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Speaker 1: And That's what you really missed with Jenna.

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Speaker 2: And Kevin and iHeartRadio podcast.

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Speaker 1: Welcome to and That's what you Really missed. Podcast recap

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Speaker 1: for Season four, episode eleven. It's Sadie Hawkins can I'm

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Speaker 1: so excited.

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Speaker 2: There was so much Jenna in this.

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Speaker 1: There's a lot of jen in this. This is like

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Speaker 1: a big episode for Tina. I forgot I for some

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Speaker 1: reason thought there was like more to it, and so

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Speaker 1: I was like, oh, this isn't the episode, but this

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Speaker 1: is the beginning of Tina's outrageous storyline falling in love

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Speaker 1: with Lane. But it's there's a lot of funny things

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Speaker 1: that have happened. And like, as an outside viewer this

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Speaker 1: time around, instead of watching it as like, oh I

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Speaker 1: did that, I was like very tickled by this episode.

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Speaker 2: Yeah, and you were very very funny. You had a

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Speaker 2: lot of crazy ass dialogue.

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Speaker 1: Some of it did down, Oh thanks, some of it

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Speaker 1: it was troublesome for me. Yeah, some of it was

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Speaker 1: troublesome for me. I hadn't had a lot of stuff

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Speaker 1: to do in a while.

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Speaker 2: Sony, the brain gets rusty, it.

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Speaker 1: Does it really does. Okay, well we'll get into it.

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Speaker 1: So let's talk about This is this aired on January

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Speaker 1: twenty fourth, twenty thirteen. We are in twenty thirteen people.

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Speaker 2: Happy New Year. So the number one song of the

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Speaker 2: country was locked out of Heaven by Bruno Mars, which

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Speaker 2: is in the episode. Is that the first time this

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Speaker 2: has happened? Where we did the number one?

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Speaker 1: So we did one Adele number? Was it? Adele? We

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Speaker 1: did that premiered after Yeah, I think this is maybe

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Speaker 1: not the first time, no, but maybe the second.

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Speaker 2: Kevin, the number one movie was Mama The hell is this?

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Speaker 1: Oh God? After first I thought this was the Jennifer

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Speaker 1: Lawrence film Mother, which is a scary as f and

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Speaker 1: really we but this one, I don't know about Jesse

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Speaker 1: Chastein She's a really weird haircutchness. I don't know about that.

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Speaker 2: The next podcast is going to be us watching all

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Speaker 2: the movies that were number one reviewing.

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Speaker 1: Yeah, that's funny, Okay, well this is interesting.

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Speaker 2: Glean News.

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Speaker 1: This week.

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Speaker 2: On January nineteenth, Darren Nya and Amber performed with the

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Speaker 2: Kids inaugural Our Children, Our Future Concert, hosted by First

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Speaker 2: Lady Michelle Obama and Second Lady Future First Lady doctor

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Speaker 2: Joe Biden at the Washington Convention Center in Washington, d C.

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Speaker 1: On January twenty seventh, Kevin, Jenna and Nya, Leah Corey, Amber, Heather, Vanessa,

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Speaker 1: Darren Cord, Mark, Harry, Alex, Samuel, Jama, Matt and Jane

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Speaker 1: Whoa attended the nineteenth annual Saguars at the Shrine Auditorium

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Speaker 1: in Los Angeles. Sag Words were the Best and the

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Speaker 1: Gleek cast was nominated for US Standing Performance by an

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Speaker 1: Ensemble and Accomedied Series. This year, we did did not

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Speaker 1: win Modern Family are Arch Nemesis also not our best

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Speaker 1: Friends No, also our best friends A Modern Family they

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Speaker 1: won deservingly.

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Speaker 2: We got really good at losing to Modern Family, though

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Speaker 2: well we were a.

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Speaker 1: Lot initially and then after that it was like, oh right,

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Speaker 1: this other show. That's really fucking good.

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Speaker 2: Photos from the Sack Awards. This everyone the most glam

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Speaker 2: anyone had ever been thus far.

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Speaker 1: Yes, and like, yeah, it was really really fun this one.

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Speaker 2: I think if we're getting uncomfortable in it, we knew.

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Speaker 1: Like, yeah, we're like we're gonna lose, so let's just

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Speaker 1: have a good time kind of thing.

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Speaker 2: I love your dress in this.

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Speaker 1: Oh thanks, this was a fun one. My hair was

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Speaker 1: like down to my stomach.

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Speaker 2: You know, I like it when it was a middle part.

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Speaker 1: Yeah, though this fairy vale. I like this jacket. You're

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Speaker 1: wearing this green satin jacket over shouldered. No, you did

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Speaker 1: not put your arms in it.

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Speaker 2: No, it didn't really technically fail. I could barely get

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Speaker 2: it on, but I wouldn't be able to move my arms.

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Speaker 1: Like I couldn't go up and down. Absolutely all right.

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Speaker 1: The songs in this episode, I don't know how to

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Speaker 1: love him by the cast of Jesus Christ Superstar.

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Speaker 2: There's a lot of music. Baby got back, tell.

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Speaker 1: Him, tell them funny, tell him, Oh my god, so good.

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Speaker 1: You guys did no scrabs.

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Speaker 2: Locked out of Heaven, which I loved, mm hmm. And

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Speaker 2: I only have ice for you prom episode.

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Speaker 1: I wonder where Eric was in this episode.

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Speaker 2: I don't know. He must have been busy in books.

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Speaker 1: I guess it's the Sadies Hawkins, not a prom.

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Speaker 2: Technically, yeah, it did look different. I'm like, who directed this?

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Speaker 2: But Beaker did it? Beeker's back because it's another big episode.

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Speaker 2: He does all the technically really good big ones.

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Speaker 1: Yes, there's a lot of fun bat again.

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Speaker 2: Yes, so this is the second episode that doesn't involve

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Speaker 2: a scene in the choir room, the first being the

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Speaker 2: first time.

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Speaker 1: Ironic we are kicked out of the choir room. This

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Speaker 1: was kind of fun, like shooting in the boys locker

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Speaker 1: room and things like that. It was like a nice

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Speaker 1: respect from being in that choir room all the time.

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Speaker 2: I do have to say, though, when we would shoot

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Speaker 2: group scenes in the locker room or in other sets

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Speaker 2: that weren't built for big group scenes, I always felt

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Speaker 2: like discombobulated, uncomfortable because where hair makeup all the people

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Speaker 2: are waiting for you is like in this weird in

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Speaker 2: between where we like we had the setup down if

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Speaker 2: we were in the choir.

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Speaker 1: Room right because we would hang out in the Spanish room.

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Speaker 1: If we were working in the choir room, right across

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Speaker 1: the hall is the Spanish room, and all of our

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Speaker 1: cash chairs would be in there.

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Speaker 2: But in the locker room or your little teacher's lounge,

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Speaker 2: or like we if you were in Will's and Terry's

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Speaker 2: apartment back in the day, it was there wasn't like

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Speaker 2: a comfortable space for everybody else to hang out. So

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Speaker 2: I always felt really bad to like hair and makeup

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Speaker 2: because there was sort of like standing around.

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Speaker 1: Yeah, for sure, this is the first time that Lauren

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Speaker 1: Zeicy says appeared in season three's Asian app That's a

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Speaker 1: long time to have Nancie and Ashley Fink.

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Speaker 2: And dance to somebody. Kurt tells Rachel that he and

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Speaker 2: Blain are like a fabulous old married couple like Paul

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Speaker 2: Newman and Joanne Woodward. Adam says in this episode that

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Speaker 2: he thinks Kurt looks like a young Paul Newman.

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Speaker 1: Joey Richtor, who played Ron Weasley in a Very Potter

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Speaker 1: musical written by Darren Chris, has a cameo as a

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Speaker 1: member of Adam's Apples, making Joey the third Star Kid

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Speaker 1: member to appear on Glee, the first two being Darren

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Speaker 1: and kirtmega we.

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Speaker 2: Have a few friends in that Adam's Apple watching He's like,

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Speaker 2: I did not know they were all in this Lauren

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Speaker 2: tells the Too Young to Be Better Club that the

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Speaker 2: dance empowered her to apply for a wrestling scholarship at Harvard. However, Ivy,

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Speaker 2: these schools not offer athletic scholarships.

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Speaker 1: Even though Lauren is in the Too Young to Be

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Speaker 1: Bitter Club, she ran for Junior prom queen back in

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Speaker 1: season two, implying that she never graduated.

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Speaker 2: Do you know where about?

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Speaker 1: Well, there's some community.

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Speaker 2: We like having her around, Okay. Official Fox summary for

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Speaker 2: this episode. The girls of the glee club organize as

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Speaker 2: Sadie Hawkins Dance at McKinley High, in which the girls

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Speaker 2: ask out their dates, leading to interesting couplings among the

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Speaker 2: members of New Directions. Meanwhile, Sam is convinced that the

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Speaker 2: Warblers cheated at sectionals, and he makes it his mission

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Speaker 2: to find the evidence. Also, Court attempts to find his

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Speaker 2: niche at Niyada mm. So Jenna Tina is part of

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Speaker 2: this Too Young to Be Bitter club and she's a

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Speaker 2: part of the student council. Yes, and she's.

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Speaker 1: Trying to get those extra credits for college applications.

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Speaker 2: Clearly, yeah, she's making waves. You had so much to

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Speaker 2: do in this episode. Break it down for us.

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Speaker 1: I did have a lot to do, and I don't

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Speaker 1: know why I thought it was in two separate episodes.

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Speaker 1: But so Tina has the idea to propose the Haiti

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Speaker 1: Sadie Hawkins Dance because of her Too Young to Be

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Speaker 1: Bitter club, so that the girls have a chance to

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Speaker 1: ask the guys out for once.

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Speaker 2: What are her motives? Though?

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Speaker 1: Where do I begin?

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Speaker 3: So?

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Speaker 2: I first of all, can we talk about So it

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Speaker 2: sort of opens up right with the student council meeting.

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Speaker 1: Which okay, thank you. Yes. So it opens with the

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Speaker 1: student council meeting, which Secretary Cohen Chang is there, and

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Speaker 1: this is where I kind of present the idea of

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Speaker 1: the Sadie Hawkins stands. Now, this was shot deep into

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Speaker 1: the episode, and it was after lunch, and I remember

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Speaker 1: being a little thrown by all of the extras in

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Speaker 1: the student council with us. It wasn't just the four

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Speaker 1: of us sitting at the table like the officers yea.

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Speaker 1: And I remember there are some lines, paragraphs, monologues, whatever

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Speaker 1: you want to call them. Then I know, you know, Kevin,

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Speaker 1: like just won't stick. No, they don't quite flow off

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Speaker 1: the tongue. I'm not Nyra Rivera, I'm not back at Tobin.

