WEBVTT - MINISODE: Q&A TAPE NIGHT 

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<v Speaker 1>Hey there, fan Aritos. Every week we ask you for

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<v Speaker 1>your comments and questions, and boy do you guys deliver

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<v Speaker 1>so many good questions. Thank you for chiming in with

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<v Speaker 1>your everywhere looks that we missed. There's many of them.

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<v Speaker 1>You have keen observations and we appreciate it. So we

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<v Speaker 1>can't answer every one of your questions. We're very sorry

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<v Speaker 1>about that, but we do see them and love them.

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<v Speaker 1>We love hearing what you have to say. And today

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<v Speaker 1>we're breaking down tape night. What does a tape night involve?

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<v Speaker 1>Everything that goes into taping a twenty two minute episode

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<v Speaker 1>of a sitcom? And yes, it is a little unbelievable

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<v Speaker 1>that it takes so long to make such a short,

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<v Speaker 1>yet show, but it does. So thank you to listener

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<v Speaker 1>Andreas Keebler Kebler for this idea.

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<v Speaker 2>When I saw the name, I was like, does that

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<v Speaker 2>say Andrea Gibbler?

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<v Speaker 3>Like I thought it.

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<v Speaker 2>Was somehow like that was what my brain saw instead

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<v Speaker 2>of Andreas Kibbler or whatever.

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<v Speaker 1>I was like, Andrea Gibler, I thought it was and

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<v Speaker 1>I thought someone forgot an apostrophe. I thought, there's Andrea's

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<v Speaker 1>Keebler And I'm like, oh.

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<v Speaker 3>Did I get a good thing. It's a good thing

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<v Speaker 3>that we can both read.

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<v Speaker 1>Well.

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<v Speaker 2>Uh and my iPad. I guess it doesn't matter. My

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<v Speaker 2>iPad just scrolls itself down. I did, wasn't touching it. No,

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<v Speaker 2>I can't see what we were doing that all morning.

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<v Speaker 2>It is all morning.

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<v Speaker 1>Well that's sorry, there's nothing to follow. We're just talking about.

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<v Speaker 2>It was my security blanket. I just wanted it to

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<v Speaker 2>be there, so I knew.

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<v Speaker 1>But that's okay, you're binkie. You can't know your binki.

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<v Speaker 3>So me wanting to be prepared your social shocking.

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<v Speaker 1>So we've mentioned and tape night before, but we haven't

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<v Speaker 1>I don't think we've gone through like the whole.

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<v Speaker 3>Day, like the whole like a like a tap day

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<v Speaker 3>at night.

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<v Speaker 1>So let's let's take you guys through it like an episode.

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<v Speaker 2>So now question because full House and fuller House tapings

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<v Speaker 2>a little different.

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<v Speaker 3>So were going full or we going I think.

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<v Speaker 2>I feel like full Let's go full house because that

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<v Speaker 2>was Yeah, okay, that's what people, that's what we're talking about.

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<v Speaker 3>So people want to know.

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<v Speaker 1>Okay, yeah that's true. This is the full House podcast.

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<v Speaker 1>So yes, let's talk about the full House Top Night,

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<v Speaker 1>which started with start.

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<v Speaker 2>In the morning, so the adults would be there finishing

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<v Speaker 2>out camera blocking, So anything that didn't get filmed or

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<v Speaker 2>you know, filmed the day before on that Thursday that

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<v Speaker 2>hadn't been you know, the cameras hadn't seen where everybody's

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<v Speaker 2>mark marks are.

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<v Speaker 3>Uh.

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<v Speaker 2>Camera blocking is basically when the cameras are all in place,

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<v Speaker 2>because they're not usually there when you're rehearsing. The first

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<v Speaker 2>couple of days, there's no cameras. It's just very like

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<v Speaker 2>the set lights aren't on. It's you know, much more relaxed, casual,

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<v Speaker 2>just kind of getting things on its feet. But by

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<v Speaker 2>Thursday you're doing hair and makeup and you're in the morning.

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<v Speaker 2>Adults are blocking. Camera blocking so that cameras can see

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<v Speaker 2>where people are in scenes and the director can tell

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<v Speaker 2>them what shots he wants and all of that, and

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<v Speaker 2>then they will shoot later that day. But on Fridays

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<v Speaker 2>they would finish blocking for cameras any scenes that they

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<v Speaker 2>hadn't done yet, and so we as kids, usually came

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<v Speaker 2>in later because they knew we were going to have

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<v Speaker 2>to stay later for the taping, so we would usually

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<v Speaker 2>come in a little bit later and on our stand

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<v Speaker 2>ins would be us quote unquote during camera blocking, so

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<v Speaker 2>that cameras knew where we were supposed to to be,

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<v Speaker 2>you know.

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<v Speaker 1>Yeah, that's right. I forgot we wouldn't come into Liken

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<v Speaker 1>or one because we had yet the tapings would go

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<v Speaker 1>that long. So yeah, that's why I forgot all about

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<v Speaker 1>child labor laws.

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<v Speaker 3>And obviously we were there the whole tape, but but yeah,

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<v Speaker 3>that was the full house as kids.

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<v Speaker 2>We came in late and all the adults had been

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<v Speaker 2>there already finishing stuff.

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<v Speaker 1>Yeah, and it's so funny you bring up how the

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<v Speaker 1>difference between the rehearsal days and the tape days as

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<v Speaker 1>far as yeah, yeah, set dressing. So when I picture

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<v Speaker 1>the full house set, I don't picture it like on

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<v Speaker 1>the Friday tape night with the light.

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<v Speaker 3>I picture it.

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<v Speaker 1>I picture it like the relaxed, like that weird state,

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<v Speaker 1>like regular lighting, scripts strewn everywhere all over the second

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<v Speaker 1>mess pillows or just wherever. Yeah, that's how when I picture, like,

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<v Speaker 1>what was it.

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<v Speaker 4>Like on the that's rehearsal Those days were like when

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<v Speaker 4>you're chilling and relaxing at home and like you putting

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<v Speaker 4>your feet on the table and then like night was like.

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<v Speaker 3>Oh we've got company coming.

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<v Speaker 2>Let's let's put together, you know what I mean, like,

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<v Speaker 2>let's look like we don't yes, don't like that to

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<v Speaker 2>be proper and go not don't be loud and go

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<v Speaker 2>you know.

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<v Speaker 3>So that was kind of what it felt like. But

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<v Speaker 3>but I do remember.

