WEBVTT - Lisa Loeb

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<v Speaker 1>The Craig Ferguson Pants on Fire Tour is on sale now.

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<v Speaker 1>It's a new show, it's new material, but I'm afraid

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<v Speaker 1>it's still only me, Craig Ferguson on my own, standing

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<v Speaker 1>on a stage, telling comedy words. Come and see me,

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<v Speaker 1>buy tickets, bring your loved ones, or don't come and

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<v Speaker 1>see me. Don't buy tickets and don't bring your loved ones.

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<v Speaker 1>I'm not your dad. You come or don't come, but

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<v Speaker 1>you should at least know what's happening, and it is.

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<v Speaker 1>The tour kicks off late September and goes through the

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<v Speaker 1>end of the year and beyond. Tickets are available at

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<v Speaker 1>the Craig Ferguson Show dot Com slash tour. They're available

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<v Speaker 1>at the Craig Ferguson show dot Com slash tour or

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<v Speaker 1>at your local outlet in your region. My name is

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<v Speaker 1>Craig Ferguson. The name of this podcast is Joy. I

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<v Speaker 1>talk to interest in people about what brings them happiness.

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<v Speaker 1>My guest today is some when I first met thirty

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<v Speaker 1>years ago, Bord. She's very, very talented, and very clever

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<v Speaker 1>and very funny. I always enjoy talking to her and

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<v Speaker 1>I always enjoyed listening to her, and I invite you

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<v Speaker 1>to do that right now. Join my guest today, Lisa. Look, everybody,

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<v Speaker 1>do you know what I'm very happy about Lisa, And

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<v Speaker 1>I'm going to tell you this right now. We both

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<v Speaker 1>look exactly the same as we did when we first met.

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<v Speaker 1>Well you do, actually, which is kind of I've kind

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<v Speaker 1>of got a little squiggly around the edges, but you

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<v Speaker 1>look exactly the same. You're still the youthful songstress that

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<v Speaker 1>I don't know if you remember this. We first met

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<v Speaker 1>when I was doing the Drew Carey Show. Do you

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<v Speaker 1>remember that when you were right?

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<v Speaker 2>And I got to be a guitar player? I mean

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<v Speaker 2>I am one, but I got to play myself. I've

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<v Speaker 2>been seeing that on socials lately. Some of the people

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<v Speaker 2>I forgot were on there, like Slash, Joe.

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<v Speaker 1>Wall was there, Joe Watsh and I became pals after that. Cool.

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<v Speaker 2>I've met him a couple of times, but we didn't

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<v Speaker 2>actually become like friends yet.

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<v Speaker 3>I remember when we met him.

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<v Speaker 2>We met him someplace, my husband and I and I said,

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<v Speaker 2>oh my gosh, this is so cool. We get to

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<v Speaker 2>meet you, and He's like yeah, right, or he was

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<v Speaker 2>like yeah, We're like, yeah, it is cool to meet you.

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<v Speaker 1>He's very, very fun. Once I was doing a I

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<v Speaker 1>got a job doing a working on it. As a

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<v Speaker 1>long story, but I got a job working doing a

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<v Speaker 1>script with Mick Jagger, and so I had to leave

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<v Speaker 1>the Drew Carey Show and go and be on tour

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<v Speaker 1>with Rolling Stones for a little bit. And everybody was saying, oh,

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<v Speaker 1>say tell Mike. I said Hi, Tell Mike. I said Hi.

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<v Speaker 1>And then Joe was there and he said tell Mike.

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<v Speaker 1>I said Hi, and I went, oh, yeah, you actually

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<v Speaker 1>mean tail make. I said like like, yeah, yeah, I've

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<v Speaker 1>known him for years. That's so cool.

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<v Speaker 2>I didn't know you, did you? What happened with the

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<v Speaker 2>Did anything happen with the Rolling Stones? Mick Jagger thing?

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<v Speaker 1>Meccad the idea for a screenplay, and I had written

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<v Speaker 1>a movie that he liked, so then uh, he go

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<v Speaker 1>he hired me to write this movie and I wrote

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<v Speaker 1>two drafts of it, and then I go fired and

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<v Speaker 1>the movie never goes made. But that happens.

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<v Speaker 3>He's taller than I thought. He's taller than I thought.

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<v Speaker 1>We have told you. I always thought he was Yeah, yeah.

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<v Speaker 2>I know exactly, but but he's taller though, like I've

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<v Speaker 2>met him once and then I also had a sighting

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<v Speaker 2>of him. I met him in the studio once I

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<v Speaker 2>was visiting. Dawn was the producer and uh yeah yeah,

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<v Speaker 2>and he he was like he had been working with

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<v Speaker 2>Mick Jagger a lot, I guess, or he was in

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<v Speaker 2>the studio. So he was like, let's go out there,

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<v Speaker 2>and like we knock on the door. We're like, is

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<v Speaker 2>he in there? And we're our ears to the door,

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<v Speaker 2>although you can't hear anything because it's a really huge studio,

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<v Speaker 2>you know, with like the super doors. But anyway, we're

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<v Speaker 2>trying to listen and he wasn't there. So we opened

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<v Speaker 2>the door and he was in there with what's his

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<v Speaker 2>name from Eurythmics, Dave Stewart who he was working with.

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<v Speaker 2>And I was trying to be cool, so I first

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<v Speaker 2>introduced myself to like the guy working at pro Tools

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<v Speaker 2>on the computer and the other assistant and then like

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<v Speaker 2>the third assistant, and I was just going around the room.

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<v Speaker 2>I wasn't trying to prioritize Mick Jagger and Dave Stuart.

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<v Speaker 2>But then I got to make Jagger and he was

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<v Speaker 2>he was what I'm five two, so everybody seems you

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<v Speaker 2>know taller.

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<v Speaker 4>Well.

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<v Speaker 1>See, this is an interesting lesson and perspective because the

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<v Speaker 1>first time I met Mick Jagger, i met him I

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<v Speaker 1>had to fly to Istambul because they were doing the

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<v Speaker 1>bridges to Babylon too. It oh yeah, And I met

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<v Speaker 1>him there and I was very tired of jet like

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<v Speaker 1>by the time I met him. And he opened it

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<v Speaker 1>a tail room door and he was so riddle that

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<v Speaker 1>I said, oh, you're adorable. And I very much regretted

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<v Speaker 1>saying that right away. But and you said it to

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<v Speaker 1>a thing you said it to Yeah, I said it

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<v Speaker 1>out loud, like like I still done the job.

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<v Speaker 3>What are we thinking?

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<v Speaker 1>I don't know. I think sometimes when you meet super

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<v Speaker 1>famous people and they've been super famous since a long since,

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<v Speaker 1>like you were a kid, then it's hard to compute,

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<v Speaker 1>you know what I mean, Like you're super fa and

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<v Speaker 1>it's I'm very comfortable talking with you because I've talked

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<v Speaker 1>to you lots of different times over the years. And

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<v Speaker 1>if you meet people who were famous when you were

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<v Speaker 1>a kid, it's a different thing.

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<v Speaker 3>I did that recently. Who did I talk to? And

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<v Speaker 3>I walked up to them and I said, gosh, who

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<v Speaker 3>was it? I have to remember. I said, oh my gosh,

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<v Speaker 3>you're so cute. Can I squish your face?

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<v Speaker 1>And it was.

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<v Speaker 3>Somebody like, what am I squishing? Something like squishing their

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<v Speaker 3>face with my hands?

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<v Speaker 1>Who was that? I don't think I'm going to say, Robert,

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<v Speaker 1>but you.

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<v Speaker 3>I also and I can't remember this.

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<v Speaker 2>I can't remember if I met you first, or if

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<v Speaker 2>my parents somehow met you first backstage and one of

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<v Speaker 2>your shows in Dallas. I may have been on your

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<v Speaker 2>show once and then maybe connected you guys, I don't know,

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<v Speaker 2>and then I was on your show again. I don't remember.

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<v Speaker 1>I don't really remember the order, but I do remember

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<v Speaker 1>your parents, because people's parents come and see me. Yeah,

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<v Speaker 1>to this day, it's a thing. I was doing a

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<v Speaker 1>meet and greet after a show, like a couple of

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<v Speaker 1>weeks ago, and this lady with a very familiar face

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<v Speaker 1>said to me, do you know my my son is

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<v Speaker 1>an actor? And I went, I know it was your

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<v Speaker 1>son's name, and she said Wess and I looked at

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<v Speaker 1>her visit with you're Wes Bentley's mom. She went, yeah,

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<v Speaker 1>have you heard of my son? My son? But she

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<v Speaker 1>was it was very lovely, but she really Wes Bentley

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<v Speaker 1>really looks like it's mom, Oh my god, that's all

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<v Speaker 1>I'm saying.

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<v Speaker 2>That's so amazing. It's you just you never know who

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<v Speaker 2>you're going to meet. I'm trying to look to see

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<v Speaker 2>on my phone who I met, who I squished their face,

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<v Speaker 2>And I was like, I can't believe that was like

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<v Speaker 2>the first Oh, I know it was.

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<v Speaker 3>It was a music festival. It was this huge music festival.

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<v Speaker 2>And the last minute I was playing there with my

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<v Speaker 2>band like a couple of months ago, and at the

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<v Speaker 2>last minute, they said, oh, hey, do you want to

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<v Speaker 2>co host this cooking segment right before you play with

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<v Speaker 2>this you know TV chef and Jason ahwa is the

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<v Speaker 2>kid from American Pie.

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<v Speaker 1>This kid Jason Isaacs, No I want to say.

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<v Speaker 2>I'll tell you and uh. And I had never met

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<v Speaker 2>him before and I was like, oh, uh, I'm terrible

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<v Speaker 2>with names. That's another really, Oh, Jason Biggs, this guy

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<v Speaker 2>showing you you know what I mean?

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<v Speaker 1>Yeah, I do know what you mean. I know Jason Biggs,

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<v Speaker 1>and he would be okay with you. This question is

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<v Speaker 1>faint that guy?

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<v Speaker 3>Yeah he doesn't really.

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<v Speaker 1>Yeah, I didn't know he did cooking segments.

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<v Speaker 3>Yeah, he does cooking segments.

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<v Speaker 2>Yeah, I think he had a cooking something something I

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<v Speaker 2>don't know, and I had a cooking show on Food

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<v Speaker 2>Network as well, and it was really fun. It's a

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<v Speaker 2>very fun thing to do to cook on Do you

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<v Speaker 2>still do that?

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<v Speaker 1>Do you still do all the cook and stuff? I do?

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<v Speaker 3>I mean in real life, I do.

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<v Speaker 2>I think I do, although my kids lately they're like, uh,

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<v Speaker 2>chicken tika masala again. I'm like, I'm you know, I'm

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<v Speaker 2>trying hard. I'm a human. I'm not just like a mom.

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<v Speaker 2>I'm a human. I'm trying really hard to make food.

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<v Speaker 2>I think it's pretty good.

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<v Speaker 1>So funny to me because I hear you say, you know,

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<v Speaker 1>you talk to your kids and you're a mom. But

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<v Speaker 1>to me, you're like, you know, you're twenty eight years old,

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<v Speaker 1>and I I see you in the Drew Carry Show.

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<v Speaker 1>It's like, I think of my sale. I'm like, I'm

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<v Speaker 1>forty two and my kids are just little. But that's

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<v Speaker 1>not true any know. My kids have grown up and

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<v Speaker 1>I think I'm an asshole.

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<v Speaker 2>You're the worst person ever, right, Yeah, I feel like

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<v Speaker 2>clavely in Los Angeles. I've definitely felt things shifting, and

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<v Speaker 2>it may be because I'm wearing black sweats a lot,

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<v Speaker 2>just a nice black sweatpants. I always feel like Oprah

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<v Speaker 2>Winfrey at some point said, don't leave your house looking like,

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<v Speaker 2>I don't know what like. You need to be basically

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<v Speaker 2>put together. So I'm put together, like black sweats, sneakers,

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<v Speaker 2>black T shirt, and a lot of salespeople lately when

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<v Speaker 2>I'm with my kids are like, mom, hy mom. They

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<v Speaker 2>call me mom, like at Verizon car Mom, Yeah, mom,

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<v Speaker 2>what do you think of that?

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<v Speaker 3>I'm like, oh, yeah, I'm the mom. I mean I am.

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<v Speaker 1>You know, once I was standing with one of my

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<v Speaker 1>boys at Galson's. You know, Gelson's right near my house,

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<v Speaker 1>right near your house, right, So where are you at?

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<v Speaker 1>Which one were you in here? Well, at that time

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<v Speaker 1>it was the one just like on the top, like

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<v Speaker 1>the bottom of beach, would that area? Yeah? Right, So

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<v Speaker 1>I'm at the Gelson's and I was standing with my

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<v Speaker 1>oldest son, who at the time I think was about fifteen. Yeah,

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<v Speaker 1>And we were standing there and I saw this girl

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<v Speaker 1>look at him as she was going by, and then

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<v Speaker 1>she just went by. She looked at him and she

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<v Speaker 1>went by, and I went, oh my god, something just happened.

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<v Speaker 1>Somebody just saw It wasn't a guy with his kid.

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<v Speaker 1>She saw a guy with his dad. It was I

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<v Speaker 1>wasn't the guy anymore. It was like he was the

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<v Speaker 1>guy and I was the appendage. And I was like,

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<v Speaker 1>oh man, that is a shift. But it is, you know,

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<v Speaker 1>it's just there. It happens. It's the natural order of things.

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<v Speaker 1>Well is it your kids now?

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<v Speaker 2>I was just about to ask you that my kids

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<v Speaker 2>are My daughter just turned fifteen, she's in ninth grade,

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<v Speaker 2>and my son is twelve.

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<v Speaker 1>How about you see that's well I'm a little further

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<v Speaker 1>down the line.

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<v Speaker 3>Well maybe I waited a long time.

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<v Speaker 1>Yeah, I did. Two, I did too, id a long

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<v Speaker 1>time in between. My oldest is twenty three, okay, and

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<v Speaker 1>my youngest is thirteen.

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<v Speaker 3>Oh wow yeah.

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<v Speaker 1>But Scottish people are like, you know, there's big orchids

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<v Speaker 1>in the jungle that just explode every ten years and

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<v Speaker 1>everything around them gets pregnant. That's what Scottish people do.

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<v Speaker 1>They have sex once every ten years. They have to

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<v Speaker 1>go to their home planet like spot and then that's

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<v Speaker 1>how they make So I have My boys are almost

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<v Speaker 1>ten years apart, nine and a half years apart, which

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<v Speaker 1>I think is it works for them. Like my wife

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<v Speaker 1>always says, It's like you have a Kirk and a Spock,

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<v Speaker 1>but you better have the Spock first, because if you

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<v Speaker 1>have the Kirk first, you won't have any other. You

0:10:35.679 --> 0:10:39.199
<v Speaker 1>gotta spoke then Kirk. And that's what we got you.

