WEBVTT - 202: The Other Woman

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<v Speaker 1>Unpacking the Toolbox is a production of Schondoland Audio in

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<v Speaker 1>partnership with iHeartRadio. Katie Well, oh man, here we go.

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<v Speaker 1>We should like do this um Scandal Rewatch podcast Unpacking

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<v Speaker 1>the Toolbox and Katie Los Katie your last night, I

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<v Speaker 1>was thinking, do you go back just Katie Lows? Are

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<v Speaker 1>you Katie Los Shapiro? Are you hyspenated just Sucker's last name?

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<v Speaker 1>You said, Hell, no, I'm sucking Katie Lows. Bitch. You

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<v Speaker 1>know what I was in the Bear don't you? Who

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<v Speaker 1>know who I am? Anyway? Wow, Today we're talking about

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<v Speaker 1>episode two O two, Yes, The Other Woman, which aired

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<v Speaker 1>on October fourth in twenty twelve, written by Heather Mitchell

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<v Speaker 1>and directed by Stephen Crag. Yes. Yes, and the guest

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<v Speaker 1>star list is but we got to name it because

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<v Speaker 1>here on the Scandal Rewatch podcast we respect our guest stars. Yes,

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<v Speaker 1>because they're usually like pretty freaking amazing. Yeah. I mean

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<v Speaker 1>the first, main, big one is Lorraine Toussaint, who plays

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<v Speaker 1>Nancy Drake, who is just a wonderful actor. She's she's

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<v Speaker 1>one of those people that when you see her face,

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<v Speaker 1>so you see her in one thing, you're like, oh

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<v Speaker 1>my god, I've seen her in a thousand things, like

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<v Speaker 1>she's in so much, she's a she's from Trinidad. Nice

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<v Speaker 1>fun fact. Yeah, nice fun fact there. But yeah, she's amazing.

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<v Speaker 1>And then we got a lease Neil and John deal

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<v Speaker 1>dial How do you say that? Maybe we'll just give

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<v Speaker 1>it a deal? Dial Dial Deal, John Deal, Dial deal.

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<v Speaker 1>We got Leslie great and John Deal played ray Dwire.

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<v Speaker 1>Who's Lindsay Dwyer's dad? Oh that I watched this episode

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<v Speaker 1>and now we're starting to get into the part of

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<v Speaker 1>the Scanal Rewatch podcast on packing the Toolbox where I

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<v Speaker 1>don't remember shooting that. No, really, I distinctly remember standing

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<v Speaker 1>with you outside of that motel. I remember that later

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<v Speaker 1>in the episode. Yes, we'll talk about I do not

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<v Speaker 1>remember shooting the scene with the dad. No, no, no,

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<v Speaker 1>do you remember Do you remember the lady staring at

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<v Speaker 1>Quinn at Lindsay Dwyer? Yo? I wish we could have

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<v Speaker 1>gotten her name and given her a shout out because

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<v Speaker 1>homegirl is so freaking good and committed and annoying. Oh,

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<v Speaker 1>she's just perfect for the role. How dare this Molotov

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<v Speaker 1>mistress a bitch? Come and sit in and have a

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<v Speaker 1>fucking coffee? In our small at a looma California town,

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<v Speaker 1>with her omelet on her plate that she never touches.

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<v Speaker 1>I wrote in my notes, is it a wig or

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<v Speaker 1>not a wig? Not a wig? It's not a wig.

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<v Speaker 1>I do kind of remember that woman. The other people

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<v Speaker 1>we have is Leslie. Leslie Grossman is Lisa, who's the

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<v Speaker 1>DC Corner. She was amazing. Mark Espinoza's Chairman of Joint Chiefs.

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<v Speaker 1>Greg Henry is Hollis Doyle. Deborah Mooney is Verna Thornton,

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<v Speaker 1>who is constant recurring. Wendy Davis is Kimberly Mitchellson McMurray

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<v Speaker 1>is the US attorney Pat Wexler. Joe Holt, who's a

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<v Speaker 1>friend of mine, a Secretary of Defense Virginia Louise Smith

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<v Speaker 1>as Secretary of State. J Jackson is local anchor. If

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<v Speaker 1>y'all don't remember this episode, let's just jog ye old memory,

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<v Speaker 1>Ye old memory. Olivia has to deal with the ramifications

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<v Speaker 1>of Quinn's jaw dropping court verdict as Abby continues to

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<v Speaker 1>press Olivia for answers and Quinn takes a trip back home.

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<v Speaker 1>The firm represents the widow of a very prominent pastor

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<v Speaker 1>who had a secret life with his mistress and son.

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<v Speaker 1>Olivia works on striking a deal to keep Pastor Drake's

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<v Speaker 1>other life a secret before the funeral. Meanwhile, in the

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<v Speaker 1>White House, Cyrus and Fitz deal with a foreign policy

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<v Speaker 1>emergency that was potentially fabricated by the CIA. What the hell, dude,

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<v Speaker 1>that was stupendous. I also think your scandal pace is

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<v Speaker 1>always so good because I understand what you're saying, like

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<v Speaker 1>you're putting the inflection on the correct word. Listen, I

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<v Speaker 1>thank you, But I always understand your scandal pace. So anyway,

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<v Speaker 1>I have to admit sometimes I'm just not smart enough

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<v Speaker 1>for this show. And all of the CIA fabrication of

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<v Speaker 1>what was going on, I was like, wait, hold up,

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<v Speaker 1>he me twine they do that? I was like, Yo,

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<v Speaker 1>I know, shit is corruptle, What the hell are they

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<v Speaker 1>just making a fucking photo of jed children in Sudan?

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<v Speaker 1>Is it because the dude that did it? What is he?

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<v Speaker 1>The head of the CIA? Is it because he's he

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<v Speaker 1>wants the president to go to war and he's a

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<v Speaker 1>Republican and he wants me? I don't know. I was

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<v Speaker 1>confused too. Well. Let it be known here that Garm

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<v Speaker 1>and I on this rewatch podcast. We don't completely understand

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<v Speaker 1>what's going on, which listen, listen. I feel like a

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<v Speaker 1>lot of the audience, our listeners will understand. And it's

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<v Speaker 1>okay because this show has so much in it that

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<v Speaker 1>it doesn't matters. Yes, But also, Katie, do you remember

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<v Speaker 1>ever being on set like and I'd be like, I

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<v Speaker 1>know me mostly I'd be like, Katie, I don't know

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<v Speaker 1>what's happening, Like, what's happening on the show, because yes,

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<v Speaker 1>I remember we see the start of this episode that

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<v Speaker 1>Olivia and the President have started this relationship where they're

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<v Speaker 1>like old school fucking late night phone calls, yeah, where

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<v Speaker 1>they're just like talking about their life and Olivia's in

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<v Speaker 1>bed and she's like it can't keep teaking calls from

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<v Speaker 1>my married ex boyfriend. Yes, yeah, which is so cute.

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<v Speaker 1>I think it's like so normal. Yeah, weird to see

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<v Speaker 1>them like normal. Like they're not at a white House dinner,

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<v Speaker 1>they're not like on the trail, they're not doing any

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<v Speaker 1>of those things. They're literally just like talking on the

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<v Speaker 1>phone yea gossiping, right, They're just like like telling each

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<v Speaker 1>other's shit from their day and stuff. Yeah. It's okay,

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<v Speaker 1>you know for those of those of us who were

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<v Speaker 1>a little on the older side. That's the way we

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<v Speaker 1>used to chat with our with the people we were

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<v Speaker 1>seeing or dating or whatever. You'd be on the phone

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<v Speaker 1>for freaking hours. Oh my god, Yeah, my parents got me.

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<v Speaker 1>I mean, this is some boogie ass fucking white privilege

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<v Speaker 1>shit right here. My parents were my sixteenth birthday, I

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<v Speaker 1>think got me my own phone line. I got my

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<v Speaker 1>own fucking line because I think my parents found out

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<v Speaker 1>that it was like twenty five more cents, like a

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<v Speaker 1>fucking hour or whatever if they just gave me my

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<v Speaker 1>own phone, because I was clogging that ship up, Like

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<v Speaker 1>I was on the phone all day with bitches and

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<v Speaker 1>fucking night boyfriends. Like oh yeah, that's the way it

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<v Speaker 1>went down. Yeah yeah, Dearmo, you didn't have your own line,

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<v Speaker 1>noll No. We had one phone hanging in the hallway

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<v Speaker 1>of our New York City Washington Heights apartment with a chord.

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<v Speaker 1>The only time it got bougie for us is when

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<v Speaker 1>my parents are like, We're like, we're going to buy

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<v Speaker 1>a longer core. I'd walk into like the bathroom and

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<v Speaker 1>close the door in the kitchen. You'd have to hawk

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<v Speaker 1>is a aa yep. I think this is the first time,

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<v Speaker 1>right Katie, that we see him. Yeah, I think this

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<v Speaker 1>is the first time we see you Hawk in AA. Yeah.

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<v Speaker 1>I remember shooting the scene the AA scene because it

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<v Speaker 1>was like just a few blocks away from Sante Gower,

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<v Speaker 1>which is where the stage is where we shot Scandal,

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<v Speaker 1>and it was like in the basement of a church,

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<v Speaker 1>if I'm not mistaken, and it was really cool. And also,

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<v Speaker 1>you know, I was gonna I was gonna say too,

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<v Speaker 1>I have a sort of a history with A because

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<v Speaker 1>my ex used to be in A But I used

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<v Speaker 1>to go to the meetings with him. And I'm not

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<v Speaker 1>an alcoholic. Well maybe i am, but no, just a

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<v Speaker 1>little bit. But I don't have a problem, no disrespect

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<v Speaker 1>with you. I no, no, no, no no. But you

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<v Speaker 1>have a personal relationship to being a Alana. Yeah yeah, right, right,

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<v Speaker 1>right right. But I used to go to the meetings

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<v Speaker 1>and get so much out of them, like I really

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<v Speaker 1>enjoyed because it's all about you know, very spiritual, yes,

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<v Speaker 1>and lifting the person up and giving them encouragement. It

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<v Speaker 1>was it was wonderful and I really got a lot

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<v Speaker 1>out of it. Those rooms are really really special and

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<v Speaker 1>so for you to get to stand there and talk

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<v Speaker 1>about fucking killing people. Yeah, yeah, yeah, Well that's why

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<v Speaker 1>I thought about me going to the meetings, because I

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<v Speaker 1>would go. But it wasn't about having an addiction. It

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<v Speaker 1>was I was just getting a lot more out of

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<v Speaker 1>it just for life in general. And so so huck

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<v Speaker 1>Is doesn't have an alcohol problem either, He's going because

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<v Speaker 1>he's you know, whiskey represents him killing people and torturing people.

