WEBVTT - Descendants: Wicked Wonderland

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<v Speaker 1>Hi, Sabrina, Hi Will. We've got a big one today,

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<v Speaker 1>a big, big one, and it leads me to a question.

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<v Speaker 2>Mm hmm.

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<v Speaker 1>Five. There's too many to say five. And I think

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<v Speaker 1>we've had this same I've given you the same question before,

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<v Speaker 1>but I'm going to give it to you again because

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<v Speaker 1>now you've had several months to think about it, and

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<v Speaker 1>I know you've only been thinking about this question and

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<v Speaker 1>no other question. You haven't been thinking about your kids

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<v Speaker 1>there well being nothing, it's just this question as it

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<v Speaker 1>should be.

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<v Speaker 2>What are you about to throw at me?

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<v Speaker 1>Best trilogy? Oh, best trilogy ever?

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<v Speaker 2>We've had this conversation we have, Yeah, and I don't

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<v Speaker 2>even remember what I said last time, best trilogy.

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<v Speaker 1>Because you can't say best five the quad, daram. I

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<v Speaker 1>mean there hasn't been enough things that do five movies.

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<v Speaker 2>Franchise.

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<v Speaker 1>I guess you best franchise. I guess that's probably the

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<v Speaker 1>best way to ye. What do you think is the best?

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<v Speaker 2>I'm obviously gonna say Marvel?

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<v Speaker 1>I mean, right, But that's right, isn't it? But is it?

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<v Speaker 1>Is it all of Marvel? I don't know Marvel.

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<v Speaker 2>I really love toy Story. I think that's what what

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<v Speaker 2>I said before. Toy Story.

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<v Speaker 1>I have to watch the one.

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<v Speaker 2>I know you have that. That's how that's how right? Yes,

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<v Speaker 2>and you have done yet. No, if you want to

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<v Speaker 2>take Ledger and that would be his first like in

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<v Speaker 2>theater movie, which I think would be really great, that's awesome.

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<v Speaker 2>So I think the toy Story one is a big

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<v Speaker 2>jump out one.

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<v Speaker 1>What was your first in theater movie?

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<v Speaker 2>I have no idea. I need to ask my parents.

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<v Speaker 1>That's a good one.

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<v Speaker 2>Because I have no idea. Interesting, I don't remember that.

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<v Speaker 2>I can't even remember. Honestly, this is the god honest truth.

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<v Speaker 2>If my anniversary, if you ask me what my anniversary is,

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<v Speaker 2>it's either the sixth or seven of what month October?

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<v Speaker 3>You really can't remember your anniversary because does Jordan remember it?

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<v Speaker 1>Jordan will remember.

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<v Speaker 2>It, but I have to look in my notes just

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<v Speaker 2>to remember exactly if it's the sixth or the seven.

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<v Speaker 1>When's well, hopefully you've done your research. When's my anniversary?

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<v Speaker 1>Come on, Sabrina, when's my wedding?

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<v Speaker 2>And by the way, don't count on me to call

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<v Speaker 2>you on your birthday. I'll call you either several days

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<v Speaker 2>before it or several days after and remembering it. And

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<v Speaker 2>if I remember it before I call, because I know

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<v Speaker 2>I'll forget.

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<v Speaker 1>Day of You know, I'm that person. I'm not that

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<v Speaker 1>because I'm I'm that person where other than this year obviously,

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<v Speaker 1>where I'm doing something big. Most most of the time,

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<v Speaker 1>I'll be like, oh, that's right, it was my birthday.

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<v Speaker 1>Like I just I'm not a birthday guy. I never heard,

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<v Speaker 1>not at all. I love how by the way, well

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<v Speaker 1>you you did answer you're gonnay toy st Oh. I

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<v Speaker 1>have no idea. It's way too difficult to question difficult.

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<v Speaker 1>I just did there. I just made you answer yes. No,

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<v Speaker 1>I mean i'd say Star Wars Potter. No, okay, Harry Potter,

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<v Speaker 1>and I like Harry Potter, but no, it wouldn't be

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<v Speaker 1>Harry Potter for for best franchise.

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<v Speaker 2>Would it be like Star Wars? Or maybe that.

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<v Speaker 1>Was my first movie in the theater? Was was Empire

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<v Speaker 1>Strikes Back?

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<v Speaker 2>Was the really wow?

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<v Speaker 4>No?

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<v Speaker 1>I you know one that I love that I keep

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<v Speaker 1>talking about where it's I talk about it as arguably

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<v Speaker 1>one of the best trilogies of all time is How

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<v Speaker 1>to Train Your Dragon.

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<v Speaker 2>Oh, yes, you've mentioned, which was which was great, so

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<v Speaker 2>even the third one I liked the third one okay, yeah, no,

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<v Speaker 2>I have I've.

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<v Speaker 1>Okay yeah, no, It's like that's what I mean by yes, Yeah,

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<v Speaker 1>I'm gonna watch choice story for I told Susan I

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<v Speaker 1>had a date this weekend. She's like, you know. I

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<v Speaker 1>was like, you know, we have the live show, Big

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<v Speaker 1>Big put mets for a live show on Thursday, and

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<v Speaker 1>I go on Friday, I have a date night. I

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<v Speaker 1>was like, I'm I'm going on a date She's like, what, Like,

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<v Speaker 1>I'm having a date night. She goes, okay, can I

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<v Speaker 1>ask with whom you're going out? And I was like,

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<v Speaker 1>I'm going out with Prince Adam. She's like, excuse me.

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<v Speaker 1>I'm like, Prince Adam he man starts streaming this Friday,

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<v Speaker 1>and I've wanted to see the new e Man. So

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<v Speaker 1>I got a date with Prince Adam. And she's like

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<v Speaker 1>that's weird. Okay, great, we'll have fun on your date.

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<v Speaker 2>Mean that you're going by yourself?

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<v Speaker 1>No, no, no, I have it here in the in the

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<v Speaker 1>house date nights. So I'm yeah, I'm gonna light some candles,

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<v Speaker 1>I'm gonna dress up nice. I don't know where the

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<v Speaker 1>knight's go I don't know where the night's gonna go,

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<v Speaker 1>Oh my god, I don't know where the Knight's gonna

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<v Speaker 1>go to night jos Is see there you go anywhere?

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<v Speaker 2>Wow, Welcome back, you gotta do the Internet.

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<v Speaker 1>Welcome back to Magical Rewind, the show that makes you

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<v Speaker 1>want to grab your friends, your pj's, and your popcorn

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<v Speaker 1>and go back to a time when all the houses

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<v Speaker 1>are smart, the wave tsunamis and you were not imagining

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<v Speaker 1>me shirtless candles lit, watching he Man.

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<v Speaker 3>I'm sorry, I had that.

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<v Speaker 1>Sorry, let me do that again, shirtless covered in chicken

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<v Speaker 1>fat and watching he Man, I'm wilfredell. Oh my well,

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<v Speaker 1>there's a reason we're talking franchises because shuffle the cards, everyone,

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<v Speaker 1>we are entering into uncharted territory for Magical Rewind. We're

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<v Speaker 1>returning to the most prolific decom franchise in Disney history.

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<v Speaker 1>It's the fifth installment to the Descendants franchise Wicked Wonderland.

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<v Speaker 1>But keep in mind, Descendants is only going to be

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<v Speaker 1>alone in this achievement for a little while, because I'm

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<v Speaker 1>guessing at some point in the very near future, after

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<v Speaker 1>the announcement of Cheatah Girls four, there will eventually be

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<v Speaker 1>a fifth Cheah Girls. My guess is they're going to

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<v Speaker 1>do the kind of thing where they're rebooting and then

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<v Speaker 1>there's gonna be three new with the new cast.

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<v Speaker 2>Yeah, I can't imagine they would go through all the

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<v Speaker 2>hooplah of getting a new cast in the US. A

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<v Speaker 2>great word, planning on doing multiple ones.

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<v Speaker 1>You know, it's also good with uh hoopla rigamarole. Yes,

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<v Speaker 1>there you go, we got a lot of them. But

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<v Speaker 1>it's true. Speaking of the Cheetah Girls, we all know

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<v Speaker 1>that Suberno is lucky enough to attend the premiere of

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<v Speaker 1>this movie and interview some of the stars, So I'm

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<v Speaker 1>sure she's been chopping at the bit to talk about it.

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<v Speaker 1>So here we are, because you're gonna have to tell

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<v Speaker 1>us all about it. This is, of course a massive

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<v Speaker 1>release for the channel where it premiered on July sixteenth,

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<v Speaker 1>dropping on Disney Plus the next day, and as of

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<v Speaker 1>recording this podcast, it is the number one movie on

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<v Speaker 1>the streamer. I'm kind of amazed that it wasn't one

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<v Speaker 1>of my movies that's number one. Still like National Lampoon's

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<v Speaker 1>Gold Diggers, not a good movie. Don't go looking for it. Yes,

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<v Speaker 1>this is, of course the sequel to twenty twenty four.

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<v Speaker 1>Is the Rise of Red, which we didn't love, the

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<v Speaker 1>start of a new life for the series, shifting the

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<v Speaker 1>focus to a younger generation and leaving us with a

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<v Speaker 1>bit of a cliffhanger. Wicked Wonderland shot in Vancouver, So

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<v Speaker 1>it is a Canadian franchise obviously April and May of

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<v Speaker 1>twenty twenty five, and mixed together familiar faces from the

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<v Speaker 1>last movie with a whole crop of new characters. Okay,

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<v Speaker 1>so we talked about regular franchise rankings. When it comes

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<v Speaker 1>to just Disney franchise rankings, where does Descendants rank for you? Sabrina?

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<v Speaker 1>I mean, are you excited to think the series is

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<v Speaker 1>going to keep going forever? Which is a safe bet

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<v Speaker 1>since it's popularity. He's not showing any signs of slowing down.

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<v Speaker 1>What did you think I could.

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<v Speaker 2>Do another one?

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<v Speaker 1>For sure?

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<v Speaker 2>I really love this franchise. I think it is, you know,

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<v Speaker 2>being such a Disney kid and loving all of the

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<v Speaker 2>like original og cartoon movies that Disney puts out and

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<v Speaker 2>taking them and looking at like the next generation of

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<v Speaker 2>all those like heroes and villains. I just I love

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<v Speaker 2>the absolute foundation of this franchise and I think it

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<v Speaker 2>is just so clever, and I love it, but you

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<v Speaker 2>have to pay attention, especially in this one, because we're

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<v Speaker 2>gonna read a lot of new characters. Yeah, and it

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<v Speaker 2>takes you a minute to know who's what. Like I

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<v Speaker 2>honestly didn't put one character in stack with it for

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<v Speaker 2>the majority of the time, and like almost the press

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<v Speaker 2>junket that I went, I'm not kidding it was it it.

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<v Speaker 2>Sometimes they're kind of it's getting a little muddled, a

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<v Speaker 2>little muddled. But I do love the idea of like

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<v Speaker 2>what these new characters or what these characters that we

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<v Speaker 2>know and love or hate, you know, with the villains,

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<v Speaker 2>what they're like Descendants would be like, you know, and

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<v Speaker 2>where they take their storyline. So I really think it's

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<v Speaker 2>just so clever and I enjoy this franchise a lot.

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<v Speaker 1>Okay, so you can only watch Descendants movies from now

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<v Speaker 1>on or Zombies movies from now on school musical movies.

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<v Speaker 1>Sare you which ones? Which one? Or camp Rock like

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<v Speaker 1>all their franchise camp Rock.

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<v Speaker 2>It would it would be between the Descendants and the Zombies.

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<v Speaker 1>For me, that's not an answer which one is? Which one?

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<v Speaker 1>Is it? You can only go to one?

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<v Speaker 2>Ah, I can't, I think I I think it have

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<v Speaker 2>to be Descendants interesting. I think you have to interesting.

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<v Speaker 2>I think you have to just because I have there

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<v Speaker 2>it is, I have so much nostalgia with the characters

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<v Speaker 2>that these that are the parents of these characters that

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<v Speaker 2>were meeting and and scene, So I think it have

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<v Speaker 2>to be that interesting.

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<v Speaker 1>Yeah, it's such. It's so clever. The the idea of

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<v Speaker 1>the descendants of all the major villain that being said

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<v Speaker 1>Zombies was built from the ground up, you know, there

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<v Speaker 1>was there was no past lore to it, and was

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<v Speaker 1>also just so clever. And that first Zombies movie, I mean,

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<v Speaker 1>the first Ascendants movie was great, yes, but that first

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<v Speaker 1>Zombies movie just stuck with me with all the dancing

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<v Speaker 1>and the singing and the Yeah, it just there was

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<v Speaker 1>something about concept. Yes and Coo and Bucky and everybody.

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<v Speaker 1>I mean, it was just there was something about that.

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<v Speaker 1>I'd be hard pressed to say. I don't know which

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<v Speaker 1>franchise as a whole I liked better, but that first

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<v Speaker 1>Zombies movie was really kind of incredible.

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<v Speaker 5>Yeah, I feel like that about the first But again,

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<v Speaker 5>then you had like bad Dragon in first Descendants movie,

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<v Speaker 5>so there was a couple of things in that that

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<v Speaker 5>was kind of like but.

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<v Speaker 2>I feel like, wait, yeah, that was in the first movie.

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<v Speaker 1>Yeah, yeah, it kind of the c G I wasn't

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<v Speaker 1>good and I.

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<v Speaker 2>Feel like though the Zombies movie wasn't set up to

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<v Speaker 2>be was Do you feel like the Zombies movie was

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<v Speaker 2>set up to be a franchise?

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<v Speaker 1>No, I think remember they wanted it to be a pilot.

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<v Speaker 1>It was zombies versus cheerleaders, but it became it was

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<v Speaker 1>just so good game.

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<v Speaker 2>Yeah, it became a movie. So I bet you like

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<v Speaker 2>budget wise like they didn't they don't feel like they

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<v Speaker 2>didn't attempt anything like that.

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<v Speaker 1>In the it still looked I don't know, but this

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<v Speaker 1>is yeah. Well okay, well we'll get into what we

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<v Speaker 1>thought about this one anyway. Yeah, so here, that's a

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<v Speaker 1>tough question.

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<v Speaker 2>I know, mad you asked me that I know spinning.

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<v Speaker 2>I'm gonna I'm gonna come back next week and be like, Okay,

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<v Speaker 2>I got an answer, I got a different answer.

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<v Speaker 4>All right.

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<v Speaker 1>Well let's talk soundtrack, because there is no chance a

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<v Speaker 1>Descendants movie can come out and uh not have some

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<v Speaker 1>very new music. The first single, Perfect Princess, made its

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<v Speaker 1>debut on American Idol last season. We always talked about Synergy,

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<v Speaker 1>a new tactic for the channel that promoted the upcoming

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<v Speaker 1>movie to millions of viewers, and as you can probably predict,

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<v Speaker 1>all the songs in the soundtrack are performed by cast

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<v Speaker 1>members and used in the movie, because well, it's a musical.

0:11:16.240 --> 0:11:19.080
<v Speaker 1>There have since been two other singles released, Mad Wicked,

0:11:19.080 --> 0:11:22.920
<v Speaker 1>Wonderland and Dancing with the Enemy. So, without spoiling anything, Sabrita,

0:11:22.960 --> 0:11:24.320
<v Speaker 1>what do you think of the music here in the

0:11:24.320 --> 0:11:26.560
<v Speaker 1>fifth Sentence movie and how do you think it compared

0:11:26.640 --> 0:11:27.640
<v Speaker 1>to the other four?

0:11:28.360 --> 0:11:32.920
<v Speaker 2>There are actual like when we talked about this movie,

0:11:32.960 --> 0:11:36.560
<v Speaker 2>the fourth movie and the third movie as well, we

0:11:36.640 --> 0:11:41.440
<v Speaker 2>said there weren't any like standout songs, perfect princess, stand

0:11:41.480 --> 0:11:45.120
<v Speaker 2>out song, not just me. My kid won't stop singing

0:11:45.160 --> 0:11:49.640
<v Speaker 2>it like it is just constant. She watched it one

0:11:49.679 --> 0:11:51.360
<v Speaker 2>time and was singing it like in the car on

0:11:51.400 --> 0:11:54.160
<v Speaker 2>the right home like she that. So there are definite

0:11:54.360 --> 0:11:57.520
<v Speaker 2>like those, the jingles that stay with you, that stick

0:11:57.559 --> 0:12:02.240
<v Speaker 2>with you. I definitely think this this movie leveled up

0:12:02.280 --> 0:12:03.960
<v Speaker 2>on their music in a big way.

0:12:04.800 --> 0:12:08.160
<v Speaker 1>I could not agree with you more. I was tapping

0:12:08.200 --> 0:12:10.520
<v Speaker 1>my toe the whole time. I felt like I haven't

0:12:10.559 --> 0:12:12.679
<v Speaker 1>had that in the last couple Descendants movies. Yea, and

0:12:12.720 --> 0:12:16.160
<v Speaker 1>this one. It was there were several that I was like,

0:12:16.200 --> 0:12:19.800
<v Speaker 1>okays are actually good songs, not just good Disney songs

0:12:19.880 --> 0:12:24.520
<v Speaker 1>or good movie songs. They're good songs. Yes, so yeah,

0:12:24.600 --> 0:12:28.079
<v Speaker 1>I totally agree with you one hundred percent. We are

0:12:28.320 --> 0:12:31.079
<v Speaker 1>getting to recap Wicked Wonderland right after its release, which

0:12:31.120 --> 0:12:34.000
<v Speaker 1>is always fun. And now you I don't know if

0:12:34.040 --> 0:12:36.640
<v Speaker 1>you can see my script, but you is in capitals.

0:12:37.080 --> 0:12:39.120
<v Speaker 1>Can watch it on Disney Plus two. But make sure

0:12:39.160 --> 0:12:42.080
<v Speaker 1>to do it before October eighteenth, twenty forty five, because

0:12:42.080 --> 0:12:43.760
<v Speaker 1>I've heard a prophecy about that being the end of

0:12:43.760 --> 0:12:45.720
<v Speaker 1>the world. It'll start with a small earthquake, then we'll

0:12:45.720 --> 0:12:48.040
<v Speaker 1>see Locus and a sinkhole will appear in Rio de Janeiro,

0:12:48.120 --> 0:12:50.600
<v Speaker 1>sucking each one of us in, one by one, very slowly,

0:12:50.920 --> 0:12:53.920
<v Speaker 1>until no one has left anyway, enjoy Wicked Wonderland now

0:12:53.920 --> 0:12:57.760
<v Speaker 1>in Disney Plus. So let's release the Dodo birds and

0:12:57.920 --> 0:13:01.520
<v Speaker 1>enter the maze. That is the synopsis. Red and Chloe

0:13:01.520 --> 0:13:04.480
<v Speaker 1>discovered they've created a dangerous new reality where Maddox Hatter

0:13:04.600 --> 0:13:07.800
<v Speaker 1>has become a villain and Wonderland is in peril. Teaming

0:13:07.840 --> 0:13:10.000
<v Speaker 1>up with Red's new sister Pink and a fresh new

0:13:10.000 --> 0:13:12.240
<v Speaker 1>crop of heroes and villains. They must now rescue the

0:13:12.320 --> 0:13:16.000
<v Speaker 1>Queen of Hearts and undo the consequences of time travel Sabrina,

0:13:17.280 --> 0:13:19.600
<v Speaker 1>I already know your answer, but early thoughts on descendance

0:13:19.640 --> 0:13:22.000
<v Speaker 1>wickled Wonderland a massive hit for the Disney Channel in

0:13:22.000 --> 0:13:23.440
<v Speaker 1>twenty twenty six. What did you think?

0:13:23.880 --> 0:13:28.480
<v Speaker 2>I loved this movie, and I feel like we might

0:13:28.640 --> 0:13:33.840
<v Speaker 2>need to implement a new role when it comes to scoring,

0:13:34.080 --> 0:13:37.720
<v Speaker 2>to where we can veto the other's score, because I

0:13:37.800 --> 0:13:40.560
<v Speaker 2>remember when I gave the last one a nine and

0:13:40.600 --> 0:13:43.120
<v Speaker 2>you were like, you're you're kidding me. You should have

0:13:43.200 --> 0:13:46.360
<v Speaker 2>vetoed me. Because now that I've got this one too, you.

0:13:48.679 --> 0:13:51.640
<v Speaker 1>I'm canceling your Yeah, I'm canceling.

0:13:51.280 --> 0:13:55.200
<v Speaker 2>Your opinion, just being like, no, that's not no. I

0:13:55.280 --> 0:13:55.960
<v Speaker 2>can't let you.

0:13:56.320 --> 0:13:58.760
<v Speaker 1>I will let the internet machine judge you harshly. I

0:13:58.760 --> 0:13:59.920
<v Speaker 1>don't need to do that for your score.

0:14:00.120 --> 0:14:02.559
<v Speaker 2>Okay, that's true. There's quite a few of them out there.

0:14:04.080 --> 0:14:06.520
<v Speaker 2>I love it so much that I was like, how

0:14:06.640 --> 0:14:11.880
<v Speaker 2>in the world did I score Rise of Red a nine?

0:14:12.760 --> 0:14:16.480
<v Speaker 2>Because this place, I mean that was that was an

0:14:16.480 --> 0:14:18.680
<v Speaker 2>incorrect scoring. And I'm not sure what was in.

0:14:18.559 --> 0:14:19.600
<v Speaker 1>My water that day.

0:14:19.840 --> 0:14:25.040
<v Speaker 2>I don't know, but this movie, I mean surpassed. It

0:14:25.120 --> 0:14:27.640
<v Speaker 2>surpassed Rise of Red in such a big way for

0:14:27.680 --> 0:14:31.120
<v Speaker 2>me that I and I love it. But again, it's

0:14:31.160 --> 0:14:33.240
<v Speaker 2>all about the experience, right, Like I got to go

0:14:33.280 --> 0:14:37.120
<v Speaker 2>to the big premiere with Monroe and all of that,

0:14:37.200 --> 0:14:40.920
<v Speaker 2>But even just watching it by myself, I really did

0:14:41.040 --> 0:14:44.600
<v Speaker 2>like it. So I first, that's love.

0:14:44.640 --> 0:14:48.280
<v Speaker 1>Okay, Yeah, I agree. And I did not have any

0:14:48.280 --> 0:14:51.320
<v Speaker 1>of the pop and circumstance Foo for All, Huchi Bootsy,

0:14:51.360 --> 0:14:52.520
<v Speaker 1>all the stuff we've been talking about.

0:14:52.760 --> 0:14:53.400
<v Speaker 2>Well you could have.

0:14:53.640 --> 0:14:55.640
<v Speaker 1>I could have. I know I could have, but didn't.

0:14:57.120 --> 0:15:00.080
<v Speaker 1>But it was, uh, it was great. It was I

0:15:00.720 --> 0:15:02.920
<v Speaker 1>you know, felt like I had to slog through Rise

0:15:02.960 --> 0:15:04.720
<v Speaker 1>of Red and again the last time with Rise of Red.

0:15:04.760 --> 0:15:06.960
<v Speaker 1>I'm such a purist when it comes to time travel movies.

0:15:06.960 --> 0:15:09.320
<v Speaker 1>They're like, it's like one of my niche things. Yes

0:15:09.520 --> 0:15:12.080
<v Speaker 1>that it really pissed me off, all the just the

0:15:12.160 --> 0:15:16.200
<v Speaker 1>gaping timeholes this movie was. I thought it was back

0:15:16.240 --> 0:15:20.520
<v Speaker 1>to like early descendants of what it was. Great singing,

0:15:20.560 --> 0:15:25.520
<v Speaker 1>great dancing, great cast, really amazing sets, good basic kind

0:15:25.560 --> 0:15:28.680
<v Speaker 1>of story in a world we hadn't seen before. Yeah

0:15:28.760 --> 0:15:31.680
<v Speaker 1>this should I mean again, I get what they had

0:15:31.720 --> 0:15:33.320
<v Speaker 1>to do for the first one. But this should have

0:15:33.360 --> 0:15:37.320
<v Speaker 1>been the start of the new version of Descendants, like

0:15:37.360 --> 0:15:39.520
<v Speaker 1>the Rise of Red. You didn't need Rise of Red.

0:15:39.840 --> 0:15:42.040
<v Speaker 2>No, I feel like you could have. I mean, I

0:15:42.080 --> 0:15:44.280
<v Speaker 2>don't know what you'd have to take out of this one,

0:15:44.880 --> 0:15:46.800
<v Speaker 2>but you could have just done a quick recap of

0:15:46.920 --> 0:15:49.960
<v Speaker 2>like what's gone on and what happened, like like those

0:15:49.960 --> 0:15:52.000
<v Speaker 2>little stories that they do in the front, like the

0:15:52.040 --> 0:15:54.600
<v Speaker 2>little stories that they do in almost every single one

0:15:54.600 --> 0:15:57.040
<v Speaker 2>of them. Yeah, this is what's happened before, this is

0:15:57.080 --> 0:15:58.800
<v Speaker 2>where we're at now, and keep a pushing.

0:15:58.960 --> 0:16:01.280
<v Speaker 1>Yeah, there's something I agree, because it was a little

0:16:01.320 --> 0:16:04.760
<v Speaker 1>it was strange. You also could have gone the opposite way,

0:16:04.880 --> 0:16:08.560
<v Speaker 1>where you know, Descendants was all about the descendants of

0:16:08.640 --> 0:16:12.880
<v Speaker 1>villains coming to Orodon and becoming good. You could easily

0:16:12.880 --> 0:16:17.360
<v Speaker 1>have done something where it was actually a descendant of

0:16:17.400 --> 0:16:20.080
<v Speaker 1>a hero from Oordon who was wrongly convicted of something

0:16:20.280 --> 0:16:22.840
<v Speaker 1>sent to the island, and it's from the point of

0:16:22.920 --> 0:16:24.880
<v Speaker 1>view of a good person turning quote unquote a good

0:16:24.920 --> 0:16:27.840
<v Speaker 1>person turning bad. You could have reversed the whole franchise.

0:16:27.920 --> 0:16:31.520
<v Speaker 1>So but this was I mean, it was super enjoyable

0:16:31.560 --> 0:16:33.040
<v Speaker 1>this movie. It really was. I felt like they got

0:16:33.040 --> 0:16:33.720
<v Speaker 1>back to basics.

0:16:33.840 --> 0:16:35.600
<v Speaker 2>That sets amazing.

0:16:35.800 --> 0:16:39.800
<v Speaker 1>It looked incredible, it sounded good, the songs were bops.

0:16:39.960 --> 0:16:42.120
<v Speaker 1>It was I even started to well, we'll get into

0:16:42.120 --> 0:16:44.840
<v Speaker 1>the dance stuff, but anyway. It was directed by Kimmy

0:16:44.920 --> 0:16:48.040
<v Speaker 1>Gatewood or Gatwood, a new name to the dcom universe,

0:16:48.040 --> 0:16:50.200
<v Speaker 1>but a long standing staple in the LA and New

0:16:50.280 --> 0:16:52.440
<v Speaker 1>York comedy scene. She is the co creator of The

0:16:52.480 --> 0:16:56.080
<v Speaker 1>Apple Sisters, a musical comedy trio which is hysterical. I

0:16:56.120 --> 0:16:58.320
<v Speaker 1>just want to see whatever that is that performed at

0:16:58.360 --> 0:17:01.320
<v Speaker 1>Montreal's Just for Laughs and the Use Theater. She will

0:17:01.320 --> 0:17:04.159
<v Speaker 1>also be recognized by fans of the Netflix show glow Or.

