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Speaker 1: And this is drinks Chants, motherfucker podcast make He's a

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Speaker 1: legends Eary Queen's rapper.

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Speaker 2: He ain't s agreed that your boy in O r E.

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Speaker 2: He's a Miami hip hop mioneer put up as d

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Speaker 2: j E f N. Together they drink it up with

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Speaker 2: some of the biggest players, you know what I mean.

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Speaker 1: And the most professional, unprofessional podcast.

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Speaker 2: And your number one source for drunk drinks chans mother

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Speaker 2: post for every day is New Year's c That's it's

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Speaker 2: time for drink Champs. Drink up, motherfuck mother putty. Good

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Speaker 2: be hoping he's Wulda should be. This is your boy

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Speaker 2: in O R E? What up is dj E f N?

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Speaker 2: And this is drink Champs Happy hour makes some mad.

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Speaker 1: Now.

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Speaker 3: In a lot of ways, this brother that we uh

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Speaker 3: about to interview to the left of me, uh, a

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Speaker 3: lot of ways. If his life didn't exist, I don't

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Speaker 3: think I would it is this. You know, he for

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Speaker 3: the likes of putting on people like ak Nelly, you

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Speaker 3: know nas basketball That is directly lin lineage.

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Speaker 2: Yeah, I don't know how to pronounce that. He's a

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Speaker 2: man's man.

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Speaker 3: He's a producer, producer, he's been down putting it in

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Speaker 3: I can't believe, like you, this is a person you

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Speaker 3: have to just salute like he's supposed to be, like

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Speaker 3: the Princess of Munda. When he walks, people throw flowers

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Speaker 3: at his feet. You know what I'm saying. In Queens,

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Speaker 3: He's God in the galaxy, in the planet, He's God,

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Speaker 3: hip holy to hip hoo, He's God. He's he's countless,

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Speaker 3: and he's a humble guy. But today we're gonna be

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Speaker 3: cocky for him, and we're gonna give him his motherfucking

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Speaker 3: flowers because in case you don't know what the fuck

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Speaker 3: I'm talking about, I'm talking about the one, the only, honorable.

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Speaker 2: Now off the top, I always wanted.

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Speaker 3: To ask you, how did you get that name? Lost Professor?

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Speaker 1: You know that's me just talking, you know, Bravado on

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Speaker 1: the mic. Yo, it's the mighty Lost Professor. You know

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Speaker 1: what I mean. I'm I'm in the same ranks as

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Speaker 1: like the Great Sudan and all. You know what I mean,

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Speaker 1: and all of that, like we was, you know, the

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Speaker 1: gods man, the poor righteous teachers.

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Speaker 2: You know what I'm saying.

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Speaker 1: So, Lost Professors, what you know that I want to

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Speaker 1: present my because you know you named in life and

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Speaker 1: then if you ever got a chance to name yourself

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Speaker 1: and life, what would you name yourself?

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Speaker 2: You know what I mean?

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Speaker 1: Like think about it. Yeah, So I was like, yo,

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Speaker 1: lost professor, that's that's my name. That's what I'm gonna

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Speaker 1: name myself.

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Speaker 2: You know what I mean? I was named by you

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Speaker 2: know that type of thing. Yeah, that's why. How do

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Speaker 2: you e FN? Because was terrible? That was that was.

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Speaker 1: I said.

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Speaker 2: Let me just keep it to my initials. E FN.

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Speaker 2: That's my so.

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Speaker 3: Lost like you've been down with me.

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Speaker 2: Absolutely take what you're gonna do it today. Yes, I

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Speaker 2: want some rose Rose. You're a picky nigga. You what

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Speaker 2: do you want?

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Speaker 1: You know? So that's how I get the samples too, picky? Yeah, okay,

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Speaker 1: I just sample any record. I'll I'm right there sitting

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Speaker 1: at the end of the wall.

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Speaker 3: So let me ask you because hip hop, I know

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Speaker 3: Biggy said this in the in and the record. He said,

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Speaker 3: you ever think that hip hop will make it this far?

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Speaker 3: And to tell you the truth, like the goals and

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Speaker 3: the places that hip hop is going now, I never

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Speaker 3: thought it would be this far.

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Speaker 2: How about you? Did you ever think that hip hop

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Speaker 2: would be this far?

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Speaker 1: Oh? No, one hundred percent knew, yeah, because I you know,

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Speaker 1: I believe you know, I come from I come from breaking,

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Speaker 1: you know what I mean. Like, I knew the businessmen

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Speaker 1: they couldn't get down there and do windmills and old

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Speaker 1: them power moves he was doing. So I was like, nah,

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Speaker 1: we got something we you know, others be on the train,

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Speaker 1: death defying feats, all types of crazy shit on the.

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Speaker 2: Trains and everything. So that was that.

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Speaker 1: Ever, and then when you had dudes like cool O

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Speaker 1: d out here like spitting like some real intelligence on

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Speaker 1: the mic, you know, I'm like, Yo, we got our

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Speaker 1: own community.

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Speaker 2: Were good. You know what I'm saying, We're good for life.

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Speaker 1: Like so you know, Cool Jay came after that, a

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Speaker 1: bunch of brothers, you know what I'm saying, with that

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Speaker 1: Rock Him, you know, with that intelligence, and I was like, Yo,

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Speaker 1: I'm we got something, man, you know, because we we

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Speaker 1: got the ignorance, but then we got brothers that could

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Speaker 1: kick some ship too, you know. So that's when I

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Speaker 1: knew we had to, you know, the get in exactly.

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Speaker 3: And what's great about you is you got to work

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Speaker 3: with two of the greatest of all times, Rock Him

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Speaker 3: and Now and not.

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Speaker 2: Us in the studio of both of them obviously.

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Speaker 1: Right one time one time because rock Him Rock Him

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Speaker 1: at the time, like he was, you know, studio, you know,

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Speaker 1: handling a lot of things. I said, like that, he

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Speaker 1: was handling a lot of things. So you know, me

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Speaker 1: and Nas used to record on Eric being Rock Kim's

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Speaker 1: time and studio, you know what I'm saying, and power

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Speaker 1: plays studios right up there Sea Room y'all was in

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Speaker 1: you know y'alls down the We was in that big

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Speaker 1: ass so the big buildings. So yeah, rock Kim came

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Speaker 1: through one time and Nas was there and it was

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Speaker 1: like a little triangle, like a little triad the guards,

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Speaker 1: the guards was building. Well, we was dead.

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Speaker 3: Hold on, you're telling me that you and Nas used

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Speaker 3: to be called on every being rock Him downtime when

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Speaker 3: they when.

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Speaker 1: Rock Kim wasn't coming through. Eric was like, yo, Paul,

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Speaker 1: do something with that studio time. And I had met

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Speaker 1: Nas too fatal and you know the Queensbridge right down

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Speaker 1: the block, power place, you know, so it's like like

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Speaker 1: you know, we're being the lab. We'd be waiting for

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Speaker 1: rock Kim for a little while. You know, after a while,

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Speaker 1: you know, it's like all the guard coming from all

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Speaker 1: the way east. He might not make it. I so

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Speaker 1: you know, let me start getting on the horn. And

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Speaker 1: Nas was right down the block, so be like, yo,

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Speaker 1: lab is open, bro, what's up. It'd be like two

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Speaker 1: three in the morning, like moms were you know she

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Speaker 1: she asked the phone. She'd be like hello, I'll be

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Speaker 1: like it's professor, Like it's not. She's like you know,

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Speaker 1: she always she ain't never like and.

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Speaker 3: This is this is, this is pre nas. There's no

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Speaker 3: to tell there's no ain't hard to tell out. There's

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Speaker 3: no halftime out.

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Speaker 2: Of no half time, getting getting him that studio like

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Speaker 2: he's yeah learning.

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Speaker 1: Yeah, I mean you know hot day, hot day, Yeah,

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Speaker 1: hot day was there like supreme, supreme magnetic, like all

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Speaker 1: all the all the painting, full posse was in there.

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Speaker 2: Like I'm saying, yeah, for sure, for sure, that's done.

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Speaker 3: Show was about giving flowers. Man, we're gonna get back

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Speaker 3: into that story, no doubt.

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Speaker 2: Was about giving flowers. We're gonna get your flowers. But

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Speaker 2: you're drinking over there, f and man, you ain't take

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Speaker 2: a system. I'll watching you. You ain't take don't man,

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Speaker 2: this is drinking.

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Speaker 1: Remember that tours bro who was the drunkest on the tours, bro,

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Speaker 1: come on, man.

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Speaker 2: You know what, give me a flowers topic. I was like, man, yo,

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Speaker 2: oh they real flowers? Yeah yeah, man, oh man, that's

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Speaker 2: a nice man.

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Speaker 1: I got one. Yes, oh man, I got one.

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Speaker 3: So now I know, I notice like a kind of

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Speaker 3: a cliche question because it's so easy to say yes

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Speaker 3: to this question right now. But did you always see

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Speaker 3: the greatness in ours?

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Speaker 2: Or was it was it? Was it something that had

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Speaker 2: to come through you know what I mean? Absolutely not.

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Speaker 1: I'm saying, you know, he came from the hub, like

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Speaker 1: you know what I'm saying, coming from Queensbridge already was

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Speaker 1: like he was already like fifty points good, like you know,

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Speaker 1: to one hundred. It was like, yo, you're coming from

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Speaker 1: the hub. You good. And then for him at that

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Speaker 1: time to have the combination, you know, he had that

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Speaker 1: word play the humbleness too.

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Speaker 4: You know what.

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Speaker 5: Yo.

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Speaker 2: When I was I was a fan of the Jackson five,

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Speaker 2: you know like that, I was like, how old is

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Speaker 2: it you met him? Now it's like maybe like like

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Speaker 2: sixteen seventeen.

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Speaker 3: When I'm waiting that ship at sixteen yeah, and these

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Speaker 3: motherfuckers standing and.

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Speaker 2: Are you how old are you? You were like what

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Speaker 2: oh no, I'm only a year older than ours. I

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Speaker 2: mean he was years he was.

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Speaker 3: Yeah, damn, So I'm gonna switched it up a little

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Speaker 3: bit because now too, like.

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Speaker 2: Because I remember, I remember.

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Speaker 1: Before I went to jail, tell me your memories checked

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Speaker 1: this out.

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Speaker 2: So the two there was two dudes.

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Speaker 3: That was the man in my hood was a guy

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Speaker 3: named Comedy. He's the rat name Comedy. He was actually

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Speaker 3: bigger than I. And then when I went to jail,

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Speaker 3: remember the bomb baby came out the bomb Baby, the

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Speaker 3: ball Baby and the little piece and left right.

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Speaker 2: I was like, I was like, that's what.

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Speaker 1: I was talking about. Hahaha. Section such a fu. Yeah,

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Speaker 1: how did you come from?

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Speaker 2: Understand?

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Speaker 3: How did you come across? Meet and I?

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Speaker 1: You know, that's that's bound all day. John, That's that's

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Speaker 1: what y'all. So you met and John Bown. That's interesting

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Speaker 1: and your sister.

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Speaker 2: Everybody man was in the.

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Speaker 1: Building, but so so was I rapping back then absolutely him.

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Speaker 2: It was him and a guy named c. C.

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Speaker 1: They was c C. John Babe John Baby was from

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Speaker 1: section two two It last DJ Man DJ J j

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Speaker 1: O d big up him. He was originally down with

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Speaker 1: Maine sore too, but he went to the service. But yeah,

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Speaker 1: I was rocking with c C. It was somebody else.

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Speaker 1: We had a dude named Benny. Benny was DJing with us,

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Speaker 1: and you know we just hobby hobby self after school.

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Speaker 6: Man.

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Speaker 3: You know, yeah, you knew what's crazy. I was telling

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Speaker 3: this the story earlier. I had not known how Niles

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Speaker 3: loved how you look. The first time I actually seen y'all.

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Speaker 2: Was Brooklyn Queen's Day, and y'all, it was a Brooklyn

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Speaker 2: Queen's Day.

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Speaker 3: I was a little dude and I remember now, I

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Speaker 3: had a Safari had on it and I'm a kid

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Speaker 3: in the crowd and I'm looking and I see y'all performing,

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Speaker 3: and it was that. It was like it was after

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Speaker 3: Granddaddy that you It was that I looked, I looked

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Speaker 3: on the stage. I said, whatever the fuck they doing,

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Speaker 3: I'm gonna do that.

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Speaker 2: Ship. So you even know, I.

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Speaker 3: Was a little nigga watching y'all. Like but so let

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Speaker 3: me ask you, because this this line literally changed my life.

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Speaker 3: When I never heard a rapper say this, when he said,

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Speaker 3: when I was twelve, I went to hell for snuffing Jesus,

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Speaker 3: like that was like philostrous.

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Speaker 1: Yeah, it was for posters, for a project dude from

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Speaker 1: Queensbridge to think he could possibly have that much power. Jesus,

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Speaker 1: you know.

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Speaker 2: It's crazy, but it worked, man.

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Speaker 1: It got him where he needed to be with just

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Speaker 1: all of that extreme just preposterous ship like.

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Speaker 2: Yo, you know, hanging like the Groog cut. You know

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Speaker 2: it was crazy. Yeah, so and it was needed at

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Speaker 2: the time exactly. The other line was was the other

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Speaker 2: line of waving automatic guns.

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Speaker 3: Back to the back because like like me and Ias,

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Speaker 3: like you know, I speaking nods a lot now, you know,

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Speaker 3: in older years, and you know at times he would

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Speaker 3: tell me when when he was bringing up Thematic and

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Speaker 3: he's like, you nor, you don't know how hard it

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Speaker 3: was making that album because I was in jail when

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Speaker 3: Allmatic came out.

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Speaker 2: So all I got to see is the beauty of Allmatic.

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Speaker 2: I don't get into group home or jail. I was

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Speaker 2: in jail.

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Speaker 1: Yes, yes, yes, yes, j f y is that's the

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Speaker 1: vision for you, b.

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Speaker 2: That's correct, that's the group home. That's jail, sir, that's

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Speaker 2: spot for you. Was spout.

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Speaker 5: All of those.

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Speaker 2: That's what him. I was in there, a different kind

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Speaker 2: of guy.

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Speaker 3: So when I speak the nas, he tells me like

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Speaker 3: it wasn't because because I'm looking at it, I just

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Speaker 3: see the five mics. I just see ut Q tip

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Speaker 3: Premier people hear that fire and I hit that fire,

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Speaker 3: but I don't see the struggle of il Matt.

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Speaker 2: Was it a time where people was fronting on knas

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Speaker 2: Oh to begin with man real from the start man Yo.

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Speaker 1: When they bought NAS's demo to Russell, Russell was like, nah,

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Speaker 1: he sounds too much like g rap Search so.

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Speaker 2: Some of that stuff too.

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Speaker 1: Yeah, he's it was. It was crazy and you know

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Speaker 1: we was in the same camp though. That's what he

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Speaker 1: wasn't seeing. It was like, yo, Nas is actually a

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Speaker 1: descendant of g so you should, you know, accept the

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Speaker 1: new generation type ship.

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Speaker 2: But Russell ain't have that, you know what I mean,

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Speaker 2: He ain't know that force like yeah, rustle front of him, Russian,

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Speaker 2: Yeah yeah, rush.

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Speaker 1: Rush rush rush, Come on baby, sleep you don't get

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Speaker 1: you know, shovel no, snow, you don't even go through

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Speaker 1: the disc. You got to go.

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Speaker 3: So so I'm bouncing around a little bit because we

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Speaker 3: want to get through stuff.

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Speaker 2: So it's a famous lot of jay Z said.

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Speaker 3: He said, I sold you your first tech on tour

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Speaker 3: with large Professor is that true.

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Speaker 1: Well, I don't know if it was NAS's first time

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Speaker 1: seeing the tech. Okay, the story is true. The story

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Speaker 1: he did pull out a tech on the bus.

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Speaker 2: On not on like he ain't pull out like no,

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Speaker 2: not on the whole bus.

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Speaker 1: We had a little problem on DC. I think it

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Speaker 1: was DC. I really strongly believe it DC. And so

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Speaker 1: what happened was is you know it be them curfuse.

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Speaker 1: Once you get out of New York, it be like, yo,

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Speaker 1: he's gotta cut this at too, or something like that.

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Speaker 1: So it was like kept running and running, and by

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Speaker 1: the time we were supposed to perform, they was like, yo,

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Speaker 1: y'all can't even get So it wasn't even the faculty,

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Speaker 1: it was the crowd that was like, yo, nah y'all,

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Speaker 1: y'all got to perform. Like so the crowd was kind

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Speaker 1: of coming at us, and so they was like, we're

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Speaker 1: big up my.

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Speaker 2: Man, big hat man. HARRYO.

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Speaker 1: Fobbs Man was like, yo, yo, come he in the

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Speaker 1: biz video man, he's in the something for the radio,

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Speaker 1: Big high man, big up man. He was like, yo,

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Speaker 1: y'all come this way. It was Jade.

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Speaker 2: Jazz me Nas.

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Speaker 1: I I think Joe Ruin them might have even been

296
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Speaker 1: there because Earth was on that on that tour too,

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Speaker 1: and we all got on the bus and Jay was

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Speaker 1: It was funny because Jay was in the back. He

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Speaker 1: was in like that you know that that that woman

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Speaker 1: you're going in the row, in that seat that you

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Speaker 1: could see when you're going back, like that seat that

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Speaker 1: looks at the person that's walking.

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Speaker 2: And sure enough you got the jump bag and shit.

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Speaker 2: He was like, yo, Na, you ain't gotta worried about nothing,

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Speaker 2: and ship.

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Speaker 1: You know you got that, you had that heat, you

307
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Speaker 1: got that heat. I was like, who man, thank you man,

308
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Speaker 1: Like you'real I got records, but you know, I ain't

309
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Speaker 1: even heard like yeah that she was all right man,

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Speaker 1: that she was all right?

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Speaker 3: Big up, Jake, did you you know because hearing the

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Speaker 3: stories these are these are probably two of the biggest

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Speaker 3: rappers in the world, two giants. Did you see them

314
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Speaker 3: in competition from the beginning or did that?

315
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Speaker 2: Is that something that developed? Really?

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Speaker 7: Man?

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Speaker 1: Yo, I did not see like that whole little scrap.

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Speaker 1: I ain't see it, man, you know, because Jay was

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Speaker 1: just super cool and he had his you know, he

320
00:15:09,440 --> 00:15:12,960
Speaker 1: got his bread. So I'm like, I ain't understand, you know,

321
00:15:13,040 --> 00:15:15,200
Speaker 1: but you know, for the sport he you know, we

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00:15:15,200 --> 00:15:17,560
Speaker 1: we were sportsman too, you know what I mean. So

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Speaker 1: for the sportsmanship side of it, you know what I mean,

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Speaker 1: it was just like yo, let me, let me, let me,

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Speaker 1: let me ruffle some feathers real quick. And it was

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Speaker 1: good because it bought Nas. It brought Nas ted that

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Speaker 1: other lane or like yo, you know how to back

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Speaker 1: him off too, like you know how to say that

329
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Speaker 1: fly guy thing, you know, but he also know how

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Speaker 1: to back him off.

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Speaker 2: So it was good for Nas man.

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Speaker 1: Like you ever heard the original ether, I was there

333
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Speaker 1: when they recorded it, the original one. I was come out, ok,

334
00:15:46,960 --> 00:15:52,120
Speaker 1: I was we was over there a jungle, where is everybody?

335
00:15:52,200 --> 00:15:55,080
Speaker 1: Was there? He that's the leader plane crash line.

336
00:15:55,600 --> 00:15:59,800
Speaker 2: Yeah, we was. We was wilent that would came out.

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00:16:00,000 --> 00:16:00,480
Speaker 2: I would have been.

338
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Speaker 3: It was crazy. It was crazy. It was you know

339
00:16:02,440 --> 00:16:04,240
Speaker 3: what it was. I felt like when I heard it,

340
00:16:04,960 --> 00:16:08,840
Speaker 3: I felt like that was emotional. Nos, it wasn't a strategic.

341
00:16:09,520 --> 00:16:11,480
Speaker 1: But that's why he got strategic when he got the

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00:16:11,560 --> 00:16:14,280
Speaker 1: slower beat and then he got you know, bufferted a

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Speaker 1: little bit because there was some lines in there.

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Speaker 2: I was like, lou, yeah too crazy.

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Speaker 3: But still in all it was one of the greatest

346
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Speaker 3: battles of all time.

347
00:16:22,000 --> 00:16:24,960
Speaker 2: Yeah, it was. I remember New York.

348
00:16:25,040 --> 00:16:27,800
Speaker 3: It was Battle of the Beats, and I remember walking

349
00:16:27,840 --> 00:16:30,240
Speaker 3: into a meeting and Battle of the Beats came on

350
00:16:30,320 --> 00:16:30,840
Speaker 3: and I was like.

351
00:16:30,800 --> 00:16:35,360
Speaker 2: Fuck this meeting. I just said fuck it outside in

352
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Speaker 2: the radio, I mean, turn on the radio. And I

353
00:16:37,920 --> 00:16:39,840
Speaker 2: missed the whole meeting. I could not move.

354
00:16:40,520 --> 00:16:43,440
Speaker 3: I could And I tell you the closest thing that

355
00:16:43,520 --> 00:16:49,920
Speaker 3: came to that was after Drake dropped and dropped no

356
00:16:50,080 --> 00:16:53,600
Speaker 3: meet Mail and then when fuck Master Flex said I

357
00:16:53,640 --> 00:16:57,760
Speaker 3: got meat Mail's response and I straight up called my wife.

358
00:16:57,800 --> 00:17:00,800
Speaker 3: I was like, I'm missing my flight. I have to

359
00:17:00,840 --> 00:17:01,120
Speaker 3: hear this.

360
00:17:01,240 --> 00:17:02,000
Speaker 2: I can't. I can't.

361
00:17:02,200 --> 00:17:04,600
Speaker 3: She's like, you have to hear what I said. Meek

362
00:17:04,920 --> 00:17:07,400
Speaker 3: and Drake is dropping both records today.

363
00:17:07,480 --> 00:17:10,280
Speaker 1: Drake and Comic was kind of too Drake and comed

364
00:17:11,840 --> 00:17:13,600
Speaker 1: do to Cuban Comic kind of.

365
00:17:13,600 --> 00:17:18,120
Speaker 2: Crazy comments called him Canada drive like that on that ship.

366
00:17:18,200 --> 00:17:19,200
Speaker 1: Yeah, it's crazy.

367
00:17:20,720 --> 00:17:24,120
Speaker 3: What Some of the greatest hip hop records Beach Records.

368
00:17:23,840 --> 00:17:26,320
Speaker 2: Ice Cube against n W. I hate the bridges over

369
00:17:26,640 --> 00:17:29,760
Speaker 2: the bridge, I hate the bridges over. I can't stand it.

370
00:17:30,160 --> 00:17:32,920
Speaker 2: I cannot listen to one of the best, one of

371
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Speaker 2: the best.

372
00:17:34,840 --> 00:17:38,760
Speaker 1: You are cubebo ro like bro, bro, if I tell

373
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Speaker 1: you this man, Yo, there's just reaching footage of that

374
00:17:43,040 --> 00:17:48,480
Speaker 1: man performing that song like blocks away from left rack, like.

375
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Speaker 2: Just yes, you want to see me. I can't attend

376
00:17:57,200 --> 00:18:01,320
Speaker 2: that man. I can't attend that man. Can't the whole

377
00:18:03,200 --> 00:18:04,479
Speaker 2: It was so dope about carriers.

378
00:18:04,480 --> 00:18:08,000
Speaker 3: One chairis woman do a performance and give you a

379
00:18:08,000 --> 00:18:09,959
Speaker 3: whole speech and you don't even know you in the speech,

380
00:18:10,320 --> 00:18:11,840
Speaker 3: like he's a legend.

381
00:18:11,920 --> 00:18:14,720
Speaker 2: But we had empty Shan on here. Shanny let it go,

382
00:18:20,680 --> 00:18:24,360
Speaker 2: but she did not let Shannon. Shan is a prophet

383
00:18:24,480 --> 00:18:29,120
Speaker 2: man and Shane. Let's Shane do Shane, Shane. You could

384
00:18:29,200 --> 00:18:33,760
Speaker 2: learn from Shann speak up to empty Shad. That ship

385
00:18:33,800 --> 00:18:39,280
Speaker 2: was wild that that episode was wild list. I had

386
00:18:39,320 --> 00:18:45,720
Speaker 2: no control. That was a great episode.

387
00:18:46,440 --> 00:18:49,040
Speaker 1: Too much snow he was big and snow up too much.

388
00:18:49,280 --> 00:18:51,280
Speaker 2: I'm gonna say that is interesting.

389
00:18:52,560 --> 00:18:55,159
Speaker 1: He's big to show up way too much, Shane, come on,

390
00:18:55,920 --> 00:18:57,720
Speaker 1: come on, God listen.

391
00:18:57,760 --> 00:18:59,000
Speaker 2: By the way, I didn't even know that it was

392
00:18:59,000 --> 00:19:01,280
Speaker 2: a part over there exists. He was the black person.

393
00:19:01,880 --> 00:19:05,920
Speaker 1: We're just thinking the costant crevices and was amazing.

394
00:19:06,600 --> 00:19:10,560
Speaker 2: It was amazing. Man, you got quick Thomas Love, look

395
00:19:10,720 --> 00:19:16,080
Speaker 2: is ready? You got that hookah smoking at uga, Holy movie,

396
00:19:16,119 --> 00:19:18,040
Speaker 2: gacka morning. I'm ready for kricking the.

397
00:19:18,040 --> 00:19:20,720
Speaker 1: Man roll wadded in the building. Oh look at that. Yah,

398
00:19:20,880 --> 00:19:24,840
Speaker 1: you got the old lady for dinner. Oh Supreme, Supreme,

399
00:19:25,240 --> 00:19:26,320
Speaker 1: Supreme in the fielder.

400
00:19:27,440 --> 00:19:27,760
Speaker 2: That's he.

401
00:19:27,960 --> 00:19:30,200
Speaker 1: That's some more he was. He was like, yo, yo pee.

402
00:19:30,280 --> 00:19:32,280
Speaker 1: You know, because we've been hanging out, you know, around the.

403
00:19:32,200 --> 00:19:32,680
Speaker 2: Way or whatever.

404
00:19:32,720 --> 00:19:35,920
Speaker 1: He was just had the sweet chick joint, chilling with

405
00:19:35,960 --> 00:19:38,200
Speaker 1: the rock Marcian alchemist joint. You know what I mean.

406
00:19:38,480 --> 00:19:40,800
Speaker 2: He's like, yo, man, Oh gee man, it's time for

407
00:19:40,840 --> 00:19:41,200
Speaker 2: you to.

408
00:19:41,080 --> 00:19:41,879
Speaker 1: Do these champs.

409
00:19:41,880 --> 00:19:42,840
Speaker 2: Man. Yeah, for sure.

410
00:19:42,920 --> 00:19:45,080
Speaker 1: I was like, Supreme, if you say man, if you

411
00:19:45,119 --> 00:19:46,920
Speaker 1: say all right, man, and.

412
00:19:46,880 --> 00:19:48,960
Speaker 2: We've been trying to do it for a while, you know,

413
00:19:49,240 --> 00:19:52,520
Speaker 2: but you know you you you're absolutely a legend. Man.

414
00:19:52,560 --> 00:19:55,360
Speaker 3: You deserve a few hours. And that's what our show

415
00:19:55,440 --> 00:19:58,760
Speaker 3: was about. Show was about, you know, giving the mother flowers,

416
00:19:58,760 --> 00:20:00,560
Speaker 3: that giving the und the flowers.

417
00:20:00,640 --> 00:20:06,960
Speaker 2: But yeah, because in our game, like when you have

418
00:20:07,040 --> 00:20:09,440
Speaker 2: ten years or more, people want to, you know, call

419
00:20:09,480 --> 00:20:12,399
Speaker 2: you washed up and say you know you're old that

420
00:20:12,880 --> 00:20:13,600
Speaker 2: when when.

421
00:20:13,560 --> 00:20:16,080
Speaker 3: That's that's that's not true in no other genre of music.

422
00:20:16,240 --> 00:20:18,320
Speaker 3: It's only true in hip hop. So we want to

423
00:20:18,400 --> 00:20:18,960
Speaker 3: change that.

424
00:20:18,840 --> 00:20:21,159
Speaker 1: So that's depending on how you looking at it, you know,

425
00:20:21,200 --> 00:20:25,800
Speaker 1: because because washed up trying to get you clean.

426
00:20:26,000 --> 00:20:28,840
Speaker 2: You know, the bat that they don't mean it in

427
00:20:28,840 --> 00:20:32,600
Speaker 2: a good way. No, no, they mean it mind bo.

428
00:20:32,800 --> 00:20:35,360
Speaker 3: So you know we wanted to give your flowers. Man,

429
00:20:35,400 --> 00:20:37,919
Speaker 3: you know said you deny that. Man, it was crazy

430
00:20:37,960 --> 00:20:41,640
Speaker 3: about it. Man, Yeah you're just your boris and yeah

431
00:20:41,800 --> 00:20:48,000
Speaker 3: you got the calm. Fuck damn yeah, distracting me, distracting.

432
00:20:48,880 --> 00:20:51,320
Speaker 2: Oh but you're the scography.

433
00:20:51,440 --> 00:20:53,800
Speaker 3: What who's the favorite artist you would like to work

434
00:20:53,840 --> 00:20:55,880
Speaker 3: with that I would like to work with.

435
00:20:56,000 --> 00:20:59,280
Speaker 2: Or that I did both? Okay, one did you say

436
00:20:59,359 --> 00:20:59,600
Speaker 2: you have?

437
00:21:00,080 --> 00:21:03,000
Speaker 1: Definitely I got I gotta get. I mean I got

438
00:21:03,000 --> 00:21:05,679
Speaker 1: I just recently got a locks locks joint.

439
00:21:05,760 --> 00:21:07,840
Speaker 2: But I gotta get a dolo Jada.

440
00:21:08,400 --> 00:21:10,919
Speaker 1: I've been had my styles Me and Styles that's brothers

441
00:21:10,960 --> 00:21:13,359
Speaker 1: that he from. You know he originally from Corona, right

442
00:21:14,080 --> 00:21:16,960
Speaker 1: he did tell us, Yeah, styles from Corona. So I

443
00:21:17,000 --> 00:21:20,160
Speaker 1: got with him, and I gotta get a dolo loots joint.

444
00:21:20,240 --> 00:21:23,480
Speaker 1: So I gotta get like a dolo Jada kiss joint

445
00:21:23,480 --> 00:21:24,760
Speaker 1: and a dolo lose joint.

446
00:21:25,600 --> 00:21:29,200
Speaker 2: Doctor Dre Nigga said, the locks, Yeah, the locks, that's crazy.

447
00:21:30,520 --> 00:21:31,399
Speaker 2: That's that's easy.

448
00:21:31,960 --> 00:21:35,760
Speaker 1: Somebody, doctor Dre or what me and Dre rhyming on

449
00:21:35,880 --> 00:21:39,680
Speaker 1: something that would be hard, that would be beat together.

450
00:21:40,240 --> 00:21:42,040
Speaker 1: Oh now he do the beat, not just rom on.

451
00:21:42,560 --> 00:21:47,480
Speaker 1: That'd be that boy man for years. That that's that's no, No,

452
00:21:47,840 --> 00:21:48,960
Speaker 1: that's that's that's hard.

453
00:21:49,200 --> 00:21:51,679
Speaker 2: I can see that. I can see how that studio session.

454
00:21:51,440 --> 00:21:54,560
Speaker 1: Look yeah, yeah, yeah, and the bombs bursting the air

455
00:21:54,680 --> 00:21:58,719
Speaker 1: over the studio and ship. Motherfucking fireworks burst the whole session.

456
00:21:58,800 --> 00:22:01,240
Speaker 1: Fireworks just going on the whole session.

457
00:22:01,960 --> 00:22:09,080
Speaker 2: Who's who's your favorite artist to work with? That grist

458
00:22:09,119 --> 00:22:12,840
Speaker 2: the rhymes get out here and these times this you

459
00:22:12,880 --> 00:22:15,840
Speaker 2: know it varies throughout the throughout the days and years,

460
00:22:15,880 --> 00:22:19,600
Speaker 2: but I would say right now because he he busts

461
00:22:19,600 --> 00:22:23,040
Speaker 2: stayed on active duty like some dudes flip fade into

462
00:22:23,080 --> 00:22:23,679
Speaker 2: the you know what I mean?

463
00:22:23,800 --> 00:22:26,200
Speaker 1: Best that should get right and ship and another one

464
00:22:26,200 --> 00:22:28,560
Speaker 1: I would like to work with Man my man, fat Man,

465
00:22:28,840 --> 00:22:29,560
Speaker 1: fat Man.

466
00:22:29,680 --> 00:22:30,680
Speaker 2: Thigga's name in New York.

467
00:22:32,400 --> 00:22:43,080
Speaker 8: Frank Sinatra, you got some real.

468
00:22:42,920 --> 00:22:45,920
Speaker 1: New York to shure man. You know how it is man,

469
00:22:45,960 --> 00:22:47,640
Speaker 1: you know that's where I'm at. Man, that's where I'll

470
00:22:47,640 --> 00:22:51,320
Speaker 1: be at. Bab and the locks. That's your dream collapse.

471
00:22:51,920 --> 00:22:53,760
Speaker 1: Oh no, he said he had the locks. You said

472
00:22:53,800 --> 00:22:57,240
Speaker 1: you had. Yeah, I got the he got a dolo

473
00:22:57,400 --> 00:23:01,320
Speaker 1: jada and looks joint. Yeah for sure, Okay, sure, I

474
00:23:01,320 --> 00:23:03,200
Speaker 1: mean there's many more. I got a to do list,

475
00:23:03,359 --> 00:23:05,080
Speaker 1: you know, I got a long to do list. Man,

476
00:23:05,119 --> 00:23:08,679
Speaker 1: That's that's what to keep me here. Oh man, I

477
00:23:08,760 --> 00:23:10,800
Speaker 1: just said some of the Grand Master Caz. Actually, if

478
00:23:10,840 --> 00:23:12,080
Speaker 1: you want to go to the other end of the

479
00:23:12,960 --> 00:23:16,520
Speaker 1: that's crazy and it's and it's fire fire. So I

480
00:23:16,640 --> 00:23:19,760
Speaker 1: just sent poets something. We're gonna go back to New

481
00:23:19,840 --> 00:23:23,240
Speaker 1: York now because you know, hold on all right, So

482
00:23:23,280 --> 00:23:24,920
Speaker 1: now if you want, if you want to talk about

483
00:23:25,000 --> 00:23:27,720
Speaker 1: all this, Like young Droe was always ill to me,

484
00:23:28,119 --> 00:23:29,879
Speaker 1: Young Droe was always super ill to me.

485
00:23:30,359 --> 00:23:33,159
Speaker 2: T I is always l to me. I can hear

486
00:23:33,200 --> 00:23:38,439
Speaker 2: you and I together on the joint Ross Ross Ross.

487
00:23:38,440 --> 00:23:41,520
Speaker 1: That's luxury balls right there. You got some luxury balls

488
00:23:41,560 --> 00:23:53,080
Speaker 1: on it. Yeah, now yo, all that man, Now we listeners.

489
00:23:53,080 --> 00:23:55,960
Speaker 2: Man, we've let yo. Man, why you don't you know

490
00:23:56,040 --> 00:23:57,480
Speaker 2: what song? Don't get enough credit?

491
00:23:57,560 --> 00:24:00,639
Speaker 1: Man? The ship you and Pete Rod did Man that

492
00:24:00,760 --> 00:24:02,600
Speaker 1: vitamin ship. Man that ship.

493
00:24:03,160 --> 00:24:05,000
Speaker 2: Oh my god, I got a man. Yo.

494
00:24:05,160 --> 00:24:08,280
Speaker 1: Listen, man, everybody right there, put that song on your

495
00:24:08,280 --> 00:24:11,879
Speaker 1: platefist and go sit in the staircase somewhere. Go just

496
00:24:11,880 --> 00:24:14,560
Speaker 1: go sit in the staircase with a bottle of something

497
00:24:14,600 --> 00:24:16,520
Speaker 1: and listen to that ship. That ship is and you

498
00:24:16,560 --> 00:24:18,080
Speaker 1: have your own part our joint.

499
00:24:18,600 --> 00:24:22,640
Speaker 2: Oh yeah, that was my favorite on that. I was like, man,

500
00:24:22,680 --> 00:24:24,320
Speaker 2: why this do wait so long? Man?

501
00:24:24,320 --> 00:24:28,200
Speaker 1: We didn't been yo this dude, man, But the industry

502
00:24:28,280 --> 00:24:30,280
Speaker 1: does that. You know what I'm saying. It does that.

503
00:24:30,480 --> 00:24:32,640
Speaker 1: You know what I'm saying, like, Yo, no, you old

504
00:24:32,680 --> 00:24:44,040
Speaker 1: school transit you know all that ship. I'm like, there's

505
00:24:44,119 --> 00:24:45,240
Speaker 1: plenty of him.

506
00:24:46,200 --> 00:24:47,480
Speaker 3: I've been wanting to work with you. But that was

507
00:24:47,520 --> 00:24:49,360
Speaker 3: a great thing. And you know what was great about that.

508
00:24:49,960 --> 00:24:52,680
Speaker 3: I was just speaking to my man Hazardous and he said,

509
00:24:53,359 --> 00:24:55,320
Speaker 3: you know, you were his joint and then he goes,

510
00:24:56,080 --> 00:24:59,199
Speaker 3: oh yeah, he goes, he goes with Prodigy And that's

511
00:24:59,240 --> 00:25:02,320
Speaker 3: how powerful to has did the whole on mega album,

512
00:25:02,440 --> 00:25:06,320
Speaker 3: YEA Sounds Engineers.

513
00:25:06,280 --> 00:25:07,600
Speaker 2: Saying that's how powerful it was.

514
00:25:08,040 --> 00:25:09,960
Speaker 3: He he mentioned it like it was me, you and

515
00:25:10,000 --> 00:25:12,200
Speaker 3: Protiesty because Producty was in the video. At the time,

516
00:25:12,200 --> 00:25:15,200
Speaker 3: people thought me and Prodiesty was beefing. So we did

517
00:25:15,480 --> 00:25:18,800
Speaker 3: like like a a stand office and then we smacked five.

518
00:25:18,560 --> 00:25:20,800
Speaker 2: And it was all love you you were you.

519
00:25:20,920 --> 00:25:23,000
Speaker 1: I know, I see what you're doing man, I see

520
00:25:23,000 --> 00:25:25,560
Speaker 1: what you do man, and you you definitely be taking

521
00:25:25,560 --> 00:25:28,240
Speaker 1: that page out of oxbook where you where you? You

522
00:25:28,240 --> 00:25:28,359
Speaker 1: know what?

523
00:25:28,359 --> 00:25:31,280
Speaker 2: I'm the whole, Yeah, the whole. I mean it makes

524
00:25:31,280 --> 00:25:34,880
Speaker 2: the whole. You know, bro, what wouldn't be.

525
00:25:38,160 --> 00:25:38,480
Speaker 1: The show?

526
00:25:40,000 --> 00:25:43,040
Speaker 2: So right, come on, you gonna quick caraspin straighten the rules,

527
00:25:43,320 --> 00:25:46,960
Speaker 2: will give you two choices. I ain't drinking, no crazy ship.

528
00:25:47,160 --> 00:25:52,240
Speaker 9: This is an shots of that. Okay, so two choices.

529
00:25:52,280 --> 00:25:55,240
Speaker 9: You picked one. We're not drinking, but you say both

530
00:25:55,240 --> 00:25:59,200
Speaker 9: are neither we're drinking, so you gotta pick one. Basically

531
00:25:59,520 --> 00:26:01,159
Speaker 9: all right, you don't have to.

532
00:26:01,119 --> 00:26:03,640
Speaker 2: Be I could do that. All right. Let's set it off.

533
00:26:03,960 --> 00:26:05,240
Speaker 2: You go for a bigger or big.

534
00:26:05,160 --> 00:26:15,800
Speaker 10: L get my shot ready though, let's say big L okay,

535
00:26:16,640 --> 00:26:17,800
Speaker 10: got any good big L stories?

536
00:26:19,480 --> 00:26:23,040
Speaker 1: The picture of his album cover, that first album cover

537
00:26:23,119 --> 00:26:28,000
Speaker 1: is my grandmother building. Oh wow, wow, that's that's where

538
00:26:28,040 --> 00:26:30,720
Speaker 1: I went. That was Grandma's house. You know what I'm saying.

539
00:26:31,320 --> 00:26:33,840
Speaker 1: When I was coming right there on the Hunt thirty

540
00:26:33,920 --> 00:26:36,720
Speaker 1: ninth for Linux, that's Grandma's house, you know what I'm saying.

541
00:26:36,720 --> 00:26:39,320
Speaker 1: So that's where I was going for Thanksgiving, all that,

542
00:26:39,400 --> 00:26:40,760
Speaker 1: you know, all that fly ship we do. You know

543
00:26:40,800 --> 00:26:43,680
Speaker 1: what I'm saying, We go see Grandma's ship. That's where

544
00:26:43,680 --> 00:26:46,720
Speaker 1: I was going. And plus, because you know Big Big,

545
00:26:46,840 --> 00:26:49,440
Speaker 1: no Big is the same, were the same age, you

546
00:26:49,480 --> 00:26:51,919
Speaker 1: know what I'm saying. So Big that boy, he's in

547
00:26:52,000 --> 00:26:53,760
Speaker 1: my heart. I never got to work with Big though,

548
00:26:53,800 --> 00:26:54,520
Speaker 1: right Man.

549
00:26:54,520 --> 00:26:57,120
Speaker 2: I met him once. He was going to get them

550
00:26:57,160 --> 00:26:57,840
Speaker 2: chip phones.

551
00:26:57,880 --> 00:27:01,439
Speaker 1: Man, I remember, man uh uh fucking my man fresh

552
00:27:01,440 --> 00:27:03,439
Speaker 1: Gold and was shipping the phones at the time and

553
00:27:03,440 --> 00:27:05,800
Speaker 1: ship and bust Bus had to plug this shit and

554
00:27:05,880 --> 00:27:09,119
Speaker 1: he's like yo pee And so I went and bus.

555
00:27:09,280 --> 00:27:11,080
Speaker 1: They had like a long night, I think, and shit,

556
00:27:11,080 --> 00:27:12,840
Speaker 1: and he was still up for the morning and shit,

557
00:27:12,880 --> 00:27:15,800
Speaker 1: and he's like, yo flat Bush. So I met him

558
00:27:15,800 --> 00:27:19,080
Speaker 1: and she was Bus was living right there and on

559
00:27:19,359 --> 00:27:24,800
Speaker 1: flat Bush Avenue like right downtown, like yo. Honestly, right

560
00:27:24,840 --> 00:27:27,280
Speaker 1: now where he was living is diagonal from where the

561
00:27:27,280 --> 00:27:28,399
Speaker 1: ball Clays is.

562
00:27:29,480 --> 00:27:31,480
Speaker 2: That's where he was living. So he's boom.

563
00:27:31,560 --> 00:27:33,639
Speaker 1: I came He's like, Yo, I'm gonna make one stop

564
00:27:34,040 --> 00:27:36,399
Speaker 1: and then he stopped off and dropped big Olf and

565
00:27:36,560 --> 00:27:38,160
Speaker 1: I was like, oh, shoot you out of that. Nigga

566
00:27:38,320 --> 00:27:41,200
Speaker 1: was like yo, He's like, yo, give me a beat man.

567
00:27:41,200 --> 00:27:42,359
Speaker 1: I was like yeah, hell yeah.

568
00:27:42,560 --> 00:27:44,720
Speaker 2: And that was it, man, Biggie on a large prov

569
00:27:45,480 --> 00:27:48,000
Speaker 2: been crazy, that had been crazy. Now.

570
00:27:48,000 --> 00:27:50,439
Speaker 1: I felt the connection because, like I said, were the

571
00:27:50,480 --> 00:27:52,960
Speaker 1: same age. So I felt the connection, like and he

572
00:27:53,080 --> 00:27:55,119
Speaker 1: was just a wild out nigga, Like we was wild

573
00:27:55,119 --> 00:27:59,000
Speaker 1: out dudes, like all that barbecue shit. Oh there's some

574
00:27:59,040 --> 00:28:02,000
Speaker 1: wildout shit I'm saying so like and he just said

575
00:28:02,040 --> 00:28:04,119
Speaker 1: some wild out ship. He was saying some flagrant like

576
00:28:04,200 --> 00:28:07,439
Speaker 1: wild ship at the time, you know. So I felt

577
00:28:07,440 --> 00:28:09,840
Speaker 1: that vibe, like Yo, it was the same along the

578
00:28:09,840 --> 00:28:17,400
Speaker 1: same lines as nots Wow or DMX dm Max read

579
00:28:17,440 --> 00:28:22,080
Speaker 1: some Peace both Lost Boys or ONNYX Lost Boys. I

580
00:28:22,119 --> 00:28:24,320
Speaker 1: grew up with mister Cheeks. We used to break dance

581
00:28:24,320 --> 00:28:26,280
Speaker 1: in the hallway. God, we just had cheeks on.

582
00:28:26,560 --> 00:28:26,800
Speaker 2: Yeah.

583
00:28:26,840 --> 00:28:29,120
Speaker 3: That's that first time, the first time he's ever talked

584
00:28:29,119 --> 00:28:30,399
Speaker 3: about freaky tow on camera.

585
00:28:30,880 --> 00:28:32,000
Speaker 2: I didn't realize that I was.

586
00:28:32,080 --> 00:28:36,080
Speaker 1: I was that's he big up Jay Raft, Chief of

587
00:28:36,160 --> 00:28:38,520
Speaker 1: staff Man for whatever. That's that's that's who I grew

588
00:28:38,600 --> 00:28:41,120
Speaker 1: up with in Flushing, and that's Cheek's cousins. So he

589
00:28:41,240 --> 00:28:44,719
Speaker 1: we was like breakdancing days, like from way back, like

590
00:28:44,840 --> 00:28:46,680
Speaker 1: me and mister Chief. As a matter of fact, on

591
00:28:46,800 --> 00:28:49,240
Speaker 1: Main Source album, on the break In Adams album, there's

592
00:28:49,240 --> 00:28:52,160
Speaker 1: a shout out to Lost Boys on it, way before

593
00:28:52,160 --> 00:28:52,800
Speaker 1: they came out.

594
00:28:52,960 --> 00:28:54,160
Speaker 2: Wow, and there was just a crew.

595
00:28:54,480 --> 00:28:57,520
Speaker 1: They was just a crew. Yeah, that's that's the Cheeks. Yeah,

596
00:28:57,760 --> 00:29:00,760
Speaker 1: I mean, super love to my man. You know when

597
00:29:00,800 --> 00:29:02,920
Speaker 1: I see it, you know we're gonna get together and ship.

598
00:29:02,960 --> 00:29:07,520
Speaker 1: My man, fred gioe motherfucker stick yo. Because my story,

599
00:29:07,680 --> 00:29:11,400
Speaker 1: my my peripheral story to that is shallow, Shot Skills.

600
00:29:11,640 --> 00:29:12,240
Speaker 2: You know what I'm saying.

601
00:29:12,240 --> 00:29:14,880
Speaker 1: The man that produced the Onyx album, you know, the

602
00:29:14,920 --> 00:29:17,920
Speaker 1: first Hox album, Slam Throw your Guns. I grew up

603
00:29:17,960 --> 00:29:20,080
Speaker 1: with Shallow. You know what I'm saying, Shot Skills, that's

604
00:29:20,120 --> 00:29:22,240
Speaker 1: my man. He grew up in Flush building, you know

605
00:29:22,280 --> 00:29:24,640
Speaker 1: what I'm saying, down cold and ship. Like some of

606
00:29:24,680 --> 00:29:26,800
Speaker 1: them records that was used for the Onyx album is

607
00:29:26,840 --> 00:29:28,840
Speaker 1: my records, you know what I mean? Like he was

608
00:29:29,120 --> 00:29:31,240
Speaker 1: you know what I mean, Like we that was flush,

609
00:29:31,520 --> 00:29:34,880
Speaker 1: flush and shallow and Mike like that we we're gonna

610
00:29:34,880 --> 00:29:38,800
Speaker 1: get into that or not, like, yeah, we got a

611
00:29:38,800 --> 00:29:40,360
Speaker 1: little we got a little powers.

612
00:29:40,400 --> 00:29:42,280
Speaker 3: Yeah, yeah, because we gonna come back because we go

613
00:29:43,280 --> 00:29:46,120
Speaker 3: through this Cormega or Mike Geronimo.

614
00:29:47,320 --> 00:29:52,120
Speaker 1: Cor mega he said it like that cormega now cor mega.

615
00:29:52,560 --> 00:29:55,840
Speaker 1: All right, Now my story with Mike my Geronimo. When

616
00:29:55,880 --> 00:29:58,720
Speaker 1: my parents said, yo, you could go outside by yourself

617
00:29:58,720 --> 00:30:01,200
Speaker 1: for the first time, the first person I met was

618
00:30:01,240 --> 00:30:02,040
Speaker 1: Mike Geronimo.

619
00:30:02,240 --> 00:30:05,200
Speaker 2: Wow, I think he said that here. No, no, yeah, yeah,

620
00:30:05,480 --> 00:30:05,880
Speaker 2: he's did.

621
00:30:06,320 --> 00:30:09,160
Speaker 1: When they said when I always had to go outside

622
00:30:09,160 --> 00:30:11,880
Speaker 1: with my posts and my sister whoever whatever, And the

623
00:30:11,880 --> 00:30:14,400
Speaker 1: first time they said, yo, you could go outside by yourself,

624
00:30:14,520 --> 00:30:16,400
Speaker 1: the first person I met was Mike Geronimo.

625
00:30:16,520 --> 00:30:17,880
Speaker 2: Mike Geronimo, where was this that?

626
00:30:18,320 --> 00:30:20,720
Speaker 1: And call out Flushing Queens? Yeah, call out tower was

627
00:30:20,760 --> 00:30:25,840
Speaker 1: Flushing Queens, New York. I remember that was my first friend.

628
00:30:25,920 --> 00:30:27,560
Speaker 1: And he called you Paul or something Paulie.

629
00:30:27,640 --> 00:30:28,960
Speaker 2: Yeah. We don't never call you pall we call you

630
00:30:29,080 --> 00:30:35,360
Speaker 2: lost the festival, was Paul. No, that was me man, Paulie.

631
00:30:35,360 --> 00:30:39,520
Speaker 1: Man. That's that's how your sister would know me, sister, Paul. Yeah.

632
00:30:40,160 --> 00:30:42,400
Speaker 2: ASR ten or SP twelve hundred.

633
00:30:42,360 --> 00:30:46,440
Speaker 1: As R ten absolutely because the SP twelve hundred. I

634
00:30:46,480 --> 00:30:49,240
Speaker 1: want to explain some of these destitutions because the SP

635
00:30:49,320 --> 00:30:52,760
Speaker 1: twelve hundred I was. I was, I was fed up man,

636
00:30:52,760 --> 00:30:54,600
Speaker 1: because I was trying to hold on to that ship.

637
00:30:54,640 --> 00:30:58,040
Speaker 2: Man, God bless moms man. Moms. My moms was like.

638
00:31:00,600 --> 00:31:05,080
Speaker 1: Cutting edge with technology, so like you know, it'd be like, Mommy,

639
00:31:05,080 --> 00:31:07,560
Speaker 1: give me the newer data. She's like, Mommy, give me

640
00:31:07,600 --> 00:31:09,520
Speaker 1: the new computer. All right, well what we're talking about?

641
00:31:09,560 --> 00:31:10,640
Speaker 1: Like all right, how much is that?

642
00:31:10,680 --> 00:31:11,840
Speaker 2: You know what I mean? It's like she was she

643
00:31:12,000 --> 00:31:14,360
Speaker 2: knew what I needed. You know.

644
00:31:14,480 --> 00:31:16,800
Speaker 1: She's like, nigga, you gonna go fuck them sneakers up

645
00:31:17,000 --> 00:31:17,320
Speaker 1: this shit.

646
00:31:17,440 --> 00:31:19,200
Speaker 2: You I know you're going to. So it was that

647
00:31:19,240 --> 00:31:21,920
Speaker 2: type of thing. So I was.

648
00:31:22,080 --> 00:31:25,480
Speaker 1: I was always like s P twelve hundred out, I

649
00:31:25,600 --> 00:31:27,640
Speaker 1: might have died in a grave like they might have

650
00:31:27,760 --> 00:31:30,840
Speaker 1: like been burying me with like with the s B

651
00:31:30,960 --> 00:31:35,320
Speaker 1: twelve hundred, like that's how much real? Like and and

652
00:31:35,480 --> 00:31:40,720
Speaker 1: then like Rizzi and all these dudes mo b, all

653
00:31:40,720 --> 00:31:43,280
Speaker 1: these honorable producers they start coming out and then like

654
00:31:43,360 --> 00:31:45,480
Speaker 1: you know, I'm geek out and ship I'll be like, yo,

655
00:31:45,800 --> 00:31:48,960
Speaker 1: what machine you using what's this and you know saw

656
00:31:49,040 --> 00:31:51,760
Speaker 1: yo the ASR ten to three thousand of this that now,

657
00:31:51,840 --> 00:31:54,200
Speaker 1: fuck that SP twelve hundred man, that's that's my ship.

658
00:31:54,240 --> 00:31:55,160
Speaker 2: I'm killing them with that.

659
00:31:55,720 --> 00:31:59,600
Speaker 1: And then the reason why is because the s B

660
00:31:59,680 --> 00:32:03,080
Speaker 1: twelve hundred, when you tune your drums, it's gonna start

661
00:32:03,120 --> 00:32:06,080
Speaker 1: crapping out. On the ASR ten when you tune your drums,

662
00:32:06,120 --> 00:32:11,560
Speaker 1: it will sustain and simply, you know, just just functions,

663
00:32:11,600 --> 00:32:13,640
Speaker 1: you know what I mean, the ASR ten does more

664
00:32:13,840 --> 00:32:15,000
Speaker 1: than the SB twelve hundred.

665
00:32:15,000 --> 00:32:18,200
Speaker 2: That's why I say that good right, so great, Produce

666
00:32:18,240 --> 00:32:20,840
Speaker 2: the fucking breakdown right there. Your next one, it goes

667
00:32:20,880 --> 00:32:23,120
Speaker 2: right into the next one analog or digital.

668
00:32:22,920 --> 00:32:26,520
Speaker 1: Analog, the analog with that analog and then and then

669
00:32:26,560 --> 00:32:29,960
Speaker 1: you could go to digital because it's going it's gonna

670
00:32:29,960 --> 00:32:33,840
Speaker 1: preserve that analog. That funk that that bump from the analog.

671
00:32:33,960 --> 00:32:34,160
Speaker 9: Yeah.

672
00:32:34,320 --> 00:32:36,240
Speaker 2: See, no one's ever said that's the smartest way to

673
00:32:36,280 --> 00:32:38,120
Speaker 2: answer that is because you can you can do. You

674
00:32:38,120 --> 00:32:40,120
Speaker 2: can start an analog and then you can transmit the

675
00:32:40,120 --> 00:32:41,160
Speaker 2: digital digital.

676
00:32:41,480 --> 00:32:44,360
Speaker 1: That funk, that bump whatever that is that you got

677
00:32:44,360 --> 00:32:47,240
Speaker 1: an analog that you know what you're doing, Get on

678
00:32:47,840 --> 00:32:48,440
Speaker 1: it's going.

679
00:32:48,560 --> 00:32:50,640
Speaker 2: And then you just did did you you know?

680
00:32:50,760 --> 00:32:53,040
Speaker 3: Did you always say that's far because you have always

681
00:32:53,080 --> 00:32:56,840
Speaker 3: say that the music back then was better because of analog, because.

682
00:32:56,520 --> 00:32:58,640
Speaker 2: We had to make it together. It was a community.

683
00:32:58,760 --> 00:33:00,760
Speaker 2: Analog made it community. Right now, you can send me

684
00:33:00,800 --> 00:33:05,160
Speaker 2: a beat. I could be in Paris, who's unprofessional. You

685
00:33:05,160 --> 00:33:07,840
Speaker 2: could be in Paris, I could be in Russia and

686
00:33:07,880 --> 00:33:09,800
Speaker 2: we can still make a record together. But if we

687
00:33:09,920 --> 00:33:12,120
Speaker 2: both in Flushing, if we both in left right, were

688
00:33:12,120 --> 00:33:14,560
Speaker 2: both in Quezan, were both in power Play studios, how

689
00:33:14,640 --> 00:33:18,960
Speaker 2: much better would it come? With y man hands on.

690
00:33:20,960 --> 00:33:21,200
Speaker 1: Like it?

691
00:33:21,240 --> 00:33:21,920
Speaker 2: I got my man.

692
00:33:22,200 --> 00:33:24,160
Speaker 1: I was just working the other day with my dude,

693
00:33:24,160 --> 00:33:27,080
Speaker 1: Dennis Kellman man yo, and we was doing it like that.

694
00:33:27,160 --> 00:33:27,320
Speaker 2: Man.

695
00:33:27,360 --> 00:33:29,680
Speaker 1: He from he from the Hurst, from East Elmhurst.

696
00:33:29,920 --> 00:33:30,800
Speaker 2: He on the rise. Yo.

697
00:33:31,600 --> 00:33:33,120
Speaker 1: We was in the lab doing it like that.

698
00:33:33,240 --> 00:33:33,400
Speaker 11: Man.

699
00:33:33,560 --> 00:33:36,840
Speaker 1: I was actually in the studio. I had the drum machine.

700
00:33:37,280 --> 00:33:39,520
Speaker 1: He was in there like it was crazy. I was

701
00:33:39,520 --> 00:33:42,400
Speaker 1: like damn this, you know. And then the the engineer,

702
00:33:42,480 --> 00:33:46,600
Speaker 1: James Mullen, he's like power Play alumni. So we in

703
00:33:46,640 --> 00:33:49,440
Speaker 1: the building are still there. The building is still there,

704
00:33:49,480 --> 00:33:51,240
Speaker 1: you know, axing them is still in there. You know,

705
00:33:52,000 --> 00:33:57,840
Speaker 1: do you know Axes, Axes still there man, Hell yeah.

706
00:33:57,720 --> 00:34:02,840
Speaker 3: Okay, Illmatic or ready to die.

707
00:34:00,040 --> 00:34:06,120
Speaker 2: Yeah, Allmatic. I would say so too, Sirmatic, nas j

708
00:34:06,320 --> 00:34:13,719
Speaker 2: Z drink drink.

709
00:34:15,239 --> 00:34:19,000
Speaker 1: It's Champagne anyway, because you're talking about two cool niggas

710
00:34:19,000 --> 00:34:19,440
Speaker 1: that made it.

711
00:34:19,560 --> 00:34:21,680
Speaker 2: Man, you know what I'm saying. So I'm like, damn,

712
00:34:22,719 --> 00:34:23,520
Speaker 2: you could take a drink.

713
00:34:24,440 --> 00:34:27,000
Speaker 1: Yeah, I take a drink to both of them about

714
00:34:27,040 --> 00:34:28,759
Speaker 1: the worried up.

715
00:34:31,480 --> 00:34:34,200
Speaker 2: Now he's gonna he's gonna look Sampaine. I'm gonna sick

716
00:34:34,280 --> 00:34:35,600
Speaker 2: with Champagne to I'm gonna take a look.

717
00:34:35,560 --> 00:34:38,840
Speaker 1: Like they both they both they both project brothers. They

718
00:34:38,960 --> 00:34:41,200
Speaker 1: both project brothers that made it. You know what.

719
00:34:41,280 --> 00:34:42,400
Speaker 2: You can see them in versus.

720
00:34:44,480 --> 00:34:46,520
Speaker 1: I mean, honestly, I think Jay will win because he

721
00:34:46,600 --> 00:34:49,880
Speaker 1: got just a lot more like just people anthems, you

722
00:34:49,960 --> 00:34:53,520
Speaker 1: know what I'm saying, Nas got like And it depends

723
00:34:53,560 --> 00:34:56,239
Speaker 1: on the setting also, like if we like down the

724
00:34:56,320 --> 00:34:59,480
Speaker 1: block at museum like that, Nas, you know what I mean.

725
00:34:59,680 --> 00:35:01,879
Speaker 1: But if we like in some arena or some type

726
00:35:01,880 --> 00:35:04,000
Speaker 1: of ship like that, like I think Jay because just

727
00:35:04,200 --> 00:35:09,200
Speaker 1: like you know, like us, he just got them people

728
00:35:09,360 --> 00:35:12,520
Speaker 1: anthems that it's just it's bananas, like you know Na's

729
00:35:12,560 --> 00:35:16,479
Speaker 1: got them heaters though, Na's got motherfucking on the reel.

730
00:35:18,280 --> 00:35:20,279
Speaker 1: See that's how now kill him if you just go

731
00:35:20,400 --> 00:35:22,879
Speaker 1: to the gutter like now for like on the reel,

732
00:35:23,000 --> 00:35:27,680
Speaker 1: dud uh, motherfucking I did it my way up the side, Yeah,

733
00:35:27,760 --> 00:35:28,400
Speaker 1: the B side.

734
00:35:28,440 --> 00:35:29,040
Speaker 2: I just caught it.

735
00:35:29,160 --> 00:35:33,200
Speaker 1: A double of that album on vinyl. Uh, the lost

736
00:35:33,280 --> 00:35:35,960
Speaker 1: tapes and the other joint. What's what's the joint? We're

737
00:35:36,040 --> 00:35:39,920
Speaker 1: listening to, news man. You gotta love it, You gotta

738
00:35:40,040 --> 00:35:42,560
Speaker 1: love it. You gotta love it. Clears a lot of

739
00:35:42,640 --> 00:35:45,400
Speaker 1: ship out. You gotta love it, clear a lot of

740
00:35:45,400 --> 00:35:47,480
Speaker 1: ship out. A lot of niggas got like they you

741
00:35:47,560 --> 00:35:50,279
Speaker 1: gotta heap up like four, five or six songs because

742
00:35:50,360 --> 00:35:52,440
Speaker 1: Nas could just put on put you gotta love it

743
00:35:52,560 --> 00:35:53,879
Speaker 1: back on, you know what I mean.

744
00:35:53,960 --> 00:35:57,280
Speaker 2: It's just clear niggas if he was performed the whole.

