WEBVTT - Giulia Tofana: World's Most Dangerous Apothecary

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<v Speaker 1>Welcome to Criminalia, a production of Shonda Land Audio in

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<v Speaker 1>partnership with I Heart Radio. Hello, and welcome to Criminalia.

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<v Speaker 1>I'm a Holly Fry and Marquis and this week we

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<v Speaker 1>are going to look at the life of Julia to Fauna,

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<v Speaker 1>an Italian apothecary known for her beauty, her secrecy, and

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<v Speaker 1>her poisonous proclivities. If the numbers are all to be believed,

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<v Speaker 1>she might be the most successful serial killer that you

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<v Speaker 1>have never heard of. But unlike many of the women

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<v Speaker 1>we've talked about and we'll talk about on this show,

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<v Speaker 1>Julia wasn't in it for a personal power grap She's

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<v Speaker 1>best known as having invented a famous poison called Akuata fauna,

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<v Speaker 1>and that perhaps sounds more like a light submarine fragrance

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<v Speaker 1>rather than what it really was, because it was a

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<v Speaker 1>deadly potion laced with arsenic belladonna and lead that she

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<v Speaker 1>sold two hundreds of women. Those are primarily women who

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<v Speaker 1>wanted to escape dangerous marriages, and when we say dangerous,

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<v Speaker 1>we are talking about abuse. So let's set her scene.

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<v Speaker 1>This was during the Italian Renaissance, which was an era

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<v Speaker 1>of enlightenment and achievement between the fourteenth and seventeenth centuries,

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<v Speaker 1>but not for women. For women, this was still really

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<v Speaker 1>a dark time of arranged marriage, and that was marriage

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<v Speaker 1>that did not have a possibility of divorce. No matter

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<v Speaker 1>what the situation, women found themselves with no financial or

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<v Speaker 1>social power, and they really only had a few available options.

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<v Speaker 1>So one they could get married, Two they could stay

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<v Speaker 1>single and rely on something like sex work to survive.

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<v Speaker 1>Or three they could become a well off widow, which

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<v Speaker 1>naturally required option one to happen first. Often, marriages at

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<v Speaker 1>this time were decided based on how the families financial

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<v Speaker 1>or political interests aligned. Love was really not part of

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<v Speaker 1>the equation at all. Not only did women not have

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<v Speaker 1>a say regarding who they were married to, they were

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<v Speaker 1>also considered legally subject to their husband's and a husband

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<v Speaker 1>could beat his wife without any fear of punishment. So

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<v Speaker 1>the only way out was to become a widow. Although

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<v Speaker 1>many women at this time were skilled in making some

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<v Speaker 1>common medicinal home remedies are Julius spent a lot of

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<v Speaker 1>time in and out of apothecaries, watching and learning as

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<v Speaker 1>they made their medicines and potions, so by this time,

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<v Speaker 1>for instance, in an an apothecary would know remedies like

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<v Speaker 1>how to treat heartburn with chalk, which is really similar

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<v Speaker 1>to how we treat it with Tom's Uh, it doesn't

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<v Speaker 1>just taste like chalk because of coincidence. Eventually, Julia ran

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<v Speaker 1>her own apothecary and developed her own potions. So up

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<v Speaker 1>until roughly the nineteenth century, apothecaries were kind of like

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<v Speaker 1>the common ancestor to our modern day pharmacies, hospitals, and

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<v Speaker 1>perhaps surprisingly our modern day liquor stores. Unlike today's pharmacists, though,

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<v Speaker 1>apothecaries would also distill, mix and prescribe both medications and

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<v Speaker 1>alcohol right there in house, and when tobacco was commonly

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<v Speaker 1>used in medical treatment, it too was sold through an apothecary.

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<v Speaker 1>So an apothecary had to have a combination of talents

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<v Speaker 1>and skills, including being a general physician, surgeon, dentist, obstetrician, optometrist.

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<v Speaker 1>The list just keeps going, um, But in this role,

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<v Speaker 1>they were available to provide medical advice and treatments to

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<v Speaker 1>the general public who wouldn't normally have access to such

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<v Speaker 1>a thing. In addition to preparing treatments, they also typically

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<v Speaker 1>sold the ingredients you'd need to make up a home

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<v Speaker 1>remedy as well as prepared goods and herbal medicines, and

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<v Speaker 1>they often took on apprentices and they trained both men

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<v Speaker 1>and women in the field. So, if he'll indulge us,

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<v Speaker 1>we'd like to go down a quick rabbit hole on

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<v Speaker 1>apothecary history, because the actual origins of this particular service

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<v Speaker 1>go way back, and you could debate where exactly on

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<v Speaker 1>the timeline it starts. Yeah, we know that as early

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<v Speaker 1>as two thousand BC, Ambersia now of China was prioritizing

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<v Speaker 1>the examination and the cataloging of hundreds of samples from nature,

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<v Speaker 1>so think of herbs, barks, roots, in order to develop

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<v Speaker 1>a database of how such things could be used medicinally.

