Yo, you know, hanging like the Groog cut. You know

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<v Speaker 2>it was crazy. Yeah, so and it was needed at

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<v Speaker 2>the time exactly. The other line was was the other

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<v Speaker 2>line of waving automatic guns.

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<v Speaker 3>Back to the back because like like me and Ias,

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<v Speaker 3>like you know, I speaking nods a lot now, you know,

0:11:26.880 --> 0:11:30.120
<v Speaker 3>in older years, and you know at times he would

0:11:30.120 --> 0:11:33.080
<v Speaker 3>tell me when when he was bringing up Thematic and

0:11:33.120 --> 0:11:35.120
<v Speaker 3>he's like, you nor, you don't know how hard it

0:11:35.240 --> 0:11:37.560
<v Speaker 3>was making that album because I was in jail when

0:11:37.559 --> 0:11:38.280
<v Speaker 3>Allmatic came out.

0:11:38.280 --> 0:11:40.560
<v Speaker 2>So all I got to see is the beauty of Allmatic.

0:11:40.559 --> 0:11:42.200
<v Speaker 2>I don't get into group home or jail. I was

0:11:42.200 --> 0:11:43.320
<v Speaker 2>in jail.

0:11:43.480 --> 0:11:45.880
<v Speaker 1>Yes, yes, yes, yes, j f y is that's the

0:11:46.000 --> 0:11:46.800
<v Speaker 1>vision for you, b.

0:11:46.800 --> 0:11:49.719
<v Speaker 2>That's correct, that's the group home. That's jail, sir, that's

0:11:49.720 --> 0:11:50.840
<v Speaker 2>spot for you. Was spout.

0:11:53.000 --> 0:11:53.320
<v Speaker 5>All of those.

0:11:59.640 --> 0:12:01.480
<v Speaker 2>That's what him. I was in there, a different kind

0:12:01.480 --> 0:12:03.079
<v Speaker 2>of guy.

0:12:03.320 --> 0:12:06.560
<v Speaker 3>So when I speak the nas, he tells me like

0:12:06.760 --> 0:12:09.079
<v Speaker 3>it wasn't because because I'm looking at it, I just

0:12:09.120 --> 0:12:12.440
<v Speaker 3>see the five mics. I just see ut Q tip

0:12:12.520 --> 0:12:16.280
<v Speaker 3>Premier people hear that fire and I hit that fire,

0:12:16.520 --> 0:12:18.839
<v Speaker 3>but I don't see the struggle of il Matt.

0:12:19.120 --> 0:12:22.040
<v Speaker 2>Was it a time where people was fronting on knas

0:12:22.040 --> 0:12:24.880
<v Speaker 2>Oh to begin with man real from the start man Yo.

0:12:25.000 --> 0:12:28.920
<v Speaker 1>When they bought NAS's demo to Russell, Russell was like, nah,

0:12:28.960 --> 0:12:31.400
<v Speaker 1>he sounds too much like g rap Search so.

0:12:31.679 --> 0:12:32.559
<v Speaker 2>Some of that stuff too.

0:12:32.720 --> 0:12:36.200
<v Speaker 1>Yeah, he's it was. It was crazy and you know

0:12:36.360 --> 0:12:38.120
<v Speaker 1>we was in the same camp though. That's what he

0:12:38.280 --> 0:12:40.920
<v Speaker 1>wasn't seeing. It was like, yo, Nas is actually a

0:12:40.960 --> 0:12:43.800
<v Speaker 1>descendant of g so you should, you know, accept the

0:12:43.840 --> 0:12:45.400
<v Speaker 1>new generation type ship.

0:12:45.400 --> 0:12:46.960
<v Speaker 2>But Russell ain't have that, you know what I mean,

0:12:47.000 --> 0:12:50.600
<v Speaker 2>He ain't know that force like yeah, rustle front of him, Russian,

0:12:51.200 --> 0:12:52.079
<v Speaker 2>Yeah yeah, rush.

0:12:52.000 --> 0:12:56.640
<v Speaker 1>Rush rush rush, Come on baby, sleep you don't get

0:12:57.040 --> 0:12:59.640
<v Speaker 1>you know, shovel no, snow, you don't even go through

0:12:59.640 --> 0:13:01.840
<v Speaker 1>the disc. You got to go.

0:13:02.120 --> 0:13:04.640
<v Speaker 3>So so I'm bouncing around a little bit because we

0:13:04.920 --> 0:13:05.920
<v Speaker 3>want to get through stuff.

0:13:06.080 --> 0:13:07.600
<v Speaker 2>So it's a famous lot of jay Z said.

0:13:07.600 --> 0:13:10.240
<v Speaker 3>He said, I sold you your first tech on tour

0:13:10.280 --> 0:13:12.960
<v Speaker 3>with large Professor is that true.

0:13:13.679 --> 0:13:15.920
<v Speaker 1>Well, I don't know if it was NAS's first time

0:13:15.960 --> 0:13:19.640
<v Speaker 1>seeing the tech. Okay, the story is true. The story

0:13:19.800 --> 0:13:21.599
<v Speaker 1>he did pull out a tech on the bus.

0:13:22.480 --> 0:13:24.400
<v Speaker 2>On not on like he ain't pull out like no,

0:13:24.600 --> 0:13:25.480
<v Speaker 2>not on the whole bus.

0:13:26.880 --> 0:13:29.320
<v Speaker 1>We had a little problem on DC. I think it

0:13:29.400 --> 0:13:32.920
<v Speaker 1>was DC. I really strongly believe it DC. And so

0:13:33.040 --> 0:13:35.200
<v Speaker 1>what happened was is you know it be them curfuse.

0:13:35.240 --> 0:13:36.880
<v Speaker 1>Once you get out of New York, it be like, yo,

0:13:37.080 --> 0:13:39.080
<v Speaker 1>he's gotta cut this at too, or something like that.

0:13:39.360 --> 0:13:41.920
<v Speaker 1>So it was like kept running and running, and by

0:13:41.960 --> 0:13:43.959
<v Speaker 1>the time we were supposed to perform, they was like, yo,

0:13:44.080 --> 0:13:46.920
<v Speaker 1>y'all can't even get So it wasn't even the faculty,

0:13:46.960 --> 0:13:50.280
<v Speaker 1>it was the crowd that was like, yo, nah y'all,

0:13:50.360 --> 0:13:52.959
<v Speaker 1>y'all got to perform. Like so the crowd was kind

0:13:53.000 --> 0:13:55.400
<v Speaker 1>of coming at us, and so they was like, we're

0:13:55.480 --> 0:13:56.040
<v Speaker 1>big up my.

0:13:56.040 --> 0:13:57.640
<v Speaker 2>Man, big hat man. HARRYO.

0:13:57.640 --> 0:14:00.199
<v Speaker 1>Fobbs Man was like, yo, yo, come he in the

0:14:00.240 --> 0:14:02.600
<v Speaker 1>biz video man, he's in the something for the radio,

0:14:02.679 --> 0:14:05.080
<v Speaker 1>Big high man, big up man. He was like, yo,

0:14:05.160 --> 0:14:07.319
<v Speaker 1>y'all come this way. It was Jade.

0:14:07.080 --> 0:14:09.240
<v Speaker 2>Jazz me Nas.

0:14:09.280 --> 0:14:11.679
<v Speaker 1>I I think Joe Ruin them might have even been

0:14:11.679 --> 0:14:14.160
<v Speaker 1>there because Earth was on that on that tour too,

0:14:14.360 --> 0:14:17.040
<v Speaker 1>and we all got on the bus and Jay was

0:14:17.120 --> 0:14:18.960
<v Speaker 1>It was funny because Jay was in the back. He

0:14:19.080 --> 0:14:20.960
<v Speaker 1>was in like that you know that that that woman

0:14:21.040 --> 0:14:23.000
<v Speaker 1>you're going in the row, in that seat that you

0:14:23.040 --> 0:14:26.280
<v Speaker 1>could see when you're going back, like that seat that

0:14:26.400 --> 0:14:28.240
<v Speaker 1>looks at the person that's walking.

0:14:28.600 --> 0:14:30.640
<v Speaker 2>And sure enough you got the jump bag and shit.

0:14:30.680 --> 0:14:32.560
<v Speaker 2>He was like, yo, Na, you ain't gotta worried about nothing,

0:14:32.560 --> 0:14:32.840
<v Speaker 2>and ship.

0:14:33.000 --> 0:14:35.120
<v Speaker 1>You know you got that, you had that heat, you

0:14:35.200 --> 0:14:38.360
<v Speaker 1>got that heat. I was like, who man, thank you man,

0:14:38.520 --> 0:14:41.320
<v Speaker 1>Like you'real I got records, but you know, I ain't

0:14:41.360 --> 0:14:43.440
<v Speaker 1>even heard like yeah that she was all right man,

0:14:43.560 --> 0:14:44.320
<v Speaker 1>that she was all right?

0:14:44.760 --> 0:14:48.480
<v Speaker 3>Big up, Jake, did you you know because hearing the

0:14:48.560 --> 0:14:51.560
<v Speaker 3>stories these are these are probably two of the biggest

0:14:51.640 --> 0:14:54.760
<v Speaker 3>rappers in the world, two giants. Did you see them

0:14:54.760 --> 0:14:57.840
<v Speaker 3>in competition from the beginning or did that?

0:14:57.920 --> 0:15:00.520
<v Speaker 2>Is that something that developed? Really?

0:15:00.560 --> 0:15:00.720
<v Speaker 7>Man?

0:15:00.960 --> 0:15:04.360
<v Speaker 1>Yo, I did not see like that whole little scrap.

0:15:05.000 --> 0:15:06.920
<v Speaker 1>I ain't see it, man, you know, because Jay was

0:15:07.000 --> 0:15:09.360
<v Speaker 1>just super cool and he had his you know, he

0:15:09.440 --> 0:15:12.960
<v Speaker 1>got his bread. So I'm like, I ain't understand, you know,

0:15:13.040 --> 0:15:15.200
<v Speaker 1>but you know, for the sport he you know, we

0:15:15.200 --> 0:15:17.560
<v Speaker 1>we were sportsman too, you know what I mean. So

0:15:17.640 --> 0:15:19.880
<v Speaker 1>for the sportsmanship side of it, you know what I mean,

0:15:19.880 --> 0:15:22.560
<v Speaker 1>it was just like yo, let me, let me, let me,

0:15:22.680 --> 0:15:25.320
<v Speaker 1>let me ruffle some feathers real quick. And it was

0:15:25.360 --> 0:15:28.440
<v Speaker 1>good because it bought Nas. It brought Nas ted that

0:15:28.560 --> 0:15:30.720
<v Speaker 1>other lane or like yo, you know how to back

0:15:30.800 --> 0:15:32.880
<v Speaker 1>him off too, like you know how to say that

0:15:32.920 --> 0:15:35.640
<v Speaker 1>fly guy thing, you know, but he also know how

0:15:35.680 --> 0:15:36.360
<v Speaker 1>to back him off.

0:15:36.360 --> 0:15:37.720
<v Speaker 2>So it was good for Nas man.

0:15:37.800 --> 0:15:40.720
<v Speaker 1>Like you ever heard the original ether, I was there

0:15:40.760 --> 0:15:44.960
<v Speaker 1>when they recorded it, the original one. I was come out, ok,

0:15:46.960 --> 0:15:52.120
<v Speaker 1>I was we was over there a jungle, where is everybody?

0:15:52.200 --> 0:15:55.080
<v Speaker 1>Was there? He that's the leader plane crash line.

0:15:55.600 --> 0:15:59.800
<v Speaker 2>Yeah, we was. We was wilent that would came out.

0:16:00.000 --> 0:16:00.480
<v Speaker 2>I would have been.

0:16:00.440 --> 0:16:02.400
<v Speaker 3>It was crazy. It was crazy. It was you know

0:16:02.440 --> 0:16:04.240
<v Speaker 3>what it was. I felt like when I heard it,

0:16:04.960 --> 0:16:08.840
<v Speaker 3>I felt like that was emotional. Nos, it wasn't a strategic.

0:16:09.520 --> 0:16:11.480
<v Speaker 1>But that's why he got strategic when he got the

0:16:11.560 --> 0:16:14.280
<v Speaker 1>slower beat and then he got you know, bufferted a

0:16:14.280 --> 0:16:15.960
<v Speaker 1>little bit because there was some lines in there.

0:16:16.040 --> 0:16:19.240
<v Speaker 2>I was like, lou, yeah too crazy.

0:16:19.480 --> 0:16:20.960
<v Speaker 3>But still in all it was one of the greatest

0:16:21.000 --> 0:16:21.800
<v Speaker 3>battles of all time.

0:16:22.000 --> 0:16:24.960
<v Speaker 2>Yeah, it was. I remember New York.

0:16:25.040 --> 0:16:27.800
<v Speaker 3>It was Battle of the Beats, and I remember walking

0:16:27.840 --> 0:16:30.240
<v Speaker 3>into a meeting and Battle of the Beats came on

0:16:30.320 --> 0:16:30.840
<v Speaker 3>and I was like.

0:16:30.800 --> 0:16:35.360
<v Speaker 2>Fuck this meeting. I just said fuck it outside in

0:16:35.400 --> 0:16:37.880
<v Speaker 2>the radio, I mean, turn on the radio. And I

0:16:37.920 --> 0:16:39.840
<v Speaker 2>missed the whole meeting. I could not move.

0:16:40.520 --> 0:16:43.440
<v Speaker 3>I could And I tell you the closest thing that

0:16:43.520 --> 0:16:49.920
<v Speaker 3>came to that was after Drake dropped and dropped no

0:16:50.080 --> 0:16:53.600
<v Speaker 3>meet Mail and then when fuck Master Flex said I

0:16:53.640 --> 0:16:57.760
<v Speaker 3>got meat Mail's response and I straight up called my wife.

0:16:57.800 --> 0:17:00.800
<v Speaker 3>I was like, I'm missing my flight. I have to

0:17:00.840 --> 0:17:01.120
<v Speaker 3>hear this.

0:17:01.240 --> 0:17:02.000
<v Speaker 2>I can't. I can't.

0:17:02.200 --> 0:17:04.600
<v Speaker 3>She's like, you have to hear what I said. Meek

0:17:04.920 --> 0:17:07.400
<v Speaker 3>and Drake is dropping both records today.

0:17:07.480 --> 0:17:10.280
<v Speaker 1>Drake and Comic was kind of too Drake and comed

0:17:11.840 --> 0:17:13.600
<v Speaker 1>do to Cuban Comic kind of.

0:17:13.600 --> 0:17:18.120
<v Speaker 2>Crazy comments called him Canada drive like that on that ship.

0:17:18.200 --> 0:17:19.200
<v Speaker 1>Yeah, it's crazy.

0:17:20.720 --> 0:17:24.120
<v Speaker 3>What Some of the greatest hip hop records Beach Records.

0:17:23.840 --> 0:17:26.320
<v Speaker 2>Ice Cube against n W. I hate the bridges over

0:17:26.640 --> 0:17:29.760
<v Speaker 2>the bridge, I hate the bridges over. I can't stand it.

0:17:30.160 --> 0:17:32.920
<v Speaker 2>I cannot listen to one of the best, one of

0:17:32.960 --> 0:17:33.320
<v Speaker 2>the best.

0:17:34.840 --> 0:17:38.760
<v Speaker 1>You are cubebo ro like bro, bro, if I tell

0:17:38.800 --> 0:17:42.919
<v Speaker 1>you this man, Yo, there's just reaching footage of that

0:17:43.040 --> 0:17:48.480
<v Speaker 1>man performing that song like blocks away from left rack, like.

0:17:48.520 --> 0:17:57.119
<v Speaker 2>Just yes, you want to see me. I can't attend

0:17:57.200 --> 0:18:01.320
<v Speaker 2>that man. I can't attend that man. Can't the whole

0:18:03.200 --> 0:18:04.479
<v Speaker 2>It was so dope about carriers.

0:18:04.480 --> 0:18:08.000
<v Speaker 3>One chairis woman do a performance and give you a

0:18:08.000 --> 0:18:09.959
<v Speaker 3>whole speech and you don't even know you in the speech,

0:18:10.320 --> 0:18:11.840
<v Speaker 3>like he's a legend.

0:18:11.920 --> 0:18:14.720
<v Speaker 2>But we had empty Shan on here. Shanny let it go,

0:18:20.680 --> 0:18:24.360
<v Speaker 2>but she did not let Shannon. Shan is a prophet

0:18:24.480 --> 0:18:29.120
<v Speaker 2>man and Shane. Let's Shane do Shane, Shane. You could

0:18:29.200 --> 0:18:33.760
<v Speaker 2>learn from Shann speak up to empty Shad. That ship

0:18:33.800 --> 0:18:39.280
<v Speaker 2>was wild that that episode was wild list. I had

0:18:39.320 --> 0:18:45.720
<v Speaker 2>no control. That was a great episode.

0:18:46.440 --> 0:18:49.040
<v Speaker 1>Too much snow he was big and snow up too much.

0:18:49.280 --> 0:18:51.280
<v Speaker 2>I'm gonna say that is interesting.

0:18:52.560 --> 0:18:55.159
<v Speaker 1>He's big to show up way too much, Shane, come on,

0:18:55.920 --> 0:18:57.720
<v Speaker 1>come on, God listen.

0:18:57.760 --> 0:18:59.000
<v Speaker 2>By the way, I didn't even know that it was

0:18:59.000 --> 0:19:01.280
<v Speaker 2>a part over there exists. He was the black person.

0:19:01.880 --> 0:19:05.920
<v Speaker 1>We're just thinking the costant crevices and was amazing.

0:19:06.600 --> 0:19:10.560
<v Speaker 2>It was amazing. Man, you got quick Thomas Love, look

0:19:10.720 --> 0:19:16.080
<v Speaker 2>is ready? You got that hookah smoking at uga, Holy movie,

0:19:16.119 --> 0:19:18.040
<v Speaker 2>gacka morning. I'm ready for kricking the.

0:19:18.040 --> 0:19:20.720
<v Speaker 1>Man roll wadded in the building. Oh look at that. Yah,

0:19:20.880 --> 0:19:24.840
<v Speaker 1>you got the old lady for dinner. Oh Supreme, Supreme,

0:19:25.240 --> 0:19:26.320
<v Speaker 1>Supreme in the fielder.

0:19:27.440 --> 0:19:27.760
<v Speaker 2>That's he.

0:19:27.960 --> 0:19:30.200
<v Speaker 1>That's some more he was. He was like, yo, yo pee.

0:19:30.280 --> 0:19:32.280
<v Speaker 1>You know, because we've been hanging out, you know, around the.

0:19:32.200 --> 0:19:32.680
<v Speaker 2>Way or whatever.

0:19:32.720 --> 0:19:35.920
<v Speaker 1>He was just had the sweet chick joint, chilling with

0:19:35.960 --> 0:19:38.200
<v Speaker 1>the rock Marcian alchemist joint. You know what I mean.

0:19:38.480 --> 0:19:40.800
<v Speaker 2>He's like, yo, man, Oh gee man, it's time for

0:19:40.840 --> 0:19:41.200
<v Speaker 2>you to.

0:19:41.080 --> 0:19:41.879
<v Speaker 1>Do these champs.

0:19:41.880 --> 0:19:42.840
<v Speaker 2>Man. Yeah, for sure.

0:19:42.920 --> 0:19:45.080
<v Speaker 1>I was like, Supreme, if you say man, if you

0:19:45.119 --> 0:19:46.920
<v Speaker 1>say all right, man, and.

0:19:46.880 --> 0:19:48.960
<v Speaker 2>We've been trying to do it for a while, you know,

0:19:49.240 --> 0:19:52.520
<v Speaker 2>but you know you you you're absolutely a legend. Man.

0:19:52.560 --> 0:19:55.360
<v Speaker 3>You deserve a few hours. And that's what our show

0:19:55.440 --> 0:19:58.760
<v Speaker 3>was about. Show was about, you know, giving the mother flowers,

0:19:58.760 --> 0:20:00.560
<v Speaker 3>that giving the und the flowers.

0:20:00.640 --> 0:20:06.960
<v Speaker 2>But yeah, because in our game, like when you have

0:20:07.040 --> 0:20:09.440
<v Speaker 2>ten years or more, people want to, you know, call

0:20:09.480 --> 0:20:12.399
<v Speaker 2>you washed up and say you know you're old that

0:20:12.880 --> 0:20:13.600
<v Speaker 2>when when.

0:20:13.560 --> 0:20:16.080
<v Speaker 3>That's that's that's not true in no other genre of music.

0:20:16.240 --> 0:20:18.320
<v Speaker 3>It's only true in hip hop. So we want to

0:20:18.400 --> 0:20:18.960
<v Speaker 3>change that.

0:20:18.840 --> 0:20:21.159
<v Speaker 1>So that's depending on how you looking at it, you know,

0:20:21.200 --> 0:20:25.800
<v Speaker 1>because because washed up trying to get you clean.

0:20:26.000 --> 0:20:28.840
<v Speaker 2>You know, the bat that they don't mean it in

0:20:28.840 --> 0:20:32.600
<v Speaker 2>a good way. No, no, they mean it mind bo.

0:20:32.800 --> 0:20:35.360
<v Speaker 3>So you know we wanted to give your flowers. Man,

0:20:35.400 --> 0:20:37.919
<v Speaker 3>you know said you deny that. Man, it was crazy

0:20:37.960 --> 0:20:41.640
<v Speaker 3>about it. Man, Yeah you're just your boris and yeah

0:20:41.800 --> 0:20:48.000
<v Speaker 3>you got the calm. Fuck damn yeah, distracting me, distracting.

0:20:48.880 --> 0:20:51.320
<v Speaker 2>Oh but you're the scography.

0:20:51.440 --> 0:20:53.800
<v Speaker 3>What who's the favorite artist you would like to work

0:20:53.840 --> 0:20:55.880
<v Speaker 3>with that I would like to work with.

0:20:56.000 --> 0:20:59.280
<v Speaker 2>Or that I did both? Okay, one did you say

0:20:59.359 --> 0:20:59.600
<v Speaker 2>you have?

0:21:00.080 --> 0:21:03.000
<v Speaker 1>Definitely I got I gotta get. I mean I got

0:21:03.000 --> 0:21:05.679
<v Speaker 1>I just recently got a locks locks joint.

0:21:05.760 --> 0:21:07.840
<v Speaker 2>But I gotta get a dolo Jada.

0:21:08.400 --> 0:21:10.919
<v Speaker 1>I've been had my styles Me and Styles that's brothers

0:21:10.960 --> 0:21:13.359
<v Speaker 1>that he from. You know he originally from Corona, right

0:21:14.080 --> 0:21:16.960
<v Speaker 1>he did tell us, Yeah, styles from Corona. So I

0:21:17.000 --> 0:21:20.160
<v Speaker 1>got with him, and I gotta get a dolo loots joint.

0:21:20.240 --> 0:21:23.480
<v Speaker 1>So I gotta get like a dolo Jada kiss joint

0:21:23.480 --> 0:21:24.760
<v Speaker 1>and a dolo lose joint.

0:21:25.600 --> 0:21:29.200
<v Speaker 2>Doctor Dre Nigga said, the locks, Yeah, the locks, that's crazy.

0:21:30.520 --> 0:21:31.399
<v Speaker 2>That's that's easy.

0:21:31.960 --> 0:21:35.760
<v Speaker 1>Somebody, doctor Dre or what me and Dre rhyming on

0:21:35.880 --> 0:21:39.680
<v Speaker 1>something that would be hard, that would be beat together.

0:21:40.240 --> 0:21:42.040
<v Speaker 1>Oh now he do the beat, not just rom on.

0:21:42.560 --> 0:21:47.480
<v Speaker 1>That'd be that boy man for years. That that's that's no, No,

0:21:47.840 --> 0:21:48.960
<v Speaker 1>that's that's that's hard.

0:21:49.200 --> 0:21:51.679
<v Speaker 2>I can see that. I can see how that studio session.

0:21:51.440 --> 0:21:54.560
<v Speaker 1>Look yeah, yeah, yeah, and the bombs bursting the air

0:21:54.680 --> 0:21:58.719
<v Speaker 1>over the studio and ship. Motherfucking fireworks burst the whole session.

0:21:58.800 --> 0:22:01.240
<v Speaker 1>Fireworks just going on the whole session.

0:22:01.960 --> 0:22:09.080
<v Speaker 2>Who's who's your favorite artist to work with? That grist

0:22:09.119 --> 0:22:12.840
<v Speaker 2>the rhymes get out here and these times this you

0:22:12.880 --> 0:22:15.840
<v Speaker 2>know it varies throughout the throughout the days and years,

0:22:15.880 --> 0:22:19.600
<v Speaker 2>but I would say right now because he he busts

0:22:19.600 --> 0:22:23.040
<v Speaker 2>stayed on active duty like some dudes flip fade into

0:22:23.080 --> 0:22:23.679
<v Speaker 2>the you know what I mean?

0:22:23.800 --> 0:22:26.200
<v Speaker 1>Best that should get right and ship and another one

0:22:26.200 --> 0:22:28.560
<v Speaker 1>I would like to work with Man my man, fat Man,

0:22:28.840 --> 0:22:29.560
<v Speaker 1>fat Man.

0:22:29.680 --> 0:22:30.680
<v Speaker 2>Thigga's name in New York.

0:22:32.400 --> 0:22:43.080
<v Speaker 8>Frank Sinatra, you got some real.

0:22:42.920 --> 0:22:45.920
<v Speaker 1>New York to shure man. You know how it is man,

0:22:45.960 --> 0:22:47.640
<v Speaker 1>you know that's where I'm at. Man, that's where I'll

0:22:47.640 --> 0:22:51.320
<v Speaker 1>be at. Bab and the locks. That's your dream collapse.

0:22:51.920 --> 0:22:53.760
<v Speaker 1>Oh no, he said he had the locks. You said

0:22:53.800 --> 0:22:57.240
<v Speaker 1>you had. Yeah, I got the he got a dolo

0:22:57.400 --> 0:23:01.320
<v Speaker 1>jada and looks joint. Yeah for sure, Okay, sure, I

0:23:01.320 --> 0:23:03.200
<v Speaker 1>mean there's many more. I got a to do list,

0:23:03.359 --> 0:23:05.080
<v Speaker 1>you know, I got a long to do list. Man,

0:23:05.119 --> 0:23:08.679
<v Speaker 1>That's that's what to keep me here. Oh man, I

0:23:08.760 --> 0:23:10.800
<v Speaker 1>just said some of the Grand Master Caz. Actually, if

0:23:10.840 --> 0:23:12.080
<v Speaker 1>you want to go to the other end of the

0:23:12.960 --> 0:23:16.520
<v Speaker 1>that's crazy and it's and it's fire fire. So I

0:23:16.640 --> 0:23:19.760
<v Speaker 1>just sent poets something. We're gonna go back to New

0:23:19.840 --> 0:23:23.240
<v Speaker 1>York now because you know, hold on all right, So

0:23:23.280 --> 0:23:24.920
<v Speaker 1>now if you want, if you want to talk about

0:23:25.000 --> 0:23:27.720
<v Speaker 1>all this, Like young Droe was always ill to me,

0:23:28.119 --> 0:23:29.879
<v Speaker 1>Young Droe was always super ill to me.

0:23:30.359 --> 0:23:33.159
<v Speaker 2>T I is always l to me. I can hear

0:23:33.200 --> 0:23:38.439
<v Speaker 2>you and I together on the joint Ross Ross Ross.

0:23:38.440 --> 0:23:41.520
<v Speaker 1>That's luxury balls right there. You got some luxury balls

0:23:41.560 --> 0:23:53.080
<v Speaker 1>on it. Yeah, now yo, all that man, Now we listeners.

0:23:53.080 --> 0:23:55.960
<v Speaker 2>Man, we've let yo. Man, why you don't you know

0:23:56.040 --> 0:23:57.480
<v Speaker 2>what song? Don't get enough credit?

0:23:57.560 --> 0:24:00.639
<v Speaker 1>Man? The ship you and Pete Rod did Man that

0:24:00.760 --> 0:24:02.600
<v Speaker 1>vitamin ship. Man that ship.

0:24:03.160 --> 0:24:05.000
<v Speaker 2>Oh my god, I got a man. Yo.

0:24:05.160 --> 0:24:08.280
<v Speaker 1>Listen, man, everybody right there, put that song on your

0:24:08.280 --> 0:24:11.879
<v Speaker 1>platefist and go sit in the staircase somewhere. Go just

0:24:11.880 --> 0:24:14.560
<v Speaker 1>go sit in the staircase with a bottle of something

0:24:14.600 --> 0:24:16.520
<v Speaker 1>and listen to that ship. That ship is and you

0:24:16.560 --> 0:24:18.080
<v Speaker 1>have your own part our joint.

0:24:18.600 --> 0:24:22.640
<v Speaker 2>Oh yeah, that was my favorite on that. I was like, man,

0:24:22.680 --> 0:24:24.320
<v Speaker 2>why this do wait so long? Man?

0:24:24.320 --> 0:24:28.200
<v Speaker 1>We didn't been yo this dude, man, But the industry

0:24:28.280 --> 0:24:30.280
<v Speaker 1>does that. You know what I'm saying. It does that.

0:24:30.480 --> 0:24:32.640
<v Speaker 1>You know what I'm saying, like, Yo, no, you old

0:24:32.680 --> 0:24:44.040
<v Speaker 1>school transit you know all that ship. I'm like, there's

0:24:44.119 --> 0:24:45.240
<v Speaker 1>plenty of him.

0:24:46.200 --> 0:24:47.480
<v Speaker 3>I've been wanting to work with you. But that was

0:24:47.520 --> 0:24:49.360
<v Speaker 3>a great thing. And you know what was great about that.

0:24:49.960 --> 0:24:52.680
<v Speaker 3>I was just speaking to my man Hazardous and he said,

0:24:53.359 --> 0:24:55.320
<v Speaker 3>you know, you were his joint and then he goes,

0:24:56.080 --> 0:24:59.199
<v Speaker 3>oh yeah, he goes, he goes with Prodigy And that's

0:24:59.240 --> 0:25:02.320
<v Speaker 3>how powerful to has did the whole on mega album,

0:25:02.440 --> 0:25:06.320
<v Speaker 3>YEA Sounds Engineers.

0:25:06.280 --> 0:25:07.600
<v Speaker 2>Saying that's how powerful it was.

0:25:08.040 --> 0:25:09.960
<v Speaker 3>He he mentioned it like it was me, you and

0:25:10.000 --> 0:25:12.200
<v Speaker 3>Protiesty because Producty was in the video. At the time,

0:25:12.200 --> 0:25:15.200
<v Speaker 3>people thought me and Prodiesty was beefing. So we did

0:25:15.480 --> 0:25:18.800
<v Speaker 3>like like a a stand office and then we smacked five.

0:25:18.560 --> 0:25:20.800
<v Speaker 2>And it was all love you you were you.

0:25:20.920 --> 0:25:23.000
<v Speaker 1>I know, I see what you're doing man, I see

0:25:23.000 --> 0:25:25.560
<v Speaker 1>what you do man, and you you definitely be taking

0:25:25.560 --> 0:25:28.240
<v Speaker 1>that page out of oxbook where you where you? You

0:25:28.240 --> 0:25:28.359
<v Speaker 1>know what?

0:25:28.359 --> 0:25:31.280
<v Speaker 2>I'm the whole, Yeah, the whole. I mean it makes

0:25:31.280 --> 0:25:34.880
<v Speaker 2>the whole. You know, bro, what wouldn't be.

0:25:38.160 --> 0:25:38.480
<v Speaker 1>The show?

0:25:40.000 --> 0:25:43.040
<v Speaker 2>So right, come on, you gonna quick caraspin straighten the rules,

0:25:43.320 --> 0:25:46.960
<v Speaker 2>will give you two choices. I ain't drinking, no crazy ship.

0:25:47.160 --> 0:25:52.240
<v Speaker 9>This is an shots of that. Okay, so two choices.

0:25:52.280 --> 0:25:55.240
<v Speaker 9>You picked one. We're not drinking, but you say both

0:25:55.240 --> 0:25:59.200
<v Speaker 9>are neither we're drinking, so you gotta pick one. Basically

0:25:59.520 --> 0:26:01.159
<v Speaker 9>all right, you don't have to.

0:26:01.119 --> 0:26:03.640
<v Speaker 2>Be I could do that. All right. Let's set it off.

0:26:03.960 --> 0:26:05.240
<v Speaker 2>You go for a bigger or big.

0:26:05.160 --> 0:26:15.800
<v Speaker 10>L get my shot ready though, let's say big L okay,

0:26:16.640 --> 0:26:17.800
<v Speaker 10>got any good big L stories?

0:26:19.480 --> 0:26:23.040
<v Speaker 1>The picture of his album cover, that first album cover

0:26:23.119 --> 0:26:28.000
<v Speaker 1>is my grandmother building. Oh wow, wow, that's that's where

0:26:28.040 --> 0:26:30.720
<v Speaker 1>I went. That was Grandma's house. You know what I'm saying.

0:26:31.320 --> 0:26:33.840
<v Speaker 1>When I was coming right there on the Hunt thirty

0:26:33.920 --> 0:26:36.720
<v Speaker 1>ninth for Linux, that's Grandma's house, you know what I'm saying.

0:26:36.720 --> 0:26:39.320
<v Speaker 1>So that's where I was going for Thanksgiving, all that,

0:26:39.400 --> 0:26:40.760
<v Speaker 1>you know, all that fly ship we do. You know

0:26:40.800 --> 0:26:43.680
<v Speaker 1>what I'm saying, We go see Grandma's ship. That's where

0:26:43.680 --> 0:26:46.720
<v Speaker 1>I was going. And plus, because you know Big Big,

0:26:46.840 --> 0:26:49.440
<v Speaker 1>no Big is the same, were the same age, you

0:26:49.480 --> 0:26:51.919
<v Speaker 1>know what I'm saying. So Big that boy, he's in

0:26:52.000 --> 0:26:53.760
<v Speaker 1>my heart. I never got to work with Big though,

0:26:53.800 --> 0:26:54.520
<v Speaker 1>right Man.

0:26:54.520 --> 0:26:57.120
<v Speaker 2>I met him once. He was going to get them

0:26:57.160 --> 0:26:57.840
<v Speaker 2>chip phones.

0:26:57.880 --> 0:27:01.439
<v Speaker 1>Man, I remember, man uh uh fucking my man fresh

0:27:01.440 --> 0:27:03.439
<v Speaker 1>Gold and was shipping the phones at the time and

0:27:03.440 --> 0:27:05.800
<v Speaker 1>ship and bust Bus had to plug this shit and

0:27:05.880 --> 0:27:09.119
<v Speaker 1>he's like yo pee And so I went and bus.

0:27:09.280 --> 0:27:11.080
<v Speaker 1>They had like a long night, I think, and shit,

0:27:11.080 --> 0:27:12.840
<v Speaker 1>and he was still up for the morning and shit,

0:27:12.880 --> 0:27:15.800
<v Speaker 1>and he's like, yo flat Bush. So I met him

0:27:15.800 --> 0:27:19.080
<v Speaker 1>and she was Bus was living right there and on

0:27:19.359 --> 0:27:24.800
<v Speaker 1>flat Bush Avenue like right downtown, like yo. Honestly, right

0:27:24.840 --> 0:27:27.280
<v Speaker 1>now where he was living is diagonal from where the

0:27:27.280 --> 0:27:28.399
<v Speaker 1>ball Clays is.

0:27:29.480 --> 0:27:31.480
<v Speaker 2>That's where he was living. So he's boom.

0:27:31.560 --> 0:27:33.639
<v Speaker 1>I came He's like, Yo, I'm gonna make one stop

0:27:34.040 --> 0:27:36.399
<v Speaker 1>and then he stopped off and dropped big Olf and

0:27:36.560 --> 0:27:38.160
<v Speaker 1>I was like, oh, shoot you out of that. Nigga

0:27:38.320 --> 0:27:41.200
<v Speaker 1>was like yo, He's like, yo, give me a beat man.

0:27:41.200 --> 0:27:42.359
<v Speaker 1>I was like yeah, hell yeah.

0:27:42.560 --> 0:27:44.720
<v Speaker 2>And that was it, man, Biggie on a large prov

0:27:45.480 --> 0:27:48.000
<v Speaker 2>been crazy, that had been crazy. Now.

0:27:48.000 --> 0:27:50.439
<v Speaker 1>I felt the connection because, like I said, were the

0:27:50.480 --> 0:27:52.960
<v Speaker 1>same age. So I felt the connection, like and he

0:27:53.080 --> 0:27:55.119
<v Speaker 1>was just a wild out nigga, Like we was wild

0:27:55.119 --> 0:27:59.000
<v Speaker 1>out dudes, like all that barbecue shit. Oh there's some

0:27:59.040 --> 0:28:02.000
<v Speaker 1>wildout shit I'm saying so like and he just said

0:28:02.040 --> 0:28:04.119
<v Speaker 1>some wild out ship. He was saying some flagrant like

0:28:04.200 --> 0:28:07.439
<v Speaker 1>wild ship at the time, you know. So I felt

0:28:07.440 --> 0:28:09.840
<v Speaker 1>that vibe, like Yo, it was the same along the

0:28:09.840 --> 0:28:17.400
<v Speaker 1>same lines as nots Wow or DMX dm Max read

0:28:17.440 --> 0:28:22.080
<v Speaker 1>some Peace both Lost Boys or ONNYX Lost Boys. I

0:28:22.119 --> 0:28:24.320
<v Speaker 1>grew up with mister Cheeks. We used to break dance

0:28:24.320 --> 0:28:26.280
<v Speaker 1>in the hallway. God, we just had cheeks on.

0:28:26.560 --> 0:28:26.800
<v Speaker 2>Yeah.

0:28:26.840 --> 0:28:29.120
<v Speaker 3>That's that first time, the first time he's ever talked

0:28:29.119 --> 0:28:30.399
<v Speaker 3>about freaky tow on camera.

0:28:30.880 --> 0:28:32.000
<v Speaker 2>I didn't realize that I was.

0:28:32.080 --> 0:28:36.080
<v Speaker 1>I was that's he big up Jay Raft, Chief of

0:28:36.160 --> 0:28:38.520
<v Speaker 1>staff Man for whatever. That's that's that's who I grew

0:28:38.600 --> 0:28:41.120
<v Speaker 1>up with in Flushing, and that's Cheek's cousins. So he

0:28:41.240 --> 0:28:44.719
<v Speaker 1>we was like breakdancing days, like from way back, like

0:28:44.840 --> 0:28:46.680
<v Speaker 1>me and mister Chief. As a matter of fact, on

0:28:46.800 --> 0:28:49.240
<v Speaker 1>Main Source album, on the break In Adams album, there's

0:28:49.240 --> 0:28:52.160
<v Speaker 1>a shout out to Lost Boys on it, way before

0:28:52.160 --> 0:28:52.800
<v Speaker 1>they came out.

0:28:52.960 --> 0:28:54.160
<v Speaker 2>Wow, and there was just a crew.

0:28:54.480 --> 0:28:57.520
<v Speaker 1>They was just a crew. Yeah, that's that's the Cheeks. Yeah,

0:28:57.760 --> 0:29:00.760
<v Speaker 1>I mean, super love to my man. You know when

0:29:00.800 --> 0:29:02.920
<v Speaker 1>I see it, you know we're gonna get together and ship.

0:29:02.960 --> 0:29:07.520
<v Speaker 1>My man, fred gioe motherfucker stick yo. Because my story,

0:29:07.680 --> 0:29:11.400
<v Speaker 1>my my peripheral story to that is shallow, Shot Skills.

0:29:11.640 --> 0:29:12.240
<v Speaker 2>You know what I'm saying.

0:29:12.240 --> 0:29:14.880
<v Speaker 1>The man that produced the Onyx album, you know, the

0:29:14.920 --> 0:29:17.920
<v Speaker 1>first Hox album, Slam Throw your Guns. I grew up

0:29:17.960 --> 0:29:20.080
<v Speaker 1>with Shallow. You know what I'm saying, Shot Skills, that's

0:29:20.120 --> 0:29:22.240
<v Speaker 1>my man. He grew up in Flush building, you know

0:29:22.280 --> 0:29:24.640
<v Speaker 1>what I'm saying, down cold and ship. Like some of

0:29:24.680 --> 0:29:26.800
<v Speaker 1>them records that was used for the Onyx album is

0:29:26.840 --> 0:29:28.840
<v Speaker 1>my records, you know what I mean? Like he was

0:29:29.120 --> 0:29:31.240
<v Speaker 1>you know what I mean, Like we that was flush,

0:29:31.520 --> 0:29:34.880
<v Speaker 1>flush and shallow and Mike like that we we're gonna

0:29:34.880 --> 0:29:38.800
<v Speaker 1>get into that or not, like, yeah, we got a

0:29:38.800 --> 0:29:40.360
<v Speaker 1>little we got a little powers.

0:29:40.400 --> 0:29:42.280
<v Speaker 3>Yeah, yeah, because we gonna come back because we go

0:29:43.280 --> 0:29:46.120
<v Speaker 3>through this Cormega or Mike Geronimo.

0:29:47.320 --> 0:29:52.120
<v Speaker 1>Cor mega he said it like that cormega now cor mega.

0:29:52.560 --> 0:29:55.840
<v Speaker 1>All right, Now my story with Mike my Geronimo. When

0:29:55.880 --> 0:29:58.720
<v Speaker 1>my parents said, yo, you could go outside by yourself

0:29:58.720 --> 0:30:01.200
<v Speaker 1>for the first time, the first person I met was

0:30:01.240 --> 0:30:02.040
<v Speaker 1>Mike Geronimo.

0:30:02.240 --> 0:30:05.200
<v Speaker 2>Wow, I think he said that here. No, no, yeah, yeah,

0:30:05.480 --> 0:30:05.880
<v Speaker 2>he's did.

0:30:06.320 --> 0:30:09.160
<v Speaker 1>When they said when I always had to go outside

0:30:09.160 --> 0:30:11.880
<v Speaker 1>with my posts and my sister whoever whatever, And the

0:30:11.880 --> 0:30:14.400
<v Speaker 1>first time they said, yo, you could go outside by yourself,

0:30:14.520 --> 0:30:16.400
<v Speaker 1>the first person I met was Mike Geronimo.

0:30:16.520 --> 0:30:17.880
<v Speaker 2>Mike Geronimo, where was this that?

0:30:18.320 --> 0:30:20.720
<v Speaker 1>And call out Flushing Queens? Yeah, call out tower was

0:30:20.760 --> 0:30:25.840
<v Speaker 1>Flushing Queens, New York. I remember that was my first friend.

0:30:25.920 --> 0:30:27.560
<v Speaker 1>And he called you Paul or something Paulie.

0:30:27.640 --> 0:30:28.960
<v Speaker 2>Yeah. We don't never call you pall we call you

0:30:29.080 --> 0:30:35.360
<v Speaker 2>lost the festival, was Paul. No, that was me man, Paulie.

0:30:35.360 --> 0:30:39.520
<v Speaker 1>Man. That's that's how your sister would know me, sister, Paul. Yeah.

0:30:40.160 --> 0:30:42.400
<v Speaker 2>ASR ten or SP twelve hundred.

0:30:42.360 --> 0:30:46.440
<v Speaker 1>As R ten absolutely because the SP twelve hundred. I

0:30:46.480 --> 0:30:49.240
<v Speaker 1>want to explain some of these destitutions because the SP

0:30:49.320 --> 0:30:52.760
<v Speaker 1>twelve hundred I was. I was, I was fed up man,

0:30:52.760 --> 0:30:54.600
<v Speaker 1>because I was trying to hold on to that ship.

0:30:54.640 --> 0:30:58.040
<v Speaker 2>Man, God bless moms man. Moms. My moms was like.

0:31:00.600 --> 0:31:05.080
<v Speaker 1>Cutting edge with technology, so like you know, it'd be like, Mommy,

0:31:05.080 --> 0:31:07.560
<v Speaker 1>give me the newer data. She's like, Mommy, give me

0:31:07.600 --> 0:31:09.520
<v Speaker 1>the new computer. All right, well what we're talking about?

0:31:09.560 --> 0:31:10.640
<v Speaker 1>Like all right, how much is that?

0:31:10.680 --> 0:31:11.840
<v Speaker 2>You know what I mean? It's like she was she

0:31:12.000 --> 0:31:14.360
<v Speaker 2>knew what I needed. You know.

0:31:14.480 --> 0:31:16.800
<v Speaker 1>She's like, nigga, you gonna go fuck them sneakers up

0:31:17.000 --> 0:31:17.320
<v Speaker 1>this shit.

0:31:17.440 --> 0:31:19.200
<v Speaker 2>You I know you're going to. So it was that

0:31:19.240 --> 0:31:21.920
<v Speaker 2>type of thing. So I was.

0:31:22.080 --> 0:31:25.480
<v Speaker 1>I was always like s P twelve hundred out, I

0:31:25.600 --> 0:31:27.640
<v Speaker 1>might have died in a grave like they might have

0:31:27.760 --> 0:31:30.840
<v Speaker 1>like been burying me with like with the s B

0:31:30.960 --> 0:31:35.320
<v Speaker 1>twelve hundred, like that's how much real? Like and and

0:31:35.480 --> 0:31:40.720
<v Speaker 1>then like Rizzi and all these dudes mo b, all

0:31:40.720 --> 0:31:43.280
<v Speaker 1>these honorable producers they start coming out and then like

0:31:43.360 --> 0:31:45.480
<v Speaker 1>you know, I'm geek out and ship I'll be like, yo,

0:31:45.800 --> 0:31:48.960
<v Speaker 1>what machine you using what's this and you know saw

0:31:49.040 --> 0:31:51.760
<v Speaker 1>yo the ASR ten to three thousand of this that now,

0:31:51.840 --> 0:31:54.200
<v Speaker 1>fuck that SP twelve hundred man, that's that's my ship.

0:31:54.240 --> 0:31:55.160
<v Speaker 2>I'm killing them with that.

0:31:55.720 --> 0:31:59.600
<v Speaker 1>And then the reason why is because the s B

0:31:59.680 --> 0:32:03.080
<v Speaker 1>twelve hundred, when you tune your drums, it's gonna start

0:32:03.120 --> 0:32:06.080
<v Speaker 1>crapping out. On the ASR ten when you tune your drums,

0:32:06.120 --> 0:32:11.560
<v Speaker 1>it will sustain and simply, you know, just just functions,

0:32:11.600 --> 0:32:13.640
<v Speaker 1>you know what I mean, the ASR ten does more

0:32:13.840 --> 0:32:15.000
<v Speaker 1>than the SB twelve hundred.

0:32:15.000 --> 0:32:18.200
<v Speaker 2>That's why I say that good right, so great, Produce

0:32:18.240 --> 0:32:20.840
<v Speaker 2>the fucking breakdown right there. Your next one, it goes

0:32:20.880 --> 0:32:23.120
<v Speaker 2>right into the next one analog or digital.

0:32:22.920 --> 0:32:26.520
<v Speaker 1>Analog, the analog with that analog and then and then

0:32:26.560 --> 0:32:29.960
<v Speaker 1>you could go to digital because it's going it's gonna

0:32:29.960 --> 0:32:33.840
<v Speaker 1>preserve that analog. That funk that that bump from the analog.

0:32:33.960 --> 0:32:34.160
<v Speaker 9>Yeah.

0:32:34.320 --> 0:32:36.240
<v Speaker 2>See, no one's ever said that's the smartest way to

0:32:36.280 --> 0:32:38.120
<v Speaker 2>answer that is because you can you can do. You

0:32:38.120 --> 0:32:40.120
<v Speaker 2>can start an analog and then you can transmit the

0:32:40.120 --> 0:32:41.160
<v Speaker 2>digital digital.

0:32:41.480 --> 0:32:44.360
<v Speaker 1>That funk, that bump whatever that is that you got

0:32:44.360 --> 0:32:47.240
<v Speaker 1>an analog that you know what you're doing, Get on

0:32:47.840 --> 0:32:48.440
<v Speaker 1>it's going.

0:32:48.560 --> 0:32:50.640
<v Speaker 2>And then you just did did you you know?

0:32:50.760 --> 0:32:53.040
<v Speaker 3>Did you always say that's far because you have always

0:32:53.080 --> 0:32:56.840
<v Speaker 3>say that the music back then was better because of analog, because.

0:32:56.520 --> 0:32:58.640
<v Speaker 2>We had to make it together. It was a community.

0:32:58.760 --> 0:33:00.760
<v Speaker 2>Analog made it community. Right now, you can send me

0:33:00.800 --> 0:33:05.160
<v Speaker 2>a beat. I could be in Paris, who's unprofessional. You

0:33:05.160 --> 0:33:07.840
<v Speaker 2>could be in Paris, I could be in Russia and

0:33:07.880 --> 0:33:09.800
<v Speaker 2>we can still make a record together. But if we

0:33:09.920 --> 0:33:12.120
<v Speaker 2>both in Flushing, if we both in left right, were

0:33:12.120 --> 0:33:14.560
<v Speaker 2>both in Quezan, were both in power Play studios, how

0:33:14.640 --> 0:33:18.960
<v Speaker 2>much better would it come? With y man hands on.

0:33:20.960 --> 0:33:21.200
<v Speaker 1>Like it?

0:33:21.240 --> 0:33:21.920
<v Speaker 2>I got my man.

0:33:22.200 --> 0:33:24.160
<v Speaker 1>I was just working the other day with my dude,

0:33:24.160 --> 0:33:27.080
<v Speaker 1>Dennis Kellman man yo, and we was doing it like that.

0:33:27.160 --> 0:33:27.320
<v Speaker 2>Man.

0:33:27.360 --> 0:33:29.680
<v Speaker 1>He from he from the Hurst, from East Elmhurst.

0:33:29.920 --> 0:33:30.800
<v Speaker 2>He on the rise. Yo.

0:33:31.600 --> 0:33:33.120
<v Speaker 1>We was in the lab doing it like that.

0:33:33.240 --> 0:33:33.400
<v Speaker 11>Man.

0:33:33.560 --> 0:33:36.840
<v Speaker 1>I was actually in the studio. I had the drum machine.

0:33:37.280 --> 0:33:39.520
<v Speaker 1>He was in there like it was crazy. I was

0:33:39.520 --> 0:33:42.400
<v Speaker 1>like damn this, you know. And then the the engineer,

0:33:42.480 --> 0:33:46.600
<v Speaker 1>James Mullen, he's like power Play alumni. So we in

0:33:46.640 --> 0:33:49.440
<v Speaker 1>the building are still there. The building is still there,

0:33:49.480 --> 0:33:51.240
<v Speaker 1>you know, axing them is still in there. You know,

0:33:52.000 --> 0:33:57.840
<v Speaker 1>do you know Axes, Axes still there man, Hell yeah.

0:33:57.720 --> 0:34:02.840
<v Speaker 3>Okay, Illmatic or ready to die.

0:34:00.040 --> 0:34:06.120
<v Speaker 2>Yeah, Allmatic. I would say so too, Sirmatic, nas j

0:34:06.320 --> 0:34:13.719
<v Speaker 2>Z drink drink.

0:34:15.239 --> 0:34:19.000
<v Speaker 1>It's Champagne anyway, because you're talking about two cool niggas

0:34:19.000 --> 0:34:19.440
<v Speaker 1>that made it.

0:34:19.560 --> 0:34:21.680
<v Speaker 2>Man, you know what I'm saying. So I'm like, damn,

0:34:22.719 --> 0:34:23.520
<v Speaker 2>you could take a drink.

0:34:24.440 --> 0:34:27.000
<v Speaker 1>Yeah, I take a drink to both of them about

0:34:27.040 --> 0:34:28.759
<v Speaker 1>the worried up.

0:34:31.480 --> 0:34:34.200
<v Speaker 2>Now he's gonna he's gonna look Sampaine. I'm gonna sick

0:34:34.280 --> 0:34:35.600
<v Speaker 2>with Champagne to I'm gonna take a look.

0:34:35.560 --> 0:34:38.840
<v Speaker 1>Like they both they both they both project brothers. They

0:34:38.960 --> 0:34:41.200
<v Speaker 1>both project brothers that made it. You know what.

0:34:41.280 --> 0:34:42.400
<v Speaker 2>You can see them in versus.

0:34:44.480 --> 0:34:46.520
<v Speaker 1>I mean, honestly, I think Jay will win because he

0:34:46.600 --> 0:34:49.880
<v Speaker 1>got just a lot more like just people anthems, you

0:34:49.960 --> 0:34:53.520
<v Speaker 1>know what I'm saying, Nas got like And it depends

0:34:53.560 --> 0:34:56.239
<v Speaker 1>on the setting also, like if we like down the

0:34:56.320 --> 0:34:59.480
<v Speaker 1>block at museum like that, Nas, you know what I mean.

0:34:59.680 --> 0:35:01.879
<v Speaker 1>But if we like in some arena or some type

0:35:01.880 --> 0:35:04.000
<v Speaker 1>of ship like that, like I think Jay because just

0:35:04.200 --> 0:35:09.200
<v Speaker 1>like you know, like us, he just got them people

0:35:09.360 --> 0:35:12.520
<v Speaker 1>anthems that it's just it's bananas, like you know Na's

0:35:12.560 --> 0:35:16.479
<v Speaker 1>got them heaters though, Na's got motherfucking on the reel.

0:35:18.280 --> 0:35:20.279
<v Speaker 1>See that's how now kill him if you just go

0:35:20.400 --> 0:35:22.879
<v Speaker 1>to the gutter like now for like on the reel,

0:35:23.000 --> 0:35:27.680
<v Speaker 1>dud uh, motherfucking I did it my way up the side, Yeah,

0:35:27.760 --> 0:35:28.400
<v Speaker 1>the B side.

0:35:28.440 --> 0:35:29.040
<v Speaker 2>I just caught it.

0:35:29.160 --> 0:35:33.200
<v Speaker 1>A double of that album on vinyl. Uh, the lost

0:35:33.280 --> 0:35:35.960
<v Speaker 1>tapes and the other joint. What's what's the joint? We're

0:35:36.040 --> 0:35:39.920
<v Speaker 1>listening to, news man. You gotta love it, You gotta

0:35:40.040 --> 0:35:42.560
<v Speaker 1>love it. You gotta love it. Clears a lot of

0:35:42.640 --> 0:35:45.400
<v Speaker 1>ship out. You gotta love it, clear a lot of

0:35:45.400 --> 0:35:47.480
<v Speaker 1>ship out. A lot of niggas got like they you

0:35:47.560 --> 0:35:50.279
<v Speaker 1>gotta heap up like four, five or six songs because

0:35:50.360 --> 0:35:52.440
<v Speaker 1>Nas could just put on put you gotta love it

0:35:52.560 --> 0:35:53.879
<v Speaker 1>back on, you know what I mean.

0:35:53.960 --> 0:35:57.280
<v Speaker 2>It's just clear niggas if he was performed the whole.

0:35:57.680 --> 0:36:06.080
<v Speaker 1>And no ideas original, no ideas of original, so he

0:36:06.200 --> 0:36:08.800
<v Speaker 1>got he's just not paying attention to them heaters like

0:36:08.920 --> 0:36:13.320
<v Speaker 1>he got heaters that if he switched his show, he

0:36:13.440 --> 0:36:17.960
<v Speaker 1>gets treacherous, It gets tangerous. Were like you you gotta

0:36:18.040 --> 0:36:24.759
<v Speaker 1>start doing that vitamins on stage in your show. Big

0:36:24.880 --> 0:36:27.360
<v Speaker 1>up rod Digger because we was in v A and

0:36:27.480 --> 0:36:28.960
<v Speaker 1>we're doing the show. As a matter of fact, you

0:36:29.120 --> 0:36:32.560
<v Speaker 1>was on the show. We were red man. You I

0:36:32.680 --> 0:36:34.600
<v Speaker 1>think I was there with d I T. C.

0:36:34.800 --> 0:36:35.960
<v Speaker 2>Law for them.

0:36:36.440 --> 0:36:39.080
<v Speaker 1>It was a nice show and v A and Rod

0:36:39.120 --> 0:36:41.520
<v Speaker 1>Digger was we was she was doing a sound check.

0:36:41.960 --> 0:36:44.160
<v Speaker 1>I was like, Digga, you doing that that Pete Rob

0:36:44.239 --> 0:36:48.120
<v Speaker 1>joint And she was like, I don't know. And I

0:36:48.239 --> 0:36:50.480
<v Speaker 1>was like, nah, you got to, you got to. And

0:36:51.160 --> 0:36:53.600
<v Speaker 1>I seen Nigger like not too long ago. She's like,

0:36:53.840 --> 0:36:55.960
<v Speaker 1>I'm still doing the Pete Rock was like, Yo, so

0:36:56.400 --> 0:36:58.960
<v Speaker 1>you too, man, you gotta do that Pete Rock ship.

0:36:59.040 --> 0:37:01.680
<v Speaker 1>That vitamin ship is crazy. Everybody get that on your

0:37:01.719 --> 0:37:05.160
<v Speaker 1>playlist now that ship crazy juice or New Jack City

0:37:05.680 --> 0:37:12.680
<v Speaker 1>Juice Juice je Juice is hip hop like that. That's

0:37:12.800 --> 0:37:16.040
<v Speaker 1>me right there, like that pock is in Juice like crazy.

0:37:16.239 --> 0:37:16.439
<v Speaker 2>Yeah.

0:37:16.520 --> 0:37:20.640
<v Speaker 1>That inspired me to Yeah you ever met Hell, Yeah,

0:37:21.200 --> 0:37:22.920
<v Speaker 1>you call me Professor Maine Sauce.

0:37:24.960 --> 0:37:26.520
<v Speaker 2>Professor Main Sauce.

0:37:32.760 --> 0:37:35.680
<v Speaker 1>Was because they you know, Cali, Cali, I think they

0:37:35.840 --> 0:37:38.480
<v Speaker 1>like that on the Friendly Game of Baseball. Joints.

0:37:38.800 --> 0:37:38.960
<v Speaker 12>You know.

0:37:39.040 --> 0:37:39.319
<v Speaker 1>I was.

0:37:41.560 --> 0:37:43.880
<v Speaker 2>No, no, no, motherfucking faking the that.

0:37:49.320 --> 0:37:52.239
<v Speaker 1>I'm ready, yo, But they rock with the friendly game

0:37:52.320 --> 0:37:55.000
<v Speaker 1>of baseball joint and so you know, like I had

0:37:55.040 --> 0:37:57.920
<v Speaker 1>a lot of love early from Cali brothers, like they

0:37:58.080 --> 0:37:59.840
<v Speaker 1>was like, so pack was one of them, man, he

0:38:00.120 --> 0:38:03.760
<v Speaker 1>was always like, Yo, that's my nigga Professor Main Sauce

0:38:03.800 --> 0:38:04.040
<v Speaker 1>with some.

0:38:04.160 --> 0:38:05.000
<v Speaker 2>Baby I got to flick.

0:38:05.239 --> 0:38:08.480
<v Speaker 1>You met him underground digital underground No right when he

0:38:08.640 --> 0:38:11.160
<v Speaker 1>was getting ready to right when you do to his thing.

0:38:11.280 --> 0:38:15.200
<v Speaker 2>Yeah, it must have been kind of crazy though, when

0:38:15.200 --> 0:38:16.279
<v Speaker 2>everything started popping off.

0:38:16.600 --> 0:38:19.160
<v Speaker 1>Oh, when everything's yeah, no, I mean because it's just

0:38:19.239 --> 0:38:22.279
<v Speaker 1>another one of them brothers. That's just like popping off.

0:38:22.400 --> 0:38:25.239
<v Speaker 1>Like it's like the fireworks. You just see them ship

0:38:25.320 --> 0:38:27.799
<v Speaker 1>start popping off. You like, oh ship that one, Oh

0:38:27.960 --> 0:38:30.960
<v Speaker 1>that one over there. It's like that with everybody, Like nah,

0:38:31.040 --> 0:38:33.279
<v Speaker 1>it's like apatche Like you know what I'm saying, Like

0:38:33.320 --> 0:38:38.160
<v Speaker 1>you just seeing everybody popping off, Oh ship who MC

0:38:38.440 --> 0:38:43.120
<v Speaker 1>or dje DJ because you were're running your mouths that shit,

0:38:43.160 --> 0:38:44.640
<v Speaker 1>ain't you know what I mean? You gotta keep running

0:38:44.680 --> 0:38:49.440
<v Speaker 1>your fucking mouth. Just keep running your mouth, you know

0:38:49.480 --> 0:38:52.080
<v Speaker 1>what I'm saying, Like, Oh, all right now, but just

0:38:52.160 --> 0:38:54.600
<v Speaker 1>playing some tunes. That ship is forever. We could do

0:38:54.719 --> 0:38:57.680
<v Speaker 1>that ship for fold one hundred thousand hours. You know

0:38:57.719 --> 0:39:00.440
<v Speaker 1>what I'm saying, to shut your fucking mouth, like listening

0:39:00.440 --> 0:39:02.239
<v Speaker 1>to the records and shit, you know what I'm saying.