745
00:35:57,680 --> 00:36:06,080
Speaker 1: And no ideas original, no ideas of original, so he

746
00:36:06,200 --> 00:36:08,800
Speaker 1: got he's just not paying attention to them heaters like

747
00:36:08,920 --> 00:36:13,320
Speaker 1: he got heaters that if he switched his show, he

748
00:36:13,440 --> 00:36:17,960
Speaker 1: gets treacherous, It gets tangerous. Were like you you gotta

749
00:36:18,040 --> 00:36:24,759
Speaker 1: start doing that vitamins on stage in your show. Big

750
00:36:24,880 --> 00:36:27,360
Speaker 1: up rod Digger because we was in v A and

751
00:36:27,480 --> 00:36:28,960
Speaker 1: we're doing the show. As a matter of fact, you

752
00:36:29,120 --> 00:36:32,560
Speaker 1: was on the show. We were red man. You I

753
00:36:32,680 --> 00:36:34,600
Speaker 1: think I was there with d I T. C.

754
00:36:34,800 --> 00:36:35,960
Speaker 2: Law for them.

755
00:36:36,440 --> 00:36:39,080
Speaker 1: It was a nice show and v A and Rod

756
00:36:39,120 --> 00:36:41,520
Speaker 1: Digger was we was she was doing a sound check.

757
00:36:41,960 --> 00:36:44,160
Speaker 1: I was like, Digga, you doing that that Pete Rob

758
00:36:44,239 --> 00:36:48,120
Speaker 1: joint And she was like, I don't know. And I

759
00:36:48,239 --> 00:36:50,480
Speaker 1: was like, nah, you got to, you got to. And

760
00:36:51,160 --> 00:36:53,600
Speaker 1: I seen Nigger like not too long ago. She's like,

761
00:36:53,840 --> 00:36:55,960
Speaker 1: I'm still doing the Pete Rock was like, Yo, so

762
00:36:56,400 --> 00:36:58,960
Speaker 1: you too, man, you gotta do that Pete Rock ship.

763
00:36:59,040 --> 00:37:01,680
Speaker 1: That vitamin ship is crazy. Everybody get that on your

764
00:37:01,719 --> 00:37:05,160
Speaker 1: playlist now that ship crazy juice or New Jack City

765
00:37:05,680 --> 00:37:12,680
Speaker 1: Juice Juice je Juice is hip hop like that. That's

766
00:37:12,800 --> 00:37:16,040
Speaker 1: me right there, like that pock is in Juice like crazy.

767
00:37:16,239 --> 00:37:16,439
Speaker 2: Yeah.

768
00:37:16,520 --> 00:37:20,640
Speaker 1: That inspired me to Yeah you ever met Hell, Yeah,

769
00:37:21,200 --> 00:37:22,920
Speaker 1: you call me Professor Maine Sauce.

770
00:37:24,960 --> 00:37:26,520
Speaker 2: Professor Main Sauce.

771
00:37:32,760 --> 00:37:35,680
Speaker 1: Was because they you know, Cali, Cali, I think they

772
00:37:35,840 --> 00:37:38,480
Speaker 1: like that on the Friendly Game of Baseball. Joints.

773
00:37:38,800 --> 00:37:38,960
Speaker 12: You know.

774
00:37:39,040 --> 00:37:39,319
Speaker 1: I was.

775
00:37:41,560 --> 00:37:43,880
Speaker 2: No, no, no, motherfucking faking the that.

776
00:37:49,320 --> 00:37:52,239
Speaker 1: I'm ready, yo, But they rock with the friendly game

777
00:37:52,320 --> 00:37:55,000
Speaker 1: of baseball joint and so you know, like I had

778
00:37:55,040 --> 00:37:57,920
Speaker 1: a lot of love early from Cali brothers, like they

779
00:37:58,080 --> 00:37:59,840
Speaker 1: was like, so pack was one of them, man, he

780
00:38:00,120 --> 00:38:03,760
Speaker 1: was always like, Yo, that's my nigga Professor Main Sauce

781
00:38:03,800 --> 00:38:04,040
Speaker 1: with some.

782
00:38:04,160 --> 00:38:05,000
Speaker 2: Baby I got to flick.

783
00:38:05,239 --> 00:38:08,480
Speaker 1: You met him underground digital underground No right when he

784
00:38:08,640 --> 00:38:11,160
Speaker 1: was getting ready to right when you do to his thing.

785
00:38:11,280 --> 00:38:15,200
Speaker 2: Yeah, it must have been kind of crazy though, when

786
00:38:15,200 --> 00:38:16,279
Speaker 2: everything started popping off.

787
00:38:16,600 --> 00:38:19,160
Speaker 1: Oh, when everything's yeah, no, I mean because it's just

788
00:38:19,239 --> 00:38:22,279
Speaker 1: another one of them brothers. That's just like popping off.

789
00:38:22,400 --> 00:38:25,239
Speaker 1: Like it's like the fireworks. You just see them ship

790
00:38:25,320 --> 00:38:27,799
Speaker 1: start popping off. You like, oh ship that one, Oh

791
00:38:27,960 --> 00:38:30,960
Speaker 1: that one over there. It's like that with everybody, Like nah,

792
00:38:31,040 --> 00:38:33,279
Speaker 1: it's like apatche Like you know what I'm saying, Like

793
00:38:33,320 --> 00:38:38,160
Speaker 1: you just seeing everybody popping off, Oh ship who MC

794
00:38:38,440 --> 00:38:43,120
Speaker 1: or dje DJ because you were're running your mouths that shit,

795
00:38:43,160 --> 00:38:44,640
Speaker 1: ain't you know what I mean? You gotta keep running

796
00:38:44,680 --> 00:38:49,440
Speaker 1: your fucking mouth. Just keep running your mouth, you know

797
00:38:49,480 --> 00:38:52,080
Speaker 1: what I'm saying, Like, Oh, all right now, but just

798
00:38:52,160 --> 00:38:54,600
Speaker 1: playing some tunes. That ship is forever. We could do

799
00:38:54,719 --> 00:38:57,680
Speaker 1: that ship for fold one hundred thousand hours. You know

800
00:38:57,719 --> 00:39:00,440
Speaker 1: what I'm saying, to shut your fucking mouth, like listening

801
00:39:00,440 --> 00:39:02,239
Speaker 1: to the records and shit, you know what I'm saying.

802
00:39:03,400 --> 00:39:08,959
Speaker 2: Yeah, yeah, who did you rap on for Ness? Oh man,

803
00:39:09,160 --> 00:39:09,920
Speaker 2: that's gonna.

804
00:39:09,800 --> 00:39:13,759
Speaker 1: Definitely be another drink right there. I love both of

805
00:39:13,840 --> 00:39:16,759
Speaker 1: them brothers, man, I love yo because for Neess, for

806
00:39:16,840 --> 00:39:19,440
Speaker 1: Neess first and foremost, both of them is bosses. You

807
00:39:19,480 --> 00:39:21,759
Speaker 1: know what I'm saying. I'll tell you the sort. Like

808
00:39:21,880 --> 00:39:25,960
Speaker 1: for Neess was the first brother that came to me,

809
00:39:26,120 --> 00:39:28,719
Speaker 1: like you know, in New York, we was kind of like, yo,

810
00:39:28,800 --> 00:39:31,120
Speaker 1: the offices, the office, you know, the office. We wasn't

811
00:39:31,200 --> 00:39:33,080
Speaker 1: like them brothers down South where it's like yo, fuck

812
00:39:33,120 --> 00:39:34,680
Speaker 1: that we're gonna press our own ship up and do

813
00:39:34,760 --> 00:39:36,400
Speaker 1: what we do, you know what I mean. He was like, Yo,

814
00:39:36,440 --> 00:39:38,040
Speaker 1: We're gonna go to the office real quick, see if

815
00:39:38,080 --> 00:39:40,480
Speaker 1: we could get it by so. But Finess was one

816
00:39:40,520 --> 00:39:42,320
Speaker 1: of the first brothers that came to me and was

817
00:39:42,440 --> 00:39:45,640
Speaker 1: like I finished the remix. I'm like yo, so you know,

818
00:39:45,719 --> 00:39:47,640
Speaker 1: I'm go to the office and she's like no, no, no,

819
00:39:47,840 --> 00:39:49,759
Speaker 1: I got you like, I got you like and he

820
00:39:50,120 --> 00:39:52,160
Speaker 1: reached in his pocket and was like bomb that's you

821
00:39:52,360 --> 00:39:54,520
Speaker 1: right there and ship and I'm like, oh shit, like

822
00:39:54,600 --> 00:39:56,399
Speaker 1: So that was one of the first brothers I seen

823
00:39:56,520 --> 00:39:58,840
Speaker 1: like boss up like on his own, like where he

824
00:39:59,000 --> 00:40:00,400
Speaker 1: was all in nigga. You know what I mean.

825
00:40:00,440 --> 00:40:04,120
Speaker 2: You know when you get the budget for that. We're

826
00:40:04,160 --> 00:40:04,440
Speaker 2: here the.

827
00:40:05,920 --> 00:40:08,520
Speaker 1: Budget and you dispersed the funds, you know what I'm saying,

828
00:40:08,600 --> 00:40:11,279
Speaker 1: not the label like he was all in nigga, Like, yo,

829
00:40:11,400 --> 00:40:13,640
Speaker 1: I give me the whole budget and I'm gonna disperse

830
00:40:13,719 --> 00:40:16,680
Speaker 1: the funds. So and g rap Man g rap actually

831
00:40:16,880 --> 00:40:17,879
Speaker 1: like that brother.

832
00:40:18,000 --> 00:40:19,520
Speaker 2: Man. He rapped from Corona.

833
00:40:19,760 --> 00:40:22,440
Speaker 3: He's from Yeah, of course I remember him living in

834
00:40:22,520 --> 00:40:23,560
Speaker 3: Left Rock at one point.

835
00:40:23,960 --> 00:40:26,399
Speaker 1: No, he was heavy and left Rag Shannon is still

836
00:40:26,400 --> 00:40:28,799
Speaker 1: out there, man, like all the people still out there man.

837
00:40:29,000 --> 00:40:34,560
Speaker 1: And yeah, g Man g taught me like like the

838
00:40:34,680 --> 00:40:37,240
Speaker 1: finer things, you know what I mean. It's like treat yourself.

839
00:40:37,360 --> 00:40:38,880
Speaker 2: He like that.

840
00:40:39,360 --> 00:40:47,840
Speaker 1: Not caviall, but like you know, shrimp scampy, shrimp scampy.

841
00:40:49,960 --> 00:40:52,360
Speaker 2: That's that's basic diner ship, you know. I mean, I

842
00:40:52,480 --> 00:40:55,319
Speaker 2: wasn't when you when you're young. That's that's already up there.

843
00:40:55,440 --> 00:40:59,200
Speaker 2: That's up the yo. Listen, man, I tell you a

844
00:40:59,280 --> 00:41:01,600
Speaker 2: funny story. I'm gonna tell you a funny story.

845
00:41:01,680 --> 00:41:05,320
Speaker 1: Me and Fatal follow Eric B and Freddie Fox around

846
00:41:05,400 --> 00:41:08,040
Speaker 1: for like for like a half an hour, like an hour,

847
00:41:08,520 --> 00:41:10,839
Speaker 1: and they went to the Buccaneer dining. The buck used

848
00:41:10,840 --> 00:41:13,080
Speaker 1: to be on the ass story here right boom.

849
00:41:13,160 --> 00:41:14,359
Speaker 2: So we we went in there.

850
00:41:14,400 --> 00:41:16,359
Speaker 1: We're sitting at the other table over there. And ship

851
00:41:16,400 --> 00:41:19,520
Speaker 1: we got like we we we could if we if

852
00:41:19,520 --> 00:41:21,400
Speaker 1: we get something to eat, man, we we kind of

853
00:41:21,600 --> 00:41:24,400
Speaker 1: dead in the water after that, Like yo, if the

854
00:41:24,480 --> 00:41:26,439
Speaker 1: gas went out on this ship, we dead in the water.

855
00:41:26,600 --> 00:41:28,960
Speaker 1: I mean it's good we get local. But all right,

856
00:41:29,719 --> 00:41:31,560
Speaker 1: you know every b he happy. He was like, yo, man,

857
00:41:31,600 --> 00:41:33,440
Speaker 1: get them brother something to eat man, Like yo, yo,

858
00:41:33,600 --> 00:41:35,640
Speaker 1: So we you know I come from that type of

859
00:41:35,680 --> 00:41:38,399
Speaker 1: ship man. So you know, g Rap showed me like, Yo,

860
00:41:40,520 --> 00:41:43,880
Speaker 1: treat yourself man. Like we was in Queen Center, Like Yo,

861
00:41:43,960 --> 00:41:45,000
Speaker 1: Paul man, you're gonna.

862
00:41:44,760 --> 00:41:45,319
Speaker 2: Get some kicks.

863
00:41:45,400 --> 00:41:49,520
Speaker 1: Make yo, Paul, get some kicks man right out ship

864
00:41:49,600 --> 00:41:51,000
Speaker 1: me and Queen Center and ship.

865
00:41:50,800 --> 00:41:53,880
Speaker 2: I'm like, Yo, what g Rap getting buying kicks? Like

866
00:41:54,040 --> 00:41:54,560
Speaker 2: you know what I mean?

867
00:41:54,680 --> 00:41:57,279
Speaker 1: Like that ship was crazy man, Like you, Paul man,

868
00:41:57,320 --> 00:41:59,040
Speaker 1: what you're gonna get the steak man? What you gonna

869
00:41:59,040 --> 00:42:01,759
Speaker 1: get You're gonna get the Yo. I'm like, now I'm

870
00:42:01,800 --> 00:42:05,080
Speaker 1: getting ready to get a burgers nigga, get the strict.

871
00:42:05,239 --> 00:42:07,800
Speaker 1: I'm like, I'm gonna do that. Man, See what that

872
00:42:07,920 --> 00:42:12,000
Speaker 1: life is about, you know, Yeah, drink that one absolutely yeah,

873
00:42:13,480 --> 00:42:16,600
Speaker 1: man of super ill lyricist. Man, we we wanded off.

874
00:42:16,680 --> 00:42:19,160
Speaker 1: They don't even remember the subject matter. But Yo, it's

875
00:42:19,280 --> 00:42:23,400
Speaker 1: crazy man, big up g rapping for nets the Lords

876
00:42:23,840 --> 00:42:27,400
Speaker 1: or Brand Nubian Jungle Brothers.

877
00:42:27,600 --> 00:42:30,359
Speaker 2: Nah. Now, but let me see. I mean that says

878
00:42:30,400 --> 00:42:30,600
Speaker 2: a lot.

879
00:42:30,880 --> 00:42:33,920
Speaker 1: Say let me see tribe called quest of Brand Nubies.

880
00:42:36,280 --> 00:42:38,799
Speaker 1: You know, you know for a fact that I'm gonna

881
00:42:38,800 --> 00:42:42,040
Speaker 1: definitely say the tribe because that's that's that's my that's

882
00:42:42,400 --> 00:42:43,840
Speaker 1: you know, I'm a part of the tribe.

883
00:42:44,680 --> 00:42:46,000
Speaker 2: I'm a part of the tribe like.

884
00:42:46,080 --> 00:42:50,400
Speaker 1: That's you know, that's that's that's my family that embraced

885
00:42:50,440 --> 00:42:53,239
Speaker 1: me after Main Sauce dissolved for me. You know what

886
00:42:53,239 --> 00:42:55,719
Speaker 1: I'm saying. Q Tip was coming due. He was like, Yo, bro,

887
00:42:56,880 --> 00:42:58,919
Speaker 1: we're not gonna You're not gonna be in no great

888
00:42:59,040 --> 00:43:02,239
Speaker 1: area and no time like nigga you actually getting ready

889
00:43:02,280 --> 00:43:03,560
Speaker 1: to be better than you was.

890
00:43:04,400 --> 00:43:05,759
Speaker 2: Just just just come through.

891
00:43:05,800 --> 00:43:08,640
Speaker 1: I'ma come get you know, come through here and there

892
00:43:08,760 --> 00:43:13,480
Speaker 1: Dah dah and Yo Nah tribe man, but big super

893
00:43:13,600 --> 00:43:16,160
Speaker 1: super big up to Brand Nubian because them brothers are

894
00:43:16,200 --> 00:43:20,600
Speaker 1: still on active duty and they they they Yo forever man,

895
00:43:20,760 --> 00:43:23,239
Speaker 1: like those is the dudes I was on like when

896
00:43:23,520 --> 00:43:26,640
Speaker 1: when my run was strong with Maine Sauce, like a

897
00:43:26,760 --> 00:43:30,920
Speaker 1: lot of them bills was Maine Sauce, Brand Nubian leaders

898
00:43:30,960 --> 00:43:35,440
Speaker 1: of the New School like you will see them flyers

899
00:43:35,560 --> 00:43:39,360
Speaker 1: like in Denver and here like with those with that

900
00:43:39,600 --> 00:43:41,600
Speaker 1: same line up, so big up Brand Newby and that

901
00:43:41,719 --> 00:43:44,320
Speaker 1: was those was the road dogs, big like we're big.

902
00:43:44,239 --> 00:43:46,400
Speaker 2: Up John scott Man, that was the road dog too.

903
00:43:46,840 --> 00:43:48,800
Speaker 2: That was the manager road Managers.

904
00:43:48,480 --> 00:43:55,799
Speaker 1: Sh Midnight Marauders or low in theory. I'm gonna say

905
00:43:55,840 --> 00:43:58,200
Speaker 1: low in theory because you know that was that was

906
00:43:58,280 --> 00:44:01,719
Speaker 1: more when they was your faces on Might Maradas though. Absolutely,

907
00:44:01,960 --> 00:44:04,520
Speaker 1: my hands, my soul, my heart is all do that

908
00:44:04,600 --> 00:44:05,160
Speaker 1: man for real?

909
00:44:05,280 --> 00:44:05,799
Speaker 2: Now for real?

910
00:44:05,920 --> 00:44:08,720
Speaker 1: That that's that's he bicked me up all through that album,

911
00:44:08,800 --> 00:44:10,359
Speaker 1: because that's when that's what I'm saying.

912
00:44:10,400 --> 00:44:11,759
Speaker 2: They embraced me, you know what I mean.

913
00:44:11,719 --> 00:44:14,600
Speaker 1: Like they brought me in like as a collaborator with that,

914
00:44:14,800 --> 00:44:17,680
Speaker 1: and it's like, yo, you know, like how you feel

915
00:44:17,719 --> 00:44:20,200
Speaker 1: about this? And it was like, oh ship, Like yo,

916
00:44:20,360 --> 00:44:23,920
Speaker 1: I'm able to say something about a tribe, call quest

917
00:44:24,080 --> 00:44:27,719
Speaker 1: record and give input into it, like, yo, I think

918
00:44:27,760 --> 00:44:31,759
Speaker 1: you need to rock the Brotherren drums with that? All right,

919
00:44:31,920 --> 00:44:35,719
Speaker 1: let me try it, yo. That ship worked like I'm

920
00:44:35,719 --> 00:44:36,320
Speaker 1: gonna fuck with it.

921
00:44:38,200 --> 00:44:38,359
Speaker 9: Oh.

922
00:44:39,120 --> 00:44:43,000
Speaker 3: Fife was probably one of the most competitive. Let me yo,

923
00:44:44,120 --> 00:44:46,200
Speaker 3: A lot of people. I've never said this story. A

924
00:44:46,239 --> 00:44:48,520
Speaker 3: lot of people don't know this. He didn't like that

925
00:44:48,760 --> 00:44:52,800
Speaker 3: jacked his lie what line? He goes, both know this

926
00:44:53,160 --> 00:44:57,359
Speaker 3: and bo no, jack wow, because I said what did

927
00:44:57,400 --> 00:44:57,719
Speaker 3: I say?

928
00:44:58,600 --> 00:45:00,560
Speaker 2: I said, no, we know this and don't know that?

929
00:45:00,840 --> 00:45:03,480
Speaker 2: But real no, gad wow because Norri buck that and

930
00:45:03,600 --> 00:45:06,120
Speaker 2: Fife was always like you kind of destroyed my ship

931
00:45:07,120 --> 00:45:09,200
Speaker 2: and I was just like what, I'm like, oh, gee,

932
00:45:09,239 --> 00:45:11,120
Speaker 2: I'm giving you love. He's like, no, I want to

933
00:45:11,120 --> 00:45:14,120
Speaker 2: take one of your lines. Norri I was like yo,

934
00:45:14,440 --> 00:45:20,200
Speaker 2: like to the versus like he was like, it's a

935
00:45:20,280 --> 00:45:21,799
Speaker 2: good way, a good way.

936
00:45:22,440 --> 00:45:25,040
Speaker 3: And when you hear stories about Kobe Bryant and you

937
00:45:25,120 --> 00:45:29,279
Speaker 3: see like Michael Jordan's sees a mathic Johnson and he

938
00:45:29,360 --> 00:45:30,320
Speaker 3: goes where your sneaking?

939
00:45:30,360 --> 00:45:33,320
Speaker 2: Is that right now? Like that's who fight reminded me of.

940
00:45:33,480 --> 00:45:35,759
Speaker 2: So I missed, I missed the ship out of the

941
00:45:35,800 --> 00:45:39,279
Speaker 2: fight man versus I am going to take a shout out.

942
00:45:39,840 --> 00:45:40,680
Speaker 2: I am going to take a shot.

943
00:45:41,640 --> 00:45:47,600
Speaker 1: We used to no, we know, we used to sit

944
00:45:47,680 --> 00:45:51,200
Speaker 1: in in his grandmother's basement. Tip had a set up

945
00:45:51,239 --> 00:45:54,880
Speaker 1: in there. Uh and they was like, my grandmother Tips grandmother,

946
00:45:55,080 --> 00:45:58,200
Speaker 1: Fight's grandmother. Okay, that's the that's the one that's right

947
00:45:58,280 --> 00:46:00,560
Speaker 1: there about the cleaners. Okay when we to check the

948
00:46:00,640 --> 00:46:04,360
Speaker 1: rom okay video So diagonal diagonal from there is on

949
00:46:04,520 --> 00:46:05,640
Speaker 1: five grandma's crib.

950
00:46:05,719 --> 00:46:06,120
Speaker 2: That's where the.

951
00:46:06,160 --> 00:46:08,480
Speaker 1: Mural is at and all that, the tribe mural and

952
00:46:08,520 --> 00:46:11,200
Speaker 1: all that. So yeah, we used to sit in the basement.

953
00:46:11,320 --> 00:46:14,600
Speaker 1: That's when they was working on midnight marauders and Yo,

954
00:46:14,760 --> 00:46:17,040
Speaker 1: he used to just be sitting there just watching the sports,

955
00:46:18,120 --> 00:46:21,960
Speaker 1: the sports run down, playing the video games, just listening

956
00:46:22,040 --> 00:46:24,640
Speaker 1: to us going at the beats. You know, he'd be like, yo, nah,

957
00:46:24,680 --> 00:46:26,560
Speaker 1: that ship is all right right there. You know, you like, Yo,

958
00:46:26,680 --> 00:46:28,759
Speaker 1: this shit crazy right here. Me and Tipping They're like, Yo,

959
00:46:28,880 --> 00:46:30,759
Speaker 1: this shit crazy right here. You're like, Yo, that's all

960
00:46:30,840 --> 00:46:32,960
Speaker 1: right right there. But he watching TV like you know,

961
00:46:33,080 --> 00:46:34,840
Speaker 1: sitting to the side and ship just listening.

962
00:46:35,520 --> 00:46:41,719
Speaker 2: Yeah, fight fight, that's my man. Take that drink. Yeahdvor

963
00:46:41,760 --> 00:46:45,239
Speaker 2: Bismarck and to them as well, to them as well.

964
00:46:47,000 --> 00:46:50,080
Speaker 1: I'm gonna say O d B. Really, I'm gonna say

965
00:46:50,080 --> 00:46:53,640
Speaker 1: O dB, because O d B encompassed it all like

966
00:46:53,800 --> 00:46:57,120
Speaker 1: Biz was just like he Biz. What I realized after

967
00:46:57,200 --> 00:46:59,840
Speaker 1: all these years was that he just always appealed to

968
00:47:00,080 --> 00:47:03,840
Speaker 1: a child in us. Always, he always appealed to the

969
00:47:04,040 --> 00:47:06,799
Speaker 1: to the most innocent part of our lives. I ain't

970
00:47:06,840 --> 00:47:07,440
Speaker 1: look at it like that.

971
00:47:07,800 --> 00:47:11,759
Speaker 2: No, the point that he did Yo gab him and

972
00:47:11,960 --> 00:47:12,719
Speaker 2: forty five King.

973
00:47:12,800 --> 00:47:14,279
Speaker 1: No, actually, this this was I'm.

974
00:47:14,160 --> 00:47:17,040
Speaker 3: Gonna be honest. My my comedic sense I got I

975
00:47:17,080 --> 00:47:19,040
Speaker 3: didn't get from comedians. I got it from Biz. Mark

976
00:47:19,320 --> 00:47:22,080
Speaker 3: me trying to mimic Biz because I thought was when

977
00:47:22,160 --> 00:47:25,000
Speaker 3: when when I heard picking Booker's I thought that was

978
00:47:25,040 --> 00:47:28,800
Speaker 3: the most genius because I was, like I pitched it.

979
00:47:28,880 --> 00:47:31,680
Speaker 3: I visualized him doing everything that right, It's like to.

980
00:47:31,719 --> 00:47:37,839
Speaker 1: Have fun, like to have you see you see how

981
00:47:37,920 --> 00:47:44,120
Speaker 1: you see where like that hit the strip right now

982
00:47:44,600 --> 00:47:54,040
Speaker 1: right he's Molly ma or Q tip Molly Molly Mollie,

983
00:47:54,719 --> 00:47:58,440
Speaker 1: Oh my god, and Q Tip would say Molly. Q

984
00:47:58,600 --> 00:48:01,000
Speaker 1: Tub would say, Mally Man. Mall is the father of.

985
00:48:02,920 --> 00:48:06,040
Speaker 2: Hip hop production period.

986
00:48:06,200 --> 00:48:08,600
Speaker 1: Like I was gonna say queens, but like Perriod, like

987
00:48:08,719 --> 00:48:11,560
Speaker 1: Mally's production and hip hop like that.

988
00:48:12,239 --> 00:48:18,000
Speaker 2: I always like, we're all a part of my leaning. Man.

989
00:48:18,320 --> 00:48:22,440
Speaker 1: Listen, man, when I like because Mally Scratch, Now, when

990
00:48:22,480 --> 00:48:24,160
Speaker 1: I listen to it, because that was one of the

991
00:48:24,360 --> 00:48:28,279
Speaker 1: first I remember, bro I listened to the radio, I

992
00:48:28,480 --> 00:48:29,560
Speaker 1: listen all that ship.

993
00:48:29,640 --> 00:48:29,719
Speaker 2: Man.

994
00:48:29,760 --> 00:48:33,160
Speaker 1: I remember, Man, when Molly Scratch came out, ship changed

995
00:48:33,160 --> 00:48:35,480
Speaker 1: because he was starting to use samples and it just

996
00:48:35,560 --> 00:48:37,719
Speaker 1: sounded like some old It sounded like he took some

997
00:48:37,760 --> 00:48:40,759
Speaker 1: ship off the flintstones, like the drums was off the flintstones.

998
00:48:40,760 --> 00:48:42,279
Speaker 2: It was sounded like some bed rock ship.

999
00:48:42,280 --> 00:48:42,560
Speaker 7: It was like.

1000
00:48:44,960 --> 00:48:46,800
Speaker 1: Like a nigga was doing that ship on rocks and

1001
00:48:46,880 --> 00:48:49,520
Speaker 1: sticks or some ship. And I'm like, damn, this ship

1002
00:48:49,640 --> 00:48:52,600
Speaker 1: is ill like it's but it's it's it's the equivalent

1003
00:48:52,680 --> 00:48:56,319
Speaker 1: of how we were doing that ship in the lunch room.

1004
00:48:56,960 --> 00:48:59,200
Speaker 1: So I'm like, oh man, this is starting to translate

1005
00:48:59,239 --> 00:49:01,160
Speaker 1: a little different. Were coming out of it like that,

1006
00:49:01,680 --> 00:49:03,360
Speaker 1: you know, because they was doing the band. It was like.

1007
00:49:03,560 --> 00:49:08,520
Speaker 2: Map and know all that ship like all right cool.

1008
00:49:08,719 --> 00:49:11,399
Speaker 2: So now he was breaking it back down to them, Yeah,

1009
00:49:11,480 --> 00:49:14,640
Speaker 2: leaving like the disco sound too. Yeah, and no high hat.

1010
00:49:14,560 --> 00:49:17,080
Speaker 1: Ship like that, and so it was like, all right,

1011
00:49:17,080 --> 00:49:20,400
Speaker 1: where we going because this is our language now, this

1012
00:49:20,560 --> 00:49:22,880
Speaker 1: is the language we speak like. No R and B

1013
00:49:23,120 --> 00:49:25,080
Speaker 1: person could come in here and say, oh you did

1014
00:49:25,160 --> 00:49:26,960
Speaker 1: that wrong and nothing like that. You know that's out

1015
00:49:27,000 --> 00:49:29,120
Speaker 1: of key or nothing like that. This is our language

1016
00:49:29,200 --> 00:49:31,720
Speaker 1: now that we speak. And if the ship is wrong,

1017
00:49:32,160 --> 00:49:32,640
Speaker 1: we like it.

1018
00:49:32,760 --> 00:49:35,440
Speaker 2: And we rocking. That ship is uniquely hip hop exactly.

1019
00:49:35,560 --> 00:49:36,439
Speaker 2: That's what we rock.

1020
00:49:36,760 --> 00:49:39,239
Speaker 1: So yeah, nah, I'm always the father that like. You know,

1021
00:49:39,360 --> 00:49:40,560
Speaker 1: we we get busy man.

1022
00:49:41,280 --> 00:49:46,719
Speaker 2: The motherfucking building, young bro, young broke. That's my young bro.

1023
00:49:47,000 --> 00:49:50,440
Speaker 2: Like man, you too, you know that. You know that's

1024
00:49:50,480 --> 00:49:53,480
Speaker 2: young bros right there. Lord oh my young girl was

1025
00:49:53,520 --> 00:49:54,279
Speaker 2: in the building. Man.

1026
00:49:54,680 --> 00:49:57,440
Speaker 1: Cali need to be here too, MANI Kali Man.

1027
00:49:57,480 --> 00:50:04,520
Speaker 3: That's young Bro's a alchemist. I would say, dolcumists yesterday.

1028
00:50:04,640 --> 00:50:07,719
Speaker 2: I love a man. Alice my brother too.

1029
00:50:07,800 --> 00:50:12,160
Speaker 1: That's young bro to man Like al is incredible man

1030
00:50:12,320 --> 00:50:16,239
Speaker 1: and he's just he's the mind boggler. Alix another you

1031
00:50:16,320 --> 00:50:19,000
Speaker 1: are mind boggler too, but and trash trash to mind

1032
00:50:19,040 --> 00:50:24,279
Speaker 1: bottler too, you know. For yeah, al Man, big up

1033
00:50:24,320 --> 00:50:26,160
Speaker 1: my man, A L A L Ski.

1034
00:50:27,360 --> 00:50:34,280
Speaker 3: DJ Clue took a shot. I'm in, I'm in, Jamie,

1035
00:50:34,560 --> 00:50:38,360
Speaker 3: get another shot. I'll catch up.

1036
00:50:39,840 --> 00:50:42,200
Speaker 2: I love both of them, brothers. Can you give Tyler

1037
00:50:42,320 --> 00:50:48,520
Speaker 2: Qually some Japanese whiskey here? He has no choice? Exactly

1038
00:50:50,719 --> 00:50:56,040
Speaker 2: my point, exactly my brother. You know you bro? Yeah,

1039
00:50:56,440 --> 00:50:59,240
Speaker 2: you got the next one? Yeah, n PC three thousand

1040
00:50:59,280 --> 00:51:01,759
Speaker 2: and two thousand, Uh.

1041
00:51:01,800 --> 00:51:05,840
Speaker 1: The NPC, I would say the three thousand because the

1042
00:51:06,239 --> 00:51:10,239
Speaker 1: sound is it's just that it's that thick sound, all right.

1043
00:51:10,280 --> 00:51:12,000
Speaker 1: So what did I do on the three thousand?

1044
00:51:12,120 --> 00:51:12,480
Speaker 2: I did?

1045
00:51:12,960 --> 00:51:16,839
Speaker 1: I did rewind on the three thousand, Yeah, I did.

1046
00:51:17,200 --> 00:51:19,640
Speaker 1: I did that on the three thousand. I did uh

1047
00:51:20,680 --> 00:51:22,360
Speaker 1: state chisel on the three thousand.

1048
00:51:23,680 --> 00:51:23,839
Speaker 2: Uh.

1049
00:51:25,120 --> 00:51:27,799
Speaker 1: And like the two thousand, the two thousand, that's Jay

1050
00:51:27,880 --> 00:51:31,759
Speaker 1: Love's thing. Jay Love is the two thousand, DJ j

1051
00:51:31,920 --> 00:51:34,680
Speaker 1: Love up, Big up Jay Love, man, he do his

1052
00:51:34,800 --> 00:51:36,719
Speaker 1: thing with that. But I ain't never really get into

1053
00:51:37,080 --> 00:51:39,840
Speaker 1: but the three thousand was like that thick like it

1054
00:51:40,040 --> 00:51:44,160
Speaker 1: just got that that that like yeah, like you get that.

1055
00:51:44,360 --> 00:51:51,080
Speaker 13: Fat describe Yeah, for sure hip hop. Sure, I know

1056
00:51:51,440 --> 00:51:53,640
Speaker 13: that's that lab top. I probably know the answer to

1057
00:51:53,719 --> 00:51:58,040
Speaker 13: this one. The actual sample or playing the sample over.

1058
00:51:58,680 --> 00:52:02,960
Speaker 1: Oh, the actual sample, the actual sample is funky. It's funky. Oh,

1059
00:52:03,080 --> 00:52:05,719
Speaker 1: it's funky. It's off the record. It's off the You

1060
00:52:05,760 --> 00:52:07,960
Speaker 1: gotta have it off the record, man, you gotta have

1061
00:52:08,080 --> 00:52:10,640
Speaker 1: it off the record. Bro, man is funky like that. Man,

1062
00:52:10,680 --> 00:52:14,080
Speaker 1: you gotta keep it funky. Pete Rock, Pete Rock, my

1063
00:52:14,160 --> 00:52:17,600
Speaker 1: Man and Rashaw Smith. Yo, it's so many Lord for

1064
00:52:17,760 --> 00:52:23,080
Speaker 1: next man, oh yo, just blaze, you know, man, we

1065
00:52:23,280 --> 00:52:23,960
Speaker 1: keep it funky.

1066
00:52:24,160 --> 00:52:27,400
Speaker 2: We keep it funky. Jungle Brothers or that I saw.

1067
00:52:30,239 --> 00:52:33,800
Speaker 1: For for now because I said this, I said this,

1068
00:52:34,080 --> 00:52:38,600
Speaker 1: and you know I love Daylight yo too.

1069
00:52:38,800 --> 00:52:38,960
Speaker 2: You know.

1070
00:52:40,040 --> 00:52:42,520
Speaker 1: But it's definitely the Jungle Brothers because they they was

1071
00:52:42,560 --> 00:52:46,160
Speaker 1: the first brothers out and they.

1072
00:52:48,680 --> 00:52:50,920
Speaker 2: When you see them perform, they've been performing a.

1073
00:52:50,960 --> 00:52:54,440
Speaker 1: Lot lately, man, and you just you see how much

1074
00:52:54,560 --> 00:52:58,920
Speaker 1: sprouted from them brothers. Man, like yeah, just the native

1075
00:52:59,040 --> 00:53:00,319
Speaker 1: tongue us.

1076
00:53:03,360 --> 00:53:06,719
Speaker 2: At Jungle. The JB's ain't really get they just do.

1077
00:53:07,080 --> 00:53:09,560
Speaker 2: I think they may be not really.

1078
00:53:09,920 --> 00:53:12,440
Speaker 1: How everybody was, you know, like I said, you got

1079
00:53:12,560 --> 00:53:14,200
Speaker 1: to think it was like the fireworks he was like,

1080
00:53:14,239 --> 00:53:17,200
Speaker 1: oh ship, that little redby Oh ship that like everybody

1081
00:53:17,320 --> 00:53:18,800
Speaker 1: was popping off. And then it was like you know

1082
00:53:18,800 --> 00:53:21,080
Speaker 1: what I mean, like some people they fireworks.

1083
00:53:20,680 --> 00:53:22,880
Speaker 2: Was a little line in my time. In my generation,

1084
00:53:23,080 --> 00:53:25,239
Speaker 2: I think the younger brothers dig I don't think so.

1085
00:53:27,480 --> 00:53:34,800
Speaker 1: The JB's that's crazy. What's another one? Girl out househo?

1086
00:53:34,960 --> 00:53:35,480
Speaker 2: Girl house?

1087
00:53:36,440 --> 00:53:39,960
Speaker 1: Okay, what's another one? Jim Browski, can you name one

1088
00:53:40,000 --> 00:53:40,920
Speaker 1: without me prompting you?

1089
00:53:41,640 --> 00:53:52,759
Speaker 2: Okay, Baby's directory. We mixed up with what Man? We

1090
00:53:52,880 --> 00:54:02,439
Speaker 2: got the mixes READYO what Kanye or Forrell? Oh Man?

1091
00:54:02,560 --> 00:54:04,560
Speaker 2: I might have to drink to that because that's both

1092
00:54:04,640 --> 00:54:05,320
Speaker 2: young bros.

1093
00:54:05,719 --> 00:54:08,320
Speaker 1: Kanye forgot when he gave me when he showed me

1094
00:54:08,440 --> 00:54:12,080
Speaker 1: love like it's funny. I still haven't met Kanye. What

1095
00:54:12,920 --> 00:54:16,239
Speaker 1: sall ain't mean Kanye? That's crazy word to this day,

1096
00:54:16,800 --> 00:54:19,000
Speaker 1: and I had so much info for him. I got

1097
00:54:19,040 --> 00:54:21,520
Speaker 1: this sample for him, man, this ship, this Manu to

1098
00:54:21,600 --> 00:54:26,000
Speaker 1: Bengo joint. When they was doing the Nas and Kanye album,

1099
00:54:26,080 --> 00:54:29,080
Speaker 1: there's this Minu de Bengo song where it sounds like

1100
00:54:29,160 --> 00:54:33,320
Speaker 1: he's saying Kanye and Nas in the song wow. And

1101
00:54:33,560 --> 00:54:35,480
Speaker 1: I wanted to get that message to them. But it be,

1102
00:54:35,600 --> 00:54:37,759
Speaker 1: you know, when the industry shit start happening. Man, it'd

1103
00:54:37,760 --> 00:54:39,640
Speaker 1: be so hard to get in contact with dudes how

1104
00:54:39,680 --> 00:54:41,440
Speaker 1: you used to, you know, like I'd be like the

1105
00:54:41,560 --> 00:54:44,520
Speaker 1: direct connect like yo, you know that's how I am sporadic,

1106
00:54:44,600 --> 00:54:47,640
Speaker 1: like yo, oh shit, you heard this ship that type

1107
00:54:47,680 --> 00:54:50,480
Speaker 1: of thing, so you know. But yeah, man, I got

1108
00:54:50,560 --> 00:54:52,160
Speaker 1: a drink to that man because I love both them.

1109
00:54:52,320 --> 00:54:55,080
Speaker 1: Yr Pharrell always show love. Man. I got flicked with

1110
00:54:55,200 --> 00:54:57,600
Speaker 1: Pharrell like doing the du praying.

1111
00:54:57,400 --> 00:54:59,440
Speaker 2: Hands and hugs and all that.

1112
00:54:59,600 --> 00:54:59,719
Speaker 8: Man.

1113
00:54:59,800 --> 00:55:01,040
Speaker 2: But I still ain't met Kanye.

1114
00:55:01,200 --> 00:55:03,759
Speaker 1: Man, and I have so much info form, Like you know,

1115
00:55:03,840 --> 00:55:05,520
Speaker 1: I got family in Chicago soul.

1116
00:55:05,640 --> 00:55:07,160
Speaker 2: Maybe you don't want to meet it right now. No,

1117
00:55:07,360 --> 00:55:10,680
Speaker 2: I'm not anytime. The good time musically it would be amazing.

1118
00:55:10,920 --> 00:55:12,040
Speaker 2: Musically would be made the.

1119
00:55:12,040 --> 00:55:21,120
Speaker 1: Difference, man, Man, Man, pick up your pops. Damn, I

1120
00:55:21,560 --> 00:55:23,919
Speaker 1: am drink a gallon now you know what I'm saying.

1121
00:55:23,960 --> 00:55:27,239
Speaker 1: You got to drink a gallon. That's crazy mob deep

1122
00:55:27,360 --> 00:55:29,120
Speaker 1: or m O p mm hmm.

1123
00:55:30,400 --> 00:55:31,440
Speaker 2: Rest in peace, Prodigy.

1124
00:55:31,719 --> 00:55:34,360
Speaker 1: Listen, man, I've been you know, because I've been DJing

1125
00:55:34,400 --> 00:55:38,839
Speaker 1: a lot lately, so and on vinyl too. So I've

1126
00:55:38,840 --> 00:55:40,800
Speaker 1: been having my vinyl I got my vinyl with you

1127
00:55:41,560 --> 00:55:43,200
Speaker 1: be doing it and we should have bought that vinyl.

1128
00:55:43,200 --> 00:55:44,960
Speaker 1: And I want to bring kind of you know, we

1129
00:55:45,040 --> 00:55:46,480
Speaker 1: said floor yeah.

1130
00:55:48,200 --> 00:55:51,359
Speaker 2: Trying to get I'm trying to get out of back

1131
00:55:51,440 --> 00:55:56,359
Speaker 2: to DJing. But he got your vinyl. Yeah, I didn't

1132
00:55:56,360 --> 00:55:58,920
Speaker 2: go digital. I didn't go right now you still just

1133
00:55:59,040 --> 00:56:02,640
Speaker 2: do vinyl? Yeah at parties. Yeah, I prefer that because

1134
00:56:02,640 --> 00:56:05,960
Speaker 2: of a man from from my so whatever. Who your

1135
00:56:06,000 --> 00:56:12,800
Speaker 2: crew carries the crates? I do you? Yeah, that's for that.

1136
00:56:13,000 --> 00:56:15,399
Speaker 2: How we did not work out in these days.

1137
00:56:16,120 --> 00:56:18,480
Speaker 1: Daily my people see me on the Long Island Railroad

1138
00:56:18,600 --> 00:56:22,799
Speaker 1: daily like I'll be like, yo, boa my mans, yo,

1139
00:56:23,080 --> 00:56:25,960
Speaker 1: dance lord stored up man.

1140
00:56:26,000 --> 00:56:26,640
Speaker 2: Yeah, and now we do.

1141
00:56:27,600 --> 00:56:28,560
Speaker 1: And I just the.

1142
00:56:31,960 --> 00:56:39,239
Speaker 2: Queen trying not to say queens, you got the boat's

1143
00:56:39,360 --> 00:56:42,600
Speaker 2: arms and he does. He can't even.

1144
00:56:44,760 --> 00:56:48,799
Speaker 1: Became love system Mac word it up for life, pun

1145
00:56:49,040 --> 00:56:54,040
Speaker 1: or prodigy, Damn to scorts man. My brothers to man

1146
00:56:54,920 --> 00:56:58,160
Speaker 1: hell man, both of them niggas l and they was

1147
00:56:58,200 --> 00:57:01,960
Speaker 1: relentless man like they say some ship man, just like

1148
00:57:02,680 --> 00:57:05,600
Speaker 1: say some ship that might bother you. That ship might

1149
00:57:05,760 --> 00:57:09,279
Speaker 1: bother you, you know what I'm saying. And you got

1150
00:57:09,440 --> 00:57:16,080
Speaker 1: to live with that ship all right, Eminem stad case

1151
00:57:16,120 --> 00:57:18,000
Speaker 1: Ship Stad case ship.

1152
00:57:18,880 --> 00:57:21,080
Speaker 2: M or bus man.

1153
00:57:21,240 --> 00:57:23,840
Speaker 1: Em just shouted me out man in that speech. Man,

1154
00:57:24,400 --> 00:57:29,600
Speaker 1: that's another brother I evern't met. Still when you asked when.

1155
00:57:29,480 --> 00:57:32,080
Speaker 3: I asked you earlier artist that you would like to

1156
00:57:32,120 --> 00:57:33,640
Speaker 3: work with, I thought he was gonna say Eminem or

1157
00:57:33,680 --> 00:57:34,240
Speaker 3: doctor Drade.

1158
00:57:38,640 --> 00:57:47,919
Speaker 2: He said, now m m man Yo, he was probably wild. Wow.

1159
00:57:48,360 --> 00:57:50,640
Speaker 1: Like if I threw a track up like I don't.

1160
00:57:50,800 --> 00:57:52,960
Speaker 1: I don't know if I you know, because I sent

1161
00:57:53,160 --> 00:57:57,640
Speaker 1: I sent things in before I sent to it working, yo,

1162
00:57:57,840 --> 00:58:02,120
Speaker 1: send something. I sent things. So maybe him gotta come

1163
00:58:02,320 --> 00:58:03,960
Speaker 1: bless something for me, you know what I mean?

1164
00:58:04,080 --> 00:58:09,640
Speaker 3: Like maybe heard or just got everyone would destroyer lost

1165
00:58:09,680 --> 00:58:11,480
Speaker 3: professor b I gotta get.

1166
00:58:11,720 --> 00:58:16,120
Speaker 2: I gotta give him that the best way I can

1167
00:58:16,200 --> 00:58:18,360
Speaker 2: hear that I can hear. Oh my god, the bombs

1168
00:58:18,400 --> 00:58:18,920
Speaker 2: were bursting.

1169
00:58:19,400 --> 00:58:21,480
Speaker 1: Like that's where we need to get with music, like

1170
00:58:21,600 --> 00:58:24,360
Speaker 1: some of these collaborations that still need to happen, Like

1171
00:58:24,440 --> 00:58:27,960
Speaker 1: I just recently did a joint with my man Al

1172
00:58:28,120 --> 00:58:30,280
Speaker 1: Scratch from Scratch.

1173
00:58:30,160 --> 00:58:32,720
Speaker 12: Love It on Scratch Man, and they still do Dope Ship.

1174
00:58:32,760 --> 00:58:33,960
Speaker 12: I've been checking out their new ship.

1175
00:58:34,240 --> 00:58:35,520
Speaker 2: Yeah, because That's what I'm saying.

1176
00:58:35,600 --> 00:58:37,800
Speaker 1: I did the joint with Ol Scratch and the ship

1177
00:58:37,880 --> 00:58:42,160
Speaker 1: started ringing off everybody. Yo, it was your man lows Man,

1178
00:58:42,480 --> 00:58:45,120
Speaker 1: classic material class loos.

1179
00:58:45,880 --> 00:58:48,120
Speaker 2: You know he's part of that. Like Yo, we didn't Yo,

1180
00:58:48,520 --> 00:58:52,040
Speaker 2: we we got Whenever you come home man, you know, man, listen, listen,

1181
00:58:53,400 --> 00:58:54,800
Speaker 2: let me get you, let me get you. Let me

1182
00:58:54,840 --> 00:58:56,560
Speaker 2: give you a good example. Let me just say you.

1183
00:58:57,400 --> 00:58:58,560
Speaker 2: I'm out here. Six months.

1184
00:58:59,360 --> 00:59:03,000
Speaker 3: My life is finally getting back together, right, finally getting

1185
00:59:03,000 --> 00:59:04,520
Speaker 3: back together my here six months.

1186
00:59:04,520 --> 00:59:06,840
Speaker 2: I'm so happy with Eddie Giggs in the in the person.

1187
00:59:06,880 --> 00:59:09,600
Speaker 2: Actually that actually, that is that time. It is that time.

1188
00:59:09,920 --> 00:59:12,920
Speaker 3: Yes, so it's fifth TV Eddie gas and then yes,

1189
00:59:13,280 --> 00:59:14,600
Speaker 3: yeah it's unlimited.

1190
00:59:14,600 --> 00:59:18,200
Speaker 2: So so I go to New York. Forget what club

1191
00:59:18,240 --> 00:59:18,400
Speaker 2: it is.

1192
00:59:18,440 --> 00:59:22,200
Speaker 3: It's on thirty it's like thirty fourths something and there's

1193
00:59:22,240 --> 00:59:25,560
Speaker 3: off the Western Highway. So I'm coming with the Miami attitude.

1194
00:59:25,680 --> 00:59:26,760
Speaker 3: I'm like, no, no, no, there's not tune.

1195
00:59:26,840 --> 00:59:28,440
Speaker 2: No, this is this is this is, this is the

1196
00:59:28,480 --> 00:59:29,000
Speaker 2: two thousands.

1197
00:59:29,080 --> 00:59:31,240
Speaker 3: This is like fifteen years ago when I first moved

1198
00:59:31,280 --> 00:59:34,000
Speaker 3: to Miami. And what I realized was when I come

1199
00:59:34,120 --> 00:59:36,320
Speaker 3: back to New York, I have to be mad for

1200
00:59:36,400 --> 00:59:42,720
Speaker 3: no reason. Like you can see look you have to

1201
00:59:42,840 --> 00:59:44,200
Speaker 3: have that New York brother.

1202
00:59:44,280 --> 00:59:46,760
Speaker 1: Brother. Listen, now this is what happens man New York.

1203
00:59:47,120 --> 00:59:49,080
Speaker 1: Now you don't have to be mad for New York

1204
00:59:49,120 --> 00:59:50,920
Speaker 1: can make you mad because you know, as soon as

1205
00:59:50,920 --> 00:59:54,680
Speaker 1: you touchdown the fucking escalated old world, you got to

1206
00:59:55,120 --> 00:59:58,680
Speaker 1: this other ship. Now this bush don't work. This ship

1207
00:59:58,760 --> 01:00:03,560
Speaker 1: is right slowly, you know what I mean? Like, you know, yo,

1208
01:00:03,760 --> 01:00:05,720
Speaker 1: even if you and you know you got the luxury

1209
01:00:05,800 --> 01:00:08,280
Speaker 1: life and you're gonna do this, there's mad traffic. You

1210
01:00:08,360 --> 01:00:10,280
Speaker 1: know you You're like, man, fucking let me just stop

1211
01:00:10,320 --> 01:00:12,640
Speaker 1: off at Farmers and gets some budd real quickly.

1212
01:00:13,000 --> 01:00:13,480
Speaker 2: You know what I mean.

1213
01:00:13,840 --> 01:00:16,120
Speaker 3: I'll be honest because when I first moved to Miami,

1214
01:00:16,960 --> 01:00:19,680
Speaker 3: I wouldn't see a lot of people. And then I

1215
01:00:20,160 --> 01:00:21,680
Speaker 3: remember when I was staying there. I stayed in the

1216
01:00:21,760 --> 01:00:25,840
Speaker 3: Western on fortieth Street, and I went downstairs a smoking cigarette.

1217
01:00:25,840 --> 01:00:27,480
Speaker 3: I still smoking cigarettes at the time. I went downstairs

1218
01:00:27,520 --> 01:00:30,440
Speaker 3: smoking cigarette, and it felt like thirty thousand people just

1219
01:00:30,520 --> 01:00:32,760
Speaker 3: walked by me. So I ran back upstairs to the

1220
01:00:32,840 --> 01:00:36,640
Speaker 3: hotel and I was, you're New York, come motherfucker up.

1221
01:00:38,640 --> 01:00:39,080
Speaker 5: A pet.

1222
01:00:40,440 --> 01:00:42,600
Speaker 2: I went back downstairs, I smoked the bund and I

1223
01:00:42,680 --> 01:00:48,680
Speaker 2: was like Yeah, motherfucker. You gotta realize like it's a

1224
01:00:48,760 --> 01:00:51,200
Speaker 2: different world. See Miami is a party town, but if

1225
01:00:51,200 --> 01:00:52,840
Speaker 2: you don't want to party, you don't have to party

1226
01:00:52,880 --> 01:00:56,400
Speaker 2: out here. You can actually be low man. So but

1227
01:00:56,720 --> 01:00:57,840
Speaker 2: you know I noticed that.

1228
01:00:57,960 --> 01:00:59,360
Speaker 3: Now when I go back to New York, I gotta

1229
01:00:59,480 --> 01:01:01,720
Speaker 3: build up my attitude. N w A or who take clan?

1230
01:01:03,520 --> 01:01:07,080
Speaker 2: He pasted the BACONI nobody, said eminem of Buster no

1231
01:01:07,280 --> 01:01:10,480
Speaker 2: Acanelian Nature. Oh you got to ask that. I just

1232
01:01:10,560 --> 01:01:16,320
Speaker 2: did Nature. You know, I gotta go with our.

1233
01:01:16,320 --> 01:01:20,440
Speaker 3: Rock in the strip club right now, finger popping song.

1234
01:01:20,360 --> 01:01:24,720
Speaker 2: Man, your shout Nature.

1235
01:01:24,800 --> 01:01:28,200
Speaker 1: Shout out, Mama, love, shout out, Yachty, shout out.

1236
01:01:28,320 --> 01:01:32,800
Speaker 2: Yo is my brother like like no other man. For real, Man,

1237
01:01:32,960 --> 01:01:37,840
Speaker 2: I love Yo. Man? And who else was he against? Who? Nature? Oh?

1238
01:01:37,960 --> 01:01:40,560
Speaker 2: Nate Nature? Come on, Nate Nature, your Maine, Baxter, Nate

1239
01:01:40,640 --> 01:01:42,640
Speaker 2: because your main yachsta All right?

1240
01:01:42,680 --> 01:01:45,200
Speaker 1: Well see Nate mean Nature, Me and Nate. Still, that's

1241
01:01:45,240 --> 01:01:47,120
Speaker 1: another one of my peoples that I gotta you know

1242
01:01:47,120 --> 01:01:49,120
Speaker 1: what I mean, I gotta get that working with you know,

1243
01:01:49,400 --> 01:01:51,200
Speaker 1: like he we I think me and Nate might be

1244
01:01:51,280 --> 01:01:53,919
Speaker 1: around the same age too. Yeah, yeah, for real, ya.

1245
01:01:54,520 --> 01:01:58,560
Speaker 2: Nate is hell Nate. He's a slick, he's elusive. He'll

1246
01:01:59,160 --> 01:02:05,960
Speaker 2: throw you off thinking n w A Wu Tang and w.

1247
01:02:06,200 --> 01:02:09,120
Speaker 1: A And that's ill because I just I just picked

1248
01:02:09,200 --> 01:02:13,960
Speaker 1: up my vinyl of Etho Zagon, the n w A Joint,

1249
01:02:16,080 --> 01:02:18,560
Speaker 1: the Ethoszagon, the Niggas for Life Backwards joint.

1250
01:02:18,640 --> 01:02:25,760
Speaker 2: Oh yeah, that album is crazy.

1251
01:02:26,560 --> 01:02:30,280
Speaker 1: So who you're picking, sir, let's talk about now. But

1252
01:02:31,240 --> 01:02:35,640
Speaker 1: let's talk about that album now. But uh wou Tang Boutang,

1253
01:02:35,800 --> 01:02:37,880
Speaker 1: there's too many motherfucking.

1254
01:02:38,080 --> 01:02:40,280
Speaker 2: For both of them is crazy. No, but it's too

1255
01:02:40,320 --> 01:02:41,040
Speaker 2: many bangers.

1256
01:02:41,720 --> 01:02:41,919
Speaker 5: Lord.

1257
01:02:42,000 --> 01:02:44,000
Speaker 1: Now it's just put me on to the to the soul,

1258
01:02:44,160 --> 01:02:47,640
Speaker 1: the soul in soling the whole soundtrack banger.

1259
01:02:47,760 --> 01:02:51,440
Speaker 2: Well, that ship is crazy. I just got that on vinyl.

1260
01:02:51,560 --> 01:02:56,360
Speaker 1: Like you talking about projects, You talking about heaters, you

1261
01:02:56,480 --> 01:03:01,080
Speaker 1: talking about that Saint I's commercial, You talking about the storm,

1262
01:03:01,440 --> 01:03:04,280
Speaker 1: you talking about it's too wul Tang really did what

1263
01:03:04,400 --> 01:03:08,680
Speaker 1: they said. They came as swarm niggas with mad bangers. Man, Yo,

1264
01:03:08,800 --> 01:03:11,120
Speaker 1: it's two when you are music person.

1265
01:03:10,960 --> 01:03:11,320
Speaker 2: Like I am.

1266
01:03:11,360 --> 01:03:14,480
Speaker 1: I'm getting ready to do one fifty one on Avenue

1267
01:03:14,520 --> 01:03:16,800
Speaker 1: C in l e S on June sixth, coming up.

1268
01:03:17,560 --> 01:03:18,800
Speaker 2: All my people's gonna come out.

1269
01:03:18,880 --> 01:03:21,360
Speaker 1: They're gonna it's gonna be packed in there, and I'm

1270
01:03:21,360 --> 01:03:23,360
Speaker 1: bringing out all that Wu Tang I'll be bringing out

1271
01:03:23,400 --> 01:03:25,600
Speaker 1: that Wu Tang shit. I'll be bringing out all that

1272
01:03:26,840 --> 01:03:29,640
Speaker 1: produced by Pete Rod shit, all that adored, let it

1273
01:03:29,760 --> 01:03:32,120
Speaker 1: all hang out and down with the king and all

1274
01:03:32,160 --> 01:03:35,520
Speaker 1: that five ship like the Kings really killing or man crazy,

1275
01:03:35,760 --> 01:03:38,360
Speaker 1: just bringing all that nostalgia back to youngins is right there.

1276
01:03:38,400 --> 01:03:40,760
Speaker 1: My man laid for dinners in here. He's one hundred

1277
01:03:40,760 --> 01:03:44,200
Speaker 1: percent down with that. This man's twenty like early twenties

1278
01:03:44,760 --> 01:03:47,000
Speaker 1: and he's right there with that. Shit's like, yes, that's

1279
01:03:47,040 --> 01:03:50,560
Speaker 1: what it is. So I feel great about these times. Man,

1280
01:03:50,600 --> 01:03:51,840
Speaker 1: it's great times right now.

1281
01:03:52,040 --> 01:03:58,960
Speaker 2: So elkolj big that he can man take a shot definitely. Man.

1282
01:03:59,000 --> 01:04:03,000
Speaker 1: I love both of them, definitely. Man, Yo, you can't

1283
01:04:03,000 --> 01:04:08,880
Speaker 1: give it our little Japanese. Oh God, I'm watching, Yeah,

1284
01:04:11,400 --> 01:04:14,520
Speaker 1: yes we are. Soon as you finished about.

1285
01:04:14,320 --> 01:04:17,040
Speaker 2: It, bro came you know you didn't come out. Did

1286
01:04:17,120 --> 01:04:21,720
Speaker 2: you hear it? Did you hear it? Because text me

1287
01:04:21,760 --> 01:04:23,080
Speaker 2: the other day I heard that about it.

1288
01:04:23,120 --> 01:04:25,320
Speaker 1: I heard that joint I produced for for you, and

1289
01:04:25,600 --> 01:04:31,600
Speaker 1: uh uh, y'all seen I never joined that you're gonna

1290
01:04:32,520 --> 01:04:37,320
Speaker 1: professor bro yo, bro, what we got like six joint,

1291
01:04:37,440 --> 01:04:40,760
Speaker 1: six sessions like yeah, it's fire my man, right yo,

1292
01:04:41,200 --> 01:04:43,480
Speaker 1: yo were good man, you got yo get that?

1293
01:04:43,800 --> 01:04:44,000
Speaker 2: Yeah?

1294
01:04:44,200 --> 01:04:46,360
Speaker 1: No, we and already we This ain't nothing that we

1295
01:04:46,440 --> 01:04:47,960
Speaker 1: got to do or nothing. That's what the work is in.

1296
01:04:48,080 --> 01:04:53,120
Speaker 1: Yeah y'all have yeah we yeah, we already. It makes

1297
01:04:53,160 --> 01:04:54,880
Speaker 1: me feel bad because it's like I only got like

1298
01:04:54,920 --> 01:04:57,040
Speaker 1: one or two songs with Flush, like one song with

1299
01:04:57,200 --> 01:04:57,760
Speaker 1: you like this.

1300
01:04:58,760 --> 01:05:03,440
Speaker 2: We got the pizza joint. We got the pizza joint. CNN.

1301
01:05:03,560 --> 01:05:05,400
Speaker 14: That's the CN I'm taking take. I take a shot

1302
01:05:05,440 --> 01:05:11,800
Speaker 14: for that, the CNN joint. Man, okay, Rock Kim okay Rest,

1303
01:05:12,520 --> 01:05:17,000
Speaker 14: but k r Rass over.

1304
01:05:16,960 --> 01:05:20,800
Speaker 2: Rock k r Rass Krst. You couldn't even say his

1305
01:05:20,880 --> 01:05:23,000
Speaker 2: name earlier, but I guess so k R rest one,

1306
01:05:24,840 --> 01:05:27,160
Speaker 2: KRS one. I would think you would pick rock him

1307
01:05:27,160 --> 01:05:30,840
Speaker 2: because the rumor is now rock him. Rock him is

1308
01:05:30,880 --> 01:05:32,960
Speaker 2: my big brother. He taught me. He taught me a

1309
01:05:33,040 --> 01:05:34,560
Speaker 2: real lesson in life. You know what I'm saying.

1310
01:05:34,600 --> 01:05:36,800
Speaker 1: He taught me to be more serious in life. You

1311
01:05:36,840 --> 01:05:39,280
Speaker 1: know what I'm saying, that's the more serious person. Yeah, yeah, yeah,

1312
01:05:39,320 --> 01:05:41,120
Speaker 1: but we'll see Rock kim smile two times.

1313
01:05:41,320 --> 01:05:44,000
Speaker 2: Yeah, no, no, I see it, Yo, we you know.

1314
01:05:44,440 --> 01:05:46,200
Speaker 1: And that's the thing I got thrown off because we

1315
01:05:46,400 --> 01:05:48,080
Speaker 1: used to actually joke like we used to, you know,

1316
01:05:48,200 --> 01:05:52,360
Speaker 1: because he respected my musicality as much as I respected his,

1317
01:05:52,520 --> 01:05:54,280
Speaker 1: you know what I'm saying. So we used to like

1318
01:05:54,680 --> 01:05:56,920
Speaker 1: build and then we got past like all you know,

1319
01:05:57,080 --> 01:05:58,880
Speaker 1: respect do shit. And it was like, Yo, we used

1320
01:05:58,920 --> 01:05:59,520
Speaker 1: to bug out.

1321
01:05:59,360 --> 01:06:01,520
Speaker 2: A little bit. So but now Kall res one because

1322
01:06:01,560 --> 01:06:02,200
Speaker 2: kill res one.