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<v Speaker 1>Mesopotamia similarly had proto apothecaries figuring out how to extract

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<v Speaker 1>and combine and dose natural elements to address countless issues.

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<v Speaker 1>And they were recording all of this and in the

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<v Speaker 1>mid fifteen hundreds d c. And estimated eight hundred different

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<v Speaker 1>prescriptions were inscribed on the Ebbers pavirus in Egypt. At

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<v Speaker 1>that time, formulas are compounding medications were recorded, serving as

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<v Speaker 1>the ancestors to our modern day medicine. Ancient Egypt also

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<v Speaker 1>established and codified a hierarchy of professionals in the apothecary field.

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<v Speaker 1>So one class of job was defined for gathering, another

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<v Speaker 1>for compounding, and then there was a third category that

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<v Speaker 1>was the chief pharmacists. So I think it's fairly safe

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<v Speaker 1>to consider that an apothecary at this point. Right right

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<v Speaker 1>by the year one d c e. The idea of

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<v Speaker 1>a pharmacist botanist existed in the form of Greece's Padanias Discorides,

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<v Speaker 1>who wrote five volumes of books outlining the compounding and

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<v Speaker 1>uses of ointments, the uses of animal derived products in medicine,

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<v Speaker 1>and a fairly comprehensive god to botanicals and their uses

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<v Speaker 1>for treating maladies of almost every imaginable type, as well

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<v Speaker 1>as what sorts of vessels and containers were best for

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<v Speaker 1>holding all of these things, because that's important too. Yeah. Yeah.

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<v Speaker 1>He made notes about, like, things will go bad if

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<v Speaker 1>you store them in this kind of container. Store this

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<v Speaker 1>only in this kind of contain a lid. You know, well,

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<v Speaker 1>saran wrap, it'll be great. Um. And the first establishments

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<v Speaker 1>that you would probably consider a drug store actually popped

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<v Speaker 1>up in Baghdad in the late eighth century, where both

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<v Speaker 1>medicines and confections of various kinds, including everything you would

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<v Speaker 1>need to make cocktails, so they weren't called that at

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<v Speaker 1>the time would be found. That's fantastic. The pharmacological field

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<v Speaker 1>and Europe really got a boost in the thirteenth century

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<v Speaker 1>when Holy Roman Emperor Frederick Second introduced a series of

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<v Speaker 1>regulations into the field, and that started in the Kingdom

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<v Speaker 1>of Two Sicilies, which is what we would point to

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<v Speaker 1>today as Italy and Sicily. And at this point pharmacists

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<v Speaker 1>there started to be governed not only by regulations that

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<v Speaker 1>were put into effect by Frederick the Second, but they

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<v Speaker 1>also had to take an oath that they would not

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<v Speaker 1>exploit patients and that the drugs that they prepared were

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<v Speaker 1>both uniform and reliable. Well, the concept of a public

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<v Speaker 1>pharmacy spread rapidly throughout Europe from that point in the

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<v Speaker 1>Kingdom of Two Sicilies. It's not surprising that fifteenth century Italy,

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<v Speaker 1>especially in forward thinking Florence specifically, was where the first

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<v Speaker 1>Farm of Copia was written, called the Nuevo Receiptorio. And

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<v Speaker 1>during the Renaissance as well, nuns were learning and practicing

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<v Speaker 1>apothecary medicine in Italian convents, and they had a pretty

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<v Speaker 1>decent reputation among the medical community. So all of this

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<v Speaker 1>is to say that Julie was part of a law

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<v Speaker 1>understanding tradition of offering apothecary and pharmacology in history and

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<v Speaker 1>specifically in Italian history. And we're going to get a

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<v Speaker 1>whole lot deeper into her story, but before we do,

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<v Speaker 1>we're gonna take a quick break. Welcome back to Criminalia.

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<v Speaker 1>So after becoming a widower herself, and we don't actually

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<v Speaker 1>know if it was through poison or other circumstance, Julia

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<v Speaker 1>and her daughter Girolama moved from Sicily to Naples and

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<v Speaker 1>eventually settled in Rome. References to the elixir that she's

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<v Speaker 1>credited with inventing, Aquata fauna um, have always been closely

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<v Speaker 1>associated with Rome and Naples, but not necessarily Sicily. So

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<v Speaker 1>it's in Rome when we first encounter her and her work,

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<v Speaker 1>and the first recorded mention of aquaita fauna, which actually

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<v Speaker 1>translates simply to to fauna water, can be traced to

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<v Speaker 1>either sixteen thirty two or sixteen thirty three. And while

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<v Speaker 1>the ingredients of arsenic lead and belladonna were well known

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<v Speaker 1>at this time, exactly how those things were blended into

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<v Speaker 1>a clear, tasteless liquid has been lost to the ages,

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<v Speaker 1>and I would say that's probably a good thing. Probably