0:39:03.400 --> 0:39:08.959
<v Speaker 2>Yeah, yeah, who did you rap on for Ness? Oh man,

0:39:09.160 --> 0:39:09.920
<v Speaker 2>that's gonna.

0:39:09.800 --> 0:39:13.759
<v Speaker 1>Definitely be another drink right there. I love both of

0:39:13.840 --> 0:39:16.759
<v Speaker 1>them brothers, man, I love yo because for Neess, for

0:39:16.840 --> 0:39:19.440
<v Speaker 1>Neess first and foremost, both of them is bosses. You

0:39:19.480 --> 0:39:21.759
<v Speaker 1>know what I'm saying. I'll tell you the sort. Like

0:39:21.880 --> 0:39:25.960
<v Speaker 1>for Neess was the first brother that came to me,

0:39:26.120 --> 0:39:28.719
<v Speaker 1>like you know, in New York, we was kind of like, yo,

0:39:28.800 --> 0:39:31.120
<v Speaker 1>the offices, the office, you know, the office. We wasn't

0:39:31.200 --> 0:39:33.080
<v Speaker 1>like them brothers down South where it's like yo, fuck

0:39:33.120 --> 0:39:34.680
<v Speaker 1>that we're gonna press our own ship up and do

0:39:34.760 --> 0:39:36.400
<v Speaker 1>what we do, you know what I mean. He was like, Yo,

0:39:36.440 --> 0:39:38.040
<v Speaker 1>We're gonna go to the office real quick, see if

0:39:38.080 --> 0:39:40.480
<v Speaker 1>we could get it by so. But Finess was one

0:39:40.520 --> 0:39:42.320
<v Speaker 1>of the first brothers that came to me and was

0:39:42.440 --> 0:39:45.640
<v Speaker 1>like I finished the remix. I'm like yo, so you know,

0:39:45.719 --> 0:39:47.640
<v Speaker 1>I'm go to the office and she's like no, no, no,

0:39:47.840 --> 0:39:49.759
<v Speaker 1>I got you like, I got you like and he

0:39:50.120 --> 0:39:52.160
<v Speaker 1>reached in his pocket and was like bomb that's you

0:39:52.360 --> 0:39:54.520
<v Speaker 1>right there and ship and I'm like, oh shit, like

0:39:54.600 --> 0:39:56.399
<v Speaker 1>So that was one of the first brothers I seen

0:39:56.520 --> 0:39:58.840
<v Speaker 1>like boss up like on his own, like where he

0:39:59.000 --> 0:40:00.400
<v Speaker 1>was all in nigga. You know what I mean.

0:40:00.440 --> 0:40:04.120
<v Speaker 2>You know when you get the budget for that. We're

0:40:04.160 --> 0:40:04.440
<v Speaker 2>here the.

0:40:05.920 --> 0:40:08.520
<v Speaker 1>Budget and you dispersed the funds, you know what I'm saying,

0:40:08.600 --> 0:40:11.279
<v Speaker 1>not the label like he was all in nigga, Like, yo,

0:40:11.400 --> 0:40:13.640
<v Speaker 1>I give me the whole budget and I'm gonna disperse

0:40:13.719 --> 0:40:16.680
<v Speaker 1>the funds. So and g rap Man g rap actually

0:40:16.880 --> 0:40:17.879
<v Speaker 1>like that brother.

0:40:18.000 --> 0:40:19.520
<v Speaker 2>Man. He rapped from Corona.

0:40:19.760 --> 0:40:22.440
<v Speaker 3>He's from Yeah, of course I remember him living in

0:40:22.520 --> 0:40:23.560
<v Speaker 3>Left Rock at one point.

0:40:23.960 --> 0:40:26.399
<v Speaker 1>No, he was heavy and left Rag Shannon is still

0:40:26.400 --> 0:40:28.799
<v Speaker 1>out there, man, like all the people still out there man.

0:40:29.000 --> 0:40:34.560
<v Speaker 1>And yeah, g Man g taught me like like the

0:40:34.680 --> 0:40:37.240
<v Speaker 1>finer things, you know what I mean. It's like treat yourself.

0:40:37.360 --> 0:40:38.880
<v Speaker 2>He like that.

0:40:39.360 --> 0:40:47.840
<v Speaker 1>Not caviall, but like you know, shrimp scampy, shrimp scampy.

0:40:49.960 --> 0:40:52.360
<v Speaker 2>That's that's basic diner ship, you know. I mean, I

0:40:52.480 --> 0:40:55.319
<v Speaker 2>wasn't when you when you're young. That's that's already up there.

0:40:55.440 --> 0:40:59.200
<v Speaker 2>That's up the yo. Listen, man, I tell you a

0:40:59.280 --> 0:41:01.600
<v Speaker 2>funny story. I'm gonna tell you a funny story.

0:41:01.680 --> 0:41:05.320
<v Speaker 1>Me and Fatal follow Eric B and Freddie Fox around

0:41:05.400 --> 0:41:08.040
<v Speaker 1>for like for like a half an hour, like an hour,

0:41:08.520 --> 0:41:10.839
<v Speaker 1>and they went to the Buccaneer dining. The buck used

0:41:10.840 --> 0:41:13.080
<v Speaker 1>to be on the ass story here right boom.

0:41:13.160 --> 0:41:14.359
<v Speaker 2>So we we went in there.

0:41:14.400 --> 0:41:16.359
<v Speaker 1>We're sitting at the other table over there. And ship

0:41:16.400 --> 0:41:19.520
<v Speaker 1>we got like we we we could if we if

0:41:19.520 --> 0:41:21.400
<v Speaker 1>we get something to eat, man, we we kind of

0:41:21.600 --> 0:41:24.400
<v Speaker 1>dead in the water after that, Like yo, if the

0:41:24.480 --> 0:41:26.439
<v Speaker 1>gas went out on this ship, we dead in the water.

0:41:26.600 --> 0:41:28.960
<v Speaker 1>I mean it's good we get local. But all right,

0:41:29.719 --> 0:41:31.560
<v Speaker 1>you know every b he happy. He was like, yo, man,

0:41:31.600 --> 0:41:33.440
<v Speaker 1>get them brother something to eat man, Like yo, yo,

0:41:33.600 --> 0:41:35.640
<v Speaker 1>So we you know I come from that type of

0:41:35.680 --> 0:41:38.399
<v Speaker 1>ship man. So you know, g Rap showed me like, Yo,

0:41:40.520 --> 0:41:43.880
<v Speaker 1>treat yourself man. Like we was in Queen Center, Like Yo,

0:41:43.960 --> 0:41:45.000
<v Speaker 1>Paul man, you're gonna.

0:41:44.760 --> 0:41:45.319
<v Speaker 2>Get some kicks.

0:41:45.400 --> 0:41:49.520
<v Speaker 1>Make yo, Paul, get some kicks man right out ship

0:41:49.600 --> 0:41:51.000
<v Speaker 1>me and Queen Center and ship.

0:41:50.800 --> 0:41:53.880
<v Speaker 2>I'm like, Yo, what g Rap getting buying kicks? Like

0:41:54.040 --> 0:41:54.560
<v Speaker 2>you know what I mean?

0:41:54.680 --> 0:41:57.279
<v Speaker 1>Like that ship was crazy man, Like you, Paul man,

0:41:57.320 --> 0:41:59.040
<v Speaker 1>what you're gonna get the steak man? What you gonna

0:41:59.040 --> 0:42:01.759
<v Speaker 1>get You're gonna get the Yo. I'm like, now I'm

0:42:01.800 --> 0:42:05.080
<v Speaker 1>getting ready to get a burgers nigga, get the strict.

0:42:05.239 --> 0:42:07.800
<v Speaker 1>I'm like, I'm gonna do that. Man, See what that

0:42:07.920 --> 0:42:12.000
<v Speaker 1>life is about, you know, Yeah, drink that one absolutely yeah,

0:42:13.480 --> 0:42:16.600
<v Speaker 1>man of super ill lyricist. Man, we we wanded off.

0:42:16.680 --> 0:42:19.160
<v Speaker 1>They don't even remember the subject matter. But Yo, it's

0:42:19.280 --> 0:42:23.400
<v Speaker 1>crazy man, big up g rapping for nets the Lords

0:42:23.840 --> 0:42:27.400
<v Speaker 1>or Brand Nubian Jungle Brothers.

0:42:27.600 --> 0:42:30.359
<v Speaker 2>Nah. Now, but let me see. I mean that says

0:42:30.400 --> 0:42:30.600
<v Speaker 2>a lot.

0:42:30.880 --> 0:42:33.920
<v Speaker 1>Say let me see tribe called quest of Brand Nubies.

0:42:36.280 --> 0:42:38.799
<v Speaker 1>You know, you know for a fact that I'm gonna

0:42:38.800 --> 0:42:42.040
<v Speaker 1>definitely say the tribe because that's that's that's my that's

0:42:42.400 --> 0:42:43.840
<v Speaker 1>you know, I'm a part of the tribe.

0:42:44.680 --> 0:42:46.000
<v Speaker 2>I'm a part of the tribe like.

0:42:46.080 --> 0:42:50.400
<v Speaker 1>That's you know, that's that's that's my family that embraced

0:42:50.440 --> 0:42:53.239
<v Speaker 1>me after Main Sauce dissolved for me. You know what

0:42:53.239 --> 0:42:55.719
<v Speaker 1>I'm saying. Q Tip was coming due. He was like, Yo, bro,

0:42:56.880 --> 0:42:58.919
<v Speaker 1>we're not gonna You're not gonna be in no great

0:42:59.040 --> 0:43:02.239
<v Speaker 1>area and no time like nigga you actually getting ready

0:43:02.280 --> 0:43:03.560
<v Speaker 1>to be better than you was.

0:43:04.400 --> 0:43:05.759
<v Speaker 2>Just just just come through.

0:43:05.800 --> 0:43:08.640
<v Speaker 1>I'ma come get you know, come through here and there

0:43:08.760 --> 0:43:13.480
<v Speaker 1>Dah dah and Yo Nah tribe man, but big super

0:43:13.600 --> 0:43:16.160
<v Speaker 1>super big up to Brand Nubian because them brothers are

0:43:16.200 --> 0:43:20.600
<v Speaker 1>still on active duty and they they they Yo forever man,

0:43:20.760 --> 0:43:23.239
<v Speaker 1>like those is the dudes I was on like when

0:43:23.520 --> 0:43:26.640
<v Speaker 1>when my run was strong with Maine Sauce, like a

0:43:26.760 --> 0:43:30.920
<v Speaker 1>lot of them bills was Maine Sauce, Brand Nubian leaders

0:43:30.960 --> 0:43:35.440
<v Speaker 1>of the New School like you will see them flyers

0:43:35.560 --> 0:43:39.360
<v Speaker 1>like in Denver and here like with those with that

0:43:39.600 --> 0:43:41.600
<v Speaker 1>same line up, so big up Brand Newby and that

0:43:41.719 --> 0:43:44.320
<v Speaker 1>was those was the road dogs, big like we're big.

0:43:44.239 --> 0:43:46.400
<v Speaker 2>Up John scott Man, that was the road dog too.

0:43:46.840 --> 0:43:48.800
<v Speaker 2>That was the manager road Managers.

0:43:48.480 --> 0:43:55.799
<v Speaker 1>Sh Midnight Marauders or low in theory. I'm gonna say

0:43:55.840 --> 0:43:58.200
<v Speaker 1>low in theory because you know that was that was

0:43:58.280 --> 0:44:01.719
<v Speaker 1>more when they was your faces on Might Maradas though. Absolutely,

0:44:01.960 --> 0:44:04.520
<v Speaker 1>my hands, my soul, my heart is all do that

0:44:04.600 --> 0:44:05.160
<v Speaker 1>man for real?

0:44:05.280 --> 0:44:05.799
<v Speaker 2>Now for real?

0:44:05.920 --> 0:44:08.720
<v Speaker 1>That that's that's he bicked me up all through that album,

0:44:08.800 --> 0:44:10.359
<v Speaker 1>because that's when that's what I'm saying.

0:44:10.400 --> 0:44:11.759
<v Speaker 2>They embraced me, you know what I mean.

0:44:11.719 --> 0:44:14.600
<v Speaker 1>Like they brought me in like as a collaborator with that,

0:44:14.800 --> 0:44:17.680
<v Speaker 1>and it's like, yo, you know, like how you feel

0:44:17.719 --> 0:44:20.200
<v Speaker 1>about this? And it was like, oh ship, Like yo,

0:44:20.360 --> 0:44:23.920
<v Speaker 1>I'm able to say something about a tribe, call quest

0:44:24.080 --> 0:44:27.719
<v Speaker 1>record and give input into it, like, yo, I think

0:44:27.760 --> 0:44:31.759
<v Speaker 1>you need to rock the Brotherren drums with that? All right,

0:44:31.920 --> 0:44:35.719
<v Speaker 1>let me try it, yo. That ship worked like I'm

0:44:35.719 --> 0:44:36.320
<v Speaker 1>gonna fuck with it.

0:44:38.200 --> 0:44:38.359
<v Speaker 9>Oh.

0:44:39.120 --> 0:44:43.000
<v Speaker 3>Fife was probably one of the most competitive. Let me yo,

0:44:44.120 --> 0:44:46.200
<v Speaker 3>A lot of people. I've never said this story. A

0:44:46.239 --> 0:44:48.520
<v Speaker 3>lot of people don't know this. He didn't like that

0:44:48.760 --> 0:44:52.800
<v Speaker 3>jacked his lie what line? He goes, both know this

0:44:53.160 --> 0:44:57.359
<v Speaker 3>and bo no, jack wow, because I said what did

0:44:57.400 --> 0:44:57.719
<v Speaker 3>I say?

0:44:58.600 --> 0:45:00.560
<v Speaker 2>I said, no, we know this and don't know that?

0:45:00.840 --> 0:45:03.480
<v Speaker 2>But real no, gad wow because Norri buck that and

0:45:03.600 --> 0:45:06.120
<v Speaker 2>Fife was always like you kind of destroyed my ship

0:45:07.120 --> 0:45:09.200
<v Speaker 2>and I was just like what, I'm like, oh, gee,

0:45:09.239 --> 0:45:11.120
<v Speaker 2>I'm giving you love. He's like, no, I want to

0:45:11.120 --> 0:45:14.120
<v Speaker 2>take one of your lines. Norri I was like yo,

0:45:14.440 --> 0:45:20.200
<v Speaker 2>like to the versus like he was like, it's a

0:45:20.280 --> 0:45:21.799
<v Speaker 2>good way, a good way.

0:45:22.440 --> 0:45:25.040
<v Speaker 3>And when you hear stories about Kobe Bryant and you

0:45:25.120 --> 0:45:29.279
<v Speaker 3>see like Michael Jordan's sees a mathic Johnson and he

0:45:29.360 --> 0:45:30.320
<v Speaker 3>goes where your sneaking?

0:45:30.360 --> 0:45:33.320
<v Speaker 2>Is that right now? Like that's who fight reminded me of.

0:45:33.480 --> 0:45:35.759
<v Speaker 2>So I missed, I missed the ship out of the

0:45:35.800 --> 0:45:39.279
<v Speaker 2>fight man versus I am going to take a shout out.

0:45:39.840 --> 0:45:40.680
<v Speaker 2>I am going to take a shot.

0:45:41.640 --> 0:45:47.600
<v Speaker 1>We used to no, we know, we used to sit

0:45:47.680 --> 0:45:51.200
<v Speaker 1>in in his grandmother's basement. Tip had a set up

0:45:51.239 --> 0:45:54.880
<v Speaker 1>in there. Uh and they was like, my grandmother Tips grandmother,

0:45:55.080 --> 0:45:58.200
<v Speaker 1>Fight's grandmother. Okay, that's the that's the one that's right

0:45:58.280 --> 0:46:00.560
<v Speaker 1>there about the cleaners. Okay when we to check the

0:46:00.640 --> 0:46:04.360
<v Speaker 1>rom okay video So diagonal diagonal from there is on

0:46:04.520 --> 0:46:05.640
<v Speaker 1>five grandma's crib.

0:46:05.719 --> 0:46:06.120
<v Speaker 2>That's where the.

0:46:06.160 --> 0:46:08.480
<v Speaker 1>Mural is at and all that, the tribe mural and

0:46:08.520 --> 0:46:11.200
<v Speaker 1>all that. So yeah, we used to sit in the basement.

0:46:11.320 --> 0:46:14.600
<v Speaker 1>That's when they was working on midnight marauders and Yo,

0:46:14.760 --> 0:46:17.040
<v Speaker 1>he used to just be sitting there just watching the sports,

0:46:18.120 --> 0:46:21.960
<v Speaker 1>the sports run down, playing the video games, just listening

0:46:22.040 --> 0:46:24.640
<v Speaker 1>to us going at the beats. You know, he'd be like, yo, nah,

0:46:24.680 --> 0:46:26.560
<v Speaker 1>that ship is all right right there. You know, you like, Yo,

0:46:26.680 --> 0:46:28.759
<v Speaker 1>this shit crazy right here. Me and Tipping They're like, Yo,

0:46:28.880 --> 0:46:30.759
<v Speaker 1>this shit crazy right here. You're like, Yo, that's all

0:46:30.840 --> 0:46:32.960
<v Speaker 1>right right there. But he watching TV like you know,

0:46:33.080 --> 0:46:34.840
<v Speaker 1>sitting to the side and ship just listening.

0:46:35.520 --> 0:46:41.719
<v Speaker 2>Yeah, fight fight, that's my man. Take that drink. Yeahdvor

0:46:41.760 --> 0:46:45.239
<v Speaker 2>Bismarck and to them as well, to them as well.

0:46:47.000 --> 0:46:50.080
<v Speaker 1>I'm gonna say O d B. Really, I'm gonna say

0:46:50.080 --> 0:46:53.640
<v Speaker 1>O dB, because O d B encompassed it all like

0:46:53.800 --> 0:46:57.120
<v Speaker 1>Biz was just like he Biz. What I realized after

0:46:57.200 --> 0:46:59.840
<v Speaker 1>all these years was that he just always appealed to

0:47:00.080 --> 0:47:03.840
<v Speaker 1>a child in us. Always, he always appealed to the

0:47:04.040 --> 0:47:06.799
<v Speaker 1>to the most innocent part of our lives. I ain't

0:47:06.840 --> 0:47:07.440
<v Speaker 1>look at it like that.

0:47:07.800 --> 0:47:11.759
<v Speaker 2>No, the point that he did Yo gab him and

0:47:11.960 --> 0:47:12.719
<v Speaker 2>forty five King.

0:47:12.800 --> 0:47:14.279
<v Speaker 1>No, actually, this this was I'm.

0:47:14.160 --> 0:47:17.040
<v Speaker 3>Gonna be honest. My my comedic sense I got I

0:47:17.080 --> 0:47:19.040
<v Speaker 3>didn't get from comedians. I got it from Biz. Mark

0:47:19.320 --> 0:47:22.080
<v Speaker 3>me trying to mimic Biz because I thought was when

0:47:22.160 --> 0:47:25.000
<v Speaker 3>when when I heard picking Booker's I thought that was

0:47:25.040 --> 0:47:28.800
<v Speaker 3>the most genius because I was, like I pitched it.

0:47:28.880 --> 0:47:31.680
<v Speaker 3>I visualized him doing everything that right, It's like to.

0:47:31.719 --> 0:47:37.839
<v Speaker 1>Have fun, like to have you see you see how

0:47:37.920 --> 0:47:44.120
<v Speaker 1>you see where like that hit the strip right now

0:47:44.600 --> 0:47:54.040
<v Speaker 1>right he's Molly ma or Q tip Molly Molly Mollie,

0:47:54.719 --> 0:47:58.440
<v Speaker 1>Oh my god, and Q Tip would say Molly. Q

0:47:58.600 --> 0:48:01.000
<v Speaker 1>Tub would say, Mally Man. Mall is the father of.

0:48:02.920 --> 0:48:06.040
<v Speaker 2>Hip hop production period.

0:48:06.200 --> 0:48:08.600
<v Speaker 1>Like I was gonna say queens, but like Perriod, like

0:48:08.719 --> 0:48:11.560
<v Speaker 1>Mally's production and hip hop like that.

0:48:12.239 --> 0:48:18.000
<v Speaker 2>I always like, we're all a part of my leaning. Man.

0:48:18.320 --> 0:48:22.440
<v Speaker 1>Listen, man, when I like because Mally Scratch, Now, when

0:48:22.480 --> 0:48:24.160
<v Speaker 1>I listen to it, because that was one of the

0:48:24.360 --> 0:48:28.279
<v Speaker 1>first I remember, bro I listened to the radio, I

0:48:28.480 --> 0:48:29.560
<v Speaker 1>listen all that ship.

0:48:29.640 --> 0:48:29.719
<v Speaker 2>Man.

0:48:29.760 --> 0:48:33.160
<v Speaker 1>I remember, Man, when Molly Scratch came out, ship changed

0:48:33.160 --> 0:48:35.480
<v Speaker 1>because he was starting to use samples and it just

0:48:35.560 --> 0:48:37.719
<v Speaker 1>sounded like some old It sounded like he took some

0:48:37.760 --> 0:48:40.759
<v Speaker 1>ship off the flintstones, like the drums was off the flintstones.

0:48:40.760 --> 0:48:42.279
<v Speaker 2>It was sounded like some bed rock ship.

0:48:42.280 --> 0:48:42.560
<v Speaker 7>It was like.

0:48:44.960 --> 0:48:46.800
<v Speaker 1>Like a nigga was doing that ship on rocks and

0:48:46.880 --> 0:48:49.520
<v Speaker 1>sticks or some ship. And I'm like, damn, this ship

0:48:49.640 --> 0:48:52.600
<v Speaker 1>is ill like it's but it's it's it's the equivalent

0:48:52.680 --> 0:48:56.319
<v Speaker 1>of how we were doing that ship in the lunch room.

0:48:56.960 --> 0:48:59.200
<v Speaker 1>So I'm like, oh man, this is starting to translate

0:48:59.239 --> 0:49:01.160
<v Speaker 1>a little different. Were coming out of it like that,

0:49:01.680 --> 0:49:03.360
<v Speaker 1>you know, because they was doing the band. It was like.

0:49:03.560 --> 0:49:08.520
<v Speaker 2>Map and know all that ship like all right cool.

0:49:08.719 --> 0:49:11.399
<v Speaker 2>So now he was breaking it back down to them, Yeah,

0:49:11.480 --> 0:49:14.640
<v Speaker 2>leaving like the disco sound too. Yeah, and no high hat.

0:49:14.560 --> 0:49:17.080
<v Speaker 1>Ship like that, and so it was like, all right,

0:49:17.080 --> 0:49:20.400
<v Speaker 1>where we going because this is our language now, this

0:49:20.560 --> 0:49:22.880
<v Speaker 1>is the language we speak like. No R and B

0:49:23.120 --> 0:49:25.080
<v Speaker 1>person could come in here and say, oh you did

0:49:25.160 --> 0:49:26.960
<v Speaker 1>that wrong and nothing like that. You know that's out

0:49:27.000 --> 0:49:29.120
<v Speaker 1>of key or nothing like that. This is our language

0:49:29.200 --> 0:49:31.720
<v Speaker 1>now that we speak. And if the ship is wrong,

0:49:32.160 --> 0:49:32.640
<v Speaker 1>we like it.

0:49:32.760 --> 0:49:35.440
<v Speaker 2>And we rocking. That ship is uniquely hip hop exactly.

0:49:35.560 --> 0:49:36.439
<v Speaker 2>That's what we rock.

0:49:36.760 --> 0:49:39.239
<v Speaker 1>So yeah, nah, I'm always the father that like. You know,

0:49:39.360 --> 0:49:40.560
<v Speaker 1>we we get busy man.

0:49:41.280 --> 0:49:46.719
<v Speaker 2>The motherfucking building, young bro, young broke. That's my young bro.

0:49:47.000 --> 0:49:50.440
<v Speaker 2>Like man, you too, you know that. You know that's

0:49:50.480 --> 0:49:53.480
<v Speaker 2>young bros right there. Lord oh my young girl was

0:49:53.520 --> 0:49:54.279
<v Speaker 2>in the building. Man.

0:49:54.680 --> 0:49:57.440
<v Speaker 1>Cali need to be here too, MANI Kali Man.

0:49:57.480 --> 0:50:04.520
<v Speaker 3>That's young Bro's a alchemist. I would say, dolcumists yesterday.

0:50:04.640 --> 0:50:07.719
<v Speaker 2>I love a man. Alice my brother too.

0:50:07.800 --> 0:50:12.160
<v Speaker 1>That's young bro to man Like al is incredible man

0:50:12.320 --> 0:50:16.239
<v Speaker 1>and he's just he's the mind boggler. Alix another you

0:50:16.320 --> 0:50:19.000
<v Speaker 1>are mind boggler too, but and trash trash to mind

0:50:19.040 --> 0:50:24.279
<v Speaker 1>bottler too, you know. For yeah, al Man, big up

0:50:24.320 --> 0:50:26.160
<v Speaker 1>my man, A L A L Ski.

0:50:27.360 --> 0:50:34.280
<v Speaker 3>DJ Clue took a shot. I'm in, I'm in, Jamie,

0:50:34.560 --> 0:50:38.360
<v Speaker 3>get another shot. I'll catch up.

0:50:39.840 --> 0:50:42.200
<v Speaker 2>I love both of them, brothers. Can you give Tyler

0:50:42.320 --> 0:50:48.520
<v Speaker 2>Qually some Japanese whiskey here? He has no choice? Exactly

0:50:50.719 --> 0:50:56.040
<v Speaker 2>my point, exactly my brother. You know you bro? Yeah,

0:50:56.440 --> 0:50:59.240
<v Speaker 2>you got the next one? Yeah, n PC three thousand

0:50:59.280 --> 0:51:01.759
<v Speaker 2>and two thousand, Uh.

0:51:01.800 --> 0:51:05.840
<v Speaker 1>The NPC, I would say the three thousand because the

0:51:06.239 --> 0:51:10.239
<v Speaker 1>sound is it's just that it's that thick sound, all right.

0:51:10.280 --> 0:51:12.000
<v Speaker 1>So what did I do on the three thousand?

0:51:12.120 --> 0:51:12.480
<v Speaker 2>I did?

0:51:12.960 --> 0:51:16.839
<v Speaker 1>I did rewind on the three thousand, Yeah, I did.

0:51:17.200 --> 0:51:19.640
<v Speaker 1>I did that on the three thousand. I did uh

0:51:20.680 --> 0:51:22.360
<v Speaker 1>state chisel on the three thousand.

0:51:23.680 --> 0:51:23.839
<v Speaker 2>Uh.

0:51:25.120 --> 0:51:27.799
<v Speaker 1>And like the two thousand, the two thousand, that's Jay

0:51:27.880 --> 0:51:31.759
<v Speaker 1>Love's thing. Jay Love is the two thousand, DJ j

0:51:31.920 --> 0:51:34.680
<v Speaker 1>Love up, Big up Jay Love, man, he do his

0:51:34.800 --> 0:51:36.719
<v Speaker 1>thing with that. But I ain't never really get into

0:51:37.080 --> 0:51:39.840
<v Speaker 1>but the three thousand was like that thick like it

0:51:40.040 --> 0:51:44.160
<v Speaker 1>just got that that that like yeah, like you get that.

0:51:44.360 --> 0:51:51.080
<v Speaker 13>Fat describe Yeah, for sure hip hop. Sure, I know

0:51:51.440 --> 0:51:53.640
<v Speaker 13>that's that lab top. I probably know the answer to

0:51:53.719 --> 0:51:58.040
<v Speaker 13>this one. The actual sample or playing the sample over.

0:51:58.680 --> 0:52:02.960
<v Speaker 1>Oh, the actual sample, the actual sample is funky. It's funky. Oh,

0:52:03.080 --> 0:52:05.719
<v Speaker 1>it's funky. It's off the record. It's off the You

0:52:05.760 --> 0:52:07.960
<v Speaker 1>gotta have it off the record, man, you gotta have

0:52:08.080 --> 0:52:10.640
<v Speaker 1>it off the record. Bro, man is funky like that. Man,

0:52:10.680 --> 0:52:14.080
<v Speaker 1>you gotta keep it funky. Pete Rock, Pete Rock, my

0:52:14.160 --> 0:52:17.600
<v Speaker 1>Man and Rashaw Smith. Yo, it's so many Lord for

0:52:17.760 --> 0:52:23.080
<v Speaker 1>next man, oh yo, just blaze, you know, man, we

0:52:23.280 --> 0:52:23.960
<v Speaker 1>keep it funky.

0:52:24.160 --> 0:52:27.400
<v Speaker 2>We keep it funky. Jungle Brothers or that I saw.

0:52:30.239 --> 0:52:33.800
<v Speaker 1>For for now because I said this, I said this,

0:52:34.080 --> 0:52:38.600
<v Speaker 1>and you know I love Daylight yo too.

0:52:38.800 --> 0:52:38.960
<v Speaker 2>You know.

0:52:40.040 --> 0:52:42.520
<v Speaker 1>But it's definitely the Jungle Brothers because they they was

0:52:42.560 --> 0:52:46.160
<v Speaker 1>the first brothers out and they.

0:52:48.680 --> 0:52:50.920
<v Speaker 2>When you see them perform, they've been performing a.

0:52:50.960 --> 0:52:54.440
<v Speaker 1>Lot lately, man, and you just you see how much

0:52:54.560 --> 0:52:58.920
<v Speaker 1>sprouted from them brothers. Man, like yeah, just the native

0:52:59.040 --> 0:53:00.319
<v Speaker 1>tongue us.

0:53:03.360 --> 0:53:06.719
<v Speaker 2>At Jungle. The JB's ain't really get they just do.

0:53:07.080 --> 0:53:09.560
<v Speaker 2>I think they may be not really.

0:53:09.920 --> 0:53:12.440
<v Speaker 1>How everybody was, you know, like I said, you got

0:53:12.560 --> 0:53:14.200
<v Speaker 1>to think it was like the fireworks he was like,

0:53:14.239 --> 0:53:17.200
<v Speaker 1>oh ship, that little redby Oh ship that like everybody

0:53:17.320 --> 0:53:18.800
<v Speaker 1>was popping off. And then it was like you know

0:53:18.800 --> 0:53:21.080
<v Speaker 1>what I mean, like some people they fireworks.

0:53:20.680 --> 0:53:22.880
<v Speaker 2>Was a little line in my time. In my generation,

0:53:23.080 --> 0:53:25.239
<v Speaker 2>I think the younger brothers dig I don't think so.

0:53:27.480 --> 0:53:34.800
<v Speaker 1>The JB's that's crazy. What's another one? Girl out househo?

0:53:34.960 --> 0:53:35.480
<v Speaker 2>Girl house?

0:53:36.440 --> 0:53:39.960
<v Speaker 1>Okay, what's another one? Jim Browski, can you name one

0:53:40.000 --> 0:53:40.920
<v Speaker 1>without me prompting you?

0:53:41.640 --> 0:53:52.759
<v Speaker 2>Okay, Baby's directory. We mixed up with what Man? We

0:53:52.880 --> 0:54:02.439
<v Speaker 2>got the mixes READYO what Kanye or Forrell? Oh Man?

0:54:02.560 --> 0:54:04.560
<v Speaker 2>I might have to drink to that because that's both

0:54:04.640 --> 0:54:05.320
<v Speaker 2>young bros.

0:54:05.719 --> 0:54:08.320
<v Speaker 1>Kanye forgot when he gave me when he showed me

0:54:08.440 --> 0:54:12.080
<v Speaker 1>love like it's funny. I still haven't met Kanye. What

0:54:12.920 --> 0:54:16.239
<v Speaker 1>sall ain't mean Kanye? That's crazy word to this day,

0:54:16.800 --> 0:54:19.000
<v Speaker 1>and I had so much info for him. I got

0:54:19.040 --> 0:54:21.520
<v Speaker 1>this sample for him, man, this ship, this Manu to

0:54:21.600 --> 0:54:26.000
<v Speaker 1>Bengo joint. When they was doing the Nas and Kanye album,

0:54:26.080 --> 0:54:29.080
<v Speaker 1>there's this Minu de Bengo song where it sounds like

0:54:29.160 --> 0:54:33.320
<v Speaker 1>he's saying Kanye and Nas in the song wow. And

0:54:33.560 --> 0:54:35.480
<v Speaker 1>I wanted to get that message to them. But it be,

0:54:35.600 --> 0:54:37.759
<v Speaker 1>you know, when the industry shit start happening. Man, it'd

0:54:37.760 --> 0:54:39.640
<v Speaker 1>be so hard to get in contact with dudes how

0:54:39.680 --> 0:54:41.440
<v Speaker 1>you used to, you know, like I'd be like the

0:54:41.560 --> 0:54:44.520
<v Speaker 1>direct connect like yo, you know that's how I am sporadic,

0:54:44.600 --> 0:54:47.640
<v Speaker 1>like yo, oh shit, you heard this ship that type

0:54:47.680 --> 0:54:50.480
<v Speaker 1>of thing, so you know. But yeah, man, I got

0:54:50.560 --> 0:54:52.160
<v Speaker 1>a drink to that man because I love both them.

0:54:52.320 --> 0:54:55.080
<v Speaker 1>Yr Pharrell always show love. Man. I got flicked with

0:54:55.200 --> 0:54:57.600
<v Speaker 1>Pharrell like doing the du praying.

0:54:57.400 --> 0:54:59.440
<v Speaker 2>Hands and hugs and all that.

0:54:59.600 --> 0:54:59.719
<v Speaker 8>Man.

0:54:59.800 --> 0:55:01.040
<v Speaker 2>But I still ain't met Kanye.

0:55:01.200 --> 0:55:03.759
<v Speaker 1>Man, and I have so much info form, Like you know,

0:55:03.840 --> 0:55:05.520
<v Speaker 1>I got family in Chicago soul.

0:55:05.640 --> 0:55:07.160
<v Speaker 2>Maybe you don't want to meet it right now. No,

0:55:07.360 --> 0:55:10.680
<v Speaker 2>I'm not anytime. The good time musically it would be amazing.

0:55:10.920 --> 0:55:12.040
<v Speaker 2>Musically would be made the.

0:55:12.040 --> 0:55:21.120
<v Speaker 1>Difference, man, Man, Man, pick up your pops. Damn, I

0:55:21.560 --> 0:55:23.919
<v Speaker 1>am drink a gallon now you know what I'm saying.

0:55:23.960 --> 0:55:27.239
<v Speaker 1>You got to drink a gallon. That's crazy mob deep

0:55:27.360 --> 0:55:29.120
<v Speaker 1>or m O p mm hmm.

0:55:30.400 --> 0:55:31.440
<v Speaker 2>Rest in peace, Prodigy.

0:55:31.719 --> 0:55:34.360
<v Speaker 1>Listen, man, I've been you know, because I've been DJing

0:55:34.400 --> 0:55:38.839
<v Speaker 1>a lot lately, so and on vinyl too. So I've

0:55:38.840 --> 0:55:40.800
<v Speaker 1>been having my vinyl I got my vinyl with you

0:55:41.560 --> 0:55:43.200
<v Speaker 1>be doing it and we should have bought that vinyl.

0:55:43.200 --> 0:55:44.960
<v Speaker 1>And I want to bring kind of you know, we

0:55:45.040 --> 0:55:46.480
<v Speaker 1>said floor yeah.

0:55:48.200 --> 0:55:51.359
<v Speaker 2>Trying to get I'm trying to get out of back

0:55:51.440 --> 0:55:56.359
<v Speaker 2>to DJing. But he got your vinyl. Yeah, I didn't

0:55:56.360 --> 0:55:58.920
<v Speaker 2>go digital. I didn't go right now you still just

0:55:59.040 --> 0:56:02.640
<v Speaker 2>do vinyl? Yeah at parties. Yeah, I prefer that because

0:56:02.640 --> 0:56:05.960
<v Speaker 2>of a man from from my so whatever. Who your

0:56:06.000 --> 0:56:12.800
<v Speaker 2>crew carries the crates? I do you? Yeah, that's for that.

0:56:13.000 --> 0:56:15.399
<v Speaker 2>How we did not work out in these days.

0:56:16.120 --> 0:56:18.480
<v Speaker 1>Daily my people see me on the Long Island Railroad

0:56:18.600 --> 0:56:22.799
<v Speaker 1>daily like I'll be like, yo, boa my mans, yo,

0:56:23.080 --> 0:56:25.960
<v Speaker 1>dance lord stored up man.

0:56:26.000 --> 0:56:26.640
<v Speaker 2>Yeah, and now we do.

0:56:27.600 --> 0:56:28.560
<v Speaker 1>And I just the.

0:56:31.960 --> 0:56:39.239
<v Speaker 2>Queen trying not to say queens, you got the boat's

0:56:39.360 --> 0:56:42.600
<v Speaker 2>arms and he does. He can't even.

0:56:44.760 --> 0:56:48.799
<v Speaker 1>Became love system Mac word it up for life, pun

0:56:49.040 --> 0:56:54.040
<v Speaker 1>or prodigy, Damn to scorts man. My brothers to man

0:56:54.920 --> 0:56:58.160
<v Speaker 1>hell man, both of them niggas l and they was

0:56:58.200 --> 0:57:01.960
<v Speaker 1>relentless man like they say some ship man, just like

0:57:02.680 --> 0:57:05.600
<v Speaker 1>say some ship that might bother you. That ship might

0:57:05.760 --> 0:57:09.279
<v Speaker 1>bother you, you know what I'm saying. And you got

0:57:09.440 --> 0:57:16.080
<v Speaker 1>to live with that ship all right, Eminem stad case

0:57:16.120 --> 0:57:18.000
<v Speaker 1>Ship Stad case ship.

0:57:18.880 --> 0:57:21.080
<v Speaker 2>M or bus man.

0:57:21.240 --> 0:57:23.840
<v Speaker 1>Em just shouted me out man in that speech. Man,

0:57:24.400 --> 0:57:29.600
<v Speaker 1>that's another brother I evern't met. Still when you asked when.

0:57:29.480 --> 0:57:32.080
<v Speaker 3>I asked you earlier artist that you would like to

0:57:32.120 --> 0:57:33.640
<v Speaker 3>work with, I thought he was gonna say Eminem or

0:57:33.680 --> 0:57:34.240
<v Speaker 3>doctor Drade.

0:57:38.640 --> 0:57:47.919
<v Speaker 2>He said, now m m man Yo, he was probably wild. Wow.

0:57:48.360 --> 0:57:50.640
<v Speaker 1>Like if I threw a track up like I don't.

0:57:50.800 --> 0:57:52.960
<v Speaker 1>I don't know if I you know, because I sent

0:57:53.160 --> 0:57:57.640
<v Speaker 1>I sent things in before I sent to it working, yo,

0:57:57.840 --> 0:58:02.120
<v Speaker 1>send something. I sent things. So maybe him gotta come

0:58:02.320 --> 0:58:03.960
<v Speaker 1>bless something for me, you know what I mean?

0:58:04.080 --> 0:58:09.640
<v Speaker 3>Like maybe heard or just got everyone would destroyer lost

0:58:09.680 --> 0:58:11.480
<v Speaker 3>professor b I gotta get.

0:58:11.720 --> 0:58:16.120
<v Speaker 2>I gotta give him that the best way I can

0:58:16.200 --> 0:58:18.360
<v Speaker 2>hear that I can hear. Oh my god, the bombs

0:58:18.400 --> 0:58:18.920
<v Speaker 2>were bursting.

0:58:19.400 --> 0:58:21.480
<v Speaker 1>Like that's where we need to get with music, like

0:58:21.600 --> 0:58:24.360
<v Speaker 1>some of these collaborations that still need to happen, Like

0:58:24.440 --> 0:58:27.960
<v Speaker 1>I just recently did a joint with my man Al

0:58:28.120 --> 0:58:30.280
<v Speaker 1>Scratch from Scratch.

0:58:30.160 --> 0:58:32.720
<v Speaker 12>Love It on Scratch Man, and they still do Dope Ship.

0:58:32.760 --> 0:58:33.960
<v Speaker 12>I've been checking out their new ship.

0:58:34.240 --> 0:58:35.520
<v Speaker 2>Yeah, because That's what I'm saying.

0:58:35.600 --> 0:58:37.800
<v Speaker 1>I did the joint with Ol Scratch and the ship

0:58:37.880 --> 0:58:42.160
<v Speaker 1>started ringing off everybody. Yo, it was your man lows Man,

0:58:42.480 --> 0:58:45.120
<v Speaker 1>classic material class loos.

0:58:45.880 --> 0:58:48.120
<v Speaker 2>You know he's part of that. Like Yo, we didn't Yo,

0:58:48.520 --> 0:58:52.040
<v Speaker 2>we we got Whenever you come home man, you know, man, listen, listen,

0:58:53.400 --> 0:58:54.800
<v Speaker 2>let me get you, let me get you. Let me

0:58:54.840 --> 0:58:56.560
<v Speaker 2>give you a good example. Let me just say you.

0:58:57.400 --> 0:58:58.560
<v Speaker 2>I'm out here. Six months.

0:58:59.360 --> 0:59:03.000
<v Speaker 3>My life is finally getting back together, right, finally getting

0:59:03.000 --> 0:59:04.520
<v Speaker 3>back together my here six months.

0:59:04.520 --> 0:59:06.840
<v Speaker 2>I'm so happy with Eddie Giggs in the in the person.

0:59:06.880 --> 0:59:09.600
<v Speaker 2>Actually that actually, that is that time. It is that time.

0:59:09.920 --> 0:59:12.920
<v Speaker 3>Yes, so it's fifth TV Eddie gas and then yes,

0:59:13.280 --> 0:59:14.600
<v Speaker 3>yeah it's unlimited.

0:59:14.600 --> 0:59:18.200
<v Speaker 2>So so I go to New York. Forget what club

0:59:18.240 --> 0:59:18.400
<v Speaker 2>it is.

0:59:18.440 --> 0:59:22.200
<v Speaker 3>It's on thirty it's like thirty fourths something and there's

0:59:22.240 --> 0:59:25.560
<v Speaker 3>off the Western Highway. So I'm coming with the Miami attitude.

0:59:25.680 --> 0:59:26.760
<v Speaker 3>I'm like, no, no, no, there's not tune.

0:59:26.840 --> 0:59:28.440
<v Speaker 2>No, this is this is this is, this is the

0:59:28.480 --> 0:59:29.000
<v Speaker 2>two thousands.

0:59:29.080 --> 0:59:31.240
<v Speaker 3>This is like fifteen years ago when I first moved

0:59:31.280 --> 0:59:34.000
<v Speaker 3>to Miami. And what I realized was when I come

0:59:34.120 --> 0:59:36.320
<v Speaker 3>back to New York, I have to be mad for

0:59:36.400 --> 0:59:42.720
<v Speaker 3>no reason. Like you can see look you have to

0:59:42.840 --> 0:59:44.200
<v Speaker 3>have that New York brother.

0:59:44.280 --> 0:59:46.760
<v Speaker 1>Brother. Listen, now this is what happens man New York.

0:59:47.120 --> 0:59:49.080
<v Speaker 1>Now you don't have to be mad for New York

0:59:49.120 --> 0:59:50.920
<v Speaker 1>can make you mad because you know, as soon as

0:59:50.920 --> 0:59:54.680
<v Speaker 1>you touchdown the fucking escalated old world, you got to

0:59:55.120 --> 0:59:58.680
<v Speaker 1>this other ship. Now this bush don't work. This ship

0:59:58.760 --> 1:00:03.560
<v Speaker 1>is right slowly, you know what I mean? Like, you know, yo,

1:00:03.760 --> 1:00:05.720
<v Speaker 1>even if you and you know you got the luxury

1:00:05.800 --> 1:00:08.280
<v Speaker 1>life and you're gonna do this, there's mad traffic. You

1:00:08.360 --> 1:00:10.280
<v Speaker 1>know you You're like, man, fucking let me just stop

1:00:10.320 --> 1:00:12.640
<v Speaker 1>off at Farmers and gets some budd real quickly.

1:00:13.000 --> 1:00:13.480
<v Speaker 2>You know what I mean.

1:00:13.840 --> 1:00:16.120
<v Speaker 3>I'll be honest because when I first moved to Miami,

1:00:16.960 --> 1:00:19.680
<v Speaker 3>I wouldn't see a lot of people. And then I

1:00:20.160 --> 1:00:21.680
<v Speaker 3>remember when I was staying there. I stayed in the

1:00:21.760 --> 1:00:25.840
<v Speaker 3>Western on fortieth Street, and I went downstairs a smoking cigarette.

1:00:25.840 --> 1:00:27.480
<v Speaker 3>I still smoking cigarettes at the time. I went downstairs

1:00:27.520 --> 1:00:30.440
<v Speaker 3>smoking cigarette, and it felt like thirty thousand people just

1:00:30.520 --> 1:00:32.760
<v Speaker 3>walked by me. So I ran back upstairs to the

1:00:32.840 --> 1:00:36.640
<v Speaker 3>hotel and I was, you're New York, come motherfucker up.

1:00:38.640 --> 1:00:39.080
<v Speaker 5>A pet.

1:00:40.440 --> 1:00:42.600
<v Speaker 2>I went back downstairs, I smoked the bund and I

1:00:42.680 --> 1:00:48.680
<v Speaker 2>was like Yeah, motherfucker. You gotta realize like it's a

1:00:48.760 --> 1:00:51.200
<v Speaker 2>different world. See Miami is a party town, but if

1:00:51.200 --> 1:00:52.840
<v Speaker 2>you don't want to party, you don't have to party

1:00:52.880 --> 1:00:56.400
<v Speaker 2>out here. You can actually be low man. So but

1:00:56.720 --> 1:00:57.840
<v Speaker 2>you know I noticed that.

1:00:57.960 --> 1:00:59.360
<v Speaker 3>Now when I go back to New York, I gotta

1:00:59.480 --> 1:01:01.720
<v Speaker 3>build up my attitude. N w A or who take clan?

1:01:03.520 --> 1:01:07.080
<v Speaker 2>He pasted the BACONI nobody, said eminem of Buster no

1:01:07.280 --> 1:01:10.480
<v Speaker 2>Acanelian Nature. Oh you got to ask that. I just

1:01:10.560 --> 1:01:16.320
<v Speaker 2>did Nature. You know, I gotta go with our.

1:01:16.320 --> 1:01:20.440
<v Speaker 3>Rock in the strip club right now, finger popping song.

1:01:20.360 --> 1:01:24.720
<v Speaker 2>Man, your shout Nature.

1:01:24.800 --> 1:01:28.200
<v Speaker 1>Shout out, Mama, love, shout out, Yachty, shout out.

1:01:28.320 --> 1:01:32.800
<v Speaker 2>Yo is my brother like like no other man. For real, Man,

1:01:32.960 --> 1:01:37.840
<v Speaker 2>I love Yo. Man? And who else was he against? Who? Nature? Oh?

1:01:37.960 --> 1:01:40.560
<v Speaker 2>Nate Nature? Come on, Nate Nature, your Maine, Baxter, Nate

1:01:40.640 --> 1:01:42.640
<v Speaker 2>because your main yachsta All right?

1:01:42.680 --> 1:01:45.200
<v Speaker 1>Well see Nate mean Nature, Me and Nate. Still, that's

1:01:45.240 --> 1:01:47.120
<v Speaker 1>another one of my peoples that I gotta you know

1:01:47.120 --> 1:01:49.120
<v Speaker 1>what I mean, I gotta get that working with you know,

1:01:49.400 --> 1:01:51.200
<v Speaker 1>like he we I think me and Nate might be

1:01:51.280 --> 1:01:53.919
<v Speaker 1>around the same age too. Yeah, yeah, for real, ya.

1:01:54.520 --> 1:01:58.560
<v Speaker 2>Nate is hell Nate. He's a slick, he's elusive. He'll

1:01:59.160 --> 1:02:05.960
<v Speaker 2>throw you off thinking n w A Wu Tang and w.

1:02:06.200 --> 1:02:09.120
<v Speaker 1>A And that's ill because I just I just picked

1:02:09.200 --> 1:02:13.960
<v Speaker 1>up my vinyl of Etho Zagon, the n w A Joint,

1:02:16.080 --> 1:02:18.560
<v Speaker 1>the Ethoszagon, the Niggas for Life Backwards joint.

1:02:18.640 --> 1:02:25.760
<v Speaker 2>Oh yeah, that album is crazy.

1:02:26.560 --> 1:02:30.280
<v Speaker 1>So who you're picking, sir, let's talk about now. But

1:02:31.240 --> 1:02:35.640
<v Speaker 1>let's talk about that album now. But uh wou Tang Boutang,

1:02:35.800 --> 1:02:37.880
<v Speaker 1>there's too many motherfucking.

1:02:38.080 --> 1:02:40.280
<v Speaker 2>For both of them is crazy. No, but it's too

1:02:40.320 --> 1:02:41.040
<v Speaker 2>many bangers.

1:02:41.720 --> 1:02:41.919
<v Speaker 5>Lord.

1:02:42.000 --> 1:02:44.000
<v Speaker 1>Now it's just put me on to the to the soul,

1:02:44.160 --> 1:02:47.640
<v Speaker 1>the soul in soling the whole soundtrack banger.

1:02:47.760 --> 1:02:51.440
<v Speaker 2>Well, that ship is crazy. I just got that on vinyl.

1:02:51.560 --> 1:02:56.360
<v Speaker 1>Like you talking about projects, You talking about heaters, you

1:02:56.480 --> 1:03:01.080
<v Speaker 1>talking about that Saint I's commercial, You talking about the storm,

1:03:01.440 --> 1:03:04.280
<v Speaker 1>you talking about it's too wul Tang really did what

1:03:04.400 --> 1:03:08.680
<v Speaker 1>they said. They came as swarm niggas with mad bangers. Man, Yo,

1:03:08.800 --> 1:03:11.120
<v Speaker 1>it's two when you are music person.

1:03:10.960 --> 1:03:11.320
<v Speaker 2>Like I am.

1:03:11.360 --> 1:03:14.480
<v Speaker 1>I'm getting ready to do one fifty one on Avenue

1:03:14.520 --> 1:03:16.800
<v Speaker 1>C in l e S on June sixth, coming up.

1:03:17.560 --> 1:03:18.800
<v Speaker 2>All my people's gonna come out.

1:03:18.880 --> 1:03:21.360
<v Speaker 1>They're gonna it's gonna be packed in there, and I'm

1:03:21.360 --> 1:03:23.360
<v Speaker 1>bringing out all that Wu Tang I'll be bringing out

1:03:23.400 --> 1:03:25.600
<v Speaker 1>that Wu Tang shit. I'll be bringing out all that

1:03:26.840 --> 1:03:29.640
<v Speaker 1>produced by Pete Rod shit, all that adored, let it

1:03:29.760 --> 1:03:32.120
<v Speaker 1>all hang out and down with the king and all

1:03:32.160 --> 1:03:35.520
<v Speaker 1>that five ship like the Kings really killing or man crazy,

1:03:35.760 --> 1:03:38.360
<v Speaker 1>just bringing all that nostalgia back to youngins is right there.

1:03:38.400 --> 1:03:40.760
<v Speaker 1>My man laid for dinners in here. He's one hundred

1:03:40.760 --> 1:03:44.200
<v Speaker 1>percent down with that. This man's twenty like early twenties

1:03:44.760 --> 1:03:47.000
<v Speaker 1>and he's right there with that. Shit's like, yes, that's

1:03:47.040 --> 1:03:50.560
<v Speaker 1>what it is. So I feel great about these times. Man,

1:03:50.600 --> 1:03:51.840
<v Speaker 1>it's great times right now.

1:03:52.040 --> 1:03:58.960
<v Speaker 2>So elkolj big that he can man take a shot definitely. Man.

1:03:59.000 --> 1:04:03.000
<v Speaker 1>I love both of them, definitely. Man, Yo, you can't

1:04:03.000 --> 1:04:08.880
<v Speaker 1>give it our little Japanese. Oh God, I'm watching, Yeah,

1:04:11.400 --> 1:04:14.520
<v Speaker 1>yes we are. Soon as you finished about.

1:04:14.320 --> 1:04:17.040
<v Speaker 2>It, bro came you know you didn't come out. Did

1:04:17.120 --> 1:04:21.720
<v Speaker 2>you hear it? Did you hear it? Because text me

1:04:21.760 --> 1:04:23.080
<v Speaker 2>the other day I heard that about it.

1:04:23.120 --> 1:04:25.320
<v Speaker 1>I heard that joint I produced for for you, and

1:04:25.600 --> 1:04:31.600
<v Speaker 1>uh uh, y'all seen I never joined that you're gonna

1:04:32.520 --> 1:04:37.320
<v Speaker 1>professor bro yo, bro, what we got like six joint,

1:04:37.440 --> 1:04:40.760
<v Speaker 1>six sessions like yeah, it's fire my man, right yo,

1:04:41.200 --> 1:04:43.480
<v Speaker 1>yo were good man, you got yo get that?

1:04:43.800 --> 1:04:44.000
<v Speaker 2>Yeah?

1:04:44.200 --> 1:04:46.360
<v Speaker 1>No, we and already we This ain't nothing that we

1:04:46.440 --> 1:04:47.960
<v Speaker 1>got to do or nothing. That's what the work is in.

1:04:48.080 --> 1:04:53.120
<v Speaker 1>Yeah y'all have yeah we yeah, we already. It makes

1:04:53.160 --> 1:04:54.880
<v Speaker 1>me feel bad because it's like I only got like

1:04:54.920 --> 1:04:57.040
<v Speaker 1>one or two songs with Flush, like one song with

1:04:57.200 --> 1:04:57.760
<v Speaker 1>you like this.

1:04:58.760 --> 1:05:03.440
<v Speaker 2>We got the pizza joint. We got the pizza joint. CNN.

1:05:03.560 --> 1:05:05.400
<v Speaker 14>That's the CN I'm taking take. I take a shot

1:05:05.440 --> 1:05:11.800
<v Speaker 14>for that, the CNN joint. Man, okay, Rock Kim okay Rest,

1:05:12.520 --> 1:05:17.000
<v Speaker 14>but k r Rass over.

1:05:16.960 --> 1:05:20.800
<v Speaker 2>Rock k r Rass Krst. You couldn't even say his

1:05:20.880 --> 1:05:23.000
<v Speaker 2>name earlier, but I guess so k R rest one,

1:05:24.840 --> 1:05:27.160
<v Speaker 2>KRS one. I would think you would pick rock him

1:05:27.160 --> 1:05:30.840
<v Speaker 2>because the rumor is now rock him. Rock him is

1:05:30.880 --> 1:05:32.960
<v Speaker 2>my big brother. He taught me. He taught me a

1:05:33.040 --> 1:05:34.560
<v Speaker 2>real lesson in life. You know what I'm saying.

1:05:34.600 --> 1:05:36.800
<v Speaker 1>He taught me to be more serious in life. You

1:05:36.840 --> 1:05:39.280
<v Speaker 1>know what I'm saying, that's the more serious person. Yeah, yeah, yeah,

1:05:39.320 --> 1:05:41.120
<v Speaker 1>but we'll see Rock kim smile two times.

1:05:41.320 --> 1:05:44.000
<v Speaker 2>Yeah, no, no, I see it, Yo, we you know.

1:05:44.440 --> 1:05:46.200
<v Speaker 1>And that's the thing I got thrown off because we

1:05:46.400 --> 1:05:48.080
<v Speaker 1>used to actually joke like we used to, you know,

1:05:48.200 --> 1:05:52.360
<v Speaker 1>because he respected my musicality as much as I respected his,

1:05:52.520 --> 1:05:54.280
<v Speaker 1>you know what I'm saying. So we used to like

1:05:54.680 --> 1:05:56.920
<v Speaker 1>build and then we got past like all you know,

1:05:57.080 --> 1:05:58.880
<v Speaker 1>respect do shit. And it was like, Yo, we used

1:05:58.920 --> 1:05:59.520
<v Speaker 1>to bug out.

1:05:59.360 --> 1:06:01.520
<v Speaker 2>A little bit. So but now Kall res one because

1:06:01.560 --> 1:06:02.200
<v Speaker 2>kill res one.

1:06:02.760 --> 1:06:04.800
<v Speaker 1>He he comes from a whole different grain man that

1:06:04.880 --> 1:06:07.800
<v Speaker 1>niggas from the BX, from the original grain of that

1:06:07.920 --> 1:06:11.800
<v Speaker 1>ship man, and he got too many motherfucking bangers right now. Man,

1:06:11.920 --> 1:06:14.000
<v Speaker 1>Like I'm telling you, I want to talk about step

1:06:14.160 --> 1:06:16.480
<v Speaker 1>into a world. You want to talk about a friend

1:06:17.120 --> 1:06:20.320
<v Speaker 1>you want to talk about in here, I'll be putting.

1:06:20.080 --> 1:06:22.680
<v Speaker 2>Them ships up on the sea man, the MC big

1:06:22.760 --> 1:06:27.400
<v Speaker 2>up Domingo you man, okay, Primo or beat Rock.

1:06:32.080 --> 1:06:34.160
<v Speaker 1>And you know what. First, the first thing that came

1:06:34.240 --> 1:06:37.480
<v Speaker 1>to my mind was that motherfucking firing squad beat Man

1:06:37.520 --> 1:06:37.880
<v Speaker 1>that m.

1:06:37.880 --> 1:06:44.280
<v Speaker 2>O p It was bearing the board.

1:06:43.560 --> 1:06:47.439
<v Speaker 1>Ah Man premire that nigga is I love my brother

1:06:47.560 --> 1:06:49.440
<v Speaker 1>man and our birthdays of the same day.

1:06:50.600 --> 1:06:51.960
<v Speaker 2>I could tell, and we have both of them on

1:06:52.040 --> 1:06:52.800
<v Speaker 2>Dream Champs together.

1:06:53.160 --> 1:06:55.640
<v Speaker 1>I can tell you they have to tell. They tell.

1:06:56.760 --> 1:06:59.560
<v Speaker 2>Jazz needed to be big up Chazz man. I love

1:06:59.680 --> 1:07:00.840
<v Speaker 2>Chad Well, who are you picking?

1:07:01.800 --> 1:07:02.120
<v Speaker 1>Drinking?

1:07:02.160 --> 1:07:03.120
<v Speaker 2>Now? We drink drinking?

1:07:03.880 --> 1:07:04.360
<v Speaker 1>We drinking?

1:07:04.480 --> 1:07:07.760
<v Speaker 3>Man, Ye that's difficult, Yeah, okay, Havoc or DJ Monks.

1:07:09.360 --> 1:07:13.400
<v Speaker 2>Oh all right, my man, have man.

1:07:13.560 --> 1:07:17.360
<v Speaker 1>I love have Man. That's my brother. Trash brought him

1:07:17.360 --> 1:07:20.240
<v Speaker 1>through my crab right. I was when I when my

1:07:20.400 --> 1:07:24.040
<v Speaker 1>name was starting to like really ring bells hard trag

1:07:24.280 --> 1:07:27.880
<v Speaker 1>on Like you know, I was very young and I

1:07:28.040 --> 1:07:31.400
<v Speaker 1>was working with g rap. I had already mally like

1:07:31.560 --> 1:07:35.560
<v Speaker 1>my my production for mister Intelligent Hudlam was already in,

1:07:36.000 --> 1:07:38.720
<v Speaker 1>so I was already had my feet under me, like

1:07:38.920 --> 1:07:42.120
<v Speaker 1>all right, cool, you got a credit, you got a record,

1:07:42.240 --> 1:07:44.760
<v Speaker 1>vinyl record with your name on the type ship. So

1:07:44.960 --> 1:07:48.640
<v Speaker 1>I was already. So now Trag comes through and he

1:07:48.760 --> 1:07:53.880
<v Speaker 1>got the young and tragic fatal like yo, the young

1:07:54.000 --> 1:07:56.280
<v Speaker 1>and he was just keewan.

1:07:56.840 --> 1:07:59.840
<v Speaker 2>Like yo, and you go on with Havings real name guy.

1:08:00.320 --> 1:08:02.440
<v Speaker 2>He was like yo. He looked over my shoulder.