1323
01:06:02,760 --> 01:06:04,800
Speaker 1: He he comes from a whole different grain man that

1324
01:06:04,880 --> 01:06:07,800
Speaker 1: niggas from the BX, from the original grain of that

1325
01:06:07,920 --> 01:06:11,800
Speaker 1: ship man, and he got too many motherfucking bangers right now. Man,

1326
01:06:11,920 --> 01:06:14,000
Speaker 1: Like I'm telling you, I want to talk about step

1327
01:06:14,160 --> 01:06:16,480
Speaker 1: into a world. You want to talk about a friend

1328
01:06:17,120 --> 01:06:20,320
Speaker 1: you want to talk about in here, I'll be putting.

1329
01:06:20,080 --> 01:06:22,680
Speaker 2: Them ships up on the sea man, the MC big

1330
01:06:22,760 --> 01:06:27,400
Speaker 2: up Domingo you man, okay, Primo or beat Rock.

1331
01:06:32,080 --> 01:06:34,160
Speaker 1: And you know what. First, the first thing that came

1332
01:06:34,240 --> 01:06:37,480
Speaker 1: to my mind was that motherfucking firing squad beat Man

1333
01:06:37,520 --> 01:06:37,880
Speaker 1: that m.

1334
01:06:37,880 --> 01:06:44,280
Speaker 2: O p It was bearing the board.

1335
01:06:43,560 --> 01:06:47,439
Speaker 1: Ah Man premire that nigga is I love my brother

1336
01:06:47,560 --> 01:06:49,440
Speaker 1: man and our birthdays of the same day.

1337
01:06:50,600 --> 01:06:51,960
Speaker 2: I could tell, and we have both of them on

1338
01:06:52,040 --> 01:06:52,800
Speaker 2: Dream Champs together.

1339
01:06:53,160 --> 01:06:55,640
Speaker 1: I can tell you they have to tell. They tell.

1340
01:06:56,760 --> 01:06:59,560
Speaker 2: Jazz needed to be big up Chazz man. I love

1341
01:06:59,680 --> 01:07:00,840
Speaker 2: Chad Well, who are you picking?

1342
01:07:01,800 --> 01:07:02,120
Speaker 1: Drinking?

1343
01:07:02,160 --> 01:07:03,120
Speaker 2: Now? We drink drinking?

1344
01:07:03,880 --> 01:07:04,360
Speaker 1: We drinking?

1345
01:07:04,480 --> 01:07:07,760
Speaker 3: Man, Ye that's difficult, Yeah, okay, Havoc or DJ Monks.

1346
01:07:09,360 --> 01:07:13,400
Speaker 2: Oh all right, my man, have man.

1347
01:07:13,560 --> 01:07:17,360
Speaker 1: I love have Man. That's my brother. Trash brought him

1348
01:07:17,360 --> 01:07:20,240
Speaker 1: through my crab right. I was when I when my

1349
01:07:20,400 --> 01:07:24,040
Speaker 1: name was starting to like really ring bells hard trag

1350
01:07:24,280 --> 01:07:27,880
Speaker 1: on Like you know, I was very young and I

1351
01:07:28,040 --> 01:07:31,400
Speaker 1: was working with g rap. I had already mally like

1352
01:07:31,560 --> 01:07:35,560
Speaker 1: my my production for mister Intelligent Hudlam was already in,

1353
01:07:36,000 --> 01:07:38,720
Speaker 1: so I was already had my feet under me, like

1354
01:07:38,920 --> 01:07:42,120
Speaker 1: all right, cool, you got a credit, you got a record,

1355
01:07:42,240 --> 01:07:44,760
Speaker 1: vinyl record with your name on the type ship. So

1356
01:07:44,960 --> 01:07:48,640
Speaker 1: I was already. So now Trag comes through and he

1357
01:07:48,760 --> 01:07:53,880
Speaker 1: got the young and tragic fatal like yo, the young

1358
01:07:54,000 --> 01:07:56,280
Speaker 1: and he was just keewan.

1359
01:07:56,840 --> 01:07:59,840
Speaker 2: Like yo, and you go on with Havings real name guy.

1360
01:08:00,320 --> 01:08:02,440
Speaker 2: He was like yo. He looked over my shoulder.

1361
01:08:02,480 --> 01:08:04,720
Speaker 1: He was like yo, I'm gonna do that ship one day,

1362
01:08:04,720 --> 01:08:06,800
Speaker 1: and I'm gonna get ill and he had to run

1363
01:08:06,920 --> 01:08:11,720
Speaker 1: back home because he has Yes, that's fire, because he

1364
01:08:12,120 --> 01:08:14,760
Speaker 1: had Grandmam's. He was like, Yo, we gotta get him

1365
01:08:14,800 --> 01:08:16,400
Speaker 1: back and ship because he had like he was like

1366
01:08:16,960 --> 01:08:20,720
Speaker 1: he wasn't even supposed to be gone from the bridge, right,

1367
01:08:21,000 --> 01:08:22,880
Speaker 1: So it's like, yo, got him back and ship, you

1368
01:08:22,880 --> 01:08:25,680
Speaker 1: know what I mean? Like, but half I've been on

1369
01:08:25,800 --> 01:08:28,639
Speaker 1: the hill days they've been like, Yo, nigga, get upstairs.

1370
01:08:28,680 --> 01:08:30,840
Speaker 2: Man finished that album, man, Like you know what I mean?

1371
01:08:30,920 --> 01:08:34,560
Speaker 1: That type of ship like have I've seen have and

1372
01:08:34,760 --> 01:08:40,800
Speaker 1: his empasy of like production have is a is a

1373
01:08:40,960 --> 01:08:45,519
Speaker 1: super like general king on production.

1374
01:08:45,760 --> 01:08:45,840
Speaker 15: Bro.

1375
01:08:46,720 --> 01:08:49,519
Speaker 1: Like you could never not let please let me like

1376
01:08:49,920 --> 01:08:53,400
Speaker 1: embellish like because that brother man like, because you never

1377
01:08:53,760 --> 01:08:56,080
Speaker 1: you like, what's what's the joint we always rock with

1378
01:08:56,160 --> 01:08:59,720
Speaker 1: now is the the separated joint that be from the

1379
01:08:59,760 --> 01:09:02,280
Speaker 1: set separated joy that it came in and the in

1380
01:09:02,360 --> 01:09:04,560
Speaker 1: the late See that's what me and na is we

1381
01:09:04,680 --> 01:09:06,880
Speaker 1: be having like the round tables. We be still listening

1382
01:09:06,920 --> 01:09:09,720
Speaker 1: to catalogs like we go out to Hollis real quick

1383
01:09:09,760 --> 01:09:12,760
Speaker 1: bo and we be listening. Yo, that's separated. Put that

1384
01:09:12,880 --> 01:09:15,800
Speaker 1: on your playlist too. That ship crazy like and it's

1385
01:09:15,800 --> 01:09:18,679
Speaker 1: a later production, Like so that's when you know, brothers

1386
01:09:18,720 --> 01:09:20,720
Speaker 1: still got it, like when we did that and you

1387
01:09:20,840 --> 01:09:23,240
Speaker 1: were still able to pop off in the ladder like

1388
01:09:23,280 --> 01:09:25,360
Speaker 1: be cause it was like we thought the popping offs

1389
01:09:25,520 --> 01:09:28,400
Speaker 1: was not popping off no more. It's like, nah, niggas

1390
01:09:28,479 --> 01:09:31,200
Speaker 1: is still able to get this fire works call me

1391
01:09:31,720 --> 01:09:34,240
Speaker 1: them firewords going and ship niggas spitting and ship. Yeah

1392
01:09:34,640 --> 01:09:36,200
Speaker 1: we're good man, Okay.

1393
01:09:36,320 --> 01:09:39,479
Speaker 2: But to be fair, Mugs and I feel like havoc,

1394
01:09:39,520 --> 01:09:42,479
Speaker 2: I feel like there is no have it though I know,

1395
01:09:42,520 --> 01:09:44,040
Speaker 2: I know, but I'm saying I feel like that that's

1396
01:09:44,040 --> 01:09:47,720
Speaker 2: a sound year, having just the West Coast and then Alchemists,

1397
01:09:47,760 --> 01:09:49,920
Speaker 2: alchemists and they all they all collaborated.

1398
01:09:50,000 --> 01:09:52,479
Speaker 1: Yoa's havoc though, Yeah no, no, yeah, we know we

1399
01:09:52,560 --> 01:09:55,360
Speaker 1: know that we know a B Street across Groove and

1400
01:09:55,479 --> 01:09:56,479
Speaker 1: I love mugs, Mugs.

1401
01:09:56,560 --> 01:09:59,000
Speaker 2: Grandmoms live right up the block and Flushing Man. When

1402
01:09:59,120 --> 01:10:06,320
Speaker 2: we we got grandmother your stories, we were just saying.

1403
01:10:06,120 --> 01:10:07,920
Speaker 1: That talk to my girl Kate, and I was just

1404
01:10:08,000 --> 01:10:10,559
Speaker 1: saying that I don't know anyone on this planet who

1405
01:10:10,680 --> 01:10:14,519
Speaker 1: didn't know their grandmother. I don't know anyone who everyone

1406
01:10:14,680 --> 01:10:18,080
Speaker 1: I know says like their grandmother. I don't know, anyone said, Yo,

1407
01:10:18,160 --> 01:10:21,960
Speaker 1: I didn't know my grandmother. That's a little crazy and ship.

1408
01:10:22,000 --> 01:10:23,559
Speaker 1: But yeah, nah yeah for sure. Yeah.

1409
01:10:23,720 --> 01:10:28,120
Speaker 2: But b street a crush groove, Crush groove, Crush now

1410
01:10:28,280 --> 01:10:31,080
Speaker 2: who you who you who you Cush school?

1411
01:10:31,120 --> 01:10:33,800
Speaker 1: Yeah, crush groove now because that's Holliss, that's Holliss, that's

1412
01:10:33,880 --> 01:10:34,960
Speaker 1: you know, that's that's where I live.

1413
01:10:35,360 --> 01:10:36,400
Speaker 2: You know I live in Holliss.

1414
01:10:36,479 --> 01:10:40,120
Speaker 1: Man, So what oh yeah, oh yeah yeah no we

1415
01:10:40,280 --> 01:10:43,600
Speaker 1: we yo, bro man we yo We Binge watched. We

1416
01:10:43,760 --> 01:10:45,920
Speaker 1: Binge watched because I think like my cable was off

1417
01:10:45,960 --> 01:10:48,680
Speaker 1: for some ship like that. It was doing them rough times, bro,

1418
01:10:48,840 --> 01:10:50,840
Speaker 1: you remember them rough times. We were still making it though,

1419
01:10:50,920 --> 01:10:53,960
Speaker 1: bro We motherfucking yo, I had to beat machine and

1420
01:10:54,000 --> 01:10:54,760
Speaker 1: ships still going.

1421
01:10:55,120 --> 01:10:57,559
Speaker 2: Yo. I had it on mute and.

1422
01:11:00,120 --> 01:11:03,320
Speaker 1: He's just Binge watching Binge watching Tougher than Leather and

1423
01:11:03,400 --> 01:11:06,800
Speaker 1: Crush group Wes Binge watching We watch that ship every day.

1424
01:11:06,880 --> 01:11:09,760
Speaker 2: We was watching Tougher Lever and Yo.

1425
01:11:09,840 --> 01:11:12,960
Speaker 1: We just be sitting there laughing, just wilding, like running

1426
01:11:13,000 --> 01:11:15,280
Speaker 1: them light because them niggas was have mad money. But

1427
01:11:15,400 --> 01:11:18,040
Speaker 1: now he's making this wild movie and ship like motherfucker's

1428
01:11:18,120 --> 01:11:19,680
Speaker 1: like got mad money and.

1429
01:11:19,640 --> 01:11:22,519
Speaker 2: Ship and he watched the with the Fat Boys. To me,

1430
01:11:22,600 --> 01:11:25,240
Speaker 2: that was a classic see you you wow you for Miami.

1431
01:11:26,479 --> 01:11:32,160
Speaker 2: Class you nobody like that was a class We didn't wash.

1432
01:11:32,840 --> 01:11:33,280
Speaker 1: I love.

1433
01:11:35,400 --> 01:11:40,080
Speaker 2: That's when the Fat Boys big up cool rock. It

1434
01:11:40,240 --> 01:11:42,280
Speaker 2: was out here in Miami to absolutely man.

1435
01:11:42,360 --> 01:11:43,320
Speaker 1: But we didn't wow.

1436
01:11:43,960 --> 01:11:47,360
Speaker 2: I mean, I'm not this is a good funny movie.

1437
01:11:48,280 --> 01:11:50,360
Speaker 2: I don't know. I don't know, because that's what you know.

1438
01:11:50,479 --> 01:11:53,040
Speaker 1: The fat the Fat Boys were starting to drift away

1439
01:11:55,160 --> 01:12:01,880
Speaker 1: on Twitter and shout like that, like like yo, my

1440
01:12:02,040 --> 01:12:02,800
Speaker 1: brother love.

1441
01:12:02,960 --> 01:12:05,559
Speaker 2: If you look up the word you, his picture has

1442
01:12:05,600 --> 01:12:06,040
Speaker 2: to come back.

1443
01:12:07,120 --> 01:12:15,080
Speaker 1: He based on skill. That's the first record I made.

1444
01:12:15,360 --> 01:12:17,240
Speaker 1: The first song I made is with my man Shallow

1445
01:12:17,320 --> 01:12:19,200
Speaker 1: shot skills shallow.

1446
01:12:19,240 --> 01:12:21,240
Speaker 2: What she said, we're gonna come back to got you

1447
01:12:21,360 --> 01:12:23,439
Speaker 2: man got big on my man Shallow. But that was

1448
01:12:23,520 --> 01:12:24,200
Speaker 2: that was my man.

1449
01:12:24,720 --> 01:12:27,719
Speaker 1: He was my DJ at first and my first record.

1450
01:12:27,920 --> 01:12:30,519
Speaker 1: The first song that I made with him was based

1451
01:12:30,560 --> 01:12:32,160
Speaker 1: on skill. It his name based on.

1452
01:12:32,439 --> 01:12:33,840
Speaker 3: This is the last one for quick Time of Slim

1453
01:12:33,840 --> 01:12:35,120
Speaker 3: and I'm gonna sell you how much of a fan

1454
01:12:35,240 --> 01:12:38,719
Speaker 3: I am? Me and Draine is gonna battle, are gonna battle?

1455
01:12:39,080 --> 01:12:42,680
Speaker 2: All right? That wasn't a quick Time. It wasn't quick

1456
01:12:42,720 --> 01:12:45,400
Speaker 2: at all, It wasn't break at all. Loyalty or respect

1457
01:12:46,880 --> 01:12:49,560
Speaker 2: all right, let me let me let me carefully answer that.

1458
01:12:49,640 --> 01:12:50,760
Speaker 2: I like like, I like that.

1459
01:12:52,520 --> 01:13:03,840
Speaker 1: Loyalty or respect. Right, we gotta drink right if you

1460
01:13:04,200 --> 01:13:06,760
Speaker 1: say both, if you want, oh, yeah, for sure, what

1461
01:13:06,840 --> 01:13:07,519
Speaker 1: we usually say.

1462
01:13:07,680 --> 01:13:11,400
Speaker 2: That's what we usually that's what that's the easy, right answer.

1463
01:13:11,520 --> 01:13:15,040
Speaker 1: Yeah, love, love is the whole, you know, I accompassed,

1464
01:13:15,120 --> 01:13:16,240
Speaker 1: So drain that.

1465
01:13:16,320 --> 01:13:18,280
Speaker 2: Drain here, let's do this. You got to set up

1466
01:13:18,280 --> 01:13:19,599
Speaker 2: hold on. Let me just tell you something.

1467
01:13:22,640 --> 01:13:24,560
Speaker 1: Because I mean I think one got to do the

1468
01:13:24,640 --> 01:13:25,360
Speaker 1: other for the other.

1469
01:13:25,439 --> 01:13:28,439
Speaker 2: That happen for the other. Take away there, Yeah, yeah,

1470
01:13:28,439 --> 01:13:30,240
Speaker 2: you gotta kind of do one for the other.

1471
01:13:30,360 --> 01:13:32,000
Speaker 1: Like okay, well, let me just tell you something. When

1472
01:13:32,040 --> 01:13:37,040
Speaker 1: this record came out, talking to you, brother, this would

1473
01:13:37,040 --> 01:13:38,719
Speaker 1: be very proud of you with that piece.

1474
01:13:38,840 --> 01:13:39,360
Speaker 2: Man. Okay.

1475
01:13:39,439 --> 01:13:40,920
Speaker 1: He came up to me one time he was like

1476
01:13:43,120 --> 01:13:47,960
Speaker 1: the glock, the right there, the drink. So Biz came

1477
01:13:48,040 --> 01:13:50,759
Speaker 1: up to me one time he's like, yo, Paul man, Paul,

1478
01:13:51,160 --> 01:13:53,280
Speaker 1: I'm never gonna call you, Paul. You always gonna be lost.

1479
01:13:53,600 --> 01:14:06,479
Speaker 2: You want to write to know you ain't Marshall. I

1480
01:14:06,600 --> 01:14:11,640
Speaker 2: call it. I call him your real funny. What's so

1481
01:14:11,720 --> 01:14:12,639
Speaker 2: funny is your real name?

1482
01:14:12,680 --> 01:14:14,680
Speaker 1: It's so funny because late lately I've been you know,

1483
01:14:14,800 --> 01:14:18,160
Speaker 1: I've been getting that little writing thing, the feeling again

1484
01:14:18,240 --> 01:14:20,120
Speaker 1: and ship, and I've been saying I've been wanting to

1485
01:14:20,280 --> 01:14:22,120
Speaker 1: do a song called government.

1486
01:14:21,800 --> 01:14:27,400
Speaker 2: Name Game, Government Name, I'm in, I'm in. It's so crazy,

1487
01:14:27,760 --> 01:14:28,320
Speaker 2: And you.

1488
01:14:28,360 --> 01:14:30,920
Speaker 1: Know, it's more on the female side, you know, the

1489
01:14:31,000 --> 01:14:33,080
Speaker 1: female that may have you know, been out there a

1490
01:14:33,120 --> 01:14:35,640
Speaker 1: little social She's always like.

1491
01:14:35,640 --> 01:14:37,920
Speaker 3: Well he named everybody's real government name.

1492
01:14:38,280 --> 01:14:42,040
Speaker 2: Who did a record like that? No? Did I make

1493
01:14:42,080 --> 01:14:44,719
Speaker 2: that up? Just now? Yeah, it's called the Name Game.

1494
01:14:44,880 --> 01:14:47,599
Speaker 2: Now is he gonna be me? It's then I want

1495
01:14:47,640 --> 01:14:48,040
Speaker 2: to show.

1496
01:14:47,880 --> 01:14:51,640
Speaker 16: You, do you know Paulie from fleshing this at this

1497
01:14:51,760 --> 01:14:55,400
Speaker 16: point and him was bounding all day. They did that

1498
01:14:55,479 --> 01:14:57,800
Speaker 16: on the here he was like, Yo, who got this?

1499
01:14:58,240 --> 01:14:59,639
Speaker 16: Now listen, I'm gonna tell you man.

1500
01:14:59,600 --> 01:15:00,960
Speaker 2: By the way, hold on, hold on, hold on. Let

1501
01:15:00,960 --> 01:15:05,160
Speaker 2: me just say something that is the hardest breakup record.

1502
01:15:07,360 --> 01:15:09,880
Speaker 2: A lot of people don't realize it's a breakup record.

1503
01:15:09,920 --> 01:15:12,479
Speaker 2: And that's what y'all know, saying y'all hurt, y'all hurt.

1504
01:15:14,160 --> 01:15:19,000
Speaker 2: You say they heard He was like that's what they want. Well,

1505
01:15:22,000 --> 01:15:38,920
Speaker 2: you know, the mirror a little exhale. I mean, I

1506
01:15:38,920 --> 01:15:41,439
Speaker 2: don't like it's mo He said this like it was

1507
01:15:41,520 --> 01:15:49,120
Speaker 2: my hold on because I believe I was here you're

1508
01:15:49,160 --> 01:15:55,479
Speaker 2: a child and helping in hold on him hold on.

1509
01:15:55,640 --> 01:15:58,720
Speaker 2: I didn't realize, he say, I told you looked at

1510
01:15:58,720 --> 01:16:01,920
Speaker 2: the front door and walk through it. Yo, listen, bro man.

1511
01:16:02,120 --> 01:16:05,840
Speaker 1: It's so crazy because at that time, this is this

1512
01:16:06,040 --> 01:16:09,800
Speaker 1: is left rag history right here. Man. Because the girl

1513
01:16:09,880 --> 01:16:12,559
Speaker 1: I was down with at that time, we were telling

1514
01:16:13,160 --> 01:16:16,879
Speaker 1: uh Sachema like we you know she Indiana.

1515
01:16:17,160 --> 01:16:21,080
Speaker 2: Everybody that's like I said, yeah, yeah, yeah, yeah, Yo.

1516
01:16:21,200 --> 01:16:23,840
Speaker 2: We was we was We wasn't good for you, No,

1517
01:16:24,120 --> 01:16:25,679
Speaker 2: we was great. We was great.

1518
01:16:26,120 --> 01:16:29,479
Speaker 1: And I found out years later, like one of these

1519
01:16:29,520 --> 01:16:31,800
Speaker 1: mystical people that I met, they told me they was like,

1520
01:16:32,120 --> 01:16:34,760
Speaker 1: you wasn't talking about a relationship. You was talking about

1521
01:16:34,800 --> 01:16:39,240
Speaker 1: a world problem. You was talking about many people's lives.

1522
01:16:39,280 --> 01:16:41,400
Speaker 1: You wasn't talking about your own life. You was talking

1523
01:16:41,400 --> 01:16:45,840
Speaker 1: about an umbrella problem that plagues this world for and.

1524
01:16:45,920 --> 01:16:46,800
Speaker 2: That's why these people.

1525
01:16:46,920 --> 01:16:48,840
Speaker 1: Because I had to get I had to get like

1526
01:16:49,000 --> 01:16:51,599
Speaker 1: therapy a little bit, not therapy, but like her therapy,

1527
01:16:51,800 --> 01:16:53,040
Speaker 1: like you know, what I'm saying, it was like you

1528
01:16:53,080 --> 01:16:55,280
Speaker 1: did to get through it right, to get through it

1529
01:16:55,680 --> 01:16:59,080
Speaker 1: by because you know, I can honestly admit that my

1530
01:16:59,439 --> 01:17:02,000
Speaker 1: life was kind of sort of sweet a little bit

1531
01:17:02,120 --> 01:17:03,439
Speaker 1: now that I look back, you know what I mean.

1532
01:17:03,520 --> 01:17:06,120
Speaker 2: I had mommy and daddy, big says. You know what

1533
01:17:06,120 --> 01:17:08,439
Speaker 2: I meant. A lot was good in my life.

1534
01:17:08,479 --> 01:17:09,040
Speaker 1: You know what I'm saying.

1535
01:17:09,320 --> 01:17:11,360
Speaker 3: It was a compan the hood. Who has a mother

1536
01:17:11,439 --> 01:17:15,400
Speaker 3: and father, we felt, we felt rich absolutely my mother.

1537
01:17:17,680 --> 01:17:20,720
Speaker 3: To be honest, I did not rich financially, but I was.

1538
01:17:21,840 --> 01:17:25,800
Speaker 2: I was. I realized, like you know, it wasn't until

1539
01:17:25,920 --> 01:17:28,440
Speaker 2: like I actually started to go to like forty Projects

1540
01:17:28,920 --> 01:17:33,200
Speaker 2: and Queensbridge and Brownsville, my cousins in Alvie Square Mall

1541
01:17:33,760 --> 01:17:37,240
Speaker 2: and for Green. It wasn't until arrogant excuse me.

1542
01:17:37,680 --> 01:17:41,240
Speaker 3: I wasn't until I started to see that a broken

1543
01:17:41,360 --> 01:17:45,439
Speaker 3: family is what makes you poor, not not financial, you

1544
01:17:45,479 --> 01:17:47,280
Speaker 3: know what I'm saying. And I didn't really kind of

1545
01:17:47,360 --> 01:17:50,080
Speaker 3: like realize that until I got older and I realized

1546
01:17:51,160 --> 01:17:53,920
Speaker 3: that ship you said, you said something that was very

1547
01:17:53,960 --> 01:17:56,920
Speaker 3: powerful earlier, you said grandmothers. You're right, a lot of

1548
01:17:56,960 --> 01:17:59,600
Speaker 3: people didn't have they direct parents, but they had the.

1549
01:17:59,680 --> 01:18:03,360
Speaker 1: Great everybody I know, there's nobody I don't.

1550
01:18:03,560 --> 01:18:05,960
Speaker 2: I tried to raised by the grandparents. There wasn't which

1551
01:18:06,000 --> 01:18:07,760
Speaker 2: is the matriarch, most family.

1552
01:18:07,760 --> 01:18:10,760
Speaker 1: Most Yo, I don't know anyone who There's no one

1553
01:18:10,800 --> 01:18:13,879
Speaker 1: who said yo, growing up, I didn't have my grandmother.

1554
01:18:14,320 --> 01:18:16,519
Speaker 2: But I was trying to think of that coming here

1555
01:18:16,520 --> 01:18:18,240
Speaker 2: as a matter of fact, sitting there and.

1556
01:18:18,439 --> 01:18:20,439
Speaker 1: I was like, you know, people said, yo, NOA, my

1557
01:18:20,560 --> 01:18:25,280
Speaker 1: grandpa's alive, my pops mama, but never their grandmother. That's crazy.

1558
01:18:26,200 --> 01:18:28,519
Speaker 1: I knew my grandmother, you know what I mean, I know,

1559
01:18:28,880 --> 01:18:30,920
Speaker 1: mad people. I was trying to think of somebody that

1560
01:18:31,400 --> 01:18:33,639
Speaker 1: I didn't, you know, So that type of thing. That's

1561
01:18:33,640 --> 01:18:36,040
Speaker 1: a good thing to think about. Man, So let me

1562
01:18:36,080 --> 01:18:40,040
Speaker 1: ask you. This is like super super super rumor. I'm

1563
01:18:40,040 --> 01:18:41,599
Speaker 1: not sure if it's a room or if it's true

1564
01:18:41,720 --> 01:18:42,360
Speaker 1: or whatever.

1565
01:18:42,560 --> 01:18:47,040
Speaker 2: But it's rumored that, look at all these rumors that

1566
01:18:49,560 --> 01:18:51,200
Speaker 2: I believe the rhythm hit man.

1567
01:18:51,280 --> 01:18:53,360
Speaker 1: My man back there looked like Paul real quick, right,

1568
01:18:53,439 --> 01:19:00,160
Speaker 1: he looked like Paul lep right there, right, Look, that's what.

1569
01:19:04,000 --> 01:19:09,320
Speaker 3: Is your step. But it's rumored that Eric being rock

1570
01:19:09,400 --> 01:19:14,120
Speaker 3: King was recording the album. Yeah, the producer, that producer

1571
01:19:14,520 --> 01:19:18,200
Speaker 3: got killed or Paul C my mental al right, so

1572
01:19:18,560 --> 01:19:20,400
Speaker 3: yeah and he was white, correct, Yeah.

1573
01:19:20,240 --> 01:19:22,120
Speaker 2: That's my mentor man, my man, Paul C.

1574
01:19:22,360 --> 01:19:24,920
Speaker 1: And that's beautiful that you bought that story up, because

1575
01:19:25,160 --> 01:19:27,240
Speaker 1: it's good that the hood will now know about that

1576
01:19:27,320 --> 01:19:29,760
Speaker 1: because your your show rejected to the hood. Like I

1577
01:19:29,840 --> 01:19:32,320
Speaker 1: said to you, my daughter was like you do what drinking?

1578
01:19:36,560 --> 01:19:40,360
Speaker 1: Yeah for real? So yeah, yeah, so on what happened was.

1579
01:19:40,560 --> 01:19:42,920
Speaker 2: Because you was in high school at the time, I

1580
01:19:43,040 --> 01:19:46,680
Speaker 2: was in I was in bound, I was okay, So.

1581
01:19:47,120 --> 01:19:52,880
Speaker 1: So what what happened was, like, yo, I think as

1582
01:19:52,920 --> 01:20:00,879
Speaker 1: the story was told to me, Paul's wife was this beautiful, elegant, soul, beautyutiful, stunning,

1583
01:20:01,280 --> 01:20:06,840
Speaker 1: stunningly beautiful black woman from Lowellton, Queens, you know, on

1584
01:20:07,080 --> 01:20:09,840
Speaker 1: one you know. But and I knew her.

1585
01:20:09,960 --> 01:20:11,920
Speaker 2: I knew her, you know, like it.

1586
01:20:12,000 --> 01:20:15,519
Speaker 1: Was a beautiful marriage, a beautiful union. To me, you know,

1587
01:20:15,880 --> 01:20:18,080
Speaker 1: it was it was the you know, the black and

1588
01:20:18,160 --> 01:20:24,120
Speaker 1: white thing, you know. And yeah, man, Paul got killed. Man,

1589
01:20:24,439 --> 01:20:27,120
Speaker 1: I guess the story was told to me, man that

1590
01:20:28,240 --> 01:20:30,200
Speaker 1: Rock Kim was rolling or whatever, like one of his

1591
01:20:30,320 --> 01:20:33,920
Speaker 1: boys tried to shout at Paul's wife, and Paul's wife

1592
01:20:34,040 --> 01:20:36,200
Speaker 1: was like, actually, you need to, you know, speak to

1593
01:20:36,280 --> 01:20:39,080
Speaker 1: my husband about some beasts because he's fire, you know.

1594
01:20:39,120 --> 01:20:40,800
Speaker 1: And then rock Him was like, all right, well, you know,

1595
01:20:40,920 --> 01:20:42,760
Speaker 1: let me see what's good with that. And then he

1596
01:20:42,840 --> 01:20:45,519
Speaker 1: went seeing Paul and then actually seen that Paul was

1597
01:20:45,640 --> 01:20:48,240
Speaker 1: fire and was like, Yo, we're we're gonna work. And

1598
01:20:48,360 --> 01:20:50,320
Speaker 1: so they clicked the clack, you know that what they

1599
01:20:50,400 --> 01:20:52,400
Speaker 1: had to do and shit, and then Paul was on board.

1600
01:20:52,479 --> 01:20:53,559
Speaker 2: We're working with everic.

1601
01:20:53,439 --> 01:20:57,000
Speaker 1: Being rock Him and then met in an untimely demise

1602
01:20:57,439 --> 01:21:00,720
Speaker 1: with you know what I mean, like someone coming in

1603
01:21:00,840 --> 01:21:03,280
Speaker 1: his basement and shooting them.

1604
01:21:03,320 --> 01:21:06,920
Speaker 2: Man, that's crazy, God bless Yeah. But then that's how

1605
01:21:06,960 --> 01:21:07,880
Speaker 2: you you know.

1606
01:21:08,880 --> 01:21:12,160
Speaker 1: Yeah, So I was in the studio with Paul had

1607
01:21:12,280 --> 01:21:15,280
Speaker 1: lent me the SP twelve hundred. This is your lineage

1608
01:21:15,360 --> 01:21:18,519
Speaker 1: right here. Paul lent me the SP twelve hundred that

1609
01:21:18,640 --> 01:21:22,960
Speaker 1: I made intelligent hoodlum on you know, in all of

1610
01:21:23,000 --> 01:21:26,080
Speaker 1: the trash joints that I made, you know what I mean. So, yeah,

1611
01:21:26,439 --> 01:21:31,760
Speaker 1: it's it's thirty plus years now.

1612
01:21:32,880 --> 01:21:35,519
Speaker 3: Let me ask because a lot of people considered that

1613
01:21:35,680 --> 01:21:36,959
Speaker 3: ghost producing.

1614
01:21:38,320 --> 01:21:40,400
Speaker 1: Yeah, at the time, I didn't you know, that shit

1615
01:21:40,479 --> 01:21:43,439
Speaker 1: didn't exist like ghost producing. It was just like you know,

1616
01:21:43,560 --> 01:21:45,920
Speaker 1: because I was coming from the purest form of hip

1617
01:21:45,960 --> 01:21:48,559
Speaker 1: hop right now. Shit, I'm like, Yo, you don't bite

1618
01:21:48,760 --> 01:21:51,200
Speaker 1: that man. Shit, you don't you give that man credit.

1619
01:21:51,560 --> 01:21:53,960
Speaker 1: You know that man's fresh, Yo, that nigga. Get that

1620
01:21:54,040 --> 01:21:55,720
Speaker 1: nigga hog and bring him next to you, you know

1621
01:21:55,760 --> 01:21:58,160
Speaker 1: what I mean? Like, Yo, that's my little nigga right here. Shit,

1622
01:21:58,240 --> 01:22:00,320
Speaker 1: I bought him up, you know. And and you know,

1623
01:22:00,400 --> 01:22:02,879
Speaker 1: everybody gonna do what they gotta do and ship they're gonna.

1624
01:22:02,760 --> 01:22:04,000
Speaker 2: Act right, you know.

1625
01:22:04,240 --> 01:22:06,960
Speaker 1: That's what you did with tried right tras you do

1626
01:22:07,520 --> 01:22:10,920
Speaker 1: the smart little man and she nice Boom you came,

1627
01:22:11,000 --> 01:22:12,599
Speaker 1: you did ya, you know what I mean?

1628
01:22:13,240 --> 01:22:14,639
Speaker 2: So that's that's the whole ship.

1629
01:22:14,720 --> 01:22:15,920
Speaker 3: So when you did it, you did it on the

1630
01:22:15,920 --> 01:22:17,439
Speaker 3: strep of Paul. You did it on a strep for

1631
01:22:17,680 --> 01:22:19,000
Speaker 3: knowing whoever being Rocket was.

1632
01:22:19,120 --> 01:22:22,680
Speaker 1: I did it on the strength for Fadal getting up

1633
01:22:22,920 --> 01:22:27,120
Speaker 1: with every being and being like, Yo, I got Paul Protege,

1634
01:22:27,760 --> 01:22:32,759
Speaker 1: Protege the brother that was working under Paul. Y'all probably

1635
01:22:32,840 --> 01:22:37,880
Speaker 1: need to and then bom, yo crazy right and then boom.

1636
01:22:38,000 --> 01:22:40,960
Speaker 1: This the story though we went out to wine dance.

1637
01:22:41,040 --> 01:22:43,600
Speaker 1: Fatal was like Yo was Yo. We started we.

1638
01:22:43,680 --> 01:22:46,040
Speaker 2: Started my friend from my friend Rah hand from from

1639
01:22:46,120 --> 01:22:47,679
Speaker 2: from Wine Dance. Go ahead dogs.

1640
01:22:48,120 --> 01:22:51,759
Speaker 1: We started this trip at like like ten thirty eleven

1641
01:22:51,880 --> 01:22:54,400
Speaker 1: at night on the Wine Dance because he had I

1642
01:22:54,479 --> 01:22:56,519
Speaker 1: guess he they was doing to show something. He had

1643
01:22:56,560 --> 01:22:59,160
Speaker 1: to bring something to rock Himp. So boom, we jetted

1644
01:22:59,200 --> 01:23:01,160
Speaker 1: out there in the wagon. Here I mentioned the Wagoneer

1645
01:23:01,160 --> 01:23:03,720
Speaker 1: and hanging out. Jetted out there in the Wagoneer and

1646
01:23:03,800 --> 01:23:06,479
Speaker 1: ship boom. We went to this first house. It's like

1647
01:23:06,680 --> 01:23:10,160
Speaker 1: seventy seven something something like that out there and ship.

1648
01:23:10,439 --> 01:23:13,280
Speaker 1: They got a Jamaica ave out there in Wan Dance too. Wow,

1649
01:23:13,720 --> 01:23:15,840
Speaker 1: so all that ship. So we went out there, there's

1650
01:23:15,920 --> 01:23:19,200
Speaker 1: seventy seven joint and I was like, oh ship seventy seven, like,

1651
01:23:19,320 --> 01:23:22,439
Speaker 1: oh ship, that's that's rock Kim. House is God God, Like,

1652
01:23:22,520 --> 01:23:23,040
Speaker 1: oh ship.

1653
01:23:23,320 --> 01:23:23,920
Speaker 2: He wasn't there.

1654
01:23:23,960 --> 01:23:27,640
Speaker 1: Then we went to another house and then they they

1655
01:23:27,720 --> 01:23:29,720
Speaker 1: called him from a basement and shit, he came up.

1656
01:23:29,760 --> 01:23:31,720
Speaker 1: He had the blue BVD on this when he was

1657
01:23:31,840 --> 01:23:35,080
Speaker 1: rocking the dress Rock Kim. Yeah, Rock Kim, and he.

1658
01:23:35,040 --> 01:23:37,840
Speaker 2: Said, BBD, that's the shirt, that's the silk shirt. Shit

1659
01:23:40,000 --> 01:23:42,679
Speaker 2: got the bony friend, he got the mad bony friend.

1660
01:23:42,880 --> 01:23:43,559
Speaker 2: So we come out.

1661
01:23:43,920 --> 01:23:46,360
Speaker 1: But he got the dress popping down with ship, so

1662
01:23:46,520 --> 01:23:48,840
Speaker 1: this is rock him out of his ultimate peak right

1663
01:23:48,880 --> 01:23:51,439
Speaker 1: now when he did the dress. So he's like yo,

1664
01:23:52,520 --> 01:23:55,320
Speaker 1: and I'm like, oh, Ship, this is the god right now.

1665
01:23:55,400 --> 01:23:57,679
Speaker 1: You got this, you know, he got something stupid swoop

1666
01:23:57,680 --> 01:24:00,960
Speaker 1: it around his neck. I was like, it's the guard

1667
01:24:01,120 --> 01:24:03,960
Speaker 1: right now, like in my face, Like he was like, yo, word,

1668
01:24:04,080 --> 01:24:06,360
Speaker 1: you the next poll all right, man, Yo, come through

1669
01:24:06,360 --> 01:24:08,240
Speaker 1: the lab and Ship he told me. He told me

1670
01:24:08,280 --> 01:24:10,200
Speaker 1: you want to be coming through the lab because every

1671
01:24:10,400 --> 01:24:12,519
Speaker 1: I think, you know, I kind of linked with Eric

1672
01:24:12,640 --> 01:24:14,720
Speaker 1: first and then they was like Eric was like, yo,

1673
01:24:14,800 --> 01:24:16,519
Speaker 1: well go take him out there to rock him.

1674
01:24:16,600 --> 01:24:18,120
Speaker 2: See if rock kim on, you know.

1675
01:24:18,680 --> 01:24:20,680
Speaker 1: And then and then I was like, ge checked my

1676
01:24:21,800 --> 01:24:23,479
Speaker 1: I kind of get he said you were the next

1677
01:24:23,560 --> 01:24:24,600
Speaker 1: Paul is what he told you?

1678
01:24:25,479 --> 01:24:28,040
Speaker 2: Well he that's what he just said, because remember that

1679
01:24:28,120 --> 01:24:29,679
Speaker 2: that was his predecessor was saying.

1680
01:24:29,880 --> 01:24:32,559
Speaker 1: And then now we got another poll girl, Paul out there.

1681
01:24:35,960 --> 01:24:38,200
Speaker 2: Point and then Paul Leffe. You know, we got a

1682
01:24:38,360 --> 01:24:40,040
Speaker 2: bunch of poles man, and we got to shout out

1683
01:24:40,080 --> 01:24:42,200
Speaker 2: Fatal because you keep mentioning the like Fatal.

1684
01:24:42,320 --> 01:24:45,200
Speaker 1: He seems to be all this stuff Fatal is actually

1685
01:24:45,280 --> 01:24:47,200
Speaker 1: the hub that kind of like because he was the

1686
01:24:47,240 --> 01:24:49,680
Speaker 1: one that was going out there and Fatal got that.

1687
01:24:49,880 --> 01:24:52,080
Speaker 1: He got that mind boggless ship. He could walk up

1688
01:24:52,120 --> 01:24:54,880
Speaker 1: on you and and and talk to you, and you

1689
01:24:54,920 --> 01:24:58,360
Speaker 1: would think that you knew Fatal for a hundred years.

1690
01:24:59,200 --> 01:25:00,920
Speaker 1: You know, he just run up on you and talk

1691
01:25:01,000 --> 01:25:03,120
Speaker 1: to you and it just be like like that type

1692
01:25:03,120 --> 01:25:05,880
Speaker 1: of ship. So you know, they got Fatal and what

1693
01:25:06,360 --> 01:25:07,160
Speaker 1: your brother.

1694
01:25:08,280 --> 01:25:14,080
Speaker 2: And yeah, and yo, am, come on back because about

1695
01:25:14,080 --> 01:25:16,000
Speaker 2: to Yeah, yeah, talk to me, yo.

1696
01:25:16,400 --> 01:25:16,559
Speaker 1: Yeah.

1697
01:25:16,720 --> 01:25:20,400
Speaker 2: Let's keep the whole ship going, the whole ship. Let's

1698
01:25:20,400 --> 01:25:23,840
Speaker 2: get the whole ship going. Burn it up. I see

1699
01:25:23,880 --> 01:25:24,240
Speaker 2: you can't.

1700
01:25:24,360 --> 01:25:28,000
Speaker 1: I see I heard up. My man back to he

1701
01:25:28,040 --> 01:25:29,760
Speaker 1: got he chilling back there, he got his drink, he

1702
01:25:29,840 --> 01:25:30,960
Speaker 1: got to he got the.

1703
01:25:31,000 --> 01:25:32,200
Speaker 2: Miami shirt on this ship.

1704
01:25:32,280 --> 01:25:34,280
Speaker 1: My man back there, she she got to say, he's

1705
01:25:34,320 --> 01:25:35,040
Speaker 1: on the ship.

1706
01:25:36,600 --> 01:25:42,880
Speaker 2: Burned up. We got the way day. I got Viney

1707
01:25:42,960 --> 01:25:46,760
Speaker 2: with me too. I got my vinyl. Yeah yeah, yeah,

1708
01:25:46,800 --> 01:25:50,280
Speaker 2: I love Yeah. Yeah, you give you that was nest.

1709
01:25:50,360 --> 01:25:53,280
Speaker 2: But we have you you worry about, get you another one?

1710
01:25:53,520 --> 01:26:01,200
Speaker 2: Yeah yeah you don't care, man, Yeah for you you

1711
01:26:01,400 --> 01:26:01,960
Speaker 2: do this one.

1712
01:26:02,080 --> 01:26:07,720
Speaker 1: And yeah yeah, because they actually they actually on comrades

1713
01:26:07,800 --> 01:26:09,880
Speaker 1: from yeh they comrades from a while.

1714
01:26:10,320 --> 01:26:15,040
Speaker 2: Yeah, cora Is is a real one. And Lord did

1715
01:26:15,080 --> 01:26:20,920
Speaker 2: you work at Yes he worked, yes, yes, yes, yes,

1716
01:26:21,160 --> 01:26:28,280
Speaker 2: so like that man, yeah, yes, okay, worried up but

1717
01:26:28,560 --> 01:26:29,639
Speaker 2: you you didn't hear what you just said.

1718
01:26:29,680 --> 01:26:34,400
Speaker 17: Just now okay, okay, alright? Cool had has on the audio.

1719
01:26:34,600 --> 01:26:38,320
Speaker 17: Let me ask you because I got my young bro.

1720
01:26:39,439 --> 01:26:41,559
Speaker 17: Good now yo, this is beautiful, man.

1721
01:26:41,640 --> 01:26:43,920
Speaker 2: But one of the one of the best New York

1722
01:26:44,000 --> 01:26:49,080
Speaker 2: City songs of life. We had to get to lives

1723
01:26:49,120 --> 01:26:56,240
Speaker 2: some of that smoking moving we got you whatever. Hell yeah,

1724
01:26:56,320 --> 01:26:58,920
Speaker 2: come on one of my you know, New York City.

1725
01:26:59,000 --> 01:27:01,880
Speaker 2: We have anthems from Fake Natra to jay Z. But

1726
01:27:02,000 --> 01:27:06,400
Speaker 2: there's one special New York record. No, the Streets of

1727
01:27:06,479 --> 01:27:07,080
Speaker 2: New York.

1728
01:27:08,479 --> 01:27:12,280
Speaker 1: A New York record, right, grap I did not know

1729
01:27:12,360 --> 01:27:15,480
Speaker 1: you produced that? Oh yeah, me and Anton Poshansky.

1730
01:27:15,960 --> 01:27:18,960
Speaker 2: Cool, yeah, I need to know how this record was

1731
01:27:19,000 --> 01:27:20,920
Speaker 2: put together. Oh yeah, nah. I came in with you,

1732
01:27:21,000 --> 01:27:21,280
Speaker 2: all right.

1733
01:27:21,320 --> 01:27:23,080
Speaker 1: So I was doing nice school that you make a

1734
01:27:23,160 --> 01:27:27,000
Speaker 1: high school. And so after after that I would go

1735
01:27:27,160 --> 01:27:29,600
Speaker 1: in like she would come pick me up, and she

1736
01:27:29,680 --> 01:27:32,080
Speaker 1: had that's when he had the white Maxima. He come,

1737
01:27:32,200 --> 01:27:34,160
Speaker 1: he come down the block and shait I ride the

1738
01:27:34,200 --> 01:27:36,720
Speaker 1: bus back home after night school. Shit. So I was

1739
01:27:36,800 --> 01:27:39,839
Speaker 1: doing nice sessions when it'll be like nine ten o'clock

1740
01:27:39,840 --> 01:27:41,519
Speaker 1: at night, and shit, she would come pick me up.

1741
01:27:41,600 --> 01:27:43,479
Speaker 1: You know, my Mom's and pops was good. They knew

1742
01:27:43,520 --> 01:27:45,360
Speaker 1: I was going out there to get some money, so

1743
01:27:45,479 --> 01:27:47,000
Speaker 1: they was like, all right, go do what you gotta do.

1744
01:27:47,520 --> 01:27:50,640
Speaker 1: So boom we knocking shit out. And you know, some

1745
01:27:50,800 --> 01:27:54,639
Speaker 1: of them sessions ran into like three, four, five, six

1746
01:27:54,840 --> 01:27:56,759
Speaker 1: in the morning and I have to dip the bound

1747
01:27:57,320 --> 01:27:59,280
Speaker 1: no sleep type shit, you know what I mean, Like

1748
01:27:59,439 --> 01:28:02,120
Speaker 1: just boom, touchdown and just have to boom, freshen up

1749
01:28:02,439 --> 01:28:04,760
Speaker 1: and just dip the BWn real quick, you know type shit.

1750
01:28:04,800 --> 01:28:08,040
Speaker 1: But Streets New York was one of them nights where

1751
01:28:08,080 --> 01:28:11,040
Speaker 1: I just I came in, like because what I used

1752
01:28:11,080 --> 01:28:13,639
Speaker 1: to do is try to get what is that on there?

1753
01:28:13,720 --> 01:28:16,320
Speaker 1: The band bank Now he was playing a keyboard. All

1754
01:28:16,360 --> 01:28:18,840
Speaker 1: of them is keyboards. Okay, he was he was.

1755
01:28:21,200 --> 01:28:23,920
Speaker 2: Bro the solo. That's when niggas was still doing solos

1756
01:28:24,000 --> 01:28:27,439
Speaker 2: and songs and a hip hop right nine hip hop.

1757
01:28:28,040 --> 01:28:30,160
Speaker 1: So it was one of them because even like talk

1758
01:28:30,280 --> 01:28:32,320
Speaker 1: like sex, that was the same thing. It was like

1759
01:28:32,680 --> 01:28:36,080
Speaker 1: I would after school, after night school. Actually I wanted

1760
01:28:36,120 --> 01:28:39,160
Speaker 1: to specify, like so I was, I would come home

1761
01:28:39,320 --> 01:28:41,160
Speaker 1: and try to get a loop or two win real

1762
01:28:41,280 --> 01:28:43,400
Speaker 1: quick before g would come pick me up. So I

1763
01:28:43,520 --> 01:28:45,720
Speaker 1: get home like nine, and so he come pick me

1764
01:28:45,840 --> 01:28:48,600
Speaker 1: up like ten. I try to like dice up like

1765
01:28:48,680 --> 01:28:51,000
Speaker 1: two or three or four loops real quick before he came.

1766
01:28:51,320 --> 01:28:53,439
Speaker 1: So that's how that happened. I diced that loop up,

1767
01:28:53,640 --> 01:28:56,160
Speaker 1: and then I came to the lab. We hit the

1768
01:28:56,240 --> 01:28:59,040
Speaker 1: lab and I was like, yo, boom this joint. And

1769
01:28:59,160 --> 01:29:01,280
Speaker 1: then and Tom like when he heard it, he was like, yo,

1770
01:29:01,360 --> 01:29:02,880
Speaker 1: I can do this and I can do that, and

1771
01:29:02,960 --> 01:29:04,920
Speaker 1: he he just took flight on that ship big up

1772
01:29:05,000 --> 01:29:07,439
Speaker 1: at on because he's really the one that we're talking

1773
01:29:07,479 --> 01:29:10,080
Speaker 1: about with the solo horn and all that ship like

1774
01:29:10,120 --> 01:29:13,240
Speaker 1: because he felt that in his soul, because I just

1775
01:29:13,360 --> 01:29:15,520
Speaker 1: had a certain little I had a like a skeleton

1776
01:29:15,640 --> 01:29:17,560
Speaker 1: for him. And then he took that ship to the

1777
01:29:17,640 --> 01:29:21,120
Speaker 1: next baselines, playing horns, keyboards all that.

1778
01:29:21,280 --> 01:29:23,800
Speaker 3: Let's name Great New York Records Streets is New York

1779
01:29:24,000 --> 01:29:26,800
Speaker 3: Streets of New York, New York, State of Mind, New York,

1780
01:29:26,880 --> 01:29:29,960
Speaker 3: State of Mind, Empires, state of Mind, High Tech.

1781
01:29:30,120 --> 01:29:32,600
Speaker 2: New York New York with Jada Kiss and all of

1782
01:29:32,640 --> 01:29:33,040
Speaker 2: them on it.

1783
01:29:33,120 --> 01:29:38,439
Speaker 3: I forgot that one, that one and New York New

1784
01:29:38,520 --> 01:29:48,200
Speaker 3: York Jarro Frank Sinatra, Yeah that was I forgot New

1785
01:29:48,320 --> 01:29:51,320
Speaker 3: York Ship. Okay, I forgot that.

1786
01:29:53,320 --> 01:29:57,920
Speaker 1: Dot X Escape from New York with d Do whatever

1787
01:29:58,160 --> 01:29:59,080
Speaker 1: Pete Rod Production.

1788
01:30:00,400 --> 01:30:03,240
Speaker 2: Now, I'm just fields you a nice play.

1789
01:30:03,960 --> 01:30:05,960
Speaker 1: When you look back, When you look back, you're gonna

1790
01:30:06,000 --> 01:30:07,040
Speaker 1: listen camera.

1791
01:30:08,280 --> 01:30:12,920
Speaker 2: Yeah. Yeah, but what about Ja? What about Ja?

1792
01:30:13,360 --> 01:30:14,800
Speaker 18: M y m P?

1793
01:30:15,439 --> 01:30:18,639
Speaker 1: Yeah exactly and y m P the realist nigger.

1794
01:30:20,160 --> 01:30:30,519
Speaker 2: That's and why your loves bro the most that I

1795
01:30:30,640 --> 01:30:31,200
Speaker 2: love them.

1796
01:30:33,680 --> 01:30:37,519
Speaker 1: Pre roll for the Southern We yo yo yo, and

1797
01:30:37,640 --> 01:30:39,679
Speaker 1: know we got yo, we got this smoking beas.

1798
01:30:39,479 --> 01:30:42,240
Speaker 2: Thing happening man out here. Man never tried Japanese whiskey.

1799
01:30:42,800 --> 01:30:44,880
Speaker 2: When Jay said it, I knew what even So you know,

1800
01:30:45,040 --> 01:30:57,280
Speaker 2: does you want some big No, I don't know. I don't.

1801
01:30:57,720 --> 01:30:59,840
Speaker 2: I'll be somewhere over there like sharing man.

1802
01:31:01,640 --> 01:31:05,879
Speaker 4: Ship my nigga Supreme in the building, Yo Yong supreme

1803
01:31:05,960 --> 01:31:07,040
Speaker 4: in the hell.

1804
01:31:07,160 --> 01:31:12,120
Speaker 2: Yeah, maybe you want to a glass of it? I

1805
01:31:12,160 --> 01:31:15,519
Speaker 2: would like a nice neat. Yeah, yeah, I mean you

1806
01:31:15,600 --> 01:31:18,360
Speaker 2: know what, I want a glass? You didn't get him one.

1807
01:31:18,439 --> 01:31:22,080
Speaker 3: We gotta give large pro one. We gotta get think right.

1808
01:31:22,040 --> 01:31:25,240
Speaker 2: There is it right there? But right there? Yeah, that's

1809
01:31:25,280 --> 01:31:35,320
Speaker 2: just gonna be a little give. We're giving you your flowers. Yo.

1810
01:31:35,640 --> 01:31:38,720
Speaker 2: I ain't drinking that Yo. Good for you man, don't

1811
01:31:38,760 --> 01:31:39,679
Speaker 2: break that ship.

1812
01:31:39,840 --> 01:31:45,759
Speaker 3: Yo, laws bro, we are here to give you your flowers.

1813
01:31:45,800 --> 01:31:47,080
Speaker 3: My brother, let me just tell you something.

1814
01:31:47,080 --> 01:31:50,880
Speaker 2: Afiate you. Brother, you're a legends legend of Japan. You're

1815
01:31:50,880 --> 01:31:55,439
Speaker 2: a producer's producer, you're an artist artist and but but

1816
01:31:55,520 --> 01:31:57,599
Speaker 2: we gotta go back what came first?

1817
01:31:58,160 --> 01:31:58,439
Speaker 5: D J?

1818
01:31:58,560 --> 01:32:02,840
Speaker 2: You're producing d jam and so that you just wanted

1819
01:32:02,840 --> 01:32:12,720
Speaker 2: to I know, so what what what DJs are you

1820
01:32:12,880 --> 01:32:14,680
Speaker 2: looking up to? Then you're saying I want to be

1821
01:32:14,760 --> 01:32:16,000
Speaker 2: a DJ? All right?

1822
01:32:16,160 --> 01:32:19,360
Speaker 1: So around my way we have my brother that I

1823
01:32:19,760 --> 01:32:22,320
Speaker 1: patted myself after even today. You see what I do

1824
01:32:22,439 --> 01:32:26,040
Speaker 1: on Instagram. This nigga, don't follow me. We're gonna go

1825
01:32:26,320 --> 01:32:35,240
Speaker 1: somewhere else. You're bad, You're gonna break through. You're calling

1826
01:32:35,360 --> 01:32:40,120
Speaker 1: some of the listen not But but there's a brother

1827
01:32:40,240 --> 01:32:43,600
Speaker 1: around my way named com Mel. And so when I

1828
01:32:43,640 --> 01:32:45,760
Speaker 1: got out the group home, they told me in the

1829
01:32:45,800 --> 01:32:48,200
Speaker 1: group homes like yo, listen, man, you need to do music.

1830
01:32:48,320 --> 01:32:51,120
Speaker 1: Manuk that crime ship Man do music. Man, You're gonna

1831
01:32:51,120 --> 01:32:53,760
Speaker 1: be all right. And so I started buying records. I

1832
01:32:53,800 --> 01:32:56,479
Speaker 1: ain't have equipment yet, but I just started buying records

1833
01:32:56,479 --> 01:32:57,760
Speaker 1: that I like and ship you know what I mean.

1834
01:32:57,880 --> 01:33:01,960
Speaker 2: In my household, we always have records. So buying records

1835
01:33:02,040 --> 01:33:02,360
Speaker 2: was nothing.

1836
01:33:02,439 --> 01:33:03,920
Speaker 1: It's like, all right, cool, go to the ad with

1837
01:33:04,000 --> 01:33:07,080
Speaker 1: the bus pass, go see mister Wall music Factory. Buy

1838
01:33:07,200 --> 01:33:11,880
Speaker 1: some records, you know what I mean? Yeah, beat minus Boom. So,

1839
01:33:12,160 --> 01:33:15,320
Speaker 1: you know, just buying records. Man, buying records.

1840
01:33:16,000 --> 01:33:20,639
Speaker 19: I gotta say, Man, huh, hearing you like what Main

1841
01:33:20,760 --> 01:33:27,800
Speaker 19: Source brought to me really defined the way I knew

1842
01:33:28,439 --> 01:33:31,160
Speaker 19: I could be in hip hop because we was.

1843
01:33:31,200 --> 01:33:34,760
Speaker 1: Rebelling were we was rebelling, We was calling ship, I

1844
01:33:34,880 --> 01:33:37,519
Speaker 1: was calling ship out. We was calling ship out. And

1845
01:33:37,720 --> 01:33:39,960
Speaker 1: y'all came in and added on to.

1846
01:33:40,040 --> 01:33:43,000
Speaker 19: That were curently Game of Baseball ran in me like

1847
01:33:43,120 --> 01:33:45,519
Speaker 19: that man, I used to run that that friendly talk

1848
01:33:45,600 --> 01:33:48,680
Speaker 19: about Yeah, I missed that part of me because I

1849
01:33:48,800 --> 01:33:51,800
Speaker 19: just got to say, and Main absolutely.

1850
01:33:51,560 --> 01:33:54,360
Speaker 3: Just the way we honest Love of the Barbecue might

1851
01:33:54,479 --> 01:33:56,960
Speaker 3: be the one of the best posse records of I

1852
01:33:57,000 --> 01:33:58,679
Speaker 3: mean absolutely all the time.

1853
01:33:58,720 --> 01:34:02,080
Speaker 2: We was following in them template and you know, everybody,

1854
01:34:02,640 --> 01:34:03,400
Speaker 2: what do you mean?

1855
01:34:03,479 --> 01:34:03,920
Speaker 1: What do you mean?

1856
01:34:04,080 --> 01:34:06,200
Speaker 2: Like Molly in Them came out with the first symphony

1857
01:34:06,720 --> 01:34:07,960
Speaker 2: Barbecue because when we when we.

1858
01:34:08,040 --> 01:34:10,639
Speaker 1: Did barbecue joint, we were we were saying we're gonna

1859
01:34:10,640 --> 01:34:11,679
Speaker 1: do a symphony joint.

1860
01:34:11,800 --> 01:34:17,840
Speaker 2: They whoa. He was saying, We're gonna do a symphony joint. Okay,

1861
01:34:17,840 --> 01:34:21,640
Speaker 2: I can see that now sounding nothing like listen and

1862
01:34:21,720 --> 01:34:24,519
Speaker 2: it was that and some times are doing crazy and

1863
01:34:24,680 --> 01:34:27,240
Speaker 2: now times are doing albums. You you had joints.

1864
01:34:27,280 --> 01:34:30,240
Speaker 1: You had yo, where's your DJ joint where the DJ

1865
01:34:30,520 --> 01:34:32,760
Speaker 1: had his song, and then you had your your love

1866
01:34:32,880 --> 01:34:35,080
Speaker 1: song joint, like I just drew up the Kinge joint.

1867
01:34:35,439 --> 01:34:37,479
Speaker 1: Cainge on his first album he had the love song

1868
01:34:37,600 --> 01:34:40,519
Speaker 1: the day Your Mind that that ship is fire like

1869
01:34:40,840 --> 01:34:42,960
Speaker 1: so a lot of dudes. And then there was a

1870
01:34:43,080 --> 01:34:45,680
Speaker 1: time where dudes had like where's your house.

1871
01:34:45,760 --> 01:34:46,920
Speaker 2: Your hip house joint.

1872
01:34:47,479 --> 01:34:50,320
Speaker 1: James was doing that hip house joint like house music.

1873
01:34:54,640 --> 01:34:56,280
Speaker 2: House shot. That was the hip house joint.

1874
01:34:56,320 --> 01:34:58,559
Speaker 1: It was like, oh, you got your girl joint because

1875
01:34:58,560 --> 01:35:00,479
Speaker 1: they had so Jungle Brother they had.

1876
01:35:00,439 --> 01:35:02,280
Speaker 2: In the Bush, which was their girl joint.

1877
01:35:02,680 --> 01:35:06,320
Speaker 1: Then they had a girl out house was the that

1878
01:35:06,479 --> 01:35:09,519
Speaker 1: was the the house joint and then they had the

1879
01:35:09,640 --> 01:35:10,360
Speaker 1: DJ joint.

1880
01:35:10,560 --> 01:35:13,320
Speaker 19: Was like you know, yeah, yeah, yeah, yeah, what you're

1881
01:35:13,320 --> 01:35:15,439
Speaker 19: doing last night, Younger Brothers exactly.

1882
01:35:16,760 --> 01:35:19,559
Speaker 2: I was playing the Jungle Brothers joints last night. Don't

1883
01:35:19,600 --> 01:35:22,320
Speaker 2: you got the records. You're at the records. But let's

1884
01:35:22,360 --> 01:35:26,360
Speaker 2: show these artifacts. We're gonna do that. He's gonna be.

1885
01:35:31,920 --> 01:35:32,280
Speaker 20: We got it.

1886
01:35:32,479 --> 01:35:34,439
Speaker 2: We got a future young legend in here. Man, I

1887
01:35:34,439 --> 01:35:36,200
Speaker 2: ain't gonna dude.

1888
01:35:36,080 --> 01:35:40,040
Speaker 21: Right here because he large professor knows that wherever I'm

1889
01:35:40,040 --> 01:35:40,960
Speaker 21: always in the place to be.

1890
01:35:41,439 --> 01:35:43,360
Speaker 2: You know what I'm saying, trying to make it happen.

1891
01:35:43,400 --> 01:35:45,920
Speaker 2: But you know, wherever we had were in the place. Yeah,

1892
01:35:45,920 --> 01:35:47,400
Speaker 2: wherever we are is the place to be.

1893
01:35:47,520 --> 01:35:50,599
Speaker 1: That's right, because like you came out here like Miami,

1894
01:35:51,080 --> 01:35:52,599
Speaker 1: like the stocks when you know what I mean.

1895
01:35:53,560 --> 01:35:56,040
Speaker 22: He just stole he just just the ship out of

1896
01:35:56,080 --> 01:36:04,799
Speaker 22: my ship. Just let me ask you because like halftime literally,

1897
01:36:06,120 --> 01:36:06,320
Speaker 22: you know.

1898
01:36:06,840 --> 01:36:10,800
Speaker 3: Halftime halftime like literally like like yo, bro, that's I

1899
01:36:10,880 --> 01:36:12,880
Speaker 3: was in jail, in jails and d like.

1900
01:36:12,920 --> 01:36:16,040
Speaker 2: You said, let's talk, like tell you about halftime. Listen,

1901
01:36:16,080 --> 01:36:18,160
Speaker 2: that's what I heard. Listen. By the way, I'm gonna

1902
01:36:18,160 --> 01:36:20,680
Speaker 2: be honest with you that's poppy. That's poppy right now to.