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<v Speaker 1>probably yes, uh all, Julia was an apothecary. She probably

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<v Speaker 1>wasn't running a public pharmacy. She was known to be

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<v Speaker 1>discreet and worked mostly by referrals. And though the information

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<v Speaker 1>about her background is pretty sparse, we do know that

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<v Speaker 1>she was born in Sicily, in the city of Palermo,

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<v Speaker 1>in sixteen twenty, so if you do that math those

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<v Speaker 1>sixteen thirties references to Aquata Fano, she would have been

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<v Speaker 1>still a young teenager when she was starting to develop

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<v Speaker 1>and pedal that. Yes, she was probably the daughter of

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<v Speaker 1>Teofania di Adamo, an apothecary who made and sold herbal medicines, cosmetics, perfumes,

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<v Speaker 1>and other potions and poisons. It's a little bit hard

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<v Speaker 1>to know for sure, but it is not unheard of

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<v Speaker 1>for a poison to be sold as a perfume. And

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<v Speaker 1>in fact, in Sanskrit, the word for red arsenic, is

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<v Speaker 1>the same word that used for perfume, so those two

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<v Speaker 1>words have a history of being linked, and they may

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<v Speaker 1>well have been used to cover the trade of toxic substances.

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<v Speaker 1>In sixty three, Julia's mother, Tiofanio, was accused of murdering

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<v Speaker 1>her husband, and she was ultimately executed um if the

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<v Speaker 1>cause of his death was poison, though that's not recorded anywhere.

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<v Speaker 1>So at this point Julia was on her own, an orphan.

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<v Speaker 1>Her father was killed, presumably by her mother based on

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<v Speaker 1>what the courts found, and her mother had been put

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<v Speaker 1>to death. But Julia was armed with the knowledge of

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<v Speaker 1>an apothecary, and eventually also armed with the help of

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<v Speaker 1>her daughter and a small group of trusted associates, and

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<v Speaker 1>with all of that backing her up, Julia built her

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<v Speaker 1>own reputation in Rome as a friend too abused women,

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<v Speaker 1>all under the cloak of being a perfectly benign apothecary.

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<v Speaker 1>The usual assortment of tinctures, medicines and beauty products. There's

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<v Speaker 1>really nothing to see here, right, Like the bottles all

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<v Speaker 1>have lids on them. It was brilliant, really, what she

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<v Speaker 1>was doing. If anyone questioned the nature of Julia's business,

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<v Speaker 1>she could just point to bottles of her popular face

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<v Speaker 1>creams and powders. It appeared she sold cosmetics, and Aquatafano

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<v Speaker 1>was packaged in such a way that it could be

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<v Speaker 1>easily blended in on a woman's vanity, beside her makeup

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<v Speaker 1>and creams and perfumes and a true bit of genius design.

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<v Speaker 1>I feel like on my vanity no one could find

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<v Speaker 1>anything anything, It's a mess. It all blends. I guarantee

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<v Speaker 1>that the Italian women felt the same way. They're like, yeah,

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<v Speaker 1>find the poison and like we should be super clear.

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<v Speaker 1>There was plenty of toxic stuff in use in Rome

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<v Speaker 1>at this time that was just considered normal to have

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<v Speaker 1>in your household. Right. This was a period of time

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<v Speaker 1>when arsenic and lead were commonly used in facial powders

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<v Speaker 1>as skin eight Nurse and Belladonna, which if you even

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<v Speaker 1>have rudimentary Italian skills you know means beautiful woman was

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<v Speaker 1>used in eye drops as a way to dilate a

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<v Speaker 1>person's pupils and make a woman's eyes look more dough

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<v Speaker 1>like and therefore more alluring. Of course, this all had

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<v Speaker 1>to do with careful dosage, dosage and intention, right. Julia's

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<v Speaker 1>cleverly packaged poison product could be disguised in one of

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<v Speaker 1>two ways. It could either be made to look like

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<v Speaker 1>a cosmetic powder, or it could be sold in vials

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<v Speaker 1>as a devotional object. Called Mana of St. Nicholas of Bari,

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<v Speaker 1>which was actually a very popular healing oil for blemishes

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<v Speaker 1>at the time. Aquatafana itself was a slow acting mixture

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<v Speaker 1>that was easily mixed into water wine. I mean, it

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<v Speaker 1>didn't have to be liquid. It could be any food

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<v Speaker 1>that you wanted to put it into. Four small doses

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<v Speaker 1>was what Julia recommended to kill a husband, and she

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<v Speaker 1>wanted you to spread them apart slowly, as if to

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<v Speaker 1>plan the victim's time of death or just give him

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<v Speaker 1>time to write his will. Probably also it looked less

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<v Speaker 1>suspicious if it was like, I don't know, he's been

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<v Speaker 1>ailing for a while. So with the first dose, the

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<v Speaker 1>way this worked was that the victim would likely develop