0:10:39.720 --> 0:10:41.320
<v Speaker 1>They nerd to your wife's nerd.

0:10:41.440 --> 0:10:45.680
<v Speaker 2>She's like to talk about, okaying, we have Star Wars

0:10:45.760 --> 0:10:49.559
<v Speaker 2>wallpaper in our bathroom. That's a different star show.

0:10:51.320 --> 0:10:51.600
<v Speaker 1>I have.

0:10:51.840 --> 0:10:52.200
<v Speaker 3>I don't know.

0:10:52.240 --> 0:10:54.480
<v Speaker 2>I've got two very unique, different kids. Although when they

0:10:54.480 --> 0:10:57.559
<v Speaker 2>were younger, my son was on the taller side and

0:10:57.600 --> 0:11:00.480
<v Speaker 2>people used to think they were twins, but not. And

0:11:00.520 --> 0:11:02.400
<v Speaker 2>now my daughter is taller than I am, and my

0:11:02.480 --> 0:11:05.640
<v Speaker 2>son just yesterday stood next to me and he's a

0:11:05.679 --> 0:11:08.200
<v Speaker 2>tiny bit taller than I am. I think I knew

0:11:08.200 --> 0:11:09.640
<v Speaker 2>at some point I was going to be looking up

0:11:09.640 --> 0:11:12.000
<v Speaker 2>at them and pointing my finger saying it's time for bed.

0:11:12.120 --> 0:11:12.800
<v Speaker 1>You get to bed.

0:11:13.040 --> 0:11:16.559
<v Speaker 2>You have to behave yourself and don't smoke cigarette. And

0:11:16.600 --> 0:11:19.079
<v Speaker 2>now my parents used to say make sure. My mom

0:11:19.080 --> 0:11:21.560
<v Speaker 2>would say make sure you come home at eleven, but

0:11:21.679 --> 0:11:24.560
<v Speaker 2>be real quiet because we're going to be asleep. I

0:11:24.640 --> 0:11:28.560
<v Speaker 2>was like, mm, yeah, I'll be home at eleven, Yeah, I'll.

0:11:28.440 --> 0:11:30.360
<v Speaker 1>Be I was. I came in at eleven. But you

0:11:30.400 --> 0:11:31.240
<v Speaker 1>guys were asleep.

0:11:31.360 --> 0:11:33.160
<v Speaker 3>You are sleeping, so you didn't know.

0:11:33.520 --> 0:11:35.440
<v Speaker 1>Yeah, well you are a wild kid. You are not wild.

0:11:35.520 --> 0:11:37.360
<v Speaker 3>When I was not a wild I was.

0:11:37.400 --> 0:11:37.720
<v Speaker 1>I was.

0:11:39.520 --> 0:11:43.160
<v Speaker 2>I was a very studious kid. I was a kid

0:11:43.160 --> 0:11:45.560
<v Speaker 2>who had a million different things that I love to do.

0:11:46.240 --> 0:11:46.840
<v Speaker 1>I was.

0:11:46.960 --> 0:11:50.400
<v Speaker 2>I was a dancer and an actor and a had

0:11:50.440 --> 0:11:53.080
<v Speaker 2>I was a DJ on the radio, and I would

0:11:53.080 --> 0:11:56.160
<v Speaker 2>I DJ parties. I'm carry in all these big creates

0:11:56.160 --> 0:11:59.200
<v Speaker 2>of records. I did a lot of extracurriculars, acting in

0:11:59.440 --> 0:12:04.320
<v Speaker 2>musical theater and theater and music. But I did I

0:12:04.320 --> 0:12:07.120
<v Speaker 2>did you spain though? That was when DJ's put records

0:12:07.160 --> 0:12:09.160
<v Speaker 2>on and then gave O private. It was like a

0:12:09.200 --> 0:12:11.240
<v Speaker 2>soft cup but in the eighties, and like I'd play

0:12:11.320 --> 0:12:14.120
<v Speaker 2>like a deep cut from Duran Duran, and we'd played

0:12:14.120 --> 0:12:17.120
<v Speaker 2>like the Chauffeur instead of just Hungry like the Wolf,

0:12:17.360 --> 0:12:19.720
<v Speaker 2>which we danced to with the dance troupe at the

0:12:19.760 --> 0:12:22.160
<v Speaker 2>boys school. And I was right in the front row

0:12:22.320 --> 0:12:24.319
<v Speaker 2>and my friends who were in bands with me were

0:12:24.360 --> 0:12:26.640
<v Speaker 2>right in the front row at this boys school where

0:12:26.679 --> 0:12:29.080
<v Speaker 2>we were dancing with our dance troupe from the girls'

0:12:29.080 --> 0:12:33.040
<v Speaker 2>school to Hungry like the wolf wearing leotards and tatters

0:12:33.040 --> 0:12:35.200
<v Speaker 2>and rags, and I thought, you know what, I can't

0:12:35.200 --> 0:12:37.440
<v Speaker 2>be in the dance troup anymore doing these sexy dances

0:12:37.480 --> 0:12:38.240
<v Speaker 2>at the boys' school.

0:12:38.320 --> 0:12:40.240
<v Speaker 3>This is not I can't do this.

0:12:40.520 --> 0:12:43.800
<v Speaker 1>It sounds like a recipe for disaster. It was just

0:12:43.880 --> 0:12:46.160
<v Speaker 1>not girls from the girls school dance from the boys

0:12:46.160 --> 0:12:47.000
<v Speaker 1>of the boys school.

0:12:47.080 --> 0:12:50.120
<v Speaker 2>Yeah, I was just it was I had to stop.

0:12:50.200 --> 0:12:52.640
<v Speaker 2>I just had to focus on writing music and getting

0:12:52.640 --> 0:12:54.920
<v Speaker 2>out of there. But I also, you know, I went

0:12:54.960 --> 0:12:58.240
<v Speaker 2>to Spain one summer between what was it sophomore and

0:12:58.320 --> 0:13:02.679
<v Speaker 2>junior year. I lived in Quenca. It was a little

0:13:02.679 --> 0:13:06.200
<v Speaker 2>town called Quenca, a few hours outside of Madrid, and

0:13:06.280 --> 0:13:08.080
<v Speaker 2>it had a famous museums called.

0:13:07.960 --> 0:13:10.000
<v Speaker 3>Lassas call Godas, and.

0:13:09.920 --> 0:13:13.120
<v Speaker 2>We lived with families and we legally drank beer and

0:13:13.200 --> 0:13:19.080
<v Speaker 2>rode on the back of motorcycles, little scooters and motorcycles, and.

0:13:18.080 --> 0:13:19.760
<v Speaker 3>It was so European. I was so European.

0:13:19.760 --> 0:13:21.280
<v Speaker 2>So when I came back from Spain, I was way

0:13:21.280 --> 0:13:24.440
<v Speaker 2>more European than I had been before I left for Spain.

0:13:25.559 --> 0:13:27.800
<v Speaker 2>And my friends and I love to go see bands

0:13:27.840 --> 0:13:29.920
<v Speaker 2>play and we would sneak out, and you know, I

0:13:29.960 --> 0:13:32.760
<v Speaker 2>wasn't I wasn't getting caught. I wasn't terrible, but I

0:13:32.800 --> 0:13:34.560
<v Speaker 2>wasn't getting caught either.

0:13:34.760 --> 0:13:38.439
<v Speaker 1>Well, you grew up in Dallas, the right in Dallas,

0:13:38.520 --> 0:13:41.280
<v Speaker 1>and do you see some pretty big acts coming through there?

0:13:41.400 --> 0:13:42.280
<v Speaker 1>Oh yeah, you were a kid.

0:13:42.400 --> 0:13:43.079
<v Speaker 3>We saw everybody.

0:13:43.080 --> 0:13:43.439
<v Speaker 1>We saw it.

0:13:43.880 --> 0:13:45.520
<v Speaker 2>Well, I don't know why, I keep thinking. I was

0:13:45.559 --> 0:13:48.720
<v Speaker 2>thinking dire Straights. You know, the police goes to the

0:13:48.760 --> 0:13:52.000
<v Speaker 2>machine tour we saw. I remember seeing Grace Jones at

0:13:52.000 --> 0:13:55.160
<v Speaker 2>this place called the Start Club, and I also remember

0:13:55.240 --> 0:13:56.400
<v Speaker 2>that might have been after high school.

0:13:56.400 --> 0:13:59.839
<v Speaker 3>And then I remember seeing what's the band name used

0:14:00.080 --> 0:14:00.440
<v Speaker 3>in me?

0:14:00.800 --> 0:14:05.440
<v Speaker 2>Right round baby, right at the same place. You had

0:14:05.480 --> 0:14:07.360
<v Speaker 2>to go see them at the Start Club, this club

0:14:07.480 --> 0:14:09.880
<v Speaker 2>that we probably shouldn't have been in. We were probably underage,

0:14:10.280 --> 0:14:12.480
<v Speaker 2>but we would sneak in. And it was the first

0:14:12.520 --> 0:14:15.320
<v Speaker 2>time I was like, wait, there's no band. He's singing

0:14:15.360 --> 0:14:17.680
<v Speaker 2>with the microphone and I can hear the music, but

0:14:17.760 --> 0:14:22.280
<v Speaker 2>there's no musicians. And I realized that that is a track.

0:14:22.400 --> 0:14:25.200
<v Speaker 2>He's singing to a track. But that was fun. But

0:14:25.240 --> 0:14:28.280
<v Speaker 2>I saw so many bands play. Oh my gosh, it

0:14:28.360 --> 0:14:29.880
<v Speaker 2>was amazing. I loved it.

0:14:30.040 --> 0:14:34.160
<v Speaker 1>I did the low of that too. I saw everybody. Man,

0:14:34.200 --> 0:14:36.800
<v Speaker 1>I saw a boy in the Little Tour. I saw Queen,

0:14:37.440 --> 0:14:41.120
<v Speaker 1>I saw the four oh before before What Before a

0:14:41.240 --> 0:14:43.040
<v Speaker 1>Night in the All Price. I saw them on the

0:14:43.760 --> 0:14:46.240
<v Speaker 1>Sheer Heart type. I was like a young guy, I'm

0:14:46.280 --> 0:14:47.280
<v Speaker 1>sixty two years old.

0:14:47.320 --> 0:14:49.680
<v Speaker 2>I'm like a hard I'm close years old, that's so close.

0:14:50.080 --> 0:14:51.840
<v Speaker 2>I was at Live Aid in London. I happened to

0:14:51.880 --> 0:14:55.640
<v Speaker 2>be studying acting that summer in London at the National

0:14:55.640 --> 0:14:59.280
<v Speaker 2>Youth Theater of Great Britain, making an American musical. I

0:14:59.280 --> 0:15:00.920
<v Speaker 2>don't know why they had his doing an American musical,

0:15:00.960 --> 0:15:03.800
<v Speaker 2>but anyway, I said, you know, there's this big show

0:15:03.800 --> 0:15:05.160
<v Speaker 2>coming through called Live Aid.

0:15:05.320 --> 0:15:07.000
<v Speaker 3>And I got a couple of friends with me to

0:15:07.040 --> 0:15:07.800
<v Speaker 3>go on the tube.

0:15:08.280 --> 0:15:10.880
<v Speaker 2>I'm so British now and to go to get We

0:15:10.920 --> 0:15:13.600
<v Speaker 2>bought tickets and we went and we saw, we were there.

0:15:13.640 --> 0:15:15.720
<v Speaker 3>We saw all of everybody, Bowie.

0:15:15.360 --> 0:15:19.000
<v Speaker 2>And Thomas Dolby playing with Bowie, which not Thomas Dolby. Yeah,

0:15:19.000 --> 0:15:22.520
<v Speaker 2>Thomas Dolby played with Bowie on that show. Which I

0:15:22.520 --> 0:15:26.080
<v Speaker 2>saw was that she blinded me with science. That was

0:15:27.000 --> 0:15:28.000
<v Speaker 2>right flat Yeah, but.

0:15:28.040 --> 0:15:30.040
<v Speaker 3>Wait, who else did you see? Who else did you see?

0:15:30.520 --> 0:15:35.280
<v Speaker 1>I saw the Pistols, I saw the.

0:15:34.520 --> 0:15:39.760
<v Speaker 5>Stranglers, so the damn the so the I mean like

0:15:39.960 --> 0:15:44.840
<v Speaker 5>some yeah, I saw that's amazing with Lamy.

0:15:45.240 --> 0:15:48.960
<v Speaker 1>Oh me, yeah, I saw Hope when with Lamy when

0:15:49.000 --> 0:15:50.960
<v Speaker 1>I I think I was my first concert actually when

0:15:50.960 --> 0:15:54.200
<v Speaker 1>I was thirteen. I saw Hope when when they were

0:15:54.200 --> 0:15:56.520
<v Speaker 1>playing cellver Machine and they used to have a dancer

0:15:56.600 --> 0:16:00.680
<v Speaker 1>called Stasia who is a lady who would dance with

0:16:00.720 --> 0:16:03.400
<v Speaker 1>her and she would take her tollpof And we were

0:16:03.520 --> 0:16:06.120
<v Speaker 1>thirteen year old boys and we would see Stacia dancing

0:16:06.160 --> 0:16:06.960
<v Speaker 1>with her tollpoff.

0:16:07.520 --> 0:16:10.680
<v Speaker 2>It was you loved music, you loved going to see music.

0:16:10.760 --> 0:16:13.800
<v Speaker 2>I loved music like old boys of that age. I

0:16:13.880 --> 0:16:17.080
<v Speaker 2>loved Stasia as well. She was I don't think that's

0:16:17.120 --> 0:16:22.280
<v Speaker 2>allowed now. I think that would be frowned upon and modern. Well,

0:16:22.280 --> 0:16:25.280
<v Speaker 2>it depends on who's doing it. So who's doing it,

0:16:25.280 --> 0:16:27.680
<v Speaker 2>It depends on who. It depends on who decides to

0:16:27.680 --> 0:16:30.800
<v Speaker 2>do it. You know, if the artist decides it may

0:16:30.840 --> 0:16:32.680
<v Speaker 2>be different. I want to go see Billie Eilish yet

0:16:32.800 --> 0:16:36.200
<v Speaker 2>last night with my daughter. Oh yeah, yeah, it was amazing.

0:16:36.240 --> 0:16:39.960
<v Speaker 2>It was amazing. Actually I've never seen and I saw,

0:16:41.280 --> 0:16:43.200
<v Speaker 2>you know, not to necessarily compare them, but they're two

0:16:43.200 --> 0:16:45.800
<v Speaker 2>big arena shows. I saw Taylor Swift a few, you

0:16:45.800 --> 0:16:49.120
<v Speaker 2>know in this last Eras tour, which was amazing and beautiful,

0:16:49.160 --> 0:16:52.120
<v Speaker 2>and I saw I've seen Pink and it's amazing. But

0:16:52.200 --> 0:16:55.760
<v Speaker 2>the lighting it was so unique. I've never seen anything

0:16:55.800 --> 0:16:58.760
<v Speaker 2>like that. It's very intense. But she kept her clothes on,

0:16:58.840 --> 0:16:59.160
<v Speaker 2>for sure.