1903
01:36:23,600 --> 01:36:26,880
Speaker 3: Go back two yes ago, this virtue Illmatic by the way,

1904
01:36:27,040 --> 01:36:30,320
Speaker 3: illmadic I heard when I was incarcerated, right and this

1905
01:36:30,760 --> 01:36:32,760
Speaker 3: this is the reason why to me, NAS is the

1906
01:36:32,840 --> 01:36:37,280
Speaker 3: Donald goings. Because I didn't have I would go in

1907
01:36:37,560 --> 01:36:40,720
Speaker 3: lock in and I would listen to Illmatic and I

1908
01:36:40,720 --> 01:36:42,120
Speaker 3: would literally be in Queensbridge.

1909
01:36:42,920 --> 01:36:44,800
Speaker 1: I was never kind of like in jail, like I

1910
01:36:44,960 --> 01:36:46,800
Speaker 1: was like, so prior to that, did you ever go

1911
01:36:46,960 --> 01:36:48,720
Speaker 1: to QB and hang out?

1912
01:36:48,720 --> 01:36:53,680
Speaker 2: Absolutely? But but I actually smelled QB like as I

1913
01:36:53,760 --> 01:36:54,320
Speaker 2: was listening to it.

1914
01:36:56,960 --> 01:37:00,280
Speaker 3: Particulate NAS was at the time was when I, I said,

1915
01:37:00,280 --> 01:37:03,679
Speaker 3: read Donald Gowan's books, and I read a book called Horse.

1916
01:37:03,680 --> 01:37:05,400
Speaker 1: I like how you pronounced his name because you say

1917
01:37:05,479 --> 01:37:07,519
Speaker 1: like go in when he was going in.

1918
01:37:08,560 --> 01:37:15,439
Speaker 2: But it's like which you know you always know you.

1919
01:37:21,479 --> 01:37:23,479
Speaker 2: But I would listen. I would read these books and

1920
01:37:23,520 --> 01:37:25,920
Speaker 2: I would be in Detroit. And what I started to

1921
01:37:26,000 --> 01:37:29,560
Speaker 2: notice was, oh, ship music, that's the same thing, like

1922
01:37:29,640 --> 01:37:32,320
Speaker 2: the same thing as reading, Like when you read, you

1923
01:37:32,560 --> 01:37:34,559
Speaker 2: be in that place like you read a book about

1924
01:37:35,000 --> 01:37:37,240
Speaker 2: you know, Malcolm X. I was, I was transporting to

1925
01:37:37,280 --> 01:37:40,479
Speaker 2: you Detroit read and then it Matic was the first

1926
01:37:40,600 --> 01:37:44,920
Speaker 2: album that I listened to that I saw, like I

1927
01:37:45,080 --> 01:37:48,200
Speaker 2: actually saw it. I couldn't. I couldn't see it physically,

1928
01:37:48,360 --> 01:37:50,639
Speaker 2: he says, trying to tell some broken there but all

1929
01:37:50,800 --> 01:37:53,320
Speaker 2: that ship and you see what he said, he said

1930
01:37:53,920 --> 01:37:57,439
Speaker 2: that buck that brought that bottle. I would say, what

1931
01:37:57,520 --> 01:37:58,080
Speaker 2: the fu is wrong?

1932
01:37:58,200 --> 01:38:02,160
Speaker 1: The wise man has the wise young man has smoken

1933
01:38:03,120 --> 01:38:03,840
Speaker 1: the elevator.

1934
01:38:07,960 --> 01:38:13,679
Speaker 2: That that's that smell. Though as soon as you said

1935
01:38:13,720 --> 01:38:17,080
Speaker 2: that lyric, that smell washed it into my nostrils. Because look,

1936
01:38:17,360 --> 01:38:17,920
Speaker 2: so what I'm.

1937
01:38:17,760 --> 01:38:21,200
Speaker 3: Trying to describe is trying to time was the first

1938
01:38:21,280 --> 01:38:24,120
Speaker 3: record we heard, right, and then it was like it

1939
01:38:24,280 --> 01:38:27,920
Speaker 3: was like a whole like in my opinion again I

1940
01:38:28,040 --> 01:38:30,720
Speaker 3: was I was away. It was like a like like

1941
01:38:31,400 --> 01:38:34,679
Speaker 3: a heart like he didn't he didn't drop more more albums.

1942
01:38:34,720 --> 01:38:37,120
Speaker 3: He didn't drop that in that vein in that vein, right,

1943
01:38:37,520 --> 01:38:42,320
Speaker 3: and then the album drop. Was that something that that

1944
01:38:42,520 --> 01:38:44,280
Speaker 3: y'all planned or that was something that.

1945
01:38:44,640 --> 01:38:48,280
Speaker 1: It just yo, the streets was bubbling ship, It was

1946
01:38:48,360 --> 01:38:52,120
Speaker 1: technical difficulties, were working on a low budget, like it

1947
01:38:52,280 --> 01:38:55,120
Speaker 1: was old types of like that that that that that

1948
01:38:55,280 --> 01:38:57,760
Speaker 1: first album ship that you could you know that you

1949
01:38:57,840 --> 01:38:58,519
Speaker 1: could get man.

1950
01:38:58,680 --> 01:39:01,519
Speaker 3: And because you have one one moment. Let me just

1951
01:39:01,560 --> 01:39:04,400
Speaker 3: say this because to me, I maybe didn't say this earlier.

1952
01:39:04,880 --> 01:39:07,240
Speaker 3: Ell Matic is the greatest album of all times.

1953
01:39:07,360 --> 01:39:10,679
Speaker 2: To me, I resonated that. That's to me, I don't

1954
01:39:10,680 --> 01:39:12,800
Speaker 2: want to argue we're talking about anything. You're not just

1955
01:39:12,840 --> 01:39:14,720
Speaker 2: talking about hip hop. I'm talking about hip talking about

1956
01:39:15,120 --> 01:39:17,400
Speaker 2: general in general, in general, right, like, like we're not

1957
01:39:17,560 --> 01:39:23,640
Speaker 2: like subjectively for you, it would have to be subjectively, right,

1958
01:39:24,560 --> 01:39:27,040
Speaker 2: It wasn't for me, and I'm not from Queens, but

1959
01:39:27,600 --> 01:39:28,920
Speaker 2: that's what makes it even more special.

1960
01:39:29,040 --> 01:39:31,439
Speaker 9: Like me from Miami listened to it, transported me to

1961
01:39:31,600 --> 01:39:33,759
Speaker 9: Queens and made me believe I understood Queens.

1962
01:39:34,560 --> 01:39:37,640
Speaker 1: Like, all right, so Michael, like Michael Jackson, Thriller is

1963
01:39:37,760 --> 01:39:39,360
Speaker 1: not It's not anywhere in me.

1964
01:39:39,960 --> 01:39:42,920
Speaker 2: No, I'm trying to think. I'm trying to think of

1965
01:39:43,000 --> 01:39:45,360
Speaker 2: something that you might know that. I'm trying to think

1966
01:39:45,400 --> 01:39:47,680
Speaker 2: of something that you might I like Thriller, but I

1967
01:39:47,680 --> 01:39:51,160
Speaker 2: don't like right, like, right, it's cool? Did you like

1968
01:39:51,280 --> 01:39:52,320
Speaker 2: that out? I couldn't relate to.

1969
01:39:52,320 --> 01:39:54,880
Speaker 1: It because it had human nature on it. It had

1970
01:39:55,600 --> 01:39:56,240
Speaker 1: It wasn't.

1971
01:39:56,000 --> 01:40:00,320
Speaker 2: Relating to me. It wasn't relating to that poppy just age.

1972
01:40:01,320 --> 01:40:07,000
Speaker 2: I didn't want to right right, young? What are you

1973
01:40:07,080 --> 01:40:10,280
Speaker 2: talking about? But he's a little young, but you know

1974
01:40:10,400 --> 01:40:12,280
Speaker 2: I'm trying. I'm trying to That's what.

1975
01:40:13,840 --> 01:40:18,840
Speaker 21: Years he's listening to a different he's listening what he

1976
01:40:18,920 --> 01:40:22,200
Speaker 21: wanted to like making.

1977
01:40:22,439 --> 01:40:25,519
Speaker 2: What is going to find one? I mean, you know

1978
01:40:26,240 --> 01:40:27,160
Speaker 2: that's what I'm trying to say.

1979
01:40:27,160 --> 01:40:29,880
Speaker 3: If you take granddaddy, you bismark and Kuji rap and

1980
01:40:30,040 --> 01:40:31,640
Speaker 3: you make them have a baby, that's an r E.

1981
01:40:32,000 --> 01:40:35,240
Speaker 3: Granddad at you biz mark and Cousi wrap And if

1982
01:40:35,280 --> 01:40:36,080
Speaker 3: you really think.

1983
01:40:35,960 --> 01:40:39,880
Speaker 2: About that, that's he's asking you. What the fours was that?

1984
01:40:40,360 --> 01:40:43,519
Speaker 2: Not that prod It was grand that you brand. There

1985
01:40:43,560 --> 01:40:47,080
Speaker 2: you go, there you go, Holy ship, he's just more smooth.

1986
01:40:48,000 --> 01:40:59,439
Speaker 2: Two copies brothers, his flower, his flowers. This is my Listen.

1987
01:41:00,200 --> 01:41:03,040
Speaker 3: When Granddad you said I knew a girl named Kenya

1988
01:41:03,280 --> 01:41:05,920
Speaker 3: from West Virginia, Boy, would I like the stick?

1989
01:41:06,160 --> 01:41:08,200
Speaker 2: Somebody? I said, I don't know what the fuck he

1990
01:41:08,360 --> 01:41:12,519
Speaker 2: just did, but I want to do that. She just

1991
01:41:12,680 --> 01:41:15,479
Speaker 2: said that single handed. He made me a round.

1992
01:41:16,560 --> 01:41:19,280
Speaker 3: Look lost, professor, let me give you your props and

1993
01:41:19,439 --> 01:41:23,280
Speaker 3: watching y'all perform at Brooklyn Queen's Day in Flushing Meadow Park.

1994
01:41:23,120 --> 01:41:25,240
Speaker 2: We got two copies of that. Dude, I think I

1995
01:41:25,360 --> 01:41:28,479
Speaker 2: seen that this is just thats just stupid. Listen, I was,

1996
01:41:28,720 --> 01:41:31,160
Speaker 2: I seen. I was professor to perform at Brooklyn Queen's

1997
01:41:31,240 --> 01:41:34,479
Speaker 2: Day with nas and Love of the Barbecue. And I

1998
01:41:34,520 --> 01:41:34,800
Speaker 2: went there.

1999
01:41:36,040 --> 01:41:39,240
Speaker 3: Aconnell Is from ninety seventh Streetconetics from ninety ninety.

2000
01:41:39,080 --> 01:41:43,920
Speaker 2: Nine coming here. And I didn't know what I was

2001
01:41:43,960 --> 01:41:45,000
Speaker 2: doing at the time. I was a kid.

2002
01:41:45,560 --> 01:41:48,439
Speaker 3: Mother didn't even let me out, and I went to

2003
01:41:48,560 --> 01:41:50,639
Speaker 3: Brooklyn Queens Day, which was very dangerous.

2004
01:41:51,479 --> 01:41:52,840
Speaker 2: By the way, this was not safe.

2005
01:41:53,520 --> 01:41:54,120
Speaker 1: It was fun.

2006
01:41:54,320 --> 01:41:55,000
Speaker 2: It was fun.

2007
01:41:55,560 --> 01:41:58,639
Speaker 1: It was dangerous for left right left niggas is always

2008
01:41:59,520 --> 01:42:03,479
Speaker 1: it was just because niggas was crazy gens right niggas.

2009
01:42:03,600 --> 01:42:10,840
Speaker 2: Squeeze. Just listen, I'm looking at brook Listen listen. Brooklyn

2010
01:42:10,880 --> 01:42:16,759
Speaker 2: did was it was in Queens. So Brooklyn niggas imagine

2011
01:42:16,760 --> 01:42:19,599
Speaker 2: that will come. Donald Trump is a left raight nigga.

2012
01:42:20,200 --> 01:42:26,280
Speaker 2: Johnny Trumps the left track niggas. I'm telling the time

2013
01:42:26,400 --> 01:42:28,639
Speaker 2: all the time, right, he grew up right down the block.

2014
01:42:28,720 --> 01:42:33,160
Speaker 2: He's like Johnny Trump is from right up the block.

2015
01:42:34,640 --> 01:42:36,240
Speaker 2: When you say it's not you and when you do

2016
01:42:36,320 --> 01:42:38,200
Speaker 2: some apartment, I'm gonna be honest.

2017
01:42:38,240 --> 01:42:41,000
Speaker 3: Why it's not you Left Rack and Donald Trump have beef.

2018
01:42:41,320 --> 01:42:42,760
Speaker 3: The guy who owns the Left Right.

2019
01:42:42,680 --> 01:42:44,519
Speaker 2: He was up the block, That's what I'm saying. He

2020
01:42:44,720 --> 01:42:47,800
Speaker 2: was broke. He Johnny Trump people was up the blot

2021
01:42:47,840 --> 01:42:49,200
Speaker 2: from left right and they had.

2022
01:42:49,240 --> 01:42:54,360
Speaker 1: Actually actually is pronounced the frack.

2023
01:42:55,560 --> 01:42:57,840
Speaker 2: So you know the guy right now, if you know

2024
01:43:03,880 --> 01:43:06,200
Speaker 2: he lives in Miami, I know him right now. It's

2025
01:43:06,200 --> 01:43:13,040
Speaker 2: bigger than Jamie Left and he will.

2026
01:43:13,560 --> 01:43:15,120
Speaker 3: I'm trying to get him to give me. I want

2027
01:43:15,160 --> 01:43:16,720
Speaker 3: to buy. I want to be the first owner of

2028
01:43:16,800 --> 01:43:17,519
Speaker 3: a left Rack city.

2029
01:43:17,560 --> 01:43:21,840
Speaker 2: He should have. Yes, yes, yes, that's it's a good

2030
01:43:21,880 --> 01:43:24,479
Speaker 2: idea because we had Colin the offer for that dude.

2031
01:43:24,600 --> 01:43:26,200
Speaker 3: We had college houses. The first time I ever seen

2032
01:43:26,240 --> 01:43:28,880
Speaker 3: a class drunk. So he class by the way, you know,

2033
01:43:28,960 --> 01:43:31,040
Speaker 3: he class is a military military.

2034
01:43:31,400 --> 01:43:34,920
Speaker 2: He classes like this all right, that was up he class.

2035
01:43:34,960 --> 01:43:39,280
Speaker 2: He said he owned your ship? What I said, what?

2036
01:43:39,600 --> 01:43:41,760
Speaker 2: And then the guy comes over, he's sitting there waiting

2037
01:43:41,800 --> 01:43:45,280
Speaker 2: to speak to me. He's like, yo, I'm left Left said,

2038
01:43:46,360 --> 01:43:48,680
Speaker 2: that's actually his name, Yes, that is his name. I

2039
01:43:48,720 --> 01:43:49,720
Speaker 2: gotta save that his name.

2040
01:43:49,800 --> 01:43:52,360
Speaker 3: But what's crazy about it is like like no one

2041
01:43:52,439 --> 01:43:55,439
Speaker 3: owns forty projects the city owns forty projects.

2042
01:43:55,640 --> 01:43:58,080
Speaker 2: No one owns Queen's Bridge. You got to come in.

2043
01:43:59,760 --> 01:44:03,559
Speaker 2: Let the the city, the city Queens where nobody owns basic.

2044
01:44:03,680 --> 01:44:07,240
Speaker 2: Basically the city owns that. Nobody owns four Green. The

2045
01:44:07,360 --> 01:44:11,560
Speaker 2: city owns that. Someone. We could actually look at the

2046
01:44:11,600 --> 01:44:13,880
Speaker 2: person who owns left right and we could change so

2047
01:44:14,040 --> 01:44:20,280
Speaker 2: that actually city you're talking about morning and buildings.

2048
01:44:20,560 --> 01:44:24,120
Speaker 3: No, it's actually it's actually ten left rack cities. Okay,

2049
01:44:24,200 --> 01:44:25,519
Speaker 3: I'm talking about I mean, we're.

2050
01:44:25,400 --> 01:44:27,599
Speaker 2: The main one in Queens, but this one in Jersey,

2051
01:44:27,920 --> 01:44:31,439
Speaker 2: this one and yeah, you just sucked me up, right

2052
01:44:32,040 --> 01:44:37,160
Speaker 2: left fractice franchise. Listen, listen, listen what he just said.

2053
01:44:37,600 --> 01:44:43,479
Speaker 2: He was saying, Yeah, like I like that joke, and

2054
01:44:43,560 --> 01:44:49,160
Speaker 2: I'm just talking about to make you look at elevator.

2055
01:44:49,720 --> 01:44:54,320
Speaker 2: They got the elevated. Yeah yeah, but to be serious,

2056
01:44:54,400 --> 01:44:56,640
Speaker 2: Left fraight City is actually a city though. No, no,

2057
01:44:57,439 --> 01:44:59,960
Speaker 2: it's a complex. It's so it's not like a new

2058
01:45:00,240 --> 01:45:05,360
Speaker 2: undercore some of the wildisce. In Jersey City, they have

2059
01:45:05,439 --> 01:45:08,560
Speaker 2: a left brack city as well. Yes, so by building that,

2060
01:45:08,640 --> 01:45:11,800
Speaker 2: they call it the name left freck City. Right, man,

2061
01:45:11,840 --> 01:45:13,680
Speaker 2: I'm a flushing nigga, and you know you about that.

2062
01:45:17,200 --> 01:45:17,680
Speaker 5: You got it.

2063
01:45:20,720 --> 01:45:22,320
Speaker 1: Let me just say, Yo, was you ever caught up

2064
01:45:22,360 --> 01:45:24,960
Speaker 1: in any of that bound like flushing left rack beach.

2065
01:45:25,439 --> 01:45:28,000
Speaker 2: Too young, too good man, I'm glad man, I'm glad.

2066
01:45:28,080 --> 01:45:29,640
Speaker 1: Well, let me ask you something because flush, you know

2067
01:45:29,720 --> 01:45:32,000
Speaker 1: you probably asked some of that Jamaica left rag beat.

2068
01:45:32,439 --> 01:45:36,000
Speaker 2: Yes, that plushing, Flushing, Flushing.

2069
01:45:36,000 --> 01:45:39,200
Speaker 1: Now, your left rack always had been down the block,

2070
01:45:39,320 --> 01:45:42,439
Speaker 1: always had beef. Like we was the calm buildings. We

2071
01:45:42,600 --> 01:45:44,479
Speaker 1: was the brother We was like the guards. We was

2072
01:45:44,560 --> 01:45:46,560
Speaker 1: like like flushing. Them used to come up like to

2073
01:45:46,960 --> 01:45:49,800
Speaker 1: fucking like right the forehead like whow man, I just

2074
01:45:49,880 --> 01:45:51,120
Speaker 1: got away from some bullshit.

2075
01:45:51,640 --> 01:45:53,720
Speaker 2: We're just up there listening to music. You know what

2076
01:45:53,760 --> 01:46:06,120
Speaker 2: I mean. We don't left someone who got hanging out, right,

2077
01:46:06,200 --> 01:46:20,240
Speaker 2: But I love you bounce like no, no, why God? Why? Actually?

2078
01:46:20,240 --> 01:46:22,920
Speaker 3: Because Flushing, Flushing is one of the diverse places I've

2079
01:46:22,960 --> 01:46:25,240
Speaker 3: ever been to. I always say to people, if you're

2080
01:46:25,280 --> 01:46:27,880
Speaker 3: from Queens, can't your way you could be for you

2081
01:46:27,920 --> 01:46:28,599
Speaker 3: could be racist?

2082
01:46:28,720 --> 01:46:32,760
Speaker 1: Right, because right that's and that's my way. I say,

2083
01:46:32,840 --> 01:46:35,120
Speaker 1: Donald Trump ain't really from Queens. You go to Japan,

2084
01:46:35,240 --> 01:46:37,720
Speaker 1: I'm like, yo, home, sweet home. When i I'm like,

2085
01:46:37,800 --> 01:46:41,080
Speaker 1: oh home from Flushing, because Flushing. That's what I'm saying, Flushing.

2086
01:46:41,160 --> 01:46:42,840
Speaker 2: You have a lot of Russians, you have a lot

2087
01:46:42,880 --> 01:46:43,560
Speaker 2: of Asians.

2088
01:46:43,880 --> 01:46:48,000
Speaker 1: So you said it in the song you say, bouncing

2089
01:46:48,080 --> 01:46:49,880
Speaker 1: out the flushing, check the Russian.

2090
01:46:50,120 --> 01:46:52,880
Speaker 2: Check the weed with the cushion with extra pe. Yeah

2091
01:46:52,920 --> 01:46:53,479
Speaker 2: I'm flushing.

2092
01:46:53,600 --> 01:46:59,240
Speaker 1: Yeah, said that in the song. Yeah, but extra p

2093
01:46:59,400 --> 01:47:02,000
Speaker 1: you get the weed from the Russian. But it described

2094
01:47:02,080 --> 01:47:05,880
Speaker 1: to us growing up out there. How is that? Because

2095
01:47:06,520 --> 01:47:08,400
Speaker 1: like I said, it was up in Flushing, Flushing, Yeah,

2096
01:47:08,920 --> 01:47:10,920
Speaker 1: now I was it. I mean because from I mean

2097
01:47:11,080 --> 01:47:13,200
Speaker 1: I was. I was born in Harlem, and you know

2098
01:47:13,280 --> 01:47:14,240
Speaker 1: it was just straight.

2099
01:47:14,120 --> 01:47:16,400
Speaker 2: Like I'll say, you're born in We don't want to

2100
01:47:16,400 --> 01:47:16,800
Speaker 2: claim that.

2101
01:47:17,360 --> 01:47:17,960
Speaker 1: I know I do.

2102
01:47:19,640 --> 01:47:21,400
Speaker 2: That's the big al building you said that earliest, the

2103
01:47:21,479 --> 01:47:23,920
Speaker 2: whole big yow in front of his Grandma's.

2104
01:47:24,280 --> 01:47:27,400
Speaker 1: That's my whole edge, like it's the Harlem ship. But

2105
01:47:27,600 --> 01:47:29,960
Speaker 1: I ain't never get to experience that like they was

2106
01:47:30,040 --> 01:47:32,479
Speaker 1: like my mom's was like you're not gonna get this.

2107
01:47:32,920 --> 01:47:35,080
Speaker 2: We're gonna get a better like you know, So it

2108
01:47:35,200 --> 01:47:35,960
Speaker 2: was Flushing for me.

2109
01:47:36,560 --> 01:47:39,240
Speaker 1: But you know, Grandma's house, back and forth going back,

2110
01:47:39,400 --> 01:47:42,760
Speaker 1: no Thanksgiving ship like that suit up, get fly, you

2111
01:47:42,760 --> 01:47:46,719
Speaker 1: know type ship, but Flushing Man was cold and Pomana

2112
01:47:47,160 --> 01:47:51,160
Speaker 1: cold and Palmanac the Bland. Bland was really the hood

2113
01:47:51,280 --> 01:47:53,600
Speaker 1: like where I was in carll Out like down the

2114
01:47:53,680 --> 01:47:57,519
Speaker 1: block was flush shallow. Mike g you know, Mike G

2115
01:47:57,760 --> 01:48:01,800
Speaker 1: was from the building diagonal from me. We have full buildings, no,

2116
01:48:02,200 --> 01:48:05,560
Speaker 1: like yeah, yeah, I call him Mike Jesus Mike g

2117
01:48:05,800 --> 01:48:09,080
Speaker 1: All that that's that's that's like my first friend in life.

2118
01:48:09,160 --> 01:48:10,960
Speaker 2: Like Yo, so yo.

2119
01:48:11,920 --> 01:48:16,519
Speaker 1: I grew up with Hay June, John Soul, my man Raider,

2120
01:48:17,040 --> 01:48:21,639
Speaker 1: Chris Elasti's big, big, crazy big about Royal Flush Flush

2121
01:48:21,800 --> 01:48:23,680
Speaker 1: Flush used to come to the rest like you know

2122
01:48:23,720 --> 01:48:25,799
Speaker 1: what I mean, Like because my my crib. I always

2123
01:48:25,840 --> 01:48:28,960
Speaker 1: wanted to like share whatever I was doing with the crib,

2124
01:48:29,120 --> 01:48:31,280
Speaker 1: like with the you know, the community and ship like

2125
01:48:31,400 --> 01:48:33,840
Speaker 1: Yo come through and I saw on one of the

2126
01:48:34,000 --> 01:48:36,040
Speaker 1: champs and shit, you was like, you know when Mike

2127
01:48:36,080 --> 01:48:38,040
Speaker 1: and them was talking about the Queen's Lounge, when I

2128
01:48:38,080 --> 01:48:40,040
Speaker 1: was doing the Queen's Lounge. Shit, that was like that's

2129
01:48:40,120 --> 01:48:42,240
Speaker 1: what I was doing, like because I was coming up

2130
01:48:42,280 --> 01:48:44,639
Speaker 1: in the industry and I wanted the hood to kind

2131
01:48:44,680 --> 01:48:47,519
Speaker 1: of see like yo this, you know, like Q tip Yo,

2132
01:48:47,640 --> 01:48:51,920
Speaker 1: Yeah right here like that exactly like Biz came through.

2133
01:48:52,000 --> 01:48:53,880
Speaker 1: Like people still come up to me like, yo, I

2134
01:48:54,000 --> 01:48:57,280
Speaker 1: met Biz coming to meet you, like you know what

2135
01:48:57,280 --> 01:49:00,360
Speaker 1: I mean. Like so I always wanted that for them

2136
01:49:00,400 --> 01:49:03,320
Speaker 1: to come because I was I knew like yo, now

2137
01:49:03,360 --> 01:49:06,040
Speaker 1: I'm making that ship so you know, come see me too,

2138
01:49:06,360 --> 01:49:09,760
Speaker 1: like type ship. So it was a beautiful thing growing

2139
01:49:09,880 --> 01:49:12,680
Speaker 1: up in Flushing. Man, Like, it's a beautiful thing. The

2140
01:49:12,800 --> 01:49:16,200
Speaker 1: diversity is my key. Now when I travel the world

2141
01:49:16,560 --> 01:49:18,240
Speaker 1: and these people come up to me, I don't feel

2142
01:49:18,479 --> 01:49:20,439
Speaker 1: like no hood nigga. I don't feel like I ain't

2143
01:49:20,680 --> 01:49:22,639
Speaker 1: good as them or nothing. I'm just like, oh ship

2144
01:49:22,720 --> 01:49:26,960
Speaker 1: you just like mother fucking Vladin and ship, you know

2145
01:49:27,000 --> 01:49:29,200
Speaker 1: what I mean. Like for real, I know people like

2146
01:49:29,520 --> 01:49:32,800
Speaker 1: you know, I know Jewish, I know all that. I

2147
01:49:32,920 --> 01:49:35,960
Speaker 1: know the whole spectrum. So that's the beautiful thing about Flushing.

2148
01:49:37,840 --> 01:49:44,160
Speaker 1: My Jesus like Jesus, like Jesus, Jesus Christ, that's my

2149
01:49:44,320 --> 01:49:45,160
Speaker 1: first friend, like.

2150
01:49:48,840 --> 01:49:55,080
Speaker 2: Jesus Christ. Worried up. So let me ask you. Yeah,

2151
01:49:55,479 --> 01:49:56,160
Speaker 2: your pre.

2152
01:49:56,280 --> 01:49:57,960
Speaker 1: Man, you're supposed to have been in this round.

2153
01:49:58,040 --> 01:50:04,519
Speaker 2: Take come on, pre man man man, all right, we

2154
01:50:04,680 --> 01:50:10,360
Speaker 2: hear man. You see now you see talent man you

2155
01:50:10,439 --> 01:50:14,640
Speaker 2: see did you just drop a video? You can sit

2156
01:50:14,720 --> 01:50:15,080
Speaker 2: behind the.

2157
01:50:20,439 --> 01:50:24,240
Speaker 1: Well left my nigga, Man, I told I told him

2158
01:50:24,240 --> 01:50:26,639
Speaker 1: how he was the first. You know how I first

2159
01:50:26,760 --> 01:50:28,040
Speaker 1: first time I went outside.

2160
01:50:28,479 --> 01:50:31,120
Speaker 2: You know, I'm in my moms man. I love big

2161
01:50:31,200 --> 01:50:33,000
Speaker 2: up moms Man, Mike.

2162
01:50:33,160 --> 01:50:37,080
Speaker 1: Mike moms was actually like she she was like very

2163
01:50:37,400 --> 01:50:41,320
Speaker 1: big and like Jet magazines and Ebony magazines like as

2164
01:50:41,439 --> 01:50:44,639
Speaker 1: like the talent like the scout that she was kind

2165
01:50:44,680 --> 01:50:48,160
Speaker 1: of like kind of big, like how Prodigy's grandmother was

2166
01:50:48,840 --> 01:50:52,040
Speaker 1: like like with the like having the community and like

2167
01:50:52,160 --> 01:50:54,760
Speaker 1: knowing what the new talent that was coming up. Yeah,

2168
01:50:54,800 --> 01:50:56,800
Speaker 1: absolutely worrid I found that out man.

2169
01:50:57,439 --> 01:51:01,000
Speaker 2: Yeah, and one from that man. God, remember Mike moms

2170
01:51:01,040 --> 01:51:02,600
Speaker 2: Man literally man like it was.

2171
01:51:02,680 --> 01:51:05,040
Speaker 1: It was crazy when you know when she left, just

2172
01:51:05,240 --> 01:51:08,000
Speaker 1: man like Mike had left and and yeah, I remember

2173
01:51:08,080 --> 01:51:12,600
Speaker 1: man for real man, my brother. Absolutely you hold on.

2174
01:51:13,200 --> 01:51:14,439
Speaker 1: Did you get them facts for me?

2175
01:51:14,560 --> 01:51:17,120
Speaker 2: Man? You got the facts? Memos asking you a couple

2176
01:51:17,160 --> 01:51:21,120
Speaker 2: of things. Man, you got them facts for me? Man, Okay,

2177
01:51:21,479 --> 01:51:21,880
Speaker 2: no doubt.

2178
01:51:22,320 --> 01:51:27,840
Speaker 4: We're gonna gets just two old frinds talking.

2179
01:51:28,000 --> 01:51:33,360
Speaker 2: Just hang it out. We're gonna call you back, oldhead.

2180
01:51:35,360 --> 01:51:39,439
Speaker 2: I just I just got to hear just hanging out

2181
01:51:39,840 --> 01:51:47,120
Speaker 2: organically and let me say because that's great, that's great. Yeah,

2182
01:51:47,200 --> 01:51:49,400
Speaker 2: we had Mike on here and right and you were

2183
01:51:49,439 --> 01:51:50,920
Speaker 2: talking about basically and all that, and.

2184
01:51:53,880 --> 01:52:02,040
Speaker 3: It's holds me because we had two people here that

2185
01:52:04,040 --> 01:52:07,560
Speaker 3: said this very same story with two opposite attendants.

2186
01:52:07,760 --> 01:52:08,040
Speaker 2: Wow.

2187
01:52:09,479 --> 01:52:13,160
Speaker 3: We had Mike Geronimo sit here and say he hated

2188
01:52:13,280 --> 01:52:17,920
Speaker 3: being compared to NAS. Well, birth days is the same.

2189
01:52:18,120 --> 01:52:20,519
Speaker 3: Let me finish, let me finish. So he says he

2190
01:52:20,600 --> 01:52:24,000
Speaker 3: hated being compared to NAS and then and he kind

2191
01:52:24,040 --> 01:52:29,160
Speaker 3: of like said that that that almost is what made

2192
01:52:29,240 --> 01:52:31,560
Speaker 3: him not want to like keep going. And then we

2193
01:52:31,680 --> 01:52:36,240
Speaker 3: had IRV gott he here and said he hated that

2194
01:52:36,680 --> 01:52:40,400
Speaker 3: that Mike Geronimo didn't accept being compared.

2195
01:52:40,439 --> 01:52:44,080
Speaker 1: IRV and I love because IRV is official. You know

2196
01:52:44,120 --> 01:52:46,920
Speaker 1: what I'm saying that I need to just tell people.

2197
01:52:47,000 --> 01:52:48,960
Speaker 1: You know, I was tearing them parks up, nigga, that's

2198
01:52:49,000 --> 01:52:51,400
Speaker 1: all EARTH need to do because that's the most official

2199
01:52:51,439 --> 01:52:51,920
Speaker 1: ship you can.

2200
01:52:52,080 --> 01:52:54,080
Speaker 3: So I want you to answer this question, like, because

2201
01:52:54,760 --> 01:52:58,160
Speaker 3: because they both told the same story. Mike Geronimo said

2202
01:52:59,600 --> 01:53:03,439
Speaker 3: him being compared the NAS was not a blessing for him,

2203
01:53:03,720 --> 01:53:05,479
Speaker 3: and IRV sat here in to the same.

2204
01:53:05,560 --> 01:53:08,439
Speaker 2: He said him being compared to NAS was a blessing.

2205
01:53:09,280 --> 01:53:12,160
Speaker 1: I'll explained to you, man, he was never compared to

2206
01:53:12,320 --> 01:53:15,840
Speaker 1: NAS right to begin with, No, he was not, man,

2207
01:53:16,160 --> 01:53:18,040
Speaker 1: Nobody was comparing him to NAS.

2208
01:53:18,240 --> 01:53:19,519
Speaker 2: I think Mike, you know what I'm saying.

2209
01:53:19,560 --> 01:53:22,559
Speaker 1: Mike sometimes get really deep into and so he's like, Yo,

2210
01:53:22,720 --> 01:53:30,519
Speaker 1: the same birthday type ship and ship like that, Queen's lounge.

2211
01:53:30,680 --> 01:53:35,840
Speaker 1: Queen's lounge. Motherfucking Mike Geronimo was there. Nas was dead,

2212
01:53:36,040 --> 01:53:38,040
Speaker 1: Trash was dead. You know what I'm saying.

2213
01:53:38,080 --> 01:53:40,120
Speaker 2: I could go on and on the people that was dead.

2214
01:53:40,240 --> 01:53:42,000
Speaker 2: You know what I'm saying. Nas was NAS.

2215
01:53:42,360 --> 01:53:45,320
Speaker 1: Mike Geronimo was in the cut, coming up and flushing,

2216
01:53:45,600 --> 01:53:48,840
Speaker 1: and he was his own entity. Nobody was comparing NAS

2217
01:53:49,000 --> 01:53:52,000
Speaker 1: and like you be honest, I was right now and

2218
01:53:52,160 --> 01:53:55,679
Speaker 1: right now. If you ring NAS and NASS be like yo, Pee,

2219
01:53:55,800 --> 01:53:56,600
Speaker 1: please tell me.

2220
01:53:59,080 --> 01:54:02,720
Speaker 2: Mike me even could call them right now. This is

2221
01:54:02,760 --> 01:54:05,680
Speaker 2: what I mean. You could You want to clear it up?

2222
01:54:08,720 --> 01:54:09,200
Speaker 2: Hip hop.

2223
01:54:12,560 --> 01:54:16,760
Speaker 19: What you said to just he if he had to continue,

2224
01:54:16,880 --> 01:54:18,480
Speaker 19: there would have been an il differentiation.

2225
01:54:18,640 --> 01:54:20,479
Speaker 2: You know how many There's so many, as Peter said,

2226
01:54:20,560 --> 01:54:24,160
Speaker 2: like because they're in the same genre.

2227
01:54:24,640 --> 01:54:28,800
Speaker 1: Can I go to different regions and I ask about

2228
01:54:28,840 --> 01:54:31,920
Speaker 1: my niggas, I'm like, yo, you know, Royal flush. Some

2229
01:54:32,080 --> 01:54:34,760
Speaker 1: places they say yeah. A lot of places they say no,

2230
01:54:34,920 --> 01:54:36,760
Speaker 1: I don't know yet. You know what I'm saying, I

2231
01:54:36,800 --> 01:54:38,680
Speaker 1: don't know yet, you know. And I like that they

2232
01:54:38,760 --> 01:54:41,160
Speaker 1: you know, they still want to know, you know, And

2233
01:54:41,280 --> 01:54:44,920
Speaker 1: I'm there, and I'm believe me, I'm not there, like

2234
01:54:45,280 --> 01:54:47,440
Speaker 1: both feet in, I'm still getting them to know me.

2235
01:54:48,040 --> 01:54:50,720
Speaker 2: So I'm not like, yo, I'm like some old eminem man,

2236
01:54:50,880 --> 01:54:51,360
Speaker 2: you know what I mean.

2237
01:54:51,440 --> 01:54:54,720
Speaker 1: Like I'm like shure, they're figuring out me too, like

2238
01:54:54,840 --> 01:54:56,240
Speaker 1: at the same time, So I don't want.

2239
01:54:56,120 --> 01:54:58,360
Speaker 2: To try to put like I'm there and they not whatever.

2240
01:54:58,600 --> 01:54:59,160
Speaker 2: But a lot of.

2241
01:54:59,200 --> 01:55:01,920
Speaker 1: Places like people ain't know. So that's that's my my

2242
01:55:02,080 --> 01:55:04,760
Speaker 1: basis on what I'm saying, Like people is not comparing

2243
01:55:04,840 --> 01:55:07,840
Speaker 1: the two. Because I had a platform that was now

2244
01:55:08,000 --> 01:55:09,840
Speaker 1: you being super New York niggas.

2245
01:55:09,920 --> 01:55:17,120
Speaker 2: Yes, you guys are big, like he did you know

2246
01:55:17,200 --> 01:55:17,600
Speaker 2: how we have.

2247
01:55:17,640 --> 01:55:17,960
Speaker 1: About the.

2248
01:55:19,480 --> 01:55:27,040
Speaker 2: Fans That was like like comparing you guys were not

2249
01:55:27,200 --> 01:55:32,960
Speaker 2: comparing like I'm young, I'm young, was comparing them. You know.

2250
01:55:34,000 --> 01:55:36,160
Speaker 21: I was around when the Mike Geronimo is on on

2251
01:55:36,280 --> 01:55:39,520
Speaker 21: blunt and I was just the first time I'm hearing

2252
01:55:39,560 --> 01:55:40,200
Speaker 21: that comparison to.

2253
01:55:42,680 --> 01:55:42,920
Speaker 6: Say that.

2254
01:55:43,120 --> 01:55:45,840
Speaker 21: I will say, even though even though it's the first

2255
01:55:45,840 --> 01:55:47,400
Speaker 21: time I'm hearing that, you can see it.

2256
01:55:47,760 --> 01:55:50,200
Speaker 2: I could see it on some market and ship I

2257
01:55:50,280 --> 01:55:54,560
Speaker 2: can't see it on the styles. Everybody. Everybody was a

2258
01:55:54,680 --> 01:55:57,120
Speaker 2: blend to everybody. You know what I mean, Like, yo,

2259
01:55:57,280 --> 01:56:01,040
Speaker 2: you man, see what you're saying. What mean if anything

2260
01:56:01,160 --> 01:56:04,320
Speaker 2: they was, if anything they was comparing you to not.

2261
01:56:08,560 --> 01:56:08,960
Speaker 1: Seeing it.

2262
01:56:09,120 --> 01:56:11,720
Speaker 2: They because always.

2263
01:56:13,640 --> 01:56:18,960
Speaker 1: This listen, man, you always parted the thread that they

2264
01:56:19,000 --> 01:56:22,440
Speaker 1: were saying that NAS started, that bron had in his

2265
01:56:22,600 --> 01:56:28,680
Speaker 1: style exactly that with Joan Mike Geronimo.

2266
01:56:29,320 --> 01:56:31,440
Speaker 2: I'm gonna tell you, I got to be honest with you.

2267
01:56:32,320 --> 01:56:35,160
Speaker 2: I would be I would imagine that everybody got compared

2268
01:56:35,160 --> 01:56:41,040
Speaker 2: to NOS when came broke out. This is or I'm

2269
01:56:41,040 --> 01:56:47,840
Speaker 2: gonna compare. That's what I tell you. What no die

2270
01:56:47,920 --> 01:56:50,480
Speaker 2: hard head it's gonna say, oh yeah, that's a comparison.

2271
01:56:50,800 --> 01:56:54,400
Speaker 2: Tell you something. When NAS first came out, a phenomenal

2272
01:56:56,320 --> 01:57:00,760
Speaker 2: the whole world, you know, people says to random artists

2273
01:57:00,760 --> 01:57:03,440
Speaker 2: and listen, you remember you gotta remember my memor Marie's

2274
01:57:03,480 --> 01:57:06,840
Speaker 2: little sharp back then. But not now, right, but because

2275
01:57:06,840 --> 01:57:09,240
Speaker 2: we know what it was Buckshot Shorty and and no

2276
01:57:09,720 --> 01:57:13,800
Speaker 2: was was also compared together. No, I don't mean, I

2277
01:57:13,840 --> 01:57:18,600
Speaker 2: don't know, I don't lois. I mean that's a detail.

2278
01:57:19,320 --> 01:57:20,000
Speaker 5: I never heard that.

2279
01:57:23,720 --> 01:57:25,440
Speaker 2: Right now, never heard that.

2280
01:57:25,840 --> 01:57:26,520
Speaker 1: I never heard that.

2281
01:57:26,760 --> 01:57:31,320
Speaker 2: I never heard that heard that ship just yes, Shorty.

2282
01:57:31,600 --> 01:57:36,320
Speaker 2: They was before they they compaid the buck Shot Shorty.

2283
01:57:36,680 --> 01:57:39,360
Speaker 2: You was that most people weren't comparing solo artists of

2284
01:57:39,400 --> 01:57:45,600
Speaker 2: the group Black Blue and Black Move. It sounds like

2285
01:57:45,640 --> 01:57:47,640
Speaker 2: you're just talking about who was that nigga at the time.

2286
01:57:48,200 --> 01:57:48,800
Speaker 1: That's what it was.

2287
01:57:51,040 --> 01:57:56,080
Speaker 2: Everything he's just talking about who was that nigga? Who

2288
01:57:56,160 --> 01:57:58,240
Speaker 2: was that? I hear my style, Yeah, I don't know

2289
01:57:58,360 --> 01:58:01,000
Speaker 2: who was that? Literally everything everybody was trying to be

2290
01:58:01,160 --> 01:58:01,600
Speaker 2: that person.

2291
01:58:02,720 --> 01:58:05,600
Speaker 3: You gotta remember, I'm I'm away with a whole bunch

2292
01:58:05,600 --> 01:58:08,200
Speaker 3: of Brooklyn niggas. So the Brooklyn niggas is pushing Buckshot

2293
01:58:08,240 --> 01:58:10,240
Speaker 3: Shorty on me. So when halftime came out, That's what

2294
01:58:10,280 --> 01:58:12,280
Speaker 3: I was saying earlier. When halftime came out, it was

2295
01:58:12,360 --> 01:58:14,520
Speaker 3: like the most I was like, oh sh we finally

2296
01:58:14,560 --> 01:58:16,000
Speaker 3: got one and respect.

2297
01:58:16,040 --> 01:58:16,760
Speaker 2: Now it's what's going on.

2298
01:58:17,080 --> 01:58:18,680
Speaker 3: In my opinion, I'm saying this is how I looked

2299
01:58:18,680 --> 01:58:21,240
Speaker 3: at it and didn't illmatic drop and w ellmatic drop.

2300
01:58:21,400 --> 01:58:25,440
Speaker 2: Boy, I walked that yard different. I can't I see

2301
01:58:25,480 --> 01:58:27,280
Speaker 2: what he say like saying.

2302
01:58:27,120 --> 01:58:55,080
Speaker 5: That Joan, I'm like, boy, was this is.

2303
01:58:58,600 --> 01:59:02,160
Speaker 2: The bull? That's when you was reading the books. Don't

2304
01:59:02,160 --> 01:59:08,480
Speaker 2: read the book read again that hold with the bull

2305
01:59:08,520 --> 01:59:10,360
Speaker 2: to Bean, that was the name. I'm so glad I

2306
01:59:10,400 --> 01:59:16,440
Speaker 2: didn't go with you said, is this John that y'all

2307
01:59:16,600 --> 01:59:27,400
Speaker 2: have the bollship like you said that job. You would

2308
01:59:27,400 --> 01:59:28,840
Speaker 2: have been drinking for that.

2309
01:59:32,560 --> 01:59:35,280
Speaker 1: It's still to y'all still you have been ahead.

2310
01:59:35,440 --> 01:59:37,640
Speaker 2: Don't blame the mean what do you mean? You can

2311
01:59:37,840 --> 01:59:39,880
Speaker 2: you do that right now?

2312
01:59:40,200 --> 01:59:41,400
Speaker 1: Listen listen.

2313
01:59:43,080 --> 01:59:52,120
Speaker 2: You love broke. Yeah we're drinking, baby, las Bro. Let

2314
01:59:52,160 --> 01:59:58,920
Speaker 2: me ask you because the Rose Joint you know, so

2315
01:59:59,480 --> 02:00:02,800
Speaker 2: you think yeah, yeah, yeah yeah.

2316
02:00:06,320 --> 02:00:10,000
Speaker 23: See Sea Dream Sea Pream.

2317
02:00:10,040 --> 02:00:12,200
Speaker 2: I knew that. I knew that's what she was gonna do.

2318
02:00:12,920 --> 02:00:13,720
Speaker 1: I do and I want.

2319
02:00:14,160 --> 02:00:16,400
Speaker 2: I love you, young Bro. I love you, young Bro.

2320
02:00:16,600 --> 02:00:20,760
Speaker 2: But we're gonna keep this. Let me ask you. You're trying.

2321
02:00:20,840 --> 02:00:23,280
Speaker 2: It's trying to do that Baisley ship to me that

2322
02:00:23,440 --> 02:00:29,800
Speaker 2: is I want to drink to you what she got

2323
02:00:29,840 --> 02:00:33,760
Speaker 2: to say? Love enjoy. Yeah, let me tell you.

2324
02:00:33,960 --> 02:00:36,880
Speaker 3: Let me ask you, last Brome, do you know how

2325
02:00:36,960 --> 02:00:38,160
Speaker 3: important you are to hip hop?

2326
02:00:39,200 --> 02:00:41,080
Speaker 2: Do you realize it? Not to music?

2327
02:00:41,520 --> 02:00:41,840
Speaker 1: Hip hop?

2328
02:00:45,200 --> 02:00:47,600
Speaker 2: That ship?

2329
02:00:47,880 --> 02:00:53,720
Speaker 1: Yo, bro Man, there's this Vanessa Bell Armstrong song that

2330
02:00:53,840 --> 02:00:56,040
Speaker 1: I love call you bring out the best of me.

2331
02:00:58,360 --> 02:01:01,480
Speaker 1: And that's what my people do. You know what I mean,

2332
02:01:01,560 --> 02:01:04,280
Speaker 1: They bring out the best of me. So that's my

2333
02:01:04,440 --> 02:01:06,480
Speaker 1: people bringing that out of me. You know what I'm saying,

2334
02:01:06,600 --> 02:01:11,360
Speaker 1: Like for real, Like I'm I'm just like I do

2335
02:01:11,480 --> 02:01:13,560
Speaker 1: what I do and they and they helped me. So

2336
02:01:14,200 --> 02:01:16,040
Speaker 1: you know I had a lot of help along the way,

2337
02:01:16,800 --> 02:01:19,720
Speaker 1: you know, big up, all the people, all the love,

2338
02:01:20,160 --> 02:01:21,880
Speaker 1: and you know, we're just gonna push forward.

2339
02:01:22,000 --> 02:01:23,800
Speaker 2: Man, that's how we're gonna do it. You're part of that.

2340
02:01:24,000 --> 02:01:24,120
Speaker 1: You know.

2341
02:01:24,240 --> 02:01:26,800
Speaker 2: When we used to do the tours with O you

2342
02:01:26,840 --> 02:01:29,200
Speaker 2: know what I mean, y'all used to make the dances

2343
02:01:29,240 --> 02:01:31,000
Speaker 2: with the bananas, it was wild.

2344
02:01:32,920 --> 02:01:33,600
Speaker 1: It was crazy.

2345
02:01:34,000 --> 02:01:41,920
Speaker 2: Left right niggas is crazy. You already know this is man,

2346
02:01:42,440 --> 02:01:46,960
Speaker 2: Big up money bags, big people, don't.

2347
02:01:49,640 --> 02:01:49,800
Speaker 5: You know?

2348
02:01:50,000 --> 02:01:53,600
Speaker 2: Definitely you know we're we're paying the sorrow, you know

2349
02:01:53,640 --> 02:01:57,200
Speaker 2: what I mean, big up money bags. It hurts. It hurts.

2350
02:01:57,280 --> 02:01:59,120
Speaker 1: You know what I mean even with even with pream

2351
02:01:59,240 --> 02:02:00,640
Speaker 1: right here, you know what I mean, Like even with

2352
02:02:00,760 --> 02:02:03,360
Speaker 1: cream right here, it hurts to see how brothers, you

2353
02:02:03,400 --> 02:02:05,760
Speaker 1: know what I mean. Like let street ship like just

2354
02:02:06,080 --> 02:02:09,240
Speaker 1: just fuck everything up, man, and everybody's fly and get

2355
02:02:09,360 --> 02:02:12,000
Speaker 1: money and doing their thing and just this little dumb

2356
02:02:12,080 --> 02:02:15,280
Speaker 1: ass street ship fucking everything up and niggas is meeting

2357
02:02:15,320 --> 02:02:17,640
Speaker 1: they demise, man, like you know what I mean, Like

2358
02:02:17,760 --> 02:02:19,640
Speaker 1: I hate that ship. That's why I wanted to you know,

2359
02:02:19,800 --> 02:02:21,440
Speaker 1: He's like, Yo, you gotta do it, o g And

2360
02:02:21,480 --> 02:02:23,600
Speaker 1: I was like, Yo, you gotta be there too, man,

2361
02:02:24,160 --> 02:02:25,400
Speaker 1: just so that we could, you know what I mean,

2362
02:02:25,520 --> 02:02:28,360
Speaker 1: Like be examples. Man, are like yo, Man, let's get

2363
02:02:28,400 --> 02:02:31,000
Speaker 1: this ship right man, everybody fly man, everybody in this

2364
02:02:31,120 --> 02:02:33,920
Speaker 1: fucking building right now, just talking about Man, the homie.

2365
02:02:33,680 --> 02:02:36,840
Speaker 2: Got the shade on with the waves ship. That ship

2366
02:02:37,000 --> 02:02:39,160
Speaker 2: is firing the ship out of the man right now.

2367
02:02:39,920 --> 02:02:41,680
Speaker 1: That's what I want to see. Man, we all fly

2368
02:02:41,880 --> 02:02:44,720
Speaker 1: man while we're killing each other. Man, God damn, man,

2369
02:02:44,800 --> 02:02:45,440
Speaker 1: get that nigga.

2370
02:02:45,880 --> 02:02:54,880
Speaker 2: Man, take a shot a shot. I'm gonna do this, don't.

2371
02:03:00,360 --> 02:03:05,880
Speaker 2: I'm going to Japan July, you know, so listen to

2372
02:03:06,000 --> 02:03:08,480
Speaker 2: you all right, man, this is to Japan. Man, this

2373
02:03:08,560 --> 02:03:11,600
Speaker 2: is good. This is a career. Let's go definitely. How

2374
02:03:11,600 --> 02:03:14,080
Speaker 2: about my man? Jay got you all a little crazy

2375
02:03:14,120 --> 02:03:14,800
Speaker 2: about like that.

2376
02:03:15,320 --> 02:03:18,120
Speaker 1: You know, as soon as Jay said that, everybody went crazy.

2377
02:03:18,920 --> 02:03:29,960
Speaker 2: I said it years before that boy boy, tell that

2378
02:03:30,080 --> 02:03:37,640
Speaker 2: Japanese boy bad. Give me your chilling, hard and awesome. Man.

2379
02:03:37,720 --> 02:03:39,760
Speaker 1: You know you know you're chilling. So you know, we

2380
02:03:39,840 --> 02:03:41,320
Speaker 1: got the flicks. Man, we had the round.

2381
02:03:41,560 --> 02:03:41,760
Speaker 2: We had.

2382
02:03:42,000 --> 02:03:44,960
Speaker 1: We had like it was a couple of It was

2383
02:03:44,960 --> 02:03:49,240
Speaker 1: a couple of female chilling all ship.

2384
02:03:49,400 --> 02:03:50,000
Speaker 2: It was nice.

2385
02:03:50,080 --> 02:03:50,240
Speaker 1: Man.

2386
02:03:52,200 --> 02:03:54,360
Speaker 2: And when I when I when I seen the joint,

2387
02:03:54,440 --> 02:03:56,600
Speaker 2: I was like, Yo, that's young bro right there. Man,

2388
02:03:56,840 --> 02:03:59,080
Speaker 2: he doing like how I do it? Man, Like you

2389
02:03:59,360 --> 02:04:02,320
Speaker 2: learn from the back. Good for life. Man. Worried up man, man,

2390
02:04:03,280 --> 02:04:06,840
Speaker 2: and we got and we got some fire on deck. Man.

2391
02:04:06,840 --> 02:04:08,920
Speaker 1: It was just like, Yo, it was so crazy how

2392
02:04:08,920 --> 02:04:11,920
Speaker 1: it happened. Because Dave was in town and then young bro,

2393
02:04:12,080 --> 02:04:16,400
Speaker 1: he's like, Yo, Dave Chappelle, of course that's the only

2394
02:04:16,480 --> 02:04:17,080
Speaker 1: day right now.

2395
02:04:17,320 --> 02:04:24,520
Speaker 2: Well, Dave, I mean there is a days in peace.

2396
02:04:25,000 --> 02:04:28,640
Speaker 2: Let me shut up for that. Man. Absolutely, Man, It's true.

2397
02:04:29,560 --> 02:04:31,080
Speaker 2: I could do that. I could do that.

2398
02:04:31,440 --> 02:04:31,880
Speaker 1: I could do that.

2399
02:04:32,360 --> 02:04:34,760
Speaker 2: Look shot, nice little ship. I need a shot that

2400
02:04:37,720 --> 02:04:40,880
Speaker 2: I'm going to ja, give me talent give nobody wants

2401
02:04:40,880 --> 02:04:45,600
Speaker 2: to drink. Mama Juana would come up. I don't want

2402
02:04:45,600 --> 02:04:46,120
Speaker 2: to sound.

2403
02:04:48,720 --> 02:04:48,760
Speaker 7: You.

2404
02:04:48,880 --> 02:05:00,040
Speaker 2: Just take that one right there. Yeah, but you I

2405
02:05:00,080 --> 02:05:02,800
Speaker 2: got talking about you talking about being tangled up online.

2406
02:05:03,000 --> 02:05:05,240
Speaker 1: You're let's talk about how my young bro we get

2407
02:05:05,360 --> 02:05:06,600
Speaker 1: toung tabled up on line.

2408
02:05:13,400 --> 02:05:16,840
Speaker 2: If Twitter fingers was a it would be you. Okay,

2409
02:05:19,160 --> 02:05:21,040
Speaker 2: I'm not allowed about time.

2410
02:05:22,720 --> 02:05:22,960
Speaker 1: Spling.

2411
02:05:23,320 --> 02:05:25,600
Speaker 2: Proud of you, listen, you take proud listen. Let me

2412
02:05:25,600 --> 02:05:28,480
Speaker 2: tell you about peace. He takes on every racist in

2413
02:05:28,600 --> 02:05:32,200
Speaker 2: the love world. How he has time goes. He doesn't

2414
02:05:32,200 --> 02:05:38,560
Speaker 2: show get some point, you hire some give I can't

2415
02:05:39,280 --> 02:05:42,560
Speaker 2: wakes up and just get googles who's racist. I think

2416
02:05:42,600 --> 02:05:45,120
Speaker 2: he's doing it in his sleep too. Bro, He's just

2417
02:05:45,200 --> 02:05:48,240
Speaker 2: stay ready. He's ready. And that's what it is.

2418
02:05:48,680 --> 02:05:48,800
Speaker 12: You know.

2419
02:05:49,600 --> 02:05:51,600
Speaker 2: You know that's the part of the Dave Chappelle episode

2420
02:05:51,680 --> 02:05:55,440
Speaker 2: that I wanted to keep in when when Dave Davids

2421
02:05:55,480 --> 02:05:58,960
Speaker 2: making fun of you, we haven't since then, I've spoke

2422
02:05:59,000 --> 02:06:04,000
Speaker 2: to me. No, I feel like get closer every fucking

2423
02:06:04,720 --> 02:06:14,640
Speaker 2: disaster drink Champs episode disaster. Yeah, but it was ill

2424
02:06:14,680 --> 02:06:17,600
Speaker 2: because I called my name out, but he said from me.

2425
02:06:18,000 --> 02:06:19,480
Speaker 1: But it was like a little bit of like a

2426
02:06:19,520 --> 02:06:22,000
Speaker 1: little like a little delay in that ship, like something

2427
02:06:22,040 --> 02:06:22,960
Speaker 1: had happened and ship.

2428
02:06:23,400 --> 02:06:26,200
Speaker 2: He was like, mother fucking you know. You don't you

2429
02:06:26,240 --> 02:06:29,040
Speaker 2: don't know? He said, Look, you know he said, he

2430
02:06:29,080 --> 02:06:31,800
Speaker 2: said from me? You from me? You don't like I

2431
02:06:31,920 --> 02:06:33,120
Speaker 2: kind of was talking about him on drink.

2432
02:06:33,360 --> 02:06:34,560
Speaker 1: No no, no, no, no, no he.

2433
02:06:37,640 --> 02:06:37,680
Speaker 2: Was.

2434
02:06:38,120 --> 02:06:40,600
Speaker 24: He was, he was, he was, he was.

2435
02:06:41,560 --> 02:06:51,600
Speaker 2: He got you know who you talking from out Pros?

2436
02:06:51,640 --> 02:06:52,200
Speaker 2: The big bro.

2437
02:06:53,840 --> 02:06:56,280
Speaker 1: Who you picked either way last Pros my big bro?

2438
02:06:56,480 --> 02:06:59,760
Speaker 1: So either who whoever? Like you know that type ship yeah.

2439
02:07:00,200 --> 02:07:02,840
Speaker 2: The other that money. You was gonna say something which

2440
02:07:03,000 --> 02:07:06,080
Speaker 2: about the Kanye not going You got a lot to

2441
02:07:06,120 --> 02:07:07,360
Speaker 2: say but with Kanye.

2442
02:07:07,440 --> 02:07:09,680
Speaker 1: But I just caughte a copy of that on a

2443
02:07:09,800 --> 02:07:12,440
Speaker 1: mind sex on vinyl with ship Man banger.

2444
02:07:12,520 --> 02:07:16,600
Speaker 2: That that's crazy. You see how you just do? My goodness,

2445
02:07:16,600 --> 02:07:19,840
Speaker 2: you're not pulling it out that, you know. I was God,

2446
02:07:20,080 --> 02:07:22,800
Speaker 2: I want to have I'm bout to I'm about to

2447
02:07:23,120 --> 02:07:25,160
Speaker 2: leave use out this time. It was like the hip

2448
02:07:25,240 --> 02:07:26,600
Speaker 2: hop is a hip Hoppies version?

2449
02:07:31,320 --> 02:07:33,560
Speaker 25: Know that when my post listening, so it used to

2450
02:07:33,640 --> 02:07:39,120
Speaker 25: be my wait, yes, Gracie's used to make Gracy we

2451
02:07:39,480 --> 02:07:41,839
Speaker 25: my man, just counting you to date Gracie.

2452
02:07:41,960 --> 02:07:42,120
Speaker 1: Man.

2453
02:07:42,680 --> 02:07:48,800
Speaker 2: I was just talking about earlier that you said, Gracy

2454
02:07:48,920 --> 02:07:53,120
Speaker 2: that sisters.

2455
02:07:51,800 --> 02:07:53,320
Speaker 5: Sister you're talking.

2456
02:07:53,120 --> 02:07:59,160
Speaker 2: To earlier than that. Earlier than that.

2457
02:07:59,320 --> 02:08:01,240
Speaker 1: I used to stay in in front of Joe's barber

2458
02:08:01,280 --> 02:08:04,080
Speaker 1: shop with my pops and his friends listening there. Used

2459
02:08:04,120 --> 02:08:08,280
Speaker 1: to be my girl by the old Jay's niggas so life, bro,

2460
02:08:12,720 --> 02:08:16,120
Speaker 1: nigga got the old jas. I feel like I see the.

2461
02:08:16,840 --> 02:08:19,840
Speaker 2: Baby that's where I go, you know, nig like I used.

2462
02:08:19,760 --> 02:08:22,280
Speaker 26: To go to big Brother, just like you know, what

2463
02:08:22,520 --> 02:08:28,960
Speaker 26: is the name professor and professor that science like you said,

2464
02:08:28,960 --> 02:08:32,880
Speaker 26: I was in Corona early, baby, like your early man,

2465
02:08:33,160 --> 02:08:34,240
Speaker 26: early I got.

2466
02:08:34,320 --> 02:08:36,840
Speaker 1: I got like you know, coming out of preschool, like

2467
02:08:37,080 --> 02:08:38,880
Speaker 1: graduation flicks like out of.

2468
02:08:38,920 --> 02:08:41,920
Speaker 2: Corona baby like you know, it was my favorite. That's

2469
02:08:41,960 --> 02:08:42,400
Speaker 2: the crown.

2470
02:08:42,480 --> 02:08:44,440
Speaker 1: You know what that You know what Corona means, right,

2471
02:08:44,520 --> 02:08:46,760
Speaker 1: It's the shan It's the shine over the crown.

2472
02:08:47,280 --> 02:08:57,280
Speaker 2: I'm so crowd. Yeah yeah, shin shine shine crown, the

2473
02:08:57,360 --> 02:09:01,840
Speaker 2: crown to shine over the I tried about I'm about

2474
02:09:02,000 --> 02:09:02,920
Speaker 2: beating nuts.

2475
02:09:04,240 --> 02:09:11,080
Speaker 27: Let me see, Well, remember you were surprised that you

2476
02:09:11,120 --> 02:09:12,360
Speaker 27: didn't know that when we were talking.

2477
02:09:12,160 --> 02:09:19,320
Speaker 2: To day episode, Yeah, man, I did, but you jish,

2478
02:09:20,880 --> 02:09:23,840
Speaker 2: you saw that. You saw the hell I was trying.

2479
02:09:24,080 --> 02:09:25,400
Speaker 2: You saw I was trying. I didn't know.

2480
02:09:25,520 --> 02:09:29,840
Speaker 1: I didn't want to do it.

2481
02:09:29,960 --> 02:09:31,080
Speaker 2: You was like, you gotta do this.

