1 00:00:08,080 --> 00:00:11,639 Speaker 1: Hey, there are folks. It is Wednesday, October twenty ninth, 2 00:00:11,800 --> 00:00:16,200 Speaker 1: and the number three movie on our horror hit list 3 00:00:16,880 --> 00:00:22,720 Speaker 1: is actually number one when it comes to Rotten Tomato score. 4 00:00:23,280 --> 00:00:26,240 Speaker 1: And with that, welcome to this episode of Amy and TJ. 5 00:00:26,360 --> 00:00:28,240 Speaker 1: We continue our horror hit list. We are now in 6 00:00:28,320 --> 00:00:32,400 Speaker 1: our top three. This one has the highest Rotten Tomato 7 00:00:32,479 --> 00:00:35,440 Speaker 1: score of any of the thirty movies we have on 8 00:00:35,479 --> 00:00:39,680 Speaker 1: our list. Robes put into some kind, put into words 9 00:00:40,760 --> 00:00:42,159 Speaker 1: our affection for this movie. 10 00:00:42,520 --> 00:00:45,159 Speaker 2: We love this movie. 11 00:00:45,240 --> 00:00:49,440 Speaker 3: It is so digestible and fun and every time we 12 00:00:49,520 --> 00:00:54,360 Speaker 3: watch it, which is now I think countless times, we 13 00:00:54,800 --> 00:00:59,520 Speaker 3: still feel the excitement, the rush, yeah, and the appreciation 14 00:00:59,720 --> 00:01:00,360 Speaker 3: of it. 15 00:01:00,360 --> 00:01:02,240 Speaker 1: It's on as we're talking right now. Yes, it's on 16 00:01:02,360 --> 00:01:04,800 Speaker 1: in the background, and you're right, Rose, we have seen 17 00:01:04,840 --> 00:01:09,160 Speaker 1: it so many times. The scares work, the creepy factor 18 00:01:09,400 --> 00:01:12,520 Speaker 1: works each and every time. This is number three. I 19 00:01:12,520 --> 00:01:16,000 Speaker 1: can't believe maybe number three. Tell the people what number 20 00:01:16,000 --> 00:01:16,839 Speaker 1: three is on our list. 21 00:01:17,000 --> 00:01:21,880 Speaker 3: It is Host and it was released in October of 22 00:01:22,080 --> 00:01:26,280 Speaker 3: twenty twenty. Very important date, yes, because this is a 23 00:01:26,400 --> 00:01:32,759 Speaker 3: pandemic film that is brilliant. I mean, talk about artists 24 00:01:32,959 --> 00:01:35,640 Speaker 3: using the current situation that we were in at that 25 00:01:35,720 --> 00:01:40,000 Speaker 3: point and using it for horror. It really was effective. 26 00:01:40,080 --> 00:01:44,320 Speaker 3: I actually remember where I was when I watched this. 27 00:01:44,560 --> 00:01:48,840 Speaker 3: I was sitting next to NICKI, and this movie scared 28 00:01:49,600 --> 00:01:51,200 Speaker 3: the Bejesus out of us. 29 00:01:51,280 --> 00:01:53,320 Speaker 1: I mean, you, we have to consider folk and we 30 00:01:53,320 --> 00:01:54,720 Speaker 1: need to get into it a little. Why did I'm 31 00:01:54,720 --> 00:01:57,640 Speaker 1: just putting this together October twenty twenty. We weren't that far. 32 00:01:57,760 --> 00:02:01,600 Speaker 1: We weren't a full year into the pandemic necessarily, just yet. 33 00:02:01,760 --> 00:02:03,680 Speaker 1: To think that they put this together. I didn't realize 34 00:02:03,680 --> 00:02:07,560 Speaker 1: it came out so quickly twenty. I mean, they shot, 35 00:02:07,680 --> 00:02:10,240 Speaker 1: they wrote, they shot, and had this thing out for 36 00:02:10,360 --> 00:02:14,360 Speaker 1: us to die very quickly that year. And I think ropes, 37 00:02:14,400 --> 00:02:18,799 Speaker 1: this is definitely the shortest on our list. This might 38 00:02:18,960 --> 00:02:21,880 Speaker 1: be the shortest horror movie on our radar. 39 00:02:22,360 --> 00:02:26,720 Speaker 3: Yeh, fifty seven minutes is the runtime that is usually 40 00:02:26,760 --> 00:02:27,400 Speaker 3: a red flag. 41 00:02:27,560 --> 00:02:27,760 Speaker 2: Yes. 42 00:02:27,919 --> 00:02:30,680 Speaker 3: Oh, And I remember thinking, okay, what is this? Someone 43 00:02:30,760 --> 00:02:33,040 Speaker 3: word of mouth told me, Hey, this movie is streaming, 44 00:02:33,080 --> 00:02:35,760 Speaker 3: And obviously we didn't have a lot of new entertainment 45 00:02:35,840 --> 00:02:39,240 Speaker 3: coming around at that point in our world, so it 46 00:02:39,280 --> 00:02:44,000 Speaker 3: was exciting ooh, something new, and it delivered. It is 47 00:02:44,440 --> 00:02:48,160 Speaker 3: officially a horror Mystery. It's rated R and here's the synopsis. 48 00:02:48,600 --> 00:02:52,520 Speaker 3: Six friends hire a medium to hold a seance via 49 00:02:52,639 --> 00:02:56,120 Speaker 3: zoom during lockdown, but they get far more than they 50 00:02:56,160 --> 00:02:58,960 Speaker 3: bargained for as things quickly go wrong. 51 00:02:59,080 --> 00:03:02,959 Speaker 1: That's all you need to know, right, Even that gets 52 00:03:03,040 --> 00:03:06,760 Speaker 1: me going and gets you know. We always love a 53 00:03:06,760 --> 00:03:09,160 Speaker 1: horror movie that gets you having an argument with the 54 00:03:09,160 --> 00:03:11,959 Speaker 1: person you're watching it with, or you're right, you're throwing something, 55 00:03:12,000 --> 00:03:13,960 Speaker 1: you're yelling at the screen. You're doing this for fifty 56 00:03:14,000 --> 00:03:15,880 Speaker 1: seven minutes in this movie, but you're doing it before 57 00:03:15,880 --> 00:03:18,040 Speaker 1: the movie even starts. Because there's no way in hell 58 00:03:18,040 --> 00:03:18,840 Speaker 1: I would do a seance. 