0:17:04.240 --> 0:17:07.640
<v Speaker 1>She played Stacy, one half of the geriatric tag team

0:17:07.720 --> 0:17:11.080
<v Speaker 1>the beat Down Biddies. Never seen that, but gonna rush

0:17:11.080 --> 0:17:14.600
<v Speaker 1>to now. But she has now transitioned behind the camera,

0:17:14.680 --> 0:17:18.040
<v Speaker 1>where she's directed shows like Crazy Ex Girlfriend, Ghosts, Girls,

0:17:18.080 --> 0:17:21.280
<v Speaker 1>Five Ever, and Going Dutch. She also won an Emmy

0:17:21.320 --> 0:17:24.000
<v Speaker 1>for her work on Disney Plus's Muppet Mayhem. This is

0:17:24.040 --> 0:17:27.159
<v Speaker 1>definitely her biggest undertaking, especially since there are rumors and

0:17:27.240 --> 0:17:30.719
<v Speaker 1>they're just rumors at this point. People, So if you're driving,

0:17:30.800 --> 0:17:33.000
<v Speaker 1>pull over, sit down, do what you gotta do. But

0:17:33.160 --> 0:17:37.280
<v Speaker 1>the movie's budget for a d COM was ninety five

0:17:37.320 --> 0:17:41.159
<v Speaker 1>million dollars. Geez, ninety five million dollars. That is a

0:17:41.160 --> 0:17:43.080
<v Speaker 1>full ten million dollars more than the already record breaking

0:17:43.160 --> 0:17:45.679
<v Speaker 1>number for Rise of Red. So this is officially the

0:17:45.680 --> 0:17:49.919
<v Speaker 1>most expensive dcom ever. Did it look expensive to you

0:17:50.000 --> 0:17:53.560
<v Speaker 1>at ever? This is dcom ever? Well, it's also the

0:17:53.600 --> 0:17:56.760
<v Speaker 1>fifth one. It's the fifth of five. Ever. Did it

0:17:56.800 --> 0:17:58.960
<v Speaker 1>look expensive to you? Yes?

0:17:59.160 --> 0:18:02.399
<v Speaker 2>Yeah, it done, I mean it was. The money was

0:18:02.440 --> 0:18:04.919
<v Speaker 2>spent correctly, I mean ough, I.

0:18:04.960 --> 0:18:07.480
<v Speaker 1>Agree one percent. And like I said, we have a

0:18:07.480 --> 0:18:10.080
<v Speaker 1>mix of returning actors and new editions, starting with Kylie

0:18:10.080 --> 0:18:12.520
<v Speaker 1>Cantrell as read the new face of the franchise and

0:18:12.560 --> 0:18:15.480
<v Speaker 1>honestly the channel as a whole. First seen on YouTube

0:18:15.480 --> 0:18:17.960
<v Speaker 1>and TikTok, which I think her Internet things. Cantrell is

0:18:18.000 --> 0:18:21.600
<v Speaker 1>best known as Gabby, the titular character on Disney's Gabby

0:18:21.680 --> 0:18:25.159
<v Speaker 1>Duran and the Unsittables. There are more titles in this

0:18:25.280 --> 0:18:27.600
<v Speaker 1>breakdown that I'm not going to understand than in anyone

0:18:27.640 --> 0:18:30.159
<v Speaker 1>we've done before, but has also been seen on Raven's

0:18:30.200 --> 0:18:32.639
<v Speaker 1>Home high school musical, The Musical, the series, and Just

0:18:32.800 --> 0:18:35.159
<v Speaker 1>Roll with It. So she's the real product of the system.

0:18:35.240 --> 0:18:37.439
<v Speaker 1>She is also signed to a record deal, of course,

0:18:37.560 --> 0:18:40.080
<v Speaker 1>and she just released an EP, which the cooler people

0:18:40.080 --> 0:18:41.800
<v Speaker 1>in the world tell me means like a song or

0:18:41.840 --> 0:18:43.680
<v Speaker 1>an album or something, so go and check it out.

0:18:44.320 --> 0:18:47.240
<v Speaker 1>Malia Baker returns as Chloe, the offspring of Cinderella and

0:18:47.280 --> 0:18:50.040
<v Speaker 1>Prince Charming. She's been previously seen on shows like The Flash,

0:18:50.080 --> 0:18:51.960
<v Speaker 1>Are You Afraid of the Dark, and The Babysitters Club,

0:18:52.560 --> 0:18:55.640
<v Speaker 1>And new to the series we have Leamani Segura as

0:18:55.760 --> 0:18:59.040
<v Speaker 1>Princess Pink. Her first role ever was Emmy on High

0:18:59.080 --> 0:19:01.120
<v Speaker 1>School Musical, the musical series, which I will never get

0:19:01.160 --> 0:19:02.920
<v Speaker 1>tired of saying. And it's not only part of the

0:19:02.920 --> 0:19:05.600
<v Speaker 1>Descendants franchise. She will also be in Camp Rock three

0:19:05.720 --> 0:19:08.320
<v Speaker 1>coming out soon. So between her and Malachi, it does

0:19:08.359 --> 0:19:11.160
<v Speaker 1>seem like Disney is just casting these kids across properties now.

0:19:12.119 --> 0:19:13.879
<v Speaker 1>And you know, I don't even have to ask if

0:19:13.880 --> 0:19:15.439
<v Speaker 1>that was the thing before, because of course it was.

0:19:15.440 --> 0:19:17.000
<v Speaker 1>They've been. Disney's been doing this for rever It's one

0:19:17.000 --> 0:19:18.320
<v Speaker 1>of the things they're great at. As you get into

0:19:18.359 --> 0:19:20.119
<v Speaker 1>the Disney machine and if they like you, they just

0:19:20.160 --> 0:19:21.639
<v Speaker 1>keep putting you in and it's awesome.

0:19:21.680 --> 0:19:24.160
<v Speaker 2>Yeah, Well, and it helps promote the next thing, right,

0:19:24.480 --> 0:19:26.760
<v Speaker 2>I remember That's how it was with Raven. She had

0:19:26.800 --> 0:19:29.960
<v Speaker 2>just finished her first season of That's So Raven when

0:19:30.000 --> 0:19:32.080
<v Speaker 2>we were shooting The Cheetah Girl. Yeah, it was like

0:19:32.119 --> 0:19:33.560
<v Speaker 2>that all helped promote each other.

0:19:33.560 --> 0:19:37.480
<v Speaker 1>Oh yes, absolutely fight yep, and Leonardo nam is back

0:19:37.520 --> 0:19:39.760
<v Speaker 1>as Maddox Hatter. He's been in a ton of stuff

0:19:39.800 --> 0:19:42.520
<v Speaker 1>over the past twenty years, including Sisterhood of the Traveling Pants.

0:19:43.080 --> 0:19:44.919
<v Speaker 1>Is that literally just a movie about pants?

0:19:46.040 --> 0:19:50.880
<v Speaker 2>Yes, that's the same producers the Cheetah Girls and The Cinderella,

0:19:51.000 --> 0:19:54.119
<v Speaker 2>the movie with Brandy. It's like a pair of pants

0:19:54.119 --> 0:19:57.400
<v Speaker 2>that all four of these girlfriends, they all have different bodies,

0:19:57.440 --> 0:20:01.360
<v Speaker 2>different styles and stuff, and they like send the pair

0:20:01.400 --> 0:20:04.440
<v Speaker 2>of pants to each other while they're away from each other,

0:20:04.560 --> 0:20:07.080
<v Speaker 2>and it always shows up at the time where they

0:20:07.160 --> 0:20:08.360
<v Speaker 2>like are in need of like.

0:20:08.560 --> 0:20:11.800
<v Speaker 1>Compara pants like that. Okay, gotcha a pair of pants? Okay.

0:20:12.880 --> 0:20:15.359
<v Speaker 1>The man's version is called The Brotherhood of the Only

0:20:15.400 --> 0:20:18.600
<v Speaker 1>pair of underwear that men own. Oh god, no.

0:20:18.800 --> 0:20:20.320
<v Speaker 2>Please don't send that to each other.

0:20:20.880 --> 0:20:23.119
<v Speaker 1>And then we've got He's also in Fast and Furious,

0:20:23.160 --> 0:20:26.520
<v Speaker 1>Tokyo Drift, and Westworld, but now he has a son,

0:20:26.760 --> 0:20:30.040
<v Speaker 1>Max Hatter played by Brendan Trembley. Trembley is a working

0:20:30.080 --> 0:20:32.119
<v Speaker 1>Canadian actor who will also be in the upcoming Disney

0:20:32.160 --> 0:20:36.280
<v Speaker 1>Channel show Coven Academy. Another new name, Kiara t Romero

0:20:36.480 --> 0:20:39.680
<v Speaker 1>is Hazel Hook. She was a background actor in the

0:20:39.720 --> 0:20:42.920
<v Speaker 1>dcom movie The prom and this is her first featured role.

0:20:43.040 --> 0:20:46.120
<v Speaker 1>I love hearing stories like that. Congrats, that's awesome.

0:20:46.280 --> 0:20:49.760
<v Speaker 2>Her character saying it now was my favorite in this movie.

0:20:50.000 --> 0:20:53.440
<v Speaker 2>I loved Hazel. I loved that a female was doing

0:20:53.480 --> 0:20:57.280
<v Speaker 2>a hook villain character. That was very cool to see,

0:20:57.320 --> 0:21:00.720
<v Speaker 2>like a girl taking on one of those characters. Oh

0:21:01.000 --> 0:21:04.000
<v Speaker 2>and I thought she was so good, so good.

0:21:04.320 --> 0:21:06.080
<v Speaker 1>Yeah, super cool all the way around.

0:21:06.080 --> 0:21:07.120
<v Speaker 2>Shout out Kiara.

0:21:07.600 --> 0:21:12.199
<v Speaker 1>They were all kind of great. Yeah. Melanie Packson returns

0:21:12.200 --> 0:21:14.719
<v Speaker 1>his Fairy Godmother, the only original cast member still in

0:21:14.760 --> 0:21:17.400
<v Speaker 1>this thing, and from Rise of Red, Paalo Malta bought

0:21:17.440 --> 0:21:19.639
<v Speaker 1>his back as Prince Charming. As are two of the

0:21:19.640 --> 0:21:22.200
<v Speaker 1>biggest examples of stunt casting for the modern day channel.

0:21:22.520 --> 0:21:25.560
<v Speaker 1>Brandy of Once Again Cinderella is reprising the role she

0:21:25.600 --> 0:21:27.600
<v Speaker 1>had in the nineteen ninety seven original movie, which I

0:21:27.640 --> 0:21:31.119
<v Speaker 1>haven't seen yet, and Rita Ara is the Queen of

0:21:31.240 --> 0:21:34.960
<v Speaker 1>Hearts I think both ladies were amazing in last descendance,

0:21:34.960 --> 0:21:37.280
<v Speaker 1>so I'm happy to see them back. And let's say

0:21:37.280 --> 0:21:40.879
<v Speaker 1>hello to another recognizable name, Aquafina, as the voice of CHESSI,

0:21:41.000 --> 0:21:44.040
<v Speaker 1>the New Cheshire Cat. Aquafina began her career as a

0:21:44.119 --> 0:21:47.119
<v Speaker 1>rapper on YouTube and has since transitioned into TV and movies,

0:21:47.160 --> 0:21:49.840
<v Speaker 1>starting with Neighbors two, then landing in other big films

0:21:49.920 --> 0:21:52.840
<v Speaker 1>like Ocean's Eight Crazy Rich Asians, Jumanji, The Next Level,

0:21:52.920 --> 0:21:55.560
<v Speaker 1>and The Bad Guys. Now, if you love this cast,

0:21:55.640 --> 0:21:57.479
<v Speaker 1>let me be the first to tell you about disney

0:21:57.480 --> 0:22:00.720
<v Speaker 1>World's Collide. That's right, it sounded the way I said it.

0:22:00.720 --> 0:22:03.480
<v Speaker 1>But it's called disney World's Collide or disney World's Collide

0:22:03.520 --> 0:22:05.800
<v Speaker 1>or disney Worlds Collide, depending on how you'd like to

0:22:05.960 --> 0:22:09.600
<v Speaker 1>make The emphastis a tour coming up involving cast members

0:22:09.640 --> 0:22:13.120
<v Speaker 1>from Wicked, Wonderland, Descendants, and Camp Rock three that will

0:22:13.119 --> 0:22:16.200
<v Speaker 1>start in September and be hitting a lot of big cities. Sabrina,

0:22:17.080 --> 0:22:19.240
<v Speaker 1>should we go to this? Yes?

0:22:19.520 --> 0:22:21.560
<v Speaker 2>Are you kidding me? I was pissed we missed the

0:22:21.640 --> 0:22:24.320
<v Speaker 2>last one. We absolutely should go to this.

0:22:24.480 --> 0:22:27.000
<v Speaker 1>Do they fight to the death, because that would be

0:22:27.200 --> 0:22:29.600
<v Speaker 1>like it's like, oh my god, the only person left

0:22:29.640 --> 0:22:31.359
<v Speaker 1>is one person from Camp Rock three like that.

0:22:32.440 --> 0:22:36.080
<v Speaker 2>Yeah, no, that's not how that works. No, there, I

0:22:36.119 --> 0:22:39.479
<v Speaker 2>saw snippets from the last tour. It looked great. I

0:22:39.520 --> 0:22:43.719
<v Speaker 2>think it's brilliant on oh my god, jeez thing because

0:22:43.760 --> 0:22:46.560
<v Speaker 2>like when we were all out on tour at some point,

0:22:46.880 --> 0:22:50.680
<v Speaker 2>we were basically fighting each other for ticket sales, right

0:22:50.720 --> 0:22:54.399
<v Speaker 2>like parents were having to decide do we want to

0:22:54.440 --> 0:22:59.080
<v Speaker 2>go to uh Hannah Montana, Miiley Cyrus Tour, High School

0:22:59.119 --> 0:23:01.800
<v Speaker 2>Musical Tour or Cheeah Girls Tour like we were, you know.

0:23:01.960 --> 0:23:05.520
<v Speaker 2>So for Disney as a company, this is perfect, right, brilliant,

0:23:05.560 --> 0:23:07.960
<v Speaker 2>And I'm sure that the ticket prices are just through

0:23:08.000 --> 0:23:10.000
<v Speaker 2>the roof. I haven't looked at it, but I do

0:23:10.119 --> 0:23:11.920
<v Speaker 2>know it's in September, it's coming up soon.

0:23:12.200 --> 0:23:14.119
<v Speaker 1>Well, that'll have to determine whether we go or not,

0:23:14.200 --> 0:23:17.760
<v Speaker 1>because if it's super expensive, I'm gonna go to that.

0:23:18.400 --> 0:23:21.080
<v Speaker 1>Come on, you can buy.

0:23:21.119 --> 0:23:23.359
<v Speaker 2>Leomani told me that I should go, so, you know,

0:23:23.960 --> 0:23:26.600
<v Speaker 2>being one of her new besties, I feel a little obligating.

0:23:26.680 --> 0:23:29.760
<v Speaker 1>Okay, Well we'll see. I might be I don't know

0:23:29.800 --> 0:23:31.760
<v Speaker 1>what day it is, but I might be busy that day.

0:23:32.080 --> 0:23:33.280
<v Speaker 2>You probably will.

0:23:35.920 --> 0:23:39.880
<v Speaker 1>I have a lot going on as to you. Okay, sure,

0:23:39.960 --> 0:23:42.000
<v Speaker 1>this is the fifth movie. It costs almost a hundred

0:23:42.000 --> 0:23:43.960
<v Speaker 1>million dollars to make, but that does not give it

0:23:44.000 --> 0:23:46.639
<v Speaker 1>a pass to be longer than ninety minutes. We know

0:23:46.680 --> 0:23:48.920
<v Speaker 1>that every movie from Gone with the Wind to Biodome

0:23:48.960 --> 0:23:51.520
<v Speaker 1>should be an hour and a half, no more, no less.

0:23:51.960 --> 0:23:55.960
<v Speaker 1>We've specifically proven it here scientifically, so is the fifth

0:23:56.000 --> 0:24:01.040
<v Speaker 1>time of Charm Descendants. Wicked Wonderland runs ninety five minutes.

0:24:01.160 --> 0:24:04.040
<v Speaker 1>Oh five minutes off the target, which is too long

0:24:04.080 --> 0:24:06.280
<v Speaker 1>by all accounts. I can't believe they need a sixth

0:24:06.359 --> 0:24:09.679
<v Speaker 1>movie to try to get it right, but it seems

0:24:09.680 --> 0:24:11.880
<v Speaker 1>to be the case. Shame on all those involved.

0:24:13.400 --> 0:24:16.879
<v Speaker 2>The third one was even longer. Remember, oh my god, I'm.

0:24:16.800 --> 0:24:20.680
<v Speaker 1>Still watching it. Yeah, it's I'm yeah, I'm on day eight.

0:24:21.560 --> 0:24:24.679
<v Speaker 1>Once again, Hollywood's longest running writing team, Sarah Parriott and

0:24:24.800 --> 0:24:27.560
<v Speaker 1>Jozanne McGibbon are given. They're created by credits, and we

0:24:27.600 --> 0:24:29.960
<v Speaker 1>see the return of Dan Freeman and Rue Summer, the

0:24:30.040 --> 0:24:32.080
<v Speaker 1>writers behind Rise of Red. But now we have a

0:24:32.080 --> 0:24:35.600
<v Speaker 1>new addition to Mara Dannison. Dannison won the twenty twenty

0:24:35.600 --> 0:24:39.040
<v Speaker 1>two Children's and Family Emmy for Outstanding Fiction Special with

0:24:39.080 --> 0:24:43.880
<v Speaker 1>Disney's Sneakerella. She also wrote Netflix's Moxie and Amazon Primes

0:24:43.920 --> 0:24:46.800
<v Speaker 1>Something from Tiffany's. She is now set to write an

0:24:46.880 --> 0:24:50.680
<v Speaker 1>untitled rom com starring fellow iHeart employee Nick Jonas for Netflix.

0:24:50.760 --> 0:24:53.440
<v Speaker 1>By the way, Nick, if you get me this year

0:24:53.480 --> 0:24:55.880
<v Speaker 1>for Secret Sanna, just ignore the twenty dollars limit.

0:25:01.920 --> 0:25:04.480
<v Speaker 6>Dancing with the Stars is looking for a new pro

0:25:04.680 --> 0:25:08.280
<v Speaker 6>and since last season I came in eighth place, I'm basically.

0:25:08.040 --> 0:25:11.399
<v Speaker 7>An expert easy there. I've spent my entire life in

0:25:11.440 --> 0:25:13.520
<v Speaker 7>the ballroom, so maybe you could use some help.

0:25:13.680 --> 0:25:16.960
<v Speaker 6>I'm Danielle Fischl and I'm Vouchmerkovsky, and we have a

0:25:16.960 --> 0:25:19.800
<v Speaker 6>new podcast called Stepping on Toes with Danielle and Val.

0:25:20.200 --> 0:25:22.399
<v Speaker 7>Every week we're breaking down Dancing with the Stars the

0:25:22.440 --> 0:25:24.600
<v Speaker 7>next pro to find out who I'll be sharing the

0:25:24.640 --> 0:25:25.760
<v Speaker 7>ballroom with next season.

0:25:25.920 --> 0:25:28.600
<v Speaker 6>I'll be asking the questions every fan is thinking.

0:25:28.440 --> 0:25:30.919
<v Speaker 7>And I'll take you behind the choreography of judging the

0:25:30.960 --> 0:25:33.800
<v Speaker 7>performances and what it takes to compete in front of millionaires.

0:25:34.119 --> 0:25:36.880
<v Speaker 6>Plus we'll be joined by some very special guests.

0:25:37.280 --> 0:25:39.399
<v Speaker 7>It's time to crown a new Dancing with the stars

0:25:39.480 --> 0:25:41.640
<v Speaker 7>pro So let us be your guys to this once

0:25:41.640 --> 0:25:43.040
<v Speaker 7>in a lifetime opportunity.

0:25:43.119 --> 0:25:44.120
<v Speaker 6>Do you think I could win?

0:25:44.840 --> 0:25:44.919
<v Speaker 2>No?

0:25:45.520 --> 0:25:48.000
<v Speaker 6>Listen to Stepping on Toes on the iHeartRadio app, Apple

0:25:48.040 --> 0:25:50.480
<v Speaker 6>Podcasts or wherever you get your podcasts.

0:26:04.760 --> 0:26:07.199
<v Speaker 1>So now did you hear from them? For once in

0:26:07.200 --> 0:26:09.240
<v Speaker 1>my life? I'm mad for Wicked, Wederland and dancing with

0:26:09.280 --> 0:26:11.880
<v Speaker 1>the Enemy. It really is who I am. So let's

0:26:11.880 --> 0:26:14.920
<v Speaker 1>get into the newest Descendants. The movie opens with a

0:26:14.960 --> 0:26:17.600
<v Speaker 1>new character, Chessie, the child of the cheshire Cat, filling

0:26:17.640 --> 0:26:19.560
<v Speaker 1>us in on everything that happened in the last movie,

0:26:19.600 --> 0:26:22.399
<v Speaker 1>all over some expensive special effects for those with a

0:26:22.520 --> 0:26:24.959
<v Speaker 1>very bad short term memory. Red turned her mom from

0:26:25.040 --> 0:26:27.280
<v Speaker 1>villain to hero by changing the past, something that has

0:26:27.320 --> 0:26:31.200
<v Speaker 1>triggered some unintended consequences and created some chaos. We see

0:26:31.200 --> 0:26:33.880
<v Speaker 1>the newly minted friends Red and Chloe open the Wonderland

0:26:33.960 --> 0:26:36.480
<v Speaker 1>vault and hide the time traveling pocket watch that allowed

0:26:36.480 --> 0:26:40.639
<v Speaker 1>them to jump decades. Okay, I'm gonna start nitpicking, just

0:26:40.640 --> 0:26:43.840
<v Speaker 1>because that's what to do. So they have a vault

0:26:43.840 --> 0:26:46.760
<v Speaker 1>where all the most important things are, but kind of

0:26:46.840 --> 0:26:48.720
<v Speaker 1>anybody can open it if they find it at the

0:26:48.760 --> 0:26:51.320
<v Speaker 1>middle of the maze. That's not a vault, that's just

0:26:51.400 --> 0:26:53.639
<v Speaker 1>a place you put things. Did they have to do

0:26:53.680 --> 0:26:55.399
<v Speaker 1>anything to get into it other than get to the

0:26:55.400 --> 0:26:56.160
<v Speaker 1>middle of the maze.

0:26:57.160 --> 0:26:59.879
<v Speaker 2>They didn't show that. No, but I assumed it was

0:27:00.080 --> 0:27:01.680
<v Speaker 2>Red was the only one that could.

0:27:01.760 --> 0:27:03.880
<v Speaker 1>Like Red didn't open it at the end.

0:27:04.200 --> 0:27:06.120
<v Speaker 2>I know That's what I was confused about.

0:27:06.320 --> 0:27:09.720
<v Speaker 1>Yeah, okay, thank you. Sorry. Well, it's it's a pretty

0:27:09.760 --> 0:27:13.800
<v Speaker 1>big I think it's that's an everybody sees because it's like,

0:27:14.080 --> 0:27:18.399
<v Speaker 1>why why is that there? And also if there's not

0:27:18.480 --> 0:27:19.960
<v Speaker 1>to jump ahead to the end. But I'm assuming that

0:27:20.040 --> 0:27:22.280
<v Speaker 1>people that watch the movie are going to watch a

0:27:22.320 --> 0:27:24.480
<v Speaker 1>movie are not going to watch a movie. But if

0:27:24.480 --> 0:27:26.399
<v Speaker 1>you have another place to throw it that makes it

0:27:26.440 --> 0:27:28.800
<v Speaker 1>go away forever and keeps all your secrets, why not

0:27:28.880 --> 0:27:29.680
<v Speaker 1>put it there.

0:27:30.480 --> 0:27:32.679
<v Speaker 2>I don't think she was wanting to get rid of it.

0:27:32.720 --> 0:27:34.760
<v Speaker 2>I think she was wanting to hold on to it.

0:27:35.000 --> 0:27:38.440
<v Speaker 1>Okay, maybe you could, Okay, gotcha. I still that made

0:27:38.440 --> 0:27:41.199
<v Speaker 1>it was weird to me, but it was right if

0:27:41.240 --> 0:27:41.960
<v Speaker 1>anybody can.

0:27:41.840 --> 0:27:45.080
<v Speaker 2>Open it right right from the start. However, no one

0:27:45.160 --> 0:27:49.720
<v Speaker 2>really knows where it is. That's the one thing that

0:27:49.240 --> 0:27:51.840
<v Speaker 2>the same thing it's in the center of the maze,

0:27:51.840 --> 0:27:55.600
<v Speaker 2>but nobody knows it's there. But I guess at the end,

0:27:55.600 --> 0:27:59.160
<v Speaker 2>I was like, but she went to it after Chloe,

0:27:59.200 --> 0:28:01.600
<v Speaker 2>But I guess we then knew where it was because

0:28:01.640 --> 0:28:04.800
<v Speaker 2>of the maze. That was the thing. Like Mad Hatter

0:28:05.320 --> 0:28:08.040
<v Speaker 2>even when he saw it later, doesn't know where it is.

0:28:08.320 --> 0:28:11.200
<v Speaker 1>Right right by the way. Super easy maze if you've

0:28:11.200 --> 0:28:14.159
<v Speaker 1>been through it once with Red and then you remember

0:28:14.160 --> 0:28:15.600
<v Speaker 1>how to get to the middle again. That's not a

0:28:15.600 --> 0:28:21.280
<v Speaker 1>tough maze. Just saying there's better hiding places.

0:28:21.400 --> 0:28:23.840
<v Speaker 2>Oh man, I had a birthday party that had a

0:28:23.880 --> 0:28:26.399
<v Speaker 2>maze situation and my dad was up on top watching

0:28:26.520 --> 0:28:29.200
<v Speaker 2>us all and like filming us. I got so pissed

0:28:29.280 --> 0:28:31.440
<v Speaker 2>I quit. I was like, this birthday sucks.

0:28:33.160 --> 0:28:34.520
<v Speaker 1>And then you couldn't get out of the maze to

0:28:34.520 --> 0:28:35.959
<v Speaker 1>get to your cake. I'm dying out.

0:28:36.119 --> 0:28:38.640
<v Speaker 2>I could successfully stomp out the way I wanted to

0:28:38.680 --> 0:28:40.920
<v Speaker 2>because I was lost exactly.

0:28:41.600 --> 0:28:46.280
<v Speaker 1>Oh my Well, anyway, we see the newly minted friends,

0:28:46.320 --> 0:28:48.480
<v Speaker 1>Red and Chloe opened the Wonderland Vault and hide the

0:28:48.520 --> 0:28:51.200
<v Speaker 1>time traveling pocket watch that allowed them to jump decades.

0:28:51.440 --> 0:28:53.720
<v Speaker 1>They think they solved everything, but were told someone saw

0:28:53.760 --> 0:28:56.280
<v Speaker 1>them and knows exactly what they're up to. Erasing one

0:28:56.320 --> 0:28:59.400
<v Speaker 1>villain created another Wonderland is about to be a lot

0:28:59.480 --> 0:29:03.000
<v Speaker 1>less one. We're now in Red and Chloe's bedrooms. The girls'

0:29:03.000 --> 0:29:05.840
<v Speaker 1>alarm clocks go off, and our first song begins, Perfect Princess,

0:29:05.880 --> 0:29:08.160
<v Speaker 1>all about how peace was restored and they saved the day.