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<v Speaker 2>So our schedule was always a little bit was very

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<v Speaker 2>different actually from full house to fuller house. I feel like,

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<v Speaker 2>I mean, one, we weren't kids anymore, but do you

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<v Speaker 2>we used to go have like longer lunch breaks.

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<v Speaker 1>Oh yeah, we would go off with us for lunch.

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<v Speaker 1>We would do did we do hair and makeup before

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<v Speaker 1>lunch as kids? Because we didn't need as much.

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<v Speaker 2>Yeah, we didn't need as much hair makeup, but I

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<v Speaker 2>do think but we would still get, like you think,

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<v Speaker 2>like whatever kind of partially done so that the rush

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<v Speaker 2>when we came back wasn't not a nightmare.

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<v Speaker 1>That's what I remember too. Yeah, as adults, we would

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<v Speaker 1>obviously we go in in the morning to get hair

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<v Speaker 1>and makeup done. But as kids, yeah, we would just

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<v Speaker 1>get a little yes or something before lunch and then

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<v Speaker 1>who decided who would go where we would go? Was it?

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<v Speaker 1>I feel like it was Bob thing. He would always

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<v Speaker 1>be like, let's go to Jerry.

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<v Speaker 2>So the later so the later seasons of the show.

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<v Speaker 2>I guess there's also differences in the seasons. So like

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<v Speaker 2>in the early season, true, everybody went to the commissary.

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<v Speaker 2>On the commissary on the Laura mar slash Sony slash

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<v Speaker 2>MGM lot. I can still remember that commissary. It was

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<v Speaker 2>much more like a cafeteria kind of yeah, right.

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<v Speaker 3>Yeah, the commissary.

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<v Speaker 2>There's usually on a on a lot, there's like the commissary,

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<v Speaker 2>which is, you know, there's different kinds of foods and

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<v Speaker 2>it's more sandwiches and you know whatever apastas and things,

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<v Speaker 2>and then there's like the sit down restaurant. That's always

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<v Speaker 2>where the bougie like execs or if you have to

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<v Speaker 2>have a meeting or something like that, that's where you go.

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<v Speaker 1>Yeah, yeah, that's right, that's right. And what would you

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<v Speaker 1>get at the commissary, Like we know, me and my tunamel.

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<v Speaker 2>But you got the but you also got tuna melts

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<v Speaker 2>from the truck you did, the truck that came.

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<v Speaker 3>The food trunk.

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<v Speaker 2>I don't remember, but I do remember they had really

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<v Speaker 2>good mans of ball, soup, goodnuit because I remember as

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<v Speaker 2>a kid having to work sometimes and you're sick, and

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<v Speaker 2>someone would go to the commissary and get mons chicken,

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<v Speaker 2>monts of ball soup and so like.

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<v Speaker 3>I do remember that it was delicious.

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<v Speaker 2>Yeah, but then by the time, uh, fifth season.

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<v Speaker 1>Right about now, season six, end of season six, season seven, sure.

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<v Speaker 2>But it was when we moved over to Warner Brothers, right, okay,

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<v Speaker 2>because I probably.

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<v Speaker 3>I was too young.

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<v Speaker 2>I didn't wouldn't have gone out to dinner with you guys.

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<v Speaker 2>But I feel like those last two seasons we went

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<v Speaker 2>out because we were closer to stuff.

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<v Speaker 1>Oh yeah, that's right. We were just down the street

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<v Speaker 1>from Yeah City walking.

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<v Speaker 2>But do you remember going when we were kids. Do

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<v Speaker 2>you remember going to Versailles for dinner? Actually, oh yeah,

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<v Speaker 2>Cuban food at Versailles over in Culver City.

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<v Speaker 1>Yes, my mom that we would together go together.

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<v Speaker 3>Adria, our teacher would go with us sometimes or at Lease.

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<v Speaker 1>And I remember being very afraid to try Cuban food

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<v Speaker 1>and I was like, this is gonna be too spicy.

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<v Speaker 5>So it was delicious, delicious food.

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<v Speaker 3>Is that there?

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<v Speaker 1>I feel like I drive by it sometimes, yea vers.

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<v Speaker 2>But yeah, there was that, and then yeah, when we

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<v Speaker 2>got to the Warner Brothers lot, I think my mom

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<v Speaker 2>finally was like, Okay, you're old enough. Maybe seventh or

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<v Speaker 2>eighth season was like, okay, you're old enough. You can

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<v Speaker 2>go with everybody. Because Bob was finally like, you know,

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<v Speaker 2>can she come with us off campus? Because it was

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<v Speaker 2>you guys and Scott and it was like the teenagers

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<v Speaker 2>and the and Bob and Dave and did John.

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<v Speaker 3>Never went with us because he was always getting a.

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<v Speaker 1>John never really went. Yeah he was getting massage, Yeah.

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<v Speaker 3>He he was.

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<v Speaker 2>He needed to decompress before, which I totally get now understand.

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<v Speaker 2>But if I got a massage before the show, I

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<v Speaker 2>would be asleep, right, That's how I don't know either.

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<v Speaker 3>But yeah, we would go to Jerry Still.

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<v Speaker 2>We went to California canteena that had really good pa.

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<v Speaker 1>Oh good stuff, good stuff. Yeah, but I we would.

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<v Speaker 1>We would usually have to take a couple of cars,

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<v Speaker 1>so it would always be like Bob was driving.

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<v Speaker 3>Bob Scott race.

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<v Speaker 2>I remember racing over bar Ham with them one time.

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<v Speaker 2>I know, listening to like Radiohead or something in Bob.

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<v Speaker 1>Yeah, So we would all carpool and I can't remember.

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<v Speaker 3>How did we handle the bill?

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<v Speaker 1>I think, well, it's kids. We were just like usually

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<v Speaker 1>Bob would just cover us. But I remember trying to

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<v Speaker 1>hand Bob. I would never take keep your keep every money,

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<v Speaker 1>to keep your money, but he would. But people would

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<v Speaker 1>just kind of take turning for whatever or whatever. It's

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<v Speaker 1>like I got it this time, or you get it

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<v Speaker 1>next time.

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<v Speaker 3>I was really fun.

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<v Speaker 2>I remember that's where I learned about new pickles from Bob.

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<v Speaker 2>He would always ask for new pickles because the new

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<v Speaker 2>pickles are less like slightly less pickled than crispier. They're

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<v Speaker 2>not the ones that have been like sitting in the

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<v Speaker 2>brine for a while.