1:08:02.480 --> 1:08:04.720
<v Speaker 1>He was like yo, I'm gonna do that ship one day,

1:08:04.720 --> 1:08:06.800
<v Speaker 1>and I'm gonna get ill and he had to run

1:08:06.920 --> 1:08:11.720
<v Speaker 1>back home because he has Yes, that's fire, because he

1:08:12.120 --> 1:08:14.760
<v Speaker 1>had Grandmam's. He was like, Yo, we gotta get him

1:08:14.800 --> 1:08:16.400
<v Speaker 1>back and ship because he had like he was like

1:08:16.960 --> 1:08:20.720
<v Speaker 1>he wasn't even supposed to be gone from the bridge, right,

1:08:21.000 --> 1:08:22.880
<v Speaker 1>So it's like, yo, got him back and ship, you

1:08:22.880 --> 1:08:25.680
<v Speaker 1>know what I mean? Like, but half I've been on

1:08:25.800 --> 1:08:28.639
<v Speaker 1>the hill days they've been like, Yo, nigga, get upstairs.

1:08:28.680 --> 1:08:30.840
<v Speaker 2>Man finished that album, man, Like you know what I mean?

1:08:30.920 --> 1:08:34.560
<v Speaker 1>That type of ship like have I've seen have and

1:08:34.760 --> 1:08:40.800
<v Speaker 1>his empasy of like production have is a is a

1:08:40.960 --> 1:08:45.519
<v Speaker 1>super like general king on production.

1:08:45.760 --> 1:08:45.840
<v Speaker 15>Bro.

1:08:46.720 --> 1:08:49.519
<v Speaker 1>Like you could never not let please let me like

1:08:49.920 --> 1:08:53.400
<v Speaker 1>embellish like because that brother man like, because you never

1:08:53.760 --> 1:08:56.080
<v Speaker 1>you like, what's what's the joint we always rock with

1:08:56.160 --> 1:08:59.720
<v Speaker 1>now is the the separated joint that be from the

1:08:59.760 --> 1:09:02.280
<v Speaker 1>set separated joy that it came in and the in

1:09:02.360 --> 1:09:04.560
<v Speaker 1>the late See that's what me and na is we

1:09:04.680 --> 1:09:06.880
<v Speaker 1>be having like the round tables. We be still listening

1:09:06.920 --> 1:09:09.720
<v Speaker 1>to catalogs like we go out to Hollis real quick

1:09:09.760 --> 1:09:12.760
<v Speaker 1>bo and we be listening. Yo, that's separated. Put that

1:09:12.880 --> 1:09:15.800
<v Speaker 1>on your playlist too. That ship crazy like and it's

1:09:15.800 --> 1:09:18.679
<v Speaker 1>a later production, Like so that's when you know, brothers

1:09:18.720 --> 1:09:20.720
<v Speaker 1>still got it, like when we did that and you

1:09:20.840 --> 1:09:23.240
<v Speaker 1>were still able to pop off in the ladder like

1:09:23.280 --> 1:09:25.360
<v Speaker 1>be cause it was like we thought the popping offs

1:09:25.520 --> 1:09:28.400
<v Speaker 1>was not popping off no more. It's like, nah, niggas

1:09:28.479 --> 1:09:31.200
<v Speaker 1>is still able to get this fire works call me

1:09:31.720 --> 1:09:34.240
<v Speaker 1>them firewords going and ship niggas spitting and ship. Yeah

1:09:34.640 --> 1:09:36.200
<v Speaker 1>we're good man, Okay.

1:09:36.320 --> 1:09:39.479
<v Speaker 2>But to be fair, Mugs and I feel like havoc,

1:09:39.520 --> 1:09:42.479
<v Speaker 2>I feel like there is no have it though I know,

1:09:42.520 --> 1:09:44.040
<v Speaker 2>I know, but I'm saying I feel like that that's

1:09:44.040 --> 1:09:47.720
<v Speaker 2>a sound year, having just the West Coast and then Alchemists,

1:09:47.760 --> 1:09:49.920
<v Speaker 2>alchemists and they all they all collaborated.

1:09:50.000 --> 1:09:52.479
<v Speaker 1>Yoa's havoc though, Yeah no, no, yeah, we know we

1:09:52.560 --> 1:09:55.360
<v Speaker 1>know that we know a B Street across Groove and

1:09:55.479 --> 1:09:56.479
<v Speaker 1>I love mugs, Mugs.

1:09:56.560 --> 1:09:59.000
<v Speaker 2>Grandmoms live right up the block and Flushing Man. When

1:09:59.120 --> 1:10:06.320
<v Speaker 2>we we got grandmother your stories, we were just saying.

1:10:06.120 --> 1:10:07.920
<v Speaker 1>That talk to my girl Kate, and I was just

1:10:08.000 --> 1:10:10.559
<v Speaker 1>saying that I don't know anyone on this planet who

1:10:10.680 --> 1:10:14.519
<v Speaker 1>didn't know their grandmother. I don't know anyone who everyone

1:10:14.680 --> 1:10:18.080
<v Speaker 1>I know says like their grandmother. I don't know, anyone said, Yo,

1:10:18.160 --> 1:10:21.960
<v Speaker 1>I didn't know my grandmother. That's a little crazy and ship.

1:10:22.000 --> 1:10:23.559
<v Speaker 1>But yeah, nah yeah for sure. Yeah.

1:10:23.720 --> 1:10:28.120
<v Speaker 2>But b street a crush groove, Crush groove, Crush now

1:10:28.280 --> 1:10:31.080
<v Speaker 2>who you who you who you Cush school?

1:10:31.120 --> 1:10:33.800
<v Speaker 1>Yeah, crush groove now because that's Holliss, that's Holliss, that's

1:10:33.880 --> 1:10:34.960
<v Speaker 1>you know, that's that's where I live.

1:10:35.360 --> 1:10:36.400
<v Speaker 2>You know I live in Holliss.

1:10:36.479 --> 1:10:40.120
<v Speaker 1>Man, So what oh yeah, oh yeah yeah no we

1:10:40.280 --> 1:10:43.600
<v Speaker 1>we yo, bro man we yo We Binge watched. We

1:10:43.760 --> 1:10:45.920
<v Speaker 1>Binge watched because I think like my cable was off

1:10:45.960 --> 1:10:48.680
<v Speaker 1>for some ship like that. It was doing them rough times, bro,

1:10:48.840 --> 1:10:50.840
<v Speaker 1>you remember them rough times. We were still making it though,

1:10:50.920 --> 1:10:53.960
<v Speaker 1>bro We motherfucking yo, I had to beat machine and

1:10:54.000 --> 1:10:54.760
<v Speaker 1>ships still going.

1:10:55.120 --> 1:10:57.559
<v Speaker 2>Yo. I had it on mute and.

1:11:00.120 --> 1:11:03.320
<v Speaker 1>He's just Binge watching Binge watching Tougher than Leather and

1:11:03.400 --> 1:11:06.800
<v Speaker 1>Crush group Wes Binge watching We watch that ship every day.

1:11:06.880 --> 1:11:09.760
<v Speaker 2>We was watching Tougher Lever and Yo.

1:11:09.840 --> 1:11:12.960
<v Speaker 1>We just be sitting there laughing, just wilding, like running

1:11:13.000 --> 1:11:15.280
<v Speaker 1>them light because them niggas was have mad money. But

1:11:15.400 --> 1:11:18.040
<v Speaker 1>now he's making this wild movie and ship like motherfucker's

1:11:18.120 --> 1:11:19.680
<v Speaker 1>like got mad money and.

1:11:19.640 --> 1:11:22.519
<v Speaker 2>Ship and he watched the with the Fat Boys. To me,

1:11:22.600 --> 1:11:25.240
<v Speaker 2>that was a classic see you you wow you for Miami.

1:11:26.479 --> 1:11:32.160
<v Speaker 2>Class you nobody like that was a class We didn't wash.

1:11:32.840 --> 1:11:33.280
<v Speaker 1>I love.

1:11:35.400 --> 1:11:40.080
<v Speaker 2>That's when the Fat Boys big up cool rock. It

1:11:40.240 --> 1:11:42.280
<v Speaker 2>was out here in Miami to absolutely man.

1:11:42.360 --> 1:11:43.320
<v Speaker 1>But we didn't wow.

1:11:43.960 --> 1:11:47.360
<v Speaker 2>I mean, I'm not this is a good funny movie.

1:11:48.280 --> 1:11:50.360
<v Speaker 2>I don't know. I don't know, because that's what you know.

1:11:50.479 --> 1:11:53.040
<v Speaker 1>The fat the Fat Boys were starting to drift away

1:11:55.160 --> 1:12:01.880
<v Speaker 1>on Twitter and shout like that, like like yo, my

1:12:02.040 --> 1:12:02.800
<v Speaker 1>brother love.

1:12:02.960 --> 1:12:05.559
<v Speaker 2>If you look up the word you, his picture has

1:12:05.600 --> 1:12:06.040
<v Speaker 2>to come back.

1:12:07.120 --> 1:12:15.080
<v Speaker 1>He based on skill. That's the first record I made.

1:12:15.360 --> 1:12:17.240
<v Speaker 1>The first song I made is with my man Shallow

1:12:17.320 --> 1:12:19.200
<v Speaker 1>shot skills shallow.

1:12:19.240 --> 1:12:21.240
<v Speaker 2>What she said, we're gonna come back to got you

1:12:21.360 --> 1:12:23.439
<v Speaker 2>man got big on my man Shallow. But that was

1:12:23.520 --> 1:12:24.200
<v Speaker 2>that was my man.

1:12:24.720 --> 1:12:27.719
<v Speaker 1>He was my DJ at first and my first record.

1:12:27.920 --> 1:12:30.519
<v Speaker 1>The first song that I made with him was based

1:12:30.560 --> 1:12:32.160
<v Speaker 1>on skill. It his name based on.

1:12:32.439 --> 1:12:33.840
<v Speaker 3>This is the last one for quick Time of Slim

1:12:33.840 --> 1:12:35.120
<v Speaker 3>and I'm gonna sell you how much of a fan

1:12:35.240 --> 1:12:38.719
<v Speaker 3>I am? Me and Draine is gonna battle, are gonna battle?

1:12:39.080 --> 1:12:42.680
<v Speaker 2>All right? That wasn't a quick Time. It wasn't quick

1:12:42.720 --> 1:12:45.400
<v Speaker 2>at all, It wasn't break at all. Loyalty or respect

1:12:46.880 --> 1:12:49.560
<v Speaker 2>all right, let me let me let me carefully answer that.

1:12:49.640 --> 1:12:50.760
<v Speaker 2>I like like, I like that.

1:12:52.520 --> 1:13:03.840
<v Speaker 1>Loyalty or respect. Right, we gotta drink right if you

1:13:04.200 --> 1:13:06.760
<v Speaker 1>say both, if you want, oh, yeah, for sure, what

1:13:06.840 --> 1:13:07.519
<v Speaker 1>we usually say.

1:13:07.680 --> 1:13:11.400
<v Speaker 2>That's what we usually that's what that's the easy, right answer.

1:13:11.520 --> 1:13:15.040
<v Speaker 1>Yeah, love, love is the whole, you know, I accompassed,

1:13:15.120 --> 1:13:16.240
<v Speaker 1>So drain that.

1:13:16.320 --> 1:13:18.280
<v Speaker 2>Drain here, let's do this. You got to set up

1:13:18.280 --> 1:13:19.599
<v Speaker 2>hold on. Let me just tell you something.

1:13:22.640 --> 1:13:24.560
<v Speaker 1>Because I mean I think one got to do the

1:13:24.640 --> 1:13:25.360
<v Speaker 1>other for the other.

1:13:25.439 --> 1:13:28.439
<v Speaker 2>That happen for the other. Take away there, Yeah, yeah,

1:13:28.439 --> 1:13:30.240
<v Speaker 2>you gotta kind of do one for the other.

1:13:30.360 --> 1:13:32.000
<v Speaker 1>Like okay, well, let me just tell you something. When

1:13:32.040 --> 1:13:37.040
<v Speaker 1>this record came out, talking to you, brother, this would

1:13:37.040 --> 1:13:38.719
<v Speaker 1>be very proud of you with that piece.

1:13:38.840 --> 1:13:39.360
<v Speaker 2>Man. Okay.

1:13:39.439 --> 1:13:40.920
<v Speaker 1>He came up to me one time he was like

1:13:43.120 --> 1:13:47.960
<v Speaker 1>the glock, the right there, the drink. So Biz came

1:13:48.040 --> 1:13:50.759
<v Speaker 1>up to me one time he's like, yo, Paul man, Paul,

1:13:51.160 --> 1:13:53.280
<v Speaker 1>I'm never gonna call you, Paul. You always gonna be lost.

1:13:53.600 --> 1:14:06.479
<v Speaker 2>You want to write to know you ain't Marshall. I

1:14:06.600 --> 1:14:11.640
<v Speaker 2>call it. I call him your real funny. What's so

1:14:11.720 --> 1:14:12.639
<v Speaker 2>funny is your real name?

1:14:12.680 --> 1:14:14.680
<v Speaker 1>It's so funny because late lately I've been you know,

1:14:14.800 --> 1:14:18.160
<v Speaker 1>I've been getting that little writing thing, the feeling again

1:14:18.240 --> 1:14:20.120
<v Speaker 1>and ship, and I've been saying I've been wanting to

1:14:20.280 --> 1:14:22.120
<v Speaker 1>do a song called government.

1:14:21.800 --> 1:14:27.400
<v Speaker 2>Name Game, Government Name, I'm in, I'm in. It's so crazy,

1:14:27.760 --> 1:14:28.320
<v Speaker 2>And you.

1:14:28.360 --> 1:14:30.920
<v Speaker 1>Know, it's more on the female side, you know, the

1:14:31.000 --> 1:14:33.080
<v Speaker 1>female that may have you know, been out there a

1:14:33.120 --> 1:14:35.640
<v Speaker 1>little social She's always like.

1:14:35.640 --> 1:14:37.920
<v Speaker 3>Well he named everybody's real government name.

1:14:38.280 --> 1:14:42.040
<v Speaker 2>Who did a record like that? No? Did I make

1:14:42.080 --> 1:14:44.719
<v Speaker 2>that up? Just now? Yeah, it's called the Name Game.

1:14:44.880 --> 1:14:47.599
<v Speaker 2>Now is he gonna be me? It's then I want

1:14:47.640 --> 1:14:48.040
<v Speaker 2>to show.

1:14:47.880 --> 1:14:51.640
<v Speaker 16>You, do you know Paulie from fleshing this at this

1:14:51.760 --> 1:14:55.400
<v Speaker 16>point and him was bounding all day. They did that

1:14:55.479 --> 1:14:57.800
<v Speaker 16>on the here he was like, Yo, who got this?

1:14:58.240 --> 1:14:59.639
<v Speaker 16>Now listen, I'm gonna tell you man.

1:14:59.600 --> 1:15:00.960
<v Speaker 2>By the way, hold on, hold on, hold on. Let

1:15:00.960 --> 1:15:05.160
<v Speaker 2>me just say something that is the hardest breakup record.

1:15:07.360 --> 1:15:09.880
<v Speaker 2>A lot of people don't realize it's a breakup record.

1:15:09.920 --> 1:15:12.479
<v Speaker 2>And that's what y'all know, saying y'all hurt, y'all hurt.

1:15:14.160 --> 1:15:19.000
<v Speaker 2>You say they heard He was like that's what they want. Well,

1:15:22.000 --> 1:15:38.920
<v Speaker 2>you know, the mirror a little exhale. I mean, I

1:15:38.920 --> 1:15:41.439
<v Speaker 2>don't like it's mo He said this like it was

1:15:41.520 --> 1:15:49.120
<v Speaker 2>my hold on because I believe I was here you're

1:15:49.160 --> 1:15:55.479
<v Speaker 2>a child and helping in hold on him hold on.

1:15:55.640 --> 1:15:58.720
<v Speaker 2>I didn't realize, he say, I told you looked at

1:15:58.720 --> 1:16:01.920
<v Speaker 2>the front door and walk through it. Yo, listen, bro man.

1:16:02.120 --> 1:16:05.840
<v Speaker 1>It's so crazy because at that time, this is this

1:16:06.040 --> 1:16:09.800
<v Speaker 1>is left rag history right here. Man. Because the girl

1:16:09.880 --> 1:16:12.559
<v Speaker 1>I was down with at that time, we were telling

1:16:13.160 --> 1:16:16.879
<v Speaker 1>uh Sachema like we you know she Indiana.

1:16:17.160 --> 1:16:21.080
<v Speaker 2>Everybody that's like I said, yeah, yeah, yeah, yeah, Yo.

1:16:21.200 --> 1:16:23.840
<v Speaker 2>We was we was We wasn't good for you, No,

1:16:24.120 --> 1:16:25.679
<v Speaker 2>we was great. We was great.

1:16:26.120 --> 1:16:29.479
<v Speaker 1>And I found out years later, like one of these

1:16:29.520 --> 1:16:31.800
<v Speaker 1>mystical people that I met, they told me they was like,

1:16:32.120 --> 1:16:34.760
<v Speaker 1>you wasn't talking about a relationship. You was talking about

1:16:34.800 --> 1:16:39.240
<v Speaker 1>a world problem. You was talking about many people's lives.

1:16:39.280 --> 1:16:41.400
<v Speaker 1>You wasn't talking about your own life. You was talking

1:16:41.400 --> 1:16:45.840
<v Speaker 1>about an umbrella problem that plagues this world for and.

1:16:45.920 --> 1:16:46.800
<v Speaker 2>That's why these people.

1:16:46.920 --> 1:16:48.840
<v Speaker 1>Because I had to get I had to get like

1:16:49.000 --> 1:16:51.599
<v Speaker 1>therapy a little bit, not therapy, but like her therapy,

1:16:51.800 --> 1:16:53.040
<v Speaker 1>like you know, what I'm saying, it was like you

1:16:53.080 --> 1:16:55.280
<v Speaker 1>did to get through it right, to get through it

1:16:55.680 --> 1:16:59.080
<v Speaker 1>by because you know, I can honestly admit that my

1:16:59.439 --> 1:17:02.000
<v Speaker 1>life was kind of sort of sweet a little bit

1:17:02.120 --> 1:17:03.439
<v Speaker 1>now that I look back, you know what I mean.

1:17:03.520 --> 1:17:06.120
<v Speaker 2>I had mommy and daddy, big says. You know what

1:17:06.120 --> 1:17:08.439
<v Speaker 2>I meant. A lot was good in my life.

1:17:08.479 --> 1:17:09.040
<v Speaker 1>You know what I'm saying.

1:17:09.320 --> 1:17:11.360
<v Speaker 3>It was a compan the hood. Who has a mother

1:17:11.439 --> 1:17:15.400
<v Speaker 3>and father, we felt, we felt rich absolutely my mother.

1:17:17.680 --> 1:17:20.720
<v Speaker 3>To be honest, I did not rich financially, but I was.

1:17:21.840 --> 1:17:25.800
<v Speaker 2>I was. I realized, like you know, it wasn't until

1:17:25.920 --> 1:17:28.440
<v Speaker 2>like I actually started to go to like forty Projects

1:17:28.920 --> 1:17:33.200
<v Speaker 2>and Queensbridge and Brownsville, my cousins in Alvie Square Mall

1:17:33.760 --> 1:17:37.240
<v Speaker 2>and for Green. It wasn't until arrogant excuse me.

1:17:37.680 --> 1:17:41.240
<v Speaker 3>I wasn't until I started to see that a broken

1:17:41.360 --> 1:17:45.439
<v Speaker 3>family is what makes you poor, not not financial, you

1:17:45.479 --> 1:17:47.280
<v Speaker 3>know what I'm saying. And I didn't really kind of

1:17:47.360 --> 1:17:50.080
<v Speaker 3>like realize that until I got older and I realized

1:17:51.160 --> 1:17:53.920
<v Speaker 3>that ship you said, you said something that was very

1:17:53.960 --> 1:17:56.920
<v Speaker 3>powerful earlier, you said grandmothers. You're right, a lot of

1:17:56.960 --> 1:17:59.600
<v Speaker 3>people didn't have they direct parents, but they had the.

1:17:59.680 --> 1:18:03.360
<v Speaker 1>Great everybody I know, there's nobody I don't.

1:18:03.560 --> 1:18:05.960
<v Speaker 2>I tried to raised by the grandparents. There wasn't which

1:18:06.000 --> 1:18:07.760
<v Speaker 2>is the matriarch, most family.

1:18:07.760 --> 1:18:10.760
<v Speaker 1>Most Yo, I don't know anyone who There's no one

1:18:10.800 --> 1:18:13.879
<v Speaker 1>who said yo, growing up, I didn't have my grandmother.

1:18:14.320 --> 1:18:16.519
<v Speaker 2>But I was trying to think of that coming here

1:18:16.520 --> 1:18:18.240
<v Speaker 2>as a matter of fact, sitting there and.

1:18:18.439 --> 1:18:20.439
<v Speaker 1>I was like, you know, people said, yo, NOA, my

1:18:20.560 --> 1:18:25.280
<v Speaker 1>grandpa's alive, my pops mama, but never their grandmother. That's crazy.

1:18:26.200 --> 1:18:28.519
<v Speaker 1>I knew my grandmother, you know what I mean, I know,

1:18:28.880 --> 1:18:30.920
<v Speaker 1>mad people. I was trying to think of somebody that

1:18:31.400 --> 1:18:33.639
<v Speaker 1>I didn't, you know, So that type of thing. That's

1:18:33.640 --> 1:18:36.040
<v Speaker 1>a good thing to think about. Man, So let me

1:18:36.080 --> 1:18:40.040
<v Speaker 1>ask you. This is like super super super rumor. I'm

1:18:40.040 --> 1:18:41.599
<v Speaker 1>not sure if it's a room or if it's true

1:18:41.720 --> 1:18:42.360
<v Speaker 1>or whatever.

1:18:42.560 --> 1:18:47.040
<v Speaker 2>But it's rumored that, look at all these rumors that

1:18:49.560 --> 1:18:51.200
<v Speaker 2>I believe the rhythm hit man.

1:18:51.280 --> 1:18:53.360
<v Speaker 1>My man back there looked like Paul real quick, right,

1:18:53.439 --> 1:19:00.160
<v Speaker 1>he looked like Paul lep right there, right, Look, that's what.

1:19:04.000 --> 1:19:09.320
<v Speaker 3>Is your step. But it's rumored that Eric being rock

1:19:09.400 --> 1:19:14.120
<v Speaker 3>King was recording the album. Yeah, the producer, that producer

1:19:14.520 --> 1:19:18.200
<v Speaker 3>got killed or Paul C my mental al right, so

1:19:18.560 --> 1:19:20.400
<v Speaker 3>yeah and he was white, correct, Yeah.

1:19:20.240 --> 1:19:22.120
<v Speaker 2>That's my mentor man, my man, Paul C.

1:19:22.360 --> 1:19:24.920
<v Speaker 1>And that's beautiful that you bought that story up, because

1:19:25.160 --> 1:19:27.240
<v Speaker 1>it's good that the hood will now know about that

1:19:27.320 --> 1:19:29.760
<v Speaker 1>because your your show rejected to the hood. Like I

1:19:29.840 --> 1:19:32.320
<v Speaker 1>said to you, my daughter was like you do what drinking?

1:19:36.560 --> 1:19:40.360
<v Speaker 1>Yeah for real? So yeah, yeah, so on what happened was.

1:19:40.560 --> 1:19:42.920
<v Speaker 2>Because you was in high school at the time, I

1:19:43.040 --> 1:19:46.680
<v Speaker 2>was in I was in bound, I was okay, So.

1:19:47.120 --> 1:19:52.880
<v Speaker 1>So what what happened was, like, yo, I think as

1:19:52.920 --> 1:20:00.879
<v Speaker 1>the story was told to me, Paul's wife was this beautiful, elegant, soul, beautyutiful, stunning,

1:20:01.280 --> 1:20:06.840
<v Speaker 1>stunningly beautiful black woman from Lowellton, Queens, you know, on

1:20:07.080 --> 1:20:09.840
<v Speaker 1>one you know. But and I knew her.

1:20:09.960 --> 1:20:11.920
<v Speaker 2>I knew her, you know, like it.

1:20:12.000 --> 1:20:15.519
<v Speaker 1>Was a beautiful marriage, a beautiful union. To me, you know,

1:20:15.880 --> 1:20:18.080
<v Speaker 1>it was it was the you know, the black and

1:20:18.160 --> 1:20:24.120
<v Speaker 1>white thing, you know. And yeah, man, Paul got killed. Man,

1:20:24.439 --> 1:20:27.120
<v Speaker 1>I guess the story was told to me, man that

1:20:28.240 --> 1:20:30.200
<v Speaker 1>Rock Kim was rolling or whatever, like one of his

1:20:30.320 --> 1:20:33.920
<v Speaker 1>boys tried to shout at Paul's wife, and Paul's wife

1:20:34.040 --> 1:20:36.200
<v Speaker 1>was like, actually, you need to, you know, speak to

1:20:36.280 --> 1:20:39.080
<v Speaker 1>my husband about some beasts because he's fire, you know.

1:20:39.120 --> 1:20:40.800
<v Speaker 1>And then rock Him was like, all right, well, you know,

1:20:40.920 --> 1:20:42.760
<v Speaker 1>let me see what's good with that. And then he

1:20:42.840 --> 1:20:45.519
<v Speaker 1>went seeing Paul and then actually seen that Paul was

1:20:45.640 --> 1:20:48.240
<v Speaker 1>fire and was like, Yo, we're we're gonna work. And

1:20:48.360 --> 1:20:50.320
<v Speaker 1>so they clicked the clack, you know that what they

1:20:50.400 --> 1:20:52.400
<v Speaker 1>had to do and shit, and then Paul was on board.

1:20:52.479 --> 1:20:53.559
<v Speaker 2>We're working with everic.

1:20:53.439 --> 1:20:57.000
<v Speaker 1>Being rock Him and then met in an untimely demise

1:20:57.439 --> 1:21:00.720
<v Speaker 1>with you know what I mean, like someone coming in

1:21:00.840 --> 1:21:03.280
<v Speaker 1>his basement and shooting them.

1:21:03.320 --> 1:21:06.920
<v Speaker 2>Man, that's crazy, God bless Yeah. But then that's how

1:21:06.960 --> 1:21:07.880
<v Speaker 2>you you know.

1:21:08.880 --> 1:21:12.160
<v Speaker 1>Yeah, So I was in the studio with Paul had

1:21:12.280 --> 1:21:15.280
<v Speaker 1>lent me the SP twelve hundred. This is your lineage

1:21:15.360 --> 1:21:18.519
<v Speaker 1>right here. Paul lent me the SP twelve hundred that

1:21:18.640 --> 1:21:22.960
<v Speaker 1>I made intelligent hoodlum on you know, in all of

1:21:23.000 --> 1:21:26.080
<v Speaker 1>the trash joints that I made, you know what I mean. So, yeah,

1:21:26.439 --> 1:21:31.760
<v Speaker 1>it's it's thirty plus years now.

1:21:32.880 --> 1:21:35.519
<v Speaker 3>Let me ask because a lot of people considered that

1:21:35.680 --> 1:21:36.959
<v Speaker 3>ghost producing.

1:21:38.320 --> 1:21:40.400
<v Speaker 1>Yeah, at the time, I didn't you know, that shit

1:21:40.479 --> 1:21:43.439
<v Speaker 1>didn't exist like ghost producing. It was just like you know,

1:21:43.560 --> 1:21:45.920
<v Speaker 1>because I was coming from the purest form of hip

1:21:45.960 --> 1:21:48.559
<v Speaker 1>hop right now. Shit, I'm like, Yo, you don't bite

1:21:48.760 --> 1:21:51.200
<v Speaker 1>that man. Shit, you don't you give that man credit.

1:21:51.560 --> 1:21:53.960
<v Speaker 1>You know that man's fresh, Yo, that nigga. Get that

1:21:54.040 --> 1:21:55.720
<v Speaker 1>nigga hog and bring him next to you, you know

1:21:55.760 --> 1:21:58.160
<v Speaker 1>what I mean? Like, Yo, that's my little nigga right here. Shit,

1:21:58.240 --> 1:22:00.320
<v Speaker 1>I bought him up, you know. And and you know,

1:22:00.400 --> 1:22:02.879
<v Speaker 1>everybody gonna do what they gotta do and ship they're gonna.

1:22:02.760 --> 1:22:04.000
<v Speaker 2>Act right, you know.

1:22:04.240 --> 1:22:06.960
<v Speaker 1>That's what you did with tried right tras you do

1:22:07.520 --> 1:22:10.920
<v Speaker 1>the smart little man and she nice Boom you came,

1:22:11.000 --> 1:22:12.599
<v Speaker 1>you did ya, you know what I mean?

1:22:13.240 --> 1:22:14.639
<v Speaker 2>So that's that's the whole ship.

1:22:14.720 --> 1:22:15.920
<v Speaker 3>So when you did it, you did it on the

1:22:15.920 --> 1:22:17.439
<v Speaker 3>strep of Paul. You did it on a strep for

1:22:17.680 --> 1:22:19.000
<v Speaker 3>knowing whoever being Rocket was.

1:22:19.120 --> 1:22:22.680
<v Speaker 1>I did it on the strength for Fadal getting up

1:22:22.920 --> 1:22:27.120
<v Speaker 1>with every being and being like, Yo, I got Paul Protege,

1:22:27.760 --> 1:22:32.759
<v Speaker 1>Protege the brother that was working under Paul. Y'all probably

1:22:32.840 --> 1:22:37.880
<v Speaker 1>need to and then bom, yo crazy right and then boom.

1:22:38.000 --> 1:22:40.960
<v Speaker 1>This the story though we went out to wine dance.

1:22:41.040 --> 1:22:43.600
<v Speaker 1>Fatal was like Yo was Yo. We started we.

1:22:43.680 --> 1:22:46.040
<v Speaker 2>Started my friend from my friend Rah hand from from

1:22:46.120 --> 1:22:47.679
<v Speaker 2>from Wine Dance. Go ahead dogs.

1:22:48.120 --> 1:22:51.759
<v Speaker 1>We started this trip at like like ten thirty eleven

1:22:51.880 --> 1:22:54.400
<v Speaker 1>at night on the Wine Dance because he had I

1:22:54.479 --> 1:22:56.519
<v Speaker 1>guess he they was doing to show something. He had

1:22:56.560 --> 1:22:59.160
<v Speaker 1>to bring something to rock Himp. So boom, we jetted

1:22:59.200 --> 1:23:01.160
<v Speaker 1>out there in the wagon. Here I mentioned the Wagoneer

1:23:01.160 --> 1:23:03.720
<v Speaker 1>and hanging out. Jetted out there in the Wagoneer and

1:23:03.800 --> 1:23:06.479
<v Speaker 1>ship boom. We went to this first house. It's like

1:23:06.680 --> 1:23:10.160
<v Speaker 1>seventy seven something something like that out there and ship.

1:23:10.439 --> 1:23:13.280
<v Speaker 1>They got a Jamaica ave out there in Wan Dance too. Wow,

1:23:13.720 --> 1:23:15.840
<v Speaker 1>so all that ship. So we went out there, there's

1:23:15.920 --> 1:23:19.200
<v Speaker 1>seventy seven joint and I was like, oh ship seventy seven, like,

1:23:19.320 --> 1:23:22.439
<v Speaker 1>oh ship, that's that's rock Kim. House is God God, Like,

1:23:22.520 --> 1:23:23.040
<v Speaker 1>oh ship.

1:23:23.320 --> 1:23:23.920
<v Speaker 2>He wasn't there.

1:23:23.960 --> 1:23:27.640
<v Speaker 1>Then we went to another house and then they they

1:23:27.720 --> 1:23:29.720
<v Speaker 1>called him from a basement and shit, he came up.

1:23:29.760 --> 1:23:31.720
<v Speaker 1>He had the blue BVD on this when he was

1:23:31.840 --> 1:23:35.080
<v Speaker 1>rocking the dress Rock Kim. Yeah, Rock Kim, and he.

1:23:35.040 --> 1:23:37.840
<v Speaker 2>Said, BBD, that's the shirt, that's the silk shirt. Shit

1:23:40.000 --> 1:23:42.679
<v Speaker 2>got the bony friend, he got the mad bony friend.

1:23:42.880 --> 1:23:43.559
<v Speaker 2>So we come out.

1:23:43.920 --> 1:23:46.360
<v Speaker 1>But he got the dress popping down with ship, so

1:23:46.520 --> 1:23:48.840
<v Speaker 1>this is rock him out of his ultimate peak right

1:23:48.880 --> 1:23:51.439
<v Speaker 1>now when he did the dress. So he's like yo,

1:23:52.520 --> 1:23:55.320
<v Speaker 1>and I'm like, oh, Ship, this is the god right now.

1:23:55.400 --> 1:23:57.679
<v Speaker 1>You got this, you know, he got something stupid swoop

1:23:57.680 --> 1:24:00.960
<v Speaker 1>it around his neck. I was like, it's the guard

1:24:01.120 --> 1:24:03.960
<v Speaker 1>right now, like in my face, Like he was like, yo, word,

1:24:04.080 --> 1:24:06.360
<v Speaker 1>you the next poll all right, man, Yo, come through

1:24:06.360 --> 1:24:08.240
<v Speaker 1>the lab and Ship he told me. He told me

1:24:08.280 --> 1:24:10.200
<v Speaker 1>you want to be coming through the lab because every

1:24:10.400 --> 1:24:12.519
<v Speaker 1>I think, you know, I kind of linked with Eric

1:24:12.640 --> 1:24:14.720
<v Speaker 1>first and then they was like Eric was like, yo,

1:24:14.800 --> 1:24:16.519
<v Speaker 1>well go take him out there to rock him.

1:24:16.600 --> 1:24:18.120
<v Speaker 2>See if rock kim on, you know.

1:24:18.680 --> 1:24:20.680
<v Speaker 1>And then and then I was like, ge checked my

1:24:21.800 --> 1:24:23.479
<v Speaker 1>I kind of get he said you were the next

1:24:23.560 --> 1:24:24.600
<v Speaker 1>Paul is what he told you?

1:24:25.479 --> 1:24:28.040
<v Speaker 2>Well he that's what he just said, because remember that

1:24:28.120 --> 1:24:29.679
<v Speaker 2>that was his predecessor was saying.

1:24:29.880 --> 1:24:32.559
<v Speaker 1>And then now we got another poll girl, Paul out there.

1:24:35.960 --> 1:24:38.200
<v Speaker 2>Point and then Paul Leffe. You know, we got a

1:24:38.360 --> 1:24:40.040
<v Speaker 2>bunch of poles man, and we got to shout out

1:24:40.080 --> 1:24:42.200
<v Speaker 2>Fatal because you keep mentioning the like Fatal.

1:24:42.320 --> 1:24:45.200
<v Speaker 1>He seems to be all this stuff Fatal is actually

1:24:45.280 --> 1:24:47.200
<v Speaker 1>the hub that kind of like because he was the

1:24:47.240 --> 1:24:49.680
<v Speaker 1>one that was going out there and Fatal got that.

1:24:49.880 --> 1:24:52.080
<v Speaker 1>He got that mind boggless ship. He could walk up

1:24:52.120 --> 1:24:54.880
<v Speaker 1>on you and and and talk to you, and you

1:24:54.920 --> 1:24:58.360
<v Speaker 1>would think that you knew Fatal for a hundred years.

1:24:59.200 --> 1:25:00.920
<v Speaker 1>You know, he just run up on you and talk

1:25:01.000 --> 1:25:03.120
<v Speaker 1>to you and it just be like like that type

1:25:03.120 --> 1:25:05.880
<v Speaker 1>of ship. So you know, they got Fatal and what

1:25:06.360 --> 1:25:07.160
<v Speaker 1>your brother.

1:25:08.280 --> 1:25:14.080
<v Speaker 2>And yeah, and yo, am, come on back because about

1:25:14.080 --> 1:25:16.000
<v Speaker 2>to Yeah, yeah, talk to me, yo.

1:25:16.400 --> 1:25:16.559
<v Speaker 1>Yeah.

1:25:16.720 --> 1:25:20.400
<v Speaker 2>Let's keep the whole ship going, the whole ship. Let's

1:25:20.400 --> 1:25:23.840
<v Speaker 2>get the whole ship going. Burn it up. I see

1:25:23.880 --> 1:25:24.240
<v Speaker 2>you can't.

1:25:24.360 --> 1:25:28.000
<v Speaker 1>I see I heard up. My man back to he

1:25:28.040 --> 1:25:29.760
<v Speaker 1>got he chilling back there, he got his drink, he

1:25:29.840 --> 1:25:30.960
<v Speaker 1>got to he got the.

1:25:31.000 --> 1:25:32.200
<v Speaker 2>Miami shirt on this ship.

1:25:32.280 --> 1:25:34.280
<v Speaker 1>My man back there, she she got to say, he's

1:25:34.320 --> 1:25:35.040
<v Speaker 1>on the ship.

1:25:36.600 --> 1:25:42.880
<v Speaker 2>Burned up. We got the way day. I got Viney

1:25:42.960 --> 1:25:46.760
<v Speaker 2>with me too. I got my vinyl. Yeah yeah, yeah,

1:25:46.800 --> 1:25:50.280
<v Speaker 2>I love Yeah. Yeah, you give you that was nest.

1:25:50.360 --> 1:25:53.280
<v Speaker 2>But we have you you worry about, get you another one?

1:25:53.520 --> 1:26:01.200
<v Speaker 2>Yeah yeah you don't care, man, Yeah for you you

1:26:01.400 --> 1:26:01.960
<v Speaker 2>do this one.

1:26:02.080 --> 1:26:07.720
<v Speaker 1>And yeah yeah, because they actually they actually on comrades

1:26:07.800 --> 1:26:09.880
<v Speaker 1>from yeh they comrades from a while.

1:26:10.320 --> 1:26:15.040
<v Speaker 2>Yeah, cora Is is a real one. And Lord did

1:26:15.080 --> 1:26:20.920
<v Speaker 2>you work at Yes he worked, yes, yes, yes, yes,

1:26:21.160 --> 1:26:28.280
<v Speaker 2>so like that man, yeah, yes, okay, worried up but

1:26:28.560 --> 1:26:29.639
<v Speaker 2>you you didn't hear what you just said.

1:26:29.680 --> 1:26:34.400
<v Speaker 17>Just now okay, okay, alright? Cool had has on the audio.

1:26:34.600 --> 1:26:38.320
<v Speaker 17>Let me ask you because I got my young bro.

1:26:39.439 --> 1:26:41.559
<v Speaker 17>Good now yo, this is beautiful, man.

1:26:41.640 --> 1:26:43.920
<v Speaker 2>But one of the one of the best New York

1:26:44.000 --> 1:26:49.080
<v Speaker 2>City songs of life. We had to get to lives

1:26:49.120 --> 1:26:56.240
<v Speaker 2>some of that smoking moving we got you whatever. Hell yeah,

1:26:56.320 --> 1:26:58.920
<v Speaker 2>come on one of my you know, New York City.

1:26:59.000 --> 1:27:01.880
<v Speaker 2>We have anthems from Fake Natra to jay Z. But

1:27:02.000 --> 1:27:06.400
<v Speaker 2>there's one special New York record. No, the Streets of

1:27:06.479 --> 1:27:07.080
<v Speaker 2>New York.

1:27:08.479 --> 1:27:12.280
<v Speaker 1>A New York record, right, grap I did not know

1:27:12.360 --> 1:27:15.480
<v Speaker 1>you produced that? Oh yeah, me and Anton Poshansky.

1:27:15.960 --> 1:27:18.960
<v Speaker 2>Cool, yeah, I need to know how this record was

1:27:19.000 --> 1:27:20.920
<v Speaker 2>put together. Oh yeah, nah. I came in with you,

1:27:21.000 --> 1:27:21.280
<v Speaker 2>all right.

1:27:21.320 --> 1:27:23.080
<v Speaker 1>So I was doing nice school that you make a

1:27:23.160 --> 1:27:27.000
<v Speaker 1>high school. And so after after that I would go

1:27:27.160 --> 1:27:29.600
<v Speaker 1>in like she would come pick me up, and she

1:27:29.680 --> 1:27:32.080
<v Speaker 1>had that's when he had the white Maxima. He come,

1:27:32.200 --> 1:27:34.160
<v Speaker 1>he come down the block and shait I ride the

1:27:34.200 --> 1:27:36.720
<v Speaker 1>bus back home after night school. Shit. So I was

1:27:36.800 --> 1:27:39.839
<v Speaker 1>doing nice sessions when it'll be like nine ten o'clock

1:27:39.840 --> 1:27:41.519
<v Speaker 1>at night, and shit, she would come pick me up.

1:27:41.600 --> 1:27:43.479
<v Speaker 1>You know, my Mom's and pops was good. They knew

1:27:43.520 --> 1:27:45.360
<v Speaker 1>I was going out there to get some money, so

1:27:45.479 --> 1:27:47.000
<v Speaker 1>they was like, all right, go do what you gotta do.

1:27:47.520 --> 1:27:50.640
<v Speaker 1>So boom we knocking shit out. And you know, some

1:27:50.800 --> 1:27:54.639
<v Speaker 1>of them sessions ran into like three, four, five, six

1:27:54.840 --> 1:27:56.759
<v Speaker 1>in the morning and I have to dip the bound

1:27:57.320 --> 1:27:59.280
<v Speaker 1>no sleep type shit, you know what I mean, Like

1:27:59.439 --> 1:28:02.120
<v Speaker 1>just boom, touchdown and just have to boom, freshen up

1:28:02.439 --> 1:28:04.760
<v Speaker 1>and just dip the BWn real quick, you know type shit.

1:28:04.800 --> 1:28:08.040
<v Speaker 1>But Streets New York was one of them nights where

1:28:08.080 --> 1:28:11.040
<v Speaker 1>I just I came in, like because what I used

1:28:11.080 --> 1:28:13.639
<v Speaker 1>to do is try to get what is that on there?

1:28:13.720 --> 1:28:16.320
<v Speaker 1>The band bank Now he was playing a keyboard. All

1:28:16.360 --> 1:28:18.840
<v Speaker 1>of them is keyboards. Okay, he was he was.

1:28:21.200 --> 1:28:23.920
<v Speaker 2>Bro the solo. That's when niggas was still doing solos

1:28:24.000 --> 1:28:27.439
<v Speaker 2>and songs and a hip hop right nine hip hop.

1:28:28.040 --> 1:28:30.160
<v Speaker 1>So it was one of them because even like talk

1:28:30.280 --> 1:28:32.320
<v Speaker 1>like sex, that was the same thing. It was like

1:28:32.680 --> 1:28:36.080
<v Speaker 1>I would after school, after night school. Actually I wanted

1:28:36.120 --> 1:28:39.160
<v Speaker 1>to specify, like so I was, I would come home

1:28:39.320 --> 1:28:41.160
<v Speaker 1>and try to get a loop or two win real

1:28:41.280 --> 1:28:43.400
<v Speaker 1>quick before g would come pick me up. So I

1:28:43.520 --> 1:28:45.720
<v Speaker 1>get home like nine, and so he come pick me

1:28:45.840 --> 1:28:48.600
<v Speaker 1>up like ten. I try to like dice up like

1:28:48.680 --> 1:28:51.000
<v Speaker 1>two or three or four loops real quick before he came.

1:28:51.320 --> 1:28:53.439
<v Speaker 1>So that's how that happened. I diced that loop up,

1:28:53.640 --> 1:28:56.160
<v Speaker 1>and then I came to the lab. We hit the

1:28:56.240 --> 1:28:59.040
<v Speaker 1>lab and I was like, yo, boom this joint. And

1:28:59.160 --> 1:29:01.280
<v Speaker 1>then and Tom like when he heard it, he was like, yo,

1:29:01.360 --> 1:29:02.880
<v Speaker 1>I can do this and I can do that, and

1:29:02.960 --> 1:29:04.920
<v Speaker 1>he he just took flight on that ship big up

1:29:05.000 --> 1:29:07.439
<v Speaker 1>at on because he's really the one that we're talking

1:29:07.479 --> 1:29:10.080
<v Speaker 1>about with the solo horn and all that ship like

1:29:10.120 --> 1:29:13.240
<v Speaker 1>because he felt that in his soul, because I just

1:29:13.360 --> 1:29:15.520
<v Speaker 1>had a certain little I had a like a skeleton

1:29:15.640 --> 1:29:17.560
<v Speaker 1>for him. And then he took that ship to the

1:29:17.640 --> 1:29:21.120
<v Speaker 1>next baselines, playing horns, keyboards all that.

1:29:21.280 --> 1:29:23.800
<v Speaker 3>Let's name Great New York Records Streets is New York

1:29:24.000 --> 1:29:26.800
<v Speaker 3>Streets of New York, New York, State of Mind, New York,

1:29:26.880 --> 1:29:29.960
<v Speaker 3>State of Mind, Empires, state of Mind, High Tech.

1:29:30.120 --> 1:29:32.600
<v Speaker 2>New York New York with Jada Kiss and all of

1:29:32.640 --> 1:29:33.040
<v Speaker 2>them on it.

1:29:33.120 --> 1:29:38.439
<v Speaker 3>I forgot that one, that one and New York New

1:29:38.520 --> 1:29:48.200
<v Speaker 3>York Jarro Frank Sinatra, Yeah that was I forgot New

1:29:48.320 --> 1:29:51.320
<v Speaker 3>York Ship. Okay, I forgot that.

1:29:53.320 --> 1:29:57.920
<v Speaker 1>Dot X Escape from New York with d Do whatever

1:29:58.160 --> 1:29:59.080
<v Speaker 1>Pete Rod Production.

1:30:00.400 --> 1:30:03.240
<v Speaker 2>Now, I'm just fields you a nice play.

1:30:03.960 --> 1:30:05.960
<v Speaker 1>When you look back, When you look back, you're gonna

1:30:06.000 --> 1:30:07.040
<v Speaker 1>listen camera.

1:30:08.280 --> 1:30:12.920
<v Speaker 2>Yeah. Yeah, but what about Ja? What about Ja?

1:30:13.360 --> 1:30:14.800
<v Speaker 18>M y m P?

1:30:15.439 --> 1:30:18.639
<v Speaker 1>Yeah exactly and y m P the realist nigger.

1:30:20.160 --> 1:30:30.519
<v Speaker 2>That's and why your loves bro the most that I

1:30:30.640 --> 1:30:31.200
<v Speaker 2>love them.

1:30:33.680 --> 1:30:37.519
<v Speaker 1>Pre roll for the Southern We yo yo yo, and

1:30:37.640 --> 1:30:39.679
<v Speaker 1>know we got yo, we got this smoking beas.

1:30:39.479 --> 1:30:42.240
<v Speaker 2>Thing happening man out here. Man never tried Japanese whiskey.

1:30:42.800 --> 1:30:44.880
<v Speaker 2>When Jay said it, I knew what even So you know,

1:30:45.040 --> 1:30:57.280
<v Speaker 2>does you want some big No, I don't know. I don't.

1:30:57.720 --> 1:30:59.840
<v Speaker 2>I'll be somewhere over there like sharing man.

1:31:01.640 --> 1:31:05.879
<v Speaker 4>Ship my nigga Supreme in the building, Yo Yong supreme

1:31:05.960 --> 1:31:07.040
<v Speaker 4>in the hell.

1:31:07.160 --> 1:31:12.120
<v Speaker 2>Yeah, maybe you want to a glass of it? I

1:31:12.160 --> 1:31:15.519
<v Speaker 2>would like a nice neat. Yeah, yeah, I mean you

1:31:15.600 --> 1:31:18.360
<v Speaker 2>know what, I want a glass? You didn't get him one.

1:31:18.439 --> 1:31:22.080
<v Speaker 3>We gotta give large pro one. We gotta get think right.

1:31:22.040 --> 1:31:25.240
<v Speaker 2>There is it right there? But right there? Yeah, that's

1:31:25.280 --> 1:31:35.320
<v Speaker 2>just gonna be a little give. We're giving you your flowers. Yo.

1:31:35.640 --> 1:31:38.720
<v Speaker 2>I ain't drinking that Yo. Good for you man, don't

1:31:38.760 --> 1:31:39.679
<v Speaker 2>break that ship.

1:31:39.840 --> 1:31:45.759
<v Speaker 3>Yo, laws bro, we are here to give you your flowers.

1:31:45.800 --> 1:31:47.080
<v Speaker 3>My brother, let me just tell you something.

1:31:47.080 --> 1:31:50.880
<v Speaker 2>Afiate you. Brother, you're a legends legend of Japan. You're

1:31:50.880 --> 1:31:55.439
<v Speaker 2>a producer's producer, you're an artist artist and but but

1:31:55.520 --> 1:31:57.599
<v Speaker 2>we gotta go back what came first?

1:31:58.160 --> 1:31:58.439
<v Speaker 5>D J?

1:31:58.560 --> 1:32:02.840
<v Speaker 2>You're producing d jam and so that you just wanted

1:32:02.840 --> 1:32:12.720
<v Speaker 2>to I know, so what what what DJs are you

1:32:12.880 --> 1:32:14.680
<v Speaker 2>looking up to? Then you're saying I want to be

1:32:14.760 --> 1:32:16.000
<v Speaker 2>a DJ? All right?

1:32:16.160 --> 1:32:19.360
<v Speaker 1>So around my way we have my brother that I

1:32:19.760 --> 1:32:22.320
<v Speaker 1>patted myself after even today. You see what I do

1:32:22.439 --> 1:32:26.040
<v Speaker 1>on Instagram. This nigga, don't follow me. We're gonna go

1:32:26.320 --> 1:32:35.240
<v Speaker 1>somewhere else. You're bad, You're gonna break through. You're calling

1:32:35.360 --> 1:32:40.120
<v Speaker 1>some of the listen not But but there's a brother

1:32:40.240 --> 1:32:43.600
<v Speaker 1>around my way named com Mel. And so when I

1:32:43.640 --> 1:32:45.760
<v Speaker 1>got out the group home, they told me in the

1:32:45.800 --> 1:32:48.200
<v Speaker 1>group homes like yo, listen, man, you need to do music.

1:32:48.320 --> 1:32:51.120
<v Speaker 1>Manuk that crime ship Man do music. Man, You're gonna

1:32:51.120 --> 1:32:53.760
<v Speaker 1>be all right. And so I started buying records. I

1:32:53.800 --> 1:32:56.479
<v Speaker 1>ain't have equipment yet, but I just started buying records

1:32:56.479 --> 1:32:57.760
<v Speaker 1>that I like and ship you know what I mean.

1:32:57.880 --> 1:33:01.960
<v Speaker 2>In my household, we always have records. So buying records

1:33:02.040 --> 1:33:02.360
<v Speaker 2>was nothing.

1:33:02.439 --> 1:33:03.920
<v Speaker 1>It's like, all right, cool, go to the ad with

1:33:04.000 --> 1:33:07.080
<v Speaker 1>the bus pass, go see mister Wall music Factory. Buy

1:33:07.200 --> 1:33:11.880
<v Speaker 1>some records, you know what I mean? Yeah, beat minus Boom. So,

1:33:12.160 --> 1:33:15.320
<v Speaker 1>you know, just buying records. Man, buying records.

1:33:16.000 --> 1:33:20.639
<v Speaker 19>I gotta say, Man, huh, hearing you like what Main

1:33:20.760 --> 1:33:27.800
<v Speaker 19>Source brought to me really defined the way I knew

1:33:28.439 --> 1:33:31.160
<v Speaker 19>I could be in hip hop because we was.

1:33:31.200 --> 1:33:34.760
<v Speaker 1>Rebelling were we was rebelling, We was calling ship, I

1:33:34.880 --> 1:33:37.519
<v Speaker 1>was calling ship out. We was calling ship out. And

1:33:37.720 --> 1:33:39.960
<v Speaker 1>y'all came in and added on to.

1:33:40.040 --> 1:33:43.000
<v Speaker 19>That were curently Game of Baseball ran in me like

1:33:43.120 --> 1:33:45.519
<v Speaker 19>that man, I used to run that that friendly talk

1:33:45.600 --> 1:33:48.680
<v Speaker 19>about Yeah, I missed that part of me because I

1:33:48.800 --> 1:33:51.800
<v Speaker 19>just got to say, and Main absolutely.

1:33:51.560 --> 1:33:54.360
<v Speaker 3>Just the way we honest Love of the Barbecue might

1:33:54.479 --> 1:33:56.960
<v Speaker 3>be the one of the best posse records of I

1:33:57.000 --> 1:33:58.679
<v Speaker 3>mean absolutely all the time.

1:33:58.720 --> 1:34:02.080
<v Speaker 2>We was following in them template and you know, everybody,

1:34:02.640 --> 1:34:03.400
<v Speaker 2>what do you mean?

1:34:03.479 --> 1:34:03.920
<v Speaker 1>What do you mean?

1:34:04.080 --> 1:34:06.200
<v Speaker 2>Like Molly in Them came out with the first symphony

1:34:06.720 --> 1:34:07.960
<v Speaker 2>Barbecue because when we when we.

1:34:08.040 --> 1:34:10.639
<v Speaker 1>Did barbecue joint, we were we were saying we're gonna

1:34:10.640 --> 1:34:11.679
<v Speaker 1>do a symphony joint.

1:34:11.800 --> 1:34:17.840
<v Speaker 2>They whoa. He was saying, We're gonna do a symphony joint. Okay,

1:34:17.840 --> 1:34:21.640
<v Speaker 2>I can see that now sounding nothing like listen and

1:34:21.720 --> 1:34:24.519
<v Speaker 2>it was that and some times are doing crazy and

1:34:24.680 --> 1:34:27.240
<v Speaker 2>now times are doing albums. You you had joints.

1:34:27.280 --> 1:34:30.240
<v Speaker 1>You had yo, where's your DJ joint where the DJ

1:34:30.520 --> 1:34:32.760
<v Speaker 1>had his song, and then you had your your love

1:34:32.880 --> 1:34:35.080
<v Speaker 1>song joint, like I just drew up the Kinge joint.

1:34:35.439 --> 1:34:37.479
<v Speaker 1>Cainge on his first album he had the love song

1:34:37.600 --> 1:34:40.519
<v Speaker 1>the day Your Mind that that ship is fire like

1:34:40.840 --> 1:34:42.960
<v Speaker 1>so a lot of dudes. And then there was a

1:34:43.080 --> 1:34:45.680
<v Speaker 1>time where dudes had like where's your house.

1:34:45.760 --> 1:34:46.920
<v Speaker 2>Your hip house joint.

1:34:47.479 --> 1:34:50.320
<v Speaker 1>James was doing that hip house joint like house music.

1:34:54.640 --> 1:34:56.280
<v Speaker 2>House shot. That was the hip house joint.

1:34:56.320 --> 1:34:58.559
<v Speaker 1>It was like, oh, you got your girl joint because

1:34:58.560 --> 1:35:00.479
<v Speaker 1>they had so Jungle Brother they had.

1:35:00.439 --> 1:35:02.280
<v Speaker 2>In the Bush, which was their girl joint.

1:35:02.680 --> 1:35:06.320
<v Speaker 1>Then they had a girl out house was the that

1:35:06.479 --> 1:35:09.519
<v Speaker 1>was the the house joint and then they had the

1:35:09.640 --> 1:35:10.360
<v Speaker 1>DJ joint.

1:35:10.560 --> 1:35:13.320
<v Speaker 19>Was like you know, yeah, yeah, yeah, yeah, what you're

1:35:13.320 --> 1:35:15.439
<v Speaker 19>doing last night, Younger Brothers exactly.

1:35:16.760 --> 1:35:19.559
<v Speaker 2>I was playing the Jungle Brothers joints last night. Don't

1:35:19.600 --> 1:35:22.320
<v Speaker 2>you got the records. You're at the records. But let's

1:35:22.360 --> 1:35:26.360
<v Speaker 2>show these artifacts. We're gonna do that. He's gonna be.

1:35:31.920 --> 1:35:32.280
<v Speaker 20>We got it.

1:35:32.479 --> 1:35:34.439
<v Speaker 2>We got a future young legend in here. Man, I

1:35:34.439 --> 1:35:36.200
<v Speaker 2>ain't gonna dude.

1:35:36.080 --> 1:35:40.040
<v Speaker 21>Right here because he large professor knows that wherever I'm

1:35:40.040 --> 1:35:40.960
<v Speaker 21>always in the place to be.

1:35:41.439 --> 1:35:43.360
<v Speaker 2>You know what I'm saying, trying to make it happen.

1:35:43.400 --> 1:35:45.920
<v Speaker 2>But you know, wherever we had were in the place. Yeah,

1:35:45.920 --> 1:35:47.400
<v Speaker 2>wherever we are is the place to be.

1:35:47.520 --> 1:35:50.599
<v Speaker 1>That's right, because like you came out here like Miami,

1:35:51.080 --> 1:35:52.599
<v Speaker 1>like the stocks when you know what I mean.

1:35:53.560 --> 1:35:56.040
<v Speaker 22>He just stole he just just the ship out of

1:35:56.080 --> 1:36:04.799
<v Speaker 22>my ship. Just let me ask you because like halftime literally,

1:36:06.120 --> 1:36:06.320
<v Speaker 22>you know.

1:36:06.840 --> 1:36:10.800
<v Speaker 3>Halftime halftime like literally like like yo, bro, that's I

1:36:10.880 --> 1:36:12.880
<v Speaker 3>was in jail, in jails and d like.

1:36:12.920 --> 1:36:16.040
<v Speaker 2>You said, let's talk, like tell you about halftime. Listen,

1:36:16.080 --> 1:36:18.160
<v Speaker 2>that's what I heard. Listen. By the way, I'm gonna

1:36:18.160 --> 1:36:20.680
<v Speaker 2>be honest with you that's poppy. That's poppy right now to.

1:36:23.600 --> 1:36:26.880
<v Speaker 3>Go back two yes ago, this virtue Illmatic by the way,

1:36:27.040 --> 1:36:30.320
<v Speaker 3>illmadic I heard when I was incarcerated, right and this

1:36:30.760 --> 1:36:32.760
<v Speaker 3>this is the reason why to me, NAS is the

1:36:32.840 --> 1:36:37.280
<v Speaker 3>Donald goings. Because I didn't have I would go in

1:36:37.560 --> 1:36:40.720
<v Speaker 3>lock in and I would listen to Illmatic and I

1:36:40.720 --> 1:36:42.120
<v Speaker 3>would literally be in Queensbridge.

1:36:42.920 --> 1:36:44.800
<v Speaker 1>I was never kind of like in jail, like I

1:36:44.960 --> 1:36:46.800
<v Speaker 1>was like, so prior to that, did you ever go

1:36:46.960 --> 1:36:48.720
<v Speaker 1>to QB and hang out?

1:36:48.720 --> 1:36:53.680
<v Speaker 2>Absolutely? But but I actually smelled QB like as I

1:36:53.760 --> 1:36:54.320
<v Speaker 2>was listening to it.

1:36:56.960 --> 1:37:00.280
<v Speaker 3>Particulate NAS was at the time was when I, I said,

1:37:00.280 --> 1:37:03.679
<v Speaker 3>read Donald Gowan's books, and I read a book called Horse.

1:37:03.680 --> 1:37:05.400
<v Speaker 1>I like how you pronounced his name because you say

1:37:05.479 --> 1:37:07.519
<v Speaker 1>like go in when he was going in.

1:37:08.560 --> 1:37:15.439
<v Speaker 2>But it's like which you know you always know you.

1:37:21.479 --> 1:37:23.479
<v Speaker 2>But I would listen. I would read these books and

1:37:23.520 --> 1:37:25.920
<v Speaker 2>I would be in Detroit. And what I started to

1:37:26.000 --> 1:37:29.560
<v Speaker 2>notice was, oh, ship music, that's the same thing, like

1:37:29.640 --> 1:37:32.320
<v Speaker 2>the same thing as reading, Like when you read, you

1:37:32.560 --> 1:37:34.559
<v Speaker 2>be in that place like you read a book about

1:37:35.000 --> 1:37:37.240
<v Speaker 2>you know, Malcolm X. I was, I was transporting to

1:37:37.280 --> 1:37:40.479
<v Speaker 2>you Detroit read and then it Matic was the first

1:37:40.600 --> 1:37:44.920
<v Speaker 2>album that I listened to that I saw, like I

1:37:45.080 --> 1:37:48.200
<v Speaker 2>actually saw it. I couldn't. I couldn't see it physically,

1:37:48.360 --> 1:37:50.639
<v Speaker 2>he says, trying to tell some broken there but all

1:37:50.800 --> 1:37:53.320
<v Speaker 2>that ship and you see what he said, he said

1:37:53.920 --> 1:37:57.439
<v Speaker 2>that buck that brought that bottle. I would say, what

1:37:57.520 --> 1:37:58.080
<v Speaker 2>the fu is wrong?

1:37:58.200 --> 1:38:02.160
<v Speaker 1>The wise man has the wise young man has smoken

1:38:03.120 --> 1:38:03.840
<v Speaker 1>the elevator.

1:38:07.960 --> 1:38:13.679
<v Speaker 2>That that's that smell. Though as soon as you said

1:38:13.720 --> 1:38:17.080
<v Speaker 2>that lyric, that smell washed it into my nostrils. Because look,

1:38:17.360 --> 1:38:17.920
<v Speaker 2>so what I'm.