0:29:08.200 --> 0:29:10.640
<v Speaker 1>As besties, Redd and Chloe get ready for their day

0:29:10.680 --> 0:29:12.960
<v Speaker 1>back at school and eventually are joined by the entire cast,

0:29:13.000 --> 0:29:15.600
<v Speaker 1>including the Queen of Hearts and Cinderella. During the song,

0:29:15.680 --> 0:29:18.360
<v Speaker 1>Red is freaked out to meet her new sister Pink

0:29:18.920 --> 0:29:22.320
<v Speaker 1>and two horny new classmates, Robbie Hood and Louis Madrigal.

0:29:22.880 --> 0:29:25.320
<v Speaker 1>Mad had her son Max and his crew, which includes

0:29:25.320 --> 0:29:27.920
<v Speaker 1>the cool looking kind of twin sons of mister Smeeth,

0:29:28.280 --> 0:29:30.120
<v Speaker 1>seem to have some friction with the hero kids now,

0:29:30.160 --> 0:29:32.960
<v Speaker 1>so there's like teams that have formed in this new version,

0:29:33.080 --> 0:29:35.720
<v Speaker 1>this new world. As the song ends, Redd and Chloe

0:29:35.840 --> 0:29:37.760
<v Speaker 1>realize things are different than what they were used to

0:29:37.840 --> 0:29:39.560
<v Speaker 1>and they know why they changed the past, but they

0:29:39.560 --> 0:29:42.160
<v Speaker 1>promised to figure it out together. Okay, Sabrina, you know

0:29:42.200 --> 0:29:44.480
<v Speaker 1>this as the podcast resident Song and Dance Aspert, I

0:29:44.480 --> 0:29:47.000
<v Speaker 1>think we already know the answer to this, let's get started. First,

0:29:47.000 --> 0:29:49.600
<v Speaker 1>big number, what'd you think good?

0:29:49.720 --> 0:29:52.480
<v Speaker 2>I kind of got nervous at the beginning. All the

0:29:52.520 --> 0:29:55.560
<v Speaker 2>talking and all the stuff that I didn't really love

0:29:55.640 --> 0:29:59.320
<v Speaker 2>from the first one is how it started.

0:30:00.080 --> 0:30:00.720
<v Speaker 1>But it did.

0:30:00.560 --> 0:30:04.000
<v Speaker 2>Explain and put you into like understanding that, like they're

0:30:04.280 --> 0:30:07.720
<v Speaker 2>picking up on the things that have changed now, right, yeah,

0:30:07.760 --> 0:30:10.840
<v Speaker 2>Once we got out and in front of ord On

0:30:11.400 --> 0:30:13.680
<v Speaker 2>or right that's the.

0:30:13.640 --> 0:30:16.640
<v Speaker 1>School, yes, or on prep.

0:30:16.760 --> 0:30:18.960
<v Speaker 2>Or on prep. Once we got out in front of

0:30:19.320 --> 0:30:22.440
<v Speaker 2>you know, it was like this was what I was

0:30:22.600 --> 0:30:26.600
<v Speaker 2>needing from the last one. The big numbers, the tons

0:30:26.680 --> 0:30:29.800
<v Speaker 2>of dancers, the like flow of it. I mean, this

0:30:30.040 --> 0:30:32.840
<v Speaker 2>was such a great way to start this movie. I

0:30:33.000 --> 0:30:37.200
<v Speaker 2>thought it was incredible and loved right away seeing Rita,

0:30:37.280 --> 0:30:40.520
<v Speaker 2>Aura and Brandy reprising their roles, Like right away it

0:30:40.560 --> 0:30:43.120
<v Speaker 2>was like yes, yes, yes, that's what I'm saying. When

0:30:43.120 --> 0:30:45.760
<v Speaker 2>they give you exactly what the audience wants, then you're

0:30:45.840 --> 0:30:47.200
<v Speaker 2>like in for the long ride.

0:30:47.320 --> 0:30:49.440
<v Speaker 1>So I couldn't agree with you more. I was tapping

0:30:49.440 --> 0:30:50.200
<v Speaker 1>my toe the whole time.

0:30:50.240 --> 0:30:51.880
<v Speaker 5>I was like, yeah, this is a this is a banger,

0:30:51.960 --> 0:30:53.560
<v Speaker 5>this is a good song, cute song.

0:30:53.680 --> 0:30:57.200
<v Speaker 2>Yeah, And you could saw in the theater already these

0:30:57.200 --> 0:30:59.000
<v Speaker 2>people that are seeing it for the first time. Now,

0:30:59.040 --> 0:31:02.200
<v Speaker 2>I had seen it already just once. But other people

0:31:02.240 --> 0:31:05.200
<v Speaker 2>you could hear it, You could feel people like already

0:31:05.360 --> 0:31:08.840
<v Speaker 2>like chining In, Yeah, humming to it. You could feel

0:31:08.880 --> 0:31:11.160
<v Speaker 2>it in the theater for sure. At the premiere.

0:31:11.240 --> 0:31:14.480
<v Speaker 1>Was definitely a good first song. Now we're over in

0:31:14.520 --> 0:31:17.840
<v Speaker 1>Wonderland and Chessie tells us all about Maddox Hatter, Red's

0:31:17.880 --> 0:31:20.480
<v Speaker 1>former mentor and the new villain. The once kind hearted

0:31:20.480 --> 0:31:23.080
<v Speaker 1>inventor went so mad searching for his pocket watch the

0:31:23.160 --> 0:31:25.760
<v Speaker 1>Queen of Hearts banished him to the Isle of the Lost.

0:31:26.200 --> 0:31:28.600
<v Speaker 1>Now he's determined to find his prize and get revenge.

0:31:28.680 --> 0:31:31.320
<v Speaker 1>We also finally see the Cheshire cat narrator, and it's

0:31:31.320 --> 0:31:33.920
<v Speaker 1>nothing like the Chesshire we know. She's like a small

0:31:33.960 --> 0:31:36.000
<v Speaker 1>little rainbow tabby. It has a cool looking little cat.

0:31:36.320 --> 0:31:37.080
<v Speaker 1>It was cute.

0:31:37.200 --> 0:31:37.560
<v Speaker 3>Yeah.

0:31:37.600 --> 0:31:41.480
<v Speaker 1>We then enter Maddox Hatter's room with Chessie. Maddix declares,

0:31:41.520 --> 0:31:45.360
<v Speaker 1>after all these years of searching his urriculum, remember that word,

0:31:45.400 --> 0:31:47.880
<v Speaker 1>because it's gonna keep coming back, has found the pocket watch.

0:31:48.280 --> 0:31:50.760
<v Speaker 1>The Queen of Hearts has it in her vault. Wonderland

0:31:50.760 --> 0:31:52.520
<v Speaker 1>can finally be his and the Queen of Hearts could

0:31:52.520 --> 0:31:55.200
<v Speaker 1>be dead, but he needs her alive until they find

0:31:55.240 --> 0:31:57.920
<v Speaker 1>the vault, so he sends his mechanical Dodo birds real

0:31:57.960 --> 0:32:00.040
<v Speaker 1>proof of the budget if you ask me, which I

0:32:00.080 --> 0:32:02.080
<v Speaker 1>also thought it was weird though to pick Dodo Birds,

0:32:02.360 --> 0:32:04.280
<v Speaker 1>a flightless bird, but then he says, why did I

0:32:04.280 --> 0:32:06.400
<v Speaker 1>give you wings like he made them fly? So I

0:32:06.480 --> 0:32:07.680
<v Speaker 1>was doing a whole thing in my head. We'll get

0:32:07.680 --> 0:32:11.080
<v Speaker 1>into that later. To search the palace grounds, the croquet gardens,

0:32:11.240 --> 0:32:14.920
<v Speaker 1>Tolgi Woods, and every royal outpost in Wonderland for his

0:32:15.040 --> 0:32:17.400
<v Speaker 1>pocket watch. And for the first time in the movie,

0:32:17.440 --> 0:32:21.040
<v Speaker 1>we are at Ordon Prep. Well it's actually yeah, we're outside,

0:32:21.280 --> 0:32:25.000
<v Speaker 1>but they're dancing before, So yeah. Red and Chloe are

0:32:25.000 --> 0:32:27.280
<v Speaker 1>walking outside the school talking about their weird mornings and

0:32:27.280 --> 0:32:29.520
<v Speaker 1>all the things that have changed. Redd says she doesn't

0:32:29.560 --> 0:32:31.640
<v Speaker 1>know how to feel about anything now that Max Hatter

0:32:31.800 --> 0:32:34.440
<v Speaker 1>is a VK. His dad was her advisor and now

0:32:34.480 --> 0:32:37.560
<v Speaker 1>he's evil. Chloe blames the crew he's been hanging out with.

0:32:37.680 --> 0:32:40.560
<v Speaker 1>Hazel Hook is ruthless and always bossing around her flunkies

0:32:40.600 --> 0:32:43.200
<v Speaker 1>like the Smea Twins and Felix, doctor Filier's son. With

0:32:43.280 --> 0:32:46.480
<v Speaker 1>these scary tarot cards. Did you know who doctor Facilier

0:32:46.680 --> 0:32:48.280
<v Speaker 1>was at the time? I didn't either. I had to

0:32:48.280 --> 0:32:50.040
<v Speaker 1>google it. Have you seen Princess and.

0:32:50.000 --> 0:32:53.760
<v Speaker 2>The Frog, Yes, I have, but it's not one that

0:32:53.840 --> 0:32:57.280
<v Speaker 2>I recognized the names as much as the other ones

0:32:57.400 --> 0:32:57.600
<v Speaker 2>I have.

0:32:57.720 --> 0:33:03.920
<v Speaker 1>There's so many modern ones Moana and Canto, the Princess

0:33:03.920 --> 0:33:06.400
<v Speaker 1>and the Frog, Brave Like, I haven't seen any of

0:33:06.440 --> 0:33:09.080
<v Speaker 1>these new movies, so I have to No, I have

0:33:09.160 --> 0:33:10.640
<v Speaker 1>to go check out all these I haven't seen. I

0:33:10.680 --> 0:33:13.000
<v Speaker 1>stopped with like, I stopped like with those kind of

0:33:13.000 --> 0:33:16.880
<v Speaker 1>movies with I think up, yeah, no, Coco. Coco was

0:33:16.880 --> 0:33:21.480
<v Speaker 1>the last one I saw, which made me yikes. I

0:33:21.760 --> 0:33:23.400
<v Speaker 1>looked like a crazy I looked like the crazy man

0:33:23.440 --> 0:33:27.440
<v Speaker 1>in the seats. In Fear, a student runs from Felix

0:33:27.480 --> 0:33:31.160
<v Speaker 1>and bumps into Red, throwing her into husky Luis Madrigal's arms.

0:33:31.320 --> 0:33:33.680
<v Speaker 1>This is the son of Luisa Madrigal, the strong daughter

0:33:33.720 --> 0:33:34.440
<v Speaker 1>in Inkento.

0:33:34.800 --> 0:33:37.160
<v Speaker 2>This is the character that I had no idea. The

0:33:37.200 --> 0:33:38.800
<v Speaker 2>first one just went by me. I'm like, I have

0:33:38.800 --> 0:33:41.040
<v Speaker 2>no idea who that person was, And then I was thinking,

0:33:41.360 --> 0:33:44.200
<v Speaker 2>he seemed more like he was the son of Gaston.

0:33:44.640 --> 0:33:46.880
<v Speaker 1>Yes, I saw him so at.

0:33:46.800 --> 0:33:50.200
<v Speaker 2>First I'm like, wait, he's not. He's a villain, Like

0:33:50.280 --> 0:33:54.160
<v Speaker 2>he's not what's happening? And then finally I realized, like

0:33:55.400 --> 0:33:57.920
<v Speaker 2>way after way after who it was?

0:33:58.000 --> 0:34:01.800
<v Speaker 1>Okay, who it was? Yeah, he smiles after catching her

0:34:01.800 --> 0:34:03.600
<v Speaker 1>and tells her her first rescue is free and his

0:34:03.640 --> 0:34:06.560
<v Speaker 1>friend Robbie Hood, they didn't even try to hide that one.

0:34:06.600 --> 0:34:08.200
<v Speaker 1>You know they have sometimes try to hide him, and

0:34:08.239 --> 0:34:09.200
<v Speaker 1>they're like, this is right.

0:34:09.760 --> 0:34:12.759
<v Speaker 2>My brain is so tired. I was happy for the

0:34:13.560 --> 0:34:14.520
<v Speaker 2>easy get.

0:34:14.600 --> 0:34:20.759
<v Speaker 1>Exactly, Captaina Hook. Yeah. His friend Robbie Hood brags that

0:34:20.880 --> 0:34:23.600
<v Speaker 1>Luis always saves the day, and we're thrown over to

0:34:23.600 --> 0:34:25.840
<v Speaker 1>the Queen of Heart's castle. Her Highness is sitting with

0:34:25.880 --> 0:34:28.319
<v Speaker 1>a deck of cards, looking as evil as ever, but

0:34:28.520 --> 0:34:30.799
<v Speaker 1>her demeanor changes on a dime, telling her staff they're

0:34:30.840 --> 0:34:33.560
<v Speaker 1>doing amazing and they deserve a celebration with tea, cupcakes

0:34:33.560 --> 0:34:36.680
<v Speaker 1>and dancing guards. This is clearly a new babyface version

0:34:36.719 --> 0:34:39.080
<v Speaker 1>of the Queen, and we all like her. But as

0:34:39.080 --> 0:34:41.880
<v Speaker 1>she's detailing the party, her security starts falling asleep. A

0:34:41.920 --> 0:34:44.640
<v Speaker 1>mechanical little insect is spraying gas, knocking them all out,

0:34:44.880 --> 0:34:47.400
<v Speaker 1>and that's when Maddix appears. The Queen tells the new

0:34:47.480 --> 0:34:49.839
<v Speaker 1>villain that it's customary for all guests to ring at

0:34:49.840 --> 0:34:52.959
<v Speaker 1>the gate, not to sedate the security. Maddox just wants

0:34:52.960 --> 0:34:54.960
<v Speaker 1>to know where the pocket watches. The Queen of Hearts

0:34:55.000 --> 0:34:57.560
<v Speaker 1>reminds him of their deal. He could return to Wonderland

0:34:57.600 --> 0:34:59.960
<v Speaker 1>if he gives up this ridiculous quest for this mythical

0:35:00.080 --> 0:35:03.719
<v Speaker 1>pocket watch. Unfazed, he demands to know where the vault is.

0:35:03.800 --> 0:35:05.799
<v Speaker 1>She has one more chance to tell him, or he'll

0:35:05.840 --> 0:35:09.080
<v Speaker 1>tear Wonderland apart trying to find it. As she starts

0:35:09.120 --> 0:35:11.760
<v Speaker 1>to fight back, she drifts off to sleep. Maddox declares,

0:35:11.800 --> 0:35:14.360
<v Speaker 1>now I'm gonna take it and sits in her chair,

0:35:14.719 --> 0:35:16.719
<v Speaker 1>But before fully passing out, the Queen of Hearts sends

0:35:16.719 --> 0:35:19.160
<v Speaker 1>a message to Red with one of her magical cards.

0:35:19.440 --> 0:35:23.160
<v Speaker 2>This her cards are like one of my favorite asses

0:35:23.280 --> 0:35:26.919
<v Speaker 2>of the movie. I love I love them. They are

0:35:27.040 --> 0:35:28.279
<v Speaker 2>so cool.

0:35:28.239 --> 0:35:32.400
<v Speaker 1>Super cool, definitely. Max Hatter throws Robbie Hood a coin

0:35:32.480 --> 0:35:35.439
<v Speaker 1>for Sherwood's collection box. Louise tells Max that no one

0:35:35.480 --> 0:35:37.359
<v Speaker 1>is buying the act, no matter how hard he tries

0:35:37.400 --> 0:35:39.480
<v Speaker 1>not to be his dad. Now the number one villain

0:35:39.560 --> 0:35:42.719
<v Speaker 1>in the land, Louis trades insults with the vks and justice.

0:35:42.719 --> 0:35:44.800
<v Speaker 1>He's about to come to blows. The Queen of Heart's

0:35:44.800 --> 0:35:47.840
<v Speaker 1>card arrives and is caught kind of coolly out of

0:35:47.880 --> 0:35:51.360
<v Speaker 1>the air by Red. She reads it with concern. Maddox

0:35:51.360 --> 0:35:54.560
<v Speaker 1>Hatter has captured the Queen. Come quickly. Felix grabs the

0:35:54.560 --> 0:35:56.760
<v Speaker 1>card and tussles with Max, who snags it back for Red.

0:35:57.040 --> 0:35:59.759
<v Speaker 1>Pink shocks everyone magically appearing and freaking out about her

0:35:59.760 --> 0:36:02.680
<v Speaker 1>mom being kidnapped. She begins to faint, and Louise catches

0:36:02.680 --> 0:36:05.880
<v Speaker 1>her Very godmother arrives and screams, what the are you

0:36:05.920 --> 0:36:09.440
<v Speaker 1>all doing? Okay, she didn't what the fluff?

0:36:09.880 --> 0:36:13.840
<v Speaker 2>What the fluff? This was probably one of the most

0:36:13.880 --> 0:36:16.680
<v Speaker 2>shocking things that has happened to me in the DCON.

0:36:17.400 --> 0:36:20.480
<v Speaker 2>We've been doing hundreds. It feels like of these movies,

0:36:21.040 --> 0:36:21.880
<v Speaker 2>what the fluff?

0:36:22.040 --> 0:36:25.360
<v Speaker 1>It's what the yes? Full on, what the yes?

0:36:25.640 --> 0:36:29.319
<v Speaker 2>And I I just I in the Okay, I saw

0:36:29.320 --> 0:36:32.120
<v Speaker 2>it already. I was already ready for it, right and

0:36:32.320 --> 0:36:34.839
<v Speaker 2>I could hear I could feel Monroe, who's right next

0:36:34.880 --> 0:36:39.239
<v Speaker 2>to me, kind of let go oh yeah, Like that

0:36:39.400 --> 0:36:44.560
<v Speaker 2>was shocking, really not necessary. I mean, it wasn't like

0:36:44.600 --> 0:36:47.000
<v Speaker 2>a it wasn't like a comedy at like, it wasn't

0:36:47.000 --> 0:36:49.320
<v Speaker 2>a comedic relief aspect.

0:36:48.960 --> 0:36:51.319
<v Speaker 1>And where does it hitter is my question? I mean,

0:36:51.320 --> 0:36:53.520
<v Speaker 1>can you say, can you can the new insult be

0:36:53.600 --> 0:36:55.600
<v Speaker 1>like fluffing birch? You're a fluffing birch?

0:36:55.960 --> 0:36:57.600
<v Speaker 2>Yeah, Like it's like.

0:36:57.600 --> 0:37:01.160
<v Speaker 1>They when you start kind of swearing, it's like there's

0:37:01.200 --> 0:37:02.400
<v Speaker 1>no end to where they're going to.

0:37:02.600 --> 0:37:04.640
<v Speaker 2>It's like when little kids will or I don't even

0:37:04.640 --> 0:37:06.319
<v Speaker 2>know if they do that anymore, but when I was little,

0:37:06.360 --> 0:37:08.520
<v Speaker 2>it was like when you'd say frick, like what's the frick?

0:37:08.680 --> 0:37:12.960
<v Speaker 1>Yeah, freaking freakin yeah exactly, yeah, yeah, you're meaning the

0:37:13.000 --> 0:37:13.520
<v Speaker 1>same thing.

0:37:13.600 --> 0:37:16.520
<v Speaker 2>So it was really weird, and it was even worse

0:37:16.560 --> 0:37:18.400
<v Speaker 2>for me when I was sitting in the theater, so

0:37:18.440 --> 0:37:20.759
<v Speaker 2>instead of watching it at home by myself, I was like,

0:37:21.000 --> 0:37:22.759
<v Speaker 2>I put it down as a Sabrina Sea's like, did

0:37:22.760 --> 0:37:25.320
<v Speaker 2>we really just do a fluffy way.

0:37:25.120 --> 0:37:27.040
<v Speaker 1>Of saying yeah, yeah you did?

0:37:27.719 --> 0:37:30.840
<v Speaker 8>They did it descending Then when we were in the theater,

0:37:31.080 --> 0:37:33.960
<v Speaker 8>it was like like, I don't know, I don't know

0:37:34.000 --> 0:37:36.600
<v Speaker 8>if everyone else was gasping, but I certainly was, and

0:37:36.640 --> 0:37:38.480
<v Speaker 8>maybe my gas was so loud in my head that

0:37:38.520 --> 0:37:40.800
<v Speaker 8>I thought that the rest of the people were, but yeah,

0:37:40.920 --> 0:37:41.600
<v Speaker 8>it was kind.

0:37:41.480 --> 0:37:45.600
<v Speaker 1>Of like, what the fluff? Isn't that amazing? And then

0:37:45.600 --> 0:37:48.320
<v Speaker 1>she asked, did my pumpkins go rogue? Again? Those stupid

0:37:50.320 --> 0:37:52.960
<v Speaker 1>she did? She didn't for she just went forward. After that,

0:37:54.520 --> 0:37:56.960
<v Speaker 1>everyone properly ignores her, and Max and his crew know

0:37:57.000 --> 0:37:59.200
<v Speaker 1>when to leave. They walk off, while Red and Chloe

0:37:59.239 --> 0:38:01.919
<v Speaker 1>know that they need to get to Wonderland asap to help.

0:38:02.440 --> 0:38:04.600
<v Speaker 1>So the girls are now it's Cinderella's castle and Cinderella

0:38:04.719 --> 0:38:08.320
<v Speaker 1>isn't having this rushed response. There are protocols to follow,

0:38:08.440 --> 0:38:11.200
<v Speaker 1>of which, by the way, she follows none. Why are

0:38:11.200 --> 0:38:13.279
<v Speaker 1>you not gathering your soldiers? You have a way? And oh,

0:38:13.320 --> 0:38:16.360
<v Speaker 1>don't get me started, Chloe explains. But when it's important,

0:38:16.440 --> 0:38:19.080
<v Speaker 1>rules don't matter, which is what she kind of taught

0:38:19.080 --> 0:38:21.840
<v Speaker 1>her in the first movie when she was her younger self.

0:38:22.520 --> 0:38:25.520
<v Speaker 1>Fairy Godmother admits she's concerned too. Maddox has terrorized the

0:38:25.600 --> 0:38:28.279
<v Speaker 1>kingdom for years with his deranged inventions, and now that

0:38:28.320 --> 0:38:31.560
<v Speaker 1>he's been banished, he's madder than ever. Uma and the

0:38:31.680 --> 0:38:33.920
<v Speaker 1>Ordon Council and we only mention Uma. We don't get

0:38:33.960 --> 0:38:36.479
<v Speaker 1>to see her, and I frankly missed her. I love Uma,

0:38:37.239 --> 0:38:39.279
<v Speaker 1>Uma and the Ordon Council are coming up with a

0:38:39.360 --> 0:38:41.720
<v Speaker 1>carefully thought out rescue plan, but they don't break rules

0:38:41.760 --> 0:38:44.600
<v Speaker 1>even for a good cause, which is ridiculous because Uma

0:38:44.719 --> 0:38:47.239
<v Speaker 1>is known for breaking rules. The girls are bummed by

0:38:47.239 --> 0:38:49.919
<v Speaker 1>this voice of reason. In the hallway of Ordon Prep,

0:38:49.960 --> 0:38:52.520
<v Speaker 1>Max and Hazel Hook can't believe his dad kidnapped the Queen.

0:38:52.960 --> 0:38:55.040
<v Speaker 1>Max knows he'll be blamed for it and wishes there

0:38:55.040 --> 0:38:57.239
<v Speaker 1>was a way he could change that. Hazel tells him

0:38:57.239 --> 0:38:59.319
<v Speaker 1>to stop complaining and do something about it, so Max

0:38:59.360 --> 0:39:01.319
<v Speaker 1>calls for Feeling and the SMEEs to meet him at

0:39:01.320 --> 0:39:03.799
<v Speaker 1>the rabbit Hole. Outside the tunnel, Chloe and Red are

0:39:03.800 --> 0:39:06.520
<v Speaker 1>making their way to Wonderland, disobeying Cinderella and lying to

0:39:06.560 --> 0:39:08.879
<v Speaker 1>save a life. Redd says she's finally got the mom

0:39:08.920 --> 0:39:11.160
<v Speaker 1>she always wanted, and now she's put her in danger,

0:39:11.520 --> 0:39:14.839
<v Speaker 1>and just then Max, Hazel, Felix, and the Smeeze show up.

0:39:15.200 --> 0:39:17.560
<v Speaker 1>Max announces, I hope your plan includes us, because we're

0:39:17.560 --> 0:39:20.400
<v Speaker 1>coming with you to Wonderland, but Chloe isn't interested. His

0:39:20.480 --> 0:39:23.680
<v Speaker 1>crew doesn't exactly align with her plan. Max warns them

0:39:23.680 --> 0:39:25.440
<v Speaker 1>they need someone that knows how to beat his father,

0:39:25.480 --> 0:39:27.600
<v Speaker 1>and he's perfect for the job because he is not

0:39:27.680 --> 0:39:32.160
<v Speaker 1>his father. Pink Luis and Robbie Hood say that three

0:39:32.160 --> 0:39:35.959
<v Speaker 1>times Fast are also arriving to help. So the full

0:39:36.000 --> 0:39:38.120
<v Speaker 1>team is set, and with that they enter the tunnel,

0:39:38.120 --> 0:39:39.959
<v Speaker 1>and frankly, I'm glad it was a big, full team

0:39:39.960 --> 0:39:41.239
<v Speaker 1>and not just the two of them. Again, like in

0:39:41.280 --> 0:39:43.279
<v Speaker 1>the first one, I'm glad there was like eight of

0:39:43.320 --> 0:39:46.239
<v Speaker 1>them that went together. It made the dialogue witty and

0:39:46.280 --> 0:39:50.120
<v Speaker 1>snappy and a fun kind of relationship between all different characters.

0:39:50.120 --> 0:39:52.920
<v Speaker 1>I like that. As they fall down the rabbit hole,

0:39:52.920 --> 0:39:55.000
<v Speaker 1>which is again kind of a cool way to do it,

0:39:55.239 --> 0:39:57.319
<v Speaker 1>Red and Chloe noticed different versions of themselves in the

0:39:57.320 --> 0:39:59.840
<v Speaker 1>mirror and they have no idea what any of it means.

0:40:00.160 --> 0:40:02.280
<v Speaker 1>To point out that Alice in Wonderland is essentially supposed

0:40:02.280 --> 0:40:05.239
<v Speaker 1>to be an opium trip, and they very much kept

0:40:05.239 --> 0:40:07.960
<v Speaker 1>to that. They had the mushroom walking around. I was like,

0:40:08.000 --> 0:40:12.359
<v Speaker 1>oh my god, I'm in high school. Yeah, it was.

