WEBVTT - TGI – Episode 520 “Starry Night”

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<v Speaker 1>I can tell you, guys, the saga of the squeaky shoe.

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<v Speaker 1>I'm sorry, what what? I've gone on quite a journey

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<v Speaker 1>with a pair of boots. Oh I know about these boots.

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<v Speaker 1>You wore them to a con. You kept talking about it.

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<v Speaker 2>Yeah, I you know, I I uh as a squeaky belt,

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<v Speaker 2>I do. The algorithm is just like nailed me so

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<v Speaker 2>thoroughly that like every other thing on Instagram or like

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<v Speaker 2>any ad.

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<v Speaker 1>Is just boots. And I'm like, right, God, am I

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<v Speaker 1>that predictable? Yes? I am that predictable.

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<v Speaker 2>So for a while I had like my brand I'm

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<v Speaker 2>not going to say brand names because you know, I

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<v Speaker 2>just it's not worth it.

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<v Speaker 1>Because they're not saying you yeah, well no.

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<v Speaker 2>It's also just there's good, there's bad, there's all kinds

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<v Speaker 2>of feelings. So I had like my go to company

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<v Speaker 2>that I found like ten years ago.

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<v Speaker 1>It was this European boot company, and I just loved

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<v Speaker 1>their boots.

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<v Speaker 2>But they would last about a year and a half

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<v Speaker 2>a year, maybe a year, and then.

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<v Speaker 1>You know what, I bet they're expensive.

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<v Speaker 2>Like these were one hundred and fifty two hundred boots.

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<v Speaker 1>Right, so not not only worth a year exactly.

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<v Speaker 2>Well, That's what I started to realize is I was like,

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<v Speaker 2>wait a minute, I'm fine because I would buy like

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<v Speaker 2>two or three different looks.

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<v Speaker 1>I got through two or three different boots. But I

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<v Speaker 1>was like, but then they'd win. Yeah, you beat your

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<v Speaker 1>beach boots and then your regular boots right X, your

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<v Speaker 1>summer boots, summer boots, fall boots that go with shorts,

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<v Speaker 1>right exactly, rain proof boot.

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<v Speaker 2>No, you know what the secret to that company's boots were.

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<v Speaker 2>They always had a zipper on the.

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<v Speaker 1>Side, right, don't have to relate something big thing.

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<v Speaker 2>So okay, so that was my company. That was my

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<v Speaker 2>and then I had that realization. I'm like, wait a minute.

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<v Speaker 2>I'm like I think I'm getting a deal here, but

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<v Speaker 2>actually having to do this every year. So it's like

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<v Speaker 2>I started looking into like there's this whole world of

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<v Speaker 2>Pacific Northwest boots, which are like there's like boots four

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<v Speaker 2>or five companies that have been around forever. They handmake

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<v Speaker 2>all their things. You have to like special order, you

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<v Speaker 2>get to pick the you know. But it's like we're

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<v Speaker 2>talking then we're talking five hundred dollars plus for a

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<v Speaker 2>pair of boots. And I like debated this over and

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<v Speaker 2>over like conversations with Alex, like can I do this?

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<v Speaker 2>Can't you know, can't I spend this kind of money

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<v Speaker 2>on a pa.

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<v Speaker 1>Am I fee worthy of a splurge? And call Zurich

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<v Speaker 1>move some money around.

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<v Speaker 2>And then a job came in or something happened, where

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<v Speaker 2>like it was like I had done well, like i'd

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<v Speaker 2>gotten I'd done well for the household. And it's was like,

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<v Speaker 2>all right, if you're gonna buy the boots, now's the time.

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<v Speaker 2>So I find the pair. You know, I had been

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<v Speaker 2>going on websites. I mean, this is like free time.

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<v Speaker 2>It's ridiculous. Now I just don't allow myself to do this.

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<v Speaker 2>But yeah, okay, so I found the boots. I knew

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<v Speaker 2>the thing, ordered took a while to get there. Finally

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<v Speaker 2>get these boots, put them on my feet are killing me?

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<v Speaker 1>Oh no. So they're like for like any women days.

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<v Speaker 2>And I'm like, oh my god, what have I done.

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<v Speaker 2>I've heard all these things are heavy, They're like, you know,

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<v Speaker 2>they're so well made.

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<v Speaker 1>I'm so impressed. But you've already spoken to Atticus who

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<v Speaker 1>made them himself.

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<v Speaker 2>Oh my god, you know, I'm so yeah. Now I'm like,

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<v Speaker 2>do I have to call Atticus? Is thisbbler. Immediately I'm

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<v Speaker 2>like I have I'm just the biggest sucker in the world.

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<v Speaker 1>Like I am just the biggest.

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<v Speaker 2>Sucker in the world.

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<v Speaker 1>And I'm like, like.

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<v Speaker 2>What am I gonna do? Like I can't now. I

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<v Speaker 2>just feel like such an idiot. I spent all this

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<v Speaker 2>money and Alex Is like, well, look it up online.

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<v Speaker 2>So I'm looking up and sure enough it's a thing.

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<v Speaker 2>The first week.

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<v Speaker 1>The first week sucks. Yeah, I gonna start.

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<v Speaker 2>Pain and I'm like, God, this sucks, Like I have to,

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<v Speaker 2>like I have to do this, yes, and then they mold.

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<v Speaker 1>To your feet, ay three or four right a creative and.

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<v Speaker 2>Like now I'm like I am Oh, I've been through it.

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<v Speaker 2>I have been through it with these boots. These are

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<v Speaker 2>these are my rider Die boots. Everything is great about

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<v Speaker 2>these boots, except the metal goes off every time I travel.

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<v Speaker 2>They're not metal toe. They's just enough metal in them

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<v Speaker 2>because there's like nails and who the hell knows what

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<v Speaker 2>they're putting it. But yeah, exactly, it's not so I

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<v Speaker 2>can't travel with them, which is when you want your

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<v Speaker 2>durable awesome a lifetime explain the situation. But still, you

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<v Speaker 2>know what I'm gonna I'm just gonna take my shoes off.

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<v Speaker 1>It's gonna be worth it, right.

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<v Speaker 2>So anyway, I was in Ireland two weeks ago catching

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<v Speaker 2>up with some of my old friends and uh, we

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<v Speaker 2>got into a shoe discussion and I started telling because

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<v Speaker 2>I had brought them all the way because I knew

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<v Speaker 2>we were going to do some hiking, and I was like,

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<v Speaker 2>I'm bringing the real things. I'm going to take them

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<v Speaker 2>off at the TSA. I'm going to deal with it whatever.

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<v Speaker 2>And I'm bragging about the boots and they're like looking

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<v Speaker 2>at them, were like, yeah, the And then.

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<v Speaker 1>We take a walk and we're walking and we all

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<v Speaker 1>three of us hear this.

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<v Speaker 2>And they're like, what's uh, what's it?

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<v Speaker 1>And I'm like, it's uh, it's my left boot. It's squeaky.

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<v Speaker 1>And we did a lot of walking on this trip and.

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<v Speaker 2>I was like I spoke too soon. My squeaky boot.

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<v Speaker 1>Was like there was it was all I could hear,

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<v Speaker 1>and it was a person on your trip.

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<v Speaker 2>And now I came home and I was like, no,

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<v Speaker 2>you know what I hear baby powder? You just baby

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<v Speaker 2>powdered on the inside. No, I can't get rid of the.

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<v Speaker 1>Squeaky I don't know what to do. Guys, I still

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<v Speaker 1>love these shoes. No, I've tried all different kinds of socks.

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<v Speaker 2>I mean now my next step is like a leather

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<v Speaker 2>conditioner that I can like put on there. But like

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<v Speaker 2>I think it's just I don't know. But like, do

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<v Speaker 2>I do I send it back to Atticus?

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<v Speaker 1>Do I say? I think? I think you need to

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<v Speaker 1>call Atticus and say I think this boot is haunted? Right?

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<v Speaker 1>Does the tree they cobble in have cell service?

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<v Speaker 3>No?

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<v Speaker 2>I got to I've got to send a telegram or messenger.

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<v Speaker 1>She was speaking stop in condition.

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<v Speaker 2>It's just I just because my immediate thing is like, oh,

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<v Speaker 2>I guess I got to buy another pair or pay

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<v Speaker 2>for them to repair it.

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<v Speaker 1>And I'm like, how much am I investing in these boots?

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<v Speaker 1>I love them? But how they get you? That's how

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<v Speaker 1>they get you. How they get you.

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<v Speaker 2>It's the some cost fallacy, right, It's like, because I

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<v Speaker 2>spent so much money, now I feel like I have to.

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<v Speaker 1>Keep get to you. But here is the truth about what,

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<v Speaker 1>at least how the way it should be when you

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<v Speaker 1>spend really good money for a high quality product. The

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<v Speaker 1>truth is you should be able to call the company

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<v Speaker 1>and say love it love these boots. I am extremely

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<v Speaker 1>loyal to the brand. Now, a couple of things. One,

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<v Speaker 1>do you make a boot that won't make me take

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<v Speaker 1>my boots off at TSA travel? You know? Can I

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<v Speaker 1>can I keep my boots on?

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<v Speaker 2>Is there?

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<v Speaker 1>Do you have a less metal version? And if they

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<v Speaker 1>say no, you're the first person to mention that, then

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<v Speaker 1>say could you think about it? Because I am real

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<v Speaker 1>loyal to this brand, but the one problem for me

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<v Speaker 1>is that I set off the metal detector. And then two,

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<v Speaker 1>a boot I've now had for X number of months

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<v Speaker 1>is squeaking? Is there something I can do? Do you

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<v Speaker 1>have any recommendations leather conditioner? I've tried this, I've tried

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<v Speaker 1>that and see what they say. They may say, ah,

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<v Speaker 1>here's the perfect solution for it, or they may say,

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<v Speaker 1>well that's interesting, never heard that before. Send it back

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<v Speaker 1>to us. We'll fix it for you. But you deserve

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<v Speaker 1>a level of customer service at a certain price point

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<v Speaker 1>that I think is okay for you to just kind

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<v Speaker 1>of expect to be there. And if you end up

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<v Speaker 1>being terribly disappointed, well then these are just not on

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<v Speaker 1>my podcast.

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<v Speaker 3>Exactly. Have you tried w D forty your entire foot

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<v Speaker 3>it's your foot. Maybe it's just squeaky foot.

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<v Speaker 1>By the way, I should my foot off to make

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<v Speaker 1>the work.

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<v Speaker 3>Just first of all, the pain in your feet for

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<v Speaker 3>the first couple of days is something that men very

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<v Speaker 3>rarely have to deal with, but apparently in the women

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<v Speaker 3>is to the point where whenever Susan gets new shoes

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<v Speaker 3>and we go somewhere, she'll put on the shoes, look

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<v Speaker 3>at me, and go the clock has started, yes, meaning

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<v Speaker 3>we have an hour and a half for dinner.

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<v Speaker 1>Because after that, those are dinner shoes. Those are shoes

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<v Speaker 1>that are only acceptable to wear to dinner because you

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<v Speaker 1>can only wear them from the valet into the restaurant

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<v Speaker 1>and then out of the restaurant back to the valet.

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<v Speaker 1>That's what I'm learning. Yeah, But the other thing we

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<v Speaker 1>like to do is buy a pair of shoes. The

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<v Speaker 1>other thing I let. Yeah, of course, when you're in

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<v Speaker 1>your dinner shoes, you can't walk on the street, you

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<v Speaker 1>can't take your extra steps when you're in your dinner

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<v Speaker 1>shoes exactly. But you you buy a pair of shoes

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<v Speaker 1>and you put them on, and you wear them around

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<v Speaker 1>the house for a few days, so that you get

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<v Speaker 1>the blisters and the pain and you wear them out

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<v Speaker 1>in your house like a week or two before your event,

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<v Speaker 1>so that hopefully on the night of your event it's

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<v Speaker 1>not so bad. I will have a squeaky bet as well.

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<v Speaker 1>You want a whole outfit? Wait? Wait, how does your

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<v Speaker 1>belt squeakly every time you take a step or something

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<v Speaker 1>just moving multiple places. I've been with you a few times.

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<v Speaker 1>I've been like, oh, you're were in the squeaky belt,

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<v Speaker 1>and You're like, yeah, it's my belt. You got to

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<v Speaker 1>get a new belt at that point, Like I got it.

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<v Speaker 1>I don't know if you know. Will, I got a target.

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<v Speaker 1>It holds my pants up. Conversation and the conversation. He

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<v Speaker 1>has a belt.

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<v Speaker 3>It's not only that, but if you turn it this way,

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<v Speaker 3>it goes from black to brown in.

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<v Speaker 1>One Yeah, but you can, okay anyway. I just want

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<v Speaker 1>I just I just would like that when we are

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<v Speaker 1>all together next, I would like to be miked and

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<v Speaker 1>I want to have you on one side of Will's

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<v Speaker 1>squeaky belt and riders squeaky shoe, and I'll be dressed

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<v Speaker 1>like a fifteen year old skater boy exactly. Just this one.

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<v Speaker 1>Spent seven dollars on two belts in one and this

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<v Speaker 1>one's five hundred dollars on boots and squeaks. So wow. Anyway,

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<v Speaker 1>Welcome to Pod Meets World. I'm Daniel Fishl, I'm Writer Strong,

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<v Speaker 1>and I'm Wilfredell. Welcome to today's episode recap. It is

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<v Speaker 1>season five episode twenty Starry Night. It originally aired April third,

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<v Speaker 1>nineteen ninety eight. The synopsis when Tapanga goes to an

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<v Speaker 1>art exhibit with Angela, she meets a charming guy who

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<v Speaker 1>threatens to break up Corey and Topanga forever. It was

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<v Speaker 1>directed by Jeff McCracken. It was written by Barry Safcheck.

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<v Speaker 1>Not only his first Boy Meets World script, it was

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<v Speaker 1>his first script ever. He'd continue to write on the

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<v Speaker 1>show through season seven, and has since went on to

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<v Speaker 1>produce and write for shows like Weeds, Sullivan and Son,

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<v Speaker 1>and Grayson Frankie. Do you guys remember Barry? Of course, yeah,

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<v Speaker 1>of course, yes, we sure did. We saw him at

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<v Speaker 1>Matt's funeral not that long ago.

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<v Speaker 3>His wife was also, we'll get into it, did a

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<v Speaker 3>couple episodes on her show as an actor.

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<v Speaker 1>She's already done one? Was she already did one? Okay,

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<v Speaker 1>yeah she was, So he was already.

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<v Speaker 2>Around I guess by season four because he was friends

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<v Speaker 2>with Michael, so he was already sort of around, hovering joined.

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<v Speaker 2>I don't think he even was in the staff this season.

0:11:26.000 --> 0:11:28.079
<v Speaker 1>Oh really, do you think this was like an outside script? Yeah?

0:11:28.160 --> 0:11:29.680
<v Speaker 2>Yeah, I think he might have gotten the script and

0:11:29.720 --> 0:11:32.520
<v Speaker 2>then when Yeah, but but he was always around, like

0:11:32.520 --> 0:11:34.319
<v Speaker 2>I feel like, yeah, those last the last three or

0:11:34.360 --> 0:11:36.439
<v Speaker 2>four years of the show, he was around. Yeah, and

0:11:36.440 --> 0:11:38.679
<v Speaker 2>his wife Ricky, Yeah, Ricky right was her name?

0:11:38.760 --> 0:11:41.559
<v Speaker 1>Ricky? Yes. Well that's so confusing because in this Starry

0:11:41.640 --> 0:11:44.320
<v Speaker 1>Night episode we've got Jonathan Jackson playing Ricky. But before

0:11:44.640 --> 0:11:48.000
<v Speaker 1>I get into that, what are your overall thoughts, gentlemen,

0:11:48.160 --> 0:11:54.760
<v Speaker 1>squeaky gentlemen, beautiful episode. I think this is Jeff McCracken's

0:11:54.800 --> 0:11:59.880
<v Speaker 1>just it's gorgeous and blocking in the museum camera move

0:12:00.559 --> 0:12:02.640
<v Speaker 1>monkey bars so cool.

0:12:03.400 --> 0:12:07.040
<v Speaker 2>Yeah. No, And then I just couldn't stand everything else

0:12:07.200 --> 0:12:08.080
<v Speaker 2>the storyline.

0:12:08.720 --> 0:12:11.520
<v Speaker 3>I disagree with you entirely. I thought it looked terrible.

0:12:12.080 --> 0:12:15.560
<v Speaker 3>I thought it looked terrible. I thought the the the

0:12:15.559 --> 0:12:21.280
<v Speaker 3>the the outside fine, the outside time glowing art.

0:12:21.679 --> 0:12:26.920
<v Speaker 1>The art museum looked bad. The actual museum, dual.

0:12:26.760 --> 0:12:29.720
<v Speaker 3>Museum looked like there's white walls and then you put

0:12:29.760 --> 0:12:32.840
<v Speaker 3>paintings up, let's shoot it. It was so white and ridiculous,

0:12:32.880 --> 0:12:37.440
<v Speaker 3>to the point where Danielle at times looked superimposed. It

0:12:37.600 --> 0:12:40.880
<v Speaker 3>was I and then the storyline and everything about it

0:12:40.920 --> 0:12:43.240
<v Speaker 3>was this was one of the favorite episodes.

0:12:43.440 --> 0:12:45.920
<v Speaker 2>I found it super intentional, like that that look and

0:12:45.960 --> 0:12:49.480
<v Speaker 2>that feeling like it felt like it felt like the

0:12:49.559 --> 0:12:52.360
<v Speaker 2>characters are entering like a void to have a discussion,

0:12:52.520 --> 0:12:55.160
<v Speaker 2>like I thought it was actually very cool, like and

0:12:55.200 --> 0:12:58.760
<v Speaker 2>you never could you never felt like centered, Like you

0:12:58.800 --> 0:13:00.680
<v Speaker 2>never knew where you were in the museum. It was

0:13:00.720 --> 0:13:03.240
<v Speaker 2>like it was like to me, it was the perfect

0:13:03.960 --> 0:13:06.600
<v Speaker 2>way to visualize what was happening there was like you

0:13:06.720 --> 0:13:08.680
<v Speaker 2>enter this space, you never know where you are, you

0:13:08.720 --> 0:13:13.080
<v Speaker 2>never like I don't know it actually was effective, maybe not,

0:13:13.160 --> 0:13:16.000
<v Speaker 2>but it felt it felt like non sitcom staging.

0:13:16.080 --> 0:13:18.480
<v Speaker 1>It felt like non sitcom blocking. It felt like really

0:13:18.520 --> 0:13:19.760
<v Speaker 1>bad soap opera staging.

0:13:20.200 --> 0:13:24.000
<v Speaker 2>Maybe the whole like a soap opera to me, that

0:13:24.120 --> 0:13:27.120
<v Speaker 2>one right at that, But but I'm just talking about visually.

0:13:27.200 --> 0:13:30.520
<v Speaker 2>I liked the break from sitcom into this weird like

0:13:30.720 --> 0:13:33.440
<v Speaker 2>void space for these conversations, and it was it was

0:13:33.480 --> 0:13:35.000
<v Speaker 2>just cool to see, Like I like that and then.

0:13:34.880 --> 0:13:37.320
<v Speaker 1>Of course, Yeah, I thought the jib stuff outside on.

0:13:37.360 --> 0:13:41.880
<v Speaker 2>The monkey Bars was really pretty great and and even

0:13:41.960 --> 0:13:44.559
<v Speaker 2>like the me and Ben and the old timey photos.

0:13:44.840 --> 0:13:47.080
<v Speaker 2>I know, so there was a lot that I liked

0:13:47.080 --> 0:13:48.559
<v Speaker 2>as far as just the look and feel.

0:13:48.559 --> 0:13:52.880
<v Speaker 1>But yeah, no, really just a frustrating episodes.

0:13:52.520 --> 0:13:56.240
<v Speaker 2>Like and yeah, really hard to wrap my head around

0:13:56.240 --> 0:13:57.080
<v Speaker 2>and get comfortable with.

0:13:57.120 --> 0:13:59.080
<v Speaker 1>And it's a bummer, man. I just I guess I'm

0:13:59.120 --> 0:14:03.160
<v Speaker 1>just not in the cory to bank account.

0:14:03.360 --> 0:14:05.480
<v Speaker 2>Yeah, but I guess it doesn't matter anymore because now

0:14:05.480 --> 0:14:07.400
<v Speaker 2>they're just together, right or I don't know, I guess

0:14:07.400 --> 0:14:08.760
<v Speaker 2>we still write on the album.

0:14:09.120 --> 0:14:12.680
<v Speaker 3>But the whole destiny, you know, all of it, we've talked,

0:14:12.720 --> 0:14:14.920
<v Speaker 3>so that to me is also the destiny thing I've

0:14:14.920 --> 0:14:15.840
<v Speaker 3>just kind of given up on.

0:14:15.920 --> 0:14:19.560
<v Speaker 1>So I'm like, okay, fine, that's great. But when they

0:14:19.560 --> 0:14:20.360
<v Speaker 1>bring in now.

0:14:20.280 --> 0:14:24.480
<v Speaker 3>This new character that's like a caricature of everything to

0:14:24.600 --> 0:14:27.840
<v Speaker 3>Pangus should let I'm taking a year off in Faris

0:14:28.000 --> 0:14:31.680
<v Speaker 3>because of seventeen and working with blind puppies, It's like, oh,

0:14:31.680 --> 0:14:34.360
<v Speaker 3>the Love of God is a real person.

0:14:36.120 --> 0:14:36.720
<v Speaker 2>It was real.

0:14:37.280 --> 0:14:40.760
<v Speaker 1>It was definitely in my opinion, it was definitely written

0:14:41.400 --> 0:14:43.840
<v Speaker 1>by a bunch of men who had to imagine what

0:14:43.960 --> 0:14:48.120
<v Speaker 1>a woman would want, what a women want. They want

0:14:48.440 --> 0:14:52.680
<v Speaker 1>this guy. They're sensitive and they're like grdis types.

0:14:53.360 --> 0:14:53.840
<v Speaker 2>Here he is.

0:14:56.800 --> 0:15:03.960
<v Speaker 1>It was the whole episode was full, the most melodramatic episode,

0:15:05.040 --> 0:15:09.040
<v Speaker 1>and it really again bums me out that I feel

0:15:09.080 --> 0:15:15.400
<v Speaker 1>like we were really missing a woman's voice writing for

0:15:15.600 --> 0:15:20.760
<v Speaker 1>this storyline for Topanga. And I know there were women

0:15:20.760 --> 0:15:22.560
<v Speaker 1>on the writing staff. We have more women this season

0:15:22.600 --> 0:15:24.520
<v Speaker 1>than we had ever had, but maybe they were women

0:15:24.560 --> 0:15:26.960
<v Speaker 1>who came in in season five and didn't necessarily know

0:15:27.080 --> 0:15:32.880
<v Speaker 1>Topanga very well or us. Really no tongst.

0:15:31.720 --> 0:15:37.640
<v Speaker 2>Angela episode ever agreed to is un and every time

0:15:37.680 --> 0:15:39.680
<v Speaker 2>she opens her mouth, I was like, thank God, Like

0:15:39.720 --> 0:15:42.760
<v Speaker 2>somebody's talking like a human being. Somebody's getting left, somebody

0:15:42.800 --> 0:15:47.080
<v Speaker 2>has character and perspective, is reacting to things like Corey

0:15:47.080 --> 0:15:51.080
<v Speaker 2>and Topanga are both just like these heady concepts walking

0:15:51.120 --> 0:15:54.160
<v Speaker 2>around thinking like that's all this episode is. And it's

0:15:54.200 --> 0:15:57.120
<v Speaker 2>like what And it feels like one person having an

0:15:57.240 --> 0:16:00.640
<v Speaker 2>argument with him or herself himself and like that's all

0:16:00.680 --> 0:16:02.320
<v Speaker 2>it is, Like I mean, it's I mean we talked

0:16:02.360 --> 0:16:02.680
<v Speaker 2>about in.