59 00:03:19,080 --> 00:03:22,000 Speaker 2: We had that conversation again yesterday. You're like, would you ever? 60 00:03:22,720 --> 00:03:24,800 Speaker 3: And at this point, I think, just with all the 61 00:03:24,800 --> 00:03:26,840 Speaker 3: movies we've seen, you even said this this morning, I 62 00:03:26,880 --> 00:03:29,880 Speaker 3: wouldn't even let a Ouiji board in my apartment, and 63 00:03:30,360 --> 00:03:32,800 Speaker 3: I agree with that. I just think, you know what, 64 00:03:33,120 --> 00:03:37,000 Speaker 3: why tempt faith? We don't know what's out there. I 65 00:03:37,080 --> 00:03:41,280 Speaker 3: reserve space for the fact that there is something out there, 66 00:03:41,320 --> 00:03:47,160 Speaker 3: So why would I beckon it to to come to 67 00:03:47,280 --> 00:03:51,320 Speaker 3: life or to have permission to haunt or terrorize me? 68 00:03:51,640 --> 00:03:53,960 Speaker 1: No, no, thank you, And that's what they're doing in 69 00:03:54,000 --> 00:03:57,520 Speaker 1: this movie a seans via Zoom. Now, this again did 70 00:03:57,560 --> 00:03:59,960 Speaker 1: not have why public release. This was in the middle 71 00:04:00,200 --> 00:04:02,560 Speaker 1: of the pandemic. There was no box office. There wasn't, 72 00:04:02,960 --> 00:04:05,600 Speaker 1: no weren't. When did they even open back up a 73 00:04:05,640 --> 00:04:06,000 Speaker 1: little bit? 74 00:04:06,160 --> 00:04:07,160 Speaker 2: I don't remember. 75 00:04:07,320 --> 00:04:09,480 Speaker 3: It took longer than I thought it was going to 76 00:04:09,640 --> 00:04:14,320 Speaker 3: I know that much. But this was yeah, fresh entertainment, fresh, creative, 77 00:04:15,400 --> 00:04:19,400 Speaker 3: amazing movie that I don't think any of us expected. 78 00:04:19,520 --> 00:04:21,680 Speaker 2: And wow, was it incredible? 79 00:04:21,880 --> 00:04:24,800 Speaker 1: Incredible and it was immediately relatable. We were all having 80 00:04:24,880 --> 00:04:26,960 Speaker 1: zoom meetings and doing this at the time. Or the 81 00:04:27,000 --> 00:04:32,000 Speaker 1: director of this one, Rob Savage, is his name? Did Boogieman? Rotes? Oh, 82 00:04:32,040 --> 00:04:34,120 Speaker 1: this is the guy that did Boogeyman that we like. 83 00:04:34,200 --> 00:04:35,880 Speaker 1: Now some of the actors here, there were six, but 84 00:04:36,440 --> 00:04:40,480 Speaker 1: among the cast Haley Bishop, Jimma Moore, Emma Webb, Carolyn Ward. 85 00:04:41,000 --> 00:04:44,640 Speaker 1: Those names sound familiar to Europes. No, I only say 86 00:04:44,640 --> 00:04:49,279 Speaker 1: that because of this. Hayley, Jimma, Emma, Carolyn. They used 87 00:04:49,480 --> 00:04:53,320 Speaker 1: their real names in the movie, and we mentioned that, folks, 88 00:04:53,800 --> 00:04:57,120 Speaker 1: because it was an intentional move to add to the 89 00:04:57,160 --> 00:04:58,599 Speaker 1: authenticity of this film. 90 00:04:58,839 --> 00:05:02,839 Speaker 3: It feels like you are actually watching six friends stuck 91 00:05:02,880 --> 00:05:06,880 Speaker 3: in lockdown in their individual apartments, trying to do something 92 00:05:06,960 --> 00:05:09,760 Speaker 3: fun and entertaining during the pandemic. I mean, it really 93 00:05:09,800 --> 00:05:12,240 Speaker 3: does feel like you're kind of let into their zoom call. 94 00:05:12,440 --> 00:05:14,000 Speaker 2: It doesn't feel like there's a script. 95 00:05:14,200 --> 00:05:17,200 Speaker 3: It doesn't feel like there's acting involved, and it's all 96 00:05:17,240 --> 00:05:18,440 Speaker 3: shot by them. 97 00:05:18,600 --> 00:05:20,840 Speaker 2: I mean, the budget had to be almost nothing. 98 00:05:22,120 --> 00:05:24,520 Speaker 1: Why do I I swear I saw what one hundred 99 00:05:24,520 --> 00:05:26,400 Speaker 1: thousand dollars? Yeah, I think I saw the. 100 00:05:26,320 --> 00:05:29,200 Speaker 3: Poodle about right, and yet to have it fall on 101 00:05:29,240 --> 00:05:33,520 Speaker 3: the list it does. In terms of critics and audience reviews, 102 00:05:33,560 --> 00:05:34,600 Speaker 3: it's pretty impressive. 103 00:05:34,640 --> 00:05:37,880 Speaker 1: It's very impressive. And to that point, the audience reviews 104 00:05:38,400 --> 00:05:42,760 Speaker 1: were one thing. The critic reviews were another. This might 105 00:05:42,800 --> 00:05:45,279 Speaker 1: be the movie. It has one of the biggest, if 106 00:05:45,320 --> 00:05:48,560 Speaker 1: not the biggest gaps we've seen in what the critics 107 00:05:48,560 --> 00:05:49,320 Speaker 1: thought and what the audience. 108 00:05:49,400 --> 00:05:52,760 Speaker 3: Yeah, the Rotten Tomato score is ninety eight percent from 109 00:05:52,760 --> 00:05:56,680 Speaker 3: the critics that I looked to see. There are only 110 00:05:56,720 --> 00:05:59,040 Speaker 3: a few other films who have one hundred percent, And 111 00:05:59,120 --> 00:06:01,400 Speaker 3: then I think it's one film has one hundred percent. 112 00:06:01,400 --> 00:06:04,120 Speaker 3: It's His House. If you've ever seen that movie, that 113 00:06:04,160 --> 00:06:05,200 Speaker 3: horror movie, His House. 114 00:06:05,279 --> 00:06:08,640 Speaker 2: Twenty twenty. Oh I thought it was good. I didn't 115 00:06:08,680 --> 00:06:10,719 Speaker 2: think that it was hundred percent. 