1 00:00:00,240 --> 00:00:03,760 Speaker 1: Hello the Internet, and welcome to this episode of the 2 00:00:03,960 --> 00:00:09,080 Speaker 1: Jack Off trend Motion. Uh, or we would have also accepted, 3 00:00:09,760 --> 00:00:13,840 Speaker 1: Uh jack Off, No, that was that's it. 4 00:00:14,720 --> 00:00:16,160 Speaker 2: That one's courtesy of mine. 5 00:00:16,600 --> 00:00:18,479 Speaker 1: I thought he'd give me three options, but he just 6 00:00:18,480 --> 00:00:20,919 Speaker 1: wrote the same one over and over again. Uh. 7 00:00:20,960 --> 00:00:24,080 Speaker 2: That one's courtesy of on the discord. 8 00:00:24,360 --> 00:00:27,240 Speaker 1: My name is Jack and I'm thrilled to be joined 9 00:00:27,280 --> 00:00:30,320 Speaker 1: by super producer Brian the Editor. 10 00:00:34,640 --> 00:00:38,520 Speaker 3: Well that was that was long. That was a long yell. Yes, 11 00:00:38,600 --> 00:00:42,159 Speaker 3: it's me Brian the Editor. I'm here because Miles is not. 12 00:00:42,800 --> 00:00:44,920 Speaker 2: In my mic. Sounds nice. 13 00:00:45,320 --> 00:00:47,120 Speaker 1: Welcome back to the show. It's great to have you 14 00:00:47,800 --> 00:00:51,520 Speaker 1: as always. Thank you, Thank you Maniche for the short 15 00:00:51,520 --> 00:00:54,320 Speaker 1: show title. Sorry to have butchered it. 16 00:00:56,440 --> 00:00:56,920 Speaker 2: Let's see. 17 00:00:57,000 --> 00:01:01,080 Speaker 1: Yes, Miles is out on assignment. Uh, and we are 18 00:01:01,160 --> 00:01:05,600 Speaker 1: here checking out the trends. And what a batch of 19 00:01:05,720 --> 00:01:09,440 Speaker 1: trends we have for the listeners today. Brian, we got 20 00:01:10,400 --> 00:01:14,200 Speaker 1: King Charles's first official portrait since the coronation. We've all 21 00:01:14,240 --> 00:01:16,440 Speaker 1: been waiting on the edge of our seats. 22 00:01:17,120 --> 00:01:17,240 Speaker 3: Uh. 23 00:01:17,959 --> 00:01:20,399 Speaker 2: What what's the first official portrait going to be? 24 00:01:20,520 --> 00:01:24,959 Speaker 3: Like? It's going to give heavy ghostbusters two vibes, which 25 00:01:24,959 --> 00:01:26,120 Speaker 3: I was not expecting. 26 00:01:26,520 --> 00:01:28,679 Speaker 1: I wonder was this like a big event Back in 27 00:01:28,720 --> 00:01:31,360 Speaker 1: the day, they were like, all when somebody was coronated, 28 00:01:31,440 --> 00:01:34,440 Speaker 1: they were like, oh man, you see the new coronation 29 00:01:34,720 --> 00:01:35,840 Speaker 1: portrait just dropped. 30 00:01:36,560 --> 00:01:37,200 Speaker 2: Wow. 31 00:01:37,760 --> 00:01:39,600 Speaker 3: Yeah, it had to be like a big deal back 32 00:01:39,640 --> 00:01:41,760 Speaker 3: then when you know, there was no like TV or 33 00:01:41,800 --> 00:01:48,600 Speaker 3: TikTok or yeah that stuff. But yeah, so the painting 34 00:01:49,280 --> 00:01:52,720 Speaker 3: is bathed swapped in. 35 00:01:57,040 --> 00:02:05,200 Speaker 1: Right, cut that so it's either extremely pink or extremely red, 36 00:02:05,640 --> 00:02:12,720 Speaker 1: and we honestly couldn't determine which, like you to producer, 37 00:02:12,919 --> 00:02:17,080 Speaker 1: justin both thought it was bathed in red, which would 38 00:02:17,080 --> 00:02:21,440 Speaker 1: be very sinister, right for a you know, the head 39 00:02:21,560 --> 00:02:26,360 Speaker 1: of an empire that has been built on bones and blood, 40 00:02:26,560 --> 00:02:32,639 Speaker 1: and also funny for somebody who was you know, flirtatiously 41 00:02:33,240 --> 00:02:37,120 Speaker 1: telling his mistress that he wanted to be your tampon. 42 00:02:37,520 --> 00:02:40,120 Speaker 2: But I see pink for some reason. 43 00:02:40,520 --> 00:02:43,000 Speaker 3: I mean it is a lighter shade of like okay, 44 00:02:43,080 --> 00:02:46,520 Speaker 3: like if I'm not saying the painting was actually painted 45 00:02:46,639 --> 00:02:49,080 Speaker 3: in blood, because obviously it would have like a much 46 00:02:49,440 --> 00:02:52,480 Speaker 3: you know, in blood dries, it has a much darker hue. 47 00:02:52,520 --> 00:02:57,280 Speaker 3: It's more brown. Yeah, right, I'm thinking like this is 48 00:02:58,000 --> 00:03:02,960 Speaker 3: this is like Evan D's horror movie Blood. 