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<v Speaker 3>And I don't hate new pickles.

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<v Speaker 2>I'm not a big pickle person, but like those, they're

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<v Speaker 2>a little less vinegary.

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<v Speaker 3>Okay, I believe that's where I had my first black

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<v Speaker 3>and white cookie. Yeah, yeah, I learned. I learned.

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<v Speaker 6>Uh.

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<v Speaker 2>I learned the ways of the Jewish deli there, but

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<v Speaker 2>with Bob, who worked at a deli when he was

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<v Speaker 2>a kid, so it was kind of perfect.

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<v Speaker 1>Yeah, oh that's right. Those were good times. It was

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<v Speaker 1>just a good kind of like team building, you know,

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<v Speaker 1>we would just we would get to just decompress and

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<v Speaker 1>laugh and like gett were ridiculous.

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<v Speaker 3>The tape so ridiculous.

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<v Speaker 1>I mean we were very loud, which we already tried.

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<v Speaker 3>It still is people like is that? Yeah?

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<v Speaker 1>So yeah, those are some of my fond dishoperies of

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<v Speaker 1>the show. Is is the off campus dinners pre show dinners.

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<v Speaker 1>Those were great.

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<v Speaker 3>Then when we got back what happened.

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<v Speaker 1>Then we would do well, we would go in for

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<v Speaker 1>touch ups. I don't remember doing speed.

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<v Speaker 3>We didn't.

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<v Speaker 2>We didn't do we didn't read that a later addition

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<v Speaker 2>to live taping nights.

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<v Speaker 1>Yeah, where we where the director would come in, guest

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<v Speaker 1>stars would come into the makeup room and we would

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<v Speaker 1>all literally sit around read the script yep, just kind

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<v Speaker 1>of get out any last minute notes or whatever.

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<v Speaker 6>But I don't know, we didn't unless maybe the adults,

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<v Speaker 6>but the kids were in it with us on Fuller,

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<v Speaker 6>So yeah, I just don't think it was something that

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<v Speaker 6>we did with just and you know on Fuller we

0:12:11.160 --> 0:12:14.319
<v Speaker 6>also had shorter dinners so we couldn't go off campus.

0:12:14.360 --> 0:12:17.880
<v Speaker 2>You know, schedule was a little different. But yeah, we

0:12:17.960 --> 0:12:19.440
<v Speaker 2>come back and do touch ups and then.

0:12:20.800 --> 0:12:24.200
<v Speaker 1>And then time for intros in there is always another

0:12:24.320 --> 0:12:27.840
<v Speaker 1>favorite portion they usually would show an episode.

0:12:29.200 --> 0:12:34.400
<v Speaker 2>Would be the episode that, like the previous the previous

0:12:34.400 --> 0:12:36.720
<v Speaker 2>week's episode that they would show the audience.

0:12:38.679 --> 0:12:41.319
<v Speaker 1>Yeah, so they could kind of get caught up on

0:12:41.760 --> 0:12:42.320
<v Speaker 1>who's living.

0:12:43.200 --> 0:12:46.360
<v Speaker 2>And usually sitcoms are made that you can kind of

0:12:46.679 --> 0:12:47.760
<v Speaker 2>watch them one off.

0:12:48.280 --> 0:12:51.800
<v Speaker 3>But but yeah, they we we showed the audience.

0:12:51.520 --> 0:12:58.680
<v Speaker 2>The for the episode and then Bob Purlough mm hmmm

0:12:58.840 --> 0:13:04.360
<v Speaker 2>would start announcing and uh and they would start playing.

0:13:04.120 --> 0:13:07.520
<v Speaker 1>The would in the kitchen, Oh yeah, gathered in the

0:13:07.600 --> 0:13:11.000
<v Speaker 1>kitchen behind these big like what do you call him?

0:13:10.760 --> 0:13:14.160
<v Speaker 1>The diviners, like these wall wall dividers.

0:13:14.160 --> 0:13:16.880
<v Speaker 2>So it was basically like from the audience wooden curtain

0:13:17.000 --> 0:13:20.080
<v Speaker 2>on wheels so that the audience can't see the stage

0:13:20.280 --> 0:13:23.400
<v Speaker 2>or the people behind it. But you can't have like

0:13:23.440 --> 0:13:26.120
<v Speaker 2>giant curtains hanging in front of a sitcom set, but

0:13:26.240 --> 0:13:28.720
<v Speaker 2>you can kind of have these rolling things, which it

0:13:28.760 --> 0:13:31.120
<v Speaker 2>also comes in handy if you have a scene that's

0:13:31.120 --> 0:13:33.719
<v Speaker 2>taking place and you have something in the room that's

0:13:33.760 --> 0:13:35.000
<v Speaker 2>going to be a surprise and you'll want to be

0:13:35.040 --> 0:13:35.600
<v Speaker 2>able to see it.

0:13:35.920 --> 0:13:36.120
<v Speaker 5>Yeah.

0:13:36.880 --> 0:13:41.000
<v Speaker 1>Oh, they love we love our reveals on tape reveals.

0:13:41.679 --> 0:13:43.960
<v Speaker 1>And I remember trying to peek through the walls because

0:13:43.960 --> 0:13:46.240
<v Speaker 1>there were ya siple walls lined up and I would

0:13:46.240 --> 0:13:48.480
<v Speaker 1>try to peek through the crack to look at the

0:13:48.520 --> 0:13:52.840
<v Speaker 1>audience out there, see who's there. But yeah, then Bob

0:13:52.880 --> 0:13:55.560
<v Speaker 1>Parlo would call us out in reverse cast.

0:13:55.559 --> 0:14:00.280
<v Speaker 2>You don't remember well the traditions before we went.

0:14:00.200 --> 0:14:04.560
<v Speaker 5>Out, what we're the the dance dancing dancing with Brian,

0:14:04.600 --> 0:14:10.320
<v Speaker 5>dancing with Brian Cale, Polka dancing Polka with Brian Kle

0:14:11.520 --> 0:14:12.480
<v Speaker 5>and Ashley Mary Kate.

0:14:13.240 --> 0:14:16.160
<v Speaker 3>And we would, yeah, we would. We would dance the Polka.

0:14:17.559 --> 0:14:18.400
<v Speaker 1>It was so fun.

0:14:18.520 --> 0:14:19.680
<v Speaker 3>Queens We Will.