2482
02:09:32,640 --> 02:09:35,600
Speaker 3: I got so excited because I really loved Juju. I

2483
02:09:35,720 --> 02:09:38,480
Speaker 3: love love both of them. Cycle lest less excuse me,

2484
02:09:38,800 --> 02:09:41,680
Speaker 3: I love them both. And I got drunk before the episode.

2485
02:09:41,720 --> 02:09:44,640
Speaker 3: So that's that started my rule. I never drink any

2486
02:09:44,680 --> 02:09:47,000
Speaker 3: episode and the right as well.

2487
02:09:47,240 --> 02:09:47,480
Speaker 1: In the.

2488
02:09:49,080 --> 02:09:52,320
Speaker 2: And he was in flushing fashion. But the beating, the

2489
02:09:52,360 --> 02:09:53,440
Speaker 2: beating nuts good.

2490
02:09:53,600 --> 02:09:53,720
Speaker 6: Uh.

2491
02:09:54,240 --> 02:09:57,640
Speaker 1: Background story with them is, uh, Juju is all like

2492
02:09:57,760 --> 02:10:01,120
Speaker 1: he's he's on hanging out. He's on song, just hanging out,

2493
02:10:01,280 --> 02:10:04,080
Speaker 1: like in the end, like when we're talking and we're

2494
02:10:04,120 --> 02:10:06,839
Speaker 1: like yo, we're going uptown blah blah, and then I'm like, yohoo,

2495
02:10:06,880 --> 02:10:07,560
Speaker 1: what's up man?

2496
02:10:07,680 --> 02:10:09,440
Speaker 2: He's like yo, I don't know. Pete man Lynch said

2497
02:10:09,480 --> 02:10:12,760
Speaker 2: he won't go to the powerhouse man dins. That's huge.

2498
02:10:13,680 --> 02:10:17,000
Speaker 2: So listen, so you today years old, we're gonna have

2499
02:10:17,160 --> 02:10:22,040
Speaker 2: beating us back. So you don't know what happened that

2500
02:10:22,520 --> 02:10:26,640
Speaker 2: that episode we we had we had just finished yes,

2501
02:10:27,280 --> 02:10:29,440
Speaker 2: j it was a traveling dreams chances were in New York.

2502
02:10:29,520 --> 02:10:35,600
Speaker 2: We just finished episode and then he's like, sure, let's

2503
02:10:35,680 --> 02:10:37,120
Speaker 2: do it. I go no, no, no, because I already

2504
02:10:37,160 --> 02:10:45,640
Speaker 2: know you what this show was about to happen. You

2505
02:10:45,680 --> 02:10:48,680
Speaker 2: would have give them a better better in you I

2506
02:10:48,880 --> 02:10:52,120
Speaker 2: love and you just keep going back to my loved

2507
02:10:52,400 --> 02:10:56,440
Speaker 2: but love it. I was off the pus. They were

2508
02:10:56,480 --> 02:10:58,560
Speaker 2: like tragedy. I love it because.

2509
02:11:00,160 --> 02:11:02,520
Speaker 1: That's what drink champ for some staircase.

2510
02:11:04,520 --> 02:11:09,440
Speaker 2: He was with the no, no, no, it's a process show.

2511
02:11:09,920 --> 02:11:10,640
Speaker 2: That's interesting.

2512
02:11:11,200 --> 02:11:11,520
Speaker 5: You know what.

2513
02:11:13,880 --> 02:11:18,200
Speaker 1: Spinnis because I had I had a.

2514
02:11:18,280 --> 02:11:22,560
Speaker 2: Joint for you know, a movie and you movie dubbed the.

2515
02:11:22,640 --> 02:11:29,240
Speaker 1: Goss you got drunk on that. He went, I had

2516
02:11:29,320 --> 02:11:32,480
Speaker 1: to send it to our scratch and our scratch, but

2517
02:11:32,680 --> 02:11:33,120
Speaker 1: you was like.

2518
02:11:33,200 --> 02:11:36,000
Speaker 2: Scratch took my beat when we when we out scratched

2519
02:11:36,040 --> 02:11:36,200
Speaker 2: for you.

2520
02:11:36,240 --> 02:11:40,720
Speaker 1: And when we listen, I'm gonna tell you e f

2521
02:11:41,280 --> 02:11:46,880
Speaker 1: yo when we finished Bill Pyramids, that's just hard that

2522
02:11:47,120 --> 02:11:49,360
Speaker 1: he was like, I was in left brack of it

2523
02:11:49,440 --> 02:11:52,240
Speaker 1: was mad call I had on the video. On the video, yeah,

2524
02:11:52,280 --> 02:11:53,960
Speaker 1: he was like, yo, tap to beat out on the

2525
02:11:54,040 --> 02:11:55,880
Speaker 1: porch and ship. I bought the Porsche out for you

2526
02:11:55,960 --> 02:11:58,120
Speaker 1: tap to beat out. I remember that ship. I was like,

2527
02:11:58,160 --> 02:11:59,800
Speaker 1: what is he doing this ship? But then that's when

2528
02:11:59,840 --> 02:12:02,000
Speaker 1: I figured out that you would like to you know

2529
02:12:02,000 --> 02:12:04,520
Speaker 1: what I mean, it's like that, it's true.

2530
02:12:04,600 --> 02:12:07,360
Speaker 2: Yeah, he's like, you tap the beat out on the

2531
02:12:07,480 --> 02:12:09,720
Speaker 2: polls ship. Let's give you that look. I feel like

2532
02:12:09,760 --> 02:12:12,360
Speaker 2: you should have produced the whole album for me. That's

2533
02:12:12,440 --> 02:12:16,160
Speaker 2: that's that's the future right now. It's easy to do. No,

2534
02:12:16,320 --> 02:12:27,480
Speaker 2: he did it, no man, but quick just be true

2535
02:12:27,480 --> 02:12:29,240
Speaker 2: to hisself. Like that's big bro.

2536
02:12:31,600 --> 02:12:34,839
Speaker 3: You know, I guess what and guess what I accepted

2537
02:12:34,920 --> 02:12:36,400
Speaker 3: every time you said it, And guess what.

2538
02:12:36,480 --> 02:12:38,760
Speaker 2: I would love to go to power play for a

2539
02:12:38,880 --> 02:12:42,000
Speaker 2: month made you and just we're gonna do it, and just.

2540
02:12:44,040 --> 02:12:46,360
Speaker 1: That's so much.

2541
02:12:47,720 --> 02:12:52,240
Speaker 2: Yes, listen, how good that record was is going to show.

2542
02:12:52,080 --> 02:12:52,360
Speaker 5: You how.

2543
02:12:53,800 --> 02:12:55,960
Speaker 2: And you know what's crazy. Let me get Joel. Let

2544
02:12:55,960 --> 02:12:58,320
Speaker 2: me let me just tell you how good. Will tell

2545
02:12:58,320 --> 02:13:00,520
Speaker 2: you how good got. When I called you.

2546
02:13:00,720 --> 02:13:03,280
Speaker 3: Please and I said, yoo, your Lorge pro I need

2547
02:13:03,360 --> 02:13:05,200
Speaker 3: a beat and you said what kind of beat? And

2548
02:13:05,320 --> 02:13:08,720
Speaker 3: I described it to you and you gave me exactly

2549
02:13:08,840 --> 02:13:11,800
Speaker 3: what I wanted. I was like, this, motherfuckers, he's just.

2550
02:13:11,920 --> 02:13:16,120
Speaker 2: Left right, guy, So you like festivity.

2551
02:13:19,800 --> 02:13:24,720
Speaker 1: Like that festivity like it ain't hard to tell it

2552
02:13:24,800 --> 02:13:26,280
Speaker 1: is a hood festive joint.

2553
02:13:26,400 --> 02:13:35,320
Speaker 2: Right, so you go, okay, what's going on? Right? You

2554
02:13:35,520 --> 02:13:37,600
Speaker 2: go into that. That's the water.

2555
02:13:38,000 --> 02:13:40,200
Speaker 1: It was her birthday the other day, right, left eye, right,

2556
02:13:40,240 --> 02:13:40,680
Speaker 1: big up.

2557
02:13:40,680 --> 02:13:41,720
Speaker 2: Left out. I love her.

2558
02:13:42,200 --> 02:13:44,800
Speaker 1: We love what were We love what she brought to

2559
02:13:44,880 --> 02:13:47,520
Speaker 1: the world. We love what left Out brought to the work.

2560
02:13:48,280 --> 02:13:52,960
Speaker 2: Let me do something you do that, let me tell

2561
02:13:52,960 --> 02:13:56,640
Speaker 2: you something we love. Like I said, I'm in jail.

2562
02:13:56,840 --> 02:14:01,200
Speaker 2: Nice halftime drive, but then he just got I was

2563
02:14:01,280 --> 02:14:02,040
Speaker 2: a one of one.

2564
02:14:02,280 --> 02:14:04,080
Speaker 1: It was it was such a good time, and this

2565
02:14:04,520 --> 02:14:05,480
Speaker 1: is such a great time for you.

2566
02:14:05,880 --> 02:14:06,440
Speaker 2: Was locked down.

2567
02:14:06,680 --> 02:14:09,040
Speaker 3: And then all of a sudden, this record drops and

2568
02:14:09,120 --> 02:14:10,800
Speaker 3: it's called it ain't hard to tell.

2569
02:14:11,760 --> 02:14:15,920
Speaker 1: The hood bottle popping anthem. It's the hood bottle popping.

2570
02:14:16,480 --> 02:14:19,760
Speaker 1: It's like it's like, no, we're not we're not. We're

2571
02:14:19,800 --> 02:14:24,240
Speaker 1: not on in Beverly Hills, on on this road. We

2572
02:14:24,440 --> 02:14:29,160
Speaker 1: in the hood. But we got bottles, niggas is flys,

2573
02:14:29,240 --> 02:14:34,120
Speaker 1: got their juice, the yo everybody he was one. Right

2574
02:14:34,160 --> 02:14:36,560
Speaker 1: then at that point, I'm telling you, like, that's what

2575
02:14:36,840 --> 02:14:38,200
Speaker 1: I wanted to create with that.

2576
02:14:38,480 --> 02:14:41,560
Speaker 3: Okay, but let me let me ask you, because is

2577
02:14:41,680 --> 02:14:44,160
Speaker 3: this when y'a get in the studio, is you just

2578
02:14:44,480 --> 02:14:45,360
Speaker 3: coming off at halftime?

2579
02:14:45,440 --> 02:14:47,960
Speaker 2: Right? Halftime? But halftime was a one off, like y'all

2580
02:14:47,960 --> 02:14:50,000
Speaker 2: didn't know was the project? I was a one of one.

2581
02:14:50,240 --> 02:14:53,640
Speaker 2: That was when Nis was starting the ball demo. He's

2582
02:14:53,640 --> 02:14:56,640
Speaker 2: starting the ball so this before so there's no he's

2583
02:14:56,680 --> 02:14:57,120
Speaker 2: a project.

2584
02:14:57,440 --> 02:14:59,880
Speaker 3: Back to the gorilla, right, So then you got half

2585
02:15:00,000 --> 02:15:02,360
Speaker 3: time back to the gorilla grin and then now we're here.

2586
02:15:02,840 --> 02:15:05,160
Speaker 3: It ain't hard to tell. Did you know when you

2587
02:15:05,280 --> 02:15:06,760
Speaker 3: was in the studio this is going to be his

2588
02:15:06,840 --> 02:15:07,400
Speaker 3: first single?

2589
02:15:07,480 --> 02:15:09,760
Speaker 2: Did you make it that way? That's what we were

2590
02:15:09,760 --> 02:15:13,640
Speaker 2: aiming for for the first okay, see, And so your

2591
02:15:13,720 --> 02:15:16,520
Speaker 2: mind was did you know what he was gonna rhyme about?

2592
02:15:17,320 --> 02:15:17,760
Speaker 2: Did you hear?

2593
02:15:18,160 --> 02:15:18,320
Speaker 5: Well?

2594
02:15:18,400 --> 02:15:21,480
Speaker 1: I mean it was, I mean his his rhymes were confident,

2595
02:15:21,640 --> 02:15:24,360
Speaker 1: was exactly. I was like the god you know, the

2596
02:15:24,440 --> 02:15:27,320
Speaker 1: goudd He's like he got his department.

2597
02:15:27,480 --> 02:15:30,160
Speaker 2: I got my department. He got his department. Like and

2598
02:15:30,280 --> 02:15:34,040
Speaker 2: we was there was their ego in it, in it,

2599
02:15:34,920 --> 02:15:37,680
Speaker 2: ego in it because this is the listen, this is

2600
02:15:37,720 --> 02:15:41,400
Speaker 2: the eerror of the producer. The producers were the bigger

2601
02:15:41,480 --> 02:15:46,000
Speaker 2: eagles in the MCS at this time. You can producers

2602
02:15:46,040 --> 02:15:47,480
Speaker 2: were hard to deal with.

2603
02:15:47,760 --> 02:15:50,400
Speaker 1: The only the only thing I think that might may

2604
02:15:50,480 --> 02:15:53,440
Speaker 1: have happened was a little thing that happened with a

2605
02:15:53,520 --> 02:15:57,600
Speaker 1: few times was because I was gunning, like I needed

2606
02:15:57,680 --> 02:16:00,960
Speaker 1: to make some money, and you was like, I was gunning,

2607
02:16:01,040 --> 02:16:02,680
Speaker 1: so I'm working with this one and that one and

2608
02:16:02,760 --> 02:16:05,400
Speaker 1: that one and that one. And then now some brothers

2609
02:16:05,440 --> 02:16:08,840
Speaker 1: who think I should have specifically honed in on Nay

2610
02:16:09,000 --> 02:16:13,440
Speaker 1: joint right, they feel away like he over there with

2611
02:16:14,440 --> 02:16:17,600
Speaker 1: and you know, they know that they know they about

2612
02:16:17,680 --> 02:16:19,320
Speaker 1: to take off in a major way.

2613
02:16:19,280 --> 02:16:22,640
Speaker 2: And they're like yo, and so you know, but I'm like, yo, nah,

2614
02:16:22,640 --> 02:16:23,000
Speaker 2: I got you.

2615
02:16:23,040 --> 02:16:24,920
Speaker 1: I'm gonna swing back, you know, I gotta go over

2616
02:16:25,000 --> 02:16:29,800
Speaker 1: here real quick, you know, And they like, so that

2617
02:16:29,920 --> 02:16:30,440
Speaker 1: could happen.

2618
02:16:30,560 --> 02:16:32,720
Speaker 2: You know, that happens. You know what I'm saying. That happens.

2619
02:16:33,400 --> 02:16:36,080
Speaker 2: It happens. You know what I'm saying. So would be like, professor,

2620
02:16:36,120 --> 02:16:46,480
Speaker 2: you're speaking, Haiku's man. That's how Jesus is speaking. Its right,

2621
02:16:47,360 --> 02:16:52,320
Speaker 2: Jesus just speak. They say Jesus did ask him as

2622
02:16:52,360 --> 02:16:55,960
Speaker 2: South five producers of all time? No, not yet, is

2623
02:16:56,000 --> 02:17:00,480
Speaker 2: he is he going to know he's not all right.

2624
02:17:00,520 --> 02:17:03,080
Speaker 2: So influenced my top for me.

2625
02:17:03,800 --> 02:17:08,440
Speaker 1: Yeah yeah, oh man, well definitely definitely Molly mal like

2626
02:17:08,600 --> 02:17:11,920
Speaker 1: Molly maul is the man that gave me my first check,

2627
02:17:12,640 --> 02:17:15,280
Speaker 1: you know what I mean, his son like he calls

2628
02:17:15,360 --> 02:17:18,000
Speaker 1: me uncle like you know, little m like weir, I

2629
02:17:18,120 --> 02:17:20,400
Speaker 1: love him will like I loved him like I could

2630
02:17:20,480 --> 02:17:23,840
Speaker 1: cry it right now thinking about dude, what Molly did

2631
02:17:23,920 --> 02:17:24,120
Speaker 1: for me.

2632
02:17:24,600 --> 02:17:27,520
Speaker 2: And you know, it was only like a little twenty

2633
02:17:27,560 --> 02:17:29,440
Speaker 2: five hundred you know what I mean.

2634
02:17:29,680 --> 02:17:31,880
Speaker 1: But that was just enough to get because I could

2635
02:17:31,920 --> 02:17:34,440
Speaker 1: get my drum machine gun right, you know what I'm saying.

2636
02:17:34,560 --> 02:17:38,240
Speaker 2: Oh man, my mom's was like, yo, I went to

2637
02:17:38,360 --> 02:17:38,840
Speaker 2: my mom's.

2638
02:17:38,920 --> 02:17:41,119
Speaker 1: I was like and that, you know, I was joking

2639
02:17:41,200 --> 02:17:43,240
Speaker 1: with my mom's like after after a while, after I

2640
02:17:43,320 --> 02:17:45,560
Speaker 1: grew up and shit, like I started testing, was like, yeah,

2641
02:17:45,640 --> 02:17:47,600
Speaker 1: I'm gonna just go ask mall see if she you know,

2642
02:17:47,840 --> 02:17:49,840
Speaker 1: just it's a while hout. She's like, she's like, how

2643
02:17:49,920 --> 02:17:50,960
Speaker 1: much is it? You know what I mean, I'm like

2644
02:17:51,040 --> 02:17:55,560
Speaker 1: twenty five hundred. She's like, all right, I thought she

2645
02:17:55,680 --> 02:17:59,800
Speaker 1: was gonna nigga fuck you joke. Well hundred dollars to mama.

2646
02:17:59,840 --> 02:18:04,800
Speaker 1: Love happens.

2647
02:18:04,879 --> 02:18:05,640
Speaker 2: But it came with that.

2648
02:18:05,840 --> 02:18:08,960
Speaker 1: You know, when you have my money back, When you

2649
02:18:09,160 --> 02:18:11,480
Speaker 1: have my money back to me, you know what I mean,

2650
02:18:11,560 --> 02:18:13,200
Speaker 1: my mother from Harlem, you know what I'm saying, When

2651
02:18:13,200 --> 02:18:15,240
Speaker 1: you have my money back to me, I was like, Mommy,

2652
02:18:15,240 --> 02:18:17,680
Speaker 1: I did some production. I got intelligent huld. You know

2653
02:18:17,800 --> 02:18:20,400
Speaker 1: fatal you know, because my mom's a fatal birthday is

2654
02:18:20,440 --> 02:18:22,039
Speaker 1: the same day. As a matter of fact, we're back

2655
02:18:22,080 --> 02:18:24,960
Speaker 1: out here, we're doing the show. We came with Salon Raymond.

2656
02:18:28,440 --> 02:18:34,040
Speaker 1: That's how me Like do y me, No, it's ray Me.

2657
02:18:34,400 --> 02:18:37,519
Speaker 1: It's like jet We got the museum.

2658
02:18:37,280 --> 02:18:37,959
Speaker 2: Right here, exactly.

2659
02:18:38,120 --> 02:18:38,520
Speaker 1: Museum.

2660
02:18:38,959 --> 02:18:40,840
Speaker 2: Yeah, so like we've.

2661
02:18:42,400 --> 02:18:45,680
Speaker 19: We're in close h close proximity. We were alone, very

2662
02:18:45,720 --> 02:18:46,080
Speaker 19: close to.

2663
02:18:46,120 --> 02:18:49,119
Speaker 1: Exactly so June tiph that's yeah, that's that's when we're

2664
02:18:49,160 --> 02:18:52,360
Speaker 1: doing that, and that's that's that's moms and fatal birthday.

2665
02:18:52,800 --> 02:18:54,160
Speaker 2: So you know what I mean, Like that's you know,

2666
02:18:54,240 --> 02:18:55,760
Speaker 2: it's just all love, you know what I mean, It's

2667
02:18:55,760 --> 02:18:59,520
Speaker 2: all love. Fucking five man, He's just I wish I

2668
02:18:59,600 --> 02:19:01,360
Speaker 2: wish you would have came through to man.

2669
02:19:02,320 --> 02:19:05,040
Speaker 3: You ain't exactly say how this eight hard to tell

2670
02:19:05,160 --> 02:19:06,360
Speaker 3: sessions happened.

2671
02:19:06,720 --> 02:19:06,879
Speaker 15: Damn.

2672
02:19:06,959 --> 02:19:09,000
Speaker 1: Then we were talking about the top five producers, like.

2673
02:19:11,400 --> 02:19:12,160
Speaker 2: Right now, let's get it.

2674
02:19:15,800 --> 02:19:20,600
Speaker 1: And then now I definitely definitely want to talk about

2675
02:19:20,760 --> 02:19:25,320
Speaker 1: my man, my mentor, and I'm doing what I've seen

2676
02:19:25,400 --> 02:19:29,520
Speaker 1: him do, my man forty five King, get it up.

2677
02:19:30,120 --> 02:19:32,800
Speaker 2: Yeah, forty five King, first time.

2678
02:19:33,080 --> 02:19:37,080
Speaker 1: Yeah he came. He Like I said, I mentioned earlier

2679
02:19:37,280 --> 02:19:42,480
Speaker 1: that he, along with Bizmark, he always appealed to that innocence,

2680
02:19:42,600 --> 02:19:45,840
Speaker 1: that child thing in us because he's the one that

2681
02:19:45,959 --> 02:19:49,240
Speaker 1: made the beat for it's a hard knock, right, you

2682
02:19:49,280 --> 02:19:50,920
Speaker 1: know what I mean? Like it's always that like the

2683
02:19:51,080 --> 02:19:56,879
Speaker 1: little kid didn't you know what I mean, Like it's

2684
02:19:56,920 --> 02:19:59,760
Speaker 1: over like wild out loops and ship like that. It's

2685
02:19:59,840 --> 02:20:01,440
Speaker 1: just that we wild out, you know what I'm saying,

2686
02:20:01,480 --> 02:20:03,400
Speaker 1: Like you now we used to do in the rooms

2687
02:20:03,440 --> 02:20:04,720
Speaker 1: and ship, you know what I'm saying, how the girls

2688
02:20:04,760 --> 02:20:07,240
Speaker 1: in the room and like I mean, oh, my bad,

2689
02:20:07,280 --> 02:20:11,200
Speaker 1: I don't want to talk like the niggas married. She

2690
02:20:11,440 --> 02:20:15,080
Speaker 1: needs to get clear, my bad. It used to go

2691
02:20:15,200 --> 02:20:21,560
Speaker 1: down like that. Gets some fact. Mother Ship was crazy.

2692
02:20:22,440 --> 02:20:24,280
Speaker 1: Come on, we was rolling with mister put it in

2693
02:20:24,400 --> 02:20:24,800
Speaker 1: your mouth.

2694
02:20:25,280 --> 02:20:25,520
Speaker 26: You know.

2695
02:20:25,800 --> 02:20:28,440
Speaker 2: Ship was wild. Ship was wild with us.

2696
02:20:28,480 --> 02:20:31,080
Speaker 1: You know what I mean. You're looking at me all right,

2697
02:20:31,400 --> 02:20:33,920
Speaker 1: Oh you got all right, I got too right now,

2698
02:20:34,360 --> 02:20:37,480
Speaker 1: you know that's not mentioned. No, no, no, before l

2699
02:20:37,640 --> 02:20:40,840
Speaker 1: I won't put my man Davy d m X oh

2700
02:20:41,080 --> 02:20:45,119
Speaker 1: Dave damn Max so David, So David put me inside

2701
02:20:45,280 --> 02:20:48,120
Speaker 1: the cat to lack the show for Jove Offender never

2702
02:20:48,240 --> 02:20:53,240
Speaker 1: came Davy d Dave, Yeah, Dave coming from arms Crush.

2703
02:20:54,840 --> 02:21:01,240
Speaker 1: Dave called orange Crush. So like my man shot Jean

2704
02:21:01,800 --> 02:21:05,840
Speaker 1: Lord would say that ship salute soldier.

2705
02:21:08,040 --> 02:21:08,360
Speaker 28: The game.

2706
02:21:08,800 --> 02:21:13,320
Speaker 2: That's three. So you're giving dad, of course, Oh my god,

2707
02:21:13,440 --> 02:21:16,560
Speaker 2: that's hollished. I need four New York, four and five.

2708
02:21:16,720 --> 02:21:19,360
Speaker 2: He stay on Super New York. So you want me

2709
02:21:19,440 --> 02:21:24,640
Speaker 2: to spend on it at all time, all the time

2710
02:21:24,720 --> 02:21:26,720
Speaker 2: and include like everybody.

2711
02:21:27,440 --> 02:21:29,480
Speaker 1: Oh no, all right, so then no, I'll definitely put

2712
02:21:29,640 --> 02:21:32,000
Speaker 1: l after that because like all that Houdini stuff and

2713
02:21:32,040 --> 02:21:33,480
Speaker 1: all that ship yeah Larry Smith.

2714
02:21:33,800 --> 02:21:34,000
Speaker 9: Yeah.

2715
02:21:34,200 --> 02:21:36,600
Speaker 1: And then and then it's it's a beautiful thing with

2716
02:21:36,720 --> 02:21:38,520
Speaker 1: this thing because I know a lot of these guys

2717
02:21:38,640 --> 02:21:40,840
Speaker 1: sons now and ship like that, Like I know a

2718
02:21:40,879 --> 02:21:43,080
Speaker 1: lot of their lineage, like you know, like young Prem

2719
02:21:43,120 --> 02:21:46,000
Speaker 1: and ship like yo. It's because Preme Prem actually reached

2720
02:21:46,000 --> 02:21:48,000
Speaker 1: out to me during the MySpace days. I don't know,

2721
02:21:48,080 --> 02:21:50,080
Speaker 1: you know, they had that account up for him and ship,

2722
02:21:50,080 --> 02:21:52,240
Speaker 1: and he was like, yo, man, it's like and I'm like,

2723
02:21:52,360 --> 02:21:54,760
Speaker 1: damn man, I wish this, you know this, not this,

2724
02:21:55,040 --> 02:21:57,800
Speaker 1: this story would have turned out better because every when

2725
02:21:57,840 --> 02:21:59,400
Speaker 1: you look at the ship in the borough and the

2726
02:21:59,480 --> 02:22:03,120
Speaker 1: Q Borough, everybody was flying like you look at you

2727
02:22:03,160 --> 02:22:05,680
Speaker 1: look at this stream, look at all these niggas and

2728
02:22:06,000 --> 02:22:08,039
Speaker 1: just put them in there, like, just remove the beef,

2729
02:22:08,840 --> 02:22:11,280
Speaker 1: remove the fucking beef and just put them niggas in

2730
02:22:11,320 --> 02:22:14,560
Speaker 1: the picture together. And it's a funk all.

2731
02:22:14,560 --> 02:22:20,760
Speaker 2: Fly niggas that's black. Just that's the flyes nigga on earth.

2732
02:22:21,200 --> 02:22:23,000
Speaker 1: Just take the beef out of the ship and just

2733
02:22:23,040 --> 02:22:26,039
Speaker 1: put them niggas together, a bunch of fly niggas from queens.

2734
02:22:27,480 --> 02:22:28,440
Speaker 2: And they always say that.

2735
02:22:28,600 --> 02:22:31,120
Speaker 1: People come to me, they say, yo, they told me,

2736
02:22:31,240 --> 02:22:33,800
Speaker 1: don't fuck with y'all queens niggas because y'all niggas don't

2737
02:22:33,800 --> 02:22:35,400
Speaker 1: even get along with y'allselves.

2738
02:22:35,879 --> 02:22:36,200
Speaker 2: Hate that.

2739
02:22:36,480 --> 02:22:39,120
Speaker 1: And then we manifested that ship through the music, all

2740
02:22:39,240 --> 02:22:43,920
Speaker 1: types of ship. I was like, damn man, now I

2741
02:22:44,000 --> 02:22:47,080
Speaker 1: gotta I gotta really embrace my hallm ship more.

2742
02:22:51,600 --> 02:23:00,320
Speaker 2: Sitting there so BK nigga nigga a hat BK King's man. Nah,

2743
02:23:01,080 --> 02:23:05,000
Speaker 2: that definitely was okay, So that's three. We got three.

2744
02:23:05,120 --> 02:23:07,600
Speaker 2: What's the four or five? All right, four and five.

2745
02:23:08,879 --> 02:23:12,879
Speaker 1: I'm a definitely definitely definitely man because right now, man,

2746
02:23:12,920 --> 02:23:15,280
Speaker 1: they trying to come down on my man. But that's

2747
02:23:15,400 --> 02:23:18,720
Speaker 1: my nigga for life, man, my nigga, Pete Rock word,

2748
02:23:18,840 --> 02:23:19,520
Speaker 1: my nigga peep.

2749
02:23:19,680 --> 02:23:20,760
Speaker 2: Why don't try to come down.

2750
02:23:20,600 --> 02:23:24,920
Speaker 1: On types of Yeah, yeah, you see he said why

2751
02:23:25,000 --> 02:23:26,320
Speaker 1: and then he gave me the reason why.

2752
02:23:29,440 --> 02:23:30,440
Speaker 2: No yeah nah nah.

2753
02:23:30,640 --> 02:23:32,520
Speaker 1: You know Ship get a little kookie at times and

2754
02:23:32,520 --> 02:23:34,800
Speaker 1: Ship Man, but that nigga down that nigga's work man,

2755
02:23:34,840 --> 02:23:35,840
Speaker 1: my brother's work man.

2756
02:23:36,280 --> 02:23:38,760
Speaker 2: Could never go deny man like that brother. Man.

2757
02:23:38,840 --> 02:23:41,959
Speaker 1: He put down super heat for too many people. Man,

2758
02:23:42,120 --> 02:23:44,560
Speaker 1: and Pete Rock is definitely in my list of top

2759
02:23:44,680 --> 02:23:47,320
Speaker 1: dogs on that on the beat, machines and Ship like

2760
02:23:47,440 --> 02:23:48,039
Speaker 1: that word.

2761
02:23:48,720 --> 02:23:51,400
Speaker 2: I want to say something for everything and your vitamins

2762
02:23:51,480 --> 02:23:52,520
Speaker 2: joint I need.

2763
02:23:52,879 --> 02:23:54,560
Speaker 1: I want to do a series and Ship I want

2764
02:23:54,680 --> 02:23:56,760
Speaker 1: Maybe you can help me with this because you got sponsored.

2765
02:23:56,959 --> 02:23:59,480
Speaker 2: I know you got the big dogs out. They need

2766
02:23:59,560 --> 02:24:00,320
Speaker 2: to do some man.

2767
02:24:00,480 --> 02:24:02,120
Speaker 1: Nor Man, I'm gonna put this out to you man,

2768
02:24:02,160 --> 02:24:04,040
Speaker 1: we need to do a joint call her shows where

2769
02:24:04,120 --> 02:24:06,680
Speaker 1: niggas do all they b side all them joints, and

2770
02:24:06,800 --> 02:24:09,480
Speaker 1: we curate the list of the joints they do. So

2771
02:24:09,600 --> 02:24:12,000
Speaker 1: when we do not joint, he gonna do on the rail,

2772
02:24:12,320 --> 02:24:12,840
Speaker 1: he's gonna do.

2773
02:24:13,080 --> 02:24:14,960
Speaker 2: You gonna pick the list for him. We're gonna pick

2774
02:24:15,000 --> 02:24:16,360
Speaker 2: it out. I respect that.

2775
02:24:17,040 --> 02:24:19,800
Speaker 1: And you know, brothers, brothers gonna have to go and recap.

2776
02:24:19,840 --> 02:24:21,600
Speaker 1: They're gonna have to figure their ship back out because

2777
02:24:21,600 --> 02:24:23,120
Speaker 1: they don't know them lyrics again, you know what I mean.

2778
02:24:23,160 --> 02:24:24,800
Speaker 2: And so they gonna take a minute.

2779
02:24:24,879 --> 02:24:27,840
Speaker 1: Yeah, it's a performance, but it's called her show, and

2780
02:24:28,480 --> 02:24:31,520
Speaker 1: it's all the class like you're gonna do vitamins, you're gonna.

2781
02:24:31,280 --> 02:24:35,560
Speaker 2: Do ye like we gotta let me say something. Let

2782
02:24:35,600 --> 02:24:38,040
Speaker 2: me say something because I don't think Pete like.

2783
02:24:42,160 --> 02:24:46,560
Speaker 1: And this list is always this this, This list always varies,

2784
02:24:46,840 --> 02:24:49,920
Speaker 1: This list always varies. But today I will put him

2785
02:24:50,320 --> 02:24:54,400
Speaker 1: there and it always fluctuates, like he may be my

2786
02:24:54,560 --> 02:24:55,960
Speaker 1: number one at times whatever.

2787
02:24:56,400 --> 02:24:59,320
Speaker 2: And actually he had because our birthdays just passed. But

2788
02:24:59,480 --> 02:25:00,400
Speaker 2: DJ here.

2789
02:25:01,760 --> 02:25:04,320
Speaker 1: DJ for he did the beat for Firing Squad, for

2790
02:25:04,480 --> 02:25:10,240
Speaker 1: m O p s in general, he did he did

2791
02:25:10,360 --> 02:25:13,360
Speaker 1: gun slinging like gun slinger ship like nas Is like,

2792
02:25:13,640 --> 02:25:15,520
Speaker 1: you know what song? I love that you did, Nigga,

2793
02:25:15,920 --> 02:25:19,400
Speaker 1: I love my life. I always I hear that ship

2794
02:25:19,440 --> 02:25:20,000
Speaker 1: all the time.

2795
02:25:20,920 --> 02:25:25,280
Speaker 2: I got the he's not gonna take in the crazy.

2796
02:25:25,360 --> 02:25:27,760
Speaker 2: You don't have the niggas to death. Who are the

2797
02:25:27,800 --> 02:25:36,880
Speaker 2: other for? He said, But let me tell you, I

2798
02:25:37,000 --> 02:25:38,840
Speaker 2: see good about I love my life. But I don't

2799
02:25:38,879 --> 02:25:39,680
Speaker 2: know if you know or not.

2800
02:25:40,480 --> 02:25:42,920
Speaker 1: And it was just Alison William's birthday the other day.

2801
02:25:43,879 --> 02:25:48,200
Speaker 1: I love my William's birthday. Just the other day. She

2802
02:25:48,320 --> 02:25:50,640
Speaker 1: was on deaf Jam. You used your death jam record, brother.

2803
02:25:50,520 --> 02:25:55,680
Speaker 2: But Nas is the original. The chorus was nas on.

2804
02:25:55,840 --> 02:26:00,960
Speaker 2: It was nas brodn you you dose his mind? The

2805
02:26:01,040 --> 02:26:09,640
Speaker 2: hook on the hook, the hook I couldn't afford, I mean,

2806
02:26:12,240 --> 02:26:19,320
Speaker 2: and if you look my hair, oh, hold on the story.

2807
02:26:19,840 --> 02:26:22,280
Speaker 3: If you look at listen to the story very close.

2808
02:26:22,680 --> 02:26:24,840
Speaker 3: Nas is also in the studio. He's the he's the

2809
02:26:25,000 --> 02:26:29,000
Speaker 3: guy in the background. But niggas like that's him in

2810
02:26:29,080 --> 02:26:33,080
Speaker 3: the background because Nas was just around me and I

2811
02:26:33,280 --> 02:26:35,640
Speaker 3: picked body in the trunk over I love my life.

2812
02:26:35,840 --> 02:26:38,120
Speaker 3: But then I switched I love my life and I

2813
02:26:38,240 --> 02:26:41,480
Speaker 3: put Carl Thomas on there so so yeah.

2814
02:26:41,680 --> 02:26:51,000
Speaker 2: So that hook was wrote by not let me tell

2815
02:26:51,000 --> 02:26:53,880
Speaker 2: you exactly shut off Carl Thomas to he killed that

2816
02:26:54,200 --> 02:27:00,280
Speaker 2: like to Sleep. I want to say I was a

2817
02:27:00,360 --> 02:27:02,400
Speaker 2: heismapper in the world at the time. I want to

2818
02:27:02,400 --> 02:27:05,560
Speaker 2: say that, But no, I was just big brother. He

2819
02:27:05,720 --> 02:27:07,200
Speaker 2: was just my big brother, and he and he and

2820
02:27:08,240 --> 02:27:12,280
Speaker 2: rocked the bol Jackson's the Origin Blue Sons in the Snow.

2821
02:27:12,440 --> 02:27:14,400
Speaker 2: But you know what you did right there. Let me

2822
02:27:14,480 --> 02:27:16,880
Speaker 2: let me let me cut your ways for a second. Yo, Yo,

2823
02:27:17,040 --> 02:27:19,360
Speaker 2: Let's pray some creed, you know what. Let's pray that

2824
02:27:19,440 --> 02:27:30,400
Speaker 2: ship is great, real yo. You know what you did.

2825
02:27:32,000 --> 02:27:34,120
Speaker 1: There was a power move when I heard it. I

2826
02:27:34,200 --> 02:27:37,080
Speaker 1: don't know if Trash suggested it, I don't know what.

2827
02:27:37,560 --> 02:27:41,400
Speaker 1: But you it was like you connected like because left

2828
02:27:41,520 --> 02:27:44,840
Speaker 1: Rack didn't have any musical identity at the time.

2829
02:27:45,000 --> 02:27:50,640
Speaker 2: Ali Soul Sisters. Should I have doubles of theirs?

2830
02:27:50,680 --> 02:27:53,520
Speaker 1: Also, I'm talking like dove Burns, right, big God Burns.

2831
02:27:53,560 --> 02:27:57,520
Speaker 2: I have doubles of theirs also? All right? So yo,

2832
02:27:57,720 --> 02:27:59,720
Speaker 2: bro man, that ship is crazy. Man.

2833
02:27:59,840 --> 02:28:03,280
Speaker 1: You connected with your make up with that song. That

2834
02:28:03,480 --> 02:28:06,199
Speaker 1: was like Grand Master vic Blind type ship.

2835
02:28:06,879 --> 02:28:12,880
Speaker 2: It was like it was like, oh the Sneaker, what

2836
02:28:12,920 --> 02:28:13,800
Speaker 2: do you know about your.

2837
02:28:16,640 --> 02:28:19,080
Speaker 1: From Frods, from my.

2838
02:28:19,240 --> 02:28:25,800
Speaker 2: Fro The way that happened, right, he just creative. Let

2839
02:28:25,879 --> 02:28:27,160
Speaker 2: me tell you how it happened. Let me say, I'm

2840
02:28:27,160 --> 02:28:27,760
Speaker 2: gonna be honest with.

2841
02:28:27,800 --> 02:28:31,160
Speaker 22: You because he tag me to me, I thought involved

2842
02:28:31,200 --> 02:28:32,400
Speaker 22: in that has nothing to do with you know, he

2843
02:28:32,520 --> 02:28:33,360
Speaker 22: wasn't at all.

2844
02:28:33,680 --> 02:28:36,120
Speaker 2: Me and him fell out. He made this record. I

2845
02:28:36,200 --> 02:28:37,480
Speaker 2: made a dis record, So he has nothing to do

2846
02:28:37,560 --> 02:28:39,360
Speaker 2: with the n R album. What it was was me

2847
02:28:39,480 --> 02:28:41,600
Speaker 2: and he was hanging in Jamaica though you was in

2848
02:28:41,800 --> 02:28:44,680
Speaker 2: Jamaica off one of seven the got BREWP. I crack

2849
02:28:46,520 --> 02:28:47,360
Speaker 2: God damn A look at that.

2850
02:28:50,040 --> 02:28:50,400
Speaker 5: You know what.

2851
02:28:54,280 --> 02:28:59,080
Speaker 2: Bay centered? Now you feel me? What has A sent

2852
02:28:59,200 --> 02:29:01,800
Speaker 2: to it? And bring you back? But he described you

2853
02:29:01,959 --> 02:29:06,240
Speaker 2: This record was amazing. I walked in easy LP. Was

2854
02:29:06,280 --> 02:29:12,400
Speaker 2: there shut out easy LP in a long time. I

2855
02:29:12,440 --> 02:29:15,560
Speaker 2: want you to know the love is still money, power respect.

2856
02:29:16,040 --> 02:29:17,800
Speaker 2: He did that as well, I believe, but let me

2857
02:29:17,840 --> 02:29:22,240
Speaker 2: he did sometimes bloody money, sometimes fucking amazing. So so

2858
02:29:22,400 --> 02:29:22,640
Speaker 2: check it.

2859
02:29:22,760 --> 02:29:26,120
Speaker 3: So I'm just in the studio, yes, and I fully

2860
02:29:26,200 --> 02:29:28,200
Speaker 3: write the whole ship. As soon as I hit a

2861
02:29:28,240 --> 02:29:33,160
Speaker 3: beat and na I was walking. He literally says five

2862
02:29:33,680 --> 02:29:35,760
Speaker 3: and walked straight to the to the to the booth

2863
02:29:36,040 --> 02:29:40,480
Speaker 3: because because remember he had he had he had a

2864
02:29:40,720 --> 02:29:43,640
Speaker 3: enjoy where he was singing on A Z's joint and

2865
02:29:43,760 --> 02:29:45,599
Speaker 3: I was like, Yo, I want you singing.

2866
02:29:46,959 --> 02:29:51,000
Speaker 2: Give me what you can. Yeah. So I was like, Yo,

2867
02:29:51,480 --> 02:29:54,000
Speaker 2: can I get n I singing on one of my joints.

2868
02:29:54,720 --> 02:29:58,440
Speaker 1: We're talking heavy queens right now, We're talking heavy queens.

2869
02:29:58,480 --> 02:29:59,920
Speaker 2: Bro, this is weird.

2870
02:30:00,080 --> 02:30:02,600
Speaker 1: I'm saying, we need to bring this ship back and

2871
02:30:03,080 --> 02:30:07,520
Speaker 1: just highlight some of those I'm going we got super heat.

2872
02:30:08,040 --> 02:30:09,720
Speaker 2: You know how much heat we got.

2873
02:30:09,959 --> 02:30:14,000
Speaker 1: Like I'm in there examining now, like all right, hold up, yo,

2874
02:30:14,160 --> 02:30:16,520
Speaker 1: that ship we just mentioned that easy and I.

2875
02:30:18,560 --> 02:30:21,400
Speaker 3: Keep going, but I'm finished. I'm gonna give it right

2876
02:30:21,400 --> 02:30:25,200
Speaker 3: back to you. So it was literally I was walked

2877
02:30:25,240 --> 02:30:27,880
Speaker 3: in the studio and gave me a five and then

2878
02:30:28,000 --> 02:30:29,279
Speaker 3: dis interested, and then.

2879
02:30:30,640 --> 02:30:32,840
Speaker 2: He gave me a five, and then he literally didn't

2880
02:30:32,840 --> 02:30:34,800
Speaker 2: say nothing to me until he finished the hook. He

2881
02:30:34,879 --> 02:30:37,200
Speaker 2: just went straight in the studio. That's like, that's that's

2882
02:30:37,879 --> 02:30:43,840
Speaker 2: my sleep, locked in the sleep, Rember. Did you leave

2883
02:30:43,920 --> 02:30:45,320
Speaker 2: some of his vocals in the background or.

2884
02:30:45,280 --> 02:30:50,920
Speaker 3: No, I couldn't. I couldn't afford it, because that was clear.

2885
02:30:51,680 --> 02:30:56,240
Speaker 3: But Sony you was on Sony at that time. Sony

2886
02:30:56,400 --> 02:30:59,200
Speaker 3: literally listened to it and was like, because we did,

2887
02:30:59,280 --> 02:31:00,199
Speaker 3: because I'm seeing.

2888
02:31:00,040 --> 02:31:02,600
Speaker 2: Then you guys you got you heard, Yeah, I did hear.

2889
02:31:02,720 --> 02:31:05,040
Speaker 2: Hear you heard the version with no still yeah, but

2890
02:31:06,000 --> 02:31:09,280
Speaker 2: we never used that call is fining killed it? And

2891
02:31:09,560 --> 02:31:12,920
Speaker 2: you know what I always love. I love We're shot en.

2892
02:31:14,280 --> 02:31:17,360
Speaker 2: We're shot at the end, at the end of that ship.

2893
02:31:17,640 --> 02:31:19,920
Speaker 1: You always love catching that ship where you just keep

2894
02:31:19,959 --> 02:31:22,960
Speaker 1: saying we're never that it is crazy.

2895
02:31:27,959 --> 02:31:32,360
Speaker 2: Yeahs just to come to my weed sessions. But he

2896
02:31:32,400 --> 02:31:37,360
Speaker 2: should sell us. We really Yeah, he used to live.

2897
02:31:37,440 --> 02:31:39,320
Speaker 2: He used to live with Benny Boom and go where

2898
02:31:39,360 --> 02:31:50,039
Speaker 2: you were and I keep green Hockey was when they

2899
02:31:50,120 --> 02:31:54,720
Speaker 2: was in Washington. That's right. He was the first way

2900
02:31:54,760 --> 02:31:57,840
Speaker 2: he selling and selling us that grat he was. He

2901
02:31:57,920 --> 02:32:00,360
Speaker 2: used to come through with it and he didn't know.

2902
02:32:00,400 --> 02:32:04,920
Speaker 21: He was around the world out and I was like

2903
02:32:05,000 --> 02:32:06,400
Speaker 21: I was smoking with him. He was like, I was,

2904
02:32:06,440 --> 02:32:10,760
Speaker 21: He's a giant in the world with lol. Carl Thomas Luke, Yeah,

2905
02:32:11,200 --> 02:32:15,120
Speaker 21: he was been around the world, not that one, but

2906
02:32:15,200 --> 02:32:18,480
Speaker 21: with with with loans called he was doing Daddy.

2907
02:32:18,560 --> 02:32:20,480
Speaker 2: He did the Man and Run in the world ship

2908
02:32:21,320 --> 02:32:23,320
Speaker 2: and we didn't I didn't even know that that was

2909
02:32:25,080 --> 02:32:29,640
Speaker 2: you know that he was, Yeah, and I was, he said,

2910
02:32:29,680 --> 02:32:31,200
Speaker 2: he said, I'm tired. I said, what You're tired from me?

2911
02:32:31,360 --> 02:32:32,720
Speaker 2: I was in the studio. I said, you in the studio.

2912
02:32:33,360 --> 02:32:36,400
Speaker 2: He said, yeah, I'm a bad boy serving you. It's

2913
02:32:36,480 --> 02:32:37,119
Speaker 2: so crazy.

2914
02:32:37,560 --> 02:32:40,880
Speaker 12: We're finding this out at the same time some time

2915
02:32:41,120 --> 02:32:44,119
Speaker 12: really hearing that, you know, this time.

2916
02:32:44,480 --> 02:32:46,400
Speaker 2: It happened to me because she was in the swim suit.

2917
02:32:46,600 --> 02:32:47,320
Speaker 2: He was at Rootlan.

2918
02:32:50,120 --> 02:32:54,160
Speaker 19: He's serving, he's serving botha and we don't even know.

2919
02:32:54,280 --> 02:32:57,160
Speaker 19: Carl thom is singing. That's crazy. But this is Brooklyn

2920
02:32:57,760 --> 02:32:59,840
Speaker 19: because you guys, I know you guys are to Brooklyn

2921
02:33:01,280 --> 02:33:03,760
Speaker 19: in Manhattan. We was calling to he was living in

2922
02:33:03,800 --> 02:33:05,560
Speaker 19: Brooklyn at that time. I was living in Brooklyn. Yeah,

2923
02:33:05,600 --> 02:33:08,720
Speaker 19: I mean about room. He used to coaching, cutting room

2924
02:33:08,800 --> 02:33:12,160
Speaker 19: and justlad. We used to Carl Thomas at cutting rooms,

2925
02:33:12,520 --> 02:33:15,240
Speaker 19: selling me weed from Carl Thomas man.

2926
02:33:15,320 --> 02:33:24,920
Speaker 2: Yeah, drug dealer, whole yeah, yeah, record we call you

2927
02:33:25,040 --> 02:33:27,440
Speaker 2: called it's an amazing artist.

2928
02:33:27,600 --> 02:33:29,880
Speaker 19: It turned out to be like something that I never like,

2929
02:33:30,000 --> 02:33:33,040
Speaker 19: you said, like, I never knew that he would, you know.

2930
02:33:33,160 --> 02:33:35,360
Speaker 19: And we ended up living in Houston, and he lived

2931
02:33:35,400 --> 02:33:37,480
Speaker 19: in Houston. I don't know where Carl Thomas is right now,

2932
02:33:37,520 --> 02:33:47,199
Speaker 19: but we became close around Yeah, you know what I mean, legends,

2933
02:33:47,240 --> 02:33:50,000
Speaker 19: I love, I love not yet over no I love.

2934
02:33:50,680 --> 02:33:52,520
Speaker 19: I've been saying that a lot lately. I've been saying

2935
02:33:52,600 --> 02:33:53,520
Speaker 19: more not yet than you.

2936
02:33:55,440 --> 02:33:58,720
Speaker 3: Yeah, because you know why large you know, I want

2937
02:33:58,760 --> 02:34:02,000
Speaker 3: you to know. Like I know, at times he was

2938
02:34:02,080 --> 02:34:04,879
Speaker 3: talking and he was thinking, like the industry probably blocked

2939
02:34:04,959 --> 02:34:07,240
Speaker 3: us from connecting. But I just wanted to tell you,

2940
02:34:07,360 --> 02:34:09,520
Speaker 3: like face to face man, the man, that's not true

2941
02:34:09,600 --> 02:34:12,040
Speaker 3: at all, Like you know, maybe maybe it's just the

2942
02:34:12,160 --> 02:34:14,920
Speaker 3: times just wasn't right. But I don't want to ever

2943
02:34:15,040 --> 02:34:18,920
Speaker 3: have like a Illuminati room or like or or because

2944
02:34:19,520 --> 02:34:21,879
Speaker 3: you know, you know, sometimes people think that. Sometimes people

2945
02:34:21,920 --> 02:34:24,600
Speaker 3: think that you the conspiracy is the conspiracy. I think

2946
02:34:24,640 --> 02:34:25,880
Speaker 3: you kind of said that. I think you kind of

2947
02:34:26,040 --> 02:34:28,880
Speaker 3: saying trash is keeping me away from you. And I

2948
02:34:28,959 --> 02:34:32,280
Speaker 3: gotta tell you that's not that's that's false. I gotta

2949
02:34:32,320 --> 02:34:34,000
Speaker 3: tell you I've been wanting to connect with you. I

2950
02:34:34,120 --> 02:34:37,360
Speaker 3: just didn't know how to do it. Sometimes finished sometimes

2951
02:34:38,080 --> 02:34:40,119
Speaker 3: ain't that great. Sometimes you don't know how to connect

2952
02:34:40,160 --> 02:34:43,240
Speaker 3: with your OG's like and I always edit this every

2953
02:34:43,280 --> 02:34:45,320
Speaker 3: time I say this man's name, but this time I'm

2954
02:34:45,360 --> 02:34:49,560
Speaker 3: not going to edit it. Mellie Mel was probably the

2955
02:34:49,680 --> 02:34:51,879
Speaker 3: toughest person to me I've ever met in hip hop

2956
02:34:52,160 --> 02:34:57,360
Speaker 3: r and warranted so right later on after I became

2957
02:34:57,440 --> 02:35:00,000
Speaker 3: forty years old, I was like, I get it because

2958
02:35:00,240 --> 02:35:02,680
Speaker 3: now when I look at these dudes that come up

2959
02:35:02,720 --> 02:35:05,840
Speaker 3: to me and say, yo, Lori you know or whatever, whatever,

2960
02:35:06,000 --> 02:35:07,920
Speaker 3: and then they here for six months and they leave

2961
02:35:08,879 --> 02:35:11,520
Speaker 3: that five that I gave you, wasn't I wanted to

2962
02:35:11,560 --> 02:35:12,160
Speaker 3: take my five.

2963
02:35:14,080 --> 02:35:16,800
Speaker 2: I want to take my five back. So when Melle

2964
02:35:16,840 --> 02:35:19,640
Speaker 2: Mel was so strong and so hard on me, I

2965
02:35:19,720 --> 02:35:21,480
Speaker 2: wanted you to make your dude. Melly Mal used to

2966
02:35:21,560 --> 02:35:22,959
Speaker 2: be like this. When I used to see Melly Mill,

2967
02:35:23,040 --> 02:35:26,000
Speaker 2: he used to be like and he was one of

2968
02:35:26,040 --> 02:35:27,360
Speaker 2: the illness. He was the illness.

2969
02:35:27,400 --> 02:35:30,160
Speaker 3: I had to extensively like, move my five out and

2970
02:35:30,240 --> 02:35:32,600
Speaker 3: then he'll be like And then.

2971
02:35:32,520 --> 02:35:38,120
Speaker 2: It wasn't until I started drink Champs, And it wasn't

2972
02:35:38,200 --> 02:35:39,279
Speaker 2: until I started drink.

2973
02:35:39,200 --> 02:35:42,640
Speaker 3: Champs until I had Melly Mail had a show at

2974
02:35:42,879 --> 02:35:45,680
Speaker 3: Mass Appeal with nine. It was the first time he

2975
02:35:45,760 --> 02:35:49,200
Speaker 3: gave me a real five that I respected. Melly Mall

2976
02:35:49,280 --> 02:35:51,240
Speaker 3: came up to me and was like, I love the show.

2977
02:35:52,920 --> 02:35:56,280
Speaker 2: You know strong, we need Melli Mellon drink chances was

2978
02:35:56,320 --> 02:36:04,560
Speaker 2: a motherfucker. So you had on your mother. But I'm

2979
02:36:04,600 --> 02:36:08,880
Speaker 2: gonna tell you something, Smack, I'm gonna tell you something.

2980
02:36:09,000 --> 02:36:12,320
Speaker 2: I respected that she goes the best.

2981
02:36:12,760 --> 02:36:15,560
Speaker 3: That was probably the best fib I ever received in

2982
02:36:15,640 --> 02:36:19,760
Speaker 3: my life. And it was worth me because he had

2983
02:36:19,800 --> 02:36:21,440
Speaker 3: to look at me, He had to look in my

2984
02:36:21,640 --> 02:36:24,119
Speaker 3: soul and to say, are you worth hip.

2985
02:36:23,959 --> 02:36:29,720
Speaker 2: Hop and gain you? Are you evalidated that hold comes

2986
02:36:29,760 --> 02:36:30,080
Speaker 2: to time?

2987
02:36:30,320 --> 02:36:33,360
Speaker 3: Hold, let me finish, finish, because it was at that

2988
02:36:33,600 --> 02:36:36,360
Speaker 3: very moment that I was like, you know what I gained.

2989
02:36:36,520 --> 02:36:40,120
Speaker 3: I finally gave the respect of a pioneer. Indeed, like

2990
02:36:40,640 --> 02:36:42,640
Speaker 3: I didn't know cool her. Yes, of course I do

2991
02:36:42,800 --> 02:36:46,440
Speaker 3: know Grandma flash and.

2992
02:36:48,200 --> 02:36:52,800
Speaker 2: Order them. But it was Melie Mail who was was

2993
02:36:52,920 --> 02:36:56,280
Speaker 2: who was hard on me. He was Mail when Mellie

2994
02:36:56,320 --> 02:36:59,160
Speaker 2: mel finally accepted me. And by the way he might say, Nigga,

2995
02:36:59,200 --> 02:37:01,560
Speaker 2: I look, you might say that right now, I'm not,

2996
02:37:03,080 --> 02:37:06,200
Speaker 2: But that's the moment, is what the masket appeal was.

2997
02:37:06,520 --> 02:37:10,039
Speaker 3: He that team gave me that five that I wanted.

2998
02:37:10,400 --> 02:37:14,760
Speaker 3: And it's crazy because because I recently.

2999
02:37:14,440 --> 02:37:20,080
Speaker 2: Gave Soldier Boy that five, and you were like, at

3000
02:37:20,120 --> 02:37:23,520
Speaker 2: one point, yes, at one point, at one point yes,

3001
02:37:24,040 --> 02:37:26,439
Speaker 2: But recently I gave soldier.

3002
02:37:27,800 --> 02:37:29,879
Speaker 1: Right, and I was like a lot of good work, right,

3003
02:37:29,920 --> 02:37:30,800
Speaker 1: a lot of good work.

3004
02:37:31,000 --> 02:37:36,720
Speaker 2: Soldier boy. He deserves what his lane is, he deserves.

3005
02:37:37,200 --> 02:37:40,280
Speaker 3: Yeah, yeah, yeah, you did want to give Soldier boy

3006
02:37:40,320 --> 02:37:43,760
Speaker 3: that five. But I didn't have a so I didn't

3007
02:37:43,760 --> 02:37:45,000
Speaker 3: realize how I became.

3008
02:37:45,040 --> 02:37:46,640
Speaker 2: We don't have to That's the thing. We don't have

3009
02:37:46,720 --> 02:37:49,440
Speaker 2: to respect him. I do you feel like you have

3010
02:37:49,560 --> 02:37:55,800
Speaker 2: to have big love the other one, the other one. Uh,

3011
02:37:56,120 --> 02:37:58,400
Speaker 2: you gotta dunk, you gotta dunk, you gotta dunk, you

3012
02:37:58,440 --> 02:38:02,920
Speaker 2: gotta dunk, dune for soldiers, you know. But all that

3013
02:38:04,080 --> 02:38:12,400
Speaker 2: is just saying respect. You don't have to respect someone's work.

3014
02:38:12,720 --> 02:38:14,600
Speaker 1: That's what I want to do as a large professor

3015
02:38:14,600 --> 02:38:17,280
Speaker 1: of hip hop. Like I may even caught some lag,

3016
02:38:17,400 --> 02:38:18,600
Speaker 1: you know what I mean, or some ship you know

3017
02:38:18,640 --> 02:38:20,560
Speaker 1: what I mean? Where it's like I like, I like

3018
02:38:20,680 --> 02:38:23,400
Speaker 1: the other Dan and ship, Like I always loved my

3019
02:38:23,520 --> 02:38:25,680
Speaker 1: bro And I was just hanging with him down there

3020
02:38:25,800 --> 02:38:32,600
Speaker 1: in Texas with term and know what I'm saying, Dope,

3021
02:38:32,680 --> 02:38:33,720
Speaker 1: I'm in the shop and ship.

3022
02:38:33,800 --> 02:38:37,640
Speaker 2: You know, I navigate a love you don't like I

3023
02:38:37,800 --> 02:38:41,080
Speaker 2: never gave him listen that love right now, but.

3024
02:38:43,200 --> 02:38:48,040
Speaker 1: Because you're gonna do something exactly because I'm you know,

3025
02:38:48,160 --> 02:38:49,280
Speaker 1: that's my bro right there.

3026
02:38:50,000 --> 02:38:50,760
Speaker 2: Okay, you know what I mean.

3027
02:38:50,879 --> 02:38:53,240
Speaker 1: So Paul Wall when I met him and ship, you

3028
02:38:53,240 --> 02:38:55,080
Speaker 1: know what I mean, Like, and that's why another brother.

3029
02:38:55,240 --> 02:38:56,760
Speaker 1: I was like, yo, you know world flush you know

3030
02:38:56,879 --> 02:38:58,400
Speaker 1: these ones, and he was telling me whether or not

3031
02:38:58,520 --> 02:39:00,560
Speaker 1: he knew him and things like that. Show Like I

3032
02:39:00,680 --> 02:39:02,800
Speaker 1: was in the shop and I'm like, yo, I see

3033
02:39:02,879 --> 02:39:06,920
Speaker 1: sitting sideways and Ship. I'm like hell yeah, hell yeah,

3034
02:39:06,959 --> 02:39:09,920
Speaker 1: I gotta grab that and ship, you know me? So yeah,

3035
02:39:10,680 --> 02:39:12,360
Speaker 1: I was like, yeah, I gotta cop that ship, you

3036
02:39:12,400 --> 02:39:14,280
Speaker 1: know what I mean? Like so and that, and that's

3037
02:39:14,320 --> 02:39:16,840
Speaker 1: the thing. I want to do that for even them generations,

3038
02:39:16,959 --> 02:39:19,400
Speaker 1: Like but just throw that ship, Like why Poppy ain't

3039
02:39:19,480 --> 02:39:20,000
Speaker 1: on vinyl?

3040
02:39:20,120 --> 02:39:22,520
Speaker 2: Bro, that Poppy album needs to be on vinyl. It's

3041
02:39:22,520 --> 02:39:24,840
Speaker 2: not on vinyl. I'm about to buy that ship exactly.

3042
02:39:25,040 --> 02:39:30,920
Speaker 2: Get that vinyl money, you know, money, money, tell me, Yeah,

3043
02:39:30,920 --> 02:39:35,840
Speaker 2: I want to hear. Let me ask this question if

3044
02:39:35,840 --> 02:39:39,200
Speaker 2: you want to. Yeah, I want to hear because let me.

3045
02:39:43,640 --> 02:39:43,680
Speaker 5: Go.

3046
02:39:45,160 --> 02:39:46,920
Speaker 2: Let me ask you because it ain't nothing, no, no, no,

3047
02:39:47,240 --> 02:39:48,560
Speaker 2: I gotta ask you because.

3048
02:39:48,640 --> 02:39:53,120
Speaker 3: You are like, you know, every every Memorial Day, what

3049
02:39:53,280 --> 02:39:55,440
Speaker 3: is it ross that we bring up the black Marcus

3050
02:39:55,560 --> 02:39:56,520
Speaker 3: Garvey flag out.

3051
02:39:57,040 --> 02:40:01,240
Speaker 2: June every June team coming, we win a yeah, and

3052
02:40:01,400 --> 02:40:04,400
Speaker 2: we put the Marcus Garby with the Africa flaner and

3053
02:40:04,520 --> 02:40:07,000
Speaker 2: we go white next to the whitest white people. We love,

3054
02:40:07,280 --> 02:40:07,720
Speaker 2: we love it.

3055
02:40:08,640 --> 02:40:09,080
Speaker 1: We love it.

3056
02:40:09,440 --> 02:40:14,360
Speaker 2: And by the way, we like President love it. They

3057
02:40:14,440 --> 02:40:16,360
Speaker 2: love it too, do they do they party with you?

3058
02:40:16,760 --> 02:40:20,400
Speaker 2: They'll be like, where's my white friends on me? From

3059
02:40:20,480 --> 02:40:30,440
Speaker 2: that boat? Honestly they should be showing team we take,

3060
02:40:31,000 --> 02:40:34,240
Speaker 2: we take, we built. Come on, bro, the Marcus gary

3061
02:40:34,600 --> 02:40:42,840
Speaker 2: the very black and green flag shopping white people. I

3062
02:40:42,959 --> 02:40:45,039
Speaker 2: love that. And if we put the flag right there and.

3063
02:40:45,280 --> 02:40:48,600
Speaker 3: This just float and then all the white people always says,

3064
02:40:49,400 --> 02:40:51,680
Speaker 3: they say, who are flag? And then my friend Diego,

3065
02:40:51,800 --> 02:40:53,320
Speaker 3: he's always on the boat with us, and he says,

3066
02:40:53,400 --> 02:40:54,280
Speaker 3: he's a flag pitch.