116 00:06:11,000 --> 00:06:13,080 Speaker 3: And then under the Shadow, I've seen that one that's 117 00:06:13,160 --> 00:06:16,080 Speaker 3: really scary, but the Wailing those are two foreign films. 118 00:06:16,520 --> 00:06:19,760 Speaker 3: So and then get out the babaduk, let the right 119 00:06:19,800 --> 00:06:23,480 Speaker 3: one in and Host so it's right up there. Actually, 120 00:06:23,600 --> 00:06:26,560 Speaker 3: Rotten Tomatoes released its top two hundred horror movies of 121 00:06:26,600 --> 00:06:29,600 Speaker 3: all times based on their ratings, and this is right 122 00:06:29,680 --> 00:06:30,760 Speaker 3: up there at the top. 123 00:06:30,880 --> 00:06:33,000 Speaker 1: Oh wow, this is a and again, this is a 124 00:06:33,040 --> 00:06:36,600 Speaker 1: fifty seven minute movie that's almost got one hundred percent rating. 125 00:06:36,640 --> 00:06:38,760 Speaker 1: That tells you a lot about how well done this 126 00:06:38,800 --> 00:06:42,120 Speaker 1: one was. I was surprised. I was taken aback. I 127 00:06:42,240 --> 00:06:44,600 Speaker 1: was very disappointed by the audience. 128 00:06:44,200 --> 00:06:46,200 Speaker 2: Score, only seventy one percent. 129 00:06:46,880 --> 00:06:50,280 Speaker 1: Why yeah, let's get into that here. Here first is 130 00:06:50,320 --> 00:06:55,400 Speaker 1: the critic consensus lean suspensable and scary. Host uses its 131 00:06:55,520 --> 00:07:01,320 Speaker 1: timely premise to deliver a nastily effective treat for horror enthusiasts. 132 00:07:01,560 --> 00:07:04,080 Speaker 1: Now horror enthusiasts. Yes, we're going to get into who 133 00:07:04,080 --> 00:07:06,920 Speaker 1: it's for. This is one I think is for everybody. 134 00:07:06,960 --> 00:07:09,560 Speaker 1: If you were just looking to dip your toe into horror, 135 00:07:09,600 --> 00:07:11,080 Speaker 1: we'll get into that as well. So here you go. 136 00:07:11,400 --> 00:07:13,560 Speaker 1: Some of the sample critic reviews. Host is a tense, 137 00:07:14,000 --> 00:07:17,400 Speaker 1: fear inducing story that takes creative twists on the concept 138 00:07:17,480 --> 00:07:21,600 Speaker 1: of found footage film. What do you think about. 139 00:07:21,360 --> 00:07:23,239 Speaker 2: That found footage? 140 00:07:23,440 --> 00:07:25,200 Speaker 1: I guess it was kind of the grimy likely you're 141 00:07:25,240 --> 00:07:27,840 Speaker 1: looking in on something, kind of a thing, but it's not. 142 00:07:27,760 --> 00:07:32,440 Speaker 3: A found It's a live event that's unfolding with folks 143 00:07:32,640 --> 00:07:37,760 Speaker 3: using rudimentary cameras in the sense they're either using their 144 00:07:37,840 --> 00:07:41,480 Speaker 3: laptop camera or their iPhone cameras. And maybe that's why 145 00:07:41,560 --> 00:07:44,160 Speaker 3: it's the found footage feel to it, because there is 146 00:07:44,200 --> 00:07:47,440 Speaker 3: no found footage. They're just actually experiencing these things live 147 00:07:47,480 --> 00:07:48,280 Speaker 3: on a live stream. 148 00:07:48,520 --> 00:07:51,800 Speaker 1: Here you go. The it remains resolutely its own thing, 149 00:07:51,800 --> 00:07:55,920 Speaker 1: a smart, inventive, and genuinely scary time capsule steeped in 150 00:07:56,000 --> 00:07:59,320 Speaker 1: the dread of a global pandemic. I didn't consider that 151 00:07:59,720 --> 00:08:02,720 Speaker 1: part adding to the dread you feel in this movie 152 00:08:02,760 --> 00:08:04,000 Speaker 1: because your trapped just like they. 153 00:08:03,920 --> 00:08:05,960 Speaker 3: Are, right, and I think it tapped in on that 154 00:08:06,000 --> 00:08:08,320 Speaker 3: feeling a lot of folks had when they were watching it, 155 00:08:08,360 --> 00:08:10,960 Speaker 3: that they were home alone in a small room and 156 00:08:11,000 --> 00:08:15,000 Speaker 3: the idea of a demonic presence somehow accompanying you in 157 00:08:15,000 --> 00:08:18,160 Speaker 3: that room is frightful because where are you going for help? 158 00:08:18,640 --> 00:08:22,720 Speaker 3: How are you getting out of your safe space? That really, 159 00:08:22,760 --> 00:08:25,080 Speaker 3: in that moment was the only safe space we felt 160 00:08:25,080 --> 00:08:28,800 Speaker 3: like we had. So everyone felt terrorized by the outside world, 161 00:08:28,960 --> 00:08:31,840 Speaker 3: so to have that terror come into your small little 162 00:08:32,800 --> 00:08:34,880 Speaker 3: world seemed even more frightened. 