1:38:17.760 --> 1:38:21.200
<v Speaker 3>Trying to describe is trying to time was the first

1:38:21.280 --> 1:38:24.120
<v Speaker 3>record we heard, right, and then it was like it

1:38:24.280 --> 1:38:27.920
<v Speaker 3>was like a whole like in my opinion again I

1:38:28.040 --> 1:38:30.720
<v Speaker 3>was I was away. It was like a like like

1:38:31.400 --> 1:38:34.679
<v Speaker 3>a heart like he didn't he didn't drop more more albums.

1:38:34.720 --> 1:38:37.120
<v Speaker 3>He didn't drop that in that vein in that vein, right,

1:38:37.520 --> 1:38:42.320
<v Speaker 3>and then the album drop. Was that something that that

1:38:42.520 --> 1:38:44.280
<v Speaker 3>y'all planned or that was something that.

1:38:44.640 --> 1:38:48.280
<v Speaker 1>It just yo, the streets was bubbling ship, It was

1:38:48.360 --> 1:38:52.120
<v Speaker 1>technical difficulties, were working on a low budget, like it

1:38:52.280 --> 1:38:55.120
<v Speaker 1>was old types of like that that that that that

1:38:55.280 --> 1:38:57.760
<v Speaker 1>first album ship that you could you know that you

1:38:57.840 --> 1:38:58.519
<v Speaker 1>could get man.

1:38:58.680 --> 1:39:01.519
<v Speaker 3>And because you have one one moment. Let me just

1:39:01.560 --> 1:39:04.400
<v Speaker 3>say this because to me, I maybe didn't say this earlier.

1:39:04.880 --> 1:39:07.240
<v Speaker 3>Ell Matic is the greatest album of all times.

1:39:07.360 --> 1:39:10.679
<v Speaker 2>To me, I resonated that. That's to me, I don't

1:39:10.680 --> 1:39:12.800
<v Speaker 2>want to argue we're talking about anything. You're not just

1:39:12.840 --> 1:39:14.720
<v Speaker 2>talking about hip hop. I'm talking about hip talking about

1:39:15.120 --> 1:39:17.400
<v Speaker 2>general in general, in general, right, like, like we're not

1:39:17.560 --> 1:39:23.640
<v Speaker 2>like subjectively for you, it would have to be subjectively, right,

1:39:24.560 --> 1:39:27.040
<v Speaker 2>It wasn't for me, and I'm not from Queens, but

1:39:27.600 --> 1:39:28.920
<v Speaker 2>that's what makes it even more special.

1:39:29.040 --> 1:39:31.439
<v Speaker 9>Like me from Miami listened to it, transported me to

1:39:31.600 --> 1:39:33.759
<v Speaker 9>Queens and made me believe I understood Queens.

1:39:34.560 --> 1:39:37.640
<v Speaker 1>Like, all right, so Michael, like Michael Jackson, Thriller is

1:39:37.760 --> 1:39:39.360
<v Speaker 1>not It's not anywhere in me.

1:39:39.960 --> 1:39:42.920
<v Speaker 2>No, I'm trying to think. I'm trying to think of

1:39:43.000 --> 1:39:45.360
<v Speaker 2>something that you might know that. I'm trying to think

1:39:45.400 --> 1:39:47.680
<v Speaker 2>of something that you might I like Thriller, but I

1:39:47.680 --> 1:39:51.160
<v Speaker 2>don't like right, like, right, it's cool? Did you like

1:39:51.280 --> 1:39:52.320
<v Speaker 2>that out? I couldn't relate to.

1:39:52.320 --> 1:39:54.880
<v Speaker 1>It because it had human nature on it. It had

1:39:55.600 --> 1:39:56.240
<v Speaker 1>It wasn't.

1:39:56.000 --> 1:40:00.320
<v Speaker 2>Relating to me. It wasn't relating to that poppy just age.

1:40:01.320 --> 1:40:07.000
<v Speaker 2>I didn't want to right right, young? What are you

1:40:07.080 --> 1:40:10.280
<v Speaker 2>talking about? But he's a little young, but you know

1:40:10.400 --> 1:40:12.280
<v Speaker 2>I'm trying. I'm trying to That's what.

1:40:13.840 --> 1:40:18.840
<v Speaker 21>Years he's listening to a different he's listening what he

1:40:18.920 --> 1:40:22.200
<v Speaker 21>wanted to like making.

1:40:22.439 --> 1:40:25.519
<v Speaker 2>What is going to find one? I mean, you know

1:40:26.240 --> 1:40:27.160
<v Speaker 2>that's what I'm trying to say.

1:40:27.160 --> 1:40:29.880
<v Speaker 3>If you take granddaddy, you bismark and Kuji rap and

1:40:30.040 --> 1:40:31.640
<v Speaker 3>you make them have a baby, that's an r E.

1:40:32.000 --> 1:40:35.240
<v Speaker 3>Granddad at you biz mark and Cousi wrap And if

1:40:35.280 --> 1:40:36.080
<v Speaker 3>you really think.

1:40:35.960 --> 1:40:39.880
<v Speaker 2>About that, that's he's asking you. What the fours was that?

1:40:40.360 --> 1:40:43.519
<v Speaker 2>Not that prod It was grand that you brand. There

1:40:43.560 --> 1:40:47.080
<v Speaker 2>you go, there you go, Holy ship, he's just more smooth.

1:40:48.000 --> 1:40:59.439
<v Speaker 2>Two copies brothers, his flower, his flowers. This is my Listen.

1:41:00.200 --> 1:41:03.040
<v Speaker 3>When Granddad you said I knew a girl named Kenya

1:41:03.280 --> 1:41:05.920
<v Speaker 3>from West Virginia, Boy, would I like the stick?

1:41:06.160 --> 1:41:08.200
<v Speaker 2>Somebody? I said, I don't know what the fuck he

1:41:08.360 --> 1:41:12.519
<v Speaker 2>just did, but I want to do that. She just

1:41:12.680 --> 1:41:15.479
<v Speaker 2>said that single handed. He made me a round.

1:41:16.560 --> 1:41:19.280
<v Speaker 3>Look lost, professor, let me give you your props and

1:41:19.439 --> 1:41:23.280
<v Speaker 3>watching y'all perform at Brooklyn Queen's Day in Flushing Meadow Park.

1:41:23.120 --> 1:41:25.240
<v Speaker 2>We got two copies of that. Dude, I think I

1:41:25.360 --> 1:41:28.479
<v Speaker 2>seen that this is just thats just stupid. Listen, I was,

1:41:28.720 --> 1:41:31.160
<v Speaker 2>I seen. I was professor to perform at Brooklyn Queen's

1:41:31.240 --> 1:41:34.479
<v Speaker 2>Day with nas and Love of the Barbecue. And I

1:41:34.520 --> 1:41:34.800
<v Speaker 2>went there.

1:41:36.040 --> 1:41:39.240
<v Speaker 3>Aconnell Is from ninety seventh Streetconetics from ninety ninety.

1:41:39.080 --> 1:41:43.920
<v Speaker 2>Nine coming here. And I didn't know what I was

1:41:43.960 --> 1:41:45.000
<v Speaker 2>doing at the time. I was a kid.

1:41:45.560 --> 1:41:48.439
<v Speaker 3>Mother didn't even let me out, and I went to

1:41:48.560 --> 1:41:50.639
<v Speaker 3>Brooklyn Queens Day, which was very dangerous.

1:41:51.479 --> 1:41:52.840
<v Speaker 2>By the way, this was not safe.

1:41:53.520 --> 1:41:54.120
<v Speaker 1>It was fun.

1:41:54.320 --> 1:41:55.000
<v Speaker 2>It was fun.

1:41:55.560 --> 1:41:58.639
<v Speaker 1>It was dangerous for left right left niggas is always

1:41:59.520 --> 1:42:03.479
<v Speaker 1>it was just because niggas was crazy gens right niggas.

1:42:03.600 --> 1:42:10.840
<v Speaker 2>Squeeze. Just listen, I'm looking at brook Listen listen. Brooklyn

1:42:10.880 --> 1:42:16.759
<v Speaker 2>did was it was in Queens. So Brooklyn niggas imagine

1:42:16.760 --> 1:42:19.599
<v Speaker 2>that will come. Donald Trump is a left raight nigga.

1:42:20.200 --> 1:42:26.280
<v Speaker 2>Johnny Trumps the left track niggas. I'm telling the time

1:42:26.400 --> 1:42:28.639
<v Speaker 2>all the time, right, he grew up right down the block.

1:42:28.720 --> 1:42:33.160
<v Speaker 2>He's like Johnny Trump is from right up the block.

1:42:34.640 --> 1:42:36.240
<v Speaker 2>When you say it's not you and when you do

1:42:36.320 --> 1:42:38.200
<v Speaker 2>some apartment, I'm gonna be honest.

1:42:38.240 --> 1:42:41.000
<v Speaker 3>Why it's not you Left Rack and Donald Trump have beef.

1:42:41.320 --> 1:42:42.760
<v Speaker 3>The guy who owns the Left Right.

1:42:42.680 --> 1:42:44.519
<v Speaker 2>He was up the block, That's what I'm saying. He

1:42:44.720 --> 1:42:47.800
<v Speaker 2>was broke. He Johnny Trump people was up the blot

1:42:47.840 --> 1:42:49.200
<v Speaker 2>from left right and they had.

1:42:49.240 --> 1:42:54.360
<v Speaker 1>Actually actually is pronounced the frack.

1:42:55.560 --> 1:42:57.840
<v Speaker 2>So you know the guy right now, if you know

1:43:03.880 --> 1:43:06.200
<v Speaker 2>he lives in Miami, I know him right now. It's

1:43:06.200 --> 1:43:13.040
<v Speaker 2>bigger than Jamie Left and he will.

1:43:13.560 --> 1:43:15.120
<v Speaker 3>I'm trying to get him to give me. I want

1:43:15.160 --> 1:43:16.720
<v Speaker 3>to buy. I want to be the first owner of

1:43:16.800 --> 1:43:17.519
<v Speaker 3>a left Rack city.

1:43:17.560 --> 1:43:21.840
<v Speaker 2>He should have. Yes, yes, yes, that's it's a good

1:43:21.880 --> 1:43:24.479
<v Speaker 2>idea because we had Colin the offer for that dude.

1:43:24.600 --> 1:43:26.200
<v Speaker 3>We had college houses. The first time I ever seen

1:43:26.240 --> 1:43:28.880
<v Speaker 3>a class drunk. So he class by the way, you know,

1:43:28.960 --> 1:43:31.040
<v Speaker 3>he class is a military military.

1:43:31.400 --> 1:43:34.920
<v Speaker 2>He classes like this all right, that was up he class.

1:43:34.960 --> 1:43:39.280
<v Speaker 2>He said he owned your ship? What I said, what?

1:43:39.600 --> 1:43:41.760
<v Speaker 2>And then the guy comes over, he's sitting there waiting

1:43:41.800 --> 1:43:45.280
<v Speaker 2>to speak to me. He's like, yo, I'm left Left said,

1:43:46.360 --> 1:43:48.680
<v Speaker 2>that's actually his name, Yes, that is his name. I

1:43:48.720 --> 1:43:49.720
<v Speaker 2>gotta save that his name.

1:43:49.800 --> 1:43:52.360
<v Speaker 3>But what's crazy about it is like like no one

1:43:52.439 --> 1:43:55.439
<v Speaker 3>owns forty projects the city owns forty projects.

1:43:55.640 --> 1:43:58.080
<v Speaker 2>No one owns Queen's Bridge. You got to come in.

1:43:59.760 --> 1:44:03.559
<v Speaker 2>Let the the city, the city Queens where nobody owns basic.

1:44:03.680 --> 1:44:07.240
<v Speaker 2>Basically the city owns that. Nobody owns four Green. The

1:44:07.360 --> 1:44:11.560
<v Speaker 2>city owns that. Someone. We could actually look at the

1:44:11.600 --> 1:44:13.880
<v Speaker 2>person who owns left right and we could change so

1:44:14.040 --> 1:44:20.280
<v Speaker 2>that actually city you're talking about morning and buildings.

1:44:20.560 --> 1:44:24.120
<v Speaker 3>No, it's actually it's actually ten left rack cities. Okay,

1:44:24.200 --> 1:44:25.519
<v Speaker 3>I'm talking about I mean, we're.

1:44:25.400 --> 1:44:27.599
<v Speaker 2>The main one in Queens, but this one in Jersey,

1:44:27.920 --> 1:44:31.439
<v Speaker 2>this one and yeah, you just sucked me up, right

1:44:32.040 --> 1:44:37.160
<v Speaker 2>left fractice franchise. Listen, listen, listen what he just said.

1:44:37.600 --> 1:44:43.479
<v Speaker 2>He was saying, Yeah, like I like that joke, and

1:44:43.560 --> 1:44:49.160
<v Speaker 2>I'm just talking about to make you look at elevator.

1:44:49.720 --> 1:44:54.320
<v Speaker 2>They got the elevated. Yeah yeah, but to be serious,

1:44:54.400 --> 1:44:56.640
<v Speaker 2>Left fraight City is actually a city though. No, no,

1:44:57.439 --> 1:44:59.960
<v Speaker 2>it's a complex. It's so it's not like a new

1:45:00.240 --> 1:45:05.360
<v Speaker 2>undercore some of the wildisce. In Jersey City, they have

1:45:05.439 --> 1:45:08.560
<v Speaker 2>a left brack city as well. Yes, so by building that,

1:45:08.640 --> 1:45:11.800
<v Speaker 2>they call it the name left freck City. Right, man,

1:45:11.840 --> 1:45:13.680
<v Speaker 2>I'm a flushing nigga, and you know you about that.

1:45:17.200 --> 1:45:17.680
<v Speaker 5>You got it.

1:45:20.720 --> 1:45:22.320
<v Speaker 1>Let me just say, Yo, was you ever caught up

1:45:22.360 --> 1:45:24.960
<v Speaker 1>in any of that bound like flushing left rack beach.

1:45:25.439 --> 1:45:28.000
<v Speaker 2>Too young, too good man, I'm glad man, I'm glad.

1:45:28.080 --> 1:45:29.640
<v Speaker 1>Well, let me ask you something because flush, you know

1:45:29.720 --> 1:45:32.000
<v Speaker 1>you probably asked some of that Jamaica left rag beat.

1:45:32.439 --> 1:45:36.000
<v Speaker 2>Yes, that plushing, Flushing, Flushing.

1:45:36.000 --> 1:45:39.200
<v Speaker 1>Now, your left rack always had been down the block,

1:45:39.320 --> 1:45:42.439
<v Speaker 1>always had beef. Like we was the calm buildings. We

1:45:42.600 --> 1:45:44.479
<v Speaker 1>was the brother We was like the guards. We was

1:45:44.560 --> 1:45:46.560
<v Speaker 1>like like flushing. Them used to come up like to

1:45:46.960 --> 1:45:49.800
<v Speaker 1>fucking like right the forehead like whow man, I just

1:45:49.880 --> 1:45:51.120
<v Speaker 1>got away from some bullshit.

1:45:51.640 --> 1:45:53.720
<v Speaker 2>We're just up there listening to music. You know what

1:45:53.760 --> 1:46:06.120
<v Speaker 2>I mean. We don't left someone who got hanging out, right,

1:46:06.200 --> 1:46:20.240
<v Speaker 2>But I love you bounce like no, no, why God? Why? Actually?

1:46:20.240 --> 1:46:22.920
<v Speaker 3>Because Flushing, Flushing is one of the diverse places I've

1:46:22.960 --> 1:46:25.240
<v Speaker 3>ever been to. I always say to people, if you're

1:46:25.280 --> 1:46:27.880
<v Speaker 3>from Queens, can't your way you could be for you

1:46:27.920 --> 1:46:28.599
<v Speaker 3>could be racist?

1:46:28.720 --> 1:46:32.760
<v Speaker 1>Right, because right that's and that's my way. I say,

1:46:32.840 --> 1:46:35.120
<v Speaker 1>Donald Trump ain't really from Queens. You go to Japan,

1:46:35.240 --> 1:46:37.720
<v Speaker 1>I'm like, yo, home, sweet home. When i I'm like,

1:46:37.800 --> 1:46:41.080
<v Speaker 1>oh home from Flushing, because Flushing. That's what I'm saying, Flushing.

1:46:41.160 --> 1:46:42.840
<v Speaker 2>You have a lot of Russians, you have a lot

1:46:42.880 --> 1:46:43.560
<v Speaker 2>of Asians.

1:46:43.880 --> 1:46:48.000
<v Speaker 1>So you said it in the song you say, bouncing

1:46:48.080 --> 1:46:49.880
<v Speaker 1>out the flushing, check the Russian.

1:46:50.120 --> 1:46:52.880
<v Speaker 2>Check the weed with the cushion with extra pe. Yeah

1:46:52.920 --> 1:46:53.479
<v Speaker 2>I'm flushing.

1:46:53.600 --> 1:46:59.240
<v Speaker 1>Yeah, said that in the song. Yeah, but extra p

1:46:59.400 --> 1:47:02.000
<v Speaker 1>you get the weed from the Russian. But it described

1:47:02.080 --> 1:47:05.880
<v Speaker 1>to us growing up out there. How is that? Because

1:47:06.520 --> 1:47:08.400
<v Speaker 1>like I said, it was up in Flushing, Flushing, Yeah,

1:47:08.920 --> 1:47:10.920
<v Speaker 1>now I was it. I mean because from I mean

1:47:11.080 --> 1:47:13.200
<v Speaker 1>I was. I was born in Harlem, and you know

1:47:13.280 --> 1:47:14.240
<v Speaker 1>it was just straight.

1:47:14.120 --> 1:47:16.400
<v Speaker 2>Like I'll say, you're born in We don't want to

1:47:16.400 --> 1:47:16.800
<v Speaker 2>claim that.

1:47:17.360 --> 1:47:17.960
<v Speaker 1>I know I do.

1:47:19.640 --> 1:47:21.400
<v Speaker 2>That's the big al building you said that earliest, the

1:47:21.479 --> 1:47:23.920
<v Speaker 2>whole big yow in front of his Grandma's.

1:47:24.280 --> 1:47:27.400
<v Speaker 1>That's my whole edge, like it's the Harlem ship. But

1:47:27.600 --> 1:47:29.960
<v Speaker 1>I ain't never get to experience that like they was

1:47:30.040 --> 1:47:32.479
<v Speaker 1>like my mom's was like you're not gonna get this.

1:47:32.920 --> 1:47:35.080
<v Speaker 2>We're gonna get a better like you know, So it

1:47:35.200 --> 1:47:35.960
<v Speaker 2>was Flushing for me.

1:47:36.560 --> 1:47:39.240
<v Speaker 1>But you know, Grandma's house, back and forth going back,

1:47:39.400 --> 1:47:42.760
<v Speaker 1>no Thanksgiving ship like that suit up, get fly, you

1:47:42.760 --> 1:47:46.719
<v Speaker 1>know type ship, but Flushing Man was cold and Pomana

1:47:47.160 --> 1:47:51.160
<v Speaker 1>cold and Palmanac the Bland. Bland was really the hood

1:47:51.280 --> 1:47:53.600
<v Speaker 1>like where I was in carll Out like down the

1:47:53.680 --> 1:47:57.519
<v Speaker 1>block was flush shallow. Mike g you know, Mike G

1:47:57.760 --> 1:48:01.800
<v Speaker 1>was from the building diagonal from me. We have full buildings, no,

1:48:02.200 --> 1:48:05.560
<v Speaker 1>like yeah, yeah, I call him Mike Jesus Mike g

1:48:05.800 --> 1:48:09.080
<v Speaker 1>All that that's that's that's like my first friend in life.

1:48:09.160 --> 1:48:10.960
<v Speaker 2>Like Yo, so yo.

1:48:11.920 --> 1:48:16.519
<v Speaker 1>I grew up with Hay June, John Soul, my man Raider,

1:48:17.040 --> 1:48:21.639
<v Speaker 1>Chris Elasti's big, big, crazy big about Royal Flush Flush

1:48:21.800 --> 1:48:23.680
<v Speaker 1>Flush used to come to the rest like you know

1:48:23.720 --> 1:48:25.799
<v Speaker 1>what I mean, Like because my my crib. I always

1:48:25.840 --> 1:48:28.960
<v Speaker 1>wanted to like share whatever I was doing with the crib,

1:48:29.120 --> 1:48:31.280
<v Speaker 1>like with the you know, the community and ship like

1:48:31.400 --> 1:48:33.840
<v Speaker 1>Yo come through and I saw on one of the

1:48:34.000 --> 1:48:36.040
<v Speaker 1>champs and shit, you was like, you know when Mike

1:48:36.080 --> 1:48:38.040
<v Speaker 1>and them was talking about the Queen's Lounge, when I

1:48:38.080 --> 1:48:40.040
<v Speaker 1>was doing the Queen's Lounge. Shit, that was like that's

1:48:40.120 --> 1:48:42.240
<v Speaker 1>what I was doing, like because I was coming up

1:48:42.280 --> 1:48:44.639
<v Speaker 1>in the industry and I wanted the hood to kind

1:48:44.680 --> 1:48:47.519
<v Speaker 1>of see like yo this, you know, like Q tip Yo,

1:48:47.640 --> 1:48:51.920
<v Speaker 1>Yeah right here like that exactly like Biz came through.

1:48:52.000 --> 1:48:53.880
<v Speaker 1>Like people still come up to me like, yo, I

1:48:54.000 --> 1:48:57.280
<v Speaker 1>met Biz coming to meet you, like you know what

1:48:57.280 --> 1:49:00.360
<v Speaker 1>I mean. Like so I always wanted that for them

1:49:00.400 --> 1:49:03.320
<v Speaker 1>to come because I was I knew like yo, now

1:49:03.360 --> 1:49:06.040
<v Speaker 1>I'm making that ship so you know, come see me too,

1:49:06.360 --> 1:49:09.760
<v Speaker 1>like type ship. So it was a beautiful thing growing

1:49:09.880 --> 1:49:12.680
<v Speaker 1>up in Flushing. Man, Like, it's a beautiful thing. The

1:49:12.800 --> 1:49:16.200
<v Speaker 1>diversity is my key. Now when I travel the world

1:49:16.560 --> 1:49:18.240
<v Speaker 1>and these people come up to me, I don't feel

1:49:18.479 --> 1:49:20.439
<v Speaker 1>like no hood nigga. I don't feel like I ain't

1:49:20.680 --> 1:49:22.639
<v Speaker 1>good as them or nothing. I'm just like, oh ship

1:49:22.720 --> 1:49:26.960
<v Speaker 1>you just like mother fucking Vladin and ship, you know

1:49:27.000 --> 1:49:29.200
<v Speaker 1>what I mean. Like for real, I know people like

1:49:29.520 --> 1:49:32.800
<v Speaker 1>you know, I know Jewish, I know all that. I

1:49:32.920 --> 1:49:35.960
<v Speaker 1>know the whole spectrum. So that's the beautiful thing about Flushing.

1:49:37.840 --> 1:49:44.160
<v Speaker 1>My Jesus like Jesus, like Jesus, Jesus Christ, that's my

1:49:44.320 --> 1:49:45.160
<v Speaker 1>first friend, like.

1:49:48.840 --> 1:49:55.080
<v Speaker 2>Jesus Christ. Worried up. So let me ask you. Yeah,

1:49:55.479 --> 1:49:56.160
<v Speaker 2>your pre.

1:49:56.280 --> 1:49:57.960
<v Speaker 1>Man, you're supposed to have been in this round.

1:49:58.040 --> 1:50:04.519
<v Speaker 2>Take come on, pre man man man, all right, we

1:50:04.680 --> 1:50:10.360
<v Speaker 2>hear man. You see now you see talent man you

1:50:10.439 --> 1:50:14.640
<v Speaker 2>see did you just drop a video? You can sit

1:50:14.720 --> 1:50:15.080
<v Speaker 2>behind the.

1:50:20.439 --> 1:50:24.240
<v Speaker 1>Well left my nigga, Man, I told I told him

1:50:24.240 --> 1:50:26.639
<v Speaker 1>how he was the first. You know how I first

1:50:26.760 --> 1:50:28.040
<v Speaker 1>first time I went outside.

1:50:28.479 --> 1:50:31.120
<v Speaker 2>You know, I'm in my moms man. I love big

1:50:31.200 --> 1:50:33.000
<v Speaker 2>up moms Man, Mike.

1:50:33.160 --> 1:50:37.080
<v Speaker 1>Mike moms was actually like she she was like very

1:50:37.400 --> 1:50:41.320
<v Speaker 1>big and like Jet magazines and Ebony magazines like as

1:50:41.439 --> 1:50:44.639
<v Speaker 1>like the talent like the scout that she was kind

1:50:44.680 --> 1:50:48.160
<v Speaker 1>of like kind of big, like how Prodigy's grandmother was

1:50:48.840 --> 1:50:52.040
<v Speaker 1>like like with the like having the community and like

1:50:52.160 --> 1:50:54.760
<v Speaker 1>knowing what the new talent that was coming up. Yeah,

1:50:54.800 --> 1:50:56.800
<v Speaker 1>absolutely worrid I found that out man.

1:50:57.439 --> 1:51:01.000
<v Speaker 2>Yeah, and one from that man. God, remember Mike moms

1:51:01.040 --> 1:51:02.600
<v Speaker 2>Man literally man like it was.

1:51:02.680 --> 1:51:05.040
<v Speaker 1>It was crazy when you know when she left, just

1:51:05.240 --> 1:51:08.000
<v Speaker 1>man like Mike had left and and yeah, I remember

1:51:08.080 --> 1:51:12.600
<v Speaker 1>man for real man, my brother. Absolutely you hold on.

1:51:13.200 --> 1:51:14.439
<v Speaker 1>Did you get them facts for me?

1:51:14.560 --> 1:51:17.120
<v Speaker 2>Man? You got the facts? Memos asking you a couple

1:51:17.160 --> 1:51:21.120
<v Speaker 2>of things. Man, you got them facts for me? Man, Okay,

1:51:21.479 --> 1:51:21.880
<v Speaker 2>no doubt.

1:51:22.320 --> 1:51:27.840
<v Speaker 4>We're gonna gets just two old frinds talking.

1:51:28.000 --> 1:51:33.360
<v Speaker 2>Just hang it out. We're gonna call you back, oldhead.

1:51:35.360 --> 1:51:39.439
<v Speaker 2>I just I just got to hear just hanging out

1:51:39.840 --> 1:51:47.120
<v Speaker 2>organically and let me say because that's great, that's great. Yeah,

1:51:47.200 --> 1:51:49.400
<v Speaker 2>we had Mike on here and right and you were

1:51:49.439 --> 1:51:50.920
<v Speaker 2>talking about basically and all that, and.

1:51:53.880 --> 1:52:02.040
<v Speaker 3>It's holds me because we had two people here that

1:52:04.040 --> 1:52:07.560
<v Speaker 3>said this very same story with two opposite attendants.

1:52:07.760 --> 1:52:08.040
<v Speaker 2>Wow.

1:52:09.479 --> 1:52:13.160
<v Speaker 3>We had Mike Geronimo sit here and say he hated

1:52:13.280 --> 1:52:17.920
<v Speaker 3>being compared to NAS. Well, birth days is the same.

1:52:18.120 --> 1:52:20.519
<v Speaker 3>Let me finish, let me finish. So he says he

1:52:20.600 --> 1:52:24.000
<v Speaker 3>hated being compared to NAS and then and he kind

1:52:24.040 --> 1:52:29.160
<v Speaker 3>of like said that that that almost is what made

1:52:29.240 --> 1:52:31.560
<v Speaker 3>him not want to like keep going. And then we

1:52:31.680 --> 1:52:36.240
<v Speaker 3>had IRV gott he here and said he hated that

1:52:36.680 --> 1:52:40.400
<v Speaker 3>that Mike Geronimo didn't accept being compared.

1:52:40.439 --> 1:52:44.080
<v Speaker 1>IRV and I love because IRV is official. You know

1:52:44.120 --> 1:52:46.920
<v Speaker 1>what I'm saying that I need to just tell people.

1:52:47.000 --> 1:52:48.960
<v Speaker 1>You know, I was tearing them parks up, nigga, that's

1:52:49.000 --> 1:52:51.400
<v Speaker 1>all EARTH need to do because that's the most official

1:52:51.439 --> 1:52:51.920
<v Speaker 1>ship you can.

1:52:52.080 --> 1:52:54.080
<v Speaker 3>So I want you to answer this question, like, because

1:52:54.760 --> 1:52:58.160
<v Speaker 3>because they both told the same story. Mike Geronimo said

1:52:59.600 --> 1:53:03.439
<v Speaker 3>him being compared the NAS was not a blessing for him,

1:53:03.720 --> 1:53:05.479
<v Speaker 3>and IRV sat here in to the same.

1:53:05.560 --> 1:53:08.439
<v Speaker 2>He said him being compared to NAS was a blessing.

1:53:09.280 --> 1:53:12.160
<v Speaker 1>I'll explained to you, man, he was never compared to

1:53:12.320 --> 1:53:15.840
<v Speaker 1>NAS right to begin with, No, he was not, man,

1:53:16.160 --> 1:53:18.040
<v Speaker 1>Nobody was comparing him to NAS.

1:53:18.240 --> 1:53:19.519
<v Speaker 2>I think Mike, you know what I'm saying.

1:53:19.560 --> 1:53:22.559
<v Speaker 1>Mike sometimes get really deep into and so he's like, Yo,

1:53:22.720 --> 1:53:30.519
<v Speaker 1>the same birthday type ship and ship like that, Queen's lounge.

1:53:30.680 --> 1:53:35.840
<v Speaker 1>Queen's lounge. Motherfucking Mike Geronimo was there. Nas was dead,

1:53:36.040 --> 1:53:38.040
<v Speaker 1>Trash was dead. You know what I'm saying.

1:53:38.080 --> 1:53:40.120
<v Speaker 2>I could go on and on the people that was dead.

1:53:40.240 --> 1:53:42.000
<v Speaker 2>You know what I'm saying. Nas was NAS.

1:53:42.360 --> 1:53:45.320
<v Speaker 1>Mike Geronimo was in the cut, coming up and flushing,

1:53:45.600 --> 1:53:48.840
<v Speaker 1>and he was his own entity. Nobody was comparing NAS

1:53:49.000 --> 1:53:52.000
<v Speaker 1>and like you be honest, I was right now and

1:53:52.160 --> 1:53:55.679
<v Speaker 1>right now. If you ring NAS and NASS be like yo, Pee,

1:53:55.800 --> 1:53:56.600
<v Speaker 1>please tell me.

1:53:59.080 --> 1:54:02.720
<v Speaker 2>Mike me even could call them right now. This is

1:54:02.760 --> 1:54:05.680
<v Speaker 2>what I mean. You could You want to clear it up?

1:54:08.720 --> 1:54:09.200
<v Speaker 2>Hip hop.

1:54:12.560 --> 1:54:16.760
<v Speaker 19>What you said to just he if he had to continue,

1:54:16.880 --> 1:54:18.480
<v Speaker 19>there would have been an il differentiation.

1:54:18.640 --> 1:54:20.479
<v Speaker 2>You know how many There's so many, as Peter said,

1:54:20.560 --> 1:54:24.160
<v Speaker 2>like because they're in the same genre.

1:54:24.640 --> 1:54:28.800
<v Speaker 1>Can I go to different regions and I ask about

1:54:28.840 --> 1:54:31.920
<v Speaker 1>my niggas, I'm like, yo, you know, Royal flush. Some

1:54:32.080 --> 1:54:34.760
<v Speaker 1>places they say yeah. A lot of places they say no,

1:54:34.920 --> 1:54:36.760
<v Speaker 1>I don't know yet. You know what I'm saying, I

1:54:36.800 --> 1:54:38.680
<v Speaker 1>don't know yet, you know. And I like that they

1:54:38.760 --> 1:54:41.160
<v Speaker 1>you know, they still want to know, you know, And

1:54:41.280 --> 1:54:44.920
<v Speaker 1>I'm there, and I'm believe me, I'm not there, like

1:54:45.280 --> 1:54:47.440
<v Speaker 1>both feet in, I'm still getting them to know me.

1:54:48.040 --> 1:54:50.720
<v Speaker 2>So I'm not like, yo, I'm like some old eminem man,

1:54:50.880 --> 1:54:51.360
<v Speaker 2>you know what I mean.

1:54:51.440 --> 1:54:54.720
<v Speaker 1>Like I'm like shure, they're figuring out me too, like

1:54:54.840 --> 1:54:56.240
<v Speaker 1>at the same time, So I don't want.

1:54:56.120 --> 1:54:58.360
<v Speaker 2>To try to put like I'm there and they not whatever.

1:54:58.600 --> 1:54:59.160
<v Speaker 2>But a lot of.

1:54:59.200 --> 1:55:01.920
<v Speaker 1>Places like people ain't know. So that's that's my my

1:55:02.080 --> 1:55:04.760
<v Speaker 1>basis on what I'm saying, Like people is not comparing

1:55:04.840 --> 1:55:07.840
<v Speaker 1>the two. Because I had a platform that was now

1:55:08.000 --> 1:55:09.840
<v Speaker 1>you being super New York niggas.

1:55:09.920 --> 1:55:17.120
<v Speaker 2>Yes, you guys are big, like he did you know

1:55:17.200 --> 1:55:17.600
<v Speaker 2>how we have.

1:55:17.640 --> 1:55:17.960
<v Speaker 1>About the.

1:55:19.480 --> 1:55:27.040
<v Speaker 2>Fans That was like like comparing you guys were not

1:55:27.200 --> 1:55:32.960
<v Speaker 2>comparing like I'm young, I'm young, was comparing them. You know.

1:55:34.000 --> 1:55:36.160
<v Speaker 21>I was around when the Mike Geronimo is on on

1:55:36.280 --> 1:55:39.520
<v Speaker 21>blunt and I was just the first time I'm hearing

1:55:39.560 --> 1:55:40.200
<v Speaker 21>that comparison to.

1:55:42.680 --> 1:55:42.920
<v Speaker 6>Say that.

1:55:43.120 --> 1:55:45.840
<v Speaker 21>I will say, even though even though it's the first

1:55:45.840 --> 1:55:47.400
<v Speaker 21>time I'm hearing that, you can see it.

1:55:47.760 --> 1:55:50.200
<v Speaker 2>I could see it on some market and ship I

1:55:50.280 --> 1:55:54.560
<v Speaker 2>can't see it on the styles. Everybody. Everybody was a

1:55:54.680 --> 1:55:57.120
<v Speaker 2>blend to everybody. You know what I mean, Like, yo,

1:55:57.280 --> 1:56:01.040
<v Speaker 2>you man, see what you're saying. What mean if anything

1:56:01.160 --> 1:56:04.320
<v Speaker 2>they was, if anything they was comparing you to not.

1:56:08.560 --> 1:56:08.960
<v Speaker 1>Seeing it.

1:56:09.120 --> 1:56:11.720
<v Speaker 2>They because always.

1:56:13.640 --> 1:56:18.960
<v Speaker 1>This listen, man, you always parted the thread that they

1:56:19.000 --> 1:56:22.440
<v Speaker 1>were saying that NAS started, that bron had in his

1:56:22.600 --> 1:56:28.680
<v Speaker 1>style exactly that with Joan Mike Geronimo.

1:56:29.320 --> 1:56:31.440
<v Speaker 2>I'm gonna tell you, I got to be honest with you.

1:56:32.320 --> 1:56:35.160
<v Speaker 2>I would be I would imagine that everybody got compared

1:56:35.160 --> 1:56:41.040
<v Speaker 2>to NOS when came broke out. This is or I'm

1:56:41.040 --> 1:56:47.840
<v Speaker 2>gonna compare. That's what I tell you. What no die

1:56:47.920 --> 1:56:50.480
<v Speaker 2>hard head it's gonna say, oh yeah, that's a comparison.

1:56:50.800 --> 1:56:54.400
<v Speaker 2>Tell you something. When NAS first came out, a phenomenal

1:56:56.320 --> 1:57:00.760
<v Speaker 2>the whole world, you know, people says to random artists

1:57:00.760 --> 1:57:03.440
<v Speaker 2>and listen, you remember you gotta remember my memor Marie's

1:57:03.480 --> 1:57:06.840
<v Speaker 2>little sharp back then. But not now, right, but because

1:57:06.840 --> 1:57:09.240
<v Speaker 2>we know what it was Buckshot Shorty and and no

1:57:09.720 --> 1:57:13.800
<v Speaker 2>was was also compared together. No, I don't mean, I

1:57:13.840 --> 1:57:18.600
<v Speaker 2>don't know, I don't lois. I mean that's a detail.

1:57:19.320 --> 1:57:20.000
<v Speaker 5>I never heard that.

1:57:23.720 --> 1:57:25.440
<v Speaker 2>Right now, never heard that.

1:57:25.840 --> 1:57:26.520
<v Speaker 1>I never heard that.

1:57:26.760 --> 1:57:31.320
<v Speaker 2>I never heard that heard that ship just yes, Shorty.

1:57:31.600 --> 1:57:36.320
<v Speaker 2>They was before they they compaid the buck Shot Shorty.

1:57:36.680 --> 1:57:39.360
<v Speaker 2>You was that most people weren't comparing solo artists of

1:57:39.400 --> 1:57:45.600
<v Speaker 2>the group Black Blue and Black Move. It sounds like

1:57:45.640 --> 1:57:47.640
<v Speaker 2>you're just talking about who was that nigga at the time.

1:57:48.200 --> 1:57:48.800
<v Speaker 1>That's what it was.

1:57:51.040 --> 1:57:56.080
<v Speaker 2>Everything he's just talking about who was that nigga? Who

1:57:56.160 --> 1:57:58.240
<v Speaker 2>was that? I hear my style, Yeah, I don't know

1:57:58.360 --> 1:58:01.000
<v Speaker 2>who was that? Literally everything everybody was trying to be

1:58:01.160 --> 1:58:01.600
<v Speaker 2>that person.

1:58:02.720 --> 1:58:05.600
<v Speaker 3>You gotta remember, I'm I'm away with a whole bunch

1:58:05.600 --> 1:58:08.200
<v Speaker 3>of Brooklyn niggas. So the Brooklyn niggas is pushing Buckshot

1:58:08.240 --> 1:58:10.240
<v Speaker 3>Shorty on me. So when halftime came out, That's what

1:58:10.280 --> 1:58:12.280
<v Speaker 3>I was saying earlier. When halftime came out, it was

1:58:12.360 --> 1:58:14.520
<v Speaker 3>like the most I was like, oh sh we finally

1:58:14.560 --> 1:58:16.000
<v Speaker 3>got one and respect.

1:58:16.040 --> 1:58:16.760
<v Speaker 2>Now it's what's going on.

1:58:17.080 --> 1:58:18.680
<v Speaker 3>In my opinion, I'm saying this is how I looked

1:58:18.680 --> 1:58:21.240
<v Speaker 3>at it and didn't illmatic drop and w ellmatic drop.

1:58:21.400 --> 1:58:25.440
<v Speaker 2>Boy, I walked that yard different. I can't I see

1:58:25.480 --> 1:58:27.280
<v Speaker 2>what he say like saying.

1:58:27.120 --> 1:58:55.080
<v Speaker 5>That Joan, I'm like, boy, was this is.

1:58:58.600 --> 1:59:02.160
<v Speaker 2>The bull? That's when you was reading the books. Don't

1:59:02.160 --> 1:59:08.480
<v Speaker 2>read the book read again that hold with the bull

1:59:08.520 --> 1:59:10.360
<v Speaker 2>to Bean, that was the name. I'm so glad I

1:59:10.400 --> 1:59:16.440
<v Speaker 2>didn't go with you said, is this John that y'all

1:59:16.600 --> 1:59:27.400
<v Speaker 2>have the bollship like you said that job. You would

1:59:27.400 --> 1:59:28.840
<v Speaker 2>have been drinking for that.

1:59:32.560 --> 1:59:35.280
<v Speaker 1>It's still to y'all still you have been ahead.

1:59:35.440 --> 1:59:37.640
<v Speaker 2>Don't blame the mean what do you mean? You can

1:59:37.840 --> 1:59:39.880
<v Speaker 2>you do that right now?

1:59:40.200 --> 1:59:41.400
<v Speaker 1>Listen listen.

1:59:43.080 --> 1:59:52.120
<v Speaker 2>You love broke. Yeah we're drinking, baby, las Bro. Let

1:59:52.160 --> 1:59:58.920
<v Speaker 2>me ask you because the Rose Joint you know, so

1:59:59.480 --> 2:00:02.800
<v Speaker 2>you think yeah, yeah, yeah yeah.

2:00:06.320 --> 2:00:10.000
<v Speaker 23>See Sea Dream Sea Pream.

2:00:10.040 --> 2:00:12.200
<v Speaker 2>I knew that. I knew that's what she was gonna do.

2:00:12.920 --> 2:00:13.720
<v Speaker 1>I do and I want.

2:00:14.160 --> 2:00:16.400
<v Speaker 2>I love you, young Bro. I love you, young Bro.

2:00:16.600 --> 2:00:20.760
<v Speaker 2>But we're gonna keep this. Let me ask you. You're trying.

2:00:20.840 --> 2:00:23.280
<v Speaker 2>It's trying to do that Baisley ship to me that

2:00:23.440 --> 2:00:29.800
<v Speaker 2>is I want to drink to you what she got

2:00:29.840 --> 2:00:33.760
<v Speaker 2>to say? Love enjoy. Yeah, let me tell you.

2:00:33.960 --> 2:00:36.880
<v Speaker 3>Let me ask you, last Brome, do you know how

2:00:36.960 --> 2:00:38.160
<v Speaker 3>important you are to hip hop?

2:00:39.200 --> 2:00:41.080
<v Speaker 2>Do you realize it? Not to music?

2:00:41.520 --> 2:00:41.840
<v Speaker 1>Hip hop?

2:00:45.200 --> 2:00:47.600
<v Speaker 2>That ship?

2:00:47.880 --> 2:00:53.720
<v Speaker 1>Yo, bro Man, there's this Vanessa Bell Armstrong song that

2:00:53.840 --> 2:00:56.040
<v Speaker 1>I love call you bring out the best of me.

2:00:58.360 --> 2:01:01.480
<v Speaker 1>And that's what my people do. You know what I mean,

2:01:01.560 --> 2:01:04.280
<v Speaker 1>They bring out the best of me. So that's my

2:01:04.440 --> 2:01:06.480
<v Speaker 1>people bringing that out of me. You know what I'm saying,

2:01:06.600 --> 2:01:11.360
<v Speaker 1>Like for real, Like I'm I'm just like I do

2:01:11.480 --> 2:01:13.560
<v Speaker 1>what I do and they and they helped me. So

2:01:14.200 --> 2:01:16.040
<v Speaker 1>you know I had a lot of help along the way,

2:01:16.800 --> 2:01:19.720
<v Speaker 1>you know, big up, all the people, all the love,

2:01:20.160 --> 2:01:21.880
<v Speaker 1>and you know, we're just gonna push forward.

2:01:22.000 --> 2:01:23.800
<v Speaker 2>Man, that's how we're gonna do it. You're part of that.

2:01:24.000 --> 2:01:24.120
<v Speaker 1>You know.

2:01:24.240 --> 2:01:26.800
<v Speaker 2>When we used to do the tours with O you

2:01:26.840 --> 2:01:29.200
<v Speaker 2>know what I mean, y'all used to make the dances

2:01:29.240 --> 2:01:31.000
<v Speaker 2>with the bananas, it was wild.

2:01:32.920 --> 2:01:33.600
<v Speaker 1>It was crazy.

2:01:34.000 --> 2:01:41.920
<v Speaker 2>Left right niggas is crazy. You already know this is man,

2:01:42.440 --> 2:01:46.960
<v Speaker 2>Big up money bags, big people, don't.

2:01:49.640 --> 2:01:49.800
<v Speaker 5>You know?

2:01:50.000 --> 2:01:53.600
<v Speaker 2>Definitely you know we're we're paying the sorrow, you know

2:01:53.640 --> 2:01:57.200
<v Speaker 2>what I mean, big up money bags. It hurts. It hurts.

2:01:57.280 --> 2:01:59.120
<v Speaker 1>You know what I mean even with even with pream

2:01:59.240 --> 2:02:00.640
<v Speaker 1>right here, you know what I mean, Like even with

2:02:00.760 --> 2:02:03.360
<v Speaker 1>cream right here, it hurts to see how brothers, you

2:02:03.400 --> 2:02:05.760
<v Speaker 1>know what I mean. Like let street ship like just

2:02:06.080 --> 2:02:09.240
<v Speaker 1>just fuck everything up, man, and everybody's fly and get

2:02:09.360 --> 2:02:12.000
<v Speaker 1>money and doing their thing and just this little dumb

2:02:12.080 --> 2:02:15.280
<v Speaker 1>ass street ship fucking everything up and niggas is meeting

2:02:15.320 --> 2:02:17.640
<v Speaker 1>they demise, man, like you know what I mean, Like

2:02:17.760 --> 2:02:19.640
<v Speaker 1>I hate that ship. That's why I wanted to you know,

2:02:19.800 --> 2:02:21.440
<v Speaker 1>He's like, Yo, you gotta do it, o g And

2:02:21.480 --> 2:02:23.600
<v Speaker 1>I was like, Yo, you gotta be there too, man,

2:02:24.160 --> 2:02:25.400
<v Speaker 1>just so that we could, you know what I mean,

2:02:25.520 --> 2:02:28.360
<v Speaker 1>Like be examples. Man, are like yo, Man, let's get

2:02:28.400 --> 2:02:31.000
<v Speaker 1>this ship right man, everybody fly man, everybody in this

2:02:31.120 --> 2:02:33.920
<v Speaker 1>fucking building right now, just talking about Man, the homie.

2:02:33.680 --> 2:02:36.840
<v Speaker 2>Got the shade on with the waves ship. That ship

2:02:37.000 --> 2:02:39.160
<v Speaker 2>is firing the ship out of the man right now.

2:02:39.920 --> 2:02:41.680
<v Speaker 1>That's what I want to see. Man, we all fly

2:02:41.880 --> 2:02:44.720
<v Speaker 1>man while we're killing each other. Man, God damn, man,

2:02:44.800 --> 2:02:45.440
<v Speaker 1>get that nigga.

2:02:45.880 --> 2:02:54.880
<v Speaker 2>Man, take a shot a shot. I'm gonna do this, don't.

2:03:00.360 --> 2:03:05.880
<v Speaker 2>I'm going to Japan July, you know, so listen to

2:03:06.000 --> 2:03:08.480
<v Speaker 2>you all right, man, this is to Japan. Man, this

2:03:08.560 --> 2:03:11.600
<v Speaker 2>is good. This is a career. Let's go definitely. How

2:03:11.600 --> 2:03:14.080
<v Speaker 2>about my man? Jay got you all a little crazy

2:03:14.120 --> 2:03:14.800
<v Speaker 2>about like that.

2:03:15.320 --> 2:03:18.120
<v Speaker 1>You know, as soon as Jay said that, everybody went crazy.

2:03:18.920 --> 2:03:29.960
<v Speaker 2>I said it years before that boy boy, tell that

2:03:30.080 --> 2:03:37.640
<v Speaker 2>Japanese boy bad. Give me your chilling, hard and awesome. Man.

2:03:37.720 --> 2:03:39.760
<v Speaker 1>You know you know you're chilling. So you know, we

2:03:39.840 --> 2:03:41.320
<v Speaker 1>got the flicks. Man, we had the round.

2:03:41.560 --> 2:03:41.760
<v Speaker 2>We had.

2:03:42.000 --> 2:03:44.960
<v Speaker 1>We had like it was a couple of It was

2:03:44.960 --> 2:03:49.240
<v Speaker 1>a couple of female chilling all ship.

2:03:49.400 --> 2:03:50.000
<v Speaker 2>It was nice.

2:03:50.080 --> 2:03:50.240
<v Speaker 1>Man.

2:03:52.200 --> 2:03:54.360
<v Speaker 2>And when I when I when I seen the joint,

2:03:54.440 --> 2:03:56.600
<v Speaker 2>I was like, Yo, that's young bro right there. Man,

2:03:56.840 --> 2:03:59.080
<v Speaker 2>he doing like how I do it? Man, Like you

2:03:59.360 --> 2:04:02.320
<v Speaker 2>learn from the back. Good for life. Man. Worried up man, man,

2:04:03.280 --> 2:04:06.840
<v Speaker 2>and we got and we got some fire on deck. Man.

2:04:06.840 --> 2:04:08.920
<v Speaker 1>It was just like, Yo, it was so crazy how

2:04:08.920 --> 2:04:11.920
<v Speaker 1>it happened. Because Dave was in town and then young bro,

2:04:12.080 --> 2:04:16.400
<v Speaker 1>he's like, Yo, Dave Chappelle, of course that's the only

2:04:16.480 --> 2:04:17.080
<v Speaker 1>day right now.

2:04:17.320 --> 2:04:24.520
<v Speaker 2>Well, Dave, I mean there is a days in peace.

2:04:25.000 --> 2:04:28.640
<v Speaker 2>Let me shut up for that. Man. Absolutely, Man, It's true.

2:04:29.560 --> 2:04:31.080
<v Speaker 2>I could do that. I could do that.

2:04:31.440 --> 2:04:31.880
<v Speaker 1>I could do that.

2:04:32.360 --> 2:04:34.760
<v Speaker 2>Look shot, nice little ship. I need a shot that

2:04:37.720 --> 2:04:40.880
<v Speaker 2>I'm going to ja, give me talent give nobody wants

2:04:40.880 --> 2:04:45.600
<v Speaker 2>to drink. Mama Juana would come up. I don't want

2:04:45.600 --> 2:04:46.120
<v Speaker 2>to sound.

2:04:48.720 --> 2:04:48.760
<v Speaker 7>You.

2:04:48.880 --> 2:05:00.040
<v Speaker 2>Just take that one right there. Yeah, but you I

2:05:00.080 --> 2:05:02.800
<v Speaker 2>got talking about you talking about being tangled up online.

2:05:03.000 --> 2:05:05.240
<v Speaker 1>You're let's talk about how my young bro we get

2:05:05.360 --> 2:05:06.600
<v Speaker 1>toung tabled up on line.

2:05:13.400 --> 2:05:16.840
<v Speaker 2>If Twitter fingers was a it would be you. Okay,

2:05:19.160 --> 2:05:21.040
<v Speaker 2>I'm not allowed about time.

2:05:22.720 --> 2:05:22.960
<v Speaker 1>Spling.

2:05:23.320 --> 2:05:25.600
<v Speaker 2>Proud of you, listen, you take proud listen. Let me

2:05:25.600 --> 2:05:28.480
<v Speaker 2>tell you about peace. He takes on every racist in

2:05:28.600 --> 2:05:32.200
<v Speaker 2>the love world. How he has time goes. He doesn't

2:05:32.200 --> 2:05:38.560
<v Speaker 2>show get some point, you hire some give I can't

2:05:39.280 --> 2:05:42.560
<v Speaker 2>wakes up and just get googles who's racist. I think

2:05:42.600 --> 2:05:45.120
<v Speaker 2>he's doing it in his sleep too. Bro, He's just

2:05:45.200 --> 2:05:48.240
<v Speaker 2>stay ready. He's ready. And that's what it is.

2:05:48.680 --> 2:05:48.800
<v Speaker 12>You know.

2:05:49.600 --> 2:05:51.600
<v Speaker 2>You know that's the part of the Dave Chappelle episode

2:05:51.680 --> 2:05:55.440
<v Speaker 2>that I wanted to keep in when when Dave Davids

2:05:55.480 --> 2:05:58.960
<v Speaker 2>making fun of you, we haven't since then, I've spoke

2:05:59.000 --> 2:06:04.000
<v Speaker 2>to me. No, I feel like get closer every fucking

2:06:04.720 --> 2:06:14.640
<v Speaker 2>disaster drink Champs episode disaster. Yeah, but it was ill

2:06:14.680 --> 2:06:17.600
<v Speaker 2>because I called my name out, but he said from me.

2:06:18.000 --> 2:06:19.480
<v Speaker 1>But it was like a little bit of like a

2:06:19.520 --> 2:06:22.000
<v Speaker 1>little like a little delay in that ship, like something

2:06:22.040 --> 2:06:22.960
<v Speaker 1>had happened and ship.

2:06:23.400 --> 2:06:26.200
<v Speaker 2>He was like, mother fucking you know. You don't you

2:06:26.240 --> 2:06:29.040
<v Speaker 2>don't know? He said, Look, you know he said, he

2:06:29.080 --> 2:06:31.800
<v Speaker 2>said from me? You from me? You don't like I

2:06:31.920 --> 2:06:33.120
<v Speaker 2>kind of was talking about him on drink.

2:06:33.360 --> 2:06:34.560
<v Speaker 1>No no, no, no, no, no he.

2:06:37.640 --> 2:06:37.680
<v Speaker 2>Was.

2:06:38.120 --> 2:06:40.600
<v Speaker 24>He was, he was, he was, he was.

2:06:41.560 --> 2:06:51.600
<v Speaker 2>He got you know who you talking from out Pros?

2:06:51.640 --> 2:06:52.200
<v Speaker 2>The big bro.

2:06:53.840 --> 2:06:56.280
<v Speaker 1>Who you picked either way last Pros my big bro?

2:06:56.480 --> 2:06:59.760
<v Speaker 1>So either who whoever? Like you know that type ship yeah.

2:07:00.200 --> 2:07:02.840
<v Speaker 2>The other that money. You was gonna say something which

2:07:03.000 --> 2:07:06.080
<v Speaker 2>about the Kanye not going You got a lot to

2:07:06.120 --> 2:07:07.360
<v Speaker 2>say but with Kanye.

2:07:07.440 --> 2:07:09.680
<v Speaker 1>But I just caughte a copy of that on a

2:07:09.800 --> 2:07:12.440
<v Speaker 1>mind sex on vinyl with ship Man banger.

2:07:12.520 --> 2:07:16.600
<v Speaker 2>That that's crazy. You see how you just do? My goodness,

2:07:16.600 --> 2:07:19.840
<v Speaker 2>you're not pulling it out that, you know. I was God,

2:07:20.080 --> 2:07:22.800
<v Speaker 2>I want to have I'm bout to I'm about to

2:07:23.120 --> 2:07:25.160
<v Speaker 2>leave use out this time. It was like the hip

2:07:25.240 --> 2:07:26.600
<v Speaker 2>hop is a hip Hoppies version?

2:07:31.320 --> 2:07:33.560
<v Speaker 25>Know that when my post listening, so it used to

2:07:33.640 --> 2:07:39.120
<v Speaker 25>be my wait, yes, Gracie's used to make Gracy we

2:07:39.480 --> 2:07:41.839
<v Speaker 25>my man, just counting you to date Gracie.

2:07:41.960 --> 2:07:42.120
<v Speaker 1>Man.

2:07:42.680 --> 2:07:48.800
<v Speaker 2>I was just talking about earlier that you said, Gracy

2:07:48.920 --> 2:07:53.120
<v Speaker 2>that sisters.

2:07:51.800 --> 2:07:53.320
<v Speaker 5>Sister you're talking.

2:07:53.120 --> 2:07:59.160
<v Speaker 2>To earlier than that. Earlier than that.

2:07:59.320 --> 2:08:01.240
<v Speaker 1>I used to stay in in front of Joe's barber

2:08:01.280 --> 2:08:04.080
<v Speaker 1>shop with my pops and his friends listening there. Used

2:08:04.120 --> 2:08:08.280
<v Speaker 1>to be my girl by the old Jay's niggas so life, bro,

2:08:12.720 --> 2:08:16.120
<v Speaker 1>nigga got the old jas. I feel like I see the.

2:08:16.840 --> 2:08:19.840
<v Speaker 2>Baby that's where I go, you know, nig like I used.

2:08:19.760 --> 2:08:22.280
<v Speaker 26>To go to big Brother, just like you know, what

2:08:22.520 --> 2:08:28.960
<v Speaker 26>is the name professor and professor that science like you said,

2:08:28.960 --> 2:08:32.880
<v Speaker 26>I was in Corona early, baby, like your early man,

2:08:33.160 --> 2:08:34.240
<v Speaker 26>early I got.

2:08:34.320 --> 2:08:36.840
<v Speaker 1>I got like you know, coming out of preschool, like

2:08:37.080 --> 2:08:38.880
<v Speaker 1>graduation flicks like out of.

2:08:38.920 --> 2:08:41.920
<v Speaker 2>Corona baby like you know, it was my favorite. That's

2:08:41.960 --> 2:08:42.400
<v Speaker 2>the crown.

2:08:42.480 --> 2:08:44.440
<v Speaker 1>You know what that You know what Corona means, right,

2:08:44.520 --> 2:08:46.760
<v Speaker 1>It's the shan It's the shine over the crown.

2:08:47.280 --> 2:08:57.280
<v Speaker 2>I'm so crowd. Yeah yeah, shin shine shine crown, the

2:08:57.360 --> 2:09:01.840
<v Speaker 2>crown to shine over the I tried about I'm about

2:09:02.000 --> 2:09:02.920
<v Speaker 2>beating nuts.

2:09:04.240 --> 2:09:11.080
<v Speaker 27>Let me see, Well, remember you were surprised that you

2:09:11.120 --> 2:09:12.360
<v Speaker 27>didn't know that when we were talking.

2:09:12.160 --> 2:09:19.320
<v Speaker 2>To day episode, Yeah, man, I did, but you jish,

2:09:20.880 --> 2:09:23.840
<v Speaker 2>you saw that. You saw the hell I was trying.

2:09:24.080 --> 2:09:25.400
<v Speaker 2>You saw I was trying. I didn't know.

2:09:25.520 --> 2:09:29.840
<v Speaker 1>I didn't want to do it.

2:09:29.960 --> 2:09:31.080
<v Speaker 2>You was like, you gotta do this.

2:09:32.640 --> 2:09:35.600
<v Speaker 3>I got so excited because I really loved Juju. I

2:09:35.720 --> 2:09:38.480
<v Speaker 3>love love both of them. Cycle lest less excuse me,

2:09:38.800 --> 2:09:41.680
<v Speaker 3>I love them both. And I got drunk before the episode.

2:09:41.720 --> 2:09:44.640
<v Speaker 3>So that's that started my rule. I never drink any

2:09:44.680 --> 2:09:47.000
<v Speaker 3>episode and the right as well.

2:09:47.240 --> 2:09:47.480
<v Speaker 1>In the.

2:09:49.080 --> 2:09:52.320
<v Speaker 2>And he was in flushing fashion. But the beating, the

2:09:52.360 --> 2:09:53.440
<v Speaker 2>beating nuts good.

2:09:53.600 --> 2:09:53.720
<v Speaker 6>Uh.

2:09:54.240 --> 2:09:57.640
<v Speaker 1>Background story with them is, uh, Juju is all like

2:09:57.760 --> 2:10:01.120
<v Speaker 1>he's he's on hanging out. He's on song, just hanging out,

2:10:01.280 --> 2:10:04.080
<v Speaker 1>like in the end, like when we're talking and we're

2:10:04.120 --> 2:10:06.839
<v Speaker 1>like yo, we're going uptown blah blah, and then I'm like, yohoo,

2:10:06.880 --> 2:10:07.560
<v Speaker 1>what's up man?

2:10:07.680 --> 2:10:09.440
<v Speaker 2>He's like yo, I don't know. Pete man Lynch said

2:10:09.480 --> 2:10:12.760
<v Speaker 2>he won't go to the powerhouse man dins. That's huge.

2:10:13.680 --> 2:10:17.000
<v Speaker 2>So listen, so you today years old, we're gonna have

2:10:17.160 --> 2:10:22.040
<v Speaker 2>beating us back. So you don't know what happened that

2:10:22.520 --> 2:10:26.640
<v Speaker 2>that episode we we had we had just finished yes,

2:10:27.280 --> 2:10:29.440
<v Speaker 2>j it was a traveling dreams chances were in New York.

2:10:29.520 --> 2:10:35.600
<v Speaker 2>We just finished episode and then he's like, sure, let's

2:10:35.680 --> 2:10:37.120
<v Speaker 2>do it. I go no, no, no, because I already

2:10:37.160 --> 2:10:45.640
<v Speaker 2>know you what this show was about to happen. You

2:10:45.680 --> 2:10:48.680
<v Speaker 2>would have give them a better better in you I

2:10:48.880 --> 2:10:52.120
<v Speaker 2>love and you just keep going back to my loved

2:10:52.400 --> 2:10:56.440
<v Speaker 2>but love it. I was off the pus. They were

2:10:56.480 --> 2:10:58.560
<v Speaker 2>like tragedy. I love it because.