0:16:02.680 --> 0:16:03.560
<v Speaker 1>The earlier episodes.

0:16:03.600 --> 0:16:06.080
<v Speaker 2>I was like, what where the consistency of like what

0:16:06.520 --> 0:16:08.520
<v Speaker 2>Corey thinks and what Tapanga things and how they feel

0:16:08.520 --> 0:16:11.240
<v Speaker 2>about it is just seen by scene, moment to moment,

0:16:11.280 --> 0:16:14.120
<v Speaker 2>completely up for grabs, and it's just like, right, this

0:16:14.200 --> 0:16:18.480
<v Speaker 2>is just therapy. This is just somebody talking out like

0:16:18.600 --> 0:16:21.880
<v Speaker 2>how to think about love and God and relationships, and

0:16:21.920 --> 0:16:24.000
<v Speaker 2>it's just like having a conversation with yourself, and it's

0:16:24.000 --> 0:16:26.040
<v Speaker 2>just like and from moments, I'm like, but this doesn't

0:16:26.040 --> 0:16:27.600
<v Speaker 2>make any sense, none of us.

0:16:27.880 --> 0:16:29.400
<v Speaker 1>So it's just I don't know.

0:16:29.680 --> 0:16:31.520
<v Speaker 3>I want to say about Trina, And it was what

0:16:31.560 --> 0:16:33.240
<v Speaker 3>I was thinking I was watching, and it is such

0:16:33.280 --> 0:16:38.280
<v Speaker 3>a backhanded, egotistical compliment for myself. It sounds ridiculous, how

0:16:38.280 --> 0:16:40.560
<v Speaker 3>I'm gonna say it, But every time she ca it

0:16:40.600 --> 0:16:43.000
<v Speaker 3>was like she was the breath of fresh air that.

0:16:43.080 --> 0:16:44.160
<v Speaker 1>Eric usually brings.

0:16:44.320 --> 0:16:47.040
<v Speaker 3>Yeah, right, so she would come on and it was

0:16:47.200 --> 0:16:49.720
<v Speaker 3>just like, just like you said, Ryder, it was like, oh, okay, okay,

0:16:50.080 --> 0:16:51.920
<v Speaker 3>like someone grounded in reality.

0:16:52.000 --> 0:16:54.680
<v Speaker 1>It's actually part of the world. And so is so

0:16:54.880 --> 0:16:59.880
<v Speaker 1>good the standout highlight of this episode in every single moment,

0:17:00.040 --> 0:17:03.680
<v Speaker 1>I couldn't agree more, hands down the best. So let's

0:17:03.680 --> 0:17:06.440
<v Speaker 1>get into our guest stars. We have teen heartthrob Jonathan

0:17:06.520 --> 0:17:10.120
<v Speaker 1>Jackson as the debonair artist Ricky Ferris. It's his first

0:17:10.200 --> 0:17:12.720
<v Speaker 1>of two Boy Meets World episodes, and our listeners know

0:17:12.800 --> 0:17:15.960
<v Speaker 1>Jonathan from his first job ever on a movie we recapped,

0:17:16.240 --> 0:17:19.760
<v Speaker 1>nineteen ninety four's Camp Nowhere. He would later appear in

0:17:19.840 --> 0:17:24.080
<v Speaker 1>Christopher Nolans Insomnia, and he'd played Jesse Tuck in Tuck Everlasting.

0:17:24.359 --> 0:17:27.479
<v Speaker 1>But he's best known as Avery Berkley on over one

0:17:27.600 --> 0:17:31.359
<v Speaker 1>hundred and twenty episodes of Nashville and Lucky Spencer on

0:17:31.440 --> 0:17:35.919
<v Speaker 1>over four hundred episodes of General Hospital My God, a

0:17:36.080 --> 0:17:39.640
<v Speaker 1>role he just recently returned to. He is also singing

0:17:39.760 --> 0:17:42.720
<v Speaker 1>and touring all over the place, most recently as part

0:17:42.760 --> 0:17:44.160
<v Speaker 1>of a Nashville reunion.

0:17:44.520 --> 0:17:46.480
<v Speaker 2>So he was already doing General Hospital.

0:17:46.200 --> 0:17:48.399
<v Speaker 1>When he came on. Yeh, he had already won like

0:17:48.400 --> 0:17:50.760
<v Speaker 1>an Emmy for General Hospital and he came on.

0:17:51.080 --> 0:17:54.320
<v Speaker 2>Okay, it makes perfect sense, right, bring this, Bring the

0:17:54.320 --> 0:17:57.480
<v Speaker 2>soap opera actor for the episode.

0:17:57.560 --> 0:18:01.160
<v Speaker 1>Correct. And then we have Randy Thompson as he's been

0:18:01.200 --> 0:18:04.320
<v Speaker 1>seen on tons of TV shows including Home Improvement, Ellen,

0:18:04.400 --> 0:18:08.640
<v Speaker 1>Ally mcbeil and mad Men. We have Stephanie Patton as

0:18:08.640 --> 0:18:11.720
<v Speaker 1>a toddler. It was her first acting job ever and

0:18:12.119 --> 0:18:15.080
<v Speaker 1>Her next job would be as Britney Baker, playing Mary

0:18:15.160 --> 0:18:18.520
<v Speaker 1>McCormick's daughter in the movie Deep Impact. She would later

0:18:18.680 --> 0:18:21.280
<v Speaker 1>show up on the Bernie mac Show, Yes Dear, Cold

0:18:21.359 --> 0:18:24.280
<v Speaker 1>Case and Medium, but it appears she got out of

0:18:24.320 --> 0:18:25.840
<v Speaker 1>the business in two thousand and nine.

0:18:26.119 --> 0:18:29.600
<v Speaker 3>So wait, you said this was her first thing ever. Yes, okay,

0:18:29.600 --> 0:18:32.520
<v Speaker 3>and Lintle answers my question. I thought she was, I

0:18:32.560 --> 0:18:35.200
<v Speaker 3>thought when she runs by and he goes to Panga. Yes,

0:18:35.320 --> 0:18:37.600
<v Speaker 3>I thought they brought the little girl back who played

0:18:37.640 --> 0:18:41.199
<v Speaker 3>little to Panga right now, and that's what the joke was.

0:18:41.240 --> 0:18:43.760
<v Speaker 3>I was like, oh right, and so okay. That answers

0:18:43.800 --> 0:18:44.080
<v Speaker 3>a question.

0:18:44.119 --> 0:18:46.960
<v Speaker 1>I was going to ask them, no different girl. And

0:18:46.960 --> 0:18:51.359
<v Speaker 1>then we have Joanna McCracken as Joanna Jeff's daughter in

0:18:51.640 --> 0:18:55.560
<v Speaker 1>the museum. She's the girl who has one line at

0:18:55.560 --> 0:18:58.520
<v Speaker 1>the looking at a painting. And then we have Katie

0:18:58.560 --> 0:19:04.440
<v Speaker 1>Stern as girl and that's her only credit ever. Okay, girl.

0:19:05.440 --> 0:19:09.320
<v Speaker 1>So jumping into our recap, we find ourselves in the

0:19:09.359 --> 0:19:12.080
<v Speaker 1>park near a playground where some kids are playing. We

0:19:12.160 --> 0:19:14.320
<v Speaker 1>land on Corey and Sean, who were sitting on a bench.

0:19:14.600 --> 0:19:17.280
<v Speaker 2>So I didn't remember remember like when we saw this

0:19:17.359 --> 0:19:19.200
<v Speaker 2>set in the previous episodes.

0:19:19.320 --> 0:19:20.359
<v Speaker 1>I thought it was an.

0:19:21.960 --> 0:19:24.320
<v Speaker 2>Told us and then here this is then here and

0:19:24.359 --> 0:19:25.440
<v Speaker 2>I hear I shot on it.

0:19:25.520 --> 0:19:27.159
<v Speaker 1>No recollection of it. Where this is?

0:19:27.200 --> 0:19:29.440
<v Speaker 2>This is somewhere on the CBS Radford lot, I guess,

0:19:29.640 --> 0:19:30.560
<v Speaker 2>but I think it's over.

0:19:30.680 --> 0:19:33.840
<v Speaker 3>So like if you came out of our dressing rooms,

0:19:34.720 --> 0:19:38.679
<v Speaker 3>took a right, took another right past third Rock from

0:19:38.720 --> 0:19:41.760
<v Speaker 3>the run, and went all the way down to the

0:19:41.760 --> 0:19:44.760
<v Speaker 3>bungalows on the left, and I think on the right

0:19:44.800 --> 0:19:47.199
<v Speaker 3>hand side there was like a little area that was

0:19:47.840 --> 0:19:50.680
<v Speaker 3>kind of like a suburb area quote unquote. I think

0:19:50.720 --> 0:19:53.360
<v Speaker 3>that's where we shot over there. No, no, no, so

0:19:54.720 --> 0:19:56.800
<v Speaker 3>the park the parking lots here. So if you came

0:19:56.840 --> 0:19:58.400
<v Speaker 3>out of our dressing rooms and you took a left

0:19:58.560 --> 0:20:01.280
<v Speaker 3>and with pass segn felt, oh right, keep going past

0:20:01.359 --> 0:20:03.720
<v Speaker 3>that and another left you go to the gate.

0:20:03.760 --> 0:20:07.000
<v Speaker 1>But if you kept going straight, that's a suburb suburb. Yeah,

0:20:07.800 --> 0:20:09.800
<v Speaker 1>but I think there's a park there. There's a little

0:20:09.800 --> 0:20:13.520
<v Speaker 1>park there. Yeah, yeah, gosh, pretty sure. That was a

0:20:13.560 --> 0:20:16.040
<v Speaker 1>great lot. Actually that might. I love that lot. That

0:20:16.119 --> 0:20:17.359
<v Speaker 1>was the absolute best.

0:20:17.520 --> 0:20:17.760
<v Speaker 3>It was.

0:20:18.000 --> 0:20:21.399
<v Speaker 1>It was close to Chan Change. Yeah, it was also

0:20:21.440 --> 0:20:25.919
<v Speaker 1>close to Noah's Bagels and uh depars was across the street.

0:20:26.160 --> 0:20:28.760
<v Speaker 1>There's a coffee being nearby. All my favorite things. Just

0:20:30.240 --> 0:20:33.159
<v Speaker 1>love that. I love that lot so much so. Sean admits,

0:20:33.280 --> 0:20:35.159
<v Speaker 1>I'm proud of you, Corey. We've been here for a

0:20:35.200 --> 0:20:38.960
<v Speaker 1>full minute and you have not once mentioned to Corey interjects,

0:20:39.000 --> 0:20:40.960
<v Speaker 1>I'll never forget the first time I saw her, Sean.

0:20:41.280 --> 0:20:44.600
<v Speaker 1>Sean rolls his eyes. Oh, here we go. Corey begins

0:20:44.640 --> 0:20:47.119
<v Speaker 1>his story. I was over there on the monkey bars

0:20:47.359 --> 0:20:50.399
<v Speaker 1>and we get this is I guess, another rewriting of history,

0:20:50.440 --> 0:20:51.960
<v Speaker 1>or is this just now where we're going to hear

0:20:52.000 --> 0:20:55.960
<v Speaker 1>for the first time? Really, how Corey Intopanga met on

0:20:56.000 --> 0:20:58.960
<v Speaker 1>the playground before Corey met Sewan and the Lama pen.

0:20:59.480 --> 0:21:02.280
<v Speaker 2>Yeah, that's I can't keep track anymore. I thought they

0:21:02.280 --> 0:21:04.240
<v Speaker 2>said something about a sandbox at one point.

0:21:04.760 --> 0:21:08.280
<v Speaker 1>I think, definitely a sandbox. You're right, definitely a sandbox.

0:21:08.320 --> 0:21:10.439
<v Speaker 1>And there was a story of being in strollers and

0:21:10.480 --> 0:21:14.320
<v Speaker 1>being love. Yes, so who knows you wouldn't be in

0:21:14.320 --> 0:21:15.720
<v Speaker 1>the stroller. I guess you could still be in the

0:21:15.720 --> 0:21:19.000
<v Speaker 1>stroller over three, but and it would be such a

0:21:19.040 --> 0:21:21.040
<v Speaker 1>good joke if they leaned into that.

0:21:22.000 --> 0:21:24.760
<v Speaker 3>Right when we met on the bunky bars, I thought

0:21:24.760 --> 0:21:26.680
<v Speaker 3>it was the sandbo was the sandbox.

0:21:26.720 --> 0:21:30.320
<v Speaker 1>Or I mean it would have been phenomenal, but well

0:21:30.320 --> 0:21:34.120
<v Speaker 1>before TikTok, Sean is perfectly lip syncing every word and expression.

0:21:34.200 --> 0:21:37.000
<v Speaker 1>As Corey continues, I was crying because I didn't know

0:21:37.040 --> 0:21:39.120
<v Speaker 1>how to get down, but she gave me the courage

0:21:39.160 --> 0:21:43.639
<v Speaker 1>to jump. I do enjoy these moments where you, guys,

0:21:43.880 --> 0:21:46.360
<v Speaker 1>this was fun say the same things over and there's

0:21:46.400 --> 0:21:48.160
<v Speaker 1>a lot of physicality which makes it very cute.

0:21:48.160 --> 0:21:49.560
<v Speaker 3>It is you said you don't remember being on the

0:21:49.600 --> 0:21:51.480
<v Speaker 3>set at all. Do you not remember choreographing this with

0:21:51.520 --> 0:21:52.919
<v Speaker 3>Ben even a little bit?

0:21:53.040 --> 0:21:53.960
<v Speaker 1>Huh No?

0:21:54.040 --> 0:21:58.480
<v Speaker 2>I mean this the second I saw it, I was like, oh, yeah,

0:21:58.520 --> 0:22:00.480
<v Speaker 2>I would totally do this like this. This is something

0:22:00.520 --> 0:22:02.200
<v Speaker 2>that Ben and I would have had so much fun with.

0:22:03.040 --> 0:22:05.600
<v Speaker 2>But I don't actually specifically remember this want you know,

0:22:05.720 --> 0:22:08.160
<v Speaker 2>but yeah, this all feels of a piece of like, oh,

0:22:08.200 --> 0:22:10.439
<v Speaker 2>this is my acting relationship with Ben, is that we

0:22:10.440 --> 0:22:13.239
<v Speaker 2>could do this with our eyes. I knew exactly how

0:22:13.280 --> 0:22:15.119
<v Speaker 2>he was going to say it every time, and it

0:22:15.240 --> 0:22:16.720
<v Speaker 2>was always just so fun.

0:22:17.720 --> 0:22:21.280
<v Speaker 1>Sean doesn't miss a single beat, copying every reminiscent detail

0:22:21.320 --> 0:22:23.840
<v Speaker 1>to a tea, then a little girl walks by. Corey

0:22:23.880 --> 0:22:26.600
<v Speaker 1>reaches out for her Topanga. The girl is terrified and

0:22:26.600 --> 0:22:29.320
<v Speaker 1>scurries away, shouting for her mom. Sean yells at him

0:22:29.359 --> 0:22:32.040
<v Speaker 1>to stop. He tells Corey he's being ridiculous, and Corey

0:22:32.080 --> 0:22:34.120
<v Speaker 1>reminds him, we were supposed to go to the museum today.

0:22:34.160 --> 0:22:36.640
<v Speaker 1>Topanga was really excited about this new van Go exhibit.

0:22:36.880 --> 0:22:39.880
<v Speaker 1>He assumed she went without him. Shawn's amused, No, you're

0:22:39.920 --> 0:22:41.720
<v Speaker 1>there with her right now. Why don't you tell the

0:22:41.760 --> 0:22:43.600
<v Speaker 1>monkey bar story again? Because I want to see if

0:22:43.640 --> 0:22:46.800
<v Speaker 1>my head will actually explode. Corey asks if he's just

0:22:46.880 --> 0:22:49.480
<v Speaker 1>a clown here to amuse Sean, giving a light nod

0:22:49.520 --> 0:22:52.480
<v Speaker 1>to the movie Goodfellas. Sean reveals that Angela went to

0:22:52.480 --> 0:22:54.879
<v Speaker 1>the exhibit with Tapanga. Corey shouts back, well, I was

0:22:54.880 --> 0:22:57.399
<v Speaker 1>supposed to go with her. He camped out overnight at

0:22:57.440 --> 0:22:59.960
<v Speaker 1>the Philadelphia Museum of Art to beat the rush for tickets,

0:23:00.160 --> 0:23:03.240
<v Speaker 1>and in the morning he was the only guy online.

0:23:04.200 --> 0:23:07.320
<v Speaker 1>Do you remember do you remember those conversations right about

0:23:07.320 --> 0:23:10.760
<v Speaker 1>it being online or online? Then you said it. I

0:23:10.760 --> 0:23:13.800
<v Speaker 1>was like, oh my gosh, I remember those conversations really, because.

0:23:13.640 --> 0:23:17.680
<v Speaker 2>East coast, East coast line and West coastline in line here.

0:23:17.920 --> 0:23:20.440
<v Speaker 1>Really, okay, you're waiting in line? Yeah?

0:23:20.480 --> 0:23:22.240
<v Speaker 2>And now, of course online you know it.

0:23:22.240 --> 0:23:24.399
<v Speaker 1>Means it means the internet, but you still right.

0:23:24.480 --> 0:23:26.680
<v Speaker 2>You would still say I was I spent two hours

0:23:26.680 --> 0:23:28.520
<v Speaker 2>online waiting for something.

0:23:28.560 --> 0:23:30.399
<v Speaker 1>It depends. Now, see you just change it if you

0:23:30.440 --> 0:23:31.080
<v Speaker 1>add waiting.

0:23:31.080 --> 0:23:33.640
<v Speaker 3>I think it changes where if I am online, that's

0:23:33.640 --> 0:23:36.360
<v Speaker 3>one thing, but it's I'm waiting in line. I think

0:23:36.400 --> 0:23:39.160
<v Speaker 3>both of those are now. But when you were grown,

0:23:39.400 --> 0:23:42.600
<v Speaker 3>I would just be like, no, I'm online, right, I'm waiting.

0:23:42.720 --> 0:23:43.959
<v Speaker 3>Then I'm waiting in line.

0:23:44.160 --> 0:23:49.280
<v Speaker 1>You're waiting in or you're just on it? Correct? Gotcha? Yeah?

0:23:49.680 --> 0:23:51.280
<v Speaker 1>I love I love the weird rules. I'm going to

0:23:51.320 --> 0:23:56.240
<v Speaker 1>write writing it down. Sean points out that he was

0:23:56.320 --> 0:24:00.960
<v Speaker 1>also the only guy online. Corey Size says Philadelphia is

0:24:01.000 --> 0:24:04.640
<v Speaker 1>a cultural vacuum. Sean smiles, That's why my people settled here.

0:24:05.240 --> 0:24:10.479
<v Speaker 2>The transition was like, that's I just love when Sean's

0:24:10.520 --> 0:24:14.400
<v Speaker 2>so confident about his you know, his.

0:24:14.400 --> 0:24:20.120
<v Speaker 1>Background, that proud we haven't had yet.

0:24:20.520 --> 0:24:22.520
<v Speaker 2>We haven't had it for a while, you know, while

0:24:22.520 --> 0:24:25.000
<v Speaker 2>since we've had like all a fourth season was like

0:24:25.080 --> 0:24:27.760
<v Speaker 2>trailer park Sean and like proud of his poverty, and

0:24:27.800 --> 0:24:30.080
<v Speaker 2>we haven't seen that, so it was cool to see, like, ah,

0:24:30.160 --> 0:24:31.040
<v Speaker 2>that attitude come out.

0:24:31.080 --> 0:24:33.840
<v Speaker 1>It's funny. The boys sit on the bench in silence,

0:24:33.960 --> 0:24:36.480
<v Speaker 1>staring off into the distance. Then we're in the Philadelphia

0:24:36.520 --> 0:24:39.399
<v Speaker 1>Art Museum. We get a transition, turning the boys on

0:24:39.440 --> 0:24:42.199
<v Speaker 1>the bench into a sepia toned photo with Corey and

0:24:42.200 --> 0:24:45.560
<v Speaker 1>Sean now dressed in old timey clothes like a paper.

0:24:45.359 --> 0:24:51.200
<v Speaker 2>Boy or somebody still really like I would I would

0:24:51.200 --> 0:24:52.119
<v Speaker 2>pay a lot of money for that.

0:24:52.880 --> 0:24:54.199
<v Speaker 1>I could have that frame photo.

0:24:54.480 --> 0:24:57.119
<v Speaker 2>I just loved it. I was like what taking it?

0:24:57.119 --> 0:24:59.439
<v Speaker 1>I was like, that is so great. It's got to

0:24:59.440 --> 0:25:02.080
<v Speaker 1>be somewhere. Let's reach out to Blazer yea, let's reach

0:25:02.080 --> 0:25:02.479
<v Speaker 1>out to him.

0:25:03.040 --> 0:25:04.360
<v Speaker 2>That was like one of the first times I saw

0:25:04.400 --> 0:25:07.439
<v Speaker 2>a prop and I was like, I really really want that.

0:25:07.560 --> 0:25:10.000
<v Speaker 1>Yeah, yeah, I'm having a yogurt cup delivered next week.

0:25:10.040 --> 0:25:10.760
<v Speaker 1>I'm very excited.

0:25:11.840 --> 0:25:13.840
<v Speaker 2>They're gonna cho mountain in your backyard.

0:25:14.520 --> 0:25:19.639
<v Speaker 1>The backyard. Oh, there's a paper boy hat, a vest

0:25:19.680 --> 0:25:22.200
<v Speaker 1>a top hat and high rain boots. But they're sitting

0:25:22.280 --> 0:25:24.240
<v Speaker 1>on the same park bench. This picture is hanging in

0:25:24.280 --> 0:25:28.080
<v Speaker 1>the Philadelphia Art Museum. Do you remember taking the picture? Writer,

0:25:28.400 --> 0:25:31.240
<v Speaker 1>No at all, No, but I love this stuff.

0:25:31.280 --> 0:25:33.720
<v Speaker 2>I've always loved like old timey photographs and dressing up

0:25:33.720 --> 0:25:34.360
<v Speaker 2>for stuff like this.

0:25:34.440 --> 0:25:36.600
<v Speaker 1>You have a great one of your family like hanging

0:25:36.640 --> 0:25:37.120
<v Speaker 1>in your house.

0:25:37.240 --> 0:25:38.919
<v Speaker 2>But I can't believe that I don't I don't know

0:25:38.960 --> 0:25:41.000
<v Speaker 2>remember doing this. I mean it just goes to show

0:25:41.040 --> 0:25:43.800
<v Speaker 2>like production days were just so hectic, like I know,

0:25:43.960 --> 0:25:46.040
<v Speaker 2>and this wouldn't have been something we've rehearsed. So what

0:25:46.119 --> 0:25:48.040
<v Speaker 2>I you know, what I remember is rehearsals and the

0:25:48.280 --> 0:25:50.400
<v Speaker 2>and the day of you're like, oh, quick, we need rider,

0:25:50.560 --> 0:25:52.840
<v Speaker 2>bend over here, get in this, change quick, take your book,

0:25:53.040 --> 0:25:55.399
<v Speaker 2>like move on, and so I'm just like, that's you know,

0:25:55.600 --> 0:25:57.840
<v Speaker 2>twenty minutes of your life and then you forget it.

0:25:57.920 --> 0:25:58.520
<v Speaker 1>So totally.