163 00:08:34,960 --> 00:08:37,320 Speaker 1: And that's exactly what the next critic, what you're saying 164 00:08:37,360 --> 00:08:39,840 Speaker 1: there said, the director crafts a creepy and a nerving 165 00:08:39,840 --> 00:08:44,000 Speaker 1: horror film that uses lockdown to its advantage. Even the 166 00:08:45,240 --> 00:08:48,600 Speaker 1: homes where they were in their backgrounds looked they weren't 167 00:08:48,600 --> 00:08:52,160 Speaker 1: all proper and put together. It looks like a little 168 00:08:52,360 --> 00:08:55,600 Speaker 1: college kids dorm room almost. It looks so authentic when 169 00:08:55,600 --> 00:08:57,720 Speaker 1: you see their bedrooms, and it adds to the drama 170 00:08:57,760 --> 00:09:00,920 Speaker 1: of the movie. It so does. Okay, Now, I didn't 171 00:09:00,960 --> 00:09:03,959 Speaker 1: find pretty much any negative reviews when it came to 172 00:09:04,040 --> 00:09:07,240 Speaker 1: the critics because it was ninety percent. There were several 173 00:09:07,320 --> 00:09:10,920 Speaker 1: let me see what you think of this. One says 174 00:09:10,960 --> 00:09:13,440 Speaker 1: an hour long zoom call where people yell and bump 175 00:09:13,480 --> 00:09:16,600 Speaker 1: into things a lot. That was someone giving a negative 176 00:09:16,720 --> 00:09:19,600 Speaker 1: review about it. Do you think what to my question, 177 00:09:19,679 --> 00:09:22,160 Speaker 1: there is it for some people go into it looking 178 00:09:22,200 --> 00:09:26,319 Speaker 1: at that, and it is. There are just people on screens. 179 00:09:26,480 --> 00:09:29,000 Speaker 1: You're watching a zoom call, and there's not a lot 180 00:09:29,040 --> 00:09:32,000 Speaker 1: of necessarily big action, just a little subtle thing here, 181 00:09:32,080 --> 00:09:34,920 Speaker 1: a chair moves there. It's all effective to me. But 182 00:09:34,960 --> 00:09:36,719 Speaker 1: do you think some people found that. 183 00:09:36,679 --> 00:09:40,120 Speaker 3: To be maybe people who want big action films, somebody 184 00:09:40,120 --> 00:09:44,760 Speaker 3: who wants, I don't know, something loud and fast paced. 185 00:09:44,840 --> 00:09:45,480 Speaker 2: This isn't it. 186 00:09:45,559 --> 00:09:48,600 Speaker 3: But man, the tension builds and it builds it such 187 00:09:48,600 --> 00:09:51,520 Speaker 3: an effective pace. I mean again, it's only fifty seven minutes, 188 00:09:51,840 --> 00:09:54,720 Speaker 3: but when it starts going, it ramps up quickly. 189 00:09:54,880 --> 00:09:57,240 Speaker 1: But you say people want something loud and fast paced. 190 00:09:57,800 --> 00:10:00,240 Speaker 1: I want, what is with your attentions by that you 191 00:10:00,280 --> 00:10:01,520 Speaker 1: can't do for fifty seven I. 192 00:10:01,480 --> 00:10:04,640 Speaker 3: Don't understand it either, because also the character development was 193 00:10:04,840 --> 00:10:08,120 Speaker 3: awesome in the beginning, where you're learning about two girls 194 00:10:08,120 --> 00:10:11,720 Speaker 3: and their personalities, and I just I was invested in 195 00:10:11,880 --> 00:10:16,120 Speaker 3: them and therefore was invested in what happened to them 196 00:10:16,240 --> 00:10:16,719 Speaker 3: in the end. 197 00:10:16,760 --> 00:10:18,840 Speaker 1: Do you make a good point about the how effective 198 00:10:18,920 --> 00:10:21,960 Speaker 1: character development is in fifty seven minutes? You're right? You 199 00:10:22,040 --> 00:10:24,600 Speaker 1: find out something, You learn something about each and every 200 00:10:24,600 --> 00:10:27,200 Speaker 1: one of the women. Even the filters on the yes, 201 00:10:27,280 --> 00:10:29,920 Speaker 1: like that tells you something about her personality. Correct, that's 202 00:10:29,960 --> 00:10:31,480 Speaker 1: a very good point. All right, a few more here, 203 00:10:31,920 --> 00:10:34,760 Speaker 1: couple of jump scares, but that's it. That was somebody's 204 00:10:34,840 --> 00:10:35,480 Speaker 1: negative review. 205 00:10:35,679 --> 00:10:38,400 Speaker 3: Oh my gosh, then you're not appreciating the build up 206 00:10:38,600 --> 00:10:42,120 Speaker 3: and the dread and the oh my god, what's happening. 207 00:10:42,160 --> 00:10:42,679 Speaker 2: Part of it. 208 00:10:43,080 --> 00:10:46,600 Speaker 1: Another man review here said, it keeps you intention throughout 209 00:10:46,600 --> 00:10:49,280 Speaker 1: the movie. Everything looks very natural and entertaining, with good 210 00:10:49,320 --> 00:10:53,200 Speaker 1: scares without abusing screamers, although it seems to me that 211 00:10:53,400 --> 00:10:58,280 Speaker 1: it fails a lot in its villain. The ending is 212 00:10:58,400 --> 00:11:03,200 Speaker 1: quite predictable, and the summoning of the demon is terrible. 213 00:11:05,400 --> 00:11:08,720 Speaker 1: Even so, they are fifty seven very enjoyable minutes. 214 00:11:08,760 --> 00:11:10,760 Speaker 2: I don't understand the criticism, yeah at all. 215 00:11:10,920 --> 00:11:14,400 Speaker 3: I really don't, because, by the way, I disagree completely 216 00:11:14,440 --> 00:11:15,160 Speaker 3: about the ending. 217 00:11:15,720 --> 00:11:18,000 Speaker 2: The ending is my favorite part. 218 00:11:18,240 --> 00:11:21,600 Speaker 1: We actually have rewound it several times just to watch 219 00:11:21,640 --> 00:11:22,280 Speaker 1: the ending again. 220 00:11:22,520 --> 00:11:25,240 Speaker 3: I remember when I first saw this, and I will 221 00:11:25,320 --> 00:11:28,880 Speaker 3: just say that the screaming came from the other end 222 00:11:28,880 --> 00:11:31,640 Speaker 3: of the television when I was watching it, but to 223 00:11:31,679 --> 00:11:34,199 Speaker 3: the point where the whole house was like, what just happened? 