2:11:00.160 --> 2:11:02.520
<v Speaker 1>That's what drink champ for some staircase.

2:11:04.520 --> 2:11:09.440
<v Speaker 2>He was with the no, no, no, it's a process show.

2:11:09.920 --> 2:11:10.640
<v Speaker 2>That's interesting.

2:11:11.200 --> 2:11:11.520
<v Speaker 5>You know what.

2:11:13.880 --> 2:11:18.200
<v Speaker 1>Spinnis because I had I had a.

2:11:18.280 --> 2:11:22.560
<v Speaker 2>Joint for you know, a movie and you movie dubbed the.

2:11:22.640 --> 2:11:29.240
<v Speaker 1>Goss you got drunk on that. He went, I had

2:11:29.320 --> 2:11:32.480
<v Speaker 1>to send it to our scratch and our scratch, but

2:11:32.680 --> 2:11:33.120
<v Speaker 1>you was like.

2:11:33.200 --> 2:11:36.000
<v Speaker 2>Scratch took my beat when we when we out scratched

2:11:36.040 --> 2:11:36.200
<v Speaker 2>for you.

2:11:36.240 --> 2:11:40.720
<v Speaker 1>And when we listen, I'm gonna tell you e f

2:11:41.280 --> 2:11:46.880
<v Speaker 1>yo when we finished Bill Pyramids, that's just hard that

2:11:47.120 --> 2:11:49.360
<v Speaker 1>he was like, I was in left brack of it

2:11:49.440 --> 2:11:52.240
<v Speaker 1>was mad call I had on the video. On the video, yeah,

2:11:52.280 --> 2:11:53.960
<v Speaker 1>he was like, yo, tap to beat out on the

2:11:54.040 --> 2:11:55.880
<v Speaker 1>porch and ship. I bought the Porsche out for you

2:11:55.960 --> 2:11:58.120
<v Speaker 1>tap to beat out. I remember that ship. I was like,

2:11:58.160 --> 2:11:59.800
<v Speaker 1>what is he doing this ship? But then that's when

2:11:59.840 --> 2:12:02.000
<v Speaker 1>I figured out that you would like to you know

2:12:02.000 --> 2:12:04.520
<v Speaker 1>what I mean, it's like that, it's true.

2:12:04.600 --> 2:12:07.360
<v Speaker 2>Yeah, he's like, you tap the beat out on the

2:12:07.480 --> 2:12:09.720
<v Speaker 2>polls ship. Let's give you that look. I feel like

2:12:09.760 --> 2:12:12.360
<v Speaker 2>you should have produced the whole album for me. That's

2:12:12.440 --> 2:12:16.160
<v Speaker 2>that's that's the future right now. It's easy to do. No,

2:12:16.320 --> 2:12:27.480
<v Speaker 2>he did it, no man, but quick just be true

2:12:27.480 --> 2:12:29.240
<v Speaker 2>to hisself. Like that's big bro.

2:12:31.600 --> 2:12:34.839
<v Speaker 3>You know, I guess what and guess what I accepted

2:12:34.920 --> 2:12:36.400
<v Speaker 3>every time you said it, And guess what.

2:12:36.480 --> 2:12:38.760
<v Speaker 2>I would love to go to power play for a

2:12:38.880 --> 2:12:42.000
<v Speaker 2>month made you and just we're gonna do it, and just.

2:12:44.040 --> 2:12:46.360
<v Speaker 1>That's so much.

2:12:47.720 --> 2:12:52.240
<v Speaker 2>Yes, listen, how good that record was is going to show.

2:12:52.080 --> 2:12:52.360
<v Speaker 5>You how.

2:12:53.800 --> 2:12:55.960
<v Speaker 2>And you know what's crazy. Let me get Joel. Let

2:12:55.960 --> 2:12:58.320
<v Speaker 2>me let me just tell you how good. Will tell

2:12:58.320 --> 2:13:00.520
<v Speaker 2>you how good got. When I called you.

2:13:00.720 --> 2:13:03.280
<v Speaker 3>Please and I said, yoo, your Lorge pro I need

2:13:03.360 --> 2:13:05.200
<v Speaker 3>a beat and you said what kind of beat? And

2:13:05.320 --> 2:13:08.720
<v Speaker 3>I described it to you and you gave me exactly

2:13:08.840 --> 2:13:11.800
<v Speaker 3>what I wanted. I was like, this, motherfuckers, he's just.

2:13:11.920 --> 2:13:16.120
<v Speaker 2>Left right, guy, So you like festivity.

2:13:19.800 --> 2:13:24.720
<v Speaker 1>Like that festivity like it ain't hard to tell it

2:13:24.800 --> 2:13:26.280
<v Speaker 1>is a hood festive joint.

2:13:26.400 --> 2:13:35.320
<v Speaker 2>Right, so you go, okay, what's going on? Right? You

2:13:35.520 --> 2:13:37.600
<v Speaker 2>go into that. That's the water.

2:13:38.000 --> 2:13:40.200
<v Speaker 1>It was her birthday the other day, right, left eye, right,

2:13:40.240 --> 2:13:40.680
<v Speaker 1>big up.

2:13:40.680 --> 2:13:41.720
<v Speaker 2>Left out. I love her.

2:13:42.200 --> 2:13:44.800
<v Speaker 1>We love what were We love what she brought to

2:13:44.880 --> 2:13:47.520
<v Speaker 1>the world. We love what left Out brought to the work.

2:13:48.280 --> 2:13:52.960
<v Speaker 2>Let me do something you do that, let me tell

2:13:52.960 --> 2:13:56.640
<v Speaker 2>you something we love. Like I said, I'm in jail.

2:13:56.840 --> 2:14:01.200
<v Speaker 2>Nice halftime drive, but then he just got I was

2:14:01.280 --> 2:14:02.040
<v Speaker 2>a one of one.

2:14:02.280 --> 2:14:04.080
<v Speaker 1>It was it was such a good time, and this

2:14:04.520 --> 2:14:05.480
<v Speaker 1>is such a great time for you.

2:14:05.880 --> 2:14:06.440
<v Speaker 2>Was locked down.

2:14:06.680 --> 2:14:09.040
<v Speaker 3>And then all of a sudden, this record drops and

2:14:09.120 --> 2:14:10.800
<v Speaker 3>it's called it ain't hard to tell.

2:14:11.760 --> 2:14:15.920
<v Speaker 1>The hood bottle popping anthem. It's the hood bottle popping.

2:14:16.480 --> 2:14:19.760
<v Speaker 1>It's like it's like, no, we're not we're not. We're

2:14:19.800 --> 2:14:24.240
<v Speaker 1>not on in Beverly Hills, on on this road. We

2:14:24.440 --> 2:14:29.160
<v Speaker 1>in the hood. But we got bottles, niggas is flys,

2:14:29.240 --> 2:14:34.120
<v Speaker 1>got their juice, the yo everybody he was one. Right

2:14:34.160 --> 2:14:36.560
<v Speaker 1>then at that point, I'm telling you, like, that's what

2:14:36.840 --> 2:14:38.200
<v Speaker 1>I wanted to create with that.

2:14:38.480 --> 2:14:41.560
<v Speaker 3>Okay, but let me let me ask you, because is

2:14:41.680 --> 2:14:44.160
<v Speaker 3>this when y'a get in the studio, is you just

2:14:44.480 --> 2:14:45.360
<v Speaker 3>coming off at halftime?

2:14:45.440 --> 2:14:47.960
<v Speaker 2>Right? Halftime? But halftime was a one off, like y'all

2:14:47.960 --> 2:14:50.000
<v Speaker 2>didn't know was the project? I was a one of one.

2:14:50.240 --> 2:14:53.640
<v Speaker 2>That was when Nis was starting the ball demo. He's

2:14:53.640 --> 2:14:56.640
<v Speaker 2>starting the ball so this before so there's no he's

2:14:56.680 --> 2:14:57.120
<v Speaker 2>a project.

2:14:57.440 --> 2:14:59.880
<v Speaker 3>Back to the gorilla, right, So then you got half

2:15:00.000 --> 2:15:02.360
<v Speaker 3>time back to the gorilla grin and then now we're here.

2:15:02.840 --> 2:15:05.160
<v Speaker 3>It ain't hard to tell. Did you know when you

2:15:05.280 --> 2:15:06.760
<v Speaker 3>was in the studio this is going to be his

2:15:06.840 --> 2:15:07.400
<v Speaker 3>first single?

2:15:07.480 --> 2:15:09.760
<v Speaker 2>Did you make it that way? That's what we were

2:15:09.760 --> 2:15:13.640
<v Speaker 2>aiming for for the first okay, see, And so your

2:15:13.720 --> 2:15:16.520
<v Speaker 2>mind was did you know what he was gonna rhyme about?

2:15:17.320 --> 2:15:17.760
<v Speaker 2>Did you hear?

2:15:18.160 --> 2:15:18.320
<v Speaker 5>Well?

2:15:18.400 --> 2:15:21.480
<v Speaker 1>I mean it was, I mean his his rhymes were confident,

2:15:21.640 --> 2:15:24.360
<v Speaker 1>was exactly. I was like the god you know, the

2:15:24.440 --> 2:15:27.320
<v Speaker 1>goudd He's like he got his department.

2:15:27.480 --> 2:15:30.160
<v Speaker 2>I got my department. He got his department. Like and

2:15:30.280 --> 2:15:34.040
<v Speaker 2>we was there was their ego in it, in it,

2:15:34.920 --> 2:15:37.680
<v Speaker 2>ego in it because this is the listen, this is

2:15:37.720 --> 2:15:41.400
<v Speaker 2>the eerror of the producer. The producers were the bigger

2:15:41.480 --> 2:15:46.000
<v Speaker 2>eagles in the MCS at this time. You can producers

2:15:46.040 --> 2:15:47.480
<v Speaker 2>were hard to deal with.

2:15:47.760 --> 2:15:50.400
<v Speaker 1>The only the only thing I think that might may

2:15:50.480 --> 2:15:53.440
<v Speaker 1>have happened was a little thing that happened with a

2:15:53.520 --> 2:15:57.600
<v Speaker 1>few times was because I was gunning, like I needed

2:15:57.680 --> 2:16:00.960
<v Speaker 1>to make some money, and you was like, I was gunning,

2:16:01.040 --> 2:16:02.680
<v Speaker 1>so I'm working with this one and that one and

2:16:02.760 --> 2:16:05.400
<v Speaker 1>that one and that one. And then now some brothers

2:16:05.440 --> 2:16:08.840
<v Speaker 1>who think I should have specifically honed in on Nay

2:16:09.000 --> 2:16:13.440
<v Speaker 1>joint right, they feel away like he over there with

2:16:14.440 --> 2:16:17.600
<v Speaker 1>and you know, they know that they know they about

2:16:17.680 --> 2:16:19.320
<v Speaker 1>to take off in a major way.

2:16:19.280 --> 2:16:22.640
<v Speaker 2>And they're like yo, and so you know, but I'm like, yo, nah,

2:16:22.640 --> 2:16:23.000
<v Speaker 2>I got you.

2:16:23.040 --> 2:16:24.920
<v Speaker 1>I'm gonna swing back, you know, I gotta go over

2:16:25.000 --> 2:16:29.800
<v Speaker 1>here real quick, you know, And they like, so that

2:16:29.920 --> 2:16:30.440
<v Speaker 1>could happen.

2:16:30.560 --> 2:16:32.720
<v Speaker 2>You know, that happens. You know what I'm saying. That happens.

2:16:33.400 --> 2:16:36.080
<v Speaker 2>It happens. You know what I'm saying. So would be like, professor,

2:16:36.120 --> 2:16:46.480
<v Speaker 2>you're speaking, Haiku's man. That's how Jesus is speaking. Its right,

2:16:47.360 --> 2:16:52.320
<v Speaker 2>Jesus just speak. They say Jesus did ask him as

2:16:52.360 --> 2:16:55.960
<v Speaker 2>South five producers of all time? No, not yet, is

2:16:56.000 --> 2:17:00.480
<v Speaker 2>he is he going to know he's not all right.

2:17:00.520 --> 2:17:03.080
<v Speaker 2>So influenced my top for me.

2:17:03.800 --> 2:17:08.440
<v Speaker 1>Yeah yeah, oh man, well definitely definitely Molly mal like

2:17:08.600 --> 2:17:11.920
<v Speaker 1>Molly maul is the man that gave me my first check,

2:17:12.640 --> 2:17:15.280
<v Speaker 1>you know what I mean, his son like he calls

2:17:15.360 --> 2:17:18.000
<v Speaker 1>me uncle like you know, little m like weir, I

2:17:18.120 --> 2:17:20.400
<v Speaker 1>love him will like I loved him like I could

2:17:20.480 --> 2:17:23.840
<v Speaker 1>cry it right now thinking about dude, what Molly did

2:17:23.920 --> 2:17:24.120
<v Speaker 1>for me.

2:17:24.600 --> 2:17:27.520
<v Speaker 2>And you know, it was only like a little twenty

2:17:27.560 --> 2:17:29.440
<v Speaker 2>five hundred you know what I mean.

2:17:29.680 --> 2:17:31.880
<v Speaker 1>But that was just enough to get because I could

2:17:31.920 --> 2:17:34.440
<v Speaker 1>get my drum machine gun right, you know what I'm saying.

2:17:34.560 --> 2:17:38.240
<v Speaker 2>Oh man, my mom's was like, yo, I went to

2:17:38.360 --> 2:17:38.840
<v Speaker 2>my mom's.

2:17:38.920 --> 2:17:41.119
<v Speaker 1>I was like and that, you know, I was joking

2:17:41.200 --> 2:17:43.240
<v Speaker 1>with my mom's like after after a while, after I

2:17:43.320 --> 2:17:45.560
<v Speaker 1>grew up and shit, like I started testing, was like, yeah,

2:17:45.640 --> 2:17:47.600
<v Speaker 1>I'm gonna just go ask mall see if she you know,

2:17:47.840 --> 2:17:49.840
<v Speaker 1>just it's a while hout. She's like, she's like, how

2:17:49.920 --> 2:17:50.960
<v Speaker 1>much is it? You know what I mean, I'm like

2:17:51.040 --> 2:17:55.560
<v Speaker 1>twenty five hundred. She's like, all right, I thought she

2:17:55.680 --> 2:17:59.800
<v Speaker 1>was gonna nigga fuck you joke. Well hundred dollars to mama.

2:17:59.840 --> 2:18:04.800
<v Speaker 1>Love happens.

2:18:04.879 --> 2:18:05.640
<v Speaker 2>But it came with that.

2:18:05.840 --> 2:18:08.960
<v Speaker 1>You know, when you have my money back, When you

2:18:09.160 --> 2:18:11.480
<v Speaker 1>have my money back to me, you know what I mean,

2:18:11.560 --> 2:18:13.200
<v Speaker 1>my mother from Harlem, you know what I'm saying, When

2:18:13.200 --> 2:18:15.240
<v Speaker 1>you have my money back to me, I was like, Mommy,

2:18:15.240 --> 2:18:17.680
<v Speaker 1>I did some production. I got intelligent huld. You know

2:18:17.800 --> 2:18:20.400
<v Speaker 1>fatal you know, because my mom's a fatal birthday is

2:18:20.440 --> 2:18:22.039
<v Speaker 1>the same day. As a matter of fact, we're back

2:18:22.080 --> 2:18:24.960
<v Speaker 1>out here, we're doing the show. We came with Salon Raymond.

2:18:28.440 --> 2:18:34.040
<v Speaker 1>That's how me Like do y me, No, it's ray Me.

2:18:34.400 --> 2:18:37.519
<v Speaker 1>It's like jet We got the museum.

2:18:37.280 --> 2:18:37.959
<v Speaker 2>Right here, exactly.

2:18:38.120 --> 2:18:38.520
<v Speaker 1>Museum.

2:18:38.959 --> 2:18:40.840
<v Speaker 2>Yeah, so like we've.

2:18:42.400 --> 2:18:45.680
<v Speaker 19>We're in close h close proximity. We were alone, very

2:18:45.720 --> 2:18:46.080
<v Speaker 19>close to.

2:18:46.120 --> 2:18:49.119
<v Speaker 1>Exactly so June tiph that's yeah, that's that's when we're

2:18:49.160 --> 2:18:52.360
<v Speaker 1>doing that, and that's that's that's moms and fatal birthday.

2:18:52.800 --> 2:18:54.160
<v Speaker 2>So you know what I mean, Like that's you know,

2:18:54.240 --> 2:18:55.760
<v Speaker 2>it's just all love, you know what I mean, It's

2:18:55.760 --> 2:18:59.520
<v Speaker 2>all love. Fucking five man, He's just I wish I

2:18:59.600 --> 2:19:01.360
<v Speaker 2>wish you would have came through to man.

2:19:02.320 --> 2:19:05.040
<v Speaker 3>You ain't exactly say how this eight hard to tell

2:19:05.160 --> 2:19:06.360
<v Speaker 3>sessions happened.

2:19:06.720 --> 2:19:06.879
<v Speaker 15>Damn.

2:19:06.959 --> 2:19:09.000
<v Speaker 1>Then we were talking about the top five producers, like.

2:19:11.400 --> 2:19:12.160
<v Speaker 2>Right now, let's get it.

2:19:15.800 --> 2:19:20.600
<v Speaker 1>And then now I definitely definitely want to talk about

2:19:20.760 --> 2:19:25.320
<v Speaker 1>my man, my mentor, and I'm doing what I've seen

2:19:25.400 --> 2:19:29.520
<v Speaker 1>him do, my man forty five King, get it up.

2:19:30.120 --> 2:19:32.800
<v Speaker 2>Yeah, forty five King, first time.

2:19:33.080 --> 2:19:37.080
<v Speaker 1>Yeah he came. He Like I said, I mentioned earlier

2:19:37.280 --> 2:19:42.480
<v Speaker 1>that he, along with Bizmark, he always appealed to that innocence,

2:19:42.600 --> 2:19:45.840
<v Speaker 1>that child thing in us because he's the one that

2:19:45.959 --> 2:19:49.240
<v Speaker 1>made the beat for it's a hard knock, right, you

2:19:49.280 --> 2:19:50.920
<v Speaker 1>know what I mean? Like it's always that like the

2:19:51.080 --> 2:19:56.879
<v Speaker 1>little kid didn't you know what I mean, Like it's

2:19:56.920 --> 2:19:59.760
<v Speaker 1>over like wild out loops and ship like that. It's

2:19:59.840 --> 2:20:01.440
<v Speaker 1>just that we wild out, you know what I'm saying,

2:20:01.480 --> 2:20:03.400
<v Speaker 1>Like you now we used to do in the rooms

2:20:03.440 --> 2:20:04.720
<v Speaker 1>and ship, you know what I'm saying, how the girls

2:20:04.760 --> 2:20:07.240
<v Speaker 1>in the room and like I mean, oh, my bad,

2:20:07.280 --> 2:20:11.200
<v Speaker 1>I don't want to talk like the niggas married. She

2:20:11.440 --> 2:20:15.080
<v Speaker 1>needs to get clear, my bad. It used to go

2:20:15.200 --> 2:20:21.560
<v Speaker 1>down like that. Gets some fact. Mother Ship was crazy.

2:20:22.440 --> 2:20:24.280
<v Speaker 1>Come on, we was rolling with mister put it in

2:20:24.400 --> 2:20:24.800
<v Speaker 1>your mouth.

2:20:25.280 --> 2:20:25.520
<v Speaker 26>You know.

2:20:25.800 --> 2:20:28.440
<v Speaker 2>Ship was wild. Ship was wild with us.

2:20:28.480 --> 2:20:31.080
<v Speaker 1>You know what I mean. You're looking at me all right,

2:20:31.400 --> 2:20:33.920
<v Speaker 1>Oh you got all right, I got too right now,

2:20:34.360 --> 2:20:37.480
<v Speaker 1>you know that's not mentioned. No, no, no, before l

2:20:37.640 --> 2:20:40.840
<v Speaker 1>I won't put my man Davy d m X oh

2:20:41.080 --> 2:20:45.119
<v Speaker 1>Dave damn Max so David, So David put me inside

2:20:45.280 --> 2:20:48.120
<v Speaker 1>the cat to lack the show for Jove Offender never

2:20:48.240 --> 2:20:53.240
<v Speaker 1>came Davy d Dave, Yeah, Dave coming from arms Crush.

2:20:54.840 --> 2:21:01.240
<v Speaker 1>Dave called orange Crush. So like my man shot Jean

2:21:01.800 --> 2:21:05.840
<v Speaker 1>Lord would say that ship salute soldier.

2:21:08.040 --> 2:21:08.360
<v Speaker 28>The game.

2:21:08.800 --> 2:21:13.320
<v Speaker 2>That's three. So you're giving dad, of course, Oh my god,

2:21:13.440 --> 2:21:16.560
<v Speaker 2>that's hollished. I need four New York, four and five.

2:21:16.720 --> 2:21:19.360
<v Speaker 2>He stay on Super New York. So you want me

2:21:19.440 --> 2:21:24.640
<v Speaker 2>to spend on it at all time, all the time

2:21:24.720 --> 2:21:26.720
<v Speaker 2>and include like everybody.

2:21:27.440 --> 2:21:29.480
<v Speaker 1>Oh no, all right, so then no, I'll definitely put

2:21:29.640 --> 2:21:32.000
<v Speaker 1>l after that because like all that Houdini stuff and

2:21:32.040 --> 2:21:33.480
<v Speaker 1>all that ship yeah Larry Smith.

2:21:33.800 --> 2:21:34.000
<v Speaker 9>Yeah.

2:21:34.200 --> 2:21:36.600
<v Speaker 1>And then and then it's it's a beautiful thing with

2:21:36.720 --> 2:21:38.520
<v Speaker 1>this thing because I know a lot of these guys

2:21:38.640 --> 2:21:40.840
<v Speaker 1>sons now and ship like that, Like I know a

2:21:40.879 --> 2:21:43.080
<v Speaker 1>lot of their lineage, like you know, like young Prem

2:21:43.120 --> 2:21:46.000
<v Speaker 1>and ship like yo. It's because Preme Prem actually reached

2:21:46.000 --> 2:21:48.000
<v Speaker 1>out to me during the MySpace days. I don't know,

2:21:48.080 --> 2:21:50.080
<v Speaker 1>you know, they had that account up for him and ship,

2:21:50.080 --> 2:21:52.240
<v Speaker 1>and he was like, yo, man, it's like and I'm like,

2:21:52.360 --> 2:21:54.760
<v Speaker 1>damn man, I wish this, you know this, not this,

2:21:55.040 --> 2:21:57.800
<v Speaker 1>this story would have turned out better because every when

2:21:57.840 --> 2:21:59.400
<v Speaker 1>you look at the ship in the borough and the

2:21:59.480 --> 2:22:03.120
<v Speaker 1>Q Borough, everybody was flying like you look at you

2:22:03.160 --> 2:22:05.680
<v Speaker 1>look at this stream, look at all these niggas and

2:22:06.000 --> 2:22:08.039
<v Speaker 1>just put them in there, like, just remove the beef,

2:22:08.840 --> 2:22:11.280
<v Speaker 1>remove the fucking beef and just put them niggas in

2:22:11.320 --> 2:22:14.560
<v Speaker 1>the picture together. And it's a funk all.

2:22:14.560 --> 2:22:20.760
<v Speaker 2>Fly niggas that's black. Just that's the flyes nigga on earth.

2:22:21.200 --> 2:22:23.000
<v Speaker 1>Just take the beef out of the ship and just

2:22:23.040 --> 2:22:26.039
<v Speaker 1>put them niggas together, a bunch of fly niggas from queens.

2:22:27.480 --> 2:22:28.440
<v Speaker 2>And they always say that.

2:22:28.600 --> 2:22:31.120
<v Speaker 1>People come to me, they say, yo, they told me,

2:22:31.240 --> 2:22:33.800
<v Speaker 1>don't fuck with y'all queens niggas because y'all niggas don't

2:22:33.800 --> 2:22:35.400
<v Speaker 1>even get along with y'allselves.

2:22:35.879 --> 2:22:36.200
<v Speaker 2>Hate that.

2:22:36.480 --> 2:22:39.120
<v Speaker 1>And then we manifested that ship through the music, all

2:22:39.240 --> 2:22:43.920
<v Speaker 1>types of ship. I was like, damn man, now I

2:22:44.000 --> 2:22:47.080
<v Speaker 1>gotta I gotta really embrace my hallm ship more.

2:22:51.600 --> 2:23:00.320
<v Speaker 2>Sitting there so BK nigga nigga a hat BK King's man. Nah,

2:23:01.080 --> 2:23:05.000
<v Speaker 2>that definitely was okay, So that's three. We got three.

2:23:05.120 --> 2:23:07.600
<v Speaker 2>What's the four or five? All right, four and five.

2:23:08.879 --> 2:23:12.879
<v Speaker 1>I'm a definitely definitely definitely man because right now, man,

2:23:12.920 --> 2:23:15.280
<v Speaker 1>they trying to come down on my man. But that's

2:23:15.400 --> 2:23:18.720
<v Speaker 1>my nigga for life, man, my nigga, Pete Rock word,

2:23:18.840 --> 2:23:19.520
<v Speaker 1>my nigga peep.

2:23:19.680 --> 2:23:20.760
<v Speaker 2>Why don't try to come down.

2:23:20.600 --> 2:23:24.920
<v Speaker 1>On types of Yeah, yeah, you see he said why

2:23:25.000 --> 2:23:26.320
<v Speaker 1>and then he gave me the reason why.

2:23:29.440 --> 2:23:30.440
<v Speaker 2>No yeah nah nah.

2:23:30.640 --> 2:23:32.520
<v Speaker 1>You know Ship get a little kookie at times and

2:23:32.520 --> 2:23:34.800
<v Speaker 1>Ship Man, but that nigga down that nigga's work man,

2:23:34.840 --> 2:23:35.840
<v Speaker 1>my brother's work man.

2:23:36.280 --> 2:23:38.760
<v Speaker 2>Could never go deny man like that brother. Man.

2:23:38.840 --> 2:23:41.959
<v Speaker 1>He put down super heat for too many people. Man,

2:23:42.120 --> 2:23:44.560
<v Speaker 1>and Pete Rock is definitely in my list of top

2:23:44.680 --> 2:23:47.320
<v Speaker 1>dogs on that on the beat, machines and Ship like

2:23:47.440 --> 2:23:48.039
<v Speaker 1>that word.

2:23:48.720 --> 2:23:51.400
<v Speaker 2>I want to say something for everything and your vitamins

2:23:51.480 --> 2:23:52.520
<v Speaker 2>joint I need.

2:23:52.879 --> 2:23:54.560
<v Speaker 1>I want to do a series and Ship I want

2:23:54.680 --> 2:23:56.760
<v Speaker 1>Maybe you can help me with this because you got sponsored.

2:23:56.959 --> 2:23:59.480
<v Speaker 2>I know you got the big dogs out. They need

2:23:59.560 --> 2:24:00.320
<v Speaker 2>to do some man.

2:24:00.480 --> 2:24:02.120
<v Speaker 1>Nor Man, I'm gonna put this out to you man,

2:24:02.160 --> 2:24:04.040
<v Speaker 1>we need to do a joint call her shows where

2:24:04.120 --> 2:24:06.680
<v Speaker 1>niggas do all they b side all them joints, and

2:24:06.800 --> 2:24:09.480
<v Speaker 1>we curate the list of the joints they do. So

2:24:09.600 --> 2:24:12.000
<v Speaker 1>when we do not joint, he gonna do on the rail,

2:24:12.320 --> 2:24:12.840
<v Speaker 1>he's gonna do.

2:24:13.080 --> 2:24:14.960
<v Speaker 2>You gonna pick the list for him. We're gonna pick

2:24:15.000 --> 2:24:16.360
<v Speaker 2>it out. I respect that.

2:24:17.040 --> 2:24:19.800
<v Speaker 1>And you know, brothers, brothers gonna have to go and recap.

2:24:19.840 --> 2:24:21.600
<v Speaker 1>They're gonna have to figure their ship back out because

2:24:21.600 --> 2:24:23.120
<v Speaker 1>they don't know them lyrics again, you know what I mean.

2:24:23.160 --> 2:24:24.800
<v Speaker 2>And so they gonna take a minute.

2:24:24.879 --> 2:24:27.840
<v Speaker 1>Yeah, it's a performance, but it's called her show, and

2:24:28.480 --> 2:24:31.520
<v Speaker 1>it's all the class like you're gonna do vitamins, you're gonna.

2:24:31.280 --> 2:24:35.560
<v Speaker 2>Do ye like we gotta let me say something. Let

2:24:35.600 --> 2:24:38.040
<v Speaker 2>me say something because I don't think Pete like.

2:24:42.160 --> 2:24:46.560
<v Speaker 1>And this list is always this this, This list always varies,

2:24:46.840 --> 2:24:49.920
<v Speaker 1>This list always varies. But today I will put him

2:24:50.320 --> 2:24:54.400
<v Speaker 1>there and it always fluctuates, like he may be my

2:24:54.560 --> 2:24:55.960
<v Speaker 1>number one at times whatever.

2:24:56.400 --> 2:24:59.320
<v Speaker 2>And actually he had because our birthdays just passed. But

2:24:59.480 --> 2:25:00.400
<v Speaker 2>DJ here.

2:25:01.760 --> 2:25:04.320
<v Speaker 1>DJ for he did the beat for Firing Squad, for

2:25:04.480 --> 2:25:10.240
<v Speaker 1>m O p s in general, he did he did

2:25:10.360 --> 2:25:13.360
<v Speaker 1>gun slinging like gun slinger ship like nas Is like,

2:25:13.640 --> 2:25:15.520
<v Speaker 1>you know what song? I love that you did, Nigga,

2:25:15.920 --> 2:25:19.400
<v Speaker 1>I love my life. I always I hear that ship

2:25:19.440 --> 2:25:20.000
<v Speaker 1>all the time.

2:25:20.920 --> 2:25:25.280
<v Speaker 2>I got the he's not gonna take in the crazy.

2:25:25.360 --> 2:25:27.760
<v Speaker 2>You don't have the niggas to death. Who are the

2:25:27.800 --> 2:25:36.880
<v Speaker 2>other for? He said, But let me tell you, I

2:25:37.000 --> 2:25:38.840
<v Speaker 2>see good about I love my life. But I don't

2:25:38.879 --> 2:25:39.680
<v Speaker 2>know if you know or not.

2:25:40.480 --> 2:25:42.920
<v Speaker 1>And it was just Alison William's birthday the other day.

2:25:43.879 --> 2:25:48.200
<v Speaker 1>I love my William's birthday. Just the other day. She

2:25:48.320 --> 2:25:50.640
<v Speaker 1>was on deaf Jam. You used your death jam record, brother.

2:25:50.520 --> 2:25:55.680
<v Speaker 2>But Nas is the original. The chorus was nas on.

2:25:55.840 --> 2:26:00.960
<v Speaker 2>It was nas brodn you you dose his mind? The

2:26:01.040 --> 2:26:09.640
<v Speaker 2>hook on the hook, the hook I couldn't afford, I mean,

2:26:12.240 --> 2:26:19.320
<v Speaker 2>and if you look my hair, oh, hold on the story.

2:26:19.840 --> 2:26:22.280
<v Speaker 3>If you look at listen to the story very close.

2:26:22.680 --> 2:26:24.840
<v Speaker 3>Nas is also in the studio. He's the he's the

2:26:25.000 --> 2:26:29.000
<v Speaker 3>guy in the background. But niggas like that's him in

2:26:29.080 --> 2:26:33.080
<v Speaker 3>the background because Nas was just around me and I

2:26:33.280 --> 2:26:35.640
<v Speaker 3>picked body in the trunk over I love my life.

2:26:35.840 --> 2:26:38.120
<v Speaker 3>But then I switched I love my life and I

2:26:38.240 --> 2:26:41.480
<v Speaker 3>put Carl Thomas on there so so yeah.

2:26:41.680 --> 2:26:51.000
<v Speaker 2>So that hook was wrote by not let me tell

2:26:51.000 --> 2:26:53.880
<v Speaker 2>you exactly shut off Carl Thomas to he killed that

2:26:54.200 --> 2:27:00.280
<v Speaker 2>like to Sleep. I want to say I was a

2:27:00.360 --> 2:27:02.400
<v Speaker 2>heismapper in the world at the time. I want to

2:27:02.400 --> 2:27:05.560
<v Speaker 2>say that, But no, I was just big brother. He

2:27:05.720 --> 2:27:07.200
<v Speaker 2>was just my big brother, and he and he and

2:27:08.240 --> 2:27:12.280
<v Speaker 2>rocked the bol Jackson's the Origin Blue Sons in the Snow.

2:27:12.440 --> 2:27:14.400
<v Speaker 2>But you know what you did right there. Let me

2:27:14.480 --> 2:27:16.880
<v Speaker 2>let me let me cut your ways for a second. Yo, Yo,

2:27:17.040 --> 2:27:19.360
<v Speaker 2>Let's pray some creed, you know what. Let's pray that

2:27:19.440 --> 2:27:30.400
<v Speaker 2>ship is great, real yo. You know what you did.

2:27:32.000 --> 2:27:34.120
<v Speaker 1>There was a power move when I heard it. I

2:27:34.200 --> 2:27:37.080
<v Speaker 1>don't know if Trash suggested it, I don't know what.

2:27:37.560 --> 2:27:41.400
<v Speaker 1>But you it was like you connected like because left

2:27:41.520 --> 2:27:44.840
<v Speaker 1>Rack didn't have any musical identity at the time.

2:27:45.000 --> 2:27:50.640
<v Speaker 2>Ali Soul Sisters. Should I have doubles of theirs?

2:27:50.680 --> 2:27:53.520
<v Speaker 1>Also, I'm talking like dove Burns, right, big God Burns.

2:27:53.560 --> 2:27:57.520
<v Speaker 2>I have doubles of theirs also? All right? So yo,

2:27:57.720 --> 2:27:59.720
<v Speaker 2>bro man, that ship is crazy. Man.

2:27:59.840 --> 2:28:03.280
<v Speaker 1>You connected with your make up with that song. That

2:28:03.480 --> 2:28:06.199
<v Speaker 1>was like Grand Master vic Blind type ship.

2:28:06.879 --> 2:28:12.880
<v Speaker 2>It was like it was like, oh the Sneaker, what

2:28:12.920 --> 2:28:13.800
<v Speaker 2>do you know about your.

2:28:16.640 --> 2:28:19.080
<v Speaker 1>From Frods, from my.

2:28:19.240 --> 2:28:25.800
<v Speaker 2>Fro The way that happened, right, he just creative. Let

2:28:25.879 --> 2:28:27.160
<v Speaker 2>me tell you how it happened. Let me say, I'm

2:28:27.160 --> 2:28:27.760
<v Speaker 2>gonna be honest with.

2:28:27.800 --> 2:28:31.160
<v Speaker 22>You because he tag me to me, I thought involved

2:28:31.200 --> 2:28:32.400
<v Speaker 22>in that has nothing to do with you know, he

2:28:32.520 --> 2:28:33.360
<v Speaker 22>wasn't at all.

2:28:33.680 --> 2:28:36.120
<v Speaker 2>Me and him fell out. He made this record. I

2:28:36.200 --> 2:28:37.480
<v Speaker 2>made a dis record, So he has nothing to do

2:28:37.560 --> 2:28:39.360
<v Speaker 2>with the n R album. What it was was me

2:28:39.480 --> 2:28:41.600
<v Speaker 2>and he was hanging in Jamaica though you was in

2:28:41.800 --> 2:28:44.680
<v Speaker 2>Jamaica off one of seven the got BREWP. I crack

2:28:46.520 --> 2:28:47.360
<v Speaker 2>God damn A look at that.

2:28:50.040 --> 2:28:50.400
<v Speaker 5>You know what.

2:28:54.280 --> 2:28:59.080
<v Speaker 2>Bay centered? Now you feel me? What has A sent

2:28:59.200 --> 2:29:01.800
<v Speaker 2>to it? And bring you back? But he described you

2:29:01.959 --> 2:29:06.240
<v Speaker 2>This record was amazing. I walked in easy LP. Was

2:29:06.280 --> 2:29:12.400
<v Speaker 2>there shut out easy LP in a long time. I

2:29:12.440 --> 2:29:15.560
<v Speaker 2>want you to know the love is still money, power respect.

2:29:16.040 --> 2:29:17.800
<v Speaker 2>He did that as well, I believe, but let me

2:29:17.840 --> 2:29:22.240
<v Speaker 2>he did sometimes bloody money, sometimes fucking amazing. So so

2:29:22.400 --> 2:29:22.640
<v Speaker 2>check it.

2:29:22.760 --> 2:29:26.120
<v Speaker 3>So I'm just in the studio, yes, and I fully

2:29:26.200 --> 2:29:28.200
<v Speaker 3>write the whole ship. As soon as I hit a

2:29:28.240 --> 2:29:33.160
<v Speaker 3>beat and na I was walking. He literally says five

2:29:33.680 --> 2:29:35.760
<v Speaker 3>and walked straight to the to the to the booth

2:29:36.040 --> 2:29:40.480
<v Speaker 3>because because remember he had he had he had a

2:29:40.720 --> 2:29:43.640
<v Speaker 3>enjoy where he was singing on A Z's joint and

2:29:43.760 --> 2:29:45.599
<v Speaker 3>I was like, Yo, I want you singing.

2:29:46.959 --> 2:29:51.000
<v Speaker 2>Give me what you can. Yeah. So I was like, Yo,

2:29:51.480 --> 2:29:54.000
<v Speaker 2>can I get n I singing on one of my joints.

2:29:54.720 --> 2:29:58.440
<v Speaker 1>We're talking heavy queens right now, We're talking heavy queens.

2:29:58.480 --> 2:29:59.920
<v Speaker 2>Bro, this is weird.

2:30:00.080 --> 2:30:02.600
<v Speaker 1>I'm saying, we need to bring this ship back and

2:30:03.080 --> 2:30:07.520
<v Speaker 1>just highlight some of those I'm going we got super heat.

2:30:08.040 --> 2:30:09.720
<v Speaker 2>You know how much heat we got.

2:30:09.959 --> 2:30:14.000
<v Speaker 1>Like I'm in there examining now, like all right, hold up, yo,

2:30:14.160 --> 2:30:16.520
<v Speaker 1>that ship we just mentioned that easy and I.

2:30:18.560 --> 2:30:21.400
<v Speaker 3>Keep going, but I'm finished. I'm gonna give it right

2:30:21.400 --> 2:30:25.200
<v Speaker 3>back to you. So it was literally I was walked

2:30:25.240 --> 2:30:27.880
<v Speaker 3>in the studio and gave me a five and then

2:30:28.000 --> 2:30:29.279
<v Speaker 3>dis interested, and then.

2:30:30.640 --> 2:30:32.840
<v Speaker 2>He gave me a five, and then he literally didn't

2:30:32.840 --> 2:30:34.800
<v Speaker 2>say nothing to me until he finished the hook. He

2:30:34.879 --> 2:30:37.200
<v Speaker 2>just went straight in the studio. That's like, that's that's

2:30:37.879 --> 2:30:43.840
<v Speaker 2>my sleep, locked in the sleep, Rember. Did you leave

2:30:43.920 --> 2:30:45.320
<v Speaker 2>some of his vocals in the background or.

2:30:45.280 --> 2:30:50.920
<v Speaker 3>No, I couldn't. I couldn't afford it, because that was clear.

2:30:51.680 --> 2:30:56.240
<v Speaker 3>But Sony you was on Sony at that time. Sony

2:30:56.400 --> 2:30:59.200
<v Speaker 3>literally listened to it and was like, because we did,

2:30:59.280 --> 2:31:00.199
<v Speaker 3>because I'm seeing.

2:31:00.040 --> 2:31:02.600
<v Speaker 2>Then you guys you got you heard, Yeah, I did hear.

2:31:02.720 --> 2:31:05.040
<v Speaker 2>Hear you heard the version with no still yeah, but

2:31:06.000 --> 2:31:09.280
<v Speaker 2>we never used that call is fining killed it? And

2:31:09.560 --> 2:31:12.920
<v Speaker 2>you know what I always love. I love We're shot en.

2:31:14.280 --> 2:31:17.360
<v Speaker 2>We're shot at the end, at the end of that ship.

2:31:17.640 --> 2:31:19.920
<v Speaker 1>You always love catching that ship where you just keep

2:31:19.959 --> 2:31:22.960
<v Speaker 1>saying we're never that it is crazy.

2:31:27.959 --> 2:31:32.360
<v Speaker 2>Yeahs just to come to my weed sessions. But he

2:31:32.400 --> 2:31:37.360
<v Speaker 2>should sell us. We really Yeah, he used to live.

2:31:37.440 --> 2:31:39.320
<v Speaker 2>He used to live with Benny Boom and go where

2:31:39.360 --> 2:31:50.039
<v Speaker 2>you were and I keep green Hockey was when they

2:31:50.120 --> 2:31:54.720
<v Speaker 2>was in Washington. That's right. He was the first way

2:31:54.760 --> 2:31:57.840
<v Speaker 2>he selling and selling us that grat he was. He

2:31:57.920 --> 2:32:00.360
<v Speaker 2>used to come through with it and he didn't know.

2:32:00.400 --> 2:32:04.920
<v Speaker 21>He was around the world out and I was like

2:32:05.000 --> 2:32:06.400
<v Speaker 21>I was smoking with him. He was like, I was,

2:32:06.440 --> 2:32:10.760
<v Speaker 21>He's a giant in the world with lol. Carl Thomas Luke, Yeah,

2:32:11.200 --> 2:32:15.120
<v Speaker 21>he was been around the world, not that one, but

2:32:15.200 --> 2:32:18.480
<v Speaker 21>with with with loans called he was doing Daddy.

2:32:18.560 --> 2:32:20.480
<v Speaker 2>He did the Man and Run in the world ship

2:32:21.320 --> 2:32:23.320
<v Speaker 2>and we didn't I didn't even know that that was

2:32:25.080 --> 2:32:29.640
<v Speaker 2>you know that he was, Yeah, and I was, he said,

2:32:29.680 --> 2:32:31.200
<v Speaker 2>he said, I'm tired. I said, what You're tired from me?

2:32:31.360 --> 2:32:32.720
<v Speaker 2>I was in the studio. I said, you in the studio.

2:32:33.360 --> 2:32:36.400
<v Speaker 2>He said, yeah, I'm a bad boy serving you. It's

2:32:36.480 --> 2:32:37.119
<v Speaker 2>so crazy.

2:32:37.560 --> 2:32:40.880
<v Speaker 12>We're finding this out at the same time some time

2:32:41.120 --> 2:32:44.119
<v Speaker 12>really hearing that, you know, this time.

2:32:44.480 --> 2:32:46.400
<v Speaker 2>It happened to me because she was in the swim suit.

2:32:46.600 --> 2:32:47.320
<v Speaker 2>He was at Rootlan.

2:32:50.120 --> 2:32:54.160
<v Speaker 19>He's serving, he's serving botha and we don't even know.

2:32:54.280 --> 2:32:57.160
<v Speaker 19>Carl thom is singing. That's crazy. But this is Brooklyn

2:32:57.760 --> 2:32:59.840
<v Speaker 19>because you guys, I know you guys are to Brooklyn

2:33:01.280 --> 2:33:03.760
<v Speaker 19>in Manhattan. We was calling to he was living in

2:33:03.800 --> 2:33:05.560
<v Speaker 19>Brooklyn at that time. I was living in Brooklyn. Yeah,

2:33:05.600 --> 2:33:08.720
<v Speaker 19>I mean about room. He used to coaching, cutting room

2:33:08.800 --> 2:33:12.160
<v Speaker 19>and justlad. We used to Carl Thomas at cutting rooms,

2:33:12.520 --> 2:33:15.240
<v Speaker 19>selling me weed from Carl Thomas man.

2:33:15.320 --> 2:33:24.920
<v Speaker 2>Yeah, drug dealer, whole yeah, yeah, record we call you

2:33:25.040 --> 2:33:27.440
<v Speaker 2>called it's an amazing artist.

2:33:27.600 --> 2:33:29.880
<v Speaker 19>It turned out to be like something that I never like,

2:33:30.000 --> 2:33:33.040
<v Speaker 19>you said, like, I never knew that he would, you know.

2:33:33.160 --> 2:33:35.360
<v Speaker 19>And we ended up living in Houston, and he lived

2:33:35.400 --> 2:33:37.480
<v Speaker 19>in Houston. I don't know where Carl Thomas is right now,

2:33:37.520 --> 2:33:47.199
<v Speaker 19>but we became close around Yeah, you know what I mean, legends,

2:33:47.240 --> 2:33:50.000
<v Speaker 19>I love, I love not yet over no I love.

2:33:50.680 --> 2:33:52.520
<v Speaker 19>I've been saying that a lot lately. I've been saying

2:33:52.600 --> 2:33:53.520
<v Speaker 19>more not yet than you.

2:33:55.440 --> 2:33:58.720
<v Speaker 3>Yeah, because you know why large you know, I want

2:33:58.760 --> 2:34:02.000
<v Speaker 3>you to know. Like I know, at times he was

2:34:02.080 --> 2:34:04.879
<v Speaker 3>talking and he was thinking, like the industry probably blocked

2:34:04.959 --> 2:34:07.240
<v Speaker 3>us from connecting. But I just wanted to tell you,

2:34:07.360 --> 2:34:09.520
<v Speaker 3>like face to face man, the man, that's not true

2:34:09.600 --> 2:34:12.040
<v Speaker 3>at all, Like you know, maybe maybe it's just the

2:34:12.160 --> 2:34:14.920
<v Speaker 3>times just wasn't right. But I don't want to ever

2:34:15.040 --> 2:34:18.920
<v Speaker 3>have like a Illuminati room or like or or because

2:34:19.520 --> 2:34:21.879
<v Speaker 3>you know, you know, sometimes people think that. Sometimes people

2:34:21.920 --> 2:34:24.600
<v Speaker 3>think that you the conspiracy is the conspiracy. I think

2:34:24.640 --> 2:34:25.880
<v Speaker 3>you kind of said that. I think you kind of

2:34:26.040 --> 2:34:28.880
<v Speaker 3>saying trash is keeping me away from you. And I

2:34:28.959 --> 2:34:32.280
<v Speaker 3>gotta tell you that's not that's that's false. I gotta

2:34:32.320 --> 2:34:34.000
<v Speaker 3>tell you I've been wanting to connect with you. I

2:34:34.120 --> 2:34:37.360
<v Speaker 3>just didn't know how to do it. Sometimes finished sometimes

2:34:38.080 --> 2:34:40.119
<v Speaker 3>ain't that great. Sometimes you don't know how to connect

2:34:40.160 --> 2:34:43.240
<v Speaker 3>with your OG's like and I always edit this every

2:34:43.280 --> 2:34:45.320
<v Speaker 3>time I say this man's name, but this time I'm

2:34:45.360 --> 2:34:49.560
<v Speaker 3>not going to edit it. Mellie Mel was probably the

2:34:49.680 --> 2:34:51.879
<v Speaker 3>toughest person to me I've ever met in hip hop

2:34:52.160 --> 2:34:57.360
<v Speaker 3>r and warranted so right later on after I became

2:34:57.440 --> 2:35:00.000
<v Speaker 3>forty years old, I was like, I get it because

2:35:00.240 --> 2:35:02.680
<v Speaker 3>now when I look at these dudes that come up

2:35:02.720 --> 2:35:05.840
<v Speaker 3>to me and say, yo, Lori you know or whatever, whatever,

2:35:06.000 --> 2:35:07.920
<v Speaker 3>and then they here for six months and they leave

2:35:08.879 --> 2:35:11.520
<v Speaker 3>that five that I gave you, wasn't I wanted to

2:35:11.560 --> 2:35:12.160
<v Speaker 3>take my five.

2:35:14.080 --> 2:35:16.800
<v Speaker 2>I want to take my five back. So when Melle

2:35:16.840 --> 2:35:19.640
<v Speaker 2>Mel was so strong and so hard on me, I

2:35:19.720 --> 2:35:21.480
<v Speaker 2>wanted you to make your dude. Melly Mal used to

2:35:21.560 --> 2:35:22.959
<v Speaker 2>be like this. When I used to see Melly Mill,

2:35:23.040 --> 2:35:26.000
<v Speaker 2>he used to be like and he was one of

2:35:26.040 --> 2:35:27.360
<v Speaker 2>the illness. He was the illness.

2:35:27.400 --> 2:35:30.160
<v Speaker 3>I had to extensively like, move my five out and

2:35:30.240 --> 2:35:32.600
<v Speaker 3>then he'll be like And then.

2:35:32.520 --> 2:35:38.120
<v Speaker 2>It wasn't until I started drink Champs, And it wasn't

2:35:38.200 --> 2:35:39.279
<v Speaker 2>until I started drink.

2:35:39.200 --> 2:35:42.640
<v Speaker 3>Champs until I had Melly Mail had a show at

2:35:42.879 --> 2:35:45.680
<v Speaker 3>Mass Appeal with nine. It was the first time he

2:35:45.760 --> 2:35:49.200
<v Speaker 3>gave me a real five that I respected. Melly Mall

2:35:49.280 --> 2:35:51.240
<v Speaker 3>came up to me and was like, I love the show.

2:35:52.920 --> 2:35:56.280
<v Speaker 2>You know strong, we need Melli Mellon drink chances was

2:35:56.320 --> 2:36:04.560
<v Speaker 2>a motherfucker. So you had on your mother. But I'm

2:36:04.600 --> 2:36:08.880
<v Speaker 2>gonna tell you something, Smack, I'm gonna tell you something.

2:36:09.000 --> 2:36:12.320
<v Speaker 2>I respected that she goes the best.

2:36:12.760 --> 2:36:15.560
<v Speaker 3>That was probably the best fib I ever received in

2:36:15.640 --> 2:36:19.760
<v Speaker 3>my life. And it was worth me because he had

2:36:19.800 --> 2:36:21.440
<v Speaker 3>to look at me, He had to look in my

2:36:21.640 --> 2:36:24.119
<v Speaker 3>soul and to say, are you worth hip.

2:36:23.959 --> 2:36:29.720
<v Speaker 2>Hop and gain you? Are you evalidated that hold comes

2:36:29.760 --> 2:36:30.080
<v Speaker 2>to time?

2:36:30.320 --> 2:36:33.360
<v Speaker 3>Hold, let me finish, finish, because it was at that

2:36:33.600 --> 2:36:36.360
<v Speaker 3>very moment that I was like, you know what I gained.

2:36:36.520 --> 2:36:40.120
<v Speaker 3>I finally gave the respect of a pioneer. Indeed, like

2:36:40.640 --> 2:36:42.640
<v Speaker 3>I didn't know cool her. Yes, of course I do

2:36:42.800 --> 2:36:46.440
<v Speaker 3>know Grandma flash and.

2:36:48.200 --> 2:36:52.800
<v Speaker 2>Order them. But it was Melie Mail who was was

2:36:52.920 --> 2:36:56.280
<v Speaker 2>who was hard on me. He was Mail when Mellie

2:36:56.320 --> 2:36:59.160
<v Speaker 2>mel finally accepted me. And by the way he might say, Nigga,

2:36:59.200 --> 2:37:01.560
<v Speaker 2>I look, you might say that right now, I'm not,

2:37:03.080 --> 2:37:06.200
<v Speaker 2>But that's the moment, is what the masket appeal was.

2:37:06.520 --> 2:37:10.039
<v Speaker 3>He that team gave me that five that I wanted.

2:37:10.400 --> 2:37:14.760
<v Speaker 3>And it's crazy because because I recently.

2:37:14.440 --> 2:37:20.080
<v Speaker 2>Gave Soldier Boy that five, and you were like, at

2:37:20.120 --> 2:37:23.520
<v Speaker 2>one point, yes, at one point, at one point yes,

2:37:24.040 --> 2:37:26.439
<v Speaker 2>But recently I gave soldier.

2:37:27.800 --> 2:37:29.879
<v Speaker 1>Right, and I was like a lot of good work, right,

2:37:29.920 --> 2:37:30.800
<v Speaker 1>a lot of good work.

2:37:31.000 --> 2:37:36.720
<v Speaker 2>Soldier boy. He deserves what his lane is, he deserves.

2:37:37.200 --> 2:37:40.280
<v Speaker 3>Yeah, yeah, yeah, you did want to give Soldier boy

2:37:40.320 --> 2:37:43.760
<v Speaker 3>that five. But I didn't have a so I didn't

2:37:43.760 --> 2:37:45.000
<v Speaker 3>realize how I became.

2:37:45.040 --> 2:37:46.640
<v Speaker 2>We don't have to That's the thing. We don't have

2:37:46.720 --> 2:37:49.440
<v Speaker 2>to respect him. I do you feel like you have

2:37:49.560 --> 2:37:55.800
<v Speaker 2>to have big love the other one, the other one. Uh,

2:37:56.120 --> 2:37:58.400
<v Speaker 2>you gotta dunk, you gotta dunk, you gotta dunk, you

2:37:58.440 --> 2:38:02.920
<v Speaker 2>gotta dunk, dune for soldiers, you know. But all that

2:38:04.080 --> 2:38:12.400
<v Speaker 2>is just saying respect. You don't have to respect someone's work.

2:38:12.720 --> 2:38:14.600
<v Speaker 1>That's what I want to do as a large professor

2:38:14.600 --> 2:38:17.280
<v Speaker 1>of hip hop. Like I may even caught some lag,

2:38:17.400 --> 2:38:18.600
<v Speaker 1>you know what I mean, or some ship you know

2:38:18.640 --> 2:38:20.560
<v Speaker 1>what I mean? Where it's like I like, I like

2:38:20.680 --> 2:38:23.400
<v Speaker 1>the other Dan and ship, Like I always loved my

2:38:23.520 --> 2:38:25.680
<v Speaker 1>bro And I was just hanging with him down there

2:38:25.800 --> 2:38:32.600
<v Speaker 1>in Texas with term and know what I'm saying, Dope,

2:38:32.680 --> 2:38:33.720
<v Speaker 1>I'm in the shop and ship.

2:38:33.800 --> 2:38:37.640
<v Speaker 2>You know, I navigate a love you don't like I

2:38:37.800 --> 2:38:41.080
<v Speaker 2>never gave him listen that love right now, but.

2:38:43.200 --> 2:38:48.040
<v Speaker 1>Because you're gonna do something exactly because I'm you know,

2:38:48.160 --> 2:38:49.280
<v Speaker 1>that's my bro right there.

2:38:50.000 --> 2:38:50.760
<v Speaker 2>Okay, you know what I mean.

2:38:50.879 --> 2:38:53.240
<v Speaker 1>So Paul Wall when I met him and ship, you

2:38:53.240 --> 2:38:55.080
<v Speaker 1>know what I mean, Like, and that's why another brother.

2:38:55.240 --> 2:38:56.760
<v Speaker 1>I was like, yo, you know world flush you know

2:38:56.879 --> 2:38:58.400
<v Speaker 1>these ones, and he was telling me whether or not

2:38:58.520 --> 2:39:00.560
<v Speaker 1>he knew him and things like that. Show Like I

2:39:00.680 --> 2:39:02.800
<v Speaker 1>was in the shop and I'm like, yo, I see

2:39:02.879 --> 2:39:06.920
<v Speaker 1>sitting sideways and Ship. I'm like hell yeah, hell yeah,

2:39:06.959 --> 2:39:09.920
<v Speaker 1>I gotta grab that and ship, you know me? So yeah,

2:39:10.680 --> 2:39:12.360
<v Speaker 1>I was like, yeah, I gotta cop that ship, you

2:39:12.400 --> 2:39:14.280
<v Speaker 1>know what I mean? Like so and that, and that's

2:39:14.320 --> 2:39:16.840
<v Speaker 1>the thing. I want to do that for even them generations,

2:39:16.959 --> 2:39:19.400
<v Speaker 1>Like but just throw that ship, Like why Poppy ain't

2:39:19.480 --> 2:39:20.000
<v Speaker 1>on vinyl?

2:39:20.120 --> 2:39:22.520
<v Speaker 2>Bro, that Poppy album needs to be on vinyl. It's

2:39:22.520 --> 2:39:24.840
<v Speaker 2>not on vinyl. I'm about to buy that ship exactly.

2:39:25.040 --> 2:39:30.920
<v Speaker 2>Get that vinyl money, you know, money, money, tell me, Yeah,

2:39:30.920 --> 2:39:35.840
<v Speaker 2>I want to hear. Let me ask this question if

2:39:35.840 --> 2:39:39.200
<v Speaker 2>you want to. Yeah, I want to hear because let me.

2:39:43.640 --> 2:39:43.680
<v Speaker 5>Go.

2:39:45.160 --> 2:39:46.920
<v Speaker 2>Let me ask you because it ain't nothing, no, no, no,

2:39:47.240 --> 2:39:48.560
<v Speaker 2>I gotta ask you because.

2:39:48.640 --> 2:39:53.120
<v Speaker 3>You are like, you know, every every Memorial Day, what

2:39:53.280 --> 2:39:55.440
<v Speaker 3>is it ross that we bring up the black Marcus

2:39:55.560 --> 2:39:56.520
<v Speaker 3>Garvey flag out.

2:39:57.040 --> 2:40:01.240
<v Speaker 2>June every June team coming, we win a yeah, and

2:40:01.400 --> 2:40:04.400
<v Speaker 2>we put the Marcus Garby with the Africa flaner and

2:40:04.520 --> 2:40:07.000
<v Speaker 2>we go white next to the whitest white people. We love,

2:40:07.280 --> 2:40:07.720
<v Speaker 2>we love it.

2:40:08.640 --> 2:40:09.080
<v Speaker 1>We love it.

2:40:09.440 --> 2:40:14.360
<v Speaker 2>And by the way, we like President love it. They

2:40:14.440 --> 2:40:16.360
<v Speaker 2>love it too, do they do they party with you?

2:40:16.760 --> 2:40:20.400
<v Speaker 2>They'll be like, where's my white friends on me? From

2:40:20.480 --> 2:40:30.440
<v Speaker 2>that boat? Honestly they should be showing team we take,

2:40:31.000 --> 2:40:34.240
<v Speaker 2>we take, we built. Come on, bro, the Marcus gary

2:40:34.600 --> 2:40:42.840
<v Speaker 2>the very black and green flag shopping white people. I

2:40:42.959 --> 2:40:45.039
<v Speaker 2>love that. And if we put the flag right there and.

2:40:45.280 --> 2:40:48.600
<v Speaker 3>This just float and then all the white people always says,

2:40:49.400 --> 2:40:51.680
<v Speaker 3>they say, who are flag? And then my friend Diego,

2:40:51.800 --> 2:40:53.320
<v Speaker 3>he's always on the boat with us, and he says,

2:40:53.400 --> 2:40:54.280
<v Speaker 3>he's a flag pitch.

2:40:55.800 --> 2:41:01.920
<v Speaker 2>And that's why the white allies want to do. They

2:41:02.200 --> 2:41:05.879
<v Speaker 2>put their body life. So what I'm trying to say

2:41:06.000 --> 2:41:10.200
<v Speaker 2>is you don't know this, but I think of you

2:41:10.800 --> 2:41:13.080
<v Speaker 2>and your brother dad President. I think stay tell me

2:41:13.160 --> 2:41:14.400
<v Speaker 2>that one every time.

2:41:15.920 --> 2:41:20.160
<v Speaker 3>So you are known as an afrocentric pro black group.

2:41:20.600 --> 2:41:22.520
<v Speaker 2>So when you say you don't you never gave poor

2:41:22.640 --> 2:41:25.920
<v Speaker 2>Wall love? Is that because of his skin color? And again,

2:41:26.080 --> 2:41:28.680
<v Speaker 2>I want to go here, right here. I don't want

2:41:28.680 --> 2:41:29.680
<v Speaker 2>to give him a flu He's not.

2:41:30.000 --> 2:41:33.040
<v Speaker 19>That's where he was going because, for real, part of

2:41:33.160 --> 2:41:36.480
<v Speaker 19>my building makeup as I was becoming.

2:41:38.080 --> 2:41:40.360
<v Speaker 2>Aware of what life is.

2:41:41.520 --> 2:41:46.560
<v Speaker 19>Main Source dropped their album which made which was part

2:41:46.600 --> 2:41:49.560
<v Speaker 19>of my makeup as a fifteen year old, sixteen year

2:41:49.560 --> 2:41:52.000
<v Speaker 19>old hip hop nigga seventeen eighteen.

2:41:53.400 --> 2:41:59.480
<v Speaker 2>Still, I want to say, what year was it? I

2:41:59.640 --> 2:42:03.880
<v Speaker 2>was knowledge, I was in Tallahassee. Okay, okay, I was

2:42:04.080 --> 2:42:04.760
<v Speaker 2>I have gone.