49 00:03:02,960 --> 00:03:06,400 Speaker 1: Yes, seventies, like The Wild Bunch Blow or like the 50 00:03:06,480 --> 00:03:06,840 Speaker 1: Day of. 51 00:03:07,080 --> 00:03:09,639 Speaker 3: Day of the Dead or Donna the Dead where it's 52 00:03:09,639 --> 00:03:12,040 Speaker 3: like the blood is just a little too vibrant. 53 00:03:12,560 --> 00:03:14,600 Speaker 4: Yeah, of a hue and. 54 00:03:14,560 --> 00:03:17,200 Speaker 2: Which I thought I thought of that. Yeah, it's like. 55 00:03:17,400 --> 00:03:24,400 Speaker 3: For the ooze from Ghostbusters because but it has this irridescent. 56 00:03:23,919 --> 00:03:27,639 Speaker 4: Quality to it. Yeah, that is very. 57 00:03:27,880 --> 00:03:30,520 Speaker 3: Look, there's no way to look at this painting without 58 00:03:30,600 --> 00:03:32,239 Speaker 3: thinking of Vigo the Carpathian. 59 00:03:32,520 --> 00:03:33,480 Speaker 4: It's impossible. 60 00:03:33,480 --> 00:03:35,480 Speaker 3: If you've seen that movie and you look at this painting, 61 00:03:35,960 --> 00:03:38,120 Speaker 3: You're you're gonna get chills. The eyes are going to 62 00:03:38,160 --> 00:03:42,720 Speaker 3: follow you around the room. Right, It's it's a choice, man, 63 00:03:42,840 --> 00:03:43,760 Speaker 3: I don't know what the. 64 00:03:43,640 --> 00:03:44,680 Speaker 4: Fuck this is. 65 00:03:46,680 --> 00:03:48,080 Speaker 2: It is definitely a choice. 66 00:03:48,200 --> 00:03:52,120 Speaker 1: I do wonder like what if the artist Jonathan Yo 67 00:03:52,240 --> 00:03:53,960 Speaker 1: like comes out and is like, so, I'm a big 68 00:03:54,520 --> 00:03:58,520 Speaker 1: GB two fan. I've just always loved that. I thought 69 00:03:58,600 --> 00:04:02,800 Speaker 1: this guy gives off goes usters too. I doubt that's 70 00:04:02,800 --> 00:04:05,520 Speaker 1: where it's coming from, but yes, that is the sinister 71 00:04:06,280 --> 00:04:10,440 Speaker 1: connotation that you could you can detect if if even 72 00:04:10,480 --> 00:04:13,360 Speaker 1: if you think of it as pink. But it's interesting, 73 00:04:13,480 --> 00:04:17,080 Speaker 1: like even the media accounts of the painting are like 74 00:04:17,200 --> 00:04:20,280 Speaker 1: some headlines are like pretty and pink, and others are 75 00:04:20,320 --> 00:04:23,559 Speaker 1: like it is like, you know, covered in blood, red 76 00:04:24,160 --> 00:04:26,719 Speaker 1: and I don't know, it's like the new dress, you know, 77 00:04:26,920 --> 00:04:32,640 Speaker 1: like different different colors. Yeah, but anyways, zeigang sound off 78 00:04:32,640 --> 00:04:34,360 Speaker 1: of the comments what are you see in here? You 79 00:04:34,440 --> 00:04:37,080 Speaker 1: see him pink, you see in red, but even you 80 00:04:37,160 --> 00:04:42,200 Speaker 1: are saying it's giving you light red, which I have 81 00:04:42,600 --> 00:04:45,360 Speaker 1: frequently referred to as a pink. 82 00:04:45,400 --> 00:04:49,680 Speaker 3: Okay, look smart guy, there's you know, let's move on. 83 00:04:49,880 --> 00:04:52,359 Speaker 1: It does totally change the meaning of the painting because, 84 00:04:52,400 --> 00:04:56,240 Speaker 1: like if you ever read the letters that he has 85 00:04:56,320 --> 00:05:00,160 Speaker 1: written two people, he thinks of himself as like I'm 86 00:05:00,279 --> 00:05:05,440 Speaker 1: like the eco monarch and like I'm all about gardens 87 00:05:05,560 --> 00:05:07,479 Speaker 1: and beauty and nature. 88 00:05:07,680 --> 00:05:10,120 Speaker 4: He's had a little butterfly on his shoulder. 89 00:05:10,240 --> 00:05:12,679 Speaker 2: He does a little butterfly on his shoulder, which. 90 00:05:12,560 --> 00:05:16,159 Speaker 3: Is kind of hard to really parse that because of 91 00:05:16,200 --> 00:05:19,240 Speaker 3: all the blood, But. 92 00:05:19,240 --> 00:05:21,359 Speaker 4: There is a monarch butterfly on his shoulder. 93 00:05:21,960 --> 00:05:22,719 Speaker 2: Yeah. 94 00:05:22,760 --> 00:05:25,560 Speaker 1: His big sausage fingers are front and center, like because 95 00:05:25,600 --> 00:05:29,000 Speaker 1: everything is red or pink except for his head and 96 00:05:29,120 --> 00:05:33,159 Speaker 1: his fingies, and his fingies are plump. They did not 97 00:05:33,400 --> 00:05:36,880 Speaker 1: hide that. I mean, they probably slimmed them down quite 98 00:05:36,880 --> 00:05:41,200 Speaker 1: a bit, but they still, you know, are notably pretty 99 00:05:41,480 --> 00:05:46,200 Speaker 1: pretty sausage. They're giving a full serving of sausage. 