0:40:12.800 --> 0:40:15.120
<v Speaker 1>It was like, there we go. We are back in

0:40:15.320 --> 0:40:19.399
<v Speaker 1>just crazy, crazy trip, my face off world. But they

0:40:19.400 --> 0:40:23.160
<v Speaker 1>do arrive in a beautiful wonderland filled with colorful animals

0:40:23.200 --> 0:40:26.200
<v Speaker 1>like a zebra, giraffe, and assorted flowers. Chloe can't believe

0:40:26.239 --> 0:40:28.960
<v Speaker 1>Red Ever wanted to leave. Red insists this is not

0:40:29.080 --> 0:40:30.920
<v Speaker 1>the wonderland she grew up in, and they head to

0:40:30.960 --> 0:40:34.400
<v Speaker 1>the castle. Hazel asks Max if he's sure they can

0:40:34.440 --> 0:40:36.680
<v Speaker 1>trust the Redhead, and Max says, of course not, but

0:40:36.719 --> 0:40:39.400
<v Speaker 1>it's the only way to stop his dad. Inside the castle,

0:40:39.400 --> 0:40:41.360
<v Speaker 1>the Queen of Hearts wakes up and realize she's trapped

0:40:41.360 --> 0:40:43.560
<v Speaker 1>in Her cards are nowhere to be found, while we're

0:40:43.560 --> 0:40:45.799
<v Speaker 1>now out in the croquet gardens and the kids are

0:40:45.840 --> 0:40:48.839
<v Speaker 1>now trippin' balls. They've forgotten what to do and they

0:40:48.880 --> 0:40:53.080
<v Speaker 1>are just high as hell. I'm kidding, sorry, but that's

0:40:53.120 --> 0:40:55.319
<v Speaker 1>what it seemed like. The super team of kids arrive

0:40:55.400 --> 0:40:58.360
<v Speaker 1>and Pink explains what everything is, pointing out Tickler roses

0:40:58.520 --> 0:41:01.600
<v Speaker 1>living mushrooms, which is clear just somebody running around in

0:41:01.640 --> 0:41:06.000
<v Speaker 1>a mushroom costume. So weird that one was it's with Yeah,

0:41:06.000 --> 0:41:08.280
<v Speaker 1>that's the one where a kind of it. You won't

0:41:08.280 --> 0:41:10.400
<v Speaker 1>know what this is probably, But in the seventies there

0:41:10.480 --> 0:41:16.200
<v Speaker 1>was a team called Sid and Marty Kroft and they

0:41:16.280 --> 0:41:19.919
<v Speaker 1>made these really campy, really ridiculous television shows like Land

0:41:19.920 --> 0:41:22.279
<v Speaker 1>of the Lost and all these kind of shows. This

0:41:22.480 --> 0:41:24.560
<v Speaker 1>had a Sid and Marty Kroft vibe to me of

0:41:24.560 --> 0:41:26.600
<v Speaker 1>the mushroom running around. It really did. For all you

0:41:26.680 --> 0:41:28.480
<v Speaker 1>kids out there don't know what I'm talking about, Google

0:41:28.520 --> 0:41:31.520
<v Speaker 1>it and you'll be like, Yep, he's right. They're also

0:41:31.560 --> 0:41:33.120
<v Speaker 1>figuring out how to get to and I think I'm

0:41:33.120 --> 0:41:34.480
<v Speaker 1>saying it right, Tolgy Woods.

0:41:34.880 --> 0:41:35.320
<v Speaker 2>Yeah.

0:41:35.360 --> 0:41:38.280
<v Speaker 1>And that's when we see a mecha Dodo bird spying

0:41:38.360 --> 0:41:40.600
<v Speaker 1>from above, and that's my new insult for everybody, You're

0:41:40.640 --> 0:41:45.080
<v Speaker 1>such a mechaddo bird. We fade over then to Maddox's house,

0:41:45.080 --> 0:41:48.239
<v Speaker 1>where Chessie and the Mad Hatter are checking out the surveillance.

0:41:48.320 --> 0:41:50.680
<v Speaker 1>Maddox can't believe his son could betray him like this,

0:41:50.960 --> 0:41:54.080
<v Speaker 1>and in retaliation, he turns to the Queen's cards. Back

0:41:54.080 --> 0:41:56.839
<v Speaker 1>in the gardens, the kids are all noticing something's going on.

0:41:56.920 --> 0:41:59.200
<v Speaker 1>Purple smoke is starting to fill the air, and Max

0:41:59.239 --> 0:42:02.759
<v Speaker 1>nos it's his day and again these are all which

0:42:02.800 --> 0:42:05.040
<v Speaker 1>is one of the things that they say that Alicon

0:42:05.040 --> 0:42:07.759
<v Speaker 1>Wonderland was written like, is these are all the mushrooms,

0:42:07.760 --> 0:42:11.760
<v Speaker 1>the smoke, all different drug references that Disney is using

0:42:11.960 --> 0:42:15.040
<v Speaker 1>to their advantage. But that's what it's supposed to be.

0:42:15.920 --> 0:42:18.000
<v Speaker 1>We're back at Maddox as he announces the games had begun,

0:42:18.040 --> 0:42:20.480
<v Speaker 1>and we get our second song, Mad, all about his

0:42:20.680 --> 0:42:23.640
<v Speaker 1>wrath and the rath he's about to unleash on the world.

0:42:24.040 --> 0:42:26.080
<v Speaker 1>The track also features Max and the Queen of Hearts.

0:42:26.360 --> 0:42:28.520
<v Speaker 1>What do we think of his declaration of evil?

0:42:29.480 --> 0:42:37.640
<v Speaker 2>I like this song, I didn't necessarily love the visual really, yeah,

0:42:38.160 --> 0:42:40.759
<v Speaker 2>the like I get it. He was able to like

0:42:40.920 --> 0:42:43.960
<v Speaker 2>control it or whatever, but like them, just like it

0:42:44.000 --> 0:42:47.319
<v Speaker 2>was too much like wooh, we're here. Oh, we're here,

0:42:48.040 --> 0:42:50.840
<v Speaker 2>We're here, Like it was just kind of like, yeah it.

0:42:51.120 --> 0:42:55.640
<v Speaker 2>But the song itself is very like cool. I heard

0:42:55.640 --> 0:42:59.560
<v Speaker 2>the song being played at Oogie Boogie Bash at Disneyland

0:42:59.600 --> 0:43:02.759
<v Speaker 2>during hall like I can hear it like Welcome to

0:43:02.920 --> 0:43:05.319
<v Speaker 2>My Man, like as you're like going in. It's such

0:43:05.360 --> 0:43:08.759
<v Speaker 2>a great villain song. But the visuals weren't the best

0:43:08.760 --> 0:43:10.280
<v Speaker 2>for me on this one, to be honest.

0:43:11.080 --> 0:43:15.400
<v Speaker 1>There's an Alice in Wonderland ride isn't there at Disneyland,

0:43:15.480 --> 0:43:16.959
<v Speaker 1>So you know, how long do you think it's gonna

0:43:16.960 --> 0:43:19.600
<v Speaker 1>be before they change it to a Descendants Alison Wonderland.

0:43:20.400 --> 0:43:23.440
<v Speaker 2>I don't think that one is in the like area.

0:43:23.560 --> 0:43:27.080
<v Speaker 2>It's in fantasylands, like Old that's.

0:43:26.880 --> 0:43:28.680
<v Speaker 1>Old school so that you don't think they'll mess with that.

0:43:30.480 --> 0:43:30.960
<v Speaker 2>I don't know.

0:43:31.040 --> 0:43:33.040
<v Speaker 1>You think they'll keep that totally just as it is

0:43:33.200 --> 0:43:34.879
<v Speaker 1>and they'll never do Don't you think they'll do some

0:43:34.920 --> 0:43:36.840
<v Speaker 1>sort of Descendants attraction at Disney?

0:43:38.840 --> 0:43:42.600
<v Speaker 2>I don't. I don't know, maybe like they might play

0:43:42.680 --> 0:43:45.120
<v Speaker 2>the music around there or something.

0:43:44.880 --> 0:43:47.200
<v Speaker 1>Like the characters walking around and stuff.

0:43:46.960 --> 0:43:49.480
<v Speaker 2>Like, yeah, maybe something like that, but I don't know

0:43:49.640 --> 0:43:52.960
<v Speaker 2>that part of Disney's like Waltz World, like you like

0:43:53.000 --> 0:43:56.360
<v Speaker 2>they're gonna mess with that. That's where like Storybook Ride

0:43:56.480 --> 0:43:57.520
<v Speaker 2>is and like all.

0:43:57.400 --> 0:44:00.239
<v Speaker 1>The like first yeah, the old school stuff one.

0:44:00.440 --> 0:44:03.120
<v Speaker 2>So I feel like people would be upset. I would.

0:44:03.320 --> 0:44:05.319
<v Speaker 1>I'd be would even what if they did it as

0:44:05.320 --> 0:44:07.440
<v Speaker 1>a temporary thing where it's like all of a sudden,

0:44:07.480 --> 0:44:09.360
<v Speaker 1>this mad Hatter pops on the screen and it's like

0:44:09.400 --> 0:44:11.680
<v Speaker 1>I've taken over and for like a month it becomes

0:44:11.719 --> 0:44:12.840
<v Speaker 1>like a Descendant's ride.

0:44:12.719 --> 0:44:15.879
<v Speaker 2>With that, Yeah, like if it was during Halloween something.

0:44:16.800 --> 0:44:17.000
<v Speaker 1>Yeah.

0:44:17.160 --> 0:44:20.000
<v Speaker 2>Yeah, those are really small and short rides though.

0:44:19.960 --> 0:44:22.839
<v Speaker 1>Ya, I don't know, you have to change the whole area, yeah,

0:44:22.880 --> 0:44:26.040
<v Speaker 1>if it makes sense, and then you just hand out yeah,

0:44:26.120 --> 0:44:27.040
<v Speaker 1>like at.

0:44:26.960 --> 0:44:29.440
<v Speaker 2>Least it's saying like how they do Nightmare before Christmas.

0:44:29.520 --> 0:44:30.760
<v Speaker 1>Yeah exactly.

0:44:30.840 --> 0:44:34.400
<v Speaker 2>But see the thing about those like like Tiana's like

0:44:34.480 --> 0:44:39.200
<v Speaker 2>that yeah Slash Mountain that's wasn't really like and and

0:44:39.280 --> 0:44:42.880
<v Speaker 2>same with like Haunted Mansion, those weren't really like movies

0:44:42.880 --> 0:44:45.719
<v Speaker 2>that it was based on before they.

0:44:45.640 --> 0:44:47.840
<v Speaker 1>Didn't well you know, they made a movie based on

0:44:47.880 --> 0:44:51.399
<v Speaker 1>the Haunted Mansion ride as opposed to the other way around, right, yeah, yeah,

0:44:51.680 --> 0:44:52.279
<v Speaker 1>you know what I mean.

0:44:52.320 --> 0:44:55.239
<v Speaker 2>So I feel like I don't know, I don't know

0:44:55.239 --> 0:44:57.799
<v Speaker 2>if they'd have like, like the same thing with the

0:44:57.840 --> 0:45:02.040
<v Speaker 2>Incredit Coaster was like just the California Adventure. There was

0:45:02.120 --> 0:45:04.799
<v Speaker 2>nothing that and Credit Coaster like took away. It just

0:45:04.800 --> 0:45:05.919
<v Speaker 2>like added to and they.

0:45:05.840 --> 0:45:07.640
<v Speaker 1>Just put their theme on there. Yet No, I get it.

0:45:07.920 --> 0:45:10.319
<v Speaker 2>I would be kind of upset if they took away though,

0:45:10.360 --> 0:45:12.480
<v Speaker 2>like og Alice in wonderlandard tea.

0:45:12.360 --> 0:45:14.080
<v Speaker 1>Bots all right, good cups.

0:45:14.239 --> 0:45:20.360
<v Speaker 9>Okay, So they better not because don't touch it, you

0:45:20.400 --> 0:45:22.960
<v Speaker 9>don't get to do it, don't change anything, and also

0:45:23.040 --> 0:45:24.280
<v Speaker 9>make everything more expensive.

0:45:24.320 --> 0:45:28.640
<v Speaker 1>I can still afford it. While he sings, the kids

0:45:28.719 --> 0:45:31.440
<v Speaker 1>run from and fight off the large dodorboard robots. They

0:45:31.480 --> 0:45:33.680
<v Speaker 1>eventually seek refuge in a tiny house that has many

0:45:33.760 --> 0:45:36.120
<v Speaker 1>rooms and little to no logic. It's all controlled by

0:45:36.120 --> 0:45:37.960
<v Speaker 1>the mad Hatter. It's a real acid trip that almost

0:45:37.960 --> 0:45:40.640
<v Speaker 1>crushes them to death. Eventually, Maddox takes time away from

0:45:40.680 --> 0:45:42.200
<v Speaker 1>his attack to tell the Queen of Hearts that he's

0:45:42.239 --> 0:45:44.520
<v Speaker 1>gonna find her vault if it's the last thing he does.

0:45:45.280 --> 0:45:48.440
<v Speaker 1>How long everyone suffers is up to her. We're back

0:45:48.480 --> 0:45:50.440
<v Speaker 1>in the woods. Luise and Red appear out of a

0:45:50.480 --> 0:45:52.520
<v Speaker 1>door in the ground and have no idea where everyone is.

0:45:52.680 --> 0:45:55.439
<v Speaker 1>They're surrounded by doors, so Luise guesses everyone is behind them,

0:45:55.600 --> 0:45:57.520
<v Speaker 1>and then, kind of like an idiot, Red just picks

0:45:57.600 --> 0:46:00.840
<v Speaker 1>up random keys and doors and assume everyone is fine.

0:46:00.840 --> 0:46:02.920
<v Speaker 1>But as she does, her crew members start falling from

0:46:02.920 --> 0:46:05.719
<v Speaker 1>the sky, landing safely on flowers and mushrooms, undetected by

0:46:05.760 --> 0:46:08.640
<v Speaker 1>Louise and Red, not knowing their return. Red has no

0:46:08.760 --> 0:46:11.400
<v Speaker 1>luck with the doors, and Louise is frustrated. She's lost

0:46:11.400 --> 0:46:14.320
<v Speaker 1>somehow in her own kingdom. But she admits she hated

0:46:14.400 --> 0:46:16.000
<v Speaker 1>Royalty her whole life, and the minute she got a

0:46:16.000 --> 0:46:17.719
<v Speaker 1>whiff of the fresh air, she's screwed it up for

0:46:17.760 --> 0:46:20.759
<v Speaker 1>everyone she's ever cared about. She also very much tells him, Yeah,

0:46:20.760 --> 0:46:22.400
<v Speaker 1>I didn't grow up here bro like I did, but

0:46:22.520 --> 0:46:24.560
<v Speaker 1>this was not what it looked like when I was here.

0:46:24.680 --> 0:46:27.440
<v Speaker 2>But like, no one goes, what do you mean by that?

0:46:28.280 --> 0:46:29.680
<v Speaker 2>What do you mean you to grow up here? I

0:46:29.680 --> 0:46:31.680
<v Speaker 2>don't understand, No, explain it.

0:46:31.719 --> 0:46:36.440
<v Speaker 1>You can't. Time travels very difficult.

0:46:36.280 --> 0:46:36.880
<v Speaker 8>I know.

0:46:37.160 --> 0:46:39.080
<v Speaker 2>But no one presses her.

0:46:39.320 --> 0:46:42.399
<v Speaker 1>No one, No, there's a lot that they did that's

0:46:42.440 --> 0:46:44.719
<v Speaker 1>still a ripple from the first movie that shows you

0:46:44.760 --> 0:46:47.439
<v Speaker 1>how difficult time travel is. That literally makes no sense

0:46:47.480 --> 0:46:48.320
<v Speaker 1>even in this movie.

0:46:48.480 --> 0:46:51.680
<v Speaker 2>But she has this big like announcement of her lying

0:46:51.760 --> 0:46:54.120
<v Speaker 2>at some point or whatever, and it's like but like,

0:46:54.400 --> 0:46:55.359
<v Speaker 2>no one pressed her.

0:46:55.480 --> 0:46:57.640
<v Speaker 1>Nope, Like, what do you mean, what do you mean

0:46:57.760 --> 0:46:59.359
<v Speaker 1>to go? How is hers? She grew up here?

0:46:59.400 --> 0:46:59.759
<v Speaker 2>We knew.

0:47:00.120 --> 0:47:02.640
<v Speaker 1>You have to keep in mind they all have, but

0:47:02.719 --> 0:47:05.440
<v Speaker 1>they also all have differen See this is this is

0:47:05.480 --> 0:47:08.560
<v Speaker 1>the problem with time travel people. They all now have

0:47:08.680 --> 0:47:13.360
<v Speaker 1>different timelines. So in their timeline they grew up with Red.

0:47:14.600 --> 0:47:18.440
<v Speaker 1>She was the Queen of Heart's daughter in this wonderland.

0:47:19.120 --> 0:47:21.919
<v Speaker 1>So the idea that she didn't grow up here, I'm saying,

0:47:21.960 --> 0:47:23.799
<v Speaker 1>you're one hundred percent right, where everyone would be like,

0:47:23.880 --> 0:47:25.440
<v Speaker 1>of course you did. I knew. I was at your

0:47:25.480 --> 0:47:28.040
<v Speaker 1>fourth birthday party at the castle. Yes, you did grow

0:47:28.120 --> 0:47:30.840
<v Speaker 1>up here. That's what changing timelines does.

0:47:31.320 --> 0:47:35.520
<v Speaker 2>And even like to complicate her in Pink's relationship, like

0:47:35.600 --> 0:47:38.320
<v Speaker 2>Pink could have been like why do you keep acting

0:47:38.400 --> 0:47:39.600
<v Speaker 2>like you don't know what's going on?

0:47:40.719 --> 0:47:42.439
<v Speaker 1>And now, oh, don't get me stick because the Pink

0:47:42.440 --> 0:47:45.919
<v Speaker 1>thing also tore down the line makes no sense, makes

0:47:45.960 --> 0:47:47.400
<v Speaker 1>no sense, and we'll get into it.

0:47:47.920 --> 0:47:48.600
<v Speaker 2>We're getting there.

0:47:48.719 --> 0:47:52.919
<v Speaker 1>Yeah, here's the word. It's like, wait what anyway? Yes,

0:47:53.120 --> 0:47:54.919
<v Speaker 1>Luise gets it. He knows a thing or two about

0:47:54.920 --> 0:47:59.080
<v Speaker 1>family legacy, a blessing and a curse. He's Luisa Madrigal's son.

0:47:59.440 --> 0:48:01.919
<v Speaker 1>He's supposed to strong like her no matter what, red Ass.

0:48:01.920 --> 0:48:05.960
<v Speaker 8>And I was like, oh, that's that's how your Gaston's

0:48:06.400 --> 0:48:07.160
<v Speaker 8>get good.

0:48:07.719 --> 0:48:10.840
<v Speaker 2>Okay, got it? I get this strong thing, got it?

0:48:11.360 --> 0:48:14.400
<v Speaker 1>Yeah, red Ass. So that's what in canto's about there,

0:48:14.480 --> 0:48:15.840
<v Speaker 1>it's like a very strong family.

0:48:16.440 --> 0:48:19.720
<v Speaker 2>No, her character, she's like the strongest in the village.

0:48:19.760 --> 0:48:22.160
<v Speaker 2>So they eat. Each of the family members has their

0:48:22.200 --> 0:48:25.239
<v Speaker 2>own power and hers his strength, so she can pick

0:48:25.320 --> 0:48:27.560
<v Speaker 2>up and like she's strong and all of that.

0:48:27.560 --> 0:48:32.000
<v Speaker 1>That's that's a musical too, right, Yeah, okay, it's good.

0:48:32.239 --> 0:48:32.880
<v Speaker 2>I really like that.

0:48:32.920 --> 0:48:34.839
<v Speaker 1>I gotta do a whole deep dive into all those again.

0:48:34.920 --> 0:48:36.640
<v Speaker 1>I need to have I stopped the toy story three.

0:48:36.680 --> 0:48:38.279
<v Speaker 1>I still have to see four so I can see five.

0:48:39.000 --> 0:48:41.880
<v Speaker 1>Red asked what he wants for his future, and he

0:48:41.960 --> 0:48:44.760
<v Speaker 1>realizes that no one's ever asked that of him before,

0:48:44.760 --> 0:48:46.960
<v Speaker 1>and we feel a little bit of flirty tension between

0:48:47.000 --> 0:48:50.160
<v Speaker 1>these two because when hit in the fan, it's time

0:48:50.200 --> 0:48:54.040
<v Speaker 1>to hook up in Cinderella's castle now, while waiting for

0:48:54.080 --> 0:48:56.439
<v Speaker 1>an update from Uma or the Council, Cinderella is handed

0:48:56.480 --> 0:48:59.239
<v Speaker 1>a note the kids have gone to Wonderland. We're back

0:48:59.239 --> 0:49:02.000
<v Speaker 1>in the woods. Has discovered the Dodo Bird. Just as

0:49:02.040 --> 0:49:03.919
<v Speaker 1>Red and Luis rear night with the rest of the crew,

0:49:04.200 --> 0:49:07.520
<v Speaker 1>Pink rushes to hug her still somewhat reluctant sister because

0:49:07.560 --> 0:49:10.719
<v Speaker 1>she doesn't remember her. She was so worried, but it

0:49:10.719 --> 0:49:13.760
<v Speaker 1>doesn't seem like Red cares at all. Meanwhile, Chloe welcomes

0:49:13.760 --> 0:49:15.680
<v Speaker 1>her with a sword, ready to attack the spy Dodo

0:49:15.719 --> 0:49:17.640
<v Speaker 1>Bird so she can rewire it and stay one step

0:49:17.680 --> 0:49:21.480
<v Speaker 1>ahead of Maddox. Great plan, but Red runs off to

0:49:21.480 --> 0:49:24.239
<v Speaker 1>get Max. Chloe tries to stop her, but she's too late.

0:49:24.680 --> 0:49:27.239
<v Speaker 1>When Red does show Max mysterious Dodo bird. He says

0:49:27.239 --> 0:49:29.319
<v Speaker 1>they must destroy it, but Chloe isn't so sure, or

0:49:29.360 --> 0:49:31.880
<v Speaker 1>we can try to use it, which again, great plan.

0:49:32.560 --> 0:49:36.320
<v Speaker 1>You're also you know that the Dodo birds are following you.

0:49:36.320 --> 0:49:38.480
<v Speaker 1>You know that they're watching you and reporting back to

0:49:38.520 --> 0:49:40.879
<v Speaker 1>his dad. Why are you still talking in a full

0:49:40.960 --> 0:49:42.640
<v Speaker 1>like in front of the Here's what we need to do.

0:49:42.960 --> 0:49:46.040
<v Speaker 1>See that Dodo bird right there. First we're gonna capture it,

0:49:46.200 --> 0:49:48.080
<v Speaker 1>and then we're gonna go to the secret path down

0:49:48.080 --> 0:49:51.400
<v Speaker 1>the back. It's like you're talking into the spy microphone

0:49:51.440 --> 0:49:54.879
<v Speaker 1>that the guy left, Like what do you do? And

0:49:55.320 --> 0:49:57.719
<v Speaker 1>like maybe whisper, Hey, you throw a rock at it

0:49:57.719 --> 0:49:58.560
<v Speaker 1>so it turns it down.

0:49:58.640 --> 0:50:01.520
<v Speaker 2>Matter. At this point, I'm I'm already frustrated for Chloe

0:50:01.560 --> 0:50:04.360
<v Speaker 2>as well, like no one is listening to her, and

0:50:04.400 --> 0:50:08.399
<v Speaker 2>she's right, and she's right, like no one's listening to her.

0:50:08.440 --> 0:50:11.960
<v Speaker 1>You've got the mad Hatter's kid who helped you imagine

0:50:11.960 --> 0:50:14.239
<v Speaker 1>and grew up kind of with his dad in that workshop.

0:50:16.160 --> 0:50:18.600
<v Speaker 1>You know what, I'm gonna grab that thing. You're gonna

0:50:18.600 --> 0:50:20.600
<v Speaker 1>rewire it. It's gonna it's gonna lead us right to

0:50:20.600 --> 0:50:22.560
<v Speaker 1>where we have to go. Great freaking plan. That's a

0:50:22.600 --> 0:50:24.680
<v Speaker 1>great that's a great fluffing plan, Sabrina.

0:50:24.840 --> 0:50:27.920
<v Speaker 2>Well, if Max is the son of Maddox Hatter, didn't

0:50:27.920 --> 0:50:31.840
<v Speaker 2>he also grow up in Wonderland. Yeah, because they show

0:50:32.040 --> 0:50:35.120
<v Speaker 2>scenes of them in his workshop.

0:50:35.239 --> 0:50:38.120
<v Speaker 1>Yeah, but those are supposed to be from because those

0:50:38.160 --> 0:50:40.560
<v Speaker 1>were supposed to be from this is time travel. Those

0:50:40.560 --> 0:50:43.120
<v Speaker 1>are supposed to be from the original timeline where his

0:50:43.200 --> 0:50:47.759
<v Speaker 1>dad was still good, which again makes no sense. Yeah,

0:50:47.880 --> 0:50:51.040
<v Speaker 1>but we'll get it. This is just stay away from

0:50:51.080 --> 0:50:54.600
<v Speaker 1>time travel. Red says it's too risky, but Luis has

0:50:54.600 --> 0:50:56.239
<v Speaker 1>already lifted a tree out of the ground to shake

0:50:56.280 --> 0:50:58.760
<v Speaker 1>it off. Once that doesn't work, the Smee's get to climbing,

0:50:58.960 --> 0:51:00.640
<v Speaker 1>but each other not the true and these are the

0:51:00.640 --> 0:51:03.040
<v Speaker 1>only kids who completely understand that they are on drugs.

0:51:03.960 --> 0:51:06.279
<v Speaker 1>And that's when Max notices the Dodo bird is calling

0:51:06.320 --> 0:51:08.400
<v Speaker 1>for his friends. So they stand there staring at it,

0:51:08.440 --> 0:51:11.520
<v Speaker 1>telling their plan to all the secret Dodobirds. Chloe still

0:51:11.520 --> 0:51:13.800
<v Speaker 1>thinks they should try to reprogram it, but Max suggest

0:51:13.840 --> 0:51:15.919
<v Speaker 1>they leave and Red follow suit. The two girls don't

0:51:15.920 --> 0:51:18.239
<v Speaker 1>seem to be in lockstep as they used to be,

0:51:18.280 --> 0:51:22.280
<v Speaker 1>as Chloe feels ignored. Meanwhile, Hazel notices Felix and Robbie

0:51:22.360 --> 0:51:24.800
<v Speaker 1>are missing, and then we cut to a really weird

0:51:24.920 --> 0:51:28.080
<v Speaker 1>shot of a teacup just floating in the ocean where

0:51:28.080 --> 0:51:31.200
<v Speaker 1>Felix and Robbie are inside, floating on violet waves, totally terrified.

0:51:31.640 --> 0:51:34.120
<v Speaker 1>And I guess it's because they went through another door. This,

0:51:34.160 --> 0:51:36.000
<v Speaker 1>to me, is a very expensive shot that you just

0:51:36.080 --> 0:51:36.680
<v Speaker 1>didn't need.

0:51:36.800 --> 0:51:41.400
<v Speaker 2>Didn't need. Yeah, and in reality, although it added to

0:51:41.560 --> 0:51:46.000
<v Speaker 2>And I feel like when I watch the production routines,

0:51:46.080 --> 0:51:49.440
<v Speaker 2>like the big musicals, it's nice to have more of them.