224 00:11:34,880 --> 00:11:38,000 Speaker 3: And I was telling the kids you have to watch 225 00:11:38,160 --> 00:11:40,720 Speaker 3: this movie and wait until the end. 226 00:11:41,320 --> 00:11:42,480 Speaker 2: O MG. 227 00:11:43,240 --> 00:11:45,640 Speaker 1: A well chosen concept, but I wouldn't consider this movie 228 00:11:45,679 --> 00:11:50,120 Speaker 1: scary and yet also not that entertaining to watch. Still, 229 00:11:50,160 --> 00:11:52,280 Speaker 1: I would recommend it if you don't know what to 230 00:11:52,320 --> 00:11:55,960 Speaker 1: watch and not looking for a particular deep movie. This 231 00:11:56,120 --> 00:11:59,280 Speaker 1: is why I struggle with putting too many audience reviews. 232 00:11:59,760 --> 00:12:02,920 Speaker 1: When something is so well reviewed by critics, people seem 233 00:12:03,000 --> 00:12:05,000 Speaker 1: to just be looking for something to I. 234 00:12:04,880 --> 00:12:08,200 Speaker 3: Think people do, like you say they some people like 235 00:12:08,240 --> 00:12:10,360 Speaker 3: to be contrariants and they like to say, oh, well, 236 00:12:10,400 --> 00:12:14,080 Speaker 3: the critics, you know, just fell into the you know whatever, 237 00:12:14,240 --> 00:12:16,560 Speaker 3: the illusion of this. But I see it differently as 238 00:12:16,600 --> 00:12:19,960 Speaker 3: a real person who doesn't like X, y Z whatever. 239 00:12:20,960 --> 00:12:23,040 Speaker 3: This is an awesome movie. 240 00:12:24,679 --> 00:12:26,840 Speaker 1: Everybody has a right to their opinion. But clearly, and 241 00:12:26,880 --> 00:12:28,320 Speaker 1: I know you've seen it as well, when you read 242 00:12:28,320 --> 00:12:30,559 Speaker 1: through some of the reviews, you're looking for a criticism 243 00:12:30,600 --> 00:12:33,240 Speaker 1: of the acting, of the writing, of the directing, and 244 00:12:33,280 --> 00:12:35,000 Speaker 1: a lot of people just go but I don't know 245 00:12:35,040 --> 00:12:37,600 Speaker 1: what you people are talking about, yes, immediately, just. 246 00:12:38,040 --> 00:12:40,720 Speaker 3: I do sometimes think it's expectations. I think sometimes people 247 00:12:40,800 --> 00:12:43,040 Speaker 3: look at reviews or they see something is supposed to 248 00:12:43,120 --> 00:12:45,640 Speaker 3: be so good, and then they have a certain expectation 249 00:12:45,720 --> 00:12:47,760 Speaker 3: about what the movie is supposed to be and then 250 00:12:47,800 --> 00:12:48,719 Speaker 3: they're disappointed. 251 00:12:48,840 --> 00:12:51,040 Speaker 1: So we probably disappointed a lot of because we said 252 00:12:51,200 --> 00:12:53,440 Speaker 1: really high expectations all of these movies. 253 00:12:53,640 --> 00:12:54,720 Speaker 2: That is true, That is true. 254 00:12:54,800 --> 00:12:58,800 Speaker 1: I get that this movie is absolutely brilliant. And you 255 00:12:58,920 --> 00:13:00,760 Speaker 1: know what, if you don't like it, is only gonna 256 00:13:00,800 --> 00:13:03,720 Speaker 1: take fifty minutes of your day anyway. So just trust 257 00:13:03,840 --> 00:13:06,040 Speaker 1: us on this one. But why did this one make 258 00:13:06,160 --> 00:13:08,679 Speaker 1: our list? Who's it made for? Who's it not made for? 259 00:13:08,760 --> 00:13:12,360 Speaker 1: In the moment you're all waiting for, what did robot 260 00:13:12,440 --> 00:13:16,680 Speaker 1: come up with to pair with food and drink? With 261 00:13:16,840 --> 00:13:18,760 Speaker 1: this movie, you're gonna explain all. 262 00:13:18,640 --> 00:13:21,040 Speaker 2: That building expectations. 263 00:13:21,120 --> 00:13:23,200 Speaker 1: Hey, you've been delivering so far, she will deliver again. 264 00:13:23,280 --> 00:13:36,920 Speaker 3: Stay here, continuing our conversation about number three on our 265 00:13:37,080 --> 00:13:41,560 Speaker 3: Halloween Horror hit list. We're talking about Host, A brilliant 266 00:13:41,559 --> 00:13:44,520 Speaker 3: little gem will run you under an hour and you'll 267 00:13:44,559 --> 00:13:47,680 Speaker 3: get well, I hope, just like us, you'll get years 268 00:13:47,679 --> 00:13:50,840 Speaker 3: of enjoyment from this movie because we continue to watch 269 00:13:50,880 --> 00:13:53,319 Speaker 3: it and we'll do so for the years to come. 270 00:13:53,440 --> 00:13:56,400 Speaker 3: And why are we doing it? Because this movie is 271 00:13:56,640 --> 00:13:59,080 Speaker 3: just we said it it's brilliant. It's so well done, 272 00:13:59,120 --> 00:14:03,320 Speaker 3: it's so well acted. Did it's a fun ride that 273 00:14:04,960 --> 00:14:10,080 Speaker 3: it's amazing to me with in terms of like technology 274 00:14:10,200 --> 00:14:12,520 Speaker 3: and in terms of what like sometimes what we expect 275 00:14:12,520 --> 00:14:16,079 Speaker 3: from movies. This is so simple there is There are 276 00:14:16,160 --> 00:14:20,440 Speaker 3: no bells and whistles, there are no special effects. It's 277 00:14:20,960 --> 00:14:24,440 Speaker 3: just so well done. And because it's so simple, I 278 00:14:24,440 --> 00:14:27,320 Speaker 3: think I appreciate it that much more because it probably 279 00:14:27,320 --> 00:14:28,800 Speaker 3: made it feel more realistic. 