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<v Speaker 1>So I wonder if they would have done like a

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<v Speaker 1>like coverage of like with the people in the meeting,

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<v Speaker 1>like what the fuck is this guy talking about? Because

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<v Speaker 1>he's like, I'm really good at drinking whist. I don't

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<v Speaker 1>think they ever flip it around. They never flip around, No, no,

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<v Speaker 1>trist Yeah, but it was so interesting. Oh no, it

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<v Speaker 1>totally works. I actually I've never even realized it until

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<v Speaker 1>you just said that. Yeah, Quinn is being a stupid

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<v Speaker 1>bid bitch in Olivia's apartment and I'm like so mad,

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<v Speaker 1>and so like, why is it anyone telling me anything?

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<v Speaker 1>Everyone messed up my life and no one's telling me why.

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<v Speaker 1>And um, I mean, I don't know if other people

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<v Speaker 1>got that out of my performance, but I definitely felt

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<v Speaker 1>like nails on a chalkboard watching I think people felt

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<v Speaker 1>Winn's frustration, right. I love this sheet her line to

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<v Speaker 1>Olivia's like I got more sleep in prison. Oh, they

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<v Speaker 1>like tossed that away into a pillow because I doubt

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<v Speaker 1>my acting choice was at all good. Now I wasn't

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<v Speaker 1>in these scenes. But the episode features like the America's pastor,

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<v Speaker 1>Pastor Drake, who's incredible and obviously had this like very

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<v Speaker 1>public beautiful marriage to Lorraine Twusn's character Nancy Drake, but

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<v Speaker 1>the whole time, for fifteen years, he's been shipping this

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<v Speaker 1>other woman named Anna Gordon. But you find the episode

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<v Speaker 1>in like a classic Olivia Pope o pa handling the

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<v Speaker 1>situation where the wife calls they can't find Pastor Drake.

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<v Speaker 1>You guys get led to a camera across the street

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<v Speaker 1>from the hay Adams Hotel, and you are in the

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<v Speaker 1>hotel and you hear like a whir and they open

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<v Speaker 1>the door and they find Pastor Drake on top o

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<v Speaker 1>top of his mistress and she's handcuffed to the bed,

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<v Speaker 1>and no one knows it first until Huk kind of

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<v Speaker 1>runs in and checks and knows, like right away the

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<v Speaker 1>guy's been dead and she's been like stuck under there

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<v Speaker 1>because the bro was like, yeah, home was a big boy.

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<v Speaker 1>What I found so amusing was watching the episode and

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<v Speaker 1>the first thing that happens is huck rushes in checks

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<v Speaker 1>his pulse and he's like he's been dead for seven hours.

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<v Speaker 1>Whatever the funk I said, And then Abby says something

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<v Speaker 1>in Olivia, and then there's a moment we're all just

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<v Speaker 1>standing there like, m what do we do now? And

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<v Speaker 1>the whole time watching the episode, I was like, this

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<v Speaker 1>girl is stuck under this large as man and nobody's like,

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<v Speaker 1>there was no nobody in rush to be like, They're

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<v Speaker 1>just like, dude, to do I didn't. I'm gonna have

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<v Speaker 1>to go back and wash up because I did not

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<v Speaker 1>catch that at all. I love the part of this

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<v Speaker 1>scene is this this This is the scene where she's like,

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<v Speaker 1>what do you need to do to get rid of

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<v Speaker 1>the body? And you're like and You're like, you're like lusty.

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<v Speaker 1>You're like lusty, like describing all the tools in which

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<v Speaker 1>you would need to dispose of a body this big,

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<v Speaker 1>and she yes, I mean to just move the body.

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<v Speaker 1>Oh yeah, oh well then just like and your body

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<v Speaker 1>some sheets, yeah or whatever. You're like, you're so psyched

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<v Speaker 1>that you were going to cut this dude up. Yeah,

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<v Speaker 1>but he's also super embarrassed, I think is he's like,

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<v Speaker 1>oh my god. They're like, oh my god, I'm so

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<v Speaker 1>fucked up. Yeah, Like clearly you clearly Huck knows he

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<v Speaker 1>has a problem because you're going to aa so like

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<v Speaker 1>you know that things are a rye in your mental health. Yeah,

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<v Speaker 1>and he could feel himself, you know, slipping, yeah, and

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<v Speaker 1>going closer to the dark side. But yeah, that that

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<v Speaker 1>was such a great mind. Olivia's look to hook is like, motherfucker.

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<v Speaker 1>I was talking about moving him, not chopping him up.

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<v Speaker 1>So good, so good, but she's also like, you know,

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<v Speaker 1>like there's the fright in her face, like, oh my god,

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<v Speaker 1>this motherfucker was ready to talk him up in the

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<v Speaker 1>midst of this whole um montage about moving his body

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<v Speaker 1>because their goal is to like clean up the scene,

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<v Speaker 1>which is super illegal, and to get that body back

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<v Speaker 1>to in bed where he would live, like I mean,

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<v Speaker 1>so that they can sort of stage it, like keeping

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<v Speaker 1>his rep clean. That like if he's not found with

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<v Speaker 1>the hooker, but he's found that he just like had

0:12:49.679 --> 0:12:52.240
<v Speaker 1>a heart attack in bed, that it would be much

0:12:52.280 --> 0:12:55.480
<v Speaker 1>better for his look and his wife's reputation and his

0:12:55.600 --> 0:12:57.079
<v Speaker 1>legacy and all of that. But in the midst of

0:12:57.120 --> 0:13:00.200
<v Speaker 1>all these scenes, there's such a great scene between Dan

0:13:00.960 --> 0:13:05.000
<v Speaker 1>and Jeff oh so much, where he's yes, I hate

0:13:05.000 --> 0:13:07.920
<v Speaker 1>that I married a Republican. Yes, I want a baby,

0:13:08.200 --> 0:13:11.720
<v Speaker 1>a fat one, a smushy one. Yes, it seems so cute.

0:13:12.040 --> 0:13:14.200
<v Speaker 1>Oh it's so good. You know. I wrote down in

0:13:14.240 --> 0:13:17.080
<v Speaker 1>my notes that they they fight like a real couple.

0:13:18.080 --> 0:13:20.080
<v Speaker 1>I mean, because we see couples on TV all the time,

0:13:20.080 --> 0:13:22.000
<v Speaker 1>and sometimes, you know, you kind of get the chemistry.

0:13:22.080 --> 0:13:25.640
<v Speaker 1>Sometimes you don't. But I feel like, um, like Dan

0:13:25.920 --> 0:13:30.040
<v Speaker 1>and Jeff, like their chemistry was fire from the beginning,

0:13:30.120 --> 0:13:34.160
<v Speaker 1>like they just it just clicked. But also Jeff, Jeff

0:13:34.160 --> 0:13:35.959
<v Speaker 1>and Dan. I was gonna say Jeff because Jeff is

0:13:36.000 --> 0:13:37.599
<v Speaker 1>a you know, as a straight man. He's married to

0:13:37.640 --> 0:13:41.120
<v Speaker 1>Linda Lowey, who was our casting director, and um, but

0:13:41.240 --> 0:13:45.760
<v Speaker 1>he Jeff is such an amazing, fucking skilled Like he's

0:13:45.800 --> 0:13:49.000
<v Speaker 1>one of those actors that just is no joke. He's

0:13:49.040 --> 0:13:51.720
<v Speaker 1>a genius. So I knew he was going to approach

0:13:51.800 --> 0:13:56.839
<v Speaker 1>this gay character with you know, just complete completely embracing

0:13:56.880 --> 0:13:59.240
<v Speaker 1>it and being as real as possible and not having

0:13:59.240 --> 0:14:02.200
<v Speaker 1>any hang ups about it. And that comes across, you

0:14:02.240 --> 0:14:03.800
<v Speaker 1>know what I mean, Like they really come across as

0:14:03.840 --> 0:14:06.960
<v Speaker 1>a real couple. They totally do. And I think I

0:14:07.000 --> 0:14:08.679
<v Speaker 1>think when we have a mom will have to ask him.

0:14:08.679 --> 0:14:12.360
<v Speaker 1>But I'm pretty sure he's played gay characters multiple times

0:14:12.360 --> 0:14:15.040
<v Speaker 1>in his sure. I think, yeah, I think he's played that,

0:14:15.520 --> 0:14:18.959
<v Speaker 1>like from his early twenties on. I think what's probably

0:14:19.040 --> 0:14:22.240
<v Speaker 1>weirdest for them is that, and I can't wait to

0:14:22.240 --> 0:14:24.520
<v Speaker 1>ask them about this, is that Jeff and Dan have

0:14:24.560 --> 0:14:28.040
<v Speaker 1>been real life friends for like town of years. Oh,

0:14:28.120 --> 0:14:31.720
<v Speaker 1>I didn't know that. I'm sure that do with that.