0:51:49.560 --> 0:51:52.600
<v Speaker 2>But these two characters, like they leave, they come back

0:51:52.760 --> 0:51:54.920
<v Speaker 2>you really and I hate to say, because I wouldn't

0:51:54.920 --> 0:51:56.680
<v Speaker 2>want to take a job from anyone, but like they

0:51:56.719 --> 0:51:59.840
<v Speaker 2>weren't necessary. They weren't necessary at all. They didn't agree

0:52:00.040 --> 0:52:03.640
<v Speaker 2>And I don't know, I'm in my head thinking they're

0:52:03.680 --> 0:52:08.319
<v Speaker 2>going to be important when it's Pink's storyline. That's what

0:52:08.440 --> 0:52:11.879
<v Speaker 2>I'm thinking. But they could have left at some point

0:52:11.960 --> 0:52:13.080
<v Speaker 2>and just came back at the end.

0:52:13.280 --> 0:52:16.080
<v Speaker 1>Yeah, like they were not gone on the mission. Huh, Yeah,

0:52:16.160 --> 0:52:16.960
<v Speaker 1>we're gone on the mission.

0:52:17.040 --> 0:52:18.640
<v Speaker 2>Yeah, not gone on the mission, But like that's what

0:52:18.680 --> 0:52:20.640
<v Speaker 2>at some point when they do leave, like they could

0:52:20.680 --> 0:52:23.200
<v Speaker 2>have just been like somehow returned at the end like

0:52:23.920 --> 0:52:26.680
<v Speaker 2>it was they really weren't adding to anything.

0:52:26.800 --> 0:52:27.840
<v Speaker 1>I agree.

0:52:31.239 --> 0:52:34.680
<v Speaker 10>Hi, it's Jenny Garth, host of the I Choose Me podcast.

0:52:35.239 --> 0:52:39.200
<v Speaker 10>This week Monica Lewinsky. Yes, that Monica, the one the

0:52:39.239 --> 0:52:43.280
<v Speaker 10>world tore apart. She's still standing. She's back and done hiding.

0:52:43.440 --> 0:52:46.640
<v Speaker 8>It really felt like it was one of those situations

0:52:46.760 --> 0:52:49.200
<v Speaker 8>where you literally do or die.

0:52:49.520 --> 0:52:52.480
<v Speaker 10>Monica stared down shame and came out the other side,

0:52:52.840 --> 0:52:55.840
<v Speaker 10>and she is here to change what you thought you knew.

0:52:56.080 --> 0:52:58.160
<v Speaker 2>And it's sort of not over until we try.

0:52:58.560 --> 0:53:02.720
<v Speaker 10>A conversation that will fire you to choose yourself starting today.

0:53:02.960 --> 0:53:06.440
<v Speaker 10>Listen to Icoose Me on the iHeartRadio app, Apple Podcasts,

0:53:06.640 --> 0:53:08.359
<v Speaker 10>or wherever you get your podcasts.

0:53:12.760 --> 0:53:15.239
<v Speaker 1>We are back at Maddox Hatters. The villain is still

0:53:15.239 --> 0:53:17.440
<v Speaker 1>spying on the kids and realizes they're more resilient than

0:53:17.480 --> 0:53:19.799
<v Speaker 1>he thought. He tells Chessie they can't let him reach

0:53:19.840 --> 0:53:22.000
<v Speaker 1>the castle, and the cat is of course ready to help.

0:53:22.400 --> 0:53:24.800
<v Speaker 1>So back at the castle, Cinderella is stressed. She hasn't

0:53:24.880 --> 0:53:27.120
<v Speaker 1>used the looking glass in years, and it leads directly

0:53:27.160 --> 0:53:29.560
<v Speaker 1>to Red's throne room, but the council is taking too

0:53:29.560 --> 0:53:31.760
<v Speaker 1>long and Chloyea is in danger. Something has to be done,

0:53:32.000 --> 0:53:33.799
<v Speaker 1>so just as she's about to jump through the mirror,

0:53:33.840 --> 0:53:35.880
<v Speaker 1>a bunch of vines grow and block her way. She

0:53:35.920 --> 0:53:38.920
<v Speaker 1>steps back concern and grabs her trusty broom. She's on

0:53:38.920 --> 0:53:44.080
<v Speaker 1>her way, but has to change clothes first. Okay, soon after,

0:53:44.120 --> 0:53:46.399
<v Speaker 1>we're at the Queen of Heart's throne. Cinderella broke through

0:53:46.400 --> 0:53:48.000
<v Speaker 1>the vines of the broom and the Queen's excited to

0:53:48.000 --> 0:53:50.120
<v Speaker 1>see her, but surprised she's in trousers. I don't know

0:53:50.160 --> 0:53:52.000
<v Speaker 1>why this needs to happen in the movie. The trousers

0:53:52.080 --> 0:53:55.279
<v Speaker 1>never come back. Also, why the hell do you use

0:53:55.360 --> 0:53:57.840
<v Speaker 1>your one chance to go? I know, but not really.

0:53:57.920 --> 0:54:01.919
<v Speaker 1>She just says, I like them, but why not use

0:54:02.400 --> 0:54:06.240
<v Speaker 1>the mirror you have that leads directly into the throne

0:54:06.280 --> 0:54:09.640
<v Speaker 1>room to go in with soldiers, grab your friend and

0:54:09.680 --> 0:54:13.560
<v Speaker 1>bring them back out of wonderland. Like she goes in

0:54:13.600 --> 0:54:14.920
<v Speaker 1>by herself and they just sit there and have a

0:54:14.960 --> 0:54:17.719
<v Speaker 1>conversation in the middle of the throne room that's been

0:54:17.880 --> 0:54:20.480
<v Speaker 1>captured by the evil guy, like, hey, I like your pants.

0:54:20.560 --> 0:54:22.640
<v Speaker 2>Like, well, she didn't really know what was going Oh no,

0:54:22.760 --> 0:54:24.479
<v Speaker 2>she did. She she did know that.

0:54:24.400 --> 0:54:27.520
<v Speaker 1>She was Yeah, It makes no sense. I'm gonna break

0:54:27.520 --> 0:54:30.479
<v Speaker 1>into the jail cell and then see a jail cell

0:54:30.520 --> 0:54:32.520
<v Speaker 1>with you and talk to you about stuff while we

0:54:32.560 --> 0:54:35.080
<v Speaker 1>wait for the guy to come back. It made no

0:54:35.200 --> 0:54:37.759
<v Speaker 1>sense from a story point, have a reason where she

0:54:37.800 --> 0:54:40.759
<v Speaker 1>can't get through or break through and instantly have her

0:54:40.800 --> 0:54:44.360
<v Speaker 1>soldiers are trapped. I mean, there's so many easy fixes

0:54:44.400 --> 0:54:46.959
<v Speaker 1>other than just I'm gonna walk in and we're gonna

0:54:46.960 --> 0:54:50.160
<v Speaker 1>sit here until we're captured, right, And that's what we're

0:54:50.160 --> 0:54:52.440
<v Speaker 1>gonna do. We're literally gonna sit in the middle of

0:54:52.480 --> 0:54:55.879
<v Speaker 1>this and have a conversation until we can't escape again.

0:54:56.040 --> 0:54:58.600
<v Speaker 1>And it was like, are you kidding me? You're Cinderella,

0:54:59.160 --> 0:55:03.480
<v Speaker 1>like be a bit of bad nothing so nothing, it's

0:55:03.520 --> 0:55:04.919
<v Speaker 1>nothing Cinderella.

0:55:05.080 --> 0:55:08.360
<v Speaker 2>Yeah, does set up for what's next to happen with

0:55:08.400 --> 0:55:10.960
<v Speaker 2>the two queens, which I appreciate.

0:55:11.320 --> 0:55:14.520
<v Speaker 1>The sat the song Okay, so how is that not

0:55:14.880 --> 0:55:19.600
<v Speaker 1>as cool a song from both sides of the mirror Cinderella.

0:55:19.600 --> 0:55:21.560
<v Speaker 1>They're touching each other through the mirror where she can't

0:55:21.600 --> 0:55:23.560
<v Speaker 1>get through, and there's her friend and they're talking about

0:55:23.600 --> 0:55:25.760
<v Speaker 1>the old times, and she can't get to her friend

0:55:25.960 --> 0:55:28.080
<v Speaker 1>because just walking in and going now I'm in jail

0:55:28.080 --> 0:55:32.080
<v Speaker 1>with you makes no freaking sense. But Cinderella explains that

0:55:32.080 --> 0:55:34.440
<v Speaker 1>girls are in Wonderland a rescuer, but now they have

0:55:34.520 --> 0:55:36.719
<v Speaker 1>to save the girls the Queen. I guess that's what

0:55:36.719 --> 0:55:39.319
<v Speaker 1>they were going for. They were going for, I'm going

0:55:39.360 --> 0:55:41.279
<v Speaker 1>to come into Wonderland and now you and I are

0:55:41.280 --> 0:55:43.200
<v Speaker 1>going to escape here and we're going to go and

0:55:43.200 --> 0:55:46.080
<v Speaker 1>save our kids. But it wasn't set up well.

0:55:46.680 --> 0:55:48.560
<v Speaker 2>But it didn't happen, no.

0:55:48.440 --> 0:55:51.480
<v Speaker 1>Because they sat there having a song instead of escaping, hey,

0:55:51.640 --> 0:55:56.400
<v Speaker 1>instead of escaping jail, let's do a number. The Queen

0:55:56.560 --> 0:55:59.319
<v Speaker 1>reveals that Maddox has bewitched the Throne room and see,

0:55:59.360 --> 0:56:01.040
<v Speaker 1>I'm sorry, I don't want to harp on this, but

0:56:01.080 --> 0:56:03.520
<v Speaker 1>this is where I'd love to have a real character

0:56:03.680 --> 0:56:08.040
<v Speaker 1>in every Disney movie where it's just somebody going, really,

0:56:08.360 --> 0:56:14.040
<v Speaker 1>you're gonna sing, sit here and sing, let's go, let's go.

0:56:14.440 --> 0:56:16.840
<v Speaker 1>What are you doing? And you know that, to me

0:56:16.960 --> 0:56:18.000
<v Speaker 1>is the greatest character ever.

0:56:19.160 --> 0:56:21.759
<v Speaker 2>But then that would be really funny. There's gotta be

0:56:21.840 --> 0:56:25.839
<v Speaker 2>a good villain character. It'd have to be a villain probably, or.

0:56:25.800 --> 0:56:27.600
<v Speaker 1>One of the guards who's just like, you're gonna just

0:56:27.640 --> 0:56:28.320
<v Speaker 1>sit there.

0:56:28.920 --> 0:56:34.200
<v Speaker 2>Yeah, yeah, or like Doc like one of the dwarfs,

0:56:34.239 --> 0:56:36.719
<v Speaker 2>like you know, like one of the smart characters that's like,

0:56:36.760 --> 0:56:38.759
<v Speaker 2>this makes no sense. Why you guys are wasting time?

0:56:39.239 --> 0:56:41.640
<v Speaker 2>So much time is and then keeps going. So much

0:56:41.640 --> 0:56:43.240
<v Speaker 2>time is being wasted with you guys singing.

0:56:43.600 --> 0:56:45.960
<v Speaker 1>Yeah. First you're talking about how you're scared for your

0:56:46.000 --> 0:56:48.440
<v Speaker 1>daughter's life, but you take some time to put on pants.

0:56:50.960 --> 0:56:53.560
<v Speaker 1>Then then you break in and when you've got the

0:56:53.560 --> 0:56:55.920
<v Speaker 1>time to escape, you use that time to do a number.

0:56:56.719 --> 0:56:59.160
<v Speaker 1>It's like you want somebody just going, dude, what maybe

0:56:59.160 --> 0:57:01.279
<v Speaker 1>sit this one out, derelic because it's not up here

0:57:01.360 --> 0:57:03.960
<v Speaker 1>right now, it's not appearing Brandy.

0:57:04.680 --> 0:57:07.120
<v Speaker 2>Don't tell my girl Brandy to sit down.

0:57:07.440 --> 0:57:10.280
<v Speaker 1>It's just like, come on, then she needs to do something.

0:57:10.360 --> 0:57:15.000
<v Speaker 1>She literally walked two feet and was captured. That was

0:57:15.080 --> 0:57:18.800
<v Speaker 1>that's thanks for the help. I now have to split

0:57:18.880 --> 0:57:21.640
<v Speaker 1>my ration with you. You yeah to see you, but

0:57:21.680 --> 0:57:23.200
<v Speaker 1>I get one plate of food today and now I

0:57:23.280 --> 0:57:26.280
<v Speaker 1>have to share it with you, Like.

0:57:26.400 --> 0:57:31.400
<v Speaker 2>Thanks, all right, Well I promise you I'll just let you.

0:57:31.400 --> 0:57:40.360
<v Speaker 3>Sit there, thank you, thank you, Yes, knock on the

0:57:40.360 --> 0:57:42.320
<v Speaker 3>window and I'll be like it's not don't worry about it.

0:57:42.320 --> 0:57:46.560
<v Speaker 1>Don't worry. Then we're just gonna both be trapped like

0:57:47.040 --> 0:57:51.080
<v Speaker 1>thank you. Anyway, the Queen reveals that Maddix is bewitched

0:57:51.120 --> 0:57:54.240
<v Speaker 1>the Throne Room and so she's locked inside. What the

0:57:54.320 --> 0:57:57.440
<v Speaker 1>guy who bewitches things bewitched something? And then speak of

0:57:57.440 --> 0:58:01.000
<v Speaker 1>the devil? Maddix appears he wasn't expecting visitors. If he

0:58:01.040 --> 0:58:03.480
<v Speaker 1>wasn't expecting visitors, why did he bewitch the Throne room.

0:58:04.560 --> 0:58:06.760
<v Speaker 1>Beyond the looking glass, we see Prince Charming is about

0:58:06.800 --> 0:58:10.360
<v Speaker 1>to walk through, but Maddox immediately blocks the pathway again. Actually,

0:58:10.400 --> 0:58:12.240
<v Speaker 1>Maddox po witch is the entire castle, so no one's

0:58:12.240 --> 0:58:14.200
<v Speaker 1>gonna save them now. And I will say this was

0:58:14.240 --> 0:58:16.040
<v Speaker 1>a piece of Disney magic that I did love. I

0:58:16.080 --> 0:58:20.320
<v Speaker 1>loved how she embraced her broom and it became kind

0:58:20.320 --> 0:58:22.560
<v Speaker 1>of like because the broom of her, of Cinderella having

0:58:22.640 --> 0:58:25.040
<v Speaker 1>to constantly sweep up and do everything that's now like

0:58:25.080 --> 0:58:27.280
<v Speaker 1>a symbol of her power and her resilience. I thought

0:58:27.320 --> 0:58:27.920
<v Speaker 1>was really cool.

0:58:28.200 --> 0:58:28.800
<v Speaker 2>I loved that.

0:58:28.960 --> 0:58:32.000
<v Speaker 1>Yeah, me too. Meanwhile, the kids are still on their journey.

0:58:32.040 --> 0:58:33.959
<v Speaker 1>Red suggests they find a place to hide out until morning,

0:58:33.960 --> 0:58:36.800
<v Speaker 1>so they picked the beautiful Lomia tree. As they settle in,

0:58:36.840 --> 0:58:38.800
<v Speaker 1>we see the Dodo Bird is still keeping tabs on them,

0:58:38.800 --> 0:58:41.280
<v Speaker 1>but luckily they're still giving their plans out loud as

0:58:41.280 --> 0:58:43.840
<v Speaker 1>the Dodo Bird is there, and of course Chessie is

0:58:43.880 --> 0:58:47.040
<v Speaker 1>also nearby. Now in the comforts of the tree, Luis

0:58:47.080 --> 0:58:48.840
<v Speaker 1>wants the hero kids to take the lead. He doesn't

0:58:48.840 --> 0:58:51.920
<v Speaker 1>trust the vks. Then a ghostly Chessie appears on Hazel

0:58:51.920 --> 0:58:54.800
<v Speaker 1>Hook's shoulder. He thinks it's time the Villain kids run

0:58:54.840 --> 0:58:57.160
<v Speaker 1>the show, which motivates Captain Hook's daughter to step up

0:58:57.200 --> 0:59:00.720
<v Speaker 1>and claim leadership. Then Chessie pops up on Luis's giving

0:59:00.800 --> 0:59:03.560
<v Speaker 1>him the same advice for the HKS. His plan is,

0:59:04.400 --> 0:59:06.240
<v Speaker 1>do we know that Chessie's a boy? I don't think

0:59:06.240 --> 0:59:09.200
<v Speaker 1>we there's no real gender. It's boy or girl, right.

0:59:09.160 --> 0:59:11.560
<v Speaker 2>Yeah, I don't think there's a gender with Chessie.

0:59:11.880 --> 0:59:13.440
<v Speaker 1>Yeah. I would like to do this without gender if

0:59:13.480 --> 0:59:15.840
<v Speaker 1>I could. Then a ghostly Chessie appears on Hazel Hook's

0:59:15.840 --> 0:59:18.680
<v Speaker 1>shoulder and says it's time the Villain kids run the show,

0:59:18.920 --> 0:59:21.640
<v Speaker 1>which motivates Katain Hook's daughter to step up and claim leadership.

0:59:21.880 --> 0:59:24.640
<v Speaker 1>Then Chessie pops up on Luisa's shoulder and gives him

0:59:24.680 --> 0:59:28.640
<v Speaker 1>the same advice for the HKS. Obviously, Chessie's plan is

0:59:28.680 --> 0:59:30.920
<v Speaker 1>to build tension between the two groups, and it is working.

0:59:31.000 --> 0:59:32.760
<v Speaker 1>This leads us to our next song, did you Hear

0:59:32.800 --> 0:59:35.280
<v Speaker 1>about Them? A battle of strength and bravado between the

0:59:35.280 --> 0:59:38.480
<v Speaker 1>two groups struggling to be the alpha resident expert. What'd

0:59:38.520 --> 0:59:38.800
<v Speaker 1>you think?

0:59:39.040 --> 0:59:43.600
<v Speaker 2>I loved this song. This wasn't my favorite number of

0:59:43.800 --> 0:59:49.960
<v Speaker 2>the cast. I love the song. Though the song was cute,

0:59:50.040 --> 0:59:52.720
<v Speaker 2>I liked it and I liked it didn't make sense

0:59:52.800 --> 0:59:55.160
<v Speaker 2>like I don't know, I don't know. I didn't like

0:59:55.200 --> 0:59:58.360
<v Speaker 2>their working. I don't know, there was something like that

0:59:58.440 --> 1:00:00.440
<v Speaker 2>was just kind of like, okay, it was isn't like

1:00:00.880 --> 1:00:03.160
<v Speaker 2>bad in any sense. But I did like the song

1:00:03.320 --> 1:00:06.240
<v Speaker 2>the music, Like I said, the music's got me. I

1:00:06.360 --> 1:00:09.760
<v Speaker 2>love the sound track. This wasn't my favorite of all

1:00:09.800 --> 1:00:11.120
<v Speaker 2>of them, but there's so many of them.

1:00:11.160 --> 1:00:15.040
<v Speaker 1>This is That's okay, I I this this should be

1:00:15.080 --> 1:00:18.640
<v Speaker 1>my answer. I don't really remember this one. Oh really yeah,

1:00:18.640 --> 1:00:21.560
<v Speaker 1>I don't really kind of I vaguely remember the dancing,

1:00:21.560 --> 1:00:23.720
<v Speaker 1>but I can't remember the song as such, which might

1:00:23.760 --> 1:00:24.280
<v Speaker 1>mean something.

1:00:24.680 --> 1:00:26.560
<v Speaker 2>Well, and then it was interesting to me at the

1:00:26.640 --> 1:00:30.440
<v Speaker 2>end because Red kind of declares that, like the VK's

1:00:30.480 --> 1:00:33.280
<v Speaker 2>one and I was like like, why.

1:00:33.520 --> 1:00:35.240
<v Speaker 1>Yeah, but that's every movie for me where there's like

1:00:35.240 --> 1:00:37.640
<v Speaker 1>a dance off, you know, it's like step up, I'm like,

1:00:37.760 --> 1:00:39.680
<v Speaker 1>or stop the yard. I'm like, wait, how did who

1:00:39.720 --> 1:00:40.960
<v Speaker 1>picked who? One? Well?

1:00:41.000 --> 1:00:42.480
<v Speaker 2>No, no, I could do that.

1:00:42.600 --> 1:00:44.280
<v Speaker 1>That's oh but I can't. That's what I'm saying.

1:00:44.360 --> 1:00:47.080
<v Speaker 2>I can kind of just like the VK's one. And

1:00:47.080 --> 1:00:48.760
<v Speaker 2>it was just kind of like they didn't really like

1:00:48.840 --> 1:00:51.160
<v Speaker 2>I don't know. It was just a lot of more moving.

1:00:51.720 --> 1:00:54.080
<v Speaker 2>They were moving around each other, moving around each other.

1:00:54.080 --> 1:00:55.280
<v Speaker 2>It wasn't like a dance battle.

1:00:55.440 --> 1:00:59.600
<v Speaker 1>Okay, I get you now. Yeah. So the song ends

1:00:59.600 --> 1:01:01.440
<v Speaker 1>with Louis on the ground, but everyone maybe because he's

1:01:01.440 --> 1:01:03.240
<v Speaker 1>on the ground, that's why they think he lost. But

1:01:03.760 --> 1:01:05.800
<v Speaker 1>everyone's still smiling and ready to team up with the

1:01:05.880 --> 1:01:08.400
<v Speaker 1>VKS leading the way. That is until Chessie shows up

1:01:08.440 --> 1:01:10.800
<v Speaker 1>on pink shoulder, pushing here to fight the new leadership.

1:01:11.280 --> 1:01:13.480
<v Speaker 1>When she suggests maybe Max is behind all of this

1:01:13.560 --> 1:01:16.160
<v Speaker 1>with his dad, the few seconds of calculated teamwork is

1:01:16.440 --> 1:01:19.480
<v Speaker 1>instantly over sending everyone off to their own corners and

1:01:19.560 --> 1:01:23.040
<v Speaker 1>creating more tension and division between Chloe and Red. Red

1:01:23.080 --> 1:01:24.919
<v Speaker 1>tries to comfort Max, but he knows no one trusts

1:01:24.960 --> 1:01:27.120
<v Speaker 1>him because of his dad. Red insists she trusts him

1:01:27.320 --> 1:01:29.360
<v Speaker 1>and even believes there's some good left in his dad.

1:01:29.640 --> 1:01:31.640
<v Speaker 1>Max knows his dad is obsessed with the pocket watch

1:01:31.680 --> 1:01:34.480
<v Speaker 1>because he believes he saw time travel in high school

1:01:34.680 --> 1:01:37.640
<v Speaker 1>and this trigger's read he probably saw them, but she

1:01:37.720 --> 1:01:42.520
<v Speaker 1>doesn't say anything. Later that night, and again, if he's

1:01:42.560 --> 1:01:45.680
<v Speaker 1>been so obsessed with seeing these two girls disappear in

1:01:45.760 --> 1:01:49.760
<v Speaker 1>high school, wouldn't he recognize that it was Red? So

1:01:49.760 --> 1:01:51.160
<v Speaker 1>does he know it's the kids?

1:01:51.520 --> 1:01:54.880
<v Speaker 2>Did we get a visual of him seeing the pocket

1:01:54.880 --> 1:01:55.640
<v Speaker 2>watch situation?

1:01:55.760 --> 1:01:57.760
<v Speaker 1>Yes, they kind of do. They show a flashback of

1:01:57.840 --> 1:01:58.520
<v Speaker 1>him sharing the.

1:01:58.680 --> 1:02:01.240
<v Speaker 2>Flashback, but we didn't really see that when we saw

1:02:01.360 --> 1:02:01.919
<v Speaker 2>Rise of Red.

1:02:02.000 --> 1:02:03.840
<v Speaker 1>Right, No, No, they put that in after Yeah, they

1:02:03.840 --> 1:02:06.320
<v Speaker 1>put that. I thought the same thing. Later that night,

1:02:06.360 --> 1:02:08.840
<v Speaker 1>Chloe and Hazel talk about their issues with Red. Hazel

1:02:08.880 --> 1:02:11.080
<v Speaker 1>calls Red the alpha and emphasizes the fact that you

1:02:11.080 --> 1:02:14.160
<v Speaker 1>can only rely on yourself, further strengthening the wedge between everyone.

1:02:14.720 --> 1:02:17.560
<v Speaker 1>Just as Robbie, Oh that's right, Robbie's there and Felix, oh, hey,

1:02:17.560 --> 1:02:20.920
<v Speaker 1>Felix is back return from their teacup adventure, Max realizes

1:02:20.960 --> 1:02:23.080
<v Speaker 1>how to get to his dad through his beloved invention

1:02:23.360 --> 1:02:26.240
<v Speaker 1>the urriculum back at the mad Hatters though he's seeing

1:02:26.280 --> 1:02:30.320
<v Speaker 1>everything and furious with his backstabbing son. He's seeing everything

1:02:30.400 --> 1:02:33.560
<v Speaker 1>is okay, And this is just I don't know, is

1:02:33.600 --> 1:02:37.120
<v Speaker 1>the urriculum is the device he's looking in that sees

1:02:37.120 --> 1:02:40.040
<v Speaker 1>the past president in future, and so if he can

1:02:40.080 --> 1:02:43.240
<v Speaker 1>spy on them through the urriculum, why why does he

1:02:43.320 --> 1:02:44.960
<v Speaker 1>need the Dodo birds?

1:02:47.360 --> 1:02:50.480
<v Speaker 2>I thought that the Dodo birds that's how they were,

1:02:50.600 --> 1:02:52.880
<v Speaker 2>that they were transporting.

1:02:52.120 --> 1:02:56.280
<v Speaker 1>The visual back. And then why can the urriculum look

1:02:56.320 --> 1:02:59.160
<v Speaker 1>into the past and everything else? He can see everything,

1:02:59.240 --> 1:03:04.680
<v Speaker 1>but just not where the kids are except for the dodos, right, yeah, okay, yeah,

1:03:04.720 --> 1:03:06.160
<v Speaker 1>I couldn't understand that. But okay, but I.

1:03:06.200 --> 1:03:09.520
<v Speaker 2>Thought, like, what the what was happening from the point

1:03:09.600 --> 1:03:12.800
<v Speaker 2>view of the of the Dodo birds is what.

1:03:12.720 --> 1:03:17.760
<v Speaker 1>He's seeing on his pocket? Gotcha? Gotcha? He sends a

1:03:17.760 --> 1:03:20.480
<v Speaker 1>magic card on their way, making them disappear upon arrival,

1:03:20.520 --> 1:03:24.880
<v Speaker 1>and transporting them onto a colorful chess board. They wake up,

1:03:24.880 --> 1:03:27.040
<v Speaker 1>and I love I love a good Harry Potter kind

1:03:27.040 --> 1:03:29.800
<v Speaker 1>of giant chess set, big fan of that. They wake

1:03:29.920 --> 1:03:33.080
<v Speaker 1>up tiny, noticing massive butterflies and angry flowers, and when

1:03:33.080 --> 1:03:36.720
<v Speaker 1>the mad Hatter announces checkmate, the chessboard lights up and

1:03:36.760 --> 1:03:39.600
<v Speaker 1>an army of knights takes their places. Chessie says they

1:03:39.600 --> 1:03:41.680
<v Speaker 1>are pawns in Maddox's game and they have to capture

1:03:41.720 --> 1:03:44.600
<v Speaker 1>the king to escape. Chloree realizes they need to play

1:03:44.640 --> 1:03:46.520
<v Speaker 1>chess against the knights, and she takes the lead. She

1:03:46.600 --> 1:03:48.800
<v Speaker 1>knows all about chess strategy. She moves them around one

1:03:48.840 --> 1:03:50.920
<v Speaker 1>by one, but it's quickly put in her place, criticized

1:03:50.920 --> 1:03:53.720
<v Speaker 1>for naive moves. To beat the villain, they have to

1:03:53.760 --> 1:03:55.680
<v Speaker 1>think like a villain, and this leads to our next song,

1:03:55.840 --> 1:03:59.400
<v Speaker 1>dancing with the enemy. This one confused me a little

1:03:59.400 --> 1:04:01.919
<v Speaker 1>bit because I didn't. So she tries to really play chess,

1:04:01.920 --> 1:04:04.200
<v Speaker 1>and that doesn't work. So they fling the guy off

1:04:04.200 --> 1:04:06.160
<v Speaker 1>the board because she puts him more of the pond

1:04:06.200 --> 1:04:10.600
<v Speaker 1>where the pawn is supposed to go. So they say,

1:04:10.640 --> 1:04:12.400
<v Speaker 1>you have to think like a villain. And so a

1:04:12.520 --> 1:04:18.040
<v Speaker 1>villain's thought is a dance off. Sure, okay, why wouldn't

1:04:18.080 --> 1:04:22.520
<v Speaker 1>the good guys think of a dance off? Dancing's good again.