100 00:05:46,800 --> 00:05:51,120 Speaker 3: Yeah, they really captured his his dead eyes and his 101 00:05:51,240 --> 00:05:53,320 Speaker 3: palette complexion perfectly. 102 00:05:53,760 --> 00:05:57,280 Speaker 1: Anyways, who gives a shit? I don't, but people are 103 00:05:57,320 --> 00:05:59,440 Speaker 1: talking about it, and that's what this show is about. 104 00:06:00,080 --> 00:06:02,719 Speaker 2: I just keep following me, man, they just keep following me. 105 00:06:03,080 --> 00:06:07,560 Speaker 1: The eyes, well, they're bait. They're like deep set inside 106 00:06:07,600 --> 00:06:09,880 Speaker 1: his head. Maybe they made it like right on the 107 00:06:10,000 --> 00:06:15,080 Speaker 1: edge of red and like sinister on purpose. I don't know, 108 00:06:15,120 --> 00:06:15,960 Speaker 1: it'll be interesting. 109 00:06:16,400 --> 00:06:16,960 Speaker 4: Uh. 110 00:06:17,279 --> 00:06:20,599 Speaker 1: TikTok users are dipping their testicles in soy sauce to 111 00:06:20,920 --> 00:06:25,640 Speaker 1: taste it. So that's what's going on on TikTok. 112 00:06:26,600 --> 00:06:26,880 Speaker 4: Uh. 113 00:06:26,920 --> 00:06:32,960 Speaker 1: There there are apparently taste receptors in the testicles, but Brian, 114 00:06:33,040 --> 00:06:35,080 Speaker 1: wouldn't you know it? And now I look like a 115 00:06:35,120 --> 00:06:40,200 Speaker 1: full There aren't taste buds, so I you know here, 116 00:06:40,240 --> 00:06:43,280 Speaker 1: I am h like I think we all have been 117 00:06:43,320 --> 00:06:45,520 Speaker 1: doing this for for a long time, taste testing our 118 00:06:45,520 --> 00:06:50,080 Speaker 1: food with our testicles. Uh and lo and behold, it 119 00:06:50,200 --> 00:06:53,960 Speaker 1: turns out no taste buds, just taste receptors. 120 00:06:55,040 --> 00:07:00,600 Speaker 5: I've heard I've heard this before in regards to eat 121 00:07:00,760 --> 00:07:03,920 Speaker 5: where if you like, rub garlic on your foot, like 122 00:07:03,960 --> 00:07:06,680 Speaker 5: an hour later, it'll like it'll like somehow go into 123 00:07:06,680 --> 00:07:08,279 Speaker 5: your bloodstream and then you'll. 124 00:07:08,120 --> 00:07:10,240 Speaker 3: Be able to taste it in your mouth. And I'm 125 00:07:10,360 --> 00:07:15,600 Speaker 3: just like, why, garlic is amazing. It's an amazing whatever 126 00:07:15,760 --> 00:07:19,600 Speaker 3: kind of vegetable or fruit it is. Uh yeah, and 127 00:07:19,680 --> 00:07:22,840 Speaker 3: why would you waste it rubbing on your foot or 128 00:07:23,640 --> 00:07:26,880 Speaker 3: your testicles. Don't rub garlic on your testicles, everybody. 129 00:07:26,600 --> 00:07:29,720 Speaker 2: Yeah, what do you do anything spicy? I would not 130 00:07:29,880 --> 00:07:30,960 Speaker 2: rubbing your testicles. 131 00:07:31,080 --> 00:07:37,320 Speaker 1: This is like what is compelling slash confusing about social 132 00:07:37,360 --> 00:07:41,520 Speaker 1: media is that like things get flattened out, so your 133 00:07:41,560 --> 00:07:45,200 Speaker 1: news is right next to a what seems like a 134 00:07:45,280 --> 00:07:49,200 Speaker 1: trick that people are playing on their little brother liked 135 00:07:49,320 --> 00:07:50,120 Speaker 1: it online. 136 00:07:50,240 --> 00:07:53,400 Speaker 4: A lot of what TikTok seems to be or like weird, 137 00:07:53,600 --> 00:07:56,560 Speaker 4: like household hecks that require you. 138 00:07:56,440 --> 00:07:59,680 Speaker 3: To have like a whole machine shop and all this 139 00:07:59,760 --> 00:08:02,680 Speaker 3: Google stuff and it serves no purpose and it's weird 140 00:08:02,920 --> 00:08:03,679 Speaker 3: and off put. 141 00:08:03,720 --> 00:08:08,200 Speaker 1: In just the kitchen hacks where it's the person making 142 00:08:08,760 --> 00:08:12,120 Speaker 1: spaghetti and meatballs on a countertop and it's like Oh no, 143 00:08:12,200 --> 00:08:15,120 Speaker 1: you're just like being mean to gullible people. 