0:16:59.360 --> 0:17:00.880
<v Speaker 1>Yeah, I think that's okay.

0:17:01.040 --> 0:17:04.280
<v Speaker 2>I mean, if she had decided not to, it probably

0:17:04.280 --> 0:17:05.240
<v Speaker 2>also would have been okay.

0:17:05.960 --> 0:17:08.720
<v Speaker 1>But she would have had to decide. I think that's good. Well,

0:17:08.760 --> 0:17:11.760
<v Speaker 1>I think I don't know who who was deciding for anything.

0:17:11.840 --> 0:17:14.160
<v Speaker 1>I think a lot of people when I saw Halt

0:17:14.200 --> 0:17:16.800
<v Speaker 1>when when I was thirteen, I wasn't but I think

0:17:16.800 --> 0:17:20.760
<v Speaker 1>a lot of people were on very powerful narcotics at

0:17:20.760 --> 0:17:24.240
<v Speaker 1>that point in their lives, and their decision making process

0:17:24.320 --> 0:17:28.320
<v Speaker 1>may have been impaired. The drugs were deciding, the drugs

0:17:28.320 --> 0:17:32.200
<v Speaker 1>were decided. It's funny that it's a real I mean,

0:17:32.560 --> 0:17:35.399
<v Speaker 1>quite seriously, though, it's a trap for young musicians, or

0:17:35.560 --> 0:17:37.960
<v Speaker 1>used to be. It seems to be that young musicians

0:17:38.000 --> 0:17:41.679
<v Speaker 1>now are a little more ambitious and work focused, career

0:17:41.760 --> 0:17:43.560
<v Speaker 1>focused than they used to be. Is that true? Do

0:17:43.600 --> 0:17:43.920
<v Speaker 1>you think?

0:17:44.080 --> 0:17:46.800
<v Speaker 2>I think in some ways I think they are, and

0:17:46.880 --> 0:17:49.359
<v Speaker 2>I think they understand this concept that they're going to

0:17:49.400 --> 0:17:50.199
<v Speaker 2>have many jobs.

0:17:50.600 --> 0:17:51.199
<v Speaker 1>It used to be.

0:17:51.560 --> 0:17:53.040
<v Speaker 2>I'm sure it was the same with you, you know,

0:17:53.440 --> 0:17:56.800
<v Speaker 2>being in entertainment and comedy and acting and writing. You

0:17:56.840 --> 0:17:59.760
<v Speaker 2>didn't want to say, like, oh, and I'm also I

0:17:59.800 --> 0:18:02.720
<v Speaker 2>wor at this store, or I also created this idea,

0:18:02.880 --> 0:18:06.320
<v Speaker 2>or I also teach or you know. Now kids do

0:18:06.440 --> 0:18:08.399
<v Speaker 2>a lot of different things, Like they might be teaching

0:18:08.400 --> 0:18:10.560
<v Speaker 2>and then they're in their band, or they might have

0:18:10.640 --> 0:18:13.400
<v Speaker 2>a real job and then they also have an entertainment job,

0:18:13.440 --> 0:18:16.520
<v Speaker 2>and it's not taboo. But I think back in those days,

0:18:16.560 --> 0:18:18.560
<v Speaker 2>you wanted to do one thing, or you weren't serious.

0:18:18.600 --> 0:18:21.320
<v Speaker 1>You know, you were a diletant, that's right, Yeah, you

0:18:21.359 --> 0:18:24.880
<v Speaker 1>were a tourist if you were fully committed to it.

0:18:25.200 --> 0:18:27.440
<v Speaker 1>I don't know, man, it seems such a funny thing

0:18:27.440 --> 0:18:30.880
<v Speaker 1>because I came up being, you know, I was a drummer,

0:18:30.920 --> 0:18:32.520
<v Speaker 1>so I always kind of thought that was going to

0:18:32.560 --> 0:18:34.280
<v Speaker 1>be my life. I would just be in bands my

0:18:34.320 --> 0:18:36.480
<v Speaker 1>whole life, and then I would probably die when I

0:18:36.520 --> 0:18:39.280
<v Speaker 1>was twenty five, which I think if I stayed drumming

0:18:39.359 --> 0:18:40.480
<v Speaker 1>that that's possibly.

0:18:42.440 --> 0:18:44.160
<v Speaker 3>But wait, what kind of music were you playing?

0:18:44.920 --> 0:18:50.040
<v Speaker 1>I was playing punk rock, music, okay, which was that genre.

0:18:50.119 --> 0:18:51.040
<v Speaker 3>I've heard of that genre.

0:18:51.720 --> 0:18:54.840
<v Speaker 1>It's a genre that was popular amongst the young folks

0:18:54.880 --> 0:18:57.960
<v Speaker 1>when I was young, and it was very forgiving of

0:18:58.000 --> 0:19:00.840
<v Speaker 1>the lifestyle I had at the time, so it fit

0:19:00.960 --> 0:19:07.040
<v Speaker 1>right into my leisure activities to be amongst punk rock artists.

0:19:07.320 --> 0:19:10.760
<v Speaker 1>It worked really well for me. But I don't think

0:19:10.800 --> 0:19:15.000
<v Speaker 1>it has any real longevity about it, as I don't

0:19:15.040 --> 0:19:17.119
<v Speaker 1>know if there are even punk rock bands around.

0:19:18.240 --> 0:19:20.239
<v Speaker 2>But now they're like, yeah, the guys that I know

0:19:20.280 --> 0:19:22.040
<v Speaker 2>who are in more of the kind of punky bands,

0:19:22.080 --> 0:19:25.199
<v Speaker 2>it's more of a sound than a lifestyle. It's you know,

0:19:25.240 --> 0:19:27.679
<v Speaker 2>it's more like the emotion and the sound. And some

0:19:27.720 --> 0:19:29.280
<v Speaker 2>of the guys I know who are in the more

0:19:29.280 --> 0:19:31.840
<v Speaker 2>punk bands, they are straight edge. They call it straight edge.

0:19:31.840 --> 0:19:36.480
<v Speaker 2>You know, they're super sober, very pro sober. I am

0:19:36.560 --> 0:19:40.800
<v Speaker 2>not straight edge. I just don't drink very much. I

0:19:40.840 --> 0:19:44.280
<v Speaker 2>never get around to it, and I just am too busy.

0:19:45.240 --> 0:19:46.800
<v Speaker 2>Every once in a while, I keep trying to drink

0:19:46.880 --> 0:19:49.840
<v Speaker 2>champagne more and then I'm really tired the next day

0:19:49.840 --> 0:19:51.159
<v Speaker 2>because I had champagne.

0:19:51.840 --> 0:19:55.560
<v Speaker 1>And so that's fabulous.

0:19:56.160 --> 0:20:00.480
<v Speaker 2>Yeah, it's kind of like it's not that's all my

0:20:00.520 --> 0:20:02.480
<v Speaker 2>friends and I used to make up. When the new

0:20:02.600 --> 0:20:05.000
<v Speaker 2>year came around, we tried to make some kind of

0:20:05.040 --> 0:20:08.159
<v Speaker 2>a promise based on a rhyme with the number like

0:20:09.640 --> 0:20:11.560
<v Speaker 2>in twenty twenty. Well it wasn't a rhyme, but I

0:20:11.600 --> 0:20:13.440
<v Speaker 2>was like, in twenty twenty, I'm going to see people

0:20:13.480 --> 0:20:16.119
<v Speaker 2>in person because like vision like twenty twenty. And then

0:20:16.160 --> 0:20:20.399
<v Speaker 2>that was the year of the COVID, so like starting

0:20:20.400 --> 0:20:22.399
<v Speaker 2>in nineteen ninety four. I remember my friend Amy and

0:20:22.400 --> 0:20:25.080
<v Speaker 2>I said more in ninety four, which was like more drinking,

0:20:25.840 --> 0:20:28.640
<v Speaker 2>and we just never got back around to it yet.

0:20:29.160 --> 0:20:33.280
<v Speaker 2>That was the thirty years ago, twenty four. I tried

0:20:33.359 --> 0:20:34.120
<v Speaker 2>twenty twenty five.

0:20:34.440 --> 0:20:39.240
<v Speaker 1>Well five, let me drink until I'm not alive. Yeah,

0:20:39.640 --> 0:20:42.280
<v Speaker 1>well then that might be too much.

0:20:42.520 --> 0:20:44.320
<v Speaker 3>It's a lot of words and I don't want to do.

0:20:51.720 --> 0:20:54.600
<v Speaker 1>But I remember once I bumped you in. I think

0:20:54.640 --> 0:20:57.520
<v Speaker 1>it might have been even in Dallas airport, maybe Danver

0:20:57.760 --> 0:20:58.280
<v Speaker 1>or something.

0:20:58.640 --> 0:21:02.920
<v Speaker 2>Yes, that's right, if you were Denver maybe because maybe

0:21:03.520 --> 0:21:06.520
<v Speaker 2>those great stores like Fudge.

0:21:08.840 --> 0:21:10.200
<v Speaker 1>I don't remember the I don't know.

0:21:10.720 --> 0:21:12.560
<v Speaker 2>I'm thinking of Denver like this. They've got a really

0:21:12.600 --> 0:21:15.800
<v Speaker 2>good airport with like bookstores and Fudge. I feel like

0:21:15.880 --> 0:21:17.320
<v Speaker 2>last time I've been there. The last couple of times,

0:21:17.359 --> 0:21:20.720
<v Speaker 2>they've been doing construction. But maybe that's the Atlanta or Atlanta.

0:21:21.080 --> 0:21:26.399
<v Speaker 2>Was it Atlanta where you can get second Yeah.

0:21:26.080 --> 0:21:30.760
<v Speaker 1>I remember because you were walking through looking very romantic

0:21:30.880 --> 0:21:33.760
<v Speaker 1>and clever, and your guitar was strapped to your back,

0:21:34.280 --> 0:21:36.879
<v Speaker 1>and I was like, oh my god, look at that girls.

0:21:36.880 --> 0:21:39.320
<v Speaker 1>She's so great. She kind of like just lives her

0:21:39.359 --> 0:21:42.640
<v Speaker 1>fucking life, man. And I was so impressed by how

0:21:42.680 --> 0:21:45.200
<v Speaker 1>you were just like traveling from one place and going

0:21:45.200 --> 0:21:48.880
<v Speaker 1>to another place and living the vagabond life and playing music.

0:21:49.359 --> 0:21:52.280
<v Speaker 1>I was very jealous. I'm very impressed at the same

0:21:52.320 --> 0:21:54.439
<v Speaker 1>time because I think by then, you're.

0:21:54.320 --> 0:21:58.040
<v Speaker 3>On your book tour. That's right, you're on your book tour.

0:21:58.200 --> 0:22:01.399
<v Speaker 1>That's right. I was selling. I was selling a book,

0:22:03.160 --> 0:22:05.200
<v Speaker 1>which you know, you got to write books. That's a thing.

0:22:05.880 --> 0:22:09.320
<v Speaker 3>Yeah, that's hard to write books.

0:22:09.400 --> 0:22:11.760
<v Speaker 2>I just read it, but it's not a long it's

0:22:11.800 --> 0:22:13.760
<v Speaker 2>a children's book, but I'm waiting to hear back from

0:22:13.760 --> 0:22:14.440
<v Speaker 2>a publisher.

0:22:15.240 --> 0:22:17.080
<v Speaker 1>You go into that a little bit with the music

0:22:17.119 --> 0:22:19.439
<v Speaker 1>as well, though, haven't you been doing like the recent

0:22:19.480 --> 0:22:19.920
<v Speaker 1>thing with.

0:22:20.720 --> 0:22:23.520
<v Speaker 2>Fin for twenty years or more? I have been making

0:22:23.600 --> 0:22:26.200
<v Speaker 2>children's music. I can't believe it. I know somebody said

0:22:26.240 --> 0:22:28.280
<v Speaker 2>she just got into children's music. It was in some

0:22:28.880 --> 0:22:32.920
<v Speaker 2>Billboard thing, and I was like, well, it was cool

0:22:32.960 --> 0:22:34.760
<v Speaker 2>to be in the company of John Legend who just

0:22:34.760 --> 0:22:37.600
<v Speaker 2>made a children's record, a really beautiful children a great

0:22:37.640 --> 0:22:39.959
<v Speaker 2>children's record. But I was like, I think I've been

0:22:39.960 --> 0:22:43.399
<v Speaker 2>doing this for twenty years now. Let me see you.

0:22:43.440 --> 0:22:46.159
<v Speaker 1>Never doing it before you had your own kids.

0:22:45.800 --> 0:22:50.160
<v Speaker 2>Oh way before. I didn't even know about kids. I didn't.

0:22:51.160 --> 0:22:53.719
<v Speaker 2>I wasn't really, it was, oh my gosh, twenty one

0:22:53.800 --> 0:22:56.080
<v Speaker 2>years ago. I put out that record, the first kids record.

0:22:56.560 --> 0:22:59.639
<v Speaker 2>I was asked by Barnes and Noble. It was like

0:22:59.680 --> 0:23:02.320
<v Speaker 2>a cool opportunity, like a neat business thing. They said, well,

0:23:02.320 --> 0:23:04.840
<v Speaker 2>you do a record that's different from your regular records,

0:23:05.080 --> 0:23:07.200
<v Speaker 2>and we'll sell it exclusively at Barnes and Noble.

0:23:07.400 --> 0:23:08.400
<v Speaker 3>And I thought that was great.

0:23:08.440 --> 0:23:11.359
<v Speaker 2>You know, it's hard to sell things and how people

0:23:11.400 --> 0:23:12.920
<v Speaker 2>know about them, and I thought that was great.

0:23:12.960 --> 0:23:15.160
<v Speaker 1>I love books, bookstores.

0:23:15.080 --> 0:23:16.960
<v Speaker 3>And so I made they.

0:23:17.000 --> 0:23:19.520
<v Speaker 2>We ended up deciding to make a children's record as

0:23:19.560 --> 0:23:22.760
<v Speaker 2>my thing that was different, And really it was because

0:23:22.880 --> 0:23:26.119
<v Speaker 2>I'm a nostalgic person and I liked my childhood and

0:23:26.160 --> 0:23:29.119
<v Speaker 2>I wanted to sort of live inside that world and

0:23:29.200 --> 0:23:31.320
<v Speaker 2>make music like the kind of things we listened to,

0:23:31.440 --> 0:23:34.440
<v Speaker 2>or I listened to when I was little. There was

0:23:34.480 --> 0:23:37.159
<v Speaker 2>a lot of music that sounded like seventies soft pop

0:23:37.359 --> 0:23:41.879
<v Speaker 2>and summer camp songs and grown up songs that you

0:23:41.880 --> 0:23:43.760
<v Speaker 2>couldn't tell if they were for grown ups or kids,

0:23:43.800 --> 0:23:46.040
<v Speaker 2>you know, like the like I'd watch this TV show

0:23:46.080 --> 0:23:49.800
<v Speaker 2>Fernwood Tonight, or the Sonny and Share Show, things that

0:23:49.880 --> 0:23:52.000
<v Speaker 2>were like funny and whimsical and.