0:25:59.040 --> 0:26:01.720
<v Speaker 3>I have a question about this joke because I didn't

0:26:02.000 --> 0:26:07.040
<v Speaker 3>fully understand it. Is it supposed to be that Tapanga

0:26:07.240 --> 0:26:10.920
<v Speaker 3>sees Corey and Sewan because Corey is on her mind

0:26:10.960 --> 0:26:13.600
<v Speaker 3>all the time, And if that's the joke, I thought

0:26:13.600 --> 0:26:15.440
<v Speaker 3>they were going to cut back when Angela sees it

0:26:15.480 --> 0:26:16.760
<v Speaker 3>and it was going to just be two guys.

0:26:17.359 --> 0:26:20.040
<v Speaker 1>Yeah, but it's actually Corey and Sean, So I don't

0:26:20.040 --> 0:26:26.639
<v Speaker 1>necessarily understand what the joke is. Silas Matthews and Ebenezer Hunter. Right,

0:26:27.000 --> 0:26:33.960
<v Speaker 1>but they look so much like Corey Matthews and Sean Hunter.

0:26:34.240 --> 0:26:35.600
<v Speaker 1>I guess I didn't get the joke.

0:26:35.840 --> 0:26:38.840
<v Speaker 2>No, I think, well, it's you know, absurdist, but but

0:26:38.920 --> 0:26:40.480
<v Speaker 2>I do think it kind of plays into the themes

0:26:40.480 --> 0:26:42.560
<v Speaker 2>of the episode. Is like seeing what you you know,

0:26:42.640 --> 0:26:45.719
<v Speaker 2>interpreting the pictures. I like the I like what you're saying. Like,

0:26:45.920 --> 0:26:50.520
<v Speaker 2>I think if we had had photoshop or or two

0:26:50.520 --> 0:26:53.280
<v Speaker 2>other actors, yeah, they I think it would have been

0:26:53.359 --> 0:26:56.080
<v Speaker 2>nice if one Angela looks at it and squints, you

0:26:56.119 --> 0:26:58.720
<v Speaker 2>see it again from two different people, that would have

0:26:58.720 --> 0:27:01.160
<v Speaker 2>been cool. Like, I agree, I think that's more clever.

0:27:01.680 --> 0:27:03.800
<v Speaker 2>But yeah, yeah, I kind of took it as like,

0:27:04.160 --> 0:27:07.400
<v Speaker 2>I don't know, it's just okay, it's surreal.

0:27:08.400 --> 0:27:10.120
<v Speaker 1>I didn't get it. It was totally just me. I didn't

0:27:10.200 --> 0:27:13.119
<v Speaker 1>understand the joke. Tapega reads the title of the picture

0:27:13.240 --> 0:27:17.320
<v Speaker 1>silas Matthews and Ebenezer Hunter founding Fathers. A confused, Topanga

0:27:17.359 --> 0:27:20.639
<v Speaker 1>and Angela studied the picture very closely. Tapega admits, I

0:27:20.680 --> 0:27:23.119
<v Speaker 1>was supposed to come here with Corey. Everything reminds me

0:27:23.200 --> 0:27:26.320
<v Speaker 1>of him. Angela continues to stare at the picture. Perplexed,

0:27:26.520 --> 0:27:30.080
<v Speaker 1>Topega can't hold it in. I miss him, Angela reminds her,

0:27:30.119 --> 0:27:32.920
<v Speaker 1>You've been waiting forever to see this exhibit. Tapega didn't

0:27:32.920 --> 0:27:35.040
<v Speaker 1>even hear her. How could he talk to another girl

0:27:35.080 --> 0:27:38.080
<v Speaker 1>all night? How could he kiss her? Angela in the

0:27:38.119 --> 0:27:41.240
<v Speaker 1>World's Biggest sweater in case you forgot, she was about

0:27:41.280 --> 0:27:44.160
<v Speaker 1>to have a baby in real life, reiterates Corey said

0:27:44.200 --> 0:27:47.080
<v Speaker 1>it didn't mean anything. It's still not making sense to Topanga,

0:27:47.160 --> 0:27:49.439
<v Speaker 1>he kissed another girl? How could it not mean anything?

0:27:49.680 --> 0:27:51.679
<v Speaker 1>I should have left him up on those monkey bars.

0:27:52.240 --> 0:27:55.440
<v Speaker 1>Angela snaps her fingers to protest not the monkey bars story.

0:27:55.760 --> 0:27:58.359
<v Speaker 1>Tapega can't help but smile while reminiscing, I was in

0:27:58.400 --> 0:28:02.000
<v Speaker 1>the sandbox. Oh sandbox. Oh he had a part of sandbox.

0:28:02.320 --> 0:28:04.760
<v Speaker 1>I was in the sandbox and I saw the cutest little,

0:28:04.760 --> 0:28:07.359
<v Speaker 1>curly haired boy on the monkey to Panga turns to

0:28:07.359 --> 0:28:10.520
<v Speaker 1>see Angela mimicking her story and body language perfectly, just

0:28:10.680 --> 0:28:14.920
<v Speaker 1>like Sean did earlier. To Pega size Okay, just forget it.

0:28:15.320 --> 0:28:18.320
<v Speaker 2>I've already lost track of like where core and to

0:28:18.400 --> 0:28:21.040
<v Speaker 2>Panga are at, because it seems like Tapanga ended the

0:28:21.080 --> 0:28:24.399
<v Speaker 2>relationship pretty confidently. Yes, she did, and not because of

0:28:24.440 --> 0:28:26.720
<v Speaker 2>the kiss, right, Like, so for her to bring up

0:28:26.760 --> 0:28:29.080
<v Speaker 2>the kiss now it's like she brought it. She was

0:28:29.119 --> 0:28:32.880
<v Speaker 2>like he wasn't sure and so that destabilized. Like, really,

0:28:32.960 --> 0:28:36.240
<v Speaker 2>the way the last episode ended was I believed that

0:28:36.280 --> 0:28:38.920
<v Speaker 2>we were meant for each other, and the fact that

0:28:38.960 --> 0:28:40.520
<v Speaker 2>you needed to go spend, you know, go on the

0:28:40.560 --> 0:28:43.080
<v Speaker 2>other day with Lauren indicates to me that that's probably

0:28:43.080 --> 0:28:46.160
<v Speaker 2>not the case and that we're actually so it's and

0:28:46.200 --> 0:28:50.160
<v Speaker 2>then now she's sick, and don't be upset about the kiss,

0:28:50.200 --> 0:28:53.080
<v Speaker 2>like you're upset about you You broke open this notion

0:28:53.120 --> 0:28:55.520
<v Speaker 2>of destiny, like you thought you were meant to be together.

0:28:55.800 --> 0:28:57.479
<v Speaker 2>The fact that he wanted to go be with this

0:28:57.560 --> 0:28:59.920
<v Speaker 2>other girl and had a good time. So I feel

0:28:59.960 --> 0:29:02.719
<v Speaker 2>like Tapanga should start this episode being like it sucks,

0:29:02.840 --> 0:29:05.400
<v Speaker 2>I'm sad, but it's the right thing to do because

0:29:05.960 --> 0:29:08.560
<v Speaker 2>I've made this she put herself into positions.

0:29:08.160 --> 0:29:10.800
<v Speaker 1>Were not right for each other. Obviously right, that is

0:29:10.840 --> 0:29:13.320
<v Speaker 1>exactly where she should be and it is exactly by

0:29:13.320 --> 0:29:15.040
<v Speaker 1>the way, one of my biggest issues with the whole

0:29:15.040 --> 0:29:18.600
<v Speaker 1>episode is like there are things to bank is making

0:29:18.720 --> 0:29:22.640
<v Speaker 1>very clear throughout this episode that loyalty is the most

0:29:22.680 --> 0:29:26.760
<v Speaker 1>important thing to her, not just in another person, even

0:29:26.800 --> 0:29:30.440
<v Speaker 1>for herself. She is fully broken up with Corey, and

0:29:30.520 --> 0:29:34.560
<v Speaker 1>even then she's saying, it's gonna be so weird to

0:29:34.640 --> 0:29:37.640
<v Speaker 1>go out with someone else. I still feel like I

0:29:37.720 --> 0:29:40.680
<v Speaker 1>belong to Corey. If I go out with him, that

0:29:40.840 --> 0:29:44.200
<v Speaker 1>really means it's over. Like loyalty is so clearly important

0:29:44.200 --> 0:29:47.120
<v Speaker 1>to her, and yet she's in a relationship and she's

0:29:47.160 --> 0:29:49.720
<v Speaker 1>completely hung up on somebody who has shown her he

0:29:49.800 --> 0:29:53.400
<v Speaker 1>does not have loyalty as one of his strong suits

0:29:54.240 --> 0:29:57.080
<v Speaker 1>at all, at least not in their relationship. He does

0:29:57.120 --> 0:30:03.120
<v Speaker 1>for Sean, he does not for their relationship. So yes,

0:30:03.360 --> 0:30:06.960
<v Speaker 1>I wish she was saying, you know, I really thought

0:30:07.400 --> 0:30:09.600
<v Speaker 1>it was so sure that we were meant for each other,

0:30:09.680 --> 0:30:13.160
<v Speaker 1>but he obviously wasn't as sure. And I want to

0:30:13.160 --> 0:30:15.560
<v Speaker 1>be with someone who feels about me the same way

0:30:15.600 --> 0:30:18.560
<v Speaker 1>I feel about them, and it's okay, it's all right,

0:30:18.600 --> 0:30:20.600
<v Speaker 1>I'm gonna but no, we're not.

0:30:21.520 --> 0:30:24.520
<v Speaker 3>No, I thought the same thing, if if, because they

0:30:24.560 --> 0:30:29.520
<v Speaker 3>also could have had another very cool not B story,

0:30:29.560 --> 0:30:33.320
<v Speaker 3>but an a minus or sub a story going on

0:30:33.480 --> 0:30:36.480
<v Speaker 3>where Sean and which shows Sean and Angela really bonding

0:30:36.480 --> 0:30:38.680
<v Speaker 3>over this because they both want to get Corey and

0:30:39.240 --> 0:30:42.160
<v Speaker 3>Topanga back together. So if you reverse it, and it's

0:30:42.480 --> 0:30:44.520
<v Speaker 3>it's Angela going like you were supposed to come here

0:30:44.560 --> 0:30:47.000
<v Speaker 3>with Corey and Topanga going, can we please, I don't

0:30:47.000 --> 0:30:47.840
<v Speaker 3>want to talk about him.

0:30:47.960 --> 0:30:49.840
<v Speaker 1>We're I'm moving on, I'm having a great life.

0:30:50.000 --> 0:30:51.760
<v Speaker 3>That it changes the whole thing, and then Sean and

0:30:51.800 --> 0:30:53.240
<v Speaker 3>Angela do a drive byke this ain't work and we

0:30:53.320 --> 0:30:54.800
<v Speaker 3>gotta try something new, all right, so you have to

0:30:54.800 --> 0:30:56.400
<v Speaker 3>do you know, but it.

0:30:56.360 --> 0:30:59.120
<v Speaker 1>Wasn't it was now we're gone backwards again with Topang.

0:30:59.560 --> 0:31:01.640
<v Speaker 2>It's just think they just wanted to get the exposition

0:31:01.680 --> 0:31:05.040
<v Speaker 2>out about what happened, you know, like because obviously people

0:31:05.040 --> 0:31:07.480
<v Speaker 2>who order and whatever, so it's not serialized. So but

0:31:07.880 --> 0:31:10.120
<v Speaker 2>you have to establish that he cheated and that that's

0:31:10.200 --> 0:31:12.640
<v Speaker 2>like the st but but that isn't the source of

0:31:12.680 --> 0:31:15.480
<v Speaker 2>the trouble. Like you can get through that exposition and

0:31:15.520 --> 0:31:19.160
<v Speaker 2>then have her say, I'm you know, it's it's not

0:31:19.200 --> 0:31:20.320
<v Speaker 2>about kissing somebody else.

0:31:20.360 --> 0:31:22.960
<v Speaker 1>It's about the need to see somebody else, or.

0:31:23.000 --> 0:31:24.960
<v Speaker 2>You know, like what was I guess I guess the

0:31:25.000 --> 0:31:27.200
<v Speaker 2>problem for me is that that journey was just so

0:31:28.400 --> 0:31:31.640
<v Speaker 2>spelled out like that that it wasn't the cheating, it

0:31:31.720 --> 0:31:33.840
<v Speaker 2>was the line, and it was a letter, and then

0:31:33.840 --> 0:31:34.280
<v Speaker 2>the need to.

0:31:34.240 --> 0:31:34.880
<v Speaker 1>See her dead.

0:31:34.920 --> 0:31:38.120
<v Speaker 2>It was like stepped that out through three episodes to

0:31:38.400 --> 0:31:41.160
<v Speaker 2>very clearly specify what it is that bothered to Panga,

0:31:41.200 --> 0:31:43.160
<v Speaker 2>and so for her to be bothered now about the kiss,

0:31:43.320 --> 0:31:44.800
<v Speaker 2>you know, talking to him, No.

0:31:45.160 --> 0:31:47.120
<v Speaker 1>I know, there's also so much more depth than what

0:31:47.240 --> 0:31:51.000
<v Speaker 1>actually bothered her. Then yes, it's a nuanced we you know.

0:31:51.080 --> 0:31:54.440
<v Speaker 2>This episode just takes a sledgehammer to the entire relationship

0:31:54.440 --> 0:31:57.880
<v Speaker 2>because it just becomes about destiny or and it meant

0:31:57.880 --> 0:31:58.440
<v Speaker 2>to be together.

0:31:58.800 --> 0:32:00.360
<v Speaker 3>The only word that was going through I had the

0:32:00.480 --> 0:32:02.520
<v Speaker 3>entire time watching this episode was cartoony.

0:32:03.200 --> 0:32:04.480
<v Speaker 1>Everything was cartoony.

0:32:04.520 --> 0:32:07.160
<v Speaker 3>They just took everything and it was just yeah, just

0:32:07.200 --> 0:32:10.760
<v Speaker 3>became a big caricature of the whole relationship. Again when

0:32:10.760 --> 0:32:13.680
<v Speaker 3>he comes in and is just like this two D

0:32:13.960 --> 0:32:16.000
<v Speaker 3>image of the guy with the earring and.

0:32:15.920 --> 0:32:18.120
<v Speaker 1>What do you think of this? It was just like,

0:32:18.160 --> 0:32:24.080
<v Speaker 1>oh god, it was just bad. Nearby, two other girls

0:32:24.120 --> 0:32:26.960
<v Speaker 1>are admiring a van go painting. Tapanga and Angela walk

0:32:27.000 --> 0:32:29.760
<v Speaker 1>up behind them, and Topanga is obviously captivated by the piece.

0:32:30.120 --> 0:32:33.440
<v Speaker 1>The other girls leave unamused. Topanga stairs at the van go,

0:32:33.720 --> 0:32:37.000
<v Speaker 1>but something else catches Angela's eye. You want to talk

0:32:37.000 --> 0:32:40.520
<v Speaker 1>about emotion, check out the motion coming this way. It's

0:32:40.560 --> 0:32:42.840
<v Speaker 1>a mystery boy and a blazer making a bee line

0:32:42.880 --> 0:32:46.040
<v Speaker 1>for Tapanga. Angela admits, Oh lord, I forget my name.

0:32:46.480 --> 0:32:53.120
<v Speaker 1>She introduces herself, Hi, I'm Nancy or something, which all

0:32:53.880 --> 0:32:54.400
<v Speaker 1>the energy.

0:32:54.480 --> 0:32:58.960
<v Speaker 2>I was like, she does it every time.

0:32:59.040 --> 0:33:01.760
<v Speaker 1>I was like, yes, I know, and it's so good,

0:33:01.840 --> 0:33:04.280
<v Speaker 1>and yet it's supposed to be Topanga who's being swept

0:33:04.280 --> 0:33:07.000
<v Speaker 1>off her feet, and it's just like, I just.

0:33:07.000 --> 0:33:09.760
<v Speaker 2>I really hope that they give because I like, I

0:33:09.760 --> 0:33:12.200
<v Speaker 2>feel like, up until now, they have not given Trina

0:33:12.840 --> 0:33:15.080
<v Speaker 2>like this much to do, Like she needed to drive

0:33:15.080 --> 0:33:17.080
<v Speaker 2>the scene. She doesn't need to drive the comedy. She's

0:33:17.120 --> 0:33:19.480
<v Speaker 2>always reactive. She's always kind of eye rolling at Sean

0:33:19.600 --> 0:33:21.880
<v Speaker 2>or Corey or whatever. And when they give her this,

0:33:22.240 --> 0:33:26.080
<v Speaker 2>it's great. She's Oh, you're a great sickcarm actor. And

0:33:26.120 --> 0:33:28.360
<v Speaker 2>I don't think she got many opportunities, even for the

0:33:28.360 --> 0:33:30.400
<v Speaker 2>rest of the show, but this one was fantastic. I

0:33:30.440 --> 0:33:52.960
<v Speaker 2>was like, yes, oh my god.

0:33:43.640 --> 0:33:47.000
<v Speaker 1>So he smiles. Is your name Topanga? Angela interjects, Angela,

0:33:47.040 --> 0:33:49.520
<v Speaker 1>my name is Angela, but I already have a boyfriend.

0:33:49.880 --> 0:33:52.640
<v Speaker 1>The boy continues to smile at Topanga, so Angela catches on,

0:33:52.880 --> 0:33:56.520
<v Speaker 1>Oh you mean her, Topega tells the boy that is

0:33:56.600 --> 0:33:59.680
<v Speaker 1>her name. He introduces himself as Ricky Ferris. I'm sure

0:33:59.680 --> 0:34:02.560
<v Speaker 1>you don't remember me, but I certainly remember you, he says.

0:34:02.640 --> 0:34:05.600
<v Speaker 1>She changed his life forever when they were about six

0:34:05.760 --> 0:34:06.400
<v Speaker 1>years old.

0:34:06.600 --> 0:34:08.120
<v Speaker 2>What is it with the Why does it have to

0:34:08.120 --> 0:34:11.880
<v Speaker 2>be rooted and like being a chocolate? I just wonder.

0:34:11.920 --> 0:34:14.640
<v Speaker 1>I don't get it. It's such a weird.

0:34:14.640 --> 0:34:17.520
<v Speaker 2>Trope, like why why does he also have to have

0:34:17.560 --> 0:34:20.040
<v Speaker 2>this like playground? My brain just exploded. I was like,

0:34:20.239 --> 0:34:26.480
<v Speaker 2>what what I know? I just haven't been from twelve this.

0:34:27.440 --> 0:34:29.160
<v Speaker 1>Last year, or you were in front of me at

0:34:29.160 --> 0:34:30.160
<v Speaker 1>the coffee shop and I.

0:34:31.360 --> 0:34:32.680
<v Speaker 2>Was at the French that when you were pretending to

0:34:32.719 --> 0:34:35.000
<v Speaker 2>be a French person at the one time I was

0:34:35.040 --> 0:34:37.720
<v Speaker 2>at that party, I talked to you anything.

0:34:37.480 --> 0:34:40.160
<v Speaker 1>Just come on, I know, it's like years old.

0:34:41.200 --> 0:34:43.640
<v Speaker 2>It has to be like rooted in, like destiny, have

0:34:43.680 --> 0:34:46.759
<v Speaker 2>it like this past.

0:34:45.760 --> 0:34:48.000
<v Speaker 1>When you're seventeen, it already has to be a past.

0:34:48.560 --> 0:34:50.520
<v Speaker 2>And talking about whether they're gonna have kids and move

0:34:50.560 --> 0:34:52.520
<v Speaker 2>to an When.

0:34:52.480 --> 0:34:54.520
<v Speaker 1>We were six and you hit me with the softball

0:34:54.520 --> 0:34:56.040
<v Speaker 1>and then said, I want to live in a big

0:34:56.080 --> 0:34:58.520
<v Speaker 1>suburban house with skylight. What do you look for in

0:34:58.560 --> 0:35:01.439
<v Speaker 1>a life partner? That's what seventeen year olds are really

0:35:01.440 --> 0:35:04.480
<v Speaker 1>concerned with. Well, I am six year olds? Six year olds?

0:35:04.560 --> 0:35:08.840
<v Speaker 2>Oh my gosh.

0:35:07.960 --> 0:35:09.640
<v Speaker 3>Oh did this writer? Because this is what I was

0:35:09.640 --> 0:35:11.160
<v Speaker 3>thinking about too. As I was watching, I was thinking

0:35:11.160 --> 0:35:11.920
<v Speaker 3>about you did.

0:35:11.800 --> 0:35:15.360
<v Speaker 1>This pass the Cagny and Lacey test. What's it called the.

0:35:18.320 --> 0:35:18.400
<v Speaker 3>Right?

0:35:18.600 --> 0:35:21.640
<v Speaker 2>The only scene is is core I mean, uh to

0:35:21.719 --> 0:35:25.399
<v Speaker 2>Panga and Angela and they're only talking talking about.

0:35:25.080 --> 0:35:25.560
<v Speaker 1>The whole time.

0:35:26.200 --> 0:35:26.440
<v Speaker 3>I know.

0:35:26.960 --> 0:35:31.520
<v Speaker 1>Topanga surprised. I did Angela questions she did. Ricky nods.

0:35:31.640 --> 0:35:33.480
<v Speaker 1>You ended my little league career. Hit me with a

0:35:33.520 --> 0:35:35.520
<v Speaker 1>fastball so hard on my left cheek. I think I

0:35:35.560 --> 0:35:37.160
<v Speaker 1>still have a mark there, but you don't want to

0:35:37.160 --> 0:35:40.160
<v Speaker 1>see that to Penga giggles. But Angela is dead serious.

0:35:40.400 --> 0:35:43.520
<v Speaker 1>I do, Ricky continues. You were the one who helped

0:35:43.520 --> 0:35:45.640
<v Speaker 1>me realize I was more of an artist than an athlete.

0:35:45.800 --> 0:35:46.400
<v Speaker 1>That's Angela.

0:35:47.000 --> 0:35:49.799
<v Speaker 3>That's six because you got to determine your whole life.

0:35:49.920 --> 0:35:54.239
<v Speaker 1>And you've definitely thought about am I an artist or

0:35:55.280 --> 0:36:00.080
<v Speaker 1>artist athlete? I mean if I had the amount of

0:36:00.160 --> 0:36:03.359
<v Speaker 1>nights Adler and I have stayed up at night talking about, Oh,

0:36:03.680 --> 0:36:07.400
<v Speaker 1>we have to choose yet. He's only five five and

0:36:07.440 --> 0:36:09.600
<v Speaker 1>a half, but we are stressed about it.

0:36:09.640 --> 0:36:11.759
<v Speaker 3>Now you get a baseball in one hand and a

0:36:11.760 --> 0:36:12.680
<v Speaker 3>paint brush in the other.

0:36:14.400 --> 0:36:17.040
<v Speaker 1>Shoes, what are you going to be in life? Son,

0:36:21.600 --> 0:36:24.680
<v Speaker 1>Angela encourages her friend. He owes you make him pay

0:36:25.200 --> 0:36:28.000
<v Speaker 1>to Penga simply responds, I'm sorry, and I promise to

0:36:28.040 --> 0:36:30.160
<v Speaker 1>never hit you on the tush with a fastball ever again.

0:36:30.560 --> 0:36:32.840
<v Speaker 1>A suave Ricky responds, why don't you make it up

0:36:32.840 --> 0:36:35.080
<v Speaker 1>to me by seeing the Van Go exhibit together? To

0:36:35.160 --> 0:36:37.680
<v Speaker 1>peg is a bit taken aback, so Angela speaks up,

0:36:37.840 --> 0:36:40.480
<v Speaker 1>I'll go check out that painting over there, entitled go

0:36:40.560 --> 0:36:44.280
<v Speaker 1>with Him. He's cute. Now with Angela gone, to Pega

0:36:44.280 --> 0:36:46.920
<v Speaker 1>and Ricky admire the Van Go from earlier, He's in awe.