1:04:22.560 --> 1:04:24.120
<v Speaker 1>I'm all for a dance off, you know me. I'll

1:04:24.160 --> 1:04:25.600
<v Speaker 1>wait and line for a dance off.

1:04:25.920 --> 1:04:29.240
<v Speaker 2>I think in a sense, it's like the heroes and

1:04:29.280 --> 1:04:32.360
<v Speaker 2>the good guys would think of like playing, like playing

1:04:32.400 --> 1:04:34.800
<v Speaker 2>by the rules. Like the villains are like, no, we're

1:04:34.840 --> 1:04:37.000
<v Speaker 2>just gonna fight them, gotcha, Like we're obviously just gonna

1:04:37.000 --> 1:04:37.600
<v Speaker 2>go and fight.

1:04:37.560 --> 1:04:40.360
<v Speaker 1>Okay, gotcha. And you can't really fight in Disney. So

1:04:40.400 --> 1:04:43.919
<v Speaker 1>you've danced, so you dance copy that. Yeah makes of course, Yeah,

1:04:43.920 --> 1:04:44.360
<v Speaker 1>it makes sense.

1:04:44.920 --> 1:04:45.040
<v Speaker 2>Uh.

1:04:45.200 --> 1:04:48.280
<v Speaker 1>It's their theme song to win. They start the dance

1:04:48.320 --> 1:04:50.760
<v Speaker 1>battle against the Knights, and it's difficult fight. But the

1:04:50.840 --> 1:04:53.360
<v Speaker 1>big highlight here is Red. This is amazing to me.

1:04:53.640 --> 1:04:57.160
<v Speaker 1>Red throws Chloe towards an evil Flower, using her as

1:04:57.240 --> 1:04:59.960
<v Speaker 1>bait without her knowing, literally almost getting her killed before

1:05:00.120 --> 1:05:02.120
<v Speaker 1>Hazel saves her. But it makes way for Red to

1:05:02.120 --> 1:05:04.120
<v Speaker 1>take out the King, the kid. The kids all celebrate

1:05:04.120 --> 1:05:07.000
<v Speaker 1>the victory, but Chloe's obviously affected by her best friend,

1:05:07.000 --> 1:05:09.840
<v Speaker 1>Shady Mood. It's like she threw her towards like a

1:05:09.960 --> 1:05:14.960
<v Speaker 1>giant spiked. I would be.

1:05:15.200 --> 1:05:17.480
<v Speaker 2>Yes, this would be the end of the friendship. There

1:05:17.520 --> 1:05:21.320
<v Speaker 2>would no need for me to like help you find

1:05:21.360 --> 1:05:24.880
<v Speaker 2>your mom anything your mom could, your mom could shove it.

1:05:24.960 --> 1:05:29.240
<v Speaker 2>I don't care. You literally just almost killed me. Yeah, sorry, Red.

1:05:29.160 --> 1:05:32.000
<v Speaker 1>I agree with you, not even like a trust me

1:05:32.160 --> 1:05:35.240
<v Speaker 1>or you gotta trust me, just throws her towards danger.

1:05:35.320 --> 1:05:35.800
<v Speaker 1>I mean it was.

1:05:36.000 --> 1:05:39.400
<v Speaker 2>Latter like let's go together, and then like what like

1:05:40.400 --> 1:05:46.600
<v Speaker 2>day that show? No, no, seriously hard, We're done.

1:05:46.640 --> 1:05:47.000
<v Speaker 1>We're done.

1:05:47.040 --> 1:05:48.120
<v Speaker 2>Red, have a great time.

1:05:48.240 --> 1:05:50.000
<v Speaker 1>You literally just tried to Kim.

1:05:50.080 --> 1:05:51.320
<v Speaker 2>I will not be helping you.

1:05:51.440 --> 1:05:54.600
<v Speaker 1>Yep, sorry girl, I agree with you. That was rough.

1:05:54.920 --> 1:05:55.640
<v Speaker 2>That was rough.

1:05:55.920 --> 1:05:59.040
<v Speaker 1>Yep. Meanwhile, back at his makeshift castle headquarters in that

1:05:59.120 --> 1:06:01.760
<v Speaker 1>Hatter is fear. He can't believe he's been beaten, so

1:06:01.800 --> 1:06:03.600
<v Speaker 1>he sends a Dodo bird back out into the jungle

1:06:03.640 --> 1:06:06.680
<v Speaker 1>to finally find that pocket watch. And on the chessboard,

1:06:06.720 --> 1:06:09.040
<v Speaker 1>Pink and Red find one of Alice in Wonderland's cookies,

1:06:09.080 --> 1:06:12.240
<v Speaker 1>a cool little callback. While Chloe continues to pout, Max

1:06:12.280 --> 1:06:14.240
<v Speaker 1>tries to make her feel better, but still feels like

1:06:14.360 --> 1:06:18.640
<v Speaker 1>Red was going to sacrifice her, which she was he did. Yep.

1:06:19.520 --> 1:06:21.760
<v Speaker 1>The group decides to eat the cookie, and most return

1:06:21.800 --> 1:06:23.920
<v Speaker 1>in normal size. Pink keeps a piece for later, but

1:06:24.000 --> 1:06:27.480
<v Speaker 1>they leave behind small versions of a Smee, Brother, Felix,

1:06:27.520 --> 1:06:29.400
<v Speaker 1>and Robbie, and again it's like, why did you bring

1:06:29.400 --> 1:06:32.600
<v Speaker 1>Felix and Robbie now back on the way to it is.

1:06:32.640 --> 1:06:34.960
<v Speaker 1>It's true, it was just they were kind of unnecessary characters.

1:06:35.000 --> 1:06:38.200
<v Speaker 1>They were now back on their way to the Mad Hatter.

1:06:38.360 --> 1:06:40.720
<v Speaker 1>The kids know they'll need to stop and rest. The

1:06:40.760 --> 1:06:42.600
<v Speaker 1>Dodo is still on their tail. When they eventually make

1:06:42.600 --> 1:06:44.840
<v Speaker 1>it to the small cottage, it's the White Rabbit's house.

1:06:45.120 --> 1:06:46.840
<v Speaker 1>He's not home, but he's left a note that says

1:06:46.920 --> 1:06:49.080
<v Speaker 1>offer an important date be back next spring. So they

1:06:49.120 --> 1:06:52.440
<v Speaker 1>decide to squat in his house. But Max's other plans.

1:06:52.480 --> 1:06:54.120
<v Speaker 1>He's going to sneak out and go find his dad.

1:06:54.320 --> 1:06:56.240
<v Speaker 1>He asks Hazel to cover for him. All while Chloe

1:06:56.360 --> 1:06:58.560
<v Speaker 1>and Red finally have it out about their issues. Now

1:06:58.600 --> 1:07:01.240
<v Speaker 1>to crossroads with their supposed best friend, Red takes a

1:07:01.280 --> 1:07:04.240
<v Speaker 1>walk with Louise in the beautiful, glowing mushroom garden. Red

1:07:04.240 --> 1:07:06.280
<v Speaker 1>complains all she ever wanted was to leave home and

1:07:06.280 --> 1:07:08.720
<v Speaker 1>find her own path, and yet here she is in wonderland.

1:07:08.920 --> 1:07:11.560
<v Speaker 1>Louis encourages her to accept her true self. She'd make

1:07:11.640 --> 1:07:15.960
<v Speaker 1>a good princess, but again, she is a good princess

1:07:15.960 --> 1:07:18.760
<v Speaker 1>because he grew up in this timeline where the Queen

1:07:18.760 --> 1:07:20.800
<v Speaker 1>of Hearts has always been good. So she's always been

1:07:20.840 --> 1:07:24.280
<v Speaker 1>a good princess. That's the thing that's weird. Then he

1:07:24.320 --> 1:07:26.520
<v Speaker 1>trips into her arms and they have a romantic moment.

1:07:26.560 --> 1:07:29.480
<v Speaker 1>Will they kiss? No, they're gonna sing, And it's our

1:07:29.520 --> 1:07:31.960
<v Speaker 1>next song for once in my life, a poppy duet

1:07:31.960 --> 1:07:34.200
<v Speaker 1>between two possible love birds, and of course, a singing

1:07:34.320 --> 1:07:38.400
<v Speaker 1>dancing duet like this between lovers and Disney is the

1:07:38.400 --> 1:07:42.720
<v Speaker 1>equivalent of third base. So, Sabrina, what did you think

1:07:42.720 --> 1:07:43.200
<v Speaker 1>of this song?

1:07:43.600 --> 1:07:47.360
<v Speaker 2>Okay, here's the flip. I loved the choreography in this.

1:07:47.520 --> 1:07:50.440
<v Speaker 2>I loved that it looked very dancing with the stars,

1:07:50.720 --> 1:07:55.160
<v Speaker 2>like Slash fred Astaire Ginger Rogers like. I just like

1:07:55.560 --> 1:07:59.280
<v Speaker 2>loved that aspect of this routine. But the song didn't

1:07:59.320 --> 1:08:01.600
<v Speaker 2>stick with me. I still can't hear it right now.

1:08:01.880 --> 1:08:04.240
<v Speaker 2>The song didn't stick with me, and I've I've rewatched

1:08:04.280 --> 1:08:07.400
<v Speaker 2>them quite a bit because Monroe is again on her

1:08:07.440 --> 1:08:10.240
<v Speaker 2>decendence kick. So that's what my life will be for

1:08:10.240 --> 1:08:13.160
<v Speaker 2>the next couple of months, yealy until camp Rock comes

1:08:13.240 --> 1:08:17.559
<v Speaker 2>and then we'll move on. But the song doesn't stick,

1:08:17.640 --> 1:08:20.479
<v Speaker 2>but the movement I love seeing so much of this

1:08:20.760 --> 1:08:25.280
<v Speaker 2>like world of Wonderland. And then I loved I loved

1:08:25.320 --> 1:08:28.479
<v Speaker 2>this duet. They did it great, did it great? They

1:08:28.479 --> 1:08:29.400
<v Speaker 2>were great partners.

1:08:29.520 --> 1:08:31.840
<v Speaker 1>The choreography in this movie seemed to be a step

1:08:31.920 --> 1:08:34.160
<v Speaker 1>up from the choreography in the last movie all the way.

1:08:34.040 --> 1:08:35.720
<v Speaker 2>Around from it's a different choreographer.

1:08:35.960 --> 1:08:37.800
<v Speaker 1>Well, yeah, you can you could tell. I mean it was.

1:08:37.920 --> 1:08:42.400
<v Speaker 1>It seemed not the same but more Kenny Ortega esque

1:08:43.080 --> 1:08:45.439
<v Speaker 1>than the last show that with the depth of a

1:08:45.439 --> 1:08:47.360
<v Speaker 1>lot of the dancing and some of the bigger numbers

1:08:47.520 --> 1:08:50.000
<v Speaker 1>and even these two dancing together. Just I agree it

1:08:50.040 --> 1:08:50.719
<v Speaker 1>was very classic.

1:08:50.880 --> 1:08:52.760
<v Speaker 2>But again, I think a lot of that has to

1:08:52.840 --> 1:08:54.800
<v Speaker 2>do with how big the cast is. We watched the

1:08:54.800 --> 1:08:57.120
<v Speaker 2>two girls go around the whole time, so we were

1:08:57.120 --> 1:09:00.400
<v Speaker 2>getting a lot of like duet stuff, and like there's

1:09:00.400 --> 1:09:02.400
<v Speaker 2>only so much you can do with that, right, and.

1:09:03.160 --> 1:09:03.920
<v Speaker 1>So much you can do it.

1:09:06.400 --> 1:09:14.760
<v Speaker 2>Thank you go trademark. So you know this, This is

1:09:14.840 --> 1:09:17.559
<v Speaker 2>why I think there might have been some thought of

1:09:17.600 --> 1:09:21.479
<v Speaker 2>bringing kind of some extra characters that don't have big roles,

1:09:21.479 --> 1:09:26.160
<v Speaker 2>but like background kind of becoming like, you know, yeah,

1:09:26.680 --> 1:09:29.639
<v Speaker 2>character background stuff for routines.

1:09:29.760 --> 1:09:39.040
<v Speaker 1>Good idea. We are back at base camp. Pink brings

1:09:39.120 --> 1:09:41.360
<v Speaker 1>Chloe cake that looks like a teacup Pink is now

1:09:41.400 --> 1:09:44.080
<v Speaker 1>self conscious that everyone just thinks she's sweet, but Chloe

1:09:44.080 --> 1:09:46.600
<v Speaker 1>calls her thoughtful. The two girls connect over living in

1:09:46.600 --> 1:09:50.360
<v Speaker 1>Red shadow Who does Who? Eventually does return, smiling alongside

1:09:50.360 --> 1:09:52.600
<v Speaker 1>her new boy toy, But instead of being able to

1:09:52.680 --> 1:09:55.439
<v Speaker 1>bask in her crushes glow, Chloe and Red once again clash.

1:09:55.680 --> 1:09:57.679
<v Speaker 1>Chloe has had enough, she doesn't feel like a teammate

1:09:57.760 --> 1:09:59.560
<v Speaker 1>or a friend, and they both admit they're drowning in

1:09:59.600 --> 1:10:01.800
<v Speaker 1>this new reality. Instead of working it out, their beef

1:10:01.800 --> 1:10:03.880
<v Speaker 1>just gets more personal. We're back at the Castle. The

1:10:03.960 --> 1:10:06.160
<v Speaker 1>Queen and Cinderella are still working through the ivy. The

1:10:06.200 --> 1:10:08.280
<v Speaker 1>two old pals reminisce about their past, and the Queen

1:10:08.320 --> 1:10:10.400
<v Speaker 1>is upset with herself for letting Maddox return from the

1:10:10.439 --> 1:10:12.840
<v Speaker 1>Aisle of the Lost. They agree they need to just

1:10:12.880 --> 1:10:15.439
<v Speaker 1>start thinking for themselves and not just doing what everyone

1:10:15.439 --> 1:10:17.760
<v Speaker 1>expects them to do. This leads to a song Rita,

1:10:17.840 --> 1:10:20.800
<v Speaker 1>Aura and Brandy intermixed with childhood flashbacks for a song

1:10:20.840 --> 1:10:23.479
<v Speaker 1>called The Girl I Used to Be. It's too heavyweight

1:10:23.520 --> 1:10:26.840
<v Speaker 1>singing together. I'm not even gonna ask you. I know

1:10:27.280 --> 1:10:30.000
<v Speaker 1>great ballad. I felt the same way. It was awesome. Yep,

1:10:30.439 --> 1:10:30.880
<v Speaker 1>it was great.

1:10:31.520 --> 1:10:34.759
<v Speaker 2>Finally, because we did not get to hear Brandy sing

1:10:34.880 --> 1:10:37.480
<v Speaker 2>sing sing, I'm the last one.

1:10:37.280 --> 1:10:40.040
<v Speaker 1>And she can sing sing, she can.

1:10:40.200 --> 1:10:43.080
<v Speaker 2>We gave her this step, and this is what I

1:10:43.120 --> 1:10:46.080
<v Speaker 2>think we have I myself, at least I have been

1:10:46.120 --> 1:10:46.720
<v Speaker 2>waiting for.

1:10:46.840 --> 1:10:47.639
<v Speaker 1>Yeah, she was great.

1:10:47.640 --> 1:10:50.840
<v Speaker 2>Thank you. My list of things that needed to be done, check,

1:10:50.920 --> 1:10:54.400
<v Speaker 2>got another one check checked, dok. Thank you very much. Yep,

1:10:54.439 --> 1:10:56.560
<v Speaker 2>I agree, Queen Brandy forever.

1:10:56.400 --> 1:10:58.800
<v Speaker 1>It was awesome. Once the song ends, Max has made

1:10:58.840 --> 1:11:00.720
<v Speaker 1>it to his dad's to get the curriculum and is

1:11:00.720 --> 1:11:04.120
<v Speaker 1>immediately greeted by Chessie, who thinks the invention has empowered Max,

1:11:04.200 --> 1:11:07.280
<v Speaker 1>not hurt him. Plus, the urriculum can answer any questions

1:11:07.320 --> 1:11:09.760
<v Speaker 1>Max might have about his father, like why he wants

1:11:09.760 --> 1:11:11.400
<v Speaker 1>this thing so bad? And what did he see in

1:11:11.479 --> 1:11:14.639
<v Speaker 1>high school? These queries strike up the machine and we

1:11:14.680 --> 1:11:17.439
<v Speaker 1>see flashbacks. It's the reality before the girls used the

1:11:17.439 --> 1:11:19.719
<v Speaker 1>pocket watch, when his dad wasn't a villain. And none

1:11:19.760 --> 1:11:23.240
<v Speaker 1>of this makes any sense whatsoever from a time travel standpoint.

1:11:23.760 --> 1:11:27.080
<v Speaker 1>You've changed the past. If he could go back and

1:11:27.200 --> 1:11:31.920
<v Speaker 1>watch what his life was before the time travel, why

1:11:31.960 --> 1:11:34.320
<v Speaker 1>would he not then stay good? Because he knew he

1:11:34.479 --> 1:11:38.240
<v Speaker 1>was good then, right, Now, it just gets so convoluted.

1:11:38.240 --> 1:11:41.000
<v Speaker 1>When you change the past, you've have a whole new timeline.

1:11:41.040 --> 1:11:43.040
<v Speaker 1>You can't now look into the old timeline and see

1:11:43.040 --> 1:11:46.080
<v Speaker 1>what it was like. That's just that gets so convoluted

1:11:46.680 --> 1:11:50.040
<v Speaker 1>that it's like, well then, why why did you realize

1:11:50.040 --> 1:11:51.479
<v Speaker 1>you were in a villain and you were so close

1:11:51.479 --> 1:11:53.439
<v Speaker 1>to your son? Why didn't you like that? Why wasn't

1:11:53.479 --> 1:11:55.760
<v Speaker 1>it just it gets too much, you just have to

1:11:55.800 --> 1:11:59.000
<v Speaker 1>It should have been flashbacks from this timeline of him

1:11:59.360 --> 1:12:02.400
<v Speaker 1>seeing the the flash in high school and then being

1:12:02.439 --> 1:12:05.479
<v Speaker 1>obsessed with the watch so much that at that point.

1:12:05.520 --> 1:12:08.679
<v Speaker 1>But no, he's still good and none of it made

1:12:08.680 --> 1:12:10.559
<v Speaker 1>any sense to me. This is where time travel just.

1:12:10.600 --> 1:12:13.559
<v Speaker 2>Gets a flash of seen that it was the two

1:12:13.600 --> 1:12:17.800
<v Speaker 2>of them recognizing that Choe, that it's them and they

1:12:17.840 --> 1:12:20.320
<v Speaker 2>have the pocket watch and they had something to do

1:12:20.360 --> 1:12:21.200
<v Speaker 2>with this timeline.

1:12:21.280 --> 1:12:23.599
<v Speaker 1>Yeah, it's it's just that. This is where time travel

1:12:23.720 --> 1:12:26.920
<v Speaker 1>just gets weird. But he sees that he wasn't the villain,

1:12:26.960 --> 1:12:29.080
<v Speaker 1>the queen was. He realizes what the girls have done.

1:12:29.120 --> 1:12:31.800
<v Speaker 1>They ruined his family. That infuriates Max, who destroys the

1:12:31.840 --> 1:12:33.960
<v Speaker 1>urriculum in a rage. If he gets his hands on

1:12:34.000 --> 1:12:36.200
<v Speaker 1>that pocket watch, he can make things, make things right.

1:12:36.520 --> 1:12:38.880
<v Speaker 1>He finds a book of dark enchantments and gets right

1:12:38.920 --> 1:12:41.599
<v Speaker 1>to work. On the other side of town, Chloe's still depressed,

1:12:41.600 --> 1:12:43.840
<v Speaker 1>walking among the rabbit houses and singing a new song,

1:12:43.920 --> 1:12:47.000
<v Speaker 1>Heartless and angst written track where she's eventually joined by Max.

1:12:48.160 --> 1:12:50.320
<v Speaker 1>It's a song that's filled with revenge and leads to

1:12:50.320 --> 1:12:53.439
<v Speaker 1>these two deciding to team up again. Another duo, Another song.

1:12:53.479 --> 1:12:54.880
<v Speaker 1>Would you think there were a lot of songs in

1:12:54.960 --> 1:12:56.000
<v Speaker 1>this movie?

1:12:56.160 --> 1:12:58.280
<v Speaker 2>This one could have been cut in half for both

1:12:58.320 --> 1:13:00.800
<v Speaker 2>of honestly, even the one before. As much as I

1:13:00.800 --> 1:13:02.960
<v Speaker 2>love the Dan scene, I felt like these two songs

1:13:03.160 --> 1:13:05.639
<v Speaker 2>could have been cut in half right or was.

1:13:05.600 --> 1:13:07.760
<v Speaker 1>There a way to maybe combine them?

1:13:08.040 --> 1:13:08.200
<v Speaker 4>Right?

1:13:09.200 --> 1:13:11.960
<v Speaker 1>Yes? Yeah, maybe it's the there one dude. The one

1:13:12.000 --> 1:13:14.560
<v Speaker 1>couple singing about how they're falling in love while the

1:13:14.640 --> 1:13:17.000
<v Speaker 1>other couple is singing about how they're becoming a villain

1:13:17.080 --> 1:13:20.320
<v Speaker 1>like that could have been a cool combination or something.

1:13:20.360 --> 1:13:21.559
<v Speaker 1>I don't know, but I agree with you it could

1:13:21.600 --> 1:13:25.200
<v Speaker 1>have been. The song ends with By the way, all

1:13:25.240 --> 1:13:30.679
<v Speaker 1>the singing phenomenal, so good, phenomenal. I'm going to say

1:13:30.720 --> 1:13:35.320
<v Speaker 1>something that might be a little controversial. I think this

1:13:35.520 --> 1:13:40.280
<v Speaker 1>cast all around are better singers than the original cast

1:13:40.320 --> 1:13:46.360
<v Speaker 1>of Descendants. Will I know, controversial, but but I I do.

1:13:46.920 --> 1:13:50.480
<v Speaker 1>The girl who plays Red has an incredible voice. Incredible,

1:13:50.800 --> 1:13:54.320
<v Speaker 1>so does Lumani So again, so does lumon so. So

1:13:54.479 --> 1:13:58.360
<v Speaker 1>I mean there, I would say, as a group, these

1:13:58.360 --> 1:14:00.840
<v Speaker 1>are better singers than the original cast of Descendants. Do

1:14:00.880 --> 1:14:01.839
<v Speaker 1>you agree or disagree?

1:14:05.200 --> 1:14:07.799
<v Speaker 2>I don't know if I really remember much of anyone

1:14:07.800 --> 1:14:13.200
<v Speaker 2>else besides Sophia, Carson and Cameron.

1:14:13.080 --> 1:14:16.439
<v Speaker 1>Who were phenomenal singers by this phenomenal.

1:14:15.880 --> 1:14:20.120
<v Speaker 2>Singers in that regard. I don't know if I agree,

1:14:20.640 --> 1:14:23.120
<v Speaker 2>But I'm trying to think of the other like when

1:14:23.120 --> 1:14:24.880
<v Speaker 2>you're saying the full cast, I'm trying to think of

1:14:24.920 --> 1:14:26.960
<v Speaker 2>the other ones that how much they sing, And I

1:14:26.960 --> 1:14:28.240
<v Speaker 2>don't think they sing that much.

1:14:28.320 --> 1:14:28.559
<v Speaker 1>I don't.

1:14:28.640 --> 1:14:29.800
<v Speaker 2>I don't feel like they got to.

1:14:30.200 --> 1:14:32.400
<v Speaker 1>It just seem like it seemed different to me. I

1:14:32.400 --> 1:14:33.679
<v Speaker 1>don't know. I don't know, and I could be wrong.

1:14:33.680 --> 1:14:35.599
<v Speaker 1>I could go back. I haven't watched the original sentence

1:14:35.600 --> 1:14:36.880
<v Speaker 1>in a while. I could go back and watch be like, no,

1:14:36.920 --> 1:14:39.599
<v Speaker 1>I'm totally wrong. Sophia, Carson and Dove Cameron way better.

1:14:39.640 --> 1:14:42.400
<v Speaker 1>But I don't know. I don't know these seem like

1:14:42.800 --> 1:14:47.080
<v Speaker 1>they're very strong. It's very strong with Brandy with every

1:14:47.160 --> 1:14:48.719
<v Speaker 1>I mean it's strong.

1:14:48.840 --> 1:14:51.519
<v Speaker 2>You don't know, No, you do not get to add

1:14:51.560 --> 1:14:52.800
<v Speaker 2>those two in why not?

1:14:53.000 --> 1:14:55.880
<v Speaker 1>It's the cast of singers. That's why I'm saying. I

1:14:55.920 --> 1:14:58.840
<v Speaker 1>think it's a better singers than the last one.

1:14:58.920 --> 1:15:01.040
<v Speaker 2>Who played malefis like, oh, yeah.

1:15:00.880 --> 1:15:04.120
<v Speaker 1>You had you had, uh, Christian Chenno with I get it,

1:15:04.439 --> 1:15:08.599
<v Speaker 1>I get her Brandy or Kristin Chennow.

1:15:08.360 --> 1:15:14.320
<v Speaker 2>With Oh, they're so different. That's like a Brandy but

1:15:14.520 --> 1:15:19.400
<v Speaker 2>like Kristen's like Broadway, Like it's different, Like I mean,

1:15:19.439 --> 1:15:22.760
<v Speaker 2>she brought character to her voice versus Brandy's got just

1:15:22.800 --> 1:15:24.479
<v Speaker 2>like an incredible.

1:15:24.320 --> 1:15:26.559
<v Speaker 1>Maybe that's what I'm hearing. Then maybe it's maybe the

1:15:26.600 --> 1:15:32.840
<v Speaker 1>original cast seemed more theatrical Broadway Big Yeah, seems more

1:15:32.920 --> 1:15:34.960
<v Speaker 1>like I want to hear them on the radio singing.

1:15:34.960 --> 1:15:36.200
<v Speaker 1>Does that make sense? Yeah?

1:15:36.280 --> 1:15:39.400
<v Speaker 2>And I think that that is a big difference in

1:15:39.400 --> 1:15:42.880
<v Speaker 2>in the kinds of musicals that it has now transformed into.