3067
02:40:55,800 --> 02:41:01,920
Speaker 2: And that's why the white allies want to do. They

3068
02:41:02,200 --> 02:41:05,879
Speaker 2: put their body life. So what I'm trying to say

3069
02:41:06,000 --> 02:41:10,200
Speaker 2: is you don't know this, but I think of you

3070
02:41:10,800 --> 02:41:13,080
Speaker 2: and your brother dad President. I think stay tell me

3071
02:41:13,160 --> 02:41:14,400
Speaker 2: that one every time.

3072
02:41:15,920 --> 02:41:20,160
Speaker 3: So you are known as an afrocentric pro black group.

3073
02:41:20,600 --> 02:41:22,520
Speaker 2: So when you say you don't you never gave poor

3074
02:41:22,640 --> 02:41:25,920
Speaker 2: Wall love? Is that because of his skin color? And again,

3075
02:41:26,080 --> 02:41:28,680
Speaker 2: I want to go here, right here. I don't want

3076
02:41:28,680 --> 02:41:29,680
Speaker 2: to give him a flu He's not.

3077
02:41:30,000 --> 02:41:33,040
Speaker 19: That's where he was going because, for real, part of

3078
02:41:33,160 --> 02:41:36,480
Speaker 19: my building makeup as I was becoming.

3079
02:41:38,080 --> 02:41:40,360
Speaker 2: Aware of what life is.

3080
02:41:41,520 --> 02:41:46,560
Speaker 19: Main Source dropped their album which made which was part

3081
02:41:46,600 --> 02:41:49,560
Speaker 19: of my makeup as a fifteen year old, sixteen year

3082
02:41:49,560 --> 02:41:52,000
Speaker 19: old hip hop nigga seventeen eighteen.

3083
02:41:53,400 --> 02:41:59,480
Speaker 2: Still, I want to say, what year was it? I

3084
02:41:59,640 --> 02:42:03,880
Speaker 2: was knowledge, I was in Tallahassee. Okay, okay, I was

3085
02:42:04,080 --> 02:42:04,760
Speaker 2: I have gone.

3086
02:42:05,000 --> 02:42:07,960
Speaker 19: I was at Florida A and M University to show

3087
02:42:07,959 --> 02:42:11,959
Speaker 19: over there in Tallahassee. So you dropping, and I'm loving.

3088
02:42:12,440 --> 02:42:15,080
Speaker 2: We's a Tempa Bay two. We all like, oh god,

3089
02:42:15,560 --> 02:42:19,240
Speaker 2: so we's out here, so boom. I just got to

3090
02:42:19,280 --> 02:42:19,879
Speaker 2: say to this.

3091
02:42:22,280 --> 02:42:25,200
Speaker 19: What I gained and developed from hip hop at that

3092
02:42:25,320 --> 02:42:28,840
Speaker 19: point made me so aware of my surroundings and who

3093
02:42:28,879 --> 02:42:33,320
Speaker 19: we are that that that made me have a voice.

3094
02:42:34,600 --> 02:42:37,880
Speaker 19: Did you thank you made me have a voice? I'm

3095
02:42:37,920 --> 02:42:41,480
Speaker 19: telling you, friendly game of baseball hit me so hell

3096
02:42:44,080 --> 02:42:49,280
Speaker 19: its crooked. The whole system is crooked based on our analysis.

3097
02:42:49,360 --> 02:42:50,640
Speaker 19: I'm saying, how I how.

3098
02:42:50,640 --> 02:42:54,240
Speaker 1: We've seen We've seen it exactly, and my man came

3099
02:42:54,320 --> 02:42:55,240
Speaker 1: throing some poetics.

3100
02:42:57,080 --> 02:42:57,680
Speaker 2: No way to do it.

3101
02:42:58,600 --> 02:43:03,680
Speaker 19: So we in here and I'm here fucking with us

3102
02:43:03,760 --> 02:43:07,560
Speaker 19: in hip hop and I can't lie. And not only that,

3103
02:43:08,400 --> 02:43:10,600
Speaker 19: we moved from Tallahassee to New York.

3104
02:43:10,959 --> 02:43:11,480
Speaker 2: We are dead.

3105
02:43:11,520 --> 02:43:16,320
Speaker 19: President met Steve with Brooklyn, Lord Jamar, all of you

3106
02:43:16,520 --> 02:43:21,040
Speaker 19: was right by Spotney, right, that's that's later. Earlier we

3107
02:43:21,120 --> 02:43:25,520
Speaker 19: were downside five five sixty State Streets days. I'm talking

3108
02:43:25,560 --> 02:43:30,440
Speaker 19: about five sixty State Street, Lord Jamar, downtown. This is

3109
02:43:30,680 --> 02:43:34,080
Speaker 19: iced to see j going in the Vila, same building

3110
02:43:34,120 --> 02:43:34,480
Speaker 19: as Jay.

3111
02:43:34,720 --> 02:43:36,800
Speaker 2: The fuck is? Where the fuck did I the same building?

3112
02:43:37,280 --> 02:43:38,280
Speaker 2: You didn't grow up in that building?

3113
02:43:40,400 --> 02:43:41,920
Speaker 1: No, No, we was.

3114
02:43:43,520 --> 02:43:47,160
Speaker 19: We was was couch surfing on Lord Jamar's couch wow

3115
02:43:47,800 --> 02:43:50,560
Speaker 19: at five sixty State Street, and and the rock was

3116
02:43:50,640 --> 02:43:53,360
Speaker 19: being built in that building nicely saw some money in them.

3117
02:43:53,760 --> 02:43:56,000
Speaker 19: Everybody was coming through and all of them was in

3118
02:43:56,120 --> 02:43:56,680
Speaker 19: that building.

3119
02:43:57,360 --> 02:43:58,560
Speaker 1: And we had.

3120
02:43:58,480 --> 02:44:02,039
Speaker 19: Developed what we were gonna talk about and be about.

3121
02:44:02,200 --> 02:44:04,840
Speaker 19: So we were gonna protect all the ship that you

3122
02:44:05,080 --> 02:44:09,000
Speaker 19: gave us. We that's what we were doing. Were like

3123
02:44:09,120 --> 02:44:13,400
Speaker 19: let's make an album that definitely says, let's define where

3124
02:44:13,440 --> 02:44:15,960
Speaker 19: our brother said this, and we want to party in

3125
02:44:16,040 --> 02:44:20,560
Speaker 19: bullshit too, but but we're gonna keep it here stand,

3126
02:44:24,320 --> 02:44:25,720
Speaker 19: So let me fast forward.

3127
02:44:26,080 --> 02:44:26,600
Speaker 2: Yeah, because you.

3128
02:44:28,200 --> 02:44:30,600
Speaker 19: Just want to get fast forward because I didn't lose sight,

3129
02:44:31,840 --> 02:44:34,120
Speaker 19: because that's who I am. For those and so and

3130
02:44:34,280 --> 02:44:37,240
Speaker 19: to give him his flowers in this moment, absolutely well,

3131
02:44:37,720 --> 02:44:38,720
Speaker 19: yes I need one of those.

3132
02:44:38,720 --> 02:44:40,400
Speaker 2: I don't know what he's asked for you or for me.

3133
02:44:43,040 --> 02:44:43,320
Speaker 1: Thank you.

3134
02:44:43,400 --> 02:44:48,120
Speaker 2: You know that's the smoke, and that boy smokes, he smokes.

3135
02:44:48,800 --> 02:44:51,360
Speaker 2: I just got to say that. I got to say I.

3136
02:44:52,959 --> 02:44:57,400
Speaker 19: Met I met b On, I met be On, Lord

3137
02:44:57,480 --> 02:45:01,520
Speaker 19: Jamar Scouts in Brooklyn in that same five sixty State street.

3138
02:45:01,560 --> 02:45:04,760
Speaker 2: I bet bun Bee. He took me to meet Pempcy.

3139
02:45:05,640 --> 02:45:09,360
Speaker 19: We met Pempcy here actually in Miami, Lord Jamal bun

3140
02:45:09,440 --> 02:45:11,600
Speaker 19: b Pempcy that press.

3141
02:45:13,240 --> 02:45:16,760
Speaker 2: I love Houston, Texas. I love what Houston represents to.

3142
02:45:16,800 --> 02:45:20,879
Speaker 19: The world because based off of them country ass niggas

3143
02:45:21,560 --> 02:45:24,040
Speaker 19: who said what they said and they ain't fucking around

3144
02:45:24,120 --> 02:45:24,280
Speaker 19: with it.

3145
02:45:24,400 --> 02:45:27,960
Speaker 2: They was there. They were clear about what it was. Boy,

3146
02:45:28,120 --> 02:45:31,360
Speaker 2: So I can't lie. So let me fast forward. So

3147
02:45:31,480 --> 02:45:37,000
Speaker 2: when I see Paul Wall. I'm very uh yeah, torn

3148
02:45:37,160 --> 02:45:37,280
Speaker 2: is it?

3149
02:45:38,680 --> 02:45:42,280
Speaker 19: Look you gotta show me, You gotta show me, always

3150
02:45:42,400 --> 02:45:44,320
Speaker 19: been to show me, and we I've been around. Did

3151
02:45:44,400 --> 02:45:46,920
Speaker 19: show you white boys, and he did show you black

3152
02:45:47,000 --> 02:45:47,760
Speaker 19: people's music.

3153
02:45:48,360 --> 02:45:50,080
Speaker 2: He did show you. But I did not know that

3154
02:45:50,240 --> 02:45:52,760
Speaker 2: he knew this world. Man, I did not know that

3155
02:45:52,879 --> 02:45:56,199
Speaker 2: he knew. So then I moved to Houston.

3156
02:45:56,240 --> 02:45:59,160
Speaker 19: I can't lie just because of like because of facing

3157
02:45:59,240 --> 02:46:02,440
Speaker 19: bun basically because I moved to Houston after New York,

3158
02:46:02,480 --> 02:46:06,360
Speaker 19: after Brooklyn, and and and I really wasn't clear on

3159
02:46:06,480 --> 02:46:10,880
Speaker 19: who Paul Wall was, and so for we see each other,

3160
02:46:10,959 --> 02:46:13,400
Speaker 19: I just did not was not being clear. So just

3161
02:46:13,480 --> 02:46:16,440
Speaker 19: to say this before this conversation, and because you also

3162
02:46:17,080 --> 02:46:19,640
Speaker 19: gave him his flowers and validated him and I and

3163
02:46:19,720 --> 02:46:21,760
Speaker 19: I want to do that in this moment because I

3164
02:46:21,879 --> 02:46:24,800
Speaker 19: never because I never did. But when you asked me

3165
02:46:24,920 --> 02:46:29,879
Speaker 19: someone say it, you know, he's definitely to me. Had

3166
02:46:29,959 --> 02:46:33,280
Speaker 19: to be clear that he was in this, not as

3167
02:46:33,440 --> 02:46:37,840
Speaker 19: like an exploiter of it. Never I couldn't see it.

3168
02:46:38,120 --> 02:46:41,160
Speaker 19: And but I didn't know what you don't saying.

3169
02:46:41,200 --> 02:46:44,720
Speaker 2: I'm not saying you, I mean I don't think that

3170
02:46:44,720 --> 02:46:45,199
Speaker 2: I don't.

3171
02:46:46,520 --> 02:46:49,240
Speaker 12: Know his story I know his I think just the

3172
02:46:49,320 --> 02:46:54,880
Speaker 12: screw angle, like from a millionaire story, like like he

3173
02:46:55,080 --> 02:46:58,080
Speaker 12: comes from the world story.

3174
02:46:58,200 --> 02:47:05,520
Speaker 2: So this is not today for me, the past past,

3175
02:47:06,720 --> 02:47:09,720
Speaker 2: Like you not know the fact that he's drying, right,

3176
02:47:10,520 --> 02:47:10,920
Speaker 2: he wasn't.

3177
02:47:11,160 --> 02:47:13,720
Speaker 21: He's saying that he had never given him his love

3178
02:47:13,760 --> 02:47:15,400
Speaker 21: because in the past.

3179
02:47:16,600 --> 02:47:23,600
Speaker 2: Yeah, and I want to do it now. You know,

3180
02:47:23,640 --> 02:47:29,720
Speaker 2: I'm talking wanted the boy. I'm gonna be honest with you.

3181
02:47:30,120 --> 02:47:32,039
Speaker 2: I mean, I know you give him love. But when

3182
02:47:32,080 --> 02:47:36,200
Speaker 2: he came, he cat and he got a fresh cut. Yo. Know,

3183
02:47:37,400 --> 02:47:43,840
Speaker 2: he got a low season, right tell, and he gotta

3184
02:47:44,080 --> 02:47:46,320
Speaker 2: That's what we walk with him. That's what we rocked

3185
02:47:46,320 --> 02:47:48,280
Speaker 2: when we was like, yo, we got a look, he's

3186
02:47:48,320 --> 02:47:49,960
Speaker 2: a student of the game. This is what's to me.

3187
02:47:50,080 --> 02:47:52,840
Speaker 2: It's more important than anything else. If you were suiting

3188
02:47:53,000 --> 02:47:55,520
Speaker 2: of the game. Yeah, and Paul Law is a student

3189
02:47:55,640 --> 02:47:56,000
Speaker 2: of the game.

3190
02:47:56,000 --> 02:47:58,920
Speaker 21: When he was talking about Ellmatic, something something that m

3191
02:47:59,000 --> 02:48:01,440
Speaker 21: said was interesting to me. He's said, he said, it's

3192
02:48:01,520 --> 02:48:04,480
Speaker 21: very subjective that you would make that album the best

3193
02:48:04,520 --> 02:48:05,320
Speaker 21: album because.

3194
02:48:05,440 --> 02:48:07,240
Speaker 2: I think queens. That's what he said.

3195
02:48:07,280 --> 02:48:09,960
Speaker 21: That's what and I think, but that's what what what

3196
02:48:10,120 --> 02:48:13,480
Speaker 21: he was saying from his perspective and how the music

3197
02:48:13,560 --> 02:48:18,520
Speaker 21: he making. That's why his perspective is subjective. I think

3198
02:48:18,560 --> 02:48:19,560
Speaker 21: that's because I.

3199
02:48:19,600 --> 02:48:22,800
Speaker 19: Was making exact I was so I was so fucked

3200
02:48:22,840 --> 02:48:24,960
Speaker 19: up with this system that I and then distrustful.

3201
02:48:25,040 --> 02:48:28,040
Speaker 2: And that's honesty. And I mean, and I'm not the

3202
02:48:28,120 --> 02:48:30,280
Speaker 2: only one fiels his way. I just want to say,

3203
02:48:36,600 --> 02:48:37,000
Speaker 2: remember you.

3204
02:48:37,040 --> 02:48:39,840
Speaker 3: Guys, the only person that you guys have a feelings

3205
02:48:39,840 --> 02:48:40,720
Speaker 3: about Steve Ripkin.

3206
02:48:40,959 --> 02:48:43,840
Speaker 19: We did and and still openly my partners the stick

3207
02:48:43,920 --> 02:48:45,199
Speaker 19: and Steve still talking.

3208
02:48:45,400 --> 02:48:47,279
Speaker 2: But that's that's also about the thanks.

3209
02:48:47,040 --> 02:48:50,680
Speaker 19: That we have about like the the exploitation that and

3210
02:48:51,080 --> 02:48:53,600
Speaker 19: and Steve can never escape the fact that his music

3211
02:48:53,800 --> 02:48:56,120
Speaker 19: is completely exploitive.

3212
02:48:55,680 --> 02:48:59,080
Speaker 2: Of us and till this day, to this day. But

3213
02:49:00,080 --> 02:49:05,600
Speaker 2: about it, this music has been exploited of black people

3214
02:49:05,840 --> 02:49:09,400
Speaker 2: to this day, said And what was he saying about snoop.

3215
02:49:10,720 --> 02:49:15,000
Speaker 19: Reference the streaming with the streaming references steaming? Yes, yes,

3216
02:49:15,080 --> 02:49:19,680
Speaker 19: saw that toward points towards steaming. That's what snoopy streaming, streaming,

3217
02:49:19,760 --> 02:49:26,080
Speaker 19: streaming when it is seeming exact same mechanism that's never

3218
02:49:26,160 --> 02:49:28,760
Speaker 19: been right, because it's like it's never been right, that's how.

3219
02:49:31,480 --> 02:49:33,920
Speaker 21: But also with with somebody like poor war like as

3220
02:49:33,959 --> 02:49:36,000
Speaker 21: you start to mention, when you start to defend his

3221
02:49:36,080 --> 02:49:39,000
Speaker 21: place in the culture, you start talking about cultural things

3222
02:49:39,040 --> 02:49:39,600
Speaker 21: that he's done.

3223
02:49:39,800 --> 02:49:40,240
Speaker 2: Exactly.

3224
02:49:40,360 --> 02:49:44,760
Speaker 21: There exists racist white rappers one hundred percent, but they

3225
02:49:44,800 --> 02:49:46,320
Speaker 21: would never be on a level of a poor war

3226
02:49:46,520 --> 02:49:47,680
Speaker 21: never slim.

3227
02:49:48,400 --> 02:49:48,600
Speaker 2: Yeah.

3228
02:49:48,920 --> 02:49:51,320
Speaker 19: So who used to live near me in Houston? Who

3229
02:49:51,560 --> 02:49:54,920
Speaker 19: helped me to understand this shit even more? Because like

3230
02:49:55,040 --> 02:49:57,000
Speaker 19: this was crue for him? You know what I'm saying,

3231
02:49:57,240 --> 02:49:59,080
Speaker 19: This family, I didn't. It was was not my family.

3232
02:50:00,000 --> 02:50:01,080
Speaker 19: People became my family.

3233
02:50:01,440 --> 02:50:01,840
Speaker 2: That's broke.

3234
02:50:01,959 --> 02:50:04,240
Speaker 1: And listen, man, I was down there in Houston with them,

3235
02:50:04,600 --> 02:50:07,959
Speaker 1: with Bun, I got a banger coming out with Man. Yeah,

3236
02:50:10,560 --> 02:50:14,160
Speaker 1: it's fucking he bro just like how Bill Pyrimi.

3237
02:50:13,840 --> 02:50:16,680
Speaker 2: Is with Heat. It's along them lines. Let's do Bun

3238
02:50:16,800 --> 02:50:23,320
Speaker 2: Doug d already know with Bun and Paul wool And

3239
02:50:23,480 --> 02:50:29,400
Speaker 2: turned coming up right now. I mean about smoking smoking beef.

3240
02:50:29,680 --> 02:50:32,480
Speaker 1: This is thing so smoking beast is this thing that

3241
02:50:32,560 --> 02:50:34,440
Speaker 1: we do out in New York.

3242
02:50:34,760 --> 02:50:35,240
Speaker 2: You know what I mean?

3243
02:50:35,320 --> 02:50:37,120
Speaker 1: My man Lord is you know what I mean, He's

3244
02:50:37,440 --> 02:50:40,400
Speaker 1: he's the one that spearheading this, you know, you know

3245
02:50:40,520 --> 02:50:43,280
Speaker 1: he been on the circuit for many years, you know

3246
02:50:43,320 --> 02:50:43,600
Speaker 1: what I mean.

3247
02:50:43,959 --> 02:50:45,320
Speaker 2: And wearing many hats.

3248
02:50:45,520 --> 02:50:48,120
Speaker 1: This man has worked with Russell Simmons and Rush and

3249
02:50:48,720 --> 02:50:49,840
Speaker 1: all types of shaking the.

3250
02:50:49,879 --> 02:50:54,640
Speaker 2: Wall penalty, all types of things. So yeah, he got exactly.

3251
02:50:55,040 --> 02:50:58,000
Speaker 2: So you know, I was like, Yo Box, Uncle World

3252
02:50:58,120 --> 02:51:01,960
Speaker 2: Video Music Box, Uncle Ralph. The Smoking Beasts is an album. No,

3253
02:51:02,240 --> 02:51:04,600
Speaker 2: actually it's a movement.

3254
02:51:05,120 --> 02:51:07,200
Speaker 29: So what we're doing, Yeah, so what we do love

3255
02:51:07,280 --> 02:51:10,600
Speaker 29: that we palked the parks In back to the Lower

3256
02:51:10,680 --> 02:51:13,959
Speaker 29: east Side. Need is needed, right And I say parks

3257
02:51:14,000 --> 02:51:16,320
Speaker 29: In is where it's a platform and a place where

3258
02:51:16,320 --> 02:51:20,480
Speaker 29: there's nobody specials, no vr P, most Deathinite might pop up,

3259
02:51:21,040 --> 02:51:24,000
Speaker 29: buck while might pop up, pop up. Well, we had

3260
02:51:24,040 --> 02:51:28,240
Speaker 29: on the niggas was doing Lights Lights whole album and

3261
02:51:28,320 --> 02:51:30,600
Speaker 29: they come and gather smoke.

3262
02:51:30,640 --> 02:51:36,360
Speaker 2: We just play beats, play beats, beat DJ right and

3263
02:51:36,440 --> 02:51:38,400
Speaker 2: I'll be playing. I'll be playing all these joints.

3264
02:51:38,440 --> 02:51:40,200
Speaker 1: I'll be I play I Love my Life in there

3265
02:51:40,360 --> 02:51:43,440
Speaker 1: many times. And that's that's Queens Lounge and Anthon and

3266
02:51:43,560 --> 02:51:44,240
Speaker 1: then that's.

3267
02:51:44,120 --> 02:51:49,560
Speaker 2: An ant already doing this. Just are we doing in Miami?

3268
02:51:51,200 --> 02:51:51,760
Speaker 2: Can we do it?

3269
02:51:51,879 --> 02:51:52,080
Speaker 5: Yeah?

3270
02:51:52,680 --> 02:52:00,879
Speaker 2: We drink, can't hoast it? This release party? This yeah,

3271
02:52:01,200 --> 02:52:02,879
Speaker 2: come on, you know I'm with it one hundred percent

3272
02:52:03,000 --> 02:52:03,640
Speaker 2: and to.

3273
02:52:03,680 --> 02:52:06,279
Speaker 1: A movie so much love in there, man, and Yo're

3274
02:52:06,400 --> 02:52:10,440
Speaker 1: always like contrary to how hip hop used to be, Yo,

3275
02:52:10,879 --> 02:52:15,280
Speaker 1: it starts and finishes with all love respects. So all

3276
02:52:15,360 --> 02:52:18,040
Speaker 1: that old school ship and fighting and all that ship

3277
02:52:18,120 --> 02:52:18,840
Speaker 1: that ship, don't.

3278
02:52:20,160 --> 02:52:20,600
Speaker 2: We love?

3279
02:52:21,560 --> 02:52:23,760
Speaker 21: Y'all should tell them, y'all should tell them about the spot,

3280
02:52:24,080 --> 02:52:27,160
Speaker 21: because legacy is Cannabis in New York City is a

3281
02:52:27,200 --> 02:52:27,800
Speaker 21: different thing.

3282
02:52:28,240 --> 02:52:31,000
Speaker 2: Because cannabis and is legal in New York.

3283
02:52:31,080 --> 02:52:34,040
Speaker 29: Now we've been smoking, you know, thats the cases and

3284
02:52:34,160 --> 02:52:36,240
Speaker 29: doing all that, but it's to a point where.

3285
02:52:36,240 --> 02:52:40,520
Speaker 1: The mayor you want to right, Adams, Man, come on, man,

3286
02:52:40,600 --> 02:52:42,160
Speaker 1: let's get that churism going.

3287
02:52:49,160 --> 02:52:51,600
Speaker 2: Before we get before we get cards again. And look,

3288
02:52:51,840 --> 02:52:54,040
Speaker 2: so yes, cannabis is legal to a degree.

3289
02:52:54,600 --> 02:52:57,520
Speaker 19: You know what I mean, it ain't because I'm telling

3290
02:52:57,560 --> 02:52:59,640
Speaker 19: you that what we're talking the space that we're talking

3291
02:52:59,680 --> 02:53:02,840
Speaker 19: about that we're holding smoking beats in right now only

3292
02:53:02,920 --> 02:53:06,640
Speaker 19: for now, there's a space that we've created. We called

3293
02:53:06,760 --> 02:53:09,800
Speaker 19: this out. This is called it's called legacy n y C.

3294
02:53:10,040 --> 02:53:12,480
Speaker 19: And it's because of the legacy that we bring. So

3295
02:53:12,600 --> 02:53:15,840
Speaker 19: we on ninety eight Orchard Streets right as me and

3296
02:53:15,920 --> 02:53:18,640
Speaker 19: my partner on me, and it's really like when you

3297
02:53:18,800 --> 02:53:19,120
Speaker 19: walk in.

3298
02:53:20,520 --> 02:53:22,640
Speaker 2: My sister Lisa gonna tell you this is dad practice.

3299
02:53:23,600 --> 02:53:25,080
Speaker 2: She's gonna tell you as soon as you walk in

3300
02:53:25,120 --> 02:53:29,280
Speaker 2: the door. But truly to tell you his exhibit did

3301
02:53:36,640 --> 02:53:38,120
Speaker 2: that's the goal? Have you been seeing it?

3302
02:53:38,200 --> 02:53:38,480
Speaker 1: Ramon?

3303
02:53:44,560 --> 02:53:46,560
Speaker 2: I'm all right now make sure.

3304
02:53:47,320 --> 02:53:50,640
Speaker 1: Saying yeah, we're about to do my daughters on at

3305
02:53:50,680 --> 02:53:51,240
Speaker 1: showing there.

3306
02:53:51,360 --> 02:53:51,520
Speaker 2: Man.

3307
02:53:51,800 --> 02:53:55,199
Speaker 19: So I just want to say we established that crazy

3308
02:53:55,520 --> 02:53:57,680
Speaker 19: in Lower East Side and Brooklyn for a long time

3309
02:53:57,720 --> 02:54:01,400
Speaker 19: and Williams right across from Supreme. We really wanted to

3310
02:54:02,040 --> 02:54:04,440
Speaker 19: build a place that we could have like a place

3311
02:54:04,520 --> 02:54:07,600
Speaker 19: to build like we call it a cultural destination.

3312
02:54:08,040 --> 02:54:10,320
Speaker 21: I'll be honest when I come to New York, I

3313
02:54:10,360 --> 02:54:11,840
Speaker 21: don't come to New York without stopping through.

3314
02:54:11,959 --> 02:54:13,800
Speaker 2: You got you got someone.

3315
02:54:16,959 --> 02:54:17,720
Speaker 1: Open all.

3316
02:54:21,840 --> 02:54:24,480
Speaker 2: M let's do it. I don't want to take you

3317
02:54:24,879 --> 02:54:26,800
Speaker 2: even if we're not, if we just individually, we got

3318
02:54:26,879 --> 02:54:32,840
Speaker 2: to pass. We live down the locks smart. Our latest

3319
02:54:33,760 --> 02:54:37,880
Speaker 2: exhibit apart from salam Remi is now when you said

3320
02:54:37,959 --> 02:54:42,320
Speaker 2: like your New York like I was you you look

3321
02:54:42,360 --> 02:54:47,959
Speaker 2: it up our edit right now, I've got to be angry.

3322
02:54:50,840 --> 02:54:51,320
Speaker 9: So hold on.

3323
02:54:51,440 --> 02:54:57,320
Speaker 2: Let we're doing smoking beats in that environment. We did

3324
02:54:57,400 --> 02:55:00,600
Speaker 2: smoking beats because we like. It always began and that

3325
02:55:00,800 --> 02:55:03,320
Speaker 2: in the in this smoky ass room with the beat machine,

3326
02:55:03,400 --> 02:55:07,200
Speaker 2: first with the producer and then with this yeah, and

3327
02:55:07,440 --> 02:55:09,920
Speaker 2: us being like, and that's how it happens. The cook

3328
02:55:09,959 --> 02:55:14,760
Speaker 2: up is real, the producers. I never heard this.

3329
02:55:14,920 --> 02:55:18,840
Speaker 7: The cook up is real, so so so so so.

3330
02:55:19,480 --> 02:55:23,800
Speaker 7: Nail's coming here with this. Fucking boy got away with waves.

3331
02:55:23,879 --> 02:55:25,520
Speaker 7: He got a wait in the front of ninety eight

3332
02:55:25,680 --> 02:55:27,360
Speaker 7: Orchard Street right there, and.

3333
02:55:27,360 --> 02:55:30,240
Speaker 19: He's a rower in the lower He's a rapper to

3334
02:55:30,360 --> 02:55:33,240
Speaker 19: you right now, he'd be he like, we should cook

3335
02:55:33,360 --> 02:55:34,960
Speaker 19: something in here with the producers.

3336
02:55:35,160 --> 02:55:37,880
Speaker 2: As a producer. We did that as a student of Large,

3337
02:55:38,160 --> 02:55:41,800
Speaker 2: as a student of lage On. So four years I've

3338
02:55:41,800 --> 02:55:44,560
Speaker 2: been an understudy of Large. They might know that God

3339
02:55:44,879 --> 02:55:48,160
Speaker 2: tell him what's happening connected. And one day he left

3340
02:55:48,680 --> 02:55:51,400
Speaker 2: the equipment. It's like Paul, she did for me, Man

3341
02:55:51,480 --> 02:55:57,080
Speaker 2: and my left machine. That's old mass, brother's old mass.

3342
02:55:59,440 --> 02:56:02,279
Speaker 29: And all that sat and I looked at the equipment

3343
02:56:02,360 --> 02:56:05,160
Speaker 29: and and I was like, yo, I'll be a fucking

3344
02:56:05,240 --> 02:56:08,360
Speaker 29: idiot if I don't take a ship. He had the

3345
02:56:08,440 --> 02:56:11,080
Speaker 29: records that he did allmatic with all these other things,

3346
02:56:11,120 --> 02:56:13,760
Speaker 29: that original example sitting right in front of my face

3347
02:56:13,840 --> 02:56:18,000
Speaker 29: in my crib. So this nigga bounced come back while

3348
02:56:18,440 --> 02:56:20,360
Speaker 29: and I started cooking up because I learned shout out

3349
02:56:20,360 --> 02:56:23,320
Speaker 29: to te y'all love and magnetic y'all your mad bro

3350
02:56:24,120 --> 02:56:26,119
Speaker 29: happy back when I was young, but I was taking

3351
02:56:26,480 --> 02:56:27,080
Speaker 29: hold off man.

3352
02:56:27,000 --> 02:56:38,920
Speaker 2: You know about your magnetic Come on, that's people people.

3353
02:56:40,040 --> 02:56:43,800
Speaker 2: I feel like we're back in there, honestly.

3354
02:56:45,600 --> 02:56:49,920
Speaker 1: Cannabis doing target right now. NIS hit me up like, yo,

3355
02:56:50,000 --> 02:56:51,920
Speaker 1: p they playing front doing target right now?

3356
02:56:52,320 --> 02:56:56,800
Speaker 2: Crazy, We're backing up. Surprised so lost story law.

3357
02:56:57,360 --> 02:56:59,320
Speaker 29: He come back to the crib. He how was he

3358
02:56:59,360 --> 02:57:01,320
Speaker 29: coming to see me whole? You know what I'm saying, man,

3359
02:57:01,360 --> 02:57:05,480
Speaker 29: shout out the job man, Yeah, from corner from job,

3360
02:57:06,200 --> 02:57:08,760
Speaker 29: this nigga coming to kriit one day, I'm playing to beat,

3361
02:57:08,840 --> 02:57:09,120
Speaker 29: I thought.

3362
02:57:09,160 --> 02:57:12,400
Speaker 2: He he's like, ye, what the fun is that? Like yo,

3363
02:57:12,720 --> 02:57:15,240
Speaker 2: He's like no, that's yeah, he's in.

3364
02:57:16,959 --> 02:57:19,040
Speaker 29: So I started doing it again and doing again, and

3365
02:57:19,160 --> 02:57:21,160
Speaker 29: he left for n P one thousand with me, and

3366
02:57:21,240 --> 02:57:23,560
Speaker 29: I started banging out for two to three years straight,

3367
02:57:23,920 --> 02:57:25,160
Speaker 29: practicing playing.

3368
02:57:24,920 --> 02:57:27,040
Speaker 2: Over and now what and now what? People want that

3369
02:57:27,400 --> 02:57:30,560
Speaker 2: nobody the one right? But now number you won't roll

3370
02:57:30,640 --> 02:57:32,400
Speaker 2: some credit. I won't roll the credits.

3371
02:57:32,600 --> 02:57:35,720
Speaker 29: I did the intro to Emon Doug's debut albums to

3372
02:57:35,800 --> 02:57:39,280
Speaker 29: his game after or since then, I did the.

3373
02:57:39,360 --> 02:57:42,080
Speaker 2: Intro what about my man, my man, the Flashy Guy.

3374
02:57:42,160 --> 02:57:44,520
Speaker 29: I did five mikes joint shout out to five Mikes.

3375
02:57:44,920 --> 02:57:47,120
Speaker 29: I did his starts at an independent album.

3376
02:57:47,520 --> 02:57:49,320
Speaker 2: You know what I mean? What about the bros?

3377
02:57:52,560 --> 02:57:55,800
Speaker 29: Back got announced and I'm blessed to say, because damn,

3378
02:57:56,240 --> 02:57:56,480
Speaker 29: this is.

3379
02:57:56,480 --> 02:58:00,760
Speaker 2: The line, this is the line told you I'm gonna

3380
02:58:00,760 --> 02:58:02,440
Speaker 2: do it like my man t O Cross. I mean,

3381
02:58:02,480 --> 02:58:14,959
Speaker 2: we got job roll on your job, at your job, man,

3382
02:58:15,480 --> 02:58:16,000
Speaker 2: your job.

3383
02:58:16,120 --> 02:58:16,280
Speaker 12: Man.

3384
02:58:16,320 --> 02:58:18,720
Speaker 1: They told me man, my girl Jin she told me

3385
02:58:18,840 --> 02:58:21,840
Speaker 1: that you you know you're doing that. You're doing that series. Man,

3386
02:58:22,520 --> 02:58:25,680
Speaker 1: you're doing that serials of course, Yo, we got man,

3387
02:58:25,720 --> 02:58:27,920
Speaker 1: we got your job, man, your job.

3388
02:58:28,000 --> 02:58:35,720
Speaker 2: I got the lowest Yo, super dupala, super duper man cracks,

3389
02:58:35,920 --> 02:58:39,880
Speaker 2: super duper Yo. You're such a professional man. Yo. I

3390
02:58:40,000 --> 02:58:41,360
Speaker 2: was saying that. I was saying that.

3391
02:58:41,440 --> 02:58:43,440
Speaker 1: I was like yo, because you know, I know, I know,

3392
02:58:43,680 --> 02:58:45,400
Speaker 1: you know brother went through you know a couple of

3393
02:58:45,680 --> 02:58:51,440
Speaker 1: who you know what I mean? How you are you

3394
02:58:51,640 --> 02:58:52,080
Speaker 1: right now?

3395
02:58:52,600 --> 02:58:55,440
Speaker 2: Dogs? How you handled you know me?

3396
02:58:55,520 --> 02:58:57,960
Speaker 1: Because it's a it's a lot of bull Yo. I

3397
02:58:58,120 --> 02:59:00,840
Speaker 1: was like, Yo, that brother is the most profot right now,

3398
02:59:01,000 --> 02:59:06,800
Speaker 1: man dogs man like yo, and yo, the gross got

3399
02:59:06,920 --> 02:59:08,280
Speaker 1: gurses dogs.

3400
02:59:08,560 --> 02:59:09,920
Speaker 2: I was right there for you.

3401
02:59:10,120 --> 02:59:10,320
Speaker 30: Man.

3402
02:59:10,920 --> 02:59:13,879
Speaker 2: I was like, Yo, you're gone got it got too

3403
02:59:13,920 --> 02:59:15,320
Speaker 2: many things, nigga.

3404
02:59:15,400 --> 02:59:21,520
Speaker 1: We got the queen's lambs. It's Queen's las baby. Where

3405
02:59:21,600 --> 02:59:24,440
Speaker 1: you ain't queens ladies, where you at? It's Queen's now

3406
02:59:24,600 --> 02:59:25,200
Speaker 1: in the building.

3407
02:59:25,520 --> 02:59:26,320
Speaker 2: You know how we do it?

3408
02:59:26,680 --> 02:59:30,320
Speaker 1: Yo, job man, Yo, But my girls, she told me,

3409
02:59:30,600 --> 02:59:32,320
Speaker 1: I'm there for the ship room where you be at?

3410
02:59:33,600 --> 02:59:35,920
Speaker 1: No lord nets in the building, Man, Lord nets in

3411
02:59:35,959 --> 02:59:39,879
Speaker 1: the building. Man, yoo, you know hold man?

3412
02:59:39,959 --> 02:59:44,200
Speaker 2: You know old man? Of course, he said, that's the

3413
02:59:44,240 --> 02:59:45,160
Speaker 2: whole this.

3414
02:59:47,560 --> 02:59:51,040
Speaker 1: Jod chilling man. Now, Yo, you're chilling man. Mike early Yo, man,

3415
02:59:51,280 --> 02:59:54,400
Speaker 1: see the guard man. He came through me.

3416
02:59:54,520 --> 02:59:58,000
Speaker 2: I love this moment, man, I put it together. I'm big.

3417
02:59:58,080 --> 03:00:00,480
Speaker 2: Queens can lady this moment? Man can to meet him?

3418
03:00:01,959 --> 03:00:04,920
Speaker 2: One and one from that prince brother borrowed up. Man.

3419
03:00:05,000 --> 03:00:07,880
Speaker 19: Let to meet your strong SOULDI to massuga, good to

3420
03:00:07,959 --> 03:00:08,680
Speaker 19: meet you can't.

3421
03:00:11,080 --> 03:00:11,280
Speaker 1: Mine.

3422
03:00:12,760 --> 03:00:15,160
Speaker 2: It's mine, it's mine is my. I'm gonna just say

3423
03:00:15,200 --> 03:00:24,960
Speaker 2: the real quick so no, no, you ship you hell

3424
03:00:25,280 --> 03:00:27,440
Speaker 2: you mute as your camera. Now you go, now you're back.

3425
03:00:31,959 --> 03:00:34,760
Speaker 2: Oh this is a big queen ship top you Oh

3426
03:00:35,000 --> 03:00:41,000
Speaker 2: my god, that's on top. I ain't gonna lie like

3427
03:00:41,120 --> 03:00:46,560
Speaker 2: myself were in were saying later to take you, my

3428
03:00:46,640 --> 03:00:50,680
Speaker 2: brother take you appreciate that, so yo appreciate that. That's

3429
03:00:51,200 --> 03:00:53,680
Speaker 2: oh I have more stone rocks. Oh my god, because

3430
03:00:53,680 --> 03:00:59,240
Speaker 2: I didn't even queens no more. Actually exactly, you know

3431
03:00:59,560 --> 03:01:03,400
Speaker 2: you know what this moment than me. Uh Red Joe

3432
03:01:03,440 --> 03:01:04,520
Speaker 2: shout out the frost of start.

3433
03:01:04,560 --> 03:01:06,680
Speaker 29: He came to the r P. My man who stopped.

3434
03:01:06,840 --> 03:01:08,680
Speaker 29: You might know him, Steve Obell used to hold Steve

3435
03:01:08,760 --> 03:01:11,200
Speaker 29: O Bell down the ship. Shout out to Steve. He

3436
03:01:11,320 --> 03:01:14,400
Speaker 29: passed away. We saw at his funeral and he came

3437
03:01:14,480 --> 03:01:18,160
Speaker 29: to my crib and Fred Jrow came started coming from

3438
03:01:18,200 --> 03:01:19,480
Speaker 29: my house funeral to mom.

3439
03:01:19,600 --> 03:01:23,600
Speaker 2: She was like, Yo, that's cute. Moved all that.

3440
03:01:23,720 --> 03:01:26,960
Speaker 29: But anyway, son looked out and gave me a placement

3441
03:01:27,400 --> 03:01:29,040
Speaker 29: on honest new joint that just came out.

3442
03:01:29,120 --> 03:01:34,280
Speaker 2: I got three joints and the new projects so que circle.

3443
03:01:34,440 --> 03:01:35,600
Speaker 2: One man shot good.

3444
03:01:36,160 --> 03:01:40,080
Speaker 29: No, I wasn't the records and now brothers just showing

3445
03:01:40,120 --> 03:01:41,920
Speaker 29: me love. He took me the Q tip cribs out

3446
03:01:41,920 --> 03:01:45,320
Speaker 29: of the tip man humble because I'm the giant, the

3447
03:01:45,320 --> 03:01:48,400
Speaker 29: big bro. He's like, no, Nigga, play some ship and

3448
03:01:48,440 --> 03:01:50,840
Speaker 29: the humble way play some ship. I'm like, well, I

3449
03:01:50,959 --> 03:01:54,280
Speaker 29: play some ship. The nigga just stopped banging out, start

3450
03:01:54,320 --> 03:01:56,520
Speaker 29: playing this basis ship to the beat like base on

3451
03:01:56,720 --> 03:01:59,120
Speaker 29: this ship and you know, I mean, I just takeing this.

3452
03:01:59,280 --> 03:02:01,039
Speaker 2: So the smoking beat he comes from.

3453
03:02:01,080 --> 03:02:03,720
Speaker 29: My love Now for the production and man and one

3454
03:02:03,720 --> 03:02:06,560
Speaker 29: of that legacy at four twenty ironically we came up

3455
03:02:06,560 --> 03:02:06,720
Speaker 29: with that.

3456
03:02:06,800 --> 03:02:07,240
Speaker 2: I did it.

3457
03:02:07,800 --> 03:02:10,120
Speaker 29: I brought it to pig and they turned into a

3458
03:02:10,200 --> 03:02:12,520
Speaker 29: movement where this nigga's DM and me talking about I

3459
03:02:12,560 --> 03:02:14,400
Speaker 29: wanted to beat down and shout out.

3460
03:02:14,280 --> 03:02:17,120
Speaker 2: To key and they just playing beach Kio Kyo o yo.

3461
03:02:17,200 --> 03:02:19,800
Speaker 2: The one that he's a Brooklyn Feenie legend.

3462
03:02:19,879 --> 03:02:22,400
Speaker 1: He did a music group leading graph legend bro like

3463
03:02:22,760 --> 03:02:24,800
Speaker 1: X Men is on Kyo x Men. He was all

3464
03:02:24,840 --> 03:02:27,720
Speaker 1: on the double RS. What what you used to ride

3465
03:02:27,760 --> 03:02:28,800
Speaker 1: the E and the F and ship?

3466
03:02:29,080 --> 03:02:30,160
Speaker 2: Yeah, yeah, you know he was.

3467
03:02:30,280 --> 03:02:30,480
Speaker 1: He was.

3468
03:02:30,600 --> 03:02:32,440
Speaker 2: He was telling, he was saying the RS up and

3469
03:02:32,920 --> 03:02:36,320
Speaker 2: the seven lines. Second. I used to walk up junction

3470
03:02:36,840 --> 03:02:39,120
Speaker 2: when school I went to school one twenty five on

3471
03:02:39,840 --> 03:02:43,040
Speaker 2: what side? So that was up there by Yeah, No,

3472
03:02:43,160 --> 03:02:46,160
Speaker 2: that's what'sie, that's what's forty six and blitz. So I

3473
03:02:46,200 --> 03:02:48,400
Speaker 2: just had to take Yeah, so I just had to

3474
03:02:48,440 --> 03:02:50,200
Speaker 2: take the I had to take the R to the

3475
03:02:50,320 --> 03:02:53,840
Speaker 2: SAD and switched to me the R to the Jackson Heights.

3476
03:02:54,080 --> 03:02:57,000
Speaker 2: Jackson Heights has switch over. And that's how I met

3477
03:02:57,160 --> 03:03:00,720
Speaker 2: Queens Bridge. I was It was crazy. Me and Compone

3478
03:03:00,800 --> 03:03:03,280
Speaker 2: was supposed to meet each other anyway, because copone was

3479
03:03:03,320 --> 03:03:05,920
Speaker 2: in my same homeroom the year before.

3480
03:03:07,160 --> 03:03:08,680
Speaker 3: So it's like we were supposed to. But let me

3481
03:03:08,760 --> 03:03:11,920
Speaker 3: ask you a question, right. One of the biggest clothing

3482
03:03:12,040 --> 03:03:12,880
Speaker 3: lines in the world.

3483
03:03:13,640 --> 03:03:18,360
Speaker 2: Mm hmm, I got my ship. Somebody passing my bag too,

3484
03:03:19,040 --> 03:03:22,920
Speaker 2: I got my ship. What you was going none of you? Okay?

3485
03:03:22,959 --> 03:03:25,039
Speaker 3: Well, one of the biggest clothing lines in the world

3486
03:03:25,560 --> 03:03:26,359
Speaker 3: is called Supreme.

3487
03:03:26,680 --> 03:03:31,760
Speaker 2: Yeah mm hmm. Wow, I mean we need we need,

3488
03:03:31,959 --> 03:03:33,560
Speaker 2: we need a cunt. By the way, there was a

3489
03:03:33,680 --> 03:03:37,600
Speaker 2: Supreme in Brooklyn, you need but me that he got it.

3490
03:03:38,000 --> 03:03:41,400
Speaker 2: He's one, just one, just one, the Supreme in Brooklyn.

3491
03:03:41,720 --> 03:03:45,600
Speaker 3: But you know, for us, yeah, for us from Queens

3492
03:03:47,040 --> 03:03:49,920
Speaker 3: we only know when Supreme that's a fact, that's it.

3493
03:03:51,879 --> 03:03:56,640
Speaker 3: And I actually did great business with Supreme. But I've

3494
03:03:56,760 --> 03:04:01,320
Speaker 3: always wondered how the Supreme feel about Supreme because like

3495
03:04:01,440 --> 03:04:04,959
Speaker 3: right now there is there's Virgil, God blesss in peace right,

3496
03:04:05,520 --> 03:04:07,640
Speaker 3: but there's a clothing line called Iraq.

3497
03:04:09,360 --> 03:04:13,360
Speaker 2: I are a k there's no way, y I ain't

3498
03:04:13,680 --> 03:04:16,520
Speaker 2: get that from the God. I ain't get that from you. Yeah,

3499
03:04:16,680 --> 03:04:19,480
Speaker 2: And when I know y'all got that from the funeral

3500
03:04:19,920 --> 03:04:22,680
Speaker 2: because we actually saw them. I actually saw the people

3501
03:04:22,760 --> 03:04:24,840
Speaker 2: that own Iraq. Was it a one of one or

3502
03:04:25,000 --> 03:04:27,480
Speaker 2: was it a series? Did you see many pieces going in?

3503
03:04:28,000 --> 03:04:30,520
Speaker 2: Going in? All right? And they kind of gave me

3504
03:04:30,640 --> 03:04:33,000
Speaker 2: like a regular five and I was just like.

3505
03:04:36,360 --> 03:04:47,440
Speaker 23: Me, and you want the same page, mother, is the

3506
03:04:47,480 --> 03:04:50,480
Speaker 23: same A possibles the eleven September nineteenth, I come from

3507
03:04:50,520 --> 03:04:53,280
Speaker 23: the eleven like come on, like.

3508
03:04:53,440 --> 03:05:01,920
Speaker 2: Hold it up, holding up a relative, hold hold it up, brother, Okay, okay, yeah, you.

3509
03:05:01,959 --> 03:05:04,840
Speaker 23: Know, like like that's what like, come on, like I'm

3510
03:05:04,879 --> 03:05:06,959
Speaker 23: trying to Yeah, I'm glad you'm me and.

3511
03:05:06,959 --> 03:05:10,320
Speaker 2: You is here man, because here man. Now he's actolutely

3512
03:05:10,400 --> 03:05:11,119
Speaker 2: right what he's saying.

3513
03:05:11,320 --> 03:05:13,240
Speaker 1: Listen, listen, listen, you know what I mean. At the

3514
03:05:13,320 --> 03:05:15,760
Speaker 1: end of the day. Man, we had talked about that too, exactly.

3515
03:05:15,920 --> 03:05:17,480
Speaker 1: But at the end of the day, man, you know

3516
03:05:17,520 --> 03:05:18,960
Speaker 1: what I mean, there's a lot of that going on.

3517
03:05:19,240 --> 03:05:20,920
Speaker 2: Man. We won't make sure that you are right.

3518
03:05:21,040 --> 03:05:21,200
Speaker 5: Man.

3519
03:05:21,240 --> 03:05:25,040
Speaker 2: You do your thing. Man, you supreme? Man, you supreme. Now, Man,

3520
03:05:25,080 --> 03:05:26,199
Speaker 2: we're gonna move this forward.

3521
03:05:26,280 --> 03:05:26,440
Speaker 1: Man.

3522
03:05:26,480 --> 03:05:28,000
Speaker 2: You know that's how we're going to do that. Man.

3523
03:05:28,040 --> 03:05:28,960
Speaker 1: We ain't beefing with them.

3524
03:05:29,000 --> 03:05:31,160
Speaker 2: Man, they do what they do. They skateboard shop.

3525
03:05:31,280 --> 03:05:31,440
Speaker 20: Man.

3526
03:05:31,760 --> 03:05:33,040
Speaker 2: You know they've been doing what they do.

3527
03:05:33,760 --> 03:05:35,560
Speaker 23: And know we're saying what they got the name from

3528
03:05:35,640 --> 03:05:37,959
Speaker 23: that though, that's what he's trying to say.

3529
03:05:38,000 --> 03:05:40,720
Speaker 2: They got the name from my pup have to have to.

3530
03:05:41,280 --> 03:05:43,800
Speaker 2: I don't think so. Supreme is is Supreme. It came

3531
03:05:43,840 --> 03:05:46,840
Speaker 2: out in ninety five. Though Supreme is is a very

3532
03:05:46,959 --> 03:05:49,320
Speaker 2: love your positivity. No no, no, no, no, no no no.

3533
03:05:49,640 --> 03:05:53,080
Speaker 19: Honestly, honestly, are you guys in contact with Supreme And

3534
03:05:53,120 --> 03:05:53,640
Speaker 19: I want.

3535
03:05:53,480 --> 03:05:56,200
Speaker 2: To say that that's.

3536
03:05:56,959 --> 03:05:58,920
Speaker 1: That's right there.

3537
03:05:59,240 --> 03:06:01,480
Speaker 2: They would actually do collaboration.

3538
03:06:01,160 --> 03:06:10,720
Speaker 27: That's right, right, friends. I could never building ring about

3539
03:06:11,160 --> 03:06:13,039
Speaker 27: the culture. There's no way, there's no way.

3540
03:06:13,200 --> 03:06:15,240
Speaker 3: Like I said, like I said, the people from Iraq

3541
03:06:15,240 --> 03:06:17,119
Speaker 3: I was playing around earlier, but I did meet them,

3542
03:06:17,320 --> 03:06:19,960
Speaker 3: and I did realize that they did not acknowledge me

3543
03:06:20,000 --> 03:06:20,320
Speaker 3: at all.

3544
03:06:20,440 --> 03:06:24,240
Speaker 2: Right, so how did you how did that deal happen?

3545
03:06:24,440 --> 03:06:27,320
Speaker 2: You know how many bootleg records I see of your ship?

3546
03:06:27,480 --> 03:06:30,560
Speaker 2: Of course? How many? But that's but hold up, hold up,

3547
03:06:30,560 --> 03:06:31,360
Speaker 2: but but how did that?

3548
03:06:31,720 --> 03:06:33,840
Speaker 9: Like, if they didn't know about you guys, how did

3549
03:06:33,879 --> 03:06:34,520
Speaker 9: that deal happen?

3550
03:06:34,600 --> 03:06:34,720
Speaker 4: Then?

3551
03:06:35,520 --> 03:06:37,480
Speaker 3: I don't know, but I know it was through Virgil

3552
03:06:37,560 --> 03:06:41,480
Speaker 3: and Virgil. Virgil connected that, Yes, and Virgil was actually

3553
03:06:41,680 --> 03:06:42,840
Speaker 3: a cool dude to me.

3554
03:06:43,000 --> 03:06:44,760
Speaker 2: Like I kid you, not me and him.

3555
03:06:44,800 --> 03:06:45,000
Speaker 21: He was.

3556
03:06:45,480 --> 03:06:48,440
Speaker 3: He was going to design my fucking wedding, I promise

3557
03:06:48,480 --> 03:06:50,760
Speaker 3: you he Like I have the pictures of it.

3558
03:06:50,840 --> 03:06:52,720
Speaker 1: Me and Fat Joe shout out to wife and she's

3559
03:06:52,720 --> 03:06:53,879
Speaker 1: doing the juice thing right, you know.

3560
03:06:53,959 --> 03:06:59,400
Speaker 2: She got the juice wall already. You know what you

3561
03:07:00,200 --> 03:07:05,680
Speaker 2: need to approach them, regardless, But how to me with regardless?

3562
03:07:05,720 --> 03:07:08,160
Speaker 2: And there's a connected I cannot lie to you. I

3563
03:07:08,240 --> 03:07:10,280
Speaker 2: cannot lie to you. I'm trying to do without thinking

3564
03:07:10,360 --> 03:07:11,200
Speaker 2: that they stole it, but.

3565
03:07:11,320 --> 03:07:13,840
Speaker 23: Going and get something from trying to get connected with them.

3566
03:07:13,879 --> 03:07:15,520
Speaker 2: For three and a half four years, I've been trying

3567
03:07:15,520 --> 03:07:17,360
Speaker 2: to because there's no way, shape form of fact well,

3568
03:07:17,400 --> 03:07:20,360
Speaker 2: we need to all galvanized, like like we need an

3569
03:07:20,480 --> 03:07:26,600
Speaker 2: organizing name was as they took that name. We need

3570
03:07:26,680 --> 03:07:28,800
Speaker 2: to tell them that their market sharing hip hop is

3571
03:07:28,840 --> 03:07:31,800
Speaker 2: because of that name. Brother man, that's what that's what.

3572
03:07:31,879 --> 03:07:35,680
Speaker 1: That's what has to happen. Is your scape? What's another

3573
03:07:35,800 --> 03:07:38,840
Speaker 1: skate shop? What's another scape? My mayor, Vinnie, My mayor, Vinnie.

3574
03:07:38,879 --> 03:07:46,280
Speaker 1: Vinnie is down here to vision vision, let me vision,

3575
03:07:47,120 --> 03:07:48,320
Speaker 1: No no old comic book.

3576
03:07:48,400 --> 03:07:53,440
Speaker 2: I actually know. I'm gonna be honest. I believe I

3577
03:07:53,640 --> 03:07:55,960
Speaker 2: lean with him. I don't think they stolen out. I

3578
03:07:56,000 --> 03:08:00,720
Speaker 2: don't think they was hip hop company. That's without your name.

3579
03:08:02,160 --> 03:08:04,520
Speaker 23: I love that brand though, and it would be it

3580
03:08:04,560 --> 03:08:07,200
Speaker 23: would be so big for the culture for hip hop.

3581
03:08:07,280 --> 03:08:11,200
Speaker 2: Weurve for everything they'll do. It would be big for

3582
03:08:11,320 --> 03:08:14,560
Speaker 2: everything right by the name they that would that would

3583
03:08:14,560 --> 03:08:19,200
Speaker 2: be a horse shot the world. There's that we talked about.

3584
03:08:19,200 --> 03:08:23,959
Speaker 24: Man, Yes, they need to do.

3585
03:08:26,560 --> 03:08:28,800
Speaker 2: I think I think, I think, I think bring, I

3586
03:08:28,879 --> 03:08:30,920
Speaker 2: think Frame deserves that. I think you know what I mean,

3587
03:08:31,360 --> 03:08:35,680
Speaker 2: do that, man, Man, by the.

3588
03:08:35,680 --> 03:08:37,520
Speaker 1: Way, do not do that.

3589
03:08:37,959 --> 03:08:38,440
Speaker 2: They aren't doing.

3590
03:08:38,480 --> 03:08:41,080
Speaker 23: That's what I was thinking to the documentary.

3591
03:08:41,120 --> 03:08:44,000
Speaker 2: I was thinking that that would be just the skateboard move.

3592
03:08:44,240 --> 03:08:47,600
Speaker 2: I just scored a skateboard movie. Bro, I'm taking a shot.

3593
03:08:47,800 --> 03:08:51,039
Speaker 2: This is skateboarding, hip hop is anonymous and life. Yo, man,

3594
03:08:51,080 --> 03:08:57,119
Speaker 2: it's cool. Shut up when we talk about skateboard. Yeah,

3595
03:08:57,240 --> 03:09:01,360
Speaker 2: we're talking about and all the man. Yes, thank you.

3596
03:09:02,680 --> 03:09:03,240
Speaker 1: I just saw you.

3597
03:09:05,879 --> 03:09:06,080
Speaker 28: Yeah.

3598
03:09:06,640 --> 03:09:16,040
Speaker 2: I think like all right, just like drink cham.

3599
03:09:22,840 --> 03:09:26,879
Speaker 1: We gotta get it right us. It's our generation. It's

3600
03:09:26,920 --> 03:09:29,800
Speaker 1: all left up to us. Yes, that's our generation.

3601
03:09:30,000 --> 03:09:30,120
Speaker 12: Man.

3602
03:09:30,120 --> 03:09:32,280
Speaker 2: We gotta get this ship right. Man. We got yo. Man.

3603
03:09:32,320 --> 03:09:35,360
Speaker 2: I love your positivity because I know that's your thread.

3604
03:09:35,440 --> 03:09:35,640
Speaker 1: God.

3605
03:09:35,720 --> 03:09:38,600
Speaker 2: I love that ship. I love love, I love I loved.

3606
03:09:39,240 --> 03:09:40,959
Speaker 1: You used to be Yo, and I wanted to tell

3607
03:09:41,000 --> 03:09:43,279
Speaker 1: you that, man, Dan, you used to be something.

3608
03:09:44,520 --> 03:09:44,680
Speaker 2: Yo.

3609
03:09:44,879 --> 03:09:47,000
Speaker 1: You was you know like many of us. Man, you

3610
03:09:47,160 --> 03:09:48,920
Speaker 1: was an angry young man at one time.

3611
03:09:49,040 --> 03:09:49,200
Speaker 6: Man.

3612
03:09:49,360 --> 03:09:51,600
Speaker 2: He was not want to talk to anyone or anything.

3613
03:09:51,680 --> 03:09:54,760
Speaker 1: I remember reaching out to you being like yo and no, Man,

3614
03:09:54,760 --> 03:09:56,520
Speaker 1: I'm glad you want to rise and ship you like

3615
03:09:56,600 --> 03:09:58,600
Speaker 1: you know, like you said, there was that disconnect.

3616
03:09:58,640 --> 03:10:00,320
Speaker 2: You don't know how to speak to the old. Yeah,

3617
03:10:00,680 --> 03:10:03,240
Speaker 2: we gotta cut that man, Yo, Go go run up

3618
03:10:03,280 --> 03:10:06,040
Speaker 2: on the O. G Man guaranteed that nigga gonna love you, man,

3619
03:10:06,080 --> 03:10:08,360
Speaker 2: You're gonna you and the whole ship. Man. We're doing

3620
03:10:08,400 --> 03:10:14,200
Speaker 2: that right now. Man. That's why we created happened. Keep

3621
03:10:14,280 --> 03:10:16,680
Speaker 2: that ship that happened and all that ship. Man. That's

3622
03:10:16,760 --> 03:10:18,879
Speaker 2: that old way of thinking that that that fucked up.

3623
03:10:18,920 --> 03:10:20,920
Speaker 1: It's like it's like New York and now, man, Like

3624
03:10:21,080 --> 03:10:24,959
Speaker 1: we's puffing weed now in New York publicly the police exactly.

3625
03:10:25,040 --> 03:10:27,360
Speaker 1: It's crazy, man. So it's like, we gotta go with

3626
03:10:27,480 --> 03:10:29,320
Speaker 1: the new times and what's going on.

3627
03:10:29,560 --> 03:10:29,720
Speaker 2: Man.

3628
03:10:30,040 --> 03:10:32,480
Speaker 1: Like, it's so sad the past that we come from,

3629
03:10:32,680 --> 03:10:36,160
Speaker 1: and we'll always keep that in our hearts. But moving forward, man,

3630
03:10:36,200 --> 03:10:39,200
Speaker 1: we want to fucking move forward together, man, and fucking

3631
03:10:39,320 --> 03:10:39,520
Speaker 1: just just.

3632
03:10:39,600 --> 03:10:40,600
Speaker 2: Some fly niggas.

3633
03:10:42,959 --> 03:10:46,160
Speaker 11: God, I gotta go pick my kids up from school.

3634
03:10:48,520 --> 03:10:53,800
Speaker 11: I come on you family, you gotta be.

3635
03:10:59,360 --> 03:11:04,160
Speaker 2: Something later to night. But I play some what is it?

3636
03:11:04,280 --> 03:11:04,440
Speaker 29: Good?

3637
03:11:04,720 --> 03:11:08,960
Speaker 2: Good dad? Gig shout out to static selected. Yeah, Terminology

3638
03:11:09,480 --> 03:11:13,320
Speaker 2: log Yo were making history of the city.

3639
03:11:13,360 --> 03:11:19,400
Speaker 21: But this is this is crazy dope synergy that you

3640
03:11:19,520 --> 03:11:22,200
Speaker 21: got this young man had preem you got, you got,

3641
03:11:22,400 --> 03:11:26,440
Speaker 21: you got nasty, you got uh M one and everybody

3642
03:11:26,520 --> 03:11:30,760
Speaker 21: connected before drink Champs. Absolutely absolutely, this is this is

3643
03:11:30,800 --> 03:11:33,520
Speaker 21: dope to see. Man, it's dope to see y'all do now.

3644
03:11:33,440 --> 03:11:35,080
Speaker 3: We go, let me, let me, let me ask you,

3645
03:11:35,240 --> 03:11:37,680
Speaker 3: let the bather hit them? Yeah, tell us about that.

3646
03:11:38,640 --> 03:11:39,640
Speaker 3: So I just elected.

3647
03:11:39,640 --> 03:11:40,840
Speaker 1: You know what I'm saying. I did the work, and

3648
03:11:40,959 --> 03:11:43,400
Speaker 1: at them times, you know what I'm saying. You know,

3649
03:11:43,800 --> 03:11:45,640
Speaker 1: it was my growing pains, you know what I'm saying.

3650
03:11:45,680 --> 03:11:46,280
Speaker 2: I was in there.

3651
03:11:46,640 --> 03:11:50,440
Speaker 1: I was ambitious, you know, and now I learned that,

3652
03:11:50,600 --> 03:11:51,960
Speaker 1: you know what I'm saying, Like I should have just

3653
03:11:52,040 --> 03:11:54,640
Speaker 1: stayed in my lane. You know, at that time, I

3654
03:11:54,720 --> 03:11:57,040
Speaker 1: wanted to go to the highest heights them niggas was

3655
03:11:57,160 --> 03:11:59,800
Speaker 1: kings at the time. Man, it was the highest, the top,

3656
03:12:00,040 --> 03:12:01,560
Speaker 1: at the top at that time.