144 00:08:15,320 --> 00:08:17,080 Speaker 3: Are You're just dumping a bunch of shit into a 145 00:08:17,120 --> 00:08:19,160 Speaker 3: sheet pan and putting it in the oven. 146 00:08:19,240 --> 00:08:22,400 Speaker 4: I'm like, what, no, like this is? This is clearly 147 00:08:22,400 --> 00:08:23,680 Speaker 4: a prank. Yeah. 148 00:08:23,760 --> 00:08:27,760 Speaker 1: Yeah, And as has been canonically established by Marcel Argueyo 149 00:08:27,920 --> 00:08:30,559 Speaker 1: on this show, if anyone was going to know whether 150 00:08:30,640 --> 00:08:33,120 Speaker 1: your balls could taste and sense anything, it would be 151 00:08:33,480 --> 00:08:37,800 Speaker 1: old smelly balls, O'Brien. And I'm not getting anything. Maybe 152 00:08:37,840 --> 00:08:42,640 Speaker 1: I'm just super used to the whatever is happening down there, 153 00:08:42,920 --> 00:08:46,840 Speaker 1: but yeah, no, I think the lights are off down 154 00:08:46,880 --> 00:08:48,679 Speaker 1: there in terms of taste buds. 155 00:08:48,800 --> 00:08:52,439 Speaker 4: Oh okay, people, please stop trying things you see on TikTok. 156 00:08:52,920 --> 00:08:54,840 Speaker 4: Yeah right, all. 157 00:08:54,760 --> 00:08:56,640 Speaker 1: Right, let's take a quick break and then we're gonna 158 00:08:56,679 --> 00:08:58,839 Speaker 1: come back and talk about why the news cycle is broken. 159 00:08:58,880 --> 00:09:13,600 Speaker 2: We'll be right back, and we're back now. 160 00:09:13,640 --> 00:09:16,240 Speaker 1: He's the host of the show. 161 00:09:17,720 --> 00:09:20,240 Speaker 2: Fuck, all right, take it away? 162 00:09:20,559 --> 00:09:22,439 Speaker 4: Uh what do we get? What we get? 163 00:09:22,800 --> 00:09:23,720 Speaker 2: What else? What else? 164 00:09:24,520 --> 00:09:24,880 Speaker 4: All right? 165 00:09:25,000 --> 00:09:27,040 Speaker 2: Do my job? What else? What else? 166 00:09:27,640 --> 00:09:29,520 Speaker 3: Let me tell you you don't want you don't want 167 00:09:29,559 --> 00:09:32,200 Speaker 3: Jack's job. He has to like pay attention and know 168 00:09:32,240 --> 00:09:34,200 Speaker 3: what's happening next and stuff. 169 00:09:34,280 --> 00:09:35,679 Speaker 2: And then say what else? What else? 170 00:09:36,360 --> 00:09:38,920 Speaker 4: Yeah, it's hard all right? 171 00:09:39,040 --> 00:09:42,240 Speaker 1: So Chuck E Cheese's animatronic band, This is a little 172 00:09:42,320 --> 00:09:46,520 Speaker 1: quiz for GDZ listeners. I'm gonna start the story. You 173 00:09:46,559 --> 00:09:50,640 Speaker 1: tell me if you notice anything. Chuck E Cheese's animatronic 174 00:09:50,760 --> 00:09:53,680 Speaker 1: band is dead. There are a lot of headlines this 175 00:09:53,720 --> 00:09:57,360 Speaker 1: week about how Chuck E Cheese is acting it's animatronic band, 176 00:09:57,760 --> 00:10:00,600 Speaker 1: including a write up in Billboard in the music news 177 00:10:00,640 --> 00:10:05,120 Speaker 1: category as if this is like a real group that's 178 00:10:05,160 --> 00:10:09,240 Speaker 1: being youzed like putting. 179 00:10:07,880 --> 00:10:10,199 Speaker 4: Get This isn't the banana splits, like come on? 180 00:10:11,840 --> 00:10:14,080 Speaker 1: It's all stems from a New York Times report that 181 00:10:14,160 --> 00:10:17,600 Speaker 1: outlines how Chuck E Cheese is getting rid of munches 182 00:10:17,679 --> 00:10:20,160 Speaker 1: make Believe banned at all but two of their four 183 00:10:20,240 --> 00:10:24,200 Speaker 1: hundred US locations. Instead, they're going to focus on more screens, 184 00:10:24,400 --> 00:10:29,360 Speaker 1: digital dance floors and trampoline gym's digital dance floors. Isn't 185 00:10:29,360 --> 00:10:31,800 Speaker 1: that just like the dance dance revolution games like. 186 00:10:32,280 --> 00:10:36,679 Speaker 3: The still four hundred Chuck E Cheeses in the United States. 187 00:10:36,760 --> 00:10:39,480 Speaker 1: Yeah, this is the thing that this is like a 188 00:10:39,520 --> 00:10:42,679 Speaker 1: thing that you you see the world again with new 189 00:10:42,720 --> 00:10:45,120 Speaker 1: eyes when you become a parent and in some cases 190 00:10:45,679 --> 00:10:48,360 Speaker 1: that is a good thing, and you're like, oh, well, 191 00:10:48,400 --> 00:10:51,600 Speaker 1: I see like the wonder of nature. I'm like seeing 192 00:10:51,640 --> 00:10:55,199 Speaker 1: everything again like through their eyes. And the other thing 193 00:10:55,240 --> 00:11:00,240 Speaker 1: you realize is that Chuck E Cheese is thriving. 