WEBVTT - Listener Mail: Halloween Final Processing

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>Listener mail. My name is Robert Lamb and I'm Joe McCormick,

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<v Speaker 1>and we're bringing you some of the messages that you've

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<v Speaker 1>sent in over the past few weeks. Uh. I guess

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<v Speaker 1>we don't have any business right here at the top, Rob,

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<v Speaker 1>do you want to jump right in with this message

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<v Speaker 1>from me? How responding to our episodes on The Holy Undead? Certainly? Uh?

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<v Speaker 1>So me? How? Rights? Hello Joe and Robert. I hope

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<v Speaker 1>you're both doing well. I'm writing to you from Poland,

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<v Speaker 1>where all the trees are now beautifully colored, winds are

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<v Speaker 1>getting cold, and nights are longer and longer. I love autumn,

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<v Speaker 1>with its atmosphere that suits horror and folk tales so well.

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<v Speaker 1>I was very impressed with your two partner on the

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<v Speaker 1>Holy Undead, and hearing those tales and stories reminded me

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<v Speaker 1>of one that searched elated around my hometown. I grew

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<v Speaker 1>up in a reasonably small town in the south of Poland,

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<v Speaker 1>where you have mostly forests, hills, bogs and meadows. It's

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<v Speaker 1>rather picturesque, but can also get a bit spooky. My

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<v Speaker 1>town has a population of ten thousand people and it's

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<v Speaker 1>rather old. Oldest written record that mentions it dates back

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<v Speaker 1>to the fourteenth century, where it's called by its current name,

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<v Speaker 1>though in Latin. We have a few local legends around,

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<v Speaker 1>but one always creep me out more than the others.

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<v Speaker 1>You see, my town has two parishes. The older one

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<v Speaker 1>was established in eighteen seventy and the other around the

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<v Speaker 1>nineteen eighties. Here comes the twist. It's not the old

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<v Speaker 1>parish that has a creepy tail attached to it, Smiley face,

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<v Speaker 1>and I assumed like sinister Smiley face. The church from

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<v Speaker 1>the eighties. For a long time was simply a wooden

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<v Speaker 1>bungalow with a cross mounted on the roof. It's been

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<v Speaker 1>that way until the priest that was in charge of

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<v Speaker 1>it raised enough money to build a new, proper temple.

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<v Speaker 1>He oversaw the construction and with the money that was left,

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<v Speaker 1>he ordered a graveyard to be built in the proximity

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<v Speaker 1>of the church. He was a standout man. I actually

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<v Speaker 1>met him as a kid. He was harsh and very devoted,

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<v Speaker 1>but just and good with children. But he also had

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<v Speaker 1>crippling diabetes and eventually he died because of it, I

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<v Speaker 1>will never forget his last mass, where he mumbled prayers

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<v Speaker 1>and could barely stand behind the altar. Like I said,

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<v Speaker 1>he was devoted and wouldn't let anyone talk him out

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<v Speaker 1>of doing his job as long as he could. Due

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<v Speaker 1>to reasons unknown to me, he did not consecrate the

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<v Speaker 1>graveyard that he built. It's widely known across my town

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<v Speaker 1>that he wanted to, and the fact that he didn't

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<v Speaker 1>was one of his biggest regrets. So the tale that

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<v Speaker 1>I wanted to tell you, but I felt compelled to

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<v Speaker 1>make into an intro to is that his restless spirit

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<v Speaker 1>haunted the graveyard demanding it be consecrated. His body was

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<v Speaker 1>actually the first one to be laid to the ground

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<v Speaker 1>over there, which I always found to be quite something.

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<v Speaker 1>So legend says that if you'd venture into the yard

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<v Speaker 1>at night, you could have met with the ghost of

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<v Speaker 1>a priest asking you to do all you can to

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<v Speaker 1>consecrate the land. The ghost would go on and say

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<v Speaker 1>that no soul will ever leave the place until it's

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<v Speaker 1>properly consecrated. Eventually, the new priest came over and the

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<v Speaker 1>first thing he did was he went to the graveyard

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<v Speaker 1>with a bucket of Holy Water smiley faith. Uh, it

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<v Speaker 1>must have laid the old priest spirit to rest, because

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<v Speaker 1>all the accounts of him haunting the place ended there.

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<v Speaker 1>I've never seen the ghost nor went to the cemetery

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<v Speaker 1>at night, but I know a lot of folks who

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<v Speaker 1>swear they've seen the apparition. When I was a kid,

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<v Speaker 1>I believed it without asking any questions. Now, though, I

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<v Speaker 1>think of it as a creepy and wholesome tale from

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<v Speaker 1>an otherwise quite boring corner of the world. I hope

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<v Speaker 1>this email wasn't too long and you've found some entertainment

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<v Speaker 1>reading it. Stay spooky and happy Halloween. Me. How wow,

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<v Speaker 1>So a a thoroughly authentic modern story of the pious undead.

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<v Speaker 1>This is quite similar to the to the tales we

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<v Speaker 1>were talking about in the episodes. Yeah, this is quite

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<v Speaker 1>a treat. Uh. The one thing I like in this

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<v Speaker 1>one is that it's one of those ghost stories that

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<v Speaker 1>involves the ghosts specifically asking the living to do something

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<v Speaker 1>on behalf of the ghost. I don't think any of

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<v Speaker 1>the other tales had that, or maybe I'm forgetting one

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<v Speaker 1>and the other ones were just like get out of here,

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<v Speaker 1>this is it's ghost time. Now you know Nimes, Yeah exactly,

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<v Speaker 1>no humans allowed, but this one it seems to suggest

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<v Speaker 1>a supernatural set of rules, including the idea that a

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<v Speaker 1>graveyard that is not yet consecrated is like a prison

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<v Speaker 1>for ghosts, that the spirits cannot leave until it's consecrated,

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<v Speaker 1>and he needs the new priest to throw the holy

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<v Speaker 1>water on. Yeah. This is neat because it also ligns

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<v Speaker 1>up with a lot of modern ghost stories and ghost

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<v Speaker 1>media where ghost is doing something and it's and it

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<v Speaker 1>leads to the question, well, what can we do to

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<v Speaker 1>fix this? Let's fix this? And I feel like some

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<v Speaker 1>of the better ghost stories, like something say The Ring,

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<v Speaker 1>subvert this by ultimately the answer of being nothing like you.

