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Speaker 1: Hi, Sabrina, Hi Will. We've got a big one today,

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Speaker 1: a big, big one, and it leads me to a question.

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Speaker 2: Mm hmm.

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Speaker 1: Five. There's too many to say five. And I think

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Speaker 1: we've had this same I've given you the same question before,

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Speaker 1: but I'm going to give it to you again because

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Speaker 1: now you've had several months to think about it, and

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Speaker 1: I know you've only been thinking about this question and

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Speaker 1: no other question. You haven't been thinking about your kids

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Speaker 1: there well being nothing, it's just this question as it

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Speaker 1: should be.

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Speaker 2: What are you about to throw at me?

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Speaker 1: Best trilogy? Oh, best trilogy ever?

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Speaker 2: We've had this conversation we have, Yeah, and I don't

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Speaker 2: even remember what I said last time, best trilogy.

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Speaker 1: Because you can't say best five the quad, daram. I

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Speaker 1: mean there hasn't been enough things that do five movies.

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Speaker 2: Franchise.

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Speaker 1: I guess you best franchise. I guess that's probably the

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Speaker 1: best way to ye. What do you think is the best?

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Speaker 2: I'm obviously gonna say Marvel?

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Speaker 1: I mean, right, But that's right, isn't it? But is it?

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Speaker 1: Is it all of Marvel? I don't know Marvel.

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Speaker 2: I really love toy Story. I think that's what what

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Speaker 2: I said before. Toy Story.

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Speaker 1: I have to watch the one.

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Speaker 2: I know you have that. That's how that's how right? Yes,

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Speaker 2: and you have done yet. No, if you want to

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Speaker 2: take Ledger and that would be his first like in

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Speaker 2: theater movie, which I think would be really great, that's awesome.

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Speaker 2: So I think the toy Story one is a big

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Speaker 2: jump out one.

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Speaker 1: What was your first in theater movie?

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Speaker 2: I have no idea. I need to ask my parents.

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Speaker 1: That's a good one.

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Speaker 2: Because I have no idea. Interesting, I don't remember that.

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Speaker 2: I can't even remember. Honestly, this is the god honest truth.

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Speaker 2: If my anniversary, if you ask me what my anniversary is,

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Speaker 2: it's either the sixth or seven of what month October?

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Speaker 3: You really can't remember your anniversary because does Jordan remember it?

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Speaker 1: Jordan will remember.

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Speaker 2: It, but I have to look in my notes just

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Speaker 2: to remember exactly if it's the sixth or the seven.

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Speaker 1: When's well, hopefully you've done your research. When's my anniversary?

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Speaker 1: Come on, Sabrina, when's my wedding?

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Speaker 2: And by the way, don't count on me to call

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Speaker 2: you on your birthday. I'll call you either several days

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Speaker 2: before it or several days after and remembering it. And

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Speaker 2: if I remember it before I call, because I know

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Speaker 2: I'll forget.

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Speaker 1: Day of You know, I'm that person. I'm not that

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Speaker 1: because I'm I'm that person where other than this year obviously,

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Speaker 1: where I'm doing something big. Most most of the time,

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Speaker 1: I'll be like, oh, that's right, it was my birthday.

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Speaker 1: Like I just I'm not a birthday guy. I never heard,

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Speaker 1: not at all. I love how by the way, well

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Speaker 1: you you did answer you're gonnay toy st Oh. I

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Speaker 1: have no idea. It's way too difficult to question difficult.

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Speaker 1: I just did there. I just made you answer yes. No,

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Speaker 1: I mean i'd say Star Wars Potter. No, okay, Harry Potter,

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Speaker 1: and I like Harry Potter, but no, it wouldn't be

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Speaker 1: Harry Potter for for best franchise.

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Speaker 2: Would it be like Star Wars? Or maybe that.

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Speaker 1: Was my first movie in the theater? Was was Empire

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Speaker 1: Strikes Back?

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Speaker 2: Was the really wow?

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Speaker 4: No?

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Speaker 1: I you know one that I love that I keep

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Speaker 1: talking about where it's I talk about it as arguably

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Speaker 1: one of the best trilogies of all time is How

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Speaker 1: to Train Your Dragon.

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Speaker 2: Oh, yes, you've mentioned, which was which was great, so

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Speaker 2: even the third one I liked the third one okay, yeah, no,

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Speaker 2: I have I've.

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Speaker 1: Okay yeah, no, It's like that's what I mean by yes, Yeah,

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Speaker 1: I'm gonna watch choice story for I told Susan I

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Speaker 1: had a date this weekend. She's like, you know. I

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Speaker 1: was like, you know, we have the live show, Big

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Speaker 1: Big put mets for a live show on Thursday, and

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Speaker 1: I go on Friday, I have a date night. I

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Speaker 1: was like, I'm I'm going on a date She's like, what, Like,

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Speaker 1: I'm having a date night. She goes, okay, can I

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Speaker 1: ask with whom you're going out? And I was like,

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Speaker 1: I'm going out with Prince Adam. She's like, excuse me.

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Speaker 1: I'm like, Prince Adam he man starts streaming this Friday,

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Speaker 1: and I've wanted to see the new e Man. So

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Speaker 1: I got a date with Prince Adam. And she's like

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Speaker 1: that's weird. Okay, great, we'll have fun on your date.

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Speaker 2: Mean that you're going by yourself?

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Speaker 1: No, no, no, I have it here in the in the

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Speaker 1: house date nights. So I'm yeah, I'm gonna light some candles,

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Speaker 1: I'm gonna dress up nice. I don't know where the

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Speaker 1: knight's go I don't know where the night's gonna go,

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Speaker 1: Oh my god, I don't know where the Knight's gonna

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Speaker 1: go to night jos Is see there you go anywhere?

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Speaker 2: Wow, Welcome back, you gotta do the Internet.

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Speaker 1: Welcome back to Magical Rewind, the show that makes you

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Speaker 1: want to grab your friends, your pj's, and your popcorn

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Speaker 1: and go back to a time when all the houses

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Speaker 1: are smart, the wave tsunamis and you were not imagining

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Speaker 1: me shirtless candles lit, watching he Man.

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Speaker 3: I'm sorry, I had that.

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Speaker 1: Sorry, let me do that again, shirtless covered in chicken

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Speaker 1: fat and watching he Man, I'm wilfredell. Oh my well,

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Speaker 1: there's a reason we're talking franchises because shuffle the cards, everyone,

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Speaker 1: we are entering into uncharted territory for Magical Rewind. We're

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Speaker 1: returning to the most prolific decom franchise in Disney history.

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Speaker 1: It's the fifth installment to the Descendants franchise Wicked Wonderland.

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Speaker 1: But keep in mind, Descendants is only going to be

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Speaker 1: alone in this achievement for a little while, because I'm

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Speaker 1: guessing at some point in the very near future, after

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Speaker 1: the announcement of Cheatah Girls four, there will eventually be

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Speaker 1: a fifth Cheah Girls. My guess is they're going to

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Speaker 1: do the kind of thing where they're rebooting and then

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Speaker 1: there's gonna be three new with the new cast.

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Speaker 2: Yeah, I can't imagine they would go through all the

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Speaker 2: hooplah of getting a new cast in the US. A

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Speaker 2: great word, planning on doing multiple ones.

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Speaker 1: You know, it's also good with uh hoopla rigamarole. Yes,

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Speaker 1: there you go, we got a lot of them. But

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Speaker 1: it's true. Speaking of the Cheetah Girls, we all know

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Speaker 1: that Suberno is lucky enough to attend the premiere of

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Speaker 1: this movie and interview some of the stars, So I'm

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Speaker 1: sure she's been chopping at the bit to talk about it.

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Speaker 1: So here we are, because you're gonna have to tell

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Speaker 1: us all about it. This is, of course a massive

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Speaker 1: release for the channel where it premiered on July sixteenth,

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Speaker 1: dropping on Disney Plus the next day, and as of

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Speaker 1: recording this podcast, it is the number one movie on

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Speaker 1: the streamer. I'm kind of amazed that it wasn't one

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Speaker 1: of my movies that's number one. Still like National Lampoon's

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Speaker 1: Gold Diggers, not a good movie. Don't go looking for it. Yes,

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Speaker 1: this is, of course the sequel to twenty twenty four.

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Speaker 1: Is the Rise of Red, which we didn't love, the

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Speaker 1: start of a new life for the series, shifting the

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Speaker 1: focus to a younger generation and leaving us with a

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Speaker 1: bit of a cliffhanger. Wicked Wonderland shot in Vancouver, So

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Speaker 1: it is a Canadian franchise obviously April and May of

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Speaker 1: twenty twenty five, and mixed together familiar faces from the

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Speaker 1: last movie with a whole crop of new characters. Okay,

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Speaker 1: so we talked about regular franchise rankings. When it comes

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Speaker 1: to just Disney franchise rankings, where does Descendants rank for you? Sabrina?

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Speaker 1: I mean, are you excited to think the series is

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Speaker 1: going to keep going forever? Which is a safe bet

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Speaker 1: since it's popularity. He's not showing any signs of slowing down.

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Speaker 1: What did you think I could.

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Speaker 2: Do another one?

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Speaker 1: For sure?

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Speaker 2: I really love this franchise. I think it is, you know,

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Speaker 2: being such a Disney kid and loving all of the

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Speaker 2: like original og cartoon movies that Disney puts out and

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Speaker 2: taking them and looking at like the next generation of

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Speaker 2: all those like heroes and villains. I just I love

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Speaker 2: the absolute foundation of this franchise and I think it

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Speaker 2: is just so clever, and I love it, but you

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Speaker 2: have to pay attention, especially in this one, because we're

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Speaker 2: gonna read a lot of new characters. Yeah, and it

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Speaker 2: takes you a minute to know who's what. Like I

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Speaker 2: honestly didn't put one character in stack with it for

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Speaker 2: the majority of the time, and like almost the press

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Speaker 2: junket that I went, I'm not kidding it was it it.

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Speaker 2: Sometimes they're kind of it's getting a little muddled, a

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Speaker 2: little muddled. But I do love the idea of like

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Speaker 2: what these new characters or what these characters that we

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Speaker 2: know and love or hate, you know, with the villains,

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Speaker 2: what they're like Descendants would be like, you know, and

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Speaker 2: where they take their storyline. So I really think it's

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Speaker 2: just so clever and I enjoy this franchise a lot.

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Speaker 1: Okay, so you can only watch Descendants movies from now

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Speaker 1: on or Zombies movies from now on school musical movies.

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Speaker 1: Sare you which ones? Which one? Or camp Rock like

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Speaker 1: all their franchise camp Rock.

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Speaker 2: It would it would be between the Descendants and the Zombies.

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Speaker 1: For me, that's not an answer which one is? Which one?

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Speaker 1: Is it? You can only go to one?

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Speaker 2: Ah, I can't, I think I I think it have

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Speaker 2: to be Descendants interesting. I think you have to interesting.

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Speaker 2: I think you have to just because I have there

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Speaker 2: it is, I have so much nostalgia with the characters

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Speaker 2: that these that are the parents of these characters that

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Speaker 2: were meeting and and scene, So I think it have

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Speaker 2: to be that interesting.

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Speaker 1: Yeah, it's such. It's so clever. The the idea of

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Speaker 1: the descendants of all the major villain that being said

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Speaker 1: Zombies was built from the ground up, you know, there

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Speaker 1: was there was no past lore to it, and was

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Speaker 1: also just so clever. And that first Zombies movie, I mean,

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Speaker 1: the first Ascendants movie was great, yes, but that first

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Speaker 1: Zombies movie just stuck with me with all the dancing

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Speaker 1: and the singing and the Yeah, it just there was

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Speaker 1: something about concept. Yes and Coo and Bucky and everybody.

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Speaker 1: I mean, it was just there was something about that.

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Speaker 1: I'd be hard pressed to say. I don't know which

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Speaker 1: franchise as a whole I liked better, but that first

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Speaker 1: Zombies movie was really kind of incredible.

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Speaker 5: Yeah, I feel like that about the first But again,

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Speaker 5: then you had like bad Dragon in first Descendants movie,

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Speaker 5: so there was a couple of things in that that

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Speaker 5: was kind of like but.

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Speaker 2: I feel like, wait, yeah, that was in the first movie.

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Speaker 1: Yeah, yeah, it kind of the c G I wasn't

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Speaker 1: good and I.

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Speaker 2: Feel like though the Zombies movie wasn't set up to

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Speaker 2: be was Do you feel like the Zombies movie was

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Speaker 2: set up to be a franchise?

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Speaker 1: No, I think remember they wanted it to be a pilot.

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Speaker 1: It was zombies versus cheerleaders, but it became it was

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Speaker 1: just so good game.

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Speaker 2: Yeah, it became a movie. So I bet you like

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Speaker 2: budget wise like they didn't they don't feel like they

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Speaker 2: didn't attempt anything like that.

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Speaker 1: In the it still looked I don't know, but this

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Speaker 1: is yeah. Well okay, well we'll get into what we

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Speaker 1: thought about this one anyway. Yeah, so here, that's a

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Speaker 1: tough question.

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Speaker 2: I know, mad you asked me that I know spinning.

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Speaker 2: I'm gonna I'm gonna come back next week and be like, Okay,

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Speaker 2: I got an answer, I got a different answer.

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Speaker 4: All right.

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Speaker 1: Well let's talk soundtrack, because there is no chance a

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Speaker 1: Descendants movie can come out and uh not have some

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Speaker 1: very new music. The first single, Perfect Princess, made its

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Speaker 1: debut on American Idol last season. We always talked about Synergy,

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Speaker 1: a new tactic for the channel that promoted the upcoming

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Speaker 1: movie to millions of viewers, and as you can probably predict,

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Speaker 1: all the songs in the soundtrack are performed by cast

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Speaker 1: members and used in the movie, because well, it's a musical.

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Speaker 1: There have since been two other singles released, Mad Wicked,

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Speaker 1: Wonderland and Dancing with the Enemy. So, without spoiling anything, Sabrita,

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Speaker 1: what do you think of the music here in the

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Speaker 1: fifth Sentence movie and how do you think it compared

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Speaker 1: to the other four?

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Speaker 2: There are actual like when we talked about this movie,

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Speaker 2: the fourth movie and the third movie as well, we

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Speaker 2: said there weren't any like standout songs, perfect princess, stand

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Speaker 2: out song, not just me. My kid won't stop singing

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Speaker 2: it like it is just constant. She watched it one

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Speaker 2: time and was singing it like in the car on

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Speaker 2: the right home like she that. So there are definite

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Speaker 2: like those, the jingles that stay with you, that stick

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Speaker 2: with you. I definitely think this this movie leveled up

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Speaker 2: on their music in a big way.

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Speaker 1: I could not agree with you more. I was tapping

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Speaker 1: my toe the whole time. I felt like I haven't

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Speaker 1: had that in the last couple Descendants movies. Yea, and

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Speaker 1: this one. It was there were several that I was like,

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Speaker 1: okays are actually good songs, not just good Disney songs

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Speaker 1: or good movie songs. They're good songs. Yes, so yeah,

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Speaker 1: I totally agree with you one hundred percent. We are

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Speaker 1: getting to recap Wicked Wonderland right after its release, which

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Speaker 1: is always fun. And now you I don't know if

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Speaker 1: you can see my script, but you is in capitals.

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Speaker 1: Can watch it on Disney Plus two. But make sure

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Speaker 1: to do it before October eighteenth, twenty forty five, because

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Speaker 1: I've heard a prophecy about that being the end of

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Speaker 1: the world. It'll start with a small earthquake, then we'll

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Speaker 1: see Locus and a sinkhole will appear in Rio de Janeiro,

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Speaker 1: sucking each one of us in, one by one, very slowly,

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Speaker 1: until no one has left anyway, enjoy Wicked Wonderland now

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Speaker 1: in Disney Plus. So let's release the Dodo birds and

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Speaker 1: enter the maze. That is the synopsis. Red and Chloe

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Speaker 1: discovered they've created a dangerous new reality where Maddox Hatter

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Speaker 1: has become a villain and Wonderland is in peril. Teaming

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Speaker 1: up with Red's new sister Pink and a fresh new

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Speaker 1: crop of heroes and villains. They must now rescue the

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Speaker 1: Queen of Hearts and undo the consequences of time travel Sabrina,

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Speaker 1: I already know your answer, but early thoughts on descendance

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Speaker 1: wickled Wonderland a massive hit for the Disney Channel in

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Speaker 1: twenty twenty six. What did you think?

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Speaker 2: I loved this movie, and I feel like we might

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Speaker 2: need to implement a new role when it comes to scoring,

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Speaker 2: to where we can veto the other's score, because I

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Speaker 2: remember when I gave the last one a nine and

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Speaker 2: you were like, you're you're kidding me. You should have

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Speaker 2: vetoed me. Because now that I've got this one too, you.

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Speaker 1: I'm canceling your Yeah, I'm canceling.

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Speaker 2: Your opinion, just being like, no, that's not no. I

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Speaker 2: can't let you.

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Speaker 1: I will let the internet machine judge you harshly. I

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Speaker 1: don't need to do that for your score.

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Speaker 2: Okay, that's true. There's quite a few of them out there.

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Speaker 2: I love it so much that I was like, how

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Speaker 2: in the world did I score Rise of Red a nine?

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Speaker 2: Because this place, I mean that was that was an

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Speaker 2: incorrect scoring. And I'm not sure what was in.

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Speaker 1: My water that day.

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Speaker 2: I don't know, but this movie, I mean surpassed. It

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Speaker 2: surpassed Rise of Red in such a big way for

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Speaker 2: me that I and I love it. But again, it's

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Speaker 2: all about the experience, right, Like I got to go

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Speaker 2: to the big premiere with Monroe and all of that,

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Speaker 2: But even just watching it by myself, I really did

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Speaker 2: like it. So I first, that's love.

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Speaker 1: Okay, Yeah, I agree. And I did not have any

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Speaker 1: of the pop and circumstance Foo for All, Huchi Bootsy,

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Speaker 1: all the stuff we've been talking about.

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Speaker 2: Well you could have.

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Speaker 1: I could have. I know I could have, but didn't.

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Speaker 1: But it was, uh, it was great. It was I

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Speaker 1: you know, felt like I had to slog through Rise

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Speaker 1: of Red and again the last time with Rise of Red.

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Speaker 1: I'm such a purist when it comes to time travel movies.

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Speaker 1: They're like, it's like one of my niche things. Yes

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Speaker 1: that it really pissed me off, all the just the

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Speaker 1: gaping timeholes this movie was. I thought it was back

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Speaker 1: to like early descendants of what it was. Great singing,

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Speaker 1: great dancing, great cast, really amazing sets, good basic kind

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Speaker 1: of story in a world we hadn't seen before. Yeah

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Speaker 1: this should I mean again, I get what they had

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Speaker 1: to do for the first one. But this should have

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Speaker 1: been the start of the new version of Descendants, like

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Speaker 1: the Rise of Red. You didn't need Rise of Red.

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Speaker 2: No, I feel like you could have. I mean, I

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Speaker 2: don't know what you'd have to take out of this one,

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Speaker 2: but you could have just done a quick recap of

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Speaker 2: like what's gone on and what happened, like like those

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Speaker 2: little stories that they do in the front, like the

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Speaker 2: little stories that they do in almost every single one

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Speaker 2: of them. Yeah, this is what's happened before, this is

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Speaker 2: where we're at now, and keep a pushing.

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Speaker 1: Yeah, there's something I agree, because it was a little

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Speaker 1: it was strange. You also could have gone the opposite way,

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Speaker 1: where you know, Descendants was all about the descendants of

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Speaker 1: villains coming to Orodon and becoming good. You could easily

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Speaker 1: have done something where it was actually a descendant of

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Speaker 1: a hero from Oordon who was wrongly convicted of something

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Speaker 1: sent to the island, and it's from the point of

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Speaker 1: view of a good person turning quote unquote a good

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Speaker 1: person turning bad. You could have reversed the whole franchise.

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Speaker 1: So but this was I mean, it was super enjoyable

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Speaker 1: this movie. It really was. I felt like they got

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Speaker 1: back to basics.

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Speaker 2: That sets amazing.

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Speaker 1: It looked incredible, it sounded good, the songs were bops.

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Speaker 1: It was I even started to well, we'll get into

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Speaker 1: the dance stuff, but anyway. It was directed by Kimmy

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Speaker 1: Gatewood or Gatwood, a new name to the dcom universe,

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Speaker 1: but a long standing staple in the LA and New

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Speaker 1: York comedy scene. She is the co creator of The

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Speaker 1: Apple Sisters, a musical comedy trio which is hysterical. I

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Speaker 1: just want to see whatever that is that performed at

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Speaker 1: Montreal's Just for Laughs and the Use Theater. She will

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Speaker 1: also be recognized by fans of the Netflix show glow Or.

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Speaker 1: She played Stacy, one half of the geriatric tag team

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Speaker 1: the beat Down Biddies. Never seen that, but gonna rush

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Speaker 1: to now. But she has now transitioned behind the camera,

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Speaker 1: where she's directed shows like Crazy Ex Girlfriend, Ghosts, Girls,

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Speaker 1: Five Ever, and Going Dutch. She also won an Emmy

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Speaker 1: for her work on Disney Plus's Muppet Mayhem. This is

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Speaker 1: definitely her biggest undertaking, especially since there are rumors and

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Speaker 1: they're just rumors at this point. People, So if you're driving,

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Speaker 1: pull over, sit down, do what you gotta do. But

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Speaker 1: the movie's budget for a d COM was ninety five

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Speaker 1: million dollars. Geez, ninety five million dollars. That is a

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Speaker 1: full ten million dollars more than the already record breaking

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Speaker 1: number for Rise of Red. So this is officially the

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Speaker 1: most expensive dcom ever. Did it look expensive to you

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Speaker 1: at ever? This is dcom ever? Well, it's also the

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Speaker 1: fifth one. It's the fifth of five. Ever. Did it

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Speaker 1: look expensive to you? Yes?

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Speaker 2: Yeah, it done, I mean it was. The money was

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Speaker 2: spent correctly, I mean ough, I.

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Speaker 1: Agree one percent. And like I said, we have a

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Speaker 1: mix of returning actors and new editions, starting with Kylie

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Speaker 1: Cantrell as read the new face of the franchise and

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Speaker 1: honestly the channel as a whole. First seen on YouTube

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Speaker 1: and TikTok, which I think her Internet things. Cantrell is

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Speaker 1: best known as Gabby, the titular character on Disney's Gabby

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Speaker 1: Duran and the Unsittables. There are more titles in this

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Speaker 1: breakdown that I'm not going to understand than in anyone

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Speaker 1: we've done before, but has also been seen on Raven's

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Speaker 1: Home high school musical, The Musical, the series, and Just

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Speaker 1: Roll with It. So she's the real product of the system.

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Speaker 1: She is also signed to a record deal, of course,

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Speaker 1: and she just released an EP, which the cooler people

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Speaker 1: in the world tell me means like a song or

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Speaker 1: an album or something, so go and check it out.

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Speaker 1: Malia Baker returns as Chloe, the offspring of Cinderella and

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Speaker 1: Prince Charming. She's been previously seen on shows like The Flash,

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Speaker 1: Are You Afraid of the Dark, and The Babysitters Club,

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Speaker 1: And new to the series we have Leamani Segura as

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Speaker 1: Princess Pink. Her first role ever was Emmy on High

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Speaker 1: School Musical, the musical series, which I will never get

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Speaker 1: tired of saying. And it's not only part of the

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Speaker 1: Descendants franchise. She will also be in Camp Rock three

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Speaker 1: coming out soon. So between her and Malachi, it does

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Speaker 1: seem like Disney is just casting these kids across properties now.

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Speaker 1: And you know, I don't even have to ask if

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Speaker 1: that was the thing before, because of course it was.

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Speaker 1: They've been. Disney's been doing this for rever It's one

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Speaker 1: of the things they're great at. As you get into

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Speaker 1: the Disney machine and if they like you, they just

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Speaker 1: keep putting you in and it's awesome.

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Speaker 2: Yeah, Well, and it helps promote the next thing, right,

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Speaker 2: I remember That's how it was with Raven. She had

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Speaker 2: just finished her first season of That's So Raven when

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Speaker 2: we were shooting The Cheetah Girl. Yeah, it was like

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Speaker 2: that all helped promote each other.

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Speaker 1: Oh yes, absolutely fight yep, and Leonardo nam is back

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Speaker 1: as Maddox Hatter. He's been in a ton of stuff

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Speaker 1: over the past twenty years, including Sisterhood of the Traveling Pants.

402
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Speaker 1: Is that literally just a movie about pants?

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Speaker 2: Yes, that's the same producers the Cheetah Girls and The Cinderella,

404
00:19:51,000 --> 00:19:54,119
Speaker 2: the movie with Brandy. It's like a pair of pants

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Speaker 2: that all four of these girlfriends, they all have different bodies,

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Speaker 2: different styles and stuff, and they like send the pair

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Speaker 2: of pants to each other while they're away from each other,

408
00:20:04,560 --> 00:20:07,080
Speaker 2: and it always shows up at the time where they

409
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Speaker 2: like are in need of like.

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Speaker 1: Compara pants like that. Okay, gotcha a pair of pants? Okay.

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Speaker 1: The man's version is called The Brotherhood of the Only

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Speaker 1: pair of underwear that men own. Oh god, no.

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Speaker 2: Please don't send that to each other.

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Speaker 1: And then we've got He's also in Fast and Furious,

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Speaker 1: Tokyo Drift, and Westworld, but now he has a son,

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Speaker 1: Max Hatter played by Brendan Trembley. Trembley is a working

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Speaker 1: Canadian actor who will also be in the upcoming Disney

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Speaker 1: Channel show Coven Academy. Another new name, Kiara t Romero

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Speaker 1: is Hazel Hook. She was a background actor in the

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Speaker 1: dcom movie The prom and this is her first featured role.

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Speaker 1: I love hearing stories like that. Congrats, that's awesome.

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Speaker 2: Her character saying it now was my favorite in this movie.

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Speaker 2: I loved Hazel. I loved that a female was doing

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Speaker 2: a hook villain character. That was very cool to see,

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Speaker 2: like a girl taking on one of those characters. Oh

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Speaker 2: and I thought she was so good, so good.

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Speaker 1: Yeah, super cool all the way around.

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Speaker 2: Shout out Kiara.