194 00:11:00,760 --> 00:11:01,960 Speaker 4: Private equity would have. 195 00:11:02,679 --> 00:11:04,319 Speaker 2: Would have come through fucked them up. 196 00:11:04,480 --> 00:11:07,440 Speaker 4: Yeah, it just seems like one of those legacy kind of. 197 00:11:07,400 --> 00:11:10,600 Speaker 1: Brands that So what happened with Chuck E Cheese is 198 00:11:10,760 --> 00:11:15,720 Speaker 1: as arcades were dying everywhere, Chuck E Cheese was still 199 00:11:15,800 --> 00:11:20,200 Speaker 1: left over and had some arcade games and just like 200 00:11:20,280 --> 00:11:25,000 Speaker 1: slowly expanded out until now they are just like basically 201 00:11:25,559 --> 00:11:27,679 Speaker 1: the most common arcade. 202 00:11:27,920 --> 00:11:33,760 Speaker 3: It's them and Dave and Busters. Yeah, the upscale discerning manchild. 203 00:11:33,559 --> 00:11:36,839 Speaker 1: Yes exactly, So no more ballpits. It's all just a 204 00:11:36,960 --> 00:11:41,920 Speaker 1: video game arcade essentially, with like the rotting husks of 205 00:11:42,160 --> 00:11:45,160 Speaker 1: the munch As Make Believe band up there in like 206 00:11:45,240 --> 00:11:48,720 Speaker 1: most locations, the animatronic band is still up there. I 207 00:11:48,760 --> 00:11:52,480 Speaker 1: have had some of our kids birthday parties at a 208 00:11:52,600 --> 00:11:55,800 Speaker 1: Chuck E Cheese at one of them, at least, I 209 00:11:55,840 --> 00:11:59,679 Speaker 1: think they tried to like make the band like still 210 00:11:59,720 --> 00:12:02,720 Speaker 1: happen and be like all right, everybody, get your hands together, 211 00:12:02,880 --> 00:12:06,520 Speaker 1: like get excited because it's about to go down holy shit, 212 00:12:06,920 --> 00:12:09,640 Speaker 1: like hype manning up this animatronic band and then it's 213 00:12:09,720 --> 00:12:13,000 Speaker 1: just like it's just three animatronics. Yeah yeah, just like 214 00:12:13,320 --> 00:12:19,439 Speaker 1: dying a slow death like up up on stage anyways. Uh. Now, 215 00:12:19,960 --> 00:12:25,360 Speaker 1: no more bands, just screens, digital dance floors, trampoline gyms, 216 00:12:25,600 --> 00:12:28,560 Speaker 1: which presumably it's just easier to clean puke off of 217 00:12:28,600 --> 00:12:31,400 Speaker 1: those things than a forty year old rat robot. 218 00:12:31,640 --> 00:12:34,120 Speaker 3: Yeah, or a ballpit, like how you I've never understood 219 00:12:34,120 --> 00:12:35,719 Speaker 3: how you clean cuke out of a ball pit. 220 00:12:36,200 --> 00:12:39,080 Speaker 1: They didn't either, That's why they're no more ballpit those 221 00:12:39,120 --> 00:12:39,720 Speaker 1: are gone. 222 00:12:40,160 --> 00:12:43,240 Speaker 2: Yeah, that was they were like, we get these the. 223 00:12:42,840 --> 00:12:46,640 Speaker 1: Fuck out of here. However, so this is where it 224 00:12:46,640 --> 00:12:50,200 Speaker 1: gets a little weird. We've like covered this story every 225 00:12:50,360 --> 00:12:53,280 Speaker 1: two years, like since the show has been in existence. 226 00:12:53,559 --> 00:12:54,800 Speaker 4: Mm hmm, that's true. 227 00:12:54,840 --> 00:12:57,880 Speaker 1: Like last fall we got this exact same story, only 228 00:12:57,920 --> 00:13:01,320 Speaker 1: then the band was only only being left in one location. 229 00:13:01,880 --> 00:13:04,520 Speaker 1: And then back in twenty seventeen when the show first started, 230 00:13:04,559 --> 00:13:06,960 Speaker 1: it was reported that Chuck E. Cheese was ditching the band, 231 00:13:07,559 --> 00:13:09,320 Speaker 1: Like it's. 232 00:13:09,040 --> 00:13:12,320 Speaker 3: Just maybe they get a bump every time, must say 233 00:13:12,720 --> 00:13:15,360 Speaker 3: a bump, like getting rid of the band, people pull 234 00:13:15,480 --> 00:13:18,319 Speaker 3: up to pay respects and they get a little more life. 235 00:13:19,000 --> 00:13:21,719 Speaker 3: And I know it worked for Jamie Loftus, right, wasn't 236 00:13:22,080 --> 00:13:24,040 Speaker 3: kind of like she's like. 237 00:13:23,960 --> 00:13:28,360 Speaker 1: Wait what she so she had Jamie has been trying 238 00:13:28,400 --> 00:13:31,920 Speaker 1: to manage the band for a long time and it 239 00:13:31,960 --> 00:13:33,920 Speaker 1: hasn't quite worked out, unfortunately. 