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Speaker 1: I'm not susil vest or Jane Lynch. Where that you

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Speaker 1: make they can make it seem really easy. Yeah, it's

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Speaker 1: very hard to do with clee language. And I remember

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Speaker 1: getting there and like Vanessa was trying to help me

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Speaker 1: memorize during lunch and we get up there and I'm like,

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Speaker 1: oh fuck, I am sweating at this point, like just

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Speaker 1: going into it because I'm like, I know I'm gonna

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Speaker 1: struggle with this. I just know, and I'm like, I

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Speaker 1: shouldn't be putting that out there. But we got into it,

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Speaker 1: and it's a like it's like a moving shot where

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Speaker 1: An's kind of going around with the with the steady cam.

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Speaker 1: Thank god, because I don't know if you noticed this,

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Speaker 1: but all, like the beginning half of that monologue was

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Speaker 1: all reactions of other people because I was unwell and

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Speaker 1: I was not okay, and I was so frustrated with myself.

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Speaker 1: I'm so hard on myself. And of course you get

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Speaker 1: this episode in this chance and it's the opening scene,

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Speaker 1: you're setting the scene and I could not get it,

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Speaker 1: and we had to break it up into pieces, and

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Speaker 1: Brad's like, you're fine, You're good, Like everybody was so patient.

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Speaker 1: Vanessa was trying to help me, and then at some

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Speaker 1: point Vanessa was trying to like read tell me the line,

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Speaker 1: and I was like, no, no, no, don't do it.

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Speaker 1: I know you're trying to help. This is making it worse.

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Speaker 1: It was so embarrassing and so frustrating, and I just

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Speaker 1: remember that j being like I quit. I quit.

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Speaker 2: It feels moralizing doesn't it.

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Speaker 1: It does. You're like, this is what I was supposed

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Speaker 1: to do. This is the chance that I asked them

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Speaker 1: to give me to do my job. And for some reason,

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Speaker 1: this one was so hard for me to remember, for

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Speaker 1: me to remember, and I, oh god. Anyway, we got

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Speaker 1: through it. Somehow they cut over it. It worked, we got

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Speaker 1: past it. It's over.

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Speaker 2: And your defense, what you were alluding to earlier is

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Speaker 2: that when things like those Nya and Jane and Beca monologues,

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Speaker 2: there's like it's full of non sequiturs. So you're just

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Speaker 2: like saying crazy shit. And unless you have a photographic

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Speaker 2: memory like they do, yeah, it's hard. And it can

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Speaker 2: be really easy to memorize if you know something follows

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Speaker 2: a normal train of thoughts. It doesn't matter how long

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Speaker 2: it is. If there's if there's a normal train of thought,

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Speaker 2: it sticks. And so when you're in there and you're

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Speaker 2: also doing like these roving shots and like added pressure

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Speaker 2: of making sure you get it all till you get

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Speaker 2: everybody else's lines and reactions, and then there's an other

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Speaker 2: like weird mind thing of like I don't get the

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Speaker 2: opportunity to do this that often, and now I'm messing

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Speaker 2: it up. Yeah, and it's like this really horrible mixture

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Speaker 2: of self sabotage, like I can't do.

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Speaker 1: This, yes, and then you just spiral, right, you spiral

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Speaker 1: so deeply.

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Speaker 2: But luckily Beaker is an editor. Beaker knows how it's

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Speaker 2: going to cut together, and he's not going to care everybody.

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Speaker 2: That's the other thing. When you're in it, you forget

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Speaker 2: that this is your fourth season. Everyone knows you're capable,

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Speaker 2: everyone knows you're good, and.

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Speaker 1: So day yeah exactly.

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Speaker 2: Also, like sometimes things just didn't work well. Yes, Like

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Speaker 2: when it was cut altogether, it was great. It was

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Speaker 2: so funny. You were so funny. You did not look

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Speaker 2: like you were struggling at all because it cut together wonderfully.

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Speaker 2: And trust me, Jenna, we had other people on the

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Speaker 2: show that were gigantic stars.

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Speaker 1: Who couldn't remember the lines.

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Speaker 2: Who could not remember their lines.

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Speaker 1: Yeah, yeah, you're right, you're right.

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Speaker 2: So you had a day. I did have a day whatever. Thanks, Okay,

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Speaker 2: it was funny as hell. I remember looking at it,

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Speaker 2: I was like, how is she still going? There's still

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Speaker 2: more happening?

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Speaker 1: Yeah, You're like, she's still talking here.

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Speaker 2: And then it cuts to the Too Young to Be

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Speaker 2: Bitter Club where you have even more?

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Speaker 1: I had more?

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Speaker 2: How was that you got Ashley think back?

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Speaker 1: I love that part. I love that she young to

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Speaker 1: be bitter club. Those were easy for me. It's just

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Speaker 1: Tina being bitter one line. All those girls are so great.

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Speaker 1: We had Dottie, we had Zeici's back, we had Lauren Potter.

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Speaker 1: She's talking about Stone or Brett. Anyway, I loved this episode.

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Speaker 1: I love the idea of it. I thought it was

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Speaker 1: something different for Tina to do. It just wasn't the

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Speaker 1: same old right anyway, you.

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Speaker 2: Come up with the Citie Hawkins and then people start

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Speaker 2: performing for.

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Speaker 1: Their men, right, So Finn comes up with an idea

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Speaker 1: also to make in the glee club that it's gonna

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Speaker 1: be the lady's choice also, so we're singing our songs

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Speaker 1: to the person we want to ask to Citie Hawkins

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Speaker 1: and already thinks it's going to be him, obviously Red Herring,

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Speaker 1: and Tina does I don't know how to love him.

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Speaker 1: I forgot Like I think it's like the fact that

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Speaker 1: like I don't know how I love is such a

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Speaker 1: great like power ballad, a Broadway ballad, playing against that

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Speaker 1: with the comedy of like singing it to Blaine, and

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Speaker 1: then everybody's reactions in the locker room of like sheer,

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Speaker 1: confusion and terror. I was actually laughing out loud at

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Speaker 1: this because I was like, this is really funny, this

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Speaker 1: is actually really for This reminds me of the Porter

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Speaker 1: Potty when Tina comes out of the Porter Partty in

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Speaker 1: a later episode and everybody's like looking at her like

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Speaker 1: she's crazy. This is the beginning of that. I think

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Speaker 1: we're like, She's just like, this is it, this is

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Speaker 1: who I am, and everybody's like she's fucking crazy, She's

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Speaker 1: a crazy bitch, and everybody like alex is I will say,

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Speaker 1: and Blaine, dude, Darren like just playing it like he

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Speaker 1: doesn't know.

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Speaker 2: There was crazy in your eyes. There was full delusion

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Speaker 2: in your eyes. I did not remember, like you were

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Speaker 2: singing your face off, like really like singing right in

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Speaker 2: the middle of this insane scene. But I do remember

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Speaker 2: there was an issue during filming of the scene, and

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Speaker 2: I won't name names, but I think part of the

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Speaker 2: crazy and delusion in your eyes is because you were

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Speaker 2: actually pissed. I was pissed there was somebody who was

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Speaker 2: fucking with you off camera, and you were trying to

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Speaker 2: like give this like really serious. The reason why it's

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Speaker 2: funny is because you're so serious, and so you have

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Speaker 2: to be really serious during this song, and the rest

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Speaker 2: of us are.

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Speaker 1: Like, she's crazy delusional. Yeah, yes, you're right. So there's

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Speaker 1: behind the scenes of this uh off camera, I was

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Speaker 1: getting reaction, real reactions, and then I was also getting people,

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Speaker 1: not people, persons who were messing with They're.

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Speaker 2: A bunch of.

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Speaker 1: And my boyfriend at the time, what came to set

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Speaker 1: to watch this. He never came to set. He was

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Speaker 1: always on his own set, and he came to set

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Speaker 1: to watch and he sat at village and he heard

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Speaker 1: some of the things that were going on and almost

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Speaker 1: wanted to go punch this person. He's like, if that

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Speaker 1: happened to me, I would have actually punched that person

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Speaker 1: in the face. But it's very hard because there's a

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Speaker 1: there's some people who can turn that off and completely react,

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Speaker 1: turn on ignore what's going on around them, and then

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Speaker 1: there are people like me who I need. I need

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Speaker 1: the reactions. I need the person to give me what

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Speaker 1: they're giving me, what they're giving on screen. And also

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Speaker 1: like I need I can't just turn it on. I

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Speaker 1: need like a second before they call action. Like I'm

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Speaker 1: not just one of I'm not one of those people,

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Speaker 1: and so it's so different when people are.

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Speaker 2: It was unprofessional. It was I mean, I will just

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Speaker 2: say like it's bad.

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Speaker 1: I mean, you really shouldn't do that.

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Speaker 2: In general, nothing that you're asking for is makes it okay,

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Speaker 2: Like just because like I need a second, other people

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Speaker 2: can do it doesn't matter.

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Speaker 1: But you're funny, that's right. You're right though, it's funny

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Speaker 1: because I think I was actually pissed, and that's probably

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Speaker 1: why half of it.

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Speaker 2: You You went and told Beaker. I think you told

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Speaker 2: somebody you did, like respectfully, you were just like, because

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Speaker 2: would give me this looking over at this person, and

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Speaker 2: it was like seeing, are you kidding me? Yeah, Like,

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Speaker 2: because we are not on camera, our job is to

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Speaker 2: provide you with what you need to give the performance

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Speaker 2: because you're the only and that direct where the cameras

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Speaker 2: facing you're the only We can't. It's just you. This

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Speaker 2: is your number, and we've been around long enough where

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Speaker 2: it's like you didn't get a lot of big numbers,

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Speaker 2: so like, let me do my thing, Like let's pull

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00:19:13,119 --> 00:19:15,520
Speaker 2: it together and help this person get it was one

336
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Speaker 2: of my biggest things. It happened to me during the

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Speaker 2: Christmas episode where it's like one person in one of

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Speaker 2: the scenes was like fucking with me, and I'm like,

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Speaker 2: I know this is a crazy storyline, but that doesn't

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Speaker 2: mean it.

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Speaker 1: Yeah, we gotta go with it, especially.

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Speaker 2: If you're not the main one in it.

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Speaker 1: Right, this isn't about you.

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Speaker 2: Actually, the bare minimum is to just like sit there.

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Speaker 1: Do your trauma, do your job.

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Speaker 2: And that doesn't mean I don't love this person whoever.

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Speaker 1: Oh no, yeah, no, no, for sure, looks nothing. Yeah,

348
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Speaker 1: it was a debt you guys, I.

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Speaker 2: Think talked it out too, and it was fine. It

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Speaker 2: was just like one of those learning experiences of like, I'm.