2:42:05.000 --> 2:42:07.960
<v Speaker 19>I was at Florida A and M University to show

2:42:07.959 --> 2:42:11.959
<v Speaker 19>over there in Tallahassee. So you dropping, and I'm loving.

2:42:12.440 --> 2:42:15.080
<v Speaker 2>We's a Tempa Bay two. We all like, oh god,

2:42:15.560 --> 2:42:19.240
<v Speaker 2>so we's out here, so boom. I just got to

2:42:19.280 --> 2:42:19.879
<v Speaker 2>say to this.

2:42:22.280 --> 2:42:25.200
<v Speaker 19>What I gained and developed from hip hop at that

2:42:25.320 --> 2:42:28.840
<v Speaker 19>point made me so aware of my surroundings and who

2:42:28.879 --> 2:42:33.320
<v Speaker 19>we are that that that made me have a voice.

2:42:34.600 --> 2:42:37.880
<v Speaker 19>Did you thank you made me have a voice? I'm

2:42:37.920 --> 2:42:41.480
<v Speaker 19>telling you, friendly game of baseball hit me so hell

2:42:44.080 --> 2:42:49.280
<v Speaker 19>its crooked. The whole system is crooked based on our analysis.

2:42:49.360 --> 2:42:50.640
<v Speaker 19>I'm saying, how I how.

2:42:50.640 --> 2:42:54.240
<v Speaker 1>We've seen We've seen it exactly, and my man came

2:42:54.320 --> 2:42:55.240
<v Speaker 1>throing some poetics.

2:42:57.080 --> 2:42:57.680
<v Speaker 2>No way to do it.

2:42:58.600 --> 2:43:03.680
<v Speaker 19>So we in here and I'm here fucking with us

2:43:03.760 --> 2:43:07.560
<v Speaker 19>in hip hop and I can't lie. And not only that,

2:43:08.400 --> 2:43:10.600
<v Speaker 19>we moved from Tallahassee to New York.

2:43:10.959 --> 2:43:11.480
<v Speaker 2>We are dead.

2:43:11.520 --> 2:43:16.320
<v Speaker 19>President met Steve with Brooklyn, Lord Jamar, all of you

2:43:16.520 --> 2:43:21.040
<v Speaker 19>was right by Spotney, right, that's that's later. Earlier we

2:43:21.120 --> 2:43:25.520
<v Speaker 19>were downside five five sixty State Streets days. I'm talking

2:43:25.560 --> 2:43:30.440
<v Speaker 19>about five sixty State Street, Lord Jamar, downtown. This is

2:43:30.680 --> 2:43:34.080
<v Speaker 19>iced to see j going in the Vila, same building

2:43:34.120 --> 2:43:34.480
<v Speaker 19>as Jay.

2:43:34.720 --> 2:43:36.800
<v Speaker 2>The fuck is? Where the fuck did I the same building?

2:43:37.280 --> 2:43:38.280
<v Speaker 2>You didn't grow up in that building?

2:43:40.400 --> 2:43:41.920
<v Speaker 1>No, No, we was.

2:43:43.520 --> 2:43:47.160
<v Speaker 19>We was was couch surfing on Lord Jamar's couch wow

2:43:47.800 --> 2:43:50.560
<v Speaker 19>at five sixty State Street, and and the rock was

2:43:50.640 --> 2:43:53.360
<v Speaker 19>being built in that building nicely saw some money in them.

2:43:53.760 --> 2:43:56.000
<v Speaker 19>Everybody was coming through and all of them was in

2:43:56.120 --> 2:43:56.680
<v Speaker 19>that building.

2:43:57.360 --> 2:43:58.560
<v Speaker 1>And we had.

2:43:58.480 --> 2:44:02.039
<v Speaker 19>Developed what we were gonna talk about and be about.

2:44:02.200 --> 2:44:04.840
<v Speaker 19>So we were gonna protect all the ship that you

2:44:05.080 --> 2:44:09.000
<v Speaker 19>gave us. We that's what we were doing. Were like

2:44:09.120 --> 2:44:13.400
<v Speaker 19>let's make an album that definitely says, let's define where

2:44:13.440 --> 2:44:15.960
<v Speaker 19>our brother said this, and we want to party in

2:44:16.040 --> 2:44:20.560
<v Speaker 19>bullshit too, but but we're gonna keep it here stand,

2:44:24.320 --> 2:44:25.720
<v Speaker 19>So let me fast forward.

2:44:26.080 --> 2:44:26.600
<v Speaker 2>Yeah, because you.

2:44:28.200 --> 2:44:30.600
<v Speaker 19>Just want to get fast forward because I didn't lose sight,

2:44:31.840 --> 2:44:34.120
<v Speaker 19>because that's who I am. For those and so and

2:44:34.280 --> 2:44:37.240
<v Speaker 19>to give him his flowers in this moment, absolutely well,

2:44:37.720 --> 2:44:38.720
<v Speaker 19>yes I need one of those.

2:44:38.720 --> 2:44:40.400
<v Speaker 2>I don't know what he's asked for you or for me.

2:44:43.040 --> 2:44:43.320
<v Speaker 1>Thank you.

2:44:43.400 --> 2:44:48.120
<v Speaker 2>You know that's the smoke, and that boy smokes, he smokes.

2:44:48.800 --> 2:44:51.360
<v Speaker 2>I just got to say that. I got to say I.

2:44:52.959 --> 2:44:57.400
<v Speaker 19>Met I met b On, I met be On, Lord

2:44:57.480 --> 2:45:01.520
<v Speaker 19>Jamar Scouts in Brooklyn in that same five sixty State street.

2:45:01.560 --> 2:45:04.760
<v Speaker 2>I bet bun Bee. He took me to meet Pempcy.

2:45:05.640 --> 2:45:09.360
<v Speaker 19>We met Pempcy here actually in Miami, Lord Jamal bun

2:45:09.440 --> 2:45:11.600
<v Speaker 19>b Pempcy that press.

2:45:13.240 --> 2:45:16.760
<v Speaker 2>I love Houston, Texas. I love what Houston represents to.

2:45:16.800 --> 2:45:20.879
<v Speaker 19>The world because based off of them country ass niggas

2:45:21.560 --> 2:45:24.040
<v Speaker 19>who said what they said and they ain't fucking around

2:45:24.120 --> 2:45:24.280
<v Speaker 19>with it.

2:45:24.400 --> 2:45:27.960
<v Speaker 2>They was there. They were clear about what it was. Boy,

2:45:28.120 --> 2:45:31.360
<v Speaker 2>So I can't lie. So let me fast forward. So

2:45:31.480 --> 2:45:37.000
<v Speaker 2>when I see Paul Wall. I'm very uh yeah, torn

2:45:37.160 --> 2:45:37.280
<v Speaker 2>is it?

2:45:38.680 --> 2:45:42.280
<v Speaker 19>Look you gotta show me, You gotta show me, always

2:45:42.400 --> 2:45:44.320
<v Speaker 19>been to show me, and we I've been around. Did

2:45:44.400 --> 2:45:46.920
<v Speaker 19>show you white boys, and he did show you black

2:45:47.000 --> 2:45:47.760
<v Speaker 19>people's music.

2:45:48.360 --> 2:45:50.080
<v Speaker 2>He did show you. But I did not know that

2:45:50.240 --> 2:45:52.760
<v Speaker 2>he knew this world. Man, I did not know that

2:45:52.879 --> 2:45:56.199
<v Speaker 2>he knew. So then I moved to Houston.

2:45:56.240 --> 2:45:59.160
<v Speaker 19>I can't lie just because of like because of facing

2:45:59.240 --> 2:46:02.440
<v Speaker 19>bun basically because I moved to Houston after New York,

2:46:02.480 --> 2:46:06.360
<v Speaker 19>after Brooklyn, and and and I really wasn't clear on

2:46:06.480 --> 2:46:10.880
<v Speaker 19>who Paul Wall was, and so for we see each other,

2:46:10.959 --> 2:46:13.400
<v Speaker 19>I just did not was not being clear. So just

2:46:13.480 --> 2:46:16.440
<v Speaker 19>to say this before this conversation, and because you also

2:46:17.080 --> 2:46:19.640
<v Speaker 19>gave him his flowers and validated him and I and

2:46:19.720 --> 2:46:21.760
<v Speaker 19>I want to do that in this moment because I

2:46:21.879 --> 2:46:24.800
<v Speaker 19>never because I never did. But when you asked me

2:46:24.920 --> 2:46:29.879
<v Speaker 19>someone say it, you know, he's definitely to me. Had

2:46:29.959 --> 2:46:33.280
<v Speaker 19>to be clear that he was in this, not as

2:46:33.440 --> 2:46:37.840
<v Speaker 19>like an exploiter of it. Never I couldn't see it.

2:46:38.120 --> 2:46:41.160
<v Speaker 19>And but I didn't know what you don't saying.

2:46:41.200 --> 2:46:44.720
<v Speaker 2>I'm not saying you, I mean I don't think that

2:46:44.720 --> 2:46:45.199
<v Speaker 2>I don't.

2:46:46.520 --> 2:46:49.240
<v Speaker 12>Know his story I know his I think just the

2:46:49.320 --> 2:46:54.880
<v Speaker 12>screw angle, like from a millionaire story, like like he

2:46:55.080 --> 2:46:58.080
<v Speaker 12>comes from the world story.

2:46:58.200 --> 2:47:05.520
<v Speaker 2>So this is not today for me, the past past,

2:47:06.720 --> 2:47:09.720
<v Speaker 2>Like you not know the fact that he's drying, right,

2:47:10.520 --> 2:47:10.920
<v Speaker 2>he wasn't.

2:47:11.160 --> 2:47:13.720
<v Speaker 21>He's saying that he had never given him his love

2:47:13.760 --> 2:47:15.400
<v Speaker 21>because in the past.

2:47:16.600 --> 2:47:23.600
<v Speaker 2>Yeah, and I want to do it now. You know,

2:47:23.640 --> 2:47:29.720
<v Speaker 2>I'm talking wanted the boy. I'm gonna be honest with you.

2:47:30.120 --> 2:47:32.039
<v Speaker 2>I mean, I know you give him love. But when

2:47:32.080 --> 2:47:36.200
<v Speaker 2>he came, he cat and he got a fresh cut. Yo. Know,

2:47:37.400 --> 2:47:43.840
<v Speaker 2>he got a low season, right tell, and he gotta

2:47:44.080 --> 2:47:46.320
<v Speaker 2>That's what we walk with him. That's what we rocked

2:47:46.320 --> 2:47:48.280
<v Speaker 2>when we was like, yo, we got a look, he's

2:47:48.320 --> 2:47:49.960
<v Speaker 2>a student of the game. This is what's to me.

2:47:50.080 --> 2:47:52.840
<v Speaker 2>It's more important than anything else. If you were suiting

2:47:53.000 --> 2:47:55.520
<v Speaker 2>of the game. Yeah, and Paul Law is a student

2:47:55.640 --> 2:47:56.000
<v Speaker 2>of the game.

2:47:56.000 --> 2:47:58.920
<v Speaker 21>When he was talking about Ellmatic, something something that m

2:47:59.000 --> 2:48:01.440
<v Speaker 21>said was interesting to me. He's said, he said, it's

2:48:01.520 --> 2:48:04.480
<v Speaker 21>very subjective that you would make that album the best

2:48:04.520 --> 2:48:05.320
<v Speaker 21>album because.

2:48:05.440 --> 2:48:07.240
<v Speaker 2>I think queens. That's what he said.

2:48:07.280 --> 2:48:09.960
<v Speaker 21>That's what and I think, but that's what what what

2:48:10.120 --> 2:48:13.480
<v Speaker 21>he was saying from his perspective and how the music

2:48:13.560 --> 2:48:18.520
<v Speaker 21>he making. That's why his perspective is subjective. I think

2:48:18.560 --> 2:48:19.560
<v Speaker 21>that's because I.

2:48:19.600 --> 2:48:22.800
<v Speaker 19>Was making exact I was so I was so fucked

2:48:22.840 --> 2:48:24.960
<v Speaker 19>up with this system that I and then distrustful.

2:48:25.040 --> 2:48:28.040
<v Speaker 2>And that's honesty. And I mean, and I'm not the

2:48:28.120 --> 2:48:30.280
<v Speaker 2>only one fiels his way. I just want to say,

2:48:36.600 --> 2:48:37.000
<v Speaker 2>remember you.

2:48:37.040 --> 2:48:39.840
<v Speaker 3>Guys, the only person that you guys have a feelings

2:48:39.840 --> 2:48:40.720
<v Speaker 3>about Steve Ripkin.

2:48:40.959 --> 2:48:43.840
<v Speaker 19>We did and and still openly my partners the stick

2:48:43.920 --> 2:48:45.199
<v Speaker 19>and Steve still talking.

2:48:45.400 --> 2:48:47.279
<v Speaker 2>But that's that's also about the thanks.

2:48:47.040 --> 2:48:50.680
<v Speaker 19>That we have about like the the exploitation that and

2:48:51.080 --> 2:48:53.600
<v Speaker 19>and Steve can never escape the fact that his music

2:48:53.800 --> 2:48:56.120
<v Speaker 19>is completely exploitive.

2:48:55.680 --> 2:48:59.080
<v Speaker 2>Of us and till this day, to this day. But

2:49:00.080 --> 2:49:05.600
<v Speaker 2>about it, this music has been exploited of black people

2:49:05.840 --> 2:49:09.400
<v Speaker 2>to this day, said And what was he saying about snoop.

2:49:10.720 --> 2:49:15.000
<v Speaker 19>Reference the streaming with the streaming references steaming? Yes, yes,

2:49:15.080 --> 2:49:19.680
<v Speaker 19>saw that toward points towards steaming. That's what snoopy streaming, streaming,

2:49:19.760 --> 2:49:26.080
<v Speaker 19>streaming when it is seeming exact same mechanism that's never

2:49:26.160 --> 2:49:28.760
<v Speaker 19>been right, because it's like it's never been right, that's how.

2:49:31.480 --> 2:49:33.920
<v Speaker 21>But also with with somebody like poor war like as

2:49:33.959 --> 2:49:36.000
<v Speaker 21>you start to mention, when you start to defend his

2:49:36.080 --> 2:49:39.000
<v Speaker 21>place in the culture, you start talking about cultural things

2:49:39.040 --> 2:49:39.600
<v Speaker 21>that he's done.

2:49:39.800 --> 2:49:40.240
<v Speaker 2>Exactly.

2:49:40.360 --> 2:49:44.760
<v Speaker 21>There exists racist white rappers one hundred percent, but they

2:49:44.800 --> 2:49:46.320
<v Speaker 21>would never be on a level of a poor war

2:49:46.520 --> 2:49:47.680
<v Speaker 21>never slim.

2:49:48.400 --> 2:49:48.600
<v Speaker 2>Yeah.

2:49:48.920 --> 2:49:51.320
<v Speaker 19>So who used to live near me in Houston? Who

2:49:51.560 --> 2:49:54.920
<v Speaker 19>helped me to understand this shit even more? Because like

2:49:55.040 --> 2:49:57.000
<v Speaker 19>this was crue for him? You know what I'm saying,

2:49:57.240 --> 2:49:59.080
<v Speaker 19>This family, I didn't. It was was not my family.

2:50:00.000 --> 2:50:01.080
<v Speaker 19>People became my family.

2:50:01.440 --> 2:50:01.840
<v Speaker 2>That's broke.

2:50:01.959 --> 2:50:04.240
<v Speaker 1>And listen, man, I was down there in Houston with them,

2:50:04.600 --> 2:50:07.959
<v Speaker 1>with Bun, I got a banger coming out with Man. Yeah,

2:50:10.560 --> 2:50:14.160
<v Speaker 1>it's fucking he bro just like how Bill Pyrimi.

2:50:13.840 --> 2:50:16.680
<v Speaker 2>Is with Heat. It's along them lines. Let's do Bun

2:50:16.800 --> 2:50:23.320
<v Speaker 2>Doug d already know with Bun and Paul wool And

2:50:23.480 --> 2:50:29.400
<v Speaker 2>turned coming up right now. I mean about smoking smoking beef.

2:50:29.680 --> 2:50:32.480
<v Speaker 1>This is thing so smoking beast is this thing that

2:50:32.560 --> 2:50:34.440
<v Speaker 1>we do out in New York.

2:50:34.760 --> 2:50:35.240
<v Speaker 2>You know what I mean?

2:50:35.320 --> 2:50:37.120
<v Speaker 1>My man Lord is you know what I mean, He's

2:50:37.440 --> 2:50:40.400
<v Speaker 1>he's the one that spearheading this, you know, you know

2:50:40.520 --> 2:50:43.280
<v Speaker 1>he been on the circuit for many years, you know

2:50:43.320 --> 2:50:43.600
<v Speaker 1>what I mean.

2:50:43.959 --> 2:50:45.320
<v Speaker 2>And wearing many hats.

2:50:45.520 --> 2:50:48.120
<v Speaker 1>This man has worked with Russell Simmons and Rush and

2:50:48.720 --> 2:50:49.840
<v Speaker 1>all types of shaking the.

2:50:49.879 --> 2:50:54.640
<v Speaker 2>Wall penalty, all types of things. So yeah, he got exactly.

2:50:55.040 --> 2:50:58.000
<v Speaker 2>So you know, I was like, Yo Box, Uncle World

2:50:58.120 --> 2:51:01.960
<v Speaker 2>Video Music Box, Uncle Ralph. The Smoking Beasts is an album. No,

2:51:02.240 --> 2:51:04.600
<v Speaker 2>actually it's a movement.

2:51:05.120 --> 2:51:07.200
<v Speaker 29>So what we're doing, Yeah, so what we do love

2:51:07.280 --> 2:51:10.600
<v Speaker 29>that we palked the parks In back to the Lower

2:51:10.680 --> 2:51:13.959
<v Speaker 29>east Side. Need is needed, right And I say parks

2:51:14.000 --> 2:51:16.320
<v Speaker 29>In is where it's a platform and a place where

2:51:16.320 --> 2:51:20.480
<v Speaker 29>there's nobody specials, no vr P, most Deathinite might pop up,

2:51:21.040 --> 2:51:24.000
<v Speaker 29>buck while might pop up, pop up. Well, we had

2:51:24.040 --> 2:51:28.240
<v Speaker 29>on the niggas was doing Lights Lights whole album and

2:51:28.320 --> 2:51:30.600
<v Speaker 29>they come and gather smoke.

2:51:30.640 --> 2:51:36.360
<v Speaker 2>We just play beats, play beats, beat DJ right and

2:51:36.440 --> 2:51:38.400
<v Speaker 2>I'll be playing. I'll be playing all these joints.

2:51:38.440 --> 2:51:40.200
<v Speaker 1>I'll be I play I Love my Life in there

2:51:40.360 --> 2:51:43.440
<v Speaker 1>many times. And that's that's Queens Lounge and Anthon and

2:51:43.560 --> 2:51:44.240
<v Speaker 1>then that's.

2:51:44.120 --> 2:51:49.560
<v Speaker 2>An ant already doing this. Just are we doing in Miami?

2:51:51.200 --> 2:51:51.760
<v Speaker 2>Can we do it?

2:51:51.879 --> 2:51:52.080
<v Speaker 5>Yeah?

2:51:52.680 --> 2:52:00.879
<v Speaker 2>We drink, can't hoast it? This release party? This yeah,

2:52:01.200 --> 2:52:02.879
<v Speaker 2>come on, you know I'm with it one hundred percent

2:52:03.000 --> 2:52:03.640
<v Speaker 2>and to.

2:52:03.680 --> 2:52:06.279
<v Speaker 1>A movie so much love in there, man, and Yo're

2:52:06.400 --> 2:52:10.440
<v Speaker 1>always like contrary to how hip hop used to be, Yo,

2:52:10.879 --> 2:52:15.280
<v Speaker 1>it starts and finishes with all love respects. So all

2:52:15.360 --> 2:52:18.040
<v Speaker 1>that old school ship and fighting and all that ship

2:52:18.120 --> 2:52:18.840
<v Speaker 1>that ship, don't.

2:52:20.160 --> 2:52:20.600
<v Speaker 2>We love?

2:52:21.560 --> 2:52:23.760
<v Speaker 21>Y'all should tell them, y'all should tell them about the spot,

2:52:24.080 --> 2:52:27.160
<v Speaker 21>because legacy is Cannabis in New York City is a

2:52:27.200 --> 2:52:27.800
<v Speaker 21>different thing.

2:52:28.240 --> 2:52:31.000
<v Speaker 2>Because cannabis and is legal in New York.

2:52:31.080 --> 2:52:34.040
<v Speaker 29>Now we've been smoking, you know, thats the cases and

2:52:34.160 --> 2:52:36.240
<v Speaker 29>doing all that, but it's to a point where.

2:52:36.240 --> 2:52:40.520
<v Speaker 1>The mayor you want to right, Adams, Man, come on, man,

2:52:40.600 --> 2:52:42.160
<v Speaker 1>let's get that churism going.

2:52:49.160 --> 2:52:51.600
<v Speaker 2>Before we get before we get cards again. And look,

2:52:51.840 --> 2:52:54.040
<v Speaker 2>so yes, cannabis is legal to a degree.

2:52:54.600 --> 2:52:57.520
<v Speaker 19>You know what I mean, it ain't because I'm telling

2:52:57.560 --> 2:52:59.640
<v Speaker 19>you that what we're talking the space that we're talking

2:52:59.680 --> 2:53:02.840
<v Speaker 19>about that we're holding smoking beats in right now only

2:53:02.920 --> 2:53:06.640
<v Speaker 19>for now, there's a space that we've created. We called

2:53:06.760 --> 2:53:09.800
<v Speaker 19>this out. This is called it's called legacy n y C.

2:53:10.040 --> 2:53:12.480
<v Speaker 19>And it's because of the legacy that we bring. So

2:53:12.600 --> 2:53:15.840
<v Speaker 19>we on ninety eight Orchard Streets right as me and

2:53:15.920 --> 2:53:18.640
<v Speaker 19>my partner on me, and it's really like when you

2:53:18.800 --> 2:53:19.120
<v Speaker 19>walk in.

2:53:20.520 --> 2:53:22.640
<v Speaker 2>My sister Lisa gonna tell you this is dad practice.

2:53:23.600 --> 2:53:25.080
<v Speaker 2>She's gonna tell you as soon as you walk in

2:53:25.120 --> 2:53:29.280
<v Speaker 2>the door. But truly to tell you his exhibit did

2:53:36.640 --> 2:53:38.120
<v Speaker 2>that's the goal? Have you been seeing it?

2:53:38.200 --> 2:53:38.480
<v Speaker 1>Ramon?

2:53:44.560 --> 2:53:46.560
<v Speaker 2>I'm all right now make sure.

2:53:47.320 --> 2:53:50.640
<v Speaker 1>Saying yeah, we're about to do my daughters on at

2:53:50.680 --> 2:53:51.240
<v Speaker 1>showing there.

2:53:51.360 --> 2:53:51.520
<v Speaker 2>Man.

2:53:51.800 --> 2:53:55.199
<v Speaker 19>So I just want to say we established that crazy

2:53:55.520 --> 2:53:57.680
<v Speaker 19>in Lower East Side and Brooklyn for a long time

2:53:57.720 --> 2:54:01.400
<v Speaker 19>and Williams right across from Supreme. We really wanted to

2:54:02.040 --> 2:54:04.440
<v Speaker 19>build a place that we could have like a place

2:54:04.520 --> 2:54:07.600
<v Speaker 19>to build like we call it a cultural destination.

2:54:08.040 --> 2:54:10.320
<v Speaker 21>I'll be honest when I come to New York, I

2:54:10.360 --> 2:54:11.840
<v Speaker 21>don't come to New York without stopping through.

2:54:11.959 --> 2:54:13.800
<v Speaker 2>You got you got someone.

2:54:16.959 --> 2:54:17.720
<v Speaker 1>Open all.

2:54:21.840 --> 2:54:24.480
<v Speaker 2>M let's do it. I don't want to take you

2:54:24.879 --> 2:54:26.800
<v Speaker 2>even if we're not, if we just individually, we got

2:54:26.879 --> 2:54:32.840
<v Speaker 2>to pass. We live down the locks smart. Our latest

2:54:33.760 --> 2:54:37.880
<v Speaker 2>exhibit apart from salam Remi is now when you said

2:54:37.959 --> 2:54:42.320
<v Speaker 2>like your New York like I was you you look

2:54:42.360 --> 2:54:47.959
<v Speaker 2>it up our edit right now, I've got to be angry.

2:54:50.840 --> 2:54:51.320
<v Speaker 9>So hold on.

2:54:51.440 --> 2:54:57.320
<v Speaker 2>Let we're doing smoking beats in that environment. We did

2:54:57.400 --> 2:55:00.600
<v Speaker 2>smoking beats because we like. It always began and that

2:55:00.800 --> 2:55:03.320
<v Speaker 2>in the in this smoky ass room with the beat machine,

2:55:03.400 --> 2:55:07.200
<v Speaker 2>first with the producer and then with this yeah, and

2:55:07.440 --> 2:55:09.920
<v Speaker 2>us being like, and that's how it happens. The cook

2:55:09.959 --> 2:55:14.760
<v Speaker 2>up is real, the producers. I never heard this.

2:55:14.920 --> 2:55:18.840
<v Speaker 7>The cook up is real, so so so so so.

2:55:19.480 --> 2:55:23.800
<v Speaker 7>Nail's coming here with this. Fucking boy got away with waves.

2:55:23.879 --> 2:55:25.520
<v Speaker 7>He got a wait in the front of ninety eight

2:55:25.680 --> 2:55:27.360
<v Speaker 7>Orchard Street right there, and.

2:55:27.360 --> 2:55:30.240
<v Speaker 19>He's a rower in the lower He's a rapper to

2:55:30.360 --> 2:55:33.240
<v Speaker 19>you right now, he'd be he like, we should cook

2:55:33.360 --> 2:55:34.960
<v Speaker 19>something in here with the producers.

2:55:35.160 --> 2:55:37.880
<v Speaker 2>As a producer. We did that as a student of Large,

2:55:38.160 --> 2:55:41.800
<v Speaker 2>as a student of lage On. So four years I've

2:55:41.800 --> 2:55:44.560
<v Speaker 2>been an understudy of Large. They might know that God

2:55:44.879 --> 2:55:48.160
<v Speaker 2>tell him what's happening connected. And one day he left

2:55:48.680 --> 2:55:51.400
<v Speaker 2>the equipment. It's like Paul, she did for me, Man

2:55:51.480 --> 2:55:57.080
<v Speaker 2>and my left machine. That's old mass, brother's old mass.

2:55:59.440 --> 2:56:02.279
<v Speaker 29>And all that sat and I looked at the equipment

2:56:02.360 --> 2:56:05.160
<v Speaker 29>and and I was like, yo, I'll be a fucking

2:56:05.240 --> 2:56:08.360
<v Speaker 29>idiot if I don't take a ship. He had the

2:56:08.440 --> 2:56:11.080
<v Speaker 29>records that he did allmatic with all these other things,

2:56:11.120 --> 2:56:13.760
<v Speaker 29>that original example sitting right in front of my face

2:56:13.840 --> 2:56:18.000
<v Speaker 29>in my crib. So this nigga bounced come back while

2:56:18.440 --> 2:56:20.360
<v Speaker 29>and I started cooking up because I learned shout out

2:56:20.360 --> 2:56:23.320
<v Speaker 29>to te y'all love and magnetic y'all your mad bro

2:56:24.120 --> 2:56:26.119
<v Speaker 29>happy back when I was young, but I was taking

2:56:26.480 --> 2:56:27.080
<v Speaker 29>hold off man.

2:56:27.000 --> 2:56:38.920
<v Speaker 2>You know about your magnetic Come on, that's people people.

2:56:40.040 --> 2:56:43.800
<v Speaker 2>I feel like we're back in there, honestly.

2:56:45.600 --> 2:56:49.920
<v Speaker 1>Cannabis doing target right now. NIS hit me up like, yo,

2:56:50.000 --> 2:56:51.920
<v Speaker 1>p they playing front doing target right now?

2:56:52.320 --> 2:56:56.800
<v Speaker 2>Crazy, We're backing up. Surprised so lost story law.

2:56:57.360 --> 2:56:59.320
<v Speaker 29>He come back to the crib. He how was he

2:56:59.360 --> 2:57:01.320
<v Speaker 29>coming to see me whole? You know what I'm saying, man,

2:57:01.360 --> 2:57:05.480
<v Speaker 29>shout out the job man, Yeah, from corner from job,

2:57:06.200 --> 2:57:08.760
<v Speaker 29>this nigga coming to kriit one day, I'm playing to beat,

2:57:08.840 --> 2:57:09.120
<v Speaker 29>I thought.

2:57:09.160 --> 2:57:12.400
<v Speaker 2>He he's like, ye, what the fun is that? Like yo,

2:57:12.720 --> 2:57:15.240
<v Speaker 2>He's like no, that's yeah, he's in.

2:57:16.959 --> 2:57:19.040
<v Speaker 29>So I started doing it again and doing again, and

2:57:19.160 --> 2:57:21.160
<v Speaker 29>he left for n P one thousand with me, and

2:57:21.240 --> 2:57:23.560
<v Speaker 29>I started banging out for two to three years straight,

2:57:23.920 --> 2:57:25.160
<v Speaker 29>practicing playing.

2:57:24.920 --> 2:57:27.040
<v Speaker 2>Over and now what and now what? People want that

2:57:27.400 --> 2:57:30.560
<v Speaker 2>nobody the one right? But now number you won't roll

2:57:30.640 --> 2:57:32.400
<v Speaker 2>some credit. I won't roll the credits.

2:57:32.600 --> 2:57:35.720
<v Speaker 29>I did the intro to Emon Doug's debut albums to

2:57:35.800 --> 2:57:39.280
<v Speaker 29>his game after or since then, I did the.

2:57:39.360 --> 2:57:42.080
<v Speaker 2>Intro what about my man, my man, the Flashy Guy.

2:57:42.160 --> 2:57:44.520
<v Speaker 29>I did five mikes joint shout out to five Mikes.

2:57:44.920 --> 2:57:47.120
<v Speaker 29>I did his starts at an independent album.

2:57:47.520 --> 2:57:49.320
<v Speaker 2>You know what I mean? What about the bros?

2:57:52.560 --> 2:57:55.800
<v Speaker 29>Back got announced and I'm blessed to say, because damn,

2:57:56.240 --> 2:57:56.480
<v Speaker 29>this is.

2:57:56.480 --> 2:58:00.760
<v Speaker 2>The line, this is the line told you I'm gonna

2:58:00.760 --> 2:58:02.440
<v Speaker 2>do it like my man t O Cross. I mean,

2:58:02.480 --> 2:58:14.959
<v Speaker 2>we got job roll on your job, at your job, man,

2:58:15.480 --> 2:58:16.000
<v Speaker 2>your job.

2:58:16.120 --> 2:58:16.280
<v Speaker 12>Man.

2:58:16.320 --> 2:58:18.720
<v Speaker 1>They told me man, my girl Jin she told me

2:58:18.840 --> 2:58:21.840
<v Speaker 1>that you you know you're doing that. You're doing that series. Man,

2:58:22.520 --> 2:58:25.680
<v Speaker 1>you're doing that serials of course, Yo, we got man,

2:58:25.720 --> 2:58:27.920
<v Speaker 1>we got your job, man, your job.

2:58:28.000 --> 2:58:35.720
<v Speaker 2>I got the lowest Yo, super dupala, super duper man cracks,

2:58:35.920 --> 2:58:39.880
<v Speaker 2>super duper Yo. You're such a professional man. Yo. I

2:58:40.000 --> 2:58:41.360
<v Speaker 2>was saying that. I was saying that.

2:58:41.440 --> 2:58:43.440
<v Speaker 1>I was like yo, because you know, I know, I know,

2:58:43.680 --> 2:58:45.400
<v Speaker 1>you know brother went through you know a couple of

2:58:45.680 --> 2:58:51.440
<v Speaker 1>who you know what I mean? How you are you

2:58:51.640 --> 2:58:52.080
<v Speaker 1>right now?

2:58:52.600 --> 2:58:55.440
<v Speaker 2>Dogs? How you handled you know me?

2:58:55.520 --> 2:58:57.960
<v Speaker 1>Because it's a it's a lot of bull Yo. I

2:58:58.120 --> 2:59:00.840
<v Speaker 1>was like, Yo, that brother is the most profot right now,

2:59:01.000 --> 2:59:06.800
<v Speaker 1>man dogs man like yo, and yo, the gross got

2:59:06.920 --> 2:59:08.280
<v Speaker 1>gurses dogs.

2:59:08.560 --> 2:59:09.920
<v Speaker 2>I was right there for you.

2:59:10.120 --> 2:59:10.320
<v Speaker 30>Man.

2:59:10.920 --> 2:59:13.879
<v Speaker 2>I was like, Yo, you're gone got it got too

2:59:13.920 --> 2:59:15.320
<v Speaker 2>many things, nigga.

2:59:15.400 --> 2:59:21.520
<v Speaker 1>We got the queen's lambs. It's Queen's las baby. Where

2:59:21.600 --> 2:59:24.440
<v Speaker 1>you ain't queens ladies, where you at? It's Queen's now

2:59:24.600 --> 2:59:25.200
<v Speaker 1>in the building.

2:59:25.520 --> 2:59:26.320
<v Speaker 2>You know how we do it?

2:59:26.680 --> 2:59:30.320
<v Speaker 1>Yo, job man, Yo, But my girls, she told me,

2:59:30.600 --> 2:59:32.320
<v Speaker 1>I'm there for the ship room where you be at?

2:59:33.600 --> 2:59:35.920
<v Speaker 1>No lord nets in the building, Man, Lord nets in

2:59:35.959 --> 2:59:39.879
<v Speaker 1>the building. Man, yoo, you know hold man?

2:59:39.959 --> 2:59:44.200
<v Speaker 2>You know old man? Of course, he said, that's the

2:59:44.240 --> 2:59:45.160
<v Speaker 2>whole this.

2:59:47.560 --> 2:59:51.040
<v Speaker 1>Jod chilling man. Now, Yo, you're chilling man. Mike early Yo, man,

2:59:51.280 --> 2:59:54.400
<v Speaker 1>see the guard man. He came through me.

2:59:54.520 --> 2:59:58.000
<v Speaker 2>I love this moment, man, I put it together. I'm big.

2:59:58.080 --> 3:00:00.480
<v Speaker 2>Queens can lady this moment? Man can to meet him?

3:00:01.959 --> 3:00:04.920
<v Speaker 2>One and one from that prince brother borrowed up. Man.

3:00:05.000 --> 3:00:07.880
<v Speaker 19>Let to meet your strong SOULDI to massuga, good to

3:00:07.959 --> 3:00:08.680
<v Speaker 19>meet you can't.

3:00:11.080 --> 3:00:11.280
<v Speaker 1>Mine.

3:00:12.760 --> 3:00:15.160
<v Speaker 2>It's mine, it's mine is my. I'm gonna just say

3:00:15.200 --> 3:00:24.960
<v Speaker 2>the real quick so no, no, you ship you hell

3:00:25.280 --> 3:00:27.440
<v Speaker 2>you mute as your camera. Now you go, now you're back.

3:00:31.959 --> 3:00:34.760
<v Speaker 2>Oh this is a big queen ship top you Oh

3:00:35.000 --> 3:00:41.000
<v Speaker 2>my god, that's on top. I ain't gonna lie like

3:00:41.120 --> 3:00:46.560
<v Speaker 2>myself were in were saying later to take you, my

3:00:46.640 --> 3:00:50.680
<v Speaker 2>brother take you appreciate that, so yo appreciate that. That's

3:00:51.200 --> 3:00:53.680
<v Speaker 2>oh I have more stone rocks. Oh my god, because

3:00:53.680 --> 3:00:59.240
<v Speaker 2>I didn't even queens no more. Actually exactly, you know

3:00:59.560 --> 3:01:03.400
<v Speaker 2>you know what this moment than me. Uh Red Joe

3:01:03.440 --> 3:01:04.520
<v Speaker 2>shout out the frost of start.

3:01:04.560 --> 3:01:06.680
<v Speaker 29>He came to the r P. My man who stopped.

3:01:06.840 --> 3:01:08.680
<v Speaker 29>You might know him, Steve Obell used to hold Steve

3:01:08.760 --> 3:01:11.200
<v Speaker 29>O Bell down the ship. Shout out to Steve. He

3:01:11.320 --> 3:01:14.400
<v Speaker 29>passed away. We saw at his funeral and he came

3:01:14.480 --> 3:01:18.160
<v Speaker 29>to my crib and Fred Jrow came started coming from

3:01:18.200 --> 3:01:19.480
<v Speaker 29>my house funeral to mom.

3:01:19.600 --> 3:01:23.600
<v Speaker 2>She was like, Yo, that's cute. Moved all that.

3:01:23.720 --> 3:01:26.960
<v Speaker 29>But anyway, son looked out and gave me a placement

3:01:27.400 --> 3:01:29.040
<v Speaker 29>on honest new joint that just came out.

3:01:29.120 --> 3:01:34.280
<v Speaker 2>I got three joints and the new projects so que circle.

3:01:34.440 --> 3:01:35.600
<v Speaker 2>One man shot good.

3:01:36.160 --> 3:01:40.080
<v Speaker 29>No, I wasn't the records and now brothers just showing

3:01:40.120 --> 3:01:41.920
<v Speaker 29>me love. He took me the Q tip cribs out

3:01:41.920 --> 3:01:45.320
<v Speaker 29>of the tip man humble because I'm the giant, the

3:01:45.320 --> 3:01:48.400
<v Speaker 29>big bro. He's like, no, Nigga, play some ship and

3:01:48.440 --> 3:01:50.840
<v Speaker 29>the humble way play some ship. I'm like, well, I

3:01:50.959 --> 3:01:54.280
<v Speaker 29>play some ship. The nigga just stopped banging out, start

3:01:54.320 --> 3:01:56.520
<v Speaker 29>playing this basis ship to the beat like base on

3:01:56.720 --> 3:01:59.120
<v Speaker 29>this ship and you know, I mean, I just takeing this.

3:01:59.280 --> 3:02:01.039
<v Speaker 2>So the smoking beat he comes from.

3:02:01.080 --> 3:02:03.720
<v Speaker 29>My love Now for the production and man and one

3:02:03.720 --> 3:02:06.560
<v Speaker 29>of that legacy at four twenty ironically we came up

3:02:06.560 --> 3:02:06.720
<v Speaker 29>with that.

3:02:06.800 --> 3:02:07.240
<v Speaker 2>I did it.

3:02:07.800 --> 3:02:10.120
<v Speaker 29>I brought it to pig and they turned into a

3:02:10.200 --> 3:02:12.520
<v Speaker 29>movement where this nigga's DM and me talking about I

3:02:12.560 --> 3:02:14.400
<v Speaker 29>wanted to beat down and shout out.

3:02:14.280 --> 3:02:17.120
<v Speaker 2>To key and they just playing beach Kio Kyo o yo.

3:02:17.200 --> 3:02:19.800
<v Speaker 2>The one that he's a Brooklyn Feenie legend.

3:02:19.879 --> 3:02:22.400
<v Speaker 1>He did a music group leading graph legend bro like

3:02:22.760 --> 3:02:24.800
<v Speaker 1>X Men is on Kyo x Men. He was all

3:02:24.840 --> 3:02:27.720
<v Speaker 1>on the double RS. What what you used to ride

3:02:27.760 --> 3:02:28.800
<v Speaker 1>the E and the F and ship?

3:02:29.080 --> 3:02:30.160
<v Speaker 2>Yeah, yeah, you know he was.

3:02:30.280 --> 3:02:30.480
<v Speaker 1>He was.

3:02:30.600 --> 3:02:32.440
<v Speaker 2>He was telling, he was saying the RS up and

3:02:32.920 --> 3:02:36.320
<v Speaker 2>the seven lines. Second. I used to walk up junction

3:02:36.840 --> 3:02:39.120
<v Speaker 2>when school I went to school one twenty five on

3:02:39.840 --> 3:02:43.040
<v Speaker 2>what side? So that was up there by Yeah, No,

3:02:43.160 --> 3:02:46.160
<v Speaker 2>that's what'sie, that's what's forty six and blitz. So I

3:02:46.200 --> 3:02:48.400
<v Speaker 2>just had to take Yeah, so I just had to

3:02:48.440 --> 3:02:50.200
<v Speaker 2>take the I had to take the R to the

3:02:50.320 --> 3:02:53.840
<v Speaker 2>SAD and switched to me the R to the Jackson Heights.

3:02:54.080 --> 3:02:57.000
<v Speaker 2>Jackson Heights has switch over. And that's how I met

3:02:57.160 --> 3:03:00.720
<v Speaker 2>Queens Bridge. I was It was crazy. Me and Compone

3:03:00.800 --> 3:03:03.280
<v Speaker 2>was supposed to meet each other anyway, because copone was

3:03:03.320 --> 3:03:05.920
<v Speaker 2>in my same homeroom the year before.

3:03:07.160 --> 3:03:08.680
<v Speaker 3>So it's like we were supposed to. But let me

3:03:08.760 --> 3:03:11.920
<v Speaker 3>ask you a question, right. One of the biggest clothing

3:03:12.040 --> 3:03:12.880
<v Speaker 3>lines in the world.

3:03:13.640 --> 3:03:18.360
<v Speaker 2>Mm hmm, I got my ship. Somebody passing my bag too,

3:03:19.040 --> 3:03:22.920
<v Speaker 2>I got my ship. What you was going none of you? Okay?

3:03:22.959 --> 3:03:25.039
<v Speaker 3>Well, one of the biggest clothing lines in the world

3:03:25.560 --> 3:03:26.359
<v Speaker 3>is called Supreme.

3:03:26.680 --> 3:03:31.760
<v Speaker 2>Yeah mm hmm. Wow, I mean we need we need,

3:03:31.959 --> 3:03:33.560
<v Speaker 2>we need a cunt. By the way, there was a

3:03:33.680 --> 3:03:37.600
<v Speaker 2>Supreme in Brooklyn, you need but me that he got it.

3:03:38.000 --> 3:03:41.400
<v Speaker 2>He's one, just one, just one, the Supreme in Brooklyn.

3:03:41.720 --> 3:03:45.600
<v Speaker 3>But you know, for us, yeah, for us from Queens

3:03:47.040 --> 3:03:49.920
<v Speaker 3>we only know when Supreme that's a fact, that's it.

3:03:51.879 --> 3:03:56.640
<v Speaker 3>And I actually did great business with Supreme. But I've

3:03:56.760 --> 3:04:01.320
<v Speaker 3>always wondered how the Supreme feel about Supreme because like

3:04:01.440 --> 3:04:04.959
<v Speaker 3>right now there is there's Virgil, God blesss in peace right,

3:04:05.520 --> 3:04:07.640
<v Speaker 3>but there's a clothing line called Iraq.

3:04:09.360 --> 3:04:13.360
<v Speaker 2>I are a k there's no way, y I ain't

3:04:13.680 --> 3:04:16.520
<v Speaker 2>get that from the God. I ain't get that from you. Yeah,

3:04:16.680 --> 3:04:19.480
<v Speaker 2>And when I know y'all got that from the funeral

3:04:19.920 --> 3:04:22.680
<v Speaker 2>because we actually saw them. I actually saw the people

3:04:22.760 --> 3:04:24.840
<v Speaker 2>that own Iraq. Was it a one of one or

3:04:25.000 --> 3:04:27.480
<v Speaker 2>was it a series? Did you see many pieces going in?

3:04:28.000 --> 3:04:30.520
<v Speaker 2>Going in? All right? And they kind of gave me

3:04:30.640 --> 3:04:33.000
<v Speaker 2>like a regular five and I was just like.

3:04:36.360 --> 3:04:47.440
<v Speaker 23>Me, and you want the same page, mother, is the

3:04:47.480 --> 3:04:50.480
<v Speaker 23>same A possibles the eleven September nineteenth, I come from

3:04:50.520 --> 3:04:53.280
<v Speaker 23>the eleven like come on, like.

3:04:53.440 --> 3:05:01.920
<v Speaker 2>Hold it up, holding up a relative, hold hold it up, brother, Okay, okay, yeah, you.

3:05:01.959 --> 3:05:04.840
<v Speaker 23>Know, like like that's what like, come on, like I'm

3:05:04.879 --> 3:05:06.959
<v Speaker 23>trying to Yeah, I'm glad you'm me and.

3:05:06.959 --> 3:05:10.320
<v Speaker 2>You is here man, because here man. Now he's actolutely

3:05:10.400 --> 3:05:11.119
<v Speaker 2>right what he's saying.

3:05:11.320 --> 3:05:13.240
<v Speaker 1>Listen, listen, listen, you know what I mean. At the

3:05:13.320 --> 3:05:15.760
<v Speaker 1>end of the day. Man, we had talked about that too, exactly.

3:05:15.920 --> 3:05:17.480
<v Speaker 1>But at the end of the day, man, you know

3:05:17.520 --> 3:05:18.960
<v Speaker 1>what I mean, there's a lot of that going on.

3:05:19.240 --> 3:05:20.920
<v Speaker 2>Man. We won't make sure that you are right.

3:05:21.040 --> 3:05:21.200
<v Speaker 5>Man.

3:05:21.240 --> 3:05:25.040
<v Speaker 2>You do your thing. Man, you supreme? Man, you supreme. Now, Man,

3:05:25.080 --> 3:05:26.199
<v Speaker 2>we're gonna move this forward.

3:05:26.280 --> 3:05:26.440
<v Speaker 1>Man.

3:05:26.480 --> 3:05:28.000
<v Speaker 2>You know that's how we're going to do that. Man.

3:05:28.040 --> 3:05:28.960
<v Speaker 1>We ain't beefing with them.

3:05:29.000 --> 3:05:31.160
<v Speaker 2>Man, they do what they do. They skateboard shop.

3:05:31.280 --> 3:05:31.440
<v Speaker 20>Man.

3:05:31.760 --> 3:05:33.040
<v Speaker 2>You know they've been doing what they do.

3:05:33.760 --> 3:05:35.560
<v Speaker 23>And know we're saying what they got the name from

3:05:35.640 --> 3:05:37.959
<v Speaker 23>that though, that's what he's trying to say.

3:05:38.000 --> 3:05:40.720
<v Speaker 2>They got the name from my pup have to have to.

3:05:41.280 --> 3:05:43.800
<v Speaker 2>I don't think so. Supreme is is Supreme. It came

3:05:43.840 --> 3:05:46.840
<v Speaker 2>out in ninety five. Though Supreme is is a very

3:05:46.959 --> 3:05:49.320
<v Speaker 2>love your positivity. No no, no, no, no, no no no.

3:05:49.640 --> 3:05:53.080
<v Speaker 19>Honestly, honestly, are you guys in contact with Supreme And

3:05:53.120 --> 3:05:53.640
<v Speaker 19>I want.

3:05:53.480 --> 3:05:56.200
<v Speaker 2>To say that that's.

3:05:56.959 --> 3:05:58.920
<v Speaker 1>That's right there.

3:05:59.240 --> 3:06:01.480
<v Speaker 2>They would actually do collaboration.

3:06:01.160 --> 3:06:10.720
<v Speaker 27>That's right, right, friends. I could never building ring about

3:06:11.160 --> 3:06:13.039
<v Speaker 27>the culture. There's no way, there's no way.

3:06:13.200 --> 3:06:15.240
<v Speaker 3>Like I said, like I said, the people from Iraq

3:06:15.240 --> 3:06:17.119
<v Speaker 3>I was playing around earlier, but I did meet them,

3:06:17.320 --> 3:06:19.960
<v Speaker 3>and I did realize that they did not acknowledge me

3:06:20.000 --> 3:06:20.320
<v Speaker 3>at all.

3:06:20.440 --> 3:06:24.240
<v Speaker 2>Right, so how did you how did that deal happen?

3:06:24.440 --> 3:06:27.320
<v Speaker 2>You know how many bootleg records I see of your ship?

3:06:27.480 --> 3:06:30.560
<v Speaker 2>Of course? How many? But that's but hold up, hold up,

3:06:30.560 --> 3:06:31.360
<v Speaker 2>but but how did that?

3:06:31.720 --> 3:06:33.840
<v Speaker 9>Like, if they didn't know about you guys, how did

3:06:33.879 --> 3:06:34.520
<v Speaker 9>that deal happen?

3:06:34.600 --> 3:06:34.720
<v Speaker 4>Then?

3:06:35.520 --> 3:06:37.480
<v Speaker 3>I don't know, but I know it was through Virgil

3:06:37.560 --> 3:06:41.480
<v Speaker 3>and Virgil. Virgil connected that, Yes, and Virgil was actually

3:06:41.680 --> 3:06:42.840
<v Speaker 3>a cool dude to me.

3:06:43.000 --> 3:06:44.760
<v Speaker 2>Like I kid you, not me and him.

3:06:44.800 --> 3:06:45.000
<v Speaker 21>He was.

3:06:45.480 --> 3:06:48.440
<v Speaker 3>He was going to design my fucking wedding, I promise

3:06:48.480 --> 3:06:50.760
<v Speaker 3>you he Like I have the pictures of it.

3:06:50.840 --> 3:06:52.720
<v Speaker 1>Me and Fat Joe shout out to wife and she's

3:06:52.720 --> 3:06:53.879
<v Speaker 1>doing the juice thing right, you know.

3:06:53.959 --> 3:06:59.400
<v Speaker 2>She got the juice wall already. You know what you

3:07:00.200 --> 3:07:05.680
<v Speaker 2>need to approach them, regardless, But how to me with regardless?

3:07:05.720 --> 3:07:08.160
<v Speaker 2>And there's a connected I cannot lie to you. I

3:07:08.240 --> 3:07:10.280
<v Speaker 2>cannot lie to you. I'm trying to do without thinking

3:07:10.360 --> 3:07:11.200
<v Speaker 2>that they stole it, but.

3:07:11.320 --> 3:07:13.840
<v Speaker 23>Going and get something from trying to get connected with them.

3:07:13.879 --> 3:07:15.520
<v Speaker 2>For three and a half four years, I've been trying

3:07:15.520 --> 3:07:17.360
<v Speaker 2>to because there's no way, shape form of fact well,

3:07:17.400 --> 3:07:20.360
<v Speaker 2>we need to all galvanized, like like we need an

3:07:20.480 --> 3:07:26.600
<v Speaker 2>organizing name was as they took that name. We need

3:07:26.680 --> 3:07:28.800
<v Speaker 2>to tell them that their market sharing hip hop is

3:07:28.840 --> 3:07:31.800
<v Speaker 2>because of that name. Brother man, that's what that's what.

3:07:31.879 --> 3:07:35.680
<v Speaker 1>That's what has to happen. Is your scape? What's another

3:07:35.800 --> 3:07:38.840
<v Speaker 1>skate shop? What's another scape? My mayor, Vinnie, My mayor, Vinnie.

3:07:38.879 --> 3:07:46.280
<v Speaker 1>Vinnie is down here to vision vision, let me vision,

3:07:47.120 --> 3:07:48.320
<v Speaker 1>No no old comic book.

3:07:48.400 --> 3:07:53.440
<v Speaker 2>I actually know. I'm gonna be honest. I believe I

3:07:53.640 --> 3:07:55.960
<v Speaker 2>lean with him. I don't think they stolen out. I

3:07:56.000 --> 3:08:00.720
<v Speaker 2>don't think they was hip hop company. That's without your name.

3:08:02.160 --> 3:08:04.520
<v Speaker 23>I love that brand though, and it would be it

3:08:04.560 --> 3:08:07.200
<v Speaker 23>would be so big for the culture for hip hop.

3:08:07.280 --> 3:08:11.200
<v Speaker 2>Weurve for everything they'll do. It would be big for

3:08:11.320 --> 3:08:14.560
<v Speaker 2>everything right by the name they that would that would

3:08:14.560 --> 3:08:19.200
<v Speaker 2>be a horse shot the world. There's that we talked about.

3:08:19.200 --> 3:08:23.959
<v Speaker 24>Man, Yes, they need to do.

3:08:26.560 --> 3:08:28.800
<v Speaker 2>I think I think, I think, I think bring, I

3:08:28.879 --> 3:08:30.920
<v Speaker 2>think Frame deserves that. I think you know what I mean,

3:08:31.360 --> 3:08:35.680
<v Speaker 2>do that, man, Man, by the.

3:08:35.680 --> 3:08:37.520
<v Speaker 1>Way, do not do that.

3:08:37.959 --> 3:08:38.440
<v Speaker 2>They aren't doing.

3:08:38.480 --> 3:08:41.080
<v Speaker 23>That's what I was thinking to the documentary.

3:08:41.120 --> 3:08:44.000
<v Speaker 2>I was thinking that that would be just the skateboard move.

3:08:44.240 --> 3:08:47.600
<v Speaker 2>I just scored a skateboard movie. Bro, I'm taking a shot.

3:08:47.800 --> 3:08:51.039
<v Speaker 2>This is skateboarding, hip hop is anonymous and life. Yo, man,

3:08:51.080 --> 3:08:57.119
<v Speaker 2>it's cool. Shut up when we talk about skateboard. Yeah,

3:08:57.240 --> 3:09:01.360
<v Speaker 2>we're talking about and all the man. Yes, thank you.

3:09:02.680 --> 3:09:03.240
<v Speaker 1>I just saw you.

3:09:05.879 --> 3:09:06.080
<v Speaker 28>Yeah.

3:09:06.640 --> 3:09:16.040
<v Speaker 2>I think like all right, just like drink cham.

3:09:22.840 --> 3:09:26.879
<v Speaker 1>We gotta get it right us. It's our generation. It's

3:09:26.920 --> 3:09:29.800
<v Speaker 1>all left up to us. Yes, that's our generation.

3:09:30.000 --> 3:09:30.120
<v Speaker 12>Man.

3:09:30.120 --> 3:09:32.280
<v Speaker 2>We gotta get this ship right. Man. We got yo. Man.

3:09:32.320 --> 3:09:35.360
<v Speaker 2>I love your positivity because I know that's your thread.

3:09:35.440 --> 3:09:35.640
<v Speaker 1>God.

3:09:35.720 --> 3:09:38.600
<v Speaker 2>I love that ship. I love love, I love I loved.

3:09:39.240 --> 3:09:40.959
<v Speaker 1>You used to be Yo, and I wanted to tell

3:09:41.000 --> 3:09:43.279
<v Speaker 1>you that, man, Dan, you used to be something.

3:09:44.520 --> 3:09:44.680
<v Speaker 2>Yo.

3:09:44.879 --> 3:09:47.000
<v Speaker 1>You was you know like many of us. Man, you

3:09:47.160 --> 3:09:48.920
<v Speaker 1>was an angry young man at one time.

3:09:49.040 --> 3:09:49.200
<v Speaker 6>Man.

3:09:49.360 --> 3:09:51.600
<v Speaker 2>He was not want to talk to anyone or anything.

3:09:51.680 --> 3:09:54.760
<v Speaker 1>I remember reaching out to you being like yo and no, Man,

3:09:54.760 --> 3:09:56.520
<v Speaker 1>I'm glad you want to rise and ship you like

3:09:56.600 --> 3:09:58.600
<v Speaker 1>you know, like you said, there was that disconnect.

3:09:58.640 --> 3:10:00.320
<v Speaker 2>You don't know how to speak to the old. Yeah,

3:10:00.680 --> 3:10:03.240
<v Speaker 2>we gotta cut that man, Yo, Go go run up

3:10:03.280 --> 3:10:06.040
<v Speaker 2>on the O. G Man guaranteed that nigga gonna love you, man,

3:10:06.080 --> 3:10:08.360
<v Speaker 2>You're gonna you and the whole ship. Man. We're doing

3:10:08.400 --> 3:10:14.200
<v Speaker 2>that right now. Man. That's why we created happened. Keep

3:10:14.280 --> 3:10:16.680
<v Speaker 2>that ship that happened and all that ship. Man. That's

3:10:16.760 --> 3:10:18.879
<v Speaker 2>that old way of thinking that that that fucked up.

3:10:18.920 --> 3:10:20.920
<v Speaker 1>It's like it's like New York and now, man, Like

3:10:21.080 --> 3:10:24.959
<v Speaker 1>we's puffing weed now in New York publicly the police exactly.

3:10:25.040 --> 3:10:27.360
<v Speaker 1>It's crazy, man. So it's like, we gotta go with

3:10:27.480 --> 3:10:29.320
<v Speaker 1>the new times and what's going on.

3:10:29.560 --> 3:10:29.720
<v Speaker 2>Man.

3:10:30.040 --> 3:10:32.480
<v Speaker 1>Like, it's so sad the past that we come from,

3:10:32.680 --> 3:10:36.160
<v Speaker 1>and we'll always keep that in our hearts. But moving forward, man,

3:10:36.200 --> 3:10:39.200
<v Speaker 1>we want to fucking move forward together, man, and fucking

3:10:39.320 --> 3:10:39.520
<v Speaker 1>just just.

3:10:39.600 --> 3:10:40.600
<v Speaker 2>Some fly niggas.

3:10:42.959 --> 3:10:46.160
<v Speaker 11>God, I gotta go pick my kids up from school.

3:10:48.520 --> 3:10:53.800
<v Speaker 11>I come on you family, you gotta be.

3:10:59.360 --> 3:11:04.160
<v Speaker 2>Something later to night. But I play some what is it?

3:11:04.280 --> 3:11:04.440
<v Speaker 29>Good?

3:11:04.720 --> 3:11:08.960
<v Speaker 2>Good dad? Gig shout out to static selected. Yeah, Terminology

3:11:09.480 --> 3:11:13.320
<v Speaker 2>log Yo were making history of the city.

3:11:13.360 --> 3:11:19.400
<v Speaker 21>But this is this is crazy dope synergy that you

3:11:19.520 --> 3:11:22.200
<v Speaker 21>got this young man had preem you got, you got,

3:11:22.400 --> 3:11:26.440
<v Speaker 21>you got nasty, you got uh M one and everybody

3:11:26.520 --> 3:11:30.760
<v Speaker 21>connected before drink Champs. Absolutely absolutely, this is this is

3:11:30.800 --> 3:11:33.520
<v Speaker 21>dope to see. Man, it's dope to see y'all do now.

3:11:33.440 --> 3:11:35.080
<v Speaker 3>We go, let me, let me, let me ask you,

3:11:35.240 --> 3:11:37.680
<v Speaker 3>let the bather hit them? Yeah, tell us about that.

3:11:38.640 --> 3:11:39.640
<v Speaker 3>So I just elected.

3:11:39.640 --> 3:11:40.840
<v Speaker 1>You know what I'm saying. I did the work, and

3:11:40.959 --> 3:11:43.400
<v Speaker 1>at them times, you know what I'm saying. You know,

3:11:43.800 --> 3:11:45.640
<v Speaker 1>it was my growing pains, you know what I'm saying.

3:11:45.680 --> 3:11:46.280
<v Speaker 2>I was in there.

3:11:46.640 --> 3:11:50.440
<v Speaker 1>I was ambitious, you know, and now I learned that,

3:11:50.600 --> 3:11:51.960
<v Speaker 1>you know what I'm saying, Like I should have just

3:11:52.040 --> 3:11:54.640
<v Speaker 1>stayed in my lane. You know, at that time, I

3:11:54.720 --> 3:11:57.040
<v Speaker 1>wanted to go to the highest heights them niggas was

3:11:57.160 --> 3:11:59.800
<v Speaker 1>kings at the time. Man, it was the highest, the top,

3:12:00.040 --> 3:12:01.560
<v Speaker 1>at the top at that time.

3:12:01.920 --> 3:12:03.640
<v Speaker 2>And I'm in there. You know what I'm saying.

3:12:03.760 --> 3:12:06.800
<v Speaker 1>I got my chest stuck out, you know what I mean,

3:12:06.920 --> 3:12:09.160
<v Speaker 1>my chest stuck out. I know what I'm doing, and shit,

3:12:09.240 --> 3:12:11.760
<v Speaker 1>I know what I know. And like, yo, nah, that

3:12:11.959 --> 3:12:14.440
<v Speaker 1>that ship right there, you know, I'm telling him that, Nah,

3:12:14.520 --> 3:12:16.840
<v Speaker 1>that ship right there? You know when they seeing and

3:12:16.959 --> 3:12:19.039
<v Speaker 1>I was real bold with it, and I don't think

3:12:19.080 --> 3:12:21.040
<v Speaker 1>they really agreed with that style, you know what I mean?

3:12:21.080 --> 3:12:23.280
<v Speaker 1>Because I was I was a true drink champ from

3:12:23.320 --> 3:12:26.760
<v Speaker 1>the start. Nick my mom's everybody, Like we drank coming up,

3:12:26.840 --> 3:12:28.400
<v Speaker 1>you know what I mean, Like I drew up with

3:12:28.520 --> 3:12:31.039
<v Speaker 1>the fucking crabs on the terrace with the little.