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Speaker 1: They were all kind of great. Yeah. Melanie Packson returns

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Speaker 1: his Fairy Godmother, the only original cast member still in

431
00:21:14,760 --> 00:21:17,400
Speaker 1: this thing, and from Rise of Red, Paalo Malta bought

432
00:21:17,440 --> 00:21:19,639
Speaker 1: his back as Prince Charming. As are two of the

433
00:21:19,640 --> 00:21:22,200
Speaker 1: biggest examples of stunt casting for the modern day channel.

434
00:21:22,520 --> 00:21:25,560
Speaker 1: Brandy of Once Again Cinderella is reprising the role she

435
00:21:25,600 --> 00:21:27,600
Speaker 1: had in the nineteen ninety seven original movie, which I

436
00:21:27,640 --> 00:21:31,119
Speaker 1: haven't seen yet, and Rita Ara is the Queen of

437
00:21:31,240 --> 00:21:34,960
Speaker 1: Hearts I think both ladies were amazing in last descendance,

438
00:21:34,960 --> 00:21:37,280
Speaker 1: so I'm happy to see them back. And let's say

439
00:21:37,280 --> 00:21:40,879
Speaker 1: hello to another recognizable name, Aquafina, as the voice of CHESSI,

440
00:21:41,000 --> 00:21:44,040
Speaker 1: the New Cheshire Cat. Aquafina began her career as a

441
00:21:44,119 --> 00:21:47,119
Speaker 1: rapper on YouTube and has since transitioned into TV and movies,

442
00:21:47,160 --> 00:21:49,840
Speaker 1: starting with Neighbors two, then landing in other big films

443
00:21:49,920 --> 00:21:52,840
Speaker 1: like Ocean's Eight Crazy Rich Asians, Jumanji, The Next Level,

444
00:21:52,920 --> 00:21:55,560
Speaker 1: and The Bad Guys. Now, if you love this cast,

445
00:21:55,640 --> 00:21:57,479
Speaker 1: let me be the first to tell you about disney

446
00:21:57,480 --> 00:22:00,720
Speaker 1: World's Collide. That's right, it sounded the way I said it.

447
00:22:00,720 --> 00:22:03,480
Speaker 1: But it's called disney World's Collide or disney World's Collide

448
00:22:03,520 --> 00:22:05,800
Speaker 1: or disney Worlds Collide, depending on how you'd like to

449
00:22:05,960 --> 00:22:09,600
Speaker 1: make The emphastis a tour coming up involving cast members

450
00:22:09,640 --> 00:22:13,120
Speaker 1: from Wicked, Wonderland, Descendants, and Camp Rock three that will

451
00:22:13,119 --> 00:22:16,200
Speaker 1: start in September and be hitting a lot of big cities. Sabrina,

452
00:22:17,080 --> 00:22:19,240
Speaker 1: should we go to this? Yes?

453
00:22:19,520 --> 00:22:21,560
Speaker 2: Are you kidding me? I was pissed we missed the

454
00:22:21,640 --> 00:22:24,320
Speaker 2: last one. We absolutely should go to this.

455
00:22:24,480 --> 00:22:27,000
Speaker 1: Do they fight to the death, because that would be

456
00:22:27,200 --> 00:22:29,600
Speaker 1: like it's like, oh my god, the only person left

457
00:22:29,640 --> 00:22:31,359
Speaker 1: is one person from Camp Rock three like that.

458
00:22:32,440 --> 00:22:36,080
Speaker 2: Yeah, no, that's not how that works. No, there, I

459
00:22:36,119 --> 00:22:39,479
Speaker 2: saw snippets from the last tour. It looked great. I

460
00:22:39,520 --> 00:22:43,719
Speaker 2: think it's brilliant on oh my god, jeez thing because

461
00:22:43,760 --> 00:22:46,560
Speaker 2: like when we were all out on tour at some point,

462
00:22:46,880 --> 00:22:50,680
Speaker 2: we were basically fighting each other for ticket sales, right

463
00:22:50,720 --> 00:22:54,399
Speaker 2: like parents were having to decide do we want to

464
00:22:54,440 --> 00:22:59,080
Speaker 2: go to uh Hannah Montana, Miiley Cyrus Tour, High School

465
00:22:59,119 --> 00:23:01,800
Speaker 2: Musical Tour or Cheeah Girls Tour like we were, you know.

466
00:23:01,960 --> 00:23:05,520
Speaker 2: So for Disney as a company, this is perfect, right, brilliant,

467
00:23:05,560 --> 00:23:07,960
Speaker 2: And I'm sure that the ticket prices are just through

468
00:23:08,000 --> 00:23:10,000
Speaker 2: the roof. I haven't looked at it, but I do

469
00:23:10,119 --> 00:23:11,920
Speaker 2: know it's in September, it's coming up soon.

470
00:23:12,200 --> 00:23:14,119
Speaker 1: Well, that'll have to determine whether we go or not,

471
00:23:14,200 --> 00:23:17,760
Speaker 1: because if it's super expensive, I'm gonna go to that.

472
00:23:18,400 --> 00:23:21,080
Speaker 1: Come on, you can buy.

473
00:23:21,119 --> 00:23:23,359
Speaker 2: Leomani told me that I should go, so, you know,

474
00:23:23,960 --> 00:23:26,600
Speaker 2: being one of her new besties, I feel a little obligating.

475
00:23:26,680 --> 00:23:29,760
Speaker 1: Okay, Well we'll see. I might be I don't know

476
00:23:29,800 --> 00:23:31,760
Speaker 1: what day it is, but I might be busy that day.

477
00:23:32,080 --> 00:23:33,280
Speaker 2: You probably will.

478
00:23:35,920 --> 00:23:39,880
Speaker 1: I have a lot going on as to you. Okay, sure,

479
00:23:39,960 --> 00:23:42,000
Speaker 1: this is the fifth movie. It costs almost a hundred

480
00:23:42,000 --> 00:23:43,960
Speaker 1: million dollars to make, but that does not give it

481
00:23:44,000 --> 00:23:46,639
Speaker 1: a pass to be longer than ninety minutes. We know

482
00:23:46,680 --> 00:23:48,920
Speaker 1: that every movie from Gone with the Wind to Biodome

483
00:23:48,960 --> 00:23:51,520
Speaker 1: should be an hour and a half, no more, no less.

484
00:23:51,960 --> 00:23:55,960
Speaker 1: We've specifically proven it here scientifically, so is the fifth

485
00:23:56,000 --> 00:24:01,040
Speaker 1: time of Charm Descendants. Wicked Wonderland runs ninety five minutes.

486
00:24:01,160 --> 00:24:04,040
Speaker 1: Oh five minutes off the target, which is too long

487
00:24:04,080 --> 00:24:06,280
Speaker 1: by all accounts. I can't believe they need a sixth

488
00:24:06,359 --> 00:24:09,679
Speaker 1: movie to try to get it right, but it seems

489
00:24:09,680 --> 00:24:11,880
Speaker 1: to be the case. Shame on all those involved.

490
00:24:13,400 --> 00:24:16,879
Speaker 2: The third one was even longer. Remember, oh my god, I'm.

491
00:24:16,800 --> 00:24:20,680
Speaker 1: Still watching it. Yeah, it's I'm yeah, I'm on day eight.

492
00:24:21,560 --> 00:24:24,679
Speaker 1: Once again, Hollywood's longest running writing team, Sarah Parriott and

493
00:24:24,800 --> 00:24:27,560
Speaker 1: Jozanne McGibbon are given. They're created by credits, and we

494
00:24:27,600 --> 00:24:29,960
Speaker 1: see the return of Dan Freeman and Rue Summer, the

495
00:24:30,040 --> 00:24:32,080
Speaker 1: writers behind Rise of Red. But now we have a

496
00:24:32,080 --> 00:24:35,600
Speaker 1: new addition to Mara Dannison. Dannison won the twenty twenty

497
00:24:35,600 --> 00:24:39,040
Speaker 1: two Children's and Family Emmy for Outstanding Fiction Special with

498
00:24:39,080 --> 00:24:43,880
Speaker 1: Disney's Sneakerella. She also wrote Netflix's Moxie and Amazon Primes

499
00:24:43,920 --> 00:24:46,800
Speaker 1: Something from Tiffany's. She is now set to write an

500
00:24:46,880 --> 00:24:50,680
Speaker 1: untitled rom com starring fellow iHeart employee Nick Jonas for Netflix.

501
00:24:50,760 --> 00:24:53,440
Speaker 1: By the way, Nick, if you get me this year

502
00:24:53,480 --> 00:24:55,880
Speaker 1: for Secret Sanna, just ignore the twenty dollars limit.

503
00:25:01,920 --> 00:25:04,480
Speaker 6: Dancing with the Stars is looking for a new pro

504
00:25:04,680 --> 00:25:08,280
Speaker 6: and since last season I came in eighth place, I'm basically.

505
00:25:08,040 --> 00:25:11,399
Speaker 7: An expert easy there. I've spent my entire life in

506
00:25:11,440 --> 00:25:13,520
Speaker 7: the ballroom, so maybe you could use some help.

507
00:25:13,680 --> 00:25:16,960
Speaker 6: I'm Danielle Fischl and I'm Vouchmerkovsky, and we have a

508
00:25:16,960 --> 00:25:19,800
Speaker 6: new podcast called Stepping on Toes with Danielle and Val.

509
00:25:20,200 --> 00:25:22,399
Speaker 7: Every week we're breaking down Dancing with the Stars the

510
00:25:22,440 --> 00:25:24,600
Speaker 7: next pro to find out who I'll be sharing the

511
00:25:24,640 --> 00:25:25,760
Speaker 7: ballroom with next season.

512
00:25:25,920 --> 00:25:28,600
Speaker 6: I'll be asking the questions every fan is thinking.

513
00:25:28,440 --> 00:25:30,919
Speaker 7: And I'll take you behind the choreography of judging the

514
00:25:30,960 --> 00:25:33,800
Speaker 7: performances and what it takes to compete in front of millionaires.

515
00:25:34,119 --> 00:25:36,880
Speaker 6: Plus we'll be joined by some very special guests.

516
00:25:37,280 --> 00:25:39,399
Speaker 7: It's time to crown a new Dancing with the stars

517
00:25:39,480 --> 00:25:41,640
Speaker 7: pro So let us be your guys to this once

518
00:25:41,640 --> 00:25:43,040
Speaker 7: in a lifetime opportunity.

519
00:25:43,119 --> 00:25:44,120
Speaker 6: Do you think I could win?

520
00:25:44,840 --> 00:25:44,919
Speaker 2: No?

521
00:25:45,520 --> 00:25:48,000
Speaker 6: Listen to Stepping on Toes on the iHeartRadio app, Apple

522
00:25:48,040 --> 00:25:50,480
Speaker 6: Podcasts or wherever you get your podcasts.

523
00:26:04,760 --> 00:26:07,199
Speaker 1: So now did you hear from them? For once in

524
00:26:07,200 --> 00:26:09,240
Speaker 1: my life? I'm mad for Wicked, Wederland and dancing with

525
00:26:09,280 --> 00:26:11,880
Speaker 1: the Enemy. It really is who I am. So let's

526
00:26:11,880 --> 00:26:14,920
Speaker 1: get into the newest Descendants. The movie opens with a

527
00:26:14,960 --> 00:26:17,600
Speaker 1: new character, Chessie, the child of the cheshire Cat, filling

528
00:26:17,640 --> 00:26:19,560
Speaker 1: us in on everything that happened in the last movie,

529
00:26:19,600 --> 00:26:22,399
Speaker 1: all over some expensive special effects for those with a

530
00:26:22,520 --> 00:26:24,959
Speaker 1: very bad short term memory. Red turned her mom from

531
00:26:25,040 --> 00:26:27,280
Speaker 1: villain to hero by changing the past, something that has

532
00:26:27,320 --> 00:26:31,200
Speaker 1: triggered some unintended consequences and created some chaos. We see

533
00:26:31,200 --> 00:26:33,880
Speaker 1: the newly minted friends Red and Chloe open the Wonderland

534
00:26:33,960 --> 00:26:36,480
Speaker 1: vault and hide the time traveling pocket watch that allowed

535
00:26:36,480 --> 00:26:40,639
Speaker 1: them to jump decades. Okay, I'm gonna start nitpicking, just

536
00:26:40,640 --> 00:26:43,840
Speaker 1: because that's what to do. So they have a vault

537
00:26:43,840 --> 00:26:46,760
Speaker 1: where all the most important things are, but kind of

538
00:26:46,840 --> 00:26:48,720
Speaker 1: anybody can open it if they find it at the

539
00:26:48,760 --> 00:26:51,320
Speaker 1: middle of the maze. That's not a vault, that's just

540
00:26:51,400 --> 00:26:53,639
Speaker 1: a place you put things. Did they have to do

541
00:26:53,680 --> 00:26:55,399
Speaker 1: anything to get into it other than get to the

542
00:26:55,400 --> 00:26:56,160
Speaker 1: middle of the maze.

543
00:26:57,160 --> 00:26:59,879
Speaker 2: They didn't show that. No, but I assumed it was

544
00:27:00,080 --> 00:27:01,680
Speaker 2: Red was the only one that could.

545
00:27:01,760 --> 00:27:03,880
Speaker 1: Like Red didn't open it at the end.

546
00:27:04,200 --> 00:27:06,120
Speaker 2: I know That's what I was confused about.

547
00:27:06,320 --> 00:27:09,720
Speaker 1: Yeah, okay, thank you. Sorry. Well, it's it's a pretty

548
00:27:09,760 --> 00:27:13,800
Speaker 1: big I think it's that's an everybody sees because it's like,

549
00:27:14,080 --> 00:27:18,399
Speaker 1: why why is that there? And also if there's not

550
00:27:18,480 --> 00:27:19,960
Speaker 1: to jump ahead to the end. But I'm assuming that

551
00:27:20,040 --> 00:27:22,280
Speaker 1: people that watch the movie are going to watch a

552
00:27:22,320 --> 00:27:24,480
Speaker 1: movie are not going to watch a movie. But if

553
00:27:24,480 --> 00:27:26,399
Speaker 1: you have another place to throw it that makes it

554
00:27:26,440 --> 00:27:28,800
Speaker 1: go away forever and keeps all your secrets, why not

555
00:27:28,880 --> 00:27:29,680
Speaker 1: put it there.

556
00:27:30,480 --> 00:27:32,679
Speaker 2: I don't think she was wanting to get rid of it.

557
00:27:32,720 --> 00:27:34,760
Speaker 2: I think she was wanting to hold on to it.

558
00:27:35,000 --> 00:27:38,440
Speaker 1: Okay, maybe you could, Okay, gotcha. I still that made

559
00:27:38,440 --> 00:27:41,199
Speaker 1: it was weird to me, but it was right if

560
00:27:41,240 --> 00:27:41,960
Speaker 1: anybody can.

561
00:27:41,840 --> 00:27:45,080
Speaker 2: Open it right right from the start. However, no one

562
00:27:45,160 --> 00:27:49,720
Speaker 2: really knows where it is. That's the one thing that

563
00:27:49,240 --> 00:27:51,840
Speaker 2: the same thing it's in the center of the maze,

564
00:27:51,840 --> 00:27:55,600
Speaker 2: but nobody knows it's there. But I guess at the end,

565
00:27:55,600 --> 00:27:59,160
Speaker 2: I was like, but she went to it after Chloe,

566
00:27:59,200 --> 00:28:01,600
Speaker 2: But I guess we then knew where it was because

567
00:28:01,640 --> 00:28:04,800
Speaker 2: of the maze. That was the thing. Like Mad Hatter

568
00:28:05,320 --> 00:28:08,040
Speaker 2: even when he saw it later, doesn't know where it is.

569
00:28:08,320 --> 00:28:11,200
Speaker 1: Right right by the way. Super easy maze if you've

570
00:28:11,200 --> 00:28:14,159
Speaker 1: been through it once with Red and then you remember

571
00:28:14,160 --> 00:28:15,600
Speaker 1: how to get to the middle again. That's not a

572
00:28:15,600 --> 00:28:21,280
Speaker 1: tough maze. Just saying there's better hiding places.

573
00:28:21,400 --> 00:28:23,840
Speaker 2: Oh man, I had a birthday party that had a

574
00:28:23,880 --> 00:28:26,399
Speaker 2: maze situation and my dad was up on top watching

575
00:28:26,520 --> 00:28:29,200
Speaker 2: us all and like filming us. I got so pissed

576
00:28:29,280 --> 00:28:31,440
Speaker 2: I quit. I was like, this birthday sucks.

577
00:28:33,160 --> 00:28:34,520
Speaker 1: And then you couldn't get out of the maze to

578
00:28:34,520 --> 00:28:35,959
Speaker 1: get to your cake. I'm dying out.

579
00:28:36,119 --> 00:28:38,640
Speaker 2: I could successfully stomp out the way I wanted to

580
00:28:38,680 --> 00:28:40,920
Speaker 2: because I was lost exactly.

581
00:28:41,600 --> 00:28:46,280
Speaker 1: Oh my Well, anyway, we see the newly minted friends,

582
00:28:46,320 --> 00:28:48,480
Speaker 1: Red and Chloe opened the Wonderland Vault and hide the

583
00:28:48,520 --> 00:28:51,200
Speaker 1: time traveling pocket watch that allowed them to jump decades.

584
00:28:51,440 --> 00:28:53,720
Speaker 1: They think they solved everything, but were told someone saw

585
00:28:53,760 --> 00:28:56,280
Speaker 1: them and knows exactly what they're up to. Erasing one

586
00:28:56,320 --> 00:28:59,400
Speaker 1: villain created another Wonderland is about to be a lot

587
00:28:59,480 --> 00:29:03,000
Speaker 1: less one. We're now in Red and Chloe's bedrooms. The girls'

588
00:29:03,000 --> 00:29:05,840
Speaker 1: alarm clocks go off, and our first song begins, Perfect Princess,

589
00:29:05,880 --> 00:29:08,160
Speaker 1: all about how peace was restored and they saved the day.

590
00:29:08,200 --> 00:29:10,640
Speaker 1: As besties, Redd and Chloe get ready for their day

591
00:29:10,680 --> 00:29:12,960
Speaker 1: back at school and eventually are joined by the entire cast,

592
00:29:13,000 --> 00:29:15,600
Speaker 1: including the Queen of Hearts and Cinderella. During the song,

593
00:29:15,680 --> 00:29:18,360
Speaker 1: Red is freaked out to meet her new sister Pink

594
00:29:18,920 --> 00:29:22,320
Speaker 1: and two horny new classmates, Robbie Hood and Louis Madrigal.

595
00:29:22,880 --> 00:29:25,320
Speaker 1: Mad had her son Max and his crew, which includes

596
00:29:25,320 --> 00:29:27,920
Speaker 1: the cool looking kind of twin sons of mister Smeeth,

597
00:29:28,280 --> 00:29:30,120
Speaker 1: seem to have some friction with the hero kids now,

598
00:29:30,160 --> 00:29:32,960
Speaker 1: so there's like teams that have formed in this new version,

599
00:29:33,080 --> 00:29:35,720
Speaker 1: this new world. As the song ends, Redd and Chloe

600
00:29:35,840 --> 00:29:37,760
Speaker 1: realize things are different than what they were used to

601
00:29:37,840 --> 00:29:39,560
Speaker 1: and they know why they changed the past, but they

602
00:29:39,560 --> 00:29:42,160
Speaker 1: promised to figure it out together. Okay, Sabrina, you know

603
00:29:42,200 --> 00:29:44,480
Speaker 1: this as the podcast resident Song and Dance Aspert, I

604
00:29:44,480 --> 00:29:47,000
Speaker 1: think we already know the answer to this, let's get started. First,

605
00:29:47,000 --> 00:29:49,600
Speaker 1: big number, what'd you think good?

606
00:29:49,720 --> 00:29:52,480
Speaker 2: I kind of got nervous at the beginning. All the

607
00:29:52,520 --> 00:29:55,560
Speaker 2: talking and all the stuff that I didn't really love

608
00:29:55,640 --> 00:29:59,320
Speaker 2: from the first one is how it started.

609
00:30:00,080 --> 00:30:00,720
Speaker 1: But it did.

610
00:30:00,560 --> 00:30:04,000
Speaker 2: Explain and put you into like understanding that, like they're

611
00:30:04,280 --> 00:30:07,720
Speaker 2: picking up on the things that have changed now, right, yeah,

612
00:30:07,760 --> 00:30:10,840
Speaker 2: Once we got out and in front of ord On

613
00:30:11,400 --> 00:30:13,680
Speaker 2: or right that's the.

614
00:30:13,640 --> 00:30:16,640
Speaker 1: School, yes, or on prep.

615
00:30:16,760 --> 00:30:18,960
Speaker 2: Or on prep. Once we got out in front of

616
00:30:19,320 --> 00:30:22,440
Speaker 2: you know, it was like this was what I was

617
00:30:22,600 --> 00:30:26,600
Speaker 2: needing from the last one. The big numbers, the tons

618
00:30:26,680 --> 00:30:29,800
Speaker 2: of dancers, the like flow of it. I mean, this

619
00:30:30,040 --> 00:30:32,840
Speaker 2: was such a great way to start this movie. I

620
00:30:33,000 --> 00:30:37,200
Speaker 2: thought it was incredible and loved right away seeing Rita,

621
00:30:37,280 --> 00:30:40,520
Speaker 2: Aura and Brandy reprising their roles, Like right away it

622
00:30:40,560 --> 00:30:43,120
Speaker 2: was like yes, yes, yes, that's what I'm saying. When

623
00:30:43,120 --> 00:30:45,760
Speaker 2: they give you exactly what the audience wants, then you're

624
00:30:45,840 --> 00:30:47,200
Speaker 2: like in for the long ride.

625
00:30:47,320 --> 00:30:49,440
Speaker 1: So I couldn't agree with you more. I was tapping

626
00:30:49,440 --> 00:30:50,200
Speaker 1: my toe the whole time.

627
00:30:50,240 --> 00:30:51,880
Speaker 5: I was like, yeah, this is a this is a banger,

628
00:30:51,960 --> 00:30:53,560
Speaker 5: this is a good song, cute song.

629
00:30:53,680 --> 00:30:57,200
Speaker 2: Yeah, And you could saw in the theater already these

630
00:30:57,200 --> 00:30:59,000
Speaker 2: people that are seeing it for the first time. Now,

631
00:30:59,040 --> 00:31:02,200
Speaker 2: I had seen it already just once. But other people

632
00:31:02,240 --> 00:31:05,200
Speaker 2: you could hear it, You could feel people like already

633
00:31:05,360 --> 00:31:08,840
Speaker 2: like chining In, Yeah, humming to it. You could feel

634
00:31:08,880 --> 00:31:11,160
Speaker 2: it in the theater for sure. At the premiere.

635
00:31:11,240 --> 00:31:14,480
Speaker 1: Was definitely a good first song. Now we're over in

636
00:31:14,520 --> 00:31:17,840
Speaker 1: Wonderland and Chessie tells us all about Maddox Hatter, Red's

637
00:31:17,880 --> 00:31:20,480
Speaker 1: former mentor and the new villain. The once kind hearted

638
00:31:20,480 --> 00:31:23,080
Speaker 1: inventor went so mad searching for his pocket watch the

639
00:31:23,160 --> 00:31:25,760
Speaker 1: Queen of Hearts banished him to the Isle of the Lost.

640
00:31:26,200 --> 00:31:28,600
Speaker 1: Now he's determined to find his prize and get revenge.

641
00:31:28,680 --> 00:31:31,320
Speaker 1: We also finally see the Cheshire cat narrator, and it's

642
00:31:31,320 --> 00:31:33,920
Speaker 1: nothing like the Chesshire we know. She's like a small

643
00:31:33,960 --> 00:31:36,000
Speaker 1: little rainbow tabby. It has a cool looking little cat.

644
00:31:36,320 --> 00:31:37,080
Speaker 1: It was cute.

645
00:31:37,200 --> 00:31:37,560
Speaker 3: Yeah.

646
00:31:37,600 --> 00:31:41,480
Speaker 1: We then enter Maddox Hatter's room with Chessie. Maddix declares,

647
00:31:41,520 --> 00:31:45,360
Speaker 1: after all these years of searching his urriculum, remember that word,

648
00:31:45,400 --> 00:31:47,880
Speaker 1: because it's gonna keep coming back, has found the pocket watch.

649
00:31:48,280 --> 00:31:50,760
Speaker 1: The Queen of Hearts has it in her vault. Wonderland

650
00:31:50,760 --> 00:31:52,520
Speaker 1: can finally be his and the Queen of Hearts could

651
00:31:52,520 --> 00:31:55,200
Speaker 1: be dead, but he needs her alive until they find

652
00:31:55,240 --> 00:31:57,920
Speaker 1: the vault, so he sends his mechanical Dodo birds real

653
00:31:57,960 --> 00:32:00,040
Speaker 1: proof of the budget if you ask me, which I

654
00:32:00,080 --> 00:32:02,080
Speaker 1: also thought it was weird though to pick Dodo Birds,

655
00:32:02,360 --> 00:32:04,280
Speaker 1: a flightless bird, but then he says, why did I

656
00:32:04,280 --> 00:32:06,400
Speaker 1: give you wings like he made them fly? So I

657
00:32:06,480 --> 00:32:07,680
Speaker 1: was doing a whole thing in my head. We'll get

658
00:32:07,680 --> 00:32:11,080
Speaker 1: into that later. To search the palace grounds, the croquet gardens,

659
00:32:11,240 --> 00:32:14,920
Speaker 1: Tolgi Woods, and every royal outpost in Wonderland for his

660
00:32:15,040 --> 00:32:17,400
Speaker 1: pocket watch. And for the first time in the movie,

661
00:32:17,440 --> 00:32:21,040
Speaker 1: we are at Ordon Prep. Well it's actually yeah, we're outside,

662
00:32:21,280 --> 00:32:25,000
Speaker 1: but they're dancing before, So yeah. Red and Chloe are

663
00:32:25,000 --> 00:32:27,280
Speaker 1: walking outside the school talking about their weird mornings and

664
00:32:27,280 --> 00:32:29,520
Speaker 1: all the things that have changed. Redd says she doesn't

665
00:32:29,560 --> 00:32:31,640
Speaker 1: know how to feel about anything now that Max Hatter

666
00:32:31,800 --> 00:32:34,440
Speaker 1: is a VK. His dad was her advisor and now

667
00:32:34,480 --> 00:32:37,560
Speaker 1: he's evil. Chloe blames the crew he's been hanging out with.