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Speaker 1: Sorry, I never would have done that if I had

352
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Speaker 1: known that way is kind of kind of thing. Yeah,

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Speaker 1: well it worked, I sure did.

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Speaker 2: I forgot. I knew that was going to come up

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Speaker 2: at some point. And then it's soon as it showed

356
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Speaker 2: a pan to all of us in the audience, like

357
00:20:04,680 --> 00:20:06,919
Speaker 2: and I'm talking like this is the scene.

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Speaker 1: That was the scene. I'll never forget that day.

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Speaker 2: Yea, rage, don't fuck with Jenna, I'll fuck you up.

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00:20:16,119 --> 00:20:21,560
Speaker 1: Wow, we'll get Cray anyway, We'll get crazy. Okay. So

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00:20:21,600 --> 00:20:25,199
Speaker 1: Tina asks Blaine to go to the dance. Blaine is

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Speaker 1: blistfully unaware.

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Speaker 2: How did you feel about the storyline.

364
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Speaker 1: Well, look, I think it's fun because I like how

365
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Speaker 1: it turned out with like Blaine kind of admitting his

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Speaker 1: crush on Sam and Tina being like, we're gonna go,

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Speaker 1: We're gonna have fun. Blaine thinks this is all fun

368
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Speaker 1: and gains like they're best friends. They're gonna go to

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Speaker 1: their to the dance together, you know, unromantically friendly with

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Speaker 1: no harm, no foul like, and then Tina it's like,

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Speaker 1: I think she's going in.

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Speaker 2: For Is this how you get all your gay boyfriends?

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Speaker 1: No, it wasn't this crazy. Like these gay boyfriends actually

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Speaker 1: thought they were straight or wanted to be straight at

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Speaker 1: the time, so they like played into it. So I

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Speaker 1: like believe them, because like, what right, what do you

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Speaker 1: want me to do? This is when isn't somebody who

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Speaker 1: was very clearly gay that was like, I don't like you,

379
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Speaker 1: I have a crush. I just explicitly told you I

380
00:21:26,880 --> 00:21:29,080
Speaker 1: have a crush on a stray boy.

381
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Speaker 2: But you know we're paying it forward.

382
00:21:30,680 --> 00:21:32,760
Speaker 1: Here, Like he's got the crush on the straight boy,

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00:21:33,000 --> 00:21:35,399
Speaker 1: she's got the crush on him. It's a funny, little,

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Speaker 1: funny little storyline. It gets crazier. We'll talk about that

385
00:21:41,080 --> 00:21:44,280
Speaker 1: when when the Vabruary comes, like, we'll get there. That

386
00:21:44,560 --> 00:21:48,160
Speaker 1: was wild, But the beginnings I don't mind as much.

387
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Speaker 1: I like the Sadie Hawkins thing. I think it was cute.

388
00:21:52,359 --> 00:21:55,919
Speaker 2: What's funny is is like so many storylines and stories

389
00:21:55,960 --> 00:21:59,200
Speaker 2: come and go within a single episode, but Tina being

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Speaker 2: into Blaine one of the ones that.

391
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Speaker 1: Stretched out for quite a bit of time, and it's

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Speaker 1: so unfortunate, so unfortunate.

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Speaker 2: You and Darren are great together though. Really like watching

394
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Speaker 2: you guys together.

395
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Speaker 1: No, I like working with Darren, and I liked I

396
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Speaker 1: love the Tina Blaine chemistry or whatever you would call.

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Speaker 2: It, chemistry, friendship, chemistry.

398
00:22:28,600 --> 00:22:29,680
Speaker 1: Yeah, yeah, yeah, for sure.

399
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Speaker 2: That moment sitting at the lockers was so adorable.

400
00:22:33,520 --> 00:22:35,760
Speaker 1: Oh I'm glad you thought so. I was like, she

401
00:22:35,800 --> 00:22:41,040
Speaker 1: doesn't know what her actions are here or what she's doing,

402
00:22:41,680 --> 00:22:42,439
Speaker 1: but it's okay.

403
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Speaker 2: Do you see how crazy actors are everyone? That's what

404
00:22:47,680 --> 00:22:50,240
Speaker 2: we see when we're watching these scenes. You're like, oh

405
00:22:50,600 --> 00:22:53,560
Speaker 2: bad every week and when we watch this, I'm trying

406
00:22:53,720 --> 00:22:58,280
Speaker 2: really hard to remove myself from my performance.

407
00:22:59,440 --> 00:23:01,600
Speaker 1: I know I had to do that. I initially was like,

408
00:23:01,720 --> 00:23:05,840
Speaker 1: oh god, what a terrible scene on my end, but

409
00:23:05,920 --> 00:23:08,360
Speaker 1: then I had to step back and go, okay, look

410
00:23:08,400 --> 00:23:11,000
Speaker 1: at this as a hole, look at this as a hole.

411
00:23:13,560 --> 00:23:14,520
Speaker 1: I thought Darren did great.

412
00:23:15,280 --> 00:23:17,280
Speaker 2: No, I think you were both great. And I also

413
00:23:17,640 --> 00:23:22,199
Speaker 2: liked the you quickly. It felt very reminiscent of like

414
00:23:22,359 --> 00:23:25,439
Speaker 2: us in real life in a weird way where like,

415
00:23:25,560 --> 00:23:28,239
Speaker 2: very quickly you snapped into the oh, yeah, all right,

416
00:23:28,280 --> 00:23:30,479
Speaker 2: we're going I get that. Yeah he's cute. Yes, of

417
00:23:30,520 --> 00:23:32,439
Speaker 2: course you have a crush, like blah blah blah, and

418
00:23:32,480 --> 00:23:36,480
Speaker 2: it was. It was a really nice thanks moment. And

419
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Speaker 2: I also thought it was a nice bit of writing

420
00:23:38,480 --> 00:23:40,880
Speaker 2: for Blaine's character. But I don't be the predatory gay

421
00:23:40,920 --> 00:23:43,600
Speaker 2: because that happens a lot where you're like, there's a

422
00:23:43,600 --> 00:23:45,600
Speaker 2: straight guy. I obviously haven't attracted to him, and I

423
00:23:45,600 --> 00:23:48,320
Speaker 2: obviously know it can't happen hard. I don't want to

424
00:23:48,320 --> 00:23:51,080
Speaker 2: be that creepy guy. Yeah. I just got to sort

425
00:23:51,080 --> 00:23:51,760
Speaker 2: of like wait it.

426
00:23:51,680 --> 00:23:59,160
Speaker 1: Out totally totally. I mean, I love obviously love blam too,

427
00:23:59,280 --> 00:24:03,160
Speaker 1: so like, that's so good, so funny. This whole other

428
00:24:03,240 --> 00:24:08,280
Speaker 1: court storyline is so funny. But yeah, Darren, No, I thought, Darren,

429
00:24:08,920 --> 00:24:13,520
Speaker 1: that was a great storyline for Blaine, and the whole

430
00:24:13,520 --> 00:24:15,520
Speaker 1: thing just kind of worked. I didn't. I bought it.

431
00:24:15,600 --> 00:24:17,560
Speaker 1: I was like, Okay, I'm gonna buy all into all

432
00:24:17,600 --> 00:24:18,800
Speaker 1: of this. And I don't know if it's because I

433
00:24:18,840 --> 00:24:21,600
Speaker 1: was like, oh, I've I lived in this world in

434
00:24:21,640 --> 00:24:24,560
Speaker 1: this episode like so deeply, but I was like, I

435
00:24:24,680 --> 00:24:26,800
Speaker 1: buy all of this, Like this is funny to me.

436
00:24:27,359 --> 00:24:28,399
Speaker 1: I enjoyed watching it.

437
00:24:37,440 --> 00:24:42,800
Speaker 2: There's a funny like parallel trajectory in terms of Sam

438
00:24:42,840 --> 00:24:46,640
Speaker 2: and Tina right now. Yes, and like you both are

439
00:24:46,760 --> 00:24:50,920
Speaker 2: being a little crazy in your actions. Yeah, like necessarily

440
00:24:51,000 --> 00:24:53,080
Speaker 2: what you're like, Tina's being a little crazy and what

441
00:24:53,119 --> 00:24:56,719
Speaker 2: she's doing Blaine. Sam's being a little crazy and like

442
00:24:57,560 --> 00:25:00,960
Speaker 2: his like over the topness and like I'm doing this

443
00:25:01,280 --> 00:25:03,359
Speaker 2: and doing that, which I think is also like a

444
00:25:03,440 --> 00:25:07,919
Speaker 2: testament to like you and Chord's performances because they started

445
00:25:07,920 --> 00:25:12,720
Speaker 2: writing these things and you made them really like exciting

446
00:25:13,640 --> 00:25:16,480
Speaker 2: to watch, or like doing what you have to do

447
00:25:16,520 --> 00:25:19,960
Speaker 2: with Blaine in this episode and the coming episodes and

448
00:25:20,040 --> 00:25:24,520
Speaker 2: doing something sort of innocuous as you know, like investigating

449
00:25:24,560 --> 00:25:27,879
Speaker 2: the Warblers, which could be sort of I don't know.

450
00:25:28,240 --> 00:25:30,359
Speaker 2: It just was really interesting and you're both sort of

451
00:25:30,359 --> 00:25:33,200
Speaker 2: going over the top in a really fun way that

452
00:25:33,240 --> 00:25:34,919
Speaker 2: it's really fun to watch both of you do it.

453
00:25:35,359 --> 00:25:35,520
Speaker 1: Oh.

454
00:25:35,560 --> 00:25:38,639
Speaker 2: Thanks, I'm enjoying it. And it creates this really fun

455
00:25:38,720 --> 00:25:42,240
Speaker 2: triangle between YouTube and Blaine.

456
00:25:42,359 --> 00:25:45,399
Speaker 1: Blaine. Yeah, and we'll like and then we do like

457
00:25:45,440 --> 00:25:48,840
Speaker 1: the whole like senior fun night where we break in

458
00:25:49,680 --> 00:25:52,880
Speaker 1: eventually and we do this is a fun little beginning

459
00:25:52,920 --> 00:25:57,280
Speaker 1: of like this trio, which I really really good. Yeah,

460
00:25:57,320 --> 00:26:00,359
Speaker 1: I really enjoyed it. It's ridiculous we're actually here to

461
00:26:00,359 --> 00:26:04,720
Speaker 1: get that break in episode is something else too.

462
00:26:05,200 --> 00:26:07,520
Speaker 2: I think you all are making each other more insane.

463
00:26:08,240 --> 00:26:10,040
Speaker 1: Yes, definitely because I.

464
00:26:11,840 --> 00:26:15,240
Speaker 2: Yes, I think it felt like on set you're sort

465
00:26:15,280 --> 00:26:18,240
Speaker 2: of encouraging the craziness of it all.