0:36:47.160 --> 0:36:49.600
<v Speaker 1>I can't believe it's here under this roof the most

0:36:49.680 --> 0:36:52.719
<v Speaker 1>important painting and the greatest legacy of paintings ever to

0:36:52.960 --> 0:36:56.080
<v Speaker 1>enrich the world. To Pega asks Cris.

0:36:55.800 --> 0:36:59.480
<v Speaker 2>Do we think because his brother was Kenny, right, huh's

0:36:59.520 --> 0:37:02.440
<v Speaker 2>real life kill? And they're like yeah, So like, was

0:37:02.480 --> 0:37:05.239
<v Speaker 2>that intentional? Like did we ask Jonathan to be on

0:37:05.320 --> 0:37:08.960
<v Speaker 2>our show? Because we knew who he was and his

0:37:09.000 --> 0:37:12.160
<v Speaker 2>brother had already been on the show like a teen

0:37:12.239 --> 0:37:16.160
<v Speaker 2>heart throat, right, we was established. I remember being excited

0:37:16.200 --> 0:37:17.959
<v Speaker 2>to meet him and have him on the show because

0:37:17.960 --> 0:37:20.320
<v Speaker 2>he was like a good actor. He like had the

0:37:20.480 --> 0:37:23.440
<v Speaker 2>reactor yeah, And it was It's so funny because when

0:37:23.480 --> 0:37:27.080
<v Speaker 2>he started talking, I immediately was like, oh, he's he's

0:37:27.320 --> 0:37:29.319
<v Speaker 2>not used to sitcom because it's the same thing that

0:37:29.400 --> 0:37:31.800
<v Speaker 2>I suffer from in a lot of the episodes.

0:37:32.800 --> 0:37:36.680
<v Speaker 3>Er, yes, you can't hear anything scene you're used to

0:37:36.719 --> 0:37:37.400
<v Speaker 3>being micd right.

0:37:37.440 --> 0:37:39.960
<v Speaker 2>I mean, I guess on soap operas. I've never actually

0:37:39.960 --> 0:37:41.640
<v Speaker 2>been on the soap opera set, but I think they

0:37:41.719 --> 0:37:42.480
<v Speaker 2>used booms too.

0:37:42.880 --> 0:37:48.280
<v Speaker 3>But everybody, everybody talks unless they're yelling because they have mbresia.

0:37:48.560 --> 0:37:49.440
<v Speaker 1>Then everybody.

0:37:49.760 --> 0:37:54.640
<v Speaker 3>And remember when Chris telling the story about how his

0:37:54.680 --> 0:37:56.319
<v Speaker 3>first note to me was like, right, do they need

0:37:56.320 --> 0:37:56.880
<v Speaker 3>you to speak up?

0:37:56.880 --> 0:37:58.240
<v Speaker 1>And I was like, oh, I want it to be real.

0:37:58.840 --> 0:38:00.600
<v Speaker 2>That's the same, right, And I could tell that he

0:38:00.680 --> 0:38:02.920
<v Speaker 2>has the same thing, you know, And he just seemed

0:38:02.960 --> 0:38:04.480
<v Speaker 2>like this the second you open in his mouth. I

0:38:04.520 --> 0:38:05.840
<v Speaker 2>was like, what what he was?

0:38:05.920 --> 0:38:07.279
<v Speaker 3>He was the low sue and I were like, oh,

0:38:07.280 --> 0:38:10.600
<v Speaker 3>he's the low talker from Seinfeld, Like excuse me, that's

0:38:10.680 --> 0:38:13.080
<v Speaker 3>all we kept because it was that same thing. He obviously,

0:38:13.080 --> 0:38:15.640
<v Speaker 3>he's just sitcom is a different beast. It's like voiceover.

0:38:15.680 --> 0:38:16.960
<v Speaker 3>You can get some of the greatest actors in the

0:38:17.000 --> 0:38:19.279
<v Speaker 3>world come in and they just can't do voiceover, and

0:38:19.360 --> 0:38:19.839
<v Speaker 3>vice versa.

0:38:19.880 --> 0:38:22.280
<v Speaker 1>It's the same. He's a vocal and a great actor,

0:38:22.360 --> 0:38:23.440
<v Speaker 1>but sitcom is different.

0:38:23.480 --> 0:38:25.160
<v Speaker 2>Well, it's just funny because I you know, I've never

0:38:25.160 --> 0:38:27.760
<v Speaker 2>seen this episode, but I remember watching the run throughs

0:38:27.760 --> 0:38:29.319
<v Speaker 2>and being like, man, that's a real actor.

0:38:29.320 --> 0:38:30.360
<v Speaker 1>That's a real story.

0:38:30.520 --> 0:38:32.760
<v Speaker 2>And it brought out like this great dynamic with Danielle

0:38:32.800 --> 0:38:34.600
<v Speaker 2>and I was like, man, this is so amazing.

0:38:34.880 --> 0:38:36.480
<v Speaker 1>And then when I was watching the episode, I was.

0:38:36.440 --> 0:38:38.640
<v Speaker 2>Like, it's lacking energy and it's not. It's not a

0:38:38.680 --> 0:38:41.400
<v Speaker 2>bad performance. It's just that thing, you know.

0:38:41.520 --> 0:38:44.560
<v Speaker 1>But also, you know they wrote him as writing is.

0:38:44.600 --> 0:38:46.959
<v Speaker 3>Bad and he's performing in a different type of show.

0:38:47.360 --> 0:38:50.440
<v Speaker 3>There's not a bad performance, it's just not registered.

0:38:50.520 --> 0:38:50.719
<v Speaker 2>Yeah.

0:38:52.160 --> 0:38:55.840
<v Speaker 1>So Tapanga asks Irises, Ricky responds, No, Actually, this is

0:38:55.840 --> 0:38:58.520
<v Speaker 1>my second favorite. I was talking about Starry night. Do

0:38:58.560 --> 0:39:00.440
<v Speaker 1>you know it? She's not in a book once, but

0:39:00.560 --> 0:39:03.680
<v Speaker 1>it likely didn't do it justice. Ricky insists, what you

0:39:03.760 --> 0:39:05.880
<v Speaker 1>need is someone who's passionate about it to make you

0:39:05.920 --> 0:39:09.000
<v Speaker 1>passionate about it too. To Penga smiles, Really you know

0:39:09.040 --> 0:39:14.080
<v Speaker 1>anyone like that? Wow, you need Yes for me, you

0:39:14.080 --> 0:39:20.759
<v Speaker 1>will understand surely. Let me tell you about Storry Night.

0:39:21.120 --> 0:39:26.479
<v Speaker 1>Actually you won't get it. But if I go there

0:39:26.560 --> 0:39:29.400
<v Speaker 1>with you and explain it to you.

0:39:29.400 --> 0:39:32.279
<v Speaker 2>Which is so, it doesn't make any sense for why

0:39:32.400 --> 0:39:35.680
<v Speaker 2>to Penga would then test Corey with it because actually

0:39:35.880 --> 0:39:38.600
<v Speaker 2>the response from Tapega should be let me explain it

0:39:38.600 --> 0:39:41.000
<v Speaker 2>to you, Corey. And you know, if she believes that

0:39:41.080 --> 0:39:42.319
<v Speaker 2>this guy did that, like if she.

0:39:42.400 --> 0:39:44.640
<v Speaker 1>Knows, she wants to know that he'll be able to

0:39:44.680 --> 0:39:47.440
<v Speaker 1>explain everything to her for the rest of her.

0:39:47.320 --> 0:39:56.759
<v Speaker 4>Life that he correct explain exactly your man explain to

0:39:56.800 --> 0:39:58.040
<v Speaker 4>me in a turn on way.

0:39:58.320 --> 0:40:01.719
<v Speaker 1>Could you mean, could you man to me tell me

0:40:01.760 --> 0:40:02.640
<v Speaker 1>how to be passionate?

0:40:02.880 --> 0:40:08.760
<v Speaker 3>It's incite my passion. Tell me tell me what to think, Corey. Actually, Danielle,

0:40:08.760 --> 0:40:09.479
<v Speaker 3>here's what he meant.

0:40:11.640 --> 0:40:14.879
<v Speaker 1>Thank you. Actually, you know this whole episode met will

0:40:15.440 --> 0:40:20.400
<v Speaker 1>we're married right now? You when we were twelve.

0:40:22.080 --> 0:40:24.040
<v Speaker 3>It was it was It wasn't even that they tried

0:40:24.040 --> 0:40:26.719
<v Speaker 3>to save it where it's like, it's not me explaining

0:40:26.760 --> 0:40:29.160
<v Speaker 3>the piece to you, it's me letting you know that

0:40:29.400 --> 0:40:32.799
<v Speaker 3>until you find passion in your life, you won't understand art.

0:40:33.440 --> 0:40:35.440
<v Speaker 1>And it's like, what the hell is happening?

0:40:35.560 --> 0:40:37.799
<v Speaker 2>Well, I want to see you play a version of

0:40:37.840 --> 0:40:41.560
<v Speaker 2>this character because it would be your dream because you

0:40:41.760 --> 0:40:46.919
<v Speaker 2>hate this guy. I was like, I was like, because

0:40:46.920 --> 0:40:48.920
<v Speaker 2>I was laughing earlier, I was saving it until that

0:40:49.040 --> 0:40:51.280
<v Speaker 2>was like, it's not just that he's a two dimensional character,

0:40:51.280 --> 0:40:55.080
<v Speaker 2>because we've had plenty of characters. It's a very specific

0:40:56.280 --> 0:41:00.560
<v Speaker 2>It is that d bag like pretentious guy who's.

0:41:00.160 --> 0:41:04.200
<v Speaker 3>Like too cool for school, you can't stay And it's.

0:41:04.160 --> 0:41:07.759
<v Speaker 1>So funny because it's it's just it's a it's like

0:41:08.080 --> 0:41:11.160
<v Speaker 1>one eighth of who of like of who writer.

0:41:11.160 --> 0:41:18.719
<v Speaker 5>Is there's a part will more than anybody when you

0:41:18.960 --> 0:41:23.000
<v Speaker 5>really tap into this to your Ricky Ferris, Oh.

0:41:22.960 --> 0:41:25.560
<v Speaker 2>Really you didn't work together. He would have hated me

0:41:25.880 --> 0:41:28.600
<v Speaker 2>if you just knew from a whole if he read,

0:41:28.719 --> 0:41:29.880
<v Speaker 2>if he read and team.

0:41:29.680 --> 0:41:31.719
<v Speaker 1>Beat the like quotes that I was saying.

0:41:31.760 --> 0:41:33.080
<v Speaker 2>At the time, we were best friends.

0:41:33.120 --> 0:41:36.879
<v Speaker 1>But he would have been like, whoa those interviews where

0:41:36.920 --> 0:41:38.960
<v Speaker 1>the two of you are in an interview together and

0:41:39.000 --> 0:41:42.799
<v Speaker 1>he is openly mocking you, but in a loving way.

0:41:43.120 --> 0:41:45.240
<v Speaker 1>But the reason for that is that there is another

0:41:45.400 --> 0:41:48.799
<v Speaker 1>seven eighths of you that isn't this. Oh god, he

0:41:49.120 --> 0:41:52.920
<v Speaker 1>likes all of those pers This one eighth part of

0:41:52.960 --> 0:41:57.839
<v Speaker 1>you thinks sucks. You know, I now love that one

0:41:57.880 --> 0:42:01.600
<v Speaker 1>eighth part of you. Okay, absolutely, I love eight eighth

0:42:01.680 --> 0:42:01.920
<v Speaker 1>of you.

0:42:02.000 --> 0:42:02.239
<v Speaker 2>Writer.

0:42:03.760 --> 0:42:05.880
<v Speaker 1>Actually, Daniel, let me explain why. Okay, so.

0:42:07.480 --> 0:42:10.480
<v Speaker 2>No, it is but you're right, this is this is like,

0:42:10.719 --> 0:42:14.560
<v Speaker 2>this is your kryptonite. Like, but that's why I want

0:42:14.560 --> 0:42:16.560
<v Speaker 2>to see you in a mock turtleneck.

0:42:16.160 --> 0:42:22.760
<v Speaker 1>Playing another krypt We need dumb dumb dad, dumb dumb

0:42:22.800 --> 0:42:29.400
<v Speaker 1>mail needs to be Hey, listen to me. I'm going

0:42:29.440 --> 0:42:31.200
<v Speaker 1>to tell you how to do it. I'm just lucky

0:42:31.200 --> 0:42:32.919
<v Speaker 1>to be with a woman. And then the sun comes

0:42:32.960 --> 0:42:36.240
<v Speaker 1>in and goes. Actually, when I was with the Blind Children,

0:42:39.000 --> 0:42:41.359
<v Speaker 1>Oh I love it, I love it. What else does

0:42:41.400 --> 0:42:42.960
<v Speaker 1>will hate?

0:42:43.760 --> 0:42:48.600
<v Speaker 2>Oh my god, what else does will hate?

0:42:49.000 --> 0:42:55.719
<v Speaker 1>Will's hell? So Topanga smiles. You know anyone like that?

0:42:55.880 --> 0:43:01.160
<v Speaker 1>Ricky nods, Yeah, I do. Angela watches on a Stepanga

0:43:01.200 --> 0:43:03.880
<v Speaker 1>follows his lead to the next painting. Now we're in

0:43:03.920 --> 0:43:06.920
<v Speaker 1>front of Starry Night. Ricky and Tapanga are staring at

0:43:06.920 --> 0:43:10.319
<v Speaker 1>the legendary piece that is not protected at all. There's

0:43:10.400 --> 0:43:19.560
<v Speaker 1>just nobody else there and you can get about the stress.

0:43:22.920 --> 0:43:27.319
<v Speaker 1>Oh my gosh. And he reveals I think this is

0:43:27.360 --> 0:43:31.279
<v Speaker 1>the most spiritual piece ever painted. They revel in the

0:43:31.280 --> 0:43:34.800
<v Speaker 1>small details and how van Go's religious beliefs tie into

0:43:34.800 --> 0:43:38.400
<v Speaker 1>its meaning. Ricky tells her that's what's moving you. Someone

0:43:38.440 --> 0:43:40.600
<v Speaker 1>is able to let you see right into his soul.

0:43:41.000 --> 0:43:43.359
<v Speaker 1>Ricky laughs at himself, apologizing to her he could talk

0:43:43.400 --> 0:43:46.080
<v Speaker 1>about this painting all day, and then a museum security

0:43:46.120 --> 0:43:49.240
<v Speaker 1>guard appears. You did. The museum will be closing shortly.

0:43:49.760 --> 0:43:55.600
<v Speaker 1>To Panga, can't believe they talked all night. What it

0:43:55.719 --> 0:43:59.440
<v Speaker 1>can happen without even knowing it? Unbelief. And you know

0:44:00.080 --> 0:44:03.200
<v Speaker 1>if you can talk to someone for a long time

0:44:05.080 --> 0:44:11.279
<v Speaker 1>that only bad can come from that, only battery. Do

0:44:11.480 --> 0:44:12.160
<v Speaker 1>either of you know?

0:44:12.640 --> 0:44:14.920
<v Speaker 3>Very very very quick tangent which I say quite a bit,

0:44:14.960 --> 0:44:17.760
<v Speaker 3>but one of you probably knows this. The the Starry

0:44:17.840 --> 0:44:21.520
<v Speaker 3>Night was was van Go's view from his insane asylum room.

0:44:21.640 --> 0:44:24.200
<v Speaker 1>Wasn't it no like not joking, wasn't it.

0:44:24.200 --> 0:44:28.319
<v Speaker 3>I'm pretty sure it was well thought that, like, well, no,

0:44:28.400 --> 0:44:30.080
<v Speaker 3>back in the day it was he was in, really

0:44:30.239 --> 0:44:32.880
<v Speaker 3>was it was called the insane asylum or hospital.

0:44:32.960 --> 0:44:34.239
<v Speaker 1>I'm not even sure it was there. I think it

0:44:34.280 --> 0:44:35.279
<v Speaker 1>was the asylum at the time.

0:44:35.280 --> 0:44:37.279
<v Speaker 3>But I thought he had one small window and that

0:44:37.440 --> 0:44:38.600
<v Speaker 3>was what he saw through the window.

0:44:38.600 --> 0:44:40.319
<v Speaker 1>I could totally be wrong, but I thought that was

0:44:40.360 --> 0:44:42.839
<v Speaker 1>the story. I don't know. I don't know. Someone someone

0:44:42.880 --> 0:44:43.520
<v Speaker 1>explained it to me.

0:44:43.640 --> 0:44:44.840
<v Speaker 6>Looks that looks true.

0:44:45.440 --> 0:44:47.400
<v Speaker 1>Oh oh, did you just google it? Yeah?

0:44:47.640 --> 0:44:48.160
<v Speaker 3>He g.

0:44:50.719 --> 0:44:51.080
<v Speaker 1>It does?

0:44:51.400 --> 0:44:53.719
<v Speaker 6>It does seem real, it's saying. In the aftermath of

0:44:53.760 --> 0:44:57.000
<v Speaker 6>December eighteen eighty eight, the breakdown and resulted in self

0:44:57.040 --> 0:44:59.720
<v Speaker 6>mutilation of his left ear, van Go voluntarily admitted himself

0:45:00.040 --> 0:45:07.480
<v Speaker 6>into a lunatic asylum down It used to be a

0:45:07.480 --> 0:45:10.840
<v Speaker 6>former monastery and it catered to the wealthy and was

0:45:10.920 --> 0:45:13.120
<v Speaker 6>less than half full when Vango arrived, allowing him to

0:45:13.120 --> 0:45:16.120
<v Speaker 6>occupy not only a second story bedroom, but a ground

0:45:16.120 --> 0:45:18.080
<v Speaker 6>floor room for use of a painting studio. And this

0:45:18.200 --> 0:45:19.960
<v Speaker 6>is what he saw outside of the second story.

0:45:20.160 --> 0:45:23.319
<v Speaker 1>Okay, there you go. Plus was the asylum half full?

0:45:23.400 --> 0:45:27.920
<v Speaker 1>Or where is it talking about? God? In this or

0:45:28.600 --> 0:45:29.640
<v Speaker 1>writers just make that up.

0:45:29.760 --> 0:45:32.400
<v Speaker 6>They just that appears to be made up, although I mean,

0:45:32.440 --> 0:45:34.080
<v Speaker 6>I'm sure people take different things from it.

0:45:34.400 --> 0:45:37.560
<v Speaker 1>Yeah, Ricky tells her talking all days not enough. He

0:45:37.640 --> 0:45:40.120
<v Speaker 1>wonders what she's doing for dinner tomorrow night, and we

0:45:40.200 --> 0:45:43.360
<v Speaker 1>go to break before we get her answer. Then commercial break.

0:45:43.640 --> 0:45:46.160
<v Speaker 1>Then we're back in the Philadelphia Art Museum. Ricky is

0:45:46.200 --> 0:45:48.520
<v Speaker 1>walking out of the exhibit with Tapanga and he mentions

0:45:48.520 --> 0:45:51.360
<v Speaker 1>dinner again. They can keep talking about Starry Night or

0:45:51.360 --> 0:45:54.759
<v Speaker 1>the Real Stars, whatever she wants. Tapanga responds, I've had

0:45:54.800 --> 0:45:56.960
<v Speaker 1>a really great time talking to you, but my head's

0:45:56.960 --> 0:45:59.440
<v Speaker 1>in a funny place right now. Ricky inquires, do you

0:45:59.480 --> 0:46:02.720
<v Speaker 1>plan on eating dinner tomorrow night? Haven't we done this before?

0:46:02.840 --> 0:46:05.080
<v Speaker 2>Yes, we could have cut this entire scene, like if

0:46:05.120 --> 0:46:07.959
<v Speaker 2>he ended the or ended that last thing saying, uh,

0:46:08.200 --> 0:46:09.640
<v Speaker 2>what are you doing for dinner tomorrow night?

0:46:09.800 --> 0:46:12.799
<v Speaker 1>Then we could just cut to Topanga and Angela talking

0:46:12.840 --> 0:46:13.839
<v Speaker 1>about like what do I do?

0:46:13.920 --> 0:46:15.920
<v Speaker 2>He asked me to doct But instead we have this

0:46:16.600 --> 0:46:19.879
<v Speaker 2>like I think pseudo charming, but I just found it, like.

0:46:22.320 --> 0:46:25.520
<v Speaker 1>It's not about Ricky, it's about that. We need to

0:46:25.600 --> 0:46:29.960
<v Speaker 1>show that Tapenga doesn't feel that she's even that she

0:46:30.080 --> 0:46:32.640
<v Speaker 1>can't even wrap her brain around. Could I possibly even

0:46:32.680 --> 0:46:37.879
<v Speaker 1>have Din say to him? Oh no, no, I don't

0:46:37.920 --> 0:46:39.840
<v Speaker 1>know that I can do that. I'm in a bad place.

0:46:39.880 --> 0:46:44.280
<v Speaker 1>It's all about the purity of Topanga, even though she's

0:46:45.320 --> 0:46:46.120
<v Speaker 1>fully single.

0:46:46.960 --> 0:46:49.880
<v Speaker 3>Yeah, but then you miss, just know that if you

0:46:49.960 --> 0:46:53.239
<v Speaker 3>look up, well I'll be looking back at you.

0:46:54.360 --> 0:46:58.640
<v Speaker 1>What are you saying? I was yelling. I was literally

0:46:58.760 --> 0:47:03.359
<v Speaker 1>yelling at this point at my reading, thank you wish

0:47:03.440 --> 0:47:04.640
<v Speaker 1>she actually wore.

0:47:08.120 --> 0:47:12.600
<v Speaker 2>Flower and it's just a little flower.

0:47:12.080 --> 0:47:14.680
<v Speaker 1>Just one white glove for no reason, like, what are

0:47:14.719 --> 0:47:17.960
<v Speaker 1>you doing? Yes, that was such a strange character and

0:47:18.040 --> 0:47:20.040
<v Speaker 1>not the actor's fault at all. By the way, for

0:47:20.200 --> 0:47:24.839
<v Speaker 1>the record, I know it's just okay. She says yes,

0:47:24.880 --> 0:47:27.759
<v Speaker 1>and he agrees he does too. So he offers this

0:47:27.800 --> 0:47:38.040
<v Speaker 1>plan tomorrow at eight o'clock. We'll meet it. We really

0:47:39.480 --> 0:47:52.000
<v Speaker 1>la perie de croissant Panga ship. He should just bust

0:47:52.000 --> 0:47:53.080
<v Speaker 1>out into French at some point.

0:47:53.160 --> 0:48:01.280
<v Speaker 3>Everything that would be so close when yeah, how what's happening?

0:48:01.400 --> 0:48:04.440
<v Speaker 1>You're seventeen and Big Philly be seventeen.

0:48:06.360 --> 0:48:08.520
<v Speaker 2>Well, I mean he's known he's an artist since he

0:48:08.600 --> 0:48:09.200
<v Speaker 2>was sixteen.

0:48:09.320 --> 0:48:17.160
<v Speaker 1>I got a lot of takes that little French cafe.

0:48:17.880 --> 0:48:20.800
<v Speaker 1>Ricky nods. Here's the thing. We're going to be sitting

0:48:20.840 --> 0:48:22.840
<v Speaker 1>at the same table, and I'm going to be sitting

0:48:22.840 --> 0:48:25.080
<v Speaker 1>across from you. Now. If you want it to be

0:48:25.160 --> 0:48:27.279
<v Speaker 1>a date, you look up from your dinner. If you

0:48:27.320 --> 0:48:29.440
<v Speaker 1>don't want it to be a date, don't look up.