0:14:31.760 --> 0:14:33.200
<v Speaker 1>It would be weird if you were a girl too,

0:14:33.200 --> 0:14:35.600
<v Speaker 1>But like they have to make out, you know what

0:14:35.640 --> 0:14:40.720
<v Speaker 1>I mean, Like like Linda cast Don Ruth. Dan Bougatinski's husband,

0:14:40.960 --> 0:14:44.440
<v Speaker 1>Don Ruth is a big screenwriter and Linda cast his

0:14:44.480 --> 0:14:47.440
<v Speaker 1>movies like twenty years ago. They've all four been friends

0:14:47.480 --> 0:14:50.240
<v Speaker 1>for a very long time. Wow. And so I think

0:14:50.280 --> 0:14:54.440
<v Speaker 1>it was probably weirder than anything that, like Jeff, I'm

0:14:54.440 --> 0:14:56.280
<v Speaker 1>gonna have to make up with like a dear friend

0:14:56.280 --> 0:15:03.240
<v Speaker 1>of mine, you know, more than anything else. Oh, okay,

0:15:03.560 --> 0:15:07.080
<v Speaker 1>what about this part? Who was it in the script

0:15:07.160 --> 0:15:10.280
<v Speaker 1>that all the OPA people use the same deodorant. Oh

0:15:10.320 --> 0:15:13.120
<v Speaker 1>my god, I wrote notes on that too, right. I

0:15:13.160 --> 0:15:15.960
<v Speaker 1>think they were trying to give the feeling on the

0:15:16.000 --> 0:15:18.280
<v Speaker 1>show that obviously they've been up all night and moving

0:15:18.320 --> 0:15:20.800
<v Speaker 1>this guy and they're probably sweating, and they're all passing

0:15:20.800 --> 0:15:24.280
<v Speaker 1>this deodorant. It's such an odd but like such an

0:15:24.320 --> 0:15:28.040
<v Speaker 1>odd but interesting moment. Yeah. Yes, and you're the only one.

0:15:28.080 --> 0:15:30.320
<v Speaker 1>Huck is the only one that doesn't his dirty ass,

0:15:30.360 --> 0:15:31.920
<v Speaker 1>and he's probably the one that needs it the most.

0:15:32.000 --> 0:15:34.600
<v Speaker 1>I was like, what do you what are you doing? Like,

0:15:34.720 --> 0:15:37.520
<v Speaker 1>put that ship under your arms. It's secret. We all

0:15:37.520 --> 0:15:41.360
<v Speaker 1>know how strong secret is. It won't pick up this

0:15:41.600 --> 0:15:45.480
<v Speaker 1>skankass ship from one person's arms another, Like I feel

0:15:45.480 --> 0:15:49.680
<v Speaker 1>like it's a secret magic about secret that like you're

0:15:49.680 --> 0:15:53.320
<v Speaker 1>gonna be fine, that is. I just loved it, Like

0:15:53.360 --> 0:15:56.600
<v Speaker 1>I thought it was so fulfilial and like we've been

0:15:56.680 --> 0:15:59.920
<v Speaker 1>up all night and we have no fucking boundaries. Yeah,

0:16:00.000 --> 0:16:03.000
<v Speaker 1>and there's no I love it. No one's even commenting

0:16:03.000 --> 0:16:06.560
<v Speaker 1>on this, like like, oh, it's just like happening while

0:16:06.560 --> 0:16:10.200
<v Speaker 1>you're working on the case. Yeah. And then we get

0:16:10.240 --> 0:16:13.320
<v Speaker 1>to oh I think this is when Quinn goes this here.

0:16:13.360 --> 0:16:15.200
<v Speaker 1>Oh no, you come and you realize I'm gone and

0:16:15.240 --> 0:16:17.880
<v Speaker 1>I Quinn goes to see your dad, which I don't

0:16:17.920 --> 0:16:24.280
<v Speaker 1>remember shooting this scene. I don't remember this scene. John

0:16:24.800 --> 0:16:31.280
<v Speaker 1>John Deal Deal Dal Deal Dal Deal. Um, he's a

0:16:31.320 --> 0:16:34.720
<v Speaker 1>fucking dope actor. I love him. I love this. Oh yeah,

0:16:34.720 --> 0:16:36.920
<v Speaker 1>he's been a ton of stuff. I looked up. I

0:16:36.920 --> 0:16:39.320
<v Speaker 1>looked him up on IMDb and IMDb and he's done

0:16:39.320 --> 0:16:42.160
<v Speaker 1>over one hundred and thirty one hundred and forty films

0:16:42.160 --> 0:16:45.200
<v Speaker 1>and TV shows. Yeah, way, yeah. Some of his credits

0:16:45.200 --> 0:16:47.600
<v Speaker 1>are escaped from New York. Me up, what's my number?

0:16:47.800 --> 0:16:49.720
<v Speaker 1>I haven't, but I'm going to write right after we

0:16:49.800 --> 0:16:56.440
<v Speaker 1>finish the podcast. Number is a shit. But in the meantime,

0:16:56.520 --> 0:16:59.120
<v Speaker 1>John Deal Deal Dal Deal, Dude Dial. He was an

0:16:59.240 --> 0:17:01.680
<v Speaker 1>escape from the Orc. He was in Miami Vice, The

0:17:01.760 --> 0:17:04.800
<v Speaker 1>Outer Limits, X Files. Yeah. Anyway, he's been in a

0:17:04.800 --> 0:17:06.960
<v Speaker 1>ton of stuff and he was He's really great in

0:17:06.960 --> 0:17:09.560
<v Speaker 1>the episode you Know what's slowly coming back for me,

0:17:09.600 --> 0:17:12.800
<v Speaker 1>which is making me sad. What is I kind of

0:17:12.920 --> 0:17:17.840
<v Speaker 1>remember vaguely him saying like, oh, this is so great.

0:17:17.880 --> 0:17:19.639
<v Speaker 1>I get cast as your dad. They're going to be

0:17:19.680 --> 0:17:24.800
<v Speaker 1>bringing me back a lot. You're so many, Katie, I

0:17:24.800 --> 0:17:28.359
<v Speaker 1>feel like so many actors and even me. I remember

0:17:28.400 --> 0:17:30.480
<v Speaker 1>saying that to some actors, like when they were casts,

0:17:30.520 --> 0:17:33.040
<v Speaker 1>like a cut's girlfriend. I'd be like, oh my god,

0:17:33.080 --> 0:17:35.600
<v Speaker 1>this is awesome. You're for sure coming back. And then

0:17:35.640 --> 0:17:39.080
<v Speaker 1>I'd be like, oh, they killed this bitch off. Oh good, Well,

0:17:39.600 --> 0:17:43.000
<v Speaker 1>all your girlfriends had a pretty long run. You know.

0:17:43.119 --> 0:17:46.520
<v Speaker 1>Actors are so like, we have to be nomadic. That's

0:17:46.560 --> 0:17:50.040
<v Speaker 1>how it is. It's it's actually like unheard of to

0:17:51.320 --> 0:17:54.400
<v Speaker 1>stay in any one job for a long time, which

0:17:54.440 --> 0:17:58.240
<v Speaker 1>was why Scandal is such a unicorn. Yeah, but most

0:17:58.280 --> 0:18:01.800
<v Speaker 1>of the time that's not our story, and we go

0:18:01.920 --> 0:18:04.200
<v Speaker 1>where the wind takes us. I mean, I've been cut

0:18:04.200 --> 0:18:07.239
<v Speaker 1>out of so much fucking shit, and everyone has their

0:18:07.240 --> 0:18:09.480
<v Speaker 1>story of like they've been fired, and then there's like

0:18:09.480 --> 0:18:12.159
<v Speaker 1>amazing miracle stories like Bellamy Young, who I think was

0:18:12.160 --> 0:18:15.920
<v Speaker 1>always to do like three episodes in season one or something. Yeah,

0:18:15.960 --> 0:18:19.560
<v Speaker 1>So you know, there's like ups and downs and it

0:18:19.640 --> 0:18:21.880
<v Speaker 1>is what it is. But I do remember the dad

0:18:21.960 --> 0:18:23.960
<v Speaker 1>being like, oh man, I think they're gonna call me back,

0:18:24.000 --> 0:18:27.000
<v Speaker 1>and I'm just like, fuck man, no, I don't. I

0:18:27.040 --> 0:18:29.159
<v Speaker 1>don't remember what I said, but probably not something that

0:18:29.160 --> 0:18:33.159
<v Speaker 1>made him feel any better. Um, go get a snack.

0:18:33.400 --> 0:18:41.760
<v Speaker 1>And we'll be right back. Okay. Then what happens Guerremo? Well,

0:18:41.800 --> 0:18:43.880
<v Speaker 1>how goes to check on Quinn? Is the next thing

0:18:43.920 --> 0:18:47.359
<v Speaker 1>that I have that sort of happens, right, yes, right.

0:18:47.400 --> 0:18:49.439
<v Speaker 1>Olivia's like, go check on Quinn because she was a

0:18:49.440 --> 0:18:52.320
<v Speaker 1>little bit jumpy this morning when you said Aslee better

0:18:52.359 --> 0:18:54.480
<v Speaker 1>in prison, all that stuff. Stuff to check on Quinn.

0:18:55.320 --> 0:18:59.160
<v Speaker 1>She's nowhere to be found. Yep, because I went to Petaluma,

0:18:59.280 --> 0:19:01.919
<v Speaker 1>California to visit my daddy to try to get back

0:19:01.960 --> 0:19:03.879
<v Speaker 1>to them in my normal life. We're ready at the

0:19:03.920 --> 0:19:07.480
<v Speaker 1>point where you're meeting up with your dad and and

0:19:07.680 --> 0:19:12.440
<v Speaker 1>Huck somehow miraculously shows up there and Quinn's like, what

0:19:12.520 --> 0:19:14.480
<v Speaker 1>the hell are you doing here? Like? Can I not

0:19:14.600 --> 0:19:17.800
<v Speaker 1>go anywhere without you? People like following me. I kind

0:19:17.800 --> 0:19:20.320
<v Speaker 1>of remember shooting that. I feel like I have photos

0:19:20.400 --> 0:19:23.639
<v Speaker 1>of that day that I have to find, right. But

0:19:23.840 --> 0:19:27.320
<v Speaker 1>Huck's like, you have such a beautiful monologue to me.

0:19:27.440 --> 0:19:31.119
<v Speaker 1>But we're at some like Motel six where I feel like,

0:19:31.280 --> 0:19:34.479
<v Speaker 1>my god, you and I shot there like a thousand times.