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<v Speaker 1>You You may think you can reason with the undead,

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<v Speaker 1>that you cannot. Uh. This reminds me a lot of

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<v Speaker 1>some of the stuff we talked about in the Least,

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<v Speaker 1>the episode from last year that I believe we recently

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<v Speaker 1>re ran, where we talked about the idea of the wilderness,

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<v Speaker 1>like the older idea of the wilderness often being one

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<v Speaker 1>where it's it's wild out there. It maybe it has rules,

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<v Speaker 1>but it's not rules you can understand, um, And we

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<v Speaker 1>get into a more modern understand where it's like, oh,

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<v Speaker 1>we know them basically how they the wild work, and

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<v Speaker 1>we can we can you know, try and do things

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<v Speaker 1>to to follow those laws or fix things, etcetera. And

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<v Speaker 1>I wonder if we see a similar thing here with

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<v Speaker 1>the with the idea of the wild world of the Spirits. Yeah,

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<v Speaker 1>that's interesting, And you mentioned the Ring. I mean, I

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<v Speaker 1>think there are a few stories I can think of.

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<v Speaker 1>They're sort of like this where um, where if there

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<v Speaker 1>is a logic to the wild World of the Spirits

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<v Speaker 1>and there are rules there, the extent to which you

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<v Speaker 1>can grasp the rules and leverage them is only enough

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<v Speaker 1>to sort of like get you personally out of trouble,

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<v Speaker 1>not to sort of make everything right eight, which ultimately

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<v Speaker 1>is the resolution in the Ring. Right, it's the you know,

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<v Speaker 1>you can't really like fix the problem. You can only

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<v Speaker 1>sort of help the help the evil spread, and that

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<v Speaker 1>will at least save your skin for the time being.

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<v Speaker 1>All Right. This next message comes from Matt. This is

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<v Speaker 1>on our pair of episodes on the invention of the chainsaw.

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<v Speaker 1>Matt says, good day, Fellas regarding your sawe adjacent chainsaw episodes,

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<v Speaker 1>which were excellent. I thought you'd be interested to hear

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<v Speaker 1>about a particularly interesting and potentially deadly chainsaw slash logging

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<v Speaker 1>related phenomenon known as the barber chair. The name alone

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<v Speaker 1>falls in line with the seasonal theme. I think a

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<v Speaker 1>barber chair refers to a particular result of improperly cutting

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<v Speaker 1>the front hinge point of a tree, causing unintended pressure

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<v Speaker 1>in the middle of the trunk elsewhere. I'm not a professional,

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<v Speaker 1>so please take this description with a large pinch of salt.

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<v Speaker 1>The result is that the tree splits upwards and falls

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<v Speaker 1>somewhere overhead of the intended felling notch, and not necessarily

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<v Speaker 1>in the direction intended. I've seen it happen on smaller

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<v Speaker 1>trees while cutting trails through the bush. Even small ones

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<v Speaker 1>can still be dangerous, but I imagine it's quite scary.

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<v Speaker 1>On larger ones. It can also ruin what would otherwise

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<v Speaker 1>be good lumber. There are many reasons professional arborists warn

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<v Speaker 1>people about the dangers of an improperly cut hinge. Maybe

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<v Speaker 1>someday a horror director will utilize the barber's chair on film.

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<v Speaker 1>Thanks for the episode, Matt, uh and so, Matt, I

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<v Speaker 1>had no idea about this. Thank you for letting us know,

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<v Speaker 1>because I looked this up and it is astonishing and scary.

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<v Speaker 1>So it is as Matt describes, for in some cases,

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<v Speaker 1>you can be sawing horizontally into the trunk of a tree,

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<v Speaker 1>and if the circumstances are right, the tree can start

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<v Speaker 1>to fall over before you have cut all the way through,

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<v Speaker 1>and this leads to the the trunk splitting vertically, so

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<v Speaker 1>like part of the trunk peels off of the rest

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<v Speaker 1>of the trunk and flips up like a like a

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<v Speaker 1>hinge or like a like a trap lever, sort of

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<v Speaker 1>springing up out of nowhere. And I've seen I've watched

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<v Speaker 1>some videos of this happening in real time while people

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<v Speaker 1>are taping themselves sawing through trees, which I guess is

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<v Speaker 1>you have to be lucky enough to be recording the

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<v Speaker 1>sawing through anyway, which would normally not be something that

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<v Speaker 1>people would think to film. But uh yeah, it looks

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<v Speaker 1>really scary when it happens suddenly, like the tree starts

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<v Speaker 1>kind of twisting in a way that isn't expected. And

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<v Speaker 1>in both of the cases I saw the the sawyer

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<v Speaker 1>who's working the chainsaw gets out of the way fast

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<v Speaker 1>enough to not be harmed. But I've also seen illustrations

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<v Speaker 1>of how loggers could be killed by this. For example,

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<v Speaker 1>if the hinge that pops up when the trunk splits

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<v Speaker 1>up the vertical axis, it can basically pop up like

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<v Speaker 1>a big you know, a big smacking arm and like

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<v Speaker 1>hit you in the head and kill you. Yeah, I hope.

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<v Speaker 1>One of the big takeaways from our chainsaw episodes and

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<v Speaker 1>these are I think things that were that either I

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<v Speaker 1>kind of learned or were you know, strengthened for me.

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<v Speaker 1>Is that Okay? In our culture, we might think that

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<v Speaker 1>that the saw the chainsaw is kind of our right,

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<v Speaker 1>you know that it's like, of course I need a chainsaw,

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<v Speaker 1>or I should get a chainsaw, or something needs sawing

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<v Speaker 1>in my backyard. I should just go get one, and

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<v Speaker 1>I can do this. But you know, regardless of what

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<v Speaker 1>your decision happens to be on a matter like that, like,

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<v Speaker 1>respect the saw. Respect the fact that it is a

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<v Speaker 1>tool that can can potentially be dangerous or put you

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<v Speaker 1>in a dangerous position, and uh, you know you should

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<v Speaker 1>you should absolutely take it seriously. Yeah, the saw and

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<v Speaker 1>the tree. Respect the tree. Yeah, yeah, because the tree

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<v Speaker 1>too is one of those things where when the tree

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<v Speaker 1>is is healthy and standing up still as they do

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<v Speaker 1>most of the time, it's easy to forget, like how

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<v Speaker 1>dangerous they can be if they are suddenly in motion. Yeah, exactly,

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<v Speaker 1>And and especially in this case, if they're in motion

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<v Speaker 1>in a way that you didn't expect. So you may

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<v Speaker 1>be taking proper safety p cautions in in terms of

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<v Speaker 1>no one being down line of the tree in the

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<v Speaker 1>direction that you're expecting it to fall. But if you

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<v Speaker 1>have one of these barber chair incidents, the tree could

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<v Speaker 1>be exerting sudden violent force and directions that you did

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<v Speaker 1>not plan. Yeah. Now, as for seeing the barber chair

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<v Speaker 1>in a horror movie, I I don't really want to

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<v Speaker 1>see that. I think if you were to tell me, yes,

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<v Speaker 1>we finally we've made a chainsaw horror movie and it's

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<v Speaker 1>about realistic chainsaw injuries and chainsaw related fatalities, I feel like, no,

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<v Speaker 1>that does not sound good. You keep your final destination chainsaw.