0:23:53.320 --> 0:23:55.359
<v Speaker 3>Weird, and the old Sesame Street.

0:23:55.359 --> 0:23:57.000
<v Speaker 2>I wanted to make stuff like that, So I started

0:23:57.000 --> 0:23:59.639
<v Speaker 2>making kids records, and I had Kids Day.

0:24:00.160 --> 0:24:03.240
<v Speaker 1>A really great version of Big Rock Candy.

0:24:03.680 --> 0:24:06.199
<v Speaker 2>Yeah, that's my friend Liz, just like that was my

0:24:06.240 --> 0:24:08.960
<v Speaker 2>first kids record. So my friend Liz I was produced

0:24:09.000 --> 0:24:11.639
<v Speaker 2>the record. Elizabeth Mitchell. She was my freshman roommate. We

0:24:11.680 --> 0:24:14.560
<v Speaker 2>had a band together for six years in college, like

0:24:14.600 --> 0:24:17.760
<v Speaker 2>a regular band. We had a band in college and beyond,

0:24:17.880 --> 0:24:20.240
<v Speaker 2>and then we went our separate directions and she was

0:24:20.240 --> 0:24:23.160
<v Speaker 2>in a she is in it like an indie rock band.

0:24:23.200 --> 0:24:26.040
<v Speaker 2>Her husband was in a punk band. And she also

0:24:26.040 --> 0:24:28.680
<v Speaker 2>made kids music, very well known kids music, and she's

0:24:28.720 --> 0:24:30.240
<v Speaker 2>so good at it. And I asked if she would

0:24:30.240 --> 0:24:32.440
<v Speaker 2>make this record with me. So we made that first

0:24:32.480 --> 0:24:35.119
<v Speaker 2>record together and she she you know, we did it

0:24:35.160 --> 0:24:38.000
<v Speaker 2>at their studio, and she's so good at making songs

0:24:38.040 --> 0:24:38.320
<v Speaker 2>like that.

0:24:38.640 --> 0:24:40.359
<v Speaker 3>So that was the first kids record. But I had

0:24:40.480 --> 0:24:42.440
<v Speaker 3>no that's a that's a weird.

0:24:42.200 --> 0:24:44.720
<v Speaker 1>Song, Big Rock Candy Moon, because I always think that's

0:24:44.840 --> 0:24:49.960
<v Speaker 1>laced with such terrible sadness and weirdness about it, you know,

0:24:50.200 --> 0:24:55.920
<v Speaker 1>because it's like a hubu kind of you know, hopeful

0:24:56.000 --> 0:24:58.159
<v Speaker 1>song about it. It's going to be all right, don't worry,

0:24:58.440 --> 0:24:58.600
<v Speaker 1>you know.

0:24:58.680 --> 0:25:02.560
<v Speaker 2>It's somebody's dog is going to die. Yeah, the fire

0:25:02.640 --> 0:25:05.080
<v Speaker 2>will go out. But it's so sad. I love that.

0:25:05.080 --> 0:25:09.560
<v Speaker 2>That that really longing sad, you know. Yeah, it's the

0:25:09.960 --> 0:25:12.160
<v Speaker 2>dream and the sky like right before the person dies.

0:25:12.440 --> 0:25:17.320
<v Speaker 1>Yeah. Have you ever been to Scandinavia? Yes? Have you

0:25:17.400 --> 0:25:18.600
<v Speaker 1>been to Stockholm?

0:25:18.680 --> 0:25:18.960
<v Speaker 6>Yes?

0:25:19.520 --> 0:25:22.960
<v Speaker 1>I have? Have you been to the Children's Museum in Stockholm?

0:25:23.040 --> 0:25:24.280
<v Speaker 3>No, I have to go back.

0:25:24.600 --> 0:25:27.239
<v Speaker 2>I went to go see The Titanic, the movie, and

0:25:27.320 --> 0:25:28.960
<v Speaker 2>I came out I hadn't seen it. I saw it

0:25:29.000 --> 0:25:31.159
<v Speaker 2>like two years after it came out in Stockholm. And

0:25:31.200 --> 0:25:32.800
<v Speaker 2>we came out at like eleven at night and it

0:25:32.840 --> 0:25:34.520
<v Speaker 2>was still light up still light.

0:25:34.680 --> 0:25:38.480
<v Speaker 1>Yeah. Wait, the children and Stockholm is one of the

0:25:38.640 --> 0:25:42.199
<v Speaker 1>saddest places I have ever been in my life. It

0:25:42.359 --> 0:25:48.640
<v Speaker 1>is so so traumatizing. Why they have a children's story

0:25:48.720 --> 0:25:51.160
<v Speaker 1>in Sweden. I don't even want to talk about how

0:25:51.240 --> 0:25:54.080
<v Speaker 1>sad it is, but it's basically about a couple of

0:25:54.160 --> 0:26:00.240
<v Speaker 1>brothers who starved to death and how it's dreadful. But

0:26:00.680 --> 0:26:02.680
<v Speaker 1>they're very fond of it in Sweden. And they've got

0:26:02.680 --> 0:26:06.280
<v Speaker 1>a little train that takes you around all the puppets

0:26:06.080 --> 0:26:08.840
<v Speaker 1>as I was going to all those puppets and little things,

0:26:09.040 --> 0:26:10.639
<v Speaker 1>and then you go around and then at the end

0:26:10.640 --> 0:26:16.280
<v Speaker 1>of everybody's dead. You're like, what hell is people? And

0:26:16.320 --> 0:26:18.800
<v Speaker 1>then you talk to Swedish people like, oh, yeah, it's

0:26:18.920 --> 0:26:23.119
<v Speaker 1>very beautiful museum, Like what's wrong with your people? He's dead?

0:26:23.720 --> 0:26:27.280
<v Speaker 1>They're like, yes, it's odd, but you know, this is live.

0:26:27.960 --> 0:26:31.040
<v Speaker 2>I think about Sweden a lot because that was the

0:26:31.040 --> 0:26:33.120
<v Speaker 2>first place I was. We stated at a hotel called

0:26:33.119 --> 0:26:36.560
<v Speaker 2>the Leidmar Hotel a couple of times and it was

0:26:36.720 --> 0:26:38.320
<v Speaker 2>very it was very Scandinavian.

0:26:38.400 --> 0:26:40.520
<v Speaker 3>It was like, you know, being at Ikia. They do

0:26:40.640 --> 0:26:41.880
<v Speaker 3>that like a long time ago.

0:26:41.880 --> 0:26:44.639
<v Speaker 2>And I remember I was like, you know what I

0:26:44.720 --> 0:26:47.720
<v Speaker 2>like they had the king sized bed but with two

0:26:47.800 --> 0:26:51.760
<v Speaker 2>separate coverless, two separate comforters, so you can have your

0:26:51.800 --> 0:26:55.000
<v Speaker 2>own covers, you own.

0:26:54.920 --> 0:26:56.040
<v Speaker 3>Space, and a king sized bed.

0:26:56.520 --> 0:26:59.679
<v Speaker 1>I love that. I think that's because they are nude.

0:27:00.080 --> 0:27:02.320
<v Speaker 1>Law Oh yeah.

0:27:02.119 --> 0:27:04.720
<v Speaker 2>Maybe the snow like they go on the snow nude

0:27:05.040 --> 0:27:07.040
<v Speaker 2>and then they do long distance that skiing. They were

0:27:07.080 --> 0:27:09.399
<v Speaker 2>going to take me cross country skiing. They promised me

0:27:09.480 --> 0:27:11.520
<v Speaker 2>blueberry soup. I never got it.

0:27:12.560 --> 0:27:14.920
<v Speaker 1>Well, you know, probably for the best. And I think

0:27:14.920 --> 0:27:17.160
<v Speaker 1>that's what the people died of in the museum. They

0:27:17.200 --> 0:27:20.960
<v Speaker 1>died of blueberry soup poisoning. But they have marvelous thighs

0:27:23.480 --> 0:27:26.840
<v Speaker 1>because of their because of the cross country skating. And

0:27:26.880 --> 0:27:28.639
<v Speaker 1>I felt short. I was short. I was.

0:27:29.040 --> 0:27:30.720
<v Speaker 2>All the women now that I knew, were very tall,

0:27:30.760 --> 0:27:33.280
<v Speaker 2>and the men were shorter. Yeah that is true over that,

0:27:33.440 --> 0:27:34.600
<v Speaker 2>but handsome, yeah.

0:27:34.480 --> 0:27:37.760
<v Speaker 1>Yeah, short handsome men who you know, if they make

0:27:37.800 --> 0:27:40.400
<v Speaker 1>it through childhood, lived a rifle d age.

0:27:40.600 --> 0:27:43.560
<v Speaker 3>With nice thies. Yeah, beautiful thighs.

0:27:43.560 --> 0:27:45.280
<v Speaker 2>I heard that on the Today Show. It's all about

0:27:45.320 --> 0:27:47.240
<v Speaker 2>the thigh meat. That's what they said on the Today

0:27:47.240 --> 0:27:50.280
<v Speaker 2>Show one summer. But the shorts were getting shorter for

0:27:50.400 --> 0:27:52.640
<v Speaker 2>men then, and the guy. The stylist was like, it's

0:27:52.640 --> 0:27:55.919
<v Speaker 2>all about the thigh meat this year. I was like,

0:27:56.720 --> 0:27:57.119
<v Speaker 2>I don't know.

0:27:58.160 --> 0:28:00.200
<v Speaker 1>I can't believe that a person would say.

0:28:00.440 --> 0:28:03.520
<v Speaker 3>I know, it's awesome, unlike the Today Show it was good.

0:28:03.600 --> 0:28:08.480
<v Speaker 1>Yeah, I feel like I feel like that's an unusual

0:28:08.960 --> 0:28:12.440
<v Speaker 1>choice of words to describe a human's legs. But well,

0:28:12.560 --> 0:28:14.600
<v Speaker 1>you know what, thy me is fine. I work on

0:28:14.640 --> 0:28:18.800
<v Speaker 1>my own fi me. But did you when you had

0:28:18.800 --> 0:28:21.160
<v Speaker 1>your on kids so, did it changed the kid's music

0:28:21.200 --> 0:28:24.000
<v Speaker 1>for you? Did? Because yes, you know, yeah, I thought

0:28:24.000 --> 0:28:26.560
<v Speaker 1>it much. It changed a lot. It changed so much.

0:28:26.600 --> 0:28:29.040
<v Speaker 2>Because I started off writing, I made a few a

0:28:29.040 --> 0:28:31.000
<v Speaker 2>handful of records. I made the record with Liz, which

0:28:31.040 --> 0:28:32.960
<v Speaker 2>had a lot of songs like Big Rock, Candy Mountain,

0:28:33.040 --> 0:28:36.119
<v Speaker 2>and some original songs. And then I wasn't sure if

0:28:36.119 --> 0:28:38.239
<v Speaker 2>I was making more kids music, but I just I

0:28:38.320 --> 0:28:40.320
<v Speaker 2>was getting a lot of people asking me, what's your

0:28:40.320 --> 0:28:42.960
<v Speaker 2>next kids record? And I made a summer camp songs

0:28:43.000 --> 0:28:46.360
<v Speaker 2>record called Camp Lisa, which also inspired a kid's musical

0:28:46.400 --> 0:28:49.200
<v Speaker 2>an off Broadway show. And I loved Summer Camp and

0:28:49.240 --> 0:28:52.400
<v Speaker 2>we wrote all these songs, like the Disappointing Pancake that

0:28:52.560 --> 0:28:55.360
<v Speaker 2>was inspired by on top of spaghetti like a long

0:28:55.440 --> 0:28:58.640
<v Speaker 2>inanimate food object, adventure song, all these songs and I

0:28:58.680 --> 0:29:00.520
<v Speaker 2>love them so much, and they had all these words.

0:29:01.040 --> 0:29:05.120
<v Speaker 2>And then I made songs for moving and Shaken, which

0:29:05.160 --> 0:29:07.640
<v Speaker 2>was also a book, and Silly Songs, which was also

0:29:07.680 --> 0:29:10.320
<v Speaker 2>a book. And then I actually had kids who were

0:29:10.360 --> 0:29:14.000
<v Speaker 2>old enough to talk, and they and I started playing

0:29:14.000 --> 0:29:17.160
<v Speaker 2>more kids concerts, and it turned out kids don't really

0:29:17.200 --> 0:29:18.600
<v Speaker 2>want to hear a lot of songs with a lot

0:29:18.640 --> 0:29:21.400
<v Speaker 2>of words that they don't know. I was filling in

0:29:21.440 --> 0:29:24.600
<v Speaker 2>the set with songs like the ABC's and Twinkle Twinkle,

0:29:24.640 --> 0:29:27.360
<v Speaker 2>Little Star, and they were like grown ups. They were

0:29:27.400 --> 0:29:30.880
<v Speaker 2>kind of like, finally something I know, Like finally something

0:29:30.880 --> 0:29:33.479
<v Speaker 2>I can listen to and sing along to, Like all

0:29:33.520 --> 0:29:36.720
<v Speaker 2>those other songs you're playing, they're just kidding. So I

0:29:36.760 --> 0:29:39.640
<v Speaker 2>made like alphabet like I started making nursery rhymes and

0:29:40.280 --> 0:29:43.320
<v Speaker 2>alphabet songs and things like that the kids actually wanted

0:29:43.320 --> 0:29:43.600
<v Speaker 2>to hear.

0:29:44.560 --> 0:29:46.040
<v Speaker 3>And then I decided to do it.

0:29:46.080 --> 0:29:48.520
<v Speaker 1>I got to that with my kids when they might

0:29:48.560 --> 0:29:52.600
<v Speaker 1>be giants, that those kids album Super Cool, which were Yeah,

0:29:53.080 --> 0:29:55.240
<v Speaker 1>my kids listened to your stuff, and they listened to

0:29:55.240 --> 0:29:57.440
<v Speaker 1>them they might be giants because I wouldn't let them

0:29:57.520 --> 0:30:01.680
<v Speaker 1>listen to like regular really yeah.