0:48:29.840 --> 0:48:34.399
<v Speaker 1>Just keep looking at your salad, lady dude. But if

0:48:34.440 --> 0:48:44.240
<v Speaker 1>you do look up, I'll be looking back at you. Sorry,

0:48:48.680 --> 0:48:55.600
<v Speaker 1>Oh my god, I'm having at it. My gosh. The

0:48:55.640 --> 0:48:59.600
<v Speaker 1>inmates in the audience at this, and Topanga, who is

0:48:59.640 --> 0:49:03.760
<v Speaker 1>both romantic and a little like American Psycho, walks off

0:49:05.200 --> 0:49:08.120
<v Speaker 1>to Penga watches him leave, and then we noticed Angela's

0:49:08.120 --> 0:49:17.000
<v Speaker 1>head sneakily poking out from a sculpture behind her. Topanga doesn't, Yes,

0:49:18.239 --> 0:49:22.160
<v Speaker 1>it's exactly the same thing as if cook over the

0:49:23.560 --> 0:49:38.920
<v Speaker 1>brilliantly she was great. We need it God, So Topanga

0:49:38.920 --> 0:49:41.080
<v Speaker 1>doesn't even need to look in her direction. All right,

0:49:41.200 --> 0:49:44.480
<v Speaker 1>come on out. Angela reveals herself, and Topanga asks should

0:49:44.520 --> 0:49:46.919
<v Speaker 1>I go out with him or not? Angela weighs the option.

0:49:47.080 --> 0:49:50.200
<v Speaker 1>He's gorgeous, cultured, sensitive artist type wants to take you

0:49:50.280 --> 0:49:54.040
<v Speaker 1>to a romantic French restaurant. Should you go out with him?

0:49:54.520 --> 0:49:54.759
<v Speaker 5>Yes?

0:49:55.640 --> 0:49:58.480
<v Speaker 1>To Panga size, I don't know. Angela can't handle it.

0:49:58.520 --> 0:50:01.040
<v Speaker 1>You don't know what he is everything you could want to.

0:50:01.120 --> 0:50:04.040
<v Speaker 1>Pega states the obvious, he's not Corey. If I go

0:50:04.120 --> 0:50:06.600
<v Speaker 1>out with him, then Corey and I are really really finished,

0:50:06.640 --> 0:50:09.920
<v Speaker 1>aren't we. Angela agrees Topanga doesn't know what to do.

0:50:10.120 --> 0:50:13.160
<v Speaker 1>Ricky knew so much about the paintings, and he's complex

0:50:13.320 --> 0:50:17.480
<v Speaker 1>and interesting. Angela asks if she thinks Corey is complex

0:50:17.560 --> 0:50:25.640
<v Speaker 1>and interesting. To Panga nods, yeah, but it's different. You

0:50:25.719 --> 0:50:33.279
<v Speaker 1>don't he's not. He's complex, he's Corey. He's neurotic. He

0:50:33.440 --> 0:50:35.879
<v Speaker 1>and he likes a lot of things that Topanga doesn't get.

0:50:36.280 --> 0:50:43.200
<v Speaker 1>He's obsessive. Yeah, he's not very cheater, cheats the same.

0:50:43.560 --> 0:50:49.360
<v Speaker 2>Does and Corey. Oh, haven't established anything.

0:50:49.640 --> 0:50:54.040
<v Speaker 1>I don't know. She's never. She's never said like I

0:50:54.080 --> 0:50:56.879
<v Speaker 1>can talk to him about it. He's nothing, She's never.

0:50:57.320 --> 0:51:00.479
<v Speaker 1>We don't know. And it's not that there is a sure,

0:51:00.600 --> 0:51:03.680
<v Speaker 1>it's not that there aren't things about Corey, but we

0:51:03.760 --> 0:51:07.239
<v Speaker 1>just haven't explored them. We haven't heard from Tapanga what

0:51:07.560 --> 0:51:13.279
<v Speaker 1>she specifically loves about her man. We don't know. There

0:51:13.320 --> 0:51:17.280
<v Speaker 1>are obviously things. Is it that he's hysterical because he is?

0:51:17.280 --> 0:51:19.120
<v Speaker 1>Is it that he's cute? We've heard her say that,

0:51:19.160 --> 0:51:23.279
<v Speaker 1>We have heard her say and she's definitely been like,

0:51:23.360 --> 0:51:26.560
<v Speaker 1>you are a very sexy boy. So she's physically attracted

0:51:26.560 --> 0:51:36.480
<v Speaker 1>to Corey, and that's all we know. Yeah, but like

0:51:36.640 --> 0:51:42.960
<v Speaker 1>has been sexually attracted to Corey. Corey is truly irresistible

0:51:43.760 --> 0:51:48.160
<v Speaker 1>to women of his age, So it's not surprising in

0:51:48.200 --> 0:51:52.080
<v Speaker 1>the universe that Tapega would find Corey physically attractive. But

0:51:52.080 --> 0:51:55.120
<v Speaker 1>but as far as like what else that you know,

0:51:55.320 --> 0:51:57.080
<v Speaker 1>she seems to have all of these things that she

0:51:57.120 --> 0:52:03.239
<v Speaker 1>really looks for in someone. Deep interestspective, sensitive, complex, interesting.

0:52:04.760 --> 0:52:06.560
<v Speaker 1>Haven't heard her say any that have heard her say

0:52:06.640 --> 0:52:09.560
<v Speaker 1>to Corey, you don't listen to me. You keep doing

0:52:09.600 --> 0:52:12.000
<v Speaker 1>these things you think I want. I don't want them.

0:52:12.040 --> 0:52:14.080
<v Speaker 1>This is not what this is not what I want.

0:52:14.440 --> 0:52:19.359
<v Speaker 1>So he doesn't know her. I don't know. I don't know,

0:52:19.640 --> 0:52:22.120
<v Speaker 1>even though I've known Corey all my life. How can

0:52:22.160 --> 0:52:24.160
<v Speaker 1>I go out with another guy until I know what

0:52:24.200 --> 0:52:30.200
<v Speaker 1>Corey feels about this painting? And again, I think if

0:52:30.239 --> 0:52:33.279
<v Speaker 1>we were out somewhere and I were looking at a

0:52:33.280 --> 0:52:35.640
<v Speaker 1>painting and I was with someone else and they had

0:52:35.680 --> 0:52:38.040
<v Speaker 1>a different perspective. I'd be able to turn to my

0:52:38.120 --> 0:52:39.759
<v Speaker 1>friend and I'd say, you know what Jensen would say

0:52:39.760 --> 0:52:43.480
<v Speaker 1>about this painting, and I would know it like the

0:52:43.520 --> 0:52:47.000
<v Speaker 1>back of my hand Yep, why do I need to

0:52:47.040 --> 0:52:50.800
<v Speaker 1>hear it from Corey's own? I would know for sure.

0:52:50.920 --> 0:52:53.480
<v Speaker 1>I know Corey, he's going to see an attack the aliens.

0:52:53.640 --> 0:52:56.880
<v Speaker 1>They're shooting beams. That's what he's going to see, because

0:52:57.040 --> 0:52:58.839
<v Speaker 1>he's gone with me to art shows before and we've

0:52:58.840 --> 0:53:03.640
<v Speaker 1>already talked about this, or I know he's alien attacked.

0:53:04.520 --> 0:53:07.000
<v Speaker 2>But also Corey stayed up all night to get her

0:53:07.040 --> 0:53:10.279
<v Speaker 2>tickets for this thing. He's already done the demonstration of

0:53:10.680 --> 0:53:13.080
<v Speaker 2>even if I'm going to this thing, I support you,

0:53:13.239 --> 0:53:16.120
<v Speaker 2>I love you. And it's like so it's completely under

0:53:16.160 --> 0:53:18.560
<v Speaker 2>like she doesn't even need to test his ability to

0:53:18.600 --> 0:53:21.040
<v Speaker 2>read a painting. That's not why she likes him and

0:53:21.080 --> 0:53:23.240
<v Speaker 2>that but that should be the point, right, it should

0:53:23.239 --> 0:53:26.040
<v Speaker 2>be the Tapanga says, here's another type of guy who's

0:53:26.040 --> 0:53:28.640
<v Speaker 2>more like me in some ways, right, but I've always

0:53:28.880 --> 0:53:32.040
<v Speaker 2>been with Corey, who's actually very different from me, and

0:53:32.040 --> 0:53:34.160
<v Speaker 2>and you know, just have that conversation, which is a

0:53:34.280 --> 0:53:36.759
<v Speaker 2>healthy conversation to have like you can have you can

0:53:36.800 --> 0:53:39.560
<v Speaker 2>be in love with somebody and have very different tastes

0:53:39.600 --> 0:53:42.680
<v Speaker 2>in music, movies, paintings and look all that stuff. The

0:53:42.719 --> 0:53:45.239
<v Speaker 2>idea that you would see.

0:53:45.640 --> 0:53:47.319
<v Speaker 3>The thing I was thinking of, but I was as

0:53:47.360 --> 0:53:49.359
<v Speaker 3>I was watching this that would have been such an

0:53:49.400 --> 0:53:53.520
<v Speaker 3>interesting change would have been if the guy was actually

0:53:53.600 --> 0:53:57.840
<v Speaker 3>an exchange student. He was black, he was from France,

0:53:57.880 --> 0:54:01.680
<v Speaker 3>he whatever, he was so different and so worldly and well,

0:54:01.680 --> 0:54:02.800
<v Speaker 3>I grew up on a commune.

0:54:03.160 --> 0:54:04.480
<v Speaker 1>I meant something to where.

0:54:04.320 --> 0:54:08.120
<v Speaker 3>It wasn't just a caricature of this thing, right, if

0:54:08.160 --> 0:54:12.040
<v Speaker 3>she met somebody super interesting who really did That's all

0:54:12.040 --> 0:54:13.839
<v Speaker 3>I was sitting there, is like, okay, so I can

0:54:13.880 --> 0:54:15.160
<v Speaker 3>get like Corey liked Lauren.

0:54:15.600 --> 0:54:16.560
<v Speaker 1>She listened to him.

0:54:16.640 --> 0:54:19.000
<v Speaker 3>They were having fun. They were laughing. They were joking,

0:54:19.600 --> 0:54:23.640
<v Speaker 3>what Topanga's Lauren? And they just kind of made this version.

0:54:23.800 --> 0:54:25.920
<v Speaker 1>Do you think what the version they made is? And

0:54:25.960 --> 0:54:27.719
<v Speaker 1>you find it out at the dinner You find it

0:54:27.719 --> 0:54:31.600
<v Speaker 1>out at the dinner date. Oh, your parents are real

0:54:32.920 --> 0:54:38.160
<v Speaker 1>hands off parents too. You're super independent and not neurotic.

0:54:38.680 --> 0:54:42.359
<v Speaker 1>You want to go spend a year in Paris? I guess, yeah,

0:54:42.400 --> 0:54:45.040
<v Speaker 1>it's just so they have they have things that like,

0:54:45.840 --> 0:54:49.160
<v Speaker 1>she goes, wow, what how interesting to talk to somebody

0:54:49.160 --> 0:54:52.040
<v Speaker 1>who has more of my shared history and has more

0:54:52.080 --> 0:54:53.760
<v Speaker 1>of my dreams for the future.

0:54:55.440 --> 0:54:58.480
<v Speaker 2>I just wish that the counter argument is, which is

0:54:58.480 --> 0:55:00.520
<v Speaker 2>a great argument that could be made, which is that,

0:55:01.000 --> 0:55:03.680
<v Speaker 2>but Corey is my Corey. Corey is this Corey is

0:55:03.719 --> 0:55:06.160
<v Speaker 2>a different type. I if you, if I wrote down

0:55:06.160 --> 0:55:08.160
<v Speaker 2>on a piece of paper like the resume for the

0:55:08.160 --> 0:55:11.600
<v Speaker 2>perfect guy, here's the guy, but that's not actually.

0:55:11.239 --> 0:55:11.680
<v Speaker 1>Who I love.

0:55:11.719 --> 0:55:14.279
<v Speaker 2>Who I love is Corey and here's why. Instead it

0:55:14.400 --> 0:55:16.880
<v Speaker 2>just reduced to this kiss. Right, it's just literally this

0:55:16.920 --> 0:55:19.360
<v Speaker 2>litmus test of the kiss. I didn't feel it, Nope,

0:55:19.520 --> 0:55:21.680
<v Speaker 2>and it's like what No.

0:55:22.239 --> 0:55:24.880
<v Speaker 3>Like what you were talking about though, is exactly what

0:55:24.920 --> 0:55:26.200
<v Speaker 3>they were attempting to do.

0:55:27.080 --> 0:55:28.080
<v Speaker 1>It didn't work.

0:55:28.800 --> 0:55:32.759
<v Speaker 2>But it's just oversimplified into this destiny love fate thing

0:55:32.800 --> 0:55:35.000
<v Speaker 2>that it's just such a bummer because it's an opportunity

0:55:35.000 --> 0:55:38.399
<v Speaker 2>to really let Corey shine as a character and to say,

0:55:38.480 --> 0:55:42.240
<v Speaker 2>here are some great qualities about Corey. Yes, he likes baseball,

0:55:42.280 --> 0:55:44.800
<v Speaker 2>which Tapanges not into. He cares about this, which Japang

0:55:44.920 --> 0:55:47.080
<v Speaker 2>is not into. But that doesn't matter. What matters is

0:55:47.120 --> 0:55:49.799
<v Speaker 2>the shared you know, the respect and love and the

0:55:49.840 --> 0:55:52.200
<v Speaker 2>way he I don't know, like, just find those reasons

0:55:52.320 --> 0:55:54.520
<v Speaker 2>his humor. You know, there are things, but we don't

0:55:54.560 --> 0:55:58.400
<v Speaker 2>explicate those things because it's just reduced to love, you know,

0:55:58.680 --> 0:55:59.920
<v Speaker 2>love capital.

0:55:59.680 --> 0:56:03.040
<v Speaker 1>L Angela tells Topanga she needs to give Ricky a chance.

0:56:03.239 --> 0:56:05.279
<v Speaker 1>Maybe one day she won't be telling people she met

0:56:05.320 --> 0:56:07.520
<v Speaker 1>the guy she loved on the monkey bars, but instead

0:56:07.680 --> 0:56:09.520
<v Speaker 1>she met him in front of a masterpiece and he

0:56:09.600 --> 0:56:13.440
<v Speaker 1>swept her off her feet. But Tapanga's mind is made up.

0:56:13.640 --> 0:56:16.080
<v Speaker 1>I'm not leaving my feet for anybody until I give

0:56:16.160 --> 0:56:19.960
<v Speaker 1>Corey a chance. The audience aw and to Panga lovingly

0:56:20.000 --> 0:56:21.800
<v Speaker 1>places her head on Angela's shoulder.

0:56:22.360 --> 0:56:22.759
<v Speaker 3>A chance.

0:56:23.080 --> 0:56:26.040
<v Speaker 1>She's not this. She gave him fifteen years of a chance.

0:56:26.920 --> 0:56:29.160
<v Speaker 3>It's also not just that, though, Why does why does

0:56:29.200 --> 0:56:31.200
<v Speaker 3>it have to be you met Maybe you can say

0:56:31.200 --> 0:56:32.560
<v Speaker 3>you met the love of your life in front.

0:56:32.640 --> 0:56:34.200
<v Speaker 1>Why can't just be a guy you're dating?

0:56:37.160 --> 0:56:38.920
<v Speaker 2>I need a guy hang out with me. You're single?

0:56:39.000 --> 0:56:41.400
<v Speaker 1>Now, go yeah, yes, exactly, you can't.

0:56:41.560 --> 0:56:44.319
<v Speaker 2>That's miserable to be happy, would be miserable to be

0:56:44.360 --> 0:56:45.040
<v Speaker 2>happy single?

0:56:45.360 --> 0:56:48.000
<v Speaker 1>Go go date somebody for a few months. Go yeah,

0:56:48.080 --> 0:56:48.799
<v Speaker 1>go give that.

0:56:49.200 --> 0:56:51.279
<v Speaker 3>He could be a great distraugling for you right now.

0:56:51.280 --> 0:56:54.000
<v Speaker 3>To Panga, that's totally aid, but no, he's got to

0:56:54.040 --> 0:56:54.520
<v Speaker 3>be the love of.

0:56:54.520 --> 0:56:56.319
<v Speaker 1>Your life forever. Come on right.

0:56:56.400 --> 0:56:59.160
<v Speaker 2>It's just like the conversation with Ben or Corey and Lauren,

0:56:59.200 --> 0:57:01.799
<v Speaker 2>where it's like, yeah, what about our suburban future? And

0:57:02.239 --> 0:57:04.680
<v Speaker 2>it's like, why are we having this conversation with the kids?

0:57:04.880 --> 0:57:07.160
<v Speaker 2>I know, yes, and I get it that, like you

0:57:07.320 --> 0:57:10.000
<v Speaker 2>feel like it's intense, Like I understand the feelings, but

0:57:10.200 --> 0:57:14.240
<v Speaker 2>we're actually having out loud conversations that I don't believe

0:57:14.600 --> 0:57:18.560
<v Speaker 2>seventeen through nineteen year old have or they don't test

0:57:18.600 --> 0:57:20.600
<v Speaker 2>each other in the same way. They may like dream

0:57:20.680 --> 0:57:22.920
<v Speaker 2>and like speculat, but you're not literally like would you

0:57:22.960 --> 0:57:25.000
<v Speaker 2>want two point five kids in a white way?

0:57:25.600 --> 0:57:27.960
<v Speaker 1>I do. What I will say is that I do

0:57:28.040 --> 0:57:30.680
<v Speaker 1>think like you said, it does speak to the feelings.

0:57:30.680 --> 0:57:34.880
<v Speaker 1>Teenagers are having it because we're all imagining what is

0:57:34.920 --> 0:57:37.560
<v Speaker 1>my life's going to be? It's not yes, and what's

0:57:37.600 --> 0:57:39.040
<v Speaker 1>my future going to be? And who am I going

0:57:39.080 --> 0:57:40.520
<v Speaker 1>to be with? And am I going to be with someone?

0:57:40.520 --> 0:57:41.640
<v Speaker 1>And what are we going to have and where are

0:57:41.640 --> 0:57:44.080
<v Speaker 1>we going to live? It's so fun to fantasize about

0:57:44.720 --> 0:57:48.000
<v Speaker 1>so maybe what people do, what people resonated so much

0:57:48.080 --> 0:57:50.919
<v Speaker 1>is it was a real way of those feelings being

0:57:50.920 --> 0:57:53.600
<v Speaker 1>played out in like, oh, I can't actually no one's

0:57:53.680 --> 0:57:56.360
<v Speaker 1>having these conversations, but I'm having the thoughts, I'm having

0:57:56.400 --> 0:58:01.200
<v Speaker 1>the feelings. I can watch these people act my thoughts

0:58:01.520 --> 0:58:04.440
<v Speaker 1>and fantasies and I can kind of oh wow, and

0:58:04.480 --> 0:58:06.400
<v Speaker 1>what if that could be me? And then it became

0:58:06.440 --> 0:58:11.160
<v Speaker 1>the idea of where's my Corey, where's my Tipanga, which

0:58:11.560 --> 0:58:13.520
<v Speaker 1>possibly screwed up.

0:58:13.880 --> 0:58:16.240
<v Speaker 3>Well, you know how many comments we get generation how

0:58:16.280 --> 0:58:17.960
<v Speaker 3>many people if you talk to you that are like man,

0:58:18.000 --> 0:58:20.720
<v Speaker 3>Corey and Tpanga really made my life difficult when it came.

0:58:20.680 --> 0:58:24.440
<v Speaker 2>To right, Well, because they don't they don't actually spell

0:58:24.480 --> 0:58:26.960
<v Speaker 2>out what it is about their love. It's just that

0:58:27.000 --> 0:58:29.280
<v Speaker 2>their love is destined. I mean, that's the whole point

0:58:29.280 --> 0:58:32.720
<v Speaker 2>of this episode. And that's like, you know, that can

0:58:32.800 --> 0:58:34.680
<v Speaker 2>keep you in a really horrible relationship.

0:58:34.920 --> 0:58:36.200
<v Speaker 1>I mean, I'm not saying Corey de Bank.

0:58:36.160 --> 0:58:38.840
<v Speaker 2>Is necessarily really horrible, but it's also not necessarily good,

0:58:39.000 --> 0:58:42.080
<v Speaker 2>right right, because it's left blank enough, it's enough of

0:58:42.120 --> 0:58:44.880
<v Speaker 2>a blank slate for you to project. And that's just

0:58:45.160 --> 0:58:47.680
<v Speaker 2>to me very dangerous way to approach love for kids,

0:58:47.760 --> 0:58:50.400
<v Speaker 2>especially for teenagers, like because it has nothing to do

0:58:50.480 --> 0:58:52.800
<v Speaker 2>with how you actually treat each other or how you

0:58:52.800 --> 0:58:55.320
<v Speaker 2>actually go about living together or being together.

0:58:55.400 --> 0:58:59.520
<v Speaker 1>It's yeah, so we're back at the Philadelphia Art Museum.

0:58:59.560 --> 0:59:02.120
<v Speaker 1>It's the next day. Topega is holding Corey's hand and

0:59:02.200 --> 0:59:04.800
<v Speaker 1>leading him right to starry Night. She asks him what

0:59:04.840 --> 0:59:07.160
<v Speaker 1>he sees. Corey gives a slight laugh. Why did she

0:59:07.200 --> 0:59:09.560
<v Speaker 1>bring him here? Tapega explains, I want to know what

0:59:09.600 --> 0:59:12.160
<v Speaker 1>you feel about this painting. Corey stutters, I don't get

0:59:12.160 --> 0:59:13.840
<v Speaker 1>what that has to do with anything. Did something happen

0:59:13.920 --> 0:59:16.880
<v Speaker 1>here yesterday? It has sure been a long time. In

0:59:16.920 --> 0:59:19.280
<v Speaker 1>the script since we had a laugh, Angela popping her

0:59:19.320 --> 0:59:21.760
<v Speaker 1>head up, is that that was the last one? Yeah,

0:59:21.800 --> 0:59:24.280
<v Speaker 1>that was the last one. And even that is funny.

0:59:24.320 --> 0:59:26.600
<v Speaker 1>It's a funny moment, but it's not like a hard

0:59:26.600 --> 0:59:30.360
<v Speaker 1>script laugh, you know, like so's to release the tension. Laugh.

0:59:30.600 --> 0:59:34.960
<v Speaker 2>Yeah, And you walked in while this scenems play, and

0:59:35.000 --> 0:59:36.800
<v Speaker 2>I didn't get to record him because we had people

0:59:36.840 --> 0:59:38.840
<v Speaker 2>coming over after we watched this episode.

0:59:38.880 --> 0:59:42.920
<v Speaker 1>But he just said, wow, now this is a sad story.

0:59:42.920 --> 0:59:44.600
<v Speaker 2>There's barely any comedy right.

0:59:45.000 --> 0:59:46.040
<v Speaker 1>It was like yeah.

0:59:46.080 --> 0:59:48.200
<v Speaker 2>And then we watched until the monkey bar scene and

0:59:48.200 --> 0:59:51.080
<v Speaker 2>that started, and he just said, ah, they always have

0:59:51.120 --> 0:59:54.360
<v Speaker 2>a lesson at the end, but the lesson's getting weird.

0:59:55.080 --> 0:59:57.840
<v Speaker 1>Oh wow. I mean, I mean he was able because.