668
00:32:37,680 --> 00:32:40,560
Speaker 1: Hazel Hook is ruthless and always bossing around her flunkies

669
00:32:40,600 --> 00:32:43,200
Speaker 1: like the Smea Twins and Felix, doctor Filier's son. With

670
00:32:43,280 --> 00:32:46,480
Speaker 1: these scary tarot cards. Did you know who doctor Facilier

671
00:32:46,680 --> 00:32:48,280
Speaker 1: was at the time? I didn't either. I had to

672
00:32:48,280 --> 00:32:50,040
Speaker 1: google it. Have you seen Princess and.

673
00:32:50,000 --> 00:32:53,760
Speaker 2: The Frog, Yes, I have, but it's not one that

674
00:32:53,840 --> 00:32:57,280
Speaker 2: I recognized the names as much as the other ones

675
00:32:57,400 --> 00:32:57,600
Speaker 2: I have.

676
00:32:57,720 --> 00:33:03,920
Speaker 1: There's so many modern ones Moana and Canto, the Princess

677
00:33:03,920 --> 00:33:06,400
Speaker 1: and the Frog, Brave Like, I haven't seen any of

678
00:33:06,440 --> 00:33:09,080
Speaker 1: these new movies, so I have to No, I have

679
00:33:09,160 --> 00:33:10,640
Speaker 1: to go check out all these I haven't seen. I

680
00:33:10,680 --> 00:33:13,000
Speaker 1: stopped with like, I stopped like with those kind of

681
00:33:13,000 --> 00:33:16,880
Speaker 1: movies with I think up, yeah, no, Coco. Coco was

682
00:33:16,880 --> 00:33:21,480
Speaker 1: the last one I saw, which made me yikes. I

683
00:33:21,760 --> 00:33:23,400
Speaker 1: looked like a crazy I looked like the crazy man

684
00:33:23,440 --> 00:33:27,440
Speaker 1: in the seats. In Fear, a student runs from Felix

685
00:33:27,480 --> 00:33:31,160
Speaker 1: and bumps into Red, throwing her into husky Luis Madrigal's arms.

686
00:33:31,320 --> 00:33:33,680
Speaker 1: This is the son of Luisa Madrigal, the strong daughter

687
00:33:33,720 --> 00:33:34,440
Speaker 1: in Inkento.

688
00:33:34,800 --> 00:33:37,160
Speaker 2: This is the character that I had no idea. The

689
00:33:37,200 --> 00:33:38,800
Speaker 2: first one just went by me. I'm like, I have

690
00:33:38,800 --> 00:33:41,040
Speaker 2: no idea who that person was, And then I was thinking,

691
00:33:41,360 --> 00:33:44,200
Speaker 2: he seemed more like he was the son of Gaston.

692
00:33:44,640 --> 00:33:46,880
Speaker 1: Yes, I saw him so at.

693
00:33:46,800 --> 00:33:50,200
Speaker 2: First I'm like, wait, he's not. He's a villain, Like

694
00:33:50,280 --> 00:33:54,160
Speaker 2: he's not what's happening? And then finally I realized, like

695
00:33:55,400 --> 00:33:57,920
Speaker 2: way after way after who it was?

696
00:33:58,000 --> 00:34:01,800
Speaker 1: Okay, who it was? Yeah, he smiles after catching her

697
00:34:01,800 --> 00:34:03,600
Speaker 1: and tells her her first rescue is free and his

698
00:34:03,640 --> 00:34:06,560
Speaker 1: friend Robbie Hood, they didn't even try to hide that one.

699
00:34:06,600 --> 00:34:08,200
Speaker 1: You know they have sometimes try to hide him, and

700
00:34:08,239 --> 00:34:09,200
Speaker 1: they're like, this is right.

701
00:34:09,760 --> 00:34:12,759
Speaker 2: My brain is so tired. I was happy for the

702
00:34:13,560 --> 00:34:14,520
Speaker 2: easy get.

703
00:34:14,600 --> 00:34:20,759
Speaker 1: Exactly, Captaina Hook. Yeah. His friend Robbie Hood brags that

704
00:34:20,880 --> 00:34:23,600
Speaker 1: Luis always saves the day, and we're thrown over to

705
00:34:23,600 --> 00:34:25,840
Speaker 1: the Queen of Heart's castle. Her Highness is sitting with

706
00:34:25,880 --> 00:34:28,319
Speaker 1: a deck of cards, looking as evil as ever, but

707
00:34:28,520 --> 00:34:30,799
Speaker 1: her demeanor changes on a dime, telling her staff they're

708
00:34:30,840 --> 00:34:33,560
Speaker 1: doing amazing and they deserve a celebration with tea, cupcakes

709
00:34:33,560 --> 00:34:36,680
Speaker 1: and dancing guards. This is clearly a new babyface version

710
00:34:36,719 --> 00:34:39,080
Speaker 1: of the Queen, and we all like her. But as

711
00:34:39,080 --> 00:34:41,880
Speaker 1: she's detailing the party, her security starts falling asleep. A

712
00:34:41,920 --> 00:34:44,640
Speaker 1: mechanical little insect is spraying gas, knocking them all out,

713
00:34:44,880 --> 00:34:47,400
Speaker 1: and that's when Maddix appears. The Queen tells the new

714
00:34:47,480 --> 00:34:49,839
Speaker 1: villain that it's customary for all guests to ring at

715
00:34:49,840 --> 00:34:52,959
Speaker 1: the gate, not to sedate the security. Maddox just wants

716
00:34:52,960 --> 00:34:54,960
Speaker 1: to know where the pocket watches. The Queen of Hearts

717
00:34:55,000 --> 00:34:57,560
Speaker 1: reminds him of their deal. He could return to Wonderland

718
00:34:57,600 --> 00:34:59,960
Speaker 1: if he gives up this ridiculous quest for this mythical

719
00:35:00,080 --> 00:35:03,719
Speaker 1: pocket watch. Unfazed, he demands to know where the vault is.

720
00:35:03,800 --> 00:35:05,799
Speaker 1: She has one more chance to tell him, or he'll

721
00:35:05,840 --> 00:35:09,080
Speaker 1: tear Wonderland apart trying to find it. As she starts

722
00:35:09,120 --> 00:35:11,760
Speaker 1: to fight back, she drifts off to sleep. Maddox declares,

723
00:35:11,800 --> 00:35:14,360
Speaker 1: now I'm gonna take it and sits in her chair,

724
00:35:14,719 --> 00:35:16,719
Speaker 1: But before fully passing out, the Queen of Hearts sends

725
00:35:16,719 --> 00:35:19,160
Speaker 1: a message to Red with one of her magical cards.

726
00:35:19,440 --> 00:35:23,160
Speaker 2: This her cards are like one of my favorite asses

727
00:35:23,280 --> 00:35:26,919
Speaker 2: of the movie. I love I love them. They are

728
00:35:27,040 --> 00:35:28,279
Speaker 2: so cool.

729
00:35:28,239 --> 00:35:32,400
Speaker 1: Super cool, definitely. Max Hatter throws Robbie Hood a coin

730
00:35:32,480 --> 00:35:35,439
Speaker 1: for Sherwood's collection box. Louise tells Max that no one

731
00:35:35,480 --> 00:35:37,359
Speaker 1: is buying the act, no matter how hard he tries

732
00:35:37,400 --> 00:35:39,480
Speaker 1: not to be his dad. Now the number one villain

733
00:35:39,560 --> 00:35:42,719
Speaker 1: in the land, Louis trades insults with the vks and justice.

734
00:35:42,719 --> 00:35:44,800
Speaker 1: He's about to come to blows. The Queen of Heart's

735
00:35:44,800 --> 00:35:47,840
Speaker 1: card arrives and is caught kind of coolly out of

736
00:35:47,880 --> 00:35:51,360
Speaker 1: the air by Red. She reads it with concern. Maddox

737
00:35:51,360 --> 00:35:54,560
Speaker 1: Hatter has captured the Queen. Come quickly. Felix grabs the

738
00:35:54,560 --> 00:35:56,760
Speaker 1: card and tussles with Max, who snags it back for Red.

739
00:35:57,040 --> 00:35:59,759
Speaker 1: Pink shocks everyone magically appearing and freaking out about her

740
00:35:59,760 --> 00:36:02,680
Speaker 1: mom being kidnapped. She begins to faint, and Louise catches

741
00:36:02,680 --> 00:36:05,880
Speaker 1: her Very godmother arrives and screams, what the are you

742
00:36:05,920 --> 00:36:09,440
Speaker 1: all doing? Okay, she didn't what the fluff?

743
00:36:09,880 --> 00:36:13,840
Speaker 2: What the fluff? This was probably one of the most

744
00:36:13,880 --> 00:36:16,680
Speaker 2: shocking things that has happened to me in the DCON.

745
00:36:17,400 --> 00:36:20,480
Speaker 2: We've been doing hundreds. It feels like of these movies,

746
00:36:21,040 --> 00:36:21,880
Speaker 2: what the fluff?

747
00:36:22,040 --> 00:36:25,360
Speaker 1: It's what the yes? Full on, what the yes?

748
00:36:25,640 --> 00:36:29,319
Speaker 2: And I I just I in the Okay, I saw

749
00:36:29,320 --> 00:36:32,120
Speaker 2: it already. I was already ready for it, right and

750
00:36:32,320 --> 00:36:34,839
Speaker 2: I could hear I could feel Monroe, who's right next

751
00:36:34,880 --> 00:36:39,239
Speaker 2: to me, kind of let go oh yeah, Like that

752
00:36:39,400 --> 00:36:44,560
Speaker 2: was shocking, really not necessary. I mean, it wasn't like

753
00:36:44,600 --> 00:36:47,000
Speaker 2: a it wasn't like a comedy at like, it wasn't

754
00:36:47,000 --> 00:36:49,320
Speaker 2: a comedic relief aspect.

755
00:36:48,960 --> 00:36:51,319
Speaker 1: And where does it hitter is my question? I mean,

756
00:36:51,320 --> 00:36:53,520
Speaker 1: can you say, can you can the new insult be

757
00:36:53,600 --> 00:36:55,600
Speaker 1: like fluffing birch? You're a fluffing birch?

758
00:36:55,960 --> 00:36:57,600
Speaker 2: Yeah, Like it's like.

759
00:36:57,600 --> 00:37:01,160
Speaker 1: They when you start kind of swearing, it's like there's

760
00:37:01,200 --> 00:37:02,400
Speaker 1: no end to where they're going to.

761
00:37:02,600 --> 00:37:04,640
Speaker 2: It's like when little kids will or I don't even

762
00:37:04,640 --> 00:37:06,319
Speaker 2: know if they do that anymore, but when I was little,

763
00:37:06,360 --> 00:37:08,520
Speaker 2: it was like when you'd say frick, like what's the frick?

764
00:37:08,680 --> 00:37:12,960
Speaker 1: Yeah, freaking freakin yeah exactly, yeah, yeah, you're meaning the

765
00:37:13,000 --> 00:37:13,520
Speaker 1: same thing.

766
00:37:13,600 --> 00:37:16,520
Speaker 2: So it was really weird, and it was even worse

767
00:37:16,560 --> 00:37:18,400
Speaker 2: for me when I was sitting in the theater, so

768
00:37:18,440 --> 00:37:20,759
Speaker 2: instead of watching it at home by myself, I was like,

769
00:37:21,000 --> 00:37:22,759
Speaker 2: I put it down as a Sabrina Sea's like, did

770
00:37:22,760 --> 00:37:25,320
Speaker 2: we really just do a fluffy way.

771
00:37:25,120 --> 00:37:27,040
Speaker 1: Of saying yeah, yeah you did?

772
00:37:27,719 --> 00:37:30,840
Speaker 8: They did it descending Then when we were in the theater,

773
00:37:31,080 --> 00:37:33,960
Speaker 8: it was like like, I don't know, I don't know

774
00:37:34,000 --> 00:37:36,600
Speaker 8: if everyone else was gasping, but I certainly was, and

775
00:37:36,640 --> 00:37:38,480
Speaker 8: maybe my gas was so loud in my head that

776
00:37:38,520 --> 00:37:40,800
Speaker 8: I thought that the rest of the people were, but yeah,

777
00:37:40,920 --> 00:37:41,600
Speaker 8: it was kind.

778
00:37:41,480 --> 00:37:45,600
Speaker 1: Of like, what the fluff? Isn't that amazing? And then

779
00:37:45,600 --> 00:37:48,320
Speaker 1: she asked, did my pumpkins go rogue? Again? Those stupid

780
00:37:50,320 --> 00:37:52,960
Speaker 1: she did? She didn't for she just went forward. After that,

781
00:37:54,520 --> 00:37:56,960
Speaker 1: everyone properly ignores her, and Max and his crew know

782
00:37:57,000 --> 00:37:59,200
Speaker 1: when to leave. They walk off, while Red and Chloe

783
00:37:59,239 --> 00:38:01,919
Speaker 1: know that they need to get to Wonderland asap to help.

784
00:38:02,440 --> 00:38:04,600
Speaker 1: So the girls are now it's Cinderella's castle and Cinderella

785
00:38:04,719 --> 00:38:08,320
Speaker 1: isn't having this rushed response. There are protocols to follow,

786
00:38:08,440 --> 00:38:11,200
Speaker 1: of which, by the way, she follows none. Why are

787
00:38:11,200 --> 00:38:13,279
Speaker 1: you not gathering your soldiers? You have a way? And oh,

788
00:38:13,320 --> 00:38:16,360
Speaker 1: don't get me started, Chloe explains. But when it's important,

789
00:38:16,440 --> 00:38:19,080
Speaker 1: rules don't matter, which is what she kind of taught

790
00:38:19,080 --> 00:38:21,840
Speaker 1: her in the first movie when she was her younger self.

791
00:38:22,520 --> 00:38:25,520
Speaker 1: Fairy Godmother admits she's concerned too. Maddox has terrorized the

792
00:38:25,600 --> 00:38:28,279
Speaker 1: kingdom for years with his deranged inventions, and now that

793
00:38:28,320 --> 00:38:31,560
Speaker 1: he's been banished, he's madder than ever. Uma and the

794
00:38:31,680 --> 00:38:33,920
Speaker 1: Ordon Council and we only mention Uma. We don't get

795
00:38:33,960 --> 00:38:36,479
Speaker 1: to see her, and I frankly missed her. I love Uma,

796
00:38:37,239 --> 00:38:39,279
Speaker 1: Uma and the Ordon Council are coming up with a

797
00:38:39,360 --> 00:38:41,720
Speaker 1: carefully thought out rescue plan, but they don't break rules

798
00:38:41,760 --> 00:38:44,600
Speaker 1: even for a good cause, which is ridiculous because Uma

799
00:38:44,719 --> 00:38:47,239
Speaker 1: is known for breaking rules. The girls are bummed by

800
00:38:47,239 --> 00:38:49,919
Speaker 1: this voice of reason. In the hallway of Ordon Prep,

801
00:38:49,960 --> 00:38:52,520
Speaker 1: Max and Hazel Hook can't believe his dad kidnapped the Queen.

802
00:38:52,960 --> 00:38:55,040
Speaker 1: Max knows he'll be blamed for it and wishes there

803
00:38:55,040 --> 00:38:57,239
Speaker 1: was a way he could change that. Hazel tells him

804
00:38:57,239 --> 00:38:59,319
Speaker 1: to stop complaining and do something about it, so Max

805
00:38:59,360 --> 00:39:01,319
Speaker 1: calls for Feeling and the SMEEs to meet him at

806
00:39:01,320 --> 00:39:03,799
Speaker 1: the rabbit Hole. Outside the tunnel, Chloe and Red are

807
00:39:03,800 --> 00:39:06,520
Speaker 1: making their way to Wonderland, disobeying Cinderella and lying to

808
00:39:06,560 --> 00:39:08,879
Speaker 1: save a life. Redd says she's finally got the mom

809
00:39:08,920 --> 00:39:11,160
Speaker 1: she always wanted, and now she's put her in danger,

810
00:39:11,520 --> 00:39:14,839
Speaker 1: and just then Max, Hazel, Felix, and the Smeeze show up.

811
00:39:15,200 --> 00:39:17,560
Speaker 1: Max announces, I hope your plan includes us, because we're

812
00:39:17,560 --> 00:39:20,400
Speaker 1: coming with you to Wonderland, but Chloe isn't interested. His

813
00:39:20,480 --> 00:39:23,680
Speaker 1: crew doesn't exactly align with her plan. Max warns them

814
00:39:23,680 --> 00:39:25,440
Speaker 1: they need someone that knows how to beat his father,

815
00:39:25,480 --> 00:39:27,600
Speaker 1: and he's perfect for the job because he is not

816
00:39:27,680 --> 00:39:32,160
Speaker 1: his father. Pink Luis and Robbie Hood say that three

817
00:39:32,160 --> 00:39:35,959
Speaker 1: times Fast are also arriving to help. So the full

818
00:39:36,000 --> 00:39:38,120
Speaker 1: team is set, and with that they enter the tunnel,

819
00:39:38,120 --> 00:39:39,959
Speaker 1: and frankly, I'm glad it was a big, full team

820
00:39:39,960 --> 00:39:41,239
Speaker 1: and not just the two of them. Again, like in

821
00:39:41,280 --> 00:39:43,279
Speaker 1: the first one, I'm glad there was like eight of

822
00:39:43,320 --> 00:39:46,239
Speaker 1: them that went together. It made the dialogue witty and

823
00:39:46,280 --> 00:39:50,120
Speaker 1: snappy and a fun kind of relationship between all different characters.

824
00:39:50,120 --> 00:39:52,920
Speaker 1: I like that. As they fall down the rabbit hole,

825
00:39:52,920 --> 00:39:55,000
Speaker 1: which is again kind of a cool way to do it,

826
00:39:55,239 --> 00:39:57,319
Speaker 1: Red and Chloe noticed different versions of themselves in the

827
00:39:57,320 --> 00:39:59,840
Speaker 1: mirror and they have no idea what any of it means.

828
00:40:00,160 --> 00:40:02,280
Speaker 1: To point out that Alice in Wonderland is essentially supposed

829
00:40:02,280 --> 00:40:05,239
Speaker 1: to be an opium trip, and they very much kept

830
00:40:05,239 --> 00:40:07,960
Speaker 1: to that. They had the mushroom walking around. I was like,

831
00:40:08,000 --> 00:40:12,359
Speaker 1: oh my god, I'm in high school. Yeah, it was.

832
00:40:12,800 --> 00:40:15,120
Speaker 1: It was like, there we go. We are back in

833
00:40:15,320 --> 00:40:19,399
Speaker 1: just crazy, crazy trip, my face off world. But they

834
00:40:19,400 --> 00:40:23,160
Speaker 1: do arrive in a beautiful wonderland filled with colorful animals

835
00:40:23,200 --> 00:40:26,200
Speaker 1: like a zebra, giraffe, and assorted flowers. Chloe can't believe

836
00:40:26,239 --> 00:40:28,960
Speaker 1: Red Ever wanted to leave. Red insists this is not

837
00:40:29,080 --> 00:40:30,920
Speaker 1: the wonderland she grew up in, and they head to

838
00:40:30,960 --> 00:40:34,400
Speaker 1: the castle. Hazel asks Max if he's sure they can

839
00:40:34,440 --> 00:40:36,680
Speaker 1: trust the Redhead, and Max says, of course not, but

840
00:40:36,719 --> 00:40:39,400
Speaker 1: it's the only way to stop his dad. Inside the castle,

841
00:40:39,400 --> 00:40:41,360
Speaker 1: the Queen of Hearts wakes up and realize she's trapped

842
00:40:41,360 --> 00:40:43,560
Speaker 1: in Her cards are nowhere to be found, while we're

843
00:40:43,560 --> 00:40:45,799
Speaker 1: now out in the croquet gardens and the kids are

844
00:40:45,840 --> 00:40:48,839
Speaker 1: now trippin' balls. They've forgotten what to do and they

845
00:40:48,880 --> 00:40:53,080
Speaker 1: are just high as hell. I'm kidding, sorry, but that's

846
00:40:53,120 --> 00:40:55,319
Speaker 1: what it seemed like. The super team of kids arrive

847
00:40:55,400 --> 00:40:58,360
Speaker 1: and Pink explains what everything is, pointing out Tickler roses

848
00:40:58,520 --> 00:41:01,600
Speaker 1: living mushrooms, which is clear just somebody running around in

849
00:41:01,640 --> 00:41:06,000
Speaker 1: a mushroom costume. So weird that one was it's with Yeah,

850
00:41:06,000 --> 00:41:08,280
Speaker 1: that's the one where a kind of it. You won't

851
00:41:08,280 --> 00:41:10,400
Speaker 1: know what this is probably, But in the seventies there

852
00:41:10,480 --> 00:41:16,200
Speaker 1: was a team called Sid and Marty Kroft and they

853
00:41:16,280 --> 00:41:19,919
Speaker 1: made these really campy, really ridiculous television shows like Land

854
00:41:19,920 --> 00:41:22,279
Speaker 1: of the Lost and all these kind of shows. This

855
00:41:22,480 --> 00:41:24,560
Speaker 1: had a Sid and Marty Kroft vibe to me of

856
00:41:24,560 --> 00:41:26,600
Speaker 1: the mushroom running around. It really did. For all you

857
00:41:26,680 --> 00:41:28,480
Speaker 1: kids out there don't know what I'm talking about, Google

858
00:41:28,520 --> 00:41:31,520
Speaker 1: it and you'll be like, Yep, he's right. They're also

859
00:41:31,560 --> 00:41:33,120
Speaker 1: figuring out how to get to and I think I'm

860
00:41:33,120 --> 00:41:34,480
Speaker 1: saying it right, Tolgy Woods.

861
00:41:34,880 --> 00:41:35,320
Speaker 2: Yeah.

862
00:41:35,360 --> 00:41:38,280
Speaker 1: And that's when we see a mecha Dodo bird spying

863
00:41:38,360 --> 00:41:40,600
Speaker 1: from above, and that's my new insult for everybody, You're

864
00:41:40,640 --> 00:41:45,080
Speaker 1: such a mechaddo bird. We fade over then to Maddox's house,

865
00:41:45,080 --> 00:41:48,239
Speaker 1: where Chessie and the Mad Hatter are checking out the surveillance.

866
00:41:48,320 --> 00:41:50,680
Speaker 1: Maddox can't believe his son could betray him like this,

867
00:41:50,960 --> 00:41:54,080
Speaker 1: and in retaliation, he turns to the Queen's cards. Back

868
00:41:54,080 --> 00:41:56,839
Speaker 1: in the gardens, the kids are all noticing something's going on.

869
00:41:56,920 --> 00:41:59,200
Speaker 1: Purple smoke is starting to fill the air, and Max

870
00:41:59,239 --> 00:42:02,759
Speaker 1: nos it's his day and again these are all which

871
00:42:02,800 --> 00:42:05,040
Speaker 1: is one of the things that they say that Alicon

872
00:42:05,040 --> 00:42:07,759
Speaker 1: Wonderland was written like, is these are all the mushrooms,

873
00:42:07,760 --> 00:42:11,760
Speaker 1: the smoke, all different drug references that Disney is using

874
00:42:11,960 --> 00:42:15,040
Speaker 1: to their advantage. But that's what it's supposed to be.

875
00:42:15,920 --> 00:42:18,000
Speaker 1: We're back at Maddox as he announces the games had begun,

876
00:42:18,040 --> 00:42:20,480
Speaker 1: and we get our second song, Mad, all about his

877
00:42:20,680 --> 00:42:23,640
Speaker 1: wrath and the rath he's about to unleash on the world.

878
00:42:24,040 --> 00:42:26,080
Speaker 1: The track also features Max and the Queen of Hearts.

879
00:42:26,360 --> 00:42:28,520
Speaker 1: What do we think of his declaration of evil?

880
00:42:29,480 --> 00:42:37,640
Speaker 2: I like this song, I didn't necessarily love the visual really, yeah,

881
00:42:38,160 --> 00:42:40,759
Speaker 2: the like I get it. He was able to like

882
00:42:40,920 --> 00:42:43,960
Speaker 2: control it or whatever, but like them, just like it

883
00:42:44,000 --> 00:42:47,319
Speaker 2: was too much like wooh, we're here. Oh, we're here,

884
00:42:48,040 --> 00:42:50,840
Speaker 2: We're here, Like it was just kind of like, yeah it.

885
00:42:51,120 --> 00:42:55,640
Speaker 2: But the song itself is very like cool. I heard

886
00:42:55,640 --> 00:42:59,560
Speaker 2: the song being played at Oogie Boogie Bash at Disneyland

887
00:42:59,600 --> 00:43:02,759
Speaker 2: during hall like I can hear it like Welcome to

888
00:43:02,920 --> 00:43:05,319
Speaker 2: My Man, like as you're like going in. It's such

889
00:43:05,360 --> 00:43:08,759
Speaker 2: a great villain song. But the visuals weren't the best

890
00:43:08,760 --> 00:43:10,280
Speaker 2: for me on this one, to be honest.

891
00:43:11,080 --> 00:43:15,400
Speaker 1: There's an Alice in Wonderland ride isn't there at Disneyland,

892
00:43:15,480 --> 00:43:16,959
Speaker 1: So you know, how long do you think it's gonna

893
00:43:16,960 --> 00:43:19,600
Speaker 1: be before they change it to a Descendants Alison Wonderland.

894
00:43:20,400 --> 00:43:23,440
Speaker 2: I don't think that one is in the like area.

895
00:43:23,560 --> 00:43:27,080
Speaker 2: It's in fantasylands, like Old that's.

896
00:43:26,880 --> 00:43:28,680
Speaker 1: Old school so that you don't think they'll mess with that.

897
00:43:30,480 --> 00:43:30,960
Speaker 2: I don't know.

898
00:43:31,040 --> 00:43:33,040
Speaker 1: You think they'll keep that totally just as it is

899
00:43:33,200 --> 00:43:34,879
Speaker 1: and they'll never do Don't you think they'll do some

900
00:43:34,920 --> 00:43:36,840
Speaker 1: sort of Descendants attraction at Disney?

901
00:43:38,840 --> 00:43:42,600
Speaker 2: I don't. I don't know, maybe like they might play

902
00:43:42,680 --> 00:43:45,120
Speaker 2: the music around there or something.

903
00:43:44,880 --> 00:43:47,200
Speaker 1: Like the characters walking around and stuff.

904
00:43:46,960 --> 00:43:49,480
Speaker 2: Like, yeah, maybe something like that, but I don't know

905
00:43:49,640 --> 00:43:52,960
Speaker 2: that part of Disney's like Waltz World, like you like

906
00:43:53,000 --> 00:43:56,360
Speaker 2: they're gonna mess with that. That's where like Storybook Ride

907
00:43:56,480 --> 00:43:57,520
Speaker 2: is and like all.