0:30:01.800 --> 0:30:05.120
<v Speaker 2>Clankety plunk, Yeah, you listen to the real music's yeah,

0:30:05.240 --> 0:30:08.840
<v Speaker 2>unless it's on, unless it's like hilariously on purpose. But yeah,

0:30:08.880 --> 0:30:11.640
<v Speaker 2>my kids listened to you know, they loved. My son

0:30:11.680 --> 0:30:14.120
<v Speaker 2>would cry. It's either my son or my daughter would

0:30:14.120 --> 0:30:16.280
<v Speaker 2>cry if I didn't play them September by Earth Wind

0:30:16.320 --> 0:30:18.680
<v Speaker 2>and Fire if I changed the station now like put

0:30:18.680 --> 0:30:21.240
<v Speaker 2>it back on. You know, they wanted to hear real.

0:30:21.400 --> 0:30:24.840
<v Speaker 1>My youngest was like that about Atmospheres by Joy Division,

0:30:29.520 --> 0:30:33.920
<v Speaker 1>So yeah, you're like, really okay.

0:30:34.040 --> 0:30:38.080
<v Speaker 7>And also, if you could turn back time to the

0:30:38.120 --> 0:30:43.160
<v Speaker 7>good dog Chase, who's that? When mom must say it's

0:30:43.520 --> 0:30:44.720
<v Speaker 7>they loved uh?

0:30:44.760 --> 0:30:47.480
<v Speaker 2>And food Fighters and uh, you know all right, I

0:30:47.520 --> 0:30:49.840
<v Speaker 2>thought you were saying, if I could turn back.

0:30:50.960 --> 0:30:53.160
<v Speaker 3>I'm listening to shares autobiography right now.

0:30:54.000 --> 0:30:57.200
<v Speaker 1>It's so good. Which did she read her autobiography?

0:30:57.360 --> 0:30:59.480
<v Speaker 2>She does the entrances. I'm not going to read this.

0:30:59.600 --> 0:31:01.680
<v Speaker 2>I've got she she had dyslexia. She said, I'm not

0:31:01.720 --> 0:31:03.080
<v Speaker 2>going to I can't do a Share voice. But she

0:31:03.080 --> 0:31:04.760
<v Speaker 2>said she wasn't going to read it. And she has

0:31:04.800 --> 0:31:07.520
<v Speaker 2>other people. And then I'm a little confused because one

0:31:07.520 --> 0:31:09.640
<v Speaker 2>of the people who's reading it has a very slow

0:31:09.840 --> 0:31:12.400
<v Speaker 2>reading of her book, so I speed it up because

0:31:12.400 --> 0:31:15.000
<v Speaker 2>I'm like, I can't wait for the pauses. And the

0:31:15.080 --> 0:31:17.680
<v Speaker 2>other person is either Share or what I thought it

0:31:17.760 --> 0:31:19.680
<v Speaker 2>was was the woman who played Share in the movie

0:31:19.680 --> 0:31:22.840
<v Speaker 2>who sounds like Share. Remember there was like a Share

0:31:22.920 --> 0:31:26.000
<v Speaker 2>biopic at some point a long time ago, and this

0:31:26.080 --> 0:31:29.400
<v Speaker 2>woman sounds like Share or it is Sharon.

0:31:29.480 --> 0:31:31.320
<v Speaker 3>I was confused. I thought Cher said she wasn't going

0:31:31.360 --> 0:31:32.160
<v Speaker 3>to read it herself.

0:31:32.920 --> 0:31:34.680
<v Speaker 1>Well, you know that's the thing about Share though. She

0:31:35.040 --> 0:31:37.560
<v Speaker 1>I mean, she's Ziggs when we zag. She may have

0:31:37.680 --> 0:31:39.920
<v Speaker 1>said I'm not going to read it, She's going to

0:31:40.000 --> 0:31:41.960
<v Speaker 1>read it, but she shared she can do what she wants.

0:31:42.080 --> 0:31:44.720
<v Speaker 1>You ever met Sha, I have, and I cried.

0:31:45.000 --> 0:31:50.360
<v Speaker 2>I met both two of my childhood, childhood people that

0:31:50.400 --> 0:31:52.840
<v Speaker 2>I loved so much, my childhood music heroes. I met

0:31:52.920 --> 0:31:56.440
<v Speaker 2>Cher and Olivia Newton John the same day at a

0:31:56.480 --> 0:31:59.280
<v Speaker 2>music festival, and I just the teer, I like, I

0:31:59.320 --> 0:32:01.440
<v Speaker 2>have a tear in my I was I.

0:32:01.360 --> 0:32:04.800
<v Speaker 3>Can't believe it. I couldn't believe it. Share was so cool.

0:32:05.000 --> 0:32:08.520
<v Speaker 2>She had such crazy outfits, and she did a cover

0:32:08.600 --> 0:32:12.480
<v Speaker 2>of Jimmy Hendricks Heye Joe and her outfits. When I

0:32:12.520 --> 0:32:14.560
<v Speaker 2>was a kid, we dressed our barbies up as Sunny

0:32:14.560 --> 0:32:17.840
<v Speaker 2>and Share, especially Share and Alton John.

0:32:18.200 --> 0:32:19.840
<v Speaker 1>It's so funny because these Have.

0:32:19.840 --> 0:32:20.480
<v Speaker 3>You met her before?

0:32:20.520 --> 0:32:23.040
<v Speaker 1>Have you spoken to her to share? Yeah? Yeah, I

0:32:23.120 --> 0:32:25.640
<v Speaker 1>met Scher once years and years ago. I was doing

0:32:25.640 --> 0:32:29.040
<v Speaker 1>this dumb music show in the UK and I was

0:32:29.360 --> 0:32:33.360
<v Speaker 1>hosting it, and for some reason, she agreed to do

0:32:33.400 --> 0:32:37.840
<v Speaker 1>this little sit down interview thing. I could barely speak

0:32:38.320 --> 0:32:41.719
<v Speaker 1>because you know, I'd never this before. I did Late Night.

0:32:41.760 --> 0:32:43.040
<v Speaker 1>I mean, but the thing I did Late Night, I

0:32:43.080 --> 0:32:46.240
<v Speaker 1>was so jaded. Not may everybody, it didn't matter, but

0:32:47.160 --> 0:32:48.800
<v Speaker 1>this was I was like, I think it was like

0:32:48.880 --> 0:32:51.080
<v Speaker 1>twenty seven or something, and I met Sher and she

0:32:51.200 --> 0:32:55.120
<v Speaker 1>was she was very very kind. That's the only thing

0:32:55.160 --> 0:32:58.640
<v Speaker 1>I remember that she was like. She was helpful, and

0:32:58.760 --> 0:33:00.640
<v Speaker 1>I think I think it was because I so non

0:33:00.680 --> 0:33:05.160
<v Speaker 1>threatening of an individual. She was very kind and very

0:33:05.240 --> 0:33:09.760
<v Speaker 1>patient and helped the interview happen. But I don't know

0:33:09.760 --> 0:33:11.800
<v Speaker 1>where that interview is now or where it was, but

0:33:11.920 --> 0:33:15.600
<v Speaker 1>she was I just remember being really lovely and gracious.

0:33:15.760 --> 0:33:17.680
<v Speaker 2>What was that like though, in the nineties, Like that

0:33:17.760 --> 0:33:20.080
<v Speaker 2>was in the nineties, right or late eighties, nineties.

0:33:19.840 --> 0:33:22.040
<v Speaker 1>Yeah, yeah, it would be early nineties.

0:33:22.200 --> 0:33:23.920
<v Speaker 2>Yeah, in the nineties, I felt like there was a

0:33:23.960 --> 0:33:26.719
<v Speaker 2>lot of coolness from the journalists and the TV people,

0:33:27.080 --> 0:33:29.680
<v Speaker 2>you know, trying to be cool like cool music people. True,

0:33:29.800 --> 0:33:33.480
<v Speaker 2>So how did that feel from your end being an

0:33:34.560 --> 0:33:37.360
<v Speaker 2>interviewer back then? Like I feel like when you were

0:33:37.360 --> 0:33:39.440
<v Speaker 2>a late night talk show host, you have a sense

0:33:39.480 --> 0:33:41.520
<v Speaker 2>of humor and you can kind of nudge people and

0:33:41.920 --> 0:33:44.800
<v Speaker 2>because you have a funny and you can joke around

0:33:44.840 --> 0:33:47.320
<v Speaker 2>with them and give them a hard time, but it's kind.

0:33:47.440 --> 0:33:49.120
<v Speaker 2>You know, it's kind. You're doing it to be kind

0:33:49.480 --> 0:33:52.920
<v Speaker 2>and funny. But back then, when you're interviewing at people

0:33:52.960 --> 0:33:56.200
<v Speaker 2>and you're a music person, we're trying to be cool.

0:33:56.200 --> 0:33:58.800
<v Speaker 2>Like how did that work? Especially when you meet somebody

0:33:58.840 --> 0:34:01.520
<v Speaker 2>that you're a fan of, like trying to be cool

0:34:01.600 --> 0:34:04.000
<v Speaker 2>but also doing your job but also trying not to

0:34:04.120 --> 0:34:06.040
<v Speaker 2>be too into anything because you're.

0:34:05.880 --> 0:34:07.920
<v Speaker 3>Cool, Like, how did that feel?

0:34:08.880 --> 0:34:11.000
<v Speaker 1>It's a youth thing. It's funny. I talked to you know,

0:34:11.080 --> 0:34:15.000
<v Speaker 1>the film critic Ao Scott at New York Times, So

0:34:15.040 --> 0:34:17.359
<v Speaker 1>I've talked to him about that because he used to

0:34:17.400 --> 0:34:20.240
<v Speaker 1>say when he was young, if he saw a bad

0:34:20.320 --> 0:34:21.960
<v Speaker 1>movie when he was young, he would take it as

0:34:21.960 --> 0:34:25.480
<v Speaker 1>a personal affront, like he would get so angry if

0:34:25.480 --> 0:34:27.279
<v Speaker 1>he saw a bad movie and he looks back on

0:34:27.320 --> 0:34:30.719
<v Speaker 1>it now and think, hell was wrong with me. And

0:34:31.360 --> 0:34:34.520
<v Speaker 1>I feel a little bit like that about my attitude

0:34:35.000 --> 0:34:37.400
<v Speaker 1>back then when I was when I was younger, that

0:34:38.000 --> 0:34:41.360
<v Speaker 1>I thought I was so I don't know, important, or

0:34:42.719 --> 0:34:47.200
<v Speaker 1>or I was very It's not that I was aggressive

0:34:47.280 --> 0:34:50.799
<v Speaker 1>with anyone, because I wasn't. But I think I thought

0:34:50.800 --> 0:34:53.040
<v Speaker 1>I was cooler than everybody else. And now I think

0:34:53.040 --> 0:34:56.040
<v Speaker 1>by the time you get to about mid thirties, you

0:34:56.080 --> 0:34:59.279
<v Speaker 1>realize you're nowhere near as cool as many of the

0:34:59.320 --> 0:35:01.120
<v Speaker 1>people you talk And then when you but the time

0:35:01.160 --> 0:35:03.560
<v Speaker 1>you have your own children, do you really cool at all?

0:35:03.760 --> 0:35:08.000
<v Speaker 2>And then after that you're just like, Oh, you don't care.

0:35:08.520 --> 0:35:11.279
<v Speaker 3>You just don't. It's not it's not a concern, it's

0:35:11.360 --> 0:35:12.160
<v Speaker 3>not on your mind.

0:35:13.280 --> 0:35:16.319
<v Speaker 1>It really isn't. It kind of becomes something else. I

0:35:16.360 --> 0:35:19.240
<v Speaker 1>think it becomes about I have a very good friend

0:35:19.280 --> 0:35:21.520
<v Speaker 1>who has a similar art and a similar job to you.

0:35:21.560 --> 0:35:24.560
<v Speaker 1>Do you know Katie Tonstall? Oh? Yeah, she's great, right.

0:35:25.160 --> 0:35:27.400
<v Speaker 1>So Katie and I have very good friends. And I

0:35:27.920 --> 0:35:31.760
<v Speaker 1>watched Katie sometimes play, and I just love to watch

0:35:31.800 --> 0:35:34.879
<v Speaker 1>her play. I just love to watch her like, yeah,

0:35:35.640 --> 0:35:37.799
<v Speaker 1>lose herself in the thing. And I feel the same

0:35:37.840 --> 0:35:43.160
<v Speaker 1>way about actors that I enjoy, or actors and musicians

0:35:43.280 --> 0:35:48.879
<v Speaker 1>or even or comedians or painters. Even if you look

0:35:48.880 --> 0:35:52.000
<v Speaker 1>at a painting and you can kind of forget about

0:35:52.000 --> 0:35:55.400
<v Speaker 1>who's doing it and just enjoy what it is. Yeah,

0:35:55.480 --> 0:35:58.600
<v Speaker 1>I think that's fabulous. I think that the art becomes

0:35:58.640 --> 0:36:01.840
<v Speaker 1>more important than the art to me as I get older.

0:36:01.920 --> 0:36:05.520
<v Speaker 1>It's like just the actual the sensation of it, particularly

0:36:05.600 --> 0:36:08.719
<v Speaker 1>now as well if it's live. Oh yeah, I'm very

0:36:09.160 --> 0:36:12.880
<v Speaker 1>analogue friendly now, I don't. I keep saying that my

0:36:12.960 --> 0:36:14.799
<v Speaker 1>kids put the phone down. Put the phone down. Put

0:36:14.800 --> 0:36:19.400
<v Speaker 1>the phone down, because let's allow your memory to remember

0:36:19.440 --> 0:36:21.959
<v Speaker 1>it rather than the phone. Yeah, you know, why would

0:36:21.960 --> 0:36:25.120
<v Speaker 1>you trust your the phone will remember it properly? But

0:36:25.160 --> 0:36:27.839
<v Speaker 1>that's not the best way to remember things. Sometimes maybe

0:36:27.880 --> 0:36:31.520
<v Speaker 1>it's better to remember them through the haze of you know,

0:36:31.920 --> 0:36:35.960
<v Speaker 1>something else, like actually human memory, yeah, rather than I

0:36:36.000 --> 0:36:37.920
<v Speaker 1>need a little bit of both though, because like I've

0:36:37.920 --> 0:36:39.960
<v Speaker 1>been recently going through all my old photo albums and

0:36:40.040 --> 0:36:42.920
<v Speaker 1>finally starting to have them digitized, you know, so that

0:36:42.960 --> 0:36:46.919
<v Speaker 1>I can easily also now because with social media and

0:36:47.400 --> 0:36:48.839
<v Speaker 1>connecting with fans.

0:36:49.400 --> 0:36:50.359
<v Speaker 3>It's a fun and.

0:36:50.400 --> 0:36:54.120
<v Speaker 2>Easy way to to you know, have things to talk

0:36:54.120 --> 0:36:56.480
<v Speaker 2>about and share memories. It's fun to say like, oh

0:36:56.480 --> 0:36:58.200
<v Speaker 2>my gosh, I m to share look at this picture.