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<v Speaker 1>Maybe I'm trying to imagine how that would be used

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<v Speaker 1>in a plot. I mean, like, is there a pivotal

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<v Speaker 1>tree cutting down scene, Like his leather face chasing somebody

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<v Speaker 1>and he has to cut down a tree to get

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<v Speaker 1>to them, but then the barber chair smacks him and

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<v Speaker 1>defeats him. Um, you know, I'll tell you what if

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<v Speaker 1>someone his heart set on creating a film like this,

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<v Speaker 1>I'll tell you that Michael Shay wrote a short story

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<v Speaker 1>I think it's called Uncle Tugs that had some some

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<v Speaker 1>chainsaw mishaps in it because the plot had to do

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<v Speaker 1>with like loggers in northern California, and there was like

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<v Speaker 1>a grow house and also some sort of vengeful ghost,

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<v Speaker 1>and I believe the vengeful ghost was causing some accidents

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<v Speaker 1>to occur, and so that would actually be a pretty

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<v Speaker 1>decent story if someone wanted to find some sort of

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<v Speaker 1>narrative structure in which to fit a whole bunch of

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<v Speaker 1>chainsaw accidents. Well, speaking of chainsaw accidents, the next message

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<v Speaker 1>that we're going to read also does mention these, so

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<v Speaker 1>before warned. All right, this is from Kenneth Hi Robin Joe.

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<v Speaker 1>Excellent episode on the invention and history of the chainsaw.

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<v Speaker 1>I had been planning to write in a few days ago,

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<v Speaker 1>but the unexpectedly early birth of our first child put

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<v Speaker 1>thoughts of an email on the back burner. Congratulations. Kenneth continues,

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<v Speaker 1>I had a couple of thoughts regarding chainsaws, the first

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<v Speaker 1>of which was the dramatic and near fatal experience of

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<v Speaker 1>a friend's husband, a tree surgeon by trade, he was

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<v Speaker 1>at work removing heavy, overhanging bows from a large urban oak.

0:12:04.720 --> 0:12:06.920
<v Speaker 1>The section who was working on was high above the streets,

0:12:06.960 --> 0:12:09.840
<v Speaker 1>so he ascended using a cherry picker, then made his

0:12:09.880 --> 0:12:12.440
<v Speaker 1>way through the branches and secured himself to the trunk

0:12:12.480 --> 0:12:16.240
<v Speaker 1>with a harness. Unfortunately, at some point in the tree's

0:12:16.320 --> 0:12:19.440
<v Speaker 1>long history something substantial had been secured to the branch.

0:12:19.760 --> 0:12:23.880
<v Speaker 1>As it grew, It had entirely absorbed a thick steel bolt.

0:12:24.440 --> 0:12:28.040
<v Speaker 1>When his chainsaw reached the hidden metal, it kicked back violently,

0:12:28.160 --> 0:12:32.040
<v Speaker 1>biting deep into his thigh and nicking the femoral artery.

0:12:32.360 --> 0:12:35.240
<v Speaker 1>It was only through the quick thinking of his colleague,

0:12:35.360 --> 0:12:38.559
<v Speaker 1>the speedy arrival of the fire service, and close proximity

0:12:38.600 --> 0:12:41.960
<v Speaker 1>to a hospital that his life was saved. Oh, this

0:12:42.040 --> 0:12:44.240
<v Speaker 1>gets right into something you mentioned in the episodes that

0:12:44.320 --> 0:12:47.120
<v Speaker 1>the one of the main sources of direct injuries from

0:12:47.200 --> 0:12:50.800
<v Speaker 1>chainsaws being kicked back. Yeah. And here, yeah, this sound,

0:12:50.880 --> 0:12:55.360
<v Speaker 1>this unseen metal hidden within the tree branch. And yeah,

0:12:55.360 --> 0:12:58.200
<v Speaker 1>you do see plenty of this in a not only

0:12:58.240 --> 0:13:00.920
<v Speaker 1>in an urban environment, even rural environment. You see you

0:13:01.000 --> 0:13:04.400
<v Speaker 1>see trees growing around metal be it. Uh, you know weird.

0:13:04.480 --> 0:13:08.400
<v Speaker 1>I've certainly seen weird poles position near trees and on trees,

0:13:08.520 --> 0:13:13.240
<v Speaker 1>and you see trees growing in and around fencing. So

0:13:13.559 --> 0:13:19.040
<v Speaker 1>that's that's interesting and terrifying. I'm glad they turned out Okay, Yeah,

0:13:19.080 --> 0:13:22.000
<v Speaker 1>the tree just swallows stuff. So yes, like Rob said,

0:13:22.360 --> 0:13:24.560
<v Speaker 1>very glad to hear your your friend's husband was all right?

0:13:24.760 --> 0:13:28.000
<v Speaker 1>Can it continues my second thoughts since the Texas chainsaw

0:13:28.120 --> 0:13:31.199
<v Speaker 1>massacre and the Evil Dead were so central to the episode,

0:13:31.679 --> 0:13:35.080
<v Speaker 1>uh was about chainsaws as weapons? I know Rob has

0:13:35.080 --> 0:13:37.440
<v Speaker 1>a bit of a soft spot for games workshop models,

0:13:37.480 --> 0:13:40.280
<v Speaker 1>and it's impossible to talk about Warhammer forty thousand without

0:13:40.280 --> 0:13:44.320
<v Speaker 1>considering a space marine welding a chain sword. I've included

0:13:44.320 --> 0:13:48.640
<v Speaker 1>a photograph of a space marine apothecary, basically a battlefield medic,

0:13:48.960 --> 0:13:51.400
<v Speaker 1>bearing one of these weapons. If you look closely at

0:13:51.440 --> 0:13:54.439
<v Speaker 1>his wrist, you'll notice he's also equipped with a smaller

0:13:54.480 --> 0:13:57.440
<v Speaker 1>medical chainsaw, though I'm assuming this is for on the

0:13:57.480 --> 0:14:02.120
<v Speaker 1>spot amputations rather than obstetric I'm assuming that the space

0:14:02.160 --> 0:14:07.400
<v Speaker 1>marine apothecary is not strongly informed by real life medical science. No.

0:14:07.520 --> 0:14:10.480
<v Speaker 1>I think if memory serves, one of his primary jobs

0:14:10.520 --> 0:14:13.160
<v Speaker 1>is to remove the gene seed from a corpse. I

0:14:13.160 --> 0:14:17.600
<v Speaker 1>don't know that the real lore masters out there. We'll

0:14:17.640 --> 0:14:20.480
<v Speaker 1>have to uh tell me if I'm correct on that.