3657
03:12:01,920 --> 03:12:03,640
Speaker 2: And I'm in there. You know what I'm saying.

3658
03:12:03,760 --> 03:12:06,800
Speaker 1: I got my chest stuck out, you know what I mean,

3659
03:12:06,920 --> 03:12:09,160
Speaker 1: my chest stuck out. I know what I'm doing, and shit,

3660
03:12:09,240 --> 03:12:11,760
Speaker 1: I know what I know. And like, yo, nah, that

3661
03:12:11,959 --> 03:12:14,440
Speaker 1: that ship right there, you know, I'm telling him that, Nah,

3662
03:12:14,520 --> 03:12:16,840
Speaker 1: that ship right there? You know when they seeing and

3663
03:12:16,959 --> 03:12:19,039
Speaker 1: I was real bold with it, and I don't think

3664
03:12:19,080 --> 03:12:21,040
Speaker 1: they really agreed with that style, you know what I mean?

3665
03:12:21,080 --> 03:12:23,280
Speaker 1: Because I was I was a true drink champ from

3666
03:12:23,320 --> 03:12:26,760
Speaker 1: the start. Nick my mom's everybody, Like we drank coming up,

3667
03:12:26,840 --> 03:12:28,400
Speaker 1: you know what I mean, Like I drew up with

3668
03:12:28,520 --> 03:12:31,039
Speaker 1: the fucking crabs on the terrace with the little.

3669
03:12:30,920 --> 03:12:32,760
Speaker 2: Nips of Miller and shit like that.

3670
03:12:32,959 --> 03:12:35,320
Speaker 1: So I'm drinking. When you talk about drink Champs, I'm like,

3671
03:12:35,720 --> 03:12:38,520
Speaker 1: you know, I know all the beers, the big beer.

3672
03:12:38,640 --> 03:12:40,640
Speaker 2: I want to I want you to drink that. You

3673
03:12:40,879 --> 03:12:42,800
Speaker 2: go through all of those, you know what I mean,

3674
03:12:42,920 --> 03:12:45,280
Speaker 2: Like I know what it is, Harlem, I know what

3675
03:12:45,400 --> 03:12:45,640
Speaker 2: it is.

3676
03:12:45,800 --> 03:12:47,680
Speaker 1: You know what I mean. So that's what that was,

3677
03:12:47,760 --> 03:12:50,360
Speaker 1: you know, And I was coming in that light and

3678
03:12:50,920 --> 03:12:53,000
Speaker 1: you know, like how embrace the young bro right here?

3679
03:12:53,120 --> 03:12:54,760
Speaker 1: You know what I'm saying, Like I'm just telling him

3680
03:12:54,879 --> 03:12:57,320
Speaker 1: right now, like he he a little angry about like Yo,

3681
03:12:57,440 --> 03:12:58,959
Speaker 1: you know I think supreme you know me.

3682
03:12:59,040 --> 03:13:01,400
Speaker 2: Need to do And I'm like, yo, no, no, no,

3683
03:13:01,560 --> 03:13:09,360
Speaker 2: not angry exactly. It's not peace. Who's who? Well, let

3684
03:13:09,400 --> 03:13:12,160
Speaker 2: me say in better words, he feel the way and

3685
03:13:12,320 --> 03:13:16,040
Speaker 2: aggressively go in and get the collaboration. But no, no,

3686
03:13:16,400 --> 03:13:17,760
Speaker 2: it ain't not in a bad way.

3687
03:13:17,760 --> 03:13:20,879
Speaker 1: I'm just saying even that, But it's more the fact

3688
03:13:21,120 --> 03:13:23,680
Speaker 1: how he feel about that ship, like how he feels

3689
03:13:23,680 --> 03:13:26,520
Speaker 1: like damn he feel a way about that ship to exactly.

3690
03:13:26,640 --> 03:13:28,240
Speaker 1: You know what I mean, he feel a way about

3691
03:13:28,280 --> 03:13:31,039
Speaker 1: that and that's and that's what we gotta get right,

3692
03:13:31,240 --> 03:13:31,440
Speaker 1: you know.

3693
03:13:31,440 --> 03:13:34,480
Speaker 2: What I mean about how did why Cleft get in

3694
03:13:34,560 --> 03:13:38,000
Speaker 2: the video for Let the Rhythm Hit Him? He's in

3695
03:13:38,040 --> 03:13:42,560
Speaker 2: that video playing the bass. He said that the story

3696
03:13:42,680 --> 03:13:45,520
Speaker 2: is these two of some hip hop stories, for real

3697
03:13:46,360 --> 03:13:47,160
Speaker 2: hip hop story.

3698
03:13:47,840 --> 03:13:51,000
Speaker 18: That ship he worked at the bookstore. The bookstore, come on,

3699
03:13:51,800 --> 03:13:58,200
Speaker 18: you already know man, I don't know, Man, I don't know.

3700
03:13:58,360 --> 03:14:04,000
Speaker 2: Bro know No, that's when I was out the fold

3701
03:14:04,080 --> 03:14:04,400
Speaker 2: and Ship.

3702
03:14:04,800 --> 03:14:07,440
Speaker 1: They had the music already, they was good and now

3703
03:14:07,560 --> 03:14:08,720
Speaker 1: Wild Cleff was dancing.

3704
03:14:11,520 --> 03:14:12,000
Speaker 2: We're good.

3705
03:14:13,360 --> 03:14:15,320
Speaker 1: Nah, but yo, let the rhythm hit them, ship, you

3706
03:14:15,360 --> 03:14:17,320
Speaker 1: know what I mean, Like it was a learning experience

3707
03:14:17,360 --> 03:14:19,960
Speaker 1: for me. We went through a little fucking fiasco on

3708
03:14:20,080 --> 03:14:22,120
Speaker 1: the Source magazine, you know what I mean. I did

3709
03:14:22,160 --> 03:14:24,320
Speaker 1: the interview, you know what I mean, niggas do me.

3710
03:14:24,440 --> 03:14:27,000
Speaker 1: They was like, Yo, it's gonna be off, It's gonna

3711
03:14:27,000 --> 03:14:29,200
Speaker 1: be off the off the record, you know what I mean.

3712
03:14:29,280 --> 03:14:31,120
Speaker 1: We're talking off the record, and all the ship that

3713
03:14:31,200 --> 03:14:33,560
Speaker 1: I was saying to them quietly wound up on the record.

3714
03:14:33,959 --> 03:14:35,520
Speaker 1: And then it just caused, you know what I mean,

3715
03:14:35,600 --> 03:14:38,080
Speaker 1: like a little wrath and ship like I.

3716
03:14:38,120 --> 03:14:41,480
Speaker 2: Was admitting that you produced the whole album, right, which

3717
03:14:41,640 --> 03:14:42,840
Speaker 2: was facts, just facts.

3718
03:14:43,879 --> 03:14:48,000
Speaker 1: But in the in, in the process, you know, there's

3719
03:14:48,000 --> 03:14:51,000
Speaker 1: an industry thing that you do where you smooth things over,

3720
03:14:52,080 --> 03:14:53,080
Speaker 1: your buffer.

3721
03:14:52,840 --> 03:14:55,440
Speaker 2: Things and you do like problems with you and Eric

3722
03:14:55,480 --> 03:14:56,080
Speaker 2: B because of that.

3723
03:14:56,680 --> 03:14:59,480
Speaker 1: No, there was never a problem, Nigga. There's this fucking

3724
03:14:59,680 --> 03:15:02,280
Speaker 1: myth out there about every bee put his hands on me.

3725
03:15:02,920 --> 03:15:07,320
Speaker 1: Never that never that he is the flyes nigga on earth. Man,

3726
03:15:07,400 --> 03:15:09,920
Speaker 1: that niggas too cool to put his hands like he do.

3727
03:15:09,920 --> 03:15:11,920
Speaker 1: That nigga too cool to even give you a pound.

3728
03:15:12,879 --> 03:15:15,840
Speaker 2: He ain't gonna yo, yo.

3729
03:15:16,280 --> 03:15:18,120
Speaker 1: Man, that's that's a fly nigga. And I was so

3730
03:15:18,360 --> 03:15:21,400
Speaker 1: fucking privileged to have seen them niggas and they fucking.

3731
03:15:22,760 --> 03:15:27,560
Speaker 2: That's another man.

3732
03:15:27,840 --> 03:15:29,960
Speaker 1: I could never Man, I could never, man, you know

3733
03:15:30,000 --> 03:15:32,200
Speaker 1: what I'm saying, I can never discount that ship man,

3734
03:15:32,280 --> 03:15:35,640
Speaker 1: the guards, the guards, the big bros, the kings at

3735
03:15:35,680 --> 03:15:37,600
Speaker 1: that time, let me in the building.

3736
03:15:37,640 --> 03:15:38,200
Speaker 2: You know what I'm saying.

3737
03:15:38,240 --> 03:15:42,160
Speaker 1: I'm you know, glasses and glasses ass nigga coming from

3738
03:15:42,280 --> 03:15:47,160
Speaker 1: Flushing Queens, coming from the wackiest part of town trying

3739
03:15:47,200 --> 03:15:50,800
Speaker 1: to rap with you. You know, I got everything against me. Nigga,

3740
03:15:51,600 --> 03:15:53,400
Speaker 1: did you feel with your glasses?

3741
03:15:53,520 --> 03:15:55,680
Speaker 2: No? No, no, no, I didn't. But that's how niggas

3742
03:15:55,680 --> 03:15:58,320
Speaker 2: see me. That's real because one thing I said, you

3743
03:15:58,360 --> 03:16:00,600
Speaker 2: can't see me. We did. He did People's party. We

3744
03:16:00,600 --> 03:16:02,480
Speaker 2: ain't put it out yet, but we talked. We ain't

3745
03:16:02,480 --> 03:16:05,000
Speaker 2: put it. I thought that was already out with last professor. Yeah,

3746
03:16:05,440 --> 03:16:06,920
Speaker 2: I swear my mind, I said.

3747
03:16:07,000 --> 03:16:09,840
Speaker 21: I said, for me coming in and coming in from

3748
03:16:10,240 --> 03:16:12,840
Speaker 21: as a hip hop person, not from the street side,

3749
03:16:13,360 --> 03:16:16,320
Speaker 21: to see this man with his afro, yo, I gotta.

3750
03:16:16,120 --> 03:16:34,840
Speaker 2: As he did. He had a little glasses. It was bully.

3751
03:16:35,000 --> 03:16:38,600
Speaker 1: It was funny because look, man, I took on a

3752
03:16:38,760 --> 03:16:42,040
Speaker 1: hard life. I didn't have to. But the way I

3753
03:16:42,280 --> 03:16:44,800
Speaker 1: was raised, I was raised with every like how every

3754
03:16:44,840 --> 03:16:47,600
Speaker 1: one of us was with the fucking template. You gotta

3755
03:16:47,600 --> 03:16:49,720
Speaker 1: get the house to call the kid, the money, the

3756
03:16:49,840 --> 03:16:52,840
Speaker 1: kid to home, that type ship. That's what everybody's raised,

3757
03:16:52,840 --> 03:16:54,480
Speaker 1: you know what I mean. So I was going for

3758
03:16:54,600 --> 03:16:57,040
Speaker 1: that ship, and it was a little hard for me

3759
03:16:57,160 --> 03:16:59,879
Speaker 1: because I was like a hip hop purist. So when

3760
03:16:59,879 --> 03:17:01,800
Speaker 1: I get into the industry and I've seen the town,

3761
03:17:01,879 --> 03:17:03,680
Speaker 1: fool of read that was going on in the industry.

3762
03:17:03,760 --> 03:17:06,520
Speaker 1: I'm like, hold up, Nah, hold up that niggas faking

3763
03:17:06,560 --> 03:17:10,160
Speaker 1: the funk, Like oh no, this is this is.

3764
03:17:10,200 --> 03:17:12,840
Speaker 2: The girl hip hop purism, Like we all followed you,

3765
03:17:13,720 --> 03:17:14,400
Speaker 2: That's what I'm saying.

3766
03:17:14,560 --> 03:17:16,360
Speaker 1: So now I'm starting to call that ship, you know

3767
03:17:16,400 --> 03:17:16,680
Speaker 1: what I mean?

3768
03:17:16,760 --> 03:17:16,920
Speaker 2: And that.

3769
03:17:17,240 --> 03:17:19,560
Speaker 1: But on the outside, to the younger to the young bros,

3770
03:17:19,560 --> 03:17:21,720
Speaker 1: they're like, yo, that thing is disgruntled, Like why he

3771
03:17:21,800 --> 03:17:26,320
Speaker 1: always complaining like he always complained about the industry, Like like.

3772
03:17:28,720 --> 03:17:31,080
Speaker 2: You know, I had the mushroom cut with the bookroom hat,

3773
03:17:31,800 --> 03:17:34,720
Speaker 2: with the crazy glasses. Niggas was like I'm getting.

3774
03:17:36,320 --> 03:17:38,600
Speaker 1: Like, it's just what it was.

3775
03:17:38,840 --> 03:17:41,040
Speaker 2: It's just what you're doing what everybody else wasn't.

3776
03:17:41,160 --> 03:17:43,320
Speaker 1: I love, But I want to write a song one day,

3777
03:17:43,360 --> 03:17:45,000
Speaker 1: and I want to write a song called kid on

3778
03:17:45,120 --> 03:17:48,120
Speaker 1: the cover, and I want to talk about who that

3779
03:17:48,360 --> 03:17:50,560
Speaker 1: kid was, you know what I mean, because I know

3780
03:17:50,760 --> 03:17:53,720
Speaker 1: who that was, you know what I mean? And yeah,

3781
03:17:54,080 --> 03:17:56,840
Speaker 1: who lost professor was at that time? You know, I

3782
03:17:57,000 --> 03:17:59,160
Speaker 1: know why NAS had to you know what I mean

3783
03:17:59,280 --> 03:18:01,440
Speaker 1: kind of like you know, because it was a different

3784
03:18:01,480 --> 03:18:03,120
Speaker 1: I was on a different mission, you know.

3785
03:18:03,440 --> 03:18:05,480
Speaker 2: Point That's that that was the that was the illest thing.

3786
03:18:05,840 --> 03:18:09,480
Speaker 2: At one point you and I was like motherfucking Quincy

3787
03:18:09,640 --> 03:18:14,640
Speaker 2: and Mike question and then and then it disappeared what

3788
03:18:14,800 --> 03:18:15,920
Speaker 2: had happened at that time?

3789
03:18:16,120 --> 03:18:18,920
Speaker 1: Well, Steve Stout, I'm asking I had a different I

3790
03:18:19,000 --> 03:18:19,879
Speaker 1: had a different.

3791
03:18:19,800 --> 03:18:20,920
Speaker 2: Well Steve Steve.

3792
03:18:21,080 --> 03:18:24,480
Speaker 1: Actually one time Steve came through and he was he

3793
03:18:24,680 --> 03:18:27,800
Speaker 1: came through for a kid and play remix that I did,

3794
03:18:28,280 --> 03:18:30,119
Speaker 1: so he used to manage here.

3795
03:18:30,120 --> 03:18:39,640
Speaker 30: This kidding, Yeah, I feel the same play before I know,

3796
03:18:40,120 --> 03:18:41,520
Speaker 30: but I want to hear this reason.

3797
03:18:41,879 --> 03:18:44,720
Speaker 1: But like Steve, Steve was down with like everybody in

3798
03:18:44,800 --> 03:18:47,520
Speaker 1: the hearst Early like he was down with the East

3799
03:18:47,560 --> 03:18:48,640
Speaker 1: Elmhurst community.

3800
03:18:49,200 --> 03:18:51,360
Speaker 3: Steve Stout really trying to look out for me. I

3801
03:18:51,560 --> 03:18:55,440
Speaker 3: was like, too fucking dumb and too fucking young, and

3802
03:18:55,520 --> 03:19:00,000
Speaker 3: two gangster like that'suff came along, came.

3803
03:19:01,080 --> 03:19:05,640
Speaker 1: Very like me do with me.

3804
03:19:05,760 --> 03:19:07,760
Speaker 2: But don't remember his interview.

3805
03:19:08,080 --> 03:19:11,400
Speaker 9: He was very opinionated in what he thought was good

3806
03:19:11,480 --> 03:19:14,480
Speaker 9: and bad about me, but in general on hip hop.

3807
03:19:14,560 --> 03:19:16,960
Speaker 1: And but that's the whole ship that we need. We

3808
03:19:17,160 --> 03:19:20,600
Speaker 1: need instead of the older bros like saying, oh that

3809
03:19:20,720 --> 03:19:23,040
Speaker 1: nigga man, I can't, like, I gotta get away from that.

3810
03:19:23,400 --> 03:19:26,360
Speaker 1: Just explain like, yo, you're doing it like you said

3811
03:19:26,400 --> 03:19:27,080
Speaker 1: he was doing that.

3812
03:19:27,280 --> 03:19:30,880
Speaker 2: Man. Know, I'm saying this is what we needed need

3813
03:19:30,920 --> 03:19:35,800
Speaker 2: a documentary about. You know we're gonna do anyway in

3814
03:19:35,920 --> 03:19:39,039
Speaker 2: an animal fucking movie and all that. Can I ask

3815
03:19:39,120 --> 03:19:42,240
Speaker 2: the questions everybody? Here is what I think. And let's

3816
03:19:42,280 --> 03:19:44,360
Speaker 2: get this. You could put if you could put the

3817
03:19:44,640 --> 03:19:48,800
Speaker 2: Golden Era in an asterisk, right, and what an asterisk

3818
03:19:49,520 --> 03:19:54,760
Speaker 2: in a parentheses asteris asteris whatever. I don't know if

3819
03:19:54,760 --> 03:19:59,880
Speaker 2: I speak the right language, speaking of the span as

3820
03:20:00,040 --> 03:20:03,360
Speaker 2: an ass not right, that's not to me. So let's

3821
03:20:03,400 --> 03:20:04,960
Speaker 2: just say you put the gold there in there right

3822
03:20:05,040 --> 03:20:09,280
Speaker 2: for me? I believe, in my opinion, main source is

3823
03:20:09,320 --> 03:20:15,040
Speaker 2: the beginning of that beginning of the Golden ERAa no, no, no, no,

3824
03:20:15,280 --> 03:20:17,600
Speaker 2: Jungle Brothers and all of them. Bro hold up, we're

3825
03:20:17,680 --> 03:20:20,960
Speaker 2: I'm not asking you. I'm asking everybody else. You're not.

3826
03:20:21,120 --> 03:20:23,600
Speaker 2: You're not I'm not asking. I want to. I want to.

3827
03:20:23,879 --> 03:20:27,960
Speaker 2: I want to help year the fast right year to

3828
03:20:28,000 --> 03:20:31,640
Speaker 2: breaking at them. I think it's ninety two right, Okay.

3829
03:20:32,080 --> 03:20:34,040
Speaker 1: Knowledge, That's all we did was moving knowledge.

3830
03:20:34,400 --> 03:20:36,280
Speaker 2: Shout out to Dante Royd. What do you think? What

3831
03:20:36,360 --> 03:20:36,680
Speaker 2: do you think?

3832
03:20:36,720 --> 03:20:36,840
Speaker 5: Oh?

3833
03:20:36,879 --> 03:20:40,360
Speaker 2: Shout out to Dante ros why we shouting down? Really,

3834
03:20:40,400 --> 03:20:42,080
Speaker 2: you don't want to set them out. They ain't humble,

3835
03:20:42,160 --> 03:20:46,720
Speaker 2: No moms, the quarter with fucking paradise grating all of them.

3836
03:20:47,080 --> 03:20:49,280
Speaker 29: And from when I did my research, that started the

3837
03:20:49,320 --> 03:20:52,119
Speaker 29: Golden Era the Latin quarters because.

3838
03:20:52,120 --> 03:20:54,560
Speaker 1: So does that include what I'm saying or no, Well

3839
03:20:54,640 --> 03:20:57,080
Speaker 1: everyone has a different Golden Well remember.

3840
03:21:00,160 --> 03:21:03,480
Speaker 12: Only speaking musically because remember I'm not I'm not in

3841
03:21:03,560 --> 03:21:03,959
Speaker 12: New Yorks.

3842
03:21:04,160 --> 03:21:06,480
Speaker 2: Just want to ask about the year shout out beautiful.

3843
03:21:07,040 --> 03:21:10,000
Speaker 2: By the way, I'm not going here, this is my music.

3844
03:21:10,640 --> 03:21:12,080
Speaker 2: I'm not say.

3845
03:21:15,840 --> 03:21:16,800
Speaker 1: He was signing.

3846
03:21:18,280 --> 03:21:23,360
Speaker 2: King ready to being right? All these woman keep going.

3847
03:21:25,840 --> 03:21:31,000
Speaker 2: So this that's what you call it this year? Because

3848
03:21:31,320 --> 03:21:34,280
Speaker 2: my theory is that the that the era that we

3849
03:21:35,160 --> 03:21:37,440
Speaker 2: sorry sorry, do you believe in the Golden Era like that?

3850
03:21:37,600 --> 03:21:38,360
Speaker 1: That is that?

3851
03:21:38,680 --> 03:21:41,200
Speaker 2: That is a thing? Yeah, yeah, I do. But but

3852
03:21:41,360 --> 03:21:42,760
Speaker 2: it's subjective, okay.

3853
03:21:45,160 --> 03:21:47,959
Speaker 12: From jeeing us here, subjective for waiting on the salmon,

3854
03:21:48,240 --> 03:21:49,120
Speaker 12: what you you're born and.

3855
03:21:49,200 --> 03:21:51,760
Speaker 2: What's your tenure Golden ever time? So for me, Golden

3856
03:21:51,800 --> 03:21:52,560
Speaker 2: Ever starts a.

3857
03:21:52,600 --> 03:21:54,760
Speaker 21: Tenure time frame. For me, it's nineteen eighty eight, so

3858
03:21:54,920 --> 03:21:58,240
Speaker 21: you look ninety eight. I'm just saying eighty eight period.

3859
03:21:58,680 --> 03:22:02,120
Speaker 21: I'm saying starting I'm saying, I'm saying, I'm saying, all

3860
03:22:02,200 --> 03:22:04,960
Speaker 21: the albums that came out in eighty eight are the

3861
03:22:05,160 --> 03:22:09,960
Speaker 21: albums that that define for me from my eerr what

3862
03:22:10,280 --> 03:22:11,320
Speaker 21: a hip hop record.

3863
03:22:11,120 --> 03:22:13,320
Speaker 2: Is supposed to sound. Because it was like samples like

3864
03:22:13,480 --> 03:22:19,640
Speaker 2: that sample lyricism, and it's lyricism E P D. It's

3865
03:22:19,760 --> 03:22:23,040
Speaker 2: all this, all that lyricism starts there and but and

3866
03:22:23,320 --> 03:22:28,520
Speaker 2: his n W A and J Jeff Yeah, oh my,

3867
03:22:29,200 --> 03:22:30,640
Speaker 2: you know what I'm saying. But you know what's funny

3868
03:22:31,200 --> 03:22:35,680
Speaker 2: in my opinion, No, no, no, that is the predecessor

3869
03:22:35,920 --> 03:22:38,280
Speaker 2: to the Golden Era in my I do have this.

3870
03:22:38,760 --> 03:22:41,320
Speaker 2: You did mention this? Yeah, what's that right that? What's

3871
03:22:41,360 --> 03:22:41,840
Speaker 2: that right there?

3872
03:22:44,360 --> 03:22:48,199
Speaker 1: Grab ship, That's that's your lineage. That's what you actually

3873
03:22:48,360 --> 03:22:50,720
Speaker 1: need to listen to this because you the hustling lineage.

3874
03:22:51,280 --> 03:22:53,120
Speaker 1: He's talking a lot of you know, chilling on the

3875
03:22:53,200 --> 03:22:55,800
Speaker 1: sofa with my dollar sign sweater. He said that on

3876
03:22:55,959 --> 03:22:58,160
Speaker 1: this you know what I mean, Like yo, he said

3877
03:22:58,160 --> 03:22:59,680
Speaker 1: a lot of fly. He got a joint call on.

3878
03:22:59,760 --> 03:23:03,080
Speaker 21: Fly on this listen then and the and the Rap

3879
03:23:04,240 --> 03:23:09,959
Speaker 21: g Rapp g rap preceide Big Time Guarantee because rabbit.

3880
03:23:10,240 --> 03:23:11,039
Speaker 2: Curtains, ball.

3881
03:23:12,640 --> 03:23:14,600
Speaker 21: G rapping, big punt and then if you listen to

3882
03:23:14,640 --> 03:23:16,400
Speaker 21: Black Door, your Black Door.

3883
03:23:17,920 --> 03:23:23,440
Speaker 2: G rap and Big Daddy camee mixed together. Also Philly Ship. Listen, listen.

3884
03:23:23,480 --> 03:23:26,120
Speaker 12: The black thought is one of the hillis mcs to

3885
03:23:26,240 --> 03:23:30,040
Speaker 12: ever live, to ever live, Man, I don't think he

3886
03:23:30,280 --> 03:23:33,040
Speaker 12: came from the knowledge soon enough credit that he needs.

3887
03:23:33,080 --> 03:23:35,720
Speaker 1: He brought him to the staircase. Man, he didn't, He didn't.

3888
03:23:35,879 --> 03:23:38,200
Speaker 1: He didn't he like you know he was. We brought

3889
03:23:38,280 --> 03:23:39,080
Speaker 1: him to the staircase.

3890
03:23:39,080 --> 03:23:42,240
Speaker 2: I think, black. Do you know the staircase?

3891
03:23:42,320 --> 03:23:45,760
Speaker 1: No, no, no, we didn't say. We didn't say. We said,

3892
03:23:46,600 --> 03:23:49,320
Speaker 1: we said, we said the staircase. That's where niggas sit

3893
03:23:49,440 --> 03:23:52,600
Speaker 1: there and they listened and they listen to music. That's

3894
03:23:52,600 --> 03:23:54,360
Speaker 1: the way we listened to our music.

3895
03:23:54,520 --> 03:23:55,560
Speaker 2: And the staircase.

3896
03:23:55,480 --> 03:24:00,240
Speaker 1: Staircase no, not by itself. With many of us need

3897
03:24:00,360 --> 03:24:02,800
Speaker 1: us brothers, and we will have for one of us.

3898
03:24:03,120 --> 03:24:05,440
Speaker 12: We would have many of us see and call out

3899
03:24:05,560 --> 03:24:08,440
Speaker 12: Towers is a dark staircase and we're just there.

3900
03:24:08,560 --> 03:24:09,520
Speaker 2: It's well lit and.

3901
03:24:11,760 --> 03:24:15,240
Speaker 1: This year pieces all why in call out so we

3902
03:24:15,320 --> 03:24:19,120
Speaker 1: could we could accommodate many So many have claimed going

3903
03:24:19,320 --> 03:24:22,360
Speaker 1: to our Yeah, man, it's really nice man. And we're

3904
03:24:22,360 --> 03:24:24,800
Speaker 1: sitting there and the ship is echoing off the walls.

3905
03:24:25,600 --> 03:24:30,200
Speaker 1: Were being there playing Mary j blocking glens all that ship. No,

3906
03:24:30,360 --> 03:24:33,120
Speaker 1: because that's like my man late for dinner. That's where

3907
03:24:33,160 --> 03:24:35,400
Speaker 1: they at, Like my man late for dinner. He'll pull

3908
03:24:35,480 --> 03:24:38,640
Speaker 1: out the motherfucking generator and the turntables. I met him

3909
03:24:39,000 --> 03:24:41,879
Speaker 1: in the b X, like the rabbi. Rabbi dok Syde

3910
03:24:41,920 --> 03:24:47,320
Speaker 1: big up him. Man, he's a very very very rabbi

3911
03:24:47,440 --> 03:24:50,000
Speaker 1: dog side. Yes, sir, no doubt that.

3912
03:24:50,160 --> 03:24:59,880
Speaker 2: The first hop I'm gonna tell you this. I'm gonna

3913
03:25:00,080 --> 03:25:04,080
Speaker 2: you this. He's a no. But listen, no, no, I'll

3914
03:25:04,120 --> 03:25:05,160
Speaker 2: tell you this. Rabbi.

3915
03:25:05,200 --> 03:25:06,640
Speaker 1: I was just building with him and he's like, Yo,

3916
03:25:06,920 --> 03:25:09,120
Speaker 1: I just ran this marathon real quick, I'm about to

3917
03:25:09,200 --> 03:25:11,400
Speaker 1: run this net. So we we we're just gonna leave

3918
03:25:11,440 --> 03:25:14,600
Speaker 1: that right there. You know what, Rabbi, that's the Rabbi.

3919
03:25:14,959 --> 03:25:17,400
Speaker 1: So he said he sent late. He was like, Yo,

3920
03:25:17,560 --> 03:25:20,160
Speaker 1: go to the BX and see loss professor and late

3921
03:25:20,200 --> 03:25:21,840
Speaker 1: you know he came through yet this girl with him

3922
03:25:21,879 --> 03:25:23,640
Speaker 1: and he's like, Yo, what up man? Yo, the Rabbi

3923
03:25:23,760 --> 03:25:26,600
Speaker 1: sent me and so boom he was like, Yo, I'm

3924
03:25:26,600 --> 03:25:29,480
Speaker 1: gonna go to the amphitheat. I'm gonna bring the turntables

3925
03:25:29,560 --> 03:25:32,520
Speaker 1: and the generator and the records out like wow up

3926
03:25:33,240 --> 03:25:41,640
Speaker 1: like wowated Wild the brother recated Wild Staff and Yo.

3927
03:25:42,080 --> 03:25:44,879
Speaker 1: I zoomed down there real quick. So that's where we're

3928
03:25:44,879 --> 03:25:48,080
Speaker 1: at with the youngins right now. Like they've a lot, Man,

3929
03:25:48,120 --> 03:25:48,840
Speaker 1: I need one of those.

3930
03:25:48,959 --> 03:25:51,920
Speaker 2: Is this drink MPs? I need to hood, I need

3931
03:25:51,959 --> 03:25:54,160
Speaker 2: the hood you everything I got you, I got you.

3932
03:25:57,000 --> 03:26:00,560
Speaker 2: Where's the drink? Like we got them from? I got you?

3933
03:26:00,959 --> 03:26:03,240
Speaker 3: Let me just tell you something I got you. You

3934
03:26:03,520 --> 03:26:06,879
Speaker 3: got you all the quaint essential guests that we want.

3935
03:26:06,720 --> 03:26:12,240
Speaker 2: To absolutely you legends like a million times, a few times,

3936
03:26:12,280 --> 03:26:14,440
Speaker 2: a million times we finished. Let me give you your flowers,

3937
03:26:14,680 --> 03:26:19,640
Speaker 2: large bro in a lot of ways, Marley ma large

3938
03:26:19,680 --> 03:26:22,240
Speaker 2: Pro if it does If it's no Molly mar and

3939
03:26:22,320 --> 03:26:28,760
Speaker 2: there's no large Pro, there's no drink Champs. You want

3940
03:26:28,840 --> 03:26:30,560
Speaker 2: to break it down for you, that's I mean, we

3941
03:26:30,600 --> 03:26:32,320
Speaker 2: could go through all the branch. Let me break Let

3942
03:26:32,360 --> 03:26:36,959
Speaker 2: me give you a bunch of bands. Say yes, he's

3943
03:26:37,400 --> 03:26:38,920
Speaker 2: but let me just break it down for you to

3944
03:26:39,040 --> 03:26:41,080
Speaker 2: get your long wait. Let me let me bring you.

3945
03:26:44,480 --> 03:26:48,920
Speaker 3: Put your connections to nas nas with his connection to connect, leave.

3946
03:26:48,879 --> 03:26:54,800
Speaker 2: His connection to me. If it wasn't for you, it

3947
03:26:55,040 --> 03:27:01,200
Speaker 2: might not be n O R. That's real because of you.

3948
03:27:03,000 --> 03:27:05,320
Speaker 2: I mean you know I did good at school man.

3949
03:27:11,000 --> 03:27:12,400
Speaker 2: We took all there.

3950
03:27:13,520 --> 03:27:15,760
Speaker 3: Yeah, if it wasn't for you, they might not be

3951
03:27:16,440 --> 03:27:19,080
Speaker 3: an r A, they might not be a CNN, they

3952
03:27:19,160 --> 03:27:21,440
Speaker 3: might not be tours man, might not be.

3953
03:27:23,160 --> 03:27:25,960
Speaker 2: Yes, listen, but let me give you your flowers. Bro

3954
03:27:26,160 --> 03:27:31,959
Speaker 2: to two three four five coming, I'll be Yeah, you're welcome.

3955
03:27:32,000 --> 03:27:34,360
Speaker 3: Anytime you're gonna get your flowers, you donna get your

3956
03:27:34,480 --> 03:27:35,760
Speaker 3: props to day.

3957
03:27:35,959 --> 03:27:42,080
Speaker 2: Appreciate you, bro, right now. My brother really the pops

3958
03:27:42,240 --> 03:27:45,760
Speaker 2: was on the ball. There's still not hold on about

3959
03:27:45,760 --> 03:27:47,440
Speaker 2: you today. It's what used today. Let me just tell

3960
03:27:47,440 --> 03:27:50,200
Speaker 2: you something large, bro, because my used to chill left

3961
03:27:50,280 --> 03:27:52,760
Speaker 2: right to with the brother from Let me give you

3962
03:27:52,959 --> 03:27:56,000
Speaker 2: your props. Let me give you your prop. You see

3963
03:27:56,040 --> 03:27:58,800
Speaker 2: this brother right here, that's your bro. You see this

3964
03:27:58,920 --> 03:28:01,280
Speaker 2: brother right here. You see his brother right here. You

3965
03:28:01,360 --> 03:28:04,000
Speaker 2: see and one. We are all here because of you,

3966
03:28:04,040 --> 03:28:10,680
Speaker 2: absolute you. We're not you got here. Although everyone loves

3967
03:28:10,760 --> 03:28:13,320
Speaker 2: Japanese whiskey, yes, yes as well.

3968
03:28:14,440 --> 03:28:14,880
Speaker 1: I saw you.

3969
03:28:15,040 --> 03:28:16,039
Speaker 2: I saw your hot ones.

3970
03:28:16,200 --> 03:28:27,080
Speaker 3: But taking it back about you, that was like, let

3971
03:28:27,120 --> 03:28:28,880
Speaker 3: me tell you something. I gotta give your flowers. You

3972
03:28:28,920 --> 03:28:31,279
Speaker 3: got to embrace it because I see you deflected.

3973
03:28:31,680 --> 03:28:39,199
Speaker 2: That's what you're doing. You're deflecting because your use collection.

3974
03:28:39,600 --> 03:28:44,720
Speaker 2: We got talking about it. Come on, you know your

3975
03:28:44,840 --> 03:28:48,800
Speaker 2: large pro Please Bro, accept it. But you know what

3976
03:28:48,920 --> 03:28:51,920
Speaker 2: I can do. I can give your flowers. I can

3977
03:28:52,000 --> 03:28:53,000
Speaker 2: give you your props.

3978
03:28:53,040 --> 03:28:56,360
Speaker 3: I can give you your praises because I'm being honest,

3979
03:28:56,480 --> 03:28:56,840
Speaker 3: large pro.

3980
03:28:56,959 --> 03:29:01,960
Speaker 2: You deserve it. Just accepted, just because you know what

3981
03:29:02,080 --> 03:29:06,680
Speaker 2: you talk about. You know, my sister, great, great god,

3982
03:29:15,640 --> 03:29:26,119
Speaker 2: come down, list listen. I am listen.

3983
03:29:26,360 --> 03:29:26,840
Speaker 1: Large Bro.

3984
03:29:27,800 --> 03:29:31,360
Speaker 2: You are a god. You are a legend, you are icon.

3985
03:29:31,959 --> 03:29:35,160
Speaker 2: You you deserve everything that we are talking to you

3986
03:29:35,240 --> 03:29:36,280
Speaker 2: about right now.

3987
03:29:38,040 --> 03:29:40,240
Speaker 12: Hold hold on, hold on, let me take it away

3988
03:29:40,240 --> 03:29:42,160
Speaker 12: from because this is You're gonna be used to a

3989
03:29:42,280 --> 03:29:44,600
Speaker 12: queen's guy giving you queen's love.

3990
03:29:45,040 --> 03:29:46,200
Speaker 2: This is a Miami guy.

3991
03:29:47,120 --> 03:29:47,240
Speaker 5: You know.

3992
03:29:47,600 --> 03:29:50,120
Speaker 2: I'm just a hip hop head. Yes, and you are

3993
03:29:50,200 --> 03:29:55,120
Speaker 2: a legend. Did you used to break? I tried, I try,

3994
03:29:56,120 --> 03:29:58,440
Speaker 2: I popped, I locked your feet. I did everything.

3995
03:29:58,800 --> 03:29:59,840
Speaker 5: I did everything.

3996
03:30:01,280 --> 03:30:02,439
Speaker 2: That was everything.

3997
03:30:03,800 --> 03:30:09,120
Speaker 12: And now we love you, dog. You mean everything was

3998
03:30:10,120 --> 03:30:13,200
Speaker 12: everything to us. You know that, honest, honestly honestly, you

3999
03:30:14,040 --> 03:30:16,760
Speaker 12: are legacy, calling you are legacy and hip hop that

4000
03:30:16,879 --> 03:30:17,680
Speaker 12: he so much.

4001
03:30:19,400 --> 03:30:29,200
Speaker 2: We call me, we say, but I don't know he's borrowing.

4002
03:30:33,000 --> 03:30:35,800
Speaker 2: But no one last pro man. I'm being honest. Man,

4003
03:30:35,840 --> 03:30:38,120
Speaker 2: I love you. Man, Let me get to you, Let

4004
03:30:38,160 --> 03:30:47,520
Speaker 2: me take such section two. I'm like, you're gonna take

4005
03:30:47,560 --> 03:30:50,080
Speaker 2: the next gona take the bus next year.

4006
03:30:50,360 --> 03:30:52,600
Speaker 3: It because I know how humble you are and that

4007
03:30:52,840 --> 03:30:56,920
Speaker 3: that makes you even more a better person to to to.

4008
03:30:57,959 --> 03:31:02,720
Speaker 3: But I wanted to tell you you are really a legend,

4009
03:31:02,760 --> 03:31:06,200
Speaker 3: you are really an icon. You are really When we

4010
03:31:06,320 --> 03:31:09,440
Speaker 3: based this show, we said we wanted to give flowers

4011
03:31:09,480 --> 03:31:14,400
Speaker 3: to the people that matter, that matter to us, that

4012
03:31:14,520 --> 03:31:17,000
Speaker 3: matters to real hip hop. And I'm gonna be honest

4013
03:31:17,040 --> 03:31:19,840
Speaker 3: with you. You was top five of our first guests

4014
03:31:20,480 --> 03:31:23,080
Speaker 3: we ever did it. And the fact that I had

4015
03:31:23,160 --> 03:31:26,720
Speaker 3: your phone number and I didn't want to take advantage because.

4016
03:31:26,480 --> 03:31:29,480
Speaker 2: I was I was texting you and he was like, yeah, maybe,

4017
03:31:30,800 --> 03:31:31,080
Speaker 2: but you.

4018
03:31:31,400 --> 03:31:35,600
Speaker 1: Know how you text great date great weather outside.

4019
03:31:36,840 --> 03:31:49,920
Speaker 2: I said, no, you know trauma.

4020
03:31:50,000 --> 03:31:53,360
Speaker 1: And now he's on the left, he's on the love shide,

4021
03:31:54,160 --> 03:31:55,240
Speaker 1: He's on the love shide.

4022
03:31:56,840 --> 03:32:04,120
Speaker 31: I love it, But brother, I'm gonna be honest that ship.

4023
03:32:04,280 --> 03:32:06,680
Speaker 31: I'm gonna be honest with you. Love, no no, and

4024
03:32:06,800 --> 03:32:10,600
Speaker 31: all seriousness from some ship. Yeah yeah, but all seriousness you.

4025
03:32:11,120 --> 03:32:17,120
Speaker 31: You are really a legend, bro. No no for you lord, Yo,

4026
03:32:18,040 --> 03:32:18,320
Speaker 31: hold on.

4027
03:32:18,320 --> 03:32:22,360
Speaker 2: Hold number nine. Shout out. Shouts to Jasmine, shout out

4028
03:32:22,400 --> 03:32:23,160
Speaker 2: to people's.

4029
03:32:22,879 --> 03:32:26,400
Speaker 28: Are listen Yo, the podcast amazing. You love your podcast.

4030
03:32:26,480 --> 03:32:29,400
Speaker 28: That's just easy on not saying you we love you,

4031
03:32:30,480 --> 03:32:33,720
Speaker 28: cousin podcast. Son is crazy, my son and my daughter

4032
03:32:33,760 --> 03:32:35,840
Speaker 28: and everything. But like like nor, he said, we're giving

4033
03:32:35,879 --> 03:32:37,600
Speaker 28: you your flower your day.

4034
03:32:37,720 --> 03:32:40,280
Speaker 2: Man, what I'm saying he's not reflected because you know

4035
03:32:40,360 --> 03:32:43,240
Speaker 2: why a large bro. Man. Let me just tell you something. Listen,

4036
03:32:43,360 --> 03:32:46,680
Speaker 2: no real talk. We was aflector dot com to get

4037
03:32:46,720 --> 03:32:51,199
Speaker 2: Oh that's my trying to make yourself whole. He trying

4038
03:32:51,240 --> 03:32:52,879
Speaker 2: to fucking beat the people's.

4039
03:32:53,000 --> 03:32:56,280
Speaker 1: But you know what I mean, I'm like, Yo, no, Brontu,

4040
03:32:56,400 --> 03:32:59,240
Speaker 1: here you take on that whole, but he's taking on

4041
03:32:59,320 --> 03:33:00,879
Speaker 1: the whole ship or lost.

4042
03:33:04,600 --> 03:33:09,560
Speaker 2: In case you give each other. In case you don't know,

4043
03:33:09,760 --> 03:33:13,800
Speaker 2: lost bro, this is yes, we are here for you. Yes,

4044
03:33:13,920 --> 03:33:14,640
Speaker 2: we are here for you.

4045
03:33:14,840 --> 03:33:18,400
Speaker 3: You deserve your flowers, lost bro, Look, you deserve your flowers.

4046
03:33:19,240 --> 03:33:20,160
Speaker 2: You look into his eyes.

4047
03:33:20,480 --> 03:33:24,840
Speaker 4: Yes, yes, he's not doing that to joe yash Medo

4048
03:33:25,000 --> 03:33:28,560
Speaker 4: joy look at you, look at his ice to your

4049
03:33:28,680 --> 03:33:30,840
Speaker 4: see what do you see?

4050
03:33:31,800 --> 03:33:34,200
Speaker 2: Look right now he's sampled your eyeballs.

4051
03:33:34,800 --> 03:33:37,200
Speaker 1: Ya y'all mother to make it if I pull up

4052
03:33:37,240 --> 03:33:38,560
Speaker 1: the facts, I could pull up the facts.

4053
03:33:38,600 --> 03:33:43,480
Speaker 2: We'll pull it up later. But get somebody.

4054
03:33:45,080 --> 03:33:45,720
Speaker 1: Much too much.

4055
03:33:47,240 --> 03:33:51,400
Speaker 2: You gotta relax, y'all. Listen, listen, look at bro Man

4056
03:33:51,840 --> 03:33:55,119
Speaker 2: large bro, all of us like to live.

4057
03:33:55,240 --> 03:33:58,320
Speaker 3: Just said, I want to hear what you'll live, he said,

4058
03:33:58,360 --> 03:34:00,240
Speaker 3: because I said I wouldn't be here with out you,

4059
03:34:00,320 --> 03:34:02,920
Speaker 3: and then tyd Lib said you wouldn't be here without him?

4060
03:34:03,120 --> 03:34:04,600
Speaker 2: So can you can?

4061
03:34:04,680 --> 03:34:04,720
Speaker 5: You?

4062
03:34:06,640 --> 03:34:11,800
Speaker 2: Can you come down? Relax? It's time you've got a

4063
03:34:11,840 --> 03:34:13,080
Speaker 2: queen's hat on too. Large Bro.

4064
03:34:13,240 --> 03:34:16,640
Speaker 21: We need you to not just you know Main Source

4065
03:34:16,840 --> 03:34:20,480
Speaker 21: and the work that when when Large Professor went from

4066
03:34:20,680 --> 03:34:23,160
Speaker 21: first of all, we dropped that Large Professor record before

4067
03:34:23,240 --> 03:34:25,800
Speaker 21: the main flow main source record came out. And then

4068
03:34:26,160 --> 03:34:28,520
Speaker 21: when he went on to do what he did with

4069
03:34:28,640 --> 03:34:31,200
Speaker 21: trop Court Quest, and he went on to do what

4070
03:34:31,280 --> 03:34:34,680
Speaker 21: he did with with NAS later on with State chiseled

4071
03:34:34,760 --> 03:34:36,760
Speaker 21: and and all that type of ship. You know what

4072
03:34:36,760 --> 03:34:41,400
Speaker 21: I'm saying, Like large. Professor is the purest of the

4073
03:34:41,520 --> 03:34:43,920
Speaker 21: pure he is he is the foundation of it.

4074
03:34:44,120 --> 03:34:46,320
Speaker 2: You see what I'm saying. Man, somebody's snoring back here.

4075
03:34:48,680 --> 03:34:49,760
Speaker 2: Let's wrap this up.

4076
03:34:52,000 --> 03:34:55,720
Speaker 1: Let's get back to DJ cow Man, Let's get back

4077
03:34:55,760 --> 03:34:56,520
Speaker 1: to DJ Colt.

4078
03:34:56,720 --> 03:35:05,000
Speaker 2: I need somebody, you are nobody to be.

4079
03:35:07,760 --> 03:35:08,680
Speaker 1: Rocket for me.

4080
03:35:11,000 --> 03:35:14,119
Speaker 2: And then what about the dance squad interview, the ball

4081
03:35:14,520 --> 03:35:18,960
Speaker 2: squad you're keeping them now public? Indemy?

4082
03:35:19,040 --> 03:35:19,120
Speaker 5: Right?

4083
03:35:20,560 --> 03:35:23,400
Speaker 2: It was that that album? Yeah?

4084
03:35:25,240 --> 03:35:28,760
Speaker 1: Yeah, thank Keith and Humbly. You got to get my

4085
03:35:28,879 --> 03:35:34,000
Speaker 1: man Ayatolla to mixing him because that's your lineage. Brother.

4086
03:35:34,360 --> 03:35:36,240
Speaker 2: Yes, so these are people also.

4087
03:35:36,080 --> 03:35:38,080
Speaker 1: That I would love to see you on drink Champs Man,

4088
03:35:38,440 --> 03:35:42,560
Speaker 1: Humbly Man, I would love to. I definitely love your platform,

4089
03:35:43,760 --> 03:35:46,280
Speaker 1: you know, because honestly, you need to get the flowers.

4090
03:35:46,320 --> 03:35:46,440
Speaker 2: Man.

4091
03:35:46,480 --> 03:35:49,000
Speaker 1: I get my flowers daily, man for my people's man,

4092
03:35:49,240 --> 03:35:51,280
Speaker 1: and I love that you're giving me. You have given

4093
03:35:51,360 --> 03:35:54,160
Speaker 1: me my flowers also. But you bro, because you came

4094
03:35:54,240 --> 03:35:56,960
Speaker 1: up some ship, bro, and I know that.

4095
03:35:57,480 --> 03:36:02,720
Speaker 2: Thank you. No, fat man, Day, it's not you, it's

4096
03:36:05,040 --> 03:36:10,119
Speaker 2: but today. You know what today is, I'm officially called today.

4097
03:36:10,240 --> 03:36:10,600
Speaker 15: What is it?

4098
03:36:11,160 --> 03:36:18,840
Speaker 2: From seventeenth is large professional knowledge power, the knowledge gone.

4099
03:36:20,760 --> 03:36:24,360
Speaker 2: That's today's man gone as not as god O being

4100
03:36:24,440 --> 03:36:25,320
Speaker 2: ball bill destroyed.

4101
03:36:25,440 --> 03:36:28,960
Speaker 1: There we go, my man on my You know what

4102
03:36:29,200 --> 03:36:31,120
Speaker 1: my act was, Prince infinite love of law.

4103
03:36:32,320 --> 03:36:36,840
Speaker 3: You look like a lover because told me you never

4104
03:36:36,959 --> 03:36:38,800
Speaker 3: left the relationship and looking at the front door.

4105
03:36:40,280 --> 03:36:42,640
Speaker 2: Hit me. She just hit me. But I'm sorry, not

4106
03:36:43,200 --> 03:36:46,360
Speaker 2: just she just she just hit me for my birthday.

4107
03:36:46,520 --> 03:36:48,640
Speaker 1: And the girl, the girl that you were talking about.

4108
03:36:48,800 --> 03:36:50,760
Speaker 1: Reck No, no, no, not that I was talking about that.

4109
03:36:50,920 --> 03:36:54,040
Speaker 1: I was around at that time. And she just hit

4110
03:36:54,120 --> 03:36:56,240
Speaker 1: me for my birthday. Everything is so good. She has

4111
03:36:56,320 --> 03:36:59,000
Speaker 1: her family. You know, she was from Left Rack. Her

4112
03:36:59,040 --> 03:37:01,800
Speaker 1: name is Sakima's like she was beautiful, not the.

4113
03:37:01,840 --> 03:37:06,600
Speaker 2: Girl, but beautiful exactly. We know that for a fact.

4114
03:37:06,800 --> 03:37:08,800
Speaker 2: We come from This is what I'm saying.

4115
03:37:11,680 --> 03:37:14,160
Speaker 20: It's a problem. It was a problem for us. We

4116
03:37:14,320 --> 03:37:16,879
Speaker 20: came from what are we talking about. We're talking about

4117
03:37:17,440 --> 03:37:20,760
Speaker 20: the Queen's lounge. We're talking about the Queen's lounge. When

4118
03:37:20,800 --> 03:37:23,520
Speaker 20: we come down, it was it was just like it

4119
03:37:23,680 --> 03:37:26,680
Speaker 20: was just like to like Queen's Eddie Murphy how he

4120
03:37:26,760 --> 03:37:28,720
Speaker 20: said it, That's how it was. And left Rack that's

4121
03:37:28,760 --> 03:37:30,640
Speaker 20: how it was. And Flushing, that's how it was.

4122
03:37:31,240 --> 03:37:33,840
Speaker 2: Like and the most beauti the world.

4123
03:37:34,280 --> 03:37:37,480
Speaker 1: What you she had to like, she had to she chose,

4124
03:37:37,560 --> 03:37:39,960
Speaker 1: you know, she had to like deal with that that

4125
03:37:40,080 --> 03:37:44,840
Speaker 1: you knew many many beautiful. But she knew that like

4126
03:37:44,920 --> 03:37:48,680
Speaker 1: she knew you. You hang around many. No, we we

4127
03:37:49,360 --> 03:37:53,320
Speaker 1: you guys were different. We went different ways because.

4128
03:37:53,080 --> 03:37:56,720
Speaker 2: She lives that you never left. No, no, he did

4129
03:37:56,840 --> 03:38:00,600
Speaker 2: look at the front door. Woman, No woman believes me.

4130
03:38:00,800 --> 03:38:02,960
Speaker 2: He was trying to work it out, he said, no

4131
03:38:03,400 --> 03:38:05,320
Speaker 2: woman on one only one.

4132
03:38:05,240 --> 03:38:07,520
Speaker 1: Woman left me. She I won't say that. I don't

4133
03:38:07,520 --> 03:38:12,080
Speaker 1: won't say that because boy, well my son, it's about you,

4134
03:38:12,360 --> 03:38:14,320
Speaker 1: my son. I love my son. You know what I mean.

4135
03:38:14,440 --> 03:38:16,560
Speaker 1: But only one woman left me, you know what I mean?

4136
03:38:17,040 --> 03:38:19,280
Speaker 1: And other than that, now, no woman leaves me. Man,

4137
03:38:19,360 --> 03:38:20,879
Speaker 1: they rock with me because.

4138
03:38:26,360 --> 03:38:28,680
Speaker 32: He was itching the jet though he was itching. But

4139
03:38:28,879 --> 03:38:30,680
Speaker 32: you looked at the front door. If you never walked through,

4140
03:38:30,680 --> 03:38:33,720
Speaker 32: he said, no, look cherish in my crib. So we

4141
03:38:33,840 --> 03:38:35,760
Speaker 32: had a front door in the back door. You know

4142
03:38:35,800 --> 03:38:37,280
Speaker 32: what story about.

4143
03:38:37,840 --> 03:38:40,840
Speaker 1: Hey, Look, my pops used to smoke his weed before

4144
03:38:40,879 --> 03:38:43,480
Speaker 1: he went to the hospital to do his job.

4145
03:38:43,640 --> 03:38:45,800
Speaker 2: Five o'clock in the morning. Man, I wrote my name

4146
03:38:45,879 --> 03:38:46,320
Speaker 2: on the wall.

4147
03:38:46,440 --> 03:38:48,200
Speaker 1: Man, he was like lost pro man, you got some

4148
03:38:48,320 --> 03:38:50,760
Speaker 1: big shoes to fill man and with to work, you

4149
03:38:50,800 --> 03:38:52,400
Speaker 1: know what I mean. He used to hang out with Wise.

4150
03:38:52,480 --> 03:38:53,959
Speaker 1: He used to hang out with all of them man

4151
03:38:54,120 --> 03:38:58,640
Speaker 1: for yeah, hell yeah, man. My pops used to hang

4152
03:38:58,680 --> 03:39:06,440
Speaker 1: out with Moose the big small Popsy should work at

4153
03:39:06,440 --> 03:39:08,160
Speaker 1: the hospital, Kelly. Yes, she used to work with my

4154
03:39:08,240 --> 03:39:09,160
Speaker 1: pops at the hospital.

4155
03:39:09,440 --> 03:39:16,800
Speaker 2: He's Queen's for real. Queen was Queen Pops.

4156
03:39:18,400 --> 03:39:18,920
Speaker 1: He's super.

4157
03:39:19,080 --> 03:39:21,360
Speaker 2: He's super Q for his pops in them.

4158
03:39:21,600 --> 03:39:26,000
Speaker 3: Used to rack, used to rock the front door. Hall body,

4159
03:39:27,080 --> 03:39:31,560
Speaker 3: I'll tell you one time. I don't know, I don't

4160
03:39:31,600 --> 03:39:33,240
Speaker 3: I don't know if we're gonna use this, but I'm

4161
03:39:33,240 --> 03:39:38,000
Speaker 3: gonna say it. I'm on the van Wick. Your pops

4162
03:39:38,000 --> 03:39:42,200
Speaker 3: see me, and he pulled me over like the police

4163
03:39:43,920 --> 03:39:46,039
Speaker 3: with God, this is pream. You got to pull over.

4164
03:39:48,680 --> 03:39:51,000
Speaker 2: You can't keep going, you know.

4165
03:39:52,080 --> 03:39:55,000
Speaker 3: Felt But he like, yo, He looked at me and

4166
03:39:55,040 --> 03:39:59,920
Speaker 3: he says, I'm not I think I'm Norri, but I'm

4167
03:40:00,080 --> 03:40:03,320
Speaker 3: I'm like becoming who I am yet And to.

4168
03:40:03,360 --> 03:40:07,160
Speaker 1: Cut your wards for a second, yo, dogs, Yo, you

4169
03:40:07,400 --> 03:40:09,440
Speaker 1: was ringing so crazy in Jamaica.

4170
03:40:10,240 --> 03:40:15,560
Speaker 2: Dogs, I went to this barbecue. Dogs, dolls, dolls.

4171
03:40:16,240 --> 03:40:19,560
Speaker 1: Stop that fucking album was ringing so hard.

4172
03:40:21,160 --> 03:40:23,600
Speaker 2: Oh my god. I went to this barbecue one time.

4173
03:40:24,280 --> 03:40:24,800
Speaker 2: I was lit.

4174
03:40:24,840 --> 03:40:28,160
Speaker 1: I was over there on one nineteen America American.

4175
03:40:27,760 --> 03:40:33,840
Speaker 2: Ships giving him. I had to do. I had to

4176
03:40:34,400 --> 03:40:37,600
Speaker 2: get no, look, I had to I had to create

4177
03:40:37,680 --> 03:40:38,959
Speaker 2: for self. I had the house for self.

4178
03:40:39,000 --> 03:40:41,640
Speaker 1: That's whereas I think NAS bought you want to do

4179
03:40:41,840 --> 03:40:43,640
Speaker 1: one time with nature and all of them. Ship, But

4180
03:40:43,720 --> 03:40:45,680
Speaker 1: I was down in the basement that type of ship.

4181
03:40:45,720 --> 03:40:47,160
Speaker 1: So I was over there. But I went to this

4182
03:40:48,120 --> 03:40:53,199
Speaker 1: this barbecue and Rochdale rode So I'm moving in Rochdale

4183
03:40:53,240 --> 03:40:55,080
Speaker 1: and ship. But it was in the outskirts the houses

4184
03:40:55,080 --> 03:40:57,600
Speaker 1: and shipp on, you know, going back down towards Baisley.

4185
03:40:58,400 --> 03:41:01,080
Speaker 1: You know what I'm talking about, houses in between the

4186
03:41:01,120 --> 03:41:04,879
Speaker 1: ship between Baisley and Rodsteale. So I'm in the backyard

4187
03:41:04,920 --> 03:41:07,680
Speaker 1: and ship and I'm lit and ship. I had to

4188
03:41:07,720 --> 03:41:10,400
Speaker 1: whip outside and ship. I was chilling the ship. My

4189
03:41:10,520 --> 03:41:14,040
Speaker 1: man's with me and not fucking what what what?

4190
03:41:15,240 --> 03:41:19,360
Speaker 2: No dogs? It was the it was the height of summer.

4191
03:41:20,000 --> 03:41:20,480
Speaker 5: This it was.

4192
03:41:21,440 --> 03:41:25,560
Speaker 2: It was the I'm gonna take my flower? Do you

4193
03:41:25,600 --> 03:41:30,040
Speaker 2: want to hear it? Man?

4194
03:41:31,000 --> 03:41:33,920
Speaker 1: But you you just said Adolf was I told him,

4195
03:41:34,200 --> 03:41:36,200
Speaker 1: I got I got to card and hold that down.

4196
03:41:37,640 --> 03:41:43,360
Speaker 2: I'm hold on, I tell you, and the Q you

4197
03:41:43,720 --> 03:41:49,120
Speaker 2: get three fishes the story. But yeah, so I'm on

4198
03:41:49,200 --> 03:41:49,760
Speaker 2: the van Wick.

4199
03:41:50,800 --> 03:41:57,240
Speaker 3: I'm driving obviously I've always been a hot driver. Crazes

4200
03:41:57,320 --> 03:41:59,840
Speaker 3: me and he goes like this, So I'm like okay,

4201
03:42:01,480 --> 03:42:03,600
Speaker 3: because it's like kind of like the police. It's like

4202
03:42:04,280 --> 03:42:07,800
Speaker 3: you can't, you can't, you can't say extreme, I'm I'm

4203
03:42:07,920 --> 03:42:08,760
Speaker 3: I'm a stream.

4204
03:42:09,800 --> 03:42:11,960
Speaker 2: How did you know? Did you know that? You know

4205
03:42:12,040 --> 03:42:14,640
Speaker 2: it was preing from the starts? Green eyes? Brother? Oh

4206
03:42:14,760 --> 03:42:17,360
Speaker 2: you do them? Ships? Lit the funk up? How did

4207
03:42:17,400 --> 03:42:19,920
Speaker 2: you know? You my love has green eyes? Now you

4208
03:42:20,000 --> 03:42:22,320
Speaker 2: know you need to pull over. That was a big victim,

4209
03:42:23,320 --> 03:42:25,400
Speaker 2: yes ma mambo.

4210
03:42:25,920 --> 03:42:26,600
Speaker 1: So so.

4211
03:42:28,840 --> 03:42:31,200
Speaker 2: He used to go like this, boom, So I pull over.

4212
03:42:31,840 --> 03:42:35,400
Speaker 2: I'm nervous ship because that's frame. What the is prame

4213
03:42:35,480 --> 03:42:38,840
Speaker 2: pulling you fucking oh for everyone in the van Wick.

4214
03:42:39,080 --> 03:42:39,959
Speaker 2: And it's just like, so.

4215
03:42:41,520 --> 03:42:42,040
Speaker 1: What is it?

4216
03:42:43,240 --> 03:42:57,960
Speaker 2: This isn't guardens right before you get like that, you know, man?

4217
03:42:58,200 --> 03:42:59,200
Speaker 2: And then frame for me?

4218
03:42:59,320 --> 03:42:59,480
Speaker 5: Oh?

4219
03:42:59,760 --> 03:43:02,160
Speaker 3: Then and I was like, what's up? He's like, yo,

4220
03:43:02,320 --> 03:43:06,800
Speaker 3: I know, I know you don't understand, but don't shot.

4221
03:43:06,600 --> 03:43:11,280
Speaker 2: Me out and I was as a rapper. Yeah, he's saying,

4222
03:43:11,320 --> 03:43:13,119
Speaker 2: don't jump out the day he like, he like, I'm

4223
03:43:13,160 --> 03:43:16,280
Speaker 2: still in the field when you shot me out. You're

4224
03:43:16,360 --> 03:43:19,320
Speaker 2: kind of telling the him like you shout him out that.

4225
03:43:20,280 --> 03:43:23,600
Speaker 2: Prior to that, it was on mixtapes, it was like,

4226
03:43:23,720 --> 03:43:28,320
Speaker 2: you know, he like, yo, He's like yo, please, please please,

4227
03:43:28,440 --> 03:43:31,640
Speaker 2: Like I'm trying to be right. I'm like, you have

4228
03:43:31,720 --> 03:43:34,600
Speaker 2: to mean due respect for that. You were like, yo, No,

4229
03:43:34,840 --> 03:43:35,280
Speaker 2: I didn't know.

4230
03:43:35,600 --> 03:43:35,879
Speaker 1: I was.

4231
03:43:37,520 --> 03:43:38,160
Speaker 2: Just come from.

4232
03:43:40,440 --> 03:43:46,320
Speaker 3: Trying to flog ship Supreme Queens and rhymes together and

4233
03:43:46,440 --> 03:43:49,240
Speaker 3: he like, but but I didn't understand bying you.

4234
03:43:49,640 --> 03:43:51,680
Speaker 2: He had twenty one.

4235
03:43:51,840 --> 03:43:54,600
Speaker 3: I'm eighteen to twenty one, so I didn't really like

4236
03:43:55,080 --> 03:43:57,480
Speaker 3: at that time, I didn't understand Stone.

4237
03:43:57,600 --> 03:43:59,880
Speaker 2: In the days. I was like, what, I'm a Stone.

4238
03:44:00,080 --> 03:44:00,720
Speaker 2: I'm big in him.