908
00:43:57,400 --> 00:44:00,239
Speaker 1: The like first yeah, the old school stuff one.

909
00:44:00,440 --> 00:44:03,120
Speaker 2: So I feel like people would be upset. I would.

910
00:44:03,320 --> 00:44:05,319
Speaker 1: I'd be would even what if they did it as

911
00:44:05,320 --> 00:44:07,440
Speaker 1: a temporary thing where it's like all of a sudden,

912
00:44:07,480 --> 00:44:09,360
Speaker 1: this mad Hatter pops on the screen and it's like

913
00:44:09,400 --> 00:44:11,680
Speaker 1: I've taken over and for like a month it becomes

914
00:44:11,719 --> 00:44:12,840
Speaker 1: like a Descendant's ride.

915
00:44:12,719 --> 00:44:15,879
Speaker 2: With that, Yeah, like if it was during Halloween something.

916
00:44:16,800 --> 00:44:17,000
Speaker 1: Yeah.

917
00:44:17,160 --> 00:44:20,000
Speaker 2: Yeah, those are really small and short rides though.

918
00:44:19,960 --> 00:44:22,839
Speaker 1: Ya, I don't know, you have to change the whole area, yeah,

919
00:44:22,880 --> 00:44:26,040
Speaker 1: if it makes sense, and then you just hand out yeah,

920
00:44:26,120 --> 00:44:27,040
Speaker 1: like at.

921
00:44:26,960 --> 00:44:29,440
Speaker 2: Least it's saying like how they do Nightmare before Christmas.

922
00:44:29,520 --> 00:44:30,760
Speaker 1: Yeah exactly.

923
00:44:30,840 --> 00:44:34,400
Speaker 2: But see the thing about those like like Tiana's like

924
00:44:34,480 --> 00:44:39,200
Speaker 2: that yeah Slash Mountain that's wasn't really like and and

925
00:44:39,280 --> 00:44:42,880
Speaker 2: same with like Haunted Mansion, those weren't really like movies

926
00:44:42,880 --> 00:44:45,719
Speaker 2: that it was based on before they.

927
00:44:45,640 --> 00:44:47,840
Speaker 1: Didn't well you know, they made a movie based on

928
00:44:47,880 --> 00:44:51,399
Speaker 1: the Haunted Mansion ride as opposed to the other way around, right, yeah, yeah,

929
00:44:51,680 --> 00:44:52,279
Speaker 1: you know what I mean.

930
00:44:52,320 --> 00:44:55,239
Speaker 2: So I feel like I don't know, I don't know

931
00:44:55,239 --> 00:44:57,799
Speaker 2: if they'd have like, like the same thing with the

932
00:44:57,840 --> 00:45:02,040
Speaker 2: Incredit Coaster was like just the California Adventure. There was

933
00:45:02,120 --> 00:45:04,799
Speaker 2: nothing that and Credit Coaster like took away. It just

934
00:45:04,800 --> 00:45:05,919
Speaker 2: like added to and they.

935
00:45:05,840 --> 00:45:07,640
Speaker 1: Just put their theme on there. Yet No, I get it.

936
00:45:07,920 --> 00:45:10,319
Speaker 2: I would be kind of upset if they took away though,

937
00:45:10,360 --> 00:45:12,480
Speaker 2: like og Alice in wonderlandard tea.

938
00:45:12,360 --> 00:45:14,080
Speaker 1: Bots all right, good cups.

939
00:45:14,239 --> 00:45:20,360
Speaker 9: Okay, So they better not because don't touch it, you

940
00:45:20,400 --> 00:45:22,960
Speaker 9: don't get to do it, don't change anything, and also

941
00:45:23,040 --> 00:45:24,280
Speaker 9: make everything more expensive.

942
00:45:24,320 --> 00:45:28,640
Speaker 1: I can still afford it. While he sings, the kids

943
00:45:28,719 --> 00:45:31,440
Speaker 1: run from and fight off the large dodorboard robots. They

944
00:45:31,480 --> 00:45:33,680
Speaker 1: eventually seek refuge in a tiny house that has many

945
00:45:33,760 --> 00:45:36,120
Speaker 1: rooms and little to no logic. It's all controlled by

946
00:45:36,120 --> 00:45:37,960
Speaker 1: the mad Hatter. It's a real acid trip that almost

947
00:45:37,960 --> 00:45:40,640
Speaker 1: crushes them to death. Eventually, Maddox takes time away from

948
00:45:40,680 --> 00:45:42,200
Speaker 1: his attack to tell the Queen of Hearts that he's

949
00:45:42,239 --> 00:45:44,520
Speaker 1: gonna find her vault if it's the last thing he does.

950
00:45:45,280 --> 00:45:48,440
Speaker 1: How long everyone suffers is up to her. We're back

951
00:45:48,480 --> 00:45:50,440
Speaker 1: in the woods. Luise and Red appear out of a

952
00:45:50,480 --> 00:45:52,520
Speaker 1: door in the ground and have no idea where everyone is.

953
00:45:52,680 --> 00:45:55,439
Speaker 1: They're surrounded by doors, so Luise guesses everyone is behind them,

954
00:45:55,600 --> 00:45:57,520
Speaker 1: and then, kind of like an idiot, Red just picks

955
00:45:57,600 --> 00:46:00,840
Speaker 1: up random keys and doors and assume everyone is fine.

956
00:46:00,840 --> 00:46:02,920
Speaker 1: But as she does, her crew members start falling from

957
00:46:02,920 --> 00:46:05,719
Speaker 1: the sky, landing safely on flowers and mushrooms, undetected by

958
00:46:05,760 --> 00:46:08,640
Speaker 1: Louise and Red, not knowing their return. Red has no

959
00:46:08,760 --> 00:46:11,400
Speaker 1: luck with the doors, and Louise is frustrated. She's lost

960
00:46:11,400 --> 00:46:14,320
Speaker 1: somehow in her own kingdom. But she admits she hated

961
00:46:14,400 --> 00:46:16,000
Speaker 1: Royalty her whole life, and the minute she got a

962
00:46:16,000 --> 00:46:17,719
Speaker 1: whiff of the fresh air, she's screwed it up for

963
00:46:17,760 --> 00:46:20,759
Speaker 1: everyone she's ever cared about. She also very much tells him, Yeah,

964
00:46:20,760 --> 00:46:22,400
Speaker 1: I didn't grow up here bro like I did, but

965
00:46:22,520 --> 00:46:24,560
Speaker 1: this was not what it looked like when I was here.

966
00:46:24,680 --> 00:46:27,440
Speaker 2: But like, no one goes, what do you mean by that?

967
00:46:28,280 --> 00:46:29,680
Speaker 2: What do you mean you to grow up here? I

968
00:46:29,680 --> 00:46:31,680
Speaker 2: don't understand, No, explain it.

969
00:46:31,719 --> 00:46:36,440
Speaker 1: You can't. Time travels very difficult.

970
00:46:36,280 --> 00:46:36,880
Speaker 8: I know.

971
00:46:37,160 --> 00:46:39,080
Speaker 2: But no one presses her.

972
00:46:39,320 --> 00:46:42,399
Speaker 1: No one, No, there's a lot that they did that's

973
00:46:42,440 --> 00:46:44,719
Speaker 1: still a ripple from the first movie that shows you

974
00:46:44,760 --> 00:46:47,439
Speaker 1: how difficult time travel is. That literally makes no sense

975
00:46:47,480 --> 00:46:48,320
Speaker 1: even in this movie.

976
00:46:48,480 --> 00:46:51,680
Speaker 2: But she has this big like announcement of her lying

977
00:46:51,760 --> 00:46:54,120
Speaker 2: at some point or whatever, and it's like but like,

978
00:46:54,400 --> 00:46:55,359
Speaker 2: no one pressed her.

979
00:46:55,480 --> 00:46:57,640
Speaker 1: Nope, Like, what do you mean, what do you mean

980
00:46:57,760 --> 00:46:59,359
Speaker 1: to go? How is hers? She grew up here?

981
00:46:59,400 --> 00:46:59,759
Speaker 2: We knew.

982
00:47:00,120 --> 00:47:02,640
Speaker 1: You have to keep in mind they all have, but

983
00:47:02,719 --> 00:47:05,440
Speaker 1: they also all have differen See this is this is

984
00:47:05,480 --> 00:47:08,560
Speaker 1: the problem with time travel people. They all now have

985
00:47:08,680 --> 00:47:13,360
Speaker 1: different timelines. So in their timeline they grew up with Red.

986
00:47:14,600 --> 00:47:18,440
Speaker 1: She was the Queen of Heart's daughter in this wonderland.

987
00:47:19,120 --> 00:47:21,919
Speaker 1: So the idea that she didn't grow up here, I'm saying,

988
00:47:21,960 --> 00:47:23,799
Speaker 1: you're one hundred percent right, where everyone would be like,

989
00:47:23,880 --> 00:47:25,440
Speaker 1: of course you did. I knew. I was at your

990
00:47:25,480 --> 00:47:28,040
Speaker 1: fourth birthday party at the castle. Yes, you did grow

991
00:47:28,120 --> 00:47:30,840
Speaker 1: up here. That's what changing timelines does.

992
00:47:31,320 --> 00:47:35,520
Speaker 2: And even like to complicate her in Pink's relationship, like

993
00:47:35,600 --> 00:47:38,320
Speaker 2: Pink could have been like why do you keep acting

994
00:47:38,400 --> 00:47:39,600
Speaker 2: like you don't know what's going on?

995
00:47:40,719 --> 00:47:42,439
Speaker 1: And now, oh, don't get me stick because the Pink

996
00:47:42,440 --> 00:47:45,919
Speaker 1: thing also tore down the line makes no sense, makes

997
00:47:45,960 --> 00:47:47,400
Speaker 1: no sense, and we'll get into it.

998
00:47:47,920 --> 00:47:48,600
Speaker 2: We're getting there.

999
00:47:48,719 --> 00:47:52,919
Speaker 1: Yeah, here's the word. It's like, wait what anyway? Yes,

1000
00:47:53,120 --> 00:47:54,919
Speaker 1: Luise gets it. He knows a thing or two about

1001
00:47:54,920 --> 00:47:59,080
Speaker 1: family legacy, a blessing and a curse. He's Luisa Madrigal's son.

1002
00:47:59,440 --> 00:48:01,919
Speaker 1: He's supposed to strong like her no matter what, red Ass.

1003
00:48:01,920 --> 00:48:05,960
Speaker 8: And I was like, oh, that's that's how your Gaston's

1004
00:48:06,400 --> 00:48:07,160
Speaker 8: get good.

1005
00:48:07,719 --> 00:48:10,840
Speaker 2: Okay, got it? I get this strong thing, got it?

1006
00:48:11,360 --> 00:48:14,400
Speaker 1: Yeah, red Ass. So that's what in canto's about there,

1007
00:48:14,480 --> 00:48:15,840
Speaker 1: it's like a very strong family.

1008
00:48:16,440 --> 00:48:19,720
Speaker 2: No, her character, she's like the strongest in the village.

1009
00:48:19,760 --> 00:48:22,160
Speaker 2: So they eat. Each of the family members has their

1010
00:48:22,200 --> 00:48:25,239
Speaker 2: own power and hers his strength, so she can pick

1011
00:48:25,320 --> 00:48:27,560
Speaker 2: up and like she's strong and all of that.

1012
00:48:27,560 --> 00:48:32,000
Speaker 1: That's that's a musical too, right, Yeah, okay, it's good.

1013
00:48:32,239 --> 00:48:32,880
Speaker 2: I really like that.

1014
00:48:32,920 --> 00:48:34,839
Speaker 1: I gotta do a whole deep dive into all those again.

1015
00:48:34,920 --> 00:48:36,640
Speaker 1: I need to have I stopped the toy story three.

1016
00:48:36,680 --> 00:48:38,279
Speaker 1: I still have to see four so I can see five.

1017
00:48:39,000 --> 00:48:41,880
Speaker 1: Red asked what he wants for his future, and he

1018
00:48:41,960 --> 00:48:44,760
Speaker 1: realizes that no one's ever asked that of him before,

1019
00:48:44,760 --> 00:48:46,960
Speaker 1: and we feel a little bit of flirty tension between

1020
00:48:47,000 --> 00:48:50,160
Speaker 1: these two because when hit in the fan, it's time

1021
00:48:50,200 --> 00:48:54,040
Speaker 1: to hook up in Cinderella's castle now, while waiting for

1022
00:48:54,080 --> 00:48:56,439
Speaker 1: an update from Uma or the Council, Cinderella is handed

1023
00:48:56,480 --> 00:48:59,239
Speaker 1: a note the kids have gone to Wonderland. We're back

1024
00:48:59,239 --> 00:49:02,000
Speaker 1: in the woods. Has discovered the Dodo Bird. Just as

1025
00:49:02,040 --> 00:49:03,919
Speaker 1: Red and Luis rear night with the rest of the crew,

1026
00:49:04,200 --> 00:49:07,520
Speaker 1: Pink rushes to hug her still somewhat reluctant sister because

1027
00:49:07,560 --> 00:49:10,719
Speaker 1: she doesn't remember her. She was so worried, but it

1028
00:49:10,719 --> 00:49:13,760
Speaker 1: doesn't seem like Red cares at all. Meanwhile, Chloe welcomes

1029
00:49:13,760 --> 00:49:15,680
Speaker 1: her with a sword, ready to attack the spy Dodo

1030
00:49:15,719 --> 00:49:17,640
Speaker 1: Bird so she can rewire it and stay one step

1031
00:49:17,680 --> 00:49:21,480
Speaker 1: ahead of Maddox. Great plan, but Red runs off to

1032
00:49:21,480 --> 00:49:24,239
Speaker 1: get Max. Chloe tries to stop her, but she's too late.

1033
00:49:24,680 --> 00:49:27,239
Speaker 1: When Red does show Max mysterious Dodo bird. He says

1034
00:49:27,239 --> 00:49:29,319
Speaker 1: they must destroy it, but Chloe isn't so sure, or

1035
00:49:29,360 --> 00:49:31,880
Speaker 1: we can try to use it, which again, great plan.

1036
00:49:32,560 --> 00:49:36,320
Speaker 1: You're also you know that the Dodo birds are following you.

1037
00:49:36,320 --> 00:49:38,480
Speaker 1: You know that they're watching you and reporting back to

1038
00:49:38,520 --> 00:49:40,879
Speaker 1: his dad. Why are you still talking in a full

1039
00:49:40,960 --> 00:49:42,640
Speaker 1: like in front of the Here's what we need to do.

1040
00:49:42,960 --> 00:49:46,040
Speaker 1: See that Dodo bird right there. First we're gonna capture it,

1041
00:49:46,200 --> 00:49:48,080
Speaker 1: and then we're gonna go to the secret path down

1042
00:49:48,080 --> 00:49:51,400
Speaker 1: the back. It's like you're talking into the spy microphone

1043
00:49:51,440 --> 00:49:54,879
Speaker 1: that the guy left, Like what do you do? And

1044
00:49:55,320 --> 00:49:57,719
Speaker 1: like maybe whisper, Hey, you throw a rock at it

1045
00:49:57,719 --> 00:49:58,560
Speaker 1: so it turns it down.

1046
00:49:58,640 --> 00:50:01,520
Speaker 2: Matter. At this point, I'm I'm already frustrated for Chloe

1047
00:50:01,560 --> 00:50:04,360
Speaker 2: as well, like no one is listening to her, and

1048
00:50:04,400 --> 00:50:08,399
Speaker 2: she's right, and she's right, like no one's listening to her.

1049
00:50:08,440 --> 00:50:11,960
Speaker 1: You've got the mad Hatter's kid who helped you imagine

1050
00:50:11,960 --> 00:50:14,239
Speaker 1: and grew up kind of with his dad in that workshop.

1051
00:50:16,160 --> 00:50:18,600
Speaker 1: You know what, I'm gonna grab that thing. You're gonna

1052
00:50:18,600 --> 00:50:20,600
Speaker 1: rewire it. It's gonna it's gonna lead us right to

1053
00:50:20,600 --> 00:50:22,560
Speaker 1: where we have to go. Great freaking plan. That's a

1054
00:50:22,600 --> 00:50:24,680
Speaker 1: great that's a great fluffing plan, Sabrina.

1055
00:50:24,840 --> 00:50:27,920
Speaker 2: Well, if Max is the son of Maddox Hatter, didn't

1056
00:50:27,920 --> 00:50:31,840
Speaker 2: he also grow up in Wonderland. Yeah, because they show

1057
00:50:32,040 --> 00:50:35,120
Speaker 2: scenes of them in his workshop.

1058
00:50:35,239 --> 00:50:38,120
Speaker 1: Yeah, but those are supposed to be from because those

1059
00:50:38,160 --> 00:50:40,560
Speaker 1: were supposed to be from this is time travel. Those

1060
00:50:40,560 --> 00:50:43,120
Speaker 1: are supposed to be from the original timeline where his

1061
00:50:43,200 --> 00:50:47,759
Speaker 1: dad was still good, which again makes no sense. Yeah,

1062
00:50:47,880 --> 00:50:51,040
Speaker 1: but we'll get it. This is just stay away from

1063
00:50:51,080 --> 00:50:54,600
Speaker 1: time travel. Red says it's too risky, but Luis has

1064
00:50:54,600 --> 00:50:56,239
Speaker 1: already lifted a tree out of the ground to shake

1065
00:50:56,280 --> 00:50:58,760
Speaker 1: it off. Once that doesn't work, the Smee's get to climbing,

1066
00:50:58,960 --> 00:51:00,640
Speaker 1: but each other not the true and these are the

1067
00:51:00,640 --> 00:51:03,040
Speaker 1: only kids who completely understand that they are on drugs.

1068
00:51:03,960 --> 00:51:06,279
Speaker 1: And that's when Max notices the Dodo bird is calling

1069
00:51:06,320 --> 00:51:08,400
Speaker 1: for his friends. So they stand there staring at it,

1070
00:51:08,440 --> 00:51:11,520
Speaker 1: telling their plan to all the secret Dodobirds. Chloe still

1071
00:51:11,520 --> 00:51:13,800
Speaker 1: thinks they should try to reprogram it, but Max suggest

1072
00:51:13,840 --> 00:51:15,919
Speaker 1: they leave and Red follow suit. The two girls don't

1073
00:51:15,920 --> 00:51:18,239
Speaker 1: seem to be in lockstep as they used to be,

1074
00:51:18,280 --> 00:51:22,280
Speaker 1: as Chloe feels ignored. Meanwhile, Hazel notices Felix and Robbie

1075
00:51:22,360 --> 00:51:24,800
Speaker 1: are missing, and then we cut to a really weird

1076
00:51:24,920 --> 00:51:28,080
Speaker 1: shot of a teacup just floating in the ocean where

1077
00:51:28,080 --> 00:51:31,200
Speaker 1: Felix and Robbie are inside, floating on violet waves, totally terrified.

1078
00:51:31,640 --> 00:51:34,120
Speaker 1: And I guess it's because they went through another door. This,

1079
00:51:34,160 --> 00:51:36,000
Speaker 1: to me, is a very expensive shot that you just

1080
00:51:36,080 --> 00:51:36,680
Speaker 1: didn't need.

1081
00:51:36,800 --> 00:51:41,400
Speaker 2: Didn't need. Yeah, and in reality, although it added to

1082
00:51:41,560 --> 00:51:46,000
Speaker 2: And I feel like when I watch the production routines,

1083
00:51:46,080 --> 00:51:49,440
Speaker 2: like the big musicals, it's nice to have more of them.

1084
00:51:49,560 --> 00:51:52,600
Speaker 2: But these two characters, like they leave, they come back

1085
00:51:52,760 --> 00:51:54,920
Speaker 2: you really and I hate to say, because I wouldn't

1086
00:51:54,920 --> 00:51:56,680
Speaker 2: want to take a job from anyone, but like they

1087
00:51:56,719 --> 00:51:59,840
Speaker 2: weren't necessary. They weren't necessary at all. They didn't agree

1088
00:52:00,040 --> 00:52:03,640
Speaker 2: And I don't know, I'm in my head thinking they're

1089
00:52:03,680 --> 00:52:08,319
Speaker 2: going to be important when it's Pink's storyline. That's what

1090
00:52:08,440 --> 00:52:11,879
Speaker 2: I'm thinking. But they could have left at some point

1091
00:52:11,960 --> 00:52:13,080
Speaker 2: and just came back at the end.

1092
00:52:13,280 --> 00:52:16,080
Speaker 1: Yeah, like they were not gone on the mission. Huh, Yeah,

1093
00:52:16,160 --> 00:52:16,960
Speaker 1: we're gone on the mission.

1094
00:52:17,040 --> 00:52:18,640
Speaker 2: Yeah, not gone on the mission, But like that's what

1095
00:52:18,680 --> 00:52:20,640
Speaker 2: at some point when they do leave, like they could

1096
00:52:20,680 --> 00:52:23,200
Speaker 2: have just been like somehow returned at the end like

1097
00:52:23,920 --> 00:52:26,680
Speaker 2: it was they really weren't adding to anything.

1098
00:52:26,800 --> 00:52:27,840
Speaker 1: I agree.

1099
00:52:31,239 --> 00:52:34,680
Speaker 10: Hi, it's Jenny Garth, host of the I Choose Me podcast.

1100
00:52:35,239 --> 00:52:39,200
Speaker 10: This week Monica Lewinsky. Yes, that Monica, the one the

1101
00:52:39,239 --> 00:52:43,280
Speaker 10: world tore apart. She's still standing. She's back and done hiding.

1102
00:52:43,440 --> 00:52:46,640
Speaker 8: It really felt like it was one of those situations

1103
00:52:46,760 --> 00:52:49,200
Speaker 8: where you literally do or die.

1104
00:52:49,520 --> 00:52:52,480
Speaker 10: Monica stared down shame and came out the other side,

1105
00:52:52,840 --> 00:52:55,840
Speaker 10: and she is here to change what you thought you knew.

1106
00:52:56,080 --> 00:52:58,160
Speaker 2: And it's sort of not over until we try.

1107
00:52:58,560 --> 00:53:02,720
Speaker 10: A conversation that will fire you to choose yourself starting today.

1108
00:53:02,960 --> 00:53:06,440
Speaker 10: Listen to Icoose Me on the iHeartRadio app, Apple Podcasts,

1109
00:53:06,640 --> 00:53:08,359
Speaker 10: or wherever you get your podcasts.

1110
00:53:12,760 --> 00:53:15,239
Speaker 1: We are back at Maddox Hatters. The villain is still

1111
00:53:15,239 --> 00:53:17,440
Speaker 1: spying on the kids and realizes they're more resilient than

1112
00:53:17,480 --> 00:53:19,799
Speaker 1: he thought. He tells Chessie they can't let him reach

1113
00:53:19,840 --> 00:53:22,000
Speaker 1: the castle, and the cat is of course ready to help.

1114
00:53:22,400 --> 00:53:24,800
Speaker 1: So back at the castle, Cinderella is stressed. She hasn't

1115
00:53:24,880 --> 00:53:27,120
Speaker 1: used the looking glass in years, and it leads directly

1116
00:53:27,160 --> 00:53:29,560
Speaker 1: to Red's throne room, but the council is taking too

1117
00:53:29,560 --> 00:53:31,760
Speaker 1: long and Chloyea is in danger. Something has to be done,

1118
00:53:32,000 --> 00:53:33,799
Speaker 1: so just as she's about to jump through the mirror,

1119
00:53:33,840 --> 00:53:35,880
Speaker 1: a bunch of vines grow and block her way. She

1120
00:53:35,920 --> 00:53:38,920
Speaker 1: steps back concern and grabs her trusty broom. She's on

1121
00:53:38,920 --> 00:53:44,080
Speaker 1: her way, but has to change clothes first. Okay, soon after,

1122
00:53:44,120 --> 00:53:46,399
Speaker 1: we're at the Queen of Heart's throne. Cinderella broke through

1123
00:53:46,400 --> 00:53:48,000
Speaker 1: the vines of the broom and the Queen's excited to

1124
00:53:48,000 --> 00:53:50,120
Speaker 1: see her, but surprised she's in trousers. I don't know

1125
00:53:50,160 --> 00:53:52,000
Speaker 1: why this needs to happen in the movie. The trousers

1126
00:53:52,080 --> 00:53:55,279
Speaker 1: never come back. Also, why the hell do you use

1127
00:53:55,360 --> 00:53:57,840
Speaker 1: your one chance to go? I know, but not really.

1128
00:53:57,920 --> 00:54:01,919
Speaker 1: She just says, I like them, but why not use

1129
00:54:02,400 --> 00:54:06,240
Speaker 1: the mirror you have that leads directly into the throne

1130
00:54:06,280 --> 00:54:09,640
Speaker 1: room to go in with soldiers, grab your friend and

1131
00:54:09,680 --> 00:54:13,560
Speaker 1: bring them back out of wonderland. Like she goes in

1132
00:54:13,600 --> 00:54:14,920
Speaker 1: by herself and they just sit there and have a

1133
00:54:14,960 --> 00:54:17,719
Speaker 1: conversation in the middle of the throne room that's been

1134
00:54:17,880 --> 00:54:20,480
Speaker 1: captured by the evil guy, like, hey, I like your pants.

1135
00:54:20,560 --> 00:54:22,640
Speaker 2: Like, well, she didn't really know what was going Oh no,

1136
00:54:22,760 --> 00:54:24,479
Speaker 2: she did. She she did know that.

1137
00:54:24,400 --> 00:54:27,520
Speaker 1: She was Yeah, It makes no sense. I'm gonna break

1138
00:54:27,520 --> 00:54:30,479
Speaker 1: into the jail cell and then see a jail cell

1139
00:54:30,520 --> 00:54:32,520
Speaker 1: with you and talk to you about stuff while we

1140
00:54:32,560 --> 00:54:35,080
Speaker 1: wait for the guy to come back. It made no

1141
00:54:35,200 --> 00:54:37,759
Speaker 1: sense from a story point, have a reason where she

1142
00:54:37,800 --> 00:54:40,759
Speaker 1: can't get through or break through and instantly have her

1143
00:54:40,800 --> 00:54:44,360
Speaker 1: soldiers are trapped. I mean, there's so many easy fixes

1144
00:54:44,400 --> 00:54:46,959
Speaker 1: other than just I'm gonna walk in and we're gonna

1145
00:54:46,960 --> 00:54:50,160
Speaker 1: sit here until we're captured, right, And that's what we're

1146
00:54:50,160 --> 00:54:52,440
Speaker 1: gonna do. We're literally gonna sit in the middle of

1147
00:54:52,480 --> 00:54:55,879
Speaker 1: this and have a conversation until we can't escape again.