280 00:14:29,760 --> 00:14:34,320 Speaker 1: I respect this movie so much how they pulled this off. 281 00:14:34,440 --> 00:14:36,640 Speaker 1: We want you a lot of horror movies. We know 282 00:14:36,720 --> 00:14:40,680 Speaker 1: a lot, We know the tricks, we know sometimes with 283 00:14:40,760 --> 00:14:44,160 Speaker 1: the graphics that are neat at the CGI. We know 284 00:14:44,360 --> 00:14:47,080 Speaker 1: all this stuff. You know. We also know that every 285 00:14:47,120 --> 00:14:49,040 Speaker 1: movie has to have that line in it and said, ooh, 286 00:14:49,120 --> 00:14:52,880 Speaker 1: we have no signal. Right right, we know everything, and 287 00:14:52,960 --> 00:14:55,880 Speaker 1: to have a movie this fresh that surprises you that 288 00:14:55,920 --> 00:14:59,120 Speaker 1: you actually don't see what's coming, what they're doing, and 289 00:14:59,200 --> 00:15:03,640 Speaker 1: why is to pull it off this effectively. I'm even 290 00:15:03,640 --> 00:15:05,840 Speaker 1: more impressed to hear that it came out in October, 291 00:15:06,240 --> 00:15:08,320 Speaker 1: Like they put this together pretty quickly. When did they 292 00:15:08,400 --> 00:15:09,880 Speaker 1: start on this during the pandemic? 293 00:15:10,040 --> 00:15:10,200 Speaker 2: Yeah? 294 00:15:10,240 --> 00:15:12,880 Speaker 3: I mean, well, yeah, we all got into lockdown in March, 295 00:15:13,000 --> 00:15:14,720 Speaker 3: so there wasn't a lot of time. You're right, when 296 00:15:14,720 --> 00:15:16,800 Speaker 3: you think about how movies are made, this is almost 297 00:15:16,920 --> 00:15:17,400 Speaker 3: unheard of. 298 00:15:17,600 --> 00:15:19,640 Speaker 2: Yeah, but they needed the pandemic to pull it off. 299 00:15:19,720 --> 00:15:21,720 Speaker 1: Yeah, it was just so. And the way it was 300 00:15:21,800 --> 00:15:25,760 Speaker 1: shod it's raw. It just I love this movie and 301 00:15:25,760 --> 00:15:28,360 Speaker 1: the woman who's putting them through the seance the medium, yes, 302 00:15:28,440 --> 00:15:31,640 Speaker 1: or whatever she has. There's a couple of comedic moments 303 00:15:31,800 --> 00:15:34,120 Speaker 1: in there. I don't know how they got this in 304 00:15:34,160 --> 00:15:36,240 Speaker 1: fifty seven minutes. I would like to see a long, 305 00:15:36,400 --> 00:15:39,120 Speaker 1: longer form. Oh yeah, of a director's cut. I wonder 306 00:15:39,160 --> 00:15:39,920 Speaker 1: how long it is. 307 00:15:40,000 --> 00:15:42,440 Speaker 2: I would have continued to watch for sure. So who 308 00:15:42,480 --> 00:15:42,800 Speaker 2: is this for? 309 00:15:43,040 --> 00:15:45,560 Speaker 3: We think it's for anybody. I don't think you have 310 00:15:45,600 --> 00:15:48,400 Speaker 3: to be a huge I mean, if you're a horror 311 00:15:48,400 --> 00:15:51,600 Speaker 3: movie aficionado, I think, obviously we know you'll appreciate it. 312 00:15:51,680 --> 00:15:54,280 Speaker 3: But even if you don't tend to like horror movies, 313 00:15:54,600 --> 00:15:57,040 Speaker 3: this is a fun movie to put on for. You know, 314 00:15:57,080 --> 00:15:59,360 Speaker 3: a lot of times you have mixed company. I've dealt 315 00:15:59,360 --> 00:16:01,160 Speaker 3: with this, We've all all dealt with this threat our lives. 316 00:16:01,200 --> 00:16:04,800 Speaker 3: When you love horror movies, half your friends don't, or 317 00:16:04,840 --> 00:16:07,480 Speaker 3: sometimes even more than half your friends don't. This is 318 00:16:07,520 --> 00:16:09,720 Speaker 3: one I think you could introduce them to and say, hey, 319 00:16:09,800 --> 00:16:10,400 Speaker 3: let's sit down. 320 00:16:10,440 --> 00:16:12,880 Speaker 2: I promise this isn't. 321 00:16:12,680 --> 00:16:15,160 Speaker 3: So scary that you'll be mad at me, but you'll 322 00:16:15,200 --> 00:16:16,880 Speaker 3: actually appreciate how fun it is. 323 00:16:17,040 --> 00:16:20,520 Speaker 1: This one doesn't come with a warning from us so many. Hey, 324 00:16:20,520 --> 00:16:22,160 Speaker 1: if you don't like there's a little killing in here, 325 00:16:22,200 --> 00:16:24,400 Speaker 1: there's a little guts in here, there's a little it's 326 00:16:24,440 --> 00:16:25,920 Speaker 1: really not that. I don't feel like I need to 327 00:16:25,920 --> 00:16:29,240 Speaker 1: give anybody a heads up necessarily. I think anybody can 328 00:16:29,320 --> 00:16:31,480 Speaker 1: watch this and dip a toe, and if somebody's at 329 00:16:31,520 --> 00:16:34,640 Speaker 1: your house, you get to make the call on what 330 00:16:34,720 --> 00:16:35,720 Speaker 1: movie is being watched. 331 00:16:35,800 --> 00:16:36,160 Speaker 3: Ha ha. 332 00:16:36,800 --> 00:16:38,360 Speaker 1: Yeah I don't like it, you can leave, you can 333 00:16:38,360 --> 00:16:41,080 Speaker 1: go to another room. But yes, it is a compromise 334 00:16:41,320 --> 00:16:42,120 Speaker 1: for horror belief. 335 00:16:42,360 --> 00:16:46,720 Speaker 3: And who is it not for. I think anyone who 336 00:16:46,840 --> 00:16:50,720 Speaker 3: has a Buiji ward in their house, or anyone who 337 00:16:50,760 --> 00:16:54,720 Speaker 3: actually participates in seances. I think this would freak you out. 338 00:16:54,880 --> 00:16:57,000 Speaker 3: Maybe you think it's maybe I don't know, maybe that 339 00:16:57,000 --> 00:16:59,520 Speaker 3: would even make it more thrilling to watch. If you 340 00:16:59,600 --> 00:17:01,480 Speaker 3: do have those things in your home, or that is 341 00:17:01,480 --> 00:17:05,639 Speaker 3: something you regularly do. But to me, that would scare 342 00:17:05,680 --> 00:17:07,440 Speaker 3: me to the point where I wouldn't want to watch 343 00:17:07,480 --> 00:17:07,879 Speaker 3: this movie. 