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<v Speaker 1>some cold like symptoms, such as fatigue or weakness, and

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<v Speaker 1>then the second dose would intensify those symptoms. But by

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<v Speaker 1>the third dose the person would be quite ill, with

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<v Speaker 1>symptoms including vomiting and diarrhea, which we see a lot

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<v Speaker 1>with arsenic dehydration and a and a burning sensation throughout

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<v Speaker 1>the digestive system, which would be similar to heartburn, but

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<v Speaker 1>much much worse than heartburn. The fourth dose would be,

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<v Speaker 1>of course, the lethal dose, although Julia and her associates

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<v Speaker 1>were really good at keeping a low profile. You can't,

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<v Speaker 1>of course, trust that all your clients will do so

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<v Speaker 1>as well. Uh, this is you know, common knowledge, right.

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<v Speaker 1>The more people that know a secret, the more likely

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<v Speaker 1>it is that it will get out. And the way

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<v Speaker 1>Julia was caught goes something like this. So in the end,

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<v Speaker 1>Julia's business practices were revealed to the authorities by one

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<v Speaker 1>of her own customers. This was a woman who had

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<v Speaker 1>laced her husband's dinner with a drop of aquita fauna.

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<v Speaker 1>But then she had a change of heart about things,

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<v Speaker 1>so there would be poison or beg your husband not

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<v Speaker 1>to eat the tainted soup she had prepared. Now, once

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<v Speaker 1>she had confessed to her husband that his soup was

0:13:22.960 --> 0:13:30.360
<v Speaker 1>in fact poisoned, he understandably ted her into the authorities. Listen,

0:13:30.559 --> 0:13:33.400
<v Speaker 1>nobody knows what a relationship is like from the outside exactly.

0:13:34.400 --> 0:13:38.400
<v Speaker 1>But then the authorities took her in and she confessed

0:13:38.400 --> 0:13:41.920
<v Speaker 1>to the authorities, under extreme torture, that she had bought

0:13:41.960 --> 0:13:45.640
<v Speaker 1>her bottle of aquita fauna from Julia. So keep in

0:13:45.679 --> 0:13:48.160
<v Speaker 1>mind here that Julia was well liked. I mean, she

0:13:48.200 --> 0:13:50.840
<v Speaker 1>had helped a lot of women in their situations. It

0:13:50.960 --> 0:13:54.040
<v Speaker 1>was probably also in her client's best interests to keep

0:13:54.120 --> 0:13:57.040
<v Speaker 1>Julia off of the authority's torture table. So when word

0:13:57.120 --> 0:14:00.480
<v Speaker 1>got out that her apothecary had been exposed for selling poison,

0:14:01.040 --> 0:14:04.480
<v Speaker 1>locals were quick to help Julia escape to a church. Um.

0:14:04.520 --> 0:14:07.600
<v Speaker 1>There's an alternate story that she fled to a convent,

0:14:07.640 --> 0:14:11.240
<v Speaker 1>which is totally plausible. Um. Either way, she was granted

0:14:11.280 --> 0:14:15.400
<v Speaker 1>sanctuary while authorities searched for her. Yeah, Maria made an

0:14:15.400 --> 0:14:18.760
<v Speaker 1>astute comment as we were talking about this case that

0:14:18.760 --> 0:14:23.480
<v Speaker 1>that connection of nuns being associated with apothecary and respected

0:14:23.560 --> 0:14:26.920
<v Speaker 1>by the medical community kind of ties in like, of

0:14:26.960 --> 0:14:30.240
<v Speaker 1>course they might take in someone like Julia. But as

0:14:30.400 --> 0:14:33.880
<v Speaker 1>is often the case, this story kind of exploded and

0:14:34.160 --> 0:14:36.920
<v Speaker 1>rumors started to flare up, and those rumors got bigger

0:14:36.920 --> 0:14:40.400
<v Speaker 1>and bigger. And then after a rumor claiming that she

0:14:40.480 --> 0:14:44.120
<v Speaker 1>had poisoned Rome's water supply caught on throughout the city,

0:14:44.240 --> 0:14:47.760
<v Speaker 1>the police forced their way into the church and detained Julia.

0:14:48.040 --> 0:14:51.760
<v Speaker 1>It's said that, under accounts of extreme torture, she confessed

0:14:51.760 --> 0:14:54.440
<v Speaker 1>to providing the poison to kill as many as six

0:14:54.520 --> 0:14:57.720
<v Speaker 1>hundred men in Rome between the years sixteen thirty three.