466
00:26:18,840 --> 00:26:20,840
Speaker 1: Yes, that's so true.

467
00:26:21,320 --> 00:26:24,920
Speaker 2: It's like Chord coming into his like comedic genius. I think, yes,

468
00:26:25,480 --> 00:26:27,399
Speaker 2: really settling into it.

469
00:26:27,200 --> 00:26:31,560
Speaker 1: Really really brilliant. Okay, so they go to the let's

470
00:26:31,560 --> 00:26:33,320
Speaker 1: go into the other storyline.

471
00:26:33,440 --> 00:26:35,840
Speaker 2: No, I'm talking about you for one more second. Do

472
00:26:35,920 --> 00:26:38,640
Speaker 2: you know you're a really good comedic actress?

473
00:26:43,040 --> 00:26:45,320
Speaker 1: No, I don't. I like comedy, but I don't know

474
00:26:45,320 --> 00:26:45,960
Speaker 1: that I'm good at it.

475
00:26:46,040 --> 00:26:48,200
Speaker 2: Because I know I just said that about Chord, but

476
00:26:48,240 --> 00:26:52,680
Speaker 2: the same thing goes for you, because I've done auditions

477
00:26:52,720 --> 00:27:00,919
Speaker 2: with you and you've booked comedic things, like you're really funny.

478
00:26:59,600 --> 00:27:00,720
Speaker 1: That's funny. Thanks.

479
00:27:00,920 --> 00:27:05,919
Speaker 2: I I think you feel dumb doing it, yeah, or

480
00:27:05,920 --> 00:27:07,840
Speaker 2: like you're more serious than that in real life.

481
00:27:08,359 --> 00:27:09,879
Speaker 1: Yeah, yeah for sure, but when you.

482
00:27:09,920 --> 00:27:14,200
Speaker 2: Let yourself go there, you're a really really like great

483
00:27:14,240 --> 00:27:15,000
Speaker 2: comedic actor.

484
00:27:15,480 --> 00:27:18,520
Speaker 1: Thanks. I try not to like think about it too

485
00:27:18,600 --> 00:27:22,800
Speaker 1: much because I do think like I'll find myself going

486
00:27:22,960 --> 00:27:25,160
Speaker 1: places where I haven't met seventy four and I say

487
00:27:25,200 --> 00:27:27,440
Speaker 1: things and they think it's really funny, and I'm not

488
00:27:27,480 --> 00:27:31,640
Speaker 1: trying to be funny at all, and so I realize, like, oh,

489
00:27:31,720 --> 00:27:34,760
Speaker 1: I think I'm just naturally like a little weird and

490
00:27:34,840 --> 00:27:38,159
Speaker 1: people think it's funny. So I like try not to

491
00:27:38,200 --> 00:27:39,879
Speaker 1: think about it too much because I'm like, oh, I

492
00:27:39,920 --> 00:27:40,880
Speaker 1: think it just works.

493
00:27:41,520 --> 00:27:43,640
Speaker 2: Yeah, I think it's I think it sort of goes

494
00:27:43,680 --> 00:27:45,560
Speaker 2: to like that scene of you singing in the locker

495
00:27:45,640 --> 00:27:51,800
Speaker 2: room where you're being serious but it's really funny.

496
00:27:51,880 --> 00:27:55,679
Speaker 1: Yeah, just naturally, I'm just naturally funny.

497
00:27:55,720 --> 00:27:59,040
Speaker 2: Okay, not everybody has a Donna, and you do so.

498
00:28:00,840 --> 00:28:03,359
Speaker 1: Well. I love comedy, I really do. I think it's

499
00:28:04,920 --> 00:28:07,399
Speaker 1: it's just the most fun to do. I don't know

500
00:28:07,400 --> 00:28:13,200
Speaker 1: how people do serious shows all the time, but but thanks,

501
00:28:13,320 --> 00:28:18,239
Speaker 1: I appreciate it. Well, we get into some craziness out

502
00:28:18,280 --> 00:28:21,480
Speaker 1: of Tina, so don't hold your horses. Don't worry, there's

503
00:28:21,520 --> 00:28:22,160
Speaker 1: more to come.

504
00:28:22,359 --> 00:28:22,800
Speaker 2: I love you.

505
00:28:22,920 --> 00:28:23,000
Speaker 3: Know.

506
00:28:23,080 --> 00:28:24,800
Speaker 2: The crazier she is, the more I'm upset.

507
00:28:24,880 --> 00:28:27,000
Speaker 1: I know you lover. We had to go to this

508
00:28:27,080 --> 00:28:28,960
Speaker 1: Sam story that I'm though because we're kind of talking

509
00:28:29,000 --> 00:28:31,720
Speaker 1: about it a little bit, and obviously Cord is really

510
00:28:32,520 --> 00:28:33,240
Speaker 1: coming into his.

511
00:28:33,280 --> 00:28:40,760
Speaker 2: Own Cato these scenes shows an iPad of some crazy footage, brilliant,

512
00:28:41,000 --> 00:28:44,080
Speaker 2: Like did he edit this together? What is the story?

513
00:28:44,120 --> 00:28:46,520
Speaker 1: I don't care, it doesn't matter.

514
00:28:46,920 --> 00:28:47,920
Speaker 2: I buy it.

515
00:28:48,080 --> 00:28:51,720
Speaker 1: Yes, I buy it. And he's convinced that the Warblers

516
00:28:51,800 --> 00:28:55,080
Speaker 1: cheated Sectionals, but like obviously, Blaine's like, we have no proof.

517
00:28:55,160 --> 00:28:58,040
Speaker 1: So he's like, well, I'm gonna find you.

518
00:28:58,400 --> 00:29:01,160
Speaker 2: The party took some secret video for such a void rage.

519
00:29:01,800 --> 00:29:06,280
Speaker 1: Oh my god, that was really funny. That was a

520
00:29:06,400 --> 00:29:11,880
Speaker 1: really funny scene just tearing up the coffee. Well it

521
00:29:12,000 --> 00:29:14,480
Speaker 1: was the coffee bean tea leaf in real life at Paramount,

522
00:29:14,680 --> 00:29:15,360
Speaker 1: but it's.

523
00:29:15,360 --> 00:29:19,240
Speaker 2: The coffee bean, I don't know.

524
00:29:19,840 --> 00:29:20,680
Speaker 1: This is the line of Bean.

525
00:29:21,640 --> 00:29:24,600
Speaker 2: Every time I every time I see on the screen

526
00:29:24,600 --> 00:29:26,800
Speaker 2: at I'm like, I just want to pure chocolate.

527
00:29:27,520 --> 00:29:31,000
Speaker 1: I know. I loved going to that coffee.

528
00:29:31,520 --> 00:29:34,120
Speaker 2: It was so close too. They sold like DVD's.

529
00:29:35,200 --> 00:29:37,960
Speaker 1: Shirts. Yeah, we loved getting March.

530
00:29:38,640 --> 00:29:43,120
Speaker 2: Yeah, okay, so they noticed that ward where Trent is

531
00:29:43,200 --> 00:29:47,960
Speaker 2: missing or was missing from their performance and it just disappeared.

532
00:29:49,200 --> 00:29:52,840
Speaker 2: Oh god. And Sam's like, whole thing. They don't even

533
00:29:52,880 --> 00:29:55,720
Speaker 2: show it. He just goes away and comes back randomly.

534
00:29:56,240 --> 00:29:59,080
Speaker 2: And then at the Sadie Hawkins dance finally comes in

535
00:30:00,040 --> 00:30:01,920
Speaker 2: interrupts your what you think is going to be a case,

536
00:30:02,920 --> 00:30:06,240
Speaker 2: which is so sad but so satisfyingly awkward.

537
00:30:06,320 --> 00:30:09,560
Speaker 1: Jenna awkward, so awkward. I loved it, but it was

538
00:30:09,600 --> 00:30:14,400
Speaker 1: so awkward. You're like, oh god, poor Tina once again.

539
00:30:15,400 --> 00:30:21,440
Speaker 2: Oh my god, wait Tina. I died laughing because Finn

540
00:30:21,960 --> 00:30:24,360
Speaker 2: cuts Tina off when she's introducing the song. I'm like,

541
00:30:24,480 --> 00:30:26,120
Speaker 2: she can't even give a monologue with.

542
00:30:26,120 --> 00:30:29,440
Speaker 1: Them, right, He's like, that's it, just move it along

543
00:30:29,480 --> 00:30:34,640
Speaker 1: here we lose the locker room, so hurry up. You

544
00:30:34,720 --> 00:30:36,640
Speaker 1: know what, I was like, you know what, less lines

545
00:30:36,680 --> 00:30:41,680
Speaker 1: for Tina now is the better better. I loved being

546
00:30:41,680 --> 00:30:44,160
Speaker 1: in that locker room, though I liked being in different

547
00:30:44,760 --> 00:30:48,920
Speaker 1: yes places. It really just revives the energy.

548
00:30:49,640 --> 00:30:54,960
Speaker 2: So out of the showers comes Warbler Trent and admits

549
00:30:55,320 --> 00:30:56,520
Speaker 2: to the steroid scheme.

550
00:30:57,560 --> 00:31:01,160
Speaker 1: Hunter forced them to take steroids. Obviously that is against

551
00:31:01,280 --> 00:31:04,560
Speaker 1: show choir rules. And this is the thing that's going

552
00:31:04,560 --> 00:31:08,560
Speaker 1: to bring new directions back to life. It's very exciting,

553
00:31:09,000 --> 00:31:13,080
Speaker 1: and he's nervous. He doesn't want to tattletell.

554
00:31:13,920 --> 00:31:16,320
Speaker 2: Yes, and also Finn wants to make sure like this

555
00:31:16,480 --> 00:31:21,520
Speaker 2: is legit, like right, a big activation. They're very respected

556
00:31:21,560 --> 00:31:27,800
Speaker 2: in the Gley world. So yes, we can't. So we'll

557
00:31:27,800 --> 00:31:29,960
Speaker 2: see the file out from that in the weeks to come.

558
00:31:30,880 --> 00:31:31,440
Speaker 1: Yeah, we might.

559
00:31:31,560 --> 00:31:35,520
Speaker 2: The other thing happening at McKinley is obviously more Sadie's

560
00:31:35,760 --> 00:31:37,760
Speaker 2: Sadie Hawkins miss Yeah.

561
00:31:38,000 --> 00:31:42,200
Speaker 1: So Brittany decides Brittany and Marley's scene for by the Way,

562
00:31:42,240 --> 00:31:45,440
Speaker 1: where they introduced. When she introduces herself, she's like, well,

563
00:31:45,480 --> 00:31:49,080
Speaker 1: we've never talked before, so it's so good. She convinces

564
00:31:49,200 --> 00:31:58,040
Speaker 1: Marlee to ask Jake to the dance, and Kitty, who

565
00:31:58,080 --> 00:32:02,320
Speaker 1: is also planning to asked Jake to go to the

566
00:32:02,400 --> 00:32:07,720
Speaker 1: dance very maliciously, I guess.