344 00:17:07,960 --> 00:17:10,480 Speaker 1: This is further confirmation not to mess around because this 345 00:17:10,480 --> 00:17:13,120 Speaker 1: thing is not It doesn't bring in a Wiji board. 346 00:17:13,280 --> 00:17:17,239 Speaker 1: I'm not just specifically that, but like some outside like 347 00:17:17,280 --> 00:17:20,679 Speaker 1: there's a magic dagger or they're right using something as 348 00:17:20,720 --> 00:17:23,679 Speaker 1: a part of it. This is just simple conversation and 349 00:17:23,760 --> 00:17:27,639 Speaker 1: lighting of candles. That's it. We all got candles in 350 00:17:27,680 --> 00:17:30,240 Speaker 1: the house. We got candles burning right now. Like it's 351 00:17:30,320 --> 00:17:32,879 Speaker 1: just it hits you in that it's not so foreign, 352 00:17:33,000 --> 00:17:35,719 Speaker 1: like we could all get caught up in this, and 353 00:17:36,640 --> 00:17:38,399 Speaker 1: that's scary to me. And I don't think this is 354 00:17:38,400 --> 00:17:42,520 Speaker 1: for people who aren't open minded when they come into it. 355 00:17:42,560 --> 00:17:44,320 Speaker 1: I say that because of a lot of the reviews 356 00:17:44,720 --> 00:17:46,880 Speaker 1: they seem to just, oh, this is a zoom call. 357 00:17:46,920 --> 00:17:49,320 Speaker 1: It's so boring. Why would anybody just watch? Like, if 358 00:17:49,320 --> 00:17:51,720 Speaker 1: you're not open minded to what this movie can be, 359 00:17:51,800 --> 00:17:53,840 Speaker 1: and you just turned off because you think it's boring 360 00:17:53,880 --> 00:17:55,919 Speaker 1: to see people sitting on a computer screen. 361 00:17:56,440 --> 00:17:57,080 Speaker 2: Yeah yeah. 362 00:17:57,080 --> 00:17:59,560 Speaker 3: If you're already turned off by the idea that literally 363 00:17:59,560 --> 00:18:02,600 Speaker 3: the entire movie is a zoom call, then yeah, just 364 00:18:02,640 --> 00:18:05,520 Speaker 3: skip it. That's fine food drink pairing, all right, I 365 00:18:05,520 --> 00:18:08,879 Speaker 3: hear it is, so obviously you're gonna need to have 366 00:18:08,920 --> 00:18:12,800 Speaker 3: some shots because it would be fun to play along 367 00:18:12,880 --> 00:18:15,560 Speaker 3: with the characters. There is a part of the movie 368 00:18:15,680 --> 00:18:19,280 Speaker 3: where they do shots, and it's when one of the 369 00:18:19,359 --> 00:18:23,760 Speaker 3: other characters says a specific phrase, and so it's. 370 00:18:23,640 --> 00:18:26,040 Speaker 2: Fun and knowing it ahead of time, you. 371 00:18:26,000 --> 00:18:29,719 Speaker 3: Could just have whatever tequila shots lined up, all right, everybody, 372 00:18:29,840 --> 00:18:31,760 Speaker 3: when the part of the movie comes for shots, yes, 373 00:18:31,840 --> 00:18:32,480 Speaker 3: we're gonna. 374 00:18:32,240 --> 00:18:35,119 Speaker 2: Do it with the characters. That would be fun, right. 375 00:18:35,440 --> 00:18:38,879 Speaker 3: Also, you mentioned you loved the medium and as the 376 00:18:38,880 --> 00:18:42,240 Speaker 3: woman who conducts the seance, she is Irish and she 377 00:18:42,320 --> 00:18:45,520 Speaker 3: likes to say spirits. So I suggest that you drink 378 00:18:45,560 --> 00:18:48,399 Speaker 3: some spirits and set them on the table. So whatever 379 00:18:48,520 --> 00:18:51,640 Speaker 3: spit it you like, just every time she says spit it, 380 00:18:51,800 --> 00:18:53,800 Speaker 3: you could have a sip of your spin it. 381 00:18:54,000 --> 00:18:56,399 Speaker 1: Don't drink every time she says spirit though, because you 382 00:18:56,520 --> 00:18:57,680 Speaker 1: are going to be wasted. 383 00:18:58,080 --> 00:19:01,400 Speaker 3: My other, my other suggestion is setting the mood with candles. 384 00:19:01,440 --> 00:19:03,080 Speaker 3: You mentioned candles. Yes, I think you need to have 385 00:19:03,119 --> 00:19:06,040 Speaker 3: some candles lit. And this is a popcorn movie, period. 386 00:19:08,119 --> 00:19:09,600 Speaker 2: Could you watch this by yourself? 387 00:19:11,560 --> 00:19:13,640 Speaker 1: You can, but you'll regret that you did. 388 00:19:13,800 --> 00:19:14,560 Speaker 2: I wouldn't want to. 389 00:19:14,720 --> 00:19:17,680 Speaker 1: Yeah, as a heads up, if you're what, you actually 390 00:19:17,760 --> 00:19:19,920 Speaker 1: get through it to a little ways and you think 391 00:19:19,960 --> 00:19:22,040 Speaker 1: you're okay, and then you realize, damn, I screwed up. 392 00:19:22,040 --> 00:19:22,919 Speaker 1: I should not have watched this. 393 00:19:22,920 --> 00:19:24,560 Speaker 3: My MoMA. Yeah, if you're by yourself and you have 394 00:19:24,600 --> 00:19:27,119 Speaker 3: your computer, op or something, and you're feeling like, oh, 395 00:19:27,200 --> 00:19:28,960 Speaker 3: if I just jumped on a zoom with somebody, i'd 396 00:19:28,960 --> 00:19:31,840 Speaker 3: feel safe. That is gone after you've watched this movie, 397 00:19:31,880 --> 00:19:33,200 Speaker 3: and you'd be looking over your shoulder. 398 00:19:33,520 --> 00:19:35,440 Speaker 1: Can't you watch this one in the daytime? I think 399 00:19:35,480 --> 00:19:37,360 Speaker 1: a lot the screens were lit. I don't think there's 400 00:19:37,359 --> 00:19:37,920 Speaker 1: a lot of night. 