0:19:34.560 --> 0:19:36.920
<v Speaker 1>I don't know why you kind of shot the season

0:19:37.040 --> 0:19:39.520
<v Speaker 1>one when you like abducted me and you had to,

0:19:39.520 --> 0:19:41.159
<v Speaker 1>like I feel like you had to like throw me

0:19:41.200 --> 0:19:43.560
<v Speaker 1>over your shoulder, and I was like, I am so sorry.

0:19:44.440 --> 0:19:46.720
<v Speaker 1>Was that in season? Was that season one? Yeah? Maybe

0:19:46.720 --> 0:19:49.520
<v Speaker 1>it was when they do the flashback and like somebody's

0:19:49.560 --> 0:19:55.119
<v Speaker 1>like watching, Yeah, I think maybe even Susie Poorfar's characters

0:19:55.160 --> 0:19:57.679
<v Speaker 1>like standing outside of the motel and you see like

0:19:58.080 --> 0:20:02.080
<v Speaker 1>Huck take me away, and yes, I kind of remember

0:20:02.160 --> 0:20:05.040
<v Speaker 1>vaguely me being like, oh my god, I can't believe

0:20:05.080 --> 0:20:07.919
<v Speaker 1>you have to haul me over your fucking shoulder. Like

0:20:08.000 --> 0:20:10.639
<v Speaker 1>that was not safe. It doesn't matter how heavy or

0:20:10.720 --> 0:20:13.480
<v Speaker 1>light you are, that sh is not safe, not good

0:20:13.480 --> 0:20:16.920
<v Speaker 1>for a body. Okay, so you come and we have

0:20:17.000 --> 0:20:19.000
<v Speaker 1>this awesome scene at the motel where Huck is like

0:20:19.040 --> 0:20:21.680
<v Speaker 1>overcoming shoulders and he's like, this is where they took you.

0:20:21.800 --> 0:20:24.080
<v Speaker 1>And I'm like, something's I don't know what are you

0:20:24.119 --> 0:20:26.040
<v Speaker 1>talking about? Yeah? Yeah, oh yeah that's what I say,

0:20:26.080 --> 0:20:29.240
<v Speaker 1>what are you talking And you say, no, this is

0:20:29.240 --> 0:20:32.439
<v Speaker 1>where they took you. Yeah. Seven people might have been

0:20:32.440 --> 0:20:34.639
<v Speaker 1>blown up that day in Citron, but it wasn't seven.

0:20:34.680 --> 0:20:38.080
<v Speaker 1>It was really eight eight that died. Yeah. I remember

0:20:38.080 --> 0:20:40.560
<v Speaker 1>shooting that scene Katie, and it was so hot. We're

0:20:40.560 --> 0:20:42.480
<v Speaker 1>shooting it in Hollywood a few blocks I think it

0:20:42.520 --> 0:20:45.080
<v Speaker 1>was a few blocks away from Sunset Gower. Again, it was, yeah,

0:20:45.119 --> 0:20:49.720
<v Speaker 1>that little sketchy as these motels for us on suns

0:20:49.760 --> 0:20:52.199
<v Speaker 1>Of Boulevard, where these little rent by the hour pieces

0:20:52.200 --> 0:20:55.520
<v Speaker 1>of ship. But it was so hot outside and they

0:20:56.080 --> 0:20:58.720
<v Speaker 1>war Job came to me with a jacket and I

0:20:58.760 --> 0:21:02.280
<v Speaker 1>remember being like, what you want me to put on

0:21:02.359 --> 0:21:04.680
<v Speaker 1>this jacket and they were like, yeah, you gotta wear

0:21:04.680 --> 0:21:07.439
<v Speaker 1>the jacket. And I remember just being so upset and

0:21:07.520 --> 0:21:09.879
<v Speaker 1>I fought back and forth. I was like, but he

0:21:09.920 --> 0:21:11.679
<v Speaker 1>could have left it in the car all that, and

0:21:11.680 --> 0:21:13.200
<v Speaker 1>they were like, no, you gotta put on the jacket.

0:21:13.960 --> 0:21:16.080
<v Speaker 1>We always did that shit where we would try to

0:21:16.080 --> 0:21:17.560
<v Speaker 1>talk to them and like I don't need a bag.

0:21:17.760 --> 0:21:19.359
<v Speaker 1>I don't need a bag. I have my shit in

0:21:19.400 --> 0:21:22.640
<v Speaker 1>my pockets, and they like, you have to wear a bag. Yeah,

0:21:22.640 --> 0:21:25.439
<v Speaker 1>I don't need a jacket. Quinn ran out of Opa,

0:21:25.560 --> 0:21:27.520
<v Speaker 1>she doesn't need a jacket and they're like, it is

0:21:27.640 --> 0:21:30.400
<v Speaker 1>put your jacket on in DC and no one will

0:21:30.520 --> 0:21:34.639
<v Speaker 1>believe it unless there's a fucking Wolpee coat on you exactly.

0:21:35.920 --> 0:21:37.600
<v Speaker 1>But it was such a great Yeah, that was a

0:21:37.680 --> 0:21:40.639
<v Speaker 1>really really sweet scene. And then and then he hands

0:21:40.640 --> 0:21:42.520
<v Speaker 1>her a coffee and then they you know, and then

0:21:42.520 --> 0:21:44.639
<v Speaker 1>they cut to the next scene. I loved it. In

0:21:44.680 --> 0:21:49.680
<v Speaker 1>this episode, um quinn is saying goodbye to Lindsay Dwyer. Right. Yeah,

0:21:49.680 --> 0:21:52.239
<v Speaker 1>it's either like you accept this new life and this

0:21:52.320 --> 0:21:55.800
<v Speaker 1>new identity and jump both feet into working at OPA

0:21:55.960 --> 0:22:00.440
<v Speaker 1>and stopping a little bit stop looking back, yeah, or

0:22:00.480 --> 0:22:04.480
<v Speaker 1>like leave but like you can't. This life that you're

0:22:04.560 --> 0:22:07.760
<v Speaker 1>running back to try to get doesn't exist anymore. Yeah.

0:22:07.800 --> 0:22:09.480
<v Speaker 1>I was watching the show too and looking at that

0:22:09.520 --> 0:22:12.040
<v Speaker 1>scene and thinking if this was me Gearmo, who they

0:22:12.040 --> 0:22:15.800
<v Speaker 1>had done that too, I would be like help me.

0:22:16.280 --> 0:22:19.879
<v Speaker 1>I'd be like like a big old sobbing like mess,

0:22:19.880 --> 0:22:23.200
<v Speaker 1>like please, somebody put me in a hospital. I can't

0:22:24.240 --> 0:22:26.840
<v Speaker 1>like stranger thing, I would think. I'd be like, what

0:22:27.119 --> 0:22:31.760
<v Speaker 1>alternate reality plane of existence? Are you telling me that

0:22:31.920 --> 0:22:33.960
<v Speaker 1>I'm not the person I was? And here's my new

0:22:34.000 --> 0:22:37.040
<v Speaker 1>fucking identity. His boyfriend's been murdered and I've been in

0:22:37.080 --> 0:22:40.280
<v Speaker 1>a part of a huge fucking trial and I miraculously

0:22:40.400 --> 0:22:44.000
<v Speaker 1>got off, Like yeah, no one's telling me anything, like

0:22:44.160 --> 0:22:49.200
<v Speaker 1>it's insane. Yeah. The next scene that I think is

0:22:49.200 --> 0:22:52.280
<v Speaker 1>is jumping to like the what makes this episode so great?

0:22:52.960 --> 0:22:55.440
<v Speaker 1>Is Um where Huck says, let's go home, and you

0:22:55.520 --> 0:22:58.800
<v Speaker 1>see sort of accept like my new home is Opa,

0:22:58.920 --> 0:23:02.840
<v Speaker 1>and my new home is the identity of Quinn Perkins. Yes, Um,

0:23:03.119 --> 0:23:05.640
<v Speaker 1>Livin Fits are talking on the phone about Pastor Drake

0:23:05.720 --> 0:23:07.600
<v Speaker 1>and there this is where we get into that thing

0:23:07.640 --> 0:23:09.560
<v Speaker 1>we were talking about of it just being like normal

0:23:09.600 --> 0:23:12.639
<v Speaker 1>and they're just like on their phone and they're hysterical

0:23:12.720 --> 0:23:16.280
<v Speaker 1>laughing because she confides and Fits about how Pastor Drake

0:23:16.359 --> 0:23:22.280
<v Speaker 1>actually died. Yeah, yeah, he was kinky, and and they're

0:23:22.320 --> 0:23:25.080
<v Speaker 1>like hysterical and it's so cute. But like the scene

0:23:25.119 --> 0:23:28.399
<v Speaker 1>totally takes a turn because Olivia is realizing through this

0:23:28.440 --> 0:23:33.440
<v Speaker 1>episode that she is the mistress. Like the whole episode

0:23:33.560 --> 0:23:37.400
<v Speaker 1>is the parallel between Lorraine Tucson is Nancy Drake being

0:23:37.480 --> 0:23:41.520
<v Speaker 1>Mellie and Elise Neil Is is is Anna Gordon being Olivia.

0:23:41.720 --> 0:23:46.520
<v Speaker 1>Like Olivia will never get the twenty Christmases that Mellie

0:23:46.640 --> 0:23:50.960
<v Speaker 1>gets to be with. She'll never have Fits his babies,

0:23:51.000 --> 0:23:53.600
<v Speaker 1>She'll never She'll always be the mistress, you know what

0:23:53.640 --> 0:23:57.600
<v Speaker 1>I mean. Yeah, And Olivia's sort of realizing it unfold

0:23:57.760 --> 0:24:01.479
<v Speaker 1>She's watching you know, her sort of experience unfolding in

0:24:01.520 --> 0:24:04.800
<v Speaker 1>like the case of the week. It's like mirroring her experience.

0:24:05.560 --> 0:24:08.680
<v Speaker 1>It's so cool, and she screams at him, I want

0:24:08.720 --> 0:24:12.040
<v Speaker 1>you to cancel the autopsy. That's what I want. I know.