0:14:57.760 --> 0:15:00.680
<v Speaker 1>And sixteen fifty one. But can sitaring it was a

0:15:00.720 --> 0:15:05.320
<v Speaker 1>confession given under torture, she probably would have also confessed

0:15:05.320 --> 0:15:08.160
<v Speaker 1>to the future assassination of Abraham Lincoln or maybe too

0:15:08.200 --> 0:15:11.400
<v Speaker 1>being a duck. I mean, it's hard to know exactly

0:15:12.000 --> 0:15:15.640
<v Speaker 1>what her truth was. Confessions extracted through torture are not

0:15:15.720 --> 0:15:19.440
<v Speaker 1>really trustworthy. Um, while we are pretty sure she was

0:15:19.480 --> 0:15:22.680
<v Speaker 1>not innocent and also that she was not a duck. Uh,

0:15:23.320 --> 0:15:25.840
<v Speaker 1>there could be a version of this story where Julia

0:15:26.120 --> 0:15:29.240
<v Speaker 1>could have been selling harmless cosmetics and face creams at

0:15:29.240 --> 0:15:33.240
<v Speaker 1>her apothecary when she was wrongfully accused of murderous intentions.

0:15:33.760 --> 0:15:36.280
<v Speaker 1>There's also part of me that wonders if she isn't like, hey,

0:15:36.320 --> 0:15:38.080
<v Speaker 1>I'm not mixing it, but do you know that the

0:15:38.120 --> 0:15:40.560
<v Speaker 1>stuff in your face cream is actually poisonous and maybe

0:15:40.560 --> 0:15:43.720
<v Speaker 1>you could use it for that reason. I wondered the

0:15:43.760 --> 0:15:45.600
<v Speaker 1>same thing right where she was like, it comes in

0:15:45.680 --> 0:15:48.040
<v Speaker 1>oil and it comes in powder, but if you put

0:15:48.040 --> 0:16:04.600
<v Speaker 1>the two together, right. But in sixteen hundreds Italy, those

0:16:04.720 --> 0:16:09.000
<v Speaker 1>torture confessions were good enough evidence to convict on Julia

0:16:09.240 --> 0:16:12.640
<v Speaker 1>and her daughter, along with her accomplices that worked at

0:16:12.680 --> 0:16:15.760
<v Speaker 1>her store, So they may have just been employees. We're

0:16:15.800 --> 0:16:19.600
<v Speaker 1>all executed in Rome in the Campo de Fiori, or

0:16:19.640 --> 0:16:23.040
<v Speaker 1>they were strangled by a mob. The specifics dipper among

0:16:23.360 --> 0:16:26.520
<v Speaker 1>the story accounts, and because Julia's story is so sensational,

0:16:26.960 --> 0:16:29.920
<v Speaker 1>there was a lot of variation in the accounts about her,

0:16:30.640 --> 0:16:34.760
<v Speaker 1>and some of Julia's clientele who had used Aquatafano were

0:16:34.840 --> 0:16:40.040
<v Speaker 1>also arrested. Some, perhaps as many as forty, were executed

0:16:40.120 --> 0:16:44.400
<v Speaker 1>just like Julia herself. Others were, it is told again,

0:16:44.440 --> 0:16:48.000
<v Speaker 1>so this is unsubstantiated bricked into the dungeons of the

0:16:48.040 --> 0:16:51.120
<v Speaker 1>Palazzo Pucci. But considering that that is in Florence and

0:16:51.160 --> 0:16:54.640
<v Speaker 1>not Rome, that particular version of the story is highly unlikely.

0:16:55.560 --> 0:16:58.760
<v Speaker 1>What's interesting is it comes up a lot like there

0:16:58.760 --> 0:17:01.840
<v Speaker 1>wouldn't have been like a a really good like reason

0:17:01.960 --> 0:17:05.960
<v Speaker 1>for them to be bricked in in Florence. It seems

0:17:06.000 --> 0:17:09.480
<v Speaker 1>so strange from an account, but okay, you know, maybe

0:17:09.480 --> 0:17:14.120
<v Speaker 1>it was I don't know. Um. Upper class women, however,

0:17:14.240 --> 0:17:16.439
<v Speaker 1>who were accused of using her product were said to

0:17:16.480 --> 0:17:20.960
<v Speaker 1>have escaped punishment, at least mostly mainly by virtue of

0:17:21.040 --> 0:17:25.000
<v Speaker 1>being an upper class woman, but many feigned shock upon

0:17:25.119 --> 0:17:29.960
<v Speaker 1>learning their quote unquote cosmetics were actually poisonous, and that's

0:17:30.000 --> 0:17:33.360
<v Speaker 1>actually a plausible excuse because, as we talked about earlier,

0:17:33.400 --> 0:17:36.679
<v Speaker 1>in seventeenth century Italy, a lot of cosmetics did have

0:17:36.880 --> 0:17:42.800
<v Speaker 1>arsenic and belladonna as just a regular ingredient. We're going

0:17:42.840 --> 0:17:46.680
<v Speaker 1>to talk more about why Julia tafauna story still resonates,

0:17:47.359 --> 0:17:49.040
<v Speaker 1>but first we'll have a little bit of a pause.