0:14:19.640 --> 0:14:21.840
<v Speaker 2>Rock You would play and we would be dancing Polka

0:14:22.040 --> 0:14:22.880
<v Speaker 2>to queen.

0:14:26.400 --> 0:14:28.040
<v Speaker 1>And the tradition.

0:14:28.280 --> 0:14:32.320
<v Speaker 3>Yeah, that was a great tradition and we we What

0:14:32.400 --> 0:14:33.760
<v Speaker 3>else did we do before show?

0:14:35.240 --> 0:14:38.080
<v Speaker 1>I think that's before intros. The intro came out, came after,

0:14:38.480 --> 0:14:38.960
<v Speaker 1>came after.

0:14:39.480 --> 0:14:43.320
<v Speaker 3>Our silly little dancing and I can't hear I can't

0:14:43.360 --> 0:14:44.360
<v Speaker 3>hear We Will Rock You.

0:14:44.360 --> 0:14:46.960
<v Speaker 2>Without feeling like a surge of energy like I'm going

0:14:47.040 --> 0:14:49.960
<v Speaker 2>to go out and like perform.

0:14:50.040 --> 0:14:52.280
<v Speaker 1>Yeah, I'm always like.

0:14:53.560 --> 0:14:55.800
<v Speaker 2>There's like a weird sense of like pre show like

0:14:56.800 --> 0:14:58.880
<v Speaker 2>fear and excitement of like oh no, am I have

0:14:58.960 --> 0:15:00.600
<v Speaker 2>to do something and like come down.

0:15:02.040 --> 0:15:04.960
<v Speaker 3>Yeah, but we'd get intro to the full House theme song.

0:15:05.640 --> 0:15:08.200
<v Speaker 1>We get intro to the full House theme song where

0:15:08.200 --> 0:15:11.080
<v Speaker 1>we'd wave at the You can't really see audience members when.

0:15:10.920 --> 0:15:11.680
<v Speaker 3>You walk very bright.

0:15:11.760 --> 0:15:14.640
<v Speaker 2>Yeah, you come out from in between like one of

0:15:14.680 --> 0:15:16.320
<v Speaker 2>the walls. You'd kind of do a little walk out

0:15:16.320 --> 0:15:18.400
<v Speaker 2>in front, and then you'd come walk back behind.

0:15:18.520 --> 0:15:21.120
<v Speaker 3>So it was not like standing out in the front like.

0:15:21.080 --> 0:15:22.520
<v Speaker 2>You do at the end, but it was just kind

0:15:22.520 --> 0:15:27.400
<v Speaker 2>of a quick little hey, hi, and yeah.

0:15:25.960 --> 0:15:28.000
<v Speaker 1>And I could only see Bob Purlo warm up guy

0:15:28.080 --> 0:15:29.040
<v Speaker 1>and like Janel.

0:15:30.240 --> 0:15:34.600
<v Speaker 3>The spot yep, yep.

0:15:34.640 --> 0:15:37.280
<v Speaker 1>And then and then our huddle we would gather together

0:15:37.360 --> 0:15:40.760
<v Speaker 1>in in a circle, hold hands and just start with

0:15:40.800 --> 0:15:41.280
<v Speaker 1>a low.

0:15:41.200 --> 0:15:43.320
<v Speaker 3>On the and we would just.

0:15:44.760 --> 0:15:50.120
<v Speaker 2>Noises and gibberish and yell out things, and we would

0:15:50.160 --> 0:15:53.840
<v Speaker 2>get progressively louder and louder and louder and louder, and

0:15:53.880 --> 0:15:57.360
<v Speaker 2>Bob and Dave were yelling all manner of things at

0:15:57.400 --> 0:16:00.360
<v Speaker 2>the time, and then yep. Then we'd go would be

0:16:00.360 --> 0:16:02.520
<v Speaker 2>like eh, I.

0:16:02.520 --> 0:16:04.880
<v Speaker 3>Would see scream break as loud.

0:16:04.680 --> 0:16:07.880
<v Speaker 2>As we could, and then Dave would usually say something

0:16:07.960 --> 0:16:10.680
<v Speaker 2>really stupid and inappropriate and yell it out at the end.

0:16:10.960 --> 0:16:13.520
<v Speaker 3>So I could only imagine things that I forgot to watch. Yeah,

0:16:13.560 --> 0:16:14.800
<v Speaker 3>but the audience.

0:16:14.480 --> 0:16:18.600
<v Speaker 2>Must have been like, oh my God, these people are nuts.

0:16:19.760 --> 0:16:22.520
<v Speaker 1>I would love if any of our fan ritos had

0:16:22.680 --> 0:16:25.240
<v Speaker 1>have ever been to a full house taping, not fuller,

0:16:25.520 --> 0:16:27.360
<v Speaker 1>but a full house gosh in the nineties.

0:16:27.400 --> 0:16:29.440
<v Speaker 3>Please could you send us an email?

0:16:30.120 --> 0:16:33.160
<v Speaker 1>Did you hear Dave and his whatever butt or something

0:16:33.200 --> 0:16:35.640
<v Speaker 1>he had to yell at the end of the huddle? Yeah,

0:16:35.640 --> 0:16:38.880
<v Speaker 1>I want to I want to know. Yeah, huddles were

0:16:38.880 --> 0:16:40.360
<v Speaker 1>always a good just yet.

0:16:40.600 --> 0:16:41.120
<v Speaker 3>Get those.

0:16:42.760 --> 0:16:45.880
<v Speaker 2>Show yelling and getting loud and whatever right.

0:16:45.760 --> 0:16:46.320
<v Speaker 3>Before the show.

0:16:46.320 --> 0:16:48.560
<v Speaker 2>It's like a good way to set up your energy,

0:16:48.880 --> 0:16:50.640
<v Speaker 2>you know. It's like what you do football all the

0:16:50.800 --> 0:16:51.600
<v Speaker 2>every every time.

0:16:52.680 --> 0:16:55.600
<v Speaker 1>Yeah, same concept, yep, yep. And then they would remove

0:16:55.640 --> 0:16:58.920
<v Speaker 1>the walls and we would they pull up the lights,

0:16:59.120 --> 0:17:01.200
<v Speaker 1>uh for whatever set we were going to be working

0:17:01.200 --> 0:17:01.920
<v Speaker 1>on the chen.

0:17:02.000 --> 0:17:03.000
<v Speaker 3>Everything else was dark.