567
00:32:07,840 --> 00:32:09,960
Speaker 2: But didn't you all go into this number?

568
00:32:11,200 --> 00:32:14,000
Speaker 1: Oh god, I forgot this was in this episode, and

569
00:32:14,040 --> 00:32:21,680
Speaker 1: I'm so glad it was Marley and Brittany. We magically

570
00:32:21,720 --> 00:32:27,480
Speaker 1: appear in blue dresses. Did you tell him? I love

571
00:32:27,520 --> 00:32:32,200
Speaker 1: this number? It is the most fun. It's a really

572
00:32:32,320 --> 00:32:33,800
Speaker 1: long number, it is, but.

573
00:32:33,800 --> 00:32:35,400
Speaker 2: I was really glad it was. I didn't want it

574
00:32:35,440 --> 00:32:37,520
Speaker 2: to end, and.

575
00:32:38,400 --> 00:32:40,880
Speaker 1: My gosh, it was fun to do that. I love

576
00:32:40,920 --> 00:32:43,640
Speaker 1: that song, by the way, never heard before my life

577
00:32:44,120 --> 00:32:47,400
Speaker 1: really before doing this. Yeah, I don't know why.

578
00:32:48,640 --> 00:32:50,280
Speaker 2: I mean, I can't say really, It's like me with

579
00:32:50,320 --> 00:32:51,360
Speaker 2: every musical theater song.

580
00:32:51,480 --> 00:32:53,600
Speaker 1: No, but I just I don't know why. Like I'm

581
00:32:54,280 --> 00:32:55,680
Speaker 1: I'm familiar like.

582
00:32:57,360 --> 00:32:57,760
Speaker 2: With like.

583
00:32:59,200 --> 00:33:02,520
Speaker 1: That genre, and I don't know, I don't know, it

584
00:33:02,640 --> 00:33:04,560
Speaker 1: just slipped through my fingers. Anyway, I'm just glad I

585
00:33:04,640 --> 00:33:07,479
Speaker 1: came into my life because us in those blue outfits.

586
00:33:07,520 --> 00:33:09,640
Speaker 1: We had so much fun doing this number. We were

587
00:33:09,680 --> 00:33:12,680
Speaker 1: being absolutely ridiculous. I always love them molisted to numbers

588
00:33:12,720 --> 00:33:14,800
Speaker 1: like this because she was like the leader and she

589
00:33:14,800 --> 00:33:16,880
Speaker 1: would set the tone and she always did like she

590
00:33:16,920 --> 00:33:20,360
Speaker 1: was always like a little weird too, very funny and

591
00:33:20,400 --> 00:33:23,120
Speaker 1: weird and so like you follow her lead, like in

592
00:33:23,880 --> 00:33:25,880
Speaker 1: Diamonds Are a Girl's Best Friend when she does, like

593
00:33:25,920 --> 00:33:29,480
Speaker 1: everything's going so well, Like we all kind of gave

594
00:33:29,520 --> 00:33:35,239
Speaker 1: that energy. Yeah, remember you loving this number when we

595
00:33:35,240 --> 00:33:35,440
Speaker 1: were of.

596
00:33:35,440 --> 00:33:39,600
Speaker 2: Course are kidding. There's two girl numbers in this episode,

597
00:33:39,880 --> 00:33:43,440
Speaker 2: and they're just always the best thing because you're all

598
00:33:43,560 --> 00:33:46,880
Speaker 2: so so good and like the choreography is looking how

599
00:33:46,920 --> 00:33:49,960
Speaker 2: it's supposed to look. Everybody sounds great. You look like

600
00:33:50,000 --> 00:33:50,800
Speaker 2: you're having fun.

601
00:33:51,360 --> 00:33:54,840
Speaker 1: Yes, we were having fun. Yeah, we all went to Chipotle.

602
00:33:56,200 --> 00:33:59,200
Speaker 1: We actually this was like a running thing now we

603
00:33:59,320 --> 00:34:05,280
Speaker 1: love Chipotle, and we ordered the catering box, oh yeah,

604
00:34:05,320 --> 00:34:07,120
Speaker 1: at lunch and we went and picked it up. It

605
00:34:07,160 --> 00:34:11,799
Speaker 1: was like this massive box that Vanessa's carrying around. But yeah,

606
00:34:11,800 --> 00:34:14,680
Speaker 1: the girls like getting these numbers to do with the

607
00:34:14,719 --> 00:34:17,600
Speaker 1: girls like bonded us even more because the you know,

608
00:34:17,640 --> 00:34:21,840
Speaker 1: they were still fairly new and so I remember this

609
00:34:21,880 --> 00:34:24,240
Speaker 1: one also really kind of solidifying the friendship.

610
00:34:24,680 --> 00:34:25,080
Speaker 2: Mm hmm.

611
00:34:26,120 --> 00:34:27,600
Speaker 1: It was a great number.

612
00:34:28,560 --> 00:34:31,640
Speaker 2: There's a shot in the hallway as you're heading into

613
00:34:31,680 --> 00:34:33,719
Speaker 2: the Spanish troop and like somebody just comes out of

614
00:34:33,760 --> 00:34:37,440
Speaker 2: the choir room, like there's this another body shooting, and

615
00:34:37,480 --> 00:34:39,440
Speaker 2: I like giggled. So I'm like, that is so weird

616
00:34:40,000 --> 00:34:43,359
Speaker 2: and so funny. And I also like and these numbers too,

617
00:34:44,080 --> 00:34:48,160
Speaker 2: Like Zach and Brooke were in on the comedy of

618
00:34:48,200 --> 00:34:50,040
Speaker 2: it all obviously, yeah, and so like they would be

619
00:34:50,080 --> 00:34:52,319
Speaker 2: like that's weird, let's throw that in, and so they

620
00:34:52,560 --> 00:34:55,239
Speaker 2: would be those little things like let's just have this

621
00:34:55,280 --> 00:34:56,239
Speaker 2: person pop out of.

622
00:34:56,160 --> 00:34:58,759
Speaker 1: Nowhere and and like go there.

623
00:35:00,840 --> 00:35:04,520
Speaker 2: The best part, honestly of filming the show with moments

624
00:35:04,520 --> 00:35:08,680
Speaker 2: like this where I got to like just be there

625
00:35:09,320 --> 00:35:12,200
Speaker 2: and watch a great performance, like are you kidding me?

626
00:35:13,120 --> 00:35:16,319
Speaker 2: It was so much fun. Obviously, performing a number that

627
00:35:16,360 --> 00:35:19,800
Speaker 2: you love them are proud of is one thing, but

628
00:35:20,400 --> 00:35:23,640
Speaker 2: sit and watch it's just like the most special, special thing.

629
00:35:24,239 --> 00:35:27,120
Speaker 2: I will never get over that. Like I never got.

630
00:35:27,000 --> 00:35:30,000
Speaker 1: Tired of that. I know you were like our cheerleader.

631
00:35:30,080 --> 00:35:33,160
Speaker 2: Because it was Troubletones number. I mean it basically was

632
00:35:34,239 --> 00:35:37,120
Speaker 2: you know, it's like the boys could not dance to

633
00:35:37,120 --> 00:35:38,280
Speaker 2: save our lives.

634
00:35:39,160 --> 00:35:42,440
Speaker 1: I had the charm we like. I liked watching who

635
00:35:42,480 --> 00:35:44,000
Speaker 1: was that number you guys did for dot?

636
00:35:44,280 --> 00:35:46,880
Speaker 2: Yeah, but you know there's only so much charm. I'm

637
00:35:47,320 --> 00:35:50,759
Speaker 2: give me five, six, seven, eight. I want to see

638
00:35:50,760 --> 00:35:51,440
Speaker 2: a dance.

639
00:35:51,719 --> 00:35:54,440
Speaker 1: Yeah, this is fun. This was This was like a

640
00:35:54,480 --> 00:35:57,280
Speaker 1: special one. I love this one. I was so thrilled

641
00:35:57,280 --> 00:35:58,759
Speaker 1: when it was in it. I really thought this was

642
00:35:58,760 --> 00:36:00,160
Speaker 1: a later episode.

643
00:36:00,840 --> 00:36:03,160
Speaker 2: I also was because it comes right after your rejection.

644
00:36:03,400 --> 00:36:05,480
Speaker 2: And then it's just like Gina smiling in the background.

645
00:36:05,480 --> 00:36:07,120
Speaker 2: I'm like, you know, she's a real girls girl here

646
00:36:07,600 --> 00:36:08,160
Speaker 2: she is.

647
00:36:08,520 --> 00:36:14,359
Speaker 1: She's just supporting Marlee on her journey. And Jake says, yes,

648
00:36:14,400 --> 00:36:16,560
Speaker 1: that's He's very excited to go with her. So he

649
00:36:16,600 --> 00:36:20,360
Speaker 1: goes with her and Puck. So we get a pucking

650
00:36:20,440 --> 00:36:24,560
Speaker 1: kitty scene also where Puck's like, stop messing with my brother.

651
00:36:25,480 --> 00:36:29,680
Speaker 2: Well, because Marlee comes in and is like, Jake, actually

652
00:36:29,719 --> 00:36:31,520
Speaker 2: you should go with me because now I put out.

653
00:36:32,000 --> 00:36:34,719
Speaker 2: He's like huh, and then Puck talks him out of it.

654
00:36:35,640 --> 00:36:38,239
Speaker 1: You're kitty kiddy? You mean Kitty goes in and says that,

655
00:36:38,600 --> 00:36:39,000
Speaker 1: but what.

656
00:36:38,920 --> 00:36:39,439
Speaker 2: Did I say?

657
00:36:39,760 --> 00:36:45,240
Speaker 1: Marley? Oh shit, that's okay, that's the one. Yeah. Marley

658
00:36:45,280 --> 00:36:51,760
Speaker 1: goes in and says that, yeah, but Kitty, oh kitty,

659
00:36:52,120 --> 00:36:57,239
Speaker 1: Oh my god? Which you did? I have I have

660
00:36:57,360 --> 00:37:00,840
Speaker 1: a I have a reason, I of a I'm growing

661
00:37:00,880 --> 00:37:01,520
Speaker 1: a person.

662
00:37:03,080 --> 00:37:06,279
Speaker 2: That's true, Jenny, you haven't talked about being pregnant.

663
00:37:06,040 --> 00:37:09,200
Speaker 1: Yet, I'm sorry in the middle of a recap, I haven't.