1:15:43.840 --> 1:15:47.639
<v Speaker 1>Right, Like I want to see Maybe that's what it is.

1:15:47.680 --> 1:15:50.559
<v Speaker 1>I want to see. I want to see Kristin chennw

1:15:50.560 --> 1:15:52.320
<v Speaker 1>with on stage. I don't want to buy a Kristian

1:15:52.400 --> 1:15:56.280
<v Speaker 1>Chennow with album Okay, does that make sense? Yeah, so

1:15:56.479 --> 1:15:58.600
<v Speaker 1>it's and again she's incredible, but I'm not going to

1:15:58.640 --> 1:16:01.200
<v Speaker 1>be rocking Christian Chenna with in my car whereas I

1:16:01.240 --> 1:16:03.960
<v Speaker 1>could see, you know, and again not my type of music.

1:16:04.240 --> 1:16:08.240
<v Speaker 1>But I could see these singers with their songs, putting

1:16:08.280 --> 1:16:11.080
<v Speaker 1>out albums and listening to it as you're driving somewhere

1:16:11.160 --> 1:16:12.920
<v Speaker 1>kind of things. It's like a different kind of vibe.

1:16:12.960 --> 1:16:15.599
<v Speaker 1>So maybe that's all. Maybe one isn't better or worse.

1:16:15.600 --> 1:16:18.800
<v Speaker 1>You're right, Maybe it is just that they're different styles. Yeah,

1:16:18.800 --> 1:16:23.280
<v Speaker 1>and the new style seems more hip and fresh than rocks.

1:16:23.360 --> 1:16:26.479
<v Speaker 2>Where are favorite types of style with Kenny Ortega?

1:16:26.760 --> 1:16:29.320
<v Speaker 1>Yes, you know, I undred percent Yeah, maybe that's what

1:16:29.360 --> 1:16:31.040
<v Speaker 1>it is. Maybe better is the rock, Yeah, maybe that's

1:16:31.040 --> 1:16:33.320
<v Speaker 1>what it is, more modern, Maybe that's what I'm looking for.

1:16:33.360 --> 1:16:36.080
<v Speaker 1>But anyway, the song ends with Chloe indulged in one

1:16:36.080 --> 1:16:38.919
<v Speaker 1>of Max's enchantments and putting on a magical blue diamond bracelet,

1:16:38.920 --> 1:16:41.439
<v Speaker 1>transforming her into a real batty villain with a knife.

1:16:41.560 --> 1:16:44.240
<v Speaker 1>Apparently she's ready to stab Red, which has it coming

1:16:44.280 --> 1:16:46.479
<v Speaker 1>after throwing her into the thing. But anyway, no, she

1:16:46.479 --> 1:16:48.160
<v Speaker 1>doesn't wan to stablish she just wants to take control,

1:16:48.880 --> 1:16:51.280
<v Speaker 1>and the next morning, Red, Pink, and Luis are waiting

1:16:51.320 --> 1:16:54.000
<v Speaker 1>for Chloe and Max's return. Pink gets why Chloe is mad.

1:16:54.320 --> 1:16:56.479
<v Speaker 1>She also feels neglected by Red, and just as they're

1:16:56.479 --> 1:16:58.760
<v Speaker 1>about to have it out, guess who comes back. It's

1:16:58.840 --> 1:17:01.240
<v Speaker 1>Max and a mate for Chloe. Skipping through the yard,

1:17:01.320 --> 1:17:05.360
<v Speaker 1>racing to the Queen's Hedge Maze, Chloe announces she's now cruel, selfish,

1:17:05.439 --> 1:17:08.040
<v Speaker 1>and ruthless thanks to Max. They flip the switch. They

1:17:08.040 --> 1:17:10.680
<v Speaker 1>are villains now. Max reveals he knows all about the

1:17:10.680 --> 1:17:12.800
<v Speaker 1>watch and the damage it did. Red says she never

1:17:12.840 --> 1:17:14.200
<v Speaker 1>meant for any of this to happen. As the two

1:17:14.240 --> 1:17:16.360
<v Speaker 1>new villains run off into the maze, with Red and

1:17:16.400 --> 1:17:19.400
<v Speaker 1>Louise chasing after them. Pink, once again left out, arrives

1:17:19.479 --> 1:17:22.360
<v Speaker 1>just in time to see the maze close. Inside the maze,

1:17:22.400 --> 1:17:24.280
<v Speaker 1>Red and Louise try to find the other two, but

1:17:24.400 --> 1:17:26.839
<v Speaker 1>just keep running into ivy walls. They hear the cackling

1:17:26.880 --> 1:17:29.040
<v Speaker 1>of Chloe, but the maze is just too big. Louise

1:17:29.080 --> 1:17:32.200
<v Speaker 1>then holds open a closing wall to help read through,

1:17:32.600 --> 1:17:34.840
<v Speaker 1>but once she clears it, it closes on him and

1:17:34.880 --> 1:17:38.080
<v Speaker 1>she promises to come back and then doesn't.

1:17:38.240 --> 1:17:39.519
<v Speaker 2>Never does no.

1:17:39.880 --> 1:17:42.400
<v Speaker 1>She literally sees him at the end and is like, oh, hey,

1:17:43.000 --> 1:17:46.800
<v Speaker 1>you made it. Never goes back.

1:17:47.320 --> 1:17:49.559
<v Speaker 2>You're so right. She he pops up and she's like

1:17:49.800 --> 1:17:51.280
<v Speaker 2>you may out and he was like.

1:17:51.560 --> 1:17:58.680
<v Speaker 1>Yeah, yeah, no exactly. It's so good to see you.

1:17:58.760 --> 1:18:00.200
<v Speaker 1>I want to say, Louise.

1:18:00.200 --> 1:18:05.040
<v Speaker 2>This little baby romance we had over done done.

1:18:05.400 --> 1:18:10.720
<v Speaker 1>Yep, I thought the same thing. Yep. Anyway. Uh. Now,

1:18:10.760 --> 1:18:12.960
<v Speaker 1>alone in the maze, Red starts to hear voices. It's

1:18:13.000 --> 1:18:15.559
<v Speaker 1>all the hatred she's caused in the movie. She sees Chessie,

1:18:15.560 --> 1:18:17.320
<v Speaker 1>who breaks it to her. She asks for all of this.

1:18:17.400 --> 1:18:20.040
<v Speaker 1>She ruined Max's life, she got her mom captured, betrayed

1:18:20.040 --> 1:18:22.280
<v Speaker 1>her best friend, and left her dude stuck in a shrub.

1:18:22.400 --> 1:18:26.240
<v Speaker 1>She's kind of all of that is accurate. Oh I'm

1:18:26.280 --> 1:18:27.519
<v Speaker 1>sorry a fluffin birch.

1:18:28.880 --> 1:18:29.800
<v Speaker 2>Yes, thank you.

1:18:30.280 --> 1:18:32.760
<v Speaker 1>Red runs off to feel bad for herself and sing

1:18:32.800 --> 1:18:36.240
<v Speaker 1>our next song, Hey do I suck a power ballot? No,

1:18:36.320 --> 1:18:39.360
<v Speaker 1>it's called who I Am questioning her identity and motives

1:18:39.479 --> 1:18:41.400
<v Speaker 1>is still stuck in the goddamn maze.

1:18:41.840 --> 1:18:41.960
<v Speaker 4>Uh.

1:18:42.600 --> 1:18:44.400
<v Speaker 1>This was a real showcase for her voice. This is

1:18:44.400 --> 1:18:46.679
<v Speaker 1>the one where I was like, Okay, she can really sing.

1:18:46.600 --> 1:18:50.200
<v Speaker 2>Yeah, she can. Yeah, But at this point too, there's

1:18:50.280 --> 1:18:53.519
<v Speaker 2>that like line of like I'm sort of sing songed

1:18:53.520 --> 1:18:56.120
<v Speaker 2>out a little bit. I agree, I'm sort of meeting

1:18:56.200 --> 1:18:58.960
<v Speaker 2>things to start rapping up, rapping up, Let's get to

1:18:59.040 --> 1:19:00.000
<v Speaker 2>get through this maze.

1:19:00.040 --> 1:19:01.960
<v Speaker 1>You're maz this maze.

1:19:02.200 --> 1:19:04.960
<v Speaker 2>And it was one of those moments that I every

1:19:05.080 --> 1:19:08.640
<v Speaker 2>time the act, not every time, but this was like

1:19:08.720 --> 1:19:10.680
<v Speaker 2>remember when I said that about Vanessa Jdgens and high

1:19:10.680 --> 1:19:13.040
<v Speaker 2>school musical when she was doing her balance or for

1:19:13.200 --> 1:19:15.280
<v Speaker 2>me when I was doing It's over, and I'm.

1:19:15.120 --> 1:19:20.760
<v Speaker 1>Like, it's still my favorite, it's my favorite thing.

1:19:21.120 --> 1:19:24.080
<v Speaker 2>You can kite it like she's like throwing against the shrubs,

1:19:24.080 --> 1:19:27.519
<v Speaker 2>and it's like you're not really believing that you're gonna

1:19:27.520 --> 1:19:28.880
<v Speaker 2>do You're gonna have to do this, but you have

1:19:28.960 --> 1:19:30.559
<v Speaker 2>to do it because the directors told you to and

1:19:30.600 --> 1:19:32.599
<v Speaker 2>the choreographers got it set that you're just gonna throw

1:19:32.600 --> 1:19:35.560
<v Speaker 2>yourself in the shrubs, but you're kind of embarrassed.

1:19:36.439 --> 1:19:38.360
<v Speaker 1>I agree. By the way, I'm not sure that I

1:19:38.439 --> 1:19:40.720
<v Speaker 1>told you this a little bit. At my prom I

1:19:40.720 --> 1:19:42.280
<v Speaker 1>have a giant screen and we're going to be showing

1:19:42.360 --> 1:19:45.439
<v Speaker 1>your I can't wait. You do.

1:19:46.560 --> 1:19:51.120
<v Speaker 2>I believe you was gonna go over and die in

1:19:51.200 --> 1:19:53.479
<v Speaker 2>a corner. Don't you do that to me?

1:19:53.600 --> 1:19:53.840
<v Speaker 4>Will?

1:19:54.040 --> 1:19:56.720
<v Speaker 1>I can't wait, It's gonna be great. Once the song ends,

1:19:56.720 --> 1:19:59.639
<v Speaker 1>she finds a tin case that says Pink and Red's Treasure,

1:20:00.040 --> 1:20:02.000
<v Speaker 1>and it sets off a flashback of the two sisters

1:20:02.000 --> 1:20:04.000
<v Speaker 1>as kids playing and eventually running off to the maze

1:20:04.000 --> 1:20:07.600
<v Speaker 1>and hiding the case. And this makes no sense. She

1:20:07.720 --> 1:20:09.680
<v Speaker 1>did not grow up with her sister. She would have

1:20:09.720 --> 1:20:12.519
<v Speaker 1>no memory of her sister. That's the whole point. So

1:20:12.600 --> 1:20:14.439
<v Speaker 1>the idea that she picks up this case and now

1:20:14.479 --> 1:20:17.799
<v Speaker 1>remembers growing up in this timeline doesn't make any sense

1:20:17.960 --> 1:20:21.000
<v Speaker 1>at all. So there are memories that she never made

1:20:21.080 --> 1:20:23.439
<v Speaker 1>because she's from a different timeline. Return. This is why

1:20:23.479 --> 1:20:25.880
<v Speaker 1>you don't mess with time travel. Even if the sisters

1:20:25.920 --> 1:20:27.720
<v Speaker 1>new to her, they have a history. She holds the

1:20:27.800 --> 1:20:30.479
<v Speaker 1>tin to her heart and yells for Pink. She needs her. Pink.

1:20:30.520 --> 1:20:32.680
<v Speaker 1>Here's the cry to help, and finally feels needed. She

1:20:32.760 --> 1:20:35.840
<v Speaker 1>demands the maze open for her, and it does. They

1:20:35.880 --> 1:20:38.040
<v Speaker 1>rush into each other's arms, finishing the Who I Am

1:20:38.120 --> 1:20:40.880
<v Speaker 1>Song together. Pink reveals she still has the Alice's cookies

1:20:40.880 --> 1:20:43.400
<v Speaker 1>in her pockets. She eats a piece and sprouts up

1:20:43.479 --> 1:20:46.120
<v Speaker 1>twenty feet. Back at the castle, Cinderella and the Queen

1:20:46.160 --> 1:20:48.240
<v Speaker 1>have finally found some daylight to approach the mad Hatter.

1:20:48.320 --> 1:20:50.639
<v Speaker 1>He breaks the bad news the Pocket watches almost his

1:20:51.120 --> 1:20:52.840
<v Speaker 1>Max and Chloe find the vault, which was hidden in

1:20:52.920 --> 1:20:54.760
<v Speaker 1>the maze, but Red gets there at the same time,

1:20:54.800 --> 1:20:57.240
<v Speaker 1>now accompanied by her massive sister, which is very cool,

1:20:57.400 --> 1:21:00.679
<v Speaker 1>who starts stomping and sending everyone through a sinkhole. Red

1:21:00.680 --> 1:21:02.639
<v Speaker 1>tells Pink to get the others, and now Max can't

1:21:02.640 --> 1:21:05.280
<v Speaker 1>find the stopwatch Chloe, who retrieves it and looks madder

1:21:05.320 --> 1:21:07.639
<v Speaker 1>than ever. Red begs her to think this through, while

1:21:07.640 --> 1:21:09.799
<v Speaker 1>Max tells her to press the button the pain will disappear.

1:21:09.880 --> 1:21:12.760
<v Speaker 1>It is a real standoff. Chloe scoffs she's not doing

1:21:12.760 --> 1:21:15.040
<v Speaker 1>this for Max or his dad. She's seen the past.

1:21:15.240 --> 1:21:17.240
<v Speaker 1>She wants to look to the future, where she will

1:21:17.280 --> 1:21:19.759
<v Speaker 1>be on top, full of power. She is full villain

1:21:19.800 --> 1:21:22.519
<v Speaker 1>mode now. Red continues to try and knock some sense

1:21:22.560 --> 1:21:24.559
<v Speaker 1>into her. She admits she hasn't been a good friend,

1:21:24.800 --> 1:21:26.719
<v Speaker 1>but she believes in Chloe. If she presses the button,

1:21:26.760 --> 1:21:29.760
<v Speaker 1>they'll lose everything, including each other. Chloe's heard enough, but

1:21:29.880 --> 1:21:32.800
<v Speaker 1>yet they're not done singing, Red starts singing We'll figure

1:21:32.800 --> 1:21:35.320
<v Speaker 1>it out together, which turns into the two friends harmonizing.

1:21:35.360 --> 1:21:37.280
<v Speaker 1>They grab each other's hands, and Chloe has come to

1:21:37.320 --> 1:21:40.759
<v Speaker 1>her senses. She pulls the armband off and hugs Red.

1:21:41.120 --> 1:21:43.760
<v Speaker 1>Back at the castle, Maddox is enraged. Cinderella and the

1:21:43.840 --> 1:21:45.880
<v Speaker 1>Queen watch from beyond the ivy, telling him it's time

1:21:45.880 --> 1:21:48.200
<v Speaker 1>to go, but he's not quite done. Throwing one more

1:21:48.240 --> 1:21:50.479
<v Speaker 1>card through the castle window. It rockets to the girls,

1:21:50.560 --> 1:21:52.920
<v Speaker 1>knocking down both Chloe and Red and sending the pocket

1:21:52.920 --> 1:21:55.600
<v Speaker 1>watch to the floor. A nearby concrete dragon kind of

1:21:55.640 --> 1:21:57.519
<v Speaker 1>comes to life and is ready to attack Max, who's

1:21:57.560 --> 1:21:59.639
<v Speaker 1>now pinned down by a huge rock. The girl's spring

1:21:59.680 --> 1:22:02.439
<v Speaker 1>in act to free him as the dragon falls closer

1:22:02.479 --> 1:22:04.759
<v Speaker 1>to them. Just as Max slides out, the stone dragon

1:22:04.800 --> 1:22:08.400
<v Speaker 1>crumbles to the floor, thousands of pounds, just missing him.

1:22:09.120 --> 1:22:11.320
<v Speaker 1>Max realizes the girls just saved him and thanks them.

1:22:11.520 --> 1:22:13.080
<v Speaker 1>They all look to the pocket watch on the ground

1:22:13.080 --> 1:22:14.840
<v Speaker 1>and Red picks it up. Chloe wonders what they'll do

1:22:14.880 --> 1:22:16.680
<v Speaker 1>with it now. Red said there's no going back to

1:22:16.720 --> 1:22:19.519
<v Speaker 1>the past. The watch has done enough damage, but Red

1:22:19.560 --> 1:22:22.680
<v Speaker 1>promises she won't abandon Max or his dad, and with

1:22:22.760 --> 1:22:24.600
<v Speaker 1>that she throws the watch into a well, and I

1:22:24.680 --> 1:22:26.280
<v Speaker 1>was just I just realized maybe she didn't know the

1:22:26.280 --> 1:22:28.880
<v Speaker 1>well was there before because the sinkhole opened it up,

1:22:28.920 --> 1:22:30.720
<v Speaker 1>so this could have been a secret place that she

1:22:30.720 --> 1:22:34.120
<v Speaker 1>didn't know about before she throws the watch into the well.

1:22:34.200 --> 1:22:38.080
<v Speaker 1>And here's a voice whisper, fates sealed waters, deep secrets,

1:22:38.080 --> 1:22:40.479
<v Speaker 1>Here are ours to keep, which is just a really

1:22:40.520 --> 1:22:43.640
<v Speaker 1>shitty fortune cookie. Mad Hatter. Right, but by the way,

1:22:43.680 --> 1:22:45.920
<v Speaker 1>if you flipped that over, it said seven nineteen twenty

1:22:45.960 --> 1:22:50.880
<v Speaker 1>one thirty one sixteen, And now he is even He's

1:22:50.920 --> 1:22:53.599
<v Speaker 1>now in even more trouble because a twenty foot pink

1:22:54.120 --> 1:22:56.880
<v Speaker 1>is at the mad Hatter's door. The remaining crew bargain

1:22:56.960 --> 1:22:59.200
<v Speaker 1>and surround him. Hazel free Cinderella and the Queen. Then

1:22:59.240 --> 1:23:01.599
<v Speaker 1>a fallen shand of traps the mad Hatter for good.

1:23:02.120 --> 1:23:03.880
<v Speaker 1>The Queen takes back her cards and uses one to

1:23:03.880 --> 1:23:06.200
<v Speaker 1>return her castle back to form. Red and Chloe run

1:23:06.200 --> 1:23:08.240
<v Speaker 1>in to hug their moms. The queens come face to

1:23:08.280 --> 1:23:10.280
<v Speaker 1>face with the Mad Hatter, furious that he broke into

1:23:10.320 --> 1:23:12.880
<v Speaker 1>their home and threatened her daughter. She yells off off

1:23:12.920 --> 1:23:15.799
<v Speaker 1>with your head. Then she gasps, where did that anger

1:23:15.840 --> 1:23:18.880
<v Speaker 1>come from Very Funny, a call back to the first movie.

1:23:19.040 --> 1:23:20.639
<v Speaker 1>Just as the guards come to take him away, Red

1:23:20.640 --> 1:23:22.439
<v Speaker 1>steps in and says it's all her fault. She was

1:23:22.439 --> 1:23:25.240
<v Speaker 1>too afraid to disappoint her mom and says everyone deserves

1:23:25.280 --> 1:23:28.000
<v Speaker 1>a do over. The Queen changes course and saves the

1:23:28.000 --> 1:23:30.439
<v Speaker 1>Mad Hatter's life, but he will stay in custody for now.

1:23:30.479 --> 1:23:33.680
<v Speaker 1>And by that literally she means he stays in that like,

1:23:33.720 --> 1:23:35.519
<v Speaker 1>they throw a party and everything, and he's just under

1:23:35.560 --> 1:23:37.519
<v Speaker 1>the chandelier. They don't even move him to another thing.

1:23:37.560 --> 1:23:41.600
<v Speaker 1>He's just literally that's where he lies now. Yeah. The

1:23:41.640 --> 1:23:43.439
<v Speaker 1>mom calls for a tea party to celebrate in the

1:23:43.560 --> 1:23:46.160
<v Speaker 1>entire cast congregates in the ballroom. Everyone makes peace, from

1:23:46.200 --> 1:23:48.720
<v Speaker 1>Hazel to Chloe to Cinderella and Chloe to Chloe and

1:23:48.720 --> 1:23:51.040
<v Speaker 1>Red to Red and Luise, who are now holding hands

1:23:51.120 --> 1:23:53.920
<v Speaker 1>like a couple. The Queen of hearts toast to the rescuers,

1:23:53.960 --> 1:23:56.719
<v Speaker 1>both heroes and villains working together. She is forever proud

1:23:56.720 --> 1:23:58.760
<v Speaker 1>of them. Fireworks are up from the castle and the

1:23:58.760 --> 1:24:02.040
<v Speaker 1>Fairy Godmother announces it's time to bibity boppity bust, a

1:24:02.120 --> 1:24:05.560
<v Speaker 1>move which leads to our big finale song, go Live. It.

1:24:05.560 --> 1:24:07.400
<v Speaker 1>It's all about the idea that if you're perfect or

1:24:07.439 --> 1:24:09.840
<v Speaker 1>messy or anything in between, it's time to just go

1:24:09.920 --> 1:24:12.920
<v Speaker 1>and live your life. So it includes everybody in the movie,

1:24:13.000 --> 1:24:15.080
<v Speaker 1>even the dancing chest pieces. What did you think, big

1:24:15.160 --> 1:24:16.800
<v Speaker 1>ending number? Do you think they closed it out? Right?

1:24:17.520 --> 1:24:18.000
<v Speaker 2>I did?

1:24:18.479 --> 1:24:20.360
<v Speaker 1>I need to This is a good one.

1:24:20.560 --> 1:24:22.519
<v Speaker 2>I liked this one a lot. I thought it was

1:24:22.600 --> 1:24:25.240
<v Speaker 2>I thought it was great. I loved the chance. And

1:24:25.320 --> 1:24:28.320
<v Speaker 2>actually the actors when I talked to them, they said

1:24:28.360 --> 1:24:30.320
<v Speaker 2>this was one of the most difficult ones because I

1:24:30.439 --> 1:24:32.679
<v Speaker 2>see that a lot of the girls were on the table.

1:24:32.800 --> 1:24:35.360
<v Speaker 2>They were in like kind of heels or high high

1:24:35.400 --> 1:24:39.640
<v Speaker 2>shoot high heeled boots, and that they I loved it

1:24:39.680 --> 1:24:42.800
<v Speaker 2>because we are finally seeing them in something different than

1:24:42.840 --> 1:24:46.160
<v Speaker 2>what they've been wearing the entire movie. Right, I love

1:24:46.200 --> 1:24:48.880
<v Speaker 2>the costumes in this movie. And they said that actually

1:24:48.920 --> 1:24:51.080
<v Speaker 2>made it difficult. They were finally like able to like

1:24:51.160 --> 1:24:53.639
<v Speaker 2>move around in their old costumes and then they had

1:24:53.640 --> 1:24:56.000
<v Speaker 2>to put these on. It was like again just like

1:24:56.760 --> 1:24:59.360
<v Speaker 2>justin to trying to like get to like actually move

1:24:59.439 --> 1:25:00.080
<v Speaker 2>and get used.

1:24:59.920 --> 1:25:02.200
<v Speaker 1>To Yeah, dancing and all these costumes must be tough.

1:25:02.200 --> 1:25:03.920
<v Speaker 1>But yeah, this is a great I thought it way.

1:25:03.800 --> 1:25:07.479
<v Speaker 2>To end it, super visual, lots of energy and really

1:25:07.560 --> 1:25:10.880
<v Speaker 2>just like put a great button on the awesome music

1:25:10.960 --> 1:25:11.599
<v Speaker 2>in this movie.

1:25:11.680 --> 1:25:14.880
<v Speaker 1>I agree hundred percent. As the song ends, we've seen Chessie,

1:25:14.880 --> 1:25:17.719
<v Speaker 1>who declares she hates happy endings. It's time to start

1:25:17.760 --> 1:25:20.040
<v Speaker 1>some new mischief. We got to the end of the party,

1:25:20.080 --> 1:25:22.479
<v Speaker 1>everyone's left, and now our regular sized pink is alone

1:25:22.479 --> 1:25:25.200
<v Speaker 1>in the ballroom. She notices a shiny object in the floor,

1:25:25.200 --> 1:25:27.760
<v Speaker 1>which we can't really make out. She happily places it

1:25:27.800 --> 1:25:29.439
<v Speaker 1>in the tin can of treasures she's made as a

1:25:29.520 --> 1:25:32.200
<v Speaker 1>kid with Red and then skips off, opening some sort

1:25:32.200 --> 1:25:35.639
<v Speaker 1>of new mystery for Descendants. Six, Chessie appears again, reciting

1:25:35.680 --> 1:25:38.800
<v Speaker 1>the infamous line that always ends a Descendants movie. You

1:25:38.800 --> 1:25:40.559
<v Speaker 1>didn't think that was the end of the story, did you.

1:25:41.400 --> 1:25:43.519
<v Speaker 1>We get our final credits with some dancing highlights, and

1:25:43.560 --> 1:25:45.599
<v Speaker 1>that is our movie. What do you think she put

1:25:45.600 --> 1:25:45.960
<v Speaker 1>in the tin?

1:25:47.280 --> 1:25:49.280
<v Speaker 2>I have no idea, me neither.

1:25:50.200 --> 1:25:52.040
<v Speaker 1>I don't think they did either, frankly, and they'll they'll

1:25:52.080 --> 1:25:53.600
<v Speaker 1>figure it out as they do.

1:25:53.760 --> 1:25:54.840
<v Speaker 2>Ran one right.

1:26:02.040 --> 1:26:06.000
<v Speaker 1>Can we do some real reviews? Yes? I have the

1:26:06.040 --> 1:26:08.960
<v Speaker 1>five star this week and it is from Josiah R.

1:26:09.040 --> 1:26:10.760
<v Speaker 1>Twenty two and keep in mind all these reviews have

1:26:10.800 --> 1:26:13.800
<v Speaker 1>been written in like the last week, which I love right.

1:26:14.120 --> 1:26:17.439
<v Speaker 1>Josiah R. Twenty two says, the best movie ever. Please

1:26:17.479 --> 1:26:19.680
<v Speaker 1>watch this. Please go to Disney Plus and search the

1:26:19.680 --> 1:26:22.000
<v Speaker 1>movie and go watch it. This movie will be the best.

1:26:22.320 --> 1:26:24.240
<v Speaker 1>Thank you so much, and don't give it a bad review.

1:26:24.360 --> 1:26:26.800
<v Speaker 1>This movie has very good soundtracks and music, Thank you

1:26:26.840 --> 1:26:29.479
<v Speaker 1>so much, thank you. And the rap vibes so good,

1:26:29.680 --> 1:26:34.000
<v Speaker 1>so amazing. Five stars. Who woo, Sabrina, what do you got?