240 00:13:33,960 --> 00:13:36,120 Speaker 2: But it's just like. 241 00:13:36,080 --> 00:13:39,040 Speaker 1: I've always suspected that like part of the news cycle 242 00:13:39,160 --> 00:13:43,680 Speaker 1: is like fueled by marketing companies just being like this 243 00:13:43,679 --> 00:13:49,360 Speaker 1: this will I'm sorry, actually will actually be good for 244 00:13:49,400 --> 00:13:54,120 Speaker 1: your bottom line. And yeah, they're just like, hey, we're 245 00:13:54,160 --> 00:13:56,960 Speaker 1: going to we're going to reissue the they're killing the 246 00:13:57,000 --> 00:13:59,880 Speaker 1: band thing, Like no downside for them on the one 247 00:14:00,040 --> 00:14:02,640 Speaker 1: and they get to be like, now we're doubling down 248 00:14:02,679 --> 00:14:06,280 Speaker 1: on these fun things and like getting rid of this 249 00:14:06,320 --> 00:14:08,840 Speaker 1: thing you're nostalgic for, so hurry up and like come 250 00:14:08,880 --> 00:14:10,160 Speaker 1: out and see it. 251 00:14:10,080 --> 00:14:11,080 Speaker 2: Before it goes away. 252 00:14:11,520 --> 00:14:14,920 Speaker 1: Or maybe they just like keep tearfully changing their minds 253 00:14:14,960 --> 00:14:17,240 Speaker 1: at the last minute because they really do believe it's 254 00:14:17,240 --> 00:14:20,720 Speaker 1: a real band. It's hard to tell what's happening here. 255 00:14:21,120 --> 00:14:24,280 Speaker 1: Whichever it is, we're suckers because we just keep covering it. 256 00:14:24,520 --> 00:14:27,000 Speaker 4: Yeah, it's it's woefully effective drag. 257 00:14:27,400 --> 00:14:29,360 Speaker 3: Yeah, this is no other way to describe it is 258 00:14:29,480 --> 00:14:30,560 Speaker 3: woefully effective. 259 00:14:31,160 --> 00:14:33,360 Speaker 1: Yeah, all right, and then we wanted to talk about 260 00:14:33,600 --> 00:14:36,920 Speaker 1: there's some good horror coming our way, maybe just a 261 00:14:36,920 --> 00:14:44,520 Speaker 1: couple of trailers then from horror nepo Babies that I'm 262 00:14:45,080 --> 00:14:49,000 Speaker 1: always the first to you know, admit, sometimes nepotism works, 263 00:14:49,760 --> 00:14:53,760 Speaker 1: and there's just I don't know. These two trailers, one 264 00:14:53,840 --> 00:14:58,920 Speaker 1: from M Night Shyamalan's Daughter is Ishana and another from 265 00:14:59,760 --> 00:15:04,800 Speaker 1: u Osgod Perkins Anthony Perkins's son. So Anthony Perkins of 266 00:15:05,320 --> 00:15:09,640 Speaker 1: Psycho fame, his son has like a you know, this 267 00:15:09,720 --> 00:15:12,960 Speaker 1: is not his first film, and you've seen you've seen 268 00:15:13,000 --> 00:15:14,040 Speaker 1: some of his past films. 269 00:15:13,880 --> 00:15:16,840 Speaker 3: Right, Yeah, The black Coat's Daughter was like a sort 270 00:15:16,840 --> 00:15:22,080 Speaker 3: of gothic horror slow burn kind of kind of film 271 00:15:22,080 --> 00:15:23,800 Speaker 3: he did a few years ago. He's got a few 272 00:15:23,800 --> 00:15:27,520 Speaker 3: films under his belt and they've been received well. 273 00:15:27,560 --> 00:15:29,880 Speaker 4: And he's got it like, he's got a style. He's 274 00:15:29,880 --> 00:15:30,480 Speaker 4: got a style. 275 00:15:31,800 --> 00:15:37,359 Speaker 3: He seems like he's a talented writer and director. And yeah, 276 00:15:37,640 --> 00:15:38,840 Speaker 3: this trailer. 277 00:15:38,680 --> 00:15:40,360 Speaker 2: Was this trailer. 278 00:15:40,960 --> 00:15:44,920 Speaker 1: His film is called Long Legs, and yeah, I just 279 00:15:44,920 --> 00:15:48,920 Speaker 1: suggest people go check it out. It's I don't know 280 00:15:49,040 --> 00:15:51,960 Speaker 1: there's just there's some good writing, like it keeps cutting 281 00:15:51,960 --> 00:15:55,440 Speaker 1: to just like text with like really creepy sound design 282 00:15:55,920 --> 00:15:59,960 Speaker 1: in the middle of these like brief glimpses of horrifying images. 283 00:16:00,120 --> 00:16:04,040 Speaker 1: Is there's a neutral mask, which I'm always a sucker 284 00:16:04,080 --> 00:16:09,320 Speaker 1: for some newte mask, and uh, there's just horrifying things 285 00:16:09,360 --> 00:16:13,040 Speaker 1: happening in all corners of the universe of this movie. 286 00:16:13,280 --> 00:16:17,240 Speaker 3: And it's it's also it's I'm not a fan of 287 00:16:17,320 --> 00:16:21,880 Speaker 3: trailers because I find that they tend to give too 288 00:16:21,920 --> 00:16:24,280 Speaker 3: much away, just the cycle that they have to keep. 289 00:16:24,640 --> 00:16:26,320 Speaker 3: You know, you get a teaser and then you get 290 00:16:26,360 --> 00:16:30,080 Speaker 3: like five fucking four minute trailers after that, and it 291 00:16:30,160 --> 00:16:32,120 Speaker 3: kind of like ruins the movie. 