0:36:58.880 --> 0:37:02.200
<v Speaker 2>This is so cool. But but at this and like

0:37:02.280 --> 0:37:04.600
<v Speaker 2>last night at the at the Billie Eilish concert, it

0:37:04.640 --> 0:37:07.560
<v Speaker 2>was it was stunning visually, it was stunning, and also

0:37:07.600 --> 0:37:10.560
<v Speaker 2>her voice and the music even they had so much

0:37:10.600 --> 0:37:12.480
<v Speaker 2>bass and some of the songs you could feel your

0:37:12.480 --> 0:37:16.880
<v Speaker 2>body rattling in this in this big arena, you know,

0:37:17.960 --> 0:37:19.640
<v Speaker 2>and a lot of people have their phones out to

0:37:19.640 --> 0:37:23.520
<v Speaker 2>try to capture the pictures and uh on money, and

0:37:23.560 --> 0:37:25.560
<v Speaker 2>I wanted to capture it. Back then, I was like

0:37:25.600 --> 0:37:27.600
<v Speaker 2>why I did exactly what you said. I just sat

0:37:27.640 --> 0:37:30.800
<v Speaker 2>and I just took it in but here. But finally,

0:37:30.800 --> 0:37:32.920
<v Speaker 2>at one point I did take a picture because it

0:37:33.000 --> 0:37:35.120
<v Speaker 2>was sweet. It was she brought her brother Phineas up

0:37:35.440 --> 0:37:37.640
<v Speaker 2>for a couple of songs and it was just so sweet,

0:37:37.719 --> 0:37:40.279
<v Speaker 2>like the two siblings and the mom I know was

0:37:40.320 --> 0:37:42.799
<v Speaker 2>sitting across the arena and I was like, this is

0:37:42.840 --> 0:37:44.920
<v Speaker 2>so sweet. I want to remember at all that I

0:37:44.960 --> 0:37:47.040
<v Speaker 2>was there, because I will go through my phone and

0:37:47.080 --> 0:37:47.760
<v Speaker 2>find photos.

0:37:47.760 --> 0:37:50.480
<v Speaker 3>I'm like, oh my gosh, that's right, that happened.

0:37:51.920 --> 0:37:52.359
<v Speaker 1>But you're right.

0:37:52.400 --> 0:37:55.280
<v Speaker 2>Also, I spend the majority of my time either stressed

0:37:55.320 --> 0:37:58.719
<v Speaker 2>about my kids being on devices or I get there's

0:37:58.760 --> 0:38:01.279
<v Speaker 2>a million things that are interesting on the phone. But

0:38:01.400 --> 0:38:04.120
<v Speaker 2>also I'm like, I am, I'm letting their brains rot,

0:38:04.160 --> 0:38:06.839
<v Speaker 2>Like I'm not what's going on. They need to sit

0:38:07.320 --> 0:38:09.080
<v Speaker 2>and they think this is stand in line and look

0:38:09.080 --> 0:38:11.319
<v Speaker 2>at the post office for a while, or you know,

0:38:11.360 --> 0:38:18.320
<v Speaker 2>one of those things.

0:38:19.320 --> 0:38:21.200
<v Speaker 1>It's funny though, I mean, I think one of the

0:38:21.239 --> 0:38:23.960
<v Speaker 1>weird things about being the parent of children that are

0:38:24.000 --> 0:38:27.400
<v Speaker 1>getting order is you start to worry about someone else's

0:38:27.480 --> 0:38:30.680
<v Speaker 1>use of phones, or someone else's drug and take or

0:38:30.680 --> 0:38:35.320
<v Speaker 1>someone else's alcohol youth. It's like, I've worried about my own,

0:38:36.360 --> 0:38:39.880
<v Speaker 1>you know, kind of adult behavior since since I was

0:38:39.920 --> 0:38:42.239
<v Speaker 1>a kid. But now you have to worry about you know,

0:38:42.800 --> 0:38:46.400
<v Speaker 1>you know, everything has phantdoel in it. Ohll that's really scary.

0:38:46.440 --> 0:38:48.440
<v Speaker 1>Oh my god, I don't remember when you were a kid.

0:38:48.480 --> 0:38:51.719
<v Speaker 2>That's the other thing that's strange is like seeing, you know,

0:38:51.760 --> 0:38:54.000
<v Speaker 2>my daughter get to an age that I remember I

0:38:54.040 --> 0:38:56.080
<v Speaker 2>was a person when I was fourteen fifteen, I was

0:38:56.120 --> 0:38:58.239
<v Speaker 2>a person and I'm still really good friends with my

0:38:58.280 --> 0:39:01.480
<v Speaker 2>friends from that age group, Like, we're still really really

0:39:01.520 --> 0:39:03.399
<v Speaker 2>good friends. So if I don't remember something, my friend

0:39:03.440 --> 0:39:06.480
<v Speaker 2>will tell me, like we still remember conversations we had

0:39:06.480 --> 0:39:12.000
<v Speaker 2>when we were fourteen, fifteen, sixteen. It's do you remember

0:39:12.160 --> 0:39:13.960
<v Speaker 2>yourself when you were that age, Like, do you remember

0:39:13.960 --> 0:39:14.600
<v Speaker 2>being I do?

0:39:14.880 --> 0:39:18.680
<v Speaker 1>I do. I mean, I don't remember it very fondly.

0:39:19.480 --> 0:39:22.200
<v Speaker 1>I mean, it wasn't. It wasn't the happiest time in

0:39:22.200 --> 0:39:25.480
<v Speaker 1>my life. My early adult life was not something I

0:39:25.520 --> 0:39:27.280
<v Speaker 1>look back on with the particular.

0:39:27.480 --> 0:39:30.600
<v Speaker 2>Yeah, I read your book. I read your book. Yeah

0:39:30.800 --> 0:39:33.360
<v Speaker 2>you did, Yeah I did. Now that i'm thinking about it,

0:39:33.440 --> 0:39:34.759
<v Speaker 2>I did read it, of course I did.

0:39:35.280 --> 0:39:36.240
<v Speaker 1>I'm going to read it again.

0:39:36.480 --> 0:39:38.120
<v Speaker 2>Did you read it? Can I get it on autio?

0:39:38.120 --> 0:39:40.720
<v Speaker 2>I did read it, and you tell me it again?

0:39:41.080 --> 0:39:43.320
<v Speaker 1>Yeah, I did you read your book?

0:39:44.000 --> 0:39:44.440
<v Speaker 3>My book?

0:39:44.719 --> 0:39:47.399
<v Speaker 2>My book is not out yet. I've got two books

0:39:47.440 --> 0:39:51.200
<v Speaker 2>that are just read it. It's short, hopefully it'll be out,

0:39:51.239 --> 0:39:53.520
<v Speaker 2>and I don't even know if it'll be. It's a

0:39:53.560 --> 0:39:54.600
<v Speaker 2>kid's book, so it'll be short.

0:39:54.600 --> 0:39:56.839
<v Speaker 1>But well, well you write, I know it's a biography.

0:39:57.400 --> 0:39:57.839
<v Speaker 1>I don't know.

0:39:58.080 --> 0:39:59.839
<v Speaker 2>I was thinking about it at some point, but I'm

0:39:59.840 --> 0:40:01.680
<v Speaker 2>so private. I don't, you know, one of myself. I've

0:40:01.680 --> 0:40:04.520
<v Speaker 2>got siblings, they don't I don't need to tell their stories.

0:40:04.560 --> 0:40:08.360
<v Speaker 2>But at one point I was thinking of telling a

0:40:08.400 --> 0:40:11.920
<v Speaker 2>story through food and eating and food.

0:40:12.520 --> 0:40:13.120
<v Speaker 3>But I don't know.

0:40:14.080 --> 0:40:16.200
<v Speaker 1>So that's a pretty nice That's a nice way of

0:40:16.200 --> 0:40:19.560
<v Speaker 1>doing it because people connect in November. Things like that, Yeah,

0:40:19.719 --> 0:40:22.399
<v Speaker 1>a good way. Like if I was doing the autobiography now,

0:40:22.480 --> 0:40:24.840
<v Speaker 1>I look back on it. Weirdly enough, I kind of

0:40:24.840 --> 0:40:27.160
<v Speaker 1>looked at it fairly recently, the one I wrote when

0:40:27.200 --> 0:40:29.480
<v Speaker 1>we met on the Bookdore, which is about ten years ago,

0:40:29.560 --> 0:40:33.520
<v Speaker 1>so I'm saying more. And I looked at it recently.

0:40:33.640 --> 0:40:35.200
<v Speaker 1>Someone that i'd brought it to a show for me

0:40:35.360 --> 0:40:36.680
<v Speaker 1>signed and I kind of looked at a couple of

0:40:36.719 --> 0:40:39.000
<v Speaker 1>pages and I was like, I don't know if I

0:40:39.000 --> 0:40:41.040
<v Speaker 1>would put it like that now. I don't know if

0:40:41.080 --> 0:40:46.480
<v Speaker 1>I would be quite so unguarded about that now, because

0:40:47.440 --> 0:40:49.719
<v Speaker 1>I don't know. I feel like information you have to

0:40:49.719 --> 0:40:51.799
<v Speaker 1>be more careful about it now. You don't feel it

0:40:51.800 --> 0:40:55.040
<v Speaker 1>can be you know, I don't know. I just don't,

0:40:55.239 --> 0:40:58.360
<v Speaker 1>especially about other people. I would talk about other people

0:40:58.440 --> 0:41:00.480
<v Speaker 1>as much. I think that's unfair, you know.

0:41:00.920 --> 0:41:02.840
<v Speaker 2>I know I wanted to do a TV show or

0:41:02.880 --> 0:41:04.440
<v Speaker 2>even well, I guess it would be perfect for a

0:41:04.480 --> 0:41:07.520
<v Speaker 2>YouTube thing. I had the idea before YouTube was really

0:41:08.120 --> 0:41:11.839
<v Speaker 2>a thing. But I meet so many really interesting musicians

0:41:11.880 --> 0:41:13.960
<v Speaker 2>who are in other people's bands, you know, who play

0:41:13.960 --> 0:41:16.480
<v Speaker 2>in these amazing bands, and I thought it'd be so

0:41:16.560 --> 0:41:18.799
<v Speaker 2>cool to have these guys, you know, talk to them

0:41:18.840 --> 0:41:21.600
<v Speaker 2>and talk to them about their experiences and just they

0:41:21.600 --> 0:41:23.839
<v Speaker 2>have crazy stories. But then I was like, but they're

0:41:23.880 --> 0:41:27.200
<v Speaker 2>not exactly their stories to tell, you know, But I

0:41:27.239 --> 0:41:28.920
<v Speaker 2>don't know, I don't know how that works. Like I

0:41:29.640 --> 0:41:33.160
<v Speaker 2>was reading Barbara Streisand's book I had. I was listening

0:41:33.160 --> 0:41:35.480
<v Speaker 2>to it. I've listened to about, I don't know, fifteen

0:41:35.520 --> 0:41:39.600
<v Speaker 2>hours of it. It's like a forty hour book, right,

0:41:39.640 --> 0:41:41.680
<v Speaker 2>And then I realized she was going so in depth

0:41:41.760 --> 0:41:43.920
<v Speaker 2>on all the movies that she directed or that she

0:41:43.920 --> 0:41:46.160
<v Speaker 2>had been a part of, and I realized I needed

0:41:46.200 --> 0:41:48.680
<v Speaker 2>to go back and watch some of those movies. If

0:41:48.719 --> 0:41:50.839
<v Speaker 2>she's going to go, you know, go that in depth.

0:41:50.880 --> 0:41:52.680
<v Speaker 2>I want to be able to know what she's talking

0:41:52.719 --> 0:41:55.120
<v Speaker 2>about and also not have a spoiler. But anyway, she

0:41:55.200 --> 0:41:58.920
<v Speaker 2>talks about people, a lot of people, and you know,

0:41:59.040 --> 0:42:01.919
<v Speaker 2>she's like completely honest. Also, Henry Winkler, I just read

0:42:01.960 --> 0:42:02.840
<v Speaker 2>his autobiography.

0:42:03.000 --> 0:42:05.799
<v Speaker 1>Oh he's the greatest, and I listened to him.

0:42:05.880 --> 0:42:08.080
<v Speaker 3>I listened to him. Yeah, I met him once. I

0:42:08.120 --> 0:42:09.160
<v Speaker 3>was very excited about that.

0:42:09.320 --> 0:42:14.800
<v Speaker 1>Oh he's the nicest, nicest man. He is. What a diamond.

0:42:15.120 --> 0:42:19.160
<v Speaker 1>I mean, people still say to Henry, you know he Fansie,

0:42:19.160 --> 0:42:21.960
<v Speaker 1>which is like fifty years ago, and he'll still he'll

0:42:21.960 --> 0:42:24.120
<v Speaker 1>still go a and be nice to.

0:42:24.080 --> 0:42:27.200
<v Speaker 2>Hear him tell that story about his I didn't know

0:42:27.239 --> 0:42:30.920
<v Speaker 2>he was a Juilliard trained actor, you know, I didn't.

0:42:30.960 --> 0:42:32.680
<v Speaker 2>I just liked him, and you know, he was this

0:42:32.719 --> 0:42:37.719
<v Speaker 2>guy from Fansie. He was FANSI But but yeah, to

0:42:37.760 --> 0:42:40.120
<v Speaker 2>watch his career, to hear about his ups and downs

0:42:40.600 --> 0:42:42.800
<v Speaker 2>and and and for him to still have that kindness

0:42:42.840 --> 0:42:44.960
<v Speaker 2>but still have an edge. He has an edge. Not

0:42:45.239 --> 0:42:46.759
<v Speaker 2>he's not like an edgy guy, like he's not going

0:42:46.800 --> 0:42:48.640
<v Speaker 2>to be mean to you on an airplane, but like

0:42:49.640 --> 0:42:50.240
<v Speaker 2>he's smart.

0:42:50.520 --> 0:42:54.480
<v Speaker 1>He's very smart and very very quick mind and a

0:42:54.560 --> 0:42:58.200
<v Speaker 1>lovely man. He I remember when we had to send

0:42:58.239 --> 0:43:00.680
<v Speaker 1>something over to his house when we were doing late night.

0:43:00.680 --> 0:43:02.560
<v Speaker 1>We had to send some form over to his house

0:43:02.600 --> 0:43:04.960
<v Speaker 1>for some firm to sign and we sent a pa

0:43:05.080 --> 0:43:08.080
<v Speaker 1>over and the PA came back after be over and

0:43:08.120 --> 0:43:11.480
<v Speaker 1>he said, Winkler gave me a sandwich. He said, got

0:43:11.520 --> 0:43:13.719
<v Speaker 1>to the house and his family we're all having sandwiches,

0:43:13.760 --> 0:43:15.400
<v Speaker 1>and he said, come on in and have a sandwich.

0:43:15.440 --> 0:43:17.879
<v Speaker 1>And they gave the shift a sandwich next to him.