1:26:34.280 --> 1:26:36.960
<v Speaker 2>Loved it? They loved it all right. This one is

1:26:37.000 --> 1:26:42.040
<v Speaker 2>the opposite. We've got the one star from Aiden Wade Shirley. Sorry,

1:26:42.120 --> 1:26:46.280
<v Speaker 2>this movie is genuinely bad. The story makes no sense

1:26:46.360 --> 1:26:52.360
<v Speaker 2>with this. I love this chat GBT corypt Ah. Why

1:26:52.400 --> 1:26:54.920
<v Speaker 2>the hell are we flirting with someone we met five

1:26:55.040 --> 1:26:57.679
<v Speaker 2>minutes ago? This is what you get when you cast

1:26:57.720 --> 1:26:59.960
<v Speaker 2>a bunch of NEPO babies crazy.

1:27:00.760 --> 1:27:02.920
<v Speaker 1>This is not a one star movie, for the record,

1:27:03.040 --> 1:27:05.360
<v Speaker 1>no on any stretch of the imagination. This is not

1:27:05.400 --> 1:27:08.000
<v Speaker 1>any metrics. This is not a one star movie, not

1:27:08.120 --> 1:27:10.559
<v Speaker 1>at all. All right, so we are now just ready

1:27:10.600 --> 1:27:12.920
<v Speaker 1>for our feature. Here we go, Sabrina's favorite portion of

1:27:12.960 --> 1:27:16.120
<v Speaker 1>the program, Our feature. I got five on it is

1:27:16.120 --> 1:27:19.080
<v Speaker 1>what it's called. We've got the first ever fifth installment

1:27:19.080 --> 1:27:22.400
<v Speaker 1>in the dcom franchise. So we're playing off the number five,

1:27:22.640 --> 1:27:24.880
<v Speaker 1>similar to what we recently did for four. We're going

1:27:24.960 --> 1:27:27.120
<v Speaker 1>to be given a list of things or people and

1:27:27.120 --> 1:27:29.479
<v Speaker 1>we have to finish that list. So it became the

1:27:29.520 --> 1:27:31.599
<v Speaker 1>list becomes five. Does that make sense? We're getting four,

1:27:32.080 --> 1:27:34.240
<v Speaker 1>we have to make it five and three out of

1:27:34.280 --> 1:27:36.759
<v Speaker 1>five wins. So here we go. Who are we playing

1:27:36.760 --> 1:27:37.160
<v Speaker 1>with today?

1:27:37.600 --> 1:27:38.840
<v Speaker 2>You have michaela.

1:27:38.960 --> 1:27:45.599
<v Speaker 1>Yay, Mikayla. Here we Gola, number one, Scary Spice, Sporty Spice,

1:27:45.840 --> 1:27:49.880
<v Speaker 1>Posh Spice, ginger spice, and my fave, who do you

1:27:49.920 --> 1:27:50.559
<v Speaker 1>got Sabrina?

1:27:51.040 --> 1:27:51.800
<v Speaker 2>Do you have it?

1:27:52.200 --> 1:27:54.400
<v Speaker 1>Of course I have it? She's my favorite week spe

1:27:54.720 --> 1:27:58.439
<v Speaker 1>of course, Baby's my favorite. Here we go, when when

1:27:58.600 --> 1:28:04.479
<v Speaker 1>to become? There we go? All right? Number two Michael Jackson,

1:28:04.560 --> 1:28:07.320
<v Speaker 1>Jermaine Jackson, Marlon Jackson, Jackie Jackson.

1:28:07.439 --> 1:28:10.639
<v Speaker 2>And does it have Jermaine?

1:28:11.040 --> 1:28:12.280
<v Speaker 1>They have Dreamaine jack.

1:28:14.040 --> 1:28:19.320
<v Speaker 2>I don't know, I don't know, isn't it Tito? Oh yeah, yes,

1:28:19.960 --> 1:28:20.839
<v Speaker 2>Tito Jackson.

1:28:20.840 --> 1:28:25.920
<v Speaker 1>There we go. Number three Pacific, Atlantic, Indian, Arctic, and

1:28:28.000 --> 1:28:31.240
<v Speaker 1>they're all oceans obviously, yes, what's the fifth ocean?

1:28:32.360 --> 1:28:34.839
<v Speaker 2>Is there a southern ocean?

1:28:35.360 --> 1:28:38.719
<v Speaker 1>Mm hmmm, yes, yeah, Southern ocean?

1:28:38.840 --> 1:28:41.120
<v Speaker 2>Right, yes, correct?

1:28:43.560 --> 1:28:47.360
<v Speaker 1>All right, here we go Number four sight, smell, hearing, touch, and.

1:28:49.400 --> 1:28:53.160
<v Speaker 2>Oh my god, taste.

1:28:52.920 --> 1:28:54.439
<v Speaker 1>They taste is correct?

1:28:54.560 --> 1:28:54.720
<v Speaker 4>Right?

1:28:54.800 --> 1:28:55.160
<v Speaker 1>Yes?

1:28:55.360 --> 1:28:56.439
<v Speaker 2>Yeah, we won.

1:28:56.920 --> 1:29:00.920
<v Speaker 1>And here's the last one. Number five. Scooby Shaggy. I

1:29:00.960 --> 1:29:04.280
<v Speaker 1>should probably read it this way, Scooby Shaggy, Fred, Velma

1:29:04.360 --> 1:29:07.560
<v Speaker 1>and Wilma. No, Wilma.

1:29:08.920 --> 1:29:11.479
<v Speaker 2>Wilma's the flint stone Velma.

1:29:11.520 --> 1:29:13.759
<v Speaker 1>They have Belma. Yeah, Wilma.

1:29:15.320 --> 1:29:19.160
<v Speaker 2>Scooby is Velma the redhead?

1:29:19.920 --> 1:29:24.080
<v Speaker 1>Nope, we're missing the red orange. So who's the redhead.

1:29:24.200 --> 1:29:26.320
<v Speaker 2>In the purple in the purple dress?

1:29:26.360 --> 1:29:26.960
<v Speaker 1>You're gonna hear it?

1:29:27.040 --> 1:29:29.400
<v Speaker 2>Be like, damn it, I know, I don't know it.

1:29:29.520 --> 1:29:32.759
<v Speaker 1>I'm about to go five for five. Sabrina Daphne.

1:29:32.960 --> 1:29:34.640
<v Speaker 2>Oh no, I really don't know that.

1:29:35.280 --> 1:29:39.520
<v Speaker 1>Yeah, all right, can we do some Sabrina sees.

1:29:43.439 --> 1:29:47.760
<v Speaker 2>Okay, we did most of my stuff. This is more

1:29:47.880 --> 1:29:52.679
<v Speaker 2>so like figuring out where we're going with the sixth one. Okay, okay,

1:29:52.720 --> 1:30:01.639
<v Speaker 2>So there's a couple of things I am wondering if

1:30:01.680 --> 1:30:08.640
<v Speaker 2>it's possible that Red might be the new villain. You

1:30:08.680 --> 1:30:15.960
<v Speaker 2>think the reasoning why is in the first one I saw.

1:30:17.640 --> 1:30:21.839
<v Speaker 2>Remember we talked about it in the last episode with

1:30:21.840 --> 1:30:24.160
<v Speaker 2>with this movie. Is we talk about how she saw

1:30:24.280 --> 1:30:27.400
<v Speaker 2>like the future and she's sitting on the throne with

1:30:27.479 --> 1:30:29.240
<v Speaker 2>like her mom in.

1:30:29.680 --> 1:30:32.960
<v Speaker 1>The Yeah they see her in the right but that

1:30:33.080 --> 1:30:37.320
<v Speaker 1>was the original timeline, right, well, yeah she changed that.

1:30:38.439 --> 1:30:42.280
<v Speaker 2>Well, but this is what I'm saying. So the the

1:30:42.320 --> 1:30:45.880
<v Speaker 2>Pocket Watch, So I saw something about one thing because

1:30:45.920 --> 1:30:49.599
<v Speaker 2>my algorithm algorithm right now is like flooded with this

1:30:49.680 --> 1:30:53.439
<v Speaker 2>movie obviously, and there was one thing that spun me off,

1:30:53.439 --> 1:30:55.120
<v Speaker 2>and then it kind of made me start like looking

1:30:55.160 --> 1:30:58.280
<v Speaker 2>back and like going on chat rooms or whatever, you know,

1:30:58.439 --> 1:31:02.719
<v Speaker 2>researching a little bit. There's like the time the watch

1:31:03.400 --> 1:31:06.120
<v Speaker 2>is like sparkling. It doesn't like shut down. It's like

1:31:06.200 --> 1:31:09.519
<v Speaker 2>sparkling when it's in the water. So like, I'm wondering

1:31:09.560 --> 1:31:13.559
<v Speaker 2>if they set the time thing, which will probably kill you.

1:31:13.800 --> 1:31:15.479
<v Speaker 1>God, I hope they I think they're gonna I think

1:31:15.520 --> 1:31:16.519
<v Speaker 1>they're done with time travel.

1:31:16.880 --> 1:31:19.200
<v Speaker 2>Okay, they might be, But if it's is it and

1:31:19.240 --> 1:31:22.759
<v Speaker 2>it's something that maybe ex screws it back up, because

1:31:22.800 --> 1:31:24.760
<v Speaker 2>how great would it be if Red came back as

1:31:24.760 --> 1:31:26.679
<v Speaker 2>a villain, like a true villain.

1:31:26.880 --> 1:31:28.879
<v Speaker 1>Yeah, I think they. I think.

1:31:32.520 --> 1:31:35.120
<v Speaker 2>Pinks movie. Yes, that's why she's the one that picks

1:31:35.120 --> 1:31:38.280
<v Speaker 2>it up. This is gonna be her her story, right,

1:31:38.680 --> 1:31:41.280
<v Speaker 2>like as in the last one with the zombies, like

1:31:41.320 --> 1:31:43.920
<v Speaker 2>we picked up new characters, they're gonna take it this

1:31:44.080 --> 1:31:46.280
<v Speaker 2>next movie. So I think this next movie is gonna

1:31:46.280 --> 1:31:50.080
<v Speaker 2>be pink and I honestly because the straight hair, so

1:31:50.160 --> 1:31:53.679
<v Speaker 2>she wears she The only time she has straight hair

1:31:54.400 --> 1:31:57.000
<v Speaker 2>is in that flashback. The rest of the movie Last

1:31:57.000 --> 1:31:59.320
<v Speaker 2>Time was with with curly hair. All this movie was

1:31:59.400 --> 1:32:03.040
<v Speaker 2>curly hair except for when they're going down the rabbit hole.

1:32:05.000 --> 1:32:07.840
<v Speaker 2>You see Chloe, and Chloe sees herself with straight hair,

1:32:08.280 --> 1:32:11.400
<v Speaker 2>and then Red sees herself in a mirror with straight hair.

1:32:12.080 --> 1:32:15.120
<v Speaker 2>So I'm like thinking, okay.

1:32:14.640 --> 1:32:17.559
<v Speaker 4>Yeah, because they didn't solve why Red saw herself then,

1:32:17.720 --> 1:32:20.040
<v Speaker 4>because they didn't see Chloe saw the future that she'd

1:32:20.040 --> 1:32:22.479
<v Speaker 4>be evil and that came true and Red still saw

1:32:22.600 --> 1:32:24.439
<v Speaker 4>that same future with me.

1:32:24.560 --> 1:32:25.880
<v Speaker 2>Lisa kind of yeah.

1:32:26.080 --> 1:32:30.360
<v Speaker 4>And my theory is that Leamanni's character picked up maybe

1:32:30.360 --> 1:32:35.479
<v Speaker 4>that stone from the bracelet that turned Chloe evil because

1:32:35.479 --> 1:32:39.280
<v Speaker 4>we didn't kill them of castle was the castle.

1:32:39.360 --> 1:32:41.479
<v Speaker 1>She picked it up outside and put it in the

1:32:41.520 --> 1:32:44.080
<v Speaker 1>in the little in the tin thing, wasn't.

1:32:46.160 --> 1:32:51.880
<v Speaker 4>The party some something, but like she could have dropn

1:32:51.920 --> 1:32:54.479
<v Speaker 4>something for her or something, and that bracelet just kind

1:32:54.479 --> 1:32:56.920
<v Speaker 4>of broke. But I feel like when you're talking about

1:32:56.960 --> 1:32:59.120
<v Speaker 4>time travel, it's like, well, the only person that knows

1:32:59.160 --> 1:33:02.200
<v Speaker 4>at the end is Matt Max, right that the girl's

1:33:02.280 --> 1:33:06.600
<v Speaker 4>time traveled, right right, I'm thinking Leamani's character, Pink is

1:33:06.640 --> 1:33:08.519
<v Speaker 4>now going to figure out that she wasn't supposed to

1:33:08.520 --> 1:33:10.559
<v Speaker 4>exist and like have her little rage moment.

1:33:10.640 --> 1:33:14.080
<v Speaker 2>That's where my theory was the time travel again, they

1:33:14.120 --> 1:33:14.640
<v Speaker 2>need to stop it.

1:33:15.280 --> 1:33:19.439
<v Speaker 1>I'm out. I can't. I can't with more time travel,

1:33:19.520 --> 1:33:22.519
<v Speaker 1>I can't. Now, if they were smart, they would really

1:33:22.840 --> 1:33:26.000
<v Speaker 1>lean into because there's been years and years and years

1:33:26.040 --> 1:33:28.360
<v Speaker 1>now where people have wanted them to do another Honey,

1:33:28.400 --> 1:33:30.960
<v Speaker 1>I shrunk the kids. So if they were smart and

1:33:31.000 --> 1:33:34.400
<v Speaker 1>you're in Alice in Wonderland, something happens where she takes

1:33:34.520 --> 1:33:37.240
<v Speaker 1>Alice's original potion, and I think Pink and a group

1:33:37.240 --> 1:33:40.840
<v Speaker 1>of people become super small and the entire thing is

1:33:40.920 --> 1:33:44.680
<v Speaker 1>them trying to get back to the castle. Honey, I

1:33:44.680 --> 1:33:47.760
<v Speaker 1>shrunk the kid's style while while Red tries to save them.

1:33:47.840 --> 1:33:49.680
<v Speaker 1>That would be I also don't think it's going to

1:33:49.760 --> 1:33:52.800
<v Speaker 1>be fully Pink's story. I think it'll be about Pink.

1:33:53.040 --> 1:33:56.680
<v Speaker 1>But if they stick to the regular way they do it,

1:33:57.240 --> 1:34:01.240
<v Speaker 1>the stars of the of the series get three, so

1:34:01.880 --> 1:34:04.120
<v Speaker 1>Red Red will still get three, and then at the

1:34:04.280 --> 1:34:06.040
<v Speaker 1>end of the third one they'll pass it off to

1:34:06.080 --> 1:34:07.680
<v Speaker 1>Pink and her friends in the news.

1:34:07.360 --> 1:34:09.800
<v Speaker 2>That's that's why I think Red. It would be a

1:34:10.000 --> 1:34:12.760
<v Speaker 2>crazy switch to have Red then go back and.

1:34:12.680 --> 1:34:15.960
<v Speaker 1>Be but she started evil already. I feel like they'd

1:34:15.960 --> 1:34:17.759
<v Speaker 1>be taking her back again. Would be weird.

1:34:18.320 --> 1:34:22.080
<v Speaker 2>Yeah, but I don't. The straight hair to me is

1:34:22.120 --> 1:34:25.280
<v Speaker 2>like their symbol of evil, and we didn't get an

1:34:25.400 --> 1:34:27.920
<v Speaker 2>understanding of what ends up happening when she sees her

1:34:27.960 --> 1:34:28.599
<v Speaker 2>in this mirror.

1:34:28.800 --> 1:34:30.800
<v Speaker 1>Well it couldn't. Maybe it's not a symbol of evil.

1:34:30.800 --> 1:34:32.559
<v Speaker 1>Maybe what it is is just a symbol of her

1:34:32.600 --> 1:34:34.960
<v Speaker 1>on the throne. So maybe the next one her her

1:34:35.000 --> 1:34:39.000
<v Speaker 1>mom gives she becomes the queen and is going to

1:34:39.040 --> 1:34:42.160
<v Speaker 1>be all about the coronation and maybe Pink. Maybe they're right,

1:34:42.200 --> 1:34:44.920
<v Speaker 1>Maybe Pink goes in the past or something and sees

1:34:44.920 --> 1:34:46.200
<v Speaker 1>that she wasn't supposed to exist.

1:34:46.479 --> 1:34:49.760
<v Speaker 4>So another fun plot that I saw that people want

1:34:49.880 --> 1:34:52.880
<v Speaker 4>to happen is finding out who the heck the other

1:34:52.960 --> 1:34:56.479
<v Speaker 4>parents are. So they mentioned Gaston like Queen of Hearts

1:34:56.720 --> 1:34:58.920
<v Speaker 4>hooking up with Gaston at some point, So.

1:34:58.960 --> 1:35:00.599
<v Speaker 2>Is she is he dead's dead?

1:35:00.880 --> 1:35:03.120
<v Speaker 4>Like there's all you know, the one parent for a

1:35:03.120 --> 1:35:05.880
<v Speaker 4>lot of these people and you don't know the other. Yeah,

1:35:06.200 --> 1:35:08.800
<v Speaker 4>that's also something maybe they got kind of like how

1:35:08.880 --> 1:35:12.080
<v Speaker 4>in three she found Hades, but like as her dad, like,

1:35:12.160 --> 1:35:13.880
<v Speaker 4>could you send the rest of them to kind of

1:35:13.880 --> 1:35:14.639
<v Speaker 4>figure out?

1:35:15.040 --> 1:35:19.800
<v Speaker 2>That would be cool? That would be cool. Also, I

1:35:19.840 --> 1:35:22.640
<v Speaker 2>thought of Gaston. The last thing I was was I

1:35:22.680 --> 1:35:24.519
<v Speaker 2>was going to bring up again how I didn't know

1:35:24.800 --> 1:35:28.720
<v Speaker 2>Louise was Louise's son, but and I thought he was Gaston's.

1:35:28.760 --> 1:35:31.519
<v Speaker 2>But then I remember, didn't Gaston die and beating the beast?

1:35:31.880 --> 1:35:33.120
<v Speaker 2>He like falls off that cliff.

1:35:33.320 --> 1:35:36.479
<v Speaker 1>Yeah you don't. I don't think you don't know the.

1:35:36.520 --> 1:35:40.080
<v Speaker 2>Queen evil queens die and stuff. So it's like they, Yeah,

1:35:40.360 --> 1:35:40.879
<v Speaker 2>the only.

1:35:40.720 --> 1:35:42.840
<v Speaker 1>One you knew was dead and dead dead dead dead

1:35:42.880 --> 1:35:45.960
<v Speaker 1>dead dead dead was Mufasa. Like you knew Mufasa was dead,

1:35:45.960 --> 1:35:47.519
<v Speaker 1>but everybody else it was like he fell but you

1:35:47.560 --> 1:35:48.719
<v Speaker 1>didn't really see him anyway.

1:35:49.400 --> 1:35:49.920
<v Speaker 2>All right?

1:35:50.120 --> 1:35:50.519
<v Speaker 1>Interesting?

1:35:50.600 --> 1:35:51.000
<v Speaker 2>That was it?

1:35:51.080 --> 1:35:51.479
<v Speaker 1>So that was.

1:35:51.520 --> 1:35:54.320
<v Speaker 2>My main thing was just to see where we're gonna go.

1:35:54.760 --> 1:35:57.480
<v Speaker 2>Let's see the Descendants franchise.

1:35:57.920 --> 1:36:01.439
<v Speaker 1>I well, now let's score the one we just got

1:36:02.080 --> 1:36:04.280
<v Speaker 1>our options. This week, we're going to go one to ten,

1:36:05.600 --> 1:36:07.760
<v Speaker 1>ten being the best. Of course, this week we've got

1:36:07.760 --> 1:36:11.639
<v Speaker 1>one to ten Horny classmates, one to ten, Rainbow Tabbies,

1:36:12.320 --> 1:36:17.599
<v Speaker 1>one to ten, robot Dodo birds, zebra drafts, weird SMEEs,

1:36:18.520 --> 1:36:21.679
<v Speaker 1>one out of ten, trousers, one out of ten, rabbit

1:36:21.720 --> 1:36:25.360
<v Speaker 1>house squatters, one out of ten stabbers, one out of ten,

1:36:25.640 --> 1:36:29.479
<v Speaker 1>fortune cookies, or one out of ten bibity boppity busted moves.

1:36:29.560 --> 1:36:30.559
<v Speaker 1>What do you got, Sabrina?

1:36:30.720 --> 1:36:33.479
<v Speaker 2>I think we should add our one out of ten?

1:36:33.880 --> 1:36:35.160
<v Speaker 2>Was it fluffing purchases?

1:36:35.320 --> 1:36:37.360
<v Speaker 1>Okay, I love it, one out of ten fluff and purchase,

1:36:37.560 --> 1:36:40.120
<v Speaker 1>and I believe I have to go first. This time

1:36:40.320 --> 1:36:43.040
<v Speaker 1>you went first last time. I like this movie. I

1:36:43.040 --> 1:36:45.080
<v Speaker 1>love to criticize movies and go through a nitpick. That's

1:36:45.080 --> 1:36:46.439
<v Speaker 1>my favorite thing in the world. I do it with

1:36:46.479 --> 1:36:48.320
<v Speaker 1>my favorite movies in the world. That's what I do.

1:36:48.920 --> 1:36:51.240
<v Speaker 1>That being said, I liked this better than the last one,

1:36:51.240 --> 1:36:53.840
<v Speaker 1>and I didn't hate the last one. I thought this

1:36:53.960 --> 1:36:56.160
<v Speaker 1>kind of got back to the basics a little bit

1:36:56.280 --> 1:37:00.519
<v Speaker 1>of descendants. It looked great. I remember a lot of

1:37:00.560 --> 1:37:02.439
<v Speaker 1>the songs. Some of them are forgettable, but I remember

1:37:02.479 --> 1:37:04.160
<v Speaker 1>a lot of the songs. I thought the dancing was better,

1:37:04.200 --> 1:37:07.040
<v Speaker 1>like the choreography was better. So I really liked this

1:37:07.080 --> 1:37:11.599
<v Speaker 1>and I'm giving this a strong eight point five fluff

1:37:11.640 --> 1:37:13.559
<v Speaker 1>and birches, and I think it's worth an eight point

1:37:13.560 --> 1:37:16.200
<v Speaker 1>five fluff and purchas. Cast was great looking forward to

1:37:16.240 --> 1:37:20.320
<v Speaker 1>the next one didn't have nearly and all the problems

1:37:20.360 --> 1:37:22.479
<v Speaker 1>I had with this movie or all the nippicking stuff,

1:37:22.600 --> 1:37:25.080
<v Speaker 1>the vast majority of them still stem from the time

1:37:25.120 --> 1:37:27.680
<v Speaker 1>travel thing and the first one. Yeah, other than that,

1:37:27.880 --> 1:37:29.639
<v Speaker 1>I thought it was. It was a very good movie.

1:37:29.800 --> 1:37:33.479
<v Speaker 1>I had a fun ninety five minutes.

1:37:35.680 --> 1:37:38.080
<v Speaker 2>So what did you say? Eight point eight.

1:37:37.880 --> 1:37:40.200
<v Speaker 1>Point five fluff and burches, how about you?

1:37:40.400 --> 1:37:43.400
<v Speaker 2>All Right, Well, I have to start again saying that

1:37:43.520 --> 1:37:46.280
<v Speaker 2>I have to veto my own scoring of the last one.

1:37:46.400 --> 1:37:50.639
<v Speaker 2>I'm gonna take that one to an eight. Whatever we did, Okay,

1:37:51.160 --> 1:37:54.400
<v Speaker 2>this is a true nine fluff and burchase for me.

1:37:54.720 --> 1:38:01.440
<v Speaker 2>I think the movie, the choreography, the visual, the set,

1:38:02.479 --> 1:38:05.000
<v Speaker 2>having so many new characters. Like you said, it just

1:38:05.120 --> 1:38:09.719
<v Speaker 2>felt more like the old school Descendants movies, and I

1:38:09.760 --> 1:38:12.479
<v Speaker 2>am here for it. I thought the choreography was so

1:38:12.600 --> 1:38:17.920
<v Speaker 2>good in this one. The music is awesome. I I know,

1:38:17.960 --> 1:38:20.080
<v Speaker 2>I'm like making fun of that, like Monroe wants to

1:38:20.120 --> 1:38:22.000
<v Speaker 2>hear it on repeat, but like I'm here for it.

1:38:22.160 --> 1:38:25.200
<v Speaker 2>I'm cool, I am right there, like doing the Princess

1:38:25.280 --> 1:38:29.479
<v Speaker 2>song with her loving to rock out. I don't think

1:38:29.479 --> 1:38:33.160
<v Speaker 2>the nine is actually a full like reflection because of

1:38:33.160 --> 1:38:35.200
<v Speaker 2>my experience. I think it's a nine because it's a

1:38:35.280 --> 1:38:37.599
<v Speaker 2>great nine fluff and burchess movie.

1:38:37.720 --> 1:38:39.040
<v Speaker 1>It's a good movie. It really is.

1:38:39.479 --> 1:38:41.840
<v Speaker 2>I loved it and I had to watch it again

1:38:41.880 --> 1:38:43.559
<v Speaker 2>a couple of times, and I'm okay with it.

1:38:43.640 --> 1:38:45.280
<v Speaker 1>So yeah, I agree.

1:38:45.840 --> 1:38:46.840
<v Speaker 2>This is all day for me.

1:38:47.080 --> 1:38:49.080
<v Speaker 1>There you go. Well, thank you everybody so much for

1:38:49.200 --> 1:38:50.960
<v Speaker 1>joining us. Go check out the movie. It is. It's

1:38:51.000 --> 1:38:52.360
<v Speaker 1>a good movie. It really is a good movie. You

1:38:52.360 --> 1:38:53.880
<v Speaker 1>should go. You should go look at it. It was

1:38:54.120 --> 1:38:55.880
<v Speaker 1>definitely better than the last one, and the last one

1:38:55.920 --> 1:38:59.000
<v Speaker 1>wasn't bad. Next week we are pivoting to another Disney

1:38:59.040 --> 1:39:01.920
<v Speaker 1>franchise that is Ever Gonna Die, and that is High

1:39:01.960 --> 1:39:06.679
<v Speaker 1>School Musical. We're gonna recap the twenty eleven spinoff movie

1:39:06.720 --> 1:39:10.799
<v Speaker 1>for its standout star Ashley Tisdale. It's Sharpay's Fabulous Adventure.

1:39:11.200 --> 1:39:13.400
<v Speaker 1>One of our favorite characters got her own movie, So

1:39:13.520 --> 1:39:15.360
<v Speaker 1>make sure to watch it now in Disney Plus and

1:39:15.439 --> 1:39:17.759
<v Speaker 1>get ahead of our podcast. And until then, we invite

1:39:17.800 --> 1:39:20.160
<v Speaker 1>you to check out all the dedicated magical rewind feed

1:39:20.160 --> 1:39:22.599
<v Speaker 1>where just all the recaps and interviews are housed. That's

1:39:22.600 --> 1:39:24.360
<v Speaker 1>what we've done, We've done a ton of them, and

1:39:24.400 --> 1:39:26.280
<v Speaker 1>again with this movie, don't forget to go and check

1:39:26.280 --> 1:39:28.519
<v Speaker 1>out Sabrina's interviews with the cast. They were great and

1:39:28.560 --> 1:39:30.760
<v Speaker 1>you can really get some insights into the film and

1:39:30.800 --> 1:39:32.919
<v Speaker 1>they're all ready to stream at any moment. Just subscribe

1:39:32.960 --> 1:39:48.439
<v Speaker 1>and you're never gonna miss another minute. Bye everybody, Bye,