0:17:04.560 --> 0:17:07.640
<v Speaker 1>Everything else is dark, And the only sets you could

0:17:07.640 --> 0:17:10.720
<v Speaker 1>see from the studio audience was the living room, the kitchen,

0:17:11.240 --> 0:17:15.359
<v Speaker 1>the ever growing backyard, and maybe whatever guest sets.

0:17:15.560 --> 0:17:18.720
<v Speaker 3>Yeah, because the there was a random.

0:17:18.440 --> 0:17:24.200
<v Speaker 2>Show room and DJ and staff's room and then.

0:17:24.119 --> 0:17:27.280
<v Speaker 3>The studio work side.

0:17:27.600 --> 0:17:29.600
<v Speaker 1>Yeah, so you couldn't really see it as well from

0:17:29.600 --> 0:17:32.800
<v Speaker 1>the studio audience, but the main sets they put right

0:17:32.840 --> 0:17:35.840
<v Speaker 1>in front there and we would start, we would go

0:17:36.160 --> 0:17:39.800
<v Speaker 1>seen by scene in order. Usually anything we had pre

0:17:39.920 --> 0:17:42.600
<v Speaker 1>taped that we was only going to be pre taped,

0:17:42.640 --> 0:17:46.280
<v Speaker 1>they would just show the monitors. Uh. And we would

0:17:46.320 --> 0:17:50.479
<v Speaker 1>tape every scene at least twice, usually three times, depending

0:17:50.520 --> 0:17:52.520
<v Speaker 1>on how many times the cast would mess up, where

0:17:52.520 --> 0:17:58.760
<v Speaker 1>the babies wouldn't quite babies and dogs find babies and dogs.

0:17:59.240 --> 0:18:01.600
<v Speaker 1>And I don't remember a whole lot of alts like

0:18:01.800 --> 0:18:04.120
<v Speaker 1>the right you know, the writer's converging to get give

0:18:04.200 --> 0:18:05.360
<v Speaker 1>us alternate jokes or alter.

0:18:06.160 --> 0:18:08.639
<v Speaker 3>We didn't as much then.

0:18:09.440 --> 0:18:12.159
<v Speaker 1>No, that wasn't as much of a thing back in

0:18:12.200 --> 0:18:13.240
<v Speaker 1>the nineties.

0:18:12.920 --> 0:18:14.200
<v Speaker 3>At least not on our set.

0:18:14.240 --> 0:18:15.800
<v Speaker 2>Maybe they did with the adults and we just weren't

0:18:15.800 --> 0:18:17.320
<v Speaker 2>paying attention because they didn't really do it with the

0:18:17.400 --> 0:18:18.000
<v Speaker 2>kids very well.

0:18:18.080 --> 0:18:21.359
<v Speaker 3>Yeah, on Fuller we would sometimes it was very.

0:18:21.320 --> 0:18:24.280
<v Speaker 1>Much a weekly thing on Fuller. Yeah, in full House,

0:18:24.320 --> 0:18:26.880
<v Speaker 1>I think, yeah, maybe the adults, but not not us kids.

0:18:26.960 --> 0:18:31.640
<v Speaker 1>We we had it easier. And then yeah, the Bob

0:18:31.680 --> 0:18:34.160
<v Speaker 1>Perlow would go through the whole show.

0:18:34.359 --> 0:18:36.320
<v Speaker 2>In the middle, they'd have kind of a break and

0:18:36.359 --> 0:18:39.280
<v Speaker 2>the audience would get like a little sandwich or something,

0:18:39.320 --> 0:18:39.960
<v Speaker 2>wouldn't they.

0:18:39.840 --> 0:18:44.960
<v Speaker 1>Pizza like a little person pizza that was probably they yeah.

0:18:44.840 --> 0:18:47.639
<v Speaker 2>Nothing great, but they know that you can't keep people

0:18:47.720 --> 0:18:52.600
<v Speaker 2>sitting in an audience for five hours without feeding.

0:18:52.240 --> 0:18:53.040
<v Speaker 3>Them a little something.

0:18:53.080 --> 0:18:55.760
<v Speaker 2>And they would throw candy at people and T shirts

0:18:55.760 --> 0:18:58.760
<v Speaker 2>and signed stuff. Bob would usually get the microphone from

0:18:58.800 --> 0:19:01.960
<v Speaker 2>Bob Purlough talk to the audience for a while. Well,

0:19:02.080 --> 0:19:06.640
<v Speaker 2>Keith would frantically our our ad would frantically be saying, Bob, Bob, Bob,

0:19:06.640 --> 0:19:08.680
<v Speaker 2>we gotta go, Bob, we gotta go, Bob, put the

0:19:08.720 --> 0:19:11.919
<v Speaker 2>microphone down, Bob, we gotta go, and Bob would literally

0:19:11.960 --> 0:19:14.520
<v Speaker 2>be like walking away from him so that he couldn't

0:19:14.560 --> 0:19:15.840
<v Speaker 2>get the mic out of his hand.

0:19:16.560 --> 0:19:20.760
<v Speaker 1>The visceral memory, like I can hear Keith's voice and

0:19:20.800 --> 0:19:25.400
<v Speaker 1>his frustration, Bob, Bob, Bob, Bob, right, poor.

0:19:25.320 --> 0:19:28.199
<v Speaker 3>Keith, all the kids, we're all on our marks.

0:19:27.680 --> 0:19:30.000
<v Speaker 2>Like waiting, and Bob is just he's got a mic

0:19:30.000 --> 0:19:30.320
<v Speaker 2>in his hand.

0:19:30.359 --> 0:19:32.359
<v Speaker 3>We're like, oh, we're gonna die here. Yeah. And the

0:19:32.400 --> 0:19:33.239
<v Speaker 3>audience loved it.

0:19:33.280 --> 0:19:35.960
<v Speaker 5>They loved it, loved it.

0:19:36.040 --> 0:19:36.240
<v Speaker 1>Yeah.

0:19:36.280 --> 0:19:38.439
<v Speaker 2>I was not Yeah, And then Dave would come over

0:19:38.440 --> 0:19:40.040
<v Speaker 2>and get all where John would come to it. Yeah,

0:19:40.040 --> 0:19:42.080
<v Speaker 2>and we were like, oh boy, we've lost him, We

0:19:42.200 --> 0:19:42.640
<v Speaker 2>lost him.

0:19:43.320 --> 0:19:46.520
<v Speaker 1>The stress Keith must have been under to be the

0:19:46.600 --> 0:19:47.760
<v Speaker 1>one that has to get them.