292 00:16:32,160 --> 00:16:34,640 Speaker 4: But this, this is a trailer. 293 00:16:34,360 --> 00:16:38,520 Speaker 3: I would recommend people watch because it doesn't really it 294 00:16:38,560 --> 00:16:42,920 Speaker 3: gives you just enough to be intrigued because I'm like, 295 00:16:42,960 --> 00:16:45,360 Speaker 3: I have no idea what this is about, but the 296 00:16:45,600 --> 00:16:48,600 Speaker 3: vibes are palpable and I want to I want to 297 00:16:48,600 --> 00:16:49,640 Speaker 3: see what happens next. 298 00:16:49,760 --> 00:16:52,480 Speaker 4: So that is that is an effective trailer to me. 299 00:16:53,120 --> 00:16:57,600 Speaker 1: Yeah, this one Twitter person who got to see it 300 00:16:57,640 --> 00:17:02,000 Speaker 1: said absolutely rancid, cursed vibes that had me scared to 301 00:17:02,280 --> 00:17:07,040 Speaker 1: enter my dark hotel room. They also said it's a 302 00:17:07,040 --> 00:17:09,480 Speaker 1: contemporary silence of the Lambs, So. 303 00:17:09,640 --> 00:17:13,600 Speaker 3: Okay, Yeah, I saw some FBI jackets in the trailer 304 00:17:13,600 --> 00:17:15,880 Speaker 3: and I was like, yeah, I wonder what that's about. 305 00:17:15,680 --> 00:17:18,720 Speaker 1: With like some like FBI looking at a corkboard with 306 00:17:18,760 --> 00:17:24,720 Speaker 1: like a bunch of imagery up that looks like zodiac symbols. Anyways, 307 00:17:24,720 --> 00:17:28,639 Speaker 1: the other one is the Watchers from m Night Shamland's Daughter, 308 00:17:29,080 --> 00:17:34,200 Speaker 1: And this one is, as you termed it, a human menagerie. 309 00:17:34,880 --> 00:17:38,280 Speaker 3: I'm a sucker for a human menagerie. Stick some people 310 00:17:38,320 --> 00:17:41,160 Speaker 3: in a fucking weird box where they don't know where 311 00:17:41,160 --> 00:17:41,600 Speaker 3: they are. 312 00:17:41,800 --> 00:17:42,680 Speaker 2: A person zoo. 313 00:17:43,200 --> 00:17:46,000 Speaker 4: Yeah, dude, I love the Human Zoo movie. 314 00:17:46,480 --> 00:17:50,800 Speaker 2: Yeah, what are your top like, old boy, I'm assuming. 315 00:17:52,320 --> 00:17:55,800 Speaker 3: I just I just love It's to be frank, there's 316 00:17:55,800 --> 00:17:58,199 Speaker 3: not that many movies that are like that. I just 317 00:17:58,280 --> 00:18:01,879 Speaker 3: love that as a concept of of being transit. It 318 00:18:01,920 --> 00:18:04,280 Speaker 3: was I think, I know, I'm more familiar with it 319 00:18:04,320 --> 00:18:09,399 Speaker 3: from like old sci fi like short stories or like 320 00:18:09,400 --> 00:18:12,280 Speaker 3: like weird things where it's like or like you know, 321 00:18:12,320 --> 00:18:15,240 Speaker 3: there's a few Twilight Zone episodes. There's one I can't 322 00:18:15,240 --> 00:18:18,119 Speaker 3: remember the name, but there's this couple who are in 323 00:18:18,440 --> 00:18:23,320 Speaker 3: this deserted town and they can't get out of this town, 324 00:18:23,960 --> 00:18:26,240 Speaker 3: and they keep they get on a train and the 325 00:18:26,280 --> 00:18:28,880 Speaker 3: train just takes them in a loop and all this stuff, 326 00:18:29,119 --> 00:18:33,280 Speaker 3: and at the end you find out that they are in, uh, 327 00:18:33,359 --> 00:18:39,000 Speaker 3: you know, basically a play set for some large alien 328 00:18:39,080 --> 00:18:41,800 Speaker 3: creature or something and they're just sort of stuck there 329 00:18:41,920 --> 00:18:45,760 Speaker 3: as playthings. And I just I just find that concept 330 00:18:46,200 --> 00:18:51,200 Speaker 3: equal parts amusing and it can't be horrifying, but usually 331 00:18:51,240 --> 00:18:54,040 Speaker 3: I find it amusing. Yeah, it's just it's just a fun, 332 00:18:54,320 --> 00:18:56,080 Speaker 3: fun concept that you don't really see. 333 00:18:56,160 --> 00:18:57,040 Speaker 4: Much of these days. 334 00:18:57,600 --> 00:19:00,280 Speaker 3: And that's exactly the kind of thing I expect from 335 00:19:01,080 --> 00:19:05,080 Speaker 3: an m Night production because he loves him some Twilight 336 00:19:05,160 --> 00:19:06,320 Speaker 3: Zone concept. 