664
00:37:09,560 --> 00:37:11,640
Speaker 1: I've been pregnant for a while while we're doing these recaps,

665
00:37:11,920 --> 00:37:14,799
Speaker 1: and there's sometimes where I actually blackout and think we

666
00:37:14,880 --> 00:37:17,040
Speaker 1: haven't done like a recap yet, and we've done the

667
00:37:17,040 --> 00:37:21,440
Speaker 1: whole episode, and I'm swear my brain is shrinking. It's

668
00:37:21,480 --> 00:37:24,399
Speaker 1: amazing me if I make some mistakes because I have

669
00:37:24,440 --> 00:37:24,920
Speaker 1: no brain.

670
00:37:25,400 --> 00:37:27,480
Speaker 2: Even with that, you're still better than me at this.

671
00:37:27,800 --> 00:37:37,200
Speaker 2: So you're raising a child, you're growing another child, and

672
00:37:37,320 --> 00:37:38,759
Speaker 2: yet you're still much.

673
00:37:39,280 --> 00:37:45,239
Speaker 1: My brain is tiny, it's shrinking by the minute. Did

674
00:37:45,239 --> 00:37:47,600
Speaker 1: you know that brain actually shrinks when you have by

675
00:37:47,640 --> 00:37:51,480
Speaker 1: the t because isn't the child just like sucking your

676
00:37:51,520 --> 00:37:55,400
Speaker 1: life for intelligence? Yeah?

677
00:37:54,440 --> 00:37:57,759
Speaker 2: Yeah, your brain won't drink that much because there's not

678
00:37:57,840 --> 00:37:58,759
Speaker 2: that much intelligence.

679
00:37:59,280 --> 00:38:05,720
Speaker 1: Suck. It's fair, it's fair. So whatever I've got left

680
00:38:05,760 --> 00:38:06,799
Speaker 1: and that's.

681
00:38:06,560 --> 00:38:12,000
Speaker 2: It, I'm just projecting, don't worry it. Luck see, anyway,

682
00:38:12,040 --> 00:38:12,799
Speaker 2: you can't.

683
00:38:12,520 --> 00:38:15,520
Speaker 1: You can, no nobody else can. Katie goes in. She

684
00:38:15,640 --> 00:38:17,399
Speaker 1: says that she's going to put out for a jake,

685
00:38:17,560 --> 00:38:21,080
Speaker 1: and then Puck's like, hey, yo, stop messing with my brother.

686
00:38:21,600 --> 00:38:25,920
Speaker 1: He's taken, And she's like well, do you want to

687
00:38:25,960 --> 00:38:27,160
Speaker 1: go to the dance?

688
00:38:27,200 --> 00:38:29,440
Speaker 2: I don't like it. Don't like it.

689
00:38:29,440 --> 00:38:35,160
Speaker 1: It's so weird, but it's very reminiscent of like grease

690
00:38:35,320 --> 00:38:37,960
Speaker 1: to me, it's like a very grease scene where they're like,

691
00:38:38,040 --> 00:38:39,680
Speaker 1: let's go make out in the back of my car

692
00:38:39,920 --> 00:38:45,600
Speaker 1: kind of right, It is very grease, weird. H needed

693
00:38:45,680 --> 00:38:48,680
Speaker 1: to get Kitty off of Jake's back, so this was

694
00:38:48,719 --> 00:38:50,200
Speaker 1: the distraction. I guess.

695
00:38:50,560 --> 00:38:53,680
Speaker 2: Then we get we get two numbers at Sadie Hawkins.

696
00:38:53,680 --> 00:38:55,440
Speaker 2: Sadie Hawkins looks beautiful by the.

697
00:38:55,360 --> 00:38:57,720
Speaker 1: Way, I mean, urgeous, good job, Tina.

698
00:38:59,360 --> 00:39:01,640
Speaker 2: Tina smashed it as.

699
00:39:02,080 --> 00:39:09,320
Speaker 1: Actually production yeo, yeah, exactly. It was beautiful, really beautiful.

700
00:39:09,040 --> 00:39:10,840
Speaker 2: Like that would be the best.

701
00:39:10,560 --> 00:39:13,239
Speaker 1: Like like dance looking.

702
00:39:14,239 --> 00:39:16,600
Speaker 2: It's definitely the best run. But it may be the

703
00:39:16,600 --> 00:39:19,120
Speaker 2: best one I've ever seen in like a teen show.

704
00:39:20,160 --> 00:39:22,040
Speaker 2: It's beautiful. It's beautiful.

705
00:39:22,480 --> 00:39:25,960
Speaker 1: No, it's very very pretty. I think I think they

706
00:39:25,960 --> 00:39:28,160
Speaker 1: did a really good job. They ad to themselves. I

707
00:39:28,280 --> 00:39:31,520
Speaker 1: Cedy Hawkins was really fun. That was a fun one.

708
00:39:33,719 --> 00:39:37,320
Speaker 1: It did feel like prom the way we shot it, obviously,

709
00:39:37,880 --> 00:39:43,160
Speaker 1: and there were numbers and the boys did Yes, we

710
00:39:43,239 --> 00:39:44,560
Speaker 1: love that, We.

711
00:39:44,440 --> 00:39:46,560
Speaker 2: Love that had a great time, and Blake and I

712
00:39:46,600 --> 00:39:50,719
Speaker 2: were really happy because the beginning of the season, when

713
00:39:50,719 --> 00:39:55,240
Speaker 2: they first got on me and Blake and Melissa and

714
00:39:55,880 --> 00:39:57,880
Speaker 2: who else, we all flew to New York together and

715
00:39:58,040 --> 00:40:01,560
Speaker 2: for some reason he and I became obsessed with no

716
00:40:01,640 --> 00:40:06,840
Speaker 2: Scrubs and we kept calling each other scrubs and we're like,

717
00:40:06,960 --> 00:40:09,040
Speaker 2: weird song on the show, And then it just naturally

718
00:40:09,120 --> 00:40:10,200
Speaker 2: ended up on the show.

719
00:40:10,239 --> 00:40:13,040
Speaker 1: That did they know? I don't They didn't know.

720
00:40:13,920 --> 00:40:17,439
Speaker 2: I don't think so. I don't know, but.

721
00:40:17,719 --> 00:40:20,320
Speaker 1: Well, you guys sounded great. I love this version.

722
00:40:20,840 --> 00:40:23,000
Speaker 2: Oh, we had the best time doing that.

723
00:40:23,400 --> 00:40:29,720
Speaker 1: We had such a really fun and the dancing was funny,

724
00:40:30,000 --> 00:40:34,799
Speaker 1: Like you guys were giving it. I was going, I

725
00:40:34,880 --> 00:40:37,000
Speaker 1: was here for it. Yeah, I was. I believe the

726
00:40:37,040 --> 00:40:39,480
Speaker 1: whole thing. I just loved it. You guys doing the

727
00:40:39,480 --> 00:40:41,040
Speaker 1: whole car. I don't know.

728
00:40:41,120 --> 00:40:44,640
Speaker 2: I was slow. It was Beaker really did it?

729
00:40:45,040 --> 00:40:45,279
Speaker 1: You know?

730
00:40:45,480 --> 00:40:45,680
Speaker 2: Yeah?

731
00:40:45,719 --> 00:40:48,640
Speaker 1: And you guys did. Really. It was a good version.

732
00:40:48,680 --> 00:40:52,360
Speaker 2: And I was very I was also just like precious

733
00:40:52,719 --> 00:40:56,719
Speaker 2: about certain songs, and I like, if the song meant

734
00:40:56,719 --> 00:40:58,399
Speaker 2: a lot to me, I wanted to make sure I

735
00:40:58,440 --> 00:41:02,799
Speaker 2: got enough on it, and they knew i'dn't have to

736
00:41:02,800 --> 00:41:06,319
Speaker 2: fight for this one. They gave me my Chili and

737
00:41:06,360 --> 00:41:07,600
Speaker 2: tea boss ad libs.

738
00:41:07,920 --> 00:41:10,040
Speaker 1: Yeah, I don't know that there's anybody els who could

739
00:41:10,080 --> 00:41:12,799
Speaker 1: have done that anyway in this group, so that's that's

740
00:41:12,840 --> 00:41:15,719
Speaker 1: not true. Wow, you would have done it. You did

741
00:41:15,760 --> 00:41:19,840
Speaker 1: it the best. And then also the boys do you

742
00:41:19,840 --> 00:41:21,600
Speaker 1: guys do? I only have ice for you? Which is

743
00:41:21,640 --> 00:41:24,080
Speaker 1: adorable and I haven't heard Riders sing in a while,

744
00:41:24,120 --> 00:41:26,840
Speaker 1: and I just loved it. Very sweet. Loved this song.

745
00:41:28,400 --> 00:41:32,480
Speaker 1: It was greatly condition of it really good, right, yeah,

746
00:41:32,760 --> 00:41:36,279
Speaker 1: very classic. I like they kept to the integrity of

747
00:41:36,320 --> 00:41:40,160
Speaker 1: the original. Mm hmm, Yeah, you guys sounded great.

748
00:41:41,080 --> 00:41:43,600
Speaker 2: Blocked out of Heaven was so good.

749
00:41:44,560 --> 00:41:47,920
Speaker 1: I for some reason conflated this one with love you

750
00:41:48,000 --> 00:41:49,960
Speaker 1: like a love song because it feels like that happened

751
00:41:50,000 --> 00:41:51,200
Speaker 1: two episodes ago.

752
00:41:52,000 --> 00:41:54,399
Speaker 2: I remember where I was when you guys rehearsed this

753
00:41:55,040 --> 00:41:57,880
Speaker 2: on stage like four camera. That's how much I loved

754
00:41:57,920 --> 00:42:01,919
Speaker 2: this number, really because ibviously hadn't seen it, and then

755
00:42:03,600 --> 00:42:06,799
Speaker 2: girls get up there and rehearse it for camera, and

756
00:42:06,840 --> 00:42:11,239
Speaker 2: I was say, yes, wow, absolutely Alex's ad libs. I

757
00:42:11,320 --> 00:42:13,120
Speaker 2: still sing them in my head when the song comes on.

758
00:42:14,640 --> 00:42:16,320
Speaker 1: Really he loved this.

759
00:42:17,160 --> 00:42:19,239
Speaker 2: Yeah, I think that's I do think that's just like

760
00:42:19,280 --> 00:42:23,280
Speaker 2: a really great song in general. And then it's fun.

761
00:42:24,000 --> 00:42:24,680
Speaker 1: It's really fun.

762
00:42:24,880 --> 00:42:29,560
Speaker 2: The mixture of voices right now and great like are

763
00:42:29,600 --> 00:42:30,600
Speaker 2: just really great together.