0:17:49.119 --> 0:18:04.840
<v Speaker 1>I'm here from my sponsor. Welcome back to Criminalien. What's

0:18:04.880 --> 0:18:07.879
<v Speaker 1>interesting is that more than a hundred years after her death,

0:18:08.080 --> 0:18:11.880
<v Speaker 1>Julia to Fauna's legacy has still survived, and by brand

0:18:12.040 --> 0:18:15.480
<v Speaker 1>name too. That is the kind of reach most companies

0:18:15.520 --> 0:18:20.480
<v Speaker 1>today would kill for no pun intended. And there is

0:18:20.600 --> 0:18:24.080
<v Speaker 1>even a high profile story about the use of Aquata

0:18:24.119 --> 0:18:28.800
<v Speaker 1>fauna a century after Julia's death, and while almost all

0:18:28.880 --> 0:18:32.320
<v Speaker 1>historians since the eighteenth century have dismissed this as pure

0:18:32.359 --> 0:18:36.080
<v Speaker 1>gossip and rumor, according to some accounts at the time,

0:18:36.760 --> 0:18:40.080
<v Speaker 1>Mozart feared on his deathbed in seventeen ninety one that

0:18:40.160 --> 0:18:43.159
<v Speaker 1>he had been poisoned, and likely by his colleague and

0:18:43.320 --> 0:18:47.960
<v Speaker 1>rival Antonio Salieri, saying quote, I feel that I will

0:18:48.000 --> 0:18:50.919
<v Speaker 1>not last much longer. I am sure that I have

0:18:50.960 --> 0:18:55.320
<v Speaker 1>been poisoned. I cannot rid myself of this idea. Someone

0:18:55.520 --> 0:18:59.000
<v Speaker 1>has given me aquata fauna and what are the interesting things?

0:18:59.080 --> 0:19:02.119
<v Speaker 1>Is like all of the instances where you read his quote,

0:19:02.160 --> 0:19:04.840
<v Speaker 1>sometimes this is a little longer, sometimes it's a little shorter.

0:19:05.359 --> 0:19:12.159
<v Speaker 1>It always mentions aquata fauna like by name. But in

0:19:12.280 --> 0:19:16.520
<v Speaker 1>truth it's it's so highly unlikely that Mozart was poisoned

0:19:16.600 --> 0:19:20.400
<v Speaker 1>by anyone, Sally Area or or his maide. You know, um,

0:19:20.440 --> 0:19:23.560
<v Speaker 1>there's just no evidence to support his wild claim, although

0:19:23.600 --> 0:19:26.400
<v Speaker 1>he may have really truly believed he felt like he'd

0:19:26.440 --> 0:19:30.600
<v Speaker 1>been poisoned. Today most studies UM and historians point to

0:19:31.040 --> 0:19:34.880
<v Speaker 1>actually a possible strep infection that had gone too far,

0:19:35.320 --> 0:19:38.640
<v Speaker 1>which can lead to complications of rheumatic fever um. They

0:19:38.720 --> 0:19:43.440
<v Speaker 1>also point to possible tricken noses from eating undercooked pork um,

0:19:43.480 --> 0:19:46.720
<v Speaker 1>and he had been having really terrible headaches near his

0:19:46.720 --> 0:19:49.719
<v Speaker 1>his death, and they attribute that to possibly having been

0:19:49.760 --> 0:19:54.440
<v Speaker 1>a subdural hematoma. Now, Mozart was not the only eighteenth

0:19:54.520 --> 0:19:59.000
<v Speaker 1>century figure that was worried about aquata fauna. Pope Clement

0:19:59.080 --> 0:20:02.080
<v Speaker 1>the fourteenth lived his final year in fairly poor health,

0:20:02.200 --> 0:20:06.840
<v Speaker 1>with depression and also a fear of assassination. In fact,

0:20:06.960 --> 0:20:10.679
<v Speaker 1>following his death in seventeen seventy four, rumors circulated that

0:20:10.760 --> 0:20:15.600
<v Speaker 1>he had indeed been poisoned ultimately, though an autopsy determined

0:20:15.600 --> 0:20:20.399
<v Speaker 1>that he had died of natural causes. So julius legacy

0:20:20.480 --> 0:20:22.960
<v Speaker 1>is clearly kind of an interesting one. While her life

0:20:23.040 --> 0:20:25.240
<v Speaker 1>story is often billed as a tale of a woman

0:20:25.280 --> 0:20:27.920
<v Speaker 1>who killed more than six hundred men, when you look

0:20:27.960 --> 0:20:30.719
<v Speaker 1>more closely, what emerges is the case that looks a

0:20:30.720 --> 0:20:33.399
<v Speaker 1>little bit more like she she felt she had a

0:20:33.400 --> 0:20:37.120
<v Speaker 1>personal calling in helping women out of abusive situations. Yeah.