0:24:12.119 --> 0:24:14.239
<v Speaker 1>It goes from them cracking up and like being like

0:24:14.280 --> 0:24:17.240
<v Speaker 1>all cute see with each other, to her like flipping

0:24:17.280 --> 0:24:19.400
<v Speaker 1>out and being like, yeah, this is what I want

0:24:19.480 --> 0:24:22.280
<v Speaker 1>and just screaming her fucking head off. Fits is whipped

0:24:22.720 --> 0:24:25.840
<v Speaker 1>because he does it. He makes it happen. He gives

0:24:25.840 --> 0:24:28.520
<v Speaker 1>Olivia what she wants, and he just did it in

0:24:28.520 --> 0:24:32.119
<v Speaker 1>the episode before, Yeah, doesn't he because he lets Quinn.

0:24:32.359 --> 0:24:37.320
<v Speaker 1>He's the reason why, you know, when Quinn's entire case

0:24:37.480 --> 0:24:40.679
<v Speaker 1>just gets sort of shelved and David Rosen jumps up

0:24:40.840 --> 0:24:43.480
<v Speaker 1>and he's like, what the hell and only the way

0:24:43.520 --> 0:24:47.280
<v Speaker 1>that Josh Molina can um, But you realize, like she

0:24:47.359 --> 0:24:51.600
<v Speaker 1>keeps getting into deep doodoo, but she knows she can

0:24:51.680 --> 0:24:54.879
<v Speaker 1>because she can always fucking call the bad phone. Yeah,

0:24:54.920 --> 0:24:56.960
<v Speaker 1>and I think she knows that she's got him wrapped

0:24:56.960 --> 0:24:59.640
<v Speaker 1>around her little finger, like she she knows, she knows

0:24:59.640 --> 0:25:03.879
<v Speaker 1>he's gon to do what she says, yeah, yeah, yeah, okay. Um.

0:25:04.520 --> 0:25:08.439
<v Speaker 1>Lorraine Tousson has that most amazing scene with Mellie. Lorraine

0:25:08.480 --> 0:25:10.800
<v Speaker 1>Touissant's character Nancy Drake is supposed to have this like

0:25:10.880 --> 0:25:15.040
<v Speaker 1>sit down for the press with Mellie about the America's

0:25:15.040 --> 0:25:18.800
<v Speaker 1>pastor passing away, and she's taken some shit, which looked

0:25:18.840 --> 0:25:23.000
<v Speaker 1>so fun right in that scene when Olivia's looking at her,

0:25:23.119 --> 0:25:26.359
<v Speaker 1>he's kind of like, what did you take something? She's like, yeah, Zanna,

0:25:26.400 --> 0:25:30.320
<v Speaker 1>I don't know what she's or something. Oh god, that's

0:25:30.440 --> 0:25:34.680
<v Speaker 1>reason I want sive right now. And Olivia's like, we'll

0:25:34.680 --> 0:25:38.040
<v Speaker 1>take some coffee. And then Mellie sits down and she's like,

0:25:38.240 --> 0:25:41.480
<v Speaker 1>my wife, my husband was cheating on me and wait,

0:25:41.760 --> 0:25:43.679
<v Speaker 1>wait what did you say? And Mellie's like, give us

0:25:43.680 --> 0:25:45.200
<v Speaker 1>the room. I just think we need a private moment

0:25:45.240 --> 0:25:49.240
<v Speaker 1>to pray. Yeah, and then there's amazing monologues where like,

0:25:49.400 --> 0:25:54.800
<v Speaker 1>of course, I mean, Scott Scandal television does not get

0:25:54.960 --> 0:25:59.600
<v Speaker 1>monologues too for gladiators listening, Like every TV show that

0:25:59.680 --> 0:26:03.400
<v Speaker 1>G and I've been on, which is a lot, monologues

0:26:03.520 --> 0:26:08.840
<v Speaker 1>are a theatrical theater vehicle. They're not in TV. So

0:26:08.920 --> 0:26:11.240
<v Speaker 1>to be on Scandal where people got I mean, Jeff

0:26:11.240 --> 0:26:15.640
<v Speaker 1>Perry's character fits his character Olivia huck Joe Morton. Everybody

0:26:15.920 --> 0:26:21.000
<v Speaker 1>got beautiful monologues, and they trusted the actors to be

0:26:21.040 --> 0:26:24.639
<v Speaker 1>able to hold the screen like for minutes alone, like

0:26:24.720 --> 0:26:27.320
<v Speaker 1>not popping back and forth around between people. It's just

0:26:27.600 --> 0:26:31.240
<v Speaker 1>like like mouthwatering monologues like we would. I remember always

0:26:31.240 --> 0:26:34.280
<v Speaker 1>being so excited when we would get our monologues. I

0:26:34.320 --> 0:26:36.040
<v Speaker 1>mean we'd be sort of scared. In the beginning. We

0:26:36.040 --> 0:26:37.520
<v Speaker 1>were like, oh my god, it's so many words. But

0:26:37.560 --> 0:26:40.359
<v Speaker 1>then it was like reciting us soliloquy. It was just

0:26:40.520 --> 0:26:43.680
<v Speaker 1>so so good. It was so satisfying to to say

0:26:43.720 --> 0:26:46.080
<v Speaker 1>the words. But also in this scene, I'm glad they

0:26:46.080 --> 0:26:49.280
<v Speaker 1>didn't go for like the cookie cutter sort of angle.

0:26:49.720 --> 0:26:55.199
<v Speaker 1>Before we see Melly consoling missus Drake, Olivia is telling

0:26:55.720 --> 0:26:58.040
<v Speaker 1>Missus Drake just say thank you. Just say thank you

0:26:58.040 --> 0:27:00.560
<v Speaker 1>to everybody, just you know, just look them and say

0:27:00.560 --> 0:27:03.960
<v Speaker 1>thank you. But in that moment, Loring Toussan's character tells

0:27:04.000 --> 0:27:06.840
<v Speaker 1>Mellie he was cheating on me or whatever she says.

0:27:06.880 --> 0:27:09.200
<v Speaker 1>It's real, Like that's real life. I feel like that's

0:27:09.520 --> 0:27:11.320
<v Speaker 1>what a woman would do in that moment and be like,

0:27:11.359 --> 0:27:14.600
<v Speaker 1>fuck that shit, he was cheating on me, the freaking cheater.

0:27:14.920 --> 0:27:17.239
<v Speaker 1>It was just such a real moment. It snaps you

0:27:17.280 --> 0:27:19.880
<v Speaker 1>out of show for a second because you're like, oh shit,

0:27:20.040 --> 0:27:23.080
<v Speaker 1>like this is she's telling her the truth. It's so good,

0:27:23.080 --> 0:27:25.880
<v Speaker 1>it's so juicy, it's so great, it's so good those

0:27:25.880 --> 0:27:31.040
<v Speaker 1>two ladies are. They're so fucking good together. And who

0:27:31.080 --> 0:27:34.840
<v Speaker 1>better to console like right for missus Drake than Mellie,

0:27:34.880 --> 0:27:37.880
<v Speaker 1>who is you know, experiencing the same thing with Olivia

0:27:37.920 --> 0:27:42.159
<v Speaker 1>and her husband. Yeah, and then I wrote down David

0:27:42.280 --> 0:27:48.480
<v Speaker 1>Rosen gets canned. M he sure does. Oh god, we

0:27:48.520 --> 0:27:53.080
<v Speaker 1>are about to embark on season two should just be

0:27:53.240 --> 0:28:00.880
<v Speaker 1>called let's shot on David Rosen the entire season which

0:28:01.320 --> 0:28:08.040
<v Speaker 1>guys gladiators, Let's get humped. This guy gets fucked not

0:28:08.200 --> 0:28:11.560
<v Speaker 1>in a good way, right and left, Like this guy

0:28:11.800 --> 0:28:19.160
<v Speaker 1>gets fired. Dead body shows up in his bed scared. Yes,

0:28:19.240 --> 0:28:23.040
<v Speaker 1>people are hunting him down. He's us It is a

0:28:23.200 --> 0:28:26.440
<v Speaker 1>mess his life. This is the beginning of the worst

0:28:26.840 --> 0:28:29.920
<v Speaker 1>shit ever for this guy. So let's put a pause

0:28:29.960 --> 0:28:32.760
<v Speaker 1>on that. Yeah, and also, just real quick, the gentleman

0:28:32.760 --> 0:28:37.000
<v Speaker 1>who fires David Rosen. The actor's name is Sam McMurray,

0:28:37.040 --> 0:28:39.760
<v Speaker 1>who is another I think Katie. When I looked him up,

0:28:39.760 --> 0:28:43.640
<v Speaker 1>he had like one hundred and ninety nine credits, film credits,

0:28:43.640 --> 0:28:45.959
<v Speaker 1>and TV credits. Yes, and I've done two things with him.

0:28:46.000 --> 0:28:48.680
<v Speaker 1>I did a show called United We Fall with him,

0:28:49.160 --> 0:28:51.160
<v Speaker 1>and I did a movie called Second Serve with him.