1148
00:54:56,040 --> 00:54:58,600
Speaker 1: And it was like, are you kidding me? You're Cinderella,

1149
00:54:59,160 --> 00:55:03,480
Speaker 1: like be a bit of bad nothing so nothing, it's

1150
00:55:03,520 --> 00:55:04,919
Speaker 1: nothing Cinderella.

1151
00:55:05,080 --> 00:55:08,360
Speaker 2: Yeah, does set up for what's next to happen with

1152
00:55:08,400 --> 00:55:10,960
Speaker 2: the two queens, which I appreciate.

1153
00:55:11,320 --> 00:55:14,520
Speaker 1: The sat the song Okay, so how is that not

1154
00:55:14,880 --> 00:55:19,600
Speaker 1: as cool a song from both sides of the mirror Cinderella.

1155
00:55:19,600 --> 00:55:21,560
Speaker 1: They're touching each other through the mirror where she can't

1156
00:55:21,600 --> 00:55:23,560
Speaker 1: get through, and there's her friend and they're talking about

1157
00:55:23,600 --> 00:55:25,760
Speaker 1: the old times, and she can't get to her friend

1158
00:55:25,960 --> 00:55:28,080
Speaker 1: because just walking in and going now I'm in jail

1159
00:55:28,080 --> 00:55:32,080
Speaker 1: with you makes no freaking sense. But Cinderella explains that

1160
00:55:32,080 --> 00:55:34,440
Speaker 1: girls are in Wonderland a rescuer, but now they have

1161
00:55:34,520 --> 00:55:36,719
Speaker 1: to save the girls the Queen. I guess that's what

1162
00:55:36,719 --> 00:55:39,319
Speaker 1: they were going for. They were going for, I'm going

1163
00:55:39,360 --> 00:55:41,279
Speaker 1: to come into Wonderland and now you and I are

1164
00:55:41,280 --> 00:55:43,200
Speaker 1: going to escape here and we're going to go and

1165
00:55:43,200 --> 00:55:46,080
Speaker 1: save our kids. But it wasn't set up well.

1166
00:55:46,680 --> 00:55:48,560
Speaker 2: But it didn't happen, no.

1167
00:55:48,440 --> 00:55:51,480
Speaker 1: Because they sat there having a song instead of escaping, hey,

1168
00:55:51,640 --> 00:55:56,400
Speaker 1: instead of escaping jail, let's do a number. The Queen

1169
00:55:56,560 --> 00:55:59,319
Speaker 1: reveals that Maddox has bewitched the Throne room and see,

1170
00:55:59,360 --> 00:56:01,040
Speaker 1: I'm sorry, I don't want to harp on this, but

1171
00:56:01,080 --> 00:56:03,520
Speaker 1: this is where I'd love to have a real character

1172
00:56:03,680 --> 00:56:08,040
Speaker 1: in every Disney movie where it's just somebody going, really,

1173
00:56:08,360 --> 00:56:14,040
Speaker 1: you're gonna sing, sit here and sing, let's go, let's go.

1174
00:56:14,440 --> 00:56:16,840
Speaker 1: What are you doing? And you know that, to me

1175
00:56:16,960 --> 00:56:18,000
Speaker 1: is the greatest character ever.

1176
00:56:19,160 --> 00:56:21,759
Speaker 2: But then that would be really funny. There's gotta be

1177
00:56:21,840 --> 00:56:25,839
Speaker 2: a good villain character. It'd have to be a villain probably, or.

1178
00:56:25,800 --> 00:56:27,600
Speaker 1: One of the guards who's just like, you're gonna just

1179
00:56:27,640 --> 00:56:28,320
Speaker 1: sit there.

1180
00:56:28,920 --> 00:56:34,200
Speaker 2: Yeah, yeah, or like Doc like one of the dwarfs,

1181
00:56:34,239 --> 00:56:36,719
Speaker 2: like you know, like one of the smart characters that's like,

1182
00:56:36,760 --> 00:56:38,759
Speaker 2: this makes no sense. Why you guys are wasting time?

1183
00:56:39,239 --> 00:56:41,640
Speaker 2: So much time is and then keeps going. So much

1184
00:56:41,640 --> 00:56:43,240
Speaker 2: time is being wasted with you guys singing.

1185
00:56:43,600 --> 00:56:45,960
Speaker 1: Yeah. First you're talking about how you're scared for your

1186
00:56:46,000 --> 00:56:48,440
Speaker 1: daughter's life, but you take some time to put on pants.

1187
00:56:50,960 --> 00:56:53,560
Speaker 1: Then then you break in and when you've got the

1188
00:56:53,560 --> 00:56:55,920
Speaker 1: time to escape, you use that time to do a number.

1189
00:56:56,719 --> 00:56:59,160
Speaker 1: It's like you want somebody just going, dude, what maybe

1190
00:56:59,160 --> 00:57:01,279
Speaker 1: sit this one out, derelic because it's not up here

1191
00:57:01,360 --> 00:57:03,960
Speaker 1: right now, it's not appearing Brandy.

1192
00:57:04,680 --> 00:57:07,120
Speaker 2: Don't tell my girl Brandy to sit down.

1193
00:57:07,440 --> 00:57:10,280
Speaker 1: It's just like, come on, then she needs to do something.

1194
00:57:10,360 --> 00:57:15,000
Speaker 1: She literally walked two feet and was captured. That was

1195
00:57:15,080 --> 00:57:18,800
Speaker 1: that's thanks for the help. I now have to split

1196
00:57:18,880 --> 00:57:21,640
Speaker 1: my ration with you. You yeah to see you, but

1197
00:57:21,680 --> 00:57:23,200
Speaker 1: I get one plate of food today and now I

1198
00:57:23,280 --> 00:57:26,280
Speaker 1: have to share it with you, Like.

1199
00:57:26,400 --> 00:57:31,400
Speaker 2: Thanks, all right, Well I promise you I'll just let you.

1200
00:57:31,400 --> 00:57:40,360
Speaker 3: Sit there, thank you, thank you, Yes, knock on the

1201
00:57:40,360 --> 00:57:42,320
Speaker 3: window and I'll be like it's not don't worry about it.

1202
00:57:42,320 --> 00:57:46,560
Speaker 1: Don't worry. Then we're just gonna both be trapped like

1203
00:57:47,040 --> 00:57:51,080
Speaker 1: thank you. Anyway, the Queen reveals that Maddix is bewitched

1204
00:57:51,120 --> 00:57:54,240
Speaker 1: the Throne Room and so she's locked inside. What the

1205
00:57:54,320 --> 00:57:57,440
Speaker 1: guy who bewitches things bewitched something? And then speak of

1206
00:57:57,440 --> 00:58:01,000
Speaker 1: the devil? Maddix appears he wasn't expecting visitors. If he

1207
00:58:01,040 --> 00:58:03,480
Speaker 1: wasn't expecting visitors, why did he bewitch the Throne room.

1208
00:58:04,560 --> 00:58:06,760
Speaker 1: Beyond the looking glass, we see Prince Charming is about

1209
00:58:06,800 --> 00:58:10,360
Speaker 1: to walk through, but Maddox immediately blocks the pathway again. Actually,

1210
00:58:10,400 --> 00:58:12,240
Speaker 1: Maddox po witch is the entire castle, so no one's

1211
00:58:12,240 --> 00:58:14,200
Speaker 1: gonna save them now. And I will say this was

1212
00:58:14,240 --> 00:58:16,040
Speaker 1: a piece of Disney magic that I did love. I

1213
00:58:16,080 --> 00:58:20,320
Speaker 1: loved how she embraced her broom and it became kind

1214
00:58:20,320 --> 00:58:22,560
Speaker 1: of like because the broom of her, of Cinderella having

1215
00:58:22,640 --> 00:58:25,040
Speaker 1: to constantly sweep up and do everything that's now like

1216
00:58:25,080 --> 00:58:27,280
Speaker 1: a symbol of her power and her resilience. I thought

1217
00:58:27,320 --> 00:58:27,920
Speaker 1: was really cool.

1218
00:58:28,200 --> 00:58:28,800
Speaker 2: I loved that.

1219
00:58:28,960 --> 00:58:32,000
Speaker 1: Yeah, me too. Meanwhile, the kids are still on their journey.

1220
00:58:32,040 --> 00:58:33,959
Speaker 1: Red suggests they find a place to hide out until morning,

1221
00:58:33,960 --> 00:58:36,800
Speaker 1: so they picked the beautiful Lomia tree. As they settle in,

1222
00:58:36,840 --> 00:58:38,800
Speaker 1: we see the Dodo Bird is still keeping tabs on them,

1223
00:58:38,800 --> 00:58:41,280
Speaker 1: but luckily they're still giving their plans out loud as

1224
00:58:41,280 --> 00:58:43,840
Speaker 1: the Dodo Bird is there, and of course Chessie is

1225
00:58:43,880 --> 00:58:47,040
Speaker 1: also nearby. Now in the comforts of the tree, Luis

1226
00:58:47,080 --> 00:58:48,840
Speaker 1: wants the hero kids to take the lead. He doesn't

1227
00:58:48,840 --> 00:58:51,920
Speaker 1: trust the vks. Then a ghostly Chessie appears on Hazel

1228
00:58:51,920 --> 00:58:54,800
Speaker 1: Hook's shoulder. He thinks it's time the Villain kids run

1229
00:58:54,840 --> 00:58:57,160
Speaker 1: the show, which motivates Captain Hook's daughter to step up

1230
00:58:57,200 --> 00:59:00,720
Speaker 1: and claim leadership. Then Chessie pops up on Luis's giving

1231
00:59:00,800 --> 00:59:03,560
Speaker 1: him the same advice for the HKS. His plan is,

1232
00:59:04,400 --> 00:59:06,240
Speaker 1: do we know that Chessie's a boy? I don't think

1233
00:59:06,240 --> 00:59:09,200
Speaker 1: we there's no real gender. It's boy or girl, right.

1234
00:59:09,160 --> 00:59:11,560
Speaker 2: Yeah, I don't think there's a gender with Chessie.

1235
00:59:11,880 --> 00:59:13,440
Speaker 1: Yeah. I would like to do this without gender if

1236
00:59:13,480 --> 00:59:15,840
Speaker 1: I could. Then a ghostly Chessie appears on Hazel Hook's

1237
00:59:15,840 --> 00:59:18,680
Speaker 1: shoulder and says it's time the Villain kids run the show,

1238
00:59:18,920 --> 00:59:21,640
Speaker 1: which motivates Katain Hook's daughter to step up and claim leadership.

1239
00:59:21,880 --> 00:59:24,640
Speaker 1: Then Chessie pops up on Luisa's shoulder and gives him

1240
00:59:24,680 --> 00:59:28,640
Speaker 1: the same advice for the HKS. Obviously, Chessie's plan is

1241
00:59:28,680 --> 00:59:30,920
Speaker 1: to build tension between the two groups, and it is working.

1242
00:59:31,000 --> 00:59:32,760
Speaker 1: This leads us to our next song, did you Hear

1243
00:59:32,800 --> 00:59:35,280
Speaker 1: about Them? A battle of strength and bravado between the

1244
00:59:35,280 --> 00:59:38,480
Speaker 1: two groups struggling to be the alpha resident expert. What'd

1245
00:59:38,520 --> 00:59:38,800
Speaker 1: you think?

1246
00:59:39,040 --> 00:59:43,600
Speaker 2: I loved this song. This wasn't my favorite number of

1247
00:59:43,800 --> 00:59:49,960
Speaker 2: the cast. I love the song. Though the song was cute,

1248
00:59:50,040 --> 00:59:52,720
Speaker 2: I liked it and I liked it didn't make sense

1249
00:59:52,800 --> 00:59:55,160
Speaker 2: like I don't know, I don't know. I didn't like

1250
00:59:55,200 --> 00:59:58,360
Speaker 2: their working. I don't know, there was something like that

1251
00:59:58,440 --> 01:00:00,440
Speaker 2: was just kind of like, okay, it was isn't like

1252
01:00:00,880 --> 01:00:03,160
Speaker 2: bad in any sense. But I did like the song

1253
01:00:03,320 --> 01:00:06,240
Speaker 2: the music, Like I said, the music's got me. I

1254
01:00:06,360 --> 01:00:09,760
Speaker 2: love the sound track. This wasn't my favorite of all

1255
01:00:09,800 --> 01:00:11,120
Speaker 2: of them, but there's so many of them.

1256
01:00:11,160 --> 01:00:15,040
Speaker 1: This is That's okay, I I this this should be

1257
01:00:15,080 --> 01:00:18,640
Speaker 1: my answer. I don't really remember this one. Oh really yeah,

1258
01:00:18,640 --> 01:00:21,560
Speaker 1: I don't really kind of I vaguely remember the dancing,

1259
01:00:21,560 --> 01:00:23,720
Speaker 1: but I can't remember the song as such, which might

1260
01:00:23,760 --> 01:00:24,280
Speaker 1: mean something.

1261
01:00:24,680 --> 01:00:26,560
Speaker 2: Well, and then it was interesting to me at the

1262
01:00:26,640 --> 01:00:30,440
Speaker 2: end because Red kind of declares that, like the VK's

1263
01:00:30,480 --> 01:00:33,280
Speaker 2: one and I was like like, why.

1264
01:00:33,520 --> 01:00:35,240
Speaker 1: Yeah, but that's every movie for me where there's like

1265
01:00:35,240 --> 01:00:37,640
Speaker 1: a dance off, you know, it's like step up, I'm like,

1266
01:00:37,760 --> 01:00:39,680
Speaker 1: or stop the yard. I'm like, wait, how did who

1267
01:00:39,720 --> 01:00:40,960
Speaker 1: picked who? One? Well?

1268
01:00:41,000 --> 01:00:42,480
Speaker 2: No, no, I could do that.

1269
01:00:42,600 --> 01:00:44,280
Speaker 1: That's oh but I can't. That's what I'm saying.

1270
01:00:44,360 --> 01:00:47,080
Speaker 2: I can kind of just like the VK's one. And

1271
01:00:47,080 --> 01:00:48,760
Speaker 2: it was just kind of like they didn't really like

1272
01:00:48,840 --> 01:00:51,160
Speaker 2: I don't know. It was just a lot of more moving.

1273
01:00:51,720 --> 01:00:54,080
Speaker 2: They were moving around each other, moving around each other.

1274
01:00:54,080 --> 01:00:55,280
Speaker 2: It wasn't like a dance battle.

1275
01:00:55,440 --> 01:00:59,600
Speaker 1: Okay, I get you now. Yeah. So the song ends

1276
01:00:59,600 --> 01:01:01,440
Speaker 1: with Louis on the ground, but everyone maybe because he's

1277
01:01:01,440 --> 01:01:03,240
Speaker 1: on the ground, that's why they think he lost. But

1278
01:01:03,760 --> 01:01:05,800
Speaker 1: everyone's still smiling and ready to team up with the

1279
01:01:05,880 --> 01:01:08,400
Speaker 1: VKS leading the way. That is until Chessie shows up

1280
01:01:08,440 --> 01:01:10,800
Speaker 1: on pink shoulder, pushing here to fight the new leadership.

1281
01:01:11,280 --> 01:01:13,480
Speaker 1: When she suggests maybe Max is behind all of this

1282
01:01:13,560 --> 01:01:16,160
Speaker 1: with his dad, the few seconds of calculated teamwork is

1283
01:01:16,440 --> 01:01:19,480
Speaker 1: instantly over sending everyone off to their own corners and

1284
01:01:19,560 --> 01:01:23,040
Speaker 1: creating more tension and division between Chloe and Red. Red

1285
01:01:23,080 --> 01:01:24,919
Speaker 1: tries to comfort Max, but he knows no one trusts

1286
01:01:24,960 --> 01:01:27,120
Speaker 1: him because of his dad. Red insists she trusts him

1287
01:01:27,320 --> 01:01:29,360
Speaker 1: and even believes there's some good left in his dad.

1288
01:01:29,640 --> 01:01:31,640
Speaker 1: Max knows his dad is obsessed with the pocket watch

1289
01:01:31,680 --> 01:01:34,480
Speaker 1: because he believes he saw time travel in high school

1290
01:01:34,680 --> 01:01:37,640
Speaker 1: and this trigger's read he probably saw them, but she

1291
01:01:37,720 --> 01:01:42,520
Speaker 1: doesn't say anything. Later that night, and again, if he's

1292
01:01:42,560 --> 01:01:45,680
Speaker 1: been so obsessed with seeing these two girls disappear in

1293
01:01:45,760 --> 01:01:49,760
Speaker 1: high school, wouldn't he recognize that it was Red? So

1294
01:01:49,760 --> 01:01:51,160
Speaker 1: does he know it's the kids?

1295
01:01:51,520 --> 01:01:54,880
Speaker 2: Did we get a visual of him seeing the pocket

1296
01:01:54,880 --> 01:01:55,640
Speaker 2: watch situation?

1297
01:01:55,760 --> 01:01:57,760
Speaker 1: Yes, they kind of do. They show a flashback of

1298
01:01:57,840 --> 01:01:58,520
Speaker 1: him sharing the.

1299
01:01:58,680 --> 01:02:01,240
Speaker 2: Flashback, but we didn't really see that when we saw

1300
01:02:01,360 --> 01:02:01,919
Speaker 2: Rise of Red.

1301
01:02:02,000 --> 01:02:03,840
Speaker 1: Right, No, No, they put that in after Yeah, they

1302
01:02:03,840 --> 01:02:06,320
Speaker 1: put that. I thought the same thing. Later that night,

1303
01:02:06,360 --> 01:02:08,840
Speaker 1: Chloe and Hazel talk about their issues with Red. Hazel

1304
01:02:08,880 --> 01:02:11,080
Speaker 1: calls Red the alpha and emphasizes the fact that you

1305
01:02:11,080 --> 01:02:14,160
Speaker 1: can only rely on yourself, further strengthening the wedge between everyone.

1306
01:02:14,720 --> 01:02:17,560
Speaker 1: Just as Robbie, Oh that's right, Robbie's there and Felix, oh, hey,

1307
01:02:17,560 --> 01:02:20,920
Speaker 1: Felix is back return from their teacup adventure, Max realizes

1308
01:02:20,960 --> 01:02:23,080
Speaker 1: how to get to his dad through his beloved invention

1309
01:02:23,360 --> 01:02:26,240
Speaker 1: the urriculum back at the mad Hatters though he's seeing

1310
01:02:26,280 --> 01:02:30,320
Speaker 1: everything and furious with his backstabbing son. He's seeing everything

1311
01:02:30,400 --> 01:02:33,560
Speaker 1: is okay, And this is just I don't know, is

1312
01:02:33,600 --> 01:02:37,120
Speaker 1: the urriculum is the device he's looking in that sees

1313
01:02:37,120 --> 01:02:40,040
Speaker 1: the past president in future, and so if he can

1314
01:02:40,080 --> 01:02:43,240
Speaker 1: spy on them through the urriculum, why why does he

1315
01:02:43,320 --> 01:02:44,960
Speaker 1: need the Dodo birds?

1316
01:02:47,360 --> 01:02:50,480
Speaker 2: I thought that the Dodo birds that's how they were,

1317
01:02:50,600 --> 01:02:52,880
Speaker 2: that they were transporting.

1318
01:02:52,120 --> 01:02:56,280
Speaker 1: The visual back. And then why can the urriculum look

1319
01:02:56,320 --> 01:02:59,160
Speaker 1: into the past and everything else? He can see everything,

1320
01:02:59,240 --> 01:03:04,680
Speaker 1: but just not where the kids are except for the dodos, right, yeah, okay, yeah,

1321
01:03:04,720 --> 01:03:06,160
Speaker 1: I couldn't understand that. But okay, but I.

1322
01:03:06,200 --> 01:03:09,520
Speaker 2: Thought, like, what the what was happening from the point

1323
01:03:09,600 --> 01:03:12,800
Speaker 2: view of the of the Dodo birds is what.

1324
01:03:12,720 --> 01:03:17,760
Speaker 1: He's seeing on his pocket? Gotcha? Gotcha? He sends a

1325
01:03:17,760 --> 01:03:20,480
Speaker 1: magic card on their way, making them disappear upon arrival,

1326
01:03:20,520 --> 01:03:24,880
Speaker 1: and transporting them onto a colorful chess board. They wake up,

1327
01:03:24,880 --> 01:03:27,040
Speaker 1: and I love I love a good Harry Potter kind

1328
01:03:27,040 --> 01:03:29,800
Speaker 1: of giant chess set, big fan of that. They wake

1329
01:03:29,920 --> 01:03:33,080
Speaker 1: up tiny, noticing massive butterflies and angry flowers, and when

1330
01:03:33,080 --> 01:03:36,720
Speaker 1: the mad Hatter announces checkmate, the chessboard lights up and

1331
01:03:36,760 --> 01:03:39,600
Speaker 1: an army of knights takes their places. Chessie says they

1332
01:03:39,600 --> 01:03:41,680
Speaker 1: are pawns in Maddox's game and they have to capture

1333
01:03:41,720 --> 01:03:44,600
Speaker 1: the king to escape. Chloree realizes they need to play

1334
01:03:44,640 --> 01:03:46,520
Speaker 1: chess against the knights, and she takes the lead. She

1335
01:03:46,600 --> 01:03:48,800
Speaker 1: knows all about chess strategy. She moves them around one

1336
01:03:48,840 --> 01:03:50,920
Speaker 1: by one, but it's quickly put in her place, criticized

1337
01:03:50,920 --> 01:03:53,720
Speaker 1: for naive moves. To beat the villain, they have to

1338
01:03:53,760 --> 01:03:55,680
Speaker 1: think like a villain, and this leads to our next song,

1339
01:03:55,840 --> 01:03:59,400
Speaker 1: dancing with the enemy. This one confused me a little

1340
01:03:59,400 --> 01:04:01,919
Speaker 1: bit because I didn't. So she tries to really play chess,

1341
01:04:01,920 --> 01:04:04,200
Speaker 1: and that doesn't work. So they fling the guy off

1342
01:04:04,200 --> 01:04:06,160
Speaker 1: the board because she puts him more of the pond

1343
01:04:06,200 --> 01:04:10,600
Speaker 1: where the pawn is supposed to go. So they say,

1344
01:04:10,640 --> 01:04:12,400
Speaker 1: you have to think like a villain. And so a

1345
01:04:12,520 --> 01:04:18,040
Speaker 1: villain's thought is a dance off. Sure, okay, why wouldn't

1346
01:04:18,080 --> 01:04:22,520
Speaker 1: the good guys think of a dance off? Dancing's good again.

1347
01:04:22,560 --> 01:04:24,120
Speaker 1: I'm all for a dance off, you know me. I'll

1348
01:04:24,160 --> 01:04:25,600
Speaker 1: wait and line for a dance off.

1349
01:04:25,920 --> 01:04:29,240
Speaker 2: I think in a sense, it's like the heroes and

1350
01:04:29,280 --> 01:04:32,360
Speaker 2: the good guys would think of like playing, like playing

1351
01:04:32,400 --> 01:04:34,800
Speaker 2: by the rules. Like the villains are like, no, we're

1352
01:04:34,840 --> 01:04:37,000
Speaker 2: just gonna fight them, gotcha, Like we're obviously just gonna

1353
01:04:37,000 --> 01:04:37,600
Speaker 2: go and fight.

1354
01:04:37,560 --> 01:04:40,360
Speaker 1: Okay, gotcha. And you can't really fight in Disney. So

1355
01:04:40,400 --> 01:04:43,919
Speaker 1: you've danced, so you dance copy that. Yeah makes of course, Yeah,

1356
01:04:43,920 --> 01:04:44,360
Speaker 1: it makes sense.

1357
01:04:44,920 --> 01:04:45,040
Speaker 2: Uh.

1358
01:04:45,200 --> 01:04:48,280
Speaker 1: It's their theme song to win. They start the dance

1359
01:04:48,320 --> 01:04:50,760
Speaker 1: battle against the Knights, and it's difficult fight. But the

1360
01:04:50,840 --> 01:04:53,360
Speaker 1: big highlight here is Red. This is amazing to me.

1361
01:04:53,640 --> 01:04:57,160
Speaker 1: Red throws Chloe towards an evil Flower, using her as

1362
01:04:57,240 --> 01:04:59,960
Speaker 1: bait without her knowing, literally almost getting her killed before

1363
01:05:00,120 --> 01:05:02,120
Speaker 1: Hazel saves her. But it makes way for Red to

1364
01:05:02,120 --> 01:05:04,120
Speaker 1: take out the King, the kid. The kids all celebrate

1365
01:05:04,120 --> 01:05:07,000
Speaker 1: the victory, but Chloe's obviously affected by her best friend,

1366
01:05:07,000 --> 01:05:09,840
Speaker 1: Shady Mood. It's like she threw her towards like a

1367
01:05:09,960 --> 01:05:14,960
Speaker 1: giant spiked. I would be.

1368
01:05:15,200 --> 01:05:17,480
Speaker 2: Yes, this would be the end of the friendship. There

1369
01:05:17,520 --> 01:05:21,320
Speaker 2: would no need for me to like help you find

1370
01:05:21,360 --> 01:05:24,880
Speaker 2: your mom anything your mom could, your mom could shove it.

1371
01:05:24,960 --> 01:05:29,240
Speaker 2: I don't care. You literally just almost killed me. Yeah, sorry, Red.

1372
01:05:29,160 --> 01:05:32,000
Speaker 1: I agree with you, not even like a trust me

1373
01:05:32,160 --> 01:05:35,240
Speaker 1: or you gotta trust me, just throws her towards danger.

1374
01:05:35,320 --> 01:05:35,800
Speaker 1: I mean it was.

1375
01:05:36,000 --> 01:05:39,400
Speaker 2: Latter like let's go together, and then like what like

1376
01:05:40,400 --> 01:05:46,600
Speaker 2: day that show? No, no, seriously hard, We're done.

1377
01:05:46,640 --> 01:05:47,000
Speaker 1: We're done.

1378
01:05:47,040 --> 01:05:48,120
Speaker 2: Red, have a great time.

1379
01:05:48,240 --> 01:05:50,000
Speaker 1: You literally just tried to Kim.