0:20:37.160 --> 0:20:39.400
<v Speaker 1>I always wonder if it goes back to her mother

0:20:39.480 --> 0:20:41.639
<v Speaker 1>and whatever was going on in that marriage. I wonder

0:20:41.720 --> 0:20:44.280
<v Speaker 1>that too, And we will never know what the truth

0:20:44.440 --> 0:20:47.760
<v Speaker 1>was there. Uh. And certainly we don't have hard evidence

0:20:47.800 --> 0:20:51.679
<v Speaker 1>regarding whether all of her clients were after akwatafauna or

0:20:51.760 --> 0:20:54.879
<v Speaker 1>they really just needed her assistance with fine lines and wrinkles.

0:20:55.480 --> 0:20:57.920
<v Speaker 1>It's not as though we have some handy dandy dust

0:20:57.960 --> 0:21:02.120
<v Speaker 1>statistic tables regarding fatalities in Rome in the mid seventeenth century,

0:21:02.200 --> 0:21:04.720
<v Speaker 1>categorized by sex and cause of death that we could

0:21:04.800 --> 0:21:08.200
<v Speaker 1>use to compare her story against. But we can look

0:21:08.320 --> 0:21:11.439
<v Speaker 1>at some modern statistics. As we look at Julia's story,

0:21:11.680 --> 0:21:14.720
<v Speaker 1>like the fact that, according to the National Coalition Against

0:21:14.800 --> 0:21:18.960
<v Speaker 1>Domestic Violence, twenty people in the United States are physically

0:21:18.960 --> 0:21:24.840
<v Speaker 1>abused by an intimate partner per minute per minute. Like,

0:21:24.920 --> 0:21:27.680
<v Speaker 1>stop and let that sink in for a second. It's

0:21:27.760 --> 0:21:30.720
<v Speaker 1>just into the United States, and it's not a problem

0:21:30.840 --> 0:21:34.480
<v Speaker 1>just in the United States. According to the World Health Organization,

0:21:34.920 --> 0:21:38.960
<v Speaker 1>around the world, almost of women, it's a third of

0:21:39.040 --> 0:21:42.280
<v Speaker 1>all women globally who have been in a relationship report

0:21:42.320 --> 0:21:45.240
<v Speaker 1>that they have experienced some form of violence by their

0:21:45.280 --> 0:21:49.879
<v Speaker 1>internet partner in their lifetime. That is literally just the

0:21:49.920 --> 0:21:54.320
<v Speaker 1>tip of the iceberg when considering the modern domestic violence story.

0:21:54.359 --> 0:21:56.399
<v Speaker 1>But when you think about that and all of the

0:21:56.480 --> 0:22:00.480
<v Speaker 1>ramifications of it, it starts to become even clearer why

0:22:00.640 --> 0:22:03.879
<v Speaker 1>Julia Tafauna emerges as a sort of folk hero in

0:22:04.040 --> 0:22:06.840
<v Speaker 1>some modern tellings of her story. And that's even with

0:22:06.920 --> 0:22:09.440
<v Speaker 1>so many gaps in terms of details about her life

0:22:09.440 --> 0:22:12.680
<v Speaker 1>and work, you can still see where the fascination comes

0:22:12.680 --> 0:22:14.679
<v Speaker 1>from and why the idea of a woman who was

0:22:15.040 --> 0:22:17.679
<v Speaker 1>kind of a badass becomes even more compelling when the

0:22:17.720 --> 0:22:20.399
<v Speaker 1>possibility is introduced that she was using her skills and

0:22:20.440 --> 0:22:24.320
<v Speaker 1>knowledge of botany and pharmacology to offer a means of empowerment.

0:22:25.240 --> 0:22:28.199
<v Speaker 1>I mean, I'll be illegal, to be sure, to the

0:22:28.240 --> 0:22:33.840
<v Speaker 1>women of the seventeenth century in Rome. Yeah, Julia, and

0:22:34.040 --> 0:22:36.720
<v Speaker 1>I know you love her. I love Julia because I

0:22:36.840 --> 0:22:39.439
<v Speaker 1>really she stood out to me as being one of

0:22:39.480 --> 0:22:41.920
<v Speaker 1>these women who we absolutely needed to keep on our

0:22:41.960 --> 0:22:45.800
<v Speaker 1>list because she wasn't in it for the politics of anything.

0:22:45.920 --> 0:22:49.239
<v Speaker 1>She seemed to be truly involved in this for the

0:22:49.280 --> 0:22:57.359
<v Speaker 1>benefit of other women, and that that's just cool. Hey, Holly,

0:22:57.480 --> 0:23:01.359
<v Speaker 1>what's your poison this week? Well? Uh, this is actually

0:23:01.400 --> 0:23:03.359
<v Speaker 1>I feel like it should be your poison because you

0:23:03.400 --> 0:23:08.320
<v Speaker 1>pointed out this recipe to me. Oh and the Italian

0:23:08.400 --> 0:23:10.959
<v Speaker 1>Sicilian is of it is is kind of heavy as well,

0:23:11.080 --> 0:23:15.760
<v Speaker 1>right right, You pointed me at a recipe for a