0:19:47.640 --> 0:19:49.280
<v Speaker 3>In line, wrangled them.

0:19:49.920 --> 0:19:52.679
<v Speaker 2>Adri was a baby wrangler, but like Keith was was

0:19:52.720 --> 0:19:56.520
<v Speaker 2>an adult wrangler. Well it's a that's a hard job, Yes,

0:19:56.720 --> 0:19:58.440
<v Speaker 2>a harder job, I think for sure.

0:19:58.960 --> 0:20:09.640
<v Speaker 1>Yeah, oh man, that was the best. I think people

0:20:09.720 --> 0:20:11.520
<v Speaker 1>don't realize. They think, oh, it's so fun. We get

0:20:11.520 --> 0:20:13.359
<v Speaker 1>to go watch a taping, and it is fun, but

0:20:13.440 --> 0:20:15.959
<v Speaker 1>it's work, like the audience has to work, Like you

0:20:15.960 --> 0:20:16.960
<v Speaker 1>have to keep your energy.

0:20:17.119 --> 0:20:18.880
<v Speaker 3>Yeah, you got to laugh at the right to laugh.

0:20:18.680 --> 0:20:20.800
<v Speaker 1>At the right time. You gotta laugh the same type

0:20:20.800 --> 0:20:23.920
<v Speaker 1>of energy or laugh every single take, even though you've

0:20:23.920 --> 0:20:25.639
<v Speaker 1>seen it like four or five times, you still have

0:20:25.720 --> 0:20:27.879
<v Speaker 1>to laugh just as hard and at all of the

0:20:27.960 --> 0:20:28.600
<v Speaker 1>right moments.

0:20:29.720 --> 0:20:30.400
<v Speaker 3>It's hard work.

0:20:30.440 --> 0:20:32.439
<v Speaker 1>And then you're you're starving after four hours.

0:20:32.440 --> 0:20:34.720
<v Speaker 3>They may be getting your hunger thing.

0:20:34.920 --> 0:20:36.360
<v Speaker 1>Yeah, it's it's hard work.

0:20:36.400 --> 0:20:36.920
<v Speaker 3>And it's cold.

0:20:37.000 --> 0:20:39.080
<v Speaker 1>It is not too that we make it freezing because

0:20:39.080 --> 0:20:39.720
<v Speaker 1>of the hot lights.

0:20:39.760 --> 0:20:41.800
<v Speaker 3>Very cold on the sound stage because of all the lights.

0:20:42.000 --> 0:20:45.399
<v Speaker 2>And I think there were people too that kind of

0:20:45.400 --> 0:20:47.480
<v Speaker 2>had the misconception that, like, you go see a live

0:20:47.520 --> 0:20:50.399
<v Speaker 2>taping of a show and it's twenty two minutes live, right,

0:20:50.440 --> 0:20:53.280
<v Speaker 2>but it like it's a play, like you start top

0:20:53.320 --> 0:20:56.720
<v Speaker 2>to bottom and that's it. And unfortunately that is definitely

0:20:56.800 --> 0:21:00.000
<v Speaker 2>not it. It's usually i'd say it's like five hours.

0:21:00.359 --> 0:21:01.320
<v Speaker 3>Was a really long night.

0:21:01.400 --> 0:21:04.800
<v Speaker 2>Yeah, I'm usually long are we'd started to be at

0:21:04.840 --> 0:21:05.320
<v Speaker 2>what four?

0:21:05.800 --> 0:21:07.679
<v Speaker 1>Yeah? Oh yeah, back when we were kids, it was

0:21:07.720 --> 0:21:08.400
<v Speaker 1>like back then.

0:21:08.280 --> 0:21:11.000
<v Speaker 3>It was like four o'clock. And then I think we

0:21:11.000 --> 0:21:14.000
<v Speaker 3>were usually done by eight. Yeah, out the door by eight.

0:21:14.080 --> 0:21:15.920
<v Speaker 1>Especially as kids. We had a hard hour as the kids.

0:21:15.960 --> 0:21:18.080
<v Speaker 3>I think we had a heart out. Yeah as kids.

0:21:18.240 --> 0:21:20.200
<v Speaker 2>But yeah, it usually would be about four three and

0:21:20.240 --> 0:21:22.040
<v Speaker 2>a half hours, between three and four hours.

0:21:22.040 --> 0:21:24.800
<v Speaker 3>Three and a half four hours, i'd say was average. Yeah.

0:21:25.320 --> 0:21:29.120
<v Speaker 3>But at the end of the show, we did the curtain.

0:21:28.800 --> 0:21:33.320
<v Speaker 1>Call kay yep, which kind of like intros but it's

0:21:33.359 --> 0:21:33.840
<v Speaker 1>the end.

0:21:33.720 --> 0:21:35.439
<v Speaker 3>But without the walls, right, no walls.

0:21:35.520 --> 0:21:37.680
<v Speaker 1>No, we would come. We would stand back by hair

0:21:37.720 --> 0:21:38.240
<v Speaker 1>and makeup.

0:21:38.680 --> 0:21:40.600
<v Speaker 2>That was a pass we'd stand in that little alcove

0:21:40.640 --> 0:21:42.840
<v Speaker 2>in between the not the alcove in the living room,

0:21:42.840 --> 0:21:43.800
<v Speaker 2>but the space.

0:21:43.480 --> 0:21:46.160
<v Speaker 3>Between the kitchen and the living room. Yeah, that back

0:21:46.240 --> 0:21:47.440
<v Speaker 3>area there that connected it.

0:21:47.440 --> 0:21:49.159
<v Speaker 1>It had a back in the full house days, it

0:21:49.200 --> 0:21:52.280
<v Speaker 1>had a pass through to yes, hair and makeup and

0:21:52.359 --> 0:21:54.320
<v Speaker 1>craft right where the gun wall was. The gun wall

0:21:54.400 --> 0:21:57.000
<v Speaker 1>right the gum wall led you right to the backstage.

0:21:57.119 --> 0:22:00.440
<v Speaker 1>So we would gather there and then get called out

0:22:00.440 --> 0:22:02.520
<v Speaker 1>one at a time and wave at the audience and

0:22:02.560 --> 0:22:04.679
<v Speaker 1>take a bow and then wait out there for the

0:22:04.720 --> 0:22:05.480
<v Speaker 1>rest of the cast.