1380
01:05:50,080 --> 01:05:51,320
Speaker 2: I will not be helping you.

1381
01:05:51,440 --> 01:05:54,600
Speaker 1: Yep, sorry girl, I agree with you. That was rough.

1382
01:05:54,920 --> 01:05:55,640
Speaker 2: That was rough.

1383
01:05:55,920 --> 01:05:59,040
Speaker 1: Yep. Meanwhile, back at his makeshift castle headquarters in that

1384
01:05:59,120 --> 01:06:01,760
Speaker 1: Hatter is fear. He can't believe he's been beaten, so

1385
01:06:01,800 --> 01:06:03,600
Speaker 1: he sends a Dodo bird back out into the jungle

1386
01:06:03,640 --> 01:06:06,680
Speaker 1: to finally find that pocket watch. And on the chessboard,

1387
01:06:06,720 --> 01:06:09,040
Speaker 1: Pink and Red find one of Alice in Wonderland's cookies,

1388
01:06:09,080 --> 01:06:12,240
Speaker 1: a cool little callback. While Chloe continues to pout, Max

1389
01:06:12,280 --> 01:06:14,240
Speaker 1: tries to make her feel better, but still feels like

1390
01:06:14,360 --> 01:06:18,640
Speaker 1: Red was going to sacrifice her, which she was he did. Yep.

1391
01:06:19,520 --> 01:06:21,760
Speaker 1: The group decides to eat the cookie, and most return

1392
01:06:21,800 --> 01:06:23,920
Speaker 1: in normal size. Pink keeps a piece for later, but

1393
01:06:24,000 --> 01:06:27,480
Speaker 1: they leave behind small versions of a Smee, Brother, Felix,

1394
01:06:27,520 --> 01:06:29,400
Speaker 1: and Robbie, and again it's like, why did you bring

1395
01:06:29,400 --> 01:06:32,600
Speaker 1: Felix and Robbie now back on the way to it is.

1396
01:06:32,640 --> 01:06:34,960
Speaker 1: It's true, it was just they were kind of unnecessary characters.

1397
01:06:35,000 --> 01:06:38,200
Speaker 1: They were now back on their way to the Mad Hatter.

1398
01:06:38,360 --> 01:06:40,720
Speaker 1: The kids know they'll need to stop and rest. The

1399
01:06:40,760 --> 01:06:42,600
Speaker 1: Dodo is still on their tail. When they eventually make

1400
01:06:42,600 --> 01:06:44,840
Speaker 1: it to the small cottage, it's the White Rabbit's house.

1401
01:06:45,120 --> 01:06:46,840
Speaker 1: He's not home, but he's left a note that says

1402
01:06:46,920 --> 01:06:49,080
Speaker 1: offer an important date be back next spring. So they

1403
01:06:49,120 --> 01:06:52,440
Speaker 1: decide to squat in his house. But Max's other plans.

1404
01:06:52,480 --> 01:06:54,120
Speaker 1: He's going to sneak out and go find his dad.

1405
01:06:54,320 --> 01:06:56,240
Speaker 1: He asks Hazel to cover for him. All while Chloe

1406
01:06:56,360 --> 01:06:58,560
Speaker 1: and Red finally have it out about their issues. Now

1407
01:06:58,600 --> 01:07:01,240
Speaker 1: to crossroads with their supposed best friend, Red takes a

1408
01:07:01,280 --> 01:07:04,240
Speaker 1: walk with Louise in the beautiful, glowing mushroom garden. Red

1409
01:07:04,240 --> 01:07:06,280
Speaker 1: complains all she ever wanted was to leave home and

1410
01:07:06,280 --> 01:07:08,720
Speaker 1: find her own path, and yet here she is in wonderland.

1411
01:07:08,920 --> 01:07:11,560
Speaker 1: Louis encourages her to accept her true self. She'd make

1412
01:07:11,640 --> 01:07:15,960
Speaker 1: a good princess, but again, she is a good princess

1413
01:07:15,960 --> 01:07:18,760
Speaker 1: because he grew up in this timeline where the Queen

1414
01:07:18,760 --> 01:07:20,800
Speaker 1: of Hearts has always been good. So she's always been

1415
01:07:20,840 --> 01:07:24,280
Speaker 1: a good princess. That's the thing that's weird. Then he

1416
01:07:24,320 --> 01:07:26,520
Speaker 1: trips into her arms and they have a romantic moment.

1417
01:07:26,560 --> 01:07:29,480
Speaker 1: Will they kiss? No, they're gonna sing, And it's our

1418
01:07:29,520 --> 01:07:31,960
Speaker 1: next song for once in my life, a poppy duet

1419
01:07:31,960 --> 01:07:34,200
Speaker 1: between two possible love birds, and of course, a singing

1420
01:07:34,320 --> 01:07:38,400
Speaker 1: dancing duet like this between lovers and Disney is the

1421
01:07:38,400 --> 01:07:42,720
Speaker 1: equivalent of third base. So, Sabrina, what did you think

1422
01:07:42,720 --> 01:07:43,200
Speaker 1: of this song?

1423
01:07:43,600 --> 01:07:47,360
Speaker 2: Okay, here's the flip. I loved the choreography in this.

1424
01:07:47,520 --> 01:07:50,440
Speaker 2: I loved that it looked very dancing with the stars,

1425
01:07:50,720 --> 01:07:55,160
Speaker 2: like Slash fred Astaire Ginger Rogers like. I just like

1426
01:07:55,560 --> 01:07:59,280
Speaker 2: loved that aspect of this routine. But the song didn't

1427
01:07:59,320 --> 01:08:01,600
Speaker 2: stick with me. I still can't hear it right now.

1428
01:08:01,880 --> 01:08:04,240
Speaker 2: The song didn't stick with me, and I've I've rewatched

1429
01:08:04,280 --> 01:08:07,400
Speaker 2: them quite a bit because Monroe is again on her

1430
01:08:07,440 --> 01:08:10,240
Speaker 2: decendence kick. So that's what my life will be for

1431
01:08:10,240 --> 01:08:13,160
Speaker 2: the next couple of months, yealy until camp Rock comes

1432
01:08:13,240 --> 01:08:17,559
Speaker 2: and then we'll move on. But the song doesn't stick,

1433
01:08:17,640 --> 01:08:20,479
Speaker 2: but the movement I love seeing so much of this

1434
01:08:20,760 --> 01:08:25,280
Speaker 2: like world of Wonderland. And then I loved I loved

1435
01:08:25,320 --> 01:08:28,479
Speaker 2: this duet. They did it great, did it great? They

1436
01:08:28,479 --> 01:08:29,400
Speaker 2: were great partners.

1437
01:08:29,520 --> 01:08:31,840
Speaker 1: The choreography in this movie seemed to be a step

1438
01:08:31,920 --> 01:08:34,160
Speaker 1: up from the choreography in the last movie all the way.

1439
01:08:34,040 --> 01:08:35,720
Speaker 2: Around from it's a different choreographer.

1440
01:08:35,960 --> 01:08:37,800
Speaker 1: Well, yeah, you can you could tell. I mean it was.

1441
01:08:37,920 --> 01:08:42,400
Speaker 1: It seemed not the same but more Kenny Ortega esque

1442
01:08:43,080 --> 01:08:45,439
Speaker 1: than the last show that with the depth of a

1443
01:08:45,439 --> 01:08:47,360
Speaker 1: lot of the dancing and some of the bigger numbers

1444
01:08:47,520 --> 01:08:50,000
Speaker 1: and even these two dancing together. Just I agree it

1445
01:08:50,040 --> 01:08:50,719
Speaker 1: was very classic.

1446
01:08:50,880 --> 01:08:52,760
Speaker 2: But again, I think a lot of that has to

1447
01:08:52,840 --> 01:08:54,800
Speaker 2: do with how big the cast is. We watched the

1448
01:08:54,800 --> 01:08:57,120
Speaker 2: two girls go around the whole time, so we were

1449
01:08:57,120 --> 01:09:00,400
Speaker 2: getting a lot of like duet stuff, and like there's

1450
01:09:00,400 --> 01:09:02,400
Speaker 2: only so much you can do with that, right, and.

1451
01:09:03,160 --> 01:09:03,920
Speaker 1: So much you can do it.

1452
01:09:06,400 --> 01:09:14,760
Speaker 2: Thank you go trademark. So you know this, This is

1453
01:09:14,840 --> 01:09:17,559
Speaker 2: why I think there might have been some thought of

1454
01:09:17,600 --> 01:09:21,479
Speaker 2: bringing kind of some extra characters that don't have big roles,

1455
01:09:21,479 --> 01:09:26,160
Speaker 2: but like background kind of becoming like, you know, yeah,

1456
01:09:26,680 --> 01:09:29,639
Speaker 2: character background stuff for routines.

1457
01:09:29,760 --> 01:09:39,040
Speaker 1: Good idea. We are back at base camp. Pink brings

1458
01:09:39,120 --> 01:09:41,360
Speaker 1: Chloe cake that looks like a teacup Pink is now

1459
01:09:41,400 --> 01:09:44,080
Speaker 1: self conscious that everyone just thinks she's sweet, but Chloe

1460
01:09:44,080 --> 01:09:46,600
Speaker 1: calls her thoughtful. The two girls connect over living in

1461
01:09:46,600 --> 01:09:50,360
Speaker 1: Red shadow Who does Who? Eventually does return, smiling alongside

1462
01:09:50,360 --> 01:09:52,600
Speaker 1: her new boy toy, But instead of being able to

1463
01:09:52,680 --> 01:09:55,439
Speaker 1: bask in her crushes glow, Chloe and Red once again clash.

1464
01:09:55,680 --> 01:09:57,679
Speaker 1: Chloe has had enough, she doesn't feel like a teammate

1465
01:09:57,760 --> 01:09:59,560
Speaker 1: or a friend, and they both admit they're drowning in

1466
01:09:59,600 --> 01:10:01,800
Speaker 1: this new reality. Instead of working it out, their beef

1467
01:10:01,800 --> 01:10:03,880
Speaker 1: just gets more personal. We're back at the Castle. The

1468
01:10:03,960 --> 01:10:06,160
Speaker 1: Queen and Cinderella are still working through the ivy. The

1469
01:10:06,200 --> 01:10:08,280
Speaker 1: two old pals reminisce about their past, and the Queen

1470
01:10:08,320 --> 01:10:10,400
Speaker 1: is upset with herself for letting Maddox return from the

1471
01:10:10,439 --> 01:10:12,840
Speaker 1: Aisle of the Lost. They agree they need to just

1472
01:10:12,880 --> 01:10:15,439
Speaker 1: start thinking for themselves and not just doing what everyone

1473
01:10:15,439 --> 01:10:17,760
Speaker 1: expects them to do. This leads to a song Rita,

1474
01:10:17,840 --> 01:10:20,800
Speaker 1: Aura and Brandy intermixed with childhood flashbacks for a song

1475
01:10:20,840 --> 01:10:23,479
Speaker 1: called The Girl I Used to Be. It's too heavyweight

1476
01:10:23,520 --> 01:10:26,840
Speaker 1: singing together. I'm not even gonna ask you. I know

1477
01:10:27,280 --> 01:10:30,000
Speaker 1: great ballad. I felt the same way. It was awesome. Yep,

1478
01:10:30,439 --> 01:10:30,880
Speaker 1: it was great.

1479
01:10:31,520 --> 01:10:34,759
Speaker 2: Finally, because we did not get to hear Brandy sing

1480
01:10:34,880 --> 01:10:37,480
Speaker 2: sing sing, I'm the last one.

1481
01:10:37,280 --> 01:10:40,040
Speaker 1: And she can sing sing, she can.

1482
01:10:40,200 --> 01:10:43,080
Speaker 2: We gave her this step, and this is what I

1483
01:10:43,120 --> 01:10:46,080
Speaker 2: think we have I myself, at least I have been

1484
01:10:46,120 --> 01:10:46,720
Speaker 2: waiting for.

1485
01:10:46,840 --> 01:10:47,639
Speaker 1: Yeah, she was great.

1486
01:10:47,640 --> 01:10:50,840
Speaker 2: Thank you. My list of things that needed to be done, check,

1487
01:10:50,920 --> 01:10:54,400
Speaker 2: got another one check checked, dok. Thank you very much. Yep,

1488
01:10:54,439 --> 01:10:56,560
Speaker 2: I agree, Queen Brandy forever.

1489
01:10:56,400 --> 01:10:58,800
Speaker 1: It was awesome. Once the song ends, Max has made

1490
01:10:58,840 --> 01:11:00,720
Speaker 1: it to his dad's to get the curriculum and is

1491
01:11:00,720 --> 01:11:04,120
Speaker 1: immediately greeted by Chessie, who thinks the invention has empowered Max,

1492
01:11:04,200 --> 01:11:07,280
Speaker 1: not hurt him. Plus, the urriculum can answer any questions

1493
01:11:07,320 --> 01:11:09,760
Speaker 1: Max might have about his father, like why he wants

1494
01:11:09,760 --> 01:11:11,400
Speaker 1: this thing so bad? And what did he see in

1495
01:11:11,479 --> 01:11:14,639
Speaker 1: high school? These queries strike up the machine and we

1496
01:11:14,680 --> 01:11:17,439
Speaker 1: see flashbacks. It's the reality before the girls used the

1497
01:11:17,439 --> 01:11:19,719
Speaker 1: pocket watch, when his dad wasn't a villain. And none

1498
01:11:19,760 --> 01:11:23,240
Speaker 1: of this makes any sense whatsoever from a time travel standpoint.

1499
01:11:23,760 --> 01:11:27,080
Speaker 1: You've changed the past. If he could go back and

1500
01:11:27,200 --> 01:11:31,920
Speaker 1: watch what his life was before the time travel, why

1501
01:11:31,960 --> 01:11:34,320
Speaker 1: would he not then stay good? Because he knew he

1502
01:11:34,479 --> 01:11:38,240
Speaker 1: was good then, right, Now, it just gets so convoluted.

1503
01:11:38,240 --> 01:11:41,000
Speaker 1: When you change the past, you've have a whole new timeline.

1504
01:11:41,040 --> 01:11:43,040
Speaker 1: You can't now look into the old timeline and see

1505
01:11:43,040 --> 01:11:46,080
Speaker 1: what it was like. That's just that gets so convoluted

1506
01:11:46,680 --> 01:11:50,040
Speaker 1: that it's like, well then, why why did you realize

1507
01:11:50,040 --> 01:11:51,479
Speaker 1: you were in a villain and you were so close

1508
01:11:51,479 --> 01:11:53,439
Speaker 1: to your son? Why didn't you like that? Why wasn't

1509
01:11:53,479 --> 01:11:55,760
Speaker 1: it just it gets too much, you just have to

1510
01:11:55,800 --> 01:11:59,000
Speaker 1: It should have been flashbacks from this timeline of him

1511
01:11:59,360 --> 01:12:02,400
Speaker 1: seeing the the flash in high school and then being

1512
01:12:02,439 --> 01:12:05,479
Speaker 1: obsessed with the watch so much that at that point.

1513
01:12:05,520 --> 01:12:08,679
Speaker 1: But no, he's still good and none of it made

1514
01:12:08,680 --> 01:12:10,559
Speaker 1: any sense to me. This is where time travel just.

1515
01:12:10,600 --> 01:12:13,559
Speaker 2: Gets a flash of seen that it was the two

1516
01:12:13,600 --> 01:12:17,800
Speaker 2: of them recognizing that Choe, that it's them and they

1517
01:12:17,840 --> 01:12:20,320
Speaker 2: have the pocket watch and they had something to do

1518
01:12:20,360 --> 01:12:21,200
Speaker 2: with this timeline.

1519
01:12:21,280 --> 01:12:23,599
Speaker 1: Yeah, it's it's just that. This is where time travel

1520
01:12:23,720 --> 01:12:26,920
Speaker 1: just gets weird. But he sees that he wasn't the villain,

1521
01:12:26,960 --> 01:12:29,080
Speaker 1: the queen was. He realizes what the girls have done.

1522
01:12:29,120 --> 01:12:31,800
Speaker 1: They ruined his family. That infuriates Max, who destroys the

1523
01:12:31,840 --> 01:12:33,960
Speaker 1: urriculum in a rage. If he gets his hands on

1524
01:12:34,000 --> 01:12:36,200
Speaker 1: that pocket watch, he can make things, make things right.

1525
01:12:36,520 --> 01:12:38,880
Speaker 1: He finds a book of dark enchantments and gets right

1526
01:12:38,920 --> 01:12:41,599
Speaker 1: to work. On the other side of town, Chloe's still depressed,

1527
01:12:41,600 --> 01:12:43,840
Speaker 1: walking among the rabbit houses and singing a new song,

1528
01:12:43,920 --> 01:12:47,000
Speaker 1: Heartless and angst written track where she's eventually joined by Max.

1529
01:12:48,160 --> 01:12:50,320
Speaker 1: It's a song that's filled with revenge and leads to

1530
01:12:50,320 --> 01:12:53,439
Speaker 1: these two deciding to team up again. Another duo, Another song.

1531
01:12:53,479 --> 01:12:54,880
Speaker 1: Would you think there were a lot of songs in

1532
01:12:54,960 --> 01:12:56,000
Speaker 1: this movie?

1533
01:12:56,160 --> 01:12:58,280
Speaker 2: This one could have been cut in half for both

1534
01:12:58,320 --> 01:13:00,800
Speaker 2: of honestly, even the one before. As much as I

1535
01:13:00,800 --> 01:13:02,960
Speaker 2: love the Dan scene, I felt like these two songs

1536
01:13:03,160 --> 01:13:05,639
Speaker 2: could have been cut in half right or was.

1537
01:13:05,600 --> 01:13:07,760
Speaker 1: There a way to maybe combine them?

1538
01:13:08,040 --> 01:13:08,200
Speaker 4: Right?

1539
01:13:09,200 --> 01:13:11,960
Speaker 1: Yes? Yeah, maybe it's the there one dude. The one

1540
01:13:12,000 --> 01:13:14,560
Speaker 1: couple singing about how they're falling in love while the

1541
01:13:14,640 --> 01:13:17,000
Speaker 1: other couple is singing about how they're becoming a villain

1542
01:13:17,080 --> 01:13:20,320
Speaker 1: like that could have been a cool combination or something.

1543
01:13:20,360 --> 01:13:21,559
Speaker 1: I don't know, but I agree with you it could

1544
01:13:21,600 --> 01:13:25,200
Speaker 1: have been. The song ends with By the way, all

1545
01:13:25,240 --> 01:13:30,679
Speaker 1: the singing phenomenal, so good, phenomenal. I'm going to say

1546
01:13:30,720 --> 01:13:35,320
Speaker 1: something that might be a little controversial. I think this

1547
01:13:35,520 --> 01:13:40,280
Speaker 1: cast all around are better singers than the original cast

1548
01:13:40,320 --> 01:13:46,360
Speaker 1: of Descendants. Will I know, controversial, but but I I do.

1549
01:13:46,920 --> 01:13:50,480
Speaker 1: The girl who plays Red has an incredible voice. Incredible,

1550
01:13:50,800 --> 01:13:54,320
Speaker 1: so does Lumani So again, so does lumon so. So

1551
01:13:54,479 --> 01:13:58,360
Speaker 1: I mean there, I would say, as a group, these

1552
01:13:58,360 --> 01:14:00,840
Speaker 1: are better singers than the original cast of Descendants. Do

1553
01:14:00,880 --> 01:14:01,839
Speaker 1: you agree or disagree?

1554
01:14:05,200 --> 01:14:07,799
Speaker 2: I don't know if I really remember much of anyone

1555
01:14:07,800 --> 01:14:13,200
Speaker 2: else besides Sophia, Carson and Cameron.

1556
01:14:13,080 --> 01:14:16,439
Speaker 1: Who were phenomenal singers by this phenomenal.

1557
01:14:15,880 --> 01:14:20,120
Speaker 2: Singers in that regard. I don't know if I agree,

1558
01:14:20,640 --> 01:14:23,120
Speaker 2: But I'm trying to think of the other like when

1559
01:14:23,120 --> 01:14:24,880
Speaker 2: you're saying the full cast, I'm trying to think of

1560
01:14:24,920 --> 01:14:26,960
Speaker 2: the other ones that how much they sing, And I

1561
01:14:26,960 --> 01:14:28,240
Speaker 2: don't think they sing that much.

1562
01:14:28,320 --> 01:14:28,559
Speaker 1: I don't.

1563
01:14:28,640 --> 01:14:29,800
Speaker 2: I don't feel like they got to.

1564
01:14:30,200 --> 01:14:32,400
Speaker 1: It just seem like it seemed different to me. I

1565
01:14:32,400 --> 01:14:33,679
Speaker 1: don't know. I don't know, and I could be wrong.

1566
01:14:33,680 --> 01:14:35,599
Speaker 1: I could go back. I haven't watched the original sentence

1567
01:14:35,600 --> 01:14:36,880
Speaker 1: in a while. I could go back and watch be like, no,

1568
01:14:36,920 --> 01:14:39,599
Speaker 1: I'm totally wrong. Sophia, Carson and Dove Cameron way better.

1569
01:14:39,640 --> 01:14:42,400
Speaker 1: But I don't know. I don't know these seem like

1570
01:14:42,800 --> 01:14:47,080
Speaker 1: they're very strong. It's very strong with Brandy with every

1571
01:14:47,160 --> 01:14:48,719
Speaker 1: I mean it's strong.

1572
01:14:48,840 --> 01:14:51,519
Speaker 2: You don't know, No, you do not get to add

1573
01:14:51,560 --> 01:14:52,800
Speaker 2: those two in why not?

1574
01:14:53,000 --> 01:14:55,880
Speaker 1: It's the cast of singers. That's why I'm saying. I

1575
01:14:55,920 --> 01:14:58,840
Speaker 1: think it's a better singers than the last one.

1576
01:14:58,920 --> 01:15:01,040
Speaker 2: Who played malefis like, oh, yeah.

1577
01:15:00,880 --> 01:15:04,120
Speaker 1: You had you had, uh, Christian Chenno with I get it,

1578
01:15:04,439 --> 01:15:08,599
Speaker 1: I get her Brandy or Kristin Chennow.

1579
01:15:08,360 --> 01:15:14,320
Speaker 2: With Oh, they're so different. That's like a Brandy but

1580
01:15:14,520 --> 01:15:19,400
Speaker 2: like Kristen's like Broadway, Like it's different, Like I mean,

1581
01:15:19,439 --> 01:15:22,760
Speaker 2: she brought character to her voice versus Brandy's got just

1582
01:15:22,800 --> 01:15:24,479
Speaker 2: like an incredible.

1583
01:15:24,320 --> 01:15:26,559
Speaker 1: Maybe that's what I'm hearing. Then maybe it's maybe the

1584
01:15:26,600 --> 01:15:32,840
Speaker 1: original cast seemed more theatrical Broadway Big Yeah, seems more

1585
01:15:32,920 --> 01:15:34,960
Speaker 1: like I want to hear them on the radio singing.

1586
01:15:34,960 --> 01:15:36,200
Speaker 1: Does that make sense? Yeah?

1587
01:15:36,280 --> 01:15:39,400
Speaker 2: And I think that that is a big difference in

1588
01:15:39,400 --> 01:15:42,880
Speaker 2: in the kinds of musicals that it has now transformed into.

1589
01:15:43,840 --> 01:15:47,639
Speaker 1: Right, Like I want to see Maybe that's what it is.

1590
01:15:47,680 --> 01:15:50,559
Speaker 1: I want to see. I want to see Kristin chennw

1591
01:15:50,560 --> 01:15:52,320
Speaker 1: with on stage. I don't want to buy a Kristian

1592
01:15:52,400 --> 01:15:56,280
Speaker 1: Chennow with album Okay, does that make sense? Yeah, so

1593
01:15:56,479 --> 01:15:58,600
Speaker 1: it's and again she's incredible, but I'm not going to

1594
01:15:58,640 --> 01:16:01,200
Speaker 1: be rocking Christian Chenna with in my car whereas I

1595
01:16:01,240 --> 01:16:03,960
Speaker 1: could see, you know, and again not my type of music.

1596
01:16:04,240 --> 01:16:08,240
Speaker 1: But I could see these singers with their songs, putting

1597
01:16:08,280 --> 01:16:11,080
Speaker 1: out albums and listening to it as you're driving somewhere

1598
01:16:11,160 --> 01:16:12,920
Speaker 1: kind of things. It's like a different kind of vibe.

1599
01:16:12,960 --> 01:16:15,599
Speaker 1: So maybe that's all. Maybe one isn't better or worse.

1600
01:16:15,600 --> 01:16:18,800
Speaker 1: You're right, Maybe it is just that they're different styles. Yeah,

1601
01:16:18,800 --> 01:16:23,280
Speaker 1: and the new style seems more hip and fresh than rocks.

1602
01:16:23,360 --> 01:16:26,479
Speaker 2: Where are favorite types of style with Kenny Ortega?

1603
01:16:26,760 --> 01:16:29,320
Speaker 1: Yes, you know, I undred percent Yeah, maybe that's what

1604
01:16:29,360 --> 01:16:31,040
Speaker 1: it is. Maybe better is the rock, Yeah, maybe that's

1605
01:16:31,040 --> 01:16:33,320
Speaker 1: what it is, more modern, Maybe that's what I'm looking for.

1606
01:16:33,360 --> 01:16:36,080
Speaker 1: But anyway, the song ends with Chloe indulged in one

1607
01:16:36,080 --> 01:16:38,919
Speaker 1: of Max's enchantments and putting on a magical blue diamond bracelet,

1608
01:16:38,920 --> 01:16:41,439
Speaker 1: transforming her into a real batty villain with a knife.

1609
01:16:41,560 --> 01:16:44,240
Speaker 1: Apparently she's ready to stab Red, which has it coming

1610
01:16:44,280 --> 01:16:46,479
Speaker 1: after throwing her into the thing. But anyway, no, she

1611
01:16:46,479 --> 01:16:48,160
Speaker 1: doesn't wan to stablish she just wants to take control,

1612
01:16:48,880 --> 01:16:51,280
Speaker 1: and the next morning, Red, Pink, and Luis are waiting

1613
01:16:51,320 --> 01:16:54,000
Speaker 1: for Chloe and Max's return. Pink gets why Chloe is mad.