0:23:15.800 --> 0:23:19.080
<v Speaker 1>cocktail called a pimpanilla, which because I had to click

0:23:19.080 --> 0:23:22.880
<v Speaker 1>on that, right, and how could you not? Uh So,

0:23:23.119 --> 0:23:28.159
<v Speaker 1>this particular cocktail features one point five ounces of grappa,

0:23:28.320 --> 0:23:32.320
<v Speaker 1>an ounce of freshly squeezed lime juice, three quarters of

0:23:32.320 --> 0:23:35.880
<v Speaker 1>an ounce of Annas syrup, and one quarter of announce

0:23:35.960 --> 0:23:39.800
<v Speaker 1>of Saint germains. So there's also a lot of accoutremal

0:23:40.000 --> 0:23:44.080
<v Speaker 1>in the original recipe. There's some really fancy pants unicorn

0:23:44.760 --> 0:23:47.720
<v Speaker 1>Um salt for the rim that you can make that

0:23:47.840 --> 0:23:50.000
<v Speaker 1>is a lemon rosemary salt. I did not do that.

0:23:50.040 --> 0:23:53.240
<v Speaker 1>I went the simple route. I also didn't like garnish

0:23:53.240 --> 0:23:55.920
<v Speaker 1>it with an Annis pod, and I didn't even though

0:23:55.920 --> 0:23:58.720
<v Speaker 1>I have a beautiful rosemary bush right outside my front door.

0:23:58.800 --> 0:24:00.879
<v Speaker 1>Did I go out and get one to arnish it with? No?

0:24:00.960 --> 0:24:03.320
<v Speaker 1>I did not. I just wanted to get it in

0:24:03.320 --> 0:24:06.639
<v Speaker 1>the shaker and go to town. I expected to hate

0:24:06.720 --> 0:24:10.000
<v Speaker 1>this cocktail. I know you did. Like everything about this

0:24:10.040 --> 0:24:12.560
<v Speaker 1>cocktail is everything that I like, and I'm not the

0:24:12.560 --> 0:24:16.080
<v Speaker 1>way you're drank it, right. It's one of those things where, um,

0:24:16.960 --> 0:24:20.360
<v Speaker 1>I mean my my proclivities are usually towards something kind

0:24:20.400 --> 0:24:23.240
<v Speaker 1>of like soft and light. I don't like a particularly

0:24:23.240 --> 0:24:26.080
<v Speaker 1>fancy drink usually, like my go to is vodka and

0:24:26.119 --> 0:24:29.520
<v Speaker 1>diet coke. I'm a very basic person. Now. Granted, if

0:24:29.600 --> 0:24:33.440
<v Speaker 1>you don't like liquorice flavor because of the Annis, yes,

0:24:33.760 --> 0:24:37.679
<v Speaker 1>not going to be your jam, right. But it was

0:24:37.800 --> 0:24:41.480
<v Speaker 1>delightful And I love the Chair Liquorice Girl as well

0:24:41.600 --> 0:24:44.280
<v Speaker 1>well because the lime juice, the Annis and then the

0:24:44.359 --> 0:24:48.119
<v Speaker 1>Saint Germain is the magic trick like it it is

0:24:48.160 --> 0:24:51.040
<v Speaker 1>the thing that holds the whole thing together and like

0:24:51.240 --> 0:24:55.919
<v Speaker 1>takes all of the things, the characteristics of each of

0:24:55.920 --> 0:25:00.080
<v Speaker 1>the spirits or ingredients that you wouldn't enjoy, and it

0:25:00.160 --> 0:25:03.600
<v Speaker 1>just makes them kiss each other in a nice little way. Now,

0:25:04.440 --> 0:25:08.400
<v Speaker 1>is that that's elderflower, isn't it It is? That's another

0:25:08.400 --> 0:25:13.880
<v Speaker 1>one that's going to go into regular rotation at the fryhouse. Fantastic. Yeah, yeah, yeah.

0:25:13.880 --> 0:25:15.800
<v Speaker 1>The pimpanella. If you just google that, you're going to

0:25:15.880 --> 0:25:19.560
<v Speaker 1>get this recipe and it's quite yummy. And then, uh,

0:25:20.040 --> 0:25:22.280
<v Speaker 1>I like that they call it a sprints. It's a sprints.

0:25:22.720 --> 0:25:25.439
<v Speaker 1>It's a sprints. It is. It's for you know, to

0:25:25.560 --> 0:25:29.560
<v Speaker 1>pretend that you're in Italy enjoying a beautiful, beautiful sunny day.

0:25:30.080 --> 0:25:32.280
<v Speaker 1>We hope that you like us. You're here to the end,

0:25:32.400 --> 0:25:34.960
<v Speaker 1>So thank you for listening to Criminalia, and if you

0:25:34.960 --> 0:25:37.359
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0:25:37.480 --> 0:25:39.520
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0:25:39.520 --> 0:25:42.240
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