0:43:17.920 --> 0:43:19.520
<v Speaker 1>And it's always kind of stuck with me. It was like,

0:43:19.560 --> 0:43:22.359
<v Speaker 1>there's absolutely nothing in it for Henry Winkler to gave

0:43:22.400 --> 0:43:25.120
<v Speaker 1>a pa sandwich. But they had some sandwiches and they

0:43:25.160 --> 0:43:27.239
<v Speaker 1>were nice. But I just know it just seemed very nice.

0:43:27.440 --> 0:43:29.600
<v Speaker 1>I love that. I've always liked Henry. I always thought

0:43:29.640 --> 0:43:31.600
<v Speaker 1>he was such a lovely man. But your is an

0:43:31.640 --> 0:43:35.919
<v Speaker 1>interesting point with Henry, because Henry had a very specific,

0:43:36.920 --> 0:43:41.160
<v Speaker 1>huge entry into his career. Yes, when when he did

0:43:41.160 --> 0:43:43.840
<v Speaker 1>the Phonsie and you had that must be thirty years

0:43:44.360 --> 0:43:44.799
<v Speaker 1>years ago.

0:43:44.880 --> 0:43:47.600
<v Speaker 2>Yeah, you kidding me, since that song there is really

0:43:47.680 --> 0:43:53.200
<v Speaker 2>nineteen ninety four, I know, but it was a huge krind.

0:43:53.360 --> 0:43:55.480
<v Speaker 1>It must have been a huge gear shift for you

0:43:56.040 --> 0:43:58.040
<v Speaker 1>for being you know, you're a young girl at that

0:43:58.560 --> 0:44:01.400
<v Speaker 1>a young woman, you're like Baily mid twenties and then

0:44:01.440 --> 0:44:02.759
<v Speaker 1>suddenly twenty five.

0:44:03.000 --> 0:44:06.560
<v Speaker 2>Yeah, it was you know, it didn't feel if. On

0:44:06.560 --> 0:44:09.560
<v Speaker 2>one hand, it felt like a big change because it

0:44:09.719 --> 0:44:11.319
<v Speaker 2>was I mean, having a song on the radio, will

0:44:11.360 --> 0:44:14.399
<v Speaker 2>you hear your you know, hearing your music come through

0:44:14.400 --> 0:44:17.880
<v Speaker 2>the radio with those DJs, you know, with the compression

0:44:17.920 --> 0:44:18.520
<v Speaker 2>on their voice like.

0:44:18.640 --> 0:44:20.160
<v Speaker 3>Lis Alone blahah blah blah.

0:44:21.200 --> 0:44:23.719
<v Speaker 2>And also being in the context of other people you

0:44:23.800 --> 0:44:26.600
<v Speaker 2>think of as being pop stars, you know, Mariah Carey

0:44:26.640 --> 0:44:28.680
<v Speaker 2>and I don't know, I always did I'm writing carry

0:44:29.040 --> 0:44:31.319
<v Speaker 2>and I was a singer songwriter in New York with

0:44:31.400 --> 0:44:34.080
<v Speaker 2>a band and we'd play. But I don't know if

0:44:34.120 --> 0:44:36.400
<v Speaker 2>you had the same thing. But I had been working

0:44:36.400 --> 0:44:38.080
<v Speaker 2>on it for so long, you know, I felt like

0:44:38.120 --> 0:44:39.759
<v Speaker 2>I had been I'd been writing songs since I was

0:44:39.760 --> 0:44:43.080
<v Speaker 2>a little kid. I'd been writing like real songs since

0:44:43.160 --> 0:44:45.160
<v Speaker 2>I was in eighth grade or ninth grade. And then

0:44:45.239 --> 0:44:48.720
<v Speaker 2>I started writing on guitar and I'd play my songs

0:44:48.719 --> 0:44:50.799
<v Speaker 2>in assembly. And then my friend and I had that

0:44:50.880 --> 0:44:53.960
<v Speaker 2>band in college, my friend Liz Mitchell, and we had

0:44:53.960 --> 0:44:57.520
<v Speaker 2>a great following and we recorded our music and there

0:44:57.520 --> 0:45:00.799
<v Speaker 2>were some record companies getting interested in college, and so

0:45:00.840 --> 0:45:03.520
<v Speaker 2>it was like step by step by step, you know,

0:45:03.600 --> 0:45:06.919
<v Speaker 2>going along to get to the place where the song

0:45:07.600 --> 0:45:10.239
<v Speaker 2>ended up on the radio. In retrospect, it was a

0:45:10.320 --> 0:45:14.080
<v Speaker 2>huge thing in retrospect, like the fact that Ethan Hawk,

0:45:14.560 --> 0:45:16.719
<v Speaker 2>you know, passed the song along and they actually put

0:45:16.760 --> 0:45:17.440
<v Speaker 2>it in the movie.

0:45:18.000 --> 0:45:18.239
<v Speaker 1>You know.

0:45:18.719 --> 0:45:22.200
<v Speaker 2>That's that's rare when things actually happen, I know. And

0:45:22.360 --> 0:45:24.200
<v Speaker 2>and then it actually got played on the radio, and

0:45:24.239 --> 0:45:27.200
<v Speaker 2>then we actually made a music video and it actually

0:45:27.600 --> 0:45:31.520
<v Speaker 2>became popular, and that it's amazing playing that, Yeah, I do.

0:45:31.600 --> 0:45:34.239
<v Speaker 2>I mean, I there's a lot of other songs like that.

0:45:34.520 --> 0:45:35.959
<v Speaker 3>It's funny. I played. I went on tour.

0:45:36.000 --> 0:45:38.600
<v Speaker 2>I did a few weeks with Lyle Lovett recently, like

0:45:38.680 --> 0:45:41.359
<v Speaker 2>in May, and we did the thing where we both

0:45:41.400 --> 0:45:43.080
<v Speaker 2>sit on stage and we talk and we hang out

0:45:43.120 --> 0:45:44.960
<v Speaker 2>and then we play music, kind of like if we

0:45:45.000 --> 0:45:47.200
<v Speaker 2>both just took a guitar out and started playing a song.

0:45:48.719 --> 0:45:51.160
<v Speaker 2>But one of the shows and you never had a

0:45:51.200 --> 0:45:53.480
<v Speaker 2>set list, he'd play a song and talk and we'd

0:45:53.520 --> 0:45:55.360
<v Speaker 2>talk and I'd play a song. And I had a

0:45:55.360 --> 0:45:57.480
<v Speaker 2>list of songs that I wanted to remember to play

0:45:57.560 --> 0:45:59.719
<v Speaker 2>because I'll just forget song.

0:45:59.760 --> 0:46:01.880
<v Speaker 3>I don't know. I need some reminders.

0:46:02.560 --> 0:46:04.359
<v Speaker 2>I got a call from the promoter the next day

0:46:04.960 --> 0:46:08.560
<v Speaker 2>saying that they were disappointed I hadn't played my song Stay.

0:46:08.680 --> 0:46:11.960
<v Speaker 2>I played like nine songs that night. I totally forgot, like,

0:46:12.000 --> 0:46:14.799
<v Speaker 2>there's so many other songs that I could play it. Yeah,

0:46:15.160 --> 0:46:18.239
<v Speaker 2>but I do love playing it because people want to

0:46:18.239 --> 0:46:18.600
<v Speaker 2>hear it.

0:46:18.680 --> 0:46:18.880
<v Speaker 1>You know.

0:46:19.160 --> 0:46:19.960
<v Speaker 3>I don't dislike it.

0:46:20.000 --> 0:46:22.719
<v Speaker 2>I like it, and it definitely is a regular kind

0:46:22.760 --> 0:46:25.920
<v Speaker 2>of one of my songs. It's not some people get

0:46:26.000 --> 0:46:29.040
<v Speaker 2>hit songs that are really outside of what they want

0:46:29.080 --> 0:46:30.840
<v Speaker 2>to play, and they're like, oh, I can't believe I

0:46:30.880 --> 0:46:33.680
<v Speaker 2>have to play that song. I don't mind playing it.

0:46:33.719 --> 0:46:35.600
<v Speaker 2>I like it, And because now it has so much

0:46:35.680 --> 0:46:37.920
<v Speaker 2>history attached to it and people have a really nostalgic

0:46:37.960 --> 0:46:41.560
<v Speaker 2>feeling about it, I enjoy playing it. That's really It's

0:46:41.600 --> 0:46:44.319
<v Speaker 2>amazing to be in that circle of me singing a

0:46:44.320 --> 0:46:45.600
<v Speaker 2>ton of people singing with me.

0:46:47.800 --> 0:46:48.520
<v Speaker 3>On that song.

0:46:48.680 --> 0:46:52.440
<v Speaker 2>But it's not like my favorite song to sing. But

0:46:52.480 --> 0:46:53.640
<v Speaker 2>I'm also happy to do it.

0:46:53.880 --> 0:46:56.839
<v Speaker 1>I think also it's a sign of maturity and an

0:46:56.960 --> 0:47:01.640
<v Speaker 1>artist when you make peace with early success. You know,

0:47:01.840 --> 0:47:05.080
<v Speaker 1>I remember, you know, circling back to you know what

0:47:05.239 --> 0:47:08.640
<v Speaker 1>I told you when I worked with Mike Jagger years ago.

0:47:09.320 --> 0:47:13.239
<v Speaker 1>But you know they were singing, you know, Sympathy for

0:47:13.360 --> 0:47:16.360
<v Speaker 1>the Devil and satisfaction and these songs were, you know,

0:47:16.760 --> 0:47:20.600
<v Speaker 1>thirty years old at that pointeh, you know. And and

0:47:20.640 --> 0:47:23.120
<v Speaker 1>I said, you ever get sick of playing them? And

0:47:23.160 --> 0:47:26.439
<v Speaker 1>he went, now, because you when when you go out,

0:47:27.680 --> 0:47:33.279
<v Speaker 1>it's magical. I'm happy that it has become part of,

0:47:33.520 --> 0:47:37.200
<v Speaker 1>you know, everything we did. And I I kind of

0:47:37.440 --> 0:47:39.319
<v Speaker 1>love that he said, But there was a time when

0:47:39.360 --> 0:47:41.520
<v Speaker 1>I didn't want to sing it, you know. And I

0:47:41.560 --> 0:47:44.160
<v Speaker 1>think that that's you feel like you have to escape

0:47:44.200 --> 0:47:47.839
<v Speaker 1>who you were before so that you don't get caught, right,

0:47:47.920 --> 0:47:51.360
<v Speaker 1>you know. But I think that then you realize you're

0:47:51.440 --> 0:47:53.680
<v Speaker 1>not caught. It's just who you were then and who

0:47:53.719 --> 0:47:55.720
<v Speaker 1>you were then it's part of who you are now.

0:47:55.760 --> 0:47:58.239
<v Speaker 2>And yeah, you have to do it all basically because

0:47:58.239 --> 0:48:01.160
<v Speaker 2>you have to feed your own soul and feed yourself.

0:48:01.400 --> 0:48:03.520
<v Speaker 2>It's funny I was talking to I was at this

0:48:03.560 --> 0:48:09.360
<v Speaker 2>event yesterday for an organization called Best Buddies, and Nikky

0:48:09.400 --> 0:48:13.000
<v Speaker 2>six from Motley Crue was there. We were talking and

0:48:13.040 --> 0:48:14.800
<v Speaker 2>I was like, oh, I got to get back together

0:48:14.840 --> 0:48:16.839
<v Speaker 2>with this guy, like we really I hadn't met him before,

0:48:16.840 --> 0:48:19.160
<v Speaker 2>but we had a really nice conversation and part of

0:48:19.200 --> 0:48:21.680
<v Speaker 2>it was about this kind of thing, you know, about

0:48:21.719 --> 0:48:24.440
<v Speaker 2>writing music and how hard it is, and how writing

0:48:24.480 --> 0:48:26.759
<v Speaker 2>songs and lyrics and music it's so hard, but we

0:48:26.840 --> 0:48:29.319
<v Speaker 2>still love doing it and continuing to try to get

0:48:29.320 --> 0:48:32.960
<v Speaker 2>better at it. And but and how funny it is,

0:48:33.000 --> 0:48:34.840
<v Speaker 2>how how much pressure you put on yourself to like

0:48:34.880 --> 0:48:37.400
<v Speaker 2>write new songs. But when you go play these concerts,

0:48:37.440 --> 0:48:39.759
<v Speaker 2>people just want to hear what they know. You know,

0:48:39.840 --> 0:48:42.520
<v Speaker 2>even as musicians ourselves were like, oh no, you know,

0:48:43.000 --> 0:48:44.279
<v Speaker 2>don't play a news song.

0:48:44.520 --> 0:48:45.120
<v Speaker 1>Oh got it?

0:48:45.239 --> 0:48:48.000
<v Speaker 2>Like people are getting You're most excited as a musician

0:48:48.040 --> 0:48:50.319
<v Speaker 2>to play those songs, and then the audience is going

0:48:50.320 --> 0:48:53.200
<v Speaker 2>to get beer. And so you have to be really

0:48:53.320 --> 0:48:55.480
<v Speaker 2>tricky the way you put the songs in. And on

0:48:55.480 --> 0:48:59.200
<v Speaker 2>one hand, it's kind of like a like a backup plan,

0:48:59.400 --> 0:49:01.760
<v Speaker 2>like or this case scenario, I play all the songs

0:49:01.800 --> 0:49:04.840
<v Speaker 2>that people already know, even though it's like from twenty

0:49:04.840 --> 0:49:06.799
<v Speaker 2>five thirty years ago, or even some of the songs

0:49:06.800 --> 0:49:08.239
<v Speaker 2>I wrote in the eighties, and I put them on

0:49:08.280 --> 0:49:10.040
<v Speaker 2>my records and people still want to hear them.

0:49:10.440 --> 0:49:11.680
<v Speaker 3>And that's that's fine.

0:49:11.719 --> 0:49:13.360
<v Speaker 2>I want to know that I'm the same way with

0:49:13.400 --> 0:49:15.359
<v Speaker 2>a lot of my favorite artists, So I just I

0:49:15.400 --> 0:49:18.120
<v Speaker 2>appreciate that. But then also you're like, but I also

0:49:18.120 --> 0:49:19.920
<v Speaker 2>want to play some of these new songs and hopefully

0:49:19.920 --> 0:49:20.680
<v Speaker 2>you'll like them too.

0:49:22.239 --> 0:49:24.440
<v Speaker 1>But you know, it's an interesting because it's kind of

0:49:24.440 --> 0:49:28.120
<v Speaker 1>the poller opposite of what you've experienced as a stand

0:49:28.160 --> 0:49:32.520
<v Speaker 1>up comedian. I really, I really wish I could do

0:49:32.600 --> 0:49:36.320
<v Speaker 1>that joke again because now I could do much better.