3:12:30.920 --> 3:12:32.760
<v Speaker 2>Nips of Miller and shit like that.

3:12:32.959 --> 3:12:35.320
<v Speaker 1>So I'm drinking. When you talk about drink Champs, I'm like,

3:12:35.720 --> 3:12:38.520
<v Speaker 1>you know, I know all the beers, the big beer.

3:12:38.640 --> 3:12:40.640
<v Speaker 2>I want to I want you to drink that. You

3:12:40.879 --> 3:12:42.800
<v Speaker 2>go through all of those, you know what I mean,

3:12:42.920 --> 3:12:45.280
<v Speaker 2>Like I know what it is, Harlem, I know what

3:12:45.400 --> 3:12:45.640
<v Speaker 2>it is.

3:12:45.800 --> 3:12:47.680
<v Speaker 1>You know what I mean. So that's what that was,

3:12:47.760 --> 3:12:50.360
<v Speaker 1>you know, And I was coming in that light and

3:12:50.920 --> 3:12:53.000
<v Speaker 1>you know, like how embrace the young bro right here?

3:12:53.120 --> 3:12:54.760
<v Speaker 1>You know what I'm saying, Like I'm just telling him

3:12:54.879 --> 3:12:57.320
<v Speaker 1>right now, like he he a little angry about like Yo,

3:12:57.440 --> 3:12:58.959
<v Speaker 1>you know I think supreme you know me.

3:12:59.040 --> 3:13:01.400
<v Speaker 2>Need to do And I'm like, yo, no, no, no,

3:13:01.560 --> 3:13:09.360
<v Speaker 2>not angry exactly. It's not peace. Who's who? Well, let

3:13:09.400 --> 3:13:12.160
<v Speaker 2>me say in better words, he feel the way and

3:13:12.320 --> 3:13:16.040
<v Speaker 2>aggressively go in and get the collaboration. But no, no,

3:13:16.400 --> 3:13:17.760
<v Speaker 2>it ain't not in a bad way.

3:13:17.760 --> 3:13:20.879
<v Speaker 1>I'm just saying even that, But it's more the fact

3:13:21.120 --> 3:13:23.680
<v Speaker 1>how he feel about that ship, like how he feels

3:13:23.680 --> 3:13:26.520
<v Speaker 1>like damn he feel a way about that ship to exactly.

3:13:26.640 --> 3:13:28.240
<v Speaker 1>You know what I mean, he feel a way about

3:13:28.280 --> 3:13:31.039
<v Speaker 1>that and that's and that's what we gotta get right,

3:13:31.240 --> 3:13:31.440
<v Speaker 1>you know.

3:13:31.440 --> 3:13:34.480
<v Speaker 2>What I mean about how did why Cleft get in

3:13:34.560 --> 3:13:38.000
<v Speaker 2>the video for Let the Rhythm Hit Him? He's in

3:13:38.040 --> 3:13:42.560
<v Speaker 2>that video playing the bass. He said that the story

3:13:42.680 --> 3:13:45.520
<v Speaker 2>is these two of some hip hop stories, for real

3:13:46.360 --> 3:13:47.160
<v Speaker 2>hip hop story.

3:13:47.840 --> 3:13:51.000
<v Speaker 18>That ship he worked at the bookstore. The bookstore, come on,

3:13:51.800 --> 3:13:58.200
<v Speaker 18>you already know man, I don't know, Man, I don't know.

3:13:58.360 --> 3:14:04.000
<v Speaker 2>Bro know No, that's when I was out the fold

3:14:04.080 --> 3:14:04.400
<v Speaker 2>and Ship.

3:14:04.800 --> 3:14:07.440
<v Speaker 1>They had the music already, they was good and now

3:14:07.560 --> 3:14:08.720
<v Speaker 1>Wild Cleff was dancing.

3:14:11.520 --> 3:14:12.000
<v Speaker 2>We're good.

3:14:13.360 --> 3:14:15.320
<v Speaker 1>Nah, but yo, let the rhythm hit them, ship, you

3:14:15.360 --> 3:14:17.320
<v Speaker 1>know what I mean, Like it was a learning experience

3:14:17.360 --> 3:14:19.960
<v Speaker 1>for me. We went through a little fucking fiasco on

3:14:20.080 --> 3:14:22.120
<v Speaker 1>the Source magazine, you know what I mean. I did

3:14:22.160 --> 3:14:24.320
<v Speaker 1>the interview, you know what I mean, niggas do me.

3:14:24.440 --> 3:14:27.000
<v Speaker 1>They was like, Yo, it's gonna be off, It's gonna

3:14:27.000 --> 3:14:29.200
<v Speaker 1>be off the off the record, you know what I mean.

3:14:29.280 --> 3:14:31.120
<v Speaker 1>We're talking off the record, and all the ship that

3:14:31.200 --> 3:14:33.560
<v Speaker 1>I was saying to them quietly wound up on the record.

3:14:33.959 --> 3:14:35.520
<v Speaker 1>And then it just caused, you know what I mean,

3:14:35.600 --> 3:14:38.080
<v Speaker 1>like a little wrath and ship like I.

3:14:38.120 --> 3:14:41.480
<v Speaker 2>Was admitting that you produced the whole album, right, which

3:14:41.640 --> 3:14:42.840
<v Speaker 2>was facts, just facts.

3:14:43.879 --> 3:14:48.000
<v Speaker 1>But in the in, in the process, you know, there's

3:14:48.000 --> 3:14:51.000
<v Speaker 1>an industry thing that you do where you smooth things over,

3:14:52.080 --> 3:14:53.080
<v Speaker 1>your buffer.

3:14:52.840 --> 3:14:55.440
<v Speaker 2>Things and you do like problems with you and Eric

3:14:55.480 --> 3:14:56.080
<v Speaker 2>B because of that.

3:14:56.680 --> 3:14:59.480
<v Speaker 1>No, there was never a problem, Nigga. There's this fucking

3:14:59.680 --> 3:15:02.280
<v Speaker 1>myth out there about every bee put his hands on me.

3:15:02.920 --> 3:15:07.320
<v Speaker 1>Never that never that he is the flyes nigga on earth. Man,

3:15:07.400 --> 3:15:09.920
<v Speaker 1>that niggas too cool to put his hands like he do.

3:15:09.920 --> 3:15:11.920
<v Speaker 1>That nigga too cool to even give you a pound.

3:15:12.879 --> 3:15:15.840
<v Speaker 2>He ain't gonna yo, yo.

3:15:16.280 --> 3:15:18.120
<v Speaker 1>Man, that's that's a fly nigga. And I was so

3:15:18.360 --> 3:15:21.400
<v Speaker 1>fucking privileged to have seen them niggas and they fucking.

3:15:22.760 --> 3:15:27.560
<v Speaker 2>That's another man.

3:15:27.840 --> 3:15:29.960
<v Speaker 1>I could never Man, I could never, man, you know

3:15:30.000 --> 3:15:32.200
<v Speaker 1>what I'm saying, I can never discount that ship man,

3:15:32.280 --> 3:15:35.640
<v Speaker 1>the guards, the guards, the big bros, the kings at

3:15:35.680 --> 3:15:37.600
<v Speaker 1>that time, let me in the building.

3:15:37.640 --> 3:15:38.200
<v Speaker 2>You know what I'm saying.

3:15:38.240 --> 3:15:42.160
<v Speaker 1>I'm you know, glasses and glasses ass nigga coming from

3:15:42.280 --> 3:15:47.160
<v Speaker 1>Flushing Queens, coming from the wackiest part of town trying

3:15:47.200 --> 3:15:50.800
<v Speaker 1>to rap with you. You know, I got everything against me. Nigga,

3:15:51.600 --> 3:15:53.400
<v Speaker 1>did you feel with your glasses?

3:15:53.520 --> 3:15:55.680
<v Speaker 2>No? No, no, no, I didn't. But that's how niggas

3:15:55.680 --> 3:15:58.320
<v Speaker 2>see me. That's real because one thing I said, you

3:15:58.360 --> 3:16:00.600
<v Speaker 2>can't see me. We did. He did People's party. We

3:16:00.600 --> 3:16:02.480
<v Speaker 2>ain't put it out yet, but we talked. We ain't

3:16:02.480 --> 3:16:05.000
<v Speaker 2>put it. I thought that was already out with last professor. Yeah,

3:16:05.440 --> 3:16:06.920
<v Speaker 2>I swear my mind, I said.

3:16:07.000 --> 3:16:09.840
<v Speaker 21>I said, for me coming in and coming in from

3:16:10.240 --> 3:16:12.840
<v Speaker 21>as a hip hop person, not from the street side,

3:16:13.360 --> 3:16:16.320
<v Speaker 21>to see this man with his afro, yo, I gotta.

3:16:16.120 --> 3:16:34.840
<v Speaker 2>As he did. He had a little glasses. It was bully.

3:16:35.000 --> 3:16:38.600
<v Speaker 1>It was funny because look, man, I took on a

3:16:38.760 --> 3:16:42.040
<v Speaker 1>hard life. I didn't have to. But the way I

3:16:42.280 --> 3:16:44.800
<v Speaker 1>was raised, I was raised with every like how every

3:16:44.840 --> 3:16:47.600
<v Speaker 1>one of us was with the fucking template. You gotta

3:16:47.600 --> 3:16:49.720
<v Speaker 1>get the house to call the kid, the money, the

3:16:49.840 --> 3:16:52.840
<v Speaker 1>kid to home, that type ship. That's what everybody's raised,

3:16:52.840 --> 3:16:54.480
<v Speaker 1>you know what I mean. So I was going for

3:16:54.600 --> 3:16:57.040
<v Speaker 1>that ship, and it was a little hard for me

3:16:57.160 --> 3:16:59.879
<v Speaker 1>because I was like a hip hop purist. So when

3:16:59.879 --> 3:17:01.800
<v Speaker 1>I get into the industry and I've seen the town,

3:17:01.879 --> 3:17:03.680
<v Speaker 1>fool of read that was going on in the industry.

3:17:03.760 --> 3:17:06.520
<v Speaker 1>I'm like, hold up, Nah, hold up that niggas faking

3:17:06.560 --> 3:17:10.160
<v Speaker 1>the funk, Like oh no, this is this is.

3:17:10.200 --> 3:17:12.840
<v Speaker 2>The girl hip hop purism, Like we all followed you,

3:17:13.720 --> 3:17:14.400
<v Speaker 2>That's what I'm saying.

3:17:14.560 --> 3:17:16.360
<v Speaker 1>So now I'm starting to call that ship, you know

3:17:16.400 --> 3:17:16.680
<v Speaker 1>what I mean?

3:17:16.760 --> 3:17:16.920
<v Speaker 2>And that.

3:17:17.240 --> 3:17:19.560
<v Speaker 1>But on the outside, to the younger to the young bros,

3:17:19.560 --> 3:17:21.720
<v Speaker 1>they're like, yo, that thing is disgruntled, Like why he

3:17:21.800 --> 3:17:26.320
<v Speaker 1>always complaining like he always complained about the industry, Like like.

3:17:28.720 --> 3:17:31.080
<v Speaker 2>You know, I had the mushroom cut with the bookroom hat,

3:17:31.800 --> 3:17:34.720
<v Speaker 2>with the crazy glasses. Niggas was like I'm getting.

3:17:36.320 --> 3:17:38.600
<v Speaker 1>Like, it's just what it was.

3:17:38.840 --> 3:17:41.040
<v Speaker 2>It's just what you're doing what everybody else wasn't.

3:17:41.160 --> 3:17:43.320
<v Speaker 1>I love, But I want to write a song one day,

3:17:43.360 --> 3:17:45.000
<v Speaker 1>and I want to write a song called kid on

3:17:45.120 --> 3:17:48.120
<v Speaker 1>the cover, and I want to talk about who that

3:17:48.360 --> 3:17:50.560
<v Speaker 1>kid was, you know what I mean, because I know

3:17:50.760 --> 3:17:53.720
<v Speaker 1>who that was, you know what I mean? And yeah,

3:17:54.080 --> 3:17:56.840
<v Speaker 1>who lost professor was at that time? You know, I

3:17:57.000 --> 3:17:59.160
<v Speaker 1>know why NAS had to you know what I mean

3:17:59.280 --> 3:18:01.440
<v Speaker 1>kind of like you know, because it was a different

3:18:01.480 --> 3:18:03.120
<v Speaker 1>I was on a different mission, you know.

3:18:03.440 --> 3:18:05.480
<v Speaker 2>Point That's that that was the that was the illest thing.

3:18:05.840 --> 3:18:09.480
<v Speaker 2>At one point you and I was like motherfucking Quincy

3:18:09.640 --> 3:18:14.640
<v Speaker 2>and Mike question and then and then it disappeared what

3:18:14.800 --> 3:18:15.920
<v Speaker 2>had happened at that time?

3:18:16.120 --> 3:18:18.920
<v Speaker 1>Well, Steve Stout, I'm asking I had a different I

3:18:19.000 --> 3:18:19.879
<v Speaker 1>had a different.

3:18:19.800 --> 3:18:20.920
<v Speaker 2>Well Steve Steve.

3:18:21.080 --> 3:18:24.480
<v Speaker 1>Actually one time Steve came through and he was he

3:18:24.680 --> 3:18:27.800
<v Speaker 1>came through for a kid and play remix that I did,

3:18:28.280 --> 3:18:30.119
<v Speaker 1>so he used to manage here.

3:18:30.120 --> 3:18:39.640
<v Speaker 30>This kidding, Yeah, I feel the same play before I know,

3:18:40.120 --> 3:18:41.520
<v Speaker 30>but I want to hear this reason.

3:18:41.879 --> 3:18:44.720
<v Speaker 1>But like Steve, Steve was down with like everybody in

3:18:44.800 --> 3:18:47.520
<v Speaker 1>the hearst Early like he was down with the East

3:18:47.560 --> 3:18:48.640
<v Speaker 1>Elmhurst community.

3:18:49.200 --> 3:18:51.360
<v Speaker 3>Steve Stout really trying to look out for me. I

3:18:51.560 --> 3:18:55.440
<v Speaker 3>was like, too fucking dumb and too fucking young, and

3:18:55.520 --> 3:19:00.000
<v Speaker 3>two gangster like that'suff came along, came.

3:19:01.080 --> 3:19:05.640
<v Speaker 1>Very like me do with me.

3:19:05.760 --> 3:19:07.760
<v Speaker 2>But don't remember his interview.

3:19:08.080 --> 3:19:11.400
<v Speaker 9>He was very opinionated in what he thought was good

3:19:11.480 --> 3:19:14.480
<v Speaker 9>and bad about me, but in general on hip hop.

3:19:14.560 --> 3:19:16.960
<v Speaker 1>And but that's the whole ship that we need. We

3:19:17.160 --> 3:19:20.600
<v Speaker 1>need instead of the older bros like saying, oh that

3:19:20.720 --> 3:19:23.040
<v Speaker 1>nigga man, I can't, like, I gotta get away from that.

3:19:23.400 --> 3:19:26.360
<v Speaker 1>Just explain like, yo, you're doing it like you said

3:19:26.400 --> 3:19:27.080
<v Speaker 1>he was doing that.

3:19:27.280 --> 3:19:30.880
<v Speaker 2>Man. Know, I'm saying this is what we needed need

3:19:30.920 --> 3:19:35.800
<v Speaker 2>a documentary about. You know we're gonna do anyway in

3:19:35.920 --> 3:19:39.039
<v Speaker 2>an animal fucking movie and all that. Can I ask

3:19:39.120 --> 3:19:42.240
<v Speaker 2>the questions everybody? Here is what I think. And let's

3:19:42.280 --> 3:19:44.360
<v Speaker 2>get this. You could put if you could put the

3:19:44.640 --> 3:19:48.800
<v Speaker 2>Golden Era in an asterisk, right, and what an asterisk

3:19:49.520 --> 3:19:54.760
<v Speaker 2>in a parentheses asteris asteris whatever. I don't know if

3:19:54.760 --> 3:19:59.880
<v Speaker 2>I speak the right language, speaking of the span as

3:20:00.040 --> 3:20:03.360
<v Speaker 2>an ass not right, that's not to me. So let's

3:20:03.400 --> 3:20:04.960
<v Speaker 2>just say you put the gold there in there right

3:20:05.040 --> 3:20:09.280
<v Speaker 2>for me? I believe, in my opinion, main source is

3:20:09.320 --> 3:20:15.040
<v Speaker 2>the beginning of that beginning of the Golden ERAa no, no, no, no,

3:20:15.280 --> 3:20:17.600
<v Speaker 2>Jungle Brothers and all of them. Bro hold up, we're

3:20:17.680 --> 3:20:20.960
<v Speaker 2>I'm not asking you. I'm asking everybody else. You're not.

3:20:21.120 --> 3:20:23.600
<v Speaker 2>You're not I'm not asking. I want to. I want to.

3:20:23.879 --> 3:20:27.960
<v Speaker 2>I want to help year the fast right year to

3:20:28.000 --> 3:20:31.640
<v Speaker 2>breaking at them. I think it's ninety two right, Okay.

3:20:32.080 --> 3:20:34.040
<v Speaker 1>Knowledge, That's all we did was moving knowledge.

3:20:34.400 --> 3:20:36.280
<v Speaker 2>Shout out to Dante Royd. What do you think? What

3:20:36.360 --> 3:20:36.680
<v Speaker 2>do you think?

3:20:36.720 --> 3:20:36.840
<v Speaker 5>Oh?

3:20:36.879 --> 3:20:40.360
<v Speaker 2>Shout out to Dante ros why we shouting down? Really,

3:20:40.400 --> 3:20:42.080
<v Speaker 2>you don't want to set them out. They ain't humble,

3:20:42.160 --> 3:20:46.720
<v Speaker 2>No moms, the quarter with fucking paradise grating all of them.

3:20:47.080 --> 3:20:49.280
<v Speaker 29>And from when I did my research, that started the

3:20:49.320 --> 3:20:52.119
<v Speaker 29>Golden Era the Latin quarters because.

3:20:52.120 --> 3:20:54.560
<v Speaker 1>So does that include what I'm saying or no, Well

3:20:54.640 --> 3:20:57.080
<v Speaker 1>everyone has a different Golden Well remember.

3:21:00.160 --> 3:21:03.480
<v Speaker 12>Only speaking musically because remember I'm not I'm not in

3:21:03.560 --> 3:21:03.959
<v Speaker 12>New Yorks.

3:21:04.160 --> 3:21:06.480
<v Speaker 2>Just want to ask about the year shout out beautiful.

3:21:07.040 --> 3:21:10.000
<v Speaker 2>By the way, I'm not going here, this is my music.

3:21:10.640 --> 3:21:12.080
<v Speaker 2>I'm not say.

3:21:15.840 --> 3:21:16.800
<v Speaker 1>He was signing.

3:21:18.280 --> 3:21:23.360
<v Speaker 2>King ready to being right? All these woman keep going.

3:21:25.840 --> 3:21:31.000
<v Speaker 2>So this that's what you call it this year? Because

3:21:31.320 --> 3:21:34.280
<v Speaker 2>my theory is that the that the era that we

3:21:35.160 --> 3:21:37.440
<v Speaker 2>sorry sorry, do you believe in the Golden Era like that?

3:21:37.600 --> 3:21:38.360
<v Speaker 1>That is that?

3:21:38.680 --> 3:21:41.200
<v Speaker 2>That is a thing? Yeah, yeah, I do. But but

3:21:41.360 --> 3:21:42.760
<v Speaker 2>it's subjective, okay.

3:21:45.160 --> 3:21:47.959
<v Speaker 12>From jeeing us here, subjective for waiting on the salmon,

3:21:48.240 --> 3:21:49.120
<v Speaker 12>what you you're born and.

3:21:49.200 --> 3:21:51.760
<v Speaker 2>What's your tenure Golden ever time? So for me, Golden

3:21:51.800 --> 3:21:52.560
<v Speaker 2>Ever starts a.

3:21:52.600 --> 3:21:54.760
<v Speaker 21>Tenure time frame. For me, it's nineteen eighty eight, so

3:21:54.920 --> 3:21:58.240
<v Speaker 21>you look ninety eight. I'm just saying eighty eight period.

3:21:58.680 --> 3:22:02.120
<v Speaker 21>I'm saying starting I'm saying, I'm saying, I'm saying, all

3:22:02.200 --> 3:22:04.960
<v Speaker 21>the albums that came out in eighty eight are the

3:22:05.160 --> 3:22:09.960
<v Speaker 21>albums that that define for me from my eerr what

3:22:10.280 --> 3:22:11.320
<v Speaker 21>a hip hop record.

3:22:11.120 --> 3:22:13.320
<v Speaker 2>Is supposed to sound. Because it was like samples like

3:22:13.480 --> 3:22:19.640
<v Speaker 2>that sample lyricism, and it's lyricism E P D. It's

3:22:19.760 --> 3:22:23.040
<v Speaker 2>all this, all that lyricism starts there and but and

3:22:23.320 --> 3:22:28.520
<v Speaker 2>his n W A and J Jeff Yeah, oh my,

3:22:29.200 --> 3:22:30.640
<v Speaker 2>you know what I'm saying. But you know what's funny

3:22:31.200 --> 3:22:35.680
<v Speaker 2>in my opinion, No, no, no, that is the predecessor

3:22:35.920 --> 3:22:38.280
<v Speaker 2>to the Golden Era in my I do have this.

3:22:38.760 --> 3:22:41.320
<v Speaker 2>You did mention this? Yeah, what's that right that? What's

3:22:41.360 --> 3:22:41.840
<v Speaker 2>that right there?

3:22:44.360 --> 3:22:48.199
<v Speaker 1>Grab ship, That's that's your lineage. That's what you actually

3:22:48.360 --> 3:22:50.720
<v Speaker 1>need to listen to this because you the hustling lineage.

3:22:51.280 --> 3:22:53.120
<v Speaker 1>He's talking a lot of you know, chilling on the

3:22:53.200 --> 3:22:55.800
<v Speaker 1>sofa with my dollar sign sweater. He said that on

3:22:55.959 --> 3:22:58.160
<v Speaker 1>this you know what I mean, Like yo, he said

3:22:58.160 --> 3:22:59.680
<v Speaker 1>a lot of fly. He got a joint call on.

3:22:59.760 --> 3:23:03.080
<v Speaker 21>Fly on this listen then and the and the Rap

3:23:04.240 --> 3:23:09.959
<v Speaker 21>g Rapp g rap preceide Big Time Guarantee because rabbit.

3:23:10.240 --> 3:23:11.039
<v Speaker 2>Curtains, ball.

3:23:12.640 --> 3:23:14.600
<v Speaker 21>G rapping, big punt and then if you listen to

3:23:14.640 --> 3:23:16.400
<v Speaker 21>Black Door, your Black Door.

3:23:17.920 --> 3:23:23.440
<v Speaker 2>G rap and Big Daddy camee mixed together. Also Philly Ship. Listen, listen.

3:23:23.480 --> 3:23:26.120
<v Speaker 12>The black thought is one of the hillis mcs to

3:23:26.240 --> 3:23:30.040
<v Speaker 12>ever live, to ever live, Man, I don't think he

3:23:30.280 --> 3:23:33.040
<v Speaker 12>came from the knowledge soon enough credit that he needs.

3:23:33.080 --> 3:23:35.720
<v Speaker 1>He brought him to the staircase. Man, he didn't, He didn't.

3:23:35.879 --> 3:23:38.200
<v Speaker 1>He didn't he like you know he was. We brought

3:23:38.280 --> 3:23:39.080
<v Speaker 1>him to the staircase.

3:23:39.080 --> 3:23:42.240
<v Speaker 2>I think, black. Do you know the staircase?

3:23:42.320 --> 3:23:45.760
<v Speaker 1>No, no, no, we didn't say. We didn't say. We said,

3:23:46.600 --> 3:23:49.320
<v Speaker 1>we said, we said the staircase. That's where niggas sit

3:23:49.440 --> 3:23:52.600
<v Speaker 1>there and they listened and they listen to music. That's

3:23:52.600 --> 3:23:54.360
<v Speaker 1>the way we listened to our music.

3:23:54.520 --> 3:23:55.560
<v Speaker 2>And the staircase.

3:23:55.480 --> 3:24:00.240
<v Speaker 1>Staircase no, not by itself. With many of us need

3:24:00.360 --> 3:24:02.800
<v Speaker 1>us brothers, and we will have for one of us.

3:24:03.120 --> 3:24:05.440
<v Speaker 12>We would have many of us see and call out

3:24:05.560 --> 3:24:08.440
<v Speaker 12>Towers is a dark staircase and we're just there.

3:24:08.560 --> 3:24:09.520
<v Speaker 2>It's well lit and.

3:24:11.760 --> 3:24:15.240
<v Speaker 1>This year pieces all why in call out so we

3:24:15.320 --> 3:24:19.120
<v Speaker 1>could we could accommodate many So many have claimed going

3:24:19.320 --> 3:24:22.360
<v Speaker 1>to our Yeah, man, it's really nice man. And we're

3:24:22.360 --> 3:24:24.800
<v Speaker 1>sitting there and the ship is echoing off the walls.

3:24:25.600 --> 3:24:30.200
<v Speaker 1>Were being there playing Mary j blocking glens all that ship. No,

3:24:30.360 --> 3:24:33.120
<v Speaker 1>because that's like my man late for dinner. That's where

3:24:33.160 --> 3:24:35.400
<v Speaker 1>they at, Like my man late for dinner. He'll pull

3:24:35.480 --> 3:24:38.640
<v Speaker 1>out the motherfucking generator and the turntables. I met him

3:24:39.000 --> 3:24:41.879
<v Speaker 1>in the b X, like the rabbi. Rabbi dok Syde

3:24:41.920 --> 3:24:47.320
<v Speaker 1>big up him. Man, he's a very very very rabbi

3:24:47.440 --> 3:24:50.000
<v Speaker 1>dog side. Yes, sir, no doubt that.

3:24:50.160 --> 3:24:59.880
<v Speaker 2>The first hop I'm gonna tell you this. I'm gonna

3:25:00.080 --> 3:25:04.080
<v Speaker 2>you this. He's a no. But listen, no, no, I'll

3:25:04.120 --> 3:25:05.160
<v Speaker 2>tell you this. Rabbi.

3:25:05.200 --> 3:25:06.640
<v Speaker 1>I was just building with him and he's like, Yo,

3:25:06.920 --> 3:25:09.120
<v Speaker 1>I just ran this marathon real quick, I'm about to

3:25:09.200 --> 3:25:11.400
<v Speaker 1>run this net. So we we we're just gonna leave

3:25:11.440 --> 3:25:14.600
<v Speaker 1>that right there. You know what, Rabbi, that's the Rabbi.

3:25:14.959 --> 3:25:17.400
<v Speaker 1>So he said he sent late. He was like, Yo,

3:25:17.560 --> 3:25:20.160
<v Speaker 1>go to the BX and see loss professor and late

3:25:20.200 --> 3:25:21.840
<v Speaker 1>you know he came through yet this girl with him

3:25:21.879 --> 3:25:23.640
<v Speaker 1>and he's like, Yo, what up man? Yo, the Rabbi

3:25:23.760 --> 3:25:26.600
<v Speaker 1>sent me and so boom he was like, Yo, I'm

3:25:26.600 --> 3:25:29.480
<v Speaker 1>gonna go to the amphitheat. I'm gonna bring the turntables

3:25:29.560 --> 3:25:32.520
<v Speaker 1>and the generator and the records out like wow up

3:25:33.240 --> 3:25:41.640
<v Speaker 1>like wowated Wild the brother recated Wild Staff and Yo.

3:25:42.080 --> 3:25:44.879
<v Speaker 1>I zoomed down there real quick. So that's where we're

3:25:44.879 --> 3:25:48.080
<v Speaker 1>at with the youngins right now. Like they've a lot, Man,

3:25:48.120 --> 3:25:48.840
<v Speaker 1>I need one of those.

3:25:48.959 --> 3:25:51.920
<v Speaker 2>Is this drink MPs? I need to hood, I need

3:25:51.959 --> 3:25:54.160
<v Speaker 2>the hood you everything I got you, I got you.

3:25:57.000 --> 3:26:00.560
<v Speaker 2>Where's the drink? Like we got them from? I got you?

3:26:00.959 --> 3:26:03.240
<v Speaker 3>Let me just tell you something I got you. You

3:26:03.520 --> 3:26:06.879
<v Speaker 3>got you all the quaint essential guests that we want.

3:26:06.720 --> 3:26:12.240
<v Speaker 2>To absolutely you legends like a million times, a few times,

3:26:12.280 --> 3:26:14.440
<v Speaker 2>a million times we finished. Let me give you your flowers,

3:26:14.680 --> 3:26:19.640
<v Speaker 2>large bro in a lot of ways, Marley ma large

3:26:19.680 --> 3:26:22.240
<v Speaker 2>Pro if it does If it's no Molly mar and

3:26:22.320 --> 3:26:28.760
<v Speaker 2>there's no large Pro, there's no drink Champs. You want

3:26:28.840 --> 3:26:30.560
<v Speaker 2>to break it down for you, that's I mean, we

3:26:30.600 --> 3:26:32.320
<v Speaker 2>could go through all the branch. Let me break Let

3:26:32.360 --> 3:26:36.959
<v Speaker 2>me give you a bunch of bands. Say yes, he's

3:26:37.400 --> 3:26:38.920
<v Speaker 2>but let me just break it down for you to

3:26:39.040 --> 3:26:41.080
<v Speaker 2>get your long wait. Let me let me bring you.

3:26:44.480 --> 3:26:48.920
<v Speaker 3>Put your connections to nas nas with his connection to connect, leave.

3:26:48.879 --> 3:26:54.800
<v Speaker 2>His connection to me. If it wasn't for you, it

3:26:55.040 --> 3:27:01.200
<v Speaker 2>might not be n O R. That's real because of you.

3:27:03.000 --> 3:27:05.320
<v Speaker 2>I mean you know I did good at school man.

3:27:11.000 --> 3:27:12.400
<v Speaker 2>We took all there.

3:27:13.520 --> 3:27:15.760
<v Speaker 3>Yeah, if it wasn't for you, they might not be

3:27:16.440 --> 3:27:19.080
<v Speaker 3>an r A, they might not be a CNN, they

3:27:19.160 --> 3:27:21.440
<v Speaker 3>might not be tours man, might not be.

3:27:23.160 --> 3:27:25.960
<v Speaker 2>Yes, listen, but let me give you your flowers. Bro

3:27:26.160 --> 3:27:31.959
<v Speaker 2>to two three four five coming, I'll be Yeah, you're welcome.

3:27:32.000 --> 3:27:34.360
<v Speaker 3>Anytime you're gonna get your flowers, you donna get your

3:27:34.480 --> 3:27:35.760
<v Speaker 3>props to day.

3:27:35.959 --> 3:27:42.080
<v Speaker 2>Appreciate you, bro, right now. My brother really the pops

3:27:42.240 --> 3:27:45.760
<v Speaker 2>was on the ball. There's still not hold on about

3:27:45.760 --> 3:27:47.440
<v Speaker 2>you today. It's what used today. Let me just tell

3:27:47.440 --> 3:27:50.200
<v Speaker 2>you something large, bro, because my used to chill left

3:27:50.280 --> 3:27:52.760
<v Speaker 2>right to with the brother from Let me give you

3:27:52.959 --> 3:27:56.000
<v Speaker 2>your props. Let me give you your prop. You see

3:27:56.040 --> 3:27:58.800
<v Speaker 2>this brother right here, that's your bro. You see this

3:27:58.920 --> 3:28:01.280
<v Speaker 2>brother right here. You see his brother right here. You

3:28:01.360 --> 3:28:04.000
<v Speaker 2>see and one. We are all here because of you,

3:28:04.040 --> 3:28:10.680
<v Speaker 2>absolute you. We're not you got here. Although everyone loves

3:28:10.760 --> 3:28:13.320
<v Speaker 2>Japanese whiskey, yes, yes as well.

3:28:14.440 --> 3:28:14.880
<v Speaker 1>I saw you.

3:28:15.040 --> 3:28:16.039
<v Speaker 2>I saw your hot ones.

3:28:16.200 --> 3:28:27.080
<v Speaker 3>But taking it back about you, that was like, let

3:28:27.120 --> 3:28:28.880
<v Speaker 3>me tell you something. I gotta give your flowers. You

3:28:28.920 --> 3:28:31.279
<v Speaker 3>got to embrace it because I see you deflected.

3:28:31.680 --> 3:28:39.199
<v Speaker 2>That's what you're doing. You're deflecting because your use collection.

3:28:39.600 --> 3:28:44.720
<v Speaker 2>We got talking about it. Come on, you know your

3:28:44.840 --> 3:28:48.800
<v Speaker 2>large pro Please Bro, accept it. But you know what

3:28:48.920 --> 3:28:51.920
<v Speaker 2>I can do. I can give your flowers. I can

3:28:52.000 --> 3:28:53.000
<v Speaker 2>give you your props.

3:28:53.040 --> 3:28:56.360
<v Speaker 3>I can give you your praises because I'm being honest,

3:28:56.480 --> 3:28:56.840
<v Speaker 3>large pro.

3:28:56.959 --> 3:29:01.960
<v Speaker 2>You deserve it. Just accepted, just because you know what

3:29:02.080 --> 3:29:06.680
<v Speaker 2>you talk about. You know, my sister, great, great god,

3:29:15.640 --> 3:29:26.119
<v Speaker 2>come down, list listen. I am listen.

3:29:26.360 --> 3:29:26.840
<v Speaker 1>Large Bro.

3:29:27.800 --> 3:29:31.360
<v Speaker 2>You are a god. You are a legend, you are icon.

3:29:31.959 --> 3:29:35.160
<v Speaker 2>You you deserve everything that we are talking to you

3:29:35.240 --> 3:29:36.280
<v Speaker 2>about right now.

3:29:38.040 --> 3:29:40.240
<v Speaker 12>Hold hold on, hold on, let me take it away

3:29:40.240 --> 3:29:42.160
<v Speaker 12>from because this is You're gonna be used to a

3:29:42.280 --> 3:29:44.600
<v Speaker 12>queen's guy giving you queen's love.

3:29:45.040 --> 3:29:46.200
<v Speaker 2>This is a Miami guy.

3:29:47.120 --> 3:29:47.240
<v Speaker 5>You know.

3:29:47.600 --> 3:29:50.120
<v Speaker 2>I'm just a hip hop head. Yes, and you are

3:29:50.200 --> 3:29:55.120
<v Speaker 2>a legend. Did you used to break? I tried, I try,

3:29:56.120 --> 3:29:58.440
<v Speaker 2>I popped, I locked your feet. I did everything.

3:29:58.800 --> 3:29:59.840
<v Speaker 5>I did everything.

3:30:01.280 --> 3:30:02.439
<v Speaker 2>That was everything.

3:30:03.800 --> 3:30:09.120
<v Speaker 12>And now we love you, dog. You mean everything was

3:30:10.120 --> 3:30:13.200
<v Speaker 12>everything to us. You know that, honest, honestly honestly, you

3:30:14.040 --> 3:30:16.760
<v Speaker 12>are legacy, calling you are legacy and hip hop that

3:30:16.879 --> 3:30:17.680
<v Speaker 12>he so much.

3:30:19.400 --> 3:30:29.200
<v Speaker 2>We call me, we say, but I don't know he's borrowing.

3:30:33.000 --> 3:30:35.800
<v Speaker 2>But no one last pro man. I'm being honest. Man,

3:30:35.840 --> 3:30:38.120
<v Speaker 2>I love you. Man, Let me get to you, Let

3:30:38.160 --> 3:30:47.520
<v Speaker 2>me take such section two. I'm like, you're gonna take

3:30:47.560 --> 3:30:50.080
<v Speaker 2>the next gona take the bus next year.

3:30:50.360 --> 3:30:52.600
<v Speaker 3>It because I know how humble you are and that

3:30:52.840 --> 3:30:56.920
<v Speaker 3>that makes you even more a better person to to to.

3:30:57.959 --> 3:31:02.720
<v Speaker 3>But I wanted to tell you you are really a legend,

3:31:02.760 --> 3:31:06.200
<v Speaker 3>you are really an icon. You are really When we

3:31:06.320 --> 3:31:09.440
<v Speaker 3>based this show, we said we wanted to give flowers

3:31:09.480 --> 3:31:14.400
<v Speaker 3>to the people that matter, that matter to us, that

3:31:14.520 --> 3:31:17.000
<v Speaker 3>matters to real hip hop. And I'm gonna be honest

3:31:17.040 --> 3:31:19.840
<v Speaker 3>with you. You was top five of our first guests

3:31:20.480 --> 3:31:23.080
<v Speaker 3>we ever did it. And the fact that I had

3:31:23.160 --> 3:31:26.720
<v Speaker 3>your phone number and I didn't want to take advantage because.

3:31:26.480 --> 3:31:29.480
<v Speaker 2>I was I was texting you and he was like, yeah, maybe,

3:31:30.800 --> 3:31:31.080
<v Speaker 2>but you.

3:31:31.400 --> 3:31:35.600
<v Speaker 1>Know how you text great date great weather outside.

3:31:36.840 --> 3:31:49.920
<v Speaker 2>I said, no, you know trauma.

3:31:50.000 --> 3:31:53.360
<v Speaker 1>And now he's on the left, he's on the love shide,

3:31:54.160 --> 3:31:55.240
<v Speaker 1>He's on the love shide.

3:31:56.840 --> 3:32:04.120
<v Speaker 31>I love it, But brother, I'm gonna be honest that ship.

3:32:04.280 --> 3:32:06.680
<v Speaker 31>I'm gonna be honest with you. Love, no no, and

3:32:06.800 --> 3:32:10.600
<v Speaker 31>all seriousness from some ship. Yeah yeah, but all seriousness you.

3:32:11.120 --> 3:32:17.120
<v Speaker 31>You are really a legend, bro. No no for you lord, Yo,

3:32:18.040 --> 3:32:18.320
<v Speaker 31>hold on.

3:32:18.320 --> 3:32:22.360
<v Speaker 2>Hold number nine. Shout out. Shouts to Jasmine, shout out

3:32:22.400 --> 3:32:23.160
<v Speaker 2>to people's.

3:32:22.879 --> 3:32:26.400
<v Speaker 28>Are listen Yo, the podcast amazing. You love your podcast.

3:32:26.480 --> 3:32:29.400
<v Speaker 28>That's just easy on not saying you we love you,

3:32:30.480 --> 3:32:33.720
<v Speaker 28>cousin podcast. Son is crazy, my son and my daughter

3:32:33.760 --> 3:32:35.840
<v Speaker 28>and everything. But like like nor, he said, we're giving

3:32:35.879 --> 3:32:37.600
<v Speaker 28>you your flower your day.

3:32:37.720 --> 3:32:40.280
<v Speaker 2>Man, what I'm saying he's not reflected because you know

3:32:40.360 --> 3:32:43.240
<v Speaker 2>why a large bro. Man. Let me just tell you something. Listen,

3:32:43.360 --> 3:32:46.680
<v Speaker 2>no real talk. We was aflector dot com to get

3:32:46.720 --> 3:32:51.199
<v Speaker 2>Oh that's my trying to make yourself whole. He trying

3:32:51.240 --> 3:32:52.879
<v Speaker 2>to fucking beat the people's.

3:32:53.000 --> 3:32:56.280
<v Speaker 1>But you know what I mean, I'm like, Yo, no, Brontu,

3:32:56.400 --> 3:32:59.240
<v Speaker 1>here you take on that whole, but he's taking on

3:32:59.320 --> 3:33:00.879
<v Speaker 1>the whole ship or lost.

3:33:04.600 --> 3:33:09.560
<v Speaker 2>In case you give each other. In case you don't know,

3:33:09.760 --> 3:33:13.800
<v Speaker 2>lost bro, this is yes, we are here for you. Yes,

3:33:13.920 --> 3:33:14.640
<v Speaker 2>we are here for you.

3:33:14.840 --> 3:33:18.400
<v Speaker 3>You deserve your flowers, lost bro, Look, you deserve your flowers.

3:33:19.240 --> 3:33:20.160
<v Speaker 2>You look into his eyes.

3:33:20.480 --> 3:33:24.840
<v Speaker 4>Yes, yes, he's not doing that to joe yash Medo

3:33:25.000 --> 3:33:28.560
<v Speaker 4>joy look at you, look at his ice to your

3:33:28.680 --> 3:33:30.840
<v Speaker 4>see what do you see?

3:33:31.800 --> 3:33:34.200
<v Speaker 2>Look right now he's sampled your eyeballs.

3:33:34.800 --> 3:33:37.200
<v Speaker 1>Ya y'all mother to make it if I pull up

3:33:37.240 --> 3:33:38.560
<v Speaker 1>the facts, I could pull up the facts.

3:33:38.600 --> 3:33:43.480
<v Speaker 2>We'll pull it up later. But get somebody.

3:33:45.080 --> 3:33:45.720
<v Speaker 1>Much too much.

3:33:47.240 --> 3:33:51.400
<v Speaker 2>You gotta relax, y'all. Listen, listen, look at bro Man

3:33:51.840 --> 3:33:55.119
<v Speaker 2>large bro, all of us like to live.

3:33:55.240 --> 3:33:58.320
<v Speaker 3>Just said, I want to hear what you'll live, he said,

3:33:58.360 --> 3:34:00.240
<v Speaker 3>because I said I wouldn't be here with out you,

3:34:00.320 --> 3:34:02.920
<v Speaker 3>and then tyd Lib said you wouldn't be here without him?

3:34:03.120 --> 3:34:04.600
<v Speaker 2>So can you can?

3:34:04.680 --> 3:34:04.720
<v Speaker 5>You?

3:34:06.640 --> 3:34:11.800
<v Speaker 2>Can you come down? Relax? It's time you've got a

3:34:11.840 --> 3:34:13.080
<v Speaker 2>queen's hat on too. Large Bro.

3:34:13.240 --> 3:34:16.640
<v Speaker 21>We need you to not just you know Main Source

3:34:16.840 --> 3:34:20.480
<v Speaker 21>and the work that when when Large Professor went from

3:34:20.680 --> 3:34:23.160
<v Speaker 21>first of all, we dropped that Large Professor record before

3:34:23.240 --> 3:34:25.800
<v Speaker 21>the main flow main source record came out. And then

3:34:26.160 --> 3:34:28.520
<v Speaker 21>when he went on to do what he did with

3:34:28.640 --> 3:34:31.200
<v Speaker 21>trop Court Quest, and he went on to do what

3:34:31.280 --> 3:34:34.680
<v Speaker 21>he did with with NAS later on with State chiseled

3:34:34.760 --> 3:34:36.760
<v Speaker 21>and and all that type of ship. You know what

3:34:36.760 --> 3:34:41.400
<v Speaker 21>I'm saying, Like large. Professor is the purest of the

3:34:41.520 --> 3:34:43.920
<v Speaker 21>pure he is he is the foundation of it.

3:34:44.120 --> 3:34:46.320
<v Speaker 2>You see what I'm saying. Man, somebody's snoring back here.

3:34:48.680 --> 3:34:49.760
<v Speaker 2>Let's wrap this up.

3:34:52.000 --> 3:34:55.720
<v Speaker 1>Let's get back to DJ cow Man, Let's get back

3:34:55.760 --> 3:34:56.520
<v Speaker 1>to DJ Colt.

3:34:56.720 --> 3:35:05.000
<v Speaker 2>I need somebody, you are nobody to be.

3:35:07.760 --> 3:35:08.680
<v Speaker 1>Rocket for me.

3:35:11.000 --> 3:35:14.119
<v Speaker 2>And then what about the dance squad interview, the ball

3:35:14.520 --> 3:35:18.960
<v Speaker 2>squad you're keeping them now public? Indemy?

3:35:19.040 --> 3:35:19.120
<v Speaker 5>Right?

3:35:20.560 --> 3:35:23.400
<v Speaker 2>It was that that album? Yeah?

3:35:25.240 --> 3:35:28.760
<v Speaker 1>Yeah, thank Keith and Humbly. You got to get my

3:35:28.879 --> 3:35:34.000
<v Speaker 1>man Ayatolla to mixing him because that's your lineage. Brother.

3:35:34.360 --> 3:35:36.240
<v Speaker 2>Yes, so these are people also.

3:35:36.080 --> 3:35:38.080
<v Speaker 1>That I would love to see you on drink Champs Man,

3:35:38.440 --> 3:35:42.560
<v Speaker 1>Humbly Man, I would love to. I definitely love your platform,

3:35:43.760 --> 3:35:46.280
<v Speaker 1>you know, because honestly, you need to get the flowers.

3:35:46.320 --> 3:35:46.440
<v Speaker 2>Man.

3:35:46.480 --> 3:35:49.000
<v Speaker 1>I get my flowers daily, man for my people's man,

3:35:49.240 --> 3:35:51.280
<v Speaker 1>and I love that you're giving me. You have given

3:35:51.360 --> 3:35:54.160
<v Speaker 1>me my flowers also. But you bro, because you came

3:35:54.240 --> 3:35:56.960
<v Speaker 1>up some ship, bro, and I know that.

3:35:57.480 --> 3:36:02.720
<v Speaker 2>Thank you. No, fat man, Day, it's not you, it's

3:36:05.040 --> 3:36:10.119
<v Speaker 2>but today. You know what today is, I'm officially called today.

3:36:10.240 --> 3:36:10.600
<v Speaker 15>What is it?

3:36:11.160 --> 3:36:18.840
<v Speaker 2>From seventeenth is large professional knowledge power, the knowledge gone.

3:36:20.760 --> 3:36:24.360
<v Speaker 2>That's today's man gone as not as god O being

3:36:24.440 --> 3:36:25.320
<v Speaker 2>ball bill destroyed.

3:36:25.440 --> 3:36:28.960
<v Speaker 1>There we go, my man on my You know what

3:36:29.200 --> 3:36:31.120
<v Speaker 1>my act was, Prince infinite love of law.

3:36:32.320 --> 3:36:36.840
<v Speaker 3>You look like a lover because told me you never

3:36:36.959 --> 3:36:38.800
<v Speaker 3>left the relationship and looking at the front door.

3:36:40.280 --> 3:36:42.640
<v Speaker 2>Hit me. She just hit me. But I'm sorry, not

3:36:43.200 --> 3:36:46.360
<v Speaker 2>just she just she just hit me for my birthday.

3:36:46.520 --> 3:36:48.640
<v Speaker 1>And the girl, the girl that you were talking about.

3:36:48.800 --> 3:36:50.760
<v Speaker 1>Reck No, no, no, not that I was talking about that.

3:36:50.920 --> 3:36:54.040
<v Speaker 1>I was around at that time. And she just hit

3:36:54.120 --> 3:36:56.240
<v Speaker 1>me for my birthday. Everything is so good. She has

3:36:56.320 --> 3:36:59.000
<v Speaker 1>her family. You know, she was from Left Rack. Her

3:36:59.040 --> 3:37:01.800
<v Speaker 1>name is Sakima's like she was beautiful, not the.

3:37:01.840 --> 3:37:06.600
<v Speaker 2>Girl, but beautiful exactly. We know that for a fact.

3:37:06.800 --> 3:37:08.800
<v Speaker 2>We come from This is what I'm saying.

3:37:11.680 --> 3:37:14.160
<v Speaker 20>It's a problem. It was a problem for us. We

3:37:14.320 --> 3:37:16.879
<v Speaker 20>came from what are we talking about. We're talking about

3:37:17.440 --> 3:37:20.760
<v Speaker 20>the Queen's lounge. We're talking about the Queen's lounge. When

3:37:20.800 --> 3:37:23.520
<v Speaker 20>we come down, it was it was just like it

3:37:23.680 --> 3:37:26.680
<v Speaker 20>was just like to like Queen's Eddie Murphy how he

3:37:26.760 --> 3:37:28.720
<v Speaker 20>said it, That's how it was. And left Rack that's

3:37:28.760 --> 3:37:30.640
<v Speaker 20>how it was. And Flushing, that's how it was.

3:37:31.240 --> 3:37:33.840
<v Speaker 2>Like and the most beauti the world.

3:37:34.280 --> 3:37:37.480
<v Speaker 1>What you she had to like, she had to she chose,

3:37:37.560 --> 3:37:39.960
<v Speaker 1>you know, she had to like deal with that that

3:37:40.080 --> 3:37:44.840
<v Speaker 1>you knew many many beautiful. But she knew that like

3:37:44.920 --> 3:37:48.680
<v Speaker 1>she knew you. You hang around many. No, we we

3:37:49.360 --> 3:37:53.320
<v Speaker 1>you guys were different. We went different ways because.

3:37:53.080 --> 3:37:56.720
<v Speaker 2>She lives that you never left. No, no, he did

3:37:56.840 --> 3:38:00.600
<v Speaker 2>look at the front door. Woman, No woman believes me.

3:38:00.800 --> 3:38:02.960
<v Speaker 2>He was trying to work it out, he said, no

3:38:03.400 --> 3:38:05.320
<v Speaker 2>woman on one only one.

3:38:05.240 --> 3:38:07.520
<v Speaker 1>Woman left me. She I won't say that. I don't

3:38:07.520 --> 3:38:12.080
<v Speaker 1>won't say that because boy, well my son, it's about you,

3:38:12.360 --> 3:38:14.320
<v Speaker 1>my son. I love my son. You know what I mean.

3:38:14.440 --> 3:38:16.560
<v Speaker 1>But only one woman left me, you know what I mean?

3:38:17.040 --> 3:38:19.280
<v Speaker 1>And other than that, now, no woman leaves me. Man,

3:38:19.360 --> 3:38:20.879
<v Speaker 1>they rock with me because.

3:38:26.360 --> 3:38:28.680
<v Speaker 32>He was itching the jet though he was itching. But

3:38:28.879 --> 3:38:30.680
<v Speaker 32>you looked at the front door. If you never walked through,

3:38:30.680 --> 3:38:33.720
<v Speaker 32>he said, no, look cherish in my crib. So we

3:38:33.840 --> 3:38:35.760
<v Speaker 32>had a front door in the back door. You know

3:38:35.800 --> 3:38:37.280
<v Speaker 32>what story about.

3:38:37.840 --> 3:38:40.840
<v Speaker 1>Hey, Look, my pops used to smoke his weed before

3:38:40.879 --> 3:38:43.480
<v Speaker 1>he went to the hospital to do his job.

3:38:43.640 --> 3:38:45.800
<v Speaker 2>Five o'clock in the morning. Man, I wrote my name

3:38:45.879 --> 3:38:46.320
<v Speaker 2>on the wall.

3:38:46.440 --> 3:38:48.200
<v Speaker 1>Man, he was like lost pro man, you got some

3:38:48.320 --> 3:38:50.760
<v Speaker 1>big shoes to fill man and with to work, you

3:38:50.800 --> 3:38:52.400
<v Speaker 1>know what I mean. He used to hang out with Wise.

3:38:52.480 --> 3:38:53.959
<v Speaker 1>He used to hang out with all of them man

3:38:54.120 --> 3:38:58.640
<v Speaker 1>for yeah, hell yeah, man. My pops used to hang

3:38:58.680 --> 3:39:06.440
<v Speaker 1>out with Moose the big small Popsy should work at

3:39:06.440 --> 3:39:08.160
<v Speaker 1>the hospital, Kelly. Yes, she used to work with my

3:39:08.240 --> 3:39:09.160
<v Speaker 1>pops at the hospital.

3:39:09.440 --> 3:39:16.800
<v Speaker 2>He's Queen's for real. Queen was Queen Pops.

3:39:18.400 --> 3:39:18.920
<v Speaker 1>He's super.

3:39:19.080 --> 3:39:21.360
<v Speaker 2>He's super Q for his pops in them.

3:39:21.600 --> 3:39:26.000
<v Speaker 3>Used to rack, used to rock the front door. Hall body,

3:39:27.080 --> 3:39:31.560
<v Speaker 3>I'll tell you one time. I don't know, I don't

3:39:31.600 --> 3:39:33.240
<v Speaker 3>I don't know if we're gonna use this, but I'm

3:39:33.240 --> 3:39:38.000
<v Speaker 3>gonna say it. I'm on the van Wick. Your pops

3:39:38.000 --> 3:39:42.200
<v Speaker 3>see me, and he pulled me over like the police

3:39:43.920 --> 3:39:46.039
<v Speaker 3>with God, this is pream. You got to pull over.

3:39:48.680 --> 3:39:51.000
<v Speaker 2>You can't keep going, you know.

3:39:52.080 --> 3:39:55.000
<v Speaker 3>Felt But he like, yo, He looked at me and

3:39:55.040 --> 3:39:59.920
<v Speaker 3>he says, I'm not I think I'm Norri, but I'm

3:40:00.080 --> 3:40:03.320
<v Speaker 3>I'm like becoming who I am yet And to.

3:40:03.360 --> 3:40:07.160
<v Speaker 1>Cut your wards for a second, yo, dogs, Yo, you

3:40:07.400 --> 3:40:09.440
<v Speaker 1>was ringing so crazy in Jamaica.

3:40:10.240 --> 3:40:15.560
<v Speaker 2>Dogs, I went to this barbecue. Dogs, dolls, dolls.

3:40:16.240 --> 3:40:19.560
<v Speaker 1>Stop that fucking album was ringing so hard.

3:40:21.160 --> 3:40:23.600
<v Speaker 2>Oh my god. I went to this barbecue one time.

3:40:24.280 --> 3:40:24.800
<v Speaker 2>I was lit.

3:40:24.840 --> 3:40:28.160
<v Speaker 1>I was over there on one nineteen America American.

3:40:27.760 --> 3:40:33.840
<v Speaker 2>Ships giving him. I had to do. I had to

3:40:34.400 --> 3:40:37.600
<v Speaker 2>get no, look, I had to I had to create

3:40:37.680 --> 3:40:38.959
<v Speaker 2>for self. I had the house for self.

3:40:39.000 --> 3:40:41.640
<v Speaker 1>That's whereas I think NAS bought you want to do

3:40:41.840 --> 3:40:43.640
<v Speaker 1>one time with nature and all of them. Ship, But

3:40:43.720 --> 3:40:45.680
<v Speaker 1>I was down in the basement that type of ship.

3:40:45.720 --> 3:40:47.160
<v Speaker 1>So I was over there. But I went to this

3:40:48.120 --> 3:40:53.199
<v Speaker 1>this barbecue and Rochdale rode So I'm moving in Rochdale

3:40:53.240 --> 3:40:55.080
<v Speaker 1>and ship. But it was in the outskirts the houses

3:40:55.080 --> 3:40:57.600
<v Speaker 1>and shipp on, you know, going back down towards Baisley.

3:40:58.400 --> 3:41:01.080
<v Speaker 1>You know what I'm talking about, houses in between the

3:41:01.120 --> 3:41:04.879
<v Speaker 1>ship between Baisley and Rodsteale. So I'm in the backyard

3:41:04.920 --> 3:41:07.680
<v Speaker 1>and ship and I'm lit and ship. I had to

3:41:07.720 --> 3:41:10.400
<v Speaker 1>whip outside and ship. I was chilling the ship. My

3:41:10.520 --> 3:41:14.040
<v Speaker 1>man's with me and not fucking what what what?

3:41:15.240 --> 3:41:19.360
<v Speaker 2>No dogs? It was the it was the height of summer.

3:41:20.000 --> 3:41:20.480
<v Speaker 5>This it was.

3:41:21.440 --> 3:41:25.560
<v Speaker 2>It was the I'm gonna take my flower? Do you

3:41:25.600 --> 3:41:30.040
<v Speaker 2>want to hear it? Man?

3:41:31.000 --> 3:41:33.920
<v Speaker 1>But you you just said Adolf was I told him,

3:41:34.200 --> 3:41:36.200
<v Speaker 1>I got I got to card and hold that down.

3:41:37.640 --> 3:41:43.360
<v Speaker 2>I'm hold on, I tell you, and the Q you

3:41:43.720 --> 3:41:49.120
<v Speaker 2>get three fishes the story. But yeah, so I'm on

3:41:49.200 --> 3:41:49.760
<v Speaker 2>the van Wick.

3:41:50.800 --> 3:41:57.240
<v Speaker 3>I'm driving obviously I've always been a hot driver. Crazes

3:41:57.320 --> 3:41:59.840
<v Speaker 3>me and he goes like this, So I'm like okay,

3:42:01.480 --> 3:42:03.600
<v Speaker 3>because it's like kind of like the police. It's like

3:42:04.280 --> 3:42:07.800
<v Speaker 3>you can't, you can't, you can't say extreme, I'm I'm

3:42:07.920 --> 3:42:08.760
<v Speaker 3>I'm a stream.

3:42:09.800 --> 3:42:11.960
<v Speaker 2>How did you know? Did you know that? You know

3:42:12.040 --> 3:42:14.640
<v Speaker 2>it was preing from the starts? Green eyes? Brother? Oh

3:42:14.760 --> 3:42:17.360
<v Speaker 2>you do them? Ships? Lit the funk up? How did

3:42:17.400 --> 3:42:19.920
<v Speaker 2>you know? You my love has green eyes? Now you

3:42:20.000 --> 3:42:22.320
<v Speaker 2>know you need to pull over. That was a big victim,

3:42:23.320 --> 3:42:25.400
<v Speaker 2>yes ma mambo.

3:42:25.920 --> 3:42:26.600
<v Speaker 1>So so.

3:42:28.840 --> 3:42:31.200
<v Speaker 2>He used to go like this, boom, So I pull over.

3:42:31.840 --> 3:42:35.400
<v Speaker 2>I'm nervous ship because that's frame. What the is prame

3:42:35.480 --> 3:42:38.840
<v Speaker 2>pulling you fucking oh for everyone in the van Wick.

3:42:39.080 --> 3:42:39.959
<v Speaker 2>And it's just like, so.

3:42:41.520 --> 3:42:42.040
<v Speaker 1>What is it?

3:42:43.240 --> 3:42:57.960
<v Speaker 2>This isn't guardens right before you get like that, you know, man?

3:42:58.200 --> 3:42:59.200
<v Speaker 2>And then frame for me?

3:42:59.320 --> 3:42:59.480
<v Speaker 5>Oh?

3:42:59.760 --> 3:43:02.160
<v Speaker 3>Then and I was like, what's up? He's like, yo,

3:43:02.320 --> 3:43:06.800
<v Speaker 3>I know, I know you don't understand, but don't shot.

3:43:06.600 --> 3:43:11.280
<v Speaker 2>Me out and I was as a rapper. Yeah, he's saying,

3:43:11.320 --> 3:43:13.119
<v Speaker 2>don't jump out the day he like, he like, I'm

3:43:13.160 --> 3:43:16.280
<v Speaker 2>still in the field when you shot me out. You're

3:43:16.360 --> 3:43:19.320
<v Speaker 2>kind of telling the him like you shout him out that.

3:43:20.280 --> 3:43:23.600
<v Speaker 2>Prior to that, it was on mixtapes, it was like,

3:43:23.720 --> 3:43:28.320
<v Speaker 2>you know, he like, yo, He's like yo, please, please please,

3:43:28.440 --> 3:43:31.640
<v Speaker 2>Like I'm trying to be right. I'm like, you have

3:43:31.720 --> 3:43:34.600
<v Speaker 2>to mean due respect for that. You were like, yo, No,

3:43:34.840 --> 3:43:35.280
<v Speaker 2>I didn't know.

3:43:35.600 --> 3:43:35.879
<v Speaker 1>I was.

3:43:37.520 --> 3:43:38.160
<v Speaker 2>Just come from.

3:43:40.440 --> 3:43:46.320
<v Speaker 3>Trying to flog ship Supreme Queens and rhymes together and

3:43:46.440 --> 3:43:49.240
<v Speaker 3>he like, but but I didn't understand bying you.

3:43:49.640 --> 3:43:51.680
<v Speaker 2>He had twenty one.

3:43:51.840 --> 3:43:54.600
<v Speaker 3>I'm eighteen to twenty one, so I didn't really like

3:43:55.080 --> 3:43:57.480
<v Speaker 3>at that time, I didn't understand Stone.

3:43:57.600 --> 3:43:59.880
<v Speaker 2>In the days. I was like, what, I'm a Stone.

3:44:00.080 --> 3:44:00.720
<v Speaker 2>I'm big in him.

3:44:00.760 --> 3:44:05.480
<v Speaker 3>You're doing ask homage. I'm homage and Yonda is like,

3:44:05.600 --> 3:44:09.439
<v Speaker 3>now you say what you say back? Well, he's explaining,

3:44:09.760 --> 3:44:12.920
<v Speaker 3>like because he broke it down, like it's just me

3:44:13.000 --> 3:44:16.600
<v Speaker 3>and him on the highway. There's no microphone, so he's comfortable,

3:44:16.640 --> 3:44:20.600
<v Speaker 3>like it's like just me and him, and so you're

3:44:20.600 --> 3:44:23.840
<v Speaker 3>here sooner, band Wick, my dude, we're on the.