4239
03:44:00,760 --> 03:44:05,480
Speaker 3: You're doing ask homage. I'm homage and Yonda is like,

4240
03:44:05,600 --> 03:44:09,439
Speaker 3: now you say what you say back? Well, he's explaining,

4241
03:44:09,760 --> 03:44:12,920
Speaker 3: like because he broke it down, like it's just me

4242
03:44:13,000 --> 03:44:16,600
Speaker 3: and him on the highway. There's no microphone, so he's comfortable,

4243
03:44:16,640 --> 03:44:20,600
Speaker 3: like it's like just me and him, and so you're

4244
03:44:20,600 --> 03:44:23,840
Speaker 3: here sooner, band Wick, my dude, we're on the.

4245
03:44:23,879 --> 03:44:26,360
Speaker 2: Side, and he's like, nah, because you know, I'm still

4246
03:44:26,920 --> 03:44:29,840
Speaker 2: sound effect. Man, he just took me to the sound.

4247
03:44:34,480 --> 03:44:37,200
Speaker 3: He like, he like without saying that, he's like, yo,

4248
03:44:37,280 --> 03:44:40,440
Speaker 3: I'm still outside. So you know when y'all shot me out,

4249
03:44:41,440 --> 03:44:43,520
Speaker 3: y'all kind of like put me in a position.

4250
03:44:44,640 --> 03:44:48,160
Speaker 2: So I said, you know what, I absolutely won man

4251
03:44:48,240 --> 03:44:50,600
Speaker 2: assent did not know that. And then I had a

4252
03:44:50,680 --> 03:44:55,440
Speaker 2: person that was with me named bodyguard, Oh bodyguard, nobody God.

4253
03:44:56,320 --> 03:45:01,960
Speaker 2: Bodyguard was means home mean back in the bodyguard.

4254
03:45:01,560 --> 03:45:04,879
Speaker 3: Jumps out and premous like he says his real name.

4255
03:45:04,879 --> 03:45:06,480
Speaker 3: I don't want to say his real name, but he

4256
03:45:06,600 --> 03:45:07,080
Speaker 3: goes you.

4257
03:45:07,480 --> 03:45:11,280
Speaker 2: He's like you're supposed to know, and then body like

4258
03:45:11,360 --> 03:45:13,520
Speaker 2: you know, no, you know what, He'll never shout shut

4259
03:45:13,640 --> 03:45:18,480
Speaker 2: you out again, you know, and then like yo, it's

4260
03:45:18,560 --> 03:45:19,800
Speaker 2: all up, It's all up.

4261
03:45:21,520 --> 03:45:25,120
Speaker 3: And then a certain song came out after that, which

4262
03:45:25,160 --> 03:45:26,480
Speaker 3: I don't want to speak about, but.

4263
03:45:26,560 --> 03:45:28,840
Speaker 2: Exactly right, right right, you know what I mean, thank you.

4264
03:45:29,080 --> 03:45:35,080
Speaker 2: I know that he wanted let's try to wanted everybody

4265
03:45:35,120 --> 03:45:35,920
Speaker 2: from the borrow.

4266
03:45:35,760 --> 03:45:43,160
Speaker 3: Like your watch because and I gotta say, as a kid,

4267
03:45:45,120 --> 03:45:47,520
Speaker 3: I don't want to say I felt threatened, but I

4268
03:45:47,640 --> 03:45:50,000
Speaker 3: felt you knew better but I felt like I knew

4269
03:45:50,080 --> 03:45:53,120
Speaker 3: better afterwards, like afterwards because he did not, you know

4270
03:45:53,160 --> 03:45:57,520
Speaker 3: what I mean, a special request. That was my special

4271
03:45:57,720 --> 03:46:02,160
Speaker 3: when you do that and that it but that was respectful,

4272
03:46:02,200 --> 03:46:04,560
Speaker 3: you know what I'm saying. And I give another story

4273
03:46:04,640 --> 03:46:05,360
Speaker 3: about the Pots.

4274
03:46:05,680 --> 03:46:07,320
Speaker 1: Well, I met some niggas from the group ho on

4275
03:46:07,440 --> 03:46:09,840
Speaker 1: right when I went to the group home in Brooklyn.

4276
03:46:10,560 --> 03:46:12,840
Speaker 1: I was in Pis twelve or sixth Avenue and Ship.

4277
03:46:13,320 --> 03:46:16,320
Speaker 1: I met exactly, yes, sir, yes, sir. So I was.

4278
03:46:17,000 --> 03:46:18,960
Speaker 2: So I met some niggas from Baisley and Ship.

4279
03:46:19,040 --> 03:46:22,879
Speaker 1: My man Corey and my man Black Black was Black

4280
03:46:23,000 --> 03:46:28,320
Speaker 1: Black was actually I think Prince's uh little brother something

4281
03:46:28,360 --> 03:46:30,480
Speaker 1: like that. His name his real name was Rob and

4282
03:46:30,520 --> 03:46:34,000
Speaker 1: she's all right, so I don't know who he was,

4283
03:46:34,120 --> 03:46:35,680
Speaker 1: but he was definitely down with them and Ship. And

4284
03:46:35,720 --> 03:46:38,640
Speaker 1: they used to tell me stories of Kat and Pream

4285
03:46:39,360 --> 03:46:42,080
Speaker 1: and and and then with Eric being them and Ship

4286
03:46:42,760 --> 03:46:44,720
Speaker 1: when I when I was doing the elet rhythm hit

4287
03:46:44,800 --> 03:46:48,000
Speaker 1: him joint. You know, they had their basketball squad and

4288
03:46:48,120 --> 03:46:51,960
Speaker 1: so they had played Baisley and so me and Fatal

4289
03:46:52,120 --> 03:46:53,039
Speaker 1: was out there, Rock.

4290
03:46:52,959 --> 03:46:53,600
Speaker 2: Kim was playing.

4291
03:46:54,640 --> 03:46:57,640
Speaker 1: No, it was it was it was painting full against

4292
03:46:57,640 --> 03:47:03,560
Speaker 1: Supreme team, and I was out that's tough out there

4293
03:47:03,560 --> 03:47:05,400
Speaker 1: in Baisily and Ship I was out there and Ship

4294
03:47:05,760 --> 03:47:07,120
Speaker 1: Rock Kim was playing the whole ship.

4295
03:47:07,760 --> 03:47:10,800
Speaker 2: And that's the ship that I love. That's the ship

4296
03:47:10,840 --> 03:47:11,240
Speaker 2: that I love.

4297
03:47:11,280 --> 03:47:13,640
Speaker 1: Where niggas just standing out there, it's like, yo, that's him,

4298
03:47:14,040 --> 03:47:17,160
Speaker 1: he's in the hood. Ship is all love and it's

4299
03:47:17,360 --> 03:47:19,879
Speaker 1: like we we we were going at it like whatever

4300
03:47:19,920 --> 03:47:22,160
Speaker 1: it is. If niggas doing pull ups, niggas doing that,

4301
03:47:22,360 --> 03:47:22,800
Speaker 1: you know what I mean?

4302
03:47:22,920 --> 03:47:26,840
Speaker 3: Like I get you two more stories much as bosh.

4303
03:47:26,959 --> 03:47:27,120
Speaker 5: You know.

4304
03:47:27,520 --> 03:47:29,520
Speaker 3: I don't know if y'all know. I don't know if

4305
03:47:29,520 --> 03:47:33,040
Speaker 3: anybody know. I went to church in Baisley. That's where

4306
03:47:33,080 --> 03:47:35,600
Speaker 3: I went to church. I was baptized in East New York.

4307
03:47:37,480 --> 03:47:44,480
Speaker 3: I was baptized ship right there that church fast. So

4308
03:47:45,879 --> 03:47:48,560
Speaker 3: my church that I used to go through is in Baisley.

4309
03:47:50,560 --> 03:47:53,560
Speaker 3: So one year, I swear to God, I've never said

4310
03:47:53,600 --> 03:47:54,720
Speaker 3: this story before in my life.

4311
03:47:55,320 --> 03:48:01,320
Speaker 23: Drink chance, exclusive, exclusive, exclusive, exclusive and rich for.

4312
03:48:03,240 --> 03:48:06,400
Speaker 3: What y'all don't understand is and I don't know if

4313
03:48:06,440 --> 03:48:08,920
Speaker 3: this correlates. I don't know if your father might call

4314
03:48:09,040 --> 03:48:14,960
Speaker 3: and say no noways bugging. But Griselda Blanc girl came

4315
03:48:15,040 --> 03:48:17,680
Speaker 3: to Queen. We got that connected. And when she came

4316
03:48:17,720 --> 03:48:21,080
Speaker 3: to Queens, Queen's niggas did not go uptown again.

4317
03:48:22,080 --> 03:48:24,359
Speaker 2: Queen's niggas stayed in Queens.

4318
03:48:24,680 --> 03:48:27,000
Speaker 3: Because she was from She was from Jackson Heights and

4319
03:48:27,120 --> 03:48:28,240
Speaker 3: she was selling pots.

4320
03:48:28,480 --> 03:48:34,640
Speaker 2: Oh this is this is documented like eighty second Street, right,

4321
03:48:34,760 --> 03:48:39,360
Speaker 2: some ship like that. Seventy four son is our friend

4322
03:48:41,600 --> 03:48:44,359
Speaker 2: right now today frame random niggas.

4323
03:48:44,480 --> 03:48:46,240
Speaker 3: In my opinion, I was on the young nigga, so

4324
03:48:46,360 --> 03:48:50,080
Speaker 3: I looked at this wrong. They had all the coke

4325
03:48:50,160 --> 03:48:52,920
Speaker 3: in New York's. I'm just being honest. I'm sorry, I'm talking.

4326
03:48:53,000 --> 03:48:58,360
Speaker 2: Oh my god, that's lost pro And this is the

4327
03:48:58,440 --> 03:49:01,080
Speaker 2: first time if you look at paid in for? What

4328
03:49:01,200 --> 03:49:02,160
Speaker 2: did I say in paid for?

4329
03:49:02,560 --> 03:49:05,040
Speaker 3: I say the nigga's a cute nig He was riding

4330
03:49:05,200 --> 03:49:08,680
Speaker 3: popping release. You know where I saw that at in

4331
03:49:08,800 --> 03:49:14,720
Speaker 3: forty projects M M forty pays rich and Paul. I

4332
03:49:14,840 --> 03:49:16,240
Speaker 3: was like eleven years.

4333
03:49:16,040 --> 03:49:21,240
Speaker 2: Old and I seen Richmond Poe coming to see UF bops. Wow.

4334
03:49:23,120 --> 03:49:27,680
Speaker 3: I apologize that crazy because because they had nothing uptown. Yeah,

4335
03:49:27,880 --> 03:49:30,320
Speaker 3: we had it all in Queen. This is when Gazelda

4336
03:49:30,400 --> 03:49:34,520
Speaker 3: Blanco came. I didn't know that that correlated til later

4337
03:49:34,640 --> 03:49:35,880
Speaker 3: I watched Cocaine Cowboys.

4338
03:49:35,960 --> 03:49:39,280
Speaker 2: I was like, oh, myel I mean all that this

4339
03:49:39,320 --> 03:49:43,680
Speaker 2: ship makes sense, Yes, everything, Kendall Man. Yes, after Cocaine.

4340
03:49:43,800 --> 03:49:44,600
Speaker 2: That's the first time.

4341
03:49:44,760 --> 03:49:47,560
Speaker 3: So when you see me describing paid and for and

4342
03:49:47,640 --> 03:49:50,320
Speaker 3: I say the rich nigga, the nigga is popping release,

4343
03:49:50,680 --> 03:49:53,520
Speaker 3: that was actually in forty projects. It might have been

4344
03:49:53,560 --> 03:49:56,480
Speaker 3: in Baisley. It could have been both, because I was

4345
03:49:56,520 --> 03:49:59,480
Speaker 3: with my uncle wives. My uncle wives was Preeme little

4346
03:49:59,520 --> 03:50:08,280
Speaker 3: Home Uncle watch from left Brack.

4347
03:50:08,360 --> 03:50:14,800
Speaker 2: Uncle was Prince Brothers name is was crazy right. So

4348
03:50:15,120 --> 03:50:15,960
Speaker 2: that's how I knew.

4349
03:50:16,560 --> 03:50:19,120
Speaker 3: Your whole fare That's that's That's one story. I got

4350
03:50:19,160 --> 03:50:22,560
Speaker 3: another one. Damn you can tell me of camera one.

4351
03:50:22,840 --> 03:50:25,040
Speaker 2: I got one more. I forgot what the But.

4352
03:50:27,240 --> 03:50:32,320
Speaker 3: That was the first time I realized what Queens was like,

4353
03:50:33,120 --> 03:50:39,520
Speaker 3: because was the biggest drug dealers and they came to

4354
03:50:39,640 --> 03:50:43,120
Speaker 3: Queens and they had fun Like primer niggas showed them.

4355
03:50:43,680 --> 03:50:47,520
Speaker 3: It was like, yoka ahead, go go pop your willies whatever.

4356
03:50:47,720 --> 03:50:50,000
Speaker 3: In forty and basically what I mean it.

4357
03:50:50,120 --> 03:50:51,320
Speaker 2: Was about niggas being fly.

4358
03:50:51,840 --> 03:50:54,760
Speaker 1: You hear the stories about cat having the having the

4359
03:50:54,840 --> 03:50:56,680
Speaker 1: whip and being like yo, you know what, like Yo,

4360
03:50:56,840 --> 03:50:58,200
Speaker 1: you look better than that ship. Yo.

4361
03:50:58,400 --> 03:51:00,560
Speaker 2: Take that ship like we were so all about her.

4362
03:51:00,640 --> 03:51:03,360
Speaker 1: And that's the thing that I tapped into, Like I

4363
03:51:03,560 --> 03:51:06,320
Speaker 1: love that part of it, like niggas getting fresh. Like

4364
03:51:06,440 --> 03:51:09,280
Speaker 1: I love that scene of them brothers and crystals on

4365
03:51:09,440 --> 03:51:11,840
Speaker 1: the stage with mel melling them and they pop and

4366
03:51:11,880 --> 03:51:12,680
Speaker 1: they got the bottle.

4367
03:51:12,800 --> 03:51:16,320
Speaker 2: You saw that that scene, man, I felt like, hed it.

4368
03:51:16,680 --> 03:51:18,960
Speaker 1: I love that scene. No, I want to relive that

4369
03:51:19,120 --> 03:51:26,960
Speaker 1: scene scene with l L and and and and Curtis

4370
03:51:27,040 --> 03:51:29,480
Speaker 1: blowing them, bigging them up. They're like, yo, now these

4371
03:51:29,560 --> 03:51:39,360
Speaker 1: boys is these boys and birthday Prince Birthday, Prince birthday

4372
03:51:39,440 --> 03:51:42,040
Speaker 1: Mart Okay, So that scene, man, I got this. I

4373
03:51:42,120 --> 03:51:45,040
Speaker 1: got this music in my mind that I will put

4374
03:51:45,120 --> 03:51:48,160
Speaker 1: to that scene. And I swear it's the most euphoric,

4375
03:51:48,360 --> 03:51:51,400
Speaker 1: light like hip hop ship right there, them with that

4376
03:51:51,560 --> 03:51:55,520
Speaker 1: money and them bottles and all that he had to

4377
03:51:55,960 --> 03:52:02,200
Speaker 1: shine my ship cuts.

4378
03:52:02,320 --> 03:52:05,000
Speaker 2: I never been more proud to be from Queens. Man.

4379
03:52:07,160 --> 03:52:15,240
Speaker 2: Oh sorry, When you look at that it plays and you.

4380
03:52:16,880 --> 03:52:21,880
Speaker 3: Realize that LJ is in the couting crowd as a

4381
03:52:22,040 --> 03:52:25,720
Speaker 3: lot of holie that as a little home, I gotta

4382
03:52:25,760 --> 03:52:30,840
Speaker 3: get him sitting there and l Story was saying, I'm

4383
03:52:30,960 --> 03:52:34,320
Speaker 3: here with Supreme team, Like I couldn't get in here

4384
03:52:34,600 --> 03:52:36,040
Speaker 3: unless I was with the Supreme Team.

4385
03:52:36,320 --> 03:52:40,840
Speaker 2: But I couldn't get on stage because I wasn't that day, right,

4386
03:52:41,320 --> 03:52:45,600
Speaker 2: He stayed in his lane. And that's why I want

4387
03:52:45,640 --> 03:52:47,360
Speaker 2: to swing it back. I want to swing it back

4388
03:52:47,400 --> 03:52:49,640
Speaker 2: to the every being rock Ship. Yes, please.

4389
03:52:51,240 --> 03:52:54,840
Speaker 1: Exactly if I like, Yo, all right, I got good beats,

4390
03:52:55,200 --> 03:52:58,000
Speaker 1: but I'm gonna stay in my lane and not you

4391
03:52:58,080 --> 03:53:01,160
Speaker 1: know what I mean, because that's what he was like, Yo,

4392
03:53:01,240 --> 03:53:03,640
Speaker 1: I'm gonna stay in my lane, and so you know,

4393
03:53:03,880 --> 03:53:06,000
Speaker 1: that's that's what I you know, I know knowing no

4394
03:53:06,080 --> 03:53:08,880
Speaker 1: one is half the battle ship. Yeah, I mean world

4395
03:53:09,040 --> 03:53:10,360
Speaker 1: up like rock.

4396
03:53:10,400 --> 03:53:16,920
Speaker 2: Can we say worried up Queen's history? Man, that's dope.

4397
03:53:17,040 --> 03:53:17,520
Speaker 2: That's dope.

4398
03:53:17,560 --> 03:53:21,880
Speaker 1: Though, No, No, that were still paved the lane, were

4399
03:53:21,880 --> 03:53:23,920
Speaker 1: still paved the lane, you know, through the hardships and

4400
03:53:23,960 --> 03:53:27,520
Speaker 1: the bullship and all that, Anna Queen Queen.

4401
03:53:29,080 --> 03:53:31,000
Speaker 2: If we gotta jump to our live, it's okay right now.

4402
03:53:33,000 --> 03:53:33,200
Speaker 5: You know.

4403
03:53:35,000 --> 03:53:44,920
Speaker 2: A certain confidence, now, yo, don't. And I'm born and I'm.

4404
03:53:44,800 --> 03:53:47,680
Speaker 1: Born in hall them, and I honestly say, no queens

4405
03:53:47,920 --> 03:53:48,680
Speaker 1: a lot queens.

4406
03:53:48,800 --> 03:53:49,360
Speaker 2: Queens is the.

4407
03:53:49,360 --> 03:53:51,360
Speaker 1: Borough like and I'm born in hall Them and and

4408
03:53:51,440 --> 03:53:54,720
Speaker 1: I have so much Hallom schools, all all that fhip,

4409
03:53:55,280 --> 03:53:57,600
Speaker 1: all that all that instinct that I got with them records.

4410
03:53:57,640 --> 03:54:00,360
Speaker 1: That's hall Them ship. Like that ain't Queens ship, that's

4411
03:54:00,400 --> 03:54:02,080
Speaker 1: home ship. By the way, this is not a metat.

4412
03:54:02,120 --> 03:54:10,280
Speaker 2: This is a New York man at New York cuban.

4413
03:54:10,360 --> 03:54:15,640
Speaker 2: That's crazy. He used to work at the bookstore.

4414
03:54:15,720 --> 03:54:15,800
Speaker 5: Bro.

4415
03:54:16,440 --> 03:54:18,560
Speaker 2: He used to work at the book book still used

4416
03:54:18,600 --> 03:54:22,720
Speaker 2: to work at. I wanted to Queen. I worked at

4417
03:54:22,720 --> 03:54:25,840
Speaker 2: the Q Books and me and.

4418
03:54:25,880 --> 03:54:29,520
Speaker 21: YA seen they actually bought in que Books after and

4419
03:54:29,640 --> 03:54:32,280
Speaker 21: we couldn't with bookstore. Business is hard business, so we

4420
03:54:32,320 --> 03:54:34,720
Speaker 21: couldn't keep it open. But I do sell books on

4421
03:54:34,840 --> 03:54:37,120
Speaker 21: my website, Quality Club. But you had your own bookstore.

4422
03:54:37,160 --> 03:54:40,720
Speaker 21: I at that time I didn't before when we Blackstar money,

4423
03:54:40,760 --> 03:54:43,280
Speaker 21: our advanced money for Blackstar, we bought the bookstore because

4424
03:54:43,280 --> 03:54:44,120
Speaker 21: the bookstore.

4425
03:54:43,760 --> 03:54:47,040
Speaker 2: Is going to go Wow. That's so now I still

4426
03:54:47,080 --> 03:54:50,600
Speaker 2: have if you go on Quality club dot com. That

4427
03:54:50,760 --> 03:54:55,240
Speaker 2: boy the start together. We want to from the start man.

4428
03:54:55,280 --> 03:54:58,000
Speaker 1: And I got so inspired when he reached out to

4429
03:54:58,120 --> 03:55:00,920
Speaker 1: me because I saw it. Take no young rose out there. Man,

4430
03:55:01,080 --> 03:55:03,440
Speaker 1: just so yo, if you you know, just just reach

4431
03:55:03,480 --> 03:55:04,200
Speaker 1: out you know what I'm saying.

4432
03:55:05,560 --> 03:55:09,600
Speaker 2: He reached out man, and I'm madly yo, man, you crazy, yeah, yeah, shout.

4433
03:55:09,360 --> 03:55:14,920
Speaker 21: Out to mad mad mister, because madd I got the

4434
03:55:15,000 --> 03:55:17,400
Speaker 21: Liberation T shirt right camera.

4435
03:55:18,200 --> 03:55:22,640
Speaker 2: Is that the project right here? Liberation got stoyles P.

4436
03:55:24,280 --> 03:55:29,040
Speaker 2: That's that ship with you on the launch stick. Yeah, man,

4437
03:55:29,120 --> 03:55:29,960
Speaker 2: Me and stops Peak.

4438
03:55:29,760 --> 03:55:33,000
Speaker 1: Got an album, Joe Dog album is so fucking funny.

4439
03:55:33,320 --> 03:55:35,080
Speaker 2: That record of that she was talking about, ain't on it.

4440
03:55:36,320 --> 03:55:39,080
Speaker 33: No, no, no, no, it's what you win, Jada know

4441
03:55:39,200 --> 03:55:41,880
Speaker 33: that's that's the Hot Tech Joint New York, New York.

4442
03:55:42,520 --> 03:55:46,880
Speaker 33: Brother stott P zero point five. Ko is who I

4443
03:55:46,920 --> 03:55:47,640
Speaker 33: brought on the show.

4444
03:55:48,000 --> 03:55:51,320
Speaker 2: Stotles P. Jada kiss. She exactly used by Marcael Polo

4445
03:55:51,480 --> 03:55:54,440
Speaker 2: exactly let him recollect.

4446
03:55:55,960 --> 03:55:59,920
Speaker 1: Shot you.

4447
03:56:00,000 --> 03:56:00,600
Speaker 2: I'm saying I was.

4448
03:56:00,760 --> 03:56:03,000
Speaker 1: I was enlightened by the God bought him, the most

4449
03:56:03,040 --> 03:56:06,680
Speaker 1: peaceful god. You know what I'm saying. He was peaceful man.

4450
03:56:06,760 --> 03:56:07,960
Speaker 1: It wasn't all that bullshit.

4451
03:56:08,040 --> 03:56:11,760
Speaker 2: Man bought him. Was peaceful man. No, no, no, I

4452
03:56:11,840 --> 03:56:12,920
Speaker 2: balk him from Flushing.

4453
03:56:13,040 --> 03:56:13,520
Speaker 1: You know what I mean.

4454
03:56:13,560 --> 03:56:15,480
Speaker 2: He was black and Chinese. You know what I'm saying.

4455
03:56:15,480 --> 03:56:17,520
Speaker 1: Their last name was Chin, and he was the most

4456
03:56:17,560 --> 03:56:19,680
Speaker 1: peaceful god like you know what I mean. And I

4457
03:56:19,760 --> 03:56:21,920
Speaker 1: admired him and that's what made me get into the

4458
03:56:22,040 --> 03:56:24,920
Speaker 1: five percent nation. And he told me, Yo, you're gonna

4459
03:56:24,920 --> 03:56:27,480
Speaker 1: be prince infinite love of law. And so that's all

4460
03:56:27,600 --> 03:56:30,720
Speaker 1: my benevolence in this industry. That's where that roots from.

4461
03:56:31,120 --> 03:56:31,760
Speaker 1: You know what I'm saying.

4462
03:56:33,000 --> 03:56:34,920
Speaker 2: Always was always piece.

4463
03:56:34,760 --> 03:56:36,400
Speaker 1: To the gods and earth because we on the whole

4464
03:56:36,480 --> 03:56:37,280
Speaker 1: other level with it.

4465
03:56:37,320 --> 03:56:37,840
Speaker 2: You know what I'm saying.

4466
03:56:38,200 --> 03:56:41,160
Speaker 1: No one understand ourselves and what we're supposed to do,

4467
03:56:41,280 --> 03:56:41,960
Speaker 1: So let's do it.

4468
03:56:42,520 --> 03:56:43,960
Speaker 2: I want to add on with the with the with

4469
03:56:44,080 --> 03:56:45,480
Speaker 2: the bookstore ship because.

4470
03:56:45,600 --> 03:56:48,120
Speaker 21: Like I'm selling the T shirts right now. But the

4471
03:56:48,200 --> 03:56:50,880
Speaker 21: bookstore ship was not a good business move.

4472
03:56:51,440 --> 03:56:55,880
Speaker 2: Wow. I lost a lot of money with diarys all that.

4473
03:56:56,080 --> 03:56:57,960
Speaker 21: They almost tried to trust me in jail for that

4474
03:56:58,040 --> 03:57:01,120
Speaker 21: type of ship because the money that and Bert Podell

4475
03:57:01,200 --> 03:57:02,440
Speaker 21: told me he was my accounting back then.

4476
03:57:03,960 --> 03:57:05,920
Speaker 12: I got the poetry book that he take the poetry

4477
03:57:05,960 --> 03:57:08,720
Speaker 12: book that every year first.

4478
03:57:10,680 --> 03:57:13,480
Speaker 2: To Rush I want. I worked with Rush with all

4479
03:57:13,520 --> 03:57:15,480
Speaker 2: p M. That's that's how I was. He a decent

4480
03:57:15,560 --> 03:57:18,120
Speaker 2: person to deal with. Burt was cool. Burt was cool.

4481
03:57:18,200 --> 03:57:21,480
Speaker 2: He was an accountant but he's a legendary account.

4482
03:57:22,840 --> 03:57:23,280
Speaker 1: With burn.

4483
03:57:23,520 --> 03:57:27,960
Speaker 2: You know what I mean. You might have got or

4484
03:57:28,040 --> 03:57:32,080
Speaker 2: somebody else signed. You might have gave other people bird

4485
03:57:32,560 --> 03:57:33,800
Speaker 2: call you on your birthday.

4486
03:57:33,560 --> 03:57:35,800
Speaker 1: Exactly, or you get or you get a little close

4487
03:57:35,960 --> 03:57:36,800
Speaker 1: into the office.

4488
03:57:38,120 --> 03:57:42,280
Speaker 2: But he told me to always go up to money.

4489
03:57:42,080 --> 03:57:44,160
Speaker 21: From the from that from that bond, he was like,

4490
03:57:45,360 --> 03:57:47,200
Speaker 21: and I was like, we have to save the bookstore,

4491
03:57:47,880 --> 03:57:48,360
Speaker 21: like I can't.

4492
03:57:48,880 --> 03:57:52,040
Speaker 2: And I lost money on that ship, but it was

4493
03:57:52,120 --> 03:57:54,520
Speaker 2: worth it. Wow. You know what I'm saying. Money is

4494
03:57:54,560 --> 03:58:03,920
Speaker 2: not everything for the album he was in that same building. Yeah, yeah,

4495
03:58:04,120 --> 03:58:04,520
Speaker 2: for sure.

4496
03:58:04,680 --> 03:58:07,360
Speaker 1: That's why when the rock when you see the very

4497
03:58:07,400 --> 03:58:08,120
Speaker 1: being rock kiming.

4498
03:58:08,680 --> 03:58:11,840
Speaker 2: What's the famous line Bigge said, I want to stop

4499
03:58:11,920 --> 03:58:17,640
Speaker 2: myself with Christer Burdell castas Cash Burdell know no, jay

4500
03:58:17,720 --> 03:58:20,080
Speaker 2: Z said they want to jay.

4501
03:58:20,040 --> 03:58:22,680
Speaker 3: Z said, jay Z said they want to stop myselfs

4502
03:58:22,760 --> 03:58:25,640
Speaker 3: and stop tripped to John Mcnow that's my account.

4503
03:58:25,720 --> 03:58:30,800
Speaker 2: What's Biggie said? I like Stash Cash casting Burberdell. I

4504
03:58:30,920 --> 03:58:33,000
Speaker 2: like poetry book, he signed it.

4505
03:58:33,200 --> 03:58:37,000
Speaker 1: I got it. I like I like what Jay said something.

4506
03:58:37,080 --> 03:58:38,080
Speaker 1: Who's gonna stop him?

4507
03:58:38,480 --> 03:58:41,040
Speaker 2: Now? Rudy Giuliani not Helly. We ride him.

4508
03:58:43,040 --> 03:58:46,240
Speaker 1: Who goes that nigga making paper boy, who goes stop him? Now,

4509
03:58:46,360 --> 03:58:48,560
Speaker 1: Rudy Giuliani. Hello, we ritt him.

4510
03:58:49,320 --> 03:58:54,680
Speaker 6: I was like, and then he can't pay Hillary ride him.

4511
03:58:56,560 --> 03:59:00,240
Speaker 6: And then he came and then Hillary ride him. I

4512
03:59:00,400 --> 03:59:01,000
Speaker 6: want to get.

4513
03:59:03,400 --> 03:59:04,920
Speaker 2: Let's not do that actually happened.

4514
03:59:04,960 --> 03:59:07,080
Speaker 1: You know what I'm saying. They didn't shop them like that, boy.

4515
03:59:07,880 --> 03:59:09,360
Speaker 1: You know what I'm saying, So big up, man, All

4516
03:59:09,400 --> 03:59:12,200
Speaker 1: my brothers out there, all the brothers out there were

4517
03:59:12,200 --> 03:59:14,240
Speaker 1: good man, were good man. All the brothers out there

4518
03:59:14,280 --> 03:59:15,640
Speaker 1: getting they bread, got their.

4519
03:59:15,520 --> 03:59:16,840
Speaker 2: Bread, all that ship. Man. I love.

4520
03:59:17,000 --> 03:59:19,520
Speaker 1: I love to see that you rose up how you did, man,

4521
03:59:19,520 --> 03:59:21,320
Speaker 1: because I know your beginnings, you know what I mean.

4522
03:59:21,400 --> 03:59:23,480
Speaker 2: So I love to see how you rose up.

4523
03:59:23,640 --> 03:59:27,160
Speaker 1: How you wanted them fireworks at skyrocketed and went your

4524
03:59:27,240 --> 03:59:30,920
Speaker 1: way your Yeah, you know what I mean, yo, Because Cheeks,

4525
03:59:30,960 --> 03:59:32,920
Speaker 1: I told you, man Cheeks, I know him from break

4526
03:59:33,000 --> 03:59:33,720
Speaker 1: dancing days.

4527
03:59:34,040 --> 03:59:37,960
Speaker 2: So he's some boards, your call boards with linoleum.

4528
03:59:38,080 --> 03:59:40,320
Speaker 1: And then we was we was luxury dudes, so we

4529
03:59:40,400 --> 03:59:42,760
Speaker 1: knew you know, we had crafted. So we do the

4530
03:59:43,240 --> 03:59:45,960
Speaker 1: sheet of linoleum over it. She getting more spins out

4531
03:59:46,000 --> 03:59:50,320
Speaker 1: of wait like that? Yeah that wait what he said, wait.

4532
03:59:50,160 --> 03:59:54,440
Speaker 2: What, I had my Felix suit on them. Yo.

4533
03:59:54,560 --> 03:59:56,840
Speaker 1: You remember Seaney said that she was like doing my

4534
03:59:56,960 --> 03:59:58,360
Speaker 1: felixe and my doing my.

4535
03:59:58,400 --> 04:00:01,400
Speaker 3: Feeling Felix sulet my Felix suit made me spend them

4536
04:00:01,400 --> 04:00:01,840
Speaker 3: a little bit.

4537
04:00:01,840 --> 04:00:04,400
Speaker 2: More exactly because that ship was that viny that.

4538
04:00:04,720 --> 04:00:04,880
Speaker 1: Yeah.

4539
04:00:05,000 --> 04:00:07,360
Speaker 3: Yeah, I'm gonna search your genie to this day because

4540
04:00:07,400 --> 04:00:08,200
Speaker 3: for the same reasons.

4541
04:00:08,360 --> 04:00:09,080
Speaker 1: Oh that serves you.

4542
04:00:09,240 --> 04:00:13,080
Speaker 2: No, it's not. But I got Sergio on We love it, man,

4543
04:00:13,520 --> 04:00:14,280
Speaker 2: We love it man.

4544
04:00:14,840 --> 04:00:18,880
Speaker 1: You remember Central's on the Ave Centrals, Oh Centrals on

4545
04:00:19,040 --> 04:00:19,720
Speaker 1: Jamaica Ave.

4546
04:00:19,800 --> 04:00:20,040
Speaker 2: It was.

4547
04:00:20,280 --> 04:00:22,320
Speaker 1: It was the spot where you get the Felix suits

4548
04:00:22,400 --> 04:00:26,360
Speaker 1: and car the cars. It was the early af though,

4549
04:00:26,440 --> 04:00:28,160
Speaker 1: like right there by Paulsons and ship.

4550
04:00:28,760 --> 04:00:35,400
Speaker 2: Yeah, essential, I love He's not.

4551
04:00:36,880 --> 04:00:39,080
Speaker 1: You the o g from.

4552
04:00:40,640 --> 04:00:42,840
Speaker 2: On the comments. They're gonna be chomping on the comments.

4553
04:00:43,040 --> 04:00:45,080
Speaker 1: And I'm gonna love that because you know it's so

4554
04:00:45,560 --> 04:00:47,600
Speaker 1: you know, it's in the corner of our minds and

4555
04:00:47,640 --> 04:00:48,240
Speaker 1: ship like that.

4556
04:00:48,440 --> 04:00:52,280
Speaker 3: Yeah, what is what is better? Beef patty or chicken patty?

4557
04:00:52,800 --> 04:00:54,800
Speaker 3: I mean, you know I don't eat beef. I don't

4558
04:00:54,840 --> 04:00:56,840
Speaker 3: eat beef in neither hands. Okay, so let me let

4559
04:00:56,840 --> 04:01:01,800
Speaker 3: me phrase the question chicken Batty or seafood Paddy. I mean,

4560
04:01:01,840 --> 04:01:04,400
Speaker 3: you know patty, but I like seafood, Okay, you do

4561
04:01:04,600 --> 04:01:05,040
Speaker 3: like I do?

4562
04:01:05,280 --> 04:01:08,760
Speaker 2: Okay, because this is fire and Jamaica get a bean

4563
04:01:08,840 --> 04:01:12,280
Speaker 2: and panada was on the Collie block, on the in

4564
04:01:12,400 --> 04:01:13,200
Speaker 2: the Collie block.

4565
04:01:16,680 --> 04:01:22,000
Speaker 1: To make chicken sandwiches, bananas, touper that Jernk chicken sandwiches, bananas, the.

4566
04:01:22,040 --> 04:01:25,320
Speaker 2: Carry carry fire they.

4567
04:01:25,080 --> 04:01:28,800
Speaker 1: Chicken sandwich in the cocoa bread carry that you went

4568
04:01:28,800 --> 04:01:30,200
Speaker 1: to and got that? Oh no no, no, no no,

4569
04:01:30,320 --> 04:01:33,560
Speaker 1: I'm talking about Jamaican flavors. The badly got the new one.

4570
04:01:33,720 --> 04:01:35,200
Speaker 2: They got the tell.

4571
04:01:36,840 --> 04:01:40,200
Speaker 23: This is what that's they got the curry, they got

4572
04:01:40,240 --> 04:01:42,720
Speaker 23: the curry, Jernk chicken. It's how the beef, patty, plants,

4573
04:01:42,840 --> 04:01:44,280
Speaker 23: mac and cheese and coco bread.

4574
04:01:44,920 --> 04:01:48,520
Speaker 2: Yo. They on fire right now, you got yallow. I'm

4575
04:01:48,600 --> 04:01:50,960
Speaker 2: ready to fly out. And it's mad light.

4576
04:01:51,240 --> 04:01:53,280
Speaker 1: It's mad like I went in there one time because

4577
04:01:53,280 --> 04:01:55,080
Speaker 1: you know letting that is right around the corner from

4578
04:01:55,120 --> 04:01:57,640
Speaker 1: that spot, so we know smoking beasts coming up. So

4579
04:01:57,840 --> 04:02:01,480
Speaker 1: I guess God is over that little so boom they yo.

4580
04:02:01,440 --> 04:02:04,240
Speaker 2: They went viral. It was crazy, yo.

4581
04:02:04,360 --> 04:02:06,760
Speaker 1: The line being around the corner it's right there, Hollis

4582
04:02:07,000 --> 04:02:08,040
Speaker 1: right there by the stop.

4583
04:02:08,160 --> 04:02:09,840
Speaker 2: Oh soon, I was talking about Colice and Black.

4584
04:02:12,960 --> 04:02:15,640
Speaker 1: It's so crazy, So it's you know, there's I'll be

4585
04:02:15,720 --> 04:02:19,200
Speaker 1: always so and to see the rise of them, like

4586
04:02:19,320 --> 04:02:21,240
Speaker 1: it's crazy and it's But when I went in there

4587
04:02:21,320 --> 04:02:23,880
Speaker 1: one time when the line wasn't crazy, I tried one,

4588
04:02:24,080 --> 04:02:26,600
Speaker 1: and it's mad light because you you think, like your

4589
04:02:26,760 --> 04:02:32,080
Speaker 1: beef patty with macaroni and motherfucking box tails and cocoa bread,

4590
04:02:32,120 --> 04:02:34,880
Speaker 1: and you're like, damn, that's a thousand calories, like no

4591
04:02:35,640 --> 04:02:39,400
Speaker 1: cavalie counting to I know you are so. And but

4592
04:02:39,520 --> 04:02:41,160
Speaker 1: then when I tried on, I was like, yo, I'm

4593
04:02:41,160 --> 04:02:42,920
Speaker 1: going there and fuck that. I got supporting, you know,

4594
04:02:42,960 --> 04:02:45,240
Speaker 1: because I went in there earlier before they went viral.

4595
04:02:45,440 --> 04:02:47,640
Speaker 1: But then boom, I tried one and I was like, yo,

4596
04:02:47,760 --> 04:02:52,120
Speaker 1: this is surprisingly light, but it's I needed to do the.

4597
04:02:54,280 --> 04:02:57,880
Speaker 2: Actually I needed two of these. Actually now I'm you know,

4598
04:02:57,960 --> 04:03:02,200
Speaker 2: I'm My people's got me a great places, man. I

4599
04:03:02,320 --> 04:03:04,560
Speaker 2: know the highs of life right now. So I'm you know,

4600
04:03:04,720 --> 04:03:05,440
Speaker 2: luxury shipped.

4601
04:03:05,920 --> 04:03:08,240
Speaker 1: I cannot get you know what I mean, even with

4602
04:03:08,400 --> 04:03:10,280
Speaker 1: good luxury ship I cannot identify.

4603
04:03:10,560 --> 04:03:13,200
Speaker 3: But hold on listen, I don't talking too much. No, no, no, no,

4604
04:03:13,560 --> 04:03:15,480
Speaker 3: you know you're talking great, mom.

4605
04:03:16,000 --> 04:03:17,080
Speaker 2: But you know what I want.

4606
04:03:17,120 --> 04:03:19,600
Speaker 3: I would like everyone to say something about large prop

4607
04:03:19,600 --> 04:03:20,600
Speaker 3: before we get about it.

4608
04:03:21,160 --> 04:03:24,600
Speaker 2: You start first, man, like you said earlier, he ain't

4609
04:03:24,640 --> 04:03:27,440
Speaker 2: want to accept it, like like I've seen it walking.

4610
04:03:28,160 --> 04:03:31,640
Speaker 29: I've seen people walk and praise him, like coming to America.

4611
04:03:32,960 --> 04:03:34,680
Speaker 2: I said that, I feel like when you walk, I

4612
04:03:34,720 --> 04:03:36,840
Speaker 2: feel like people just throw flowers and yo, it's just

4613
04:03:37,120 --> 04:03:37,720
Speaker 2: you know what I mean.

4614
04:03:40,120 --> 04:03:44,160
Speaker 29: I call him my brother from another like oh, but

4615
04:03:44,400 --> 04:03:47,480
Speaker 29: like family and oh you know what I mean, his

4616
04:03:47,720 --> 04:03:52,120
Speaker 29: mom finish, let him finish.

4617
04:03:51,920 --> 04:03:53,800
Speaker 2: Y'all, legend y'all.

4618
04:03:53,880 --> 04:03:58,880
Speaker 1: Like you said what you said, I call iikon high

4619
04:03:58,960 --> 04:04:05,120
Speaker 1: in the that's an upright gentleman right there too. Always

4620
04:04:05,160 --> 04:04:07,400
Speaker 1: tell him to go look at the I always tell

4621
04:04:07,480 --> 04:04:10,360
Speaker 1: him to go bill with the politicians. That brother, that's

4622
04:04:10,400 --> 04:04:11,280
Speaker 1: an upright gentleman.

4623
04:04:11,440 --> 04:04:13,600
Speaker 2: In the words of my man Uncle Ralph mcdan, he

4624
04:04:13,680 --> 04:04:18,160
Speaker 2: called you and Uncle Chris. He knows Uncle Rizzo. I

4625
04:04:18,320 --> 04:04:23,080
Speaker 2: love aging the names dropping right now American historians.

4626
04:04:23,120 --> 04:04:25,000
Speaker 1: Oh yeah, you know, Uncle Ralph always hit me with

4627
04:04:25,080 --> 04:04:26,800
Speaker 1: that because I mean, you know, we we be all

4628
04:04:26,840 --> 04:04:29,000
Speaker 1: over the place. I see you too, y'all know I

4629
04:04:29,040 --> 04:04:30,360
Speaker 1: mean Italy all over the place.

4630
04:04:30,400 --> 04:04:33,640
Speaker 2: You know what I mean. Just let him feel America

4631
04:04:36,960 --> 04:04:38,680
Speaker 2: and I'm an end of your and I'm an end

4632
04:04:38,680 --> 04:04:38,800
Speaker 2: of it.

4633
04:04:38,840 --> 04:04:40,840
Speaker 29: Like I said earlier, my brother, you know what I'm

4634
04:04:40,840 --> 04:04:42,840
Speaker 29: saying from my mother that word brother, you know what

4635
04:04:42,840 --> 04:04:43,080
Speaker 29: I mean.

4636
04:04:43,840 --> 04:04:46,120
Speaker 2: It's a bloodline. But at the same time, he says,

4637
04:04:46,440 --> 04:04:49,520
Speaker 2: grandmother from harm My grandmother from Harvard. We grewd for

4638
04:04:49,680 --> 04:04:50,960
Speaker 2: life and God were.

4639
04:04:51,840 --> 04:04:54,200
Speaker 1: God's family, and that's what I'll be boring people to

4640
04:04:54,240 --> 04:04:55,360
Speaker 1: get into God's family.

4641
04:04:55,680 --> 04:04:59,360
Speaker 2: We were giving you your love right now. It was like,

4642
04:04:59,680 --> 04:05:04,520
Speaker 2: how you that you knew his Mike, you tell meboy

4643
04:05:04,560 --> 04:05:04,720
Speaker 2: to be.

4644
04:05:08,280 --> 04:05:10,960
Speaker 29: When you like you said hip hop in the dictionary

4645
04:05:11,680 --> 04:05:15,680
Speaker 29: and Queen's you see that man right there? Man and Queen,

4646
04:05:15,720 --> 04:05:24,200
Speaker 29: if you google it, you gotta listen to James Ing.

4647
04:05:25,640 --> 04:05:29,240
Speaker 29: This is the last one. He's a jazz musician, but

4648
04:05:29,400 --> 04:05:33,800
Speaker 29: in hip hop that's always love my Mama. That's always

4649
04:05:33,840 --> 04:05:38,040
Speaker 29: love my mama. Now I'm gonna your drunk, Paul. I

4650
04:05:38,160 --> 04:05:41,200
Speaker 29: always love my He's always.

4651
04:05:44,120 --> 04:05:46,560
Speaker 2: Bars absolutely absolutely correct.

4652
04:05:46,600 --> 04:05:47,760
Speaker 1: I always love.

4653
04:05:48,960 --> 04:05:50,640
Speaker 2: It's on me okay, so.

4654
04:05:52,680 --> 04:06:00,600
Speaker 23: Genuine yeah, very Karen, solid real definite. This number O

4655
04:06:00,760 --> 04:06:05,320
Speaker 23: G and just a solid human forget or take all

4656
04:06:05,360 --> 04:06:07,720
Speaker 23: the music thing away, take all the records and the

4657
04:06:07,800 --> 04:06:11,920
Speaker 23: spending and all the just a solid human, genuine.

4658
04:06:12,120 --> 04:06:13,600
Speaker 2: Very just a very solid human.

4659
04:06:13,720 --> 04:06:13,880
Speaker 5: Man.

4660
04:06:14,400 --> 04:06:22,000
Speaker 2: I tell it. Definitely you added on my stuff you

4661
04:06:22,000 --> 04:06:26,680
Speaker 2: already had, yeah, man, like he.

4662
04:06:26,800 --> 04:06:30,760
Speaker 21: Was like like like Extray was referring to recently. You know,

4663
04:06:30,840 --> 04:06:32,800
Speaker 21: I did the album mad Libit mad Libers, like, Yo,

4664
04:06:33,320 --> 04:06:37,080
Speaker 21: my favorite producer of all time is Large Professor. And

4665
04:06:37,160 --> 04:06:39,800
Speaker 21: I'm like, okay, I got Large Professor number on my phone.

4666
04:06:39,840 --> 04:06:41,440
Speaker 21: And you know, we all in this business. We all

4667
04:06:41,480 --> 04:06:43,480
Speaker 21: got each other's phone numbers. But you don't always use

4668
04:06:43,520 --> 04:06:45,520
Speaker 21: your bro's phone numbers because you don't want to bother them.

4669
04:06:45,680 --> 04:06:47,160
Speaker 21: You don't know when people got going on your life.

4670
04:06:47,320 --> 04:06:49,040
Speaker 21: But I knew he would take a call. I knew

4671
04:06:49,040 --> 04:06:51,080
Speaker 21: if I said mad Libers in the lab, he would

4672
04:06:51,120 --> 04:06:52,440
Speaker 21: pull up and I called Pete Rock.

4673
04:06:52,640 --> 04:06:55,000
Speaker 34: He didn't know Pete Rock's gonna be there, so didn't

4674
04:06:55,040 --> 04:06:57,040
Speaker 34: have to say mad Livers in the lab. But but

4675
04:06:57,480 --> 04:07:00,320
Speaker 34: I said that, said, yo, bro, it's me, you know,

4676
04:07:00,440 --> 04:07:02,560
Speaker 34: but I did that for mad Lib. I did that

4677
04:07:02,680 --> 04:07:04,000
Speaker 34: for mad mad Lib.

4678
04:07:04,280 --> 04:07:07,200
Speaker 21: W said that's his favorite, right, And and Jay Chappelle

4679
04:07:07,240 --> 04:07:09,400
Speaker 21: pulled up and y'all seen baby pulled up and we

4680
04:07:09,520 --> 04:07:11,720
Speaker 21: had a great time and he played.

4681
04:07:11,760 --> 04:07:14,800
Speaker 1: This man played just when we showed up for your

4682
04:07:15,160 --> 04:07:16,560
Speaker 1: video shoot, which this man.

4683
04:07:17,000 --> 04:07:18,480
Speaker 2: Everybody was there. It was a family, but.

4684
04:07:20,480 --> 04:07:21,080
Speaker 1: All that ship.

4685
04:07:21,320 --> 04:07:22,960
Speaker 2: This man played a hundred beats.

4686
04:07:23,480 --> 04:07:25,440
Speaker 1: He brought the machine and they recorded him on the

4687
04:07:25,480 --> 04:07:26,640
Speaker 1: slide like beat.

4688
04:07:29,360 --> 04:07:32,800
Speaker 2: Frederick. I got you that, baby, I got you now,

4689
04:07:33,160 --> 04:07:34,240
Speaker 2: I said record.

4690
04:07:34,480 --> 04:07:36,120
Speaker 21: I said, press record because I need to. I need

4691
04:07:36,200 --> 04:07:38,600
Speaker 21: to record all these beasts right And I said, what where?

4692
04:07:38,720 --> 04:07:40,360
Speaker 21: What are you doing with these beats? He was like,

4693
04:07:40,680 --> 04:07:43,360
Speaker 21: niggas don't want to rap on these beats. And I said,

4694
04:07:43,400 --> 04:07:45,600
Speaker 21: hold my beer. And the next time I seen you,

4695
04:07:45,680 --> 04:07:46,800
Speaker 21: how many songs I played you?

4696
04:07:47,560 --> 04:07:50,240
Speaker 2: He played me six joints, six joints. Orders I was playing.

4697
04:07:50,280 --> 04:07:51,360
Speaker 2: I was gonna say nine.

4698
04:07:51,560 --> 04:07:54,760
Speaker 1: Listen. I bought the drum machine because I'm still like

4699
04:07:55,320 --> 04:07:57,520
Speaker 1: Himmer and Chiswell type guy ship.

4700
04:07:57,400 --> 04:07:57,800
Speaker 2: You know what I mean.

4701
04:07:57,880 --> 04:07:59,720
Speaker 1: I'm not like that. He had a bag of records

4702
04:07:59,720 --> 04:08:03,080
Speaker 1: with him exactly. So this is the thing, exactly, this

4703
04:08:03,240 --> 04:08:09,600
Speaker 1: is this is all memes. God so yo, So I'm

4704
04:08:09,680 --> 04:08:12,520
Speaker 1: in there playing beasts, Paul me spitting yo on on

4705
04:08:12,600 --> 04:08:13,840
Speaker 1: the motherfucking drue machine.

4706
04:08:14,160 --> 04:08:16,360
Speaker 2: They recording the ship the whole time. I didn't know that.

4707
04:08:17,200 --> 04:08:20,080
Speaker 1: But damn boom, y'all see you come in like he

4708
04:08:20,200 --> 04:08:24,080
Speaker 1: always do, like he always do. Like when I was

4709
04:08:24,280 --> 04:08:28,560
Speaker 1: working with Cellar Dwellers, I had like a little skeleton running. Yeah,

4710
04:08:28,600 --> 04:08:31,640
Speaker 1: with Sellar Dwellers, I had, I had a skeleton running.

4711
04:08:32,040 --> 04:08:33,960
Speaker 1: It was just enough for us to get loose, you

4712
04:08:34,000 --> 04:08:35,120
Speaker 1: know what I mean. You know how that is.

4713
04:08:35,240 --> 04:08:36,280
Speaker 2: You just got a little.

4714
04:08:36,080 --> 04:08:38,320
Speaker 1: Something and this' but it's enough for you to get

4715
04:08:38,520 --> 04:08:40,240
Speaker 1: to write some ship, you know what I mean. So

4716
04:08:40,280 --> 04:08:43,160
Speaker 1: I had a skeleton running. Nigga, y'all seen you come

4717
04:08:43,200 --> 04:08:46,320
Speaker 1: in and she like, yo, turn the keyboard up. They

4718
04:08:46,400 --> 04:08:47,720
Speaker 1: saw playing a base, not the ship.

4719
04:08:48,320 --> 04:08:51,160
Speaker 2: Eureka like this. Nigga's a genius man like I, and

4720
04:08:51,560 --> 04:08:53,280
Speaker 2: this is the first thing. So he did the same

4721
04:08:53,360 --> 04:08:55,760
Speaker 2: type of ship in that session. He just came in.

4722
04:08:55,920 --> 04:08:58,040
Speaker 1: He was like, Yo, I'm golden and the mic blah

4723
04:08:58,080 --> 04:09:00,160
Speaker 1: blah blah. So we on chilling and ship like that,

4724
04:09:00,320 --> 04:09:02,720
Speaker 1: Mad Live everything, Mad Live beat me in the head

4725
04:09:02,920 --> 04:09:04,600
Speaker 1: like Yo, we're gonna get up small and ship. Then

4726
04:09:04,640 --> 04:09:07,240
Speaker 1: that Nigga went back into the midst of the fall.

4727
04:09:07,560 --> 04:09:09,360
Speaker 1: He just he went back into the midst of the

4728
04:09:09,480 --> 04:09:12,880
Speaker 1: fog and ship. You know, he's listening. But then what

4729
04:09:13,000 --> 04:09:15,000
Speaker 1: we got out of that was, y'all seen you know

4730
04:09:15,000 --> 04:09:17,400
Speaker 1: what I mean, y'all seen lady some ship. Now. Then

4731
04:09:17,520 --> 04:09:20,400
Speaker 1: like a couple of days later, they got a show.

4732
04:09:20,760 --> 04:09:24,000
Speaker 1: This nigga let that ship blow on stage, right there,

4733
04:09:24,200 --> 04:09:24,520
Speaker 1: did ship?

4734
04:09:24,640 --> 04:09:28,320
Speaker 21: He just recorded the Black Show. Yeah, I'm like, this

4735
04:09:28,680 --> 04:09:33,800
Speaker 21: is what I remember. And for a we actually on tour.

4736
04:09:33,840 --> 04:09:35,600
Speaker 21: We actually at a New York City. We have Blue

4737
04:09:35,640 --> 04:09:38,200
Speaker 21: Note next week, them brother blue.

4738
04:09:38,840 --> 04:09:39,800
Speaker 2: Sony hole next week.

4739
04:09:40,400 --> 04:09:45,600
Speaker 1: Right, how we appreciate them brothers? Yo yo acting du yo.

4740
04:09:48,120 --> 04:09:49,320
Speaker 1: When that ship comes home?

4741
04:09:49,440 --> 04:09:53,800
Speaker 21: My god, But this man had recording the beats because

4742
04:09:53,840 --> 04:09:56,360
Speaker 21: imagine me, imagine fourteen year old me what I just

4743
04:09:56,400 --> 04:09:59,160
Speaker 21: told y'all last professor, And now I got the opportunity

4744
04:09:59,160 --> 04:09:59,560
Speaker 21: of retort.

4745
04:10:00,320 --> 04:10:01,600
Speaker 2: Yeah, I had I had.

4746
04:10:01,520 --> 04:10:03,120
Speaker 29: To what.

4747
04:10:10,440 --> 04:10:16,840
Speaker 3: Lot because you know it's the whole time. I understand

4748
04:10:16,920 --> 04:10:19,640
Speaker 3: that you're very can't give us some more, bro, please

4749
04:10:19,840 --> 04:10:20,440
Speaker 3: please give.

4750
04:10:20,360 --> 04:10:25,520
Speaker 2: Some of us, But no, no, no no, But you're

4751
04:10:25,520 --> 04:10:27,960
Speaker 2: a very humble guy. That is a spate, but it's

4752
04:10:29,440 --> 04:10:31,360
Speaker 2: you're a very humble guy. But what I want you

4753
04:10:31,520 --> 04:10:32,160
Speaker 2: to know is.

4754
04:10:33,800 --> 04:10:38,400
Speaker 3: You're warranted to accept these flowers. You're warranted and I

4755
04:10:38,480 --> 04:10:39,400
Speaker 3: could get I could get it.

4756
04:10:39,520 --> 04:10:41,480
Speaker 2: I understand, Like you know, I might be.

4757
04:10:41,480 --> 04:10:43,520
Speaker 1: On that Italian ship. You know my real name is

4758
04:10:43,560 --> 04:10:46,720
Speaker 1: paul Y'll be put enough about me, feels enough about me,

4759
04:10:47,160 --> 04:10:47,680
Speaker 1: you know what I mean?

4760
04:10:47,760 --> 04:10:49,240
Speaker 2: Like, let's get into that. You know what I mean?

4761
04:10:49,320 --> 04:10:49,480
Speaker 5: Like that?

4762
04:10:49,720 --> 04:10:52,280
Speaker 2: You know what, man, that's what It's not enough about you,

4763
04:10:54,080 --> 04:10:58,960
Speaker 2: right all of all about it's all about you. My

4764
04:10:59,080 --> 04:11:02,280
Speaker 2: family appreciates you right now. My family will appreciate you. Man,

4765
04:11:02,400 --> 04:11:04,480
Speaker 2: she appreciate you every day.

4766
04:11:04,840 --> 04:11:09,000
Speaker 1: Man, So I'm so pretty.

4767
04:11:08,760 --> 04:11:11,920
Speaker 15: Ship Josh who Miami exactly like, yeah, you can't hurt

4768
04:11:12,600 --> 04:11:15,960
Speaker 15: you all here make your.

4769
04:11:16,000 --> 04:11:18,920
Speaker 2: What you understand said? They show you how or you

4770
04:11:19,160 --> 04:11:21,960
Speaker 2: are yo. Now what she's done about what you want?

4771
04:11:22,000 --> 04:11:26,600
Speaker 15: Get done out on turkey burgers a right, Let me finished,

4772
04:11:26,680 --> 04:11:30,480
Speaker 15: Let me be finished, because you are like you are alright,

4773
04:11:30,760 --> 04:11:31,720
Speaker 15: you're doing four singing?

4774
04:11:32,160 --> 04:11:38,800
Speaker 2: Yeah, all sister, and we all do so at.

4775
04:11:38,640 --> 04:11:45,000
Speaker 15: Here bout in the world, in the world like any

4776
04:11:45,080 --> 04:11:49,840
Speaker 15: world and like light because absolutely and you know what's crazy,

4777
04:11:49,920 --> 04:11:52,400
Speaker 15: but we like we go crazy about this.

4778
04:11:53,280 --> 04:11:55,480
Speaker 2: How humble you are, she's not because you fine, you

4779
04:11:55,560 --> 04:11:56,200
Speaker 2: get drunk.

4780
04:11:56,360 --> 04:11:59,000
Speaker 1: You're not like too much.

4781
04:11:59,120 --> 04:12:02,200
Speaker 24: You don't like too like yeah, because you know how

4782
04:12:02,360 --> 04:12:06,120
Speaker 24: last one they know you gotta show it. I think

4783
04:12:06,160 --> 04:12:11,320
Speaker 24: it was like, yeah, good, you don't want to that's

4784
04:12:11,880 --> 04:12:15,640
Speaker 24: ship you know it. I know it like oh like no, no, no,

4785
04:12:15,720 --> 04:12:17,960
Speaker 24: I know exacts it's doing so I do that.

4786
04:12:18,480 --> 04:12:19,360
Speaker 1: I do that, you know what?

4787
04:12:19,800 --> 04:12:22,760
Speaker 2: He absolutely does that. I don't want to set up laws.

4788
04:12:22,840 --> 04:12:26,160
Speaker 2: I don't mind. I think they're good. Day we because

4789
04:12:26,240 --> 04:12:29,480
Speaker 2: it's got you for we still have Yes, I think

4790
04:12:29,480 --> 04:12:32,600
Speaker 2: I want to know, but no, I don't love the record.

4791
04:12:32,680 --> 04:12:42,880
Speaker 2: I was just no, don't they know they know? Stop talking? Second?

4792
04:12:43,080 --> 04:12:44,600
Speaker 5: Yes, I don't you know it's.

4793
04:12:44,480 --> 04:12:50,520
Speaker 2: Having a spect second listen true, last professor, it's about

4794
04:12:50,760 --> 04:12:56,120
Speaker 2: you today and today we sat you. I love you.

4795
04:12:56,640 --> 04:12:59,160
Speaker 2: We don't want to craze. We gotta gonna get over.

4796
04:12:59,600 --> 04:13:04,840
Speaker 2: How many times to try to I'm not what you what?

4797
04:13:06,320 --> 04:13:08,360
Speaker 2: Dogs bill pull metal child and.

4798
04:13:08,440 --> 04:13:16,960
Speaker 1: Hell's passive time to shop?

4799
04:13:17,200 --> 04:13:22,120
Speaker 2: Yes, yes, sho, I don't know you? Yes what that's

4800
04:13:22,160 --> 04:13:24,640
Speaker 2: who he shouted out to that we should.

4801
04:13:27,320 --> 04:13:28,480
Speaker 1: Say you like yeah, no.

4802
04:13:39,600 --> 04:13:42,120
Speaker 2: Up front? You know do you know guy right here?

4803
04:13:42,160 --> 04:13:47,560
Speaker 2: Man tell me who this is? Move right there? Mans?

4804
04:13:48,640 --> 04:13:48,840
Speaker 5: You know.

4805
04:13:50,440 --> 04:13:55,160
Speaker 2: No wife because he used to play roll and I

4806
04:13:55,280 --> 04:13:58,120
Speaker 2: know it's a fact. I was like yo when he's

4807
04:13:58,200 --> 04:14:01,920
Speaker 2: like yo. Drink Chance is a Drink Champs LLC production

4808
04:14:02,280 --> 04:14:07,280
Speaker 2: and association with Interval Presents, hosts and executive producers n

4809
04:14:07,280 --> 04:14:11,280
Speaker 2: o r E and dj e FN from Interval Presents

4810
04:14:11,520 --> 04:14:16,000
Speaker 2: executive producers Alan Coy and Jake Kleinberg. Listen to Drink

4811
04:14:16,080 --> 04:14:16,480
Speaker 2: Champs on.

4812
04:14:16,520 --> 04:14:21,640
Speaker 9: Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever you get

4813
04:14:21,680 --> 04:14:25,360
Speaker 9: your podcasts. Thanks for joining us for another episode of

4814
04:14:25,400 --> 04:14:28,400
Speaker 9: Drink Champs hosted by Yours Truly, dj e FN and

4815
04:14:28,600 --> 04:14:30,680
Speaker 9: n O r E. Please make sure to follow us

4816
04:14:30,720 --> 04:14:33,280
Speaker 9: on all our socials That's at drink Champs across all

4817
04:14:33,360 --> 04:14:37,960
Speaker 9: platforms at the Real noriagon ig at Noriega on Twitter,

4818
04:14:38,400 --> 04:14:41,760
Speaker 9: mine is at Who's Crazy on ig at dj e

4819
04:14:41,960 --> 04:14:44,520
Speaker 9: fn on Twitter, and most importantly, stay up to date

4820
04:14:44,600 --> 04:14:47,760
Speaker 9: with the latest releases, news and merch by going to

4821
04:14:47,880 --> 04:14:49,200
Speaker 9: drink Champs dot com