0:59:57.600 --> 0:59:59.320
<v Speaker 2>He hadn't seen the episodes, you know, I think he's

0:59:59.320 --> 1:00:01.760
<v Speaker 2>seen one episode this season, but that was his takeaway

1:00:01.800 --> 1:00:04.800
<v Speaker 2>and I was like, wow, that's pretty really enjoyed. Yeah,

1:00:04.960 --> 1:00:06.800
<v Speaker 2>He's like it feels He's like he knew that there

1:00:06.840 --> 1:00:08.960
<v Speaker 2>was a lesson, but it just wasn't. He was like,

1:00:08.960 --> 1:00:09.440
<v Speaker 2>it's weird.

1:00:09.440 --> 1:00:11.240
<v Speaker 1>I don't it's a weird one. It's a weird lesson.

1:00:11.240 --> 1:00:14.280
<v Speaker 2>I was like, yeah, man, I feel yeah. Anyway, but

1:00:14.360 --> 1:00:16.960
<v Speaker 2>this scene, he was like, there's no lad, there's no comedy.

1:00:17.000 --> 1:00:19.480
<v Speaker 1>I'm like, I know, I know. It's very intense to

1:00:19.560 --> 1:00:22.040
<v Speaker 1>Panga insists this has nothing to do with yesterday. This

1:00:22.160 --> 1:00:24.040
<v Speaker 1>is about the two of them right now. They were

1:00:24.080 --> 1:00:25.960
<v Speaker 1>supposed to come here together and she wants to know

1:00:25.960 --> 1:00:28.400
<v Speaker 1>what would have happened if they did. Corey seems annoyed.

1:00:28.520 --> 1:00:31.320
<v Speaker 1>So this is some kind of test to Panga nods right,

1:00:31.440 --> 1:00:34.400
<v Speaker 1>big test test to the biggest Corey scoffs. Forget it

1:00:34.400 --> 1:00:36.680
<v Speaker 1>I'm not taking a test. You don't reduce our relationship

1:00:36.680 --> 1:00:38.080
<v Speaker 1>to what you think about me because of what I

1:00:38.120 --> 1:00:42.280
<v Speaker 1>see in a painting. None of that is important. What's important, exactly,

1:00:42.360 --> 1:00:44.320
<v Speaker 1>what's important is what he sees in her and what

1:00:44.400 --> 1:00:47.120
<v Speaker 1>she sees in him. To Panga grabs him and loudly shouts,

1:00:47.120 --> 1:00:49.800
<v Speaker 1>what I see in you portrait of somebody. I thought,

1:00:49.840 --> 1:00:52.400
<v Speaker 1>I knew she can't contain it any lie.

1:00:52.400 --> 1:00:54.920
<v Speaker 2>I was like, why are the guards not coming over?

1:00:54.960 --> 1:00:58.280
<v Speaker 2>We've established a guard, But clearly you guys are screaming

1:00:58.320 --> 1:01:00.600
<v Speaker 2>at each other in front of a painting, and background

1:01:00.600 --> 1:01:01.640
<v Speaker 2>actors are not.

1:01:01.400 --> 1:01:03.560
<v Speaker 1>Not one guys like one.

1:01:03.680 --> 1:01:06.400
<v Speaker 3>One guy in the very back turns to look at

1:01:06.400 --> 1:01:07.040
<v Speaker 3>them one.

1:01:06.920 --> 1:01:09.800
<v Speaker 1>Time and then turns back to the pack.

1:01:09.840 --> 1:01:11.720
<v Speaker 2>That's the thing. There's like a guy walking around looking

1:01:11.760 --> 1:01:14.400
<v Speaker 2>at paintings behind Tipanga shot and I was like, dude, like,

1:01:14.720 --> 1:01:16.120
<v Speaker 2>you guys are making a scene.

1:01:16.560 --> 1:01:20.560
<v Speaker 1>Yeah for sure. How were you able to spend the

1:01:20.600 --> 1:01:22.680
<v Speaker 1>whole night talking to some girl then kiss her the

1:01:22.720 --> 1:01:24.800
<v Speaker 1>next day and still think you care about me?

1:01:25.080 --> 1:01:28.000
<v Speaker 2>So now it's about the kiss and talking, which.

1:01:28.120 --> 1:01:31.080
<v Speaker 1>And not just about that. How did you kiss someone

1:01:31.120 --> 1:01:35.840
<v Speaker 1>else and still think you care about me? Which that's

1:01:36.080 --> 1:01:40.040
<v Speaker 1>that's now her POV, which was not her POV when

1:01:40.040 --> 1:01:43.840
<v Speaker 1>she was written very well, when she was written with

1:01:43.960 --> 1:01:48.479
<v Speaker 1>the idea that, Wow, whatever happened between you two during

1:01:48.520 --> 1:01:53.240
<v Speaker 1>that time you talked wasn't as benign or as I

1:01:53.280 --> 1:01:56.920
<v Speaker 1>was led to believe, because she came four hours to

1:01:57.080 --> 1:02:01.800
<v Speaker 1>pursue whatever came from that. So if you feel the

1:02:01.840 --> 1:02:05.320
<v Speaker 1>same way that there is something more there between you two,

1:02:05.640 --> 1:02:09.040
<v Speaker 1>that you need to go explore that. That tells me

1:02:09.560 --> 1:02:12.880
<v Speaker 1>you're not as committed and sure in our relationship, and

1:02:12.920 --> 1:02:14.040
<v Speaker 1>so you should go.

1:02:14.040 --> 1:02:17.320
<v Speaker 2>Do that too.

1:02:18.360 --> 1:02:22.680
<v Speaker 1>If you kiss someone, it means there's feelings, which is

1:02:22.760 --> 1:02:27.080
<v Speaker 1>just to us smarter and better than that. Yeah, yeah,

1:02:27.640 --> 1:02:30.560
<v Speaker 1>Corey shouts back, because I did and I do. To

1:02:30.640 --> 1:02:32.920
<v Speaker 1>Panka yells, you don't, or you wouldn't be able to

1:02:32.960 --> 1:02:35.920
<v Speaker 1>do those things. Those things don't just happen for no reason,

1:02:36.280 --> 1:02:39.280
<v Speaker 1>but they have happened for no reason before before to

1:02:39.440 --> 1:02:45.479
<v Speaker 1>your man in this show several times, many times, Corey says,

1:02:45.600 --> 1:02:47.720
<v Speaker 1>don't tell me how I feel about you. I know

1:02:47.800 --> 1:02:50.880
<v Speaker 1>how I feel about you. And she kissed me to

1:02:51.000 --> 1:02:53.280
<v Speaker 1>Pank is furious and you moved away? What did you

1:02:53.320 --> 1:02:55.760
<v Speaker 1>do to stop her? Corey throws his arms in the air.

1:02:55.960 --> 1:02:59.520
<v Speaker 1>Nothing nothing, I said, kiss me, baby, sweetie, Kill the

1:02:59.560 --> 1:03:01.960
<v Speaker 1>relationship with the person I care about more than anything,

1:03:02.000 --> 1:03:04.560
<v Speaker 1>and make me miserable for the rest of my horrible life.

1:03:05.080 --> 1:03:07.959
<v Speaker 1>And yeah, where's that security guard when you need him?

1:03:08.200 --> 1:03:10.919
<v Speaker 1>Corey says, Laurence kiss meant nothing to him. But she's right.

1:03:11.120 --> 1:03:13.520
<v Speaker 1>Those things don't happen for no reason. They happen to

1:03:13.520 --> 1:03:16.240
<v Speaker 1>teach you something. Corey knows now that he will never

1:03:16.600 --> 1:03:19.919
<v Speaker 1>ever love anybody more than he loves Topanga. Topanga isn't

1:03:19.920 --> 1:03:22.200
<v Speaker 1>giving up. What do you see in the painting, Corey.

1:03:22.600 --> 1:03:25.720
<v Speaker 1>Corey observes the painting and finally says, I see an attack.

1:03:26.080 --> 1:03:29.520
<v Speaker 1>The audience laughs and Tepanga is confused. An attack? Corey

1:03:29.600 --> 1:03:32.400
<v Speaker 1>nods an attack from another world. This is not the

1:03:32.440 --> 1:03:34.480
<v Speaker 1>answer to Panga was hoping for, so she asks him

1:03:34.520 --> 1:03:37.680
<v Speaker 1>to look again. What about the relationship between God and man?

1:03:38.240 --> 1:03:40.520
<v Speaker 1>You know what that other guy man explained to me,

1:03:41.800 --> 1:03:44.760
<v Speaker 1>Corey nervously says, he was about to get there. See, God,

1:03:44.960 --> 1:03:48.080
<v Speaker 1>unhappy with how some particular humans treat other particular humans

1:03:48.080 --> 1:03:50.440
<v Speaker 1>who love them, has decided it's the end of the world.

1:03:50.720 --> 1:03:53.200
<v Speaker 1>And I wondered, who's he talking about here, the way

1:03:53.240 --> 1:03:56.880
<v Speaker 1>Corey treated Tapanga or the way Topanga is treating him.

1:03:57.040 --> 1:04:00.240
<v Speaker 1>You're right, it's just it's I don't know, and I

1:04:00.240 --> 1:04:03.200
<v Speaker 1>think he's right to Peg is deflated. God is protecting

1:04:03.200 --> 1:04:05.560
<v Speaker 1>the people in this little town. They live their lives,

1:04:05.640 --> 1:04:07.160
<v Speaker 1>and they come out of their houses and they see

1:04:07.160 --> 1:04:09.640
<v Speaker 1>the sky and they know God's protection and love and

1:04:09.680 --> 1:04:13.080
<v Speaker 1>that everything will be all right. Corey counters, how do

1:04:13.120 --> 1:04:14.960
<v Speaker 1>you expect me to see good in anything when I

1:04:15.000 --> 1:04:17.720
<v Speaker 1>feel so bad in here? As he points to his heart,

1:04:18.160 --> 1:04:21.240
<v Speaker 1>Storry night is just a painting Tapega shoots back, this

1:04:21.320 --> 1:04:25.320
<v Speaker 1>is a masterpiece. Corey is unfazed. We are a masterpiece,

1:04:25.720 --> 1:04:27.840
<v Speaker 1>and I don't care what you think right now. We're

1:04:27.880 --> 1:04:30.800
<v Speaker 1>going to be together forever and I know that. But

1:04:30.880 --> 1:04:33.480
<v Speaker 1>you still need to find that out. Why Grabs, We

1:04:33.560 --> 1:04:38.160
<v Speaker 1>now know this, like what has changed from because I

1:04:38.160 --> 1:04:38.800
<v Speaker 1>mean like coach.

1:04:38.840 --> 1:04:40.840
<v Speaker 2>For the rest of this episode, Corey is in this

1:04:41.000 --> 1:04:45.640
<v Speaker 2>like overcont like super correct. But what triggered that?

1:04:46.480 --> 1:04:48.480
<v Speaker 1>Because he was, I have no idea.

1:04:49.040 --> 1:04:50.240
<v Speaker 2>But I mean, but we don't.

1:04:50.560 --> 1:04:51.160
<v Speaker 1>That's what it is.

1:04:51.240 --> 1:04:54.120
<v Speaker 3>That's it's a higher it's a belief in a higher

1:04:54.160 --> 1:04:56.160
<v Speaker 3>power than is this love show.

1:04:56.520 --> 1:04:58.800
<v Speaker 1>But he didn't At the beginning of the episode Monkey Bars.

1:04:58.800 --> 1:05:00.240
<v Speaker 2>At the beginning of the episode, he was free taking

1:05:00.280 --> 1:05:02.600
<v Speaker 2>out about not going to the museum with to Pangas. Yeah,

1:05:02.600 --> 1:05:05.200
<v Speaker 2>and so we never see the moment where Corey has

1:05:05.480 --> 1:05:07.960
<v Speaker 2>his you know, moment of insight. Really, I mean what

1:05:07.960 --> 1:05:10.640
<v Speaker 2>you're talking about faith, right, Love is faith, which we've

1:05:10.680 --> 1:05:13.280
<v Speaker 2>literally said on the show, so love faith God, Like

1:05:13.360 --> 1:05:15.760
<v Speaker 2>our show lines all those things up, and now he's

1:05:15.800 --> 1:05:19.120
<v Speaker 2>saying he's been tested by the universe and knows for

1:05:19.160 --> 1:05:21.280
<v Speaker 2>sure that that was the point of Lauren. Lauren was

1:05:21.280 --> 1:05:23.920
<v Speaker 2>sent as a test by God for him to fall

1:05:23.960 --> 1:05:25.400
<v Speaker 2>in love with to Panka. Like that's the story that

1:05:25.400 --> 1:05:27.960
<v Speaker 2>we're building. I have problems with that, but okay, that's

1:05:28.000 --> 1:05:30.720
<v Speaker 2>the story of the universe of Boy Meets World. But

1:05:30.760 --> 1:05:32.600
<v Speaker 2>where was that moment, Like, where was the moment where

1:05:32.640 --> 1:05:35.280
<v Speaker 2>he transitioned And it could have been this scene. There

1:05:35.280 --> 1:05:36.720
<v Speaker 2>could have been a moment where he just looks at

1:05:36.720 --> 1:05:38.480
<v Speaker 2>the pain, he looks at the panga and says, I'm

1:05:38.480 --> 1:05:40.960
<v Speaker 2>not scared anymore or you know, but we never see it.

1:05:41.000 --> 1:05:43.640
<v Speaker 2>And it was very confused. When he's like with Sean

1:05:43.680 --> 1:05:45.600
<v Speaker 2>at the end, it was like, this is an intense

1:05:45.720 --> 1:05:48.680
<v Speaker 2>like transition that we kind of just skipped over.

1:05:49.000 --> 1:05:55.160
<v Speaker 1>By the way. I actually truly love the idea of

1:05:55.200 --> 1:06:00.720
<v Speaker 1>a character having so much confidence and not only himself

1:06:01.200 --> 1:06:05.400
<v Speaker 1>but his relationship that he says, I don't care if

1:06:05.440 --> 1:06:07.400
<v Speaker 1>no one else is with me. I know without a

1:06:07.440 --> 1:06:10.160
<v Speaker 1>shadow of a doubt, what we have is real. And

1:06:10.480 --> 1:06:14.360
<v Speaker 1>if it's three months, six months, four years, six years,

1:06:14.880 --> 1:06:17.480
<v Speaker 1>we're going to end up together and she can go

1:06:17.560 --> 1:06:20.840
<v Speaker 1>and date any random artist she wants. At the end

1:06:20.880 --> 1:06:23.080
<v Speaker 1>of the day, what she's going to realize is that

1:06:23.280 --> 1:06:25.960
<v Speaker 1>no human being will ever love her or take care

1:06:26.000 --> 1:06:28.320
<v Speaker 1>of her, or know her or be there for her

1:06:28.520 --> 1:06:32.000
<v Speaker 1>the way I will. That kind of confidence is what

1:06:32.040 --> 1:06:34.840
<v Speaker 1>I tell young people who come to me for relationship

1:06:34.880 --> 1:06:38.200
<v Speaker 1>advice all the time. If this person is all the

1:06:38.240 --> 1:06:42.120
<v Speaker 1>things you think that they are, and they're trying, they're wawfling,

1:06:42.480 --> 1:06:45.560
<v Speaker 1>don't worry about it. You know who you are, you

1:06:45.640 --> 1:06:48.800
<v Speaker 1>know you're the best thing in the world. There. Let

1:06:48.800 --> 1:06:51.000
<v Speaker 1>them go out there and see what else is available

1:06:51.120 --> 1:06:53.680
<v Speaker 1>until they realize, wow, I really let a good thing go.

1:06:53.920 --> 1:06:57.880
<v Speaker 1>I want that have that confidence. But it shouldn't be

1:06:57.920 --> 1:07:01.280
<v Speaker 1>for a matter of minutes, shouldn't be one date. It

1:07:01.320 --> 1:07:04.600
<v Speaker 1>shouldn't be Topanga going out with one guy. And by

1:07:04.640 --> 1:07:07.920
<v Speaker 1>the way, I'd love to see Tapega go. I'm about

1:07:07.960 --> 1:07:10.920
<v Speaker 1>to graduate and I have wanted to go to Paris,

1:07:11.000 --> 1:07:14.320
<v Speaker 1>and I have summer coming up, and this guy's hot

1:07:14.360 --> 1:07:18.600
<v Speaker 1>and likes the same things I do. Yeah, maybe this

1:07:18.760 --> 1:07:20.840
<v Speaker 1>is what I'm supposed to do for a summer and

1:07:20.920 --> 1:07:23.880
<v Speaker 1>see where it takes me. And if that happens, and

1:07:23.920 --> 1:07:27.040
<v Speaker 1>we have a full season, half a season, a year

1:07:27.280 --> 1:07:29.560
<v Speaker 1>of the two of them being broken up and living

1:07:29.600 --> 1:07:33.520
<v Speaker 1>separate lives and Corey never once waivers in his confidence,

1:07:33.800 --> 1:07:35.400
<v Speaker 1>we're still getting back together someday.

1:07:35.880 --> 1:07:38.400
<v Speaker 2>I think that's great.

1:07:38.120 --> 1:07:39.880
<v Speaker 1>That happens in one exactly.

1:07:40.240 --> 1:07:42.520
<v Speaker 2>I mean that whole conversation around you. They're married at

1:07:42.520 --> 1:07:44.600
<v Speaker 2>that point, and she gets into Y or they're engaged.

1:07:44.680 --> 1:07:46.880
<v Speaker 1>She gets engaged, yeah, and they still are.

1:07:46.800 --> 1:07:51.560
<v Speaker 2>Like why not you You're married, Corey moved to Connecticut.

1:07:51.640 --> 1:07:54.040
<v Speaker 2>She's gonna go to Yale, like dude, go.

1:07:53.440 --> 1:08:01.560
<v Speaker 1>Go yeah, okay. He grabs her hands, you know where

1:08:01.600 --> 1:08:03.800
<v Speaker 1>I'll be. Then he walks away and she watches him

1:08:03.880 --> 1:08:06.439
<v Speaker 1>leave the exhibit. Did she have like a week long

1:08:06.520 --> 1:08:09.280
<v Speaker 1>museum pass or I know, well, there's nobody.

1:08:09.320 --> 1:08:11.160
<v Speaker 3>I mean they set it up that there's nobody there,

1:08:11.240 --> 1:08:13.800
<v Speaker 3>so kind of no one cares about Vegaz, no one

1:08:13.800 --> 1:08:16.320
<v Speaker 3>cares about Vango ever, so.

1:08:16.400 --> 1:08:22.000
<v Speaker 1>And then we're in the French cafe, so new Settlert.

1:08:23.120 --> 1:08:24.880
<v Speaker 1>I think Jamaka shouldate this guy just because he knows

1:08:24.920 --> 1:08:32.720
<v Speaker 1>a restaurant other than Chubby's. I think already. Tobega and

1:08:32.840 --> 1:08:34.800
<v Speaker 1>Ricky are seated at a table and she's focused on

1:08:34.840 --> 1:08:37.479
<v Speaker 1>a story he's telling. So I bought this beret and

1:08:37.560 --> 1:08:39.400
<v Speaker 1>I grew some hair on my chin, and I told

1:08:39.400 --> 1:08:41.240
<v Speaker 1>my parents I wanted to put off college and go

1:08:41.320 --> 1:08:43.920
<v Speaker 1>to Paris and paint for a year. Tapanga asks if

1:08:43.920 --> 1:08:46.280
<v Speaker 1>they went crazy, but Ricky tells her they didn't. In fact,

1:08:46.320 --> 1:08:48.760
<v Speaker 1>they thought it'd be a good idea to expand his individuality.

1:08:49.040 --> 1:08:51.080
<v Speaker 1>But he's just testing them. But now he really has

1:08:51.120 --> 1:08:53.760
<v Speaker 1>to go. Tapanga thought she had the only parents like

1:08:53.800 --> 1:08:56.080
<v Speaker 1>that in the world. And we get some rare continuity.

1:08:56.160 --> 1:08:59.080
<v Speaker 1>She tells him about almost moving to Pittsburgh and her aunt.

1:08:59.640 --> 1:09:01.720
<v Speaker 1>Ricky unders what was so important that she wanted to

1:09:01.760 --> 1:09:05.640
<v Speaker 1>stay to Pank admits there was this boy. Ricky smiles,

1:09:05.920 --> 1:09:09.240
<v Speaker 1>So you've been in love. He's so excited about it.

1:09:09.360 --> 1:09:20.200
<v Speaker 1>I love you should just let me. I believe it

1:09:20.240 --> 1:09:31.720
<v Speaker 1>was Rumble who said at least it wasn't I know

1:09:33.240 --> 1:09:34.880
<v Speaker 1>my god. I was like, don't do it, don't do

1:09:34.960 --> 1:09:38.479
<v Speaker 1>it to Pang admits Yeah, I have, but I've never

1:09:38.520 --> 1:09:45.240
<v Speaker 1>been to Paris, which is maybe the most spot online. Yeah.

1:09:45.439 --> 1:09:48.240
<v Speaker 1>I've dedicated the last fifteen years of my life to

1:09:48.360 --> 1:09:51.960
<v Speaker 1>one person, and it's I've called it love, and yet

1:09:52.280 --> 1:09:59.920
<v Speaker 1>I have no real life experiences Pittsburgh. Yeah, I can't.

1:10:00.040 --> 1:10:04.040
<v Speaker 1>I can't leave word, which she kind of ruined. Yeah,

1:10:04.280 --> 1:10:07.519
<v Speaker 1>so he stalked me when I the one time I

1:10:07.600 --> 1:10:08.240
<v Speaker 1>left the state.

1:10:09.000 --> 1:10:10.439
<v Speaker 2>Yeah, and he's.

1:10:10.240 --> 1:10:12.799
<v Speaker 1>Going to prevent me from going to the Ivy College.

1:10:12.800 --> 1:10:15.799
<v Speaker 3>And Danielle, as you were saying the whole thing about

1:10:15.920 --> 1:10:18.240
<v Speaker 3>you know, we're going to be together. If it's six months,

1:10:18.240 --> 1:10:20.200
<v Speaker 3>if it's four months, whatever, it's six years, we're going

1:10:20.240 --> 1:10:22.880
<v Speaker 3>to be I just thought how different that same speech

1:10:22.880 --> 1:10:25.599
<v Speaker 3>would sound if you casted somebody crazy saying it, Yeah,

1:10:25.680 --> 1:10:26.840
<v Speaker 3>if you got someone going, I don't care.

1:10:26.800 --> 1:10:30.000
<v Speaker 1>If it's six months, I don't we're going to end

1:10:30.080 --> 1:10:32.040
<v Speaker 1>up together. It's like, oh, I mean, you don't even

1:10:32.120 --> 1:10:34.280
<v Speaker 1>need to say it to the other person. I'm saying

1:10:34.280 --> 1:10:36.559
<v Speaker 1>when he's talking to Sean for him to say to Sean, listen,

1:10:37.160 --> 1:10:39.639
<v Speaker 1>I have no doubt she can go and have all

1:10:39.680 --> 1:10:41.920
<v Speaker 1>the experiences in life that she wants, and she should.

1:10:42.040 --> 1:10:44.479
<v Speaker 1>I hope she does. But I know no one's better

1:10:44.520 --> 1:10:46.840
<v Speaker 1>for me than her, and she'll eventually realize that someday,

1:10:46.840 --> 1:10:48.360
<v Speaker 1>and I'm going to go about and live my life.

1:10:48.360 --> 1:10:49.599
<v Speaker 1>But I you know, I.

1:10:49.520 --> 1:10:51.479
<v Speaker 3>Could have reversed it, though it would have been interesting

1:10:51.560 --> 1:10:53.080
<v Speaker 3>is if it was Corey who told her to go

1:10:53.120 --> 1:10:54.720
<v Speaker 3>out with them, like you should get with them.