0:22:05.880 --> 0:22:08.000
<v Speaker 2>Yeah, yeah, yeah, Curt and call you'd go out, you'd

0:22:08.080 --> 0:22:10.840
<v Speaker 2>call your name, and then you'd stand there at the

0:22:10.960 --> 0:22:13.680
<v Speaker 2>end and everyone would be clapping, and you're clapping for everybody,

0:22:13.720 --> 0:22:16.800
<v Speaker 2>and then everybody calls out, and then you all grab

0:22:16.880 --> 0:22:20.520
<v Speaker 2>hands and take about to get and then that's it.

0:22:20.840 --> 0:22:23.280
<v Speaker 1>And that's it. And usually one of the adults would

0:22:23.440 --> 0:22:26.200
<v Speaker 1>have the young when if we had toddlers, whether it's

0:22:26.200 --> 0:22:30.040
<v Speaker 1>Olsen toddlers or Chittopolis toddlers, they would carry them out

0:22:30.200 --> 0:22:32.440
<v Speaker 1>or run out with them or do you know, incorporate

0:22:32.440 --> 0:22:34.920
<v Speaker 1>them that way, because it's hard to get little toddlers

0:22:34.920 --> 0:22:35.840
<v Speaker 1>to stay on their marks.

0:22:36.320 --> 0:22:40.000
<v Speaker 3>Yeah, exactly. Then that's not gonna happen, but there is that.

0:22:40.080 --> 0:22:44.040
<v Speaker 2>And then oftentimes if there were special guests like Make

0:22:44.040 --> 0:22:47.280
<v Speaker 2>a Wish Kids or Starlight Foundation or something like that,

0:22:47.960 --> 0:22:52.119
<v Speaker 2>they would usually be brought down like onto the set

0:22:52.200 --> 0:22:55.160
<v Speaker 2>floor and we'd get to spend some special time meeting

0:22:55.200 --> 0:22:58.119
<v Speaker 2>them and talking with them and stuff. But then you

0:22:58.160 --> 0:23:01.280
<v Speaker 2>know the rest of the audience would be uh escorted

0:23:01.320 --> 0:23:05.520
<v Speaker 2>out and they're probably saying, that was the longest four

0:23:05.560 --> 0:23:09.880
<v Speaker 2>hours uh of full house that I ever expected. And

0:23:10.080 --> 0:23:14.720
<v Speaker 2>kids would be passed out and asleep. And then sometimes

0:23:14.880 --> 0:23:16.880
<v Speaker 2>if we got out relatively early enough, we would go.

0:23:16.840 --> 0:23:18.600
<v Speaker 3>Out after right, Yes, I do.

0:23:18.680 --> 0:23:20.400
<v Speaker 1>I didn't go out very often because I lived so far,

0:23:20.520 --> 0:23:23.959
<v Speaker 1>not very but yeah, no, it was ed Bevi.

0:23:24.119 --> 0:23:25.560
<v Speaker 2>I remember a couple of times we went to ed

0:23:25.600 --> 0:23:27.959
<v Speaker 2>de Bevic's, which was a restaurant here in La at

0:23:27.960 --> 0:23:33.159
<v Speaker 2>the time that was like, yeah, it was like a

0:23:33.520 --> 0:23:37.239
<v Speaker 2>fifties diner and all of the waiters and waitresses like

0:23:37.320 --> 0:23:38.240
<v Speaker 2>were characters.

0:23:39.640 --> 0:23:39.880
<v Speaker 3>Yeah.

0:23:40.000 --> 0:23:43.600
<v Speaker 1>No, it's definitely an interactive experience where they're singing. The

0:23:43.640 --> 0:23:45.280
<v Speaker 1>waiters will sit down next to you to take your

0:23:45.359 --> 0:23:48.120
<v Speaker 1>order like they're very oh yeah yeah, yeah, yeah.

0:23:48.160 --> 0:23:51.119
<v Speaker 3>It was very fun. One would be roller skating. It

0:23:51.160 --> 0:23:51.440
<v Speaker 3>was great.

0:23:51.440 --> 0:23:54.040
<v Speaker 2>But I remember many times falling asleep in the booth

0:23:54.119 --> 0:23:56.640
<v Speaker 2>of an ed to Bellos because I can sleep anywhere.

0:23:56.680 --> 0:23:58.920
<v Speaker 3>Once I'm done, that's time.

0:23:59.119 --> 0:24:01.320
<v Speaker 2>I will curl up anywhere and I'm done, and I

0:24:01.359 --> 0:24:05.280
<v Speaker 2>would be dead asleep, crowded restaurant.

0:24:05.359 --> 0:24:06.560
<v Speaker 1>It's very long day.

0:24:07.160 --> 0:24:11.560
<v Speaker 2>But we didn't do that often because, I mean, we

0:24:11.600 --> 0:24:13.080
<v Speaker 2>had the drive right back to Orange County and my

0:24:13.160 --> 0:24:15.160
<v Speaker 2>parents usually wanted to get home.

0:24:15.359 --> 0:24:16.560
<v Speaker 1>Yeah, the parents are like, we don't want to go

0:24:16.600 --> 0:24:17.320
<v Speaker 1>to Dobethics.

0:24:17.400 --> 0:24:19.119
<v Speaker 3>We want to go there, Like, I don't want to

0:24:19.160 --> 0:24:20.080
<v Speaker 3>do anything right.

0:24:20.119 --> 0:24:21.800
<v Speaker 1>I don't know how our parents stand it now we're

0:24:21.840 --> 0:24:24.360
<v Speaker 1>at every single taping, Like, how did they like sit

0:24:24.400 --> 0:24:27.480
<v Speaker 1>in that audience night after night? I mean, I know

0:24:27.480 --> 0:24:30.040
<v Speaker 1>they would come in our dressing rooms too and hang out.

0:24:29.840 --> 0:24:33.480
<v Speaker 2>But yeah, that was I think I'm in full house, ma.

0:24:34.560 --> 0:24:36.000
<v Speaker 2>My mom was usually backstage.

0:24:36.040 --> 0:24:37.600
<v Speaker 1>Yeah, we had to have a guardian, that's right, we.

0:24:37.560 --> 0:24:40.480
<v Speaker 2>Had they had to be backstage in our dressing rooms.

0:24:40.560 --> 0:24:42.080
<v Speaker 1>Wait, it was the dad's that's sad.

0:24:42.080 --> 0:24:45.720
<v Speaker 3>It was always the dad's audience. Sam and Don Barber.

0:24:45.520 --> 0:24:48.000
<v Speaker 1>That's right, Dee Barbs de Barbs, So.