1614
01:16:54,320 --> 01:16:56,479
Speaker 1: She also feels neglected by Red, and just as they're

1615
01:16:56,479 --> 01:16:58,760
Speaker 1: about to have it out, guess who comes back. It's

1616
01:16:58,840 --> 01:17:01,240
Speaker 1: Max and a mate for Chloe. Skipping through the yard,

1617
01:17:01,320 --> 01:17:05,360
Speaker 1: racing to the Queen's Hedge Maze, Chloe announces she's now cruel, selfish,

1618
01:17:05,439 --> 01:17:08,040
Speaker 1: and ruthless thanks to Max. They flip the switch. They

1619
01:17:08,040 --> 01:17:10,680
Speaker 1: are villains now. Max reveals he knows all about the

1620
01:17:10,680 --> 01:17:12,800
Speaker 1: watch and the damage it did. Red says she never

1621
01:17:12,840 --> 01:17:14,200
Speaker 1: meant for any of this to happen. As the two

1622
01:17:14,240 --> 01:17:16,360
Speaker 1: new villains run off into the maze, with Red and

1623
01:17:16,400 --> 01:17:19,400
Speaker 1: Louise chasing after them. Pink, once again left out, arrives

1624
01:17:19,479 --> 01:17:22,360
Speaker 1: just in time to see the maze close. Inside the maze,

1625
01:17:22,400 --> 01:17:24,280
Speaker 1: Red and Louise try to find the other two, but

1626
01:17:24,400 --> 01:17:26,839
Speaker 1: just keep running into ivy walls. They hear the cackling

1627
01:17:26,880 --> 01:17:29,040
Speaker 1: of Chloe, but the maze is just too big. Louise

1628
01:17:29,080 --> 01:17:32,200
Speaker 1: then holds open a closing wall to help read through,

1629
01:17:32,600 --> 01:17:34,840
Speaker 1: but once she clears it, it closes on him and

1630
01:17:34,880 --> 01:17:38,080
Speaker 1: she promises to come back and then doesn't.

1631
01:17:38,240 --> 01:17:39,519
Speaker 2: Never does no.

1632
01:17:39,880 --> 01:17:42,400
Speaker 1: She literally sees him at the end and is like, oh, hey,

1633
01:17:43,000 --> 01:17:46,800
Speaker 1: you made it. Never goes back.

1634
01:17:47,320 --> 01:17:49,559
Speaker 2: You're so right. She he pops up and she's like

1635
01:17:49,800 --> 01:17:51,280
Speaker 2: you may out and he was like.

1636
01:17:51,560 --> 01:17:58,680
Speaker 1: Yeah, yeah, no exactly. It's so good to see you.

1637
01:17:58,760 --> 01:18:00,200
Speaker 1: I want to say, Louise.

1638
01:18:00,200 --> 01:18:05,040
Speaker 2: This little baby romance we had over done done.

1639
01:18:05,400 --> 01:18:10,720
Speaker 1: Yep, I thought the same thing. Yep. Anyway. Uh. Now,

1640
01:18:10,760 --> 01:18:12,960
Speaker 1: alone in the maze, Red starts to hear voices. It's

1641
01:18:13,000 --> 01:18:15,559
Speaker 1: all the hatred she's caused in the movie. She sees Chessie,

1642
01:18:15,560 --> 01:18:17,320
Speaker 1: who breaks it to her. She asks for all of this.

1643
01:18:17,400 --> 01:18:20,040
Speaker 1: She ruined Max's life, she got her mom captured, betrayed

1644
01:18:20,040 --> 01:18:22,280
Speaker 1: her best friend, and left her dude stuck in a shrub.

1645
01:18:22,400 --> 01:18:26,240
Speaker 1: She's kind of all of that is accurate. Oh I'm

1646
01:18:26,280 --> 01:18:27,519
Speaker 1: sorry a fluffin birch.

1647
01:18:28,880 --> 01:18:29,800
Speaker 2: Yes, thank you.

1648
01:18:30,280 --> 01:18:32,760
Speaker 1: Red runs off to feel bad for herself and sing

1649
01:18:32,800 --> 01:18:36,240
Speaker 1: our next song, Hey do I suck a power ballot? No,

1650
01:18:36,320 --> 01:18:39,360
Speaker 1: it's called who I Am questioning her identity and motives

1651
01:18:39,479 --> 01:18:41,400
Speaker 1: is still stuck in the goddamn maze.

1652
01:18:41,840 --> 01:18:41,960
Speaker 4: Uh.

1653
01:18:42,600 --> 01:18:44,400
Speaker 1: This was a real showcase for her voice. This is

1654
01:18:44,400 --> 01:18:46,679
Speaker 1: the one where I was like, Okay, she can really sing.

1655
01:18:46,600 --> 01:18:50,200
Speaker 2: Yeah, she can. Yeah, But at this point too, there's

1656
01:18:50,280 --> 01:18:53,519
Speaker 2: that like line of like I'm sort of sing songed

1657
01:18:53,520 --> 01:18:56,120
Speaker 2: out a little bit. I agree, I'm sort of meeting

1658
01:18:56,200 --> 01:18:58,960
Speaker 2: things to start rapping up, rapping up, Let's get to

1659
01:18:59,040 --> 01:19:00,000
Speaker 2: get through this maze.

1660
01:19:00,040 --> 01:19:01,960
Speaker 1: You're maz this maze.

1661
01:19:02,200 --> 01:19:04,960
Speaker 2: And it was one of those moments that I every

1662
01:19:05,080 --> 01:19:08,640
Speaker 2: time the act, not every time, but this was like

1663
01:19:08,720 --> 01:19:10,680
Speaker 2: remember when I said that about Vanessa Jdgens and high

1664
01:19:10,680 --> 01:19:13,040
Speaker 2: school musical when she was doing her balance or for

1665
01:19:13,200 --> 01:19:15,280
Speaker 2: me when I was doing It's over, and I'm.

1666
01:19:15,120 --> 01:19:20,760
Speaker 1: Like, it's still my favorite, it's my favorite thing.

1667
01:19:21,120 --> 01:19:24,080
Speaker 2: You can kite it like she's like throwing against the shrubs,

1668
01:19:24,080 --> 01:19:27,519
Speaker 2: and it's like you're not really believing that you're gonna

1669
01:19:27,520 --> 01:19:28,880
Speaker 2: do You're gonna have to do this, but you have

1670
01:19:28,960 --> 01:19:30,559
Speaker 2: to do it because the directors told you to and

1671
01:19:30,600 --> 01:19:32,599
Speaker 2: the choreographers got it set that you're just gonna throw

1672
01:19:32,600 --> 01:19:35,560
Speaker 2: yourself in the shrubs, but you're kind of embarrassed.

1673
01:19:36,439 --> 01:19:38,360
Speaker 1: I agree. By the way, I'm not sure that I

1674
01:19:38,439 --> 01:19:40,720
Speaker 1: told you this a little bit. At my prom I

1675
01:19:40,720 --> 01:19:42,280
Speaker 1: have a giant screen and we're going to be showing

1676
01:19:42,360 --> 01:19:45,439
Speaker 1: your I can't wait. You do.

1677
01:19:46,560 --> 01:19:51,120
Speaker 2: I believe you was gonna go over and die in

1678
01:19:51,200 --> 01:19:53,479
Speaker 2: a corner. Don't you do that to me?

1679
01:19:53,600 --> 01:19:53,840
Speaker 4: Will?

1680
01:19:54,040 --> 01:19:56,720
Speaker 1: I can't wait, It's gonna be great. Once the song ends,

1681
01:19:56,720 --> 01:19:59,639
Speaker 1: she finds a tin case that says Pink and Red's Treasure,

1682
01:20:00,040 --> 01:20:02,000
Speaker 1: and it sets off a flashback of the two sisters

1683
01:20:02,000 --> 01:20:04,000
Speaker 1: as kids playing and eventually running off to the maze

1684
01:20:04,000 --> 01:20:07,600
Speaker 1: and hiding the case. And this makes no sense. She

1685
01:20:07,720 --> 01:20:09,680
Speaker 1: did not grow up with her sister. She would have

1686
01:20:09,720 --> 01:20:12,519
Speaker 1: no memory of her sister. That's the whole point. So

1687
01:20:12,600 --> 01:20:14,439
Speaker 1: the idea that she picks up this case and now

1688
01:20:14,479 --> 01:20:17,799
Speaker 1: remembers growing up in this timeline doesn't make any sense

1689
01:20:17,960 --> 01:20:21,000
Speaker 1: at all. So there are memories that she never made

1690
01:20:21,080 --> 01:20:23,439
Speaker 1: because she's from a different timeline. Return. This is why

1691
01:20:23,479 --> 01:20:25,880
Speaker 1: you don't mess with time travel. Even if the sisters

1692
01:20:25,920 --> 01:20:27,720
Speaker 1: new to her, they have a history. She holds the

1693
01:20:27,800 --> 01:20:30,479
Speaker 1: tin to her heart and yells for Pink. She needs her. Pink.

1694
01:20:30,520 --> 01:20:32,680
Speaker 1: Here's the cry to help, and finally feels needed. She

1695
01:20:32,760 --> 01:20:35,840
Speaker 1: demands the maze open for her, and it does. They

1696
01:20:35,880 --> 01:20:38,040
Speaker 1: rush into each other's arms, finishing the Who I Am

1697
01:20:38,120 --> 01:20:40,880
Speaker 1: Song together. Pink reveals she still has the Alice's cookies

1698
01:20:40,880 --> 01:20:43,400
Speaker 1: in her pockets. She eats a piece and sprouts up

1699
01:20:43,479 --> 01:20:46,120
Speaker 1: twenty feet. Back at the castle, Cinderella and the Queen

1700
01:20:46,160 --> 01:20:48,240
Speaker 1: have finally found some daylight to approach the mad Hatter.

1701
01:20:48,320 --> 01:20:50,639
Speaker 1: He breaks the bad news the Pocket watches almost his

1702
01:20:51,120 --> 01:20:52,840
Speaker 1: Max and Chloe find the vault, which was hidden in

1703
01:20:52,920 --> 01:20:54,760
Speaker 1: the maze, but Red gets there at the same time,

1704
01:20:54,800 --> 01:20:57,240
Speaker 1: now accompanied by her massive sister, which is very cool,

1705
01:20:57,400 --> 01:21:00,679
Speaker 1: who starts stomping and sending everyone through a sinkhole. Red

1706
01:21:00,680 --> 01:21:02,639
Speaker 1: tells Pink to get the others, and now Max can't

1707
01:21:02,640 --> 01:21:05,280
Speaker 1: find the stopwatch Chloe, who retrieves it and looks madder

1708
01:21:05,320 --> 01:21:07,639
Speaker 1: than ever. Red begs her to think this through, while

1709
01:21:07,640 --> 01:21:09,799
Speaker 1: Max tells her to press the button the pain will disappear.

1710
01:21:09,880 --> 01:21:12,760
Speaker 1: It is a real standoff. Chloe scoffs she's not doing

1711
01:21:12,760 --> 01:21:15,040
Speaker 1: this for Max or his dad. She's seen the past.

1712
01:21:15,240 --> 01:21:17,240
Speaker 1: She wants to look to the future, where she will

1713
01:21:17,280 --> 01:21:19,759
Speaker 1: be on top, full of power. She is full villain

1714
01:21:19,800 --> 01:21:22,519
Speaker 1: mode now. Red continues to try and knock some sense

1715
01:21:22,560 --> 01:21:24,559
Speaker 1: into her. She admits she hasn't been a good friend,

1716
01:21:24,800 --> 01:21:26,719
Speaker 1: but she believes in Chloe. If she presses the button,

1717
01:21:26,760 --> 01:21:29,760
Speaker 1: they'll lose everything, including each other. Chloe's heard enough, but

1718
01:21:29,880 --> 01:21:32,800
Speaker 1: yet they're not done singing, Red starts singing We'll figure

1719
01:21:32,800 --> 01:21:35,320
Speaker 1: it out together, which turns into the two friends harmonizing.

1720
01:21:35,360 --> 01:21:37,280
Speaker 1: They grab each other's hands, and Chloe has come to

1721
01:21:37,320 --> 01:21:40,759
Speaker 1: her senses. She pulls the armband off and hugs Red.

1722
01:21:41,120 --> 01:21:43,760
Speaker 1: Back at the castle, Maddox is enraged. Cinderella and the

1723
01:21:43,840 --> 01:21:45,880
Speaker 1: Queen watch from beyond the ivy, telling him it's time

1724
01:21:45,880 --> 01:21:48,200
Speaker 1: to go, but he's not quite done. Throwing one more

1725
01:21:48,240 --> 01:21:50,479
Speaker 1: card through the castle window. It rockets to the girls,

1726
01:21:50,560 --> 01:21:52,920
Speaker 1: knocking down both Chloe and Red and sending the pocket

1727
01:21:52,920 --> 01:21:55,600
Speaker 1: watch to the floor. A nearby concrete dragon kind of

1728
01:21:55,640 --> 01:21:57,519
Speaker 1: comes to life and is ready to attack Max, who's

1729
01:21:57,560 --> 01:21:59,639
Speaker 1: now pinned down by a huge rock. The girl's spring

1730
01:21:59,680 --> 01:22:02,439
Speaker 1: in act to free him as the dragon falls closer

1731
01:22:02,479 --> 01:22:04,759
Speaker 1: to them. Just as Max slides out, the stone dragon

1732
01:22:04,800 --> 01:22:08,400
Speaker 1: crumbles to the floor, thousands of pounds, just missing him.

1733
01:22:09,120 --> 01:22:11,320
Speaker 1: Max realizes the girls just saved him and thanks them.

1734
01:22:11,520 --> 01:22:13,080
Speaker 1: They all look to the pocket watch on the ground

1735
01:22:13,080 --> 01:22:14,840
Speaker 1: and Red picks it up. Chloe wonders what they'll do

1736
01:22:14,880 --> 01:22:16,680
Speaker 1: with it now. Red said there's no going back to

1737
01:22:16,720 --> 01:22:19,519
Speaker 1: the past. The watch has done enough damage, but Red

1738
01:22:19,560 --> 01:22:22,680
Speaker 1: promises she won't abandon Max or his dad, and with

1739
01:22:22,760 --> 01:22:24,600
Speaker 1: that she throws the watch into a well, and I

1740
01:22:24,680 --> 01:22:26,280
Speaker 1: was just I just realized maybe she didn't know the

1741
01:22:26,280 --> 01:22:28,880
Speaker 1: well was there before because the sinkhole opened it up,

1742
01:22:28,920 --> 01:22:30,720
Speaker 1: so this could have been a secret place that she

1743
01:22:30,720 --> 01:22:34,120
Speaker 1: didn't know about before she throws the watch into the well.

1744
01:22:34,200 --> 01:22:38,080
Speaker 1: And here's a voice whisper, fates sealed waters, deep secrets,

1745
01:22:38,080 --> 01:22:40,479
Speaker 1: Here are ours to keep, which is just a really

1746
01:22:40,520 --> 01:22:43,640
Speaker 1: shitty fortune cookie. Mad Hatter. Right, but by the way,

1747
01:22:43,680 --> 01:22:45,920
Speaker 1: if you flipped that over, it said seven nineteen twenty

1748
01:22:45,960 --> 01:22:50,880
Speaker 1: one thirty one sixteen, And now he is even He's

1749
01:22:50,920 --> 01:22:53,599
Speaker 1: now in even more trouble because a twenty foot pink

1750
01:22:54,120 --> 01:22:56,880
Speaker 1: is at the mad Hatter's door. The remaining crew bargain

1751
01:22:56,960 --> 01:22:59,200
Speaker 1: and surround him. Hazel free Cinderella and the Queen. Then

1752
01:22:59,240 --> 01:23:01,599
Speaker 1: a fallen shand of traps the mad Hatter for good.

1753
01:23:02,120 --> 01:23:03,880
Speaker 1: The Queen takes back her cards and uses one to

1754
01:23:03,880 --> 01:23:06,200
Speaker 1: return her castle back to form. Red and Chloe run

1755
01:23:06,200 --> 01:23:08,240
Speaker 1: in to hug their moms. The queens come face to

1756
01:23:08,280 --> 01:23:10,280
Speaker 1: face with the Mad Hatter, furious that he broke into

1757
01:23:10,320 --> 01:23:12,880
Speaker 1: their home and threatened her daughter. She yells off off

1758
01:23:12,920 --> 01:23:15,799
Speaker 1: with your head. Then she gasps, where did that anger

1759
01:23:15,840 --> 01:23:18,880
Speaker 1: come from Very Funny, a call back to the first movie.

1760
01:23:19,040 --> 01:23:20,639
Speaker 1: Just as the guards come to take him away, Red

1761
01:23:20,640 --> 01:23:22,439
Speaker 1: steps in and says it's all her fault. She was

1762
01:23:22,439 --> 01:23:25,240
Speaker 1: too afraid to disappoint her mom and says everyone deserves

1763
01:23:25,280 --> 01:23:28,000
Speaker 1: a do over. The Queen changes course and saves the

1764
01:23:28,000 --> 01:23:30,439
Speaker 1: Mad Hatter's life, but he will stay in custody for now.

1765
01:23:30,479 --> 01:23:33,680
Speaker 1: And by that literally she means he stays in that like,

1766
01:23:33,720 --> 01:23:35,519
Speaker 1: they throw a party and everything, and he's just under

1767
01:23:35,560 --> 01:23:37,519
Speaker 1: the chandelier. They don't even move him to another thing.

1768
01:23:37,560 --> 01:23:41,600
Speaker 1: He's just literally that's where he lies now. Yeah. The

1769
01:23:41,640 --> 01:23:43,439
Speaker 1: mom calls for a tea party to celebrate in the

1770
01:23:43,560 --> 01:23:46,160
Speaker 1: entire cast congregates in the ballroom. Everyone makes peace, from

1771
01:23:46,200 --> 01:23:48,720
Speaker 1: Hazel to Chloe to Cinderella and Chloe to Chloe and

1772
01:23:48,720 --> 01:23:51,040
Speaker 1: Red to Red and Luise, who are now holding hands

1773
01:23:51,120 --> 01:23:53,920
Speaker 1: like a couple. The Queen of hearts toast to the rescuers,

1774
01:23:53,960 --> 01:23:56,719
Speaker 1: both heroes and villains working together. She is forever proud

1775
01:23:56,720 --> 01:23:58,760
Speaker 1: of them. Fireworks are up from the castle and the

1776
01:23:58,760 --> 01:24:02,040
Speaker 1: Fairy Godmother announces it's time to bibity boppity bust, a

1777
01:24:02,120 --> 01:24:05,560
Speaker 1: move which leads to our big finale song, go Live. It.

1778
01:24:05,560 --> 01:24:07,400
Speaker 1: It's all about the idea that if you're perfect or

1779
01:24:07,439 --> 01:24:09,840
Speaker 1: messy or anything in between, it's time to just go

1780
01:24:09,920 --> 01:24:12,920
Speaker 1: and live your life. So it includes everybody in the movie,

1781
01:24:13,000 --> 01:24:15,080
Speaker 1: even the dancing chest pieces. What did you think, big

1782
01:24:15,160 --> 01:24:16,800
Speaker 1: ending number? Do you think they closed it out? Right?

1783
01:24:17,520 --> 01:24:18,000
Speaker 2: I did?

1784
01:24:18,479 --> 01:24:20,360
Speaker 1: I need to This is a good one.

1785
01:24:20,560 --> 01:24:22,519
Speaker 2: I liked this one a lot. I thought it was

1786
01:24:22,600 --> 01:24:25,240
Speaker 2: I thought it was great. I loved the chance. And

1787
01:24:25,320 --> 01:24:28,320
Speaker 2: actually the actors when I talked to them, they said

1788
01:24:28,360 --> 01:24:30,320
Speaker 2: this was one of the most difficult ones because I

1789
01:24:30,439 --> 01:24:32,679
Speaker 2: see that a lot of the girls were on the table.

1790
01:24:32,800 --> 01:24:35,360
Speaker 2: They were in like kind of heels or high high

1791
01:24:35,400 --> 01:24:39,640
Speaker 2: shoot high heeled boots, and that they I loved it

1792
01:24:39,680 --> 01:24:42,800
Speaker 2: because we are finally seeing them in something different than

1793
01:24:42,840 --> 01:24:46,160
Speaker 2: what they've been wearing the entire movie. Right, I love

1794
01:24:46,200 --> 01:24:48,880
Speaker 2: the costumes in this movie. And they said that actually

1795
01:24:48,920 --> 01:24:51,080
Speaker 2: made it difficult. They were finally like able to like

1796
01:24:51,160 --> 01:24:53,639
Speaker 2: move around in their old costumes and then they had

1797
01:24:53,640 --> 01:24:56,000
Speaker 2: to put these on. It was like again just like

1798
01:24:56,760 --> 01:24:59,360
Speaker 2: justin to trying to like get to like actually move

1799
01:24:59,439 --> 01:25:00,080
Speaker 2: and get used.

1800
01:24:59,920 --> 01:25:02,200
Speaker 1: To Yeah, dancing and all these costumes must be tough.

1801
01:25:02,200 --> 01:25:03,920
Speaker 1: But yeah, this is a great I thought it way.

1802
01:25:03,800 --> 01:25:07,479
Speaker 2: To end it, super visual, lots of energy and really

1803
01:25:07,560 --> 01:25:10,880
Speaker 2: just like put a great button on the awesome music

1804
01:25:10,960 --> 01:25:11,599
Speaker 2: in this movie.

1805
01:25:11,680 --> 01:25:14,880
Speaker 1: I agree hundred percent. As the song ends, we've seen Chessie,

1806
01:25:14,880 --> 01:25:17,719
Speaker 1: who declares she hates happy endings. It's time to start

1807
01:25:17,760 --> 01:25:20,040
Speaker 1: some new mischief. We got to the end of the party,

1808
01:25:20,080 --> 01:25:22,479
Speaker 1: everyone's left, and now our regular sized pink is alone

1809
01:25:22,479 --> 01:25:25,200
Speaker 1: in the ballroom. She notices a shiny object in the floor,

1810
01:25:25,200 --> 01:25:27,760
Speaker 1: which we can't really make out. She happily places it

1811
01:25:27,800 --> 01:25:29,439
Speaker 1: in the tin can of treasures she's made as a

1812
01:25:29,520 --> 01:25:32,200
Speaker 1: kid with Red and then skips off, opening some sort

1813
01:25:32,200 --> 01:25:35,639
Speaker 1: of new mystery for Descendants. Six, Chessie appears again, reciting

1814
01:25:35,680 --> 01:25:38,800
Speaker 1: the infamous line that always ends a Descendants movie. You

1815
01:25:38,800 --> 01:25:40,559
Speaker 1: didn't think that was the end of the story, did you.

1816
01:25:41,400 --> 01:25:43,519
Speaker 1: We get our final credits with some dancing highlights, and

1817
01:25:43,560 --> 01:25:45,599
Speaker 1: that is our movie. What do you think she put

1818
01:25:45,600 --> 01:25:45,960
Speaker 1: in the tin?

1819
01:25:47,280 --> 01:25:49,280
Speaker 2: I have no idea, me neither.

1820
01:25:50,200 --> 01:25:52,040
Speaker 1: I don't think they did either, frankly, and they'll they'll

1821
01:25:52,080 --> 01:25:53,600
Speaker 1: figure it out as they do.

1822
01:25:53,760 --> 01:25:54,840
Speaker 2: Ran one right.

1823
01:26:02,040 --> 01:26:06,000
Speaker 1: Can we do some real reviews? Yes? I have the

1824
01:26:06,040 --> 01:26:08,960
Speaker 1: five star this week and it is from Josiah R.

1825
01:26:09,040 --> 01:26:10,760
Speaker 1: Twenty two and keep in mind all these reviews have

1826
01:26:10,800 --> 01:26:13,800
Speaker 1: been written in like the last week, which I love right.

1827
01:26:14,120 --> 01:26:17,439
Speaker 1: Josiah R. Twenty two says, the best movie ever. Please

1828
01:26:17,479 --> 01:26:19,680
Speaker 1: watch this. Please go to Disney Plus and search the

1829
01:26:19,680 --> 01:26:22,000
Speaker 1: movie and go watch it. This movie will be the best.

1830
01:26:22,320 --> 01:26:24,240
Speaker 1: Thank you so much, and don't give it a bad review.

1831
01:26:24,360 --> 01:26:26,800
Speaker 1: This movie has very good soundtracks and music, Thank you

1832
01:26:26,840 --> 01:26:29,479
Speaker 1: so much, thank you. And the rap vibes so good,

1833
01:26:29,680 --> 01:26:34,000
Speaker 1: so amazing. Five stars. Who woo, Sabrina, what do you got?

1834
01:26:34,280 --> 01:26:36,960
Speaker 2: Loved it? They loved it all right. This one is

1835
01:26:37,000 --> 01:26:42,040
Speaker 2: the opposite. We've got the one star from Aiden Wade Shirley. Sorry,

1836
01:26:42,120 --> 01:26:46,280
Speaker 2: this movie is genuinely bad. The story makes no sense

1837
01:26:46,360 --> 01:26:52,360
Speaker 2: with this. I love this chat GBT corypt Ah. Why

1838
01:26:52,400 --> 01:26:54,920
Speaker 2: the hell are we flirting with someone we met five

1839
01:26:55,040 --> 01:26:57,679
Speaker 2: minutes ago? This is what you get when you cast

1840
01:26:57,720 --> 01:26:59,960
Speaker 2: a bunch of NEPO babies crazy.

1841
01:27:00,760 --> 01:27:02,920
Speaker 1: This is not a one star movie, for the record,

1842
01:27:03,040 --> 01:27:05,360
Speaker 1: no on any stretch of the imagination. This is not

1843
01:27:05,400 --> 01:27:08,000
Speaker 1: any metrics. This is not a one star movie, not

1844
01:27:08,120 --> 01:27:10,559
Speaker 1: at all. All right, so we are now just ready

1845
01:27:10,600 --> 01:27:12,920
Speaker 1: for our feature. Here we go, Sabrina's favorite portion of

1846
01:27:12,960 --> 01:27:16,120
Speaker 1: the program, Our feature. I got five on it is

1847
01:27:16,120 --> 01:27:19,080
Speaker 1: what it's called. We've got the first ever fifth installment

1848
01:27:19,080 --> 01:27:22,400
Speaker 1: in the dcom franchise. So we're playing off the number five,

1849
01:27:22,640 --> 01:27:24,880
Speaker 1: similar to what we recently did for four. We're going

1850
01:27:24,960 --> 01:27:27,120
Speaker 1: to be given a list of things or people and

1851
01:27:27,120 --> 01:27:29,479
Speaker 1: we have to finish that list. So it became the

1852
01:27:29,520 --> 01:27:31,599
Speaker 1: list becomes five. Does that make sense? We're getting four,

1853
01:27:32,080 --> 01:27:34,240
Speaker 1: we have to make it five and three out of

1854
01:27:34,280 --> 01:27:36,759
Speaker 1: five wins. So here we go. Who are we playing

1855
01:27:36,760 --> 01:27:37,160
Speaker 1: with today?