0:14:20.880 --> 0:14:22.840
<v Speaker 1>So I'm not even sure he's supposed to save lives

0:14:22.840 --> 0:14:26.400
<v Speaker 1>as much as like, let's get that important uh gene

0:14:26.400 --> 0:14:29.800
<v Speaker 1>thinging out of the dead body. Um. Anyways, the space

0:14:29.840 --> 0:14:33.360
<v Speaker 1>Marine apothecary does not have a Hippocratic oath. Probably not,

0:14:34.160 --> 0:14:36.520
<v Speaker 1>Kenneth continues, I'm not sure a chain sword would be

0:14:36.520 --> 0:14:39.880
<v Speaker 1>a particularly effective weapon. You probably couldn't use it like

0:14:39.880 --> 0:14:43.640
<v Speaker 1>a traditional sword, as pairing and violent striking attacks would

0:14:43.640 --> 0:14:46.440
<v Speaker 1>cause damage to the mechanism. It would probably have to

0:14:46.480 --> 0:14:50.480
<v Speaker 1>be brought to bear on vulnerable points without great chopping swings.

0:14:50.920 --> 0:14:52.960
<v Speaker 1>I do enjoy the idea of the chain sword as

0:14:52.960 --> 0:14:55.200
<v Speaker 1>a futuristic melee weapon. It's in the vein of the

0:14:55.280 --> 0:15:00.480
<v Speaker 1>viral blade, lightsaber and monofilament edges of other sci fi weapons,

0:15:00.520 --> 0:15:02.800
<v Speaker 1>but it is typically over the top, fitting the brutality

0:15:03.080 --> 0:15:05.480
<v Speaker 1>of the grim Dark setting better. It brims with the

0:15:05.480 --> 0:15:08.680
<v Speaker 1>implication you alluded to that the weapon itself is hungry,

0:15:08.840 --> 0:15:12.000
<v Speaker 1>that the only the slightest touch can cause catastrophic damage,

0:15:12.280 --> 0:15:15.160
<v Speaker 1>even getting away from the user. In its eagerness to

0:15:15.200 --> 0:15:18.160
<v Speaker 1>be about its purpose. It is a brutal weapon, unlike

0:15:18.160 --> 0:15:21.440
<v Speaker 1>the more civilized lightsaber, even though the latter would be

0:15:21.480 --> 0:15:25.160
<v Speaker 1>even more devastating. Anyway, Thanks for the amazing show. Keep

0:15:25.200 --> 0:15:28.200
<v Speaker 1>up the great work, Kenneth. It sounds like Kenneth throwing

0:15:28.280 --> 0:15:34.040
<v Speaker 1>cold water on my Texas lightsaber massacre idea. Yeah, well,

0:15:34.080 --> 0:15:35.720
<v Speaker 1>you know, it would be uh well, it would be

0:15:35.720 --> 0:15:38.920
<v Speaker 1>a lot of clean cuts, that's the thing. As for

0:15:38.960 --> 0:15:42.200
<v Speaker 1>the chain swords, I actually did have a note about

0:15:42.280 --> 0:15:44.880
<v Speaker 1>chain swords in the notes for our chainsall episodes, but

0:15:44.960 --> 0:15:47.000
<v Speaker 1>then I decided not to say anything about it because

0:15:47.000 --> 0:15:49.560
<v Speaker 1>I'm like, God, they don't want to hear anything about

0:15:49.560 --> 0:15:53.320
<v Speaker 1>Warhammer in this episode. But but not true enough. There

0:15:53.320 --> 0:15:55.160
<v Speaker 1>there are a lot of chain swords in there. I'm

0:15:55.200 --> 0:15:59.320
<v Speaker 1>not sure. Surely chain swords pop up another fiction, um,

0:15:59.360 --> 0:16:01.160
<v Speaker 1>but this is the main in place you see them. Yeah,

0:16:01.160 --> 0:16:04.600
<v Speaker 1>I don't think they would particularly be practical weapons, even

0:16:04.600 --> 0:16:06.760
<v Speaker 1>if you try to explain them away with a bunch

0:16:06.760 --> 0:16:09.840
<v Speaker 1>of like, you know, high tech materials and you know, uh,

0:16:10.000 --> 0:16:13.280
<v Speaker 1>you know, super well designed um uh you know, chain

0:16:13.400 --> 0:16:17.000
<v Speaker 1>and so forth. But it does fit this sort of

0:16:17.040 --> 0:16:22.320
<v Speaker 1>this grim you know, at times overly macho vibe that

0:16:22.320 --> 0:16:25.720
<v Speaker 1>that Warhammer forty has going for it and probably ties

0:16:25.760 --> 0:16:28.080
<v Speaker 1>in well to a lot of the you know, the satire.

0:16:28.120 --> 0:16:31.920
<v Speaker 1>I think that was originally intended by the world. But anyway, Kenneth,

0:16:31.920 --> 0:16:43.920
<v Speaker 1>thanks for writing in, and once more, congrats on the kiddo. Okay, Rob,

0:16:43.960 --> 0:16:46.000
<v Speaker 1>you ready for a couple of messages having to do

0:16:46.120 --> 0:16:48.720
<v Speaker 1>with weird house cinema, or at least adjacent to it.

0:16:49.440 --> 0:16:51.760
<v Speaker 1>Let's do it. Okay, let's see how about this one

0:16:51.800 --> 0:16:55.920
<v Speaker 1>from Nathan Nathan says Hi, Joe, Robert, and Seth. I

0:16:55.960 --> 0:17:00.840
<v Speaker 1>was recently watching the cinematic masterpiece Christine. Not long after

0:17:00.920 --> 0:17:03.720
<v Speaker 1>re listening to your episode on The Ship of Theseus,

0:17:03.760 --> 0:17:06.920
<v Speaker 1>which is one of my favorites, I started wondering about

0:17:06.920 --> 0:17:09.480
<v Speaker 1>the lore of the movie. And if you're not familiar,

0:17:09.520 --> 0:17:11.960
<v Speaker 1>this is a movie about I don't know, a demonic car.

0:17:12.160 --> 0:17:14.760
<v Speaker 1>That guy, a guy has a kind of unhealthy obsessive

0:17:14.800 --> 0:17:18.960
<v Speaker 1>relationship with Okay, moving on. If the car had been

0:17:19.000 --> 0:17:23.160
<v Speaker 1>completely restored every single part, would it still be so murderous?