0:24:47.800 --> 0:24:49.760
<v Speaker 2>Sam and d Barbs would sit next to each other

0:24:49.920 --> 0:24:51.800
<v Speaker 2>and they ride up together sometimes.

0:24:51.840 --> 0:24:55.560
<v Speaker 1>Yeah, that's right, that's right. They would carpool and then

0:24:55.600 --> 0:24:58.320
<v Speaker 1>I don't I feel like our moms watched the monitors together,

0:24:58.359 --> 0:24:59.720
<v Speaker 1>like dressing.

0:24:59.440 --> 0:25:03.320
<v Speaker 2>Rooms monitors in our dressing room yeah.

0:25:03.359 --> 0:25:05.840
<v Speaker 1>So yeah, but that's dedication to do that every Friday

0:25:05.920 --> 0:25:09.560
<v Speaker 1>night for however one hundred and ninety two episodes or whatever, right, Yeah,

0:25:10.160 --> 0:25:11.840
<v Speaker 1>so yeah, props to them.

0:25:12.240 --> 0:25:14.920
<v Speaker 3>But yeah, but that was a tape night.

0:25:15.080 --> 0:25:17.440
<v Speaker 1>That's a tape night. That's a tape night. And yeah,

0:25:17.440 --> 0:25:20.879
<v Speaker 1>if anybody went to a full house taping, let us

0:25:20.920 --> 0:25:23.679
<v Speaker 1>know your thoughts. Are you still traumatized from it? Was

0:25:23.680 --> 0:25:25.800
<v Speaker 1>it like a bucket list thing where you so happy

0:25:25.840 --> 0:25:28.960
<v Speaker 1>you did it? Which episode did you watch? Like?

0:25:29.480 --> 0:25:32.280
<v Speaker 3>Yeah, really, let us know. It's always interesting.

0:25:32.760 --> 0:25:35.520
<v Speaker 2>I've never been on the other side of the taping

0:25:35.560 --> 0:25:36.160
<v Speaker 2>of a sitcom.

0:25:36.320 --> 0:25:38.760
<v Speaker 1>Yeah, yeah, so I really want to hear about it

0:25:38.760 --> 0:25:40.160
<v Speaker 1>from the audience perspective.

0:25:40.240 --> 0:25:42.520
<v Speaker 2>Yeah, and I probably never will because i know exactly

0:25:42.560 --> 0:25:44.280
<v Speaker 2>what I'm in store for and I'm gonna.

0:25:44.040 --> 0:25:45.520
<v Speaker 1>Go, no, no desire to do that.

0:25:45.560 --> 0:25:47.320
<v Speaker 3>You guys don't know what you have, what you're about

0:25:47.359 --> 0:25:47.760
<v Speaker 3>to sit for.

0:25:47.920 --> 0:25:51.120
<v Speaker 1>Yeah, Like, I'll just catch the edited version on TV

0:25:51.240 --> 0:25:52.160
<v Speaker 1>and three exactly.

0:25:52.320 --> 0:25:53.119
<v Speaker 3>I'm fine.

0:25:53.680 --> 0:25:57.040
<v Speaker 2>Yeah, but yeah, so that that was a tape night.

0:25:57.800 --> 0:26:00.320
<v Speaker 3>Man than memories, Andrea so much.

0:26:00.320 --> 0:26:02.840
<v Speaker 1>Andreas Kebler for this progress.

0:26:03.040 --> 0:26:06.440
<v Speaker 2>Andreas Kebler, not and Andrea Gibbler.

0:26:06.960 --> 0:26:10.520
<v Speaker 1>Andre's Keebler and I'm going with Andrea Gibbler.

0:26:10.640 --> 0:26:11.119
<v Speaker 3>I liked it.

0:26:11.440 --> 0:26:14.600
<v Speaker 2>I was like, did Jenny, like was she writing this?

0:26:14.760 --> 0:26:16.600
<v Speaker 2>And like there were just all of a sudden like

0:26:16.800 --> 0:26:18.920
<v Speaker 2>there was like a small earthquake and all the keys

0:26:18.920 --> 0:26:21.720
<v Speaker 2>got messed up. Yeah, very it was like there's an

0:26:21.800 --> 0:26:22.400
<v Speaker 2>s on the end.

0:26:22.640 --> 0:26:24.080
<v Speaker 1>Interviewed a couple of times too.

0:26:24.359 --> 0:26:24.560
<v Speaker 6>Yeah.

0:26:24.600 --> 0:26:27.159
<v Speaker 1>No, great, great topic, great memory.

0:26:27.359 --> 0:26:29.280
<v Speaker 3>Thank you so much for the excellent question.

0:26:29.440 --> 0:26:31.879
<v Speaker 1>Love it, love it, love it, Send in more, Rachel.

0:26:32.640 --> 0:26:34.960
<v Speaker 2>That is it for our show today. Thank you for

0:26:35.040 --> 0:26:37.120
<v Speaker 2>joining us for our fun little miniso. You can find

0:26:37.200 --> 0:26:39.600
<v Speaker 2>us on Instagram at how Red podcast, or you can

0:26:39.640 --> 0:26:42.680
<v Speaker 2>email us with more questions because we love doing the

0:26:42.720 --> 0:26:46.280
<v Speaker 2>fan question episodes at Howard Sandrito's at gmail dot com.

0:26:47.000 --> 0:26:49.919
<v Speaker 2>Like and subscribe to the podcast all the fun things

0:26:49.960 --> 0:26:54.119
<v Speaker 2>how Rude Merch dot com and uh. And that's it, y'all.

0:26:54.160 --> 0:26:58.639
<v Speaker 2>So we will see you next time. And remember the

0:26:58.680 --> 0:27:01.720
<v Speaker 2>world is small. The house is full.

0:27:03.000 --> 0:27:03.919
<v Speaker 3>Of an audience.

0:27:04.119 --> 0:27:07.320
<v Speaker 1>Oh I'll do two hundred of them.

0:27:06.760 --> 0:27:09.480
<v Speaker 2>Two hundred of them, just in the house, in the

0:27:09.680 --> 0:27:14.040
<v Speaker 2>just stuffed in there at laughing hysterical captain victims, yep, yep,

0:27:14.200 --> 0:27:18.440
<v Speaker 2>captain victims with a cold piece of pizza, but everywhere,

0:27:18.520 --> 0:27:21.560
<v Speaker 2>all all of them, yes, so many, all right bye,