764
00:42:32,320 --> 00:42:34,839
Speaker 1: I'm enjoying. I'm enjoying this time as well.

765
00:42:35,080 --> 00:42:37,239
Speaker 2: The ladies are just having fun. Like everyone looks like

766
00:42:37,280 --> 00:42:40,160
Speaker 2: they're having so much fun. And that's not faked.

767
00:42:40,840 --> 00:42:44,080
Speaker 1: No, that wasn't faked. And I remember I think Zach

768
00:42:44,160 --> 00:42:47,080
Speaker 1: too like giving us the freedom to like be our

769
00:42:47,160 --> 00:42:50,440
Speaker 1: characters but also do all this choreography and like it's

770
00:42:50,560 --> 00:42:52,279
Speaker 1: just like we're so far down the line now at

771
00:42:52,320 --> 00:42:54,279
Speaker 1: this point. He's like just like do your thing and

772
00:42:54,360 --> 00:42:56,759
Speaker 1: like kind of stand in a straight line and like

773
00:42:56,800 --> 00:42:59,960
Speaker 1: have fun, you know. Yeah, And Brad Peeker is like

774
00:43:00,200 --> 00:43:03,480
Speaker 1: did energy to with like getting this done in time?

775
00:43:03,640 --> 00:43:07,919
Speaker 1: Like you weren't. We weren't like crawling on the floor, yeah,

776
00:43:08,080 --> 00:43:13,239
Speaker 1: like scraping at the ground Like this was like yeah, manageable. Yeah.

777
00:43:14,000 --> 00:43:15,920
Speaker 1: But it was a good group of people too. People

778
00:43:15,920 --> 00:43:17,120
Speaker 1: were like happy to be there.

779
00:43:17,840 --> 00:43:20,000
Speaker 2: Yeah, loved it.

780
00:43:20,560 --> 00:43:24,000
Speaker 1: Okay, this is a funsh okay.

781
00:43:24,200 --> 00:43:25,960
Speaker 2: So that's sort of it.

782
00:43:26,000 --> 00:43:29,440
Speaker 1: In Lima, Oh right, and we have Kururt Kurt trying

783
00:43:29,480 --> 00:43:33,840
Speaker 1: to uh figure out what's going on in YEAHA making

784
00:43:33,920 --> 00:43:34,799
Speaker 1: his way.

785
00:43:34,840 --> 00:43:39,200
Speaker 2: And Rachel just always busy and getting busy with Brody.

786
00:43:39,239 --> 00:43:44,640
Speaker 1: It seems like, I mean they're gonna move really fast.

787
00:43:45,200 --> 00:43:47,600
Speaker 1: They really yeah, Like.

788
00:43:49,120 --> 00:43:53,000
Speaker 2: It makes a joke about her almost getting married in

789
00:43:53,080 --> 00:43:56,960
Speaker 2: high school and she asked them to move in like

790
00:43:57,080 --> 00:44:02,200
Speaker 2: girl pump the brakes, slow it down.

791
00:44:04,560 --> 00:44:08,160
Speaker 1: Kurt is trying to find like his way because Rachel

792
00:44:09,480 --> 00:44:12,160
Speaker 1: kind of has already navigated her way through the beginning

793
00:44:12,200 --> 00:44:14,959
Speaker 1: of Nada. She's with Brody, and Kurt's like, I gotta

794
00:44:14,960 --> 00:44:16,440
Speaker 1: find some new friends.

795
00:44:16,040 --> 00:44:19,600
Speaker 2: And like, you know, there's only one room at NYADA.

796
00:44:20,520 --> 00:44:29,440
Speaker 1: Apparently apparently they are. He's going to meet some a

797
00:44:29,480 --> 00:44:33,640
Speaker 1: guy named Adam. He's going to show him Adam's Apple.

798
00:44:34,760 --> 00:44:43,680
Speaker 2: Adam shows him as Apples maybe go back. After Rachel

799
00:44:43,719 --> 00:44:45,279
Speaker 2: tries to tell him not to sign up for this

800
00:44:45,360 --> 00:44:46,200
Speaker 2: acapella group.

801
00:44:47,040 --> 00:44:49,279
Speaker 1: It's like, you're going to be what did she say,

802
00:44:49,280 --> 00:44:50,600
Speaker 1: You're going to be on a cruise ship forever or

803
00:44:50,640 --> 00:44:51,200
Speaker 1: something like that.

804
00:44:51,280 --> 00:44:53,279
Speaker 2: Yeah, nothing, the cruise ship.

805
00:44:53,960 --> 00:44:56,399
Speaker 1: No, but obviously the goal is Broadway not.

806
00:44:58,200 --> 00:45:01,320
Speaker 2: But he can't help it. And Adam, of Adam's Apples

807
00:45:01,320 --> 00:45:06,520
Speaker 2: fame is very charming and British and he invites him

808
00:45:06,560 --> 00:45:09,479
Speaker 2: to go see them sing, and he really wants them

809
00:45:09,600 --> 00:45:12,319
Speaker 2: and butters him up with all kinds of flattery that

810
00:45:12,400 --> 00:45:16,000
Speaker 2: Kurt really needs to hear right now. And did they

811
00:45:16,040 --> 00:45:20,000
Speaker 2: do this insane rendition of baby cut back?

812
00:45:20,280 --> 00:45:22,800
Speaker 1: I feel like I was transported into a different show,

813
00:45:25,040 --> 00:45:27,480
Speaker 1: Like what were they wearing?

814
00:45:28,120 --> 00:45:30,000
Speaker 2: It was so funny.

815
00:45:30,120 --> 00:45:32,120
Speaker 1: It was really funny and really weird.

816
00:45:32,880 --> 00:45:36,000
Speaker 2: It was odd because the show doesn't always feel like

817
00:45:36,040 --> 00:45:38,080
Speaker 2: a satire. And then you're like, oh.

818
00:45:39,000 --> 00:45:47,520
Speaker 1: Yes, yes, the very uncomfortable humor, but we love Adam's apples. Yeah,

819
00:45:47,719 --> 00:45:51,920
Speaker 1: because it was so bad and cringe, Oh, so cringey.

820
00:45:54,600 --> 00:45:57,200
Speaker 1: It's weird. It's a weird one. I don't know. I

821
00:45:57,239 --> 00:45:59,360
Speaker 1: don't know how to explain it otherwise.

822
00:45:59,120 --> 00:46:01,960
Speaker 2: Yeah, I don't either, because I liked it, but like

823
00:46:02,480 --> 00:46:03,319
Speaker 2: it definitely.

824
00:46:03,000 --> 00:46:06,920
Speaker 1: Wasn't like I couldn't look away, No, you know.

825
00:46:07,760 --> 00:46:10,719
Speaker 2: Like desperately needed to but couldn't. Totally.

826
00:46:11,280 --> 00:46:14,360
Speaker 1: I think that was the idea.

827
00:46:15,600 --> 00:46:21,080
Speaker 2: Well, it was very into Adam very quickly. I'm worried,

828
00:46:21,160 --> 00:46:21,720
Speaker 2: very quickly.

829
00:46:22,040 --> 00:46:27,719
Speaker 1: I am worried too, because he asks him out that's

830
00:46:27,760 --> 00:46:31,400
Speaker 1: gonna I don't know, I don't like it.

831
00:46:32,400 --> 00:46:36,239
Speaker 2: Kurt has a new crush. Blaine likes a straight boy,

832
00:46:37,280 --> 00:46:39,600
Speaker 2: Tina likes a gay boy. What is happening?

833
00:46:40,120 --> 00:46:42,839
Speaker 1: Rachel's asking Brodie to move in?

834
00:46:44,600 --> 00:46:47,640
Speaker 2: You know, these people are very talented. This is what

835
00:46:48,320 --> 00:46:53,120
Speaker 2: you know. This is a really good depiction of talented people.

836
00:46:53,920 --> 00:46:57,720
Speaker 2: You know, you see famous people breaking up and getting

837
00:46:57,760 --> 00:47:03,560
Speaker 2: married and divorced. Maybe the creativity does not mean they

838
00:47:03,640 --> 00:47:08,720
Speaker 2: necessarily good with other people. They're all very talented. Everyone

839
00:47:08,719 --> 00:47:12,280
Speaker 2: in Glee Club is very talented. They all have terrible

840
00:47:12,719 --> 00:47:18,359
Speaker 2: dating history, terrible, horrendous, questionable.

841
00:47:19,760 --> 00:47:22,520
Speaker 1: Yeah, well we're gonna do what happens with Niata because

842
00:47:22,560 --> 00:47:24,880
Speaker 1: Rachel's gonna ask Brody and moving with her, and Kurt's

843
00:47:24,880 --> 00:47:28,920
Speaker 1: gonna ask Adam out. We've yet to see how that

844
00:47:28,960 --> 00:47:29,600
Speaker 1: will play out.

845
00:47:30,680 --> 00:47:32,880
Speaker 2: Shout out to Tina's hair because your hair looks great

846
00:47:32,880 --> 00:47:33,480
Speaker 2: this episode.

847
00:47:33,640 --> 00:47:36,759
Speaker 1: Oh th that was I think this was the era

848
00:47:37,000 --> 00:47:42,239
Speaker 1: of Tina hair, our hair juster Tina. Oh yeah, mm

849
00:47:42,320 --> 00:47:48,680
Speaker 1: hmm to the best. Yeah, my bangs were rocking at

850
00:47:48,719 --> 00:47:51,400
Speaker 1: this point. This was like prime bang era for Tina

851
00:47:51,480 --> 00:47:52,000
Speaker 1: con Cheg.

852
00:47:55,000 --> 00:47:56,560
Speaker 2: It worked, whatever it was. I loved it.

853
00:48:04,400 --> 00:48:09,279
Speaker 1: Let's rate some numbers. I don't know how to love him.

854
00:48:09,440 --> 00:48:11,400
Speaker 2: I give it an a Yeah, give it an A.

855
00:48:11,520 --> 00:48:13,680
Speaker 2: You sounded phenomenal and you were hilarious.

856
00:48:13,960 --> 00:48:17,600
Speaker 1: Thanks, baby, got back. I give it a B. Yeah,

857
00:48:17,760 --> 00:48:23,160
Speaker 1: going with a bee. Tell him a plus A plus,

858
00:48:24,160 --> 00:48:26,920
Speaker 1: A plus A plus, I think so Locked out of

859
00:48:26,960 --> 00:48:34,840
Speaker 1: Heaven A plus plus. I only advise for you a jinx. Okay,

860
00:48:34,920 --> 00:48:36,719
Speaker 1: let's see some Chardi Jakes. I'm glad we were still

861
00:48:36,760 --> 00:48:45,680
Speaker 1: aligned there. Yeah, cringe moments, fucking kitty. Yeah, that's bye.