0:17:23.520 --> 0:17:26.080
<v Speaker 1>Or is the car possessed on a deeper level? We're

0:17:26.080 --> 0:17:30.480
<v Speaker 1>asking the tough questions here, uh, Nathan Nathan then says,

0:17:30.760 --> 0:17:33.200
<v Speaker 1>I also really enjoyed your recent episodes on the invention

0:17:33.240 --> 0:17:36.080
<v Speaker 1>of the chainsaw. However, I can't believe you didn't mention

0:17:36.359 --> 0:17:40.600
<v Speaker 1>Paul Bunyan. The nineteen fifty eight Disney short is a classic,

0:17:40.720 --> 0:17:44.440
<v Speaker 1>even for someone like me who isn't the biggest Disney fan. Anyway,

0:17:44.520 --> 0:17:46.600
<v Speaker 1>you guys do a great job, and again, thanks for

0:17:46.680 --> 0:17:51.320
<v Speaker 1>keeping me entertained on my boring overnight grocery job. Nathan. Well, Nathan,

0:17:51.400 --> 0:17:53.560
<v Speaker 1>I did not have time to watch the whole short

0:17:53.640 --> 0:17:56.160
<v Speaker 1>before we uh we started recording here, but I clicked

0:17:56.200 --> 0:17:58.879
<v Speaker 1>around and saw some moments of it. One of the

0:17:58.920 --> 0:18:01.879
<v Speaker 1>things that really got me is it starts off by

0:18:02.080 --> 0:18:04.119
<v Speaker 1>and I love the animation style, by the way, so

0:18:04.320 --> 0:18:06.800
<v Speaker 1>it does look great. But it starts off by showing

0:18:07.240 --> 0:18:11.359
<v Speaker 1>a shadow of the title hero, Paul Bunyan, looming over

0:18:11.400 --> 0:18:14.359
<v Speaker 1>a map of North America, and I noticed something I

0:18:14.400 --> 0:18:17.280
<v Speaker 1>thought was really interesting. I was like, Wow, they chose

0:18:17.320 --> 0:18:20.840
<v Speaker 1>to depict Paul Bunyan with long hair that he wears

0:18:20.840 --> 0:18:23.320
<v Speaker 1>in a bun And I was like, could that be

0:18:23.400 --> 0:18:27.239
<v Speaker 1>a choice connected to the name Bunyan. But then I

0:18:27.280 --> 0:18:29.840
<v Speaker 1>realized I had simply been misled by the silhouette he's

0:18:29.840 --> 0:18:32.520
<v Speaker 1>actually wearing some kind of wool cap that has like

0:18:32.560 --> 0:18:35.640
<v Speaker 1>a pom pom or a gathered up section on the top,

0:18:35.720 --> 0:18:38.280
<v Speaker 1>so he doesn't have a bun. But I thought that

0:18:38.280 --> 0:18:41.520
<v Speaker 1>would have been cool. Um, And I guess, you know,

0:18:41.560 --> 0:18:44.400
<v Speaker 1>in the broader sense, not that unusual. Tons of kinds

0:18:44.400 --> 0:18:47.480
<v Speaker 1>of like bun and topknot hairstyles have been common for

0:18:47.560 --> 0:18:50.320
<v Speaker 1>men and plenty of cultures throughout history. But would it

0:18:50.320 --> 0:18:52.320
<v Speaker 1>would have been interesting to see Paul Bunyan in a

0:18:52.359 --> 0:18:56.720
<v Speaker 1>cartoon from the fifties with a bun alas I vaguely

0:18:56.720 --> 0:18:59.080
<v Speaker 1>remember this cartoon looking at these stills, but I guess

0:18:59.080 --> 0:19:01.080
<v Speaker 1>it's not one that I watched a lot, or maybe

0:19:01.119 --> 0:19:03.479
<v Speaker 1>we didn't have on VHS. Yeah, I think it's like

0:19:03.560 --> 0:19:06.320
<v Speaker 1>seventeen minutes long, So I don't know what was the

0:19:06.400 --> 0:19:09.560
<v Speaker 1>venue for showing things like this in the fifties. It's

0:19:09.600 --> 0:19:13.240
<v Speaker 1>like shorter than I obviously much shorter than a feature

0:19:13.320 --> 0:19:16.679
<v Speaker 1>length movie. Would this like play in a movie theater

0:19:16.840 --> 0:19:19.560
<v Speaker 1>or play like before a feature film? I don't know.

0:19:20.280 --> 0:19:23.040
<v Speaker 1>That sounds like a question for our producer, Seth, what

0:19:23.200 --> 0:19:25.960
<v Speaker 1>do you know? Reporting from from a few minutes later,

0:19:26.080 --> 0:19:28.959
<v Speaker 1>Seth did have the answer Seth knows everything about animation. Well,

0:19:29.000 --> 0:19:31.040
<v Speaker 1>I don't want to put too much pressure on him,

0:19:31.119 --> 0:19:34.040
<v Speaker 1>but he does often have the answer here. Uh so,

0:19:34.080 --> 0:19:39.800
<v Speaker 1>apparently these shorts were originally compiled into feature films and

0:19:39.920 --> 0:19:43.199
<v Speaker 1>uh so, you know you'd have Paul Bunyan alongside some

0:19:43.280 --> 0:19:45.800
<v Speaker 1>other shorts of a similar type and and that would

0:19:45.840 --> 0:19:48.320
<v Speaker 1>be shown as a feature in theaters. But then later

0:19:48.359 --> 0:19:50.760
<v Speaker 1>I guess they were split up and shown in other ways.

0:19:52.280 --> 0:19:54.040
<v Speaker 1>But also, like I said, I did not have time

0:19:54.080 --> 0:19:56.199
<v Speaker 1>to watch this whole thing. But skipping around, there is

0:19:56.240 --> 0:19:59.840
<v Speaker 1>a fun scene where Paul Bunyan walks through a four

0:20:00.200 --> 0:20:03.040
<v Speaker 1>and he's just mowing down trees by swinging his axe

0:20:03.080 --> 0:20:05.760
<v Speaker 1>back and forth like it's a weed eater, and then

0:20:05.840 --> 0:20:08.440
<v Speaker 1>he walks back over the ground he has cut down,

0:20:08.920 --> 0:20:11.680
<v Speaker 1>stomping on all of the stumps to to sink them

0:20:11.680 --> 0:20:15.040
<v Speaker 1>down into the earth. And uh and also Nathan doesn't

0:20:15.080 --> 0:20:16.560
<v Speaker 1>mention it, but I assume this is part of what

0:20:16.600 --> 0:20:18.840
<v Speaker 1>he's referring to as saying that this would have been

0:20:18.840 --> 0:20:22.080
<v Speaker 1>a good thing to fit into our episode on the Chainsaw,

0:20:22.160 --> 0:20:24.320
<v Speaker 1>because there's a part where Paul Bunyan it looks like

0:20:24.359 --> 0:20:26.560
<v Speaker 1>he has to compete against a guy who shows up

0:20:26.560 --> 0:20:29.880
<v Speaker 1>with a steam powered saw. So it's like, yeah, it's

0:20:29.920 --> 0:20:32.720
<v Speaker 1>the war against the machines, though shot not make a

0:20:32.760 --> 0:20:36.960
<v Speaker 1>saw in the likeness of man now. As for his

0:20:37.080 --> 0:20:40.440
<v Speaker 1>Christine question, I don't know. That's that's always a fun one.