1:10:54.760 --> 1:10:57.400
<v Speaker 1>I think you should now go and see what happens

1:10:57.479 --> 1:11:00.280
<v Speaker 1>the way she did. I mean, he does kind of say, hey,

1:11:00.760 --> 1:11:02.840
<v Speaker 1>you need to still find that out. You know where

1:11:02.840 --> 1:11:05.960
<v Speaker 1>I'll be. So in a little bit he does the

1:11:05.960 --> 1:11:11.320
<v Speaker 1>same thing that Tapega did. So Ricky tells her that

1:11:11.400 --> 1:11:14.679
<v Speaker 1>now she'll have an excuse. Topanga laughs. She hardly knows him.

1:11:14.880 --> 1:11:17.479
<v Speaker 1>Ricky disagrees. We've known each other for a whole day

1:11:17.520 --> 1:11:20.479
<v Speaker 1>and dinner and we're almost done with dessert. Tapega asks

1:11:20.520 --> 1:11:22.080
<v Speaker 1>to see what he's drawing, and he rips off his

1:11:22.120 --> 1:11:24.479
<v Speaker 1>side of the paper table covering. He shows her a

1:11:24.479 --> 1:11:28.160
<v Speaker 1>beautiful bouquet of brightly colored flowers he's made Tapega looks

1:11:28.160 --> 1:11:30.640
<v Speaker 1>at them in awe. They're beautiful. He says, they're no

1:11:30.760 --> 1:11:33.080
<v Speaker 1>van go. She tells him she's had a really rough day,

1:11:33.080 --> 1:11:35.800
<v Speaker 1>and he's making it less rough. He's been thinking about

1:11:35.800 --> 1:11:38.280
<v Speaker 1>her ever since the museum. It's amazing when it can

1:11:38.320 --> 1:11:41.080
<v Speaker 1>be a day like any other, and without even expecting it,

1:11:41.120 --> 1:11:45.040
<v Speaker 1>you meet somebody interesting, inspiring, and you can talk for hours.

1:11:45.880 --> 1:11:48.479
<v Speaker 1>Where are the jokes in this show?

1:11:48.520 --> 1:11:50.880
<v Speaker 2>Single laugh in the same It's just.

1:11:51.560 --> 1:11:54.280
<v Speaker 1>Where are they? Could there be anything, by the way,

1:11:54.520 --> 1:11:59.200
<v Speaker 1>anything even remotely? Why is this the fantasy they think

1:11:59.240 --> 1:12:01.800
<v Speaker 1>that a woman wants on a date? This conversation is

1:12:01.880 --> 1:12:07.240
<v Speaker 1>so boring. There's not anything. It's not fun. It's just

1:12:09.040 --> 1:12:12.360
<v Speaker 1>and by the way, they're talking about Corey.

1:12:15.280 --> 1:12:20.959
<v Speaker 4>About anything other than your other relationship, like anything.

1:12:23.040 --> 1:12:26.400
<v Speaker 1>To Bank asks, what did you just say? Ricky continues,

1:12:26.520 --> 1:12:29.679
<v Speaker 1>those things don't just happen for no reason to Panga agrees,

1:12:29.880 --> 1:12:33.360
<v Speaker 1>repeating Corey's words from earlier, they happen to teach you something.

1:12:34.120 --> 1:12:37.160
<v Speaker 1>Ricky begins to lean in closer to Panga, asks you're

1:12:37.200 --> 1:12:39.920
<v Speaker 1>going to kiss me now, aren't you. He nods, and

1:12:40.120 --> 1:12:45.960
<v Speaker 1>they kiss. The audience lets out a combination of it.

1:12:47.200 --> 1:12:51.040
<v Speaker 1>No idea. They're like, we don't want this, but.

1:12:51.000 --> 1:12:52.800
<v Speaker 2>We kind of do, like it's just.

1:12:54.760 --> 1:12:58.639
<v Speaker 1>Sexy. But I know, do you remember kissing him, Danielle? Yeah,

1:12:58.680 --> 1:13:02.120
<v Speaker 1>I do, I remember. I remember all we I mean

1:13:02.120 --> 1:13:07.759
<v Speaker 1>he's very cute, obviously, sure, he's super professional, really polite, nice,

1:13:07.880 --> 1:13:10.280
<v Speaker 1>nice guy. Uh and yeah, I mean the funny thing

1:13:10.320 --> 1:13:12.080
<v Speaker 1>is I remember thinking it was weird to kiss someone

1:13:12.160 --> 1:13:18.519
<v Speaker 1>other than Ben. I remember, this is weird dating that. Yeah,

1:13:18.560 --> 1:13:20.240
<v Speaker 1>I was dating that at the time. I think I'm

1:13:20.240 --> 1:13:22.840
<v Speaker 1>also wearing a necklace Jonathan gave me. I had a

1:13:22.880 --> 1:13:27.839
<v Speaker 1>lot of weird stuff going on. There's weird stuff happening

1:13:27.920 --> 1:13:32.280
<v Speaker 1>in Danielle's life. I don't know what was going on,

1:13:33.680 --> 1:13:48.720
<v Speaker 1>so who knows. We come back to John Adams high

1:13:48.760 --> 1:13:51.880
<v Speaker 1>Sean stands at Angela's locker and disbelief. How could you

1:13:51.960 --> 1:13:55.639
<v Speaker 1>let her go out with another guy? Angela scoffs letter

1:13:56.000 --> 1:13:59.120
<v Speaker 1>I told her to and again, I think this is

1:13:59.200 --> 1:14:03.640
<v Speaker 1>supposed to be the laugh like this, Yeah, this is

1:14:03.680 --> 1:14:09.000
<v Speaker 1>the comedy section. Here's the comedy, but it's it's so intense.

1:14:08.880 --> 1:14:13.040
<v Speaker 3>Yelling at her like yeah, and Angela is the only

1:14:13.080 --> 1:14:17.519
<v Speaker 3>one the entire episode that has any sense. I know,

1:14:18.280 --> 1:14:21.160
<v Speaker 3>it's amazing, But I love I liked this scene in

1:14:21.200 --> 1:14:22.960
<v Speaker 3>that I was just like nice to see Sean and

1:14:23.000 --> 1:14:23.960
<v Speaker 3>Angela together.

1:14:23.800 --> 1:14:24.759
<v Speaker 1>And like dynamic.

1:14:25.200 --> 1:14:27.599
<v Speaker 2>It was like, oh, Sean's actually listening to her, and

1:14:27.640 --> 1:14:28.559
<v Speaker 2>like I thought it was.

1:14:28.680 --> 1:14:30.280
<v Speaker 1>I was like cool, that's.

1:14:30.040 --> 1:14:31.280
<v Speaker 2>Like, it was just nice to see it, and the

1:14:31.280 --> 1:14:33.280
<v Speaker 2>writing was clever the whole, like, yeah, we're.

1:14:33.160 --> 1:14:35.080
<v Speaker 1>Gonna I'm gonna show you different sides of myself. So

1:14:35.120 --> 1:14:36.840
<v Speaker 1>this is me very upset. Why would you?

1:14:36.960 --> 1:14:38.160
<v Speaker 2>That's all very me.

1:14:38.320 --> 1:14:40.560
<v Speaker 1>I'm just yelling and angry, but I still just I

1:14:40.560 --> 1:14:42.560
<v Speaker 1>don't know. I was just nice to see Sean in

1:14:42.640 --> 1:14:45.840
<v Speaker 1>a scene with girlfriend. I know which. By the way,

1:14:46.000 --> 1:14:48.360
<v Speaker 1>now you guys are okay. We've talked about it for

1:14:48.360 --> 1:14:51.080
<v Speaker 1>a few episodes. You guys are absolutely boyfriend and girlfriend

1:14:51.400 --> 1:14:53.960
<v Speaker 1>when truly, the last time we had any sort of

1:14:54.000 --> 1:14:57.479
<v Speaker 1>status update about your relationship was the first Girlfriend's Club

1:14:57.880 --> 1:15:00.800
<v Speaker 1>when you said I want to take a step back,

1:15:00.840 --> 1:15:03.000
<v Speaker 1>I want to be friends to go So I don't

1:15:03.000 --> 1:15:05.400
<v Speaker 1>get it. So Sean can't believe it. He asks for

1:15:05.439 --> 1:15:07.599
<v Speaker 1>a time out. You and I we're going pretty good, right,

1:15:07.680 --> 1:15:11.400
<v Speaker 1>Angela smiles, Yeah, Sean continues, so we should try and

1:15:11.479 --> 1:15:14.960
<v Speaker 1>show all the different sides of our personalities, right, Angela agrees,

1:15:15.160 --> 1:15:18.320
<v Speaker 1>mm hmm. Sean takes a deep breath. Good. So then

1:15:18.320 --> 1:15:21.599
<v Speaker 1>this is me really really mad. He yells in her face.

1:15:21.840 --> 1:15:24.360
<v Speaker 1>You told her to go out with another guy? How

1:15:24.400 --> 1:15:26.720
<v Speaker 1>will that get them back together? He may not be

1:15:26.760 --> 1:15:28.920
<v Speaker 1>the smartest kid in school, but he thinks it's bad.

1:15:29.320 --> 1:15:33.160
<v Speaker 1>Angela mimicks Sean, all right, this is me really really practical.

1:15:33.439 --> 1:15:35.680
<v Speaker 1>Corey and te Beannga have broken up. They both need

1:15:35.720 --> 1:15:38.400
<v Speaker 1>to get on with their lives. They argue back and

1:15:38.439 --> 1:15:40.960
<v Speaker 1>forth on whether or not the two are actually broken up,

1:15:41.160 --> 1:15:44.160
<v Speaker 1>causing other students around them to rightfully stare, were we

1:15:44.280 --> 1:15:46.680
<v Speaker 1>the first people to do We weren't broken up? We

1:15:46.680 --> 1:15:48.880
<v Speaker 1>were on a break? Or was friends? When did friends

1:15:48.960 --> 1:15:55.320
<v Speaker 1>do that? This is ninety eight? Mm hmm. Friends was first?

1:15:55.400 --> 1:15:56.080
<v Speaker 1>When did friends?

1:15:56.200 --> 1:15:59.760
<v Speaker 3>Err? Because we were on a break? Ross and Rachel

1:15:59.760 --> 1:16:02.000
<v Speaker 3>hook after the end of season one?

1:16:02.800 --> 1:16:06.120
<v Speaker 1>Oh wow, that happened that early. Yeah, we were on

1:16:06.160 --> 1:16:09.240
<v Speaker 1>a break. I think we came before this. It's on

1:16:09.560 --> 1:16:14.720
<v Speaker 1>first heard the one with the morning after We can't break?

1:16:14.880 --> 1:16:17.439
<v Speaker 1>So there you go? Is it a breaker? Is it?

1:16:17.479 --> 1:16:20.040
<v Speaker 1>And is it a breaker? Yes? Okay, well gold we

1:16:20.120 --> 1:16:23.120
<v Speaker 1>cleared that up. Angela reminds him he went out with

1:16:23.160 --> 1:16:25.840
<v Speaker 1>another girl. She went out with another guy. Shawn is

1:16:25.840 --> 1:16:28.240
<v Speaker 1>still peeved. If I went out with another girl tonight,

1:16:28.360 --> 1:16:30.320
<v Speaker 1>that wouldn't mean I don't love you, and we wouldn't

1:16:30.320 --> 1:16:33.160
<v Speaker 1>be broken up tomorrow. Angela retorts, you go out with

1:16:33.200 --> 1:16:35.840
<v Speaker 1>another girl tonight, and you'll be plenty broken tomorrow, because

1:16:35.960 --> 1:16:38.200
<v Speaker 1>I will break you. She gives him a kiss and

1:16:38.280 --> 1:16:41.320
<v Speaker 1>John smiles. He emphasizes the Coreanapanga have been together for

1:16:41.360 --> 1:16:45.320
<v Speaker 1>fifteen years. These rules don't apply to them. Angela feels

1:16:45.320 --> 1:16:47.800
<v Speaker 1>they're stuck. They need to see where life takes them,

1:16:48.000 --> 1:16:51.040
<v Speaker 1>otherwise they're going to be unhappy every day. They agree

1:16:51.160 --> 1:16:54.200
<v Speaker 1>they don't want that for their friends. Now here's where

1:16:54.240 --> 1:16:58.280
<v Speaker 1>Sean has a really good point. If we were married

1:16:59.439 --> 1:17:02.839
<v Speaker 1>in our late thirties or forties, with a couple of kids,

1:17:03.120 --> 1:17:07.599
<v Speaker 1>one to three kids, and you've been together for fifteen

1:17:07.640 --> 1:17:12.439
<v Speaker 1>twenty years and one of you meet somebody, you'd spend

1:17:12.479 --> 1:17:17.040
<v Speaker 1>all night talking to them and you kiss. The rules

1:17:17.080 --> 1:17:20.280
<v Speaker 1>of that's it. You cheated on me. Get out of here.

1:17:20.600 --> 1:17:23.600
<v Speaker 1>I don't want to talk to you anymore. Don't necessarily

1:17:23.640 --> 1:17:28.320
<v Speaker 1>apply different. You have to say, how is the culture

1:17:28.320 --> 1:17:32.160
<v Speaker 1>of our relationship led to this moment where you thought

1:17:32.160 --> 1:17:34.160
<v Speaker 1>this was an acceptable thing to do. We need to

1:17:34.200 --> 1:17:36.160
<v Speaker 1>talk this out. We have a lot at stake. We've

1:17:36.160 --> 1:17:38.320
<v Speaker 1>built a life together, we have a family, we have

1:17:38.400 --> 1:17:44.439
<v Speaker 1>shared whatever. That's a different conversation at seventeen years old.

1:17:45.960 --> 1:17:50.479
<v Speaker 1>It's not the same consideration. So the fact that Sean

1:17:50.560 --> 1:17:53.960
<v Speaker 1>is saying these love rules of you went out with

1:17:53.960 --> 1:17:57.559
<v Speaker 1>somebody else, they don't apply to them, is basically saying, oh,

1:17:57.640 --> 1:17:59.640
<v Speaker 1>once you've been if you've been together with somebody for

1:17:59.640 --> 1:18:03.320
<v Speaker 1>two no matter how old you are, you're already an

1:18:03.360 --> 1:18:06.599
<v Speaker 1>old married couple. You have to treat it differently. It's

1:18:06.680 --> 1:18:09.800
<v Speaker 1>just weird. It's the logic of that they're destined. I mean,

1:18:09.800 --> 1:18:10.519
<v Speaker 1>we just have to buy it.

1:18:11.120 --> 1:18:13.519
<v Speaker 2>Ever since the Romeo and Juliet episode, it's just like

1:18:13.920 --> 1:18:15.160
<v Speaker 2>we are in like that.

1:18:15.160 --> 1:18:17.160
<v Speaker 1>That's just they're destined.

1:18:17.320 --> 1:18:17.960
<v Speaker 2>We have to stany.

1:18:18.000 --> 1:18:19.439
<v Speaker 3>I think this is also a good place to talk

1:18:19.479 --> 1:18:23.479
<v Speaker 3>about the power of music in an episode, because the

1:18:23.600 --> 1:18:29.240
<v Speaker 3>music in this episode is so melodramatic and high hand

1:18:29.560 --> 1:18:34.599
<v Speaker 3>that it just sucks you down another level the entire time,

1:18:34.600 --> 1:18:37.439
<v Speaker 3>where it's like if I heard those weeping guitar strings

1:18:37.479 --> 1:18:38.160
<v Speaker 3>one more.

1:18:38.000 --> 1:18:42.800
<v Speaker 1>Time, so you got kidding me with this right now? Yeah,

1:18:42.840 --> 1:18:43.200
<v Speaker 1>it was.

1:18:43.720 --> 1:18:45.400
<v Speaker 3>And I also like to point out because I it

1:18:45.479 --> 1:18:47.559
<v Speaker 3>led me to look something up. There was a big

1:18:47.640 --> 1:18:52.680
<v Speaker 3>change in television this year of nineteen ninety eight. January

1:18:52.800 --> 1:18:56.200
<v Speaker 3>of nineteen ninety eight, Dawson's Creek came out and it

1:18:56.240 --> 1:19:00.920
<v Speaker 3>became such a big thing in TV, and teenage became

1:19:01.080 --> 1:19:05.000
<v Speaker 3>a big part television. And I still think that painted

1:19:05.479 --> 1:19:08.880
<v Speaker 3>our show with a brush, where hey, look what they did,

1:19:09.600 --> 1:19:10.599
<v Speaker 3>We've got to do that too.

1:19:10.600 --> 1:19:12.840
<v Speaker 1>And literally, as I'm watching this, I'm like, when did

1:19:12.880 --> 1:19:13.960
<v Speaker 1>Dawson's Creek come out?

1:19:14.000 --> 1:19:16.639
<v Speaker 3>And it was like four months before that may smart

1:19:16.680 --> 1:19:19.439
<v Speaker 3>So it made such a difference in our show that

1:19:19.439 --> 1:19:20.439
<v Speaker 3>that show came out.

1:19:20.439 --> 1:19:23.160
<v Speaker 1>You're right. Then the bell rings and Angela grabs Sean's

1:19:23.160 --> 1:19:25.719
<v Speaker 1>hand and they stroll into Phoene's class together. To Pega

1:19:25.720 --> 1:19:27.439
<v Speaker 1>meets Angela at the door and pulls her away. She

1:19:27.479 --> 1:19:30.519
<v Speaker 1>whispers that something happened. Angela asks good or bad, and

1:19:30.520 --> 1:19:34.200
<v Speaker 1>to Panga admits, amazing, absolutely wonderful. I've never had a

1:19:34.240 --> 1:19:36.639
<v Speaker 1>kiss that meant more to me in my life. Angela

1:19:36.680 --> 1:19:40.639
<v Speaker 1>cringes and turns to Sean. I'm sorry, it's over. Sean

1:19:40.680 --> 1:19:43.280
<v Speaker 1>slowly turns to Corey, who is now standing behind him.

1:19:43.479 --> 1:19:45.840
<v Speaker 1>He tells him they need to talk. Corey stares at him,

1:19:45.880 --> 1:19:49.000
<v Speaker 1>completely unnerved. Just then feene enters the room. I hope

1:19:49.000 --> 1:19:51.960
<v Speaker 1>everyone enjoyed reading their last Shakespeare play while in high school.

1:19:52.280 --> 1:19:55.599
<v Speaker 1>The entire class applauds, except for Corey and Sean. Phoene

1:19:55.600 --> 1:19:57.800
<v Speaker 1>tells the rowdy seniors, Hey, I didn't know you felt

1:19:57.800 --> 1:20:00.600
<v Speaker 1>that way about it. Okay, we'll do one more. The

1:20:00.640 --> 1:20:03.960
<v Speaker 1>class groans, and Feenie gives them a big nineties psych

1:20:04.600 --> 1:20:07.040
<v Speaker 1>then calls on Sean to share a passage from Antony

1:20:07.040 --> 1:20:10.479
<v Speaker 1>and Cleopatra, something that was meaningful to him. Sean flips

1:20:10.479 --> 1:20:12.519
<v Speaker 1>through the pages of his book and reads, though it

1:20:12.640 --> 1:20:15.439
<v Speaker 1>be honest, it is never good to bring bad news.

1:20:16.000 --> 1:20:19.960
<v Speaker 1>Corey immediately turns around. Phoene admits that's an interesting passage.

1:20:20.120 --> 1:20:23.240
<v Speaker 1>Why did he choose that? Sean responds, while staring at Corey.

1:20:23.640 --> 1:20:26.840
<v Speaker 1>I want everyone to understand how important it is not

1:20:27.040 --> 1:20:31.200
<v Speaker 1>to kill the messenger. And apparently Sean remembered that moment

1:20:31.880 --> 1:20:34.439
<v Speaker 1>when he read it last night. I was gonna he

1:20:34.560 --> 1:20:38.439
<v Speaker 1>had no way to know that in the morning he

1:20:38.439 --> 1:20:40.040
<v Speaker 1>would have bad news to share with him.

1:20:40.280 --> 1:20:45.920
<v Speaker 3>Suddenly, Shakespearean Hugh horn in some Shakespeare in a quick

1:20:45.960 --> 1:20:46.559
<v Speaker 3>Phoene scene.

1:20:46.720 --> 1:20:47.599
<v Speaker 1>Yeah, I don't mind.

1:20:47.960 --> 1:20:52.240
<v Speaker 3>No, I was actually I was cautiously optimistic at this point,

1:20:52.320 --> 1:20:54.640
<v Speaker 3>kind of going like, maybe it'll pick up here, even

1:20:54.680 --> 1:20:56.800
<v Speaker 3>though we're seventeen minutes in and there's gonna be a

1:20:56.800 --> 1:21:00.320
<v Speaker 3>feenie interaction and there's going to be some Shakespeare, and

1:21:00.400 --> 1:21:02.120
<v Speaker 3>I just kind of didn't didn't.

1:21:02.280 --> 1:21:04.600
<v Speaker 1>Yeah, Well, Corey and Sean walk out of Foene's and

1:21:04.640 --> 1:21:07.800
<v Speaker 1>Corey announces, okay, a messenger deliver. Sean admits that what

1:21:07.840 --> 1:21:09.639
<v Speaker 1>he's about to say is going to make Corey want

1:21:09.640 --> 1:21:12.080
<v Speaker 1>to kill him. Corey laughs, I'm not going to kill you.

1:21:12.160 --> 1:21:13.880
<v Speaker 1>It takes too much time to make to break in

1:21:13.960 --> 1:21:16.400
<v Speaker 1>a new best friend. Sean comes right out with it,

1:21:16.800 --> 1:21:19.479
<v Speaker 1>Tapanga went out with another guy last night. I'm sorry.

1:21:19.880 --> 1:21:22.360
<v Speaker 1>Corey turns to face him. You know, we're the only

1:21:22.400 --> 1:21:24.120
<v Speaker 1>two guys in the world who still think there's hope

1:21:24.120 --> 1:21:26.120
<v Speaker 1>for me and too, Panga, you're throwing in the towel.

1:21:26.680 --> 1:21:30.559
<v Speaker 1>Sean nods, yeah, I am. Corey turns back to his locker.

1:21:31.000 --> 1:21:35.080
<v Speaker 1>Thank you. Sean asks if he's okay, and Corey admits, yeah, sure.

1:21:35.400 --> 1:21:38.600
<v Speaker 1>It's an interesting feeling, though. Sean questions what to know

1:21:38.680 --> 1:21:41.360
<v Speaker 1>it's over, and Corey answers to be the only guy

1:21:41.400 --> 1:21:43.519
<v Speaker 1>in the world who knows it's not And where did

1:21:43.560 --> 1:21:44.280
<v Speaker 1>this Cory come?

1:21:44.479 --> 1:21:44.599
<v Speaker 3>Now?

1:21:45.040 --> 1:21:47.519
<v Speaker 2>I know where did The last time we saw him

1:21:48.120 --> 1:21:50.320
<v Speaker 2>in the museum he was still kind of stressed out

1:21:50.360 --> 1:21:52.600
<v Speaker 2>in the beginning of the episode. I just don't what

1:21:52.960 --> 1:21:58.160
<v Speaker 2>what changed? Yep, when insight come from where home, like,

1:21:58.360 --> 1:22:02.760
<v Speaker 2>acceptance of fate, the like, it just it's so I

1:22:02.800 --> 1:22:06.080
<v Speaker 2>don't know. I mean, it makes for this dramatic reversal

1:22:06.120 --> 1:22:08.479
<v Speaker 2>in the scene, but it just doesn't make any sense.

1:22:08.600 --> 1:22:11.599
<v Speaker 3>It's not really they're showing the stuff they shouldn't show

1:22:11.600 --> 1:22:13.680
<v Speaker 3>and not showing the stuff that they should a lot

1:22:13.720 --> 1:22:16.040
<v Speaker 3>in this episode. Y It's like, why didn't they show

1:22:16.080 --> 1:22:18.120
<v Speaker 3>this instead of the yes, I don't know.