3:44:23.879 --> 3:44:26.360
<v Speaker 2>Side, and he's like, nah, because you know, I'm still

3:44:26.920 --> 3:44:29.840
<v Speaker 2>sound effect. Man, he just took me to the sound.

3:44:34.480 --> 3:44:37.200
<v Speaker 3>He like, he like without saying that, he's like, yo,

3:44:37.280 --> 3:44:40.440
<v Speaker 3>I'm still outside. So you know when y'all shot me out,

3:44:41.440 --> 3:44:43.520
<v Speaker 3>y'all kind of like put me in a position.

3:44:44.640 --> 3:44:48.160
<v Speaker 2>So I said, you know what, I absolutely won man

3:44:48.240 --> 3:44:50.600
<v Speaker 2>assent did not know that. And then I had a

3:44:50.680 --> 3:44:55.440
<v Speaker 2>person that was with me named bodyguard, Oh bodyguard, nobody God.

3:44:56.320 --> 3:45:01.960
<v Speaker 2>Bodyguard was means home mean back in the bodyguard.

3:45:01.560 --> 3:45:04.879
<v Speaker 3>Jumps out and premous like he says his real name.

3:45:04.879 --> 3:45:06.480
<v Speaker 3>I don't want to say his real name, but he

3:45:06.600 --> 3:45:07.080
<v Speaker 3>goes you.

3:45:07.480 --> 3:45:11.280
<v Speaker 2>He's like you're supposed to know, and then body like

3:45:11.360 --> 3:45:13.520
<v Speaker 2>you know, no, you know what, He'll never shout shut

3:45:13.640 --> 3:45:18.480
<v Speaker 2>you out again, you know, and then like yo, it's

3:45:18.560 --> 3:45:19.800
<v Speaker 2>all up, It's all up.

3:45:21.520 --> 3:45:25.120
<v Speaker 3>And then a certain song came out after that, which

3:45:25.160 --> 3:45:26.480
<v Speaker 3>I don't want to speak about, but.

3:45:26.560 --> 3:45:28.840
<v Speaker 2>Exactly right, right right, you know what I mean, thank you.

3:45:29.080 --> 3:45:35.080
<v Speaker 2>I know that he wanted let's try to wanted everybody

3:45:35.120 --> 3:45:35.920
<v Speaker 2>from the borrow.

3:45:35.760 --> 3:45:43.160
<v Speaker 3>Like your watch because and I gotta say, as a kid,

3:45:45.120 --> 3:45:47.520
<v Speaker 3>I don't want to say I felt threatened, but I

3:45:47.640 --> 3:45:50.000
<v Speaker 3>felt you knew better but I felt like I knew

3:45:50.080 --> 3:45:53.120
<v Speaker 3>better afterwards, like afterwards because he did not, you know

3:45:53.160 --> 3:45:57.520
<v Speaker 3>what I mean, a special request. That was my special

3:45:57.720 --> 3:46:02.160
<v Speaker 3>when you do that and that it but that was respectful,

3:46:02.200 --> 3:46:04.560
<v Speaker 3>you know what I'm saying. And I give another story

3:46:04.640 --> 3:46:05.360
<v Speaker 3>about the Pots.

3:46:05.680 --> 3:46:07.320
<v Speaker 1>Well, I met some niggas from the group ho on

3:46:07.440 --> 3:46:09.840
<v Speaker 1>right when I went to the group home in Brooklyn.

3:46:10.560 --> 3:46:12.840
<v Speaker 1>I was in Pis twelve or sixth Avenue and Ship.

3:46:13.320 --> 3:46:16.320
<v Speaker 1>I met exactly, yes, sir, yes, sir. So I was.

3:46:17.000 --> 3:46:18.960
<v Speaker 2>So I met some niggas from Baisley and Ship.

3:46:19.040 --> 3:46:22.879
<v Speaker 1>My man Corey and my man Black Black was Black

3:46:23.000 --> 3:46:28.320
<v Speaker 1>Black was actually I think Prince's uh little brother something

3:46:28.360 --> 3:46:30.480
<v Speaker 1>like that. His name his real name was Rob and

3:46:30.520 --> 3:46:34.000
<v Speaker 1>she's all right, so I don't know who he was,

3:46:34.120 --> 3:46:35.680
<v Speaker 1>but he was definitely down with them and Ship. And

3:46:35.720 --> 3:46:38.640
<v Speaker 1>they used to tell me stories of Kat and Pream

3:46:39.360 --> 3:46:42.080
<v Speaker 1>and and and then with Eric being them and Ship

3:46:42.760 --> 3:46:44.720
<v Speaker 1>when I when I was doing the elet rhythm hit

3:46:44.800 --> 3:46:48.000
<v Speaker 1>him joint. You know, they had their basketball squad and

3:46:48.120 --> 3:46:51.960
<v Speaker 1>so they had played Baisley and so me and Fatal

3:46:52.120 --> 3:46:53.039
<v Speaker 1>was out there, Rock.

3:46:52.959 --> 3:46:53.600
<v Speaker 2>Kim was playing.

3:46:54.640 --> 3:46:57.640
<v Speaker 1>No, it was it was it was painting full against

3:46:57.640 --> 3:47:03.560
<v Speaker 1>Supreme team, and I was out that's tough out there

3:47:03.560 --> 3:47:05.400
<v Speaker 1>in Baisily and Ship I was out there and Ship

3:47:05.760 --> 3:47:07.120
<v Speaker 1>Rock Kim was playing the whole ship.

3:47:07.760 --> 3:47:10.800
<v Speaker 2>And that's the ship that I love. That's the ship

3:47:10.840 --> 3:47:11.240
<v Speaker 2>that I love.

3:47:11.280 --> 3:47:13.640
<v Speaker 1>Where niggas just standing out there, it's like, yo, that's him,

3:47:14.040 --> 3:47:17.160
<v Speaker 1>he's in the hood. Ship is all love and it's

3:47:17.360 --> 3:47:19.879
<v Speaker 1>like we we we were going at it like whatever

3:47:19.920 --> 3:47:22.160
<v Speaker 1>it is. If niggas doing pull ups, niggas doing that,

3:47:22.360 --> 3:47:22.800
<v Speaker 1>you know what I mean?

3:47:22.920 --> 3:47:26.840
<v Speaker 3>Like I get you two more stories much as bosh.

3:47:26.959 --> 3:47:27.120
<v Speaker 5>You know.

3:47:27.520 --> 3:47:29.520
<v Speaker 3>I don't know if y'all know. I don't know if

3:47:29.520 --> 3:47:33.040
<v Speaker 3>anybody know. I went to church in Baisley. That's where

3:47:33.080 --> 3:47:35.600
<v Speaker 3>I went to church. I was baptized in East New York.

3:47:37.480 --> 3:47:44.480
<v Speaker 3>I was baptized ship right there that church fast. So

3:47:45.879 --> 3:47:48.560
<v Speaker 3>my church that I used to go through is in Baisley.

3:47:50.560 --> 3:47:53.560
<v Speaker 3>So one year, I swear to God, I've never said

3:47:53.600 --> 3:47:54.720
<v Speaker 3>this story before in my life.

3:47:55.320 --> 3:48:01.320
<v Speaker 23>Drink chance, exclusive, exclusive, exclusive, exclusive and rich for.

3:48:03.240 --> 3:48:06.400
<v Speaker 3>What y'all don't understand is and I don't know if

3:48:06.440 --> 3:48:08.920
<v Speaker 3>this correlates. I don't know if your father might call

3:48:09.040 --> 3:48:14.960
<v Speaker 3>and say no noways bugging. But Griselda Blanc girl came

3:48:15.040 --> 3:48:17.680
<v Speaker 3>to Queen. We got that connected. And when she came

3:48:17.720 --> 3:48:21.080
<v Speaker 3>to Queens, Queen's niggas did not go uptown again.

3:48:22.080 --> 3:48:24.359
<v Speaker 2>Queen's niggas stayed in Queens.

3:48:24.680 --> 3:48:27.000
<v Speaker 3>Because she was from She was from Jackson Heights and

3:48:27.120 --> 3:48:28.240
<v Speaker 3>she was selling pots.

3:48:28.480 --> 3:48:34.640
<v Speaker 2>Oh this is this is documented like eighty second Street, right,

3:48:34.760 --> 3:48:39.360
<v Speaker 2>some ship like that. Seventy four son is our friend

3:48:41.600 --> 3:48:44.359
<v Speaker 2>right now today frame random niggas.

3:48:44.480 --> 3:48:46.240
<v Speaker 3>In my opinion, I was on the young nigga, so

3:48:46.360 --> 3:48:50.080
<v Speaker 3>I looked at this wrong. They had all the coke

3:48:50.160 --> 3:48:52.920
<v Speaker 3>in New York's. I'm just being honest. I'm sorry, I'm talking.

3:48:53.000 --> 3:48:58.360
<v Speaker 2>Oh my god, that's lost pro And this is the

3:48:58.440 --> 3:49:01.080
<v Speaker 2>first time if you look at paid in for? What

3:49:01.200 --> 3:49:02.160
<v Speaker 2>did I say in paid for?

3:49:02.560 --> 3:49:05.040
<v Speaker 3>I say the nigga's a cute nig He was riding

3:49:05.200 --> 3:49:08.680
<v Speaker 3>popping release. You know where I saw that at in

3:49:08.800 --> 3:49:14.720
<v Speaker 3>forty projects M M forty pays rich and Paul. I

3:49:14.840 --> 3:49:16.240
<v Speaker 3>was like eleven years.

3:49:16.040 --> 3:49:21.240
<v Speaker 2>Old and I seen Richmond Poe coming to see UF bops. Wow.

3:49:23.120 --> 3:49:27.680
<v Speaker 3>I apologize that crazy because because they had nothing uptown. Yeah,

3:49:27.880 --> 3:49:30.320
<v Speaker 3>we had it all in Queen. This is when Gazelda

3:49:30.400 --> 3:49:34.520
<v Speaker 3>Blanco came. I didn't know that that correlated til later

3:49:34.640 --> 3:49:35.880
<v Speaker 3>I watched Cocaine Cowboys.

3:49:35.960 --> 3:49:39.280
<v Speaker 2>I was like, oh, myel I mean all that this

3:49:39.320 --> 3:49:43.680
<v Speaker 2>ship makes sense, Yes, everything, Kendall Man. Yes, after Cocaine.

3:49:43.800 --> 3:49:44.600
<v Speaker 2>That's the first time.

3:49:44.760 --> 3:49:47.560
<v Speaker 3>So when you see me describing paid and for and

3:49:47.640 --> 3:49:50.320
<v Speaker 3>I say the rich nigga, the nigga is popping release,

3:49:50.680 --> 3:49:53.520
<v Speaker 3>that was actually in forty projects. It might have been

3:49:53.560 --> 3:49:56.480
<v Speaker 3>in Baisley. It could have been both, because I was

3:49:56.520 --> 3:49:59.480
<v Speaker 3>with my uncle wives. My uncle wives was Preeme little

3:49:59.520 --> 3:50:08.280
<v Speaker 3>Home Uncle watch from left Brack.

3:50:08.360 --> 3:50:14.800
<v Speaker 2>Uncle was Prince Brothers name is was crazy right. So

3:50:15.120 --> 3:50:15.960
<v Speaker 2>that's how I knew.

3:50:16.560 --> 3:50:19.120
<v Speaker 3>Your whole fare That's that's That's one story. I got

3:50:19.160 --> 3:50:22.560
<v Speaker 3>another one. Damn you can tell me of camera one.

3:50:22.840 --> 3:50:25.040
<v Speaker 2>I got one more. I forgot what the But.

3:50:27.240 --> 3:50:32.320
<v Speaker 3>That was the first time I realized what Queens was like,

3:50:33.120 --> 3:50:39.520
<v Speaker 3>because was the biggest drug dealers and they came to

3:50:39.640 --> 3:50:43.120
<v Speaker 3>Queens and they had fun Like primer niggas showed them.

3:50:43.680 --> 3:50:47.520
<v Speaker 3>It was like, yoka ahead, go go pop your willies whatever.

3:50:47.720 --> 3:50:50.000
<v Speaker 3>In forty and basically what I mean it.

3:50:50.120 --> 3:50:51.320
<v Speaker 2>Was about niggas being fly.

3:50:51.840 --> 3:50:54.760
<v Speaker 1>You hear the stories about cat having the having the

3:50:54.840 --> 3:50:56.680
<v Speaker 1>whip and being like yo, you know what, like Yo,

3:50:56.840 --> 3:50:58.200
<v Speaker 1>you look better than that ship. Yo.

3:50:58.400 --> 3:51:00.560
<v Speaker 2>Take that ship like we were so all about her.

3:51:00.640 --> 3:51:03.360
<v Speaker 1>And that's the thing that I tapped into, Like I

3:51:03.560 --> 3:51:06.320
<v Speaker 1>love that part of it, like niggas getting fresh. Like

3:51:06.440 --> 3:51:09.280
<v Speaker 1>I love that scene of them brothers and crystals on

3:51:09.440 --> 3:51:11.840
<v Speaker 1>the stage with mel melling them and they pop and

3:51:11.880 --> 3:51:12.680
<v Speaker 1>they got the bottle.

3:51:12.800 --> 3:51:16.320
<v Speaker 2>You saw that that scene, man, I felt like, hed it.

3:51:16.680 --> 3:51:18.960
<v Speaker 1>I love that scene. No, I want to relive that

3:51:19.120 --> 3:51:26.960
<v Speaker 1>scene scene with l L and and and and Curtis

3:51:27.040 --> 3:51:29.480
<v Speaker 1>blowing them, bigging them up. They're like, yo, now these

3:51:29.560 --> 3:51:39.360
<v Speaker 1>boys is these boys and birthday Prince Birthday, Prince birthday

3:51:39.440 --> 3:51:42.040
<v Speaker 1>Mart Okay, So that scene, man, I got this. I

3:51:42.120 --> 3:51:45.040
<v Speaker 1>got this music in my mind that I will put

3:51:45.120 --> 3:51:48.160
<v Speaker 1>to that scene. And I swear it's the most euphoric,

3:51:48.360 --> 3:51:51.400
<v Speaker 1>light like hip hop ship right there, them with that

3:51:51.560 --> 3:51:55.520
<v Speaker 1>money and them bottles and all that he had to

3:51:55.960 --> 3:52:02.200
<v Speaker 1>shine my ship cuts.

3:52:02.320 --> 3:52:05.000
<v Speaker 2>I never been more proud to be from Queens. Man.

3:52:07.160 --> 3:52:15.240
<v Speaker 2>Oh sorry, When you look at that it plays and you.

3:52:16.880 --> 3:52:21.880
<v Speaker 3>Realize that LJ is in the couting crowd as a

3:52:22.040 --> 3:52:25.720
<v Speaker 3>lot of holie that as a little home, I gotta

3:52:25.760 --> 3:52:30.840
<v Speaker 3>get him sitting there and l Story was saying, I'm

3:52:30.960 --> 3:52:34.320
<v Speaker 3>here with Supreme team, Like I couldn't get in here

3:52:34.600 --> 3:52:36.040
<v Speaker 3>unless I was with the Supreme Team.

3:52:36.320 --> 3:52:40.840
<v Speaker 2>But I couldn't get on stage because I wasn't that day, right,

3:52:41.320 --> 3:52:45.600
<v Speaker 2>He stayed in his lane. And that's why I want

3:52:45.640 --> 3:52:47.360
<v Speaker 2>to swing it back. I want to swing it back

3:52:47.400 --> 3:52:49.640
<v Speaker 2>to the every being rock Ship. Yes, please.

3:52:51.240 --> 3:52:54.840
<v Speaker 1>Exactly if I like, Yo, all right, I got good beats,

3:52:55.200 --> 3:52:58.000
<v Speaker 1>but I'm gonna stay in my lane and not you

3:52:58.080 --> 3:53:01.160
<v Speaker 1>know what I mean, because that's what he was like, Yo,

3:53:01.240 --> 3:53:03.640
<v Speaker 1>I'm gonna stay in my lane, and so you know,

3:53:03.880 --> 3:53:06.000
<v Speaker 1>that's that's what I you know, I know knowing no

3:53:06.080 --> 3:53:08.880
<v Speaker 1>one is half the battle ship. Yeah, I mean world

3:53:09.040 --> 3:53:10.360
<v Speaker 1>up like rock.

3:53:10.400 --> 3:53:16.920
<v Speaker 2>Can we say worried up Queen's history? Man, that's dope.

3:53:17.040 --> 3:53:17.520
<v Speaker 2>That's dope.

3:53:17.560 --> 3:53:21.880
<v Speaker 1>Though, No, No, that were still paved the lane, were

3:53:21.880 --> 3:53:23.920
<v Speaker 1>still paved the lane, you know, through the hardships and

3:53:23.960 --> 3:53:27.520
<v Speaker 1>the bullship and all that, Anna Queen Queen.

3:53:29.080 --> 3:53:31.000
<v Speaker 2>If we gotta jump to our live, it's okay right now.

3:53:33.000 --> 3:53:33.200
<v Speaker 5>You know.

3:53:35.000 --> 3:53:44.920
<v Speaker 2>A certain confidence, now, yo, don't. And I'm born and I'm.

3:53:44.800 --> 3:53:47.680
<v Speaker 1>Born in hall them, and I honestly say, no queens

3:53:47.920 --> 3:53:48.680
<v Speaker 1>a lot queens.

3:53:48.800 --> 3:53:49.360
<v Speaker 2>Queens is the.

3:53:49.360 --> 3:53:51.360
<v Speaker 1>Borough like and I'm born in hall Them and and

3:53:51.440 --> 3:53:54.720
<v Speaker 1>I have so much Hallom schools, all all that fhip,

3:53:55.280 --> 3:53:57.600
<v Speaker 1>all that all that instinct that I got with them records.

3:53:57.640 --> 3:54:00.360
<v Speaker 1>That's hall Them ship. Like that ain't Queens ship, that's

3:54:00.400 --> 3:54:02.080
<v Speaker 1>home ship. By the way, this is not a metat.

3:54:02.120 --> 3:54:10.280
<v Speaker 2>This is a New York man at New York cuban.

3:54:10.360 --> 3:54:15.640
<v Speaker 2>That's crazy. He used to work at the bookstore.

3:54:15.720 --> 3:54:15.800
<v Speaker 5>Bro.

3:54:16.440 --> 3:54:18.560
<v Speaker 2>He used to work at the book book still used

3:54:18.600 --> 3:54:22.720
<v Speaker 2>to work at. I wanted to Queen. I worked at

3:54:22.720 --> 3:54:25.840
<v Speaker 2>the Q Books and me and.

3:54:25.880 --> 3:54:29.520
<v Speaker 21>YA seen they actually bought in que Books after and

3:54:29.640 --> 3:54:32.280
<v Speaker 21>we couldn't with bookstore. Business is hard business, so we

3:54:32.320 --> 3:54:34.720
<v Speaker 21>couldn't keep it open. But I do sell books on

3:54:34.840 --> 3:54:37.120
<v Speaker 21>my website, Quality Club. But you had your own bookstore.

3:54:37.160 --> 3:54:40.720
<v Speaker 21>I at that time I didn't before when we Blackstar money,

3:54:40.760 --> 3:54:43.280
<v Speaker 21>our advanced money for Blackstar, we bought the bookstore because

3:54:43.280 --> 3:54:44.120
<v Speaker 21>the bookstore.

3:54:43.760 --> 3:54:47.040
<v Speaker 2>Is going to go Wow. That's so now I still

3:54:47.080 --> 3:54:50.600
<v Speaker 2>have if you go on Quality club dot com. That

3:54:50.760 --> 3:54:55.240
<v Speaker 2>boy the start together. We want to from the start man.

3:54:55.280 --> 3:54:58.000
<v Speaker 1>And I got so inspired when he reached out to

3:54:58.120 --> 3:55:00.920
<v Speaker 1>me because I saw it. Take no young rose out there. Man,

3:55:01.080 --> 3:55:03.440
<v Speaker 1>just so yo, if you you know, just just reach

3:55:03.480 --> 3:55:04.200
<v Speaker 1>out you know what I'm saying.

3:55:05.560 --> 3:55:09.600
<v Speaker 2>He reached out man, and I'm madly yo, man, you crazy, yeah, yeah, shout.

3:55:09.360 --> 3:55:14.920
<v Speaker 21>Out to mad mad mister, because madd I got the

3:55:15.000 --> 3:55:17.400
<v Speaker 21>Liberation T shirt right camera.

3:55:18.200 --> 3:55:22.640
<v Speaker 2>Is that the project right here? Liberation got stoyles P.

3:55:24.280 --> 3:55:29.040
<v Speaker 2>That's that ship with you on the launch stick. Yeah, man,

3:55:29.120 --> 3:55:29.960
<v Speaker 2>Me and stops Peak.

3:55:29.760 --> 3:55:33.000
<v Speaker 1>Got an album, Joe Dog album is so fucking funny.

3:55:33.320 --> 3:55:35.080
<v Speaker 2>That record of that she was talking about, ain't on it.

3:55:36.320 --> 3:55:39.080
<v Speaker 33>No, no, no, no, it's what you win, Jada know

3:55:39.200 --> 3:55:41.880
<v Speaker 33>that's that's the Hot Tech Joint New York, New York.

3:55:42.520 --> 3:55:46.880
<v Speaker 33>Brother stott P zero point five. Ko is who I

3:55:46.920 --> 3:55:47.640
<v Speaker 33>brought on the show.

3:55:48.000 --> 3:55:51.320
<v Speaker 2>Stotles P. Jada kiss. She exactly used by Marcael Polo

3:55:51.480 --> 3:55:54.440
<v Speaker 2>exactly let him recollect.

3:55:55.960 --> 3:55:59.920
<v Speaker 1>Shot you.

3:56:00.000 --> 3:56:00.600
<v Speaker 2>I'm saying I was.

3:56:00.760 --> 3:56:03.000
<v Speaker 1>I was enlightened by the God bought him, the most

3:56:03.040 --> 3:56:06.680
<v Speaker 1>peaceful god. You know what I'm saying. He was peaceful man.

3:56:06.760 --> 3:56:07.960
<v Speaker 1>It wasn't all that bullshit.

3:56:08.040 --> 3:56:11.760
<v Speaker 2>Man bought him. Was peaceful man. No, no, no, I

3:56:11.840 --> 3:56:12.920
<v Speaker 2>balk him from Flushing.

3:56:13.040 --> 3:56:13.520
<v Speaker 1>You know what I mean.

3:56:13.560 --> 3:56:15.480
<v Speaker 2>He was black and Chinese. You know what I'm saying.

3:56:15.480 --> 3:56:17.520
<v Speaker 1>Their last name was Chin, and he was the most

3:56:17.560 --> 3:56:19.680
<v Speaker 1>peaceful god like you know what I mean. And I

3:56:19.760 --> 3:56:21.920
<v Speaker 1>admired him and that's what made me get into the

3:56:22.040 --> 3:56:24.920
<v Speaker 1>five percent nation. And he told me, Yo, you're gonna

3:56:24.920 --> 3:56:27.480
<v Speaker 1>be prince infinite love of law. And so that's all

3:56:27.600 --> 3:56:30.720
<v Speaker 1>my benevolence in this industry. That's where that roots from.

3:56:31.120 --> 3:56:31.760
<v Speaker 1>You know what I'm saying.

3:56:33.000 --> 3:56:34.920
<v Speaker 2>Always was always piece.

3:56:34.760 --> 3:56:36.400
<v Speaker 1>To the gods and earth because we on the whole

3:56:36.480 --> 3:56:37.280
<v Speaker 1>other level with it.

3:56:37.320 --> 3:56:37.840
<v Speaker 2>You know what I'm saying.

3:56:38.200 --> 3:56:41.160
<v Speaker 1>No one understand ourselves and what we're supposed to do,

3:56:41.280 --> 3:56:41.960
<v Speaker 1>So let's do it.

3:56:42.520 --> 3:56:43.960
<v Speaker 2>I want to add on with the with the with

3:56:44.080 --> 3:56:45.480
<v Speaker 2>the bookstore ship because.

3:56:45.600 --> 3:56:48.120
<v Speaker 21>Like I'm selling the T shirts right now. But the

3:56:48.200 --> 3:56:50.880
<v Speaker 21>bookstore ship was not a good business move.

3:56:51.440 --> 3:56:55.880
<v Speaker 2>Wow. I lost a lot of money with diarys all that.

3:56:56.080 --> 3:56:57.960
<v Speaker 21>They almost tried to trust me in jail for that

3:56:58.040 --> 3:57:01.120
<v Speaker 21>type of ship because the money that and Bert Podell

3:57:01.200 --> 3:57:02.440
<v Speaker 21>told me he was my accounting back then.

3:57:03.960 --> 3:57:05.920
<v Speaker 12>I got the poetry book that he take the poetry

3:57:05.960 --> 3:57:08.720
<v Speaker 12>book that every year first.

3:57:10.680 --> 3:57:13.480
<v Speaker 2>To Rush I want. I worked with Rush with all

3:57:13.520 --> 3:57:15.480
<v Speaker 2>p M. That's that's how I was. He a decent

3:57:15.560 --> 3:57:18.120
<v Speaker 2>person to deal with. Burt was cool. Burt was cool.

3:57:18.200 --> 3:57:21.480
<v Speaker 2>He was an accountant but he's a legendary account.

3:57:22.840 --> 3:57:23.280
<v Speaker 1>With burn.

3:57:23.520 --> 3:57:27.960
<v Speaker 2>You know what I mean. You might have got or

3:57:28.040 --> 3:57:32.080
<v Speaker 2>somebody else signed. You might have gave other people bird

3:57:32.560 --> 3:57:33.800
<v Speaker 2>call you on your birthday.

3:57:33.560 --> 3:57:35.800
<v Speaker 1>Exactly, or you get or you get a little close

3:57:35.960 --> 3:57:36.800
<v Speaker 1>into the office.

3:57:38.120 --> 3:57:42.280
<v Speaker 2>But he told me to always go up to money.

3:57:42.080 --> 3:57:44.160
<v Speaker 21>From the from that from that bond, he was like,

3:57:45.360 --> 3:57:47.200
<v Speaker 21>and I was like, we have to save the bookstore,

3:57:47.880 --> 3:57:48.360
<v Speaker 21>like I can't.

3:57:48.880 --> 3:57:52.040
<v Speaker 2>And I lost money on that ship, but it was

3:57:52.120 --> 3:57:54.520
<v Speaker 2>worth it. Wow. You know what I'm saying. Money is

3:57:54.560 --> 3:58:03.920
<v Speaker 2>not everything for the album he was in that same building. Yeah, yeah,

3:58:04.120 --> 3:58:04.520
<v Speaker 2>for sure.

3:58:04.680 --> 3:58:07.360
<v Speaker 1>That's why when the rock when you see the very

3:58:07.400 --> 3:58:08.120
<v Speaker 1>being rock kiming.

3:58:08.680 --> 3:58:11.840
<v Speaker 2>What's the famous line Bigge said, I want to stop

3:58:11.920 --> 3:58:17.640
<v Speaker 2>myself with Christer Burdell castas Cash Burdell know no, jay

3:58:17.720 --> 3:58:20.080
<v Speaker 2>Z said they want to jay.

3:58:20.040 --> 3:58:22.680
<v Speaker 3>Z said, jay Z said they want to stop myselfs

3:58:22.760 --> 3:58:25.640
<v Speaker 3>and stop tripped to John Mcnow that's my account.

3:58:25.720 --> 3:58:30.800
<v Speaker 2>What's Biggie said? I like Stash Cash casting Burberdell. I

3:58:30.920 --> 3:58:33.000
<v Speaker 2>like poetry book, he signed it.

3:58:33.200 --> 3:58:37.000
<v Speaker 1>I got it. I like I like what Jay said something.

3:58:37.080 --> 3:58:38.080
<v Speaker 1>Who's gonna stop him?

3:58:38.480 --> 3:58:41.040
<v Speaker 2>Now? Rudy Giuliani not Helly. We ride him.

3:58:43.040 --> 3:58:46.240
<v Speaker 1>Who goes that nigga making paper boy, who goes stop him? Now,

3:58:46.360 --> 3:58:48.560
<v Speaker 1>Rudy Giuliani. Hello, we ritt him.

3:58:49.320 --> 3:58:54.680
<v Speaker 6>I was like, and then he can't pay Hillary ride him.

3:58:56.560 --> 3:59:00.240
<v Speaker 6>And then he came and then Hillary ride him. I

3:59:00.400 --> 3:59:01.000
<v Speaker 6>want to get.

3:59:03.400 --> 3:59:04.920
<v Speaker 2>Let's not do that actually happened.

3:59:04.960 --> 3:59:07.080
<v Speaker 1>You know what I'm saying. They didn't shop them like that, boy.

3:59:07.880 --> 3:59:09.360
<v Speaker 1>You know what I'm saying, So big up, man, All

3:59:09.400 --> 3:59:12.200
<v Speaker 1>my brothers out there, all the brothers out there were

3:59:12.200 --> 3:59:14.240
<v Speaker 1>good man, were good man. All the brothers out there

3:59:14.280 --> 3:59:15.640
<v Speaker 1>getting they bread, got their.

3:59:15.520 --> 3:59:16.840
<v Speaker 2>Bread, all that ship. Man. I love.

3:59:17.000 --> 3:59:19.520
<v Speaker 1>I love to see that you rose up how you did, man,

3:59:19.520 --> 3:59:21.320
<v Speaker 1>because I know your beginnings, you know what I mean.

3:59:21.400 --> 3:59:23.480
<v Speaker 2>So I love to see how you rose up.

3:59:23.640 --> 3:59:27.160
<v Speaker 1>How you wanted them fireworks at skyrocketed and went your

3:59:27.240 --> 3:59:30.920
<v Speaker 1>way your Yeah, you know what I mean, yo, Because Cheeks,

3:59:30.960 --> 3:59:32.920
<v Speaker 1>I told you, man Cheeks, I know him from break

3:59:33.000 --> 3:59:33.720
<v Speaker 1>dancing days.

3:59:34.040 --> 3:59:37.960
<v Speaker 2>So he's some boards, your call boards with linoleum.

3:59:38.080 --> 3:59:40.320
<v Speaker 1>And then we was we was luxury dudes, so we

3:59:40.400 --> 3:59:42.760
<v Speaker 1>knew you know, we had crafted. So we do the

3:59:43.240 --> 3:59:45.960
<v Speaker 1>sheet of linoleum over it. She getting more spins out

3:59:46.000 --> 3:59:50.320
<v Speaker 1>of wait like that? Yeah that wait what he said, wait.

3:59:50.160 --> 3:59:54.440
<v Speaker 2>What, I had my Felix suit on them. Yo.

3:59:54.560 --> 3:59:56.840
<v Speaker 1>You remember Seaney said that she was like doing my

3:59:56.960 --> 3:59:58.360
<v Speaker 1>felixe and my doing my.

3:59:58.400 --> 4:00:01.400
<v Speaker 3>Feeling Felix sulet my Felix suit made me spend them

4:00:01.400 --> 4:00:01.840
<v Speaker 3>a little bit.

4:00:01.840 --> 4:00:04.400
<v Speaker 2>More exactly because that ship was that viny that.

4:00:04.720 --> 4:00:04.880
<v Speaker 1>Yeah.

4:00:05.000 --> 4:00:07.360
<v Speaker 3>Yeah, I'm gonna search your genie to this day because

4:00:07.400 --> 4:00:08.200
<v Speaker 3>for the same reasons.

4:00:08.360 --> 4:00:09.080
<v Speaker 1>Oh that serves you.

4:00:09.240 --> 4:00:13.080
<v Speaker 2>No, it's not. But I got Sergio on We love it, man,

4:00:13.520 --> 4:00:14.280
<v Speaker 2>We love it man.

4:00:14.840 --> 4:00:18.880
<v Speaker 1>You remember Central's on the Ave Centrals, Oh Centrals on

4:00:19.040 --> 4:00:19.720
<v Speaker 1>Jamaica Ave.

4:00:19.800 --> 4:00:20.040
<v Speaker 2>It was.

4:00:20.280 --> 4:00:22.320
<v Speaker 1>It was the spot where you get the Felix suits

4:00:22.400 --> 4:00:26.360
<v Speaker 1>and car the cars. It was the early af though,

4:00:26.440 --> 4:00:28.160
<v Speaker 1>like right there by Paulsons and ship.

4:00:28.760 --> 4:00:35.400
<v Speaker 2>Yeah, essential, I love He's not.

4:00:36.880 --> 4:00:39.080
<v Speaker 1>You the o g from.

4:00:40.640 --> 4:00:42.840
<v Speaker 2>On the comments. They're gonna be chomping on the comments.

4:00:43.040 --> 4:00:45.080
<v Speaker 1>And I'm gonna love that because you know it's so

4:00:45.560 --> 4:00:47.600
<v Speaker 1>you know, it's in the corner of our minds and

4:00:47.640 --> 4:00:48.240
<v Speaker 1>ship like that.

4:00:48.440 --> 4:00:52.280
<v Speaker 3>Yeah, what is what is better? Beef patty or chicken patty?

4:00:52.800 --> 4:00:54.800
<v Speaker 3>I mean, you know I don't eat beef. I don't

4:00:54.840 --> 4:00:56.840
<v Speaker 3>eat beef in neither hands. Okay, so let me let

4:00:56.840 --> 4:01:01.800
<v Speaker 3>me phrase the question chicken Batty or seafood Paddy. I mean,

4:01:01.840 --> 4:01:04.400
<v Speaker 3>you know patty, but I like seafood, Okay, you do

4:01:04.600 --> 4:01:05.040
<v Speaker 3>like I do?

4:01:05.280 --> 4:01:08.760
<v Speaker 2>Okay, because this is fire and Jamaica get a bean

4:01:08.840 --> 4:01:12.280
<v Speaker 2>and panada was on the Collie block, on the in

4:01:12.400 --> 4:01:13.200
<v Speaker 2>the Collie block.

4:01:16.680 --> 4:01:22.000
<v Speaker 1>To make chicken sandwiches, bananas, touper that Jernk chicken sandwiches, bananas, the.

4:01:22.040 --> 4:01:25.320
<v Speaker 2>Carry carry fire they.

4:01:25.080 --> 4:01:28.800
<v Speaker 1>Chicken sandwich in the cocoa bread carry that you went

4:01:28.800 --> 4:01:30.200
<v Speaker 1>to and got that? Oh no no, no, no no,

4:01:30.320 --> 4:01:33.560
<v Speaker 1>I'm talking about Jamaican flavors. The badly got the new one.

4:01:33.720 --> 4:01:35.200
<v Speaker 2>They got the tell.

4:01:36.840 --> 4:01:40.200
<v Speaker 23>This is what that's they got the curry, they got

4:01:40.240 --> 4:01:42.720
<v Speaker 23>the curry, Jernk chicken. It's how the beef, patty, plants,

4:01:42.840 --> 4:01:44.280
<v Speaker 23>mac and cheese and coco bread.

4:01:44.920 --> 4:01:48.520
<v Speaker 2>Yo. They on fire right now, you got yallow. I'm

4:01:48.600 --> 4:01:50.960
<v Speaker 2>ready to fly out. And it's mad light.

4:01:51.240 --> 4:01:53.280
<v Speaker 1>It's mad like I went in there one time because

4:01:53.280 --> 4:01:55.080
<v Speaker 1>you know letting that is right around the corner from

4:01:55.120 --> 4:01:57.640
<v Speaker 1>that spot, so we know smoking beasts coming up. So

4:01:57.840 --> 4:02:01.480
<v Speaker 1>I guess God is over that little so boom they yo.

4:02:01.440 --> 4:02:04.240
<v Speaker 2>They went viral. It was crazy, yo.

4:02:04.360 --> 4:02:06.760
<v Speaker 1>The line being around the corner it's right there, Hollis

4:02:07.000 --> 4:02:08.040
<v Speaker 1>right there by the stop.

4:02:08.160 --> 4:02:09.840
<v Speaker 2>Oh soon, I was talking about Colice and Black.

4:02:12.960 --> 4:02:15.640
<v Speaker 1>It's so crazy, So it's you know, there's I'll be

4:02:15.720 --> 4:02:19.200
<v Speaker 1>always so and to see the rise of them, like

4:02:19.320 --> 4:02:21.240
<v Speaker 1>it's crazy and it's But when I went in there

4:02:21.320 --> 4:02:23.880
<v Speaker 1>one time when the line wasn't crazy, I tried one,

4:02:24.080 --> 4:02:26.600
<v Speaker 1>and it's mad light because you you think, like your

4:02:26.760 --> 4:02:32.080
<v Speaker 1>beef patty with macaroni and motherfucking box tails and cocoa bread,

4:02:32.120 --> 4:02:34.880
<v Speaker 1>and you're like, damn, that's a thousand calories, like no

4:02:35.640 --> 4:02:39.400
<v Speaker 1>cavalie counting to I know you are so. And but

4:02:39.520 --> 4:02:41.160
<v Speaker 1>then when I tried on, I was like, yo, I'm

4:02:41.160 --> 4:02:42.920
<v Speaker 1>going there and fuck that. I got supporting, you know,

4:02:42.960 --> 4:02:45.240
<v Speaker 1>because I went in there earlier before they went viral.

4:02:45.440 --> 4:02:47.640
<v Speaker 1>But then boom, I tried one and I was like, yo,

4:02:47.760 --> 4:02:52.120
<v Speaker 1>this is surprisingly light, but it's I needed to do the.

4:02:54.280 --> 4:02:57.880
<v Speaker 2>Actually I needed two of these. Actually now I'm you know,

4:02:57.960 --> 4:03:02.200
<v Speaker 2>I'm My people's got me a great places, man. I

4:03:02.320 --> 4:03:04.560
<v Speaker 2>know the highs of life right now. So I'm you know,

4:03:04.720 --> 4:03:05.440
<v Speaker 2>luxury shipped.

4:03:05.920 --> 4:03:08.240
<v Speaker 1>I cannot get you know what I mean, even with

4:03:08.400 --> 4:03:10.280
<v Speaker 1>good luxury ship I cannot identify.

4:03:10.560 --> 4:03:13.200
<v Speaker 3>But hold on listen, I don't talking too much. No, no, no, no,

4:03:13.560 --> 4:03:15.480
<v Speaker 3>you know you're talking great, mom.

4:03:16.000 --> 4:03:17.080
<v Speaker 2>But you know what I want.

4:03:17.120 --> 4:03:19.600
<v Speaker 3>I would like everyone to say something about large prop

4:03:19.600 --> 4:03:20.600
<v Speaker 3>before we get about it.

4:03:21.160 --> 4:03:24.600
<v Speaker 2>You start first, man, like you said earlier, he ain't

4:03:24.640 --> 4:03:27.440
<v Speaker 2>want to accept it, like like I've seen it walking.

4:03:28.160 --> 4:03:31.640
<v Speaker 29>I've seen people walk and praise him, like coming to America.

4:03:32.960 --> 4:03:34.680
<v Speaker 2>I said that, I feel like when you walk, I

4:03:34.720 --> 4:03:36.840
<v Speaker 2>feel like people just throw flowers and yo, it's just

4:03:37.120 --> 4:03:37.720
<v Speaker 2>you know what I mean.

4:03:40.120 --> 4:03:44.160
<v Speaker 29>I call him my brother from another like oh, but

4:03:44.400 --> 4:03:47.480
<v Speaker 29>like family and oh you know what I mean, his

4:03:47.720 --> 4:03:52.120
<v Speaker 29>mom finish, let him finish.

4:03:51.920 --> 4:03:53.800
<v Speaker 2>Y'all, legend y'all.

4:03:53.880 --> 4:03:58.880
<v Speaker 1>Like you said what you said, I call iikon high

4:03:58.960 --> 4:04:05.120
<v Speaker 1>in the that's an upright gentleman right there too. Always

4:04:05.160 --> 4:04:07.400
<v Speaker 1>tell him to go look at the I always tell

4:04:07.480 --> 4:04:10.360
<v Speaker 1>him to go bill with the politicians. That brother, that's

4:04:10.400 --> 4:04:11.280
<v Speaker 1>an upright gentleman.

4:04:11.440 --> 4:04:13.600
<v Speaker 2>In the words of my man Uncle Ralph mcdan, he

4:04:13.680 --> 4:04:18.160
<v Speaker 2>called you and Uncle Chris. He knows Uncle Rizzo. I

4:04:18.320 --> 4:04:23.080
<v Speaker 2>love aging the names dropping right now American historians.

4:04:23.120 --> 4:04:25.000
<v Speaker 1>Oh yeah, you know, Uncle Ralph always hit me with

4:04:25.080 --> 4:04:26.800
<v Speaker 1>that because I mean, you know, we we be all

4:04:26.840 --> 4:04:29.000
<v Speaker 1>over the place. I see you too, y'all know I

4:04:29.040 --> 4:04:30.360
<v Speaker 1>mean Italy all over the place.

4:04:30.400 --> 4:04:33.640
<v Speaker 2>You know what I mean. Just let him feel America

4:04:36.960 --> 4:04:38.680
<v Speaker 2>and I'm an end of your and I'm an end

4:04:38.680 --> 4:04:38.800
<v Speaker 2>of it.

4:04:38.840 --> 4:04:40.840
<v Speaker 29>Like I said earlier, my brother, you know what I'm

4:04:40.840 --> 4:04:42.840
<v Speaker 29>saying from my mother that word brother, you know what

4:04:42.840 --> 4:04:43.080
<v Speaker 29>I mean.

4:04:43.840 --> 4:04:46.120
<v Speaker 2>It's a bloodline. But at the same time, he says,

4:04:46.440 --> 4:04:49.520
<v Speaker 2>grandmother from harm My grandmother from Harvard. We grewd for

4:04:49.680 --> 4:04:50.960
<v Speaker 2>life and God were.

4:04:51.840 --> 4:04:54.200
<v Speaker 1>God's family, and that's what I'll be boring people to

4:04:54.240 --> 4:04:55.360
<v Speaker 1>get into God's family.

4:04:55.680 --> 4:04:59.360
<v Speaker 2>We were giving you your love right now. It was like,

4:04:59.680 --> 4:05:04.520
<v Speaker 2>how you that you knew his Mike, you tell meboy

4:05:04.560 --> 4:05:04.720
<v Speaker 2>to be.

4:05:08.280 --> 4:05:10.960
<v Speaker 29>When you like you said hip hop in the dictionary

4:05:11.680 --> 4:05:15.680
<v Speaker 29>and Queen's you see that man right there? Man and Queen,

4:05:15.720 --> 4:05:24.200
<v Speaker 29>if you google it, you gotta listen to James Ing.

4:05:25.640 --> 4:05:29.240
<v Speaker 29>This is the last one. He's a jazz musician, but

4:05:29.400 --> 4:05:33.800
<v Speaker 29>in hip hop that's always love my Mama. That's always

4:05:33.840 --> 4:05:38.040
<v Speaker 29>love my mama. Now I'm gonna your drunk, Paul. I

4:05:38.160 --> 4:05:41.200
<v Speaker 29>always love my He's always.

4:05:44.120 --> 4:05:46.560
<v Speaker 2>Bars absolutely absolutely correct.

4:05:46.600 --> 4:05:47.760
<v Speaker 1>I always love.

4:05:48.960 --> 4:05:50.640
<v Speaker 2>It's on me okay, so.

4:05:52.680 --> 4:06:00.600
<v Speaker 23>Genuine yeah, very Karen, solid real definite. This number O

4:06:00.760 --> 4:06:05.320
<v Speaker 23>G and just a solid human forget or take all

4:06:05.360 --> 4:06:07.720
<v Speaker 23>the music thing away, take all the records and the

4:06:07.800 --> 4:06:11.920
<v Speaker 23>spending and all the just a solid human, genuine.

4:06:12.120 --> 4:06:13.600
<v Speaker 2>Very just a very solid human.

4:06:13.720 --> 4:06:13.880
<v Speaker 5>Man.

4:06:14.400 --> 4:06:22.000
<v Speaker 2>I tell it. Definitely you added on my stuff you

4:06:22.000 --> 4:06:26.680
<v Speaker 2>already had, yeah, man, like he.

4:06:26.800 --> 4:06:30.760
<v Speaker 21>Was like like like Extray was referring to recently. You know,

4:06:30.840 --> 4:06:32.800
<v Speaker 21>I did the album mad Libit mad Libers, like, Yo,

4:06:33.320 --> 4:06:37.080
<v Speaker 21>my favorite producer of all time is Large Professor. And

4:06:37.160 --> 4:06:39.800
<v Speaker 21>I'm like, okay, I got Large Professor number on my phone.

4:06:39.840 --> 4:06:41.440
<v Speaker 21>And you know, we all in this business. We all

4:06:41.480 --> 4:06:43.480
<v Speaker 21>got each other's phone numbers. But you don't always use

4:06:43.520 --> 4:06:45.520
<v Speaker 21>your bro's phone numbers because you don't want to bother them.

4:06:45.680 --> 4:06:47.160
<v Speaker 21>You don't know when people got going on your life.

4:06:47.320 --> 4:06:49.040
<v Speaker 21>But I knew he would take a call. I knew

4:06:49.040 --> 4:06:51.080
<v Speaker 21>if I said mad Libers in the lab, he would

4:06:51.120 --> 4:06:52.440
<v Speaker 21>pull up and I called Pete Rock.

4:06:52.640 --> 4:06:55.000
<v Speaker 34>He didn't know Pete Rock's gonna be there, so didn't

4:06:55.040 --> 4:06:57.040
<v Speaker 34>have to say mad Livers in the lab. But but

4:06:57.480 --> 4:07:00.320
<v Speaker 34>I said that, said, yo, bro, it's me, you know,

4:07:00.440 --> 4:07:02.560
<v Speaker 34>but I did that for mad Lib. I did that

4:07:02.680 --> 4:07:04.000
<v Speaker 34>for mad mad Lib.

4:07:04.280 --> 4:07:07.200
<v Speaker 21>W said that's his favorite, right, And and Jay Chappelle

4:07:07.240 --> 4:07:09.400
<v Speaker 21>pulled up and y'all seen baby pulled up and we

4:07:09.520 --> 4:07:11.720
<v Speaker 21>had a great time and he played.

4:07:11.760 --> 4:07:14.800
<v Speaker 1>This man played just when we showed up for your

4:07:15.160 --> 4:07:16.560
<v Speaker 1>video shoot, which this man.

4:07:17.000 --> 4:07:18.480
<v Speaker 2>Everybody was there. It was a family, but.

4:07:20.480 --> 4:07:21.080
<v Speaker 1>All that ship.

4:07:21.320 --> 4:07:22.960
<v Speaker 2>This man played a hundred beats.

4:07:23.480 --> 4:07:25.440
<v Speaker 1>He brought the machine and they recorded him on the

4:07:25.480 --> 4:07:26.640
<v Speaker 1>slide like beat.

4:07:29.360 --> 4:07:32.800
<v Speaker 2>Frederick. I got you that, baby, I got you now,

4:07:33.160 --> 4:07:34.240
<v Speaker 2>I said record.

4:07:34.480 --> 4:07:36.120
<v Speaker 21>I said, press record because I need to. I need

4:07:36.200 --> 4:07:38.600
<v Speaker 21>to record all these beasts right And I said, what where?

4:07:38.720 --> 4:07:40.360
<v Speaker 21>What are you doing with these beats? He was like,

4:07:40.680 --> 4:07:43.360
<v Speaker 21>niggas don't want to rap on these beats. And I said,

4:07:43.400 --> 4:07:45.600
<v Speaker 21>hold my beer. And the next time I seen you,

4:07:45.680 --> 4:07:46.800
<v Speaker 21>how many songs I played you?

4:07:47.560 --> 4:07:50.240
<v Speaker 2>He played me six joints, six joints. Orders I was playing.

4:07:50.280 --> 4:07:51.360
<v Speaker 2>I was gonna say nine.

4:07:51.560 --> 4:07:54.760
<v Speaker 1>Listen. I bought the drum machine because I'm still like

4:07:55.320 --> 4:07:57.520
<v Speaker 1>Himmer and Chiswell type guy ship.

4:07:57.400 --> 4:07:57.800
<v Speaker 2>You know what I mean.

4:07:57.880 --> 4:07:59.720
<v Speaker 1>I'm not like that. He had a bag of records

4:07:59.720 --> 4:08:03.080
<v Speaker 1>with him exactly. So this is the thing, exactly, this

4:08:03.240 --> 4:08:09.600
<v Speaker 1>is this is all memes. God so yo, So I'm

4:08:09.680 --> 4:08:12.520
<v Speaker 1>in there playing beasts, Paul me spitting yo on on

4:08:12.600 --> 4:08:13.840
<v Speaker 1>the motherfucking drue machine.

4:08:14.160 --> 4:08:16.360
<v Speaker 2>They recording the ship the whole time. I didn't know that.

4:08:17.200 --> 4:08:20.080
<v Speaker 1>But damn boom, y'all see you come in like he

4:08:20.200 --> 4:08:24.080
<v Speaker 1>always do, like he always do. Like when I was

4:08:24.280 --> 4:08:28.560
<v Speaker 1>working with Cellar Dwellers, I had like a little skeleton running. Yeah,

4:08:28.600 --> 4:08:31.640
<v Speaker 1>with Sellar Dwellers, I had, I had a skeleton running.

4:08:32.040 --> 4:08:33.960
<v Speaker 1>It was just enough for us to get loose, you

4:08:34.000 --> 4:08:35.120
<v Speaker 1>know what I mean. You know how that is.

4:08:35.240 --> 4:08:36.280
<v Speaker 2>You just got a little.

4:08:36.080 --> 4:08:38.320
<v Speaker 1>Something and this' but it's enough for you to get

4:08:38.520 --> 4:08:40.240
<v Speaker 1>to write some ship, you know what I mean. So

4:08:40.280 --> 4:08:43.160
<v Speaker 1>I had a skeleton running. Nigga, y'all seen you come

4:08:43.200 --> 4:08:46.320
<v Speaker 1>in and she like, yo, turn the keyboard up. They

4:08:46.400 --> 4:08:47.720
<v Speaker 1>saw playing a base, not the ship.

4:08:48.320 --> 4:08:51.160
<v Speaker 2>Eureka like this. Nigga's a genius man like I, and

4:08:51.560 --> 4:08:53.280
<v Speaker 2>this is the first thing. So he did the same

4:08:53.360 --> 4:08:55.760
<v Speaker 2>type of ship in that session. He just came in.

4:08:55.920 --> 4:08:58.040
<v Speaker 1>He was like, Yo, I'm golden and the mic blah

4:08:58.080 --> 4:09:00.160
<v Speaker 1>blah blah. So we on chilling and ship like that,

4:09:00.320 --> 4:09:02.720
<v Speaker 1>Mad Live everything, Mad Live beat me in the head

4:09:02.920 --> 4:09:04.600
<v Speaker 1>like Yo, we're gonna get up small and ship. Then

4:09:04.640 --> 4:09:07.240
<v Speaker 1>that Nigga went back into the midst of the fall.

4:09:07.560 --> 4:09:09.360
<v Speaker 1>He just he went back into the midst of the

4:09:09.480 --> 4:09:12.880
<v Speaker 1>fog and ship. You know, he's listening. But then what

4:09:13.000 --> 4:09:15.000
<v Speaker 1>we got out of that was, y'all seen you know

4:09:15.000 --> 4:09:17.400
<v Speaker 1>what I mean, y'all seen lady some ship. Now. Then

4:09:17.520 --> 4:09:20.400
<v Speaker 1>like a couple of days later, they got a show.

4:09:20.760 --> 4:09:24.000
<v Speaker 1>This nigga let that ship blow on stage, right there,

4:09:24.200 --> 4:09:24.520
<v Speaker 1>did ship?

4:09:24.640 --> 4:09:28.320
<v Speaker 21>He just recorded the Black Show. Yeah, I'm like, this

4:09:28.680 --> 4:09:33.800
<v Speaker 21>is what I remember. And for a we actually on tour.

4:09:33.840 --> 4:09:35.600
<v Speaker 21>We actually at a New York City. We have Blue

4:09:35.640 --> 4:09:38.200
<v Speaker 21>Note next week, them brother blue.

4:09:38.840 --> 4:09:39.800
<v Speaker 2>Sony hole next week.

4:09:40.400 --> 4:09:45.600
<v Speaker 1>Right, how we appreciate them brothers? Yo yo acting du yo.

4:09:48.120 --> 4:09:49.320
<v Speaker 1>When that ship comes home?

4:09:49.440 --> 4:09:53.800
<v Speaker 21>My god, But this man had recording the beats because

4:09:53.840 --> 4:09:56.360
<v Speaker 21>imagine me, imagine fourteen year old me what I just

4:09:56.400 --> 4:09:59.160
<v Speaker 21>told y'all last professor, And now I got the opportunity

4:09:59.160 --> 4:09:59.560
<v Speaker 21>of retort.

4:10:00.320 --> 4:10:01.600
<v Speaker 2>Yeah, I had I had.

4:10:01.520 --> 4:10:03.120
<v Speaker 29>To what.

4:10:10.440 --> 4:10:16.840
<v Speaker 3>Lot because you know it's the whole time. I understand

4:10:16.920 --> 4:10:19.640
<v Speaker 3>that you're very can't give us some more, bro, please

4:10:19.840 --> 4:10:20.440
<v Speaker 3>please give.

4:10:20.360 --> 4:10:25.520
<v Speaker 2>Some of us, But no, no, no no, But you're

4:10:25.520 --> 4:10:27.960
<v Speaker 2>a very humble guy. That is a spate, but it's

4:10:29.440 --> 4:10:31.360
<v Speaker 2>you're a very humble guy. But what I want you

4:10:31.520 --> 4:10:32.160
<v Speaker 2>to know is.

4:10:33.800 --> 4:10:38.400
<v Speaker 3>You're warranted to accept these flowers. You're warranted and I

4:10:38.480 --> 4:10:39.400
<v Speaker 3>could get I could get it.

4:10:39.520 --> 4:10:41.480
<v Speaker 2>I understand, Like you know, I might be.

4:10:41.480 --> 4:10:43.520
<v Speaker 1>On that Italian ship. You know my real name is

4:10:43.560 --> 4:10:46.720
<v Speaker 1>paul Y'll be put enough about me, feels enough about me,

4:10:47.160 --> 4:10:47.680
<v Speaker 1>you know what I mean?

4:10:47.760 --> 4:10:49.240
<v Speaker 2>Like, let's get into that. You know what I mean?

4:10:49.320 --> 4:10:49.480
<v Speaker 5>Like that?

4:10:49.720 --> 4:10:52.280
<v Speaker 2>You know what, man, that's what It's not enough about you,

4:10:54.080 --> 4:10:58.960
<v Speaker 2>right all of all about it's all about you. My

4:10:59.080 --> 4:11:02.280
<v Speaker 2>family appreciates you right now. My family will appreciate you. Man,

4:11:02.400 --> 4:11:04.480
<v Speaker 2>she appreciate you every day.

4:11:04.840 --> 4:11:09.000
<v Speaker 1>Man, So I'm so pretty.

4:11:08.760 --> 4:11:11.920
<v Speaker 15>Ship Josh who Miami exactly like, yeah, you can't hurt

4:11:12.600 --> 4:11:15.960
<v Speaker 15>you all here make your.

4:11:16.000 --> 4:11:18.920
<v Speaker 2>What you understand said? They show you how or you

4:11:19.160 --> 4:11:21.960
<v Speaker 2>are yo. Now what she's done about what you want?

4:11:22.000 --> 4:11:26.600
<v Speaker 15>Get done out on turkey burgers a right, Let me finished,

4:11:26.680 --> 4:11:30.480
<v Speaker 15>Let me be finished, because you are like you are alright,

4:11:30.760 --> 4:11:31.720
<v Speaker 15>you're doing four singing?

4:11:32.160 --> 4:11:38.800
<v Speaker 2>Yeah, all sister, and we all do so at.

4:11:38.640 --> 4:11:45.000
<v Speaker 15>Here bout in the world, in the world like any

4:11:45.080 --> 4:11:49.840
<v Speaker 15>world and like light because absolutely and you know what's crazy,

4:11:49.920 --> 4:11:52.400
<v Speaker 15>but we like we go crazy about this.

4:11:53.280 --> 4:11:55.480
<v Speaker 2>How humble you are, she's not because you fine, you

4:11:55.560 --> 4:11:56.200
<v Speaker 2>get drunk.

4:11:56.360 --> 4:11:59.000
<v Speaker 1>You're not like too much.

4:11:59.120 --> 4:12:02.200
<v Speaker 24>You don't like too like yeah, because you know how

4:12:02.360 --> 4:12:06.120
<v Speaker 24>last one they know you gotta show it. I think

4:12:06.160 --> 4:12:11.320
<v Speaker 24>it was like, yeah, good, you don't want to that's

4:12:11.880 --> 4:12:15.640
<v Speaker 24>ship you know it. I know it like oh like no, no, no,

4:12:15.720 --> 4:12:17.960
<v Speaker 24>I know exacts it's doing so I do that.

4:12:18.480 --> 4:12:19.360
<v Speaker 1>I do that, you know what?

4:12:19.800 --> 4:12:22.760
<v Speaker 2>He absolutely does that. I don't want to set up laws.

4:12:22.840 --> 4:12:26.160
<v Speaker 2>I don't mind. I think they're good. Day we because

4:12:26.240 --> 4:12:29.480
<v Speaker 2>it's got you for we still have Yes, I think

4:12:29.480 --> 4:12:32.600
<v Speaker 2>I want to know, but no, I don't love the record.

4:12:32.680 --> 4:12:42.880
<v Speaker 2>I was just no, don't they know they know? Stop talking? Second?

4:12:43.080 --> 4:12:44.600
<v Speaker 5>Yes, I don't you know it's.

4:12:44.480 --> 4:12:50.520
<v Speaker 2>Having a spect second listen true, last professor, it's about

4:12:50.760 --> 4:12:56.120
<v Speaker 2>you today and today we sat you. I love you.

4:12:56.640 --> 4:12:59.160
<v Speaker 2>We don't want to craze. We gotta gonna get over.

4:12:59.600 --> 4:13:04.840
<v Speaker 2>How many times to try to I'm not what you what?

4:13:06.320 --> 4:13:08.360
<v Speaker 2>Dogs bill pull metal child and.

4:13:08.440 --> 4:13:16.960
<v Speaker 1>Hell's passive time to shop?

4:13:17.200 --> 4:13:22.120
<v Speaker 2>Yes, yes, sho, I don't know you? Yes what that's

4:13:22.160 --> 4:13:24.640
<v Speaker 2>who he shouted out to that we should.

4:13:27.320 --> 4:13:28.480
<v Speaker 1>Say you like yeah, no.

4:13:39.600 --> 4:13:42.120
<v Speaker 2>Up front? You know do you know guy right here?

4:13:42.160 --> 4:13:47.560
<v Speaker 2>Man tell me who this is? Move right there? Mans?

4:13:48.640 --> 4:13:48.840
<v Speaker 5>You know.

4:13:50.440 --> 4:13:55.160
<v Speaker 2>No wife because he used to play roll and I

4:13:55.280 --> 4:13:58.120
<v Speaker 2>know it's a fact. I was like yo when he's

4:13:58.200 --> 4:14:01.920
<v Speaker 2>like yo. Drink Chance is a Drink Champs LLC production

4:14:02.280 --> 4:14:07.280
<v Speaker 2>and association with Interval Presents, hosts and executive producers n

4:14:07.280 --> 4:14:11.280
<v Speaker 2>o r E and dj e FN from Interval Presents

4:14:11.520 --> 4:14:16.000
<v Speaker 2>executive producers Alan Coy and Jake Kleinberg. Listen to Drink

4:14:16.080 --> 4:14:16.480
<v Speaker 2>Champs on.

4:14:16.520 --> 4:14:21.640
<v Speaker 9>Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever you get

4:14:21.680 --> 4:14:25.360
<v Speaker 9>your podcasts. Thanks for joining us for another episode of

4:14:25.400 --> 4:14:28.400
<v Speaker 9>Drink Champs hosted by Yours Truly, dj e FN and

4:14:28.600 --> 4:14:30.680
<v Speaker 9>n O r E. Please make sure to follow us

4:14:30.720 --> 4:14:33.280
<v Speaker 9>on all our socials That's at drink Champs across all

4:14:33.360 --> 4:14:37.960
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4:14:38.400 --> 4:14:41.760
<v Speaker 9>mine is at Who's Crazy on ig at dj e

4:14:41.960 --> 4:14:44.520
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4:14:44.600 --> 4:14:47.760
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