0:20:40.520 --> 0:20:43.199
<v Speaker 1>At what point if you were to totally strip the

0:20:43.200 --> 0:20:46.320
<v Speaker 1>car apart for parts, you know, would would those parts

0:20:46.320 --> 0:20:49.160
<v Speaker 1>make other cars haunted? I don't know. You could also

0:20:49.200 --> 0:20:52.359
<v Speaker 1>apply this to a haunted house story. So if you

0:20:52.400 --> 0:20:54.920
<v Speaker 1>were to tear down the house and rebuild the house

0:20:55.400 --> 0:20:59.240
<v Speaker 1>in the same spot, is it still haunted? Often I

0:20:59.280 --> 0:21:01.960
<v Speaker 1>think movies would say yes, just maybe, like the ground

0:21:02.000 --> 0:21:03.840
<v Speaker 1>is haunted. What if you dug up all the ground

0:21:03.840 --> 0:21:06.240
<v Speaker 1>and moved to the earth away, is it still the

0:21:06.800 --> 0:21:11.280
<v Speaker 1>geographical coordinance or haunted? Yeah? I don't know. I guess

0:21:11.320 --> 0:21:13.359
<v Speaker 1>the idea is there's gotta be something that latches onto

0:21:13.359 --> 0:21:16.400
<v Speaker 1>the idea of the ghost. You know, it's there's gotta

0:21:16.400 --> 0:21:19.879
<v Speaker 1>be some something where there's a forge connection. So if

0:21:19.880 --> 0:21:22.159
<v Speaker 1>you took the car apart, like the ghost would have

0:21:22.200 --> 0:21:24.440
<v Speaker 1>to in a sense choose the thing that he wanted

0:21:24.480 --> 0:21:27.679
<v Speaker 1>to continue to haunt, because that's our a call. In

0:21:27.720 --> 0:21:30.359
<v Speaker 1>the book, it's more about like there's a dude, a

0:21:30.440 --> 0:21:32.800
<v Speaker 1>dead dude who haunts the car. And then in the

0:21:32.880 --> 0:21:34.919
<v Speaker 1>movie they kind of made the choice to make it

0:21:34.960 --> 0:21:38.880
<v Speaker 1>be more like the Cars Is Alive, which I think

0:21:38.880 --> 0:21:42.480
<v Speaker 1>I ultimately liked more. Um but uh but yeah, so

0:21:42.680 --> 0:21:44.000
<v Speaker 1>like the ghost has to choose, like what are you

0:21:44.000 --> 0:21:46.080
<v Speaker 1>gonna be? Uh? Do you want to be the tires?

0:21:46.080 --> 0:21:47.800
<v Speaker 1>You want to be probably the steering wheel, you know,

0:21:48.200 --> 0:21:50.399
<v Speaker 1>or the or some like the engine block. I don't know.

0:21:50.840 --> 0:21:53.360
<v Speaker 1>Steering wheel gets a lot of love. Yeah, I want

0:21:53.400 --> 0:21:56.240
<v Speaker 1>to be the hood ornament. That would be good too,

0:21:56.280 --> 0:22:03.639
<v Speaker 1>you know, it's very symbolic. All right, here's another one.

0:22:03.640 --> 0:22:06.520
<v Speaker 1>Lion comes to us from Brian, Hey, Robert, and Joe.

0:22:06.560 --> 0:22:09.920
<v Speaker 1>I'm a longtime fan of your podcasts, and after hearing

0:22:10.040 --> 0:22:13.040
<v Speaker 1>Rob mentioned that he watched Black Sabbath on AMC Plus,

0:22:13.080 --> 0:22:14.960
<v Speaker 1>I signed up for a trial, which led me to

0:22:15.000 --> 0:22:18.439
<v Speaker 1>then watching House by the Cemetery. I was obviously pretty

0:22:18.440 --> 0:22:21.240
<v Speaker 1>excited that you chose it for your next episode of

0:22:21.240 --> 0:22:24.119
<v Speaker 1>Weird House Cinema. While you both did a great job

0:22:24.160 --> 0:22:27.639
<v Speaker 1>of describing the surreal weirdness of that movie, I assume

0:22:27.760 --> 0:22:30.840
<v Speaker 1>he means House by the Cemetery. I believe you left

0:22:30.840 --> 0:22:33.560
<v Speaker 1>out mentioning two incidents that were so jarring to my

0:22:33.600 --> 0:22:35.960
<v Speaker 1>girlfriend and me that we had to rewind just to

0:22:36.000 --> 0:22:40.160
<v Speaker 1>confirm we hadn't misunderstood them. The first was that, despite

0:22:40.200 --> 0:22:43.440
<v Speaker 1>Norman and his family having had no previous relationship to

0:22:43.480 --> 0:22:46.840
<v Speaker 1>the titular house, there was a quite large photo of

0:22:47.000 --> 0:22:50.199
<v Speaker 1>that very house in their apartment in Manhattan. It's the

0:22:50.200 --> 0:22:52.720
<v Speaker 1>one Bob is looking at while his mother packs in

0:22:52.760 --> 0:22:55.159
<v Speaker 1>the beginning. It is rare for a family to have

0:22:55.240 --> 0:22:57.560
<v Speaker 1>a twelve by twelve photo of a house they've never

0:22:57.600 --> 0:23:01.560
<v Speaker 1>seen before hanging in their living and then subsequently move

0:23:01.680 --> 0:23:06.160
<v Speaker 1>into the house and never wants address it. Yeah, and

0:23:06.240 --> 0:23:09.760
<v Speaker 1>also that that photo has Bob explicitly tells his mother

0:23:09.880 --> 0:23:12.280
<v Speaker 1>that the photo was talking to him, and she seems

0:23:12.560 --> 0:23:17.560
<v Speaker 1>interested in this fact. Yeah, there's there's absolutely no way

0:23:17.600 --> 0:23:19.919
<v Speaker 1>to answer this question in a way that makes sense,

0:23:20.000 --> 0:23:22.679
<v Speaker 1>Like like no matter like what sort of mental hoops

0:23:22.720 --> 0:23:25.000
<v Speaker 1>you jumped through to to try and make it work,

0:23:25.520 --> 0:23:29.320
<v Speaker 1>It just gets it just gets more confused, but Brian continues.