1:22:18.760 --> 1:22:20.559
<v Speaker 1>Well, we're still in the John Adams High hallway to

1:22:20.560 --> 1:22:22.640
<v Speaker 1>Panga and Angela are sitting on the senior couch and

1:22:22.680 --> 1:22:25.679
<v Speaker 1>ask Angela asks the big question, you like this guy? Huh?

1:22:25.800 --> 1:22:28.120
<v Speaker 1>To Pega can't hide her grin. I'm in love with him.

1:22:28.240 --> 1:22:31.120
<v Speaker 1>I knew it the minute I kissed him. Angela's alarmed.

1:22:31.320 --> 1:22:33.960
<v Speaker 1>You're coming off along relationship and you're vulnerable right now.

1:22:34.000 --> 1:22:36.360
<v Speaker 1>You shouldn't rush into something because of one kiss from

1:22:36.400 --> 1:22:39.760
<v Speaker 1>some gorgeous, perfect guy. It was just a kiss, wasn't it.

1:22:39.880 --> 1:22:42.559
<v Speaker 1>To Pega can't stop smiling. That's all it took. Do

1:22:42.640 --> 1:22:45.360
<v Speaker 1>you know what I felt when he kissed me? Angela laughs,

1:22:45.680 --> 1:22:51.120
<v Speaker 1>probably to Pega reveals nothing, she felt nothing. Angela's confused.

1:22:51.360 --> 1:22:53.360
<v Speaker 1>To Pega explains, I called him to day to let

1:22:53.400 --> 1:22:55.800
<v Speaker 1>him know I can never see him again. Angela doesn't

1:22:55.800 --> 1:22:59.599
<v Speaker 1>get it. You did. To Panga announces, because I'm in love.

1:23:00.040 --> 1:23:02.200
<v Speaker 1>I don't mean high school I love you, I love

1:23:02.240 --> 1:23:04.679
<v Speaker 1>you too. I mean I am in love with Corey

1:23:04.760 --> 1:23:08.800
<v Speaker 1>Matthews and I want to be Angela smiles and lets

1:23:08.840 --> 1:23:15.040
<v Speaker 1>out a huge sigh. To Peka continues, applauds, Yep, there's

1:23:15.080 --> 1:23:17.240
<v Speaker 1>nobody else in the world for me, and there never

1:23:17.320 --> 1:23:22.480
<v Speaker 1>will be. I'm taken. The audience lets out a rowdy

1:23:22.640 --> 1:23:27.680
<v Speaker 1>round of applause and yells at this dramatic revelation. And

1:23:27.720 --> 1:23:31.479
<v Speaker 1>then we're on the park playground. Corey is sitting on

1:23:31.520 --> 1:23:34.080
<v Speaker 1>the jungle gym and to Panga walks up. She asks

1:23:34.160 --> 1:23:36.920
<v Speaker 1>what he's doing up there. Corey's face lights up. I

1:23:36.960 --> 1:23:38.519
<v Speaker 1>was hoping I could sit up here, and a beautiful

1:23:38.560 --> 1:23:40.160
<v Speaker 1>girl would help me down and we'd fall in love

1:23:40.200 --> 1:23:43.000
<v Speaker 1>for the next fifteen years. He shrugs. It worked once.

1:23:43.800 --> 1:23:45.680
<v Speaker 1>To Pega hops up on the structure and begins to

1:23:45.720 --> 1:23:49.280
<v Speaker 1>confess to Corey, I met this guy. Corey interrupts her,

1:23:49.320 --> 1:23:51.919
<v Speaker 1>I went back to look at that painting. To Pega continues,

1:23:52.000 --> 1:23:54.599
<v Speaker 1>we talked all day. He's not listening to her. Again,

1:23:54.840 --> 1:24:01.360
<v Speaker 1>neither of us are listening to the other, even in

1:24:01.439 --> 1:24:08.120
<v Speaker 1>the slightest No, there is not one honest moment between

1:24:08.160 --> 1:24:11.599
<v Speaker 1>the two of us in this entire scene. And I

1:24:11.680 --> 1:24:18.519
<v Speaker 1>remember this scene, and I remember being told exactly how

1:24:18.560 --> 1:24:22.560
<v Speaker 1>it should be paced, and that this this is exactly

1:24:22.600 --> 1:24:25.120
<v Speaker 1>the way it was supposed to be, that there weren't

1:24:25.120 --> 1:24:29.000
<v Speaker 1>supposed to be pauses, that somehow us not listening to

1:24:29.080 --> 1:24:33.600
<v Speaker 1>each other and talking over each other is, yes, is

1:24:33.680 --> 1:24:40.599
<v Speaker 1>some sign of deep, profound love or whatever. And I'm

1:24:40.600 --> 1:24:45.320
<v Speaker 1>watching it now and it's not correct. It's just not

1:24:45.560 --> 1:24:49.519
<v Speaker 1>it's not it's not right. It's it seems phony. It

1:24:49.600 --> 1:24:53.599
<v Speaker 1>seemed forced, it's not romantic. We're not listening to each other.

1:24:54.120 --> 1:24:56.479
<v Speaker 1>There's nothing about this that makes me say, wow, look

1:24:56.479 --> 1:24:59.360
<v Speaker 1>at these two together. This is what I've been wanting.

1:25:00.360 --> 1:25:04.599
<v Speaker 3>Don't I don't understand Corey, but it's Ben as the actor.

1:25:04.640 --> 1:25:06.559
<v Speaker 3>But I'm sure it was a note, But I don't

1:25:06.640 --> 1:25:09.599
<v Speaker 3>understand the upbeat way that he starts the scene either.

1:25:09.760 --> 1:25:10.720
<v Speaker 2>Yes, that's what I mean.

1:25:10.840 --> 1:25:13.240
<v Speaker 1>Like where he started this episode one way.

1:25:13.520 --> 1:25:16.800
<v Speaker 2>I know, had a confrontation with Topanga and then is

1:25:16.840 --> 1:25:19.799
<v Speaker 2>like somewhere along the way, decided that he has absolute

1:25:19.800 --> 1:25:21.719
<v Speaker 2>faith in their relationship, and.

1:25:21.840 --> 1:25:22.439
<v Speaker 1>He just walks in.

1:25:22.520 --> 1:25:24.599
<v Speaker 3>He's got a smile, like just hoping for someone to help,

1:25:24.840 --> 1:25:26.280
<v Speaker 3>just sit here like.

1:25:26.320 --> 1:25:27.880
<v Speaker 2>But the idea is that he's going to the park

1:25:27.960 --> 1:25:30.920
<v Speaker 2>in the middle of the night by himself to depressed, right,

1:25:31.920 --> 1:25:34.679
<v Speaker 2>But no, it's and it's completely changed.

1:25:34.880 --> 1:25:37.400
<v Speaker 3>It doesn't make this was this was very stan I

1:25:37.439 --> 1:25:39.439
<v Speaker 3>thought the same thing. I'm like just looking going, No,

1:25:39.560 --> 1:25:41.200
<v Speaker 3>you're not listening. Nobody's listening to anybody.

1:25:41.280 --> 1:25:45.400
<v Speaker 1>Ye're just saying stuff back and forth. It was yeah,

1:25:45.680 --> 1:25:48.800
<v Speaker 1>Topanga continues, we talked all day. Corey responds, I wanted

1:25:48.840 --> 1:25:50.640
<v Speaker 1>to see what you saw in it. To Bega goes on.

1:25:50.720 --> 1:25:52.040
<v Speaker 1>We went on a date and he drew me a

1:25:52.040 --> 1:25:54.680
<v Speaker 1>picture of some flowers. Corey explains, I spent half an

1:25:54.680 --> 1:25:57.280
<v Speaker 1>hour looking at it. Trying to understand it. To Panga

1:25:57.320 --> 1:26:00.879
<v Speaker 1>spills the big reveal he kissed me or he doesn't react.

1:26:01.080 --> 1:26:03.240
<v Speaker 1>But I couldn't get it, not by myself. But then

1:26:03.280 --> 1:26:06.240
<v Speaker 1>I remembered what you said. God protects people in their

1:26:06.240 --> 1:26:09.080
<v Speaker 1>little homes. But I'm not like you, Topanga. I can't

1:26:09.160 --> 1:26:11.880
<v Speaker 1>understand those kinds of things so fast. I need you

1:26:11.960 --> 1:26:15.040
<v Speaker 1>to help me, Tapega continues, And I'm not like you

1:26:15.400 --> 1:26:17.280
<v Speaker 1>that I understand that you can kiss somebody and have

1:26:17.320 --> 1:26:19.839
<v Speaker 1>it not mean anything, that you can care about somebody

1:26:19.880 --> 1:26:22.439
<v Speaker 1>so deeply that nothing can change that, no matter how

1:26:22.479 --> 1:26:25.679
<v Speaker 1>many times you tried to tell me. Tapega understands now.

1:26:26.080 --> 1:26:29.240
<v Speaker 1>Corey tells her it was a beautiful painting, and Tapega says,

1:26:29.479 --> 1:26:33.600
<v Speaker 1>it's just a painting. They're real and Corey always understood that.

1:26:34.280 --> 1:26:36.800
<v Speaker 1>Tapega grabs his face into her hands. I love you

1:26:36.920 --> 1:26:39.439
<v Speaker 1>and I will always love you. He smiles, with his

1:26:39.520 --> 1:26:43.200
<v Speaker 1>face mushed in her hands. Another guy kissed you, Topega

1:26:43.240 --> 1:26:45.400
<v Speaker 1>gives him a little grin. Yeah, you want to do

1:26:45.479 --> 1:26:48.519
<v Speaker 1>something about it. Corey leans in and kisses her. When

1:26:48.520 --> 1:26:51.120
<v Speaker 1>they break apart to Penga says, I've felt that boy.

1:26:52.000 --> 1:26:56.840
<v Speaker 1>Corey wonders, so are we starting over? She nods yeah,

1:26:57.040 --> 1:26:59.720
<v Speaker 1>Then she leans in for another kiss. They look up

1:26:59.720 --> 1:27:02.800
<v Speaker 1>at this guy and sure enough, it's a starry night.

1:27:03.439 --> 1:27:07.439
<v Speaker 1>They hold each other as we fade into the credits. Well,

1:27:07.439 --> 1:27:09.439
<v Speaker 1>what do you think you did this week? Your week off?

1:27:10.840 --> 1:27:14.640
<v Speaker 3>I don't know, that's a good question. Probably slept, yeah,

1:27:14.680 --> 1:27:19.200
<v Speaker 3>and was willfully ignorant of this script, right, yeah, speaking,

1:27:19.439 --> 1:27:19.840
<v Speaker 3>I'm sorry.

1:27:19.880 --> 1:27:21.320
<v Speaker 1>Do you think you watched it when it came out?

1:27:21.400 --> 1:27:22.960
<v Speaker 1>Do you think? I know for a fact I did that.

1:27:23.000 --> 1:27:24.880
<v Speaker 3>It was the first time I'd ever seen it, and

1:27:24.960 --> 1:27:29.479
<v Speaker 3>I was so looking forward to it because there was

1:27:29.560 --> 1:27:34.240
<v Speaker 3>something very special for me about watching the Lauren episode

1:27:34.240 --> 1:27:36.360
<v Speaker 3>that I wasn't in again. How I got to completely

1:27:36.400 --> 1:27:39.400
<v Speaker 3>remove myself and just watch as a fan. And the

1:27:39.439 --> 1:27:41.760
<v Speaker 3>writing was so good and the acting was so good,

1:27:41.760 --> 1:27:44.640
<v Speaker 3>and I was just with you all as characters, and

1:27:44.680 --> 1:27:47.599
<v Speaker 3>it was just so wonderful. And I had that kind

1:27:47.600 --> 1:27:50.760
<v Speaker 3>of hopefulness going to this episode, and it just this one.

1:27:51.000 --> 1:27:53.240
<v Speaker 1>This was really tough for me. This episode. This was

1:27:53.560 --> 1:27:54.960
<v Speaker 1>and I'm I'm so trying.

1:27:55.000 --> 1:27:57.880
<v Speaker 3>We've you know, I think the people out there, our

1:27:57.920 --> 1:28:00.600
<v Speaker 3>dear listeners, know that we're not here to try to

1:28:01.240 --> 1:28:04.360
<v Speaker 3>bash the episodes or crush anything. We're watching them honestly

1:28:04.400 --> 1:28:06.639
<v Speaker 3>for the first time as adults, and we've even had

1:28:06.640 --> 1:28:08.080
<v Speaker 3>conversations with each other like.

1:28:08.040 --> 1:28:10.040
<v Speaker 1>Are we being too harsh? Are we? I mean?

1:28:10.439 --> 1:28:12.800
<v Speaker 3>And then get an episode like this where man I

1:28:12.920 --> 1:28:16.840
<v Speaker 3>tried and it just this one was really really tough

1:28:16.840 --> 1:28:18.840
<v Speaker 3>for me if it was I don't get this.

1:28:18.920 --> 1:28:21.120
<v Speaker 1>I didn't get this at all. It's just hard to

1:28:21.200 --> 1:28:23.960
<v Speaker 1>root for Coren Topanga. That's my that's the biggest problem

1:28:24.040 --> 1:28:24.240
<v Speaker 1>for me.

1:28:24.280 --> 1:28:26.880
<v Speaker 2>It's like the show so obviously wants me to root

1:28:26.920 --> 1:28:29.439
<v Speaker 2>for them, and I do want to, Like I will.

1:28:29.760 --> 1:28:34.600
<v Speaker 2>I think the idea of like tracking an adolescent relationship

1:28:34.960 --> 1:28:38.080
<v Speaker 2>to towards marriage, like if we accept that that's the like,

1:28:38.160 --> 1:28:40.599
<v Speaker 2>there's a version of that that could be really cool,

1:28:40.720 --> 1:28:43.439
<v Speaker 2>you know, and very meaningful. I mean I think about

1:28:43.479 --> 1:28:45.920
<v Speaker 2>like when I watched Wonder years before we did Boy,

1:28:46.439 --> 1:28:50.320
<v Speaker 2>like that relationship felt like, oh, it felt like all

1:28:50.360 --> 1:28:53.479
<v Speaker 2>the ways that I felt about my you know, feelings

1:28:53.520 --> 1:28:55.400
<v Speaker 2>when I was a little kid and or a teenager.

1:28:55.560 --> 1:28:59.120
<v Speaker 2>Like so there's a I think taking teenage relationships and

1:28:59.479 --> 1:29:03.679
<v Speaker 2>seriously so cool as a concept, but this is it's

1:29:03.840 --> 1:29:06.680
<v Speaker 2>just one step too far. It's yeah, it's you know,

1:29:06.720 --> 1:29:11.840
<v Speaker 2>it's it's didactic, it's telling you what's important, and and

1:29:11.880 --> 1:29:15.479
<v Speaker 2>it's so heavy, it's so over intellectualized, it's so debated,

1:29:15.479 --> 1:29:19.360
<v Speaker 2>it's it just doesn't actually make sense, and it's it's unfortunate.

1:29:19.680 --> 1:29:22.599
<v Speaker 3>And but for the record, the kind of as awful

1:29:22.600 --> 1:29:25.120
<v Speaker 3>as it was, the joy of it was Kevin and

1:29:25.160 --> 1:29:26.559
<v Speaker 3>Winnie didn't end up together.

1:29:26.800 --> 1:29:28.719
<v Speaker 1>Well that's the point, right, Yeah, that was the point.

1:29:28.800 --> 1:29:32.400
<v Speaker 1>Is you cherish those relationships and those feelings.

1:29:31.800 --> 1:29:34.240
<v Speaker 2>But you grow up, and by growing up you learn

1:29:34.280 --> 1:29:37.800
<v Speaker 2>that you can't just pick somebody and you're you're not destined,

1:29:38.000 --> 1:29:41.240
<v Speaker 2>and that those feelings of destiny don't actually mean that

1:29:41.479 --> 1:29:45.720
<v Speaker 2>you But in this case, like yeah, that's yeah, that's well.

1:29:45.720 --> 1:29:48.000
<v Speaker 1>Then we're back in the Philadelphia Art Museum. Angela and

1:29:48.040 --> 1:29:50.759
<v Speaker 1>Sewn are staring at a different Vang painting, and she asks,

1:29:51.040 --> 1:29:53.400
<v Speaker 1>what does this make you think of? He aggressively grabs

1:29:53.400 --> 1:29:55.040
<v Speaker 1>her and places her in front of the painting, and

1:29:55.080 --> 1:29:57.920
<v Speaker 1>then passionately kisses her. Then he waltzes up to the

1:29:57.920 --> 1:30:00.519
<v Speaker 1>next painting. He wonders, what does this make you think of?

1:30:00.760 --> 1:30:04.760
<v Speaker 1>Because paintings make you hot. You see paintings of van

1:30:04.840 --> 1:30:10.360
<v Speaker 1>Go Stacks of hay, yeah what and she grabs him

1:30:10.400 --> 1:30:13.719
<v Speaker 1>and does the same thing. Then the lovebirds grab hands

1:30:13.760 --> 1:30:15.680
<v Speaker 1>and walk over to what we know is Starry Night.

1:30:16.080 --> 1:30:18.559
<v Speaker 1>They stare at it for a moment before Angela asks,

1:30:18.920 --> 1:30:21.479
<v Speaker 1>and what about this? He pulls her in close and

1:30:21.520 --> 1:30:23.000
<v Speaker 1>they intensely study the piece.

1:30:23.720 --> 1:30:28.080
<v Speaker 2>So this was a miss member, miss remembered. I thought

1:30:28.080 --> 1:30:32.440
<v Speaker 2>we were slammed, which I guess we maybe did rehearsal

1:30:32.520 --> 1:30:34.880
<v Speaker 2>and then back because she was pregnant or and now

1:30:34.880 --> 1:30:36.720
<v Speaker 2>I'm thinking about it, like we probably couldn't have been

1:30:36.760 --> 1:30:38.080
<v Speaker 2>slamming each other up against.

1:30:37.840 --> 1:30:39.240
<v Speaker 1>A wall a museum.

1:30:39.320 --> 1:30:44.480
<v Speaker 3>Yeah right, well especially that one security guard and nobody cares, right.

1:30:44.880 --> 1:30:48.120
<v Speaker 1>But yeah, I don't understand what what's the message of

1:30:48.160 --> 1:30:53.040
<v Speaker 1>this about your relationship that your relationship is more sexual,

1:30:53.240 --> 1:30:56.719
<v Speaker 1>has more sexual chemistry or is it just the power

1:30:56.800 --> 1:30:57.760
<v Speaker 1>of the paintings.

1:30:57.840 --> 1:31:00.559
<v Speaker 2>I think the power of the painting. This like we're

1:31:00.760 --> 1:31:04.000
<v Speaker 2>we're like making a game of like make makeout artistic

1:31:04.120 --> 1:31:08.439
<v Speaker 2>and the story just really gets it real art. It's God, right,

1:31:08.479 --> 1:31:12.760
<v Speaker 2>we feel the power of God. Yeah, and I mean

1:31:12.800 --> 1:31:16.160
<v Speaker 2>this this moment actually kind of bummed me out for

1:31:16.240 --> 1:31:19.000
<v Speaker 2>the first time in a while of like, oh, Sean

1:31:19.040 --> 1:31:22.200
<v Speaker 2>and Angela were a fun relationship to have as a

1:31:22.240 --> 1:31:24.400
<v Speaker 2>counter to the corych Panga thing, And it would have

1:31:24.439 --> 1:31:26.840
<v Speaker 2>been nice if we ended up together because we have

1:31:27.000 --> 1:31:30.639
<v Speaker 2>so many more complicated conversations. I think about being different

1:31:30.680 --> 1:31:33.360
<v Speaker 2>types of people and coming together, and I feel like that,

1:31:33.560 --> 1:31:35.960
<v Speaker 2>you know, because people have said over the years like

1:31:36.000 --> 1:31:38.479
<v Speaker 2>that they like the Seawan and Angela relationship more than

1:31:38.520 --> 1:31:39.280
<v Speaker 2>the Corry Topang.

1:31:39.360 --> 1:31:41.160
<v Speaker 1>Yeah, and I don't see why.

1:31:41.240 --> 1:31:43.600
<v Speaker 2>Yeah, it's like it's so much more, and it's like

1:31:43.760 --> 1:31:48.160
<v Speaker 2>none of this destiny fate meant to be like authority to.

1:31:48.040 --> 1:31:52.400
<v Speaker 1>Actually challenge each other and then balance each other out,

1:31:52.680 --> 1:31:55.320
<v Speaker 1>and or even if you don't end up agreeing, you

1:31:55.400 --> 1:31:59.479
<v Speaker 1>respect the POV and you know, and come around to saying,

1:31:59.600 --> 1:32:02.080
<v Speaker 1>you know, I mean in this case, you were one

1:32:02.160 --> 1:32:04.639
<v Speaker 1>hundred percent on the idea of no, Corey and Tapanga,

1:32:04.680 --> 1:32:06.839
<v Speaker 1>we have to get them back together. And she was like, dude,

1:32:06.960 --> 1:32:09.679
<v Speaker 1>I encourage her to go, and I'm sorry, bro, it's over.

1:32:09.920 --> 1:32:11.559
<v Speaker 1>And you got to a point where you were like, man,

1:32:11.560 --> 1:32:14.160
<v Speaker 1>that's not what I want, but it's the reality I

1:32:14.200 --> 1:32:19.639
<v Speaker 1>have to accept, right, Yeah, that's you know all reason. Yeah, yeah, Well,

1:32:19.640 --> 1:32:21.320
<v Speaker 1>thank you all for joining us for this episode of

1:32:21.320 --> 1:32:23.120
<v Speaker 1>Pod Meets World. You can join us for our next

1:32:23.160 --> 1:32:25.680
<v Speaker 1>episode recap, which will be season five episode twenty one,

1:32:25.920 --> 1:32:29.800
<v Speaker 1>Honesty Night, which originally aired April twenty fourth, nineteen ninety eight.

1:32:30.400 --> 1:32:32.840
<v Speaker 1>You can follow us on Instagram pod Meets World Show.

1:32:32.960 --> 1:32:35.120
<v Speaker 1>You can send us your emails at Podmeets World Show

1:32:35.160 --> 1:32:38.680
<v Speaker 1>at gmail dot com. And we have merch. When I

1:32:38.760 --> 1:32:42.680
<v Speaker 1>was in Paris for a year working with the Blinds,

1:32:43.320 --> 1:32:47.360
<v Speaker 1>I painted some merch for everybody. I hope you enjoy

1:32:47.400 --> 1:32:52.360
<v Speaker 1>it Pod meets worldshow dot com. Oh well, send us out.

1:32:52.800 --> 1:32:54.719
<v Speaker 1>We love you all. Pod dismissed.

1:32:56.040 --> 1:32:58.760
<v Speaker 3>Pod Meets World is nheart podcast produced and hosted by

1:32:58.880 --> 1:33:03.040
<v Speaker 3>Danielle Fischel, Will and Ryder Strong executive producers, Jensen Carp

1:33:03.080 --> 1:33:06.360
<v Speaker 3>and Amy Sugarman, Executive in charge of production, Danielle Romo,

1:33:06.680 --> 1:33:10.920
<v Speaker 3>producer and editor, Tara sudbachsch producer, Maddie Moore, engineer and

1:33:10.960 --> 1:33:13.639
<v Speaker 3>Boy Meets World super fan Easton Allen. Our theme song

1:33:13.680 --> 1:33:15.719
<v Speaker 3>is by Kyle Morton of Typhoon and you can follow

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<v Speaker 3>us on Instagram at Podmeats World Show or email us

1:33:18.560 --> 1:33:22.519
<v Speaker 3>at Podmets Worldshow at gmail dot com