0:28:51.200 --> 0:28:53.240
<v Speaker 1>He's all. He was also in Adams Family Values, he

0:28:53.280 --> 0:28:57.120
<v Speaker 1>was on The Golden Girls, he was on Miami Vice. Yes. Anyway,

0:28:57.200 --> 0:29:00.280
<v Speaker 1>this actor is amazing. His name is Sam McMurray. He's

0:29:00.320 --> 0:29:02.479
<v Speaker 1>one of those I've never known him. I didn't work

0:29:02.480 --> 0:29:03.959
<v Speaker 1>with him on the Skin of but when I watched this,

0:29:04.040 --> 0:29:05.560
<v Speaker 1>I was like, oh my god, that dude. He's one

0:29:05.560 --> 0:29:12.400
<v Speaker 1>of those dudes that has literally been in fucking everything. Yes, yes, um, okay,

0:29:12.800 --> 0:29:15.360
<v Speaker 1>that's There's an emotional scene in the episode where the

0:29:15.440 --> 0:29:18.840
<v Speaker 1>wife grabs the mistress and her son and takes everybody

0:29:18.880 --> 0:29:21.880
<v Speaker 1>goes up to the caskets to say goodbye to Pastor Drake,

0:29:21.920 --> 0:29:26.400
<v Speaker 1>and it's so listen emotional and great. It's I don't

0:29:26.440 --> 0:29:29.600
<v Speaker 1>know if Mercury is in retrograde this month, but I

0:29:29.760 --> 0:29:32.880
<v Speaker 1>fucking sobbed again watching this episode. In that moment when

0:29:32.920 --> 0:29:35.880
<v Speaker 1>she grabs her out of the pew and she's like

0:29:36.240 --> 0:29:38.719
<v Speaker 1>come like she grabs her and like pulls it like

0:29:38.720 --> 0:29:41.520
<v Speaker 1>like tugs in her closest man and we are going

0:29:41.560 --> 0:29:44.200
<v Speaker 1>to say goodbye to him and bury him. Oh my gosh,

0:29:44.520 --> 0:29:47.520
<v Speaker 1>oh so good. And can we talk for a second

0:29:47.520 --> 0:29:52.840
<v Speaker 1>about Elise Neil. Elise Neil was in Screen Too, directed

0:29:52.840 --> 0:29:56.160
<v Speaker 1>by Wes Craven. She played She played one of the friends,

0:29:56.240 --> 0:29:59.280
<v Speaker 1>one of Sydney's friends in the beginning of the film,

0:29:59.320 --> 0:30:01.640
<v Speaker 1>and then I believe she gets murdered. I have to

0:30:01.640 --> 0:30:04.760
<v Speaker 1>go back and watch it. But also, um scream. She's

0:30:04.800 --> 0:30:07.520
<v Speaker 1>in Scream two. And Scott Foley is actually in Scream three.

0:30:07.920 --> 0:30:11.840
<v Speaker 1>Why he's the killer in Scream three. Yes, see, I

0:30:11.840 --> 0:30:14.320
<v Speaker 1>don't watch horror movies because I'm terrified and hate them

0:30:14.320 --> 0:30:20.040
<v Speaker 1>and so scared. Yeah, I had no idea. Yeah, Scream three.

0:30:20.680 --> 0:30:25.240
<v Speaker 1>That scene is beautiful, Yes, beautiful, And they follow it

0:30:25.320 --> 0:30:28.440
<v Speaker 1>up with an amazing another great scene between Mellie and

0:30:28.480 --> 0:30:31.760
<v Speaker 1>Fits where they're in the limo and Mellie is just like,

0:30:31.800 --> 0:30:33.760
<v Speaker 1>you have to forgive me, you have to forgive me,

0:30:33.800 --> 0:30:36.280
<v Speaker 1>you have to forgive me, like because they're like our

0:30:36.320 --> 0:30:38.360
<v Speaker 1>friend of ours just died, like either of us could

0:30:38.400 --> 0:30:41.640
<v Speaker 1>die tomorrow. And he's like, I forgive you, and they kiss,

0:30:41.720 --> 0:30:43.640
<v Speaker 1>but then they as soon as they sort of kiss

0:30:43.680 --> 0:30:46.000
<v Speaker 1>and hug, not a real kiss, it's like a peck yeah,

0:30:46.120 --> 0:30:48.200
<v Speaker 1>and like a quick hug. And then they move back

0:30:48.240 --> 0:30:50.640
<v Speaker 1>apart to the opposite sides of the windows in the

0:30:50.800 --> 0:30:52.720
<v Speaker 1>in the limo, and it's like, my god, these people

0:30:52.760 --> 0:30:55.440
<v Speaker 1>are so fucking broken. Well, mostly Fits, right, Fits is

0:30:55.520 --> 0:30:57.280
<v Speaker 1>kind of the one. He's like holding your and telling

0:30:57.280 --> 0:30:59.200
<v Speaker 1>me I forgive you, and then he goes back to

0:30:59.240 --> 0:31:02.640
<v Speaker 1>his paperwork and he's like, hello, Yeah, She's like this

0:31:02.720 --> 0:31:07.080
<v Speaker 1>relationship is fucked. Oh and she's pregnant. And she's pregnant Katie.

0:31:07.080 --> 0:31:09.080
<v Speaker 1>This is one of those moments which I'm embarrassed to say.

0:31:09.080 --> 0:31:11.200
<v Speaker 1>I was like, what is she asking him to forgive

0:31:11.240 --> 0:31:14.720
<v Speaker 1>her for? I know? Is it because just all the

0:31:15.000 --> 0:31:18.000
<v Speaker 1>does he know about He doesn't know about Cytron and

0:31:18.040 --> 0:31:22.480
<v Speaker 1>all that stuff yet, right, No, but she well, well

0:31:22.560 --> 0:31:26.200
<v Speaker 1>she knows because she rigged the election, right, she knows

0:31:26.320 --> 0:31:31.240
<v Speaker 1>about that. He This is what happened. They're starting this

0:31:31.280 --> 0:31:33.880
<v Speaker 1>season two storyline where they're trying to push Fits into

0:31:33.960 --> 0:31:36.520
<v Speaker 1>a war that it seems like he doesn't want in Sudan,

0:31:37.480 --> 0:31:40.920
<v Speaker 1>and somebody mocks up even goes so far as to

0:31:40.960 --> 0:31:44.320
<v Speaker 1>like mock up of photo in this episode of Sudanese

0:31:44.400 --> 0:31:48.440
<v Speaker 1>children who have been like murdered, and everyone's pushing for

0:31:48.520 --> 0:31:52.520
<v Speaker 1>this war, and even Mellie makes a play to push

0:31:52.560 --> 0:31:55.000
<v Speaker 1>him into war, and he is like, fuck you, you

0:31:55.040 --> 0:31:58.840
<v Speaker 1>can't fucking do that. But Mellie, because she's a political animal,

0:31:59.200 --> 0:32:03.760
<v Speaker 1>she's always also angling for like what she wants the

0:32:03.840 --> 0:32:06.320
<v Speaker 1>presidency to be doing and which they want to make

0:32:06.360 --> 0:32:08.840
<v Speaker 1>and so when she's asking for forgiveness, she's like, I overstepped.

0:32:08.840 --> 0:32:11.040
<v Speaker 1>I overstepped. I'm sorry, Please forgive me. What happened to us?

0:32:11.040 --> 0:32:12.800
<v Speaker 1>What happened to us? We used to just be like

0:32:12.840 --> 0:32:14.960
<v Speaker 1>a little couple that like had sex in like our

0:32:15.000 --> 0:32:19.960
<v Speaker 1>one bedroom apartment. And he's like, I forgive you. And

0:32:19.960 --> 0:32:22.880
<v Speaker 1>then he's like, but I don't like you. But I

0:32:22.920 --> 0:32:27.120
<v Speaker 1>don't like you. I don't like your ass um We

0:32:27.440 --> 0:32:31.200
<v Speaker 1>end we're starting to end the episode with you have

0:32:31.440 --> 0:32:34.440
<v Speaker 1>your I go back to my AA meeting where it's

0:32:34.440 --> 0:32:38.120
<v Speaker 1>a yeah. And now the difference in the episode is

0:32:38.200 --> 0:32:40.800
<v Speaker 1>because Kerry just Olivia just worked on this case and

0:32:40.840 --> 0:32:44.440
<v Speaker 1>she sees that the mistress never really gets shit when

0:32:44.480 --> 0:32:46.440
<v Speaker 1>Fitz keeps trying to call her and call her and

0:32:46.480 --> 0:32:51.000
<v Speaker 1>call her for their usually nightly phone sex. Hang, she

0:32:51.120 --> 0:32:53.560
<v Speaker 1>don't pick up you don't pick up that phone. And

0:32:53.600 --> 0:32:56.720
<v Speaker 1>then we moved to a scene where Jeff Perry is like, no, no,

0:32:56.840 --> 0:32:58.760
<v Speaker 1>you can't have a baby because I have a baby

0:32:58.760 --> 0:33:01.720
<v Speaker 1>and his name is Fitzgerald. He's a little baby bitch.

0:33:03.680 --> 0:33:07.440
<v Speaker 1>And then they fuck and then Dan is like, whoa

0:33:07.640 --> 0:33:10.720
<v Speaker 1>that turns me on? Yeah, power Cyrus is so hot?

0:33:10.840 --> 0:33:14.320
<v Speaker 1>Yeah right or something like that. Is it an from

0:33:14.320 --> 0:33:18.240
<v Speaker 1>a gay man's point of view? Do you think in

0:33:18.320 --> 0:33:22.720
<v Speaker 1>their relationship that it is clear who's top and whose bottom? No,

0:33:22.960 --> 0:33:25.440
<v Speaker 1>it's not. I was thinking about that too. I was like,

0:33:25.440 --> 0:33:29.400
<v Speaker 1>who's the top? Sometimes it's the unexpected one sometime, so

0:33:29.440 --> 0:33:33.640
<v Speaker 1>I would say, yeah, where you're like, oh shit, James

0:33:33.760 --> 0:33:38.160
<v Speaker 1>is the top. That's the feeling I got. Yeah, yeah, yeah,

0:33:38.360 --> 0:33:42.600
<v Speaker 1>seeing that Cyrus was a bottom, Yes, But you just

0:33:42.720 --> 0:33:47.600
<v Speaker 1>blew my mind because I would think stereotypically being a

0:33:47.680 --> 0:33:52.840
<v Speaker 1>boring breeder as I am myself, and they listen, if

0:33:52.840 --> 0:33:54.479
<v Speaker 1>it wasn't for a couple of breeders, none of our

0:33:55.840 --> 0:33:58.040
<v Speaker 1>should we even be here anymore? I don't know, but listen.