862
00:48:46,239 --> 00:48:48,600
Speaker 2: No, no, no, no no, we cannot have more of that.

863
00:48:48,600 --> 00:48:49,400
Speaker 1: That has to be the end.

864
00:48:49,920 --> 00:48:55,680
Speaker 2: And Rachel like bad mouthing stage managers and carpenters, show Choirt's.

865
00:48:55,440 --> 00:49:01,399
Speaker 1: Terrible little below the belt, Below the belt best dance move.

866
00:49:02,840 --> 00:49:03,239
Speaker 2: I don't know.

867
00:49:03,280 --> 00:49:07,120
Speaker 1: I think the no Scrubs really gets tell him for

868
00:49:07,480 --> 00:49:08,640
Speaker 1: a run for their money.

869
00:49:08,960 --> 00:49:10,880
Speaker 2: Well, I'll pick tell him, okay.

870
00:49:10,640 --> 00:49:17,000
Speaker 1: I'll go with No Shrubs best song. I'm gonna go

871
00:49:17,000 --> 00:49:18,480
Speaker 1: and tell him.

872
00:49:18,360 --> 00:49:19,560
Speaker 2: I might go with Lockout Heaven.

873
00:49:21,080 --> 00:49:25,480
Speaker 1: Wow. I wasn't expecting that one. Tell him that.

874
00:49:27,120 --> 00:49:31,960
Speaker 2: I like the I like the performance of telling him better,

875
00:49:32,000 --> 00:49:33,640
Speaker 2: but I would listen to Lockdout of Heaven more.

876
00:49:33,680 --> 00:49:37,959
Speaker 1: Okay, fair enough, I get that. I get that Do

877
00:49:37,960 --> 00:49:41,560
Speaker 1: Do Do Do can never on hear that it's Oh,

878
00:49:41,600 --> 00:49:43,480
Speaker 1: it lives in my brain forever. It's lived in my

879
00:49:43,480 --> 00:49:49,719
Speaker 1: brain since twenty thirteen. Best performance, very prop.

880
00:49:51,640 --> 00:50:02,360
Speaker 3: Oh I the needles, Oh my god. Yeah that no

881
00:50:02,480 --> 00:50:11,200
Speaker 3: Scrubs headset microphones. That's a good one. M the microphones

882
00:50:11,280 --> 00:50:14,080
Speaker 3: in Lockdown, I haaven't work bedazzled. I think that was

883
00:50:14,120 --> 00:50:14,919
Speaker 3: a really fun line.

884
00:50:14,960 --> 00:50:21,279
Speaker 2: I always loved seeing those like the probably always had bedazzled.

885
00:50:21,160 --> 00:50:24,600
Speaker 1: Hanging out agreed, Okay, best line.

886
00:50:25,920 --> 00:50:31,120
Speaker 2: Wait, there's one really early episode from Sam and he said,

887
00:50:31,160 --> 00:50:33,160
Speaker 2: conspiracy theories make my lips get all chatted.

888
00:50:34,239 --> 00:50:35,319
Speaker 1: Oh my gosh.

889
00:50:35,840 --> 00:50:39,040
Speaker 2: Sam. Also, I think you're totally sort of hot, Like

890
00:50:39,600 --> 00:50:41,640
Speaker 2: if I was like in a bunker with you, I

891
00:50:41,640 --> 00:50:42,560
Speaker 2: was totally.

892
00:50:48,000 --> 00:50:50,920
Speaker 1: I can't. I was laughing at Dottie when she says,

893
00:50:51,000 --> 00:50:53,400
Speaker 1: I think Brett really likes me. Even bake me brownies.

894
00:50:53,440 --> 00:50:55,960
Speaker 1: Isn't that sweet? I can't stop eating them. It's more

895
00:50:56,000 --> 00:50:59,359
Speaker 1: of the context, But I really I love that one.

896
00:51:00,160 --> 00:51:00,640
Speaker 2: That's great.

897
00:51:02,520 --> 00:51:08,680
Speaker 1: M Becky. Also getting to third base and them disbanding

898
00:51:08,719 --> 00:51:10,320
Speaker 1: the Bitter Club.

899
00:51:11,160 --> 00:51:14,680
Speaker 2: Artie says the only obvious choice in the room a

900
00:51:14,760 --> 00:51:17,680
Speaker 2: charming given her figure from her past forbidden love. She

901
00:51:17,760 --> 00:51:25,719
Speaker 2: let slipped her fingers and sam Goes unique.

902
00:51:24,280 --> 00:51:26,880
Speaker 1: Bug says, I know how to spell leave my brother Ale.

903
00:51:28,600 --> 00:51:31,520
Speaker 3: Stupid, stupid, He's just stupid.

904
00:51:31,560 --> 00:51:33,319
Speaker 1: Okay, they're not the best ones, that they're stupid ones.

905
00:51:33,360 --> 00:51:35,080
Speaker 2: Okay, No, they're great. I love stupid.

906
00:51:35,680 --> 00:51:38,440
Speaker 1: Yeah, okay, kidding me, MVP.

907
00:51:40,480 --> 00:51:55,759
Speaker 2: Oh that's hard, My god, that's not hard. It's you.

908
00:51:56,200 --> 00:51:57,520
Speaker 2: Are you out of your mind?

909
00:51:58,000 --> 00:52:01,800
Speaker 1: Oh? I justly like Cord Darren.

910
00:52:02,280 --> 00:52:10,440
Speaker 2: No, it's you, thanks Ashkowitz. She did it.

911
00:52:11,360 --> 00:52:15,279
Speaker 1: She did kids fled monologue.

912
00:52:15,400 --> 00:52:17,279
Speaker 2: Nobody will now, people will know.

913
00:52:17,280 --> 00:52:21,480
Speaker 1: But everybody knows now, all of our wonderful listeners now.

914
00:52:21,880 --> 00:52:27,480
Speaker 2: Yeah, well, don't respect you for being honest. Okay. Should

915
00:52:27,480 --> 00:52:31,160
Speaker 2: we found a TikTok Jenna? Oh god, it's so good.

916
00:52:31,760 --> 00:52:33,800
Speaker 2: It's so good. I don't know if you've seen tiktoks

917
00:52:33,800 --> 00:52:38,560
Speaker 2: like this for people anyway. It is please Please, Please,

918
00:52:38,840 --> 00:52:42,839
Speaker 2: you know by Sabrina Carpenter. Okay, the number one song

919
00:52:42,840 --> 00:52:46,760
Speaker 2: in the country. But it's bleak, bleak bleak by Rachel

920
00:52:46,800 --> 00:52:50,680
Speaker 2: Barry because all the pleases haven't swapped out with her

921
00:52:51,280 --> 00:52:58,239
Speaker 2: crying screaming please please. It's un.

922
00:53:00,160 --> 00:53:05,200
Speaker 1: That's really funny.

923
00:53:05,600 --> 00:53:06,600
Speaker 2: I can't get over it.

924
00:53:07,400 --> 00:53:14,920
Speaker 1: Oh my god, Oh my gosh, it's the best thing hurts.

925
00:53:16,800 --> 00:53:19,840
Speaker 1: It's so good. So it's really funny.

926
00:53:20,000 --> 00:53:24,960
Speaker 2: I like sad music on TikTok did it and it's

927
00:53:25,080 --> 00:53:25,880
Speaker 2: so good.

928
00:53:26,520 --> 00:53:27,359
Speaker 1: This is really good.

929
00:53:28,480 --> 00:53:30,040
Speaker 2: It is so good.

930
00:53:30,360 --> 00:53:32,560
Speaker 1: Who did this? I like sad music, Thank you, I

931
00:53:32,560 --> 00:53:33,279
Speaker 1: love sad music.

932
00:53:33,520 --> 00:53:35,760
Speaker 2: Oh my god, it's unbelievable.

933
00:53:36,320 --> 00:53:36,720
Speaker 1: Wow.

934
00:53:37,840 --> 00:53:42,480
Speaker 2: Okay, and there's another one. There's an honorable mention a

935
00:53:42,520 --> 00:53:46,719
Speaker 2: shout out to our friend Mikey here who also is

936
00:53:46,760 --> 00:53:50,960
Speaker 2: like one of the best TikTokers around. Mikey Angelou it

937
00:53:51,040 --> 00:53:53,759
Speaker 2: is like these incredible raps and did one about two

938
00:53:53,760 --> 00:53:58,560
Speaker 2: thousand and nine which is phenomenal per usual and mentions

939
00:53:58,600 --> 00:54:03,720
Speaker 2: Glee in it. So go listen to mister Grande official

940
00:54:05,560 --> 00:54:09,280
Speaker 2: on TikTok and it was just great.

941
00:54:09,800 --> 00:54:14,000
Speaker 1: Also, this is great. A lot of the music like

942
00:54:14,120 --> 00:54:17,000
Speaker 1: song references. He also talks about we've done those.

943
00:54:16,800 --> 00:54:20,400
Speaker 2: Things exactly and us this is great basically doing so

944
00:54:20,480 --> 00:54:22,719
Speaker 2: many different shows and things the Black Eyed Peas because

945
00:54:22,719 --> 00:54:27,920
Speaker 2: they were in their prime indeed love it. Well, that's

946
00:54:27,960 --> 00:54:30,680
Speaker 2: that's it. That is Sadie Hawkins.

947
00:54:31,760 --> 00:54:33,319
Speaker 1: That's an intense episode right there.

948
00:54:34,200 --> 00:54:41,839
Speaker 2: I'm proud of you, Jenna, thanks for being here, Thanks you.

949
00:54:41,880 --> 00:54:46,160
Speaker 1: Thanks for being here, for being here everybody.

950
00:54:46,080 --> 00:54:48,200
Speaker 2: And thanks for being here and growing a baby at

951
00:54:48,239 --> 00:54:48,719
Speaker 2: the same time.

952
00:54:50,600 --> 00:54:53,000
Speaker 1: Well that'll be a running theme for.

953
00:54:54,160 --> 00:54:58,400
Speaker 2: And you know, I think you're very intelligent and a kidding.

954
00:55:00,320 --> 00:55:06,600
Speaker 1: That's okay, Please forgive me, that's okay. I am one

955
00:55:06,640 --> 00:55:09,160
Speaker 1: of those things I don't know. Okay, all right, Well

956
00:55:09,160 --> 00:55:11,240
Speaker 1: that's what you really missed, Cia.

957
00:55:11,960 --> 00:55:15,080
Speaker 2: Thanks for listening and follow us on Instagram at and

958
00:55:15,200 --> 00:55:17,439
Speaker 2: that's what you really miss pod. Make sure to write

959
00:55:17,480 --> 00:55:19,719
Speaker 2: us a review and leave us five stars. See you

960
00:55:19,800 --> 00:55:20,200
Speaker 2: next time.