337 00:19:06,480 --> 00:19:10,080 Speaker 2: I mean, the village is kind of human menagerie, like nobody's. 338 00:19:09,720 --> 00:19:14,919 Speaker 1: Really observing, but it, like spoiler alert, the Village like 339 00:19:15,000 --> 00:19:18,040 Speaker 1: kind of has that sort of like we've captured these 340 00:19:18,080 --> 00:19:21,760 Speaker 1: people and put them there. Also that don't worry Darling 341 00:19:21,880 --> 00:19:25,280 Speaker 1: movie has some of that going on, and again spoiler 342 00:19:25,680 --> 00:19:29,400 Speaker 1: never saw it, but yeah, sixty eight and sixty nine 343 00:19:29,520 --> 00:19:31,800 Speaker 1: big for this. The end of two thousand and one 344 00:19:32,240 --> 00:19:37,920 Speaker 1: Space Odyssey and Slaughterhouse five has like passages where they 345 00:19:38,160 --> 00:19:39,560 Speaker 1: kind of play with that idea. 346 00:19:39,720 --> 00:19:42,640 Speaker 3: Yeah, two thousand and one, I can definitely. I never 347 00:19:42,680 --> 00:19:44,760 Speaker 3: thought of it that way, but yeah, it's definitely that 348 00:19:44,960 --> 00:19:48,320 Speaker 3: ending is he's he's kind of being kept. 349 00:19:49,000 --> 00:19:53,760 Speaker 1: Yeah, yeah, which is going to follow our Sirens song 350 00:19:54,080 --> 00:19:59,679 Speaker 1: and We're just gonna let you die in a weird 351 00:19:59,680 --> 00:20:02,399 Speaker 1: hotel hell room from the year two thousand and nine. 352 00:20:02,760 --> 00:20:09,399 Speaker 3: Yeah, yeah, it's interesting. But yeah, like the trailer this 353 00:20:09,480 --> 00:20:13,399 Speaker 3: trailer had. I saw the trailer in the theater this 354 00:20:13,440 --> 00:20:17,640 Speaker 3: past weekend. I was seeing The Fall Guy, which was 355 00:20:18,200 --> 00:20:22,520 Speaker 3: not great, but this trailer stuck with me because I 356 00:20:22,520 --> 00:20:28,639 Speaker 3: had really good sound design, like sort of creature type sounds. 357 00:20:28,200 --> 00:20:30,920 Speaker 2: And both of them have good sound design for sure. 358 00:20:31,000 --> 00:20:33,520 Speaker 3: Yeah, it just it's stuck with me, and I'm like, Okay, 359 00:20:33,520 --> 00:20:36,480 Speaker 3: I'm definitely gonna check this out when when it drops. 360 00:20:36,920 --> 00:20:39,800 Speaker 1: Sup Producer Justin saw the Long Legs trailer in the 361 00:20:39,800 --> 00:20:44,960 Speaker 1: theater and he was shaken. So a couple interesting horrors 362 00:20:45,680 --> 00:20:48,080 Speaker 1: we are O for one in our look at this 363 00:20:48,160 --> 00:20:51,960 Speaker 1: horror movie trailer. I bet the movie is good. We 364 00:20:52,320 --> 00:20:55,200 Speaker 1: did that with Backwater, I think is what it was called. 365 00:20:55,520 --> 00:21:00,960 Speaker 1: It was like a it was a like desert horror, 366 00:21:01,200 --> 00:21:02,480 Speaker 1: cosmic horror thing. 367 00:21:03,400 --> 00:21:06,280 Speaker 4: And low budget found footage type movie. 368 00:21:06,520 --> 00:21:09,760 Speaker 1: Yeah, and it had its moments, but it did not 369 00:21:10,640 --> 00:21:13,080 Speaker 1: pay off in the end and. 370 00:21:13,119 --> 00:21:16,200 Speaker 3: Made me think of that movie Back Country where it's 371 00:21:16,240 --> 00:21:18,760 Speaker 3: a horror movie, except it's like a slasher movie, but 372 00:21:18,840 --> 00:21:20,080 Speaker 3: the slasher is a bear. 373 00:21:21,440 --> 00:21:23,560 Speaker 2: That's fun. Yeah, like Country bear. 374 00:21:24,440 --> 00:21:25,720 Speaker 4: Yeah, it's it was great. 375 00:21:25,760 --> 00:21:29,000 Speaker 3: You kind of got to see an abusive partner get 376 00:21:29,400 --> 00:21:31,600 Speaker 3: torn apart by a bear, so that's hell. 377 00:21:31,680 --> 00:21:33,960 Speaker 4: Yeah. 378 00:21:34,280 --> 00:21:36,919 Speaker 1: All right, Well those are some of the things that 379 00:21:37,000 --> 00:21:41,040 Speaker 1: are trending on this Wednesday, May fifteenth. We are back 380 00:21:41,040 --> 00:21:44,280 Speaker 1: tomorrow with a who last episode of the show. Until then, 381 00:21:44,440 --> 00:21:47,040 Speaker 1: be kind to each other, be kind to yourselves, get 382 00:21:47,080 --> 00:21:50,280 Speaker 1: the vaccine, don't do nothing about white supremacy, and we 383 00:21:50,320 --> 00:21:51,440 Speaker 1: will talk to you all tomorrow. 384 00:21:51,640 --> 00:21:57,000 Speaker 2: Bite Bite,