1856
01:27:37,600 --> 01:27:38,840
Speaker 2: You have michaela.

1857
01:27:38,960 --> 01:27:45,599
Speaker 1: Yay, Mikayla. Here we Gola, number one, Scary Spice, Sporty Spice,

1858
01:27:45,840 --> 01:27:49,880
Speaker 1: Posh Spice, ginger spice, and my fave, who do you

1859
01:27:49,920 --> 01:27:50,559
Speaker 1: got Sabrina?

1860
01:27:51,040 --> 01:27:51,800
Speaker 2: Do you have it?

1861
01:27:52,200 --> 01:27:54,400
Speaker 1: Of course I have it? She's my favorite week spe

1862
01:27:54,720 --> 01:27:58,439
Speaker 1: of course, Baby's my favorite. Here we go, when when

1863
01:27:58,600 --> 01:28:04,479
Speaker 1: to become? There we go? All right? Number two Michael Jackson,

1864
01:28:04,560 --> 01:28:07,320
Speaker 1: Jermaine Jackson, Marlon Jackson, Jackie Jackson.

1865
01:28:07,439 --> 01:28:10,639
Speaker 2: And does it have Jermaine?

1866
01:28:11,040 --> 01:28:12,280
Speaker 1: They have Dreamaine jack.

1867
01:28:14,040 --> 01:28:19,320
Speaker 2: I don't know, I don't know, isn't it Tito? Oh yeah, yes,

1868
01:28:19,960 --> 01:28:20,839
Speaker 2: Tito Jackson.

1869
01:28:20,840 --> 01:28:25,920
Speaker 1: There we go. Number three Pacific, Atlantic, Indian, Arctic, and

1870
01:28:28,000 --> 01:28:31,240
Speaker 1: they're all oceans obviously, yes, what's the fifth ocean?

1871
01:28:32,360 --> 01:28:34,839
Speaker 2: Is there a southern ocean?

1872
01:28:35,360 --> 01:28:38,719
Speaker 1: Mm hmmm, yes, yeah, Southern ocean?

1873
01:28:38,840 --> 01:28:41,120
Speaker 2: Right, yes, correct?

1874
01:28:43,560 --> 01:28:47,360
Speaker 1: All right, here we go Number four sight, smell, hearing, touch, and.

1875
01:28:49,400 --> 01:28:53,160
Speaker 2: Oh my god, taste.

1876
01:28:52,920 --> 01:28:54,439
Speaker 1: They taste is correct?

1877
01:28:54,560 --> 01:28:54,720
Speaker 4: Right?

1878
01:28:54,800 --> 01:28:55,160
Speaker 1: Yes?

1879
01:28:55,360 --> 01:28:56,439
Speaker 2: Yeah, we won.

1880
01:28:56,920 --> 01:29:00,920
Speaker 1: And here's the last one. Number five. Scooby Shaggy. I

1881
01:29:00,960 --> 01:29:04,280
Speaker 1: should probably read it this way, Scooby Shaggy, Fred, Velma

1882
01:29:04,360 --> 01:29:07,560
Speaker 1: and Wilma. No, Wilma.

1883
01:29:08,920 --> 01:29:11,479
Speaker 2: Wilma's the flint stone Velma.

1884
01:29:11,520 --> 01:29:13,759
Speaker 1: They have Belma. Yeah, Wilma.

1885
01:29:15,320 --> 01:29:19,160
Speaker 2: Scooby is Velma the redhead?

1886
01:29:19,920 --> 01:29:24,080
Speaker 1: Nope, we're missing the red orange. So who's the redhead.

1887
01:29:24,200 --> 01:29:26,320
Speaker 2: In the purple in the purple dress?

1888
01:29:26,360 --> 01:29:26,960
Speaker 1: You're gonna hear it?

1889
01:29:27,040 --> 01:29:29,400
Speaker 2: Be like, damn it, I know, I don't know it.

1890
01:29:29,520 --> 01:29:32,759
Speaker 1: I'm about to go five for five. Sabrina Daphne.

1891
01:29:32,960 --> 01:29:34,640
Speaker 2: Oh no, I really don't know that.

1892
01:29:35,280 --> 01:29:39,520
Speaker 1: Yeah, all right, can we do some Sabrina sees.

1893
01:29:43,439 --> 01:29:47,760
Speaker 2: Okay, we did most of my stuff. This is more

1894
01:29:47,880 --> 01:29:52,679
Speaker 2: so like figuring out where we're going with the sixth one. Okay, okay,

1895
01:29:52,720 --> 01:30:01,639
Speaker 2: So there's a couple of things I am wondering if

1896
01:30:01,680 --> 01:30:08,640
Speaker 2: it's possible that Red might be the new villain. You

1897
01:30:08,680 --> 01:30:15,960
Speaker 2: think the reasoning why is in the first one I saw.

1898
01:30:17,640 --> 01:30:21,839
Speaker 2: Remember we talked about it in the last episode with

1899
01:30:21,840 --> 01:30:24,160
Speaker 2: with this movie. Is we talk about how she saw

1900
01:30:24,280 --> 01:30:27,400
Speaker 2: like the future and she's sitting on the throne with

1901
01:30:27,479 --> 01:30:29,240
Speaker 2: like her mom in.

1902
01:30:29,680 --> 01:30:32,960
Speaker 1: The Yeah they see her in the right but that

1903
01:30:33,080 --> 01:30:37,320
Speaker 1: was the original timeline, right, well, yeah she changed that.

1904
01:30:38,439 --> 01:30:42,280
Speaker 2: Well, but this is what I'm saying. So the the

1905
01:30:42,320 --> 01:30:45,880
Speaker 2: Pocket Watch, So I saw something about one thing because

1906
01:30:45,920 --> 01:30:49,599
Speaker 2: my algorithm algorithm right now is like flooded with this

1907
01:30:49,680 --> 01:30:53,439
Speaker 2: movie obviously, and there was one thing that spun me off,

1908
01:30:53,439 --> 01:30:55,120
Speaker 2: and then it kind of made me start like looking

1909
01:30:55,160 --> 01:30:58,280
Speaker 2: back and like going on chat rooms or whatever, you know,

1910
01:30:58,439 --> 01:31:02,719
Speaker 2: researching a little bit. There's like the time the watch

1911
01:31:03,400 --> 01:31:06,120
Speaker 2: is like sparkling. It doesn't like shut down. It's like

1912
01:31:06,200 --> 01:31:09,519
Speaker 2: sparkling when it's in the water. So like, I'm wondering

1913
01:31:09,560 --> 01:31:13,559
Speaker 2: if they set the time thing, which will probably kill you.

1914
01:31:13,800 --> 01:31:15,479
Speaker 1: God, I hope they I think they're gonna I think

1915
01:31:15,520 --> 01:31:16,519
Speaker 1: they're done with time travel.

1916
01:31:16,880 --> 01:31:19,200
Speaker 2: Okay, they might be, But if it's is it and

1917
01:31:19,240 --> 01:31:22,759
Speaker 2: it's something that maybe ex screws it back up, because

1918
01:31:22,800 --> 01:31:24,760
Speaker 2: how great would it be if Red came back as

1919
01:31:24,760 --> 01:31:26,679
Speaker 2: a villain, like a true villain.

1920
01:31:26,880 --> 01:31:28,879
Speaker 1: Yeah, I think they. I think.

1921
01:31:32,520 --> 01:31:35,120
Speaker 2: Pinks movie. Yes, that's why she's the one that picks

1922
01:31:35,120 --> 01:31:38,280
Speaker 2: it up. This is gonna be her her story, right,

1923
01:31:38,680 --> 01:31:41,280
Speaker 2: like as in the last one with the zombies, like

1924
01:31:41,320 --> 01:31:43,920
Speaker 2: we picked up new characters, they're gonna take it this

1925
01:31:44,080 --> 01:31:46,280
Speaker 2: next movie. So I think this next movie is gonna

1926
01:31:46,280 --> 01:31:50,080
Speaker 2: be pink and I honestly because the straight hair, so

1927
01:31:50,160 --> 01:31:53,679
Speaker 2: she wears she The only time she has straight hair

1928
01:31:54,400 --> 01:31:57,000
Speaker 2: is in that flashback. The rest of the movie Last

1929
01:31:57,000 --> 01:31:59,320
Speaker 2: Time was with with curly hair. All this movie was

1930
01:31:59,400 --> 01:32:03,040
Speaker 2: curly hair except for when they're going down the rabbit hole.

1931
01:32:05,000 --> 01:32:07,840
Speaker 2: You see Chloe, and Chloe sees herself with straight hair,

1932
01:32:08,280 --> 01:32:11,400
Speaker 2: and then Red sees herself in a mirror with straight hair.

1933
01:32:12,080 --> 01:32:15,120
Speaker 2: So I'm like thinking, okay.

1934
01:32:14,640 --> 01:32:17,559
Speaker 4: Yeah, because they didn't solve why Red saw herself then,

1935
01:32:17,720 --> 01:32:20,040
Speaker 4: because they didn't see Chloe saw the future that she'd

1936
01:32:20,040 --> 01:32:22,479
Speaker 4: be evil and that came true and Red still saw

1937
01:32:22,600 --> 01:32:24,439
Speaker 4: that same future with me.

1938
01:32:24,560 --> 01:32:25,880
Speaker 2: Lisa kind of yeah.

1939
01:32:26,080 --> 01:32:30,360
Speaker 4: And my theory is that Leamanni's character picked up maybe

1940
01:32:30,360 --> 01:32:35,479
Speaker 4: that stone from the bracelet that turned Chloe evil because

1941
01:32:35,479 --> 01:32:39,280
Speaker 4: we didn't kill them of castle was the castle.

1942
01:32:39,360 --> 01:32:41,479
Speaker 1: She picked it up outside and put it in the

1943
01:32:41,520 --> 01:32:44,080
Speaker 1: in the little in the tin thing, wasn't.

1944
01:32:46,160 --> 01:32:51,880
Speaker 4: The party some something, but like she could have dropn

1945
01:32:51,920 --> 01:32:54,479
Speaker 4: something for her or something, and that bracelet just kind

1946
01:32:54,479 --> 01:32:56,920
Speaker 4: of broke. But I feel like when you're talking about

1947
01:32:56,960 --> 01:32:59,120
Speaker 4: time travel, it's like, well, the only person that knows

1948
01:32:59,160 --> 01:33:02,200
Speaker 4: at the end is Matt Max, right that the girl's

1949
01:33:02,280 --> 01:33:06,600
Speaker 4: time traveled, right right, I'm thinking Leamani's character, Pink is

1950
01:33:06,640 --> 01:33:08,519
Speaker 4: now going to figure out that she wasn't supposed to

1951
01:33:08,520 --> 01:33:10,559
Speaker 4: exist and like have her little rage moment.

1952
01:33:10,640 --> 01:33:14,080
Speaker 2: That's where my theory was the time travel again, they

1953
01:33:14,120 --> 01:33:14,640
Speaker 2: need to stop it.

1954
01:33:15,280 --> 01:33:19,439
Speaker 1: I'm out. I can't. I can't with more time travel,

1955
01:33:19,520 --> 01:33:22,519
Speaker 1: I can't. Now, if they were smart, they would really

1956
01:33:22,840 --> 01:33:26,000
Speaker 1: lean into because there's been years and years and years

1957
01:33:26,040 --> 01:33:28,360
Speaker 1: now where people have wanted them to do another Honey,

1958
01:33:28,400 --> 01:33:30,960
Speaker 1: I shrunk the kids. So if they were smart and

1959
01:33:31,000 --> 01:33:34,400
Speaker 1: you're in Alice in Wonderland, something happens where she takes

1960
01:33:34,520 --> 01:33:37,240
Speaker 1: Alice's original potion, and I think Pink and a group

1961
01:33:37,240 --> 01:33:40,840
Speaker 1: of people become super small and the entire thing is

1962
01:33:40,920 --> 01:33:44,680
Speaker 1: them trying to get back to the castle. Honey, I

1963
01:33:44,680 --> 01:33:47,760
Speaker 1: shrunk the kid's style while while Red tries to save them.

1964
01:33:47,840 --> 01:33:49,680
Speaker 1: That would be I also don't think it's going to

1965
01:33:49,760 --> 01:33:52,800
Speaker 1: be fully Pink's story. I think it'll be about Pink.

1966
01:33:53,040 --> 01:33:56,680
Speaker 1: But if they stick to the regular way they do it,

1967
01:33:57,240 --> 01:34:01,240
Speaker 1: the stars of the of the series get three, so

1968
01:34:01,880 --> 01:34:04,120
Speaker 1: Red Red will still get three, and then at the

1969
01:34:04,280 --> 01:34:06,040
Speaker 1: end of the third one they'll pass it off to

1970
01:34:06,080 --> 01:34:07,680
Speaker 1: Pink and her friends in the news.

1971
01:34:07,360 --> 01:34:09,800
Speaker 2: That's that's why I think Red. It would be a

1972
01:34:10,000 --> 01:34:12,760
Speaker 2: crazy switch to have Red then go back and.

1973
01:34:12,680 --> 01:34:15,960
Speaker 1: Be but she started evil already. I feel like they'd

1974
01:34:15,960 --> 01:34:17,759
Speaker 1: be taking her back again. Would be weird.

1975
01:34:18,320 --> 01:34:22,080
Speaker 2: Yeah, but I don't. The straight hair to me is

1976
01:34:22,120 --> 01:34:25,280
Speaker 2: like their symbol of evil, and we didn't get an

1977
01:34:25,400 --> 01:34:27,920
Speaker 2: understanding of what ends up happening when she sees her

1978
01:34:27,960 --> 01:34:28,599
Speaker 2: in this mirror.

1979
01:34:28,800 --> 01:34:30,800
Speaker 1: Well it couldn't. Maybe it's not a symbol of evil.

1980
01:34:30,800 --> 01:34:32,559
Speaker 1: Maybe what it is is just a symbol of her

1981
01:34:32,600 --> 01:34:34,960
Speaker 1: on the throne. So maybe the next one her her

1982
01:34:35,000 --> 01:34:39,000
Speaker 1: mom gives she becomes the queen and is going to

1983
01:34:39,040 --> 01:34:42,160
Speaker 1: be all about the coronation and maybe Pink. Maybe they're right,

1984
01:34:42,200 --> 01:34:44,920
Speaker 1: Maybe Pink goes in the past or something and sees

1985
01:34:44,920 --> 01:34:46,200
Speaker 1: that she wasn't supposed to exist.

1986
01:34:46,479 --> 01:34:49,760
Speaker 4: So another fun plot that I saw that people want

1987
01:34:49,880 --> 01:34:52,880
Speaker 4: to happen is finding out who the heck the other

1988
01:34:52,960 --> 01:34:56,479
Speaker 4: parents are. So they mentioned Gaston like Queen of Hearts

1989
01:34:56,720 --> 01:34:58,920
Speaker 4: hooking up with Gaston at some point, So.

1990
01:34:58,960 --> 01:35:00,599
Speaker 2: Is she is he dead's dead?

1991
01:35:00,880 --> 01:35:03,120
Speaker 4: Like there's all you know, the one parent for a

1992
01:35:03,120 --> 01:35:05,880
Speaker 4: lot of these people and you don't know the other. Yeah,

1993
01:35:06,200 --> 01:35:08,800
Speaker 4: that's also something maybe they got kind of like how

1994
01:35:08,880 --> 01:35:12,080
Speaker 4: in three she found Hades, but like as her dad, like,

1995
01:35:12,160 --> 01:35:13,880
Speaker 4: could you send the rest of them to kind of

1996
01:35:13,880 --> 01:35:14,639
Speaker 4: figure out?

1997
01:35:15,040 --> 01:35:19,800
Speaker 2: That would be cool? That would be cool. Also, I

1998
01:35:19,840 --> 01:35:22,640
Speaker 2: thought of Gaston. The last thing I was was I

1999
01:35:22,680 --> 01:35:24,519
Speaker 2: was going to bring up again how I didn't know

2000
01:35:24,800 --> 01:35:28,720
Speaker 2: Louise was Louise's son, but and I thought he was Gaston's.

2001
01:35:28,760 --> 01:35:31,519
Speaker 2: But then I remember, didn't Gaston die and beating the beast?

2002
01:35:31,880 --> 01:35:33,120
Speaker 2: He like falls off that cliff.

2003
01:35:33,320 --> 01:35:36,479
Speaker 1: Yeah you don't. I don't think you don't know the.

2004
01:35:36,520 --> 01:35:40,080
Speaker 2: Queen evil queens die and stuff. So it's like they, Yeah,

2005
01:35:40,360 --> 01:35:40,879
Speaker 2: the only.

2006
01:35:40,720 --> 01:35:42,840
Speaker 1: One you knew was dead and dead dead dead dead

2007
01:35:42,880 --> 01:35:45,960
Speaker 1: dead dead dead was Mufasa. Like you knew Mufasa was dead,

2008
01:35:45,960 --> 01:35:47,519
Speaker 1: but everybody else it was like he fell but you

2009
01:35:47,560 --> 01:35:48,719
Speaker 1: didn't really see him anyway.

2010
01:35:49,400 --> 01:35:49,920
Speaker 2: All right?

2011
01:35:50,120 --> 01:35:50,519
Speaker 1: Interesting?

2012
01:35:50,600 --> 01:35:51,000
Speaker 2: That was it?

2013
01:35:51,080 --> 01:35:51,479
Speaker 1: So that was.

2014
01:35:51,520 --> 01:35:54,320
Speaker 2: My main thing was just to see where we're gonna go.

2015
01:35:54,760 --> 01:35:57,480
Speaker 2: Let's see the Descendants franchise.

2016
01:35:57,920 --> 01:36:01,439
Speaker 1: I well, now let's score the one we just got

2017
01:36:02,080 --> 01:36:04,280
Speaker 1: our options. This week, we're going to go one to ten,

2018
01:36:05,600 --> 01:36:07,760
Speaker 1: ten being the best. Of course, this week we've got

2019
01:36:07,760 --> 01:36:11,639
Speaker 1: one to ten Horny classmates, one to ten, Rainbow Tabbies,

2020
01:36:12,320 --> 01:36:17,599
Speaker 1: one to ten, robot Dodo birds, zebra drafts, weird SMEEs,

2021
01:36:18,520 --> 01:36:21,679
Speaker 1: one out of ten, trousers, one out of ten, rabbit

2022
01:36:21,720 --> 01:36:25,360
Speaker 1: house squatters, one out of ten stabbers, one out of ten,

2023
01:36:25,640 --> 01:36:29,479
Speaker 1: fortune cookies, or one out of ten bibity boppity busted moves.

2024
01:36:29,560 --> 01:36:30,559
Speaker 1: What do you got, Sabrina?

2025
01:36:30,720 --> 01:36:33,479
Speaker 2: I think we should add our one out of ten?

2026
01:36:33,880 --> 01:36:35,160
Speaker 2: Was it fluffing purchases?

2027
01:36:35,320 --> 01:36:37,360
Speaker 1: Okay, I love it, one out of ten fluff and purchase,

2028
01:36:37,560 --> 01:36:40,120
Speaker 1: and I believe I have to go first. This time

2029
01:36:40,320 --> 01:36:43,040
Speaker 1: you went first last time. I like this movie. I

2030
01:36:43,040 --> 01:36:45,080
Speaker 1: love to criticize movies and go through a nitpick. That's

2031
01:36:45,080 --> 01:36:46,439
Speaker 1: my favorite thing in the world. I do it with

2032
01:36:46,479 --> 01:36:48,320
Speaker 1: my favorite movies in the world. That's what I do.

2033
01:36:48,920 --> 01:36:51,240
Speaker 1: That being said, I liked this better than the last one,

2034
01:36:51,240 --> 01:36:53,840
Speaker 1: and I didn't hate the last one. I thought this

2035
01:36:53,960 --> 01:36:56,160
Speaker 1: kind of got back to the basics a little bit

2036
01:36:56,280 --> 01:37:00,519
Speaker 1: of descendants. It looked great. I remember a lot of

2037
01:37:00,560 --> 01:37:02,439
Speaker 1: the songs. Some of them are forgettable, but I remember

2038
01:37:02,479 --> 01:37:04,160
Speaker 1: a lot of the songs. I thought the dancing was better,

2039
01:37:04,200 --> 01:37:07,040
Speaker 1: like the choreography was better. So I really liked this

2040
01:37:07,080 --> 01:37:11,599
Speaker 1: and I'm giving this a strong eight point five fluff

2041
01:37:11,640 --> 01:37:13,559
Speaker 1: and birches, and I think it's worth an eight point

2042
01:37:13,560 --> 01:37:16,200
Speaker 1: five fluff and purchas. Cast was great looking forward to

2043
01:37:16,240 --> 01:37:20,320
Speaker 1: the next one didn't have nearly and all the problems

2044
01:37:20,360 --> 01:37:22,479
Speaker 1: I had with this movie or all the nippicking stuff,

2045
01:37:22,600 --> 01:37:25,080
Speaker 1: the vast majority of them still stem from the time

2046
01:37:25,120 --> 01:37:27,680
Speaker 1: travel thing and the first one. Yeah, other than that,

2047
01:37:27,880 --> 01:37:29,639
Speaker 1: I thought it was. It was a very good movie.

2048
01:37:29,800 --> 01:37:33,479
Speaker 1: I had a fun ninety five minutes.

2049
01:37:35,680 --> 01:37:38,080
Speaker 2: So what did you say? Eight point eight.

2050
01:37:37,880 --> 01:37:40,200
Speaker 1: Point five fluff and burches, how about you?

2051
01:37:40,400 --> 01:37:43,400
Speaker 2: All Right, Well, I have to start again saying that

2052
01:37:43,520 --> 01:37:46,280
Speaker 2: I have to veto my own scoring of the last one.

2053
01:37:46,400 --> 01:37:50,639
Speaker 2: I'm gonna take that one to an eight. Whatever we did, Okay,

2054
01:37:51,160 --> 01:37:54,400
Speaker 2: this is a true nine fluff and burchase for me.

2055
01:37:54,720 --> 01:38:01,440
Speaker 2: I think the movie, the choreography, the visual, the set,

2056
01:38:02,479 --> 01:38:05,000
Speaker 2: having so many new characters. Like you said, it just

2057
01:38:05,120 --> 01:38:09,719
Speaker 2: felt more like the old school Descendants movies, and I

2058
01:38:09,760 --> 01:38:12,479
Speaker 2: am here for it. I thought the choreography was so

2059
01:38:12,600 --> 01:38:17,920
Speaker 2: good in this one. The music is awesome. I I know,

2060
01:38:17,960 --> 01:38:20,080
Speaker 2: I'm like making fun of that, like Monroe wants to

2061
01:38:20,120 --> 01:38:22,000
Speaker 2: hear it on repeat, but like I'm here for it.

2062
01:38:22,160 --> 01:38:25,200
Speaker 2: I'm cool, I am right there, like doing the Princess

2063
01:38:25,280 --> 01:38:29,479
Speaker 2: song with her loving to rock out. I don't think

2064
01:38:29,479 --> 01:38:33,160
Speaker 2: the nine is actually a full like reflection because of

2065
01:38:33,160 --> 01:38:35,200
Speaker 2: my experience. I think it's a nine because it's a

2066
01:38:35,280 --> 01:38:37,599
Speaker 2: great nine fluff and burchess movie.

2067
01:38:37,720 --> 01:38:39,040
Speaker 1: It's a good movie. It really is.

2068
01:38:39,479 --> 01:38:41,840
Speaker 2: I loved it and I had to watch it again

2069
01:38:41,880 --> 01:38:43,559
Speaker 2: a couple of times, and I'm okay with it.

2070
01:38:43,640 --> 01:38:45,280
Speaker 1: So yeah, I agree.

2071
01:38:45,840 --> 01:38:46,840
Speaker 2: This is all day for me.

2072
01:38:47,080 --> 01:38:49,080
Speaker 1: There you go. Well, thank you everybody so much for

2073
01:38:49,200 --> 01:38:50,960
Speaker 1: joining us. Go check out the movie. It is. It's

2074
01:38:51,000 --> 01:38:52,360
Speaker 1: a good movie. It really is a good movie. You

2075
01:38:52,360 --> 01:38:53,880
Speaker 1: should go. You should go look at it. It was

2076
01:38:54,120 --> 01:38:55,880
Speaker 1: definitely better than the last one, and the last one

2077
01:38:55,920 --> 01:38:59,000
Speaker 1: wasn't bad. Next week we are pivoting to another Disney

2078
01:38:59,040 --> 01:39:01,920
Speaker 1: franchise that is Ever Gonna Die, and that is High

2079
01:39:01,960 --> 01:39:06,679
Speaker 1: School Musical. We're gonna recap the twenty eleven spinoff movie

2080
01:39:06,720 --> 01:39:10,799
Speaker 1: for its standout star Ashley Tisdale. It's Sharpay's Fabulous Adventure.

2081
01:39:11,200 --> 01:39:13,400
Speaker 1: One of our favorite characters got her own movie, So

2082
01:39:13,520 --> 01:39:15,360
Speaker 1: make sure to watch it now in Disney Plus and

2083
01:39:15,439 --> 01:39:17,759
Speaker 1: get ahead of our podcast. And until then, we invite

2084
01:39:17,800 --> 01:39:20,160
Speaker 1: you to check out all the dedicated magical rewind feed

2085
01:39:20,160 --> 01:39:22,599
Speaker 1: where just all the recaps and interviews are housed. That's

2086
01:39:22,600 --> 01:39:24,360
Speaker 1: what we've done, We've done a ton of them, and

2087
01:39:24,400 --> 01:39:26,280
Speaker 1: again with this movie, don't forget to go and check

2088
01:39:26,280 --> 01:39:28,519
Speaker 1: out Sabrina's interviews with the cast. They were great and

2089
01:39:28,560 --> 01:39:30,760
Speaker 1: you can really get some insights into the film and

2090
01:39:30,800 --> 01:39:32,919
Speaker 1: they're all ready to stream at any moment. Just subscribe

2091
01:39:32,960 --> 01:39:48,439
Speaker 1: and you're never gonna miss another minute. Bye everybody, Bye,