0:33:58.560 --> 0:34:01.200
<v Speaker 1>I watched that scene and I'm like, okay, Like, obviously

0:34:01.280 --> 0:34:05.920
<v Speaker 1>Cyrus is a power top and Dan is a bottom,

0:34:06.040 --> 0:34:09.400
<v Speaker 1>but there's also explained to people you can also be

0:34:09.480 --> 0:34:12.880
<v Speaker 1>in a relationship where people switch no of course, yeah yeah, yeah,

0:34:12.920 --> 0:34:17.400
<v Speaker 1>and relationships where you know, intercourse, like you know, fucking

0:34:17.560 --> 0:34:19.279
<v Speaker 1>is not even a thing you do. There's so many,

0:34:19.800 --> 0:34:21.719
<v Speaker 1>you know, ton of other stuff jobs all day, all

0:34:21.760 --> 0:34:27.919
<v Speaker 1>night exactly. Yeah, give a handy blow job, sir. We're

0:34:27.960 --> 0:34:30.160
<v Speaker 1>both talking like a little bit hesitantly because we don't

0:34:30.160 --> 0:34:32.080
<v Speaker 1>know how fun if this was me and Katie, like

0:34:32.160 --> 0:34:33.719
<v Speaker 1>at my house or at her house, we'll be like,

0:34:33.840 --> 0:34:37.960
<v Speaker 1>my god, we might get there in the podcast, we might.

0:34:38.840 --> 0:34:41.239
<v Speaker 1>Can you hit us up and let us know how

0:34:41.280 --> 0:34:44.640
<v Speaker 1>interested you are in hearing real dirty shit out of

0:34:44.640 --> 0:34:46.520
<v Speaker 1>our mouth or is it, like you know what, Let's

0:34:46.560 --> 0:34:49.160
<v Speaker 1>keep this a little bit scandal style, which is like

0:34:49.200 --> 0:34:53.160
<v Speaker 1>a ten PM, not like a one am exactly. Go

0:34:53.239 --> 0:34:56.320
<v Speaker 1>get a snack, take a crap, and come right back.

0:35:00.760 --> 0:35:05.840
<v Speaker 1>Verna Thornton we meet her in this episode. Debor Mooney

0:35:06.000 --> 0:35:08.600
<v Speaker 1>is such fucking actress and we get so much of

0:35:08.680 --> 0:35:11.879
<v Speaker 1>Debor Mooney this season. This is just the beginning. This

0:35:11.960 --> 0:35:15.000
<v Speaker 1>is the beginning for her. Yeah, and she's amazing and

0:35:15.040 --> 0:35:17.320
<v Speaker 1>we have to have her on, especially for the episode

0:35:17.320 --> 0:35:20.480
<v Speaker 1>where she Um, well, I don't know who's got that

0:35:20.480 --> 0:35:22.520
<v Speaker 1>episode is so important. We're not gonna get there yet,

0:35:22.520 --> 0:35:24.760
<v Speaker 1>We're not. You just gotta keep listening to our podcast.

0:35:26.520 --> 0:35:31.000
<v Speaker 1>We reveal the end cliffhanger of this episode two o two,

0:35:31.920 --> 0:35:38.839
<v Speaker 1>with David just fucking beautiful minding his apartment. Yes, he's

0:35:38.880 --> 0:35:40.680
<v Speaker 1>just Oh I think it was called in the script

0:35:40.800 --> 0:35:44.560
<v Speaker 1>wall Oh crazy? Oh really? How do you remember that?

0:35:44.640 --> 0:35:48.560
<v Speaker 1>I have this weird memory of like David's wall of crazy.

0:35:49.120 --> 0:35:51.960
<v Speaker 1>It's just like he's just got a wall because they

0:35:52.040 --> 0:35:54.000
<v Speaker 1>kept being like, you don't want Abby to walk in

0:35:54.000 --> 0:35:56.360
<v Speaker 1>and see the wall of crazy. Or maybe it's Brenda

0:35:56.480 --> 0:36:00.879
<v Speaker 1>Song's character later on become that holds it a wall.

0:36:01.120 --> 0:36:05.920
<v Speaker 1>Maybe maybe Yeah, but it mimics like our wall at OPA,

0:36:06.000 --> 0:36:09.080
<v Speaker 1>right because we put up all the people's photo he's

0:36:09.120 --> 0:36:13.600
<v Speaker 1>not like strings and yeah yeah yeah yeah. But also

0:36:13.719 --> 0:36:16.279
<v Speaker 1>I don't want us to forget. There's a moment with

0:36:17.160 --> 0:36:21.319
<v Speaker 1>you with Quinn in the apartment watching the president give

0:36:21.400 --> 0:36:24.960
<v Speaker 1>the speech at the eulogy at the funeral, and you

0:36:25.120 --> 0:36:29.400
<v Speaker 1>so beautifully break down, sobbing. Oh Katie, that was such

0:36:29.400 --> 0:36:32.040
<v Speaker 1>a great scene. Yes, because you're mate, I feel like

0:36:32.040 --> 0:36:34.399
<v Speaker 1>you're obviously we talked about it earlier. You're making your

0:36:34.400 --> 0:36:37.480
<v Speaker 1>peace with with your life. You're you. Part of you

0:36:37.640 --> 0:36:40.080
<v Speaker 1>is dying as well. That eulogy is for you too,

0:36:40.160 --> 0:36:45.239
<v Speaker 1>you know Lindaire died Yeah, after Tearstead. I love the

0:36:45.360 --> 0:36:49.560
<v Speaker 1>question mark. Possibly, I don't know. You tell me. I

0:36:49.600 --> 0:36:51.799
<v Speaker 1>can't remember if I hadn't in me that day or not.

0:36:52.160 --> 0:36:55.600
<v Speaker 1>Some days obviously g and I remember really well, like

0:36:55.680 --> 0:36:59.400
<v Speaker 1>Amanda Tanner's more ex we were a ball of crying

0:36:59.480 --> 0:37:02.120
<v Speaker 1>and of emotions and yes, and then there are some

0:37:02.280 --> 0:37:04.400
<v Speaker 1>I can't remember if I had it that day well,

0:37:04.400 --> 0:37:07.600
<v Speaker 1>tearstick or not. It was a beautiful, beautiful moment and

0:37:08.000 --> 0:37:11.319
<v Speaker 1>and just just that being revealed, and you get that

0:37:11.360 --> 0:37:14.280
<v Speaker 1>comes across so beautifully that you're like, oh, she's mourning.

0:37:14.600 --> 0:37:18.120
<v Speaker 1>She's mourning, Lindsay Dwyer, like Quinn is mourning her old self.

0:37:18.600 --> 0:37:25.840
<v Speaker 1>Just a great scene, by bye, my main Dyer, Lindsay Dwyer.

0:37:27.080 --> 0:37:29.280
<v Speaker 1>Fun fact about this episode. This is a horror heavy

0:37:29.320 --> 0:37:32.360
<v Speaker 1>guest cast, isn't it. Gee, we already knew that. We

0:37:32.400 --> 0:37:36.600
<v Speaker 1>already talked about that. Elise neil Anna Gordon plays Hallie

0:37:36.600 --> 0:37:38.840
<v Speaker 1>and Scream Too, which is directed by Wes Craven. Have

0:37:38.960 --> 0:37:41.800
<v Speaker 1>you ever worked with Wes Craven. I haven't and unfortunately

0:37:41.800 --> 0:37:44.759
<v Speaker 1>he's passed on now, but that was one of my

0:37:44.880 --> 0:37:49.799
<v Speaker 1>dream directors. Yeah. So the other horror heavy, the horror

0:37:49.840 --> 0:37:54.040
<v Speaker 1>fun fact Guermo is that the house that Anna, the

0:37:54.160 --> 0:37:56.440
<v Speaker 1>character and the mistress lives in in this house is

0:37:56.440 --> 0:37:58.600
<v Speaker 1>the house from a Nightmare on Elm Street, which is

0:37:58.600 --> 0:38:00.719
<v Speaker 1>also directed by Wes Craven. So there was just a

0:38:00.760 --> 0:38:04.799
<v Speaker 1>lot of horror shit going on. Yes, if people people

0:38:04.840 --> 0:38:08.640
<v Speaker 1>from California know this house is it's there's always people

0:38:08.680 --> 0:38:10.920
<v Speaker 1>out front taking pictures. It's the it's the exterior of

0:38:11.000 --> 0:38:15.120
<v Speaker 1>the house where Nancy lived in Nightmare on Elm Street. Anyway,

0:38:15.160 --> 0:38:17.680
<v Speaker 1>that's such a great fun fact board. Would I never

0:38:17.760 --> 0:38:20.920
<v Speaker 1>know that because I would never watch that movie, right m.

0:38:21.680 --> 0:38:24.040
<v Speaker 1>One other fun fact list that needs to be brought

0:38:24.120 --> 0:38:26.200
<v Speaker 1>up is that this episode is designed to be a

0:38:26.239 --> 0:38:29.280
<v Speaker 1>mirror for Olivia and fits his relationship through the appearance

0:38:29.320 --> 0:38:32.920
<v Speaker 1>of Pastor Drake's infidelities. But the use of mirrord elements

0:38:33.000 --> 0:38:35.600
<v Speaker 1>is apparent even throughout the episode. The episode begins and

0:38:35.840 --> 0:38:38.640
<v Speaker 1>ends almost with a phone call from Fits. That's mirror one.