0:23:29.600 --> 0:23:32.440
<v Speaker 1>The second was when the realtor says to Norman, as

0:23:32.440 --> 0:23:35.160
<v Speaker 1>they are arranging to rent the house, quote, of course

0:23:35.200 --> 0:23:37.920
<v Speaker 1>you've been there before, haven't you. Dr Boyle. Norman gets

0:23:37.920 --> 0:23:40.439
<v Speaker 1>a guilty look on his face while Lucy gives him

0:23:40.440 --> 0:23:44.320
<v Speaker 1>a suspicious eye. He halfheartedly denies the allegation and moves on.

0:23:45.280 --> 0:23:47.359
<v Speaker 1>We took the meaning of this to be that doctor

0:23:47.400 --> 0:23:50.600
<v Speaker 1>Boyle had had sexual trysts in the home like his

0:23:50.920 --> 0:23:55.000
<v Speaker 1>former colleague, and the realtor was accidentally exposing this in

0:23:55.040 --> 0:23:57.879
<v Speaker 1>front of his wife. We were laughing pretty hard, because

0:23:57.880 --> 0:24:00.479
<v Speaker 1>what sort of realtors says, I, if you've had an

0:24:00.480 --> 0:24:04.280
<v Speaker 1>affair in this home, No to prospective client who knows

0:24:04.480 --> 0:24:07.840
<v Speaker 1>it's never addressed again. I just thought you might enjoy

0:24:07.960 --> 0:24:10.679
<v Speaker 1>knowing that the movie made even less sense than you

0:24:10.760 --> 0:24:14.000
<v Speaker 1>had already believed. Wow, I did not even notice that

0:24:14.119 --> 0:24:17.520
<v Speaker 1>second one. Um, I remember the second one. I didn't

0:24:17.520 --> 0:24:19.720
<v Speaker 1>even think about the idea of it being like an

0:24:19.760 --> 0:24:22.639
<v Speaker 1>affair situation. I was just confused by it, like because

0:24:22.640 --> 0:24:24.439
<v Speaker 1>they're like, you've been there before, right, you came with

0:24:24.480 --> 0:24:26.520
<v Speaker 1>your your daughter? Because this was another thing. He said,

0:24:26.680 --> 0:24:28.600
<v Speaker 1>you came here with your daughter, write and he's like, no,

0:24:28.720 --> 0:24:31.520
<v Speaker 1>I have a son. So I was. I was thinking

0:24:31.520 --> 0:24:34.160
<v Speaker 1>it had something to do with the ghosts and the

0:24:34.240 --> 0:24:37.399
<v Speaker 1>idea that like, not only are they like another family

0:24:37.440 --> 0:24:39.000
<v Speaker 1>to come to the house where they're kind of like

0:24:39.320 --> 0:24:42.160
<v Speaker 1>an echo of the family that had been there previously,

0:24:42.359 --> 0:24:46.320
<v Speaker 1>Like the house attracts a certain type. You've always been

0:24:46.359 --> 0:24:49.560
<v Speaker 1>the caretaker here. Yeah, that kind of that sort of thing.

0:24:50.160 --> 0:24:52.280
<v Speaker 1>I guess it kind and that may indeed be the

0:24:52.320 --> 0:24:55.639
<v Speaker 1>true origin is like looking to sort of, um, you know,

0:24:56.200 --> 0:24:59.840
<v Speaker 1>inspiration for from other films that that FULTI might have

0:24:59.880 --> 0:25:02.639
<v Speaker 1>been looking at. But I guess I'll stand by what

0:25:02.680 --> 0:25:05.040
<v Speaker 1>I said earlier. If there's something that doesn't make sense

0:25:05.160 --> 0:25:09.560
<v Speaker 1>in a Fulgi movie, um, very little is going to

0:25:09.600 --> 0:25:13.000
<v Speaker 1>be revealed by trying. You can't make it makes sense.

0:25:13.960 --> 0:25:16.680
<v Speaker 1>The nonsense is baked into the DNA of the thing.

0:25:16.960 --> 0:25:18.520
<v Speaker 1>I think another way to put that is a lot

0:25:18.560 --> 0:25:21.159
<v Speaker 1>of times I don't even get the feeling that Folgi

0:25:21.240 --> 0:25:24.040
<v Speaker 1>is trying to make it makes sense and failing. He's

0:25:24.080 --> 0:25:28.680
<v Speaker 1>just not even trying, right, Yeah, and so it's not Yeah.

0:25:28.720 --> 0:25:30.879
<v Speaker 1>So sometimes because in other movies you can sort of

0:25:30.920 --> 0:25:32.479
<v Speaker 1>you can go through that mental exercise and you can

0:25:32.640 --> 0:25:35.480
<v Speaker 1>I can make it makes sense because the the creator

0:25:35.600 --> 0:25:38.920
<v Speaker 1>was trying to make something makes sense. Um, But but

0:25:39.000 --> 0:25:41.840
<v Speaker 1>not necessarily the case with Folgi. Oh and we have

0:25:42.040 --> 0:25:45.040
<v Speaker 1>another little bit from Brian has a ps attached, Uh,

0:25:45.119 --> 0:25:47.760
<v Speaker 1>quote an ad for J and B Scotch on an

0:25:47.880 --> 0:25:49.919
<v Speaker 1>on a New York City bus in the beginning of

0:25:49.920 --> 0:25:52.760
<v Speaker 1>the movie reminded me of what a staple it is

0:25:53.040 --> 0:25:55.719
<v Speaker 1>in Jallow films. I feel like y'all could run up

0:25:55.720 --> 0:25:57.720
<v Speaker 1>a pretty high acount of all the J and B

0:25:57.720 --> 0:26:00.840
<v Speaker 1>bottles or ads you see in weird how Cinema movies.

0:26:01.160 --> 0:26:03.919
<v Speaker 1>Just a thought, uh and then uh. He includes a

0:26:03.960 --> 0:26:07.120
<v Speaker 1>link that is J and B in the movies dot

0:26:07.160 --> 0:26:11.280
<v Speaker 1>Com and says loving the episodes, Thanks, Brian. Have have

0:26:11.440 --> 0:26:13.439
<v Speaker 1>we not talked about this on the show before? I

0:26:13.480 --> 0:26:15.480
<v Speaker 1>know that this is something I've talked about a lot,

0:26:15.520 --> 0:26:18.879
<v Speaker 1>but maybe not on Mike. So J and B is

0:26:19.000 --> 0:26:23.480
<v Speaker 1>in every Italian horror movie. There's almost always a bottle

0:26:23.560 --> 0:26:25.600
<v Speaker 1>that shows up somewhere. Rachel and I point these out

0:26:25.640 --> 0:26:28.320
<v Speaker 1>to each other every time when we watch a Jallow movie,

0:26:28.400 --> 0:26:32.200
<v Speaker 1>or just any Italian horror movie. I can scarcely remember

0:26:32.240 --> 0:26:35.040
<v Speaker 1>having watched one where a J and B bottle doesn't appear.