0:49:36.400 --> 0:49:39.520
<v Speaker 2>And I know, like, like, I have a question about

0:49:39.520 --> 0:49:41.960
<v Speaker 2>that well now, especially with cell phones, it's such a drag.

0:49:42.040 --> 0:49:44.799
<v Speaker 2>Like I again talking about Lyle Lovett. I opened for

0:49:44.880 --> 0:49:48.040
<v Speaker 2>him twenty five years ago and I saw him tell

0:49:48.040 --> 0:49:51.279
<v Speaker 2>these stories and I realized what a craft that was

0:49:51.440 --> 0:49:53.279
<v Speaker 2>and it's and I had this thing in my head

0:49:53.320 --> 0:49:55.120
<v Speaker 2>like I can never say the same thing. I can

0:49:55.160 --> 0:49:58.160
<v Speaker 2>never set up a song the same way. Everything always

0:49:58.160 --> 0:50:02.200
<v Speaker 2>has to be different. And I remember dwezel Zappa would say,

0:50:02.239 --> 0:50:04.080
<v Speaker 2>you know, his dad never played the same show and

0:50:04.120 --> 0:50:06.160
<v Speaker 2>all the solos were different. And I thought, you know,

0:50:06.200 --> 0:50:09.400
<v Speaker 2>I don't solo in my music. I just play songs.

0:50:09.400 --> 0:50:12.040
<v Speaker 2>But my soloing is my talking, like my banter, and

0:50:12.120 --> 0:50:14.200
<v Speaker 2>it's not going to be different. But then I started

0:50:14.200 --> 0:50:17.399
<v Speaker 2>realizing to create a story is so fun. But then

0:50:17.400 --> 0:50:20.000
<v Speaker 2>when you see the same people right in the audience,

0:50:20.040 --> 0:50:22.680
<v Speaker 2>and you finally figured out how to ride the audience

0:50:22.719 --> 0:50:26.680
<v Speaker 2>in the waves of the story and embellish it or whatever,

0:50:26.960 --> 0:50:29.360
<v Speaker 2>and there's the same people right in front or they

0:50:29.440 --> 0:50:32.080
<v Speaker 2>videotape it. You're like, like, how do you deal with that?

0:50:32.120 --> 0:50:35.760
<v Speaker 2>As a comedian? I think people want to hear that story.

0:50:35.800 --> 0:50:36.520
<v Speaker 2>They want to hear that.

0:50:37.000 --> 0:50:39.879
<v Speaker 1>You can tell this. I feel like you can tell

0:50:39.920 --> 0:50:44.200
<v Speaker 1>the same story until it's being televised, until it's on

0:50:44.239 --> 0:50:47.000
<v Speaker 1>a special, or until it's until it's on the internet.

0:50:47.560 --> 0:50:51.400
<v Speaker 1>Then you can't do it again. And that's what I

0:50:51.480 --> 0:50:54.640
<v Speaker 1>that's my personal belief about it is that once I've

0:50:54.680 --> 0:50:56.920
<v Speaker 1>told it and it's been out there, which is annoying

0:50:57.520 --> 0:51:00.080
<v Speaker 1>because it's almost like if you recorded the song and

0:51:00.080 --> 0:51:02.359
<v Speaker 1>you can never play it, last terrible because you will.

0:51:02.360 --> 0:51:03.839
<v Speaker 2>You get there and you get to that place where

0:51:03.840 --> 0:51:06.719
<v Speaker 2>you're like saying something that's just off the cuff, but

0:51:06.840 --> 0:51:07.319
<v Speaker 2>it's not.

0:51:07.719 --> 0:51:09.359
<v Speaker 3>Ah, but it's so good.

0:51:09.400 --> 0:51:11.920
<v Speaker 1>And that's that's what's super straining about it, because I

0:51:12.000 --> 0:51:14.360
<v Speaker 1>look at material that this is a stand up paying

0:51:14.400 --> 0:51:16.640
<v Speaker 1>fifty twenty years ago and go, you know, I.

0:51:16.560 --> 0:51:19.560
<v Speaker 4>Could really make that work a little bear now that

0:51:19.760 --> 0:51:21.880
<v Speaker 4>was actually a very good idea, but I didn't do

0:51:21.960 --> 0:51:24.000
<v Speaker 4>it properly, and I would like to do it properly now,

0:51:24.040 --> 0:51:26.880
<v Speaker 4>but you kind of can't because people know what's coming,

0:51:26.920 --> 0:51:29.719
<v Speaker 4>and that ruins that, that ruins what it is.

0:51:29.800 --> 0:51:32.360
<v Speaker 2>It takes the melody away if they understand what it is.

0:51:32.600 --> 0:51:34.839
<v Speaker 2>Just just do it for people like over fifty five.

0:51:34.920 --> 0:51:35.880
<v Speaker 2>They will not remember.

0:51:36.680 --> 0:51:40.319
<v Speaker 3>They will not they won't remember, you know what I mean, Like.

0:51:40.480 --> 0:51:43.120
<v Speaker 2>Yeah, yeah, I say this all the time because I

0:51:43.200 --> 0:51:45.799
<v Speaker 2>keep thinking of this as the example. But like, I

0:51:45.920 --> 0:51:48.880
<v Speaker 2>met Barry Manilow at an event and I was so

0:51:48.960 --> 0:51:50.759
<v Speaker 2>excited and I got my picture taken with them, and

0:51:51.160 --> 0:51:54.600
<v Speaker 2>I love the song Mandy, and I just gushed and

0:51:54.640 --> 0:51:56.880
<v Speaker 2>I was so excited. And then I was going through

0:51:56.920 --> 0:51:58.920
<v Speaker 2>my photo albums, you know, a couple months later, and

0:51:58.960 --> 0:52:01.200
<v Speaker 2>there I was the first time I met Barry Manilo

0:52:01.280 --> 0:52:04.440
<v Speaker 2>for the first time in another photo from you know,

0:52:04.760 --> 0:52:08.160
<v Speaker 2>fifteen years ago. I had no recollection and it was

0:52:08.200 --> 0:52:11.280
<v Speaker 2>important to me. You know, it's weird to have something

0:52:11.520 --> 0:52:12.240
<v Speaker 2>very similar.

0:52:13.000 --> 0:52:14.879
<v Speaker 1>I had this thing. Do you have you ever seen

0:52:14.920 --> 0:52:17.440
<v Speaker 1>the documentary Becoming spok.

0:52:19.160 --> 0:52:25.000
<v Speaker 2>I should be anyway, Yeah, he was, Actually I don't remember.

0:52:25.440 --> 0:52:28.239
<v Speaker 1>Yeah, well I watched it. It was made by his son.

0:52:28.320 --> 0:52:31.600
<v Speaker 2>I think it's a beautiful though screening even I don't

0:52:31.640 --> 0:52:33.680
<v Speaker 2>know it's a gardeless stone.

0:52:34.000 --> 0:52:36.960
<v Speaker 1>But I watched it, and then afterwards I said to

0:52:37.000 --> 0:52:40.480
<v Speaker 1>my wife, Gosh, what a lovely man. I really wish

0:52:40.520 --> 0:52:42.279
<v Speaker 1>I'd had him on the Late Night show. And we

0:52:42.320 --> 0:52:50.800
<v Speaker 1>looked up and he was on twice a thing.

0:52:51.120 --> 0:52:51.440
<v Speaker 5>I know.

0:52:52.320 --> 0:52:54.240
<v Speaker 3>That's that's why it's good to have friends around.

0:52:54.280 --> 0:52:54.480
<v Speaker 1>I know.

0:52:54.640 --> 0:52:56.799
<v Speaker 2>My friend Amy's like, remember that time we were in

0:52:56.800 --> 0:52:59.680
<v Speaker 2>that limo with Adam Sandler. He gave us a ride

0:52:59.719 --> 0:53:03.120
<v Speaker 2>and I was like, what tell me about that?

0:53:03.600 --> 0:53:04.359
<v Speaker 3>What happened then?

0:53:04.600 --> 0:53:06.600
<v Speaker 2>So yeah, I remember Paul Rudd was talking to you.

0:53:06.640 --> 0:53:10.320
<v Speaker 2>I'm like, he was what did he say? Like what happened?

0:53:11.120 --> 0:53:13.239
<v Speaker 1>But that's the weird is, especially when I look at

0:53:13.280 --> 0:53:15.680
<v Speaker 1>like Late Night, I was like, ten years I did

0:53:15.760 --> 0:53:19.719
<v Speaker 1>that show, and people will like, I'll see footage from that,

0:53:19.920 --> 0:53:23.160
<v Speaker 1>like I am zero recollection of that conversation or even

0:53:23.160 --> 0:53:26.520
<v Speaker 1>that evening and I'm right there and it's me talking

0:53:26.560 --> 0:53:29.839
<v Speaker 1>and I'm like, I honestly don't remember. You know. It's

0:53:29.920 --> 0:53:30.520
<v Speaker 1>a little weird.

0:53:30.600 --> 0:53:33.160
<v Speaker 2>Yeah, I do an interview. I have a radio show,

0:53:33.160 --> 0:53:36.760
<v Speaker 2>a daily radio show on Sirius XM nineties on nine

0:53:37.040 --> 0:53:38.960
<v Speaker 2>and One of the things I added to it was

0:53:39.000 --> 0:53:42.200
<v Speaker 2>called Where They Are Now? And it's an interview segment

0:53:42.200 --> 0:53:43.759
<v Speaker 2>where I talk to people who you might know from

0:53:43.800 --> 0:53:45.920
<v Speaker 2>the nineties but they're still doing things today.

0:53:46.080 --> 0:53:47.759
<v Speaker 3>And I was inspired by spinal Tap, you know.

0:53:47.800 --> 0:53:50.439
<v Speaker 2>And they're all sitting around the radio and their old

0:53:50.480 --> 0:53:52.960
<v Speaker 2>song comes on the radio. It might be like give

0:53:53.000 --> 0:53:54.960
<v Speaker 2>me some money or cups and cakes or something, and

0:53:54.960 --> 0:53:57.520
<v Speaker 2>they're all sitting around and they're all like enjoying it.

0:53:57.520 --> 0:53:59.960
<v Speaker 2>Exter on tour, it's so cool to hear their old song.

0:54:00.120 --> 0:54:02.960
<v Speaker 2>The DJ comes on and from the Where Are They

0:54:03.000 --> 0:54:05.880
<v Speaker 2>Now files, like I wonder if they're so alive, you know,

0:54:05.920 --> 0:54:09.080
<v Speaker 2>And they're just like on a tour promoting a current project.

0:54:09.400 --> 0:54:12.360
<v Speaker 3>And that happens, you know, when you travel.

0:54:12.480 --> 0:54:14.160
<v Speaker 2>You might sit next to somebody they're like, so are

0:54:14.160 --> 0:54:16.719
<v Speaker 2>you still didn't you used to be a musician? You're like,

0:54:17.560 --> 0:54:19.400
<v Speaker 2>I guess something like you're checking into a hotel and

0:54:19.480 --> 0:54:21.680
<v Speaker 2>your name is on the marquee across the street, and

0:54:22.080 --> 0:54:23.680
<v Speaker 2>then the young gals like, didn't you used to be

0:54:23.760 --> 0:54:27.000
<v Speaker 2>a musician? You're like, yeah, I still am, And there's

0:54:27.160 --> 0:54:29.120
<v Speaker 2>my name right there over on the marquee right like

0:54:29.360 --> 0:54:30.640
<v Speaker 2>I'm going with my guitar.

0:54:30.719 --> 0:54:31.400
<v Speaker 1>You're at the airport.

0:54:31.400 --> 0:54:34.600
<v Speaker 3>I'm going with my guitar to you know, Wisconsin, because

0:54:34.800 --> 0:54:35.440
<v Speaker 3>I'm plying.

0:54:35.200 --> 0:54:35.640
<v Speaker 1>A show there.

0:54:35.680 --> 0:54:37.840
<v Speaker 3>They're like, oh, that's so great. Good luck with that.

0:54:38.000 --> 0:54:40.680
<v Speaker 2>But anyway, so I started a radio show thing called

0:54:40.680 --> 0:54:43.799
<v Speaker 2>where They Are Now, which is a take on where

0:54:43.840 --> 0:54:47.080
<v Speaker 2>Are They Now? And because it's a kinder way of saying, yes,

0:54:47.120 --> 0:54:50.360
<v Speaker 2>I know you're I know you from a certain material

0:54:50.440 --> 0:54:55.040
<v Speaker 2>from the nineties probably, but same, we play some reruns

0:54:55.080 --> 0:54:58.400
<v Speaker 2>and they're like, yeah, this week you're rerunning your interview

0:54:58.440 --> 0:55:00.920
<v Speaker 2>with so and so, and I'm like, why did I

0:55:01.080 --> 0:55:03.879
<v Speaker 2>talk to I got to talk to boys to men.

0:55:04.600 --> 0:55:07.399
<v Speaker 2>That's so cool and it's right there in the hard drive.

0:55:07.920 --> 0:55:11.800
<v Speaker 2>I had a great conversation with them, no recollection. I

0:55:12.120 --> 0:55:13.520
<v Speaker 2>researched them for hours.

0:55:13.800 --> 0:55:16.360
<v Speaker 1>That's exactly what's going to happen to us now. Because

0:55:16.600 --> 0:55:17.120
<v Speaker 1>we're done.

0:55:17.480 --> 0:55:18.720
<v Speaker 3>I'm not going to remember speaking.

0:55:18.760 --> 0:55:22.840
<v Speaker 2>I remember I didn't stop eating fudge at the airport.

0:55:22.440 --> 0:55:28.880
<v Speaker 6>And fudge Colorado and Dan for famous for its fudge

0:55:29.320 --> 0:55:32.200
<v Speaker 6>at the airport in the airport, Lisa, it's a delight

0:55:32.280 --> 0:55:32.560
<v Speaker 6>to see.

0:55:32.600 --> 0:55:37.319
<v Speaker 1>I'm sorry that it's been so long, and very good

0:55:37.440 --> 0:55:41.279
<v Speaker 1>luck with the children's book. I hope it comes out. Yeah,

0:55:41.280 --> 0:55:42.799
<v Speaker 1>I hope it comes out. I have a feeling that

0:55:42.800 --> 0:55:45.680
<v Speaker 1>will work out fine. Yeah, you're delightful and please keep

0:55:45.680 --> 0:55:47.799
<v Speaker 1>doing your Thanks for being sure.

0:55:47.920 --> 0:55:48.200
<v Speaker 2>Thank you.

0:55:48.200 --> 0:55:50.400
<v Speaker 3>I hope to see you at Nelson's. Bring your coupon.

0:55:50.719 --> 0:55:54.040
<v Speaker 1>Yeah, well you know me. Scoutition, good day.

0:55:54.120 --> 0:55:54.520
<v Speaker 3>Thank you

0:56:00.080 --> 0:56:04.480
<v Speaker 7>At two paper for two po