401 00:19:38,080 --> 00:19:40,080 Speaker 3: You can watch it in the daytime. You're right, because 402 00:19:40,119 --> 00:19:44,040 Speaker 3: it is on screens. Everything is bright. But I would 403 00:19:44,080 --> 00:19:46,760 Speaker 3: be nervous, definitely. If you're by yourself, you would be 404 00:19:46,760 --> 00:19:49,040 Speaker 3: looking over your shoulder the entire time because it's said 405 00:19:49,080 --> 00:19:49,480 Speaker 3: at night. 406 00:19:49,640 --> 00:19:51,560 Speaker 2: It's just they've got the brightness of the screen. 407 00:19:51,680 --> 00:19:53,520 Speaker 1: This is a nighttime movie or the experience. 408 00:19:53,600 --> 00:19:54,760 Speaker 2: I think it's a night time. 409 00:19:54,560 --> 00:19:57,720 Speaker 1: You should be in and pitch blackness in the room 410 00:19:57,800 --> 00:20:00,320 Speaker 1: with a couple of candles going is how should be 411 00:20:00,520 --> 00:20:02,639 Speaker 1: And my recommendation of food was something you don't have 412 00:20:02,680 --> 00:20:05,000 Speaker 1: to look down at to pick up, like just a 413 00:20:05,000 --> 00:20:07,920 Speaker 1: bunch of those little hard mini pretzels that a little salted, 414 00:20:08,080 --> 00:20:10,800 Speaker 1: something light on the stomach. But it's something you don't 415 00:20:10,800 --> 00:20:11,920 Speaker 1: have to popcorn works. 416 00:20:12,040 --> 00:20:13,520 Speaker 2: Yep, you don't want to have to look down. 417 00:20:13,600 --> 00:20:14,840 Speaker 1: You gotta keep your eyes on the screen. 418 00:20:15,040 --> 00:20:16,760 Speaker 2: Yeah, because there are things you will miss. 419 00:20:16,800 --> 00:20:18,400 Speaker 1: Oh yeah, you gotta keep you out one hundred percent. 420 00:20:18,480 --> 00:20:18,840 Speaker 2: All right. 421 00:20:18,920 --> 00:20:22,600 Speaker 1: This one can be found on Netflix. It is available 422 00:20:22,600 --> 00:20:23,360 Speaker 1: on Netflix though. 423 00:20:23,480 --> 00:20:24,040 Speaker 2: Fantastic. 424 00:20:24,080 --> 00:20:28,680 Speaker 3: All right, So our next movie will be number two 425 00:20:29,320 --> 00:20:30,200 Speaker 3: on the list. 426 00:20:30,440 --> 00:20:32,119 Speaker 2: And how would we tease this one? 427 00:20:32,400 --> 00:20:34,680 Speaker 1: It's the Is it the only one we have that's 428 00:20:34,680 --> 00:20:38,040 Speaker 1: a foreign We had another foreign length, but you can't 429 00:20:38,040 --> 00:20:38,720 Speaker 1: this one. You can't. 430 00:20:38,760 --> 00:20:40,840 Speaker 2: Yes, we had another one we had, remember, and we 431 00:20:40,880 --> 00:20:41,840 Speaker 2: watched it dubbed. 432 00:20:42,040 --> 00:20:44,199 Speaker 1: This one. The dubbing is not available. Don't have that right, 433 00:20:44,280 --> 00:20:44,880 Speaker 1: not right now. 434 00:20:44,960 --> 00:20:48,840 Speaker 3: I have seen reviews that people have watched this one dubbed, 435 00:20:49,000 --> 00:20:52,560 Speaker 3: but I don't recall that I have. I'm fairly certain 436 00:20:52,960 --> 00:20:56,160 Speaker 3: I've only watched this one with subtitles. And the thing 437 00:20:56,200 --> 00:20:58,480 Speaker 3: that's interesting is I have found this when you have 438 00:20:58,520 --> 00:21:02,200 Speaker 3: a good movie with subtiples. It ends up you forget 439 00:21:02,240 --> 00:21:04,600 Speaker 3: that you saw the movie with the subtitles, and I 440 00:21:04,640 --> 00:21:07,399 Speaker 3: feel like you don't miss anything because you're almost like 441 00:21:07,480 --> 00:21:09,720 Speaker 3: reading a book and watching a movie at the same time. 442 00:21:10,800 --> 00:21:12,800 Speaker 3: I appreciate it, and you're right, you can't take your 443 00:21:12,800 --> 00:21:13,359 Speaker 3: eyes off of it. 444 00:21:13,480 --> 00:21:14,600 Speaker 2: Obviously, this. 445 00:21:16,160 --> 00:21:19,040 Speaker 1: Is an incredible and you know what, this one might 446 00:21:19,520 --> 00:21:22,040 Speaker 1: have dipped its toe into a little mainstream. It seemed 447 00:21:22,040 --> 00:21:24,480 Speaker 1: like a lot of people might have known about this one. 448 00:21:24,640 --> 00:21:29,240 Speaker 3: Lately, but initially I believe, am I correct that I'm 449 00:21:29,240 --> 00:21:31,040 Speaker 3: the one who introduced this to you. 450 00:21:31,040 --> 00:21:31,959 Speaker 2: You had not seen it. 451 00:21:32,040 --> 00:21:34,679 Speaker 1: I hesitated to watch it for so long because I 452 00:21:34,680 --> 00:21:37,560 Speaker 1: don't like subtitles. I don't like to have to read. Boy, 453 00:21:37,760 --> 00:21:41,000 Speaker 1: was I wrong? And we assure you this one is 454 00:21:41,119 --> 00:21:42,560 Speaker 1: not PG thirteen. 455 00:21:42,760 --> 00:21:45,679 Speaker 2: And we assure you this one is filled with action. 456 00:21:46,200 --> 00:21:50,280 Speaker 3: Whereas obviously host we said is just zoom screens frightening. 457 00:21:50,480 --> 00:21:52,520 Speaker 2: This is the antithesis of that. 458 00:21:52,600 --> 00:21:54,760 Speaker 1: We're gonna make up for it the next one. 459 00:21:54,880 --> 00:21:57,000 Speaker 2: All right, with that, everyone, thanks for listening. I made 460 00:21:57,000 --> 00:21:59,800 Speaker 2: me roboch alongside TJ. Holmes. We'll talk to you soon.