0:26:35.080 --> 0:26:38.080
<v Speaker 1>At some point. I this might have been off my

0:26:38.280 --> 0:26:41.000
<v Speaker 1>but I remember this popping up with Return of the

0:26:41.040 --> 0:26:43.600
<v Speaker 1>Blind Dead, because there's the scene where they're all gonna

0:26:44.040 --> 0:26:46.040
<v Speaker 1>the new fireworks man is in town. They're gonna all

0:26:46.119 --> 0:26:48.760
<v Speaker 1>have a drink, and I was thinking, Oh, I'm kind

0:26:48.760 --> 0:26:50.320
<v Speaker 1>of interested in where are they going to drink? Is

0:26:50.359 --> 0:26:54.560
<v Speaker 1>it's something you know, um, something kind of Spanish or something. Uh,

0:26:54.600 --> 0:26:56.879
<v Speaker 1>you know, it's going to be really fitting of the

0:26:57.520 --> 0:26:59.640
<v Speaker 1>location or where it's supposed to take place, a nice

0:26:59.680 --> 0:27:02.359
<v Speaker 1>spin sherry or something. Yeah, but it wasn't. It was

0:27:02.480 --> 0:27:06.199
<v Speaker 1>J and B. Right, I seem to recall it. Well, No,

0:27:06.359 --> 0:27:09.960
<v Speaker 1>actually I wonder if that might have come up because

0:27:10.000 --> 0:27:12.240
<v Speaker 1>I was expecting it to be J and B and

0:27:12.280 --> 0:27:15.800
<v Speaker 1>then it wasn't. Okay, but Brian, in any case, you

0:27:15.840 --> 0:27:19.679
<v Speaker 1>are absolutely correct. There almost every Italian horror movie I've

0:27:19.720 --> 0:27:21.480
<v Speaker 1>ever seen has J and B in it. I don't

0:27:21.480 --> 0:27:23.280
<v Speaker 1>I don't know why that is. I don't know if

0:27:23.280 --> 0:27:26.159
<v Speaker 1>they had like a their National Film Board had a

0:27:26.600 --> 0:27:29.440
<v Speaker 1>had a like ad relationship or something, or maybe it

0:27:29.520 --> 0:27:34.280
<v Speaker 1>was just a perfectly spontaneous replication phenomenon. I really don't know,

0:27:35.240 --> 0:27:37.159
<v Speaker 1>now that I'm thinking about it. I think Return of

0:27:37.200 --> 0:27:38.920
<v Speaker 1>the Living Dead just had some sort of I think

0:27:38.960 --> 0:27:42.440
<v Speaker 1>maybe it's British whiskey of some sort. Okay, Return of

0:27:42.480 --> 0:27:45.159
<v Speaker 1>the Blind, Yeah, return Return of the Blind Dad. So

0:27:45.240 --> 0:27:48.119
<v Speaker 1>it was it was not Spanish, it was. It was

0:27:48.160 --> 0:27:51.480
<v Speaker 1>something less exciting. I mean, nothing against J and B.

0:27:51.760 --> 0:27:54.280
<v Speaker 1>But yeah, no thoughts one way or another. Really, But

0:27:54.800 --> 0:27:57.800
<v Speaker 1>if somebody out there is like an Italian film historian

0:27:57.840 --> 0:27:59.680
<v Speaker 1>who wants to tell us why J and B is

0:27:59.720 --> 0:28:01.760
<v Speaker 1>an all these movies, I would I would love to know.

0:28:02.400 --> 0:28:04.840
<v Speaker 1>But that that website is pretty amusing because it is

0:28:04.920 --> 0:28:09.080
<v Speaker 1>just movie after movie and like you can see there

0:28:09.080 --> 0:28:11.560
<v Speaker 1>it is there's J m B in the background. All right,

0:28:11.600 --> 0:28:14.280
<v Speaker 1>there's a bottle on the table. Yep, yep, they're pouring

0:28:14.359 --> 0:28:16.720
<v Speaker 1>some JMB in that scene. Oh man. One of the

0:28:16.760 --> 0:28:20.280
<v Speaker 1>top entries on the blog right now is beyond the Door.

0:28:20.880 --> 0:28:23.400
<v Speaker 1>That's one that I know has come up on Weird

0:28:23.440 --> 0:28:27.040
<v Speaker 1>House Cinema before. That's the Italian Exorcist rip off where

0:28:27.080 --> 0:28:31.200
<v Speaker 1>they're discussing baby names and and a lady quite hilariously goes,

0:28:31.320 --> 0:28:35.679
<v Speaker 1>what about Steve? No knock on people named Steve? But

0:28:35.800 --> 0:28:38.600
<v Speaker 1>I don't know it's funny. All right, Well, we're gonna

0:28:38.600 --> 0:28:42.240
<v Speaker 1>go ahead and close the mail bag for today, but hey,

0:28:42.440 --> 0:28:47.240
<v Speaker 1>certainly keep the the Halloween related listener mails coming in.

0:28:47.360 --> 0:28:51.320
<v Speaker 1>We'll continue to address those obviously, and uh yeah, so

0:28:51.320 --> 0:28:54.400
<v Speaker 1>so just right in with thoughts on past episodes, current episodes,

0:28:54.600 --> 0:28:58.400
<v Speaker 1>potential future episodes, UM of Stuff to Blow Your Mind,

0:28:58.480 --> 0:29:02.760
<v Speaker 1>the core episodes of our our Friday Weird half Cinema episodes,

0:29:03.240 --> 0:29:06.200
<v Speaker 1>UM you know anything related to the artifacts on Wednesday,

0:29:06.400 --> 0:29:08.760
<v Speaker 1>or just you know other listener mails that we read

0:29:09.120 --> 0:29:12.479
<v Speaker 1>on Monday's Huge Things. As always to our wonderful audio

0:29:12.560 --> 0:29:15.479
<v Speaker 1>producer Seth Nicholas Johnson. If you would like to get

0:29:15.520 --> 0:29:17.680
<v Speaker 1>in touch with us with feedback on this episode or

0:29:17.680 --> 0:29:19.760
<v Speaker 1>any other, to suggest a topic for the future, or

0:29:19.800 --> 0:29:22.600
<v Speaker 1>just to say hello, you can email us at contact

0:29:22.640 --> 0:29:32.480
<v Speaker 1>at stuff to Blow your Mind dot com. Stuff to

0:29:32.480 --> 0:29:34.640
<v Speaker 1>Blow Your Mind is a production of I Heart Radio.

0:29:34.960 --> 0:29:37.080
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0:29:37.160 --> 0:29:39.960
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