0:38:39.000 --> 0:38:41.680
<v Speaker 1>David Rose's home is a wall of mirrors. The board

0:38:41.680 --> 0:38:45.600
<v Speaker 1>in OPA office. Oh right, David Rosen's wall of crazy mirrors,

0:38:45.640 --> 0:38:49.320
<v Speaker 1>like you said, gr board of the OPA office. Mellie's

0:38:50.000 --> 0:38:53.320
<v Speaker 1>her beg to fits uses almost the exact same words

0:38:53.360 --> 0:38:56.719
<v Speaker 1>as he does to Olivia sh another mirror, and then

0:38:56.880 --> 0:39:00.520
<v Speaker 1>Vincent Anna and Pastor Drake's son is the spitting image

0:39:00.560 --> 0:39:05.440
<v Speaker 1>of his father. So the whole episodes theme, yes, is

0:39:05.600 --> 0:39:21.279
<v Speaker 1>mirror and didn't we learn a lot today? Are there

0:39:21.320 --> 0:39:23.680
<v Speaker 1>any fun Scandal tweets at the time to wrap up

0:39:23.719 --> 0:39:26.480
<v Speaker 1>episode two or two? Let's see here, Let's see what

0:39:26.560 --> 0:39:30.120
<v Speaker 1>we got here through. Oh, there's really cute. Oh my god,

0:39:30.160 --> 0:39:33.399
<v Speaker 1>there's a flashback photo that Mary tweeted on October fourth

0:39:33.400 --> 0:39:36.680
<v Speaker 1>of twenty twelve, episode two of two. Crew screening of

0:39:36.719 --> 0:39:40.560
<v Speaker 1>ABC Scandal during lunch. You guys, we used to screen

0:39:40.880 --> 0:39:45.640
<v Speaker 1>episodes during the crew during lunch in our big like

0:39:46.080 --> 0:39:48.440
<v Speaker 1>conference room that was where we did all of our

0:39:48.440 --> 0:39:50.120
<v Speaker 1>table reads, where there were just a ton of old

0:39:50.160 --> 0:39:52.719
<v Speaker 1>school folding chairs. They used to put it like two

0:39:52.840 --> 0:39:57.600
<v Speaker 1>or three big screen TVs on like rolling things, and

0:39:57.719 --> 0:40:00.200
<v Speaker 1>the whole crew would gather instead of like taking punch

0:40:00.239 --> 0:40:02.439
<v Speaker 1>and like taking a break of their own, everyone would

0:40:02.480 --> 0:40:04.399
<v Speaker 1>gather and watch the episodes together, Like, who the fuck

0:40:04.520 --> 0:40:07.759
<v Speaker 1>does that? That's so rare on like the crew on

0:40:07.800 --> 0:40:09.359
<v Speaker 1>a show or a movie. I mean, of course they're

0:40:09.400 --> 0:40:11.480
<v Speaker 1>there and they're amazing, but the last thing I think

0:40:11.480 --> 0:40:13.000
<v Speaker 1>they want to do is go and watch like a

0:40:13.160 --> 0:40:15.080
<v Speaker 1>you know, a screening of the episode. But it would

0:40:15.200 --> 0:40:18.720
<v Speaker 1>hype people up so much because the show is so hot,

0:40:18.760 --> 0:40:20.839
<v Speaker 1>that people would just be like, oh my god, we're

0:40:20.840 --> 0:40:24.279
<v Speaker 1>working on the most amazing show. It would just everybody up.

0:40:24.320 --> 0:40:26.879
<v Speaker 1>It was dope. Yeah. I just love this photo most

0:40:26.880 --> 0:40:30.120
<v Speaker 1>of all, guys, This Mary Howard photo of the crew screening.

0:40:30.200 --> 0:40:33.760
<v Speaker 1>It just everyone's arms are up and smiling and laughing

0:40:33.880 --> 0:40:37.759
<v Speaker 1>and like it's from every department. I miss all those

0:40:37.800 --> 0:40:40.719
<v Speaker 1>people so much. Hey, maybe some of the crews listening today.

0:40:40.719 --> 0:40:42.920
<v Speaker 1>If some of the crews listening today, we love you, guys,

0:40:42.960 --> 0:40:49.239
<v Speaker 1>We miss you. Episode two oh three is next week.

0:40:50.320 --> 0:40:54.399
<v Speaker 1>Episode two oh three is called Hunting Season. Oh yes,

0:40:54.800 --> 0:40:57.520
<v Speaker 1>oh my goodness. Hopefully we've got we've got a guest

0:40:57.560 --> 0:40:59.480
<v Speaker 1>coming on. But if not, Episode two or three is

0:40:59.520 --> 0:41:03.200
<v Speaker 1>one of my favorite episodes of season two. Yeah, there's

0:41:03.200 --> 0:41:08.959
<v Speaker 1>a lot of fucking camp David and Goldwin, like chopping wood. Yes, yeah,

0:41:09.640 --> 0:41:11.680
<v Speaker 1>say no more. Maybe I think he chops wood. But

0:41:11.680 --> 0:41:13.960
<v Speaker 1>if he doesn't chop wood, I know he laces up

0:41:14.040 --> 0:41:18.719
<v Speaker 1>Olivia's hunting boots really angrily. Yeah, because they're supposed to

0:41:18.719 --> 0:41:22.239
<v Speaker 1>go hunting and she gets summoned to Camp David because

0:41:22.239 --> 0:41:24.080
<v Speaker 1>he's so fucking pissed off that she's not answering his

0:41:24.120 --> 0:41:26.839
<v Speaker 1>phone calls. And it's really steamy and it's really fucking

0:41:26.880 --> 0:41:30.040
<v Speaker 1>hot and it's really angry. And so episode two or

0:41:30.040 --> 0:41:32.520
<v Speaker 1>three Hunting Season will be next week. Tune in, tell

0:41:32.600 --> 0:41:37.359
<v Speaker 1>your friends, subscribe Scandal Rewatch podcast Unpacking the Toolbox. Yes,

0:41:38.040 --> 0:41:40.239
<v Speaker 1>we'll be here, we'll be here, and hopefully you guys

0:41:40.239 --> 0:41:44.840
<v Speaker 1>will you go. Gee, let's talk about how many people

0:41:45.080 --> 0:41:47.160
<v Speaker 1>we've had sex with? And by that, I'm saying how

0:41:47.200 --> 0:41:49.880
<v Speaker 1>many people? How many numbers? Feeling like we're going to

0:41:49.920 --> 0:41:53.000
<v Speaker 1>talk about her IMDb numbers. How many numbers do we got?

0:41:53.960 --> 0:41:59.759
<v Speaker 1>Oh my god, Gero, you have a hundred and four

0:42:00.520 --> 0:42:04.439
<v Speaker 1>and that's including seven to eight years being on one job,

0:42:04.719 --> 0:42:11.720
<v Speaker 1>crazy crazy, crazy crazy. Hey, that's pretty good. Okay, Okay,

0:42:11.800 --> 0:42:14.800
<v Speaker 1>so let it be here known first. That's right, she

0:42:15.000 --> 0:42:17.279
<v Speaker 1>might have one hundred and four. I AMDB credits. I'm

0:42:17.280 --> 0:42:19.359
<v Speaker 1>not only a fifty but I am more famous than

0:42:19.400 --> 0:42:25.000
<v Speaker 1>Gamo by like, yeah, nothing, you better tell somebody, but

0:42:25.080 --> 0:42:28.520
<v Speaker 1>that's today, Garmo. If you just release a sex tape tonight,

0:42:29.880 --> 0:42:35.680
<v Speaker 1>that number will go way down. Oh my god, Okay,

0:42:35.960 --> 0:42:39.239
<v Speaker 1>that's starting. Bullshit used to make me ill. Like I

0:42:39.280 --> 0:42:42.520
<v Speaker 1>remember in my twenties auditioning and being like this dude

0:42:42.520 --> 0:42:45.080
<v Speaker 1>I broke up with, Like, I was so angry and

0:42:45.120 --> 0:42:48.640
<v Speaker 1>my friend was like, well, whatever you're starting is way

0:42:48.680 --> 0:42:51.759
<v Speaker 1>better than his. Are you serious? Oh my god? And

0:42:51.800 --> 0:42:53.080
<v Speaker 1>I was like I can never look at this again.

0:42:53.560 --> 0:42:58.799
<v Speaker 1>This is not healthy. Well, today's episode was really really exciting.

0:42:59.160 --> 0:43:02.560
<v Speaker 1>We had the best time as usual and listen to

0:43:02.600 --> 0:43:06.200
<v Speaker 1>the two most famous people in the world talk about

0:43:05.640 --> 0:43:09.440
<v Speaker 1>past all I mean talk about Scandal episodes two h three.

0:43:09.520 --> 0:43:11.600
<v Speaker 1>Hunting Season will be next week. Tell your friends, Tell

0:43:11.640 --> 0:43:14.719
<v Speaker 1>your loved ones. I love you, Germel, I love you.

0:43:14.840 --> 0:43:20.360
<v Speaker 1>Katie Lows, not Katie Lows Shapiro, just Katie total vanity,

0:43:20.520 --> 0:43:23.359
<v Speaker 1>just like my name better right. Hell yeah, well you

0:43:23.400 --> 0:43:27.279
<v Speaker 1>are pretty famous, so that star meter would go up

0:43:28.120 --> 0:43:33.120
<v Speaker 1>if you took Shapiro. Maybe. Gladiators, We love you, We

0:43:33.280 --> 0:43:38.680
<v Speaker 1>love you guys. Bye, Thank you guys for joining us

0:43:38.680 --> 0:43:42.680
<v Speaker 1>on unpacking the Toolbox. If you enjoyed the show, please subscribe,

0:43:42.760 --> 0:43:45.520
<v Speaker 1>share with your friends, rate, or leave us a review.

0:43:45.719 --> 0:43:49.600
<v Speaker 1>Scandal is executive produced by Sandy Bailey, alex Alcha, Lauren Homan,

0:43:49.920 --> 0:43:53.680
<v Speaker 1>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:43:53.760 --> 0:43:57.320
<v Speaker 1>Vince to Johnny, with music by Chad Fisher. Scandal is

0:43:57.320 --> 0:44:00.279
<v Speaker 1>a production of ABC Signature, and you can follow along

0:44:00.360 --> 0:44:03.279
<v Speaker 1>by rewatching Scandal on Hulu. Unpacking the Toolbox is a

0:44:03.320 --> 0:44:06.799
<v Speaker 1>production of Shondaland Audio in partnership with iHeartRadio. For more

0:44:06.800 --> 0:44:10.480
<v Speaker 1>podcasts from Shondaland Audio, visit the iHeartRadio app or anywhere

0:44:10.520 --> 0:44:12.120
<v Speaker 1>you subscribe to your favorite shows.